1 00:00:01,072 --> 00:00:04,205 ♪♪♪ 2 00:00:06,277 --> 00:00:08,379 DON'T DO IT. 3 00:00:08,379 --> 00:00:10,010 THAT ONE'S OVERRIPE. 4 00:00:10,010 --> 00:00:11,312 REALLY? YOU CAN TELL? 5 00:00:11,312 --> 00:00:13,114 TRUST ME. 6 00:00:13,114 --> 00:00:14,315 THIS IS THE ONE... 7 00:00:14,315 --> 00:00:16,317 SWEET AND FIRM. 8 00:00:16,317 --> 00:00:18,289 (sniffs) 9 00:00:18,289 --> 00:00:20,091 I LIKE SWEET. 10 00:00:20,091 --> 00:00:22,053 AND I LIKE FIRM. 11 00:00:22,053 --> 00:00:24,195 MM. 12 00:00:24,195 --> 00:00:26,057 (people screaming) 13 00:00:26,057 --> 00:00:27,128 AAH! 14 00:00:27,128 --> 00:00:28,299 AAH! WHAT ARE YOU DRINKING, 15 00:00:28,299 --> 00:00:29,400 TOXIC WASTE? 16 00:00:29,400 --> 00:00:31,132 WE'RE DOING A CLEANSE. 17 00:00:31,132 --> 00:00:34,135 AND HE FORGOT HIS BOTTLE, SO I CAME BY TO DROP IT OFF. 18 00:00:34,135 --> 00:00:36,036 OH, HE FORGOT IT. ARE--ARE YOU SURE? 19 00:00:36,036 --> 00:00:37,108 MM. (snickers) 20 00:00:37,108 --> 00:00:38,369 ACTUALLY, 21 00:00:38,369 --> 00:00:41,172 I'VE NEVER FELT BETTER IN MY ENTIRE LIFE. 22 00:00:41,172 --> 00:00:44,175 WATER, LIME JUICE, NO SOLID FOOD. 23 00:00:44,175 --> 00:00:46,377 JENNY AND I ARE GONNA START OUR MARRIAGE PERFECTLY CLEANSED. 24 00:00:46,377 --> 00:00:48,119 WE'VE ALREADY MADE IT A WEEK. 25 00:00:48,119 --> 00:00:49,250 WE ONLY HAVE THREE DAYS TO GO. 26 00:00:49,250 --> 00:00:50,321 I CAN'T EVEN BELIEVE YOU GUYS 27 00:00:50,321 --> 00:00:51,382 ARE ALREADY GETTING MARRIED ON SUNDAY. 28 00:00:51,382 --> 00:00:53,124 I KNOW. ISN'T THAT CRAZY? 29 00:00:53,124 --> 00:00:55,256 I BETTER RUN. MY MOM IS FREAKING OUT ABOUT PLACE CARDS. 30 00:00:55,256 --> 00:00:57,057 SEE YOU THERE. 31 00:00:57,057 --> 00:00:58,259 THANKS, SWEETIE. I LOVE YOU. 32 00:00:58,259 --> 00:00:59,260 I LOVE YOU MORE. 33 00:00:59,260 --> 00:01:00,331 NO, THAT'S NOT POSSIBLE. 34 00:01:00,331 --> 00:01:02,333 MM. 35 00:01:02,333 --> 00:01:05,136 MWAH. 36 00:01:08,068 --> 00:01:09,200 I KNOW. 37 00:01:09,200 --> 00:01:10,401 I KNOW. I KNOW. WE'RE NAUSEATING. 38 00:01:10,401 --> 00:01:13,144 (Esposito) WELL, I AM LOOKING FORWARD 39 00:01:13,144 --> 00:01:15,276 TO MEETING SOME OF JENNY'S SORORITY SISTERS. 40 00:01:15,276 --> 00:01:17,408 I'M ABOUT TO SHOW THEM SOME OF NEW YORK'S FINEST. 41 00:01:17,408 --> 00:01:19,280 OH, GOOD. THEN I GUESS YOU WON'T CARE 42 00:01:19,280 --> 00:01:21,152 THAT LANIE'S BRINGING A PLUS ONE. 43 00:01:21,152 --> 00:01:24,415 (people speaking indistinctly) 44 00:01:24,415 --> 00:01:26,287 WHO? 45 00:01:26,287 --> 00:01:28,359 UH, I DON'T KNOW. SHE JUST RSVP'd PLUS ONE. 46 00:01:28,359 --> 00:01:30,090 (people continue speaking indistinctly) 47 00:01:30,090 --> 00:01:31,362 HOW CAN--HOW CAN SHE ALREADY HAVE A BOYFRIEND? 48 00:01:31,362 --> 00:01:33,294 WEJUSTBROKE UP. 49 00:01:33,294 --> 00:01:35,095 DON'T WORRY, ESPO. I'M GOING ALONE. 50 00:01:35,095 --> 00:01:36,297 SO IF THE SORORITY GIRLS DON'T WORK OUT, 51 00:01:36,297 --> 00:01:38,098 I'LL DANCE WITH YA. 52 00:01:38,098 --> 00:01:39,200 (cell phone rings) 53 00:01:39,200 --> 00:01:40,271 (beeps) 54 00:01:40,271 --> 00:01:41,432 ESPOSITO. 55 00:01:41,432 --> 00:01:44,305 CASTLE, JENNY TELLS ME THAT YOU RSVP'd PLUS ONE. 56 00:01:44,305 --> 00:01:46,177 MM-HMM. YOU'RE BRINGING A DATE? 57 00:01:46,177 --> 00:01:47,308 I AM. WHO? 58 00:01:47,308 --> 00:01:50,311 OH... WELL, SHE'S BEAUTIFUL, 59 00:01:50,311 --> 00:01:52,483 SHE'S INTELLIGENT, SHE'S FUNNY, 60 00:01:52,483 --> 00:01:55,446 AND THE WAY SHE SMILES AT ME SOMETIMES JUST MELTS MY HEART. 61 00:01:55,446 --> 00:01:57,117 (Esposito speaking indistinctly) 62 00:01:57,117 --> 00:01:58,219 IT'S ALEXIS. 63 00:01:58,219 --> 00:01:59,390 (Esposito) GUYS. 64 00:01:59,390 --> 00:02:01,222 WE GOT A FRESH ONE. 65 00:02:01,222 --> 00:02:03,354 (camera shutter clicking) 66 00:02:03,354 --> 00:02:05,496 HEY, LANIE. WE GOT A JUMPER? 67 00:02:05,496 --> 00:02:07,298 JUDGING BY THE IMPACT, I'D SAY HE CAME FROM 68 00:02:07,298 --> 00:02:09,400 ONE OF THOSE WINDOWS ABOVE THE SEVENTH FLOOR. 69 00:02:09,400 --> 00:02:11,332 RYAN AND ESPOSITO ARE ALREADY INTO FINDING THE ROOM 70 00:02:11,332 --> 00:02:13,304 WITH THE HOTEL STAFF. 71 00:02:13,304 --> 00:02:15,336 SO... HE'S NAKED. 72 00:02:15,336 --> 00:02:16,467 PERCEPTIVE. 73 00:02:16,467 --> 00:02:18,509 WELL, IT IS PRETTY COLD OUT. IF THIS WAS A SUICIDE, 74 00:02:18,509 --> 00:02:20,271 WOULDN'T YOU RATHER BE WARM AND TOASTY 75 00:02:20,271 --> 00:02:23,344 ON YOUR WAY DOWN TO YOUR CERTAIN YET CITRUSY DEATH? 76 00:02:23,344 --> 00:02:25,176 IF IT WERE A SUICIDE, 77 00:02:25,176 --> 00:02:27,147 WOULD YOU REALLY HAVE THESE... 78 00:02:27,147 --> 00:02:28,319 (camera shutter clicking) 79 00:02:28,319 --> 00:02:30,351 FINGERNAIL MARKS, ONLY AN HOUR OLD? 80 00:02:30,351 --> 00:02:33,224 WELL, IT LOOKS LIKE HE DID THE DEED BEFORE TAKING THE DIVE. 81 00:02:33,224 --> 00:02:34,285 LAST ITEM ON YOUR BUCKET LIST? 82 00:02:34,285 --> 00:02:35,426 (Esposito) YO. 83 00:02:35,426 --> 00:02:38,229 TWO HOTEL CLERKS SAW A WHITE LADY WITH LONG RED HAIR 84 00:02:38,229 --> 00:02:41,362 HURRYING OUT SHORTLY AFTER BIRTHDAY SUIT HIT THE FRUIT. 85 00:02:41,362 --> 00:02:42,433 ALL RIGHT, SEE IF YOU CAN GET 86 00:02:42,433 --> 00:02:43,494 A BETTER DESCRIPTION FROM THOSE CLERKS, 87 00:02:43,494 --> 00:02:45,165 AND LET'S SET UP A CANVASS. 88 00:02:45,165 --> 00:02:46,337 WE GOTTA FIND THAT WOMAN. RIGHT. 89 00:02:46,337 --> 00:02:48,269 ANTONIO, CAN YOU REFRIGERATE THESE SAMPLES 90 00:02:48,269 --> 00:02:49,370 IN THE VAN, PLEASE? 91 00:02:49,370 --> 00:02:51,372 IS THIS THE GUY? HMM? 92 00:02:51,372 --> 00:02:53,274 MR. PLUS ONE. 93 00:02:53,274 --> 00:02:55,346 (siren wailing, camera shutter clicking) 94 00:02:55,346 --> 00:02:58,279 (Ryan) HEY, BECKETT! 95 00:02:58,279 --> 00:02:59,280 FOUND THE ROOM! 96 00:02:59,280 --> 00:03:00,451 EIGHTH FLOOR! 97 00:03:00,451 --> 00:03:02,213 OKAY! 98 00:03:02,213 --> 00:03:05,216 (Ravel's "Boléro" playing) 99 00:03:07,258 --> 00:03:09,260 (music continues) 100 00:03:09,260 --> 00:03:11,191 MUSIC TO SET THE MOOD BY? 101 00:03:11,191 --> 00:03:12,393 YEAH. 102 00:03:12,393 --> 00:03:14,265 AND THEN THERE'S THE LIPSTICK ON THE PILLOW. 103 00:03:14,265 --> 00:03:15,466 LOOKS LIKE LANIE WAS RIGHT 104 00:03:15,466 --> 00:03:17,498 ABOUT OUR VICTIM GETTING LUCKY BEFORE HE... 105 00:03:17,498 --> 00:03:19,330 RAN OUT OF LUCK. 106 00:03:19,330 --> 00:03:22,202 SO OUR VIC'S NAME IS MICHAEL BAILEY, 28, 107 00:03:22,202 --> 00:03:23,404 LIVES ON WEST 93rd STREET. 108 00:03:23,404 --> 00:03:25,276 AND ACCORDING TO HIS BUSINESS CARD, 109 00:03:25,276 --> 00:03:27,207 HE'S A JUNIOR ANALYST AT GLOBAL 12 CONSOLIDATED 110 00:03:27,207 --> 00:03:28,309 IN MIDTOWN. 111 00:03:28,309 --> 00:03:29,380 WHO BOOKED THE ROOM? 112 00:03:29,380 --> 00:03:30,541 BOOKED UNDER JANE EYRE. 113 00:03:30,541 --> 00:03:32,443 PAID WITH CASH. NO CREDIT CARD ON FILE. 114 00:03:32,443 --> 00:03:34,315 SUGGESTS PREMEDITATION. 115 00:03:34,315 --> 00:03:35,516 SHE KNEW SHE WAS GONNA KILL HIM, 116 00:03:35,516 --> 00:03:37,318 SO SHE BOOKED THE ROOM ANONYMOUSLY. 117 00:03:37,318 --> 00:03:38,519 YEAH, BUT THEN WHY SLEEP WITH HIM? 118 00:03:38,519 --> 00:03:40,321 WHY NOT JUST PUSH HIM OUT THE WINDOW? 119 00:03:40,321 --> 00:03:42,493 BECAUSE SHE'S A BLACK WIDOW... 120 00:03:42,493 --> 00:03:44,355 (clicks) 121 00:03:44,355 --> 00:03:45,596 THE COLDEST-HEARTED CREATURE ON EARTH. 122 00:03:45,596 --> 00:03:47,428 SHE LURES AN UNSUSPECTING MALE, 123 00:03:47,428 --> 00:03:49,360 TAKES HIM INTO HER WEB, 124 00:03:49,360 --> 00:03:50,601 AND THEN THE MOMENT THEY CULMINATE, 125 00:03:50,601 --> 00:03:52,433 AS SOON AS HE FEELS THE ECSTASY 126 00:03:52,433 --> 00:03:55,566 OF ACHIEVING HIS BIOLOGICAL DESTINY, 127 00:03:55,566 --> 00:03:59,239 SHE OPENS UP HER JAWS AND EATS HIM ALIVE. 128 00:04:00,411 --> 00:04:02,273 I'M GLAD I'M IN A HEALTHY RELATIONSHIP. 129 00:04:02,273 --> 00:04:03,474 YEAH. 130 00:04:03,474 --> 00:04:05,316 I BET MALE BLACK WIDOW SPIDERS 131 00:04:05,316 --> 00:04:07,318 THINK THEY'RE IN HEALTHY RELATIONSHIPS, TOO. 132 00:04:07,318 --> 00:04:10,421 WELL, BLACK WIDOW OR NOT, 133 00:04:10,421 --> 00:04:11,622 I THINK... 134 00:04:11,622 --> 00:04:13,624 I FIGURED OUT HOW WE CAN FIND HER. 135 00:04:13,624 --> 00:04:15,286 BINGO. 136 00:04:15,286 --> 00:04:16,387 (police radio chatter) 137 00:04:16,387 --> 00:04:17,588 DO YOU HAVE ANY IDEA WHO I AM? 138 00:04:17,588 --> 00:04:21,332 I'M A FOUNDING PARTNER OF KELLER, BRAUN AND FRANKLIN. 139 00:04:21,332 --> 00:04:22,493 I'M FRANKLIN. 140 00:04:22,493 --> 00:04:24,395 OKAY. WELL, I DON'T CARE ABOUT YOUR LAW FIRM. 141 00:04:24,395 --> 00:04:26,367 A MAN FELL TO HIS DEATH TONIGHT, 142 00:04:26,367 --> 00:04:28,339 AND FINGERPRINTS CONFIRM 143 00:04:28,339 --> 00:04:29,470 THAT YOU WERE AT THE CRIME SCENE. 144 00:04:29,470 --> 00:04:31,402 NO, I HAD NOTHING TO DO WITH IT. 145 00:04:31,402 --> 00:04:32,543 OKAY, MAYBE YOU CAN TELL ME WHY PEOPLE SAW YOU 146 00:04:32,543 --> 00:04:33,604 FLEEING THE CRIME SCENE. 147 00:04:35,376 --> 00:04:37,378 MS. FRANKLIN, 148 00:04:37,378 --> 00:04:39,550 EVIDENCE SUGGESTS THAT YOU AND MICHAEL... 149 00:04:39,550 --> 00:04:41,612 MICHAEL? BAILEY WERE ROMANTICALLY INVOLVED. 150 00:04:41,612 --> 00:04:43,354 MICHAEL WHO? 151 00:04:43,354 --> 00:04:44,555 (paper rustles) THIS MAN. 152 00:04:46,357 --> 00:04:47,558 NO, THAT'S NOT MICHAEL. 153 00:04:47,558 --> 00:04:49,590 THAT'S JAKE. THAT'S JAKE HENDRICKS. 154 00:04:49,590 --> 00:04:51,322 NO, THAT'S MICHAEL BAILEY. 155 00:04:51,322 --> 00:04:53,424 I THINK I WOULD KNOW WHO I WAS SLEEPING WITH. 156 00:04:53,424 --> 00:04:54,665 WELL, APPARENTLY, YOU DON'T. 157 00:04:56,497 --> 00:04:58,469 YOU THINK I SHOULD PULL HER PHONE RECORDS? OKAY, LOOK... 158 00:04:58,469 --> 00:04:59,570 NAH, WHAT'S THE POINT? I DON'T KNOW ANYTHING ABOUT A FAKE NAME. 159 00:04:59,570 --> 00:05:01,572 WE ALREADY HAVE HER AT THE HOTEL WITH OUR VICTIM. 160 00:05:01,572 --> 00:05:03,504 NOT HER. (Beckett and Franklin speaking indistinctly) 161 00:05:03,504 --> 00:05:04,605 LANIE. 162 00:05:04,605 --> 00:05:06,337 (chokes) WHAT? 163 00:05:06,337 --> 00:05:07,538 I'M NOT GONNA GO TO YOUR WEDDING 164 00:05:07,538 --> 00:05:09,480 WITHOUT KNOWING WHO THIS GUY IS. 165 00:05:09,480 --> 00:05:12,312 JENNY HAS TO FIND OUT FOR THE PLACE CARDS. 166 00:05:12,312 --> 00:05:13,684 I'LL GET YOU HIS NAME. 167 00:05:13,684 --> 00:05:15,346 OKAY. 168 00:05:15,346 --> 00:05:16,447 (Franklin) YES, HE TOLD ME 169 00:05:16,447 --> 00:05:17,648 HIS NAME WAS JAKE. 170 00:05:17,648 --> 00:05:20,621 UM, HE SAID THAT HE FLIES IN FROM CHICAGO 171 00:05:20,621 --> 00:05:24,355 TO MAKE SALES CALLS FOR HIS FAMILY BUSINESS? 172 00:05:24,355 --> 00:05:26,457 HE WAS REALLY SWEET. 173 00:05:26,457 --> 00:05:28,399 I DIDN'T KILL HIM. 174 00:05:28,399 --> 00:05:30,431 (voice breaks) I WAS FALLING IN LOVE WITH HIM. 175 00:05:30,431 --> 00:05:32,433 WELL, HE FELL PRETTY HARD, TOO. (clicks pen) 176 00:05:32,433 --> 00:05:33,704 SO HOW LONG WERE THE TWO OF YOU DATING? 177 00:05:33,704 --> 00:05:35,506 (clears throat) 178 00:05:35,506 --> 00:05:38,639 (normal voice) UH, WELL, WE, UH, WE ACTUALLY JUST MET TONIGHT. 179 00:05:38,639 --> 00:05:42,613 UM, AT WILMER'S BAR AT AROUND 7:00. 180 00:05:42,613 --> 00:05:44,344 TONIGHT? 181 00:05:44,344 --> 00:05:46,577 AND YOU WERE ALREADY FALLING IN LOVE WITH HIM? 182 00:05:46,577 --> 00:05:48,579 LOOK, I-I KNOW-- I KNOW IT SOUNDS CRAZY, 183 00:05:48,579 --> 00:05:52,483 BUT IT FELT LIKE ONE OF THOSE MAGICAL CONNECTIONS 184 00:05:52,483 --> 00:05:54,425 THAT YOU READ ABOUT, YOU KNOW? 185 00:05:54,425 --> 00:05:56,627 AFTER WE... 186 00:05:56,627 --> 00:05:58,389 YOU KNOW, UM, 187 00:05:58,389 --> 00:06:00,691 HE STARTED TO GET DIZZY 188 00:06:00,691 --> 00:06:02,633 AND... (sniffles) SWEATY. 189 00:06:02,633 --> 00:06:05,596 SO HE OPENED UP A WINDOW TO GET SOME FRESH AIR, 190 00:06:05,596 --> 00:06:08,539 AND HE WAS LEANING AGAINST THE WINDOWSILL 191 00:06:08,539 --> 00:06:10,370 WHEN SUDDENLY... 192 00:06:11,502 --> 00:06:13,704 (voice breaks) HE JUST... 193 00:06:18,609 --> 00:06:20,711 OKAY. SO YOU'RE SAYING THAT... 194 00:06:20,711 --> 00:06:22,513 (clears throat) 195 00:06:22,513 --> 00:06:23,714 HE FELL OUT THE WINDOW 196 00:06:23,714 --> 00:06:26,557 AND YOUR FIRST INSTINCT WASN'T TO CALL 9-1-1, 197 00:06:26,557 --> 00:06:28,419 BUT TO RUN AWAY? 198 00:06:28,419 --> 00:06:30,461 I KNEW HOW IT WOULD LOOK, BUT I PANICKED 199 00:06:30,461 --> 00:06:31,762 AND I MADE A REALLY BAD DECISION. 200 00:06:31,762 --> 00:06:34,665 BUT I SWEAR, IT WAS AN ACCIDENT. 201 00:06:34,665 --> 00:06:36,667 IT WASNOTAN ACCIDENT. 202 00:06:36,667 --> 00:06:38,469 YOU CAN TELL HE WAS PUSHED? 203 00:06:38,469 --> 00:06:39,530 I DIDN'T SAY HE WAS PUSHED. 204 00:06:39,530 --> 00:06:40,671 MICHAEL BAILEY WAS POISONED 205 00:06:40,671 --> 00:06:43,403 WITH A LETHAL DOSE OF COLCHICINE. 206 00:06:43,403 --> 00:06:44,605 HE WAS DEAD BEFORE HE HIT THE FRUIT. 207 00:06:44,605 --> 00:06:45,606 COLCHICINE? 208 00:06:45,606 --> 00:06:47,407 ISN'T THAT A DRUG FOR RHEUMATISM? 209 00:06:47,407 --> 00:06:49,510 YES, WHICH BAILEY DOES NOT HAVE, 210 00:06:49,510 --> 00:06:51,582 BUT HE HAD 50 TIMES THE NORMAL DOSAGE IN HIS SYSTEM. 211 00:06:51,582 --> 00:06:53,514 I'M PUTTING THE TIME OF INGESTION 212 00:06:53,514 --> 00:06:55,415 BETWEEN 4:00 AND 6:00 P.M. 213 00:06:55,415 --> 00:06:56,687 WHICH IS 45 MINUTESBEFORE 214 00:06:56,687 --> 00:06:58,619 HOLLY SAID SHE MET HIM AT WILMER'S BAR. 215 00:06:58,619 --> 00:07:00,791 ANY IDEA HOW THAT DRUG WAS DELIVERED? 216 00:07:00,791 --> 00:07:02,523 IT WAS IN SOMETHING HE DRANK. 217 00:07:02,523 --> 00:07:04,795 I FOUND LOTS OF WHEY-PROTEIN ISOLATE IN HIS STOMACH, 218 00:07:04,795 --> 00:07:06,527 ALONG WITH CHOCOLATE. 219 00:07:06,527 --> 00:07:07,758 SO A CHOCOLATE PROTEIN SHAKE. 220 00:07:07,758 --> 00:07:10,430 IT'D BE SWEET ENOUGH TO MASK THE TASTE OF THE DRUG. 221 00:07:10,430 --> 00:07:12,563 SPEAKING OF SWEET, WHO'S YOUR DATE FOR RYAN'S WEDDING? 222 00:07:13,704 --> 00:07:15,536 TOOK A SHOT. 223 00:07:15,536 --> 00:07:16,607 ALL RIGHT. THANKS, LANIE. 224 00:07:16,607 --> 00:07:17,668 ONE MORE THING. 225 00:07:17,668 --> 00:07:19,510 I RAN A D.N.A. TEST JUST TO CONFIRM 226 00:07:19,510 --> 00:07:21,472 THAT SUPERMAN HERE HAD SEX BEFORE DYING-- 227 00:07:21,472 --> 00:07:23,443 NO, IT'S OKAY. OUR SUSPECT-- LET ME FINISH. 228 00:07:23,443 --> 00:07:25,516 THE TEST SHOWS HE HAD SEX ALL RIGHT, 229 00:07:25,516 --> 00:07:27,748 WITH TWO DIFFERENT WOMEN 230 00:07:27,748 --> 00:07:30,551 WITHIN HOURS OF HIS DEATH. 231 00:07:30,551 --> 00:07:33,784 YOU DOG. 232 00:07:33,784 --> 00:07:35,656 MS. FRANKLIN, I-IT-- 233 00:07:35,656 --> 00:07:39,490 IT SEEMS THAT YOU WEREN'T THE ONLY WOMAN THAT-- 234 00:07:39,490 --> 00:07:41,732 THAT MR. BAILEY WAS, UH... 235 00:07:41,732 --> 00:07:44,565 WITH IN THE HOURS PRIOR TO HIS DEATH. 236 00:07:44,565 --> 00:07:47,638 UM, WHAT DO YOU MEAN, WITH? 237 00:07:47,638 --> 00:07:50,771 WAS THERE ANOTHER WOMAN IN THE HOTEL ROOM WITH YOU? 238 00:07:50,771 --> 00:07:53,674 I DIDN'T THINK THIS COULD GET ANY MORE HUMILIATING. 239 00:07:53,674 --> 00:07:54,745 WAS THAT A YES? 240 00:07:54,745 --> 00:07:55,776 NO,DETECTIVE. 241 00:07:55,776 --> 00:07:57,508 THANK YOU. 242 00:07:57,508 --> 00:07:59,550 OH, AND YOU SHOULD KNOW THAT OUR M.E. 243 00:07:59,550 --> 00:08:01,481 HAS BEEN ABLE TO DETERMINE THAT MR. BAILEY 244 00:08:01,481 --> 00:08:02,783 WAS, UH... WEARING A CONDOM 245 00:08:02,783 --> 00:08:04,615 BOTH TIMES 246 00:08:04,615 --> 00:08:05,686 SO THAT'S... 247 00:08:05,686 --> 00:08:09,520 THAT MAKES IT ALL BETTER. 248 00:08:10,761 --> 00:08:13,564 NOW I WISH I PUSHED HIM! 249 00:08:13,564 --> 00:08:14,765 HELL HATH NO FURY, ALL RIGHT. 250 00:08:14,765 --> 00:08:16,567 BUT I'M PRETTY SURE SHE'S TELLING THE TRUTH. 251 00:08:16,567 --> 00:08:18,569 YEAH, MAYBE, BUT LET'S JUST CONFIRM HER ALIBI 252 00:08:18,569 --> 00:08:19,700 BEFORE RELEASING HER. 253 00:08:19,700 --> 00:08:21,501 (Castle) IN THE MEANTIME, WE NEED TO FIGURE OUT 254 00:08:21,501 --> 00:08:22,703 WHERE BAILEY WAS AND WHO HE WAS WITH 255 00:08:22,703 --> 00:08:24,705 BETWEEN 4:00 AND 6:00 P.M. WHEN HE WAS POISONED. 256 00:08:24,705 --> 00:08:25,776 EXACTLY. 257 00:08:25,776 --> 00:08:27,638 THAT IS OUR KILL ZONE. 258 00:08:27,638 --> 00:08:29,640 (Esposito) HEY. 259 00:08:29,640 --> 00:08:30,841 SO I CAN'T FIND ANY NEXT OF KIN ON THE GUY. 260 00:08:30,841 --> 00:08:32,543 PARENTS DIED YEARS AGO. 261 00:08:32,543 --> 00:08:36,516 THERE'S NO SIBLINGS, NO NOTHING. 262 00:08:36,516 --> 00:08:39,590 (people speaking indistinctly) 263 00:08:39,590 --> 00:08:40,591 (mouth full) YOU OKAY? 264 00:08:40,591 --> 00:08:41,652 FINE. 265 00:08:41,652 --> 00:08:42,793 (gulps) SO THEN EVERYTHING BAILEY 266 00:08:42,793 --> 00:08:45,525 TOLD HOLLY ABOUT HIMSELF WAS A LIE. 267 00:08:45,525 --> 00:08:46,797 MM. MAYBE THAT WAS HIS TRICK. 268 00:08:46,797 --> 00:08:48,699 IN FROM OUT OF TIME, FAMILY GUY, OWN BUSINESS-- 269 00:08:48,699 --> 00:08:50,601 THAT'S HOW HE GOT WOMEN IN BED. 270 00:08:50,601 --> 00:08:51,862 (Ryan) WHATEVER HIS REASON FOR LYING TO HOLLY, 271 00:08:51,862 --> 00:08:53,864 I'M BETTING THAT OUR KILLER IS WHOEVER BAILEY SLEPT WITH 272 00:08:53,864 --> 00:08:55,666 EARLIER IN THE DAY. 273 00:08:55,666 --> 00:08:57,608 SHE GOT ON TO HIS PHILANDERING AND GOT EVEN. 274 00:08:57,608 --> 00:08:59,539 ALL RIGHT. GO THROUGH HIS PHONE RECORDS. (slurps) 275 00:08:59,539 --> 00:09:00,741 WE GOTTA FIND THAT OTHER WOMAN. 276 00:09:00,741 --> 00:09:03,744 (burps) AAH. 277 00:09:05,816 --> 00:09:06,877 (Alexis) GOOD MORNING, DAD. 278 00:09:06,877 --> 00:09:08,579 (Castle) GOOD MORNING. 279 00:09:08,579 --> 00:09:10,681 DARLING, WHERE'S YOUR CREDIT CARD? OH. 280 00:09:10,681 --> 00:09:12,623 MM. LIKED "GOOD MORNING" BETTER. 281 00:09:12,623 --> 00:09:13,624 (sighs) 282 00:09:13,624 --> 00:09:14,785 LET ME ASK YOU TWO SOMETHING. MM. 283 00:09:14,785 --> 00:09:18,558 IF YOU FOUND OUT A MAN WAS CHEATING ON YOU, 284 00:09:18,558 --> 00:09:19,890 HOW WOULD YOU KILL HIM? 285 00:09:19,890 --> 00:09:21,892 KNIFE... TO THE HEART. 286 00:09:21,892 --> 00:09:23,864 ALL RIGHT. WHAT IF YOU DON'T HAVE THE STOMACH FOR THAT? 287 00:09:23,864 --> 00:09:25,896 SHOOT HIM. BUT YOU DON'T HAVE THE STOMACH FOR THAT EITHER. 288 00:09:25,896 --> 00:09:27,898 WHAT'S WRONG WITH OUR STOMACHS? THERE'S ALWAYS POISON. 289 00:09:27,898 --> 00:09:30,601 TRUE. WATCH HIM WRITHE AND SUFFER. 290 00:09:30,601 --> 00:09:31,902 DIE LIKE THE RODENT HE IS. 291 00:09:31,902 --> 00:09:33,573 WOW. 292 00:09:33,573 --> 00:09:34,905 ALL THESE YEARS WRITING ABOUT MURDERERS, 293 00:09:34,905 --> 00:09:37,708 I HAD NO IDEA I WAS LIVING AMONG THEM. WELL... 294 00:09:37,708 --> 00:09:40,651 SPEAKING OF MURDER, WHAT'S THE CREDIT CARD FOR? 295 00:09:40,651 --> 00:09:41,912 OH, WE'RE GOING SHOPPING TO PICK OUT MY DRESS 296 00:09:41,912 --> 00:09:43,854 TO BE YOUR DATE AT RYAN'S WEDDING. 297 00:09:43,854 --> 00:09:45,686 WHAT'S WRONG WITH THE ONES YOU HAVE? 298 00:09:45,686 --> 00:09:46,757 DARLING, 299 00:09:46,757 --> 00:09:49,620 BEAUTY DOES NOT HAPPEN BY ACCIDENT. 300 00:09:49,620 --> 00:09:51,892 AND THAT'S WHY, WHEN IT GOES UNAPPRECIATED BY CHEATING SCUM, 301 00:09:51,892 --> 00:09:53,764 WE WANT REVENGE. 302 00:09:56,667 --> 00:09:57,968 MM. 303 00:09:57,968 --> 00:10:00,731 EVEN THEIR HYPOTHETICAL FURY IS UNNERVING. 304 00:10:00,731 --> 00:10:01,932 WILLIAM CONGREVE HAD IT RIGHT 305 00:10:01,932 --> 00:10:03,734 WHEN HE TALKED ABOUT SCORNED WOMEN. 306 00:10:03,734 --> 00:10:05,605 YEAH, WELL, YOU HAVEN'T HEARD WHAT I WOULD DO. 307 00:10:05,605 --> 00:10:06,807 YEAH, I DON'T THINK I EVER WANT TO KNOW. 308 00:10:06,807 --> 00:10:07,938 HEY, GUYS. 309 00:10:07,938 --> 00:10:10,741 HMM? ANY LUCK TRACKING DOWN BAILEY'S OTHER WOMAN? 310 00:10:10,741 --> 00:10:11,812 UH... A LOT OF LUCK. 311 00:10:14,785 --> 00:10:16,717 (indistinct conversations) 312 00:10:16,717 --> 00:10:18,689 (exhales deeply) 313 00:10:18,689 --> 00:10:20,721 (lowered voice) IT'S LIKE THE BEGINNING OF "THE BACHELOR," 314 00:10:20,721 --> 00:10:21,992 BUT WITHOUT THE APPLETINIS. 315 00:10:21,992 --> 00:10:24,855 (lowered voice) BAILEY WAS INVOLVED WITH ALL OF THEM? 316 00:10:24,855 --> 00:10:26,757 UH, YEAH. 317 00:10:26,757 --> 00:10:29,760 AND EACH OF THEM THOUGHT THAT THEY WERE HIS ONE AND ONLY. 318 00:10:30,861 --> 00:10:33,834 THAT'S A LOT OF SCORNED WOMEN... 319 00:10:33,834 --> 00:10:40,971 AND A LOT OF FURY. 320 00:10:45,245 --> 00:10:46,316 YEAH. YEAH, I DON'T GET IT. 321 00:10:46,316 --> 00:10:47,377 H-HOW DOES AN AVERAGE LOOKING GUY 322 00:10:47,377 --> 00:10:49,179 WITH A DIME-A-DOZEN ANALYST JOB 323 00:10:49,179 --> 00:10:51,321 END UP DATING ALL OF THESE GORGEOUS WOMEN? 324 00:10:51,321 --> 00:10:52,382 BY LYING TO THEM. 325 00:10:52,382 --> 00:10:54,685 ACTUALLY, HE WASN'T LYING TO THESE WOMEN. 326 00:10:54,685 --> 00:10:56,256 AT LEAST NOT ABOUT WHO HE WAS ANYWAY. 327 00:10:56,256 --> 00:10:57,688 THEY ALL KNEW HIM BY HIS REAL NAME. 328 00:10:57,688 --> 00:11:00,360 THEN WHY WOULD HE TELL HOLLY THAT HE'S JAKE FROM CHICAGO? 329 00:11:00,360 --> 00:11:01,692 WAS BAILEY WITH ANY OF THOSE WOMEN 330 00:11:01,692 --> 00:11:03,293 BETWEEN 4:00 AND 6:00 YESTERDAY? 331 00:11:03,293 --> 00:11:04,434 SO FAR, NO. 332 00:11:04,434 --> 00:11:06,366 BUT THEY ALL DENY KNOWING THAT HE WAS EVEN IN THE CITY. 333 00:11:06,366 --> 00:11:08,198 A MONTH AGO, HE TOLD EVERY ONE OF 'EM 334 00:11:08,198 --> 00:11:09,399 HE WAS GOING TO EUROPE FOR SIX WEEKS. 335 00:11:09,399 --> 00:11:10,670 A MONTH AGO? 336 00:11:10,670 --> 00:11:12,302 SO WHY'D HE COME BACK EARLY? 337 00:11:12,302 --> 00:11:13,403 HE NEVER WENT. 338 00:11:13,403 --> 00:11:15,205 AND AS FAR AS I CAN TELL FROM HIS CREDIT CARD USE, 339 00:11:15,205 --> 00:11:17,147 HE NEVER EVEN LEFT NEW YORK. 340 00:11:17,147 --> 00:11:18,348 SO WHY TELL THEM THAT HE WAS LEAVING? 341 00:11:18,348 --> 00:11:21,251 I MEAN, WAS THAT JUST A COWARDLY WAY OF BREAKING UP WITH THEM? 342 00:11:21,251 --> 00:11:23,183 I THINK THERE'S SOMETHING ELSE GOING ON. 343 00:11:23,183 --> 00:11:24,254 I CALLED THE PERSONNEL DEPARTMENT 344 00:11:24,254 --> 00:11:25,385 AT GLOBAL 12 CONSOLIDATED. 345 00:11:25,385 --> 00:11:26,456 AND THEY SAID THAT HE'S BEEN ON A LEAVE OF ABSENCE 346 00:11:26,456 --> 00:11:27,457 FOR THE LAST MONTH. 347 00:11:27,457 --> 00:11:29,359 THAT'S A BIG MONTH-- 348 00:11:29,359 --> 00:11:31,722 TAKING A LEAVE FROM WORK AND YOUR GIRLFRIENDS. 349 00:11:31,722 --> 00:11:34,364 AND HIS APARTMENT. 350 00:11:34,364 --> 00:11:36,396 THE DOORMAN AT BAILEY'S BUILDING SAID THAT FOR THE PAST MONTH, 351 00:11:36,396 --> 00:11:38,729 HE'S ONLY SPENT A COUPLE NIGHTS A WEEK THERE. 352 00:11:38,729 --> 00:11:40,200 PAST MONTH. HMM. 353 00:11:40,200 --> 00:11:41,301 YEAH. 354 00:11:41,301 --> 00:11:42,372 HE WASN'T THERE AT ALL YESTERDAY, 355 00:11:42,372 --> 00:11:43,734 SO THAT'S NOT WHERE HE WAS POISONED. 356 00:11:43,734 --> 00:11:46,376 AND I LOOKED IN HIS DRESSER 357 00:11:46,376 --> 00:11:48,308 AND I FOUND THIS. 358 00:11:48,308 --> 00:11:50,380 ILLINOIS DRIVER'S LICENSE. 359 00:11:50,380 --> 00:11:51,481 JAKE HENDRICKS, CHICAGO. 360 00:11:51,481 --> 00:11:53,413 THAT'S THE NAME THAT HE GAVE HOLLY. 361 00:11:53,413 --> 00:11:55,285 SO HE IS JAKE HENDRICKS? 362 00:11:55,285 --> 00:11:57,447 NO, HE'S MIKE BAILEY. THAT'S A FAKE. 363 00:11:57,447 --> 00:11:59,249 HE DID NOT BUY THIS ON SOME STREET CORNER. 364 00:11:59,249 --> 00:12:00,390 THIS IS GOVERNMENT GRADE. 365 00:12:00,390 --> 00:12:02,722 YEAH, RIGHT DOWN TO THE SECURITY HOLOGRAM. 366 00:12:02,722 --> 00:12:04,394 IT'S LIKE HE WAS LIVING UNDERCOVER. 367 00:12:04,394 --> 00:12:05,725 AND I FOUND THIS. 368 00:12:05,725 --> 00:12:07,257 THAT'S A LOT OF CAKE. 369 00:12:07,257 --> 00:12:08,759 WHY DO YOU HAVE TO CALL IT CAKE? IT'S MONEY. 370 00:12:08,759 --> 00:12:10,730 IT'S A LOT OF MONEY. IT'S ABOUT 60 GRAND. 371 00:12:10,730 --> 00:12:12,402 CASH, FAKE I.D... 372 00:12:12,402 --> 00:12:14,334 WHAT THE HELL WAS BAILEY INTO? 373 00:12:14,334 --> 00:12:16,736 SOMETHING BIGGER THAN LYING ABOUT WHO HE WAS 374 00:12:16,736 --> 00:12:18,268 JUST TO GET LAID. 375 00:12:18,268 --> 00:12:22,212 JAKE HENDRICKS HAS FAKE WEB SEARCH HITS. 376 00:12:22,212 --> 00:12:23,743 LIVES IN CHICAGO, WORKS FOR THE FAMILY BUSINESS. 377 00:12:23,743 --> 00:12:25,275 JUST LIKE HE TOLD HOLLY FRANKLIN. 378 00:12:25,275 --> 00:12:26,376 MM-HMM. 379 00:12:26,376 --> 00:12:28,318 FAMILY BUSINESS HAS A FAKE WEB SITE. 380 00:12:28,318 --> 00:12:30,220 THAT'S A PRETTY DEEP COVER. 381 00:12:30,220 --> 00:12:32,482 YEAH. OUR DON JUAN'S STARTING TO LOOK MORE LIKE JASON BOURNE. 382 00:12:32,482 --> 00:12:34,424 ALL RIGHT, YOU GUYS GET AHOLD OF FBI AND CIA 383 00:12:34,424 --> 00:12:36,286 AND ANY OTHER INTELLIGENCE AGENCY, 384 00:12:36,286 --> 00:12:37,457 SEE IF HE'S ONE OF THEIRS. 385 00:12:37,457 --> 00:12:39,359 COME ON, CASTLE. LET'S TALK TO BAILEY'S BOSS 386 00:12:39,359 --> 00:12:40,760 AT GLOBAL 12 CONSOLIDATED, 387 00:12:40,760 --> 00:12:44,494 FIND OUT WHY OUR VIC TOOK THAT LEAVE OF ABSENCE. 388 00:12:44,494 --> 00:12:46,766 WE STILL NEED THE ESTIMATES ON THORIUM IN INDIA. 389 00:12:46,766 --> 00:12:48,238 AND I WOULD APPRECIATE-- 390 00:12:48,238 --> 00:12:49,369 EXCUSE ME, MR. HARRIS. 391 00:12:49,369 --> 00:12:51,301 THOSE DETECTIVES ARE HERE FOR YOU. 392 00:12:54,374 --> 00:12:55,545 YOU GUYS MIND IF WE TAKE A FEW MINUTES? 393 00:12:55,545 --> 00:12:57,277 NO PROBLEM. 394 00:12:57,277 --> 00:12:58,408 WE'RE STILL WORKING UP THE FINANCING TERMS 395 00:12:58,408 --> 00:12:59,549 ON SUBORDINATED DEBT ANYWAY. 396 00:12:59,549 --> 00:13:01,381 SURE. 397 00:13:01,381 --> 00:13:04,414 IT'S NOT LIKE THESE NEGOTIATIONS ARE GOING ANYWHERE. 398 00:13:04,414 --> 00:13:07,387 MIKE WAS A JUNIOR ANALYST IN OUR ACQUISITION DEPARTMENT. 399 00:13:07,387 --> 00:13:10,390 HE WAS A GOOD KID, BRIGHT FUTURE. 400 00:13:10,390 --> 00:13:13,323 I UNDERSTAND THAT HE TOOK A LEAVE OF ABSENCE A MONTH AGO. 401 00:13:13,323 --> 00:13:14,825 DID HE GIVE YOU A REASON WHY? 402 00:13:14,825 --> 00:13:16,426 PERSONAL ISSUES. 403 00:13:16,426 --> 00:13:19,399 HE DIDN'T SAY WHY, BUT I COULD TELL IT WAS SERIOUS. 404 00:13:19,399 --> 00:13:20,530 SO YOU HAVE NO IDEA WHY 405 00:13:20,530 --> 00:13:23,533 HE WOULD HAVE A FAKE I.D. AND $60,000 CASH? 406 00:13:23,533 --> 00:13:26,336 NO. 407 00:13:26,336 --> 00:13:28,308 BUT MAYBE IT HAD SOMETHING TO DO WITH THAT WOMAN 408 00:13:28,308 --> 00:13:30,340 THAT TRIED TO BREAK IN HIS OFFICE YESTERDAY. 409 00:13:30,340 --> 00:13:31,811 WHO WAS THAT? I DON'T KNOW. 410 00:13:31,811 --> 00:13:33,313 SHE WAS GONE BEFORE SECURITY GOT THERE. 411 00:13:33,313 --> 00:13:34,484 AND WHO REPORTED IT? 412 00:13:34,484 --> 00:13:35,815 I HAD STEPPED OUT OF NEGOTIATIONS 413 00:13:35,815 --> 00:13:37,417 TO GO TO THE RESTROOM. 414 00:13:37,417 --> 00:13:40,320 AND IN THE HALLWAY, I NOTICED A WOMAN WAS TRYING 415 00:13:40,320 --> 00:13:41,451 TO PICK AN OFFICE DOOR LOCK 416 00:13:41,451 --> 00:13:43,523 USING A WRENCH AND AN OPENED-UP PAPER CLIP. 417 00:13:43,523 --> 00:13:46,456 I ASSUMED SHE HAD JUST LOCKED HERSELF OUT OF HER OFFICE 418 00:13:46,456 --> 00:13:48,528 AND JOKED THAT A KEY WOULD WORK BETTER. 419 00:13:48,528 --> 00:13:49,860 WELL, SHE WAS STARTLED 420 00:13:49,860 --> 00:13:53,363 AND SHOVED ME OVER AND MADE A DASH FOR THE STAIRWELL. 421 00:13:53,363 --> 00:13:54,434 DID YOU GET A GOOD LOOK AT HER? 422 00:13:54,434 --> 00:13:56,436 YEAH, AND I TOLD SECURITY. 423 00:13:56,436 --> 00:13:59,469 SHE WAS EXOTIC, 30-ISH, DARK, WAVY HAIR. 424 00:13:59,469 --> 00:14:01,571 SHE HAD ON AN OVERCOAT, BUT IT WAS OPEN, 425 00:14:01,571 --> 00:14:04,314 AND SHE WAS WEARING A PIN WITH THE STAR OF DAVID ON IT. 426 00:14:04,314 --> 00:14:06,416 I'M PRETTY SURE IT'S THE INSIGNIA 427 00:14:06,416 --> 00:14:07,878 FROM EL AL AIRLINES. 428 00:14:07,878 --> 00:14:09,349 (computer chirps) 429 00:14:09,349 --> 00:14:10,850 (Esposito) NAME'S COLETTE ROTH. 430 00:14:10,850 --> 00:14:12,382 SHE'S 27. 431 00:14:12,382 --> 00:14:13,583 SHE'S BEEN AN EL AL FLIGHT ATTENDANT FOR THREE YEARS, 432 00:14:13,583 --> 00:14:16,356 MAKING THE TEL AVIV-J.F.K. RUN TWICE A WEEK. 433 00:14:16,356 --> 00:14:18,358 INTEL AGENCIES USED TO USE FLIGHT ATTENDANTS AS SPIES, 434 00:14:18,358 --> 00:14:19,489 DIDN'T THEY? 435 00:14:19,489 --> 00:14:21,531 YEAH, AND GET THIS, SHE'S FORMER ISRAELI MILITARY. 436 00:14:21,531 --> 00:14:23,493 (clicks pen) MOSSAD IS FAMOUS FOR POISONING. 437 00:14:23,493 --> 00:14:25,335 YEAH, BIG-TIME. CASTLE MAY NOT BE THAT FAR OFF... 438 00:14:25,335 --> 00:14:27,467 (cell phone chimes) WITH HIS JASON BOURNE THEORY. 439 00:14:27,467 --> 00:14:29,339 UNIFORMS ARE TRACKING HER DOWN NOW. (beeps) 440 00:14:29,339 --> 00:14:31,471 AH, JENNY JUST TEXTED ME LANIE'S PLUS ONE. 441 00:14:31,471 --> 00:14:33,343 NAME IS TOBY LANG. 442 00:14:33,343 --> 00:14:34,574 WH-- (chuckles) 443 00:14:34,574 --> 00:14:36,346 WHAT? TOBY. (chuckles) ALL RIGHT. 444 00:14:36,346 --> 00:14:37,547 (clicks keyboard keys) 445 00:14:37,547 --> 00:14:40,410 LET'S CHECK THIS PUNK OUT. 446 00:14:40,410 --> 00:14:41,881 (clicks key, computer chirps) 447 00:14:41,881 --> 00:14:44,354 DR. TOBY LANG? 448 00:14:44,354 --> 00:14:45,485 (chirp) THE GUY'S THE CHIEF ADMINISTRATOR 449 00:14:45,485 --> 00:14:47,417 AT ST. SAMUEL'S HOSPITAL. 450 00:14:47,417 --> 00:14:48,558 BIG JOB. 451 00:14:48,558 --> 00:14:50,890 LANIE DID HER RESIDENCY THERE, DIDN'T SHE? 452 00:14:50,890 --> 00:14:51,891 YEAH. 453 00:14:51,891 --> 00:14:53,623 GOOD-LOOKING GUY. 454 00:14:53,623 --> 00:14:55,665 PLAYED COLLEGE HOOPS AT KENTUCKY? 455 00:14:55,665 --> 00:14:57,427 GROUNDBREAKING CANCER RESEARCHER? 456 00:14:57,427 --> 00:14:58,528 ARE YOU KIDDING ME? 457 00:14:58,528 --> 00:14:59,629 PUT ME DOWN FOR PLUS ONE. 458 00:14:59,629 --> 00:15:01,601 JENNY ALREADY DID THE TABLES. 459 00:15:01,601 --> 00:15:04,634 WHAT ABOUT HER SORORITY SISTERS? 460 00:15:04,634 --> 00:15:06,576 DUDE, I'M NOT SHOWING UP SOLO 461 00:15:06,576 --> 00:15:08,638 WHEN SHE'S BRINGING CAPTAIN AMERICA OVER HERE. 462 00:15:08,638 --> 00:15:10,580 OKAY, I'LL TALK TO JENNY, 463 00:15:10,580 --> 00:15:13,483 BUT HER MOM IS GONNA NEED A NAME FOR THAT PLACE CARD. (telephone rings) 464 00:15:13,483 --> 00:15:16,586 ESPOSITO. 465 00:15:16,586 --> 00:15:17,917 COPY THAT. 466 00:15:17,917 --> 00:15:19,419 (clatters) 467 00:15:19,419 --> 00:15:21,621 COLETTE ROTH JUST CHECKED IN FOR A FLIGHT AT J.F.K. 468 00:15:21,621 --> 00:15:23,423 UNIs ARE PICKING HER UP NOW. 469 00:15:23,423 --> 00:15:24,494 ALL RIGHT. 470 00:15:24,494 --> 00:15:25,925 I'M NOT A SPY. 471 00:15:25,925 --> 00:15:27,927 I'M A FLIGHT ATTENDANT. 472 00:15:27,927 --> 00:15:29,559 WELL, THEN MAYBE YOU COULD EXPLAIN YOUR RELATIONSHIP 473 00:15:29,559 --> 00:15:30,961 WITH MICHAEL BAILEY. 474 00:15:30,961 --> 00:15:33,403 WE WERE SOUL MATES. 475 00:15:33,403 --> 00:15:35,535 (Castle) WELL, THEN I'M SURE YOU'LL BE ABLE TO TELL US 476 00:15:35,535 --> 00:15:37,437 WHERE THE TWO OF YOU WERE YESTERDAY 477 00:15:37,437 --> 00:15:39,469 BETWEEN THE HOURS OF 4:00 AND 6:00 P.M. 478 00:15:39,469 --> 00:15:41,541 I WAS OUTSIDE HIS APARTMENT WAITING FOR HIM. 479 00:15:41,541 --> 00:15:42,642 BUT HE NEVER CAME. 480 00:15:42,642 --> 00:15:44,975 YOU HAD A VERY BUSY DAY YESTERDAY. 481 00:15:44,975 --> 00:15:47,717 YOU WERE SEEN TRYING TO BREAK IN TO HIS OFFICE 482 00:15:47,717 --> 00:15:50,420 JUST HOURS BEFORE THAT. 483 00:15:50,420 --> 00:15:53,523 I WAS HOPING TO FIND SOME KIND OF CLUE, 484 00:15:53,523 --> 00:15:55,655 SOMETHING THAT MIGHT LEAD ME TO HIS ENEMIES. 485 00:15:55,655 --> 00:15:56,726 HIS ENEMIES? 486 00:15:56,726 --> 00:15:58,728 MICHAEL WAS A HUNTED MAN. 487 00:15:58,728 --> 00:16:00,960 HUNTED, BY WHO? 488 00:16:00,960 --> 00:16:02,492 I DON'T KNOW. 489 00:16:02,492 --> 00:16:04,464 I JUST KNOW HE WAS IN TROUBLE. 490 00:16:04,464 --> 00:16:06,997 FOUR WEEKS AGO, HE SAID HE WAS GOING TO EUROPE. 491 00:16:06,997 --> 00:16:09,499 BUT I KEPT SEEING HIM IN THE CITY, 492 00:16:09,499 --> 00:16:11,501 AND HE KEPT PRETENDING NOT TO NOTICE ME. 493 00:16:11,501 --> 00:16:12,972 SO I STAKED OUT HIS APARTMENT. 494 00:16:12,972 --> 00:16:14,474 SO YOU STALKED HIM? 495 00:16:14,474 --> 00:16:15,675 STAKED, STALKED-- WHAT'S THE DIFFERENCE? 496 00:16:15,675 --> 00:16:17,677 I WAS LOOKING OUT FOR HIM! 497 00:16:17,677 --> 00:16:19,709 BUT HE WASN'T COMING HOME. 498 00:16:19,709 --> 00:16:22,452 THEN A FEW DAYS AGO, I FINALLY CONFRONTED HIM. 499 00:16:22,452 --> 00:16:23,653 HE SAID HE COULDN'T TALK, 500 00:16:23,653 --> 00:16:25,685 BUT HE TOLD ME TO MEET HIM THE NEXT DAY 501 00:16:25,685 --> 00:16:27,587 AND HE'D EXPLAIN EVERYTHING. 502 00:16:27,587 --> 00:16:28,658 LET ME GUESS. 503 00:16:28,658 --> 00:16:30,590 THAT WAS THE LAST TIME YOU SAW HIM. 504 00:16:30,590 --> 00:16:32,522 NO. WE MET THE NEXT DAY. 505 00:16:32,522 --> 00:16:34,524 BUT BEFORE HE COULD TELL ME WHAT WAS GOING ON, 506 00:16:34,524 --> 00:16:37,997 THIS CAR CAME OUT OF NOWHERE, AND THEY WERE ON US. 507 00:16:37,997 --> 00:16:39,469 WHO? 508 00:16:39,469 --> 00:16:40,670 RUFFIANS IN SKI MASKS. 509 00:16:40,670 --> 00:16:43,002 THEY GRABBED HIM AND THREW HIM IN THE BACK. 510 00:16:43,002 --> 00:16:45,035 I FOUGHT WITH ALL OF MY STRENGTH, 511 00:16:45,035 --> 00:16:46,576 BUT IT WAS IN VAIN. 512 00:16:46,576 --> 00:16:48,578 BET YOU DID. 513 00:16:48,578 --> 00:16:49,709 DID YOU REPORT THIS? 514 00:16:49,709 --> 00:16:51,611 NO. 515 00:16:51,611 --> 00:16:53,613 THEY SAID THEY'D KILL HIM IF I DID. 516 00:16:53,613 --> 00:16:55,645 THAT'S WHY I WAS TRYING TO FIND HIM THE NEXT DAY, 517 00:16:55,645 --> 00:16:58,548 TO SEE IF THEY'D LET HIM GO. 518 00:16:58,548 --> 00:16:59,789 BUT THEY KILLED HIM. 519 00:16:59,789 --> 00:17:02,552 THE RUFFIANS KILLED HIM. 520 00:17:02,552 --> 00:17:05,555 MM-HMM. AND WHERE DID THIS ALL HAPPEN? 521 00:17:05,555 --> 00:17:07,557 ON THE STREET FOR ALL TO SEE. 522 00:17:07,557 --> 00:17:09,629 OKAY. 523 00:17:09,629 --> 00:17:10,730 (video fast-forwarding) (Ryan) CORNER OF WASHINGTON AND GREENWICH, 524 00:17:10,730 --> 00:17:12,562 A.T.M. CAM. 525 00:17:12,562 --> 00:17:14,764 THIS IS WHERE COLETTE SAID THE ABDUCTION WENT DOWN. (beeps) 526 00:17:14,764 --> 00:17:16,706 (fast-forwarding stops) BUT I'VE BEEN OVER IT, AND THERE'S NOTHING. 527 00:17:16,706 --> 00:17:18,768 ALL RIGHT. UNLESS YOU GUYS ARE ENJOYING 528 00:17:18,768 --> 00:17:20,670 THE WARHOL-ESQUE QUALITY OF THIS, 529 00:17:20,670 --> 00:17:22,512 WE CAN JUST SHUT IT DOWN. 530 00:17:22,512 --> 00:17:23,773 I'M GONNA GO AND CHECK ON ESPOSITO, SEE WHERE HE'S AT 531 00:17:23,773 --> 00:17:25,515 WITH COLETTE'S ALIBI. (fast-forwarding resumes) 532 00:17:25,515 --> 00:17:26,646 (Castle) WAIT. 533 00:17:26,646 --> 00:17:27,677 THERE'S BAILEY. 534 00:17:27,677 --> 00:17:29,519 (beep, fast-forwarding stops) 535 00:17:29,519 --> 00:17:31,781 (Ryan) AND HERE COMES COLETTE. 536 00:17:31,781 --> 00:17:33,723 SERIOUSLY? 537 00:17:35,054 --> 00:17:37,687 WHOA. 538 00:17:39,589 --> 00:17:41,731 RUFFIANS IN SKI MASKS. 539 00:17:41,731 --> 00:17:44,534 YOU GOTTA BE KIDDING ME. 540 00:17:44,534 --> 00:17:46,065 OH! 541 00:17:46,065 --> 00:17:49,699 LOOKS LIKE COLETTE JUST BROKE THAT RUFFIAN'S NOSE. 542 00:17:49,699 --> 00:17:51,601 (Castle) FAKE I.D., 543 00:17:51,601 --> 00:17:53,743 BRICKS OF CASH, 544 00:17:53,743 --> 00:17:56,676 BRAZEN ABDUCTION... 545 00:17:56,676 --> 00:17:58,708 (laughs) HE REALLY WAS JASON BOURNE. 546 00:17:58,708 --> 00:18:00,580 YOU GOTTA BE KIDDING ME. 547 00:18:04,584 --> 00:18:05,655 CAN'T YOU SEE IT? 548 00:18:05,655 --> 00:18:07,517 BAILEY IS IN COVERT OPS. 549 00:18:07,517 --> 00:18:09,489 THEY PLACED HIM AT A GIANT MULTINATIONAL COMPANY, 550 00:18:09,489 --> 00:18:10,790 GLOBAL 12 CONSOLIDATED, AS A COVER. 551 00:18:10,790 --> 00:18:13,763 THEN A MONTH AGO, THEY ACTIVATE HIM. 552 00:18:13,763 --> 00:18:16,666 THEY GIVE HIM AN ALIAS, YOU KNOW, A BACKSTORY. 553 00:18:16,666 --> 00:18:18,668 THEY GIVE HIM UNLIMITED WALKING-AROUND MONEY, 554 00:18:18,668 --> 00:18:20,730 AND THEN SOMEHOW 555 00:18:20,730 --> 00:18:22,602 THE ENEMY GETS TO HIM. 556 00:18:22,602 --> 00:18:24,474 THEY GRAB HIM OFF THE STREETS. 557 00:18:24,474 --> 00:18:25,675 HE MANAGES TO ESCAPE, 558 00:18:25,675 --> 00:18:28,608 SO THEY EXPLOIT HIS ACHILLES' HEEL... 559 00:18:28,608 --> 00:18:29,839 HIS LOVE OF BEAUTIFUL WOMEN. 560 00:18:29,839 --> 00:18:33,713 THEY SEND IN A SUPER SEXY SECRET AGENT. 561 00:18:33,713 --> 00:18:35,715 SHE SEDUCES HIM, 562 00:18:35,715 --> 00:18:40,590 AND THEN KILLS HIM BY FEEDING HIM A POISONED PROTEIN SHAKE. 563 00:18:40,590 --> 00:18:42,752 I CAN'T THINK OF ANYTHING BETTER. 564 00:18:42,752 --> 00:18:43,823 AH. 565 00:18:43,823 --> 00:18:45,495 (cell phone rings and beeps) 566 00:18:45,495 --> 00:18:46,756 BECKETT. 567 00:18:46,756 --> 00:18:48,498 (people speaking indistinctly) 568 00:18:48,498 --> 00:18:49,629 REALLY? 569 00:18:49,629 --> 00:18:51,861 OKAY. THANK YOU. 570 00:18:51,861 --> 00:18:53,533 (cell phone beeps and clatters) 571 00:18:53,533 --> 00:18:54,704 THE CIA, THE FBI, 572 00:18:54,704 --> 00:18:56,766 AND THE D.H.S. HAVE NEVER HEARD OF BAILEY 573 00:18:56,766 --> 00:18:58,508 OR HIS ALIAS. 574 00:18:58,508 --> 00:18:59,839 DO YOU REALLY THINK THEY'D TELL YOU IF THEY DID? 575 00:18:59,839 --> 00:19:01,671 (Ryan) HEY. (sighs) 576 00:19:01,671 --> 00:19:03,773 TECH JUST GOT THE PLATE NUMBER OFF THE KIDNAPPERS' CAR. 577 00:19:03,773 --> 00:19:04,844 I THOUGHT THAT THE PLATES WEREN'T VISIBLE 578 00:19:04,844 --> 00:19:06,576 ON THE A.T.M. FOOTAGE. 579 00:19:06,576 --> 00:19:07,747 AH, THEY WEREN'T, BUT I FOUND 580 00:19:07,747 --> 00:19:09,749 A TRAFFIC CAM UP THE BLOCK WHERE THEY WERE. 581 00:19:09,749 --> 00:19:10,750 CAR IS REGISTERED TO A PABLO BARNES, 582 00:19:10,750 --> 00:19:11,881 28, INSURANCE SALESMAN. 583 00:19:11,881 --> 00:19:13,583 THAT'S PROBABLY A COVER, TOO. 584 00:19:13,583 --> 00:19:14,784 DID YOU GET AN ADDRESS? 585 00:19:14,784 --> 00:19:15,855 SURE DID. 586 00:19:15,855 --> 00:19:18,788 ALL RIGHT. LET'S GO. WHERE'S ESPO? 587 00:19:18,788 --> 00:19:20,830 IN THE BREAK ROOM TRYING TO SCORE HIS PLUS ONE. 588 00:19:20,830 --> 00:19:22,732 ESPO, LET'S GO. 589 00:19:22,732 --> 00:19:23,733 (hissing) 590 00:19:23,733 --> 00:19:24,734 OHH! AH. OH. 591 00:19:24,734 --> 00:19:26,536 (hissing stops) OH! 592 00:19:26,536 --> 00:19:27,837 SORRY. I GOTTA... 593 00:19:27,837 --> 00:19:29,599 I GOTTA GO. 594 00:19:31,671 --> 00:19:33,673 I WAS THIS CLOSE TO GETTING MY PLUS ONE. 595 00:19:33,673 --> 00:19:35,675 HEY, RELAX, MAN. IT HAPPENS TO A LOT OF GUYS. 596 00:19:35,675 --> 00:19:38,808 YOU GET A LITTLE EXCITED, LOSE CONTROL OF YOUR STEAMER. 597 00:19:41,751 --> 00:19:43,813 NYPD! LET ME SEE YOUR HANDS RIGHT NOW! 598 00:19:43,813 --> 00:19:45,815 (Beckett) NYPD! (all shouting at once) 599 00:19:45,815 --> 00:19:47,657 DON'T MOVE! (man) HEY, POLICE! 600 00:19:47,657 --> 00:19:48,818 WHAT THE HELL, PABLO?! PLEASE DON'T SHOOT. 601 00:19:48,818 --> 00:19:49,889 PABLO BARNES? 602 00:19:49,889 --> 00:19:51,761 YEAH, YEAH, YEAH. PLEASE DON'T SHOOT. 603 00:19:51,761 --> 00:19:53,563 I DON'T KNOW WHAT YOU'RE DOING HERE, BUT WE DIDN'T DO ANYTHING. 604 00:19:53,563 --> 00:19:54,694 BROKEN NOSE. OTHER MASKED MAN. 605 00:19:54,694 --> 00:19:56,696 ESPO, GET HIM, TOO. (Ravel's "Boléro" playing) 606 00:19:56,696 --> 00:19:58,798 TURN AROUND! 607 00:19:58,798 --> 00:20:00,600 (man) ALL RIGHT, SERIOUSLY, I DON'T KNOW WHY-- 608 00:20:00,600 --> 00:20:01,731 YOU--YOU GUYS HAVE THE WRONG PE--AH. 609 00:20:01,731 --> 00:20:02,872 (clicking) OFFICER, I-I--DO THEY HAVE TO BE THAT TIGHT? 610 00:20:02,872 --> 00:20:03,933 IT'S VERY--OW. 611 00:20:03,933 --> 00:20:05,605 (music continues) 612 00:20:05,605 --> 00:20:07,637 HEY. "BOLERO." 613 00:20:07,637 --> 00:20:09,579 (music continues) 614 00:20:09,579 --> 00:20:10,880 JUST LIKE IN THE HOTEL. 615 00:20:10,880 --> 00:20:13,783 (handcuffs clicking) SEE. I TOLD YOU WE WERE BADASS. 616 00:20:13,783 --> 00:20:14,844 AH! 617 00:20:14,844 --> 00:20:15,915 (music continues) 618 00:20:15,915 --> 00:20:17,717 (rustles) 619 00:20:17,717 --> 00:20:19,649 (Beckett) THAT'S YOUR CAR, PABLO. 620 00:20:19,649 --> 00:20:20,850 WHAT WERE YOU AND BAILEY UP TO, 621 00:20:20,850 --> 00:20:22,852 AND WHY... DID YOU KILL HIM? 622 00:20:22,852 --> 00:20:24,924 WAIT. ARE--ARE YOU TELLING ME MIKE'S DEAD? 623 00:20:24,924 --> 00:20:26,596 CUT THE ACT, PABLO. 624 00:20:26,596 --> 00:20:27,927 WE KNOW YOU KIDNAPPED HIM TWO DAYS AGO. WHY? 625 00:20:27,927 --> 00:20:29,659 NO, NO, NO. I-IT'S NOT WHAT IT LOOKS LIKE. 626 00:20:29,659 --> 00:20:30,900 IT'S AN EX-STALK-TION. 627 00:20:30,900 --> 00:20:32,932 EX-STALK-A-WHAT? 628 00:20:32,932 --> 00:20:34,604 MIKE'S OUR BUDDY. 629 00:20:34,604 --> 00:20:36,666 HE GOT INVOLVED WITH THIS CRAZY STALKER CHICK-- 630 00:20:36,666 --> 00:20:37,807 COLETTE SOMETHING-- 631 00:20:37,807 --> 00:20:39,909 SO WE STAGED AN ABDUCTION TO SCARE HER OFF. 632 00:20:39,909 --> 00:20:41,811 WE CALL IT AN EX-STALK-TION. 633 00:20:41,811 --> 00:20:42,942 ARE YOU SAYING, BAILEY WAS IN ON IT? 634 00:20:42,942 --> 00:20:45,745 YEAH. THE THREE OF US ARE A CREW. 635 00:20:45,745 --> 00:20:46,776 WHAT KIND OF CREW? 636 00:20:46,776 --> 00:20:47,877 SPECIAL FORCES? 637 00:20:47,877 --> 00:20:49,679 PRIVATE MILITARY CONTRACTORS? 638 00:20:49,679 --> 00:20:51,621 WE'RE PICKUP ARTISTS. 639 00:20:51,621 --> 00:20:53,753 AS IN... PICKING UP WOMEN? 640 00:20:53,753 --> 00:20:55,655 MM-HMM. YOU? 641 00:20:55,655 --> 00:20:56,986 (man) WE DEDICATE OUR LIVES 642 00:20:56,986 --> 00:20:59,789 TO PICKING UP AS MANY HOT WOMEN AS POSSIBLE. 643 00:20:59,789 --> 00:21:01,691 THAT WOULD EXPLAIN ALL OF BAILEY'S WOMEN. 644 00:21:01,691 --> 00:21:03,763 AND THOSE GIRLS AT THE APARTMENT WERE PRETTY HOT. 645 00:21:03,763 --> 00:21:05,765 PFFT. YEAH. 646 00:21:05,765 --> 00:21:07,737 THAT MUSIC THAT WAS PLAYING, 647 00:21:07,737 --> 00:21:09,769 IS THAT PART OF YOUR SEDUCTION STRATEGY? 648 00:21:09,769 --> 00:21:10,970 OH, YEAH. 649 00:21:10,970 --> 00:21:13,973 "BOLERO" INCREASES THE CHANCE OF CLOSING THE DEAL BY 12%. 650 00:21:13,973 --> 00:21:15,775 OKAY, ASSUMING THAT YOU ARE TELLING THE TRUTH, 651 00:21:15,775 --> 00:21:16,976 YOU WERE WITH MIKE THE NIGHT BEFORE HE WAS KILLED. 652 00:21:16,976 --> 00:21:18,708 DID HE TELL YOU WHAT HE WAS UP TO? 653 00:21:18,708 --> 00:21:20,009 NAH. HE WAS BEING ALL SECRETIVE. 654 00:21:20,009 --> 00:21:22,912 I MEAN, HE STOPPED HANGING OUT WITH US, LIKE, A MONTH AGO. 655 00:21:22,912 --> 00:21:24,854 REALLY, A MONTH? 656 00:21:24,854 --> 00:21:26,686 YEAH, WHEN HE CALLED ABOUT THE EX-STALK-TION 657 00:21:26,686 --> 00:21:27,857 A COUPLE OF DAYS AGO, 658 00:21:27,857 --> 00:21:29,719 THAT WAS THE FIRST TIME WE'VE HEARD FROM HIM SINCE THEN. 659 00:21:29,719 --> 00:21:31,721 SO WHEN HE SAID HE WAS GOING OUT AFTER THE EX-STALK-TION, 660 00:21:31,721 --> 00:21:32,962 NATURALLY, WE FOLLOWED HIM. 661 00:21:32,962 --> 00:21:34,724 WHERE'D HE GO? 662 00:21:34,724 --> 00:21:36,696 HE WENT TO THIS TOTALLY LAME BAR--THE MAGIC BOTTLE. 663 00:21:36,696 --> 00:21:38,968 I MEAN, NOT TARGET-RICH AT ALL. 664 00:21:38,968 --> 00:21:40,830 OH, AND WHEN HE FOUND US THERE, 665 00:21:40,830 --> 00:21:42,802 HE KINDA FREAKED, BUT HE AGREED 666 00:21:42,802 --> 00:21:44,734 TO LET US STAY AND BE HIS WINGMEN, 667 00:21:44,734 --> 00:21:47,677 BUT ONLY IF WE REFERRED TO HIM AS JAKE, 668 00:21:47,677 --> 00:21:48,978 LIKE HE WAS UNDERCOVER. 669 00:21:48,978 --> 00:21:50,980 JAKE. THAT'S THE SAME IDENTITY HE GAVE TO HOLLY FRANKLIN 670 00:21:50,980 --> 00:21:52,041 THE NEXT DAY. 671 00:21:52,041 --> 00:21:54,814 SO WE DO OUR USUAL COUPLE LAPS OF RECON. 672 00:21:54,814 --> 00:21:56,846 ACTUALLY, SOME PRETTY DECENT MILFS. 673 00:21:56,846 --> 00:21:58,848 (Pablo) AND I THINK MIKE'S JUST EXPANDING HIS PALATE, RIGHT? 674 00:21:58,848 --> 00:22:01,921 BUT HE WASN'T INTERESTED IN ANY OF THEM. 675 00:22:01,921 --> 00:22:04,053 NO. INSTEAD, HE FINDS THIS ONE MARK, 676 00:22:04,053 --> 00:22:05,855 LIKE, UGH, NOTHING SPECIAL, 677 00:22:05,855 --> 00:22:07,827 AND PLANTS HIS FLAG. 678 00:22:07,827 --> 00:22:09,829 THEN I SEE THAT SHE'S GOT A RING ON HER FINGER. 679 00:22:09,829 --> 00:22:11,761 SHE'S A MARRIED CHICK. 680 00:22:11,761 --> 00:22:13,863 WE STAY AWAY FROM MARRIED CHICKS. 681 00:22:13,863 --> 00:22:15,805 'CAUSE YOU'RE SO ETHICAL. 682 00:22:15,805 --> 00:22:16,936 (scoffs) NO. THEY'RE JUST TROUBLE. 683 00:22:16,936 --> 00:22:18,738 BUT HE DOESN'T CARE. 684 00:22:18,738 --> 00:22:20,069 HE'S ALL IN ON HER. 685 00:22:20,069 --> 00:22:22,842 SO YOU THINK HE WENT TO THIS BAR FOR THIS PARTICULAR WOMAN, 686 00:22:22,842 --> 00:22:23,913 LIKE HE WAS TARGETING HER? 687 00:22:23,913 --> 00:22:24,974 EXACTLY. 688 00:22:24,974 --> 00:22:26,746 DID HE SAY WHY? 689 00:22:26,746 --> 00:22:29,849 NO, BUT HE WAS WORKING HER LIKE HIS LIFE DEPENDED ON IT. 690 00:22:29,849 --> 00:22:31,050 I MEAN, IT WAS LIKE HE WAS ON A MISSION. 691 00:22:31,050 --> 00:22:32,722 DID SHE GO FOR HIM? 692 00:22:32,722 --> 00:22:33,823 (Pablo) NAH, TOTAL RED LIGHT. 693 00:22:33,823 --> 00:22:34,954 BOOP, BOOP, BOOP. 694 00:22:34,954 --> 00:22:36,856 GATE'S DOWN, TRAIN'S COMING, TIME TO MOVE ON. 695 00:22:36,856 --> 00:22:38,087 BUT NOT MIKE. 696 00:22:38,087 --> 00:22:39,789 NOT ON THIS NIGHT. 697 00:22:39,789 --> 00:22:41,030 SO WHAT DID HE DO? 698 00:22:41,030 --> 00:22:42,992 HE COUNTERS WITH SOME AUTHORIZING. 699 00:22:42,992 --> 00:22:44,764 AUTHORIZING, HUH? 700 00:22:44,764 --> 00:22:45,835 YOU KNOW, MAKING IT SEEM LIKE 701 00:22:45,835 --> 00:22:46,996 THE LAST THING ON HIS MIND IS HOOKING UP. 702 00:22:46,996 --> 00:22:50,039 NAH. HE JUST FINDS HER INTERESTING AND WANTS TO TALK. 703 00:22:50,039 --> 00:22:52,041 BUT SHE DOESN'T BITE, SO HE TRIES AN M-SWIG. 704 00:22:52,041 --> 00:22:54,744 TELLS HER HE KNOWS THIS GIRL WHO'S CHEATING ON HIS FRIEND. 705 00:22:54,744 --> 00:22:55,875 SHOULD HE TELL HIS FRIEND? 706 00:22:55,875 --> 00:22:57,106 (man) 'CAUSE WOMEN LOVE TO GIVE ADVICE, 707 00:22:57,106 --> 00:22:59,008 BUT SHE'S STILL GIVING HIM THE HEISMAN, 708 00:22:59,008 --> 00:23:01,010 SO HE TRIES A BUTTER JOB. 709 00:23:01,010 --> 00:23:02,882 A BUTTER JOB, WHAT'S THAT? 710 00:23:02,882 --> 00:23:04,884 IT'S WHEN YOU FLIRT WITH THE MARK'S FRIEND. 711 00:23:04,884 --> 00:23:06,816 (Pablo) AND THAT'S WHEN HE STARTED GETTING TRACTION. 712 00:23:06,816 --> 00:23:08,788 IMMEDIATELY FOLLOWS WITH A YANK-AND-CHAIN REVERSAL, 713 00:23:08,788 --> 00:23:10,019 SEES HE'S GOT HER ON THE HOOK. 714 00:23:10,019 --> 00:23:12,021 (man) SO HE GOES RIGHT FOR THE BAILEY ULTIMATUM. 715 00:23:12,021 --> 00:23:13,963 BOOM! SIGNATURE MOVE. 716 00:23:13,963 --> 00:23:15,965 SAYS HE HAS TO LEAVE, 717 00:23:15,965 --> 00:23:18,027 FORCING THE MARK TO MAKE A QUICK DECISION 718 00:23:18,027 --> 00:23:20,930 WHETHER TO GO WITH YOU OR NOT. (exhales) 719 00:23:20,930 --> 00:23:23,002 AND WHAT DID SHE DO? NEXT THING YOU KNOW, 720 00:23:23,002 --> 00:23:26,075 THE TWO OF THEM ARE WALKING ON THEIR WAY OUTTA THERE. 721 00:23:28,077 --> 00:23:30,910 YOU KNOW, YOU HAVE SOME BEAUTIFUL EYES. 722 00:23:30,910 --> 00:23:32,882 SERIOUSLY? 723 00:23:32,882 --> 00:23:34,013 WHAT? IT'S A NUMBERS GAME. 724 00:23:34,013 --> 00:23:35,915 I STRIKE OUT 90% OF THE TIME. 725 00:23:35,915 --> 00:23:37,917 THUS RESTORING MY FAITH IN MY GENDER. 726 00:23:37,917 --> 00:23:39,889 SO THIS MARK THAT HE WAS WORKING, 727 00:23:39,889 --> 00:23:41,050 DOES SHE HAVE A NAME? 728 00:23:41,050 --> 00:23:42,852 LISA. 729 00:23:42,852 --> 00:23:46,926 (blows air) THE GREATEST PICKUP I HAVE EVER SEEN. 730 00:23:46,926 --> 00:23:50,129 IT'S A DAMN SHAME SHE'LL NEVER MAKE IT INTO MIKE'S LEDGER. 731 00:23:50,129 --> 00:23:52,061 WHAT LEDGER? 732 00:23:52,061 --> 00:23:54,063 (Castle) IT'S LITERALLY HUNDREDS OF WOMEN 733 00:23:54,063 --> 00:23:55,805 THAT BAILEY SLEPT WITH. 734 00:23:55,805 --> 00:23:57,036 OR SO HE CLAIMS. 735 00:23:57,036 --> 00:23:58,808 IT SEEMS LEGIT TO ME. 736 00:23:58,808 --> 00:24:00,940 MOST OF THESE SHOTS ARE PRETTY RACY. 737 00:24:00,940 --> 00:24:03,042 ALL WITH NICKNAMES AND DATES. 738 00:24:03,042 --> 00:24:05,074 JUNE 9, 2010, "CARNAL CARRIE." 739 00:24:05,074 --> 00:24:07,847 JUNE 12, 2010, 740 00:24:07,847 --> 00:24:08,918 "MESMERIZING MARJAN." 741 00:24:08,918 --> 00:24:09,949 MM. WHOA. 742 00:24:09,949 --> 00:24:11,080 SORRY. 743 00:24:11,080 --> 00:24:12,882 IS THERE A LISA IN THERE FROM TWO DAYS AGO? 744 00:24:12,882 --> 00:24:14,083 UH, NO. THE LAST ENTRY WAS OVER A MONTH AGO. 745 00:24:14,083 --> 00:24:15,955 SO PABLO WAS RIGHT, SHE DIDN'T MAKE IT IN. 746 00:24:15,955 --> 00:24:17,827 (sighs) WE GOTTA FIND LISA. 747 00:24:17,827 --> 00:24:19,088 SHE COULD BE OUR OTHER WOMAN. 748 00:24:19,088 --> 00:24:22,061 HEY, SO OUR FRIENDS MAX AND PABLO JUST ALIBIED OUT. 749 00:24:22,061 --> 00:24:24,093 THEY WERE BOTH AT WORK WHEN MIKE WAS POISONED. 750 00:24:24,093 --> 00:24:25,865 (laughs) "LIMBER LUCY." 751 00:24:25,865 --> 00:24:27,096 AND, BOY, IS SHE EVER. 752 00:24:27,096 --> 00:24:28,898 (Esposito) I DON'T KNOW WHAT THIS DUDE BAILEY WAS INTO, 753 00:24:28,898 --> 00:24:30,900 BUT WHATEVER IT IS, HE HAD IT GOING ON. 754 00:24:30,900 --> 00:24:32,972 REALLY? THIS IMPRESSES YOU? 755 00:24:32,972 --> 00:24:35,044 THESE WOMEN ARE PATHETIC FOR FALLING FOR THIS GUY. 756 00:24:35,044 --> 00:24:38,007 AND BAILEY, BAILEY WAS JUST A-A CON MAN AND A LIAR. 757 00:24:38,007 --> 00:24:41,951 THANK YOU. AT LEAST THERE IS ONE REAL MAN AMONGST US. 758 00:24:41,951 --> 00:24:43,012 RYAN, WHY DON'T YOU TAKE THE SITUATION 759 00:24:43,012 --> 00:24:44,083 DOWN TO THE MAGIC BOTTLE 760 00:24:44,083 --> 00:24:46,055 AND SEE IF WE CAN GET AN I.D. ON LISA 761 00:24:46,055 --> 00:24:48,918 AND FIND OUT WHY BAILEY MIGHT HAVE BEEN TARGETING HER? 762 00:24:48,918 --> 00:24:51,060 (Esposito and Ryan speak indistinctly) 763 00:24:52,992 --> 00:24:56,065 BECKETT, WHEN EXACTLY DID RYAN AND JENNY START DATING? 764 00:24:56,065 --> 00:24:58,928 MM. I THINK IT WAS AROUND 2009. 765 00:24:58,928 --> 00:25:01,000 SHE GOT HIM THAT UGLY TIE FOR THEIR 2-WEEK ANNIVERSARY, 766 00:25:01,000 --> 00:25:03,202 SO, LIKE, EASTER, APRIL. 767 00:25:03,202 --> 00:25:05,935 MEANING, BY MAY 2009, 768 00:25:05,935 --> 00:25:07,937 THEY HAD BEEN DATING A MONTH. 769 00:25:07,937 --> 00:25:09,008 YEAH, WHY? 770 00:25:09,008 --> 00:25:11,010 UH... (sighs) 771 00:25:11,010 --> 00:25:14,043 BAILEY'S MAY 20, 2009 ENTRY. 772 00:25:15,945 --> 00:25:17,216 OH, MY GOSH. THAT'S JENNY. 773 00:25:17,216 --> 00:25:19,148 (whispers) SHH. NOT JUST JENNY. 774 00:25:19,148 --> 00:25:21,050 "GYRATING JENNY." 775 00:25:27,026 --> 00:25:28,097 YEAH, I RECOGNIZE HIM. 776 00:25:28,097 --> 00:25:29,228 IN HERE WITH A COUPLE OF FRIENDS TWO NIGHTS AGO. 777 00:25:29,228 --> 00:25:31,100 ONE OF THOSE FRIENDS TOLD US THAT HE LEFT WITH A WOMAN. 778 00:25:31,100 --> 00:25:33,202 LISA. DO YOU KNOW HER? YEAH. 779 00:25:33,202 --> 00:25:35,164 SHE'S A REGULAR. DOES SHE HAVE A LAST NAME? 780 00:25:35,164 --> 00:25:36,966 GIVE ME A SEC. 781 00:25:36,966 --> 00:25:38,908 (indistinct conversations) 782 00:25:38,908 --> 00:25:41,110 I THINK I LIKE THIS PLACE, PARTNER. 783 00:25:41,110 --> 00:25:42,241 DUDE, YOU'RE A COP. 784 00:25:42,241 --> 00:25:44,043 THIS IS A MIDTOWN BAR. 785 00:25:44,043 --> 00:25:47,917 WOMEN HERE, THEY'RE LOOKING FOR LAWYERS AND BANKERS. 786 00:25:47,917 --> 00:25:48,978 I BANK. 787 00:25:48,978 --> 00:25:50,179 (chuckles) WELL, YOU ARE ON YOUR OWN. 788 00:25:50,179 --> 00:25:52,051 I'M GETTING MARRIED ON SUNDAY. 789 00:25:52,051 --> 00:25:53,152 EXACTLY. 790 00:25:53,152 --> 00:25:54,984 SO THIS IS YOUR LAST CHANCE TO BE MY WINGMAN. 791 00:25:54,984 --> 00:25:56,185 HELP ME GET A PLUS ONE. 792 00:25:56,185 --> 00:25:59,258 I THINK I'M GONNA TRY AN M-SWIG. 793 00:25:59,258 --> 00:26:02,191 DUDE, YOU CAN'T BE SERIOUS. 794 00:26:02,191 --> 00:26:04,233 WHAT ARE YOU THINKING, BUTTER JOB? 795 00:26:04,233 --> 00:26:06,265 I CHECKED CREDIT CARD SLIPS FROM THE OTHER NIGHT. 796 00:26:06,265 --> 00:26:08,197 HER NAME'S LISA HILL. 797 00:26:08,197 --> 00:26:11,140 LISA HILL. 798 00:26:11,140 --> 00:26:13,102 SO NOT ONLY IS LISA HILL MARRIED, 799 00:26:13,102 --> 00:26:15,144 SHE IS ALSO AN HEIRESS-- 800 00:26:15,144 --> 00:26:17,176 DAUGHTER TO STEPHANIE DASHBY. 801 00:26:17,176 --> 00:26:19,178 OF DASHBY PUBLISHING? 802 00:26:19,178 --> 00:26:22,081 WHICH PUTS HER IN FORBES TOP 400. 803 00:26:22,081 --> 00:26:24,213 (Castle) BAILEY WAS HUNTING BIG GAME. 804 00:26:24,213 --> 00:26:27,056 HE KNEW HE COULDN'T CLOSE THE DEAL AS A JUNIOR ANALYST, 805 00:26:27,056 --> 00:26:28,988 THAT'S WHY HE USED THE ALIAS WITH HER, 806 00:26:28,988 --> 00:26:31,020 SAME WAY HE USED IT WITH BIG-SHOT LAWYER HOLLY FRANKLIN. 807 00:26:31,020 --> 00:26:32,191 YEAH, WELL, ACCORDING TO HER MAID, 808 00:26:32,191 --> 00:26:34,123 LISA HILL PACKED UP AND LEFT HER APARTMENT 809 00:26:34,123 --> 00:26:36,295 FOR HER HOUSE IN MONTAUK AT 6:30 P.M. 810 00:26:36,295 --> 00:26:39,228 HALF AN HOUR AFTER OUR KILL ZONE. 811 00:26:39,228 --> 00:26:41,230 PLUS SHE ALSO HAD EASY ACCESS TO OUR POISON. 812 00:26:41,230 --> 00:26:44,173 HER SISTER OWNS A DRUG COMPANY THAT MANUFACTURES IT. 813 00:26:44,173 --> 00:26:45,975 THIS IS ABOUT THE MONEY. 814 00:26:45,975 --> 00:26:47,176 BAILEY ONLY USED THE JAKE IDENTITY 815 00:26:47,176 --> 00:26:49,178 WITH HOLLY AND LISA. THEY'RE BOTH RICH. 816 00:26:49,178 --> 00:26:51,040 SO WHAT ARE YOU THINKING, AN EXTORTION PLOT? 817 00:26:51,040 --> 00:26:53,342 BRICKS OF CASH--PROBABLY FROM PREVIOUS SUCCESSES. 818 00:26:53,342 --> 00:26:55,214 HE TARGETS WEALTHY WOMEN, 819 00:26:55,214 --> 00:26:57,216 TRIES TO PUT THEM IN COMPROMISING SITUATIONS... 820 00:26:57,216 --> 00:26:58,347 AND THEN MAKES THEM PAY THEIR WAY OUT... 821 00:26:58,347 --> 00:27:00,019 EXCEPT LISA HILL WOULDN'T PAY. 822 00:27:00,019 --> 00:27:01,050 WE NEED TO GET HER IN HERE. 823 00:27:01,050 --> 00:27:02,121 AND WE WILL... 824 00:27:02,121 --> 00:27:04,223 FIRST THING IN THE MORNING. 825 00:27:04,223 --> 00:27:06,095 SO... 826 00:27:06,095 --> 00:27:07,356 WHAT ARE WE GONNA DO? 827 00:27:07,356 --> 00:27:09,128 ABOUT WHAT? 828 00:27:09,128 --> 00:27:11,030 WELL, WE HAVE TO TELL RYAN ABOUT JENNY. 829 00:27:11,030 --> 00:27:13,102 WHAT? WHY? 830 00:27:13,102 --> 00:27:15,004 CASTLE, IF WE WERE GETTING MARRIED, WOULD YOU WANT TO KNOW 831 00:27:15,004 --> 00:27:16,235 ABOUT ALL THE GUYS THAT I'VE SLEPT WITH? 832 00:27:16,235 --> 00:27:17,336 ALL? 833 00:27:17,336 --> 00:27:19,068 SERIOUSLY? 834 00:27:19,068 --> 00:27:21,140 YOU SIGN WOMEN'S CHESTS AT BOOK READINGS. 835 00:27:21,140 --> 00:27:23,072 YOU CANNOT BE SHOCKED THAT I'M NOT A VIRGIN. 836 00:27:23,072 --> 00:27:26,045 IT'S JUST THE WORD... "ALL" 837 00:27:26,045 --> 00:27:27,276 SUGGESTS 838 00:27:27,276 --> 00:27:29,078 A LOT. 839 00:27:29,078 --> 00:27:32,121 HOW MANY ARE WE TALKIN'... EXACTLY? 840 00:27:32,121 --> 00:27:34,383 ARE YOU REALLY ASKING FOR MY NUMBER? 841 00:27:34,383 --> 00:27:37,286 YOU SHOW ME YOURS, I'LL SHOW YOU MINE. 842 00:27:38,357 --> 00:27:40,059 MEN. 843 00:27:40,059 --> 00:27:41,290 YOU ALL WANT TO KNOW, 844 00:27:41,290 --> 00:27:43,192 BUT YOU DON'T WANT TO KNOW. 845 00:27:43,192 --> 00:27:46,135 LISTEN, ALL WOMEN HAVE THEIR SECRETS, 846 00:27:46,135 --> 00:27:48,137 INCLUDING JENNY, AND SOMETIMES, 847 00:27:48,137 --> 00:27:49,338 FOR THE SAKE OF A RELATIONSHIP, 848 00:27:49,338 --> 00:27:52,041 IT IS BETTER NOT TO SHARE. 849 00:27:59,178 --> 00:28:01,050 (Castle) WOW. 850 00:28:01,050 --> 00:28:03,052 THAT IS SOME DRESS. 851 00:28:03,052 --> 00:28:04,383 ISN'T SHE STUNNING? 852 00:28:04,383 --> 00:28:06,285 AFTER STRIKING OUT ALL DAY, 853 00:28:06,285 --> 00:28:08,187 WE FINALLY TRIED J.D.F.'s ON MADISON. 854 00:28:08,187 --> 00:28:10,189 (singsongy) AND, BOY, DID WE SCORE. MM-HMM. 855 00:28:10,189 --> 00:28:11,390 (Alexis and Martha laugh) 856 00:28:11,390 --> 00:28:14,063 WELL, THAT SOUNDS LIKE IT'S ABOUT MORE THAN JUST A DRESS. 857 00:28:14,063 --> 00:28:15,394 WELL, NOT ONLY DID ALEXIS FIND 858 00:28:15,394 --> 00:28:17,266 THIS EXQUISITE LITTLE NUMBER, 859 00:28:17,266 --> 00:28:19,198 WE WERE COMPLETELY CHARMED BY THE PROPRIETOR-- 860 00:28:19,198 --> 00:28:20,399 JOHN DANTON FARNESWORTH. 861 00:28:20,399 --> 00:28:22,131 J.D.F. 862 00:28:22,131 --> 00:28:23,332 SO AS WE'RE PAYING, 863 00:28:23,332 --> 00:28:25,074 MR. FARNESWORTH IS ABOUT TO CLOSE UP, 864 00:28:25,074 --> 00:28:28,277 WHEN HIS GRANDSON, JOHN DANTON FARNESWORTH III, 865 00:28:28,277 --> 00:28:30,139 PICKED HIM UP FOR DINNER. 866 00:28:30,139 --> 00:28:31,380 GOES BY J.D. SO CUTE. 867 00:28:31,380 --> 00:28:34,083 OH, HE IS A LOVELY YOUNG MAN-- 868 00:28:34,083 --> 00:28:35,144 FRESHMAN AT COLUMBIA. 869 00:28:35,144 --> 00:28:36,145 WHICH I'M APPLYING TO, 870 00:28:36,145 --> 00:28:38,087 SO OF COURSE I GRILLED HIM ABOUT IT. 871 00:28:38,087 --> 00:28:39,188 AND THE NEXT THING YOU KNOW, 872 00:28:39,188 --> 00:28:42,091 THEY INVITE US TO JOIN THEM FOR DINNER. 873 00:28:42,091 --> 00:28:44,153 SO WHO WAS THE WINGMAN, 874 00:28:44,153 --> 00:28:45,424 THE GRANDPA OR THE KID? 875 00:28:45,424 --> 00:28:46,425 THE WHAT? 876 00:28:46,425 --> 00:28:48,197 DAD... 877 00:28:48,197 --> 00:28:49,428 THEY WERE TOTAL GENTLEMEN. 878 00:28:49,428 --> 00:28:52,301 THEY EVEN INVITED US TO THEIR FAMILY'S ANNUAL CHARITY EVENT-- 879 00:28:52,301 --> 00:28:54,433 A PRIVATE CONCERT WITH LADY GAGA. 880 00:28:54,433 --> 00:28:56,105 (laughs) OH. 881 00:28:56,105 --> 00:28:57,466 BUT IT'S THE SAME TIME AS THE WEDDING. 882 00:28:57,466 --> 00:28:59,438 OH. I KNOW, I PROMISED, 883 00:28:59,438 --> 00:29:01,370 AND OF COURSE I'LL GO IF YOU WANT ME TO, IT'S JUST-- 884 00:29:01,370 --> 00:29:04,113 THIS IS THE FIRST TIME I'VE FELT THIS WAY SINCE ASHLEY, 885 00:29:04,113 --> 00:29:05,174 AND... 886 00:29:05,174 --> 00:29:06,345 YOU DON'T HAVE TO GO TO THE WEDDING. 887 00:29:06,345 --> 00:29:09,218 YOU ARE RELEASED FROM YOUR PLUS ONE DUTIES. THANKS, DAD. 888 00:29:09,218 --> 00:29:10,419 WHICH I GUESS MEANS YOU DON'T NEED THIS DRESS. 889 00:29:10,419 --> 00:29:11,480 DON'T BE SILLY, DARLING. 890 00:29:11,480 --> 00:29:13,282 IT IS A BLACK-TIE BENEFIT. YEAH. 891 00:29:13,282 --> 00:29:15,184 AND AFTER DINNER, 892 00:29:15,184 --> 00:29:16,455 JOHN OPENED... (singsongy) THE SHOP... 893 00:29:16,455 --> 00:29:18,487 (normal voice) AND I GOT ONE, TOO. 894 00:29:20,129 --> 00:29:21,390 SO IT'S A WIN-WIN. 895 00:29:21,390 --> 00:29:23,192 (elevator bell dings) 896 00:29:23,192 --> 00:29:24,393 (mouth full) I CAN'T BELIEVE YOU BAILED ON ME. 897 00:29:24,393 --> 00:29:26,365 WE WERE THERE TILL 2:30 IN THE MORNING. 898 00:29:26,365 --> 00:29:27,436 YEAH, I WAS FIVE MINUTES FROM SEALING THE DEAL 899 00:29:27,436 --> 00:29:29,198 WITH MY PLUS ONE. 900 00:29:29,198 --> 00:29:30,339 YOU REALLY THINK AFTER STANDING THERE FOR THREE HOURS, 901 00:29:30,339 --> 00:29:31,400 ANOTHER FIVE MINUTES OF ME STANDING THERE 902 00:29:31,400 --> 00:29:32,471 WOULD'VE MADE ANY DIFFERENCE? 903 00:29:32,471 --> 00:29:34,273 YEAH. SHE WAS INTO ME. 904 00:29:34,273 --> 00:29:37,206 SHE SAID THAT SHE THOUGHT SOLVING MURDERS WAS "CUTE." 905 00:29:37,206 --> 00:29:38,277 YEAH, BUT YOU DIDN'T HAVE TO TELL HER FRIEND 906 00:29:38,277 --> 00:29:39,348 YOU WERE ENGAGED. 907 00:29:39,348 --> 00:29:40,409 OH, NO, NO, YOU'RE RIGHT. 908 00:29:40,409 --> 00:29:42,151 I COULD'VE TOTALLY JUST-- JUST LIED TO HER 909 00:29:42,151 --> 00:29:43,312 AND HOOKED UP WITH HER. 910 00:29:43,312 --> 00:29:45,414 AND DO YOU HAVE TO BE SUCH A CLICHE? 911 00:29:45,414 --> 00:29:48,517 STUFFING YOUR FACE WITH THAT-- THAT--THAT THING? 912 00:29:48,517 --> 00:29:50,389 HEY, DON'T TOUCH MY DOUGHNUT. 913 00:29:50,389 --> 00:29:53,162 HEY, RYAN-- EAT THIS IN FRONT OF ME. I'VE HAD ENOUGH OF YOU! 914 00:29:53,162 --> 00:29:54,263 DON'T YOU--DON'T YOU-- 915 00:29:54,263 --> 00:29:56,365 HEY, HEY, HEY! BREAK IT UP. 916 00:29:56,365 --> 00:29:57,526 (Esposito) MMM. MMM. GUYS! WHAT THE HELL IS GOING ON? 917 00:29:57,526 --> 00:29:59,198 TALK TO HUNGER STRIKE OVER HERE. 918 00:29:59,198 --> 00:30:00,469 HE WAS FLAUNTING THAT DOUGHNUT. 919 00:30:00,469 --> 00:30:02,201 I WAS EATING IT. 920 00:30:02,201 --> 00:30:03,472 (Beckett) RYAN, YOU OKAY? 921 00:30:03,472 --> 00:30:05,204 A CLEANSE FOR NINE DAYS-- 922 00:30:05,204 --> 00:30:06,405 DON'T YOU THINK IT'S TIME TO LET IT GO? 923 00:30:06,405 --> 00:30:08,207 NO, NO, NO. I'M--I'M FINE. 924 00:30:08,207 --> 00:30:10,439 I'M--I'M SORRY, EVERYBODY. SORRY, BRO. 925 00:30:10,439 --> 00:30:13,242 SO ANY LUCK FINDING LISA HILL? 926 00:30:13,242 --> 00:30:15,384 YEAH, WE TRACKED HER DOWN AT A SPA IN MONTAUK. 927 00:30:15,384 --> 00:30:18,347 YEAH, SHE'S GOING FROM MUD WRAP TO MURDER RAP, 928 00:30:18,347 --> 00:30:20,519 EXFOLIATION TO INTERROGATION, 929 00:30:20,519 --> 00:30:22,321 MANICURE TO MANACLES, 930 00:30:22,321 --> 00:30:24,453 SHIATSU TO... 931 00:30:24,453 --> 00:30:26,395 (people speaking indistinctly) 932 00:30:26,395 --> 00:30:29,458 (whispering) SHIATSU... 933 00:30:29,458 --> 00:30:30,529 SHIATSU... 934 00:30:30,529 --> 00:30:32,561 UNIs ARE ON THEIR WAY TO PICK HER UP NOW. 935 00:30:32,561 --> 00:30:36,265 DO YOU RECOGNIZE HIM, MS. HILL? 936 00:30:36,265 --> 00:30:38,407 YES, IT'S JAKE. 937 00:30:38,407 --> 00:30:40,209 YES, JAKE HENDRICKS. 938 00:30:40,209 --> 00:30:41,340 OR SO YOU THOUGHT, 939 00:30:41,340 --> 00:30:43,542 UNTIL YOU FOUND OUT HIS REAL NAME WAS MICHAEL BAILEY 940 00:30:43,542 --> 00:30:46,475 AND HE WAS TRYING TO BLACKMAIL YOU. 941 00:30:46,475 --> 00:30:48,277 ISN'T THAT RIGHT? 942 00:30:48,277 --> 00:30:50,249 BLACKMAIL? I... 943 00:30:50,249 --> 00:30:52,221 (chuckles) DON'T KNOW WHAT YOU'RE TALKING ABOUT. 944 00:30:52,221 --> 00:30:53,282 I THINK YOU DO. 945 00:30:53,282 --> 00:30:55,224 YOU REALIZED THAT YOU HAD BEEN PLAYED, 946 00:30:55,224 --> 00:30:57,356 AND YOU DECIDED TO TAKE YOUR REVENGE. 947 00:30:57,356 --> 00:31:01,330 YOUR SISTER OWNS A, UM, A DRUG COMPANY? 948 00:31:01,330 --> 00:31:02,591 SHE MUST HAVE GIVEN YOU THE COLCHICINE YOU USED 949 00:31:02,591 --> 00:31:04,293 TO POISON HIM, DIDN'T SHE? 950 00:31:04,293 --> 00:31:05,534 UH, NO. (chuckles) 951 00:31:05,534 --> 00:31:07,436 LOOK, I DIDN'T GET REVENGE 952 00:31:07,436 --> 00:31:09,268 BECAUSE I NEVER KNEW WHAT HE WAS UP TO. 953 00:31:09,268 --> 00:31:11,270 BUT HE WAS UP TO SOMETHING. 954 00:31:11,270 --> 00:31:12,371 I SHOULD'VE REALIZED 955 00:31:12,371 --> 00:31:13,572 WHEN HE WAS HITTING ON ME SO HARD AT THE BAR, 956 00:31:13,572 --> 00:31:15,244 BUT HE WAS CUTE, 957 00:31:15,244 --> 00:31:16,575 AND MY HUSBAND IS MORE INTERESTED IN WORK 958 00:31:16,575 --> 00:31:18,507 THAN ACTUALLY LIVING, SO... 959 00:31:18,507 --> 00:31:21,280 I BROUGHT HIM HOME, AND IT WAS NICE. 960 00:31:21,280 --> 00:31:23,252 BUT THEN I CAME OUT OF THE BATHROOM, 961 00:31:23,252 --> 00:31:24,453 AND CAUGHT HIM ON THE COMPUTER. 962 00:31:24,453 --> 00:31:26,315 I FIGURED HE WAS TRYING TO STEAL CREDIT CARDS 963 00:31:26,315 --> 00:31:27,516 BANKING INFO, 964 00:31:27,516 --> 00:31:29,318 SO I KICKED HIS ASS OUT. 965 00:31:29,318 --> 00:31:32,591 BUT I SWEAR, THAT WAS THE LAST TIME I SAW HIM. 966 00:31:32,591 --> 00:31:34,593 OH, YEAH. 967 00:31:34,593 --> 00:31:36,595 BAILEY SENT AN E-MAIL, ALL RIGHT, TO HIMSELF. 968 00:31:36,595 --> 00:31:38,397 WHY WOULD HE E-MAIL HIMSELF? 969 00:31:38,397 --> 00:31:40,399 BECAUSE HE ATTACHED SEVERAL DOCUMENTS FROM HILL'S COMPUTER. 970 00:31:40,399 --> 00:31:41,530 WHAT KIND OF DOCUMENTS? 971 00:31:41,530 --> 00:31:42,601 CONFIDENTIAL ONES... (beeps and chirps) 972 00:31:42,601 --> 00:31:46,275 RELATING TO K.P.W. MINING CORPORATION. 973 00:31:46,275 --> 00:31:47,476 LISA HILL'S HUSBAND RON HILL 974 00:31:47,476 --> 00:31:49,538 IS THE INVESTMENT BANKER REPRESENTING K.P.W. 975 00:31:49,538 --> 00:31:52,611 ON THE POSSIBLE SALE OF THE COMPANY. (beeps and chirps) 976 00:31:52,611 --> 00:31:54,613 THAT'S LISA HILL'S HUSBAND? 977 00:31:54,613 --> 00:31:56,345 WE SAW HIM AT THE GLOBAL 12 OFFICES. 978 00:31:56,345 --> 00:31:58,417 YEP, AND RON HILL IS REPRESENTING K.P.W. 979 00:31:58,417 --> 00:31:59,648 IT'S A MULTIBILLION-DOLLAR DEAL. 980 00:31:59,648 --> 00:32:02,421 (Castle) SO BAILEY WAS ENGAGED IN COVERT OPS. 981 00:32:02,421 --> 00:32:04,353 HE TARGETED RON HILL'S WIFE LISA, 982 00:32:04,353 --> 00:32:07,456 SLEPT WITH HER IN ORDER TO STEAL K.P.W. CORPORATE SECRETS. 983 00:32:07,456 --> 00:32:09,298 THAT'S ESPIONAGE. 984 00:32:09,298 --> 00:32:11,400 MORE LIKE SEXPIONAGE. 985 00:32:11,400 --> 00:32:13,302 (Beckett) MORE LIKE MOTIVE. 986 00:32:17,606 --> 00:32:19,568 SO BAILEY WAS USING HIS PICKUP ARTIST SKILLS 987 00:32:19,568 --> 00:32:21,410 TO SLEEP WITH RON HILL'S WIFE 988 00:32:21,410 --> 00:32:23,572 AND STEAL CORPORATE SECRETS. 989 00:32:23,572 --> 00:32:25,674 MAN, THERE'S A "PENETRATING ENEMY LINES" JOKE 990 00:32:25,674 --> 00:32:27,546 HERE SOMEWHERE. 991 00:32:27,546 --> 00:32:29,548 YOU KNOW, RON MUST HAVE HIT THE ROOF 992 00:32:29,548 --> 00:32:32,351 WHEN HE DISCOVERED THAT THOSE FILES WERE STOLEN. 993 00:32:32,351 --> 00:32:34,323 OH, SURE. RON GOT SCREWED ON THE DEAL. 994 00:32:34,323 --> 00:32:35,554 AND HIS WIFE GOT SCREWED. 995 00:32:35,554 --> 00:32:36,685 BOY, IF ANYBODY EVER HAD 996 00:32:36,685 --> 00:32:38,427 A MOTIVE FOR MURDER, IT WAS RON HILL. 997 00:32:38,427 --> 00:32:40,429 YEAH, EXCEPT HE WAS IN NEGOTIATIONS 998 00:32:40,429 --> 00:32:42,331 DURING THE POISON-AND-KILL ZONE 999 00:32:42,331 --> 00:32:43,562 AND HIS WIFE LISA ALIBIED, TOO. 1000 00:32:43,562 --> 00:32:44,693 AND I'VE BEEN LOOKIN' AT THE K.P.W. DEAL. 1001 00:32:44,693 --> 00:32:46,565 TURNS OUT THAT THEY'RE REPRESENTED 1002 00:32:46,565 --> 00:32:48,337 BY KELLER, BRAUN AND FRANKLIN. 1003 00:32:48,337 --> 00:32:49,638 GUESS WHO THEIR LEAD ATTORNEY IS. HOLLY FRANKLIN? 1004 00:32:49,638 --> 00:32:51,500 YEP, MISS NO-TELL-HOTEL HERSELF. 1005 00:32:51,500 --> 00:32:53,502 THE ONLY REASON YOU GUYS DIDN'T RUN INTO HER 1006 00:32:53,502 --> 00:32:55,644 AT GLOBAL 12 CONSOLIDATED IS THAT WE WERE STILL HOLDING HER. 1007 00:32:55,644 --> 00:32:57,706 THAT EXPLAINS THE LISA AND HOLLY CONNECTION. 1008 00:32:57,706 --> 00:32:59,708 YEAH, BUT IT BEGS THE QUESTION, 1009 00:32:59,708 --> 00:33:01,650 HOW MANY OTHER WOMEN DID BAILEY TARGET 1010 00:33:01,650 --> 00:33:03,582 IN THIS LITTLE SEXPIONAGE SCHEME? 1011 00:33:03,582 --> 00:33:05,584 ALL RIGHT, YOU GUYS GET A LIST OF ALL THE PEOPLE AT K.P.W. 1012 00:33:05,584 --> 00:33:07,386 THAT WERE WORKING THE SALE, 1013 00:33:07,386 --> 00:33:09,718 INCLUDING THE BANKING AND LEGAL TEAMS. RIGHT. 1014 00:33:09,718 --> 00:33:12,491 THERE'S NO WAY THAT BAILEY WAS WORKING THIS ALONE. 1015 00:33:12,491 --> 00:33:14,593 HE'S TOO JUNIOR. 1016 00:33:14,593 --> 00:33:16,525 AND BESIDES, 1017 00:33:16,525 --> 00:33:18,727 HE WAS ON LEAVE. 1018 00:33:18,727 --> 00:33:21,670 AND WHO AUTHORIZED THE LEAVE? 1019 00:33:21,670 --> 00:33:24,433 YES, I AUTHORIZED HIS LEAVE. 1020 00:33:24,433 --> 00:33:26,675 YOU GAVE HIM A FAKE I.D. AND CASH BONUSES, MR. HARRIS. 1021 00:33:26,675 --> 00:33:28,607 AND I'VE ALREADY TOLD YOU, I DON'T KNOW ANYTHING ABOUT THAT. 1022 00:33:28,607 --> 00:33:30,409 OKAY, WELL, HOW ABOUT THIS? 1023 00:33:30,409 --> 00:33:32,681 BAILEY SLEPT WITH HOLLY FRANKLIN AND RON HILL'S WIFE LISA 1024 00:33:32,681 --> 00:33:34,683 TO STEAL K.P.W. SECRETS FOR YOUR NEGOTIATION. 1025 00:33:34,683 --> 00:33:37,446 DID YOU KNOW ABOUT THAT? 1026 00:33:37,446 --> 00:33:38,587 (Castle) OH, COME ON, HARRIS. 1027 00:33:38,587 --> 00:33:40,649 THIS COULDN'T BE BAILEY'S IDEA. 1028 00:33:40,649 --> 00:33:43,652 YOU'RE HIS BOSS, AND YOU'RE GLOBAL 12 CONSOLIDATED'S 1029 00:33:43,652 --> 00:33:45,754 LEAD NEGOTIATOR FOR THE K.P.W. DEAL. 1030 00:33:45,754 --> 00:33:47,696 SO... 1031 00:33:47,696 --> 00:33:49,528 HOW DID IT START? 1032 00:33:49,528 --> 00:33:51,730 DID YOU HAPPEN TO SEE BAILEY OUT 1033 00:33:51,730 --> 00:33:53,462 ONE NIGHT AT SOME BAR, 1034 00:33:53,462 --> 00:33:55,534 WORKING HIS MAGIC, 1035 00:33:55,534 --> 00:33:58,467 REALIZED THAT YOU COULD USE HIS ABILITY TO YOUR ADVANTAGE? 1036 00:33:58,467 --> 00:34:00,739 (chuckles) THAT IS NOTHING BUT WILD SPECULATION. 1037 00:34:00,739 --> 00:34:03,672 YOU HAVE NO PROOF WHATSOEVER OF ANY WRONGDOING ON MY PART 1038 00:34:03,672 --> 00:34:05,544 OR GLOBAL 12. 1039 00:34:05,544 --> 00:34:07,546 LOOK, I DON'T CARE ABOUT CORPORATE MALFEASANCE. 1040 00:34:07,546 --> 00:34:09,548 I WANT MICHAEL BAILEY'S KILLER. 1041 00:34:09,548 --> 00:34:10,749 AND HOW DO YOU THINK I CAN HELP? 1042 00:34:10,749 --> 00:34:12,721 YOU TELL ME WHERE HE'S BEEN STAYING FOR THE PAST MONTH, 1043 00:34:12,721 --> 00:34:14,653 TELL ME WHO ELSE WAS TARGETED, 1044 00:34:14,653 --> 00:34:17,556 AND WHO HE WAS WITH THE DAY THAT HE WAS KILLED. 1045 00:34:19,428 --> 00:34:22,461 UNLESS YOU'RE ACTUALLY GONNA CHARGE ME WITH SOMETHING... 1046 00:34:24,533 --> 00:34:26,695 I'M LEAVING. 1047 00:34:30,569 --> 00:34:33,702 THERE ARE MORE THAN 300 FEMALE EXECUTIVES 1048 00:34:33,702 --> 00:34:35,504 AT K.P.W. 1049 00:34:35,504 --> 00:34:37,476 BAILEY COULD HAVE TARGETED ANY ONE OF THEM. 1050 00:34:37,476 --> 00:34:39,448 NOT TO MENTION ALL THE WOMEN AT THE LAW FIRM 1051 00:34:39,448 --> 00:34:41,450 AND THE INVESTMENT BANK WHO ARE ALSO WORKING ON THE DEAL. 1052 00:34:41,450 --> 00:34:42,751 AND WE STILL HAVE NO IDEA WHERE HE WAS POISONED. 1053 00:34:42,751 --> 00:34:44,553 ANY LUCK? 1054 00:34:44,553 --> 00:34:46,585 NOPE. THERE'S TOO BIG A POOL OF POSSIBLE MARKS 1055 00:34:46,585 --> 00:34:48,517 THAT BAILEY COULD'VE SLEPT WITH. 1056 00:34:48,517 --> 00:34:51,560 YEAH, UH, SPEAKING OF THAT, 1057 00:34:51,560 --> 00:34:52,691 YOU KNOW... 1058 00:34:54,463 --> 00:34:55,764 RYAN'S MY BOY, 1059 00:34:55,764 --> 00:34:57,796 SO I GOTTA TELL HIM ABOUT JENNY AND BAILEY. 1060 00:34:57,796 --> 00:34:59,598 (crunches) 1061 00:34:59,598 --> 00:35:01,730 (mouth full) YOU ONLY TOLD ME I COULDN'T TELL RYAN. 1062 00:35:01,730 --> 00:35:03,502 (sighs) 1063 00:35:03,502 --> 00:35:05,734 LOOK, ESPO, I APPRECIATE YOUR POINT OF VIEW, 1064 00:35:05,734 --> 00:35:08,577 BUT THE GUY HASN'T EATEN IN A WEEK AND A HALF. 1065 00:35:08,577 --> 00:35:11,510 AND AFTER THAT DOUGHNUT INCIDENT, I DON'T... 1066 00:35:16,485 --> 00:35:18,747 I'LL JUST TAKE THIS BACK TO MY DESK. 1067 00:35:20,549 --> 00:35:22,491 SIT DOWN, BRO. 1068 00:35:22,491 --> 00:35:23,852 WHAT? 1069 00:35:23,852 --> 00:35:25,624 WHAT? 1070 00:35:27,596 --> 00:35:28,757 WHY DO YOU GUYS LOOK SO SERIOUS? 1071 00:35:28,757 --> 00:35:30,799 YOU SHOULD... EAT SOMETHING. 1072 00:35:30,799 --> 00:35:32,831 YEAH. YOU LOOK HUNGRY. 1073 00:35:32,831 --> 00:35:34,733 YOU'VE GOT THE POSTURE OF A FERAL CAT. 1074 00:35:34,733 --> 00:35:36,835 GUYS, I MADE A SACRED VOW TO THE WOMAN I LOVE. 1075 00:35:36,835 --> 00:35:38,707 IS THAT MOO SHU PORK? (Esposito, mouth full) YES. 1076 00:35:38,707 --> 00:35:41,570 AND IT IS DELICIOUS. COME ON, BRO. 1077 00:35:41,570 --> 00:35:43,542 JUST EAT. 1078 00:35:43,542 --> 00:35:45,544 (pants) 1079 00:35:45,544 --> 00:35:48,617 MMM. (mouth full) YOU WEREN'T KIDDING ABOUT THIS MOO SHU PORK. 1080 00:35:48,617 --> 00:35:49,778 COME ON! RIGHT? 1081 00:35:49,778 --> 00:35:51,580 PASS THE SPRING ROLLS, PLEASE. 1082 00:35:51,580 --> 00:35:52,821 YEAH. 1083 00:35:52,821 --> 00:35:54,683 SO... 1084 00:35:54,683 --> 00:35:57,526 YOU KNOW HOW WE ALL LOVE JENNY, RIGHT? 1085 00:35:57,526 --> 00:35:58,627 YEAH, WHAT ABOUT HER? 1086 00:35:58,627 --> 00:35:59,788 WELL, IT'S JUST THAT... 1087 00:35:59,788 --> 00:36:01,830 THAT LEDGER OF BAILEY'S... 1088 00:36:01,830 --> 00:36:03,662 HEY, IS SHE IN THAT? 1089 00:36:03,662 --> 00:36:04,863 I'VE BEEN MEANING TO ASK, BUT I HAVE BEEN HAVING 1090 00:36:04,863 --> 00:36:06,595 THESE--THESE MEMORY LAPSES. 1091 00:36:06,595 --> 00:36:07,896 MMM. COULD YOU PASS THE FRIED RICE? 1092 00:36:07,896 --> 00:36:09,598 (Castle) YEAH. 1093 00:36:09,598 --> 00:36:11,600 SO YOU'VE KNOWN ALL ALONG? 1094 00:36:11,600 --> 00:36:15,604 NAH. I WAS TELLING JENNY ABOUT JAVI'S ANTICS LAST NIGHT... 1095 00:36:15,604 --> 00:36:17,746 (normal voice) AND WE GOT TO TALKING ABOUT THE CASE. 1096 00:36:17,746 --> 00:36:19,548 AND SHE TOLD ME THAT SHE MET BAILEY AT A BAR 1097 00:36:19,548 --> 00:36:20,709 A MONTH OR SO AFTER WE STARTED UP. 1098 00:36:20,709 --> 00:36:22,611 SHE TOLD YOU ABOUT THAT? 1099 00:36:22,611 --> 00:36:23,852 (laughs) YEAH. SHE HAD NO IDEA 1100 00:36:23,852 --> 00:36:25,884 THAT HE WAS SOME KIND OF PROFESSIONAL PICKUP ARTIST. 1101 00:36:25,884 --> 00:36:27,686 AND YOU'RE NOT UPSET AT ALL? 1102 00:36:27,686 --> 00:36:30,619 (mouth full) HEY, UM, IT'S NOT LIKE WE WERE EXCLUSIVE. 1103 00:36:30,619 --> 00:36:32,821 MMM. IS THAT MONGOLIAN BEEF? 1104 00:36:32,821 --> 00:36:34,763 OH, MAN. 1105 00:36:34,763 --> 00:36:35,894 MMM. 1106 00:36:35,894 --> 00:36:37,826 OH. THANKS, DOT. 1107 00:36:37,826 --> 00:36:39,568 OH. 1108 00:36:39,568 --> 00:36:40,929 GET THIS. SO I'VE BEEN TRYING TO FIGURE OUT 1109 00:36:40,929 --> 00:36:43,702 WHERE ELSE BAILEY MIGHT HAVE BEEN STAYING FOR THE PAST MONTH, 1110 00:36:43,702 --> 00:36:45,704 AND WHEN WE GOT ON TO HIS CORPORATE SPYING 1111 00:36:45,704 --> 00:36:47,736 FOR GLOBAL 12 CONSOLIDATED, 1112 00:36:47,736 --> 00:36:49,708 I LOOKED INTO THEIR CORPORATE HOUSING. 1113 00:36:49,708 --> 00:36:51,580 THAT'S A GREAT IDEA. 1114 00:36:51,580 --> 00:36:52,841 YEAH. WHY DIDN'T I THINK OF THAT? 1115 00:36:52,841 --> 00:36:54,643 TURNS OUT MIKE BAILEY HAS BEEN CHECKED IN 1116 00:36:54,643 --> 00:36:56,645 TO THE OAKS ON PARK AVENUE FOR THE LAST MONTH 1117 00:36:56,645 --> 00:36:58,747 UNDER HIS ALIAS JAKE HENDRICKS. 1118 00:36:58,747 --> 00:37:00,619 WELL, WHAT ARE YOU SITTING AROUND FOR? 1119 00:37:00,619 --> 00:37:02,951 OH. UH, DO YOU MIND IF I TAKE THE SPARE RIB? 1120 00:37:02,951 --> 00:37:04,723 OKAY. 1121 00:37:04,723 --> 00:37:06,655 (man) YOU'RE WELCOME TO LOOK. 1122 00:37:06,655 --> 00:37:07,796 BUT WE GOT THE CALL YESTERDAY, 1123 00:37:07,796 --> 00:37:08,927 MR. HENDRICKS WASN'T COMING BACK. 1124 00:37:08,927 --> 00:37:10,699 WHAT'D YOU DO WITH ALL HIS STUFF? 1125 00:37:10,699 --> 00:37:12,701 PER HIS COMPANY'S INSTRUCTIONS, WE GAVE HIS CLOTHES 1126 00:37:12,701 --> 00:37:14,603 AND PERSONAL BELONGINGS TO GOODWILL, 1127 00:37:14,603 --> 00:37:16,735 AND THE PLACE HAS BEEN SCRUBBED, BEDDING LAUNDERED. 1128 00:37:27,846 --> 00:37:29,678 HEY, JAVIER, 1129 00:37:29,678 --> 00:37:30,919 CHECK THIS OUT. 1130 00:37:30,919 --> 00:37:32,821 CHOCOLATE BLAST. 1131 00:37:32,821 --> 00:37:34,953 IT'S A PROTEIN SHAKE. 1132 00:37:34,953 --> 00:37:37,886 "MADE WITH WHEY-PROTEIN ISOLATE." 1133 00:37:37,886 --> 00:37:39,858 YOU ALWAYS STOCK THIS DRINK? 1134 00:37:39,858 --> 00:37:41,660 YEAH. IT'S ALL STANDARD. 1135 00:37:41,660 --> 00:37:42,991 IT'S EXACTLY WHAT LANIE SAID THAT BAILEY HAD IN HIS SYSTEM 1136 00:37:42,991 --> 00:37:44,833 THAT DELIVERED THE COLCHICINE. 1137 00:37:44,833 --> 00:37:46,835 THIS IS WHERE HE WAS POISONED, BRO. 1138 00:37:51,600 --> 00:37:52,801 LOOKS LIKE WE FOUND THE MURDER WEAPON. 1139 00:37:52,801 --> 00:37:54,603 LANIE SAYS THAT THE CHOCOLATE SHAKE FROM THE OAKS 1140 00:37:54,603 --> 00:37:56,745 IS A PERFECT MATCH FOR THE CONTENTS 1141 00:37:56,745 --> 00:37:57,876 OF BAILEY'S STOMACH. 1142 00:37:57,876 --> 00:37:59,648 IT'S WHAT DELIVERED THE LETHAL DOSE OF COLCHICINE. 1143 00:37:59,648 --> 00:38:00,709 (Esposito) YO. 1144 00:38:00,709 --> 00:38:01,910 SO THE DOORMAN AT THE OAKS CONFIRMS 1145 00:38:01,910 --> 00:38:04,653 THAT BAILEY WAS THERE DURING THE WHOLE POISON TIME WINDOW. 1146 00:38:04,653 --> 00:38:05,884 HE ASKED NOT TO BE DISTURBED. 1147 00:38:05,884 --> 00:38:07,916 YEAH, I BET, BECAUSE SEXPIONAGE 1148 00:38:07,916 --> 00:38:10,689 CAN BE SO MUCH MORE DEMANDING THAN ESPIONAGE. 1149 00:38:10,689 --> 00:38:11,760 TRUE. 1150 00:38:11,760 --> 00:38:12,921 SO I'M GUESSING HE HAD A VISITOR. 1151 00:38:12,921 --> 00:38:15,564 YEP, SOMEONE WHO HAD BEEN THERE A FEW TIMES BEFORE. 1152 00:38:15,564 --> 00:38:16,795 SECURITY CAM PHOTO CAPTURE. 1153 00:38:17,926 --> 00:38:20,629 LOOK FAMILIAR? 1154 00:38:22,571 --> 00:38:23,772 IF WE COULD FOCUS ON THE THIRD QUARTER, 1155 00:38:23,772 --> 00:38:25,904 I BELIEVE THAT WOULD BE THE MOST PRODUCTIVE WAY TO MOVE FORWARD. 1156 00:38:25,904 --> 00:38:27,906 (knock on door) 1157 00:38:27,906 --> 00:38:29,638 (Beckett) EXCUSE ME. 1158 00:38:29,638 --> 00:38:31,710 SORRY TO INTERRUPT AGAIN. 1159 00:38:32,841 --> 00:38:34,583 WHAT'S UP, SETH? 1160 00:38:34,583 --> 00:38:36,685 NOTHING. NOTHING AT ALL. 1161 00:38:36,685 --> 00:38:37,886 LOOK, DETECTIVE, I HAVE ALREADY TOLD YOU 1162 00:38:37,886 --> 00:38:39,918 EVERYTHING THAT I KNOW ABOUT MICHAEL BAILEY. 1163 00:38:39,918 --> 00:38:41,950 NOW PLEASE... 1164 00:38:41,950 --> 00:38:43,822 LEAVE. 1165 00:38:43,822 --> 00:38:46,725 ACTUALLY, WE'RE NOT HERE FOR YOU, MR. HARRIS. 1166 00:38:46,725 --> 00:38:49,658 THAT WOULD BE THE S.E.C., SOON. 1167 00:38:49,658 --> 00:38:51,600 TODAY... 1168 00:38:51,600 --> 00:38:53,602 WE ARE HERE FOR A WOMAN, 1169 00:38:53,602 --> 00:38:55,834 SOMEONE WHO WORKS FOR K.P.W. 1170 00:38:55,834 --> 00:38:57,966 AND ALSO KNEW MICHAEL BAILEY-- 1171 00:38:57,966 --> 00:39:01,870 YOUR C.O.O., AMY KEMP. 1172 00:39:01,870 --> 00:39:04,613 YOU'RE UNDER ARREST FOR THE MURDER OF MICHAEL BAILEY. 1173 00:39:04,613 --> 00:39:07,946 PLEASURE DOING BUSINESS WITH YOU, SETH. 1174 00:39:07,946 --> 00:39:10,679 (Beckett) LET'S GO. 1175 00:39:10,679 --> 00:39:11,880 (handcuffs click) 1176 00:39:11,880 --> 00:39:14,623 (Castle) SHE SAID "KILLING HIM WAS JUST BUSINESS." 1177 00:39:14,623 --> 00:39:16,685 HE HAD TO DIE TO PROTECT THE CORPORATE SECRETS. 1178 00:39:16,685 --> 00:39:18,687 YEAH, I GUESS THE FACT THAT HE WON'T BE AROUND 1179 00:39:18,687 --> 00:39:20,759 TO DUPE OTHER WOMEN WAS AN ADDED BENEFIT. 1180 00:39:20,759 --> 00:39:22,761 BAILEY WORKED HER LIKE ALL THE OTHER WOMEN-- 1181 00:39:22,761 --> 00:39:24,693 MADE HER FEEL SPECIAL, 1182 00:39:24,693 --> 00:39:26,765 GOT HER TO FALL FOR HIM-- BUT SOMEWHERE ALONG THE WAY, 1183 00:39:26,765 --> 00:39:28,737 SHE FIGURED OUT WHAT HE WAS UP TO. 1184 00:39:28,737 --> 00:39:30,639 I'M JUST GLAD I'M OUT OF THE GAME. 1185 00:39:30,639 --> 00:39:33,902 (chuckles) THE GAMES ARE ONLY BEGINNING FOR YOU, MY FRIEND. 1186 00:39:33,902 --> 00:39:36,745 HEY. SO WHAT'S UP WITH YOUR PLUS ONE? 1187 00:39:36,745 --> 00:39:38,977 OH, IT'S ON. 1188 00:39:38,977 --> 00:39:41,750 THAT'S ALL I'M SAYIN'. 1189 00:39:41,750 --> 00:39:45,714 (organ music playing) 1190 00:39:45,714 --> 00:39:46,785 LANIE. 1191 00:39:46,785 --> 00:39:47,986 HEY. 1192 00:39:47,986 --> 00:39:49,988 HELLO, JAVIER. 1193 00:39:49,988 --> 00:39:51,660 THIS IS TOBY. 1194 00:39:51,660 --> 00:39:52,791 PLEASED TO MEET YOU. 1195 00:39:52,791 --> 00:39:54,893 YEAH, YOU, TOO. 1196 00:39:54,893 --> 00:39:56,695 THIS IS JODY. 1197 00:39:56,695 --> 00:39:57,726 NICE TO MEET YOU. 1198 00:39:57,726 --> 00:39:58,997 PLEASURE. 1199 00:39:58,997 --> 00:40:00,929 EXCUSE ME. I NEED TO FIND THE LADIES ROOM. 1200 00:40:00,929 --> 00:40:02,000 OKAY. 1201 00:40:02,000 --> 00:40:04,002 (music continues) 1202 00:40:04,002 --> 00:40:07,676 UH, YOU TWO TALK. I'LL GET US SEATS. 1203 00:40:07,676 --> 00:40:09,007 THANK YOU, TOBY. 1204 00:40:09,007 --> 00:40:11,039 (music continues) 1205 00:40:11,039 --> 00:40:12,781 TOBY, HUH? 1206 00:40:12,781 --> 00:40:13,882 WHAT DO YOU MEAN, "TOBY, HUH?" 1207 00:40:13,882 --> 00:40:15,684 I DON'T KNOW. YOU TELL ME. 1208 00:40:15,684 --> 00:40:16,985 YOU AND I BROKE UP TWO MONTHS AGO, 1209 00:40:16,985 --> 00:40:19,017 SO UNLESS YOU THOUGHT I JOINED A CONVENT, 1210 00:40:19,017 --> 00:40:20,819 YOU NEED TO TAKE A STEP BACK. 1211 00:40:20,819 --> 00:40:22,921 SO YOU TWO SERIOUS NOW? YEAH, WE'RE SERIOUS... 1212 00:40:22,921 --> 00:40:24,893 MM-HMM. ABOUT DANCING. 1213 00:40:24,893 --> 00:40:26,755 THAT'S WHY HIS BOYFRIEND LET ME BORROW HIM. 1214 00:40:26,755 --> 00:40:28,957 BESIDES, I FIGURED I'D NEED SOMEBODY TO KEEP ME COMPANY 1215 00:40:28,957 --> 00:40:31,760 WHILE YOU FLIRTED WITH ALL OF JENNY'S SORORITY SISTERS. 1216 00:40:31,760 --> 00:40:33,762 TOBY'S BOYFRIEND? 1217 00:40:33,762 --> 00:40:34,963 AND I SEEM TO RECALL YOU HERE 1218 00:40:34,963 --> 00:40:37,836 WITH THE CENTER FOR THE NEW YORK LIBERTY. 1219 00:40:37,836 --> 00:40:39,037 SHE'S MY COUSIN. 1220 00:40:39,037 --> 00:40:41,039 I HEARD YOU WERE COMING WITH A DATE, 1221 00:40:41,039 --> 00:40:43,071 SO I THOUGHT I HAD TO HAVE SOMEBODY... 1222 00:40:43,071 --> 00:40:45,073 (music continues) 1223 00:40:45,073 --> 00:40:47,916 YOU LOOK GREAT, YOU KNOW? 1224 00:40:47,916 --> 00:40:49,718 YEAH, I KNOW. 1225 00:40:49,718 --> 00:40:51,720 (music continues) 1226 00:40:51,720 --> 00:40:53,882 CAN I SHOW YOU TO YOUR SEAT? 1227 00:40:53,882 --> 00:40:55,924 THAT WOULD BE NICE. 1228 00:40:55,924 --> 00:40:59,027 (music continues) 1229 00:40:59,027 --> 00:41:01,990 (indistinct conversations) 1230 00:41:01,990 --> 00:41:04,032 HOPEFULLY, IT--IT... 1231 00:41:04,032 --> 00:41:05,864 CASTLE. 1232 00:41:05,864 --> 00:41:07,796 YOU LOOK LIKE A LOST PUPPY. 1233 00:41:07,796 --> 00:41:08,937 WHERE'S YOUR DATE? 1234 00:41:08,937 --> 00:41:10,939 AT A LADY GAGA CONCERT WITH A TEENAGE BOY. 1235 00:41:10,939 --> 00:41:12,040 HOW DO I COMPETE WITH THAT? 1236 00:41:12,040 --> 00:41:13,842 OH, NO. I'M SORRY. 1237 00:41:13,842 --> 00:41:16,074 YEAH, ME, TOO. I HATE GOING TO WEDDINGS ALONE. 1238 00:41:16,074 --> 00:41:18,977 WELL, MAYBE WE COULD BE EACH OTHER'S PLUS ONE. 1239 00:41:18,977 --> 00:41:20,949 YEAH, AND THEN AVOID THE STIGMA 1240 00:41:20,949 --> 00:41:22,751 OF SITTING AT THE SINGLES' TABLE. 1241 00:41:22,751 --> 00:41:24,082 YES, THAT WOULD BE NICE. I WOULD LIKE... 1242 00:41:24,082 --> 00:41:25,984 (Ryan sigh) OKAY. GOOD, GOOD, GOOD. 1243 00:41:25,984 --> 00:41:27,786 OH, LOOK AT HIM. 1244 00:41:27,786 --> 00:41:29,057 HE LOOKS SO HAPPY. 1245 00:41:29,057 --> 00:41:30,118 (camera shutter clicks) 1246 00:41:30,118 --> 00:41:32,020 HEY. OH, I'M SO GLAD YOU'RE HERE. 1247 00:41:32,020 --> 00:41:33,091 WHERE ELSE ARE WE GONNA BE? MWAH. 1248 00:41:33,091 --> 00:41:34,763 YOU LOOK FANTASTIC. 1249 00:41:34,763 --> 00:41:36,825 YEAH, WE CLEAN UP PRETTY NICE, HUH? 1250 00:41:36,825 --> 00:41:39,027 (music continues) 1251 00:41:39,027 --> 00:41:41,069 OH, JENNY, YOU LOOK AMAZING. 1252 00:41:41,069 --> 00:41:43,031 THANK YOU, RICK. 1253 00:41:43,031 --> 00:41:46,775 NO. NO, NO, NO, NO, NO. YOU CAN'T SEE HER YET. 1254 00:41:46,775 --> 00:41:48,937 KEVIN... YOU ARE A LUCKY MAN. 1255 00:41:48,937 --> 00:41:51,780 (exhales) DON'T I KNOW IT? 1256 00:41:51,780 --> 00:41:52,981 READY, BRO? 1257 00:41:52,981 --> 00:41:54,112 I THINK SO. 1258 00:41:54,112 --> 00:41:55,884 OKAY. WE'RE GONNA SEE YOU IN THERE. 1259 00:41:55,884 --> 00:41:57,846 (Ryan) OKAY. 1260 00:41:57,846 --> 00:41:59,117 (indistinct conversations) 1261 00:41:59,117 --> 00:42:03,151 YOU KNOW, I GOTTA SAY, I KIND OF ENVY HIM. 1262 00:42:03,151 --> 00:42:05,954 WELL, WHO KNOWS, CASTLE? MAYBE THIRD TIME'S THE CHARM. 1263 00:42:05,954 --> 00:42:07,125 YEAH. 1264 00:42:07,125 --> 00:42:09,998 COULD BE. 1265 00:42:09,998 --> 00:42:11,059 SHALL WE? 1266 00:42:11,059 --> 00:42:12,931 YEAH. 1267 00:42:12,931 --> 00:42:14,963 (bells toll)