1 00:00:01,172 --> 00:00:04,175 (playing "Comes Love") 2 00:00:04,175 --> 00:00:08,008 (indistinct conversations) 3 00:00:08,008 --> 00:00:11,112 ♪ COMES A RAINSTORM ♪ 4 00:00:11,112 --> 00:00:13,184 ♪ PUT YOUR RUBBERS ON YOUR FEET ♪ 5 00:00:13,184 --> 00:00:15,186 ♪ COMES A SNOWSTORM ♪ 6 00:00:15,186 --> 00:00:18,149 ♪ YOU CAN GET A LITTLE HEAT ♪ 7 00:00:18,149 --> 00:00:21,092 ♪ COME LOVE ♪ 8 00:00:21,092 --> 00:00:23,294 ♪ NOTHING CAN BE DONE ♪ 9 00:00:23,294 --> 00:00:26,257 KEEP 'EM COMIN', PAL. YOU'RE DOING GREAT. 10 00:00:26,257 --> 00:00:28,229 ♪ COMES A FIRE ♪ 11 00:00:28,229 --> 00:00:30,101 SAY, MAYBE YOU CAN HELP ME. I'M LOOKIN' FOR A DAME. 12 00:00:30,101 --> 00:00:31,302 AREN'T WE ALL? 13 00:00:31,302 --> 00:00:34,034 THIS ONE'S SPECIAL. YOU KNOW HER? 14 00:00:34,034 --> 00:00:35,236 KNOW HER? 15 00:00:35,236 --> 00:00:37,108 I'M LOOKIN' AT HER. 16 00:00:37,108 --> 00:00:38,339 ♪ COME LOVE ♪ 17 00:00:38,339 --> 00:00:42,213 ♪ NOTHING CAN BE DONE ♪ 18 00:00:42,213 --> 00:00:45,376 (applause) 19 00:00:45,376 --> 00:00:47,278 (woman laughs) 20 00:00:47,278 --> 00:00:49,320 AND WHERE HAVE YOU BEEN ALL MY LIFE? 21 00:00:54,054 --> 00:00:56,127 (Castle) TALK ABOUT A SLICE OF HISTORY. 22 00:00:56,127 --> 00:00:58,129 THE PENNYBAKER CLUB. (camera shutter clicking) 23 00:00:58,129 --> 00:00:59,330 YOU KNOW, BACK IN THE '40s, ALL THE GREATS PLAYED HERE. 24 00:00:59,330 --> 00:01:02,163 IF THESE WALLS COULD TALK, MAN, THE STORIES THEY WOULD TELL. 25 00:01:02,163 --> 00:01:05,136 YEAH, BUT THE ONLY STORY WE NEED TO HEAR IS ABOUT... 26 00:01:05,136 --> 00:01:07,438 STAN BANKS. SINGLE G.S.W. TO THE STERNUM. 27 00:01:07,438 --> 00:01:09,240 I'M CALLING THE TIME OF DEATH 28 00:01:09,240 --> 00:01:11,202 BETWEEN 6:00 AND 8:00 THIS MORNING. 29 00:01:11,202 --> 00:01:13,344 LOOKS LIKE HE TRIED TO DEFEND HIMSELF WITH THIS. 30 00:01:13,344 --> 00:01:15,146 OBVIOUSLY, IT DIDN'T WORK. 31 00:01:15,146 --> 00:01:16,207 SO A ROBBERY GONE WRONG? 32 00:01:16,207 --> 00:01:18,379 WELL, HE STILL HAD HIS WALLET, CELL, 33 00:01:18,379 --> 00:01:21,182 AND A ROOM KEY FROM THE PARKSVILLE ARMS, SO... 34 00:01:21,182 --> 00:01:22,313 POCKETS WERE PULLED OUT, 35 00:01:22,313 --> 00:01:24,084 INDICATING THE KILLER SEARCHED THE BODY. 36 00:01:24,084 --> 00:01:25,456 FOR WHAT, WE HAVE NO IDEA. 37 00:01:25,456 --> 00:01:28,219 THAT'S WEIRD. HE'S GOT AN S.R.O. KEY, 38 00:01:28,219 --> 00:01:31,222 BUT HIS DRIVER'S LICENSE HAS HIM LIVING ON 34th STREET. 39 00:01:31,222 --> 00:01:32,363 (Ryan) WE'LL HIT THE S.R.O. 40 00:01:32,363 --> 00:01:34,094 SEE IF THERE'S ANYTHING WE CAN FIND OUT ABOUT HIM. 41 00:01:34,094 --> 00:01:35,166 THANKS. 42 00:01:35,166 --> 00:01:36,467 YOU LOOKIN' FOR A DRINK, CASTLE? 43 00:01:36,467 --> 00:01:38,399 'CAUSE I'M PRETTY SURE THE BAR IS CLOSED. 44 00:01:38,399 --> 00:01:40,401 ACTUALLY, I WAS LOOKING FOR A CLUE. 45 00:01:40,401 --> 00:01:42,102 I THINK I FOUND ONE. 46 00:01:42,102 --> 00:01:44,175 SOME HOMELESS GUY'S SQUAT, AND... 47 00:01:44,175 --> 00:01:46,437 TODAY'S "LEDGER." HE WAS HERE THIS MORNING. 48 00:01:46,437 --> 00:01:49,310 WELL, WHOEVER HE IS, MAYBE HE SAW SOMETHING. 49 00:01:49,310 --> 00:01:51,382 I'LL GET PATROL UNITS TO CANVASS THE AREA. 50 00:01:51,382 --> 00:01:53,113 STAN'S DEAD? 51 00:01:53,113 --> 00:01:55,115 (sighs) WELL, THAT'S JUST GREAT. 52 00:01:55,115 --> 00:01:57,348 WHAT AM I SUPPOSED TO DO WITH ALL HIS CRAP? 53 00:01:57,348 --> 00:01:59,420 WE'LL BE TAKING SOME OF IT OFF YOUR HANDS 54 00:01:59,420 --> 00:02:01,252 AS PART OF OUR INVESTIGATION. 55 00:02:01,252 --> 00:02:03,224 YOU KNOW OF ANYONE WHO'S BEEN THREATENING STAN LATELY? 56 00:02:03,224 --> 00:02:04,425 I'M THE MANAGER HERE, NOT THE DEN MOTHER. 57 00:02:04,425 --> 00:02:07,398 OKAY, THEN. WHEN WAS THE LAST TIME YOU SAW HIM? 58 00:02:07,398 --> 00:02:09,260 UH, THIS MORNING. STAN WAS ALL SMILES. 59 00:02:09,260 --> 00:02:12,463 GAVE NOTICE HE WAS MOVING OUT 'CAUSE HIS SHIP WAS COMING IN. 60 00:02:12,463 --> 00:02:14,235 WHAT SHIP? OH, I DON'T KNOW. 61 00:02:14,235 --> 00:02:16,467 THE "TITANIC" FROM THE LOOKS OF THINGS. 62 00:02:16,467 --> 00:02:18,138 WELL, IF YOU CAN REMEMBER ANYTHING ELSE, 63 00:02:18,138 --> 00:02:19,170 CAN YOU PLEASE GIVE ME A CALL? 64 00:02:19,170 --> 00:02:21,242 DON'T HOLD YOUR BREATH, HOTSHOT. 65 00:02:21,242 --> 00:02:23,244 I THINK SHE LIKES YOU. 66 00:02:23,244 --> 00:02:26,146 I HAVE NO IDEA WHY STAN WAS AT THE PENNYBAKER CLUB. 67 00:02:26,146 --> 00:02:27,478 BUT WE'VE BEEN SEPARATED FOR ALMOST A YEAR, 68 00:02:27,478 --> 00:02:29,420 SO GOD KNOWS WHERE HE'S BEEN. 69 00:02:29,420 --> 00:02:31,452 AND WHEN WAS THE LAST TIME YOU SPOKE WITH HIM? 70 00:02:31,452 --> 00:02:33,454 TWO MONTHS AGO, WHICH IS CRAZY, 71 00:02:33,454 --> 00:02:36,257 'CAUSE THERE WAS A TIME WE COULDN'T GO TWO HOURS 72 00:02:36,257 --> 00:02:37,428 WITHOUT TALKING. 73 00:02:37,428 --> 00:02:40,191 BUT THEN STAN HAD TO GO AND FIND THAT DOUBLOON. 74 00:02:40,191 --> 00:02:42,363 A DOUBLOON, AS IN OLD SPANISH COIN? 75 00:02:42,363 --> 00:02:44,465 HE DUG ONE UP ON A BEACH IN NORTH CAROLINA. 76 00:02:44,465 --> 00:02:46,467 AND AFTER THAT, HE GOT THE BUG. 77 00:02:46,467 --> 00:02:49,200 AND IT ONLY GOT WORSE AFTER HE SAW THIS STUPID DOCUMENTARY 78 00:02:49,200 --> 00:02:51,502 ABOUT CLYDE BELASCO, THE TREASURE HUNTER. 79 00:02:51,502 --> 00:02:53,404 (Castle) YEAH, THAT'S THE FELLOW 80 00:02:53,404 --> 00:02:55,246 WHO FOUND THAT SUNKEN CONFEDERATE SHIP TEN YEARS AGO. 81 00:02:55,246 --> 00:02:56,547 STAN WAS SO INSPIRED, 82 00:02:56,547 --> 00:03:00,251 HE QUIT HIS ACCOUNTING JOB TO SEARCH FOR LOST ANTIQUITIES. 83 00:03:00,251 --> 00:03:02,182 I MEAN, EVEN THE LAST TIME WE SPOKE, 84 00:03:02,182 --> 00:03:03,384 ALL HE COULD TALK ABOUT WAS HOW HE WAS CLOSE 85 00:03:03,384 --> 00:03:06,357 TO FINDING A BLUE BUTTERFLY. 86 00:03:06,357 --> 00:03:08,519 A BLUE... LIKE AN INSECT? 87 00:03:08,519 --> 00:03:10,391 WHO KNOWS? 88 00:03:10,391 --> 00:03:12,323 WAS HE HAVING PROBLEMS WITH ANYONE THAT YOU KNOW OF? 89 00:03:12,323 --> 00:03:14,225 HE HAD MONEY PROBLEMS. I KNOW THAT. 90 00:03:14,225 --> 00:03:16,527 I GOT A CALL TWO DAYS AGO FROM SOME GUY 91 00:03:16,527 --> 00:03:18,329 LOOKING FOR STAN. 92 00:03:18,329 --> 00:03:20,331 SAID THAT STAN OWED HIM $10,000 93 00:03:20,331 --> 00:03:22,273 AND THAT HE'D BETTER PAY 94 00:03:22,273 --> 00:03:23,504 OR ELSE. 95 00:03:25,205 --> 00:03:26,407 THERE'S NOTHING IN STAN'S PERSONAL EFFECTS 96 00:03:26,407 --> 00:03:28,409 ABOUT BUTTERFLIES, BLUE OR OTHERWISE. 97 00:03:28,409 --> 00:03:29,540 JUST A BUNCH OF BOOKS 98 00:03:29,540 --> 00:03:31,542 ABOUT MOBSTERS AND MANHATTAN IN THE '40s. 99 00:03:31,542 --> 00:03:34,285 THAT'S ALL RIGHT, BECAUSE I GOT A HIT 100 00:03:34,285 --> 00:03:36,287 ON THAT THREATENING MONEY CALL TO STAN'S WIFE, 101 00:03:36,287 --> 00:03:38,419 AND IT TURNS OUT IT CAME FROM A DRY CLEANERS. 102 00:03:38,419 --> 00:03:40,220 MAYBE CLOTHES AREN'T THE ONLY THING THEY'RE LAUNDERING. 103 00:03:40,220 --> 00:03:41,352 I'LL CHECK IT OUT. 104 00:03:41,352 --> 00:03:42,493 THANKS. 105 00:03:42,493 --> 00:03:44,355 (Castle laughs) 106 00:03:44,355 --> 00:03:47,258 UH, THIS DIARY IN STAN'S STUFF, 107 00:03:47,258 --> 00:03:48,329 IT'S ALSO FROM THE '40s. 108 00:03:48,329 --> 00:03:50,501 IT SOUNDS LIKE IT BELONGED TO A PRIVATE EYE. 109 00:03:50,501 --> 00:03:52,232 LISTEN TO THIS. 110 00:03:52,232 --> 00:03:53,364 "USUALLY WIVES TURN ON THE WATERWORKS 111 00:03:53,364 --> 00:03:55,466 "WHEN SHOWN PICTURES OF THEIR HUSBANDS STEPPING OUT, 112 00:03:55,466 --> 00:03:57,268 "BUT NOT THIS DAME. 113 00:03:57,268 --> 00:03:59,510 "SHE WANTED PAYBACK. SO WHAT'S WORSE, 114 00:03:59,510 --> 00:04:01,342 "THAT I PITCHED WOO WITH A CLIENT 115 00:04:01,342 --> 00:04:03,574 OR THAT I INVOICED HER FOR SERVICES RENDERED AFTER?" 116 00:04:03,574 --> 00:04:05,446 CUTE. 117 00:04:05,446 --> 00:04:06,547 CUTE? 118 00:04:06,547 --> 00:04:09,280 I MEAN, THIS GUY SOUNDS LIKE A HARD-BOILED P.I. 119 00:04:09,280 --> 00:04:11,452 RIGHT OUT OF A RAYMOND CHANDLER NOVEL. 120 00:04:11,452 --> 00:04:13,454 I WONDER WHY STAN HAD THIS? 121 00:04:13,454 --> 00:04:14,585 HEY, YO, BECKETT. 122 00:04:14,585 --> 00:04:16,357 STILL GOT NO WORD ON THAT HOMELESS GUY, 123 00:04:16,357 --> 00:04:18,289 BUT A BODEGA OWNER SAW A WHITE MUSTANG 124 00:04:18,289 --> 00:04:19,490 PARKED IN THE LOADING ZONE RIGHT OUTSIDE THE CLUB 125 00:04:19,490 --> 00:04:21,392 FOR THE PAST THREE DAYS. 126 00:04:21,392 --> 00:04:23,263 OKAY. SEE IF ANYONE SAW THOSE LICENSE PLATES. 127 00:04:23,263 --> 00:04:24,495 RIGHT ON. OKAY. 128 00:04:24,495 --> 00:04:27,267 UM, BECKETT? 129 00:04:27,267 --> 00:04:29,269 CAN I TAKE THIS HOME FOR THE NIGHT? 130 00:04:29,269 --> 00:04:30,641 I MEAN, IT MIGHT BE THE KEY TO WHAT STAN WAS LOOKING FOR. 131 00:04:30,641 --> 00:04:32,603 YOU JUST WANT TO READ IT BECAUSE YOU THINK IT'S COOL. 132 00:04:32,603 --> 00:04:34,274 YEAH, WELL, THAT, TOO. 133 00:04:34,274 --> 00:04:36,407 OKAY, JUST SO LONG AS YOU... 134 00:04:37,478 --> 00:04:39,650 BRING IT BACK IN THE MORNING. 135 00:04:39,650 --> 00:04:42,653 (instrumental jazz music playing) 136 00:04:51,562 --> 00:04:55,466 (Castle's voice) "JUNE 18, 1947. 137 00:04:55,466 --> 00:04:57,568 "THE DAY BEGAN LIKE EVERY OTHER, 138 00:04:57,568 --> 00:04:59,670 "PULLING AWAKE IN MY OFFICE CHAIR 139 00:04:59,670 --> 00:05:02,333 "WITH A CREAM OF KENTUCKY BOTTLE, 140 00:05:02,333 --> 00:05:04,335 "A DRY THROAT, 141 00:05:04,335 --> 00:05:06,607 "AND A HEAD THAT WAS RINGING LIKE CHURCH BELLS. 142 00:05:06,607 --> 00:05:10,310 "SO I FIGURED I'D KILL TWO BIRDS WITH ONE STONE 143 00:05:10,310 --> 00:05:11,642 WITH A LITTLE HAIR OF THE DOG THAT BIT ME." 144 00:05:11,642 --> 00:05:13,544 OHH. 145 00:05:13,544 --> 00:05:16,517 OH. 146 00:05:16,517 --> 00:05:18,419 (door opens and closes) 147 00:05:18,419 --> 00:05:20,351 (woman) DAMN IT, MR. FLYNN. 148 00:05:20,351 --> 00:05:21,522 WHY HAVE AN APARTMENT 149 00:05:21,522 --> 00:05:23,354 WHEN YOU DRINK YOURSELF TO SLEEP IN THE OFFICE EVERY NIGHT? 150 00:05:23,354 --> 00:05:24,495 THAT WAY, I'M NEVER LATE FOR WORK. 151 00:05:24,495 --> 00:05:25,626 SAY, WHAT GIVES, ANYHOW? 152 00:05:25,626 --> 00:05:28,459 WE HAVE A POTENTIAL CLIENT, SO BE NICE. 153 00:05:28,459 --> 00:05:30,531 I'D LIKE TO MAKE NEXT MONTH'S RENT 154 00:05:30,531 --> 00:05:33,434 IF YOU DON'T MIND. 155 00:05:33,434 --> 00:05:34,635 (sighs) ALL RIGHT? 156 00:05:34,635 --> 00:05:36,367 HOW DO I LOOK? 157 00:05:36,367 --> 00:05:37,508 LIKE A STAR. 158 00:05:37,508 --> 00:05:39,710 "JUST ANOTHER DAY ON THE ISLE OF MANHATTAN"... 159 00:05:39,710 --> 00:05:41,372 (door opens) 160 00:05:41,372 --> 00:05:42,573 "UNTIL SHE WALKED IN 161 00:05:42,573 --> 00:05:45,446 "WITH A CASE THAT CHANGED MY LIFE. 162 00:05:45,446 --> 00:05:47,518 "WEARING T-STRAP SHOES AND A COUNTRY SUIT, 163 00:05:47,518 --> 00:05:49,520 "I COULD TELL THAT THAT REDHEAD 164 00:05:49,520 --> 00:05:52,352 WAS A HICK FRESH OFF THE COB." 165 00:05:52,352 --> 00:05:55,426 (Southern accent) HELLO. MY NAME'S SALLY MULQUEEN. 166 00:05:55,426 --> 00:05:57,357 I MEAN, SCOFIELD. SORRY, I'M A NEWLYWED. 167 00:05:57,357 --> 00:05:59,630 STILL GETTIN' USED TO THE NAME. 168 00:05:59,630 --> 00:06:01,361 JOE FLYNN, MRS. SCOFIELD. 169 00:06:01,361 --> 00:06:03,694 SO TELL ME, WHAT HAS YOU KNOCKING ON MY SHINGLE? 170 00:06:03,694 --> 00:06:05,696 I-I TALKED MY HUSBAND INTO HONEYMOONIN' 171 00:06:05,696 --> 00:06:07,498 UP HERE IN THE BIG APPLE, 172 00:06:07,498 --> 00:06:09,640 BUT NOT BECAUSE I WANTED TO CLIMB SKYSCRAPERS 173 00:06:09,640 --> 00:06:11,642 AND SEE BROADWAY SHOWS. 174 00:06:11,642 --> 00:06:14,405 I HAD MYSELF ANOTHER REASON. 175 00:06:14,405 --> 00:06:16,647 SEE, I'M LOOKIN' FOR MY BIG SISTER VERA. 176 00:06:16,647 --> 00:06:18,509 VERA MULQUEEN. 177 00:06:18,509 --> 00:06:20,711 THERE WAS BAD BLOOD BACK HOME, 178 00:06:20,711 --> 00:06:22,513 AND VERA RAN OFF TWO YEARS AGO 179 00:06:22,513 --> 00:06:24,655 WITH DREAMS OF BEING A SHOWGIRL UP HERE IN THE BIG CITY. 180 00:06:24,655 --> 00:06:28,659 SHE SEND YOU A WIRE, POSTCARD, ANYTHING WITH A RETURN ADDRESS? 181 00:06:28,659 --> 00:06:31,662 CAN YOU FIND HER, MISTER? 182 00:06:31,662 --> 00:06:33,624 MAMA'S SICK, AND, UM... 183 00:06:33,624 --> 00:06:35,496 (voice breaks) DOESN'T HAVE LONG. 184 00:06:35,496 --> 00:06:37,768 WELL, OF COURSE HE CAN... 185 00:06:37,768 --> 00:06:40,431 FOR 15 BUCKS A DAY PLUS EXPENSES. 186 00:06:42,733 --> 00:06:44,535 ONLY... 187 00:06:44,535 --> 00:06:46,577 CAN WE KEEP THIS QUIET? 188 00:06:46,577 --> 00:06:48,479 LIKE I SAID, THERE'S BAD BLOOD BACK HOME, 189 00:06:48,479 --> 00:06:49,740 AND IF VERA HEARS FROM A STRANGER 190 00:06:49,740 --> 00:06:51,682 THAT THE FAMILY'S LOOKING FOR HER, 191 00:06:51,682 --> 00:06:53,744 IT MIGHT PUSH HER FARTHER AWAY. 192 00:06:53,744 --> 00:06:55,686 MRS. SCOFIELD, 193 00:06:55,686 --> 00:06:57,748 IF I'M ANYTHING, I'M DISCREET. 194 00:07:02,493 --> 00:07:04,625 "AND THAT'S WHEN I SAW HER. 195 00:07:04,625 --> 00:07:07,528 "LOOKING AT THAT PHOTOGRAPH, ALL I COULD THINK WAS, 196 00:07:07,528 --> 00:07:09,760 WHAT A BEAUTIFUL DOLL." 197 00:07:12,563 --> 00:07:14,735 "SALLY SAID VERA HAD DREAMS OF BEING A SHOWGIRL. 198 00:07:14,735 --> 00:07:16,537 "MAYBE SHE MADE IT. 199 00:07:16,537 --> 00:07:18,809 STRANGER THINGS HAVE HAPPENED IN THIS TOWN." 200 00:07:18,809 --> 00:07:22,813 (band playing "Comes Love") 201 00:07:22,813 --> 00:07:26,477 "MY LAST STOP WAS THE PENNYBAKER CLUB. 202 00:07:26,477 --> 00:07:29,480 I WAS HOPING MY FAVORITE PERFORMER SATCHMO WAS BLOWING." 203 00:07:29,480 --> 00:07:30,681 EXCUSE ME, PAL. 204 00:07:30,681 --> 00:07:32,483 "BUT NO SUCH LUCK. 205 00:07:32,483 --> 00:07:34,685 "COULDN'T COMPLAIN, THOUGH, 206 00:07:34,685 --> 00:07:37,488 "BECAUSE BETSY SINCLAIR WAS UP THERE, 207 00:07:37,488 --> 00:07:39,830 AND THAT SONGBIRD'S GOT GOLDEN PIPES." 208 00:07:39,830 --> 00:07:43,634 ♪ NOTHING CAN BE DONE ♪ 209 00:07:43,634 --> 00:07:44,765 WHISKEY. 210 00:07:44,765 --> 00:07:46,567 "I'LL BE DAMNED IF ALL THAT WALKING 211 00:07:46,567 --> 00:07:48,739 "DIDN'T GET THE SHRAPNEL IN MY HIP BUZZING. 212 00:07:48,739 --> 00:07:50,771 BUT I KNEW WHERE TO GET MY MEDICINE." 213 00:07:50,771 --> 00:07:54,505 ♪ BLOW A TIRE, YOU CAN BUY ANOTHER SHOE ♪ 214 00:07:54,505 --> 00:07:57,477 ♪ COME LOVE ♪ 215 00:07:57,477 --> 00:07:59,479 ♪ NOTHING CAN BE DONE ♪ 216 00:07:59,479 --> 00:08:00,781 SAY, MAYBE YOU CAN HELP ME. I'M LOOKIN' FOR A DAME. 217 00:08:00,781 --> 00:08:02,513 AREN'T WE ALL? 218 00:08:02,513 --> 00:08:04,715 THIS ONE'S SPECIAL. YOU KNOW HER? 219 00:08:04,715 --> 00:08:06,517 KNOW HER? 220 00:08:06,517 --> 00:08:07,688 I'M LOOKIN' AT HER. 221 00:08:07,688 --> 00:08:13,493 ♪ 'CAUSE THERE ISN'T ANY USE ♪ 222 00:08:13,493 --> 00:08:15,826 (singing fades) 223 00:08:18,829 --> 00:08:21,632 AND WHERE HAVE YOU BEEN ALL MY LIFE? 224 00:08:21,632 --> 00:08:23,774 "WHAT WAS I THINKING? 225 00:08:23,774 --> 00:08:27,608 "THIS DAME WAS TROUBLE ON TWO LEGS. 226 00:08:27,608 --> 00:08:29,710 "I KEPT TELLING MYSELF TO LOOK AWAY. 227 00:08:29,710 --> 00:08:31,712 "SHE WAS WITH TOM DEMPSEY, FOR CRYING OUT LOUD-- 228 00:08:31,712 --> 00:08:33,584 "THE MOST RUTHLESS MOB BOSS 229 00:08:33,584 --> 00:08:36,747 NEW YORK HAS EVER GIVEN BIRTH TO." 230 00:08:36,747 --> 00:08:39,850 (indistinct conversations) 231 00:08:39,850 --> 00:08:41,652 "DEMPSEY SENT OVER TWO OF HIS GORILLAS-- 232 00:08:41,652 --> 00:08:43,523 "AN IRISHMAN, 233 00:08:43,523 --> 00:08:46,727 AND A CUBAN ON LOAN FROM SOME HAVANA MOB FAMILY." 234 00:08:46,727 --> 00:08:48,799 (Irish accent) THE BOSS WANTS TO SEE YOU, BOY-O. 235 00:08:48,799 --> 00:08:50,861 SORRY, BOYS. 236 00:08:50,861 --> 00:08:52,833 MY DANCE CARD'S FULL. 237 00:08:52,833 --> 00:08:54,905 (Cuban accent) THIS ISN'T A REQUEST, COMPADRE. 238 00:08:58,609 --> 00:08:59,640 (grunts) 239 00:08:59,640 --> 00:09:01,612 (laughs) 240 00:09:01,612 --> 00:09:02,913 YOU KNOW WHO I AM? 241 00:09:02,913 --> 00:09:04,875 THE WAITER? I'LL TAKE A WHISKEY. 242 00:09:04,875 --> 00:09:07,547 THE BOYS HERE CAN SHARE A SLOE GIN FIZZ. 243 00:09:07,547 --> 00:09:08,619 BETTER WATCH YOURSELF, THERE, BOY-O. 244 00:09:08,619 --> 00:09:09,750 HOLD YOUR TONGUE, OR I'LL CUT IT OUT. 245 00:09:09,750 --> 00:09:10,821 MM, A WISE GUY. 246 00:09:10,821 --> 00:09:12,552 OHH! (groans) 247 00:09:12,552 --> 00:09:13,684 I HATE WISE GUYS 248 00:09:13,684 --> 00:09:15,886 ABOUT AS MUCH AS I HATE CRUMBS EYEBALLING MY GIRL. 249 00:09:15,886 --> 00:09:18,729 IT'S RUDE, UNCIVIL. 250 00:09:18,729 --> 00:09:19,860 THAT'S ALL RIGHT, FRIEND. 251 00:09:19,860 --> 00:09:22,693 THE BOYS ARE GONNA TEACH YOU SOME LESSONS. 252 00:09:22,693 --> 00:09:24,635 OKAY, BOY-O, FIRST LESSON. 253 00:09:24,635 --> 00:09:26,667 MM. (grunts) 254 00:09:26,667 --> 00:09:28,739 (grunting) 255 00:09:28,739 --> 00:09:29,900 OHH. 256 00:09:31,872 --> 00:09:33,874 (grunts) 257 00:09:33,874 --> 00:09:35,676 (mutters) 258 00:09:35,676 --> 00:09:37,577 OH! 259 00:09:37,577 --> 00:09:38,649 (dishes shatter) 260 00:09:38,649 --> 00:09:39,750 OVER HERE. GET HIM. 261 00:09:41,912 --> 00:09:43,614 (groans) 262 00:09:43,614 --> 00:09:44,915 (coughs) 263 00:09:48,759 --> 00:09:49,820 (trash cans clatter) 264 00:09:49,820 --> 00:09:50,961 (Joe grunts) 265 00:09:52,763 --> 00:09:53,964 "THERE I WAS, 266 00:09:53,964 --> 00:09:56,697 "COVERED IN THE DISCARDS OF THE BLUE PLATE SPECIAL, 267 00:09:56,697 --> 00:09:58,799 "ASKING MYSELF, 'WAS IT WORTH IT?'" 268 00:09:58,799 --> 00:10:00,831 (door opens and closes) 269 00:10:00,831 --> 00:10:02,833 "IT WAS. 270 00:10:02,833 --> 00:10:04,875 SHE WAS WORTH EVERY PUNCH." 271 00:10:04,875 --> 00:10:06,637 ARE YOU HURT? 272 00:10:06,637 --> 00:10:07,838 WHAT, THIS? 273 00:10:07,838 --> 00:10:09,740 IT'S NOTHIN'. 274 00:10:09,740 --> 00:10:12,943 YOU SHOULD SEE WHAT MY FACE DID TO THE OTHER GUY'S FIST. 275 00:10:12,943 --> 00:10:14,685 (chuckles) 276 00:10:14,685 --> 00:10:16,917 SO WHAT'S YOUR NAME, TOUGH GUY? 277 00:10:16,917 --> 00:10:17,988 DOES IT MATTER, DOLL? 278 00:10:17,988 --> 00:10:19,820 (man) VERA! (speaks Spanish) 279 00:10:19,820 --> 00:10:21,621 YOU KNOW YOU'RE NOT SUPPOSED TO LEAVE OUR SIGHT 280 00:10:21,621 --> 00:10:23,854 WITH THE BOSS' HARDWARE ON. 281 00:10:28,999 --> 00:10:31,702 THE BLUE BUTTERFLY. 282 00:10:31,702 --> 00:10:33,003 IT'S A NECKLACE. 283 00:10:33,003 --> 00:10:36,837 THAT'S WHY STAN BANKS WAS KILLED. 284 00:10:36,837 --> 00:10:45,645 WHY AM I NARRATING? 285 00:10:51,051 --> 00:10:52,182 SO ANYTHING ON THAT THREATENING CALL TO THE DRY CLEANERS? 286 00:10:52,182 --> 00:10:53,253 YEAH, THE OWNER CLAIMS HE DOESN'T KNOW ANYTHING ABOUT STAN 287 00:10:53,253 --> 00:10:55,055 OR BLUE BUTTERFLIES. 288 00:10:55,055 --> 00:10:57,427 HOWEVER, A GUY NAMED RAY HORTON RENTS OUT A BACK ROOM. 289 00:10:57,427 --> 00:11:00,330 TURNS OUT RAY IS A BOOKIE ON PAROLE. 290 00:11:00,330 --> 00:11:02,262 OKAY, SO MAYBE STAN WAS TRYING TO MEET RAY AT THE PENNYBAKER 291 00:11:02,262 --> 00:11:04,394 SO THAT HE COULD PAY OFF SOME DEBTS? 292 00:11:04,394 --> 00:11:07,067 UH, STAN WAS NOT THERE BECAUSE OF HIS DEBT. 293 00:11:07,067 --> 00:11:09,069 HE WAS NOT EVEN THERE ABOUT A BLUE BUTTERFLY. 294 00:11:09,069 --> 00:11:12,402 HE WAS THERE ABOUT THE BLUE BUTTERFLY. 295 00:11:12,402 --> 00:11:14,174 IT'S A NECKLACE. 296 00:11:14,174 --> 00:11:16,246 A BUTTERFLY-SHAPED CENTERPIECE MADE ENTIRELY OF... 297 00:11:16,246 --> 00:11:17,447 BLUE DIAMONDS 298 00:11:17,447 --> 00:11:20,380 WORTH ABOUT A MILLION DOLLARS, EASY. 299 00:11:20,380 --> 00:11:22,152 WHERE ARE YOU GETTING ALL OF THIS? 300 00:11:22,152 --> 00:11:23,253 FROM THE P.I.'s DIARY. 301 00:11:23,253 --> 00:11:24,354 SO STAN WAS ON A TREASURE HUNT. 302 00:11:24,354 --> 00:11:25,415 EXACTLY. I DID A LITTLE RESEARCH. 303 00:11:25,415 --> 00:11:28,158 I TURNS OUT THE BLUE BUTTERFLY DISAPPEARED 304 00:11:28,158 --> 00:11:29,289 SOMETIME IN THE '40s, 305 00:11:29,289 --> 00:11:32,362 AND RUMOR HAS IT, IT'S HIDDEN SOMEWHERE 306 00:11:32,362 --> 00:11:34,164 IN THE PENNYBAKER CLUB. 307 00:11:34,164 --> 00:11:35,395 IF HE FOUND IT... 308 00:11:35,395 --> 00:11:37,467 A MILLION-DOLLAR NECKLACE? TALK ABOUT MOTIVE FOR MURDER. 309 00:11:37,467 --> 00:11:39,229 BY THE WAY, RYAN, SAY BOY-O. 310 00:11:39,229 --> 00:11:40,470 BOY-O. (imitating Irish accent) BOY-O. 311 00:11:40,470 --> 00:11:41,471 BOY-O. BOY-O. 312 00:11:41,471 --> 00:11:43,133 BOY- O. BOY-O. 313 00:11:43,133 --> 00:11:44,234 BOY- O. (normal voice) ANYWAY. 314 00:11:44,234 --> 00:11:45,405 DID SOME SEARCHING ON THE NET. 315 00:11:45,405 --> 00:11:47,177 THERE WASN'T A LOT THERE. 316 00:11:47,177 --> 00:11:49,339 BUT I FOUND, IT'S SUPPOSEDLY CURSED, 317 00:11:49,339 --> 00:11:52,342 AND AT ONE TIME BELONGED TO AN S.S. OFFICER'S MISTRESS. 318 00:11:52,342 --> 00:11:54,384 AFTER THE WAR, MADE ITS WAY STATESIDE 319 00:11:54,384 --> 00:11:57,187 AND INTO THE HANDS OF MOB BOSS TOM DEMPSEY, 320 00:11:57,187 --> 00:12:00,190 WHO OWNED THE CLUB, WHICH IS WHY WE NEED TO GO BACK. 321 00:12:00,190 --> 00:12:01,391 WE DO? YEAH. 322 00:12:01,391 --> 00:12:02,492 YOU REMEMBER THE, UH, 323 00:12:02,492 --> 00:12:05,355 GREEN ROD WE FOUND IN STAN'S HAND? 324 00:12:05,355 --> 00:12:07,157 APPARENTLY, DEMPSEY'S DOWNSTAIRS OFFICE 325 00:12:07,157 --> 00:12:08,458 WAS PAINTED SHAMROCK GREEN. 326 00:12:08,458 --> 00:12:11,131 STAN HAD TO HAVE GONE DOWN THERE. 327 00:12:11,131 --> 00:12:13,333 ALSO, ACCORDING TO THE DIARY, THE BLUE BUTTERFLY WAS KEPT 328 00:12:13,333 --> 00:12:16,266 IN A SECRET SAFE IN DEMPSEY'S OFFICE. 329 00:12:16,266 --> 00:12:18,168 IT'S VERY POSSIBLE WE MISSED SOMETHING. 330 00:12:18,168 --> 00:12:19,369 WE NEVER REALLY LOOKED DOWN THERE. 331 00:12:19,369 --> 00:12:21,371 OKAY, RYAN, YOU SEE IF YOU CAN GET AHOLD OF THE BOOKIE. 332 00:12:21,371 --> 00:12:24,214 CASTLE AND I WILL GO BACK TO THE CRIME SCENE. OKAY. 333 00:12:24,214 --> 00:12:25,275 (imitating Irish accent) BOY-O. BOY-O. 334 00:12:25,275 --> 00:12:26,346 BOY-O. BOY-O. 335 00:12:26,346 --> 00:12:27,417 (normal voice) LIKE A LEPRECHAUN. CASTLE. 336 00:12:27,417 --> 00:12:29,349 SORRY. 337 00:12:29,349 --> 00:12:31,181 (Castle) SO THE P.I. TELLS SALLY 338 00:12:31,181 --> 00:12:32,482 THAT HE FOUND HER SISTER HERE AT THE PENNYBAKER CLUB. 339 00:12:32,482 --> 00:12:34,354 AND DID SALLY GO TALK TO HER SISTER? 340 00:12:34,354 --> 00:12:36,156 WELL, NO. JOE COULD TELL THAT SALLY, 341 00:12:36,156 --> 00:12:37,357 BEING AN INNOCENT GIRL FROM THE COUNTRY, 342 00:12:37,357 --> 00:12:39,359 SHE WAS A LITTLE BIT NERVOUS ABOUT DEALING WITH MOBSTERS, 343 00:12:39,359 --> 00:12:41,231 SO HE OFFERED TO GO BACK AND MAKE CONTACT WITH VERA. 344 00:12:41,231 --> 00:12:42,432 OUT OF THE GOODNESS OF HIS HEART, I'M SURE. 345 00:12:42,432 --> 00:12:44,494 CAN YOU BLAME THE GUY? I MEAN, SHE WAS GORGEOUS. 346 00:12:44,494 --> 00:12:47,437 SO ANYWAY, JOE TELLS SALLY HE'S GONNA GO ARRANGE A MEETING. 347 00:12:47,437 --> 00:12:49,199 (electricity crackles) 348 00:12:49,199 --> 00:12:53,173 SALLY AGREED, BUT AGAIN, INSISTED THAT JOE NOT TELL VERA 349 00:12:53,173 --> 00:12:54,374 THAT SHE WAS LOOKING FOR HER 350 00:12:54,374 --> 00:12:57,277 BECAUSE OF ALL THE ANIMOSITY BACK HOME. 351 00:12:57,277 --> 00:12:59,379 AH. I WAS RIGHT. 352 00:12:59,379 --> 00:13:02,282 I BET THAT'S WHERE HE GOT THE STEEL ROD, 353 00:13:02,282 --> 00:13:05,515 WHICH IS PROBABLY WHAT HE USED TO PRY OPEN THE SECRET SAFE. 354 00:13:05,515 --> 00:13:08,288 HATE TO BURST BUBBLES, CASTLE, 355 00:13:08,288 --> 00:13:10,460 BUT THIS HASN'T HELD ANYTHING IN YEARS. 356 00:13:10,460 --> 00:13:12,322 LOOKS LIKE STAN WAS DISAPPOINTED. 357 00:13:12,322 --> 00:13:14,194 YEAH, HE PROBABLY WOULD'VE BEEN 358 00:13:14,194 --> 00:13:16,366 IF THAT WAS THE SECRET SAFE. 359 00:13:16,366 --> 00:13:18,228 THAT'S NOT THE SECRET SAFE? 360 00:13:18,228 --> 00:13:19,429 HERE'S A FUN FACT-- 361 00:13:19,429 --> 00:13:21,231 PEOPLE OFTEN KEPT TWO SAFES, 362 00:13:21,231 --> 00:13:24,304 ONE THAT WAS EASY TO FIND FOR MINOR VALUABLES, 363 00:13:24,304 --> 00:13:26,436 AND A SECOND SAFE THAT WAS MUCH HARDER TO LOCATE 364 00:13:26,436 --> 00:13:29,479 FOR THE EXTRA SPECIALS, LIKE BLUE BUTTERFLIES. 365 00:13:29,479 --> 00:13:32,242 CASTLE, WHERE'S THE SECRET SAFE? 366 00:13:32,242 --> 00:13:33,383 COMING TO THAT. 367 00:13:33,383 --> 00:13:35,245 SO IT'S FIVE DAYS SINCE JOE AND VERA MET. 368 00:13:35,245 --> 00:13:36,516 AND THEY WERE VERY MUCH IN LOVE. 369 00:13:36,516 --> 00:13:38,418 AFTER ONLY FIVE DAYS? COME ON. 370 00:13:38,418 --> 00:13:40,220 WELL, PEOPLE DIDN'T WASTE TIME BACK IN THE '40s. 371 00:13:40,220 --> 00:13:42,292 MATTER OF FACT, THEY WERE SO MUCH IN LOVE... 372 00:13:42,292 --> 00:13:44,394 WELL, THEY RISKED IT ALL. 373 00:13:44,394 --> 00:13:46,396 SO WHAT DOES THAT HAVE TO DO WITH OUR SECRET SAFE? 374 00:13:46,396 --> 00:13:49,499 AND IT HAPPENED BACKSTAGE... 375 00:13:49,499 --> 00:13:51,461 RIGHT UPSTAIRS. 376 00:13:51,461 --> 00:13:52,532 (band playing "Comes Love") 377 00:13:52,532 --> 00:13:54,464 THEY WERE STEALING A MOMENT TOGETHER, 378 00:13:54,464 --> 00:13:57,337 WHICH WAS DANGEROUS, BECAUSE SHE WAS DEMPSEY'S GIRL. 379 00:13:57,337 --> 00:13:59,339 AS THEY STARED INTO EACH OTHER'S EYES, 380 00:13:59,339 --> 00:14:00,540 KATE'S HEART QUICKENED. 381 00:14:00,540 --> 00:14:01,611 (record needle scratches) 382 00:14:01,611 --> 00:14:03,513 DID YOU JUST SAY "KATE"? 383 00:14:03,513 --> 00:14:06,246 ARE YOU PICTURING THE P.I. AS YOU 384 00:14:06,246 --> 00:14:07,517 AND ME AS THE GANGSTER'S MOLL? 385 00:14:07,517 --> 00:14:09,619 WHAT? NO. 386 00:14:09,619 --> 00:14:11,381 AND I DIDN'T SAY "KATE." 387 00:14:11,381 --> 00:14:14,384 I SAID "FATE." "FATE'S HEART QUICKENED." 388 00:14:14,384 --> 00:14:16,626 I WAS BEING POETIC. (chuckles) GOD. 389 00:14:16,626 --> 00:14:19,329 ANYWAY, AS I WAS SAYING, 390 00:14:19,329 --> 00:14:22,332 THEY WERE JUST ABOUT TO KISS WHEN... 391 00:14:22,332 --> 00:14:23,393 (man) OYE, CHICO! 392 00:14:23,393 --> 00:14:24,494 WHO'S THAT? 393 00:14:24,494 --> 00:14:27,537 HEY, BOY-O. YOU MUST BE A SLOW LEARNER. 394 00:14:27,537 --> 00:14:28,638 (cheers and applause) 395 00:14:28,638 --> 00:14:31,341 THERE'S MY BABY. 396 00:14:31,341 --> 00:14:34,374 (cheers and applause continue) 397 00:14:34,374 --> 00:14:35,475 HE'S WITH YOU, MISS SINCLAIR? 398 00:14:35,475 --> 00:14:37,347 YES, 399 00:14:37,347 --> 00:14:39,349 AND I DON'T APPRECIATE YOU LUGS 400 00:14:39,349 --> 00:14:40,650 MOPPING THE FLOOR WITH HIM THE OTHER NIGHT. 401 00:14:40,650 --> 00:14:44,414 NOT FOR NOTHIN', BUT YOU NEED TO KEEP THIS ON THE HUSH-HUSH. 402 00:14:44,414 --> 00:14:46,616 DEMPSEY'S NOT TOO KEEN ABOUT MIXED LAUNDRY. 403 00:14:46,616 --> 00:14:48,418 WELL, THEN WE'LL JUST KEEP THIS OUR LITTLE SECRET. 404 00:14:48,418 --> 00:14:49,659 WHAT DO YOU SAY? 405 00:14:49,659 --> 00:14:52,592 ALL RIGHT, FELLAS. 406 00:14:52,592 --> 00:14:54,424 YOU BETTER WISE UP, VERA. 407 00:14:54,424 --> 00:14:56,426 DEMPSEY WILL HAVE YOU BUTCHERED IF HE FINDS OUT. 408 00:14:56,426 --> 00:14:57,627 I MEAN, HE'S A HELL OF A SMOOCHER AND ALL, 409 00:14:57,627 --> 00:14:59,329 BUT, DAMN IT, GIRL, 410 00:14:59,329 --> 00:15:00,400 IS THIS YUM-YUM REALLY WORTH IT? 411 00:15:00,400 --> 00:15:01,571 HE'S THE CREAM IN MY COFFEE. 412 00:15:01,571 --> 00:15:04,304 YOU TWO ARE A WALKING FAIRY TALE. 413 00:15:04,304 --> 00:15:05,505 GOOD LORD. 414 00:15:05,505 --> 00:15:08,438 COME ON. 415 00:15:11,611 --> 00:15:13,443 BETSY'S RIGHT, YOU KNOW? 416 00:15:13,443 --> 00:15:15,615 DEMPSEY WILL SCRAG US FOR SURE IF HE CATCHES US TURTLE-DOVING. 417 00:15:15,615 --> 00:15:17,547 YOU GOTTA GET ME AWAY FROM HERE, JOE, 418 00:15:17,547 --> 00:15:19,689 AWAY FROM DEMPSEY, AWAY FROM ALL OF IT. 419 00:15:19,689 --> 00:15:22,422 OH, YEAH, AND GO WHERE? WE CAN BLOW THIS TOWN, SURE. 420 00:15:22,422 --> 00:15:24,524 ONLY HOW FAR ARE WE GONNA GET WHEN WE'RE BOTH FLAT BROKE? 421 00:15:24,524 --> 00:15:26,396 WE'RE NOT BROKE, JOE. 422 00:15:26,396 --> 00:15:28,398 WE'VE GOT ALL THE MONEY WE NEED AND MORE 423 00:15:28,398 --> 00:15:29,529 AROUND MY NECK. 424 00:15:29,529 --> 00:15:31,431 ALL WE GOTTA DO IS TAKE IT AWAY WITH US. 425 00:15:31,431 --> 00:15:32,562 WHAT, ARE YOU DAFFY? 426 00:15:32,562 --> 00:15:34,364 YOU GOT AT LEAST TWO BRUNOS WITH YOU AT ALL TIMES 427 00:15:34,364 --> 00:15:35,565 WHEN YOU'RE WEARING THAT THING. 428 00:15:35,565 --> 00:15:36,606 IT'S FUNNY. 429 00:15:36,606 --> 00:15:38,538 BACK WHEN I WAS A CIGARETTE GIRL, 430 00:15:38,538 --> 00:15:40,540 I'D WATCH DEMPSEY COMING IN WITH HIS GIRLFRIEND 431 00:15:40,540 --> 00:15:42,412 WEARING THIS THING AROUND HER NECK, 432 00:15:42,412 --> 00:15:44,344 AND I WANTED IT. 433 00:15:44,344 --> 00:15:46,546 PRETTY SOON, I WAS HIS GIRL AND I HAD IT. 434 00:15:46,546 --> 00:15:48,618 BUT IT'S NOT A NECKLACE, JOE. IT'S A DIAMOND NOOSE, 435 00:15:48,618 --> 00:15:50,550 AND IT'S GETTING HARDER TO BREATHE. 436 00:15:50,550 --> 00:15:53,453 THEN WE GOTTA TURN THAT NOOSE INTO A LIFELINE. 437 00:15:53,453 --> 00:15:55,425 THE QUESTION IS, HOW? 438 00:15:57,357 --> 00:15:59,529 WHEN I'M NOT WEARING IT, DEMPSEY KEEPS IT IN A SECRET SAFE, 439 00:15:59,529 --> 00:16:01,391 AND I KNOW WHERE IT IS. 440 00:16:05,535 --> 00:16:06,696 AND? 441 00:16:06,696 --> 00:16:08,668 AND... 442 00:16:08,668 --> 00:16:10,400 THAT'S IT. 443 00:16:10,400 --> 00:16:12,702 THAT WAS THE LAST ENTRY IN THE DIARY. 444 00:16:12,702 --> 00:16:14,704 WHAT DO YOU MEAN, THAT'S IT? WHAT HAPPENED TO JOE? 445 00:16:14,704 --> 00:16:17,507 WHAT HAPPENED TO VERA? I DON'T KNOW. 446 00:16:17,507 --> 00:16:19,509 WELL, WHY WOULD YOU TELL A STORY WHEN YOU DON'T KNOW THE ENDING? 447 00:16:19,509 --> 00:16:21,511 IF YOU WANTED A BEGINNING AND A MIDDLE AND AN END, 448 00:16:21,511 --> 00:16:23,383 I HAVE 27 NOVELS YOU CAN CHOOSE FROM. 449 00:16:23,383 --> 00:16:24,684 UGH. 450 00:16:24,684 --> 00:16:27,687 OKAY, SO WHERE IS THIS SECRET SAFE? 451 00:16:27,687 --> 00:16:30,620 I DON'T KNOW, BUT I THINK STAN MUST HAVE FOUND IT. 452 00:16:30,620 --> 00:16:31,761 MAYBE THAT'S WHY HE NEEDED THAT ROD, 453 00:16:31,761 --> 00:16:34,424 TO PRY OPEN A WALL OR SOMETHING. 454 00:16:34,424 --> 00:16:35,665 CASTLE, LOOK AT THE MOLDING. 455 00:16:40,430 --> 00:16:41,771 (Beckett) WHAT... (clattering) 456 00:16:41,771 --> 00:16:44,734 (grunts) 457 00:16:44,734 --> 00:16:46,676 IT'S UNLOCKED. 458 00:16:46,676 --> 00:16:47,737 (hinges squeak) 459 00:16:47,737 --> 00:16:49,539 STAN FOUND IT. 460 00:16:49,539 --> 00:16:50,780 THAT'S WHY HE WAS KILLED. 461 00:16:50,780 --> 00:16:52,682 BUT BY WHOM? 462 00:16:52,682 --> 00:16:54,544 (Esposito) RAY HORTON. 463 00:16:54,544 --> 00:16:56,746 ASSAULT, BATTERY, AND NOW YOU'RE USING A DRY CLEANERS 464 00:16:56,746 --> 00:16:58,748 TO FRONT YOUR BOOKMAKING OPERATION. 465 00:16:58,748 --> 00:17:00,620 WHOA. SLOW YOUR ROLL. 466 00:17:00,620 --> 00:17:02,422 A MAN ON PAROLE LIKE MYSELF 467 00:17:02,422 --> 00:17:03,723 CAN'T BE MIXED UP IN BOOKMAKING. 468 00:17:03,723 --> 00:17:05,495 HOW ABOUT MURDER, RAY? 469 00:17:05,495 --> 00:17:07,697 IS IT OKAY TO GET MIXED UP IN THAT? 470 00:17:08,758 --> 00:17:10,530 STAN? 471 00:17:10,530 --> 00:17:13,433 AND WHO--WHO KILLED HIM? 472 00:17:13,433 --> 00:17:14,634 ME? 473 00:17:14,634 --> 00:17:16,636 WHY WOULD I KILL MY BUSINESS PARTNER? 474 00:17:16,636 --> 00:17:18,468 YOUR BUSINESS PARTNER? COME ON. 475 00:17:18,468 --> 00:17:19,609 IT'S TRUE, MAN. 476 00:17:19,609 --> 00:17:21,641 ONE OF MY CLIENTS HOOKED US UP. 477 00:17:21,641 --> 00:17:23,573 HE KNEW THAT I WAS LOOKING TO DIVERSIFY 478 00:17:23,573 --> 00:17:26,446 AND THAT STAN NEEDED FINANCING TO FIND THIS LOST NECKLACE. 479 00:17:26,446 --> 00:17:28,748 STAN TOLD ME HE NEEDED 10 G's FOR EXPENSES 480 00:17:28,748 --> 00:17:31,681 AND TO BUY THIS OLD PRIVATE DETECTIVE'S DIARY. 481 00:17:31,681 --> 00:17:34,654 SO I AGREED TO BACK HIM FOR HALF THE PROFITS. 482 00:17:34,654 --> 00:17:36,686 WELL, IF THAT'S TRUE, THEN WHY DID YOU THREATEN STAN'S WIFE? 483 00:17:36,686 --> 00:17:39,759 BECAUSE STAN WAS DUCKING ME. I THOUGHT I GOT PLAYED. 484 00:17:39,759 --> 00:17:41,631 THEN HE CAME UP TO ME TWO DAYS AGO, 485 00:17:41,631 --> 00:17:42,832 AND HE TOLD ME WHAT WAS UP. 486 00:17:42,832 --> 00:17:44,694 HE SAID HE FOUND THE MAN WITH THE MISSING PIECE 487 00:17:44,694 --> 00:17:46,636 OF THE PUZZLE TO THE BLUE BUTTERFLY. 488 00:17:46,636 --> 00:17:48,598 AND WHO'S THIS MAN? I DON'T KNOW. 489 00:17:48,598 --> 00:17:50,670 BUT IF STAN FOUND THE BLUE BUTTERFLY, 490 00:17:50,670 --> 00:17:52,802 THAT'S PROBABLY WHO KILLED HIM. 491 00:17:52,802 --> 00:17:55,675 SO I TRACED THE DIARY. 492 00:17:55,675 --> 00:17:57,477 STAN DID HIS RESEARCH. 493 00:17:57,477 --> 00:17:58,678 HE PURCHASED IT FROM THE GRANDDAUGHTER 494 00:17:58,678 --> 00:18:00,480 OF JOE'S OLD SECRETARY, 495 00:18:00,480 --> 00:18:02,512 A WOMAN BY THE NAME OF RUTH HUNTSACKER. 496 00:18:02,512 --> 00:18:03,753 SO? 497 00:18:03,753 --> 00:18:05,585 SO I SPOKE TO MRS. HUNTSACKER. 498 00:18:05,585 --> 00:18:07,587 SHE SAID, SHE MIGHT STILL HAVE SOME OF THE P.I.'s OLD PAPERS 499 00:18:07,587 --> 00:18:09,589 AND THEY MIGHT BE ABLE TO TELL US WHAT HAPPENED. 500 00:18:09,589 --> 00:18:10,720 SHE'S GONNA HAVE HER SON LOOK FOR THEM 501 00:18:10,720 --> 00:18:12,522 AND THEN CALL ME BACK. 502 00:18:12,522 --> 00:18:14,664 LOOK, CASTLE, I ADMIT THAT JOE AND VERA'S STORY 503 00:18:14,664 --> 00:18:15,865 IS FUN AND ROMANTIC, 504 00:18:15,865 --> 00:18:17,867 BUT WHATEVER HAPPENED BACK IN 1947 505 00:18:17,867 --> 00:18:20,630 HAS NOTHING TO DO WITH WHO MURDERED STAN. 506 00:18:20,630 --> 00:18:22,772 UH... (chuckles) I'M NOT SO SURE ABOUT THAT. 507 00:18:22,772 --> 00:18:24,674 OUR BOOKIE ALIBIED OUT. 508 00:18:24,674 --> 00:18:26,736 BUT BALLISTICS CAME IN, AND WE GOT A MATCH. 509 00:18:26,736 --> 00:18:29,579 THE 38-CALIBER REVOLVER THAT KILLED STAN 510 00:18:29,579 --> 00:18:31,641 WAS USED IN AN UNSOLVED DOUBLE HOMICIDE 511 00:18:31,641 --> 00:18:33,643 IN 1947. 512 00:18:33,643 --> 00:18:35,685 I KNEW THERE WAS A CONNECTION. 513 00:18:35,685 --> 00:18:36,816 WHO WERE THE VICTIMS? 514 00:18:36,816 --> 00:18:39,549 UH, SOME LADY NAMED VERA MULQUEEN 515 00:18:39,549 --> 00:18:41,621 AND A PRIVATE DETECTIVE NAMED JOE FLYNN. 516 00:18:46,656 --> 00:18:48,498 MURDERED. 517 00:18:48,498 --> 00:18:49,699 THAT'S TOO BAD. 518 00:18:49,699 --> 00:18:51,501 I REALLY THOUGHT THOSE TWO CRAZY KIDS WERE GONNA MAKE IT. 519 00:18:51,501 --> 00:18:52,862 YEAH, NOT EXACTLY THE ENDING I WAS HOPING FOR. 520 00:18:52,862 --> 00:18:54,804 I DIDN'T EVEN KNOW BALLISTICS WENT BACK THAT FAR. 521 00:18:54,804 --> 00:18:56,566 OH, YEAH. SINCE THE '20s. 522 00:18:56,566 --> 00:18:57,637 BEING THAT IT'S AN OLD CASE, 523 00:18:57,637 --> 00:18:58,708 THERE'S NOT MUCH IN THE SYSTEM. 524 00:18:58,708 --> 00:18:59,839 THE REMAINS OF JOE FLYNN AND VERA MULQUEEN 525 00:18:59,839 --> 00:19:01,641 WERE FOUND IN FLYNN'S CAR. 526 00:19:01,641 --> 00:19:03,713 IT WAS PARKED IN THE ALLEY OF THE PENNYBAKER CLUB. 527 00:19:03,713 --> 00:19:05,645 BOTH VICTIMS WERE SHOT WITH A .38 REVOLVER 528 00:19:05,645 --> 00:19:07,717 AND THE CAR WAS SET ON FIRE. 529 00:19:07,717 --> 00:19:08,848 ONLY SUSPECT WAS TOM DEMPSEY, 530 00:19:08,848 --> 00:19:11,521 BUT THERE WAS NEVER ENOUGH EVIDENCE TO ARREST. 531 00:19:11,521 --> 00:19:12,852 YOU KNOW WHAT? I BET YOU DEMPSEY CAUGHT THE TWO OF THEM 532 00:19:12,852 --> 00:19:15,525 TRYING TO RUN AWAY TOGETHER, AND HE KILLED THEM. 533 00:19:15,525 --> 00:19:16,726 BUT HOW DOES STAN'S KILLER 534 00:19:16,726 --> 00:19:18,658 GET DEMPSEY'S GUN 60 YEARS LATER? 535 00:19:18,658 --> 00:19:19,689 UNLESS... 536 00:19:19,689 --> 00:19:21,561 DEMPSEY KILLED STAN. 537 00:19:21,561 --> 00:19:23,893 HE'D BE, WHAT, LIKE 90 YEARS OLD, BUT IT'S STILL POSSIBLE? 538 00:19:23,893 --> 00:19:25,665 COULDN'T HAVE BEEN DEMPSEY. 539 00:19:25,665 --> 00:19:26,796 HE DIED OF A HEART ATTACK 540 00:19:26,796 --> 00:19:28,638 FOUR MONTHS AFTER JOE AND VERA WERE KILLED. 541 00:19:28,638 --> 00:19:29,799 AH. 542 00:19:29,799 --> 00:19:30,870 STILL... 543 00:19:30,870 --> 00:19:32,872 WE SHOULD DIG UP THAT 1947 POLICE REPORT. 544 00:19:32,872 --> 00:19:34,874 THERE COULD BE SOMETHING IN THERE ABOUT THE GUN 545 00:19:34,874 --> 00:19:36,746 THAT COULD SHED SOME LIGHT ON STAN'S MURDER. 546 00:19:36,746 --> 00:19:37,877 ALL RIGHT. I'LL GO TO THE WAREHOUSE 547 00:19:37,877 --> 00:19:39,609 AND I'LL PULL UP THE OLD CASE FILES. 548 00:19:39,609 --> 00:19:41,611 OH, OH, UH, I WANT TO GO. 549 00:19:42,852 --> 00:19:44,554 UH, OKAY. 550 00:19:44,554 --> 00:19:45,885 CAN I DRIVE? I DON'T CARE. 551 00:19:45,885 --> 00:19:47,657 (Beckett chuckles) 552 00:19:47,657 --> 00:19:48,858 HEY. 553 00:19:48,858 --> 00:19:50,690 SO... 554 00:19:50,690 --> 00:19:51,891 I DID A SEARCH OF GUNS DEMPSEY USED TO OWN. 555 00:19:51,891 --> 00:19:53,823 TURNS OUT THERE WAS AN ESTATE SALE 556 00:19:53,823 --> 00:19:55,765 WHERE A TREASURE HUNTER NAMED CLYDE BELASCO 557 00:19:55,765 --> 00:19:58,768 BOUGHT ALL OF DEMPSEY'S FIREARMS, INCLUDING 2 .38s. 558 00:19:58,768 --> 00:19:59,869 WAIT. CLYDE BELASCO? 559 00:19:59,869 --> 00:20:01,571 STAN'S WIFE SAID THAT 560 00:20:01,571 --> 00:20:03,633 THE TWO OF THEM WATCHED A DOCUMENTARY ABOUT HIM, 561 00:20:03,633 --> 00:20:05,835 AND THAT INSPIRED STAN TO BECOME A TREASURE HUNTER. 562 00:20:05,835 --> 00:20:06,936 WELL, THE CONNECTIONS DON'T STOP THERE. 563 00:20:06,936 --> 00:20:09,779 BELASCO FLEW IN FROM FRANCE A WEEK AGO, 564 00:20:09,779 --> 00:20:10,910 AND I JUST FOUND AN ARTICLE THAT SAID 565 00:20:10,910 --> 00:20:13,713 THAT HE SEARCHED FOR THE BLUE BUTTERFLY FOR 15 YEARS. 566 00:20:13,713 --> 00:20:15,785 THAT BOOKIE SAID THAT STAN FOUND SOMEONE 567 00:20:15,785 --> 00:20:17,887 WHO HAD THE MISSING PIECE OF THE PUZZLE. 568 00:20:17,887 --> 00:20:19,749 WELL, MAYBE BELASCO'S THAT SOMEONE. 569 00:20:21,621 --> 00:20:22,952 HERE IT IS. 570 00:20:22,952 --> 00:20:25,955 THIS HAS BEEN DUSTED OFF RECENTLY. 571 00:20:25,955 --> 00:20:27,757 LOOKS LIKE WE'RE NOT THE ONLY ONES 572 00:20:27,757 --> 00:20:29,699 INTERESTED IN THIS CASE. 573 00:20:29,699 --> 00:20:31,801 STAN WAS HERE. HAD TO BE. 574 00:20:31,801 --> 00:20:33,803 THINK ABOUT IT--THE DIARY, THE MURDERS... 575 00:20:33,803 --> 00:20:35,865 ALL WE'RE DOING IS WALKING IN HIS FOOTSTEPS. 576 00:20:35,865 --> 00:20:37,937 THIS IS THE NEXT PIECE OF THE PUZZLE. 577 00:20:37,937 --> 00:20:41,741 HUH. CRIME SCENE PHOTO OF VERA AND THE P.I. 578 00:20:41,741 --> 00:20:43,613 DAMN IT, JOE. 579 00:20:43,613 --> 00:20:44,814 YOU OLD SAP. 580 00:20:44,814 --> 00:20:47,647 DIZZY WITH A DAME AND GOT YOURSELF COOKED. 581 00:20:47,647 --> 00:20:49,819 SO, MR. BOGART, WHAT EXACTLY ARE WE LOOKING FOR HERE? 582 00:20:49,819 --> 00:20:51,881 OUR 1947 MURDERS AND OUR PRESENT-DAY MURDER 583 00:20:51,881 --> 00:20:54,684 HAVE TO BE CONNECTED BY MORE THAN JUST A GUN. 584 00:20:54,684 --> 00:20:58,958 SOMEWHERE IN HERE IS THAT CONNECTION. 585 00:20:58,958 --> 00:21:00,960 YES, I BOUGHT SEVERAL OF TOM DEMPSEY'S REVOLVERS. 586 00:21:00,960 --> 00:21:02,932 AND BY ALL MEANS, TEST FIRE EVERY LAST ONE OF THEM 587 00:21:02,932 --> 00:21:04,664 AS YOU WISH. 588 00:21:04,664 --> 00:21:06,996 WE WILL. NOW... HOW DO YOU KNOW STAN? 589 00:21:06,996 --> 00:21:09,669 YOU HAVE TO UNDERSTAND THAT I'M ON TELEVISION. 590 00:21:09,669 --> 00:21:10,870 ARTICLES ARE WRITTEN ABOUT ME. 591 00:21:10,870 --> 00:21:12,702 BECAUSE OF THIS, THE AMATEURS COME A-KNOCKING. 592 00:21:12,702 --> 00:21:15,004 IT'S AN OCCUPATIONAL HAZARD. 593 00:21:15,004 --> 00:21:17,747 AND WHAT WAS THE PURPOSE OF STAN'S VISIT? 594 00:21:17,747 --> 00:21:19,979 WHY, THE BLUE BUTTERFLY, OF COURSE. 595 00:21:19,979 --> 00:21:22,011 HE MUST HAVE READ OF MY EXPLOITS SEARCHING FOR IT 596 00:21:22,011 --> 00:21:25,885 AND DECIDED TO BURDEN ME WITH HIS PREPOSTEROUS STORY. 597 00:21:25,885 --> 00:21:27,787 AND WHAT STORY WAS THAT? 598 00:21:27,787 --> 00:21:29,819 THAT HE HAD FOUND AN OLD PRIVATE INVESTIGATOR'S DIARY, 599 00:21:29,819 --> 00:21:32,662 WHICH HELD MISSING CLUES. 600 00:21:32,662 --> 00:21:33,793 YOU DIDN'T BELIEVE HIM? 601 00:21:33,793 --> 00:21:34,924 OF COURSE NOT. 602 00:21:34,924 --> 00:21:36,896 WHEN I ASKED TO SEE THE ALLEGED DIARY, HE REFUSED. 603 00:21:36,896 --> 00:21:38,998 AND YET, HE WANTED ACCESS 604 00:21:38,998 --> 00:21:41,000 TO ALL MY RESEARCH ON THE PENNYBAKER CLUB. 605 00:21:41,000 --> 00:21:43,873 I MEAN, REALLY, THE WHOLE THING WAS ABSURD. 606 00:21:43,873 --> 00:21:46,806 HE EVEN ASKED TO EXIT OUT THE BACK DOOR. 607 00:21:46,806 --> 00:21:48,838 SAID A CAR WAS FOLLOWING HIM. 608 00:21:48,838 --> 00:21:50,039 IT WAS A WHITE MUSTANG. 609 00:21:50,039 --> 00:21:51,911 I GUESS SOMEONE ELSE WAS INTERESTED 610 00:21:51,911 --> 00:21:53,713 IN THE BLUE BUTTERFLY, TOO. 611 00:21:53,713 --> 00:21:55,845 IT FEELS LIKE WE'RE LOOKING FOR A NEEDLE IN A HAYSTACK, 612 00:21:55,845 --> 00:21:57,787 EXCEPT FOR, WE CAN'T FIND THE HAYSTACK. 613 00:21:57,787 --> 00:22:00,750 WHO NEEDS A HAYSTACK WHEN THE NEEDLE IS RIGHT HERE? 614 00:22:00,750 --> 00:22:03,953 THIS IS A STATEMENT FROM JOE'S SECRETARY MRS. KENNARD. 615 00:22:03,953 --> 00:22:05,755 IT WAS TAKEN RIGHT AFTER HIS DEATH. 616 00:22:05,755 --> 00:22:06,956 "MRS. FLORENCE KENNARD, 617 00:22:06,956 --> 00:22:08,858 "SECRETARY TO THE VICTIM JOE FLYNN, 618 00:22:08,858 --> 00:22:10,800 "ATTESTED TO BEARING WITNESS TO THE FOLLOWING CONVERSATION 619 00:22:10,800 --> 00:22:15,034 BETWEEN BOTH VICTIMS ON THE MORNING OF JUNE 24, 1947." 620 00:22:15,034 --> 00:22:16,836 I'VE WORKED THIS FROM EVERY ANGLE, DOLL. 621 00:22:16,836 --> 00:22:19,038 THERE'S NO WAY WE CAN CRACK DEMPSEY'S SECRET SAFE. 622 00:22:19,038 --> 00:22:20,940 WELL, THEN HOW ARE WE GONNA GET IT? 623 00:22:20,940 --> 00:22:22,972 EASY. YOU'RE GONNA WALK RIGHT OUT THE DOOR WITH IT TONIGHT. 624 00:22:22,972 --> 00:22:24,714 HOW? IT WAS HARD ENOUGH 625 00:22:24,714 --> 00:22:25,915 SHAKING DEMPSEY'S HATCHET MEN THIS MORNING. 626 00:22:25,915 --> 00:22:27,046 IT'S GONNA BE THAT MUCH HARDER 627 00:22:27,046 --> 00:22:28,848 WHEN I'M WEARING THE BLUE BUTTERFLY. 628 00:22:28,848 --> 00:22:30,920 IT'LL BE A CAKEWALK. TRUST ME. 629 00:22:30,920 --> 00:22:33,783 ESPECIALLY WITH OUR FRIEND JIMMY DOYLE HELPING US OUT. 630 00:22:33,783 --> 00:22:35,755 AND WHO'S JIMMY DOYLE? HE'S A PRIZEFIGHTER, 631 00:22:35,755 --> 00:22:37,086 AND TONIGHT HE'S TAKING ON SUGAR RAY ROBINSON 632 00:22:37,086 --> 00:22:38,888 FOR THE WELTERWEIGHT TITLE. 633 00:22:38,888 --> 00:22:40,029 SO? 634 00:22:40,029 --> 00:22:41,991 SO EVERY CLOVER-LOVING IRISHMAN WORTH HIS SALT 635 00:22:41,991 --> 00:22:43,793 WILL BE HUDDLED AROUND A RADIO TONIGHT, 636 00:22:43,793 --> 00:22:45,735 CHEERING GOOD OL' JIMMY ON. 637 00:22:45,735 --> 00:22:47,737 YOU'RE GONNA WAIT TILL A ROUSING PART OF THE FIGHT. 638 00:22:47,737 --> 00:22:48,968 THEN YOU'RE GONNA EXCUSE YOURSELF. 639 00:22:48,968 --> 00:22:50,099 WHOEVER'S ASSIGNED TO BE WATCHING YOU 640 00:22:50,099 --> 00:22:51,841 SURELY WON'T BE PAYING MUCH ATTENTION. 641 00:22:51,841 --> 00:22:54,944 THAT'S WHEN YOU SLIP RIGHT OUT THE BACK DOOR, 642 00:22:54,944 --> 00:22:56,806 WHERE I'LL BE WAITING FOR YOU. 643 00:22:56,806 --> 00:22:58,948 OH, JOE. 644 00:22:58,948 --> 00:23:00,950 IT'S PERFECT. 645 00:23:00,950 --> 00:23:02,812 (door opens) NO, IT'S CRAZY. 646 00:23:02,812 --> 00:23:04,814 WHAT ARE YOU THINKIN', MR. FLYNN? 647 00:23:04,814 --> 00:23:06,956 AND I CAN TELL YOU, THIS JANE'S NO GOOD. 648 00:23:06,956 --> 00:23:08,788 NOW WHAT ARE YOU ON ABOUT? 649 00:23:08,788 --> 00:23:11,961 LOOK AT ME. I'M A NEW MAN. I'M A BETTER MAN. 650 00:23:11,961 --> 00:23:13,963 I HAVEN'T EVEN HAD A DRINK SINCE I MET VERA, 651 00:23:13,963 --> 00:23:15,965 AND IF THAT'S NOT A MINOR MIRACLE, I DON'T KNOW WHAT IS. 652 00:23:15,965 --> 00:23:17,867 YOU WOULD BE BETTER OFF WITH THE BOOZE 653 00:23:17,867 --> 00:23:19,068 THAN WITH THIS CHIPPY. 654 00:23:19,068 --> 00:23:21,130 A-AND WHAT ARE YOU BASING A RELATIONSHIP ON, HUH, 655 00:23:21,130 --> 00:23:23,933 A ROBBERY AND A LIE? 656 00:23:23,933 --> 00:23:26,105 WHAT LIE? 657 00:23:26,105 --> 00:23:28,077 WELL, I GUESS IT'S TIME TO COME CLEAN, HUH? 658 00:23:28,077 --> 00:23:29,839 LOOK, DOLL, 659 00:23:29,839 --> 00:23:31,140 IT'S NO COINCIDENCE I MET YOU IN THE CLUB THAT NIGHT. 660 00:23:31,140 --> 00:23:32,912 I WAS HIRED TO COME FIND YOU, SEE? 661 00:23:32,912 --> 00:23:34,814 ONLY I COULDN'T TELL YOU WHO. 662 00:23:34,814 --> 00:23:36,045 IT'S JUST... 663 00:23:36,045 --> 00:23:38,848 CUT THE CORNERS, JOE. WHO HIRED YOU? 664 00:23:38,848 --> 00:23:40,920 IT WAS YOUR SISTER. 665 00:23:40,920 --> 00:23:42,121 JOE... 666 00:23:42,121 --> 00:23:43,953 I DON'T HAVE A SISTER. 667 00:23:47,056 --> 00:23:49,128 WHAT HAPPENS NEXT? I DON'T KNOW. THAT'S THE END OF THE STATEMENT. 668 00:23:49,128 --> 00:23:51,130 BUT IF SALLY WASN'T VERA'S SISTER, THEN WHO WAS SHE? 669 00:23:51,130 --> 00:23:53,162 SALLY SET UP THE P.I. 670 00:23:53,162 --> 00:23:55,835 IT'S A CLASSIC FILM NOIR TWIST. 671 00:23:55,835 --> 00:23:57,867 BUT WHY? I DON'T KNOW. 672 00:23:57,867 --> 00:23:59,038 WHAT WAS SALLY UP TO? I DON'T KNOW. 673 00:23:59,038 --> 00:24:00,970 DO YOU THINK SHE WAS CONNECTED TO DEMPSEY? 674 00:24:00,970 --> 00:24:03,843 I DON'T KNOW, BUT ISN'T THIS GREAT? 675 00:24:03,843 --> 00:24:04,974 YO, BECKETT. 676 00:24:04,974 --> 00:24:06,075 HEY. 677 00:24:06,075 --> 00:24:07,146 SO OUR UNIFORMS GOT A LINE ON THAT HOMELESS GUY 678 00:24:07,146 --> 00:24:08,177 WHO WAS SQUATTING IN THE PENNYBAKER. 679 00:24:08,177 --> 00:24:10,049 A HOT DOG VENDOR I.D.'ed HIM. 680 00:24:10,049 --> 00:24:11,921 SAID THE GUY GOES BY THE NAME OF WEST SIDE WALLY. 681 00:24:11,921 --> 00:24:13,122 I PUT A WANT OUT ON THE GUY. 682 00:24:13,122 --> 00:24:15,154 GREAT. THAT MIGHT BE THE BREAK WE NEED TO CATCH STAN'S KILLER. 683 00:24:15,154 --> 00:24:16,886 (cell phone rings) EXCUSE ME. 684 00:24:16,886 --> 00:24:18,087 MM-HMM. HELLO. 685 00:24:18,087 --> 00:24:19,959 WHAT? 686 00:24:19,959 --> 00:24:21,130 WHEN? 687 00:24:21,130 --> 00:24:22,932 ALL RIGHT. I'M ON MY WAY. THANK YOU. 688 00:24:22,932 --> 00:24:24,934 (beep) THAT WAS THE MANAGER OF STAN'S RESIDENCY HOTEL. 689 00:24:24,934 --> 00:24:26,936 A GUY DRIVING A WHITE MUSTANG 690 00:24:26,936 --> 00:24:29,038 JUST FORCED HIS WAY INTO STAN'S ROOM, AND HE'S STILL THERE. 691 00:24:29,038 --> 00:24:31,971 NYPD! SHOW US YOUR HANDS. 692 00:24:31,971 --> 00:24:33,202 SHOW US YOUR HANDS. NOW! 693 00:24:33,202 --> 00:24:35,174 TURN AROUND SLOWLY. 694 00:24:43,953 --> 00:24:45,955 YOU'RE TOM DEMPSEY. 695 00:24:45,955 --> 00:24:47,186 YEAH, THAT'S ME. 696 00:24:58,127 --> 00:25:00,169 (Beckett) TOM DEMPSEY III. 697 00:25:00,169 --> 00:25:01,971 DEAD RINGER. 698 00:25:01,971 --> 00:25:03,172 COMPLETE DOPPELGANGER. 699 00:25:03,172 --> 00:25:05,975 IT'S D.N.A., GUYS. IT'S NOT A MAGIC TRICK. 700 00:25:05,975 --> 00:25:07,176 I'M HIS GRANDSON. 701 00:25:07,176 --> 00:25:08,938 ALL RIGHT, LOOK. 702 00:25:08,938 --> 00:25:10,940 I'M SORRY I BROKE IN A DOOR. 703 00:25:10,940 --> 00:25:12,281 I'LL PAY FOR THE DAMAGES. IT'S NO BIG DEAL. 704 00:25:12,281 --> 00:25:14,043 WHY AM I STILL HERE? 705 00:25:14,043 --> 00:25:15,244 WELL, WE WERE JUST CURIOUS TO SEE 706 00:25:15,244 --> 00:25:17,286 IF YOU INHERITED ANYTHING ELSE FROM YOUR GRANDFATHER, 707 00:25:17,286 --> 00:25:19,048 ASIDE FROM HIS LOOKS. 708 00:25:19,048 --> 00:25:21,020 YEAH, LIKE ONE OF HIS .38 REVOLVERS THAT YOU USED 709 00:25:21,020 --> 00:25:22,221 TO KILL STAN BANKS. 710 00:25:22,221 --> 00:25:24,293 WHOA, WHOA, WHOA, WHOA, WHOA. THAT DIDN'T HAPPEN. 711 00:25:24,293 --> 00:25:26,956 LOOK, STAN CAME TO ME, 712 00:25:26,956 --> 00:25:28,257 ONLY HE TOLD ME HIS NAME WAS NATHANIEL JENKINS. 713 00:25:28,257 --> 00:25:30,960 HE SAID HE WAS A BIOGRAPHER, 714 00:25:30,960 --> 00:25:32,932 SAID HE WANTED TO DO A STORY ABOUT MY GRANDFATHER. 715 00:25:32,932 --> 00:25:35,104 HE PROMISED NOT TO FOCUS ON HIS UNDERWORLD DEALINGS, 716 00:25:35,104 --> 00:25:37,106 JUST ON THE--THE GOOD STUFF, 717 00:25:37,106 --> 00:25:39,268 LIKE HOW MY GRANDDAD WAS A PILLAR OF THE COMMUNITY. 718 00:25:39,268 --> 00:25:41,140 (lowered voice) MORE LIKE A KILLER OF THE COMMUNITY. 719 00:25:41,140 --> 00:25:43,012 (Beckett) AND SO WHEN HE MADE HIS PITCH, 720 00:25:43,012 --> 00:25:46,075 YOU, WANTING TO REHABILITATE YOUR FAMILY NAME, COOPERATED. 721 00:25:46,075 --> 00:25:47,176 YEAH. 722 00:25:47,176 --> 00:25:49,318 I GAVE HIM ACCESS TO ALL OF GRANDDAD'S OLD PAPERS, 723 00:25:49,318 --> 00:25:51,180 AND EVERYTHING WAS COOL... 724 00:25:51,180 --> 00:25:54,323 UNTIL I FOUND OUT THE WHOLE THING WAS A LIE. 725 00:25:54,323 --> 00:25:56,225 AND HOW'D YOU DO THAT? 726 00:25:56,225 --> 00:25:59,288 THERE'S THIS SINGER WHO USED TO HEADLINE AT MY GRANDDAD'S CLUB-- 727 00:25:59,288 --> 00:26:01,090 BETSY SINCLAIR. 728 00:26:01,090 --> 00:26:02,962 COUPLE WEEKS AGO, SHE PASSED AWAY. 729 00:26:02,962 --> 00:26:04,233 WELL, I WENT THERE TO PAY MY RESPECTS, 730 00:26:04,233 --> 00:26:06,135 AND WHO DO I SEE THERE BUT NATHANIEL, 731 00:26:06,135 --> 00:26:08,037 CHATTING UP THIS OLD GUY. 732 00:26:08,037 --> 00:26:09,238 HE SEES ME, JETS OUT THE BACK. 733 00:26:09,238 --> 00:26:11,270 I'M LIKE, "WHAT THE HELL IS THIS ALL ABOUT," RIGHT? 734 00:26:11,270 --> 00:26:13,102 SO I LOOK IN THE GUEST BOOK. 735 00:26:13,102 --> 00:26:15,144 I FIGURED IT OUT. 736 00:26:15,144 --> 00:26:18,107 HE'D SIGNED HIS REAL NAME-- STAN BANKS. 737 00:26:18,107 --> 00:26:21,010 WHICH IS WHEN YOU FIGURED OUT HE WASN'T REALLY A BIOGRAPHER. 738 00:26:21,010 --> 00:26:23,052 HE WAS JUST ANOTHER LOWLIFE TREASURE HUNTER, 739 00:26:23,052 --> 00:26:25,014 LOOKING FOR THE BLUE BUTTERFLY. 740 00:26:25,014 --> 00:26:27,186 AND IF ANYBODY DESERVED THE BLUE BUTTERFLY, 741 00:26:27,186 --> 00:26:29,158 IT WAS YOU, RIGHT? 742 00:26:29,158 --> 00:26:31,320 SO YOU FOLLOWED STAN. 743 00:26:31,320 --> 00:26:33,322 AND WHEN STAN FOUND IT, YOU SHOT HIM. 744 00:26:33,322 --> 00:26:37,026 NO, I DID NOT-- I DID NOT SHOOT HIM. 745 00:26:37,026 --> 00:26:39,268 STAN--WAIT. STAN DID FIND IT? 746 00:26:39,268 --> 00:26:41,170 COME ON. YOU TELL US. 747 00:26:41,170 --> 00:26:43,032 I DON'T KNOW. I WAS NOT THERE. 748 00:26:43,032 --> 00:26:45,304 I READ IN THE NEWSPAPER THAT THE GUY WAS DEAD. 749 00:26:45,304 --> 00:26:48,007 I WENT TO HIS APARTMENT TO SEE WHAT I COULD FIND. 750 00:26:48,007 --> 00:26:49,208 AND I DIDN'T KILL THE GUY. 751 00:26:49,208 --> 00:26:51,180 SO DEMPSEY'S ALIBI HOLDS UP. 752 00:26:51,180 --> 00:26:52,341 HE DIDN'T KILL STAN. 753 00:26:52,341 --> 00:26:55,214 WELL, THAT'S ALL RIGHT, BECAUSE WE CAUGHT A BREAK. 754 00:26:55,214 --> 00:26:57,086 UNIs FINALLY TRACKED DOWN WEST SIDE WALLY. 755 00:26:57,086 --> 00:26:58,317 THEY'RE BRINGING HIM IN NOW. 756 00:26:58,317 --> 00:27:00,049 GREAT. MAYBE THAT CAN SHED SOME LIGHT 757 00:27:00,049 --> 00:27:01,320 AS TO WHAT HAPPENED TO STAN. 758 00:27:01,320 --> 00:27:03,152 AND IF HE CAN'T, MAYBE JERRY MADDOX CAN. 759 00:27:03,152 --> 00:27:04,223 JERRY MADDOX? 760 00:27:04,223 --> 00:27:06,295 YOU REMEMBER HOW TOM III TOLD US THAT STAN 761 00:27:06,295 --> 00:27:08,027 WENT TO BETSY SINCLAIR'S FUNERAL? 762 00:27:08,027 --> 00:27:09,328 I STARTED THINKING, WHY WOULD HE GO? 763 00:27:09,328 --> 00:27:10,399 TO DO RESEARCH. 764 00:27:10,399 --> 00:27:12,401 RIGHT, BUT RESEARCH ON WHOM? 765 00:27:12,401 --> 00:27:14,333 SO I STOPPED BY THE FUNERAL PARLOR. 766 00:27:14,333 --> 00:27:17,066 TURNS OUT THAT STAN SPENT AN AWFUL LOT OF TIME 767 00:27:17,066 --> 00:27:19,068 WITH A FRIEND OF THE DECEASED NAMED JERRY MADDOX. 768 00:27:19,068 --> 00:27:20,209 AND GET THIS-- 769 00:27:20,209 --> 00:27:22,371 JERRY WAS THE OLD BARTENDER AT THE PENNYBAKER CLUB, 770 00:27:22,371 --> 00:27:25,174 AND PROBABLY THE LAST LIVING LINK TO THE BLUE BUTTERFLY. 771 00:27:25,174 --> 00:27:26,275 GOOD JOB, CASTLE. 772 00:27:26,275 --> 00:27:28,177 YEAH? 773 00:27:28,177 --> 00:27:30,379 YEAH. 774 00:27:30,379 --> 00:27:32,281 (man) JERRY. (Louis Armstrong singing indistinctly) 775 00:27:32,281 --> 00:27:33,422 THIS IS DETECTIVE BECKETT AND MR. CASTLE. 776 00:27:33,422 --> 00:27:35,124 THEY WANTED A WORD. 777 00:27:35,124 --> 00:27:36,185 OH, YEAH. 778 00:27:36,185 --> 00:27:38,087 YOU WANT SOME SOUP? IT'S HOMEMADE. 779 00:27:38,087 --> 00:27:40,089 OH, I DON'T MIND IF I DO. THAT SMELLS DELICIOUS. 780 00:27:40,089 --> 00:27:43,192 UH, NO, THANK YOU. ACTUALLY, WE'RE--WE'RE ALL RIGHT. 781 00:27:43,192 --> 00:27:46,195 ♪ DIAMOND BRACELETS ♪ 782 00:27:46,195 --> 00:27:47,396 ♪ WOOLWORTH'S DOESN'T SELL ♪ 783 00:27:47,396 --> 00:27:49,438 AM I HEARING "I CAN'T GIVE YOU ANYTHING BUT LOVE"? 784 00:27:49,438 --> 00:27:51,340 THAT'S RIGHT, KID. 785 00:27:51,340 --> 00:27:55,174 THAT'S THE BEST VERSION OF THAT TUNE, TOO. 786 00:27:55,174 --> 00:27:57,146 YOU COME HERE TO TALK MUSIC, DID YOU? 787 00:27:57,146 --> 00:27:59,408 ACTUALLY, WE'RE HERE TO INVESTIGATE STAN BANK'S MURDER, 788 00:27:59,408 --> 00:28:01,410 AND WE WERE WONDERING IF YOU MET HIM 789 00:28:01,410 --> 00:28:03,152 AT BETSY SINCLAIR'S FUNERAL. 790 00:28:03,152 --> 00:28:04,353 YEAH. HE--HE WAS MURDERED? 791 00:28:04,353 --> 00:28:06,315 MM-HMM. POOR KID. 792 00:28:06,315 --> 00:28:10,089 DID HE MENTION A NECKLACE CALLED THE BLUE BUTTERFLY? 793 00:28:10,089 --> 00:28:13,162 OH, SURE. ASKED ME ALL KINDS OF QUESTIONS. 794 00:28:13,162 --> 00:28:15,464 UH, WHERE IT MIGHT BE, STUFF LIKE THAT, 795 00:28:15,464 --> 00:28:17,266 BUT I WAS JUST A BARTENDER BACK THEN. 796 00:28:17,266 --> 00:28:19,228 I-I WASN'T MUCH HELP. 797 00:28:19,228 --> 00:28:20,429 AH. 798 00:28:20,429 --> 00:28:23,172 NOW THIS MIGHT SEEM AN ODD QUESTION, 799 00:28:23,172 --> 00:28:26,235 BUT IN 1947, DO YOU REMEMBER WHEN VERA MULQUEEN 800 00:28:26,235 --> 00:28:28,107 AND JOE FLYNN WERE MURDERED? 801 00:28:28,107 --> 00:28:30,309 OF COURSE. IT WAS A BIG DEAL BACK THEN. 802 00:28:30,309 --> 00:28:33,382 DEMPSEY, THE FELLA THAT OWNED THE CLUB, 803 00:28:33,382 --> 00:28:36,115 SHOT THEM IN COLD BLOOD. 804 00:28:36,115 --> 00:28:39,388 THE SAME YEAR, DO YOU REMEMBER A WOMAN NAMED SALLY SCOFIELD? 805 00:28:39,388 --> 00:28:41,350 SHE WAS A REDHEAD. 806 00:28:41,350 --> 00:28:43,352 IN 1947, SHE WOULD'VE BEEN ABOUT 18. 807 00:28:43,352 --> 00:28:46,195 OH, I THINK I KNOW WHO YOU'RE TALKING ABOUT. 808 00:28:46,195 --> 00:28:48,257 NOW THAT'S BACK IN '46. 809 00:28:48,257 --> 00:28:51,360 I HAD JUST GOT HIRED AT THE PENNYBAKER. 810 00:28:51,360 --> 00:28:55,134 (band playing "I Can't Give You Anything but Love") 811 00:28:57,366 --> 00:28:59,168 CIGARETTES. CIGARS. 812 00:28:59,168 --> 00:29:01,470 (Jerry) DEMPSEY WASN'T DATING VERA BACK THEN. 813 00:29:01,470 --> 00:29:04,513 HE WAS GOING WITH A GAL NAMED PRISCILLA CAMPBELL. 814 00:29:04,513 --> 00:29:06,315 (music continues) 815 00:29:06,315 --> 00:29:07,516 PRISCILLA HAD A DAUGHTER, 816 00:29:07,516 --> 00:29:10,349 A REDHEAD NAMED SALLY. 817 00:29:10,349 --> 00:29:12,421 SOUNDS LIKE SHE'S THE ONE YOU MEAN. 818 00:29:12,421 --> 00:29:14,523 SAD STORY, WHAT HAPPENED. 819 00:29:14,523 --> 00:29:17,456 NOT LONG AFTER VERA CAUGHT DEMPSEY'S EYE, 820 00:29:17,456 --> 00:29:22,361 HE DROPPED PRISCILLA AND CUT HER AND SALLY OFF COLD. 821 00:29:22,361 --> 00:29:25,464 THEY SAID IT WAS THE CURSE OF THE BLUE BUTTERFLY. 822 00:29:25,464 --> 00:29:28,537 PRISCILLA KILLED HERSELF WITH A HANDFUL OF PILLS. 823 00:29:28,537 --> 00:29:30,499 AND SALLY? 824 00:29:30,499 --> 00:29:33,172 COUPLE MONTHS AFTER, UH, 825 00:29:33,172 --> 00:29:36,375 VERA AND THAT P.I. GOT WHACKED, 826 00:29:36,375 --> 00:29:39,248 DEMPSEY DIED OF A HEART ATTACK. 827 00:29:39,248 --> 00:29:41,250 THE EVENING OF HIS FUNERAL, 828 00:29:41,250 --> 00:29:43,252 IN WALKS SALLY, ALL DRESSED UP. 829 00:29:43,252 --> 00:29:45,184 ORDERED A WHISKEY NEAT, 830 00:29:45,184 --> 00:29:46,555 SLAMMED IT BACK, 831 00:29:46,555 --> 00:29:50,489 GAVE ME A BIG OL' CROCODILE GRIN, 832 00:29:50,489 --> 00:29:52,521 SAID SHE WAS FREE. 833 00:29:52,521 --> 00:29:55,264 THEN SHE STRUTTED ON OUT THE DOOR, 834 00:29:55,264 --> 00:29:57,496 AND THAT'S THE LAST TIME I EVER SAW HER. 835 00:29:59,328 --> 00:30:02,301 IT'S A REVENGE STORY. 836 00:30:02,301 --> 00:30:04,373 SALLY BLAMED VERA FOR THE DEATH OF HER MOTHER, 837 00:30:04,373 --> 00:30:06,235 SO SHE PLOTTED TO TAKE HER DOWN. 838 00:30:06,235 --> 00:30:08,477 SOMEHOW SHE USED THE P.I. TO DO IT. 839 00:30:08,477 --> 00:30:10,379 SHE MUST HAVE BEEN SETTING THEM UP. 840 00:30:10,379 --> 00:30:12,411 YEAH, BUT HOW DOES ANY OF THIS HELP US FIGURE OUT 841 00:30:12,411 --> 00:30:15,314 WHO SHOT STAN? 842 00:30:15,314 --> 00:30:16,515 SO... 843 00:30:16,515 --> 00:30:18,317 WEST SIDE WALLY. 844 00:30:18,317 --> 00:30:19,548 MAY I CALL YOU WALLY? 845 00:30:19,548 --> 00:30:21,450 I PREFER WEST SIDE. OF COURSE. 846 00:30:21,450 --> 00:30:23,592 WEST SIDE, WE KNOW YOU WERE AT THE PENNYBAKER CLUB 847 00:30:23,592 --> 00:30:26,255 TWO DAYS AGO. YEAH, WE FOUND YOUR SQUAT. 848 00:30:26,255 --> 00:30:28,557 WHOA. CAGNEY AND LACEY, YOU CAN STOP RIGHT THERE. 849 00:30:28,557 --> 00:30:30,359 I WASN'T LIVING IN THE CLUB TWO DAYS AGO. 850 00:30:30,359 --> 00:30:31,560 I HAD ALREADY GOTTEN BOUGHT OUT BY THE OTHER GUY. 851 00:30:31,560 --> 00:30:33,532 BOUGHT OUT? BY THE OTHER GUY? 852 00:30:33,532 --> 00:30:35,264 A FEW DAYS AGO, THE OTHER GUY COMES IN, 853 00:30:35,264 --> 00:30:36,405 STARTS SETTING UP A SQUAT BY THE BAR, 854 00:30:36,405 --> 00:30:37,606 BUT WEST SIDE WALLY DOESN'T DO NEIGHBORS. 855 00:30:37,606 --> 00:30:39,538 SO I SAID, "HEY, PROFESSOR, KICK ROCKS." 856 00:30:39,538 --> 00:30:42,241 HE WOULDN'T TAKE NO FOR AN ANSWER. 857 00:30:42,241 --> 00:30:44,243 ENDED UP PAYING ME $400 TO RELOCATE. 858 00:30:44,243 --> 00:30:46,245 SO AGAIN, FOR THE RECORD THIS TIME, I WASN'T THERE. 859 00:30:46,245 --> 00:30:48,417 EASY, EASY, OKAY. DID YOU GET THIS GUY'S NAME? 860 00:30:48,417 --> 00:30:49,578 I DIDN'T ASK. HE DIDN'T SAY. 861 00:30:49,578 --> 00:30:51,450 CAN YOU DESCRIBE HIM? MEDIUM HEIGHT, 862 00:30:51,450 --> 00:30:52,581 MEDIUM BUILD, WHITE, 50s. 863 00:30:52,581 --> 00:30:55,254 I CALLED HIM THE PROFESSOR 864 00:30:55,254 --> 00:30:57,556 BECAUSE HE SPOKE LIKE A PRETENTIOUS JERK. 865 00:31:02,331 --> 00:31:04,333 HEY, IT'S THE PROFESSOR. 866 00:31:04,333 --> 00:31:06,635 CLYDE BELASCO. 867 00:31:11,540 --> 00:31:13,272 WE KNOW THAT YOU WERE AT THE PENNYBAKER CLUB, 868 00:31:13,272 --> 00:31:14,403 MR. BELASCO. 869 00:31:14,403 --> 00:31:15,504 YOU PAID OFF A HOMELESS MAN 870 00:31:15,504 --> 00:31:18,347 SO THAT YOU COULD HAVE THE PLACE TO YOURSELF. 871 00:31:18,347 --> 00:31:21,250 I HAVE A CONDO ON THE UPPER EAST SIDE, 872 00:31:21,250 --> 00:31:22,451 A CHATEAU IN BORDEAUX, 873 00:31:22,451 --> 00:31:25,184 A CHALET IN GSTAAD, AND YET, 874 00:31:25,184 --> 00:31:26,385 ON THE WORD OF SOME VAGRANT, 875 00:31:26,385 --> 00:31:29,388 YOU BELIEVE THAT I PAID TO SQUAT IN AN ABANDONED BUILDING? 876 00:31:29,388 --> 00:31:32,191 ME? CLYDE BELASCO? 877 00:31:32,191 --> 00:31:33,362 PRETTY MUCH. 878 00:31:33,362 --> 00:31:35,564 I'D LIKE TO SEE YOU PROVE IT, SIR. 879 00:31:37,466 --> 00:31:39,428 ALL RIGHT, HAVE IT YOUR WAY, PROFESSOR. 880 00:31:39,428 --> 00:31:42,231 WE WILL SEE YOU AT THE SENTENCING HEARING. 881 00:31:42,231 --> 00:31:44,503 YOU CAN DO YOUR TV SHOW FROM PRISON. 882 00:31:46,335 --> 00:31:48,277 WAIT. 883 00:31:48,277 --> 00:31:49,408 OKAY. 884 00:31:49,408 --> 00:31:51,240 I WAS THERE. I ADMIT IT. 885 00:31:51,240 --> 00:31:53,382 I WAS AT THE PENNYBAKER CLUB WHEN STAN WAS KILLED. 886 00:31:53,382 --> 00:31:55,284 BUT I DIDN'T KILL HIM. 887 00:31:55,284 --> 00:31:57,416 LIKE I SAID BEFORE, STAN CAME TO ME 888 00:31:57,416 --> 00:31:59,418 AND ASKED FOR MY RESEARCH 889 00:31:59,418 --> 00:32:01,450 ON THE BLUE BUTTERFLY. 890 00:32:01,450 --> 00:32:02,591 AND YOU SAID NO? 891 00:32:02,591 --> 00:32:04,323 OF COURSE I SAID NO. 892 00:32:04,323 --> 00:32:06,555 I SEARCHED FOR THAT NECKLACE FOR 15 YEARS, 893 00:32:06,555 --> 00:32:08,557 AND NOW I'M JUST SUPPOSED TO HELP HIM? 894 00:32:08,557 --> 00:32:10,499 THE GLORY WAS TO BE MINE. 895 00:32:10,499 --> 00:32:12,531 BUT YOU KNEW HE WAS ON TO SOMETHING, DIDN'T YOU? 896 00:32:12,531 --> 00:32:14,263 OH, YES. 897 00:32:14,263 --> 00:32:16,335 I COULD TELL HE WAS CLOSE, SO VERY CLOSE. 898 00:32:16,335 --> 00:32:18,267 STAN KNEW THINGS ABOUT THE CLUB, ABOUT THE NECKLACE 899 00:32:18,267 --> 00:32:19,568 THAT I HAD NEVER HEARD BEFORE. 900 00:32:19,568 --> 00:32:21,510 SO YOU STAKED OUT THE CLUB, AND WHEN STAN SHOWED, 901 00:32:21,510 --> 00:32:23,342 YOU SHOT HIM. 902 00:32:23,342 --> 00:32:24,573 I DIDN'T SHOOT HIM, DETECTIVE. 903 00:32:24,573 --> 00:32:26,575 YES, I HAD A PISTOL WITH ME 904 00:32:26,575 --> 00:32:28,377 AND A BULLWHIP. 905 00:32:28,377 --> 00:32:30,479 THEY'RE MY TRADEMARKS. EVERYONE KNOWS THAT. 906 00:32:30,479 --> 00:32:31,620 BUT I BROUGHT A MASK AND GLOVES AS WELL 907 00:32:31,620 --> 00:32:33,382 BECAUSE I WAS SIMPLY GOING TO THREATEN HIM 908 00:32:33,382 --> 00:32:34,523 AND TAKE THE PRIZE. 909 00:32:34,523 --> 00:32:37,256 SO THEN WHAT HAPPENED? 910 00:32:37,256 --> 00:32:38,627 I WAS LYING IN WAIT. 911 00:32:38,627 --> 00:32:42,331 STAN WENT DOWNSTAIRS, AND WHEN HE RETURNED, HE WAS... 912 00:32:42,331 --> 00:32:45,364 HOLDING THE BLUE BUTTERFLY. 913 00:32:45,364 --> 00:32:48,367 OH, YOU SHOULD'VE SEEN HOW IT SPARKLED. 914 00:32:48,367 --> 00:32:50,439 MAGNIFICENT. 915 00:32:50,439 --> 00:32:52,301 I WAS ABOUT TO POUNCE WHEN SUDDENLY THERE WAS 916 00:32:52,301 --> 00:32:53,472 A-A RAG PUT OVER MY MOUTH. 917 00:32:53,472 --> 00:32:56,305 IT HAD A SWEET SMELL, 918 00:32:56,305 --> 00:32:58,277 LIKE IT WAS DOUSED WITH CHLOROFORM. 919 00:32:58,277 --> 00:32:59,608 (Castle) CHLOROFORM? 920 00:32:59,608 --> 00:33:01,280 REALLY? 921 00:33:01,280 --> 00:33:02,351 IT HAD TO BE. 922 00:33:02,351 --> 00:33:04,283 EVERYTHING WENT DARK, AND WHEN I CAME TO, 923 00:33:04,283 --> 00:33:05,454 STAN WAS DEAD. 924 00:33:05,454 --> 00:33:08,587 I SEARCHED HIS BODY, BUT WHOEVER KNOCKED ME OUT 925 00:33:08,587 --> 00:33:10,659 TOOK THE BLUE BUTTERFLY WITH THEM. 926 00:33:12,461 --> 00:33:14,563 (Castle) GOD, I HOPE IT'S HIM. 927 00:33:14,563 --> 00:33:16,365 YEAH, BUT WITHOUT A CONFESSION, 928 00:33:16,365 --> 00:33:17,626 OUR CASE IS PURELY CIRCUMSTANTIAL. 929 00:33:17,626 --> 00:33:20,569 I'M GONNA SEE IF I CAN GET A WARRANT FOR BELASCO'S PLACE. 930 00:33:20,569 --> 00:33:23,672 WHICH PLACE, THE CONDO, THE CHATEAU, OR THE CHALET? 931 00:33:23,672 --> 00:33:25,604 (chuckles) HI, YEAH, THIS IS DETECTIVE KATE BECKETT, 932 00:33:25,604 --> 00:33:27,336 12th PRECINCT. 933 00:33:27,336 --> 00:33:29,478 I'M CALLING FOR THE RIDING A.D.A. 934 00:33:29,478 --> 00:33:30,639 MM-HMM. YEAH. 935 00:33:30,639 --> 00:33:32,511 OKAY. I'LL HOLD. 936 00:33:32,511 --> 00:33:34,413 WELL, IT'S KIND OF DISAPPOINTING. 937 00:33:34,413 --> 00:33:36,315 I WAS REALLY HOPING THAT SOLVING STAN'S MURDER 938 00:33:36,315 --> 00:33:37,516 WOULD GIVE US SOME ANSWERS 939 00:33:37,516 --> 00:33:39,448 TO WHAT REALLY HAPPENED TO JOE AND VERA. 940 00:33:39,448 --> 00:33:40,649 YEAH, BUT WHAT WE ALREADY KNOW WHAT REALLY HAPPENED. 941 00:33:40,649 --> 00:33:42,651 DEMPSEY KILLED THEM BOTH. 942 00:33:42,651 --> 00:33:44,653 WELL, THAT'S OBVIOUS VERSION. BUT WHAT ABOUT SALLY? 943 00:33:44,653 --> 00:33:46,695 WHAT'S HER PART IN ALL OF THIS? 944 00:33:46,695 --> 00:33:48,557 AND... 945 00:33:48,557 --> 00:33:49,698 WHY WOULD SHE HIRE JOE? 946 00:33:49,698 --> 00:33:52,331 WELL, I GUESS WE'LL NEVER KNOW. 947 00:33:52,331 --> 00:33:54,603 NO, SOMETHING ELSE WAS GOING ON. 948 00:33:54,603 --> 00:33:56,435 SOMETHING WE'RE MISSING. 949 00:33:56,435 --> 00:33:59,408 "WEARING T-STRAP SHOES AND A COUNTRY SUIT, 950 00:33:59,408 --> 00:34:02,471 I COULD TELL THAT REDHEAD WAS A HICK OFF THE COB." 951 00:34:02,471 --> 00:34:03,672 WAIT. WHAT DID YOU JUST SAY? 952 00:34:03,672 --> 00:34:06,645 WELL, THAT'S JUST HOW JOE DESCRIBED HER IN HIS DIARY. 953 00:34:06,645 --> 00:34:08,447 NO, THE--THE PART ABOUT THE SHOES? 954 00:34:08,447 --> 00:34:10,419 T-STRAP. IT'S WHEN THE STRAP COMES OVER THE-- 955 00:34:10,419 --> 00:34:12,681 YEAH. CAN I JUST CALL YOU BACK? 956 00:34:12,681 --> 00:34:15,384 OKAY. 957 00:34:15,384 --> 00:34:16,725 TAKE A LOOK AT THIS PHOTO. 958 00:34:16,725 --> 00:34:19,358 THERE'S A SHOE NEXT TO THE CAR. 959 00:34:19,358 --> 00:34:21,430 AND LOOK AT WHAT KIND OF SHOE IT IS. 960 00:34:21,430 --> 00:34:22,631 THAT'S A T-STRAP. 961 00:34:22,631 --> 00:34:24,493 YOU DON'T THINK... 962 00:34:24,493 --> 00:34:25,694 IF VERA WAS AT THE CLUB THAT NIGHT, 963 00:34:25,694 --> 00:34:27,636 SHE'D BE DRESSED IN AN ELEGANT DRESS AND... 964 00:34:27,636 --> 00:34:29,568 AND HEELS. THIS ISN'T VERA. 965 00:34:29,568 --> 00:34:30,669 THIS IS SALLY. 966 00:34:30,669 --> 00:34:32,401 YEAH, BUT IT CAN'T BE SALLY. 967 00:34:32,401 --> 00:34:34,703 THE BARTENDER SAID THAT HE SAW HER MONTHS AFTER THE MURDERS. 968 00:34:34,703 --> 00:34:36,645 UNLESS... HE LIED. HE LIED. 969 00:34:36,645 --> 00:34:38,407 BUT THAT WAS OVER HALF A CENTURY AGO. 970 00:34:38,407 --> 00:34:39,508 WHY WOULD HE LIE ABOUT THAT? 971 00:34:39,508 --> 00:34:41,610 BECKETT, I JUST REALIZED SOMETHING. HUH? 972 00:34:41,610 --> 00:34:44,383 "I CAN'T GIVE YOU ANYTHING BUT LOVE." 973 00:34:44,383 --> 00:34:45,554 W-WHAT? 974 00:34:45,554 --> 00:34:47,616 THAT'S WHAT WAS PLAYING WHEN WE INTERVIEWED THE BARTENDER. 975 00:34:47,616 --> 00:34:49,458 RIGHT. RIGHT. 976 00:34:49,458 --> 00:34:53,522 HE SAID THAT THAT WAS THE BEST VERSION OF THE SONG. 977 00:34:53,522 --> 00:34:55,394 IT WAS LOUIS ARMSTRONG'S VERSION. 978 00:34:55,394 --> 00:34:57,666 IN JOE'S DIARY, HE SAYS HIS FAVORITE PERFORMER IS SATCHMO. 979 00:34:57,666 --> 00:34:59,528 WHAT'S SATCHMO'S REAL NAME? 980 00:34:59,528 --> 00:35:00,599 LOUIS ARMSTRONG. 981 00:35:00,599 --> 00:35:02,401 PUT IT ALL TOGETHER, 982 00:35:02,401 --> 00:35:03,732 THE ANSWER IS CLEAR. 983 00:35:03,732 --> 00:35:06,605 (knock on door) 984 00:35:06,605 --> 00:35:08,777 OH. HELLO AGAIN. 985 00:35:08,777 --> 00:35:10,479 HELLO, VERA. 986 00:35:11,740 --> 00:35:13,582 AND HELLO, JOE. 987 00:35:20,389 --> 00:35:21,650 (Castle) WELL, IF IT ISN'T VERA MULQUEEN 988 00:35:21,650 --> 00:35:24,593 AND JOE FLYNN, BACK FROM THE DEAD. 989 00:35:24,593 --> 00:35:25,694 EVERYTHING ALL RIGHT, GUYS? 990 00:35:25,694 --> 00:35:28,527 EVERYTHING'S PEACHY. THANKS, FRANKIE. 991 00:35:28,527 --> 00:35:31,530 WHAT HAPPENED? STAN FIGURED OUT THE TRUTH, 992 00:35:31,530 --> 00:35:33,502 THAT YOU TWO WERE ALIVE, 993 00:35:33,502 --> 00:35:35,364 THAT YOU MURDERED TWO PEOPLE 994 00:35:35,364 --> 00:35:38,337 SO YOU COULD DISAPPEAR WITH THE BLUE BUTTERFLY? 995 00:35:38,337 --> 00:35:39,708 SO YOU LURED HIM TO THE CLUB AND THEN YOU SHOT HIM? 996 00:35:39,708 --> 00:35:41,570 LADY, YOU GOT IT ALL WRONG. 997 00:35:41,570 --> 00:35:43,442 STAN CORNERED ME AT BETSY'S FUNERAL, 998 00:35:43,442 --> 00:35:45,674 WANTING TO KNOW HOW I KNEW HER. 999 00:35:45,674 --> 00:35:48,547 SO I LIED AND TOLD HIM I WAS A BARTENDER. 1000 00:35:48,547 --> 00:35:50,619 BUT STAN WAS CLEVER. HE WAS TOO CLEVER. 1001 00:35:50,619 --> 00:35:52,621 HE FIGURED US OUT. 1002 00:35:52,621 --> 00:35:55,624 HE CAME HERE DEMANDING TO KNOW WHERE THE BLUE BUTTERFLY WAS. 1003 00:35:55,624 --> 00:35:57,686 HE THREATENED TO EXPOSE US. 1004 00:35:57,686 --> 00:36:00,459 HE WAS LIKE A DOG AFTER A BONE. 1005 00:36:00,459 --> 00:36:02,631 SO WE TOLD HIM WHAT HE NEEDED TO KNOW. 1006 00:36:02,631 --> 00:36:04,493 WE TOLD HIM WHERE IT WAS. 1007 00:36:04,493 --> 00:36:06,365 BUT WE DIDN'T KILL HIM. 1008 00:36:06,365 --> 00:36:07,496 OH, COME ON, YOU GUYS. 1009 00:36:07,496 --> 00:36:08,697 WE KNOW IT'S YOU. 1010 00:36:08,697 --> 00:36:11,400 YOU USED THE SAME GUN FROM THE '47 MURDERS TO KILL STAN. 1011 00:36:11,400 --> 00:36:13,642 SAME GUN? OH, WE KEEP THAT GUN IN THE-- 1012 00:36:13,642 --> 00:36:16,375 THE CHINA CABINET DRAWER. 1013 00:36:16,375 --> 00:36:18,577 DON'T EVEN THINK ABOUT IT. 1014 00:36:18,577 --> 00:36:20,509 PUT THE GUN DOWN. 1015 00:36:20,509 --> 00:36:21,580 (clatters) 1016 00:36:21,580 --> 00:36:23,582 FRANCIS BENJAMIN HUNTSACKER, 1017 00:36:23,582 --> 00:36:25,384 WHAT HAVE YOU DONE? 1018 00:36:25,384 --> 00:36:26,385 WAIT A MINUTE. HUNTSACKER? 1019 00:36:26,385 --> 00:36:27,756 (handcuffs click) 1020 00:36:27,756 --> 00:36:29,658 IT WAS YOUR MOTHER WHO SOLD THE DIARY TO STAN. 1021 00:36:29,658 --> 00:36:31,390 WHAT DIARY? 1022 00:36:31,390 --> 00:36:32,591 YOUR DIARY. 1023 00:36:32,591 --> 00:36:34,523 (Beckett) SO YOU READ IT, 1024 00:36:34,523 --> 00:36:36,465 AND ALL THIS TIME, YOU WERE LOOKING FOR THE NECKLACE, TOO. 1025 00:36:36,465 --> 00:36:37,696 THAT'S WHY I GOT THIS CRAP JOB. 1026 00:36:37,696 --> 00:36:40,399 AND FOR SIX MONTHS, I SLOWLY BUILT TRUST, 1027 00:36:40,399 --> 00:36:41,530 GENTLY ACQUIRED INFORMATION. 1028 00:36:41,530 --> 00:36:42,731 AND THEN THAT JERK JUST WALTZES IN HERE 1029 00:36:42,731 --> 00:36:44,673 AND BULLIES THE LOCATION OF THE BLUE BUTTERFLY FROM YOU? 1030 00:36:44,673 --> 00:36:46,675 COME ON! 1031 00:36:46,675 --> 00:36:48,707 SO WHEN YOU REALIZED IT WAS NOW OR NEVER, 1032 00:36:48,707 --> 00:36:50,509 YOU BUSHWHACKED STAN, 1033 00:36:50,509 --> 00:36:52,411 TOOK THE BLUE BUTTERFLY FOR YOURSELF? 1034 00:36:52,411 --> 00:36:54,443 I BROUGHT THEIR OLD .38 ONLY AS A PRECAUTION. 1035 00:36:54,443 --> 00:36:56,445 I WAS JUST GONNA CHLOROFORM STAN AND STEAL IT. 1036 00:36:56,445 --> 00:36:58,617 BUT YOU FOUND CLYDE BELASCO HIDING BEHIND THE BAR. 1037 00:36:58,617 --> 00:37:01,520 I PULLED THE GUN, STAN GRABBED FOR IT... 1038 00:37:01,520 --> 00:37:04,623 LOOK, I DIDN'T MEAN TO. 1039 00:37:04,623 --> 00:37:07,426 LET'S GO, FRANKIE. YOU'RE UNDER ARREST. 1040 00:37:12,461 --> 00:37:14,633 HEY, CASTLE, GUESS WHAT WE FOUND 1041 00:37:14,633 --> 00:37:17,536 AT FRANKIE'S APARTMENT. 1042 00:37:21,540 --> 00:37:23,542 OH, MY. 1043 00:37:23,542 --> 00:37:25,644 OH, MY GOD. 1044 00:37:27,446 --> 00:37:29,578 IT'S BEAUTIFUL. 1045 00:37:29,578 --> 00:37:30,819 IT'S FAKE. WHAT? 1046 00:37:30,819 --> 00:37:32,621 WE CONFIRMED IT WITH AN APPRAISER. 1047 00:37:32,621 --> 00:37:34,583 IT'S WELL-CRAFTED COSTUME JEWELRY. 1048 00:37:34,583 --> 00:37:37,686 ALL THIS TIME, AND IT'S PASTE? 1049 00:37:37,686 --> 00:37:39,488 THAT'S... 1050 00:37:39,488 --> 00:37:40,829 OR MAYBE IT'S A TWIST ON A TWIST. 1051 00:37:40,829 --> 00:37:42,631 MAYBE THE REAL BLUE BUTTERFLY 1052 00:37:42,631 --> 00:37:44,533 WAS SWITCHED OUT FOR THIS ONE YEARS AGO. 1053 00:37:44,533 --> 00:37:46,465 WELL, WHATEVER HAPPENED, IT DOESN'T CHANGE THE FACTS. 1054 00:37:46,465 --> 00:37:48,837 WE STILL HAVE ONE MORE CASE TO CLOSE. 1055 00:37:50,799 --> 00:37:52,601 (Beckett) OKAY, SO NOW WE KNOW 1056 00:37:52,601 --> 00:37:53,802 THAT FRANKIE KILLED STAN, 1057 00:37:53,802 --> 00:37:56,805 BUT THERE ARE STILL TWO MURDERS THAT NEED TO BE SOLVED-- 1058 00:37:56,805 --> 00:38:00,549 SALLY CAMPBELL AND WHOEVER ELSE YOU PUT IN THAT CAR. 1059 00:38:00,549 --> 00:38:02,751 IT'S TIME YOU COME CLEAN ON WHAT HAPPENED 1060 00:38:02,751 --> 00:38:05,684 THE EVENING OF JUNE 24, 1947, 1061 00:38:05,684 --> 00:38:08,517 THE NIGHT YOU DISAPPEARED. 1062 00:38:08,517 --> 00:38:10,659 (Vera sighs) TELL THEM, VERA. 1063 00:38:10,659 --> 00:38:13,792 WE WERE ALL HUDDLED AROUND THE, UH, RADIO, LISTENING TO 1064 00:38:13,792 --> 00:38:17,566 THE SUGAR RAY ROBINSON/ JIMMY DOYLE PRIZEFIGHT, AND, UH, 1065 00:38:17,566 --> 00:38:20,729 I WAS BUILDING UP NERVE TO MAKE MY ESCAPE. 1066 00:38:20,729 --> 00:38:22,601 (man) ...BREAKS UP THE CLINCH. 1067 00:38:22,601 --> 00:38:24,733 A SLOWLY TIRING JIMMY DOYLE THROWS A LEFT, ANOTHER LEFT. 1068 00:38:24,733 --> 00:38:26,635 (cheering) 1069 00:38:26,635 --> 00:38:29,578 HERE COMES ROBINSON. A LEFT. A RIGHT. ANOTHER LEFT... 1070 00:38:29,578 --> 00:38:31,840 MOXIE, I NEED TO POWDER MY NOSE. 1071 00:38:31,840 --> 00:38:33,812 ARE YOU KIDDING ME? CAN IT WAIT? 1072 00:38:33,812 --> 00:38:34,843 NO. 1073 00:38:34,843 --> 00:38:37,746 AH, WHAT DO YOU SAY, BOSS? 1074 00:38:37,746 --> 00:38:40,619 YEAH, YEAH, YEAH, MAKE IT QUICK. 1075 00:38:40,619 --> 00:38:41,820 ROBINSON REGROUPS. 1076 00:38:41,820 --> 00:38:43,892 ROBINSON DELIVERS A LEFT, A RIGHT, A LEFT AGAIN. 1077 00:38:43,892 --> 00:38:47,756 DOYLE PUNCHES BACK, BUT MISSED HIM BY A MILE. 1078 00:38:47,756 --> 00:38:49,658 (door opens) 1079 00:38:54,663 --> 00:38:56,665 (man) WELL, AREN'T YOU A PICTURE? 1080 00:38:56,665 --> 00:38:57,906 WHO ARE YOU? 1081 00:38:57,906 --> 00:38:59,638 I'M WITH HER. 1082 00:38:59,638 --> 00:39:00,769 PUT 'EM UP. 1083 00:39:00,769 --> 00:39:02,841 (Vera) THE GUY WAS SALLY'S HUSBAND. 1084 00:39:02,841 --> 00:39:05,644 SHE'D ONLY HIRED JOE TO GET ME AWAY FROM DEMPSEY 1085 00:39:05,644 --> 00:39:07,876 SO SHE COULD EXACT HER REVENGE. 1086 00:39:07,876 --> 00:39:09,778 NOW YOU'RE GONNA SUFFER, VERA, LIKE MY MOTHER SUFFERED. 1087 00:39:09,778 --> 00:39:12,921 WAIT, SAL. LET ME GET THE ICE FIRST. 1088 00:39:12,921 --> 00:39:15,554 (grunts) (gasps) 1089 00:39:15,554 --> 00:39:16,625 NO! (gunshot) 1090 00:39:16,625 --> 00:39:18,657 LENNY! (thuds) 1091 00:39:18,657 --> 00:39:19,688 UGH! WHAT ARE YOU DOING? 1092 00:39:19,688 --> 00:39:21,690 GIVE ME THE GUN! 1093 00:39:21,690 --> 00:39:23,892 (gunshot) (gasps) 1094 00:39:23,892 --> 00:39:25,594 (gasps) (thud) 1095 00:39:25,594 --> 00:39:26,835 (Vera) OH! 1096 00:39:26,835 --> 00:39:28,737 OH! JOE! 1097 00:39:28,737 --> 00:39:30,639 WE WERE HOT AS A PISTOL 1098 00:39:30,639 --> 00:39:31,940 AND--AND WE HAD TWO BODIES ON OUR HANDS, 1099 00:39:31,940 --> 00:39:33,672 AND WE HAD TO DO SOMETHING. 1100 00:39:35,604 --> 00:39:36,945 AND JOE... 1101 00:39:36,945 --> 00:39:38,847 HAD THE PLAN. 1102 00:39:45,584 --> 00:39:48,887 NO ONE WOULD BE LOOKING FOR THOSE TWO. 1103 00:39:48,887 --> 00:39:51,660 WE NEEDED TO DISAPPEAR. 1104 00:39:59,768 --> 00:40:03,602 (sighs) OBVIOUSLY, WE DIDN'T 1105 00:40:03,602 --> 00:40:05,774 DISAPPEAR FAR ENOUGH. 1106 00:40:05,774 --> 00:40:08,607 SO... 1107 00:40:08,607 --> 00:40:10,839 (voice breaks) ARE YOU GOING TO ARREST US? 1108 00:40:18,747 --> 00:40:19,918 WHY WOULD I DO THAT? 1109 00:40:19,918 --> 00:40:21,720 SOUNDS LIKE SELF-DEFENSE. 1110 00:40:21,720 --> 00:40:22,821 BESIDES... 1111 00:40:22,821 --> 00:40:24,693 WE'RE LOOKING FOR A WOMAN NAMED VERA, 1112 00:40:24,693 --> 00:40:25,954 NOT VIOLA, 1113 00:40:25,954 --> 00:40:27,896 AND A P.I. NAMED JOE, 1114 00:40:27,896 --> 00:40:30,959 NOT A FORMER BARTENDER NAMED JERRY. 1115 00:40:30,959 --> 00:40:34,703 (voice breaks) WE DON'T KNOW HOW TO THANK YOU. 1116 00:40:34,703 --> 00:40:37,706 (Castle) I DO. 1117 00:40:37,706 --> 00:40:39,668 ANSWER TWO QUESTIONS. 1118 00:40:39,668 --> 00:40:41,940 ONE... 1119 00:40:41,940 --> 00:40:44,913 IF YOU HAD THE BLUE BUTTERFLY, WHY DIDN'T YOU TAKE IT? 1120 00:40:44,913 --> 00:40:46,915 AND TWO... 1121 00:40:46,915 --> 00:40:48,947 WHERE HAS IT BEEN ALL THIS TIME? 1122 00:40:48,947 --> 00:40:50,949 WELL, WE WERE HOME FREE TILL DOLL FACE HERE 1123 00:40:50,949 --> 00:40:53,752 HAD HERSELF AN EPIPHANY. 1124 00:40:53,752 --> 00:40:55,724 THIS THING REALLY IS CURSED. 1125 00:40:55,724 --> 00:40:57,756 VERA, THAT'S JUST FANCY ROCKS ON A PRETTY ROPE. 1126 00:40:57,756 --> 00:40:59,027 NO, IT'S MORE THAN THAT. 1127 00:40:59,027 --> 00:41:01,890 IT'S MISERY. JOE, WE CAN'T. 1128 00:41:01,890 --> 00:41:03,962 I GOT NO LOVE FOR THIS THING, 1129 00:41:03,962 --> 00:41:05,864 JUST YOU. 1130 00:41:05,864 --> 00:41:06,995 BUT I'LL BE DAMNED 1131 00:41:06,995 --> 00:41:09,738 IF I LET DEMPSEY GET HIS HANDS BACK ON IT. 1132 00:41:25,684 --> 00:41:27,686 LET THE BASTARD SPEND THE REST OF HIS LIFE 1133 00:41:27,686 --> 00:41:30,989 NOT KNOWING HIS PRIZE POSSESSION IS RIGHT UNDER HIS NOSE. 1134 00:41:37,726 --> 00:41:39,928 CURSED OR NOT, DID YOU EVER CONSIDER GOING BACK FOR IT? 1135 00:41:39,928 --> 00:41:42,901 THEY DON'T GET IT, JOE. 1136 00:41:42,901 --> 00:41:44,733 MM. I... 1137 00:41:44,733 --> 00:41:46,775 WE GOT FOUR CHILDREN, 1138 00:41:46,775 --> 00:41:48,907 SEVEN GRANDCHILDREN, 1139 00:41:48,907 --> 00:41:50,939 TWO GREAT-GRANDCHILDREN... 1140 00:41:50,939 --> 00:41:52,040 AND EACH OTHER. 1141 00:41:52,040 --> 00:41:53,782 MM-HMM. 1142 00:41:53,782 --> 00:41:56,014 WHAT DO WE NEED A BLUE BUTTERFLY FOR? 1143 00:41:56,014 --> 00:41:57,946 (chuckles) 1144 00:42:00,989 --> 00:42:02,721 (elevator bell dings) 1145 00:42:02,721 --> 00:42:03,922 DO YOU THINK WE SHOULD'VE TOLD JOE AND VERA 1146 00:42:03,922 --> 00:42:05,053 ABOUT THE BLUE BUTTERFLY? 1147 00:42:05,053 --> 00:42:07,726 OH, NO. WHY RUIN IT FOR THEM? 1148 00:42:07,726 --> 00:42:09,998 NO, THAT'S THE STUFF THAT DREAMS ARE MADE OF. 1149 00:42:13,061 --> 00:42:15,063 TELL ME YOU LOVE ME, JOE. 1150 00:42:15,063 --> 00:42:17,005 ALWAYS.