1 00:00:01,032 --> 00:00:02,573 (gunshots) 2 00:00:02,573 --> 00:00:03,734 (man grunts) 3 00:00:03,734 --> 00:00:05,106 (glass shatters) 4 00:00:05,106 --> 00:00:06,077 (punch thuds) 5 00:00:06,077 --> 00:00:07,238 (groan) 6 00:00:07,238 --> 00:00:08,409 (objects breaking and shattering) 7 00:00:08,409 --> 00:00:09,580 (grunt) 8 00:00:09,580 --> 00:00:11,082 (punch thuds, man grunts) 9 00:00:11,082 --> 00:00:13,284 (objects clattering and breaking) 10 00:00:13,284 --> 00:00:15,086 (punches thudding) 11 00:00:15,086 --> 00:00:16,547 (grunt) 12 00:00:16,547 --> 00:00:18,219 AAH! 13 00:00:18,219 --> 00:00:19,390 (crash) 14 00:00:19,390 --> 00:00:22,623 (car alarm blaring) 15 00:00:27,458 --> 00:00:28,799 (liquid boiling) 16 00:00:28,799 --> 00:00:30,531 (grinds) 17 00:00:30,531 --> 00:00:34,605 OH, I HAD THE MOST EXQUISITE CLASS 18 00:00:34,605 --> 00:00:36,137 THIS EVENING. 19 00:00:36,137 --> 00:00:38,139 MY STUDENTS ARE REHEARSING THE BOXING SCENE 20 00:00:38,139 --> 00:00:39,710 FROM "WHO'S AFRAID OF VIRGINIA WOOLF?" 21 00:00:39,710 --> 00:00:41,642 JUST-- I'M JUST GLAD THEY WERE USING YOUR STUDIO 22 00:00:41,642 --> 00:00:43,314 AND NOT MY LIVING ROOM. (laughs) 23 00:00:43,314 --> 00:00:48,379 OH, YOU'RE MAKING ME YOUR FABULOUS PASTA CARBONARA. 24 00:00:48,379 --> 00:00:50,151 OHH. YOU SHOULDN'T HAVE. 25 00:00:50,151 --> 00:00:51,252 (mouth full) I DIDN'T. 26 00:00:51,252 --> 00:00:53,384 ACTUALLY, IT'S FOR ALEXIS. 27 00:00:53,384 --> 00:00:55,156 SHE'S JUST BEEN, YOU KNOW, SO BUSY LATELY. 28 00:00:55,156 --> 00:00:57,057 I THOUGHT WE'D, UH, RECONNECT. 29 00:00:57,057 --> 00:00:59,130 MM. (normal voice) SO HER FAVORITE DISH, 30 00:00:59,130 --> 00:01:01,632 AND THEN A SCREENING OF "SAW IV," THE DIRECTOR'S CUT. 31 00:01:01,632 --> 00:01:04,665 UH, I HATE TO TELL YOU THIS, DARLING, BUT SHE WON'T BE HERE. 32 00:01:04,665 --> 00:01:06,066 WHAT DO YOU MEAN? WHERE ELSE WOULD SHE BE? 33 00:01:06,066 --> 00:01:07,338 SHE'S STARTING A NEW INTERNSHIP. 34 00:01:07,338 --> 00:01:08,769 ANOTHER ONE? 35 00:01:08,769 --> 00:01:11,102 SHE DID SAY SHE WANTED TO TRY A FEW THINGS 36 00:01:11,102 --> 00:01:12,503 TO FIND HER PASSION. 37 00:01:12,503 --> 00:01:15,406 IT'S 9:00. 38 00:01:15,406 --> 00:01:18,249 WHAT KIND OF PASSION IS SHE FINDING AT THIS TIME OF NIGHT? 39 00:01:18,249 --> 00:01:19,780 UM... (cell phone rings) 40 00:01:19,780 --> 00:01:22,313 AHA. THERE. YOUR BETTER HALF. 41 00:01:22,313 --> 00:01:23,454 UH, J-- (stammers) 42 00:01:23,454 --> 00:01:25,156 DON'T CHANGE THE SUBJECT. 43 00:01:25,156 --> 00:01:27,418 WHAT IS THIS INTERNSHIP EXACTLY? 44 00:01:27,418 --> 00:01:29,760 RICHARD, ALEXIS SWORE ME TO SECRECY. 45 00:01:29,760 --> 00:01:31,122 YES, BUT AS HER FATHER-- 46 00:01:31,122 --> 00:01:32,163 AH, AH, AH, AH. MY LIPS ARE SEALED. 47 00:01:32,163 --> 00:01:33,424 THEN YOU WON'T BE USING THEM 48 00:01:33,424 --> 00:01:37,168 TO EAT MY... PASTA CARBONARA. 49 00:01:37,168 --> 00:01:38,529 (sighs) ALL RIGHT. WELL, LET ME SAY THIS. 50 00:01:38,529 --> 00:01:42,203 THIS INTERNSHIP HAS MY PERSONAL SEAL OF APPROVAL. 51 00:01:43,774 --> 00:01:46,277 THAT DOESN'T MAKE ME FEEL ANY BETTER. 52 00:01:46,277 --> 00:01:47,608 (police radio chatter, sirens wail) 53 00:01:47,608 --> 00:01:49,109 THE TRUTH IS, THE INTERNSHIP ISN'T THE PROBLEM. 54 00:01:49,109 --> 00:01:50,781 IT'S THE FACT, SHE NOW HAS THREE OF THEM. 55 00:01:50,781 --> 00:01:52,283 YEAH, WELL, YOU NEVER KNOW, CASTLE. 56 00:01:52,283 --> 00:01:53,784 THIS MIGHT BE THE ONE THAT BRINGS THE TWO OF YOU 57 00:01:53,784 --> 00:01:55,286 CLOSER TOGETHER SOMEHOW. 58 00:01:55,286 --> 00:01:57,488 I DOUBT IT. THE BEST I COULD HOPE FOR NOW IS, 59 00:01:57,488 --> 00:01:59,550 SHE LEARNS TO BECOME MORE OF AN UNDERACHIEVER. 60 00:01:59,550 --> 00:02:01,522 YEAH. WELL, I'M SURE YOU'LL BE ABLE TO GIVE HER SOME TIPS. 61 00:02:01,522 --> 00:02:02,693 (Esposito) SO... 62 00:02:02,693 --> 00:02:04,255 NEIGHBORS HEARD A HELLACIOUS FIGHT, 63 00:02:04,255 --> 00:02:05,456 AND THEN OUR VICTIM HERE 64 00:02:05,456 --> 00:02:06,797 SAILED OUT OF THAT FOURTH-FLOOR WINDOW. 65 00:02:06,797 --> 00:02:08,199 WAS THAT HIS APARTMENT? 66 00:02:08,199 --> 00:02:09,730 WE'RE CHECKING, BUT IT DOESN'T LOOK LIKE IT. 67 00:02:09,730 --> 00:02:11,732 TENANTS DON'T RECOGNIZE HIM AND HE DOESN'T HAVE ANY I.D. 68 00:02:11,732 --> 00:02:14,405 NO I.D., BUT LOTS OF CAUSES OF DEATH. 69 00:02:14,405 --> 00:02:15,636 YOU MEAN OTHER THAN GRAVITY? 70 00:02:15,636 --> 00:02:17,168 OH, YEAH. 71 00:02:17,168 --> 00:02:19,310 (button clicks) SEE THAT BULLET WOUND? 72 00:02:19,310 --> 00:02:20,771 SO HE WAS SHOT BEFORE HE FELL? 73 00:02:20,771 --> 00:02:22,273 AND STABBED. 74 00:02:22,273 --> 00:02:23,143 SHOT AND STABBED? 75 00:02:23,143 --> 00:02:24,315 AND CHOKED, 76 00:02:24,315 --> 00:02:26,717 AND HAS A PENCIL JAMMED IN THE SIDE OF HIS NECK. 77 00:02:26,717 --> 00:02:29,880 AH. GIVES NEW MEANING TO THE TERM "OVERKILL." 78 00:02:29,880 --> 00:02:31,282 DID ANYONE SEE HIS ATTACKER? 79 00:02:31,282 --> 00:02:32,683 UH, WE'RE CHECKING WITH WITNESSES, 80 00:02:32,683 --> 00:02:34,285 BUT I FIGURE THAT OUR PERP SLIPPED OUT OF THE BUILDING 81 00:02:34,285 --> 00:02:35,926 DURING ALL THE CONFUSION. 82 00:02:35,926 --> 00:02:38,259 ALL RIGHT. LET'S GO SEE WHAT THEY GOT. 83 00:02:38,259 --> 00:02:40,731 (camera shutter clicks, indistinct conversations) 84 00:02:40,731 --> 00:02:42,493 HEY, ALEXIS. HEY. 85 00:02:42,493 --> 00:02:44,195 (click) 86 00:02:44,195 --> 00:02:45,336 ALEXIS? 87 00:02:45,336 --> 00:02:46,897 HEY, DAD. 88 00:02:46,897 --> 00:02:49,169 WHAT ARE YOU DOING HERE? 89 00:02:49,169 --> 00:02:50,641 IS... 90 00:02:50,641 --> 00:02:52,343 IS THIS YOUR NEW INTERNSHIP? 91 00:02:52,343 --> 00:02:54,305 DR. PARISH AGREED TO LET ME SHADOW HER. 92 00:02:54,305 --> 00:02:55,646 I THOUGHT, IF I GO TO MED SCHOOL, 93 00:02:55,646 --> 00:02:57,448 THIS WILL GIVE ME A BETTER GRASP OF FORENSIC PATHOLOGY. 94 00:02:57,448 --> 00:02:59,780 I'VE LEARNED SO MUCH IN JUST TWO DAYS. 95 00:02:59,780 --> 00:03:02,413 (lowered voice) SWEETIE... 96 00:03:02,413 --> 00:03:03,514 WHY WOULDN'T YOU TELL ME? 97 00:03:03,514 --> 00:03:05,356 I GUESS I WAS AFRAID YOU'D VETO IT, 98 00:03:05,356 --> 00:03:07,358 LIKE MAYBE YOU'D THINK ME BEING HERE 99 00:03:07,358 --> 00:03:08,689 WAS INVADING YOUR TERRITORY OR-- 100 00:03:08,689 --> 00:03:09,890 (chuckles, normal voice) WHAT? 101 00:03:09,890 --> 00:03:12,393 THAT'S CRAZY. I WOULDN'T... THINK THAT. 102 00:03:12,393 --> 00:03:14,395 THAT'S... 103 00:03:14,395 --> 00:03:15,726 THIS IS GREAT. 104 00:03:15,726 --> 00:03:17,197 YEAH. IT'S--I JUST--I DON'T KNOW 105 00:03:17,197 --> 00:03:19,370 IF YOU SHOULD BE EXPOSED TO CRIME SCENES AND DEAD BODIES. 106 00:03:19,370 --> 00:03:20,501 OH, I'M ALREADY USED TO IT. 107 00:03:20,501 --> 00:03:22,273 IT'S EQUAL PARTS GROSS AND COOL. 108 00:03:22,273 --> 00:03:23,704 I HEARD THAT 109 00:03:23,704 --> 00:03:25,205 AND I COULDN'T AGREE WITH YOU MORE. 110 00:03:25,205 --> 00:03:27,678 I FINALLY GET WHY YOU'RE INTO THIS, DAD. 111 00:03:27,678 --> 00:03:30,381 NOW I'M INTO IT, TOO. 112 00:03:30,381 --> 00:03:32,283 THAT'S GREAT. 113 00:03:32,283 --> 00:03:34,315 (radio chatter continues, camera shutter clicks) 114 00:03:34,315 --> 00:03:35,786 (whispers) GREAT. 115 00:03:35,786 --> 00:03:37,788 (lowered voice) MY WORLDS ARE COLLIDING. 116 00:03:37,788 --> 00:03:39,250 YOU MEAN ALEXIS? 117 00:03:39,250 --> 00:03:40,691 (normal voice) YOU KNEW ABOUT THIS? 118 00:03:40,691 --> 00:03:42,222 COME ON, CASTLE. YOU'RE THE ONE WHO SAID YOU WANTED 119 00:03:42,222 --> 00:03:43,354 TO FIND A WAY OF SPENDING MORE TIME WITH HER. 120 00:03:43,354 --> 00:03:44,855 NOT LIKE THIS. 121 00:03:44,855 --> 00:03:46,457 THIS IS MY THING. 122 00:03:46,457 --> 00:03:47,798 THIS IS OUR THING. 123 00:03:47,798 --> 00:03:49,229 IT'S A VIOLATION OF CHURCH AND STATE. 124 00:03:49,229 --> 00:03:50,631 THIS WOULD BE LIKE ME 125 00:03:50,631 --> 00:03:52,463 JUST SHOWING UP AT HER SCHOOL AND TEACHING. 126 00:03:52,463 --> 00:03:54,635 I REALLY THINK THAT YOU'RE OVERREACTING. 127 00:03:54,635 --> 00:03:56,337 BUT WHAT IF I'M NOT? 128 00:03:56,337 --> 00:03:58,309 WHAT IF THIS UPSETS THE DELICATE SYNERGY 129 00:03:58,309 --> 00:03:59,740 OF OUR PARTNERSHIP? 130 00:03:59,740 --> 00:04:01,372 WHAT IF IT UNDERMINES OUR UNIT COHESION? 131 00:04:01,372 --> 00:04:03,474 (inhales sharply) SEE? MAJOR PROBLEM. 132 00:04:03,474 --> 00:04:05,746 NOT THAT. THIS. THAT'S A LOT OF BLOOD. 133 00:04:05,746 --> 00:04:08,018 ONE OF OUR WITNESSES SAW A MAN LEAVING THE BUILDING. 134 00:04:08,018 --> 00:04:09,820 HE WAS LIMPING. 135 00:04:09,820 --> 00:04:11,422 OUR SUSPECT WAS INJURED. 136 00:04:11,422 --> 00:04:14,285 AND THE TRAIL GOES THAT WAY. 137 00:04:14,285 --> 00:04:15,786 (camera shutter clicks) 138 00:04:15,786 --> 00:04:18,329 A BRUTAL KILLER BETRAYED 139 00:04:18,329 --> 00:04:19,990 BY THE FRAILTY OF HIS OWN FLESH. 140 00:04:19,990 --> 00:04:23,334 HIS PATH REVEALED BY THAT MOST PRIMAL STAIN. 141 00:04:24,635 --> 00:04:26,337 EXCEPT THE PATH ENDS HERE. 142 00:04:26,337 --> 00:04:27,998 MULTIPLE DROPS IN ONE SPOT? 143 00:04:27,998 --> 00:04:30,771 HE MUST HAVE STOOD HERE FOR A MINUTE. 144 00:04:30,771 --> 00:04:32,403 HE GOT INTO A CAR. 145 00:04:33,574 --> 00:04:36,847 WELL, IF HE DID, MAYBE HE GOT CAUGHT ON TAPE. 146 00:04:36,847 --> 00:04:38,509 (Ryan) THE FIRST 9-1-1 CALL CAME AT 8:42, 147 00:04:38,509 --> 00:04:40,681 JUST AFTER OUR VICTIM CRASH LANDED. 148 00:04:40,681 --> 00:04:43,414 SO OUR GUY PROBABLY MADE IT TO THE CORNER 149 00:04:43,414 --> 00:04:45,386 A MINUTE OR TWO LATER. 150 00:04:45,386 --> 00:04:48,889 HEY. PRETTY COOL ABOUT ALEXIS' INTERNSHIP. 151 00:04:48,889 --> 00:04:50,421 OR NOT. 152 00:04:50,421 --> 00:04:52,463 (Beckett) THERE. 153 00:04:52,463 --> 00:04:54,465 THAT'S GOTTA BE HIM. (clicks keyboard key) 154 00:04:54,465 --> 00:04:55,766 HE'S WOUNDED, THE COPS ARE AFTER HIM, 155 00:04:55,766 --> 00:04:57,468 AND HE'S LOOKING FOR A PLACE TO GO. 156 00:04:57,468 --> 00:04:59,470 (video plays without audio) 157 00:04:59,470 --> 00:05:01,301 HE HAS A HOSTAGE. 158 00:05:01,301 --> 00:05:02,933 TRACK THE TAXI OFF THE MEDALLION NUMBER, 159 00:05:02,933 --> 00:05:04,805 FIND OUT WHERE IT WENT. 160 00:05:04,805 --> 00:05:06,677 AAH! 161 00:05:06,677 --> 00:05:08,008 (Esposito) NYPD! (man) LET ME SEE YOUR HANDS! 162 00:05:08,008 --> 00:05:10,010 NYPD! HANDS IN THE AIR. (Esposito) GET UP. 163 00:05:10,010 --> 00:05:11,812 SHOW US YOUR HANDS. 164 00:05:11,812 --> 00:05:13,484 GET UP. HANDS IN THE AIR. 165 00:05:13,484 --> 00:05:14,615 (Esposito) GET UP. GET UP. 166 00:05:14,615 --> 00:05:16,046 PUT YOUR HANDS ON YOUR HEAD. 167 00:05:18,349 --> 00:05:20,621 (Esposito) HANDS ON YOUR HEAD NOW. 168 00:05:20,621 --> 00:05:22,853 DROP TO YOUR KNEES. 169 00:05:22,853 --> 00:05:25,926 (handcuffs rattling) 170 00:05:25,926 --> 00:05:28,459 (clicking) 171 00:05:28,459 --> 00:05:31,031 (Beckett) THOMAS GAGE. 172 00:05:31,031 --> 00:05:34,905 FOR THE RECORD, HAVE I ADVISED YOU OF YOUR RIGHTS? 173 00:05:34,905 --> 00:05:36,937 (clicks tongue) YES. 174 00:05:36,937 --> 00:05:40,411 INCLUDING YOUR RIGHT TO AN ATTORNEY? 175 00:05:40,411 --> 00:05:42,473 I WON'T NEED ONE. 176 00:05:44,344 --> 00:05:46,477 DO YOU RECOGNIZE THIS MAN? 177 00:05:48,379 --> 00:05:50,350 LOOKS LIKE HE TOOK A NASTY FALL. 178 00:05:50,350 --> 00:05:51,782 WELL, HE HAD A LITTLE HELP. 179 00:05:51,782 --> 00:05:53,123 FINGERPRINT EVIDENCE 180 00:05:53,123 --> 00:05:56,387 WILL SHOW THAT HE WAS THROWN OUT A WINDOW BY YOU. 181 00:05:56,387 --> 00:05:58,028 (Castle) AFTER WHICH, 182 00:05:58,028 --> 00:06:00,431 YOU KIDNAPPED TINA MASSEY IN FULL VIEW 183 00:06:00,431 --> 00:06:01,962 OF A SECURITY CAMERA. 184 00:06:01,962 --> 00:06:03,394 MURDER, PLUS KIDNAPPING, THAT EQUALS 185 00:06:03,394 --> 00:06:05,035 MORE YEARS IN PRISON THAN YOU HAVE LEFT. 186 00:06:05,035 --> 00:06:07,868 UNLESS YOU COOPERATE. 187 00:06:13,504 --> 00:06:16,106 EVERYTHING THAT YOU HAVE ON ME... 188 00:06:16,106 --> 00:06:19,109 OR YOU THINK YOU HAVE... 189 00:06:19,109 --> 00:06:20,811 IT'S ALL GOING AWAY. 190 00:06:22,613 --> 00:06:24,485 AND WE'RE DONE HERE. 191 00:06:27,488 --> 00:06:29,389 THIS GUY SHOULD BE SWEATING BULLETS. 192 00:06:29,389 --> 00:06:30,991 THIS DOESN'T FEEL RIGHT. 193 00:06:30,991 --> 00:06:32,423 IT'S LIKE HE KNOWS SOMETHING WE DON'T. 194 00:06:32,423 --> 00:06:34,425 I WANT YOU TO PULL EVERYTHING YOU CAN ON THOMAS GAGE. 195 00:06:34,425 --> 00:06:36,627 THE PROBLEM IS, THAT'S NOT HIS REAL NAME. 196 00:06:36,627 --> 00:06:38,068 HIS DRIVER'S LICENSE IS BOGUS, 197 00:06:38,068 --> 00:06:39,570 AND HIS PRINTS AREN'T IN THE SYSTEM. 198 00:06:39,570 --> 00:06:42,573 BOTTOM LINE IS, WE HAVE NO IDEA WHO THIS MAN IS. 199 00:06:46,837 --> 00:06:48,979 THE GUY WAS SUPER CALM THE WHOLE TIME. 200 00:06:48,979 --> 00:06:50,481 NOT BIG ON CHITCHAT EITHER. 201 00:06:50,481 --> 00:06:51,912 HIS OPENING LINE WAS, 202 00:06:51,912 --> 00:06:53,413 "GET YOUR ASS IN THE CAB, OR I'LL KILL YOU." 203 00:06:53,413 --> 00:06:54,945 AND WHAT ABOUT WHEN YOU WENT BACK TO YOUR APARTMENT, 204 00:06:54,945 --> 00:06:56,517 WHAT DID HE TALK ABOUT? 205 00:06:56,517 --> 00:06:57,818 AFTER HE PROMISED NOT TO MURDER ME, 206 00:06:57,818 --> 00:06:59,550 HE ASKED ME TO PATCH UP HIS LEG. 207 00:06:59,550 --> 00:07:01,051 HE HAD A REAL GASH. 208 00:07:01,051 --> 00:07:02,923 COULD YOU TELL HOW HE GOT THE INJURY? 209 00:07:02,923 --> 00:07:05,025 HE SAID HE GOT SLASHED WITH A KNIFE 210 00:07:05,025 --> 00:07:06,727 WHILE HE WAS KILLING A GUY. 211 00:07:06,727 --> 00:07:08,599 AND HE ADMITTED THAT TO YOU? 212 00:07:08,599 --> 00:07:10,601 MORE LIKE JUST MADE THE STATEMENT. 213 00:07:10,601 --> 00:07:12,903 AND DID HE SAY WHO THIS GUY WAS 214 00:07:12,903 --> 00:07:14,765 OR WHY HE KILLED HIM? 215 00:07:14,765 --> 00:07:18,038 ALL HE TOLD ME WAS THAT THE MAN DOESN'T EXIST. 216 00:07:19,439 --> 00:07:21,441 (Lanie) THE MAN DOESN'T EXIST 217 00:07:21,441 --> 00:07:22,773 AS FAR AS I CAN TELL. 218 00:07:22,773 --> 00:07:24,114 SO YOU HAVEN'T I.D.'ed HIM YET? 219 00:07:24,114 --> 00:07:25,616 LOOK, I'M TRYING, BUT HIS FINGERPRINTS 220 00:07:25,616 --> 00:07:27,478 AREN'T IN ANY DATABASE, WHICH IS WEIRD, 221 00:07:27,478 --> 00:07:29,920 BECAUSE I THOUGHT FOR SURE HE'D HAVE A CRIMINAL RECORD. HOW COME? 222 00:07:29,920 --> 00:07:31,522 IT'S NOT THE FIRST TIME THIS GUY HAS MIXED IT UP-- 223 00:07:31,522 --> 00:07:32,853 OLD GUNSHOT WOUNDS, 224 00:07:32,853 --> 00:07:34,855 CALLUSED HANDS FROM MARTIAL ARTS TRAINING, 225 00:07:34,855 --> 00:07:36,557 MORE BROKEN BONES THAN EVEL KNIEVEL. 226 00:07:36,557 --> 00:07:38,458 YOU'RE NOT GONNA BELIEVE HIS X-RAYS. 227 00:07:43,564 --> 00:07:44,464 WHERE IS MY JOHN DOE? 228 00:07:44,464 --> 00:07:46,236 (door closes) 229 00:07:46,236 --> 00:07:48,939 WHERE IS MY JOHN DOE? 230 00:07:48,939 --> 00:07:50,871 HE WAS RIGHT THERE WHEN I LEFT. 231 00:07:50,871 --> 00:07:52,743 I-I WAS ONLY GONE A MINUTE. 232 00:07:52,743 --> 00:07:54,204 I KNOW HE WAS RIGHT THERE. 233 00:07:54,204 --> 00:07:56,476 I WAS JUST ABOUT TO CUT HIM OPEN. 234 00:07:56,476 --> 00:07:58,809 WELL, NOW HE REALLY DOESN'T EXIST. 235 00:07:58,809 --> 00:08:02,182 HOW DOES A BODY JUST VANISH FROM A MORGUE? 236 00:08:02,182 --> 00:08:04,585 I DON'T KNOW, BUT THOMAS GAGE DOES. 237 00:08:04,585 --> 00:08:05,556 REMEMBER WHAT HE SAID-- 238 00:08:05,556 --> 00:08:06,887 WHATEVER YOU THINK YOU HAVE IS GOING AWAY? 239 00:08:06,887 --> 00:08:08,488 HE'S IN ON THIS. 240 00:08:08,488 --> 00:08:10,721 ESPO, DID GAGE GET TRANSFERRED TO CENTRAL BOOKING YET? 241 00:08:10,721 --> 00:08:11,892 NO, HE'S STILL IN HOLDING. 242 00:08:11,892 --> 00:08:13,524 HE'S GONNA GIVE US SOME ANSWERS. 243 00:08:18,829 --> 00:08:21,001 (Beckett) WHERE THE HELL IS HE? 244 00:08:25,135 --> 00:08:26,506 HE WAS HERE. I-I-- 245 00:08:26,506 --> 00:08:28,679 I SECURED HIM MYSELF. 246 00:08:29,840 --> 00:08:31,081 LOCK DOWN THE PRECINCT. 247 00:08:31,081 --> 00:08:38,919 (Esposito) ALL RIGHT. MOVE. 248 00:08:42,522 --> 00:08:43,694 (clicking keyboard keys) 249 00:08:43,694 --> 00:08:45,796 HEY, DAD. 250 00:08:45,796 --> 00:08:48,599 I TRIED TO WAIT UP, BUT YOU MUST HAVE GOTTEN IN REALLY LATE. 251 00:08:48,599 --> 00:08:51,231 NOT BY CHOICE. OUR SUSPECT PULLED A HOUDINI, 252 00:08:51,231 --> 00:08:53,834 SO THEY LOCKED DOWN THE ENTIRE STATION. 253 00:08:53,834 --> 00:08:55,706 BUT BY THEN, THE MYSTERIOUS STEELY KILLER, 254 00:08:55,706 --> 00:08:57,768 GOING BY THE NOM de GUERRE OF THOMAS GAGE, 255 00:08:57,768 --> 00:09:00,110 WAS LONG GONE. 256 00:09:00,110 --> 00:09:01,572 I'M WRITING UP NOTES ON THIS CASE. 257 00:09:01,572 --> 00:09:03,013 SOLID-GOLD MATERIAL FOR MY NEXT BOOK. 258 00:09:03,013 --> 00:09:04,274 WAIT. 259 00:09:04,274 --> 00:09:06,146 THE GUY WHO THREW JOHN DOE OUT THE WINDOW, HE ESCAPED? 260 00:09:06,146 --> 00:09:07,918 UH-HUH, BUT ONLY AFTER 261 00:09:07,918 --> 00:09:10,180 ORCHESTRATING THE THEFT OF JOHN DOE'S BODY 262 00:09:10,180 --> 00:09:11,722 FROM THE MORGUE. 263 00:09:11,722 --> 00:09:13,083 HOW AWESOME IS THAT? 264 00:09:13,083 --> 00:09:15,055 NOT SO AWESOME IF YOU'RE THE PERSON WHO LET IT HAPPEN. 265 00:09:15,055 --> 00:09:16,687 OH, HONEY, IT'S NOT YOUR FAULT. 266 00:09:16,687 --> 00:09:18,558 I WAS WITH THAT BODY, BUT A FRIEND CALLED, 267 00:09:18,558 --> 00:09:20,160 AND I STEPPED AWAY TO TALK. I DIDN'T-- 268 00:09:20,160 --> 00:09:22,663 OKAY, HANG ON. LISTEN TO ME. 269 00:09:22,663 --> 00:09:24,635 I'M GLAD YOU WEREN'T THERE 270 00:09:24,635 --> 00:09:27,137 BECAUSE THE KIND OF PERSON WHO TOOK JOHN DOE'S BODY 271 00:09:27,137 --> 00:09:28,869 IS THE KIND OF PERSON WHO WOULDN'T THINK TWICE 272 00:09:28,869 --> 00:09:30,801 ABOUT HURTING WHOEVER GOT IN THE WAY. 273 00:09:30,801 --> 00:09:32,843 STILL, I THOUGHT WORKING WITH DR. PARISH, 274 00:09:32,843 --> 00:09:34,344 THERE'D BE ZERO CHANCE I'D MAKE A MISTAKE 275 00:09:34,344 --> 00:09:35,946 THAT WOULD AFFECT A PATIENT. 276 00:09:35,946 --> 00:09:37,808 I MEAN, HOW COULD I, RIGHT? 277 00:09:37,808 --> 00:09:39,349 WELL, I FOUND A WAY. 278 00:09:39,349 --> 00:09:41,752 Y-YOU KNOW, HONEY, 279 00:09:41,752 --> 00:09:45,155 IF THIS INTERNSHIP ISN'T THE RIGHT FIT, 280 00:09:45,155 --> 00:09:47,117 I'M SURE LANIE WOULD UNDERSTAND. 281 00:09:47,117 --> 00:09:48,358 NO. 282 00:09:48,358 --> 00:09:50,120 DR. PARISH GAVE ME THIS OPPORTUNITY, 283 00:09:50,120 --> 00:09:52,222 AND I WANT TO SEE IT THROUGH. 284 00:09:54,965 --> 00:09:56,997 WELL? 285 00:09:56,997 --> 00:09:58,869 THE APARTMENT WHERE JOHN DOE WAS KILLED, 286 00:09:58,869 --> 00:10:01,001 WE THINK THOMAS GAGE WAS SQUATTING THERE. 287 00:10:01,001 --> 00:10:02,703 TURNS-- I DON'T CARE WHERE GAGE WAS 288 00:10:02,703 --> 00:10:04,875 UNLESS IT TELLS ME WHERE HE IS NOW. 289 00:10:04,875 --> 00:10:06,006 BUT I'M VERY INTERESTED IN KNOWING 290 00:10:06,006 --> 00:10:09,039 HOW HE GOT OUT OF THAT HOLDING CELL ON YOUR WATCH. 291 00:10:09,039 --> 00:10:10,741 WE'RE NOT CLEAR ON THAT, SIR. 292 00:10:10,741 --> 00:10:12,883 BUT WE DO KNOW HOW HE LEFT THIS PRECINCT. 293 00:10:12,883 --> 00:10:16,887 I ASSUME HE SNUCK OUT OF THE BACK EXIT. 294 00:10:18,218 --> 00:10:20,150 ACTUALLY, HE WENT OUT THROUGH THE FRONT DOOR. 295 00:10:20,150 --> 00:10:22,893 THIS IS HIM HEADING TO THE LOBBY. 296 00:10:25,355 --> 00:10:27,898 WHERE DID THIS MAN GET A UNIFORM? 297 00:10:27,898 --> 00:10:30,230 HE STOLE IT FROM THE LOCKER ROOM. 298 00:10:30,230 --> 00:10:32,803 FIND OUT WHAT ELSE HE DID. 299 00:10:32,803 --> 00:10:35,205 CHECK OUR SECURITY VIDEO AND RETRACE HIS STEPS. 300 00:10:35,205 --> 00:10:37,237 I WANT TO KNOW EVERY MOVE THAT HE MADE. 301 00:10:37,237 --> 00:10:39,039 OKAY. 302 00:10:39,039 --> 00:10:41,842 GAGE HAS BEEN TWO STEPS AHEAD OF US THIS WHOLE TIME. 303 00:10:41,842 --> 00:10:43,714 NOT ONLY THAT, BUT HE MUST HAVE A PARTNER 304 00:10:43,714 --> 00:10:45,045 WHO TOOK JOHN DOE FROM THE MORGUE. 305 00:10:45,045 --> 00:10:47,117 (sighs) WHICH STILL DOESN'T EXPLAIN WHY HE ENDED UP 306 00:10:47,117 --> 00:10:48,979 WEARING THOSE BLUES. 307 00:10:48,979 --> 00:10:51,722 WHY RISK STEALING A UNIFORM 308 00:10:51,722 --> 00:10:53,183 WHEN HE COULD'VE JUST WALKED OUT OF THE BUILDING? 309 00:10:53,183 --> 00:10:55,856 I'LL TELL YOU WHY. HE NEEDED SOMETHING INSIDE OUR PRECINCT. 310 00:10:55,856 --> 00:10:57,888 THE GUY GOT INTO OUR DATABASE. 311 00:10:59,790 --> 00:11:01,862 LOOKING FOR WHAT? (Esposito) NOT WHAT. 312 00:11:01,862 --> 00:11:03,994 WHO. 313 00:11:05,896 --> 00:11:08,138 TRACY McGRATH OF QUEENS. (clicks keyboard keys) 314 00:11:08,138 --> 00:11:10,771 HE RAN HER NAME, AND I THINK I KNOW WHY. (computer beeps) 315 00:11:10,771 --> 00:11:11,902 HER ADDRESS IS UNLISTED. 316 00:11:11,902 --> 00:11:14,845 WHAT IF GETTING ARRESTED WAS PART OF GAGE'S PLAN? 317 00:11:14,845 --> 00:11:17,808 SO HE COULD ACCESS OUR DATA FOR TRACY'S ADDRESS. 318 00:11:17,808 --> 00:11:19,780 ALL RIGHT, YOU GUYS PULL UP EVERYTHING YOU CAN ON TRACY. 319 00:11:19,780 --> 00:11:21,782 CASTLE AND I WILL GO OVER THERE NOW. 320 00:11:21,782 --> 00:11:23,183 OKAY. 321 00:11:24,855 --> 00:11:26,857 HER PHONE'S GOING STRAIGHT TO VOICE MAIL. (cell phone beeps) 322 00:11:26,857 --> 00:11:28,859 WHAT IS HER CONNECTION TO ALL THIS? 323 00:11:28,859 --> 00:11:31,021 WHY IS GAGE SO INTERESTED IN HER? 324 00:11:31,021 --> 00:11:33,964 (Beckett) WITH ANY LUCK, SHE KNOWS WHO GAGE REALLY IS. 325 00:11:33,964 --> 00:11:35,125 (knock on door) 326 00:11:35,125 --> 00:11:36,927 (hinges squeak) 327 00:11:36,927 --> 00:11:39,830 (squeak) 328 00:11:39,830 --> 00:11:42,032 (squeak) 329 00:11:42,032 --> 00:11:43,804 (door thumps) 330 00:11:43,804 --> 00:11:45,836 TRACY McGRATH? 331 00:11:45,836 --> 00:11:47,908 NYPD. 332 00:11:52,212 --> 00:11:54,444 CASTLE. 333 00:11:58,348 --> 00:12:00,791 (keypad beeps) 334 00:12:00,791 --> 00:12:02,092 (phone rings, line clicks) 335 00:12:02,092 --> 00:12:05,896 ESPO, YEAH, WE GOT HERE TOO LATE. 336 00:12:05,896 --> 00:12:08,228 UH, SHE'S GOT ONE TO THE BACK OF THE HEAD. 337 00:12:08,228 --> 00:12:10,931 CAN YOU CALL LANIE AND GET HER TO BRING C.S.U. DOWN HERE? 338 00:12:10,931 --> 00:12:12,903 YEAH. I'M ON IT. 339 00:12:12,903 --> 00:12:14,234 CAPTAIN GATES, 340 00:12:14,234 --> 00:12:16,807 LOOKS LIKE TRACY McGRATH WAS GAGE'S NEXT VICTIM. 341 00:12:16,807 --> 00:12:17,938 WHAT DO WE KNOW ABOUT HER? 342 00:12:17,938 --> 00:12:19,269 WELL, SHE'S 33, NO FAMILY. 343 00:12:19,269 --> 00:12:20,911 A SCIENTIST AT A RESEARCH FOUNDATION. 344 00:12:20,911 --> 00:12:22,973 ALL RIGHT. TALK TO HER COWORKERS. 345 00:12:22,973 --> 00:12:24,945 FIND OUT WHY GAGE WOULD'VE WANTED HER DEAD. 346 00:12:26,877 --> 00:12:28,378 LOOKS LIKE SHE'S BEEN HERE A WHILE. 347 00:12:28,378 --> 00:12:29,920 YEAH, WELL, IT MAKES SENSE. 348 00:12:29,920 --> 00:12:33,483 GAGE ESCAPED LAST NIGHT. HE HAD A 10-HOUR LEAD ON US. 349 00:12:33,483 --> 00:12:35,025 YOU STAY PUT. 350 00:12:35,025 --> 00:12:36,156 I'M GONNA CHECK THE REST OF THE PLACE. 351 00:13:04,154 --> 00:13:05,956 CASTLE... (clicks) 352 00:13:16,026 --> 00:13:17,327 WHERE IS EVERYBODY? 353 00:13:17,327 --> 00:13:19,870 WE USUALLY BEAT THE UNIFORMS TO THE SCENES. 354 00:13:19,870 --> 00:13:22,232 IT'S NOT LIKE THEY WANT TO HURRY AND STAND AROUND. 355 00:13:22,232 --> 00:13:24,104 JUST SO YOU KNOW, I'M NOT LETTING THIS VICTIM 356 00:13:24,104 --> 00:13:25,235 OUT OF MY SIGHT. 357 00:13:25,235 --> 00:13:27,007 CRAZY. WHAT IS? 358 00:13:27,007 --> 00:13:28,308 THE FACT THAT RICHARD CASTLE, 359 00:13:28,308 --> 00:13:30,010 A MAN UNBURDENED BY REGRET AND GUILT, 360 00:13:30,010 --> 00:13:32,312 HAS A CHILD THAT CARRIES THE WEIGHT OF THE WORLD. 361 00:13:32,312 --> 00:13:35,115 IT IS NOT ON YOU THAT A DEAD MAN CAME UP MISSING. 362 00:13:35,115 --> 00:13:38,118 WELL, HOW OFTEN DOES SOMETHING LIKE THAT HAPPEN ANYWAY? 363 00:13:38,118 --> 00:13:41,021 IT NEVER HAPPENS, HONEY. SO RELAX. IT WAS A FREAK THING. 364 00:13:41,021 --> 00:13:43,123 BODIES JUST DON'T DISAPPEAR. 365 00:13:43,123 --> 00:13:44,494 (opens door) 366 00:13:44,494 --> 00:13:46,456 DETECTIVE BECKETT? 367 00:13:46,456 --> 00:13:48,859 DETECTIVE BECKETT. 368 00:13:50,030 --> 00:13:53,233 OKAY, I SEE WHERE THE BLOOD STAIN IS. 369 00:13:54,534 --> 00:13:56,236 WHERE IS THE BODY? 370 00:13:59,169 --> 00:14:00,310 (exhales) YOU OKAY? 371 00:14:00,310 --> 00:14:03,073 YEAH. YOU? 372 00:14:03,073 --> 00:14:04,214 WHO ARE YOU? 373 00:14:06,016 --> 00:14:08,218 WHERE THE HELL ARE YOU TAKING US? 374 00:14:10,520 --> 00:14:12,352 WHEREVER IT IS... (floor indicator bell chimes) 375 00:14:12,352 --> 00:14:13,523 IT'S WAY DOWN. 376 00:14:13,523 --> 00:14:15,255 (chimes) 377 00:14:15,255 --> 00:14:17,457 (elevator bell dings) 378 00:14:25,435 --> 00:14:27,137 (people speaking indistinctly) 379 00:14:27,137 --> 00:14:28,638 WHAT IS THIS PLACE? 380 00:14:28,638 --> 00:14:30,400 (people continue speaking indistinctly) 381 00:14:30,400 --> 00:14:32,342 UH... UH... 382 00:14:32,342 --> 00:14:34,244 I DON'T KNOW. I HAVE NO IDEA. 383 00:14:34,244 --> 00:14:38,308 (woman) RICK CASTLE AT A LOSS FOR WORDS? 384 00:14:38,308 --> 00:14:41,011 THAT MUST BE A FIRST FOR YOU. 385 00:14:41,011 --> 00:14:42,252 (people continue speaking indistinctly) 386 00:14:42,252 --> 00:14:44,254 SOPHIA TURNER? 387 00:14:44,254 --> 00:14:45,555 (people continue speaking indistinctly) 388 00:14:45,555 --> 00:14:47,257 HELLO, RICK. 389 00:14:47,257 --> 00:14:49,159 WELCOME TO THE CIA. 390 00:14:49,159 --> 00:14:51,591 (people continue speaking indistinctly) 391 00:14:51,591 --> 00:14:53,663 (man) YEAH, THAT'S HER. 392 00:14:53,663 --> 00:14:55,395 TRACY'S WORKED FOR ME AT THE NEWTON FOUNDATION 393 00:14:55,395 --> 00:14:57,067 FOR FIVE YEARS. 394 00:14:57,067 --> 00:14:58,368 I JUST TALKED TO HER YESTERDAY. 395 00:14:58,368 --> 00:15:01,071 WE DEBATED THE MERITS OF THE CHEVY CORVAIR. 396 00:15:01,071 --> 00:15:03,633 SHE'S A CLASSIC CAR BUFF. 397 00:15:03,633 --> 00:15:05,405 SHE WAS. 398 00:15:05,405 --> 00:15:08,078 AND WHAT KIND OF WORK DID TRACY DO EXACTLY? 399 00:15:08,078 --> 00:15:10,580 IT WOULDN'T GET YOU KILLED, IF THAT'S WHAT YOU'RE ASKING. 400 00:15:10,580 --> 00:15:13,483 TRACY HAD A PhD IN APPLIED MATHEMATICS. 401 00:15:13,483 --> 00:15:16,186 SHE'D BEEN DEVELOPING STATISTICAL MODELS 402 00:15:16,186 --> 00:15:18,148 TO PREDICT THE AFFECTS OF CLIMATE CHANGE. 403 00:15:18,148 --> 00:15:19,319 DID SHE HAVE ANY ENEMIES, 404 00:15:19,319 --> 00:15:20,590 ANYBODY WHO MIGHT WANT TO DO HER HARM? 405 00:15:20,590 --> 00:15:22,292 NONE THAT I KNOW OF. 406 00:15:22,292 --> 00:15:24,124 HOLD ON. 407 00:15:24,124 --> 00:15:25,625 THERE WAS SOMETHING, YESTERDAY. 408 00:15:25,625 --> 00:15:28,128 UH, SHE LEFT THE OFFICE RATHER SUDDENLY, 409 00:15:28,128 --> 00:15:29,499 ABOUT 3:00. 410 00:15:29,499 --> 00:15:32,602 SHE DIDN'T CHECK IN WITH ME. SHE WAS JUST GONE FOR TWO HOURS. 411 00:15:32,602 --> 00:15:34,434 THAT WASN'T LIKE HER. 412 00:15:34,434 --> 00:15:36,506 DO YOU HAVE ANY IDEA WHERE SHE WENT? 413 00:15:36,506 --> 00:15:38,138 NO, AND WHEN I ASKED, 414 00:15:38,138 --> 00:15:39,569 SHE DIDN'T SEEM TO WANT TO TELL ME. 415 00:15:39,569 --> 00:15:41,941 WE'RE GONNA NEED ACCESS TO HER COMPUTER, 416 00:15:41,941 --> 00:15:43,413 HER E-MAILS, HER DOCUMENTS, EVERYTHING. 417 00:15:43,413 --> 00:15:46,016 IT'S ALL ON OUR SERVER. 418 00:15:46,016 --> 00:15:47,647 I CAN LOG INTO THERE FROM HERE. 419 00:15:47,647 --> 00:15:50,180 (Castle) SECRET UNDERGROUND HEADQUARTERS? 420 00:15:50,180 --> 00:15:52,622 THIS IS STRAIGHT OUT OF JAMES BOND. 421 00:15:54,184 --> 00:15:56,326 CASTLE, YOU'RE AVOIDING THE QUESTION. 422 00:15:56,326 --> 00:15:58,228 WHO'S SOPHIA TURNER? HOW DO YOU KNOW HER? 423 00:15:58,228 --> 00:16:00,960 UH, IT'S A... LONG STORY. 424 00:16:00,960 --> 00:16:02,262 WELL, I'LL TAKE THE SHORT VERSION. 425 00:16:02,262 --> 00:16:04,364 LET ME GIVE IT TO YOU. 426 00:16:04,364 --> 00:16:05,435 WHAT HAS IT BEEN, 427 00:16:05,435 --> 00:16:07,297 12 YEARS? 428 00:16:07,297 --> 00:16:08,598 11 AND A HALF. 429 00:16:08,598 --> 00:16:10,240 RICK AND I MET 430 00:16:10,240 --> 00:16:11,741 WHEN HE WAS JUST BEGINNING TO DO RESEARCH 431 00:16:11,741 --> 00:16:14,204 ON HIS FIRST DERRICK STORM NOVEL. 432 00:16:14,204 --> 00:16:16,706 HE WANTED AN UP-CLOSE-AND-PERSONAL LOOK 433 00:16:16,706 --> 00:16:20,350 AT THE LIFE OF A FEMALE CIA AGENT. 434 00:16:20,350 --> 00:16:22,552 SO I GAVE HIM ONE. 435 00:16:22,552 --> 00:16:24,654 (slurps) 436 00:16:24,654 --> 00:16:26,316 (people speaking indistinctly) 437 00:16:26,316 --> 00:16:28,218 YOU'RE CLARA STRIKE, 438 00:16:28,218 --> 00:16:30,660 THE CLARA STRIKE FROM THE DERRICK STORM BOOKS? 439 00:16:30,660 --> 00:16:33,393 I WOULDN'T SAY THAT I AM CLARA STRIKE, 440 00:16:33,393 --> 00:16:36,626 BUT I'D LIKE TO THINK THAT I INSPIRED RICK 441 00:16:36,626 --> 00:16:38,398 IN SOME SMALL WAY. 442 00:16:38,398 --> 00:16:41,271 WELL, THAT IS JUST FASCINATING. 443 00:16:41,271 --> 00:16:43,233 YOU LOOK GOOD. YOU, TOO. 444 00:16:43,233 --> 00:16:44,534 OKAY, SO I HATE TO INTERRUPT THIS REUNION, 445 00:16:44,534 --> 00:16:46,606 BUT WE'RE BEING ILLEGALLY DETAINED, 446 00:16:46,606 --> 00:16:48,378 AT LEAST I AM. 447 00:16:48,378 --> 00:16:50,540 THIS IS NOT A DETENTION. 448 00:16:50,540 --> 00:16:53,313 THIS IS A DEBRIEFING, APPROVED BY THE NYPD. 449 00:16:53,313 --> 00:16:55,315 FEEL FREE TO CALL TED McQUINN. 450 00:16:55,315 --> 00:16:57,387 THE CHIEF OF DETECTIVES? 451 00:16:57,387 --> 00:16:59,049 HE ASSURED ME YOU'D GIVE US YOUR FULL COOPERATION. 452 00:16:59,049 --> 00:17:01,391 I NEED TO KNOW EVERYTHING YOU KNOW ABOUT THOMAS GAGE. 453 00:17:01,391 --> 00:17:04,324 NO. NOT UNTIL YOU TELL ME WHAT THE HELL IS GOING ON HERE. 454 00:17:07,026 --> 00:17:08,198 FINE. 455 00:17:08,198 --> 00:17:09,299 BUT THAT WOULD BE GETTING INTO 456 00:17:09,299 --> 00:17:11,301 HIGHLY CLASSIFIED INFORMATION 457 00:17:11,301 --> 00:17:13,303 REGARDING NATIONAL SECURITY, 458 00:17:13,303 --> 00:17:15,365 WHICH, IF YOU WERE TO REVEAL IT TO ANYONE, 459 00:17:15,365 --> 00:17:17,067 WOULD BE CONSIDERED A TREASONABLE OFFENSE 460 00:17:17,067 --> 00:17:18,468 AGAINST THE UNITED STATES OF AMERICA, 461 00:17:18,468 --> 00:17:20,340 PUNISHABLE BY DEATH. 462 00:17:20,340 --> 00:17:22,642 SO... YOU STILL WANT TO KNOW? 463 00:17:24,774 --> 00:17:26,276 (beeping) 464 00:17:26,276 --> 00:17:29,549 WE RECRUITED THOMAS GAGE OUT OF SEAL TEAM SIX IN 1997. 465 00:17:29,549 --> 00:17:32,382 SMART, HIGHLY TRAINED, FLUENT IN 11 LANGUAGES, 466 00:17:32,382 --> 00:17:34,724 GAGE WAS OUR MOST EFFECTIVE ASSET. 467 00:17:34,724 --> 00:17:36,386 WE SENT HIM INTO CONFLICT ZONES, 468 00:17:36,386 --> 00:17:38,288 FAILED STATES ALL OVER THE WORLD. 469 00:17:38,288 --> 00:17:40,430 GAGE WAS ADEPT IN EVERY SITUATION. 470 00:17:40,430 --> 00:17:44,063 UNFORTUNATELY, HE WENT ROGUE. 471 00:17:44,063 --> 00:17:45,565 BASED ON N.S.A. INTERCEPTS, 472 00:17:45,565 --> 00:17:47,367 WE BELIEVE THAT GAGE IS TRYING TO INITIATE 473 00:17:47,367 --> 00:17:49,099 A CATASTROPHIC EVENT, 474 00:17:49,099 --> 00:17:51,070 WHICH POSES AN IMMINENT THREAT TO THE COUNTRY. 475 00:17:51,070 --> 00:17:52,442 (Castle) SO... 476 00:17:52,442 --> 00:17:55,645 THAT MAN THAT GAGE PUSHED OUT THE WINDOW, HE WAS CIA. 477 00:17:55,645 --> 00:17:57,277 GARY HARPER. ONE OF OUR BEST. 478 00:17:57,277 --> 00:17:58,578 WE GOT A TIP ON GAGE'S WHEREABOUTS. 479 00:17:58,578 --> 00:18:00,380 WE SENT HARPER TO BRING HIM IN. 480 00:18:00,380 --> 00:18:02,652 OBVIOUSLY, THAT OPERATION DIDN'T GO AS PLANNED. 481 00:18:02,652 --> 00:18:06,316 AT WHICH POINT, YOU TOOK THE BODY FROM THE MORGUE. 482 00:18:06,316 --> 00:18:08,488 THIS IS A NATIONAL SECURITY CRISIS. 483 00:18:08,488 --> 00:18:10,660 WE DIDN'T WANT THE NYPD UNDERFOOT. 484 00:18:10,660 --> 00:18:12,422 WELL, GOOD TO KNOW. 485 00:18:12,422 --> 00:18:14,324 SO HOW DID YOU GUYS GET ON TO TRACY McGRATH? 486 00:18:14,324 --> 00:18:16,396 WE MONITORED DATA FROM YOUR PRECINCT. 487 00:18:16,396 --> 00:18:17,697 HER NAME CAME UP, BUT UNFORTUNATELY, 488 00:18:17,697 --> 00:18:19,599 BY THE TIME OUR AGENT GOT THERE, SHE WAS ALREADY DEAD. 489 00:18:19,599 --> 00:18:20,830 SO WHY DID GAGE KILL HER? 490 00:18:20,830 --> 00:18:22,502 WE WERE HOPING YOU WOULD KNOW. 491 00:18:22,502 --> 00:18:23,673 (cell phone rings) 492 00:18:23,673 --> 00:18:25,305 YOU CAN GO AHEAD AND ANSWER THAT. 493 00:18:25,305 --> 00:18:26,376 YEAH, I WAS PLANNING ON IT. 494 00:18:26,376 --> 00:18:28,778 WOULD YOU MIND TERRIBLY PUTTING IT ON SPEAKER? 495 00:18:30,440 --> 00:18:32,382 (beeps) ESPO, YOU'RE ON SPEAKER. 496 00:18:32,382 --> 00:18:34,544 YEAH, SO, UH, WORD CAME DOWN FROM CHIEF OF D's. 497 00:18:34,544 --> 00:18:37,547 HE SAID YOU WERE ON SOME KIND OF SPECIAL ASSIGNMENT. 498 00:18:37,547 --> 00:18:39,489 What's that about? 499 00:18:39,489 --> 00:18:41,651 UH, IT'S A LONG STORY. 500 00:18:41,651 --> 00:18:43,193 WHAT DO YOU GOT ON TRACY McGRATH? 501 00:18:43,193 --> 00:18:44,324 It may be nothing, 502 00:18:44,324 --> 00:18:46,196 but she ditched work yesterday for two hours. 503 00:18:46,196 --> 00:18:47,797 SHE HAS A NOTATION IN HER DAY PLANNER, 504 00:18:47,797 --> 00:18:49,829 BUT ALL IT SAYS IS "PANDORA." 505 00:18:49,829 --> 00:18:52,462 YOU KNOW WHAT? LET ME GET BACK TO YOU. 506 00:18:52,462 --> 00:18:53,763 (beep) 507 00:18:53,763 --> 00:18:55,505 WHAT'S PANDORA? 508 00:18:57,637 --> 00:18:59,339 ACCORDING TO THE CHATTER, 509 00:18:59,339 --> 00:19:01,641 PANDORA IS THE CODE NAME FOR GAGE'S MISSION, 510 00:19:01,641 --> 00:19:03,343 WHICH MEANS THAT THE McGRATH WOMAN 511 00:19:03,343 --> 00:19:04,814 IS MIXED UP IN IT. 512 00:19:04,814 --> 00:19:06,776 NOW THE TWO OF YOU KNOW AS MUCH AS WE DO. 513 00:19:06,776 --> 00:19:09,249 LOOK, YOU HAVE DONE IMPRESSIVE WORK ON THIS CASE. 514 00:19:09,249 --> 00:19:10,920 I WANT YOU TO TAKE THE LEAD IN FINDING THOMAS GAGE. 515 00:19:10,920 --> 00:19:12,482 SOPHIA-- 516 00:19:12,482 --> 00:19:14,354 MARTIN, WE ARE UP AGAINST THE WALL. 517 00:19:14,354 --> 00:19:17,457 THE CIA IS BARRED FROM DOMESTIC INVESTIGATION. 518 00:19:17,457 --> 00:19:18,828 WELL, ISN'T THAT WHAT THE FBI IS FOR? 519 00:19:18,828 --> 00:19:20,460 THOMAS GAGE IS A HIRED GUN. 520 00:19:20,460 --> 00:19:23,162 WE DON'T KNOW WHO HE WORKS FOR OR HOW DEEP THIS GOES. 521 00:19:23,162 --> 00:19:26,496 ALL I AM ASKING IS THAT YOU CONTINUE YOUR INVESTIGATION, 522 00:19:26,496 --> 00:19:29,599 AND WE WILL SHARE ALL INFORMATION WE GET ON HIM. 523 00:19:29,599 --> 00:19:31,271 AND WHAT'S THE CATCH? 524 00:19:31,271 --> 00:19:32,372 THAT YOU DO THE SAME, 525 00:19:32,372 --> 00:19:33,573 AND THAT YOU REPORT ONLY TO ME. 526 00:19:33,573 --> 00:19:35,345 THIS HAS TO STAY BETWEEN US. 527 00:19:35,345 --> 00:19:37,347 OUR TECHS HAVE UPLOADED ICONS ON BOTH YOUR PHONES, 528 00:19:37,347 --> 00:19:39,509 WHICH WILL CONNECT YOU TO MY DIRECT LINE. 529 00:19:39,509 --> 00:19:40,680 YOU'VE SEEN WHAT GAGE IS CAPABLE OF. 530 00:19:40,680 --> 00:19:42,412 HE'S ONE OF OUR MOST DANGEROUS OPERATIVES, 531 00:19:42,412 --> 00:19:44,914 AND I HAVE NO DOUBT THAT, WHATEVER HE IS PLANNING, 532 00:19:44,914 --> 00:19:47,857 HE IS COMPLETELY CAPABLE OF CARRYING OUT. 533 00:19:47,857 --> 00:19:50,760 I WOULDN'T PUT YOU IN THIS POSITION, 534 00:19:50,760 --> 00:19:54,294 BUT THIS MAN HAS TO BE STOPPED. 535 00:19:54,294 --> 00:19:56,566 CAN I COUNT ON YOU FOR YOUR HELP? 536 00:19:56,566 --> 00:19:58,368 YES. 537 00:19:58,368 --> 00:20:02,302 (people speaking indistinctly) 538 00:20:09,939 --> 00:20:12,512 (Castle) DO YOU REALIZE WHAT THIS MEANS? 539 00:20:12,512 --> 00:20:13,613 WE'RE SPIES. 540 00:20:13,613 --> 00:20:15,445 THIS IS LIKE BEING IN A JASON BOURNE MOVIE, 541 00:20:15,445 --> 00:20:18,288 ONLY HE'S THE BAD GUY, AND THE CIA ARE THE GOOD GUYS. 542 00:20:18,288 --> 00:20:20,350 THAT REMAINS TO BE SEEN. OOH, WAIT. 543 00:20:20,350 --> 00:20:22,452 I'VE GOTTA SEE THOSE DIRECT-DIAL ICONS 544 00:20:22,452 --> 00:20:24,994 THEY PUT ON OUR PHONES. 545 00:20:26,596 --> 00:20:29,799 HEY. WHY IS MINE A PANIC BUTTON? 546 00:20:29,799 --> 00:20:32,432 I GUESS SHE REALLY DOES KNOW YOU WELL. 547 00:20:32,432 --> 00:20:33,603 OKAY. 548 00:20:33,603 --> 00:20:34,964 YOU'RE UPSET. I'M NOT UPSET. 549 00:20:34,964 --> 00:20:36,336 THEN WHAT ARE YOU? 550 00:20:36,336 --> 00:20:37,907 I AM JUST A LITTLE BIT UNCOMFORTABLE 551 00:20:37,907 --> 00:20:39,939 WITH THE NEW COMMAND STRUCTURE. 552 00:20:39,939 --> 00:20:42,542 I DON'T LIKE KEEPING SECRETS FROM MY OWN PEOPLE. 553 00:20:42,542 --> 00:20:44,374 YOU'RE SURE THIS ISN'T ABOUT SOPHIA? 554 00:20:44,374 --> 00:20:46,446 NO, WHY WOULD IT BE? OH, I DON'T KNOW. 555 00:20:46,446 --> 00:20:47,847 MAYBE BECAUSE I BASED A CHARACTER ON HER. 556 00:20:47,847 --> 00:20:49,018 OH, DON'T FLATTER YOURSELF, CASTLE. 557 00:20:49,018 --> 00:20:50,380 IT'S NOT THAT BIG AN HONOR. 558 00:20:50,380 --> 00:20:52,352 GOOD, BECAUSE SOPHIA IS ON OUR SIDE. 559 00:20:52,352 --> 00:20:53,653 WE'RE ON THE SAME TEAM. 560 00:20:53,653 --> 00:20:55,555 AND THAT DOESN'T CONCERN YOU? 561 00:20:55,555 --> 00:20:58,288 YOU DON'T THINK THAT THAT WILL UNDERMINE OUR UNIT COHESION? 562 00:20:58,288 --> 00:21:00,860 HEY, I AM WILLING TO LET THAT SLIDE 563 00:21:00,860 --> 00:21:02,862 IN THE INTEREST OF NATIONAL SECURITY. 564 00:21:04,964 --> 00:21:06,596 YEAH, WELL, I GUESS I AM, TOO. 565 00:21:09,969 --> 00:21:11,971 IT'S JUST, I MIGHT HAVE BEEN A LITTLE BIT TAKEN ABACK 566 00:21:11,971 --> 00:21:13,943 TO FIND OUT THAT YOU HAD... 567 00:21:13,943 --> 00:21:17,507 RESEARCHED WITH SOMEONE ELSE. 568 00:21:17,507 --> 00:21:21,611 LOOK, IT WAS NEVER THE WAY IT IS WITH YOU AND ME. 569 00:21:21,611 --> 00:21:23,453 I JUST HUNG OUT WITH HER FOR A WHILE 570 00:21:23,453 --> 00:21:26,856 TO LEND SOME AUTHENTICITY TO CLARA STRIKE. 571 00:21:26,856 --> 00:21:30,360 IT WAS A BRIEF MOMENT A LONG TIME AGO. 572 00:21:30,360 --> 00:21:31,761 AND BESIDES, NIKKI HEAT 573 00:21:31,761 --> 00:21:34,594 IS A FAR MORE COMPLEX AND... 574 00:21:34,594 --> 00:21:36,426 NUANCED CHARACTER. 575 00:21:36,426 --> 00:21:37,727 SHE IS. 576 00:21:37,727 --> 00:21:40,600 AND I'M A FAR MORE EXPERIENCED WRITER, 577 00:21:40,600 --> 00:21:42,372 MORE MATURE. 578 00:21:43,603 --> 00:21:44,974 ONE OUT OF TWO IS... MM. 579 00:21:44,974 --> 00:21:47,877 SO HOW LONG DID THE TWO OF YOU HANG OUT? 580 00:21:49,509 --> 00:21:50,680 (elevator bell dings) 581 00:21:50,680 --> 00:21:52,041 A YEAR? 582 00:21:52,041 --> 00:21:53,613 THAT'S YOUR IDEA OF A BRIEF MOMENT? 583 00:21:53,613 --> 00:21:56,015 I WAS YOUNG, AND SHE HAD A LOT TO TEACH ME. 584 00:21:56,015 --> 00:21:57,717 HA! YEAH, I'LL BET. 585 00:21:57,717 --> 00:21:59,419 A-ABOUT THE SHADOWY WORLD OF ESPIONAGE. 586 00:21:59,419 --> 00:22:01,391 LET ME ASK YOU THIS-- HOW MANY OTHER WOMEN 587 00:22:01,391 --> 00:22:04,394 HAVE YOU SEMI-STALKED IN THE NAME OF RESEARCH? 588 00:22:04,394 --> 00:22:06,325 IS THIS A TRICK QUESTION? 589 00:22:06,325 --> 00:22:07,727 YOU KNOW WHAT? I DON'T EVEN WANT TO KNOW. 590 00:22:07,727 --> 00:22:09,399 DETECTIVE BECKETT, 591 00:22:09,399 --> 00:22:11,831 MR. CASTLE, GOOD OF YOU TO DROP BY. 592 00:22:11,831 --> 00:22:14,734 SO TELL ME ABOUT THIS SPECIAL ASSIGNMENT OF YOURS. 593 00:22:14,734 --> 00:22:17,607 I'M AFRAID I CAN'T, SIR. 594 00:22:17,607 --> 00:22:19,509 EXCUSE ME? 595 00:22:19,509 --> 00:22:22,672 YES, IT'S ON A NEED-TO-KNOW BASIS. 596 00:22:22,672 --> 00:22:24,874 AND I NEED TO KNOW. 597 00:22:24,874 --> 00:22:26,876 SIR, I THINK THAT THE CHIEF OF DETECTIVES 598 00:22:26,876 --> 00:22:29,679 WOULD BACK ME UP ON THIS ONE. 599 00:22:31,681 --> 00:22:32,852 WELL... 600 00:22:32,852 --> 00:22:34,654 WE'LL SEE ABOUT THAT. 601 00:22:35,825 --> 00:22:37,687 WHOA. DID-- (laughs) 602 00:22:37,687 --> 00:22:39,389 (lowered voice) DID YOU SEE HOW MAD SHE WAS? 603 00:22:39,389 --> 00:22:40,590 GOD, THAT WAS SO GOOD. 604 00:22:40,590 --> 00:22:41,861 (Ryan) SO... 605 00:22:41,861 --> 00:22:43,693 SERIOUSLY, WHAT'S GOING ON? 606 00:22:43,693 --> 00:22:45,735 GUYS, I'M SORRY. WE REALLY CAN'T TALK ABOUT IT. 607 00:22:45,735 --> 00:22:46,966 COME ON. THIS IS US. 608 00:22:49,769 --> 00:22:51,741 NO. HEY, SORRY, BOYS. 609 00:22:51,741 --> 00:22:53,573 CLASSIFIED. TOP SECRET. 610 00:22:53,573 --> 00:22:54,944 OUR EYES ONLY. 611 00:22:54,944 --> 00:22:56,476 DEFCON 1. 612 00:22:56,476 --> 00:22:58,478 AND IF I DID TELL YOU, 613 00:22:58,478 --> 00:23:00,079 WELL, THEN I'D HAVE TO KILL YOU. 614 00:23:00,079 --> 00:23:02,612 YEAH? GOOD LUCK WITH THAT. YEAH, REALISTICALLY, THAT'S NOT-- 615 00:23:02,612 --> 00:23:05,014 I'M GONNA GO ON RECORD AND SAY THAT THIS SUCKS. IT SUCKS. 616 00:23:05,014 --> 00:23:07,016 AND NOTED. NOW LET'S MOVE ON TO TRACY McGRATH. 617 00:23:07,016 --> 00:23:08,618 WHERE'D SHE GO AFTER SHE LEFT WORK? 618 00:23:08,618 --> 00:23:10,159 WELL, ACCORDING TO HER E-Z PASS, 619 00:23:10,159 --> 00:23:11,891 SHE DROVE DOWN THE JERSEY TURNPIKE 620 00:23:11,891 --> 00:23:14,023 AND EXITED SOMEWHERE NEAR NEWARK AIRPORT. 621 00:23:14,023 --> 00:23:15,695 WE'RE STILL TRYING TO FIGURE OUT WHERE SHE WENT. 622 00:23:15,695 --> 00:23:18,698 MAYBE THE ANSWER'S STILL AT THE CRIME SCENE. 623 00:23:18,698 --> 00:23:21,631 (Beckett) THERE'S NO SIGNS OF FORCED ENTRY OR STRUGGLE. 624 00:23:21,631 --> 00:23:24,634 IT'S LIKE SHE KNEW HER KILLER, SHE LET HIM IN. 625 00:23:24,634 --> 00:23:25,975 SHE WALKED IN FRONT OF HIM, 626 00:23:25,975 --> 00:23:27,637 AND HE SHOT HER IN THE BACK OF THE HEAD. 627 00:23:27,637 --> 00:23:29,709 WHICH MEANS SHE KNEW GAGE. 628 00:23:29,709 --> 00:23:31,911 SO HOW IS A CLIMATE SCIENTIST 629 00:23:31,911 --> 00:23:34,784 MIXED UP WITH A RUTHLESS EX-CIA AGENT? 630 00:23:34,784 --> 00:23:36,646 AND HOW IS SHE CONNECTED TO PANDORA? 631 00:23:36,646 --> 00:23:40,650 (clicking) 632 00:23:40,650 --> 00:23:42,722 (timer ticks) 633 00:23:42,722 --> 00:23:43,753 (clicks) 634 00:23:43,753 --> 00:23:45,424 (ticking stops) 635 00:23:45,424 --> 00:23:48,057 THERE'S GOTTA BE SOMETHING HERE THAT TIES THEM TOGETHER. 636 00:23:48,057 --> 00:23:49,829 WELL, SHE HAS EXCELLENT TASTE IN CARS. 637 00:23:49,829 --> 00:23:52,431 HERE'S AN AUTO REPAIR MANUAL 638 00:23:52,431 --> 00:23:54,704 FOR A 1967 PONTIAC GTO. 639 00:23:54,704 --> 00:23:55,805 HMM. 640 00:23:55,805 --> 00:23:58,568 THAT'S FUNNY. 641 00:23:58,568 --> 00:24:00,570 THE KEYS ARE SITTING ON A PILE OF YESTERDAY'S MAIL. 642 00:24:00,570 --> 00:24:02,211 SHE DROVE IT BEFORE SHE DIED. 643 00:24:02,211 --> 00:24:03,943 EXCEPT THERE'S NO GTO IN THE STREET. 644 00:24:03,943 --> 00:24:06,075 OR IN THE GARAGE, SO WHERE'S THE CAR? 645 00:24:06,075 --> 00:24:08,447 I SEE A RECURRING CHARGE ON HER CREDIT CARD. 646 00:24:08,447 --> 00:24:11,521 It looks like she's paying 100 bucks a month 647 00:24:11,521 --> 00:24:12,822 for Frenchie's Parking. 648 00:24:12,822 --> 00:24:15,585 100 BUCKS? THAT'S NOT GONNA GET YOU A SPACE IN MANHATTAN. 649 00:24:15,585 --> 00:24:17,056 BINGO. BILLING INFO SAYS THAT FRENCHIE'S IS IN 650 00:24:17,056 --> 00:24:18,788 ELIZABETHPORT, NEW JERSEY. 651 00:24:18,788 --> 00:24:20,059 THAT'S RIGHT NEAR NEWARK AIRPORT. 652 00:24:20,059 --> 00:24:22,892 SO THE MYSTERY RIDE TRACY TOOK HAS TO DO WITH THE GTO. 653 00:24:24,033 --> 00:24:25,194 THERE IT IS. 654 00:24:25,194 --> 00:24:28,568 NOW THAT IS SOME CLASSIC MOTOR CITY IRON. 655 00:24:28,568 --> 00:24:29,999 (chuckles) 400 CUBIC INCHES 656 00:24:29,999 --> 00:24:32,071 WITH A ROCHESTER 4-BARREL 657 00:24:32,071 --> 00:24:34,103 AND 360 HORSEPOWER. 658 00:24:34,103 --> 00:24:36,005 YOU KNOW MUSCLE CARS? OH, YEAH. 659 00:24:37,607 --> 00:24:39,779 WE SHOULD GO TO THE TRACK SOMETIME, CASTLE. 660 00:24:39,779 --> 00:24:41,050 SEE WHO LAPS WHO. 661 00:24:42,752 --> 00:24:45,685 SO WHY DO YOU THINK TRACY 662 00:24:45,685 --> 00:24:47,116 TOOK OFF WORK TO COME DOWN HERE? 663 00:24:47,116 --> 00:24:49,619 MAYBE TO DRIVE IT TO A CLANDESTINE 664 00:24:49,619 --> 00:24:52,922 PANDORA-RELATED, UH, RENDEZVOUS? 665 00:24:52,922 --> 00:24:54,794 NO. LOOK AT THE DUST ON THIS. 666 00:24:54,794 --> 00:24:56,165 THIS HASN'T GONE ANYWHERE IN A WHILE. 667 00:24:57,897 --> 00:24:59,168 CASTLE, LOOK. 668 00:24:59,168 --> 00:25:02,732 MAYBE SHE CAME TO STASH SOMETHING IN THE TRUNK. 669 00:25:02,732 --> 00:25:04,804 HANDPRINTS, INDICATING SOMEONE'S BEEN IN THERE. 670 00:25:04,804 --> 00:25:06,205 YEAH. 671 00:25:06,205 --> 00:25:08,738 (hinges squeak) 672 00:25:08,738 --> 00:25:10,740 THAT IS NOT ORIGINAL EQUIPMENT. 673 00:25:10,740 --> 00:25:13,082 NO, BUT IT'S PROBABLY WHY SHE CAME HERE. 674 00:25:13,082 --> 00:25:14,614 OH, WHOA, WHOA, WHOA. 675 00:25:14,614 --> 00:25:15,745 WAIT--WAIT A MINUTE. WAIT A MINUTE. 676 00:25:15,745 --> 00:25:17,547 WE DON'T KNOW WHAT'S IN THERE. 677 00:25:17,547 --> 00:25:19,719 YEAH, WELL, THERE'S ONLY ONE WAY TO FIND OUT. 678 00:25:19,719 --> 00:25:21,050 YEAH, BUT IT MIGHT BE PANDORA, 679 00:25:21,050 --> 00:25:24,794 AS IN "PANDORA'S BOX," AS IN OPENING THAT 680 00:25:24,794 --> 00:25:26,796 COULD UNLEASH AN UNSTOPPABLE TIDE OF EVIL. 681 00:25:26,796 --> 00:25:28,257 CASTLE, THAT'S A MYTH. 682 00:25:28,257 --> 00:25:29,799 I'M SPEAKING METAPHORICALLY. 683 00:25:29,799 --> 00:25:32,762 GAGE IS PLANNING A CATASTROPHIC EVENT, RIGHT? 684 00:25:32,762 --> 00:25:34,904 SO WHAT IF THERE'S A DOOMSDAY DEVICE IN THAT CASE 685 00:25:34,904 --> 00:25:36,906 SET TO GO OFF WHEN YOU OPEN IT? 686 00:25:36,906 --> 00:25:39,038 AND GROUND ZERO IS A PARKING GARAGE IN NEW JERSEY? 687 00:25:39,038 --> 00:25:40,710 I DOUBT IT. 688 00:25:40,710 --> 00:25:42,041 I JU-- (mutters) 689 00:25:42,041 --> 00:25:43,773 (clicks latches) 690 00:25:46,846 --> 00:25:49,619 THAT IS A MILITARY-GRADE CELL PHONE AND A SCRAMBLER. 691 00:25:49,619 --> 00:25:50,920 THAT'S SPY EQUIPMENT. 692 00:25:50,920 --> 00:25:52,722 TRACY CAME HERE TO MAKE A PHONE CALL, 693 00:25:52,722 --> 00:25:55,124 AND I BET YOU THAT THE LAST NUMBER SHE DIALED 694 00:25:55,124 --> 00:25:56,726 IS STILL ON THE PHONE. 695 00:25:56,726 --> 00:25:59,088 (keypad beeps) (man) CLOSE THE CASE AND TURN AROUND. 696 00:25:59,088 --> 00:26:01,160 HANDS IN THE AIR. 697 00:26:01,160 --> 00:26:02,231 (sets phone down) 698 00:26:04,734 --> 00:26:06,736 (Beckett) GAGE. 699 00:26:06,736 --> 00:26:08,738 YOUR WEAPON AND PHONES ON THE GROUND. 700 00:26:11,170 --> 00:26:14,644 REALLY? YOU PUT YOUR HANDS IN THE AIR. 701 00:26:14,644 --> 00:26:15,675 WHOA. 702 00:26:15,675 --> 00:26:17,877 YOUR PHONES ON THE GROUND. 703 00:26:17,877 --> 00:26:18,978 I JUST UPGRADED. 704 00:26:18,978 --> 00:26:20,780 THIS IS A BRAND-NEW PHONE. 705 00:26:26,986 --> 00:26:28,758 NOW... I'M AFRAID 706 00:26:28,758 --> 00:26:30,990 YOU'RE NOT GONNA LIKE WHAT COMES NEXT. 707 00:26:40,029 --> 00:26:41,330 (Beckett whispers) CASTLE. 708 00:26:41,330 --> 00:26:42,702 (button clicks) 709 00:26:45,074 --> 00:26:47,006 CASTLE, WHAT ARE YOU DOING? 710 00:26:47,006 --> 00:26:50,079 BRACING MYSELF TO SHIELD YOU FROM A HAIL OF BULLETS. 711 00:26:50,079 --> 00:26:51,841 YEAH, WELL, THAT'S VERY GALLANT OF YOU, 712 00:26:51,841 --> 00:26:53,382 BUT YOU CAN STOP BRACING. 713 00:26:53,382 --> 00:26:55,044 I THINK HE LEFT. OH. 714 00:26:55,044 --> 00:26:57,116 MAN, MY LIFE WAS PASSING BEFORE MY EYES. 715 00:26:57,116 --> 00:26:58,217 I THINK I LOST TRACK OF TIME. 716 00:26:58,217 --> 00:27:00,820 WHAT DO YOU KNOW ABOUT TRUNK LATCHES? 717 00:27:00,820 --> 00:27:02,051 UM... 718 00:27:02,051 --> 00:27:03,222 (clattering) 719 00:27:03,222 --> 00:27:05,124 WELL, THE BAD NEWS IS, 720 00:27:05,124 --> 00:27:08,097 THIS ONE WAS NOT DESIGNED TO OPEN FROM THE INSIDE. 721 00:27:08,097 --> 00:27:09,258 AND THE GOOD NEWS? 722 00:27:09,258 --> 00:27:11,100 AT LEAST THIS TIME, WE'RE NOT HANDCUFFED TOGETHER. 723 00:27:11,100 --> 00:27:13,062 MM. YOU KNOW, IT'S SURPRISINGLY ROOMY IN HERE. 724 00:27:13,062 --> 00:27:14,664 WELL, IT'S NOT THAT ROOMY. 725 00:27:14,664 --> 00:27:16,205 SOONER OR LATER, WE'RE GONNA RUN OUT OF AIR. 726 00:27:16,205 --> 00:27:17,907 WE GOTTA GET OUT OF HERE. 727 00:27:17,907 --> 00:27:19,308 WELL, MAYBE SOMEBODY WILL FIND US. 728 00:27:19,308 --> 00:27:22,071 CASTLE, WE ARE LOCKED IN THE TRUNK OF A CAR 729 00:27:22,071 --> 00:27:24,073 IN LONG-TERM PARKING. 730 00:27:24,073 --> 00:27:25,314 IT'S GONNA BE HOURS BEFORE ANYONE REALIZES 731 00:27:25,314 --> 00:27:26,676 THAT WE'RE MISSING. 732 00:27:26,676 --> 00:27:28,678 WHO DO YOU THINK IS GONNA FIND US? 733 00:27:28,678 --> 00:27:31,120 I JUST FEEL, IN SITUATIONS LIKE THIS, 734 00:27:31,120 --> 00:27:33,222 IT'S IMPORTANT TO HAVE FAITH. 735 00:27:35,024 --> 00:27:36,926 YOU PRESSED THE PANIC BUTTON, DIDN'T YOU? 736 00:27:36,926 --> 00:27:38,758 WELL, IF THERE WAS EVER A TIME TO PANIC, 737 00:27:38,758 --> 00:27:41,030 I THINK THIS WAS IT. I AM-- 738 00:27:41,030 --> 00:27:42,391 YOU SHOULD BE THANKING ME. NO. 739 00:27:42,391 --> 00:27:45,434 I AM NOT GONNA BE RESCUED BY YOUR GIRLFRIEND. 740 00:27:45,434 --> 00:27:46,796 MOVE, CASTLE. (thumps) 741 00:27:46,796 --> 00:27:48,137 OW. WHAT ARE YOU-- I NEED TO GET UNDER THERE. 742 00:27:48,137 --> 00:27:49,268 HEY! (grunts) 743 00:27:49,268 --> 00:27:50,369 HEY. HEY! WHAT ARE YOU-- WHAT ARE YOU DOING? 744 00:27:50,369 --> 00:27:51,901 (grunts) I GOT IT. 745 00:27:51,901 --> 00:27:53,072 WHAT? 746 00:27:53,072 --> 00:27:54,704 THIS. HERE. 747 00:27:56,245 --> 00:27:57,747 IS IT IN? 748 00:27:57,747 --> 00:27:58,908 TO THE LEFT. 749 00:27:58,908 --> 00:28:00,379 OKAY. PUSH. 750 00:28:00,379 --> 00:28:02,782 (grunts) SCOOT DOWN. 751 00:28:02,782 --> 00:28:04,083 (grunt) 752 00:28:04,083 --> 00:28:05,384 (clicks) 753 00:28:05,384 --> 00:28:07,016 YES. NICE. 754 00:28:07,016 --> 00:28:08,187 (hinges squeak) 755 00:28:08,187 --> 00:28:09,688 (grunts) 756 00:28:09,688 --> 00:28:11,160 (grunts) 757 00:28:11,160 --> 00:28:12,461 (blows air) 758 00:28:12,461 --> 00:28:15,164 (pants) 759 00:28:15,164 --> 00:28:17,727 FOR YOU. 760 00:28:17,727 --> 00:28:20,199 (scoffs) 761 00:28:20,199 --> 00:28:23,302 (doors hiss) 762 00:28:23,302 --> 00:28:25,304 I BELIEVE THIS IS YOURS. 763 00:28:25,304 --> 00:28:29,308 AGENT JONES FOUND IT IN THE PARKING STRUCTURE. 764 00:28:29,308 --> 00:28:31,080 FINDING THE CAR WAS GREAT WORK. (Beckett clicking gun) 765 00:28:31,080 --> 00:28:32,942 I THINK IT MIGHT JUST BE THE BREAK WE NEED. 766 00:28:32,942 --> 00:28:34,744 WELL, I CAN'T TAKE ALL THE CREDIT. 767 00:28:34,744 --> 00:28:37,416 YEAH, ESPECIALLY SINCE IT WAS DETECTIVE RYAN WHO FOUND IT. 768 00:28:37,416 --> 00:28:39,789 WELL, IN ANY CASE, THE PHONE IS OBVIOUSLY KEY, 769 00:28:39,789 --> 00:28:41,290 OR ELSE GAGE WOULDN'T HAVE GONE AFTER IT. 770 00:28:41,290 --> 00:28:43,152 WELL, TRACY McGRATH USED IT ON THE DAY SHE DIED. 771 00:28:43,152 --> 00:28:45,795 MAYBE SHE CALLED SOMEONE CONNECTED TO PANDORA... 772 00:28:45,795 --> 00:28:47,927 AND THEN GAGE ELIMINATED HER AND TOOK THE PHONE 773 00:28:47,927 --> 00:28:50,329 TO TIE OFF ALL LOOSE ENDS. 774 00:28:50,329 --> 00:28:53,202 WHICH STILL DOESN'T EXPLAIN WHERE GAGE IS NOW 775 00:28:53,202 --> 00:28:55,164 OR WHO TRACY CALLED. 776 00:28:55,164 --> 00:28:57,166 WELL, WE'LL FIND THAT OUT ONCE WE TRACK THE CALL SHE MADE. 777 00:28:57,166 --> 00:28:59,338 BUT GAGE TOOK THE PHONE. HOW CAN YOU DO THAT 778 00:28:59,338 --> 00:29:01,340 WHEN YOU DON'T KNOW WHAT NUMBER SHE CALLED 779 00:29:01,340 --> 00:29:03,042 OR EVEN THE NUMBER SHE CALLED IT FROM? 780 00:29:03,042 --> 00:29:06,375 BY USING ALL THE COOLEST TOYS. 781 00:29:06,375 --> 00:29:09,078 BRING UP NEWTON FOUNDATION TO FRENCHIE'S PARKING, 782 00:29:09,078 --> 00:29:11,781 COMMUTE TIME BY CAR AT 3:00 P.M. YESTERDAY 783 00:29:11,781 --> 00:29:13,352 VIA THE TURNPIKE. 784 00:29:13,352 --> 00:29:16,185 (beeping and chirping) 785 00:29:16,185 --> 00:29:18,187 (man) 41 MINUTES. 786 00:29:18,187 --> 00:29:20,759 THERE WAS A FENDER BENDER ON THE G.W. BRIDGE. 787 00:29:20,759 --> 00:29:22,932 FACTORING THE TIME IT WOULD HAVE TAKEN HER 788 00:29:22,932 --> 00:29:24,263 TO GET TO HER CAR, 789 00:29:24,263 --> 00:29:25,935 LET'S SAY SHE GOT THERE AT 3:45 P.M. 790 00:29:25,935 --> 00:29:28,437 PULL UP ALL CELL PHONE TRAFFIC FOR THE NEXT 15 MINUTES. 791 00:29:28,437 --> 00:29:30,099 (beeps and chirps) 792 00:29:30,099 --> 00:29:32,071 THE CALL WOULD'VE PINGED OFF THE NEAREST CELL TOWER. 793 00:29:32,071 --> 00:29:34,003 THIS GUY AT THE SOUTH END OF THE NEWARK AIRPORT, 794 00:29:34,003 --> 00:29:36,245 WHICH PROCESSED... 795 00:29:36,245 --> 00:29:37,206 (beeping) 796 00:29:37,206 --> 00:29:38,878 5,429 CALLS 797 00:29:38,878 --> 00:29:40,349 IN THE 15-MINUTE TIME FRAME. 798 00:29:40,349 --> 00:29:43,212 FILTER IT TO CALLS JUST TO NEW YORK AND NEW JERSEY. 799 00:29:43,212 --> 00:29:45,414 THAT TAKES US TO 4,112. 800 00:29:45,414 --> 00:29:48,387 NOW JUST PAY PHONES AND UNREGISTERED CELLS. 801 00:29:48,387 --> 00:29:50,259 (keyboard keys click computer beeps) 802 00:29:50,259 --> 00:29:51,390 DOWN TO 712. 803 00:29:51,390 --> 00:29:52,491 CALLS UNDER A MINUTE. 804 00:29:52,491 --> 00:29:54,523 SHE WOULD'VE KEPT IT BRIEF. 805 00:29:54,523 --> 00:29:56,325 (keyboard keys click, computer beeps) 806 00:29:56,325 --> 00:29:57,927 WE'RE AT 42. 807 00:29:57,927 --> 00:29:59,929 OKAY, NOW TRIANGULATE THOSE 42 SIGNALS, 808 00:29:59,929 --> 00:30:01,330 AND LET'S SEE WHICH ONE ORIGINATES 809 00:30:01,330 --> 00:30:03,372 CLOSEST TO THAT PARKING STRUCTURE. 810 00:30:03,372 --> 00:30:06,976 (beeping and chirping) 811 00:30:11,110 --> 00:30:13,983 GOT IT. YESTERDAY AT 3:56 P.M. 812 00:30:13,983 --> 00:30:15,384 THIS CALL PINGED OFF THE TOWER 813 00:30:15,384 --> 00:30:17,386 AND WAS ROUTED TO A PAY PHONE IN BROOKLYN. 814 00:30:17,386 --> 00:30:19,148 UH, INTERSECTION OF PLYMOUTH AND GOLD. 815 00:30:19,148 --> 00:30:20,449 (Castle) WOW. 816 00:30:20,449 --> 00:30:22,291 IT'S GOTTA BE THE NUMBER TRACY McGRATH CALLED. 817 00:30:22,291 --> 00:30:24,323 GET ME EYES ON THAT PAY PHONE. 818 00:30:24,323 --> 00:30:26,996 ANY LOCAL SURVEILLANCE FROM YESTERDAY AT 3:56 P.M. 819 00:30:26,996 --> 00:30:28,827 FOUND ONE. 820 00:30:28,827 --> 00:30:30,429 ISOLATING NOW. 821 00:30:30,429 --> 00:30:34,303 THERE'S A VIDEO. AT 3:56 P.M. 822 00:30:34,303 --> 00:30:35,564 ZOOM IN. (keyboard keys click) 823 00:30:35,564 --> 00:30:38,267 (man) HE'S GOT A SCRAMBLER. THAT'S OUR GUY. 824 00:30:41,240 --> 00:30:43,442 HE LOOKS FAMILIAR. 825 00:30:43,442 --> 00:30:44,944 FREEZE THERE. 826 00:30:44,944 --> 00:30:46,976 (keyboard keys click) 827 00:30:46,976 --> 00:30:48,417 OH, MY GOD. 828 00:30:48,417 --> 00:30:50,419 THAT'S IMPOSSIBLE. 829 00:30:50,419 --> 00:30:52,321 HE'S SUPPOSED TO BE DEAD. 830 00:30:53,852 --> 00:30:55,354 WHO IS HE? 831 00:30:55,354 --> 00:30:57,156 (Martin) DR. NELSON BLAKELY. 832 00:30:57,156 --> 00:30:58,457 MATHEMATICS PROFESSOR. 833 00:30:58,457 --> 00:31:00,529 HE WAS A LEGEND AT THE AGENCY. 834 00:31:00,529 --> 00:31:02,231 A GENIUS. CONSULTED FOR US, 835 00:31:02,231 --> 00:31:04,033 BUT DIED IN 2002, 836 00:31:04,033 --> 00:31:06,996 OR AT LEAST THAT'S WHAT WE THOUGHT UNTIL JUST NOW. 837 00:31:06,996 --> 00:31:08,938 SO HE FAKED HIS OWN DEATH. 838 00:31:08,938 --> 00:31:10,299 THIS JUST KEEPS GETTING BETTER. 839 00:31:10,299 --> 00:31:12,101 NO, IT DOESN'T, 840 00:31:12,101 --> 00:31:13,442 NOT WITH WHAT THIS MAN IS CAPABLE OF. 841 00:31:13,442 --> 00:31:16,575 BLAKELY DESIGNED MATH-BASED PREDICTIVE MODELS FOR US, 842 00:31:16,575 --> 00:31:18,407 MODELS TO HELP CREATE GEOPOLITICAL CHANGE. 843 00:31:18,407 --> 00:31:20,109 WHAT DO YOU MEAN BY THAT? 844 00:31:20,109 --> 00:31:22,011 (Martin) THE AGENCY WOULD BRING HIM A PROBLEM-- 845 00:31:22,011 --> 00:31:25,184 HOW CAN WE PREVENT COUNTRY "A" FROM GETTING THE BOMB 846 00:31:25,184 --> 00:31:27,216 OR CAUSE REGIME CHANGE IN COUNTRY "B." 847 00:31:27,216 --> 00:31:29,218 BLAKELY FOUND SOLUTIONS 848 00:31:29,218 --> 00:31:32,261 USING WHAT HE CALLED LINCHPIN THEORY. 849 00:31:32,261 --> 00:31:34,493 HIS APPROACH WAS TO FIND A SMALL EVENT 850 00:31:34,493 --> 00:31:36,295 THAT COULD TRIGGER A LARGE EVENT. 851 00:31:36,295 --> 00:31:37,596 LIKE THE ASSASSINATION OF ARCHDUKE FERDINAND 852 00:31:37,596 --> 00:31:39,098 CAUSING WORLD WAR I. 853 00:31:39,098 --> 00:31:40,429 EXACTLY. 854 00:31:40,429 --> 00:31:43,032 HE ONCE SAID THAT YOU ONLY HAD TO KNOCK OVER ONE DOMINO, 855 00:31:43,032 --> 00:31:44,673 BUT IF IT WAS THE RIGHT DOMINO, 856 00:31:44,673 --> 00:31:47,336 THE REST WOULD FALL. 857 00:31:47,336 --> 00:31:49,408 (sighs) IF BLAKELY IS THE ONE WHO PLANNED PANDORA, 858 00:31:49,408 --> 00:31:51,480 THIS IS BEYOND A WORST-CASE SCENARIO. 859 00:31:51,480 --> 00:31:54,383 BLAKELY IS JUST A HIRED GUN, LIKE GAGE. 860 00:31:54,383 --> 00:31:56,015 HE'S NOT THE ONE BEHIND THIS. 861 00:31:56,015 --> 00:31:58,117 AGENT TURNER, I'VE GOT IT. 862 00:31:58,117 --> 00:31:59,648 THE VIDEO'S CLEAN ENOUGH TO TRACK HIS LIP MOVEMENT. 863 00:31:59,648 --> 00:32:02,591 WHAT'S HE SAYING? 864 00:32:02,591 --> 00:32:05,254 (electronic male voice) MEET ME THURSDAY 865 00:32:05,254 --> 00:32:06,455 AT 5:00 P.M. 866 00:32:06,455 --> 00:32:08,597 BISHOP A-5, 867 00:32:08,597 --> 00:32:11,500 BISHOP C-4, PAWN E-3. 868 00:32:11,500 --> 00:32:13,532 CHESS MOVES? 869 00:32:13,532 --> 00:32:15,634 BLAKELY WAS A WORLD-CLASS CHESS PLAYER. 870 00:32:15,634 --> 00:32:18,237 IT'S SOME SORT OF CODE. 871 00:32:18,237 --> 00:32:19,538 RUN THAT PATTERN AGAINST ANYTHING 872 00:32:19,538 --> 00:32:21,640 IN THE ENCRYPTION DATABASE. 873 00:32:21,640 --> 00:32:24,413 (keyboard keys click) 874 00:32:24,413 --> 00:32:25,944 (computer beeping and chirping) 875 00:32:25,944 --> 00:32:28,447 THIS TAKES US INTO A SENSITIVE AREA. 876 00:32:28,447 --> 00:32:32,121 FOR YOUR EYES ONLY. I GET IT. 877 00:32:32,121 --> 00:32:34,383 THANK YOU SO MUCH FOR YOUR HELP. 878 00:32:34,383 --> 00:32:36,525 AGENT JONES WILL SHOW YOU OUT. 879 00:32:36,525 --> 00:32:38,227 W-WAIT A MINUTE. WHAT ABOUT GAGE? 880 00:32:38,227 --> 00:32:40,389 WE NEED TO INVEST ALL OF OUR RESOURCES INTO FINDING BLAKELY. 881 00:32:40,389 --> 00:32:42,091 HE'S THE WEAK LINK HERE. 882 00:32:42,091 --> 00:32:44,563 RIGHT, BUT IF YOU FIND SOMETHING ON GAGE, YOU'LL LET US KNOW. 883 00:32:44,563 --> 00:32:46,495 ABSOLUTELY. WE'RE IN THIS TOGETHER. 884 00:32:52,371 --> 00:32:53,442 (chiming) 885 00:32:53,442 --> 00:32:55,074 YOU KNOW WHAT I THINK? 886 00:32:55,074 --> 00:32:56,705 I THINK WE SHOULD CRACK THAT CHESS CODE. 887 00:32:56,705 --> 00:32:58,747 THE CIA CAN HANDLE IT, CASTLE. 888 00:32:58,747 --> 00:33:02,551 WITH THEIR TRACK RECORD? I'M NOT SO SURE. 889 00:33:02,551 --> 00:33:04,253 I'M JUST SAYIN'. 890 00:33:04,253 --> 00:33:07,086 LOOK, WE DECIPHER THAT CODE, WE CAN SAVE THIS COUNTRY 891 00:33:07,086 --> 00:33:09,188 FROM A NAMELESS CATACLYSMIC EVENT. 892 00:33:09,188 --> 00:33:12,591 LOOK, IF YOU WANT TO GO AFTER BLAKELY, GO AHEAD. 893 00:33:12,591 --> 00:33:14,363 I'M A HOMICIDE DETECTIVE. 894 00:33:14,363 --> 00:33:16,365 I HAVE TO FIND THOMAS GAGE, AND I CAN'T DO THAT 895 00:33:16,365 --> 00:33:18,027 BY ANSWERING TO SOPHIA TURNER. 896 00:33:18,027 --> 00:33:19,768 WHAT DO YOU MEAN? HE KILLED TWO PEOPLE, CASTLE. 897 00:33:19,768 --> 00:33:21,500 DO YOU THINK SHE EVEN CARES ABOUT THAT? 898 00:33:21,500 --> 00:33:23,172 NO. SHE'S GOT A WHOLE DIFFERENT AGENDA. 899 00:33:23,172 --> 00:33:26,375 YEAH, LIKE SAVING THE WORLD. WE'RE ALL ON THE SAME TEAM HERE. 900 00:33:26,375 --> 00:33:28,437 NO, YOU'RE ON HER TEAM, 901 00:33:28,437 --> 00:33:29,738 'CAUSE THE WAY YOU LOOK AT HER, 902 00:33:29,738 --> 00:33:31,580 YOU'RE SURE AS HELL NOT ON MINE. 903 00:33:31,580 --> 00:33:34,213 (fabric rustles) 904 00:33:34,213 --> 00:33:35,314 SERIOUSLY? 905 00:33:35,314 --> 00:33:36,645 THIS IS A SECURE FACILITY. 906 00:33:36,645 --> 00:33:39,548 WE NEED TO KEEP IT THAT WAY. 907 00:33:47,556 --> 00:33:49,498 (footsteps approach) 908 00:33:49,498 --> 00:33:51,500 I JUST HAD A TALK WITH ALEXIS. 909 00:33:51,500 --> 00:33:54,063 I AM SO PLEASED YOU ARE ON BOARD WITH THIS INTERNSHIP. 910 00:33:54,063 --> 00:33:56,034 BECAUSE I WAS FORCED TO BE ON BOARD. 911 00:33:56,034 --> 00:33:57,366 HOW COULD YOU LET THAT HAPPEN, MOTHER? 912 00:33:57,366 --> 00:33:58,707 OH, DARLING, DON'T BE SILLY. 913 00:33:58,707 --> 00:34:00,109 AND YOU'RE JUST IN A FOUL MOOD 914 00:34:00,109 --> 00:34:01,270 BECAUSE YOU HAD A SPAT WITH BECKETT. 915 00:34:01,270 --> 00:34:03,312 I AM NOT IN A... 916 00:34:03,312 --> 00:34:05,414 HOW DID YOU FIND OUT ABOUT THAT? 917 00:34:05,414 --> 00:34:06,815 NO, WAIT. LET ME GUESS. 918 00:34:06,815 --> 00:34:09,418 BECKETT TO LANIE TO ALEXIS TO YOU. W-- 919 00:34:09,418 --> 00:34:13,452 SEE? THIS, THIS IS WHAT I WAS AFRAID OF. 920 00:34:13,452 --> 00:34:15,454 FOR YOUR INFORMATION, WE DID NOT HAVE A SPAT. 921 00:34:15,454 --> 00:34:18,827 I SIMPLY CHOSE TO WORK AT HOME TODAY. 922 00:34:18,827 --> 00:34:21,430 ON A CASE INVOLVING 923 00:34:21,430 --> 00:34:23,192 VANISHING BODIES 924 00:34:23,192 --> 00:34:24,493 AND SPECIAL ASSIGNMENTS. 925 00:34:24,493 --> 00:34:27,136 REALLY? SHE TOLD YOU THAT, TOO? 926 00:34:27,136 --> 00:34:29,368 IS NOTHING SACRED? NOT MUCH. 927 00:34:29,368 --> 00:34:31,400 YES, WELL, IN ANY EVENT, I'M NOT ALLOWED TO DISCUSS IT. 928 00:34:31,400 --> 00:34:33,502 OH, PLEASE. WHEN HAS THAT STOPPED YOU BEFORE? 929 00:34:33,502 --> 00:34:34,743 WELL, CLEARLY IT'S TIME 930 00:34:34,743 --> 00:34:36,775 I START SETTING SOME BOUNDARIES AROUND HERE. 931 00:34:36,775 --> 00:34:38,277 ALL RIGHT. 932 00:34:38,277 --> 00:34:39,748 I CAN TELL YOU THIS MUCH. 933 00:34:39,748 --> 00:34:41,410 I'M WORKING ON A CODE... UH-HUH. 934 00:34:41,410 --> 00:34:43,512 INVOLVING THESE THREE CHESS PIECES. 935 00:34:43,512 --> 00:34:46,285 THE ANSWER TO WHICH COULD AVERT A CATASTROPHE. 936 00:34:46,285 --> 00:34:48,787 TWO BISHOPS AND A PAWN. WHAT COULD IT MEAN? 937 00:34:48,787 --> 00:34:50,319 I DON'T KNOW. OHH. 938 00:34:50,319 --> 00:34:51,420 I'VE BEEN LOOKING UP CLASSIC STRATEGIES. 939 00:34:51,420 --> 00:34:52,791 I'VE LOOKED UP FAMOUS CHESS MATCHES 940 00:34:52,791 --> 00:34:55,164 WITH FISCHER, KARPOV, KASPAROV, 941 00:34:55,164 --> 00:34:57,766 BUT THIS PATTERN NEVER OCCURS. 942 00:34:57,766 --> 00:35:00,399 MAYBE THE PIECES HAVE NOTHING TO DO WITH THE CHESS GAME. 943 00:35:00,399 --> 00:35:04,233 MAYBE THE PIECES REPRESENT SOMETHING ELSE... 944 00:35:04,233 --> 00:35:06,235 ENTIRELY. 945 00:35:06,235 --> 00:35:08,407 HMM? 946 00:35:16,885 --> 00:35:19,518 YO, BECKETT. 947 00:35:19,518 --> 00:35:21,320 NOTHING ON GAGE, BUT REMEMBER YOU ASKED ME 948 00:35:21,320 --> 00:35:23,152 TO LOOK FOR A LINK BETWEEN TRACY McGRATH 949 00:35:23,152 --> 00:35:24,523 AND SOME GUY NAMED NELSON BLAKELY? 950 00:35:24,523 --> 00:35:25,694 YEAH. 951 00:35:25,694 --> 00:35:27,496 I FOUND ONE FROM TEN YEARS AGO. 952 00:35:27,496 --> 00:35:29,498 TRACY AND A BUNCH OF HER GRAD STUDENT FRIENDS 953 00:35:29,498 --> 00:35:31,200 WENT ON A WHITE-WATER RAFTING TRIP 954 00:35:31,200 --> 00:35:32,501 WITH A DR. BLAKELY, 955 00:35:32,501 --> 00:35:34,903 THEIR PROFESSOR, ALTHOUGH IT WASN'T A GOOD TIME FOR HIM. 956 00:35:34,903 --> 00:35:37,736 HE DROWNED DURING THE TRIP. 957 00:35:37,736 --> 00:35:39,608 SO HE FAKED HIS DEATH 958 00:35:39,608 --> 00:35:41,640 AND TRACY WAS IN ON IT. 959 00:35:41,640 --> 00:35:43,642 WHO FAKED HIS DEATH-- BLAKELY? 960 00:35:43,642 --> 00:35:45,544 UH... I'M SORRY. 961 00:35:45,544 --> 00:35:48,447 I CAN'T TELL YOU. 962 00:35:48,447 --> 00:35:51,520 YOU KNOW, A MAN CAN ONLY TAKE SO MUCH. 963 00:35:54,583 --> 00:35:55,724 HEY. 964 00:35:55,724 --> 00:35:57,926 HEY. WHAT ARE YOU DOING HERE? I FOUND SOMETHING. 965 00:35:57,926 --> 00:35:59,458 IT'S ABOUT BLAKELY. 966 00:35:59,458 --> 00:36:01,730 WELL, SHOULDN'T YOU TELL SOPHIA ABOUT IT? 967 00:36:01,730 --> 00:36:03,532 SHE ISN'T MY PARTNER. 968 00:36:03,532 --> 00:36:04,693 YOU ARE. 969 00:36:08,337 --> 00:36:09,538 MAY I? 970 00:36:14,603 --> 00:36:15,744 ALL RIGHT. 971 00:36:15,744 --> 00:36:19,378 BISHOP, BISHOP, PAWN. 972 00:36:19,378 --> 00:36:21,610 WE KNOW BLAKELY WAS A WORLD-CLASS CHESS PLAYER. 973 00:36:21,610 --> 00:36:23,612 TRACY McGRATH PLAYED, TOO. SHE HAD A GAME TIMER. 974 00:36:23,612 --> 00:36:26,485 YET, THIS PLACEMENT MAKES NO TACTICAL SENSE. 975 00:36:26,485 --> 00:36:27,956 I'M GUESSING YOU GOT A THEORY? 976 00:36:27,956 --> 00:36:29,958 I DON'T THINK THE PIECES HAVE ANYTHING TO DO WITH THE GAME. 977 00:36:29,958 --> 00:36:33,292 I THINK BLAKELY WAS LEAVING TRACY A CODED MESSAGE, 978 00:36:33,292 --> 00:36:35,324 TELLING HER WHERE TO MEET HIM. 979 00:36:35,324 --> 00:36:36,595 MAYBE EVEN A PLACE WHERE THEY PLAY CHESS. 980 00:36:36,595 --> 00:36:39,768 OKAY, WELL, UH, PEOPLE PLAY CHESS IN PARKS. 981 00:36:39,768 --> 00:36:42,801 UH, CENTRAL PARK, WASHINGTON SQUARE PARK-- 982 00:36:42,801 --> 00:36:44,503 THOSE WOULD BE GREAT PLACES TO MEET UP WITH SOMEONE 983 00:36:44,503 --> 00:36:45,674 WITHOUT DRAWING ATTENTION. 984 00:36:45,674 --> 00:36:46,805 EXACTLY. 985 00:36:46,805 --> 00:36:48,677 NOW WHAT IF EACH PIECE 986 00:36:48,677 --> 00:36:51,410 STOOD FOR THE FIRST LETTER OF A WORD? 987 00:36:51,410 --> 00:36:52,611 BISHOP FOR "B," PAWN FOR "P"? 988 00:36:52,611 --> 00:36:54,283 OKAY, "B" AND THEN SEVEN SPACES, 989 00:36:54,283 --> 00:36:56,645 THAT COULD BE... 990 00:36:56,645 --> 00:36:57,616 BROOKLYN. 991 00:36:57,616 --> 00:37:00,289 AND BLAKELY MADE HIS PHONE CALL FROM BROOKLYN. 992 00:37:00,289 --> 00:37:01,590 SO BROOKLYN-- B-B-P. 993 00:37:01,590 --> 00:37:03,752 UH, BROOKLYN... BRIDGE PARK? 994 00:37:03,752 --> 00:37:07,256 THAT MEETING IS AT 5:00. THAT'S IN HALF AN HOUR. 995 00:37:07,256 --> 00:37:10,259 IF BLAKELY SHOWS, WE CAN FIND OUT WHAT PANDORA IS 996 00:37:10,259 --> 00:37:12,631 AND WE CAN FIND GAGE. 997 00:37:12,631 --> 00:37:14,603 WHAT DO YOU SAY? 998 00:37:19,438 --> 00:37:20,609 (indistinct conversations) 999 00:37:20,609 --> 00:37:23,642 BLAKELY SHOULD'VE BEEN HERE BY NOW. 1000 00:37:23,642 --> 00:37:25,644 MAYBE HE KNOWS THAT TRACY'S DEAD 1001 00:37:25,644 --> 00:37:27,746 OR MAYBE GAGE ALREADY KILLED HIM. 1002 00:37:27,746 --> 00:37:30,649 I CHOOSE THE AUDACITY OF HOPE. 1003 00:37:30,649 --> 00:37:32,321 I SAY, HE'LL BE HERE. 1004 00:37:32,321 --> 00:37:34,723 WELL, THEN SHOULDN'T YOU CALL SOPHIA? 1005 00:37:34,723 --> 00:37:37,486 AND LOOK LIKE AN ASS IF I'M WRONG? 1006 00:37:37,486 --> 00:37:39,728 YOU KNOW, I HAVE TO ADMIT, I'M ACTUALLY KIND OF SURPRISED 1007 00:37:39,728 --> 00:37:41,590 THAT YOU'VE NEVER MENTIONED HER BEFORE. 1008 00:37:41,590 --> 00:37:43,332 I WASN'T ALLOWED TO. 1009 00:37:43,332 --> 00:37:44,833 SHE IS AN ACTIVE CIA AGENT. 1010 00:37:44,833 --> 00:37:46,395 I SEE. 1011 00:37:46,395 --> 00:37:47,896 LOOK, IF YOU WANT, 1012 00:37:47,896 --> 00:37:50,699 I WILL ANSWER ANY QUESTION YOU HAVE ABOUT HER-- 1013 00:37:50,699 --> 00:37:52,040 ANYTHING AT ALL. 1014 00:37:52,040 --> 00:37:53,702 NO. THANKS. 1015 00:37:53,702 --> 00:37:55,604 ARE YOU SURE? 1016 00:37:55,604 --> 00:37:57,546 YEAH, I MEAN, IT'S REALLY NONE OF MY BUSINESS. 1017 00:37:57,546 --> 00:37:59,878 OKAY. WELL, WE'RE DONE WITH IT THEN. 1018 00:37:59,878 --> 00:38:01,350 FINE. 1019 00:38:01,350 --> 00:38:04,683 (indistinct conversations continue) 1020 00:38:07,756 --> 00:38:09,718 SO... 1021 00:38:09,718 --> 00:38:11,590 HOW CLOSE WERE THE TWO OF YOU 1022 00:38:11,590 --> 00:38:13,291 EXACTLY? 1023 00:38:13,291 --> 00:38:14,923 (indistinct conversations continue) 1024 00:38:14,923 --> 00:38:16,365 THERE HE IS. 1025 00:38:16,365 --> 00:38:17,996 COME ON, CASTLE. YOU SAID I COULD ASK YOU ANYTHING. 1026 00:38:17,996 --> 00:38:20,469 NO, SERIOUSLY. THERE HE IS. 1027 00:38:22,701 --> 00:38:25,674 DR. BLAKELY. 1028 00:38:25,674 --> 00:38:28,807 I'M AFRAID YOU'VE MISTAKEN ME FOR SOMEONE ELSE. 1029 00:38:28,807 --> 00:38:30,779 NO, THERE IS NO MISTAKE. 1030 00:38:32,641 --> 00:38:34,383 HOW DID YOU FIND ME? 1031 00:38:34,383 --> 00:38:35,744 THROUGH TRACY. 1032 00:38:35,744 --> 00:38:37,686 SHE'S DEAD. 1033 00:38:37,686 --> 00:38:41,720 IF THEY GOT TO HER, THEY CAN GET TO ME. 1034 00:38:41,720 --> 00:38:43,792 WE NEED TO LEAVE HERE NOW. 1035 00:38:47,526 --> 00:38:49,798 I ALWAYS KNEW THIS DAY WOULD COME. 1036 00:38:49,798 --> 00:38:51,800 BUT TRACY... 1037 00:38:51,800 --> 00:38:54,032 DR. BLAKELY, WHAT'S GOING ON? 1038 00:38:54,032 --> 00:38:55,564 WHAT'S PANDORA? 1039 00:38:55,564 --> 00:38:57,936 I NEED YOU TO DRIVE ME TO PIER 32. 1040 00:38:57,936 --> 00:38:59,708 YOU'RE NOT IN A POSITION TO BARGAIN HERE. 1041 00:38:59,708 --> 00:39:01,710 I GOT IN THIS CAR VOLUNTARILY, AND I'LL GET RIGHT BACK OUT 1042 00:39:01,710 --> 00:39:04,843 IF YOU DON'T TAKE ME WHERE I WANT TO GO. 1043 00:39:04,843 --> 00:39:06,815 OKAY, WHAT'S AT PIER 32? 1044 00:39:06,815 --> 00:39:08,116 ONCE WE'RE THERE, 1045 00:39:08,116 --> 00:39:11,950 I'LL TELL YOU WHAT YOU WANT TO KNOW. 1046 00:39:11,950 --> 00:39:14,653 YOU WERE TOP OF YOUR FIELD, 1047 00:39:14,653 --> 00:39:17,386 A PROFESSOR, AN ADVISOR FOR THE CIA. 1048 00:39:17,386 --> 00:39:19,728 WHY FAKE YOUR OWN DEATH? 1049 00:39:19,728 --> 00:39:22,891 I BROUGHT DOWN NATIONS FOR THE AGENCY. 1050 00:39:22,891 --> 00:39:24,863 I PLAYED GOD, BUT... 1051 00:39:24,863 --> 00:39:27,466 MY LINCHPIN THEORY DIDN'T FACTOR IN 1052 00:39:27,466 --> 00:39:28,767 THE HUMAN COST. 1053 00:39:28,767 --> 00:39:30,969 I KNEW THEY'D NEVER LET ME LEAVE, SO I DIED 1054 00:39:30,969 --> 00:39:33,772 AND WAS REBORN. 1055 00:39:33,772 --> 00:39:35,744 AND THE ONLY ONE WHO KNEW WAS TRACY? 1056 00:39:35,744 --> 00:39:39,608 SHE WAS MY LIFELINE. SHE STEERED CONSULTING WORK MY WAY. 1057 00:39:39,608 --> 00:39:42,811 I HELPED REDUCE CHOLERA IN AFRICA. 1058 00:39:42,811 --> 00:39:46,154 I PREDICTED THAT A LONE ACT OF CIVIL DISOBEDIENCE 1059 00:39:46,154 --> 00:39:48,987 WOULD TRIGGER AN UPRISING AND REMAKE THE ARAB WORLD. 1060 00:39:48,987 --> 00:39:52,561 I-I DID GOOD THINGS. 1061 00:39:55,564 --> 00:39:56,865 WHO KILLED HER? 1062 00:39:58,727 --> 00:40:01,870 THE SAME MAN THAT'S TRYING TO PULL OFF PANDORA. 1063 00:40:01,870 --> 00:40:04,703 YOU MEAN, THEY'RE TRYING TO MAKE IT HAPPEN? 1064 00:40:04,703 --> 00:40:08,176 THIS IS EVEN WORSE THAN I THOUGHT. 1065 00:40:14,883 --> 00:40:16,044 (turns engine off) 1066 00:40:16,044 --> 00:40:17,415 ALL RIGHT, TALK. 1067 00:40:17,415 --> 00:40:18,847 I NEED TO GO INSIDE FIRST. 1068 00:40:18,847 --> 00:40:20,819 YOU'RE NOT GOING ANYWHERE UNTIL YOU TELL ME ABOUT PANDORA. 1069 00:40:20,819 --> 00:40:21,890 WHAT IS IT? 1070 00:40:23,922 --> 00:40:26,895 IT WAS THE NAME OF A WHITE PAPER THAT I WROTE. 1071 00:40:26,895 --> 00:40:28,026 FOR WHOM? 1072 00:40:28,026 --> 00:40:29,798 I WAS HIRED BY A THINK TANK 1073 00:40:29,798 --> 00:40:32,761 TO IDENTIFY WEAKNESSES IN U.S. SECURITY 1074 00:40:32,761 --> 00:40:36,505 SO THEY COULD BE SHORED UP, PROTECTED. 1075 00:40:36,505 --> 00:40:38,907 I FOUND AN ALARMING VULNERABILITY-- 1076 00:40:38,907 --> 00:40:42,741 A LINCHPIN THAT WAS TIED TO THE ECONOMY 1077 00:40:42,741 --> 00:40:44,573 THAT WOULD CAUSE CRISIS AND DEVASTATION 1078 00:40:44,573 --> 00:40:46,875 BEYOND ANYTHING WE'D EVER SEEN. 1079 00:40:46,875 --> 00:40:50,779 THE DOMINOS WOULD JUST NEVER STOP FALLING. 1080 00:40:50,779 --> 00:40:53,852 I ASKED TRACY TO FOLLOW UP WITH THE THINK TANK, 1081 00:40:53,852 --> 00:40:55,654 BUT THEY DON'T EXIST. 1082 00:40:55,654 --> 00:40:58,527 WHOEVER THEY ARE, I GAVE THEM THE BLUEPRINT 1083 00:40:58,527 --> 00:41:00,929 THAT WILL BRING ABOUT THE END OF OUR COUNTRY AS WE KNOW IT. 1084 00:41:02,731 --> 00:41:04,663 DR. BLAKELY, 1085 00:41:04,663 --> 00:41:06,965 WHAT IS THE LINCHPIN? 1086 00:41:09,037 --> 00:41:10,999 A FLOCK OF PIGEONS? 1087 00:41:13,041 --> 00:41:15,744 BLAKELY, THE LINCHPIN, WHAT IS IT? 1088 00:41:15,744 --> 00:41:17,846 PIGEONS DON'T FLY IN FLOCKS 1089 00:41:17,846 --> 00:41:19,508 UNLESS THEY'RE FLEEING A PREDATOR. 1090 00:41:19,508 --> 00:41:20,949 THEY'RE HERE. 1091 00:41:23,111 --> 00:41:25,654 WAIT. WAIT! WAIT! WAIT! 1092 00:41:25,654 --> 00:41:26,815 HEY! BLAKELY! 1093 00:41:26,815 --> 00:41:28,687 (gunshot) OHH! 1094 00:41:28,687 --> 00:41:30,488 (tires squealing) 1095 00:41:30,488 --> 00:41:31,690 OHH! 1096 00:41:31,690 --> 00:41:33,822 COME ON. COME ON! (squealing continues) 1097 00:41:33,822 --> 00:41:35,624 BECKETT! HOLD ON, CASTLE. 1098 00:41:35,624 --> 00:41:37,666 HOLD ON! BRAKE! BECKETT! 1099 00:41:37,666 --> 00:41:39,868 HOLD ON, CASTLE! AAH! 1100 00:41:39,868 --> 00:41:43,902 (splashes)