1 00:00:01,302 --> 00:00:04,575 ♪♪♪ 2 00:00:14,715 --> 00:00:16,247 (objects clatter) 3 00:00:30,301 --> 00:00:33,334 (clattering) 4 00:00:34,805 --> 00:00:37,808 (keys jangling) 5 00:00:54,655 --> 00:00:56,687 (rips) 6 00:01:00,661 --> 00:01:02,363 (rips) 7 00:01:09,170 --> 00:01:10,571 OH. 8 00:01:15,146 --> 00:01:18,149 (woman screaming) 9 00:01:20,481 --> 00:01:22,153 (Beckett) I'M TELLING YOU, SOMETHING HAPPENED, 10 00:01:22,153 --> 00:01:23,784 SOMETHING CHANGED. 11 00:01:23,784 --> 00:01:26,117 IT'S BEEN WEIRD BETWEEN US LATELY. 12 00:01:26,117 --> 00:01:27,388 LATELY? 13 00:01:27,388 --> 00:01:30,191 KATE, IT'S BEEN WEIRD FOR FOUR YEARS. 14 00:01:30,191 --> 00:01:32,323 NO, THIS IS DIFFERENT. 15 00:01:32,323 --> 00:01:34,565 HE'S DIFFERENT. IT'S LIKE HE'S PULLING AWAY. 16 00:01:34,565 --> 00:01:37,368 WELL, CAN YOU BLAME HIM? HE'S PROBABLY TIRED OF WAITING. 17 00:01:37,368 --> 00:01:39,170 WAITING FOR WHAT? 18 00:01:39,170 --> 00:01:40,671 WHAT DO YOU THINK? 19 00:01:40,671 --> 00:01:43,674 THE GUY IS CRAZY ABOUT YOU. 20 00:01:43,674 --> 00:01:47,538 AND DESPITE YOUR LITTLE ACT, YOU'RE CRAZY ABOUT HIM. 21 00:01:47,538 --> 00:01:49,710 OH, WHAT, WAS THAT SUPPOSED TO BE SOME BIG SECRET? 22 00:01:49,710 --> 00:01:51,212 YES. 23 00:01:53,544 --> 00:01:54,715 NO. 24 00:01:56,287 --> 00:01:57,888 DO YOU THINK HE KNOWS? 25 00:01:57,888 --> 00:01:59,720 YOU REMEMBER HOW HE USED TO BE, 26 00:01:59,720 --> 00:02:01,792 GIRL ON EITHER ARM? 27 00:02:01,792 --> 00:02:03,694 YOU REALLY DON'T SEE THAT GUY TOO MUCH ANYMORE. 28 00:02:03,694 --> 00:02:07,528 WHY DO YOU THINK THAT IS? 29 00:02:07,528 --> 00:02:09,560 HE'S WAITING FOR YOU. 30 00:02:14,205 --> 00:02:16,136 YEAH, BUT, LANIE-- 31 00:02:16,136 --> 00:02:17,438 I KNOW. YOU'RE DEALING WITH STUFF. 32 00:02:17,438 --> 00:02:22,142 BUT YOU CANNOT ASK HIM TO WAIT FOREVER. 33 00:02:22,142 --> 00:02:24,715 UNLESS, OF COURSE, YOU'RE OKAY WITH HIM PULLING AWAY. 34 00:02:24,715 --> 00:02:25,876 WHAT IF IT DOESN'T WORK? 35 00:02:25,876 --> 00:02:27,518 WHAT IF IT ENDS UP LIKE YOU AND JAVI? 36 00:02:27,518 --> 00:02:29,180 WELL, AT LEAST WE GAVE IT A SHOT. 37 00:02:29,180 --> 00:02:31,622 AND SO IT DIDN'T WORK OUT. SO WHAT? 38 00:02:31,622 --> 00:02:34,625 NOW WE CAN MOVE ON, GIVE OR TAKE THE OCCASIONAL BOOTY CALL. 39 00:02:34,625 --> 00:02:37,828 I JUST--I DON'T WANT TO LOSE WHAT WE HAVE, YOU KNOW? 40 00:02:37,828 --> 00:02:39,830 GIRL, PLEASE. 41 00:02:39,830 --> 00:02:42,563 WHAT EXACTLY DO YOU HAVE, REALLY? 42 00:02:43,894 --> 00:02:45,896 A FRIENDSHIP. 43 00:02:45,896 --> 00:02:49,440 NO. WHAT YOU AND I HAVE IS A FRIENDSHIP. 44 00:02:49,440 --> 00:02:52,243 WHAT YOU AND CASTLE HAVE IS A HOLDING PATTERN. 45 00:02:52,243 --> 00:02:55,506 HOW LONG CAN YOU CIRCLE BEFORE THE FUEL RUNS OUT? 46 00:02:57,608 --> 00:02:59,750 (cell phone rings) 47 00:02:59,750 --> 00:03:01,882 (beeps) 48 00:03:01,882 --> 00:03:03,254 BECKETT. 49 00:03:05,185 --> 00:03:07,488 DON'T THINK YOU WERE SAVED BY THE BELL, KATE BECKETT. 50 00:03:07,488 --> 00:03:09,520 AS YOUR FRIEND, I'M NOT GONNA LET THIS DROP. 51 00:03:09,520 --> 00:03:11,362 SO WHAT, YOU THINK I SHOULD TELL HIM HOW I FEEL? 52 00:03:11,362 --> 00:03:12,563 YES. 53 00:03:12,563 --> 00:03:14,925 YOU HUNT MURDERERS FOR A LIVING. YOU CAN DO THIS. 54 00:03:14,925 --> 00:03:16,367 OKAY. OKAY. 55 00:03:16,367 --> 00:03:18,869 I JUST--I-I HAVE TO FIND THE RIGHT TIME. 56 00:03:18,869 --> 00:03:20,331 NO TIME LIKE THE PRESENT. 57 00:03:20,331 --> 00:03:23,374 (horn honks, tires squeal) 58 00:03:23,374 --> 00:03:24,435 WHAT THE... 59 00:03:24,435 --> 00:03:26,437 (people speaking indistinctly) 60 00:03:26,437 --> 00:03:27,638 ON SECOND THOUGHT, 61 00:03:27,638 --> 00:03:28,979 MAYBE YOU SHOULD WAIT A BIT. 62 00:03:28,979 --> 00:03:32,413 WHAT'S THAT? RYAN'S CALLING. I GOTTA GO. 63 00:03:32,413 --> 00:03:34,415 (people continue speaking indistinctly) 64 00:03:34,415 --> 00:03:35,786 (giggles) 65 00:03:35,786 --> 00:03:38,249 (siren whoops) 66 00:03:38,249 --> 00:03:39,720 I'LL CALL YOU IN ABOUT AN HOUR. 67 00:03:39,720 --> 00:03:41,352 (door closes, woman giggles) 68 00:03:41,352 --> 00:03:44,995 (tires squeal) 69 00:03:44,995 --> 00:03:46,327 HEY THERE. 70 00:03:46,327 --> 00:03:49,229 I FEEL LIKE I JUST WALKED INTO A BAD EPISODE OF "MIAMI VICE." 71 00:03:49,229 --> 00:03:52,403 OKAY, FIRST, THERE ARE NO BAD EPISODES OF "MIAMI VICE." 72 00:03:52,403 --> 00:03:53,364 SECOND, WHO DIED? 73 00:03:53,364 --> 00:03:54,705 YOU FROM THE LOOKS OF IT. 74 00:03:54,705 --> 00:03:56,867 YOU LOOK LIKE YOU JUST GOT RUN OVER BY A TRUCK. 75 00:03:56,867 --> 00:03:58,238 (chuckles) YEAH, 76 00:03:58,238 --> 00:03:59,540 A TRUCK DELIVERING A SHIPMENT OF AWESOME. 77 00:03:59,540 --> 00:04:01,272 NO, I JUST FLEW INTO VEGAS FOR THE WEEKEND. 78 00:04:01,272 --> 00:04:02,673 JUST NEEDED A LITTLE CHANGE OF SCENERY. 79 00:04:02,673 --> 00:04:04,315 AND YOU WON THE BLONDE IN A HIGH-STAKES POKER MATCH? 80 00:04:04,315 --> 00:04:06,717 NO, I MET HER ON THE FLIGHT BACK. 81 00:04:06,717 --> 00:04:08,549 AND YOU JUST GAVE HER YOUR CAR? 82 00:04:08,549 --> 00:04:10,321 JACINDA HAPPENS TO BE A VERY TRUSTWORTHY PERSON. 83 00:04:10,321 --> 00:04:11,852 SHE'S A FIRST-CLASS FLIGHT ATTENDANT. 84 00:04:11,852 --> 00:04:13,784 IT'S NOT LIKE I GAVE HER MY SOCIAL SECURITY NUMBER. 85 00:04:13,784 --> 00:04:15,025 CASTLE... 86 00:04:15,025 --> 00:04:17,288 IS EVERYTHING OKAY? 87 00:04:17,288 --> 00:04:19,259 NEVER BETTER. 88 00:04:19,259 --> 00:04:22,262 (people continue speaking indistinctly) 89 00:04:22,262 --> 00:04:26,467 (siren wailing) 90 00:04:26,467 --> 00:04:28,799 (camera shutter clicking) (Esposito) OUR VICTIM'S NAOMI ALLEN, AGE 25. 91 00:04:28,799 --> 00:04:31,402 HER GREEN CARD INDICATES THAT SHE'S A BRITISH NATIONAL. 92 00:04:31,402 --> 00:04:32,903 RYAN IS NOTIFYING THE CONSULATE. 93 00:04:32,903 --> 00:04:34,405 HER ADDRESS IS IN SoHo. 94 00:04:34,405 --> 00:04:35,806 WHAT WAS SHE DOING ALL THE WAY DOWN HERE? 95 00:04:35,806 --> 00:04:37,478 DON'T KNOW, BUT SHE CHECKED IN 96 00:04:37,478 --> 00:04:38,979 TWO HOURS BEFORE SHE WAS KILLED. 97 00:04:38,979 --> 00:04:40,811 I HOPE THEY PRORATED THE ROOM. 98 00:04:40,811 --> 00:04:43,354 GOOD NEWS IS, WE HAVE A WITNESS. 99 00:04:43,354 --> 00:04:45,486 THE MAID WHO DISCOVERED THE BODY SAW A GUY RUN OUT. 100 00:04:45,486 --> 00:04:46,687 DID THE MAID GET A GOOD LOOK? 101 00:04:46,687 --> 00:04:48,319 SHE'S WITH THE SKETCH ARTIST NOW. 102 00:04:48,319 --> 00:04:49,890 WELL, WHOEVER HE IS, HE WAS LOOKING FOR SOMETHING. 103 00:04:49,890 --> 00:04:51,291 THIS PLACE HAS BEEN SEARCHED. 104 00:04:51,291 --> 00:04:53,324 THE ONE THING WE DO KNOW IS THAT SHE WAS NOT ROBBED. 105 00:04:53,324 --> 00:04:55,295 HER WALLET, WATCH, AND CASH WERE UNTOUCHED. 106 00:04:55,295 --> 00:04:57,398 HEY, LANIE, HOW DOES IT LOOK? 107 00:04:57,398 --> 00:04:58,969 LIKE YOU WAITED TOO LONG. 108 00:04:58,969 --> 00:05:00,471 THE VIC. 109 00:05:00,471 --> 00:05:02,733 SHE WAS STRANGLED BUT SHE WENT DOWN WITH A FIGHT. 110 00:05:02,733 --> 00:05:04,835 PRELIM SUGGESTS A SIGN OF A STRUGGLE. 111 00:05:04,835 --> 00:05:06,777 SHE TOOK ONE TO THE FACE. 112 00:05:06,777 --> 00:05:09,440 A WELL-DRESSED, ATTRACTIVE WOMAN 113 00:05:09,440 --> 00:05:10,681 IN A SEEDY MOTEL 114 00:05:10,681 --> 00:05:12,513 AND A GUY WHO FLEES THE CRIME SCENE-- 115 00:05:12,513 --> 00:05:15,386 THIS MIGHT HAVE BEEN A ONE-NIGHT STAND GONE WRONG. 116 00:05:15,386 --> 00:05:17,718 ARE WE TALKING ABOUT THE VICTIM OR CASTLE? 117 00:05:17,718 --> 00:05:19,550 HEY, ESPO. 118 00:05:19,550 --> 00:05:20,891 YEAH. 119 00:05:20,891 --> 00:05:22,453 CAN YOU CONTACT THE NEXT OF KIN 120 00:05:22,453 --> 00:05:24,324 AND CANVASS THE AREA ONCE THE SKETCH IS DONE? 121 00:05:24,324 --> 00:05:25,496 YEAH, NO PROBLEM. 122 00:05:25,496 --> 00:05:26,427 (Ryan) HEY, BECKETT. 123 00:05:26,427 --> 00:05:27,698 FOUND THE VIC'S BUSINESS CARD 124 00:05:27,698 --> 00:05:29,029 IN THE SIDE POCKET OF HER PURSE. 125 00:05:29,029 --> 00:05:31,602 LOOKS LIKE SHE WORKS IN MANHATTAN. 126 00:05:31,602 --> 00:05:32,763 (siren wailing) 127 00:05:32,763 --> 00:05:35,366 "NAOMI ALLEN, KITTMAN GROUP." 128 00:05:35,366 --> 00:05:36,807 (people speak indistinctly) 129 00:05:36,807 --> 00:05:39,470 YES, I WAS HER U.S. BOOKING AGENT. 130 00:05:39,470 --> 00:05:42,773 NAOMI WAS ONE OF OUR TOP MODELS. 131 00:05:42,773 --> 00:05:44,775 SO SHE WAS IN THE CITY FOR WORK? 132 00:05:44,775 --> 00:05:48,379 SHE SPLIT HER TIME BETWEEN HERE AND LONDON. 133 00:05:48,379 --> 00:05:49,880 THE GOOD ONES USUALLY END UP 134 00:05:49,880 --> 00:05:52,052 SPENDING AT LEAST HALF THE YEAR IN NEW YORK. 135 00:05:52,052 --> 00:05:53,384 NOW DO YOU HAVE ANY IDEA 136 00:05:53,384 --> 00:05:55,355 WHY SHE WAS AT THE ALEXANDRIA MOTEL LAST NIGHT? 137 00:05:55,355 --> 00:05:58,429 UH, NO. I'VE NEVER EVEN HEARD OF IT. 138 00:05:58,429 --> 00:06:02,493 IT'S ONE OF THOSE, UM, PAY-BY-THE-HOUR PLACES. 139 00:06:04,064 --> 00:06:07,798 DO YOU RECOGNIZE THIS MAN? 140 00:06:11,742 --> 00:06:13,574 NO. NO, I DON'T. 141 00:06:13,574 --> 00:06:16,677 BUT YOU DO HAVE AN IDEA OF WHO HE MIGHT BE. 142 00:06:16,677 --> 00:06:18,378 IT'S JUST... 143 00:06:18,378 --> 00:06:20,050 LATELY, 144 00:06:20,050 --> 00:06:23,454 NAOMI WAS MAKING SOME CHOICES. 145 00:06:23,454 --> 00:06:24,485 WHAT KIND OF CHOICES? 146 00:06:24,485 --> 00:06:26,487 WELL, SHE SEEMED TO HAVE LOST INTEREST 147 00:06:26,487 --> 00:06:28,519 IN STANDARD MODELING JOBS. 148 00:06:28,519 --> 00:06:30,661 RECENTLY, SHE HAD BEEN BOOKING MORE, UH, 149 00:06:30,661 --> 00:06:33,524 UNCONVENTIONAL GIGS. 150 00:06:33,524 --> 00:06:34,625 LIKE WHAT? 151 00:06:34,625 --> 00:06:36,867 WELL, I HEARD THE LONDON OFFICE BOOKED HER TO ATTEND 152 00:06:36,867 --> 00:06:39,770 THE BIRTHDAY PARTY OF SOME FOREIGN DIGNITARY 153 00:06:39,770 --> 00:06:41,472 A FEW MONTHS AGO. 154 00:06:41,472 --> 00:06:43,474 SHE WAS HIRED TO GO TO A PARTY? 155 00:06:43,474 --> 00:06:46,176 IT'S COMMON FOR MODELS TO GET HIRED TO PRETTY-UP AN EVENT. 156 00:06:46,176 --> 00:06:48,679 SOME GIRLS DO IT TO PICK UP EXTRA CASH. 157 00:06:48,679 --> 00:06:51,812 AND OTHER GIRLS DO IT AS A WAY OF CONNECTING 158 00:06:51,812 --> 00:06:53,684 WITH WEALTHY MEN. 159 00:06:53,684 --> 00:06:55,185 UH, WAIT. ARE YOU SAYING 160 00:06:55,185 --> 00:06:57,718 THAT NAOMI WAS HIRING HERSELF OUT AS AN ESCORT? 161 00:06:57,718 --> 00:06:59,650 YOU JUST DON'T SEE GIRLS AS GOOD AS NAOMI 162 00:06:59,650 --> 00:07:01,421 TAKING THESE PARTY JOBS. 163 00:07:01,421 --> 00:07:03,624 NOT UNLESS THERE'S A BIGGER PAYOUT INVOLVED SOMEWHERE. 164 00:07:03,624 --> 00:07:05,496 DO YOU KNOW IF SHE TOOK ON 165 00:07:05,496 --> 00:07:07,027 ANY OF THESE KINDS OF GIGS RECENTLY? 166 00:07:07,027 --> 00:07:09,159 IT'S NOT REALLY WHAT WE DO. 167 00:07:09,159 --> 00:07:10,531 OH. 168 00:07:10,531 --> 00:07:11,862 SHE DID WANT ME TO TRY 169 00:07:11,862 --> 00:07:13,203 TO GET HER INTO AN EVENT LAST NIGHT, THOUGH, 170 00:07:13,203 --> 00:07:15,666 UH, AN ALBUM LAUNCH PARTY IN MIDTOWN. 171 00:07:15,666 --> 00:07:17,608 BUT I DIDN'T HAVE ANY CONNECTIONS TO IT. 172 00:07:17,608 --> 00:07:19,540 LAST NIGHT? 173 00:07:19,540 --> 00:07:20,741 YEAH. 174 00:07:20,741 --> 00:07:21,912 ARE YOU THINKING WHAT I'M THINKING? 175 00:07:21,912 --> 00:07:23,073 YEAH, THAT WE SHOULD THROW A PARTY 176 00:07:23,073 --> 00:07:24,575 AND HIRE A BUNCH OF MODELS. 177 00:07:24,575 --> 00:07:25,876 NO. 178 00:07:25,876 --> 00:07:27,578 (folder thuds) 179 00:07:27,578 --> 00:07:29,880 THAT MAYBE NAOMI SOMEHOW GOT INTO THAT PARTY LAST NIGHT 180 00:07:29,880 --> 00:07:31,221 AND THAT THAT'S WHERE SHE MET HER KILLER. 181 00:07:31,221 --> 00:07:32,753 THAT'S WHAT I WAS THINKING. 182 00:07:32,753 --> 00:07:35,556 WEIRD. WE'RE USUALLY MORE IN SYNC THAN THAT. 183 00:07:35,556 --> 00:07:37,057 HEY, RYAN. 184 00:07:37,057 --> 00:07:38,589 DID YOU FIND ANYTHING AT NAOMI'S APARTMENT? 185 00:07:38,589 --> 00:07:40,591 NO, BUT SOMEONE ELSE MIGHT HAVE. IT'S BEEN TOSSED. 186 00:07:40,591 --> 00:07:42,032 NOT ONLY THAT, BUT A NEIGHBOR SAID 187 00:07:42,032 --> 00:07:43,534 THEY SAW A MAN LEAVING THE APARTMENT 188 00:07:43,534 --> 00:07:44,695 LATE LAST NIGHT. 189 00:07:44,695 --> 00:07:46,466 THE NEIGHBOR I.D.'ed HIM OFF THE SKETCH. 190 00:07:46,466 --> 00:07:47,868 IT'S THE SAME GUY WHO FLED THE MURDER SCENE. 191 00:07:47,868 --> 00:07:49,570 HE COULDN'T FIND WHAT HE WAS LOOKING FOR 192 00:07:49,570 --> 00:07:51,772 IN THE MOTEL SO HE SEARCHED HER PLACE. 193 00:07:51,772 --> 00:07:53,644 YEAH, BUT THIS TIME, HE LEFT A FOOTPRINT. 194 00:07:53,644 --> 00:07:54,905 MEANING? 195 00:07:54,905 --> 00:07:56,607 WELL, UNIs CANVASSED AROUND THE APARTMENT WITH THE SKETCH. 196 00:07:56,607 --> 00:07:59,179 HE BOUGHT A BOTTLE OF SINGLE MALT WITH A CREDIT CARD 197 00:07:59,179 --> 00:08:00,751 A COUPLE OF BLOCKS AWAY. 198 00:08:00,751 --> 00:08:02,883 COLIN HUNT. WHAT DO WE HAVE ON HIM? 199 00:08:02,883 --> 00:08:05,556 NOTHING IN THE SYSTEM, BUT I RAN A TRACE ON THE CREDIT CARD. 200 00:08:05,556 --> 00:08:07,157 HE CHECKED INTO THE MONDRIAN SoHo THIS MORNING. 201 00:08:10,591 --> 00:08:13,223 HERE. 202 00:08:13,223 --> 00:08:14,625 (lock clicks and beeps) 203 00:08:14,625 --> 00:08:16,026 (latch clicks) 204 00:08:20,601 --> 00:08:22,272 NYPD. SHOW ME YOUR HANDS. 205 00:08:22,272 --> 00:08:24,104 (British accent) YOU'RE MAKING A MISTAKE. 206 00:08:24,104 --> 00:08:25,776 YEAH, LIKE I HAVEN'T HEARD THAT BEFORE. 207 00:08:25,776 --> 00:08:28,679 HANDS IN THE AIR NOW. 208 00:08:28,679 --> 00:08:31,211 IF YOU INSIST. 209 00:08:31,211 --> 00:08:33,213 WHOA. DUDE. 210 00:08:33,213 --> 00:08:34,514 WHOA. 211 00:08:34,514 --> 00:08:36,086 ALLOW ME TO INTRODUCE MYSELF. 212 00:08:36,086 --> 00:08:45,926 DETECTIVE INSPECTOR COLIN HUNT, SCOTLAND YARD. 213 00:08:50,000 --> 00:08:51,962 YOU'RE A LONG WAY FROM HOME, DETECTIVE INSPECTOR HUNT. 214 00:08:51,962 --> 00:08:54,264 HOW DID YOU END UP IN THAT DEAD GIRL'S MOTEL ROOM ? 215 00:08:54,264 --> 00:08:56,166 I WAS AT A SEMINAR IN D.C. LAST NIGHT 216 00:08:56,166 --> 00:08:57,908 WHEN NAOMI CALLED ME, PANICKED. 217 00:08:57,908 --> 00:09:00,110 SHE SAID SHE WAS IN TROUBLE AND NEEDED MY HELP. 218 00:09:00,110 --> 00:09:01,812 SO YOU KNEW HER? 219 00:09:01,812 --> 00:09:03,113 NAOMI WAS LIKE A SISTER TO ME. 220 00:09:03,113 --> 00:09:05,846 HER DAD TERENCE WAS MY FIRST PARTNER ON THE JOB. 221 00:09:05,846 --> 00:09:07,978 WHEN HE PASSED AWAY, 222 00:09:07,978 --> 00:09:10,681 I PROMISED HER FAMILY THAT I'D LOOK AFTER HER. 223 00:09:10,681 --> 00:09:12,953 AFTER SHE CALLED ME, I GRABBED THE NEXT FLIGHT, 224 00:09:12,953 --> 00:09:15,155 BUT BY THE TIME I ARRIVED, IT WAS TOO LATE. 225 00:09:15,155 --> 00:09:18,258 AND YOUR FIRST INSTINCT WAS TO FLEE THE CRIME SCENE? 226 00:09:18,258 --> 00:09:21,832 I DIDN'T FLEE. I LEFT. 227 00:09:21,832 --> 00:09:23,163 SHE WAS DEAD. 228 00:09:23,163 --> 00:09:25,565 THERE WAS NOTHING ELSE TO DO. 229 00:09:25,565 --> 00:09:27,197 YEAH, EXCEPT MAYBE TO HANG AROUND 230 00:09:27,197 --> 00:09:28,939 AND GIVE THE POLICE A STATEMENT. 231 00:09:28,939 --> 00:09:30,741 YOU AND I BOTH KNOW THAT IF I STUCK AROUND, 232 00:09:30,741 --> 00:09:32,202 IT'D BE HOURS OF QUESTIONING, AND THEN YOU'D SEND ME OFF 233 00:09:32,202 --> 00:09:34,044 WITH A "CHEERS, WE'LL KEEP YOU POSTED." 234 00:09:34,044 --> 00:09:36,847 BUT I SUPPOSE YOU HAD SOMETHING MORE IMPORTANT TO DO. 235 00:09:36,847 --> 00:09:38,148 THE ROOM HAD BEEN SEARCHED. 236 00:09:38,148 --> 00:09:39,750 WHOEVER KILLED HER WAS LOOKING FOR SOMETHING. 237 00:09:39,750 --> 00:09:41,712 I THOUGHT THEY MIGHT TRY HER APARTMENT NEXT. 238 00:09:41,712 --> 00:09:43,583 BY THE TIME I GOT THERE, IT HAD ALREADY BEEN TOSSED. 239 00:09:43,583 --> 00:09:45,786 LOOK, I KNOW I SHOULDN'T HAVE BEEN INVESTIGATING, 240 00:09:45,786 --> 00:09:47,658 BUT IF YOU WERE IN A FOREIGN COUNTRY 241 00:09:47,658 --> 00:09:50,090 AND SOMEONE YOU LOVED WAS KILLED, WHAT WOULD YOU DO? 242 00:09:52,062 --> 00:09:53,864 WHAT WERE THEY LOOKING FOR? 243 00:09:53,864 --> 00:09:55,866 WHEN HE WAS ON A JOB, NAOMI'S DAD USED TO STASH A GUN 244 00:09:55,866 --> 00:09:57,597 IN THE LINING OF HIS KEVLAR. 245 00:09:57,597 --> 00:09:58,869 WHEN NAOMI STARTED MODELING AS A TEENAGER, 246 00:09:58,869 --> 00:10:00,130 HE DIDN'T WANT HER ON THE UNDERGROUND 247 00:10:00,130 --> 00:10:01,301 WITHOUT ANY PROTECTION, 248 00:10:01,301 --> 00:10:02,833 SO HE TAUGHT HER TO CUT A TINY PIECE 249 00:10:02,833 --> 00:10:04,935 OF THE LINING IN HER JACKET TO STASH PEPPER SPRAY. 250 00:10:04,935 --> 00:10:06,907 THAT'S WHERE I FOUND IT. 251 00:10:06,907 --> 00:10:08,038 YOU FOUND WHAT? 252 00:10:08,038 --> 00:10:10,210 A MESSAGE TO ME 253 00:10:10,210 --> 00:10:11,842 ABOUT HER KILLER. 254 00:10:11,842 --> 00:10:13,784 WHAT KIND OF MESSAGE? 255 00:10:15,816 --> 00:10:18,719 NOT UNTIL I'M ON THE CASE. 256 00:10:18,719 --> 00:10:19,890 EXCUSE ME? 257 00:10:19,890 --> 00:10:21,792 DETECTIVE, PLEASE, 258 00:10:21,792 --> 00:10:23,754 I OWE THIS TO NAOMI. 259 00:10:23,754 --> 00:10:25,055 I OWE IT TO HER FAMILY. 260 00:10:25,055 --> 00:10:27,227 YOU DO REALIZE THAT I COULD ARREST YOU 261 00:10:27,227 --> 00:10:29,359 FOR WITHHOLDING EVIDENCE? 262 00:10:29,359 --> 00:10:30,901 AND SINCE YOU DON'T KNOW WHAT THAT EVIDENCE IS, 263 00:10:30,901 --> 00:10:32,202 I COULD DENY IT. 264 00:10:32,202 --> 00:10:35,936 AND NONE OF THAT WILL GET US ANY CLOSER TO CATCHING HER KILLER. 265 00:10:35,936 --> 00:10:37,768 LET ME WORK THIS CASE WITH YOU, 266 00:10:37,768 --> 00:10:39,910 BECAUSE IF YOU DON'T, I SWEAR, 267 00:10:39,910 --> 00:10:43,814 I WILL GO OUT THERE AND CATCH THE BASTARD ON MY OWN. 268 00:10:43,814 --> 00:10:45,215 OKAY. 269 00:10:46,376 --> 00:10:48,849 BUT I HAVE TO CHECK IN WITH MY CAPTAIN FIRST. 270 00:10:48,849 --> 00:10:50,881 (object thuds) 271 00:10:52,953 --> 00:10:55,826 WHAT'S SHE LIKE, YOUR CAPTAIN? 272 00:10:55,826 --> 00:10:57,357 YOU EVER SEE THAT YouTube video 273 00:10:57,357 --> 00:10:59,359 OF THE GRIZZLY BEAR THAT DECAPITATES A MOOSE 274 00:10:59,359 --> 00:11:01,091 WITH ONE SWIPE OF ITS PAW? 275 00:11:01,091 --> 00:11:02,933 COMFORTING. 276 00:11:02,933 --> 00:11:04,364 IT'S NOTHING PERSONAL. 277 00:11:04,364 --> 00:11:06,366 SHE JUST DOESN'T LIKE OUTSIDERS IN HER PRECINCT. 278 00:11:06,366 --> 00:11:09,339 I DON'T NEED HER TO LIKE IT. I JUST NEED HER TO ALLOW IT. 279 00:11:09,339 --> 00:11:11,842 THIS WHOLE THING WITH NAOMI DOESN'T ADD UP. 280 00:11:11,842 --> 00:11:13,844 TURNING DOWN CONVENTIONAL MODELING JOBS, 281 00:11:13,844 --> 00:11:15,675 BOOKING SLEAZY GIGS AT PRIVATE PARTIES-- 282 00:11:15,675 --> 00:11:17,878 THAT JUST DOESN'T SOUND LIKE THE NAOMI I KNOW. 283 00:11:17,878 --> 00:11:19,910 YEAH, WELL, SOMETIMES IT'S THE PEOPLE WE THINK WE KNOW BEST 284 00:11:19,910 --> 00:11:21,812 THAT WE DON'T REALLY KNOW AT ALL. 285 00:11:21,812 --> 00:11:24,915 (Gates speaks inaudibly) 286 00:11:24,915 --> 00:11:27,918 (people speaking indistinctly) 287 00:11:29,389 --> 00:11:30,861 (door closes) 288 00:11:30,861 --> 00:11:32,022 WELL... 289 00:11:32,022 --> 00:11:33,323 YOU'RE IN. 290 00:11:33,323 --> 00:11:34,865 THANK YOU. 291 00:11:34,865 --> 00:11:35,996 WHAT? 292 00:11:35,996 --> 00:11:37,297 SERIOUSLY? 293 00:11:37,297 --> 00:11:38,829 YEAH, YOUR SUPERVISOR AT SCOTLAND YARD 294 00:11:38,829 --> 00:11:39,970 SAID YOU'RE ONE OF THE BEST. 295 00:11:39,970 --> 00:11:42,702 EVEN CAPTAIN GATES WAS IMPRESSED WITH YOUR RECORD. 296 00:11:42,702 --> 00:11:44,905 WELL, I GUESS IT'S NOT OUTSIDERS SHE DOESN'T LIKE. 297 00:11:44,905 --> 00:11:46,336 IT'S JUST ME. 298 00:11:46,336 --> 00:11:49,309 LOOK, WE HAD A DEAL. WHAT DID NAOMI GIVE YOU? 299 00:11:49,309 --> 00:11:51,411 THIS. 300 00:11:51,411 --> 00:11:53,143 A KEY? 301 00:11:53,143 --> 00:11:54,314 YOU SAID SHE LEFT A MESSAGE. 302 00:11:54,314 --> 00:11:55,415 THIS IS THE MESSAGE. 303 00:11:55,415 --> 00:11:56,887 SHE PUT IT IN THERE FOR ME TO FIND. 304 00:11:56,887 --> 00:11:58,789 I GUARANTEE, IT HAS SOMETHING TO DO WITH HER DEATH. 305 00:11:58,789 --> 00:11:59,920 THIS LOOKS COMMERCIAL. 306 00:11:59,920 --> 00:12:01,922 IT'S AN ARCO-RIFKIN 11-30-R, 307 00:12:01,922 --> 00:12:03,053 MOSTLY USED FOR LOCKERS LIKE THOSE FOUND AT TRAIN STATIONS 308 00:12:03,053 --> 00:12:04,394 OR HEALTH CLUBS. 309 00:12:04,394 --> 00:12:06,757 ALL RIGHT, WELL, I'LL HAVE RYAN CANVASS THE AREA 310 00:12:06,757 --> 00:12:07,898 AROUND HER APARTMENT AND THE MOTEL. 311 00:12:07,898 --> 00:12:09,399 WE'LL SEE IF ANY OF THE BUSINESSES HAVE LOCKERS 312 00:12:09,399 --> 00:12:10,861 THAT USE THIS KIND OF KEY. 313 00:12:10,861 --> 00:12:11,932 (Esposito) YO, BECKETT. 314 00:12:11,932 --> 00:12:13,103 I GOT SOMETHING. 315 00:12:13,103 --> 00:12:14,765 UH, YEAH, DETECTIVE ESPOSITO, 316 00:12:14,765 --> 00:12:16,466 THIS IS DETECTIVE INSPECTOR COLIN HUNT. 317 00:12:16,466 --> 00:12:17,868 HE'S FROM SCOTLAND YARD. 318 00:12:17,868 --> 00:12:19,009 HE'S GONNA BE CONSULTING ON THIS CASE. 319 00:12:19,009 --> 00:12:20,911 HE KNOWS OUR VICTIM. HEY. HOW'S IT GOING? 320 00:12:20,911 --> 00:12:22,973 PLEASURE, MATE. SO WHAT DO YOU GOT? 321 00:12:22,973 --> 00:12:24,915 WELL, NAOMI DID MAKE IT TO THAT ALBUM RELEASE PARTY LAST NIGHT 322 00:12:24,915 --> 00:12:26,316 AT A CLUB IN MIDTOWN, 323 00:12:26,316 --> 00:12:27,978 BUT SHE WAS KICKED OUT BY SECURITY AROUND 10:00. 324 00:12:27,978 --> 00:12:30,020 WHY? 325 00:12:30,020 --> 00:12:32,052 SHE HAD AN ALTERCATION WITH THE HOST, FEMALE RAPPER 326 00:12:32,052 --> 00:12:34,024 AND EX-FELON NICKY JAY. 327 00:12:34,024 --> 00:12:36,957 AND SHE WASN'T AFRAID TO TAKE A SWING IN FRONT OF PAPARAZZI. 328 00:12:36,957 --> 00:12:39,089 WOW. WHAT WAS THE FIGHT ABOUT? 329 00:12:39,089 --> 00:12:40,260 UNCLEAR, BUT UNIFORMS ARE BRINGING HER 330 00:12:40,260 --> 00:12:41,431 UP TO INTERROGATION NOW. 331 00:12:41,431 --> 00:12:42,492 (cell phone buzzes) 332 00:12:42,492 --> 00:12:43,864 DO YOU USUALLY QUESTION THEM SOLO? 333 00:12:43,864 --> 00:12:45,265 NO, CASTLE AND I USUALLY GO IN TOGETHER. 334 00:12:45,265 --> 00:12:47,037 ACTUALLY, YOU KNOW WHAT? WHY DON'T YOU GUYS TAKE THIS ONE? 335 00:12:47,037 --> 00:12:48,799 ARE YOU SURE? 336 00:12:48,799 --> 00:12:49,970 YEAH, ABSOLUTELY. 337 00:12:49,970 --> 00:12:51,271 BESIDES, COLIN'S GOT A PERSONAL INTEREST. 338 00:12:51,271 --> 00:12:53,443 AND I REALLY DON'T NOW, DO I? (Colin) AH. ALL RIGHT. 339 00:12:53,443 --> 00:12:55,876 IT'S SETTLED THEN. YEAH, I GUESS IT IS. 340 00:12:55,876 --> 00:12:58,208 YEAH, BESIDES, MY LUNCH DATE IS HERE. 341 00:12:58,208 --> 00:12:59,449 I'LL BE BACK IN A FEW HOURS. 342 00:12:59,449 --> 00:13:01,111 YOU GUYS CALL ME IF YOU FIND ANYTHING INTERESTING. 343 00:13:01,111 --> 00:13:02,282 (giggles) HEY. 344 00:13:02,282 --> 00:13:04,014 OOH-HOO-HOO. 345 00:13:04,014 --> 00:13:05,085 (Jacinda giggles) 346 00:13:07,787 --> 00:13:09,789 HELL, YEAH, I CLOCKED HER. 347 00:13:09,789 --> 00:13:12,062 SHE WAS TRYING TO MAKE A MOVE ON MY MAN. 348 00:13:12,062 --> 00:13:14,064 YOUR MAN BIGGIE SLIM? THAT'S RIGHT. 349 00:13:14,064 --> 00:13:15,195 SHE HAD THE NERVE TO SAY THAT HE TOLD HER 350 00:13:15,195 --> 00:13:16,927 TO PUT HER DIGITS IN HIS PHONE. 351 00:13:16,927 --> 00:13:18,098 DID HE? 352 00:13:18,098 --> 00:13:19,569 THAT AIN'T THE POINT! 353 00:13:19,569 --> 00:13:21,571 THAT SKINNY BITCH WASN'T EVEN SUPPOSED TO BE THERE. 354 00:13:21,571 --> 00:13:23,403 WHEN I GOT UP IN HER FACE, 355 00:13:23,403 --> 00:13:27,007 SHE SAID BIGGIE SLIM'S COUSIN DREW TOLD HER ABOUT THE PARTY. 356 00:13:27,007 --> 00:13:29,940 BUT I KNEW THAT WAS B.S. BECAUSE DREW WASN'T EVEN INVITED. 357 00:13:29,940 --> 00:13:32,012 IT MUST MAKE YOU SO BLOODY MAD 358 00:13:32,012 --> 00:13:33,914 TO KNOW YOUR MAN HAS A WANDERING EYE. 359 00:13:33,914 --> 00:13:36,046 I HAD A GIRLFRIEND LIKE THAT. 360 00:13:36,046 --> 00:13:38,018 TRAVELED FOR BUSINESS. 361 00:13:38,018 --> 00:13:40,590 SHE'D RING FROM THE AIRPORT TO SAY HER FLIGHT WAS CANCELED. 362 00:13:40,590 --> 00:13:43,954 I COME TO FIND OUT, SHE WAS SEEING SOME OTHER BLOKE. 363 00:13:43,954 --> 00:13:45,926 SHE SOUND LIKE A HO. 364 00:13:45,926 --> 00:13:47,958 ALL I'M SAYING IS, I UNDERSTAND YOUR INSTINCT 365 00:13:47,958 --> 00:13:52,032 TO LASH OUT AT THE PERSON YOU BELIEVE IS RESPONSIBLE. 366 00:13:52,032 --> 00:13:54,865 I PROTECT WHAT'S MINE. YOU SHOULD DO THE SAME. 367 00:13:54,865 --> 00:13:56,907 IS THAT WHY YOU FOLLOWED NAOMI TO THE MOTEL 368 00:13:56,907 --> 00:13:59,839 AND STRANGLED HER WITH YOUR BARE HANDS? 369 00:13:59,839 --> 00:14:01,311 YOU MUST BE HIGH. 370 00:14:01,311 --> 00:14:04,274 THAT SKANK WASN'T WORTH ANOTHER SECOND OF MY TIME. 371 00:14:04,274 --> 00:14:05,976 I TOLD SECURITY TO GIVE HER THE BOOT, 372 00:14:05,976 --> 00:14:07,547 AND THAT WAS THAT. 373 00:14:07,547 --> 00:14:09,179 REALLY? CAN YOU PROVE IT? 374 00:14:09,179 --> 00:14:12,382 MY DRIVER BROUGHT US HOME. 375 00:14:12,382 --> 00:14:17,087 AND I WAS WITH BIGGIE SLIM THE REST OF THE NIGHT. 376 00:14:17,087 --> 00:14:18,889 YEAH, I WENT HOME WITH NICKY JAY. 377 00:14:18,889 --> 00:14:21,191 AFTER THE TUSSLE, SHE WAS ALL WORKED UP. 378 00:14:21,191 --> 00:14:22,963 BUT I LIKE IT WHEN SHE GETS WORKED UP, 379 00:14:22,963 --> 00:14:24,394 WHEN SHE GOT SOMETHING TO PROVE. 380 00:14:24,394 --> 00:14:26,066 SHE SAID THAT THE FIGHT STARTED BECAUSE YOU WERE 381 00:14:26,066 --> 00:14:28,338 SPENDING TIME WITH THIS GIRL. 382 00:14:28,338 --> 00:14:30,000 OH, YEAH, THAT GIRL. 383 00:14:30,000 --> 00:14:31,271 HEY, WHAT CAN I SAY? 384 00:14:31,271 --> 00:14:34,874 WOMEN ARE POWERLESS AGAINST MY GOOD LOOKS AND CHARMS. 385 00:14:34,874 --> 00:14:37,407 (Colin) YES, IT'S A REAL CURSE. 386 00:14:37,407 --> 00:14:39,109 YOU AND NAOMI-- WHAT DID YOU TALK ABOUT? 387 00:14:39,109 --> 00:14:41,451 AH, A LITTLE BIT OF THIS, A LITTLE BIT OF THAT. 388 00:14:41,451 --> 00:14:43,213 SHE WAS A BAD CHICK, YOU KNOW? 389 00:14:43,213 --> 00:14:45,215 BUT A LITTLE OFF. YOU KNOW WHAT I'M TALKING ABOUT? 390 00:14:45,215 --> 00:14:47,217 NO, WHAT ARE YOU TALKIN' ABOUT? 391 00:14:47,217 --> 00:14:49,189 I MEAN, SHE WAS ACTING PARANOID, MAN, 392 00:14:49,189 --> 00:14:52,092 SAID SOMEBODY HAD FOLLOWED HER TO THE PARTY. 393 00:14:52,092 --> 00:14:53,423 I FIGURED SHE WAS JUST BLOWING SMOKE. 394 00:14:53,423 --> 00:14:54,925 WHY IS THAT? 395 00:14:54,925 --> 00:14:57,067 LOOK, I DON'T JUST PRODUCE NICKY JAY, ALL RIGHT? 396 00:14:57,067 --> 00:14:58,898 I'M BUILDING MY BRAND. 397 00:14:58,898 --> 00:15:02,172 I GOT BIGGIE SLIM RECORDS, BIGGIE SLIM CLOTHING. 398 00:15:02,172 --> 00:15:04,304 (chuckles) HELL, I EVEN GOT A BIGGIE SLIM ENERGY DRINK. 399 00:15:04,304 --> 00:15:07,237 SO SOME FILLY COMES UP TRYING TO MAKE HER TIME, 400 00:15:07,237 --> 00:15:10,440 IT'S JUST A EVERYDAY THING IN MY LIFE. 401 00:15:10,440 --> 00:15:12,442 DID SHE TELL YOU WHO SHE THOUGHT WAS FOLLOWING HER? 402 00:15:12,442 --> 00:15:14,144 SURE DIDN'T. 403 00:15:14,144 --> 00:15:17,117 I GUESS SHE WASN'T LYING, THOUGH, HUH? 404 00:15:17,117 --> 00:15:18,989 (Beckett) NAOMI LEFT THAT PARTY 405 00:15:18,989 --> 00:15:21,051 AND THEN THREE HOURS LATER, SHE WAS DEAD. 406 00:15:21,051 --> 00:15:23,023 BASED ON WHAT SHE TOLD BIGGIE SLIM, 407 00:15:23,023 --> 00:15:24,454 NAOMI KNEW SOMEBODY WAS AFTER HER. 408 00:15:24,454 --> 00:15:26,456 ALL RIGHT, LET'S CANVASS THE AREA AROUND THE PARTY VENUE, 409 00:15:26,456 --> 00:15:28,058 SEE IF SHE WAS BEING FOLLOWED. 410 00:15:28,058 --> 00:15:30,130 AND LET'S TRACK DOWN NICKY JAY AND BIGGIE SLIM'S DRIVER. 411 00:15:30,130 --> 00:15:31,461 I WANT TO SEE IF THEY WENT STRAIGHT HOME. 412 00:15:31,461 --> 00:15:33,633 ON IT. 413 00:15:33,633 --> 00:15:36,006 SO... THAT STORY 414 00:15:36,006 --> 00:15:38,208 THAT YOU TOLD NICKY JAY ABOUT YOUR GIRLFRIEND... 415 00:15:38,208 --> 00:15:39,339 TOTAL PANTS. 416 00:15:39,339 --> 00:15:41,411 I JUST WANTED HER TO THINK I SYMPATHIZED. 417 00:15:41,411 --> 00:15:43,173 AND HONESTLY, AFTER MEETING BIGGIE SLIM, 418 00:15:43,173 --> 00:15:44,344 I DO. 419 00:15:44,344 --> 00:15:46,116 WELL, MAYBE SHE'S HANGING ON, 420 00:15:46,116 --> 00:15:48,278 HOPING THAT HE'LL CHANGE. 421 00:15:48,278 --> 00:15:50,350 GUYS LIKE HIM NEVER DO. 422 00:15:50,350 --> 00:15:52,352 (people speaking indistinctly) 423 00:15:52,352 --> 00:15:54,654 (cell phone chirps) 424 00:15:54,654 --> 00:15:56,026 (beeps) 425 00:15:56,026 --> 00:15:58,088 OUR M.E.'s FINISHED THE AUTOPSY. 426 00:15:58,088 --> 00:15:59,589 HER LARYNX IS CRUSHED. 427 00:15:59,589 --> 00:16:01,091 WHOEVER DID IT WAS STRONG. 428 00:16:01,091 --> 00:16:03,563 LARGE HANDS, PROBABLY A MALE. 429 00:16:03,563 --> 00:16:05,235 THAT'S LIKE HALF THE CITY. 430 00:16:05,235 --> 00:16:07,397 WE MAY BE ABLE TO NARROW IT DOWN A LITTLE FURTHER THAN THAT. 431 00:16:07,397 --> 00:16:10,100 THE PRESSURE FROM THE KILLER'S GRIP 432 00:16:10,100 --> 00:16:12,242 LEFT A PRINT ON HER NECK. 433 00:16:12,242 --> 00:16:13,673 WERE YOU ABLE TO PULL A PRINT? 434 00:16:13,673 --> 00:16:15,205 WE RECOVERED A PARTIAL 435 00:16:15,205 --> 00:16:17,177 THANKS TO THE BODY LOTION SHE WAS WEARING. 436 00:16:19,079 --> 00:16:20,610 IS IT IN THE SYSTEM? 437 00:16:20,610 --> 00:16:22,612 NOT ENOUGH TO RUN IT, BUT YOU BRING ME A PRINT 438 00:16:22,612 --> 00:16:26,156 OFF A SUSPECT, I CAN TELL YOU IF IT'S A MATCH. 439 00:16:26,156 --> 00:16:28,288 EXCUSE ME. I HAVE TO MAKE A CALL. 440 00:16:31,261 --> 00:16:33,223 (door closes) 441 00:16:33,223 --> 00:16:36,396 EASY ON THE EYES. 442 00:16:36,396 --> 00:16:37,567 CUTE ACCENT, TOO. MM. 443 00:16:37,567 --> 00:16:39,099 I JUST GOT ONE QUESTION. 444 00:16:39,099 --> 00:16:40,200 HMM? 445 00:16:40,200 --> 00:16:41,771 WHERE'S CASTLE? 446 00:16:41,771 --> 00:16:44,234 HE TOOK OFF... 447 00:16:44,234 --> 00:16:47,107 FOR A LUNCH DATE. 448 00:16:47,107 --> 00:16:49,779 IN A FERRARI FULL OF FLIGHT ATTENDANT? 449 00:16:49,779 --> 00:16:51,141 YEAH, HE'S PROBABLY TRYING TO RACK UP 450 00:16:51,141 --> 00:16:52,242 HIS FREQUENT FLYER MILES. 451 00:16:52,242 --> 00:16:54,144 I'M SORRY. 452 00:16:54,144 --> 00:16:56,246 BUT YOU KNOW SHE'S JUST A PASSING THING. 453 00:16:56,246 --> 00:16:59,189 DO I? I MEAN, THE GUY HAS BEEN DIVORCED TWICE, 454 00:16:59,189 --> 00:17:01,521 AND HE'S STILL CHASING BIMBOS. 455 00:17:01,521 --> 00:17:04,294 MAYBE THAT'S JUST WHO HE IS. 456 00:17:04,294 --> 00:17:06,556 LOOK, MAYBE IT'S THE WRONG TIME 457 00:17:06,556 --> 00:17:08,198 OR MAYBE HE'S EVEN THE WRONG GUY, 458 00:17:08,198 --> 00:17:11,801 BUT IF HE IS, HOW LONG ARE YOU GONNA WAIT TO FIND OUT? 459 00:17:17,307 --> 00:17:18,438 (door opens) 460 00:17:18,438 --> 00:17:22,172 TEN YEARS, I'VE BEEN KEEPING THEM COMPANY 461 00:17:22,172 --> 00:17:24,174 WHILE THEY SPEND A NIGHT OR TWO HERE 462 00:17:24,174 --> 00:17:27,247 ON THEIR WAY TO WHERE WE'RE ALL GOING. 463 00:17:28,718 --> 00:17:31,481 THEY ALL HAD PLANS, KATE, 464 00:17:31,481 --> 00:17:34,324 THINGS THEY WERE GONNA DO WHEN THEY GOT AROUND TO IT-- 465 00:17:34,324 --> 00:17:39,829 GO ON A CRUISE, LOSE 10 POUNDS, FALL IN LOVE. 466 00:17:39,829 --> 00:17:42,832 THEY THOUGHT THEY HAD ALL THE TIME IN THE WORLD. 467 00:17:42,832 --> 00:17:45,395 BUT NOBODY DOES. 468 00:17:49,599 --> 00:17:53,443 (people speaking indistinctly) 469 00:17:53,443 --> 00:17:56,506 THE PERSONAL ONES ARE TOUGH. 470 00:17:56,506 --> 00:17:59,279 NO CALL. 471 00:17:59,279 --> 00:18:02,282 WHAT'S MY TELL? 472 00:18:02,282 --> 00:18:05,355 THE BROODING LEAN. 473 00:18:05,355 --> 00:18:07,817 AH, YES. 474 00:18:07,817 --> 00:18:11,361 ROOKIE MOVE. 475 00:18:11,361 --> 00:18:13,263 YOU KNOW, EVEN WITH A MOUTH FULL OF BRACES, 476 00:18:13,263 --> 00:18:15,165 SHE WAS THE PRETTIEST GIRL IN HER CLASS. 477 00:18:15,165 --> 00:18:17,267 ALTHOUGH HAVING A COP FOR A DAD 478 00:18:17,267 --> 00:18:18,868 DIDN'T DO MUCH FOR HER SOCIAL LIFE. 479 00:18:18,868 --> 00:18:21,331 TERRY USED TO INTERROGATE HER DATES 480 00:18:21,331 --> 00:18:22,702 WHEN THEY'D DROP HER OFF. 481 00:18:22,702 --> 00:18:26,176 I COULD SEE HOW THAT WOULD WEED OUT THE LIGHTWEIGHTS. 482 00:18:26,176 --> 00:18:27,307 AND THEN WHEN SHE WAS 22, 483 00:18:27,307 --> 00:18:30,210 SHE FELL IN LOVE WITH A YOUNG DOCTOR, GOOD GUY. 484 00:18:30,210 --> 00:18:33,613 HE DIED LAST YEAR IN AFRICA DOING GOD'S WORK. 485 00:18:33,613 --> 00:18:35,315 I DON'T THINK SHE EVER REALLY GOT OVER IT, 486 00:18:35,315 --> 00:18:36,616 BECAUSE HEARING WHAT SHE WAS UP TO, 487 00:18:36,616 --> 00:18:39,519 IT'S LIKE SHE WAS A DIFFERENT PERSON. 488 00:18:39,519 --> 00:18:41,891 (people continue speaking indistinctly) 489 00:18:41,891 --> 00:18:44,154 PEOPLE CHANGE WHEN YOU'RE NOT LOOKING. 490 00:18:44,154 --> 00:18:45,325 (cell phone rings) 491 00:18:45,325 --> 00:18:46,456 EXCUSE ME. 492 00:18:46,456 --> 00:18:48,258 (beeps) 493 00:18:48,258 --> 00:18:49,729 HEY, RYAN. WHAT'S UP? 494 00:18:51,261 --> 00:18:52,462 ARE YOU SURE? 495 00:18:52,462 --> 00:18:54,704 WHERE? 496 00:18:54,704 --> 00:18:57,237 OKAY, GREAT. CALL IN A WARRANT. (beep) 497 00:18:57,237 --> 00:18:59,309 THEY FOUND A GYM NEAR THE MOTEL. 498 00:18:59,309 --> 00:19:01,241 NAOMI BOUGHT A DAY PASS THERE THE NIGHT THAT SHE WAS KILLED, 499 00:19:01,241 --> 00:19:03,673 AND THE CLERK SAID SHE WAS IN AND OUT IN THREE MINUTES. 500 00:19:03,673 --> 00:19:05,775 JUST ENOUGH TIME TO RUN IN AND HIDE SOMETHING 501 00:19:05,775 --> 00:19:07,247 IN ONE OF THE LOCKERS. 502 00:19:09,148 --> 00:19:11,381 SHE BOUGHT THE DAY PASS AT 10:24 P.M. 503 00:19:11,381 --> 00:19:13,423 THAT'S 20 MINUTES AFTER SHE CALLED ME 504 00:19:13,423 --> 00:19:15,555 TO SAY SHE WAS IN TROUBLE. 505 00:19:15,555 --> 00:19:18,288 (showers running) 506 00:19:18,288 --> 00:19:21,791 (people speaking indistinctly) 507 00:19:21,791 --> 00:19:23,263 (closes locker) 508 00:19:24,494 --> 00:19:27,267 SHE WAS LEAVING ME A MESSAGE. 509 00:19:27,267 --> 00:19:29,299 SHE DID BETTER THAN LEAVE A MESSAGE ABOUT THE KILLER. 510 00:19:31,341 --> 00:19:33,243 SHE LEFT US A PICTURE OF HIM AS WELL. 511 00:19:40,610 --> 00:19:41,781 ANYTHING ON THE NUMBER SEQUENCE? 512 00:19:41,781 --> 00:19:43,483 WE'RE RUNNING IT THROUGH EVERY DATABASE, 513 00:19:43,483 --> 00:19:44,514 BUT NOTHING SO FAR. NAOMI WROTE IT ON THERE FOR A REASON. 514 00:19:44,514 --> 00:19:45,885 WHAT ABOUT THE PHOTO? 515 00:19:45,885 --> 00:19:47,817 WELL, BASED ON THE LIGHT AND BACKGROUND ARCHITECTURE, 516 00:19:47,817 --> 00:19:50,189 THIS PHOTO WAS TAKEN IN MIDTOWN NEW YORK. 517 00:19:50,189 --> 00:19:51,321 HEY. WHAT DID I MISS? 518 00:19:51,321 --> 00:19:52,962 NOT MUCH. 519 00:19:52,962 --> 00:19:55,365 OH, WE DID MANAGE TO FIND THAT MYSTERY LOCKER. 520 00:19:55,365 --> 00:19:56,666 AND THAT GUY IN THE PHOTO, 521 00:19:56,666 --> 00:19:58,368 HE'S PROBABLY OUR KILLER. 522 00:19:58,368 --> 00:19:59,499 (people speaking indistinctly) 523 00:19:59,499 --> 00:20:00,630 HOW WAS YOUR LUNCH? 524 00:20:00,630 --> 00:20:02,232 OH, I LOVED THE SPECIAL. 525 00:20:02,232 --> 00:20:03,373 I'LL BET. 526 00:20:03,373 --> 00:20:04,404 WAIT A MINUTE. 527 00:20:04,404 --> 00:20:05,635 CAN YOU BLOW UP THIS ONE SECTION? 528 00:20:05,635 --> 00:20:07,337 YEAH, SURE. 529 00:20:07,337 --> 00:20:08,508 (keyboard keys click, computer beeps) 530 00:20:08,508 --> 00:20:10,380 ROUNDED AND GOLD? IT'S A PLAQUE. 531 00:20:10,380 --> 00:20:11,841 IT'S THE BRITISH SEAL. 532 00:20:11,841 --> 00:20:13,413 THIS PICTURE WAS TAKEN RIGHT OUTSIDE THE BRITISH CONSULATE. 533 00:20:13,413 --> 00:20:16,246 PULL UP A LIST OF THE CONSULATE EMPLOYEES. 534 00:20:16,246 --> 00:20:17,817 (beep) HERE YOU GO. 535 00:20:19,519 --> 00:20:22,522 WELL, HE'S NOT ON THIS PAGE. 536 00:20:22,522 --> 00:20:23,693 THERE HE IS. 537 00:20:23,693 --> 00:20:24,994 (beeps) 538 00:20:24,994 --> 00:20:26,896 NIGEL WYNDHAM. 539 00:20:26,896 --> 00:20:28,428 DEPUTY GENERAL OF THE BRITISH CONSULATE. 540 00:20:28,428 --> 00:20:30,600 WHICH MEANS HE'S JUST UNDER THE CONSULATE GENERAL IN RANK, 541 00:20:30,600 --> 00:20:32,662 SO HE'S RESPONSIBLE FOR THE DAILY OPERATIONS 542 00:20:32,662 --> 00:20:34,464 IN FINANCIAL AND LOGISTICAL MATTERS. 543 00:20:34,464 --> 00:20:37,537 WHAT THE HELL WAS NAOMI DOING MIXED UP WITH THIS GUY? 544 00:20:37,537 --> 00:20:38,908 THAT WAS MY MATE AT SCOTLAND YARD. 545 00:20:38,908 --> 00:20:42,011 HE FOUND OUT SOME INTRIGUING DETAILS ON NIGEL WYNDHAM, 546 00:20:42,011 --> 00:20:43,773 LIKE THE FACT THAT A GIRLFRIEND IN COLLEGE 547 00:20:43,773 --> 00:20:45,315 DIED RATHER MYSTERIOUSLY 548 00:20:45,315 --> 00:20:46,546 WHILE THEY WERE ON HOLIDAY IN ROME. 549 00:20:46,546 --> 00:20:47,917 WELL, WAS HE EVER CHARGED? 550 00:20:47,917 --> 00:20:50,380 NO, AND AFTER THAT, HE HAD A STRING OF BAD INVESTMENTS 551 00:20:50,380 --> 00:20:51,851 UNTIL HE MARRIED CYNTHIA WADLOW. 552 00:20:51,851 --> 00:20:53,483 IT WAS HER PROMINENT FAMILY 553 00:20:53,483 --> 00:20:55,485 WHO PULLED STRINGS THAT GOT HIM A POSITION, 554 00:20:55,485 --> 00:20:56,826 FIRST AT THE MINISTRY OF CULTURE, 555 00:20:56,826 --> 00:20:58,688 AND THEN HERE AT THE CONSULATE. (Esposito) YO. 556 00:20:58,688 --> 00:21:00,930 SO WE'VE BEEN RECONSTRUCTING NAOMI'S MOVEMENTS 557 00:21:00,930 --> 00:21:02,792 SINCE SHE LANDED IN NEW YORK A COUPLE OF WEEKS AGO. 558 00:21:02,792 --> 00:21:03,963 HER FINANCIALS INDICATE 559 00:21:03,963 --> 00:21:05,695 THAT SHE BOOKED A CAR SERVICE LAST WEEK 560 00:21:05,695 --> 00:21:07,367 THAT DROPPED HER AT NOBU. 561 00:21:07,367 --> 00:21:08,498 NOW WE SHOWED THE HOST NIGEL'S PICTURE, 562 00:21:08,498 --> 00:21:10,340 AND HE CONFIRMED THAT THEY MET FOR DINNER. 563 00:21:10,340 --> 00:21:11,671 DID THE HOST NOTICE ANYTHING? 564 00:21:11,671 --> 00:21:13,543 YEAH, HE NOTICED THE C-NOTE THAT NIGEL DROPPED 565 00:21:13,543 --> 00:21:15,044 TO SECURE THE ROMANTIC TABLE IN THE BACK. 566 00:21:15,044 --> 00:21:17,477 (Ryan) HEY. 567 00:21:17,477 --> 00:21:18,608 I JUST CALLED THE CONSULATE. 568 00:21:18,608 --> 00:21:20,480 THE DAY AFTER THE ROMANTIC NOBU DINNER, 569 00:21:20,480 --> 00:21:23,383 SECURITY REMOVED NAOMI FROM NIGEL'S OFFICE. 570 00:21:23,383 --> 00:21:24,654 WELL, IT SOUNDS LIKE A FIGHT. 571 00:21:24,654 --> 00:21:27,487 UH, SECURITY HEARD NAOMI YELL SOMETHING ABOUT CYNTHIA 572 00:21:27,487 --> 00:21:29,018 AS THEY ESCORTED HER OUT. 573 00:21:29,018 --> 00:21:30,890 (Castle) WELL, IT MAKES PERFECT SENSE. 574 00:21:30,890 --> 00:21:33,493 STUCK IN A MARRIAGE OF CONVENIENCE, 575 00:21:33,493 --> 00:21:36,666 NIGEL MEETS THE YOUNG AND BEAUTIFUL NAOMI, 576 00:21:36,666 --> 00:21:38,968 FINDS HER IRRESISTIBLE. 577 00:21:38,968 --> 00:21:41,871 A CHANCE MEETING TURNS TO DINNER, DINNER TO A TRYST, 578 00:21:41,871 --> 00:21:43,803 BUT THEN NAOMI WANTS MORE. 579 00:21:43,803 --> 00:21:47,577 NIGEL REALIZES THAT HIS AFFAIR HAS BECOME A THREAT 580 00:21:47,577 --> 00:21:49,879 TO HIS POSITION, HIS REPUTATION, TO THE LIFE HE BUILT 581 00:21:49,879 --> 00:21:53,042 ON THE BACKS OF HIS WIFE AND HER FAMILY. 582 00:21:53,042 --> 00:21:55,545 SIR, IF NIGEL'S WIFE FOUND OUT ABOUT AN AFFAIR, 583 00:21:55,545 --> 00:21:58,548 IT WOULD KILL HIS MARRIAGE AND HIS CAREER. 584 00:21:58,548 --> 00:21:59,889 DETECTIVE INSPECTOR HUNT, 585 00:21:59,889 --> 00:22:02,722 I TAKE YOUR SILENCE TO MEAN THAT YOU DON'T AGREE? 586 00:22:02,722 --> 00:22:04,053 WELL, THE NAOMI I KNEW 587 00:22:04,053 --> 00:22:06,626 WOULD NEVER FALL FOR SOMEONE LIKE WYNDHAM, 588 00:22:06,626 --> 00:22:08,498 BUT SHE WOULDN'T HAVE LEFT HIS PICTURE IN THAT LOCKER 589 00:22:08,498 --> 00:22:10,600 IF HE WEREN'T CONNECTED TO HER DEATH SOMEHOW. 590 00:22:10,600 --> 00:22:12,101 NIGEL WYNDHAM'S POSITION AT THE CONSULATE 591 00:22:12,101 --> 00:22:14,604 INCLUDES DIPLOMATIC IMMUNITY. 592 00:22:14,604 --> 00:22:16,936 WHICH WOULD BE WAIVED IF HE WAS A SUSPECT IN A MURDER CASE. 593 00:22:16,936 --> 00:22:19,008 IF I PICK UP THE PHONE TO MAKE THAT REQUEST, 594 00:22:19,008 --> 00:22:21,671 I'M GONNA NEED SOMETHING MORE CONCRETE THAN JUST A THEORY. 595 00:22:21,671 --> 00:22:24,013 SIR, LANIE PULLED OUR KILLER'S PRINTS 596 00:22:24,013 --> 00:22:26,115 OFF OF OUR VICTIM'S NECK. 597 00:22:26,115 --> 00:22:27,617 AND GIVEN EVERYTHING THAT WE KNOW RIGHT NOW, 598 00:22:27,617 --> 00:22:29,849 I AM WILLING TO BET THAT THEY'RE A MATCH TO NIGEL'S. 599 00:22:29,849 --> 00:22:31,521 A BET'S NOT ENOUGH. 600 00:22:31,521 --> 00:22:33,553 BUT IF YOU CAN GET THOSE PRINTS, 601 00:22:33,553 --> 00:22:35,855 THEN THIS IS A WHOLE DIFFERENT CONVERSATION. 602 00:22:41,531 --> 00:22:43,493 (Esposito) HERE'S THE PROBLEM, BRO-- 603 00:22:43,493 --> 00:22:44,834 FOREIGN DIGNITARIES DON'T REGISTER THEIR FINGERPRINTS 604 00:22:44,834 --> 00:22:46,365 WITH LOCAL LAW ENFORCEMENT. 605 00:22:46,365 --> 00:22:47,837 AND IF WE PUT IN A REQUEST TO THE CONSULATE, 606 00:22:47,837 --> 00:22:49,368 THEY'LL BOX US OUT 607 00:22:49,368 --> 00:22:51,571 AND ALERT NIGEL THAT HE'S A SUSPECT. 608 00:22:51,571 --> 00:22:53,503 YEAH, I THOUGHT SCOTLAND YARD WOULD BE ABLE TO GET THEM. 609 00:22:53,503 --> 00:22:55,705 EVEN WITH HIS CONNECTIONS ACROSS THE POND, WE STRUCK OUT. 610 00:22:55,705 --> 00:22:58,648 (clatters) 611 00:22:58,648 --> 00:23:00,880 OKAY, BOYS. HERE IT IS. 612 00:23:00,880 --> 00:23:02,452 HERE'S WHAT? 613 00:23:02,452 --> 00:23:03,653 (clicks) 614 00:23:03,653 --> 00:23:05,755 MY FOOLPROOF PLAN FOR GETTING NIGEL'S FINGERPRINT. 615 00:23:05,755 --> 00:23:07,657 NIGEL LIVES IN A HIGH-RISE APARTMENT 616 00:23:07,657 --> 00:23:09,619 HERE ON PARK AVENUE. 617 00:23:09,619 --> 00:23:10,620 YEAH. HIGH SECURITY. 618 00:23:10,620 --> 00:23:13,062 EXACTLY. RYAN, YOU'LL BE HERE-- 619 00:23:13,062 --> 00:23:15,895 FRONT DOOR--DRESSED AS A FLOWER DELIVERY BOY. 620 00:23:15,895 --> 00:23:18,397 ESPOSITO, YOU'LL BE HERE DRESSED AS A HOBO. 621 00:23:18,397 --> 00:23:19,699 QUESTION. 622 00:23:19,699 --> 00:23:20,930 WHY'S THE BROWN MAN GOTTA BE A HOBO? 623 00:23:20,930 --> 00:23:22,502 YOU WANT THE FLOWERS? 624 00:23:22,502 --> 00:23:23,703 HOBO IT IS. 625 00:23:23,703 --> 00:23:25,805 YOU BOYS WILL CAUSE A DISTRACTION HERE 626 00:23:25,805 --> 00:23:27,637 WHILST I RAPPEL DOWN THE SIDE OF THE BUILDING 627 00:23:27,637 --> 00:23:29,879 WITH NICOLAI. (Ryan) WHO'S NICOLAI? 628 00:23:29,879 --> 00:23:31,911 HE'S A ROMANIAN GYMNAST I FOUND ON YouTube. 629 00:23:31,911 --> 00:23:33,513 HE'S EXTREMELY FLEXIBLE 630 00:23:33,513 --> 00:23:34,614 AND FITS IN THE DUFFEL BAG. 631 00:23:34,614 --> 00:23:35,785 USING A GLASS CUTTER... 632 00:23:35,785 --> 00:23:37,086 (Colin) EXCUSE ME, GENTS. I CAN-- 633 00:23:37,086 --> 00:23:39,649 HAS ANYONE SEEN DETECTIVE BECKETT? 634 00:23:39,649 --> 00:23:43,593 (people speaking indistinctly) 635 00:23:48,598 --> 00:23:49,959 (Ryan) WOW. 636 00:23:49,959 --> 00:23:52,662 UH, YOU GUYS GOING OUT? 637 00:23:52,662 --> 00:23:54,534 I PULLED SOME STRINGS AND GOT US INTO A PARTY 638 00:23:54,534 --> 00:23:56,836 AT THE BRITISH CONSULATE TONIGHT. 639 00:23:56,836 --> 00:23:58,538 NIGEL WILL BE THERE. 640 00:23:58,538 --> 00:23:59,839 WE'LL GET HIS PRINTS, AND HE WON'T EVEN KNOW IT. 641 00:23:59,839 --> 00:24:01,911 CHEERS, LADS. 642 00:24:01,911 --> 00:24:03,513 CHEERS. 643 00:24:03,513 --> 00:24:06,516 (people continue speaking indistinctly) 644 00:24:09,148 --> 00:24:10,620 OR THEY COULD DO THAT. 645 00:24:12,682 --> 00:24:14,453 YEAH, SURE, 646 00:24:14,453 --> 00:24:17,456 IF YOU WANT TO DO IT THE EASY WAY. 647 00:24:21,691 --> 00:24:23,032 (indistinct conversations) 648 00:24:23,032 --> 00:24:25,535 THANK YOU. 649 00:24:25,535 --> 00:24:26,936 SO WHO IS SIR ALFRED HEATH? 650 00:24:26,936 --> 00:24:28,698 TONIGHT, I AM. 651 00:24:28,698 --> 00:24:30,970 THE LADS BACK HOME SAID THE REAL SIR ALFRED 652 00:24:30,970 --> 00:24:32,572 IS DOWN AS A NO-SHOW. 653 00:24:32,572 --> 00:24:33,943 GOUT OR SOME DAMN THING. 654 00:24:33,943 --> 00:24:36,245 YEAH, BUT WHAT IF NIGEL WYNDHAM DOESN'T SHOW EITHER? 655 00:24:36,245 --> 00:24:37,777 HE'LL BE HERE. 656 00:24:37,777 --> 00:24:38,908 AND I EXPECT HE'LL SKIP THE CHAMPAGNE 657 00:24:38,908 --> 00:24:40,880 AND DRINK SOMETHING POSH AND PRETENTIOUS, 658 00:24:40,880 --> 00:24:43,112 LEAVING HIS PRINT ON THE GLASS. 659 00:24:43,112 --> 00:24:45,484 WELL, WHAT IF HE DOESN'T DRINK? 660 00:24:45,484 --> 00:24:46,756 HE'S BRITISH. 661 00:24:46,756 --> 00:24:48,217 TRUST ME, HE DRINKS. 662 00:24:48,217 --> 00:24:49,689 MAY I? 663 00:24:49,689 --> 00:24:52,762 (indistinct conversations continue) 664 00:24:52,762 --> 00:24:54,223 (instrumental piano version of "It Had to Be You" playing) 665 00:24:54,223 --> 00:24:56,826 I DIDN'T REALIZE THAT DANCING WAS A PART OF THE PLAN. 666 00:24:56,826 --> 00:24:59,569 OH, WELL... 667 00:24:59,569 --> 00:25:02,131 IT OFFERS A PERFECT VANTAGE POINT. 668 00:25:02,131 --> 00:25:03,873 HUH. 669 00:25:03,873 --> 00:25:06,505 ♪♪♪ 670 00:25:06,505 --> 00:25:08,207 DO YOU COME TO A LOT OF THESE EVENTS? 671 00:25:08,207 --> 00:25:09,909 NO, THANK GOD. WHY? 672 00:25:09,909 --> 00:25:12,181 YOU JUST SEEM VERY CONFIDENT. 673 00:25:12,181 --> 00:25:13,783 AH. 674 00:25:13,783 --> 00:25:14,914 WELL, THAT'S BECAUSE MY COMPANION 675 00:25:14,914 --> 00:25:16,986 IS THE MOST BEAUTIFUL WOMAN IN THIS ROOM. 676 00:25:16,986 --> 00:25:19,749 ♪♪♪ 677 00:25:19,749 --> 00:25:22,091 (chuckles) THAT'S CLEARLY THE CHAMPAGNE TALKING. 678 00:25:22,091 --> 00:25:23,793 I'M SURE YOU'RE JUST COMFORTABLE HERE 679 00:25:23,793 --> 00:25:25,595 BECAUSE YOU'RE AMONGST YOUR OWN PEOPLE. 680 00:25:25,595 --> 00:25:26,996 THESE AREN'T MY PEOPLE. 681 00:25:26,996 --> 00:25:30,159 MY PEOPLE ARE THE ONES CARRYING THE TRAYS. 682 00:25:30,159 --> 00:25:31,861 YEAH. 683 00:25:31,861 --> 00:25:33,803 I GREW UP ON THE EAST END. 684 00:25:33,803 --> 00:25:36,706 MY MOM CLEANED FLATS. DAD WORKED IN A FACTORY. 685 00:25:36,706 --> 00:25:38,808 THEY WANTED SOMETHING BETTER, THEY JUST-- 686 00:25:38,808 --> 00:25:40,910 THEY COULDN'T QUITE GET IT. 687 00:25:40,910 --> 00:25:42,211 AND THEN? 688 00:25:42,211 --> 00:25:45,014 I WAS ADMITTED TO ETON ON A SCHOLARSHIP 689 00:25:45,014 --> 00:25:46,545 WHERE I MINORED IN BLENDING IN. 690 00:25:46,545 --> 00:25:48,177 OH. WHAT ABOUT YOU? 691 00:25:48,177 --> 00:25:50,920 ♪♪♪ 692 00:25:50,920 --> 00:25:52,852 I GREW UP IN THE CITY 693 00:25:52,852 --> 00:25:55,224 AND, UH, WENT TO COLLEGE IN CALIFORNIA. 694 00:25:55,224 --> 00:25:56,986 WELL, YOU COULD OBVIOUSLY DO ANYTHING 695 00:25:56,986 --> 00:25:58,588 YOU PUT YOUR MIND TO. 696 00:25:58,588 --> 00:25:59,889 WHY BE A COP? 697 00:25:59,889 --> 00:26:01,791 I GUESS IT WAS JUST MY CALLING. 698 00:26:01,791 --> 00:26:03,863 AH, A CRUSADER. 699 00:26:03,863 --> 00:26:05,795 I KNOW THE TYPE. 700 00:26:05,795 --> 00:26:07,637 DOESN'T LEAVE A LOT OF TIME FOR PERSONAL LIFE, THOUGH, 701 00:26:07,637 --> 00:26:09,639 DOES IT? 702 00:26:09,639 --> 00:26:10,900 ♪♪♪ 703 00:26:10,900 --> 00:26:13,242 WHAT ABOUT YOU? ARE YOU THE CRUSADER TYPE AS WELL? 704 00:26:13,242 --> 00:26:14,974 MARRIED TO THE BIT, I'M AFRAID. 705 00:26:14,974 --> 00:26:16,806 THE JOB COMES FIRST. 706 00:26:16,806 --> 00:26:18,778 THOUGH SOMETIMES, I WISH IT DIDN'T. 707 00:26:18,778 --> 00:26:20,910 YEAH. I KNOW THE FEELING. 708 00:26:20,910 --> 00:26:24,153 ♪♪♪ 709 00:26:26,956 --> 00:26:28,988 (laughs and speaks indistinctly) 710 00:26:28,988 --> 00:26:30,820 (whispers) WAIT A MINUTE. LOOK OVER THERE BY THE BAR. 711 00:26:30,820 --> 00:26:32,091 MY 1:00. 712 00:26:32,091 --> 00:26:35,725 (speaks indistinctly) 713 00:26:35,725 --> 00:26:36,996 (indistinct conversations) 714 00:26:36,996 --> 00:26:38,998 LET THE GAMES BEGIN. 715 00:26:38,998 --> 00:26:43,102 (indistinct conversations continue) 716 00:26:46,135 --> 00:26:48,107 (speaks indistinctly) 717 00:26:48,107 --> 00:26:50,880 ALL RIGHT. TAKE CARE. 718 00:26:50,880 --> 00:26:52,281 (clears throat) 719 00:26:55,945 --> 00:26:57,346 GOOD EVENING. 720 00:26:57,346 --> 00:27:00,850 NIGEL WYNDHAM. DEPUTY GENERAL. 721 00:27:00,850 --> 00:27:02,121 JEAN HARRINGTON. 722 00:27:02,121 --> 00:27:03,723 BORED. 723 00:27:03,723 --> 00:27:06,025 WELL, WE'LL HAVE TO REMEDY THAT, MS. HARRINGTON. 724 00:27:06,025 --> 00:27:08,397 UH, ONE FOR THE LADY, PLEASE. 725 00:27:11,200 --> 00:27:13,703 OH, A RING. THAT'S DISCOURAGING. 726 00:27:13,703 --> 00:27:16,335 OH, WELL, IT NEEDN'T BE. 727 00:27:16,335 --> 00:27:19,068 TO NEW FRIENDSHIPS. 728 00:27:22,371 --> 00:27:26,175 NOW TELL ME, MS. HARRINGTON, ARE YOU HERE ALONE? 729 00:27:26,175 --> 00:27:28,918 IF SO, IT WOULD BE A GRAVE INJUSTICE. 730 00:27:28,918 --> 00:27:32,081 MY DATE'S MORE INTERESTED IN NETWORKING THAN HE IS IN ME. 731 00:27:32,081 --> 00:27:34,253 IN THAT CASE, HE WON'T OBJECT 732 00:27:34,253 --> 00:27:36,726 IF I ASK YOU FOR A DANCE. 733 00:27:36,726 --> 00:27:39,228 YOU KNOW WHAT? (sets glass down) 734 00:27:39,228 --> 00:27:41,961 I WOULDN'T CARE EVEN IF HE DID. 735 00:27:41,961 --> 00:27:44,393 (chuckles) SHALL WE? 736 00:27:44,393 --> 00:27:45,895 MM-HMM. 737 00:27:45,895 --> 00:27:49,899 (indistinct conversations) 738 00:27:49,899 --> 00:27:52,902 ♪♪♪ 739 00:27:57,406 --> 00:28:00,409 SO... TELL ME, MS. HARRINGTON, 740 00:28:00,409 --> 00:28:02,952 WHAT SHOULD I KNOW ABOUT YOU? 741 00:28:02,952 --> 00:28:04,914 WELL, THERE'S MORE TO ME THAN MEETS THE EYE. 742 00:28:04,914 --> 00:28:07,186 WELL, WHAT MEETS THE EYE 743 00:28:07,186 --> 00:28:09,819 IS IRRESISTIBLE. 744 00:28:09,819 --> 00:28:13,392 YOU KNOW, ACTIONS SPEAK LOUDER THAN WORDS. 745 00:28:13,392 --> 00:28:15,164 MEANING? 746 00:28:15,164 --> 00:28:17,426 MEANING, IF I'M SO IRRESISTIBLE, 747 00:28:17,426 --> 00:28:21,971 THEN WHY AREN'T YOU USING BOTH YOUR HANDS? 748 00:28:21,971 --> 00:28:24,133 (chuckles) 749 00:28:24,133 --> 00:28:27,136 ♪♪♪ 750 00:28:33,943 --> 00:28:35,714 EXCUSE ME, YOUR EXCELLENCY. 751 00:28:35,714 --> 00:28:37,817 OH, EXCUSE ME. PARDON ME. 752 00:28:37,817 --> 00:28:39,418 COMING THROUGH. OH. 753 00:28:39,418 --> 00:28:41,390 SORRY, SIR. AS YOU WERE. (woman) VERY RUDE! 754 00:28:41,390 --> 00:28:42,952 (indistinct conversations) 755 00:28:42,952 --> 00:28:45,324 EXCUSE ME. OH. OH! 756 00:28:45,324 --> 00:28:47,857 EXCUSE ME. (man and woman speak indistinctly) 757 00:28:47,857 --> 00:28:49,058 SIR ALFRED HEATH? 758 00:28:49,058 --> 00:28:50,229 YES. 759 00:28:50,229 --> 00:28:51,801 MIGHT I HAVE A WORD, SIR? 760 00:28:51,801 --> 00:28:54,303 THERE SEEMS TO BE TWO OF YOU HERE THIS EVENING. 761 00:28:57,066 --> 00:28:58,067 (laughs) 762 00:28:58,067 --> 00:29:00,739 (chuckles) 763 00:29:00,739 --> 00:29:03,242 (laughing) ALL RIGHT. LET'S TRY THIS WAY. 764 00:29:03,242 --> 00:29:04,373 (chuckles) 765 00:29:04,373 --> 00:29:06,075 I-I HAVE TO ASK, 766 00:29:06,075 --> 00:29:09,879 ARE YOU AS AGGRESSIVE IN YOUR OTHER ACTIVITIES 767 00:29:09,879 --> 00:29:11,480 AS YOU ARE ON THE DANCE FLOOR? 768 00:29:11,480 --> 00:29:13,823 AH, YOU KNOW, WHAT CAN I SAY? 769 00:29:13,823 --> 00:29:16,786 I LIKE TO LEAD... ALL THE TIME. 770 00:29:16,786 --> 00:29:18,127 (Colin) WELL, THERE'S OBVIOUSLY BEEN A SERIOUS MISTAKE. 771 00:29:18,127 --> 00:29:19,258 (chuckles) I AM THE REAL SIR ALFRED, 772 00:29:19,258 --> 00:29:21,290 SO IF THERE'S SOMEBODY ELSE, UH, HERE AS SIR ALFRED, 773 00:29:21,290 --> 00:29:23,492 THEN THEY'RE OBVIOUSLY, UH, AN IMPOSTER. 774 00:29:23,492 --> 00:29:25,034 UH, YOU HAVE ANY I.D.? 775 00:29:25,034 --> 00:29:26,936 UH, I-I ACTUALLY DON'T HAVE ANY. ARE YOU-- 776 00:29:26,936 --> 00:29:29,438 (Colin) NO, NO, I'VE LEFT MY, UM... IS--IS EVERYTHING ALL RIGHT? 777 00:29:29,438 --> 00:29:31,500 UM, YEAH. YOU KNOW, I'M SUDDENLY-- 778 00:29:31,500 --> 00:29:34,503 I FEEL VERY HUNGRY. EXCUSE ME. 779 00:29:34,503 --> 00:29:37,006 WOULD YOU LIKE ONE OF THESE? I HEAR THEY'RE GREAT. 780 00:29:37,006 --> 00:29:39,278 I'M NOT A CAVIAR MAN MYSELF. 781 00:29:39,278 --> 00:29:41,380 YEAH, BUT I HEAR THEY'RE AN APHRODISIAC. 782 00:29:41,380 --> 00:29:43,052 MM. NOT FOR ME, I'M AFRAID. 783 00:29:43,052 --> 00:29:45,354 (clears throat) I'M SORRY TO INTRUDE, MR. WYNDHAM, SIR. 784 00:29:45,354 --> 00:29:46,886 YES, WHAT IS IT, BRYSON? 785 00:29:46,886 --> 00:29:49,188 UH, THE YOUNG LADY, I NEED HER TO COME WITH ME. 786 00:29:49,188 --> 00:29:51,090 WELL, FOR WHAT PURPOSE? 787 00:29:51,090 --> 00:29:52,391 DON'T WORRY, DARLING. 788 00:29:52,391 --> 00:29:55,194 (whispers) I KNOW THAT WE'LL SEE EACH OTHER AGAIN VERY SOON. 789 00:29:55,194 --> 00:29:58,197 ♪♪♪ 790 00:29:58,197 --> 00:30:00,529 (indistinct conversations) 791 00:30:00,529 --> 00:30:03,072 (sighs) I HAD THE WAITER, THEN I LOST HIM. 792 00:30:03,072 --> 00:30:04,934 I'VE BOLLIXED UP THE WHOLE PLAN, 793 00:30:04,934 --> 00:30:06,175 AND NOW WE'VE GOT NOTHING. 794 00:30:06,175 --> 00:30:08,237 OH, I WOULDN'T SAY NOTHING. 795 00:30:08,237 --> 00:30:09,939 I SWIPED WYNDHAM'S CARD CASE. 796 00:30:09,939 --> 00:30:11,310 IT'S GOT HIS PRINTS ALL OVER IT. 797 00:30:11,310 --> 00:30:13,582 YOU SNEAKY LITTLE THIEF. 798 00:30:13,582 --> 00:30:15,084 THAT'S BLOODY BRILLIANT. 799 00:30:15,084 --> 00:30:18,817 THANK YOU. NOW LET'S GO GET THIS SON OF A BITCH. 800 00:30:23,192 --> 00:30:24,153 THE PRINT'S NOT A MATCH. 801 00:30:24,153 --> 00:30:25,424 (Beckett and Colin) WHAT? 802 00:30:25,424 --> 00:30:27,096 C.S.U. RAN THE FINGERPRINTS OFF THE CARD CASE, 803 00:30:27,096 --> 00:30:29,058 COMPARED 'EM TO THE ONE THAT LANIE FOUND ON NAOMI'S BODY. 804 00:30:29,058 --> 00:30:30,099 IT WASN'T NIGEL WYNDHAM'S. 805 00:30:30,099 --> 00:30:32,101 NO, THAT'S NOT POSSIBLE. RUN IT AGAIN. 806 00:30:32,101 --> 00:30:33,903 RYAN ALREADY DID THAT THREE TIMES. 807 00:30:33,903 --> 00:30:34,934 WYNDHAM'S NOT OUR KILLER. 808 00:30:34,934 --> 00:30:36,105 HE'S BEHIND THIS. I KNOW IT. 809 00:30:36,105 --> 00:30:37,436 IT'S WHY NAOMI LEFT US HIS PHOTOGRAPH. 810 00:30:37,436 --> 00:30:40,109 WELL, MAYBE HE HIRED SOMEONE TO DO HIS DIRTY WORK FOR HIM. 811 00:30:40,109 --> 00:30:41,540 LIKE ONE OF HIS SECURITY MEN. 812 00:30:41,540 --> 00:30:43,072 CAN YOU GET SCOTLAND YARD TO RUN BACKGROUND CHECKS 813 00:30:43,072 --> 00:30:44,443 ON THE SECURITY STAFF? 814 00:30:44,443 --> 00:30:47,246 OR A BETTER PATH MIGHT BE TO LOOK INTO THIS MYSTERIOUS NUMBER 815 00:30:47,246 --> 00:30:49,618 THAT NAOMI WROTE ON THE BACK OF THAT PHOTO, 816 00:30:49,618 --> 00:30:51,350 WHICH IS A MYSTERY NO LONGER. 817 00:30:51,350 --> 00:30:52,521 IS THIS LOBSTER, BRO? 818 00:30:52,521 --> 00:30:54,253 LUCKY FOR YOU, JACINDA'S A LIGHT EATER. 819 00:30:54,253 --> 00:30:56,225 YOU HEAT THAT UP, LITTLE BIT OF MELTED BUTTER-- 820 00:30:56,225 --> 00:30:58,287 ARE YOU TELLING US YOU KNOW WHAT THAT NUMBER MEANS? HOW? 821 00:30:58,287 --> 00:31:00,189 WELL, AS JACINDA AND I WERE ENJOYING 822 00:31:00,189 --> 00:31:02,191 OUR SUCCULENT LOBSTERS FROM MAINE, 823 00:31:02,191 --> 00:31:03,492 PAIRED WITH AN EARTHY 824 00:31:03,492 --> 00:31:05,364 YET ELEGANT PINOT NOIR FROM SONOMA VALLEY-- 825 00:31:05,364 --> 00:31:07,336 CASTLE, NUMBERS. 826 00:31:07,336 --> 00:31:08,867 RIGHT. WELL, WE WERE GOING OVER THE FILE. 827 00:31:08,867 --> 00:31:10,099 TURNS OUT JACINDA'S QUITE A LITTLE CRIME SOLVER. 828 00:31:10,099 --> 00:31:12,902 YOU SHOWED THE STEWARDESS THE EVIDENCE FILE? 829 00:31:12,902 --> 00:31:14,944 NO. (laughs) 830 00:31:14,944 --> 00:31:17,246 I TOOK A PICTURE OF IT WITH MY PHONE. 831 00:31:17,246 --> 00:31:20,109 AND THE PREFERRED NOMENCLATURE IS "FLIGHT ATTENDANT." 832 00:31:20,109 --> 00:31:22,551 THE POINT IS, THIS CODE REFERS TO 833 00:31:22,551 --> 00:31:23,953 A DIPLOMATIC POUCH. 834 00:31:23,953 --> 00:31:25,114 HOW DO YOU KNOW THAT? 835 00:31:25,114 --> 00:31:26,185 JACINDA RECOGNIZED THE FORMAT. 836 00:31:26,185 --> 00:31:28,287 FURTHERMORE, SHE TOLD ME THESE LAST THREE DIGITS 837 00:31:28,287 --> 00:31:31,220 ARE A REFERENCE CODE FOR ROYAL EASTERN AIRLINES. 838 00:31:31,220 --> 00:31:33,392 WHICH MEANS THE POUCH WAS DELIVERED ON THAT AIRLINE. 839 00:31:33,392 --> 00:31:35,965 EXACTLY. THE "W4" REFERS TO THE SIZE OF THE POUCH, 840 00:31:35,965 --> 00:31:38,968 THE "1949" INDICATES EXACTLY WHICH POUCH IT IS 841 00:31:38,968 --> 00:31:40,970 IN THE CONSULATE SEQUENCE. 842 00:31:40,970 --> 00:31:43,502 AS THE DEPUTY GENERAL, NIGEL SIGNS FOR ALL THE POUCHES. 843 00:31:43,502 --> 00:31:45,504 SO THEN MAYBE THIS WASN'T ABOUT AN AFFAIR GONE WRONG 844 00:31:45,504 --> 00:31:47,236 BETWEEN NIGEL AND NAOMI. 845 00:31:47,236 --> 00:31:49,138 IT'S ABOUT SMUGGLING. (Castle) WELL, THAT MAKES A LOT OF SENSE. 846 00:31:49,138 --> 00:31:51,680 DIPLOMATIC POUCHES ARE SEALED AND THEIR CONTENTS 847 00:31:51,680 --> 00:31:54,113 BYPASS T.S.A. AND CUSTOMS INSPECTIONS. 848 00:31:54,113 --> 00:31:55,584 NAOMI MUST HAVE GOT ON TO WHAT WYNDHAM WAS DOING SOMEHOW. 849 00:31:55,584 --> 00:31:57,286 WE NEED TO KNOW WHAT WAS IN THAT POUCH. 850 00:31:57,286 --> 00:31:58,617 THE CONSULATE'S NEVER GONNA RELEASE THAT INFORMATION. 851 00:31:58,617 --> 00:32:00,349 OH, WE DON'T HAVE TO WORRY ABOUT THE CONSULATE. 852 00:32:00,349 --> 00:32:02,992 THE AIRLINE KEEPS A COPY OF THE WAYBILL. 853 00:32:02,992 --> 00:32:06,355 GET AHOLD OF THE AIRLINE. LET'S GET THAT WAYBILL DOWN HERE. 854 00:32:07,957 --> 00:32:09,228 RYAN, GRAB A PEN. 855 00:32:09,228 --> 00:32:13,032 (hissing) 856 00:32:20,239 --> 00:32:21,210 WHAT? 857 00:32:21,210 --> 00:32:23,242 CASTLE, YOU CAN'T JUST SHARE 858 00:32:23,242 --> 00:32:26,615 CONFIDENTIAL POLICE INFORMATION WITH AN OUTSIDER. 859 00:32:26,615 --> 00:32:29,378 EVEN IF IT SOLVES THE CASE? 860 00:32:29,378 --> 00:32:30,679 I MEAN, SHE GAVE US A LEAD. 861 00:32:30,679 --> 00:32:32,621 THAT'S MORE THAN YOU GOT AT THE CONSULATE. 862 00:32:32,621 --> 00:32:34,653 AND THAT'S SUPPOSED TO MAKE THIS ALL OKAY? 863 00:32:34,653 --> 00:32:36,525 JACINDA JUST WANTED TO HELP. WHAT'S THE BIG DEAL? 864 00:32:36,525 --> 00:32:38,227 YOU DON'T GET IT, DO YOU? 865 00:32:38,227 --> 00:32:39,258 NO, I GUESS I DON'T. 866 00:32:39,258 --> 00:32:40,990 NO, I GU-- I GUESS YOU DON'T. 867 00:32:40,990 --> 00:32:43,192 WE FOUND SOMETHING YOU'RE GONNA WANT TO SEE. 868 00:32:49,038 --> 00:32:50,399 THE AIRLINE E-MAILED OVER THE WAYBILL. 869 00:32:50,399 --> 00:32:52,201 THE POUCH THAT MATCHES OUR NUMBER 870 00:32:52,201 --> 00:32:54,173 WAS SHIPPED FROM THE BRITISH CONSULATE 871 00:32:54,173 --> 00:32:55,244 ABOUT A YEAR AGO. 872 00:32:55,244 --> 00:32:58,007 IT FLEW FROM J.F.K. 873 00:32:58,007 --> 00:33:00,109 TO KAMPALA, UGANDA. 874 00:33:00,109 --> 00:33:02,411 UGANDA? THAT CAN'T BE A COINCIDENCE. 875 00:33:02,411 --> 00:33:04,283 (Beckett) WHAT DO YOU MEAN? 876 00:33:04,283 --> 00:33:06,415 NAOMI'S BOYFRIEND, THE ONE WHO DIED, HE WAS KILLED IN UGANDA. 877 00:33:06,415 --> 00:33:08,657 ANY IDEA OF WHAT WAS BEING SHIPPED? 878 00:33:08,657 --> 00:33:10,259 UH, JUST THAT IT WEIGHED 200 POUNDS. 879 00:33:10,259 --> 00:33:12,161 WELL, THAT'S AWFULLY HEAVY FOR A POUCH. 880 00:33:12,161 --> 00:33:14,163 WELL, A DIPLOMATIC POUCH CAN BE AS SMALL AS AN ENVELOPE 881 00:33:14,163 --> 00:33:16,125 OR AS BIG AS A CARGO CONTAINER. 882 00:33:16,125 --> 00:33:17,766 (Esposito) WHATEVER'S BEING SHIPPED, IT'S BEING SENT OUT 883 00:33:17,766 --> 00:33:19,298 ABOUT ONCE A MONTH. 884 00:33:19,298 --> 00:33:22,331 I JUST COMBED THROUGH AIRLINE WAYBILLS FROM THE PAST YEAR. 885 00:33:22,331 --> 00:33:23,632 TEN OTHER POUCHES, ALL THE SAME WEIGHT, 886 00:33:23,632 --> 00:33:25,274 WERE FLOWN FROM HERE TO UGANDA. 887 00:33:25,274 --> 00:33:26,775 IN FACT, ONE OF THEM IS LISTED 888 00:33:26,775 --> 00:33:29,178 AS BEING IN J.F.K.'s SECURE BAGGAGE AREA. 889 00:33:29,178 --> 00:33:30,739 YOU MEAN TO SAY, ONE OF THOSE POUCHES 890 00:33:30,739 --> 00:33:32,681 IS AT THE AIRPORT RIGHT NOW? 891 00:33:32,681 --> 00:33:35,214 FINDING OUT WHAT'S IN THAT POUCH COULD TELL US WHO KILLED NAOMI. 892 00:33:35,214 --> 00:33:37,216 YEAH, BUT WE DON'T HAVE ANY JURISDICTION HERE, CASTLE. 893 00:33:37,216 --> 00:33:39,648 IF THE NYPD TRIES TO OPEN UP A BRITISH DIPLOMATIC POUCH, 894 00:33:39,648 --> 00:33:42,091 WE COULD RISK AN INTERNATIONAL INCIDENT. 895 00:33:42,091 --> 00:33:45,194 THEN IT'S A GOOD THING I'M NOT NYPD. 896 00:33:45,194 --> 00:33:48,297 (engines roaring) 897 00:33:50,259 --> 00:33:53,232 (clatters) 898 00:33:53,232 --> 00:33:54,333 HEY! (American accent) OH. 899 00:33:54,333 --> 00:33:55,564 GOOD EVENING, SIR. 900 00:33:55,564 --> 00:33:57,236 I'M AGENT BAUER WITH HOMELAND SECURITY. 901 00:33:57,236 --> 00:33:58,337 I'M HERE FOR THE INSPECTION. 902 00:33:58,337 --> 00:34:01,540 NOBODY RADIOED ME ABOUT ANY INSPECTION. 903 00:34:01,540 --> 00:34:03,072 WELL, OF COURSE THEY DIDN'T. 904 00:34:03,072 --> 00:34:04,673 WE CONDUCT RANDOM CHECKS TO ASSESS SECURITY. 905 00:34:04,673 --> 00:34:06,615 TELLING YOU WE WERE COMING KIND OF DEFEATS THE PURPOSE. 906 00:34:06,615 --> 00:34:09,218 AM I RIGHT? WE'D BE TIPPING OUR HAND, 907 00:34:09,218 --> 00:34:10,379 SHOWING OUR PLAY BOOK, SO TO SPEAK. 908 00:34:10,379 --> 00:34:11,450 TWO YEARS, I'VE WORKED THIS SHIFT, 909 00:34:11,450 --> 00:34:13,452 AND I'VE NEVER HEARD OF ANYTHING-- 910 00:34:13,452 --> 00:34:14,753 LOOK, MORGAN, IS IT? I'M SURE YOU RUN A TIGHT SHIP HERE. 911 00:34:14,753 --> 00:34:16,455 SO IF THINGS INSIDE ARE SECURE, 912 00:34:16,455 --> 00:34:18,257 I'LL MAKE DAMN SURE YOUR BOSSES KNOW ABOUT IT, 913 00:34:18,257 --> 00:34:20,159 WHICH WILL REFLECT WELL ON YOU. 914 00:34:20,159 --> 00:34:22,631 WE'RE ALL ON THE SAME TEAM HERE, PAL. (imitates gunshot) 915 00:34:22,631 --> 00:34:25,534 I GOTTA VERIFY THIS WITH MY SUPERVISOR. 916 00:34:25,534 --> 00:34:28,497 YEAH, YOU DO THAT. 917 00:34:28,497 --> 00:34:29,698 (beeps) 918 00:34:29,698 --> 00:34:31,400 (normal voice) I'M GETTING MORE ADEPT 919 00:34:31,400 --> 00:34:33,572 AT FAKING MY WAY PAST PEOPLE. 920 00:34:33,572 --> 00:34:35,474 MUST BE ALL THE PRACTICE. 921 00:34:35,474 --> 00:34:36,775 YOU'RE IN THE BAGGAGE AREA? 922 00:34:36,775 --> 00:34:38,477 Yeah, but I don't have much time. 923 00:34:38,477 --> 00:34:40,409 MAYBE A MINUTE BEFORE THE GUY CALLS HIS SUPERVISOR 924 00:34:40,409 --> 00:34:42,751 TO CHECK MY STORY. All right, so based on 925 00:34:42,751 --> 00:34:44,413 THE SHIPPING CODE, THE POUCH THAT YOU'RE LOOKING FOR 926 00:34:44,413 --> 00:34:46,255 IS ABOUT 5 FEET LONG. 927 00:34:46,255 --> 00:34:47,416 Does the waybill say 928 00:34:47,416 --> 00:34:48,557 IF IT'S A CRATE, A FOOTLOCKER, 929 00:34:48,557 --> 00:34:50,189 CARDBOARD BOX, WHAT? 930 00:34:50,189 --> 00:34:51,460 NO, SORRY, BRO. 931 00:34:51,460 --> 00:34:53,422 (Ryan) But it's 200 pounds, 932 00:34:53,422 --> 00:34:54,563 SO IT'S GOTTA BE SOMETHING STURDY. 933 00:34:54,563 --> 00:34:57,396 SOMETHING STURDY. RIGHT. 934 00:34:57,396 --> 00:34:59,368 OH, COME ON. 935 00:35:02,471 --> 00:35:04,433 HERE WE GO. I FOUND IT. IT'S A CRATE. 936 00:35:04,433 --> 00:35:05,404 (Morgan) AGENT BAUER! 937 00:35:05,404 --> 00:35:06,675 I NEED YOU TO STEP OUTTA THERE, PLEASE. 938 00:35:06,675 --> 00:35:08,237 OKAY, THAT DIDN'T SOUND GOOD. 939 00:35:08,237 --> 00:35:10,309 AGENT BAUER-- WHAT DID HE EXPECT? 940 00:35:10,309 --> 00:35:11,880 I HEARD THAT. (clears throat) 941 00:35:11,880 --> 00:35:13,582 (American accent) UH, I'VE JUST ABOUT WRAPPED UP HERE. 942 00:35:13,582 --> 00:35:15,384 (chuckles) SIR, MY SUPERVISOR WILL BE HERE-- 943 00:35:15,384 --> 00:35:17,886 AND HE WILL BE MIGHTY PLEASED WITH YOUR WORK, MORGAN, 944 00:35:17,886 --> 00:35:19,488 MIGHTY PLEASED. 945 00:35:19,488 --> 00:35:21,820 IT'S CLEAR TO ME THAT YOU'VE BEEN WORKING HARDER THAN A... 946 00:35:21,820 --> 00:35:25,424 ONE-LEGGED MAN IN AN ASS-KICKING CONTEST. 947 00:35:25,424 --> 00:35:28,257 Step outta there now, sir. I will not tell you again. 948 00:35:28,257 --> 00:35:29,558 HELLO! 949 00:35:29,558 --> 00:35:32,561 YOU THERE? HELLO! 950 00:35:32,561 --> 00:35:34,663 (normal voice) BLOODY HELL. 951 00:35:34,663 --> 00:35:36,435 WHAT'S IN THE CRATE? 952 00:35:40,539 --> 00:35:42,441 MISSILES. 953 00:35:48,477 --> 00:35:49,648 CUSTOMS AND HOMELAND SECURITY 954 00:35:49,648 --> 00:35:50,819 HAVE IMPOUNDED THE CRATE, 955 00:35:50,819 --> 00:35:51,920 AND INTERPOL IS ON THEIR WAY TO J.F.K. 956 00:35:51,920 --> 00:35:53,682 HOW DID YOU EXPLAIN OPENING THE DIPLOMATIC POUCH? 957 00:35:53,682 --> 00:35:55,424 WELL, EVERYONE'S MORE INTERESTED IN THE MISSILES AT THE MOMENT, 958 00:35:55,424 --> 00:35:57,526 BUT I EXPECT I'LL BE IN HOT WATER AT SOME POINT. 959 00:35:57,526 --> 00:35:59,188 AND WHERE DOES THIS LEAVE WYNDHAM? 960 00:35:59,188 --> 00:36:01,159 UNTOUCHED. 961 00:36:01,159 --> 00:36:03,232 WHAT DO YOU MEAN UNTOUCHED? HE WAS SMUGGLING WEAPONS. 962 00:36:03,232 --> 00:36:04,563 WELL, THEY'LL HAVE AN INQUIRY, OF COURSE, 963 00:36:04,563 --> 00:36:05,864 BUT THEY CAN'T PROVE HE KNEW WHAT WAS IN THE CRATE. 964 00:36:05,864 --> 00:36:07,566 AND SINCE WE OPENED THE CRATE ILLEGALLY, 965 00:36:07,566 --> 00:36:09,198 WE WON'T BE ABLE TO USE IT AS EVIDENCE. 966 00:36:09,198 --> 00:36:11,200 AT LEAST IT ALL STARTS TO MAKE SENSE NOW. 967 00:36:11,200 --> 00:36:13,702 NAOMI WAS TRYING TO SOLVE AIDEN'S MURDER. 968 00:36:13,702 --> 00:36:16,775 THAT WOULD BE NAOMI'S BOYFRIEND--AIDEN MILLER. 969 00:36:16,775 --> 00:36:17,906 HE WORKED FOR DOCTORS WITHOUT BORDERS 970 00:36:17,906 --> 00:36:19,448 IN UGANDA 971 00:36:19,448 --> 00:36:20,779 UNTIL HIS HELICOPTER WAS SHOT DOWN 972 00:36:20,779 --> 00:36:22,381 BY GUERILLA FORCES A YEAR AGO. 973 00:36:22,381 --> 00:36:23,812 THE BRITISH GOVERNMENT LAUNCHED AN INVESTIGATION, 974 00:36:23,812 --> 00:36:25,684 BUT WAS NEVER ABLE TO DETERMINE HOW THE REBELS ACQUIRED 975 00:36:25,684 --> 00:36:26,885 A STINGER MISSILE. 976 00:36:26,885 --> 00:36:28,557 WHICH WE NOW KNOW CAME TO THEM 977 00:36:28,557 --> 00:36:30,419 COURTESY OF NIGEL WYNDHAM. 978 00:36:30,419 --> 00:36:31,760 YEAH, EXCEPT NIGEL'S NOT THE TYPE 979 00:36:31,760 --> 00:36:33,692 TO GET HIS HANDS DIRTY WHEN IT COMES TO MISSILES 980 00:36:33,692 --> 00:36:35,894 OR MURDER. 981 00:36:35,894 --> 00:36:36,825 (Esposito) HE MUST HAVE HAD A PARTNER 982 00:36:36,825 --> 00:36:38,527 WHO HAD A LINE ON THOSE STINGERS. 983 00:36:38,527 --> 00:36:41,230 AND IF NAOMI STARTED LOOKING INTO THE SMUGGLING OPERATION... 984 00:36:41,230 --> 00:36:43,232 THEN PERHAPS IT WAS THE PARTNER WHO GOT RID OF HER. 985 00:36:43,232 --> 00:36:45,604 SO THEN THE QUESTION IS, WHO IS THIS PARTNER? 986 00:36:45,604 --> 00:36:47,636 EVERYTHING NAOMI DID WAS ABOUT FINDING OUT 987 00:36:47,636 --> 00:36:49,378 WHO SUPPLIED THE WEAPON THAT KILLED HER BOYFRIEND. 988 00:36:49,378 --> 00:36:50,909 THAT'S WHY SHE STOPPED TAKING MODELING GIGS. 989 00:36:50,909 --> 00:36:54,583 THAT'S WHY SHE CAME TO NEW YORK. IT'S... 990 00:36:54,583 --> 00:36:56,715 MAYBE THERE'S SOMEONE ON THAT LIST OF ATTENDEES 991 00:36:56,715 --> 00:36:57,986 FOR THAT, UH, FOREIGN DIGNITARY PARTY. 992 00:36:57,986 --> 00:37:00,489 I MEAN, IT ALL STARTED WHEN SHE BOOKED THAT OUT OF LONDON 993 00:37:00,489 --> 00:37:01,650 A FEW MONTHS AGO. 994 00:37:01,650 --> 00:37:02,921 (taps folder) PAULO MAKUZI. 995 00:37:02,921 --> 00:37:03,952 AND WHO IS HE? 996 00:37:03,952 --> 00:37:05,954 A LEADER OF THE REBEL ARMY IN UGANDA. 997 00:37:05,954 --> 00:37:07,456 NAOMI MUST HAVE HEARD SOMETHING AT THE PARTY. 998 00:37:07,456 --> 00:37:09,358 THAT'S WHAT LED HER TO THE CONSULATE. 999 00:37:09,358 --> 00:37:10,659 (Esposito) AND THAT ROMANTIC DINNER WITH NIGEL 1000 00:37:10,659 --> 00:37:11,960 WAS JUST PART OF HER AGENDA 1001 00:37:11,960 --> 00:37:13,632 TO GET THE POUCH NUMBER FROM HIS OFFICE. 1002 00:37:13,632 --> 00:37:15,534 (Castle) SO THEN THERE'S JUST ONE PIECE 1003 00:37:15,534 --> 00:37:19,738 THAT DOESN'T FIT IN HER INVESTIGATION. 1004 00:37:19,738 --> 00:37:21,910 WHAT WAS SHE DOING WITH BIGGIE SLIM? 1005 00:37:23,442 --> 00:37:25,614 I WANT YOU TO TAKE A CLOSE LOOK AT THIS PHOTO. 1006 00:37:25,614 --> 00:37:27,015 YEAH, I SEEN THIS ONE. 1007 00:37:27,015 --> 00:37:28,577 PAPARAZZI CAUGHT ME AND NICKY JAY 1008 00:37:28,577 --> 00:37:29,878 COMING OUT OF THE STUDIO A COUPLE WEEKS AGO. 1009 00:37:29,878 --> 00:37:32,981 IN FACT, THAT IS NICKY JAY'S BLACK S.U.V., ISN'T IT? 1010 00:37:32,981 --> 00:37:34,853 BOUGHT BY BIGGIE SLIM HIMSELF. 1011 00:37:34,853 --> 00:37:35,984 MM. 1012 00:37:35,984 --> 00:37:38,957 SUPPLY AND DEMAND. SHE DEMANDS, I GOTTA SUPPLY. 1013 00:37:38,957 --> 00:37:40,459 YOU KNOW, THE THING THAT I FIND INTRIGUING 1014 00:37:40,459 --> 00:37:42,391 IS THAT BEFORE YOU BECAME BIGGIE SLIM, 1015 00:37:42,391 --> 00:37:44,262 YOU'RE NAME WAS DARIUS YOUNG, 1016 00:37:44,262 --> 00:37:46,965 BEST KNOWN FOR LAUNCHING SEVERAL FAILED INTERNET START-UPS. 1017 00:37:46,965 --> 00:37:48,497 JUST A MAN AHEAD OF MY TIME. 1018 00:37:48,497 --> 00:37:49,868 WELL, THE S.E.C. THOUGHT YOU WERE A MAN 1019 00:37:49,868 --> 00:37:50,999 TRYING TO FLEECE INVESTORS. 1020 00:37:50,999 --> 00:37:52,641 SEE, I WAS NEVER CHARGED FOR THAT. 1021 00:37:52,641 --> 00:37:54,643 ONE OF YOUR VENTURES, 1022 00:37:54,643 --> 00:37:56,875 A MUSIC SHARING WEB SITE BASED IN THE U.K., 1023 00:37:56,875 --> 00:37:58,046 CAUGHT THE ATTENTION OF BRITISH AUTHORITIES. 1024 00:37:58,046 --> 00:37:59,808 AND WHEN THEY TRIED TO SHUT IT DOWN, 1025 00:37:59,808 --> 00:38:01,550 AN AIDE TO THE MINISTER OF CULTURE 1026 00:38:01,550 --> 00:38:03,051 LOBBIED ON YOUR BEHALF. 1027 00:38:03,051 --> 00:38:05,013 AND DO YOU KNOW WHO THAT AIDE WAS? 1028 00:38:05,013 --> 00:38:07,616 NIGEL WYNDHAM. 1029 00:38:07,616 --> 00:38:09,918 IN FACT, THIS IS NIGEL 1030 00:38:09,918 --> 00:38:12,821 STEPPING OUT OF THE VERY SAME BLACK S.U.V. 1031 00:38:14,323 --> 00:38:15,964 NO, I DON'T THINK SO. 1032 00:38:15,964 --> 00:38:18,597 WHY DON'T YOU TAKE A CLOSER LOOK? 1033 00:38:18,597 --> 00:38:20,929 IT'S GOT THE SAME CUSTOM PINSTRIPES ON THE DOOR. 1034 00:38:20,929 --> 00:38:23,071 IT'S JUST SOMEBODY ELSE'S TRUCK WITH THOSE STRIPES ON THERE. 1035 00:38:23,071 --> 00:38:24,773 YOUR DRIVER ALREADY ADMITTED THAT HE DROVE YOU 1036 00:38:24,773 --> 00:38:26,034 TO THIS MEETING OUTSIDE THE CONSULATE. 1037 00:38:26,034 --> 00:38:28,337 WE ALSO KNOW THAT YOUR COUSIN IS IN THE SERVICE-- 1038 00:38:28,337 --> 00:38:29,678 DREW HARRIS. 1039 00:38:29,678 --> 00:38:30,979 A STAFF SERGEANT. HE WORKS AT AN ARMORY. 1040 00:38:30,979 --> 00:38:32,441 HE SUPPLIED THE MISSILES. 1041 00:38:32,441 --> 00:38:34,383 YOU KNEW THAT WYNDHAM HAD ACCESS 1042 00:38:34,383 --> 00:38:36,345 TO THE DIPLOMATIC POUCH, AND YOU SAW AN OPPORTUNITY. 1043 00:38:36,345 --> 00:38:38,046 SUPPLY AND DEMAND. 1044 00:38:38,046 --> 00:38:40,949 THAT'S A WHOLE LOT OF SPECULATION THERE, MATE. 1045 00:38:40,949 --> 00:38:42,851 WELL, WE WEREN'T THE ONLY ONES TO PUT TOGETHER THE PIECES. 1046 00:38:42,851 --> 00:38:44,693 NAOMI WASN'T GIVING YOU HER PHONE NUMBER. 1047 00:38:44,693 --> 00:38:46,595 SHE WAS LOOKING FOR EVIDENCE. 1048 00:38:46,595 --> 00:38:48,527 ONCE YOU REALIZED THAT SHE WAS THE SAME GIRL 1049 00:38:48,527 --> 00:38:49,998 THAT WYNDHAM CAUGHT SNOOPING, 1050 00:38:49,998 --> 00:38:52,831 YOU FOLLOWED HER TO THE MOTEL AND YOU KILLED HER. 1051 00:38:52,831 --> 00:38:54,332 (scoffs) 1052 00:38:54,332 --> 00:38:56,965 WELL, HOW Y'ALL GON' PROVE THAT? 1053 00:38:56,965 --> 00:38:59,107 A PARTIAL FINGERPRINT ON NAOMI'S BODY-- 1054 00:38:59,107 --> 00:39:00,769 AND IT'S A MATCH TO YOU. 1055 00:39:08,547 --> 00:39:10,348 YOU KNOW, THE THING 1056 00:39:10,348 --> 00:39:13,081 THAT I STILL CAN'T FIGURE OUT IS, WHY UGANDA? 1057 00:39:13,081 --> 00:39:15,724 WHY WOULD YOU CARE? 1058 00:39:18,126 --> 00:39:21,730 MAN, IT WASN'T ABOUT UGANDA. 1059 00:39:21,730 --> 00:39:24,463 IT WAS JUST ABOUT THE MONEY. 1060 00:39:24,463 --> 00:39:27,636 I DIDN'T EVEN KNOW WHERE WYNDHAM WAS SHIPPING THE STUFF TO. 1061 00:39:33,542 --> 00:39:35,574 (Nigel) GOOD. UH, CALL MY ASSISTANT. 1062 00:39:35,574 --> 00:39:37,005 I AM, UH, WIDE OPEN ALL WEEK. 1063 00:39:37,005 --> 00:39:38,547 (Colin) ACTUALLY, YOU'RE NOT. 1064 00:39:38,547 --> 00:39:39,878 OR THE FOLLOWING WEEK, FOR THAT MATTER. 1065 00:39:39,878 --> 00:39:41,550 TOLD YOU I'D SEE YOU SOON. 1066 00:39:41,550 --> 00:39:42,711 WHAT IS THIS? 1067 00:39:42,711 --> 00:39:43,882 GETTING THROWN OUT OF HERE ONCE ALREADY 1068 00:39:43,882 --> 00:39:45,053 WASN'T ENOUGH FOR YOU PEOPLE? 1069 00:39:45,053 --> 00:39:46,014 SECURITY. 1070 00:39:46,014 --> 00:39:47,556 THEY CAN'T HELP YOU, MATE. NOBODY CAN. 1071 00:39:47,556 --> 00:39:49,458 NOT EVEN YOUR WELL-FUNDED UGANDAN FRIENDS. 1072 00:39:49,458 --> 00:39:50,989 NIGEL WYNDHAM... (handcuffs clicking) 1073 00:39:50,989 --> 00:39:53,061 YOU'RE UNDER ARREST FOR INTERNATIONAL ARMS TRAFFICKING 1074 00:39:53,061 --> 00:39:56,895 AND FOR ABETTING IN THE MURDER OF A BRITISH CITIZEN. 1075 00:40:05,634 --> 00:40:08,507 (Colin) HER DAD WOULD'VE BEEN PROUD... 1076 00:40:08,507 --> 00:40:11,179 HOW BRAVE SHE WAS, TAKING ON THESE MEN. 1077 00:40:11,179 --> 00:40:14,042 BUT I SO WISH SHE HADN'T DONE IT. 1078 00:40:14,042 --> 00:40:16,915 SO WHAT HAPPENS NOW? DO YOU GO BACK TO D.C.? 1079 00:40:16,915 --> 00:40:19,187 LONDON, I'M AFRAID. 1080 00:40:19,187 --> 00:40:21,149 FACE THE MUSIC. 1081 00:40:21,149 --> 00:40:23,552 YOU KNOW, THEY SHOULD GIVE YOU A COMMENDATION. 1082 00:40:23,552 --> 00:40:25,524 WELL, THAT IS WILDLY IMPROBABLE. 1083 00:40:25,524 --> 00:40:27,025 (closes zipper) 1084 00:40:27,025 --> 00:40:29,127 WELL, DETECTIVE BECKETT, 1085 00:40:29,127 --> 00:40:31,029 IT'S BEEN A TRUE PLEASURE. 1086 00:40:31,029 --> 00:40:34,062 THE PLEASURE WAS ALL MINE, DETECTIVE INSPECTOR HUNT. 1087 00:40:34,062 --> 00:40:36,134 PLEASE. COLIN. 1088 00:40:36,134 --> 00:40:38,106 KATE. 1089 00:40:38,106 --> 00:40:40,539 (people speaking indistinctly) 1090 00:40:40,539 --> 00:40:42,541 YOU KNOW, I HAVE A FEW HOURS BEFORE MY FLIGHT, KATE. 1091 00:40:42,541 --> 00:40:45,213 COULD I PERSUADE YOU TO LET ME BUY YOU A DRINK? 1092 00:40:47,616 --> 00:40:48,777 UM... 1093 00:40:48,777 --> 00:40:50,579 (speaks inaudibly) 1094 00:40:54,222 --> 00:40:58,086 I'M SORRY. I HAVE A BIT OF PAPERWORK TO DO. 1095 00:40:58,086 --> 00:41:01,760 ANOTHER TIME. 1096 00:41:06,595 --> 00:41:08,136 WHERE'S SCOTLAND YARD OFF TO? 1097 00:41:08,136 --> 00:41:09,998 OH, HE'S GOING BACK TO LONDON. 1098 00:41:09,998 --> 00:41:11,840 UM... CASTLE, DO YOU HAVE A SECOND? 1099 00:41:11,840 --> 00:41:13,201 CAN WE TALK-- 1100 00:41:13,201 --> 00:41:14,643 ACTUALLY, I DON'T. JACINDA HAS THE FERRARI 1101 00:41:14,643 --> 00:41:16,144 DOUBLE PARKED IN A LOADING ZONE. 1102 00:41:16,144 --> 00:41:17,145 WOW. 1103 00:41:17,145 --> 00:41:19,848 FOUR DATES IN THREE DAYS. YOU LIKE HER. 1104 00:41:19,848 --> 00:41:21,780 YEAH. WHY? 1105 00:41:21,780 --> 00:41:23,251 (elevator bell dings) 1106 00:41:23,251 --> 00:41:25,213 (people continue speaking indistinctly) 1107 00:41:25,213 --> 00:41:29,187 UH, SHE JUST--SHE DOESN'T SEEM LIKE YOUR TYPE. 1108 00:41:29,187 --> 00:41:32,220 WELL, SHE'S FUN AND UNCOMPLICATED. 1109 00:41:32,220 --> 00:41:35,794 I THINK THAT'S WHAT MY LIFE NEEDS RIGHT NOW. 1110 00:41:38,997 --> 00:41:41,099 (elevator bell dings) 1111 00:41:54,643 --> 00:41:56,244 (beeps) 1112 00:41:59,848 --> 00:42:03,251 HI. IT'S, UH, IT'S KATE. 1113 00:42:03,251 --> 00:42:06,524 DO YOU STILL WANT TO BUY ME THAT DRINK?