1 00:00:02,203 --> 00:00:05,306 (squeaking) 2 00:00:32,063 --> 00:00:35,366 AAH! AAH! AAH! 3 00:00:35,366 --> 00:00:39,039 (Castle, European accent) YOU ARE VERY BEAUTIFUL, NIKKI HEAT. 4 00:00:39,039 --> 00:00:42,373 IT IS TOO BAD THAT I HAVE TO KILL YOU NOW. 5 00:00:42,373 --> 00:00:45,346 (normal voice) UGLIER MEN THAN YOU HAVE TRIED, DRAGO. 6 00:00:45,346 --> 00:00:48,079 (slap) (coughs, European accent) YOU HAVE SLAPPED ME. 7 00:00:48,079 --> 00:00:50,050 I WILL NOT HAVE-- 8 00:00:50,050 --> 00:00:52,123 PLAYING WITH DOLLS, ARE WE? 9 00:00:52,123 --> 00:00:53,224 THESE ARE ACTION FIGURES. 10 00:00:53,224 --> 00:00:54,285 AH. 11 00:00:54,285 --> 00:00:56,257 I AM USING THEM TO ENVISION A SCENE. 12 00:00:56,257 --> 00:00:59,090 I OWE A FEW CHAPTERS OF "FROZEN HEAT" TO MY EDITOR, 13 00:00:59,090 --> 00:01:00,331 AND I'VE NOT BEEN ABLE TO WRITE A PAGE. 14 00:01:00,331 --> 00:01:02,133 MAYBE A CASE WITH BECKETT MIGHT, 15 00:01:02,133 --> 00:01:04,135 YOU KNOW, SPARK SOMETHING. 16 00:01:04,135 --> 00:01:05,366 SHE'S PREPPING FOR A TRIAL. 17 00:01:05,366 --> 00:01:07,098 THAT THE MAIL? 18 00:01:07,098 --> 00:01:09,140 OH, YEAH, YEAH. THANK GOD ALEXIS IS 19 00:01:09,140 --> 00:01:12,173 FINALLY GETTING SOME COLLEGE ACCEPTANCE LETTERS. 20 00:01:12,173 --> 00:01:14,345 HER FRIENDS STARTED GETTING THEM WEEKS AGO. 21 00:01:16,207 --> 00:01:18,249 RICHARD CASTLE, 22 00:01:18,249 --> 00:01:20,411 WHAT ON EARTH ARE YOU PLAYING AT? 23 00:01:20,411 --> 00:01:22,453 I DON'T WANT ALEXIS TO HAVE TO LIVE THROUGH 24 00:01:22,453 --> 00:01:25,286 THAT STANFORD REJECTION NIGHTMARE AGAIN 25 00:01:25,286 --> 00:01:27,188 SO I'M HOLDING THE LETTERS. 26 00:01:27,188 --> 00:01:28,389 THIS WAY, SHE GETS THEM ALL AT ONCE, 27 00:01:28,389 --> 00:01:30,261 AND SHE'LL GET ALL THE GOOD NEWS WITH THE BAD. 28 00:01:30,261 --> 00:01:33,124 RICHARD, THAT IS THE DUMBEST IDEA YOU'VE EVER HAD. 29 00:01:33,124 --> 00:01:34,265 NOW YOU'VE GOT TO GIVE HER THESE LETTERS 30 00:01:34,265 --> 00:01:36,096 BEFORE SHE HAS A NERVOUS BREAKDOWN. 31 00:01:36,096 --> 00:01:38,129 OKAY, I WILL. I WILL. 32 00:01:38,129 --> 00:01:39,330 THOUGH YOU HAVE TO ADMIT, 33 00:01:39,330 --> 00:01:41,272 WATCHING HER HAVE A NERVOUS BREAKDOWN IS PRETTY FUNNY. 34 00:01:41,272 --> 00:01:42,403 UNLIKE YOURS. 35 00:01:42,403 --> 00:01:44,305 NOW WHAT ARE WE GONNA DO ABOUT YOUR WRITING? 36 00:01:44,305 --> 00:01:47,278 OH, I DON'T KNOW. I JUST NEED SOMETHING... DIFFERENT, 37 00:01:47,278 --> 00:01:49,180 SOMETHING NEW, 38 00:01:49,180 --> 00:01:51,182 SOMETHING LIKE... 39 00:01:51,182 --> 00:01:53,184 SEVERED HEADS. 40 00:01:53,184 --> 00:01:54,345 SEVERED HEADS? 41 00:01:54,345 --> 00:01:57,288 THE VICTIM WAS FOUND SHOT TO DEATH AFTER MIDNIGHT. 42 00:01:57,288 --> 00:02:00,321 ACCORDING TO POLICE, HIS BAG CONTAINED THREE SEVERED HEADS. 43 00:02:00,321 --> 00:02:02,253 DETECTIVE SLAUGHTER, WHAT CAN YOU TELL US ABOUT-- 44 00:02:02,253 --> 00:02:03,394 GET THAT CAMERA OUT OF MY FACE 45 00:02:03,394 --> 00:02:05,326 BEFORE I PUT A BULLET IN IT! 46 00:02:05,326 --> 00:02:06,397 (laughs) 47 00:02:06,397 --> 00:02:07,398 OH-HO, MOTHER, 48 00:02:07,398 --> 00:02:09,460 FORGET SEVERED HEADS. 49 00:02:09,460 --> 00:02:11,462 I WANT TO MEET THAT GUY. 50 00:02:11,462 --> 00:02:13,304 YOU ALREADY HAVE A MUSE, DARLING. 51 00:02:13,304 --> 00:02:15,366 YES, WELL, MUSES ARE TO PROVIDE INSPIRATION, 52 00:02:15,366 --> 00:02:17,408 AND RIGHT NOW I AIN'T GETTING ANY. 53 00:02:17,408 --> 00:02:20,311 SO DETECTIVE NIKKI HEAT, 54 00:02:20,311 --> 00:02:24,144 MEET DETECTIVE SLAUGHTER. 55 00:02:24,144 --> 00:02:25,446 YOU KNOW WHAT? PARK THAT IN THE CONFERENCE ROOM. 56 00:02:25,446 --> 00:02:27,178 THANK YOU. 57 00:02:28,419 --> 00:02:30,481 HEY. CASTLE, WHAT ARE YOU DOING HERE? 58 00:02:30,481 --> 00:02:32,223 I JUST HAVEN'T SEEN YOU IN A FEW DAYS. 59 00:02:32,223 --> 00:02:33,424 THOUGHT I'D DROP BY, SEE HOW YOU'RE DOING. 60 00:02:33,424 --> 00:02:35,155 THANK YOU. THAT'S SO SWEET. 61 00:02:35,155 --> 00:02:36,287 UM, I'M GREAT, ACTUALLY. 62 00:02:36,287 --> 00:02:38,429 THE TRIAL PREP IS GOING REALLY WELL. 63 00:02:38,429 --> 00:02:41,462 I'VE BEEN GETTING HOME AT A DECENT HOUR, AND... 64 00:02:41,462 --> 00:02:42,533 IT'S GREAT TO SEE YOU. 65 00:02:42,533 --> 00:02:44,265 IT'S GOOD TO SEE YOU, TOO. 66 00:02:44,265 --> 00:02:46,437 HEY, LISTEN, DO YOU KNOW ANYTHING ABOUT THIS GANG COP 67 00:02:46,437 --> 00:02:48,239 NAMED SLAUGHTER? 68 00:02:48,239 --> 00:02:50,241 THE SEVERED-HEADS HOMICIDE, THAT'S WHY YOU'RE HERE? 69 00:02:50,241 --> 00:02:51,442 UH, NO. 70 00:02:51,442 --> 00:02:54,174 I MEAN, JUST, SINCE YOU'RE BUSY PREPPING FOR THE TRIAL, 71 00:02:54,174 --> 00:02:56,377 I JUST THOUGHT I'D LOOK INTO THIS SLAUGHTER GUY, 72 00:02:56,377 --> 00:02:59,450 GET A SENSE OF WHO HE IS FOR THE BACKGROUND RESEARCH, 73 00:02:59,450 --> 00:03:01,352 THE--THE... 74 00:03:01,352 --> 00:03:03,284 UNLESS THAT'S A PROBLEM. 75 00:03:03,284 --> 00:03:05,185 NO, NOT A PROBLEM. 76 00:03:05,185 --> 00:03:08,459 GREAT. SO WHERE WOULD I FIND HIM? 77 00:03:08,459 --> 00:03:11,262 WHEREVER THE BODY IS. 78 00:03:11,262 --> 00:03:13,193 (mouths words) 79 00:03:15,226 --> 00:03:17,398 DARLIN', YOU MIGHT AS WELL CONFESS. 80 00:03:17,398 --> 00:03:18,529 I KNOW YOU KILLED HIM 81 00:03:18,529 --> 00:03:20,531 SO WE COULD SPEND SOME QUALITY TIME TOGETHER. 82 00:03:20,531 --> 00:03:23,374 NOT IF YOU WERE THE LAST MAN ON EARTH. 83 00:03:23,374 --> 00:03:25,276 DON'T THINK I'M NOT UP TO THE CHALLENGE. 84 00:03:25,276 --> 00:03:26,477 HOW ABOUT WE SKIP THE MACHO FANTASY, 85 00:03:26,477 --> 00:03:27,538 AND I JUST TELL YOU CAUSE OF DEATH? 86 00:03:27,538 --> 00:03:29,380 LET ME GUESS-- LEAD POISONING? 87 00:03:29,380 --> 00:03:31,211 THREE SHOTS TO THE CHEST. 88 00:03:31,211 --> 00:03:33,213 MOST LIKELY DIED OF BLOOD LOSS WITHIN MINUTES. 89 00:03:33,213 --> 00:03:35,416 ALWAYS FIGURED GLITCH WOULD END UP ON THIS TABLE. 90 00:03:35,416 --> 00:03:36,547 GLITCH--IT'S HIS STREET NAME 91 00:03:36,547 --> 00:03:38,419 ON ACCOUNT, HE'S SUCH A SCREWUP. 92 00:03:38,419 --> 00:03:40,551 YOU FISH THE SLUGS OUT FOR ME? 93 00:03:40,551 --> 00:03:43,254 AH. SEE? YOU DO LOVE ME. 94 00:03:43,254 --> 00:03:44,395 (chuckles) 95 00:03:44,395 --> 00:03:48,459 .32s, I'M GUESSING. 96 00:03:48,459 --> 00:03:50,501 YOU'RE TALKING ABOUT THE BULLETS, RIGHT? YEAH. 97 00:03:50,501 --> 00:03:52,333 AREN'T YOU GONNA ASK ABOUT THE HEADS? 98 00:03:52,333 --> 00:03:54,505 WHO THE HELL ARE YOU? THAT'S CASTLE. 99 00:03:54,505 --> 00:03:56,467 HE'S A WRITER, AND HE CONSULTS WITH THE 12th. 100 00:03:56,467 --> 00:03:59,239 IT'S WEIRD. YOU CAN TELL THEY AREN'T FRESH. 101 00:03:59,239 --> 00:04:01,612 YOU CAN SMELL IT--FORMALDEHYDE WITH A SOUPCON OF DECAY. 102 00:04:01,612 --> 00:04:04,244 JUDGING FROM THE DIRT IN THE HAIR, 103 00:04:04,244 --> 00:04:05,446 I'D SAY OUR VICTIM DUG THE BODIES UP 104 00:04:05,446 --> 00:04:07,418 AND THEN CUT THE HEADS OFF. 105 00:04:07,418 --> 00:04:08,619 NO KIDDING, SHERLOCK. 106 00:04:08,619 --> 00:04:11,352 I ALREADY GOT UNIs CHECKING OUT THE LOCAL CEMETERIES, 107 00:04:11,352 --> 00:04:13,284 NOT THAT IT'S ANY OF YOUR BUSINESS. 108 00:04:13,284 --> 00:04:14,625 RICK CASTLE, AND LIKE LAURA SAID, 109 00:04:14,625 --> 00:04:18,359 I WORK OUT OF THE 1-2 WITH DETECTIVE BECKETT. 110 00:04:18,359 --> 00:04:19,490 HERE'S THE THING-- 111 00:04:19,490 --> 00:04:22,393 I WAS HOPING I COULD RIDE ALONG WITH YOU ON THIS ONE, 112 00:04:22,393 --> 00:04:23,464 JUST FOR A DAY OR TWO. 113 00:04:23,464 --> 00:04:25,396 NO. NO? 114 00:04:25,396 --> 00:04:27,368 I NEED A WRITER HANGING AROUND LIKE I NEED A CASE OF THE CRABS. 115 00:04:27,368 --> 00:04:28,569 THAT'S... 116 00:04:28,569 --> 00:04:32,543 WHAT COULD I SAY TO CHANGE YOUR MIND? 117 00:04:32,543 --> 00:04:36,647 WELL, THAT IS A VERY FINE COAT. 118 00:04:36,647 --> 00:04:40,611 AND IT WOULD LOOK FABULOUS ON YOU. 119 00:04:47,388 --> 00:04:48,459 MM. 120 00:04:48,459 --> 00:04:49,520 MM. 121 00:04:49,520 --> 00:04:50,661 SO ARE WE GOOD? 122 00:04:50,661 --> 00:04:52,563 NO. 123 00:04:52,563 --> 00:04:55,466 SEE YA, GORGEOUS. 124 00:04:55,466 --> 00:04:58,298 YOU SAID I COULD RIDE ALONG IF I GAVE YOU MY COAT. 125 00:04:58,298 --> 00:04:59,400 I NEVER SAID THAT. 126 00:04:59,400 --> 00:05:00,501 IT WAS IMPLIED. 127 00:05:00,501 --> 00:05:02,302 LOOK, I WORK ALONE. 128 00:05:02,302 --> 00:05:03,534 NOTHING YOU SAY IS GONNA CHANGE THAT. 129 00:05:03,534 --> 00:05:06,306 I'M FRIENDS WITH THE MAYOR. 130 00:05:06,306 --> 00:05:07,438 YEAH? 131 00:05:07,438 --> 00:05:10,511 AND SEEING AS HOW I'M ASKING YOU FOR A FAVOR HERE, 132 00:05:10,511 --> 00:05:13,484 THAT WOULD MEAN I WOULD OWE YOU ONE IN RETURN. 133 00:05:13,484 --> 00:05:15,646 WELL, ANY FRIEND OF THE MAYOR IS A FRIEND OF MINE. 134 00:05:15,646 --> 00:05:17,388 WHAT'S OUR FIRST MOVE? 135 00:05:17,388 --> 00:05:19,450 BREAK THE NEWS TO GLITCH'S DAD. 136 00:05:19,450 --> 00:05:22,593 (tires squeal) 137 00:05:22,593 --> 00:05:24,324 (Castle laughs) 138 00:05:24,324 --> 00:05:27,428 THAT WAS AWESOME. BECKETT NEVER DRIVES ON THE SIDEWALK. 139 00:05:27,428 --> 00:05:28,499 IF YOU'RE GONNA HANG WITH ME, 140 00:05:28,499 --> 00:05:29,560 WE'RE GONNA LAY OUT SOME GROUND RULES. 141 00:05:29,560 --> 00:05:30,631 RULE NUMBER ONE, 142 00:05:30,631 --> 00:05:31,702 DO NOT USE THE WORD "AWESOME." 143 00:05:31,702 --> 00:05:33,704 YOU'RE A GROWN MAN. 144 00:05:33,704 --> 00:05:35,536 RULE NUMBER TWO, STAY OUTTA MY WAY. 145 00:05:35,536 --> 00:05:36,637 IS THAT IT? 146 00:05:36,637 --> 00:05:38,669 THAT'S KINDA ALL-ENCOMPASSING. 147 00:05:40,541 --> 00:05:42,342 THIS IS THE HARDEST PART OF THE JOB-- 148 00:05:42,342 --> 00:05:44,475 BREAKING THE NEWS TO THE FAMILY. 149 00:05:44,475 --> 00:05:47,618 SO WHAT'S YOUR STYLE, TERSE YET COMPASSIONATE, 150 00:05:47,618 --> 00:05:49,550 SENSITIVE BUT STRONG? BRIAN. 151 00:05:49,550 --> 00:05:51,482 GLITCH IS IN THE MORGUE. 152 00:05:51,482 --> 00:05:53,624 SOMEONE PUMPED THREE ROUNDS INTO HIM. 153 00:05:53,624 --> 00:05:56,356 UH... 154 00:05:56,356 --> 00:05:57,728 WE'RE SORRY FOR YOUR LOSS. 155 00:05:57,728 --> 00:06:00,491 (Irish brogue) MY WHAT? MY "LOSS"? 156 00:06:00,491 --> 00:06:03,464 WHO THE HELL ARE YOU TO TALK ABOUT MY LOSS? 157 00:06:03,464 --> 00:06:05,596 YOUR BOY WAS INTO SOMETHING BAD, WORSE THAN USUAL. 158 00:06:05,596 --> 00:06:07,398 WHAT DO YOU KNOW ABOUT IT? 159 00:06:07,398 --> 00:06:09,600 AND WHY WOULD I TELL YA EVEN IF I KNEW? 160 00:06:09,600 --> 00:06:12,473 WELL, IT INVOLVED CUTTING THE HEADS OFF OF DEAD GUYS. 161 00:06:12,473 --> 00:06:14,545 DOESN'T SOUND LIKE YOUR BOY'S BRAND OF STUPID. 162 00:06:14,545 --> 00:06:15,706 MY SON... 163 00:06:15,706 --> 00:06:18,579 WAS A SIMPLE LAD OPERATING IN DIFFICULT TIMES. 164 00:06:18,579 --> 00:06:20,581 YOU DISPARAGE HIS MEMORY AT YOUR PERIL. 165 00:06:20,581 --> 00:06:22,413 NOW... 166 00:06:22,413 --> 00:06:25,516 I'VE GOTTA GO TELL HIS MOM, MAKE ARRANGEMENTS. 167 00:06:28,559 --> 00:06:29,760 THAT'S A HARD MAN. 168 00:06:29,760 --> 00:06:32,523 YEAH, YOU DON'T GET TO BE TOP LEG BREAKER IN THE WESTIES 169 00:06:32,523 --> 00:06:33,724 BY BEING SOFT. 170 00:06:33,724 --> 00:06:35,666 NO WONDER HE DIDN'T GIVE US ANYTHING USEFUL. 171 00:06:35,666 --> 00:06:38,469 NEVER THOUGHT HE WOULD. 172 00:06:38,469 --> 00:06:40,731 HE'S A "TAKE THE LAW INTO YOUR OWN HANDS" KINDA GUY. 173 00:06:40,731 --> 00:06:43,634 YOU THINK HE'S GONNA HUNT DOWN GLITCH'S KILLER HIMSELF. 174 00:06:43,634 --> 00:06:46,537 YEAH, AND WE'RE GONNA FOLLOW HIM. 175 00:06:46,537 --> 00:06:48,408 THE TRICKY PART'S GONNA BE INTERCEDING 176 00:06:48,408 --> 00:06:49,580 BEFORE HE KILLS THE GUY. (tires screech) 177 00:06:49,580 --> 00:06:51,542 LET'S GO. HE'S ON THE MOVE. 178 00:06:51,542 --> 00:06:53,644 (Castle) WHERE DO YOU THINK HE'S GOING? 179 00:06:53,644 --> 00:06:54,785 I DON'T KNOW. 180 00:06:54,785 --> 00:06:57,788 THAT'S WHY WE'RE FOLLOWING HIM. 181 00:06:57,788 --> 00:07:00,521 (cell phone rings) 182 00:07:00,521 --> 00:07:01,592 YEAH? 183 00:07:01,592 --> 00:07:03,554 OUTSTANDING. 184 00:07:03,554 --> 00:07:05,626 UNIs FOUND THE CEMETERY WHERE GLITCH GOT THE HEADS. 185 00:07:05,626 --> 00:07:07,528 FOUR BLOCKS FROM THE CRIME SCENE. 186 00:07:07,528 --> 00:07:08,599 UH-HUH. 187 00:07:08,599 --> 00:07:10,601 THANKS, BROTHER. 188 00:07:10,601 --> 00:07:12,432 (beep) 189 00:07:12,432 --> 00:07:13,704 WHEN WE GET BACK TO THE OFFICE, WE'LL RUN THESE NAMES DOWN, 190 00:07:13,704 --> 00:07:15,566 FIND OUT WHO THESE HEADS BELONG TO. 191 00:07:15,566 --> 00:07:18,669 WHY WAIT WHEN I CAN HAVE MY TEAM RUN THEM RIGHT NOW? 192 00:07:18,669 --> 00:07:21,512 (cell phone beeps) YOU GOT A TEAM? 193 00:07:21,512 --> 00:07:22,773 HELLO? (Castle) I am texting you 194 00:07:22,773 --> 00:07:24,515 THREE NAMES, ALL RECENTLY DECEASED. 195 00:07:24,515 --> 00:07:25,676 I NEED YOU TO RUN 'EM FOR ME. 196 00:07:25,676 --> 00:07:27,578 BECKETT'S NOT WORKING A CASE RIGHT NOW. 197 00:07:27,578 --> 00:07:29,580 NO, I'M RUNNING AND GUNNING WITH SLAUGHTER FROM GANGS. 198 00:07:29,580 --> 00:07:31,722 Then have him run the names. 199 00:07:31,722 --> 00:07:32,783 I DON'T WORK FOR YOU. 200 00:07:32,783 --> 00:07:34,755 (laughs) AH, ESPOSITO, 201 00:07:34,755 --> 00:07:36,557 YOU ARE TOO FUNNY. 202 00:07:36,557 --> 00:07:37,788 HE'S THERE, ISN'T HE? 203 00:07:37,788 --> 00:07:39,459 UH-HUH. All right. 204 00:07:39,459 --> 00:07:40,631 (can fizzes) 205 00:07:40,631 --> 00:07:41,732 IF YOU WANT ME TO MAKE YOU LOOK GOOD, IT'S GONNA COST. 206 00:07:41,732 --> 00:07:43,794 Front-row Knicks tickets. 207 00:07:45,796 --> 00:07:47,598 SOUNDS GOOD. 208 00:07:47,598 --> 00:07:48,799 Oh, and, uh, by the way, 209 00:07:48,799 --> 00:07:50,470 YOUR BOY SLAUGHTER-- 210 00:07:50,470 --> 00:07:52,643 HE'S GOT QUITE A REPUTATION IN GANGS. 211 00:07:52,643 --> 00:07:54,675 HIS NICKNAME IS "THE WIDOWMAKER." 212 00:07:54,675 --> 00:07:56,577 His last three partners were all killed 213 00:07:56,577 --> 00:07:58,478 in the line of duty. 214 00:07:58,478 --> 00:07:59,680 (beep) 215 00:07:59,680 --> 00:08:01,652 ALL GOOD? 216 00:08:01,652 --> 00:08:03,754 YEAH. 217 00:08:05,586 --> 00:08:07,658 (Castle) YOU THINK ONE OF THOSE GUYS COULD BE THE KILLER? 218 00:08:07,658 --> 00:08:10,561 NAH, HE'S JUST TROLLING FOR INFO, 219 00:08:10,561 --> 00:08:12,623 WHICH MEANS WE WATCH 220 00:08:12,623 --> 00:08:14,625 AND WAIT. 221 00:08:14,625 --> 00:08:16,827 (men speaking indistinctly) 222 00:08:16,827 --> 00:08:18,699 AHH. AH, NO, THANKS. 223 00:08:19,800 --> 00:08:21,772 OKAY, SURE. 224 00:08:21,772 --> 00:08:25,536 (liquid swishes) 225 00:08:25,536 --> 00:08:27,507 SO... 226 00:08:27,507 --> 00:08:29,509 THEY CALL YOU THE WIDOWMAKER. 227 00:08:29,509 --> 00:08:33,614 HEY, NOT MY FAULT THEY KEEP STICKING ME WITH IDIOTS. 228 00:08:33,614 --> 00:08:34,845 SPEAKING OF PARTNERS, 229 00:08:34,845 --> 00:08:37,848 I'VE SEEN PICTURES OF YOURS. SHE'S SMOKIN' HOT. 230 00:08:37,848 --> 00:08:39,690 YOU'RE TAPPIN' THAT, RIGHT? 231 00:08:39,690 --> 00:08:41,552 WHAT? NO. 232 00:08:41,552 --> 00:08:42,893 NO? WHAT'S WRONG WITH YOU? 233 00:08:42,893 --> 00:08:44,695 NOTHING'S--NOTHING'S WRONG WITH ME. 234 00:08:44,695 --> 00:08:45,826 WE'RE JUST FRIENDS. 235 00:08:45,826 --> 00:08:47,628 MAN NEEDS A FRIEND, HE GETS A DOG. 236 00:08:47,628 --> 00:08:49,600 WOMAN LIKE THAT, YOU STORM THE BEACHES 237 00:08:49,600 --> 00:08:50,731 OR DIE TRYING. COME ON. 238 00:08:50,731 --> 00:08:53,604 HE'S HEADING FOR THAT BAR. SHOWTIME. 239 00:08:58,909 --> 00:09:00,741 YOU PACKIN'? 240 00:09:00,741 --> 00:09:03,744 PACKING? NO, I'M NOT A COP. MY VEST SAYS "WRITER" ON IT. 241 00:09:03,744 --> 00:09:06,577 RULE NUMBER THREE, YOU RIDE WITH ME, YOU RIDE STRAPPED. 242 00:09:06,577 --> 00:09:08,849 COME ON. 243 00:09:08,849 --> 00:09:11,652 (lowered voice) HEY, HEY, WHAT ABOUT REGULATIONS? 244 00:09:11,652 --> 00:09:12,853 YOU SIGNED A WAIVER, DIDN'T YOU? 245 00:09:12,853 --> 00:09:16,587 OKAY, YOU TAKE THE FRONT, I'LL GO IN THE BACK. 246 00:09:16,587 --> 00:09:18,859 WHOA, WHOA, WHOA, WHOA. SHOULDN'T WE CALL FOR BACKUP? 247 00:09:18,859 --> 00:09:20,791 YOU GOT A SKIRT THAT SAYS "WRITER" ON IT, TOO? 248 00:09:20,791 --> 00:09:21,862 (normal voice) NO. 249 00:09:21,862 --> 00:09:23,864 COME ON. GIVE ME TEN SECONDS, THEN GO IN HARD. 250 00:09:23,864 --> 00:09:27,668 YELL OUT "NYPD," THE LOUDER, THE BETTER. 251 00:09:30,601 --> 00:09:34,775 ♪♪♪ 252 00:09:34,775 --> 00:09:35,906 (blows air) 253 00:09:35,906 --> 00:09:38,578 (man) ♪ THE DEVIL'S GOT MY SOUL ♪ 254 00:09:38,578 --> 00:09:39,950 (people speaking indistinctly) 255 00:09:39,950 --> 00:09:41,652 N-P-Y-D! 256 00:09:41,652 --> 00:09:43,814 ASSOCIATED CIVILIAN INVESTIGATOR. NOBODY MOVE. 257 00:09:43,814 --> 00:09:46,617 ♪♪♪ 258 00:09:46,617 --> 00:09:47,918 OH! OH! 259 00:09:47,918 --> 00:09:51,892 ♪♪♪ 260 00:09:51,892 --> 00:09:53,964 DROP THE GUN, DIRTBAG! WHAT DID YOU CALL ME? 261 00:09:53,964 --> 00:09:55,966 D-DIRTBAG. 262 00:09:55,966 --> 00:09:57,968 DROP IT OR YOUR WIFE WILL BE GETTING 263 00:09:57,968 --> 00:09:59,830 A VOLUME DISCOUNT AT THE MORTUARY. 264 00:09:59,830 --> 00:10:00,971 COME ON. 265 00:10:00,971 --> 00:10:02,703 ♪ GOT MY SOUL ♪ 266 00:10:02,703 --> 00:10:04,905 GET HIM, SHERLOCK! 267 00:10:04,905 --> 00:10:06,877 ♪ DEVIL'S GOT MY SOUL ♪ 268 00:10:06,877 --> 00:10:08,839 (grunts) 269 00:10:08,839 --> 00:10:09,880 (grunt) 270 00:10:09,880 --> 00:10:11,712 ♪♪♪ 271 00:10:11,712 --> 00:10:15,786 (grunting) 272 00:10:15,786 --> 00:10:16,917 I GOT HIM! 273 00:10:16,917 --> 00:10:18,749 I DON'T--I DON'T GOT HIM. I DON'T GOT HIM. 274 00:10:18,749 --> 00:10:19,890 I DON'T GOT HIM. I DON'T GOT HIM. 275 00:10:19,890 --> 00:10:20,921 LITTLE HELP! 276 00:10:20,921 --> 00:10:21,992 YOU'RE DOING FINE. 277 00:10:21,992 --> 00:10:23,724 (grunts) 278 00:10:23,724 --> 00:10:27,728 ♪♪♪ 279 00:10:28,799 --> 00:10:30,961 (bottle shatters) 280 00:10:34,705 --> 00:10:36,937 WELL DONE, SHERLOCK. ATTABOY. 281 00:10:36,937 --> 00:10:45,876 (grunts) 282 00:10:49,319 --> 00:10:50,380 HEY. 283 00:10:50,380 --> 00:10:52,252 WHAT'S THIS I HEAR ABOUT CASTLE 284 00:10:52,252 --> 00:10:53,323 RESEARCHING WITH ANOTHER COP? 285 00:10:53,323 --> 00:10:55,325 DON'T YOU HAVE SOME FIVES TO FILL OUT? 286 00:10:55,325 --> 00:10:58,158 I'M SURE IT'S JUST A PHASE. YOU KNOW CASTLE. 287 00:10:58,158 --> 00:10:59,429 HE'S PROBABLY CAUGHT UP IN THE SEVERED HEADS 288 00:10:59,429 --> 00:11:01,391 AND THE RUSH OF THE GANGSTER SQUAD-- 289 00:11:01,391 --> 00:11:03,193 I DON'T CARE WHAT... (smacks stapler) 290 00:11:03,193 --> 00:11:04,334 WHAT... (smack) 291 00:11:04,334 --> 00:11:06,336 HE'S WRAPPED UP IN JUST SO LONG AS HE... 292 00:11:06,336 --> 00:11:08,068 STAYS OUT OF MY... 293 00:11:08,068 --> 00:11:10,070 HAIR. THANKS. 294 00:11:10,070 --> 00:11:11,071 (clicks) 295 00:11:11,071 --> 00:11:13,303 (elevator bell dings) 296 00:11:15,145 --> 00:11:18,378 ♪♪♪ 297 00:11:24,384 --> 00:11:26,256 HEY, PUT HIM ON ICE FOR ME, HUH? 298 00:11:26,256 --> 00:11:30,160 SHEA, KEEP IT IN THE FAMILY, HUH? 299 00:11:30,160 --> 00:11:32,222 WHERE'S INTERROGATION? RIGHT THERE. FIRST DOOR RIGHT THERE. 300 00:11:32,222 --> 00:11:34,364 COME ON, YOU. 301 00:11:34,364 --> 00:11:36,166 WHOA. 302 00:11:36,166 --> 00:11:37,427 (Beckett) WHAT THE HELL HAPPENED? 303 00:11:37,427 --> 00:11:39,229 OH, YOU SHOULD HAVE SEEN IT. 304 00:11:39,229 --> 00:11:40,430 SLAUGHTER GOT THE DROP ON THE ONE GUY, 305 00:11:40,430 --> 00:11:42,432 BUT THE OTHER GUY TRIED TO MAKE A BREAK FOR IT. 306 00:11:42,432 --> 00:11:44,304 I HAD TO TAKE HIS ASS DOWN. 307 00:11:44,304 --> 00:11:46,236 YOU WHAT? ARE YOU KIDDING ME? (blows nose) 308 00:11:46,236 --> 00:11:48,278 YOU'RE A WRITER, CASTLE. NOT A COP. 309 00:11:48,278 --> 00:11:51,181 HEY, I CAN TAKE CARE OF MYSELF. YOU JUST NEVER GIVE ME A CHANCE. 310 00:11:51,181 --> 00:11:52,312 YEAH, BECAUSE I'M NOT TRYING TO GET YOU KILLED. 311 00:11:52,312 --> 00:11:54,184 AND WHAT IS HE DOING USING OUR BOX? 312 00:11:54,184 --> 00:11:55,315 WELL, I INVITED HIM TO. 313 00:11:55,315 --> 00:11:57,187 CASTLE, THAT'S NOT YOUR PLACE. 314 00:11:57,187 --> 00:11:59,289 I DIDN'T THINK YOU'D MIND. BESIDES, GUYS LIKE SLAUGHTER, 315 00:11:59,289 --> 00:12:01,351 THEY JUST FLOAT FROM PRECINCT TO PRECINCT, YOU KNOW? 316 00:12:01,351 --> 00:12:03,293 THEY'RE LIKE NOMADS, 317 00:12:03,293 --> 00:12:05,355 WANDERING THE STREETS OF NEW YORK CITY, 318 00:12:05,355 --> 00:12:07,397 KICKING ASS AND TAKING NAMES, 319 00:12:07,397 --> 00:12:09,259 WHICH ISN'T THE MOST ORIGINAL TURN OF PHRASE, 320 00:12:09,259 --> 00:12:11,401 BUT THE CHARACTER IS SO GREAT. 321 00:12:11,401 --> 00:12:14,364 IT'S REALLY GONNA HELP ME SHAKE UP THIS NEXT NIKKI HEAT BOOK. 322 00:12:14,364 --> 00:12:16,206 YEAH, SURE, IF YOU LIVE LONG ENOUGH 323 00:12:16,206 --> 00:12:17,407 TO ACTUALLY WRITE ABOUT IT. 324 00:12:19,239 --> 00:12:20,370 (Shea) I DIDN'T KILL GLITCH. 325 00:12:20,370 --> 00:12:22,442 THEN WHY'D HIS FATHER COME AFTER YOU? 326 00:12:22,442 --> 00:12:24,344 I DON'T KNOW, BUT YOU GOTTA CONVINCE HIM 327 00:12:24,344 --> 00:12:26,416 THAT I'M INNOCENT. 328 00:12:26,416 --> 00:12:28,178 NO, NO, NO, NO. 329 00:12:28,178 --> 00:12:29,479 YOU GOTTA CONVINCE ME 330 00:12:29,479 --> 00:12:32,152 OR I'M GONNA PARK YOU IN HOLDING 331 00:12:32,152 --> 00:12:33,323 THEN SIT BACK AND MARVEL 332 00:12:33,323 --> 00:12:35,385 AT HOW BRIAN REMOVES YOUR LIMBS 333 00:12:35,385 --> 00:12:37,227 WITH HIS BARE HANDS. 334 00:12:37,227 --> 00:12:40,160 (groans) I WAS AT MY SISTER'S HOUSE 335 00:12:40,160 --> 00:12:41,391 ON LONG ISLAND LAST NIGHT. 336 00:12:41,391 --> 00:12:44,264 YOU CAN CALL AND ASK HER. 337 00:12:44,264 --> 00:12:45,435 (inhales sharply) 338 00:12:46,536 --> 00:12:52,242 SO WHY DOES BRIAN THINK YOU KILLED HIS SON? 339 00:12:52,242 --> 00:12:54,304 REALLY, SHEA? 340 00:12:54,304 --> 00:12:57,377 WANT ME TO BUST OUT JAKE AND THE FATMAN AGAIN? 341 00:13:03,213 --> 00:13:05,315 (grunts) 342 00:13:05,315 --> 00:13:07,457 BRIAN HEARD ME AND GLITCH HAD A FALLING OUT, 343 00:13:07,457 --> 00:13:09,259 BUT WE DIDN'T. 344 00:13:09,259 --> 00:13:10,520 IT'S JUST... 345 00:13:10,520 --> 00:13:13,263 FINN ROURKE TOLD US ALL TO STAY AWAY FROM HIM. 346 00:13:13,263 --> 00:13:16,326 THE HEAD OF THE WESTIES MADE YOU FREEZE GLITCH OUT? 347 00:13:16,326 --> 00:13:18,228 WHY? 348 00:13:18,228 --> 00:13:19,369 (thumps) 349 00:13:19,369 --> 00:13:21,201 HE SCREWED UP ANOTHER JOB LAST WEEK. 350 00:13:21,201 --> 00:13:23,333 HE ABANDONED A TRUCK FULL OF STOLEN MEDICAL EQUIPMENT 351 00:13:23,333 --> 00:13:25,405 ON THE F.D.R. AFTER HE RAN OUT OF GAS. 352 00:13:25,405 --> 00:13:27,407 THE ONLY REASON 353 00:13:27,407 --> 00:13:29,479 FINN DIDN'T HAVE GLITCH KILLED WAS BRIAN, 354 00:13:29,479 --> 00:13:31,381 BECAUSE HE KNEW HE WAS CRAZY ENOUGH 355 00:13:31,381 --> 00:13:33,383 TO GO AFTER HIM IF ANYTHING HAPPENED TO HIS KID. 356 00:13:33,383 --> 00:13:34,414 MM. 357 00:13:34,414 --> 00:13:36,346 WHY DID GLITCH HAVE A BAG FULL OF HEADS? 358 00:13:36,346 --> 00:13:37,487 NO CLUE. 359 00:13:37,487 --> 00:13:39,289 WHEN'S THE LAST TIME YOU SAW HIM? 360 00:13:39,289 --> 00:13:40,350 TWO DAYS AGO. 361 00:13:40,350 --> 00:13:41,551 HE SAID HE WAS GONNA DO SOMETHING 362 00:13:41,551 --> 00:13:43,493 TO GET BACK IN GOOD WITH THE WESTIES. 363 00:13:43,493 --> 00:13:45,225 DID HE SAY WHAT IT WAS? 364 00:13:45,225 --> 00:13:47,327 NO, AND I DIDN'T ASK. 365 00:13:48,358 --> 00:13:49,429 HOW COULD GLITCH THINK 366 00:13:49,429 --> 00:13:51,231 THAT CUTTING THE HEADS OFF DEAD BODIES 367 00:13:51,231 --> 00:13:52,502 WOULD GET HIM BACK IN GOOD WITH THE WESTIES? 368 00:13:52,502 --> 00:13:53,563 AH... 369 00:13:53,563 --> 00:13:55,365 HE WASN'T A DEEP THINKER. 370 00:13:55,365 --> 00:13:57,467 I WOULDN'T KNOCK MYSELF OUT LOOKING FOR MOTIVE. 371 00:13:57,467 --> 00:13:59,509 CAPPUCCINO? 372 00:13:59,509 --> 00:14:01,311 RULE FOUR. 373 00:14:01,311 --> 00:14:02,372 (man) CASTLE. 374 00:14:02,372 --> 00:14:03,473 OH. 375 00:14:03,473 --> 00:14:04,544 PERFECT. 376 00:14:04,544 --> 00:14:07,377 THANK YOU. THANK YOU VERY MUCH. 377 00:14:07,377 --> 00:14:09,249 ESPOSITO SAID 378 00:14:09,249 --> 00:14:10,450 YOU'D HAVE SOMETHING FOR HIM. 379 00:14:16,426 --> 00:14:18,588 UH, THAT'S... 380 00:14:18,588 --> 00:14:20,390 TELL HIM--TELL HIM THEY'RE ON THEIR WAY. 381 00:14:20,390 --> 00:14:21,461 THANK YOU. 382 00:14:21,461 --> 00:14:23,293 ALL RIGHT. 383 00:14:23,293 --> 00:14:24,564 LOOKS LIKE WE GOT I.D.s ON OUR HEADS. 384 00:14:24,564 --> 00:14:27,567 ALL THREE BELONG TO MEMBERS OF THE TRENCHTOWN POSSE. 385 00:14:27,567 --> 00:14:30,400 HOT DAMN. MYSTERY SOLVED. 386 00:14:30,400 --> 00:14:32,442 UH... TRENCHTOWN POSSE, 387 00:14:32,442 --> 00:14:33,503 JAMAICAN GANG-- RUNS GIRLS AND DRUGS 388 00:14:33,503 --> 00:14:34,604 FROM BROOKLYN TO THE BRONX. 389 00:14:34,604 --> 00:14:37,277 THEY'RE FIGHTING A TURF WAR WITH THE WESTIES 390 00:14:37,277 --> 00:14:38,448 OVER THE MORNINGSIDE HEIGHTS. 391 00:14:38,448 --> 00:14:40,450 I BET GLITCH THOUGHT HE COULD MAKE HIS BONES 392 00:14:40,450 --> 00:14:43,413 BY CUTTING THE HEADS OFF OF WESTIE ENEMIES. 393 00:14:43,413 --> 00:14:44,614 BET HE PLANNED ON PUTTING THOSE HEADS 394 00:14:44,614 --> 00:14:48,388 IN SOME HIGH-RANKING JAMAICAN BEDS. 395 00:14:48,388 --> 00:14:51,391 LIKE A HORSE'S HEAD, "THE GODFATHER." 396 00:14:51,391 --> 00:14:53,563 YEAH, THAT'S THE STUPIDEST THING YOU SAID YET, 397 00:14:53,563 --> 00:14:56,566 AND JUST DUMB ENOUGH TO SEEM SMART TO GLITCH. 398 00:14:56,566 --> 00:14:58,498 AND KNOWING THAT BOY, HE'D RUN HIS MOUTH, 399 00:14:58,498 --> 00:15:00,500 JAMAICANS HEAR ABOUT IT, AND THEY AMBUSH HIM. 400 00:15:00,500 --> 00:15:02,532 COME ON. 401 00:15:02,532 --> 00:15:06,336 I GOT A SOURCE ON THE STREET TIED IN WITH THE JAMAICANS. 402 00:15:06,336 --> 00:15:07,407 HE'LL BE ABLE TO GIVE US INTEL. 403 00:15:07,407 --> 00:15:08,638 I LOVE THIS RUN-AND-GUN POLICE WORK. 404 00:15:11,381 --> 00:15:13,313 (man) YOU'RE UPSET. 405 00:15:13,313 --> 00:15:14,444 NO. 406 00:15:14,444 --> 00:15:15,585 YES. OKAY? FINE. YES. 407 00:15:15,585 --> 00:15:17,417 I THOUGHT THAT 408 00:15:17,417 --> 00:15:19,419 THE TWO OF US WERE ACTUALLY GETTING CLOSER TOGETHER, 409 00:15:19,419 --> 00:15:21,591 AND NOW IT SEEMS LIKE HE'S JUST PULLING AWAY. 410 00:15:21,591 --> 00:15:23,453 HAVE YOU ASKED HIM WHY? 411 00:15:23,453 --> 00:15:24,594 YES, AND HE SAID... 412 00:15:24,594 --> 00:15:26,396 (imitates Castle) "OH, EVERYTHING IS FINE." 413 00:15:26,396 --> 00:15:28,428 WHAT MAKES YOU THINK IT ISN'T? 414 00:15:28,428 --> 00:15:30,630 (normal voice) BECAUSE HE'S ACTING LIKE A COMPLETE JACKASS! 415 00:15:30,630 --> 00:15:32,462 HE SHOWS UP AT THE PRECINCT 416 00:15:32,462 --> 00:15:33,663 WITH THESE BIMBOS HANGING ON HIS ARM, 417 00:15:33,663 --> 00:15:35,635 AND NOW HE'S RUNNING AROUND WITH ANOTHER COP. 418 00:15:35,635 --> 00:15:36,706 IS THIS OTHER COP A WOMAN? 419 00:15:36,706 --> 00:15:38,568 NO! NO. WHY... 420 00:15:38,568 --> 00:15:40,470 WHY WOULD YOU EVEN ASK THAT? 421 00:15:40,470 --> 00:15:42,342 THAT'S NOT EVEN THE POINT. 422 00:15:42,342 --> 00:15:44,574 THE POINT IS, I DON'T UNDERSTAND WHY HE'S ACTING LIKE THIS. 423 00:15:44,574 --> 00:15:46,516 I MEAN, WHAT DID I DO? 424 00:15:46,516 --> 00:15:48,478 WELL, MAYBE, FROM HIS POINT OF VIEW, 425 00:15:48,478 --> 00:15:50,480 THE QUESTION IS, WHAT DIDN'T YOU DO? 426 00:15:50,480 --> 00:15:51,721 WAIT. WHAT? 427 00:15:51,721 --> 00:15:53,453 W-WHAT DO YOU MEAN? 428 00:15:53,453 --> 00:15:56,386 WHEN YOU WERE SHOT, CASTLE SAID THAT HE LOVED YOU. 429 00:15:56,386 --> 00:15:57,627 HOW LONG AGO WAS THAT? 430 00:15:57,627 --> 00:15:59,689 SEVEN MONTHS AGO, BUT I WASN'T READY TO HEAR THAT THEN-- 431 00:15:59,689 --> 00:16:01,691 WHAT DO YOU THINK HE'S TELLING YOU WITH HIS BEHAVIOR? 432 00:16:03,563 --> 00:16:05,365 THAT MAYBE 433 00:16:05,365 --> 00:16:08,438 HE'S NOT THERE ANYMORE? 434 00:16:08,438 --> 00:16:11,741 THAT MAYBE HE'S NOT READY? 435 00:16:17,707 --> 00:16:19,649 (sighs) 436 00:16:19,649 --> 00:16:22,512 WHAT IF I WAITED TOO LONG? 437 00:16:22,512 --> 00:16:25,515 YOU WEREN'T WAITING, KATE. YOU WERE HEALING. 438 00:16:25,515 --> 00:16:26,716 YEAH, BUT THEN IN THE MEANTIME, 439 00:16:26,716 --> 00:16:28,458 HE'S MOVED ON. 440 00:16:28,458 --> 00:16:29,659 OR HE'S PROTECTING HIMSELF 441 00:16:29,659 --> 00:16:33,593 BY NOT TAKING MORE EMOTIONAL RISKS. 442 00:16:33,593 --> 00:16:35,425 SO THEN WHAT DO I DO? 443 00:16:36,566 --> 00:16:38,468 WHAT DO YOU WANT TO DO? 444 00:16:38,468 --> 00:16:40,670 (Slaughter) I TELL YOU WHAT I'D DO, 445 00:16:40,670 --> 00:16:43,403 I'D GO ALL CAVEMAN ON THAT PARTNER OF YOURS. 446 00:16:43,403 --> 00:16:45,405 SHOW HER WHAT TIME IT IS IN REAL-MAN LAND. 447 00:16:45,405 --> 00:16:46,536 REAL-MAN LAND? 448 00:16:46,536 --> 00:16:47,677 MM-HMM. 449 00:16:47,677 --> 00:16:48,738 OH, IS THAT WHAT YOU WERE SHOWING LAURA 450 00:16:48,738 --> 00:16:50,510 WHEN WE WERE BACK AT THE MORGUE? 451 00:16:50,510 --> 00:16:51,711 JUST THROW A LITTLE ATTENTION HER WAY, 452 00:16:51,711 --> 00:16:53,513 MAKE HER HAPPY. 453 00:16:53,513 --> 00:16:55,545 YOU KNOW WHO I'M MACKIN' ON IS THIS HOT NEW REDHEAD 454 00:16:55,545 --> 00:16:57,547 JUST STARTED WORKING THERE. (chuckles) 455 00:16:57,547 --> 00:17:00,450 THAT GIRL'S BARELY STREET LEGAL. (laughs) 456 00:17:00,450 --> 00:17:01,521 A REDHEAD? 457 00:17:01,521 --> 00:17:02,592 YEAH. 458 00:17:02,592 --> 00:17:03,653 ABOUT 5'5", BLUE EYES, INTERN? 459 00:17:03,653 --> 00:17:05,595 YEAH. YOU KNOW HER? 460 00:17:05,595 --> 00:17:07,497 THAT'S MY DAUGHTER. 461 00:17:07,497 --> 00:17:08,758 SERIOUSLY? THAT GIRL GOT AN ASS-- 462 00:17:08,758 --> 00:17:10,660 (grunts) 463 00:17:10,660 --> 00:17:12,702 (sputters) HEY. 464 00:17:12,702 --> 00:17:15,535 (laughs) RELAX, SHERLOCK. I'M JUST PLAYIN'. 465 00:17:15,535 --> 00:17:17,567 (laughs) ALL RIGHT. 466 00:17:17,567 --> 00:17:19,639 AS LONG AS WE'RE CLEAR THAT MY DAUGHTER'S OFF-LIMITS. 467 00:17:19,639 --> 00:17:22,712 YEAH. YOU PACK A LITTLE PUNCH THERE FOR A WRITER. 468 00:17:22,712 --> 00:17:25,515 (pants) 469 00:17:25,515 --> 00:17:26,676 THERE'S MY GUY. 470 00:17:35,585 --> 00:17:36,726 NAH, YOU STAY HERE. 471 00:17:36,726 --> 00:17:38,628 KEEP AN EYE OUT. 472 00:17:42,762 --> 00:17:46,596 (engine rumbling) 473 00:17:51,771 --> 00:17:55,505 (tires peal) 474 00:17:55,505 --> 00:17:56,806 (gunshots) 475 00:17:56,806 --> 00:17:59,579 (woman screams) 476 00:17:59,579 --> 00:18:00,680 YOU OKAY? 477 00:18:00,680 --> 00:18:03,553 I GOT A NAME. 478 00:18:03,553 --> 00:18:04,814 WHAT HAPPENED IN THERE? DID YOU KILL HIM? 479 00:18:04,814 --> 00:18:07,787 YOU DON'T WANT TO KNOW. WE WERE NEVER HERE. 480 00:18:07,787 --> 00:18:09,689 (car door closes) 481 00:18:09,689 --> 00:18:12,662 (squeals) 482 00:18:12,662 --> 00:18:14,824 (engine revs) 483 00:18:28,278 --> 00:18:29,339 WHAT ARE YOU DOING? 484 00:18:29,339 --> 00:18:31,141 JEEZ! 485 00:18:31,141 --> 00:18:32,382 YOU OKAY? 486 00:18:32,382 --> 00:18:34,344 THAT GUY IS INSANE. 487 00:18:34,344 --> 00:18:36,286 YEAH, I KNOW. I TRIED TO TELL YOU. 488 00:18:36,286 --> 00:18:37,487 NO, HE'S INSANE. 489 00:18:37,487 --> 00:18:39,489 WHY? WHAT DID HE DO? 490 00:18:39,489 --> 00:18:41,151 JEEZ! 491 00:18:46,456 --> 00:18:49,359 I CAN'T TALK NOW. 492 00:18:51,501 --> 00:18:54,164 I WANT THOSE TICKETS. 493 00:18:56,306 --> 00:18:57,367 HEY. 494 00:18:57,367 --> 00:18:58,508 WHAT'S UP? 495 00:18:58,508 --> 00:19:00,240 WHAT ARE YOU TALKING ABOUT? 496 00:19:00,240 --> 00:19:01,541 WHERE? 497 00:19:01,541 --> 00:19:04,214 OH, THERE. UM... 498 00:19:04,214 --> 00:19:05,345 NOTHING. 499 00:19:05,345 --> 00:19:07,317 I MEAN, OBVIOUSLY, NOT NOTHING. 500 00:19:07,317 --> 00:19:10,420 WE WERE TALKING. WE WEREN'T JUST MOVING OUR... 501 00:19:10,420 --> 00:19:12,382 (mouths words) 502 00:19:13,453 --> 00:19:14,554 I GOTTA GO TO THE BATHROOM. 503 00:19:20,460 --> 00:19:23,533 (elevator bell dings) 504 00:19:27,567 --> 00:19:29,469 HEY. 505 00:19:29,469 --> 00:19:31,341 WHAT THE HELL? 506 00:19:31,341 --> 00:19:32,472 I THOUGHT YOU KILLED HIM. 507 00:19:32,472 --> 00:19:34,274 YEAH, YOU SHOULDA SEEN THE LOOK ON YOUR FACE 508 00:19:34,274 --> 00:19:37,307 WHEN I CAME OUT THAT DOOR. (laughing) (laughing) 509 00:19:37,307 --> 00:19:39,409 THAT'S NOT FUNNY. 510 00:19:39,409 --> 00:19:41,211 THAT'S NOT FUNNY. 511 00:19:41,211 --> 00:19:43,283 NO, NO, IT'S HYSTERICAL! 512 00:19:43,283 --> 00:19:47,517 (both laughing) 513 00:19:47,517 --> 00:19:49,489 (laughs) 514 00:19:49,489 --> 00:19:51,361 (all laughing) 515 00:19:51,361 --> 00:19:53,463 LOOK AT 'EM LAUGHING IT UP. 516 00:19:53,463 --> 00:19:55,225 OKAY. 517 00:19:55,225 --> 00:19:56,366 JUST ACTING LIKE THEY OWN THE PLACE. 518 00:19:56,366 --> 00:19:57,427 I'M GONNA SAY SOMETHING. 519 00:19:57,427 --> 00:19:59,329 NO, DON'T. IT'S NOT WORTH IT. 520 00:19:59,329 --> 00:20:00,400 (continue laughing) THAT WAS... (laughs) 521 00:20:00,400 --> 00:20:01,601 I FEEL LIKE HE'S CHEATING ON US. 522 00:20:01,601 --> 00:20:04,474 HE'S NOT CHEATING ON US, RYAN. HE'S JUST... 523 00:20:04,474 --> 00:20:06,336 BRANCHING OUT. (laughing continues) 524 00:20:06,336 --> 00:20:07,337 HMM. 525 00:20:07,337 --> 00:20:08,508 DON'T TAKE IT PERSONALLY, SON. 526 00:20:08,508 --> 00:20:09,579 MARC GIBSON. 527 00:20:09,579 --> 00:20:11,511 I'M UNDERCOVER ON THE GANG TASK FORCE. 528 00:20:11,511 --> 00:20:13,343 I HAD TO MAKE SURE I COULD TRUST YA, 529 00:20:13,343 --> 00:20:15,385 THAT YOU HAD MY BACK IF THINGS GOT UGLY. 530 00:20:15,385 --> 00:20:17,317 LUCKILY, YOU PASSED. 531 00:20:17,317 --> 00:20:20,320 WELL, YOU WERE RIGHT ABOUT THE JAMAICANS TAKING OUT GLITCH. 532 00:20:20,320 --> 00:20:21,421 NEIGHBORS NEAR THE CEMETERY 533 00:20:21,421 --> 00:20:22,552 HEARD GUNSHOTS ON THE NIGHT OF THE MURDER. 534 00:20:22,552 --> 00:20:25,255 SOURCE TELLS ME A LOW-LEVEL BANGER NAMED MAXI 535 00:20:25,255 --> 00:20:26,626 WAS THE ONE DOING THE SHOOTING. AH. 536 00:20:26,626 --> 00:20:29,399 HE'S HOLED UP IN A BUILDING ON AVENUE A AND 5th. 537 00:20:30,500 --> 00:20:32,532 TAKE A WALK, FELLAS. 538 00:20:32,532 --> 00:20:34,634 LET'S GO, MAN. MAXI, WHY YOU GOTTA MAKE THIS SO HARD, HUH? 539 00:20:34,634 --> 00:20:37,307 WE BOTH KNOW YOU KILLED THAT WESTIE KID LAST NIGHT. 540 00:20:37,307 --> 00:20:38,438 (Jamaican accent) I WANT ME LAWYER. 541 00:20:38,438 --> 00:20:39,639 YOUR LAWYER? 542 00:20:39,639 --> 00:20:42,412 SURE. HE'S RIGHT IN HERE. UHH! 543 00:20:42,412 --> 00:20:43,573 (thud) AAH! 544 00:20:43,573 --> 00:20:46,276 (clicks, motor whirs) AAH! WAIT! 545 00:20:46,276 --> 00:20:47,417 WHOA, WHOA, WHOA, WHOA. WHAT ARE YOU DOING? 546 00:20:47,417 --> 00:20:49,379 TELL ME YOU KILLED HIM OR THEY'RE GONNA HAVE TO 547 00:20:49,379 --> 00:20:51,421 HOSE YOU OUTTA HERE, MAXI. I DIDN'T KILL NO ONE! 548 00:20:51,421 --> 00:20:52,522 (clicks, whirs) 549 00:20:52,522 --> 00:20:54,284 WAIT! WAIT! 550 00:20:54,284 --> 00:20:56,326 WAIT! I GOT A CALL THAT SOME WESTIE BOY 551 00:20:56,326 --> 00:20:58,488 WAS RUNNING HIS MOUTH ABOUT DIGGING UP OUR DEAD. 552 00:20:58,488 --> 00:21:00,390 ME GO OUT TO THE CEMETERY TO AMBUSH HIM, 553 00:21:00,390 --> 00:21:02,662 BUT I NEVER FIRE NO SHOT! 554 00:21:02,662 --> 00:21:04,334 YOU BETTER STAND BACK. 555 00:21:04,334 --> 00:21:06,336 THIS GUY'S GONNA POP LIKE A GRAPE. 556 00:21:06,336 --> 00:21:07,637 (whirring resumes) (Maxi) NO, WAIT! I SWEAR! 557 00:21:07,637 --> 00:21:10,500 HE WASN'T ALONE! A GROUP OF MEXICANS WAS WAITING THERE 558 00:21:10,500 --> 00:21:12,342 NEXT TO A TRICKED-OUT ESCALADE! 559 00:21:12,342 --> 00:21:13,473 ARE YOU TELLING ME 560 00:21:13,473 --> 00:21:15,345 A THIRD GANG IS INVOLVED IN THIS? 561 00:21:15,345 --> 00:21:16,646 MAN, I DON'T KNOW WHO THEY ARE, MAN! 562 00:21:16,646 --> 00:21:18,648 BUT THAT GLITCH CLEARLY KNEW THEM! 563 00:21:18,648 --> 00:21:21,411 HE TOLD 'EM HE HAD THE HEADS, THEN THINGS WENT SOUTH! 564 00:21:21,411 --> 00:21:24,414 THE MEXICANS OPENED FIRE ON HIM AND TOOK OFF RUNNING, 565 00:21:24,414 --> 00:21:26,486 AND SO DID I. OKAY, OKAY, OKAY, 566 00:21:26,486 --> 00:21:28,488 SO THE MEXICANS HUNTED DOWN GLITCH, AND THEY SHOT HIM. 567 00:21:28,488 --> 00:21:30,460 OR HE DID AND HE'S MAKING UP A STORY. 568 00:21:30,460 --> 00:21:32,462 NO, NO, NO, NO, NO! I CAN PROVE IT! 569 00:21:32,462 --> 00:21:34,694 THE ESCALADE HAD TEXAS PLATES. 570 00:21:34,694 --> 00:21:37,667 I SAW THE FIRST TWO LETTERS-- "R" AND "X." 571 00:21:37,667 --> 00:21:39,329 OKAY, MAXI. 572 00:21:39,329 --> 00:21:40,500 BUT THAT LICENSE BETTER CHECK OUT, 573 00:21:40,500 --> 00:21:43,333 OR I'M GONNA COME BACK HERE AND RECYCLE YOUR ASS. 574 00:21:43,333 --> 00:21:44,604 IT WILL CHECK. IT WILL CHECK! 575 00:21:44,604 --> 00:21:46,406 IT'LL CHECK, MAN! I SWEAR! BYE-BYE. 576 00:21:46,406 --> 00:21:47,707 SLAUGHTER, GET ME OUT OF HERE! 577 00:21:47,707 --> 00:21:50,540 ANOTHER GANG. THAT'S PLAUSIBLE, RIGHT? 578 00:21:50,540 --> 00:21:51,681 YEP. (Maxi shouts indistinctly) 579 00:21:51,681 --> 00:21:54,414 YOU THREATEN ENOUGH GUYS, YOU GET A FEEL FOR THEIR HONESTY. 580 00:21:54,414 --> 00:21:56,486 BUT YOU WOULDN'T HAVE REALLY CRUSHED HIM? 581 00:21:56,486 --> 00:21:57,547 NAH, OF COURSE NOT. 582 00:21:57,547 --> 00:21:58,688 IT WOULD'VE BEEN MORE LIKE A-A MANGLING. 583 00:21:58,688 --> 00:21:59,719 (imitates bones breaking) 584 00:21:59,719 --> 00:22:02,692 (Maxi) SLAUGHTER! AAH! (pounding) 585 00:22:02,692 --> 00:22:04,594 (telephone rings) 586 00:22:04,594 --> 00:22:06,356 DETECTIVE RYAN. 587 00:22:06,356 --> 00:22:07,457 YEAH, IT'S CASTLE. 588 00:22:07,457 --> 00:22:09,359 I HAVE A PARTIAL TEXAS PLATE I NEED YOU TO RUN. 589 00:22:09,359 --> 00:22:11,361 FIRST LETTERS "R" AND "X." 590 00:22:11,361 --> 00:22:12,562 YEAH, CASTLE. (blows air) 591 00:22:12,562 --> 00:22:14,634 THAT'S GONNA BE REALLY TOUGH FOR ME. 592 00:22:14,634 --> 00:22:15,735 I'm pretty busy. 593 00:22:15,735 --> 00:22:17,707 REALLY? YOU, TOO, HUH? 594 00:22:17,707 --> 00:22:19,369 (lowered voice) GET THE FERRARI. 595 00:22:19,369 --> 00:22:20,640 YOU KNOW, CASTLE, JENNY'S BEEN BUGGING ME 596 00:22:20,640 --> 00:22:22,442 to set you up with her cousin Ramona. 597 00:22:22,442 --> 00:22:24,374 She's a dental hygienist. 598 00:22:24,374 --> 00:22:26,416 MM-HMM. SOUNDS GOOD. 599 00:22:26,416 --> 00:22:28,548 FERRARI. AND I WANT THE FERRARI FOR THE WEEKEND. 600 00:22:28,548 --> 00:22:29,679 ALL RIGHT. 601 00:22:29,679 --> 00:22:32,452 HEY, AND, BUDDY, I AM NEVER GONNA FORGET THIS. 602 00:22:32,452 --> 00:22:34,384 (cell phone beeps) ALL RIGHT. WE'RE ALL SET. 603 00:22:34,384 --> 00:22:35,585 ALL RIGHT. 604 00:22:35,585 --> 00:22:37,387 WE'LL GET THE RESULTS IN THE MORNING. 605 00:22:37,387 --> 00:22:39,489 TONIGHT... WE CELEBRATE. 606 00:22:39,489 --> 00:22:40,760 CELEBRATE WHAT? 607 00:22:40,760 --> 00:22:43,663 WELL, YOU SURVIVED THE FIRST DAY ON THE JOB WITH ME. 608 00:22:43,663 --> 00:22:46,736 (laughs) YOU EVER HAVE A PARTNER WHO DIDN'T? 609 00:22:48,438 --> 00:22:51,671 YOU KNOW, I'D LOVE TO, UH, CELEBRATE, BUT-- 610 00:22:51,671 --> 00:22:53,473 BUT WHAT? 611 00:22:53,473 --> 00:22:55,475 BUT NOTHING. BUT NOTHING. 612 00:22:55,475 --> 00:22:56,706 LET'S... (chuckles) LET'S DO THIS. 613 00:22:56,706 --> 00:22:59,679 WHAT'S THE WORST THAT COULD HAPPEN, RIGHT? 614 00:23:03,753 --> 00:23:05,485 (Alexis and Martha) AAH! 615 00:23:05,485 --> 00:23:06,686 (laughing) 616 00:23:06,686 --> 00:23:07,757 WHAT HAPPENED? 617 00:23:07,757 --> 00:23:08,788 DAD, I GOT IN. I GOT IN! 618 00:23:08,788 --> 00:23:10,760 OH, WHERE? 619 00:23:10,760 --> 00:23:12,462 ALMOST EVERYWHERE SO FAR. 620 00:23:12,462 --> 00:23:14,764 OXFORD, PRINCETON, SARAH LAWRENCE. 621 00:23:14,764 --> 00:23:17,797 THAT'S GREAT, HONEY. I-I KNEW IT WOULD WORK OUT. 622 00:23:17,797 --> 00:23:19,469 REALLY? 623 00:23:19,469 --> 00:23:20,530 YEAH. 624 00:23:20,530 --> 00:23:22,502 THEN WHY WERE YOU HIDING THE LETTERS FROM ME? 625 00:23:22,502 --> 00:23:23,773 WHAT? COME ON, DAD. 626 00:23:23,773 --> 00:23:26,676 I CAN READ A POSTMARK. SOME OF THESE CAME LAST WEEK. 627 00:23:26,676 --> 00:23:29,439 OH. I JUST--I'M SORRY. 628 00:23:29,439 --> 00:23:30,640 HONEY, I-I'M JUST TRYING TO PROTECT YOU. 629 00:23:30,640 --> 00:23:31,781 I'M 18 NOW. 630 00:23:31,781 --> 00:23:34,784 YOU NEED TO TRUST THAT I CAN TAKE CARE OF MY... 631 00:23:34,784 --> 00:23:36,616 MYSELF. 632 00:23:36,616 --> 00:23:37,787 WHAT? 633 00:23:37,787 --> 00:23:39,589 I GOT INTO STANFORD. 634 00:23:39,589 --> 00:23:41,621 YES! OH, GREAT! 635 00:23:41,621 --> 00:23:44,754 THAT'S ALWAYS BEEN YOUR FIRST CHOICE, RIGHT? 636 00:23:44,754 --> 00:23:46,726 AND YET, I SENSE TROUBLE. 637 00:23:46,726 --> 00:23:48,698 I-I DON'T KNOW. 638 00:23:48,698 --> 00:23:50,500 I MEAN, I SHOULD BE HAPPY, 639 00:23:50,500 --> 00:23:52,762 BUT AFTER THEY SHOT ME DOWN FOR EARLY ADMISSION... 640 00:23:52,762 --> 00:23:57,467 THEY REJECTED YOU, AND YOU FEEL BETRAYED. 641 00:23:57,467 --> 00:24:00,710 HOW AM I SUPPOSED TO GET OVER THAT? 642 00:24:02,742 --> 00:24:04,574 YOU LOOK LIKE CRAP. 643 00:24:04,574 --> 00:24:07,477 HERE. LITTLE HAIR OF THE DOG. THAT'LL GET YOU FLYING RIGHT. 644 00:24:07,477 --> 00:24:10,480 NO. IT'S NOT GONNA DO ANYTHING TO TURN BACK TIME. 645 00:24:10,480 --> 00:24:11,621 ANYWAY, WHERE ARE WE GOING? 646 00:24:11,621 --> 00:24:13,483 SALVAGE YARD IN THE BRONX. 647 00:24:13,483 --> 00:24:15,685 I RAN THAT TEXAS PLATE MYSELF LAST NIGHT. 648 00:24:15,685 --> 00:24:16,826 TURNS OUT, 649 00:24:16,826 --> 00:24:18,628 MAXI WAS TELLING THE TRUTH ABOUT THE THIRD PLAYER. 650 00:24:18,628 --> 00:24:21,631 ESCALADE WAS REGISTERED TO A CESAR VALES. 651 00:24:21,631 --> 00:24:22,762 RUNS WITH A MEXICAN GANG. 652 00:24:22,762 --> 00:24:25,535 RUMOR HAS IT THEY'RE MAKING INROADS INTO NEW YORK, 653 00:24:25,535 --> 00:24:28,568 TRYING TO CORNER THE MARKET ON THE CITY'S CRANK TRADE. 654 00:24:28,568 --> 00:24:30,640 SO VALES IS COMING INTO TOWN TRYING TO MUSCLE IN 655 00:24:30,640 --> 00:24:32,772 ON THE WESTIES AND THE JAMAICANS. 656 00:24:32,772 --> 00:24:34,704 (laughs) YEAH, WHICH AIN'T EXACTLY EASY TO DO. 657 00:24:34,704 --> 00:24:36,576 WELL, IT WOULD BE A LOT EASIER 658 00:24:36,576 --> 00:24:38,508 IF HE COULD GET THEM TO TAKE EACH OTHER OUT. 659 00:24:39,649 --> 00:24:40,850 THAT'S GOOD. 660 00:24:40,850 --> 00:24:42,582 SO HE'S SITTING AROUND 661 00:24:42,582 --> 00:24:44,514 TRYING TO THINK ABOUT A WAY TO MAKE THAT HAPPEN, 662 00:24:44,514 --> 00:24:45,755 AND HE OVERHEARS GLITCH RUNNING HIS MOUTH. 663 00:24:45,755 --> 00:24:47,717 RIGHT, HE REALIZES, IF A WESTIE 664 00:24:47,717 --> 00:24:49,759 WAS TO TURN UP MURDERED WITH A BAG FULL OF JAMAICAN HEADS, 665 00:24:49,759 --> 00:24:51,621 BOTH SIDES WOULD GO TO WAR. 666 00:24:51,621 --> 00:24:54,794 AND THEY COULD JUMP IN AND TAKE OVER THEIR TERRITORIES. 667 00:24:54,794 --> 00:24:56,826 ARE YOU SURE IT'S SUCH A GOOD IDEA 668 00:24:56,826 --> 00:24:59,569 TO GO AFTER THIS GUY OURSELVES? 669 00:24:59,569 --> 00:25:01,601 I MEAN, MAXI MADE 'EM SOUND PRETTY DANGEROUS. 670 00:25:01,601 --> 00:25:02,672 (scoffs) PIECE OF CAKE. 671 00:25:02,672 --> 00:25:04,574 GUY'S NOTHING BUT A TWO-BIT PUNK. 672 00:25:04,574 --> 00:25:06,776 (Ryan) HE'S HIGH-LEVEL MEXICAN MAFIA. 673 00:25:06,776 --> 00:25:08,578 ABOUT AS DANGEROUS AS THEY COME. 674 00:25:08,578 --> 00:25:10,540 ACCORDING TO THE D.E.A., CESAR VALES IS SUSPECTED 675 00:25:10,540 --> 00:25:11,741 IN THE DEATHS OF OVER A DOZEN PEOPLE, 676 00:25:11,741 --> 00:25:13,713 INCLUDING THREE COPS IN MEXICO 677 00:25:13,713 --> 00:25:15,585 WHO WERE KILLED WITH A SLEDGEHAMMER 678 00:25:15,585 --> 00:25:16,816 AND THEN CUT UP INTO PIECES. 679 00:25:16,816 --> 00:25:17,887 YOU DON'T THINK CASTLE AND SLAUGHTER 680 00:25:17,887 --> 00:25:19,549 ARE GOING AFTER HIM? 681 00:25:19,549 --> 00:25:20,790 I'D PUT MONEY ON IT, 682 00:25:20,790 --> 00:25:21,921 'CAUSE I WASN'T THE ONLY ONE WHO RAN HIS PLATES LAST NIGHT. 683 00:25:21,921 --> 00:25:23,723 SLAUGHTER DID, TOO. 684 00:25:23,723 --> 00:25:24,854 IF CASTLE AND SLAUGHTER GO AFTER THIS GUY, 685 00:25:24,854 --> 00:25:26,656 THEY'RE GONNA BOTH END UP DEAD. 686 00:25:26,656 --> 00:25:27,827 WE NEED TO WARN CASTLE. I TRIED, 687 00:25:27,827 --> 00:25:29,659 BUT HIS PHONE KEEPS GOING TO VOICE MAIL. 688 00:25:29,659 --> 00:25:30,860 I GOT A BAD FEELING THAT THEY'RE ON THEIR WAY 689 00:25:30,860 --> 00:25:32,632 TO TAKE DOWN VALES RIGHT NOW. 690 00:25:38,037 --> 00:25:39,168 (men speaking indistinctly) 691 00:25:39,168 --> 00:25:42,972 YOU'RE NOT GONNA MANGLE ANYONE TODAY, ARE YOU? 692 00:25:42,972 --> 00:25:45,044 I LIKE TO KEEP MY OPTIONS OPEN. 693 00:25:46,916 --> 00:25:51,080 (drilling and whirring, men speaking indistinctly) 694 00:25:51,080 --> 00:25:53,853 (lowered voice) THERE'S AN AWFUL LOT OF 'EM. 695 00:25:53,853 --> 00:25:56,986 JUST FOLLOW MY LEAD. (speaking indistinctly) 696 00:25:56,986 --> 00:25:58,127 HOLA. 697 00:25:58,127 --> 00:26:02,061 GENTLEMEN, ON BEHALF OF THE NYPD, 698 00:26:02,061 --> 00:26:04,163 I'D LIKE TO WELCOME YOU TO THE GREATEST CITY 699 00:26:04,163 --> 00:26:06,966 ON GOD'S GREEN EARTH. 700 00:26:08,868 --> 00:26:11,040 UNLESS YOU WANT YOUR FRIENDS TO SEE 701 00:26:11,040 --> 00:26:13,072 WHAT THE INSIDE OF YOUR HEAD LOOKS LIKE, 702 00:26:13,072 --> 00:26:15,004 BACK OFF. 703 00:26:18,077 --> 00:26:20,910 WOW. NOW WHAT SEEMS TO BE THE PROBLEM, OFFICER? 704 00:26:20,910 --> 00:26:22,211 YOU VALES? 705 00:26:22,211 --> 00:26:24,013 THAT'S ME. 706 00:26:24,013 --> 00:26:25,985 NAME MICHAEL REILLY MEAN ANYTHING TO YOU? 707 00:26:25,985 --> 00:26:27,887 A.K.A. GLITCH. 708 00:26:27,887 --> 00:26:30,019 NO. I'M AFRAID NOT. 709 00:26:30,019 --> 00:26:32,892 THAT'S FUNNY, 'CAUSE I GOT AN EYEWITNESS 710 00:26:32,892 --> 00:26:35,194 THAT PUTS YOU AND YOUR GIRLS HERE 711 00:26:35,194 --> 00:26:38,898 SHOOTING THE HELL OUTTA HIM IN QUEENS TWO NIGHTS AGO. 712 00:26:38,898 --> 00:26:40,970 THAT IS FUNNY. 713 00:26:40,970 --> 00:26:42,201 HEY, YOU. WHERE'S YOUR BADGE? 714 00:26:42,201 --> 00:26:44,173 UH... 715 00:26:44,173 --> 00:26:45,174 IN HIS OTHER COAT. 716 00:26:45,174 --> 00:26:46,235 HMM. 717 00:26:47,937 --> 00:26:50,239 YEAH, VALES, WE KNOW ALL ABOUT YOUR PLAN. 718 00:26:50,239 --> 00:26:52,982 USE GLITCH TO SPARK A GANG WAR 719 00:26:52,982 --> 00:26:56,015 SO YOU COULD MOVE YOUR DRUG BUSINESS INTO NEW YORK. 720 00:26:56,015 --> 00:26:57,987 WOW. YOUR PARTNER HERE, 721 00:26:57,987 --> 00:26:59,248 HE'S PRETTY HIGH-STRUNG, ISN'T HE? 722 00:26:59,248 --> 00:27:00,990 YEAH. (grunts) 723 00:27:00,990 --> 00:27:02,291 HIGH-STRUNG, HUH? WHOA, WHOA, WHOA, WHOA. 724 00:27:02,291 --> 00:27:04,994 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA. (guns clicking) 725 00:27:04,994 --> 00:27:05,995 (siren whoops) 726 00:27:05,995 --> 00:27:07,957 HEY! NYPD! 727 00:27:07,957 --> 00:27:10,099 NYPD! LET ME SEE YOUR HANDS! 728 00:27:10,099 --> 00:27:11,931 (Vales grunts) 729 00:27:11,931 --> 00:27:13,202 THE PARTY'S OVER. 730 00:27:15,064 --> 00:27:17,266 THAT'S TOO BAD, BECAUSE THIS WAS JUST GETTING INTERESTING. 731 00:27:17,266 --> 00:27:20,009 IF I WERE YOU, I'D GET YOUR AFFAIRS IN ORDER, 732 00:27:20,009 --> 00:27:22,011 'CAUSE I'LL BE BACK. 733 00:27:23,212 --> 00:27:25,144 HEY! SLAUGHTER. 734 00:27:25,144 --> 00:27:27,246 GOING IN THERE LIKE THAT 735 00:27:27,246 --> 00:27:30,019 WITHOUT BACKUP, PUTTING A CIVILIAN IN HARM'S WAY, 736 00:27:30,019 --> 00:27:32,021 THAT'S NOT ONLY RECKLESS, THAT IS BAD POLICE WORK. 737 00:27:32,021 --> 00:27:33,953 YOU'RE JUST LUCKY THAT WE TRACED CASTLE'S PHONE 738 00:27:33,953 --> 00:27:35,224 AND WE FOUND YOU GUYS IN TIME. 739 00:27:35,224 --> 00:27:39,028 WHAT, YOU THINK I'M GONNA THANK YOU FOR ALMOST RUINING MY PLAY? 740 00:27:39,028 --> 00:27:41,230 YOU HAD A PLAY? 741 00:27:41,230 --> 00:27:43,963 I ALWAYS HAVE A PLAY. HAD TO ESCALATE THINGS. 742 00:27:43,963 --> 00:27:46,335 THAT WAY I COULD FIND THE WEAK MEMBER OF THE HERD. 743 00:27:46,335 --> 00:27:48,067 THAT KID. 744 00:27:48,067 --> 00:27:50,099 EXACTLY. 745 00:27:50,099 --> 00:27:51,300 HE'S THE ONE I'M GONNA GET TO FLIP ON VALES 746 00:27:51,300 --> 00:27:54,203 ONCE I FIGURE OUT HOW TO SEPARATE HIM FROM THE PACK. 747 00:27:54,203 --> 00:27:56,205 (Ryan) WHO KNEW ALL THESE YEARS 748 00:27:56,205 --> 00:27:58,147 WE'VE BEEN WORKING TOGETHER THAT YOU HAD A DEATH WISH? 749 00:27:58,147 --> 00:28:00,980 COME ON, THAT? THAT WASN'T BAD. 750 00:28:00,980 --> 00:28:03,152 SLAUGHTER HAD A PLAN. 751 00:28:03,152 --> 00:28:05,354 YEAH, HE HAD A PLAN TO GET YOU KILLED. 752 00:28:05,354 --> 00:28:07,987 (cell phone alert chimes) 753 00:28:10,259 --> 00:28:13,222 IT'S SLAUGHTER. 754 00:28:13,222 --> 00:28:15,024 I GOTTA GO. 755 00:28:15,024 --> 00:28:17,166 ALL RIGHT. 756 00:28:17,166 --> 00:28:20,369 NEXT TIME, WE MIGHT NOT BE THERE TO SAVE YOU. 757 00:28:20,369 --> 00:28:23,332 YOU NEED TO DO SOMETHING. 758 00:28:26,005 --> 00:28:29,238 ESPO, IF THE GUY IS HELL-BENT ON LEAVING THE NEST, 759 00:28:29,238 --> 00:28:31,340 THEN THERE IS NOTHING THAT I CAN DO ABOUT IT. 760 00:28:31,340 --> 00:28:34,013 YOU DON'T REALLY FEEL THAT WAY, DO YOU? 761 00:28:41,050 --> 00:28:42,391 DON'T YOU LISTEN TO THOSE WHINERS, SHERLOCK. 762 00:28:42,391 --> 00:28:44,153 YOU GOT BALLS. 763 00:28:44,153 --> 00:28:45,354 YEAH, I MAY HAVE NEEDLESSLY PUT YOU 764 00:28:45,354 --> 00:28:48,027 IN A LITTLE HARM'S WAY THERE WITH VALES, 765 00:28:48,027 --> 00:28:49,298 BUT SEEING AS IT PAID OFF... (sniffs) 766 00:28:49,298 --> 00:28:51,100 WHAT DO YOU MEAN, PAID OFF? 767 00:28:51,100 --> 00:28:52,201 (banging) 768 00:28:52,201 --> 00:28:54,303 WHAT WAS THAT? WHAT WAS WHAT? 769 00:28:54,303 --> 00:28:56,305 (man) HEY, COME ON, MAN! IT'S NOT COOL! 770 00:28:56,305 --> 00:28:58,137 IS THERE SOMEONE IN THE TRUNK? 771 00:28:58,137 --> 00:29:00,209 GILBERTO MENDOZA, OUR WEAK LINK. 772 00:29:00,209 --> 00:29:02,411 (pounding) GET ME THE HELL OUTTA HERE, MAN! 773 00:29:02,411 --> 00:29:04,143 (laughs) 774 00:29:04,143 --> 00:29:07,046 PLEASE TELL ME THAT WE ARE JUST GOING TO TALK TO HIM. 775 00:29:07,046 --> 00:29:08,177 YEAH, PRETTY MUCH. 776 00:29:08,177 --> 00:29:12,051 (tires screeching, screaming) 777 00:29:12,051 --> 00:29:14,383 COME ON, MAN! WHAT'S GOING ON?! YOU CAN'T DO THAT! 778 00:29:14,383 --> 00:29:17,186 THIS IS WRONG. YOU GOTTA STOP. 779 00:29:17,186 --> 00:29:18,427 NOT TILL HE FLIPS ON VALES. 780 00:29:18,427 --> 00:29:22,131 (shouting indistinctly) 781 00:29:22,131 --> 00:29:23,262 YOU HEAR THAT, GILBERTO? 782 00:29:23,262 --> 00:29:25,134 ONLY WAY YOU'RE GETTIN' OUT OF THAT TRUNK 783 00:29:25,134 --> 00:29:26,295 IS IF YOU RAT OUT YOUR BOSS. 784 00:29:26,295 --> 00:29:29,268 WELL, GUESS WHAT. I'M NOT SAYIN' NOTHING! 785 00:29:29,268 --> 00:29:31,140 (gravel rustles) 786 00:29:31,140 --> 00:29:33,202 HEY, REMEMBER THAT FAVOR YOU PROMISED ME? 787 00:29:33,202 --> 00:29:37,076 THERE'S THIS CIVILIAN REVIEW BOARD THING COMING UP. 788 00:29:37,076 --> 00:29:40,079 EXCESSIVE FORCE COMPLAINTS. TOTAL B.S., RIGHT? 789 00:29:40,079 --> 00:29:42,411 (engine revs) 790 00:29:42,411 --> 00:29:44,413 OHH! 791 00:29:44,413 --> 00:29:46,155 AH! 792 00:29:46,155 --> 00:29:48,217 ANYWAY, YOU BEING A FRIEND OF THE MAYOR AND ALL, 793 00:29:48,217 --> 00:29:50,089 I FIGURE A STATEMENT FROM YOU 794 00:29:50,089 --> 00:29:53,092 WOULD GO A LONG WAY TO MAKING THOSE CHARGES GO AWAY, RIGHT? 795 00:29:53,092 --> 00:29:55,164 (engine revs) 796 00:29:55,164 --> 00:29:56,465 (shouts indistinctly) 797 00:29:56,465 --> 00:29:59,228 (brakes squeal) 798 00:29:59,228 --> 00:30:00,299 YOU'RE CRAZY. 799 00:30:00,299 --> 00:30:02,201 IS THAT A NO? 800 00:30:02,201 --> 00:30:03,472 (engine revs) 801 00:30:06,405 --> 00:30:09,178 I'LL DO IT! I'LL DO IT IF YOU STOP! 802 00:30:09,178 --> 00:30:12,181 (brakes screech, horn blares) 803 00:30:12,181 --> 00:30:14,113 OUTSTANDING. NEXT TUESDAY. 804 00:30:14,113 --> 00:30:15,184 9:00 A.M. SHARP. 805 00:30:15,184 --> 00:30:17,216 I'LL SEND YOU AN E-MAIL. 806 00:30:17,216 --> 00:30:19,388 HEY, MAN, I KNOW MY RIGHTS, ALL RIGHT? 807 00:30:19,388 --> 00:30:21,320 THIS IS KIDNAPPING. POLICE ABUSE. UH-HUH. 808 00:30:21,320 --> 00:30:23,222 I KNOW SOMETHING, TOO, GILBERTO. 809 00:30:23,222 --> 00:30:25,394 YOU GOT A BROTHER IN JUVIE BACK IN TEXAS. 810 00:30:25,394 --> 00:30:26,455 POOR LITTLE HECTOR. 811 00:30:26,455 --> 00:30:29,198 I HEAR HE CRIES HIMSELF TO SLEEP EVERY NIGHT. 812 00:30:29,198 --> 00:30:30,459 HEY, WHAT THE HELL ARE YOU DOING? 813 00:30:30,459 --> 00:30:32,261 JUST HAVING A LITTLE CHAT HERE WITH GILBERTO. 814 00:30:32,261 --> 00:30:35,334 LISTEN, UNLESS YOU WANT SOMETHING VERY BAD 815 00:30:35,334 --> 00:30:37,236 TO HAPPEN TO HECTOR, 816 00:30:37,236 --> 00:30:40,409 YOU'RE GONNA HELP ME BURY VALES, AREN'T YA? 817 00:30:40,409 --> 00:30:43,412 AREN'T YA? 818 00:30:43,412 --> 00:30:45,214 OKAY. 819 00:30:45,214 --> 00:30:46,345 OKAY, WHAT? 820 00:30:46,345 --> 00:30:48,417 I NEED TO HEAR THE MAGIC WORDS. 821 00:30:48,417 --> 00:30:51,150 (panting) VALES KILLED GLITCH. 822 00:30:51,150 --> 00:30:53,252 VALES KILLED GLITCH. 823 00:30:53,252 --> 00:30:56,155 YES. VICTORY. 824 00:31:03,262 --> 00:31:05,064 VALES WAS LOOKING FOR A WAY TO TAKE OVER THE JAMAICANS' 825 00:31:05,064 --> 00:31:06,265 AND THE WESTIES' TURF. 826 00:31:06,265 --> 00:31:08,067 THAT'S WHEN WE HEARD ABOUT THIS PUNK-ASS WESTIE 827 00:31:08,067 --> 00:31:10,239 TRYING TO PROVE HIMSELF, AND VALES SAW HIS CHANCE. 828 00:31:10,239 --> 00:31:14,003 HE CONVINCED GLITCH THAT IF HE DUG UP A COUPLE OF JAMAICANS 829 00:31:14,003 --> 00:31:15,244 AND CUT OFF THEIR HEADS, 830 00:31:15,244 --> 00:31:16,976 THAT IT WOULD GET HIM BACK IN TIGHT WITH HIS WESTIE PALS. 831 00:31:16,976 --> 00:31:18,107 (Slaughter) SO VALES WANTED TO USE THE HEADS 832 00:31:18,107 --> 00:31:19,248 TO SPARK A GANG WAR? 833 00:31:19,248 --> 00:31:21,150 FOR THE WESTIES AND JAMAICANS TO GO AT IT 834 00:31:21,150 --> 00:31:22,281 TILL NO ONE'S LEFT STANDING, 835 00:31:22,281 --> 00:31:23,953 THEN HE WALTZES IN, TAKES OVER THE TERRITORY? 836 00:31:23,953 --> 00:31:25,014 YEAH. 837 00:31:25,014 --> 00:31:27,016 WHAT WENT DOWN AT THE CEMETERY? 838 00:31:27,016 --> 00:31:29,058 VALES GOT GLITCH TO DIG UP THE BODIES. 839 00:31:29,058 --> 00:31:31,290 THE PLAN WAS TO KILL HIM AND MAKE IT LOOK 840 00:31:31,290 --> 00:31:33,092 LIKE THE JAMAICANS DID IT. 841 00:31:33,092 --> 00:31:35,194 AND GLITCH MUST HAVE SENSED IT OR SOMETHING, 842 00:31:35,194 --> 00:31:38,968 'CAUSE HE TOOK OFF RIGHT AS WE STARTED OPENING FIRE. 843 00:31:40,299 --> 00:31:42,101 TELL ME ABOUT THE MURDER. 844 00:31:44,103 --> 00:31:46,105 LOOK, KID, I KNOW YOU'RE SCARED, 845 00:31:46,105 --> 00:31:47,336 AND I WAS A LITTLE ROUGH. 846 00:31:47,336 --> 00:31:51,240 BUT I TALKED TO THE D.A. AND THE FEDS. 847 00:31:51,240 --> 00:31:54,013 THEY SAID, YOU COOPERATE WITH ME, 848 00:31:54,013 --> 00:31:56,085 YOUR BROTHER'S SENTENCE WILL BE REDUCED TO TIME SERVED, 849 00:31:56,085 --> 00:31:59,048 AND BOTH OF YOU GET A FREE RIDE INTO WITSEC. 850 00:31:59,048 --> 00:32:01,991 SO TELL ME HOW IT WENT DOWN. 851 00:32:03,192 --> 00:32:06,996 WE CHASED HIM, WE CORNERED HIM. 852 00:32:06,996 --> 00:32:09,328 UNDER THE OVERPASS? 853 00:32:09,328 --> 00:32:11,000 YEAH. 854 00:32:11,000 --> 00:32:13,032 AND? 855 00:32:13,032 --> 00:32:16,035 AND THEN VALES SHOT HIM TWICE AND JUST LEFT HIM FOR DEAD. 856 00:32:16,035 --> 00:32:18,307 HOW MANY--HOW MANY TIMES? 857 00:32:23,212 --> 00:32:25,374 THREE. 858 00:32:25,374 --> 00:32:29,018 HE SHOT HIM THREE TIMES. 859 00:32:29,018 --> 00:32:30,349 (chuckles) 860 00:32:30,349 --> 00:32:32,151 WHAT DO YOU THINK YOU'RE DOING? 861 00:32:32,151 --> 00:32:33,282 CLOSING THIS CASE. 862 00:32:33,282 --> 00:32:35,084 I GOT AN ARREST WARRANT FOR VALES 863 00:32:35,084 --> 00:32:36,255 BURNING A HOLE IN MY POCKET. 864 00:32:36,255 --> 00:32:38,087 YOU COACHED THAT KID THROUGH HIS INTERROGATION. 865 00:32:38,087 --> 00:32:39,158 WHAT? NAH, NAH. 866 00:32:39,158 --> 00:32:40,289 I JUST REFRESHED HIS RECOLLECTION. 867 00:32:40,289 --> 00:32:42,061 REALLY? 'CAUSE THE WAY HE WAS TALKING, 868 00:32:42,061 --> 00:32:44,033 HE DIDN'T EVEN WITNESS THAT MURDER. 869 00:32:44,033 --> 00:32:46,135 HEY. H-- 870 00:32:46,135 --> 00:32:48,267 VALES HAS BODIES ON HIM LIKE YOU WOULDN'T BELIEVE-- 871 00:32:48,267 --> 00:32:51,270 WOMEN, CHILDREN, COPS. 872 00:32:51,270 --> 00:32:53,272 AND I GOT A CHANCE TO PUT HIM AWAY. I'M GONNA TAKE IT. 873 00:32:53,272 --> 00:32:57,106 THE QUESTION IS, ARE YOU IN OR OUT? 874 00:32:57,106 --> 00:32:58,307 I GUESS I'M OUT. 875 00:33:00,149 --> 00:33:01,350 WELL, THAT'S A SHAME. 876 00:33:01,350 --> 00:33:05,254 I HAD HIGH HOPES FOR YOU, SHERLOCK. 877 00:33:05,254 --> 00:33:08,317 NEVER THOUGHT YOU'D PUNK OUT ON ME LIKE THIS. 878 00:33:13,092 --> 00:33:14,423 HEY. 879 00:33:14,423 --> 00:33:16,165 I NEED SOME HELP. 880 00:33:16,165 --> 00:33:17,366 SORRY, CASTLE. CAUGHT A MURDER. 881 00:33:17,366 --> 00:33:20,099 TALK TO BECKETT. 882 00:33:26,075 --> 00:33:28,277 HEY. 883 00:33:28,277 --> 00:33:30,339 HOW'S IT GOING? 884 00:33:30,339 --> 00:33:32,241 YOU CAN SKIP THE SMALL TALK, CASTLE. WHAT DO YOU WANT? 885 00:33:33,342 --> 00:33:35,114 SLAUGHTER WENT TOO FAR. 886 00:33:35,114 --> 00:33:37,086 WELL, ISN'T THAT WHAT HE DOES, 887 00:33:37,086 --> 00:33:39,148 ALONG WITH KICKING ASS AND TAKING NAMES? 888 00:33:39,148 --> 00:33:41,420 HE PRESSURED A KID INTO MAKING A FALSE STATEMENT 889 00:33:41,420 --> 00:33:43,092 SO HE COULD ARREST VALES. 890 00:33:43,092 --> 00:33:44,153 SO YOU CAME TO ME SO I CAN FIX IT? 891 00:33:44,153 --> 00:33:45,294 YOU HAVE EVERY RIGHT TO BE MAD. 892 00:33:45,294 --> 00:33:47,156 YOU WARNED ME ABOUT SLAUGHTER, AND I WOULDN'T LISTEN. 893 00:33:47,156 --> 00:33:49,158 I'M JUST TRYING TO MAKE THIS RIGHT. 894 00:33:49,158 --> 00:33:51,130 IT'S NOT MY CASE, CASTLE. (file thuds) 895 00:33:51,130 --> 00:33:53,132 EVEN IF I WANTED TO HELP, 896 00:33:53,132 --> 00:33:54,403 WE'VE GOT STRICT RULES ABOUT 897 00:33:54,403 --> 00:33:56,405 INTERFERING IN ANOTHER COP'S INVESTIGATION. 898 00:33:56,405 --> 00:33:58,407 I'M NOT ASKING YOU TO DO IT FOR ME. 899 00:33:58,407 --> 00:34:00,139 I'M ASKING YOU TO DO IT 900 00:34:00,139 --> 00:34:02,211 SO THE REAL KILLER DOESN'T GET AWAY WITH MURDER. 901 00:34:02,211 --> 00:34:04,273 WHAT MAKES YOU THINK I'M ACTUALLY GONNA FALL 902 00:34:04,273 --> 00:34:07,146 FOR THAT BLATANT MANIPULATION? 903 00:34:07,146 --> 00:34:08,347 BECAUSE IT'S TRUE. 904 00:34:14,353 --> 00:34:15,454 WHAT'S THIS? 905 00:34:15,454 --> 00:34:18,327 A TRAFFIC CAM SHOT OF VALES' CAR 906 00:34:18,327 --> 00:34:21,360 10 BLOCKS FROM THE CEMETERY, HEADING AWAY FROM THE OVERPASS 907 00:34:21,360 --> 00:34:23,292 WHERE GLITCH WAS KILLED. 908 00:34:23,292 --> 00:34:25,134 11:57. 909 00:34:25,134 --> 00:34:26,495 GLITCH WAS KILLED AFTER MIDNIGHT. 910 00:34:26,495 --> 00:34:30,339 THIS SHOWS THAT VALES COULDN'T HAVE KILLED HIM. 911 00:34:30,339 --> 00:34:32,241 YOU DID THIS FOR ME? 912 00:34:35,504 --> 00:34:37,476 ALL THIS TIME, YOU HAD MY BACK. 913 00:34:37,476 --> 00:34:39,278 I HAD RYAN RUN A TRAFFIC CAM SEARCH 914 00:34:39,278 --> 00:34:41,280 WHILE HE WAS PULLING A PLATE. 915 00:34:41,280 --> 00:34:44,153 IT'S NOT A SMOKING GUN, CASTLE. 916 00:34:44,153 --> 00:34:46,355 OKAY? YOU CAN'T EVEN SEE VALES' FACE IN THAT PHOTO. 917 00:34:46,355 --> 00:34:48,257 IT'S NOT ENOUGH TO CHANGE SLAUGHTER'S MIND 918 00:34:48,257 --> 00:34:51,390 UNLESS YOU'VE GOT SOMETHING ELSE. 919 00:34:51,390 --> 00:34:54,363 THERE IS ONE MORE THING THAT DOESN'T MAKE SENSE. 920 00:34:54,363 --> 00:34:56,495 THIS IS A MAP OF THE AREA. 921 00:34:56,495 --> 00:34:58,497 HERE'S THE CEMETERY. HERE'S THE OVERPASS. 922 00:34:58,497 --> 00:35:01,530 BUT TO GET TO IT, GLITCH WOULD HAVE TO CLIMB A 6-FOOT FENCE. 923 00:35:01,530 --> 00:35:04,403 WHY DO THAT WHEN THERE'S A SUBWAY STATION A BLOCK AWAY? 924 00:35:04,403 --> 00:35:06,505 WHY HIDE WHEN YOU CAN RUN? 925 00:35:06,505 --> 00:35:08,507 MAYBE WE CAN FIND OUT. 926 00:35:10,409 --> 00:35:12,211 ACCORDING TO THE C.S.U. REPORT, 927 00:35:12,211 --> 00:35:14,443 GLITCH WAS SHOT SOMEWHERE AROUND HERE. UH-HUH. 928 00:35:14,443 --> 00:35:16,185 HE STAGGERED AWAY 929 00:35:16,185 --> 00:35:17,486 AND ENDED UP ON THE OTHER SIDE OF THAT PILLAR. 930 00:35:17,486 --> 00:35:19,518 SO YOU THINK THAT VALES' PLAN WAS TO USE GLITCH 931 00:35:19,518 --> 00:35:22,191 AND THE JAMAICAN HEADS TO START UP A GANG WAR? 932 00:35:22,191 --> 00:35:23,422 YEAH. WHY? 933 00:35:23,422 --> 00:35:25,224 I DON'T KNOW, CASTLE. THAT'S NOT WHAT I'M SEEING. 934 00:35:25,224 --> 00:35:27,456 LET'S SAY I'M VALES 935 00:35:27,456 --> 00:35:30,459 AND I SHOOT GLITCH TO START THAT WAR. 936 00:35:30,459 --> 00:35:32,361 WHERE DO YOU THINK WOULD BE 937 00:35:32,361 --> 00:35:34,403 THE BEST SPOT TO DROP OFF THAT BODY? 938 00:35:34,403 --> 00:35:36,305 IN THE MIDDLE OF WESTIE TERRITORY. 939 00:35:36,305 --> 00:35:38,467 EXACTLY. SO WHY DID HE LEAVE IT HERE? 940 00:35:38,467 --> 00:35:41,210 (engine rumbling) 941 00:35:41,210 --> 00:35:43,212 (under breath) OH, CRAP. 942 00:35:43,212 --> 00:35:44,373 WELL... 943 00:35:44,373 --> 00:35:46,415 IMAGINE MY SURPRISE WHEN I GOT TO THE STATION 944 00:35:46,415 --> 00:35:48,277 WITH MY KILLER, 945 00:35:48,277 --> 00:35:51,420 AND I HEAR YOU'RE STIRRING UP MY CRIME SCENE. 946 00:35:51,420 --> 00:35:52,581 OKAY, LOOK, I CAN EXPLAIN. 947 00:35:52,581 --> 00:35:54,423 SAVE IT. HE DOESN'T KNOW ANY BETTER, BUT YOU DO. 948 00:35:54,423 --> 00:35:57,326 WHAT I KNOW IS THAT YOU COERCED A CONFESSION 949 00:35:57,326 --> 00:35:59,328 OUT OF AN 18-YEAR-OLD KID. 950 00:35:59,328 --> 00:36:00,459 I DIDN'T COERCE JACK. 951 00:36:00,459 --> 00:36:02,491 HE WORKS FOR A GUY WHO'S GOT A TRAIL OF BODIES 952 00:36:02,491 --> 00:36:04,533 THAT STRETCHES ALL THE WAY BACK TO THE RIO GRANDE. 953 00:36:04,533 --> 00:36:06,465 IF HE DOESN'T GO DOWN FOR THIS, 954 00:36:06,465 --> 00:36:08,237 THE BODY COUNT JUST GROWS. 955 00:36:08,237 --> 00:36:10,239 WE GOT A TRAFFIC VIDEO CAMERA PHOTO OF VALES' ESCALADE 956 00:36:10,239 --> 00:36:12,271 10 BLOCKS FROM HERE WHEN THE MURDER WENT DOWN. 957 00:36:12,271 --> 00:36:14,343 YEAH, SO WHAT? COULD YOU SEE HIM IN THE CAR? 958 00:36:14,343 --> 00:36:15,604 NOT EXACTLY. 959 00:36:15,604 --> 00:36:17,476 AND IF HIS LAWYER GETS AHOLD OF IT, 960 00:36:17,476 --> 00:36:19,378 YOU'VE HANDED HIM REASONABLE DOUBT, 961 00:36:19,378 --> 00:36:20,579 AND VALES WALKS. 962 00:36:20,579 --> 00:36:22,311 MAYBE HE DESERVES TO WALK. 963 00:36:22,311 --> 00:36:24,313 HE DESERVES TO BE PULLED APART BY HORSES. 964 00:36:24,313 --> 00:36:25,614 BUT THE LAW SAYS I CAN'T DO THAT. 965 00:36:25,614 --> 00:36:27,416 BUT WHAT I CAN DO IS, 966 00:36:27,416 --> 00:36:29,418 I CAN LOCK HIM UP IN PRISON FOR THE REST OF HIS LIFE. 967 00:36:29,418 --> 00:36:32,421 NOW THE QUESTION IS, ARE YOU GONNA BACK OFF 968 00:36:32,421 --> 00:36:35,394 OR AM I GONNA HAVE TO REPORT YOU FOR JUMPING MY CASE? 969 00:36:35,394 --> 00:36:37,496 YOU DO WHAT YOU GOTTA DO, SLAUGHTER. 970 00:36:37,496 --> 00:36:40,269 AND I'LL DO THE SAME. 971 00:36:40,269 --> 00:36:41,400 WOW. 972 00:36:41,400 --> 00:36:44,403 WOW. (laughs) 973 00:36:46,305 --> 00:36:47,476 THANKS. 974 00:36:47,476 --> 00:36:50,279 WE GOT ABOUT AN HOUR TO FIGURE OUT WHO REALLY KILLED GLITCH 975 00:36:50,279 --> 00:36:51,480 BEFORE I GET CALLED TO THE CARPET 976 00:36:51,480 --> 00:36:52,641 BY THE CHIEF OF DETECTIVES. 977 00:36:52,641 --> 00:36:54,383 WHAT CAN HE DO TO YOU? 978 00:36:54,383 --> 00:36:55,614 WELL, BEST-CASE SCENARIO, 979 00:36:55,614 --> 00:36:57,416 HE SUSPENDS ME. (tires peal) 980 00:36:57,416 --> 00:36:58,647 AND WORST-CASE SCENARIO? 981 00:37:01,550 --> 00:37:04,493 (sighs) CRAP. 982 00:37:08,797 --> 00:37:09,928 (Castle) SO I'M GLITCH. 983 00:37:09,928 --> 00:37:11,260 I JUST DUG UP THREE BODIES, CUT THE HEADS OFF 'EM, 984 00:37:11,260 --> 00:37:12,801 WHICH WAS HORRIBLE, 985 00:37:12,801 --> 00:37:14,333 TO TRY AND WIN MY WAY BACK IN WITH THE WESTIES. 986 00:37:14,333 --> 00:37:16,365 AND THEN THE KINDLY MEXICAN GENTLEMEN 987 00:37:16,365 --> 00:37:17,836 I THOUGHT WERE HELPING ME 988 00:37:17,836 --> 00:37:18,907 SUDDENLY PULL OUT GUNS AND TRY TO KILL ME. 989 00:37:18,907 --> 00:37:20,269 RUNNING FOR MY LIFE, 990 00:37:20,269 --> 00:37:23,842 I END UP ON THE WRONG SIDE OF THIS FENCE. 991 00:37:23,842 --> 00:37:25,974 WHERE YOU CAN SEE A SIGN FOR THE SUBWAY. 992 00:37:25,974 --> 00:37:28,877 SO WHY WOULD YOU CLIMB A BARBED WIRE FENCE 993 00:37:28,877 --> 00:37:32,281 WHEN CAN JUST HANG A RIGHT AND HOP A TRAIN OUTTA HERE? 994 00:37:32,281 --> 00:37:33,822 FEAR. 995 00:37:33,822 --> 00:37:35,824 FOR ALL I KNOW, THE MEXICANS 996 00:37:35,824 --> 00:37:37,025 ARE DRIVING THE STREETS LOOKING FOR ME. 997 00:37:37,025 --> 00:37:39,888 WITH ALL THESE STREET LIGHTS ON, I'D BE A SITTING DUCK. 998 00:37:39,888 --> 00:37:41,860 BUT UNDER HERE, IT WOULD BE PITCH BLACK, 999 00:37:41,860 --> 00:37:44,933 SO I CLIMB THE FENCE AND I HIDE. 1000 00:37:44,933 --> 00:37:48,297 WHY HIDE WHEN YOU CAN ESCAPE? 1001 00:37:48,297 --> 00:37:50,299 BECAUSE I WASN'T JUST HIDING. 1002 00:37:50,299 --> 00:37:52,841 I WAS WAITING. I CALLED FOR HELP. 1003 00:37:52,841 --> 00:37:53,972 BUT WHEN THEY FOUND GLITCH'S BODY, 1004 00:37:53,972 --> 00:37:55,304 HE DIDN'T HAVE A PHONE ON HIM, SO-- 1005 00:37:55,304 --> 00:37:57,406 SO EITHER THE KILLER TOOK IT OR... 1006 00:37:57,406 --> 00:37:58,907 OR HE USED THAT PAY PHONE. 1007 00:38:04,413 --> 00:38:06,415 WHY'D YOU CALL ME DOWN HERE? (elevator bell dings, doors open) 1008 00:38:06,415 --> 00:38:10,359 BECAUSE WE HAVE DEFINITIVE PROOF THAT VALES DIDN'T KILL GLITCH. 1009 00:38:10,359 --> 00:38:12,361 AND YOU WANT TO RUB MY FACE IN IT? 1010 00:38:12,361 --> 00:38:13,862 NO. 1011 00:38:13,862 --> 00:38:15,394 LOOK, SLAUGHTER, WE'RE DIFFERENT KIDS OF COPS. 1012 00:38:15,394 --> 00:38:16,965 (scoffs) YEAH. 1013 00:38:16,965 --> 00:38:18,897 AND ALTHOUGH I'M NOT A FAN OF YOUR METHODS, 1014 00:38:18,897 --> 00:38:20,429 I KNOW YOU DON'T WANT TO SEND AN INNOCENT MAN TO JAIL 1015 00:38:20,429 --> 00:38:21,900 WHEN YOU KNOW 1016 00:38:21,900 --> 00:38:23,932 THAT THE REAL KILLER IS STILL OUT THERE. 1017 00:38:26,875 --> 00:38:29,037 (sighs) 1018 00:38:29,037 --> 00:38:31,440 (clicks tongue) OKAY. SO WHO KILLED GLITCH? 1019 00:38:31,440 --> 00:38:34,082 (Beckett) WE KNOW HE CALLED YOU, BRIAN. 1020 00:38:34,082 --> 00:38:37,386 YOUR SON DIALED YOUR CELL FROM THAT PAY PHONE 1021 00:38:37,386 --> 00:38:39,047 ABOUT A HALF AN HOUR BEFORE HE WAS MURDERED, 1022 00:38:39,047 --> 00:38:40,449 AND YOU ANSWERED THAT CALL. 1023 00:38:40,449 --> 00:38:42,891 WE ALSO HAVE SURVEILLANCE PHOTOS 1024 00:38:42,891 --> 00:38:44,953 OF YOU AT THAT SUBWAY STOP FROM BEFORE 1025 00:38:44,953 --> 00:38:46,995 AND AFTER THE MURDER. 1026 00:38:46,995 --> 00:38:48,927 ALL THOSE YEARS... 1027 00:38:48,927 --> 00:38:51,029 ALL THOSE SCREWUPS-- 1028 00:38:51,029 --> 00:38:53,962 MUST HAVE BEEN UNBEARABLE FOR A STAND-UP GUY LIKE YOU, 1029 00:38:53,962 --> 00:38:55,464 HUH, BRIAN? 1030 00:38:55,464 --> 00:38:58,006 AND THEN GLITCH CALLS YOU TO TELL YOU THAT HE SCREWED UP 1031 00:38:58,006 --> 00:38:59,968 AGAIN. 1032 00:38:59,968 --> 00:39:03,041 BUT THIS TIME, IT WAS DIFFERENT, WASN'T IT? 1033 00:39:05,374 --> 00:39:06,975 HE'D CROSSED THE LINE. 1034 00:39:06,975 --> 00:39:08,477 HE WAS YOUR SON. 1035 00:39:08,477 --> 00:39:11,119 WHICH MADE HIM MY RESPONSIBILITY. 1036 00:39:11,119 --> 00:39:13,952 SO I DID WHAT HAD TO BE DONE. 1037 00:39:16,385 --> 00:39:19,428 HE WASN'T EVEN SURPRISED. 1038 00:39:21,390 --> 00:39:25,494 'TWAS IF HE'D BEEN WAITING FOR IT HIS WHOLE LIFE. 1039 00:39:29,998 --> 00:39:31,440 THEN WHY DIDN'T YOU TAKE THE HEADS? 1040 00:39:31,440 --> 00:39:32,971 THAT WAY, NONE OF THIS 1041 00:39:32,971 --> 00:39:35,043 WOULD COME BACK ON YOU AND THE WESTIES. 1042 00:39:35,043 --> 00:39:38,006 HE VANISHED INTO THE DARK AFTER I'D SHOT HIM. 1043 00:39:38,006 --> 00:39:40,008 (sighs) 1044 00:39:40,008 --> 00:39:41,410 EVEN WITH HIS LAST BREATH, 1045 00:39:41,410 --> 00:39:44,983 THAT BOY MANAGED TO SCREW ME UP. 1046 00:39:44,983 --> 00:39:46,515 (Castle) WELL, AT LEAST 1047 00:39:46,515 --> 00:39:48,386 YOU'LL FINALLY GET A CONVICTION ON BRIAN. 1048 00:39:48,386 --> 00:39:50,519 THAT'S GOTTA BE SOME CONSOLATION. 1049 00:39:50,519 --> 00:39:52,961 BUT VALES STILL WALKS. 1050 00:39:56,495 --> 00:39:58,997 EXCUSE ME. 1051 00:39:58,997 --> 00:40:00,999 COUNSELOR. 1052 00:40:00,999 --> 00:40:03,472 CAN I SPEAK WITH YOUR CLIENT FOR A SECOND? 1053 00:40:03,472 --> 00:40:05,504 SHE PROBABLY WANTS MY AUTOGRAPH. 1054 00:40:05,504 --> 00:40:07,075 YOU FEEL COCKY. I GET IT. 1055 00:40:07,075 --> 00:40:09,037 YOU JUST DODGED A MURDER RAP. 1056 00:40:09,037 --> 00:40:11,440 PROBABLY GONNA GO OUT TONIGHT AND CELEBRATE WITH YOUR BOYS, 1057 00:40:11,440 --> 00:40:14,112 AND YOU SHOULD PAINT THE TOWN. 1058 00:40:14,112 --> 00:40:16,485 (lowered voice) BUT THEN IN THE MORNING, 1059 00:40:16,485 --> 00:40:21,149 I WANT YOU TO GET THE HELL OUT OF MY CITY. 1060 00:40:21,149 --> 00:40:23,151 BUT I LIKE IT HERE. 1061 00:40:23,151 --> 00:40:25,524 YOU MIGHT LIKE IT RIGHT NOW. 1062 00:40:25,524 --> 00:40:27,125 BUT STARTING TOMORROW, YOU'RE GONNA SEE 1063 00:40:27,125 --> 00:40:28,527 JUST HOW HARD A CITY NEW YORK CAN BE 1064 00:40:28,527 --> 00:40:30,529 WHEN THE FULL FORCE OF THE NYPD 1065 00:40:30,529 --> 00:40:32,461 COMES CRASHING DOWN ON YOU 1066 00:40:32,461 --> 00:40:34,202 WITH 30,000 COPS 1067 00:40:34,202 --> 00:40:37,005 MAKING IT THEIR DAILY DUTY TO MAKE YOUR LIFE 1068 00:40:37,005 --> 00:40:39,007 A LIVING HELL. 1069 00:40:42,070 --> 00:40:44,473 COUNSELOR, YOU CAN TAKE HIM AWAY NOW. 1070 00:40:44,473 --> 00:40:47,476 OH, THAT IS SEXY. 1071 00:40:47,476 --> 00:40:49,548 WHAT, YOU WANT TO HIT ME FOR THAT, TOO? 1072 00:40:49,548 --> 00:40:51,119 NO. 1073 00:40:51,119 --> 00:40:52,150 (grunts) 1074 00:40:52,150 --> 00:40:53,482 (coughs) 1075 00:40:53,482 --> 00:40:55,223 (grunts) OHH. 1076 00:40:55,223 --> 00:40:57,125 THAT'S FOR NOT HAVING MY BACK. 1077 00:40:57,125 --> 00:40:58,487 OH, AND IF I EVER SEE 1078 00:40:58,487 --> 00:41:00,088 A CHARACTER IN ONE OF YOUR NOVELS LIKE ME, 1079 00:41:00,088 --> 00:41:01,229 WE'RE GONNA HAVE WORDS. 1080 00:41:01,229 --> 00:41:02,561 SO I'M GONNA SEE YOU AT THE HEARING ON TUESDAY, 1081 00:41:02,561 --> 00:41:04,092 RIGHT? (strained voice) YOU GOT IT. 1082 00:41:04,092 --> 00:41:05,233 OUTSTANDING. (pats back) 1083 00:41:05,233 --> 00:41:06,595 (groans) 1084 00:41:06,595 --> 00:41:08,196 DETECTIVE, YOU EVER WANT TO GO ON A DATE 1085 00:41:08,196 --> 00:41:10,198 THAT ENDS IN HOT SEX AFTER A DRUNKEN FISTFIGHT, 1086 00:41:10,198 --> 00:41:12,100 YOU KNOW WHERE TO FIND ME. 1087 00:41:12,100 --> 00:41:14,573 UH, YEAH, IN NEVER-GONNA-HAPPEN LAND. 1088 00:41:14,573 --> 00:41:17,245 (groans) HEY. 1089 00:41:17,245 --> 00:41:19,508 THANKS VERY MUCH FOR YOUR HELP. 1090 00:41:19,508 --> 00:41:20,579 NO PROBLEM, CASTLE. 1091 00:41:20,579 --> 00:41:23,081 IT'S WHAT PARTNERS ARE SUPPOSED TO DO. 1092 00:41:30,258 --> 00:41:32,060 (door closes) 1093 00:41:32,060 --> 00:41:33,562 AHH. 1094 00:41:33,562 --> 00:41:36,064 BASKING IN THE GLORY OF YOU? 1095 00:41:36,064 --> 00:41:38,597 NO, TRYING TO FIGURE OUT WHAT TO DO. 1096 00:41:38,597 --> 00:41:41,269 STANFORD HAS ALWAYS BEEN MY DREAM SCHOOL. 1097 00:41:41,269 --> 00:41:43,131 BUT WHAT IF THEIR INITIAL REJECTION 1098 00:41:43,131 --> 00:41:45,073 WAS THE UNIVERSE SENDING ME A SIGN 1099 00:41:45,073 --> 00:41:46,504 THAT I'M BETTER OFF SOMEWHERE ELSE? 1100 00:41:46,504 --> 00:41:48,537 YOU THINK YOU'D BE BETTER OFF SOMEWHERE ELSE? 1101 00:41:48,537 --> 00:41:50,539 I DON'T KNOW. 1102 00:41:50,539 --> 00:41:52,541 DO YOU? 1103 00:41:52,541 --> 00:41:54,512 I DON'T KNOW, EITHER. 1104 00:41:54,512 --> 00:41:57,085 I GUESS THE QUESTION IS, 1105 00:41:57,085 --> 00:42:00,248 DO YOU WANT IT BADLY ENOUGH... 1106 00:42:00,248 --> 00:42:04,092 TO GET OVER BEING HURT? 1107 00:42:07,155 --> 00:42:10,258 YOU KNOW WHAT I THINK WOULD HELP WITH THIS DECISION? 1108 00:42:10,258 --> 00:42:13,562 (both) ICE CREAM. 1109 00:42:13,562 --> 00:42:15,634 RACE YOU. 1110 00:42:15,634 --> 00:42:17,606 (Alexis laughs) 1111 00:42:17,606 --> 00:42:19,107 THAT'S CHEATING!