1 00:00:01,332 --> 00:00:02,533 PREVIOUSLY ON "CASTLE"... 2 00:00:02,533 --> 00:00:03,704 (Beckett) WHO KILLED MY MOTHER? 3 00:00:03,704 --> 00:00:05,076 NO, KATE. I GIVE YOU A NAME, I KNOW YOU. 4 00:00:05,076 --> 00:00:06,037 YOU'LL RUN STRAIGHT AT HIM. 5 00:00:06,037 --> 00:00:07,538 I MIGHT AS WELL SHOOT YOU WHERE YOU STAND. 6 00:00:07,538 --> 00:00:09,080 THEY ARE COMING TO KILL YOU, AND I'M NOT GONNA LET 'EM. 7 00:00:09,080 --> 00:00:10,311 I'M GONNA END THIS. (gunshot) 8 00:00:10,311 --> 00:00:14,014 NO ONE OUTSIDE OF THIS IMMEDIATE FAMILY 9 00:00:14,014 --> 00:00:16,687 EVER NEEDS TO KNOW ABOUT THIS. 10 00:00:16,687 --> 00:00:18,489 AS FAR AS THE WORLD IS CONCERNED, 11 00:00:18,489 --> 00:00:20,020 ROY MONTGOMERY DIED A HERO. 12 00:00:20,020 --> 00:00:21,692 (gunshot) KATE! 13 00:00:21,692 --> 00:00:23,094 (grunts) 14 00:00:23,094 --> 00:00:25,196 (screaming) 15 00:00:25,196 --> 00:00:26,357 (Castle) IT WAS SUPPOSED TO BE OVER. 16 00:00:26,357 --> 00:00:29,330 MONTGOMERY SACRIFICED HIMSELF TO KEEP HER SAFE. 17 00:00:29,330 --> 00:00:31,132 (McCallister) THIS ISSOMUCH BIGGER 18 00:00:31,132 --> 00:00:32,703 THAN YOU REALIZE. 19 00:00:32,703 --> 00:00:34,065 (rings and beeps) 20 00:00:34,065 --> 00:00:36,067 HELLO. Mr. Castle, 21 00:00:36,067 --> 00:00:38,038 I'M A FRIEND OF ROY MONTGOMERY'S. 22 00:00:38,038 --> 00:00:39,640 WE NEED TO TALK. 23 00:00:39,640 --> 00:00:42,173 (Castle) HE SAYS SHE'S SAFE NOW ON ONE CONDITION. 24 00:00:42,173 --> 00:00:43,514 SHE CAN'T GO NEAR HER MOTHER'S CASE. 25 00:00:43,514 --> 00:00:46,647 SHE'LL LISTEN TO ME. I CAN STEER HER AWAY. 26 00:00:46,647 --> 00:00:50,050 AH! (grunts) 27 00:00:50,050 --> 00:00:53,654 (grunting) 28 00:00:55,556 --> 00:00:56,727 (grunts) 29 00:00:56,727 --> 00:00:58,229 AAH. AAH. 30 00:00:58,229 --> 00:01:00,131 NO! AH! 31 00:01:00,131 --> 00:01:01,132 (Castle) BECKETT! 32 00:01:01,132 --> 00:01:02,763 CASTLE! 33 00:01:02,763 --> 00:01:04,135 BECKETT! 34 00:01:04,135 --> 00:01:05,266 CASTLE, I'M HERE! 35 00:01:05,266 --> 00:01:07,238 BECKETT, HANG ON! 36 00:01:07,238 --> 00:01:08,669 AAH! 37 00:01:15,246 --> 00:01:17,148 EITHER THIS IS 38 00:01:17,148 --> 00:01:20,151 THE MOST BORING DREAM I'VE EVER HAD 39 00:01:20,151 --> 00:01:21,612 OR YOU CAN'T SLEEP EITHER. 40 00:01:21,612 --> 00:01:24,115 IT'S NOT A DREAM. MORE LIKE A NIGHTMARE. 41 00:01:24,115 --> 00:01:26,117 IS THIS ABOUT YOUR VALEDICTORIAN SPEECH? 42 00:01:26,117 --> 00:01:27,858 IT'S MY CHANCE TO SAY SOMETHING IMPORTANT, 43 00:01:27,858 --> 00:01:29,190 SOMETHING WORTHY. 44 00:01:29,190 --> 00:01:30,361 I DON'T WANT TO BLOW IT, 45 00:01:30,361 --> 00:01:32,163 BUT I FEEL LIKE I HAVE NOTHING TO SAY. 46 00:01:32,163 --> 00:01:33,494 YOU MEAN NOTHING COMPARED TO 47 00:01:33,494 --> 00:01:34,825 THE GREAT SACRED TEXTS OF MANKIND 48 00:01:34,825 --> 00:01:37,328 OR WINSTON CHURCHILL'S SPEECH TO HARROWS, 49 00:01:37,328 --> 00:01:38,799 OR STEVE JOBS' ADDRESS TO STANFORD? 50 00:01:38,799 --> 00:01:40,301 YOU KNOW, MAYBE YOU SHOULD PICK SOME SPEECHES 51 00:01:40,301 --> 00:01:42,533 JUST A LITTLE LESS DAUNTING TO COMPARE YOURS TO, 52 00:01:42,533 --> 00:01:45,676 LIKE, UM, "SAY ANYTHING" OR "TWILIGHT." 53 00:01:45,676 --> 00:01:47,178 IT'S NOT SUPPOSED TO BE THIS HARD. 54 00:01:47,178 --> 00:01:50,241 YOU KNOW, THE MOST WORTHWHILE THINGS IN LIFE 55 00:01:50,241 --> 00:01:52,243 ARE OFTEN THE MOST DIFFICULT. 56 00:01:52,243 --> 00:01:53,414 FOR EXAMPLE-- 57 00:01:53,414 --> 00:01:56,187 (cell phone rings) 58 00:01:56,187 --> 00:01:58,189 WOW. THAT REALLY IS A SMART PHONE. 59 00:01:58,189 --> 00:01:59,350 (beeps) 60 00:01:59,350 --> 00:02:01,121 (Beckett) OF COURSE YOU DON'T UNDERSTAND 61 00:02:01,121 --> 00:02:02,753 WHY SHE'S TAKING HER GRADUATION SPEECH SO SERIOUSLY. 62 00:02:02,753 --> 00:02:04,755 YOU WERE PROBABLY THE GUY WHO HAD NOTHING ON BUT BOXERS 63 00:02:04,755 --> 00:02:06,297 UNDERNEATH HIS GOWN. 64 00:02:06,297 --> 00:02:08,259 THAT IS SO INSULTING. 65 00:02:08,259 --> 00:02:10,231 IF YOU MUST KNOW, I WAS NAKED UNDERNEATH. 66 00:02:10,231 --> 00:02:12,703 (chuckles) OH, I'M SORRY. I STAND CORRECTED. 67 00:02:12,703 --> 00:02:14,705 SO HOW IS THE FATHER OF THE GRADUATE TAKING IT? 68 00:02:14,705 --> 00:02:16,407 I ALREADY HAVE A PLAN TO DROWN MY SORROWS. 69 00:02:16,407 --> 00:02:18,669 AFTER THE CEREMONY, MY MOTHER GOES OFF TO THE HAMPTONS, 70 00:02:18,669 --> 00:02:20,511 ALEXIS WILL BE DOING HER ALL-NIGHTER. 71 00:02:20,511 --> 00:02:22,813 I WILL BE DISTRACTING MYSELF WITH A DOUBLE FEATURE 72 00:02:22,813 --> 00:02:24,545 OF "THE KILLER" AND "HARD BOILED." 73 00:02:24,545 --> 00:02:26,777 WOW. THAT IS A DOUBLE FEATURE. 74 00:02:26,777 --> 00:02:27,918 YOU LIKE JOHN WOO? 75 00:02:27,918 --> 00:02:31,322 THE BLOODIER THE BETTER. 76 00:02:31,322 --> 00:02:34,225 YOU WOULDN'T WANT TO... JOIN ME, WOULD YOU? 77 00:02:34,225 --> 00:02:37,157 ACTUALLY, I'D LOVE TO. 78 00:02:37,157 --> 00:02:40,661 (police radio chatter) 79 00:02:40,661 --> 00:02:43,294 YOU COMING, CASTLE? 80 00:02:43,294 --> 00:02:44,595 YEAH. PLEASE. 81 00:02:44,595 --> 00:02:45,766 (Esposito) HEY. 82 00:02:45,766 --> 00:02:47,298 (Beckett) SO? 83 00:02:47,298 --> 00:02:48,599 SO WE'VE GOT A HISPANIC MALE, LATE 20s. 84 00:02:48,599 --> 00:02:49,940 CABBIE SPOTTED THE BODY ABOUT AN HOUR AGO 85 00:02:49,940 --> 00:02:51,272 AND CALLED IT IN. 86 00:02:51,272 --> 00:02:52,573 (camera shutter clicking) WE GOT AN I.D.? 87 00:02:52,573 --> 00:02:53,744 NAH. WE CHECKED HIS POCKETS. 88 00:02:53,744 --> 00:02:55,206 THERE'S NO PHONE, KEYS, OR WALLET. 89 00:02:55,206 --> 00:02:56,347 AND WE'RE CHECKING PRINTS RIGHT NOW. 90 00:02:56,347 --> 00:02:57,678 FROM THE BLOOD TRAIL, IT LOOKS LIKE HE WAS SHOT 91 00:02:57,678 --> 00:02:58,909 BEFORE HE ENTERED THE ALLEY. 92 00:02:58,909 --> 00:03:00,681 (Lanie) HE WAS HIT IN THE SHOULDER 93 00:03:00,681 --> 00:03:02,313 WITH WHAT LOOKS LIKE A .357, 94 00:03:02,313 --> 00:03:05,216 BUT THE KILL SHOT-- POINT-BLANK, EXECUTION STYLE, 95 00:03:05,216 --> 00:03:07,187 WITH A 9 MILLIMETER. 96 00:03:07,187 --> 00:03:08,689 (Castle) TWO GUNS. COULD BE MORE THAN ONE SHOOTER. 97 00:03:08,689 --> 00:03:10,521 WAS C.S.U. ABLE TO TRACE THAT BLOOD TRAIL 98 00:03:10,521 --> 00:03:11,862 FROM THE FIRST SHOT? 99 00:03:11,862 --> 00:03:13,924 IT STARTS AROUND THE CORNER. 100 00:03:13,924 --> 00:03:15,296 THERE'S NO VISIBLE POINT OF ORIGIN, 101 00:03:15,296 --> 00:03:16,427 BUT THE TEAMS ARE STILL LOOKING. 102 00:03:16,427 --> 00:03:18,569 WELL, THIS IS A BAD NEIGHBORHOOD. 103 00:03:18,569 --> 00:03:20,200 MAYBE IT WAS A MUGGING GONE WRONG? 104 00:03:20,200 --> 00:03:21,532 MAYBE. 105 00:03:21,532 --> 00:03:23,374 THESE GROOVES IN HIS SHOULDER INDICATE 106 00:03:23,374 --> 00:03:24,835 THAT HE WAS CARRYING SOMETHING, AND IT WAS HEAVY. 107 00:03:24,835 --> 00:03:27,238 I'D SAY AT LEAST 30 POUNDS. 108 00:03:27,238 --> 00:03:30,781 I'M EVEN SEEING TRACES OF SKIN TISSUE IN HIS FINGERNAIL. 109 00:03:30,781 --> 00:03:32,313 I MAY BE ABLE TO GET D.N.A., 110 00:03:32,313 --> 00:03:34,385 BUT I'LL KNOW A LOT MORE ONCE I GET HIM BACK TO THE MORGUE. 111 00:03:34,385 --> 00:03:35,716 UH, HIS POCKETS MAY HAVE BEEN EMPTY, 112 00:03:35,716 --> 00:03:37,818 BUT IT LOOKS LIKE HE WAS TRYING TO HIDE SOMETHING IN HIS SHOE. 113 00:03:42,523 --> 00:03:44,425 (Beckett) LOCK PICKS? 114 00:03:44,425 --> 00:03:46,727 NOW WHY WOULD SOMEONE BE NEEDING LOCK PICKS? 115 00:03:46,727 --> 00:03:48,228 (Ryan) HE'S A THIEF. 116 00:03:48,228 --> 00:03:49,960 ORLANDO COSTAS. 117 00:03:49,960 --> 00:03:53,334 A COUPLE OF DOMESTIC B&Es, BUT SUSPECTED OF A DOZEN MORE. 118 00:03:53,334 --> 00:03:54,765 HE USED TO RUN WITH THE CAZADORES. 119 00:03:54,765 --> 00:03:56,267 CAZADORES? 120 00:03:56,267 --> 00:03:57,938 THEY'RE A VIOLENT STREET GANG THAT DEALS IN DRUGS, ARMS, 121 00:03:57,938 --> 00:03:59,440 AND LARCENY, 122 00:03:59,440 --> 00:04:01,372 BUT ALL OF ORLANDO'S PRIORS ARE BACK WHEN HE WAS A TEENAGER. 123 00:04:01,372 --> 00:04:02,713 HE HASN'T BEEN ARRESTED IN YEARS. 124 00:04:02,713 --> 00:04:03,874 MAYBE HE GOT BACK IN THE GAME. 125 00:04:03,874 --> 00:04:05,245 I DON'T KNOW. 126 00:04:05,245 --> 00:04:06,417 HE WENT A LONG WAY TO CLEAN UP HIS ACT. 127 00:04:06,417 --> 00:04:07,378 DID FOUR YEARS ACTIVE IN THE MILITARY, 128 00:04:07,378 --> 00:04:09,350 DISCHARGED WITH HONORS LAST YEAR. 129 00:04:09,350 --> 00:04:11,422 SPENT HIS ROTATION AS AN M.P. IN GERMANY. 130 00:04:11,422 --> 00:04:14,254 MILITARY POLICE? HE REALLY DID CLEAN UP HIS ACT. 131 00:04:14,254 --> 00:04:15,426 IF THIS GUY WENT STRAIGHT, 132 00:04:15,426 --> 00:04:16,627 THEN HOW DID HE END UP DEAD IN AN ALLEY? 133 00:04:16,627 --> 00:04:17,958 DID YOU CHECK FOR NEXT OF KIN? 134 00:04:17,958 --> 00:04:20,331 UH, HIS FOLKS ARE DEAD, 135 00:04:20,331 --> 00:04:22,333 BUT WE MANAGED TO TRACK DOWN A GIRLFRIEND--MARISOL CASTANEDA. 136 00:04:22,333 --> 00:04:24,435 ESPOSITO'S BRINGING HER IN RIGHT NOW. 137 00:04:24,435 --> 00:04:26,867 ALL I KNOW IS, HE WAS WITH ME IN BED LAST NIGHT 138 00:04:26,867 --> 00:04:28,669 WHEN I WENT TO SLEEP. 139 00:04:28,669 --> 00:04:30,000 I WOKE UP THIS MORNING, 140 00:04:30,000 --> 00:04:32,002 AND BOTH HIM AND MY CAR WERE GONE. 141 00:04:32,002 --> 00:04:33,674 WHERE DID HE GO? 142 00:04:33,674 --> 00:04:36,477 I FIGURED HE'D GONE TO THE CAREER CENTER 143 00:04:36,477 --> 00:04:37,808 TO CHECK THE JOB LISTINGS. 144 00:04:37,808 --> 00:04:39,610 HE DOES THAT EVERY MORNING. 145 00:04:39,610 --> 00:04:41,011 HE'D BEEN LOOKING FOR WORK? 146 00:04:41,011 --> 00:04:42,383 FOR MONTHS. 147 00:04:42,383 --> 00:04:44,284 ORLANDO SERVED HIS COUNTRY. 148 00:04:44,284 --> 00:04:45,586 YOU'D THINK THAT MEANS SOMETHING, 149 00:04:45,586 --> 00:04:47,358 BUT IT'S BEEN TOUGH, 150 00:04:47,358 --> 00:04:48,519 ESPECIALLY AFTER MY HOURS GOT CUT. 151 00:04:48,519 --> 00:04:50,290 SO HE WAS UNDER FINANCIAL PRESSURE? 152 00:04:50,290 --> 00:04:52,863 IS IT POSSIBLE THAT HE WENT BACK TO OLD HABITS? 153 00:04:52,863 --> 00:04:55,295 NO. 154 00:04:55,295 --> 00:04:58,028 LOOK, MARISOL, WE KNOW THAT HE RAN WITH THE CAZADORES. 155 00:04:58,028 --> 00:04:59,400 DO YOU THINK THAT-- 156 00:04:59,400 --> 00:05:00,431 I SAID NO. 157 00:05:00,431 --> 00:05:02,433 HE WENT THROUGH HELL TO ESCAPE THAT LIFE. 158 00:05:02,433 --> 00:05:05,736 IT'S WHY HE ENLISTED, TO GET OUT, 159 00:05:05,736 --> 00:05:07,678 TO BE A BETTER MAN FOR ME... 160 00:05:07,678 --> 00:05:09,610 (voice breaks) A BETTER FATHER TO OUR SON. 161 00:05:11,342 --> 00:05:13,444 SO HOW ABOUT YOU STOP TRYING TO MAKE THIS HIS FAULT 162 00:05:13,444 --> 00:05:14,945 AND FIND WHOEVER KILLED HIM? 163 00:05:18,919 --> 00:05:20,851 WHAT KIND OF CAR DO YOU HAVE? 164 00:05:20,851 --> 00:05:23,994 TWO BLOCKS AWAY FROM THE ALLEY, 165 00:05:23,994 --> 00:05:26,397 BLOOD SMEARED ON THE ARM REST-- THIS IS DEFINITELY IT. 166 00:05:26,397 --> 00:05:28,328 HE WAS SHOT SOMEWHERE ELSE AND THEN HE CAME HERE? 167 00:05:28,328 --> 00:05:29,960 WHY NOT GO HOME? WHY NOT GO GET PATCHED UP? 168 00:05:29,960 --> 00:05:31,962 (Beckett) HE WAS MEETING SOMEONE IN THAT ALLEYWAY. 169 00:05:31,962 --> 00:05:33,464 PHONE. (beeps) 170 00:05:33,464 --> 00:05:35,466 HIS LAST CALL WAS 4:47 A.M., JUST BEFORE HE DIED. 171 00:05:35,466 --> 00:05:36,967 RUN THAT NUMBER. RIGHT. 172 00:05:36,967 --> 00:05:38,769 HEY, BECKETT, GUN. 173 00:05:38,769 --> 00:05:40,340 IT'S A .38. 174 00:05:40,340 --> 00:05:42,413 (sniffs) RECENTLY FIRED. 175 00:05:42,413 --> 00:05:43,744 (Castle) SO IT WAS A SHOOTOUT. 176 00:05:43,744 --> 00:05:45,345 THAT'S HOW HE GOT THE SHOULDER WOUND. WHICH MEANS, 177 00:05:45,345 --> 00:05:46,877 WHEREVER HE CAME FROM, THERE MIGHT BE ANOTHER BODY. 178 00:05:46,877 --> 00:05:48,048 I KNOW WHERE HE WAS COMING FROM. 179 00:05:48,048 --> 00:05:49,520 WHERE? 180 00:05:49,520 --> 00:05:51,121 HIS LAST ENTRY WAS 299 FIRST AVENUE. 181 00:05:51,121 --> 00:05:52,623 WAIT. WHAT'S AT 299 FIRST AVE.? 182 00:05:52,623 --> 00:05:54,955 CAPTAIN MONTGOMERY'S HOUSE. 183 00:06:01,131 --> 00:06:02,633 (Ryan) WE'RE JUST THANKFUL NO ONE WAS HURT. 184 00:06:02,633 --> 00:06:04,865 (Evelyn) BELIEVE ME, SO AM I. (camera shutter clicking) 185 00:06:04,865 --> 00:06:06,937 EVER SINCE ROY DIED, I'VE SLEPT 186 00:06:06,937 --> 00:06:08,439 WITH HIS .357 IN THE NIGHTSTAND. 187 00:06:08,439 --> 00:06:10,370 SO IT WAS JUST THE ONE GUY? 188 00:06:10,370 --> 00:06:11,902 AS FAR AS I KNOW. 189 00:06:11,902 --> 00:06:14,374 HE WAS TAKING FILES OUT OF THE CABINET. 190 00:06:14,374 --> 00:06:16,747 HE HAD ROY'S OLD LAPTOP IN HIS BACKPACK. 191 00:06:16,747 --> 00:06:19,910 WHEN HE SAW ME, HE PULLED HIS WEAPON, 192 00:06:19,910 --> 00:06:22,382 SO GOD HELP ME, I SHOT HIM. 193 00:06:22,382 --> 00:06:24,054 I THINK I HIT HIM IN HIS SHOULDER. 194 00:06:24,054 --> 00:06:27,418 HE FIRED BACK, AND THEN HE CRASHED THROUGH THE WINDOW. 195 00:06:27,418 --> 00:06:28,619 EVELYN, WAS THIS THE GUY? 196 00:06:28,619 --> 00:06:30,521 YEAH. 197 00:06:30,521 --> 00:06:31,892 THAT'S HIM. 198 00:06:31,892 --> 00:06:33,664 I'M GLAD EVAN AND THE GIRLS WEREN'T HOME. 199 00:06:33,664 --> 00:06:34,825 FUNNY THING IS, 200 00:06:34,825 --> 00:06:36,997 I WASN'T SUPPOSED TO BE HOME EITHER. 201 00:06:36,997 --> 00:06:39,600 IT'S ALMOST LIKE HE KNEW WE WEREN'T SUPPOSED TO BE HERE. 202 00:06:39,600 --> 00:06:42,533 ANYTHING SPECIAL ABOUT THOSE FILES? 203 00:06:42,533 --> 00:06:45,105 JUST PAPERWORK, LEGAL DOCUMENTS, 204 00:06:45,105 --> 00:06:46,777 NOTES ON ROY'S OLD CASES. 205 00:06:46,777 --> 00:06:48,939 WHAT ABOUT HIS COMPUTER? WHAT--WHAT WAS ON THAT? 206 00:06:48,939 --> 00:06:50,581 HIS OLD WORK FILES, BUT MOSTLY, 207 00:06:50,581 --> 00:06:52,943 I USE IT FOR CHRISTMAS CARDS AND RECIPES. 208 00:06:52,943 --> 00:06:55,115 (police radio chatter) 209 00:06:55,115 --> 00:06:57,648 (Esposito) THEY WENT AFTER MONTGOMERY'S FILES. 210 00:06:57,648 --> 00:07:00,491 NOT VALUABLES, NOT CASH. 211 00:07:00,491 --> 00:07:01,692 AND NOW OUR THIEF IS DEAD 212 00:07:01,692 --> 00:07:03,494 AND THE FILES HE TOOK ARE MISSING? 213 00:07:03,494 --> 00:07:05,425 WELL, LET'S NOT JUMP TO CONCLUSIONS. 214 00:07:05,425 --> 00:07:06,797 WHAT ELSE WOULD IT BE ABOUT? 215 00:07:06,797 --> 00:07:08,058 EVERYONE HERE THINKS MONTGOMERY DIED 216 00:07:08,058 --> 00:07:09,900 BRINGING A COP KILLER TO JUSTICE. 217 00:07:09,900 --> 00:07:13,464 WE'RE THE ONLY ONES WHO KNOW WHAT HE WAS REALLY INVOLVED IN 218 00:07:13,464 --> 00:07:15,706 AND HIS CONNECTION TO YOUR MOTHER'S MURDER. 219 00:07:15,706 --> 00:07:17,668 BECKETT, IT CAN'T BE A COINCIDENCE. 220 00:07:17,668 --> 00:07:19,169 RECHECK THE VIC'S RAP SHEET. 221 00:07:19,169 --> 00:07:20,841 SEE IF MONTGOMERY WAS INVOLVED IN ANY OF HIS OLD ARRESTS, 222 00:07:20,841 --> 00:07:22,543 AND GET ON THAT NUMBER. 223 00:07:22,543 --> 00:07:25,015 I WANT TO KNOW WHO HE WAS TALKING TO JUST BEFORE HE DIED. 224 00:07:25,015 --> 00:07:28,018 (people speaking indistinctly) 225 00:07:31,121 --> 00:07:33,484 (siren wailing) 226 00:07:33,484 --> 00:07:36,787 (people speaking indistinctly) 227 00:07:36,787 --> 00:07:39,730 SAY SOMETHING REASSURING. 228 00:07:39,730 --> 00:07:41,762 THERE ARE THOUSANDS OF BREAK-INS IN NEW YORK CITY 229 00:07:41,762 --> 00:07:42,963 EVERY YEAR. 230 00:07:46,637 --> 00:07:47,698 THIS ONE FEELS DIFFERENT. 231 00:07:47,698 --> 00:07:49,600 WELL, THAT DOESN'T MEAN THAT IT IS. 232 00:07:49,600 --> 00:07:51,572 MONTGOMERY WORKED HUNDREDS OF CASES. 233 00:07:51,572 --> 00:07:52,573 JUST BECAUSE THIS GUY WAS AFTER FILES 234 00:07:52,573 --> 00:07:54,705 DOESN'T MEAN HE WAS AFTER YOUR MOM'S CASE. 235 00:07:54,705 --> 00:07:57,147 THEN WHY IS OUR THIEF DEAD? 236 00:07:57,147 --> 00:07:59,880 YOU KNOW THOSE PEOPLE THAT MONTGOMERY WAS INVOLVED WITH, 237 00:07:59,880 --> 00:08:01,952 HE SAID THAT THEY WANTED ME DEAD, 238 00:08:01,952 --> 00:08:03,584 THAT I WAS GETTING TOO CLOSE, 239 00:08:03,584 --> 00:08:05,656 AND HE SAID THAT HE WAS GONNA GIVE HIS LIFE 240 00:08:05,656 --> 00:08:06,957 IN ORDER TO PROTECT MINE, 241 00:08:06,957 --> 00:08:08,859 AND THEY STILL TRIED TO KILL ME. 242 00:08:08,859 --> 00:08:12,162 I WAKE UP SOMETIMES, AND I THINK TO MYSELF, 243 00:08:12,162 --> 00:08:15,165 HOW THE HELL AM I STILL ALIVE? 244 00:08:15,165 --> 00:08:18,899 IT'S LIKE I'M JUST WAITING FOR THAT OTHER SHOE TO DROP. 245 00:08:18,899 --> 00:08:21,501 WHAT IF THIS IS THAT OTHER SHOE? 246 00:08:37,888 --> 00:08:41,552 (footsteps approach) 247 00:08:43,293 --> 00:08:45,295 THINGS WERE FINALLY GETTING BETTER FOR HER, 248 00:08:45,295 --> 00:08:48,158 FOR US. 249 00:08:48,158 --> 00:08:50,230 SHE WAS JUST COMING OUT OF HER SHELL, 250 00:08:50,230 --> 00:08:52,002 AND NOW THIS? 251 00:08:52,002 --> 00:08:53,604 DO YOU REALLY THINK IT'S RELATED 252 00:08:53,604 --> 00:08:55,105 TO HER MOTHER'S MURDER CASE? 253 00:08:55,105 --> 00:08:57,107 I HOPE TO GOD IT ISN'T. 254 00:08:57,107 --> 00:08:59,169 MONTGOMERY'S FRIEND WAS VERY CLEAR. 255 00:08:59,169 --> 00:09:00,671 SHE STARTS POKING AROUND HER MOTHER'S MURDER, 256 00:09:00,671 --> 00:09:02,312 THEY'LL COME AFTER HER AGAIN. 257 00:09:04,144 --> 00:09:06,847 I CAN'T LET THAT HAPPEN. 258 00:09:06,847 --> 00:09:08,619 I KNOW. 259 00:09:22,062 --> 00:09:25,666 (people speaking indistinctly) 260 00:09:25,666 --> 00:09:27,738 THANK YOU. 261 00:09:27,738 --> 00:09:29,640 DID YOU GET ANY SLEEP? 262 00:09:30,801 --> 00:09:32,002 NOT MUCH. 263 00:09:32,002 --> 00:09:33,173 MM. 264 00:09:33,173 --> 00:09:35,005 ANYTHING NEW ON OUR VICTIM? 265 00:09:35,005 --> 00:09:36,877 WE RECHECKED ORLANDO'S RAP SHEET. 266 00:09:36,877 --> 00:09:39,279 MONTGOMERY WASN'T INVOLVED IN ANY OF HIS OLD ARRESTS. 267 00:09:39,279 --> 00:09:41,211 THAT BREAK-IN WASN'T PERSONAL. 268 00:09:41,211 --> 00:09:43,283 WHAT ABOUT THE CALL HE MADE BEFORE HE WAS KILLED? 269 00:09:43,283 --> 00:09:46,216 IT'S FROM A BURNER PHONE. THERE'S NO REGISTERED OWNER. 270 00:09:46,216 --> 00:09:47,287 HEY. 271 00:09:47,287 --> 00:09:48,959 HMM? 272 00:09:48,959 --> 00:09:50,791 YOU'RE NOT IN THIS ALONE. 273 00:09:50,791 --> 00:09:52,362 I'M HERE. 274 00:09:54,665 --> 00:09:55,796 I KNOW. 275 00:10:01,071 --> 00:10:02,933 (Ryan) HEY. 276 00:10:02,933 --> 00:10:04,775 (Esposito) WE MAY HAVE BEEN WRONG 277 00:10:04,775 --> 00:10:06,106 ABOUT WHY THEY HIT MONTGOMERY'S. 278 00:10:06,106 --> 00:10:09,039 WITNESSES SAW A HISPANIC MALE FLEEING THE ALLEY 279 00:10:09,039 --> 00:10:10,881 IN A LATE-MODEL MAROON DeVILLE. 280 00:10:10,881 --> 00:10:13,083 APPARENTLY HE HAD GANG INK ON HIS NECK-- 281 00:10:13,083 --> 00:10:15,315 A LION FRAMED BY A "C." 282 00:10:15,315 --> 00:10:16,987 CAZADOR? 283 00:10:16,987 --> 00:10:18,889 THE VERY SAME GANG THAT OUR VICTIM RAN WITH. 284 00:10:18,889 --> 00:10:20,390 GANGS. 285 00:10:20,390 --> 00:10:22,392 (Esposito) IF THIS GUY WAS IN THAT ALLEY, 286 00:10:22,392 --> 00:10:24,394 ODDS ARE, HE KILLED ORLANDO. 287 00:10:24,394 --> 00:10:26,356 DID WE GET A LICENSE PLATE? 288 00:10:26,356 --> 00:10:28,358 UH, NO, BUT ACCORDING TO GANG TASK FORCE, 289 00:10:28,358 --> 00:10:32,132 THE RIDE MATCHES THE CAR OF ONE VICENTE DELGADO. 290 00:10:32,132 --> 00:10:33,964 HIGH-LEVEL SHOT CALLER FOR THE CAZADORES. 291 00:10:33,964 --> 00:10:35,666 AND GET THIS. 292 00:10:35,666 --> 00:10:38,208 HIS COUSIN DIEGO GUTIERREZ WAS BUSTED BY MONTGOMERY 293 00:10:38,208 --> 00:10:40,971 FOR A DOUBLE HOMICIDE IN '95. 294 00:10:40,971 --> 00:10:43,173 HIS LAWYER'S FILED A MOTION FOR RETRIAL 295 00:10:43,173 --> 00:10:45,776 A MONTH AFTER MONTGOMERY WAS KILLED. 296 00:10:45,776 --> 00:10:48,178 FIND HIM. 297 00:10:48,178 --> 00:10:50,120 (explosion) 298 00:10:50,120 --> 00:10:52,322 NYPD! LET ME SEE YOUR HANDS RIGHT NOW! 299 00:10:52,322 --> 00:10:53,954 DON'T MOVE! DON'T MOVE! DON'T MOVE! 300 00:10:53,954 --> 00:10:56,656 LET ME SEE YOUR HANDS! 301 00:10:56,656 --> 00:10:58,689 WELL, LOOKY HERE, 302 00:10:58,689 --> 00:11:01,031 A 9 MILLIMETER. (handcuffs clicking) 303 00:11:01,031 --> 00:11:03,663 JUST LIKE THE GUN THAT KILLED ORLANDO COSTAS. 304 00:11:03,663 --> 00:11:06,296 I ALREADY TOLD YOU, I WAS NOWHERE NEAR THAT ALLEY. 305 00:11:06,296 --> 00:11:08,398 FACT IS, YOUR WITNESSES ARE BLIND. 306 00:11:08,398 --> 00:11:11,702 THE FACT IS, YOU KNEW ORLANDO COSTAS. 307 00:11:11,702 --> 00:11:14,374 YEAH, I KNEW HIM ONCE, BEFORE HE TURNED HIS BACK. 308 00:11:14,374 --> 00:11:15,746 WHEN WAS THE LAST TIME YOU HEARD FROM HIM. 309 00:11:15,746 --> 00:11:17,277 NOT IN YEARS. HOURS. 310 00:11:17,277 --> 00:11:19,950 JUST BEFORE HE WAS KILLED, ORLANDO CALLED A BURNER CELL, 311 00:11:19,950 --> 00:11:21,451 SAME PHONE THAT WE FOUND ON YOU. 312 00:11:21,451 --> 00:11:24,254 SO WHY DON'T YOU JUST ADMIT TO IT AND SAVE YOURSELF 30 YEARS? 313 00:11:24,254 --> 00:11:26,316 YOU HAD HIM BREAK IN TO ROY MONTGOMERY'S HOUSE 314 00:11:26,316 --> 00:11:27,818 AND STEAL YOUR COUSIN'S CASE FILES, 315 00:11:27,818 --> 00:11:29,219 AND THEN YOU SHOT HIM. 316 00:11:29,219 --> 00:11:31,461 WHAT YOU GOT,CHICA,HUH? 317 00:11:31,461 --> 00:11:33,724 GUN'S NOT GONNA BE A MATCH. 318 00:11:33,724 --> 00:11:35,025 SO THAT LEAVES YOU WITH WHAT, A PHONE CALL, 319 00:11:35,025 --> 00:11:37,227 AND A COUPLE OF PEOPLE WHO SAW A VERY COMMON CAR? 320 00:11:37,227 --> 00:11:40,700 YOU KNOW WHY YOU CAN'T PIN THIS ON ME,CHICA? 321 00:11:40,700 --> 00:11:42,302 I WASN'T THERE. 322 00:11:42,302 --> 00:11:43,433 THE HELL YOU WEREN'T. 323 00:11:43,433 --> 00:11:45,475 (knock on window) 324 00:11:45,475 --> 00:11:47,707 THAT'S GONNA BE BALLISTICS. 325 00:11:47,707 --> 00:11:50,380 LAST CHANCE TO MAKE A DEAL. 326 00:11:52,082 --> 00:11:53,443 (scoffs) 327 00:11:53,443 --> 00:11:55,846 BOOK HIM ON THE DRUGS AND WEAPONS CHARGE 328 00:11:55,846 --> 00:11:59,349 AND TELL THE D.A. I'M GONNA WANT TO FILE FOR MURDER ONE. 329 00:11:59,349 --> 00:12:00,490 IT WASN'T HIM. 330 00:12:00,490 --> 00:12:03,223 WHAT DO YOU MEAN, IT WASN'T HIM? 331 00:12:03,223 --> 00:12:05,325 THE SKIN TISSUE THAT LANIE WAS ABLE TO SCRAPE 332 00:12:05,325 --> 00:12:06,997 FROM UNDERNEATH OUR VICTIM'S FINGERNAILS, 333 00:12:06,997 --> 00:12:08,498 THE LAB WAS ABLE TO PULL D.N.A. 334 00:12:08,498 --> 00:12:10,160 WE RAN IT AGAINST VICENTE. 335 00:12:10,160 --> 00:12:11,832 IT'S NOT A MATCH. 336 00:12:11,832 --> 00:12:14,734 IN FACT, IT WASN'T A MATCH TO ANYONE IN THE SYSTEM. 337 00:12:14,734 --> 00:12:16,236 BUT IT DID MATCH D.N.A. TRACE EVIDENCE 338 00:12:16,236 --> 00:12:17,868 FOUND AT ANOTHER CRIME SCENE. 339 00:12:17,868 --> 00:12:19,509 WELL, AT LEAST THAT'S SOMETHING. WHAT WAS THE CRIME SCENE? 340 00:12:19,509 --> 00:12:22,012 IT WAS A SHOOTING. 341 00:12:22,012 --> 00:12:23,914 BECKETT, IT WAS YOUR SHOOTING. 342 00:12:23,914 --> 00:12:25,976 (Esposito) D.N.A. CONFIRMS THAT THE MAN 343 00:12:25,976 --> 00:12:27,818 WHO KILLED ORLANDO COSTAS IN THAT ALLEY 344 00:12:27,818 --> 00:12:30,180 IS THE SAME MAN WHO PUT A BULLET IN YOUR HEART. 345 00:12:49,139 --> 00:12:53,403 NO LEADS FOR 11 MONTHS, AND NOW THIS. 346 00:12:55,105 --> 00:12:56,546 DOES GATES KNOW? 347 00:12:56,546 --> 00:12:57,878 NO. 348 00:12:57,878 --> 00:12:59,810 THEN WE DON'T TELL HER. 349 00:12:59,810 --> 00:13:02,352 IF SHE FINDS OUT THIS IS A MATCH TO MY SHOOTING, 350 00:13:02,352 --> 00:13:04,154 SHE'LL TAKE ME OFF THE CASE. 351 00:13:05,485 --> 00:13:07,858 MAYBE YOU SHOULD BE OFF THIS CASE. 352 00:13:07,858 --> 00:13:10,420 THEY TRIED TO KILL YOU ONCE, KATE. 353 00:13:10,420 --> 00:13:12,422 YOU KEEP GOING ON THIS, THEY... 354 00:13:12,422 --> 00:13:14,224 WHAT'S TO STOP THEM FROM TRYING AGAIN? 355 00:13:14,224 --> 00:13:16,366 WHAT'S TO STOP THEM NOW? 356 00:13:16,366 --> 00:13:17,998 NO. 357 00:13:17,998 --> 00:13:19,499 I'VE BEEN WAITING A YEAR FOR THIS, 358 00:13:19,499 --> 00:13:22,873 AND I'LL BE DAMNED IF I LET SOMEONE ELSE SCREW IT UP. 359 00:13:37,918 --> 00:13:41,191 HEY, JAVIER. 360 00:13:41,191 --> 00:13:43,193 MAN, THIS JUST FEELS WRONG. 361 00:13:43,193 --> 00:13:45,195 WE NEED TO TELL GATES. 362 00:13:46,456 --> 00:13:49,099 WHY... 363 00:13:49,099 --> 00:13:51,231 SO SHE CAN SEND BECKETT HOME? 364 00:13:51,231 --> 00:13:52,903 YOU THINK THAT'S GONNA WORK? 365 00:13:52,903 --> 00:13:54,564 YOU THINK THAT'S GONNA STOP HER? 366 00:13:54,564 --> 00:13:56,336 SHE'S GONNA INVESTIGATE THIS CASE, KEVIN, 367 00:13:56,336 --> 00:13:58,838 WHETHER SHE'S ON IT OR NOT. 368 00:13:58,838 --> 00:14:01,041 THELEASTWE CAN DO 369 00:14:01,041 --> 00:14:04,444 IS MAKE SURE THAT WE HAVE HER BACK. 370 00:14:11,451 --> 00:14:13,353 (cell phone rings) 371 00:14:13,353 --> 00:14:15,355 (clicks) 372 00:14:15,355 --> 00:14:16,486 HELLO. 373 00:14:16,486 --> 00:14:18,959 (man) I think you know why I'm calling, Mr. Castle. 374 00:14:18,959 --> 00:14:20,290 IT'S YOU. 375 00:14:20,290 --> 00:14:22,893 (lowered voice) THANK GOD. WHAT THE HELL IS GOING ON? 376 00:14:22,893 --> 00:14:25,335 WHY'D THEY BREAK IN TO MONTGOMERY'S PLACE? 377 00:14:25,335 --> 00:14:27,337 WELL, MOST LIKELY, IT'S A CLEAN-UP JOB. 378 00:14:27,337 --> 00:14:30,470 MAKING SURE THAT MONTGOMERY HAD NOTHING ELSE INCRIMINATING 379 00:14:30,470 --> 00:14:31,541 IN HIS FILES. 380 00:14:31,541 --> 00:14:34,504 As long as Beckett drops her investigation, 381 00:14:34,504 --> 00:14:37,147 WE STILL HOLD ALL THE CARDS. 382 00:14:37,147 --> 00:14:39,409 NO, SHE'S ALREADY ON TO HER SHOOTER. 383 00:14:39,409 --> 00:14:40,981 SHE'S NOT GONNA LET GO. 384 00:14:40,981 --> 00:14:42,482 THEN WE HAVE A PROBLEM. 385 00:14:42,482 --> 00:14:46,186 IF SHE DOESN'T STOP, THEY WILL RETALIATE. 386 00:14:46,186 --> 00:14:48,188 Now I can't control the situation 387 00:14:48,188 --> 00:14:51,521 if you can't control her. 388 00:14:51,521 --> 00:14:53,163 (line disconnects) 389 00:14:57,998 --> 00:14:59,569 (cell door opens) 390 00:15:03,103 --> 00:15:04,534 (cell door closes) 391 00:15:06,336 --> 00:15:08,578 I GOT ENOUGH ON THE DRUG AND WEAPONS CHARGES 392 00:15:08,578 --> 00:15:11,611 TO PUT YOU AWAY FOR AT LEAST FIVE YEARS. 393 00:15:11,611 --> 00:15:14,945 FIVE YEARS OF YOUR LIFE... 394 00:15:17,547 --> 00:15:18,918 (door clanks) 395 00:15:23,653 --> 00:15:26,626 WHAT'S THAT WORTH? 396 00:15:26,626 --> 00:15:29,529 I KNOW YOU DIDN'T KILL ORLANDO. 397 00:15:29,529 --> 00:15:30,700 BUT HE CALLED YOU, 398 00:15:30,700 --> 00:15:32,702 AND YOU TALKED TO HIM FOR TWO MINUTES, 399 00:15:32,702 --> 00:15:34,965 AND YOU WERE IN THAT ALLEY. 400 00:15:36,436 --> 00:15:38,538 WHY? 401 00:15:38,538 --> 00:15:40,610 THERE'S NOBODY IN HERE BUT YOU AND ME. 402 00:15:40,610 --> 00:15:42,142 THERE'S NO CAMERAS, 403 00:15:42,142 --> 00:15:44,144 NO MICROPHONES, NO ONE'S LISTENING. 404 00:15:44,144 --> 00:15:46,376 I CAN MAKE ALL THOSE CHARGES GO AWAY. 405 00:15:46,376 --> 00:15:48,718 FIVE YEARS OF YOUR LIFE BACK, 406 00:15:48,718 --> 00:15:50,620 BUT YOU GOTTA TELL ME WHAT YOU KNOW. 407 00:16:02,662 --> 00:16:05,135 (sighs) 408 00:16:07,597 --> 00:16:09,439 HE CALLED LAST WEEK. 409 00:16:09,439 --> 00:16:11,601 TALKING ABOUT "TIMES WERE BAD," 410 00:16:11,601 --> 00:16:14,244 SO I TOLD HIM, "I CAN GET YOU SOME WORK." 411 00:16:14,244 --> 00:16:16,476 BUT HE KNEW IF HE CAME BACK TO THE CAZADORES, 412 00:16:16,476 --> 00:16:19,079 THERE'D BE NO LEAVING THIS TIME. 413 00:16:19,079 --> 00:16:20,610 AND ALL HE REALLY WANTED WAS A LOAN 414 00:16:20,610 --> 00:16:23,583 AND COULD I HELP HIM OUT FOR OLD TIMES' SAKE. 415 00:16:23,583 --> 00:16:25,385 DID YOU GIVE IT TO HIM? 416 00:16:25,385 --> 00:16:27,387 NO. HE BEGGED ME. 417 00:16:27,387 --> 00:16:28,658 SAID HE WAS GOOD FOR IT. 418 00:16:28,658 --> 00:16:30,560 SAID HE HAD SOMETHING BIG COMING UP, 419 00:16:30,560 --> 00:16:31,621 SOMETHING THAT'D MAKE HIM WHOLE. 420 00:16:31,621 --> 00:16:32,992 DID HE SAY WHAT? 421 00:16:32,992 --> 00:16:35,495 NO, BUT THAT MORNING, MY PHONE RINGS, 422 00:16:35,495 --> 00:16:37,267 AND HE SAID IT'D ALL GONE WRONG, 423 00:16:37,267 --> 00:16:39,599 HE WAS DESPERATE, TALKING ABOUT THEY WERE GONNA KILL HIM. 424 00:16:39,599 --> 00:16:41,271 WHO'S THEY? 425 00:16:41,271 --> 00:16:42,772 DON'T KNOW. 426 00:16:42,772 --> 00:16:44,734 BUT HE WAS SCARED. 427 00:16:44,734 --> 00:16:46,506 WHY DID HE CALL YOU? 428 00:16:46,506 --> 00:16:48,007 PROTECTION,CHICA. 429 00:16:48,007 --> 00:16:49,609 HE SAID IF I HELPED HIM OUT, HE'D COME BACK, 430 00:16:49,609 --> 00:16:51,681 AND HE KNEW THAT WAS THE PRICE. 431 00:16:51,681 --> 00:16:53,683 SO I TOLD HIM WHERE TO MEET. 432 00:16:53,683 --> 00:16:56,616 BUT BY THE TIME I GOT THERE, HE WAS ALREADY DEAD. 433 00:16:56,616 --> 00:16:58,418 YOU TOLD HIM WHERE TO MEET? 434 00:16:58,418 --> 00:16:59,749 THAT'S RIGHT. 435 00:16:59,749 --> 00:17:01,721 YOU DIDN'T TELL ANYONE ELSE? NO. 436 00:17:01,721 --> 00:17:04,394 DID YOU SEE ANYTHING THERE? 437 00:17:04,394 --> 00:17:05,795 WHITE GUY, 438 00:17:05,795 --> 00:17:07,457 6'. 439 00:17:07,457 --> 00:17:10,460 CAUGHT A GLIMPSE BEFORE THE NIGHT SWALLOWED HIM WHOLE. 440 00:17:12,802 --> 00:17:14,634 THEY MUST HAVE BEEN TAPPING ORLANDO'S PHONE. 441 00:17:14,634 --> 00:17:16,336 THAT'S THE ONLY WAY THEY GOT THERE FIRST. 442 00:17:16,336 --> 00:17:18,738 BUT HOW DID THEY KNOW TO TARGET ORLANDO FOR THE JOB? 443 00:17:18,738 --> 00:17:20,240 BECAUSE HE WAS DESPERATE FOR MONEY. 444 00:17:20,240 --> 00:17:21,411 YEAH, BUT HOW DID THEY KNOW THAT? 445 00:17:21,411 --> 00:17:22,672 HOW DID THEY KNOW HIS BACKGROUND? 446 00:17:22,672 --> 00:17:24,214 BECAUSE THEY KNEW HIM FROM THE MILITARY. 447 00:17:24,214 --> 00:17:25,615 HE WAS HIRED BY SOMEBODY HE KNEW. 448 00:17:25,615 --> 00:17:27,046 IT'S A PLACE TO START. 449 00:17:27,046 --> 00:17:28,778 AND WHOEVER'S GOTTEN CLOSE TO THAT SECRET IS DEAD. 450 00:17:28,778 --> 00:17:31,081 I THINK IT'S CLEAR, WE'RE IN OVER OUR HEADS HERE. 451 00:17:31,081 --> 00:17:33,253 SPEAK FOR YOURSELF, BRO. 452 00:17:33,253 --> 00:17:34,424 ORLANDO'S FINANCIALS JUST CAME IN. 453 00:17:34,424 --> 00:17:36,055 HE WAS UNDERWATER AND OVERDRAWN UNTIL LAST WEEK 454 00:17:36,055 --> 00:17:38,588 WHEN A WIRE TRANSFER FOR 10 GRAND HIT HIS ACCOUNT. 455 00:17:38,588 --> 00:17:40,660 LET ME GUESS. UNTRACEABLE? 456 00:17:40,660 --> 00:17:42,132 SO IT'S A DEAD END. 457 00:17:42,132 --> 00:17:43,263 THE DEPOSITS ARE, 458 00:17:43,263 --> 00:17:44,764 BUT THE DEBIT WITHDRAWALS ARE NOT. 459 00:17:44,764 --> 00:17:46,466 RIGHT WHEN THE MONEY CAME IN, 460 00:17:46,466 --> 00:17:47,767 MARISOL STARTED USING IT TO PAY BILLS. 461 00:17:47,767 --> 00:17:49,068 WAIT. IF MARISOL KNEW ABOUT THE MONEY... 462 00:17:49,068 --> 00:17:51,441 THEN SHE KNEW ORLANDO WAS UP TO SOMETHING. 463 00:17:51,441 --> 00:17:52,772 SHE LIED TO US. 464 00:17:52,772 --> 00:17:53,843 (Ryan) NOT ONLY THAT, BUT ACCORDING TO THE BANK, 465 00:17:53,843 --> 00:17:55,605 SHE CLEANED OUT THE ENTIRE ACCOUNT AN HOUR AGO. 466 00:17:55,605 --> 00:17:56,676 SHE'S ON THE RUN. 467 00:18:08,118 --> 00:18:11,361 I'VE GOT A FEW QUESTIONS FOR YOU BEFORE YOU LEAVE TOWN, 468 00:18:11,361 --> 00:18:12,862 AND THIS TIME, 469 00:18:12,862 --> 00:18:14,594 I WANT THE TRUTH. 470 00:18:20,470 --> 00:18:21,701 I'M TELLING YOU THE TRUTH. 471 00:18:21,701 --> 00:18:22,872 I DIDN'T KNOW ANYTHING ABOUT THE MONEY. 472 00:18:22,872 --> 00:18:24,234 NOT UNTIL TODAY. 473 00:18:24,234 --> 00:18:25,535 SO WHY DO WE HAVE DEBITS AGAINST IT 474 00:18:25,535 --> 00:18:28,238 THE MOMENT IT APPEARED IN YOUR ACCOUNT? 475 00:18:28,238 --> 00:18:29,579 ORLANDO-- 476 00:18:29,579 --> 00:18:31,541 IT WAS YOUR CARD, MARISOL. 477 00:18:31,541 --> 00:18:34,344 WHO WAS ORLANDO WORKING FOR? 478 00:18:34,344 --> 00:18:36,346 DO YOU KNOW WHAT'S GONNA HAPPEN 479 00:18:36,346 --> 00:18:38,348 IF YOU DON'T COOPERATE? 480 00:18:38,348 --> 00:18:39,719 YOU'RE GONNA GO TO JAIL 481 00:18:39,719 --> 00:18:41,721 AND YOUR KID'S GONNA GO TO FOSTER CARE. 482 00:18:41,721 --> 00:18:43,223 IS THAT WHAT YOU WANT? BECKETT-- 483 00:18:43,223 --> 00:18:45,355 MARCO ON THE STREETS, ENLISTED BY THE CAZADORES 484 00:18:45,355 --> 00:18:47,297 AT AGE 10 LIKE HIS FATHER, 485 00:18:47,297 --> 00:18:49,499 DEAD IN A GUTTER AT 19! 486 00:18:49,499 --> 00:18:51,130 PUDRETE EN EL INFIERNO! 487 00:18:51,130 --> 00:18:53,433 BECKETT... THAT'S ENOUGH. 488 00:18:53,433 --> 00:18:56,506 ORLANDO SAID IT WAS SOMEONE HE KNEW FROM THE SERVICE, 489 00:18:56,506 --> 00:18:58,438 SOMEONE DANGEROUS. 490 00:18:58,438 --> 00:19:00,740 BUT IT WAS JUST A ONE-OFF, 491 00:19:00,740 --> 00:19:03,413 A LOT OF MONEY FOR AN EASY JOB. 492 00:19:03,413 --> 00:19:06,176 AND WE NEEDED THE MONEY. 493 00:19:06,176 --> 00:19:07,347 WHAT WAS THE JOB? 494 00:19:07,347 --> 00:19:09,579 THEY NEEDED FILES... 495 00:19:09,579 --> 00:19:11,851 FROM A DEAD COP'S HOUSE. 496 00:19:11,851 --> 00:19:13,223 WHAT FILES? 497 00:19:13,223 --> 00:19:15,855 ALL OF THEM, ANY HE COULD FIND, 498 00:19:15,855 --> 00:19:18,428 THIS GUY FROM THE SERVICE, DID YOU GET A NAME? 499 00:19:18,428 --> 00:19:20,430 NO. DID YOU MEET HIM? 500 00:19:20,430 --> 00:19:21,591 NO. 501 00:19:21,591 --> 00:19:23,162 DID HE EVER CALL THE HOUSE? 502 00:19:23,162 --> 00:19:24,694 HE LEFT NOTES FOR ORLANDO IN THE MAIL BOX 503 00:19:24,694 --> 00:19:26,396 WITH A TIME AND PLACE. 504 00:19:26,396 --> 00:19:30,470 THEY WERE CODED SO I-I WOULDN'T KNOW WHERE. 505 00:19:30,470 --> 00:19:33,172 BUT I WAS IN THE CAR ONCE. 506 00:19:33,172 --> 00:19:36,476 I SAW WHERE THEY MET. 507 00:19:36,476 --> 00:19:37,677 AT A CHURCH 508 00:19:37,677 --> 00:19:40,310 OVER ON STATE STREET. 509 00:19:42,252 --> 00:19:43,413 WEDNESDAY, YOU SAY? 510 00:19:43,413 --> 00:19:44,384 YEAH, AROUND 3:00 P.M. 511 00:19:44,384 --> 00:19:45,955 HE WAS MEETING WITH SOMEONE. 512 00:19:45,955 --> 00:19:48,758 I'M SORRY. I WISH I COULD HELP. 513 00:19:48,758 --> 00:19:50,560 BUT WE'RE OPEN TO THE PUBLIC, 514 00:19:50,560 --> 00:19:53,923 AND WE GET A LOT OF UNFAMILIAR FACES EVERY DAY. 515 00:19:53,923 --> 00:19:56,366 WE USUALLY JUST LEAVE THEM TO THEIR PRAYERS. 516 00:19:56,366 --> 00:19:57,867 IF YOUR DONATION BOX IS ANY INDICATION, 517 00:19:57,867 --> 00:20:00,400 IT LOOKS LIKE BEING OPEN TO THE PUBLIC COMES WITH A PRICE. 518 00:20:00,400 --> 00:20:03,233 YES, WELL... IT'S NOT THE BEST NEIGHBORHOOD. 519 00:20:03,233 --> 00:20:05,875 WE CATCH GANG KIDS AND THE HOMELESS ALL THE TIME, 520 00:20:05,875 --> 00:20:09,679 TRYING TO TAKE ADVANTAGE OF MORE THAN JUST OUR OUTREACH PROGRAMS. 521 00:20:09,679 --> 00:20:11,911 HOW DO YOU CATCH THEM? 522 00:20:11,911 --> 00:20:13,383 (Ryan) HERE IT IS, 523 00:20:13,383 --> 00:20:15,715 3:00 P.M. WEDNESDAY. 524 00:20:15,715 --> 00:20:17,387 (computer beeps) 525 00:20:17,387 --> 00:20:18,518 (video fast-forwarding) 526 00:20:18,518 --> 00:20:20,720 (Ryan) THERE'S ORLANDO. 527 00:20:20,720 --> 00:20:23,253 (fast-forwarding continues) 528 00:20:23,253 --> 00:20:24,424 (mouse clicks, computer beeps) 529 00:20:26,426 --> 00:20:27,527 THAT'S HIM. 530 00:20:28,598 --> 00:20:30,660 DAMN IT. 531 00:20:30,660 --> 00:20:31,831 (computer beeps) 532 00:20:31,831 --> 00:20:33,903 (video fast-forwards) 533 00:20:36,366 --> 00:20:38,968 COME ON. COME ON. 534 00:20:42,011 --> 00:20:43,443 YES. 535 00:20:43,443 --> 00:20:45,615 (computer beeps) 536 00:20:45,615 --> 00:20:48,518 SO THAT'S WHAT YOU LOOK LIKE. 537 00:20:48,518 --> 00:20:50,520 (Esposito) I'M GONNA RUN THIS THROUGH ARMY C.I.D. 538 00:20:50,520 --> 00:20:52,452 IF THEY MET IN THE MILITARY SOMEONE IN ORLANDO'S OLD UNIT 539 00:20:52,452 --> 00:20:54,324 MIGHT BE ABLE TO I.D. HIM. NO, NO, WE DON'T KNOW WHO'S INVOLVED 540 00:20:54,324 --> 00:20:55,755 AND WE DON'T KNOW HOW HIGH THIS GOES. 541 00:20:55,755 --> 00:20:57,557 THE MINUTE WE PUT THIS PHOTO OUT THERE, 542 00:20:57,557 --> 00:20:59,459 THESE PEOPLE ARE GONNA KNOW. HE'S GONNA DISAPPEAR, 543 00:20:59,459 --> 00:21:00,630 AND WE'LL NEVER SEE HIM AGAIN. 544 00:21:00,630 --> 00:21:01,861 WE HAVE TO DO THIS ONE ON OUR OWN. 545 00:21:01,861 --> 00:21:03,563 (Ryan) BECKETT, THAT'S IMPOSSIBLE. 546 00:21:03,563 --> 00:21:04,694 ALL WE HAVE IS A FACE-- 547 00:21:04,694 --> 00:21:06,696 NO NAME, NO I.D., NO WAY TO FIND THIS GUY. 548 00:21:06,696 --> 00:21:08,698 (Beckett) THEN WE WILL FIND A WAY TO FIND HIM. 549 00:21:08,698 --> 00:21:10,300 I'M NOT GONNA LOSE THIS LEAD. 550 00:21:12,542 --> 00:21:13,503 (door opens) 551 00:21:13,503 --> 00:21:14,974 HOW ARE WE SUPPOSED TO INVESTIGATE 552 00:21:14,974 --> 00:21:16,846 IF WE CAN'T INVESTIGATE? (door closes) 553 00:21:16,846 --> 00:21:18,378 YOU HEARD THE LADY. 554 00:21:18,378 --> 00:21:20,450 WE FIND A WAY. 555 00:21:23,313 --> 00:21:26,756 ♪♪♪ 556 00:21:29,319 --> 00:21:30,860 (Castle) KATE! (gunshot) 557 00:21:30,860 --> 00:21:32,392 (Lanie) DON'T DIE ON ME! 558 00:21:32,392 --> 00:21:33,963 (monitor emits continuous tone) (man) NO PULSE! 559 00:21:36,726 --> 00:21:38,368 (gunshot) 560 00:21:40,330 --> 00:21:41,571 (Beckett) WHO HIRED YOU TO KILL HER? 561 00:21:41,571 --> 00:21:43,633 (Coonan) FORGET IT. YOU'LL NEVER TOUCH 'EM. 562 00:22:00,089 --> 00:22:01,591 (computer beeps) 563 00:22:04,724 --> 00:22:05,825 (computer beeps) 564 00:22:07,056 --> 00:22:08,528 (beep) 565 00:22:10,630 --> 00:22:14,564 (beeping) 566 00:22:18,638 --> 00:22:20,870 (knock on door) 567 00:22:20,870 --> 00:22:22,442 HEY. 568 00:22:22,442 --> 00:22:23,673 HEY. 569 00:22:23,673 --> 00:22:25,545 I JUST GOT OFF THE PHONE WITH ESPOSITO. 570 00:22:25,545 --> 00:22:26,846 OUR KILLER HAD A KEYCHAIN, 571 00:22:26,846 --> 00:22:29,479 AND HE MATCHED IT TO EASTWAY CAR RENTALS. 572 00:22:29,479 --> 00:22:31,751 THAT COULD BE ANY ONE OF A THOUSAND CARS. 573 00:22:31,751 --> 00:22:33,523 I KNOW, IT'S A NEEDLE IN A HAYSTACK, 574 00:22:33,523 --> 00:22:34,784 BUT AT LEAST IT'S A HAYSTACK, 575 00:22:34,784 --> 00:22:36,025 AND THEY KEEP MOST OF THEIR LICENSES ON FILE. 576 00:22:36,025 --> 00:22:37,126 KATE-- 577 00:22:37,126 --> 00:22:38,658 YEAH, HE'S PROBABLY USING A FAKE I.D. 578 00:22:38,658 --> 00:22:39,929 BUT WE SHOULD BE ABLE TO NARROW IT DOWN FROM THERE. 579 00:22:39,929 --> 00:22:41,631 KATE. WHAT'S WRONG? 580 00:22:43,833 --> 00:22:46,095 YOU, UM... (clears throat) 581 00:22:46,095 --> 00:22:48,568 YOU HAVE TO STOP. 582 00:22:48,568 --> 00:22:50,940 THIS INVESTIGATION, YOU--YOU HAVE TO STOP. 583 00:22:50,940 --> 00:22:53,543 CASTLE, WE ALREADY TALKED ABOUT THIS. 584 00:22:53,543 --> 00:22:55,745 I'M FINE. I'M IN CONTROL 585 00:22:55,745 --> 00:22:57,647 NO, YOU'RE NOT. 586 00:22:57,647 --> 00:22:58,848 (exhales) 587 00:22:58,848 --> 00:23:00,550 THEY ARE. 588 00:23:00,550 --> 00:23:03,613 AND IF YOU DON'T STOP, THEY WILL KILL YOU, KATE. 589 00:23:05,485 --> 00:23:07,056 WHAT ARE YOU TALKING ABOUT? 590 00:23:08,618 --> 00:23:11,390 BEFORE MONTGOMERY WENT INTO THAT HANGAR, 591 00:23:11,390 --> 00:23:13,693 HE SENT A PACKAGE TO SOMEONE, 592 00:23:13,693 --> 00:23:16,626 SOMEONE... HE TRUSTED. 593 00:23:16,626 --> 00:23:19,599 IT CONTAINED INFORMATION 594 00:23:19,599 --> 00:23:22,802 DAMAGING TO THE PERSON BEHIND ALL THIS. 595 00:23:22,802 --> 00:23:25,935 MONTGOMERY WAS TRYING TO PROTECT YOU. 596 00:23:25,935 --> 00:23:30,540 BUT THE PACKAGE DIDN'T ARRIVE UNTIL AFTER YOU'D BEEN SHOT. 597 00:23:30,540 --> 00:23:33,082 MONTGOMERY'S FRIEND... 598 00:23:33,082 --> 00:23:36,786 STRUCK A DEAL WITH THEM. 599 00:23:36,786 --> 00:23:38,488 IF THEY LEFT YOU ALONE, 600 00:23:38,488 --> 00:23:39,789 THAT PACKAGE AND THE INFORMATION INSIDE 601 00:23:39,789 --> 00:23:42,492 WOULD NEVER SEE THE LIGHT OF DAY. 602 00:23:42,492 --> 00:23:46,496 BUT THEY MADE ONE CONDITION-- YOU HAD TO BACK OFF. 603 00:23:46,496 --> 00:23:50,059 AND THAT'S THE REASON YOU'RE ALIVE, KATE, 604 00:23:50,059 --> 00:23:52,562 BECAUSE YOU STOPPED. 605 00:23:53,963 --> 00:23:55,665 HOW DO YOU KNOW THIS? 606 00:23:57,907 --> 00:23:59,569 IN ORDER FOR THE DEAL TO WORK, 607 00:23:59,569 --> 00:24:02,011 SOMEONE HAD TO MAKE SURE YOU WEREN'T PURSUING IT. 608 00:24:03,843 --> 00:24:05,575 ARE YOU A PART OF THIS? 609 00:24:05,575 --> 00:24:07,677 I WAS JUST TRYING TO KEEP YOU SAFE. 610 00:24:07,677 --> 00:24:08,718 OH... 611 00:24:15,925 --> 00:24:17,927 BY LYING TO ME 612 00:24:17,927 --> 00:24:21,030 ABOUT THE MOST IMPORTANT THING IN MY LIFE? 613 00:24:21,030 --> 00:24:22,992 THAT LIE WAS THE ONLY THING THAT WAS PROTECTING YOU. 614 00:24:22,992 --> 00:24:24,734 CASTLE, I DIDN'T NEED PROTECTION. 615 00:24:24,734 --> 00:24:25,935 I NEEDED A LEAD, 616 00:24:25,935 --> 00:24:29,468 AND YOU SAT ON IT FOR A YEAR. 617 00:24:31,040 --> 00:24:33,603 NOW WHO IS THIS PERSON? HOW DO I FIND HIM? 618 00:24:33,603 --> 00:24:35,645 HE'S A-A VOICE ON THE PHONE. 619 00:24:35,645 --> 00:24:40,179 HE'S A SHADOW IN A PARKING GARAGE. 620 00:24:40,179 --> 00:24:41,781 YOU MET WITH HIM? 621 00:24:41,781 --> 00:24:44,614 HOW DO YOU KNOW THAT HE'S NOT BEHIND MY MOM'S MURDER? 622 00:24:44,614 --> 00:24:46,756 HOW DO YOU KNOW THAT HE'S NOT INVOLVED? 623 00:24:46,756 --> 00:24:50,489 AND HOW THE HELL COULD YOU DO THIS? 624 00:24:50,489 --> 00:24:53,623 BECAUSE I LOVE YOU. 625 00:24:56,566 --> 00:24:58,968 BUT YOU ALREADY KNOW THAT, DON'T YOU? 626 00:24:58,968 --> 00:25:00,970 YOU'VE KNOWN FOR ABOUT A YEAR. 627 00:25:00,970 --> 00:25:02,672 ARE YOU KIDDING ME? 628 00:25:02,672 --> 00:25:04,674 YOU'RE ACTUALLY BRINGING THIS UP RIGHT NOW, 629 00:25:04,674 --> 00:25:06,806 AFTER YOU TOLD ME THAT YOU JUST BETRAYED ME? 630 00:25:08,578 --> 00:25:10,009 KATE, LISTEN TO ME-- 631 00:25:10,009 --> 00:25:12,011 LISTEN TO YOU? WHY SHOULD I LISTEN TO YOU? 632 00:25:12,011 --> 00:25:15,545 HOW I AM EVEN SUPPOSED TO TRUST ANYTHING THAT YOU SAY? 633 00:25:15,545 --> 00:25:17,987 HOW ARE YOU S-- 634 00:25:17,987 --> 00:25:20,820 BECAUSE OF EVERYTHING WE'VE BEEN THROUGH TOGETHER! 635 00:25:20,820 --> 00:25:23,593 FOUR YEARS, I'VE BEEN RIGHT HERE. 636 00:25:23,593 --> 00:25:25,795 FOUR YEARS JUSTWAITING FOR YOU TO JUST OPEN YOUR EYES, 637 00:25:25,795 --> 00:25:28,698 TO SEE THAT I'M RIGHT HERE 638 00:25:28,698 --> 00:25:33,162 AND THAT I'M MORE THAN A PARTNER. 639 00:25:33,162 --> 00:25:35,635 EVERY MORNING, I-I BRING YOU A CUP OF COFFEE 640 00:25:35,635 --> 00:25:37,837 JUST SO I COULD SEE A SMILE ON YOUR FACE 641 00:25:37,837 --> 00:25:40,740 BECAUSE I THINK YOU ARE THE MOST... 642 00:25:40,740 --> 00:25:42,311 REMARKABLE... 643 00:25:42,311 --> 00:25:44,974 MADDENING... 644 00:25:44,974 --> 00:25:46,746 CHALLENGING... 645 00:25:46,746 --> 00:25:49,548 FRUSTRATING PERSON I HAVE EVER MET. 646 00:25:51,080 --> 00:25:53,552 AND I LOVE YOU, KATE, AND IF... 647 00:25:53,552 --> 00:25:56,756 THAT MEANS ANYTHING TO YOU, 648 00:25:56,756 --> 00:25:59,689 IF YOU CARE ABOUT ME AT ALL, JUST DON'T DO THIS. 649 00:25:59,689 --> 00:26:00,860 (exhales) 650 00:26:00,860 --> 00:26:02,191 IF I CARE ABOUT YOU? 651 00:26:02,191 --> 00:26:04,063 CASTLE, YOU CUT A DEAL FOR MY LIFE 652 00:26:04,063 --> 00:26:06,766 LIKE I WAS SOME KIND OF A CHILD. 653 00:26:06,766 --> 00:26:09,639 MY LIFE, MINE... 654 00:26:09,639 --> 00:26:12,241 YOU DON'T GET TO DECIDE. 655 00:26:12,241 --> 00:26:15,004 YOU KEEP GOING WITH THIS, 656 00:26:15,004 --> 00:26:17,006 THEY'RE GONNA DECIDE. 657 00:26:17,006 --> 00:26:18,848 THEY'RE GONNA COME FOR YOU, KATE. 658 00:26:18,848 --> 00:26:20,349 LET THEM COME. 659 00:26:20,349 --> 00:26:22,812 THEY SENT COONAN, AND HE IS DEAD. 660 00:26:22,812 --> 00:26:25,655 THEY SENT LOCKWOOD, AND HE IS DEAD. 661 00:26:25,655 --> 00:26:27,116 AND I AM STILL HERE, CASTLE, 662 00:26:27,116 --> 00:26:28,988 AND I AM READY. 663 00:26:28,988 --> 00:26:31,260 READY FOR WHAT, 664 00:26:31,260 --> 00:26:32,762 TO-TO DIE FOR YOUR CAUSE? 665 00:26:32,762 --> 00:26:35,164 THIS ISN'T A MURDER INVESTIGATION ANYMORE, KATE. 666 00:26:35,164 --> 00:26:37,827 THEY'VE TURNED IT INTO A WAR. 667 00:26:37,827 --> 00:26:40,770 IF THEY WANT A WAR, THEN I WILL BRING THEM A WAR, 668 00:26:40,770 --> 00:26:42,932 STRAIGHT TO THEIR DOORSTEPS. 669 00:26:46,305 --> 00:26:50,139 WELL, I GUESS THERE'S JUST NOTHING I CAN SAY, IS THERE? 670 00:26:50,139 --> 00:26:51,911 OKAY, UM... 671 00:26:53,382 --> 00:26:55,144 YEAH, YOU'RE RIGHT, KATE, 672 00:26:55,144 --> 00:26:57,787 IT'S YOUR LIFE. 673 00:26:57,787 --> 00:26:58,918 YOU CAN THROW IT AWAY IF YOU WANT, 674 00:26:58,918 --> 00:27:00,249 BUT I'M NOT GONNA STICK AROUND AND WATCH YOU, 675 00:27:00,249 --> 00:27:03,022 SO THIS IS, UH... 676 00:27:03,022 --> 00:27:04,824 OVER. 677 00:27:04,824 --> 00:27:07,026 I'M DONE. 678 00:27:09,258 --> 00:27:10,930 (door opens) 679 00:27:10,930 --> 00:27:11,901 (door closes) 680 00:27:23,272 --> 00:27:26,115 (sighs) 681 00:27:33,152 --> 00:27:35,084 (Alexis) EVERYTHING OKAY? 682 00:27:36,856 --> 00:27:39,258 YEAH. FINE. HOW'S YOUR SPEECH COMING? 683 00:27:39,258 --> 00:27:40,790 I HAVE WATCHED OR READ 684 00:27:40,790 --> 00:27:41,931 EVERY GRADUATION ADDRESS EVER WRITTEN 685 00:27:41,931 --> 00:27:44,233 AND COMPILED ALL THE BEST ADVICE INTO ONE SPEECH, 686 00:27:44,233 --> 00:27:46,095 AND THEN I READ IT OUT LOUD. 687 00:27:46,095 --> 00:27:47,837 AND GUESS WHAT I SOUNDED LIKE. 688 00:27:47,837 --> 00:27:49,869 LIKE A POMPOUS ASS. 689 00:27:49,869 --> 00:27:52,872 I'M 18 YEARS OLD. WHAT THE HELL DO I KNOW? 690 00:27:52,872 --> 00:27:54,904 HEY, LOOK, EVERYTHING YOU KNOW, 691 00:27:54,904 --> 00:27:57,106 EVERYTHING YOU WILL KNOW IS... 692 00:27:57,106 --> 00:27:59,208 IS WHAT'S TRUE FOR YOU. 693 00:27:59,208 --> 00:28:01,911 ALL I KNOW IS, EVERYTHING'S CHANGING. 694 00:28:01,911 --> 00:28:04,313 EVERYTHING'S GOING TO BE DIFFERENT, 695 00:28:04,313 --> 00:28:08,087 AND I'M SO SCARED. 696 00:28:08,087 --> 00:28:09,889 OF WHAT? 697 00:28:09,889 --> 00:28:11,020 (sighs) 698 00:28:11,020 --> 00:28:13,462 MOVING ON. 699 00:28:13,462 --> 00:28:15,995 WRITE ABOUT THAT. 700 00:28:15,995 --> 00:28:18,968 (kisses) THAT FEELS TRUE. 701 00:28:23,973 --> 00:28:26,976 (jangling) 702 00:28:45,194 --> 00:28:47,126 (sniffles) 703 00:29:01,070 --> 00:29:04,073 (indistinct conversations) 704 00:29:05,915 --> 00:29:07,376 WHERE'S CASTLE? 705 00:29:07,376 --> 00:29:09,478 HE'S OFF THE TEAM. 706 00:29:11,220 --> 00:29:12,922 SO WHAT DO WE GOT? 707 00:29:12,922 --> 00:29:15,054 EASTWAY RENTED 700 CARS LAST WEDNESDAY. 708 00:29:15,054 --> 00:29:16,956 WE BELIEVE OUR SUSPECT IS GOING UNDER THE NAME 709 00:29:16,956 --> 00:29:18,087 COLE MADDOX. (beeping) 710 00:29:18,087 --> 00:29:19,758 HE RENTED OUT OF J.F.K. 711 00:29:19,758 --> 00:29:21,330 (Esposito) IT'S A KANSAS DRIVER'S LICENSE. 712 00:29:21,330 --> 00:29:23,162 NOW WE DID SOME DIGGING. IT'S A COVER I.D. 713 00:29:23,162 --> 00:29:24,233 DID HE RETURN THE CAR? 714 00:29:24,233 --> 00:29:25,434 NO, BUT... 715 00:29:25,434 --> 00:29:26,896 EASTWAY MAINTAINS 716 00:29:26,896 --> 00:29:28,767 GPS TRACKING ON ALL OF ITS EQUIPMENT, 717 00:29:28,767 --> 00:29:31,770 SO WE TRACKED IT TO THE LOWER EAST SIDE 718 00:29:31,770 --> 00:29:33,903 TO A 1-BLOCK RADIUS SOMEWHERE ALONG HERE. 719 00:29:33,903 --> 00:29:35,544 ALL RIGHT, YOU STAY ON GRID. 720 00:29:35,544 --> 00:29:36,946 LET US KNOW IF HE MOVES. 721 00:29:36,946 --> 00:29:38,077 ESPOSITO, YOU'RE COMING WITH ME. 722 00:29:38,077 --> 00:29:40,179 WHOA, WHOA, WHOA, WHOA, WHOA. WHAT ARE YOU DOING? 723 00:29:40,179 --> 00:29:41,780 YOU WANT TO DO THIS, YOU DO IT RIGHT. 724 00:29:41,780 --> 00:29:43,953 YOU PUT A TEAM ON THAT CAR AND YOU BRING BACKUP WITH YOU. 725 00:29:43,953 --> 00:29:45,284 (lowered voice) RYAN, THIS WHOLE THING STARTED 726 00:29:45,284 --> 00:29:47,086 BECAUSE OF A GROUP OF CORRUPT COPS. 727 00:29:47,086 --> 00:29:49,959 HOW DO YOU KNOW THERE AREN'T MORE OUT THERE? 728 00:29:49,959 --> 00:29:51,861 WE'RE ABOUT AN INCH AWAY FROM CATCHING THIS GUY, 729 00:29:51,861 --> 00:29:54,063 AND I'M NOT GONNA BLOW IT BY ADVERTISING OUR NEXT MOVE. 730 00:29:54,063 --> 00:29:55,224 WITH ALL DUE RESPECT, 731 00:29:55,224 --> 00:29:56,565 THIS GUY PUT A BULLET IN YOUR HEART 732 00:29:56,565 --> 00:29:58,898 AND THEN HE DISAPPEARED INTO THE ETHER. 733 00:29:58,898 --> 00:30:01,070 YOU CANNOT GO IN THERE UNPREPARED. 734 00:30:01,070 --> 00:30:03,102 UNPREPARED? 735 00:30:03,102 --> 00:30:08,107 I'VE BEEN PREPARING FOR THIS FOR THE PAST 13 YEARS. 736 00:30:11,110 --> 00:30:13,082 HEY, JAVIER... 737 00:30:13,082 --> 00:30:14,543 MAN, DON'T LET HER DO THIS. 738 00:30:14,543 --> 00:30:16,085 IT'S TOO BIG OF A RISK. 739 00:30:16,085 --> 00:30:18,047 IT'S ALL GOOD, BRO. 740 00:30:18,047 --> 00:30:20,519 WE GOT THIS. 741 00:30:22,852 --> 00:30:25,454 COME ON. WE DON'T WANT TO MISS HER SPEECH... 742 00:30:25,454 --> 00:30:27,096 (lowered voice) OR THE ENTIRE GRADUATION. 743 00:30:27,096 --> 00:30:29,098 (Martha) I'M ALMOST READY. 744 00:30:29,098 --> 00:30:31,961 (cell phone rings) 745 00:30:31,961 --> 00:30:33,933 (ring) 746 00:30:35,264 --> 00:30:37,236 (rings and beeps) 747 00:30:39,108 --> 00:30:42,311 (people speaking indistinctly) 748 00:30:42,311 --> 00:30:45,344 (sighs) 749 00:30:45,344 --> 00:30:49,118 (people speaking indistinctly) 750 00:30:49,118 --> 00:30:51,180 HEY, WE GOT HIM. 751 00:30:51,180 --> 00:30:53,322 THE DOORMAN AT THE RESIDENCY HOTEL ACROSS THE WAY 752 00:30:53,322 --> 00:30:54,954 I.D.'ed THE CAR. 753 00:30:54,954 --> 00:30:56,155 AND THE FRONT DESK CLERK CONFIRMS 754 00:30:56,155 --> 00:30:57,586 THAT MR. MADDOX IS HERE ON A 1-MONTH LEASE. 755 00:30:57,586 --> 00:30:59,328 THEY'VE AGREED TO LET US IN HIS ROOM. 756 00:30:59,328 --> 00:31:02,091 (lowered voice) GET OUT OF THE WAY. 757 00:31:07,997 --> 00:31:09,168 CLEAR. 758 00:31:09,168 --> 00:31:10,539 CLEAR. 759 00:31:10,539 --> 00:31:12,471 MONTGOMERY'S FILES. 760 00:31:15,404 --> 00:31:17,306 HIS CONTACT LIST? 761 00:31:17,306 --> 00:31:18,978 WHAT THE HELL WERE THEY LOOKING FOR? 762 00:31:22,211 --> 00:31:23,512 NOT WHAT. WHO. 763 00:31:23,512 --> 00:31:26,155 THEY GRABBED MONTGOMERY'S WEDDING ALBUM. 764 00:31:26,155 --> 00:31:28,217 WHY? THEY'RE LOOKING FOR SOMEONE THAT HE KNEW. 765 00:31:30,589 --> 00:31:32,091 MAYBE THEY FOUND HIM. 766 00:31:32,091 --> 00:31:33,422 WE GOTTA GET OUT OF HERE. 767 00:31:33,422 --> 00:31:35,364 I'M GONNA CALL FOR BACKUP. 768 00:31:35,364 --> 00:31:38,067 WE'LL SET UP IN THE LOBBY-- (grunts) 769 00:31:38,067 --> 00:31:40,599 (grunts) 770 00:31:40,599 --> 00:31:42,201 AAH! 771 00:31:42,201 --> 00:31:44,403 (grunts) 772 00:31:44,403 --> 00:31:45,604 (grunts) 773 00:31:55,144 --> 00:31:59,018 (panting) 774 00:32:05,654 --> 00:32:06,956 (grunts) 775 00:32:15,234 --> 00:32:16,335 OH! (grunts) (grunts) 776 00:32:19,338 --> 00:32:23,212 (both grunting) 777 00:32:24,943 --> 00:32:26,215 (grunts) 778 00:32:26,215 --> 00:32:28,117 AAH! 779 00:32:30,119 --> 00:32:31,950 (gun clatters) 780 00:32:31,950 --> 00:32:33,222 (grunting) 781 00:32:33,222 --> 00:32:34,483 (grunts) 782 00:32:37,256 --> 00:32:39,188 (grunts) 783 00:32:39,188 --> 00:32:41,730 (inhales sharply) AH! 784 00:32:41,730 --> 00:32:44,163 OHH. 785 00:32:45,494 --> 00:32:48,597 AH! (grunts) 786 00:32:48,597 --> 00:32:49,698 (gasps) 787 00:32:49,698 --> 00:32:53,342 (gasping) 788 00:32:53,342 --> 00:32:54,603 (groans) 789 00:32:54,603 --> 00:32:55,974 (grunts) OH! 790 00:32:55,974 --> 00:32:57,206 (groans) 791 00:33:04,253 --> 00:33:07,256 (labored breathing) 792 00:33:11,020 --> 00:33:13,992 JUST TELL ME WHO'S BEHIND THIS. 793 00:33:16,625 --> 00:33:19,328 YOU HAVE NO IDEA WHAT YOU'RE UP AGAINST. 794 00:33:19,328 --> 00:33:20,499 (pants) 795 00:33:20,499 --> 00:33:23,202 NEITHER DO YOU. 796 00:33:23,202 --> 00:33:25,734 (grunts) AH! (grunts) 797 00:33:30,439 --> 00:33:33,442 (grunting) 798 00:33:35,044 --> 00:33:37,086 (pants and grunts) 799 00:33:40,519 --> 00:33:42,651 ACTUALLY... 800 00:33:42,651 --> 00:33:45,224 WE KNOW EXACTLY WHO WE'RE UP AGAINST. 801 00:33:45,224 --> 00:33:48,097 (sirens wailing) 802 00:33:48,097 --> 00:33:51,560 (Beckett panting) 803 00:33:51,560 --> 00:33:53,602 (wailing continues) 804 00:33:53,602 --> 00:33:55,304 (grunts) 805 00:33:59,508 --> 00:34:01,039 (grunts) 806 00:34:01,039 --> 00:34:03,412 HELP! 807 00:34:03,412 --> 00:34:05,474 OH! OH, GOD. 808 00:34:05,474 --> 00:34:07,316 (grunts) 809 00:34:07,316 --> 00:34:08,577 NO! 810 00:34:08,577 --> 00:34:11,320 OH, NOT LIKE THIS. COME ON. 811 00:34:11,320 --> 00:34:12,351 (grunts) 812 00:34:15,424 --> 00:34:17,586 COME ON. NO! 813 00:34:17,586 --> 00:34:19,588 (grunts) 814 00:34:19,588 --> 00:34:22,661 (grunting) 815 00:34:26,265 --> 00:34:30,169 (panting) 816 00:34:31,440 --> 00:34:32,401 OH! 817 00:34:32,401 --> 00:34:34,473 (continues panting) 818 00:34:36,105 --> 00:34:39,077 CASTLE. (exhales) 819 00:34:40,449 --> 00:34:42,711 AAH! AH! 820 00:34:43,812 --> 00:34:47,186 (grunting) 821 00:34:54,793 --> 00:34:56,395 (Castle) BECKETT! 822 00:34:56,395 --> 00:34:57,866 CASTLE! 823 00:34:57,866 --> 00:34:59,628 BECKETT! CASTLE, I'M HERE! 824 00:34:59,628 --> 00:35:01,570 NO! 825 00:35:01,570 --> 00:35:03,302 OH, GOD. CASTLE! 826 00:35:03,302 --> 00:35:05,103 BECKETT, HANG ON! 827 00:35:05,103 --> 00:35:06,835 (pants) 828 00:35:06,835 --> 00:35:08,577 CASTLE! 829 00:35:08,577 --> 00:35:09,738 BECKETT! (grunts) 830 00:35:09,738 --> 00:35:11,540 OHH! 831 00:35:11,540 --> 00:35:13,682 (panting) (grunts) 832 00:35:13,682 --> 00:35:15,414 (grunts) 833 00:35:15,414 --> 00:35:18,147 OH. (grunts) 834 00:35:18,147 --> 00:35:19,418 (panting) 835 00:35:19,418 --> 00:35:20,849 CASTLE? (pants) 836 00:35:20,849 --> 00:35:24,423 (continues panting) 837 00:35:27,756 --> 00:35:29,758 WITHHOLDING EVIDENCE, 838 00:35:29,758 --> 00:35:32,401 LYING TO A SUPERIOR OFFICER-- 839 00:35:32,401 --> 00:35:36,235 WHAT YOU DID DISHONORS THIS CITY AND DISHONORS THE BADGE. 840 00:35:36,235 --> 00:35:37,836 NOT ONLY ARE YOU OFF THIS INVESTIGATION, 841 00:35:37,836 --> 00:35:39,608 I'M PUTTING YOU BOTH ON ADMINISTRATIVE LEAVE 842 00:35:39,608 --> 00:35:41,570 EFFECTIVE IMMEDIATELY. SIR-- 843 00:35:41,570 --> 00:35:42,671 DON'T YOU "SIR" ME. 844 00:35:42,671 --> 00:35:44,873 YOU DON'T DESERVE TO WEAR THE UNIFORM. 845 00:35:44,873 --> 00:35:47,516 NOW HAND OVER YOUR BADGES AND GUNS. 846 00:35:56,154 --> 00:35:57,556 DETECTIVE BECKETT. 847 00:36:20,178 --> 00:36:22,551 KEEP IT. 848 00:36:22,551 --> 00:36:23,712 I RESIGN. 849 00:36:23,712 --> 00:36:27,716 (Andrew Belle's "In My Veins" playing) 850 00:36:27,716 --> 00:36:29,718 (Alexis, amplified voice) THERE'S A UNIVERSAL TRUTH 851 00:36:29,718 --> 00:36:32,561 WE ALL HAVE TO FACE... 852 00:36:32,561 --> 00:36:35,494 WHETHER WE WANT TO OR NOT. 853 00:36:35,494 --> 00:36:39,228 EVERYTHING EVENTUALLY ENDS. 854 00:36:39,228 --> 00:36:42,531 AS MUCH AS I'VE LOOKED FORWARD TO THIS DAY, 855 00:36:42,531 --> 00:36:44,903 I'VE ALWAYS DISLIKED ENDINGS... 856 00:36:44,903 --> 00:36:48,777 ♪ ALL THAT YOU RELY ON ♪ 857 00:36:48,777 --> 00:36:50,639 ♪ ON ♪ 858 00:36:50,639 --> 00:36:52,781 THE LAST DAY OF SUMMER... 859 00:36:52,781 --> 00:36:54,683 ♪ AND ALL THAT YOU CAN FAKE ♪ 860 00:36:54,683 --> 00:36:57,246 THE FINAL CHAPTER OF A GREAT BOOK... 861 00:36:57,246 --> 00:37:00,218 (people speaking indistinctly) 862 00:37:00,218 --> 00:37:02,451 PARTING WAYS WITH A CLOSE FRIEND. 863 00:37:02,451 --> 00:37:04,222 ♪ GOOD-BYE ♪ 864 00:37:06,825 --> 00:37:11,400 BUT ENDINGS ARE INEVITABLE. 865 00:37:11,400 --> 00:37:12,701 JAVI. 866 00:37:12,701 --> 00:37:14,263 (jangles keys) 867 00:37:14,263 --> 00:37:16,535 I HAD TO. 868 00:37:16,535 --> 00:37:18,307 LEAVES FALL. (elevator bell dings) 869 00:37:18,307 --> 00:37:19,968 YOU CLOSE THE BOOK. 870 00:37:19,968 --> 00:37:22,941 ♪ ON ♪ 871 00:37:22,941 --> 00:37:26,645 ♪ AND ALL THAT YOU CAN SAVE ♪ 872 00:37:28,847 --> 00:37:30,879 YOU SAY GOOD-BYE. 873 00:37:30,879 --> 00:37:33,882 ♪ WILL LEAVE YOU IN THE MORNING ♪ 874 00:37:33,882 --> 00:37:36,555 ♪ HEY ♪ 875 00:37:36,555 --> 00:37:38,627 TODAY IS ONE OF THOSE DAYS FOR US. 876 00:37:38,627 --> 00:37:40,829 ♪ BUT FIND YOU IN THE DAY ♪ 877 00:37:40,829 --> 00:37:43,662 TODAY WE SAY GOOD-BYE TO EVERYTHING THAT WAS FAMILIAR, 878 00:37:43,662 --> 00:37:46,335 EVERYTHING THAT WAS COMFORTABLE. 879 00:37:47,666 --> 00:37:50,499 ♪ OH, YOU'RE IN MY VEINS ♪ 880 00:37:50,499 --> 00:37:51,640 WE'RE MOVING ON. 881 00:37:51,640 --> 00:37:55,574 ♪ AND I CANNOT GET YOU OUT ♪ 882 00:37:55,574 --> 00:37:58,046 ♪ OH, YOU'RE ALL I TASTE ♪ 883 00:37:58,046 --> 00:38:00,909 ♪ AT NIGHT INSIDE OF MY MOUTH ♪ 884 00:38:00,909 --> 00:38:03,412 BUT JUST BECAUSE WE'RE LEAVING, 885 00:38:03,412 --> 00:38:05,754 AND THAT HURTS... 886 00:38:05,754 --> 00:38:07,456 THERE ARE SOME PEOPLE 887 00:38:07,456 --> 00:38:09,958 WHO ARE SO MUCH A PART OF US 888 00:38:09,958 --> 00:38:12,921 THEY'LL BE WITH US NO MATTER WHAT. 889 00:38:12,921 --> 00:38:15,624 THEY ARE OUR SOLID GROUND... 890 00:38:15,624 --> 00:38:17,826 ♪ GET YOU OUT ♪ 891 00:38:17,826 --> 00:38:20,329 OUR NORTH STAR, 892 00:38:20,329 --> 00:38:23,532 AND THE SMALL CLEAR VOICES IN OUR HEARTS 893 00:38:23,532 --> 00:38:27,606 THAT WILL BE WITH US... ALWAYS. 894 00:38:27,606 --> 00:38:29,708 (applause) 895 00:38:29,708 --> 00:38:31,610 ♪ NOTHING STAYS THE SAME ♪ 896 00:38:31,610 --> 00:38:34,713 (applause continues) 897 00:38:36,415 --> 00:38:39,317 ♪ AND NOBODY HERE'S PERFECT ♪ 898 00:38:39,317 --> 00:38:42,451 (thunder rumbling) 899 00:38:42,451 --> 00:38:45,994 ♪ OH, BUT EVERYONE'S TO BLAME ♪ 900 00:38:45,994 --> 00:38:47,756 NO, ALEXIS, I'LL BE FINE. 901 00:38:47,756 --> 00:38:49,758 I GOT A THOUSAND CABLE CHANNELS, I GOT MY XBOX. 902 00:38:49,758 --> 00:38:51,660 YOU HAVE FUN. 903 00:38:51,660 --> 00:38:55,604 I WILL NOT WORRY ABOUT YOU UNTIL LUNCHTIME TOMORROW. 904 00:38:55,604 --> 00:38:57,636 I LOVE YOU, TOO. 905 00:38:57,636 --> 00:38:58,807 (cell phone beeps) 906 00:38:58,807 --> 00:39:02,641 ♪ AND ALL THAT YOU CAN SAVE ♪ 907 00:39:05,514 --> 00:39:07,516 ♪ WILL LEAVE YOU IN THE MORNING ♪ 908 00:39:07,516 --> 00:39:08,747 (cell phone rings) 909 00:39:08,747 --> 00:39:10,449 ♪ HEY, HEY ♪ 910 00:39:10,449 --> 00:39:11,620 (ring) 911 00:39:11,620 --> 00:39:13,121 ♪ HEY ♪ 912 00:39:13,121 --> 00:39:17,526 ♪ AND FIND YOU IN THE DAY ♪ 913 00:39:22,090 --> 00:39:24,393 (beeps and chirps) 914 00:39:24,393 --> 00:39:28,737 ♪ EVERYTHING IS DARK ♪ 915 00:39:31,600 --> 00:39:35,744 ♪ IT'S MORE THAN YOU CAN TAKE ♪ 916 00:39:38,707 --> 00:39:41,580 (beeps and chirps) 917 00:39:41,580 --> 00:39:45,754 ♪ OH, NO, I CANNOT GET YOU ♪ 918 00:39:45,754 --> 00:39:48,457 (sighs) 919 00:39:48,457 --> 00:39:50,859 (knock on door) 920 00:39:50,859 --> 00:39:52,621 (rainfall) 921 00:39:52,621 --> 00:39:56,765 (thunder rumbling) 922 00:40:00,799 --> 00:40:03,401 BECKETT, WHAT DO YOU WANT? 923 00:40:03,401 --> 00:40:04,703 YOU. 924 00:40:13,912 --> 00:40:16,845 (whispers) I'M SO SORRY, CASTLE. 925 00:40:16,845 --> 00:40:20,519 (voice breaking) I'M SO SORRY. 926 00:40:20,519 --> 00:40:22,751 I'M SO SORRY. 927 00:40:27,926 --> 00:40:31,429 WHAT HAPPENED? 928 00:40:31,429 --> 00:40:33,832 HE GOT AWAY, AND I DIDN'T CARE. 929 00:40:33,832 --> 00:40:35,634 (rainfall continues) 930 00:40:35,634 --> 00:40:37,906 I ALMOST DIED 931 00:40:37,906 --> 00:40:40,469 AND ALL I COULD THINK ABOUT WAS YOU. 932 00:40:40,469 --> 00:40:41,940 (rumbling continues) 933 00:40:41,940 --> 00:40:43,642 I JUST WANT YOU. 934 00:40:57,125 --> 00:41:00,158 (both panting) 935 00:41:04,793 --> 00:41:07,796 (panting) 936 00:41:10,038 --> 00:41:13,041 (thunder rumbling) 937 00:41:35,123 --> 00:41:38,126 (thunder rumbling) 938 00:41:38,126 --> 00:41:40,829 (footsteps approach) 939 00:41:43,672 --> 00:41:45,834 (keys clatter) 940 00:41:45,834 --> 00:41:47,105 MISTER... 941 00:41:47,105 --> 00:41:48,506 SMITH? 942 00:41:49,708 --> 00:41:50,939 WHO ARE YOU? 943 00:41:53,912 --> 00:41:56,114 YOU'VE BEEN A VERY HARD MAN TO FIND. 944 00:41:56,114 --> 00:41:57,816 WHAT DO YOU WANT? 945 00:41:57,816 --> 00:41:59,287 YOU HAVE SOME SENSITIVE INFORMATION 946 00:41:59,287 --> 00:42:00,649 ABOUT MY EMPLOYER, 947 00:42:00,649 --> 00:42:01,920 INFORMATION THAT YOU'VE BEEN USING 948 00:42:01,920 --> 00:42:03,051 TO PROTECT DETECTIVE BECKETT. 949 00:42:03,051 --> 00:42:04,953 ARE YOU FORGETTING... 950 00:42:04,953 --> 00:42:06,224 WE HAVE A DEAL? 951 00:42:06,224 --> 00:42:08,757 NO. WHAT YOU HAD WAS BLACKMAIL. 952 00:42:08,757 --> 00:42:12,000 NOW YOU'RE GONNA TELL ME WHERE ALL THAT INFORMATION IS, 953 00:42:12,000 --> 00:42:13,902 AND AFTER YOU DO, 954 00:42:13,902 --> 00:42:15,934 I'M GONNA PUT KATE BECKETT IN THE GROUND 955 00:42:15,934 --> 00:42:21,539 ONCE AND FOR ALL.