1 00:00:00,431 --> 00:00:02,133 ♪♪♪ 2 00:00:02,133 --> 00:00:05,276 (reporters speaking indistinctly) 3 00:00:05,276 --> 00:00:08,209 REGINA, YOUR NEW ALBUM, "FATAL IMPACT," DROPS NEXT WEEK. 4 00:00:08,209 --> 00:00:09,510 WHAT CAN YOU TELL US ABOUT IT? 5 00:00:09,510 --> 00:00:13,244 IT'S ABOUT LOVE, HEARTBREAK, AND REVENGE. 6 00:00:13,244 --> 00:00:14,545 IT'S MY BEST ALBUM YET. 7 00:00:14,545 --> 00:00:17,718 OH, MY GOD. IT'S JOSIE LANG. 8 00:00:17,718 --> 00:00:19,220 JOSIE! HERE! 9 00:00:24,125 --> 00:00:27,058 WHAT THE HELL IS JOSIE LANG DOING AT MY RELEASE PARTY? 10 00:00:27,058 --> 00:00:29,200 HER ALBUM'S OUT NEXT WEEK, TOO. 11 00:00:29,200 --> 00:00:31,031 HAVING BOTH OF YOU HERE GETS US MORE PRESS. 12 00:00:31,031 --> 00:00:33,604 MORE PRESS FOR WHO, ME OR HER? 13 00:00:33,604 --> 00:00:35,706 REGINA. THANK YOU FOR THE INVITE. 14 00:00:35,706 --> 00:00:37,708 YOU KNOW, YOU'RE THE REASON I'M A POP STAR. 15 00:00:37,708 --> 00:00:40,711 I'VE BEEN A HUGE FAN EVER SINCE I WAS IN GRADE SCHOOL. 16 00:00:43,774 --> 00:00:47,618 ♪♪♪ 17 00:01:01,732 --> 00:01:04,735 ♪♪♪ 18 00:01:08,569 --> 00:01:12,273 THAT IS RIDICULOUS. I DO NOT LOSE A TURN. 19 00:01:12,273 --> 00:01:13,444 ARE YOU KIDDING? NO, THAT'S THE RULES. 20 00:01:13,444 --> 00:01:14,605 YOU ABSOLUTELY LOSE YOUR TURN. 21 00:01:14,605 --> 00:01:15,776 ASK HIM. 'SITO. 22 00:01:15,776 --> 00:01:17,148 ASK ME WHAT? 23 00:01:17,148 --> 00:01:19,250 IN A RELATIONSHIP, IF YOU CHOOSE A MOVIE 24 00:01:19,250 --> 00:01:21,252 AND YOU CHOOSE VERY, VERY POORLY, 25 00:01:21,252 --> 00:01:22,453 DO YOU LOSE YOUR TURN? 26 00:01:22,453 --> 00:01:23,614 HOW POORLY? 27 00:01:23,614 --> 00:01:24,785 "VALENTINE'S DAY." 28 00:01:24,785 --> 00:01:26,417 YOU SHOULD LOSE TWO TURNS. WHAT? 29 00:01:26,417 --> 00:01:28,259 YEAH. I'M JUST SAYING. THOSE ARE THE RULES. 30 00:01:28,259 --> 00:01:30,121 THOSE ARE THE RULES. THAT'S RIDICULOUS. 31 00:01:30,121 --> 00:01:32,223 SO THE BODY WAS FOUND IN THIS DUMPSTER OVER HERE 32 00:01:32,223 --> 00:01:34,165 BY A HOMELESS DUDE WHO WAS LOOKING FOR CANS. 33 00:01:34,165 --> 00:01:35,426 IT WAS WRAPPED UP IN THIS TARP. 34 00:01:35,426 --> 00:01:37,428 'CAUSE? 35 00:01:37,428 --> 00:01:39,270 G.S.W. 36 00:01:39,270 --> 00:01:41,272 AS NEAR AS I COULD TELL, SHE WAS SHOT AT CLOSE RANGE. 37 00:01:41,272 --> 00:01:43,374 MINIMAL BLOOD SEEPAGE 38 00:01:43,374 --> 00:01:45,105 AND LACK OF SPATTER IN THE AREA SUGGESTS 39 00:01:45,105 --> 00:01:47,408 SHE WAS KILLED ELSEWHERE, THEN DUMPED HERE. 40 00:01:47,408 --> 00:01:49,340 SO SOMEONE WAS HOPING SHE'D CATCH A RIDE 41 00:01:49,340 --> 00:01:52,213 WITH THE MORNING HAUL, DISAPPEAR UNDER SOME LANDFILL. 42 00:01:52,213 --> 00:01:53,544 ANY IDEA WHO SHE IS? 43 00:01:53,544 --> 00:01:55,286 WELL, ACCORDING TO HER I.D., HER NAME IS HOLLY RHODES. 44 00:01:55,286 --> 00:01:57,448 BUT HER BUSINESS CARD HAS HER LISTED AS D.J. BEAT. 45 00:01:57,448 --> 00:02:00,591 CALLED THE NUMBER, AND HER BOOKING AGENT SAYS THAT 46 00:02:00,591 --> 00:02:03,123 SHE WAS DEEJAYING AN ALBUM LAUNCH PARTY IN SoHo LAST NIGHT 47 00:02:03,123 --> 00:02:04,295 FOR POP STAR REGINA CANE. 48 00:02:04,295 --> 00:02:05,596 WHAT? 49 00:02:05,596 --> 00:02:07,328 AW, DUDE. YOU REMEMBER THAT MUSIC VIDEO 50 00:02:07,328 --> 00:02:09,230 WHERE SHE WAS DRESSED UP AS A SEXY LITTLE GIRL SCOUT? 51 00:02:09,230 --> 00:02:10,331 I DON'T CARE WHAT THOSE COOKIES COST. 52 00:02:10,331 --> 00:02:12,163 I WOULD SELL MY LEFT... 53 00:02:12,163 --> 00:02:14,505 ANYWAY, SHE WAS BOOKED AT THE PARTY TILL 1:00 A.M. 54 00:02:14,505 --> 00:02:16,467 1:00 A.M.? YEAH, WHY? 55 00:02:16,467 --> 00:02:18,469 WE'RE PLACING THE TIME OF DEATH BETWEEN 11:00 AND MIDNIGHT. 56 00:02:18,469 --> 00:02:21,312 SO WHATEVER HAPPENED HAPPENED AT THAT PARTY. 57 00:02:21,312 --> 00:02:23,374 THIS INK LOOKS FRESH. 58 00:02:23,374 --> 00:02:24,545 IT'S AN UNLISTED NUMBER. 59 00:02:24,545 --> 00:02:25,816 I GOT A CALL IN TO THE PHONE COMPANY. 60 00:02:25,816 --> 00:02:27,318 ALL RIGHT, YOU GUYS SET UP A CANVASS 61 00:02:27,318 --> 00:02:28,449 FOR ANYONE THAT SAW THE BODY DUMP. 62 00:02:28,449 --> 00:02:29,780 CASTLE AND I WILL HEAD DOWN TO SoHo, 63 00:02:29,780 --> 00:02:31,182 SEE WHAT HAPPENED LAST NIGHT. 64 00:02:34,185 --> 00:02:35,726 HEY. 65 00:02:35,726 --> 00:02:37,358 GOOD MORNING. 66 00:02:37,358 --> 00:02:39,190 KILLER PARTY. 67 00:02:39,190 --> 00:02:40,861 WELL, IT LOOKS LIKE REGINA WENT ALL OUT 68 00:02:40,861 --> 00:02:42,363 TO PROMOTE HER NEW ALBUM. 69 00:02:42,363 --> 00:02:44,335 I REMEMBER WHEN ALEXIS USED TO PLAY 70 00:02:44,335 --> 00:02:47,198 HER BIG HIT "CALL ME CRAZY" OVER AND OVER AGAIN. 71 00:02:47,198 --> 00:02:49,169 DROVE ME CRAZY. 72 00:02:49,169 --> 00:02:51,402 OF COURSE, IT WAS NO "VALENTINE'S DAY." 73 00:02:52,703 --> 00:02:55,306 EXCUSE ME, NYPD. WHERE'S THE HOST? 74 00:02:55,306 --> 00:02:57,648 FORGET THE HOST. WHERE'S YOUR PANTS? 75 00:02:57,648 --> 00:02:59,179 AM I RIGHT? 76 00:02:59,179 --> 00:03:01,352 NAH. I'VE BEEN THERE. CHECK BY THE POOL. 77 00:03:01,352 --> 00:03:03,554 WAIT. YOU'RE N.Y. WHAT NOW? 78 00:03:03,554 --> 00:03:04,715 P.D. 79 00:03:04,715 --> 00:03:06,287 AS IN, A DETECTIVE. 80 00:03:06,287 --> 00:03:07,858 WE'RE HERE ABOUT HOLLY RHODES. 81 00:03:07,858 --> 00:03:09,690 WHO IS HOLLY RHODES? 82 00:03:09,690 --> 00:03:10,921 D.J. BEAT. 83 00:03:10,921 --> 00:03:12,423 SHE WAS YOUR DEEJAY FOR YOUR PARTY. 84 00:03:12,423 --> 00:03:14,495 OH, THAT SKANK. 85 00:03:14,495 --> 00:03:17,868 YEAH, BITCH ALMOST RUINED MY ENTIRE PARTY. 86 00:03:17,868 --> 00:03:20,671 WHEN I LEFT TO GET READY FOR MY PERFORMANCE, 87 00:03:20,671 --> 00:03:22,673 SHE WAS SUPPOSED TO STAY AND GET THE CROWD PUMPED. 88 00:03:22,673 --> 00:03:26,707 INSTEAD, THE MUSIC STOPPED, AND SHE WAS GONE. 89 00:03:26,707 --> 00:03:29,510 SHE DIDN'T EVEN COME BACK TO GET HER EQUIPMENT. 90 00:03:29,510 --> 00:03:31,242 SO YOU'RE SAYING THAT SHE LEFT EARLY? 91 00:03:31,242 --> 00:03:32,613 YEAH. 92 00:03:32,613 --> 00:03:34,385 AROUND 11:00, 93 00:03:34,385 --> 00:03:35,686 AFTER JACKING IN A PLAYLIST. 94 00:03:35,686 --> 00:03:38,289 I DIDN'T PAY FOR A PLAYLIST. 95 00:03:38,289 --> 00:03:40,851 IF YOU SEE HER, TELL HER I WANT MY MONEY BACK. 96 00:03:40,851 --> 00:03:42,353 THAT MIGHT BE A LITTLE TOUGH, 97 00:03:42,353 --> 00:03:43,594 SEEING AS SHE'S DEAD. 98 00:03:43,594 --> 00:03:46,257 SHE WAS KILLED JUST AFTER LEAVING YOUR PARTY. 99 00:03:46,257 --> 00:03:48,459 GREAT. NOW I FEEL BAD FOR COMPLAINING. 100 00:03:48,459 --> 00:03:50,000 DID YOU NOTICE ANY UNUSUAL BEHAVIOR? 101 00:03:50,000 --> 00:03:53,003 WAS SHE HAVING PROBLEMS WITH ANY OF YOUR OTHER GUESTS? 102 00:03:53,003 --> 00:03:56,236 NO. BUT THEN AGAIN, I WAS BUSY MAKING MY ROUNDS. 103 00:03:56,236 --> 00:03:57,408 RIGHT. OKAY. 104 00:03:57,408 --> 00:03:58,839 WELL, I'LL NEED A GUEST LIST 105 00:03:58,839 --> 00:04:01,342 ALONG WITH THE NAMES OF EVERYONE THAT WAS WORKING LAST NIGHT. 106 00:04:01,342 --> 00:04:02,473 NO PROBLEM. 107 00:04:02,473 --> 00:04:05,015 I'LL HAVE MY PUBLICIST SEND IT RIGHT OVER. 108 00:04:09,720 --> 00:04:11,652 SO I SPOKE WITH SEVERAL OF THE OTHER PARTY GUESTS, 109 00:04:11,652 --> 00:04:13,253 AND THEY CONFIRM REGINA'S STORY. 110 00:04:13,253 --> 00:04:15,526 APPARENTLY, HOLLY JUST SUDDENLY LEFT. 111 00:04:15,526 --> 00:04:17,027 IN THE MIDDLE OF HER SET, WHY? 112 00:04:17,027 --> 00:04:19,029 WELL, WE ANSWER THAT, WE'LL FIND OUT WHY SHE WAS KILLED. 113 00:04:19,029 --> 00:04:20,331 ANYONE SEE WHERE SHE WENT? 114 00:04:20,331 --> 00:04:21,762 NO, AND THERE'S NO SECURITY CAMERAS. 115 00:04:21,762 --> 00:04:22,933 I'M SEEING IF I CAN PULL TAPE 116 00:04:22,933 --> 00:04:24,295 FROM BUSINESSES ACROSS THE STREET. 117 00:04:24,295 --> 00:04:25,566 DID YOU GET AHOLD OF NEXT OF KIN? 118 00:04:25,566 --> 00:04:27,698 NAH. SHE DOESN'T HAVE ANY. HOLLY WAS AN ONLY CHILD. 119 00:04:27,698 --> 00:04:30,371 BOUNCED AROUND FOSTER CARE TILL SHE WAS 18. 120 00:04:30,371 --> 00:04:32,303 THAT CAN'T HAVE BEEN AN EASY CHILDHOOD. 121 00:04:32,303 --> 00:04:33,604 PROBABLY WHY HER HOBBIES AS A TEENAGER 122 00:04:33,604 --> 00:04:35,606 INCLUDE BURGLARY AND SHOPLIFTING. 123 00:04:35,606 --> 00:04:37,948 THEN SHE GRADUATED TO GRAND THEFT. 124 00:04:37,948 --> 00:04:39,310 ANYTHING MORE RECENT? 125 00:04:39,310 --> 00:04:40,311 NOT IN THE LAST SEVEN YEARS. 126 00:04:40,311 --> 00:04:41,482 SHE MUST HAVE CLEANED UP HER ACT 127 00:04:41,482 --> 00:04:43,314 WHEN SHE GOT SERIOUS ABOUT BEING A DEEJAY. 128 00:04:43,314 --> 00:04:44,585 OH, AND HEY, GET THIS. 129 00:04:44,585 --> 00:04:46,417 THE UNIFORMS CANVASSING HOLLY'S APARTMENT BUILDING 130 00:04:46,417 --> 00:04:48,759 FOUND A NEIGHBOR WHO SAW A MAN POUNDING ON HOLLY'S DOOR 131 00:04:48,759 --> 00:04:49,960 A FEW DAYS AGO. 132 00:04:49,960 --> 00:04:51,622 WHAT WAS IT ABOUT? 133 00:04:51,622 --> 00:04:53,324 THE NEIGHBOR HEARD HIM SCREAM, "YOU WON'T GET AWAY WITH THIS." 134 00:04:53,324 --> 00:04:54,865 EITHER HOLLY WASN'T HOME OR SHE WOULDN'T ANSWER THE DOOR, 135 00:04:54,865 --> 00:04:56,296 AND EVENTUALLY, THE GUY TOOK OFF. 136 00:04:56,296 --> 00:04:58,298 NEIGHBOR IS WITH A SKETCH ARTIST AS WE SPEAK. 137 00:04:58,298 --> 00:04:59,400 OKAY. 138 00:04:59,400 --> 00:05:00,431 YO. I GOT A HIT ON THAT PHONE NUMBER 139 00:05:00,431 --> 00:05:01,902 WRITTEN ON HOLLY'S HAND. 140 00:05:01,902 --> 00:05:03,404 IT BELONGS TO A TYRESE WILTON. 141 00:05:03,404 --> 00:05:04,735 APPARENTLY HE'S SOME BIG-TIME RECORD PRODUCER. 142 00:05:06,337 --> 00:05:08,078 HE'S ON THE GUEST LIST. HE WAS AT THE PARTY. 143 00:05:08,078 --> 00:05:09,740 YOU GUYS SEE WHAT HE KNOWS. 144 00:05:09,740 --> 00:05:12,383 CASTLE, LANIE KNOWS WHERE OUR VICTIM WAS KILLED. 145 00:05:12,383 --> 00:05:13,814 I NOTICED IT WHEN I WAS CUTTING HER OUT OF HER CLOTHES-- 146 00:05:13,814 --> 00:05:15,315 STAINS ON HER OUTFIT. 147 00:05:15,315 --> 00:05:17,718 THE LAB IDENTIFIED IT AS PEANUT OIL 148 00:05:17,718 --> 00:05:20,090 WITH HIGH CONCENTRATIONS OF M.S.G. 149 00:05:20,090 --> 00:05:22,022 MEANING WHAT, SHE WAS EATING CHINESE FOOD 150 00:05:22,022 --> 00:05:23,594 AND SPILLED SOME ON HERSELF? 151 00:05:23,594 --> 00:05:24,825 EXCEPT 152 00:05:24,825 --> 00:05:26,326 I CHECKED HER STOMACH CONTENTS. 153 00:05:26,326 --> 00:05:27,828 NO CHINESE. 154 00:05:27,828 --> 00:05:29,400 AND THEY WEREN'T SERVING ANY AT THE PARTY EITHER. 155 00:05:29,400 --> 00:05:30,701 SO I CHECKED WITH C.S.U. 156 00:05:30,701 --> 00:05:32,533 THEY SAID THERE WAS NO TRACE OF IT IN THE DUMPSTER, 157 00:05:32,533 --> 00:05:34,735 BUT IT'S ALL OVER THE TARP, MEANING... 158 00:05:34,735 --> 00:05:37,938 SHE MAY HAVE BEEN KILLED AT OR NEAR A CHINESE RESTAURANT. 159 00:05:37,938 --> 00:05:39,870 NARROWING IT DOWN TO EVERY SINGLE BLOCK 160 00:05:39,870 --> 00:05:42,773 IN MANHATTAN. 161 00:05:44,014 --> 00:05:46,417 UH, WHAT ABOUT THE GUN? 162 00:05:46,417 --> 00:05:47,718 SLUG IS FROM A .380, 163 00:05:47,718 --> 00:05:49,720 BUT THERE WERE NO BALLISTIC HITS IN THE SYSTEM. 164 00:05:49,720 --> 00:05:52,953 OH, AND WHEN C.S.U. PROCESSED THE TARP AND THE CLOTHES, 165 00:05:52,953 --> 00:05:56,987 THEY ALSO FOUND THESE-- SYNTHETIC FIBERS. 166 00:05:56,987 --> 00:05:59,059 THEY DIDN'T COME FROM THE DUMPSTER EITHER. 167 00:05:59,059 --> 00:06:01,361 BUT THE LAB IS STILL RUNNING TESTS. 168 00:06:01,361 --> 00:06:02,593 I'LL KEEP YOU POSTED. 169 00:06:02,593 --> 00:06:04,094 IF TYRESE IS SO BIG-TIME, 170 00:06:04,094 --> 00:06:06,467 WHY IS THE ENTRANCE TO HIS STUDIO IN AN ALLEY? 171 00:06:06,467 --> 00:06:08,569 BECAUSE CELEBRITIES DON'T WANT PAPARAZZI 172 00:06:08,569 --> 00:06:10,070 TAKING THEIR PICTURE ALL THE TIME. 173 00:06:10,070 --> 00:06:12,102 YO, DID YOU JUST DO THE HAIR THING? 174 00:06:12,102 --> 00:06:13,404 WHAT HAIR THING? 175 00:06:13,404 --> 00:06:14,475 EVERY TIME YOU'RE ABOUT TO MEET 176 00:06:14,475 --> 00:06:15,806 A CELEBRITY OR A PRETTY GIRL, 177 00:06:15,806 --> 00:06:17,377 YOU RUN YOUR HAND THROUGH YOUR HAIR. 178 00:06:17,377 --> 00:06:19,049 T.M.Z. SAID THAT TYRESE WAS AT THAT PARTY 179 00:06:19,049 --> 00:06:20,411 WITH JOSIE LANG. 180 00:06:20,411 --> 00:06:21,882 HE'S PRODUCING HER NEW ALBUM. 181 00:06:21,882 --> 00:06:23,484 YEAH, WELL, SHE'S NO REGINA. 182 00:06:23,484 --> 00:06:25,055 I UNDERSTAND THAT THE IMAGE OF HER AS A GIRL SCOUT 183 00:06:25,055 --> 00:06:26,487 IS SEARED INTO YOUR MEMORY, 184 00:06:26,487 --> 00:06:28,118 BUT JOSIE IS A REAL VOCALIST. 185 00:06:28,118 --> 00:06:30,421 WHOSE FAN BASE CONSISTS OF 12-YEAR-OLD GIRLS... 186 00:06:30,421 --> 00:06:32,022 AND YOU. 187 00:06:32,022 --> 00:06:33,564 Stand by. 188 00:06:33,564 --> 00:06:36,096 HEY, TY, YOU WANT ME TO TAKE THAT FROM THE SECOND BAR? 189 00:06:36,096 --> 00:06:38,499 Sorry, Jo. We gotta take 15. 190 00:06:38,499 --> 00:06:40,731 HEY, SINCE JOSIE WAS AT THE PARTY, 191 00:06:40,731 --> 00:06:41,972 I SHOULD PROBABLY TAKE HER STATEMENT, RIGHT? 192 00:06:41,972 --> 00:06:43,604 YOU GOT THIS, RIGHT, BRO? THANKS. 193 00:06:43,604 --> 00:06:45,636 SORRY. THIS IS SUCH A CRAZY THING. 194 00:06:45,636 --> 00:06:47,177 I CAN'T BELIEVE SHE'S DEAD. 195 00:06:47,177 --> 00:06:49,179 HOW WELL DID YOU KNOW HOLLY, TYRESE? 196 00:06:49,179 --> 00:06:51,081 I MET HER FOR THE FIRST TIME AT THE PARTY. 197 00:06:51,081 --> 00:06:52,643 I WAS THERE WITH JOSIE 198 00:06:52,643 --> 00:06:54,144 'CAUSE WE'VE BEEN WORKING ON HER ALBUM, 199 00:06:54,144 --> 00:06:56,146 AND I USED TO PRODUCE REGINA BACK IN THE DAY. 200 00:06:56,146 --> 00:06:58,118 CAN YOU TELL ME WHY WE FOUND YOUR PHONE NUMBER 201 00:06:58,118 --> 00:06:59,990 WRITTEN ON THE VICTIM'S HAND? WHAT, THAT? 202 00:06:59,990 --> 00:07:02,052 MM-HMM. I GAVE HER MY DIGITS SO WE COULD SET UP A MEETING. 203 00:07:02,052 --> 00:07:03,694 ABOUT WHAT? 204 00:07:03,694 --> 00:07:05,496 IF THERE'S ONE THING I'M GOOD AT, IT'S SPOTTING TALENT. 205 00:07:05,496 --> 00:07:07,127 HER MASHUPS AND BEAT MATCH WENT BETTER 206 00:07:07,127 --> 00:07:08,899 THAN MOST OF THE GUYS DROPPING ALBUMS TODAY. 207 00:07:08,899 --> 00:07:10,430 I WAS BLOWN AWAY. 208 00:07:10,430 --> 00:07:11,702 I TOLD HER I WANTED TO TAKE HER TO THE NEXT LEVEL. 209 00:07:11,702 --> 00:07:13,033 SO HOW'D SHE REACT TO THAT? 210 00:07:13,033 --> 00:07:14,605 SHE WAS THRILLED. 211 00:07:14,605 --> 00:07:16,136 SAID A BREAK LIKE THIS IS WHAT SHE'D BEEN WORKING FOR. 212 00:07:16,136 --> 00:07:17,838 SHE WAS SUPPOSED TO CALL ME TODAY. 213 00:07:17,838 --> 00:07:19,710 YOU HAVE ANY IDEA WHY SHE RUSHED OUT OF THAT PARTY EARLY? 214 00:07:19,710 --> 00:07:21,872 NAH. COULDA HAD SOMETHING TO DO WITH THAT FIGHT, THOUGH. 215 00:07:21,872 --> 00:07:23,113 WHAT FIGHT? 216 00:07:23,113 --> 00:07:24,545 YOU HEARD OF M.C. THUG? 217 00:07:24,545 --> 00:07:26,046 M.C. THUG? YEAH, THE RAPPER. 218 00:07:26,046 --> 00:07:28,018 BEEN SHOT LIKE SEVEN TIMES, RIGHT? THAT'S THE ONE. 219 00:07:28,018 --> 00:07:29,980 NOW ON HOLLY'S FIRST BREAK, HE WALKED OVER TO HER BOOTH, 220 00:07:29,980 --> 00:07:31,522 STARTS TALKING TO HER REAL LOW AND ANGRY. 221 00:07:31,522 --> 00:07:33,123 I COULD SEE SHE WAS GETTING UPSET, 222 00:07:33,123 --> 00:07:34,184 TRIED TO PUSH HIM AWAY. 223 00:07:34,184 --> 00:07:35,726 THEN HE GRABBED HER WRIST AND SAID, 224 00:07:35,726 --> 00:07:38,188 "NEXT TIME, IT'S GONNA END DIFFERENT." 225 00:07:38,188 --> 00:07:40,831 THEN HE SAW ME COMING AND BOUNCED. 226 00:07:40,831 --> 00:07:42,162 NOW I WAS GONNA TALK TO HER ABOUT IT, 227 00:07:42,162 --> 00:07:44,064 BUT, YOU KNOW, I GOT CAUGHT UP WITH SOME FOLKS, 228 00:07:44,064 --> 00:07:46,066 THE NEXT THING I KNEW, SHE WAS GONE. 229 00:07:46,066 --> 00:07:48,499 THIS M.C. THUG, DID YOU SEE HIM AT THE PARTY ANYMORE 230 00:07:48,499 --> 00:07:50,240 AFTER HOLLY LEFT? 231 00:07:50,240 --> 00:07:53,103 NAH. IN FACT, I DIDN'T SEE HIM THE REST OF THE NIGHT. 232 00:07:53,103 --> 00:07:55,706 SO IF YOU CAN JUST MAKE IT OUT TO JENNY AND KEV. 233 00:07:55,706 --> 00:07:57,177 IT'S SHORT FOR KEVIN. 234 00:07:57,177 --> 00:07:59,149 HEY, FANBOY. LET'S GO. 235 00:07:59,149 --> 00:08:00,981 THANK YOU SO MUCH. 236 00:08:00,981 --> 00:08:02,482 SHE'S GONNA DIE WHEN SHE SEES THIS. 237 00:08:02,482 --> 00:08:05,215 THANK YOU. NICE TO MEET YOU. 238 00:08:05,215 --> 00:08:06,216 M.C. THUG-- 239 00:08:06,216 --> 00:08:08,118 AKA DARIUS CARSON. 240 00:08:08,118 --> 00:08:09,590 HIS RAP SHEET INCLUDES 241 00:08:09,590 --> 00:08:11,592 ASSAULT WITH A DEADLY WEAPON AND ATTEMPTED MURDER, 242 00:08:11,592 --> 00:08:14,124 AND THAT WAS JUST AT THIS YEAR'S HIP-HOP MUSIC AWARDS. 243 00:08:14,124 --> 00:08:16,066 HOW DID HOLLY WIND UP IN THE SIGHTS 244 00:08:16,066 --> 00:08:17,998 OF A GUY LIKE THAT? 245 00:08:17,998 --> 00:08:19,099 WELL, WHATEVER WAS GOING ON BETWEEN THEM 246 00:08:19,099 --> 00:08:20,771 HAPPENED WAY BEFORE THAT PARTY. 247 00:08:20,771 --> 00:08:22,102 THE GUY WHO WAS POUNDING ON HOLLY'S DOOR, 248 00:08:22,102 --> 00:08:23,233 THREATENING HER? 249 00:08:23,233 --> 00:08:24,705 THE SKETCH JUST CAME IN FROM THE NEIGHBOR. 250 00:08:26,777 --> 00:08:39,550 LOOK FAMILIAR? 251 00:08:39,990 --> 00:08:41,251 DARIUS CARSON-- 252 00:08:41,251 --> 00:08:44,094 NOBODY CALLS ME DARIUS UNLESS YOU MY MAMA, 253 00:08:44,094 --> 00:08:46,226 AND BY THE LOOKS OF THAT BODY, YOU AIN'T. 254 00:08:46,226 --> 00:08:49,029 YEAH, WELL, I'M SURE YOUR MAMA'S SO PROUD. 255 00:08:49,029 --> 00:08:50,731 YEAH. 256 00:08:50,731 --> 00:08:52,032 SO, DARIUS, 257 00:08:52,032 --> 00:08:53,904 ACCORDING TO REGINA CANE'S PARTY PLANNER, 258 00:08:53,904 --> 00:08:55,566 YOU WEREN'T ON THE ORIGINAL GUEST LIST 259 00:08:55,566 --> 00:08:56,967 UNTIL YOU MADE A LAST-MINUTE PHONE CALL 260 00:08:56,967 --> 00:08:58,538 TO GET IN THE PARTY. 261 00:08:58,538 --> 00:09:00,140 I'M A FAN OF HER MUSIC. THAT A CRIME? 262 00:09:00,140 --> 00:09:02,012 NO, BUT MURDER IS. 263 00:09:02,012 --> 00:09:03,143 I KNOW YOU AIN'T A COP 264 00:09:03,143 --> 00:09:05,145 WITH THAT FANCY SHIRT AND POUFY HAIR. 265 00:09:05,145 --> 00:09:07,818 HE MIGHT NOT BE, BUT I AM. 266 00:09:07,818 --> 00:09:10,681 ARE YOU SURE YOU WENT TO THE PARTY TO SEE REGINA? 267 00:09:10,681 --> 00:09:12,783 YEAH, I'M REAL SURE. 268 00:09:12,783 --> 00:09:14,855 WHY? 269 00:09:14,855 --> 00:09:16,827 WE KNOW THAT YOU VISITED D.J. BEAT'S APARTMENT 270 00:09:16,827 --> 00:09:17,988 BEFORE THE PARTY. 271 00:09:17,988 --> 00:09:19,559 WE KNOW THAT YOU FOUGHT WITH HER THAT NIGHT, 272 00:09:19,559 --> 00:09:21,061 AND THEN SHE TURNED UP DEAD. 273 00:09:21,061 --> 00:09:22,833 I HAD NOTHING TO DO WITH THAT MESS. 274 00:09:22,833 --> 00:09:23,994 YEAH, BUT YOU HAD SOMETHING TO DO WITH HER. 275 00:09:23,994 --> 00:09:26,597 DAMN STRAIGHT. I WANTED MY GIRL'S BRACELET BACK. 276 00:09:26,597 --> 00:09:27,838 WHO HAD YOUR GIRL'S BRACELET? 277 00:09:27,838 --> 00:09:28,899 I THREW A PARTY AT MY CRIB LAST WEEK. 278 00:09:28,899 --> 00:09:30,841 I HIRED D.J. BEAT TO SPIN. 279 00:09:30,841 --> 00:09:32,342 THE NEXT DAY, MY GIRL DAKOTA 280 00:09:32,342 --> 00:09:34,645 REALIZED HER DIAMOND BRACELET IS MISSING. 281 00:09:34,645 --> 00:09:36,807 NOW THAT BITCH AND HER LITTLE BITCH OF AN ASSISTANT 282 00:09:36,807 --> 00:09:38,909 ARE THE ONLY ONES THERE I COULDN'T VOUCH FOR. 283 00:09:38,909 --> 00:09:41,311 THE BITCH HAD AN ASSISTANT BITCH? 284 00:09:41,311 --> 00:09:43,013 YEAH, THE LITTLE PUNK THAT WORKS FOR HER. 285 00:09:43,013 --> 00:09:45,055 SO THEN YOU TRACKED HER DOWN TO THE PARTY. 286 00:09:45,055 --> 00:09:46,086 AND WHEN SHE RAN, 287 00:09:46,086 --> 00:09:47,587 YOU FOLLOWED HER AND YOU KILLED HER. 288 00:09:47,587 --> 00:09:50,090 NO, I TOLD HER SHE HAD A DAY TO COUGH IT UP OR ELSE. 289 00:09:50,090 --> 00:09:51,662 OR ELSE WHAT? 290 00:09:51,662 --> 00:09:53,964 "OR ELSE" IS USUALLY ENOUGH. 291 00:09:53,964 --> 00:09:56,697 WHERE WERE YOU BETWEEN 11:00 AND MIDNIGHT? 292 00:09:56,697 --> 00:09:59,029 UPSTAIRS... WITH MY GIRL. 293 00:09:59,029 --> 00:10:00,200 DAKOTA? 294 00:10:00,200 --> 00:10:03,273 DIFFERENT GIRL. KAIYA. 295 00:10:03,273 --> 00:10:04,805 ALL RIGHT. 296 00:10:04,805 --> 00:10:06,777 WELL, I'M GONNA HAVE TO HOLD YOU WHILE WE LOOK INTO THAT. 297 00:10:06,777 --> 00:10:08,939 GOOD. THAT HELPS MY STREET CRED. 298 00:10:08,939 --> 00:10:10,981 YOU GUYS ARE GONNA DO A MUG SHOT, RIGHT? 299 00:10:10,981 --> 00:10:15,045 'CAUSE I BROUGHT MY LIGHTING GUY WITH ME. 300 00:10:17,147 --> 00:10:18,288 THANKS. 301 00:10:18,288 --> 00:10:19,650 HEY, GUYS. 302 00:10:19,650 --> 00:10:21,351 SO KAIYA CONFIRMS THAT SHE WAS 303 00:10:21,351 --> 00:10:23,023 "HANGING OUT" WITH M.C. THUG 304 00:10:23,023 --> 00:10:25,295 IN ONE OF THE BEDROOMS TILL 12:30. 305 00:10:25,295 --> 00:10:26,997 AND HE DID FILE A POLICE REPORT 306 00:10:26,997 --> 00:10:28,659 ABOUT THE MISSING BRACELET. 307 00:10:28,659 --> 00:10:29,960 SO I REQUESTED A LIST OF ALL THE PARTIES 308 00:10:29,960 --> 00:10:30,931 THAT HOLLY WORKED IN THE PAST YEAR. 309 00:10:30,931 --> 00:10:32,833 OF THE MORE THAN 50 EVENTS, 310 00:10:32,833 --> 00:10:35,666 TURNS OUT THAT THEFTS WERE REPORTED IN SEVEN OF THEM. 311 00:10:35,666 --> 00:10:38,008 M.O. IS THE SAME EVERY TIME-- MOSTLY HIGH-END JEWELRY. 312 00:10:38,008 --> 00:10:41,311 IN TOTAL, ALMOST HALF A MILLION BUCKS. 313 00:10:41,311 --> 00:10:42,973 ALL TAKEN FROM PARTIES AT UPSCALE RESIDENCES. 314 00:10:42,973 --> 00:10:44,875 AND I ALSO CONFIRMED WITH HOLLY'S BOOKING AGENT 315 00:10:44,875 --> 00:10:46,346 THAT SHE ALWAYS WORKED WITH AN ASSISTANT-- 316 00:10:46,346 --> 00:10:47,678 PAUL TRAVERS. 317 00:10:47,678 --> 00:10:49,049 OKAY, SO THE TWO OF THEM ARE A CREW 318 00:10:49,049 --> 00:10:51,221 USING HER DEEJAY SKILLS TO ACCESS HIGH-END HOMES 319 00:10:51,221 --> 00:10:53,083 AND THEN CLEANING THEM OUT ALONG THE WAY. 320 00:10:53,083 --> 00:10:54,254 SHE DOES HAVE A HISTORY OF THEFT, 321 00:10:54,254 --> 00:10:55,926 SO MAYBE SHE WENT BACK TO HER OLD WAYS. 322 00:10:55,926 --> 00:10:57,357 BUT IF THE ASSISTANT WORKED THE PARTY WITH HER, 323 00:10:57,357 --> 00:10:59,029 THEN WHERE IS HE 324 00:10:59,029 --> 00:11:00,090 AND WHY HASN'T HE COME FORWARD? 325 00:11:00,090 --> 00:11:02,032 THERE'S ONLY ONE REASON. HE WAS INVOLVED. 326 00:11:02,032 --> 00:11:04,034 I 327 00:11:04,034 --> 00:11:06,366 MY FRIEND IS DEAD, AND NOW YOU'RE SAYING, WHAT, 328 00:11:06,366 --> 00:11:07,768 LIKE, WE'RE LIKE BONNIE AND CLYDE? 329 00:11:07,768 --> 00:11:08,969 PAUL, THEFTS WERE REPORTED 330 00:11:08,969 --> 00:11:10,871 AT SEVEN OF THE PARTIES THAT YOU BOTH WORKED. 331 00:11:10,871 --> 00:11:12,002 OH, AND SO BECAUSE OF HER HISTORY, 332 00:11:12,002 --> 00:11:13,203 IT'S GOTTA BE HER? 333 00:11:13,203 --> 00:11:16,046 MUSIC SAVED HER. SHE WAS DONE WITH THAT LIFE. 334 00:11:16,046 --> 00:11:17,347 AND WHAT ABOUT YOU? 335 00:11:17,347 --> 00:11:19,079 ACCORDING TO HOLLY'S AGENCY, 336 00:11:19,079 --> 00:11:20,080 YOU WERE RESPONSIBLE FOR SETTING UP 337 00:11:20,080 --> 00:11:21,281 AND BREAKING DOWN THE EQUIPMENT. 338 00:11:21,281 --> 00:11:22,452 SO? 339 00:11:22,452 --> 00:11:24,014 SO YOU NEVER BROKE IT DOWN LAST NIGHT. 340 00:11:24,014 --> 00:11:25,355 YOU LEFT THE PARTY, NEVER CAME BACK, 341 00:11:25,355 --> 00:11:26,787 SAME AS HOLLY. 342 00:11:26,787 --> 00:11:28,058 ONLY YOU'RE STILL ALIVE, AND SHE'S DEAD. 343 00:11:28,058 --> 00:11:29,389 LAST NIGHT? MM-HMM. 344 00:11:29,389 --> 00:11:30,961 I WASN'T EVEN THERE LAST NIGHT. 345 00:11:30,961 --> 00:11:31,992 PAUL, DON'T LIE. 346 00:11:31,992 --> 00:11:34,124 SHE'S GOT YOU LISTED ON HER INVOICE. 347 00:11:34,124 --> 00:11:36,196 YEAH, I... I-I KNOW. 348 00:11:36,196 --> 00:11:38,799 A FEW TIMES THIS PAST YEAR, SHE'D CALL ME UP LAST MINUTE 349 00:11:38,799 --> 00:11:39,930 TO SAY SHE WAS USING ANOTHER GUY. 350 00:11:39,930 --> 00:11:41,271 IT WAS, LIKE, HER COUSIN OR SOMETHING, 351 00:11:41,271 --> 00:11:42,803 AND HE NEEDED THE WORK. 352 00:11:42,803 --> 00:11:44,234 I-I KNOW SHE FELT BAD ABOUT IT 353 00:11:44,234 --> 00:11:46,937 'CAUSE SHE STILL OFFERED TO PAY ME ANYWAY. 354 00:11:46,937 --> 00:11:48,979 I-I WAS AT A BIRTHDAY DINNER LAST NIGHT. 355 00:11:48,979 --> 00:11:50,811 I HAVE WITNESSES. 356 00:11:50,811 --> 00:11:52,883 WHICH OF THESE PARTIES 357 00:11:52,883 --> 00:11:54,114 DID THE OTHER GUY WORK? 358 00:11:54,114 --> 00:11:55,786 THIS ONE. 359 00:11:55,786 --> 00:11:58,718 THIS ONE. HERE. 360 00:11:58,718 --> 00:12:00,891 THIS ONE. THIS ONE. 361 00:12:00,891 --> 00:12:03,193 THIS ONE, AND THAT ONE. 362 00:12:03,193 --> 00:12:05,725 THE SAME ONES THAT REPORTED ROBBERIES. 363 00:12:05,725 --> 00:12:07,357 SO FAR ONLY ONE WITNESS, A CATERER, 364 00:12:07,357 --> 00:12:09,199 REMEMBERS SEEING A GUY 365 00:12:09,199 --> 00:12:10,500 SETTING UP HOLLY'S EQUIPMENT LAST NIGHT. 366 00:12:10,500 --> 00:12:12,032 AND SHE ONLY SAW HIM FROM BEHIND, 367 00:12:12,032 --> 00:12:13,203 AND HE WAS WEARING A HOODIE. 368 00:12:13,203 --> 00:12:14,364 SO WE'VE REACHED OUT TO OTHER PARTY GUESTS 369 00:12:14,364 --> 00:12:16,166 TO SEE IF WE CAN GET A BETTER DESCRIPTION. 370 00:12:16,166 --> 00:12:18,268 SO WAS ANYTHING STOLEN FROM THE PARTY LAST NIGHT? 371 00:12:18,268 --> 00:12:19,810 NO. WE ASKED EVERYONE. 372 00:12:19,810 --> 00:12:21,772 AND SO FAR, NO ONE'S REPORTED ANYTHING MISSING. 373 00:12:21,772 --> 00:12:22,943 YO. 374 00:12:22,943 --> 00:12:24,314 SO UNIs SEARCHED HOLLY'S APARTMENT AGAIN. 375 00:12:24,314 --> 00:12:26,016 THERE'S NO SIGN OF THE STOLEN GOODS, 376 00:12:26,016 --> 00:12:27,878 AND THERE'S NO INFLUX OF CASH INTO HER ACCOUNT, 377 00:12:27,878 --> 00:12:29,249 SO IF SHE WAS MAKING MONEY OFF THIS THING, 378 00:12:29,249 --> 00:12:31,321 THERE'S NO EVIDENCE OF IT. 379 00:12:31,321 --> 00:12:33,483 WHAT IF THIS 380 00:12:33,483 --> 00:12:35,786 MYSTERY ASSISTANT IS THE ONE BEHIND IT ALL? 381 00:12:35,786 --> 00:12:37,057 I MEAN, THINK ABOUT IT. 382 00:12:37,057 --> 00:12:38,959 HE FORCES HOLLY TO GET HIM INTO THESE PARTIES. 383 00:12:38,959 --> 00:12:40,891 WHILE SHE'S BUSY SPINNING, 384 00:12:40,891 --> 00:12:42,532 HE'S FREE TO WALK AROUND THESE FANCY APARTMENTS. 385 00:12:42,532 --> 00:12:44,264 AND SINCE HE'S HIRED HELP, 386 00:12:44,264 --> 00:12:46,066 NOBODY PAYS HIM ANY ATTENTION. 387 00:12:46,066 --> 00:12:47,397 IT'S CANDY FROM A BABY. 388 00:12:47,397 --> 00:12:49,840 BUT WHEN M.C. THUG CONFRONTED HOLLY, SHE GOT SCARED. 389 00:12:49,840 --> 00:12:51,842 SO SHE THREATENED TO BLOW THE WHISTLE ON THE ASSISTANT. 390 00:12:51,842 --> 00:12:54,004 WELL, THAT WOULD CERTAINLY GIVE HIM MOTIVE FOR MURDER. 391 00:12:54,004 --> 00:12:55,175 BUT WITH PAUL'S NAME ON THE INVOICE, 392 00:12:55,175 --> 00:12:56,346 THERE'S NO RECORD OF HIM. 393 00:12:56,346 --> 00:12:57,948 HOW ARE WE GONNA FIND HIM? 394 00:12:57,948 --> 00:12:59,079 HE HELPED SET UP THAT EQUIPMENT LAST NIGHT, RIGHT? 395 00:12:59,079 --> 00:13:02,082 HIS FINGERPRINTS WOULD BE ON IT. 396 00:13:02,082 --> 00:13:03,413 GET C.S.U. ON IT. 397 00:13:08,959 --> 00:13:10,490 EW. GRUNT WORK. I'LL COME BACK LATER. 398 00:13:10,490 --> 00:13:12,963 SO LONG AS YOU LEAVE THE COFFEE. WHAT DID YOU FIND? 399 00:13:12,963 --> 00:13:15,025 HOLLY'S PHONE RECORDS. 400 00:13:15,025 --> 00:13:16,897 SHE RECEIVED CALLS 401 00:13:16,897 --> 00:13:18,068 FROM A PAY PHONE IN WASHINGTON HEIGHTS 402 00:13:18,068 --> 00:13:19,569 THE SAME DAYS THAT SHE WAS BOOKED 403 00:13:19,569 --> 00:13:21,801 FOR THE PARTIES WHERE THE THEFTS HAPPENED. 404 00:13:21,801 --> 00:13:23,103 WELL, MAYBE IT'S HER MYSTERY ASSISTANT, 405 00:13:23,103 --> 00:13:24,434 CALLING FOR DETAILS. 406 00:13:24,434 --> 00:13:25,976 HOLLY GREW UP IN THE HEIGHTS, 407 00:13:25,976 --> 00:13:27,237 SO IT MIGHT BE SOMEONE FROM THE OLD NEIGHBORHOOD, 408 00:13:27,237 --> 00:13:29,379 BUT IT DOESN'T BRING US ANY CLOSER TO FINDING HIM. 409 00:13:29,379 --> 00:13:30,540 DOESN'T NEED TO. 410 00:13:30,540 --> 00:13:32,182 C.S.U. MATCHED A PRINT ON THAT EQUIPMENT 411 00:13:32,182 --> 00:13:35,886 TO ONE JOEY MALONE-- STREET NAME, "MONSTER." 412 00:13:35,886 --> 00:13:38,048 HE'S GOT A LIST OF PRIORS A MILE LONG. 413 00:13:38,048 --> 00:13:39,349 UNIs TOOK HIM DOWN IN WASHINGTON HEIGHTS. 414 00:13:39,349 --> 00:13:41,421 HE'S IN THE BOX. COME TAKE A LOOK. 415 00:13:41,421 --> 00:13:42,853 MONSTER? 416 00:13:42,853 --> 00:13:44,154 NOW THAT SOUNDS LIKE THE KIND OF GANGED-UP THUG 417 00:13:44,154 --> 00:13:45,495 THAT WOULD SHOOT YOU DEAD 418 00:13:45,495 --> 00:13:47,027 AND LEAVE YOU IN A DUMPSTER SOMEPLACE. 419 00:13:47,027 --> 00:13:49,059 PROBABLY HALF MAN, HALF MOUNTAIN, 420 00:13:49,059 --> 00:13:50,200 FULL OF PRISON TATS. 421 00:13:50,200 --> 00:13:52,903 OR IS HE QUIETLY DANGEROUS? 422 00:13:52,903 --> 00:13:54,204 YOU KNOW, LIKE, JAVIER BARDEM 423 00:13:54,204 --> 00:13:56,336 IN ANY MOVIE WHERE HE'S GOT WEIRD HAIR. 424 00:13:56,336 --> 00:13:58,438 JUST TAKE A LOOK FOR YOURSELF. 425 00:13:58,438 --> 00:14:00,440 BEHOLD... 426 00:14:02,212 --> 00:14:04,244 MONSTER. 427 00:14:06,076 --> 00:14:07,617 MORE LIKE COOKIE MONSTER. 428 00:14:14,524 --> 00:14:15,855 SO WHAT DO WE KNOW ABOUT THIS KID? 429 00:14:15,855 --> 00:14:17,187 WELL, HE'S NOT RELATED TO HOLLY, FOR ONE. 430 00:14:17,187 --> 00:14:19,289 HIS FATHER DIED OF A DRUG OVERDOSE WHEN HE WAS 7. 431 00:14:19,289 --> 00:14:21,962 HIS MOM COMMITTED SUICIDE A COUPLE OF YEARS AGO. 432 00:14:21,962 --> 00:14:23,133 HIS UNCLE--MARTIN DECKER-- 433 00:14:23,133 --> 00:14:24,134 IS THE ONE WHO TOOK OVER GUARDIANSHIP. 434 00:14:24,134 --> 00:14:25,635 WHERE'S HIS UNCLE NOW? 435 00:14:25,635 --> 00:14:27,637 HE'S NOT AT HOME. I NOTIFIED SOCIAL SERVICES, 436 00:14:27,637 --> 00:14:29,139 THINKING THEY MIGHT KNOW HOW TO REACH HIM. 437 00:14:29,139 --> 00:14:30,470 YOU SAID THAT HE HAD PRIORS. 438 00:14:30,470 --> 00:14:33,203 YEAH, HE WAS BUSTED FOR BREAKING AND ENTERING, 439 00:14:33,203 --> 00:14:34,444 BURGLARY, RESISTING ARREST. 440 00:14:34,444 --> 00:14:36,006 NOW HE'S MOVED UP TO THE BIG LEAGUES. 441 00:14:36,006 --> 00:14:38,108 SO, UH, WHAT'S THE PLAN HERE? 442 00:14:38,108 --> 00:14:40,110 I'M GONNA GO IN ALONE SO HE DOESN'T FEEL OUTNUMBERED, 443 00:14:40,110 --> 00:14:42,412 SEE WHAT HE'S MADE OUT OF. 444 00:14:44,014 --> 00:14:46,016 HE'S 14. 445 00:14:46,016 --> 00:14:48,018 IT'S HARD TO BELIEVE HE'S CAPABLE OF SOMETHING LIKE THIS. 446 00:14:48,018 --> 00:14:49,189 NOT IN HIS WORLD, IT ISN'T. 447 00:14:50,620 --> 00:14:52,192 HI, JOEY. 448 00:14:52,192 --> 00:14:54,394 I'M DETECTIVE KATE BECKETT. 449 00:14:54,394 --> 00:14:57,197 A MAJOR HOTTIE IS WHAT YOU ARE. 450 00:14:57,197 --> 00:14:58,528 OKAY. NOW THAT WE GOT THAT CLEARED UP, 451 00:14:58,528 --> 00:15:00,900 I NEED TO ASK YOU A FEW QUESTIONS. 452 00:15:00,900 --> 00:15:02,902 YOU NEED PERMISSION FROM MY GUARDIAN. 453 00:15:02,902 --> 00:15:05,275 THE LAST TIME I CHECKED, I'M A MINOR. 454 00:15:05,275 --> 00:15:06,576 WELL, WE'RE MAKING OUR BEST EFFORT 455 00:15:06,576 --> 00:15:08,278 TO GET AHOLD OF YOUR UNCLE. 456 00:15:08,278 --> 00:15:11,181 IN THE MEANTIME, NYPD POLICY ALLOWS ME TO TALK TO YOU. 457 00:15:11,181 --> 00:15:12,943 WELL, SO TALK. 458 00:15:12,943 --> 00:15:16,116 WE'RE LOOKING INTO THE MURDER OF HOLLY RHODES. 459 00:15:16,116 --> 00:15:18,048 HEARD ABOUT THAT. 460 00:15:18,048 --> 00:15:19,349 REAL SAD. 461 00:15:19,349 --> 00:15:22,192 I UNDERSTAND THAT TWO NIGHTS AGO, YOU WORKED FOR HER. 462 00:15:22,192 --> 00:15:24,194 DID YOU SEE HER HAVING PROBLEMS WITH ANYONE? 463 00:15:24,194 --> 00:15:25,325 NO. 464 00:15:25,325 --> 00:15:27,227 DO YOU KNOW WHY SHE LEFT THE PARTY EARLY? 465 00:15:27,227 --> 00:15:28,258 NOPE. 466 00:15:28,258 --> 00:15:30,230 DO YOU KNOW WHERE SHE WENT? NO CLUE. 467 00:15:30,230 --> 00:15:31,461 OKAY, LET ME ASK YOU THIS-- 468 00:15:31,461 --> 00:15:34,404 WHY DID YOU THINK HOLLY HIRED A 14-YEAR-OLD KID 469 00:15:34,404 --> 00:15:36,336 WITH A RECORD TO BE HER TECH ASSISTANT? 470 00:15:36,336 --> 00:15:38,068 'CAUSE I'M THE BEST. 471 00:15:38,068 --> 00:15:39,569 THE BEST AT WHAT, STEALING? 472 00:15:39,569 --> 00:15:43,073 EVERY TIME YOU'VE WORKED FOR HOLLY, 473 00:15:43,073 --> 00:15:44,644 HIGH-END JEWELRY HAS GONE MISSING-- 474 00:15:44,644 --> 00:15:46,146 EVERY SINGLE TIME. 475 00:15:46,146 --> 00:15:47,647 I DON'T KNOW NOTHIN' ABOUT THAT. 476 00:15:47,647 --> 00:15:49,179 DID HOLLY KNOW ABOUT THE STEALING 477 00:15:49,179 --> 00:15:50,320 OR DID SHE FIND OUT THAT NIGHT? 478 00:15:50,320 --> 00:15:51,581 IS THAT WHY YOU KILLED HER? 479 00:15:51,581 --> 00:15:53,283 WHAT KILL HER? 480 00:15:53,283 --> 00:15:54,654 NO. NO. 481 00:15:54,654 --> 00:15:56,126 I DIDN'T DO THAT. 482 00:15:56,126 --> 00:15:57,457 WE HAVE WITNESSES THAT SAW YOU 483 00:15:57,457 --> 00:15:59,459 LEAVE THE PARTY RIGHT AFTER SHE DID. 484 00:15:59,459 --> 00:16:01,191 AND YOU NEVER CAME BACK FOR THE EQUIPMENT. 485 00:16:01,191 --> 00:16:03,133 SO WHERE WERE YOU BETWEEN 11:00 AND MIDNIGHT? 486 00:16:03,133 --> 00:16:04,634 I WAS AT-- I WAS AT TV KING. 487 00:16:04,634 --> 00:16:05,996 YOU LEFT THE PARTY 488 00:16:05,996 --> 00:16:07,667 AND THE EQUIPMENT TO GO TO TV KING 489 00:16:07,667 --> 00:16:09,299 IN THE MIDDLE OF THE NIGHT? 490 00:16:09,299 --> 00:16:11,471 YOU'RE GONNA HAVE TO DO BETTER THAN THAT, JOEY. 491 00:16:11,471 --> 00:16:15,175 YOU MAY BE ALLOWED TO TALK TO ME... 492 00:16:15,175 --> 00:16:16,976 BUT I DON'T HAVE TO TALK BACK. 493 00:16:19,209 --> 00:16:22,212 ROBBERY AND MURDER? 494 00:16:22,212 --> 00:16:25,115 MAYBE MONSTER WASN'T SUCH A BAD NICKNAME AFTER ALL. 495 00:16:25,115 --> 00:16:26,356 YOU KNOW WHAT? I'M NOT SURE ABOUT THAT. 496 00:16:26,356 --> 00:16:28,758 HE EXPECTED THE CONVERSATION ABOUT THE STEALING, 497 00:16:28,758 --> 00:16:30,990 BUT WHEN I ACCUSED HIM OF MURDERING HOLLY, 498 00:16:30,990 --> 00:16:32,192 THAT THREW HIM. 499 00:16:32,192 --> 00:16:35,265 AND I THINK I KNOW WHY. JOEY'S ALIBI CHECKS OUT. 500 00:16:35,265 --> 00:16:37,097 SERIOUSLY, HE WAS AT TV KING? 501 00:16:37,097 --> 00:16:38,668 THE ASSISTANT MANAGER SOMETIMES LETS HIM 502 00:16:38,668 --> 00:16:40,300 PLAY VIDEO GAMES UP ON THE BIG SCREEN, 503 00:16:40,300 --> 00:16:43,303 AND THAT'S WHERE JOEY WAS DURING HOLLY'S TIME OF DEATH. 504 00:16:43,303 --> 00:16:45,405 WELL, THEN IF HE DIDN'T KILL HOLLY, THEN WHO DID? 505 00:16:45,405 --> 00:16:47,407 THE BRAINS BEHIND THIS OPERATION, THAT'S WHO. 506 00:16:47,407 --> 00:16:49,339 A KID LIKE JOEY GOES FROM SMASH-AND-GRABS 507 00:16:49,339 --> 00:16:50,640 TO STEALING A HALF A MIL IN JEWELRY? 508 00:16:50,640 --> 00:16:52,011 I DON'T THINK SO. 509 00:16:52,011 --> 00:16:53,313 SOMEONE PUT HIM UP TO THIS. 510 00:16:53,313 --> 00:16:55,285 NO, THAT MAKES SENSE. SOMETIMES SAVVY CRIMINALS 511 00:16:55,285 --> 00:16:57,287 USE MINORS TO DO THEIR DIRTY WORK. 512 00:16:57,287 --> 00:16:58,548 OF COURSE. 513 00:16:58,548 --> 00:17:00,490 A FAGIN TO JOEY'S OLIVER TWIST. 514 00:17:00,490 --> 00:17:02,792 AND IF HOLLY'S INVOLVED, THAT MAKES HER THE ARTFUL DODGER, 515 00:17:02,792 --> 00:17:04,124 OR THE ARTFUL DEEJAY. 516 00:17:04,124 --> 00:17:05,325 OOH, NICELY PLAYED. 517 00:17:05,325 --> 00:17:07,357 AND THAT WOULD EXPLAIN WHY WE NEVER FOUND 518 00:17:07,357 --> 00:17:09,199 THE STOLEN LOOT IN HOLLY OR JOEY'S APARTMENTS. 519 00:17:09,199 --> 00:17:10,530 FAGIN HAS IT. 520 00:17:10,530 --> 00:17:12,302 THAT GIVES HIM MOTIVE TO GET RID OF HOLLY 521 00:17:12,302 --> 00:17:13,463 IF SHE EVER GAVE HIM ANY TROUBLE. 522 00:17:13,463 --> 00:17:15,665 WELL, IF WE'RE RIGHT, 523 00:17:15,665 --> 00:17:18,568 THEN JOEY KNOWS WHO OUR KILLER IS. 524 00:17:18,568 --> 00:17:20,410 I GET THIS KID. 525 00:17:20,410 --> 00:17:22,112 LET ME GET A CRACK AT HIM. 526 00:17:27,277 --> 00:17:29,179 HEY, WHERE'S THE SUPER 527 00:17:29,179 --> 00:17:31,381 OH, YOU'RE LOOKING AT HIM. DON'T LAUGH. 528 00:17:31,381 --> 00:17:33,353 I WAS FEATURED IN THE NYPD CALENDAR. 529 00:17:33,353 --> 00:17:34,584 I BET THAT WAS A BIG SELLER. 530 00:17:34,584 --> 00:17:36,226 SO, UH, 531 00:17:36,226 --> 00:17:37,427 YOU MUST BE THE GOOD COP. 532 00:17:37,427 --> 00:17:38,758 WELL, I DON'T KNOW ABOUT THAT. 533 00:17:38,758 --> 00:17:41,361 BUT I COULD BE YOUR TICKET OUT OF THIS. 534 00:17:41,361 --> 00:17:42,532 YEAH? MM-HMM. 535 00:17:42,532 --> 00:17:43,693 HOW'S THAT WORK? 536 00:17:43,693 --> 00:17:45,535 WE KNOW YOU DIDN'T KILL HOLLY. 537 00:17:45,535 --> 00:17:47,497 ALL YOU DID WAS LIFT A BUNCH OF JEWELRY. 538 00:17:47,497 --> 00:17:48,838 NAH, NAH, JUST SAVE IT. 539 00:17:48,838 --> 00:17:50,400 WE DON'T CARE ABOUT THE JEWELRY. 540 00:17:50,400 --> 00:17:52,302 WE CAN TAKE THOSE CHARGES OFF THE TABLE. 541 00:17:52,302 --> 00:17:55,275 ALL WE WANT IS THE GUY WHO PUT YOU UP TO IT. 542 00:17:55,275 --> 00:17:57,407 I DON'T EVEN KNOW WHO YOU'RE TALKING ABOUT. 543 00:17:57,407 --> 00:17:58,678 JOEY, COME... 544 00:17:58,678 --> 00:18:00,250 I JUST GAVE YOU THE WINNING LOTTERY TICKET. 545 00:18:00,250 --> 00:18:02,112 NOW THE RIGHT MOVE HERE 546 00:18:02,112 --> 00:18:03,783 IS TO CASH THAT IN, NOT TEAR IT UP. 547 00:18:03,783 --> 00:18:05,785 I BET THIS IS THE PART WHERE YOU TELL ME, 548 00:18:05,785 --> 00:18:08,218 I DON'T KNOW THE SERIOUSNESS OF MY SITUATION. 549 00:18:08,218 --> 00:18:10,260 HOW UNLESS I TELL YOU EVERYTHING I KNOW, 550 00:18:10,260 --> 00:18:11,521 YOU CAN'T HELP ME. 551 00:18:11,521 --> 00:18:15,125 AND THEN YOU'LL LEAN IN CLOSE, LIKE YOU CARE ABOUT ME 552 00:18:15,125 --> 00:18:16,496 AND LIKE YOU'RE MY FRIEND, 553 00:18:16,496 --> 00:18:19,429 AND YOU'LL MAKE PROMISES YOU'LL NEVER KEEP. 554 00:18:19,429 --> 00:18:21,301 I KEEP ALL MY PROMISES, BRO. 555 00:18:21,301 --> 00:18:24,134 THAT'S WHAT EVERYBODY SAYS. 556 00:18:24,134 --> 00:18:26,306 THIS IS A LIMITED-TIME OFFER, JOEY. 557 00:18:26,306 --> 00:18:27,737 NOT INTERESTED. 558 00:18:27,737 --> 00:18:29,179 OKAY. 559 00:18:30,510 --> 00:18:33,143 I WANT YOU TO TAKE A LOOK AT THIS. 560 00:18:33,143 --> 00:18:35,485 THIS IS HOW HOLLY ENDED UP-- 561 00:18:35,485 --> 00:18:37,747 SHOT, 562 00:18:37,747 --> 00:18:40,250 TOSSED IN THE GARBAGE. 563 00:18:40,250 --> 00:18:43,623 NOW YOU THINK SHE DESERVED THAT, HMM? 564 00:18:43,623 --> 00:18:46,256 OH, WH 565 00:18:46,256 --> 00:18:49,159 NO SMART-ASS COMEBACK NOW, HUH? 566 00:18:49,159 --> 00:18:50,660 YOU WORKED WITH THIS WOMAN. 567 00:18:50,660 --> 00:18:52,302 YOU KNEW HER. 568 00:18:52,302 --> 00:18:54,334 THE SAME GUY 569 00:18:54,334 --> 00:18:57,167 WHO HAS YOU STEALING JEWELRY DID THIS TO HOLLY. 570 00:18:57,167 --> 00:18:58,838 HE USES KIDS LIKE YOU. 571 00:18:58,838 --> 00:19:00,910 AND THEN HE JUST GETS TO WALK AWAY 572 00:19:00,910 --> 00:19:02,812 WHILE YOU HAVE TO SIT IN HERE AND ANSWER ALL MY QUESTIONS. 573 00:19:02,812 --> 00:19:05,345 YOU KNOW WHAT YOU ARE TO HIM RIGHT NOW? 574 00:19:05,345 --> 00:19:06,916 YOU'RE A LOOSE END. 575 00:19:08,618 --> 00:19:10,250 SO TAKE A HARD LOOK, 576 00:19:10,250 --> 00:19:12,782 BECAUSE THIS IS YOUR FUTURE. 577 00:19:12,782 --> 00:19:14,224 THIS IS YOU. 578 00:19:16,155 --> 00:19:17,657 YOU'RE WRONG. 579 00:19:19,359 --> 00:19:20,860 HE WON'T HURT ME. 580 00:19:20,860 --> 00:19:23,193 HE WON'T. NOT ONCE WE STOP HIM. 581 00:19:23,193 --> 00:19:25,665 ALL I NEED IS HIS NAME, JOEY. 582 00:19:31,341 --> 00:19:34,404 I STILL DON'T KNOW WHO YOU'RE TALKING ABOUT. 583 00:19:34,404 --> 00:19:37,577 I'VE BEEN JOEY'S CASEWORKER SINCE HIS PARENTS DIED. 584 00:19:37,577 --> 00:19:39,709 NEEDLESS TO SAY, IT HASN'T BEEN SMOOTH SAILING, 585 00:19:39,709 --> 00:19:42,512 BUT I CAN'T IMAGINE HE'D DO ANYTHING LIKE THIS. 586 00:19:42,512 --> 00:19:44,814 WELL, WE THINK THAT THE THEFTS WERE SOMEONE ELSE'S IDEA. 587 00:19:44,814 --> 00:19:46,356 DO YOU KNOW OF ANYONE IN HIS LIFE 588 00:19:46,356 --> 00:19:48,358 WHO MIGHT HAVE DRAWN HIM INTO THIS? 589 00:19:48,358 --> 00:19:51,190 NO, BUT IT WOULDN'T SURPRISE ME IF THERE WAS SOMEONE. 590 00:19:51,190 --> 00:19:53,293 HIS UNCLE'S NOT EXACTLY A STRONG ROLE MODEL. 591 00:19:53,293 --> 00:19:54,694 WHAT ABOUT HIS UNCLE? WHERE IS HE NOW? 592 00:19:54,694 --> 00:19:56,226 WE'RE TRYING TO TRACK HIM DOWN. 593 00:19:56,226 --> 00:19:58,628 HE MAY BE IN A.C. HE'S A CARD PLAYER. 594 00:19:58,628 --> 00:20:00,300 GUY SOUNDS LIKE A REAL PRIZE. 595 00:20:00,300 --> 00:20:02,201 YOU WANT THE BEST OPTION FOR THESE KIDS. 596 00:20:02,201 --> 00:20:05,235 AND SOMETIMES ALL YOU HAVE IS THE LEAST-BAD OPTION. 597 00:20:05,235 --> 00:20:06,976 WHICH BRINGS ME TO THE ISSUE OF WHAT TO DO WITH JOEY. 598 00:20:06,976 --> 00:20:09,208 ARE YOU CHARGING HIM WITH THEFT? 599 00:20:09,208 --> 00:20:10,580 WE WERE HOPING NOT TO. 600 00:20:10,580 --> 00:20:12,812 SO... I'LL PUT HIM IN TEMPORARY FOSTER CARE. 601 00:20:12,812 --> 00:20:14,344 WHOA, WHOA, WHOA. 602 00:20:14,344 --> 00:20:15,485 HE'S NOT SAFE OUT THERE IN THE WORLD RIGHT NOW. 603 00:20:15,485 --> 00:20:16,816 THE GUY THAT WE'RE AFTER KILLED A WOMAN. 604 00:20:16,816 --> 00:20:18,217 HE COULD DO THE SAME THING TO JOEY. 605 00:20:18,217 --> 00:20:20,350 THEN YOU CAN PUT HIM IN PROTECTIVE CUSTODY 606 00:20:20,350 --> 00:20:21,521 IN JUVENILE HALL. 607 00:20:21,521 --> 00:20:23,523 I-I CAN'T JUST THROW HIM IN JUVIE. 608 00:20:23,523 --> 00:20:25,725 I'M TRYING TO GAIN HIS TRUST HERE. 609 00:20:25,725 --> 00:20:28,828 MS. COOPER, THIS BOY IS THE KEY TO US SOLVING A MURDER. 610 00:20:28,828 --> 00:20:31,961 WELL, I'M SORRY, BUT THOSE ARE THE CHOICES. 611 00:20:35,305 --> 00:20:37,667 WHAT IF I TAKE HIM? 612 00:20:37,667 --> 00:20:39,569 THAT WAY, HE'S NOT LOCKED UP, 613 00:20:39,569 --> 00:20:40,970 AND I CAN KEEP HIM SAFE. 614 00:20:40,970 --> 00:20:44,243 AND I CAN CONTINUE TO WORK ON HIM. 615 00:20:44,243 --> 00:20:45,545 WHAT ABOUT THAT? 616 00:20:45,545 --> 00:20:47,647 I... 617 00:20:47,647 --> 00:20:49,979 I SUPPOSE I COULD DELAY HIS PAPERWORK, 618 00:20:49,979 --> 00:20:51,521 BUT THIS WOULD BE FOR ONE NIGHT, 619 00:20:51,521 --> 00:20:54,754 AND IT MEANS THAT JOEY MALONE IS YOUR RESPONSIBILITY. 620 00:20:54,754 --> 00:20:56,586 IT'S COOL. I GOT THIS. 621 00:20:56,586 --> 00:20:58,257 THE KID DOESN'T HAVE A FATHER. 622 00:20:58,257 --> 00:21:00,259 HE PROBABLY JUST NEEDS SOMEONE TO CONNECT WITH. 623 00:21:04,334 --> 00:21:06,336 I'D RATHER HAVE A PAJAMA PARTY 624 00:21:06,336 --> 00:21:07,667 WITH THE LADY COP. 625 00:21:07,667 --> 00:21:09,739 YEAH? WELL, IT LOOKS LIKE I DREW THE SHORT STRAW, 626 00:21:09,739 --> 00:21:11,801 LITERALLY. 627 00:21:11,801 --> 00:21:13,943 MAN, NO WONDER YOU'RE SINGLE. 628 00:21:13,943 --> 00:21:16,045 NO WOMAN WOULD SPEND TIME HERE 629 00:21:16,045 --> 00:21:17,547 UNLESS IT WAS AGAINST HER WILL. 630 00:21:17,547 --> 00:21:19,008 YEAH, WHAT ABOUT YOU, MARTHA STEWART? 631 00:21:19,008 --> 00:21:20,880 WHAT'S YOUR PLACE SUPPOSED TO BE, 632 00:21:20,880 --> 00:21:22,782 SHABBY CHIC, EMPHASIS ON SHABBY? 633 00:21:22,782 --> 00:21:25,585 IT'S A DIVE, BUT IT'S NOT MY FAULT. 634 00:21:25,585 --> 00:21:28,788 MY UNCLE WOULD RATHER BLOW ALL OF HIS MONEY AT THE TABLES. 635 00:21:28,788 --> 00:21:30,059 MUST BE WHY HE'S TOO BUSY TO CALL US BACK. 636 00:21:30,059 --> 00:21:31,721 DON'T WAIT BY THE PHONE. 637 00:21:31,721 --> 00:21:34,464 HE ONLY CARES ABOUT CLAIMING ME AS A DEPENDENT. 638 00:21:34,464 --> 00:21:36,666 MY PARENTS SPLIT UP WHEN I WAS 5. 639 00:21:36,666 --> 00:21:39,769 MAN, GET YOUR FEET OFF MY TABLE. 640 00:21:39,769 --> 00:21:41,971 DAD MOVED TO FLORIDA WITH HIS NEW WIFE. 641 00:21:41,971 --> 00:21:44,674 MOST I EVER GOT AFTER THAT WAS A PHONE CALL OR A POSTCARD. 642 00:21:44,674 --> 00:21:46,305 POSTCARD? 643 00:21:46,305 --> 00:21:47,076 YEAH. 644 00:21:47,076 --> 00:21:48,438 HOW OLD ARE YOU, ANYWAY? 645 00:21:48,438 --> 00:21:50,510 ANCIENT, BUT... 646 00:21:50,510 --> 00:21:52,342 I'M YOUNG ENOUGH TO REMEMBER WHAT IT WAS LIKE. 647 00:21:54,944 --> 00:21:57,016 YOU MUST MISS YOUR FOLKS. 648 00:22:01,891 --> 00:22:03,653 AFTER MY DAD DIED, 649 00:22:03,653 --> 00:22:05,755 MY MOM KEPT GOING. 650 00:22:05,755 --> 00:22:07,096 YOU KNOW, SHE TRIED TO PRETEND 651 00:22:07,096 --> 00:22:08,558 THAT WE WERE STILL A NORMAL FAMILY. 652 00:22:08,558 --> 00:22:11,461 SHE DID HER BEST TO TAKE CARE OF ME 653 00:22:11,461 --> 00:22:13,533 UNTIL... 654 00:22:13,533 --> 00:22:16,105 SHE COULDN'T DO IT ANYMORE. 655 00:22:17,336 --> 00:22:19,038 NOW YOU TAKE CARE OF YOURSELF. 656 00:22:19,038 --> 00:22:20,410 YEAH. 657 00:22:20,410 --> 00:22:23,543 LOOK, MAN, I KNOW YOU DIDN'T HAVE TO DO THIS. 658 00:22:23,543 --> 00:22:25,875 TAKE ME IN, I MEAN. 659 00:22:25,875 --> 00:22:27,847 SO, UH, THANKS. 660 00:22:29,919 --> 00:22:31,721 I'M GONNA GO GRAB YOU A BLANKET, 661 00:22:31,721 --> 00:22:33,423 PILLOW. 662 00:22:33,423 --> 00:22:34,954 HEY, AT LEAST YOU DIDN'T SKIMP OUT 663 00:22:34,954 --> 00:22:36,426 ON THE AUDIO-VISUAL BUDGET. 664 00:22:36,426 --> 00:22:38,488 YOU KNOW THAT'S RIGHT. 665 00:22:38,488 --> 00:22:40,530 OH, AND I GOT "ASSASSIN'S CREED III." 666 00:22:40,530 --> 00:22:42,532 SO GO AHEAD AND KNOCK YOURSELF OUT. 667 00:22:42,532 --> 00:22:45,064 OH, AND, UH, PUT IT ON DUAL-PLAYER MODE 668 00:22:45,064 --> 00:22:46,996 SO I CAN COME BACK AND SCHOOL YOU. 669 00:22:46,996 --> 00:22:48,698 YEAH, 20 BUCKS SAYS 670 00:22:48,698 --> 00:22:50,700 YOU WON'T MAKE IT PAST LEVEL ONE. 671 00:22:50,700 --> 00:22:52,101 WHAT? CRAZY. 672 00:23:09,519 --> 00:23:10,820 SIT DOWN. 673 00:23:12,161 --> 00:23:14,063 OKAY. 674 00:23:15,565 --> 00:23:16,926 CARE TO EXPLAIN? 675 00:23:16,926 --> 00:23:18,728 WHAT, THE HANDCUFFS? 676 00:23:18,728 --> 00:23:20,169 NO, NO. THE STYLISH SHOES THAT YOU'RE WEARING. 677 00:23:20,169 --> 00:23:21,831 YES, THE HANDCUFFS. 678 00:23:21,831 --> 00:23:23,733 WELL, JUNIOR HERE TRIED TO PULL A HOUDINI ON ME LAST NIGHT. 679 00:23:23,733 --> 00:23:25,174 WHO THE HELL IS HOUDINI? 680 00:23:25,174 --> 00:23:26,576 SHUT UP. OUT THE WINDOW? 681 00:23:26,576 --> 00:23:28,407 YEAH. 682 00:23:28,407 --> 00:23:29,739 DOWN THE FIRE ESCAPE? 683 00:23:29,739 --> 00:23:32,181 YEAH, AND THEN ON TO A MOVING GARBAGE TRUCK. 684 00:23:32,181 --> 00:23:33,843 THEN ON A SKATEBOARD FOR 5 BLOCKS, 685 00:23:33,843 --> 00:23:35,445 WHICH TOOK HIM ALL THE WAY TO THE "L" TRAIN. 686 00:23:35,445 --> 00:23:36,546 HOW'D YOU KEEP UP? 687 00:23:36,546 --> 00:23:37,717 HE DIDN'T. 688 00:23:37,717 --> 00:23:40,890 SHUT UP. WHAT THE... GIVE ME THAT. 689 00:23:40,890 --> 00:23:42,652 I COMMANDEERED THIS DUDE'S BICYCLE, 690 00:23:42,652 --> 00:23:44,924 AND THEN HE LOST ME IN THE SUBWAY. 691 00:23:44,924 --> 00:23:47,156 BUT THEN I CAUGHT HIM AT THE NEXT STOP. 692 00:23:47,156 --> 00:23:49,058 KID'S WILY. 693 00:23:49,058 --> 00:23:50,760 BUT I'M WILIER. 694 00:23:50,760 --> 00:23:53,463 WOW. JUST LIKE "THE FRENCH CONNECTION." 695 00:23:53,463 --> 00:23:56,506 IN THE MEANTIME, C.S.U. WAS ABLE TO I.D. THOSE FIBERS 696 00:23:56,506 --> 00:23:58,538 FOUND ON THE TARP THAT HOLLY'S BODY WAS WRAPPED IN. 697 00:23:58,538 --> 00:23:59,969 WHERE ARE THEY FROM? GERMANY. 698 00:23:59,969 --> 00:24:01,511 BASED ON THE CHEMICAL COMPOSITION AND COLOR, 699 00:24:01,511 --> 00:24:02,672 THEY'RE FIBERS FROM CARPETING 700 00:24:02,672 --> 00:24:04,914 USED BY A HIGH-END EUROPEAN CAR MANUFACTURER 701 00:24:04,914 --> 00:24:06,976 TO LINE THEIR VEHICLES' TRUNKS. 702 00:24:06,976 --> 00:24:08,478 MM. WELL, NOW WE KNOW HOW HOLLY'S BODY 703 00:24:08,478 --> 00:24:10,149 ENDED UP AT THAT CONSTRUCTION SITE. 704 00:24:10,149 --> 00:24:13,182 C.S.U. NARROWED IT DOWN TO A MODEL 2010 TO 2012 X5. 705 00:24:13,182 --> 00:24:14,684 I'LL CANVASS AROUND THE CONSTRUCTION SITE, 706 00:24:14,684 --> 00:24:16,686 SEE IF ANYONE SAW A CAR LIKE THAT 707 00:24:16,686 --> 00:24:18,227 HANGING AROUND THE DUMPSTER. 708 00:24:18,227 --> 00:24:21,491 SO WE PULLED JOEY'S JUVIE FILES FROM THE CENTRAL CLERK'S OFFICE. 709 00:24:21,491 --> 00:24:23,192 THEORY BEING, WHOEVER HE'S INVOLVED WITH 710 00:24:23,192 --> 00:24:24,664 MIGHT BE IN THERE SOMEWHERE. 711 00:24:24,664 --> 00:24:26,536 UNLESS HE GAVE YOU A NAME. 712 00:24:26,536 --> 00:24:28,838 UH, N-NO. 713 00:24:28,838 --> 00:24:30,770 NOT EXACTLY. 714 00:24:30,770 --> 00:24:33,172 LOOK, WE FIND OUT WHO JOEY GOT MIXED UP WITH, 715 00:24:33,172 --> 00:24:34,674 WE FIND OUR KILLER. 716 00:24:34,674 --> 00:24:36,245 THERE'S GOTTA BE SOMETHING IN THESE FILES 717 00:24:36,245 --> 00:24:37,607 THAT POINTS TO HIM. 718 00:24:37,607 --> 00:24:38,778 LOOKS LIKE HE GOT HIS FIRST TASTE 719 00:24:38,778 --> 00:24:40,479 WITH A B&E WHEN HE WAS 11 YEARS OLD. 720 00:24:40,479 --> 00:24:42,181 GRADUATED TO BURGLARY WHEN HE WAS 12-- 721 00:24:42,181 --> 00:24:44,654 BROKE IN TO A MOM-AND-POP CORNER STORE 722 00:24:44,654 --> 00:24:46,916 ALONG WITH AN IDENTIFIED ADULT MALE. 723 00:24:46,916 --> 00:24:48,588 MAYBE HE'S THE ONE WE'RE LOOKING FOR. 724 00:24:48,588 --> 00:24:50,590 NO, WE'RE NOT LOOKING FOR SOMEONE WHO HE WAS BUSTED WITH. 725 00:24:50,590 --> 00:24:52,261 THIS GUY'S SMART ENOUGH TO STAY ABOVE IT ALL. 726 00:24:54,223 --> 00:24:56,065 CHECK THIS OUT. 727 00:24:56,065 --> 00:24:58,197 TWO MONTHS AGO, SOMEONE NAMED SHANE WINTERS 728 00:24:58,197 --> 00:24:59,168 BAILED HIM OUT AFTER HE WAS PICKED UP 729 00:24:59,168 --> 00:25:00,530 ON A SHOPLIFTING CHARGE. 730 00:25:00,530 --> 00:25:03,132 SHANE WINTERS? I REMEMBER THAT NAME. 731 00:25:04,834 --> 00:25:07,937 WHEN HOLLY RHODES, OUR VICTIM, WAS 17, 732 00:25:07,937 --> 00:25:09,939 SHE WAS BUSTED ON A GRAND THEFT CHARGE. 733 00:25:09,939 --> 00:25:14,083 AND CHECK OUT WHO POSTED BAIL. 734 00:25:14,083 --> 00:25:16,045 SHANE WINTERS. 735 00:25:16,045 --> 00:25:17,186 THAT'S OUR GUY. 736 00:25:17,186 --> 00:25:19,849 SHANE WINTERS. 737 00:25:19,849 --> 00:25:21,551 TRAFFICKING, GRAND THEFT, 738 00:25:21,551 --> 00:25:22,852 ASSAULT WITH A DEADLY WEAPON, EXTORTION-- 739 00:25:22,852 --> 00:25:24,523 THIS DUDE HAS DABBLED IN EVERYTHING. 740 00:25:24,523 --> 00:25:25,795 SO WHEN HOLLY WAS A TROUBLED TEEN, 741 00:25:25,795 --> 00:25:27,096 SHE MUST HAVE WORKED FOR SHANE, JUST LIKE JOEY IS. 742 00:25:27,096 --> 00:25:29,298 BUT THEN SHE CLEANED HERSELF UP, GOT OUT OF THE LIFE. 743 00:25:29,298 --> 00:25:30,860 THEN WHEN SHANE FIGURED OUT 744 00:25:30,860 --> 00:25:32,031 WHAT KIND OF ACCESS SHE HAD AT THE PARTIES, 745 00:25:32,031 --> 00:25:33,202 HE PULLED HER BACK IN. 746 00:25:33,202 --> 00:25:34,233 WELL, THAT EXPLAINS WHY HOLLY 747 00:25:34,233 --> 00:25:36,105 HAD TO HIRE JOEY AS AN ASSISTANT. 748 00:25:36,105 --> 00:25:38,537 JUST RAN SHANE WINTERS. GUESS WHAT HE DRIVES. 749 00:25:38,537 --> 00:25:39,909 2010 X5. 750 00:25:39,909 --> 00:25:42,171 THAT WOULD HAVE THE CARPET FIBERS WE FOUND ON THE TARP. 751 00:25:42,171 --> 00:25:44,113 YEAH, AND A ROOMY TRUNK FOR ALL YOUR BODY-MOVING NEEDS. 752 00:25:44,113 --> 00:25:45,915 WE GOTTA BRING HIM IN. WE TRIED TO. 753 00:25:45,915 --> 00:25:48,117 UNIs BUSTED IN ON HIS LAST-KNOWN ADDRESS. HE'S NOT THERE. 754 00:25:51,581 --> 00:25:55,985 SO WHAT ARE YOU, OFFICER BABYSITTER? 755 00:25:55,985 --> 00:25:57,326 DO YOU GET PAID EXTRA FOR DOING THAT? 756 00:25:58,828 --> 00:26:00,630 WHERE'S SHANE WINTERS? 757 00:26:00,630 --> 00:26:02,131 WHERE'S MY SODA? 758 00:26:02,131 --> 00:26:04,333 L.T. 759 00:26:10,269 --> 00:26:12,001 YOU FIGURE YOU'RE SPECIAL TO HIM, DON'T YOU? 760 00:26:12,001 --> 00:26:13,973 WELL, YOU'RE NOT. 761 00:26:13,973 --> 00:26:15,605 MAN... 762 00:26:15,605 --> 00:26:17,206 YOU DON'T GET IT. 763 00:26:17,206 --> 00:26:19,208 I'M NOT GIVING HIM UP. 764 00:26:19,208 --> 00:26:21,250 YOU KNOW HOW MUCH TIME KEEPING YOUR MOUTH SHUT 765 00:26:21,250 --> 00:26:24,814 IS GONNA BUY YOU WITH SHANE, HMM? 766 00:26:24,814 --> 00:26:25,985 AS LONG AS IT TAKES HIM 767 00:26:25,985 --> 00:26:27,356 TO PULL HIS GUN AND SHOOT YOU WITH IT. 768 00:26:27,356 --> 00:26:29,018 AND THEN HE'S JUST GONNA MOVE ON 769 00:26:29,018 --> 00:26:30,990 TO THE NEXT LOST KID. 770 00:26:30,990 --> 00:26:33,693 DON'T LET IT END THAT WAY, JOEY. 771 00:26:33,693 --> 00:26:36,265 JUST TELL ME WHERE I CAN FIND HIM. 772 00:26:39,328 --> 00:26:41,300 I'M NOT A RAT. 773 00:26:43,833 --> 00:26:45,004 ANY LUCK? 774 00:26:45,004 --> 00:26:46,305 MAN, I JUST WANT TO WRING 775 00:26:46,305 --> 00:26:47,807 THIS LITTLE BASTARD'S NECK RIGHT NOW. 776 00:26:47,807 --> 00:26:49,138 I'M GONNA CALL THAT A NO. 777 00:26:49,138 --> 00:26:52,882 SO WE GOT A BOLO OUT ON SHANE AND HIS CAR. 778 00:26:52,882 --> 00:26:54,183 FREAKIN' KIDS, MAN. 779 00:26:54,183 --> 00:26:55,715 I DON'T KNOW HOW YOU DO IT, BRO. 780 00:26:55,715 --> 00:26:58,017 OH, NO, NO. I LUCKED OUT WITH ALEXIS. 781 00:26:58,017 --> 00:27:00,850 AT A CERTAIN POINT, YOU REALIZE YOU'RE JUST... 782 00:27:00,850 --> 00:27:03,192 DEALING WITH SOMEONE WHO HASN'T BEEN AROUND AS LONG AS WE HAVE. 783 00:27:03,192 --> 00:27:04,393 THEY HAVE TO FIND THEIR WAY. 784 00:27:04,393 --> 00:27:06,325 THE PROBLEM IS, HE'S ALREADY FOUND HIS WAY. 785 00:27:06,325 --> 00:27:08,227 HE JUST DOESN'T SEE WHERE IT'S GONNA PUT HIM. 786 00:27:08,227 --> 00:27:09,899 HEY, NO LUCK ON THE BOLO. 787 00:27:09,899 --> 00:27:11,360 BUT I TALKED TO GARCIA IN ROBBERY. 788 00:27:11,360 --> 00:27:13,232 WE GOT A TIP ON SHANE'S LOCATION. 789 00:27:13,232 --> 00:27:14,363 YOU WANT TO ROLL? 790 00:27:14,363 --> 00:27:16,005 YOU KNOW WHAT? 791 00:27:16,005 --> 00:27:17,737 LET ME GET THIS ONE. 792 00:27:17,737 --> 00:27:19,238 YEAH. 793 00:27:19,238 --> 00:27:22,241 ♪♪♪ 794 00:27:24,373 --> 00:27:26,275 HEY, SUGAR. 795 00:27:26,275 --> 00:27:28,918 WHAT'S YOUR POISON? 796 00:27:28,918 --> 00:27:30,349 ♪♪♪ 797 00:27:30,349 --> 00:27:32,221 HEY, GUYS. HOW YOU DOING? 798 00:27:38,958 --> 00:27:40,289 HELLO. 799 00:27:40,289 --> 00:27:42,331 WHAT ARE YOU DRINKING? 800 00:27:42,331 --> 00:27:44,293 MR. WINTERS IS NOT TAKING ANY MEETINGS TODAY. 801 00:27:46,836 --> 00:27:48,297 CAN I JUST GET A BAG OF ICE, PLEASE? 802 00:27:48,297 --> 00:27:50,870 WHAT THE HELL DO YOU WANT WITH A BAG OF ICE? 803 00:27:50,870 --> 00:27:53,002 OHH! 804 00:27:53,002 --> 00:27:54,844 IT'S FOR HIM. 805 00:27:56,175 --> 00:27:57,276 EXCUSE ME. 806 00:27:57,276 --> 00:28:00,679 ♪♪♪ 807 00:28:00,679 --> 00:28:02,251 YOU MUST BE DETECTIVE ESPOSITO. 808 00:28:02,251 --> 00:28:04,283 JOEY TOLD ME YOU TWO BEEN HANGING OUT. 809 00:28:04,283 --> 00:28:06,916 SAID SOONER OR LATER, YOU'D FIND YOUR WAY DOWN HERE. 810 00:28:06,916 --> 00:28:08,758 SO HE WARNED YOU. 811 00:28:08,758 --> 00:28:11,120 YEAH, HE'S A GOOD KID. DEPENDABLE. 812 00:28:16,425 --> 00:28:18,397 PUT 'EM ON. 813 00:28:18,397 --> 00:28:20,299 OR BETTER YET, RESIST ARREST. 814 00:28:20,299 --> 00:28:21,931 PLEASE. 815 00:28:23,232 --> 00:28:25,334 SOME OTHER TIME, MAYBE. HUH? 816 00:28:35,885 --> 00:28:37,216 DO YOU KNOW A WOMAN NAMED HOLLY RHODES, SHANE? 817 00:28:37,216 --> 00:28:38,918 NAME SOUNDS FAMILIAR. WELL, IT SHOULD. 818 00:28:38,918 --> 00:28:40,489 YOU RAN WITH HER BACK IN THE DAY. 819 00:28:40,489 --> 00:28:43,322 OH, SHE RAN, BUT NOT WITH ME. 820 00:28:43,322 --> 00:28:44,924 THEN WHY DID YOU BAIL HER OUT WHEN SHE WAS A TEENAGER? 821 00:28:44,924 --> 00:28:47,256 WELL, I GOT A SOFT SPOT FOR KIDS, MAN. 822 00:28:47,256 --> 00:28:48,427 YEAH, YEAH. 823 00:28:48,427 --> 00:28:51,100 YOU'RE JUST LIKE A REGULAR MR. ROGERS. 824 00:28:51,100 --> 00:28:52,401 WHEN WAS THE LAST TIME YOU SAW HER, SHANE? 825 00:28:52,401 --> 00:28:54,733 UH, LAST TIME I SAW HOLLY? 826 00:28:54,733 --> 00:28:56,505 DON'T RECALL. 827 00:28:56,505 --> 00:28:58,067 WELL, LET ME HELP YOU OUT WITH THAT. 828 00:28:58,067 --> 00:28:59,338 IT'S THREE NIGHTS AGO... 829 00:28:59,338 --> 00:29:00,870 WHEN YOU KILLED HER. 830 00:29:00,870 --> 00:29:03,042 YOU'RE WRONG ABOUT THAT. 831 00:29:03,042 --> 00:29:04,443 MM. I DON'T THINK SO. 832 00:29:04,443 --> 00:29:07,176 SEE, WHEN THIS WHOLE DEEJAYING GIG OF HOLLY'S TOOK OFF-- 833 00:29:07,176 --> 00:29:09,118 WEALTHY CLIENTS, PENTHOUSES-- 834 00:29:09,118 --> 00:29:12,421 YOU SAW A GOLDEN, DIAMOND-ENCRUSTED OPPORTUNITY. 835 00:29:12,421 --> 00:29:14,353 AND THAT'S WHEN YOU PRESSURED HOLLY 836 00:29:14,353 --> 00:29:16,485 INTO BRINGING IN JOEY MALONE AS AN ASSISTANT. 837 00:29:16,485 --> 00:29:18,327 HE'D GO IN TO THESE FANCY PARTIES, 838 00:29:18,327 --> 00:29:19,488 AND HE'D WALK RIGHT OUT THE FRONT DOOR 839 00:29:19,488 --> 00:29:22,161 WITH A HALF A MILLION IN HIGH-END JEWELRY, 840 00:29:22,161 --> 00:29:23,532 AND YOUR HANDS WOULD STAY CLEAN. 841 00:29:23,532 --> 00:29:26,765 WELL, YOU ARE RIGHT ABOUT THAT PART AT LEAST. 842 00:29:26,765 --> 00:29:28,767 MY HANDS ARE CLEAN. 843 00:29:28,767 --> 00:29:30,239 BUT THEN SOMETHING WENT WRONG AT THIS LAST PARTY. 844 00:29:30,239 --> 00:29:31,540 MM-HMM. 845 00:29:31,540 --> 00:29:33,102 I MEAN, MAYBE HOLLY PUSHED BACK. 846 00:29:33,102 --> 00:29:35,544 OR MAYBE SHE WANTED YOU OUT OF HER LIFE, ONCE AND FOR ALL. 847 00:29:35,544 --> 00:29:37,246 BUT SHE KNEW TOO MUCH 848 00:29:37,246 --> 00:29:38,908 SO SHE HAD TO GO. 849 00:29:38,908 --> 00:29:40,379 LOOK, ALL I HEAR YOU GUYS SAYING 850 00:29:40,379 --> 00:29:42,551 IS A WHOLE LOT OF STUFF THAT YOU CAN'T PROVE. 851 00:29:42,551 --> 00:29:44,413 WELL, WE CAN PROVE 852 00:29:44,413 --> 00:29:46,215 THAT HER BODY WAS IN YOUR TRUNK. 853 00:29:46,215 --> 00:29:48,317 FIBERS STUCK TO THE TARP THAT HOLLY WAS WRAPPED IN 854 00:29:48,317 --> 00:29:50,860 MATCH YOUR X5. 855 00:29:50,860 --> 00:29:52,161 WE'RE IMPOUNDING IT RIGHT NOW. 856 00:29:52,161 --> 00:29:54,894 WOW. THEN I GUESS YOU GUYS DIDN'T HEAR ABOUT IT-- 857 00:29:54,894 --> 00:29:57,526 ABOUT THE LITTLE PROBLEM I HAD WITH MY VEHICLE THIS MORNING. 858 00:29:57,526 --> 00:29:59,568 YOU SEE, I GOT A LITTLE CARELESS. 859 00:29:59,568 --> 00:30:01,400 I WAS, UH, I WAS LIGHTING A CIGARETTE, 860 00:30:01,400 --> 00:30:05,034 AND NEXT THING I KNOW, WHOLE CAR CATCHES ON FIRE. 861 00:30:05,034 --> 00:30:08,507 INSIDE, OUTSIDE, THE CARPET-- WHOLE THING BURNED TO A CRISP. 862 00:30:08,507 --> 00:30:10,209 I HATE TO TELL YOU, 863 00:30:10,209 --> 00:30:13,242 BUT THERE'S PROBABLY NOT A FIBER LEFT TO MATCH. 864 00:30:13,242 --> 00:30:14,914 CRAZY HOW THINGS HAPPEN SOMETIMES, HUH? 865 00:30:16,886 --> 00:30:18,387 SO, AGAIN, 866 00:30:18,387 --> 00:30:21,490 WHOLE LOT OF NOISE THAT YOU CAN'T PROVE. 867 00:30:21,490 --> 00:30:23,252 THAT BEING SAID, 868 00:30:23,252 --> 00:30:26,095 I'D LIKE MY LAWYER. 869 00:30:26,095 --> 00:30:27,927 I NEED A MINUTE ALONE. 870 00:30:42,411 --> 00:30:46,075 YOU TIPPED OFF SHANE. 871 00:30:46,075 --> 00:30:48,547 AFTER YOU BOLTED LAST NIGHT, 872 00:30:48,547 --> 00:30:51,020 YOU CALLED HIM. 873 00:30:51,020 --> 00:30:53,082 WARNED HIM THAT HE WAS A SUSPECT, 874 00:30:53,082 --> 00:30:55,084 WHICH GAVE HIM A CHANCE TO TORCH HIS CAR. 875 00:30:55,084 --> 00:30:57,456 COVER UP HIS ROLE IN HOLLY'S DEATH. 876 00:30:57,456 --> 00:30:59,458 CONGRATULATIONS, JOEY. 877 00:30:59,458 --> 00:31:01,460 YOU HELPED HIM GET AWAY WITH MURDER. 878 00:31:01,460 --> 00:31:03,232 NOW I'D BEAT YOUR SKINNY LITTLE ASS 879 00:31:03,232 --> 00:31:06,435 FOR BEING SO STUPID IF IT'D CHANGE ANYTHING. 880 00:31:06,435 --> 00:31:09,268 BUT IT WON'T BECAUSE, WELL... 881 00:31:09,268 --> 00:31:11,971 YOU'RE SO LOYAL. 882 00:31:11,971 --> 00:31:15,344 NOW LET'S SEE HOW SHANE RETURNS THE FAVOR. 883 00:31:17,076 --> 00:31:19,508 LOOK, I CAN SEE THAT YOU'RE A LITTLE SLOW, 884 00:31:19,508 --> 00:31:22,581 BUT I JUST SAID, "I WANT MY LAWYER." 885 00:31:22,581 --> 00:31:24,513 THIS IS ABOUT THE THEFTS. 886 00:31:24,513 --> 00:31:26,956 SOMEBODY'S GONNA HAVE TO GO DOWN FOR 'EM, 887 00:31:26,956 --> 00:31:29,458 AND WE KNOW IT'S GONNA BE JOEY MALONE. 888 00:31:29,458 --> 00:31:31,890 THE D.A. WANTS TO TRY HIM AS AN ADULT. 889 00:31:31,890 --> 00:31:34,293 THAT MEANS HARD TIME. 890 00:31:34,293 --> 00:31:37,166 ALL YOU GOTTA DO IS MAN UP. 891 00:31:37,166 --> 00:31:38,627 MAN UP ABOUT THE THEFTS, 892 00:31:38,627 --> 00:31:40,629 AND THEN MAYBE I CAN TALK TO THE D.A. 893 00:31:40,629 --> 00:31:43,272 AND GET JOEY A DEAL. 894 00:31:43,272 --> 00:31:44,633 LOOK, MAN, 895 00:31:44,633 --> 00:31:47,476 IF THE KID DID THE CRIME, HE'S GOTTA DO THE TIME. 896 00:31:47,476 --> 00:31:49,438 OOH. 897 00:31:49,438 --> 00:31:51,510 HAVE YOU SEEN ENOUGH? 898 00:31:53,542 --> 00:31:54,613 HMM? 899 00:31:54,613 --> 00:31:56,445 YOU STILL WANT TO PROTECT HIM? 900 00:32:02,091 --> 00:32:04,393 LOOK... 901 00:32:04,393 --> 00:32:06,495 IT WAS LIKE YOU SAID. 902 00:32:06,495 --> 00:32:08,027 I'D GO IN WITH HOLLY, 903 00:32:08,027 --> 00:32:09,428 LIFT PRICEY JEWELRY, 904 00:32:09,428 --> 00:32:11,430 THE MORE THE BETTER. 905 00:32:12,962 --> 00:32:14,263 BUT THIS TIME, IT WAS DIFFERENT. 906 00:32:14,263 --> 00:32:16,005 WHY? 907 00:32:16,005 --> 00:32:19,368 SHANE TOLD ME MY MARK WAS THIS MUSIC PRODUCER, 908 00:32:19,368 --> 00:32:20,469 TYRESE-- 909 00:32:20,469 --> 00:32:21,640 TYRESE WILTON? 910 00:32:21,640 --> 00:32:25,374 YEAH, HIM. IT WAS WEIRD. 911 00:32:25,374 --> 00:32:27,376 I WAS SUPPOSED TO BOOST HIS CELL PHONE. 912 00:32:27,376 --> 00:32:29,418 WHY HIS CELL PHONE? 913 00:32:29,418 --> 00:32:32,181 I DON'T KNOW, BUT I TOOK IT. 914 00:32:32,181 --> 00:32:33,552 YEAH, AND THEN WHAT? 915 00:32:33,552 --> 00:32:36,655 SOMEHOW HOLLY FOUND OUT, AND SHE FLIPPED. 916 00:32:36,655 --> 00:32:39,588 SHE GOT IN MY FACE AND TOLD ME TO GIVE THE PHONE BACK. 917 00:32:39,588 --> 00:32:42,061 AND I GOT SCARED BECAUSE I KNEW SHE CARRIED HEAT, 918 00:32:42,061 --> 00:32:44,393 BUT I HAD ALREADY HANDED THE PHONE OFF TO SHANE. 919 00:32:44,393 --> 00:32:46,996 SO I-I GOT OUTTA THERE, AND... 920 00:32:46,996 --> 00:32:50,499 THAT WAS THE LAST TIME I SAW HER. 921 00:32:50,499 --> 00:32:52,471 I DIDN'T KNOW SHE WOULD END UP DEAD. 922 00:32:52,471 --> 00:32:55,544 I DIDN'T KNOW SHANE WOULD KILL HER. 923 00:32:55,544 --> 00:32:58,577 SO NO DOUBT A GUY LIKE SHANE WOULD KILL HER, 924 00:32:58,577 --> 00:33:00,579 BUT IT'S STARTING TO LOOK LIKE HE DIDN'T. 925 00:33:00,579 --> 00:33:01,550 HE'S GOT AN ALIBI. 926 00:33:01,550 --> 00:33:02,681 I DON'T BELIEVE IT. 927 00:33:02,681 --> 00:33:04,413 AFFIDAVITS FROM SIX BAR PATRONS, 928 00:33:04,413 --> 00:33:06,115 ALL STATING THAT SHANE WAS THERE 929 00:33:06,115 --> 00:33:07,556 BETWEEN 11:00 AND MIDNIGHT. 930 00:33:07,556 --> 00:33:08,987 WELL, HE PRACTICALLY RUNS THE PLACE, 931 00:33:08,987 --> 00:33:10,289 SO THE PATRONS WILL SAY WHAT HE TELLS 'EM. 932 00:33:10,289 --> 00:33:11,560 SO C.S.U. JUST CONFIRMED THAT HIS CAR 933 00:33:11,560 --> 00:33:13,462 WAS TOO BURNED FOR THEM TO MATCH THE FIBERS 934 00:33:13,462 --> 00:33:15,094 OR PULL FORENSICS. 935 00:33:15,094 --> 00:33:16,725 SO WE CAN'T EVEN PROVE THAT HE TRANSPORTED THE VIC'S BODY. 936 00:33:16,725 --> 00:33:19,228 WE ALSO CAN'T TIE THE MURDER WEAPON TO HIM EITHER. 937 00:33:19,228 --> 00:33:20,599 ACCORDING TO HER ASSISTANT PAUL, 938 00:33:20,599 --> 00:33:23,332 HOLLY USED TO CARRY AROUND A .380 PISTOL FOR PROTECTION. 939 00:33:23,332 --> 00:33:25,174 SHE MIGHT HAVE BEEN KILLED WITH HER OWN GUN. 940 00:33:25,174 --> 00:33:26,475 HERE'S SOMETHING THAT DOESN'T ADD UP-- 941 00:33:26,475 --> 00:33:27,436 TYRESE WILTON'S PHONE. 942 00:33:27,436 --> 00:33:29,408 WHY WOULD SHANE TELL JOEY 943 00:33:29,408 --> 00:33:31,440 TO STEAL A PHONE WORTH A COUPLE OF HUNDRED BUCKS? 944 00:33:31,440 --> 00:33:33,542 ESPECIALLY WHEN THERE HAD TO BE SO MUCH BLING AT THAT PARTY. 945 00:33:33,542 --> 00:33:35,744 DUDE, NOBODY SAYS "BLING" ANYMORE. TRY "SHINE." 946 00:33:35,744 --> 00:33:37,586 THERE'S SOMETHING ELSE THAT DOESN'T ADD UP. 947 00:33:37,586 --> 00:33:39,118 ALL THE GUESTS WERE CONTACTED AND ASKED 948 00:33:39,118 --> 00:33:40,449 IF THEY WERE MISSING ANY PERSONAL ITEMS. 949 00:33:40,449 --> 00:33:41,490 THEY ALL SAID NO, SO-- 950 00:33:41,490 --> 00:33:43,492 WHY DIDN'T TYRESE WILTON MENTION 951 00:33:43,492 --> 00:33:46,455 THAT HIS PHONE WAS GONE? 952 00:33:51,400 --> 00:33:52,631 YO. 953 00:33:55,334 --> 00:33:57,466 CHECK THIS OUT. "YANG DYNASTY." 954 00:33:57,466 --> 00:33:59,538 COULD EXPLAIN THE PEANUT OIL ON HOLLY'S CLOTHES. 955 00:34:01,039 --> 00:34:02,571 (dumpster lid squeaks and clanks) 956 00:34:09,778 --> 00:34:11,450 THERE'S BLOOD SPATTER ON THE WALL. 957 00:34:13,552 --> 00:34:15,424 LOOKS LIKE WE FOUND OUR CRIME SCENE. 958 00:34:15,424 --> 00:34:22,761 YEP, AND IT'S RIGHT AT TYRESE'S DOORSTEP. 959 00:34:23,832 --> 00:34:24,833 ARE YOU SAYING THAT HOLLY WAS KILLED 960 00:34:24,833 --> 00:34:26,165 JUST OUTSIDE MY STUDIO? 961 00:34:26,165 --> 00:34:27,496 THAT'S RIGHT. 962 00:34:27,496 --> 00:34:29,298 SO WHY DON'T YOU TELL US WHAT SHE WAS DOING HERE? 963 00:34:29,298 --> 00:34:30,699 HOW THE HELL SHOULD I KNOW? 964 00:34:30,699 --> 00:34:32,070 MM. WELL, THEN MAYBE YOU CAN TELL US 965 00:34:32,070 --> 00:34:33,402 WHAT YOU WERE DOING BETWEEN 11:00 AND MIDNIGHT 966 00:34:33,402 --> 00:34:34,573 THE NIGHT OF THE PARTY. 967 00:34:34,573 --> 00:34:35,744 I WAS AT THE PARTY. 968 00:34:35,744 --> 00:34:37,075 I STAYED THERE TILL JUST AFTER 1:00. 969 00:34:37,075 --> 00:34:38,447 YOU CAN CHECK. 970 00:34:38,447 --> 00:34:39,678 YOU WERE ALSO ASKED IF ANY OF YOUR STUFF WENT MISSING 971 00:34:39,678 --> 00:34:40,649 THE NIGHT OF THE PARTY. 972 00:34:40,649 --> 00:34:41,810 YOU DIDN'T MENTION YOUR PHONE. 973 00:34:41,810 --> 00:34:43,482 BECAUSE MY PHONE WASN'T MISSING. 974 00:34:43,482 --> 00:34:44,613 YOU DON'T HAVE TO LIE TO ME, TYRESE. 975 00:34:44,613 --> 00:34:46,215 I TALKED TO THE KID WHO STOLE IT. 976 00:34:46,215 --> 00:34:47,556 I MEAN, IT WAS MISSING FOR AN HOUR OR TWO, 977 00:34:47,556 --> 00:34:49,087 BUT THEN IT TURNED UP. 978 00:34:49,087 --> 00:34:50,789 SEE? I FOUND IT IN THE BATHROOM AT THE END OF THE NIGHT. 979 00:34:50,789 --> 00:34:52,161 IF JOEY STOLE THE PHONE, 980 00:34:52,161 --> 00:34:53,562 HOW'D IT END UP BACK AT THE PARTY? 981 00:34:53,562 --> 00:34:55,424 WHOEVER BROUGHT THAT BACK DIDN'T WANT IT MISSED. 982 00:34:55,424 --> 00:34:56,765 BASED ON SHANE'S M.O., 983 00:34:56,765 --> 00:34:58,767 HE WAS AFTER SOMETHING VALUABLE, SOMETHING HE COULD SELL. 984 00:34:58,767 --> 00:35:00,769 YO, TYRESE, WHAT'S ON THAT PHONE-- 985 00:35:00,769 --> 00:35:02,831 FINANCIAL INFO, PICTURES, VALUABLE DATA? 986 00:35:02,831 --> 00:35:04,833 ONLY ONE THING THAT REALLY MATTERS-- 987 00:35:04,833 --> 00:35:06,575 I USE THIS PHONE AS AN E-KEY. 988 00:35:06,575 --> 00:35:08,577 AN E 989 00:35:08,577 --> 00:35:10,739 AN ELECTRONIC KEY. IT OPENS UP THIS STUDIO. 990 00:35:10,739 --> 00:35:12,441 WELL, DID HOLLY KNOW THAT? 991 00:35:12,441 --> 00:35:14,443 YEAH, I MENTIONED IT TO HER WHEN I DISCOVERED IT WAS GONE. 992 00:35:14,443 --> 00:35:15,784 I WENT TO TEXT HER MY NUMBER, 993 00:35:15,784 --> 00:35:17,716 BUT I HAD TO WRITE IT ON HER HAND INSTEAD. 994 00:35:17,716 --> 00:35:19,117 THAT'S WHY HOLLY WAS HERE. 995 00:35:19,117 --> 00:35:20,689 SHE REALIZED THAT SHANE STOLE THE PHONE 996 00:35:20,689 --> 00:35:22,391 BECAUSE HE WAS GONNA RIP THE STUDIO OFF. 997 00:35:22,391 --> 00:35:23,752 SHE COULDN'T LET THAT HAPPEN, 998 00:35:23,752 --> 00:35:25,454 NOT WITH TYRESE HERE ABOUT TO GIVE HER HER BIG BREAK. 999 00:35:25,454 --> 00:35:27,326 RIGHT, SO SHE RACES OVER HERE TO CONFRONT SHANE 1000 00:35:27,326 --> 00:35:29,428 TO STOP HIM BEFORE HE RIPPED YOU OFF. 1001 00:35:29,428 --> 00:35:31,129 LOOKS LIKE SHE DID, BECAUSE NOTHING'S MISSING. 1002 00:35:31,129 --> 00:35:32,461 YOU SURE? 1003 00:35:32,461 --> 00:35:33,862 POSITIVE. I GOT OVER $2 MIL IN EQUIPMENT HERE. 1004 00:35:33,862 --> 00:35:35,734 AND NOTHING... 1005 00:35:35,734 --> 00:35:37,606 OH, GOD. 1006 00:35:37,606 --> 00:35:39,468 WHAT? THE RECORDINGS. 1007 00:35:39,468 --> 00:35:41,640 IF SOMEONE GOT THEIR HANDS ON AN UNRELEASED ALBUM... 1008 00:35:41,640 --> 00:35:43,642 IT'D BE WORTH A FORTUNE. 1009 00:35:43,642 --> 00:35:45,474 NOT TO MENTION TANKING OUR RECORD SALES 1010 00:35:45,474 --> 00:35:47,416 IF IT LEAKED ONLINE. 1011 00:35:49,518 --> 00:35:51,680 OH, NO. JOSIE LANG'S ALBUM 1012 00:35:51,680 --> 00:35:53,482 WAS ACCESSED AT 11:45 THE NIGHT OF THE PARTY. 1013 00:35:53,482 --> 00:35:55,454 SOMEONE DOWNLOADED THE MASTERS. 1014 00:35:55,454 --> 00:35:56,785 SHANE. 1015 00:35:56,785 --> 00:35:58,457 YEAH. 1016 00:35:58,457 --> 00:36:00,759 LOOK, I'M TELLING YOU, SHANE'S ALIBI IS ROCK-SOLID. 1017 00:36:00,759 --> 00:36:01,930 HOW IS THAT EVEN POSSIBLE? 1018 00:36:01,930 --> 00:36:03,292 WE INTERVIEWED EVERYONE IN THE BAR. 1019 00:36:03,292 --> 00:36:04,633 WE EVEN TALKED TO THE CABBIES OUTSIDE, 1020 00:36:04,633 --> 00:36:06,335 AND EVERYONE SAID THAT HE LEFT AROUND MIDNIGHT. 1021 00:36:06,335 --> 00:36:07,696 WHY WOULD HE TORCH HIS CAR 1022 00:36:07,696 --> 00:36:09,368 IF HE DIDN'T USE IT TO DUMP HER BODY? 1023 00:36:09,368 --> 00:36:10,699 HE MIGHT HAVE DUMPED THE BODY, 1024 00:36:10,699 --> 00:36:12,571 BUT OUR TIMELINE SAYS THAT HE DID NOT KILL HER. 1025 00:36:12,571 --> 00:36:14,473 MAN. 1026 00:36:14,473 --> 00:36:16,305 W-WAIT A MINUTE. WE--WE-- 1027 00:36:16,305 --> 00:36:17,806 WE GOTTA BE MISSING SOMETHING HERE 1028 00:36:17,806 --> 00:36:19,378 SO LET'S JUST GO OVER IT AGAIN. 1029 00:36:19,378 --> 00:36:22,180 WE KNOW THAT JOEY HANDED SHANE THAT PHONE AROUND 11:00. 1030 00:36:22,180 --> 00:36:24,883 AND WE KNOW THAT JOSIE'S ALBUM WAS DOWNLOADED AT 11:45. 1031 00:36:24,883 --> 00:36:27,256 HOLLY WAS MURDERED SOMETIME BETWEEN 11:00 AND MIDNIGHT. 1032 00:36:27,256 --> 00:36:29,218 WAIT A MINUTE. 1033 00:36:29,218 --> 00:36:31,720 THE KEY TO THIS WHOLE THING IS THAT PHONE. 1034 00:36:31,720 --> 00:36:33,191 WE'RE ASSUMING THAT SHANE 1035 00:36:33,191 --> 00:36:34,563 WAS THE ONE WHO USED IT TO BREAK IN TO THE STUDIO. 1036 00:36:34,563 --> 00:36:36,395 BECAUSE HE'S THE ONE THAT JOEY GAVE THE PHONE TO. 1037 00:36:36,395 --> 00:36:39,528 RIGHT, BUT WITNESSES PLACE HIM AT THE BAR, 11:30 TO MIDNIGHT. 1038 00:36:39,528 --> 00:36:42,200 THE ALBUM WAS DOWNLOADED AT THE STUDIO AT 11:45. 1039 00:36:42,200 --> 00:36:43,832 IT HAD TO BE SOMEONE ELSE. LIKE WHO? 1040 00:36:45,534 --> 00:36:47,836 WELL, IT HAD TO BE SOMEONE FROM THE PARTY. 1041 00:36:47,836 --> 00:36:49,238 SO THEN WHOEVER BROKE IN TO THE STUDIO 1042 00:36:49,238 --> 00:36:51,540 MUST HAVE RETURNED THE PHONE TO THE PARTY 1043 00:36:51,540 --> 00:36:54,243 SO THAT TYRESE WOULDN'T REALIZE THAT IT WAS EVEN TAKEN. 1044 00:36:54,243 --> 00:36:56,285 ALL WE HAVE TO DO IS FIGURE OUT 1045 00:36:56,285 --> 00:36:58,287 WHICH ONE OF THE GUESTS HAD SOMETHING TO GAIN 1046 00:36:58,287 --> 00:37:00,489 FROM STEALING JOSIE'S ALBUM. 1047 00:37:00,489 --> 00:37:01,950 ONE, TWO. 1048 00:37:01,950 --> 00:37:03,592 HERE'S A POINT. 1049 00:37:03,592 --> 00:37:04,753 FIVE. SIX. SEVEN. EIGHT. 1050 00:37:04,753 --> 00:37:07,296 ROCK ONE, TWO, THREE, FOUR. 1051 00:37:07,296 --> 00:37:09,758 STEP. NICE. GOOD. 1052 00:37:09,758 --> 00:37:11,800 POINT AGAIN. 1053 00:37:11,800 --> 00:37:13,462 HI. 1054 00:37:13,462 --> 00:37:14,903 DID YOU GUYS NOT GET 1055 00:37:14,903 --> 00:37:16,565 THE GUEST LIST THAT WE SENT OVER? 1056 00:37:16,565 --> 00:37:17,736 YEAH, WE... WE DID. 1057 00:37:17,736 --> 00:37:19,237 WE JUST NEED TO ASK YOU A FEW QUESTIONS 1058 00:37:19,237 --> 00:37:21,810 ABOUT YOUR SCHEDULE THE NIGHT OF THE PARTY. 1059 00:37:21,810 --> 00:37:24,473 YEAH, SURE. 1060 00:37:26,415 --> 00:37:27,876 SO ACCORDING TO YOUR PARTY PLANNER, 1061 00:37:27,876 --> 00:37:30,579 YOU EXCUSED YOURSELF AT 11:00 TO DO A COSTUME CHANGE 1062 00:37:30,579 --> 00:37:32,281 FOR A PERFORMANCE OF A TRACK FROM YOUR NEW ALBUM. 1063 00:37:32,281 --> 00:37:33,782 IS THAT CORRECT? 1064 00:37:33,782 --> 00:37:34,923 THAT SOUNDS ABOUT RIGHT, 1065 00:37:34,923 --> 00:37:36,885 BUT I JUST GO WHERE THEY TELL ME TO. 1066 00:37:36,885 --> 00:37:38,287 YOU KNOW HOW IT IS. 1067 00:37:38,287 --> 00:37:39,958 ONLY YOUR PLANNER TOLD US THAT YOU INSISTED 1068 00:37:39,958 --> 00:37:41,660 ON HAVING A FULL HOUR. 1069 00:37:41,660 --> 00:37:44,463 HAVE YOU EVER TRIED CHANGING INTO SKINTIGHT LEATHER PANTS? 1070 00:37:44,463 --> 00:37:46,365 IT'S TIME-CONSUMING. 1071 00:37:46,365 --> 00:37:47,866 WHY? WHAT'S-- WHAT'S THE POINT? 1072 00:37:47,866 --> 00:37:49,398 WELL, THAT HOUR GAVE YOU ENOUGH TIME 1073 00:37:49,398 --> 00:37:50,799 TO GET TO TYRESE WILTON'S STUDIO, 1074 00:37:50,799 --> 00:37:52,671 DOWNLOAD JOSIE'S NEW ALBUM, 1075 00:37:52,671 --> 00:37:55,273 AND GET BACK TO THE PARTY TO PERFORM YOUR SONG. 1076 00:37:55,273 --> 00:37:57,406 ARE YOU INSANE? 1077 00:37:57,406 --> 00:37:59,708 WHY WOULD I DO ANYTHING LIKE THAT? 1078 00:37:59,708 --> 00:38:01,950 BECAUSE YOUR ALBUM SALES HAVE BEEN SAGGING FOR YEARS. 1079 00:38:03,312 --> 00:38:04,483 IF YOUR ALBUM DIDN'T PERFORM, 1080 00:38:04,483 --> 00:38:05,654 YOUR RECORD LABEL WAS GONNA DROP YOU. 1081 00:38:05,654 --> 00:38:08,357 I'VE BEEN WITH HARMONY 360 FOR 10 YEARS. 1082 00:38:08,357 --> 00:38:09,788 THEY LOVE ME. 1083 00:38:09,788 --> 00:38:11,059 IT'S NO SECRET THAT JOSIE LANG'S ECLIPSED YOU. 1084 00:38:11,059 --> 00:38:12,991 OH, PLEASE. SHE'S BEEN AROUND FOR TWO SECONDS. 1085 00:38:12,991 --> 00:38:15,564 GIVE IT A YEAR, YOU WON'T EVEN REMEMBER HER NAME. 1086 00:38:15,564 --> 00:38:16,725 IT DOESN'T MATTER. 1087 00:38:16,725 --> 00:38:18,026 BOTH YOUR ALBUMS COME OUT NEXT WEEK, 1088 00:38:18,026 --> 00:38:19,568 AND SHE'S GOING TO CRUSH YOU. 1089 00:38:19,568 --> 00:38:21,800 UNLESS SOMEONE MYSTERIOUSLY LEAKS 1090 00:38:21,800 --> 00:38:23,832 JOSIE'S NEW ALBUM ONLINE. 1091 00:38:23,832 --> 00:38:25,674 YOUR PLAN WAS SIMPLE-- 1092 00:38:25,674 --> 00:38:26,975 HIRE SHANE TO STEAL THE PHONE, 1093 00:38:26,975 --> 00:38:29,007 THAT WAY, YOU CAN GET IN TO THE STUDIO. 1094 00:38:29,007 --> 00:38:31,039 THE ONE THING THAT YOU DIDN'T PLAN ON WAS HOLLY. 1095 00:38:31,039 --> 00:38:32,411 SHE SHOWED UP AND CAUGHT YOU 1096 00:38:32,411 --> 00:38:33,642 JUST AS YOU WERE LEAVING THE STUDIO. 1097 00:38:33,642 --> 00:38:35,644 YOU COULDN'T RISK HER EXPOSING YOU. 1098 00:38:35,644 --> 00:38:36,815 YOU FOUGHT. 1099 00:38:36,815 --> 00:38:38,316 SHE PULLED OUT HER GUN TO PROTECT HERSELF, 1100 00:38:38,316 --> 00:38:39,788 BUT YOU MANAGED TO USE IT ON HER INSTEAD. 1101 00:38:39,788 --> 00:38:40,919 SO YOU CALLED SHANE 1102 00:38:40,919 --> 00:38:42,751 AND YOU GOT HIM TO GET RID OF THE BODY. 1103 00:38:42,751 --> 00:38:44,723 ARE YOU KIDDING ME? THAT'S ALL SPECULATION. 1104 00:38:44,723 --> 00:38:46,625 THE ONE THING THAT'S NOT SPECULATION 1105 00:38:46,625 --> 00:38:48,897 IS THAT YOU HIRED D.J. BEAT. 1106 00:38:48,897 --> 00:38:50,058 HOW'D YOU FIND OUT ABOUT HER? 1107 00:38:50,058 --> 00:38:51,700 WORD OF MOUTH. 1108 00:38:51,700 --> 00:38:53,402 MORE LIKE YOUR BODYGUARD GREW UP WITH SHANE WINTERS. 1109 00:38:53,402 --> 00:38:55,434 SHANE HAD YOU HIRE D.J. BEAT 1110 00:38:55,434 --> 00:38:57,436 SO THAT JOEY COULD GET IN AND STEAL THAT PHONE. 1111 00:38:57,436 --> 00:38:59,107 YOU KNOW WHAT ELSE ISN'T SPECULATION? 1112 00:38:59,107 --> 00:39:01,039 THE WARRANT SHE SERVED ON YOUR I.S.P. 1113 00:39:01,039 --> 00:39:03,412 THAT WARRANT REVEALED 1114 00:39:03,412 --> 00:39:04,713 THE E-MAIL ACCOUNT THAT YOU CREATED 1115 00:39:04,713 --> 00:39:06,415 TO COMMUNICATE WITH THE HACKER 1116 00:39:06,415 --> 00:39:08,817 THAT WAS GOING TO LEAK JOSIE'S NEW ALBUM ONLINE. 1117 00:39:08,817 --> 00:39:10,348 IS THAT ENOUGH FACT FOR YOU? 1118 00:39:13,952 --> 00:39:16,425 MY RECORD SALES MAY BE DOWN, 1119 00:39:16,425 --> 00:39:19,958 BUT I CAN STILL AFFORD A DAMN GOOD LAWYER. 1120 00:39:34,673 --> 00:39:37,846 YOU KEEP SHOWING UP HERE LIKE THIS, 1121 00:39:37,846 --> 00:39:40,108 MY BOYS ARE GONNA THINK YOU'RE SWEET ON ME. 1122 00:39:40,108 --> 00:39:41,680 NOT ANYMORE, THEY WON'T. 1123 00:39:41,680 --> 00:39:43,682 YOU ARE WALKING 1124 00:39:43,682 --> 00:39:46,755 ON GRAND LARCENY AND ACCESSORY AFTER THE FACT. 1125 00:39:46,755 --> 00:39:48,487 WOW. 1126 00:39:48,487 --> 00:39:50,789 NOW THAT KIND OF LUCK DOES NOT LAST LONG. 1127 00:39:50,789 --> 00:39:54,723 WELL, I GUESS I GOTTA GO PLAY THE POWERBALL, THEN, TONIGHT. 1128 00:40:04,032 --> 00:40:06,575 THIS IS MY GUN. 1129 00:40:07,876 --> 00:40:10,709 AND THIS ONE WILL BE YOURS. 1130 00:40:10,709 --> 00:40:12,541 YOU EVER GO NEAR 1131 00:40:12,541 --> 00:40:14,843 JOEY OR ANY OTHER KID EVER AGAIN, 1132 00:40:14,843 --> 00:40:17,646 THE STORY'S GONNA GO LIKE THIS-- 1133 00:40:17,646 --> 00:40:19,818 YOU PULLED THAT PIECE ON ME. 1134 00:40:19,818 --> 00:40:20,919 AND... 1135 00:40:20,919 --> 00:40:23,752 I HAD TO DEFEND MYSELF, SO... 1136 00:40:24,953 --> 00:40:26,795 I KILLED YOU. 1137 00:40:26,795 --> 00:40:28,927 YOU UNDERSTAND ME? 1138 00:40:28,927 --> 00:40:30,729 OR SHOULD WE PLAY OUT THAT STORY 1139 00:40:30,729 --> 00:40:32,430 RIGHT HERE, 1140 00:40:32,430 --> 00:40:35,103 RIGHT NOW? 1141 00:40:35,103 --> 00:40:36,705 UH... 1142 00:40:36,705 --> 00:40:39,037 I HEAR YOU. 1143 00:40:39,037 --> 00:40:41,069 GOOD. 1144 00:40:44,813 --> 00:40:46,715 YO. 1145 00:40:46,715 --> 00:40:47,976 REACH BACK THERE AND GRAB THAT FILE. 1146 00:40:47,976 --> 00:40:49,147 WHAT AM I, YOUR SECRETARY? 1147 00:40:49,147 --> 00:40:51,079 JUST GRAB THE FILE. 1148 00:40:51,079 --> 00:40:54,122 LOOK, HAVEN'T I DONE ENOUGH TO SOLVE THIS CASE FOR YOU? 1149 00:40:54,122 --> 00:40:55,854 READ IT. 1150 00:40:55,854 --> 00:40:58,827 "JUVENILE RECORD FOR 1151 00:40:58,827 --> 00:41:00,659 JAVIER ESPOSITO." 1152 00:41:00,659 --> 00:41:02,460 YEP. 1153 00:41:02,460 --> 00:41:03,692 THE GOOD OL' DAYS. 1154 00:41:03,692 --> 00:41:06,765 SO "ASSAULT, RESISTING ARREST"... 1155 00:41:06,765 --> 00:41:08,497 MM. "UNLAWFUL POSSESSION." 1156 00:41:08,497 --> 00:41:09,868 YEAH. 1157 00:41:09,868 --> 00:41:10,969 YOU WERE A MESS. 1158 00:41:10,969 --> 00:41:13,672 YEAH, BUT THAT'S ALL I KNEW. 1159 00:41:13,672 --> 00:41:16,505 DAD WAS GONE, MY MOM WAS WORKING TWO JOBS. 1160 00:41:16,505 --> 00:41:17,946 IN MY NEIGHBORHOOD, YOU HAD TO DO 1161 00:41:17,946 --> 00:41:19,748 WHAT YOU HAD TO DO TO SURVIVE. 1162 00:41:19,748 --> 00:41:22,210 NOT EVERYBODY MADE IT. 1163 00:41:22,210 --> 00:41:24,853 IS THIS WHERE YOU TELL ME THAT I NEED TO 1164 00:41:24,853 --> 00:41:27,616 MAN UP AND GET MY ACT TOGETHER LIKE YOU DID? 1165 00:41:27,616 --> 00:41:29,157 NO. IT DOESN'T WORK LIKE THAT. 1166 00:41:29,157 --> 00:41:30,819 YOU NEED HELP. 1167 00:41:30,819 --> 00:41:32,691 FOR ME, IT WAS ONE OF MY TEACHERS. 1168 00:41:32,691 --> 00:41:34,262 SAW A FUTURE IN ME 1169 00:41:34,262 --> 00:41:37,125 THAT I DIDN'T EVEN SEE IN MYSELF. 1170 00:41:37,125 --> 00:41:39,528 BUT IT WAS UP TO ME TO MAKE THE CHOICE, 1171 00:41:39,528 --> 00:41:41,570 TO PICK WHICH ROAD TO GO DOWN. 1172 00:41:41,570 --> 00:41:42,701 I TALKED TO YOUR SCHOOL COUNSELOR. 1173 00:41:42,701 --> 00:41:43,832 WHAT? 1174 00:41:43,832 --> 00:41:45,634 SHE'S GONNA CALL ME IF YOU KEEP DITCHING. 1175 00:41:45,634 --> 00:41:46,705 COME ON, MAN. 1176 00:41:46,705 --> 00:41:48,877 AND I'M GONNA CALL YOU ONCE A WEEK, 1177 00:41:48,877 --> 00:41:50,709 CHECK IN. 1178 00:41:54,643 --> 00:41:56,044 ALL RIGHT, I'LL GO... 1179 00:41:56,044 --> 00:41:59,217 IF YOU AGREE TO GET NEW FURNITURE. 1180 00:41:59,217 --> 00:42:00,719 YOU CAN'T GET LAID ON THE REGULAR 1181 00:42:00,719 --> 00:42:02,090 WITH THAT JUNK YOU HAVE. 1182 00:42:02,090 --> 00:42:04,823 I'M JUST LOOKING OUT FOR YOU. 1183 00:42:04,823 --> 00:42:06,054 HERE. 1184 00:42:06,054 --> 00:42:08,026 IF YOU NEED ANYTHING, 1185 00:42:08,026 --> 00:42:09,527 DAY OR NIGHT, 1186 00:42:09,527 --> 00:42:11,760 YOU CALL ME AT THAT NUMBER. 1187 00:42:11,760 --> 00:42:13,702 OKAY. 1188 00:42:13,702 --> 00:42:15,634 YOU'RE ALL RIGHT... 1189 00:42:15,634 --> 00:42:17,235 FOR A COP. 1190 00:42:17,235 --> 00:42:18,607 I KNOW. 1191 00:42:18,607 --> 00:42:20,939 NOW GET OUT OF MY CAR.