1 00:00:01,132 --> 00:00:02,573 (man) THEY WERE ON TOP OF THE WORLD 2 00:00:02,573 --> 00:00:04,105 UNTIL THE FINANCIAL CRISIS STRUCK AND THEY FLAMED OUT. 3 00:00:04,105 --> 00:00:06,437 THAT'S WHEN THEIR WIVES GOT BUSY TAKING OVER. 4 00:00:06,437 --> 00:00:08,539 "THE WIVES OF WALL STREET"-- 5 00:00:08,539 --> 00:00:10,541 PENELOPE, THE FASHION MOGUL... 6 00:00:10,541 --> 00:00:12,643 YOU LOOK AMAZING IN MY DRESS. 7 00:00:12,643 --> 00:00:14,715 MARGO, THE COSMETICS QUEEN... 8 00:00:14,715 --> 00:00:17,248 IF YOU WEREN'T MY SON, I'D FIRE YOUR ASS. 9 00:00:17,248 --> 00:00:19,290 COLETTE, HOME DECOR DIVA... 10 00:00:19,290 --> 00:00:20,591 LET'S SELL TODAY, PEOPLE. 11 00:00:20,591 --> 00:00:22,593 AND THEN OF COURSE THERE'S HANNAH. 12 00:00:22,593 --> 00:00:25,226 WHAT WILL SHE DO NEXT? 13 00:00:25,226 --> 00:00:27,528 (all) DON'T LET ANYONE STOP YOU 14 00:00:27,528 --> 00:00:30,261 FROM GETTING WHAT YOU WANT. 15 00:00:30,261 --> 00:00:32,133 (man) NO, NO, NO. 16 00:00:32,133 --> 00:00:33,304 WE NEED MORE HANNAH. 17 00:00:33,304 --> 00:00:35,166 SHE'S THE REASON OUR NUMBERS ARE SPIKING. 18 00:00:35,166 --> 00:00:36,667 WE ALL LIKE THIS AT THE NETWORK, PETER. 19 00:00:36,667 --> 00:00:38,209 IT'S BALANCED. 20 00:00:38,209 --> 00:00:40,441 MAYBE THAT WORKS FOR YOUR BRAIN-NUMBING FINANCE SHOWS. 21 00:00:40,441 --> 00:00:42,113 BUT THIS IS REALITY TV. 22 00:00:42,113 --> 00:00:43,444 WE NEED TO HYPE THE CONFLICT. 23 00:00:43,444 --> 00:00:44,775 WE NEED THE UNEXPECTED. 24 00:00:44,775 --> 00:00:46,247 UH, SORRY TO INTERRUPT MR. MONROE. 25 00:00:46,247 --> 00:00:47,318 THE POLICE ARE CALLING FOR YOU. 26 00:00:47,318 --> 00:00:49,550 THERE'S BEEN A MURDER. 27 00:00:49,550 --> 00:00:51,452 OKAY. OKAY. HEART-SHAPED CUFF LINKS? 28 00:00:51,452 --> 00:00:53,154 (chuckles) COULD YOU STOP GUESSING? 29 00:00:53,154 --> 00:00:55,286 OKAY, A PONY? IT'S A ROCKET. 30 00:00:55,286 --> 00:00:56,627 IT'S A LIMITED-EDITION "STAR WARS" LIGHTSABER 31 00:00:56,627 --> 00:00:58,129 SIGNED BY GEORGE LUCAS. 32 00:00:58,129 --> 00:01:00,291 YES, BECAUSE NOTHING SAYS "HAPPY VALENTINE'S DAY" 33 00:01:00,291 --> 00:01:01,492 LIKE A "STAR WARS" TOY. 34 00:01:01,492 --> 00:01:03,194 (laughs) WAIT. WAIT, WAIT, WAIT. 35 00:01:03,194 --> 00:01:05,196 PLEASE TELL ME THAT YOU DIDN'T GET ME A LIGHTSABER 36 00:01:05,196 --> 00:01:07,198 FOR OUR FIRST VALENTINE'S DAY TOGETHER. 37 00:01:07,198 --> 00:01:09,470 PLEASE GIVE ME SOME CREDIT. 38 00:01:09,470 --> 00:01:11,672 YOU ARE GONNA LOVE WHAT I GOT YOU. 39 00:01:11,672 --> 00:01:13,604 AND YOU'RE GONNA LOVE WHAT I GOT YOU. 40 00:01:13,604 --> 00:01:15,146 WHAT ABOUT YOU, ESPO? 41 00:01:15,146 --> 00:01:17,077 ANY PLANS FOR VALENTINE'S DAY TOMORROW? 42 00:01:17,077 --> 00:01:18,479 UH, YEAH. 43 00:01:18,479 --> 00:01:20,251 INVESTIGATING A MURDER. 44 00:01:20,251 --> 00:01:21,212 I SEE. 45 00:01:21,212 --> 00:01:22,713 VICTIM IS HANNAH GREEN, 23. 46 00:01:22,713 --> 00:01:24,315 SHE'S ONE OF THE STARS OF THE SHOW 47 00:01:24,315 --> 00:01:25,816 "THE WIVES OF WALL STREET." 48 00:01:25,816 --> 00:01:28,088 HER BROTHER'S ON HIS WAY INTO THE PRECINCT FROM JERSEY. 49 00:01:28,088 --> 00:01:29,720 "WIVES OF WALL STREET," THE REALITY SHOW? 50 00:01:29,720 --> 00:01:31,262 YEAH. SEEN IT? 51 00:01:31,262 --> 00:01:32,663 JUST LONG ENOUGH TO MAKE ME WANT TO KILL MYSELF. 52 00:01:32,663 --> 00:01:34,795 ONE MINUTE OF LUNATICS BACKSTABBING EACH OTHER 53 00:01:34,795 --> 00:01:36,127 IS ENOUGH. 54 00:01:36,127 --> 00:01:37,468 SPEAKING OF BACKSTABBING... 55 00:01:37,468 --> 00:01:39,570 (people speaking indistinctly) 56 00:01:39,570 --> 00:01:42,273 SHE ALMOST LOOKS LIKE SHE'S ASLEEP. 57 00:01:42,273 --> 00:01:43,234 (Esposito) THE BUS DRIVER WHO CAME THROUGH LAST NIGHT 58 00:01:43,234 --> 00:01:45,105 AT 11:15 THOUGHT SHE WAS. 59 00:01:45,105 --> 00:01:47,378 IT WASN'T UNTIL THIS MORNING ANYONE REALIZED SHE WAS DEAD. 60 00:01:47,378 --> 00:01:49,140 (Lanie) BASED ON LIVER TEMP, 61 00:01:49,140 --> 00:01:51,312 THE EARLIEST SHE COULD'VE DIED IS 10:00, 10:30. 62 00:01:51,312 --> 00:01:53,444 OKAY, SO SHE WAS KILLED IN THAT HOUR. (camera shutter clicking) 63 00:01:53,444 --> 00:01:54,685 (Esposito) LOOKS THAT WAY. 64 00:01:54,685 --> 00:01:56,217 THERE'S NO PURSE OR CELL ON THE BODY 65 00:01:56,217 --> 00:01:59,190 BUT IF SHE WAS MUGGED, THE DOER MISSED 66 00:01:59,190 --> 00:02:01,522 THAT DIAMOND TENNIS BRACELET ON HER RIGHT WRIST. 67 00:02:01,522 --> 00:02:02,693 (Castle) AND IF IT WAS A MUGGER, 68 00:02:02,693 --> 00:02:04,355 HE HAS EXQUISITE TASTE IN CUTLERY. 69 00:02:04,355 --> 00:02:07,258 THAT'S A TAKAHARA V.G. CHEF KNIFE. 70 00:02:07,258 --> 00:02:08,429 RUNS ABOUT 200 BUCKS. 71 00:02:08,429 --> 00:02:10,701 THAT'S PRETTY HIGH-END FOR A MURDER WEAPON. 72 00:02:10,701 --> 00:02:12,132 (Lanie) WELL, WHOEVER ATTACKED HER, 73 00:02:12,132 --> 00:02:13,534 IT LOOKS SHE FOUGHT BACK. 74 00:02:13,534 --> 00:02:15,536 SHE HAS DEFENSIVE WOUNDS, ABRASIONS ON HER WRISTS, 75 00:02:15,536 --> 00:02:18,138 AND SOME POSSIBLE GENETIC MATERIAL 76 00:02:18,138 --> 00:02:19,470 UNDERNEATH HER FINGERNAILS. 77 00:02:19,470 --> 00:02:21,472 I'LL RUN D.N.A. ONCE I GET BACK TO THE MORGUE. 78 00:02:21,472 --> 00:02:22,713 SHE LIVE IN THE AREA? 79 00:02:22,713 --> 00:02:24,775 NO, DOWNTOWN. THOMPSON HOTEL. 80 00:02:24,775 --> 00:02:26,677 SO WHAT WAS SHE DOING UP HERE? 81 00:02:26,677 --> 00:02:27,818 I DON'T KNOW. 82 00:02:27,818 --> 00:02:29,149 THE PRODUCER OF "THE WIVES OF WALL STREET" 83 00:02:29,149 --> 00:02:30,651 SAID THEY WEREN'T FILMING IN THIS AREA. 84 00:02:30,651 --> 00:02:31,782 (panting) HEY. 85 00:02:31,782 --> 00:02:33,454 SORRY I'M... LATE. 86 00:02:33,454 --> 00:02:35,526 YEAH. JENNY AGAIN? 87 00:02:35,526 --> 00:02:36,687 YEAH. 88 00:02:36,687 --> 00:02:38,189 HER TEMPERATURE SPIKED THIS MORNING, 89 00:02:38,189 --> 00:02:39,530 AND SUDDENLY IT'S SHOWTIME. 90 00:02:39,530 --> 00:02:41,362 SHE'S GOT THIS BABY MAKING DOWN TO A SCIENCE. 91 00:02:41,362 --> 00:02:42,793 SOUNDS ROMANTIC. 92 00:02:42,793 --> 00:02:44,495 I FEEL LIKE A ROOSTER IN A HENHOUSE. 93 00:02:44,495 --> 00:02:45,936 EXCEPT FOR, THERE'S ONLY ONE HEN-- 94 00:02:45,936 --> 00:02:48,539 A VERY BOSSY HEN. 95 00:02:48,539 --> 00:02:50,441 OKAY, ESPO, YOU AND THE ROOSTER 96 00:02:50,441 --> 00:02:52,273 START A CANVASS, 97 00:02:52,273 --> 00:02:53,604 AND CASTLE AND I WILL TALK TO THE PRODUCER, 98 00:02:53,604 --> 00:02:55,876 SEE IF HE CAN GIVE US ANY BACKGROUND ON HANNAH'S LIFE. 99 00:02:55,876 --> 00:02:58,609 LOOK, I AM NOT THIS PERSON. 100 00:02:58,609 --> 00:03:01,352 THINGS JUST HAPPEN, AND THEY... 101 00:03:01,352 --> 00:03:03,884 THEY END UP DEFINING YOU, BUT IT'S... 102 00:03:03,884 --> 00:03:05,856 IT'S NOT ALWAYS FAIR. 103 00:03:05,856 --> 00:03:07,518 (Peter) THAT'S IT. 104 00:03:07,518 --> 00:03:08,689 (click) 105 00:03:08,689 --> 00:03:10,761 THAT'S THE LAST IMAGE WE SHOT OF HANNAH. 106 00:03:10,761 --> 00:03:13,824 POOR GIRL. 107 00:03:13,824 --> 00:03:15,926 SUCH A LOSS. 108 00:03:15,926 --> 00:03:18,669 SHE WAS RATINGS GOLD. 109 00:03:18,669 --> 00:03:20,200 YOU'RE GONNA HAVE TO FIND WHO DID THIS. 110 00:03:20,200 --> 00:03:21,372 THE AUDIENCE WILL WANT TO KNOW. 111 00:03:21,372 --> 00:03:23,704 YEAH, NOT TO MENTION HER FAMILY, THE D.A... 112 00:03:23,704 --> 00:03:25,706 MR. MONROE, WHEN WAS THIS SHOT? 113 00:03:25,706 --> 00:03:27,207 UH... 114 00:03:27,207 --> 00:03:29,340 DAY BEFORE YESTERDAY, AROUND 8:00 P.M. WHY? 115 00:03:29,340 --> 00:03:30,981 BECAUSE SHE'S WEARING THE SAME CLOTHES 116 00:03:30,981 --> 00:03:32,513 THAT WE FOUND HER IN. 117 00:03:32,513 --> 00:03:33,984 THAT'S A FULL DAY LATER. 118 00:03:33,984 --> 00:03:35,846 DO YOU KNOW WHERE SHE WENT AFTER FILMING 119 00:03:35,846 --> 00:03:38,319 OR WHY SHE WOULD'VE BEEN ON THE UPPER WEST SIDE? 120 00:03:38,319 --> 00:03:40,321 WELL, TO BE HONEST, WHEN THE CAMERAS GO AWAY, 121 00:03:40,321 --> 00:03:41,592 SO DO I. 122 00:03:41,592 --> 00:03:43,454 SO I DON'T EVEN KNOW WHAT SHE DID ON HER FREE TIME. 123 00:03:43,454 --> 00:03:46,627 IN THE VIDEO, SHE SEEMS UPSET. ANY IDEA WHAT ABOUT? 124 00:03:46,627 --> 00:03:47,958 OH, YOU GOTTA UNDERSTAND, 125 00:03:47,958 --> 00:03:50,000 WE BROUGHT HANNAH IN TO BE PENELOPE'S ASSISTANT. 126 00:03:50,000 --> 00:03:51,762 YOU KNOW, TO MIX THINGS UP A LITTLE BIT. 127 00:03:51,762 --> 00:03:53,764 THE SMALL-TOWN GIRL WITH THE BIG-TIME DREAMS 128 00:03:53,764 --> 00:03:55,306 OF BECOMING A FASHION DESIGNER. 129 00:03:55,306 --> 00:03:56,937 WILL SHE MAKE IT WITH THE WIVES OF WALL STREET? 130 00:03:56,937 --> 00:03:58,609 SHE'S JUST MILKING IT FOR THE CAMERA. 131 00:03:58,609 --> 00:04:00,311 THEY ALL DO. 132 00:04:00,311 --> 00:04:02,843 SO IT'S A REALITY SHOW, JUST WITHOUT THE REALITY. 133 00:04:02,843 --> 00:04:06,677 I LIKE TO THINK OF IT AS HEIGHTENED REALITY. 134 00:04:06,677 --> 00:04:08,419 REALITY-ISH. 135 00:04:08,419 --> 00:04:09,620 IN REAL REALITY, 136 00:04:09,620 --> 00:04:11,482 DID SHE HAVE PROBLEMS WITH ANYONE ON THE SHOW? 137 00:04:11,482 --> 00:04:12,953 WELL, YOU PUT A BUNCH OF TOUGH-MINDED WOMEN TOGETHER, 138 00:04:12,953 --> 00:04:14,855 YOU'RE GONNA GET A SPAT OR TWO. 139 00:04:14,855 --> 00:04:16,557 BUT HANNAH WAS PART OF THE FAMILY. 140 00:04:16,557 --> 00:04:19,029 OKAY, WELL, I'M GONNA NEED ALL OF HER TAPES 141 00:04:19,029 --> 00:04:20,691 JUST IN CASE THERE'S SOMETHING RELEVANT. 142 00:04:20,691 --> 00:04:21,992 OF COURSE. 143 00:04:21,992 --> 00:04:25,766 ALTHOUGH, YOU MIGHT WANT TO CHECK OUT HER OWN FAMILY. 144 00:04:25,766 --> 00:04:28,639 I KNOW THAT SHE HAD TROUBLE WITH HER BROTHER--CHARLIE GREEN. 145 00:04:28,639 --> 00:04:31,772 HANNAH ALWAYS WANTED TO MAKE IT BIG IN THE CITY, 146 00:04:31,772 --> 00:04:34,044 AND WHEN SHE CAME HERE, SHE, UH, 147 00:04:34,044 --> 00:04:36,046 SHE LOST HER WAY. 148 00:04:36,046 --> 00:04:37,007 (closes door) 149 00:04:37,007 --> 00:04:38,709 I SHOULD'VE DONE MORE. 150 00:04:38,709 --> 00:04:40,851 I WAS HER BROTHER. I SHOULD'VE PROTECTED HER. 151 00:04:40,851 --> 00:04:42,282 (Ryan) MR. GREEN, 152 00:04:42,282 --> 00:04:44,685 WHEN WAS THE LAST TIME YOU TALKED TO HANNAH? 153 00:04:44,685 --> 00:04:46,317 UH, A FEW DAYS AGO. 154 00:04:46,317 --> 00:04:48,018 I CALLED HER. WE FOUGHT. 155 00:04:48,018 --> 00:04:50,761 ABOUT WHAT? 156 00:04:50,761 --> 00:04:51,992 THE USUAL. 157 00:04:51,992 --> 00:04:53,794 ABOUT HOW SHE WAS PUTTING HER LIFE OUT THERE 158 00:04:53,794 --> 00:04:55,326 FOR THE WORLD TO SEE, 159 00:04:55,326 --> 00:04:57,528 WHAT IT WAS DOING TO THE FAMILY. 160 00:04:57,528 --> 00:04:58,699 SHE... 161 00:04:58,699 --> 00:05:00,070 SHE SAID I DIDN'T UNDERSTAND, 162 00:05:00,070 --> 00:05:02,302 THAT THERE WAS MORE GOING ON THAN I KNEW. 163 00:05:02,302 --> 00:05:04,935 BUT TO ME, IT WAS SIMPLE-- SHE NEEDED TO COME HOME. 164 00:05:04,935 --> 00:05:07,338 SO... YOU DIDN'T APPROVE OF HER 165 00:05:07,338 --> 00:05:08,979 BEING ON "THE WIVES OF WALL STREET"? 166 00:05:08,979 --> 00:05:10,310 APPROVE? 167 00:05:10,310 --> 00:05:12,012 NO, IT WAS KILLING US... 168 00:05:12,012 --> 00:05:14,885 TO SEE THE CHOICES SHE MADE, THE WAY SHE WAS LIVING HER LIFE, 169 00:05:14,885 --> 00:05:16,647 ALL OF IT OUT THERE ON NATIONAL TELEVISION. 170 00:05:16,647 --> 00:05:19,049 AND THAT WAS BEFORE SHE STARTED HAVING THE AFFAIR. 171 00:05:19,049 --> 00:05:20,991 AFFAIR? 172 00:05:20,991 --> 00:05:23,754 YOU SCREW MY HUSBAND, YOU THINK YOU'RE WELCOME HERE? 173 00:05:23,754 --> 00:05:26,357 HE CHOSE ME, PENELOPE. 174 00:05:26,357 --> 00:05:27,928 DEAL WITH IT. 175 00:05:27,928 --> 00:05:29,329 (glass shatters) 176 00:05:29,329 --> 00:05:31,001 I AM COMING FOR YOU. 177 00:05:31,001 --> 00:05:32,363 (chirp) 178 00:05:32,363 --> 00:05:33,534 SO OUR VICTIM WAS SLEEPING WITH THE HUSBAND 179 00:05:33,534 --> 00:05:34,705 OF ONE OF THE OTHER WOMEN IN THE SHOW? 180 00:05:34,705 --> 00:05:35,966 NOT JUST SLEEPING WITH. 181 00:05:35,966 --> 00:05:37,107 HANNAH AND BOB MOVED IN TOGETHER 182 00:05:37,107 --> 00:05:38,969 AFTER PENELOPE FOUND OUT ABOUT THEM. 183 00:05:38,969 --> 00:05:41,071 AND YET THE SHOW'S PRODUCER SAID NOTHING ABOUT IT. 184 00:05:41,071 --> 00:05:43,574 I'D SAY HE WAS COVERING HIS OWN ASSET. 185 00:05:43,574 --> 00:05:46,517 THIS AFFAIR WAS BROADCAST ON NATIONAL TELEVISION. 186 00:05:46,517 --> 00:05:48,779 DID HE REALLY THINK THAT WE WEREN'T GONNA FIND OUT ABOUT IT? 187 00:05:48,779 --> 00:05:50,851 OH, MY GOODNESS. 188 00:05:50,851 --> 00:05:52,823 IT WAS PENELOPE, WASN'T IT? 189 00:05:52,823 --> 00:05:54,885 WELL, AFTER WHAT HANNAH DID TO HER MARRIAGE, 190 00:05:54,885 --> 00:05:56,086 I WOULDN'T BLAME HER. 191 00:05:56,086 --> 00:05:57,628 OKAY, 192 00:05:57,628 --> 00:05:59,930 SEE, PENELOPE KEPT HER FAMILY AFLOAT 193 00:05:59,930 --> 00:06:01,592 AFTER BOB LOST HIS JOB, 194 00:06:01,592 --> 00:06:04,064 AND THEN SHE GIVES HANNAH THIS--THIS BIG BREAK, 195 00:06:04,064 --> 00:06:05,766 AND THEN HANNAH REPAYS HER 196 00:06:05,766 --> 00:06:08,038 BY SCREWING HER WORTHLESS EXCUSE OF A HUSBAND. 197 00:06:08,038 --> 00:06:09,770 YOU'RE A FAN OF "WIVES OF WALL STREET"? 198 00:06:09,770 --> 00:06:12,042 OH, YEAH. IT'S THE BEST SHOW ON TV. WHY? 199 00:06:12,042 --> 00:06:14,675 I DON'T--I JUST ASSUMED THAT A WOMAN LIKE YOU 200 00:06:14,675 --> 00:06:17,077 WOULD PREFER MORE... SOPHISTICATED FARE. 201 00:06:17,077 --> 00:06:19,049 EXCUSE ME? 202 00:06:19,049 --> 00:06:20,911 W-WHAT DID YOU JUST SAY? 203 00:06:20,911 --> 00:06:22,082 (cell phone buzzes) 204 00:06:22,082 --> 00:06:23,584 (beeps) HEY, LANIE. WHAT'S UP? 205 00:06:23,584 --> 00:06:26,517 I'm sending you a picture of a fingernail fragment 206 00:06:26,517 --> 00:06:27,958 I pulled from the victim's scalp. 207 00:06:27,958 --> 00:06:30,861 I FIGURED IT CAME FROM THE KILLER DURING THE ATTACK. 208 00:06:30,861 --> 00:06:31,992 CAN YOU RUN D.N.A.? 209 00:06:31,992 --> 00:06:33,123 It's already happening. 210 00:06:33,123 --> 00:06:34,695 GREAT. THANK YOU. (beep) 211 00:06:36,597 --> 00:06:38,869 'SITO, IS IT JUST ME OR... 212 00:06:38,869 --> 00:06:40,000 (remote beeps) 213 00:06:40,000 --> 00:06:40,971 (computer chirps) 214 00:06:40,971 --> 00:06:43,173 IS THAT A PERFECT MATCH? 215 00:06:44,905 --> 00:06:46,406 (Peter) OKAY, WAIT A MINUTE. 216 00:06:46,406 --> 00:06:47,878 YOU'RE READING TOO MUCH INTO THIS. 217 00:06:47,878 --> 00:06:49,440 (women speaking indistinctly) 218 00:06:49,440 --> 00:06:51,442 CAN YOU AT LEAST WAIT UNTIL WE'RE DONE FILMING? 219 00:06:51,442 --> 00:06:53,183 (woman) I AM NOT HAVING-- (woman) WHAT A CLASSY THING TO SAY. 220 00:06:53,183 --> 00:06:55,716 (woman) OH, MY-- YOU DON'T KNOW HOW I MEANT IT. 221 00:06:55,716 --> 00:06:57,718 LIKE SHE DID IT ON PURPOSE? I'M NOT SAYING THAT. 222 00:06:57,718 --> 00:06:59,119 WELL, WE'RE NOT CANCELING THE WEDDING. 223 00:06:59,119 --> 00:07:02,022 LOOK, I'M JUST SAYING THAT THIS SUCKS, OKAY? 224 00:07:02,022 --> 00:07:04,455 HANNAH DYING A MONTH BEFORE OUR WEDDING... HUSH, DARLING. 225 00:07:04,455 --> 00:07:07,698 ASHLEY'S RIGHT. MAYBE WE SHOULD, LIKE, POSTPONE IT OR SOMETHING. 226 00:07:07,698 --> 00:07:08,999 (Penelope) POSTPONE? 227 00:07:08,999 --> 00:07:10,100 FOR THAT BITCH? 228 00:07:10,100 --> 00:07:11,532 (gasps) (Margo) PENELOPE! 229 00:07:11,532 --> 00:07:12,833 LOOK, IT'S NOT LIKE I KILLED HER. 230 00:07:12,833 --> 00:07:14,004 (women chuckle) 231 00:07:14,004 --> 00:07:15,165 EXCUSE ME, MS. FOSTER. 232 00:07:15,165 --> 00:07:17,768 DETECTIVE BECKETT, NYPD. 233 00:07:17,768 --> 00:07:19,009 HOW DO YOU DO? 234 00:07:19,009 --> 00:07:20,170 I'M FINE. 235 00:07:20,170 --> 00:07:21,912 UH, BUT YOU... 236 00:07:21,912 --> 00:07:23,143 ARE UNDER ARREST 237 00:07:23,143 --> 00:07:25,115 FOR THE MURDER OF HANNAH GREEN. (woman gasps) 238 00:07:25,115 --> 00:07:27,147 SO I GUESS IT IS LIKE YOU KILLED HER. 239 00:07:27,147 --> 00:07:36,557 (lowered voice) ARE YOU STILL ROLLING? DID YOU GET THAT? 240 00:07:41,562 --> 00:07:43,063 HOW DARE YOU ARREST ME IN FRONT OF THE CAST AND CREW. 241 00:07:43,063 --> 00:07:44,535 (door closes) 242 00:07:44,535 --> 00:07:47,097 YOU SHOULD BE MORE WORRIED ABOUT THIS, PENELOPE. 243 00:07:47,097 --> 00:07:48,599 THAT'S A LAB REPORT 244 00:07:48,599 --> 00:07:51,542 FOR A FINGERNAIL FRAGMENT FOUND IN HANNAH'S HAIR. 245 00:07:51,542 --> 00:07:53,043 IT'S A D.N.A. MATCH TO YOU. 246 00:07:53,043 --> 00:07:54,605 YOU WANT TO TELL ME HOW IT GOT THERE? 247 00:07:54,605 --> 00:07:56,046 BECAUSE IF YOU WON'T, 248 00:07:56,046 --> 00:07:57,978 I'M SURE YOUR HUSBAND BOB WILL. 249 00:07:57,978 --> 00:07:59,510 BOB? (chuckles) COME ON. 250 00:07:59,510 --> 00:08:00,981 WHAT DO YOU THINK HE'S GONNA TELL YOU? 251 00:08:00,981 --> 00:08:02,853 THAT POOR BASTARD IS SO STUPID 252 00:08:02,853 --> 00:08:05,015 HE THOUGHT HANNAH ACTUALLY HAD FEELINGS FOR HIM. 253 00:08:05,015 --> 00:08:07,217 AND EVERYBODY KNEW ALL SHE WANTED TO DO 254 00:08:07,217 --> 00:08:09,219 WAS UP HER PROFILE ON THE SHOW. 255 00:08:09,219 --> 00:08:12,062 SHE WAS JUST USING HIM. 256 00:08:12,062 --> 00:08:14,024 IT WAS TRUE LOVE. 257 00:08:14,024 --> 00:08:16,597 HANNAH AND I WERE IN LOVE. 258 00:08:16,597 --> 00:08:18,969 WELL, WE KNOW YOUR WIFE PENELOPE AND HANNAH HAD A FIGHT. 259 00:08:18,969 --> 00:08:21,171 HAD THINGS BEEN ESCALATING BETWEEN THEM LATELY? 260 00:08:21,171 --> 00:08:22,973 HANNAH AND I NEVER TALKED ABOUT PENELOPE. 261 00:08:22,973 --> 00:08:24,975 BUT YOU LIVED WITH HANNAH. 262 00:08:24,975 --> 00:08:26,607 DO YOU KNOW WHERE SHE WAS LAST NIGHT? 263 00:08:26,607 --> 00:08:27,778 NO. 264 00:08:27,778 --> 00:08:29,109 SHE DIDN'T COME HOME LAST NIGHT 265 00:08:29,109 --> 00:08:30,681 AND I DIDN'T SEE HER ALL DAY YESTERDAY. 266 00:08:30,681 --> 00:08:31,982 WAS THAT UNUSUAL? 267 00:08:31,982 --> 00:08:34,114 YEAH, I WAS WORRIED. 268 00:08:34,114 --> 00:08:36,717 BUT DO YOU REALLY THINK PENELOPE COULDA KILLED HER? 269 00:08:36,717 --> 00:08:38,048 HELL, YEAH, I WANTED TO KILL HER. 270 00:08:38,048 --> 00:08:39,590 BUT WITH ALL OF AMERICA WATCHING? 271 00:08:39,590 --> 00:08:41,552 HOW STUPID DO YOU THINK I AM? 272 00:08:41,552 --> 00:08:43,824 WHAT ABOUT THE FINGERNAIL? 273 00:08:43,824 --> 00:08:46,196 THE TRUTH IS... 274 00:08:46,196 --> 00:08:48,829 HANNAH AND I DID HAVE A LITTLE DUSTUP. 275 00:08:48,829 --> 00:08:51,001 BUT NOT THE NIGHT THAT SHE WAS KILLED. 276 00:08:51,001 --> 00:08:52,633 IT WAS THE NIGHT BEFORE. 277 00:08:52,633 --> 00:08:56,136 OKAY, SO WHAT WAS THE NATURE OF THIS DUSTUP? 278 00:08:56,136 --> 00:08:58,008 WE WERE FILMING CONFESSIONALS. 279 00:08:58,008 --> 00:09:00,010 HANNAH WAITED FOR ME OUTSIDE THE STUDIO, 280 00:09:00,010 --> 00:09:01,712 SAID SHE WANTED TO TALK. 281 00:09:01,712 --> 00:09:03,874 ABOUT WHAT? MARGO. 282 00:09:03,874 --> 00:09:06,877 MARGO HIRED HANNAH AFTER I FIRED HER ASS. 283 00:09:06,877 --> 00:09:08,719 AND NO SURPRISE, 284 00:09:08,719 --> 00:09:10,951 HANNAH AND MARGO WERE HAVING TROUBLE AT WORK. 285 00:09:10,951 --> 00:09:12,723 AND CRAZY AS IT SOUNDS, 286 00:09:12,723 --> 00:09:14,725 THAT BITCH WANTED ME TO REHIRE HER. 287 00:09:14,725 --> 00:09:16,727 DO YOU ACTUALLY EXPECT ME TO BELIEVE 288 00:09:16,727 --> 00:09:18,689 THAT SHE ASKED YOU FOR HER JOB BACK 289 00:09:18,689 --> 00:09:20,731 AFTER SHE RUINED YOUR MARRIAGE? 290 00:09:20,731 --> 00:09:22,032 WHY DO YOU THINK I LOST IT? 291 00:09:22,032 --> 00:09:24,635 I YANKED HER HAIR AND BROKE MY NAIL. 292 00:09:24,635 --> 00:09:25,796 BUT THAT WAS IT. 293 00:09:25,796 --> 00:09:28,038 SHE BROKE FREE, TOOK OFF, 294 00:09:28,038 --> 00:09:29,670 AND THAT WAS THE LAST I SAW OF HANNAH. 295 00:09:29,670 --> 00:09:31,101 AND I SUPPOSE YOU WON'T MIND ME ASKING 296 00:09:31,101 --> 00:09:34,344 WHERE YOU WERE BETWEEN 10:15 AND 11:15 LAST NIGHT? 297 00:09:36,306 --> 00:09:38,649 OKAY, SO THE KICKBOXING TEACHER AT NOHO GYM 298 00:09:38,649 --> 00:09:41,051 CONFIRMS THAT PENELOPE WAS "SWEATING HER ASS OFF" 299 00:09:41,051 --> 00:09:43,954 DOWNTOWN IN A CLASS FROM 10:00 TILL 11:00. 300 00:09:43,954 --> 00:09:46,356 SO WHOEVER KILLED HANNAH, 301 00:09:46,356 --> 00:09:48,719 IT WASN'T PENELOPE FOSTER. 302 00:09:48,719 --> 00:09:51,091 OKAY, THEN. WHERE ARE WE ON THE MURDER WEAPON? 303 00:09:51,091 --> 00:09:53,764 YOU KNOW WHAT? THERE'S NO FINGERPRINTS. 304 00:09:53,764 --> 00:09:55,295 BUT THEY DID FIND ANTIMONY OXIDE 305 00:09:55,295 --> 00:09:57,097 ON THE KNIFE'S HANDLE. 306 00:09:57,097 --> 00:09:59,199 A FIRE RETARDANT IF MEMORY SERVES. 307 00:09:59,199 --> 00:10:00,731 AND ALSO, BASED ON THE WOUND, 308 00:10:00,731 --> 00:10:03,073 IT LOOKS LIKE THE KNIFE WAS NEW OR HAD NEVER BEEN USED. 309 00:10:03,073 --> 00:10:04,635 HEY, GUYS. CHECK THIS OUT. 310 00:10:04,635 --> 00:10:05,976 A FAN TOOK THIS AND POSTED IT 311 00:10:05,976 --> 00:10:07,277 TO A "WIVES OF WALL STREET" FAN SITE 312 00:10:07,277 --> 00:10:08,939 THE NIGHT OF THE MURDER. 313 00:10:08,939 --> 00:10:10,110 THAT'S HANNAH. 314 00:10:10,110 --> 00:10:11,281 YEAH, AND IT WAS TIME STAMPED. 315 00:10:11,281 --> 00:10:12,743 THIS IS 20 MINUTES BEFORE SHE WAS KILLED. 316 00:10:12,743 --> 00:10:14,144 20 MINUTES? 317 00:10:14,144 --> 00:10:15,646 SO THAT BUILDING MUST HAVE SOMETHING TO DO WITH THE MURDER. 318 00:10:15,646 --> 00:10:16,987 UH, ANY IDEA WHERE IT IS? 319 00:10:16,987 --> 00:10:18,188 THE PHOTO WASN'T GEOTAGGED, 320 00:10:18,188 --> 00:10:19,690 BUT YOU CAN SEE PART OF THE BUILDING'S NUMBER 321 00:10:19,690 --> 00:10:20,851 ENDS IN 46. 322 00:10:20,851 --> 00:10:21,992 AND I CAN TELL YOU WHO LIVES HERE. 323 00:10:21,992 --> 00:10:23,623 I KNOW THIS BUILDING. 324 00:10:23,623 --> 00:10:25,025 IT'S FROM THE SHOW. 325 00:10:25,025 --> 00:10:28,098 THIS IS MARGO'S PLACE, SOMEWHERE ON THE UPPER WEST. 326 00:10:28,098 --> 00:10:29,059 SOUTH OF 83rd. 327 00:10:29,059 --> 00:10:30,260 (Beckett) WAIT. THAT MEANS 328 00:10:30,260 --> 00:10:31,802 MARGO LIVES RIGHT AROUND THE CORNER 329 00:10:31,802 --> 00:10:34,204 FROM WHERE HANNAH WAS KILLED. 330 00:10:36,767 --> 00:10:38,939 MY MOM'S JUST WRAPPING UP A CALL, 331 00:10:38,939 --> 00:10:40,941 BUT SHE'LL BE RIGHT OUT, AS SOON AS S-- 332 00:10:40,941 --> 00:10:43,043 I WILL TALK TO YOU LATER. HERE I AM. 333 00:10:43,043 --> 00:10:44,374 (telephone beeps) THANK YOU, SWEETHEART. 334 00:10:44,374 --> 00:10:45,976 HOW CAN I HELP YOU? 335 00:10:45,976 --> 00:10:47,317 UH, WE JUST NEEDED TO GO OVER 336 00:10:47,317 --> 00:10:50,250 THE LAST 24 HOURS OF HANNAH'S LIFE. 337 00:10:50,250 --> 00:10:52,022 AND WE WERE WONDERING, 338 00:10:52,022 --> 00:10:54,024 WHEN WAS IT THAT YOU LAST SAW HER? 339 00:10:54,024 --> 00:10:55,425 SHE CAME BY AROUND 10:00 LAST NIGHT 340 00:10:55,425 --> 00:10:57,087 FOR A FEW MINUTES. WHY? 341 00:10:57,087 --> 00:10:59,760 BECAUSE SHE WAS KILLED AROUND THE CORNER FROM HERE 342 00:10:59,760 --> 00:11:01,061 JUST AFTER LEAVING. 343 00:11:01,061 --> 00:11:02,793 THAT'S TERRIBLE. 344 00:11:02,793 --> 00:11:04,134 YES, YES, IT IS. 345 00:11:04,134 --> 00:11:06,166 UM, WOULD YOU MIND TELLING US WHY SHE CAME BY? 346 00:11:06,166 --> 00:11:08,098 TO APOLOGIZE. 347 00:11:08,098 --> 00:11:10,170 FOR WHAT? 348 00:11:12,272 --> 00:11:16,076 AFTER PENELOPE FIRED HANNAH FOR THE AFFAIR, 349 00:11:16,076 --> 00:11:19,079 I HIRED HER TO DEVELOP A CLOTHING LINE 350 00:11:19,079 --> 00:11:20,951 WITH MY SON STONE. 351 00:11:20,951 --> 00:11:23,683 I HEARD SHE HAD TALENT AND... 352 00:11:23,683 --> 00:11:26,116 IT WOULDN'T HURT TO GET SOME SCREEN TIME. 353 00:11:26,116 --> 00:11:28,018 BOB AND HANNAH'S AFFAIR HAS BEEN 354 00:11:28,018 --> 00:11:31,121 THE BIG STORY ARC THESE PAST FEW MONTHS. 355 00:11:31,121 --> 00:11:32,993 THREE DAYS AGO, SHE WAS SUPPOSED TO COME BY 356 00:11:32,993 --> 00:11:35,395 AND PRESENT HER IDEAS. 357 00:11:35,395 --> 00:11:37,127 THE "WIVES OF WALL STREET" CAMERAS 358 00:11:37,127 --> 00:11:38,899 WERE HERE AND READY TO ROLL, 359 00:11:38,899 --> 00:11:40,931 AND HANNAH'S A NO-SHOW. 360 00:11:40,931 --> 00:11:42,102 DID SHE SAY WHY? 361 00:11:42,102 --> 00:11:43,203 NO. 362 00:11:43,203 --> 00:11:45,936 IF IT WAS ANYONE ELSE, I WOULD FIRE HER. 363 00:11:45,936 --> 00:11:48,078 BUT IT DIDN'T HURT THAT YOU GOT A LITTLE MORE SCREEN TIME. 364 00:11:48,078 --> 00:11:50,080 I KNOW THAT'S CRASS, 365 00:11:50,080 --> 00:11:52,412 BUT THAT'S HOW THIS WORKS. 366 00:11:52,412 --> 00:11:53,944 WHEN SHE CAME THAT NIGHT, 367 00:11:53,944 --> 00:11:55,245 HANNAH ONLY SAID SHE WAS WORRY 368 00:11:55,245 --> 00:11:57,487 AND PROMISED TO RECOMMIT TO HER JOB. 369 00:11:57,487 --> 00:11:59,990 DID SHE TELL YOU WHERE SHE WAS GOING AFTERWARDS? 370 00:11:59,990 --> 00:12:02,392 NO. I-I ASSUMED THAT... 371 00:12:02,392 --> 00:12:04,094 SHE WAS GOING HOME. 372 00:12:04,094 --> 00:12:06,196 AND WHAT DID YOU DO WHEN SHE LEFT? 373 00:12:06,196 --> 00:12:08,929 I JUMPED ON A CONFERENCE CALL WITH MY ENTERTAINMENT ATTORNEY 374 00:12:08,929 --> 00:12:13,203 TO DISCUSS STONE AND ASHLEY'S SPIN-OFF. 375 00:12:13,203 --> 00:12:15,035 SO PHONE RECORDS CONFIRM THAT MARGO MADE 376 00:12:15,035 --> 00:12:17,337 A 56-MINUTE PHONE CALL TO HER ENTERTAINMENT LAWYER 377 00:12:17,337 --> 00:12:21,471 AT 10:23 FROM HER LANDLINE AT THE APARTMENT. 378 00:12:21,471 --> 00:12:23,743 YOU KNOW, THE TRUTH IS ANYONE WHO SUBSCRIBES 379 00:12:23,743 --> 00:12:25,115 TO THE "WIVES OF WALL STREET" WEB SITE 380 00:12:25,115 --> 00:12:26,346 WOULD'VE KNOW THAT HANNAH WAS AT MARGO'S BUILDING 381 00:12:26,346 --> 00:12:28,048 FROM THAT PHOTO. (cell phone chirps) 382 00:12:28,048 --> 00:12:30,050 THEY SEND OUT TEXT ALERTS ANY TIME THERE'S A NEW POST. 383 00:12:30,050 --> 00:12:32,052 AND THEY HAVE HUNDREDS OF THOUSANDS OF SUBSCRIBERS. 384 00:12:32,052 --> 00:12:34,084 HEY. I GOT A LITTLE MYSTERY HERE. 385 00:12:34,084 --> 00:12:35,225 YOU MEAN BESIDES YOUR VALENTINE'S DAY PLANS? 386 00:12:35,225 --> 00:12:37,227 SHH. 387 00:12:37,227 --> 00:12:38,929 HANNAH'S FINANCIALS. 388 00:12:38,929 --> 00:12:41,091 FOR THE PAST TWO MONTHS, SHE'S BEEN MAKING 389 00:12:41,091 --> 00:12:42,432 WEEKLY CASH DEPOSITS OF 5 GRAND. 390 00:12:42,432 --> 00:12:44,234 NOW I CHECKED WITH HER FAMILY, EVERYONE ON THE SHOW. 391 00:12:44,234 --> 00:12:45,996 NO ONE KNOWS WHERE IT'S COMING FROM. 392 00:12:45,996 --> 00:12:48,138 I TAKE IT SHE DIDN'T MAKE IT SELLING GIRL SCOUT COOKIES. 393 00:12:48,138 --> 00:12:50,100 WELL, MAYBE IT HAS SOMETHING TO DO WITH WHERE SHE WAS 394 00:12:50,100 --> 00:12:52,002 WHEN SHE MISSED THE PITCH MEETING WITH MARGO 395 00:12:52,002 --> 00:12:53,543 ON HER FASHION LINE. 396 00:12:53,543 --> 00:12:55,045 CREDIT CARD CHARGE PUTS HER AT A DIVE BAR IN BROOKLYN 397 00:12:55,045 --> 00:12:56,546 CALLED THE LAST STOP. 398 00:12:56,546 --> 00:12:58,778 A DIVE BAR? WHAT WAS SHE DOING THERE 399 00:12:58,778 --> 00:13:01,281 INSTEAD OF AT THE MOST IMPORTANT MEETING OF HER LIFE? 400 00:13:01,281 --> 00:13:02,983 I DON'T KNOW. THE BARTENDER SAID SHE WAS HAVING 401 00:13:02,983 --> 00:13:04,354 A PRETTY HEATED DISCUSSION WITH SOME DUDE, 402 00:13:04,354 --> 00:13:07,087 SO I GOT THE BARTENDER SITTING DOWN WITH A SKETCH ARTIST. 403 00:13:07,087 --> 00:13:08,458 SEE IF WE CAN FIGURE OUT WHO HE IS. 404 00:13:08,458 --> 00:13:10,190 HEY. 405 00:13:11,561 --> 00:13:12,923 UH, SORRY. 406 00:13:12,923 --> 00:13:14,224 I HAD TO RUN HOME AND, UH... 407 00:13:14,224 --> 00:13:15,425 COCK-A-DOODLE-DOO? 408 00:13:15,425 --> 00:13:16,997 (laughs) THAT'S GOOD. 409 00:13:16,997 --> 00:13:18,168 UH, YEAH. 410 00:13:18,168 --> 00:13:19,299 TOMORROW'S GOING TO BE 411 00:13:19,299 --> 00:13:21,001 THE LEAST ROMANTIC VALENTINE'S DAY EVER. 412 00:13:21,001 --> 00:13:22,302 OH, THANK YOU. YEAH. 413 00:13:22,302 --> 00:13:24,004 SO I HAD TECH 414 00:13:24,004 --> 00:13:25,475 LOOK INTO HANNAH'S LAST 24 HOURS, 415 00:13:25,475 --> 00:13:27,237 AFTER HER FIGHT WITH PENELOPE 416 00:13:27,237 --> 00:13:28,909 AND BEFORE SHOWING UP AT MARGO'S. 417 00:13:28,909 --> 00:13:30,180 AND DID THEY FIND ANYTHING USEFUL? 418 00:13:30,180 --> 00:13:31,481 THEY DIDN'T FIND ANYTHING AT ALL. 419 00:13:31,481 --> 00:13:33,183 SHE DIDN'T MAKE ANY CALLS, 420 00:13:33,183 --> 00:13:34,484 DIDN'T ANSWER ANY CALLS, SENT NO TEXTS. 421 00:13:34,484 --> 00:13:36,016 SHE DIDN'T EVEN LOG ON TO HER E-MAIL 422 00:13:36,016 --> 00:13:37,147 OR ANY OTHER ONLINE ACCOUNTS. 423 00:13:37,147 --> 00:13:38,919 NO DIGITAL FINGERPRINT WHATSOEVER. 424 00:13:38,919 --> 00:13:40,490 WELL, IT'S LIKE SHE DISAPPEARED. 425 00:13:40,490 --> 00:13:42,452 WHY WOULD SHE GO RADIO SILENT FOR 24 HOURS? 426 00:13:42,452 --> 00:13:44,294 AND WHERE THE HELL WAS SHE? 427 00:13:44,294 --> 00:13:46,096 (Lanie) I'LL TELL YOU WHERE SHE WAS-- 428 00:13:46,096 --> 00:13:48,058 MADAGASCAR. 429 00:13:48,058 --> 00:13:49,259 AS IN THE COUNTRY 430 00:13:49,259 --> 00:13:50,931 OFF THE SOUTHEASTERN COAST OF AFRICA, 431 00:13:50,931 --> 00:13:53,303 MADE FAMOUS BY THE ADORABLE ANIMATED FILM? 432 00:13:53,303 --> 00:13:56,136 YEP. THE MATERIAL I FOUND UNDERNEATH HER FINGERNAILS-- 433 00:13:56,136 --> 00:13:58,068 NOT SKIN FROM AN ATTACKER. 434 00:13:58,068 --> 00:13:59,009 IT'S ALLUAUDIA. 435 00:13:59,009 --> 00:14:00,540 AND WHAT IS ALLUAUDIA? 436 00:14:00,540 --> 00:14:02,412 A RARE SPINY PLANT 437 00:14:02,412 --> 00:14:05,375 CULTIVATED PRIMARILY IN MADAGASCAR. 438 00:14:05,375 --> 00:14:07,017 SO HOW DID IT GET UNDER HER FINGERNAILS? 439 00:14:07,017 --> 00:14:08,348 BEATS ME. 440 00:14:08,348 --> 00:14:09,950 AS FOR HER DEFENSIVE WOUNDS, 441 00:14:09,950 --> 00:14:12,052 THEY WERE NOT SUSTAINED AT THE TIME OF MURDER. 442 00:14:12,052 --> 00:14:14,854 THEY'RE FROM 24 HOURS PRIOR. 443 00:14:14,854 --> 00:14:16,156 THAT'S ABOUT THE TIME THAT SHE WENT OFF THE GRID, 444 00:14:16,156 --> 00:14:18,028 WHICH MEANS THERE'S GOTTA BE A CONNECTION. 445 00:14:18,028 --> 00:14:20,160 OH, I THINK THERE IS. 446 00:14:20,160 --> 00:14:22,462 REMEMBER THIS ABRASION? 447 00:14:22,462 --> 00:14:24,034 YEAH. 448 00:14:24,034 --> 00:14:25,365 WELL, I FIGURED OUT WHAT CAUSED IT. 449 00:14:25,365 --> 00:14:27,397 HER DIAMOND TENNIS BRACELET. 450 00:14:27,397 --> 00:14:29,940 BUT WASN'T THAT... 451 00:14:29,940 --> 00:14:31,301 ON HER RIGHT WRIST? 452 00:14:31,301 --> 00:14:32,572 GOOD MEMORY. 453 00:14:32,572 --> 00:14:34,104 SO HER WRISTS WERE TIED TOGETHER. 454 00:14:34,104 --> 00:14:36,046 TIGHT AND FOR SEVERAL HOURS. 455 00:14:36,046 --> 00:14:37,207 NOW IT'S MAKING SENSE-- 456 00:14:37,207 --> 00:14:39,379 WEARING THE SAME CLOTHES OVERNIGHT... 457 00:14:39,379 --> 00:14:41,051 THE RADIO SILENCE... 458 00:14:41,051 --> 00:14:43,053 AND THE DEFENSIVE WOUNDS 24 HOURS PRIOR TO DEATH. 459 00:14:43,053 --> 00:14:45,655 HANNAH WAS HELD HOSTAGE. 460 00:14:52,262 --> 00:14:53,223 IF HANNAH WAS BEING HELD HOSTAGE, 461 00:14:53,223 --> 00:14:54,624 THEN WHY DIDN'T SHE REPORT IT? 462 00:14:54,624 --> 00:14:56,466 AND HOW DID SHE GET MAGICALLY TRANSPORTED TO MADAGASCAR? 463 00:14:56,466 --> 00:14:58,368 (Castle) AND WHY WOULD SHE GO AFTERWARDS TO MARGO'S 464 00:14:58,368 --> 00:15:00,000 TO APOLOGIZE FOR MISSING WORK? 465 00:15:00,000 --> 00:15:02,472 IT HAS TO HAVE SOMETHING TO DO WITH THOSE $5,000 PAYMENTS 466 00:15:02,472 --> 00:15:04,574 AND THAT MEETING WITH THAT MYSTERY MAN 467 00:15:04,574 --> 00:15:06,306 AT THE BAR IN BROOKLYN. 468 00:15:06,306 --> 00:15:08,278 IT ALL SEEMS SO RANDOM. 469 00:15:08,278 --> 00:15:09,609 I MEAN, I KNOW BY THE END OF THIS, 470 00:15:09,609 --> 00:15:11,381 ALL OF THESE CLUES WILL FIT TOGETHER BEAUTIFULLY 471 00:15:11,381 --> 00:15:13,213 IN A MURDEROUS MOSAIC. MM-HMM. 472 00:15:13,213 --> 00:15:16,216 BUT... HOW? MM. 473 00:15:16,216 --> 00:15:17,317 WAIT. 474 00:15:17,317 --> 00:15:21,421 IS THIS YOUR VALENTINE'S DAY GIFT TO ME, 475 00:15:21,421 --> 00:15:23,323 A COMPLEX MYSTERY WHERE NOTHING MAKES SENSE? 476 00:15:23,323 --> 00:15:25,055 YOU KNOW ME SO WELL. 477 00:15:25,055 --> 00:15:29,359 UM, I HATE TO INTERRUPT YOUR LITTLE, UH, LOVE CONNECTION. 478 00:15:29,359 --> 00:15:31,231 BUT I CHECKED TRAFFIC CAMERAS. 479 00:15:31,231 --> 00:15:32,402 I FOUND FOOTAGE OF HANNAH 480 00:15:32,402 --> 00:15:33,563 ARRIVING AT MARGO'S BUILDING IN A TAXI. 481 00:15:33,563 --> 00:15:35,405 I GOT THE MEDALLION. I TALKED TO THE CABBIE, 482 00:15:35,405 --> 00:15:38,268 WHOSE LOG SHOWED THAT HE PICKED UP HANNAH AT 78th AND LEX. 483 00:15:38,268 --> 00:15:40,110 DID HE SAY WHERE SHE WAS COMING FROM-- 484 00:15:40,110 --> 00:15:41,311 BUILDING, STORE? 485 00:15:41,311 --> 00:15:42,572 HE DIDN'T KNOW. HE SAID THAT SHE WAS 486 00:15:42,572 --> 00:15:44,044 STANDING ON THE CORNER WHEN SHE FLAGGED HIM DOWN. 487 00:15:44,044 --> 00:15:45,315 WELL, THEN SHE COULD'VE COME FROM ANYWHERE. 488 00:15:45,315 --> 00:15:47,017 THERE'S NO WAY WE CAN NARROW THAT DOWN, BRO. 489 00:15:47,017 --> 00:15:48,178 MAYBE THERE IS. 490 00:15:48,178 --> 00:15:49,249 I SPOKE TO A REGULATOR 491 00:15:49,249 --> 00:15:50,580 AT THE DEPARTMENT OF AGRICULTURE. 492 00:15:50,580 --> 00:15:52,422 IT SEEMS ALLUAUDIA 493 00:15:52,422 --> 00:15:54,724 IS USED IN GREEN SUSTAINABLE ARCHITECTURE 494 00:15:54,724 --> 00:15:58,128 IN RUGS, FLOORING, WALLPAPER, 495 00:15:58,128 --> 00:15:59,559 POSSIBLY FROM A BUILDING NEARBY. ALL RIGHT. 496 00:15:59,559 --> 00:16:01,691 ESPO, YOU GET UNIFORMS TO CANVASS THE AREA 497 00:16:01,691 --> 00:16:03,233 AROUND 78th AND LEX 498 00:16:03,233 --> 00:16:04,734 AND SEE IF THERE'S ANY GREEN SUSTAINABLE BUILDINGS 499 00:16:04,734 --> 00:16:08,038 THAT MIGHT USE THAT ALLU-- WHATEVER THE PLANT IS. 500 00:16:08,038 --> 00:16:09,239 AS YOU WISH. 501 00:16:09,239 --> 00:16:10,600 (Castle) CAPTAIN GATES, 502 00:16:10,600 --> 00:16:13,673 PARTICIPATING IN THE CASE, ENGAGING IN IDLE SPECULATION-- 503 00:16:13,673 --> 00:16:16,176 WE ARE NOT SO DIFFERENT, YOU AND I. 504 00:16:17,347 --> 00:16:19,049 THERE'S... THERE'S A DIFFERENCE. 505 00:16:19,049 --> 00:16:20,280 WE'RE DIFFERENT. 506 00:16:20,280 --> 00:16:23,213 YOU KNOW, THIS COULD ACTUALLY BE OUR BIG BREAK, 507 00:16:23,213 --> 00:16:25,115 ONLY WE MAY NOT HAVE GOTTEN TO IT 508 00:16:25,115 --> 00:16:29,119 IF I HADN'T RECOGNIZED MARGO'S BUILDING IN THAT PHOTO, 509 00:16:29,119 --> 00:16:31,261 WHICH IS WHY I THINK EACH OF YOU SHOULD WATCH 510 00:16:31,261 --> 00:16:34,394 SOME "WIVES OF WALL STREET" EPISODES TONIGHT-- 511 00:16:34,394 --> 00:16:36,166 FOR THE GOOD OF THE CASE. 512 00:16:37,727 --> 00:16:39,369 SO... 513 00:16:39,369 --> 00:16:41,231 WOULD YOU LIKE TO COME OVER FOR A LITTLE VIEWING PARTY? 514 00:16:41,231 --> 00:16:44,034 SO YOU CAN BADGER ME ABOUT WHAT I'M GETTING YOU 515 00:16:44,034 --> 00:16:45,405 FOR VALENTINE'S DAY? 516 00:16:45,405 --> 00:16:47,237 NO, THANKS. I THINK I WILL PASS. 517 00:16:47,237 --> 00:16:48,578 OKAY, BUT I'M WARNING YOU, 518 00:16:48,578 --> 00:16:50,540 I'M KIND OF COMPETITIVE WHEN IT COMES TO GIVING GIFTS. 519 00:16:50,540 --> 00:16:52,542 DON'T FEEL BAD IF YOURS ISN'T AS GOOD AS MINE. 520 00:16:52,542 --> 00:16:53,713 WHAT IF IT'S BETTER? 521 00:16:53,713 --> 00:16:55,145 BETTER? 522 00:16:55,145 --> 00:16:56,316 MM-HMM. 523 00:16:56,316 --> 00:16:57,517 HOW COULD IT POSSIBLY BE BETTER? 524 00:16:57,517 --> 00:17:00,320 OH, I GUESS IT JUST DEPENDS ON WHAT YOU GOT ME. 525 00:17:01,751 --> 00:17:05,195 (Martha) OH, RICHARD. THESE ARE BREATHTAKING. 526 00:17:05,195 --> 00:17:07,327 BECKETT IS GOING TO LOVE THEM, DAD. (chuckles) 527 00:17:07,327 --> 00:17:08,628 RIGHT? 528 00:17:08,628 --> 00:17:10,500 SHE'LL HAVE A TOUGH TIME COMPETING WITH THAT. 529 00:17:10,500 --> 00:17:12,562 ONE OF THE PERILS OF DATING A GIFT NINJA. (bamboo flute plays note) 530 00:17:12,562 --> 00:17:14,334 OOH, YOU WANT TO BE A REAL NINJA? 531 00:17:14,334 --> 00:17:16,266 YOU JUST SLIP THESE INTO HER COAT POCKET 532 00:17:16,266 --> 00:17:18,268 WHEN SHE'S NOT LOOKING. OOH. 533 00:17:18,268 --> 00:17:20,270 MOTHER, I LIKE THAT IDEA. THE ELEMENT OF SURPRISE. 534 00:17:20,270 --> 00:17:21,441 THE NINJA WAY. (bamboo flute plays note) 535 00:17:21,441 --> 00:17:23,613 WHAT ABOUT YOU, ALEXIS? ANY PLANS WITH MAX? 536 00:17:23,613 --> 00:17:25,315 UH, WE'RE JUST GOING TO STUDY TOGETHER. 537 00:17:25,315 --> 00:17:27,277 DOESN'T SOUND VERY SPECIAL. 538 00:17:27,277 --> 00:17:30,380 WELL, I THINK WE'LL MOSTLY JUST STUDY EACH OTHER'S EYES. 539 00:17:30,380 --> 00:17:32,752 AND YOU, MOTHER, ANY SPECIAL PLANS? 540 00:17:32,752 --> 00:17:35,225 WE'RE GONNA DO DRAMATIC READINGS OF "LOVE LETTERS" 541 00:17:35,225 --> 00:17:36,356 AT MY STUDIO. 542 00:17:36,356 --> 00:17:37,757 OH, WELL, THAT'S NICE. 543 00:17:37,757 --> 00:17:40,390 AND SPEAKING OF DRAMA, WOULD ANYONE LIKE TO JOIN ME 544 00:17:40,390 --> 00:17:42,262 FOR A SCREENING OF "WIVES OF WALL STREET," 545 00:17:42,262 --> 00:17:43,633 POPCORN INCLUDED? 546 00:17:43,633 --> 00:17:47,337 2-HOUR LUNCHES ARE NOT ACCEPTABLE, HANNAH. 547 00:17:47,337 --> 00:17:49,239 WE'RE RUNNING A BUSINESS HERE. 548 00:17:49,239 --> 00:17:51,401 I WASN'T AT LUNCH. I WAS GETTING FABRIC SAMPLES. 549 00:17:51,401 --> 00:17:53,773 THAT IS NO EXCUSE FOR BEING LATE. 550 00:17:53,773 --> 00:17:55,345 YOU ARE NOT IN KANSAS ANYMORE, TOTO... 551 00:17:55,345 --> 00:17:56,846 SHOOT ME NOW. 552 00:17:56,846 --> 00:17:59,349 BOY, I WISH I'D HAD THESE REALITY SHOWS IN MY DAY. 553 00:17:59,349 --> 00:18:01,411 NO SCRIPT, OVERACTING, 554 00:18:01,411 --> 00:18:03,113 SCREAMING AT EVERYBODY-- WHAT A GIG. 555 00:18:03,113 --> 00:18:06,586 NOW I HAVE WRITTEN NEW PROMO COPY. 556 00:18:06,586 --> 00:18:08,388 PROOFREAD IT. 557 00:18:08,388 --> 00:18:10,820 (crunching) (Penelope) SO WHAT'S GOING ON BETWEEN YOU TWO? 558 00:18:10,820 --> 00:18:12,322 NOTHING. 559 00:18:12,322 --> 00:18:13,593 WHAT DO YOU MEAN? 560 00:18:13,593 --> 00:18:15,325 YOU'RE SLEEPING WITH HER, AREN'T YOU, BOB? 561 00:18:15,325 --> 00:18:17,367 NO. NO. (laughs) 562 00:18:17,367 --> 00:18:18,868 DON'T LIE TO ME. 563 00:18:18,868 --> 00:18:21,371 YOU'RE SCREWING HANNAH! ADMIT IT. 564 00:18:21,371 --> 00:18:24,274 ADMIT IT! (clatters) 565 00:18:24,274 --> 00:18:25,605 YES! ALL RIGHT? 566 00:18:25,605 --> 00:18:27,507 I'M SORRY. 567 00:18:27,507 --> 00:18:29,239 (continues crunching) 568 00:18:29,239 --> 00:18:31,241 HE CHOSE ME, PENELOPE. DEAL WITH IT. 569 00:18:31,241 --> 00:18:32,412 (shatters) 570 00:18:32,412 --> 00:18:33,413 YOU COME NEAR ME AGAIN, 571 00:18:33,413 --> 00:18:36,346 AND I WILL RIP YOUR THROAT OUT. 572 00:18:36,346 --> 00:18:38,348 (man) COMING UP NEXT WEEK-- MARGO'S SON STONE, 573 00:18:38,348 --> 00:18:40,320 WHO'S LEARNING THE FAMILY BUSINESS FROM MOM, 574 00:18:40,320 --> 00:18:43,253 AND COLETTE'S DAUGHTER ASHLEY, BUDDING CERAMIC ENTREPRENEUR, 575 00:18:43,253 --> 00:18:44,254 GET ENGAGED. 576 00:18:44,254 --> 00:18:45,595 STRAP IN AS THEIR MOMS GET BUSY 577 00:18:45,595 --> 00:18:47,297 PLANNING THEIR FAIRY-TALE WEDDING. 578 00:18:47,297 --> 00:18:49,199 (man) COMING UP NEXT-- THE "SHARK POOL" 579 00:18:49,199 --> 00:18:51,501 WITH BAD-BOY BILLIONAIRE MIKE CHILEAN. 580 00:18:51,501 --> 00:18:53,263 (Australian accent) YOU'RE FUNDED! 581 00:18:53,263 --> 00:18:55,605 OH, MY GOD, DAD. 582 00:18:55,605 --> 00:18:58,408 YOU'RE STILL WATCHING? 583 00:18:58,408 --> 00:19:01,371 I... 584 00:19:01,371 --> 00:19:03,413 I CAN'T FEEL MY BUTT. 585 00:19:03,413 --> 00:19:04,744 (bell dings) THAT'S EXACTLY WHAT I MEAN. 586 00:19:04,744 --> 00:19:06,276 HANNAH DIDN'T STAND A CHANCE. 587 00:19:06,276 --> 00:19:09,379 I MEAN, SHE'S A SMALL-TOWN, NAIVE YOUNG WOMAN. 588 00:19:09,379 --> 00:19:10,680 SHE WAS CHUM TO PIRANHAS. 589 00:19:10,680 --> 00:19:12,752 YEAH, BUT LOOK WHAT SHE DID TO BOB. 590 00:19:12,752 --> 00:19:14,284 OKAY, OKAY, 591 00:19:14,284 --> 00:19:15,855 DO YOU REALLY THINK THAT SHE PLAYED HIM, 592 00:19:15,855 --> 00:19:17,657 THAT PENELOPE WAS RIGHT ABOUT THAT? 593 00:19:17,657 --> 00:19:19,929 OH, THAT GIRL WAS SMARTER THAN ANYBODY GAVE HER CREDIT FOR. 594 00:19:19,929 --> 00:19:21,631 YOU KNOW WHAT? I THINK YOU'RE RIGHT. 595 00:19:21,631 --> 00:19:22,792 WHAT ABOUT YOU, DETECTIVE? 596 00:19:22,792 --> 00:19:24,163 DID YOU WATCH 597 00:19:24,163 --> 00:19:25,595 "WIVES OF WALL STREET" LAST NIGHT? 598 00:19:25,595 --> 00:19:27,437 I WATCHED AN EPISODE. 599 00:19:27,437 --> 00:19:28,598 JUST ONE EPISODE? 600 00:19:28,598 --> 00:19:30,340 THAT'S LIKE EATING ONE POTATO CHIP. 601 00:19:30,340 --> 00:19:31,941 I USUALLY JUST EAT ONE POTATO CHIP. 602 00:19:31,941 --> 00:19:34,274 SO WHAT'S THE STATUS ON THE CANVASS, DETECTIVE? 603 00:19:34,274 --> 00:19:36,175 UH, UNIFORMS ARE STILL MAKING THEIR WAY 604 00:19:36,175 --> 00:19:38,378 THROUGH EVERY BUILDING THAT USES ANY TRACE OF ALLUAUDIA 605 00:19:38,378 --> 00:19:39,709 ON THE UPPER EAST SIDE, 606 00:19:39,709 --> 00:19:41,281 SO NOTHING YET. 607 00:19:41,281 --> 00:19:43,513 YO. YOU GUYS AREN'T GONNA BELIEVE THIS. 608 00:19:43,513 --> 00:19:45,515 THE SKETCH OF THE GUY THAT HANNAH MET 609 00:19:45,515 --> 00:19:47,787 IN BROOKLYN OUT AT THAT LITTLE RESTAURANT JUST CAME IN. 610 00:19:47,787 --> 00:19:49,619 WAS ANYONE AT THE BAR ABLE TO I.D. HIM? 611 00:19:49,619 --> 00:19:51,761 THEY DIDN'T NEED TO. 612 00:19:51,761 --> 00:19:53,223 THAT'S MIKE CHILEAN. 613 00:19:53,223 --> 00:19:54,564 THE CRAZY BILLIONAIRE? 614 00:19:54,564 --> 00:19:55,825 AND THE ENTREPRENEUR HOST OF THE FINANCIAL CHANNEL'S 615 00:19:55,825 --> 00:19:58,728 OTHER HIT REALITY TV SHOW-- THE "SHARK POOL." 616 00:19:58,728 --> 00:20:00,500 SO WHY WOULD HANNAH 617 00:20:00,500 --> 00:20:02,502 DITCH HER SHOT TO PITCH MARGO A CLOTHING LINE 618 00:20:02,502 --> 00:20:06,376 TO MEET WITH CHILEAN AT A SEEDY BAR IN BROOKLYN? 619 00:20:06,376 --> 00:20:07,837 MEETING AT THAT DUMP WAS HER IDEA. 620 00:20:07,837 --> 00:20:10,580 ME, I'M MORE OF A LE CIRQUE GUY. 621 00:20:10,580 --> 00:20:13,813 BUT SHE SAID SHE NEEDED PRIVACY. 622 00:20:13,813 --> 00:20:15,345 FOR WHAT? 623 00:20:15,345 --> 00:20:16,846 WE MET LAST MONTH AT A FINANCIAL CHANNEL PARTY. 624 00:20:16,846 --> 00:20:18,288 SHE WAS... 625 00:20:18,288 --> 00:20:20,420 CUTE AND YOUNG. 626 00:20:20,420 --> 00:20:21,621 THEN A FEW DAYS AGO, 627 00:20:21,621 --> 00:20:23,793 SHE CALLS ME OUT OF THE BLUE AND ASKED TO MEET. 628 00:20:23,793 --> 00:20:25,595 SO IT WAS A DATE? 629 00:20:25,595 --> 00:20:27,297 THAT'S WHAT I THOUGHT, YES. 630 00:20:27,297 --> 00:20:29,599 BUT WHEN I GET THERE... (exhales) 631 00:20:29,599 --> 00:20:31,861 SHE GOES ALL "SHARK POOL" ON ME. 632 00:20:31,861 --> 00:20:33,333 STARTS PITCHING HER IDEA 633 00:20:33,333 --> 00:20:37,006 FOR A VEGAN, ORGANIC, HIPSTER CLOTHING LINE. 634 00:20:37,006 --> 00:20:39,669 WAIT. SHE ASKED YOU TO FUND HER CLOTHING LINE? 635 00:20:39,669 --> 00:20:43,343 MARGO GOWER WAS SET TO BACK IT ON THE SHOW. 636 00:20:43,343 --> 00:20:44,844 WELL, THAT WAS THE WEIRD PART. 637 00:20:44,844 --> 00:20:46,746 I WAS READY TO OFFER HER FINANCING. 638 00:20:46,746 --> 00:20:48,918 HER NAME RECOGNITION FROM THE SHOW 639 00:20:48,918 --> 00:20:50,820 ALMOST GUARANTEES A PROFIT. 640 00:20:50,820 --> 00:20:52,682 BUT THEN SHE SAYS, 641 00:20:52,682 --> 00:20:54,284 "WHAT IF I WERE TO LEAVE THE SHOW? 642 00:20:54,284 --> 00:20:55,555 WOULD THAT MAKE A DIFFERENCE?" 643 00:20:55,555 --> 00:20:58,358 SHE TOLD YOU THAT SHE MIGHT LEAVE THE SHOW? YEP. 644 00:20:58,358 --> 00:21:00,360 SO I SAID, 645 00:21:00,360 --> 00:21:04,033 "YES, SWEETIE, THAT WOULD MAKE A BIG DIFFERENCE." 646 00:21:04,033 --> 00:21:07,036 WITHOUT THE SHOW, HER BRAND ISN'T WORTH JACK. 647 00:21:08,768 --> 00:21:10,370 (people speaking indistinctly) 648 00:21:10,370 --> 00:21:12,372 WHY WOULD HANNAH SUDDENLY WANT TO LEAVE THE SHOW 649 00:21:12,372 --> 00:21:13,543 AFTER EVERYTHING SHE EVER DREAMED OF 650 00:21:13,543 --> 00:21:15,545 STARTED HAPPENING FOR HER? 651 00:21:15,545 --> 00:21:17,407 WELL, WHATEVER WAS GOING ON, SHE CLEARLY WANTED... (bamboo flute plays note) 652 00:21:17,407 --> 00:21:19,349 TO KEEP IT UNDER WRAPS. 653 00:21:21,811 --> 00:21:23,413 (Gates) HEY. 654 00:21:23,413 --> 00:21:24,884 UNIFORMS JUST GOT A HIT ON THE CANVASS 655 00:21:24,884 --> 00:21:27,417 FROM A PRETZEL VENDOR WHO SAW HANNAH 656 00:21:27,417 --> 00:21:28,588 WALK INTO A NEARBY BUILDING 657 00:21:28,588 --> 00:21:30,460 RIGHT IN OUR ABDUCTION TIME FRAME. 658 00:21:30,460 --> 00:21:32,392 RECORDS SHOW IT'S L.E.E.D. CERTIFIED 659 00:21:32,392 --> 00:21:33,893 GREEN CONSTRUCTION. 660 00:21:33,893 --> 00:21:35,425 ANY EVIDENCE OF ALLUAUDIA IN THE BUILDING? 661 00:21:35,425 --> 00:21:36,726 I CHECKED. 662 00:21:36,726 --> 00:21:38,428 IT'S IN THE WALLPAPER. 663 00:21:38,428 --> 00:21:39,999 SHE WAS HELD HOSTAGE SOMEPLACE IN THAT BUILDING. 664 00:21:39,999 --> 00:21:41,371 FIND OUT WHERE. 665 00:21:41,371 --> 00:21:42,332 CASTLE, LET'S GO. 666 00:21:42,332 --> 00:21:43,533 ON MY WAY. 667 00:21:44,804 --> 00:21:46,035 OH, YOU GOT THE WRONG BLAZER THERE. 668 00:21:46,035 --> 00:21:47,807 NO, I DON'T. LET'S GO. 669 00:21:52,812 --> 00:21:54,984 IS EVERYTHING ALL RIGHT, MR. CASTLE? 670 00:21:54,984 --> 00:21:56,346 UH... 671 00:21:56,346 --> 00:21:58,017 (bamboo flute plays note) 672 00:21:58,017 --> 00:21:59,549 CASTLE. 673 00:21:59,549 --> 00:22:00,790 COME ON. 674 00:22:02,752 --> 00:22:04,424 (man) YEAH, THAT'S DEFINITELY HER. 675 00:22:04,424 --> 00:22:05,995 HAVE YOU EVER SEEN HER IN THE BUILDING BEFORE? 676 00:22:05,995 --> 00:22:07,827 UH, NO. IT WAS JUST THE ONE TIME THE OTHER NIGHT. 677 00:22:07,827 --> 00:22:09,929 I WAS DOING ROUNDS WHEN I SAW HER GO INTO 29-J. 678 00:22:09,929 --> 00:22:11,561 AND WHO OWNS 29-J? 679 00:22:11,561 --> 00:22:14,063 OCEAN TERRACE HOLDINGS. IT'S A CORPORATION. 680 00:22:14,063 --> 00:22:15,365 IS THERE A NAME LISTED ON IT? 681 00:22:15,365 --> 00:22:16,706 UH, NO. A LOT OF PEOPLE BUY UNITS 682 00:22:16,706 --> 00:22:18,608 UNDER CORPORATE NAMES FOR PRIVACY, SO... (pounding) 683 00:22:18,608 --> 00:22:20,570 WAIT. WAIT. WAIT. DO YOU HEAR THAT? 684 00:22:20,570 --> 00:22:22,341 (pounding continues) 685 00:22:22,341 --> 00:22:23,773 SOUNDS LIKE SOMEONE POUNDING ON A WALL. 686 00:22:23,773 --> 00:22:26,776 (pounding continues) 687 00:22:31,451 --> 00:22:35,455 (pounding continues) 688 00:22:37,457 --> 00:22:39,629 (pounding continues) 689 00:22:39,629 --> 00:22:41,130 (gasps) 690 00:22:41,130 --> 00:22:43,092 PENELOPE? 691 00:22:43,092 --> 00:22:45,595 (panting) 692 00:22:45,595 --> 00:22:46,766 AND BOB?! 693 00:22:46,766 --> 00:22:49,368 YOU TWO ARE BACK TOGE-- 694 00:22:49,368 --> 00:22:55,405 SPOILER ALERT. 695 00:22:57,607 --> 00:22:59,509 BOB AND PENELOPE TOGETHER? 696 00:22:59,509 --> 00:23:00,650 I CAN'T BELIEVE IT. 697 00:23:00,650 --> 00:23:02,882 I KNOW, RIGHT? 698 00:23:02,882 --> 00:23:05,555 NEITHER OF THEM IS TALKING ABOUT HANNAH. 699 00:23:05,555 --> 00:23:07,587 WELL, CLEARLY THEY HAVE A LOT MORE TO HIDE 700 00:23:07,587 --> 00:23:09,158 THAN THE FACT THAT THEY WERE SLEEPING TOGETHER. 701 00:23:09,158 --> 00:23:11,961 WELL, THIS IS A PLOT TWIST I DIDN'T SEE COMING. 702 00:23:11,961 --> 00:23:14,694 HEY, SO I DID SOME DIGGING ON THE APARTMENT. 703 00:23:14,694 --> 00:23:17,627 OCEAN TERRANCE HOLDINGS, IT'S A SHELL COMPANY 704 00:23:17,627 --> 00:23:19,529 OWNED BY BOB. 705 00:23:19,529 --> 00:23:21,671 THE LEASE BEGAN JUST AFTER HE AND HANNAH STARTED THEIR AFFAIR. 706 00:23:21,671 --> 00:23:22,932 (Gates) THAT'S ODD. 707 00:23:22,932 --> 00:23:25,535 WHEN BOB LEFT PENELOPE, 708 00:23:25,535 --> 00:23:27,877 HE MOVED INTO THE THOMPSON HOTEL WITH HANNAH. 709 00:23:27,877 --> 00:23:30,580 SO WHY WOULD HE LEASE ANOTHER APARTMENT? 710 00:23:30,580 --> 00:23:31,641 (Esposito) YO. 711 00:23:31,641 --> 00:23:33,813 I LOOKED INTO PENELOPE'S FINANCIALS. 712 00:23:33,813 --> 00:23:35,685 REMEMBER THOSE $5,000 PAYMENTS THAT HANNAH GOT? 713 00:23:35,685 --> 00:23:37,847 THEY LINE UP EXACTLY WITH WITHDRAWALS THAT PENELOPE MADE 714 00:23:37,847 --> 00:23:39,449 FROM HER CHECKING ACCOUNT. 715 00:23:39,449 --> 00:23:41,591 PENELOPE WAS PAYING HANNAH? 716 00:23:41,591 --> 00:23:44,654 WH-WHY WOULD SHE DO THAT? 717 00:23:44,654 --> 00:23:47,657 THERE'S NO WAY TO KNOW UNLESS WE GET HER TO TALK. 718 00:23:47,657 --> 00:23:49,428 I'M S--I'M SORRY. HAVE YOU SEEN THE SHOW? 719 00:23:49,428 --> 00:23:50,930 PENELOPE IS THE STRONG ONE. 720 00:23:50,930 --> 00:23:52,702 IF ANYONE'S GONNA TALK... 721 00:23:52,702 --> 00:23:53,633 IT'S BOB. 722 00:23:53,633 --> 00:23:54,804 BUT HE'S NOT. 723 00:23:54,804 --> 00:23:56,706 AND MY GUESS IS, HE'S AFRAID OF PENELOPE. 724 00:23:56,706 --> 00:23:58,568 WELL, THEN PERHAPS IT'S TIME 725 00:23:58,568 --> 00:24:00,470 TO TEAR A PAGE FROM PENELOPE'S PLAY BOOK. 726 00:24:03,713 --> 00:24:05,014 OH, COME ON. YOU GUYS AREN'T ACTUALLY-- 727 00:24:05,014 --> 00:24:06,916 COULDN'T HURT. 728 00:24:08,077 --> 00:24:09,218 (sighs) 729 00:24:12,952 --> 00:24:14,684 I TOLD YOU, I HAVE NOTHING TO-- 730 00:24:14,684 --> 00:24:17,026 DID I SAY YOU COULD TALK? 731 00:24:17,026 --> 00:24:20,790 DID SOMEONE GIVE YOU PERMISSION TO OPEN YOUR SORRY LITTLE MOUTH? 732 00:24:20,790 --> 00:24:22,131 NO! 733 00:24:22,131 --> 00:24:24,834 SO SIT DOWN, SHUT UP, AND LISTEN. 734 00:24:24,834 --> 00:24:28,568 WE KNOW THAT APARTMENT'S YOURS, BOB. 735 00:24:28,568 --> 00:24:31,671 WE KNOW THAT HANNAH WAS HELD HOSTAGE THERE, 736 00:24:31,671 --> 00:24:33,673 WHICH MEANS... 737 00:24:33,673 --> 00:24:35,645 I CAN NAIL YOU FOR KIDNAPPING. 738 00:24:35,645 --> 00:24:37,647 THAT'S 20 YEARS, EASY. 739 00:24:37,647 --> 00:24:40,049 WHAT? NO. I-- BUT YOU KNOW WHAT? I'M NOT GONNA STOP THERE. 740 00:24:40,049 --> 00:24:41,210 I AM GOING TO 741 00:24:41,210 --> 00:24:43,583 FRY YOU FOR MURDER. 742 00:24:43,583 --> 00:24:46,556 WAIT. ME? I-I DIDN'T KILL HER. 743 00:24:46,556 --> 00:24:47,587 DON'T LIE TO ME! 744 00:24:47,587 --> 00:24:48,918 YOU LOCKED HER UP. 745 00:24:48,918 --> 00:24:50,590 YOU HELD HER HOSTAGE. 746 00:24:50,590 --> 00:24:52,061 WHO DOES THAT TO SOMEONE THAT THEY LOVE, 747 00:24:52,061 --> 00:24:53,793 YOU LYING SACK OF... 748 00:24:53,793 --> 00:24:55,024 (clatters) 749 00:24:56,926 --> 00:24:58,097 (stomps) 750 00:24:58,097 --> 00:24:59,268 WE WEREN'T IN LOVE, OKAY?! 751 00:24:59,268 --> 00:25:01,731 IT WAS A LIE. THE WHOLE THING WAS A LIE. 752 00:25:01,731 --> 00:25:03,072 THERE WAS NO RELATIONSHIP. 753 00:25:03,072 --> 00:25:04,734 HANNAH AND I WERE NEVER EVEN TOGETHER. 754 00:25:04,734 --> 00:25:06,135 (both) WHAT?! 755 00:25:06,135 --> 00:25:07,937 WE ONLY DID IT FOR THE RATINGS. 756 00:25:07,937 --> 00:25:09,278 THE RATINGS? 757 00:25:09,278 --> 00:25:10,880 ASHLEY AND STONE'S ENGAGEMENT 758 00:25:10,880 --> 00:25:12,882 WAS SUCKING UP ALL THE ATTENTION ON THE SHOW. 759 00:25:12,882 --> 00:25:14,644 PENELOPE'S SCREEN TIME WAS DROPPING, 760 00:25:14,644 --> 00:25:16,816 WHICH WAS KILLING HER CLOTHING SALES. 761 00:25:16,816 --> 00:25:18,648 SHE WAS OUT OF HER MIND. 762 00:25:18,648 --> 00:25:21,290 SO WE CAME UP WITH A PLAN. 763 00:25:21,290 --> 00:25:23,653 HANNAH WAS RELUCTANT AT FIRST, 764 00:25:23,653 --> 00:25:25,725 BUT PENELOPE CAN BE PRETTY PERSUASIVE. 765 00:25:25,725 --> 00:25:28,828 SO THE $5,000 THAT PENELOPE WAS PAYING HANNAH, 766 00:25:28,828 --> 00:25:31,230 THAT WAS TO FAKE A RELATIONSHIP? 767 00:25:31,230 --> 00:25:34,233 WE NEVER INTENDED FOR IT TO END LIKE THIS. 768 00:25:34,233 --> 00:25:35,965 (sighs) 769 00:25:35,965 --> 00:25:37,567 (exhales) 770 00:25:37,567 --> 00:25:39,639 WHAT HAPPENED, BOB? 771 00:25:39,639 --> 00:25:40,770 THE OTHER NIGHT, 772 00:25:40,770 --> 00:25:42,211 AFTER TAPING HER CONFESSIONAL, 773 00:25:42,211 --> 00:25:44,143 HANNAH SAID SHE NEEDED TO TALK. 774 00:25:44,143 --> 00:25:45,875 WELL, THE THREE OF US COULDN'T BE SEEN TOGETHER, 775 00:25:45,875 --> 00:25:48,147 SO WE MET AT THE APARTMENT. 776 00:25:48,147 --> 00:25:49,879 SHE TOLD US SHE COULDN'T BEAR 777 00:25:49,879 --> 00:25:51,581 EVERYONE THINKING SHE WAS THIS HOME WRECKER. 778 00:25:51,581 --> 00:25:53,252 SHE COULDN'T GO ON LIVING A LIE. 779 00:25:53,252 --> 00:25:55,184 YEAH, SHE SAID SHE WAS GONNA GO PUBLIC, 780 00:25:55,184 --> 00:25:57,657 REVEAL THE AFFAIR HAD BEEN FAKED ALL ALONG. 781 00:25:57,657 --> 00:26:00,029 THAT'S A PRETTY BIG BOMBSHELL. HOW'D YOU GUYS TAKE IT? 782 00:26:00,029 --> 00:26:01,591 HOW'D WE TAKE IT? WE PANICKED. 783 00:26:01,591 --> 00:26:03,232 IF WE LET HER GO THROUGH WITH IT, 784 00:26:03,232 --> 00:26:04,594 IT WOULD BLOW UP THE SHOW. 785 00:26:04,594 --> 00:26:05,795 WE'D LOSE ALL CREDITABILITY. 786 00:26:05,795 --> 00:26:07,336 NO ONE WOULD BUY PENELOPE'S CLOTHES ANYMORE. 787 00:26:07,336 --> 00:26:08,838 PLUS, WE'D BE IN BREACH OF CONTRACT 788 00:26:08,838 --> 00:26:11,300 AND THE SHOW COULD SUE US FOR EVERY CENT WE HAD. 789 00:26:11,300 --> 00:26:13,042 OUR WHOLE LIVES WOULD BE RUINED. 790 00:26:13,042 --> 00:26:14,343 SO THEN YOU GUYS TIED HER UP. 791 00:26:14,343 --> 00:26:15,705 WE DIDN'T KNOW WHAT TO DO. 792 00:26:15,705 --> 00:26:17,046 SO A WHOLE DAY WENT BY. 793 00:26:17,046 --> 00:26:19,709 WE REALIZED WE COULDN'T HOLD HER FOREVER S-- 794 00:26:20,950 --> 00:26:22,752 SO WE MADE A CALL. 795 00:26:22,752 --> 00:26:25,014 SO WHO'D YOU CALL? 796 00:26:25,014 --> 00:26:26,756 BOB! 797 00:26:26,756 --> 00:26:27,717 WHO'D YOU CALL? 798 00:26:27,717 --> 00:26:29,218 PETER MONROE. 799 00:26:29,218 --> 00:26:31,991 THE "WIVES OF WALL STREET" PRODUCER? 800 00:26:31,991 --> 00:26:33,592 YEAH, WE NEEDED HELP. 801 00:26:33,592 --> 00:26:35,665 IT'S HIS SHOW. HE HAD AS MUCH TO LOSE AS WE DID. 802 00:26:35,665 --> 00:26:37,897 WHAT DID YOU TELL HIM? 803 00:26:37,897 --> 00:26:40,299 EVERYTHING. 804 00:26:40,299 --> 00:26:42,672 THEN HE CAME OVER AND TOLD PENELOPE AND ME TO LEAVE, 805 00:26:42,672 --> 00:26:44,674 THAT HE WOULD HANDLE HANNAH. 806 00:26:44,674 --> 00:26:46,676 WE THOUGHT HE WAS JUST GONNA TALK SOME SENSE INTO HER, 807 00:26:46,676 --> 00:26:48,838 YOU KNOW, MAYBE SWEETEN HER DEAL. 808 00:26:48,838 --> 00:26:51,340 BUT THE NEXT THING WE KNEW, 809 00:26:51,340 --> 00:26:53,382 HANNAH WAS DEAD. 810 00:27:01,120 --> 00:27:02,291 I'M SO SORRY, SIR. I TRIED TO STOP THEM. 811 00:27:02,291 --> 00:27:03,653 JEFF, GET OUTTA HERE. RIGHT. 812 00:27:03,653 --> 00:27:05,294 MR. MONROE, ARE YOU PATHOLOGICALLY INCAPABLE 813 00:27:05,294 --> 00:27:06,996 OF TELLING THE TRUTH? 814 00:27:06,996 --> 00:27:08,327 WELL, THAT DEPENDS. WHAT'S THIS ABOUT? 815 00:27:08,327 --> 00:27:10,059 YOUR ROLE IN HANNAH'S MURDER. 816 00:27:10,059 --> 00:27:12,862 WHOA. I HAD NOTHING TO DO WITH HER MURDER. 817 00:27:12,862 --> 00:27:14,403 BOB THINKS YOU DID. 818 00:27:14,403 --> 00:27:16,666 WE KNOW ABOUT HIM CALLING YOU FROM THE APARTMENT 819 00:27:16,666 --> 00:27:18,337 ABOUT HANNAH JUST BEFORE SHE DIED. 820 00:27:18,337 --> 00:27:21,871 OKAY, PENELOPE AND BOB CALLED ME. 821 00:27:21,871 --> 00:27:24,243 COUPLE OF MORON IDIOTS... 822 00:27:24,243 --> 00:27:26,175 TAKING HER HOSTAGE LIKE THAT. 823 00:27:26,175 --> 00:27:27,346 SO YOU WENT OVER THERE? 824 00:27:27,346 --> 00:27:28,848 OF COURSE I WENT OVER THERE. 825 00:27:28,848 --> 00:27:30,850 HELL, I SAVED HER FROM THOSE TWO LUNATICS. 826 00:27:30,850 --> 00:27:32,151 I'M THE GOOD GUY. 827 00:27:32,151 --> 00:27:33,783 YOU KNOW WHAT I DID WHEN I GOT THERE? 828 00:27:33,783 --> 00:27:35,184 I LET HER GO. WATER? 829 00:27:35,184 --> 00:27:36,786 PLEASE. 830 00:27:36,786 --> 00:27:38,357 LOOK, IF HANNAH EXPOSED THAT YOUR MAIN STORYLINE WAS FAKED, 831 00:27:38,357 --> 00:27:40,860 YOUR SHOW WOULD GO DOWN IN FLAMES. 832 00:27:40,860 --> 00:27:42,661 THE FANS WOULD BE OUTRAGED. 833 00:27:42,661 --> 00:27:44,734 HELL, I'M OUTRAGED. 834 00:27:44,734 --> 00:27:45,895 I WAS TRYING TO STOP HER. 835 00:27:45,895 --> 00:27:47,897 I OFFERED HANNAH MORE MONEY, HER OWN SERIES, 836 00:27:47,897 --> 00:27:48,938 ANYTHING SHE WANTED 837 00:27:48,938 --> 00:27:50,269 TO NOT BLOW THE LID OFF THE SHOW. 838 00:27:50,269 --> 00:27:52,742 I MEAN... (exhales) 839 00:27:52,742 --> 00:27:54,774 SHE WAS GONNA RUIN EVERYTHING. 840 00:27:54,774 --> 00:27:56,675 I BEGGED HER TO STAY. 841 00:27:56,675 --> 00:27:58,908 I FOLLOWED HER OUT AND GAVE HER EVERY DECENT PITCH I HAD. 842 00:27:58,908 --> 00:28:00,850 BUT SHE WOULDN'T DEAL. 843 00:28:00,850 --> 00:28:02,381 SHE GOT INTO A TAXI, AND I NEVER SAW HER AGAIN. 844 00:28:02,381 --> 00:28:03,983 HERE'S A BETTER STORY-- 845 00:28:03,983 --> 00:28:06,856 YOU GRABBED A KNIFE AND YOU FOLLOWED HER. 846 00:28:06,856 --> 00:28:08,858 NO, I DIDN'T. I SWEAR. 847 00:28:08,858 --> 00:28:10,319 I WENT STRAIGHT TO THE PLAYER'S CLUB, 848 00:28:10,319 --> 00:28:11,821 ORDERED A COUPLE OF COCKTAILS, 849 00:28:11,821 --> 00:28:14,994 AND WAITED FOR MY WORLD TO START TO CAVE IN. 850 00:28:14,994 --> 00:28:17,797 BUT NOTHING HAPPENED. 851 00:28:17,797 --> 00:28:19,999 NEXT MORNING, I FOUND OUT THAT SHE WAS DEAD. 852 00:28:19,999 --> 00:28:22,401 SO THE MANAGER AT THE PLAYER'S CLUB CONFIRMS 853 00:28:22,401 --> 00:28:24,103 THAT MONROE WAS THERE FROM 10:00 P.M. 854 00:28:24,103 --> 00:28:25,735 TILL WELL AFTER MIDNIGHT. 855 00:28:25,735 --> 00:28:26,936 HE'S NOT OUR GUY. 856 00:28:26,936 --> 00:28:28,477 WHICH LEAVES MARGO, 857 00:28:28,477 --> 00:28:30,940 BECAUSE THAT'S WHERE HANNAH WENT NEXT, BUT... 858 00:28:30,940 --> 00:28:32,942 AFTER BEING HELD HOSTAGE 859 00:28:32,942 --> 00:28:34,443 AND DEMANDING TO LEAVE THE SHOW, 860 00:28:34,443 --> 00:28:36,986 I DOUBT SHE WENT THERE TO RECOMMIT TO THE JOB. 861 00:28:36,986 --> 00:28:39,288 MARGO HAD TO HAVE BEEN LYING TO US. 862 00:28:39,288 --> 00:28:40,950 (Esposito) MARGO WAS LYING, ALL RIGHT. 863 00:28:40,950 --> 00:28:42,892 SHE TOLD YOU SHE BUZZED UP HANNAH THAT NIGHT, RIGHT? 864 00:28:42,892 --> 00:28:44,423 MM-HMM. THAT'S IMPOSSIBLE. 865 00:28:44,423 --> 00:28:46,095 THE BUZZER ON THE BUILDING CONNECTS THROUGH HER PHONE. 866 00:28:46,095 --> 00:28:47,426 ACCORDING TO THE PHONE RECORDS, 867 00:28:47,426 --> 00:28:49,759 HANNAH WAS BUZZED UP AT 9:57 P.M. 868 00:28:49,759 --> 00:28:51,300 WELL, ACCORDING TO MARGO'S FINANCIALS, 869 00:28:51,300 --> 00:28:54,003 AT ALMOST EXACTLY THE SAME TIME, 9:58 P.M., 870 00:28:54,003 --> 00:28:55,064 SHE WAS USING HER CREDIT CARD 871 00:28:55,064 --> 00:28:56,405 AT LORENZO'S DELI TEN BLOCKS AWAY. 872 00:28:56,405 --> 00:28:57,937 THANKS, ESPO. 873 00:28:57,937 --> 00:28:59,869 MARGO'S GOT SOME EXPLAINING TO DO. 874 00:28:59,869 --> 00:29:01,740 IF SHE DIDN'T BUZZ HANNAH IN, THEN WHO DID? 875 00:29:01,740 --> 00:29:03,873 AND WHY WOULD SHE LIE ABOUT IT? 876 00:29:03,873 --> 00:29:07,316 (people speaking indistinctly) 877 00:29:09,178 --> 00:29:12,982 (bamboo flute plays note) 878 00:29:16,755 --> 00:29:18,958 CASTLE, WHAT'S GOING ON WITH YOU AND GATES TODAY? 879 00:29:18,958 --> 00:29:21,060 WHAT DO YOU MEAN? 880 00:29:21,060 --> 00:29:22,761 SERIOUSLY, CASTLE, 881 00:29:22,761 --> 00:29:24,063 WHAT WERE YOU THINKING? 882 00:29:24,063 --> 00:29:25,464 WELL, I WANTED TO SURPRISE YOU. 883 00:29:25,464 --> 00:29:26,966 BY PUTTING MY GIFT IN GATES' BLAZER? 884 00:29:26,966 --> 00:29:28,337 OKAY, I'M SURPRISED. 885 00:29:28,337 --> 00:29:30,940 WELL, WHY DO YOU GATES HAVE TO WEAR SUCH SIMILAR BLAZERS? 886 00:29:30,940 --> 00:29:32,401 DID YOU WRITE A NOTE? 887 00:29:32,401 --> 00:29:35,774 OF COURSE I WROTE A NOTE. I'M A WRITER. 888 00:29:35,774 --> 00:29:38,347 WAS IT ROMANTIC? 889 00:29:38,347 --> 00:29:42,351 IT'S VALENTINE'S DAY, SO, YEAH, IT WAS ROMANTIC. 890 00:29:42,351 --> 00:29:43,853 DID YOU PUT MY NAME ON IT? 891 00:29:45,815 --> 00:29:47,456 OH, GOD, CASTLE, PLEASE. DID YOU PUT MY NAME ON IT? 892 00:29:47,456 --> 00:29:48,818 I CAN'T REMEMBER. 893 00:29:48,818 --> 00:29:50,019 I PUT MY NAME ON IT. I KNOW THAT MUCH. 894 00:29:50,019 --> 00:29:51,921 OH! 895 00:29:51,921 --> 00:29:52,892 IF GATES FINDS OUT THAT WE'RE DATING, 896 00:29:52,892 --> 00:29:54,223 THEN THAT'S IT. 897 00:29:54,223 --> 00:29:55,925 WE'RE NOT GONNA BE WORKING TOGETHER ANYMORE. 898 00:29:55,925 --> 00:29:57,226 WHY DO YOU THINK I'VE BEEN TRYING SO HARD TO GET IT BACK? 899 00:29:57,226 --> 00:29:58,567 OH, WE WILL GET IT BACK, 900 00:29:58,567 --> 00:30:00,069 RIGHT WHEN WE GET TO THE PRECINCT. 901 00:30:00,069 --> 00:30:01,470 BUT RIGHT NOW WE GOT A MURDER TO SOLVE. 902 00:30:01,470 --> 00:30:03,432 MAYBE OUR LAST. 903 00:30:03,432 --> 00:30:05,074 (beeps) 904 00:30:05,074 --> 00:30:06,906 (buzzer sounds) COME IN. 905 00:30:06,906 --> 00:30:09,008 THANKS FOR BUZZING US IN. 906 00:30:09,008 --> 00:30:10,339 WHAT CAN I DO FOR YOU? 907 00:30:10,339 --> 00:30:13,342 YOU KNOW, THE INTERESTING THING ABOUT THIS BUILDING 908 00:30:13,342 --> 00:30:16,585 IS THAT THE BUZZER SYSTEM RUNS THROUGH YOUR TELEPHONE. 909 00:30:16,585 --> 00:30:18,417 SO? 910 00:30:18,417 --> 00:30:21,120 SO ANYTIME SOMEONE GETS BUZZED UP, 911 00:30:21,120 --> 00:30:23,092 IT GETS TIME STAMPED. 912 00:30:23,092 --> 00:30:26,355 AND SINCE WE KNOW YOU WERE AT LORENZO'S DELI BUYING ONIONS, 913 00:30:26,355 --> 00:30:27,526 YOU COULDN'T HAVE BUZZED HANNAH UP 914 00:30:27,526 --> 00:30:28,898 THE NIGHT OF THE MURDER. 915 00:30:28,898 --> 00:30:30,059 WHICH MEANS SOMEBODY ELSE DID. 916 00:30:30,059 --> 00:30:31,160 WHY DID YOU LIE TO US? 917 00:30:31,160 --> 00:30:33,162 FROM WATCHING THE SHOW, I KNOW THAT 918 00:30:33,162 --> 00:30:35,004 YOUR HUSBAND IS IN BRUSSELS WORKING ON A DEAL. 919 00:30:35,004 --> 00:30:36,465 SO IT COULDN'T HAVE BEEN HIM, 920 00:30:36,465 --> 00:30:39,038 WHICH LEAVES ONLY ONE OTHER PERSON LIVING IN THIS HOUSE. 921 00:30:39,038 --> 00:30:41,210 YOUR SON STONE. 922 00:30:41,210 --> 00:30:43,072 HE WORKED WITH HANNAH, DIDN'T HE? 923 00:30:43,072 --> 00:30:44,914 I DON'T LIKE WHAT YOU'RE IMPLYING. 924 00:30:44,914 --> 00:30:46,916 WERE THEY HAVING PROBLEMS WITH EACH OTHER? 925 00:30:46,916 --> 00:30:49,318 WHERE IS STONE RIGHT NOW, MS. GOWER? 926 00:30:49,318 --> 00:30:51,250 I DON'T KNOW. HE'S AN ADULT. 927 00:30:51,250 --> 00:30:53,252 REALLY? BECAUSE IN SEASON THREE, EPISODE FIVE, 928 00:30:53,252 --> 00:30:55,084 YOU SAID THAT YOU ARE YOUR SON'S KEEPER, 929 00:30:55,084 --> 00:30:58,487 ALWAYS KNOWING WHERE HE IS AND WHAT HE'S DOING. 930 00:30:58,487 --> 00:31:00,229 LOOKS LIKE ONE OF US DID THEIR HOMEWORK. 931 00:31:00,229 --> 00:31:02,932 NOW, MS. GOWER, WHERE IS STONE? 932 00:31:02,932 --> 00:31:05,234 I WOULD LIKE TO TALK TO MY ATTORNEY. 933 00:31:05,234 --> 00:31:07,937 ENTERTAINMENT OR CRIMINAL? 934 00:31:07,937 --> 00:31:09,568 YEAH. SIR, WE GOT HIM. 935 00:31:09,568 --> 00:31:11,000 WHERE'S HE HEADED? 936 00:31:11,000 --> 00:31:12,241 STONE BOUGHT A ONE-WAY TICKET TO BUENOS AIRES. 937 00:31:12,241 --> 00:31:14,043 FLIGHT DEPARTS IN AN HOUR. 938 00:31:14,043 --> 00:31:16,045 BOB AND PENELOPE FAKE THEIR BREAKUP, 939 00:31:16,045 --> 00:31:19,979 AND NOW POOR SWEET INNOCENT STONE'S A KILLER? 940 00:31:19,979 --> 00:31:22,051 IS THERE ANYTHING REAL ON THAT REALITY SHOW? 941 00:31:22,051 --> 00:31:23,983 JUST THE HEADACHE I GET WHEN I WATCH IT. 942 00:31:23,983 --> 00:31:25,314 CALL T.S.A. 943 00:31:25,314 --> 00:31:27,656 DO NOT LET HIM GET ON THAT FLIGHT. 944 00:31:30,589 --> 00:31:33,062 (clatters) 945 00:31:42,001 --> 00:31:45,204 (whispers) OH, MY... GOD. 946 00:31:57,947 --> 00:31:59,588 (sets glasses down) 947 00:32:05,955 --> 00:32:07,056 WHY THE SUDDEN TRIP TO ARGENTINA, STONE? 948 00:32:07,056 --> 00:32:08,998 I JUST NEEDED A LITTLE TIME AWAY. 949 00:32:08,998 --> 00:32:10,929 WE KNOW THAT HANNAH SHOWED UP AT YOUR APARTMENT 950 00:32:10,929 --> 00:32:12,201 THE NIGHT THAT SHE WAS KILLED, 951 00:32:12,201 --> 00:32:14,163 AND WE KNOW THAT YOU LET HER IN. 952 00:32:14,163 --> 00:32:15,504 (Castle) AND THEN FOR SOME REASON, 953 00:32:15,504 --> 00:32:17,436 YOUR MOTHER LIED ABOUT IT. 954 00:32:17,436 --> 00:32:18,637 NOW WHY WOULD SHE DO THAT? 955 00:32:18,637 --> 00:32:20,009 WAS IT BECAUSE HANNAH TOLD YOU 956 00:32:20,009 --> 00:32:21,170 THAT SHE WAS GONNA BLOW UP THE SHOW 957 00:32:21,170 --> 00:32:22,441 AND YOU SUDDENLY SAW YOUR DREAMS 958 00:32:22,441 --> 00:32:25,244 OF AN ASHLEY/STONE SPIN-OFF GOING OUT THE WINDOW? 959 00:32:25,244 --> 00:32:27,946 IS THAT WHY YOUR MOM LIED? 960 00:32:27,946 --> 00:32:29,278 'CAUSE YOU FOLLOWED HANNAH OUT OF THE APARTMENT 961 00:32:29,278 --> 00:32:30,479 AND YOU KILLED HER? 962 00:32:30,479 --> 00:32:32,151 I DIDN'T KILL HER. 963 00:32:32,151 --> 00:32:34,323 DON'T YOU GUYS GET IT? 964 00:32:34,323 --> 00:32:36,155 I WAS IN LOVE WITH HER. 965 00:32:36,155 --> 00:32:38,327 WHOA. LOVE? 966 00:32:38,327 --> 00:32:39,458 WHAT ABOUT ASHLEY? 967 00:32:39,458 --> 00:32:41,190 THAT WAS MY MOM'S IDEA. 968 00:32:41,190 --> 00:32:42,631 LOOK, I LIKE ASH. 969 00:32:42,631 --> 00:32:44,633 WE'VE KNOWN EACH OTHER SINCE WE WERE KIDS. 970 00:32:44,633 --> 00:32:46,695 BUT... (sighs) 971 00:32:46,695 --> 00:32:49,198 THEN I MET HANNAH. 972 00:32:49,198 --> 00:32:51,740 WE BONDED OVER BEING FORCED INTO THINGS 973 00:32:51,740 --> 00:32:54,443 THAT WEREN'T REALLY US. 974 00:32:54,443 --> 00:32:56,205 DID ANYONE ELSE KNOW ABOUT THE TWO OF YOU? 975 00:32:56,205 --> 00:32:57,376 NO. 976 00:32:57,376 --> 00:32:59,248 THERE'S TOO MUCH AT STAKE. 977 00:32:59,248 --> 00:33:01,180 FOR THE PAST FEW WEEKS, 978 00:33:01,180 --> 00:33:03,182 HANNAH JUST COULDN'T TAKE IT ANYMORE, 979 00:33:03,182 --> 00:33:06,515 WHAT THE SHOW WAS DOING TO HER, HER FAMILY. 980 00:33:06,515 --> 00:33:08,687 SHE WAS LOOKING FOR A WAY OUT. 981 00:33:08,687 --> 00:33:10,559 WE BOTH WERE. 982 00:33:10,559 --> 00:33:13,122 BUT THE LIES HAD JUST... 983 00:33:13,122 --> 00:33:15,124 GOTTEN SO BIG-- 984 00:33:15,124 --> 00:33:17,526 HER FAKE AFFAIR, MY ENGAGEMENT. 985 00:33:17,526 --> 00:33:19,768 ASH AND MY MOM... 986 00:33:19,768 --> 00:33:23,732 THEY WERE COUNTING ON THAT SPIN-OFF. 987 00:33:23,732 --> 00:33:26,035 WHAT HAPPENED THE NIGHT THAT HANNAH SHOWED UP? 988 00:33:26,035 --> 00:33:28,006 SHE WAS HYSTERICAL. 989 00:33:29,378 --> 00:33:32,111 SHE SAID SHE WANTED TO LEAVE TOWN RIGHT AWAY, 990 00:33:32,111 --> 00:33:34,143 THAT IT WAS NOW OR NEVER. 991 00:33:34,143 --> 00:33:37,216 AND I WAS GOING TO, BUT... 992 00:33:37,216 --> 00:33:38,587 BUT WHAT? 993 00:33:38,587 --> 00:33:41,450 (sighs) 994 00:33:41,450 --> 00:33:43,222 THEN MY MOM CAME HOME. 995 00:33:43,222 --> 00:33:46,155 WHEN SHE FOUND OUT ABOUT OUR RELATIONSHIP, 996 00:33:46,155 --> 00:33:47,326 SHE WENT CRAZY. 997 00:33:47,326 --> 00:33:49,298 SHE THREW HANNAH OUT. 998 00:33:49,298 --> 00:33:51,200 BUT THE WORST PART... 999 00:33:51,200 --> 00:33:54,533 WAS THAT HANNAH BEGGED ME 1000 00:33:54,533 --> 00:33:56,135 TO GO WITH HER. 1001 00:33:58,167 --> 00:33:59,508 BUT I COULDN'T. 1002 00:33:59,508 --> 00:34:02,641 IN THE MOMENT WHEN SHE NEEDED ME 1003 00:34:02,641 --> 00:34:06,645 TO STAND UP TO MY MOTHER... 1004 00:34:06,645 --> 00:34:08,147 I COULDN'T. 1005 00:34:08,147 --> 00:34:10,819 (Castle) STONE... 1006 00:34:10,819 --> 00:34:13,082 DID YOUR MOTHER GO AFTER HER? 1007 00:34:14,723 --> 00:34:16,555 NO. 1008 00:34:18,127 --> 00:34:20,359 AS SOON AS HANNAH LEFT, 1009 00:34:20,359 --> 00:34:22,091 I KNEW I'D MADE A MISTAKE. 1010 00:34:22,091 --> 00:34:27,796 SO I RAN OUT TO CATCH UP WITH HER IN THE STREET. 1011 00:34:27,796 --> 00:34:29,268 AND I KISSED HER. 1012 00:34:29,268 --> 00:34:31,600 AND I TOLD HER I LOVED HER. 1013 00:34:31,600 --> 00:34:34,573 (sighs) BUT SHE SAID IT WAS TOO LATE... 1014 00:34:37,106 --> 00:34:40,149 THAT SHE NEVER WANTED TO SEE ANY OF US AGAIN. 1015 00:34:40,149 --> 00:34:42,811 CAN ANYONE VERIFY YOUR WHEREABOUTS 1016 00:34:42,811 --> 00:34:46,185 AFTER YOU AND HANNAH WENT YOUR SEPARATE WAYS? 1017 00:34:46,185 --> 00:34:48,257 I TOOK A LONG WALK, 1018 00:34:48,257 --> 00:34:51,089 SO, NO. 1019 00:34:51,089 --> 00:34:52,861 (people speaking indistinctly) 1020 00:34:52,861 --> 00:34:54,723 SO WHAT DO YOU THINK? YOU BELIEVE HIM? 1021 00:34:54,723 --> 00:34:56,325 HE HAD MOTIVE. SHE WAS LEAVING HIM. 1022 00:34:56,325 --> 00:34:59,198 AND HE WAS THE LAST ONE TO SEE HER ALIVE 1023 00:34:59,198 --> 00:35:01,730 A BLOCK AWAY FROM WHERE SHE WAS KILLED, SO... 1024 00:35:01,730 --> 00:35:03,402 ONLY PROBLEM IS, 1025 00:35:03,402 --> 00:35:05,274 WE DON'T HAVE ANY PROOF. (mouths words) 1026 00:35:05,274 --> 00:35:06,605 WE CAN'T TIE STONE TO THE CRIME SCENE. 1027 00:35:06,605 --> 00:35:08,106 (Ryan) ACTUALLY, WE CAN. 1028 00:35:08,106 --> 00:35:10,108 ON A HUNCH, I TOOK A LOOK AT HIS WEDDING REGISTRY. 1029 00:35:10,108 --> 00:35:12,241 IT TURNS OUT THAT ASHLEY AND STONE ARE REGISTERED 1030 00:35:12,241 --> 00:35:14,112 FOR A SET OF TAKAHARA V.G. KNIVES, 1031 00:35:14,112 --> 00:35:15,584 INCLUDING THE 240 MILLIMETER, 1032 00:35:15,584 --> 00:35:17,616 WHICH SHIPPED OUT THREE WEEKS AGO. 1033 00:35:17,616 --> 00:35:19,588 THE LAB REPORT DID SAY THAT IT WAS A NEW KNIFE. 1034 00:35:19,588 --> 00:35:20,749 THEN THAT SEALS IT. 1035 00:35:20,749 --> 00:35:23,522 NO, NOT NECESSARILY. 1036 00:35:23,522 --> 00:35:25,324 WE'RE FORGETTING WEDDING ETIQUETTE. 1037 00:35:25,324 --> 00:35:28,126 THE GIFTS DON'T GO TO THE GROOM. 1038 00:35:31,360 --> 00:35:32,701 THANK YOU FOR COMING, ASHLEY. 1039 00:35:32,701 --> 00:35:34,533 OH, ANYTHING I CAN DO TO HELP. 1040 00:35:34,533 --> 00:35:37,336 YOU MUST BE SO BUSY PLANNING FOR THE WEDDING RIGHT NOW 1041 00:35:37,336 --> 00:35:39,238 AND DEALING WITH ALL OF THE GIFTS. 1042 00:35:39,238 --> 00:35:41,410 OH, YEAH. (laughs) 1043 00:35:41,410 --> 00:35:44,513 WELL, WE KNOW THAT YOUR COUSIN 1044 00:35:44,513 --> 00:35:47,145 BOUGHT YOU THAT SET OF TAKAHARA V.G. KNIVES, 1045 00:35:47,145 --> 00:35:49,248 THE ONES THAT YOU HAVE ON YOUR REGISTRY. 1046 00:35:49,248 --> 00:35:51,580 OKAY. (laughs) 1047 00:35:51,580 --> 00:35:52,921 (Castle) THE FUNNY THING IS, 1048 00:35:52,921 --> 00:35:54,923 WHEN WE WENT TO YOUR APARTMENT, 1049 00:35:54,923 --> 00:35:58,257 YOU DON'T HAVE THE 240 MILLIMETER. 1050 00:35:58,257 --> 00:35:59,588 AND ISN'T JUST A LITTLE WEIRD 1051 00:35:59,588 --> 00:36:01,190 THAT SHE WOULDN'T GET YOU THE WHOLE SET? 1052 00:36:01,190 --> 00:36:02,891 YOU WERE IN MY APARTMENT? 1053 00:36:02,891 --> 00:36:05,264 YEAH, WE ALSO WENT TO YOUR CERAMIC STUDIO AS WELL. 1054 00:36:05,264 --> 00:36:07,196 AH, YOUR WORK IS LOVELY, BY THE WAY. 1055 00:36:07,196 --> 00:36:09,768 THE COLORS OF YOUR GLAZES ARE STUNNING. 1056 00:36:09,768 --> 00:36:11,800 I MEAN, IT MUST TAKE A LOT OF WORK TO GET-- 1057 00:36:11,800 --> 00:36:13,942 TO GET THEM JUST RIGHT, A LOT OF CHEMICALS. 1058 00:36:13,942 --> 00:36:15,604 LIKE THE, UM, 1059 00:36:15,604 --> 00:36:17,506 ANTIMONY OXIDE WE FOUND, FOR EXAMPLE. 1060 00:36:17,506 --> 00:36:19,348 WHAT IS THAT FOR? 1061 00:36:19,348 --> 00:36:22,811 IT'S AN OPACIFIER. IT MAKES THINGS OPAQUE. 1062 00:36:22,811 --> 00:36:25,814 ONLY IN THIS CASE, IT SEEMS TO MAKE THINGS CLEAR. 1063 00:36:25,814 --> 00:36:28,417 THE KNIFE THAT WAS USED IN HANNAH'S MURDER, 1064 00:36:28,417 --> 00:36:31,660 WE FOUND TRACES OF ANTIMONY OXIDE ON IT 1065 00:36:31,660 --> 00:36:32,921 FROM YOU. 1066 00:36:32,921 --> 00:36:34,763 NO. 1067 00:36:34,763 --> 00:36:36,365 YOU GOT AN ALERT ON YOUR PHONE 1068 00:36:36,365 --> 00:36:37,796 FROM THE FAN SITE, DIDN'T YOU? 1069 00:36:37,796 --> 00:36:40,429 THAT PHOTO OF HANNAH AT STONE'S APARTMENT-- 1070 00:36:40,429 --> 00:36:41,770 I MEAN, YOU ALREADY HAD YOUR SUSPICIONS. 1071 00:36:41,770 --> 00:36:43,332 YOU JUST CONFIRMED YOUR WORST FEARS. 1072 00:36:43,332 --> 00:36:44,673 NO. NO. 1073 00:36:44,673 --> 00:36:46,705 I THINK WE'RE DONE HERE. I'M GONNA GO. 1074 00:36:46,705 --> 00:36:47,876 EXCUSE ME. 1075 00:36:47,876 --> 00:36:49,338 (jangling keys) 1076 00:36:49,338 --> 00:36:51,640 EXCUSE ME. I'VE JUST-- LET ME FIND MY KEYS 1077 00:36:51,640 --> 00:36:52,941 AND I WILL GO. 1078 00:36:52,941 --> 00:36:55,744 (jangling continues) 1079 00:36:55,744 --> 00:36:57,746 (purse and keys thud) FINE! 1080 00:36:57,746 --> 00:36:59,318 (inhales sharply) 1081 00:36:59,318 --> 00:37:01,290 I HAD MY SUSPICIONS. 1082 00:37:01,290 --> 00:37:04,323 AND WHEN I SAW THAT PICTURE, I GRABBED THE KNIFE, 1083 00:37:04,323 --> 00:37:05,924 JUST TO SCARE HER. 1084 00:37:05,924 --> 00:37:07,926 BUT WHEN I GOT THERE, STONE WAS KISSING HER 1085 00:37:07,926 --> 00:37:09,928 AND SAYING HE LOVED HER. 1086 00:37:09,928 --> 00:37:12,931 I COULDN'T JUST LET HER STEAL MY FIANCE. 1087 00:37:12,931 --> 00:37:15,504 OUR SPIN-OFF WAS IN FINAL NEGOTIATIONS, 1088 00:37:15,504 --> 00:37:16,765 FOR GOD SAKES. 1089 00:37:16,765 --> 00:37:18,267 (inhales sharply) 1090 00:37:18,267 --> 00:37:19,438 (exhales) 1091 00:37:19,438 --> 00:37:21,870 (panting) 1092 00:37:21,870 --> 00:37:23,442 SO... 1093 00:37:23,442 --> 00:37:26,315 WHEN STONE LEFT, 1094 00:37:26,315 --> 00:37:27,876 I FOLLOWED HANNAH. 1095 00:37:27,876 --> 00:37:32,020 I PUT AN END TO THE THREAT. 1096 00:37:32,020 --> 00:37:33,922 THE NEXT GENERATION OF "THE WIVES OF WALL STREET," 1097 00:37:33,922 --> 00:37:36,985 AND ASHLEY TAKES IT TO A WHOLE NEW LEVEL. 1098 00:37:36,985 --> 00:37:38,657 WELL, MAYBE SHE WAS JUST FOLLOWING THEIR MOTTO-- 1099 00:37:38,657 --> 00:37:40,829 "DON'T LET ANYONE STOP YOU FROM GETTING WHAT YOU WANT." 1100 00:37:40,829 --> 00:37:42,030 AS IF BEING ON TV 1101 00:37:42,030 --> 00:37:45,534 SOMEHOW MADE HER IMMUNE TO THE CONSEQUENCES. 1102 00:37:45,534 --> 00:37:49,267 YOU KNOW, AT LEAST WE CAN TELL HANNAH'S FAMILY 1103 00:37:49,267 --> 00:37:51,440 THAT THE AFFAIR WASN'T REAL, 1104 00:37:51,440 --> 00:37:53,642 THAT SHE WAS ACTUALLY PLANNING ON GOING HOME. MM-HMM. 1105 00:37:53,642 --> 00:37:56,775 SPEAKING OF CONSEQUENCES... 1106 00:37:56,775 --> 00:37:59,448 (whispers) WHY HASN'T GATES SAID ANYTHING YET? 1107 00:37:59,448 --> 00:38:01,049 (whispers) YEAH, I DON'T KNOW. 1108 00:38:01,049 --> 00:38:02,651 (normal voice) MAYBE SHE'S CHOOSING TO IGNORE IT 1109 00:38:02,651 --> 00:38:04,813 OR JUST BIDING HER TIME 1110 00:38:04,813 --> 00:38:06,054 LIKE A SHARK. 1111 00:38:06,054 --> 00:38:07,556 (Ryan) NIGHT, GUYS. 1112 00:38:07,556 --> 00:38:08,887 HAPPY VALENTINE'S DAY. 1113 00:38:08,887 --> 00:38:10,419 AH, ONCE MORE ONTO THE BREACH? 1114 00:38:10,419 --> 00:38:12,321 UH, ACTUALLY, JENNY JUST TEXTED ME, 1115 00:38:12,321 --> 00:38:13,722 AND I HAVE THE NIGHT OFF. 1116 00:38:13,722 --> 00:38:14,963 I MEAN, WE'LL PROBABLY STILL, 1117 00:38:14,963 --> 00:38:16,495 UH, YOU KNOW, 1118 00:38:16,495 --> 00:38:18,827 BUT TONIGHT IT WILL BE FOR ROMANTIC REASONS. 1119 00:38:18,827 --> 00:38:21,029 YEAH. 1120 00:38:25,504 --> 00:38:27,005 HEY, ESPO. 1121 00:38:27,005 --> 00:38:29,938 YOUR DATE'S HERE. 1122 00:38:29,938 --> 00:38:31,510 I KNEW THEY HAD PLANS. 1123 00:38:31,510 --> 00:38:33,011 YOU KNEW THEY HAD PLANS AND YOU DIDN'T TELL ME? 1124 00:38:33,011 --> 00:38:33,982 (lowered voice) YEAH, BECAUSE SHE ASKED ME 1125 00:38:33,982 --> 00:38:35,344 TO KEEP IT A SECRET. 1126 00:38:35,344 --> 00:38:36,685 THIS IS A REALLY BIG DEAL FOR THEM. 1127 00:38:36,685 --> 00:38:38,316 SHE DOESN'T WANT YOU MAKING FUN OF 'EM. 1128 00:38:38,316 --> 00:38:39,718 I WOULDN'T MAKE FUN-- NO, THAT'S... 1129 00:38:39,718 --> 00:38:41,650 (laughing) THAT'S NOT TRUE. THAT'D BE FISH IN A BARREL. 1130 00:38:41,650 --> 00:38:43,852 (gasps) OH. 1131 00:38:43,852 --> 00:38:45,624 (normal voice) LANIE... 1132 00:38:45,624 --> 00:38:46,995 YOU LOOK GREAT. 1133 00:38:46,995 --> 00:38:49,027 YEAH? IT'S NOT TOO MUCH? 1134 00:38:49,027 --> 00:38:51,660 NO. IT MIGHT BE A LITTLE TOO MUCH FOR CASTLE. 1135 00:38:51,660 --> 00:38:53,101 EYES UP, BUD. I DO. 1136 00:38:53,101 --> 00:38:54,463 YOU LOOK AMAZING, LANIE. 1137 00:38:54,463 --> 00:38:55,634 THANKS, JAVI. MM-HMM. 1138 00:38:55,634 --> 00:38:56,965 SO WHAT'S THE PLAN? 1139 00:38:56,965 --> 00:38:59,037 UH, RESERVATIONS AT LE FOURNEAU. 1140 00:38:59,037 --> 00:39:00,539 (Lanie gasps) FRENCH? 1141 00:39:00,539 --> 00:39:02,110 MM-HMM. I LOVE FRENCH. 1142 00:39:02,110 --> 00:39:03,872 JE LE SAIS, MA PETITE JOLIE. 1143 00:39:03,872 --> 00:39:05,343 OOH. 1144 00:39:05,343 --> 00:39:06,815 (speaks French) 1145 00:39:06,815 --> 00:39:08,947 AU REVOIR. AU REVOIR. 1146 00:39:08,947 --> 00:39:11,880 AH, THE MAGIC OF VALENTINE'S DAY IS UPON US. 1147 00:39:11,880 --> 00:39:12,951 (Gates) MR. CASTLE. 1148 00:39:14,753 --> 00:39:16,555 MY OFFICE, NOW. 1149 00:39:16,555 --> 00:39:19,087 AND THERE IT GOES. 1150 00:39:34,002 --> 00:39:35,804 DID YOU REALLY THINK 1151 00:39:35,804 --> 00:39:37,676 THAT I, OF ALL PEOPLE, 1152 00:39:37,676 --> 00:39:39,578 WOULD BE OKAY WITH THIS? 1153 00:39:39,578 --> 00:39:41,550 NO, I... 1154 00:39:41,550 --> 00:39:43,512 THOUGHT--I... 1155 00:39:47,385 --> 00:39:49,818 "YOU ARE BEAUTY, PASSION, 1156 00:39:49,818 --> 00:39:51,820 "AND FIERCE INTELLECT. 1157 00:39:51,820 --> 00:39:54,663 BE MY VALENTINE. RICK." 1158 00:39:57,125 --> 00:39:59,828 IS THAT ALL I WROTE IN THERE? 1159 00:39:59,828 --> 00:40:01,500 ISN'T THAT ENOUGH? 1160 00:40:01,500 --> 00:40:02,931 WHAT THE HELL IS WRONG WITH YOU? 1161 00:40:02,931 --> 00:40:04,172 I'M A MARRIED WOMAN. 1162 00:40:04,172 --> 00:40:07,436 N--I-I KNOW. NO, I KNOW. I JUST THOUGHT-- 1163 00:40:07,436 --> 00:40:09,438 IS THIS SOME LAME, HAREBRAINED SCHEME 1164 00:40:09,438 --> 00:40:11,079 TO GARNER FAVOR WITH ME? 1165 00:40:11,079 --> 00:40:12,841 YEAH. 1166 00:40:12,841 --> 00:40:14,683 THAT'S--THAT'S WHAT THIS IS. 1167 00:40:14,683 --> 00:40:16,044 WELL, IT BACKFIRED. 1168 00:40:16,044 --> 00:40:19,548 AND I AM WILLING TO FORGET THAT THIS EVER HAPPENED 1169 00:40:19,548 --> 00:40:22,951 IF YOU ASSURE ME THAT YOU CAN TAME YOUR CHILDISH NONSENSE 1170 00:40:22,951 --> 00:40:26,024 AND ACCORD ME SOME RESPECT. 1171 00:40:26,024 --> 00:40:29,097 I-I WILL. I CAN. I WILL. 1172 00:40:31,460 --> 00:40:33,662 AND NOW I WILL GO HOME 1173 00:40:33,662 --> 00:40:35,704 TO MY HUSBAND, 1174 00:40:35,704 --> 00:40:37,005 BECAUSE... 1175 00:40:37,005 --> 00:40:40,769 I'M HIS VALENTINE. 1176 00:40:40,769 --> 00:40:42,210 (door opens) 1177 00:40:42,210 --> 00:40:44,212 BUT SHE ALREADY HATED YOU, CASTLE. 1178 00:40:44,212 --> 00:40:46,975 SO IT DOESN'T SOUND LIKE YOU'RE ANY WORSE OFF. 1179 00:40:46,975 --> 00:40:48,977 I DO RESPECT THE WAY SHE HANDLED IT, THOUGH-- 1180 00:40:48,977 --> 00:40:50,979 STRONG, DECISIVE. 1181 00:40:50,979 --> 00:40:52,651 I FEEL LIKE SOMEHOW, 1182 00:40:52,651 --> 00:40:54,222 IT BROUGHT US CLOSER. 1183 00:40:54,222 --> 00:40:56,054 I AM SORRY ABOUT THE EARRINGS, THOUGH. 1184 00:40:56,054 --> 00:40:58,957 YEAH, ME, TOO. THEY WERE... STUNNING. 1185 00:40:58,957 --> 00:41:02,090 MM. I WILL GET YOU SOMETHING ELSE 1186 00:41:02,090 --> 00:41:03,592 EVEN MORE BEAUTIFUL. 1187 00:41:03,592 --> 00:41:05,063 I'LL JUST TRY NOT TO GIVE IT TO ANOTHER WOMAN FIRST. 1188 00:41:05,063 --> 00:41:06,895 OH, THAT WOULD BE NICE. 1189 00:41:06,895 --> 00:41:08,967 WHICH REMINDS ME... HMM? 1190 00:41:08,967 --> 00:41:11,640 (whispers) WHAT DID YOU GET ME? 1191 00:41:17,175 --> 00:41:18,707 OPEN IT. 1192 00:41:31,820 --> 00:41:33,191 (hand brushes drawer) 1193 00:41:37,065 --> 00:41:39,127 (whispers) MAYBE IT'S IN ANOTHER DRAWER. 1194 00:41:40,999 --> 00:41:42,130 IT IS THE DRAWER. 1195 00:41:44,803 --> 00:41:47,035 IT'S YOUR DRAWER. 1196 00:41:50,008 --> 00:41:52,180 I-I MEAN, I KNOW IT'S NOT A LIGHTSABER, BUT-- 1197 00:41:52,180 --> 00:41:55,113 NO. 1198 00:41:55,113 --> 00:41:56,815 IT'S PERFECT. 1199 00:42:01,019 --> 00:42:02,991 HAPPY VALENTINE'S DAY. 1200 00:42:04,122 --> 00:42:05,994 NOW... 1201 00:42:05,994 --> 00:42:07,896 TAKE YOUR CLOTHES OFF, 1202 00:42:07,896 --> 00:42:10,759 PUT THEM IN YOUR DRAWER, 1203 00:42:10,759 --> 00:42:13,201 AND MEET ME IN THE BED. 1204 00:42:28,146 --> 00:42:33,722 (whispers) SERIOUSLY?