1 00:00:01,632 --> 00:00:04,635 (panting) 2 00:00:04,635 --> 00:00:05,736 (grunts) 3 00:00:05,736 --> 00:00:07,738 (continues panting) 4 00:00:07,738 --> 00:00:09,580 (grunts) 5 00:00:09,580 --> 00:00:11,742 (pants) 6 00:00:11,742 --> 00:00:14,685 (tires squeal) 7 00:00:16,547 --> 00:00:19,490 (engine revs) 8 00:00:19,490 --> 00:00:20,591 (sizzles) 9 00:00:20,591 --> 00:00:22,123 YOU'RE COOKING. 10 00:00:22,123 --> 00:00:24,395 THIS MUST BE A DREAM OR PERHAPS 11 00:00:24,395 --> 00:00:25,556 A NIGHTMARE. 12 00:00:25,556 --> 00:00:27,098 I CHOOSE TO TAKE THE HIGHER GROUND 13 00:00:27,098 --> 00:00:28,059 AND IGNORE THAT. 14 00:00:28,059 --> 00:00:29,360 BREAKFAST IS SERVED. 15 00:00:29,360 --> 00:00:31,162 THESE ARE MY PATENTED SPECIAL PANCAKES 16 00:00:31,162 --> 00:00:33,033 THAT I MAKE FOR ALEXIS. 17 00:00:33,033 --> 00:00:34,335 WELL, NOT SO SPECIAL. 18 00:00:34,335 --> 00:00:36,407 I LEARNED HOW TO PREPARE IT FOR HER THIS PAST YEAR. 19 00:00:36,407 --> 00:00:37,668 OH. 20 00:00:37,668 --> 00:00:40,241 (mouth full) SO THE STUDENT BECOMES... 21 00:00:40,241 --> 00:00:42,343 THE FAILED STUDENT, 22 00:00:42,343 --> 00:00:44,115 THE DROPOUT. 23 00:00:44,115 --> 00:00:45,516 YOU FED HER THIS? MOTHER... 24 00:00:45,516 --> 00:00:47,778 YOU ARE FOREVER FORBIDDEN 25 00:00:47,778 --> 00:00:50,221 FROM PRACTICING THE ART OF PAN-CAKE-DO. 26 00:00:50,221 --> 00:00:51,182 WHERE DID I GO WRONG? 27 00:00:51,182 --> 00:00:52,653 WHERE DO I BEGIN? 28 00:00:52,653 --> 00:00:54,085 BUT ALEXIS ISN'T EVEN HERE. WHY ARE YOU MAKING THESE? 29 00:00:54,085 --> 00:00:56,287 (sighs) 30 00:00:56,287 --> 00:00:57,588 (normal voice) YOU MISS HER. 31 00:00:57,588 --> 00:00:59,690 OHH. 32 00:00:59,690 --> 00:01:01,332 WELL, DON'T YOU? 33 00:01:01,332 --> 00:01:02,833 YES, OF COURSE I DO. 34 00:01:02,833 --> 00:01:05,266 BUT COLUMBIA'S JUST A CAB RIDE AWAY. 35 00:01:05,266 --> 00:01:08,139 OH, SHE WAS THE CENTER OF OUR LIVES FOR SO LONG, 36 00:01:08,139 --> 00:01:11,071 AND NOW SHE'S JUST... GONE? 37 00:01:11,071 --> 00:01:13,674 RIGHT NOW IS JUST ALEXIS' TIME 38 00:01:13,674 --> 00:01:16,147 TO MAKE HER OWN WAY IN THE WORLD. 39 00:01:16,147 --> 00:01:18,209 BUT SHE'LL BE BACK. 40 00:01:19,850 --> 00:01:21,512 LIKE SIMBA IN "THE LION KING," 41 00:01:21,512 --> 00:01:23,384 IT'S THE CIRCLE OF LIFE. 42 00:01:23,384 --> 00:01:25,256 OH, DARLING. 43 00:01:25,256 --> 00:01:26,757 (Beckett) YOU SEEM TO HAVE ADOPTED 44 00:01:26,757 --> 00:01:28,419 A REAL ZEN-LIKE ATTITUDE ABOUT ALL THIS, CASTLE. 45 00:01:28,419 --> 00:01:30,421 WELL, I REALIZED I'VE BEEN A LITTLE OVERPROTECTIVE 46 00:01:30,421 --> 00:01:32,123 OF ALEXIS AT TIMES. 47 00:01:32,123 --> 00:01:34,094 OKAY, CONSTANTLY. 48 00:01:34,094 --> 00:01:35,426 BUT SINCE SHE'S LEFT FOR COLUMBIA, 49 00:01:35,426 --> 00:01:36,867 I'VE LEARNED TO LET GO. 50 00:01:36,867 --> 00:01:38,869 I'VE STOPPED CHECKING HER VIDEO BLOG. 51 00:01:38,869 --> 00:01:41,632 I DON'T ASK TO MEET HER BOYFRIEND ANYMORE. 52 00:01:41,632 --> 00:01:43,304 I'VE COME TO REALIZE THAT, LIKE A BIRD, 53 00:01:43,304 --> 00:01:45,136 ALEXIS NEEDED TO LEAVE THE NEST. 54 00:01:45,136 --> 00:01:46,637 SO I LET HER FLY... 55 00:01:46,637 --> 00:01:48,139 (camera shutter clicking) I TURNED AROUND AND I STRODE AWAY. 56 00:01:48,139 --> 00:01:49,410 THAT'S ACCEPTANCE. 57 00:01:49,410 --> 00:01:52,183 BUT WOULDN'T ACCEPTANCE BE LETTING HER GO, 58 00:01:52,183 --> 00:01:54,885 SEEING WHERE SHE FLIES, AND THEN BEING OKAY WITH IT? 59 00:01:54,885 --> 00:01:56,217 YEAH, BUT I WOULDN'T BE OKAY WITH THAT. 60 00:01:56,217 --> 00:01:57,548 I DON'T WANT TO SEE WHERE SHE GOES, 61 00:01:57,548 --> 00:01:59,520 WHAT OTHER BIRDS OF PREY ARE OUT THERE 62 00:01:59,520 --> 00:02:01,121 AND WHAT OTHER NESTS ARE-- 63 00:02:01,121 --> 00:02:03,254 SO IS THAT ACCEPTANCE OR DENIAL? 64 00:02:03,254 --> 00:02:04,455 WELL, IT WAS ACCEPTANCE 65 00:02:04,455 --> 00:02:05,896 TILL YOU STARTED APPLYING YOUR FIENDISH LOGIC. 66 00:02:05,896 --> 00:02:09,400 HOW ABOUT YOU GUYS APPLY SOME FIENDISH LOGIC TO THIS? 67 00:02:09,400 --> 00:02:10,861 MEET HASIM FAROUK. 68 00:02:10,861 --> 00:02:13,434 MAN VERSUS VAN AT 1:00 A.M. LAST NIGHT. 69 00:02:13,434 --> 00:02:14,905 HE WAS KILLED INSTANTLY. 70 00:02:14,905 --> 00:02:16,607 KNOCKED RIGHT OUT OF HIS SHOES 71 00:02:16,607 --> 00:02:17,868 AT THE POINT OF IMPACT. 72 00:02:17,868 --> 00:02:19,240 (Beckett) SO A HIT AND RUN. 73 00:02:19,240 --> 00:02:20,371 WELL, THAT'S JUST THE TIP OF THE ICEBERG. 74 00:02:20,371 --> 00:02:21,812 A WITNESS, HOMELESS GUY, SAID THAT 75 00:02:21,812 --> 00:02:23,274 THE VICTIM EMPTIED HIS GUN AT THE VAN 76 00:02:23,274 --> 00:02:24,545 AND JUST STOOD IN THE MIDDLE OF THE STREET SHOOTING 77 00:02:24,545 --> 00:02:25,716 RIGHT UNTIL IT HIT HIM. 78 00:02:25,716 --> 00:02:27,147 WHY WOULD HE DO THAT? 79 00:02:27,147 --> 00:02:28,379 I DON'T KNOW. 80 00:02:28,379 --> 00:02:29,550 BUT HE DEFINITELY KNEW HIS WAY AROUND GUNS. JANEY. 81 00:02:29,550 --> 00:02:31,552 THIS IS A SIG P-220-S 82 00:02:31,552 --> 00:02:33,384 WITH A WEIGHT COMPENSATOR, 83 00:02:33,384 --> 00:02:35,186 TARGET SIGHTS, AND A CUSTOM-MOLDED GRIP 84 00:02:35,186 --> 00:02:36,357 TO HIS HAND. 85 00:02:36,357 --> 00:02:37,528 THIS WAS A SERIOUS SHOOTER. 86 00:02:37,528 --> 00:02:38,689 WHAT ELSE DO WE KNOW ABOUT HIM? 87 00:02:38,689 --> 00:02:40,391 WELL, HASIM FAROUK IS A SAUDI NATIONAL 88 00:02:40,391 --> 00:02:42,193 LIVING HERE AS A STUDENT. 89 00:02:42,193 --> 00:02:43,764 MAJORING IN WHAT, URBAN WARFARE? 90 00:02:43,764 --> 00:02:45,666 UH, UNDECLARED, ACTUALLY, UP AT COLUMBIA. 91 00:02:45,666 --> 00:02:47,868 SO WHAT WAS HE DOING IN LOWER MANHATTAN? 92 00:02:47,868 --> 00:02:49,240 MORE IMPORTANTLY... (cell phone beeps) 93 00:02:49,240 --> 00:02:50,371 WHAT IS COLUMBIA DOING 94 00:02:50,371 --> 00:02:51,872 ADMITTING GUN-TOTING LUNATICS 95 00:02:51,872 --> 00:02:54,375 AND ARE THERE ANY MORE OF THEM? 96 00:02:54,375 --> 00:02:55,876 (siren whoops) 97 00:02:55,876 --> 00:02:57,648 FOR THE RECORD, I'M NOT CALLING TO CHECK ON ALEXIS. 98 00:02:57,648 --> 00:02:59,710 I'M JUST CHECKING MY E-MAIL. 99 00:02:59,710 --> 00:03:01,212 (camera shutter clicking) 100 00:03:01,212 --> 00:03:02,253 ACCEPTANCE. 101 00:03:02,253 --> 00:03:04,255 HAVE TECH SEARCH TRAFFIC CAM FOOTAGE 102 00:03:04,255 --> 00:03:06,186 FOR ANY VIDEO OF THAT VAN, 103 00:03:06,186 --> 00:03:07,658 AND LET'S LOOK INTO HASIM FAROUK'S LIFE. (cell phone beeps) 104 00:03:07,658 --> 00:03:09,260 SEE IF HE HAD ANY ENEMIES. 105 00:03:09,260 --> 00:03:11,191 WELL, IT LOOKS LIKE HE HAD AT LEAST ONE. 106 00:03:11,191 --> 00:03:13,464 ASSAULT CHARGES WERE FILED AGAINST HIM TWO DAYS AGO 107 00:03:13,464 --> 00:03:14,965 BY ONE BRAM STOKER. 108 00:03:14,965 --> 00:03:17,928 BRAM STOKER, AUTHOR OF "DRACULA," DIED IN 1912? 109 00:03:17,928 --> 00:03:21,472 UH, IF IT'S HIM, I'D SAY HE'S IMMORTAL. 110 00:03:21,472 --> 00:03:23,334 EXCUSE ME. BRAM STOKER? 111 00:03:23,334 --> 00:03:24,505 YEAH. 112 00:03:24,505 --> 00:03:26,206 DETECTIVE KATE BECKETT, NYPD. 113 00:03:26,206 --> 00:03:28,679 AND MIGHT I SAY HOW YOUTHFUL YOU LOOK? 114 00:03:28,679 --> 00:03:30,641 WITTY. NEVER HEARD THAT BEFORE. 115 00:03:30,641 --> 00:03:32,843 I'VE NEVER HEARD OF ANYONE NAMED BRAM STOKER BEFORE 116 00:03:32,843 --> 00:03:34,685 EXCEPT BRAM STOKER. 117 00:03:34,685 --> 00:03:36,287 APPARENTLY, HE'S A DISTANT RELATIVE, 118 00:03:36,287 --> 00:03:37,788 AND BOTH MY PARENTS ARE ENGLISH SCHOLARS. 119 00:03:37,788 --> 00:03:39,320 THEY THOUGHT IT'D BE CUTE. 120 00:03:39,320 --> 00:03:40,751 IT WASN'T. 121 00:03:40,751 --> 00:03:42,853 SO WHAT IS THIS ABOUT? 122 00:03:42,853 --> 00:03:43,994 THE LATE HASIM FAROUK. 123 00:03:43,994 --> 00:03:45,526 THE LATE? 124 00:03:45,526 --> 00:03:46,697 HE'S DEAD? 125 00:03:46,697 --> 00:03:48,599 YES, HE WAS MURDERED THE DAY AFTER YOU FILED 126 00:03:48,599 --> 00:03:49,800 AN ASSAULT CHARGE AGAINST HIM. 127 00:03:49,800 --> 00:03:50,931 WELL, I CERTAINLY DID NOT KILL HIM. 128 00:03:50,931 --> 00:03:52,903 I FILED THOSE CHARGES TO PROTECT MYSELF. 129 00:03:52,903 --> 00:03:54,505 FROM WHAT? 130 00:03:54,505 --> 00:03:56,407 HASIM WAS A STUDENT OF MINE. 131 00:03:56,407 --> 00:03:58,439 I'M A T.A. FOR A SEMINAR ON JOYCE. 132 00:03:58,439 --> 00:04:00,271 WHAT WAS THE PROBLEM WITH THE TWO OF YOU? 133 00:04:00,271 --> 00:04:01,872 I DIDN'T THINK THAT THERE WAS ONE. 134 00:04:01,872 --> 00:04:02,943 AND THEN THREE DAYS AGO, 135 00:04:02,943 --> 00:04:04,815 HE CONFRONTS ME AFTER CLASS. 136 00:04:04,815 --> 00:04:06,317 STARTS ACCUSING ME 137 00:04:06,317 --> 00:04:07,548 OF BEING... 138 00:04:07,548 --> 00:04:10,681 OVERLY FAMILIAR WITH SOME FEMALE STUDENTS. 139 00:04:10,681 --> 00:04:12,252 SAID IF I DIDN'T STOP, 140 00:04:12,252 --> 00:04:13,023 HE'D KILL ME. 141 00:04:13,023 --> 00:04:14,685 FOR HARASSING THOSE WOMEN? 142 00:04:14,685 --> 00:04:16,687 NO, I WAS NOT HARASSING THEM. 143 00:04:16,687 --> 00:04:19,290 I... I MIGHT FLIRT 144 00:04:19,290 --> 00:04:21,332 WITH STUDENTS ON OCCASION. 145 00:04:21,332 --> 00:04:23,494 BUT BELIEVE ME, IT WAS NEVER UNWELCOME. 146 00:04:23,494 --> 00:04:26,597 LADIES ARE KIND OF DIGGING ON VAMPIRES RIGHT NOW. 147 00:04:26,597 --> 00:04:28,038 MY NAME IS BRAM STOKER. 148 00:04:28,038 --> 00:04:29,900 FOR ONCE IN MY LIFE, IT'S WORKING FOR ME. 149 00:04:29,900 --> 00:04:32,002 MAYBE HASIM WAS JEALOUS. 150 00:04:32,002 --> 00:04:33,804 WERE ANY OF THOSE STUDENTS HIS GIRLFRIEND? 151 00:04:33,804 --> 00:04:35,746 NO, I-I DON'T THINK HE HAD A GIRLFRIEND 152 00:04:35,746 --> 00:04:37,378 OR FRIENDS AT ALL, FOR THAT MATTER. 153 00:04:37,378 --> 00:04:38,909 OKAY, WELL, I'M GONNA NEED A LIST OF ALL THE GIRLS 154 00:04:38,909 --> 00:04:40,411 THAT YOU FLIRTED WITH. 155 00:04:40,411 --> 00:04:41,582 (elevator bell dings) 156 00:04:41,582 --> 00:04:43,714 (whistles) LOOK AT THIS BUILDING. 157 00:04:43,714 --> 00:04:45,686 HASIM WAS LIVING LARGE FOR A COLLEGE STUDENT. 158 00:04:45,686 --> 00:04:47,358 YEAH, ADD THAT TO THE LIST OF THINGS 159 00:04:47,358 --> 00:04:49,760 ABOUT THIS DUDE THAT DON'T ADD UP. 160 00:04:49,760 --> 00:04:51,562 HIS RECORDS SAY HE STARTED AS A FRESHMAN AT 24. 161 00:04:51,562 --> 00:04:52,823 NOW WHO DOES THAT? 162 00:04:52,823 --> 00:04:53,994 A LATE BLOOMER. 163 00:04:53,994 --> 00:04:56,296 OR A SLEEPER-CELL TERRORIST. 164 00:04:56,296 --> 00:04:57,368 THINK ABOUT IT. 165 00:04:57,368 --> 00:04:58,529 SAUDI NATIONAL, 166 00:04:58,529 --> 00:05:00,070 HE SHOT UP A VAN WITH A CUSTOMIZED SIG. 167 00:05:00,070 --> 00:05:01,932 (lock clicks) I'M JUST SAYING... 168 00:05:01,932 --> 00:05:03,303 COULD BE A TERRORIST. 169 00:05:03,303 --> 00:05:04,074 WHOA. 170 00:05:04,074 --> 00:05:06,577 WHOA. 171 00:05:06,577 --> 00:05:08,809 LOOK AT ALL THIS GEAR. 172 00:05:08,809 --> 00:05:11,041 THIS GUY PRACTICALLY HAS HIS OWN DOJO. 173 00:05:11,041 --> 00:05:13,384 (chuckles) 174 00:05:17,488 --> 00:05:19,019 (closes drawer) 175 00:05:20,751 --> 00:05:22,092 UH... (chuckles) YEAH, 176 00:05:22,092 --> 00:05:25,055 AND IF HIS BLACK-BELT SKILLS DIDN'T GET IT DONE, 177 00:05:25,055 --> 00:05:26,757 HE ALWAYS HAD THIS. WOW. 178 00:05:26,757 --> 00:05:28,759 THAT'S NOT ALL HE'S GOT. 179 00:05:28,759 --> 00:05:30,401 LOOK. SURVEILLANCE GEAR. 180 00:05:33,504 --> 00:05:34,965 OOH. 181 00:05:34,965 --> 00:05:36,667 STATE OF THE ART. 182 00:05:36,667 --> 00:05:39,109 LIGHT-YEARS AHEAD OF ANYTHING THE DEPARTMENT HAS. 183 00:05:39,109 --> 00:05:40,571 YEAH. 184 00:05:42,943 --> 00:05:45,576 WHO THE HELL IS THIS GUY? 185 00:05:45,576 --> 00:05:47,918 LOOK, THE GUNS COULD FIT WITH TERRORISM, 186 00:05:47,918 --> 00:05:49,750 BUT THE WIRETAPPING EQUIPMENT? 187 00:05:49,750 --> 00:05:50,951 MAYBE HE'S A SPY. 188 00:05:50,951 --> 00:05:52,623 HE'S GOT MILITARY TRAINING. 189 00:05:52,623 --> 00:05:54,685 IT SAYS HERE HE WAS A COMMANDO IN THE SAUDI SPECIAL FORCES. 190 00:05:54,685 --> 00:05:55,956 BUT THEN THERE'S THIS-- 191 00:05:55,956 --> 00:05:59,129 25 GRAND WIRED TO HIM EVERY MONTH 192 00:05:59,129 --> 00:06:01,031 FROM A SWISS BANK ACCOUNT. 193 00:06:01,031 --> 00:06:03,664 WHATEVER HE WAS DOING, HE WAS WELL FUNDED. 194 00:06:03,664 --> 00:06:04,995 WHAT DID HIS FELLOW STUDENTS HAVE TO SAY? 195 00:06:04,995 --> 00:06:07,798 WELL, I TALKED TO MOST OF THE GIRLS 196 00:06:07,798 --> 00:06:09,470 ON BRAM STOKER'S LIST, 197 00:06:09,470 --> 00:06:10,971 AND NONE OF THEM NOTICED HASIM IN CLASS 198 00:06:10,971 --> 00:06:12,473 OR EVEN KNOW WHO HE WAS. 199 00:06:12,473 --> 00:06:13,974 IT'S LIKE THE GUY WAS INVISIBLE. 200 00:06:13,974 --> 00:06:16,547 HE WAS HIDING IN PLAIN SIGHT. 201 00:06:16,547 --> 00:06:18,008 A FOREIGN AGENT IN DEEP COVER 202 00:06:18,008 --> 00:06:20,411 ON SOME KIND OF SPECIAL RECONNAISSANCE MISSION. 203 00:06:20,411 --> 00:06:21,982 SO THEN WHY WOULD HE SHOOT UP A VAN? 204 00:06:21,982 --> 00:06:23,414 MAYBE JACK BAUER WAS DRIVING. 205 00:06:23,414 --> 00:06:25,586 YO. RYAN'S HUNTING THROUGH TRAFFIC CAM FOOTAGE 206 00:06:25,586 --> 00:06:26,857 LOOKING FOR THAT VAN. 207 00:06:26,857 --> 00:06:28,989 IN THE MEANTIME, THINGS WITH HASIM 208 00:06:28,989 --> 00:06:30,120 JUST KEEPING GETTING WEIRDER. 209 00:06:30,120 --> 00:06:32,092 TECH WENT OVER THAT SURVEILLANCE GEAR. 210 00:06:32,092 --> 00:06:34,425 IT LOOKS LIKE HE WAS USING IT TO MONITOR AN ACTIVE BUG 211 00:06:34,425 --> 00:06:35,766 INSTALLED IN SOME APARTMENT 212 00:06:35,766 --> 00:06:37,027 ABOUT A HALF A MILE FROM HIS PLACE. 213 00:06:37,027 --> 00:06:38,569 WHOSE APARTMENT WAS IT? 214 00:06:38,569 --> 00:06:40,070 ACCORDING TO THE LEASE, IT BELONGED 215 00:06:40,070 --> 00:06:42,002 TO THIS CHICK-- SARA EL-MASRI. 216 00:06:42,002 --> 00:06:44,975 I CALLED AND LEFT A MESSAGE ON HER CELL PHONE. 217 00:06:44,975 --> 00:06:46,907 WAIT A MINUTE. SARA EL-MASRI WAS ONE OF THE STUDENTS 218 00:06:46,907 --> 00:06:48,408 IN THE JOYCE CLASS. 219 00:06:48,408 --> 00:06:51,141 SHE WAS ONE OF THE GIRLS ON BRAM STOKER'S FLIRT LIST. 220 00:06:51,141 --> 00:06:52,843 WHAT DID SHE SAY ABOUT HASIM? 221 00:06:52,843 --> 00:06:54,945 I-I COULDN'T REACH HER. I JUST LEFT A MESSAGE. 222 00:06:54,945 --> 00:06:57,948 HEY, GUYS. I GOT SOMETHING HERE YOU NEED TO SEE. 223 00:06:57,948 --> 00:07:00,090 UNFORTUNATELY, THERE WERE 224 00:07:00,090 --> 00:07:01,952 NO TRAFFIC OR SECURITY CAMS NEAR THE CRIME SCENE. 225 00:07:01,952 --> 00:07:04,054 BUT WE DID FIND THIS FOOTAGE, 226 00:07:04,054 --> 00:07:06,497 SHOT DOWN THE STREET FROM WHERE HASIM WAS HIT. (remote beeps) 227 00:07:06,497 --> 00:07:08,599 (video playing without audio) THAT'S DEFINITELY THE VAN THAT TOOK HIM OUT. 228 00:07:08,599 --> 00:07:11,131 FRONT END'S ALL CRUNCHED UP. YOU CAN SEE THE BULLET HOLES. 229 00:07:11,131 --> 00:07:12,963 YEAH, NOW WATCH THIS. (beep) 230 00:07:19,640 --> 00:07:21,942 WAIT. UH... 231 00:07:21,942 --> 00:07:23,774 GO BACK TO WHERE SHE RAN OUT. (beep) 232 00:07:23,774 --> 00:07:26,016 ZOOM IN ON HER FACE. (beep) 233 00:07:26,016 --> 00:07:27,217 (computer chirps) 234 00:07:29,980 --> 00:07:32,082 THAT'S SARA EL-MASRI. 235 00:07:32,082 --> 00:07:34,685 SHE WAS ABDUCTED. 236 00:07:34,685 --> 00:07:46,897 AND HASIM DIED TRYING TO STOP IT. 237 00:07:47,898 --> 00:07:49,069 WHOEVER THIS IS, HE ABDUCTED A GIRL 238 00:07:49,069 --> 00:07:50,240 AND HE KILLED OUR VICTIM. 239 00:07:50,240 --> 00:07:51,602 SO WHAT DO WE KNOW ABOUT HIM FROM THE VIDEO? 240 00:07:51,602 --> 00:07:52,843 HE'S A MALE, LATE 30s, 241 00:07:52,843 --> 00:07:54,474 NO DISTINGUISHING SCARS OR TATTOOS. 242 00:07:54,474 --> 00:07:56,547 BUT WE SENT THE FOOTAGE OVER TO THE FBI TO SEE IF 243 00:07:56,547 --> 00:07:58,509 THEY CAN RUN IT THROUGH THEIR FACIAL RECOGNITION SOFTWARE. 244 00:07:58,509 --> 00:08:00,651 ARE THEY UPDATED ON THE ABDUCTION? 245 00:08:00,651 --> 00:08:02,152 YES, AND THEY'RE SENDING OVER AN AGENT TO LIAISE. 246 00:08:02,152 --> 00:08:03,814 MEANWHILE, WE'RE CHECKING OTHER TRAFFIC CAMS 247 00:08:03,814 --> 00:08:05,816 TO SEE IF WE CAN TRACK WHERE THAT VAN WENT 248 00:08:05,816 --> 00:08:07,017 AFTER SARA TRIED TO ESCAPE. 249 00:08:07,017 --> 00:08:08,759 HASIM WAS SURVEILLING HER APARTMENT 250 00:08:08,759 --> 00:08:10,220 AND HE WAS NEARBY WHEN SHE WAS KIDNAPPED. 251 00:08:10,220 --> 00:08:11,892 BUT WHY? WHAT WAS THEIR RELATIONSHIP? 252 00:08:11,892 --> 00:08:13,493 WELL, SARA'S ROOMMATE'S COMING IN. 253 00:08:13,493 --> 00:08:14,995 MAYBE SHE HAS AN ANSWER. 254 00:08:14,995 --> 00:08:16,496 THERE WERE NO PHONE CALLS BETWEEN THEM. 255 00:08:16,496 --> 00:08:18,769 IT'S LOOKING MORE LIKE HE WAS STALKING HER. 256 00:08:18,769 --> 00:08:20,130 NOT ONLY DID HE WIRETAP HER PLACE, 257 00:08:20,130 --> 00:08:22,072 HE WAS ALSO TAKING TWO CLASSES THAT SHE WAS IN. 258 00:08:22,072 --> 00:08:24,935 MAYBE IT'S LIKE "THE CONVERSATION." 259 00:08:24,935 --> 00:08:26,707 I'M SORRY. I DON'T-- 260 00:08:26,707 --> 00:08:27,878 FRANCIS FORD COPPOLA. 261 00:08:27,878 --> 00:08:29,509 GENE HACKMAN. VERY UNDERRATED. THANK YOU. 262 00:08:29,509 --> 00:08:30,911 UM, IN IT, A SURVEILLANCE EXPERT 263 00:08:30,911 --> 00:08:32,913 OVERHEARS A PLOT AGAINST THE WOMAN HE'S BUGGING. 264 00:08:32,913 --> 00:08:35,686 MAYBE HASIM GOT WIND OF THE KIDNAPPING, 265 00:08:35,686 --> 00:08:37,087 TRIED TO THWART IT, AND PAID WITH HIS LIFE. 266 00:08:37,087 --> 00:08:39,219 AH, THAT STILL DOESN'T EXPLAIN THE GUNS IN HIS APARTMENT. 267 00:08:39,219 --> 00:08:41,191 TRUE. GENE HACKMAN DID NOT POSSESS AN ARSENAL. 268 00:08:41,191 --> 00:08:43,854 SO IT COULD BE THAT HASIM WAS IN ON THE KIDNAPPING 269 00:08:43,854 --> 00:08:44,955 AND IT WENT SIDEWAYS. 270 00:08:44,955 --> 00:08:46,296 OR HE GOT COLD FEET. 271 00:08:46,296 --> 00:08:47,998 ALL RIGHT, DIG INTO HIS E-MAILS AND PHONE RECORDS. 272 00:08:47,998 --> 00:08:49,199 LET'S SEE WHO HE WAS IN TOUCH WITH. 273 00:08:49,199 --> 00:08:50,761 ON IT. 274 00:08:50,761 --> 00:08:53,934 SO HERE'S WHAT I'VE DUG UP ON SARA EL-MASRI. 275 00:08:53,934 --> 00:08:56,536 SHE'S A SOPHOMORE MAJORING IN MARINE BIOLOGY. 276 00:08:56,536 --> 00:08:58,869 SHE WAS BORN IN CAIRO TO AN UBER-WEALTHY EGYPTIAN FAMILY. 277 00:08:58,869 --> 00:09:00,971 SO THIS COULD'VE BEEN A KIDNAPPING FOR RANSOM. 278 00:09:00,971 --> 00:09:02,112 WHERE ARE HER PARENTS? 279 00:09:02,112 --> 00:09:03,644 THE EL-MASRIS HAVE A PLACE AT THE DAKOTA. 280 00:09:03,644 --> 00:09:04,945 THEY'RE ON THEIR WAY IN NOW. 281 00:09:04,945 --> 00:09:06,246 I AM SICK IN MY HEART. 282 00:09:06,246 --> 00:09:07,948 I-I JUST... 283 00:09:07,948 --> 00:09:09,920 I JUST WANT MY DAUGHTER BACK. 284 00:09:09,920 --> 00:09:11,622 AND WE'RE DOING EVERYTHING THAT WE CAN 285 00:09:11,622 --> 00:09:12,923 TO MAKE THAT HAPPEN, MR. EL-MASRI, 286 00:09:12,923 --> 00:09:14,685 ALONG WITH THE FBI. 287 00:09:14,685 --> 00:09:16,256 SHE'S ONLY 20 YEARS OLD, 288 00:09:16,256 --> 00:09:17,928 A CHILD. 289 00:09:17,928 --> 00:09:18,989 WHO DID THIS TO HER? 290 00:09:18,989 --> 00:09:20,691 WELL, SO FAR WE KNOW THAT 291 00:09:20,691 --> 00:09:22,593 AT LEAST TWO PEOPLE WERE INVOLVED. 292 00:09:22,593 --> 00:09:24,935 THE DRIVER AND THIS MAN. 293 00:09:24,935 --> 00:09:27,237 DOES HE LOOK FAMILIAR TO YOU? 294 00:09:27,237 --> 00:09:28,899 NO, NOT TO ME. LINA? 295 00:09:28,899 --> 00:09:30,300 NO. 296 00:09:30,300 --> 00:09:31,842 I WILL PAY THEM. 297 00:09:31,842 --> 00:09:33,844 I WILL PAY WHATEVER THEY ASK. 298 00:09:33,844 --> 00:09:35,145 WHAT IF THAT ISN'T WHAT THEY WANT? 299 00:09:35,145 --> 00:09:37,748 YOU'VE MADE ENEMIES, ANWAR. 300 00:09:37,748 --> 00:09:39,610 IN EGYPT, NOT HERE. THIS IS ABOUT MONEY. 301 00:09:39,610 --> 00:09:41,852 IT IS--IT'S ALWAYS ABOUT MONEY. 302 00:09:41,852 --> 00:09:43,583 IT'S ALSO ABOUT THIS MAN. 303 00:09:43,583 --> 00:09:44,885 HASIM FAROUK-- HAVE YOU EVER SEEN HIM? 304 00:09:44,885 --> 00:09:47,758 YEAH, I TRIED TO REACH HASIM WHEN I LEARNED OF THIS. 305 00:09:47,758 --> 00:09:48,919 PERHAPS HE CAN HELP US I-- 306 00:09:48,919 --> 00:09:50,590 WAIT. YOU KNOW HIM? 307 00:09:50,590 --> 00:09:52,963 SARA WOULD NOT ACCEPT A BODYGUARD, 308 00:09:52,963 --> 00:09:56,266 SO I HIRED HASIM TO WATCH OVER HER DISCREETLY. 309 00:09:56,266 --> 00:09:58,298 WHERE IS HE? 310 00:09:58,298 --> 00:10:00,100 HE DIED TRYING TO PROTECT HER. 311 00:10:01,632 --> 00:10:04,374 NOW YOU HIRED HIM TO GUARD SARA. 312 00:10:04,374 --> 00:10:05,806 WAS SHE RECEIVING THREATS? 313 00:10:05,806 --> 00:10:07,207 NO. 314 00:10:07,207 --> 00:10:09,009 BUT A MAN IN MY... 315 00:10:09,009 --> 00:10:11,241 POSITION... 316 00:10:11,241 --> 00:10:13,784 I-I BEGGED SARA TO BE CAREFUL, 317 00:10:13,784 --> 00:10:16,046 BUT SHE SAID, "PAPA, YOU-- YOU WORRY TOO MUCH." 318 00:10:16,046 --> 00:10:19,850 SHE THINKS LIKE AN AMERICAN NOW. TR-TRUSTS LIKE AN AMERICAN. 319 00:10:19,850 --> 00:10:23,393 I WILL PAY ANYTHING. 320 00:10:23,393 --> 00:10:25,225 (voice breaks) SHE'S MY ONLY CHILD. 321 00:10:25,225 --> 00:10:26,396 PLEASE. 322 00:10:26,396 --> 00:10:28,028 (knock on door) 323 00:10:28,028 --> 00:10:30,030 WOULD YOU EXCUSE US FOR A MOMENT? 324 00:10:30,030 --> 00:10:33,003 (people speaking indistinctly) 325 00:10:33,003 --> 00:10:34,104 DETECTIVE BECKETT, 326 00:10:34,104 --> 00:10:35,706 MR. CASTLE, 327 00:10:35,706 --> 00:10:36,967 THIS IS AGENT HARRIS. 328 00:10:36,967 --> 00:10:38,168 HE'LL BE RUNNING POINT ON THE KIDNAPPING. 329 00:10:38,168 --> 00:10:39,710 GOOD TO MEET YOU. 330 00:10:39,710 --> 00:10:42,012 DETECTIVE RYAN BROUGHT ME UP TO SPEED ON THINGS. 331 00:10:42,012 --> 00:10:43,073 HOW ARE THE EL-MASRIS? 332 00:10:43,073 --> 00:10:44,975 SCARED. DEVASTATED. 333 00:10:44,975 --> 00:10:46,977 OKAY, THAT'S GOOD. 334 00:10:46,977 --> 00:10:48,148 IT IS? 335 00:10:48,148 --> 00:10:49,780 IT BEATS ANGRY OR DEFENSIVE. 336 00:10:49,780 --> 00:10:51,852 THEY WANT TO BE HELPFUL AND HONEST, WHICH IS IMPORTANT, 337 00:10:51,852 --> 00:10:52,983 'CAUSE AT THE END OF THE DAY, 338 00:10:52,983 --> 00:10:54,324 IT'S THE ACCURACY OF OUR INFORMATION 339 00:10:54,324 --> 00:10:57,327 THAT CAN DETERMINE WHETHER THIS ENDS WELL OR BADLY. 340 00:10:57,327 --> 00:10:58,689 I'LL KEEP YOU IN THE LOOP. 341 00:10:58,689 --> 00:11:00,861 WE'LL DO THE SAME. 342 00:11:05,866 --> 00:11:07,868 SO I GOT RYAN AND ESPOSITO LOOKING INTO 343 00:11:07,868 --> 00:11:09,900 SARA'S MOVEMENTS FROM LAST NIGHT. 344 00:11:09,900 --> 00:11:12,142 I FIGURE IF WE CAN FIND OUT 345 00:11:12,142 --> 00:11:13,874 WHAT SHE WAS DOING IN LOWER MANHATTAN, 346 00:11:13,874 --> 00:11:16,176 THAT COULD LEAD US TO WHOEVER KILLED HASIM. 347 00:11:17,978 --> 00:11:19,980 (speaks inaudibly) 348 00:11:21,081 --> 00:11:23,013 ARE YOU OKAY? 349 00:11:23,013 --> 00:11:24,885 OH, YEAH. I JUST... 350 00:11:24,885 --> 00:11:28,118 CAN'T IMAGINE WHAT THEY'RE GOING THROUGH RIGHT NOW. 351 00:11:28,118 --> 00:11:30,891 DO YOU THINK THAT THIS IS REALLY ABOUT MONEY? 352 00:11:30,891 --> 00:11:32,893 DID A WEB SEARCH ON EL-MASRI. 353 00:11:32,893 --> 00:11:35,025 HE'S WORTH OVER $300 MILLION. 354 00:11:35,025 --> 00:11:36,827 YEAH, BUT STILL, WHO HIRES AN EX-COMMANDO 355 00:11:36,827 --> 00:11:38,368 TO BABYSIT THEIR DAUGHTER? 356 00:11:38,368 --> 00:11:39,870 I'VE CONSIDERED IT. 357 00:11:39,870 --> 00:11:41,471 AND I DON'T DOUBT THAT, 358 00:11:41,471 --> 00:11:42,973 BUT DID YOU SEE HOW HE SHUT HER DOWN 359 00:11:42,973 --> 00:11:44,875 WHEN SHE BROUGHT UP ENEMIES? 360 00:11:44,875 --> 00:11:46,176 HE JUST DOESN'T WANT TO BELIEVE THE WORST, 361 00:11:46,176 --> 00:11:47,838 AND FRANKLY, I CAN'T BLAME HIM. 362 00:11:47,838 --> 00:11:51,041 HEY. SO I JUST INTERVIEWED SARA'S ROOMMATE AMBER. 363 00:11:51,041 --> 00:11:53,013 SHE WASN'T ANY HELP WITH HASIM OR THE KIDNAPPING, 364 00:11:53,013 --> 00:11:54,714 BUT SHE DID SAY THAT SARA WENT OUT LAST NIGHT. 365 00:11:54,714 --> 00:11:56,016 WHERE DID SHE GO? 366 00:11:56,016 --> 00:11:57,117 ALL AMBER COULD REMEMBER 367 00:11:57,117 --> 00:11:59,750 IS THAT IT WAS SOME KIND OF SCIENCE THING. 368 00:11:59,750 --> 00:12:02,322 OKAY, I FOUND THREE SCIENCE-RELATED EVENTS 369 00:12:02,322 --> 00:12:04,795 IN LOWER MANHATTAN FROM LAST NIGHT. 370 00:12:04,795 --> 00:12:07,798 FIRST, A SCI-FI MOVIE MARATHON AT AN ART HOUSE THEATER 371 00:12:07,798 --> 00:12:10,100 EIGHT BLOCKS FROM WHERE HASIM GOT CLOCKED. 372 00:12:10,100 --> 00:12:11,731 THOUGH, BY DEFINITION, SCIENCE FICTION 373 00:12:11,731 --> 00:12:13,063 IS NOT SCIENCE. 374 00:12:13,063 --> 00:12:14,905 IT HAS THE WORD IN IT. 375 00:12:14,905 --> 00:12:15,966 IT'S-- THAT'S AN EXCELLENT POINT. 376 00:12:15,966 --> 00:12:17,808 WHAT ARE THE OTHER TWO? 377 00:12:17,808 --> 00:12:20,240 UH, A STARGAZING TOUR LED BY AN ACTUAL ASTRONOMER 378 00:12:20,240 --> 00:12:22,913 AND A SPEECH FROM A SCIENTIST NAMED HAYDEN POSNER, 379 00:12:22,913 --> 00:12:25,075 UH, IN THE BALLROOM OF THE BEAUMONT HOTEL. 380 00:12:25,075 --> 00:12:27,017 DR. POSNER--HE'S AN EXPERT ON CLIMATE CHANGE. 381 00:12:27,017 --> 00:12:29,249 ALEXIS BOUGHT ME HIS BOOK, WHICH I STILL HAVEN'T READ. 382 00:12:29,249 --> 00:12:31,381 AND THE BEAUMONT HOTEL WOULD EXPLAIN WHY SARA 383 00:12:31,381 --> 00:12:33,023 WAS IN LOWER MANHATTAN. 384 00:12:33,023 --> 00:12:34,384 AND SHE'S A MARINE BIOLOGY MAJOR, 385 00:12:34,384 --> 00:12:35,926 WHICH MEANS SHE WOULD BE INTERESTED IN CLIMATE CHANGE. 386 00:12:35,926 --> 00:12:37,127 LET'S GO. 387 00:12:37,127 --> 00:12:38,829 YES, I REMEMBER HER. 388 00:12:38,829 --> 00:12:41,761 A VERY LOVELY YOUNG WOMAN. 389 00:12:41,761 --> 00:12:45,065 SARA EL-MASRI. YES, SHE DEFINITELY ATTENDED. 390 00:12:45,065 --> 00:12:46,396 I CHECKED HER IN MYSELF. 391 00:12:46,396 --> 00:12:47,998 DID YOU NOTICE ANYTHING UNUSUAL ABOUT HER? 392 00:12:47,998 --> 00:12:49,369 NO. 393 00:12:49,369 --> 00:12:51,842 AFTER DR. POSNER'S PRESENTATION, SHE STAYED FOR THE Q&A, 394 00:12:51,842 --> 00:12:53,303 WHICH WENT RATHER LATE, AND THEN SHE LEFT. 395 00:12:53,303 --> 00:12:54,975 ANY IDEA WHERE SHE WENT? 396 00:12:54,975 --> 00:12:56,406 ALL I KNOW IS THAT SHE EXITED THE BALLROOM. 397 00:12:56,406 --> 00:12:58,809 I STAYED ON TO SET UP FOR A WEDDING RECEPTION. 398 00:12:58,809 --> 00:12:59,880 DID SHE SPEAK WITH ANYONE? 399 00:12:59,880 --> 00:13:01,882 JUST THE PERSON SHE WAS WITH. 400 00:13:01,882 --> 00:13:03,053 WHO WAS THAT? 401 00:13:03,053 --> 00:13:04,254 A YOUNG WOMAN. 402 00:13:04,254 --> 00:13:05,385 THEY SAT TOGETHER. THEY SEEMED TO BE FRIENDS. 403 00:13:05,385 --> 00:13:06,817 BUT I COULDN'T TELL YOU HER NAME. 404 00:13:06,817 --> 00:13:09,059 DO YOU THINK YOU COULD DESCRIBE THIS WOMAN? 405 00:13:09,059 --> 00:13:11,962 RED HAIR, UH, PALE SKIN, UH, ALSO VERY LOVELY. 406 00:13:11,962 --> 00:13:14,995 CAN I... SEE THAT FOR A MOMENT? 407 00:13:16,566 --> 00:13:18,028 IT'S ALEXIS. SHE'S ON THE LIST. 408 00:13:18,028 --> 00:13:19,199 SHE WAS HERE LAST NIGHT. 409 00:13:19,199 --> 00:13:20,530 WELL, MAYBE SHE KNOWS HER. 410 00:13:20,530 --> 00:13:22,032 MAYBE THEY MET AT THE EVENT. (beeps) 411 00:13:22,032 --> 00:13:24,074 AT THE VERY LEAST, I'M SURE SHE CAN HELP US OUT. 412 00:13:24,074 --> 00:13:26,036 MM-HMM. 413 00:13:26,036 --> 00:13:27,878 (ringtone plays) 414 00:13:27,878 --> 00:13:30,841 THAT'S HER RINGTONE. 415 00:13:30,841 --> 00:13:34,214 (ringtone plays) 416 00:13:34,214 --> 00:13:36,016 (ringtone playing) (Castle) WHAT'S THAT? 417 00:13:36,016 --> 00:13:37,447 OUR LOST AND FOUND. 418 00:13:37,447 --> 00:13:40,020 IN FACT, A GUEST TURNED IN A PHONE LAST NIGHT. 419 00:13:40,020 --> 00:13:41,521 THEY FOUND IT IN THE STREET OUT FRONT. 420 00:13:41,521 --> 00:13:43,553 (ringtone plays) 421 00:13:43,553 --> 00:13:47,497 (ringtone plays) 422 00:13:47,497 --> 00:13:50,300 THEY TOOK ALEXIS, TOO. (ringtone plays) 423 00:13:55,305 --> 00:13:56,937 (door closes) (Harris) MR. CASTLE, 424 00:13:56,937 --> 00:13:58,508 WE WILL DO EVERYTHING IN OUR POWER 425 00:13:58,508 --> 00:13:59,870 TO GET YOUR DAUGHTER BACK. 426 00:13:59,870 --> 00:14:01,041 I DON'T WANT TO BE HANDLED. 427 00:14:01,041 --> 00:14:02,973 JUST LET ME KNOW WHERE THINGS STAND. 428 00:14:02,973 --> 00:14:05,315 LET'S START WITH THE FACTS AS WE NOW UNDERSTAND THEM. 429 00:14:05,315 --> 00:14:07,347 YOUR DAUGHTER ATTENDED LAST NIGHT'S EVENT 430 00:14:07,347 --> 00:14:09,149 WITH SARA EL-MASRI. 431 00:14:09,149 --> 00:14:11,121 APPARENTLY THEY MET IN AN ENVIRONMENTAL SCIENCE CLASS 432 00:14:11,121 --> 00:14:12,522 AND BECAME FRIENDS. 433 00:14:12,522 --> 00:14:15,085 GPS ON HER PHONE SHOWS THAT IT WAS LEFT OUTSIDE THE HOTEL 434 00:14:15,085 --> 00:14:17,227 SHORTLY AFTER THE EVENT ENDED. 435 00:14:17,227 --> 00:14:20,260 THAT PLUS THE FACT THAT NO ONE HAS SEEN OR HEARD FROM HER 436 00:14:20,260 --> 00:14:21,932 IN THE 16 HOURS SINCE 437 00:14:21,932 --> 00:14:25,035 LEADS US TO CONCLUDE THAT SHE, TOO, WAS FORCED INTO THE VAN. 438 00:14:25,035 --> 00:14:26,967 NOW WHY WOULD THEY TAKE ALEXIS 439 00:14:26,967 --> 00:14:28,238 IF SARA WAS THE TARGET? 440 00:14:28,238 --> 00:14:30,170 SHE WAS PROBABLY WITH SARA AT THE TIME. 441 00:14:30,170 --> 00:14:31,301 SHE WAS A WITNESS. 442 00:14:31,301 --> 00:14:33,203 IT WOULD'VE BEEN EASIER TO TAKE HER 443 00:14:33,203 --> 00:14:34,975 THAN... NOT. 444 00:14:36,876 --> 00:14:38,048 SO YOU'RE SAYING SHE WAS 445 00:14:38,048 --> 00:14:39,179 JUST IN THE WRONG PLACE AT THE WRONG TIME. 446 00:14:39,179 --> 00:14:40,350 IT APPEARS THAT WAY. 447 00:14:40,350 --> 00:14:42,052 DO YOU HAVE ANY SUSPECTS? 448 00:14:42,052 --> 00:14:43,213 WE HAVE A NAME. 449 00:14:43,213 --> 00:14:44,414 FACIAL RECOGNITION 450 00:14:44,414 --> 00:14:46,456 GAVE US AN I.D. ON THE MAN IN THE VIDEO. 451 00:14:46,456 --> 00:14:47,587 ROGER HENSON. 452 00:14:47,587 --> 00:14:49,289 WE KNOW HIM MAINLY 453 00:14:49,289 --> 00:14:52,062 AS A MID-LEVEL NARCOTICS SMUGGLER. 454 00:14:52,062 --> 00:14:53,593 IF WE KNOW HE'S OUT THERE, 455 00:14:53,593 --> 00:14:55,095 WE CAN GET HIM. 456 00:14:55,095 --> 00:14:56,196 WE CAN INITIATE A MANHUNT. 457 00:14:56,196 --> 00:14:58,068 WE'RE ALREADY SEARCHING FOR HENSON 458 00:14:58,068 --> 00:15:00,030 ALONG WITH ALL HIS KNOWN ASSOCIATES. 459 00:15:00,030 --> 00:15:02,472 BUT HE IS A CAREER FELON. 460 00:15:02,472 --> 00:15:04,204 FINDING HIM WON'T BE EASY. 461 00:15:04,204 --> 00:15:06,236 WHAT'S A DRUG SMUGGLER DOING INVOLVED IN A KIDNAPPING? 462 00:15:06,236 --> 00:15:07,337 WE'RE NOT SURE. 463 00:15:07,337 --> 00:15:09,139 BUT ROGER HENSON IS NOT A SHOT CALLER. 464 00:15:09,139 --> 00:15:11,311 HE'S A MIDDLEMAN, A HIRED GUN. 465 00:15:11,311 --> 00:15:13,443 HE MAY HAVE BEEN HIRED TO ABDUCT THE GIRLS. 466 00:15:13,443 --> 00:15:15,085 WHAT HAPPENS NOW? 467 00:15:15,085 --> 00:15:16,916 WE PRESS AHEAD ON MULTIPLE FRONTS 468 00:15:16,916 --> 00:15:18,318 WITH A FOCUS ON HENSON. 469 00:15:18,318 --> 00:15:20,250 LOCATING HIM COULD CRACK THE CASE. 470 00:15:20,250 --> 00:15:21,551 WE'RE ALSO CREATING CONTINGENCY PLANS 471 00:15:21,551 --> 00:15:23,223 FOR WHEN AND IF 472 00:15:23,223 --> 00:15:24,454 THE KIDNAPPERS MAKE CONTACT. 473 00:15:24,454 --> 00:15:26,096 IF? WHAT DO YOU MEAN IF? 474 00:15:26,096 --> 00:15:28,098 WE KNOW THAT THE EL-MASRIS ARE WEALTHY, 475 00:15:28,098 --> 00:15:30,500 AND YOU TOLD US SARA WAS THE TARGET. 476 00:15:30,500 --> 00:15:33,363 MR. EL-MASRI ADMITTED HE HAD CLOSE TIES 477 00:15:33,363 --> 00:15:35,535 WITH THE PREVIOUS REGIME IN EGYPT. 478 00:15:35,535 --> 00:15:38,668 AS A RESULT, HE MADE SOME VERY POWERFUL ENEMIES. 479 00:15:38,668 --> 00:15:41,211 IT'S POSSIBLE HIS DAUGHTER'S ABDUCTION 480 00:15:41,211 --> 00:15:42,612 WAS MOTIVATED BY REVENGE. 481 00:15:42,612 --> 00:15:44,274 OKAY, WHERE DOES THAT LEAVE MY DAUGHTER? 482 00:15:44,274 --> 00:15:46,146 I MEAN, IF... 483 00:15:46,146 --> 00:15:47,277 IF SHE WASN'T THE ONE THEY WERE AFTER 484 00:15:47,277 --> 00:15:48,718 AND SHE'S JUST IN THE WAY-- 485 00:15:48,718 --> 00:15:51,081 MR. CASTLE, YOU NEED TO STAY POSITIVE. 486 00:15:51,081 --> 00:15:52,983 WHATEVER THEIR MOTIVES, 487 00:15:52,983 --> 00:15:55,285 THE KIDNAPPERS WILL REALIZE SHE HAS VALUE. 488 00:15:55,285 --> 00:15:58,058 NOW WHAT WE NEED TO DO NEXT IS GO TO YOUR HOME 489 00:15:58,058 --> 00:16:00,060 AND SET UP A TRAP AND TRACE ON YOUR PHONE LINES 490 00:16:00,060 --> 00:16:03,193 SO WE'RE READY FOR THEIR CALL. 491 00:16:03,193 --> 00:16:05,335 I'LL WAIT FOR YOU OUTSIDE. 492 00:16:08,468 --> 00:16:10,570 (door opens) 493 00:16:17,247 --> 00:16:18,648 (whispering) GATES WILL SEE. 494 00:16:18,648 --> 00:16:21,511 (whispering) I DON'T CARE. 495 00:16:23,153 --> 00:16:25,485 I CAN'T BELIEVE THIS IS HAPPENING. 496 00:16:25,485 --> 00:16:28,288 WE'RE GONNA FIND HER, CASTLE. 497 00:16:28,288 --> 00:16:30,320 WE WILL. 498 00:16:42,532 --> 00:16:44,304 YOU DO WHATEVER YOU NEED TO DO 499 00:16:44,304 --> 00:16:46,176 TO GET HIM BACK HIS LITTLE GIRL. 500 00:16:46,176 --> 00:16:48,678 ANYTHING YOU NEED, DETECTIVE. 501 00:16:48,678 --> 00:16:51,081 THANK YOU, SIR. 502 00:16:54,344 --> 00:16:55,445 HOW'S HE DOING? 503 00:16:55,445 --> 00:16:57,317 IT'S ALEXIS. HE'S GOTTA BE WRECKED. 504 00:16:57,317 --> 00:16:58,418 HELL, I'M WRECKED. 505 00:16:58,418 --> 00:16:59,719 YEAH, WELL, WE GOTTA PUT ALL OF THAT ASIDE 506 00:16:59,719 --> 00:17:01,051 AND HELP HIM FIND HER. 507 00:17:01,051 --> 00:17:02,192 WHERE ARE WE ON THE VAN? 508 00:17:02,192 --> 00:17:03,653 WE'VE BEEN WORKING THE TRAFFIC CAM FOOTAGE 509 00:17:03,653 --> 00:17:05,195 AND WE MADE SOME HEADWAY. 510 00:17:05,195 --> 00:17:06,226 AFTER THE VAN LEFT LOWER MANHATTAN, 511 00:17:06,226 --> 00:17:07,357 WE PICKED IT UP ON EAST RIVER DRIVE, 512 00:17:07,357 --> 00:17:09,059 HEADING TOWARDS THE QUEENS MIDTOWN TUNNEL. 513 00:17:09,059 --> 00:17:11,061 WE GOTTA FIGURE OUT WHERE THAT VAN WENT. 514 00:17:11,061 --> 00:17:13,063 LET'S BRING IN SOME MORE BODIES TO REVIEW THE FOOTAGE. 515 00:17:13,063 --> 00:17:16,606 WE FIND THE VAN, WE'LL FIND ALEXIS. 516 00:17:16,606 --> 00:17:18,168 YOU'LL LET US KNOW IF YOU NEED ANYTHING? 517 00:17:18,168 --> 00:17:19,669 (man) CERTAINLY, SIR. 518 00:17:22,041 --> 00:17:24,274 OH, MOTHER... 519 00:17:24,274 --> 00:17:25,815 I'M SORRY. 520 00:17:25,815 --> 00:17:27,317 I AM SO SORRY. 521 00:17:27,317 --> 00:17:29,819 RICHARD, THIS IS NOT YOUR FAULT. 522 00:17:29,819 --> 00:17:31,181 I DON'T KNOW. MAYBE IF I'D JUST-- 523 00:17:31,181 --> 00:17:33,753 NO IFs. DO NOT TORTURE YOURSELF WITH IFs. 524 00:17:33,753 --> 00:17:35,285 THE ONLY PEOPLE TO BLAME FOR THIS 525 00:17:35,285 --> 00:17:36,426 ARE THE ONES WHO TOOK HER. 526 00:17:36,426 --> 00:17:38,358 ALEXIS IS HER FATHER'S DAUGHTER. 527 00:17:38,358 --> 00:17:40,430 SHE IS STRONG AND SHE IS SMART 528 00:17:40,430 --> 00:17:42,092 AND SHE IS GOING TO GET THROUGH THIS. 529 00:17:42,092 --> 00:17:43,393 YEAH, I KNOW. 530 00:17:43,393 --> 00:17:45,535 NO, NO, NO. I'M NOT JUST SAYING THIS. 531 00:17:45,535 --> 00:17:47,066 SHE'S GONNA BE ALL RIGHT. 532 00:17:47,066 --> 00:17:51,301 I FEEL IT IN MY HEART, AND MY HEART IS NEVER WRONG. 533 00:17:51,301 --> 00:17:52,542 WHAT ABOUT YOUR FIRST MARRIAGE? 534 00:17:52,542 --> 00:17:53,703 WELL-- 535 00:17:53,703 --> 00:17:55,145 AND YOUR SECOND? 536 00:17:55,145 --> 00:17:56,306 OKAY, FINE, FINE. 537 00:17:56,306 --> 00:17:57,277 OCCASIONALLY, MY HEART IS WRONG. 538 00:17:57,277 --> 00:17:59,709 BUT IT IS NOT IN THIS CASE. 539 00:17:59,709 --> 00:18:01,611 I JUST KEEP WONDERING, 540 00:18:01,611 --> 00:18:03,253 HOW DID THE KIDNAPPERS KNOW 541 00:18:03,253 --> 00:18:05,185 SARA WAS GONNA BE AT THE BEAUMONT HOTEL? 542 00:18:05,185 --> 00:18:06,356 YOU HAVE KATE BECKETT 543 00:18:06,356 --> 00:18:09,119 AND THE FBI TRACKING ALEXIS DOWN. 544 00:18:09,119 --> 00:18:10,420 JUST LET THEM DO THEIR JOB. 545 00:18:10,420 --> 00:18:12,392 AND THEY NEED FOR YOU TO BE HERE. 546 00:18:14,264 --> 00:18:16,496 OKAY. 547 00:18:16,496 --> 00:18:18,368 WHAT DO YOU GOT? 548 00:18:18,368 --> 00:18:20,500 OUR VAN EXITED THE QUEENS TO MIDTOWN TUNNEL... (beeps) 549 00:18:20,500 --> 00:18:22,202 TO GREENPOINT. (chirps) 550 00:18:22,202 --> 00:18:23,373 TOOK GREENPOINT AVE. TO McGUINNESS... (chirping) 551 00:18:23,373 --> 00:18:25,705 THEN WENT WEST ON HURON. THEN WHERE'D THE VAN GO? 552 00:18:25,705 --> 00:18:27,177 WELL, WE'RE NOT SURE, BUT THIS AREA RIGHT HERE, 553 00:18:27,177 --> 00:18:28,808 IT'S PRETTY MUCH BOXED IN BY GREENPOINT AVE... 554 00:18:28,808 --> 00:18:30,610 (beeping) McGUINNESS AND FRANKLIN. 555 00:18:30,610 --> 00:18:32,142 (Esposito) WE CHECK THE VIDEO FEEDS FROM THOSE STREETS. 556 00:18:32,142 --> 00:18:33,313 THE VAN WENT INTO THAT NEIGHBORHOOD, 557 00:18:33,313 --> 00:18:34,644 BUT NEVER CAME OUT. 558 00:18:34,644 --> 00:18:36,286 THE GIRLS HAVE TO BE SOMEWHERE IN THERE... (beeps) 559 00:18:36,286 --> 00:18:37,317 ALONG WITH HENSON. 560 00:18:37,317 --> 00:18:38,448 OKAY, SO HOW BIG IS OUR SEARCH ZONE? 561 00:18:38,448 --> 00:18:39,649 20 SQUARE BLOCKS. 562 00:18:39,649 --> 00:18:41,421 OKAY, COORDINATE WITH THE FEDS AND QUEENS P.D. 563 00:18:41,421 --> 00:18:43,423 WE NEED TO DO A STREET BY STREET SEARCH FOR THAT VAN. 564 00:18:43,423 --> 00:18:46,396 PLAINCLOTHES AND UNMARKED CARS ONLY. 565 00:18:50,330 --> 00:18:51,501 (clicks mouse) 566 00:18:51,501 --> 00:18:53,333 (click) 567 00:18:53,333 --> 00:18:56,406 (click) 568 00:18:58,608 --> 00:18:59,769 (click) 569 00:18:59,769 --> 00:19:01,311 (click) 570 00:19:01,311 --> 00:19:02,812 (click) 571 00:19:02,812 --> 00:19:05,475 SO I'M SITTING BY THE FOUNTAIN ON THE SOUTH QUAD THIS MORNING, 572 00:19:05,475 --> 00:19:06,846 SIPPING MY MACCHIATO, 573 00:19:06,846 --> 00:19:08,548 TRYING TO STUDY FOR A CHEM QUIZ, 574 00:19:08,548 --> 00:19:09,879 AND I HAD THIS... 575 00:19:09,879 --> 00:19:11,851 I GUESS IT WAS ANOTHER FRESHMAN MOMENT. 576 00:19:11,851 --> 00:19:14,324 I'M SURE EVENTUALLY I'LL BECOME JADED AND CYNICAL, 577 00:19:14,324 --> 00:19:16,426 BUT NOT TODAY. 578 00:19:16,426 --> 00:19:19,389 TODAY I LOOK AROUND, AND I SEE BEAUTIFUL BUILDINGS, 579 00:19:19,389 --> 00:19:21,231 I SEE STUDENTS WHO ARE JUST LIKE ME 580 00:19:21,231 --> 00:19:22,732 AND NOTHING LIKE ME, 581 00:19:22,732 --> 00:19:25,365 AND I FEEL... (sighs deeply) 582 00:19:25,365 --> 00:19:28,668 OVERWHELMED... WITH ALL THE POSSIBILITIES, 583 00:19:28,668 --> 00:19:32,572 WITH HOW LUCKY I AM TO BE A PART OF THIS 584 00:19:32,572 --> 00:19:37,547 AND... HOW THERE'S NOWHERE ON EARTH I'D RATHER BE RIGHT NOW. 585 00:19:40,750 --> 00:19:42,412 NOW STAND BY FOR A GEEK ALERT. 586 00:19:42,412 --> 00:19:43,713 ME AND MY FRIEND SARA 587 00:19:43,713 --> 00:19:45,215 GOT TICKETS TO GO SEE DR. POSNER SPEAK 588 00:19:45,215 --> 00:19:46,516 AT THE BEAUMONT TONIGHT. 589 00:19:46,516 --> 00:19:48,318 AND FOR THOSE OF YOU WHO DON'T KNOW, 590 00:19:48,318 --> 00:19:50,260 DR. POSNER IS ONE OF THE FOREMOST THINKERS 591 00:19:50,260 --> 00:19:52,662 ON CLIMATE CHANGE, A PERSONAL HERO OF MINE, 592 00:19:52,662 --> 00:19:54,594 AND I CAN'T WAIT TO HEAR... (Castle) You see? Are you watching? 593 00:19:54,594 --> 00:19:56,826 WHAT HE HAS TO SAY. CASTLE, IF THE KIDNAPPERS KNEW THAT ALEXIS AND SARA 594 00:19:56,826 --> 00:19:58,197 were friends-- 595 00:19:58,197 --> 00:19:59,429 THEY DID KNOW. THEY HAD TO KNOW. 596 00:19:59,429 --> 00:20:02,332 THEY TRACKED SARA TO THE HOTEL FROM THIS VIDEO. 597 00:20:02,332 --> 00:20:04,374 Alexis posted it yesterday afternoon at 2:36. (clicking keyboard keys) 598 00:20:04,374 --> 00:20:06,336 THE KIDNAPPERS MUST HAVE ACCESSED HER WEB SITE. 599 00:20:06,336 --> 00:20:07,377 OKAY, I'M CONTACTING TECH RIGHT NOW. 600 00:20:07,377 --> 00:20:08,538 Have them trace 601 00:20:08,538 --> 00:20:10,640 EVERY I.P. ADDRESS THAT ACCESSED THAT SITE 602 00:20:10,640 --> 00:20:12,712 AFTER 2:36 P.M. 603 00:20:12,712 --> 00:20:14,384 WHICH MIGHT TAKE TIME, DEPENDING ON-- 604 00:20:14,384 --> 00:20:15,615 WHAT IF SHE DOESN'T HAVE TIME? 605 00:20:15,615 --> 00:20:17,887 CASTLE, LISTEN TO ME-- 606 00:20:17,887 --> 00:20:20,390 DON'T. 607 00:20:20,390 --> 00:20:22,852 DON'T PROMISE ME YOU'LL FIND HER UNLESS YOU CAN DO IT, 608 00:20:22,852 --> 00:20:24,894 BECAUSE... 609 00:20:24,894 --> 00:20:27,597 I WOULD NEVER FORGIVE YOU. 610 00:20:29,329 --> 00:20:31,861 ANYMORE THAN I'D EVER FORGIVE MYSELF. 611 00:20:31,861 --> 00:20:34,364 (Ryan) BECKETT. 612 00:20:34,364 --> 00:20:36,366 WE GOT SOMETHING. 613 00:20:36,366 --> 00:20:37,907 What's that? Beckett? 614 00:20:37,907 --> 00:20:39,839 WHAT'S GOING ON? 615 00:20:42,241 --> 00:20:43,473 CASTLE, I GOTTA GO. 616 00:20:43,473 --> 00:20:45,275 I'LL CALL YOU AS SOON AS I FIND SOMETHING, OKAY? 617 00:20:45,275 --> 00:20:46,716 BECKETT, WAIT. (receiver clatters) 618 00:20:46,716 --> 00:20:47,877 (line disconnects) 619 00:20:47,877 --> 00:20:49,248 (cell phone beeps) 620 00:20:55,485 --> 00:20:57,327 OKAY, THANKS. YEAH, I WILL. 621 00:20:57,327 --> 00:20:58,528 (beeps) 622 00:20:58,528 --> 00:21:00,360 THAT WAS L.T. FROM THE PRECINCT. 623 00:21:00,360 --> 00:21:02,031 HE SAID ALL HE KNOWS IS THAT THEY FOUND THE VAN 624 00:21:02,031 --> 00:21:03,763 PARKED SINCE LAST NIGHT. 625 00:21:03,763 --> 00:21:08,368 WELL, BECKETT WILL CALL YOU AS SOON AS SHE HAS SOME NEWS. 626 00:21:08,368 --> 00:21:09,839 THE VAN'S IN GREENPOINT. 627 00:21:09,839 --> 00:21:11,841 SHE WOULD'VE GOTTEN THERE OVER AN HOUR AGO. 628 00:21:11,841 --> 00:21:14,644 THE ONLY REASON SHE WOULDN'T HAVE CALLED-- 629 00:21:14,644 --> 00:21:16,275 STOP IT, RICHARD. 630 00:21:16,275 --> 00:21:18,348 WE--WE DON'T KNOW THAT. 631 00:21:18,348 --> 00:21:21,481 OH, DARLING, GO TO GREENPOINT. GO. 632 00:21:21,481 --> 00:21:24,454 GO. I CAN HANDLE THINGS HERE. (kisses) 633 00:21:25,855 --> 00:21:27,016 (tires squeal) 634 00:21:27,016 --> 00:21:28,658 (police radio chatter, sirens wailing) 635 00:21:28,658 --> 00:21:30,289 HEY. 636 00:21:30,289 --> 00:21:32,061 CASTLE, WHAT ARE YOU DOING HERE? (camera shutter clicking) 637 00:21:32,061 --> 00:21:33,663 THE PRECINCT TOLD ME THAT YOU FOUND THE VAN. 638 00:21:33,663 --> 00:21:34,924 WHY THE HELL WOULDN'T YOU CALL ME? 639 00:21:34,924 --> 00:21:36,396 'CAUSE WE DON'T KNOW WHAT THIS IS YET. 640 00:21:36,396 --> 00:21:37,497 CASTLE, PLEASE, YOU DON'T NEED TO SEE THIS, OKAY? 641 00:21:37,497 --> 00:21:39,329 WHAT'S IN THE VAN? CASTLE, JUST PLEASE-- 642 00:21:39,329 --> 00:21:40,870 WHAT'S IN THE VAN?! 643 00:21:40,870 --> 00:21:43,533 (clicking continues) 644 00:21:43,533 --> 00:21:45,605 (radio chatter continues) 645 00:21:45,605 --> 00:21:47,306 (voice breaking) OH, LANIE. WHOSE BLOOD IS THAT? 646 00:21:47,306 --> 00:21:48,978 DID SOMEONE DIE IN THERE? 647 00:21:48,978 --> 00:21:50,480 LANIE, DID SHE DIE IN THERE? 648 00:21:50,480 --> 00:21:52,512 CASTLE, WE DON'T KNOW, OKAY? 649 00:21:52,512 --> 00:21:54,444 NOT YET. LANIE JUST GOT HERE. 650 00:21:54,444 --> 00:21:56,015 WHAT IS ALEXIS' BLOOD TYPE? 651 00:21:56,015 --> 00:21:57,387 A-POSITIVE. 652 00:21:57,387 --> 00:21:58,548 OKAY, JUST GIVE ME A MINUTE. 653 00:21:58,548 --> 00:22:00,490 COME ON. LET'S GO OVER HERE. 654 00:22:00,490 --> 00:22:01,851 (exhales) 655 00:22:01,851 --> 00:22:04,854 (radio chatter continues) 656 00:22:04,854 --> 00:22:08,027 (clicking continues, sirens wailing) 657 00:22:08,027 --> 00:22:11,030 (indistinct conversations) 658 00:22:11,030 --> 00:22:14,103 (radio chatter continues) 659 00:22:14,103 --> 00:22:16,466 (wailing continues) 660 00:22:16,466 --> 00:22:17,807 (inhales sharply) 661 00:22:17,807 --> 00:22:20,370 (radio chatter and clicking continue) 662 00:22:20,370 --> 00:22:21,941 (voice breaking) IS IT A MATCH? 663 00:22:21,941 --> 00:22:24,614 IT'S B-NEGATIVE. IT'S NOT FROM YOUR BABY. 664 00:22:24,614 --> 00:22:25,575 OH, GOD. THANK YOU. 665 00:22:25,575 --> 00:22:26,746 I'M RIGHT THERE WITH YOU, HONEY. 666 00:22:26,746 --> 00:22:29,419 I GOTTA GO LET AGENT HARRIS KNOW. 667 00:22:29,419 --> 00:22:30,880 SO SHE'S SAFE. SHE'S HERE SOMEWHERE, RIGHT? 668 00:22:30,880 --> 00:22:32,622 SHE'S GOTTA BE AROUND HERE SOMEWHERE? 669 00:22:32,622 --> 00:22:33,553 SHE WAS. 670 00:22:33,553 --> 00:22:34,854 CASTLE, THERE WAS A BLOOD TRAIL 671 00:22:34,854 --> 00:22:36,386 THAT LED FROM THE VAN, AND IT STOPPED. 672 00:22:36,386 --> 00:22:38,057 WE THINK THAT THE KIDNAPPERS CHANGED CARS. 673 00:22:38,057 --> 00:22:39,859 WHOSE VAN IS IT? 674 00:22:39,859 --> 00:22:41,360 IT WAS STOLEN A WEEK AGO. 675 00:22:41,360 --> 00:22:42,532 ANY FINGERPRINTS? 676 00:22:42,532 --> 00:22:43,593 C.S.U. IS LOOKING. 677 00:22:43,593 --> 00:22:44,664 WE'VE GOT UNIFORMS CANVASSING THE AREA. 678 00:22:44,664 --> 00:22:46,566 CASTLE, LISTEN, IF THERE IS A LEAD, 679 00:22:46,566 --> 00:22:47,937 WE ARE GONNA FIND IT. 680 00:22:47,937 --> 00:22:49,599 BECKETT. 681 00:22:49,599 --> 00:22:51,941 I'LL BE RIGHT BACK. OKAY? 682 00:22:51,941 --> 00:22:53,443 (radio chatter continues) 683 00:22:53,443 --> 00:22:55,044 (clicking continues) 684 00:22:55,044 --> 00:22:57,607 MR. AND MRS. EL-MASRI, I NEED TO SPEAK TO YOU FOR A MOMENT. 685 00:22:57,607 --> 00:22:59,509 WE'RE ABSOLUTELY POSITIVE. 686 00:22:59,509 --> 00:23:02,452 WE TESTED THE BLOOD TWICE JUST TO BE SURE. (cries) 687 00:23:02,452 --> 00:23:04,654 (indistinct conversations continue) 688 00:23:04,654 --> 00:23:06,656 (camera shutter clicking) 689 00:23:06,656 --> 00:23:08,558 (radio chatter continues) 690 00:23:08,558 --> 00:23:10,590 THE BLOOD, IT'S NOT FROM SARA. 691 00:23:10,590 --> 00:23:11,821 AND NOT ALEXIS EITHER. 692 00:23:11,821 --> 00:23:12,962 THEN THERE'S HOPE. 693 00:23:12,962 --> 00:23:14,393 YEAH. 694 00:23:14,393 --> 00:23:15,865 I-I REGRET 695 00:23:15,865 --> 00:23:17,867 THAT YOUR DAUGHTER WAS DRAWN INTO THIS. 696 00:23:17,867 --> 00:23:20,930 WHAT IS IT EXACTLY THEY'VE BEEN DRAWN INTO? 697 00:23:20,930 --> 00:23:23,002 I WISH I KNEW. 698 00:23:23,002 --> 00:23:26,005 (indistinct conversations continue) 699 00:23:26,005 --> 00:23:27,537 (radio chatter continues) 700 00:23:52,562 --> 00:23:53,733 SARA? 701 00:23:55,635 --> 00:23:56,566 SARA? 702 00:23:56,566 --> 00:23:57,837 (sniffles and moans) 703 00:23:57,837 --> 00:23:59,709 SARA, ARE YOU OKAY? 704 00:23:59,709 --> 00:24:02,141 (exhales) 705 00:24:02,141 --> 00:24:04,043 I THINK. 706 00:24:08,147 --> 00:24:09,519 WHERE ARE WE? 707 00:24:09,519 --> 00:24:10,550 I DON'T KNOW. 708 00:24:10,550 --> 00:24:13,753 WAIT. THE SPEECH. THE HOTEL. 709 00:24:13,753 --> 00:24:15,855 WE LEFT THE HOTEL AND THEN THAT GUY, 710 00:24:15,855 --> 00:24:17,456 HE FORCED US INTO A VAN 711 00:24:17,456 --> 00:24:21,230 AND... (sighs) IT'S ALL A BIT OF A BLUR. 712 00:24:22,862 --> 00:24:24,564 (exhales) 713 00:24:24,564 --> 00:24:26,496 (sniffles) I THINK WE WERE DRUGGED. 714 00:24:27,737 --> 00:24:29,499 WE STILL HAVE OUR CLOTHES ON. 715 00:24:29,499 --> 00:24:31,741 AT LEAST THAT'S A GOOD SIGN. 716 00:24:34,674 --> 00:24:35,975 THIS IS ALL MY FAULT. 717 00:24:35,975 --> 00:24:38,578 MY PARENTS WARNED ME ABOUT THIS 718 00:24:38,578 --> 00:24:40,249 SINCE THEY FIRST SENT ME TO BOARDING SCHOOL. 719 00:24:40,249 --> 00:24:43,152 THEY EVEN MADE ME SIT THROUGH A LECTURE ON KIDNAPPING 720 00:24:43,152 --> 00:24:45,555 FROM THE HEAD OF CORPORATE SECURITY. 721 00:24:45,555 --> 00:24:47,557 WAIT. WHY WOULD SOMEBODY KIDNAP YOU? 722 00:24:47,557 --> 00:24:48,888 MY FATHER'S CRAZY RICH. 723 00:24:48,888 --> 00:24:51,591 WELL, THE GOOD NEWS IS, IS THAT HE'LL PAY THE RANSOM. 724 00:24:51,591 --> 00:24:54,764 I MEAN, THAT'S WHAT THIS MUST BE, RIGHT? 725 00:24:54,764 --> 00:24:55,925 RIGHT. 726 00:24:55,925 --> 00:24:57,597 ANYWAY, MY DAD WILL FIND US. 727 00:24:57,597 --> 00:24:58,728 HE WORKS WITH THE POLICE. 728 00:24:58,728 --> 00:25:00,600 I'M SURE HE'S LOOKING FOR US RIGHT NOW. 729 00:25:00,600 --> 00:25:03,502 SO THEY'LL GET US OUT OF HERE? 730 00:25:06,536 --> 00:25:09,138 I WONDER WHAT'S IN THERE. 731 00:25:18,047 --> 00:25:21,050 (creaking) 732 00:25:25,194 --> 00:25:26,756 (Sara) OKAY, THIS IS CREEPY. 733 00:25:26,756 --> 00:25:29,528 CLOTHES, TOWELS? 734 00:25:29,528 --> 00:25:31,831 AT LEAST THIS MEANS THEY WANT US ALIVE. 735 00:25:31,831 --> 00:25:33,733 (latch clicks) 736 00:25:35,104 --> 00:25:36,265 (latch clicks) 737 00:25:36,265 --> 00:25:38,237 SEE? 738 00:25:38,237 --> 00:25:40,610 THEY'RE TAKING CARE OF US. 739 00:25:42,041 --> 00:25:43,713 THAT WAS AGENT HARRIS. 740 00:25:43,713 --> 00:25:45,575 A WITNESS SAW A BLACK YUKON 741 00:25:45,575 --> 00:25:47,917 LEAVING GREENPOINT JUST AFTER THE VAN ARRIVED. 742 00:25:47,917 --> 00:25:50,249 THE KIDNAPPERS MUST HAVE SWITCHED OVER TO THE YUKON. 743 00:25:50,249 --> 00:25:51,821 THEY'VE HAD A 24-HOUR HEAD START. 744 00:25:51,821 --> 00:25:53,583 THEY COULD BE ANYWHERE BY NOW. 745 00:25:53,583 --> 00:25:54,924 WHERE'S C.S.U. ON THE BLOOD? 746 00:25:54,924 --> 00:25:56,555 SPATTER ANALYSIS SHOWS THAT IT CAME FROM THE DRIVER. 747 00:25:56,555 --> 00:25:57,887 HE WAS SHOT BY HASIM. 748 00:25:57,887 --> 00:25:59,328 HE WOULD'VE LEFT PRINTS IN THE VAN. 749 00:25:59,328 --> 00:26:00,660 HE MUST BE IN THE SYSTEM. 750 00:26:00,660 --> 00:26:02,331 NO C.S.U. ONLY FOUND ROGER HENSON'S PRINTS. 751 00:26:02,331 --> 00:26:03,793 THERE'S NO OTHER MATCHES. 752 00:26:03,793 --> 00:26:05,194 WE MUST HAVE A LEAD HERE SOMEWHERE. 753 00:26:05,194 --> 00:26:07,897 MAYBE WE DO. C.S.U. INSPECTED THE VAN. 754 00:26:07,897 --> 00:26:09,168 FOUND THAT A BUNCH OF PERFORMANCE TWEAKS 755 00:26:09,168 --> 00:26:10,970 WERE DONE TO IT-- OCTANE BOOSTER IN THE TANK, 756 00:26:10,970 --> 00:26:12,842 CATALYTIC CONVERTER WAS BYPASSED, 757 00:26:12,842 --> 00:26:15,074 THE E.C.U. WAS RE-CHIPPED TO BOOST UP THE HORSEPOWER. 758 00:26:15,074 --> 00:26:16,846 SOMEBODY UPGRADED IT TO A GETAWAY CAR. 759 00:26:16,846 --> 00:26:18,978 NOT JUST SOMEBODY. A REAL PRO. 760 00:26:18,978 --> 00:26:20,349 PROBABLY OUR DRIVER. 761 00:26:20,349 --> 00:26:22,812 OKAY, LOOK FOR A WHEELMAN WHOSE M.O. IS 762 00:26:22,812 --> 00:26:24,153 TO STEAL GETAWAY CARS AND RETUNE THEM. 763 00:26:24,153 --> 00:26:25,354 SOMEONE WITH B-NEGATIVE BLOOD. 764 00:26:25,354 --> 00:26:27,286 RIGHT. 765 00:26:36,065 --> 00:26:37,596 THAT SECURITY GUY, 766 00:26:37,596 --> 00:26:39,629 YOU SAID HE TALKED TO YOU ABOUT KIDNAPPING. 767 00:26:39,629 --> 00:26:40,870 WHAT KIND OF STUFF DID HE SAY? 768 00:26:40,870 --> 00:26:42,231 WHAT IF NO ONE'S LOOKING FOR US? 769 00:26:42,231 --> 00:26:44,073 WHAT IF THEY DON'T EVEN REALIZE THAT WE'RE GONE? 770 00:26:44,073 --> 00:26:46,005 SARA, LET'S FOCUS ON THE QUESTIONS WE CAN ANSWER, 771 00:26:46,005 --> 00:26:47,336 BUILD ON WHAT WE KNOW. 772 00:26:47,336 --> 00:26:49,639 WE DON'T KNOW ANYTHING. THAT'S THE PROBLEM. 773 00:26:49,639 --> 00:26:51,140 WE DON'T KNOW WHO TOOK US 774 00:26:51,140 --> 00:26:53,082 OR FOR HOW LONG WE'LL BE HERE OR EVEN WHERE WE ARE. 775 00:26:53,082 --> 00:26:54,613 OKAY. WELL, LET'S FIGURE THAT OUT. 776 00:26:54,613 --> 00:26:56,215 LET'S FIGURE OUT WHERE WE ARE. 777 00:26:56,215 --> 00:26:57,386 UM... 778 00:26:57,386 --> 00:26:58,387 (echoes) 779 00:26:58,387 --> 00:26:59,889 HEAR THAT? 780 00:26:59,889 --> 00:27:03,953 SPACE UNDER THE FLOOR. SO WE'RE NOT IN A BASEMENT. 781 00:27:03,953 --> 00:27:06,856 AND THIS IS A MUCH OLDER BUILDING, 782 00:27:06,856 --> 00:27:09,659 BASED ON HOW WORN THE FLOOR IS. 783 00:27:09,659 --> 00:27:10,830 AND THERE'S THE SOUND. 784 00:27:10,830 --> 00:27:12,001 WHAT SOUND? 785 00:27:12,001 --> 00:27:13,663 EXACTLY. 786 00:27:13,663 --> 00:27:15,634 NO CAR HONKS, 787 00:27:15,634 --> 00:27:16,936 NO TRAFFIC NOISE. 788 00:27:16,936 --> 00:27:20,309 EITHER THIS ROOM IS SERIOUSLY SOUNDPROOF 789 00:27:20,309 --> 00:27:22,411 OR WE'RE NOT IN NEW YORK. 790 00:27:24,073 --> 00:27:27,416 LOOKS LIKE YOUR HUNCH PAID OFF. 791 00:27:27,416 --> 00:27:28,647 DOUGLAS STEVENS. 792 00:27:28,647 --> 00:27:30,249 HE DID A NICKEL AS A GETAWAY DRIVER 793 00:27:30,249 --> 00:27:31,650 FOR A BANK ROBBERY. 794 00:27:31,650 --> 00:27:32,421 AND GUESS WHO DID TIME WITH HIM. 795 00:27:32,421 --> 00:27:33,783 NONE OTHER THAN ROGER HENSON. 796 00:27:33,783 --> 00:27:35,254 DO THE PRISON RECORDS SHOW HIS BLOOD TYPE? 797 00:27:35,254 --> 00:27:36,425 B-NEGATIVE. 798 00:27:36,425 --> 00:27:38,057 OKAY, I'M GONNA PUT OUT AN A.P.B. 799 00:27:38,057 --> 00:27:39,889 AND ALERT ALL HOSPITALS. 800 00:27:39,889 --> 00:27:41,230 WITH THE AMOUNT OF BLOOD THAT HE LOST, 801 00:27:41,230 --> 00:27:42,391 HE'S GONNA NEED MEDICAL TREATMENT. 802 00:27:42,391 --> 00:27:43,833 HE MIGHT NOT NEED A HOSPITAL. 803 00:27:43,833 --> 00:27:46,235 DOUGLAS STEVENS HAS A SISTER WHO'S A NURSE. 804 00:27:46,235 --> 00:27:49,138 GUESS WHO CALLED IN SICK TODAY. 805 00:27:49,138 --> 00:27:51,240 NYPD, OPEN UP! 806 00:27:51,240 --> 00:27:52,671 (lock clicks) 807 00:27:52,671 --> 00:27:54,173 WHAT IS THIS? 808 00:27:54,173 --> 00:27:56,375 WHAT ARE YOU PEOPLE DOING HERE? 809 00:27:56,375 --> 00:27:57,346 WE'RE HERE FOR YOUR BROTHER. 810 00:27:57,346 --> 00:27:58,708 DOUG? I HAVEN'T SEEN HIM IN WEEKS. 811 00:27:58,708 --> 00:28:00,009 I DON'T KNOW WHERE HE IS. 812 00:28:00,009 --> 00:28:01,350 YEAH, WELL, WE'RE NOT GONNA TAKE YOUR WORD FOR IT. 813 00:28:01,350 --> 00:28:02,852 HEY, YOU CAN'T JUST BARGE IN HERE. 814 00:28:02,852 --> 00:28:04,253 ACTUALLY, MA'AM, WE CAN. 815 00:28:04,253 --> 00:28:06,115 (kicks door) 816 00:28:09,859 --> 00:28:12,091 (man groans) 817 00:28:12,091 --> 00:28:13,322 NYPD! 818 00:28:13,322 --> 00:28:15,294 DON'T MOVE. 819 00:28:15,294 --> 00:28:16,695 DOUGLAS STEVENS, 820 00:28:16,695 --> 00:28:23,032 YOU'RE UNDER ARREST. 821 00:28:24,103 --> 00:28:26,205 THE GIRLS THAT YOU TOOK, WHERE ARE THEY? 822 00:28:26,205 --> 00:28:30,309 WHERE'S YOUR PARTNER-- ROGER HENSON? 823 00:28:32,812 --> 00:28:34,814 WHO PUT THE TWO OF YOU UP TO THIS? 824 00:28:34,814 --> 00:28:36,145 I GOT NOTHING TO SAY. 825 00:28:36,145 --> 00:28:39,218 WELL, THEN YOU'RE GONNA GO DOWN FOR ALL OF IT. 826 00:28:39,218 --> 00:28:41,190 YOU WERE DRIVING THE VAN. 827 00:28:41,190 --> 00:28:43,052 THAT'S MURDER, TWO COUNTS OF KIDNAPPING. 828 00:28:43,052 --> 00:28:46,295 DO YOU KNOW HOW MANY YEARS YOU'RE GONNA BE IN JAIL FOR? 829 00:28:46,295 --> 00:28:48,127 IT'S IN THE TRIPLE DIGITS. 830 00:28:48,127 --> 00:28:52,361 TELL US WHERE THE GIRLS ARE. THAT'S YOUR ONLY HOPE. 831 00:28:52,361 --> 00:28:55,364 LET ME KNOW WHEN MY AMBULANCE GETS HERE. 832 00:28:58,808 --> 00:29:00,169 I'D LIKE A MINUTE WITH HIM. 833 00:29:14,924 --> 00:29:17,756 (creaking) 834 00:29:17,756 --> 00:29:19,128 (Douglas grunts) 835 00:29:19,128 --> 00:29:21,290 (lock clicks) I JUST SAID I DON'T WANT TO TALK, 836 00:29:21,290 --> 00:29:23,532 SO YOU CAN'T QUESTION ME. 837 00:29:23,532 --> 00:29:24,934 I HAVE RIGHTS. 838 00:29:24,934 --> 00:29:26,135 I'M NOT GONNA SAY ANYTHING WITHOUT A LAWYER. 839 00:29:26,135 --> 00:29:28,067 I'M NOT A COP. 840 00:29:28,067 --> 00:29:29,398 THEN WHO ARE YOU? 841 00:29:29,398 --> 00:29:31,270 YOU REMEMBER THE GIRL WITH THE RED HAIR? 842 00:29:31,270 --> 00:29:32,802 (exhales) 843 00:29:32,802 --> 00:29:34,473 I'M HER FATHER. 844 00:29:34,473 --> 00:29:37,246 PLEASE KNOW 845 00:29:37,246 --> 00:29:39,448 I WILL DO WHATEVER IT TAKES 846 00:29:39,448 --> 00:29:42,812 TO GET HER BACK. 847 00:29:42,812 --> 00:29:44,854 THOSE POLICE OUTSIDE ARE MY FRIENDS. 848 00:29:44,854 --> 00:29:48,457 MY DAUGHTER'S FRIENDS, TOO. 849 00:29:48,457 --> 00:29:51,460 SO IT'S JUST YOU AND ME. 850 00:29:51,460 --> 00:29:53,122 (panting) 851 00:29:53,122 --> 00:29:54,793 IF YOU TOUCH ME, I'LL PRESS CHARGES. 852 00:29:54,793 --> 00:29:56,565 I DON'T CARE. 853 00:29:56,565 --> 00:29:58,297 WHERE ARE THEY? 854 00:29:58,297 --> 00:30:00,269 I'M JUST A DRIVER. I-I DON'T KNOW ANYTHING. 855 00:30:00,269 --> 00:30:03,802 YOU KNOW HENSON DITCHED THE VAN FOR THE BLACK YUKON. 856 00:30:03,802 --> 00:30:05,474 SO WHERE DID HE GO? 857 00:30:05,474 --> 00:30:08,077 WHERE DID HE TAKE THE GIRLS? 858 00:30:08,077 --> 00:30:10,139 (exhales) 859 00:30:10,139 --> 00:30:12,441 I WON'T ASK YOU AGAIN. WHERE DID HE TAKE THE GIRLS? 860 00:30:12,441 --> 00:30:14,313 (exhales) 861 00:30:21,290 --> 00:30:22,591 (inhales sharply) 862 00:30:22,591 --> 00:30:24,553 (Douglas) AAH! 863 00:30:24,553 --> 00:30:26,856 STOP! AAH! 864 00:30:26,856 --> 00:30:28,898 AAH! 865 00:30:28,898 --> 00:30:30,399 (elevator bell dings) THE ADDRESS STEVENS GAVE YOU 866 00:30:30,399 --> 00:30:32,101 IS TO A FARM OFF ROUTE 301. 867 00:30:32,101 --> 00:30:33,903 THAT'S 60 MILES NORTH FROM HERE. 868 00:30:33,903 --> 00:30:35,564 AGENT HARRIS AND A TACTICAL TEAM 869 00:30:35,564 --> 00:30:37,236 ARE HEADING TO THE LOCATION. 870 00:30:37,236 --> 00:30:38,437 ALREADY? 871 00:30:38,437 --> 00:30:40,109 THEY SHOULD BE ARRIVING AT THE FARM ANY MOMENT. 872 00:30:40,109 --> 00:30:41,540 AND WHAT WILL THEY DO THEN? 873 00:30:41,540 --> 00:30:43,943 WHATEVER'S NECESSARY TO RECOVER ALEXIS 874 00:30:43,943 --> 00:30:45,444 AND HER FRIEND. 875 00:30:45,444 --> 00:30:47,616 BUT I'LL LET YOU KNOW THE MOMENT I HAVE ANY NEWS. 876 00:30:47,616 --> 00:30:49,348 THANK YOU. 877 00:30:49,348 --> 00:30:51,020 (people speaking indistinctly) 878 00:30:51,020 --> 00:30:53,022 DO YOU WANT A COFFEE? 879 00:30:53,022 --> 00:30:56,155 NO, THANKS. MY ADRENALINE WILL SUFFICE. 880 00:30:59,488 --> 00:31:00,960 DID YOU FIND OUT WHO OWNS THE FARM? 881 00:31:00,960 --> 00:31:02,431 NOBODY. THE PROPERTY'S BEEN TIED UP IN FORECLOSURE 882 00:31:02,431 --> 00:31:03,862 SINCE 2009. 883 00:31:03,862 --> 00:31:07,997 IT'S BEEN SITTING EMPTY. IT'S ISOLATED. 884 00:31:07,997 --> 00:31:09,598 LOOK, THE FBI KNOWS WHAT THEY'RE DOING. 885 00:31:09,598 --> 00:31:11,570 THEY'RE TRAINED IN HOSTAGE RESCUE. 886 00:31:11,570 --> 00:31:14,473 ALEXIS IS IN THE BEST POSSIBLE HANDS. 887 00:31:14,473 --> 00:31:16,505 I'M TAPPED INTO STATE POLICE DISPATCH. 888 00:31:16,505 --> 00:31:19,248 THE FEDS ARE ON THE SCENE RIGHT NOW. 889 00:31:30,359 --> 00:31:31,490 THAT'S OUR S.U.V. 890 00:31:31,490 --> 00:31:33,022 OKAY, SOONER OR LATER 891 00:31:33,022 --> 00:31:34,493 SOMEONE WILL SHOW UP TO BRING US MORE FOOD, 892 00:31:34,493 --> 00:31:36,395 AND WE NEED TO BE PREPARED. 893 00:31:36,395 --> 00:31:38,467 SO WHAT DID THAT SECURITY GUY TELL YOU? 894 00:31:38,467 --> 00:31:40,569 AVOID EYE CONTACT WITH THE CAPTOR 895 00:31:40,569 --> 00:31:42,231 SO THEY DON'T PERCEIVE YOU TO BE A WITNESS. 896 00:31:42,231 --> 00:31:43,402 GOOD. WHAT ELSE? 897 00:31:43,402 --> 00:31:44,533 BE VULNERABLE. 898 00:31:44,533 --> 00:31:47,036 TRY TO LET THE CAPTOR SEE YOU AS HUMAN, 899 00:31:47,036 --> 00:31:48,637 AS SOMEONE THEY CAN RELATE TO. 900 00:31:48,637 --> 00:31:51,410 TRY TO BUILD UP TRUST, BUILD A RELATIONSHIP. 901 00:31:51,410 --> 00:31:53,542 HOW ARE WE SUPPOSED TO BUILD A RELATIONSHIP 902 00:31:53,542 --> 00:31:55,244 WITHOUT EYE CONTACT? 903 00:31:55,244 --> 00:31:57,586 THAT'S A GOOD QUESTION. 904 00:31:59,088 --> 00:32:03,052 (people speaking indistinctly) 905 00:32:03,052 --> 00:32:05,624 THE MINUTE SHE KNOWS, YOU'LL KNOW. 906 00:32:05,624 --> 00:32:07,626 I JUST WISH THAT MINUTE WAS NOW. 907 00:32:07,626 --> 00:32:09,128 IT'S ALL HAPPENING TOO FAST 908 00:32:09,128 --> 00:32:11,030 AND TOO SLOW AT THE SAME TIME. 909 00:32:13,402 --> 00:32:16,705 TELL ME WHAT HAPPENED WITH DOUGLAS STEVENS. 910 00:32:18,707 --> 00:32:20,609 I APPEALED TO HIS HUMANITY. 911 00:32:23,973 --> 00:32:27,076 I DIDN'T THINK YOU HAD THAT SIDE TO YOU. 912 00:32:27,076 --> 00:32:30,379 WHEN IT COMES TO THE PEOPLE I LOVE, I DO. 913 00:32:37,686 --> 00:32:40,689 (men panting) 914 00:32:45,434 --> 00:32:48,237 (footsteps approach) 915 00:32:53,972 --> 00:32:55,444 (gasps) 916 00:32:55,444 --> 00:32:58,107 (Middle Eastern accent) PUT THE FOOD TRAY UNDER THE DOOR. 917 00:32:58,107 --> 00:32:59,608 MY NAME'S ALEXIS. 918 00:32:59,608 --> 00:33:01,650 THIS IS SARA. 919 00:33:01,650 --> 00:33:05,584 PUT THE FOOD TRAY UNDER THE DOOR. 920 00:33:07,456 --> 00:33:11,660 (men panting) 921 00:33:15,624 --> 00:33:16,595 (panel closes) 922 00:33:16,595 --> 00:33:19,498 IT'S KIND OF COLD IN HERE. 923 00:33:19,498 --> 00:33:21,600 IS THERE ANY WAY WE COULD GET SOME MORE BLANKETS? 924 00:33:21,600 --> 00:33:23,001 (radio clicks) 925 00:33:23,001 --> 00:33:26,535 (man speaking foreign language over radio) 926 00:33:26,535 --> 00:33:27,506 (panel closes) 927 00:33:27,506 --> 00:33:28,677 WHAT JUST HAPPENED? 928 00:33:28,677 --> 00:33:30,339 THAT MAN ON THE RADIO, 929 00:33:30,339 --> 00:33:31,680 HE WAS SPEAKING ARABIC. 930 00:33:31,680 --> 00:33:35,144 HE SAID, "RETURN TO YOUR POST. WE HAVE VISITORS." 931 00:33:47,526 --> 00:33:48,657 GO! 932 00:33:48,657 --> 00:33:52,030 GO! GO! GO! 933 00:33:52,030 --> 00:33:53,232 (grunts) 934 00:33:53,232 --> 00:33:54,563 (man) GO! GO! GO! (man) FBI! HANDS UP! 935 00:33:58,367 --> 00:34:02,211 YOU KNOW, I STILL REMEMBER... 936 00:34:02,211 --> 00:34:05,114 WHEN ALEXIS WAS BORN, THEY HANDED ME THIS... 937 00:34:05,114 --> 00:34:08,077 TINY PERSON, ALL BUNDLED UP. 938 00:34:08,077 --> 00:34:10,079 SHE JUST... 939 00:34:10,079 --> 00:34:12,751 (sighs) STARED UP AT ME. 940 00:34:15,684 --> 00:34:17,386 AND WHEN I LOOKED DOWN AT HER, 941 00:34:17,386 --> 00:34:19,328 THIS FEELING HIT ME... 942 00:34:22,391 --> 00:34:24,463 LIKE I'D BEEN STRUCK BY LIGHTNING. 943 00:34:28,567 --> 00:34:31,500 IT WAS LOVE. 944 00:34:31,500 --> 00:34:34,573 THAT INSTANT, INEXPLICABLE LOVE 945 00:34:34,573 --> 00:34:37,246 YOU CAN ONLY FEEL FOR YOUR CHILD. 946 00:34:38,547 --> 00:34:41,380 IN THAT MOMENT, I KNEW. 947 00:34:42,781 --> 00:34:46,655 I KNEW MY LIFE HAD CHANGED FOREVER. 948 00:34:50,759 --> 00:34:53,562 AND NOW IT'S ABOUT TO CHANGE AGAIN. 949 00:34:56,765 --> 00:34:59,468 (telephone rings) 950 00:34:59,468 --> 00:35:01,700 GATES. 951 00:35:04,573 --> 00:35:05,534 OKAY. 952 00:35:08,677 --> 00:35:10,609 (receiver clatters) 953 00:35:11,810 --> 00:35:15,344 THE FARMHOUSE WAS EMPTY. 954 00:35:15,344 --> 00:35:17,316 ALEXIS AND SARA ARE NOT THERE. 955 00:35:27,326 --> 00:35:28,497 YOU'RE SURE SHE'S NOT IN THE CELLAR 956 00:35:28,497 --> 00:35:29,728 OR SOME HIDDEN ROOM SOMEWHERE? 957 00:35:29,728 --> 00:35:31,460 WE SEARCHED TOP TO BOTTOM. THEY'RE GONE. 958 00:35:31,460 --> 00:35:32,901 WE DID FIND THESE. 959 00:35:32,901 --> 00:35:34,803 EITHER OF 'EM BELONG TO ALEXIS? 960 00:35:34,803 --> 00:35:36,805 YEAH, THAT ONE THERE. 961 00:35:36,805 --> 00:35:38,337 THAT'S--THAT'S HERS. 962 00:35:38,337 --> 00:35:40,769 WHAT DOES IT MEAN THAT HER COAT'S HERE AND SHE'S NOT? 963 00:35:40,769 --> 00:35:42,140 THIS MUST HAVE BEEN A WAY STATION 964 00:35:42,140 --> 00:35:43,572 UNTIL THEY MOVED THE GIRLS SOMEPLACE ELSE. 965 00:35:43,572 --> 00:35:45,614 THEY'VE BEEN ONE STEP AHEAD OF US THIS WHOLE TIME. 966 00:35:45,614 --> 00:35:46,845 THESE PEOPLE WE'RE DEALING WITH 967 00:35:46,845 --> 00:35:47,816 ARE SOPHISTICATED. 968 00:35:47,816 --> 00:35:50,148 THERE ARE WEB CAMS OUTSIDE. 969 00:35:50,148 --> 00:35:53,151 OUR APPROACH WAS STREAMED TO AN ANONYMOUS I.P. ADDRESS. 970 00:35:53,151 --> 00:35:55,184 THAT SAME I.P. ACCESSED YOUR DAUGHTER'S WEB SITE. 971 00:35:55,184 --> 00:35:56,425 AND YOU CAN'T TRACE IT? 972 00:35:56,425 --> 00:35:58,487 IT WAS ROUTED ACROSS FOUR CONTINENTS. 973 00:35:58,487 --> 00:35:59,928 WE'RE NOT OPTIMISTIC. 974 00:35:59,928 --> 00:36:01,490 WHAT ABOUT ROGER HENSON? 975 00:36:01,490 --> 00:36:02,791 (police radio chatter) 976 00:36:02,791 --> 00:36:05,264 (Harris) HE WAS SHOT TO DEATH 977 00:36:05,264 --> 00:36:06,595 AFTER BEING TORTURED AT LENGTH 978 00:36:06,595 --> 00:36:08,166 BY SOMEONE WHO KNEW WHAT THEY WERE DOING. 979 00:36:08,166 --> 00:36:09,598 (radio chatter continues) 980 00:36:09,598 --> 00:36:11,169 HIS FINGERNAILS WERE PULLED OFF. 981 00:36:11,169 --> 00:36:12,471 I DON'T UNDERSTAND. 982 00:36:12,471 --> 00:36:13,902 HENSON WAS WORKING FOR THE KIDNAPPERS. 983 00:36:13,902 --> 00:36:16,605 WHY WOULD THEY TORTURE HIM? 984 00:36:16,605 --> 00:36:19,278 I DON'T KNOW. 985 00:36:19,278 --> 00:36:20,709 WELL, THEN WHAT DO YOU THINK? 986 00:36:20,709 --> 00:36:22,711 WHAT IS YOUR BEST GUESS AS TO WHAT THIS MEANS FOR ALEXIS, 987 00:36:22,711 --> 00:36:24,182 FOR THE GIRLS? 988 00:36:24,182 --> 00:36:25,954 IT MEANS GETTING THEM BACK 989 00:36:25,954 --> 00:36:27,786 MAY BE A LITTLE MORE COMPLICATED. 990 00:36:27,786 --> 00:36:31,590 (radio chatter continues) 991 00:36:33,222 --> 00:36:36,565 (door creaks) 992 00:36:36,565 --> 00:36:39,628 WERE YOU CRYING IN THERE? 993 00:36:39,628 --> 00:36:40,929 (sighs) I THOUGHT THE RUNNING WATER 994 00:36:40,929 --> 00:36:43,732 WOULD COVER IT UP. 995 00:36:43,732 --> 00:36:46,775 WE'LL BE ALL RIGHT, SARA. 996 00:36:46,775 --> 00:36:48,737 I THOUGHT THIS WAS ALL ABOUT THE MONEY. 997 00:36:48,737 --> 00:36:51,810 BUT THESE PEOPLE SPEAK ARABIC. 998 00:36:51,810 --> 00:36:54,783 MY FATHER IS A HATED MAN BACK IN EGYPT. 999 00:36:57,886 --> 00:36:59,588 WE NEED TO GET OUT OF HERE. 1000 00:36:59,588 --> 00:37:01,590 THE ONLY WAY OUT IS THROUGH THAT DOOR, 1001 00:37:01,590 --> 00:37:03,552 AND IT'S LOCKED. 1002 00:37:03,552 --> 00:37:05,324 (sighs) 1003 00:37:06,725 --> 00:37:10,399 HEY, ARE THOSE BOBBY PINS? 1004 00:37:10,399 --> 00:37:13,402 (sirens wailing) 1005 00:37:13,402 --> 00:37:16,965 (people speaking indistinctly) 1006 00:37:26,815 --> 00:37:30,819 THERE ARE HOPEFUL SIGNS HERE, CASTLE. 1007 00:37:30,819 --> 00:37:33,752 THEY'VE GONE OUT OF THEIR WAY NOT TO HARM THE GIRLS. 1008 00:37:33,752 --> 00:37:35,754 THEY WANT THEM ALIVE. 1009 00:37:35,754 --> 00:37:37,786 THAT'LL GIVE US TIME TO TRACK DOWN 1010 00:37:37,786 --> 00:37:39,358 WHOEVER'S BEHIND THIS. 1011 00:37:41,730 --> 00:37:43,532 HOW? 1012 00:37:45,734 --> 00:37:47,536 OUR MAIN SUSPECT IS DEAD, 1013 00:37:47,536 --> 00:37:49,938 THE ONLY THING STEVENS KNEW WAS WHERE THE FARMHOUSE IS, 1014 00:37:49,938 --> 00:37:52,971 AND... 1015 00:37:52,971 --> 00:37:55,844 WE HAVE NO IDEA WHO WE'RE LOOKING FOR. 1016 00:37:55,844 --> 00:37:59,007 THE FBI IS SEARCHING THE FARM FOR EVIDENCE. 1017 00:37:59,007 --> 00:38:01,049 THEY'RE CANVASSING THE AREA FOR WITNESSES 1018 00:38:01,049 --> 00:38:03,051 THAT MIGHT HAVE SEEN WHOEVER WAS ON THE PROPERTY. 1019 00:38:03,051 --> 00:38:05,053 ALL OF WHICH IS JUST ANOTHER WAY OF SAYING 1020 00:38:05,053 --> 00:38:07,616 THAT WE'RE BACK TO SQUARE ONE. 1021 00:38:08,857 --> 00:38:12,721 WON'T BE THE FIRST TIME. 1022 00:38:12,721 --> 00:38:14,923 WE'RE GONNA SOLVE THIS, CASTLE. 1023 00:38:14,923 --> 00:38:16,965 WE WILL FIND A WAY. 1024 00:38:16,965 --> 00:38:18,867 "WE'VE DONE IT BEFORE WITH LESS TO GO ON." 1025 00:38:18,867 --> 00:38:20,729 YOU KNOW WHO TOLD ME THAT? 1026 00:38:22,471 --> 00:38:24,873 I DID... 1027 00:38:24,873 --> 00:38:26,975 IN A FIT OF IRRATIONAL OPTIMISM. 1028 00:38:28,407 --> 00:38:29,808 CASTLE, GO SEE YOUR MOM. 1029 00:38:29,808 --> 00:38:32,341 GET SOME REST. COME BACK IN THE MORNING. 1030 00:38:32,341 --> 00:38:33,982 NO ONE IS GIVING UP HERE. 1031 00:38:33,982 --> 00:38:35,944 NO, I-I CAN'T. I'M-- 1032 00:38:35,944 --> 00:38:38,987 HERE'S A DECAF. 1033 00:38:38,987 --> 00:38:40,989 IT'S FOR THE ROAD. 1034 00:38:44,353 --> 00:38:46,825 (voice breaks) THANK YOU. 1035 00:38:52,831 --> 00:38:55,704 (sighs) 1036 00:38:55,704 --> 00:38:57,936 (Sara exhales) 1037 00:38:57,936 --> 00:38:59,908 IT'S BEEN HOURS NOW. 1038 00:38:59,908 --> 00:39:01,109 MY DAD TAUGHT ME HOW TO DO THIS 1039 00:39:01,109 --> 00:39:02,571 WHEN HE WAS RESEARCHING FOR ONE OF HIS BOOKS. 1040 00:39:02,571 --> 00:39:04,473 HE ACTUALLY BOUGHT A DOOR FOR US TO PRACTICE ON. 1041 00:39:04,473 --> 00:39:05,844 THIS WAS RECENTLY? 1042 00:39:05,844 --> 00:39:07,646 I WAS 10. 1043 00:39:07,646 --> 00:39:08,847 (sighs) OH, GOD. 1044 00:39:08,847 --> 00:39:10,348 I CAN DO THIS. 1045 00:39:10,348 --> 00:39:12,050 ONE BOBBY PIN IS THE TORSION WRENCH, 1046 00:39:12,050 --> 00:39:13,882 THE OTHER IS THE LOCKPICK. 1047 00:39:13,882 --> 00:39:17,055 I JUST NEED TO BE CAREFUL NOT TO APPLY TOO MUCH PRESSURE. 1048 00:39:17,055 --> 00:39:18,887 (click) DID YOU JUST BREAK THE HAIRPIN? 1049 00:39:18,887 --> 00:39:20,358 BECAUSE THAT'S THE LAST ONE. 1050 00:39:20,358 --> 00:39:21,990 NO. 1051 00:39:21,990 --> 00:39:23,432 I GOT IT. 1052 00:39:23,432 --> 00:39:24,693 OH, MY GOD. 1053 00:39:24,693 --> 00:39:26,034 (latch clicks) 1054 00:39:26,034 --> 00:39:29,097 (creaks) 1055 00:39:29,097 --> 00:39:30,939 (Sara) WHAT'S OUT THERE? 1056 00:39:30,939 --> 00:39:33,672 A HALLWAY. LIKE IN AN OFFICE BUILDING. 1057 00:39:33,672 --> 00:39:34,843 I DON'T SEE ANYONE. 1058 00:39:34,843 --> 00:39:36,405 WHAT IF THEY CATCH US, THEN WHAT? 1059 00:39:36,405 --> 00:39:38,877 THEY WANT US ALIVE. JUST REMEMBER THAT. 1060 00:39:38,877 --> 00:39:41,550 HERE'S THE PLAN-- WE HEAD DOWN THE HALL. 1061 00:39:41,550 --> 00:39:42,711 THERE HAS TO BE A WAY OUT. 1062 00:39:42,711 --> 00:39:43,882 IF IT LOOKS LIKE THERE'S TWO WAYS, 1063 00:39:43,882 --> 00:39:44,853 WE SPLIT UP AND DOUBLE OUR CHANCES 1064 00:39:44,853 --> 00:39:46,014 THAT ONE OF US MAKES IT OUT. 1065 00:39:46,014 --> 00:39:47,385 I THINK I'M GONNA THROW UP. 1066 00:39:47,385 --> 00:39:48,887 YOU'RE NOT GOING TO THROW UP. 1067 00:39:48,887 --> 00:39:50,919 YOU'RE GOING TO GET OUT OF HERE. 1068 00:39:50,919 --> 00:39:52,921 OKAY. 1069 00:39:52,921 --> 00:39:53,922 (voice breaks) OKAY. 1070 00:39:56,965 --> 00:40:01,099 (men speaking foreign language) 1071 00:40:04,633 --> 00:40:05,804 (whispering) GO. 1072 00:40:05,804 --> 00:40:06,975 (whispers) NO, NO. 1073 00:40:06,975 --> 00:40:08,937 WE TALKED ABOUT THIS. GO. 1074 00:40:24,893 --> 00:40:28,897 (video playing without audio) 1075 00:40:34,633 --> 00:40:35,864 (keypad beeps) 1076 00:40:35,864 --> 00:40:39,468 (error tone beeps) 1077 00:40:39,468 --> 00:40:42,841 (keypad beeping) 1078 00:40:42,841 --> 00:40:44,913 (chimes and bloops) 1079 00:40:44,913 --> 00:40:46,975 (chimes and bloops) 1080 00:40:46,975 --> 00:40:48,947 (chimes and bloops) 1081 00:40:48,947 --> 00:40:50,979 (chimes and bloops) 1082 00:40:50,979 --> 00:40:52,751 ARE YOU EXPECTING SOMEONE TO SKYPE YOU? 1083 00:40:52,751 --> 00:40:53,922 NO. 1084 00:40:53,922 --> 00:40:56,124 (chimes and bloops) 1085 00:40:56,124 --> 00:40:57,786 (chimes and bloops) 1086 00:40:57,786 --> 00:40:58,957 (beeps) 1087 00:41:00,959 --> 00:41:01,890 ALEXIS. 1088 00:41:01,890 --> 00:41:04,462 Daddy? Oh, my God. 1089 00:41:04,462 --> 00:41:05,934 I TRIED TO CALL 9-1-1 BUT IT WOULDN'T GO THROUGH. 1090 00:41:05,934 --> 00:41:07,536 BABY, ARE--ARE YOU OKAY? WHERE ARE YOU? 1091 00:41:07,536 --> 00:41:08,997 I DON'T KNOW. 1092 00:41:08,997 --> 00:41:10,969 OH, NO. THE PHONE'S ABOUT TO DIE. 1093 00:41:10,969 --> 00:41:12,871 UM, I--WE'RE--WE'RE-- WE'RE IN SOME BUILDING. 1094 00:41:12,871 --> 00:41:14,072 WE WERE LOCKED IN A ROOM BUT WE GOT OUT. 1095 00:41:14,072 --> 00:41:15,744 Where? What building? 1096 00:41:15,744 --> 00:41:16,905 WHAT'S OUT-- WHAT'S OUTSIDE THE WINDOW? 1097 00:41:16,905 --> 00:41:18,607 Nothing. Nothing. I can't see anything. 1098 00:41:18,607 --> 00:41:19,778 The windows are covered up. 1099 00:41:19,778 --> 00:41:21,750 (men speaking Arabic) 1100 00:41:21,750 --> 00:41:23,011 (whispers) THEY'RE COMING. 1101 00:41:23,011 --> 00:41:24,212 (men continue speaking Arabic) 1102 00:41:24,212 --> 00:41:25,684 They're coming. They found out we're gone. 1103 00:41:25,684 --> 00:41:27,516 BABY, GET OUT OF THERE. GET OUT OF THERE NOW. 1104 00:41:27,516 --> 00:41:28,857 Go! Go! 1105 00:41:28,857 --> 00:41:30,789 (man shouts in Arabic) 1106 00:41:33,992 --> 00:41:36,264 CAN YOU TELL WHERE THE CALL'S COMING FROM? 1107 00:41:36,264 --> 00:41:37,966 (beeping) TRACKING NOW. 1108 00:41:37,966 --> 00:41:41,530 (panting) 1109 00:41:41,530 --> 00:41:42,901 (grunts) 1110 00:41:45,534 --> 00:41:47,175 (grunts) 1111 00:41:47,175 --> 00:41:48,236 (horns honking) 1112 00:41:48,236 --> 00:41:49,608 (door bangs) 1113 00:41:49,608 --> 00:41:52,010 (traffic zooming) 1114 00:41:52,010 --> 00:41:53,181 THIS CAN'T BE RIGHT. 1115 00:41:53,181 --> 00:41:54,543 WHY? WHAT IS IT? 1116 00:41:54,543 --> 00:41:58,016 (traffic zooming) 1117 00:41:59,548 --> 00:42:01,219 THIS SAYS THAT THE CALL ORIGINATED 1118 00:42:01,219 --> 00:42:03,552 FROM A CELL TOWER IN PARIS, FRANCE. 1119 00:42:08,897 --> 00:42:12,961 (horns honking) 1120 00:42:17,235 --> 00:42:19,237 HELP! OH! (grunts)