1 00:00:07,378 --> 00:00:08,579 HEY. 2 00:00:08,579 --> 00:00:10,181 DID YOU EAT MY FRIES? 3 00:00:10,181 --> 00:00:11,512 YOU SHOULDN'T HAVE LEFT THEM. 4 00:00:15,015 --> 00:00:16,547 (video feed playing without audio) 5 00:00:16,547 --> 00:00:18,389 WHAT IS THAT? 6 00:00:21,692 --> 00:00:25,396 I HAVE NO IDEA. 7 00:00:28,359 --> 00:00:30,101 CALL 9-1-1! 8 00:00:57,458 --> 00:00:58,589 ALMOST THERE, CASTLE. 9 00:00:58,589 --> 00:01:00,491 JUST ANOTHER TWO WEEKS. 10 00:01:00,491 --> 00:01:01,832 IT'S ALREADY BEEN TWO WEEKS. 11 00:01:01,832 --> 00:01:03,364 TWO WEEKS IS AN ETERNITY. 12 00:01:03,364 --> 00:01:04,835 YEAH, WELL, MAYBE NEXT TIME WE GO SKIING, 13 00:01:04,835 --> 00:01:06,797 YOU'RE NOT GONNA BE SUCH A SHOW-OFF. 14 00:01:06,797 --> 00:01:09,270 I WASN'T SHOWING OFF. 15 00:01:09,270 --> 00:01:11,172 OKAY, I WAS SHOWING OFF A LITTLE BIT. 16 00:01:11,172 --> 00:01:12,473 BUT I SWEAR TO YOU, 17 00:01:12,473 --> 00:01:14,475 I CAN DO A TAIL GRAB WITH MY EYES CLOSED 18 00:01:14,475 --> 00:01:16,177 AND WITHOUT BREAKING MY KNEECAP. 19 00:01:16,177 --> 00:01:17,348 MM-HMM. 20 00:01:17,348 --> 00:01:19,480 WELL, I AM OFF. 21 00:01:19,480 --> 00:01:21,412 NOW THE RETREAT IS OUT OF CELL PHONE RANGE, 22 00:01:21,412 --> 00:01:22,713 SO IF I DON'T CALL YOU ON YOUR BIRTHDAY, 23 00:01:22,713 --> 00:01:24,555 IT IS NOT BECAUSE I HAVE FORGOTTEN. 24 00:01:24,555 --> 00:01:26,717 I WON'T THINK IT'S BECAUSE YOU'VE FORGOTTEN. 25 00:01:26,717 --> 00:01:28,719 I'LL THINK IT'S BECAUSE YOU MADE OTHER PLANS. 26 00:01:28,719 --> 00:01:30,161 NOW WAIT A MINUTE. 27 00:01:30,161 --> 00:01:31,622 YOU AND KATHERINE WERE SUPPOSED TO BE CELEBRATING 28 00:01:31,622 --> 00:01:33,424 IN BORA BORA THIS WEEK. 29 00:01:33,424 --> 00:01:34,495 NO, YOU'RE RIGHT. 30 00:01:34,495 --> 00:01:36,096 HAVE A GREAT TIME ON YOUR RETREAT... 31 00:01:36,096 --> 00:01:38,429 ON YOUR ONLY SON'S BIRTHDAY. 32 00:01:38,429 --> 00:01:42,573 IT IS A SPA TRIP, DARLING. NOT A GUILT TRIP. 33 00:01:42,573 --> 00:01:44,305 MWAH. HE'S ALL YOURS. 34 00:01:44,305 --> 00:01:45,606 SEE YOU IN A WEEK. 35 00:01:45,606 --> 00:01:46,837 BYE. 36 00:01:46,837 --> 00:01:48,209 OH, COME ON, CASTLE. 37 00:01:48,209 --> 00:01:49,510 STOP FEELING SORRY FOR YOURSELF. 38 00:01:49,510 --> 00:01:50,811 I'LL GET US A RESERVATION 39 00:01:50,811 --> 00:01:52,343 AND I'LL TAKE YOU SOMEWHERE NICE FOR YOUR BIRTHDAY. 40 00:01:52,343 --> 00:01:53,484 AS NICE AS BORA BORA? 41 00:01:53,484 --> 00:01:54,645 MM. 42 00:01:54,645 --> 00:01:56,347 OH. 43 00:01:56,347 --> 00:01:58,549 KATHERINE, YOUR RIDE IS HERE. 44 00:01:58,549 --> 00:01:59,720 OH, GREAT. 45 00:01:59,720 --> 00:02:01,492 RIDE? YEAH, WE HAD A BODY DROP. 46 00:02:01,492 --> 00:02:02,823 I ASKED THE BOYS TO PICK ME UP 47 00:02:02,823 --> 00:02:04,525 SO I'D HAVE ENOUGH TIME TO MAKE YOU BREAKFAST. 48 00:02:04,525 --> 00:02:07,658 I'M MISSING ANOTHER CASE? NO. COME ON. 49 00:02:07,658 --> 00:02:09,360 GUYS, TAKE ME WITH YOU. 50 00:02:09,360 --> 00:02:10,501 NO! NOT UNTIL YOU GET BETTER. 51 00:02:10,501 --> 00:02:12,503 CASTLE, HOW'S THE KNEE? 52 00:02:12,503 --> 00:02:14,535 IT'S NOT THE KNEE SO MUCH AS THE BOREDOM. 53 00:02:14,535 --> 00:02:15,806 I THOUGHT YOU WRITERS LIKED BEING ALONE. 54 00:02:15,806 --> 00:02:17,208 YEAH, IF I COULD WRITE. 55 00:02:17,208 --> 00:02:19,640 BUT THE PAINKILLERS MAKE ME A LITTLE LOOPY. 56 00:02:19,640 --> 00:02:21,342 LAST NIGHT I USED THE WORD "SPECULATE" 57 00:02:21,342 --> 00:02:22,643 THREE TIMES IN THE SAME SENTENCE. 58 00:02:22,643 --> 00:02:24,515 MM. YOU MUST BE BORED. 59 00:02:24,515 --> 00:02:27,578 YOU'VE ACTUALLY GONE "REAR WINDOW." 60 00:02:27,578 --> 00:02:29,580 ALEXIS GOT ME THOSE AS A JOKE TO CHEER ME UP. 61 00:02:29,580 --> 00:02:32,423 I HAVE NOT YET RESORTED TO VOYEURISM. 62 00:02:32,423 --> 00:02:33,724 THEN YOU ARE MISSING OUT. 63 00:02:34,855 --> 00:02:36,557 WHAT? LET ME SEE. NO, HEY-- 64 00:02:36,557 --> 00:02:37,758 GIVE ME THE BINOCULARS. 65 00:02:37,758 --> 00:02:39,490 DUDE, SHE WAS JUST ABOUT TO TAKE OFF HER TOWEL. 66 00:02:39,490 --> 00:02:41,562 OH, THE TOWEL IS OFF. REALLY? 67 00:02:41,562 --> 00:02:42,793 YEAH. MMM. 68 00:02:42,793 --> 00:02:44,395 UNLESS THE BODY THAT YOU'RE LOOKING AT IS DEAD, 69 00:02:44,395 --> 00:02:46,537 I SUGGEST YOU DROP THOSE BINOCULARS. 70 00:02:46,537 --> 00:02:47,738 OKAY, CASTLE. 71 00:02:47,738 --> 00:02:50,541 I WILL CALL YOU AND CHECK ON YOU SOON. 72 00:02:50,541 --> 00:02:52,543 HEY, WHAT IF CONSULT BY PHONE? 73 00:02:52,543 --> 00:02:55,276 WE COULD PRETEND I'M CHARLIE, AND YOU'RE MY ANGELS. 74 00:03:00,281 --> 00:03:02,313 WHY ARE MEN SUCH BABIES 75 00:03:02,313 --> 00:03:03,654 WHEN THEY GET SICK OR INJURED? 76 00:03:03,654 --> 00:03:05,356 IT'S AN EVOLUTIONARY THING. 77 00:03:05,356 --> 00:03:06,917 MEN WHO CAN GET WOMEN TO TAKE CARE OF 'EM, 78 00:03:06,917 --> 00:03:08,419 WELL, THEY HAVE A GREATER CHANCE OF SURVIVAL. 79 00:03:08,419 --> 00:03:10,261 REALLY, ESPO? WHERE'D YOU READ THAT, 80 00:03:10,261 --> 00:03:11,822 "YOU'RE MAKING IT UP" MAGAZINE? 81 00:03:13,494 --> 00:03:15,396 HEY, LANIE. SO WHAT HAVE WE GOT? 82 00:03:15,396 --> 00:03:17,768 SORRY, SWEETIE. IT'S A BAD ONE. 83 00:03:17,768 --> 00:03:20,401 MULTIPLE CONTUSIONS TO THE HEAD, 84 00:03:20,401 --> 00:03:22,633 EVIDENCE OF FRACTURING AT THE BASE OF THE SKULL. 85 00:03:22,633 --> 00:03:24,505 FROM THE PATTERNING, I'D SAY SHE WAS 86 00:03:24,505 --> 00:03:26,677 REPEATEDLY STRUCK BY THAT BAT. 87 00:03:26,677 --> 00:03:28,479 DO WE KNOW WHO SHE IS? 88 00:03:28,479 --> 00:03:30,811 THE GUARD WHO FOUND HER I.D.'ed HER AS CLARA DeWINTER-- 89 00:03:30,811 --> 00:03:32,913 35, LIVES IN QUEENS, AND MARRIED. 90 00:03:32,913 --> 00:03:34,445 WHAT WAS SHE DOING IN THIS ALLEYWAY 91 00:03:34,445 --> 00:03:35,416 IN THE MIDDLE OF THE NIGHT? 92 00:03:35,416 --> 00:03:36,747 SHE WAS AN I.R.S. AGENT. 93 00:03:36,747 --> 00:03:38,389 WORKED IN THIS BUILDING HERE. 94 00:03:38,389 --> 00:03:39,620 APPARENTLY, SHE WAS WORKING LATE. 95 00:03:39,620 --> 00:03:41,322 THE EMPLOYEES SOMETIMES CUT ACROSS THE ALLEY 96 00:03:41,322 --> 00:03:42,553 TO GET TO THE PARKING GARAGE NEXT DOOR. 97 00:03:42,553 --> 00:03:44,355 DO WE HAVE A WITNESS? 98 00:03:44,355 --> 00:03:46,957 NO, BUT WE MAY HAVE SOMETHING WAY BETTER. 99 00:03:48,929 --> 00:03:50,531 WHAT THE HELL IS THAT? 100 00:03:50,531 --> 00:03:51,862 NO IDEA, MA'AM. 101 00:03:51,862 --> 00:03:53,804 NEVER SEEN ANYTHING LIKE IT. 102 00:03:53,804 --> 00:03:54,965 ESPO? 103 00:03:54,965 --> 00:03:56,337 IT'S AN INFRARED CAMERA. 104 00:03:56,337 --> 00:03:57,508 SO OUR ATTACKER COULD BE WEARING 105 00:03:57,508 --> 00:03:58,969 SOME SORT OF HIGH-INTENSITY I.R. LIGHTS, 106 00:03:58,969 --> 00:04:00,441 WHICH WOULD BE 107 00:04:00,441 --> 00:04:02,413 INVISIBLE TO THE EYE BUT BLINDING TO THAT CAMERA. 108 00:04:02,413 --> 00:04:03,574 THAT'S PRETTY SOPHISTICATED 109 00:04:03,574 --> 00:04:04,775 FOR A STREET CRIMINAL. 110 00:04:04,775 --> 00:04:06,347 NO, THIS WASN'T A STREET CRIME. 111 00:04:06,347 --> 00:04:07,518 THE PERSON KNEW THAT THAT CAMERA WAS THERE 112 00:04:07,518 --> 00:04:09,019 AND TOOK PRECAUTIONS. 113 00:04:09,019 --> 00:04:11,422 THIS WAS A PREMEDITATED MURDER. 114 00:04:11,422 --> 00:04:12,683 WAIT. GO BACK. 115 00:04:14,024 --> 00:04:15,386 RIGHT THERE. 116 00:04:15,386 --> 00:04:16,727 THAT'S OUR KILLER'S CAR. ALL RIGHT. 117 00:04:16,727 --> 00:04:18,589 LET'S HAVE TECH FILTER THAT IMAGE FOR MAKE AND MODEL 118 00:04:18,589 --> 00:04:19,860 AND LET'S SEE IF THEY CAN GET US 119 00:04:19,860 --> 00:04:22,262 A BETTER LOOK AT OUR ATTACKER'S FACE. 120 00:04:22,262 --> 00:04:25,265 WITH ALL THE CUTBACKS, HER WORKLOAD INCREASED. 121 00:04:25,265 --> 00:04:27,438 SHE'D STAY LATE A COUPLE OF TIMES A WEEK 122 00:04:27,438 --> 00:04:28,869 TRYING TO CATCH UP, 123 00:04:28,869 --> 00:04:30,671 AND ON THOSE NIGHTS, I'D PICK UP AN EXTRA SHIFT AT THE STORE. 124 00:04:30,671 --> 00:04:32,603 AND WHEN WAS THE LAST TIME YOU SAW HER? 125 00:04:32,603 --> 00:04:34,305 WE HAD DINNER AROUND 7:00, 126 00:04:34,305 --> 00:04:35,976 THEN, UH... 127 00:04:35,976 --> 00:04:38,409 WE BOTH WENT BACK TO WORK. 128 00:04:38,409 --> 00:04:41,051 AND HOW DID SHE SEEM? WAS SHE NERVOUS, UPSET? 129 00:04:41,051 --> 00:04:43,484 NO. SHE WAS FINE. 130 00:04:43,484 --> 00:04:45,886 AND WHAT--WHAT EXACTLY DID YOUR WIFE DO FOR THE I.R.S.? 131 00:04:45,886 --> 00:04:47,918 UH, SHE WAS AN INVESTIGATOR. 132 00:04:47,918 --> 00:04:49,390 SHE WENT AFTER TAX EVADERS. 133 00:04:49,390 --> 00:04:50,661 SO SHE MUST HAVE MADE ENEMIES. 134 00:04:50,661 --> 00:04:53,864 YEAH, PRETTY MUCH EVERYONE SHE AUDITED. 135 00:04:53,864 --> 00:04:55,366 AND WAS THERE ANYONE IN PARTICULAR 136 00:04:55,366 --> 00:04:56,427 THAT SHE HAD TROUBLE WITH? 137 00:04:58,999 --> 00:05:01,932 ACTUALLY... YEAH. 138 00:05:01,932 --> 00:05:04,535 WE WERE OUT AT--OUT AT DINNER A COUPLE OF WEEKS AGO, 139 00:05:04,535 --> 00:05:06,577 A-AND THIS GUY COMES BARGING INTO THE RESTAURANT 140 00:05:06,577 --> 00:05:08,479 ACCUSING CLARA OF DESTROYING HIS LIFE. 141 00:05:08,479 --> 00:05:09,980 DID SHE TELL YOU WHO HE WAS? 142 00:05:09,980 --> 00:05:11,812 JUST ANOTHER TAX CHEAT SHE TOOK DOWN. 143 00:05:11,812 --> 00:05:13,344 SHE SAID IT WAS NO BIG DEAL, 144 00:05:13,344 --> 00:05:14,485 BUT I COULD TELL, SHE WAS RATTLED. 145 00:05:14,485 --> 00:05:15,816 CAN YOU TELL ME WHAT HE LOOKED LIKE? 146 00:05:15,816 --> 00:05:16,947 6 FEET... 147 00:05:16,947 --> 00:05:18,519 DARK HAIR. 148 00:05:18,519 --> 00:05:19,650 YOU SHOULD CHECK WITH HER WORK. 149 00:05:21,352 --> 00:05:24,725 SHE PROMISED TO FILE A COMPLAINT, SO... 150 00:05:28,529 --> 00:05:31,562 LOOKS LIKE WE GOT SOME BEAUTIFUL CLEAR SKIES WITH US TODAY. 151 00:05:31,562 --> 00:05:34,605 A NICE TAIL WIND'S GONNA GET US THERE RIGHT AWAY, FOLKS. 152 00:05:34,605 --> 00:05:38,469 WE'LL BE THERE ZERO DARK THIRTY, ZERO DARK QUARTER TO. 153 00:05:38,469 --> 00:05:41,442 NICE, RED FIVE. YOU'RE LOOKING GOOD. 154 00:05:41,442 --> 00:05:44,445 OH, NO. I'VE GOT SOMETHING WRONG. 155 00:05:44,445 --> 00:05:45,876 OOH, THAT'S NOT GOOD. 156 00:05:47,448 --> 00:05:49,480 EVADE! EVADE! EVADE! 157 00:05:50,651 --> 00:05:52,583 NO! 158 00:05:53,554 --> 00:05:55,586 SURVIVORS. 159 00:06:09,139 --> 00:06:10,501 LOOK, 160 00:06:10,501 --> 00:06:11,642 MOST I.R.S. AGENTS GET THREATS. 161 00:06:11,642 --> 00:06:13,143 IT'S THE NATURE OF OUR BUSINESS. 162 00:06:13,143 --> 00:06:14,805 DID MRS. DeWINTER REPORT ANY RECENTLY? 163 00:06:14,805 --> 00:06:15,976 NO. 164 00:06:15,976 --> 00:06:17,408 ARE YOU SURE? 165 00:06:17,408 --> 00:06:18,579 YOU HAVE TO UNDERSTAND, 166 00:06:18,579 --> 00:06:20,411 CLARA WAS A RARE BREED-- 167 00:06:20,411 --> 00:06:22,553 AN I.R.S. AGENT WHO ACTUALLY LIKED HER JOB. 168 00:06:22,553 --> 00:06:23,884 WHAT'S THAT HAVE TO DO WITH HER BEING THREATENED? 169 00:06:25,456 --> 00:06:27,117 THE THING IS, 170 00:06:27,117 --> 00:06:29,460 EACH THREAT REQUIRES AN INVESTIGATION, 171 00:06:29,460 --> 00:06:31,562 WHICH IS A HEADACHE FOR UPSTAIRS. 172 00:06:31,562 --> 00:06:33,994 IT'S AN UNWRITTEN RULE THAT AGENTS WHO REPORT THREATS 173 00:06:33,994 --> 00:06:36,527 DON'T FARE WELL ON PERFORMANCE REVIEWS. 174 00:06:36,527 --> 00:06:38,128 WELL, THAT UNWRITTEN RULE MAY HAVE GOTTEN HER KILLED. 175 00:06:38,128 --> 00:06:39,800 AND SINCE YOU DON'T HAVE A RECORD OF THE THREAT, 176 00:06:39,800 --> 00:06:41,772 WE'RE GONNA HAVE TO TAKE A LOOK AT HER AUDIT FILES 177 00:06:41,772 --> 00:06:44,605 GOING BACK AT LEAST A YEAR. 178 00:06:48,939 --> 00:06:50,511 HMM. 179 00:06:50,511 --> 00:06:52,042 MUST BE WRITERS. 180 00:06:58,549 --> 00:07:01,792 OH, THAT BETTER BE FOR A SICK CHILD. 181 00:07:08,959 --> 00:07:11,101 OH, TO BE YOUNG AND... 182 00:07:11,101 --> 00:07:12,703 UNDEREMPLOYED. 183 00:07:16,066 --> 00:07:18,769 WHOA. HOLD ON, GUYS. SLOW DOWN. 184 00:07:18,769 --> 00:07:20,571 NOT A RACE. 185 00:07:20,571 --> 00:07:22,613 MAYBE CLOSE THE BLINDS. 186 00:07:23,614 --> 00:07:25,676 MM-HMM. 187 00:07:25,676 --> 00:07:27,518 ALL RIGHT, YOU KIDS. YOU HAVE FUN. 188 00:07:33,724 --> 00:07:36,126 SOMEONE'S HOME EARLY. 189 00:07:54,074 --> 00:07:55,606 REALLY? 190 00:07:55,606 --> 00:07:57,908 YOU'RE GONNA KISS HIM NOW? 191 00:08:06,486 --> 00:08:08,488 OH, MAYBE NEXT TIME, YOU'LL THINK TWICE 192 00:08:08,488 --> 00:08:10,561 ABOUT BEING CHEATIN' CHEATERS. 193 00:08:18,028 --> 00:08:20,500 UH-OH. 194 00:08:20,500 --> 00:08:24,074 SOMEONE'S GOT SOME 'SPLAINING TO DO. 195 00:08:25,275 --> 00:08:26,807 HEY, GUYS. 196 00:08:26,807 --> 00:08:29,509 SO... TECH COULDN'T GET US A BETTER LOOK 197 00:08:29,509 --> 00:08:30,941 AT THE ATTACKER'S FACE, 198 00:08:30,941 --> 00:08:33,283 BUT THEY'RE HOPING TO HAVE AN I.D. ON THE CAR BY MORNING. 199 00:08:33,283 --> 00:08:35,646 HOW'S IT GOING IN HERE? 200 00:08:35,646 --> 00:08:37,187 DON'T REMEMBER HER MENTIONING ANY EXPLICIT THREAT. 201 00:08:37,187 --> 00:08:39,850 BUT IF WE'RE LOOKING FOR PEOPLE WHOSE LIVES WERE RUINED, 202 00:08:39,850 --> 00:08:41,191 THERE'S NO SHORTAGE OF SUSPECTS. 203 00:08:41,191 --> 00:08:42,853 WE'VE GOT HOUSES THAT WERE REPOSSESSED, 204 00:08:42,853 --> 00:08:45,125 BANK ACCOUNTS THAT WERE SEIZED, BUSINESSES THAT WERE SHUT DOWN, 205 00:08:45,125 --> 00:08:46,296 AND WE'RE ONLY A COUPLE OF MONTHS IN. 206 00:08:46,296 --> 00:08:47,828 OKAY, SO LET'S PUT A LIST TOGETHER 207 00:08:47,828 --> 00:08:49,529 AND PULL PHOTOS... 208 00:08:49,529 --> 00:08:51,531 SEE IF THE HUSBAND RECOGNIZES ANYONE. RIGHT. 209 00:08:53,033 --> 00:08:54,264 Hey, Castle. 210 00:08:54,264 --> 00:08:55,806 WHERE ARE YOU? 211 00:08:55,806 --> 00:08:58,138 I'M AT WORK. WHY? 212 00:08:58,138 --> 00:09:00,170 YOU SAID YOU WERE BRINGING HOME DINNER. 213 00:09:00,170 --> 00:09:02,272 YES, ON MY WAY HOME. 214 00:09:02,272 --> 00:09:04,174 SO WHEN ARE YOU LEAVING? 215 00:09:04,174 --> 00:09:05,545 SOON. 216 00:09:05,545 --> 00:09:06,316 WHEN'S SOON? 217 00:09:06,316 --> 00:09:07,778 Like in... 218 00:09:07,778 --> 00:09:09,019 HALF AN HOUR. 219 00:09:09,019 --> 00:09:11,021 FINE. 220 00:09:12,322 --> 00:09:14,184 SHUT UP. 221 00:09:28,238 --> 00:09:29,700 MM. 222 00:09:29,700 --> 00:09:31,341 OOH, HE IS SO ON TO YOU. 223 00:09:31,341 --> 00:09:34,074 AH. UH-HUH. 224 00:09:34,074 --> 00:09:35,746 HERE IT COMES-- 225 00:09:35,746 --> 00:09:38,008 THE INEVITABLE, HUGE BREAKUP. 226 00:09:59,099 --> 00:10:00,801 NO, NO, NO, NO, NO, NO, NO, NO. 227 00:10:00,801 --> 00:10:02,703 DON'T, DON'T. DON'T TAKE THE KNIFE. 228 00:10:02,703 --> 00:10:04,204 DON'T... 229 00:10:09,339 --> 00:10:10,641 NO. UH... 230 00:10:17,748 --> 00:10:19,950 CASTLE, I'M NOT GONNA GET THERE ANY FASTER-- 231 00:10:19,950 --> 00:10:21,621 OH, NO, NO, NO, NO, BECKETT, BECKETT, LISTEN... 232 00:10:21,621 --> 00:10:33,033 I THINK I JUST SAW A MURDER. 233 00:10:40,070 --> 00:10:41,772 WHY AREN'T THEY ARRESTING HIM? 234 00:10:43,714 --> 00:10:45,415 LOOK, I KNOW 235 00:10:45,415 --> 00:10:46,877 WHAT I SAW. 236 00:10:46,877 --> 00:10:49,349 HE TOOK A KNIFE AND FOLLOWED HER INTO THE BEDROOM. 237 00:10:49,349 --> 00:10:50,881 I LOOKED IN THE BEDROOM. 238 00:10:50,881 --> 00:10:53,183 EVERYTHING WAS FINE. NO BLOOD, NO BODY, I SWEAR. 239 00:10:53,183 --> 00:10:54,955 DID YOU LOOK UNDER THE BED, IN THE CLOSET? 240 00:10:54,955 --> 00:10:58,358 CASTLE, THE GUY WAS RELAXED AND FULLY COOPERATIVE. 241 00:10:58,358 --> 00:10:59,890 HE LET US POKE AROUND WITHOUT A WARRANT. 242 00:10:59,890 --> 00:11:01,231 SO HE PROBABLY HID THE BODY. 243 00:11:01,231 --> 00:11:03,994 IF HE WAS COMPLETELY CALM, HE COULD BE A PSYCHOPATH. 244 00:11:03,994 --> 00:11:05,365 WHAT DID HE SAY ABOUT THE GIRL? 245 00:11:05,365 --> 00:11:07,667 HE ADMITTED THEY HAD A FIGHT, THEY BROKE UP, AND SHE LEFT. 246 00:11:07,667 --> 00:11:09,369 NOT POSSIBLE. I WOULD'VE SEEN HER. 247 00:11:09,369 --> 00:11:10,971 SO YOU WERE WATCHING THE WHOLE TIME? 248 00:11:10,971 --> 00:11:12,943 I... 249 00:11:12,943 --> 00:11:15,405 WELL, NOT THE ENTIRE TIME. I HAD TO-- 250 00:11:15,405 --> 00:11:17,948 SO SHE COULD'VE LEFT AND YOU DIDN'T SEE? 251 00:11:17,948 --> 00:11:20,110 IT'S POSSIBLE, BUT-- 252 00:11:20,110 --> 00:11:22,152 BECAUSE HE CALLED HER. 253 00:11:22,152 --> 00:11:24,314 HANDED ME THE PHONE. I SPOKE TO HER. 254 00:11:24,314 --> 00:11:26,987 SHE CONFIRMED HIS STORY. SHE WAS IN THE CAR 255 00:11:26,987 --> 00:11:28,989 ON HER WAY TO HER MOM'S HOUSE IN PHILADELPHIA. 256 00:11:28,989 --> 00:11:32,092 ALL RIGHT, THANKS, GUYS. 257 00:11:34,224 --> 00:11:36,396 I'M NOT CRAZY. 258 00:11:36,396 --> 00:11:38,398 NO, BUT YOU DO HAVE A VIVID IMAGINATION... 259 00:11:38,398 --> 00:11:41,071 AND YOU'VE BEEN STUCK INSIDE FOR TWO WEEKS. 260 00:11:41,071 --> 00:11:43,433 WHAT WERE YOU DOING LOOKING OUT THE WINDOW ANYWAY? 261 00:11:43,433 --> 00:11:45,235 I WAS... BORED? 262 00:11:45,235 --> 00:11:47,738 SO YOU SAW WHAT YOU WANTED TO SEE. 263 00:11:49,439 --> 00:11:50,941 WHEN DID YOU TAKE YOUR LAST PAINKILLER? 264 00:11:50,941 --> 00:11:52,282 I WAS NOT HALLUCINATING. 265 00:11:52,282 --> 00:11:53,443 COME ON, CASTLE. 266 00:11:53,443 --> 00:11:55,445 YOU'RE HERE WITH A BROKEN LEG, BINOCULARS, 267 00:11:55,445 --> 00:11:57,888 SEEING A "REAR WINDOW" SCENARIO PLAY OUT ACROSS THE WAY. 268 00:11:57,888 --> 00:11:59,890 I MEAN, WHAT ARE THE ODDS? 269 00:11:59,890 --> 00:12:02,853 ASTRONOMICAL. 270 00:12:02,853 --> 00:12:04,424 ALL RIGHT. 271 00:12:04,424 --> 00:12:06,997 I'M GONNA MAKE US SOME DINNER AND THEN GET YOU TO BED. 272 00:12:31,181 --> 00:12:32,883 SERIOUSLY? 273 00:12:35,025 --> 00:12:36,987 OH. 274 00:12:36,987 --> 00:12:38,758 I CAN EXPLAIN. 275 00:12:38,758 --> 00:12:40,090 PLEASE DON'T. 276 00:12:40,090 --> 00:12:42,032 LISTEN, HE WAS PACING BACK AND FORTH IN HIS APARTMENT, 277 00:12:42,032 --> 00:12:44,034 AND HE KEPT LOOKING TOWARDS THE BEDROOM. 278 00:12:44,034 --> 00:12:45,966 AND THEN HE SLEPT ON THE COUCH. 279 00:12:45,966 --> 00:12:47,297 NOW WHY WOULD YOU SLEEP ON THE COUCH 280 00:12:47,297 --> 00:12:48,839 WHEN YOU HAVE A PERFECTLY GOOD BED? 281 00:12:48,839 --> 00:12:50,140 I COULD ASK YOU THE SAME QUESTION. 282 00:12:50,140 --> 00:12:51,441 I'LL TELL YOU WHY. 283 00:12:51,441 --> 00:12:52,442 BECAUSE HE HAD A DEAD BODY IN THERE. 284 00:12:52,442 --> 00:12:53,874 RYAN AND ESPOSITO DIDN'T FIND IT 285 00:12:53,874 --> 00:12:55,045 BECAUSE HE HID IT. 286 00:12:55,045 --> 00:12:57,107 DO YOU REALIZE WHAT YOU'RE DOING? 287 00:12:57,107 --> 00:12:58,448 YOU'RE OBSESSING OVER THIS 288 00:12:58,448 --> 00:13:01,982 BECAUSE YOU HAVE NOTHING ELSE TO OBSESS ABOUT. 289 00:13:01,982 --> 00:13:04,114 WHY DON'T YOU JUST COME WITH ME TO THE PRECINCT? 290 00:13:04,114 --> 00:13:05,816 FOCUS ON A REAL MURDER 291 00:13:05,816 --> 00:13:08,018 INSTEAD OF WASTING YOUR TIME ON AN IMAGINARY ONE. 292 00:13:08,018 --> 00:13:10,360 WELL, ACTUALLY, I WAS THINKING ABOUT JUST, UH, 293 00:13:10,360 --> 00:13:12,923 TRYING TO DO SOME WRITING TODAY. 294 00:13:12,923 --> 00:13:15,295 OKAY, AS LONG AS BY "WRITING," YOU DON'T MEAN 295 00:13:15,295 --> 00:13:18,098 STARING OUT THE WINDOW AND OGLING AT YOUR NEIGHBORS. 296 00:13:18,098 --> 00:13:21,301 NO. THAT WOULD BE IMMORAL AND INTRUSIVE. 297 00:13:21,301 --> 00:13:23,874 YEAH, LIKE YOU'VE NEVER DONE THAT BEFORE. 298 00:13:26,036 --> 00:13:29,109 (indistinct conversations, pen squeaks) 299 00:13:29,109 --> 00:13:30,380 HEY. 300 00:13:30,380 --> 00:13:33,083 HEY. HOW'S JIMMY STEWART? 301 00:13:33,083 --> 00:13:34,214 YOU KNOW, UP HALF THE NIGHT 302 00:13:34,214 --> 00:13:36,016 WAITING FOR THE NEIGHBOR TO MOVE THE BODY. 303 00:13:36,016 --> 00:13:38,118 SO DID TECH GET ANYTHING 304 00:13:38,118 --> 00:13:39,449 ON OUR KILLER'S CAR IN THE ALLEY? 305 00:13:39,449 --> 00:13:41,922 YEAH, THEY IDENTIFIED IT AS A LATE-MODEL, 306 00:13:41,922 --> 00:13:44,024 LIGHT-COLORED CLS550. 307 00:13:44,024 --> 00:13:45,956 I'VE GOT FOLKS COMBING OVER CLARA'S AUDIT RECORDS 308 00:13:45,956 --> 00:13:48,058 TO SEE IF ANYONE LISTS THAT VEHICLE ON THEIR RETURN. 309 00:13:48,058 --> 00:13:49,129 HEY. 310 00:13:49,129 --> 00:13:50,460 SO I JUST GOT OFF THE PHONE 311 00:13:50,460 --> 00:13:52,062 WITH SECURITY AT CLARA'S OFFICE. 312 00:13:52,062 --> 00:13:53,263 A FEW WEEKS BACK, 313 00:13:53,263 --> 00:13:56,106 THIS GUY TRIED TO MUSCLE HIS WAY PAST SECURITY. 314 00:13:56,106 --> 00:13:59,139 NOW THEY TRIED TO DETAIN HIM, BUT HE BROKE FREE 315 00:13:59,139 --> 00:14:00,510 AND HE TORE OUT OF THE PARKING LOT IN... 316 00:14:00,510 --> 00:14:02,042 A CLS550. 317 00:14:02,042 --> 00:14:04,114 THIS LOOKS LIKE THE GUY GAVIN SAID WAS AFTER HIS WIFE. 318 00:14:04,114 --> 00:14:06,046 YEAH, SO I COMPARED THAT PHOTO TO CLARA'S AUDIT FILES, 319 00:14:06,046 --> 00:14:07,217 AND I GOT A HIT ON THIS GUY-- 320 00:14:07,217 --> 00:14:08,919 DAN RENNER. 321 00:14:08,919 --> 00:14:11,351 HE IS AN ANTI-GOVERNMENT PRO-FREEDOM HOTHEAD 322 00:14:11,351 --> 00:14:13,353 WHO MADE A FORTUNE ON A CHAIN OF DRY CLEANERS IN BROOKLYN 323 00:14:13,353 --> 00:14:15,986 THAT HE'S NEGLECTED TO PAY TAXES ON IN NEARLY A DECADE. 324 00:14:15,986 --> 00:14:17,958 AND BECAUSE OF CLARA'S AUDIT, HE'S FACING CRIMINAL CHARGES 325 00:14:17,958 --> 00:14:19,990 AND HIS WIFE JUST FILED FOR DIVORCE. 326 00:14:19,990 --> 00:14:21,461 SOUNDS LIKE SOMEONE WHO HAS AN AX TO GRIND. 327 00:14:21,461 --> 00:14:23,593 OR A BAT TO SWING. PICK HIM UP. 328 00:14:23,593 --> 00:14:24,965 YEAH. 329 00:14:27,497 --> 00:14:30,971 YOU BOUGHT ROPE AND A TARP. 330 00:14:30,971 --> 00:14:34,004 NOW WHAT WOULD YOU NEED A TARP FOR? 331 00:14:38,378 --> 00:14:40,510 IT'S BLOOD. 332 00:14:40,510 --> 00:14:42,282 YOU'RE WASHING AWAY THE-- 333 00:14:42,282 --> 00:14:45,155 HE'S WASHING AWAY THE BL-- 334 00:14:53,093 --> 00:14:55,565 THEY TOOK MY HOUSE, MY MARRIAGE, 335 00:14:55,565 --> 00:14:57,397 I WAS FACING A JAIL SENTENCE. 336 00:14:57,397 --> 00:14:59,169 SO, YEAH, 337 00:14:59,169 --> 00:15:00,670 I WANTED TO HAVE A FEW WORDS WITH MRS. DeWINTER... 338 00:15:00,670 --> 00:15:02,202 ABOUT THE LAND OF THE FREE. 339 00:15:02,202 --> 00:15:03,503 THAT DOESN'T MEAN I KILLED HER. 340 00:15:03,503 --> 00:15:05,005 YOU KNOW WHAT THAT IS? 341 00:15:05,005 --> 00:15:08,038 THAT'S A SILVER CLS550, JUST LIKE THE ONE YOU DRIVE, 342 00:15:08,038 --> 00:15:10,110 FLEEING HER MURDER SCENE. 343 00:15:10,110 --> 00:15:12,182 JUST LIKE THE ONE I DROVE. 344 00:15:12,182 --> 00:15:16,116 LOOK, MY 550 WAS SEIZED BY FEDERAL AGENTS TWO WEEKS AGO. 345 00:15:16,116 --> 00:15:17,617 YOU CAN CHECK. 346 00:15:17,617 --> 00:15:20,120 AND GIVEN WHAT MRS. DeWINTER WAS GONNA DO FOR ME, 347 00:15:20,120 --> 00:15:23,153 I'M THE LAST PERSON WHO WANTED HER DEAD. 348 00:15:23,153 --> 00:15:25,625 GOING TO DO FOR YOU? 349 00:15:25,625 --> 00:15:27,157 YEAH. 350 00:15:27,157 --> 00:15:28,658 SHE CAME TO SEE ME A WEEK AGO, 351 00:15:28,658 --> 00:15:31,131 SAID SHE NEEDED A FAVOR, AND IF I HELPED HER, 352 00:15:31,131 --> 00:15:33,363 SHE'D MAKE THE CRIMINAL CHARGES GO AWAY. 353 00:15:33,363 --> 00:15:34,704 WHAT KIND OF A FAVOR 354 00:15:34,704 --> 00:15:36,566 COULD SHE POSSIBLY HAVE WANTED FROM YOU? 355 00:15:36,566 --> 00:15:38,238 BECAUSE OF HOW WELL I HID MY MONEY-- 356 00:15:38,238 --> 00:15:39,939 FAKE NAMES, MULTIPLE I.D.s-- 357 00:15:39,939 --> 00:15:42,012 SHE ASKED ME TO HELP HER DISAPPEAR. 358 00:15:42,012 --> 00:15:43,343 DISAPPEAR? 359 00:15:43,343 --> 00:15:45,415 YEAH. SHE SAID IF I HELPED HER GET A NEW IDENTITY, 360 00:15:45,415 --> 00:15:47,077 SHE'D HELP ME GET MY LIFE BACK. 361 00:15:47,077 --> 00:15:49,079 AND WHY WOULD SHE WANT A NEW IDENTITY? 362 00:15:49,079 --> 00:15:50,580 SHE DIDN'T SAY. 363 00:15:50,580 --> 00:15:52,722 BUT NOW SHE'S DEAD, AND I'M SCREWED. 364 00:15:52,722 --> 00:15:56,726 MR. RENNER, WHERE WERE YOU 2 NIGHTS AGO AT 1:38 A.M.? 365 00:15:56,726 --> 00:15:59,059 AT MY SISTER'S. 366 00:15:59,059 --> 00:16:01,061 BECKETT, CASTLE'S CALLING. 367 00:16:01,061 --> 00:16:02,962 HE SAYS IT'S AN EMERGENCY. 368 00:16:02,962 --> 00:16:05,065 THIS IS NOT AN EMERGENCY. 369 00:16:05,065 --> 00:16:07,167 I CAUGHT HIM RED-HANDED. LITERALLY RED-HANDED. 370 00:16:07,167 --> 00:16:09,139 OOH, SO THEN IT'S GOTTA BE BLOOD? 371 00:16:09,139 --> 00:16:10,270 WHAT ELSE COULD IT BE? 372 00:16:10,270 --> 00:16:11,971 RED PAINT, TOMATO JUICE, 373 00:16:11,971 --> 00:16:14,274 BEETS, RED VELVET CUPCAKES. 374 00:16:14,274 --> 00:16:15,975 HE BOUGHT A TARP AND A ROPE. 375 00:16:15,975 --> 00:16:17,277 HE BROUGHT THEM INTO THE BEDROOM, 376 00:16:17,277 --> 00:16:18,978 WHERE I'M BETTING RIGHT NOW, 377 00:16:18,978 --> 00:16:20,680 HE'S CUTTING HER INTO PORTABLE PIECES. 378 00:16:20,680 --> 00:16:22,082 GET A WARRANT. 379 00:16:22,082 --> 00:16:24,114 SEARCH THAT PLACE BEFORE THERE'S NO EVIDENCE LEFT. 380 00:16:24,114 --> 00:16:26,016 ESPOSITO SPOKE TO THE GIRL. 381 00:16:26,016 --> 00:16:27,517 WE KNOW SHE'S ALIVE. 382 00:16:27,517 --> 00:16:29,019 HOW DO YOU KNOW IT'S THE SAME GIRL? 383 00:16:29,019 --> 00:16:31,661 IT'S POSSIBLE HE PAID SOMEONE TO BE HIS ALIBI. 384 00:16:31,661 --> 00:16:35,625 OR IT'S POSSIBLE SOMETHING ELSE ENTIRELY IS GOING ON HERE. 385 00:16:35,625 --> 00:16:37,097 LOOK... 386 00:16:37,097 --> 00:16:40,370 I KNOW THAT YOU'RE LONELY AND THAT YOU MISS ME. 387 00:16:40,370 --> 00:16:42,132 I MISS YOU, TOO. 388 00:16:42,132 --> 00:16:43,703 BUT YOU DON'T HAVE TO KEEP MAKING UP THINGS 389 00:16:43,703 --> 00:16:45,375 TO HAVE ME COME BACK HERE. 390 00:16:45,375 --> 00:16:47,707 WHOA, WHOA, WHOA. YOU THINK THIS IS A PLOY TO GET YOU HERE? 391 00:16:47,707 --> 00:16:49,079 LOOK, I DON'T MEAN TO BE THAT-- 392 00:16:49,079 --> 00:16:51,041 NO, I KNOW WHAT YOU MEAN. ALL RIGHT? 393 00:16:51,041 --> 00:16:53,043 AND I KNOW WHAT I SAW. 394 00:16:53,043 --> 00:16:54,414 ALL RIGHT, YOU KNOW WHAT? 395 00:16:54,414 --> 00:16:56,186 I HAVE TO GET BACK TO THE PRECINCT. 396 00:16:56,186 --> 00:16:58,388 WOW. YOU REALLY DON'T BELIEVE ME. 397 00:16:58,388 --> 00:16:59,719 I'LL BE BACK LATER. 398 00:16:59,719 --> 00:17:03,553 YOU KNOW WHAT? DON'T WORRY ABOUT IT. 399 00:17:03,553 --> 00:17:05,455 I'M FINE. 400 00:17:14,134 --> 00:17:15,265 YO. 401 00:17:15,265 --> 00:17:17,036 WHAT WAS THE EMERGENCY? 402 00:17:17,036 --> 00:17:18,338 HE WANTED ME TO GET A WARRANT 403 00:17:18,338 --> 00:17:20,340 TO SEARCH THE PLACE ACROSS THE WAY. 404 00:17:20,340 --> 00:17:23,273 LOOKS LIKE HE'S TAKING THIS WHOLE THING PRETTY SERIOUSLY. 405 00:17:23,273 --> 00:17:25,075 SHOULD WE BE WORRIED? 406 00:17:25,075 --> 00:17:26,776 I JUST HOPE HE DOESN'T DO SOMETHING STUPID. 407 00:17:26,776 --> 00:17:28,578 WHERE--WHERE ARE WE WITH DAN RENNER? 408 00:17:28,578 --> 00:17:29,749 HIS ALIBI CHECKS OUT, 409 00:17:29,749 --> 00:17:31,421 AND HE WAS TELLING THE TRUTH ABOUT HIS CAR. 410 00:17:31,421 --> 00:17:34,124 MAYBE HE'S TELLING THE TRUTH ABOUT CLARA AS WELL. 411 00:17:34,124 --> 00:17:35,755 LET'S DIG DEEPER INTO HER LIFE, 412 00:17:35,755 --> 00:17:37,757 SEE IF WE CAN FIND ANYTHING. 413 00:17:37,757 --> 00:17:40,460 THANKS. 414 00:17:47,767 --> 00:17:50,069 OH! OHH. 415 00:18:00,610 --> 00:18:04,154 HE'S GETTING RID OF THE BODY. 416 00:18:04,154 --> 00:18:07,187 BECKETT'S GONNA HAVE TO BELIEVE ME NOW. 417 00:18:07,187 --> 00:18:08,458 OKAY. 418 00:18:09,819 --> 00:18:11,821 WHERE'S THE... THERE WE GO. THERE WE--THERE WE GO. 419 00:18:18,168 --> 00:18:19,329 NO. NO. NO! 420 00:18:26,136 --> 00:18:27,207 IF YOU THOUGHT HE WAS GETTING RID OF THE BODY, 421 00:18:27,207 --> 00:18:28,378 WHY DIDN'T YOU CALL BECKETT? 422 00:18:28,378 --> 00:18:29,709 WELL, SHE THINKS IT'S ALL IN MY HEAD-- 423 00:18:29,709 --> 00:18:31,281 A BY-PRODUCT OF MY IMAGINATION AND PAIN PILLS. 424 00:18:31,281 --> 00:18:32,612 LIKE THAT TIME YOU WERE CONVINCED 425 00:18:32,612 --> 00:18:34,144 MY ART TEACHER WAS A SERIAL KILLER. 426 00:18:34,144 --> 00:18:35,285 COME ON. HE LOOKED JUST LIKE THE GUY 427 00:18:35,285 --> 00:18:37,147 FROM "AMERICA'S MOST WANTED." 428 00:18:37,147 --> 00:18:39,419 DID YOU EVER STOP TO THINK THAT MAYBE 429 00:18:39,419 --> 00:18:41,151 THERE'S AN INNOCENT EXPLANATION FOR EVERYTHING? 430 00:18:41,151 --> 00:18:42,452 ALL RIGHT, 431 00:18:42,452 --> 00:18:44,424 WHAT IS THE INNOCENT EXPLANATION FOR ROLLING UP A RUG 432 00:18:44,424 --> 00:18:47,297 AND TAKING IT OUT OF YOUR APARTMENT AT 3:00 A.M.? 433 00:18:48,558 --> 00:18:50,129 YEAH. 434 00:18:50,129 --> 00:18:52,532 THAT IS PRETTY WEIRD. 435 00:18:52,532 --> 00:18:54,234 RIGHT? 436 00:18:54,234 --> 00:18:56,336 AND THEN HE DIDN'T COME BACK UNTIL 4:30 THIS MORNING. 437 00:18:56,336 --> 00:18:57,607 WHERE'D HE GO? 438 00:18:57,607 --> 00:19:00,139 I DON'T KNOW, BUT HE'S UP NOW. 439 00:19:00,139 --> 00:19:01,711 WHAT'S HE DOING? 440 00:19:03,142 --> 00:19:05,345 UH, I--HE, UH-- WHAT? 441 00:19:05,345 --> 00:19:06,246 WHAT DO YOU SEE? 442 00:19:06,246 --> 00:19:09,148 HE'S TAKING OFF HIS CLOTHES. 443 00:19:09,148 --> 00:19:10,450 WHAT? GIVE ME THOSE. 444 00:19:10,450 --> 00:19:12,322 MM. HE'S CUTE. 445 00:19:12,322 --> 00:19:13,483 OOH. ALL RIGHT. 446 00:19:13,483 --> 00:19:14,654 NO, I... 447 00:19:14,654 --> 00:19:16,426 SERIOUSLY? 448 00:19:20,760 --> 00:19:22,762 YOU SHOULDN'T BE WATCHING THIS. 449 00:19:22,762 --> 00:19:24,234 YEAH, NEITHER SHOULD YOU. 450 00:19:31,941 --> 00:19:33,343 WHAT THE... 451 00:19:33,343 --> 00:19:34,544 THAT'S CREEPY. 452 00:19:35,905 --> 00:19:37,677 STARING AT THE PHONE 453 00:19:37,677 --> 00:19:38,848 WON'T MAKE IT RING. 454 00:19:38,848 --> 00:19:40,280 I LEARNED THAT IN JUNIOR HIGH. 455 00:19:40,280 --> 00:19:41,681 YOU KNOW WHAT? MAYBE I SHOULD GO OVER THERE. 456 00:19:41,681 --> 00:19:43,213 I MEAN, HIS BIRTHDAY IS TOMORROW-- 457 00:19:43,213 --> 00:19:44,514 TRUST ME. HE'LL CALL WHEN HE'S READY. 458 00:19:44,514 --> 00:19:46,356 AND YOU'RE NOT GONNA WANT TO MISS THIS. 459 00:19:46,356 --> 00:19:48,358 WE WENT BACK THROUGH ALL OF CLARA'S RECORDS. 460 00:19:48,358 --> 00:19:50,520 TURNS OUT THAT SHE WAS HIDING SOMETHING. 461 00:19:50,520 --> 00:19:52,191 OVER HALF A MILLION DOLLARS IN A SECRET BANK ACCOUNT. 462 00:19:52,191 --> 00:19:53,693 SHE USED EVERY LEGAL TRICK TO HIDE IT. 463 00:19:53,693 --> 00:19:55,425 NOBODY, NOT EVEN HER HUSBAND, KNEW ABOUT IT. 464 00:19:55,425 --> 00:19:57,267 THIS GIRL MADE 75K A YEAR. 465 00:19:57,267 --> 00:19:59,799 HOW'D SHE GET HER HANDS ON HALF A MIL? 466 00:19:59,799 --> 00:20:01,471 WELL, AT FIRST WE THOUGHT SHE WAS SHAKING DOWN HER AUDITEES, 467 00:20:01,471 --> 00:20:03,803 BUT THEN WE TRACED THE DEPOSITS. 468 00:20:03,803 --> 00:20:05,305 ALL FROM BUSINESSES OWNED OR AFFILIATED 469 00:20:05,305 --> 00:20:06,806 TO TOMMY VALENTINO. 470 00:20:06,806 --> 00:20:08,778 TOMMY "THE SHARK" VALENTINO? 471 00:20:08,778 --> 00:20:11,681 WHY IS AN I.R.S. AGENT TAKING PAYOFFS FROM A CRIME BOSS? 472 00:20:11,681 --> 00:20:12,982 I DON'T KNOW, BUT WANTING TO DISAPPEAR 473 00:20:12,982 --> 00:20:14,684 AND THEN GETTING WHACKED IN AN ALLEY-- 474 00:20:14,684 --> 00:20:16,316 IT'S ALL STARTING TO MAKE SENSE. 475 00:20:19,218 --> 00:20:20,550 IT'S BEEN TWO HOURS. 476 00:20:20,550 --> 00:20:21,891 WHAT'S HE DOING IN THERE? 477 00:20:21,891 --> 00:20:23,222 GETTING RID OF EVIDENCE-- 478 00:20:23,222 --> 00:20:25,895 BLOOD STAINS... TRACE D.N.A. 479 00:20:25,895 --> 00:20:28,328 PRETTY SOON, THERE'S GONNA BE NOTHING LEFT. 480 00:20:28,328 --> 00:20:29,959 OH, HERE HE COMES. HERE HE COMES. 481 00:20:31,831 --> 00:20:33,503 WHAT'S IN THE BAGS? 482 00:20:33,503 --> 00:20:36,336 HE TOOK THE BODY OUT IN A RUG. 483 00:20:36,336 --> 00:20:38,838 THAT COULD BE CLOTHING, BEDDING. 484 00:20:38,838 --> 00:20:40,540 THAT'S HER PURSE. 485 00:20:40,540 --> 00:20:42,612 IF THEY BROKE UP, NO WAY SHE LEFT WITHOUT HER PURSE. 486 00:20:42,612 --> 00:20:44,314 SHE DID NOT LEAVE THAT APARTMENT, 487 00:20:44,314 --> 00:20:45,975 AT LEAST NOT ALIVE. 488 00:20:45,975 --> 00:20:48,017 AND NOW HE'S OBLITERATING HER IDENTITY. 489 00:20:48,017 --> 00:20:48,978 WE NEED TO CALL BECKETT. 490 00:20:48,978 --> 00:20:50,620 AND TELL HER WHAT? 491 00:20:50,620 --> 00:20:52,822 THAT WE SAW A MAN DONNING GLOVES AND 492 00:20:52,822 --> 00:20:54,384 FOR ALL WE KNOW, HE'S CLEANING THE BATHROOM. 493 00:20:54,384 --> 00:20:55,725 NO. 494 00:20:55,725 --> 00:20:58,588 IF I'M GONNA CONVINCE BECKETT I'M NOT CRAZY, 495 00:20:58,588 --> 00:21:00,490 I NEED PROOF, 496 00:21:00,490 --> 00:21:02,962 SOMETHING SOLID. 497 00:21:05,465 --> 00:21:07,937 DAD, YOU CAN'T BREAK IN TO HIS APARTMENT. 498 00:21:07,937 --> 00:21:09,299 ALL THE EVIDENCE WE NEED IS IN THAT SHREDDER. 499 00:21:09,299 --> 00:21:10,269 IT'LL TELL US WHO THE VICTIM IS. 500 00:21:10,269 --> 00:21:11,541 WE CAN PROVE SHE'S MISSING. 501 00:21:11,541 --> 00:21:12,872 AND WHAT IF HE CATCHES YOU? 502 00:21:12,872 --> 00:21:14,904 HE WON'T, NOT IF I HAVE YOUR HELP. 503 00:21:14,904 --> 00:21:18,047 NEXT TIME HE LEAVES, I'LL SLIP OVER THERE. 504 00:21:18,047 --> 00:21:22,281 YOU KEEP WATCH, MAKE SURE HE'S NOT COMING BACK. 505 00:21:22,281 --> 00:21:24,884 I GO INSIDE, I GET WHATEVER'S IN THAT SHREDDER, 506 00:21:24,884 --> 00:21:26,686 AND I GET OUT. 507 00:21:26,686 --> 00:21:28,017 TWO MINUTES, TOPS. 508 00:21:28,017 --> 00:21:29,319 ON CRUTCHES? 509 00:21:29,319 --> 00:21:30,690 THE DOCTOR DID SAY I NEED MORE EXERCISE. 510 00:21:30,690 --> 00:21:32,722 WHAT IF I GO? I'M SMALLER, FASTER, AND YOUNGER. 511 00:21:32,722 --> 00:21:34,063 OH, NO, NO, NO. IF YOU GET CAUGHT, 512 00:21:34,063 --> 00:21:35,294 YOU GET A B&E ON YOUR RECORD, 513 00:21:35,294 --> 00:21:36,626 AND YOU'LL NEVER BECOME PRESIDENT. 514 00:21:36,626 --> 00:21:37,797 DAD... 515 00:21:37,797 --> 00:21:40,470 HE'S GETTING AWAY WITH MURDER. 516 00:21:42,301 --> 00:21:44,504 YOU GOT A BETTER PLAN? 517 00:21:46,336 --> 00:21:48,708 YOU GOT A LONG LIST OF INDICTMENTS AGAINST YOU, 518 00:21:48,708 --> 00:21:50,540 MR. VALENTINO-- 519 00:21:50,540 --> 00:21:53,082 ASSAULT, RACKETEERING, MURDER ONE-- 520 00:21:53,082 --> 00:21:54,614 AND YET, NO CONVICTIONS. 521 00:21:54,614 --> 00:21:56,085 I'M LUCKY THAT WAY. 522 00:21:56,085 --> 00:21:57,687 YEAH, WELL, YOUR LUCK'S ABOUT TO RUN OUT. 523 00:21:57,687 --> 00:21:59,689 I HAVE EVIDENCE CONNECTING YOU TO PAYMENTS MADE TO MY VIC-- 524 00:21:59,689 --> 00:22:00,850 CLARA DeWINTER. 525 00:22:00,850 --> 00:22:01,991 MY CLIENT HAS NO COMMENT. 526 00:22:01,991 --> 00:22:04,624 WHOA, WHOA, WAIT. SOMEONE KILLED CLARA? 527 00:22:04,624 --> 00:22:05,895 OH, IT LOOKS LIKE HE DOES HAVE A COMMENT. 528 00:22:05,895 --> 00:22:07,357 SO YOU'RE ADMITTING TO KNOWING HER? 529 00:22:07,357 --> 00:22:08,628 YEAH. 530 00:22:08,628 --> 00:22:09,999 BUT I DIDN'T KILL HER. 531 00:22:09,999 --> 00:22:12,001 SHE WAS MY TAX CONSULTANT. 532 00:22:12,001 --> 00:22:14,964 YOU PAID AN I.R.S. AGENT HALF A MILLION DOLLARS 533 00:22:14,964 --> 00:22:17,036 TO ACT AS YOUR TAX CONSULTANT? 534 00:22:17,036 --> 00:22:19,809 YOU BET YOUR ASS. NO ONE'S GONNA AL CAPONE ME. 535 00:22:19,809 --> 00:22:21,340 OKAY, IF THIS WAS A LEGITIMATE ARRANGEMENT, 536 00:22:21,340 --> 00:22:22,642 THEN WHY DID CLARA DeWINTER GO TO SUCH LENGTHS 537 00:22:22,642 --> 00:22:25,044 TO KEEP THAT MONEY HIDDEN? 538 00:22:25,044 --> 00:22:27,116 SHE HID THE MONEY FROM HER HUSBAND. 539 00:22:27,116 --> 00:22:28,948 THAT'S WHY SHE TOOK THIS JOB IN THE FIRST PLACE. 540 00:22:28,948 --> 00:22:30,620 SHE WAS AFRAID OF HIM. 541 00:22:30,620 --> 00:22:33,383 SHE NEEDED THE MONEY TO GET AWAY. 542 00:22:33,383 --> 00:22:35,124 TOMMY THE SHARK'S ALIBI HOLDS. 543 00:22:35,124 --> 00:22:37,627 HE WAS WITH SOME ASSOCIATES AT A NIGHTCLUB THAT HE OWNS. 544 00:22:37,627 --> 00:22:39,088 DOESN'T MEAN HE DIDN'T SEND ONE OF HIS BOYS. 545 00:22:39,088 --> 00:22:41,591 LOOK, IF HE KILLED CLARA, HE WOULDN'T HAVE TALKED TO ME. 546 00:22:41,591 --> 00:22:42,932 NO. 547 00:22:42,932 --> 00:22:44,594 HIDING THE MONEY, PLANNING TO DISAPPEAR-- 548 00:22:44,594 --> 00:22:46,095 SOMETHING ELSE IS GOING ON HERE. 549 00:22:46,095 --> 00:22:47,637 SO WHAT DO YOU GOT ON THE HUSBAND? 550 00:22:47,637 --> 00:22:48,998 OH, NOT MUCH. 551 00:22:48,998 --> 00:22:51,000 HE'S A MANAGER AT A BIG-NAME SUPERMARKET IN QUEENS, 552 00:22:51,000 --> 00:22:53,372 NO PRIORS, MARRIED SEVEN YEARS. 553 00:22:53,372 --> 00:22:55,845 OH, AND HE TOOK A MILLION-DOLLAR LIFE INSURANCE POLICY OUT 554 00:22:55,845 --> 00:22:57,777 ON HIS WIFE ONLY THREE MONTHS AGO. 555 00:22:57,777 --> 00:22:59,048 MM. THAT'S NOT SUSPICIOUS. 556 00:22:59,048 --> 00:23:00,379 YOU THINK HE DID IT AND SET RENNER UP? 557 00:23:00,379 --> 00:23:01,711 AFTER WHAT HAPPENED AT THE RESTAURANT, 558 00:23:01,711 --> 00:23:03,152 IT WOULD'VE BEEN EASY. 559 00:23:03,152 --> 00:23:05,154 ALL HE'D HAVE TO DO IS RENT RENNER'S SAME CLS SEDAN 560 00:23:05,154 --> 00:23:06,686 AND KEEP HIS FACE HIDDEN. 561 00:23:06,686 --> 00:23:08,117 WHILE MAKING SURE THE CAR WAS SEEN. 562 00:23:08,117 --> 00:23:10,119 ALL RIGHT. PICK HIM UP. 563 00:23:21,901 --> 00:23:24,033 ALL CLEAR. OVER. 564 00:24:05,114 --> 00:24:06,746 DAD, NO. 565 00:24:06,746 --> 00:24:08,778 JUST GET THE STUFF AND GET OUT OF THERE. OVER. 566 00:24:08,778 --> 00:24:10,520 It'll only take a minute. Over. 567 00:24:43,513 --> 00:24:46,055 BLEACH AND PAINT. 568 00:24:46,055 --> 00:24:49,118 WHAT ARE YOU TRYING TO COVER UP? 569 00:24:56,796 --> 00:24:58,768 BLOODSTAINS? 570 00:24:58,768 --> 00:25:00,930 THIS IS IT! 571 00:25:00,930 --> 00:25:02,231 THIS IS WHERE HE KILLED HER. 572 00:25:02,231 --> 00:25:04,173 THIS IS WHY RYAN DIDN'T SEE ANY BLOOD. 573 00:25:04,173 --> 00:25:07,036 IT WAS ALL IN HERE! 574 00:25:07,036 --> 00:25:09,038 WHOA! 575 00:25:13,943 --> 00:25:15,715 Dad. Dad, he's coming back. 576 00:25:19,719 --> 00:25:20,820 GET OUT OF THERE. 577 00:25:20,820 --> 00:25:22,191 Get out now! 578 00:25:29,198 --> 00:25:30,730 DAD? 579 00:25:30,730 --> 00:25:32,201 Dad? 580 00:25:53,653 --> 00:25:55,284 YEAH. 581 00:25:56,786 --> 00:25:59,228 HE'S COMING IN. DAD! DAD! HE'S COMING IN! 582 00:25:59,228 --> 00:26:01,090 NO, I HAVE IT HANDLED FOR NOW, 583 00:26:01,090 --> 00:26:02,261 BUT I CAN'T LEAVE IT THERE FOREVER. 584 00:26:02,261 --> 00:26:03,893 OH, NO! OH! 585 00:26:05,134 --> 00:26:06,636 NO. 586 00:26:06,636 --> 00:26:08,968 WELL, I WAS THINKING JIMMY'S BOAT. 587 00:26:08,968 --> 00:26:12,642 WHILE HE'S AT WORK. 588 00:26:12,642 --> 00:26:14,243 HE'D NEVER KNOW. 589 00:26:18,147 --> 00:26:19,248 OH. 590 00:26:28,317 --> 00:26:30,159 OHH. 591 00:26:37,326 --> 00:26:39,769 MM. 592 00:26:39,769 --> 00:26:41,270 YOU THINK I DID THIS? 593 00:26:41,270 --> 00:26:43,903 YOU THINK I COULD POSSIBLY HURT MY WIFE? 594 00:26:43,903 --> 00:26:46,105 I TOLD YOU, WE WERE HAPPY. 595 00:26:46,105 --> 00:26:47,236 NOT ACCORDING TO HER SISTER. 596 00:26:47,236 --> 00:26:50,279 SHE CLAIMS THAT CLARA WAS TERRIFIED OF YOU. 597 00:26:50,279 --> 00:26:52,041 HER SISTER? 598 00:26:52,041 --> 00:26:53,182 THAT WOMAN'S HAD IT OUT FOR ME SINCE WE STARTED DATING. 599 00:26:53,182 --> 00:26:54,884 THEN WHY DID CLARA HIDE MONEY FROM YOU, 600 00:26:54,884 --> 00:26:56,315 AND WHY WAS SHE PLANNING ON DISAPPEARING? 601 00:26:56,315 --> 00:26:57,717 HOW SHOULD I KNOW? 602 00:26:57,717 --> 00:26:59,218 YOU TOOK OUT A SIZEABLE LIFE INSURANCE POLICY 603 00:26:59,218 --> 00:27:00,890 AGAINST YOUR WIFE THREE MONTHS AGO. 604 00:27:00,890 --> 00:27:02,151 WHY? 605 00:27:05,024 --> 00:27:08,397 I'D LIKE MY LAWYER. NOW. 606 00:27:08,397 --> 00:27:09,929 THE SUPERMARKET CONFIRMED 607 00:27:09,929 --> 00:27:11,300 HE WAS THERE THE NIGHT OF THE MURDER. 608 00:27:11,300 --> 00:27:13,933 CAME IN AT 10:00, LEFT AT 3:00. CAN'T BE HIM. 609 00:27:13,933 --> 00:27:15,134 ALL RIGHT, GET UP TO THAT STORE 610 00:27:15,134 --> 00:27:16,936 AND TALK TO EVERYONE THAT WAS THERE THAT NIGHT. 611 00:27:16,936 --> 00:27:18,668 TEAR APART HIS FINANCIALS AND HIS PHONE RECORDS. 612 00:27:18,668 --> 00:27:19,839 IF HE HIRED SOMEONE... 613 00:27:19,839 --> 00:27:21,270 WE GOTTA FIND OUT WHO. 614 00:27:21,270 --> 00:27:22,341 BECKETT. 615 00:27:22,341 --> 00:27:24,714 WAIT. YOU DID WHAT? 616 00:27:24,714 --> 00:27:25,875 AND YOU HELPED HIM? 617 00:27:25,875 --> 00:27:27,116 I DI--AH, OKAY. 618 00:27:27,116 --> 00:27:29,078 THIS IS NOT ABOUT WHAT WE DID. 619 00:27:29,078 --> 00:27:30,750 THIS IS ABOUT WHAT HE DID. 620 00:27:30,750 --> 00:27:32,151 AND... CHECK THIS OUT. 621 00:27:32,151 --> 00:27:33,753 NOW I WASN'T ABLE TO... 622 00:27:33,753 --> 00:27:37,086 REASSEMBLE THE CREDIT CARDS, BUT... 623 00:27:37,086 --> 00:27:38,657 I FOUND THIS IN THE BAG. 624 00:27:40,129 --> 00:27:43,192 AN INVOICE FROM A STORAGE FACILITY. SO? 625 00:27:43,192 --> 00:27:46,165 NOT JUST ANY STORAGE FACILITY. THIS ONE'S OPEN 24 HOURS. 626 00:27:46,165 --> 00:27:47,737 YEAH, LOOK WHAT TIME HE RENTED THE SPACE. 627 00:27:47,737 --> 00:27:49,068 3:43 A.M. 628 00:27:49,068 --> 00:27:50,269 LAST NIGHT AT 3:00 A.M., 629 00:27:50,269 --> 00:27:52,141 I WATCHED HIM PULL A RUG OUT OF HIS APARTMENT. 630 00:27:52,141 --> 00:27:53,973 YOU KNOW WHAT FITS IN A RUG? 631 00:27:53,973 --> 00:27:55,144 A BODY. 632 00:27:55,144 --> 00:27:56,305 THAT'S WHERE HE'S STORING HER 633 00:27:56,305 --> 00:27:57,947 UNTIL HE CAN FIGURE OUT WHAT TO DO. 634 00:27:57,947 --> 00:27:59,278 OR THE RUG BELONGS TO HIS GIRLFRIEND, 635 00:27:59,278 --> 00:28:00,409 WHO ASKED HIM TO KEEP IT IN STORAGE 636 00:28:00,409 --> 00:28:02,952 UNTIL SHE'S READY TO PICK IT UP. 637 00:28:02,952 --> 00:28:04,784 ALL RIGHT. 638 00:28:04,784 --> 00:28:06,786 THEN EXPLAIN THE BLEACH, THE PAINT. 639 00:28:06,786 --> 00:28:08,217 AND I OVERHEARD HIM SAY, 640 00:28:08,217 --> 00:28:10,159 "I CAN'T KEEP IT THERE FOREVER." 641 00:28:10,159 --> 00:28:12,922 DAD, LOOK. SOMEONE'S COMING. 642 00:28:18,067 --> 00:28:20,069 THAT'S HIM. 643 00:28:20,069 --> 00:28:21,971 THAT'S THE GUY SHE WAS HAVING AN AFFAIR WITH. 644 00:28:21,971 --> 00:28:24,233 HE'S LOOKING FOR HER. HE WANTS TO KNOW WHERE SHE IS. 645 00:28:24,233 --> 00:28:25,204 MM. 646 00:28:28,908 --> 00:28:31,080 IF YOU LEAVE NOW, YOU CAN CATCH HIM. 647 00:28:31,080 --> 00:28:32,742 YOU CAN ASK HIM WHERE SHE IS. 648 00:28:32,742 --> 00:28:34,143 CASTLE-- 649 00:28:34,143 --> 00:28:35,444 LOOK, IF SHE'S REALLY VISITING HER MOTHER, 650 00:28:35,444 --> 00:28:37,817 WOULDN'T THE GUY SHE'S HAVING THE AFFAIR WITH, 651 00:28:37,817 --> 00:28:39,318 WHO BROKE THEM UP, 652 00:28:39,318 --> 00:28:40,950 BE THE FIRST TO KNOW? 653 00:28:50,129 --> 00:28:52,731 EXCUSE ME. HEY! EXCUSE ME. 654 00:28:52,731 --> 00:28:54,904 NYPD. DO YOU HAVE A MINUTE? 655 00:29:06,475 --> 00:29:09,478 SO HIS NAME IS BRENT LANSKY. 656 00:29:09,478 --> 00:29:12,381 HE AND EMILY HAVE BEEN TAKING A CLASS TOGETHER AT PACE, 657 00:29:12,381 --> 00:29:14,523 AND HE'S BEEN TEXTING HER FOR THE PAST COUPLE OF DAYS, 658 00:29:14,523 --> 00:29:16,485 BUT SO FAR THERE'S BEEN NO RESPONSE. 659 00:29:16,485 --> 00:29:17,857 WHAT ABOUT HER PARENTS? 660 00:29:17,857 --> 00:29:19,288 RYAN TRACKED THEM DOWN, 661 00:29:19,288 --> 00:29:21,030 BUT THEY HAVEN'T HEARD FROM HER EITHER. 662 00:29:21,030 --> 00:29:22,431 SO I'M NOT A DRUG 663 00:29:22,431 --> 00:29:23,993 LOOK, I KNOW IT SOUNDS SUSPICIOUS, 664 00:29:23,993 --> 00:29:25,935 BUT WITHOUT A BODY OR A MISSING PERSON'S REPORT, 665 00:29:25,935 --> 00:29:27,496 I'VE GOT NOTHING TO GO ON. 666 00:29:27,496 --> 00:29:29,168 WELL, WHILE YOU'RE WAITING FOR SOMETHING TO GO ON, 667 00:29:29,168 --> 00:29:31,040 HE'S ALREADY TAKEN MOST OF THE EVIDENCE AWAY. 668 00:29:31,040 --> 00:29:33,903 BUT LUCKILY, I KNOW WHAT HE'S DONE WITH-- 669 00:29:33,903 --> 00:29:35,344 THANK YOU. 670 00:29:35,344 --> 00:29:37,847 WITH THE BODY-- IN THE STORAGE UNIT. 671 00:29:37,847 --> 00:29:40,309 YOU'RE TALKING ABOUT AN ILLEGAL SEARCH. 672 00:29:40,309 --> 00:29:41,981 WHEN YOU DO IT, IT'S AN ILLEGAL SEARCH. 673 00:29:41,981 --> 00:29:45,154 WHEN I DO IT, IT'S JUST ILLEGAL. 674 00:29:45,154 --> 00:29:48,317 CASTLE, THIS IS SUCH A BAD IDEA. 675 00:29:48,317 --> 00:29:50,789 NO, THIS IS A BRILLIANT IDEA. 676 00:29:50,789 --> 00:29:52,892 I BREAK IN, I FIND THE BODY, 677 00:29:52,892 --> 00:29:54,894 THEN I CALL DOWNSTAIRS TO THE FRONT DESK, 678 00:29:54,894 --> 00:29:57,326 TELL THEM THAT THE LOCK HAS BEEN CUT. 679 00:29:57,326 --> 00:29:59,999 WHEN THEY COME UP TO SEE IF EVERYTHING'S OKAY, 680 00:29:59,999 --> 00:30:02,101 THEY FIND THE BODY THEY CALL THE POLICE, 681 00:30:02,101 --> 00:30:03,402 AND YOU HAVE PROBABLE CAUSE. 682 00:30:03,402 --> 00:30:05,234 IF YOU STAY OUT HERE IN THE HALLWAY, 683 00:30:05,234 --> 00:30:07,406 YOU WON'T BE VIOLATING ANYONE'S RIGHTS. 684 00:30:10,209 --> 00:30:12,481 THERE IT IS. 685 00:30:17,386 --> 00:30:19,388 OKAY. 686 00:30:19,388 --> 00:30:22,191 I DID NOT THINK THIS PART THROUGH. 687 00:30:22,191 --> 00:30:23,552 IF YOU'D JUST... 688 00:30:23,552 --> 00:30:25,324 FINE, CASTLE. BUT I WAS NEVER HERE. 689 00:30:25,324 --> 00:30:27,326 JUST UNROLL IT. 690 00:30:31,360 --> 00:30:32,531 UGH. 691 00:30:32,531 --> 00:30:34,003 WHERE'S THE BODY? 692 00:30:37,006 --> 00:30:39,338 IT'S IN THE BAGS. 693 00:30:48,317 --> 00:30:51,180 OH, MY GOD. IT'S HER. 694 00:30:51,180 --> 00:30:53,322 CASTLE... 695 00:30:53,322 --> 00:30:54,853 IT'S A WIG. 696 00:30:55,955 --> 00:30:57,957 AND THERE'S CLOTHES IN HERE. 697 00:30:57,957 --> 00:30:59,889 NOW CAN WE GET OUTTA HERE BEFORE SOMEONE... 698 00:31:01,060 --> 00:31:03,862 SEES US? 699 00:31:13,903 --> 00:31:16,005 ILLEGAL SEARCH, BREAKING AND ENTERING? 700 00:31:16,005 --> 00:31:17,406 YOU'RE LUCKY I DON'T HAVE YOUR BADGE. 701 00:31:17,406 --> 00:31:20,009 AND YOU. WHAT IN THE HELL DID YOU THINK YOU WERE DOING? 702 00:31:20,009 --> 00:31:22,651 BUT ALL THE EVIDENCE-- THE RUG, THE STORAGE SPACE-- 703 00:31:22,651 --> 00:31:24,353 EVIDENCE? 704 00:31:24,353 --> 00:31:27,486 I JUST SPOKE TO YOUR ALLEGED KILLER, MR. CASTLE. 705 00:31:27,486 --> 00:31:31,420 HE GOT THAT STORAGE SPACE AT HIS EX-GIRLFRIEND'S REQUEST. 706 00:31:31,420 --> 00:31:33,392 HE WAS MOVING HER BELONGINGS THERE, 707 00:31:33,392 --> 00:31:34,623 INCLUDING HER RUG. 708 00:31:34,623 --> 00:31:35,965 HOW DO YOU KNOW HE'S TELLING THE TRUTH? 709 00:31:35,965 --> 00:31:37,126 NO ONE'S HEARD FROM HER. 710 00:31:37,126 --> 00:31:39,428 WE CONTACTED HER. SHE'S FINE. 711 00:31:41,100 --> 00:31:43,072 WELL, WHAT ABOUT THE PAINT AND THE 712 00:31:43,072 --> 00:31:46,005 HE DISCOVERED MOLD AND WANTED TO TAKE CARE OF IT. 713 00:31:46,005 --> 00:31:48,077 ANYTHING ELSE? 714 00:31:48,077 --> 00:31:49,338 JUST-- UH, SIR, CASTLE IS JUST-- 715 00:31:49,338 --> 00:31:51,981 EMBARRASSING ME AND THE DEPARTMENT? 716 00:31:51,981 --> 00:31:54,213 OH, AND, MR. CASTLE, 717 00:31:54,213 --> 00:31:57,216 YOUR NEIGHBOR DID SAY THAT IF YOU BOTHER HIM IN ANY WAY, 718 00:31:57,216 --> 00:31:59,148 HE WILL PRESS CHARGES. 719 00:31:59,148 --> 00:32:00,449 AND I WILL BE 720 00:32:00,449 --> 00:32:05,324 SO HAPPY TO TAKE YOU INTO CUSTODY PERSONALLY. 721 00:32:08,557 --> 00:32:10,099 HEY, CASTLE. 722 00:32:10,099 --> 00:32:12,001 IS IT HARD TO BALANCE ON THOSE CRUTCHES 723 00:32:12,001 --> 00:32:14,503 WHEN YOU'VE JUST HAD YOUR ASS CHEWED OFF? 724 00:32:14,503 --> 00:32:16,435 I'LL BE IN THE CAR. 725 00:32:18,407 --> 00:32:20,009 (indistinct conversations continue) 726 00:32:20,009 --> 00:32:23,212 DID YOU TWO COMEDIANS FIND OUT ANYTHING NEW ON THE HUSBAND? 727 00:32:23,212 --> 00:32:25,344 WELL, THERE WAS NOTHING UNUSUAL IN HIS PHONE 728 00:32:25,344 --> 00:32:26,545 OR FINANCIAL RECORDS. 729 00:32:26,545 --> 00:32:27,716 AND WE TALKED TO EVERYONE AT THE STORE. 730 00:32:27,716 --> 00:32:29,148 THEY SAID HE WAS THERE ALL NIGHT. 731 00:32:29,148 --> 00:32:31,550 BUT THEY DID SAY THAT HE WAS ACTING WEIRD. 732 00:32:31,550 --> 00:32:33,252 WEIRD HOW? 733 00:32:33,252 --> 00:32:35,124 WELL, NORMALLY ON A LATE SHIFT, HE HOLES UP IN HIS OFFICE. 734 00:32:35,124 --> 00:32:37,526 BUT THAT NIGHT, HE SPENT ALL HIS TIME ON THE FLOOR. 735 00:32:37,526 --> 00:32:39,528 HE WANTED TO BE SEEN 'CAUSE HE NEEDED AN ALIBI. 736 00:32:39,528 --> 00:32:41,230 THAT GUY IS INVOLVED. 737 00:32:41,230 --> 00:32:43,062 IT'S A GREAT THEORY. THERE'S ONLY ONE PROBLEM. 738 00:32:43,062 --> 00:32:44,493 WE HAVE NO PROOF. 739 00:32:44,493 --> 00:32:46,635 YET. 740 00:32:50,139 --> 00:32:52,301 WELL, I DON'T SAY THIS OFTEN, 741 00:32:52,301 --> 00:32:54,443 BUT... I'M SORRY. 742 00:32:54,443 --> 00:32:57,346 I'M SORRY I GOT YOU INTO TROUBLE, 743 00:32:57,346 --> 00:32:59,408 SORRY I... LOST MY MIND. 744 00:32:59,408 --> 00:33:00,709 YOU KNOW WHAT, CASTLE? IT'S OKAY. 745 00:33:00,709 --> 00:33:02,451 YOUR OVERACTIVE IMAGINATION 746 00:33:02,451 --> 00:33:04,453 HAS ACTUALLY BROUGHT A LOT OF PEOPLE TO JUSTICE. 747 00:33:04,453 --> 00:33:09,018 IN FACT, IT'S ONE OF THE THINGS THAT I LOVE ABOUT YOU. 748 00:33:09,018 --> 00:33:10,319 WOW. 749 00:33:10,319 --> 00:33:12,621 AND... WOW. 750 00:33:12,621 --> 00:33:14,363 HAPPY BIRTHDAY TO ME. 751 00:33:14,363 --> 00:33:18,367 IF THAT'S MY PRESENT, I CAN'T WAIT TO UNWRAP IT. 752 00:33:18,367 --> 00:33:20,399 LATER. RIGHT NOW, LET'S JUST FORGET ABOUT THE MURDER, 753 00:33:20,399 --> 00:33:22,101 GO TO DINNER, CELEBRATE YOUR LIFE, 754 00:33:22,101 --> 00:33:24,103 COME BACK, AND CELEBRATE SOME MORE. 755 00:33:24,103 --> 00:33:25,374 SOUNDS PERFECT. 756 00:33:25,374 --> 00:33:27,536 OKAY, SO THE CAR'S GONNA BE HERE IN 15 MINUTES. 757 00:33:27,536 --> 00:33:31,340 WOULD YOU LIKE A DRINK FROM THE FRIDGE? 758 00:33:31,340 --> 00:33:32,741 THE FRIDGE. 759 00:33:32,741 --> 00:33:34,183 WHAT? 760 00:33:34,183 --> 00:33:36,745 HE JUST GOT A SODA FROM THE CABINET. 761 00:33:36,745 --> 00:33:38,647 SO? 762 00:33:38,647 --> 00:33:40,189 SO WHY GET IT FROM THE CABINET? 763 00:33:40,189 --> 00:33:41,490 WHY NOT GET IT FROM THE FRIDGE? 764 00:33:41,490 --> 00:33:43,552 WHY NOT... GET ICE? 765 00:33:43,552 --> 00:33:44,693 OH, NO. 766 00:33:44,693 --> 00:33:46,455 SHE'S IN THE REFRIGERATOR. 767 00:33:46,455 --> 00:33:48,457 OH, GOD. THOSE PLASTIC TRAYS IN THE CLOSET? 768 00:33:48,457 --> 00:33:50,459 THOSE WEREN'T PLASTIC TRAYS. THOSE WERE REFRIGERATOR SHELVES. 769 00:33:50,459 --> 00:33:52,061 CASTLE... 770 00:33:52,061 --> 00:33:53,362 I DON'T KNOW WHO GATES WAS TALKING TO ON THE PHONE, 771 00:33:53,362 --> 00:33:55,164 BUT THAT WAS NOT EMILY. 772 00:33:55,164 --> 00:33:56,465 EMILY IS IN THAT FRIDGE. 773 00:33:56,465 --> 00:33:58,437 SHE'S NOT IN THE APARTMENT. SHE'S NOT IN THE FRIDGE. 774 00:33:58,437 --> 00:33:59,508 THERE IS NO BODY! 775 00:33:59,508 --> 00:34:00,769 YES, THERE IS. 776 00:34:00,769 --> 00:34:02,771 CASTLE, YOU JUST APOLOGIZED TO ME. 777 00:34:02,771 --> 00:34:04,643 I RESCIND THE APOLOGY. I TAKE IT BACK. 778 00:34:04,643 --> 00:34:06,515 SHE'S IN THE FRIDGE. 779 00:34:06,515 --> 00:34:08,417 YOU KNOW WHAT? LET'S JUST GO DOWNSTAIRS 780 00:34:08,417 --> 00:34:10,119 AND WAIT FOR THE DRIVER THERE. 781 00:34:10,119 --> 00:34:12,421 I AM NOT GOING ANYWHERE UNTIL I SEE WHAT'S IN THAT FRIDGE. 782 00:34:12,421 --> 00:34:13,722 WHAT?! 783 00:34:13,722 --> 00:34:16,355 YOU'RE GONNA STAY HERE AND WAIT FOR HIM TO OPEN IT? 784 00:34:16,355 --> 00:34:18,727 IF THAT'S WHAT IT TAKES. 785 00:34:18,727 --> 00:34:22,291 OKAY, FINE. 786 00:34:22,291 --> 00:34:23,532 WHERE ARE YOU GOING? 787 00:34:23,532 --> 00:34:25,494 CASTLE, I MADE PLANS FOR YOU, 788 00:34:25,494 --> 00:34:26,835 I DRESSED UP FOR YOU, 789 00:34:26,835 --> 00:34:29,468 AND I'M NOT GONNA LET YOU RUIN THIS NIGHT. 790 00:34:29,468 --> 00:34:30,569 SO WHAT ARE YOU GONNA DO? 791 00:34:30,569 --> 00:34:32,241 I AM GOING TO GO OVER THERE 792 00:34:32,241 --> 00:34:33,372 AND OPEN THAT BLOODY FRIDGE, 793 00:34:33,372 --> 00:34:35,544 AND THEN YOU AND I ARE GOING TO DINNER 794 00:34:35,544 --> 00:34:38,207 AND NEVER TALKING ABOUT THIS AGAIN. 795 00:34:38,207 --> 00:34:39,478 NO, DON'T DO IT. IT'S TOO DANGEROUS. 796 00:34:39,478 --> 00:34:41,710 NOT AS DANGEROUS AS ME IF YOU BLOW UP MY PLANS. 797 00:34:41,710 --> 00:34:44,213 WELL, WHAT IF HE DOESN'T LET YOU IN? 798 00:34:44,213 --> 00:34:47,356 LOOK AT ME. HE'S GONNA LET ME IN. 799 00:34:47,356 --> 00:34:48,417 NOT IF THERE'S A BODY IN THERE. 800 00:34:48,417 --> 00:34:50,559 THERE'S NOT A BODY IN THERE. 801 00:35:24,893 --> 00:35:27,526 NO, NO, BECKETT. 802 00:35:33,562 --> 00:35:35,504 NO. 803 00:35:37,436 --> 00:35:39,708 NO. 804 00:35:39,708 --> 00:35:41,210 BECKETT! NO! 805 00:35:41,210 --> 00:35:46,875 NO! 806 00:35:51,550 --> 00:35:52,621 WHERE IS SHE?! 807 00:35:52,621 --> 00:35:53,782 SHE'S UPSTAIRS! SHE'S IN THE APARTMENT! 808 00:35:53,782 --> 00:35:55,284 WAIT FOR ME! 809 00:35:57,286 --> 00:35:59,358 NYPD! OPEN UP! 810 00:35:59,358 --> 00:36:00,689 OPEN UP NOW! 811 00:36:01,760 --> 00:36:03,662 KICK IT! KICK IT! KICK IT! 812 00:36:03,662 --> 00:36:04,833 BECKETT! BECKETT! 813 00:36:04,833 --> 00:36:06,365 BECKETT! BECKETT! 814 00:36:06,365 --> 00:36:07,696 BECKETT, YOU THERE?! BECKETT! 815 00:36:07,696 --> 00:36:10,269 BECKETT, WHERE ARE YOU? 816 00:36:11,440 --> 00:36:12,601 SURPRISE! 817 00:36:12,601 --> 00:36:14,503 HAPPY BIRTHDAY! 818 00:36:14,503 --> 00:36:16,475 WHOO! HAPPY BIRTHDAY! 819 00:36:18,607 --> 00:36:20,479 THANK YOU. 820 00:36:20,479 --> 00:36:23,912 (indistinct conversations and laughter) 821 00:36:28,587 --> 00:36:30,659 (indistinct conversations and laughter continue) 822 00:36:30,659 --> 00:36:32,221 IT WAS ALL FAKE? 823 00:36:33,662 --> 00:36:35,364 NOTHING WAS REAL. 824 00:36:35,364 --> 00:36:36,695 YOU... 825 00:36:36,695 --> 00:36:38,927 YOU LET ME THINK I WAS CRAZY? 826 00:36:38,927 --> 00:36:41,400 YOU LET ME THINK YOU WERE GONNA DIE? 827 00:36:41,400 --> 00:36:43,572 BUT, CASTLE, YOU-- YOU WERE SO BORED 828 00:36:43,572 --> 00:36:45,274 OVER THE PAST COUPLE OF WEEKS, 829 00:36:45,274 --> 00:36:48,206 STUCK AT HOME WITH NO CASE TO SOLVE. 830 00:36:48,206 --> 00:36:50,639 AND I SAW THAT THIS APARTMENT WAS FOR RENT, 831 00:36:50,639 --> 00:36:51,610 AND I JUST-- I THOUGHT THAT I-- 832 00:36:51,610 --> 00:36:52,781 RICHARD-- 833 00:36:52,781 --> 00:36:54,583 NO. 834 00:36:54,583 --> 00:36:56,615 NO. 835 00:36:56,615 --> 00:36:58,917 THIS IS... 836 00:36:58,917 --> 00:37:01,420 WITHOUT A DOUBT... 837 00:37:02,691 --> 00:37:06,655 THE GREATEST BIRTHDAY GIFT OF MY LIFE! 838 00:37:11,600 --> 00:37:13,231 MM. 839 00:37:15,564 --> 00:37:16,705 HOW DID YOU DO IT? 840 00:37:16,705 --> 00:37:18,607 WELL, I DID HAVE A LOT OF HELP. 841 00:37:18,607 --> 00:37:19,938 YES, YOU DID, INDEED. 842 00:37:19,938 --> 00:37:21,470 YOU WERE ALL IN ON OUT? 843 00:37:21,470 --> 00:37:23,612 MM-HMM. MICHAEL, BRENT, EMILY-- 844 00:37:23,612 --> 00:37:25,614 MY BRILLIANT ACTING STUDENTS. 845 00:37:25,614 --> 00:37:27,245 I, OF COURSE, WAS THE DIRECTOR. 846 00:37:27,245 --> 00:37:28,547 AND THE BOYS? 847 00:37:28,547 --> 00:37:30,018 YEAH. OH, YEAH. THEY WERE GREAT. 848 00:37:30,018 --> 00:37:31,780 EXCEPT YOU DIDN'T HAVE TO KICK DOWN THE DOOR. 849 00:37:31,780 --> 00:37:33,452 I WAS IN THE MOMENT. WE WANTED TO BE CONVINCING. 850 00:37:33,452 --> 00:37:34,883 YEAH. ALEXIS, YOU, TOO? 851 00:37:34,883 --> 00:37:36,785 IT'S WHY I BOUGHT YOU THE BINOCULARS. 852 00:37:36,785 --> 00:37:38,457 EVEN CAPTAIN GATES? 853 00:37:38,457 --> 00:37:39,688 YEAH, SHE JUMPED AT THE CHANCE 854 00:37:39,688 --> 00:37:40,759 TO DRESS YOU DOWN FOR ANY REASON. 855 00:37:40,759 --> 00:37:42,761 WHERE IS CAPTAIN GATES? 856 00:37:42,761 --> 00:37:44,833 SHE COULDN'T MAKE IT. GOOD. 857 00:37:46,795 --> 00:37:48,497 WOW. 858 00:37:49,668 --> 00:37:50,599 ALL RIGHT! 859 00:37:59,808 --> 00:38:01,650 YOU REALLY BLEW MY MIND. 860 00:38:01,650 --> 00:38:03,512 YEAH, WELL, I FIGURED THE TRICKIEST PART 861 00:38:03,512 --> 00:38:05,013 WOULD BE FOOLING YOU AND... 862 00:38:05,013 --> 00:38:07,486 KEEP A STRAIGHT FACE. 863 00:38:07,486 --> 00:38:09,287 WELL, YOU WIN THE OSCAR FOR 864 00:38:09,287 --> 00:38:10,589 BEST PRETEND MURDER. 865 00:38:10,589 --> 00:38:13,822 I CANNOT BELIEVE THE WHOLE THING WAS STAGED. 866 00:38:15,694 --> 00:38:17,295 STAGED? 867 00:38:17,295 --> 00:38:18,897 WHAT? 868 00:38:18,897 --> 00:38:22,000 I THINK I JUST SOLVED MY CASE. 869 00:38:22,000 --> 00:38:23,702 DOES THAT MEAN YOU'RE GONNA HAVE TO GO RUN OFF 870 00:38:23,702 --> 00:38:25,404 AND ARREST SOMEONE? 871 00:38:25,404 --> 00:38:26,635 NO. 872 00:38:26,635 --> 00:38:28,777 RIGHT NOW I'VE GOT OTHER PLANS. 873 00:38:28,777 --> 00:38:31,410 (indistinct conversations continue) 874 00:38:31,410 --> 00:38:32,581 HAPPY BIRTHDAY. 875 00:38:35,814 --> 00:38:38,717 LOOK, I'M SORRY I HAD TO DRAG YOU DOWN HERE, 876 00:38:38,717 --> 00:38:41,450 BUT I THINK YOU MIGHT ACTUALLY HOLD THE KEY 877 00:38:41,450 --> 00:38:42,921 TO SOLVING THIS MURDER. 878 00:38:42,921 --> 00:38:44,993 SURE, BUT I ALREADY TOLD YOU WHAT I KNOW. 879 00:38:44,993 --> 00:38:47,055 RIGHT, THAT YOU SPOTTED THE MURDER BEING COMMITTED 880 00:38:47,055 --> 00:38:49,057 ON SURVEILLANCE, AND THEN YOU CALLED 9-1-1. 881 00:38:49,057 --> 00:38:51,029 THAT'S CORRECT. 882 00:38:52,601 --> 00:38:54,833 SEE, I'VE LOOKED AT THIS VIDEO DOZENS OF TIMES, 883 00:38:54,833 --> 00:38:56,905 TRYING TO SEE IF I COULD FIND A CLUE 884 00:38:56,905 --> 00:38:58,607 AS TO WHO THE MURDERER WAS. 885 00:38:58,607 --> 00:39:01,610 AND THEN I REALIZED, I'M LOOKING IN THE WRONG PLACE. 886 00:39:01,610 --> 00:39:03,612 DO YOU SEE THAT? 887 00:39:03,612 --> 00:39:05,113 SEE WHAT? 888 00:39:05,113 --> 00:39:08,046 I-IT'S ACTUALLY KIND OF HARD TO SPOT. 889 00:39:08,046 --> 00:39:11,920 UM... THAT DOT RIGHT THERE. 890 00:39:13,682 --> 00:39:16,054 IT'S GRAFFITI THAT SOMEHOW MAGICALLY 891 00:39:16,054 --> 00:39:18,056 APPEARS ON THAT WALL. 892 00:39:18,056 --> 00:39:19,988 HERE. 893 00:39:19,988 --> 00:39:22,360 I'LL PLAY IT FOR YOU AGAIN. 894 00:39:24,963 --> 00:39:27,636 HOW IS THAT POSSIBLE? 895 00:39:27,636 --> 00:39:28,767 I DON'T KNOW. 896 00:39:28,767 --> 00:39:30,469 THE ONLY WAY THAT IT'S POSSIBLE 897 00:39:30,469 --> 00:39:32,641 IS IF SOMEONE TAMPERED WITH THE FEED 898 00:39:32,641 --> 00:39:35,404 AND REPLACED THE LIVE IMAGE 899 00:39:35,404 --> 00:39:37,676 WITH FOOTAGE THAT WAS RECORDED BEFORE THAT TAG WAS MADE. 900 00:39:37,676 --> 00:39:39,748 THAT WOULD BE IMPOSSIBLE UNLESS SOMEBODY-- 901 00:39:39,748 --> 00:39:41,480 HAD ACCESS TO THE SURVEILLANCE SYSTEM, 902 00:39:41,480 --> 00:39:42,781 WHICH YOU HAVE. 903 00:39:42,781 --> 00:39:45,113 AND IF THAT IS INDEED A PRERECORDED IMAGE, 904 00:39:45,113 --> 00:39:47,015 THEN THAT MEANS THAT THE ATTACK WAS FAKED. 905 00:39:47,015 --> 00:39:48,717 AND THAT WOMAN THAT IS BEING BEATEN 906 00:39:48,717 --> 00:39:50,589 AND THEN THROWN INTO THE DUMPSTER 907 00:39:50,589 --> 00:39:51,760 IS NOT THE REAL MRS. DeWINTER. 908 00:39:53,121 --> 00:39:55,393 NOW DO YOU NOTICE THAT SHE NEVER ACTUALLY SHOWS HER FACE? 909 00:39:55,393 --> 00:39:58,697 IT'S ALMOST AS IF SOMEONE IS PRETENDING TO BE HER, 910 00:39:58,697 --> 00:39:59,998 SOMEONE WITH THE SAME FRAME, 911 00:39:59,998 --> 00:40:02,400 SOMEONE A LOT LIKE YOU. 912 00:40:02,400 --> 00:40:03,732 THAT IS NOT ME. 913 00:40:03,732 --> 00:40:05,073 I'M GUESSING THAT THE REAL MRS. DeWINTER 914 00:40:05,073 --> 00:40:07,075 WAS KILLED SOMEWHERE ELSE EARLIER IN THE EVENING, 915 00:40:07,075 --> 00:40:10,078 AND THAT THE KILLER PLANTED HER BODY IN THE DUMPSTER 916 00:40:10,078 --> 00:40:11,610 SO THAT IT WOULD BE THERE 917 00:40:11,610 --> 00:40:14,543 WHEN YOU AND YOUR COLLEAGUES VIEWED THE FAKED FOOTAGE. 918 00:40:14,543 --> 00:40:17,586 THAT VIDEO IS THE PERFECT ALIBI FOR THE MURDER. 919 00:40:17,586 --> 00:40:21,049 I DIDN'T EVEN KNOW MRS. DeWINTER. 920 00:40:21,049 --> 00:40:23,892 NO, BUT YOU DO KNOW HER HUSBAND. 921 00:40:23,892 --> 00:40:25,894 ACCORDING TO YOUR PERSONNEL FILE, 922 00:40:25,894 --> 00:40:27,556 YOU WORKED NIGHT SECURITY 923 00:40:27,556 --> 00:40:29,498 AT A SUPERMARKET IN QUEENS A YEAR AGO. 924 00:40:29,498 --> 00:40:31,960 THAT IS THE SAME STORE AS MR. DeWINTER. 925 00:40:31,960 --> 00:40:33,702 THAT'S JUST A COINCIDENCE. 926 00:40:33,702 --> 00:40:37,035 IS IT ALSO A COINCIDENCE THAT YOU RENTED A CLS550 A WEEK AGO? 927 00:40:45,574 --> 00:40:47,175 I DIDN'T KILL HER. 928 00:40:47,175 --> 00:40:48,977 I KNOW YOU DIDN'T. 929 00:40:48,977 --> 00:40:52,621 I NEED YOU TO TELL ME WHO DID. 930 00:40:55,223 --> 00:40:57,686 THEY MET A YEAR AGO ON THE LATE SHIFT 931 00:40:57,686 --> 00:40:59,658 AND STARTED AN AFFAIR. 932 00:40:59,658 --> 00:41:00,989 ONCE THEY GOT TOGETHER, 933 00:41:00,989 --> 00:41:02,631 GAVIN REALIZED THAT HE'D HAVE TO GET RID OF HIS WIFE, 934 00:41:02,631 --> 00:41:04,593 AND INSTEAD OF A MESSY DIVORCE, 935 00:41:04,593 --> 00:41:06,665 THEY DECIDED TO MAKE A KILLING. 936 00:41:06,665 --> 00:41:07,696 SOME MARRIAGE. 937 00:41:07,696 --> 00:41:09,197 NO WONDER CLARA WANTED TO DISAPPEAR. 938 00:41:09,197 --> 00:41:10,999 YEAH, BUT SHE DIDN'T DO IT FAST ENOUGH. 939 00:41:10,999 --> 00:41:12,741 SO WHERE'D THE ACTUAL MURDER TAKE PLACE? 940 00:41:12,741 --> 00:41:14,743 IN THE DeWINTERS' GARAGE. 941 00:41:14,743 --> 00:41:16,545 AFTER DINNER, HE BLUDGEONED HER TO DEATH 942 00:41:16,545 --> 00:41:18,747 WITH THE BAT THAT HE LEFT IN THE ALLEYWAY, 943 00:41:18,747 --> 00:41:20,078 AND THEN HE CHANGED HER INTO THE CLOTHES 944 00:41:20,078 --> 00:41:21,650 THAT RIGAS WORE ON THAT TAPE. 945 00:41:21,650 --> 00:41:23,582 AND THEN JUST BEFORE PLACING HER BODY IN THE DUMPSTER, 946 00:41:23,582 --> 00:41:25,714 RIGAS SWITCHED TO THE DUMMY FEED. 947 00:41:25,714 --> 00:41:26,985 PERFECT CRIME. 948 00:41:26,985 --> 00:41:28,156 YEAH. 949 00:41:28,156 --> 00:41:29,988 (indistinct conversations continue) 950 00:41:29,988 --> 00:41:31,990 ALMOST. 951 00:41:31,990 --> 00:41:34,623 WELL, I'M GLAD I COULD HELP WITH THE CASE, 952 00:41:34,623 --> 00:41:37,225 EVEN THOUGH IT WAS BY ACCIDENT. 953 00:41:37,225 --> 00:41:41,269 HOW MANY MURDERS DO YOU THINK WE'VE SOLVED SINCE WE MET? 954 00:41:41,269 --> 00:41:44,733 I DON'T KNOW. UM... MAYBE A HUNDRED OR SO. 955 00:41:44,733 --> 00:41:46,504 A HUNDRED? MM-HMM. 956 00:41:46,504 --> 00:41:48,206 HERE'S TO A HUNDRED MORE. 957 00:41:52,541 --> 00:41:54,683 YOU KNOW... 958 00:41:54,683 --> 00:41:56,184 WHAT YOU... 959 00:41:56,184 --> 00:41:58,116 DID FOR ME... 960 00:41:59,788 --> 00:42:02,651 NOBODY'S EVER DONE THAT FOR ME BEFORE. 961 00:42:05,053 --> 00:42:07,726 THAT WAS... 962 00:42:07,726 --> 00:42:10,659 EPIC. 963 00:42:10,659 --> 00:42:14,563 BUT YOU DO KNOW THAT NOW I WILL HAVE TO GET YOU BACK? 964 00:42:14,563 --> 00:42:16,705 OH, REALLY? AND YOU THINK THAT YOU CAN TOP THAT? 965 00:42:16,705 --> 00:42:18,707 OH, JUST YOU WAIT AND SEE.