1 00:00:05,076 --> 00:00:07,378 (hums) 2 00:00:07,378 --> 00:00:08,579 HEY. 3 00:00:08,579 --> 00:00:10,181 DID YOU EAT MY FRIES? 4 00:00:10,181 --> 00:00:11,512 YOU SHOULDN'T HAVE LEFT THEM. 5 00:00:11,512 --> 00:00:12,643 (laughs) 6 00:00:12,643 --> 00:00:15,015 (container thuds) 7 00:00:15,015 --> 00:00:16,547 (video feed playing without audio) 8 00:00:16,547 --> 00:00:18,389 WHAT IS THAT? 9 00:00:18,389 --> 00:00:21,692 (sets clipboard down) 10 00:00:21,692 --> 00:00:25,396 I HAVE NO IDEA. 11 00:00:28,359 --> 00:00:30,101 CALL 9-1-1! 12 00:00:40,411 --> 00:00:42,673 (door slams shut) 13 00:00:50,751 --> 00:00:53,053 (hinges squeak) 14 00:00:53,053 --> 00:00:56,257 (groaning) 15 00:00:57,458 --> 00:00:58,589 ALMOST THERE, CASTLE. 16 00:00:58,589 --> 00:01:00,491 JUST ANOTHER TWO WEEKS. 17 00:01:00,491 --> 00:01:01,832 IT'S ALREADY BEEN TWO WEEKS. 18 00:01:01,832 --> 00:01:03,364 TWO WEEKS IS AN ETERNITY. 19 00:01:03,364 --> 00:01:04,835 YEAH, WELL, MAYBE NEXT TIME WE GO SKIING, 20 00:01:04,835 --> 00:01:06,797 YOU'RE NOT GONNA BE SUCH A SHOW-OFF. 21 00:01:06,797 --> 00:01:09,270 I WASN'T SHOWING OFF. 22 00:01:09,270 --> 00:01:11,172 OKAY, I WAS SHOWING OFF A LITTLE BIT. 23 00:01:11,172 --> 00:01:12,473 BUT I SWEAR TO YOU, 24 00:01:12,473 --> 00:01:14,475 I CAN DO A TAIL GRAB WITH MY EYES CLOSED 25 00:01:14,475 --> 00:01:16,177 AND WITHOUT BREAKING MY KNEECAP. 26 00:01:16,177 --> 00:01:17,348 MM-HMM. 27 00:01:17,348 --> 00:01:19,480 WELL, I AM OFF. 28 00:01:19,480 --> 00:01:21,412 NOW THE RETREAT IS OUT OF CELL PHONE RANGE, 29 00:01:21,412 --> 00:01:22,713 SO IF I DON'T CALL YOU ON YOUR BIRTHDAY, 30 00:01:22,713 --> 00:01:24,555 IT IS NOT BECAUSE I HAVE FORGOTTEN. 31 00:01:24,555 --> 00:01:26,717 I WON'T THINK IT'S BECAUSE YOU'VE FORGOTTEN. 32 00:01:26,717 --> 00:01:28,719 I'LL THINK IT'S BECAUSE YOU MADE OTHER PLANS. 33 00:01:28,719 --> 00:01:30,161 NOW WAIT A MINUTE. 34 00:01:30,161 --> 00:01:31,622 YOU AND KATHERINE WERE SUPPOSED TO BE CELEBRATING 35 00:01:31,622 --> 00:01:33,424 IN BORA BORA THIS WEEK. 36 00:01:33,424 --> 00:01:34,495 NO, YOU'RE RIGHT. 37 00:01:34,495 --> 00:01:36,096 HAVE A GREAT TIME ON YOUR RETREAT... 38 00:01:36,096 --> 00:01:38,429 ON YOUR ONLY SON'S BIRTHDAY. 39 00:01:38,429 --> 00:01:42,573 IT IS A SPA TRIP, DARLING. NOT A GUILT TRIP. 40 00:01:42,573 --> 00:01:44,305 MWAH. HE'S ALL YOURS. 41 00:01:44,305 --> 00:01:45,606 SEE YOU IN A WEEK. 42 00:01:45,606 --> 00:01:46,837 BYE. 43 00:01:46,837 --> 00:01:48,209 OH, COME ON, CASTLE. 44 00:01:48,209 --> 00:01:49,510 STOP FEELING SORRY FOR YOURSELF. 45 00:01:49,510 --> 00:01:50,811 I'LL GET US A RESERVATION 46 00:01:50,811 --> 00:01:52,343 AND I'LL TAKE YOU SOMEWHERE NICE FOR YOUR BIRTHDAY. 47 00:01:52,343 --> 00:01:53,484 AS NICE AS BORA BORA? 48 00:01:53,484 --> 00:01:54,645 MM. 49 00:01:54,645 --> 00:01:56,347 OH. 50 00:01:56,347 --> 00:01:58,549 KATHERINE, YOUR RIDE IS HERE. 51 00:01:58,549 --> 00:01:59,720 OH, GREAT. 52 00:01:59,720 --> 00:02:01,492 RIDE? YEAH, WE HAD A BODY DROP. 53 00:02:01,492 --> 00:02:02,823 I ASKED THE BOYS TO PICK ME UP 54 00:02:02,823 --> 00:02:04,525 SO I'D HAVE ENOUGH TIME TO MAKE YOU BREAKFAST. 55 00:02:04,525 --> 00:02:07,658 I'M MISSING ANOTHER CASE? NO. COME ON. 56 00:02:07,658 --> 00:02:09,360 (whispers) GUYS, TAKE ME WITH YOU. 57 00:02:09,360 --> 00:02:10,501 (Beckett) NO! NOT UNTIL YOU GET BETTER. 58 00:02:10,501 --> 00:02:12,503 CASTLE, HOW'S THE KNEE? 59 00:02:12,503 --> 00:02:14,535 IT'S NOT THE KNEE SO MUCH AS THE BOREDOM. 60 00:02:14,535 --> 00:02:15,806 I THOUGHT YOU WRITERS LIKED BEING ALONE. 61 00:02:15,806 --> 00:02:17,208 YEAH, IF I COULD WRITE. 62 00:02:17,208 --> 00:02:19,640 BUT THE PAINKILLERS MAKE ME A LITTLE LOOPY. 63 00:02:19,640 --> 00:02:21,342 LAST NIGHT I USED THE WORD "SPECULATE" 64 00:02:21,342 --> 00:02:22,643 THREE TIMES IN THE SAME SENTENCE. 65 00:02:22,643 --> 00:02:24,515 MM. YOU MUST BE BORED. 66 00:02:24,515 --> 00:02:27,578 YOU'VE ACTUALLY GONE "REAR WINDOW." 67 00:02:27,578 --> 00:02:29,580 ALEXIS GOT ME THOSE AS A JOKE TO CHEER ME UP. 68 00:02:29,580 --> 00:02:32,423 I HAVE NOT YET RESORTED TO VOYEURISM. 69 00:02:32,423 --> 00:02:33,724 THEN YOU ARE MISSING OUT. 70 00:02:33,724 --> 00:02:34,855 (wolf whistles) 71 00:02:34,855 --> 00:02:36,557 WHAT? LET ME SEE. NO, HEY-- 72 00:02:36,557 --> 00:02:37,758 GIVE ME THE BINOCULARS. 73 00:02:37,758 --> 00:02:39,490 DUDE, SHE WAS JUST ABOUT TO TAKE OFF HER TOWEL. 74 00:02:39,490 --> 00:02:41,562 OH, THE TOWEL IS OFF. REALLY? 75 00:02:41,562 --> 00:02:42,793 YEAH. MMM. 76 00:02:42,793 --> 00:02:44,395 UNLESS THE BODY THAT YOU'RE LOOKING AT IS DEAD, 77 00:02:44,395 --> 00:02:46,537 I SUGGEST YOU DROP THOSE BINOCULARS. 78 00:02:46,537 --> 00:02:47,738 OKAY, CASTLE. (kisses) 79 00:02:47,738 --> 00:02:50,541 I WILL CALL YOU AND CHECK ON YOU SOON. 80 00:02:50,541 --> 00:02:52,543 HEY, WHAT IF CONSULT BY PHONE? 81 00:02:52,543 --> 00:02:55,276 WE COULD PRETEND I'M CHARLIE, AND YOU'RE MY ANGELS. 82 00:02:57,808 --> 00:03:00,281 (door closes) 83 00:03:00,281 --> 00:03:02,313 (Beckett) WHY ARE MEN SUCH BABIES 84 00:03:02,313 --> 00:03:03,654 WHEN THEY GET SICK OR INJURED? 85 00:03:03,654 --> 00:03:05,356 (Esposito) IT'S AN EVOLUTIONARY THING. 86 00:03:05,356 --> 00:03:06,917 MEN WHO CAN GET WOMEN TO TAKE CARE OF 'EM, 87 00:03:06,917 --> 00:03:08,419 WELL, THEY HAVE A GREATER CHANCE OF SURVIVAL. 88 00:03:08,419 --> 00:03:10,261 REALLY, ESPO? WHERE'D YOU READ THAT, 89 00:03:10,261 --> 00:03:11,822 "YOU'RE MAKING IT UP" MAGAZINE? 90 00:03:11,822 --> 00:03:13,494 (indistinct conversations) 91 00:03:13,494 --> 00:03:15,396 HEY, LANIE. SO WHAT HAVE WE GOT? 92 00:03:15,396 --> 00:03:17,768 (Lanie) SORRY, SWEETIE. IT'S A BAD ONE. 93 00:03:17,768 --> 00:03:20,401 MULTIPLE CONTUSIONS TO THE HEAD, 94 00:03:20,401 --> 00:03:22,633 EVIDENCE OF FRACTURING AT THE BASE OF THE SKULL. 95 00:03:22,633 --> 00:03:24,505 FROM THE PATTERNING, I'D SAY SHE WAS 96 00:03:24,505 --> 00:03:26,677 REPEATEDLY STRUCK BY THAT BAT. 97 00:03:26,677 --> 00:03:28,479 DO WE KNOW WHO SHE IS? 98 00:03:28,479 --> 00:03:30,811 THE GUARD WHO FOUND HER I.D.'ed HER AS CLARA DeWINTER-- 99 00:03:30,811 --> 00:03:32,913 35, LIVES IN QUEENS, AND MARRIED. 100 00:03:32,913 --> 00:03:34,445 WHAT WAS SHE DOING IN THIS ALLEYWAY 101 00:03:34,445 --> 00:03:35,416 IN THE MIDDLE OF THE NIGHT? 102 00:03:35,416 --> 00:03:36,747 SHE WAS AN I.R.S. AGENT. 103 00:03:36,747 --> 00:03:38,389 WORKED IN THIS BUILDING HERE. 104 00:03:38,389 --> 00:03:39,620 (Ryan) APPARENTLY, SHE WAS WORKING LATE. 105 00:03:39,620 --> 00:03:41,322 THE EMPLOYEES SOMETIMES CUT ACROSS THE ALLEY 106 00:03:41,322 --> 00:03:42,553 TO GET TO THE PARKING GARAGE NEXT DOOR. 107 00:03:42,553 --> 00:03:44,355 DO WE HAVE A WITNESS? 108 00:03:44,355 --> 00:03:46,957 NO, BUT WE MAY HAVE SOMETHING WAY BETTER. 109 00:03:46,957 --> 00:03:48,929 (video playing without audio) 110 00:03:48,929 --> 00:03:50,531 (Beckett) WHAT THE HELL IS THAT? 111 00:03:50,531 --> 00:03:51,862 (woman) NO IDEA, MA'AM. 112 00:03:51,862 --> 00:03:53,804 NEVER SEEN ANYTHING LIKE IT. 113 00:03:53,804 --> 00:03:54,965 ESPO? 114 00:03:54,965 --> 00:03:56,337 IT'S AN INFRARED CAMERA. 115 00:03:56,337 --> 00:03:57,508 SO OUR ATTACKER COULD BE WEARING 116 00:03:57,508 --> 00:03:58,969 SOME SORT OF HIGH-INTENSITY I.R. LIGHTS, 117 00:03:58,969 --> 00:04:00,441 WHICH WOULD BE 118 00:04:00,441 --> 00:04:02,413 INVISIBLE TO THE EYE BUT BLINDING TO THAT CAMERA. 119 00:04:02,413 --> 00:04:03,574 (man) THAT'S PRETTY SOPHISTICATED 120 00:04:03,574 --> 00:04:04,775 FOR A STREET CRIMINAL. 121 00:04:04,775 --> 00:04:06,347 (Beckett) NO, THIS WASN'T A STREET CRIME. 122 00:04:06,347 --> 00:04:07,518 THE PERSON KNEW THAT THAT CAMERA WAS THERE 123 00:04:07,518 --> 00:04:09,019 AND TOOK PRECAUTIONS. 124 00:04:09,019 --> 00:04:11,422 THIS WAS A PREMEDITATED MURDER. 125 00:04:11,422 --> 00:04:12,683 WAIT. GO BACK. 126 00:04:12,683 --> 00:04:14,024 (video rewinds) 127 00:04:14,024 --> 00:04:15,386 RIGHT THERE. (computer chirps) 128 00:04:15,386 --> 00:04:16,727 THAT'S OUR KILLER'S CAR. ALL RIGHT. 129 00:04:16,727 --> 00:04:18,589 LET'S HAVE TECH FILTER THAT IMAGE FOR MAKE AND MODEL 130 00:04:18,589 --> 00:04:19,860 AND LET'S SEE IF THEY CAN GET US 131 00:04:19,860 --> 00:04:22,262 A BETTER LOOK AT OUR ATTACKER'S FACE. 132 00:04:22,262 --> 00:04:25,265 WITH ALL THE CUTBACKS, HER WORKLOAD INCREASED. 133 00:04:25,265 --> 00:04:27,438 SHE'D STAY LATE A COUPLE OF TIMES A WEEK 134 00:04:27,438 --> 00:04:28,869 TRYING TO CATCH UP, 135 00:04:28,869 --> 00:04:30,671 AND ON THOSE NIGHTS, I'D PICK UP AN EXTRA SHIFT AT THE STORE. 136 00:04:30,671 --> 00:04:32,603 AND WHEN WAS THE LAST TIME YOU SAW HER? 137 00:04:32,603 --> 00:04:34,305 (voice breaking) WE HAD DINNER AROUND 7:00, 138 00:04:34,305 --> 00:04:35,976 THEN, UH... 139 00:04:35,976 --> 00:04:38,409 WE BOTH WENT BACK TO WORK. 140 00:04:38,409 --> 00:04:41,051 AND HOW DID SHE SEEM? WAS SHE NERVOUS, UPSET? 141 00:04:41,051 --> 00:04:43,484 NO. SHE WAS FINE. 142 00:04:43,484 --> 00:04:45,886 AND WHAT--WHAT EXACTLY DID YOUR WIFE DO FOR THE I.R.S.? 143 00:04:45,886 --> 00:04:47,918 UH, SHE WAS AN INVESTIGATOR. 144 00:04:47,918 --> 00:04:49,390 SHE WENT AFTER TAX EVADERS. 145 00:04:49,390 --> 00:04:50,661 SO SHE MUST HAVE MADE ENEMIES. 146 00:04:50,661 --> 00:04:53,864 (chuckles) YEAH, PRETTY MUCH EVERYONE SHE AUDITED. 147 00:04:53,864 --> 00:04:55,366 AND WAS THERE ANYONE IN PARTICULAR 148 00:04:55,366 --> 00:04:56,427 THAT SHE HAD TROUBLE WITH? 149 00:04:58,999 --> 00:05:01,932 ACTUALLY... YEAH. 150 00:05:01,932 --> 00:05:04,535 WE WERE OUT AT--OUT AT DINNER A COUPLE OF WEEKS AGO, 151 00:05:04,535 --> 00:05:06,577 A-AND THIS GUY COMES BARGING INTO THE RESTAURANT 152 00:05:06,577 --> 00:05:08,479 ACCUSING CLARA OF DESTROYING HIS LIFE. 153 00:05:08,479 --> 00:05:09,980 DID SHE TELL YOU WHO HE WAS? 154 00:05:09,980 --> 00:05:11,812 JUST ANOTHER TAX CHEAT SHE TOOK DOWN. 155 00:05:11,812 --> 00:05:13,344 SHE SAID IT WAS NO BIG DEAL, 156 00:05:13,344 --> 00:05:14,485 BUT I COULD TELL, SHE WAS RATTLED. 157 00:05:14,485 --> 00:05:15,816 CAN YOU TELL ME WHAT HE LOOKED LIKE? 158 00:05:15,816 --> 00:05:16,947 6 FEET... (clicks pen) 159 00:05:16,947 --> 00:05:18,519 DARK HAIR. 160 00:05:18,519 --> 00:05:19,650 YOU SHOULD CHECK WITH HER WORK. 161 00:05:19,650 --> 00:05:21,352 (crying) 162 00:05:21,352 --> 00:05:24,725 SHE PROMISED TO FILE A COMPLAINT, SO... 163 00:05:24,725 --> 00:05:26,857 (continues crying) 164 00:05:26,857 --> 00:05:28,529 (whirring) 165 00:05:28,529 --> 00:05:31,562 LOOKS LIKE WE GOT SOME BEAUTIFUL CLEAR SKIES WITH US TODAY. 166 00:05:31,562 --> 00:05:34,605 A NICE TAIL WIND'S GONNA GET US THERE RIGHT AWAY, FOLKS. 167 00:05:34,605 --> 00:05:38,469 WE'LL BE THERE ZERO DARK THIRTY, ZERO DARK QUARTER TO. 168 00:05:38,469 --> 00:05:41,442 NICE, RED FIVE. YOU'RE LOOKING GOOD. 169 00:05:41,442 --> 00:05:44,445 OH, NO. I'VE GOT SOMETHING WRONG. 170 00:05:44,445 --> 00:05:45,876 OOH, THAT'S NOT GOOD. 171 00:05:45,876 --> 00:05:47,448 (whirs and sputters) 172 00:05:47,448 --> 00:05:49,480 EVADE! EVADE! EVADE! 173 00:05:49,480 --> 00:05:50,651 (whirring stops) 174 00:05:50,651 --> 00:05:52,583 NO! 175 00:05:52,583 --> 00:05:53,554 (sets down controller) 176 00:05:53,554 --> 00:05:55,586 SURVIVORS. 177 00:05:58,589 --> 00:06:07,037 (exhales deeply) 178 00:06:07,037 --> 00:06:09,139 (toy clatters) 179 00:06:09,139 --> 00:06:10,501 (man) LOOK, 180 00:06:10,501 --> 00:06:11,642 MOST I.R.S. AGENTS GET THREATS. 181 00:06:11,642 --> 00:06:13,143 IT'S THE NATURE OF OUR BUSINESS. 182 00:06:13,143 --> 00:06:14,805 DID MRS. DeWINTER REPORT ANY RECENTLY? 183 00:06:14,805 --> 00:06:15,976 NO. 184 00:06:15,976 --> 00:06:17,408 ARE YOU SURE? 185 00:06:17,408 --> 00:06:18,579 YOU HAVE TO UNDERSTAND, 186 00:06:18,579 --> 00:06:20,411 CLARA WAS A RARE BREED-- 187 00:06:20,411 --> 00:06:22,553 AN I.R.S. AGENT WHO ACTUALLY LIKED HER JOB. (indistinct conversations) 188 00:06:22,553 --> 00:06:23,884 WHAT'S THAT HAVE TO DO WITH HER BEING THREATENED? 189 00:06:23,884 --> 00:06:25,456 (sighs) 190 00:06:25,456 --> 00:06:27,117 (lowered voice) THE THING IS, 191 00:06:27,117 --> 00:06:29,460 EACH THREAT REQUIRES AN INVESTIGATION, 192 00:06:29,460 --> 00:06:31,562 WHICH IS A HEADACHE FOR UPSTAIRS. 193 00:06:31,562 --> 00:06:33,994 IT'S AN UNWRITTEN RULE THAT AGENTS WHO REPORT THREATS 194 00:06:33,994 --> 00:06:36,527 DON'T FARE WELL ON PERFORMANCE REVIEWS. 195 00:06:36,527 --> 00:06:38,128 WELL, THAT UNWRITTEN RULE MAY HAVE GOTTEN HER KILLED. 196 00:06:38,128 --> 00:06:39,800 (Ryan) AND SINCE YOU DON'T HAVE A RECORD OF THE THREAT, 197 00:06:39,800 --> 00:06:41,772 WE'RE GONNA HAVE TO TAKE A LOOK AT HER AUDIT FILES 198 00:06:41,772 --> 00:06:44,605 GOING BACK AT LEAST A YEAR. 199 00:06:48,939 --> 00:06:50,511 HMM. 200 00:06:50,511 --> 00:06:52,042 MUST BE WRITERS. 201 00:06:58,549 --> 00:07:01,792 OH, THAT BETTER BE FOR A SICK CHILD. 202 00:07:08,959 --> 00:07:11,101 OH, TO BE YOUNG AND... 203 00:07:11,101 --> 00:07:12,703 UNDEREMPLOYED. 204 00:07:16,066 --> 00:07:18,769 WHOA. HOLD ON, GUYS. SLOW DOWN. 205 00:07:18,769 --> 00:07:20,571 NOT A RACE. 206 00:07:20,571 --> 00:07:22,613 MAYBE CLOSE THE BLINDS. 207 00:07:23,614 --> 00:07:25,676 MM-HMM. 208 00:07:25,676 --> 00:07:27,518 ALL RIGHT, YOU KIDS. YOU HAVE FUN. 209 00:07:33,724 --> 00:07:36,126 SOMEONE'S HOME EARLY. 210 00:07:54,074 --> 00:07:55,606 REALLY? 211 00:07:55,606 --> 00:07:57,908 YOU'RE GONNA KISS HIM NOW? 212 00:08:06,486 --> 00:08:08,488 OH, MAYBE NEXT TIME, YOU'LL THINK TWICE 213 00:08:08,488 --> 00:08:10,561 ABOUT BEING CHEATIN' CHEATERS. 214 00:08:10,561 --> 00:08:11,522 (chuckles) 215 00:08:18,028 --> 00:08:20,500 UH-OH. 216 00:08:20,500 --> 00:08:24,074 SOMEONE'S GOT SOME 'SPLAINING TO DO. 217 00:08:25,275 --> 00:08:26,807 HEY, GUYS. 218 00:08:26,807 --> 00:08:29,509 SO... TECH COULDN'T GET US A BETTER LOOK 219 00:08:29,509 --> 00:08:30,941 AT THE ATTACKER'S FACE, 220 00:08:30,941 --> 00:08:33,283 BUT THEY'RE HOPING TO HAVE AN I.D. ON THE CAR BY MORNING. 221 00:08:33,283 --> 00:08:35,646 HOW'S IT GOING IN HERE? (Ryan) WELL, CLARA'S COLLEAGUES 222 00:08:35,646 --> 00:08:37,187 DON'T REMEMBER HER MENTIONING ANY EXPLICIT THREAT. 223 00:08:37,187 --> 00:08:39,850 BUT IF WE'RE LOOKING FOR PEOPLE WHOSE LIVES WERE RUINED, 224 00:08:39,850 --> 00:08:41,191 THERE'S NO SHORTAGE OF SUSPECTS. 225 00:08:41,191 --> 00:08:42,853 WE'VE GOT HOUSES THAT WERE REPOSSESSED, 226 00:08:42,853 --> 00:08:45,125 BANK ACCOUNTS THAT WERE SEIZED, BUSINESSES THAT WERE SHUT DOWN, 227 00:08:45,125 --> 00:08:46,296 AND WE'RE ONLY A COUPLE OF MONTHS IN. 228 00:08:46,296 --> 00:08:47,828 OKAY, SO LET'S PUT A LIST TOGETHER 229 00:08:47,828 --> 00:08:49,529 AND PULL PHOTOS... (cell phone rings) 230 00:08:49,529 --> 00:08:51,531 SEE IF THE HUSBAND RECOGNIZES ANYONE. RIGHT. 231 00:08:51,531 --> 00:08:53,033 (rings and beeps) 232 00:08:53,033 --> 00:08:54,264 (Beckett) Hey, Castle. 233 00:08:54,264 --> 00:08:55,806 WHERE ARE YOU? 234 00:08:55,806 --> 00:08:58,138 I'M AT WORK. WHY? 235 00:08:58,138 --> 00:09:00,170 YOU SAID YOU WERE BRINGING HOME DINNER. 236 00:09:00,170 --> 00:09:02,272 YES, ON MY WAY HOME. 237 00:09:02,272 --> 00:09:04,174 SO WHEN ARE YOU LEAVING? 238 00:09:04,174 --> 00:09:05,545 SOON. 239 00:09:05,545 --> 00:09:06,316 WHEN'S SOON? 240 00:09:06,316 --> 00:09:07,778 Like in... 241 00:09:07,778 --> 00:09:09,019 HALF AN HOUR. 242 00:09:09,019 --> 00:09:11,021 FINE. (beeps) 243 00:09:12,322 --> 00:09:14,184 SHUT UP. 244 00:09:28,238 --> 00:09:29,700 MM. 245 00:09:29,700 --> 00:09:31,341 OOH, HE IS SO ON TO YOU. 246 00:09:31,341 --> 00:09:34,074 AH. UH-HUH. 247 00:09:34,074 --> 00:09:35,746 HERE IT COMES-- 248 00:09:35,746 --> 00:09:38,008 THE INEVITABLE, HUGE BREAKUP. 249 00:09:59,099 --> 00:10:00,801 NO, NO, NO, NO, NO, NO, NO, NO. 250 00:10:00,801 --> 00:10:02,703 DON'T, DON'T. DON'T TAKE THE KNIFE. 251 00:10:02,703 --> 00:10:04,204 DON'T... 252 00:10:09,339 --> 00:10:10,641 NO. UH... 253 00:10:14,614 --> 00:10:16,146 (cell phone rings) 254 00:10:16,146 --> 00:10:17,748 (beeps) 255 00:10:17,748 --> 00:10:19,950 CASTLE, I'M NOT GONNA GET THERE ANY FASTER-- 256 00:10:19,950 --> 00:10:21,621 OH, NO, NO, NO, NO, BECKETT, BECKETT, LISTEN... 257 00:10:21,621 --> 00:10:33,033 I THINK I JUST SAW A MURDER. 258 00:10:40,070 --> 00:10:41,772 (Castle) WHY AREN'T THEY ARRESTING HIM? 259 00:10:43,714 --> 00:10:45,415 (Castle) LOOK, I KNOW 260 00:10:45,415 --> 00:10:46,877 WHAT I SAW. 261 00:10:46,877 --> 00:10:49,349 HE TOOK A KNIFE AND FOLLOWED HER INTO THE BEDROOM. 262 00:10:49,349 --> 00:10:50,881 (Ryan) I LOOKED IN THE BEDROOM. 263 00:10:50,881 --> 00:10:53,183 EVERYTHING WAS FINE. NO BLOOD, NO BODY, I SWEAR. 264 00:10:53,183 --> 00:10:54,955 DID YOU LOOK UNDER THE BED, IN THE CLOSET? 265 00:10:54,955 --> 00:10:58,358 CASTLE, THE GUY WAS RELAXED AND FULLY COOPERATIVE. 266 00:10:58,358 --> 00:10:59,890 HE LET US POKE AROUND WITHOUT A WARRANT. 267 00:10:59,890 --> 00:11:01,231 SO HE PROBABLY HID THE BODY. 268 00:11:01,231 --> 00:11:03,994 IF HE WAS COMPLETELY CALM, HE COULD BE A PSYCHOPATH. 269 00:11:03,994 --> 00:11:05,365 WHAT DID HE SAY ABOUT THE GIRL? 270 00:11:05,365 --> 00:11:07,667 HE ADMITTED THEY HAD A FIGHT, THEY BROKE UP, AND SHE LEFT. 271 00:11:07,667 --> 00:11:09,369 NOT POSSIBLE. I WOULD'VE SEEN HER. 272 00:11:09,369 --> 00:11:10,971 SO YOU WERE WATCHING THE WHOLE TIME? 273 00:11:10,971 --> 00:11:12,943 I... 274 00:11:12,943 --> 00:11:15,405 WELL, NOT THE ENTIRE TIME. I HAD TO-- 275 00:11:15,405 --> 00:11:17,948 SO SHE COULD'VE LEFT AND YOU DIDN'T SEE? 276 00:11:17,948 --> 00:11:20,110 IT'S POSSIBLE, BUT-- 277 00:11:20,110 --> 00:11:22,152 BECAUSE HE CALLED HER. 278 00:11:22,152 --> 00:11:24,314 HANDED ME THE PHONE. I SPOKE TO HER. 279 00:11:24,314 --> 00:11:26,987 SHE CONFIRMED HIS STORY. SHE WAS IN THE CAR 280 00:11:26,987 --> 00:11:28,989 ON HER WAY TO HER MOM'S HOUSE IN PHILADELPHIA. 281 00:11:28,989 --> 00:11:32,092 (Beckett) ALL RIGHT, THANKS, GUYS. 282 00:11:34,224 --> 00:11:36,396 (door opens) I'M NOT CRAZY. 283 00:11:36,396 --> 00:11:38,398 NO, BUT YOU DO HAVE A VIVID IMAGINATION... (door closes) 284 00:11:38,398 --> 00:11:41,071 AND YOU'VE BEEN STUCK INSIDE FOR TWO WEEKS. 285 00:11:41,071 --> 00:11:43,433 WHAT WERE YOU DOING LOOKING OUT THE WINDOW ANYWAY? 286 00:11:43,433 --> 00:11:45,235 I WAS... BORED? 287 00:11:45,235 --> 00:11:47,738 SO YOU SAW WHAT YOU WANTED TO SEE. 288 00:11:49,439 --> 00:11:50,941 WHEN DID YOU TAKE YOUR LAST PAINKILLER? 289 00:11:50,941 --> 00:11:52,282 I WAS NOT HALLUCINATING. 290 00:11:52,282 --> 00:11:53,443 COME ON, CASTLE. 291 00:11:53,443 --> 00:11:55,445 YOU'RE HERE WITH A BROKEN LEG, BINOCULARS, 292 00:11:55,445 --> 00:11:57,888 SEEING A "REAR WINDOW" SCENARIO PLAY OUT ACROSS THE WAY. 293 00:11:57,888 --> 00:11:59,890 I MEAN, WHAT ARE THE ODDS? 294 00:11:59,890 --> 00:12:02,853 ASTRONOMICAL. 295 00:12:02,853 --> 00:12:04,424 ALL RIGHT. 296 00:12:04,424 --> 00:12:06,997 I'M GONNA MAKE US SOME DINNER AND THEN GET YOU TO BED. 297 00:12:06,997 --> 00:12:09,059 (kisses) 298 00:12:31,181 --> 00:12:32,883 (Beckett) SERIOUSLY? 299 00:12:32,883 --> 00:12:35,025 (gasps and grunts) 300 00:12:35,025 --> 00:12:36,987 OH. 301 00:12:36,987 --> 00:12:38,758 I CAN EXPLAIN. 302 00:12:38,758 --> 00:12:40,090 PLEASE DON'T. 303 00:12:40,090 --> 00:12:42,032 LISTEN, HE WAS PACING BACK AND FORTH IN HIS APARTMENT, 304 00:12:42,032 --> 00:12:44,034 AND HE KEPT LOOKING TOWARDS THE BEDROOM. 305 00:12:44,034 --> 00:12:45,966 AND THEN HE SLEPT ON THE COUCH. 306 00:12:45,966 --> 00:12:47,297 NOW WHY WOULD YOU SLEEP ON THE COUCH 307 00:12:47,297 --> 00:12:48,839 WHEN YOU HAVE A PERFECTLY GOOD BED? 308 00:12:48,839 --> 00:12:50,140 I COULD ASK YOU THE SAME QUESTION. 309 00:12:50,140 --> 00:12:51,441 I'LL TELL YOU WHY. 310 00:12:51,441 --> 00:12:52,442 BECAUSE HE HAD A DEAD BODY IN THERE. (liquid pouring) 311 00:12:52,442 --> 00:12:53,874 RYAN AND ESPOSITO DIDN'T FIND IT 312 00:12:53,874 --> 00:12:55,045 BECAUSE HE HID IT. 313 00:12:55,045 --> 00:12:57,107 DO YOU REALIZE WHAT YOU'RE DOING? 314 00:12:57,107 --> 00:12:58,448 YOU'RE OBSESSING OVER THIS 315 00:12:58,448 --> 00:13:01,982 BECAUSE YOU HAVE NOTHING ELSE TO OBSESS ABOUT. 316 00:13:01,982 --> 00:13:04,114 WHY DON'T YOU JUST COME WITH ME TO THE PRECINCT? 317 00:13:04,114 --> 00:13:05,816 FOCUS ON A REAL MURDER 318 00:13:05,816 --> 00:13:08,018 INSTEAD OF WASTING YOUR TIME ON AN IMAGINARY ONE. 319 00:13:08,018 --> 00:13:10,360 WELL, ACTUALLY, I WAS THINKING ABOUT JUST, UH, 320 00:13:10,360 --> 00:13:12,923 TRYING TO DO SOME WRITING TODAY. 321 00:13:12,923 --> 00:13:15,295 OKAY, AS LONG AS BY "WRITING," YOU DON'T MEAN 322 00:13:15,295 --> 00:13:18,098 STARING OUT THE WINDOW AND OGLING AT YOUR NEIGHBORS. 323 00:13:18,098 --> 00:13:21,301 NO. THAT WOULD BE IMMORAL AND INTRUSIVE. 324 00:13:21,301 --> 00:13:23,874 YEAH, LIKE YOU'VE NEVER DONE THAT BEFORE. 325 00:13:26,036 --> 00:13:29,109 (indistinct conversations, pen squeaks) 326 00:13:29,109 --> 00:13:30,380 HEY. 327 00:13:30,380 --> 00:13:33,083 HEY. HOW'S JIMMY STEWART? (pen clatters) 328 00:13:33,083 --> 00:13:34,214 (laughs) YOU KNOW, UP HALF THE NIGHT 329 00:13:34,214 --> 00:13:36,016 WAITING FOR THE NEIGHBOR TO MOVE THE BODY. 330 00:13:36,016 --> 00:13:38,118 SO DID TECH GET ANYTHING 331 00:13:38,118 --> 00:13:39,449 ON OUR KILLER'S CAR IN THE ALLEY? 332 00:13:39,449 --> 00:13:41,922 YEAH, THEY IDENTIFIED IT AS A LATE-MODEL, 333 00:13:41,922 --> 00:13:44,024 LIGHT-COLORED CLS550. 334 00:13:44,024 --> 00:13:45,956 I'VE GOT FOLKS COMBING OVER CLARA'S AUDIT RECORDS 335 00:13:45,956 --> 00:13:48,058 TO SEE IF ANYONE LISTS THAT VEHICLE ON THEIR RETURN. 336 00:13:48,058 --> 00:13:49,129 (Ryan) HEY. 337 00:13:49,129 --> 00:13:50,460 SO I JUST GOT OFF THE PHONE 338 00:13:50,460 --> 00:13:52,062 WITH SECURITY AT CLARA'S OFFICE. 339 00:13:52,062 --> 00:13:53,263 A FEW WEEKS BACK, 340 00:13:53,263 --> 00:13:56,106 THIS GUY TRIED TO MUSCLE HIS WAY PAST SECURITY. 341 00:13:56,106 --> 00:13:59,139 NOW THEY TRIED TO DETAIN HIM, BUT HE BROKE FREE 342 00:13:59,139 --> 00:14:00,510 AND HE TORE OUT OF THE PARKING LOT IN... 343 00:14:00,510 --> 00:14:02,042 A CLS550. 344 00:14:02,042 --> 00:14:04,114 THIS LOOKS LIKE THE GUY GAVIN SAID WAS AFTER HIS WIFE. 345 00:14:04,114 --> 00:14:06,046 YEAH, SO I COMPARED THAT PHOTO TO CLARA'S AUDIT FILES, 346 00:14:06,046 --> 00:14:07,217 AND I GOT A HIT ON THIS GUY-- 347 00:14:07,217 --> 00:14:08,919 DAN RENNER. 348 00:14:08,919 --> 00:14:11,351 HE IS AN ANTI-GOVERNMENT PRO-FREEDOM HOTHEAD 349 00:14:11,351 --> 00:14:13,353 WHO MADE A FORTUNE ON A CHAIN OF DRY CLEANERS IN BROOKLYN 350 00:14:13,353 --> 00:14:15,986 THAT HE'S NEGLECTED TO PAY TAXES ON IN NEARLY A DECADE. 351 00:14:15,986 --> 00:14:17,958 AND BECAUSE OF CLARA'S AUDIT, HE'S FACING CRIMINAL CHARGES 352 00:14:17,958 --> 00:14:19,990 AND HIS WIFE JUST FILED FOR DIVORCE. 353 00:14:19,990 --> 00:14:21,461 SOUNDS LIKE SOMEONE WHO HAS AN AX TO GRIND. 354 00:14:21,461 --> 00:14:23,593 OR A BAT TO SWING. PICK HIM UP. 355 00:14:23,593 --> 00:14:24,965 YEAH. 356 00:14:27,497 --> 00:14:30,971 YOU BOUGHT ROPE AND A TARP. 357 00:14:30,971 --> 00:14:34,004 NOW WHAT WOULD YOU NEED A TARP FOR? 358 00:14:38,378 --> 00:14:40,510 IT'S BLOOD. 359 00:14:40,510 --> 00:14:42,282 YOU'RE WASHING AWAY THE-- 360 00:14:42,282 --> 00:14:45,155 HE'S WASHING AWAY THE BL-- 361 00:14:50,660 --> 00:14:53,093 (clatters) 362 00:14:53,093 --> 00:14:55,565 THEY TOOK MY HOUSE, MY MARRIAGE, 363 00:14:55,565 --> 00:14:57,397 I WAS FACING A JAIL SENTENCE. 364 00:14:57,397 --> 00:14:59,169 (cell phone buzzes) SO, YEAH, 365 00:14:59,169 --> 00:15:00,670 I WANTED TO HAVE A FEW WORDS WITH MRS. DeWINTER... (buzz) 366 00:15:00,670 --> 00:15:02,202 ABOUT THE LAND OF THE FREE. (buzz) 367 00:15:02,202 --> 00:15:03,503 THAT DOESN'T MEAN I KILLED HER. (silences phone) 368 00:15:03,503 --> 00:15:05,005 YOU KNOW WHAT THAT IS? 369 00:15:05,005 --> 00:15:08,038 THAT'S A SILVER CLS550, JUST LIKE THE ONE YOU DRIVE, 370 00:15:08,038 --> 00:15:10,110 FLEEING HER MURDER SCENE. 371 00:15:10,110 --> 00:15:12,182 JUST LIKE THE ONE I DROVE. 372 00:15:12,182 --> 00:15:16,116 LOOK, MY 550 WAS SEIZED BY FEDERAL AGENTS TWO WEEKS AGO. 373 00:15:16,116 --> 00:15:17,617 YOU CAN CHECK. 374 00:15:17,617 --> 00:15:20,120 AND GIVEN WHAT MRS. DeWINTER WAS GONNA DO FOR ME, 375 00:15:20,120 --> 00:15:23,153 I'M THE LAST PERSON WHO WANTED HER DEAD. 376 00:15:23,153 --> 00:15:25,625 GOING TO DO FOR YOU? 377 00:15:25,625 --> 00:15:27,157 YEAH. 378 00:15:27,157 --> 00:15:28,658 SHE CAME TO SEE ME A WEEK AGO, 379 00:15:28,658 --> 00:15:31,131 SAID SHE NEEDED A FAVOR, AND IF I HELPED HER, 380 00:15:31,131 --> 00:15:33,363 SHE'D MAKE THE CRIMINAL CHARGES GO AWAY. 381 00:15:33,363 --> 00:15:34,704 WHAT KIND OF A FAVOR 382 00:15:34,704 --> 00:15:36,566 COULD SHE POSSIBLY HAVE WANTED FROM YOU? 383 00:15:36,566 --> 00:15:38,238 BECAUSE OF HOW WELL I HID MY MONEY-- 384 00:15:38,238 --> 00:15:39,939 FAKE NAMES, MULTIPLE I.D.s-- 385 00:15:39,939 --> 00:15:42,012 SHE ASKED ME TO HELP HER DISAPPEAR. 386 00:15:42,012 --> 00:15:43,343 DISAPPEAR? 387 00:15:43,343 --> 00:15:45,415 YEAH. SHE SAID IF I HELPED HER GET A NEW IDENTITY, 388 00:15:45,415 --> 00:15:47,077 SHE'D HELP ME GET MY LIFE BACK. 389 00:15:47,077 --> 00:15:49,079 AND WHY WOULD SHE WANT A NEW IDENTITY? 390 00:15:49,079 --> 00:15:50,580 SHE DIDN'T SAY. 391 00:15:50,580 --> 00:15:52,722 BUT NOW SHE'S DEAD, AND I'M SCREWED. 392 00:15:52,722 --> 00:15:56,726 MR. RENNER, WHERE WERE YOU 2 NIGHTS AGO AT 1:38 A.M.? 393 00:15:56,726 --> 00:15:59,059 AT MY SISTER'S. (knock on door, door opens) 394 00:15:59,059 --> 00:16:01,061 BECKETT, CASTLE'S CALLING. 395 00:16:01,061 --> 00:16:02,962 HE SAYS IT'S AN EMERGENCY. 396 00:16:02,962 --> 00:16:05,065 THIS IS NOT AN EMERGENCY. 397 00:16:05,065 --> 00:16:07,167 I CAUGHT HIM RED-HANDED. LITERALLY RED-HANDED. 398 00:16:07,167 --> 00:16:09,139 OOH, SO THEN IT'S GOTTA BE BLOOD? 399 00:16:09,139 --> 00:16:10,270 WHAT ELSE COULD IT BE? 400 00:16:10,270 --> 00:16:11,971 RED PAINT, TOMATO JUICE, 401 00:16:11,971 --> 00:16:14,274 BEETS, RED VELVET CUPCAKES. 402 00:16:14,274 --> 00:16:15,975 HE BOUGHT A TARP AND A ROPE. 403 00:16:15,975 --> 00:16:17,277 HE BROUGHT THEM INTO THE BEDROOM, 404 00:16:17,277 --> 00:16:18,978 WHERE I'M BETTING RIGHT NOW, 405 00:16:18,978 --> 00:16:20,680 HE'S CUTTING HER INTO PORTABLE PIECES. 406 00:16:20,680 --> 00:16:22,082 GET A WARRANT. 407 00:16:22,082 --> 00:16:24,114 SEARCH THAT PLACE BEFORE THERE'S NO EVIDENCE LEFT. 408 00:16:24,114 --> 00:16:26,016 ESPOSITO SPOKE TO THE GIRL. 409 00:16:26,016 --> 00:16:27,517 WE KNOW SHE'S ALIVE. 410 00:16:27,517 --> 00:16:29,019 HOW DO YOU KNOW IT'S THE SAME GIRL? 411 00:16:29,019 --> 00:16:31,661 IT'S POSSIBLE HE PAID SOMEONE TO BE HIS ALIBI. 412 00:16:31,661 --> 00:16:35,625 OR IT'S POSSIBLE SOMETHING ELSE ENTIRELY IS GOING ON HERE. 413 00:16:35,625 --> 00:16:37,097 LOOK... 414 00:16:37,097 --> 00:16:40,370 I KNOW THAT YOU'RE LONELY AND THAT YOU MISS ME. 415 00:16:40,370 --> 00:16:42,132 I MISS YOU, TOO. 416 00:16:42,132 --> 00:16:43,703 BUT YOU DON'T HAVE TO KEEP MAKING UP THINGS 417 00:16:43,703 --> 00:16:45,375 TO HAVE ME COME BACK HERE. 418 00:16:45,375 --> 00:16:47,707 WHOA, WHOA, WHOA. YOU THINK THIS IS A PLOY TO GET YOU HERE? 419 00:16:47,707 --> 00:16:49,079 LOOK, I DON'T MEAN TO BE THAT-- 420 00:16:49,079 --> 00:16:51,041 NO, I KNOW WHAT YOU MEAN. ALL RIGHT? 421 00:16:51,041 --> 00:16:53,043 AND I KNOW WHAT I SAW. 422 00:16:53,043 --> 00:16:54,414 ALL RIGHT, YOU KNOW WHAT? 423 00:16:54,414 --> 00:16:56,186 I HAVE TO GET BACK TO THE PRECINCT. (pats shoulder) 424 00:16:56,186 --> 00:16:58,388 WOW. YOU REALLY DON'T BELIEVE ME. 425 00:16:58,388 --> 00:16:59,719 I'LL BE BACK LATER. 426 00:16:59,719 --> 00:17:03,553 YOU KNOW WHAT? DON'T WORRY ABOUT IT. 427 00:17:03,553 --> 00:17:05,455 I'M FINE. 428 00:17:11,561 --> 00:17:14,134 (people speaking indistinctly) 429 00:17:14,134 --> 00:17:15,265 (Esposito) YO. 430 00:17:15,265 --> 00:17:17,036 WHAT WAS THE EMERGENCY? 431 00:17:17,036 --> 00:17:18,338 (sighs) HE WANTED ME TO GET A WARRANT 432 00:17:18,338 --> 00:17:20,340 TO SEARCH THE PLACE ACROSS THE WAY. 433 00:17:20,340 --> 00:17:23,273 LOOKS LIKE HE'S TAKING THIS WHOLE THING PRETTY SERIOUSLY. 434 00:17:23,273 --> 00:17:25,075 SHOULD WE BE WORRIED? 435 00:17:25,075 --> 00:17:26,776 I JUST HOPE HE DOESN'T DO SOMETHING STUPID. 436 00:17:26,776 --> 00:17:28,578 WHERE--WHERE ARE WE WITH DAN RENNER? 437 00:17:28,578 --> 00:17:29,749 HIS ALIBI CHECKS OUT, 438 00:17:29,749 --> 00:17:31,421 AND HE WAS TELLING THE TRUTH ABOUT HIS CAR. 439 00:17:31,421 --> 00:17:34,124 MAYBE HE'S TELLING THE TRUTH ABOUT CLARA AS WELL. 440 00:17:34,124 --> 00:17:35,755 LET'S DIG DEEPER INTO HER LIFE, 441 00:17:35,755 --> 00:17:37,757 SEE IF WE CAN FIND ANYTHING. 442 00:17:37,757 --> 00:17:40,460 THANKS. 443 00:17:40,460 --> 00:17:42,192 (horns honking) 444 00:17:42,192 --> 00:17:44,834 (inhales deeply) 445 00:17:44,834 --> 00:17:46,566 (exhales) 446 00:17:46,566 --> 00:17:47,767 (thuds) 447 00:17:47,767 --> 00:17:50,069 OH! OHH. 448 00:17:50,069 --> 00:17:51,241 (yawns) 449 00:17:51,241 --> 00:17:52,502 (cell phone chirps) 450 00:17:52,502 --> 00:17:54,674 (sniffs) 451 00:18:00,610 --> 00:18:04,154 HE'S GETTING RID OF THE BODY. 452 00:18:04,154 --> 00:18:07,187 BECKETT'S GONNA HAVE TO BELIEVE ME NOW. 453 00:18:07,187 --> 00:18:08,458 OKAY. (camera beeps) 454 00:18:08,458 --> 00:18:09,819 (beep) 455 00:18:09,819 --> 00:18:11,821 WHERE'S THE... THERE WE GO. THERE WE--THERE WE GO. 456 00:18:11,821 --> 00:18:13,193 (beep) 457 00:18:18,168 --> 00:18:19,329 NO. NO. NO! 458 00:18:19,329 --> 00:18:24,734 (snaps) 459 00:18:26,136 --> 00:18:27,207 IF YOU THOUGHT HE WAS GETTING RID OF THE BODY, 460 00:18:27,207 --> 00:18:28,378 WHY DIDN'T YOU CALL BECKETT? 461 00:18:28,378 --> 00:18:29,709 WELL, SHE THINKS IT'S ALL IN MY HEAD-- 462 00:18:29,709 --> 00:18:31,281 A BY-PRODUCT OF MY IMAGINATION AND PAIN PILLS. 463 00:18:31,281 --> 00:18:32,612 LIKE THAT TIME YOU WERE CONVINCED 464 00:18:32,612 --> 00:18:34,144 MY ART TEACHER WAS A SERIAL KILLER. 465 00:18:34,144 --> 00:18:35,285 COME ON. HE LOOKED JUST LIKE THE GUY 466 00:18:35,285 --> 00:18:37,147 FROM "AMERICA'S MOST WANTED." 467 00:18:37,147 --> 00:18:39,419 DID YOU EVER STOP TO THINK THAT MAYBE 468 00:18:39,419 --> 00:18:41,151 THERE'S AN INNOCENT EXPLANATION FOR EVERYTHING? 469 00:18:41,151 --> 00:18:42,452 ALL RIGHT, 470 00:18:42,452 --> 00:18:44,424 WHAT IS THE INNOCENT EXPLANATION FOR ROLLING UP A RUG 471 00:18:44,424 --> 00:18:47,297 AND TAKING IT OUT OF YOUR APARTMENT AT 3:00 A.M.? 472 00:18:47,297 --> 00:18:48,558 (inhales and exhales) 473 00:18:48,558 --> 00:18:50,129 YEAH. 474 00:18:50,129 --> 00:18:52,532 THAT IS PRETTY WEIRD. 475 00:18:52,532 --> 00:18:54,234 RIGHT? 476 00:18:54,234 --> 00:18:56,336 AND THEN HE DIDN'T COME BACK UNTIL 4:30 THIS MORNING. 477 00:18:56,336 --> 00:18:57,607 WHERE'D HE GO? 478 00:18:57,607 --> 00:19:00,139 I DON'T KNOW, BUT HE'S UP NOW. 479 00:19:00,139 --> 00:19:01,711 WHAT'S HE DOING? 480 00:19:03,142 --> 00:19:05,345 UH, I--HE, UH-- WHAT? 481 00:19:05,345 --> 00:19:06,246 (clicks brake) WHAT DO YOU SEE? 482 00:19:06,246 --> 00:19:09,148 HE'S TAKING OFF HIS CLOTHES. 483 00:19:09,148 --> 00:19:10,450 WHAT? GIVE ME THOSE. 484 00:19:10,450 --> 00:19:12,322 MM. HE'S CUTE. 485 00:19:12,322 --> 00:19:13,483 OOH. ALL RIGHT. 486 00:19:13,483 --> 00:19:14,654 NO, I... 487 00:19:14,654 --> 00:19:16,426 SERIOUSLY? 488 00:19:16,426 --> 00:19:19,359 (sighs) 489 00:19:20,760 --> 00:19:22,762 YOU SHOULDN'T BE WATCHING THIS. 490 00:19:22,762 --> 00:19:24,234 YEAH, NEITHER SHOULD YOU. 491 00:19:31,941 --> 00:19:33,343 WHAT THE... 492 00:19:33,343 --> 00:19:34,544 THAT'S CREEPY. 493 00:19:35,905 --> 00:19:37,677 (Ryan) STARING AT THE PHONE 494 00:19:37,677 --> 00:19:38,848 WON'T MAKE IT RING. 495 00:19:38,848 --> 00:19:40,280 I LEARNED THAT IN JUNIOR HIGH. 496 00:19:40,280 --> 00:19:41,681 YOU KNOW WHAT? MAYBE I SHOULD GO OVER THERE. 497 00:19:41,681 --> 00:19:43,213 I MEAN, HIS BIRTHDAY IS TOMORROW-- 498 00:19:43,213 --> 00:19:44,514 TRUST ME. HE'LL CALL WHEN HE'S READY. 499 00:19:44,514 --> 00:19:46,356 AND YOU'RE NOT GONNA WANT TO MISS THIS. 500 00:19:46,356 --> 00:19:48,358 (Ryan) WE WENT BACK THROUGH ALL OF CLARA'S RECORDS. 501 00:19:48,358 --> 00:19:50,520 TURNS OUT THAT SHE WAS HIDING SOMETHING. 502 00:19:50,520 --> 00:19:52,191 OVER HALF A MILLION DOLLARS IN A SECRET BANK ACCOUNT. 503 00:19:52,191 --> 00:19:53,693 SHE USED EVERY LEGAL TRICK TO HIDE IT. 504 00:19:53,693 --> 00:19:55,425 NOBODY, NOT EVEN HER HUSBAND, KNEW ABOUT IT. 505 00:19:55,425 --> 00:19:57,267 THIS GIRL MADE 75K A YEAR. 506 00:19:57,267 --> 00:19:59,799 HOW'D SHE GET HER HANDS ON HALF A MIL? 507 00:19:59,799 --> 00:20:01,471 WELL, AT FIRST WE THOUGHT SHE WAS SHAKING DOWN HER AUDITEES, 508 00:20:01,471 --> 00:20:03,803 BUT THEN WE TRACED THE DEPOSITS. 509 00:20:03,803 --> 00:20:05,305 ALL FROM BUSINESSES OWNED OR AFFILIATED 510 00:20:05,305 --> 00:20:06,806 TO TOMMY VALENTINO. 511 00:20:06,806 --> 00:20:08,778 TOMMY "THE SHARK" VALENTINO? 512 00:20:08,778 --> 00:20:11,681 WHY IS AN I.R.S. AGENT TAKING PAYOFFS FROM A CRIME BOSS? 513 00:20:11,681 --> 00:20:12,982 I DON'T KNOW, BUT WANTING TO DISAPPEAR 514 00:20:12,982 --> 00:20:14,684 AND THEN GETTING WHACKED IN AN ALLEY-- 515 00:20:14,684 --> 00:20:16,316 IT'S ALL STARTING TO MAKE SENSE. 516 00:20:19,218 --> 00:20:20,550 (mouth full) IT'S BEEN TWO HOURS. 517 00:20:20,550 --> 00:20:21,891 WHAT'S HE DOING IN THERE? 518 00:20:21,891 --> 00:20:23,222 GETTING RID OF EVIDENCE-- 519 00:20:23,222 --> 00:20:25,895 BLOOD STAINS... TRACE D.N.A. 520 00:20:25,895 --> 00:20:28,328 PRETTY SOON, THERE'S GONNA BE NOTHING LEFT. 521 00:20:28,328 --> 00:20:29,959 (crunching) OH, HERE HE COMES. HERE HE COMES. 522 00:20:29,959 --> 00:20:31,831 (continues crunching) 523 00:20:31,831 --> 00:20:33,503 WHAT'S IN THE BAGS? 524 00:20:33,503 --> 00:20:36,336 HE TOOK THE BODY OUT IN A RUG. 525 00:20:36,336 --> 00:20:38,838 THAT COULD BE CLOTHING, BEDDING. 526 00:20:38,838 --> 00:20:40,540 THAT'S HER PURSE. 527 00:20:40,540 --> 00:20:42,612 IF THEY BROKE UP, NO WAY SHE LEFT WITHOUT HER PURSE. 528 00:20:42,612 --> 00:20:44,314 SHE DID NOT LEAVE THAT APARTMENT, 529 00:20:44,314 --> 00:20:45,975 AT LEAST NOT ALIVE. 530 00:20:45,975 --> 00:20:48,017 AND NOW HE'S OBLITERATING HER IDENTITY. 531 00:20:48,017 --> 00:20:48,978 WE NEED TO CALL BECKETT. 532 00:20:48,978 --> 00:20:50,620 AND TELL HER WHAT? 533 00:20:50,620 --> 00:20:52,822 THAT WE SAW A MAN DONNING GLOVES AND--AND A RESPIRATOR? 534 00:20:52,822 --> 00:20:54,384 FOR ALL WE KNOW, HE'S CLEANING THE BATHROOM. 535 00:20:54,384 --> 00:20:55,725 NO. (crunches) (crunches) 536 00:20:55,725 --> 00:20:58,588 IF I'M GONNA CONVINCE BECKETT I'M NOT CRAZY, 537 00:20:58,588 --> 00:21:00,490 I NEED PROOF, 538 00:21:00,490 --> 00:21:02,962 SOMETHING SOLID. 539 00:21:05,465 --> 00:21:07,937 (Alexis) DAD, YOU CAN'T BREAK IN TO HIS APARTMENT. 540 00:21:07,937 --> 00:21:09,299 ALL THE EVIDENCE WE NEED IS IN THAT SHREDDER. 541 00:21:09,299 --> 00:21:10,269 IT'LL TELL US WHO THE VICTIM IS. 542 00:21:10,269 --> 00:21:11,541 WE CAN PROVE SHE'S MISSING. 543 00:21:11,541 --> 00:21:12,872 AND WHAT IF HE CATCHES YOU? 544 00:21:12,872 --> 00:21:14,904 HE WON'T, NOT IF I HAVE YOUR HELP. 545 00:21:14,904 --> 00:21:18,047 NEXT TIME HE LEAVES, I'LL SLIP OVER THERE. 546 00:21:18,047 --> 00:21:22,281 YOU KEEP WATCH, MAKE SURE HE'S NOT COMING BACK. 547 00:21:22,281 --> 00:21:24,884 I GO INSIDE, I GET WHATEVER'S IN THAT SHREDDER, 548 00:21:24,884 --> 00:21:26,686 AND I GET OUT. 549 00:21:26,686 --> 00:21:28,017 TWO MINUTES, TOPS. 550 00:21:28,017 --> 00:21:29,319 ON CRUTCHES? 551 00:21:29,319 --> 00:21:30,690 THE DOCTOR DID SAY I NEED MORE EXERCISE. 552 00:21:30,690 --> 00:21:32,722 WHAT IF I GO? I'M SMALLER, FASTER, AND YOUNGER. 553 00:21:32,722 --> 00:21:34,063 OH, NO, NO, NO. IF YOU GET CAUGHT, 554 00:21:34,063 --> 00:21:35,294 YOU GET A B&E ON YOUR RECORD, 555 00:21:35,294 --> 00:21:36,626 AND YOU'LL NEVER BECOME PRESIDENT. 556 00:21:36,626 --> 00:21:37,797 DAD... 557 00:21:37,797 --> 00:21:40,470 HE'S GETTING AWAY WITH MURDER. 558 00:21:42,301 --> 00:21:44,504 YOU GOT A BETTER PLAN? 559 00:21:46,336 --> 00:21:48,708 (Beckett) YOU GOT A LONG LIST OF INDICTMENTS AGAINST YOU, 560 00:21:48,708 --> 00:21:50,540 MR. VALENTINO-- 561 00:21:50,540 --> 00:21:53,082 ASSAULT, RACKETEERING, MURDER ONE-- 562 00:21:53,082 --> 00:21:54,614 AND YET, NO CONVICTIONS. 563 00:21:54,614 --> 00:21:56,085 I'M LUCKY THAT WAY. 564 00:21:56,085 --> 00:21:57,687 YEAH, WELL, YOUR LUCK'S ABOUT TO RUN OUT. 565 00:21:57,687 --> 00:21:59,689 I HAVE EVIDENCE CONNECTING YOU TO PAYMENTS MADE TO MY VIC-- 566 00:21:59,689 --> 00:22:00,850 CLARA DeWINTER. 567 00:22:00,850 --> 00:22:01,991 MY CLIENT HAS NO COMMENT. 568 00:22:01,991 --> 00:22:04,624 WHOA, WHOA, WAIT. SOMEONE KILLED CLARA? 569 00:22:04,624 --> 00:22:05,895 OH, IT LOOKS LIKE HE DOES HAVE A COMMENT. 570 00:22:05,895 --> 00:22:07,357 SO YOU'RE ADMITTING TO KNOWING HER? 571 00:22:07,357 --> 00:22:08,628 YEAH. 572 00:22:08,628 --> 00:22:09,999 BUT I DIDN'T KILL HER. 573 00:22:09,999 --> 00:22:12,001 SHE WAS MY TAX CONSULTANT. 574 00:22:12,001 --> 00:22:14,964 YOU PAID AN I.R.S. AGENT HALF A MILLION DOLLARS 575 00:22:14,964 --> 00:22:17,036 TO ACT AS YOUR TAX CONSULTANT? 576 00:22:17,036 --> 00:22:19,809 YOU BET YOUR ASS. NO ONE'S GONNA AL CAPONE ME. 577 00:22:19,809 --> 00:22:21,340 OKAY, IF THIS WAS A LEGITIMATE ARRANGEMENT, 578 00:22:21,340 --> 00:22:22,642 THEN WHY DID CLARA DeWINTER GO TO SUCH LENGTHS 579 00:22:22,642 --> 00:22:25,044 TO KEEP THAT MONEY HIDDEN? 580 00:22:25,044 --> 00:22:27,116 SHE HID THE MONEY FROM HER HUSBAND. 581 00:22:27,116 --> 00:22:28,948 THAT'S WHY SHE TOOK THIS JOB IN THE FIRST PLACE. 582 00:22:28,948 --> 00:22:30,620 SHE WAS AFRAID OF HIM. 583 00:22:30,620 --> 00:22:33,383 SHE NEEDED THE MONEY TO GET AWAY. 584 00:22:33,383 --> 00:22:35,124 (Beckett) TOMMY THE SHARK'S ALIBI HOLDS. 585 00:22:35,124 --> 00:22:37,627 HE WAS WITH SOME ASSOCIATES AT A NIGHTCLUB THAT HE OWNS. 586 00:22:37,627 --> 00:22:39,088 DOESN'T MEAN HE DIDN'T SEND ONE OF HIS BOYS. 587 00:22:39,088 --> 00:22:41,591 LOOK, IF HE KILLED CLARA, HE WOULDN'T HAVE TALKED TO ME. 588 00:22:41,591 --> 00:22:42,932 NO. (folder thuds) 589 00:22:42,932 --> 00:22:44,594 HIDING THE MONEY, PLANNING TO DISAPPEAR-- 590 00:22:44,594 --> 00:22:46,095 SOMETHING ELSE IS GOING ON HERE. 591 00:22:46,095 --> 00:22:47,637 SO WHAT DO YOU GOT ON THE HUSBAND? 592 00:22:47,637 --> 00:22:48,998 OH, NOT MUCH. 593 00:22:48,998 --> 00:22:51,000 HE'S A MANAGER AT A BIG-NAME SUPERMARKET IN QUEENS, 594 00:22:51,000 --> 00:22:53,372 NO PRIORS, MARRIED SEVEN YEARS. 595 00:22:53,372 --> 00:22:55,845 OH, AND HE TOOK A MILLION-DOLLAR LIFE INSURANCE POLICY OUT 596 00:22:55,845 --> 00:22:57,777 ON HIS WIFE ONLY THREE MONTHS AGO. 597 00:22:57,777 --> 00:22:59,048 MM. THAT'S NOT SUSPICIOUS. 598 00:22:59,048 --> 00:23:00,379 YOU THINK HE DID IT AND SET RENNER UP? 599 00:23:00,379 --> 00:23:01,711 AFTER WHAT HAPPENED AT THE RESTAURANT, 600 00:23:01,711 --> 00:23:03,152 IT WOULD'VE BEEN EASY. 601 00:23:03,152 --> 00:23:05,154 ALL HE'D HAVE TO DO IS RENT RENNER'S SAME CLS SEDAN 602 00:23:05,154 --> 00:23:06,686 AND KEEP HIS FACE HIDDEN. 603 00:23:06,686 --> 00:23:08,117 WHILE MAKING SURE THE CAR WAS SEEN. 604 00:23:08,117 --> 00:23:10,119 ALL RIGHT. PICK HIM UP. 605 00:23:10,119 --> 00:23:13,122 (church bell tolling) 606 00:23:21,901 --> 00:23:24,033 (radio clicks) ALL CLEAR. OVER. 607 00:23:47,096 --> 00:23:49,999 (hinges squeak) 608 00:24:05,114 --> 00:24:06,746 (radio clicks) DAD, NO. 609 00:24:06,746 --> 00:24:08,778 JUST GET THE STUFF AND GET OUT OF THERE. OVER. (click) 610 00:24:08,778 --> 00:24:10,520 (radio clicks) It'll only take a minute. Over. 611 00:24:10,520 --> 00:24:11,681 (click) 612 00:24:40,810 --> 00:24:43,513 (door creaks) 613 00:24:43,513 --> 00:24:46,055 BLEACH AND PAINT. 614 00:24:46,055 --> 00:24:49,118 WHAT ARE YOU TRYING TO COVER UP? 615 00:24:56,796 --> 00:24:58,768 BLOODSTAINS? 616 00:24:58,768 --> 00:25:00,930 THIS IS IT! 617 00:25:00,930 --> 00:25:02,231 THIS IS WHERE HE KILLED HER. 618 00:25:02,231 --> 00:25:04,173 THIS IS WHY RYAN DIDN'T SEE ANY BLOOD. 619 00:25:04,173 --> 00:25:07,036 IT WAS ALL IN HERE! 620 00:25:07,036 --> 00:25:09,038 WHOA! (thuds and grunts) 621 00:25:12,081 --> 00:25:13,943 (gasps) 622 00:25:13,943 --> 00:25:15,715 (radio clicks) Dad. Dad, he's coming back. 623 00:25:15,715 --> 00:25:16,846 (click) 624 00:25:19,719 --> 00:25:20,820 GET OUT OF THERE. 625 00:25:20,820 --> 00:25:22,191 Get out now! 626 00:25:22,191 --> 00:25:27,156 (radio clicks) 627 00:25:29,198 --> 00:25:30,730 (radio clicks) DAD? 628 00:25:30,730 --> 00:25:32,201 (grunting and groaning) Dad? 629 00:25:32,201 --> 00:25:33,162 (click) 630 00:25:33,162 --> 00:25:34,804 (groans) 631 00:25:34,804 --> 00:25:36,535 (grunts) 632 00:25:39,268 --> 00:25:41,671 (pants) 633 00:25:41,671 --> 00:25:43,142 (lock clicks, door creaks) 634 00:25:43,142 --> 00:25:46,145 (clatters) 635 00:25:46,145 --> 00:25:48,047 (keys jangle) 636 00:25:50,249 --> 00:25:51,851 (cell phone rings) 637 00:25:51,851 --> 00:25:53,653 (ring) 638 00:25:53,653 --> 00:25:55,284 (beeps) (man) YEAH. 639 00:25:56,786 --> 00:25:59,228 (clicks) HE'S COMING IN. DAD! DAD! HE'S COMING IN! 640 00:25:59,228 --> 00:26:01,090 (man) NO, I HAVE IT HANDLED FOR NOW, 641 00:26:01,090 --> 00:26:02,261 BUT I CAN'T LEAVE IT THERE FOREVER. 642 00:26:02,261 --> 00:26:03,893 OH, NO! OH! 643 00:26:05,134 --> 00:26:06,636 NO. 644 00:26:06,636 --> 00:26:08,968 WELL, I WAS THINKING JIMMY'S BOAT. 645 00:26:08,968 --> 00:26:12,642 WHILE HE'S AT WORK. 646 00:26:12,642 --> 00:26:14,243 HE'D NEVER KNOW. 647 00:26:18,147 --> 00:26:19,248 OH. 648 00:26:19,248 --> 00:26:23,282 (sirens wailing) 649 00:26:28,317 --> 00:26:30,159 OHH. 650 00:26:37,326 --> 00:26:39,769 MM. (exhales) 651 00:26:39,769 --> 00:26:41,270 (Gavin) YOU THINK I DID THIS? 652 00:26:41,270 --> 00:26:43,903 YOU THINK I COULD POSSIBLY HURT MY WIFE? 653 00:26:43,903 --> 00:26:46,105 I TOLD YOU, WE WERE HAPPY. 654 00:26:46,105 --> 00:26:47,236 NOT ACCORDING TO HER SISTER. 655 00:26:47,236 --> 00:26:50,279 SHE CLAIMS THAT CLARA WAS TERRIFIED OF YOU. 656 00:26:50,279 --> 00:26:52,041 HER SISTER? 657 00:26:52,041 --> 00:26:53,182 THAT WOMAN'S HAD IT OUT FOR ME SINCE WE STARTED DATING. 658 00:26:53,182 --> 00:26:54,884 THEN WHY DID CLARA HIDE MONEY FROM YOU, 659 00:26:54,884 --> 00:26:56,315 AND WHY WAS SHE PLANNING ON DISAPPEARING? 660 00:26:56,315 --> 00:26:57,717 HOW SHOULD I KNOW? 661 00:26:57,717 --> 00:26:59,218 YOU TOOK OUT A SIZEABLE LIFE INSURANCE POLICY 662 00:26:59,218 --> 00:27:00,890 AGAINST YOUR WIFE THREE MONTHS AGO. 663 00:27:00,890 --> 00:27:02,151 WHY? 664 00:27:05,024 --> 00:27:08,397 I'D LIKE MY LAWYER. NOW. 665 00:27:08,397 --> 00:27:09,929 (Ryan) THE SUPERMARKET CONFIRMED 666 00:27:09,929 --> 00:27:11,300 HE WAS THERE THE NIGHT OF THE MURDER. 667 00:27:11,300 --> 00:27:13,933 CAME IN AT 10:00, LEFT AT 3:00. CAN'T BE HIM. 668 00:27:13,933 --> 00:27:15,134 ALL RIGHT, GET UP TO THAT STORE 669 00:27:15,134 --> 00:27:16,936 AND TALK TO EVERYONE THAT WAS THERE THAT NIGHT. 670 00:27:16,936 --> 00:27:18,668 (cell phone rings) TEAR APART HIS FINANCIALS AND HIS PHONE RECORDS. 671 00:27:18,668 --> 00:27:19,839 IF HE HIRED SOMEONE... (ring) 672 00:27:19,839 --> 00:27:21,270 WE GOTTA FIND OUT WHO. (beeps) 673 00:27:21,270 --> 00:27:22,341 BECKETT. 674 00:27:22,341 --> 00:27:24,714 (Beckett) WAIT. YOU DID WHAT? 675 00:27:24,714 --> 00:27:25,875 AND YOU HELPED HIM? 676 00:27:25,875 --> 00:27:27,116 I DI--AH, OKAY. 677 00:27:27,116 --> 00:27:29,078 THIS IS NOT ABOUT WHAT WE DID. 678 00:27:29,078 --> 00:27:30,750 THIS IS ABOUT WHAT HE DID. 679 00:27:30,750 --> 00:27:32,151 AND... CHECK THIS OUT. 680 00:27:32,151 --> 00:27:33,753 NOW I WASN'T ABLE TO... 681 00:27:33,753 --> 00:27:37,086 REASSEMBLE THE CREDIT CARDS, BUT... 682 00:27:37,086 --> 00:27:38,657 I FOUND THIS IN THE BAG. 683 00:27:40,129 --> 00:27:43,192 AN INVOICE FROM A STORAGE FACILITY. SO? 684 00:27:43,192 --> 00:27:46,165 NOT JUST ANY STORAGE FACILITY. THIS ONE'S OPEN 24 HOURS. 685 00:27:46,165 --> 00:27:47,737 YEAH, LOOK WHAT TIME HE RENTED THE SPACE. 686 00:27:47,737 --> 00:27:49,068 3:43 A.M. 687 00:27:49,068 --> 00:27:50,269 LAST NIGHT AT 3:00 A.M., 688 00:27:50,269 --> 00:27:52,141 I WATCHED HIM PULL A RUG OUT OF HIS APARTMENT. 689 00:27:52,141 --> 00:27:53,973 YOU KNOW WHAT FITS IN A RUG? 690 00:27:53,973 --> 00:27:55,144 A BODY. (snaps) 691 00:27:55,144 --> 00:27:56,305 THAT'S WHERE HE'S STORING HER 692 00:27:56,305 --> 00:27:57,947 UNTIL HE CAN FIGURE OUT WHAT TO DO. 693 00:27:57,947 --> 00:27:59,278 OR THE RUG BELONGS TO HIS GIRLFRIEND, 694 00:27:59,278 --> 00:28:00,409 WHO ASKED HIM TO KEEP IT IN STORAGE 695 00:28:00,409 --> 00:28:02,952 UNTIL SHE'S READY TO PICK IT UP. 696 00:28:02,952 --> 00:28:04,784 (inhales) ALL RIGHT. 697 00:28:04,784 --> 00:28:06,786 THEN EXPLAIN THE BLEACH, THE PAINT. 698 00:28:06,786 --> 00:28:08,217 AND I OVERHEARD HIM SAY, 699 00:28:08,217 --> 00:28:10,159 "I CAN'T KEEP IT THERE FOREVER." 700 00:28:10,159 --> 00:28:12,922 DAD, LOOK. SOMEONE'S COMING. 701 00:28:18,067 --> 00:28:20,069 THAT'S HIM. 702 00:28:20,069 --> 00:28:21,971 THAT'S THE GUY SHE WAS HAVING AN AFFAIR WITH. 703 00:28:21,971 --> 00:28:24,233 HE'S LOOKING FOR HER. HE WANTS TO KNOW WHERE SHE IS. 704 00:28:24,233 --> 00:28:25,204 MM. 705 00:28:28,908 --> 00:28:31,080 IF YOU LEAVE NOW, YOU CAN CATCH HIM. 706 00:28:31,080 --> 00:28:32,742 YOU CAN ASK HIM WHERE SHE IS. 707 00:28:32,742 --> 00:28:34,143 CASTLE-- 708 00:28:34,143 --> 00:28:35,444 LOOK, IF SHE'S REALLY VISITING HER MOTHER, 709 00:28:35,444 --> 00:28:37,817 WOULDN'T THE GUY SHE'S HAVING THE AFFAIR WITH, 710 00:28:37,817 --> 00:28:39,318 WHO BROKE THEM UP, 711 00:28:39,318 --> 00:28:40,950 BE THE FIRST TO KNOW? 712 00:28:44,053 --> 00:28:46,856 (horns honking) 713 00:28:50,129 --> 00:28:52,731 EXCUSE ME. HEY! EXCUSE ME. 714 00:28:52,731 --> 00:28:54,904 NYPD. DO YOU HAVE A MINUTE? 715 00:29:06,475 --> 00:29:09,478 (Beckett) SO HIS NAME IS BRENT LANSKY. 716 00:29:09,478 --> 00:29:12,381 HE AND EMILY HAVE BEEN TAKING A CLASS TOGETHER AT PACE, 717 00:29:12,381 --> 00:29:14,523 AND HE'S BEEN TEXTING HER FOR THE PAST COUPLE OF DAYS, 718 00:29:14,523 --> 00:29:16,485 BUT SO FAR THERE'S BEEN NO RESPONSE. 719 00:29:16,485 --> 00:29:17,857 WHAT ABOUT HER PARENTS? 720 00:29:17,857 --> 00:29:19,288 RYAN TRACKED THEM DOWN, 721 00:29:19,288 --> 00:29:21,030 BUT THEY HAVEN'T HEARD FROM HER EITHER. 722 00:29:21,030 --> 00:29:22,431 SO I'M NOT A DRUG-ADDLED CRAZY? 723 00:29:22,431 --> 00:29:23,993 LOOK, I KNOW IT SOUNDS SUSPICIOUS, 724 00:29:23,993 --> 00:29:25,935 BUT WITHOUT A BODY OR A MISSING PERSON'S REPORT, 725 00:29:25,935 --> 00:29:27,496 I'VE GOT NOTHING TO GO ON. 726 00:29:27,496 --> 00:29:29,168 WELL, WHILE YOU'RE WAITING FOR SOMETHING TO GO ON, 727 00:29:29,168 --> 00:29:31,040 HE'S ALREADY TAKEN MOST OF THE EVIDENCE AWAY. 728 00:29:31,040 --> 00:29:33,903 BUT LUCKILY, I KNOW WHAT HE'S DONE WITH-- 729 00:29:33,903 --> 00:29:35,344 THANK YOU. 730 00:29:35,344 --> 00:29:37,847 WITH THE BODY-- IN THE STORAGE UNIT. 731 00:29:37,847 --> 00:29:40,309 YOU'RE TALKING ABOUT AN ILLEGAL SEARCH. 732 00:29:40,309 --> 00:29:41,981 WHEN YOU DO IT, IT'S AN ILLEGAL SEARCH. 733 00:29:41,981 --> 00:29:45,154 WHEN I DO IT, IT'S JUST ILLEGAL. 734 00:29:45,154 --> 00:29:48,317 CASTLE, THIS IS SUCH A BAD IDEA. 735 00:29:48,317 --> 00:29:50,789 NO, THIS IS A BRILLIANT IDEA. 736 00:29:50,789 --> 00:29:52,892 I BREAK IN, I FIND THE BODY, 737 00:29:52,892 --> 00:29:54,894 THEN I CALL DOWNSTAIRS TO THE FRONT DESK, 738 00:29:54,894 --> 00:29:57,326 TELL THEM THAT THE LOCK HAS BEEN CUT. 739 00:29:57,326 --> 00:29:59,999 WHEN THEY COME UP TO SEE IF EVERYTHING'S OKAY, 740 00:29:59,999 --> 00:30:02,101 THEY FIND THE BODY THEY CALL THE POLICE, 741 00:30:02,101 --> 00:30:03,402 AND YOU HAVE PROBABLE CAUSE. 742 00:30:03,402 --> 00:30:05,234 IF YOU STAY OUT HERE IN THE HALLWAY, 743 00:30:05,234 --> 00:30:07,406 YOU WON'T BE VIOLATING ANYONE'S RIGHTS. (clinks) 744 00:30:07,406 --> 00:30:10,209 (clatters) 745 00:30:10,209 --> 00:30:12,481 THERE IT IS. 746 00:30:12,481 --> 00:30:15,314 (pants) 747 00:30:15,314 --> 00:30:17,386 (clatters) 748 00:30:17,386 --> 00:30:19,388 OKAY. 749 00:30:19,388 --> 00:30:22,191 (pants) I DID NOT THINK THIS PART THROUGH. 750 00:30:22,191 --> 00:30:23,552 IF YOU'D JUST... 751 00:30:23,552 --> 00:30:25,324 FINE, CASTLE. BUT I WAS NEVER HERE. 752 00:30:25,324 --> 00:30:27,326 JUST UNROLL IT. 753 00:30:27,326 --> 00:30:29,058 (scoffs) 754 00:30:29,058 --> 00:30:30,329 (sighs) 755 00:30:30,329 --> 00:30:31,360 (thuds) 756 00:30:31,360 --> 00:30:32,531 UGH. 757 00:30:32,531 --> 00:30:34,003 WHERE'S THE BODY? 758 00:30:37,006 --> 00:30:39,338 IT'S IN THE BAGS. 759 00:30:39,338 --> 00:30:41,240 (huffs) 760 00:30:41,240 --> 00:30:43,472 (exhales deeply) 761 00:30:43,472 --> 00:30:47,176 (rustling) 762 00:30:47,176 --> 00:30:48,317 (exhales) 763 00:30:48,317 --> 00:30:51,180 OH, MY GOD. IT'S HER. 764 00:30:51,180 --> 00:30:53,322 (exhales) CASTLE... (plastic rustles) 765 00:30:53,322 --> 00:30:54,853 IT'S A WIG. 766 00:30:54,853 --> 00:30:55,955 (plastic rustles) 767 00:30:55,955 --> 00:30:57,957 AND THERE'S CLOTHES IN HERE. 768 00:30:57,957 --> 00:30:59,889 NOW CAN WE GET OUTTA HERE BEFORE SOMEONE... 769 00:30:59,889 --> 00:31:01,060 (cocks guns) 770 00:31:01,060 --> 00:31:03,862 (sighs) SEES US? 771 00:31:12,571 --> 00:31:13,903 (closes door) 772 00:31:13,903 --> 00:31:16,005 ILLEGAL SEARCH, BREAKING AND ENTERING? 773 00:31:16,005 --> 00:31:17,406 YOU'RE LUCKY I DON'T HAVE YOUR BADGE. 774 00:31:17,406 --> 00:31:20,009 AND YOU. WHAT IN THE HELL DID YOU THINK YOU WERE DOING? 775 00:31:20,009 --> 00:31:22,651 BUT ALL THE EVIDENCE-- THE RUG, THE STORAGE SPACE-- 776 00:31:22,651 --> 00:31:24,353 EVIDENCE? 777 00:31:24,353 --> 00:31:27,486 I JUST SPOKE TO YOUR ALLEGED KILLER, MR. CASTLE. 778 00:31:27,486 --> 00:31:31,420 HE GOT THAT STORAGE SPACE AT HIS EX-GIRLFRIEND'S REQUEST. 779 00:31:31,420 --> 00:31:33,392 HE WAS MOVING HER BELONGINGS THERE, 780 00:31:33,392 --> 00:31:34,623 INCLUDING HER RUG. 781 00:31:34,623 --> 00:31:35,965 HOW DO YOU KNOW HE'S TELLING THE TRUTH? 782 00:31:35,965 --> 00:31:37,126 NO ONE'S HEARD FROM HER. 783 00:31:37,126 --> 00:31:39,428 WE CONTACTED HER. SHE'S FINE. 784 00:31:41,100 --> 00:31:43,072 WELL, WHAT ABOUT THE PAINT AND THE--AND THE BLEACH? 785 00:31:43,072 --> 00:31:46,005 HE DISCOVERED MOLD AND WANTED TO TAKE CARE OF IT. 786 00:31:46,005 --> 00:31:48,077 ANYTHING ELSE? 787 00:31:48,077 --> 00:31:49,338 JUST-- UH, SIR, CASTLE IS JUST-- 788 00:31:49,338 --> 00:31:51,981 EMBARRASSING ME AND THE DEPARTMENT? 789 00:31:51,981 --> 00:31:54,213 OH, AND, MR. CASTLE, 790 00:31:54,213 --> 00:31:57,216 YOUR NEIGHBOR DID SAY THAT IF YOU BOTHER HIM IN ANY WAY, 791 00:31:57,216 --> 00:31:59,148 HE WILL PRESS CHARGES. 792 00:31:59,148 --> 00:32:00,449 AND I WILL BE 793 00:32:00,449 --> 00:32:05,324 SO HAPPY TO TAKE YOU INTO CUSTODY PERSONALLY. 794 00:32:05,324 --> 00:32:08,557 (indistinct conversations) 795 00:32:08,557 --> 00:32:10,099 HEY, CASTLE. 796 00:32:10,099 --> 00:32:12,001 IS IT HARD TO BALANCE ON THOSE CRUTCHES 797 00:32:12,001 --> 00:32:14,503 WHEN YOU'VE JUST HAD YOUR ASS CHEWED OFF? 798 00:32:14,503 --> 00:32:16,435 I'LL BE IN THE CAR. 799 00:32:16,435 --> 00:32:18,407 (laughs) 800 00:32:18,407 --> 00:32:20,009 (indistinct conversations continue) 801 00:32:20,009 --> 00:32:23,212 DID YOU TWO COMEDIANS FIND OUT ANYTHING NEW ON THE HUSBAND? 802 00:32:23,212 --> 00:32:25,344 WELL, THERE WAS NOTHING UNUSUAL IN HIS PHONE 803 00:32:25,344 --> 00:32:26,545 OR FINANCIAL RECORDS. 804 00:32:26,545 --> 00:32:27,716 AND WE TALKED TO EVERYONE AT THE STORE. 805 00:32:27,716 --> 00:32:29,148 THEY SAID HE WAS THERE ALL NIGHT. 806 00:32:29,148 --> 00:32:31,550 BUT THEY DID SAY THAT HE WAS ACTING WEIRD. 807 00:32:31,550 --> 00:32:33,252 WEIRD HOW? 808 00:32:33,252 --> 00:32:35,124 WELL, NORMALLY ON A LATE SHIFT, HE HOLES UP IN HIS OFFICE. 809 00:32:35,124 --> 00:32:37,526 BUT THAT NIGHT, HE SPENT ALL HIS TIME ON THE FLOOR. 810 00:32:37,526 --> 00:32:39,528 HE WANTED TO BE SEEN 'CAUSE HE NEEDED AN ALIBI. 811 00:32:39,528 --> 00:32:41,230 THAT GUY IS INVOLVED. 812 00:32:41,230 --> 00:32:43,062 IT'S A GREAT THEORY. THERE'S ONLY ONE PROBLEM. 813 00:32:43,062 --> 00:32:44,493 WE HAVE NO PROOF. 814 00:32:44,493 --> 00:32:46,635 YET. 815 00:32:50,139 --> 00:32:52,301 (Castle) WELL, I DON'T SAY THIS OFTEN, 816 00:32:52,301 --> 00:32:54,443 BUT... I'M SORRY. 817 00:32:54,443 --> 00:32:57,346 I'M SORRY I GOT YOU INTO TROUBLE, 818 00:32:57,346 --> 00:32:59,408 SORRY I... (inhales sharply) LOST MY MIND. 819 00:32:59,408 --> 00:33:00,709 (Beckett) YOU KNOW WHAT, CASTLE? IT'S OKAY. 820 00:33:00,709 --> 00:33:02,451 YOUR OVERACTIVE IMAGINATION 821 00:33:02,451 --> 00:33:04,453 HAS ACTUALLY BROUGHT A LOT OF PEOPLE TO JUSTICE. 822 00:33:04,453 --> 00:33:09,018 IN FACT, IT'S ONE OF THE THINGS THAT I LOVE ABOUT YOU. 823 00:33:09,018 --> 00:33:10,319 WOW. 824 00:33:10,319 --> 00:33:12,621 AND... WOW. 825 00:33:12,621 --> 00:33:14,363 HAPPY BIRTHDAY TO ME. 826 00:33:14,363 --> 00:33:18,367 IF THAT'S MY PRESENT, I CAN'T WAIT TO UNWRAP IT. 827 00:33:18,367 --> 00:33:20,399 LATER. RIGHT NOW, LET'S JUST FORGET ABOUT THE MURDER, 828 00:33:20,399 --> 00:33:22,101 GO TO DINNER, CELEBRATE YOUR LIFE, 829 00:33:22,101 --> 00:33:24,103 COME BACK, AND CELEBRATE SOME MORE. 830 00:33:24,103 --> 00:33:25,374 SOUNDS PERFECT. 831 00:33:25,374 --> 00:33:27,536 OKAY, SO THE CAR'S GONNA BE HERE IN 15 MINUTES. 832 00:33:27,536 --> 00:33:31,340 WOULD YOU LIKE A DRINK FROM THE FRIDGE? 833 00:33:31,340 --> 00:33:32,741 THE FRIDGE. 834 00:33:32,741 --> 00:33:34,183 WHAT? 835 00:33:34,183 --> 00:33:36,745 HE JUST GOT A SODA FROM THE CABINET. 836 00:33:36,745 --> 00:33:38,647 SO? 837 00:33:38,647 --> 00:33:40,189 SO WHY GET IT FROM THE CABINET? 838 00:33:40,189 --> 00:33:41,490 WHY NOT GET IT FROM THE FRIDGE? 839 00:33:41,490 --> 00:33:43,552 WHY NOT... GET ICE? 840 00:33:43,552 --> 00:33:44,693 OH, NO. 841 00:33:44,693 --> 00:33:46,455 SHE'S IN THE REFRIGERATOR. 842 00:33:46,455 --> 00:33:48,457 OH, GOD. THOSE PLASTIC TRAYS IN THE CLOSET? 843 00:33:48,457 --> 00:33:50,459 THOSE WEREN'T PLASTIC TRAYS. THOSE WERE REFRIGERATOR SHELVES. 844 00:33:50,459 --> 00:33:52,061 CASTLE... 845 00:33:52,061 --> 00:33:53,362 I DON'T KNOW WHO GATES WAS TALKING TO ON THE PHONE, 846 00:33:53,362 --> 00:33:55,164 BUT THAT WAS NOT EMILY. 847 00:33:55,164 --> 00:33:56,465 EMILY IS IN THAT FRIDGE. 848 00:33:56,465 --> 00:33:58,437 SHE'S NOT IN THE APARTMENT. SHE'S NOT IN THE FRIDGE. 849 00:33:58,437 --> 00:33:59,508 THERE IS NO BODY! 850 00:33:59,508 --> 00:34:00,769 YES, THERE IS. 851 00:34:00,769 --> 00:34:02,771 CASTLE, YOU JUST APOLOGIZED TO ME. 852 00:34:02,771 --> 00:34:04,643 I RESCIND THE APOLOGY. I TAKE IT BACK. 853 00:34:04,643 --> 00:34:06,515 SHE'S IN THE FRIDGE. 854 00:34:06,515 --> 00:34:08,417 YOU KNOW WHAT? LET'S JUST GO DOWNSTAIRS 855 00:34:08,417 --> 00:34:10,119 AND WAIT FOR THE DRIVER THERE. 856 00:34:10,119 --> 00:34:12,421 I AM NOT GOING ANYWHERE UNTIL I SEE WHAT'S IN THAT FRIDGE. 857 00:34:12,421 --> 00:34:13,722 WHAT?! 858 00:34:13,722 --> 00:34:16,355 YOU'RE GONNA STAY HERE AND WAIT FOR HIM TO OPEN IT? 859 00:34:16,355 --> 00:34:18,727 IF THAT'S WHAT IT TAKES. 860 00:34:18,727 --> 00:34:22,291 OKAY, FINE. 861 00:34:22,291 --> 00:34:23,532 WHERE ARE YOU GOING? 862 00:34:23,532 --> 00:34:25,494 CASTLE, I MADE PLANS FOR YOU, 863 00:34:25,494 --> 00:34:26,835 I DRESSED UP FOR YOU, 864 00:34:26,835 --> 00:34:29,468 AND I'M NOT GONNA LET YOU RUIN THIS NIGHT. 865 00:34:29,468 --> 00:34:30,569 SO WHAT ARE YOU GONNA DO? 866 00:34:30,569 --> 00:34:32,241 I AM GOING TO GO OVER THERE 867 00:34:32,241 --> 00:34:33,372 AND OPEN THAT BLOODY FRIDGE, 868 00:34:33,372 --> 00:34:35,544 AND THEN YOU AND I ARE GOING TO DINNER 869 00:34:35,544 --> 00:34:38,207 AND NEVER TALKING ABOUT THIS AGAIN. 870 00:34:38,207 --> 00:34:39,478 NO, DON'T DO IT. IT'S TOO DANGEROUS. 871 00:34:39,478 --> 00:34:41,710 NOT AS DANGEROUS AS ME IF YOU BLOW UP MY PLANS. 872 00:34:41,710 --> 00:34:44,213 WELL, WHAT IF HE DOESN'T LET YOU IN? 873 00:34:44,213 --> 00:34:47,356 LOOK AT ME. HE'S GONNA LET ME IN. 874 00:34:47,356 --> 00:34:48,417 NOT IF THERE'S A BODY IN THERE. 875 00:34:48,417 --> 00:34:50,559 THERE'S NOT A BODY IN THERE. 876 00:34:50,559 --> 00:34:52,521 (door opens and closes) 877 00:34:52,521 --> 00:34:54,393 (bus engine accelerates) 878 00:34:54,393 --> 00:34:57,396 (vehicles driving) 879 00:34:57,396 --> 00:35:00,399 (horns honking) 880 00:35:12,581 --> 00:35:15,584 (siren wailing) 881 00:35:24,893 --> 00:35:27,526 NO, NO, BECKETT. 882 00:35:33,562 --> 00:35:35,504 NO. 883 00:35:37,436 --> 00:35:39,708 NO. 884 00:35:39,708 --> 00:35:41,210 BECKETT! NO! 885 00:35:41,210 --> 00:35:46,875 NO! 886 00:35:47,646 --> 00:35:48,617 (sirens wailing) 887 00:35:48,617 --> 00:35:49,778 (tires screech) 888 00:35:49,778 --> 00:35:51,550 (police radio chatter) 889 00:35:51,550 --> 00:35:52,621 (Ryan) WHERE IS SHE?! 890 00:35:52,621 --> 00:35:53,782 SHE'S UPSTAIRS! SHE'S IN THE APARTMENT! 891 00:35:53,782 --> 00:35:55,284 WAIT FOR ME! 892 00:35:55,284 --> 00:35:57,286 (elevator door squeaks) 893 00:35:57,286 --> 00:35:59,358 NYPD! OPEN UP! 894 00:35:59,358 --> 00:36:00,689 OPEN UP NOW! 895 00:36:00,689 --> 00:36:01,760 (thumps) 896 00:36:01,760 --> 00:36:03,662 KICK IT! KICK IT! KICK IT! (grunts) 897 00:36:03,662 --> 00:36:04,833 BECKETT! (Esposito) BECKETT! 898 00:36:04,833 --> 00:36:06,365 (Ryan) BECKETT! BECKETT! 899 00:36:06,365 --> 00:36:07,696 BECKETT, YOU THERE?! BECKETT! 900 00:36:07,696 --> 00:36:10,269 BECKETT, WHERE ARE YOU? (pants) 901 00:36:10,269 --> 00:36:11,440 (switch clicks) 902 00:36:11,440 --> 00:36:12,601 (all) SURPRISE! 903 00:36:12,601 --> 00:36:14,503 HAPPY BIRTHDAY! 904 00:36:14,503 --> 00:36:16,475 WHOO! HAPPY BIRTHDAY! 905 00:36:16,475 --> 00:36:18,607 (cheering) 906 00:36:18,607 --> 00:36:20,479 (Martha) THANK YOU. 907 00:36:20,479 --> 00:36:23,912 (indistinct conversations and laughter) 908 00:36:28,587 --> 00:36:30,659 (indistinct conversations and laughter continue) 909 00:36:30,659 --> 00:36:32,221 IT WAS ALL FAKE? 910 00:36:32,221 --> 00:36:33,662 (conversations fade) 911 00:36:33,662 --> 00:36:35,364 NOTHING WAS REAL. 912 00:36:35,364 --> 00:36:36,695 YOU... 913 00:36:36,695 --> 00:36:38,927 YOU LET ME THINK I WAS CRAZY? 914 00:36:38,927 --> 00:36:41,400 YOU LET ME THINK YOU WERE GONNA DIE? 915 00:36:41,400 --> 00:36:43,572 BUT, CASTLE, YOU-- YOU WERE SO BORED 916 00:36:43,572 --> 00:36:45,274 OVER THE PAST COUPLE OF WEEKS, 917 00:36:45,274 --> 00:36:48,206 STUCK AT HOME WITH NO CASE TO SOLVE. 918 00:36:48,206 --> 00:36:50,639 AND I SAW THAT THIS APARTMENT WAS FOR RENT, 919 00:36:50,639 --> 00:36:51,610 AND I JUST-- I THOUGHT THAT I-- 920 00:36:51,610 --> 00:36:52,781 (Martha) RICHARD-- 921 00:36:52,781 --> 00:36:54,583 NO. 922 00:36:54,583 --> 00:36:56,615 NO. 923 00:36:56,615 --> 00:36:58,917 THIS IS... 924 00:36:58,917 --> 00:37:01,420 WITHOUT A DOUBT... 925 00:37:02,691 --> 00:37:06,655 THE GREATEST BIRTHDAY GIFT OF MY LIFE! 926 00:37:06,655 --> 00:37:08,657 (cheers and laughter) 927 00:37:08,657 --> 00:37:11,600 (applause) 928 00:37:11,600 --> 00:37:13,231 MM. 929 00:37:13,231 --> 00:37:14,403 (applause and laughter continue) 930 00:37:14,403 --> 00:37:15,564 (laughs) 931 00:37:15,564 --> 00:37:16,705 HOW DID YOU DO IT? 932 00:37:16,705 --> 00:37:18,607 WELL, I DID HAVE A LOT OF HELP. 933 00:37:18,607 --> 00:37:19,938 YES, YOU DID, INDEED. 934 00:37:19,938 --> 00:37:21,470 YOU WERE ALL IN ON OUT? 935 00:37:21,470 --> 00:37:23,612 MM-HMM. MICHAEL, BRENT, EMILY-- 936 00:37:23,612 --> 00:37:25,614 MY BRILLIANT ACTING STUDENTS. 937 00:37:25,614 --> 00:37:27,245 I, OF COURSE, WAS THE DIRECTOR. 938 00:37:27,245 --> 00:37:28,547 AND THE BOYS? 939 00:37:28,547 --> 00:37:30,018 YEAH. (Beckett) OH, YEAH. THEY WERE GREAT. 940 00:37:30,018 --> 00:37:31,780 EXCEPT YOU DIDN'T HAVE TO KICK DOWN THE DOOR. 941 00:37:31,780 --> 00:37:33,452 I WAS IN THE MOMENT. WE WANTED TO BE CONVINCING. 942 00:37:33,452 --> 00:37:34,883 YEAH. ALEXIS, YOU, TOO? 943 00:37:34,883 --> 00:37:36,785 IT'S WHY I BOUGHT YOU THE BINOCULARS. 944 00:37:36,785 --> 00:37:38,457 EVEN CAPTAIN GATES? 945 00:37:38,457 --> 00:37:39,688 YEAH, SHE JUMPED AT THE CHANCE 946 00:37:39,688 --> 00:37:40,759 TO DRESS YOU DOWN FOR ANY REASON. 947 00:37:40,759 --> 00:37:42,761 (blows air) WHERE IS CAPTAIN GATES? 948 00:37:42,761 --> 00:37:44,833 SHE COULDN'T MAKE IT. GOOD. 949 00:37:46,795 --> 00:37:48,497 WOW. 950 00:37:48,497 --> 00:37:49,668 (laughs) 951 00:37:49,668 --> 00:37:50,599 (Esposito) ALL RIGHT! 952 00:37:50,599 --> 00:37:54,443 (cheers and applause) 953 00:37:54,443 --> 00:37:56,775 (indistinct conversations) 954 00:37:56,775 --> 00:37:58,707 (chuckles) 955 00:37:58,707 --> 00:37:59,808 (inhales) 956 00:37:59,808 --> 00:38:01,650 YOU REALLY BLEW MY MIND. 957 00:38:01,650 --> 00:38:03,512 YEAH, WELL, I FIGURED THE TRICKIEST PART 958 00:38:03,512 --> 00:38:05,013 WOULD BE FOOLING YOU AND... 959 00:38:05,013 --> 00:38:07,486 KEEP A STRAIGHT FACE. 960 00:38:07,486 --> 00:38:09,287 WELL, YOU WIN THE OSCAR FOR 961 00:38:09,287 --> 00:38:10,589 BEST PRETEND MURDER. 962 00:38:10,589 --> 00:38:13,822 I CANNOT BELIEVE THE WHOLE THING WAS STAGED. 963 00:38:13,822 --> 00:38:15,694 (laughs) (picks up glass) 964 00:38:15,694 --> 00:38:17,295 STAGED? 965 00:38:17,295 --> 00:38:18,897 WHAT? 966 00:38:18,897 --> 00:38:22,000 I THINK I JUST SOLVED MY CASE. 967 00:38:22,000 --> 00:38:23,702 DOES THAT MEAN YOU'RE GONNA HAVE TO GO RUN OFF 968 00:38:23,702 --> 00:38:25,404 AND ARREST SOMEONE? 969 00:38:25,404 --> 00:38:26,635 NO. 970 00:38:26,635 --> 00:38:28,777 RIGHT NOW I'VE GOT OTHER PLANS. 971 00:38:28,777 --> 00:38:31,410 (indistinct conversations continue) 972 00:38:31,410 --> 00:38:32,581 HAPPY BIRTHDAY. 973 00:38:32,581 --> 00:38:33,742 (clinks) 974 00:38:35,814 --> 00:38:38,717 (Beckett) LOOK, I'M SORRY I HAD TO DRAG YOU DOWN HERE, 975 00:38:38,717 --> 00:38:41,450 BUT I THINK YOU MIGHT ACTUALLY HOLD THE KEY 976 00:38:41,450 --> 00:38:42,921 TO SOLVING THIS MURDER. 977 00:38:42,921 --> 00:38:44,993 SURE, BUT I ALREADY TOLD YOU WHAT I KNOW. 978 00:38:44,993 --> 00:38:47,055 RIGHT, THAT YOU SPOTTED THE MURDER BEING COMMITTED 979 00:38:47,055 --> 00:38:49,057 ON SURVEILLANCE, AND THEN YOU CALLED 9-1-1. 980 00:38:49,057 --> 00:38:51,029 THAT'S CORRECT. 981 00:38:51,029 --> 00:38:52,601 (remote beeps) 982 00:38:52,601 --> 00:38:54,833 SEE, I'VE LOOKED AT THIS VIDEO DOZENS OF TIMES, 983 00:38:54,833 --> 00:38:56,905 TRYING TO SEE IF I COULD FIND A CLUE 984 00:38:56,905 --> 00:38:58,607 AS TO WHO THE MURDERER WAS. 985 00:38:58,607 --> 00:39:01,610 AND THEN I REALIZED, I'M LOOKING IN THE WRONG PLACE. 986 00:39:01,610 --> 00:39:03,612 DO YOU SEE THAT? 987 00:39:03,612 --> 00:39:05,113 SEE WHAT? 988 00:39:05,113 --> 00:39:08,046 I-IT'S ACTUALLY KIND OF HARD TO SPOT. 989 00:39:08,046 --> 00:39:11,920 UM... THAT DOT RIGHT THERE. 990 00:39:11,920 --> 00:39:13,682 (remote beeps, paper rustles) 991 00:39:13,682 --> 00:39:16,054 (video rewinding) IT'S GRAFFITI THAT SOMEHOW MAGICALLY 992 00:39:16,054 --> 00:39:18,056 APPEARS ON THAT WALL. 993 00:39:18,056 --> 00:39:19,988 HERE. 994 00:39:19,988 --> 00:39:22,360 (remote beeps, rewinding stops) I'LL PLAY IT FOR YOU AGAIN. 995 00:39:23,792 --> 00:39:24,963 (beep) 996 00:39:24,963 --> 00:39:27,636 HOW IS THAT POSSIBLE? 997 00:39:27,636 --> 00:39:28,767 I DON'T KNOW. 998 00:39:28,767 --> 00:39:30,469 THE ONLY WAY THAT IT'S POSSIBLE 999 00:39:30,469 --> 00:39:32,641 IS IF SOMEONE TAMPERED WITH THE FEED 1000 00:39:32,641 --> 00:39:35,404 AND REPLACED THE LIVE IMAGE 1001 00:39:35,404 --> 00:39:37,676 WITH FOOTAGE THAT WAS RECORDED BEFORE THAT TAG WAS MADE. 1002 00:39:37,676 --> 00:39:39,748 THAT WOULD BE IMPOSSIBLE UNLESS SOMEBODY-- 1003 00:39:39,748 --> 00:39:41,480 HAD ACCESS TO THE SURVEILLANCE SYSTEM, 1004 00:39:41,480 --> 00:39:42,781 WHICH YOU HAVE. 1005 00:39:42,781 --> 00:39:45,113 AND IF THAT IS INDEED A PRERECORDED IMAGE, 1006 00:39:45,113 --> 00:39:47,015 THEN THAT MEANS THAT THE ATTACK WAS FAKED. 1007 00:39:47,015 --> 00:39:48,717 AND THAT WOMAN THAT IS BEING BEATEN 1008 00:39:48,717 --> 00:39:50,589 AND THEN THROWN INTO THE DUMPSTER 1009 00:39:50,589 --> 00:39:51,760 IS NOT THE REAL MRS. DeWINTER. (remote beeps, video rewinding) 1010 00:39:51,760 --> 00:39:53,121 (beep, rewinding stops) 1011 00:39:53,121 --> 00:39:55,393 NOW DO YOU NOTICE THAT SHE NEVER ACTUALLY SHOWS HER FACE? 1012 00:39:55,393 --> 00:39:58,697 IT'S ALMOST AS IF SOMEONE IS PRETENDING TO BE HER, 1013 00:39:58,697 --> 00:39:59,998 SOMEONE WITH THE SAME FRAME, 1014 00:39:59,998 --> 00:40:02,400 SOMEONE A LOT LIKE YOU. 1015 00:40:02,400 --> 00:40:03,732 THAT IS NOT ME. 1016 00:40:03,732 --> 00:40:05,073 I'M GUESSING THAT THE REAL MRS. DeWINTER 1017 00:40:05,073 --> 00:40:07,075 WAS KILLED SOMEWHERE ELSE EARLIER IN THE EVENING, 1018 00:40:07,075 --> 00:40:10,078 AND THAT THE KILLER PLANTED HER BODY IN THE DUMPSTER 1019 00:40:10,078 --> 00:40:11,610 SO THAT IT WOULD BE THERE 1020 00:40:11,610 --> 00:40:14,543 WHEN YOU AND YOUR COLLEAGUES VIEWED THE FAKED FOOTAGE. 1021 00:40:14,543 --> 00:40:17,586 THAT VIDEO IS THE PERFECT ALIBI FOR THE MURDER. 1022 00:40:17,586 --> 00:40:21,049 I DIDN'T EVEN KNOW MRS. DeWINTER. 1023 00:40:21,049 --> 00:40:23,892 NO, BUT YOU DO KNOW HER HUSBAND. 1024 00:40:23,892 --> 00:40:25,894 ACCORDING TO YOUR PERSONNEL FILE, 1025 00:40:25,894 --> 00:40:27,556 YOU WORKED NIGHT SECURITY 1026 00:40:27,556 --> 00:40:29,498 AT A SUPERMARKET IN QUEENS A YEAR AGO. 1027 00:40:29,498 --> 00:40:31,960 THAT IS THE SAME STORE AS MR. DeWINTER. 1028 00:40:31,960 --> 00:40:33,702 THAT'S JUST A COINCIDENCE. 1029 00:40:33,702 --> 00:40:37,035 IS IT ALSO A COINCIDENCE THAT YOU RENTED A CLS550 A WEEK AGO? 1030 00:40:45,574 --> 00:40:47,175 I DIDN'T KILL HER. 1031 00:40:47,175 --> 00:40:48,977 I KNOW YOU DIDN'T. 1032 00:40:48,977 --> 00:40:52,621 I NEED YOU TO TELL ME WHO DID. 1033 00:40:52,621 --> 00:40:55,223 (indistinct conversations) 1034 00:40:55,223 --> 00:40:57,686 THEY MET A YEAR AGO ON THE LATE SHIFT 1035 00:40:57,686 --> 00:40:59,658 AND STARTED AN AFFAIR. 1036 00:40:59,658 --> 00:41:00,989 ONCE THEY GOT TOGETHER, 1037 00:41:00,989 --> 00:41:02,631 GAVIN REALIZED THAT HE'D HAVE TO GET RID OF HIS WIFE, 1038 00:41:02,631 --> 00:41:04,593 AND INSTEAD OF A MESSY DIVORCE, 1039 00:41:04,593 --> 00:41:06,665 THEY DECIDED TO MAKE A KILLING. 1040 00:41:06,665 --> 00:41:07,696 SOME MARRIAGE. 1041 00:41:07,696 --> 00:41:09,197 NO WONDER CLARA WANTED TO DISAPPEAR. 1042 00:41:09,197 --> 00:41:10,999 YEAH, BUT SHE DIDN'T DO IT FAST ENOUGH. 1043 00:41:10,999 --> 00:41:12,741 SO WHERE'D THE ACTUAL MURDER TAKE PLACE? 1044 00:41:12,741 --> 00:41:14,743 IN THE DeWINTERS' GARAGE. 1045 00:41:14,743 --> 00:41:16,545 AFTER DINNER, HE BLUDGEONED HER TO DEATH 1046 00:41:16,545 --> 00:41:18,747 WITH THE BAT THAT HE LEFT IN THE ALLEYWAY, 1047 00:41:18,747 --> 00:41:20,078 AND THEN HE CHANGED HER INTO THE CLOTHES 1048 00:41:20,078 --> 00:41:21,650 THAT RIGAS WORE ON THAT TAPE. 1049 00:41:21,650 --> 00:41:23,582 AND THEN JUST BEFORE PLACING HER BODY IN THE DUMPSTER, 1050 00:41:23,582 --> 00:41:25,714 RIGAS SWITCHED TO THE DUMMY FEED. 1051 00:41:25,714 --> 00:41:26,985 PERFECT CRIME. 1052 00:41:26,985 --> 00:41:28,156 YEAH. 1053 00:41:28,156 --> 00:41:29,988 (indistinct conversations continue) 1054 00:41:29,988 --> 00:41:31,990 ALMOST. 1055 00:41:31,990 --> 00:41:34,623 (Castle) WELL, I'M GLAD I COULD HELP WITH THE CASE, 1056 00:41:34,623 --> 00:41:37,225 EVEN THOUGH IT WAS BY ACCIDENT. 1057 00:41:37,225 --> 00:41:41,269 HOW MANY MURDERS DO YOU THINK WE'VE SOLVED SINCE WE MET? 1058 00:41:41,269 --> 00:41:44,733 I DON'T KNOW. UM... MAYBE A HUNDRED OR SO. 1059 00:41:44,733 --> 00:41:46,504 A HUNDRED? MM-HMM. 1060 00:41:46,504 --> 00:41:48,206 HERE'S TO A HUNDRED MORE. 1061 00:41:48,206 --> 00:41:49,738 (clinks) 1062 00:41:52,541 --> 00:41:54,683 YOU KNOW... 1063 00:41:54,683 --> 00:41:56,184 WHAT YOU... (sets glass down) 1064 00:41:56,184 --> 00:41:58,116 DID FOR ME... 1065 00:41:58,116 --> 00:41:59,788 (sets glass down) 1066 00:41:59,788 --> 00:42:02,651 NOBODY'S EVER DONE THAT FOR ME BEFORE. 1067 00:42:05,053 --> 00:42:07,726 THAT WAS... 1068 00:42:07,726 --> 00:42:10,659 EPIC. 1069 00:42:10,659 --> 00:42:14,563 BUT YOU DO KNOW THAT NOW I WILL HAVE TO GET YOU BACK? 1070 00:42:14,563 --> 00:42:16,705 OH, REALLY? AND YOU THINK THAT YOU CAN TOP THAT? 1071 00:42:16,705 --> 00:42:18,707 OH, JUST YOU WAIT AND SEE. 1072 00:42:18,707 --> 00:42:19,968 (laughs) 1073 00:42:19,968 --> 00:42:22,711 (laughs)