1 00:00:03,404 --> 00:00:07,538 (horn honks) 2 00:00:07,538 --> 00:00:10,010 (tires squeal) 3 00:00:14,245 --> 00:00:17,688 GOD. HER FACE. WHAT HAPPENED TO HER? 4 00:00:17,688 --> 00:00:19,620 I GOT A PULSE. SHE'S STILL ALIVE. 5 00:00:19,620 --> 00:00:21,522 GET A GURNEY. NOW! 6 00:00:21,522 --> 00:00:23,054 (sizzling) 7 00:00:23,054 --> 00:00:24,225 MMM. 8 00:00:24,225 --> 00:00:27,258 ♪ OOH, HOO, HOO ♪ (bottles rattle) 9 00:00:27,258 --> 00:00:28,699 (sizzling continues) 10 00:00:28,699 --> 00:00:30,231 WHERE'D IT GO? 11 00:00:30,231 --> 00:00:31,662 WHERE'D WHAT GO, DARLING? 12 00:00:31,662 --> 00:00:34,435 MY LEFTOVERS FROM LE CIRQUE. THEY WERE RIGHT HERE. 13 00:00:34,435 --> 00:00:36,407 RIGHT WHERE THIS HOLE IN THE FRIDGE IS. 14 00:00:36,407 --> 00:00:38,139 I WAS GONNA USE THAT CHATEAUBRIAND 15 00:00:38,139 --> 00:00:39,270 FOR MY MORNING SCRAMBLE. 16 00:00:39,270 --> 00:00:40,771 WELL, I CERTAINLY DIDN'T EAT THEM. 17 00:00:40,771 --> 00:00:42,443 I WOULDN'T LOOK THIS GOOD IF I WAS... 18 00:00:42,443 --> 00:00:44,445 (singsongy) PIGGING OUT ON LEFTOVERS. 19 00:00:44,445 --> 00:00:45,616 YES, WELL, THIS ISN'T 20 00:00:45,616 --> 00:00:47,318 THE FIRST TIME THIS HAS HAPPENED. 21 00:00:47,318 --> 00:00:49,780 FOOD HAS BEEN GOING MISSING FOR THE PAST MONTH. 22 00:00:49,780 --> 00:00:51,282 IT'S NOT JUST LEFTOVERS, EITHER. 23 00:00:51,282 --> 00:00:53,784 IT WAS THE PEANUT BUTTER, UH, ARTICHOKES, 24 00:00:53,784 --> 00:00:56,527 A WHOLE QUART OF MULLIGATAWNY SOUP--GONE. 25 00:00:56,527 --> 00:00:59,290 WELL, MAYBE YOU'VE BEEN SLEEP EATING AGAIN. 26 00:00:59,290 --> 00:01:01,492 AGAIN? I'VE NEVER SLEEP ATED-- SLEEP ATE-- 27 00:01:01,492 --> 00:01:02,693 EATEN-- 28 00:01:02,693 --> 00:01:04,064 HAVE I? 29 00:01:04,064 --> 00:01:05,566 HEY. I'M OFF TO CLASS. 30 00:01:05,566 --> 00:01:06,667 HEY. 31 00:01:06,667 --> 00:01:08,769 HOW DID YOU LIKE THAT, UH, CHATEAUBRIAND? 32 00:01:08,769 --> 00:01:11,302 WASN'T THAT A WONDERFUL WHITE WINE REDUCTION? 33 00:01:11,302 --> 00:01:12,443 WHAT CHATEAUBRIAND? 34 00:01:12,443 --> 00:01:15,146 ALL RIGHT. IT'S THE HOUSEKEEPER. 35 00:01:15,146 --> 00:01:17,648 I KNEW IT. SHE HAS BEEN PUTTING ON WEIGHT. 36 00:01:17,648 --> 00:01:19,350 SORRY, DARLING. SHE HASN'T BEEN HERE FOR THREE DAYS. (sets cup down) 37 00:01:19,350 --> 00:01:21,352 MAYBE THERE ARE TINY BORROWERS LIVING UNDER THE FLOORBOARDS 38 00:01:21,352 --> 00:01:23,384 WHO COME OUT AT NIGHT TO STEAL YOUR FOOD. 39 00:01:23,384 --> 00:01:24,755 IT'S NOT REALISTIC. 40 00:01:24,755 --> 00:01:26,357 THEY'D BE TOO SMALL TO GET THE FRIDGE DOOR OPEN. 41 00:01:26,357 --> 00:01:28,789 NO, BUT SOMETHING IS GOING ON HERE, THOUGH. (door opens) 42 00:01:28,789 --> 00:01:30,291 AND I'M GONNA FIND OUT WHAT. 43 00:01:30,291 --> 00:01:31,622 (door closes) 44 00:01:31,622 --> 00:01:33,424 SO SOME FOOD DISAPPEARED, CASTLE. 45 00:01:33,424 --> 00:01:35,166 WHAT'S THE BIG DEAL? (sirens wailing, police radio chatter) 46 00:01:35,166 --> 00:01:36,327 IT WASN'T YOU, WAS IT? 47 00:01:36,327 --> 00:01:37,298 I KNOW YOU HATE TO GO GROCERY SHOPPING. 48 00:01:37,298 --> 00:01:38,469 SERIOUSLY, CASTLE? 49 00:01:38,469 --> 00:01:40,171 I HAVEN'T BEEN TO YOUR PLACE SINCE TUESDAY. 50 00:01:40,171 --> 00:01:41,702 (sighs) RIGHT. 51 00:01:41,702 --> 00:01:43,234 MAYBE MY APARTMENT'S BEING INVADED 52 00:01:43,234 --> 00:01:44,375 BY SOME KIND OF SUPER RAT. 53 00:01:44,375 --> 00:01:46,337 WHATEVER'S GOING ON, I'VE TAKEN BOLD STEPS 54 00:01:46,337 --> 00:01:47,478 TO ENSURE IT NEVER HAPPENS AGAIN. 55 00:01:47,478 --> 00:01:48,639 (Esposito) YO. 56 00:01:48,639 --> 00:01:50,341 THESE TWO NURSES SAW SOME GUY 57 00:01:50,341 --> 00:01:52,583 DO A DUMP AND DRIVE AROUND 4:00 A.M. 58 00:01:52,583 --> 00:01:54,114 THE TRAUMA UNIT TRIED TO SAVE OUR VIC, 59 00:01:54,114 --> 00:01:55,586 BUT SHE DIDN'T MAKE IT. 60 00:01:55,586 --> 00:01:57,418 IF HE'S OUR KILLER, WHY WOULD HE TAKE HER TO THE E.R.? 61 00:01:57,418 --> 00:01:59,119 MAYBE HE HAD A GUILTY CONSCIENCE. 62 00:01:59,119 --> 00:02:00,491 DID THE NURSES GET A GOOD LOOK AT THE DRIVER? 63 00:02:00,491 --> 00:02:02,193 NO, BUT THEY DID SEE HIS CAR. 64 00:02:02,193 --> 00:02:03,424 IT WAS A BLUE SEDAN. 65 00:02:03,424 --> 00:02:04,655 HOSPITAL SECURITY'S TRYING TO GET ME SOME FOOTAGE 66 00:02:04,655 --> 00:02:05,826 TO GET THE LICENSE PLATE. 67 00:02:05,826 --> 00:02:07,458 OKAY, SET UP A CANVASS AROUND THE HOSPITAL. 68 00:02:07,458 --> 00:02:09,360 WE NEED TO FIND SOMEONE THAT GOT A GOOD LOOK AT THE DRIVER. 69 00:02:09,360 --> 00:02:10,501 AND WHERE'S OUR VIC? 70 00:02:10,501 --> 00:02:11,832 HER BODY'S STILL IN THE TRAUMA BAY. 71 00:02:11,832 --> 00:02:14,365 WORD IS, SHE WAS PRETTY MESSED UP. 72 00:02:14,365 --> 00:02:15,336 (curtain rings clatter) 73 00:02:15,336 --> 00:02:16,507 (clicks pen) 74 00:02:16,507 --> 00:02:18,309 UH, LET ME CAUTION YOU. 75 00:02:18,309 --> 00:02:21,312 THIS IS NOT FOR THE FAINT OF HEART. 76 00:02:24,345 --> 00:02:26,277 FOR ONCE, I AGREE WITH YOU. 77 00:02:26,277 --> 00:02:28,879 (sighs) WHAT DID THIS TO HER? 78 00:02:28,879 --> 00:02:31,722 COULD BE ANYTHING FROM A CROWBAR TO A BOX CUTTER. 79 00:02:31,722 --> 00:02:33,924 BUT THEY LOOK LIKE CLAW MARKS. 80 00:02:33,924 --> 00:02:36,727 I JUST CAN'T TELL WHAT KIND. 81 00:02:36,727 --> 00:02:38,729 IF IT WAS AN ANIMAL, WOULDN'T THERE BE BITE MARKS? 82 00:02:38,729 --> 00:02:41,161 I MIGHT NOT FIND THEM UNTIL I DO A COMPLETE EXAM 83 00:02:41,161 --> 00:02:42,863 TO DETERMINE THE EXACT CAUSE OF DEATH. 84 00:02:42,863 --> 00:02:44,535 GIVEN THE FACT THAT WE DON'T HAVE A CRIME SCENE, 85 00:02:44,535 --> 00:02:46,837 IS THERE ANY INDICATION OF WHERE SHE WAS ATTACKED? 86 00:02:46,837 --> 00:02:48,839 NO, BUT, UH, I CAN TELL YOU WHEN. 87 00:02:48,839 --> 00:02:50,501 BASED ON THE INFLAMMATION, I'D SAY THE VICTIM 88 00:02:50,501 --> 00:02:53,244 SUSTAINED HER INJURIES FIVE TO SIX HOURS BEFORE SHE DIED. 89 00:02:53,244 --> 00:02:54,705 WELL, WE FIGURE OUT WHO SHE IS, 90 00:02:54,705 --> 00:02:56,777 WE'LL FIND OUT HOW SHE WOUND UP THIS WAY. 91 00:02:56,777 --> 00:02:59,410 HER NAME IS ANNE CARDINAL, 27 YEARS OLD. 92 00:02:59,410 --> 00:03:00,781 SHE WAS NATIVE AMERICAN. 93 00:03:00,781 --> 00:03:02,913 GREW UP ON THE ONONDAGA RESERVATION IN CENTRAL NEW YORK. 94 00:03:02,913 --> 00:03:04,215 ANY NEXT OF KIN? 95 00:03:04,215 --> 00:03:05,356 NO. SHE HAD NO SIBLINGS, 96 00:03:05,356 --> 00:03:07,318 AND BOTH OF HER PARENTS ARE GONE. 97 00:03:07,318 --> 00:03:09,360 SHE LIVED IN OFF-CAMPUS HOUSING FOR HUDSON UNIVERSITY, 98 00:03:09,360 --> 00:03:12,263 WHERE SHE WAS WORKING TOWARDS A PhD IN EVOLUTIONARY BIOLOGY. 99 00:03:12,263 --> 00:03:13,594 ALL RIGHT. SEND C.S.U. TO HER APARTMENT. 100 00:03:13,594 --> 00:03:15,266 TALK TO FRIENDS AND NEIGHBORS TO SEE IF THEY KNOW OF 101 00:03:15,266 --> 00:03:17,468 ANYONE IN HER LIFE WHO DROVE A BLUE SEDAN. 102 00:03:17,468 --> 00:03:19,970 AND WHO WANTED TO MANGLE HER FACE. 103 00:03:19,970 --> 00:03:22,333 I MAY HAVE AN EXPLANATION FOR THOSE FACIAL WOUNDS. 104 00:03:22,333 --> 00:03:23,874 TURNS OUT OUR VICTIM WORKED AT A RETIREMENT HOME 105 00:03:23,874 --> 00:03:25,306 CALLED HAVEN HOUSE. 106 00:03:25,306 --> 00:03:26,937 VICIOUS, BLOOD-THIRSTY OLD FOLKS, 107 00:03:26,937 --> 00:03:28,679 IS THAT YOUR THEORY? 108 00:03:28,679 --> 00:03:30,341 THIS HOME IS NOT FOR PEOPLE, CASTLE. 109 00:03:30,341 --> 00:03:31,682 IT'S A PRIMATE SANCTUARY. 110 00:03:31,682 --> 00:03:33,684 MOSTLY FOR APES AND CHIMPANZEES AND MONKEYS 111 00:03:33,684 --> 00:03:35,316 WHO HAVE RETIRED FROM THE MOVIE BUSINESS. 112 00:03:35,316 --> 00:03:37,888 AH, I ALWAYS WANTED A PET MONKEY WHEN I WAS A KID. 113 00:03:37,888 --> 00:03:39,520 BIG "CURIOUS GEORGE" FAN. 114 00:03:39,520 --> 00:03:41,422 YEAH. WAIT TILL GEORGE GROWS UP. 115 00:03:41,422 --> 00:03:43,494 AN ADULT CHIMPANZEE CAN REACH 200 POUNDS, 116 00:03:43,494 --> 00:03:45,956 TEAR OFF A MAN'S FACE, HANDS, AND NAUGHTY BITS. 117 00:03:45,956 --> 00:03:47,698 ALL RIGHT, WE'RE GONNA GO TO THE PRIMATE SANCTUARY. 118 00:03:47,698 --> 00:03:49,400 IF ANNE WAS ATTACKED THERE, 119 00:03:49,400 --> 00:03:51,432 MAYBE SOMEONE DUMPED HER BODY TO COVER IT UP. 120 00:03:51,432 --> 00:03:54,305 AND CALL ME IF YOU GET ANYTHING ON THAT SEDAN. 121 00:03:54,305 --> 00:03:56,367 GEORGE WOULD NEVER DO THAT. 122 00:03:56,367 --> 00:03:58,439 (man) THIS IS A TERRIBLE LOSS. 123 00:03:58,439 --> 00:04:01,412 UH, I MEAN, ANNE WAS A-A BRILLIANT STUDENT 124 00:04:01,412 --> 00:04:03,013 AND A LOVELY PERSON. 125 00:04:03,013 --> 00:04:06,377 (Beckett) GIVEN HER WOUNDS, I NEED TO ASK, 126 00:04:06,377 --> 00:04:09,480 HOW MUCH INTERACTION DID ANNE HAVE WITH THE PRIMATES HERE? 127 00:04:09,480 --> 00:04:11,922 WELL, VERY LITTLE IN TERMS OF DIRECT CONTACT. 128 00:04:11,922 --> 00:04:13,954 UH, BUT WE HAVE VERY STRICT TRAINING GUIDELINES 129 00:04:13,954 --> 00:04:16,256 FOR ALL OF OUR EMPLOYEES. 130 00:04:16,256 --> 00:04:18,289 STILL, I'LL NEED THE CRIME SCENE UNIT 131 00:04:18,289 --> 00:04:19,890 TO DO A THOROUGH INVESTIGATION OF THIS FACILITY. 132 00:04:19,890 --> 00:04:21,592 OF COURSE. ANYTHING I CAN DO TO HELP. 133 00:04:21,592 --> 00:04:23,834 I CAN'T IMAGINE SHE WAS HARMED BY ANY OF OUR ANIMALS. 134 00:04:23,834 --> 00:04:25,836 THEY'VE NEVER SHOWN ANY AGGRESSIVE BEHAVIOR 135 00:04:25,836 --> 00:04:27,568 TOWARDS HER OR ANYONE ELSE. (knocks) 136 00:04:27,568 --> 00:04:29,269 (growls) 137 00:04:29,269 --> 00:04:32,373 NOW, DR. DEVLIN, HOW WELL DID YOU KNOW ANNE CARDINAL? 138 00:04:32,373 --> 00:04:33,804 I WAS HER FACULTY ADVISOR AT HUDSON UNIVERSITY. 139 00:04:33,804 --> 00:04:35,576 AND WHEN I FOUND OUT 140 00:04:35,576 --> 00:04:37,277 SHE WAS TAKING TIME OFF A COUPLE OF MONTHS AGO, 141 00:04:37,277 --> 00:04:38,649 I OFFERED HER A JOB HERE. 142 00:04:38,649 --> 00:04:39,980 AND WHAT SORT OF WORK DID SHE DO? 143 00:04:39,980 --> 00:04:41,352 OH, I HAVE A GRANT 144 00:04:41,352 --> 00:04:42,513 TO STUDY THE SOCIAL BEHAVIORS OF PRIMATES. 145 00:04:42,513 --> 00:04:44,014 AND I HIRE HUDSON STUDENTS... (pops) 146 00:04:44,014 --> 00:04:45,586 LIKE HER AND FRANCO HERE 147 00:04:45,586 --> 00:04:48,389 TO HELP MANAGE THE ANIMALS' CARE. (growls) 148 00:04:48,389 --> 00:04:50,421 UH, AND NONE OF THEM HAVE HOMICIDAL IMPULSES, 149 00:04:50,421 --> 00:04:51,592 NOT EVEN MOONSHINE HERE? 150 00:04:51,592 --> 00:04:53,394 ESPECIALLY NOT MOONSHINE. (Moonshine huffs) 151 00:04:53,394 --> 00:04:55,366 HE'S BEEN AROUND PEOPLE HIS WHOLE LIFE, 152 00:04:55,366 --> 00:04:56,697 AND HE'S VERY SOCIAL. 153 00:04:56,697 --> 00:04:58,028 (growls) 154 00:04:58,028 --> 00:05:00,771 UH, WHEN WAS THE LAST TIME EITHER OF YOU SAW ANNE? 155 00:05:00,771 --> 00:05:03,734 WE WORKED TOGETHER YESTERDAY. SHE SEEMED TOTALLY FINE. 156 00:05:03,734 --> 00:05:05,906 (rumbles and huffs) SHE DID LEAVE EARLY. THAT WASN'T LIKE HER. 157 00:05:05,906 --> 00:05:07,738 (growling) SAID SHE HAD SOMETHING IMPORTANT TO DO. 158 00:05:07,738 --> 00:05:09,440 DID SHE SAY WHAT IT WAS? 159 00:05:09,440 --> 00:05:11,011 IT MIGHT HAVE HAD SOMETHING TO DO 160 00:05:11,011 --> 00:05:12,312 WITH THAT ARGUMENT SHE HAD. 161 00:05:12,312 --> 00:05:13,414 WHAT ARGUMENT? 162 00:05:13,414 --> 00:05:14,885 UH, I SAW HER IN THE PARKING GARAGE 163 00:05:14,885 --> 00:05:16,447 AROUND LUNCHTIME, TALKING TO A MAN. 164 00:05:16,447 --> 00:05:18,449 I'D NEVER SEEN HIM BEFORE, 165 00:05:18,449 --> 00:05:19,890 BUT HE SEEMED VERY ANGRY WITH HER. 166 00:05:19,890 --> 00:05:21,321 DO YOU THINK YOU COULD DESCRIBE HIM 167 00:05:21,321 --> 00:05:22,092 TO A SKETCH ARTIST? 168 00:05:22,092 --> 00:05:24,425 YEAH, I MOST DEFINITELY COULD. 169 00:05:24,425 --> 00:05:25,426 (growls and whimpers) 170 00:05:25,426 --> 00:05:28,499 (growling) 171 00:05:30,330 --> 00:05:31,662 WELL, I KNOW WHO THE KILLER IS. 172 00:05:31,662 --> 00:05:33,364 DID YOU SEE HOW THAT GORILLA LOOKED AT ME? 173 00:05:33,364 --> 00:05:34,905 YEAH, I THINK IT WAS LUST, ACTUALLY, CASTLE. 174 00:05:34,905 --> 00:05:36,537 YOU ARE... RUGGEDLY HANDSOME. 175 00:05:36,537 --> 00:05:37,868 BLOODLUST, MAYBE. 176 00:05:37,868 --> 00:05:39,370 NO, DON'T LET MOONSHINE FOOL YOU. 177 00:05:39,370 --> 00:05:41,642 I'M BETTING HE AND HIS FELLOW "RETIREES" 178 00:05:41,642 --> 00:05:43,714 ARE ACTUALLY SUPER-INTELLIGENT APES, 179 00:05:43,714 --> 00:05:45,546 PLOTTING TO TAKE OVER NEW YORK CITY. 180 00:05:45,546 --> 00:05:47,047 THEY'RE GONNA ROUND UP ALL THE PEOPLE, 181 00:05:47,047 --> 00:05:49,019 PUT US IN A SANCTUARY. 182 00:05:49,019 --> 00:05:50,521 MOST LIKELY, ANNE GOT ON TO THEM... 183 00:05:50,521 --> 00:05:51,952 (sputters) THEY TOOK HER OUT. 184 00:05:51,952 --> 00:05:53,484 NOW IF THIS MONKEY CABAL 185 00:05:53,484 --> 00:05:55,486 REALLY WANTED TO GET ANNE OUT OF THE PICTURE, 186 00:05:55,486 --> 00:05:57,588 WHY DID THEY DROP HER OFF AT THE HOSPITAL? 187 00:05:57,588 --> 00:05:59,089 WELL, OBVIOUSLY... THEY WERE CONFLICTED. 188 00:05:59,089 --> 00:06:00,461 (cell phone chirps) 189 00:06:00,461 --> 00:06:01,962 IT'S VERY COMPLICATED, 190 00:06:01,962 --> 00:06:04,034 THE RELATIONSHIP BETWEEN MAN AND PRIMATE. 191 00:06:04,034 --> 00:06:06,036 DIDN'T YOU SEE "RISE OF THE PLANET OF THE APES"? 192 00:06:06,036 --> 00:06:07,868 CAUTIONARY TALE. 193 00:06:07,868 --> 00:06:09,440 SORRY TO BURST YOUR BUBBLE, CASTLE, 194 00:06:09,440 --> 00:06:11,141 BUT C.S.U. HASN'T FOUND A CRIME SCENE AT HAVEN HOUSE. 195 00:06:11,141 --> 00:06:12,643 ANNE WASN'T ATTACKED THERE. 196 00:06:12,643 --> 00:06:14,675 WELL, THEN WHERE WAS THE ATTACK, AND BY WHAT? 197 00:06:14,675 --> 00:06:16,447 (Esposito) HEY, SO, UH, 198 00:06:16,447 --> 00:06:18,148 A WITNESS SAW A BLUE SEDAN TAKE OUT A SIDE MIRROR 199 00:06:18,148 --> 00:06:19,850 ABOUT A BLOCK AWAY FROM OUR HOSPITAL 200 00:06:19,850 --> 00:06:21,051 IN OUR TIME WINDOW. 201 00:06:21,051 --> 00:06:23,053 THEY GOT A PLATE. 202 00:06:23,053 --> 00:06:24,815 OWNER OF THE CAR WAS EDDIE MASLON. 203 00:06:24,815 --> 00:06:26,657 HOW IS HE CONNECTED TO ANNE? WELL, I'M NOT REALLY SURE, 204 00:06:26,657 --> 00:06:28,158 BUT EDDIE KNOWS HOW TO PUT THE HURT ON PEOPLE. 205 00:06:28,158 --> 00:06:30,821 HE JUST DID EIGHT YEARS IN SING SING FOR MURDER TWO. 206 00:06:30,821 --> 00:06:33,424 AND HE HAD A WAY TO MESS UP ANNE'S FACE. 207 00:06:33,424 --> 00:06:36,527 CITY RECORDS SHOWS HE HAD A PIT BULL NAMED BADASS. 208 00:06:36,527 --> 00:06:38,128 A CONVICTED KILLER WITH AN ATTACK DOG? 209 00:06:38,128 --> 00:06:40,000 ALL RIGHT. PICK HIM UP. 210 00:06:40,000 --> 00:06:41,472 RIGHT ON. 211 00:06:41,472 --> 00:06:42,533 DAMN IT. 212 00:06:42,533 --> 00:06:44,835 I REALLY LIKED MOONSHINE FOR THIS. 213 00:06:44,835 --> 00:06:45,876 (footsteps approach) 214 00:06:45,876 --> 00:06:48,479 I'VE NEVER SEEN HER BEFORE. 215 00:06:48,479 --> 00:06:50,641 YOU DUMPED HER OUTSIDE OF THE E.R. LAST NIGHT, 216 00:06:50,641 --> 00:06:52,813 EXCEPT SHE LOOKED MORE LIKE... 217 00:06:52,813 --> 00:06:55,716 THIS. 218 00:06:55,716 --> 00:06:58,188 YOUR DOG DO THAT TO HER? 219 00:06:58,188 --> 00:06:59,690 EDDIE, YOU'VE BEEN OUT OF PRISON FOR THREE MONTHS. 220 00:06:59,690 --> 00:07:02,152 YOU BETTER START TALKING UNLESS YOU WANT TO GO BACK. 221 00:07:04,094 --> 00:07:06,426 OKAY, LOOK, I DIDN'T TOUCH HER. 222 00:07:06,426 --> 00:07:08,428 AND NEITHER DID BADASS. 223 00:07:08,428 --> 00:07:10,200 WHATEVER DID THAT TO HER, 224 00:07:10,200 --> 00:07:11,462 THAT WASN'T NO DOG. 225 00:07:11,462 --> 00:07:13,504 THEN HOW'D SHE END UP IN YOUR CAR? 226 00:07:13,504 --> 00:07:14,835 I WAS LEAVING A BAR LAST NIGHT, 227 00:07:14,835 --> 00:07:17,037 AND I HAPPENED TO MAKE A WRONG TURN DOWN AN ALLEYWAY. 228 00:07:17,037 --> 00:07:19,039 AND I SAW HER LAYING THERE. SHE WAS ALL MESSED UP. 229 00:07:19,039 --> 00:07:20,841 I COULDN'T JUST LEAVE HER THERE TO DIE. 230 00:07:20,841 --> 00:07:22,913 OH, SO YOU'RE A GOOD SAMARITAN NOW? 231 00:07:22,913 --> 00:07:24,074 IF I WANTED TO KILL HER, 232 00:07:24,074 --> 00:07:25,616 WHY WOULD I BRING HER TO A HOSPITAL? 233 00:07:25,616 --> 00:07:26,947 IF YOU WANTED TO SAVE HER, 234 00:07:26,947 --> 00:07:29,079 WHY WOULD YOU DITCH HER OUTSIDE OF ONE? 235 00:07:29,079 --> 00:07:31,682 BECAUSE WITH MY RECORD, I KNEW I'D GET BLAMED, 236 00:07:31,682 --> 00:07:33,223 WHICH IS EXACTLY WHAT'S HAPPENING NOW. 237 00:07:33,223 --> 00:07:35,756 YEAH. 238 00:07:35,756 --> 00:07:37,788 NO GOOD DEED, HUH? 239 00:07:39,189 --> 00:07:40,791 OKAY, FINE. 240 00:07:40,791 --> 00:07:43,193 THEN WHY DON'T YOU TELL ME WHERE YOU SUPPOSEDLY FOUND HER? 241 00:07:48,769 --> 00:07:50,200 WELL, IT'S BLOOD. 242 00:07:50,200 --> 00:07:53,774 MAYBE EDDIE WAS TELLING THE TRUTH. 243 00:07:53,774 --> 00:07:56,046 BECKETT. 244 00:07:56,046 --> 00:07:57,708 YOU NEED TO SEE THIS. 245 00:08:04,515 --> 00:08:06,116 WHAT THE... 246 00:08:06,116 --> 00:08:07,257 FOOTPRINTS. 247 00:08:07,257 --> 00:08:10,120 GIANT FOOTPRINTS... 248 00:08:10,120 --> 00:08:14,224 MADE BY SOME KIND OF BEAST. THOSE VICIOUS CLAW MARKS, 249 00:08:14,224 --> 00:08:16,767 SAVAGE WOUNDS, 250 00:08:16,767 --> 00:08:18,529 HER BLOOD, 251 00:08:18,529 --> 00:08:21,101 THESE FOOTPRINTS... 252 00:08:21,101 --> 00:08:24,204 IT ALL ADDS UP TO ONE THING. 253 00:08:24,204 --> 00:08:26,006 (sniffs) 254 00:08:26,006 --> 00:08:38,849 SHE WAS KILLED BY BIGFOOT. 255 00:08:39,550 --> 00:08:40,591 SERIOUSLY, BECKETT, 256 00:08:40,591 --> 00:08:41,822 DO YOU HAVE ANY IDEA WHAT THIS MEANS? 257 00:08:41,822 --> 00:08:43,724 WE ARE ABOUT TO BE THE FIRST PEOPLE IN THE NATION-- 258 00:08:43,724 --> 00:08:46,096 NO, THE WORLD-- TO SOLVE A BIGFOOT MURDER. 259 00:08:46,096 --> 00:08:48,899 VERY FUNNY, CASTLE, BUT THERE IS NO SUCH THING AS BIGFOOT. 260 00:08:48,899 --> 00:08:49,960 TELL THAT TO THE PEOPLE 261 00:08:49,960 --> 00:08:51,131 WHO'VE BEEN SIGHTING HIM FOR 400 YEARS. 262 00:08:51,131 --> 00:08:52,833 SO I TYPED THE BLOOD. 263 00:08:52,833 --> 00:08:54,765 IT'S A MATCH TO OUR VICTIM. 264 00:08:54,765 --> 00:08:55,936 NEVER MIND THE BLOOD. 265 00:08:55,936 --> 00:08:58,208 WHAT IS YOUR OPINION ON THESE? 266 00:08:58,208 --> 00:08:59,570 WELL, PROFESSIONALLY, I CAN'T SPECULATE 267 00:08:59,570 --> 00:09:00,871 WHAT THOSE ARE, MR. CASTLE. 268 00:09:00,871 --> 00:09:02,813 BUT PERSONALLY, I CAN SAY 269 00:09:02,813 --> 00:09:04,975 THAT ANYONE WHO BELIEVES IN BIGFOOT IS AN ASS. 270 00:09:04,975 --> 00:09:06,817 WELL, THAT IS A COMMON ASSERTION 271 00:09:06,817 --> 00:09:08,979 AMONGST THE UNINFORMED. 272 00:09:08,979 --> 00:09:11,551 (police radio chatter) 273 00:09:11,551 --> 00:09:13,924 OKAY, BUDDY, LET'S SAY THERE IS A BIGFOOT. 274 00:09:13,924 --> 00:09:16,927 HOW DOES A GIANT HAIRY APE-MAN GET AROUND THE CITY UNSEEN? 275 00:09:16,927 --> 00:09:20,230 EASY. FOLLOW THE BIG FAT FOOTPRINTS. 276 00:09:20,230 --> 00:09:21,592 WHAT? 277 00:09:21,592 --> 00:09:23,764 SUBWAY ACCESS TUNNEL. 278 00:09:23,764 --> 00:09:26,937 SINCE HURRICANE SANDY, A LOT OF THOSE ARE STILL CLOSED. 279 00:09:26,937 --> 00:09:29,670 SO BIGFOOT'S BEEN USING THEM TO GET AROUND. 280 00:09:29,670 --> 00:09:30,801 CASTLE, THAT'S RIDICULOUS. 281 00:09:30,801 --> 00:09:32,342 HOW CAN YOU SAY... 282 00:09:32,342 --> 00:09:34,845 LOOK AT THESE FOOTPRINTS. 283 00:09:34,845 --> 00:09:37,047 THESE ARE THE FOOTPRINTS THAT I'M INTERESTED IN. 284 00:09:37,047 --> 00:09:38,749 THEY'RE NEAR WHERE THE BODY WAS. 285 00:09:38,749 --> 00:09:41,211 C.S.U. SAID THAT THEY WERE MADE WITHIN THE LAST 24 HOURS. 286 00:09:41,211 --> 00:09:42,813 COULD BE EDDIE MASLON'S? 287 00:09:42,813 --> 00:09:44,054 AT SIZE 13? 288 00:09:44,054 --> 00:09:45,856 THE GUY'S TOO SHORT TO HAVE FEET THIS BIG. NO. 289 00:09:45,856 --> 00:09:47,888 THESE BOOT PRINTS ARE OUR BEST LEAD. 290 00:09:47,888 --> 00:09:49,019 THESE PRINTS, 291 00:09:49,019 --> 00:09:53,323 NOT THE TRACKS FROM THE GIANT CLOWN FEET. 292 00:09:53,323 --> 00:09:56,967 YES, LET'S GO TO A CRIME SCENE AND IGNORE THE EVIDENCE. 293 00:09:56,967 --> 00:09:58,869 (elevator bell dings) YOU'RE SAYING SOMEONE FRAMED BIGFOOT? 294 00:09:58,869 --> 00:10:00,971 ALL I'M SAYING, CASTLE, IS THAT SOMEONE-- 295 00:10:00,971 --> 00:10:02,102 A HUMAN BEING-- 296 00:10:02,102 --> 00:10:04,004 LEFT THE BIGFOOT PRINTS IN THAT ALLEYWAY. 297 00:10:04,004 --> 00:10:05,676 YEAH, AND STAGED THE CRIME SCENE 298 00:10:05,676 --> 00:10:07,778 TO MAKE IT LOOK AS THOUGH BIGFOOT WAS THE KILLER? 299 00:10:07,778 --> 00:10:09,810 WHY GO THROUGH THE TROUBLE OF BLAMING BIGFOOT, 300 00:10:09,810 --> 00:10:12,042 A CREATURE A SELECT FEW OF US EVEN BELIEVE EXISTS, 301 00:10:12,042 --> 00:10:14,314 NEVER MIND COULD BE A MURDER SUSPECT? 302 00:10:14,314 --> 00:10:16,286 (Esposito) SPEAKING OF SUSPECTS, 303 00:10:16,286 --> 00:10:18,689 ANNE'S BOSS CAME THROUGH WITH A SKETCH OF THE GUY 304 00:10:18,689 --> 00:10:20,350 SHE ARGUED WITH THE DAY SHE DIED. 305 00:10:20,350 --> 00:10:21,892 TAKE A LOOK, CASTLE. 306 00:10:21,892 --> 00:10:25,395 A PERSON OF INTEREST, EMPHASIS ON THE WORD "PERSON." 307 00:10:25,395 --> 00:10:26,897 TALK TO ANNE'S FRIENDS AND FAMILY 308 00:10:26,897 --> 00:10:28,729 AND SEE IF ANYONE RECOGNIZES HIM. 309 00:10:28,729 --> 00:10:31,331 UM... I WOULDN'T RULE OUT BIGFOOT JUST YET. 310 00:10:31,331 --> 00:10:33,804 TURNS OUT THERE HAVE BEEN DOZENS OF REPORTED BIGFOOT SIGHTINGS 311 00:10:33,804 --> 00:10:35,706 IN THE CITY IN THE PAST COUPLE OF MONTHS. 312 00:10:35,706 --> 00:10:37,007 IS THAT RIGHT? 313 00:10:37,007 --> 00:10:38,909 WHY, DETECTIVE RYAN, PLEASE TELL US 314 00:10:38,909 --> 00:10:40,841 ABOUT THIS NEW AND EXTRAORDINARY DEVELOPMENT. 315 00:10:40,841 --> 00:10:42,242 LIKE THIS WOMAN IN BROOKLYN. 316 00:10:42,242 --> 00:10:45,245 SHE SAYS THAT BIGFOOT TRIED TO BREAK INTO HER APARTMENT 317 00:10:45,245 --> 00:10:47,017 ON THE SECOND FLOOR. (Esposito) GENTLEMEN. 318 00:10:47,017 --> 00:10:48,919 I HATE TO RAIN ON YOUR PARADE. 319 00:10:48,919 --> 00:10:50,280 DO YOU? NO. 320 00:10:50,280 --> 00:10:52,883 BUT HERE'S THE REASON 321 00:10:52,883 --> 00:10:54,124 THAT BIGFOOT REPORTS HAVE SPIKED. 322 00:10:54,124 --> 00:10:55,826 TWO MONTHS AGO, 323 00:10:55,826 --> 00:10:58,258 THE TV SHOW "MISSION: MONSTER," 324 00:10:58,258 --> 00:10:59,960 PUT OUT A $1 MILLION REWARD 325 00:10:59,960 --> 00:11:02,232 FOR THE CAPTURE AND/OR PROOF THAT BIGFOOT EXISTS. 326 00:11:02,232 --> 00:11:04,664 HMM. SEE, CASTLE? ALL OF THIS EVIDENCE 327 00:11:04,664 --> 00:11:06,967 THAT YOU CLAIM PROVES BIGFOOT'S EXISTENCE 328 00:11:06,967 --> 00:11:10,300 IS ACTUALLY PEOPLE ANGLING FOR MONEY. 329 00:11:10,300 --> 00:11:11,802 SO YOU'RE SAYING IT'S JUST A COINCIDENCE 330 00:11:11,802 --> 00:11:13,673 THAT ANNE WAS WORKING WITH PRIMATES 331 00:11:13,673 --> 00:11:16,146 AND MYSTERIOUSLY KILLED WHERE BIGFOOT PRINTS WERE FOUND? 332 00:11:16,146 --> 00:11:18,979 NO, NOT A COINCIDENCE. JUST A HOAX. 333 00:11:18,979 --> 00:11:22,082 IF IT'S SUCH A HOAX, THEN TELL ME WHY I FOUND THIS. 334 00:11:22,082 --> 00:11:23,914 I DUG INTO HER PHONE RECORDS. 335 00:11:23,914 --> 00:11:25,956 TURNS OUT, THE LAST PHONE CALL SHE EVER MADE 336 00:11:25,956 --> 00:11:27,217 WAS TO DARRELL MEEKS. 337 00:11:27,217 --> 00:11:28,759 THE DARRELL MEEKS? 338 00:11:28,759 --> 00:11:29,860 (Esposito and Beckett) WHO'S DARRELL MEEKS? 339 00:11:29,860 --> 00:11:31,121 (Castle and Ryan) WHO'S DARRELL MEEKS? 340 00:11:31,121 --> 00:11:32,923 JUST A WORLD-RENOWNED CRYPTOZOOLOGIST. 341 00:11:32,923 --> 00:11:34,224 THAT'S A SCIENTIST 342 00:11:34,224 --> 00:11:36,226 WHO SEARCHES FOR AS-YET UNDISCOVERED CREATURES. 343 00:11:36,226 --> 00:11:38,368 SUCH AS UNICORNS AND CENTAURS? 344 00:11:38,368 --> 00:11:40,230 BANSHEES AND LEPRECHAUNS? 345 00:11:40,230 --> 00:11:42,773 DOCTOR MEEKS ALSO HAPPENS TO BE 346 00:11:42,773 --> 00:11:45,105 THE FOREMOST AUTHORITY ON BIGFOOT. 347 00:11:45,105 --> 00:11:47,237 AND LO AND BEHOLD, SHE CALLED HIM ON THE VERY DAY SHE DIED. 348 00:11:47,237 --> 00:11:49,239 STILL THINK BIGFOOT HAS NOTHING TO DO WITH THIS? 349 00:11:49,239 --> 00:11:50,480 (cell phone chimes) 350 00:11:51,812 --> 00:11:53,313 PERLMUTTER'S GOT SOMETHING FOR US. 351 00:11:53,313 --> 00:11:54,845 WHY DON'T YOU GUYS HEAD OVER THERE? 352 00:11:54,845 --> 00:11:55,986 CASTLE AND I WILL TALK TO 353 00:11:55,986 --> 00:11:58,989 THE WORLD'S FOREMOST AUTHORITY ON BIGFOOT. 354 00:11:58,989 --> 00:12:00,851 UGH. 355 00:12:00,851 --> 00:12:01,992 THE "B" TEAM. 356 00:12:01,992 --> 00:12:03,323 TALK ABOUT THE "B" TEAM. YEAH. 357 00:12:03,323 --> 00:12:04,855 LOOK, I HAD HOPED TO SEE 358 00:12:04,855 --> 00:12:06,256 CASTLE'S LOOK OF DISMAY WHEN I TOLD HIM 359 00:12:06,256 --> 00:12:08,728 CAUSE OF DEATH WAS NOTHING MORE EXOTIC 360 00:12:08,728 --> 00:12:12,132 THAN BLUNT-FORCE TRAUMA TO THE CRANIUM. 361 00:12:12,132 --> 00:12:14,134 IT--IT SEEMS THAT SHE WAS CLOBBERED OVER THE HEAD 362 00:12:14,134 --> 00:12:15,836 WITH A CLUB OR A PIPE. 363 00:12:15,836 --> 00:12:17,337 YOU COULDA SAID SO OVER THE PHONE. 364 00:12:17,337 --> 00:12:20,871 AH, BUT I ALSO MADE TWO HIGHLY INTRIGUING DISCOVERIES. 365 00:12:20,871 --> 00:12:22,072 ABOUT THE WOUNDS ON HER FACE? 366 00:12:22,072 --> 00:12:23,874 UH, WELL, THEIR CAUSE IS STILL UNDETERMINED, 367 00:12:23,874 --> 00:12:25,976 BUT OF FAR GREATER INTEREST IS THE FACT-- 368 00:12:25,976 --> 00:12:27,878 'CAUSE THEY COULD BE CLAW MARKS. 369 00:12:27,878 --> 00:12:29,019 BIGFOOT HAS CLAWS. 370 00:12:29,019 --> 00:12:31,121 SO DOES WOLVERINE. IS HE REAL? 371 00:12:31,121 --> 00:12:33,523 ARE YOU DONE? 372 00:12:33,523 --> 00:12:36,286 I FOUND THIS GLASS EMBEDDED IN HER HEAD WOUND. 373 00:12:36,286 --> 00:12:38,288 IT HAS AN ANTIREFLECTIVE COATING, 374 00:12:38,288 --> 00:12:40,030 LIKE ON PRESCRIPTION LENSES. 375 00:12:40,030 --> 00:12:43,393 BUT SHE DIDN'T WEAR GLASSES. SO WHERE'D IT COME FROM? 376 00:12:43,393 --> 00:12:45,395 ALL I CAN TELL YOU IS THAT IT WAS PRACTICALLY 377 00:12:45,395 --> 00:12:47,938 HAMMERED INTO HER SKULL BY WHATEVER HIT HER. 378 00:12:47,938 --> 00:12:49,399 MM. WE'LL SEND IT IN FOR ANALYSIS. 379 00:12:49,399 --> 00:12:51,842 YEAH, WELL, YOU SHOULD TAKE THIS WHILE YOU'RE AT IT. 380 00:12:51,842 --> 00:12:54,474 FOUND THAT IN HER STOMACH. 381 00:12:54,474 --> 00:12:56,977 A PENDANT... IN HER STOMACH? 382 00:12:56,977 --> 00:12:58,348 WELL, IT APPEARS SHE SWALLOWED IT 383 00:12:58,348 --> 00:13:00,881 FIVE TO SIX HOURS BEFORE SHE DIED. 384 00:13:00,881 --> 00:13:03,013 THE SAME TIME SHE WAS ATTACKED. 385 00:13:03,013 --> 00:13:04,414 WHY WOULD SHE SWALLOW IT? 386 00:13:04,414 --> 00:13:05,886 MAYBE SHE KNEW SHE WAS GONNA DIE 387 00:13:05,886 --> 00:13:07,257 AND SHE WAS TRYING TO SEND A MESSAGE. 388 00:13:07,257 --> 00:13:10,490 OR SHE WAS TRYING TO KEEP THIS PENDANT FROM HER KILLER. 389 00:13:12,462 --> 00:13:14,995 DID YOU TAKE THIS PHOTO? 390 00:13:14,995 --> 00:13:18,969 YES. UH, IT'S AN EXPEDITION I LED IN WESTERN CANADA. 391 00:13:18,969 --> 00:13:20,971 IT'S THE CLOSEST I'VE EVER GOTTEN TO HIM IN 23 YEARS. 392 00:13:20,971 --> 00:13:22,132 DR. MEEKS, 393 00:13:22,132 --> 00:13:23,533 YOU WERE THE LAST PERSON THAT ANNE SPOKE WITH 394 00:13:23,533 --> 00:13:26,136 JUST BEFORE SHE DIED. WHY DID SHE CALL YOU? 395 00:13:26,136 --> 00:13:27,838 YES, I-I THINK SHE CALLED ME TO ASK ME 396 00:13:27,838 --> 00:13:31,281 IF I THOUGHT THAT BIGFOOT WOULD VENTURE INTO AN URBAN AREA. 397 00:13:31,281 --> 00:13:32,412 AND WHAT DID YOU TELL HER? 398 00:13:32,412 --> 00:13:34,114 WELL, GIVEN DEVELOPMENT 399 00:13:34,114 --> 00:13:36,586 AND URBAN ENCROACHMENT IN THE WILDERNESS, 400 00:13:36,586 --> 00:13:37,948 SOONER OR LATER, IT WAS INEVITABLE. 401 00:13:37,948 --> 00:13:40,450 AND I SUSPECT THAT SHE HAD EVIDENCE 402 00:13:40,450 --> 00:13:42,552 OF THE PRESENCE OF BIGFOOT HERE IN THE CITY. 403 00:13:42,552 --> 00:13:43,924 (snaps fingers) 404 00:13:43,924 --> 00:13:45,926 I DON'T UNDERSTAND WHY SHE WOULD TALK TO YOU 405 00:13:45,926 --> 00:13:47,427 ABOUT SOMETHING LIKE THAT. 406 00:13:47,427 --> 00:13:50,030 WELL, ANNE WAS STUDYING EVOLUTIONARY BIOLOGY. 407 00:13:50,030 --> 00:13:53,133 SHE WAS AN HONOR STUDENT AT THE UNIVERSITY, 408 00:13:53,133 --> 00:13:56,466 BUT SHE WAS ACTUALLY A HUGELY RESPECTED BIGFOOT EXPERT. 409 00:13:56,466 --> 00:14:00,210 SHE EVEN GAVE ME THAT EXTREMELY RARE YETI FINGER. 410 00:14:00,210 --> 00:14:03,213 ARE YOU SAYING ANNE WAS A BIGFOOT HUNTER? 411 00:14:03,213 --> 00:14:04,544 N-N-NO, NO. 412 00:14:04,544 --> 00:14:06,546 NO, UH, NO, NOT A--NOT A HUNTER. 413 00:14:06,546 --> 00:14:08,879 NO, UH, ANNE WAS, UH, NATIVE AMERICAN. 414 00:14:08,879 --> 00:14:11,281 AND, UH, IN HER TRIBE'S CULTURE, 415 00:14:11,281 --> 00:14:15,455 A BIGFOOT WAS CONSIDERED... BENEVOLENT OR A PROTECTOR. 416 00:14:15,455 --> 00:14:17,958 WHEN SHE WAS A CHILD, SHE ACTUALLY SAW A BIGFOOT, 417 00:14:17,958 --> 00:14:20,991 AND SO AFTER THAT, SHE DEVOTED HER LIFE TO THEIR STUDY. 418 00:14:20,991 --> 00:14:22,292 EXCUSE ME. 419 00:14:22,292 --> 00:14:24,464 SO ARE BIGFOOTS-- 420 00:14:24,464 --> 00:14:27,637 OR BIGFEET-- UH, VIOLENT OR AGGRESSIVE? 421 00:14:27,637 --> 00:14:28,899 WELL, THEY CERTAINLY CAN BE. 422 00:14:28,899 --> 00:14:30,200 WHAT WERE THE NATURE OF HER INJURIES? 423 00:14:30,200 --> 00:14:31,641 UH... 424 00:14:31,641 --> 00:14:33,603 WELL, I MEAN, WAS SHE ATTACKED BY A BIGFOOT? 425 00:14:33,603 --> 00:14:34,945 NOT A CHANCE. YES. 426 00:14:34,945 --> 00:14:36,907 WELL, IN THE NAME OF SCIENCE, 427 00:14:36,907 --> 00:14:38,378 WOULD YOU ALLOW ME TO EXAMINE WHERE SHE DIED? 428 00:14:38,378 --> 00:14:40,150 NO. NOW AS FAR AS YOU'RE AWARE, 429 00:14:40,150 --> 00:14:42,282 DID SHE HAVE ISSUES WITH ANYONE OTHER THAN BIGFOOT? 430 00:14:42,282 --> 00:14:43,613 UH... 431 00:14:43,613 --> 00:14:47,017 WELL, SHE WAS UNDER A VERY HIGH LEVEL OF SCRUTINY. 432 00:14:47,017 --> 00:14:48,188 SCRUTINY FROM WHOM? 433 00:14:48,188 --> 00:14:50,160 OH, SOME TV SHOW OFFERED A $1-MILLION REWARD, 434 00:14:50,160 --> 00:14:52,522 WHICH UNLEASHED A TIDE OF IDIOTS, 435 00:14:52,522 --> 00:14:54,064 ALL SEARCHING FOR BIGFOOT. 436 00:14:54,064 --> 00:14:55,525 (Meeks) YES, AND, UH, 437 00:14:55,525 --> 00:14:58,568 THIS IS MY WIFE GARLAND. UH, SHE'S THE SKEPTICAL ONE. 438 00:14:58,568 --> 00:15:00,600 TRUST ME. I FEEL YOUR PAIN. PLEASURE. 439 00:15:00,600 --> 00:15:02,032 MM. 440 00:15:02,032 --> 00:15:03,673 IN EITHER CASE, I THINK WHEN PEOPLE FOUND OUT 441 00:15:03,673 --> 00:15:06,006 ANNE'S AREA OF EXPERTISE, THEY WANTED TO FOLLOW HER 442 00:15:06,006 --> 00:15:09,239 TO SEE IF SHE WOULD ACTUALLY TAKE THEM TO A REAL BIGFOOT. 443 00:15:09,239 --> 00:15:10,941 YOU KNOW, THE DAY THAT SHE DIED, 444 00:15:10,941 --> 00:15:13,683 ANNE WAS SEEN ARGUING WITH THIS MAN. 445 00:15:13,683 --> 00:15:15,115 DO YOU RECOGNIZE HIM? 446 00:15:15,115 --> 00:15:16,286 (blows air) 447 00:15:16,286 --> 00:15:18,248 OH, YES. ALL TOO WELL. 448 00:15:18,248 --> 00:15:21,091 THIS MAN IS THE BIGFOOT COMMUNITY'S WORST ENEMY. 449 00:15:21,091 --> 00:15:23,423 (Esposito) HIS NAME IS CHASE DIGGINS, 450 00:15:23,423 --> 00:15:24,654 AND HE'S AN AUSTRALIAN ADVENTURER 451 00:15:24,654 --> 00:15:26,156 AND BIG GAME HUNTER. 452 00:15:26,156 --> 00:15:28,028 KIND OF CROCODILE DUNDEE MEETS INDIANA JONES 453 00:15:28,028 --> 00:15:29,129 MEETS TED NUGENT. 454 00:15:29,129 --> 00:15:30,630 NOW ACCORDING TO THE MEEKSES, 455 00:15:30,630 --> 00:15:32,702 HE'S VIOLENT AND HIGHLY UNSTABLE. 456 00:15:32,702 --> 00:15:35,405 WHAT'S MORE IS THAT THIS GUY IS HELL-BENT ON BAGGING A BIGFOOT. 457 00:15:35,405 --> 00:15:36,967 I FOUND HIM ON YouTube 458 00:15:36,967 --> 00:15:38,508 BRAGGING ABOUT HOW HE'S GONNA MOUNT ONE ON HIS WALL. 459 00:15:38,508 --> 00:15:40,510 DO WE HAVE ANYTHING OTHER THAN SPECULATION 460 00:15:40,510 --> 00:15:42,212 ON A MYTHICAL APE-MAN 461 00:15:42,212 --> 00:15:43,513 THAT WILL CONNECT HIM TO THE MURDER? 462 00:15:43,513 --> 00:15:44,514 (closes folder) 463 00:15:44,514 --> 00:15:47,577 WE HAVE THIS. 464 00:15:47,577 --> 00:15:50,020 DIGGINS HAS A PROSTHETIC HOOK FOR A HAND? 465 00:15:50,020 --> 00:15:50,950 SAYS HE LOST IT IN A BIGFOOT ATTACK 466 00:15:50,950 --> 00:15:52,282 AND THAT HE ALMOST TOOK-- 467 00:15:52,282 --> 00:15:53,984 HOWEVER IT HAPPENED, 468 00:15:53,984 --> 00:15:56,086 THAT HOOK COULD'VE BEEN WHAT DID A NUMBER ON ANNE'S FACE. 469 00:15:56,086 --> 00:15:57,557 WHERE'S CHASE DIGGINS NOW? 470 00:15:59,659 --> 00:16:01,361 THIS GUY IS AN INTERNATIONAL ADVENTURER. 471 00:16:01,361 --> 00:16:03,033 WHAT THE HELL IS HE DOING 472 00:16:03,033 --> 00:16:05,095 RENTING AN INDUSTRIAL CRAP HOLE LIKE THIS? 473 00:16:05,095 --> 00:16:06,466 WHY NOT A HOTEL? 474 00:16:06,466 --> 00:16:08,368 THE GUY HUNTS BIGFOOT. 475 00:16:08,368 --> 00:16:09,669 I DON'T THINK THAT RATIONAL BEHAVIOR 476 00:16:09,669 --> 00:16:11,371 IS SOMETHING HE'S FAMILIAR WITH. 477 00:16:11,371 --> 00:16:12,542 AH. 478 00:16:12,542 --> 00:16:15,045 (growling) 479 00:16:15,045 --> 00:16:16,306 WHOA. 480 00:16:16,306 --> 00:16:18,278 YOU HEAR THAT? 481 00:16:18,278 --> 00:16:20,150 YEAH. 482 00:16:20,150 --> 00:16:22,412 (growling continues) 483 00:16:25,015 --> 00:16:27,557 DUDE, THERE'S SOMETHING DOWN THERE. 484 00:16:27,557 --> 00:16:29,989 (growling continues) 485 00:16:29,989 --> 00:16:32,122 CHASE DIGGINS! 486 00:16:32,122 --> 00:16:34,194 NYPD! 487 00:16:34,194 --> 00:16:36,196 IF YOU'RE DOWN HERE, YOU BETTER IDENTIFY YOURSELF 488 00:16:36,196 --> 00:16:38,028 RIGHT NOW! 489 00:16:38,028 --> 00:16:40,130 (growling continues) 490 00:16:40,130 --> 00:16:42,032 DUDE... 491 00:16:42,032 --> 00:16:43,533 I GOT A BAD FEELING ABOUT THIS THING, MAN. 492 00:16:43,533 --> 00:16:45,135 I-I DON'T THINK THAT WE SHOULD-- 493 00:16:45,135 --> 00:16:46,306 (object clatters) 494 00:16:46,306 --> 00:16:48,007 (growling continues) 495 00:16:48,007 --> 00:16:50,040 (Australian accent) YOU GENTS LOOKING FOR ME? 496 00:16:50,040 --> 00:16:55,545 (growling continues) 497 00:16:57,016 --> 00:16:59,189 A BLOODY SHAME ABOUT ANNE. 498 00:16:59,189 --> 00:17:01,051 SHE WAS ONE HELL OF A TRACKER. 499 00:17:01,051 --> 00:17:02,692 ACTUALLY, THE ONLY REASON I CAME TO THE CITY. 500 00:17:02,692 --> 00:17:04,094 WORD WAS, 501 00:17:04,094 --> 00:17:05,525 SHE KNEW THE WHEREABOUTS OF AN ACTUAL SQUATCH, 502 00:17:05,525 --> 00:17:07,197 AND I FIGURED, SHE MIGHT LEAD ME TO HIM. 503 00:17:07,197 --> 00:17:08,398 YOU CAME TO NEW YORK 504 00:17:08,398 --> 00:17:09,659 TO HUNT BIGFOOT? 505 00:17:09,659 --> 00:17:11,261 YOU SEE THIS, DETECTIVE? 506 00:17:11,261 --> 00:17:13,363 NEPAL, 2008, 507 00:17:13,363 --> 00:17:15,365 IN THE ROCKY CRAGS OF THE HIMALAYAS... 508 00:17:15,365 --> 00:17:17,737 A SQUATCH CAME OUT OF NOWHERE 509 00:17:17,737 --> 00:17:19,369 AND RIPPED MY ARM CLEAN OFF. 510 00:17:19,369 --> 00:17:21,711 SO I WILL HUNT DOWN EVERY LAST ONE OF THOSE BASTARDS 511 00:17:21,711 --> 00:17:23,743 UNTIL I HAVE MY PAYBACK. 512 00:17:23,743 --> 00:17:25,245 WHAT DID IT LOOK LIKE? 513 00:17:25,245 --> 00:17:27,347 500 POUNDS OF FUR AND DEATH, MATE. 514 00:17:27,347 --> 00:17:29,579 EYES LIKE A RABID DOG, 515 00:17:29,579 --> 00:17:31,221 BUT SMART, YOU KNOW? 516 00:17:31,221 --> 00:17:33,353 ANYWAY, THEY SAY THAT SHE FOUND ONE. 517 00:17:33,353 --> 00:17:36,086 EVERYONE KNEW IT, BUT ANNE WASN'T TALKING. 518 00:17:36,086 --> 00:17:37,727 IS THAT WHY YOU WENT TO SEE HER? 519 00:17:37,727 --> 00:17:40,190 WHO TOLD YOU THAT? 520 00:17:40,190 --> 00:17:42,332 WITNESSES SAW YOU AND ANNE ARGUING 521 00:17:42,332 --> 00:17:45,165 OUTSIDE OF HER WORK YESTERDAY. 522 00:17:45,165 --> 00:17:49,269 MERELY A POLITE CONVERSATION BETWEEN COLLEAGUES. 523 00:17:49,269 --> 00:17:50,770 REALLY? 524 00:17:50,770 --> 00:17:53,373 'CAUSE LATER THAT NIGHT, SHE TURNED UP DEAD. 525 00:17:53,373 --> 00:17:56,776 (chuckles) YOU'RE SQUATTIN' IN THE WRONG BUSH, DETECTIVE. 526 00:17:56,776 --> 00:18:00,210 I WAS AT A TARGET RANGE LAST NIGHT WITH MY MATES, 527 00:18:00,210 --> 00:18:01,351 KEEPING MY EDGE SHARP. 528 00:18:01,351 --> 00:18:02,812 YOU CAN CHECK IT OUT. 529 00:18:02,812 --> 00:18:04,814 THAT'S FUNNY, 'CAUSE WE FOUND A BOOT PRINT IN ALLEYWAY 530 00:18:04,814 --> 00:18:07,517 NEAR A POOL OF ANNE'S BLOOD WITH THE SAME TREAD 531 00:18:07,517 --> 00:18:09,189 AS THE BOOTS YOU'RE WEARING NOW. 532 00:18:11,821 --> 00:18:14,093 ALL RIGHT, LOOK, I WAS IN THAT ALLEY, 533 00:18:14,093 --> 00:18:16,596 BUT NOT LAST NIGHT, IT WAS THE NIGHT BEFORE. 534 00:18:16,596 --> 00:18:18,368 WHAT WERE YOU DOING THERE? 535 00:18:18,368 --> 00:18:19,869 WELL, I FIGURED SHE WAS TRACKING THE BEAST, 536 00:18:19,869 --> 00:18:21,371 SO I TRACKED HER. 537 00:18:21,371 --> 00:18:23,333 I FOLLOWED HER TO THE ALLEY, AND... (chuckles) 538 00:18:23,333 --> 00:18:25,675 THAT'S WHEN I CAUGHT THE WILY BITCH IN THE ACT. 539 00:18:25,675 --> 00:18:27,307 THE ACT OF WHAT? 540 00:18:27,307 --> 00:18:29,309 STAMPING FAKE SQUATCH PRINTS IN THE GROUND IS WHAT, 541 00:18:29,309 --> 00:18:31,211 USING MOLDS OF GIANT FEET. 542 00:18:31,211 --> 00:18:32,612 SHE WAS FAKING THE DAMN EVIDENCE. 543 00:18:32,612 --> 00:18:33,813 NOW, WHOA. OKAY, HANG-- 544 00:18:33,813 --> 00:18:35,815 ANNE WAS A RESPECTED RESEARCHER. 545 00:18:35,815 --> 00:18:38,218 WHY WOULD SHE FAKE EVIDENCE OF BIGFOOT? 546 00:18:38,218 --> 00:18:40,420 BECAUSE I RECKON SHE FOUND THE REAL THING, 547 00:18:40,420 --> 00:18:42,292 AND SHE WAS TRYING TO THROW THE REST OF US OFF THE SCENT. 548 00:18:42,292 --> 00:18:45,155 BUT I WAS ON TO HER, SO I CONFRONTED HER AT WORK. 549 00:18:45,155 --> 00:18:47,297 OFFERED HER ANYTHING SHE WANTED, BUT SHE TOLD ME TO BUGGER OFF. 550 00:18:47,297 --> 00:18:48,798 YOU KNOW WHAT I THINK? 551 00:18:48,798 --> 00:18:50,300 YOU FAKED THAT SITE. 552 00:18:50,300 --> 00:18:52,162 BECAUSE SOMEWHERE IN YOUR TWISTED MIND, 553 00:18:52,162 --> 00:18:53,503 IT MAKES SENSE 554 00:18:53,503 --> 00:18:55,565 THAT THE EXPERT ON BIGFOOT 555 00:18:55,565 --> 00:18:57,807 WOULD BE KILLED BY ONE. 556 00:18:59,239 --> 00:19:01,911 I KNEW IT. (huffs) 557 00:19:01,911 --> 00:19:04,244 SHE FOUND HIM. 558 00:19:04,244 --> 00:19:06,676 THE LITTLE BITCH FOUND MY BIGFOOT. 559 00:19:08,578 --> 00:19:11,851 LOOK, HE'S EITHER CRAZY OR HE'S LYING. 560 00:19:11,851 --> 00:19:13,253 I'D GO WITH CRAZY, 561 00:19:13,253 --> 00:19:14,784 'CAUSE IT LOOKS LIKE HE'S TELLING THE TRUTH. 562 00:19:14,784 --> 00:19:17,827 TESTS ON HIS PROSTHETIC HOOK SHOW NO TRACE OF ANNE'S D.N.A. 563 00:19:17,827 --> 00:19:19,759 AND HIS ALIBI CHECKS OUT. SO IT'S NOT HIM. 564 00:19:19,759 --> 00:19:21,191 WELL, IT LOOKS LIKE WE'RE BACK TO THIS GUY 565 00:19:21,191 --> 00:19:23,333 AS OUR NUMBER ONE SUSPECT. 566 00:19:23,333 --> 00:19:24,694 CASTLE, COULD YOU PLEASE TAKE THAT DOWN? 567 00:19:24,694 --> 00:19:25,865 YOU GOT IT. 568 00:19:25,865 --> 00:19:27,437 THE LAB ALSO WAS ABLE TO IDENTIFY 569 00:19:27,437 --> 00:19:29,799 THE GLASS SHARDS WE FOUND IN OUR VICTIM'S HEAD WOUND. 570 00:19:29,799 --> 00:19:31,441 IT'S FROM A CAMERA LENS. 571 00:19:31,441 --> 00:19:32,942 THERE WAS NO CAMERA AT THE CRIME SCENE. 572 00:19:32,942 --> 00:19:34,604 MAYBE OUR KILLER TOOK IT. 573 00:19:34,604 --> 00:19:37,547 WHICH WOULD EXPLAIN WHY THERE ARE SO FEW PHOTOS OF BIGFOOT. 574 00:19:37,547 --> 00:19:39,309 I MEANT OUR HUMAN KILLER. 575 00:19:39,309 --> 00:19:40,350 RIGHT. 576 00:19:40,350 --> 00:19:41,411 LET'S RE-CANVASS NEAR THAT ALLEYWAY, 577 00:19:41,411 --> 00:19:42,852 SEE IF WE CAN FIND THAT CAMERA. 578 00:19:42,852 --> 00:19:44,484 HEY. SO I LOOKED INTO THE PENDANT 579 00:19:44,484 --> 00:19:45,615 THAT ANNE SWALLOWED, 580 00:19:45,615 --> 00:19:46,886 AND I FOUND SOMETHING STRANGE. 581 00:19:46,886 --> 00:19:48,258 WHAT? 582 00:19:48,258 --> 00:19:49,719 I TALKED TO HER FRIENDS AND NEIGHBORS. 583 00:19:49,719 --> 00:19:52,222 THE PENDANT WASN'T ANNE'S. IT BELONGED TO JUSTINE BOLTON, 584 00:19:52,222 --> 00:19:54,824 ANNE'S ROOMMATE AT HUDSON UNIVERSITY LAST YEAR. 585 00:19:54,824 --> 00:19:56,866 DOES THE ROOMMATE HAVE ANY IDEA WHAT ANNE WAS DOING WITH IT? 586 00:19:56,866 --> 00:19:58,928 UH, I'D LOVE TO ASK HER, THERE'S ONLY ONE PROBLEM. 587 00:19:58,928 --> 00:20:01,271 JUSTINE WAS MURDERED A YEAR AGO. 588 00:20:01,271 --> 00:20:02,732 AND A YEAR LATER, 589 00:20:02,732 --> 00:20:05,204 HER PENDANT IS FOUND IN HER MURDERED FRIEND'S STOMACH? 590 00:20:05,204 --> 00:20:06,506 THAT CAN'T BE A COINCIDENCE. 591 00:20:06,506 --> 00:20:09,239 WHAT DO WE KNOW ABOUT JUSTINE'S MURDER? 592 00:20:09,239 --> 00:20:10,380 WELL, I ORDERED UP HER CASE FILES. 593 00:20:10,380 --> 00:20:12,312 THEY SHOULD BE HERE BY THE MORNING. 594 00:20:12,312 --> 00:20:13,613 (Beckett) LOOK, CASTLE, 595 00:20:13,613 --> 00:20:15,845 I DON'T CARE HOW MUCH RESEARCH YOU DO, 596 00:20:15,845 --> 00:20:18,318 YOU'RE NOT GONNA CONVINCE ME THAT THERE'S A BIGFOOT. 597 00:20:18,318 --> 00:20:20,850 I JUST FOLLOW THE EVIDENCE 598 00:20:20,850 --> 00:20:22,792 AND THE INSANELY LARGE FOOTPRINTS. 599 00:20:22,792 --> 00:20:25,955 IS THERE ANYTHING THAT YOU DON'T BELIEVE IN? 600 00:20:25,955 --> 00:20:27,827 SURE, THERE IS. THERE'S, UM... 601 00:20:27,827 --> 00:20:29,559 (inhales) 602 00:20:29,559 --> 00:20:31,561 (blows puffs of air) 603 00:20:31,561 --> 00:20:33,433 OKAY, WELL, WHAT ABOUT YOU? 604 00:20:33,433 --> 00:20:35,535 IF NOT BIGFOOT OR ZOMBIES OR GHOSTS, 605 00:20:35,535 --> 00:20:37,407 WHAT DO YOU BELIEVE IN? 606 00:20:37,407 --> 00:20:39,939 I JUST--I BELIEVE IN THE EVERYDAY MAGIC OF LIFE. 607 00:20:39,939 --> 00:20:41,941 I MEAN, THINGS THAT I CAN SEE AND TOUCH, 608 00:20:41,941 --> 00:20:43,513 LIKE, UM, 609 00:20:43,513 --> 00:20:46,276 THE GREEN SHOOTS THAT POP THROUGH THE SNOW IN FEBRUARY, 610 00:20:46,276 --> 00:20:49,018 OR THE FLATIRON BUILDING, OR... 611 00:20:49,018 --> 00:20:51,751 THE WAY THAT I FEEL WHEN I HEAR COLTRANE. IT'S... 612 00:20:51,751 --> 00:20:53,883 NOW I CAN APPRECIATE THE EVERYDAY, 613 00:20:53,883 --> 00:20:56,856 BUT WHY NOT LIVE IN THE POSSIBLE? 614 00:20:56,856 --> 00:20:59,258 THE WORLD JUST DOESN'T HAVE AS MANY MYSTERIES ANYMORE. 615 00:20:59,258 --> 00:21:00,930 THERE'S NO NEW CONTINENTS TO EXPLORE. 616 00:21:00,930 --> 00:21:03,333 THERE'S NO MORE DEEPEST, DARKEST AFRICA. 617 00:21:03,333 --> 00:21:05,335 EVERYTHING'S ALL MAPPED OUT BY SATELLITES AND SONAR, 618 00:21:05,335 --> 00:21:09,439 YET, STILL, PEOPLE REACH FOR THE UNKNOWN. 619 00:21:09,439 --> 00:21:11,341 IT'S WHAT MAKES US GROW. 620 00:21:11,341 --> 00:21:13,573 COLTRANE WOULDN'T HAVE HAD THAT SAXOPHONE 621 00:21:13,573 --> 00:21:15,675 IF ANTOINE SAX HADN'T IMAGINED IT. 622 00:21:15,675 --> 00:21:17,977 ISN'T THAT WAS SEPARATES US FROM, UH, 623 00:21:17,977 --> 00:21:19,609 SAY MOONSHINE? 624 00:21:19,609 --> 00:21:23,353 WELL, YOU KNOW, THERE IS ONE... 625 00:21:23,353 --> 00:21:25,014 INEXPLICABLE... 626 00:21:25,014 --> 00:21:26,486 (book thuds) 627 00:21:26,486 --> 00:21:28,758 MYSTERIOUS PHENOMENON THAT I DO BELIEVE IN STILL. 628 00:21:28,758 --> 00:21:30,790 US. 629 00:21:30,790 --> 00:21:32,021 (object snaps) 630 00:21:32,021 --> 00:21:32,992 WHAT WAS THAT? 631 00:21:32,992 --> 00:21:34,364 SOMETHING SET OFF MY TRAP. 632 00:21:34,364 --> 00:21:35,695 YOU SET A TRAP? 633 00:21:35,695 --> 00:21:37,367 I'VE GOT YOU NOW, YOU SUPER RATS. WHAT? 634 00:21:37,367 --> 00:21:39,298 NO ONE STEALS FROM ME. 635 00:21:39,298 --> 00:21:41,300 (switch clicks) (squeaking) 636 00:21:41,300 --> 00:21:43,002 OH! (grunts) 637 00:21:43,002 --> 00:21:44,634 MM! 638 00:21:44,634 --> 00:21:46,606 ALEXIS? (mutters) 639 00:21:46,606 --> 00:21:49,308 WHAT ARE YOU DOING HERE? MM! 640 00:21:49,308 --> 00:21:50,340 MM! 641 00:21:50,340 --> 00:21:52,081 (grunts) 642 00:21:52,081 --> 00:21:53,713 AAH! 643 00:21:55,685 --> 00:21:58,017 (elevator bell dings) YEAH, SHE'S STILL NOT TAKING MY CALLS. 644 00:21:58,017 --> 00:21:59,719 WELL, CAN YOU BLAME HER, CASTLE? 645 00:21:59,719 --> 00:22:01,591 YOU PRACTICALLY TURNED HER INTO A SMURF. 646 00:22:01,591 --> 00:22:03,553 NA'VI WOULD BE A MORE CONTEMPORARY REFERENCE. 647 00:22:03,553 --> 00:22:05,795 NO, THE POINT IS, SHE LIED TO ME. 648 00:22:05,795 --> 00:22:07,096 SHE LOOKED ME RIGHT IN THE EYE 649 00:22:07,096 --> 00:22:08,798 AND SHE BLAMED THE BORROWERS. 650 00:22:08,798 --> 00:22:10,059 I'M SURE SHE HAD A GOOD REASON. 651 00:22:10,059 --> 00:22:12,061 FOR WHAT, NOT HAVING FOOD? 652 00:22:12,061 --> 00:22:13,933 I MEAN, I GIVE HER A SIZEABLE ALLOWANCE. 653 00:22:13,933 --> 00:22:16,065 AND IF THAT'S NOT ENOUGH, SHE CAN ALWAYS ASK FOR MORE. 654 00:22:16,065 --> 00:22:17,567 LIKE I SAID, CASTLE, 655 00:22:17,567 --> 00:22:19,839 THERE ARE PLENTY OF MYSTERIES IN THE EVERYDAY. 656 00:22:19,839 --> 00:22:21,110 HEY, RYAN, 657 00:22:21,110 --> 00:22:23,342 HAS JUSTINE BOLTON'S MURDER FILE COME IN YET? 658 00:22:23,342 --> 00:22:24,674 SHE WAS ATTACKED IN THE APARTMENT 659 00:22:24,674 --> 00:22:26,015 THAT SHE SHARED WITH ANNE CARDINAL. 660 00:22:26,015 --> 00:22:27,847 THE WAY SHE WAS CHOKED AND BRUISED, 661 00:22:27,847 --> 00:22:29,619 LOOKED LIKE IT WAS A CRIME OF PASSION. 662 00:22:29,619 --> 00:22:30,920 DO THEY HAVE A SUSPECT? 663 00:22:30,920 --> 00:22:32,121 UNFORTUNATELY, HE FLED, 664 00:22:32,121 --> 00:22:34,083 AND HE HASN'T BEEN SEEN SINCE THE MURDER. 665 00:22:34,083 --> 00:22:36,386 ANY CHANCE HE HAD LONG, SHAGGY HAIR AND HE WAS 8 FEET TALL? 666 00:22:36,386 --> 00:22:38,027 UH, NO. SORRY, CASTLE. 667 00:22:38,027 --> 00:22:40,059 IT WAS JUSTINE'S BOYFRIEND-- KURT WILSON. 668 00:22:40,059 --> 00:22:42,392 HE WAS THE ONE THAT SUPPOSEDLY FOUND THE BODY. 669 00:22:42,392 --> 00:22:43,733 HE WAS A FOOTBALL PLAYER 670 00:22:43,733 --> 00:22:45,535 WITH A HISTORY OF ASSAULTS ON AND OFF THE FIELD. 671 00:22:45,535 --> 00:22:48,037 IT LOOKED LIKE JUSTINE WAS TRYING TO GET AWAY FROM HIM. 672 00:22:48,037 --> 00:22:50,700 THE DAY THAT SHE WAS MURDERED, SHE CONTACTED THE DEAN 673 00:22:50,700 --> 00:22:52,902 AND TOLD HIM THAT SHE WAS DROPPING OUT OF SCHOOL 674 00:22:52,902 --> 00:22:54,744 EVEN THOUGH SHE WAS TOP OF HER CLASS. 675 00:22:54,744 --> 00:22:56,105 BY THE TIME THE COPS REALIZED 676 00:22:56,105 --> 00:22:58,808 THAT ALL ROADS LED TO KURT WILSON, HE DISAPPEARED. 677 00:22:58,808 --> 00:23:01,050 HOW DOES ANNE FIGURE INTO THIS? 678 00:23:01,050 --> 00:23:02,952 WELL, AS HER ROOMMATE, 679 00:23:02,952 --> 00:23:06,756 IT LOOKS LIKE ANNE TOOK JUSTINE'S DEATH PRETTY HARD. 680 00:23:06,756 --> 00:23:09,058 WHEN I SPOKE TO THE LEAD DETECTIVE, HE TOLD ME 681 00:23:09,058 --> 00:23:10,490 SHE CAME TO HIM A FEW MONTHS BACK 682 00:23:10,490 --> 00:23:11,761 AND ASKED TO SEE JUSTINE'S CASE FILE. 683 00:23:11,761 --> 00:23:13,563 HE REFUSED SINCE IT'S A PENDING MURDER CASE, 684 00:23:13,563 --> 00:23:14,924 BUT STILL, IT MEANS-- 685 00:23:14,924 --> 00:23:17,096 ANNE WAS LOOKING INTO JUSTINE'S MURDER. 686 00:23:17,096 --> 00:23:18,728 AND A FEW MONTHS AGO--THAT'S WHEN ANNE TOOK TIME OFF SCHOOL. 687 00:23:18,728 --> 00:23:20,970 SO THEN MAYBE ANNE WASN'T TRACKING DOWN BIGFOOT. 688 00:23:20,970 --> 00:23:22,902 SHE WAS LOOKING FOR KURT WILSON. 689 00:23:22,902 --> 00:23:24,133 MAYBE SHE FOUND HIM. 690 00:23:24,133 --> 00:23:25,404 (Esposito) YO. 691 00:23:25,404 --> 00:23:27,607 CANVASS DIDN'T TURN UP ANNE'S CAMERA, 692 00:23:27,607 --> 00:23:29,979 BUT THE LAB CAME BACK WITH A SERIAL NUMBER ON THAT LENS. 693 00:23:29,979 --> 00:23:31,981 NOW IT WAS MADE FOR A SPECIFIC MODEL-- 694 00:23:31,981 --> 00:23:33,743 A Wi-Fi-ENABLED CAMCORDER 695 00:23:33,743 --> 00:23:35,545 THAT'S DESIGNED TO SYNCH UP TO A CLOUD ACCOUNT. 696 00:23:35,545 --> 00:23:37,116 I CHECKED. ANNE HAS A CLOUD ACCOUNT. 697 00:23:37,116 --> 00:23:38,748 CAN WE ACCESS IT? 698 00:23:38,748 --> 00:23:42,191 (clicks keyboard key) TESTING, ONE, TWO, THREE. 699 00:23:42,191 --> 00:23:45,094 OKAY, GOOD. 700 00:23:45,094 --> 00:23:46,425 LOOK AT THE TIME STAMP. 701 00:23:46,425 --> 00:23:48,658 12:20 A.M. THE NIGHT SHE DIED. 702 00:23:48,658 --> 00:23:50,760 OH, MY GOD. OH, MY GOD. YEAH, BUT SHE'S NOT IN AN ALLEY. 703 00:23:50,760 --> 00:23:52,832 WHERE THE HELL IS SHE? HE'S AFTER ME. HE'S AFTER ME. 704 00:23:52,832 --> 00:23:55,164 OH, PLEASE! NO! 705 00:23:55,164 --> 00:23:56,606 (thud) 706 00:24:04,614 --> 00:24:05,975 SO THE ATTACK TOOK PLACE IN THE WOODS, NOT THAT ALLEY. 707 00:24:05,975 --> 00:24:08,648 BUT WHAT WE NEED TO FIND OUT IS WHERE THESE WOODS ARE. 708 00:24:08,648 --> 00:24:10,650 TECH IS TRYING TO GET THE GEODATA OFF THAT FOOTAGE 709 00:24:10,650 --> 00:24:13,022 TO SEE IF WE CAN PINPOINT THE EXACT COORDINATES. 710 00:24:13,022 --> 00:24:14,524 BUT IF SHE WAS ATTACKED IN THE WOODS SOMEWHERE, 711 00:24:14,524 --> 00:24:16,025 WHY MOVE HER TO AN ALLEY? 712 00:24:16,025 --> 00:24:17,857 BECAUSE THE KILLER WAS TRYING TO THROW US OFF HIS TRAIL. 713 00:24:17,857 --> 00:24:19,789 IF ANNE WAS LOOKING FOR KURT WILSON, 714 00:24:19,789 --> 00:24:21,230 THEN THE LAST THING HE WOULD WANT TO DO 715 00:24:21,230 --> 00:24:22,932 IS LEAVE HER BODY NEAR THE SAME SPOT 716 00:24:22,932 --> 00:24:24,463 WHERE HE WAS HIDING OUT. 717 00:24:24,463 --> 00:24:26,696 UNLESS SHE WAS LOOKING FOR SOMEONE ELSE IN THOSE WOODS. 718 00:24:26,696 --> 00:24:30,199 SOMETHING WITH FUR? WHAT DO WE REALLY SEE OF OUR KILLER IN THIS VIDEO? 719 00:24:30,199 --> 00:24:32,972 HE'S DARK, LOOMING, 720 00:24:32,972 --> 00:24:34,544 POWERFUL, HOLDING A PRIMITIVE WEAPON. 721 00:24:34,544 --> 00:24:36,005 CASTLE, THAT IS A PERSON. 722 00:24:36,005 --> 00:24:40,479 ALL I SEE IS THE SILHOUETTE OF A HULKING, HUMANOID FORM. 723 00:24:40,479 --> 00:24:42,612 IF DARRELL MEEKS AND THAT ONE-ARMED AUSSIE WERE RIGHT 724 00:24:42,612 --> 00:24:45,985 AND ANNE DID KNOW WHERE BIGFOOT WAS, 725 00:24:45,985 --> 00:24:48,487 WELL, THAT COULD BE HIM ON THAT VIDEO. (Beckett) THEN WHAT, 726 00:24:48,487 --> 00:24:49,759 BIGFOOT CARRIED HER BODY INTO THE CITY ON FOOT 727 00:24:49,759 --> 00:24:51,260 FROM WHEREVER THESE WOODS ARE 728 00:24:51,260 --> 00:24:53,222 AND LEFT HER IN THAT ALLEYWAY? 729 00:24:53,222 --> 00:24:54,924 WELL, YOU SAID YOURSELF, KURT WILSON WOULDN'T WANT 730 00:24:54,924 --> 00:24:57,126 TO LEAVE ANNE'S BODY WHERE HE'D BEEN HIDING OUT. 731 00:24:57,126 --> 00:24:58,928 WHY WOULD BIGFOOT? 732 00:24:58,928 --> 00:25:02,101 OKAY. WHY DON'T YOU GUYS CIRCULATE WILSON'S PHOTO 733 00:25:02,101 --> 00:25:03,202 TO ANNE'S FAMILY AND FRIENDS 734 00:25:03,202 --> 00:25:05,074 AND SEE IF ANYONE HAS SEEN HIM AROUND? 735 00:25:05,074 --> 00:25:06,576 CASTLE AND I WILL TALK TO TECH 736 00:25:06,576 --> 00:25:09,238 TO SEE IF WE CAN FIGURE OUT WHERE THESE WOODS ARE. 737 00:25:09,238 --> 00:25:11,210 (growls) 738 00:25:14,013 --> 00:25:15,514 I DON'T KNOW. MAYBE. 739 00:25:15,514 --> 00:25:17,246 IF YOU ROUGH HIM UP A LITTLE, HE COULD BE 740 00:25:17,246 --> 00:25:19,549 THAT HOMELESS GUY I SAW HANGING OUT IN THE PARKING GARAGE. 741 00:25:19,549 --> 00:25:20,690 WHEN WAS THAT? 742 00:25:20,690 --> 00:25:21,821 LAST WEEK SOMETIME. 743 00:25:21,821 --> 00:25:22,992 WHAT WAS HE DOING? 744 00:25:22,992 --> 00:25:24,153 NOTHING, MAN. 745 00:25:24,153 --> 00:25:25,795 HE JUST LOOKED LIKE HE WAS WAITING. 746 00:25:25,795 --> 00:25:26,956 WELL, WE'RE GONNA NEED, UH, 747 00:25:26,956 --> 00:25:28,558 SECURITY CAM FOOTAGE OF THE GARAGE. 748 00:25:28,558 --> 00:25:31,200 IT'S RUN BY A SEPARATE COMPANY. I'LL GET YOU THEIR NUMBER. 749 00:25:31,200 --> 00:25:33,763 IF WILSON KNEW THAT ANNE WAS AFTER HIM, 750 00:25:33,763 --> 00:25:35,765 HE MIGHT HAVE BEEN FOLLOWING HER, PREPARING TO KILL HER. 751 00:25:35,765 --> 00:25:37,106 I'LL SET UP A CANVASS 752 00:25:37,106 --> 00:25:38,908 AND PULL TRAFFIC CAM FOOTAGE FROM THAT AREA. 753 00:25:38,908 --> 00:25:40,910 MAYBE WE CAN GET A HIT ON WHERE HE WENT 754 00:25:40,910 --> 00:25:42,872 AFTER HE LEFT THAT GARAGE. (cell phone beeps) 755 00:25:42,872 --> 00:25:45,815 TESTING, ONE, TWO, THREE. 756 00:25:45,815 --> 00:25:47,246 OKAY, GOOD. 757 00:25:47,246 --> 00:25:48,948 (woman) THE CAMERA BEGAN SYNCHING TO HER ACCOUNT 758 00:25:48,948 --> 00:25:50,179 RIGHT WHEN SHE STARTED FILMING. 759 00:25:50,179 --> 00:25:52,121 WE COULDN'T PULL ANY GEODATA, 760 00:25:52,121 --> 00:25:53,923 BUT THE SYNCH WAS ROUTED THROUGH HER CELL PHONE. 761 00:25:53,923 --> 00:25:55,855 IT PINGED OFF THIS CELL TOWER HERE. (beeps) 762 00:25:55,855 --> 00:25:57,226 ARE THERE ANY WOODS NEAR THAT TOWER? 763 00:25:57,226 --> 00:25:59,689 YES, IN A 10,000-ACRE NATURE PRESERVE... (beeping) 764 00:25:59,689 --> 00:26:01,831 CALLED BRANCH CROSS. 765 00:26:01,831 --> 00:26:03,232 THAT'S A PERFECT HANGOUT FOR BIGFOOT. 766 00:26:03,232 --> 00:26:04,233 OR THE FUGITIVE. 767 00:26:04,233 --> 00:26:05,895 NOW IS THERE ANY WAY TO NARROW DOWN 768 00:26:05,895 --> 00:26:07,797 WHERE SHE WAS WHEN THIS WAS BEING FILMED? 769 00:26:07,797 --> 00:26:09,138 NOT AS MUCH AS I'D LIKE, 770 00:26:09,138 --> 00:26:10,600 BUT CHECKED WITH THE FOREST SERVICE. 771 00:26:10,600 --> 00:26:12,101 THE SPECIES OF TREE IN THE VIDEO... (beeping) 772 00:26:12,101 --> 00:26:13,673 GROW MOSTLY IN THIS 6-SQUARE-MILE AREA. 773 00:26:13,673 --> 00:26:16,145 ALSO, BETWEEN THE MOON'S POSITION IN THE SKY 774 00:26:16,145 --> 00:26:18,077 AND THE ORIENTATION OF THE SHADOWS, 775 00:26:18,077 --> 00:26:19,278 I CAN TELL YOU THAT SHE WAS MOVING 776 00:26:19,278 --> 00:26:21,310 IN A SOUTHEASTERLY DIRECTION. 777 00:26:21,310 --> 00:26:22,682 WOW. SHE'S GOOD. 778 00:26:22,682 --> 00:26:25,815 COULD YOU TURN UP THE VOLUME ON THE VIDEO? 779 00:26:25,815 --> 00:26:26,986 (beeps) 780 00:26:26,986 --> 00:26:28,758 (chirps) 781 00:26:28,758 --> 00:26:30,359 (Anne panting, rushing sound) 782 00:26:30,359 --> 00:26:32,662 DO YOU GUYS HEAR THAT IN THE BACKGROUND? OH, MY GOD. OH, MY GOD. 783 00:26:32,662 --> 00:26:34,994 (rushing sound continues) HE'S AFTER ME. HE'S AFTER ME. 784 00:26:34,994 --> 00:26:36,626 DO YOU THINK YOU CAN ISOLATE THAT? 785 00:26:36,626 --> 00:26:38,668 (controls beep) 786 00:26:38,668 --> 00:26:40,299 (rushing sound) (Castle) THAT SOUNDS LIKE WATER. 787 00:26:40,299 --> 00:26:42,131 ARE THERE ANY STREAMS OR RIVERS NEARBY? 788 00:26:42,131 --> 00:26:44,674 (beep) 789 00:26:44,674 --> 00:26:46,135 (beeping) 790 00:26:46,135 --> 00:26:47,306 RIGHT THERE. 791 00:26:47,306 --> 00:26:48,938 SHE MUST HAVE BEEN NEAR THAT CREEK, 792 00:26:48,938 --> 00:26:51,741 WHICH GETS US DOWN TO A 2-SQUARE-MILE AREA. (beeps) 793 00:26:51,741 --> 00:26:54,183 WELL, THE GOOD NEWS IS, WE HAVE OUR CRIME SCENE. 794 00:26:54,183 --> 00:26:55,685 THE BAD NEWS IS, 795 00:26:55,685 --> 00:26:58,317 IT'S IN 2 SQUARE MILES OF REMOTE WILDERNESS 796 00:26:58,317 --> 00:27:00,890 WITH NO ACCESS BY ROAD. 797 00:27:00,890 --> 00:27:03,152 YOU UP FOR A HIKE? 798 00:27:03,152 --> 00:27:06,295 OH, I'M WELL EQUIPPED FOR A HIKE. 799 00:27:08,998 --> 00:27:11,731 (imitates howl) 800 00:27:11,731 --> 00:27:13,663 WHAT ARE YOU DOING? 801 00:27:13,663 --> 00:27:15,264 KNOCKING ON WOOD AND VOCALIZING. 802 00:27:15,264 --> 00:27:17,206 IT'S HOW BIGFOOT COMMUNICATES OVER LONG DISTANCES. 803 00:27:17,206 --> 00:27:20,109 AND HOW THE REAL BIGFOOT HUNTERS LURE HIM OUT. 804 00:27:20,109 --> 00:27:22,141 YEAH, WELL, THE REAL POLICE DON'T DO IT 805 00:27:22,141 --> 00:27:24,744 SO THAT OUR HUMAN FUGITIVE WON'T KNOW THAT WE'RE COMING. 806 00:27:24,744 --> 00:27:26,045 OH, TRUST ME. 807 00:27:26,045 --> 00:27:28,347 IF KURT WILSON HAS BEEN HIDING OUT HERE FOR A YEAR, 808 00:27:28,347 --> 00:27:30,319 WE ARE NOT GONNA FIND HIM. 809 00:27:30,319 --> 00:27:31,681 OKAY, WE'RE CLOSE. 810 00:27:31,681 --> 00:27:34,253 GPS IS SHOWING THAT THIS IS THE GENERAL AREA 811 00:27:34,253 --> 00:27:35,855 OF THE ATTACK. 812 00:27:35,855 --> 00:27:38,257 WE JUST NEED TO FIND SOME LANDMARKS. 813 00:27:38,257 --> 00:27:39,658 (sniffs) 814 00:27:39,658 --> 00:27:40,930 IT HAPPENED BY THIS DOWNED TREE, 815 00:27:40,930 --> 00:27:42,191 SO ALL WE GOTTA DO IS FIND THE TREE, 816 00:27:42,191 --> 00:27:44,063 AND WE'VE FOUND OUR CRIME SCENE. 817 00:27:44,063 --> 00:27:45,364 (bangs) 818 00:27:45,364 --> 00:27:48,738 CASTLE, CASTLE, PLEASE. NO MORE WOOKIEE CALLS. 819 00:27:48,738 --> 00:27:50,239 IT'S NOT WOOKIEE. I'M NOT DOING WOOKIEE. 820 00:27:50,239 --> 00:27:52,301 I CAN'T DO WOOKIEE. ALEXIS DOES A REALLY CUTE WOOKIEE. 821 00:27:52,301 --> 00:27:54,003 WELL, WHATEVER YOU'RE DOING, COULD YOU STOP? 822 00:27:54,003 --> 00:27:55,344 YOU SCARED IT MIGHT WORK? 823 00:27:55,344 --> 00:27:57,106 NO, I AM SCARED THAT I MIGHT MURDER YOU, 824 00:27:57,106 --> 00:27:59,108 AND THEN I'LL HAVE TWO CRIME SCENES ON MY HANDS. 825 00:27:59,108 --> 00:28:00,980 YOU KNOW, A LOT OF HIGHLY RESPECTED INDIVIDUALS 826 00:28:00,980 --> 00:28:02,281 BELIEVE IN BIGFOOT. 827 00:28:02,281 --> 00:28:03,953 TEDDY ROOSEVELT WROTE ABOUT HIM IN HIS JOURNALS. 828 00:28:03,953 --> 00:28:05,254 JANE GOODALL HAS GONE ON RECORD 829 00:28:05,254 --> 00:28:07,256 SAYING THAT SHE'S OPEN TO THE POSSIBILITY. 830 00:28:07,256 --> 00:28:09,158 AND RIGHT NOW, AS WE SPEAK, 831 00:28:09,158 --> 00:28:10,760 PROFESSORS AT OXFORD 832 00:28:10,760 --> 00:28:12,762 ARE STUDYING BIGFOOT D.N.A. SAMPLES. 833 00:28:12,762 --> 00:28:14,693 NO, IT IS POSSIBLE. 834 00:28:14,693 --> 00:28:18,297 YOU JUST HAVE TO BE OPEN TO IT... 835 00:28:18,297 --> 00:28:21,070 BECAUSE AT ANY MOMENT, 836 00:28:21,070 --> 00:28:23,102 LIFE CAN SURPRISE YOU. 837 00:28:23,102 --> 00:28:28,237 (branches crack, Beckett screams) 838 00:28:29,478 --> 00:28:30,810 OH, THAT'S NOT GOOD FOR MY KNEE. (groans) 839 00:28:30,810 --> 00:28:32,081 (coughs) 840 00:28:32,081 --> 00:28:33,342 OHH. 841 00:28:33,342 --> 00:28:34,483 YOU OKAY? (coughs) 842 00:28:34,483 --> 00:28:36,285 OHH. (groans) 843 00:28:36,285 --> 00:28:37,917 (exhales) YEAH. 844 00:28:37,917 --> 00:28:39,789 OHH. OH. 845 00:28:39,789 --> 00:28:41,120 (exhales) 846 00:28:41,120 --> 00:28:42,721 WHERE ARE WE? 847 00:28:42,721 --> 00:28:44,994 SOME KIND OF TRAP. 848 00:28:44,994 --> 00:28:46,996 (panting) WHICH WE'VE GOTTA GET OUT OF. 849 00:28:46,996 --> 00:28:48,157 CASTLE... 850 00:28:48,157 --> 00:28:49,759 DO YOU HAVE ANYTHING IN YOUR VEST 851 00:28:49,759 --> 00:28:50,930 THAT CAN HELP US? 852 00:28:50,930 --> 00:28:52,161 OH, YEAH. HECK, I GOT A GUPPIE MULTI-TOOL, 853 00:28:52,161 --> 00:28:54,003 I'VE GOT A SOLAR-POWERED HAND FAN, 854 00:28:54,003 --> 00:28:55,504 GOT CAMO GLASSES, BUILT-IN COMPASS, 855 00:28:55,504 --> 00:28:56,465 SNAKE BITE KIT-- 856 00:28:56,465 --> 00:28:57,867 SO NOTHING? 857 00:28:57,867 --> 00:29:00,469 WELL, NOT NOTHING. I CAN BUILD A FIRE. 858 00:29:00,469 --> 00:29:03,172 OH, GREAT. 859 00:29:06,946 --> 00:29:08,417 YOU KNOW WHAT, CASTLE? 860 00:29:08,417 --> 00:29:09,849 I CAN PULL MYSELF OUT IF YOU COULD BOOST ME UP. 861 00:29:09,849 --> 00:29:11,951 WELL, THEN HOW AM I GONNA GET OUT? (grunts) 862 00:29:11,951 --> 00:29:14,053 (gravel clatters) 863 00:29:14,053 --> 00:29:15,484 (exhales) 864 00:29:16,856 --> 00:29:18,357 I HAVE A ROPE IN THE CAR. 865 00:29:18,357 --> 00:29:20,289 I WAS GONNA HIKE BACK TO GET IT. 866 00:29:20,289 --> 00:29:22,231 YOU'RE GONNA LEAVE ME HERE ALONE? (sighs) 867 00:29:22,231 --> 00:29:24,033 OKAY, WHOA. JUST HOLD ON A SECOND. 868 00:29:24,033 --> 00:29:26,095 LET'S JUST BACK UP AND THINK ABOUT THIS. 869 00:29:26,095 --> 00:29:28,998 WHAT IS THIS PIT DOING OUT HERE IN THE FIRST PLACE? 870 00:29:28,998 --> 00:29:30,339 SOMEONE OR... 871 00:29:30,339 --> 00:29:32,771 (whispers) SOMETHING HAD TO BUILD IT. 872 00:29:32,771 --> 00:29:34,103 "SOMETHING," CASTLE? 873 00:29:34,103 --> 00:29:37,446 YOU THINK THAT BIGFOOT CAME OUT HERE WITH A SHOVEL? 874 00:29:37,446 --> 00:29:38,447 NO, YOU'RE PROBABLY RIGHT. 875 00:29:38,447 --> 00:29:39,949 I DON'T THINK BIGFOOT BUILT THIS. 876 00:29:39,949 --> 00:29:43,212 YEAH, SOME HUNTERS OR POACHERS PROBABLY DUG IT UP. 877 00:29:43,212 --> 00:29:45,254 (normal voice) HUNTING WHAT? LOOK AT THE SIZE OF THIS THING. 878 00:29:45,254 --> 00:29:47,887 MAYBE OUR FUGITIVE BUILT IT IN CASE ANYONE CAME OUT HERE. 879 00:29:47,887 --> 00:29:49,288 I WAS MORE COMFORTABLE 880 00:29:49,288 --> 00:29:51,090 WITH THE IDEA OF BIGFOOT BUILDING IT. COME ON, CASTLE. 881 00:29:51,090 --> 00:29:52,421 WHY DON'T YOU POP A SQUAT? 882 00:29:52,421 --> 00:29:54,263 WE'LL PULL A CHEERLEADER MOVE. RIGHT. 883 00:29:54,263 --> 00:29:56,465 SHOULDN'T YOU BE WEARING A SHORT SKIRT FOR THIS? 884 00:29:56,465 --> 00:29:57,426 IT'S THE MOVE. 885 00:29:57,426 --> 00:29:58,797 (grunts) 886 00:29:58,797 --> 00:30:00,799 (grunts) 887 00:30:00,799 --> 00:30:03,572 YOU KNOW, THOUGH, THIS PIT IS KIND OF CRUDELY BUILT. 888 00:30:03,572 --> 00:30:06,475 AND, UH, SOME PRIMATES HAVE BEEN KNOWN TO... 889 00:30:06,475 --> 00:30:08,537 (grunts) MAKE AND... 890 00:30:08,537 --> 00:30:10,539 OH, JEEZ! CASTLE! 891 00:30:10,539 --> 00:30:13,082 USE TOOLS TO TRAP PREY. 892 00:30:13,082 --> 00:30:15,484 WOULD YOU STAND STILL? HOLD ME. 893 00:30:15,484 --> 00:30:17,416 (grunts) 894 00:30:17,416 --> 00:30:20,549 (grunts) NOW. 895 00:30:22,251 --> 00:30:25,324 (grunts and pants) 896 00:30:25,324 --> 00:30:27,556 YEAH, I'M JUST SAYING, 897 00:30:27,556 --> 00:30:29,258 I DON'T WANT TO END UP AS BIGFOOT DINNER. 898 00:30:29,258 --> 00:30:31,100 (panting) YOU KNOW, CASTLE, 899 00:30:31,100 --> 00:30:33,302 THERE IS A BIT OF POETIC JUSTICE IN THIS. 900 00:30:33,302 --> 00:30:34,503 POETIC JUSTICE HOW? 901 00:30:34,503 --> 00:30:35,865 WELL, I MEAN, THINK ABOUT IT. 902 00:30:35,865 --> 00:30:37,266 YOU SET A TRAP FOR ALEXIS, 903 00:30:37,266 --> 00:30:38,567 AND NOW SOMEONE 904 00:30:38,567 --> 00:30:41,240 OR SOMETHING HAS SET ONE FOR YOU. 905 00:30:41,240 --> 00:30:43,042 PROMISE ME YOU'LL COME BACK. 906 00:30:43,042 --> 00:30:45,444 IN CASE I DON'T MAKE IT. 907 00:30:47,046 --> 00:30:50,319 OH, THAT'S CUTE. 908 00:30:50,319 --> 00:30:53,452 BUT SERIOUSLY, HURRY BACK! 909 00:30:55,384 --> 00:30:57,086 'KAY? 910 00:31:01,530 --> 00:31:03,192 WHAT'S THAT? 911 00:31:03,192 --> 00:31:05,294 NOTHING. WHAT DO YOU GOT? 912 00:31:05,294 --> 00:31:06,465 GRAB YOUR COAT. 913 00:31:06,465 --> 00:31:08,297 WE GOT A HIT ON THAT PHOTO OF KURT WILSON. 914 00:31:08,297 --> 00:31:10,269 ONE OF ANNE'S NEIGHBORS JUST SAW HIM 915 00:31:10,269 --> 00:31:12,401 GO INTO HER APARTMENT. 916 00:31:16,906 --> 00:31:20,549 HEY, WILSON. NYPD. 917 00:31:22,011 --> 00:31:23,482 (grunts) 918 00:31:23,482 --> 00:31:25,214 UNH-UNH. WHOO-HOO-HOO! 919 00:31:25,214 --> 00:31:26,956 (handcuffs clicking) NOT MUCH OF A RUNNING BACK THERE, WILSON, 920 00:31:26,956 --> 00:31:28,387 BUT THEN, YOU'RE OUT OF TRAINING. 921 00:31:28,387 --> 00:31:29,558 (clicking continues) 922 00:31:29,558 --> 00:31:33,462 ALL RIGHT. LET'S GO. 923 00:31:33,462 --> 00:31:35,264 (video feed playing without audio) 924 00:31:35,264 --> 00:31:38,998 WE GOT HIM, AND HE'S NOT TALKING. 925 00:31:38,998 --> 00:31:40,199 What do you want us to do? 926 00:31:40,199 --> 00:31:42,071 OKAY, CHECK HIS CLOTHES FOR ANNE'S BLOOD. 927 00:31:42,071 --> 00:31:43,272 (lock clicks) 928 00:31:43,272 --> 00:31:44,633 HOW YOU GUYS DOING ON THE CRIME SCENE? 929 00:31:44,633 --> 00:31:46,335 UH... (jangles keys) 930 00:31:46,335 --> 00:31:47,476 WE A RAN INTO A LITTLE SNAG, 931 00:31:47,476 --> 00:31:49,578 but when we find it, 932 00:31:49,578 --> 00:31:50,909 HOPEFULLY WE'LL FIND EVIDENCE 933 00:31:50,909 --> 00:31:52,411 THAT LEADS US STRAIGHT TO KURT WILSON, 934 00:31:52,411 --> 00:31:55,114 AND WE WON'T NEED HIM TO TALK. 935 00:31:57,216 --> 00:31:59,218 (chuckles) 936 00:31:59,218 --> 00:32:01,991 HEH. AH, SPORK... 937 00:32:01,991 --> 00:32:04,193 THEY ALL LAUGHED AT YOU. 938 00:32:07,526 --> 00:32:08,998 (grunts) 939 00:32:08,998 --> 00:32:11,560 (sighs) 940 00:32:11,560 --> 00:32:12,931 (clinks) 941 00:32:12,931 --> 00:32:14,703 (footsteps approach) 942 00:32:14,703 --> 00:32:16,405 BECKETT? 943 00:32:16,405 --> 00:32:20,009 THANK GOD YOU ARE BACK. WHAT TOOK YOU SO LONG? 944 00:32:20,009 --> 00:32:22,571 (banging) 945 00:32:22,571 --> 00:32:25,514 (howling) 946 00:32:25,514 --> 00:32:28,417 HA HA HA HA HA. OKAY. GET ME OUTTA HERE NOW. 947 00:32:28,417 --> 00:32:30,479 (brush rustling) 948 00:32:30,479 --> 00:32:32,051 BECKETT? 949 00:32:32,051 --> 00:32:33,582 KATE... 950 00:32:33,582 --> 00:32:35,584 (rustling continues) 951 00:32:45,594 --> 00:32:48,267 (Castle) HELP! 952 00:32:48,267 --> 00:32:50,439 HELP! 953 00:32:50,439 --> 00:32:52,971 (growling) 954 00:32:52,971 --> 00:32:55,004 (whispers) HELP. PL-- 955 00:32:55,004 --> 00:32:56,645 (normal voice) PLEASE... 956 00:32:56,645 --> 00:32:58,547 DON'T EAT ME. 957 00:32:58,547 --> 00:33:00,649 (growls) 958 00:33:05,714 --> 00:33:06,685 POLICE! 959 00:33:06,685 --> 00:33:08,617 TURN AROUND! (growls) 960 00:33:08,617 --> 00:33:10,489 PUT YOUR HANDS UP. 961 00:33:10,489 --> 00:33:11,560 BECKETT, WHAT ARE YOU DOING? 962 00:33:11,560 --> 00:33:13,422 ARE YOU CRAZY? IT CAN'T UNDERSTAND YOU! 963 00:33:13,422 --> 00:33:14,623 (growls) 964 00:33:14,623 --> 00:33:16,465 NOW! 965 00:33:16,465 --> 00:33:18,697 (growls) 966 00:33:20,399 --> 00:33:21,470 (thuds) 967 00:33:21,470 --> 00:33:23,001 WHOA! SHOOT IT! 968 00:33:23,001 --> 00:33:25,574 SHOOT IT! WHAT ARE YOU WAITING FOR? 969 00:33:25,574 --> 00:33:27,606 OH, MY BACK! 970 00:33:27,606 --> 00:33:28,777 WHOA, WHOA, WHOA. IT'S TALKING. 971 00:33:28,777 --> 00:33:30,579 NO! 972 00:33:30,579 --> 00:33:32,641 (grunts) 973 00:33:32,641 --> 00:33:35,544 DON'T SHOOT! DON'T SHOOT! 974 00:33:35,544 --> 00:33:36,545 DON'T SHOOT! 975 00:33:36,545 --> 00:33:38,217 PLEASE DON'T SHOOT. 976 00:33:38,217 --> 00:33:40,249 DON'T SHOOT HIM. 977 00:33:40,249 --> 00:33:42,591 WELL, THIS IS A HUGE DISAPPOINTMENT. 978 00:33:42,591 --> 00:33:44,523 NO, THIS IS A BIG MISUNDERSTANDING. 979 00:33:44,523 --> 00:33:45,754 IS IT? 980 00:33:45,754 --> 00:33:47,296 'CAUSE THOSE CLAWS 981 00:33:47,296 --> 00:33:49,298 COULD'VE EASILY CAUSED ANNE'S INJURIES. 982 00:33:49,298 --> 00:33:51,760 WHAT? I-I'D NEVER HURT ANNE. 983 00:33:51,760 --> 00:33:54,063 DO YOU ACTUALLY EXPECT US TO BELIEVE THAT 984 00:33:54,063 --> 00:33:56,305 WITH YOU DRESSED UP IN THIS... GETUP 985 00:33:56,305 --> 00:33:58,167 RIGHT IN THE SAME AREA WHERE SHE WAS ATTACKED? 986 00:33:58,167 --> 00:34:00,209 WAIT. SH-SHE WAS ATTACKED HERE? 987 00:34:00,209 --> 00:34:02,341 I-I-I THOUGHT SHE WAS ATTACKED IN THE CITY. 988 00:34:02,341 --> 00:34:03,642 NO. 989 00:34:03,642 --> 00:34:05,474 (stammers) OKAY. 990 00:34:05,474 --> 00:34:06,675 OKAY, OKAY. 991 00:34:06,675 --> 00:34:08,647 (exhales deeply) THIS LOOKS BAD. 992 00:34:08,647 --> 00:34:11,650 L-L-LET ME--LET ME JUST TRY AND EXPLAIN. OKAY? 993 00:34:11,650 --> 00:34:14,583 I KNEW THAT ANNE WAS COMING OUT HERE ON HER OWN, 994 00:34:14,583 --> 00:34:17,756 AND--AND I-I ADMIT THAT I FOLLOWED HER. 995 00:34:17,756 --> 00:34:18,827 WHY? 996 00:34:18,827 --> 00:34:20,589 BECAUSE I THINK SHE FOUND BIGFOOT. 997 00:34:20,589 --> 00:34:23,162 OR MAYBE SHE JUST FOUND AN IDIOT DRESSED UP AS BIGFOOT 998 00:34:23,162 --> 00:34:24,763 WHO THEN KILLED HER. 999 00:34:24,763 --> 00:34:26,535 NO! I DIDN'T HURT ANNE! 1000 00:34:26,535 --> 00:34:28,767 OH, OKAY. SO YOU JUST STALKED HER? 1001 00:34:28,767 --> 00:34:30,299 LOOK, I JUST... 1002 00:34:30,299 --> 00:34:32,701 I JUST WANTED, JUST THIS ONCE, 1003 00:34:32,701 --> 00:34:36,705 TO LAY EYES ON THIS ELUSIVE BEAST. 1004 00:34:36,705 --> 00:34:38,607 A-AND THAT'S WHY I BUILT THIS MAN-TRAP 1005 00:34:38,607 --> 00:34:40,609 AND--AND--AND I'M IN THIS SUIT, 1006 00:34:40,609 --> 00:34:42,311 DRENCHED IN DEER MUSK. 1007 00:34:42,311 --> 00:34:43,652 IS THAT WHAT THAT SMELL IS? 1008 00:34:43,652 --> 00:34:45,854 IT'S AN ATTRACTANT. IT--IT LURES THEM OUT. 1009 00:34:45,854 --> 00:34:47,386 A-AND IT'S WORKING, TOO. 1010 00:34:47,386 --> 00:34:48,857 I MEAN, A-ABOUT AN HOUR AGO, I-I HEARD-- 1011 00:34:48,857 --> 00:34:52,561 I HEARD VOCALIZATIONS AND--AND KNOCKING ON WOOD. 1012 00:34:52,561 --> 00:34:56,094 AND--AND THOSE ARE--ARE CLASSIC BIGFOOT MATING CALLS. 1013 00:34:56,094 --> 00:35:00,269 I ALSO FOUND SOME, UH, HALF-EATEN FOOD AND SOME SCAT. 1014 00:35:00,269 --> 00:35:02,531 AND NOT TO MENTION, A TOOL 1015 00:35:02,531 --> 00:35:05,704 THAT BIGFOOT USED TO CLUB HIS PREY. 1016 00:35:05,704 --> 00:35:07,236 AND THERE'S BLOOD ON IT. 1017 00:35:07,236 --> 00:35:09,208 WAIT A MINUTE. YOU SAW A BLOODY CLUB? 1018 00:35:09,208 --> 00:35:10,709 YEAH. 1019 00:35:10,709 --> 00:35:12,211 SHOW US WHERE YOU FOUND IT. 1020 00:35:14,143 --> 00:35:17,246 (Beckett) DO YOU RECOGNIZE THIS? 1021 00:35:17,246 --> 00:35:19,588 THAT'S ANNE CARDINAL'S BLOOD. 1022 00:35:19,588 --> 00:35:21,620 WE'RE CHECKING YOUR CLOTHES FOR IT, TOO, 1023 00:35:21,620 --> 00:35:23,852 ALONG WITH THE DIRT THAT IS GONNA PLACE YOU IN THE WOODS. 1024 00:35:23,852 --> 00:35:25,724 YOU'RE JUST LIKE THOSE OTHER COPS. 1025 00:35:25,724 --> 00:35:29,158 YOU'D RATHER MAKE YOUR CASE THAN SEE THE TRUTH. 1026 00:35:29,158 --> 00:35:30,499 AND WHAT IS THE TRUTH, KURT? 1027 00:35:30,499 --> 00:35:32,431 I WAS LIVING OUT IN THOSE WOODS, 1028 00:35:32,431 --> 00:35:34,263 BUT ANNE WASN'T TRYING TO HUNT ME DOWN. 1029 00:35:34,263 --> 00:35:35,834 SHE CAME OUT THERE TO HELP ME, 1030 00:35:35,834 --> 00:35:37,636 TO BRING ME FOOD AND SUPPLIES. 1031 00:35:37,636 --> 00:35:40,739 WHY WOULD ANNE HELP THE MAN THAT MURDERED HER ROOMMATE? 1032 00:35:40,739 --> 00:35:41,870 A FEW MONTHS AGO, 1033 00:35:41,870 --> 00:35:44,173 I CAME OUT OF HIDING TO FIND ANNE. 1034 00:35:44,173 --> 00:35:47,616 I TOLD HER I WAS INNOCENT, THAT I DIDN'T KILL JUSTINE, 1035 00:35:47,616 --> 00:35:49,748 AND I BEGGED HER TO LOOK INTO THE CASE. 1036 00:35:49,748 --> 00:35:52,651 AND SHE AGREED TO BECAUSE SHE BELIEVED ME. 1037 00:35:52,651 --> 00:35:54,483 YEAH, WELL, I'M A LITTLE MORE SKEPTICAL. 1038 00:35:54,483 --> 00:35:55,624 I CAN VOUCH FOR THAT. 1039 00:35:55,624 --> 00:35:58,657 YOU HAVE A HISTORY OF VIOLENCE, KURT. 1040 00:35:58,657 --> 00:36:01,530 AND IT'S PRETTY CLEAR THAT JUSTINE DROPPED OUT 1041 00:36:01,530 --> 00:36:03,392 AND TRIED TO BREAK UP WITH YOU, SO YOU KILLED HER. 1042 00:36:03,392 --> 00:36:06,665 JUSTINE DID NOT DROP OUT TO GET AWAY FROM ME. 1043 00:36:06,665 --> 00:36:07,736 (sighs) 1044 00:36:07,736 --> 00:36:09,538 SHE AND I WERE IN LOVE. 1045 00:36:09,538 --> 00:36:12,701 WHEN SHE TOLD ME SHE WAS QUITTING HUDSON, 1046 00:36:12,701 --> 00:36:14,703 I DECIDED TO GO, TOO. 1047 00:36:14,703 --> 00:36:16,805 THE TWO OF US WERE PLANNING ON TRANSFERRING TO ANOTHER SCHOOL. 1048 00:36:16,805 --> 00:36:18,607 WE'D EVEN TOURED THE CAMPUS 1049 00:36:18,607 --> 00:36:20,779 AT S.U.N.Y. BINGHAMTON THE WEEK BEFORE. 1050 00:36:20,779 --> 00:36:22,781 AND I'M SURE THEY HAVE A RECORD OF THAT SOMEWHERE. 1051 00:36:22,781 --> 00:36:25,314 IF YOU WEREN'T THE REASON WHY JUSTINE LEFT HUDSON, 1052 00:36:25,314 --> 00:36:26,655 THEN WHAT WAS? 1053 00:36:26,655 --> 00:36:29,388 SHE NEVER TOLD ME. 1054 00:36:29,388 --> 00:36:30,919 SHE JUST SAID THAT THINGS WEREN'T WORKING OUT. 1055 00:36:30,919 --> 00:36:33,622 BUT NOW I'VE SPENT A LOT OF TIME 1056 00:36:33,622 --> 00:36:34,663 THINKING ABOUT THAT, 1057 00:36:34,663 --> 00:36:36,295 AND THE ONLY THING THAT MAKES SENSE 1058 00:36:36,295 --> 00:36:38,727 IS IF THERE WAS SOMEONE THERE THAT SHE WAS AFRAID OF. 1059 00:36:38,727 --> 00:36:39,868 LIKE WHO? 1060 00:36:39,868 --> 00:36:42,371 A CLASSMATE, A PROFESSOR-- I DON'T KNOW. 1061 00:36:42,371 --> 00:36:44,633 BUT I THINK ANNE FOUND OUT. 1062 00:36:44,633 --> 00:36:47,736 LAST WEEK WHEN I CAME TO SEE HER AT HER WORK, 1063 00:36:47,736 --> 00:36:50,739 SHE SAID THAT SHE WAS CLOSE TO HAVING ANSWERS. 1064 00:36:50,739 --> 00:36:52,441 AND THE NEXT THING I KNOW, SHE'S DEAD. 1065 00:36:52,441 --> 00:36:55,314 SO I FIGURE WHOEVER DID IT KILLED JUSTINE, TOO. 1066 00:36:55,314 --> 00:36:57,416 AND THAT--THAT'S WHY I BROKE INTO HER APARTMENT. 1067 00:36:57,416 --> 00:36:59,718 I WAS LOOKING FOR... I DON'T KNOW, 1068 00:36:59,718 --> 00:37:01,990 CLUES, ANSWERS, A-ANYTHING. 1069 00:37:01,990 --> 00:37:03,652 THE PERSON THAT YOU THINK KILLED ANNE AND JUSTINE-- 1070 00:37:03,652 --> 00:37:05,724 DO YOU HAVE ANY IDEA WHO IT IS? 1071 00:37:05,724 --> 00:37:07,256 IT HAD TO BE SOMEONE 1072 00:37:07,256 --> 00:37:09,227 WHO COULD TALK JUSTINE INTO OPENING HER DOOR. 1073 00:37:09,227 --> 00:37:10,699 YOU KNOW, SOMEONE SHE KNEW. 1074 00:37:10,699 --> 00:37:12,731 IT'S THE ONLY REASON THAT THEY WOULD STEAL HER NECKLACE. 1075 00:37:12,731 --> 00:37:15,604 IT WASN'T WORTH ANYTHING. 1076 00:37:15,604 --> 00:37:18,737 YOU WOULDN'T BE REFERRING TO A LAPIS PENDANT, WOULD YOU? 1077 00:37:18,737 --> 00:37:20,739 JUSTINE NEVER TOOK IT OFF. 1078 00:37:20,739 --> 00:37:25,243 WHEN I FOUND HER, THAT PENDANT WAS GONE. 1079 00:37:25,243 --> 00:37:27,416 WHOEVER TOOK IT KILLED HER. 1080 00:37:27,416 --> 00:37:28,717 KURT... 1081 00:37:28,717 --> 00:37:31,620 IS THIS JUSTINE'S PENDANT? 1082 00:37:33,452 --> 00:37:35,384 THAT'S WHY ANNE HAD IT. 1083 00:37:35,384 --> 00:37:38,427 THE PENDANT IS PROOF. SHE FOUND THE REAL KILLER. 1084 00:37:38,427 --> 00:37:40,529 IT HAS TO BE SOMEONE SHE SPENT TIME WITH RECENTLY. 1085 00:37:40,529 --> 00:37:42,991 SOMEONE SHE GOT CLOSE TO. 1086 00:37:42,991 --> 00:37:44,633 (Beckett) PROFESSOR DEVLIN. 1087 00:37:46,295 --> 00:37:48,367 CAN I HELP YOU, DETECTIVE? 1088 00:37:48,367 --> 00:37:49,738 AS A MATTER OF FACT, YOU CAN. 1089 00:37:49,738 --> 00:37:52,601 WHAT CAN YOU TELL US ABOUT JUSTINE BOLTON? 1090 00:37:52,601 --> 00:37:54,903 UH, SHE WAS A STUDENT AT HUDSON 1091 00:37:54,903 --> 00:37:57,606 WHO DIED RATHER TRAGICALLY. 1092 00:37:57,606 --> 00:37:59,508 WELL, YOU KNEW HER AS MORE THAN THAT. 1093 00:37:59,508 --> 00:38:01,510 SHE TOOK YOUR INTRODUCTION TO ANTHROPOLOGY COURSE 1094 00:38:01,510 --> 00:38:02,911 HER FRESHMAN YEAR. 1095 00:38:02,911 --> 00:38:04,983 YES, SHE DID, WHICH MADE HER LOSS A PERSONAL ONE. 1096 00:38:04,983 --> 00:38:07,055 BUT I FAIL TO SEE WHAT THAT-- 1097 00:38:07,055 --> 00:38:09,558 WERE YOU AWARE THAT AFTER SHE TOOK THAT COURSE, 1098 00:38:09,558 --> 00:38:12,391 SHE TOLD HER COUNSELOR THAT SHE WAS AFRAID 1099 00:38:12,391 --> 00:38:13,692 BECAUSE SOMEONE ON CAMPUS-- 1100 00:38:13,692 --> 00:38:15,764 SHE NEVER SAID WHO... 1101 00:38:15,764 --> 00:38:17,996 BUT SOMEONE WAS OBSESSED WITH HER? 1102 00:38:17,996 --> 00:38:20,799 WELL, NO DOUBT SHE WAS TALKING ABOUT HER BOYFRIEND-- 1103 00:38:20,799 --> 00:38:22,871 THE YOUNG MAN WHO KILLED HER. 1104 00:38:22,871 --> 00:38:24,833 AH, BUT SHE TOOK THE MEETING WITH HER COUNSELOR 1105 00:38:24,833 --> 00:38:26,775 BEFORE SHE MET HER BOYFRIEND. 1106 00:38:26,775 --> 00:38:28,937 BUT SHE HAD MET YOU. 1107 00:38:28,937 --> 00:38:31,309 YOU'VE HAD AN ODD CAREER, PROFESSOR. 1108 00:38:31,309 --> 00:38:33,311 YOU TAUGHT AT FOUR SCHOOLS IN SIX YEARS. 1109 00:38:33,311 --> 00:38:36,685 SO I MADE A FEW INQUIRIES, AND THERE WERE INTIMATIONS 1110 00:38:36,685 --> 00:38:37,816 OF STALKING, SEXUAL HARASSMENT, 1111 00:38:37,816 --> 00:38:39,017 AND EVEN WORSE. 1112 00:38:39,017 --> 00:38:41,019 ALL OF WHICH WERE FALSE. 1113 00:38:41,019 --> 00:38:42,921 AND LET ME POINT OUT, 1114 00:38:42,921 --> 00:38:45,694 NO ACTION WAS EVER TAKEN AGAINST ME. 1115 00:38:45,694 --> 00:38:47,926 JUSTINE HAD SCHEDULED A MEETING WITH THE DEAN 1116 00:38:47,926 --> 00:38:50,058 ON THE DAY THAT SHE WAS KILLED 1117 00:38:50,058 --> 00:38:51,730 TO EXPLAIN WHY SHE WAS LEAVING. 1118 00:38:51,730 --> 00:38:53,732 YOU COULDN'T LET HER TAKE THAT MEETING. 1119 00:38:53,732 --> 00:38:56,104 IF SHE DID... 1120 00:38:56,104 --> 00:38:58,467 YOUR DIRTY HISTORY WOULD BE EXPOSED. 1121 00:38:58,467 --> 00:39:00,609 YOU'D BE FINISHED. 1122 00:39:00,609 --> 00:39:01,770 SO YOU KILLED HER. 1123 00:39:01,770 --> 00:39:03,612 AND BEING THE PREDATOR THAT YOU ARE, 1124 00:39:03,612 --> 00:39:05,544 YOU TOOK A SOUVENIR-- HER PENDANT. 1125 00:39:05,544 --> 00:39:07,075 WITH ALL THE SUSPICION ON KURT WILSON, 1126 00:39:07,075 --> 00:39:08,717 NO ONE WAS LOOKING AT YOU. 1127 00:39:08,717 --> 00:39:11,380 UNTIL ANNE CAME ALONG. 1128 00:39:11,380 --> 00:39:13,682 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1129 00:39:13,682 --> 00:39:15,454 ANNE FOUND THAT PENDANT. 1130 00:39:15,454 --> 00:39:16,955 SHE KNEW IT WAS YOU. 1131 00:39:16,955 --> 00:39:19,888 AND WHEN SHE WENT INTO THE WOODS, YOU FOLLOWED HER. 1132 00:39:19,888 --> 00:39:21,590 WHAT WOODS? I WASN'T IN ANY WOODS. 1133 00:39:21,590 --> 00:39:22,761 WE CHECKED YOUR PHONE RECORDS. 1134 00:39:22,761 --> 00:39:24,933 YOUR CELL PINGED THE SAME TOWER AS ANNE'S DID 1135 00:39:24,933 --> 00:39:26,995 AROUND THE TIME THAT SHE WAS ATTACKED. 1136 00:39:26,995 --> 00:39:28,697 THAT PLACES YOU AT THE CRIME SCENE. 1137 00:39:28,697 --> 00:39:30,969 WE ALSO FOUND A CLUB WITH ANNE'S BLOOD ON IT 1138 00:39:30,969 --> 00:39:32,641 AND SOMEONE ELSE'S D.N.A. 1139 00:39:32,641 --> 00:39:35,003 AND BASED ON THE LOOK THAT YOU'RE GIVING ME RIGHT NOW, 1140 00:39:35,003 --> 00:39:36,845 I'M PRETTY DAMN SURE IT'S YOURS. 1141 00:39:36,845 --> 00:39:38,647 (ape growls) 1142 00:39:40,108 --> 00:39:41,750 (Beckett) SO, CASTLE, 1143 00:39:41,750 --> 00:39:43,752 ARE YOU DISAPPOINTED THAT THERE'S NO BIGFOOT AFTER ALL? 1144 00:39:43,752 --> 00:39:45,754 WELL, I'M NOT SO SURE THERE ISN'T. 1145 00:39:45,754 --> 00:39:47,716 I'M THINKING MAYBE HE'S OUT THERE SOMEWHERE, 1146 00:39:47,716 --> 00:39:49,788 AND IF HE IS, I HOPE TO SEE HIM ONE DAY. 1147 00:39:49,788 --> 00:39:52,891 PREFERABLY FROM A SAFE DISTANCE. 1148 00:39:54,523 --> 00:39:57,065 THANK YOU... FOR FINISHING WHAT ANNE STARTED. 1149 00:39:57,065 --> 00:39:58,597 BECAUSE OF YOU GUYS, 1150 00:39:58,597 --> 00:39:59,898 JUSTINE'S KILLER WILL PAY FOR WHAT HE DID TO HER, 1151 00:39:59,898 --> 00:40:01,830 AND, UH, I'M A FREE MAN. 1152 00:40:01,830 --> 00:40:03,772 SO WHAT'S NEXT FOR YOU? 1153 00:40:03,772 --> 00:40:06,535 I'M GOING TO CONTINUE ANNE'S WORK. 1154 00:40:06,535 --> 00:40:09,107 YOU'RE GONNA RESEARCH BIGFOOT, WHY? 1155 00:40:09,107 --> 00:40:11,680 WELL, WHEN SHE SUGGESTED I HIDE OUT IN THOSE WOODS, 1156 00:40:11,680 --> 00:40:14,613 SHE TOLD ME I'D HAVE COMPANY OUT THERE. 1157 00:40:14,613 --> 00:40:16,745 SHE WAS RIGHT. 1158 00:40:16,745 --> 00:40:19,117 DID YOU HEAR THAT? MM-HMM. 1159 00:40:19,117 --> 00:40:20,649 (rustles photo) I GOTTA GO AND GET MY OUTFIT. 1160 00:40:24,022 --> 00:40:26,455 (keys jangle) OOH. 1161 00:40:26,455 --> 00:40:28,096 HEY. 1162 00:40:28,096 --> 00:40:29,998 YOU, UM... 1163 00:40:29,998 --> 00:40:32,801 YOU STILL GOT A LITTLE... ON YOUR... 1164 00:40:32,801 --> 00:40:35,534 (whispers) I'M--I'M SO SORRY ABOUT THAT. 1165 00:40:35,534 --> 00:40:38,436 DO YOU KNOW HOW HUMILIATING THAT WAS? 1166 00:40:38,436 --> 00:40:40,739 (normal voice) I SWEAR, I HAD NO IDEA IT WAS YOU. 1167 00:40:40,739 --> 00:40:43,171 BUT, ALEXIS, WHY WERE YOU STEALING FOOD? 1168 00:40:43,171 --> 00:40:45,744 BECAUSE I RAN OUT OF MONEY. 1169 00:40:45,744 --> 00:40:48,847 HOW COULD YOU HAVE POSSIBLY SPENT ALL YOUR MONEY UNLESS-- 1170 00:40:48,847 --> 00:40:50,178 WAIT. NO. ARE YOU... 1171 00:40:50,178 --> 00:40:51,780 ARE--ARE YOU IN SOME KIND OF TROUBLE? 1172 00:40:51,780 --> 00:40:53,482 NO, I DIDN'T SPEND IT. I GAVE IT AWAY. 1173 00:40:53,482 --> 00:40:54,723 INVESTED IT, REALLY. 1174 00:40:54,723 --> 00:40:56,825 INVESTED IN WHAT? 1175 00:40:56,825 --> 00:40:59,658 MY FRIEND JONAH AT SCHOOL HAS A CROWDFUNDING CAMPAIGN 1176 00:40:59,658 --> 00:41:01,690 TO PLANT BAMBOO FORESTS ON THE ROOF OF SKYSCRAPERS 1177 00:41:01,690 --> 00:41:03,461 TO HELP CLEAN THE AIR. 1178 00:41:03,461 --> 00:41:05,033 WELL, WHY DIDN'T YOU JUST COME TO ME? 1179 00:41:05,033 --> 00:41:07,465 BECAUSE I DIDN'T WANT THE SPEECH. 1180 00:41:07,465 --> 00:41:08,837 I DON'T--WHAT SPEECH? 1181 00:41:08,837 --> 00:41:10,799 THAT PEOPLE LIKE US NEED TO BE CAREFUL 1182 00:41:10,799 --> 00:41:12,100 WITH THE KIND OF MONEY WE HAVE. 1183 00:41:12,100 --> 00:41:13,802 PEOPLE MIGHT TRY TO TAKE ADVANTAGE. 1184 00:41:13,802 --> 00:41:15,774 OH, THAT SPEECH. YEAH. 1185 00:41:15,774 --> 00:41:18,106 DAD, YOU BELIEVE IN ALL THESE UNBELIEVABLE THINGS, 1186 00:41:18,106 --> 00:41:20,779 LIKE BIGFOOT, AND I DON'T JUDGE. 1187 00:41:20,779 --> 00:41:24,683 BUT... I BELIEVE IN PEOPLE AND WHAT THEY CAN ACCOMPLISH. 1188 00:41:24,683 --> 00:41:26,515 I BELIEVE IN JONAH AND HIS VISION, 1189 00:41:26,515 --> 00:41:27,886 AND I WANTED TO SUPPORT HIM. 1190 00:41:27,886 --> 00:41:30,559 I THINK HE COULD MAKE A REAL DIFFERENCE IN THE WORLD. 1191 00:41:30,559 --> 00:41:31,860 AND, OKAY, SO MAYBE IT WAS STUPID 1192 00:41:31,860 --> 00:41:33,622 TO GIVE HIM ALL OF MY ALLOWANCE, 1193 00:41:33,622 --> 00:41:35,694 BUT I AM NOT THE FIRST PERSON TO DO SOMETHING STUPID 1194 00:41:35,694 --> 00:41:37,165 FOR SOMETHING THEY BELIEVE IN. 1195 00:41:37,165 --> 00:41:38,897 NO. NO, YOU'RE NOT. 1196 00:41:38,897 --> 00:41:43,532 MATTER OF FACT, IT'S A... BIT OF A FAMILY TRAIT. 1197 00:41:43,532 --> 00:41:46,805 BUT... YOU DO OWE ME 1198 00:41:46,805 --> 00:41:48,276 A CHATEAUBRIAND. 1199 00:41:48,276 --> 00:41:50,739 SO... LET'S GO TO LE CIRQUE. 1200 00:41:52,581 --> 00:41:55,243 AND THEN, UH, CALL THIS JONAH GUY, HAVE HIM MEET US. 1201 00:41:55,243 --> 00:41:57,245 I'D LIKE TO HEAR ABOUT HOW HE'S GONNA CHANGE THE WORLD. 1202 00:41:57,245 --> 00:41:58,887 (chuckles) REALLY? 1203 00:41:58,887 --> 00:42:00,218 I BELIEVE IN PEOPLE, TOO. 1204 00:42:00,218 --> 00:42:07,796 AND BORROWERS.