1 00:00:03,334 --> 00:00:05,676 (The Page Brothers) ♪ TAKE COMMAND WITH MY OUTSIDE VOICE ♪ 2 00:00:05,676 --> 00:00:07,678 ♪ WE'RE ROBBIN' THIS BITCH, YOU AIN'T GOT NO CHOICE ♪ 3 00:00:07,678 --> 00:00:09,610 ♪ DON'T HIT THE ALARM, DON'T BEG FOR YOUR MAMA ♪ 4 00:00:09,610 --> 00:00:11,582 ♪ FILL UP THAT BAG, WON'T BE NO DRAMA ♪ 5 00:00:11,582 --> 00:00:13,044 ♪ MOVE THAT ASS, MOVE THAT ASS ♪ 6 00:00:13,044 --> 00:00:14,385 MM. 7 00:00:14,385 --> 00:00:16,387 ♪ GET ON THE FLOOR, GET ON THE FLOOR ♪ 8 00:00:16,387 --> 00:00:17,618 ♪ MOVE THAT ASS ♪ 9 00:00:17,618 --> 00:00:19,190 (knob squeaks) 10 00:00:28,399 --> 00:00:31,462 (pants) 11 00:01:03,594 --> 00:01:06,437 SORRY TO KEEP YOU WAITING, DETECTIVE BECKETT. 12 00:01:06,437 --> 00:01:08,499 NOT A PROBLEM, SIR. YOU'RE A BUSY MAN. 13 00:01:08,499 --> 00:01:10,501 TELL THAT TO THE ATTORNEY GENERAL. 14 00:01:10,501 --> 00:01:12,603 HE JUST HAD HIS FIRST GRANDCHILD. 15 00:01:12,603 --> 00:01:14,405 NOW HE WANTS TO SHOW ME PICTURES. 16 00:01:14,405 --> 00:01:17,408 SO AGENT STACK SPOKE VERY HIGHLY OF YOU. 17 00:01:17,408 --> 00:01:20,751 SMART, TENACIOUS, 18 00:01:20,751 --> 00:01:22,313 INNOVATIVE THINKER. 19 00:01:22,313 --> 00:01:25,256 SAID YOU WERE A GOOD CANDIDATE FOR THE OPENING 20 00:01:25,256 --> 00:01:27,418 ON THE A.G. INVESTIGATIVE TEAM. 21 00:01:27,418 --> 00:01:29,420 WELL, I APPRECIATE HIS CONFIDENCE, SIR. 22 00:01:29,420 --> 00:01:31,522 YOU DON'T AGREE? 23 00:01:31,522 --> 00:01:34,625 NO, SIR. IT'S JUST THAT, UM... 24 00:01:34,625 --> 00:01:36,567 WELL, I'M-- I'M A HOMICIDE DETECTIVE. 25 00:01:36,567 --> 00:01:39,370 I-I DON'T HAVE ANY FEDERAL EXPERIENCE. 26 00:01:39,370 --> 00:01:41,202 THE ATTORNEY GENERAL'S NOT LOOKING FOR FEDERAL EXPERIENCE. 27 00:01:41,202 --> 00:01:42,603 HE WANTS PEOPLE WHO CAN GET THE JOB DONE. 28 00:01:42,603 --> 00:01:44,635 AND FROM EVERYTHING I'VE READ, 29 00:01:44,635 --> 00:01:46,137 THAT MIGHT BE YOU. 30 00:01:46,137 --> 00:01:47,578 WELL, THAT'S VERY KIND OF YOU, SIR. 31 00:01:47,578 --> 00:01:49,109 IT'S NOT KIND. 32 00:01:49,109 --> 00:01:51,212 IT'S WHAT YOU BELIEVE TO BE TRUE, 33 00:01:51,212 --> 00:01:52,513 ISN'T IT? 34 00:01:52,513 --> 00:01:54,245 IT'S WHY YOU GOT ON THE PLANE THIS MORNING, 35 00:01:54,245 --> 00:01:56,447 BECAUSE GIVEN YOUR BACKGROUND, 36 00:01:56,447 --> 00:01:59,320 YOUR QUALIFICATIONS, AND YOUR TRACK RECORD, 37 00:01:59,320 --> 00:02:02,193 YOU KNOW THAT YOU'RE HEADED FOR BIGGER THINGS. 38 00:02:02,193 --> 00:02:04,325 JUST LIKE YOU KNOW THAT OPPORTUNITIES LIKE THIS 39 00:02:04,325 --> 00:02:08,329 COME ALONG ONCE, MAYBE TWICE IN A LIFETIME. 40 00:02:08,329 --> 00:02:11,502 BUT IF THAT'S NOT WHAT YOU BELIEVE, 41 00:02:11,502 --> 00:02:16,437 IF YOU THINK THAT YOU'RE JUST A HOMICIDE COP... 42 00:02:18,339 --> 00:02:20,341 DOOR'S RIGHT OVER THERE. 43 00:02:22,243 --> 00:02:25,846 NO, SIR. I KNOW WHY I'M HERE. 44 00:02:27,378 --> 00:02:28,849 WELL, TAKE A SEAT. 45 00:02:28,849 --> 00:02:31,382 LET'S GET STARTED. 46 00:02:31,382 --> 00:02:33,554 DAD, WE NEED TO TALK. 47 00:02:33,554 --> 00:02:35,256 WHICH OF THESE DO YOU LIKE BETTER? 48 00:02:35,256 --> 00:02:36,557 DAD, I'M SERIOUS. 49 00:02:36,557 --> 00:02:38,559 I LIKE THE GREEN ONE, BUT IT KIND OF LOOKS LIKE 50 00:02:38,559 --> 00:02:40,561 A GIANT GREEN LIZARD IS ATTACKING THE CITY, 51 00:02:40,561 --> 00:02:42,393 WHICH IS COOL, BUT IT'S NOT WHAT THE BOOK IS ABOUT. 52 00:02:42,393 --> 00:02:44,935 SO I EITHER REWRITE THE BOOK TO MAKE IT ABOUT A GIANT LIZARD 53 00:02:44,935 --> 00:02:46,397 OR-- DAD. 54 00:02:46,397 --> 00:02:47,568 MAGENTA. YOU'RE RIGHT. 55 00:02:47,568 --> 00:02:49,570 IT'S CLASSIC, IT'S COOL, IT TELLS THE STORY-- 56 00:02:49,570 --> 00:02:50,601 (clears throat) DAD. 57 00:02:50,601 --> 00:02:51,772 WHAT? 58 00:02:51,772 --> 00:02:53,304 PROFESSOR RANKOWSKY STILL HASN'T RECEIVED 59 00:02:53,304 --> 00:02:54,875 THE CHECK FOR MY COSTA RICA TRIP. 60 00:02:54,875 --> 00:02:57,408 HE DIDN'T? THAT'S SO WEIRD. 61 00:02:57,408 --> 00:02:58,809 YOU DIDN'T SEND IT, DID YOU? 62 00:02:58,809 --> 00:03:01,312 I D--WHY--JUST WHY DO YOU WANT TO GO STUDY THE RAIN FOREST 63 00:03:01,312 --> 00:03:02,513 FOR SIX WEEKS ANYWAY? 64 00:03:02,513 --> 00:03:03,954 DAD, WE TALKED ABOUT THIS. 65 00:03:03,954 --> 00:03:06,287 I KNOW, BUT YOU'RE GONNA BE STAYING 66 00:03:06,287 --> 00:03:07,418 IN THE MIDDLE OF A JUNGLE, 67 00:03:07,418 --> 00:03:09,420 MILES AWAY FROM THE NEAREST PHONE, 68 00:03:09,420 --> 00:03:12,293 HOURS FROM THE NEAREST HOSPITAL. 69 00:03:12,293 --> 00:03:13,424 YOU COULD BE BITTEN BY A POISONOUS SPIDER 70 00:03:13,424 --> 00:03:14,965 OR A POISONOUS SNAKE. 71 00:03:14,965 --> 00:03:16,427 I LOOKED IT UP. 72 00:03:16,427 --> 00:03:18,399 TOUCANS ARE EXTREMELY AGGRESSIVE THIS TIME OF YEAR. 73 00:03:18,399 --> 00:03:21,302 IS THIS ABOUT PARIS? 74 00:03:23,904 --> 00:03:26,277 I WILL ADMIT TO BEING... 75 00:03:26,277 --> 00:03:30,511 SLIGHTLY OVERPROTECTIVE IN LIGHT OF RECENT EVENTS. 76 00:03:30,511 --> 00:03:33,814 DAD, I CAN'T STOP LIVING MY LIFE BECAUSE OF WHAT HAPPENED. 77 00:03:33,814 --> 00:03:35,516 AND, YEAH, I STILL HAVE NIGHTMARES, 78 00:03:35,516 --> 00:03:37,588 BUT THAT'S ONE OF THE REASONS I WANT TO GO. 79 00:03:37,588 --> 00:03:40,321 I DON'T WANT TO LET FEAR WIN. 80 00:03:40,321 --> 00:03:41,892 NO. 81 00:03:41,892 --> 00:03:45,326 NO, OF COURSE. YOU'RE RIGHT. I'LL... 82 00:03:45,326 --> 00:03:47,358 I'LL WRITE THE CHECK. 83 00:03:47,358 --> 00:03:49,630 BUT IT'S NOT GONNA STOP ME FROM WORRYING ABOUT YOU 84 00:03:49,630 --> 00:03:51,632 OR MISSING YOU. 85 00:03:51,632 --> 00:03:53,464 (sighs) 86 00:03:53,464 --> 00:03:57,237 AND I WOULDN'T WANT YOU TO. 87 00:03:57,237 --> 00:03:58,769 BUT IT'S ONLY SIX WEEKS. 88 00:03:58,769 --> 00:04:00,811 IT'S NOT LIKE I'M GOING AWAY FOREVER. 89 00:04:00,811 --> 00:04:02,643 (cell phone rings) 90 00:04:02,643 --> 00:04:05,916 NO, BUT IT SOUNDS LIKE SOMEONE HAS. 91 00:04:05,916 --> 00:04:07,548 ALWAYS A PLEASURE. (speaks indistinctly) 92 00:04:07,548 --> 00:04:09,550 GOOD TO SEE YA. 93 00:04:09,550 --> 00:04:13,424 (police radio chatter, siren wails) 94 00:04:13,424 --> 00:04:14,755 HEY, 'SITO. HEY. 95 00:04:14,755 --> 00:04:16,427 WHERE'S BECKETT? 96 00:04:16,427 --> 00:04:17,628 HOW THE HELL SHOULD I KNOW? 97 00:04:17,628 --> 00:04:18,929 AREN'T YOU TWO PRACTICALLY LIVING TOGETHER NOW? 98 00:04:18,929 --> 00:04:21,031 AH, WELL, SHE LEFT ME ALONE FOR A COUPLE OF DAYS 99 00:04:21,031 --> 00:04:22,633 SO I COULD FINISH "DEADLY HEAT," WHICH, BY THE WAY, 100 00:04:22,633 --> 00:04:25,436 IS BOTH DEADLY AND HOT, THANK YOU VERY MUCH FOR ASKING. 101 00:04:25,436 --> 00:04:26,597 I DIDN'T. 102 00:04:26,597 --> 00:04:27,738 RIGHT. 103 00:04:27,738 --> 00:04:29,600 HEY. SORRY I'M LATE. 104 00:04:29,600 --> 00:04:31,041 EVERYTHING OKAY? 105 00:04:31,041 --> 00:04:33,273 UM... YEAH, FINE. 106 00:04:33,273 --> 00:04:35,646 SO, UM, WHAT DO WE GOT? 107 00:04:35,646 --> 00:04:37,478 THIS WAY. 108 00:04:37,478 --> 00:04:38,709 (radio chatter continues) 109 00:04:38,709 --> 00:04:40,511 THE CEDRIC'S YOUR PRETTY TYPICAL 110 00:04:40,511 --> 00:04:42,613 NO-STAR RESIDENTIAL HOTEL. 111 00:04:42,613 --> 00:04:45,055 MOSTLY TRANSIENTS AND FOREIGN TOURISTS 112 00:04:45,055 --> 00:04:46,587 THAT DON'T KNOW ANY BETTER. 113 00:04:46,587 --> 00:04:49,920 GUESTS STARTED COMPLAINING OF A STRANGE COLORED WATER 114 00:04:49,920 --> 00:04:51,422 AND ALSO A FOUL ODOR 115 00:04:51,422 --> 00:04:53,424 COMING FROM THE PIPES THIS MORNING. 116 00:04:53,424 --> 00:04:55,526 WHEN MAINTENANCE FINALLY CHECKED IT OUT, 117 00:04:55,526 --> 00:04:56,927 THEY FOUND HER. 118 00:04:56,927 --> 00:04:58,329 (camera shutter clicking) HEY, LANIE. 119 00:04:58,329 --> 00:04:59,930 HEY. SO WE'VE GOT A CAUCASIAN FEMALE. 120 00:04:59,930 --> 00:05:02,933 PROBABLY 20, 21 YEARS OLD. 121 00:05:02,933 --> 00:05:04,405 (clicking continues) HOW'D SHE DIE? 122 00:05:04,405 --> 00:05:05,776 NOT SURE YET. 123 00:05:05,776 --> 00:05:07,808 THERE'S EVIDENCE OF BLUNT-FORCE TRAUMA TO THE HEAD. 124 00:05:07,808 --> 00:05:09,910 BUT I WON'T KNOW CAUSE UNTIL I GET HER BACK TO THE MORGUE. 125 00:05:09,910 --> 00:05:11,782 (Esposito) C.S.U. FOUND TRACES OF BLOOD AND HAIR 126 00:05:11,782 --> 00:05:13,313 ON THAT VENTILATION FAN. 127 00:05:13,313 --> 00:05:14,445 THEY'RE RUNNING IT FOR A MATCH. 128 00:05:14,445 --> 00:05:15,916 SO SOMEONE SMASHED HER ON THE HEAD 129 00:05:15,916 --> 00:05:17,448 AND THEN DUMPED HER IN THE TANK? 130 00:05:17,448 --> 00:05:18,619 (Ryan) UH, LOOKS LIKE IT. 131 00:05:18,619 --> 00:05:19,750 THEY FOUND BLOOD AT THE BASE OF THAT LADDER 132 00:05:19,750 --> 00:05:21,091 AND ON THE HANDRAILING. 133 00:05:21,091 --> 00:05:23,093 ALSO A BLOODY PARTIAL PRINT. 134 00:05:23,093 --> 00:05:25,025 WHO ELSE HAD ACCESS TO THE ROOF? 135 00:05:25,025 --> 00:05:26,497 (Esposito) PRETTY MUCH ANYONE. 136 00:05:26,497 --> 00:05:27,998 THE LATCH ON THE DOOR HAS BEEN BUSTED FOR YEARS, 137 00:05:27,998 --> 00:05:30,361 AND OFTEN, THE RESIDENTS WILL SNEAK UP HERE FOR A SMOKE. 138 00:05:30,361 --> 00:05:31,662 AND WHAT DO WE KNOW ABOUT HER? 139 00:05:31,662 --> 00:05:32,963 (Ryan) BUILDING MANAGER 140 00:05:32,963 --> 00:05:35,366 IDENTIFIED HER AS A RESIDENT NAMED CRYSTAL SKY. 141 00:05:35,366 --> 00:05:38,439 CHECKED IN 10 DAYS AGO TO A ROOM ON THE 18th FLOOR. 142 00:05:38,439 --> 00:05:39,440 PAID WITH CASH. 143 00:05:39,440 --> 00:05:40,771 CRYSTAL SKY? THAT NAME'S SO FAKE, 144 00:05:40,771 --> 00:05:42,112 IT SOUNDS LIKE SOMETHING OUT OF ONE OF YOUR BOOKS. 145 00:05:42,112 --> 00:05:43,544 (chuckles) RIGHT? (clicking continues) 146 00:05:43,544 --> 00:05:45,115 WHOA. WHAT--WHAT--WHAT IS THAT SUPPOSED TO MEAN? 147 00:05:45,115 --> 00:05:47,017 WHAT DO YOU MEAN, WHAT IS THAT SUPPOSED TO MEAN? 148 00:05:47,017 --> 00:05:48,649 DERRICK STORM? NIKKI HEAT? 149 00:05:48,649 --> 00:05:49,850 JAMESON ROOK? 150 00:05:49,850 --> 00:05:51,752 WOULD IT KILL YOU TO NAME SOMEONE GONZALES 151 00:05:51,752 --> 00:05:53,353 EVERY ONCE IN A WHILE? 152 00:05:53,353 --> 00:05:55,526 (Ryan) WELL, WITH NO I.D. FOUND ON THE BODY, 153 00:05:55,526 --> 00:05:57,458 NO PURSE, WALLET, OR PHONE IN THE ROOM, 154 00:05:57,458 --> 00:05:58,929 IT'S HARD TO KNOW WHO SHE IS. 155 00:05:58,929 --> 00:06:00,691 WELL, SHE'S BEEN HERE FOR TEN DAYS. 156 00:06:00,691 --> 00:06:02,393 SHE MUST HAVE MADE SOME FRIENDS. 157 00:06:02,393 --> 00:06:03,664 (man) YEAH, I KNEW HER. UM... 158 00:06:03,664 --> 00:06:05,436 I MEAN, WE TALKED SOMETIMES IN THE LAUNDRY ROOM. 159 00:06:05,436 --> 00:06:06,567 (camera shutter clicking) 160 00:06:06,567 --> 00:06:07,738 DID SHE TELL YOU ANYTHING ABOUT HERSELF, 161 00:06:07,738 --> 00:06:08,969 LIKE WHERE SHE WAS FROM? 162 00:06:08,969 --> 00:06:11,141 TEXAS. LUBBOCK, I THINK. 163 00:06:11,141 --> 00:06:13,804 BUT, YOU KNOW, THINGS WERE BAD AT HOME. HER DAD. 164 00:06:13,804 --> 00:06:15,646 ANY IDEA WHAT SHE WAS DOING IN THE CITY? 165 00:06:15,646 --> 00:06:17,578 OH, I CAN TELL YOU WHAT SHE WAS DOING. 166 00:06:17,578 --> 00:06:19,009 THE GIRL WAS A PROSTITUTE. 167 00:06:19,009 --> 00:06:20,811 SHE WASN'T A PROSTITUTE. WHY YOU GOTTA SAY THAT? 168 00:06:20,811 --> 00:06:22,012 BECAUSE IT'S TRUE. 169 00:06:22,012 --> 00:06:23,654 THE WAY SHE DRESSED, 170 00:06:23,654 --> 00:06:25,586 THE SOUNDS COMING OUT OF HER ROOM AT ALL HOURS OF THE NIGHT-- 171 00:06:25,586 --> 00:06:26,917 WE ALL KNEW IT. 172 00:06:26,917 --> 00:06:28,489 WHAT KIND OF SOUNDS? 173 00:06:28,489 --> 00:06:31,492 HER WITH HER JOHNS. THE WALLS HERE ARE PRETTY THIN. 174 00:06:31,492 --> 00:06:33,063 HEY, YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT, OKAY? 175 00:06:33,063 --> 00:06:35,165 OH, ZIFF, I KNOW YOU LIKED HER. 176 00:06:35,165 --> 00:06:37,397 BUT SOMEBODY KILLED THAT POOR GIRL. 177 00:06:37,397 --> 00:06:38,529 THESE FOLKS NEED TO KNOW THE TRUTH. 178 00:06:38,529 --> 00:06:40,631 WHEN WAS THE LAST TIME ANY OF YOU SAW HER? 179 00:06:40,631 --> 00:06:42,032 I SAW HER YESTERDAY. 180 00:06:42,032 --> 00:06:44,134 AROUND 11:00 P.M. SHE WAS HEADING FOR THE LAUNDRY ROOM. 181 00:06:44,134 --> 00:06:45,105 WAS ANYBODY WITH HER? 182 00:06:45,105 --> 00:06:46,677 NO, SHE WAS ALONE. 183 00:06:46,677 --> 00:06:48,439 OKAY, THANK YOU. 184 00:06:48,439 --> 00:06:49,480 YO. 185 00:06:49,480 --> 00:06:50,811 C.S.U. JUST FINISHED THEIR SWEEP. 186 00:06:50,811 --> 00:06:52,443 DID THEY FIND ANYTHING? 187 00:06:52,443 --> 00:06:53,914 IT'S WHAT THEY DIDN'T FIND. THERE WERE NO PRINTS. 188 00:06:53,914 --> 00:06:55,145 IT'S LIKE THE PLACE HAS BEEN WIPED DOWN. 189 00:06:55,145 --> 00:06:56,547 THE KILLER MUST HAVE COME BACK TO THE ROOM 190 00:06:56,547 --> 00:06:57,748 TO GET RID OF THE EVIDENCE. 191 00:06:57,748 --> 00:06:59,049 ALL RIGHT, SET UP A CANVASS. 192 00:06:59,049 --> 00:07:00,751 SEE IF ANYONE ELSE ENTERED OR EXITED THAT ROOM. 193 00:07:00,751 --> 00:07:03,093 AND, UH, LET'S PULL SURVEILLANCE FOOTAGE 194 00:07:03,093 --> 00:07:05,095 FROM THE SECURITY CAM IN THE ELEVATOR. 195 00:07:05,095 --> 00:07:08,058 MAYBE IT'LL TELL US WHO SHE WAS WITH. RIGHT ON. 196 00:07:08,058 --> 00:07:10,060 IT DOESN'T TAKE A BEST-SELLING MYSTERY WRITER 197 00:07:10,060 --> 00:07:11,562 TO FIGURE THIS ONE OUT. 198 00:07:11,562 --> 00:07:13,734 SMALL-TOWN GIRL WITH BIG-CITY DREAMS 199 00:07:13,734 --> 00:07:15,536 ENDS UP TURNING TRICKS TO SURVIVE. 200 00:07:15,536 --> 00:07:18,438 IT'S A TRAGIC, YET ALL-TOO-FAMILIAR TALE. 201 00:07:18,438 --> 00:07:19,439 EXCEPT... 202 00:07:19,439 --> 00:07:20,941 THAT'S NOT THIS GIRL'S STORY. 203 00:07:20,941 --> 00:07:23,744 WE JUST GOT A FINGERPRINT MATCH OFF THE VICTIM'S BODY. 204 00:07:23,744 --> 00:07:25,476 UH, HER NAME'S NOT CRYSTAL SKY. 205 00:07:25,476 --> 00:07:27,117 SHE'S DEFINITELY NOT FROM LUBBOCK, TEXAS. 206 00:07:27,117 --> 00:07:28,448 WELL, WHO IS SHE? 207 00:07:28,448 --> 00:07:29,920 ERIKA ALBROOK. 208 00:07:29,920 --> 00:07:31,181 SHE'S AN HONORS STUDENT 209 00:07:31,181 --> 00:07:33,724 AT HARVARD. 210 00:07:33,724 --> 00:07:36,657 OUR SKID-ROW HOOKER IS A HARVARD HONORS STUDENT? 211 00:07:36,657 --> 00:07:46,497 LIKE I SAID, A TRAGIC, YET NOT-SO-FAMILIAR TALE. 212 00:07:50,571 --> 00:07:51,702 THIS MAKES NO SENSE. 213 00:07:51,702 --> 00:07:52,873 SHE WAS SUPPOSED TO BE IN EUROPE 214 00:07:52,873 --> 00:07:54,044 BACKPACKING WITH HER FRIENDS. 215 00:07:54,044 --> 00:07:57,147 I MEAN... WE DROPPED HER OFF AT THE AIRPORT. 216 00:07:57,147 --> 00:07:59,710 WHEN? (woman) LAST MONDAY. 217 00:07:59,710 --> 00:08:01,151 THE SAME DAY SHE CHECKED IN TO THAT HOTEL. 218 00:08:01,151 --> 00:08:03,654 ANY IDEA WHAT SHE'D BE DOING IN THE CITY? 219 00:08:03,654 --> 00:08:05,656 NONE. AND WHY WOULD SHE STAY THERE? 220 00:08:05,656 --> 00:08:07,918 MY SISTER HAS A PLACE IN MIDTOWN. 221 00:08:07,918 --> 00:08:11,491 WERE THERE ANY PERSONAL ISSUES THAT WE SHOULD KNOW ABOUT? 222 00:08:11,491 --> 00:08:15,025 DID SHE HAVE ANY PROBLEMS WITH... DRUGS OR MONEY? 223 00:08:15,025 --> 00:08:17,497 (man huffs) ERIKA WOULD NEVER USE DRUGS, 224 00:08:17,497 --> 00:08:19,499 AND SHE HAD... SHE HAD PLENTY OF MONEY 225 00:08:19,499 --> 00:08:21,772 IN HER BANK ACCOUNT FOR EUROPE. 226 00:08:21,772 --> 00:08:23,974 IS IT POSSIBLE SHE MET SOMEONE IN THE CITY, 227 00:08:23,974 --> 00:08:25,175 A NEW BOYFRIEND? 228 00:08:25,175 --> 00:08:26,807 SHE WOULD'VE TOLD US. 229 00:08:26,807 --> 00:08:29,039 ARE YOU SURE ABOUT THAT? 230 00:08:29,039 --> 00:08:30,611 I DON'T KNOW ANYMORE. 231 00:08:30,611 --> 00:08:33,143 THE ONLY THING I DO KNOW IS, OUR DAUGHTER 232 00:08:33,143 --> 00:08:36,046 WOULD NEVER STAY IN A PLACE LIKE THAT. 233 00:08:36,046 --> 00:08:39,119 DETECTIVE, THIS ISN'T HER. 234 00:08:41,722 --> 00:08:43,754 STRAIGHT-A STUDENT, NO HISTORY OF TROUBLE, 235 00:08:43,754 --> 00:08:45,796 ON A DREAM EUROPEAN VACATION 236 00:08:45,796 --> 00:08:48,959 TURNS INTO A HOOKER IN A RATTY HOTEL. 237 00:08:48,959 --> 00:08:52,663 THERE IS NO WAY I'M LETTING ALEXIS GO TO COSTA RICA NOW. 238 00:08:52,663 --> 00:08:55,035 MAYBE SHE BROKE UNDER THE PRESSURE OF BEING PERFECT 239 00:08:55,035 --> 00:08:56,136 OR MAYBE SHE JUST DECIDED 240 00:08:56,136 --> 00:08:58,609 SHE NEEDED A CHANGE. 241 00:08:58,609 --> 00:09:00,110 HONORS STUDENT TO PROSTITUTE IN LESS THAN A WEEK? 242 00:09:00,110 --> 00:09:01,972 THAT'S QUITE A CHANGE. 243 00:09:01,972 --> 00:09:03,243 YEAH. IT DOESN'T MAKE ANY SENSE. 244 00:09:03,243 --> 00:09:05,746 MM. HEY, WHERE WERE YOU THIS MORNING? 245 00:09:05,746 --> 00:09:06,947 WHAT DO YOU MEAN? 246 00:09:06,947 --> 00:09:07,978 JUST CALLED YOU, A BUNCH OF TIMES. 247 00:09:07,978 --> 00:09:10,581 UH, MY PHONE MUST HAVE BEEN OFF. 248 00:09:10,581 --> 00:09:12,322 AH. (Esposito) HEY, GUYS. 249 00:09:12,322 --> 00:09:13,884 COME CHECK THIS OUT. 250 00:09:18,028 --> 00:09:21,031 (Esposito) 11:00 P.M. THE NIGHT ERIKA DIED. (tape fast-forwarding) 251 00:09:21,031 --> 00:09:23,093 SHE TAKES THE ELEVATOR DOWN TO THE LAUNDRY ROOM. 252 00:09:23,093 --> 00:09:25,195 NOW THIS IS 11:05. 253 00:09:25,195 --> 00:09:26,997 SHE TAKES THE ELEVATOR BACK UP TO HER ROOM. 254 00:09:26,997 --> 00:09:28,839 SEEMS PERFECTLY NORMAL. 255 00:09:28,839 --> 00:09:29,970 YEAH, BUT WATCH. 256 00:09:29,970 --> 00:09:31,872 THIS IS JUST AFTER MIDNIGHT. 257 00:09:31,872 --> 00:09:34,144 SHE TAKES THE ELEVATOR UP TO THE TOP FLOOR, 258 00:09:34,144 --> 00:09:36,677 ALONE, BUT WATCH WHAT HAPPENS WHEN SHE GETS THERE. (remote beeps) 259 00:09:38,578 --> 00:09:40,580 IT LOOKS LIKE SHE'S MAKING SURE NO ONE SEES HER. 260 00:09:40,580 --> 00:09:43,353 OR FOLLOWING HER. BUT THAT'S IT. 261 00:09:43,353 --> 00:09:45,215 SHE DOESN'T COME BACK DOWN. 262 00:09:45,215 --> 00:09:48,118 AND NO ONE GOES BACK UP THERE UNTIL 4:00 A.M. 263 00:09:48,118 --> 00:09:49,319 WHAT ABOUT EARLIER? 264 00:09:49,319 --> 00:09:51,321 NO. THE LAST PERSON TO GO UP TO THE TOP FLOOR 265 00:09:51,321 --> 00:09:53,724 WAS ANOTHER HOTEL GUEST AN HOUR EARLIER, 266 00:09:53,724 --> 00:09:55,065 BUT THE GUY'S 80 YEARS OLD. 267 00:09:55,065 --> 00:09:56,697 THERE'S NO WAY HE'S CLIMBING A WATER TOWER WITH A BODY. 268 00:09:56,697 --> 00:09:58,228 SOUNDS LIKE WHOEVER KILLED HER USED THE STAIRS. 269 00:09:58,228 --> 00:10:00,000 (Ryan) HEY. (sighs) SO... 270 00:10:00,000 --> 00:10:01,872 NO RECENT ACTIVITY ON HER PHONE. 271 00:10:01,872 --> 00:10:03,003 SHE LEFT IT WITH HER PARENTS 272 00:10:03,003 --> 00:10:04,875 SINCE SHE WAS SUPPOSED TO BE IN EUROPE. 273 00:10:04,875 --> 00:10:07,107 BUT, UM, CHECK THIS OUT. 274 00:10:07,107 --> 00:10:08,238 CREDIT CARD CHARGE? 275 00:10:08,238 --> 00:10:09,940 YEAH, FROM TWO DAYS AGO. 276 00:10:09,940 --> 00:10:12,042 IT'S HER ONLY TRANSACTION SINCE CHECKING IN TO THE HOTEL. 277 00:10:12,042 --> 00:10:13,313 MARGO'S. 278 00:10:13,313 --> 00:10:15,846 THAT'S A RESTAURANT IN MIDTOWN. IT'S EXPENSIVE. 279 00:10:15,846 --> 00:10:17,187 YEAH, AND SHE WASN'T ALONE. 280 00:10:17,187 --> 00:10:19,049 TURNS OUT SHE SPLIT THE CHECK WITH A TALIA McTEAGUE. 281 00:10:19,049 --> 00:10:21,191 OKAY, RUN HER DOWN. MAYBE SHE CAN GIVE US SOME ANSWERS. 282 00:10:21,191 --> 00:10:22,953 UH, IS THERE ANYTHING ON THE CANVASS? 283 00:10:22,953 --> 00:10:24,624 NOTHING USEFUL. 284 00:10:24,624 --> 00:10:26,126 NONE OF THE OCCUPANTS OF THE HOTEL 285 00:10:26,126 --> 00:10:28,128 ADMIT TO SEEING ANYONE GOING IN AND OUT OF HER HOTEL ROOM. 286 00:10:28,128 --> 00:10:30,661 BUT GIVEN WHAT THEY HEARD COMING FROM HER ROOM AT NIGHT, 287 00:10:30,661 --> 00:10:33,063 IT'S PRETTY CLEAR SHE WAS A PROSTITUTE. 288 00:10:33,063 --> 00:10:35,405 IF SHE WAS A PROSTITUTE, SHE WASN'T VERY GOOD AT IT. 289 00:10:35,405 --> 00:10:37,067 SERIOUSLY? 290 00:10:37,067 --> 00:10:38,408 YOU CAN TELL THAT? 291 00:10:38,408 --> 00:10:40,010 PROSTITUTION USUALLY MEANS SEX, 292 00:10:40,010 --> 00:10:42,372 AND THERE'S NO EVIDENCE OF SEXUAL ACTIVITY. 293 00:10:42,372 --> 00:10:44,014 BUT WHAT I DID FIND 294 00:10:44,014 --> 00:10:46,246 WERE DEFENSIVE WOUNDS, BRUISING AROUND THE NECK, 295 00:10:46,246 --> 00:10:49,019 AND EVIDENCE OF MULTIPLE BLOWS TO THE HEAD. 296 00:10:49,019 --> 00:10:51,021 I'M GUESSING SOMEONE HELD HER BY HER THROAT 297 00:10:51,021 --> 00:10:53,784 AND SLAMMED HER HEAD INTO THAT VENTILATION FAN. 298 00:10:53,784 --> 00:10:56,256 LACK OF WATER IN THE LUNGS INDICATE 299 00:10:56,256 --> 00:10:58,128 THAT SHE WAS DEAD BEFORE SHE WENT IN THE TANK. 300 00:10:58,128 --> 00:10:59,930 THEN WHY BOTHER EVEN PUTTING HER IN THERE? 301 00:10:59,930 --> 00:11:01,962 WATER HAS A GREAT WAY OF WASHING AWAY THINGS 302 00:11:01,962 --> 00:11:03,433 LIKE TRACE D.N.A. 303 00:11:03,433 --> 00:11:05,065 WAIT A MINUTE. I DON'T UNDERSTAND. 304 00:11:05,065 --> 00:11:06,767 IF SHE WASN'T HAVING SEX, 305 00:11:06,767 --> 00:11:09,139 THEN WHAT WERE ALL OF THOSE SOUNDS COMING OUT OF HER ROOM? 306 00:11:09,139 --> 00:11:12,973 (woman moaning) 307 00:11:12,973 --> 00:11:14,975 OOH. 308 00:11:14,975 --> 00:11:16,676 (clicks) 309 00:11:16,676 --> 00:11:18,448 OKAY. SO SHE WASN'T REALLY A HOOKER, 310 00:11:18,448 --> 00:11:20,250 SHE JUST WANTED EVERYONE TO THINK THAT SHE WAS. 311 00:11:20,250 --> 00:11:21,882 WHY? 312 00:11:21,882 --> 00:11:23,954 I DON'T KNOW, BUT NOT EVERYONE THOUGHT SHE WAS A HOOKER. 313 00:11:23,954 --> 00:11:27,157 THAT GUY NEXT DOOR, HE WAS PRETTY ADAMANT SHE WASN'T. 314 00:11:27,157 --> 00:11:29,990 SO WHAT DID HE KNOW THAT THE OTHERS DIDN'T? 315 00:11:29,990 --> 00:11:31,792 (lock clatters) 316 00:11:31,792 --> 00:11:33,964 I ALREADY TOLD YOU WHAT I KNOW. 317 00:11:33,964 --> 00:11:36,266 NOT EVERYTHING, ZIFF. 318 00:11:36,266 --> 00:11:38,268 HOW DID YOU KNOW SHE WASN'T A PROSTITUTE? 319 00:11:38,268 --> 00:11:40,400 PLEASE, LOOK, I DON'T WANT ANY TROUBLE. 320 00:11:40,400 --> 00:11:42,272 DID YOU MURDER HER? WHAT? NO. 321 00:11:42,272 --> 00:11:44,034 THE NOTHING YOU SAY IS GONNA GET YOU INTO TROUBLE. 322 00:11:46,136 --> 00:11:49,179 WELL, I HEARD THOSE... SOUNDS, YOU KNOW. 323 00:11:49,179 --> 00:11:50,981 COME ON, ZIFF. 324 00:11:50,981 --> 00:11:53,944 THERE'S A HOLE... 325 00:11:53,944 --> 00:11:56,146 IN THE WALL 326 00:11:56,146 --> 00:11:57,717 IN THE BACK OF THE CLOSET. 327 00:11:57,717 --> 00:11:59,089 YOU WERE SPYING ON HER? 328 00:11:59,089 --> 00:12:00,751 WHAT DID YOU SEE? 329 00:12:00,751 --> 00:12:02,222 WELL, THAT'S THE THING. I HEARD ALL THOSE SOUNDS, 330 00:12:02,222 --> 00:12:04,054 BUT THERE WAS NOTHING GOING ON. 331 00:12:04,054 --> 00:12:06,096 IT WAS JUST HER SITTING ON THE BED ALL NIGHT, 332 00:12:06,096 --> 00:12:07,497 FULLY DRESSED, WITH HER HEADPHONES ON, 333 00:12:07,497 --> 00:12:08,859 TYPING ON HER LAPTOP. 334 00:12:08,859 --> 00:12:10,931 THERE WASN'T A LAPTOP IN THE ROOM. 335 00:12:10,931 --> 00:12:12,262 THERE USED TO BE. SHE'D BE ON IT ALL NIGHT, 336 00:12:12,262 --> 00:12:14,034 STARING AT THE SCREEN. 337 00:12:14,034 --> 00:12:16,736 DID YOU EVER SEE ANYONE ELSE IN THERE WITH HER? 338 00:12:16,736 --> 00:12:18,138 NO. 339 00:12:18,138 --> 00:12:20,340 IT WAS ALWAYS JUST HER. 340 00:12:22,212 --> 00:12:24,144 THANKS FOR COMING IN, MS. McTEAGUE. 341 00:12:24,144 --> 00:12:26,746 OF COURSE. I CAN'T BELIEVE SHE'S DEAD. 342 00:12:26,746 --> 00:12:30,050 SO, UM, HOW DID YOU KNOW ERIKA? 343 00:12:30,050 --> 00:12:32,052 WE WERE FRIENDS FROM HARVARD. 344 00:12:32,052 --> 00:12:34,054 WE WERE BOTH COMPUTER SCIENCE MAJORS. 345 00:12:34,054 --> 00:12:35,886 DO YOU KNOW WHAT SHE WAS DOING IN THE CITY? 346 00:12:35,886 --> 00:12:37,127 NO. 347 00:12:37,127 --> 00:12:39,259 BUT YOU HAD LUNCH WITH HER TWO DAYS AGO. WHY? 348 00:12:39,259 --> 00:12:40,991 IT WAS... WEIRD. 349 00:12:40,991 --> 00:12:43,864 THAT MORNING, I WAS GETTING COFFEE 350 00:12:43,864 --> 00:12:44,995 FROM THIS PLACE IN THE VILLAGE, 351 00:12:44,995 --> 00:12:47,197 AND I SAW HER IN THIS BIG ARGUMENT 352 00:12:47,197 --> 00:12:48,438 WITH SOME GUY. 353 00:12:48,438 --> 00:12:50,270 SHE WAS DRESSED VERY DIFFERENT-- 354 00:12:50,270 --> 00:12:53,103 SEXED UP AND HER HAIR WAS PINK. 355 00:12:53,103 --> 00:12:55,405 ANYWAY, HE STORMS OFF, 356 00:12:55,405 --> 00:12:57,377 AND I GO UP TO HER TO SAY HELLO. 357 00:12:57,377 --> 00:12:59,079 AND SHE JUST LOOKS AT ME 358 00:12:59,079 --> 00:13:01,882 WITH THIS PANICKED LOOK ON HER FACE 359 00:13:01,882 --> 00:13:03,483 AND--AND BOLTS. 360 00:13:03,483 --> 00:13:05,515 LATER THAT DAY, SHE TRACKED ME DOWN, 361 00:13:05,515 --> 00:13:07,417 CALLED ME AT MY OFFICE, AND SAID 362 00:13:07,417 --> 00:13:08,989 WE NEEDED TO MEET UP RIGHT AWAY. 363 00:13:08,989 --> 00:13:10,320 SO WHAT HAPPENED AT LUNCH? 364 00:13:10,320 --> 00:13:11,561 SHE BEGGED ME NOT TO TELL ANYONE 365 00:13:11,561 --> 00:13:13,093 THAT SHE WAS IN THE CITY, 366 00:13:13,093 --> 00:13:14,064 THAT IF PEOPLE FOUND OUT, 367 00:13:14,064 --> 00:13:15,565 SHE COULD BE IN A LOT OF TROUBLE. 368 00:13:15,565 --> 00:13:17,127 DID SHE SAY WHY? 369 00:13:17,127 --> 00:13:19,299 I KEPT ASKING HER WHAT WAS GOING ON, 370 00:13:19,299 --> 00:13:21,932 BUT SHE WOULDN'T TALK ABOUT IT. 371 00:13:21,932 --> 00:13:24,474 SHE SAID SHE WAS ON SOME SORT OF A MISSION. 372 00:13:24,474 --> 00:13:25,936 A MISSION? 373 00:13:25,936 --> 00:13:27,277 THIS GUY THAT SHE WAS ARGUING WITH, 374 00:13:27,277 --> 00:13:29,980 DO YOU KNOW WHO HE WAS OR WHAT THEY WERE ARGUING ABOUT? 375 00:13:29,980 --> 00:13:31,011 NO. 376 00:13:31,011 --> 00:13:33,083 I JUST HEARD HIM SAY, 377 00:13:33,083 --> 00:13:36,546 "YOU HAVE NO IDEA WHAT YOU'RE UP AGAINST. 378 00:13:36,546 --> 00:13:38,318 THESE PEOPLE DON'T MESS AROUND." 379 00:13:39,850 --> 00:13:41,451 CAN YOU DESCRIBE HIM? 380 00:13:41,451 --> 00:13:42,993 YEAH. 381 00:13:42,993 --> 00:13:44,995 UNIFORMS ARE CANVASSING THE CEDRIC, 382 00:13:44,995 --> 00:13:46,957 BUT SO FAR, NOBODY RECOGNIZES HIM. 383 00:13:46,957 --> 00:13:48,859 (Ryan) HERE'S WHAT I DON'T GET-- WHY GO THROUGH ALL THE TROUBLE 384 00:13:48,859 --> 00:13:50,130 OF CREATING A FAKE PERSONA 385 00:13:50,130 --> 00:13:51,601 WHEN YOU'RE JUST GONNA BE ON YOUR LAPTOP ALL NIGHT? 386 00:13:51,601 --> 00:13:53,303 WAIT. 387 00:13:53,303 --> 00:13:54,865 DOES THE CEDRIC HAVE Wi-Fi? 388 00:13:54,865 --> 00:13:56,036 YEAH, THAT'S ABOUT ALL IT HAS. 389 00:13:56,036 --> 00:13:57,537 COMPUTER SCIENCE MAJOR, 390 00:13:57,537 --> 00:13:59,139 HOURS ON HER LAPTOP? 391 00:13:59,139 --> 00:14:00,370 SHE'S A HACKER, 392 00:14:00,370 --> 00:14:02,042 WHICH IS WHY SHE WAS STAYING AT THE CEDRIC. 393 00:14:02,042 --> 00:14:03,914 SHE COULD PAY IN CASH AND REMAIN ANONYMOUS 394 00:14:03,914 --> 00:14:05,545 WHILE SHE WAS USING THE I.P. ADDRESS. 395 00:14:05,545 --> 00:14:06,947 EXACTLY, AND WHATEVER SHE WAS HACKING INTO 396 00:14:06,947 --> 00:14:08,318 WAS EITHER SO ILLEGAL OR SO DANGEROUS, 397 00:14:08,318 --> 00:14:09,950 SHE HAD TO MAKE SURE THEY COULDN'T TRACE IT BACK TO HER. 398 00:14:09,950 --> 00:14:11,551 AND EVEN IF THEY DID TRACE IT BACK TO HER, 399 00:14:11,551 --> 00:14:13,924 THEY'D STILL HAVE TO FIND HER AMONGST HUNDREDS OF RESIDENTS. 400 00:14:13,924 --> 00:14:16,126 SO SHE CREATED A WHOLE FALSE PERSONA. 401 00:14:16,126 --> 00:14:17,457 AND WHO'S GONNA LOOK TWICE AT A RUNAWAY HOOKER? 402 00:14:17,457 --> 00:14:19,189 I MEAN, SHE'S LIKE THE GIRL WITH THE DRAGON TATTOO. 403 00:14:19,189 --> 00:14:20,560 ONLY THEY DID FIND HER, 404 00:14:20,560 --> 00:14:22,162 WHICH IS WHY WE CAN'T FIND HER LAPTOP. 405 00:14:22,162 --> 00:14:23,863 WHOEVER SHE WENT UP AGAINST 406 00:14:23,863 --> 00:14:25,365 KILLED HER AND TOOK IT. 407 00:14:25,365 --> 00:14:27,197 UH, PROBLEM. WE DON'T KNOW WHO SHE WENT UP AGAINST, 408 00:14:27,197 --> 00:14:29,199 AND NONE OF HER FRIENDS SEEM TO KNOW EITHER. 409 00:14:29,199 --> 00:14:31,071 OKAY, CONTACT THE CEDRIC'S INTERNET PROVIDER 410 00:14:31,071 --> 00:14:33,043 AND GET A LIST OF ALL THE I.P. ADDRESSES 411 00:14:33,043 --> 00:14:35,205 ACCESSED BY RESIDENTS OVER THE PAST TWO WEEKS. 412 00:14:35,205 --> 00:14:37,908 THERE'S GOTTA BE AN ANSWER SOMEWHERE IN THERE. 413 00:14:37,908 --> 00:14:40,250 HOW ABOUT I TAKE A BREAK FROM WRITING TONIGHT, 414 00:14:40,250 --> 00:14:42,552 YOU COME TO MY PLACE, I OPEN A BOTTLE OF WINE? 415 00:14:42,552 --> 00:14:44,014 (door opens) (Gates) DETECTIVE BECKETT. 416 00:14:44,014 --> 00:14:45,415 CAN I HAVE A WORD? 417 00:14:45,415 --> 00:14:47,958 YES. 418 00:14:47,958 --> 00:14:49,389 I'LL CATCH YOU LATER? 419 00:14:49,389 --> 00:14:50,961 SHE'S ALL YOURS. 420 00:14:50,961 --> 00:14:53,063 SIR. 421 00:14:53,063 --> 00:14:54,965 SHUT THE DOOR. 422 00:15:00,100 --> 00:15:01,101 HAVE A SEAT. 423 00:15:03,103 --> 00:15:06,136 I, UH... 424 00:15:06,136 --> 00:15:09,439 JUST GOT A CALL ABOUT YOU... 425 00:15:09,439 --> 00:15:14,144 FROM THE DEPUTY DIRECTOR OF THE FBI. 426 00:15:14,144 --> 00:15:18,118 APPARENTLY YOU HAD QUITE THE INTERVIEW IN D.C. 427 00:15:18,118 --> 00:15:19,489 THIS MORNING. 428 00:15:19,489 --> 00:15:21,151 LOOK, SIR, IT WAS-- 429 00:15:21,151 --> 00:15:23,923 I JUST WANT TO TELL YOU THAT, UM... 430 00:15:27,457 --> 00:15:29,599 I GAVE YOU MY HIGHEST RECOMMENDATION. 431 00:15:29,599 --> 00:15:31,301 YOU DID? 432 00:15:31,301 --> 00:15:34,965 KATE, THIS IS THE KIND OF WORK YOU WERE MEANT TO BE DOING. 433 00:15:34,965 --> 00:15:37,167 YOU'D BE ON THE NATIONAL STAGE, 434 00:15:37,167 --> 00:15:38,938 UTILIZING ALL YOUR TALENTS. 435 00:15:38,938 --> 00:15:41,411 THIS IS AN INCREDIBLE OPPORTUNITY. 436 00:15:41,411 --> 00:15:43,113 I WOULD'VE KILLED TO HAVE A SHOT AT SOMETHING LIKE THIS 437 00:15:43,113 --> 00:15:44,314 WHEN I WAS YOUR AGE. 438 00:15:44,314 --> 00:15:46,116 THANK YOU, SIR, BUT IT WAS JUST AN INTERVIEW. 439 00:15:46,116 --> 00:15:49,049 I MEAN, IT'S A LONG SHOT AT BEST. 440 00:15:49,049 --> 00:15:51,221 NO, I WOULDN'T BE SO SURE ABOUT THAT. 441 00:15:51,221 --> 00:15:52,722 FROM WHAT I HEAR, 442 00:15:52,722 --> 00:15:54,424 YOU'RE ON A SHORT LIST. 443 00:15:54,424 --> 00:15:56,286 AND WITH ANY LUCK, 444 00:15:56,286 --> 00:15:58,088 THIS COULD BE YOUR LAST CASE. 445 00:16:08,738 --> 00:16:10,200 (gasps) 446 00:16:10,200 --> 00:16:11,571 OH, GIRL, YOU SCARED ME. 447 00:16:11,571 --> 00:16:12,742 (chuckles) 448 00:16:12,742 --> 00:16:14,444 WHAT ARE YOU DOING HERE SO EARLY? 449 00:16:14,444 --> 00:16:16,606 I JUST WANTED TO SEE IF YOU HAD ANYTHING NEW ON THE VICTIM. 450 00:16:16,606 --> 00:16:20,050 (sighs) WELL, I WAS ABLE TO PLACE TIME OF DEATH 451 00:16:20,050 --> 00:16:22,312 BETWEEN 12:00 MIDNIGHT AND 1:00 A.M. 452 00:16:22,312 --> 00:16:23,483 MM-HMM. 453 00:16:23,483 --> 00:16:25,285 OH, AND I FOUND TRACES OF CREOSOTE 454 00:16:25,285 --> 00:16:26,456 UNDER HER FINGERNAILS, 455 00:16:26,456 --> 00:16:28,058 WHICH IS PROBABLY MEANINGLESS 456 00:16:28,058 --> 00:16:31,321 SINCE THE BOILER ROOM IS RIGHT NEXT TO THE LAUNDRY ROOM... 457 00:16:31,321 --> 00:16:32,762 (clicks switches) AND IT COULD'VE GOTTEN ON HER HANDS 458 00:16:32,762 --> 00:16:34,494 WHEN SHE WENT DOWN THERE. 459 00:16:34,494 --> 00:16:37,497 BUT... (exhales) 460 00:16:37,497 --> 00:16:39,569 THAT'S NOT WHY YOU'RE HERE, IS IT? 461 00:16:41,531 --> 00:16:43,033 OKAY. 462 00:16:43,033 --> 00:16:44,574 WHAT'S WRONG? 463 00:16:44,574 --> 00:16:46,736 NOTHING... (exhales) 464 00:16:46,736 --> 00:16:48,378 YET. 465 00:16:48,378 --> 00:16:50,510 LANIE, IF YOU HAD THE OPPORTUNITY 466 00:16:50,510 --> 00:16:53,313 TO DO SOMETHING THAT YOU WANTED TO DO 467 00:16:53,313 --> 00:16:56,786 BUT IT WOULD MEAN THAT... 468 00:16:56,786 --> 00:17:00,220 EVERYTHING IN YOUR LIFE MIGHT CHANGE, 469 00:17:00,220 --> 00:17:01,451 WOULD YOU TAKE IT? 470 00:17:01,451 --> 00:17:04,023 WELL, IT DEPENDS. 471 00:17:04,023 --> 00:17:05,525 HOW GOOD IS THE OPPORTUNITY? 472 00:17:05,525 --> 00:17:07,397 GREAT. 473 00:17:07,397 --> 00:17:10,730 REALLY, REALLY GREAT. 474 00:17:10,730 --> 00:17:12,802 BUT THE JOB'S IN D.C. 475 00:17:12,802 --> 00:17:15,705 AND YOU'RE WORRIED ABOUT CASTLE. 476 00:17:15,705 --> 00:17:20,070 (sighs) I MEAN, WE'RE IN THIS RELATIONSHIP, BUT... 477 00:17:20,070 --> 00:17:22,372 WE NEVER TALK ABOUT WHERE WE'RE GOING. 478 00:17:22,372 --> 00:17:24,744 AND THAT'S OKAY RIGHT NOW. IT'S JUST... 479 00:17:27,347 --> 00:17:29,319 BUT IF I GET THAT JOB... 480 00:17:29,319 --> 00:17:30,820 THEN YOU'RE GONNA HAVE TO. 481 00:17:30,820 --> 00:17:33,183 YEAH. 482 00:17:33,183 --> 00:17:35,355 MAYBE THAT'S NOT SUCH A BAD THING. 483 00:17:35,355 --> 00:17:37,657 YEAH, BUT WHAT IF IT IS? 484 00:17:37,657 --> 00:17:41,191 (cell phone rings) 485 00:17:42,492 --> 00:17:43,663 (beeps) 486 00:17:43,663 --> 00:17:45,395 HEY, CASTLE. 487 00:17:47,397 --> 00:17:49,439 YEAH. NO, I JUST WANTED TO GET AN EARLY START ON THE DAY. 488 00:17:49,439 --> 00:17:51,541 I DIDN'T WANT TO WAKE YOU UP. 489 00:17:52,802 --> 00:17:55,845 OKAY. ALL RIGHT. I'LL MEET YOU THERE. 490 00:17:58,508 --> 00:18:00,310 (beep) 491 00:18:02,512 --> 00:18:04,214 (keyboard keys clicking) 492 00:18:04,214 --> 00:18:05,715 SO I RAN DOWN ALL THE I.P. ADDRESSES 493 00:18:05,715 --> 00:18:08,458 THAT WERE ACCESSED THROUGH THE HOTEL SERVER... (beeping) 494 00:18:08,458 --> 00:18:10,190 TO FIND OUT WHAT OUR VICTIM WAS UP TO. 495 00:18:10,190 --> 00:18:11,421 ANY LUCK? 496 00:18:11,421 --> 00:18:13,263 THE MAJORITY OF THE I.P.s WERE TO PORN SITES. 497 00:18:13,263 --> 00:18:14,424 REALLY, WHICH ONES? 498 00:18:14,424 --> 00:18:15,465 I TOOK THE LIBERTY OF RULING THOSE OUT, 499 00:18:15,465 --> 00:18:17,397 AS WELL AS NORMAL COMMERCIAL SITES-- 500 00:18:17,397 --> 00:18:18,728 GOOGLE, AMAZON, YouTube. 501 00:18:18,728 --> 00:18:21,371 THAT NARROWED IT DOWN TO A COUPLE HUNDRED SITES. 502 00:18:21,371 --> 00:18:23,533 SO WE'RE STILL LOOKING FOR A NEEDLE IN A HAYSTACK. 503 00:18:23,533 --> 00:18:24,704 NOT NECESSARILY. 504 00:18:24,704 --> 00:18:25,875 I TOOK THOSE AND WENT BACK, 505 00:18:25,875 --> 00:18:27,477 LOOKING FOR MULTIPLE UNIQUE SITE HITS 506 00:18:27,477 --> 00:18:29,108 THAT COINCIDED WITH THE DATES 507 00:18:29,108 --> 00:18:30,680 YOUR VICTIM WAS CHECKED IN TO THE HOTEL. 508 00:18:30,680 --> 00:18:32,512 THAT LEFT ABOUT 20. (clicking keyboard keys) 509 00:18:32,512 --> 00:18:34,514 OOH. NOW WE'RE TALKING, GIRL. I-I CAN DEAL WITH 20. 510 00:18:34,514 --> 00:18:35,845 YOU MIGHT NOT HAVE TO. 511 00:18:35,845 --> 00:18:37,387 OF THOSE 20, I LOOKED FOR I.P.s 512 00:18:37,387 --> 00:18:39,189 THAT WERE ACCESSED LATE AT NIGHT... (chirps) 513 00:18:39,189 --> 00:18:40,820 DURING THE PERIOD WHEN YOUR WITNESS CLAIMED... (beeping continues) 514 00:18:40,820 --> 00:18:43,153 THE VICTIM WAS ON HER LAPTOP. 515 00:18:43,153 --> 00:18:44,354 (clicks keyboard key, computer chirps) 516 00:18:44,354 --> 00:18:45,625 THIS IS YOUR MOST LIKELY CANDIDATE. 517 00:18:45,625 --> 00:18:47,657 THE SERVER I.P. WAS ACCESSED MULTIPLE TIMES A NIGHT 518 00:18:47,657 --> 00:18:50,660 NEARLY EVERY NIGHT ERIKA WAS AT THE HOTEL. 519 00:18:50,660 --> 00:18:52,362 AND WHO'S IT BELONG TO? 520 00:18:52,362 --> 00:18:54,334 I.P. WAS TRACED TO BANKS AND BAUER. 521 00:18:54,334 --> 00:18:56,566 IT'S A BOUTIQUE LAW FIRM IN MIDTOWN. 522 00:18:56,566 --> 00:18:59,639 REPRESENTS HIGH-LEVEL POLITICOS AND CORPORATIONS. 523 00:18:59,639 --> 00:19:02,472 MAYBE ERIKA WAS SOME KIND OF ONLINE ERIN BROCKOVICH, 524 00:19:02,472 --> 00:19:03,913 YOU KNOW, A CRUSADER FOR GOOD 525 00:19:03,913 --> 00:19:05,815 DELVING INTO THE SEEDY UNDERBELLY OF THE LEGAL SYSTEM 526 00:19:05,815 --> 00:19:08,178 IN ORDER TO UNCOVER SOME SEAMY TRUTH. 527 00:19:08,178 --> 00:19:11,421 OR MAYBE SHE WAS JUST HIRED BY A RIVAL FIRM 528 00:19:11,421 --> 00:19:13,483 TO STEAL PRIVILEGED INFORMATION. 529 00:19:13,483 --> 00:19:14,554 NOW WHY MUST YOU BE SO CYNICAL? 530 00:19:14,554 --> 00:19:15,725 IT'S IN MY JOB DESCRIPTION. 531 00:19:15,725 --> 00:19:17,387 WHICH IS WHY YOU NEED ME. 532 00:19:17,387 --> 00:19:19,629 OKAY, WHY DON'T YOU DIG INTO ERIKA'S LIFE? 533 00:19:19,629 --> 00:19:21,391 CASTLE AND I WILL HIT THE LAW FIRM 534 00:19:21,391 --> 00:19:22,732 AND SEE IF THERE'S ANY CONNECTION. 535 00:19:22,732 --> 00:19:24,534 (Ryan) THANK YOU. 536 00:19:26,566 --> 00:19:28,898 THANK YOU? 537 00:19:28,898 --> 00:19:31,901 NO, I'VE NEVER SEEN HER BEFORE IN MY LIFE. 538 00:19:31,901 --> 00:19:33,403 MS. BANKS, YOU'RE SURE? 539 00:19:33,403 --> 00:19:35,875 OH, I'M POSITIVE. MITCH. 540 00:19:35,875 --> 00:19:38,308 THIS IS MY PARTNER-- MITCH BAUER. 541 00:19:38,308 --> 00:19:39,779 DO YOU KNOW THIS GIRL? 542 00:19:39,779 --> 00:19:41,481 NO. SHOULD I? 543 00:19:41,481 --> 00:19:43,413 THE POLICE THINK SHE MAY HAVE HACKED OUR SERVER. 544 00:19:43,413 --> 00:19:44,784 WHY, WHAT DID SHE ACCESS? 545 00:19:44,784 --> 00:19:45,915 WE DON'T KNOW. 546 00:19:45,915 --> 00:19:47,457 WELL, IS SHE IN CUSTODY? SORT OF. 547 00:19:47,457 --> 00:19:49,559 WHAT DO YOU MEAN, SORT OF? SHE'S DEAD. 548 00:19:49,559 --> 00:19:51,721 ACTUALLY, SHE WAS MURDERED, AND WE BELIEVE 549 00:19:51,721 --> 00:19:53,423 IT MIGHT HAVE TO DO WITH WHATEVER IT WAS 550 00:19:53,423 --> 00:19:55,265 SHE WAS TRYING TO ACCESS FROM YOUR SYSTEM. 551 00:19:55,265 --> 00:19:56,566 SECURITY SOFTWARE AND FIREWALL PROTECTION 552 00:19:56,566 --> 00:19:58,268 DON'T INDICATE ANY INCURSION. 553 00:19:58,268 --> 00:19:59,769 (Castle) YEAH, BUT IF THE HACKER IS GOOD, 554 00:19:59,769 --> 00:20:01,531 YOUR SOFTWARE MAY NOT PICK IT UP. 555 00:20:01,531 --> 00:20:03,403 IS THERE ANY WAY TO TRACE NETWORK ACTIVITY ON YOUR SERVER 556 00:20:03,403 --> 00:20:04,874 FOR THE PAST WEEK? 557 00:20:04,874 --> 00:20:06,476 YEAH. (clicks keyboard keys) 558 00:20:06,476 --> 00:20:08,278 (beeps and chirps) 559 00:20:08,278 --> 00:20:12,442 THERE--BETWEEN 11:00 P.M. AND 3:00 A.M. 560 00:20:12,442 --> 00:20:13,743 ALL LAST WEEK. 561 00:20:13,743 --> 00:20:15,585 BUT ACCORDING TO THE USAGE LOGS, 562 00:20:15,585 --> 00:20:17,987 NO ONE WAS SIGNED ON TO THE SYSTEM AT THAT TIME. 563 00:20:17,987 --> 00:20:19,449 ARE YOU TELLING ME, THIS GIRL HAD ACCESS 564 00:20:19,449 --> 00:20:20,820 TO OUR RECORDS FOR THE PAST WEEK AND A HALF, 565 00:20:20,820 --> 00:20:22,622 AND YOU HAVE NO IDEA WHAT SHE WAS DOING? 566 00:20:22,622 --> 00:20:23,993 I'M AFRAID SO. 567 00:20:23,993 --> 00:20:25,655 (Beckett) ARE THERE ANY CASES OR LITIGATION 568 00:20:25,655 --> 00:20:27,527 THAT YOUR FIRM'S INVOLVED IN CURRENTLY 569 00:20:27,527 --> 00:20:30,500 THAT MIGHT HINGE ON PRIVILEGED INFORMATION? 570 00:20:30,500 --> 00:20:32,662 ARE YOU KIDDING ME, DETECTIVE? 571 00:20:32,662 --> 00:20:34,634 WE'RE A LAW FIRM. ALL OF THEM. 572 00:20:34,634 --> 00:20:36,436 (Esposito) SO NO ONE AT THE LAW FIRM 573 00:20:36,436 --> 00:20:37,567 KNEW WHAT SHE WAS LOOKING FOR EITHER? 574 00:20:37,567 --> 00:20:39,569 EITHER THAT OR THEY'RE COVERING SOMETHING UP. 575 00:20:39,569 --> 00:20:42,272 BUT THE ONLY EVIDENCE OF WHAT SHE WAS UP TO 576 00:20:42,272 --> 00:20:43,773 IS ON THAT MISSING LAPTOP. 577 00:20:43,773 --> 00:20:45,445 SO WITHOUT IT, WE'RE DEAD IN THE WATER, 578 00:20:45,445 --> 00:20:47,477 MUCH LIKE ERIKA. 579 00:20:47,477 --> 00:20:49,819 (Castle and Esposito) TOO SOON. 580 00:20:49,819 --> 00:20:51,981 HEY, GUYS. I GOT SOMETHING. 581 00:20:51,981 --> 00:20:53,983 THAT PHONE CALL THAT SHE MADE TO HER FRIEND TO ARRANGE LUNCH 582 00:20:53,983 --> 00:20:56,726 HAD ME WONDERING EXACTLY WHERE THAT CALL CAME FROM. 583 00:20:56,726 --> 00:20:59,529 TURNS OUT, IT WAS A PAYPHONE AT THE HOTEL. 584 00:20:59,529 --> 00:21:01,361 SO I RAN DOWN THE OTHER CALLS MADE FROM THAT PHONE. 585 00:21:01,361 --> 00:21:02,562 ONE OF 'EM POPPED. 586 00:21:02,562 --> 00:21:04,494 IAN BLAYLOCK? 587 00:21:04,494 --> 00:21:06,566 YEAH, HE WAS AN ATTORNEY AT BANKS AND BAUER 588 00:21:06,566 --> 00:21:08,468 UNTIL HE WAS FIRED SIX MONTHS AGO. 589 00:21:08,468 --> 00:21:10,470 SHE MADE THREE PHONE CALLS TO HIM FROM THAT PHONE. 590 00:21:10,470 --> 00:21:12,542 EACH LASTING OVER FIVE MINUTES. 591 00:21:12,542 --> 00:21:15,945 THIS IS BLAYLOCK. 592 00:21:17,447 --> 00:21:20,980 MR. BLAYLOCK, NYPD. 593 00:21:20,980 --> 00:21:24,854 MR. BLAYLOCK, OPEN UP. 594 00:21:42,802 --> 00:21:45,475 (lowered voice) I THINK OUR PLOT JUST THICKENED. 595 00:21:52,882 --> 00:21:54,043 I'M PRETTY SURE THIS WASN'T A SUICIDE. 596 00:21:54,043 --> 00:21:55,615 HOW CAN YOU TELL? 597 00:21:55,615 --> 00:21:57,717 SEE THAT DIAGONAL LIGATURE MARK RUNNING UP HIS NECK? 598 00:21:57,717 --> 00:21:59,018 (Beckett) YEAH. 599 00:21:59,018 --> 00:22:00,390 WELL, THAT'S WHAT WE'D EXPECT TO FIND 600 00:22:00,390 --> 00:22:01,591 BECAUSE THE WEIGHT OF THE BODY 601 00:22:01,591 --> 00:22:03,693 PULLS THE CORD INTO A VERTICAL LINE. 602 00:22:03,693 --> 00:22:04,654 BUT? 603 00:22:04,654 --> 00:22:05,995 BUT THIS OTHER 604 00:22:05,995 --> 00:22:07,627 FAINT LIGATURE MARK-- 605 00:22:07,627 --> 00:22:09,729 SEE HOW IT RUNS HORIZONTALLY ACROSS HIS NECK? 606 00:22:09,729 --> 00:22:11,361 HE WAS STRANGLED FIRST. 607 00:22:11,361 --> 00:22:13,533 MM-HMM. THEN STRUNG UP. 608 00:22:13,533 --> 00:22:15,365 SO WE HAVE A SECOND MURDER. 609 00:22:15,365 --> 00:22:17,607 (camera shutter clicking) WELL, TECHNICALLY, IT'S THE FIRST MURDER. 610 00:22:17,607 --> 00:22:18,968 GIVEN TEMPERATURE AND DECOMPOSITION, 611 00:22:18,968 --> 00:22:20,510 I'D SAY HE DIED 612 00:22:20,510 --> 00:22:22,772 AT LEAST A DAY BEFORE OUR LADY IN THE WATER TANK. 613 00:22:22,772 --> 00:22:25,415 (Ryan) BECKETT. (clicking continues, siren wails) 614 00:22:25,415 --> 00:22:26,716 (mouths word) 615 00:22:26,716 --> 00:22:28,347 SO I WAS GOING THROUGH BLAYLOCK'S RECENT ACTIVITY. 616 00:22:28,347 --> 00:22:29,649 I FOUND THIS CHAT EXCHANGE 617 00:22:29,649 --> 00:22:31,581 BETWEEN HIM AND AN ANONYMOUS USER. 618 00:22:31,581 --> 00:22:33,723 "CHANGED MY MIND. 619 00:22:33,723 --> 00:22:34,754 "CAN'T LIVE LIKE THIS ANYMORE. 620 00:22:34,754 --> 00:22:37,527 "WILL TELL YOU EVERYTHING I KNOW. 621 00:22:37,527 --> 00:22:39,529 WHERE CAN WE MEET?" 622 00:22:39,529 --> 00:22:41,591 THE PERSON REPLIES, "THERE'S A PLACE NEAR WHERE I'M STAYING. 623 00:22:41,591 --> 00:22:43,463 CEDRIC HOTEL. ROOFTOP. AT MIDNIGHT." 624 00:22:43,463 --> 00:22:45,465 SHE ASKED HIM TO MEET HER UP THERE. 625 00:22:45,465 --> 00:22:46,896 SHE MUST HAVE THOUGHT IT WAS A LOCATION SHE COULD CONTROL. 626 00:22:46,896 --> 00:22:48,938 UH, GUYS, LOOK WHAT TIME HE SENT THE MESSAGE. 627 00:22:48,938 --> 00:22:51,471 10:00 P.M. THE NIGHT SHE WAS MURDERED. 628 00:22:51,471 --> 00:22:53,002 RIGHT, BUT ACCORDING TO LANIE'S TIME OF DEATH, 629 00:22:53,002 --> 00:22:54,644 BLAYLOCK WAS ALREADY DEAD. 630 00:22:54,644 --> 00:22:56,446 SO THIS WAS SENT BY WHOEVER KILLED HIM. 631 00:22:56,446 --> 00:22:58,648 HE LURED HER OUT. 632 00:22:58,648 --> 00:23:00,550 THEN KILLED HER, TOO. 633 00:23:00,550 --> 00:23:02,011 SO THE FOLKS AT THE LAW FIRM CLAIM 634 00:23:02,011 --> 00:23:04,714 THAT THEY HAVE NO IDEA WHY ANYONE WOULD MURDER BLAYLOCK 635 00:23:04,714 --> 00:23:07,086 OR WHY ERIKA WAS LOOKING FOR HIM. 636 00:23:07,086 --> 00:23:08,788 DID THEY AT LEAST TELL YOU WHY THEY LET BLAYLOCK GO? 637 00:23:08,788 --> 00:23:10,690 ONLY THAT IT WAS A PERSONAL ISSUE. 638 00:23:10,690 --> 00:23:12,862 (Esposito) WELL, IT MUST HAVE BEEN PRETTY SERIOUS. 639 00:23:12,862 --> 00:23:14,694 WE CHECKED WITH FRIENDS. APPARENTLY, HE WAS A RISING STAR 640 00:23:14,694 --> 00:23:16,466 AT THE FIRM UNTIL ABOUT A YEAR AGO 641 00:23:16,466 --> 00:23:19,499 WHEN, OUT OF THE BLUE, HE JUST BECAME DISTANT AND WITHDRAWN. 642 00:23:19,499 --> 00:23:22,001 HIS MARRIAGE FELL APART, AND HE STARTED DOING DRUGS. 643 00:23:22,001 --> 00:23:23,673 IT'S LIKE SOMETHING HAPPENED. 644 00:23:23,673 --> 00:23:25,675 (Beckett) SO ERIKA WAS LOOKING INTO THE FIRM. 645 00:23:25,675 --> 00:23:27,677 BLAYLOCK USED TO WORK AT THE FIRM. 646 00:23:27,677 --> 00:23:29,909 AND NOW THEY'RE BOTH DEAD. WHY? 647 00:23:29,909 --> 00:23:32,011 HEY. JUST HEARD BACK FROM ERIKA'S PARENTS. 648 00:23:32,011 --> 00:23:34,644 THE LAW FIRM RANG A BELL. 649 00:23:34,644 --> 00:23:36,916 TURNS OUT THAT ERIKA'S BEST FRIEND FROM HIGH SCHOOL 650 00:23:36,916 --> 00:23:39,519 INTERNED THERE LAST SUMMER-- A PAM BONNER. 651 00:23:39,519 --> 00:23:42,151 OKAY. MAYBE SHE CAN GIVE US SOME ANSWERS. 652 00:23:42,151 --> 00:23:44,454 WHERE DO WE FIND HER? 653 00:23:44,454 --> 00:23:46,425 UM, MOUNT HOPE CEMETERY IN WESTCHESTER. 654 00:23:46,425 --> 00:23:48,197 SHE WAS KILLED LAST SUMMER IN A CAR CRASH. 655 00:23:48,197 --> 00:23:49,999 WHAT WERE THE CIRCUMSTANCES? 656 00:23:49,999 --> 00:23:51,160 WELL, THERE WERE NO WITNESSES, 657 00:23:51,160 --> 00:23:52,762 BUT ACCORDING TO THE POLICE REPORT, 658 00:23:52,762 --> 00:23:54,063 SHE WAS DRIVING HOME FROM THE FIRM'S SUMMER PARTY. 659 00:23:54,063 --> 00:23:56,606 SHE LOST CONTROL AND CRASHED INTO A TREE. 660 00:23:56,606 --> 00:23:58,768 AUTOPSY INDICATES THAT SHE WAS INTOXICATED AT THE TIME. 661 00:23:58,768 --> 00:24:01,671 BUT ERIKA NEVER BELIEVED THE OFFICIAL ACCOUNT. 662 00:24:01,671 --> 00:24:02,972 ANY REASON WHY? 663 00:24:02,972 --> 00:24:04,714 WELL, SHE BELIEVED THAT PAM WOULD NEVER DRIVE DRUNK. 664 00:24:04,714 --> 00:24:06,746 AND WHEN THEY FOUND PAM, SHE WAS WEARING HIGH HEELS, 665 00:24:06,746 --> 00:24:08,678 AND ERIKA SAID SHE NEVER DROVE IN HEELS. 666 00:24:08,678 --> 00:24:10,680 THREE DEATHS, ALL LEADING BACK 667 00:24:10,680 --> 00:24:13,452 TO THE LAW FIRM OF BANKS AND BAUER. 668 00:24:13,452 --> 00:24:14,654 IS IT JUST ME, OR IS THIS 669 00:24:14,654 --> 00:24:17,026 STARTING TO SMELL LIKE A JOHN GRISHAM NOVEL? 670 00:24:17,026 --> 00:24:19,158 A SINGLE-CAR ACCIDENT WITH NO WITNESSES? 671 00:24:19,158 --> 00:24:21,691 GUYS, THIS IS A CLASSIC CONSPIRACY COVER-UP. 672 00:24:21,691 --> 00:24:23,763 THOUGH ONLY A LOWLY INTERN, 673 00:24:23,763 --> 00:24:26,465 PAM STUMBLES ONTO SOMETHING THE FIRM IS DOING, 674 00:24:26,465 --> 00:24:29,539 SOMETHING BIG, NEFARIOUS. 675 00:24:29,539 --> 00:24:31,601 SHE HAS TO BE SILENCED, ONLY AFTER THE ACCIDENT, 676 00:24:31,601 --> 00:24:33,072 BLAYLOCK CAN'T TAKE THE GUILT 677 00:24:33,072 --> 00:24:35,745 OR ADMIT THE TRUTH. 678 00:24:35,745 --> 00:24:38,207 SO HIS ONLY BASTION IS TO ESCAPE 679 00:24:38,207 --> 00:24:40,580 INTO THE SWEET OBLIVION OF DRUGS. 680 00:24:40,580 --> 00:24:42,051 AND THEN WHEN ERIKA STARTS COMING AROUND, 681 00:24:42,051 --> 00:24:43,613 THEY REALIZE THAT THEY'RE GONNA HAVE TO ACT 682 00:24:43,613 --> 00:24:44,684 BY ELIMINATING THEM BOTH. 683 00:24:44,684 --> 00:24:47,657 BUT WHAT ARE THEY COVERING UP? 684 00:24:47,657 --> 00:24:49,158 WHATEVER IT IS, 685 00:24:49,158 --> 00:24:51,060 THE ONLY POSSIBLE EVIDENCE IS ON ERIKA'S LAPTOP, 686 00:24:51,060 --> 00:24:52,662 WHICH OUR KILLER TOOK. 687 00:24:52,662 --> 00:24:53,763 YEAH. 688 00:24:53,763 --> 00:24:55,825 WAIT, ARE WE SURE ABOUT THAT? 689 00:24:55,825 --> 00:24:58,728 ERIKA WAS MEETING BLAYLOCK ON THE ROOF, RIGHT? 690 00:24:58,728 --> 00:25:00,229 A GUY WHO, ACCORDING TO THE E-MAIL, 691 00:25:00,229 --> 00:25:01,771 SHE DIDN'T KNOW VERY WELL. 692 00:25:01,771 --> 00:25:03,272 IF I'M ERIKA, I'M HIDING THAT LAPTOP. 693 00:25:03,272 --> 00:25:04,934 WELL, WE SEARCHED HER ROOM. IT WASN'T THERE. 694 00:25:04,934 --> 00:25:08,237 WAIT. DO YOU GUYS REMEMBER THE FOOTAGE FROM THE ELEVATOR? 695 00:25:08,237 --> 00:25:09,609 YES. 696 00:25:09,609 --> 00:25:11,641 SHE WENT DOWN TO THE LAUNDRY ROOM FIRST. 697 00:25:11,641 --> 00:25:12,782 AND LANIE SAID THAT SHE FOUND 698 00:25:12,782 --> 00:25:14,113 TRACES OF CREOSOTE UNDER HER FINGERNAILS 699 00:25:14,113 --> 00:25:15,745 FROM THE BOILER ROOM NEXT DOOR. 700 00:25:15,745 --> 00:25:18,648 (Castle and Beckett) THE LAPTOP'S IN THE BASEMENT. 701 00:25:23,653 --> 00:25:25,655 OH, MAN. THIS WAS CASTLE'S THEORY. 702 00:25:25,655 --> 00:25:26,996 HOW'D WE DRAW THE SHORT STRAW? 703 00:25:26,996 --> 00:25:28,157 I DON'T KNOW. 704 00:25:28,157 --> 00:25:30,229 LET ME ASK YOU SOMETHING. 705 00:25:30,229 --> 00:25:32,762 (clicks) YOU NOTICE ANYTHING WEIRD ABOUT BECKETT? 706 00:25:32,762 --> 00:25:34,063 WHAT DO YOU MEAN? 707 00:25:34,063 --> 00:25:35,735 WELL, SHE'S... 708 00:25:35,735 --> 00:25:37,066 SHE'S DIFFERENT. 709 00:25:37,066 --> 00:25:39,138 SOMETHING'S OFF. 710 00:25:39,138 --> 00:25:40,309 WHAT ARE YOU SAYING, 711 00:25:40,309 --> 00:25:42,171 LIKE, SHE'S PREGNANT OR... 712 00:25:42,171 --> 00:25:44,914 WHAT ARE YOU TALKING ABOUT? WHERE DID THAT EVEN COME FROM? 713 00:25:44,914 --> 00:25:46,916 WELL, YOU SAID SHE WAS ACTING DIFFERENT. 714 00:25:46,916 --> 00:25:48,547 THEY'RE CONSENTING ADULTS-- 715 00:25:48,547 --> 00:25:50,049 BECKETT IS NOT PREGNANT. 716 00:25:50,049 --> 00:25:51,921 COME ON, MAN. 717 00:25:51,921 --> 00:25:53,683 WHAT'S SO WRONG ABOUT BEING PREGNANT? 718 00:25:53,683 --> 00:25:55,785 YOU KNOW, I-I CAN'T EVEN TALK TO YOU ABOUT THIS 719 00:25:55,785 --> 00:25:56,926 RIGHT NOW. 720 00:25:56,926 --> 00:25:58,788 OKAY. WELL, UM, 721 00:25:58,788 --> 00:26:01,661 TRY TO GET OVER IT BEFORE JENNY TELLS YOU THE NEWS, OKAY? 722 00:26:01,661 --> 00:26:04,033 WHAT? 723 00:26:04,033 --> 00:26:05,595 ARE YOU SERIOUS? 724 00:26:05,595 --> 00:26:08,768 WOW. CONGRATULATIONS, MAN. THAT'S GREAT. 725 00:26:08,768 --> 00:26:10,600 THANKS, MAN. 726 00:26:12,101 --> 00:26:14,744 HOLD UP. THERE'S SOMETHING UP HERE. 727 00:26:20,710 --> 00:26:22,251 WHAT'S THAT? 728 00:26:22,251 --> 00:26:23,683 THAT'S A LAPTOP. 729 00:26:23,683 --> 00:26:26,686 OKAY. NO, THAT'S GREAT. THANK YOU. 730 00:26:26,686 --> 00:26:29,689 SO THEY FOUND THE LAPTOP. (sets cell phone down) 731 00:26:29,689 --> 00:26:31,060 I KNEW IT. SO WHAT WAS ON IT? 732 00:26:31,060 --> 00:26:32,762 WELL, THE HARD DRIVE IS ENCRYPTED, 733 00:26:32,762 --> 00:26:34,694 SO TECHS ARE GOING THROUGH IT NOW. 734 00:26:34,694 --> 00:26:36,826 WELL, SOMEWHERE ON THAT COMPUTER 735 00:26:36,826 --> 00:26:39,128 IS A CONSPIRACY OF LIES SO HEINOUS, 736 00:26:39,128 --> 00:26:41,801 SO DEADLY... 737 00:26:41,801 --> 00:26:42,872 WHAT'S THIS? 738 00:26:42,872 --> 00:26:44,273 WHAT'S WHAT? 739 00:26:44,273 --> 00:26:45,635 BOARDING PASS. 740 00:26:45,635 --> 00:26:46,676 CASTLE-- 741 00:26:46,676 --> 00:26:48,137 YOU FLY TO D.C. YESTERDAY? 742 00:26:50,379 --> 00:26:52,241 YES, I DID. 743 00:26:52,241 --> 00:26:54,644 WHY? 744 00:26:54,644 --> 00:26:57,386 I WAS INVITED DOWN FOR AN INTERVIEW. 745 00:26:58,818 --> 00:27:00,750 WHAT KIND OF INTERVIEW? 746 00:27:00,750 --> 00:27:03,753 FOR A POSITION WITH A FEDERAL TASK FORCE. 747 00:27:03,753 --> 00:27:06,656 I'M SORRY. 748 00:27:06,656 --> 00:27:10,700 YOU INTERVIEWED FOR ANOTHER JOB IN ANOTHER CITY... 749 00:27:10,700 --> 00:27:12,001 AND YOU DIDN'T TELL ME? 750 00:27:12,001 --> 00:27:13,332 I DIDN'T TELL YOU ABOUT IT 751 00:27:13,332 --> 00:27:15,364 BECAUSE IT WAS JUST AN INTERVIEW, 752 00:27:15,364 --> 00:27:17,106 AND I KNEW THAT YOU WOULD BE UPSET. 753 00:27:17,106 --> 00:27:20,209 OH... YEAH. 754 00:27:20,209 --> 00:27:21,941 YEAH, YOU'RE DAMN RIGHT, I'M UPSET. 755 00:27:21,941 --> 00:27:23,342 CASTLE, I JUST WANTED TO SEE WHAT WAS OUT THERE. 756 00:27:23,342 --> 00:27:24,844 WHAT'S WRONG WITH THAT? 757 00:27:24,844 --> 00:27:27,416 WHAT'S WRONG WITH IT IS THAT YOU HID IT FROM ME. 758 00:27:27,416 --> 00:27:29,819 IN FACT, YOU LIED ABOUT IT. I WOULDN'T DO THAT TO YOU. 759 00:27:29,819 --> 00:27:31,650 CASTLE, THIS ISN'T ABOUT YOU. 760 00:27:31,650 --> 00:27:34,924 THIS IS ABOUT ME. THIS IS ABOUT MY LIFE. 761 00:27:34,924 --> 00:27:37,286 SO YOU'RE SERIOUSLY CONSIDERING THIS? 762 00:27:37,286 --> 00:27:39,158 YES. THIS IS A WONDERFUL OPPORTUNITY. 763 00:27:39,158 --> 00:27:41,160 IT'LL BE A CHANCE TO DO MORE. 764 00:27:41,160 --> 00:27:43,793 WITHOUT ME. 765 00:27:43,793 --> 00:27:45,264 CASTLE, PLEASE DON'T DO THIS. 766 00:27:45,264 --> 00:27:47,396 PLEASE DON'T MAKE THIS ABOUT US. 767 00:27:47,396 --> 00:27:49,739 I'M SORRY. TELL ME HOW THIS ISN'T ABOUT US? 768 00:27:49,739 --> 00:27:51,070 YOU GET THIS JOB, 769 00:27:51,070 --> 00:27:53,873 YOU MOVE TO D.C., I'LL NEVER SEE YOU. 770 00:27:53,873 --> 00:27:56,746 THAT'S PRETTY MUCH THE END OF OUR RELATIONSHIP, ISN'T IT? 771 00:27:56,746 --> 00:27:57,777 YOU DON'T KNOW THAT. 772 00:27:57,777 --> 00:27:59,809 AND I PROBABLY WON'T EVEN GET THE JOB. 773 00:27:59,809 --> 00:28:01,310 THAT'S NOT THE POINT. 774 00:28:01,310 --> 00:28:04,683 THE POINT IS, YOU KNEW WHAT THIS COULD MEAN 775 00:28:04,683 --> 00:28:06,756 AND IT DIDN'T OCCUR TO YOU TO INCLUDE ME. 776 00:28:06,756 --> 00:28:08,818 OR WORSE, 777 00:28:08,818 --> 00:28:11,791 IT DID OCCUR TO YOU... 778 00:28:11,791 --> 00:28:14,764 AND YOU CHOSE NOT TO. 779 00:28:14,764 --> 00:28:16,465 NOW WHAT DOES THAT SAY ABOUT US? 780 00:28:18,167 --> 00:28:21,100 NOT MUCH, YOU ASK ME. 781 00:28:21,100 --> 00:28:22,331 CASTLE-- 782 00:28:22,331 --> 00:28:23,903 I CAN'T BE HERE RIGHT NOW. 783 00:28:23,903 --> 00:28:26,075 (sighs) 784 00:28:26,075 --> 00:28:28,778 (door opens and closes) 785 00:28:33,442 --> 00:28:34,744 (elevator bell dings) 786 00:28:34,744 --> 00:28:37,116 (indistinct conversations) 787 00:28:37,116 --> 00:28:38,788 HEY. HEY. 788 00:28:38,788 --> 00:28:39,989 YOU OKAY? 789 00:28:39,989 --> 00:28:41,290 YEP. 790 00:28:41,290 --> 00:28:43,052 WHERE'S CASTLE? 791 00:28:43,052 --> 00:28:45,424 I DON'T KNOW. 792 00:28:50,800 --> 00:28:52,902 (sighs) WE HAD A FIGHT, OKAY? 793 00:28:52,902 --> 00:28:54,764 WHAT, LIKE A REGULAR FIGHT 794 00:28:54,764 --> 00:28:56,906 OR... 795 00:28:56,906 --> 00:28:59,338 (sets cup down) HOW BAD? 796 00:29:00,739 --> 00:29:02,972 HEY, GUYS. WE GOT SOMETHING. 797 00:29:02,972 --> 00:29:05,875 ONCE YOUR VICTIM HACKED INTO THE LAW FIRM, 798 00:29:05,875 --> 00:29:08,848 SHE STARTED WITH THE BASICS-- E-MAILS, CALENDARS, PAYROLL. 799 00:29:08,848 --> 00:29:11,020 THEN SHE MOVED ON TO CLIENT AND PERSONAL FILES. 800 00:29:11,020 --> 00:29:12,481 DO WE KNOW WHAT SHE WAS LOOKING FOR? 801 00:29:12,481 --> 00:29:14,884 MM. HARD TO SAY, BUT FOR THE LAST FEW NIGHTS, 802 00:29:14,884 --> 00:29:16,325 ERIKA BECAME VERY FOCUSED 803 00:29:16,325 --> 00:29:18,027 ON THE FIRM'S ACCOUNTING DEPARTMENT. (keyboard keys clicking) 804 00:29:18,027 --> 00:29:19,428 THE ACCOUNTING DEPARTMENT? 805 00:29:19,428 --> 00:29:21,931 (computer chirps) IT APPEARS THAT SHE WAS LOOKING INTO 806 00:29:21,931 --> 00:29:24,093 IAN BLAYLOCK'S BILLABLE HOURS RECORDS. (beeps) 807 00:29:24,093 --> 00:29:27,096 FOCUSING EXCLUSIVELY ON ONE WEEK LAST SUMMER. (clicks keyboard keys) 808 00:29:27,096 --> 00:29:29,368 (chirp) WAIT A MINUTE. 809 00:29:29,368 --> 00:29:33,072 THAT'S THE SAME WEEK AS PAMELA BONNER'S CAR ACCIDENT. 810 00:29:33,072 --> 00:29:34,443 RIGHT. NOW CHECK IT OUT. 811 00:29:34,443 --> 00:29:38,007 THE HIGHWAY PATROL DETERMINED THAT PAM BONNER'S ACCIDENT 812 00:29:38,007 --> 00:29:39,979 OCCURRED BETWEEN 1:30 AND 2:00 A.M. 813 00:29:39,979 --> 00:29:42,081 AND IAN BLAYLOCK BILLED FOR AN INCOMING PHONE CALL 814 00:29:42,081 --> 00:29:44,413 FROM A CLIENT AT 1:45 A.M. 815 00:29:44,413 --> 00:29:46,355 (chirps) SO YOU THINK ONE OF HIS CLIENTS MIGHT HAVE BEEN INVOLVED? 816 00:29:46,355 --> 00:29:48,057 MAYBE RAN HER OFF THE ROAD? 817 00:29:48,057 --> 00:29:50,019 ACCORDING TO THE HIGHWAY PATROL, IT WAS A ONE-CAR ACCIDENT. 818 00:29:50,019 --> 00:29:52,091 YOU GUYS, WHAT IF ERIKA WAS RIGHT? 819 00:29:52,091 --> 00:29:54,894 WHAT IF PAMELA WASN'T DRIVING DRUNK OR IN HER HIGH HEELS? 820 00:29:54,894 --> 00:29:57,426 IN FACT, WHAT IF PAMELA WASN'T DRIVING AT ALL? 821 00:29:57,426 --> 00:29:58,928 SOMEONE ELSE WAS DRIVING, 822 00:29:58,928 --> 00:30:00,269 SOMEONE WHO CRASHED 823 00:30:00,269 --> 00:30:01,931 AND DIDN'T WANT TO BE BLAMED FOR PAM'S DEATH. 824 00:30:01,931 --> 00:30:04,033 SO HE PUT HER BEHIND THE WHEEL, FLED THE SCENE. 825 00:30:04,033 --> 00:30:05,334 AND THEN CALLED THEIR LAWYER. 826 00:30:05,334 --> 00:30:07,036 WHO MADE THAT PHONE CALL TO BLAYLOCK? 827 00:30:07,036 --> 00:30:08,377 FOR SECURITY, THE FIRM REPLACES 828 00:30:08,377 --> 00:30:10,109 ITS CLIENTS' NAMES WITH CODES. 829 00:30:10,109 --> 00:30:11,911 THIS ONE'S 47BGO. 830 00:30:11,911 --> 00:30:14,413 OKAY, THAT FIRM'S NEVER GONNA GIVE UP THAT INFORMATION. 831 00:30:14,413 --> 00:30:16,585 LET'S SEE WHERE ELSE THAT CODE SHOWS UP. (clicking keyboard keys) 832 00:30:16,585 --> 00:30:18,948 CROSS-REFERENCE IT, SEE IF WE CAN I.D. OUR PERSON FROM THERE. 833 00:30:18,948 --> 00:30:20,419 (chirps and beeps) YOU DON'T HAVE TO LOOK TOO FAR. 834 00:30:20,419 --> 00:30:22,551 BLAYLOCK BILLED THAT VERY SAME CLIENT 835 00:30:22,551 --> 00:30:25,194 FOR A ROUND OF GOLF THE DAY AFTER THE CAR CRASH. 836 00:30:25,194 --> 00:30:26,956 WELL, THAT'D BE A PERFECT PLACE TO DISCUSS DETAILS. 837 00:30:26,956 --> 00:30:29,528 NO ONE WOULD OVER HEAR THEM. 838 00:30:29,528 --> 00:30:31,530 (Beckett) SO ACCORDING TO THE STARTER AT THE PRO SHOP, 839 00:30:31,530 --> 00:30:33,432 BLAYLOCK WAS PLAYING GOLF WITH ANOTHER MEMBER-- 840 00:30:33,432 --> 00:30:35,935 COLIN RIGSDALE III. 841 00:30:35,935 --> 00:30:37,937 OF THE RIGSDALE POLITICAL FAMILY? YEAH. 842 00:30:37,937 --> 00:30:40,569 WORD IS DADDY'S GROOMING HIM FOR A STATE SENATE RUN. (beeps) 843 00:30:40,569 --> 00:30:42,171 (Esposito) NOT IF THIS GETS OUT. 844 00:30:42,171 --> 00:30:43,442 A FATAL CAR CRASH WITH A COLLEGE CHICK? 845 00:30:43,442 --> 00:30:44,613 NAH, HE'D BE DONE. 846 00:30:44,613 --> 00:30:46,115 THAT'S WHY HE WAS COVERING IT UP. 847 00:30:46,115 --> 00:30:47,576 WITH BLAYLOCK'S HELP UNTIL THE GUILT SET IN. 848 00:30:47,576 --> 00:30:49,118 AND THEN ERIKA STARTED POKING AROUND, 849 00:30:49,118 --> 00:30:50,249 AND PEOPLE STARTED DYING. 850 00:30:50,249 --> 00:30:52,081 IT SAYS HERE RIGSDALE'S STILL REPRESENTED 851 00:30:52,081 --> 00:30:53,422 BY BANKS AND BAUER. 852 00:30:53,422 --> 00:30:55,024 GIVE 'EM A CALL. TELL 'EM I'M COMING. 853 00:30:55,024 --> 00:30:56,585 RIGHT. 854 00:30:57,957 --> 00:30:59,929 HEY, WHAT'S GOING ON? WHERE'S CASTLE? 855 00:30:59,929 --> 00:31:01,490 DON'T ASK. 856 00:31:03,592 --> 00:31:05,064 (keypad beeping) 857 00:31:05,064 --> 00:31:06,635 THANK YOU FOR MEETING WITH ME, MR. RIGSDALE. 858 00:31:06,635 --> 00:31:09,168 WELL, WHEN JESSICA TOLD ME SOMEONE 859 00:31:09,168 --> 00:31:10,499 HAD HACKED INTO THEIR SYSTEM, 860 00:31:10,499 --> 00:31:12,601 I WAS, OF COURSE, CONCERNED. 861 00:31:12,601 --> 00:31:14,603 I THINK WE ALL KNOW WHAT MY POLITICAL OPPONENTS MIGHT DO 862 00:31:14,603 --> 00:31:17,076 IF THEY MANAGED TO ACCESS CONFIDENTIAL INFORMATION. 863 00:31:17,076 --> 00:31:19,008 SO THE GIRL WHO HACKED INTO OUR SYSTEM, 864 00:31:19,008 --> 00:31:20,349 DID YOU FIND OUT WHAT SHE WAS AFTER? 865 00:31:20,349 --> 00:31:22,982 YES, AND WE ALSO BELIEVE WE KNOW WHY SHE WAS KILLED. 866 00:31:22,982 --> 00:31:25,985 ARE YOU FAMILIAR WITH A GIRL NAMED PAMELA BONNER? 867 00:31:28,117 --> 00:31:29,618 DETECTIVE, WHAT IS THIS ABOUT? 868 00:31:29,618 --> 00:31:32,091 MR. RIGSDALE? 869 00:31:32,091 --> 00:31:33,993 THE NAME'S NOT FAMILIAR. 870 00:31:33,993 --> 00:31:35,264 REALLY? I UNDERSTAND 871 00:31:35,264 --> 00:31:36,966 THAT SHE WAS AN INTERN HERE AT THE FIRM LAST YEAR. 872 00:31:36,966 --> 00:31:38,297 ISN'T THAT CORRECT? 873 00:31:38,297 --> 00:31:40,970 AND ISN'T IT ALSO CORRECT THAT YOU ATTENDED 874 00:31:40,970 --> 00:31:44,033 THE BANKS AND BAUER SUMMER ASSOCIATE PARTY LAST YEAR? 875 00:31:44,033 --> 00:31:45,004 DON'T ANSWER THAT. 876 00:31:45,004 --> 00:31:47,106 DETECTIVE, WHAT ARE YOU DOING? 877 00:31:47,106 --> 00:31:49,538 THE SAME THING THAT MY VICTIM ERIKA ALBROOK WAS DOING, 878 00:31:49,538 --> 00:31:51,080 TRYING TO FIGURE OUT 879 00:31:51,080 --> 00:31:53,912 HOW HER BEST FRIEND PAMELA BONNER ACTUALLY DIED. 880 00:31:53,912 --> 00:31:55,314 HER DEATH WAS AN ACCIDENT. 881 00:31:55,314 --> 00:31:56,645 REALLY? 882 00:31:56,645 --> 00:31:59,018 THEN WHY DO WE HAVE A RECORD OF IAN BLAYLOCK, 883 00:31:59,018 --> 00:32:00,649 MR. RIGSDALE'S ATTORNEY AT THE TIME, 884 00:32:00,649 --> 00:32:04,553 RECEIVING A PHONE CALL FROM HIM AT 1:45 THAT NIGHT? 885 00:32:04,553 --> 00:32:06,925 DETECTIVE, THIS IS PRIVILEGED INFORMATION. 886 00:32:06,925 --> 00:32:08,027 IT'S INADMISSIBLE. 887 00:32:08,027 --> 00:32:09,558 AND WE'RE NOT IN COURT. 888 00:32:09,558 --> 00:32:13,632 THIS MEETING IS OVER. YOU NEED TO LEAVE. NOW. 889 00:32:16,035 --> 00:32:18,167 JUST TELL ME, HOW AM I SUPPOSED TO TRUST HER? 890 00:32:18,167 --> 00:32:20,970 HOW AM I EVEN SUPPOSED TO-- TO BE IN A RELATIONSHIP WITH HER 891 00:32:20,970 --> 00:32:22,471 IF SHE WON'T LET ME IN? 892 00:32:22,471 --> 00:32:24,013 WELL, RICHARD-- 893 00:32:24,013 --> 00:32:26,475 AFTER EVERYTHING THAT WE'VE BEEN THROUGH TOGETHER, I... 894 00:32:26,475 --> 00:32:29,548 I JUST DON'T UNDERSTAND. 895 00:32:29,548 --> 00:32:31,380 I HATE TO SAY IT, KIDDO, BUT I DO. 896 00:32:31,380 --> 00:32:33,052 LOOK, THE TRUTH IS, 897 00:32:33,052 --> 00:32:36,025 KATHERINE IS A BRIGHT, AMBITIOUS WOMAN. 898 00:32:36,025 --> 00:32:38,127 SHE SHOULD BE INTERVIEWING FOR THAT JOB. 899 00:32:38,127 --> 00:32:39,958 WHOSE SIDE ARE YOU ON? 900 00:32:39,958 --> 00:32:42,131 YOU WANT HER TO PUT YOU FIRST 901 00:32:42,131 --> 00:32:43,232 WHEN NEITHER ONE OF YOU KNOW 902 00:32:43,232 --> 00:32:44,693 WHERE THE RELATIONSHIP IS GOING. 903 00:32:44,693 --> 00:32:46,235 DO YOU KNOW HOW ABSURD THAT IS? 904 00:32:46,235 --> 00:32:47,736 I MEAN, THAT IS AS BAD 905 00:32:47,736 --> 00:32:50,669 AS YOUR NOT SIGNING THAT CHECK FOR ALEXIS' PROGRAM. 906 00:32:50,669 --> 00:32:53,242 THIS ISN'T ABOUT ME. 907 00:32:53,242 --> 00:32:55,144 ARE YOU SURE? 908 00:32:55,144 --> 00:32:59,348 I KNOW YOU. YOU DO NOT HOLD BACK. 909 00:32:59,348 --> 00:33:01,980 EXCEPT... 910 00:33:01,980 --> 00:33:03,552 THIS THING WITH KATHERINE. 911 00:33:03,552 --> 00:33:05,984 IT TOOK YOU, WHAT, THREE YEARS TO TELL HER HOW YOU FELT. 912 00:33:05,984 --> 00:33:07,586 ANOTHER YEAR TO ACT ON IT. 913 00:33:07,586 --> 00:33:10,759 AND NOW, FIRST SIGN OF TROUBLE, YOU'RE READY TO RUN. 914 00:33:10,759 --> 00:33:12,991 WHY? 915 00:33:12,991 --> 00:33:15,424 NOW YOU'RE HAVING A GOOD TIME, YOU BOTH ARE, 916 00:33:15,424 --> 00:33:17,326 AND I KNOW YOU SAY YOU LOVE HER, 917 00:33:17,326 --> 00:33:22,101 BUT, DARLING, THIS IS WHO SHE IS. 918 00:33:22,101 --> 00:33:25,134 SO IS IT POSSIBLE THAT THE REASON YOU HAVE HELD BACK 919 00:33:25,134 --> 00:33:27,636 IS BECAUSE SOMEWHERE DEEP DOWN INSIDE 920 00:33:27,636 --> 00:33:31,040 YOU DON'T THINK THIS IS GONNA REALLY WORK? 921 00:33:34,313 --> 00:33:36,115 (bell dings) 922 00:33:38,317 --> 00:33:40,018 I TAKE IT HE DIDN'T CONFESS. 923 00:33:40,018 --> 00:33:42,020 I DIDN'T NEED HIM TO. 924 00:33:42,020 --> 00:33:45,023 I JUST NEEDED TO SEE HIS EYES. IT'S HIM. 925 00:33:45,023 --> 00:33:46,455 WELL, THE EVIDENCE 926 00:33:46,455 --> 00:33:47,596 BEGS TO DIFFER. 927 00:33:47,596 --> 00:33:48,757 HIS PRINTS ARE IN THE SYSTEM 928 00:33:48,757 --> 00:33:50,028 FROM HIS ARREST 929 00:33:50,028 --> 00:33:51,460 AT A POLITICAL PROTEST A DECADE AGO. 930 00:33:51,460 --> 00:33:53,062 I RAN 'EM AGAINST THE PARTIAL. IT'S NOT A MATCH. 931 00:33:53,062 --> 00:33:54,763 AND THE PAPERS PUT HIM AT HIS FAMILY'S COMPOUND IN MAINE 932 00:33:54,763 --> 00:33:56,135 DURING ERIKA'S MURDER. 933 00:33:56,135 --> 00:33:57,636 YEAH, WELL, HE'D NEVER DO THIS HIMSELF, 934 00:33:57,636 --> 00:34:00,509 AND HIRING SOMEONE ELSE IS TOO RISKY FOR A PUBLIC FIGURE. 935 00:34:00,509 --> 00:34:02,671 HE'D... HE'D GET A CLOSE ASSOCIATE 936 00:34:02,671 --> 00:34:04,213 OR A TRUSTED FRIEND TO DO IT. 937 00:34:04,213 --> 00:34:06,375 SO WHY DON'T WE DIG IN TO HIS LIFE AND FIND OUT WHO? 938 00:34:06,375 --> 00:34:07,816 (cell phone rings) RIGHT. 939 00:34:07,816 --> 00:34:09,748 (beeps) 940 00:34:09,748 --> 00:34:11,049 BECKETT. 941 00:34:11,049 --> 00:34:13,122 (man) Detective. 942 00:34:13,122 --> 00:34:15,354 DEPUTY DIRECTOR ANTHONY FREEDMAN CALLING. 943 00:34:15,354 --> 00:34:17,356 You remember? From the interview. 944 00:34:17,356 --> 00:34:19,528 UH, YES, SIR. YES, I DO. 945 00:34:19,528 --> 00:34:22,091 UH, WHAT CAN I DO FOR YOU? 946 00:34:22,091 --> 00:34:23,832 YOU CAN SAY YES. 947 00:34:23,832 --> 00:34:27,136 Detective, you got the job. 948 00:34:31,470 --> 00:34:32,641 HEY, WHERE'S BECKETT? 949 00:34:32,641 --> 00:34:33,772 SHE TOOK OFF ABOUT AN HOUR AGO. 950 00:34:33,772 --> 00:34:35,144 SOMETHING'S GOING ON, 951 00:34:35,144 --> 00:34:36,305 BUT SHE WOULDN'T TELL ME WHAT. 952 00:34:36,305 --> 00:34:37,646 HUH. 953 00:34:37,646 --> 00:34:39,748 WELL, I WAS LOOKING IN TO RIGSDALE'S KNOWN ASSOCIATES 954 00:34:39,748 --> 00:34:42,411 AND I CAME ACROSS THIS PHOTO. 955 00:34:42,411 --> 00:34:44,253 THAT IS MARTIN TILLAGE, RIGSDALE'S HALF BROTHER 956 00:34:44,253 --> 00:34:45,654 AND THE BLACK SHEEP OF THE FAMILY. 957 00:34:45,654 --> 00:34:46,815 LOOK FAMILIAR? 958 00:34:46,815 --> 00:34:48,357 YEAH, WE INTERVIEWED THIS GUY. 959 00:34:48,357 --> 00:34:49,518 HE WAS ONE OF THE GUESTS AT THE CEDRIC. 960 00:34:49,518 --> 00:34:50,859 HE MUST HAVE CHECKED IN TO TRY TO FIND HER 961 00:34:50,859 --> 00:34:52,291 AND THEN HUNG AROUND 962 00:34:52,291 --> 00:34:53,362 SO HIS DEPARTURE DIDN'T LOOK SUSPICIOUS. 963 00:34:53,362 --> 00:34:55,324 HE'S GOTTA BE OUR GUY. 964 00:34:55,324 --> 00:34:58,297 I'LL HAVE UNIFORMS PICK HIM UP. SEE IF YOU CAN FIND BECKETT. YEAH. 965 00:35:14,413 --> 00:35:17,616 IT SOUNDS LIKE A GREAT OFFER. 966 00:35:17,616 --> 00:35:19,848 YEAH, IT IS. 967 00:35:19,848 --> 00:35:22,120 YOUR MOM WOULD BE PROUD. 968 00:35:22,120 --> 00:35:23,892 HELL, I'M PROUD. 969 00:35:23,892 --> 00:35:26,355 (indistinct conversations) 970 00:35:26,355 --> 00:35:29,198 SO... WHAT ARE YOU GONNA DO? 971 00:35:29,198 --> 00:35:31,800 I DON'T KNOW, DAD. 972 00:35:34,403 --> 00:35:36,405 IT'S LIKE I'M STANDING AT A CROSSROADS 973 00:35:36,405 --> 00:35:39,137 AND I HAVE TO CHOOSE BETWEEN TWO POSSIBLE FUTURES. 974 00:35:39,137 --> 00:35:41,910 WHY DO YOU THINK YOU HAVE TO CHOOSE? 975 00:35:41,910 --> 00:35:44,413 BECAUSE, DAD, HE'S RIGHT. 976 00:35:44,413 --> 00:35:45,744 IF I TAKE THIS JOB, 977 00:35:45,744 --> 00:35:47,816 THEN THERE'S NOT GONNA BE TIME FOR ANYONE ELSE. 978 00:35:47,816 --> 00:35:49,448 AND THEN IF I DON'T-- 979 00:35:49,448 --> 00:35:50,579 IT'LL BE BECAUSE OF HIM, 980 00:35:50,579 --> 00:35:52,321 AND YOU'LL END UP RESENTING HIM FOR IT. 981 00:35:52,321 --> 00:35:56,325 OR... WORSE. 982 00:35:56,325 --> 00:35:58,887 DAD, I DON'T KNOW WHAT WE HAVE. 983 00:35:58,887 --> 00:36:02,431 I DON'T KNOW IF IT'S... REAL. 984 00:36:02,431 --> 00:36:04,593 IT'S LIKE WE'VE BEEN DOING THIS DANCE 985 00:36:04,593 --> 00:36:08,237 FOR THE PAST FIVE YEARS AND... 986 00:36:08,237 --> 00:36:10,769 I MEAN, WHAT HAPPENS WHEN THE MUSIC STOPS? 987 00:36:10,769 --> 00:36:15,173 WHAT IF ALL WE WERE IN LOVE WITH WAS THE DANCE? 988 00:36:15,173 --> 00:36:16,475 YOU KNOW, YOUR WHOLE LIFE, 989 00:36:16,475 --> 00:36:18,647 YOU'VE NEVER HAD A RELATIONSHIP GO THIS FAR. 990 00:36:18,647 --> 00:36:20,349 YOU KNOW, SOMEWHERE AROUND HERE, 991 00:36:20,349 --> 00:36:22,281 YOU ALWAYS END THEM. 992 00:36:22,281 --> 00:36:24,313 NOW WHY IS THAT? 993 00:36:24,313 --> 00:36:26,585 LOOK, KATIE, I KNOW YOU. 994 00:36:26,585 --> 00:36:27,916 WHEN YOU GET SCARED, 995 00:36:27,916 --> 00:36:29,488 YOU HIDE IN YOUR WORK. 996 00:36:29,488 --> 00:36:31,320 AND I JUST WANT YOU TO BE SURE, 997 00:36:31,320 --> 00:36:32,961 WHATEVER DECISION YOU MAKE, 998 00:36:32,961 --> 00:36:35,364 IT'S BECAUSE IT'S WHAT YOU WANT 999 00:36:35,364 --> 00:36:37,226 NOT BECAUSE YOU'RE AFRAID. 1000 00:36:40,299 --> 00:36:42,831 THIS JOB... 1001 00:36:42,831 --> 00:36:44,933 IT'S WHAT I WANT. 1002 00:36:44,933 --> 00:36:47,506 THEN TELL HIM. 1003 00:36:47,506 --> 00:36:49,408 (exhales deeply) 1004 00:36:49,408 --> 00:36:51,440 HE'S GONNA HATE ME, DAD. 1005 00:36:53,282 --> 00:36:55,514 THAT'S SOMETHING YOU'LL HAVE TO LIVE WITH. 1006 00:36:58,717 --> 00:37:00,989 (cell phone chimes) 1007 00:37:05,694 --> 00:37:08,957 MY LAST CASE... 1008 00:37:13,332 --> 00:37:15,664 I BETTER GO END IT. 1009 00:37:20,008 --> 00:37:21,670 THERE YOU ARE. 1010 00:37:21,670 --> 00:37:24,713 SORRY IT TOOK ME SO LONG TO WRITE IT. 1011 00:37:24,713 --> 00:37:26,475 GO HAVE FUN. 1012 00:37:26,475 --> 00:37:28,477 THANKS, DAD. 1013 00:37:31,350 --> 00:37:33,752 DAD, ARE YOU OKAY? 1014 00:37:33,752 --> 00:37:35,684 YEAH. 1015 00:37:35,684 --> 00:37:38,026 YOU SEEM SAD. 1016 00:37:38,026 --> 00:37:40,429 NO, I'M FINE. 1017 00:37:40,429 --> 00:37:42,331 IT'S ONLY COSTA RICA. 1018 00:37:42,331 --> 00:37:44,363 I'LL BE BACK BEFORE YOU KNOW IT. 1019 00:37:44,363 --> 00:37:46,465 OH, THAT'S--THAT'S SWEET, BUT, NO, IT'S NOT ABOUT THAT. 1020 00:37:46,465 --> 00:37:47,896 IT'S, UH... 1021 00:37:47,896 --> 00:37:51,300 SOMETHING YOUR GRANDMOTHER TOLD ME. 1022 00:37:51,300 --> 00:37:52,601 THERE COMES A POINT IN OUR LIVES 1023 00:37:52,601 --> 00:37:54,603 WHEN WE HAVE TO STOP FOOLING OURSELVES 1024 00:37:54,603 --> 00:37:58,307 INTO THINKING LIFE'S GONNA BE THE WAY WE WANT IT TO BE. 1025 00:37:58,307 --> 00:38:01,310 START SEEING THINGS FOR HOW THEY REALLY ARE. 1026 00:38:05,454 --> 00:38:07,816 SO I WAS THERE. SO WHAT? 1027 00:38:07,816 --> 00:38:10,519 I NEEDED A PLACE IN THE CITY TO STAY FOR COUPLE OF NIGHTS. 1028 00:38:10,519 --> 00:38:12,361 IS THAT A CRIME? 1029 00:38:12,361 --> 00:38:13,562 NO, BUT KILLING A GIRL IS. 1030 00:38:13,562 --> 00:38:16,495 WHAT DID YOUR BROTHER PROMISE YOU, MARTIN-- 1031 00:38:16,495 --> 00:38:18,897 RESPECTABILITY FOR THE BLACK SHEEP, 1032 00:38:18,897 --> 00:38:20,429 A PLACE AT THE FAMILY TABLE? 1033 00:38:20,429 --> 00:38:23,001 I TOLD YOU, I'VE NEVER SEEN THIS GIRL BEFORE IN MY LIFE. 1034 00:38:23,001 --> 00:38:25,904 YOU'RE WASTING YOUR TIME. 1035 00:38:30,439 --> 00:38:32,441 DO YOU HAVE ANY IDEA HOW MANY PEOPLE 1036 00:38:32,441 --> 00:38:35,384 HAVE SAT ACROSS THAT TABLE AND CONFESSED THEIR SINS TO ME? 1037 00:38:37,646 --> 00:38:41,350 WHAT MAKES YOU THINK THAT YOU'RE ANY DIFFERENT, 1038 00:38:41,350 --> 00:38:43,352 ANY SMARTER? 1039 00:38:46,955 --> 00:38:49,598 YOU'VE ONLY BEEN IN THIS ROOM FOR ONE HOUR. 1040 00:38:51,730 --> 00:38:55,063 BUT THIS ROOM... 1041 00:38:59,037 --> 00:39:03,472 THIS ROOM HAS BEEN MY LIFE... 1042 00:39:03,472 --> 00:39:06,375 MY HOME. 1043 00:39:08,046 --> 00:39:12,721 AND I WILL NOT LET YOU SIT THERE AND LIE TO ME IN MY OWN HOME. 1044 00:39:12,721 --> 00:39:14,483 (folder thuds) 1045 00:39:14,483 --> 00:39:18,126 THIS IS A PARTIAL PRINT FOUND AT THE CRIME SCENE 1046 00:39:18,126 --> 00:39:19,888 IN THE VICTIM'S BLOOD. 1047 00:39:19,888 --> 00:39:22,731 IT'S A MATCH TO YOURS, MARTIN. 1048 00:39:22,731 --> 00:39:25,834 AM I STILL WASTING MY TIME? 1049 00:39:25,834 --> 00:39:27,095 (chair scrapes floor) 1050 00:39:27,095 --> 00:39:30,068 I'VE GOT ENOUGH TO CONVICT YOU. 1051 00:39:30,068 --> 00:39:32,370 SO THE QUESTION IS, 1052 00:39:32,370 --> 00:39:35,774 HOW MANY YEARS OF YOUR OWN LIFE ARE YOU GONNA SACRIFICE 1053 00:39:35,774 --> 00:39:38,907 FOR SOMEONE ELSE'S FUTURE? 1054 00:39:40,549 --> 00:39:43,011 OR ARE YOU READY TO DEAL? 1055 00:39:53,061 --> 00:39:56,064 (indistinct conversations) 1056 00:40:01,830 --> 00:40:03,902 HE'S PREPARED TO GIVE A STATEMENT 1057 00:40:03,902 --> 00:40:05,073 IMPLICATING HIS BROTHER 1058 00:40:05,073 --> 00:40:06,735 IN BOTH MURDERS AS WELL AS THE ACCIDENT. 1059 00:40:06,735 --> 00:40:08,406 WOULD YOU GUYS MIND TAKING IT? 1060 00:40:10,479 --> 00:40:12,080 YO, KATE. 1061 00:40:12,080 --> 00:40:13,482 YEAH. 1062 00:40:13,482 --> 00:40:15,413 WHAT'S UP? 1063 00:40:15,413 --> 00:40:16,815 YEAH, WHAT'S GOING ON? 1064 00:40:16,815 --> 00:40:18,917 (sighs deeply) 1065 00:40:18,917 --> 00:40:20,989 LOOK, THERE'S SOMETHING THAT I HAVE TO TELL YOU GUYS, 1066 00:40:20,989 --> 00:40:25,454 BUT THERE'S SOMEONE ELSE THAT I HAVE TO TELL FIRST. 1067 00:40:28,757 --> 00:40:31,129 (clicks) 1068 00:40:31,129 --> 00:40:33,431 (cell phone beeps) 1069 00:40:33,431 --> 00:40:35,433 (cell phone rings) 1070 00:40:35,433 --> 00:40:38,206 (beeps) 1071 00:40:38,206 --> 00:40:39,508 CASTLE. 1072 00:40:39,508 --> 00:40:41,470 (Beckett) It's me. 1073 00:40:41,470 --> 00:40:43,672 WE NEED TO TALK. 1074 00:40:43,672 --> 00:40:46,675 YEAH, WE DO. 1075 00:40:48,076 --> 00:40:51,079 (indistinct conversations) 1076 00:40:53,221 --> 00:40:56,224 (children playing indistinctly) 1077 00:41:10,168 --> 00:41:11,970 (chain clinks, swing creaks) 1078 00:41:17,846 --> 00:41:19,878 I'M SORRY. 1079 00:41:22,981 --> 00:41:24,583 I SHOULDN'T HAVE KEPT SECRETS. 1080 00:41:26,214 --> 00:41:29,017 IT'S WHO YOU ARE. 1081 00:41:29,017 --> 00:41:31,159 YOU DON'T LET PEOPLE IN. 1082 00:41:31,159 --> 00:41:34,262 I'VE HAD TO SCRATCH AND CLAW FOR EVERY INCH. 1083 00:41:34,262 --> 00:41:35,594 CASTLE, I-- 1084 00:41:35,594 --> 00:41:37,195 PLEASE LET ME FINISH. 1085 00:41:39,167 --> 00:41:41,029 I'VE BEEN DOING A LOT OF THINKING ABOUT US, 1086 00:41:41,029 --> 00:41:44,873 ABOUT OUR RELATIONSHIP, WHAT WE HAVE... 1087 00:41:44,873 --> 00:41:46,274 WHERE WE'RE HEADED. 1088 00:41:51,780 --> 00:41:53,612 I'VE DECIDED I WANT MORE. 1089 00:41:56,514 --> 00:41:59,748 WE BOTH DESERVE MORE. 1090 00:42:02,751 --> 00:42:04,793 I AGREE. 1091 00:42:06,895 --> 00:42:09,127 SO WHATEVER HAPPENS... 1092 00:42:10,799 --> 00:42:13,001 AND WHATEVER YOU DECIDE... 1093 00:42:14,202 --> 00:42:16,735 KATHERINE HOUGHTON BECKETT... 1094 00:42:18,667 --> 00:42:21,740 WILL YOU MARRY ME?