1
00:00:41,008 --> 00:00:44,211
DETERMINED TO CARRY OUT
ARCADIUS' FUNERAL

2
00:00:43,510 --> 00:00:50,584
WITH PRECISION, HONOR,
AND, ABOVE ALL, DIGNITY.

3
00:00:49,316 --> 00:00:53,187
>> YOU MAY FIRE WHEN READY,
LOQUASTO.

4
00:00:58,992 --> 00:01:00,994
splash!

5
00:01:01,595 --> 00:01:02,796
>> OH, COME ON.

6
00:01:02,496 --> 00:01:05,799
>> GO AHEAD AND TAKE A MULLIGAN.

7
00:01:15,704 --> 00:01:16,805
[duck quacks]

8
00:01:16,306 --> 00:01:17,607
>> I'LL EAT THAT.

9
00:01:18,809 --> 00:01:19,910
>> I GOT IT.

10
00:01:19,709 --> 00:01:21,011
>> OH, THAT'S LOVELY.

11
00:01:27,214 --> 00:01:30,017
>> SAY A FEW WORDS
BEFORE IT DRAWS ATTENTION.

12
00:01:29,516 --> 00:01:32,886
>> THE BOAT
OR LOQUASTO'S ERECTION?

13
00:01:32,286 --> 00:01:34,187
>> SORRY. I CAN'T HELP IT
WHEN SHE--OOH.

14
00:01:33,787 --> 00:01:37,491
>> DON'T MAKE THE MAN FEEL BAD
ABOUT SOMETHING BEAUTIFUL, KROD.

15
00:01:36,890 --> 00:01:39,693
HIT IT WITH A SPOON.
>> I'LL DO IT LATER.

16
00:01:39,092 --> 00:01:40,694
>> IS THAT ARCADIUS' WIDOW?

17
00:01:46,897 --> 00:01:48,098
>> SORRY I'M LATE.

18
00:01:47,998 --> 00:01:50,801
ENRIQUE HAD TO TAKE IT IN
AT THE BOSOM.

19
00:01:51,301 --> 00:01:54,605
>> CONTINUE.

20
00:01:56,204 --> 00:02:00,508
>> HE WAS A GREAT MAN,
A BRILLIANT GENERAL,

21
00:01:59,808 --> 00:02:02,110
A FEARLESS PATRIOT--

22
00:02:01,610 --> 00:02:04,212
>> A GENEROUS LOVER.

23
00:02:03,712 --> 00:02:07,015
>> SURE.

24
00:02:06,414 --> 00:02:09,784
AND HE WAS THE FIRST PERSON
TO EVER TRULY BELIEVE IN ME,

25
00:02:11,384 --> 00:02:13,586
MYSELF INCLUDED.

26
00:02:13,085 --> 00:02:17,590
>> KROD, THAT WAS BEAUTIFUL.

27
00:02:16,689 --> 00:02:18,090
>> IT WAS LOVELY, MASTER.

28
00:02:22,292 --> 00:02:23,994
NOW, WHAT ARE WE GOING TO DO
WITH HIS BODY?

29
00:02:23,693 --> 00:02:25,395
>> OH!

30
00:02:25,095 --> 00:02:27,597
>> WOW.
>> OF COURSE.

31
00:02:28,806 --> 00:02:33,311
COUNCIL, GIVE ME ONLY THE TRUTH
AS YOU CONSIDER THIS QUESTION.

32
00:02:36,411 --> 00:02:39,414
CAN I PULL THIS OFF?
YES OR NO?

33
00:02:40,315 --> 00:02:43,285
YOU, LORD VANAMEER.

34
00:02:42,684 --> 00:02:43,685
HMM?

35
00:02:45,885 --> 00:02:48,388
>> WELL, SIRE,

36
00:02:47,887 --> 00:02:50,990
IN TRUTH, I PREFER THE TROUSERS.

37
00:02:50,390 --> 00:02:51,691
>> THE PAGAN GOAT PANTS.

38
00:02:51,591 --> 00:02:52,992
>> YES, CHANCELLOR,
THE GOAT PANTS.

39
00:02:52,692 --> 00:02:54,294
>> YEAH, THEY'RE WONDERFUL,
AREN'T THEY?

40
00:02:53,993 --> 00:02:55,795
YEAH, SEE, I HAVEN'T REALLY GOT
THE THIGHS

41
00:02:55,595 --> 00:02:59,098
TO PULL OFF A LOINCLOTH
OR A CODPIECE.

42
00:02:58,398 --> 00:03:01,801
EVEN IF I DID, THE NETHER HAIR
THAT SPILLS FORTH IS REVOLTING.

43
00:03:03,100 --> 00:03:04,502
>> INDEED IT IS, SIRE.
IT'S ALL--

44
00:03:07,203 --> 00:03:08,905
>> MYRMIDONS, KILL THIS MAN.

45
00:03:09,906 --> 00:03:12,108
>> NO. OW.

46
00:03:11,708 --> 00:03:13,409
>> OH, AND FETCH
MY PAGAN GOAT PANTS.

47
00:03:13,109 --> 00:03:14,911
THANKS FOR THE SUGGESTION.

48
00:03:14,611 --> 00:03:16,613
>> MY PLEASURE, SIRE.

49
00:03:20,013 --> 00:03:22,316
>> SO WHAT NEXT, MASTER?

50
00:03:21,915 --> 00:03:23,317
AVENGE THE GENERAL?

51
00:03:23,016 --> 00:03:25,586
>> TRUST ME; THERE'LL BE
SOME SERIOUS AVENGING.

52
00:03:25,085 --> 00:03:29,189
BUT FIRST ANEKA AND I JUST NEED
A LITTLE ALONE TIME.

53
00:03:29,988 --> 00:03:30,989
>> WHAT?

54
00:03:30,789 --> 00:03:32,191
>> WELL, YOU KNOW,

55
00:03:31,890 --> 00:03:34,193
SOME THINGS WERE SAID
BACK IN THE DUNGEON,

56
00:03:33,792 --> 00:03:35,594
SOME HURTFUL THINGS.

57
00:03:35,294 --> 00:03:39,098
BUT IT'S OKAY, BECAUSE I KNOW
THIS GREAT COUPLES' COUNSELOR

58
00:03:38,397 --> 00:03:39,698
RIGHT HERE IN HESSEMEEL.

59
00:03:41,498 --> 00:03:43,700
>> I'M NOT GOING
TO COUPLES' COUNSELING, SO...

60
00:03:43,300 --> 00:03:45,302
>> OH, NO, NO,
NOTHING LONG-TERM.

61
00:03:44,901 --> 00:03:47,003
I'M JUST TALKING ABOUT
A RELATIONSHIP TUNE-UP.

62
00:03:46,703 --> 00:03:48,805
>> IF IT'S DR. WILLOUGHBY,
YOU SHOULD GO.

63
00:03:50,105 --> 00:03:52,107
>> CAN WE NOT DO THIS HERE?

64
00:03:51,806 --> 00:03:53,108
>> WHAT ARE YOU TALKING ABOUT?

65
00:03:52,908 --> 00:03:55,110
THESE ARE MY BEST FRIENDS
IN THE WORLD...AND BRUCE.

66
00:03:54,709 --> 00:03:56,411
I MEAN, YOU CAN SAY ANYTHING
IN FRONT OF THEM.

67
00:03:57,411 --> 00:03:58,512
>> FINE.

68
00:03:58,312 --> 00:03:59,513
LISTEN, KROD.

69
00:03:59,313 --> 00:04:01,415
WHAT I'M ABOUT TO SAY
HAS NOTHING TO DO

70
00:04:01,014 --> 00:04:03,984
WITH YOUR INABILITY
TO SATISFY ME SEXUALLY.

71
00:04:04,783 --> 00:04:06,185
>> GUYS, GET LOST.

72
00:04:05,885 --> 00:04:08,487
>> NO, WE WERE GOING TO GO
ANYWAY.

73
00:04:08,187 --> 00:04:09,388
>> I AM NEVER GOING TO BE
THE GIRL

74
00:04:09,188 --> 00:04:10,589
THAT YOU WANT ME TO BE.

75
00:04:11,689 --> 00:04:13,591
>> NO, DON'T SAY THAT.

76
00:04:13,290 --> 00:04:14,992
YOU CAN CHANGE.

77
00:04:14,592 --> 00:04:16,193
OR I CAN CHANGE.

78
00:04:15,893 --> 00:04:16,994
>> OH, REALLY?

79
00:04:16,894 --> 00:04:19,096
SO YOU WOULD BE OKAY
WITH ME, SAY,

80
00:04:20,396 --> 00:04:22,698
GOING HOME
DURING THE RACCOON FESTIVAL

81
00:04:22,198 --> 00:04:25,401
TO COMPLETE THE RITE
OF THE 300 MOONS?

82
00:04:24,800 --> 00:04:26,202
>> YES.
>> WOW.

83
00:04:25,901 --> 00:04:27,903
>> WHAT'S THAT? IS THAT, LIKE,
A HUNTING TOURNAMENT?

84
00:04:29,103 --> 00:04:31,405
>> WHAT IS THAT,
YOUR ASTRONOMY THING?

85
00:04:30,905 --> 00:04:32,306
>> NO, IT'S A RELIGIOUS RITE.

86
00:04:32,006 --> 00:04:33,407
>> GREAT.
EVEN BETTER.

87
00:04:33,207 --> 00:04:34,408
>> IN WHICH GOOD PAGAN GIRLS,

88
00:04:34,108 --> 00:04:36,210
ON THE EVE
OF THEIR 300TH MOON,

89
00:04:37,510 --> 00:04:39,812
MUST LAY WITH 300 MEN.

90
00:04:39,412 --> 00:04:41,013
>> OH, DEAR GOD.
>> 300 MEN?

91
00:04:40,713 --> 00:04:42,214
>> GODS, NO, OF COURSE
I'M NOT OKAY WITH THAT.

92
00:04:42,014 --> 00:04:44,784
>> MY POINT EXACTLY.

93
00:04:46,016 --> 00:04:47,785
>> SHE GONNA STAB HIM.
SHE'S ABOUT TO STAB HIM.

94
00:04:47,485 --> 00:04:49,086
>> AND I THOUGHT
YOU COULD HAVE BEEN

95
00:04:48,886 --> 00:04:50,388
ONE OF THE ONES.

96
00:04:51,887 --> 00:04:55,291
>> WAIT. NO, WAIT.
ANEKA, WAIT.

97
00:04:54,690 --> 00:04:55,791
ANEKA!

98
00:04:55,591 --> 00:04:57,793
>> LET HER GO, MAN.
LET HER NASTY ASS GO.

99
00:04:59,693 --> 00:05:02,095
MM, MM, MM, MM.

100
00:05:01,695 --> 00:05:02,796
WHAT A DAY, HUH?

101
00:05:04,004 --> 00:05:05,405
>> BARNABUS!

102
00:05:05,205 --> 00:05:06,406
WHAT NEWS?

103
00:05:06,106 --> 00:05:08,008
HAVE WE CRACKED THE SECRETS
OF THE EYE YET?

104
00:05:07,707 --> 00:05:09,409
>> NO, SIR,
THE WEAPON REMAINS INERT.

105
00:05:09,109 --> 00:05:10,510
>> DAGGERS!

106
00:05:10,210 --> 00:05:12,913
>> ALTHOUGH OUR SCHOLARS
COULDN'T TRANSLATE THE RUNES,

107
00:05:12,412 --> 00:05:17,215
THEY WERE ABLE TO IDENTIFY THEM
AS TURBIDIAN HIEROGLYPHS

108
00:05:18,015 --> 00:05:19,716
BELONGING TO
AN ALMOST-DEAD LANGUAGE.

109
00:05:19,416 --> 00:05:20,984
NOW, THE GOOD NEWS IS,

110
00:05:20,584 --> 00:05:23,887
WE'VE MANAGED TO FIND AN ELDER
FLUENT IN THIS ANCIENT TONGUE.

111
00:05:26,288 --> 00:05:27,289
>> WHAT, HIM?

112
00:05:27,189 --> 00:05:29,491
>> YES.

113
00:05:29,091 --> 00:05:32,995
>> ARE YOU ABLE TO DECIPHER
THESE RUNES, OLD MAN?

114
00:05:34,494 --> 00:05:35,896
>> ME?

115
00:05:35,595 --> 00:05:36,997
>> YES.

116
00:05:36,596 --> 00:05:38,999
>> OH, NO, NO, NO, NO, NO,
NOT ME.

117
00:05:38,598 --> 00:05:39,900
PAPI.

118
00:05:43,603 --> 00:05:45,806
MY FATHER SAYS
IT'S DRAFTY IN HERE.

119
00:05:45,305 --> 00:05:48,308
HE WANTS TO KNOW
IF ANYONE ELSE FEELS IT.

120
00:05:49,910 --> 00:05:51,111
>> [whispers]

121
00:05:54,011 --> 00:05:56,313
>> WHY IS EVERYBODY WHISPERING
TODAY?

122
00:05:55,913 --> 00:05:58,015
TELL THE GUARD
TO ADDRESS ME DIRECTLY.

123
00:06:00,115 --> 00:06:02,283
>> SIR, HE WOULD, EXCEPT YOU HAD
HIS VOCAL CORDS TORN OUT

124
00:06:01,916 --> 00:06:03,485
FOR ADDRESSING YOU DIRECTLY.

125
00:06:03,184 --> 00:06:04,285
>> RIGHT.

126
00:06:03,985 --> 00:06:05,587
>> NOW, HE BRINGS
VERY GOOD NEWS.

127
00:06:05,286 --> 00:06:09,090
KROD MANDOON HAS BEEN SPOTTED
IN THE VILLAGE, SIR.

128
00:06:08,389 --> 00:06:10,592
>> ARM THE SQUADRON,
READY MY CARRIAGE,

129
00:06:10,191 --> 00:06:11,693
AND FETCH A SWEATER FOR PAPI.

130
00:06:11,493 --> 00:06:12,494
KEEP HIM HAPPY.

131
00:06:13,693 --> 00:06:17,597
JOY!
MY PAGAN GOAT PANTS.

132
00:06:21,599 --> 00:06:24,803
>> ENGAMORA.

133
00:06:24,202 --> 00:06:28,106
>> LOOK, BRUCE,
IF THAT'S AN INVITATION TO DO...

134
00:06:27,305 --> 00:06:28,606
ANYTHING,

135
00:06:28,506 --> 00:06:30,608
I'M JUST GOING TO GO AHEAD
AND PASS.

136
00:06:31,908 --> 00:06:34,210
>> PLEASE.

137
00:06:33,710 --> 00:06:35,111
IT WAS ARCADIUS' DYING WORD.

138
00:06:34,911 --> 00:06:37,914
IT REFERS TO THE PROPHESY
OF ENGAMORA.

139
00:06:38,515 --> 00:06:41,284
HE WOULD RECITE IT TO ME
DURING OUR LOVEMAKING SESSIONS.

140
00:06:42,984 --> 00:06:44,285
HE WOULD MOUNT ME
AND PUSH MY FACE...

141
00:06:43,985 --> 00:06:45,586
>> OKAY, CAN WE JUST SKIP AHEAD?

142
00:06:45,386 --> 00:06:47,788
>> IT CHRONICLES THE TRIUMPH
OF THE RESISTANCE

143
00:06:47,388 --> 00:06:49,190
UNDER THE LEADERSHIP
OF THE GOLDEN ONE.

144
00:06:50,389 --> 00:06:52,191
>> THE GOLDEN ONE?

145
00:06:51,791 --> 00:06:54,093
>> THE SLIGHTLY LESS CLICHE WAY
OF SAYING THE CHOSEN ONE.

146
00:06:54,393 --> 00:06:56,396
BUT EITHER WAY,
ARCADIUS BELIEVED IT WAS YOU.

147
00:06:57,806 --> 00:07:00,108
LOOK, THIS IS A LOT
TO TAKE ON BOARD.

148
00:07:00,740 --> 00:07:02,278
IS THERE SOMEWHERE
I CAN READ THIS THING?

149
00:07:02,313 --> 00:07:03,510
>> THERE'S NOTHING TO READ,
KROD.

150
00:07:03,545 --> 00:07:05,957
ARCADIUS PASSED THE PROPHESY
DOWN TO ME ORALLY.

151
00:07:06,392 --> 00:07:07,313
>> OH.

152
00:07:07,513 --> 00:07:08,614
>> AND ANALLY.

153
00:07:08,414 --> 00:07:09,415
>> WOW.

154
00:07:09,215 --> 00:07:10,816
LOOK, BRUCE,

155
00:07:11,487 --> 00:07:12,988
I'M JUST GOING TO GO AHEAD

156
00:07:12,788 --> 00:07:16,092
AND CHALK THIS PROPHESY THING UP
TO BIG-HOUSE PILLOW TALK.

157
00:07:15,491 --> 00:07:19,995
>> KROD, ALL I KNOW
IS THAT THE LOVE OF MY--

158
00:07:19,195 --> 00:07:20,296
>> LAST TWO WEEKS?

159
00:07:20,396 --> 00:07:23,798
>> HE SACRIFICED HIMSELF
SO THAT YOU COULD LIVE.

160
00:07:24,598 --> 00:07:26,500
DON'T TELL ME HE DIED IN VAIN.

161
00:07:26,199 --> 00:07:27,602
>> IN BAIN?

162
00:07:28,402 --> 00:07:30,203
>> NO, IN VAIN.

163
00:07:29,903 --> 00:07:31,505
>> IN PAIN?
>> NO, IN VAIN.

164
00:07:31,204 --> 00:07:33,507
>> IN VAIN, HE'S SAYING.

165
00:07:33,106 --> 00:07:35,108
>> OH, IN VAIN.
>> RIGHT.

166
00:07:37,308 --> 00:07:39,911
>> OH, LIKE THAT BLOKE
OVER THERE.

167
00:07:39,410 --> 00:07:41,212
>> EXACTLY.
THAT'S WHAT HE'S SAYING, QUASTO.

168
00:07:40,812 --> 00:07:41,813
>> OR HIM.

169
00:07:41,612 --> 00:07:43,214
>> YOU KNOW WHAT?
FORGET THAT.

170
00:07:42,914 --> 00:07:45,016
THAT'S A MUCH BETTER VERSION
OF WHAT I'M TALKING ABOUT.

171
00:07:44,615 --> 00:07:46,083
>> GUYS, GUYS, IT'S A RAID.
HIDE.

172
00:07:45,817 --> 00:07:48,886
[people yelling]

173
00:08:02,200 --> 00:08:05,303
ALL HAIL CHANCELLOR DONGALOR!

174
00:08:14,090 --> 00:08:15,591
>> REVEAL YOURSELF, MANDOON,

175
00:08:15,291 --> 00:08:17,994
OR I'LL TAKE THE LIFE
OF ONE VILLAGER EVERY MINUTE

176
00:08:17,493 --> 00:08:18,895
UNTIL YOU COMPLY.

177
00:08:20,694 --> 00:08:22,897
>> EXCUSE ME.

178
00:08:22,496 --> 00:08:24,999
HOW WILL YOU MARK THE TIME
TO A MINUTE?

179
00:08:24,498 --> 00:08:27,701
EVEN OUR MOST ACCURATE SUNDIALS
ARE APPROXIMATE AT BEST.

180
00:08:27,101 --> 00:08:29,503
>> UH, GOOD POINT.

181
00:08:30,503 --> 00:08:32,405
YEAH.
BARNABUS?

182
00:08:32,104 --> 00:08:33,406
>> AND DEFINE "VILLAGER."

183
00:08:33,205 --> 00:08:35,207
MY DAUGHTER AND I LIVE
IN A VILLAGE

184
00:08:34,807 --> 00:08:36,809
BUT NOT THIS ONE.

185
00:08:36,308 --> 00:08:37,610
>> RIGHT, YEAH.

186
00:08:39,210 --> 00:08:41,612
HOW DO WE USUALLY DO THIS?

187
00:08:41,111 --> 00:08:42,513
LOCALS ONLY OR--

188
00:08:42,313 --> 00:08:44,114
>> AND SINCE YOU'VE OBVIOUSLY
GIVEN NO THOUGHT

189
00:08:43,714 --> 00:08:45,416
TO TIME MANAGEMENT
OR REGIONAL CONSIDERATIONS,

190
00:08:45,115 --> 00:08:47,184
HOW WILL YOU POSSIBLY ARRIVE
AT AN EQUITABLE SYSTEM

191
00:08:46,784 --> 00:08:48,686
TO DECIDE WHOM TO KILL FIRST?

192
00:08:50,185 --> 00:08:51,386
[snaps fingers]

193
00:08:52,588 --> 00:08:55,391
WHY ME?

194
00:08:54,790 --> 00:08:57,292
>> HOW MANY MORE, MANDOON?

195
00:08:58,292 --> 00:09:01,095
HOW MANY WILL HAVE TO ANSWER
FOR YOUR CRIMES?

196
00:09:00,694 --> 00:09:02,696
>> THAT'S IT.
I'M GOING OUT THERE.

197
00:09:02,296 --> 00:09:04,498
>> MASTER, TO GO OUT NOW
WOULD BE SUICIDE.

198
00:09:05,298 --> 00:09:07,800
>> YEAH, AND TO DO NOTHING
IS MURDER.

199
00:09:07,300 --> 00:09:11,003
LOOK, IF I'M NOT BACK
IN TWO DAYS,

200
00:09:10,203 --> 00:09:13,306
QUASTO, GIVE THAT TO ANEKA.

201
00:09:14,600 --> 00:09:15,700
>> PEWTER?

202
00:09:15,300 --> 00:09:16,300
>> WHAT, BRUCE?

203
00:09:16,100 --> 00:09:17,800
>> OH, RIGHT;

204
00:09:17,300 --> 00:09:20,100
YOU'RE MAD THAT SHE DUMPED YOU,
AND PEWTER'S HER PUNISHMENT.

205
00:09:21,100 --> 00:09:22,600
I GET IT.

206
00:09:22,400 --> 00:09:23,900
>> LOOK, SO I'LL MEET YOU
AT KAMADA FALLS

207
00:09:23,400 --> 00:09:24,400
IN TWO DAYS, OKAY?

208
00:09:24,300 --> 00:09:25,400
>> BE CAREFUL, MASTER.

209
00:09:27,100 --> 00:09:28,600
>> HI.

210
00:09:28,100 --> 00:09:30,400
UM, I NEVER NORMALLY DO THIS,

211
00:09:29,900 --> 00:09:31,900
BUT YOU ARE ABSOLUTELY ADORABLE,

212
00:09:31,400 --> 00:09:33,900
AND I WOULD LOVE TO TAKE YOU OUT
FOR A BITE TO EAT.

213
00:09:35,400 --> 00:09:38,100
>> YOU JUST KILLED MY FATHER.

214
00:09:37,600 --> 00:09:41,200
>> WELL, THEN, I GUESS I WON'T
BE ASKING HIM FOR PERMISSION.

215
00:09:40,200 --> 00:09:42,900
[laughs]

216
00:09:43,800 --> 00:09:45,000
TOO SOON?

217
00:09:44,800 --> 00:09:46,700
>> HERE I AM, DONGALOR!

218
00:09:47,500 --> 00:09:50,500
>> WELL, WELL.

219
00:09:49,800 --> 00:09:52,000
MANDOON.

220
00:09:51,500 --> 00:09:53,600
WHAT HAVE YOU TO SAY
FOR YOURSELF?

221
00:09:55,100 --> 00:09:57,500
>> OH, JUST ONE THING.

222
00:09:57,000 --> 00:10:00,400
ALL HAIL CHANCELLOR DONGALOR!

223
00:10:01,100 --> 00:10:04,100
[dramatic music]

224
00:10:03,300 --> 00:10:06,800
¶ ¶

225
00:10:05,900 --> 00:10:08,600
[horse whinnies]

226
00:10:11,900 --> 00:10:13,400
OH, DAMN SWORD.

227
00:10:12,900 --> 00:10:17,700
I FORGOT THE BLADE STICKS
IN THE WARMER MONTHS,

228
00:10:16,700 --> 00:10:17,900
SO I JUST--

229
00:10:19,400 --> 00:10:21,400
>> FOOL.

230
00:10:26,400 --> 00:10:28,200
[laughs]

231
00:10:29,900 --> 00:10:31,700
WAKEY WAKEY.

232
00:10:33,000 --> 00:10:36,400
WE NEED MORE TINKLE;
FILL THE PISS POT, BARNABUS.

233
00:10:37,000 --> 00:10:40,000
>> I DON'T THINK I REQUIRE
ANY FURTHER RELIEF PRESENTLY.

234
00:10:39,300 --> 00:10:40,800
>> [disappointed] OH.

235
00:10:40,500 --> 00:10:42,500
WILL YOU FILL IT?

236
00:10:42,100 --> 00:10:44,000
BIT WEIRD ON A FIRST DATE?

237
00:11:10,400 --> 00:11:13,600
>> 300 MOONS AGO,
A PAGAN ANGEL WAS BORN.

238
00:11:14,100 --> 00:11:16,500
PLEASE WELCOME ONE OF THE MOST
SPIRITUALLY GIFTED NEWCOMERS

239
00:11:17,100 --> 00:11:19,700
TO EVER GRACE
THIS HALLOWED STAGE,

240
00:11:19,100 --> 00:11:21,400
THE WOMAN WHO PUT THE "RACK"
IN "RACCOON."

241
00:11:20,900 --> 00:11:23,000
[cheers and applause]

242
00:11:22,500 --> 00:11:24,200
CAN I GET AN "AMEN"?

243
00:11:25,600 --> 00:11:27,700
all: AMEN!

244
00:11:27,200 --> 00:11:32,500
>> ALL 300 MEN TO SAY HELLO
TO ANEKA.

245
00:11:31,200 --> 00:11:33,500
[cheers and applause]

246
00:11:36,000 --> 00:11:38,800
[upbeat music]

247
00:11:38,200 --> 00:11:39,600
¶ ¶

248
00:11:40,500 --> 00:11:43,800
"DEAR ANEKA,
I hope this note finds you well.

249
00:11:56,600 --> 00:12:00,700
>> MISS MILLIE, ARE YOU READY
TO GO TO THE MEADOWS

250
00:11:59,600 --> 00:12:01,900
AND CHASE FIREFLIES?

251
00:12:03,200 --> 00:12:06,000
>> [coughs]

252
00:12:09,900 --> 00:12:12,200
>> HELLO, KROD.

253
00:12:11,700 --> 00:12:14,400
DIDN'T SEE YOU THERE.

254
00:12:14,900 --> 00:12:17,000
>> I THOUGHT YOU AND MILLIE
WERE JUST--

255
00:12:16,500 --> 00:12:19,000
>> THERE'S BEEN A DEVELOPMENT.

256
00:12:23,700 --> 00:12:26,300
>> "RELATIONSHIPS ARE WEIRD,

257
00:12:25,700 --> 00:12:27,800
"SOMETIMES DISTURBINGLY SO.

258
00:12:27,300 --> 00:12:29,200
"BUT I KNOW WE'LL EMERGE
FROM THIS HIATUS

259
00:12:28,700 --> 00:12:30,800
STRONGER THAN EVER."

260
00:12:30,300 --> 00:12:38,300
¶ ¶

261
00:12:42,500 --> 00:12:44,200
"I MAY NOT BE ABLE
TO WRITE AGAIN SOON

262
00:12:43,700 --> 00:12:45,500
"FOR FEAR OF DISCLOSING
MY LOCATION,

263
00:12:45,000 --> 00:12:47,000
"SO I GUESS I'LL JUST SCRIBBLE
MUSHY JOURNAL ENTRIES

264
00:12:47,200 --> 00:12:48,800
"UNTIL WE MEET AGAIN.

265
00:12:48,500 --> 00:12:51,500
"JUST KIDDING;
I DON'T KEEP A JOURNAL.

266
00:12:50,800 --> 00:12:52,300
"SERIOUSLY, I DON'T.

267
00:12:52,000 --> 00:12:55,500
"UNTIL WE'RE REUNITED,
I REMAIN FAITHFULLY YOURS.

268
00:12:54,500 --> 00:13:02,100
KRODFORD J. MANDOON."

269
00:13:05,400 --> 00:13:09,400
[cheers and applause]

270
00:13:08,400 --> 00:13:10,400
>> SHH, SHH, SHH.

271
00:13:11,800 --> 00:13:13,500
NOW, CAN I SEE A SHOW OF HANDS

272
00:13:13,100 --> 00:13:17,100
FOR ANYBODY WHO WOULD LIKE
TO ASSIST THE LOVELY ANEKA?

273
00:13:26,300 --> 00:13:27,900
HORST?

274
00:13:41,200 --> 00:13:42,700
I DON'T WANT TO GET
IN THE WAY, BUDDY.

275
00:13:42,200 --> 00:13:43,400
IF YOU'RE HERE FOR MILLIE--

276
00:13:43,100 --> 00:13:45,100
>> I'M HERE FOR YOU, MANDOON.

277
00:14:03,100 --> 00:14:04,700
WHAT'S THIS?

278
00:14:04,400 --> 00:14:05,700
AH, A JOURNAL.

279
00:14:05,400 --> 00:14:06,700
>> HEY, THAT IS PRIVATE.

280
00:14:06,400 --> 00:14:09,700
>> "BUT WHAT I MISS
MORE THAN THE SEX

281
00:14:08,900 --> 00:14:11,100
IS THE CUDDLING."

282
00:14:11,300 --> 00:14:12,300
[laughs]

283
00:14:13,100 --> 00:14:14,400
OH, THIS IS GOOD.

284
00:14:14,100 --> 00:14:16,100
>> YOU DO NOT HAVE PERMISSION
TO READ THAT.

285
00:14:15,700 --> 00:14:17,200
>> WHAT A NOB.

286
00:14:16,700 --> 00:14:20,200
[laughs]

287
00:14:22,400 --> 00:14:24,100
>> GENERAL ARCADIUS?

288
00:14:23,600 --> 00:14:26,100
>> "HROATH G'BLON BRACK ROTHAN."

289
00:14:27,800 --> 00:14:30,100
>> WAIT, THAT'S WHAT'S WRITTEN
ON MY SWORD.

290
00:14:29,600 --> 00:14:30,600
HOW DID YOU KNOW THAT?

291
00:14:30,500 --> 00:14:32,900
>> "LET FIRE FLOW
THROUGH THIS STEEL."

292
00:14:32,300 --> 00:14:34,600
>> WAIT, FIRE?

293
00:14:36,000 --> 00:14:37,200
IT'S FUNNY YOU SHOULD SAY THAT,

294
00:14:36,800 --> 00:14:38,800
BECAUSE THIS THING HAS BEEN
FLAMING UP LATELY.

295
00:14:38,300 --> 00:14:40,300
I JUST ASSUMED IT WAS DEFECTIVE.

296
00:14:39,800 --> 00:14:42,000
>> THE FIRE COMES
FROM WITHIN YOU.

297
00:14:43,200 --> 00:14:47,200
>> YOU, KROD,
ARE THE GOLDEN ONE.

298
00:14:50,500 --> 00:14:52,200
>> WHAT, SERIOUSLY?

299
00:14:51,700 --> 00:14:54,000
I'M THE GUY WHO'S SUPPOSED
TO SAVE THE RESISTANCE?

300
00:14:53,500 --> 00:14:56,300
>> NOT YOU ALONE--
ANEKA AS WELL.

301
00:14:55,700 --> 00:14:58,500
THE PROPHESY TELLS
OF A PAGAN MAIDEN

302
00:14:59,600 --> 00:15:01,900
WHO FIGHTS EVER BY THE SIDE
OF THE GOLDEN ONE.

303
00:15:01,200 --> 00:15:04,700
>> "WAS IT ME, OR WAS IT HER?"

304
00:15:03,700 --> 00:15:05,600
OH, BOO-HOO, PHYLLIS.

305
00:15:07,400 --> 00:15:08,700
>> YOU ARE SUCH A DICK!

306
00:15:08,500 --> 00:15:11,000
>> USE YOUR BLADE,
NOT YOUR TONGUE.

307
00:15:10,500 --> 00:15:13,300
YOU NEED HER, KROD,
AND SHE NEEDS YOU.

308
00:15:14,200 --> 00:15:15,300
>> ANEKA NEEDS ME?

309
00:15:15,200 --> 00:15:17,300
>> IF DONGALOR SENT
AN ASSASSIN FOR YOU,

310
00:15:16,700 --> 00:15:20,800
SURELY SHE'S IN DANGER TOO.

311
00:15:23,200 --> 00:15:24,900
>> HEY, BUDDY.

312
00:15:24,500 --> 00:15:29,000
YOU CHOSE THE WRONG GUY
TO READ THE DIARY OF.

313
00:15:28,000 --> 00:15:29,200
>> THIS IS DEMONRY.

314
00:15:29,000 --> 00:15:31,500
>> NO, THIS IS DESTINY.

315
00:15:40,600 --> 00:15:43,000
>> [humming]

316
00:15:42,500 --> 00:15:44,300
>> [groans]

317
00:15:54,100 --> 00:15:56,600
>> SATISFYING, NO?

318
00:15:58,100 --> 00:15:59,600
>> NO, NO.
HEY, HORST--

319
00:15:59,400 --> 00:16:02,400
narrator: AFTER CLEARING UP
THE MISCONCEPTION WITH HORST,

320
00:16:01,600 --> 00:16:03,500
KROD MADE HASTE
TO THE PAGAN LANDS

321
00:16:04,600 --> 00:16:07,600
TO WARN ANEKA
OF HER IMPENDING PERIL

322
00:16:06,800 --> 00:16:10,400
AND PERHAPS PUT THE KIBOSH
ON A PAGAN GANG BANG.

323
00:16:12,100 --> 00:16:14,100
>> UM, EXCUSE ME;
I'M SORRY TO BOTHER YOU,

324
00:16:13,600 --> 00:16:15,600
BUT THIS ONE'S ANEKA'S HUT,
RIGHT?

325
00:16:15,100 --> 00:16:16,900
>> NO, THAT ONE.

326
00:16:19,900 --> 00:16:22,400
>> OH, MAN.

327
00:16:24,600 --> 00:16:26,800
>> HI. KROD MANDOON.

328
00:16:26,300 --> 00:16:28,900
HAPPY RACCOON DAY OR WHATEVER.

329
00:16:28,300 --> 00:16:30,400
>> [sighs]
WHAT ARE YOU DOING HERE?

330
00:16:29,900 --> 00:16:31,600
>> OH, I'M FINE, THANKS.
HOW ARE YOU?

331
00:16:31,300 --> 00:16:33,400
>> LOOK, KROD, I REALLY
DON'T HAVE A LOT OF TIME, SO--

332
00:16:32,900 --> 00:16:34,900
>> YEAH, I KNOW.
I SAW THE LINE.

333
00:16:36,500 --> 00:16:38,000
>> PLEASE LEAVE.

334
00:16:37,700 --> 00:16:38,800
>> ANEKA--

335
00:16:38,500 --> 00:16:40,000
>> WHO'S NEXT?

336
00:16:41,300 --> 00:16:44,300
>> ME.

337
00:17:03,200 --> 00:17:04,700
>> WHAT THE HELL ARE YOU DOING?

338
00:17:04,200 --> 00:17:06,500
>> HE'S AN ASSASSIN, ANEKA.
HE'S HERE TO KILL YOU.

339
00:17:06,000 --> 00:17:07,500
>> YOU ARE DELUDED.

340
00:17:07,000 --> 00:17:09,300
>> AM I?

341
00:17:18,200 --> 00:17:19,400
>> STYGIAN CORPS.

342
00:17:19,000 --> 00:17:20,500
HE IS AN ASSASSIN.

343
00:17:20,200 --> 00:17:22,200
>> PRETTY AWESOME, HUH?

344
00:17:26,900 --> 00:17:29,200
>> IT SEEMS LIKE I GET TWO
FOR ONE TODAY.

345
00:17:31,000 --> 00:17:34,000
>> HEY, DICK.
I'M RIGHT BEHIND YOU.

346
00:17:37,100 --> 00:17:38,100
NO!

347
00:17:37,800 --> 00:17:39,400
>> SHEATH YOUR SWORD,
OR SHE DIES.

348
00:17:40,300 --> 00:17:41,300
>> KILL HIM, KROD.

349
00:17:44,100 --> 00:17:46,300
>> OKAY.

350
00:17:48,300 --> 00:17:50,100
>> SHE DIES ANYWAY.

351
00:17:49,800 --> 00:17:51,800
>> SHOOT!

352
00:17:56,800 --> 00:17:59,600
>> GO IN PEACE.

353
00:17:58,800 --> 00:18:01,100
>> AW, SORRY, MASTER.

354
00:18:00,400 --> 00:18:01,800
>> IT'S OKAY.

355
00:18:03,100 --> 00:18:05,300
>> AH, SHOOT!
GOD DANG--

356
00:18:04,800 --> 00:18:06,600
DANG IT.

357
00:18:06,100 --> 00:18:08,600
>> HEY, ZEZ, NICE WORK
WITH THE FLASH BOMB.

358
00:18:10,300 --> 00:18:12,000
>> FLASH?

359
00:18:11,500 --> 00:18:13,800
NO, NO--OH, NO, NO, NO,
YOU'RE TALKING ABOUT THE WAY

360
00:18:13,300 --> 00:18:15,000
THAT I LEVITATED YOU
OUT OF HARM'S WAY.

361
00:18:16,100 --> 00:18:19,100
>> NO, NO, NO, I WAS TALKING
ABOUT THE FLASH BOMB

362
00:18:18,200 --> 00:18:19,400
THAT YOU THREW AT MY FEET,

363
00:18:19,200 --> 00:18:21,100
THE FLASH BOMB
FROM YOUR MAGIC SACK?

364
00:18:20,600 --> 00:18:22,700
>> I TOLD YOU ABOUT
THE FLASH BOMB IN CONFIDENCE.

365
00:18:22,200 --> 00:18:25,000
I WOULD NEVER GO AND REVEAL
YOUR SECRETS LIKE THAT, NEVER.

366
00:18:26,900 --> 00:18:29,300
>> WHAT ARE YOU GUYS
EVEN DOING HERE?

367
00:18:28,800 --> 00:18:32,700
>> OH, WE BROUGHT YOU
ANEKA'S LOVE RING, MASTER.

368
00:18:31,700 --> 00:18:34,000
>> THAT IS NOT--
THAT'S SO SILLY.

369
00:18:35,000 --> 00:18:36,300
THAT'S NOT A LOVE RING.

370
00:18:36,000 --> 00:18:38,300
IT'S A FRIENDSHIP RING.

371
00:18:37,800 --> 00:18:39,000
>> THAT'S FUNNY,

372
00:18:38,800 --> 00:18:41,000
'CAUSE IT'S INSCRIBED
"ANEKA MANDOON."

373
00:18:40,500 --> 00:18:42,500
FLASH BOMB!

374
00:18:43,700 --> 00:18:45,800
>> WHA--THAT IS A TYPO.

375
00:18:45,200 --> 00:18:47,300
THAT SHOULDN'T BE THERE
LIKE THAT.

376
00:18:47,000 --> 00:18:52,300
UH, ANYWAY, WE SHOULD PROBABLY
LET YOU GET ON WITH YOUR--THIS.

377
00:18:51,000 --> 00:18:52,300
>> NO, UM,

378
00:18:56,000 --> 00:18:58,600
THIS DISTRACTION
HAS BROKEN MY COMMUNION

379
00:18:58,100 --> 00:18:59,600
WITH THE GREAT RACCOON SPIRITS.

380
00:18:59,300 --> 00:19:00,400
MY HEAD WOULDN'T BE IN IT.

381
00:19:00,300 --> 00:19:03,100
>> 300 MEN LOCKED, LOADED,
AND LOOKING FOR LOVE,

382
00:19:02,300 --> 00:19:04,100
AND YOU'RE CLOSING UP SHOP?

383
00:19:04,600 --> 00:19:07,400
WHAT, ARE YOU CRAZY?

384
00:19:12,300 --> 00:19:15,500
HELLO, BOYS.

385
00:19:14,600 --> 00:19:16,800
narrator: With his goat pants
tightening

386
00:19:17,600 --> 00:19:21,000
DONGALOR SHOWED HIS NEW LOVE
AROUND THE PALACE,

387
00:19:20,200 --> 00:19:24,200
HOPING ALL THE WHILE
FOR THIRD BASE OR BETTER.

388
00:19:24,800 --> 00:19:26,700
>> I'M JUST THREE DOORS DOWN
IF YOU GET CHILLY OR WHATEVER.

389
00:19:31,000 --> 00:19:32,400
BREASTS.

390
00:19:32,000 --> 00:19:35,500
AND TOMORROW I'LL HAVE BARNABUS
FETCH YOUR THINGS.

391
00:19:34,500 --> 00:19:36,500
>> BUT I DON'T HAVE THINGS.

392
00:19:36,000 --> 00:19:39,300
>> OH, THAT IS THE MOST ADORABLE
THING I'VE EVER HEARD.

393
00:19:39,000 --> 00:19:40,700
DINK!

394
00:19:42,100 --> 00:19:43,300
>> AH, SIR.

395
00:19:43,000 --> 00:19:45,900
THIS GENTLEMAN HERE
BRINGS RATHER BAD NEWS

396
00:19:45,100 --> 00:19:46,300
FROM THE PAGAN LANDS.

397
00:19:48,200 --> 00:19:50,500
PROJECT ENGAMORA HAS FAILED
ON TWO FRONTS.

398
00:19:53,500 --> 00:19:56,200
>> [screams]

399
00:19:57,500 --> 00:19:59,300
>> SWEET DREAMS.

400
00:19:58,800 --> 00:20:00,000
>> RIGHT.

401
00:19:59,800 --> 00:20:02,300
HE DID ALSO HAVE
SOME GOOD NEWS, SIR.

402
00:20:03,200 --> 00:20:05,000
>> WELL, ALWAYS GIVE
GOOD NEWS FIRST.

403
00:20:04,500 --> 00:20:06,500
THIS MAN'S BLOOD
IS ON YOUR HANDS.

404
00:20:06,100 --> 00:20:07,300
I DO APOLOGIZE.

405
00:20:08,600 --> 00:20:09,600
>> SO THE GOOD NEWS IS,

406
00:20:09,400 --> 00:20:11,900
OUR TRANSLATORS
ARE MAKING GREAT STRIDES,

407
00:20:11,400 --> 00:20:13,700
THOUGH IT SEEMS WE'RE STILL
MISSING A CRUCIAL ELEMENT

408
00:20:13,100 --> 00:20:17,700
OF THE EYE'S AIMING MECHANISM,
NAMELY A CRYSTALLINE FOCAL LENS.

409
00:20:18,800 --> 00:20:20,200
>> FIND THAT LENS.

410
00:20:20,000 --> 00:20:22,000
>> SIR, THE SEARCH
HAS ALREADY BEGUN.

411
00:20:21,500 --> 00:20:23,300
>> WELL, NOW I'M TOO EXCITED
TO SLEEP.

412
00:20:24,300 --> 00:20:26,800
HMM, MAYBE I'LL STEAL IN THERE

413
00:20:26,300 --> 00:20:28,000
FOR A QUICK LITTLE
GROPEY-GROPEY.

414
00:20:27,700 --> 00:20:30,000
>> WELL, I'D LEAVE IT
TILL THE MORNING, SIR.

415
00:20:29,300 --> 00:20:31,000
YOU KNOW, LET THE SHOCK
WEAR OFF.

416
00:20:32,000 --> 00:20:33,200
>> YES.

417
00:20:33,702 --> 00:20:36,304
BUT WHAT TO DO
WITH ALL THIS NERVOUS ENERGY.

418
00:20:37,623 --> 00:20:39,279
OH, HELLO, OLD FRIEND.

419
00:20:39,911 --> 00:20:42,647
BARNABUS, BRING ME A TUB
OF GOOSE FAT

420
00:20:43,143 --> 00:20:45,456
AND A CLEAN SOCK,
WOULD YOU?

421
00:20:45,856 --> 00:20:46,711
YES.

422
00:20:46,911 --> 00:20:49,911
Captioning : CaptionMax
Time fixing, cuts and adds : www.lapache.info
(mimeto)

9999
00:00:0,500 --> 00:00:2,00
<font color="#ffff00" size=14>www.tvsubtitles.net</font>