1 00:00:01,044 --> 00:00:02,871 - PREVIOUSLY ON ROYAL PAINS... 2 00:00:02,915 --> 00:00:05,395 - TO THE FUTURE MRS. EVAN R. LAWSON 3 00:00:05,440 --> 00:00:08,224 AND THE FUTURE MR. PAIGE COLLINS. 4 00:00:08,269 --> 00:00:09,400 - AND NEXT DATE, NO HELMETS. 5 00:00:09,444 --> 00:00:10,836 - THERE'S NOT GOING TO BE A NEXT DATE. 6 00:00:10,880 --> 00:00:12,708 - I AM...LOOKING FOR A GAME TOMORROW. 7 00:00:12,750 --> 00:00:14,013 ARE YOU INTERESTED? 8 00:00:14,057 --> 00:00:16,928 - IF WE'RE CLEAR... IT'S GOLF... 9 00:00:16,972 --> 00:00:19,583 NOT A DATE. - DID I SAY DATE? 10 00:00:19,628 --> 00:00:21,498 - I GOT YOUR BLOOD RESULTS BACK. - UH-HUH. 11 00:00:21,542 --> 00:00:24,111 - THE ANTI-DNA TEST CAME BACK POSITIVE FOR LUPUS. 12 00:00:24,153 --> 00:00:26,504 - IN YOUR PROFESSION, POSITIVE IS A NEGATIVE THING. 13 00:00:26,547 --> 00:00:28,593 - JACK, WE CAN FIGHT THIS TOGETHER. 14 00:00:28,637 --> 00:00:30,507 - OKAY, WELL, WE CAN FIGHT IT TOGETHER LATER. 15 00:00:30,551 --> 00:00:33,554 I'VE GOT A LESSON. 16 00:00:33,597 --> 00:00:35,034 - JACK'S PROTEIN'S UP PAST THREE. 17 00:00:35,078 --> 00:00:37,427 HIS LUPUS IS MORE ADVANCED THAN WE THOUGHT. 18 00:00:37,472 --> 00:00:38,689 - IT'S ATTACKING HIS KIDNEYS. 19 00:00:45,654 --> 00:00:47,264 - WANT TO GRAB A BITE AFTER? - UH... 20 00:00:47,307 --> 00:00:49,179 YEAH. SURE. 21 00:00:52,094 --> 00:00:54,880 - AND, BY THE WAY, YOU'RE FIRED. 22 00:00:54,923 --> 00:00:56,185 - YOU'RE RESORTING TO DISTRACTING ME? 23 00:00:56,229 --> 00:00:59,884 I MUST BE GETTING BETTER. 24 00:00:59,929 --> 00:01:00,756 YOU'RE SERIOUS. 25 00:01:00,798 --> 00:01:03,149 - YES. LOOK, YOU KNOW WHAT? 26 00:01:03,192 --> 00:01:04,890 DON'T TAKE IT PERSONALLY, OKAY? 27 00:01:04,933 --> 00:01:06,022 YOU KNOW, YOU'RE THE ONE WHO INSISTED 28 00:01:06,066 --> 00:01:07,457 "OH, I GOT TO GO SEE A NEPHROLOGIST!" 29 00:01:07,501 --> 00:01:10,025 SO I DID, BUT MY INSURANCE WON'T COVER TWO GPs. 30 00:01:10,069 --> 00:01:11,462 - THAT'S WHY I HAVEN'T BEEN GETTING 31 00:01:11,506 --> 00:01:13,159 ANY NEW REPORTS FROM DR. GREENE. 32 00:01:13,203 --> 00:01:14,900 - YES. BY THE WAY, SHE'S--SHE'S GREAT. 33 00:01:14,944 --> 00:01:16,728 SHE'S KIND. 34 00:01:16,771 --> 00:01:19,121 SHE'S THOROUGH. BASICALLY SHE'S YOU IN A DRESS. 35 00:01:19,165 --> 00:01:22,037 I'M SEEING HER TOMORROW MORNING. YE-AH! 36 00:01:22,081 --> 00:01:23,082 HELLO! 37 00:01:23,126 --> 00:01:25,650 YOU KNOW, I'M SORRY, BUT YOU, UH, 38 00:01:25,694 --> 00:01:27,129 [laughs] YOU KIND OF SCREWED YOURSELF 39 00:01:27,174 --> 00:01:28,914 OUT OF A JOB THERE, PANKY. 40 00:01:28,957 --> 00:01:30,829 - LOOK, I DON'T CARE ABOUT BILLING, AND... 41 00:01:30,873 --> 00:01:32,222 I WANT TO STAY IN THE LOOP. I MEAN, 42 00:01:32,265 --> 00:01:34,615 YOU NEED TO KEEP ME ON AS A MEDICAL CADDY, YOU KNOW? 43 00:01:34,658 --> 00:01:37,140 TO GIVE A SECOND OPINION WHEN CHALLENGES COME UP. 44 00:01:37,183 --> 00:01:39,186 - I THINK IT'S CUTE THAT YOU USE A GOLF TERM 45 00:01:39,228 --> 00:01:40,664 TO TRY TO PERSUADE ME. 46 00:01:40,709 --> 00:01:41,796 - I'M TRYING TO GET YOU TO TAKE YOUR HEALTH 47 00:01:41,840 --> 00:01:43,364 AS SERIOUSLY AS YOUR GOLF GAME. 48 00:01:43,406 --> 00:01:45,582 - MM-HMM. YOO-HOO-HOO! - [groans] 49 00:01:45,627 --> 00:01:47,716 - YEAH, DOH, WHOA! LOOK OUT! 50 00:01:47,759 --> 00:01:50,197 YOU KNOW AS FASCINATING AS MY CREATININE LEVELS MIGHT BE, 51 00:01:50,240 --> 00:01:51,849 I DON'T FEEL THE NEED TO DISCUSS THEM TWICE. 52 00:01:51,894 --> 00:01:54,853 YOU SAID YOU WANTED TO BE MY FRIEND. 53 00:01:54,896 --> 00:01:58,161 BE MY FRIEND. 54 00:01:58,204 --> 00:02:00,597 YOU KNOW HOW TO BE A FRIEND, DON'T YOU, DOC? 55 00:02:02,034 --> 00:02:04,906 - [clears throat] FOR YOU, JACKIE BOY, 56 00:02:04,950 --> 00:02:07,692 I'LL GIVE IT A SHOT. [cell phone pings] 57 00:02:07,736 --> 00:02:09,737 - HELLO. 58 00:02:09,781 --> 00:02:11,566 OH... 59 00:02:11,609 --> 00:02:14,264 - IS EVERYTHING OKAY? - BETTER THAN OKAY. 60 00:02:14,307 --> 00:02:16,961 BECAUSE THE BLUEFIN TUNA 61 00:02:17,006 --> 00:02:20,356 ARE RUNNING OFF OF GRANT'S ISLAND. 62 00:02:20,401 --> 00:02:21,750 WANT TO GO FISHING TOMORROW MORNING? 63 00:02:21,793 --> 00:02:23,403 - UH, DIDN'T YOU JUST SAY YOU HAVE AN APPOINTMENT 64 00:02:23,447 --> 00:02:25,100 WITH DR. GREENE TOMORROW MORNING? 65 00:02:25,145 --> 00:02:27,015 - YEAH, RIGHT. 66 00:02:27,058 --> 00:02:28,670 - WELL, MAYBE THE TUNA WILL HANG AROUND FOR A WHILE. 67 00:02:28,712 --> 00:02:31,933 - WOW, YOU KNOW EVEN LESS ABOUT FISHING THAN YOU DO ABOUT GOLF. 68 00:02:36,067 --> 00:02:39,201 - "AFTER A 15-YEAR ABSENCE FROM THE STAGE, 69 00:02:39,246 --> 00:02:42,466 "GLEASON IS NOW ENGAGING IN A SURPRISINGLY MODEST, 70 00:02:42,509 --> 00:02:46,209 "IF NOT FEEBLE ATTEMPT TO REHABILITATE HIMSELF 71 00:02:46,252 --> 00:02:47,731 "WITH A RETURN TO THE THEATER AS BOTTOM 72 00:02:47,776 --> 00:02:50,778 "IN THE UP-AND-COMING HAMPTONS THEATRE FESTIVAL'S 73 00:02:50,822 --> 00:02:52,520 "PRODUCTION OF A MIDSUMMER NIGHT'S DREAM. 74 00:02:52,562 --> 00:02:56,437 "WILL IT SPOTLIGHT GLEASON, THE POET WE ONCE ADMIRED, 75 00:02:56,479 --> 00:02:59,743 "OR SHOW US MORE OF THE HOLLYWOOD LUNATIC AND LOVER 76 00:02:59,788 --> 00:03:03,705 WE'VE SADLY COME TO EXPECT?" 77 00:03:03,747 --> 00:03:08,579 [grunts] BOTTOMS UP, K.J. GOLAN. 78 00:03:08,622 --> 00:03:10,146 [glass clanks] [groans] 79 00:03:15,543 --> 00:03:18,284 - IT'S--IT'S A REAL HONOR AND A THRILL 80 00:03:18,328 --> 00:03:19,764 TO HAVE YOU WITH US, MR. GLEASON. 81 00:03:19,807 --> 00:03:22,680 - SORRY. JULIE, DARLING, OH, COME HERE. 82 00:03:22,723 --> 00:03:25,074 LOVELY TO MEET YOU. 83 00:03:25,116 --> 00:03:27,685 YES, DO PLEASE-- YOU CALL ME GABE. 84 00:03:27,728 --> 00:03:29,644 - I'M SO EXCITED TO BE DIRECTING HERE. 85 00:03:29,687 --> 00:03:31,122 THIS WAY. THIS-- - OKAY. 86 00:03:31,167 --> 00:03:32,950 - UM, I GREW UP IN THE HAMPTONS, 87 00:03:32,995 --> 00:03:34,300 SO I JUMPED AT THE CHANCE TO HELP 88 00:03:34,343 --> 00:03:35,692 PUT THIS FESTIVAL ON THE MAP. 89 00:03:35,736 --> 00:03:36,954 - OH, WATCH OUT, WILLIAMSTOWN. 90 00:03:36,998 --> 00:03:38,478 [murmur through cell phone] 91 00:03:38,521 --> 00:03:40,132 - YES, MR. GLEASON HAS ARRIVED. 92 00:03:40,175 --> 00:03:42,743 WE WILL HAVE HIS COSTUME FITTING RIGHT AFTER WE FINISH REHEARSAL. 93 00:03:42,787 --> 00:03:45,007 ONCE THE COMMUNITY CAUGHT WIND THAT YOU WERE PERFORMING HERE, 94 00:03:45,050 --> 00:03:46,661 WE SOLD OUT IN A DAY. 95 00:03:46,704 --> 00:03:49,185 - OH, WELL, I'M SURE THEY'RE EQUALLY THRILLED TO SEE YOU. 96 00:03:49,228 --> 00:03:51,579 [panting] I HEARD YOU MADE QUITE A SPLASH AT LA JOLLA. 97 00:03:51,622 --> 00:03:54,189 NOT...MANY DIRECTORS ACT-- 98 00:03:54,234 --> 00:03:56,584 AT LEAST NOT WELL. - AM I WALKING TOO FAST? 99 00:03:56,627 --> 00:03:58,150 - NOT AT ALL. I LIKE MOVING QUICKLY. 100 00:03:58,194 --> 00:04:00,064 - WELL, SINCE WE OPEN TOMORROW NIGHT, WE'RE COUNTING ON IT. 101 00:04:00,109 --> 00:04:02,850 - OH, YES, I'M SO SORRY, AGAIN, ABOUT MY LATE ENTRANCE. 102 00:04:02,894 --> 00:04:04,765 MY FILM SHOOT WENT OVER. 103 00:04:04,808 --> 00:04:06,854 - OH, I'M NOT WORRIED. YOU'VE PLAYED THE ROLE BEFORE. 104 00:04:06,897 --> 00:04:09,552 - NEVERTHELESS, I SHALL BE AT YOUR SERVICE. 105 00:04:11,902 --> 00:04:13,426 - IF THERE'S ANYTHING ELSE YOU NEED, 106 00:04:13,469 --> 00:04:15,123 PLEASE DON'T HESITATE TO ASK ME. 107 00:04:15,167 --> 00:04:18,300 - THIS GOOD-LUCK CHARM IS ALL I NEED. 108 00:04:18,345 --> 00:04:20,869 - AFTER ALL YOUR SUCCESS, YOU'RE STILL SUPERSTITIOUS. 109 00:04:20,911 --> 00:04:22,913 - AREN'T WE ALL? 110 00:04:22,957 --> 00:04:25,829 [gasps] 111 00:04:25,874 --> 00:04:29,137 [wheezing breaths] 112 00:04:35,971 --> 00:04:38,887 - CAN YOU PLEASE, PLEASE, PLEASE, PLEASE 113 00:04:38,930 --> 00:04:40,845 JUST TAKE A BREAK SO WE CAN GO TO LUNCH? 114 00:04:40,889 --> 00:04:42,803 COME ON, I'M STARVING. 115 00:04:42,846 --> 00:04:45,197 I'M--[groans] I CAN--I CAN-- LITERALLY, I CAN FEEL 116 00:04:45,240 --> 00:04:46,459 MY BLOOD SUGAR DROPPING. 117 00:04:46,502 --> 00:04:48,461 - SORRY, I JUST-- I NEED TO FINISH THIS. 118 00:04:48,504 --> 00:04:51,334 BESIDES, I THOUGHT THE ACTORS ONLY GOT A 30-MINUTE BREAK. 119 00:04:51,377 --> 00:04:53,031 WE COULDN'T EVEN GO ANYWHERE. 120 00:04:53,074 --> 00:04:54,380 - PAIGE, I HAVE ONE LINE AT THE END OF THE PLAY. 121 00:04:54,423 --> 00:04:56,470 AND IT'S A THREE-HOUR PLAY. COME ON, LET'S GO. 122 00:04:56,512 --> 00:04:58,776 COME ON. - EVAN, I-I'M SORRY, 123 00:04:58,819 --> 00:05:00,648 I JUST, LOOK, 124 00:05:00,690 --> 00:05:03,476 I'VE BEEN PAINTING SETS HERE EVERY SUMMER FOR YEARS. 125 00:05:03,519 --> 00:05:05,391 BUT THIS TIME IT'S DIFFERENT. 126 00:05:05,435 --> 00:05:07,567 I HAVE A CHANCE TO IMPRESS JULIE SHARP. 127 00:05:07,610 --> 00:05:09,612 SHE'S A PARSONS ALUM. 128 00:05:09,656 --> 00:05:11,093 A LETTER OF REC FROM HER 129 00:05:11,136 --> 00:05:13,225 WOULD REALLY HELP MY APPLICATION. 130 00:05:13,269 --> 00:05:15,096 - I GET IT. I GET IT. 131 00:05:15,139 --> 00:05:16,315 GOOD LUCK. 132 00:05:16,358 --> 00:05:18,795 - EVAN, YOU CAN'T SAY THAT IN THE THEATER! 133 00:05:18,839 --> 00:05:20,276 "GOOD LUCK" IS BAD LUCK. 134 00:05:20,319 --> 00:05:22,365 YOU HAVE TO SAY "BREAK A LEG." - OKAY! 135 00:05:22,408 --> 00:05:23,757 I'M SORRY, IT WAS A SLIP. 136 00:05:23,800 --> 00:05:26,108 IT'S NOT LIKE I SAID MACBETH.I'M-- 137 00:05:26,151 --> 00:05:28,545 - YOU CAN'T SAY MACBETHEITHER. THAT'S EVEN WORSE LUCK! 138 00:05:28,588 --> 00:05:29,372 - YOU JUST SAID MACBETH. 139 00:05:29,415 --> 00:05:32,375 - OKAY, STOP. STOP! 140 00:05:32,418 --> 00:05:33,463 WE HAVE TO GO OUTSIDE, 141 00:05:33,507 --> 00:05:34,855 TURN AROUND THREE TIMES, AND SPIT. 142 00:05:34,899 --> 00:05:37,598 - PAIGE, WE ARE OUTSIDE. 143 00:05:37,641 --> 00:05:39,250 I GET DIZZY EASILY. AND TECHNICALLY, 144 00:05:39,295 --> 00:05:40,904 I THINK WE HAVE TO TURN AROUND NINE TIMES. 145 00:05:40,949 --> 00:05:42,603 IT'S JUST A SUPERSTITION. COME ON. 146 00:05:42,646 --> 00:05:44,168 IT'S, UH--IT'S-- OH, I SAID MACBETH! 147 00:05:44,213 --> 00:05:47,259 MACBETH, MACBE-- IT'S--I CURSED THE SHOW! 148 00:05:47,302 --> 00:05:49,391 I SAID MACBETH!" IT'S RIDICULOUS. 149 00:05:49,435 --> 00:05:51,350 - HELP! WE HAVE AN EMERGENCY. CALL A DOCTOR! 150 00:05:55,093 --> 00:05:57,879 [The Blue Van's Independence] 151 00:05:57,922 --> 00:06:00,403 ♪ 152 00:06:00,447 --> 00:06:04,668 - ♪ MY INDEPENDENCE WENT AWAY 153 00:06:04,711 --> 00:06:09,151 ♪ I DIDN'T LISTEN WHEN IT SAID ♪ 154 00:06:09,194 --> 00:06:11,326 ♪ RELY ON YOURSELF 155 00:06:11,370 --> 00:06:13,677 ♪ TRUSTING SOMEONE ELSE 156 00:06:13,721 --> 00:06:19,204 ♪ IS A PATH FOR THE SILENT GHOST ♪ 157 00:06:21,468 --> 00:06:22,598 - WE WERE JUST ABOUT TO START REHEARSAL WHEN SHE 158 00:06:22,643 --> 00:06:25,471 PASSED OUT. - I JUST GOT LIGHT-HEADED. 159 00:06:25,514 --> 00:06:27,081 - DID YOU HIT YOUR HEAD WHEN YOU FELL? 160 00:06:27,125 --> 00:06:29,911 - NO. - BP IS 110 OVER 70. 161 00:06:29,954 --> 00:06:31,086 WHICH IS NORMAL. 162 00:06:31,129 --> 00:06:33,000 - LOOK, I'M FINE NOW. 163 00:06:33,043 --> 00:06:35,829 [hyperventilates] - WHOA. WH--OKAY, OKAY. 164 00:06:35,872 --> 00:06:37,266 OKAY, EASY. [gauge hits ground] 165 00:06:37,308 --> 00:06:38,963 EASY. HERE WE GO. 166 00:06:39,007 --> 00:06:41,052 DIVYA, WOULD YOU GIVE ME A SCALPEL? 167 00:06:41,096 --> 00:06:43,358 - YEAH. - THANK YOU. 168 00:06:43,403 --> 00:06:44,447 - DUDE, WHAT ARE YOU GOING TO DO TO HER? 169 00:06:44,490 --> 00:06:48,363 - THANK YOU. - WHAT-- 170 00:06:52,149 --> 00:06:54,805 - [expansive breathing] 171 00:06:54,848 --> 00:06:56,415 - JULIE, CAN YOU GRAB ME A SHIRT, PLEASE? 172 00:06:56,459 --> 00:06:57,807 DEEP BREATHS, THAT'S IT. 173 00:06:57,851 --> 00:07:00,245 SLOWLY COME UP. HERE WE GO. 174 00:07:00,288 --> 00:07:03,031 - HERE. - YOUR CORSET WAS LACED SO TIGHT 175 00:07:03,074 --> 00:07:04,858 THAT YOU BECAME ANXIOUS AND THEN STARTED 176 00:07:04,901 --> 00:07:06,990 TO HYPERVENTILATE, CAUSING YOU TO FAINT. 177 00:07:07,035 --> 00:07:09,471 - YEAH, MAYBE NEXT TIME YOU JUST GO WITH SPANX. 178 00:07:09,516 --> 00:07:11,735 - THANK YOU. THANKS. - OF COURSE. 179 00:07:11,778 --> 00:07:13,214 - JUST TAKE A FEW MINUTES. 180 00:07:13,257 --> 00:07:15,216 AND JOIN US BACK AT REHEARSAL WHEN YOU'RE READY. 181 00:07:15,259 --> 00:07:16,478 - WHEW. - I REALLY APPRECIATE 182 00:07:16,523 --> 00:07:18,175 YOU GETTING HERE SO QUICKLY. - YEAH, YEAH. 183 00:07:18,220 --> 00:07:19,394 IT'S WHAT WE DO. 184 00:07:22,442 --> 00:07:24,312 - OH, MY GOSH. 185 00:07:24,355 --> 00:07:26,053 WOW. 186 00:07:26,096 --> 00:07:28,273 FOR A SECOND THERE, I THOUGHT I'D CURSED THE SHOW. 187 00:07:28,317 --> 00:07:31,014 - DARE I ASK HOW YOU MAY HAVE DONE THAT? 188 00:07:31,059 --> 00:07:33,495 - I SAID MACBETH. OH, MY G-- 189 00:07:33,540 --> 00:07:35,062 WHY DO I KEEP SAYING THAT? 190 00:07:35,105 --> 00:07:36,456 - MAYBE YOUR CORSET'S TOO TIGHT. 191 00:07:36,499 --> 00:07:37,805 - WHY CAN'T YOU SAY MACBETH? -NO, NO! 192 00:07:37,848 --> 00:07:39,894 SHH! JUST-- - WHAT? 193 00:07:39,937 --> 00:07:41,983 - IT IS CONSIDERED TABOO TO SAY IN A THEATER. 194 00:07:42,026 --> 00:07:43,418 IT CAN CURSE A PRODUCTION. 195 00:07:43,463 --> 00:07:46,509 YOU HAVE TO CALL IT "THE SCOTTISH PLAY." 196 00:07:46,552 --> 00:07:48,250 - I KNOW. DIVYA, YOU MAY FIND IT 197 00:07:48,293 --> 00:07:49,512 HARD TO BELIEVE, I-I ACTUALLY WAS ONCE 198 00:07:49,555 --> 00:07:51,034 KIND OF A SERIOUS THESPIAN. 199 00:07:51,079 --> 00:07:52,733 - YEAH, HE BEGGED ME TO LEAVE GROSS ANATOMY EARLY 200 00:07:52,776 --> 00:07:54,516 SO I COULD SEE HIM IN THE TITLE ROLE 201 00:07:54,560 --> 00:07:56,432 OF PIRATES OF PENZANCE. HE PLAYED A PIRATE. 202 00:07:56,475 --> 00:07:57,999 - THAT WAS FRESHMAN YEAR. 203 00:07:58,042 --> 00:07:59,303 I WAS JUST IN IT FOR THE GIRLS THEN. 204 00:07:59,348 --> 00:08:01,524 BUT I-I PLAYED MUCH BIGGER ROLES AFTER THAT. 205 00:08:01,567 --> 00:08:04,613 I-I WAS BANQUO IN MACBETH. OH, MY GOD! 206 00:08:04,658 --> 00:08:06,528 SOMEONE TAPE MY MOUTH SHUT. - I WILL. 207 00:08:06,572 --> 00:08:08,052 - OH, GOOD. YOU'RE STILL HERE. 208 00:08:08,096 --> 00:08:10,533 THEY NEED TO SEE YOU ON STAGE. LYSANDER CAN'T SEE. 209 00:08:18,322 --> 00:08:21,283 - [spitting] 210 00:08:23,024 --> 00:08:25,286 - SO WHAT HAPPENED, EXACTLY? 211 00:08:25,329 --> 00:08:27,245 - UH, ONE OF THE FAIRIES WAS SPRINKLING 212 00:08:27,288 --> 00:08:29,290 A LITTLE "LOVE-IN-IDLENESS" ON MY EYES, 213 00:08:29,334 --> 00:08:31,074 AND SOME GOT INMY EYE. 214 00:08:31,119 --> 00:08:32,467 - A LITTLE WHAT IN WHAT? 215 00:08:32,511 --> 00:08:34,077 - "LOVE-IN-IDLENESS." 216 00:08:34,121 --> 00:08:36,471 IT'S AN ENCHANTED JUICE THAT MAKES PEOPLE FALL IN LOVE. 217 00:08:37,821 --> 00:08:39,169 IT'S MY FAVORITE PLAY. 218 00:08:39,213 --> 00:08:41,259 - MMM. - EXCEPT WE DON'T USE JUICE. 219 00:08:41,302 --> 00:08:42,913 WE USE FAIRY DUST. 220 00:08:42,956 --> 00:08:46,481 - OR, IN YOUR CASE, GLITTER. 221 00:08:46,525 --> 00:08:48,918 IT LOOKS LIKE YOU HAVE A CORNEAL FOREIGN BODY 222 00:08:48,962 --> 00:08:50,312 THAT DIDN'T WASH OUT. 223 00:08:50,355 --> 00:08:52,400 IT'S A DELICATE PROCEDURE AND NEEDS TO BE REMOVED 224 00:08:52,443 --> 00:08:54,229 IN A MORE STERILE ENVIRONMENT. 225 00:08:54,272 --> 00:08:55,796 - WELL, I'LL TAKE HIM TO HAMPTONS HERITAGE. 226 00:08:55,838 --> 00:08:57,187 - THANKS, DIVYA. 227 00:08:57,231 --> 00:09:00,148 - OKAY. 228 00:09:00,191 --> 00:09:01,715 [background chatter] 229 00:09:01,758 --> 00:09:04,020 - OH. [clears throat] 230 00:09:04,065 --> 00:09:06,980 NOW AM I DEAD, 231 00:09:07,024 --> 00:09:09,940 NOW AM I FLED. 232 00:09:09,984 --> 00:09:12,508 MY SOUL IS IN THE SKY. 233 00:09:12,552 --> 00:09:15,990 TONGUE, LOSE THY LIGHT. 234 00:09:16,033 --> 00:09:18,557 MOON, TAKE FLIGHT. 235 00:09:20,864 --> 00:09:24,955 NOW DIE... DIE [groans] 236 00:09:24,999 --> 00:09:26,434 DIE... 237 00:09:26,477 --> 00:09:30,613 DIE [gurgling] 238 00:09:30,657 --> 00:09:32,658 [grunts] 239 00:09:32,701 --> 00:09:35,749 DIE! [grunts] 240 00:09:35,792 --> 00:09:37,402 - OKAY. [applause] 241 00:09:37,446 --> 00:09:38,403 NICE REHEARSAL. 242 00:09:38,447 --> 00:09:40,797 NICE WORK, GABE. 243 00:09:40,841 --> 00:09:42,102 LET'S TAKE A LITTLE BREAK, 244 00:09:42,145 --> 00:09:44,322 AND THEN WE'LL COME BACK AT THE TOP OF ACT FIVE 245 00:09:44,365 --> 00:09:45,540 IN ABOUT HALF AN HOUR. - OOF. 246 00:09:45,585 --> 00:09:46,759 - YOU NEED A LITTLE HELP THERE, BUD? 247 00:09:46,802 --> 00:09:48,804 - OH-- [grunts] THANK YOU. 248 00:09:48,849 --> 00:09:51,024 - HEY, ARE YOU OKAY? 249 00:09:51,067 --> 00:09:53,201 I'M A DOCTOR. - [panting] OH. 250 00:09:53,244 --> 00:09:55,463 COULD YOU MEET ME IN MY DRESSING ROOM 251 00:09:55,506 --> 00:09:57,857 IN A FEW MINUTES? - YEAH, YEAH, SURE. 252 00:09:57,900 --> 00:09:59,120 - THANK YOU. 253 00:09:59,163 --> 00:10:03,427 - UM, IN--IN GRATITUDE FOR YOUR WARM WELCOME, 254 00:10:03,471 --> 00:10:06,866 I BROUGHT YOU ALL A LITTLE GIFT. 255 00:10:06,909 --> 00:10:10,304 "A QUART OF ALE IS A DISH FOR A KING." 256 00:10:10,347 --> 00:10:13,090 GO! MAY YOU ALL BE KINGS. 257 00:10:13,134 --> 00:10:15,658 [laughter, applause] 258 00:10:15,701 --> 00:10:18,139 - THERE GOES ACT FIVE. 259 00:10:29,149 --> 00:10:31,195 - YEP. 260 00:10:31,239 --> 00:10:33,153 DEFINITELY SOMETHING STUCK IN THERE. 261 00:10:33,197 --> 00:10:35,504 BUT I GOT IT. I'LL CALL OPHTHALMOLOGY 262 00:10:35,547 --> 00:10:37,071 FOR YOUR FOLLOW UP. 263 00:10:37,114 --> 00:10:39,682 THEY'LL PRESCRIBE SOME ANTIBIOTIC EYE DROPS. 264 00:10:39,725 --> 00:10:43,206 AND, UH, MAYBE I CAN FIND YOU AN OLD-SCHOOL EYE PATCH. 265 00:10:43,250 --> 00:10:46,341 YOU CAN BE THE PIRATE FAIRY. 266 00:10:46,384 --> 00:10:47,602 - I'M NOT A FAIRY. 267 00:10:47,647 --> 00:10:49,169 - YOU'RE WEARING TIGHTS. 268 00:10:49,996 --> 00:10:53,173 HEY! SINCE YOU'RE NOT WORKING HERE ANYMORE, 269 00:10:53,216 --> 00:10:54,392 YOU MUST MISS ME. 270 00:10:54,436 --> 00:10:55,828 WHY DON'T YOU FINALLY ACCEPT A DATE 271 00:10:55,871 --> 00:10:57,831 INSTEAD OF JUST BRINGING ME PATIENTS? 272 00:10:57,874 --> 00:10:59,832 - I TOLD YOU-- - AS FRIENDS. 273 00:10:59,875 --> 00:11:02,096 JUST FRIENDS-- A FRIEND DATE. 274 00:11:05,794 --> 00:11:07,927 - WHA--WHAT? - WELL, IT LOOKS LIKE 275 00:11:07,971 --> 00:11:10,017 YOU GOT A LITTLE FAIRY DUST SPRINKLED ON YOU TOO. 276 00:11:10,059 --> 00:11:11,278 EITHER THAT, OR YOU WENT CRAZY 277 00:11:11,322 --> 00:11:13,236 WITH THE BODY GLITTER THIS MORNING. 278 00:11:13,280 --> 00:11:14,673 - YOU KNOW WHAT THAT MEANS. 279 00:11:14,716 --> 00:11:17,894 "THE JUICE OF IT ON SLEEPING EYELIDS LAID, 280 00:11:17,937 --> 00:11:20,114 "WILL MAKE OR MAN OR WOMAN MADLY DOTE, 281 00:11:20,157 --> 00:11:22,682 UPON THE NEXT LIVE CREATURE THAT IT SEES." 282 00:11:22,725 --> 00:11:25,119 - IS THAT FROM ZOMBIELAND? 283 00:11:25,162 --> 00:11:27,860 - NO! IT'S SHAKESPEARE. 284 00:11:27,903 --> 00:11:29,644 IT--IT'S MIDSUMMER NIGHT'S DREAM. 285 00:11:29,688 --> 00:11:31,865 - OH! HEY, I SAW A POSTER FOR THAT. 286 00:11:31,908 --> 00:11:34,302 YOU KNOW, MIGHT BE A NICE OUTING 287 00:11:34,345 --> 00:11:36,739 FOR A COUPLE OF...FRIENDS. 288 00:11:36,783 --> 00:11:38,697 WHAT DO YOU SAY? 289 00:11:38,740 --> 00:11:40,177 - I'M ALREADY GOING WITH A FRIEND. 290 00:11:40,221 --> 00:11:42,397 I'LL BE BACK. 291 00:11:42,440 --> 00:11:45,748 - YOUR LOSS, KATDARE. 292 00:11:45,792 --> 00:11:47,706 - PLEASE DON'T ASK. 293 00:11:47,750 --> 00:11:51,448 I AM SO GLAD THAT YOU AGREED TO JOIN ME ON SATURDAY. 294 00:11:51,493 --> 00:11:54,801 - YEAH, ABOUT THAT... 295 00:11:54,844 --> 00:11:58,282 WOULD YOU HATE ME FOREVER IF I BAILED? 296 00:11:58,326 --> 00:12:00,023 - WHAT? YOU'RE NOT A FAN OF THE BARD? 297 00:12:00,067 --> 00:12:01,981 - WHO'S THE BARD? 298 00:12:02,024 --> 00:12:04,898 - YOU JUST ANSWERED MY QUESTION. - NO-- 299 00:12:04,941 --> 00:12:08,639 I JUST GOT AN OFFER THAT'S A LITTLE BIT MORE MY SPEED. 300 00:12:08,683 --> 00:12:10,511 AND BESIDES, YOU DO NOT WANT TO HAVE TO SPEND 301 00:12:10,554 --> 00:12:12,644 THE WHOLE EVENING EXPLAINING THE PLAY TO ME. 302 00:12:12,687 --> 00:12:13,732 - NO, NO, THAT'S FINE, YOU KNOW? 303 00:12:13,775 --> 00:12:15,604 I'LL JUST SIT THERE. BY MYSELF. 304 00:12:15,647 --> 00:12:16,952 PATHETICALLY. 305 00:12:16,996 --> 00:12:19,695 - I'M SORRY. 306 00:12:19,739 --> 00:12:21,740 YOU KNOW WHAT? I DON'T HAVE TO GO. 307 00:12:21,783 --> 00:12:23,654 I DON'T HAVE TO GO. - I'M KIDDING. 308 00:12:23,698 --> 00:12:25,614 GO. I WILL JUST RETURN THE SECOND TICKET 309 00:12:25,657 --> 00:12:29,225 TO THE BOX OFFICE. - OKAY. 310 00:12:29,269 --> 00:12:31,706 - OKAY. 311 00:12:32,707 --> 00:12:34,404 IT'LL JUST BE A COUPLE OF MINUTES 312 00:12:34,448 --> 00:12:36,058 BEFORE THE PICTURE COMES UP. 313 00:12:36,102 --> 00:12:39,105 HERE YOU GO. 314 00:12:39,149 --> 00:12:42,936 - IS THIS A HAMPTONS THEATRE INITIATION PRANK? 315 00:12:42,979 --> 00:12:44,850 - CLOSE. PART OF THE PULMONARY FUNCTION TEST. 316 00:12:44,894 --> 00:12:46,677 THE SPIROMETER MEASURES THE AMOUNT 317 00:12:46,721 --> 00:12:48,811 OF AIR ENTERING AND LEAVING YOUR LUNGS. 318 00:12:48,855 --> 00:12:51,552 IF YOU COULD OPEN, PLEASE? GOOD. 319 00:12:51,596 --> 00:12:53,642 NOW I NEED YOU TO INHALE TO YOUR MAXIMUM. 320 00:12:53,684 --> 00:12:55,904 NOW EXHALE QUICKLY AND COMPLETELY 321 00:12:55,948 --> 00:12:57,471 TILL THERE'S NO AIR LEFT IN YOUR LUNGS. 322 00:12:57,514 --> 00:12:59,168 KEEP BLOWING. 323 00:12:59,212 --> 00:13:00,344 KEEP BLOWING. 324 00:13:00,388 --> 00:13:01,868 KEEP BLOWING. 325 00:13:01,910 --> 00:13:03,086 GOOD. 326 00:13:03,129 --> 00:13:04,696 - [gasps] 327 00:13:04,740 --> 00:13:08,134 - OKAY, YOUR EXPIRATORY VOLUME AND FLOW LOOK GREAT. 328 00:13:08,177 --> 00:13:10,092 AS DOES YOUR FORCED VITAL CAPACITY. 329 00:13:10,136 --> 00:13:12,748 - AND THEY SAY ELIZABETHAN ENGLISH IS OPAQUE. 330 00:13:12,792 --> 00:13:17,753 - OKAY, IN OTHER WORDS, NO SIGNS OF PULMONARY DISEASE. 331 00:13:17,797 --> 00:13:19,275 [keys clicking] 332 00:13:19,320 --> 00:13:21,582 AND THERE'S NO HYPERINFLATION 333 00:13:21,625 --> 00:13:23,366 OR DESTROYED TISSUE IN YOUR LUNGS. 334 00:13:23,411 --> 00:13:25,586 - ACTUALLY, I'M FEELING PRETTY SPRY NOW. 335 00:13:25,629 --> 00:13:28,110 - UM... 336 00:13:28,154 --> 00:13:29,721 - SORRY. HOW RUDE OF ME. 337 00:13:29,764 --> 00:13:30,852 DID YOU WANT ONE? 338 00:13:30,897 --> 00:13:32,506 THE TRUCK'S HERE FOR THE AFTERNOON. 339 00:13:32,549 --> 00:13:33,682 - NO THANK YOU. ON DUTY. 340 00:13:33,725 --> 00:13:35,509 AND FOR THAT MATTER, SO ARE YOU. 341 00:13:35,552 --> 00:13:37,120 - AH, YES. BUT UNLIKE A DOCTOR, 342 00:13:37,163 --> 00:13:38,730 SPIRITS ARE PART OF AN ACTOR'S LIFE. 343 00:13:38,774 --> 00:13:40,384 A VERITABLE PREREQUISITE. 344 00:13:40,427 --> 00:13:41,558 PLUS, I'M IRISH. 345 00:13:41,602 --> 00:13:44,345 [lighter clicks] - LISTEN, GABE, UM... 346 00:13:44,388 --> 00:13:46,738 I KNOW IT'S BEEN A WHILE SINCE YOU'VE PERFORMED LIVE. 347 00:13:46,782 --> 00:13:49,567 BUT I DON'T THINK THE CIGARS AND THE BOOZE 348 00:13:49,610 --> 00:13:51,918 ARE GOING TO HELP YOUR PERFORMANCE OR YOUR HEALTH. 349 00:13:51,961 --> 00:13:54,224 - HAVE YOU SEEN ME PERFORM LIVE? 350 00:13:54,268 --> 00:13:57,183 - NO. - THEN HOW DO YOU KNOW? 351 00:13:57,226 --> 00:13:58,924 OH, ALL RIGHT. 352 00:14:10,587 --> 00:14:13,591 [car engine stops] 353 00:14:14,809 --> 00:14:17,595 [beep] 354 00:14:22,644 --> 00:14:24,601 - UH, GOOD MORNING. 355 00:14:24,645 --> 00:14:26,255 IS EVERYTHING OKAY IN THERE? - NO. 356 00:14:26,299 --> 00:14:27,388 NO, I, UM... I JUST-- 357 00:14:27,431 --> 00:14:28,911 I FOUND OUT THAT THE METS LOST. 358 00:14:28,955 --> 00:14:30,913 THAT'S SIX IN A ROW. AND NOW THEY'RE TRADING 359 00:14:30,956 --> 00:14:34,307 THEIR NUMBER ONE PITCHER, SO WHY DO I EVEN BOTHER? 360 00:14:34,350 --> 00:14:39,661 YES. I PROGRAM MY CAR TO FOLLOW THE METS. 361 00:14:39,703 --> 00:14:41,532 NOW YOU THINK I'M A FREAK. 362 00:14:41,576 --> 00:14:44,274 - I THINK YOU'RE A FAN. WELCOME TO THE CLUB. 363 00:14:44,317 --> 00:14:46,928 - OH. OKAY. 364 00:14:46,972 --> 00:14:49,062 HEY, UM, HAVE YOU SEEN JACK LATELY? 365 00:14:49,105 --> 00:14:50,932 - WE PLAYED 18 YESTERDAY, 366 00:14:50,976 --> 00:14:53,240 NOT THAT HE CONSIDERS WHAT I DO ON A GOLF COURSE PLAYING. 367 00:14:53,283 --> 00:14:56,243 - WOW. I'M GLAD TO HEAR HE'S IN SUCH GOOD SPIRITS. 368 00:14:56,286 --> 00:14:57,678 PATIENTS WITH HIS NUMBERS 369 00:14:57,721 --> 00:14:59,375 ARE USUALLY PRETTY WEAK AND LETHARGIC. 370 00:14:59,419 --> 00:15:01,203 - WAIT. HAVE HIS NUMBERS CHANGED? 371 00:15:01,248 --> 00:15:04,076 - HIS B.U.N. AND CREATININE ARE RISING, 372 00:15:04,120 --> 00:15:06,383 AND HIS GLOMERULAR FILTRATION RATE IS WAYDOWN. 373 00:15:06,427 --> 00:15:10,256 - THAT'S WHY HE HAS AN APPOINTMENT WITH YOU TODAY. 374 00:15:10,299 --> 00:15:12,041 - WITH ME AND A SURGEON. HE'S COMING IN 375 00:15:12,085 --> 00:15:13,913 TO HAVE AN ARTERIOVENOUS FISTULA INSTALLED 376 00:15:13,956 --> 00:15:16,306 IN PREP FOR STARTING DIALYSIS. - DIALYSIS? 377 00:15:16,350 --> 00:15:19,744 - I ASSUMED YOU KNEW. - NO, I DIDN'T. 378 00:15:19,788 --> 00:15:24,183 - JACK'S DISEASE IS REALLY PROGRESSING FAST, HANK. 379 00:15:24,226 --> 00:15:27,100 UM, I'LL SEE YOU LATER. 380 00:15:27,143 --> 00:15:30,277 - YEAH. 381 00:15:35,063 --> 00:15:37,066 - YES, JACK. IT IS A SIMPLE SURGERY. 382 00:15:37,110 --> 00:15:39,415 BUT YOU WILL BE ANESTHETIZED. I'LL GIVE YOU A LIFT. 383 00:15:39,460 --> 00:15:42,549 - DO NOT MAKE ME FIRE YOU AS MY FRIEND ALSO. 384 00:15:42,592 --> 00:15:43,942 MAN, YOU REALLY DO SUCK AT THIS. 385 00:15:43,985 --> 00:15:45,726 - WHAT? FRIENDS GIVE FRIENDS RIDES. 386 00:15:45,769 --> 00:15:47,467 - YEAH, WELL, I DON'T NEED HAND-HOLDING. 387 00:15:47,510 --> 00:15:49,209 - SO I'LL KEEP BOTH HANDS ON THE WHEEL. 388 00:15:49,251 --> 00:15:51,080 I'LL JUST DRIVE YOU HOME. NO GOOD-NIGHT KISS. 389 00:15:51,124 --> 00:15:52,777 - UH-HUH, UH-HUH. OH, WAIT, UM, 390 00:15:52,821 --> 00:15:53,995 DO YOU HEAR THAT SOUND? 391 00:15:54,039 --> 00:15:55,171 - WHAT SOUND? - I DON'T KNOW. 392 00:15:55,215 --> 00:15:56,563 IT SOUNDS LIKE A BEEP OR SOMETHING. 393 00:15:56,606 --> 00:15:58,653 - NO, I DON'T HEAR-- [beep] 394 00:15:58,696 --> 00:16:00,480 - [laughs] 395 00:16:00,524 --> 00:16:02,308 - READY TO REEL IN SOME TUNNIES? 396 00:16:02,351 --> 00:16:03,614 - ARE YOU? 397 00:16:03,658 --> 00:16:05,442 IT SOUNDS LIKE YOU HAVE SOME OTHER OBLIGATIONS. 398 00:16:05,485 --> 00:16:08,009 - YEAH, WELL, NOTHING TRUMPS BLUEFIN, THOUGH. AGREED? 399 00:16:08,053 --> 00:16:10,099 - I DON'T KNOW. ARE YOU A TROLLER? 400 00:16:10,143 --> 00:16:11,578 OR DO YOU CHUNK? 401 00:16:11,621 --> 00:16:14,147 - UM... 402 00:16:14,190 --> 00:16:17,411 I'M... 403 00:16:17,453 --> 00:16:19,934 FLEXIBLE. 404 00:16:19,979 --> 00:16:22,328 - [laughs] LET'S GO FISHING. 405 00:16:22,371 --> 00:16:23,807 - LET'S GO FISHING! - YES. 406 00:16:29,249 --> 00:16:30,990 - AH! GLAD TO SEE YOU RELAXING. 407 00:16:31,033 --> 00:16:32,730 YOU LOOK LIKE YOU'RE FEELING BETTER. 408 00:16:32,774 --> 00:16:34,994 - WRONG ON BOTH COUNTS. 409 00:16:35,037 --> 00:16:37,865 I'M WORKING HARD. [belches] 410 00:16:37,908 --> 00:16:40,912 FEELING LOUSY... [sniffs] BLOATED. 411 00:16:40,956 --> 00:16:44,003 - HMM. ANY CHEST PAINS? 412 00:16:44,046 --> 00:16:46,048 - AH, I'M HOPING IT'S HEARTBURN. 413 00:16:46,091 --> 00:16:48,049 - WELL, HAVE YOU BEEN EATING ANY GREASY FOODS? 414 00:16:48,094 --> 00:16:50,052 - NO, I'VE BEEN OFF THE FAT 415 00:16:50,096 --> 00:16:53,011 SINCE I STARTED PREPPING FOR THE DEMANDS OF THE STAGE. 416 00:16:53,054 --> 00:16:57,145 BELIEVE IT OR NOT, I'VE LOST HALF A STONE. THAT'S-- 417 00:16:57,190 --> 00:16:58,321 - SEVEN POUNDS. GOOD FOR YOU. 418 00:16:58,365 --> 00:17:00,062 BUT YOU DO STILL DRINK AND SMOKE CIGARS. 419 00:17:00,105 --> 00:17:02,673 - WELL, I'M NOT UP FOR SAINTHOOD. 420 00:17:02,716 --> 00:17:05,067 BUT I HAVE CUT BACK SINCE OUR LAST CHAT. 421 00:17:05,111 --> 00:17:06,807 - LOOK, I'M CONCERNED THAT YOU'RE BLOATED, 422 00:17:06,851 --> 00:17:08,679 BECAUSE THAT COULD BE A SIGN OF HEART PROBLEMS. 423 00:17:08,722 --> 00:17:10,942 NOW, I'D LIKE TO TAKE YOU FOR A FULL CARDIAC WORK UP. 424 00:17:10,986 --> 00:17:12,509 - NOT TODAY, DOCTOR. 425 00:17:12,553 --> 00:17:16,773 THE STAGE MANAGER'S ON HIS WAY OVER TO HELP ME RUN LINES. 426 00:17:16,817 --> 00:17:19,994 WE OPEN TONIGHT. 427 00:17:20,038 --> 00:17:23,780 - WHAT IF WE COULD, AS SHAKESPEARE SAID, 428 00:17:23,825 --> 00:17:25,957 "KILL TWO BIRDS WITH ONE STONE"? 429 00:17:26,000 --> 00:17:27,915 - OVID ACTUALLY COINED THAT ONE. 430 00:17:27,959 --> 00:17:31,310 WHAT DID YOU HAVE IN MIND? 431 00:17:31,354 --> 00:17:34,923 [panting] 432 00:17:34,965 --> 00:17:36,229 WHY DO THEY RUN AWAY? 433 00:17:36,271 --> 00:17:39,362 THIS IS KNAVERY OF THEM TO MAKE ME AFEARED. 434 00:17:39,405 --> 00:17:42,322 - "OH, BOTTOM, THOU ART CHANGED! 435 00:17:42,365 --> 00:17:44,019 WHAT DO I SEE ON THEE?" 436 00:17:44,063 --> 00:17:45,412 - WHAT DO YOU SEE? 437 00:17:45,454 --> 00:17:47,805 YOU SEE AN ASS-HEAD OF YOUR OWN, DO YOU? 438 00:17:47,848 --> 00:17:49,023 - [emoting] WELL, "BLESS THEE BOTTOM, BLESS THEE! 439 00:17:49,067 --> 00:17:50,677 THOU ART TRANSLATED." 440 00:17:50,721 --> 00:17:52,419 - [panting] 441 00:17:52,461 --> 00:17:53,855 - "I SEE"-- 442 00:17:53,897 --> 00:17:54,855 - DON'T TELL ME! 443 00:17:54,898 --> 00:17:56,727 OKAY, TELL ME. 444 00:17:56,770 --> 00:17:58,294 - "I SEE THEIR KNAVERY"-- 445 00:17:58,337 --> 00:17:59,469 - I SEE THEIR KNAVERY. 446 00:17:59,512 --> 00:18:00,730 THIS IS TO MAKE AN ASS OF ME. 447 00:18:00,775 --> 00:18:02,516 [normal voice] SPEAKING OF ASSES... 448 00:18:02,558 --> 00:18:03,778 MINE'S THROBBING. 449 00:18:03,820 --> 00:18:05,519 HOW LONG DO I HAVE TO RIDE THIS THING? 450 00:18:05,561 --> 00:18:08,347 - OH, OH, SORRY. YOU WERE DONE A FEW SECONDS AGO. 451 00:18:08,391 --> 00:18:10,436 I JUST--I GOT CAUGHT UP IN THE STORY. 452 00:18:10,480 --> 00:18:11,873 WHAT HAPPENS NEXT? 453 00:18:11,915 --> 00:18:14,309 - WELL, THE, UH-- THE QUEEN OF THE FAIRIES, 454 00:18:14,354 --> 00:18:16,790 SHE SEES HIM AS AN ASS. - UH-HUH. 455 00:18:16,834 --> 00:18:18,967 - AND SHE FALLS IN LOVE. - YOU DO KNOW THE PLAY. 456 00:18:19,009 --> 00:18:20,882 - YEAH! WELL, YEAH, 457 00:18:20,924 --> 00:18:22,144 I'M NOT JUST A BIT PLAYER, 458 00:18:22,188 --> 00:18:25,146 AS YOU MAY HAVE GUESSED. [sighs] 459 00:18:25,191 --> 00:18:27,236 YEAH, THE ROAD NOT TAKEN AND ALL. 460 00:18:27,279 --> 00:18:30,195 - IT'S A RARE MAN, ONCE BITTEN, WHO CAN SURRENDER THE SPOTLIGHT. 461 00:18:30,239 --> 00:18:32,198 - YES. SOME WOULD SAY HE HASN'T. 462 00:18:32,240 --> 00:18:34,808 - THE STAGE IS A STERN MISTRESS. 463 00:18:34,852 --> 00:18:38,377 WHEN I STARTED MAKING FILMS, I PROMISED MYSELF 464 00:18:38,421 --> 00:18:40,249 THAT I WOULDN'T SELL OUT... 465 00:18:40,292 --> 00:18:42,382 SQUANDER MY GIFT. 466 00:18:42,424 --> 00:18:45,602 THAT I COULD MAKE MONEY, RETURN TO MY FIRST LOVE 467 00:18:45,645 --> 00:18:47,430 AND STILL PROVE WORTHY. 468 00:18:47,473 --> 00:18:49,214 - "PROVE WORTHY"? 469 00:18:49,258 --> 00:18:51,130 DUDE, YOUR CLAYFACE-- 470 00:18:51,173 --> 00:18:54,088 THEBEST THING IN THE LAST BATMANMOVIE, EASY. 471 00:18:54,133 --> 00:18:56,700 - SADLY TRUE. 472 00:18:56,743 --> 00:19:01,009 TELL ME, DO YOU DETECT ANY CARDIAC ISSUES? 473 00:19:01,051 --> 00:19:03,142 - UH, WELL, WE HAVE TO WAIT TO GET YOUR CARDIAC ENZYMES 474 00:19:03,184 --> 00:19:04,664 BACK FROM THE LAB. 475 00:19:04,708 --> 00:19:07,450 BUT I SEE NO EVIDENCE OF CORONARY ARTERY DISEASE. 476 00:19:07,493 --> 00:19:09,321 - AWESOME. - SO IT'S ONLY 477 00:19:09,365 --> 00:19:13,239 MY DEEP-SEATED INSECURITY KEEPING ME UP NIGHTS. 478 00:19:13,281 --> 00:19:14,457 - DO YOU HAVE INSOMNIA? 479 00:19:14,500 --> 00:19:16,198 - ONLY WHEN I TRY TO SLEEP. 480 00:19:16,241 --> 00:19:18,940 THE INDIGESTION DOESN'T HELP. 481 00:19:18,982 --> 00:19:21,724 - I THINK YOU'RE SUFFERING FROM ACID REFLUX. 482 00:19:21,769 --> 00:19:23,683 WHICH CAN BE STRESS-INDUCED. 483 00:19:23,727 --> 00:19:25,555 SO, HOW 'BOUT I WRITE A PRESCRIPTION FOR PREVACID, 484 00:19:25,598 --> 00:19:28,210 WE HOLD OFF ON PREDICTING YOUR PERFORMANCE WILL FAIL, 485 00:19:28,253 --> 00:19:30,256 AND LET THE SHOW GO ON? 486 00:19:40,743 --> 00:19:43,182 - DIVYA. WHAT A SURPRISE! - RAJ. 487 00:19:43,224 --> 00:19:44,965 - WELL, NOT REALLY A SURPRISE. 488 00:19:45,009 --> 00:19:46,619 I KNOW HOW YOU LOVE THIS PLAY. 489 00:19:46,663 --> 00:19:47,882 - I DO. - I WAS ACTUALLY 490 00:19:47,924 --> 00:19:49,710 GOING TO CALL YOU. 491 00:19:49,752 --> 00:19:52,278 - I WILL HAVE ANOTHER CHECK FOR YOUR PARENTS VERY SOON. 492 00:19:52,320 --> 00:19:53,931 - NO, NO. NOT ABOUT THAT. 493 00:19:53,974 --> 00:19:56,325 I KNEW YOU'D BE ATTENDING OPENING NIGHT. 494 00:19:56,368 --> 00:19:58,240 - YOU KNOW ME SO WELL. 495 00:19:58,284 --> 00:20:01,242 - I DIDN'T WANT TO PRESUME HOW YOU MIGHT FEEL, 496 00:20:01,287 --> 00:20:05,115 BUT I'M BRINGING SOMEONE TO THE PLAY. 497 00:20:05,160 --> 00:20:06,291 I KNEW WE MIGHT RUN INTO YOU, 498 00:20:06,335 --> 00:20:07,596 AND I DIDN'T WANT IT TO BE AWKWARD. 499 00:20:07,641 --> 00:20:10,470 - YOU HAVE A DATE! - YES! 500 00:20:10,512 --> 00:20:12,732 - GOOD! THAT'S GOOD. 501 00:20:12,776 --> 00:20:13,951 MY GOSH, I'M SO HAPPY. 502 00:20:13,994 --> 00:20:16,258 NO, OF COURSE IT'S NOT A PROBLEM. 503 00:20:16,301 --> 00:20:18,041 - NEXT IN LINE, PLEASE. - GREAT. 504 00:20:18,086 --> 00:20:20,174 WE'LL SEE YOU THEN. - YES, YOU WILL. 505 00:20:20,219 --> 00:20:21,262 - NEXT IN LINE. 506 00:20:25,875 --> 00:20:29,053 [keys clicking] 507 00:20:29,096 --> 00:20:30,707 - DR. VAN DYKE HERE. LEAVE A MESSAGE. 508 00:20:30,750 --> 00:20:33,884 [beep] - V.D.! KATDARE, HERE. 509 00:20:33,927 --> 00:20:36,017 CALL ME. 510 00:20:36,059 --> 00:20:39,586 - SO I FIGURED, SINCE YOU CAN'T GO OUT TO EAT, 511 00:20:39,628 --> 00:20:42,022 I WOULD BRING THE NOURISHMENT TO YOU. 512 00:20:42,066 --> 00:20:43,415 - OKAY, I'M SO GLAD YOU'RE HERE. 513 00:20:43,459 --> 00:20:45,374 I'M DYING TO TELL YOU-- - PAIGE, IF YOUR BOYFRIEND 514 00:20:45,417 --> 00:20:46,809 DOESN'T MIND STEPPING ON WITH YOU, 515 00:20:46,854 --> 00:20:48,159 WE NEED TO TEST THE PLATFORM. - OKAY. ABSOLUTELY. 516 00:20:48,202 --> 00:20:50,552 - JUMP ON, EVAN. - ONTO THE--ONTO THE THING? 517 00:20:50,596 --> 00:20:52,207 - COME ON. - THE THING'S GOING TO HOLD 518 00:20:52,250 --> 00:20:53,382 BOTH OF US? - WELL, IT BETTER. 519 00:20:53,425 --> 00:20:54,470 IT'S GOT TO HOLD A FLOCK OF FAIRIES. 520 00:20:54,513 --> 00:20:55,905 - WOW. WELL, 521 00:20:55,950 --> 00:20:58,082 GIVEN THE FACT THAT I'VE CURSED THE SHOW-- 522 00:20:58,125 --> 00:21:00,563 [motor hums] I HAVE A LITTLE BIT OF--AH! 523 00:21:00,606 --> 00:21:02,260 OKAY. - OKAY. 524 00:21:02,304 --> 00:21:06,176 SO, YOU KNOW HOW I WAS HOPING TO MAKE AN IMPRESSION ON JULIE? 525 00:21:06,221 --> 00:21:07,569 - YES. YOU MEAN, HANKMED HEALING 526 00:21:07,614 --> 00:21:09,268 THREE OF HER ACTORS DIDN'T DO THE JOB? 527 00:21:09,310 --> 00:21:12,575 - WELL, SHE'S BEEN OFFERED A GIG--EIGHT WEEKS IN STRATFORD. 528 00:21:12,618 --> 00:21:14,490 AND IF SHE ACCEPTS IT, SHE WANTS ME TO GO WITH HER 529 00:21:14,534 --> 00:21:16,057 AS HER SCENIC ARTIST. 530 00:21:16,099 --> 00:21:17,101 - WHAT? - YEAH! 531 00:21:17,144 --> 00:21:18,058 - THAT'S AMAZING. 532 00:21:18,102 --> 00:21:19,320 I KNEW SHE'D BE IMPRESSED. 533 00:21:19,365 --> 00:21:20,409 THAT'S AMAZING! 534 00:21:20,452 --> 00:21:21,976 - AND WITH MY MOM DOING SO MUCH BETTER, 535 00:21:22,019 --> 00:21:23,891 THIS IS SOMETHING I COULD ACTUALLY DO. 536 00:21:23,933 --> 00:21:26,327 - ABSOLUTELY. AND CONNECTICUT'S SO CLOSE. 537 00:21:26,372 --> 00:21:28,155 I COULD, LIKE, BRING YOU LUNCH EVERY DAY. 538 00:21:28,199 --> 00:21:30,854 - OH, NO-NO-NO, IT'S NOT STRATFORD, CONNECTICUT, 539 00:21:30,897 --> 00:21:33,335 IT'S STRATFORD-UPON-AVON. 540 00:21:33,378 --> 00:21:35,903 - ENGLAND. - YEAH. 541 00:21:35,945 --> 00:21:38,384 - WELL, THAT'S NOT SO CLOSE. 542 00:21:38,426 --> 00:21:40,907 - NO, BUT YOU COULD COME VISIT. 543 00:21:42,605 --> 00:21:45,128 - IT'S OUR BUSIEST TIME OF YEAR. 544 00:21:45,173 --> 00:21:48,349 - WELL, IT'S--IT'S JUST EIGHT WEEKS. 545 00:21:48,394 --> 00:21:50,439 - EIGHT WEEKS IS TWO WHOLE MONTHS, THOUGH. 546 00:21:50,482 --> 00:21:52,180 THAT'S A SIXTH OF THE YEAR. 547 00:21:52,222 --> 00:21:54,269 THAT'S THE REST OF THE SUMMER. 548 00:21:54,313 --> 00:21:56,967 - OKAY, WE'RE COMING DOWN. - OKAY. 549 00:22:01,144 --> 00:22:03,538 - YEAH, YOU KNOW WHAT? THAT'S TOO LONG. 550 00:22:03,583 --> 00:22:06,019 THAT'S TOO LONG. AND I DON'T WANT TO 551 00:22:06,063 --> 00:22:08,195 BITE OFF MORE THAN I'M READY FOR. 552 00:22:08,239 --> 00:22:10,198 YOU KNOW, JULIE HASN'T EVEN ACCEPTED THIS YET, 553 00:22:10,240 --> 00:22:11,765 SO IT'S PROBABLY NOT EVEN GOING TO HAPPEN. 554 00:22:11,807 --> 00:22:14,201 SO NEVER MIND, NEVER MIND. 555 00:22:28,128 --> 00:22:29,869 - RED LEATHER, YELLOW LEATHER. GOOD BLOOD, BAD BLOOD. 556 00:22:29,913 --> 00:22:32,351 CULLIGAN AND CALLA LILY. CULLIGAN AND CALLA LILY. 557 00:22:32,394 --> 00:22:35,875 - OKAY, BLOOD PRESSURE, HEART AND LUNGS ARE FINE. 558 00:22:35,919 --> 00:22:37,181 YOU'RE GOOD TO GO. 559 00:22:37,224 --> 00:22:39,923 - UH, RIGHT. THANKS FOR EVERYTHING. 560 00:22:39,967 --> 00:22:42,403 [grunts] - UM... 561 00:22:42,448 --> 00:22:43,665 ARE YOU STILL HAVING REFLUX? 562 00:22:43,710 --> 00:22:45,711 - OH, NO. JUST PLAIN OLD BUTTERFLIES. 563 00:22:45,755 --> 00:22:47,713 - ALL RIGHT. WELL, IT'S NOT EASY 564 00:22:47,757 --> 00:22:51,934 FOR A DOCTOR TO SAY THIS, BUT BREAK A LEG. 565 00:22:54,851 --> 00:22:57,897 - [groans] 566 00:22:57,941 --> 00:23:01,249 [whimpers] 567 00:23:01,291 --> 00:23:03,469 [retches] 568 00:23:03,511 --> 00:23:05,862 - MANALA, MELELE, 569 00:23:05,905 --> 00:23:09,170 MEE--MEENEE-- 570 00:23:09,212 --> 00:23:14,393 MO--OO-AA-YAH-- 571 00:23:14,435 --> 00:23:15,480 - WHY ARE YOU DOING THAT? 572 00:23:15,523 --> 00:23:17,352 - IT'S CALLED VOCALIZING. 573 00:23:17,395 --> 00:23:18,614 I'M--I'M WARMING UP. 574 00:23:18,657 --> 00:23:19,875 - YOU HAVE ONE LINE THREE HOURS FROM NOW. 575 00:23:19,920 --> 00:23:20,834 BUT NICE TUNIC. 576 00:23:20,876 --> 00:23:22,662 - WHY ARE YOU BACK HERE? 577 00:23:22,704 --> 00:23:24,141 - UH, PAIGE IS SUPPOSED TO SIT NEXT TO ME, 578 00:23:24,184 --> 00:23:25,708 BUT SHE'S PUTTING THE FINISHING TOUCHES 579 00:23:25,751 --> 00:23:28,580 ON HER FINISHING TOUCHES. - WELL, SHE'S AN ARTIST, HANK. 580 00:23:28,624 --> 00:23:31,018 YOU WOULDN'T UNDERSTAND. - WELL, IT LOOKS GORGEOUS. 581 00:23:31,060 --> 00:23:33,367 - YEAH, I KNOW. THE DIRECTOR WANTS HER 582 00:23:33,412 --> 00:23:35,413 TO DO A JOB IN ENGLAND. 583 00:23:35,457 --> 00:23:36,719 - THAT'S FANTASTIC. 584 00:23:36,762 --> 00:23:38,112 - YEAH, IT'S PROBABLY NOT GOING TO PAN OUT, 585 00:23:38,154 --> 00:23:40,243 BUT IT'S DEFINITELY AN HONOR TO BE ASKED, THOUGH. 586 00:23:40,288 --> 00:23:42,028 - WHY WON'T IT PAN OUT? 587 00:23:42,072 --> 00:23:45,815 - UM, BECAUSE IT'S FOR TWO MONTHS. 588 00:23:45,858 --> 00:23:48,470 AND SHE'S GOT HER MIND ON SCHOOL IN THE FALL. 589 00:23:48,513 --> 00:23:49,818 - TWO MONTHS IS ONLY EIGHT WEEKS. 590 00:23:49,863 --> 00:23:51,125 WHAT COULD GO WRONG IN EIGHT WEEKS? 591 00:23:51,167 --> 00:23:52,647 - ARE YOU KIDDING? - NO. 592 00:23:52,692 --> 00:23:55,477 - THAT'S 60 WHOLE DAYS WITH US APART. 593 00:23:55,520 --> 00:23:57,435 PLUS SHE'LL BE IN THE THEATER COMMUNITY, 594 00:23:57,479 --> 00:23:58,740 SURROUNDED BY ACTORS AND ARTISTS. 595 00:23:58,785 --> 00:24:01,788 - EV, YOU TOLD HER TO GO, RIGHT? 596 00:24:01,830 --> 00:24:04,181 - I DIDN'T TELL HER...ANYTHING. 597 00:24:04,224 --> 00:24:06,401 I MEAN, I'LL SUPPORT WHATEVER SHE DECIDES. 598 00:24:06,444 --> 00:24:08,663 THE WHOLE PARSONS THING IS ME SUPPORTING HER. 599 00:24:08,708 --> 00:24:10,449 - WELL, YEAH. DESIGN SCHOOL IN MANHATTAN 600 00:24:10,491 --> 00:24:12,538 IS PRETTY EASY TO SUPPORT. 601 00:24:12,580 --> 00:24:14,017 - WHAT ARE YOU GETTING AT? 602 00:24:14,060 --> 00:24:16,498 - LOOK, THIS SOUNDS LIKE A GREAT OPPORTUNITY FOR PAIGE. 603 00:24:16,541 --> 00:24:17,542 BUT YOU KNOW HOW SHE IS. 604 00:24:17,586 --> 00:24:19,413 - PRAY TELL. 605 00:24:19,458 --> 00:24:22,199 - SHE PUTS EVERYONE SHE CARES ABOUT FIRST. 606 00:24:22,242 --> 00:24:24,723 - THIS IS HERDECISION. 607 00:24:26,160 --> 00:24:29,597 - I BET SHE CAN MAKE YOU BELIEVE THAT. 608 00:24:29,642 --> 00:24:31,512 - HEY! - HI. 609 00:24:32,775 --> 00:24:34,603 - NICE WORK, PAIGE. THIS LOOKS AWESOME. 610 00:24:34,646 --> 00:24:35,691 - THANK YOU. 611 00:24:35,734 --> 00:24:37,605 I JUST PRAY THE TREES DRY IN TIME 612 00:24:37,650 --> 00:24:39,215 AND LOOK OKAY UNDER THE LIGHTS. 613 00:24:39,259 --> 00:24:42,219 I DON'T WANT TO LET JULIE OR ANYONE DOWN, YOU KNOW? 614 00:24:42,262 --> 00:24:43,699 [soft gong] OH! 615 00:24:43,742 --> 00:24:45,092 WE GOT TO GET GOING. - OH, OKAY. 616 00:24:45,134 --> 00:24:46,484 - LET'S GRAB OUR SEATS. - YEAH, YEAH, YEAH. 617 00:24:46,528 --> 00:24:48,790 UH, BREAK YOUR FEMUR. 618 00:24:48,835 --> 00:24:50,923 - YOU'RE GOING TO BE GREAT. REALLY. 619 00:24:50,967 --> 00:24:54,797 - [softly] I LOVE YOU. 620 00:24:54,840 --> 00:24:59,192 [trumpet fanfare] 621 00:24:59,236 --> 00:25:01,455 - FOUR DAYS WILL QUICKLY STEEP THEMSELVES IN NIGHT-- 622 00:25:01,500 --> 00:25:04,720 FOUR NIGHTS WILL QUICKLY DREAM AWAY THE TIME-- 623 00:25:04,763 --> 00:25:07,506 AND THEN THE MOON, LIKE TO A SILVER BOW 624 00:25:07,548 --> 00:25:08,681 NEW-BENT IN HEAVEN, 625 00:25:08,723 --> 00:25:11,727 SHALL BEHOLD THE NIGHT OF OUR SOLEMNITIES. 626 00:25:11,770 --> 00:25:13,381 - GO, PHILOSTRATE, 627 00:25:13,423 --> 00:25:17,253 STIR UP THE ATHENIAN YOUTH TO MERRIMENTS-- 628 00:25:17,298 --> 00:25:18,559 - AN' I WILL HIDE MY FACE, 629 00:25:18,604 --> 00:25:20,387 LET ME PLAY THISBY TOO-- 630 00:25:20,431 --> 00:25:24,434 I'LL SPEAK IN A MONSTROUS LITTLE VOICE... 631 00:25:24,479 --> 00:25:27,047 [deep voice] THISNE, THISNE. 632 00:25:27,089 --> 00:25:32,138 [falsetto voice] AH, PYRAMUS, MY LOVER DEAR, 633 00:25:32,182 --> 00:25:35,316 THISBY DEAR, AND LADY DEAR-- 634 00:25:35,358 --> 00:25:41,496 ♪ 635 00:25:48,589 --> 00:25:54,248 - [sighs] 636 00:25:54,290 --> 00:25:57,207 - THROUGH THE FOREST HAVE I GONE, 637 00:25:57,250 --> 00:26:00,732 BUT ATHENIAN FOUND I NONE, 638 00:26:00,776 --> 00:26:04,824 ON WHOSE EYES I MIGHT APPROVE 639 00:26:04,866 --> 00:26:08,392 THIS FLOWER'S FORCE IN STIRRING LOVE. 640 00:26:13,354 --> 00:26:17,401 WHEN THOU WAK'ST, LET LOVE FORBID 641 00:26:17,444 --> 00:26:20,273 SLEEP HIS SEAT ON THY EYELID. 642 00:26:20,317 --> 00:26:23,319 SO AWAKE WHEN I AM GONE. [muted cry] 643 00:26:23,364 --> 00:26:24,973 all: [gasp] 644 00:26:27,367 --> 00:26:29,369 - FOR I MUST TO OBERON! 645 00:26:29,413 --> 00:26:30,545 [muted laughter] 646 00:26:30,588 --> 00:26:36,072 [applause] 647 00:26:41,686 --> 00:26:46,082 - OKAY, DRINKS. MY FAVORITE PART SO FAR. 648 00:26:47,779 --> 00:26:51,521 - DIVYA, I WANT YOU TO MEET KAREN. 649 00:26:51,566 --> 00:26:53,394 - KAREN, SO NICE TO MEET YOU. 650 00:26:53,436 --> 00:26:55,656 - DIVYA, I'VE HEARD ALL ABOUT YOU. 651 00:26:55,701 --> 00:26:59,313 - PAUL, THIS IS KAREN AND RAJ. 652 00:26:59,355 --> 00:27:04,535 - KAREN, RAJ. OH! RAJ! 653 00:27:04,578 --> 00:27:06,058 A PLEASURE. 654 00:27:06,102 --> 00:27:11,019 DR.PAUL VAN DYKE. SO, 655 00:27:11,064 --> 00:27:13,457 IS EVERYONE AS LOST AS I AM? 656 00:27:13,500 --> 00:27:15,111 - THAT DEPENDS. HOW MANY GLASSES 657 00:27:15,154 --> 00:27:16,329 OF CHAMPAGNE HAVE YOU HAD? 658 00:27:16,373 --> 00:27:17,461 - I MEAN THE PLAY. 659 00:27:17,505 --> 00:27:20,769 THE, UH, THE FAIRIES ARE ALL MAD 660 00:27:20,813 --> 00:27:22,596 ABOUT SOME CHANGELING? 661 00:27:22,641 --> 00:27:24,381 WHO, I GUESS, IS THE CHICK WITH THE LEGS? 662 00:27:24,424 --> 00:27:27,166 - NO. NO, THAT'S PUCK. 663 00:27:27,210 --> 00:27:28,384 - IT IS CONFUSING. 664 00:27:28,429 --> 00:27:30,648 - THE CHANGELING ISN'T EVEN ON STAGE. 665 00:27:30,692 --> 00:27:31,998 UH, IT'S A REFERENCE TO THE PAST. 666 00:27:32,040 --> 00:27:33,215 - OH, SHE KNOWS THE PLAY. 667 00:27:33,259 --> 00:27:35,479 K.J. COVERS THEATER FOR THE STAR. 668 00:27:35,522 --> 00:27:39,005 - YOU'RE K.J. GOLAN? - MMM. 669 00:27:39,048 --> 00:27:40,875 - I LOVE YOUR REVIEWS. 670 00:27:40,920 --> 00:27:43,313 - THANK YOU. - SHALL WE? 671 00:27:43,356 --> 00:27:44,880 - I'M RUNNING TO THE LADIES-- 672 00:27:44,923 --> 00:27:47,403 THEY'RE DOING THE LONG VERSION. 673 00:27:47,448 --> 00:27:49,929 - WHOA, LONG VERSION? WE NEED REFILLS. 674 00:27:49,971 --> 00:27:54,933 [both laugh] 675 00:27:54,977 --> 00:27:57,413 - SHE'S LOVELY, RAJ. 676 00:27:57,458 --> 00:28:00,590 - THANKS TO YOU, I'M IN LOVE FOR THE FIRST TIME. 677 00:28:00,634 --> 00:28:03,724 - I'M SO HAPPY FOR YOU. 678 00:28:03,769 --> 00:28:06,858 - I WOULD NEVER HAVE HAD THE COURAGE 679 00:28:06,902 --> 00:28:09,949 TO END OUR ARRANGEMENT. 680 00:28:09,991 --> 00:28:14,518 YOU GAVE ME THE CHANCE TO MOVE ON. 681 00:28:17,520 --> 00:28:19,872 - AND YOU HAVE. 682 00:28:22,788 --> 00:28:25,442 - I'M AFRAID YOU'VE BLOWN YOUR ACHILLES TENDON. 683 00:28:25,486 --> 00:28:27,880 - I WAS JUST HOPPING. - YEAH, WELL THAT'S 684 00:28:27,923 --> 00:28:30,230 HOW IT HAPPENS. - WELL, GET ME UP ON CRUTCHES. 685 00:28:30,272 --> 00:28:31,752 WE HAVE TWO ACTS TO GO. 686 00:28:31,797 --> 00:28:34,146 - SORRY. REST, ELEVATION, ICE. 687 00:28:34,190 --> 00:28:35,583 I NEED TO SPLINT YOUR LEG, AND YOU'RE NOT GOING 688 00:28:35,625 --> 00:28:37,150 TO BE ABLE TO PUT ANY WEIGHT ON IT. 689 00:28:37,192 --> 00:28:38,759 YOU COULD RISK PERMANENT DAMAGE. - THIS CAN'T BE HAPPENING. 690 00:28:38,804 --> 00:28:41,849 MY UNDERSTUDY CALLED IN SICK. I SWEAR, 691 00:28:41,894 --> 00:28:42,763 THIS PRODUCTION WAS CURSED. 692 00:28:42,807 --> 00:28:44,896 - EVAN. 693 00:28:45,897 --> 00:28:48,029 - WHAT? - HE KNOWS THE PART. 694 00:28:48,074 --> 00:28:50,163 HE PLAYED PUCK. 695 00:28:50,205 --> 00:28:53,688 - IN...IN HIGH SCHOOL. 696 00:28:53,731 --> 00:28:55,820 - YOU'VE BEEN WATCHING ALL WEEK, SPOUTING LINES. 697 00:28:55,864 --> 00:28:58,345 - YEAH, THE ONES I REMEMBER. 698 00:28:58,387 --> 00:29:00,607 - AH, IT'S WORTH A SHOT. HE MIGHT PULL IT OFF. 699 00:29:00,651 --> 00:29:03,001 HE READ WITH ME. HE'S CERTAINLY GOT THE, UH-- 700 00:29:03,045 --> 00:29:05,221 - CHOPS? - WAS GOING TO SAY "BALLS." 701 00:29:05,265 --> 00:29:06,788 BUT EITHER WAY. - WE COULD ANNOUNCE 702 00:29:06,832 --> 00:29:09,398 A SUBSTITUTION, BUT EVERYONE MIGHT LEAVE. 703 00:29:09,442 --> 00:29:11,401 - OH, THEY'LL STAY! IT'S HIGH DRAMA 704 00:29:11,444 --> 00:29:14,403 WATCHING SOMEONE STEP OUT ON THE TIGHTROPE, UNPREPARED. 705 00:29:14,448 --> 00:29:17,406 - OKAY, I MEAN, AS MUCH AS I WOULD LOVE TO HELP-- 706 00:29:17,451 --> 00:29:18,712 I REALLY WOULD-- 707 00:29:18,757 --> 00:29:20,801 I JUST-- I WON'T REMEMBER ALL THE LINES. 708 00:29:20,846 --> 00:29:23,848 - YOU MAY NOT HAVE TO. 709 00:29:26,807 --> 00:29:30,898 - SOME MAN OR OTHER MUST PRESENT WALL-- 710 00:29:30,942 --> 00:29:33,380 AND HOLD HIS FINGERS THUS, 711 00:29:33,423 --> 00:29:36,817 AND THROUGH THAT CRANNY MUST PYRAMUS AND THISBY WHISPER. 712 00:29:36,862 --> 00:29:39,516 - WHAT HEMPEN HOMESPUNS HAVE WE SWAGGERING HERE? 713 00:29:39,559 --> 00:29:41,910 - SO NEAR THE CRADLE OF THE FAIRY QUEEN. 714 00:29:41,953 --> 00:29:43,955 - SO NEAR THE CRADLE-- 715 00:29:43,999 --> 00:29:46,653 THE CRADLE OF THE FAIRY QUEEN. 716 00:29:46,697 --> 00:29:47,915 [laughter] 717 00:29:47,960 --> 00:29:50,222 - EVERYBODY... - EVERYONE... 718 00:29:50,266 --> 00:29:51,659 [overlapping shouting] 719 00:29:51,701 --> 00:29:53,703 - [laughs] 720 00:29:58,884 --> 00:30:02,625 - YUM, YUM, YUM. NUM, NUM, NUM. 721 00:30:02,670 --> 00:30:04,237 - SO MUCH FOR NON-FAT. 722 00:30:04,279 --> 00:30:05,759 I SHOULD HAVE ASKED ABOUT BOTTOM'S DIET. 723 00:30:05,804 --> 00:30:08,196 - YEAH, BOTTOM'S A PIG. - [groaning] 724 00:30:08,240 --> 00:30:12,288 - WHAT ANGEL WAKES ME FROM MY FLOWERING BED? 725 00:30:12,332 --> 00:30:14,463 - HEE-HAW. - I PRAY THEE, 726 00:30:14,508 --> 00:30:17,641 GENTLE MORTAL, SING AGAIN-- 727 00:30:17,684 --> 00:30:19,077 - [grunts] 728 00:30:19,121 --> 00:30:21,644 UH, [clears throat] MONSIEUR COBWEB, 729 00:30:21,689 --> 00:30:24,997 GET YOU YOUR WEAPONS AND FIND ME... 730 00:30:25,039 --> 00:30:27,955 [gasping] A RED-HIPPED...BUMBLE-BEE. 731 00:30:28,000 --> 00:30:30,653 AND BRING ME THE HONEY POT. 732 00:30:30,698 --> 00:30:32,830 AND GOOD MONSIEUR... [gasping] 733 00:30:32,874 --> 00:30:34,657 TAKE CARE THE HONEY POT 734 00:30:34,701 --> 00:30:37,530 BREAK NOT. 735 00:30:37,574 --> 00:30:40,359 [groans] OW. 736 00:30:40,403 --> 00:30:44,930 - HE EATS... AND THEN HE LIES DOWN? 737 00:30:44,972 --> 00:30:47,540 - WHAT'S WRONG? 738 00:30:47,584 --> 00:30:50,108 - [whispering] DIVYA. 739 00:30:52,633 --> 00:30:58,073 - WILT THOU AT NINNY'S TOMB MEET ME STRAIGHTWAY? 740 00:30:58,116 --> 00:30:59,596 - HERE, HERE. DRINK THIS. 741 00:30:59,640 --> 00:31:01,381 - WHAT'S WRONG? - YOU WERE SHORT OF BREATH 742 00:31:01,423 --> 00:31:02,772 AFTER LYING DOWN, BEFORE EXERTING YOURSELF. 743 00:31:02,817 --> 00:31:04,078 - OH! - ARE YOU HAVING PAIN? 744 00:31:04,123 --> 00:31:06,385 - MAYBE! - WE NEED TO TAKE AN X-RAY. 745 00:31:06,429 --> 00:31:08,300 - YOU ALREADY HAVE AN X-RAY. - SITTING UP. 746 00:31:08,344 --> 00:31:10,432 - WE NEED ONE LYING DOWN. - AH! 747 00:31:10,477 --> 00:31:12,218 - DON'T WORRY. YOU WON'T MISS YOUR CUE. 748 00:31:12,260 --> 00:31:14,307 - I THINK A HIATAL HERNIA'S CAUSING YOUR SYMPTOMS. 749 00:31:14,349 --> 00:31:16,613 - A WHAT HERNIA? - HIATAL. 750 00:31:16,656 --> 00:31:18,223 THE STOMACH SLIDES UP INTO THE CHEST THROUGH A TEAR 751 00:31:18,267 --> 00:31:20,703 IN THE DIAPHRAGM, WHEN YOU LIE DOWN. 752 00:31:20,748 --> 00:31:22,141 - WHEN YOU STAND UP, IT SLIDES BACK IN PLACE, 753 00:31:22,183 --> 00:31:23,619 SO IT WOULDN'T HAVE SHOWN ON THE FIRST X-RAY. 754 00:31:23,663 --> 00:31:25,230 - BUT AM I IN ANY DANGER? 755 00:31:25,273 --> 00:31:27,450 - IT'S USUALLY NOT EMERGENT. 756 00:31:27,493 --> 00:31:29,365 BUT I'VE SEEN WHAT YOU DO NEXT. 757 00:31:29,409 --> 00:31:30,758 YOU DIE ON STAGE. 758 00:31:30,800 --> 00:31:32,846 AND IF YOU LIE DOWN, YOU MAY NOT HAVE THE BREATH 759 00:31:32,891 --> 00:31:34,195 TO GET UP AT ALL. 760 00:31:34,240 --> 00:31:37,939 - I CAN ADJUST. 761 00:31:37,982 --> 00:31:42,551 - OH, WHEREFORE, NATURE, DIDST THOUGH LIONS FRAME? 762 00:31:42,596 --> 00:31:47,165 THUS DIE I. THUS, THUS, THUS. 763 00:31:47,209 --> 00:31:48,863 THUS, BLAH. 764 00:31:48,906 --> 00:31:50,909 [laughter] - WE REALLY DIDN'T GO 765 00:31:50,951 --> 00:31:52,258 TO ALL THIS TROUBLE JUST FOR A HIATAL HERNIA, 766 00:31:52,300 --> 00:31:53,999 DID WE? - HE LOOKS DISTRESSED. 767 00:31:54,041 --> 00:31:57,567 - I THOUGHT WE SHOULD RULE OUT MORE...EMERGENT...CONDITIONS. 768 00:31:57,611 --> 00:32:00,221 - NOW, DIE! 769 00:32:00,266 --> 00:32:02,181 KHHHH! DIE! 770 00:32:02,223 --> 00:32:05,880 [laughter] - DIE! DIE! 771 00:32:05,923 --> 00:32:07,272 [laughter] 772 00:32:07,316 --> 00:32:10,015 - [groans] 773 00:32:10,057 --> 00:32:14,758 DIE! 774 00:32:16,846 --> 00:32:18,022 [blows] 775 00:32:20,199 --> 00:32:21,982 [laughter, applause] 776 00:32:22,027 --> 00:32:23,288 - IF WE DON'T GET HIM TO SURGERY NOW, 777 00:32:23,332 --> 00:32:24,507 HIS STOMACH WILL PERFORATE. 778 00:32:24,550 --> 00:32:26,988 - OH, MY GOD. HE REALLY COULD DIE. 779 00:32:32,515 --> 00:32:34,691 [Elizabethan dance music] 780 00:32:34,734 --> 00:32:42,742 ♪ 781 00:32:44,179 --> 00:32:46,007 - OOH! - OKAY, OKAY. 782 00:32:46,050 --> 00:32:47,400 WE HAVE TO GET YOU TO THE HOSPITAL. 783 00:32:47,442 --> 00:32:49,270 YOUR X-RAY SHOWED A HIATAL HERNIA. 784 00:32:49,315 --> 00:32:51,882 BUT THIS TIME IT COULDN'T SLIDE BACK IN PLACE. 785 00:32:51,925 --> 00:32:53,057 - A SECTION OF YOUR STOMACH TWISTED 786 00:32:53,101 --> 00:32:54,276 AND GOT STUCK IN YOUR CHEST CAVITY. 787 00:32:54,319 --> 00:32:55,625 - IT'S CALLED A GASTRIC VOLVULUS. 788 00:32:55,669 --> 00:32:56,844 YOU NEED IMMEDIATE SURGERY 789 00:32:56,886 --> 00:32:58,585 BEFORE THE TWISTED PORTION RUPTURES. 790 00:32:58,627 --> 00:32:59,978 - WHAT? MY STOMACH COULD BURST? 791 00:33:00,020 --> 00:33:02,022 OH, GOD! - HOW--HOW'S THE PAIN? 792 00:33:02,067 --> 00:33:03,676 - WORSE! - OKAY. I'M SORRY YOU'LL MISS 793 00:33:03,720 --> 00:33:05,417 YOUR OVATION, BUT AN AMBULANCE IS ON ITS WAY. 794 00:33:05,461 --> 00:33:06,984 - OH, BOTTOM WILL MISS THE APPLAUSE, 795 00:33:07,028 --> 00:33:09,029 BUT I HAVE A LOT INVESTED IN THIS BELLY. 796 00:33:09,074 --> 00:33:10,378 - GOOD, LET'S GO. - [groans] 797 00:33:10,423 --> 00:33:13,034 - HERE WE GO. - [puffing] 798 00:33:13,077 --> 00:33:17,169 - IF WE SHADOWS HAVE OFFENDED, 799 00:33:17,211 --> 00:33:22,000 THINK BUT THIS, AND ALL IS MENDED, 800 00:33:22,042 --> 00:33:24,567 THAT YOU HAVE BUT SLUMBER'D HERE 801 00:33:24,611 --> 00:33:26,961 WHILE THESE VISIONS DID APPEAR. 802 00:33:27,005 --> 00:33:28,570 - AND THIS WEAK AND IDLE THEME... 803 00:33:28,615 --> 00:33:31,051 - AND THIS WEAK AND IDLE THEME... 804 00:33:31,096 --> 00:33:32,401 "NO MORE YIELDING BUT A DREAM"-- 805 00:33:32,444 --> 00:33:36,578 - NO MORE YIELDING BUT A DREAM. 806 00:33:36,623 --> 00:33:39,712 GENTLES, DO NOT-- 807 00:33:39,756 --> 00:33:40,844 - REPREHEND. 808 00:33:40,887 --> 00:33:44,586 - DO NOT... 809 00:33:44,631 --> 00:33:46,675 - REPRE-- [transmitter beeps] 810 00:33:46,720 --> 00:33:48,808 [crickets chirping] 811 00:33:51,115 --> 00:33:52,813 - [whispering] OH, MY GOD. 812 00:33:54,770 --> 00:33:56,598 GENTLES--GENTLES, DO NOT-- GENTLES... 813 00:33:56,643 --> 00:33:58,601 [indistinct whispering] 814 00:33:58,644 --> 00:34:02,039 [aloud] GENTLES--GENTLES, DO NOT... 815 00:34:03,258 --> 00:34:04,867 - REPREHEND! 816 00:34:04,912 --> 00:34:06,740 - REPREHEND! 817 00:34:06,782 --> 00:34:10,396 IF YOU PARDON, WE SHALL MEND. 818 00:34:10,438 --> 00:34:12,614 AND AS I AM AN HONEST PUCK, 819 00:34:12,659 --> 00:34:15,182 IF WE HAVE UNEARNED LUCK 820 00:34:15,226 --> 00:34:17,097 NOW TO 'SCAPE [yells] THE SERPENT'S TONGUE, 821 00:34:17,141 --> 00:34:19,969 WE WILL MAKE AMENDS ERE LONG. 822 00:34:20,014 --> 00:34:22,103 ELSE THE PUCK A LIAR CALL-- 823 00:34:22,146 --> 00:34:25,976 SO, GOOD NIGHT UNTO YOU ALL. 824 00:34:26,019 --> 00:34:28,849 GIVE ME YOUR HANDS, IF WE BE FRIENDS, 825 00:34:28,891 --> 00:34:33,070 AND ROBIN SHALL RESTORE... 826 00:34:33,114 --> 00:34:35,115 AMENDS. 827 00:34:35,159 --> 00:34:37,510 [applause, cheering] 828 00:34:37,552 --> 00:34:41,556 [Elizabethan dance music] 829 00:34:48,737 --> 00:34:51,523 - SO HOW HAPPY ARE YOU 830 00:34:51,567 --> 00:34:53,525 I WAS THERE WHEN YOU RAN INTO YOUR EX? 831 00:34:53,568 --> 00:34:56,572 I MEAN, SURE, HIS DATE WAS A HOTTIE, 832 00:34:56,615 --> 00:34:58,661 BUT THE SECOND THEY HEARD "DOCTOR," 833 00:34:58,704 --> 00:35:00,576 YOU WERE BACK ON EVEN GROUND. 834 00:35:00,619 --> 00:35:02,577 - I WASN'T TRYING TO MAKE RAJ JEALOUS. 835 00:35:02,621 --> 00:35:06,581 AND I CERTAINLY DO NOT WANT HIM BACK. 836 00:35:06,626 --> 00:35:09,280 NO, BUT I DO WANT WHAT HE HAS. 837 00:35:10,717 --> 00:35:12,632 I WANT TO BE HAPPY. 838 00:35:12,675 --> 00:35:16,722 [keys jingle] - ME TOO. 839 00:35:18,246 --> 00:35:20,161 - I AM SO SORRY. 840 00:35:20,204 --> 00:35:23,643 I WAS TALKING TO YOU AS A FRIEND. 841 00:35:23,686 --> 00:35:26,688 WE SAID THAT WE WERE FRIENDS, REMEMBER? 842 00:35:30,737 --> 00:35:32,172 - WE COULD TRY-- 843 00:35:32,217 --> 00:35:33,304 - PRETENDING? 844 00:35:35,045 --> 00:35:38,614 TRUST ME, I HAVE BEEN VERY GOOD AT IT 845 00:35:38,657 --> 00:35:41,313 SINCE I WAS A LITTLE GIRL. 846 00:35:41,356 --> 00:35:44,445 BUT NOW I WANT SOMETHING REAL. 847 00:35:44,489 --> 00:35:48,320 AS MUCH AS I'VE ENJOYED BEING WITH YOU TONIGHT, 848 00:35:48,362 --> 00:35:51,365 AS MY FRIEND... 849 00:35:51,409 --> 00:35:53,541 I THINK THAT YOU WANT SOMETHING MORE. 850 00:35:53,585 --> 00:35:56,284 MORE THAN I DO. 851 00:35:56,327 --> 00:36:00,288 - OKAY. 852 00:36:00,331 --> 00:36:02,768 YOUR LOSS, KATDARE. 853 00:36:10,951 --> 00:36:12,996 - TO THE BEST PUCK EVER. - AND TO SAVING 854 00:36:13,039 --> 00:36:14,563 THE VERY PLAY THAT YOU'D CURSED. 855 00:36:14,606 --> 00:36:15,998 [laughter] [glasses clink] 856 00:36:16,043 --> 00:36:17,478 AND MY FAVORITE PART? YOUR PERFORMANCE 857 00:36:17,523 --> 00:36:20,394 WAS INJURY-FREE. - NICE. 858 00:36:20,438 --> 00:36:21,788 WELL, THANK YOU, GUYS. 859 00:36:21,831 --> 00:36:25,226 YEAH. UM... I WISH I HAD COMMITTED MORE 860 00:36:25,269 --> 00:36:26,922 TO THAT "MORNING LARK" LINE. 861 00:36:26,967 --> 00:36:29,403 - LOOK, EV, I KNOW I NEVER TOOK YOUR ACTING SERIOUSLY, 862 00:36:29,447 --> 00:36:32,320 BUT IT TURNS OUT... YOU GOT SOME REAL CHOPS. 863 00:36:32,364 --> 00:36:33,539 I MEAN, YOU WERE VERY GOOD. 864 00:36:33,581 --> 00:36:35,235 - MM-HMM. - THANK YOU. 865 00:36:35,280 --> 00:36:36,280 IF YOU HAD TAKEN IT SERIOUSLY, 866 00:36:36,324 --> 00:36:38,239 YOU MIGHT NOT HAVE A CFO RIGHT NOW. 867 00:36:38,282 --> 00:36:39,501 - REALLY? - W-W-WAIT. YOU QUIT ACTING 868 00:36:39,545 --> 00:36:40,936 BECAUSE I MADE FUN OF YOU? 869 00:36:40,981 --> 00:36:45,246 - NO. YOU WERE JUST SO RESPONSIBLE ABOUT YOUR FUTURE. 870 00:36:45,289 --> 00:36:47,769 REMEMBER TELLING ME, "WE'RE ON OUR OWN NOW. 871 00:36:47,813 --> 00:36:49,728 WE GOT TO TAKE CARE OF OURSELVES." 872 00:36:49,771 --> 00:36:52,818 YEAH. I WANTED TO BE RESPONSIBLE TOO. 873 00:36:52,862 --> 00:36:54,864 THAT'S WHY I WENT INTO ECON-- 874 00:36:54,907 --> 00:36:57,344 DEFINITELY NOTFOR THE GIRLS. 875 00:36:57,389 --> 00:36:59,565 - WOW, I REALLY HAD INFLUENCE OVER YOU. 876 00:36:59,608 --> 00:37:00,956 I SHOULD MAKE FUN OF YOU MORE OFTEN. 877 00:37:01,001 --> 00:37:02,132 COFFEE. [cell phone pings] 878 00:37:02,175 --> 00:37:03,873 - OKAY. 879 00:37:06,833 --> 00:37:09,052 [Evan groans] 880 00:37:09,096 --> 00:37:12,317 WHAT'S WRONG? - UM, IT'S JULIE. 881 00:37:12,360 --> 00:37:14,275 SHE'S TAKING THAT JOB IN STRATFORD, 882 00:37:14,318 --> 00:37:15,797 AND IT STARTS NEXT WEEK. 883 00:37:15,842 --> 00:37:18,974 SHE WANTS ME TO JOIN HER. 884 00:37:19,018 --> 00:37:21,063 YOU KNOW, I'M JUST GOING TO LET HER KNOW RIGHT AWAY 885 00:37:21,108 --> 00:37:23,110 THAT I CAN'T. - YOU CAN. 886 00:37:23,152 --> 00:37:24,764 YOU CAN. 887 00:37:24,806 --> 00:37:27,940 WILL I MISS YOU? LIKE CRAZY. 888 00:37:27,983 --> 00:37:31,030 LIKE I DON'T EVEN WANT TO IMAGINE HOW MUCH. 889 00:37:31,074 --> 00:37:33,163 BUT THIS IS YOUR LIFE. 890 00:37:33,206 --> 00:37:34,990 IT'S OURLIFE. 891 00:37:35,034 --> 00:37:36,992 YOU ARE GOING TO BE IN DEMAND, BECAUSE YOU'RE AWESOME. 892 00:37:37,036 --> 00:37:40,693 SO WE BETTER GET USED TO BEING APART, OFF AND ON. 893 00:37:40,735 --> 00:37:42,650 HOPEFULLY MORE ON THAN OFF. 894 00:37:42,695 --> 00:37:46,306 BUT YOU CAN'T TURN THIS DOWN. 895 00:37:46,351 --> 00:37:47,568 I WON'T LET YOU. 896 00:37:49,353 --> 00:37:52,791 IT'S YOUR MIDSUMMER DREAM. 897 00:37:52,835 --> 00:37:56,621 SO CALL HER BACK, SAY YES... 898 00:37:56,664 --> 00:37:59,711 AND JUST MAKE SURE SHE KNOWS HOW LUCKY SHE IS TO HAVE YOU. 899 00:38:01,670 --> 00:38:05,413 - ALMOST AS LUCKY AS I AM TO HAVE YOU. 900 00:38:05,456 --> 00:38:06,849 OKAY, I'M GOING TO CALL HER. 901 00:38:06,893 --> 00:38:08,286 THANK YOU. 902 00:38:08,329 --> 00:38:10,461 - ALL RIGHT. - ALL RIGHT. 903 00:38:20,949 --> 00:38:21,994 - LOOKS LIKE YOU TRIUMPHED. 904 00:38:22,038 --> 00:38:23,778 - INDEED. - WELL, YOUR SURGERY 905 00:38:23,822 --> 00:38:25,519 ALSO GOT RAVE REVIEWS. 906 00:38:25,563 --> 00:38:27,521 YOU SHOULD BE BACK TO NORMAL IN NO TIME. 907 00:38:27,565 --> 00:38:28,958 - THE BAD NEWS? 908 00:38:29,001 --> 00:38:30,786 - WELL, UNFORTUNATELY, "IN NO TIME" 909 00:38:30,829 --> 00:38:32,222 IS GOING TO BE A FEW WEEKS. 910 00:38:32,266 --> 00:38:33,746 YOU WON'T BE ABLE TO FINISH THE RUN OF THE PLAY. 911 00:38:33,789 --> 00:38:36,835 - AT LEAST I GOT TO PROVE TO MYSELF 912 00:38:36,878 --> 00:38:39,621 I HAVEN'T LOST MY GIFT. 913 00:38:39,664 --> 00:38:42,320 - BY ALL ACCOUNTS, EVERYONE ELSE THINKS YOU'VE STILL GOT IT TOO. 914 00:38:42,362 --> 00:38:44,409 - I APPRECIATE YOUR FAITH IN ME, FRANK. 915 00:38:44,452 --> 00:38:45,539 - IT'S HANK. 916 00:38:45,583 --> 00:38:47,541 - THANKS TO YOUR CATCH AND THIS REVIEW, 917 00:38:47,585 --> 00:38:49,804 I'LL BE BROADWAY BOUND BY FALL. 918 00:38:49,849 --> 00:38:51,938 [cell phone pings] 919 00:38:51,981 --> 00:38:53,068 - OOH, GABE, I GOT TO RUN. 920 00:38:53,112 --> 00:38:54,244 BUT SAVE ME A HOUSE SEAT. 921 00:38:54,288 --> 00:38:56,550 UH, BALCONY'S FINE. 922 00:38:56,594 --> 00:39:00,425 - [indistinct murmuring] 923 00:39:04,733 --> 00:39:07,126 - WOW, THAT WAS FAST. 924 00:39:07,170 --> 00:39:08,737 - I WAS HERE SEEING A PATIENT. 925 00:39:08,780 --> 00:39:10,826 YOUR TEXT SOUNDED URGENT. WHAT'S UP? 926 00:39:10,869 --> 00:39:13,612 - HAVE YOU SPOKEN TO JACK? - UH, NO. 927 00:39:13,655 --> 00:39:14,742 SOMETHING GO WRONG WITH HIS A.V. SURGERY? 928 00:39:14,786 --> 00:39:16,657 - HE NEVER CAME IN FOR THE PROCEDURE. 929 00:39:16,702 --> 00:39:18,704 - WHAT? - AND HE HASN'T RETURNED 930 00:39:18,746 --> 00:39:20,445 ANY OF MY PHONE CALLS. 931 00:39:20,487 --> 00:39:21,836 HANK, I'M WORRIED THAT JACK IS BLOWING OFF 932 00:39:21,880 --> 00:39:24,492 HIS TREATMENT ALL TOGETHER. - I SHOULD HAVE STAYED 933 00:39:24,536 --> 00:39:26,275 ON HIS CASE, INSISTED I COME WITH HIM 934 00:39:26,320 --> 00:39:28,670 FOR HIS SURGERY. 935 00:39:28,713 --> 00:39:31,585 SHOOT. - I'VE HAD PLENTY OF PATIENTS 936 00:39:31,630 --> 00:39:33,282 WHO COULDN'T COME TO TERMS WITH THEIR ILLNESSES. 937 00:39:33,327 --> 00:39:35,416 YOU CAN'T CHANGE THEIR MINDS FOR THEM. 938 00:39:35,460 --> 00:39:37,548 THEY NEED TO DO IT ON THEIR OWN. 939 00:39:37,592 --> 00:39:39,289 - I JUST... 940 00:39:39,333 --> 00:39:41,943 I HOPE HE COMES TO HIS SENSES SOONER RATHER THAN LATER. 941 00:39:43,510 --> 00:39:46,688 - JACK SAID HE WANTED TO GO FISHING. 942 00:39:46,731 --> 00:39:48,429 MAYBE I CAN FIND HIM. 943 00:39:48,472 --> 00:39:50,605 - YOU GOING TO DRAG HIM IN HERE KICKING AND SCREAMING? 944 00:39:50,648 --> 00:39:54,173 - IF I HAVE TO. 945 00:39:54,217 --> 00:39:56,568 - YOU'RE REALLY GOING ABOVE AND BEYOND, HANK. 946 00:39:56,610 --> 00:39:58,744 - THAT'S WHAT FRIENDS ARE FOR. 947 00:40:12,322 --> 00:40:15,717 - HERE YOU GO. 948 00:40:15,760 --> 00:40:18,067 - HEY! CUPPA. 949 00:40:18,110 --> 00:40:21,418 both: CHEERS. 950 00:40:21,461 --> 00:40:22,724 - SEE THIS, CASEY? 951 00:40:22,768 --> 00:40:25,378 THIS RIGHT HERE'S WHAT I LOVE ABOUT FISHING. 952 00:40:25,422 --> 00:40:27,512 - YEAH. 953 00:40:27,554 --> 00:40:30,862 WE HAVEN'T SNAGGED ONE BITE SINCE WE GOT OUT HERE. 954 00:40:30,905 --> 00:40:33,561 - CASEY, FISHING IS NOT ABOUT CATCHING FISH. 955 00:40:33,605 --> 00:40:36,172 - OKAY. BUT... THEY TASTE GOOD. 956 00:40:36,215 --> 00:40:40,612 - YEAH. SEE, TO ME, GOLF-- 957 00:40:40,655 --> 00:40:42,918 GOLF IS ALWAYS JUST ABOUT GOLF. 958 00:40:42,961 --> 00:40:46,835 BUT FISHING-- FISHING'S ABOUT... 959 00:40:46,878 --> 00:40:49,489 CLEARING YOUR HEAD, YOU KNOW? 960 00:40:49,534 --> 00:40:52,144 WHEN I CAME OUT HERE, I WAS RUNNING FROM SOMETHING. 961 00:40:52,188 --> 00:40:53,362 - AND NOW? 962 00:40:53,407 --> 00:40:55,931 - NOW I KNOW I NEED TO FACE THE MUSIC. 963 00:40:55,974 --> 00:40:59,021 - WELL, JACK, CAN YOU WAIT TO FACE THE MUSIC 964 00:40:59,065 --> 00:41:01,067 UNTIL WE'VE AT LEAST REELED IN ONE TUNA? 965 00:41:01,110 --> 00:41:03,416 - YEAH. YEAH. 966 00:41:04,548 --> 00:41:06,159 WHAT ABOUT YOU, CASEY? - HMM? 967 00:41:06,202 --> 00:41:08,030 - WHAT ARE YOU RUNNING FROM, HUH? 968 00:41:08,074 --> 00:41:09,945 WHAT'S THIS SOUTH AMERICA ALL ABOUT? 969 00:41:09,989 --> 00:41:12,860 - SOUTH AMERICA'S ABOUT SOUTH AMERICA. 970 00:41:12,905 --> 00:41:14,514 I'M NOT RUNNING AWAY, 971 00:41:14,559 --> 00:41:16,342 I'M RUNNING STRAIGHT INTO MY FUTURE. 972 00:41:16,385 --> 00:41:19,432 - THAT'S WHAT I LIKE ABOUT YOU, CASEY. 973 00:41:19,476 --> 00:41:21,521 YOU'RE ALWAYS ONE STEP AHEAD OF ME. 974 00:41:21,565 --> 00:41:25,351 - ANOTHER TIME, ANOTHER PLACE? 975 00:41:25,394 --> 00:41:28,181 - ANOTHER FISHING HOLE. 976 00:41:29,574 --> 00:41:31,706 - HEY, UM, DO YOU WANT A JACKET? 977 00:41:31,750 --> 00:41:35,188 I'M FREEZING - I'M OKAY. 978 00:41:46,547 --> 00:41:48,809 [coughing]