[cell phone ringing]
Hello.
Hey, guys, are you behind me?
[Aaron] Yeah, we're behind you.
We are heading to the Los Angeles Police Museum.
[Aaron] Ooh!
[Zak] That building contains the artifacts,
the clothing, the guns,
every single item that you can think of
that was connected to some of the most notorious
murders in Los Angeles history.
People there are terrified
of a very dark and evil presence
that is terrifying every single person
that is working there.
Usually, when you're in trouble,
and you're in fear of your life,
you call the Los Angeles Police Department.
But now, the Los Angeles Police Department Museum
is calling us because they need help.
It's gotta be something strong.
So, get ready.
[Zak] There are things in this world,
-that we will never fully understand. -[man] Understand.
[man speaking]
[Zak] We have worked years to build our credibility,
our reputation.
Working alongside
the most renowned professionals in the field.
Capturing groundbreaking proof of the paranormal.
-It's working. -[man] Whoa!
I can't give you an explanation.
[Zak] This is our evidence,
our Ghost Adventures.
[Zak] I want you guys to seriously be ready for this.
You're going here, this isn't just
billy clubs and... and police uniforms and badge displays.
Like, what you are about to see in here,
is going to take your breath away.
-How're you doing? -Good.
[Zak] Good, good.
Wow! This is our first steps
inside of the Los Angeles Police Museum.
I didn't know the level of stuff
that you guys have on display here.
Yeah, it's a lot.
[Zak] This building is home
to an incredible collection of true crime artifacts.
Pipe bombs, murder weapons,
Charles Manson's personal effects.
The actual rifle used by kidnap victim
turned bank robber, Patty Hearst.
Although a museum today,
this structure once served a very different purpose.
[Ryan] This was a working police station
from 1925 until about 1980,
somewhere in the early '80s.
-That long? -[Ryan] Yeah.
And so it was never built initially
to be a museum, if you will, so,
a lot happened during those years.
[Zak] Petty thieves,
rapists,
murderers.
While in operation, this precinct saw everythin
from minor offenses to the worst LA could offer
Is there an area in this museum
where...
I'm hearing some people that are working here,
that are affiliated with the museum,
that are telling us,
and experiencing something they are describing
-as an evil presence? -Yes.
In the North Hollywood Shootout Exhibit Gallery.
Okay. Have you had those similar types of experiences
or encounters also in that exhibit?
I have.
[man speaking]
-[reporter] On February 28, 1997 at 9:17 a.m., -[gun firing]
officers of the Los Angeles Police Department
became involved in a fierce gun battle.
[man speaking]
[reporter] The suspects came out through the bank's
northwest door and began firing.
[man speaking]
[Ryan] We're entering the North Hollywood Shootout Exhibit Gallery.
[Zak] Oh, wow, this is it.
[gunshots]
LA police engaged the men
in a very intense firefight
Officers were finally able to disable Emil Matasareanu
by shooting his legs from under their car.
He begged an approaching officer
to shoot him in the head,
but instead he bled out in the street.
The second burglar, Larry Phillips,
[officer] Down, down.
[Zak] ...took his own life after being wounded by police.
Holy cow!
As soon as I step foot in this room,
I am overwhelmed by an aggressive energy
that feels like it's circling around me.
Those are the actual everything that they were wearing?
[Ryan] Yeah, that's their outfits that they were wearing
on the day of the shooting.
[Zak] Are these the actual guns?
-[Ryan] Yes. -[Zak] Wow!
You can see there's a difference between
what they had and what LAPD was equipped with
and there was a huge difference.
This is an important crime, because it kind of told the police department that--
They have to be well equipped.
Yeah, we need to be better equipped
and carry some... some bigger--
[Ryan] You know, higher power guns.
So, not only do they have this exhibit,
-but on the property, they also have the car. -[man speaking]
[Ryan] Correct.
[Zak] So, of course, they're here.
You have their car, you have their guns,
-you have their clothing. -[Ryan] Right.
And all the other different artifacts
are here in this room.
[man speaking]
[Zak] When You watch the video, you're in absolute terror.
-And now to be standing within inches of them. -Yeah
Just so you know, there's times when I've left this room
and I have walked out and I've turned around
and it's as if they're still watching me.
Their eyes almost watching me.
And they... they hook you and,
and it's pretty unsettling.
-You've been in the room. -Uh-huh.
[Zak] Okay.
Um, is there something in that room that bothers you?
Have you had?
Yes, you can, definitely...
I've been in there for our own investigations
and I've seen, like, the shadows
come out of the display case
from the mannequins and surround us.
Whoa, whoa, whoa!
You have seen dark shadows come out of the mannequins and...
-and get behind you. -Mmm-hmm. Yes.
They... they let you know that they're here,
in my opinion.
I've walked out of this room being in here
with a splitting headache, and I never get headaches.
It's just there's an energy in this room that hits you.
And it's... it's heavy is all I can say.
I am hot, but right now, my legs are chilling up.
-I got some-- -Right behind you, Zak, right now.
-[Zak] Right here. -[Aaron] There's something behind you.
[Billy] It's literally pounding...
-[Aaron] On your head. -[Billy] ...on your back like this.
-[Zak] Are you serious? -Right now, yeah. Right now.
[Zak] This is incredible.
At the very same moment
my legs begin to feel ice cold,
this aggressive figure is captured appearing to attack me.
Remember, Emil was the criminal
who was shot in the legs.
My legs are chilling up.
Then, just moments after we finished this interview,
the museum security camera captures this dark mass.
Notice, this dark mass is in the same spot
as the figure that was just appearing to attack me.
Could this be the spirit of Emil Matasareanu
wanting me to feel his pain
The shadows come out of the display case
from the mannequins and surround us.
-[Zak] So, Cynthia, you work here. -[Cynthia] Mm-hmm.
-[Zak] We are not filming you above the neck. -[Cynthia] Right.
[Zak] Um, you wish to remain anonymous.
Do you fear that they're behind you and they're gonna
-push you off the stairs? -[Cynthia] Yes.
Because as soon as I close...
I go down, and that's when... If I close by myself,
so this area, it's a creepy area.
[Zak] Do you fear that someday,
that you might get pushed down these stairs?
[Cynthia] Yes.
My name is Lorrie, Lorrie Grado,
and I'm a volunteer here at the museum.
[Zak] Lorrie has also encountered
these aggressive spirits.
The museum was closed.
We had just closed.
So, I'm looking at my monitor and all of a sudden,
out of this side,
I saw a dark shadow walk by.
And I asked Meesha, I said, "Meesha,
we're closed, right? No one's here in museum?"
She said, "No, everyone's gone."
I said, "I swear I just saw a man walking by."
[Zak] Right next to the North Hollywood room
sits an exhibit with another tragic story.
March 9th, 1963,
officers Ian Campbell and Karl Hettinger,
stopped an automobile containing robbery suspects
Gregory Powell and Jimmy Smith.
Officer Campbell's gun was taken,
leading to an agonizing situation.
There's another exhibit here,
and that's the Onion Field Exhibit.
Erica, I believe this was 1963,
it was a very tragic, uh,
very sad story about a couple...
-Correct. -...LAPD officers that were kidnapped,
they were abducted.
Please tell us what happened here, okay?
-[Erica] Sure. -And what you experience inside here?
[Erica] So, as you said,
the Onion Field happened in the '60s,
where two officers were kidnapped
and one of them subsequently executed, execution style
in an Onion Field, and so, we have the murderer here,
Gregory Powell,
who was very intent on killing somebody.
And you can see here in these statements
that he was literally saying, "If you release me
into the public, I will kill somebody."
He was also a gun smuggler.
We have some of his guns here.
Some of the things that we were actually able to obtain.
-[Zak] These are actually his-- -[Erica] His guns.
-So, the devil in flesh over here, -[Erica] Correct.
-that just wanted to kill and he did kill. -[Erica] Mmm-hmm.
[Zak] This is how he wanted to take human life.
You have it in a case here at the museum.
This collage back here is the actual evidence,
the scene itself.
And here in this, this is our court, the courtroom exhibit,
that showed the bullet trajectories
and how, um, Ian Campbell was murdered.
Do you actually have the murder weapon here on display?
Yes, it's actually right over here.
So, we have... This is the case
of the actual murder weapons
and this is the jacket
that the murder suspect was wearing at the time.
[Zak] Another room
that the murderer's clothes are on display.
When you come into these rooms,
and you're looking at the weapon
that killed this officer,
laying on top of the jacket that the murderer wore,
you get the visions of the murderer
-standing right next to you. -[Erica] Oh, absolutely.
[Zak] Looking at me with the worst expression ever.
And you said that all he ever wanted to do was kill.
-Mmm-hmm. -So, if his spirit was here,
where would it wanna be?
With his guns 'cause that's the only thing
that he wanted, to keep killing?
But...
It's just so heavy here.
You really do, you really do feel it.
[Erica] Truly. Mmm-hmm. Absolutely.
[Zak] So here at the Los Angeles Police Museum,
where we're hearing about so many different hauntings,
uh, this building has a lot of history.
It was a police station all the way from the 1920s.
Right here,
in this jail cell,
is where a guy named Manny Pazo,
he took his belt and he hung himself
in this jail cell.
Because he did not wanna face the punishment for his crime.
In 1953, Manny, was arreste
for molesting a 15-year-old girl.
What you are looking at right now is Manny Pazo.
-[indistinct yelling] -[alarm blaring]
Right here...
where my hand is touching the same exact cement spot.
So, Cynthia,
did you have some kind of experience back here?
I normally greet the visitors, book the families for tours and so on.
So, one of the occasion was when...
it was a Hispanic family.
When they were coming into the jail cell,
the little boy just started getting really upset.
He was panicking.
Once he got in here, in this area?
[Cynthia] I kind of instantly knew that something...
That something wasn't right
-And he just wouldn't come in. -Wow.
[Cynthia] As soon as that little boy passed the elevator,
he's just quiet. He gets... he just got quiet.
So, you knew by witnessing this
that... that something was different about this?
Yes, something was... 'Cause I'm sitting there by myself,
and I was, I know something,
he has seen something, but I couldn't explain it.
[Zak] And that's not even the tip of it.
Because they have items, and it's not,
I wanna get this clear.
These items are not for the public eye.
They are not on display.
But they have items from
Robert F. Kennedy's assassination here.
They have the murder weapon
from the Manson family murders.
They also have items from Marilyn Monroe's death scene
Did you see anything right there, Jay?
Did you see anything right there at all?
-'Cause I felt like I just got stung by a... a spider. -[Jay] Yeah.
Honestly, it looks like you have like a little red--
-[Zak] Where? -[Jay] Right on your neck.
-[Zak] Are you serious? -[Jay] Yeah.
It's weird you're feeling stuff on your neck
in front of the guy that hung himself.
[Zak] As I stand in front of Manny Pazo's cell
telling his story,
I feel a sharp pain on my neck.
This cannot be a coincidence
First, I feel my legs go col with a figure appearing
to attack me in the North Hollywood Exhibit
My legs are chilling up.
[Aaron] There's something behind you.
-[Billy] It's literally pounding... -[Aaron] On your head.
[Billy] ...on your back.
[Zak] Then, I feel a sharp sensation on my neck.
It is becoming clear these spirits are aggressive
Is Manny angry on telling the story
of how he took his own life
But this was not the only suicide in this precinct.
Have you had experiences in that old shooting range?
[Erica] I definitely feel a sadness there.
A deep, deep sadness, and part of my energy
may tell me that it might be a female, so...
-A female? -Yes.
Okay. We found, in a newspaper article,
dated February 15th 1934, that described
how Highland Park Police Station,
-there was a telephone operator... -[line ringing]
Mrs. Margaret McClure.
She came down here,
took a .45 caliber police revolver
out of the locker room, in the station,
and took her own life.
And shot herself, uh, in the head.
Wow!
So, I didn't know if you guys knew that.
No, we didn't. Not at all.
That explains a lot.
Like I said, the energy in that corner over there,
is just pure sadness.
[Zak] Meesha leads us to the former shooting rang
where police officers
were able to train with new weapons.
This space is now utilized a a vault for storing evidence
[Meesha] There's a lot of history here.
When you get to a certain point,
it just feels like a heavy blanket over you.
This is when I'm like,
"I don't, like, wanna go any further."
It's, like, here.
[Zak] Do you feel threatened?
[Meesha] Yeah, right here it feels really bad.
[Zak] Who's down here?
If you're angry, move one of these boxes off the shelf.
[Meesha] It's getting really warm.
[Zak] The temperature's changing?
[Meesha] Yeah, like a lot warmer.
[Zak] Margaret McClure's suicide is heartbreaking.
But, what we are about to discover is truly devastating.
Right now, I am going to be taken to a room
that could be really contributing to much more
of the hauntings than we were told.
Um, this room is not open to the public.
But what we are about to go see
is about 60 boxes
of Charles Manson artifacts
from the Helter Skelter murders,
including the entire scene,
uh, with Sharon Tate, Jay Sebring and all of her friends.
I just wanna go see these items,
I would like to feel the energy in the room,
and I think that's a really crucial part of this investigation.
So, right now, we have to drop the cameras,
you can aim it to the floor.
We are having exclusive access right now,
and I am absolutely blown away
about having this.
Are these them all?
[Erica] All right here, and all back here.
[Zak] There's just so many boxes.
[Erica] Okay, Tate and LaBianca.
[reporter] The scene was described by one investigator
as reminiscent of a weird religious right.
Five persons, including actress Sharon Tate,
were found dead at the home of Miss Tate
and her husband, screen director Roman Polanski.
[Zak] Oh, my God. Are you kidding me?
Is this even real right now? What is this? Oh, my God.
[reporter] Miss Tate, who starred
in Valley of the Dolls, was eight months pregnant.
And was found in a bikini ty nightgown with a rope
around her neck attached to the corpse of Jay Sebring
[Zak] I just read the tag and this is the rope that
-they cut from Sharon Tate. -[Erica] Correct.
Is your heart racing like mine?
[Zak] Yeah. I am...
[Zak sighs]
Erica, I cannot believe what...
what is in my hands right now.
[Erica] I know, it's pretty--
[Zak] I cannot believe that I am holding this.
It's just sad, like, holy [bleep] man, that is...
that is so sad.
Just feeling that, you know.
I'm just like frozen, you know, like,
I can't describe to you the heaviness on my chest.
There have been some reports, you know,
that Sharon Tate was here.
-[Zak] Her spirit? Here? -[Erica] Her spirit, absolutely. Hmm.
[Zak] As a paranormal investigator,
at times, I find myself forced to examine
very sensitive objects.
The staff here felt it was important for me to s
these items in order to truly evaluate
the source of the hauntings here.
This is one of the most intense experiences of my life.
Oh, let me go outside for one second.
Here. Don't, don't.
[Zak] It is now time to lock down inside
of the Los Angeles Police Museum.
A building riddled with countless items
directly connected to executions, shootouts,
notorious cult murders and other physical evidence
charged with extremely dark energy.
Okay, so we're gonna use the XLS camera.
I'm gonna lead out with the thermal gun.
-That's pretty fitting, right? -[Jay chuckling] Yeah.
I got the thermal gun.
We're gonna go try to capture some criminals,
the spirits of them,
because the spirits of criminals are exactly
what the people that work here
are seeing and are absolutely terrified of.
We decide to start our investigation
by making our way to the second floor,
where the North Hollywood Shootout exhibit is located
I will start by provoking the spirits of the shooters
that this woman, who we met earlier,
claims to feel the spirits
trying to push her down these stairs.
[Cynthia] This is where I feel that I'm gonna be pushed.
[Zak] We heard a lady tell us that she could feel you behind her,
that you want to push her down these stairs.
Do you wanna push me?
Is somebody up here?
So, we got money for you.
Right over here is the North Hollywood exhibit.
This is where the two robbers
that were trying to shoot and kill the police officers,
this is where they are.
This is where their clothing is, their guns,
their bags, everything.
One of them ended up taking his own life.
Didn't want to be arrested.
The other one succumbed to his injuries.
And this is where everybody fears to go,
and say that the shadows of the mannequins literally come out.
[Jay] So far nothing on XLS here, guys.
[Zak] Are you guys here?
What you did was wrong.
People here are saying that you're still here,
your spirits are here tied to your clothes and your guns.
Let us see that.
Come out of that glass. You did it yesterday.
You guys still here?
Here's your chance to be seen on TV again.
You did a horrific thing to get on TV.
[Jay] Lot of people were injured.
[Zak] Lot of people saw it.
Here's your chance to say sorry or anything.
-You in there? -[knocks]
Let's go. Come out of your clothes.
Come in here.
[all] What was that?
[Aaron] What was that?
[Aaron speaking]
[Zak] We have no idea what causes this noise,
but we do capture the audio, on this X camera
-What was that? -[Jay] What was that, dude?
-[indistinct chatter] -[Aaron] That was up here.
[Jay] I saw someone move up here.
[man 1] Door handle or something.
[man 2] Yeah, I heard something move.
[Jay] Who's up here?
Nothing on the floor or any doors open.
-[Zak] Nothing? -Nothing.
[Zak] Do you have anything to say for the crime you did?
For all the people you injured?
Some say that your spirits are here.
Is that true?
Knock on this glass, if you're in there.
Move.
[Zak] As I begin to review the recording session,
everything seems calm
until this happens.
[Zak on recording] Do you ha anything to say for the crime you did?
You guys got caught.
Some say that your spirits are here.
Whoa! [bleep].
-Dude. Oh, my God. -[Jay] What's happening?
[Zak] Somebody touched my neck.
-[Jay] No. -[Billy] Are you serious?
[Zak] Somebody just touched my neck, like, two fingers on my neck.
-Dude. Oh my God. -[Jay] What's happening?
[Zak] Somebody touched my neck.
-[Jay] No. -[Billy] Are you serious?
[Zak] Somebody just touched my neck, like, two fingers on my neck.
I felt like this [bleep] sensation of flesh.
Like two, like, you took your two fingers on my neck.
I swear to God.
Not a bug, not anything else.
Like, two flesh fingers literally going by
on my neck like this.
Oh, my God!
There was not a bug or anything like that.
-You didn't see a moth, did you? -[Jay] Oh, no.
-Did you see a moth? -[Jay] No. Not at all.
[Jay] I was on you. There was no moth.
[Zak] You guys, I... I swear to God.
[Jay] Look, Zak, there is a step right before, like,
someone stepped up behind you.
You wanna touch Zak?
Why don't you sit down next to him? Show yourself.
-[Zak] Come on, you guys. -[Jay] Go ahead.
This is your big shot to be on TV again.
[Zak] During all of this tim
we still aren't capturing any figures,
so I head back into the room
He keeps doing it, you guys.
[Jay] He's doing it again. Ringing or--
[Zak] Feels like there's a live microphone and you tap it.
-[Jay] Yeah. -That's what it feels like in my right ear.
[Aaron] We saw what you did yesterday to him with our devices.
This is your chance.
-It was over here. -[Aaron] Yeah.
-[Zak] It's cold. -[Aaron] Hold on.
So one of the mannequins,
they haven't mapped in this entire time,
and now it's mapped in.
I realize it's the mannequin, go and talk to him.
[Zak] Oh, it just got really cold right here.
[Jay] Jump out of your bod-- Your mannequin.
-[Billy] Look, he's waving, Jay. -[Jay] Get Zak, right now.
[Billy] Jay, he is holding up his hand.
[Billy] That's so weird.
Oh, he's holding on to glass,
is he trying to escape?
[Jay] Looks like he's hitting the glass. Look at that.
[Billy] He just hit the glass.
[Zak] Go ahead. Leave your body.
I command you to leave your body.
Get over here and get next to me.
[Billy] Oh! [bleep]. Now they're both mapped.
[Jay] Keep talking to them Zak, I think that you're...
[Zak] Go ahead. Leave your bodies.
[Aaron] One is trying to climb up the glass.
[Billy] Yeah, he's breaking the mannequin pose,
and his hand is pounding against the glass.
-[Aaron] The other one just reached out towards you, Zak. -[Jay] Yeah.
[Zak] Grab my hand.
-You wanna shoot me? -[Billy] Whoa!
Both of his hands, look at him.
-[Jay] What the [bleep]? -[Billy] Dude, that is so bizarre.
[Aaron] It's like they can't get out of the glass, they're trying to.
[knocks]
[all] Oh! [bleep].
[Jay] Clear through the glass--
[Aaron] Oh, he's stepping out!
[Billy] Get out of here. [Jay] Did you see that?
-Oh, my God! -[Billy] He's getting out--
[Jay] Oh, he's gone.
[Billy] Shoot the screen!
[Zak] After I tell the spiri
to leave their mannequin bodies...
Go ahead, leave your bodies.
It appears as though they do
As I put my hands on the glass, so do the figures.
Did we just capture evidenc of what an employee told us
she witness with her own eye
The shadows come out of the display case
from the mannequins and surround us.
-[Zak] Oh. -[Billy] I'm chilly [bleep].
It's so cold? Feel that?
Guys, do you feel how cold it is right now?
-[Zak] Yes. Yes. -[Aaron] Oh. [bleep].
-They are out of the glass. -They are out of the glass.
[bleep]
[Aaron] Guys, I don't feel right.
They were literally penetrating the glass and now [bleep].
Hey, nobody is mapped.
[overlapping conversation]
[Aaron] Freezing cold right now.
[Billy] Hey, Jay.
[indistinct chatter]
There it is, right there. Oh [bleep].
Dude, it's so cold
and the feeling is so intense.
[overlapping conversation]
[Aaron] Seriously, it's on me.
-[Jay] Keep going. -You're filming me?
[Jay] Yes.
[Zak] Aaron now uses the polterpod
to see if the figures we just captured will speak
And as he places the device on the glass
for several minutes, no voices come through.
He then gets extremely affected.
[static]
Oh, God!
Oh!
[Billy] What happened?
[Aaron] I zoned out.
I was just looking into their eyes, I zoned out,
I mean, I felt what you felt in the ears, Zak,
boo, boo, boo, boo, boom.
[Zak] You felt that?
[Aaron] It has tripped me up pretty good.
[sighs]
[Zak] Why did you get so emotional, though?
I don't know. I was just staring at the mannequins through the camera,
and I feel like...
I feel like it's somehow, someway,
there was a connection, like, you say with the Swiss cheese, the holes line up.
And all of a sudden, I am just staring in their soul or something.
It was so weird, I just zoned out,
then I was, like, get out of this spot.
As soon as I was about to pull out of it,
that's when the ear thing happened,
and just start, uh... I'm fine now,
but there was a moment there, I thought I was gonna break down.
It felt kinda like a... their panic situation,
like they did something bad,
and, you know, the whole moment of, like, oh, [bleep].
I feel that.
I think that's where the emotion came from.
[Zak] If you are here,
I want you to make a noise right now.
Do something to let us know you are here.
If you have enough to do that [bleep] to me and Zak,
you got enough to make a noise
loud enough in this room [bleep].
[bleep]
Dude, I think it's this vest.
I think, they think I am a cop.
[Zak] Oh, may be, may be. That's a tactical vest--
[Aaron] Dude, they must think I'm a cop or something.
-[Zak] You have a tactical vest on. -I have a tactical vest on.
-Oh, my God. -[Zak] You are a cop, you're the enemy.
[Billy] Who did I just see?
What was that?
[indistinct conversation]
[Zak] Downstairs, near the jail cell,
where Manny, the molester, hanged himself
we capture this very loud bang.
Come down, Aaron, you and Jay.
[Zak] Aaron and Jay, immediately head down there to investigate.
Okay. We were just upstairs on the second floor,
we just heard, it sounded like
the door cages just going goom, goom, goom.
We felt it and could hear it from up there.
[Billy] Who would you like to see?
Go ahead.
[Billy] Whoa, whoa, whoa. Whoa! What the [bleep]!
Zak, something grabbed onto my pants like this,
and was, and was jerking my pants about that hard.
[Zak] As I turned the polterpod back on,
we capture a spirit telling us it's here.
[Billy] Who did that?
[spirit] It's here.
[Zak] It's here?
[Billy] Who did that?
[spirit speaking]
[Zak] It's here?
[Billy] Why were you pulling on my pants?
What do you want to do to us?
-[spirit] Injure. -[Zak] Injure?
[Billy] Injure?
[Zak] Listen, how this spirit intelligentl
answers me and says that it's going to injure us.
What do you want to do to us?
-[spirit] Injure. -[Zak] Injure?
[Billy] Injure?
-[spirit] Lay down. -[Zak] Lay down?
[Billy] Lay down?
[spirit speaking]
-[Zak] Lay down? -[Billy] Lay down?
[Zak] Incredibly, this spirit now
tells Billy to lay down,
and as he does, listen to th incredible next response.
[Billy] Want him to lay down. He's laying down.
-[spirit] Put in cuffs. -Put in cuffs?
-Did you hear that? -[Zak] Is that what he said?
Put in cuffs.
Want him to lay down. He's laying down.
[spirit speaking]
Put in cuffs?
[Zak] What's your name?
[spirit] Woody.
[Zak] Woody?
[Zak] The same voice that said "put in cuffs,"
now intelligently, tells me that his name is Woody.
What's your name?
[Woody speaking]
Woody?
Hey, we heard you.
We heard you. It sounds like a residual sound
of jail cell shutting.
Are you in here?
Is anyone in here?
What's your name?
If you want out of here, bang on the jail cell.
[light bang]
Oh! That was right over there.
[Zak] The guys now head to the other jail cells
where they just heard that sound,
which was also captured on our X camera.
[light bang]
[Aaron] That was right over there.
[Zak] This is also the jail cell where
Manny, the molester, killed himself
on March 4th, 1953.
Where are you? Who are you?
[Zak] Back upstairs, Billy and I
continue to make communication to see
if the voice is disembodied
Can you talk to us without this?
Are you around us?
[Billy] Who keeps touching us?
-[continuous static] -What did you do right here?
What happened down here?
-[spirit] Hung. -Saying hung?
Do it say you're hung?
-[Jay] That's what I heard too? -[Aaron] I heard hung. Hung.
Yeah, but why?
Why did you do that? Huh?
[loud bang]
[Jay] Whoa! Go... [bleep].
[Aaron] What the [bleep]. Whoa! Whoa!
[bleep]
[loud bang]
[Jay] Whoa! Go... [bleep].
[Aaron] What the [bleep]. Whoa! Whoa!
[Jay] Holy [bleep].
[both screaming]
Holy [bleep]!
Oh, my God! [bleep].
-[Aaron] Zak, Bill? -[Zak] Yeah.
[Aaron] Hurry!
[Billy] Where are you guys?
Where are you at?
[Aaron] Jay's really really hurt.
Like, bad.
-[Billy] What happened? -[Zak] What happened, Jay?
[Aaron] Something got thrown at us.
We were scrambled in the middle there.
Next thing, I know we come over here
and he's like basically, crying.
[Jay] I feel like my back's ripped off.
You all right?
[Jay] I don't know. I don't even wanna look.
It feels like it's been ripped apart.
Where did you hit?
[Aaron] Oh, my God!
[Zak] Look here, they even tore his shirt.
-[Aaron] Oh, my God. -[Jay] [bleep] that hurts.
-[Zak] You okay, Jay? -[Jay] I'm hurt right now.
-[Zak] What happened? -[Jay] Oh, something got thrown at us,
like, something banged, really bad.
-[Zak] Where did you hit? -[Jay] I don't know,
we were in that little jail cell hallway.
[Zak] Did he hit his back?
I don't know.
All I know is we both started, he went this way, I went that way,
we got mixed up,
and I'm yelling for him to come this way and he's, like, screaming.
[Zak] As we replay the footage,
it appears that a spirit voice says
"hung" when Aaron asks "What happened here?"
What happened down here?
[spirit speaking]
Did he say hung?
[Zak] Then a loud bang is heard from the cell
which causes panic.
Why did you do that? Huh?
[loud bang]
Whoa!
[loud bang]
Whoa! Whoa! [bleep].
[Zak] And during this momen you can see Jay's back
get shoved into the large meal tray ledge,
which causes him to get badly injured.
Whoa! What the [bleep].
[both screaming]
Jay, are you hurt
-anywhere other than this? -[Jay] Just... just right there.
[Zak] Nothing in your vertebrate or anything?
-[Jay] No, not... -[Zak] So you have a slash across there.
-And you have a hole here. -[Billy] Oh, yeah.
They ripped your clothing all the way through--
[Zak] They ripped his clothing.
I tell Jay and Aaron to go chill out at nerve center
while Billy and I head down to the basement.
Right now, Billy is armed with a boom microphone.
It's a highly sensitive microphone
that's directional and he has it aimed like a gun.
And he has some noise canceling headphones on.
So, the only thing he hears is where this is being aimed at.
So, we just wanna see
if we could capture some disembodied voices.
We're gonna head downstairs into the basement
down by the shooting range, down by the lockers,
where the lady that used to work here a long time ago
grabbed the .45 out there,
and unfortunately, she shot herself in the head.
So, lot of energy down there.
It's very scary down there.
A lot of the people here can't make it past a certain box.
We're going there now.
I'm gonna stay pretty far behind Billy,
so I don't contaminate his audio.
[footsteps]
-[Zak] Who was that? -[Billy] I don't know.
[Zak] Did you just hear footsteps?
[Billy] Yes. Loud footsteps.
Those guys are back at nerve, right?
[Zak] Hey, where are you guys at?
We're both at nerve
and we heard those footsteps pretty loud from the TV.
They were loud, dude.
[Zak] Yeah, that one's down there.
There is no explanation for these very loud footstep
we just heard and captured.
-[Zak] Who was that? -[Billy] I don't know.
[low growl]
-[Zak] Whoa! Billy! -[Billy] What?
What the [bleep] was that?
[Zak] Did you hear a growl sound?
[Billy] Yes, something just came up on me right here.
[Zak] Billy captures this creepy growl type soun
that we also hear with our own ears.
[low growl]
-[Zak] Whoa! Billy? -[Billy] What?
What the [bleep] was that?
[Zak] Did you hear a growl sound?
[Billy] Yes, something just came up on me right here.
[Billy] Hey, I just heard a growl.
[Zak] Our investigation,
here at the Los Angeles Police Museum
was not only extremely uniqu but also serious.
To capture concrete evidenc of what we were told about
by the staff here,
makes us realize that spirit are still very attached
to the belongings they used in horrific crimes.
As well as those that took their very last breath
inside of this historic building.
[spirit speaking]
Did he say hung?
Whoa! Go... [bleep].
[bleep]
-Whoa, whoa! -Whoa! [bleep]