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[cell phone ringing]
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Hello.
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Hey, guys, are you behind me?
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[Aaron] Yeah,
we're behind you.
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We are heading to
the Los Angeles Police Museum.
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[Aaron] Ooh!
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[Zak] That building
contains the artifacts,
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the clothing, the guns,
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every single item
that you can think of
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that was connected
to some of the most notorious
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murders in Los Angeles
history.
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People there are terrified
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of a very dark
and evil presence
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that is terrifying every
single person
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that is working there.
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Usually, when you're
in trouble,
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and you're in fear
of your life,
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you call the Los Angeles
Police Department.
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But now, the Los Angeles
Police Department Museum
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is calling us
because they need help.
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It's gotta be
something strong.
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So, get ready.
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[Zak] There are things
in this world,
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-that we will never fully
understand.
-[man] Understand.
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[man speaking]
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[Zak] We have worked years
to build our credibility,
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our reputation.
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Working alongside
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the most renowned
professionals in the field.
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Capturing groundbreaking
proof of the paranormal.
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-It's working.
-[man] Whoa!
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I can't give you
an explanation.
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[Zak] This is our evidence,
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our Ghost Adventures.
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[Zak] I want you guys to
seriously be ready for this.
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You're going here,
this isn't just
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billy clubs and...
and police uniforms
and badge displays.
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Like, what you are
about to see in here,
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is going to take
your breath away.
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-How're you doing?
-Good.
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[Zak] Good, good.
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Wow! This is our first steps
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inside of the Los Angeles
Police Museum.
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I didn't know
the level of stuff
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that you guys have
on display here.
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Yeah, it's a lot.
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[Zak] This building is home
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to an incredible collection
of true crime artifacts.
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Pipe bombs, murder weapons,
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Charles Manson's
personal effects.
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The actual rifle used
by kidnap victim
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turned bank robber,
Patty Hearst.
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Although a museum today,
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this structure once served
a very different purpose.
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[Ryan] This was
a working police station
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from 1925 until about 1980,
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somewhere in the early '80s.
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-That long?
-[Ryan] Yeah.
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And so it was never
built initially
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to be a museum,
if you will, so,
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a lot happened
during those years.
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[Zak] Petty thieves,
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rapists,
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murderers.
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While in operation,
this precinct saw everythin
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from minor offenses
to the worst LA could offer
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Is there an area
in this museum
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where...
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I'm hearing some people
that are working here,
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that are affiliated
with the museum,
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that are telling us,
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and experiencing something
they are describing
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-as an evil presence?
-Yes.
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In the North Hollywood
Shootout Exhibit Gallery.
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Okay. Have you had those
similar types of experiences
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or encounters
also in that exhibit?
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I have.
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[man speaking]
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-[reporter] On February 28,
1997 at 9:17 a.m.,
-[gun firing]
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officers of the Los Angeles
Police Department
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became involved in
a fierce gun battle.
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[man speaking]
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[reporter] The suspects
came out through the bank's
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northwest door
and began firing.
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[man speaking]
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[Ryan] We're entering
the North Hollywood
Shootout Exhibit Gallery.
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[Zak] Oh, wow, this is it.
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[gunshots]
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LA police engaged the men
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in a very intense firefight
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Officers were finally able
to disable Emil Matasareanu
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by shooting his legs
from under their car.
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He begged
an approaching officer
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to shoot him in the head,
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but instead he bled out
in the street.
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The second burglar,
Larry Phillips,
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[officer] Down, down.
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[Zak] ...took his
own life after being
wounded by police.
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Holy cow!
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As soon as I step
foot in this room,
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I am overwhelmed
by an aggressive energy
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that feels like
it's circling around me.
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Those are
the actual everything
that they were wearing?
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[Ryan] Yeah, that's their
outfits that they were wearing
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on the day of the shooting.
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[Zak] Are these
the actual guns?
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-[Ryan] Yes.
-[Zak] Wow!
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You can see there's
a difference between
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what they had and what
LAPD was equipped with
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and there was
a huge difference.
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This is an important crime,
because it kind of told
the police department that--
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They have to be well equipped.
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Yeah, we need
to be better equipped
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and carry some...
some bigger--
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[Ryan] You know,
higher power guns.
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So, not only do they have
this exhibit,
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-but on the property,
they also have the car.
-[man speaking]
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[Ryan] Correct.
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[Zak] So, of course,
they're here.
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You have their car,
you have their guns,
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-you have their clothing.
-[Ryan] Right.
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And all the other
different artifacts
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are here in this room.
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[man speaking]
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[Zak]
When You watch the video,
you're in absolute terror.
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-And now to be standing
within inches of them.
-Yeah
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Just so you know, there's
times when I've left this room
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and I have walked out
and I've turned around
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and it's as if they're still
watching me.
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Their eyes almost watching me.
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And they... they hook you and,
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and it's pretty unsettling.
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-You've been in the room.
-Uh-huh.
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[Zak] Okay.
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Um, is there something in
that room that bothers you?
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Have you had?
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Yes, you can, definitely...
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I've been in there
for our own investigations
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and I've seen, like,
the shadows
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come out of the display case
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from the mannequins
and surround us.
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Whoa, whoa, whoa!
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You have seen dark shadows
come out of the mannequins
and...
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-and get behind you.
-Mmm-hmm. Yes.
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They... they let you know
that they're here,
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in my opinion.
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I've walked out of this room
being in here
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with a splitting headache,
and I never get headaches.
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It's just there's an energy
in this room that hits you.
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And it's... it's heavy
is all I can say.
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I am hot, but right now,
my legs are chilling up.
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-I got some--
-Right behind you, Zak,
right now.
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-[Zak] Right here.
-[Aaron] There's
something behind you.
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[Billy] It's literally
pounding...
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-[Aaron] On your head.
-[Billy] ...on your back
like this.
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-[Zak] Are you serious?
-Right now, yeah. Right now.
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[Zak] This is incredible.
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At the very same moment
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my legs begin
to feel ice cold,
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this aggressive figure
is captured appearing
to attack me.
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Remember,
Emil was the criminal
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who was shot in the legs.
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My legs are chilling up.
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Then, just moments after
we finished this interview,
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the museum security camera
captures this dark mass.
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Notice, this dark mass
is in the same spot
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as the figure that was just
appearing to attack me.
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Could this be the spirit
of Emil Matasareanu
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wanting me to feel his pain
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The shadows come out
of the display case
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from the mannequins
and surround us.
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-[Zak] So, Cynthia,
you work here.
-[Cynthia] Mm-hmm.
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-[Zak] We are not filming you
above the neck.
-[Cynthia] Right.
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[Zak] Um, you wish
to remain anonymous.
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Do you fear that
they're behind you
and they're gonna
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-push you off the stairs?
-[Cynthia] Yes.
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Because as soon as I close...
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I go down, and that's when...
If I close by myself,
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so this area,
it's a creepy area.
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[Zak] Do you fear
that someday,
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that you might get
pushed down these stairs?
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[Cynthia] Yes.
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My name is Lorrie,
Lorrie Grado,
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and I'm a volunteer
here at the museum.
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[Zak] Lorrie has also
encountered
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these aggressive spirits.
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The museum was closed.
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We had just closed.
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So, I'm looking at my monitor
and all of a sudden,
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out of this side,
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I saw a dark shadow walk by.
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And I asked Meesha,
I said, "Meesha,
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we're closed, right?
No one's here in museum?"
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She said,
"No, everyone's gone."
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I said, "I swear I just saw
a man walking by."
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[Zak] Right next
to the North Hollywood room
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sits an exhibit
with another tragic story.
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March 9th, 1963,
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officers Ian Campbell
and Karl Hettinger,
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stopped an automobile
containing robbery suspects
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Gregory Powell
and Jimmy Smith.
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Officer Campbell's gun
was taken,
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leading to an
agonizing situation.
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There's another exhibit here,
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and that's
the Onion Field Exhibit.
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Erica, I believe
this was 1963,
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it was a very tragic, uh,
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very sad story
about a couple...
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-Correct.
-...LAPD officers
that were kidnapped,
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they were abducted.
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Please tell us
what happened here, okay?
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-[Erica] Sure.
-And what you experience
inside here?
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00:10:44,154 --> 00:10:45,253
[Erica] So, as you said,
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the Onion Field
happened in the '60s,
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where two officers
were kidnapped
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and one of them subsequently
executed, execution style
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in an Onion Field, and so,
we have the murderer here,
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Gregory Powell,
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who was very intent
on killing somebody.
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And you can see here
in these statements
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that he was literally saying,
"If you release me
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into the public,
I will kill somebody."
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He was also a gun smuggler.
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We have some of his guns here.
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Some of the things that
we were actually
able to obtain.
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-[Zak] These are
actually his--
-[Erica] His guns.
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-So, the devil in flesh
over here,
-[Erica] Correct.
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00:11:18,555 --> 00:11:21,489
-that just wanted
to kill and he did kill.
-[Erica] Mmm-hmm.
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[Zak] This is how he wanted
to take human life.
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You have it in a case
here at the museum.
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This collage back here
is the actual evidence,
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the scene itself.
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And here in this,
this is our court,
the courtroom exhibit,
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that showed
the bullet trajectories
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and how, um, Ian Campbell
was murdered.
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00:11:41,911 --> 00:11:44,579
Do you actually have
the murder weapon here
on display?
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00:11:44,581 --> 00:11:46,314
Yes, it's actually
right over here.
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So, we have...
This is the case
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of the actual murder weapons
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and this is the jacket
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that the murder suspect
was wearing at the time.
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[Zak] Another room
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that the murderer's clothes
are on display.
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00:12:03,032 --> 00:12:05,366
When you come
into these rooms,
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00:12:05,368 --> 00:12:07,435
and you're looking
at the weapon
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that killed this officer,
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laying on top of the jacket
that the murderer wore,
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you get the visions
of the murderer
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00:12:15,178 --> 00:12:17,311
-standing right
next to you.
-[Erica] Oh, absolutely.
250
00:12:17,380 --> 00:12:22,083
[Zak] Looking at me
with the worst
expression ever.
251
00:12:22,085 --> 00:12:25,052
And you said that
all he ever wanted to do
was kill.
252
00:12:25,054 --> 00:12:29,323
-Mmm-hmm.
-So, if his spirit was here,
253
00:12:29,325 --> 00:12:31,392
where would it wanna be?
254
00:12:31,460 --> 00:12:33,161
With his guns 'cause
that's the only thing
255
00:12:33,163 --> 00:12:34,562
that he wanted,
to keep killing?
256
00:12:35,965 --> 00:12:37,131
But...
257
00:12:38,501 --> 00:12:40,501
It's just so heavy here.
258
00:12:40,503 --> 00:12:42,804
You really do,
you really do feel it.
259
00:12:42,806 --> 00:12:45,139
[Erica] Truly. Mmm-hmm.
Absolutely.
260
00:13:02,258 --> 00:13:05,126
[Zak] So here at
the Los Angeles Police Museum,
261
00:13:05,194 --> 00:13:08,062
where we're hearing about
so many different hauntings,
262
00:13:08,865 --> 00:13:11,666
uh, this building
has a lot of history.
263
00:13:11,668 --> 00:13:15,536
It was a police station
all the way from the 1920s.
264
00:13:16,072 --> 00:13:17,371
Right here,
265
00:13:18,174 --> 00:13:19,540
in this jail cell,
266
00:13:20,476 --> 00:13:22,977
is where a guy named
Manny Pazo,
267
00:13:22,979 --> 00:13:26,547
he took his belt
and he hung himself
268
00:13:26,549 --> 00:13:28,349
in this jail cell.
269
00:13:28,351 --> 00:13:32,086
Because he did not wanna face
the punishment for his crime.
270
00:13:34,591 --> 00:13:37,191
In 1953, Manny, was arreste
271
00:13:37,193 --> 00:13:39,560
for molesting
a 15-year-old girl.
272
00:13:41,397 --> 00:13:45,132
What you are looking
at right now is Manny Pazo.
273
00:13:48,004 --> 00:13:49,370
-[indistinct yelling]
-[alarm blaring]
274
00:13:54,310 --> 00:13:56,644
Right here...
275
00:13:56,646 --> 00:14:01,449
where my hand is touching
the same exact cement spot.
276
00:14:05,421 --> 00:14:06,687
So, Cynthia,
277
00:14:06,756 --> 00:14:10,224
did you have some kind
of experience back here?
278
00:14:10,226 --> 00:14:14,996
I normally greet the visitors,
book the families for tours
and so on.
279
00:14:15,031 --> 00:14:17,431
So, one of the occasion was
when...
280
00:14:17,433 --> 00:14:20,167
it was a Hispanic family.
281
00:14:20,169 --> 00:14:21,702
When they were
coming into the jail cell,
282
00:14:21,804 --> 00:14:25,039
the little boy just started
getting really upset.
283
00:14:25,107 --> 00:14:26,240
He was panicking.
284
00:14:26,309 --> 00:14:28,042
Once he got in here,
in this area?
285
00:14:28,044 --> 00:14:30,278
[Cynthia] I kind of
instantly knew
that something...
286
00:14:30,346 --> 00:14:32,213
That something wasn't right
287
00:14:32,248 --> 00:14:35,383
-And he just wouldn't come in.
-Wow.
288
00:14:35,385 --> 00:14:38,386
[Cynthia] As soon
as that little boy
passed the elevator,
289
00:14:38,454 --> 00:14:41,022
he's just quiet.
He gets... he just got quiet.
290
00:14:41,057 --> 00:14:42,890
So, you knew
by witnessing this
291
00:14:42,926 --> 00:14:46,260
that... that something
was different about this?
292
00:14:46,329 --> 00:14:49,196
Yes, something was...
'Cause I'm sitting there
by myself,
293
00:14:49,198 --> 00:14:51,332
and I was, I know something,
294
00:14:51,334 --> 00:14:53,701
he has seen something,
but I couldn't explain it.
295
00:14:55,238 --> 00:14:57,305
[Zak] And that's not even
the tip of it.
296
00:14:57,307 --> 00:14:59,407
Because they have items,
and it's not,
297
00:14:59,475 --> 00:15:01,275
I wanna get this clear.
298
00:15:01,310 --> 00:15:04,779
These items are not
for the public eye.
299
00:15:04,781 --> 00:15:07,448
They are not on display.
300
00:15:07,450 --> 00:15:09,150
But they have items from
301
00:15:09,152 --> 00:15:11,385
Robert F. Kennedy's
assassination here.
302
00:15:12,255 --> 00:15:14,121
They have the murder weapon
303
00:15:14,157 --> 00:15:17,124
from the Manson family
murders.
304
00:15:17,126 --> 00:15:22,129
They also have items from
Marilyn Monroe's death scene
305
00:15:23,166 --> 00:15:25,132
Did you see anything
right there, Jay?
306
00:15:26,169 --> 00:15:28,169
Did you see anything
right there at all?
307
00:15:28,237 --> 00:15:31,138
-'Cause I felt like I just
got stung by a... a spider.
-[Jay] Yeah.
308
00:15:31,140 --> 00:15:33,007
Honestly, it looks like
you have like a little red--
309
00:15:33,009 --> 00:15:34,875
-[Zak] Where?
-[Jay] Right on your neck.
310
00:15:34,877 --> 00:15:36,510
-[Zak] Are you serious?
-[Jay] Yeah.
311
00:15:36,579 --> 00:15:38,379
It's weird you're feeling
stuff on your neck
312
00:15:38,381 --> 00:15:40,114
in front of the guy
that hung himself.
313
00:15:42,485 --> 00:15:44,986
[Zak] As I stand in front
of Manny Pazo's cell
314
00:15:44,988 --> 00:15:46,988
telling his story,
315
00:15:47,056 --> 00:15:48,789
I feel a sharp pain
on my neck.
316
00:15:50,426 --> 00:15:52,593
This cannot be a coincidence
317
00:15:54,464 --> 00:15:57,965
First, I feel my legs go col
with a figure appearing
318
00:15:57,967 --> 00:16:00,134
to attack me in
the North Hollywood Exhibit
319
00:16:01,070 --> 00:16:03,070
My legs are chilling up.
320
00:16:03,072 --> 00:16:04,471
[Aaron] There's
something behind you.
321
00:16:04,473 --> 00:16:06,374
-[Billy] It's literally
pounding...
-[Aaron] On your head.
322
00:16:06,376 --> 00:16:07,541
[Billy] ...on your back.
323
00:16:07,543 --> 00:16:10,211
[Zak] Then, I feel a sharp
sensation on my neck.
324
00:16:11,914 --> 00:16:16,017
It is becoming clear
these spirits are aggressive
325
00:16:16,019 --> 00:16:18,319
Is Manny angry
on telling the story
326
00:16:18,321 --> 00:16:20,021
of how he took his own life
327
00:16:21,190 --> 00:16:25,292
But this was not the only
suicide in this precinct.
328
00:16:25,294 --> 00:16:30,598
Have you had experiences
in that old shooting range?
329
00:16:30,600 --> 00:16:32,867
[Erica] I definitely feel
a sadness there.
330
00:16:32,869 --> 00:16:35,336
A deep, deep sadness,
and part of my energy
331
00:16:35,338 --> 00:16:37,438
may tell me that it might
be a female, so...
332
00:16:37,440 --> 00:16:38,706
-A female?
-Yes.
333
00:16:38,775 --> 00:16:42,410
Okay. We found,
in a newspaper article,
334
00:16:42,412 --> 00:16:46,247
dated February 15th 1934,
that described
335
00:16:46,249 --> 00:16:48,616
how Highland Park
Police Station,
336
00:16:48,618 --> 00:16:51,986
-there was
a telephone operator...
-[line ringing]
337
00:16:53,122 --> 00:16:54,989
Mrs. Margaret McClure.
338
00:16:54,991 --> 00:16:56,424
She came down here,
339
00:16:56,426 --> 00:16:59,026
took a .45 caliber
police revolver
340
00:16:59,028 --> 00:17:01,395
out of the locker room,
in the station,
341
00:17:02,131 --> 00:17:03,998
and took her own life.
342
00:17:04,000 --> 00:17:06,067
And shot herself,
uh, in the head.
343
00:17:07,103 --> 00:17:08,502
Wow!
344
00:17:08,504 --> 00:17:10,204
So, I didn't know
if you guys knew that.
345
00:17:10,206 --> 00:17:12,273
No, we didn't. Not at all.
346
00:17:12,275 --> 00:17:14,375
That explains a lot.
347
00:17:14,377 --> 00:17:16,477
Like I said, the energy
in that corner over there,
348
00:17:16,479 --> 00:17:18,212
is just pure sadness.
349
00:17:19,315 --> 00:17:22,316
[Zak] Meesha leads us
to the former shooting rang
350
00:17:22,318 --> 00:17:23,451
where police officers
351
00:17:23,486 --> 00:17:26,087
were able to train
with new weapons.
352
00:17:27,256 --> 00:17:31,759
This space is now utilized a
a vault for storing evidence
353
00:17:32,662 --> 00:17:34,462
[Meesha] There's a lot of
history here.
354
00:17:35,398 --> 00:17:37,898
When you get
to a certain point,
355
00:17:37,900 --> 00:17:41,202
it just feels like a heavy
blanket over you.
356
00:17:43,406 --> 00:17:44,572
This is when I'm like,
357
00:17:44,640 --> 00:17:46,540
"I don't, like, wanna
go any further."
358
00:17:46,576 --> 00:17:47,708
It's, like, here.
359
00:17:47,777 --> 00:17:49,210
[Zak] Do you feel threatened?
360
00:17:49,212 --> 00:17:51,545
[Meesha] Yeah, right here
it feels really bad.
361
00:17:53,316 --> 00:17:54,448
[Zak] Who's down here?
362
00:17:56,319 --> 00:17:59,453
If you're angry, move one
of these boxes off the shelf.
363
00:18:00,923 --> 00:18:02,857
[Meesha] It's getting
really warm.
364
00:18:02,859 --> 00:18:04,325
[Zak] The temperature's
changing?
365
00:18:04,393 --> 00:18:06,293
[Meesha] Yeah,
like a lot warmer.
366
00:18:07,897 --> 00:18:11,799
[Zak] Margaret McClure's
suicide is heartbreaking.
367
00:18:11,801 --> 00:18:15,402
But, what we are about
to discover is truly
devastating.
368
00:18:16,806 --> 00:18:21,208
Right now, I am going
to be taken to a room
369
00:18:21,277 --> 00:18:24,945
that could be really
contributing to much more
370
00:18:25,014 --> 00:18:28,082
of the hauntings
than we were told.
371
00:18:28,084 --> 00:18:31,785
Um, this room is not open
to the public.
372
00:18:31,787 --> 00:18:34,455
But what we are about
to go see
373
00:18:35,424 --> 00:18:37,758
is about 60 boxes
374
00:18:38,928 --> 00:18:40,895
of Charles Manson artifacts
375
00:18:40,897 --> 00:18:42,396
from the Helter Skelter
murders,
376
00:18:42,498 --> 00:18:45,399
including the entire scene,
377
00:18:45,434 --> 00:18:49,703
uh, with Sharon Tate,
Jay Sebring
and all of her friends.
378
00:18:51,307 --> 00:18:53,140
I just wanna go
see these items,
379
00:18:53,142 --> 00:18:56,043
I would like to feel
the energy in the room,
380
00:18:56,045 --> 00:18:59,480
and I think that's a really
crucial part of
this investigation.
381
00:19:00,516 --> 00:19:02,716
So, right now, we have
to drop the cameras,
382
00:19:02,785 --> 00:19:04,218
you can aim it to the floor.
383
00:19:06,122 --> 00:19:08,055
We are having exclusive
access right now,
384
00:19:08,057 --> 00:19:09,790
and I am absolutely blown away
385
00:19:10,593 --> 00:19:11,692
about having this.
386
00:19:12,762 --> 00:19:13,761
Are these them all?
387
00:19:14,797 --> 00:19:16,630
[Erica] All right here,
and all back here.
388
00:19:20,603 --> 00:19:22,336
[Zak] There's just
so many boxes.
389
00:19:24,307 --> 00:19:26,340
[Erica] Okay,
Tate and LaBianca.
390
00:19:26,408 --> 00:19:28,809
[reporter] The scene
was described by
one investigator
391
00:19:28,811 --> 00:19:31,011
as reminiscent
of a weird religious right.
392
00:19:31,013 --> 00:19:33,347
Five persons, including
actress Sharon Tate,
393
00:19:33,349 --> 00:19:35,482
were found dead
at the home of Miss Tate
394
00:19:35,551 --> 00:19:38,752
and her husband,
screen director
Roman Polanski.
395
00:19:38,754 --> 00:19:41,322
[Zak] Oh, my God.
Are you kidding me?
396
00:19:45,294 --> 00:19:49,597
Is this even real right now?
What is this? Oh, my God.
397
00:19:55,338 --> 00:19:56,637
[reporter] Miss Tate,
who starred
398
00:19:56,639 --> 00:19:59,073
in Valley of the Dolls,
was eight months pregnant.
399
00:19:59,075 --> 00:20:01,909
And was found in a bikini ty
nightgown with a rope
400
00:20:01,911 --> 00:20:05,412
around her neck attached
to the corpse of Jay Sebring
401
00:20:06,549 --> 00:20:09,583
[Zak] I just read the tag
and this is the rope that
402
00:20:09,585 --> 00:20:12,219
-they cut from Sharon Tate.
-[Erica] Correct.
403
00:20:13,322 --> 00:20:14,722
Is your heart racing
like mine?
404
00:20:15,424 --> 00:20:16,991
[Zak] Yeah. I am...
405
00:20:17,493 --> 00:20:19,426
[Zak sighs]
406
00:20:19,428 --> 00:20:21,495
Erica, I cannot
believe what...
407
00:20:21,497 --> 00:20:24,064
what is in my hands right now.
408
00:20:24,133 --> 00:20:26,166
[Erica] I know, it's pretty--
409
00:20:26,202 --> 00:20:29,303
[Zak] I cannot believe
that I am holding this.
410
00:20:32,408 --> 00:20:35,643
It's just sad, like,
holy [bleep] man, that is...
411
00:20:36,045 --> 00:20:37,311
that is so sad.
412
00:20:38,414 --> 00:20:40,447
Just feeling that, you know.
413
00:20:40,483 --> 00:20:43,550
I'm just like frozen,
you know, like,
414
00:20:43,552 --> 00:20:46,954
I can't describe to you
the heaviness on my chest.
415
00:20:46,956 --> 00:20:49,423
There have been
some reports, you know,
416
00:20:49,425 --> 00:20:53,327
that Sharon Tate was here.
417
00:20:53,329 --> 00:20:56,230
-[Zak] Her spirit? Here?
-[Erica] Her spirit,
absolutely. Hmm.
418
00:20:57,967 --> 00:20:59,700
[Zak] As a paranormal
investigator,
419
00:20:59,802 --> 00:21:02,803
at times, I find myself
forced to examine
420
00:21:02,805 --> 00:21:04,538
very sensitive objects.
421
00:21:04,540 --> 00:21:07,408
The staff here felt
it was important for me to s
422
00:21:07,443 --> 00:21:10,277
these items in order
to truly evaluate
423
00:21:10,346 --> 00:21:12,579
the source of
the hauntings here.
424
00:21:12,581 --> 00:21:16,083
This is one of the most
intense experiences
of my life.
425
00:21:17,553 --> 00:21:19,119
Oh, let me go outside
for one second.
426
00:21:19,121 --> 00:21:20,788
Here. Don't, don't.
427
00:21:33,369 --> 00:21:35,502
[Zak] It is now time
to lock down inside
428
00:21:35,571 --> 00:21:37,805
of the Los Angeles
Police Museum.
429
00:21:37,807 --> 00:21:40,174
A building riddled
with countless items
430
00:21:40,176 --> 00:21:43,444
directly connected
to executions, shootouts,
431
00:21:43,479 --> 00:21:46,447
notorious cult murders
and other physical evidence
432
00:21:46,449 --> 00:21:49,216
charged with extremely
dark energy.
433
00:21:49,218 --> 00:21:52,019
Okay, so we're gonna
use the XLS camera.
434
00:21:52,021 --> 00:21:55,155
I'm gonna lead out
with the thermal gun.
435
00:21:55,157 --> 00:21:57,191
-That's pretty fitting, right?
-[Jay chuckling] Yeah.
436
00:21:57,193 --> 00:21:59,226
I got the thermal gun.
437
00:21:59,228 --> 00:22:01,295
We're gonna go try
to capture some criminals,
438
00:22:01,297 --> 00:22:02,329
the spirits of them,
439
00:22:02,431 --> 00:22:05,065
because the spirits
of criminals are exactly
440
00:22:05,067 --> 00:22:06,266
what the people that work here
441
00:22:06,268 --> 00:22:09,036
are seeing and are
absolutely terrified of.
442
00:22:09,038 --> 00:22:10,938
We decide to start
our investigation
443
00:22:11,006 --> 00:22:13,107
by making our way
to the second floor,
444
00:22:13,109 --> 00:22:16,410
where the North Hollywood
Shootout exhibit is located
445
00:22:16,478 --> 00:22:19,580
I will start by provoking
the spirits of the shooters
446
00:22:19,582 --> 00:22:21,882
that this woman,
who we met earlier,
447
00:22:21,884 --> 00:22:23,717
claims to feel the spirits
448
00:22:23,753 --> 00:22:25,953
trying to push her down
these stairs.
449
00:22:25,955 --> 00:22:29,890
[Cynthia] This is where I feel
that I'm gonna be pushed.
450
00:22:29,892 --> 00:22:33,727
[Zak] We heard a lady tell us
that she could feel
you behind her,
451
00:22:33,763 --> 00:22:35,796
that you want to push her
down these stairs.
452
00:22:37,967 --> 00:22:39,199
Do you wanna push me?
453
00:22:54,183 --> 00:22:55,616
Is somebody up here?
454
00:22:59,054 --> 00:23:01,188
So, we got money for you.
455
00:23:02,258 --> 00:23:05,092
Right over here is
the North Hollywood exhibit.
456
00:23:05,127 --> 00:23:06,794
This is where the two robbers
457
00:23:06,796 --> 00:23:10,798
that were trying to shoot
and kill the police officers,
458
00:23:10,800 --> 00:23:12,065
this is where they are.
459
00:23:12,134 --> 00:23:14,168
This is where their
clothing is, their guns,
460
00:23:14,203 --> 00:23:15,769
their bags, everything.
461
00:23:15,771 --> 00:23:17,671
One of them ended
up taking his own life.
462
00:23:17,673 --> 00:23:19,139
Didn't want to be arrested.
463
00:23:19,141 --> 00:23:22,042
The other one succumbed
to his injuries.
464
00:23:22,044 --> 00:23:24,311
And this is where everybody
fears to go,
465
00:23:24,313 --> 00:23:27,614
and say that the shadows
of the mannequins
literally come out.
466
00:23:31,053 --> 00:23:33,287
[Jay] So far nothing
on XLS here, guys.
467
00:23:45,034 --> 00:23:46,133
[Zak] Are you guys here?
468
00:23:48,103 --> 00:23:49,803
What you did was wrong.
469
00:23:49,805 --> 00:23:52,072
People here are saying
that you're still here,
470
00:23:52,074 --> 00:23:55,075
your spirits are here tied
to your clothes and your guns.
471
00:23:55,478 --> 00:23:57,144
Let us see that.
472
00:23:59,315 --> 00:24:02,216
Come out of that glass.
You did it yesterday.
473
00:24:03,385 --> 00:24:05,018
You guys still here?
474
00:24:06,088 --> 00:24:09,056
Here's your chance to be
seen on TV again.
475
00:24:09,058 --> 00:24:11,758
You did a horrific thing
to get on TV.
476
00:24:13,429 --> 00:24:14,995
[Jay] Lot of people
were injured.
477
00:24:14,997 --> 00:24:16,430
[Zak] Lot of people saw it.
478
00:24:16,432 --> 00:24:18,799
Here's your chance to say
sorry or anything.
479
00:24:20,002 --> 00:24:21,702
-You in there?
-[knocks]
480
00:24:24,573 --> 00:24:26,540
Let's go.
Come out of your clothes.
481
00:24:26,542 --> 00:24:27,808
Come in here.
482
00:24:31,981 --> 00:24:33,914
[all] What was that?
483
00:24:33,916 --> 00:24:34,982
[Aaron] What was that?
484
00:24:34,984 --> 00:24:36,183
[Aaron speaking]
485
00:24:36,185 --> 00:24:39,152
[Zak] We have no idea
what causes this noise,
486
00:24:39,154 --> 00:24:42,389
but we do capture
the audio, on this X camera
487
00:24:48,197 --> 00:24:49,596
-What was that?
-[Jay] What was that, dude?
488
00:24:49,598 --> 00:24:52,065
-[indistinct chatter]
-[Aaron] That was up here.
489
00:24:52,067 --> 00:24:53,433
[Jay] I saw someone
move up here.
490
00:24:53,502 --> 00:24:54,701
[man 1] Door handle
or something.
491
00:24:54,803 --> 00:24:56,370
[man 2] Yeah, I heard
something move.
492
00:25:04,580 --> 00:25:06,046
[Jay] Who's up here?
493
00:25:07,750 --> 00:25:09,950
Nothing on the floor
or any doors open.
494
00:25:09,952 --> 00:25:11,118
-[Zak] Nothing?
-Nothing.
495
00:25:15,991 --> 00:25:18,559
[Zak] Do you have anything
to say for the crime you did?
496
00:25:20,396 --> 00:25:22,696
For all the people
you injured?
497
00:25:24,133 --> 00:25:26,433
Some say that
your spirits are here.
498
00:25:26,468 --> 00:25:28,335
Is that true?
499
00:25:28,337 --> 00:25:30,437
Knock on this glass,
if you're in there.
500
00:25:31,507 --> 00:25:32,773
Move.
501
00:25:35,044 --> 00:25:37,778
[Zak] As I begin to review
the recording session,
502
00:25:37,780 --> 00:25:39,246
everything seems calm
503
00:25:39,248 --> 00:25:41,014
until this happens.
504
00:25:41,016 --> 00:25:44,117
[Zak on recording] Do you ha
anything to say for
the crime you did?
505
00:25:45,120 --> 00:25:46,453
You guys got caught.
506
00:25:48,057 --> 00:25:50,457
Some say that
your spirits are here.
507
00:25:51,393 --> 00:25:53,393
Whoa! [bleep].
508
00:25:53,395 --> 00:25:54,962
-Dude. Oh, my God.
-[Jay] What's happening?
509
00:25:54,964 --> 00:25:56,063
[Zak] Somebody
touched my neck.
510
00:25:56,065 --> 00:25:57,631
-[Jay] No.
-[Billy] Are you serious?
511
00:25:57,633 --> 00:26:01,435
[Zak] Somebody just
touched my neck, like,
two fingers on my neck.
512
00:26:04,006 --> 00:26:05,572
-Dude. Oh my God.
-[Jay] What's happening?
513
00:26:05,574 --> 00:26:06,673
[Zak] Somebody
touched my neck.
514
00:26:06,675 --> 00:26:08,241
-[Jay] No.
-[Billy] Are you serious?
515
00:26:08,243 --> 00:26:11,178
[Zak] Somebody just
touched my neck, like,
two fingers on my neck.
516
00:26:12,448 --> 00:26:16,283
I felt like this [bleep]
sensation of flesh.
517
00:26:16,285 --> 00:26:19,419
Like two, like, you took
your two fingers on my neck.
518
00:26:19,922 --> 00:26:21,455
I swear to God.
519
00:26:21,457 --> 00:26:23,357
Not a bug, not anything else.
520
00:26:23,359 --> 00:26:26,660
Like, two flesh fingers
literally going by
521
00:26:26,662 --> 00:26:27,828
on my neck like this.
522
00:26:27,830 --> 00:26:28,862
Oh, my God!
523
00:26:28,864 --> 00:26:31,064
There was not a bug
or anything like that.
524
00:26:31,133 --> 00:26:32,866
-You didn't see a moth,
did you?
-[Jay] Oh, no.
525
00:26:32,868 --> 00:26:34,701
-Did you see a moth?
-[Jay] No. Not at all.
526
00:26:34,770 --> 00:26:36,336
[Jay] I was on you.
There was no moth.
527
00:26:36,338 --> 00:26:38,338
[Zak] You guys, I...
I swear to God.
528
00:26:38,340 --> 00:26:40,574
[Jay] Look, Zak,
there is a step
right before, like,
529
00:26:40,609 --> 00:26:42,309
someone stepped up behind you.
530
00:26:43,212 --> 00:26:44,343
You wanna touch Zak?
531
00:26:44,413 --> 00:26:46,380
Why don't you sit down
next to him? Show yourself.
532
00:26:46,382 --> 00:26:48,115
-[Zak] Come on, you guys.
-[Jay] Go ahead.
533
00:26:50,085 --> 00:26:52,352
This is your big shot
to be on TV again.
534
00:26:53,122 --> 00:26:54,554
[Zak] During all of this tim
535
00:26:54,556 --> 00:26:57,124
we still aren't
capturing any figures,
536
00:26:57,159 --> 00:26:58,692
so I head back into the room
537
00:26:59,595 --> 00:27:01,395
He keeps doing it, you guys.
538
00:27:01,397 --> 00:27:02,929
[Jay] He's doing it again.
Ringing or--
539
00:27:02,931 --> 00:27:05,432
[Zak] Feels like there's
a live microphone
and you tap it.
540
00:27:05,500 --> 00:27:08,935
-[Jay] Yeah.
-That's what it feels like
in my right ear.
541
00:27:08,937 --> 00:27:11,638
[Aaron] We saw what you did
yesterday to him
with our devices.
542
00:27:12,441 --> 00:27:13,640
This is your chance.
543
00:27:14,510 --> 00:27:16,476
-It was over here.
-[Aaron] Yeah.
544
00:27:17,179 --> 00:27:19,112
-[Zak] It's cold.
-[Aaron] Hold on.
545
00:27:19,114 --> 00:27:20,514
So one of the mannequins,
546
00:27:20,516 --> 00:27:22,349
they haven't mapped
in this entire time,
547
00:27:22,351 --> 00:27:23,583
and now it's mapped in.
548
00:27:23,585 --> 00:27:26,219
I realize
it's the mannequin,
go and talk to him.
549
00:27:26,221 --> 00:27:28,288
[Zak] Oh, it just got
really cold right here.
550
00:27:28,356 --> 00:27:31,324
[Jay] Jump out of your bod--
Your mannequin.
551
00:27:31,326 --> 00:27:33,427
-[Billy] Look,
he's waving, Jay.
-[Jay] Get Zak, right now.
552
00:27:33,429 --> 00:27:35,228
[Billy] Jay, he is holding up
his hand.
553
00:27:37,332 --> 00:27:38,565
[Billy] That's so weird.
554
00:27:38,633 --> 00:27:39,966
Oh, he's holding on to glass,
555
00:27:39,968 --> 00:27:41,267
is he trying to escape?
556
00:27:41,269 --> 00:27:43,370
[Jay] Looks like
he's hitting the glass.
Look at that.
557
00:27:43,438 --> 00:27:45,205
[Billy] He just hit the glass.
558
00:27:46,075 --> 00:27:48,175
[Zak] Go ahead.
Leave your body.
559
00:27:48,177 --> 00:27:50,777
I command you
to leave your body.
560
00:27:50,779 --> 00:27:53,246
Get over here
and get next to me.
561
00:27:53,248 --> 00:27:55,949
[Billy] Oh! [bleep].
Now they're both mapped.
562
00:27:55,951 --> 00:27:57,884
[Jay] Keep talking to them
Zak, I think that you're...
563
00:27:57,886 --> 00:27:59,619
[Zak] Go ahead.
Leave your bodies.
564
00:28:00,989 --> 00:28:02,322
[Aaron] One is trying
to climb up the glass.
565
00:28:02,390 --> 00:28:05,325
[Billy] Yeah, he's breaking
the mannequin pose,
566
00:28:05,360 --> 00:28:07,761
and his hand is pounding
against the glass.
567
00:28:07,763 --> 00:28:10,464
-[Aaron] The other one just
reached out towards you, Zak.
-[Jay] Yeah.
568
00:28:10,466 --> 00:28:11,765
[Zak] Grab my hand.
569
00:28:13,268 --> 00:28:14,267
-You wanna shoot me?
-[Billy] Whoa!
570
00:28:14,303 --> 00:28:15,869
Both of his hands,
look at him.
571
00:28:15,871 --> 00:28:18,238
-[Jay] What the [bleep]?
-[Billy] Dude,
that is so bizarre.
572
00:28:18,240 --> 00:28:20,707
[Aaron] It's like
they can't get out of
the glass, they're trying to.
573
00:28:21,577 --> 00:28:22,509
[knocks]
574
00:28:23,946 --> 00:28:26,446
[all] Oh! [bleep].
575
00:28:26,448 --> 00:28:27,514
[Jay] Clear through
the glass--
576
00:28:27,516 --> 00:28:29,716
[Aaron] Oh, he's stepping out!
577
00:28:29,785 --> 00:28:31,418
[Billy] Get out of here.
[Jay] Did you see that?
578
00:28:31,486 --> 00:28:33,186
-Oh, my God!
-[Billy] He's getting out--
579
00:28:33,188 --> 00:28:34,554
[Jay] Oh, he's gone.
580
00:28:34,556 --> 00:28:36,156
[Billy] Shoot the screen!
581
00:28:36,158 --> 00:28:37,624
[Zak] After I tell the spiri
582
00:28:37,659 --> 00:28:39,860
to leave their
mannequin bodies...
583
00:28:39,862 --> 00:28:41,328
Go ahead, leave your bodies.
584
00:28:41,330 --> 00:28:43,296
It appears as though they do
585
00:28:43,298 --> 00:28:47,167
As I put my hands
on the glass,
so do the figures.
586
00:28:47,169 --> 00:28:50,203
Did we just capture evidenc
of what an employee told us
587
00:28:50,238 --> 00:28:51,938
she witness with her own eye
588
00:28:51,940 --> 00:28:54,407
The shadows come out
of the display case
589
00:28:54,409 --> 00:28:56,710
from the mannequins
and surround us.
590
00:28:56,779 --> 00:28:58,378
-[Zak] Oh.
-[Billy] I'm chilly [bleep].
591
00:28:58,380 --> 00:29:00,013
It's so cold? Feel that?
592
00:29:00,081 --> 00:29:02,315
Guys, do you feel
how cold it is right now?
593
00:29:02,317 --> 00:29:04,017
-[Zak] Yes. Yes.
-[Aaron] Oh. [bleep].
594
00:29:04,019 --> 00:29:06,052
-They are out of the glass.
-They are out of the glass.
595
00:29:06,088 --> 00:29:07,821
[bleep]
596
00:29:07,823 --> 00:29:09,556
[Aaron] Guys,
I don't feel right.
597
00:29:09,624 --> 00:29:12,425
They were literally
penetrating the glass
and now [bleep].
598
00:29:12,427 --> 00:29:14,194
Hey, nobody is mapped.
599
00:29:14,229 --> 00:29:16,363
[overlapping conversation]
600
00:29:16,365 --> 00:29:18,598
[Aaron] Freezing cold
right now.
601
00:29:18,634 --> 00:29:20,000
[Billy] Hey, Jay.
602
00:29:20,869 --> 00:29:22,702
[indistinct chatter]
603
00:29:23,806 --> 00:29:26,039
There it is, right there.
Oh [bleep].
604
00:29:26,107 --> 00:29:28,108
Dude, it's so cold
605
00:29:28,110 --> 00:29:29,442
and the feeling is so intense.
606
00:29:29,444 --> 00:29:31,044
[overlapping conversation]
607
00:29:32,247 --> 00:29:33,480
[Aaron] Seriously, it's on me.
608
00:29:33,482 --> 00:29:35,282
-[Jay] Keep going.
-You're filming me?
609
00:29:35,284 --> 00:29:36,449
[Jay] Yes.
610
00:29:37,352 --> 00:29:39,352
[Zak] Aaron now
uses the polterpod
611
00:29:39,354 --> 00:29:42,155
to see if the figures
we just captured will speak
612
00:29:42,157 --> 00:29:44,991
And as he places
the device on the glass
613
00:29:45,060 --> 00:29:48,094
for several minutes,
no voices come through.
614
00:29:48,096 --> 00:29:50,096
He then gets
extremely affected.
615
00:29:50,098 --> 00:29:51,364
[static]
616
00:29:52,601 --> 00:29:53,967
Oh, God!
617
00:29:53,969 --> 00:29:55,268
Oh!
618
00:29:55,904 --> 00:29:57,070
[Billy] What happened?
619
00:29:57,472 --> 00:29:59,406
[Aaron] I zoned out.
620
00:29:59,474 --> 00:30:02,275
I was just looking
into their eyes, I zoned out,
621
00:30:02,277 --> 00:30:04,477
I mean, I felt what
you felt in the ears, Zak,
622
00:30:04,479 --> 00:30:05,912
boo, boo, boo, boo, boom.
623
00:30:05,914 --> 00:30:07,314
[Zak] You felt that?
624
00:30:07,316 --> 00:30:08,782
[Aaron] It has tripped me up
pretty good.
625
00:30:09,384 --> 00:30:11,151
[sighs]
626
00:30:11,219 --> 00:30:12,686
[Zak] Why did you
get so emotional, though?
627
00:30:12,688 --> 00:30:16,122
I don't know. I was just
staring at the mannequins
through the camera,
628
00:30:16,124 --> 00:30:17,791
and I feel like...
629
00:30:17,793 --> 00:30:19,726
I feel like
it's somehow, someway,
630
00:30:19,761 --> 00:30:23,230
there was a connection, like,
you say with the Swiss cheese,
the holes line up.
631
00:30:23,232 --> 00:30:25,699
And all of a sudden,
I am just staring in their
soul or something.
632
00:30:25,767 --> 00:30:27,367
It was so weird,
I just zoned out,
633
00:30:27,369 --> 00:30:29,035
then I was, like,
get out of this spot.
634
00:30:29,037 --> 00:30:31,338
As soon as I was about
to pull out of it,
635
00:30:31,340 --> 00:30:32,606
that's when
the ear thing happened,
636
00:30:32,641 --> 00:30:34,274
and just start, uh...
I'm fine now,
637
00:30:34,276 --> 00:30:36,610
but there was a moment there,
I thought I was gonna
break down.
638
00:30:37,579 --> 00:30:40,780
It felt kinda like a...
their panic situation,
639
00:30:40,782 --> 00:30:42,148
like they did something bad,
640
00:30:42,150 --> 00:30:44,451
and, you know,
the whole moment of,
like, oh, [bleep].
641
00:30:44,953 --> 00:30:46,152
I feel that.
642
00:30:46,188 --> 00:30:48,221
I think that's where
the emotion came from.
643
00:30:49,424 --> 00:30:51,291
[Zak] If you are here,
644
00:30:53,095 --> 00:30:55,362
I want you to make
a noise right now.
645
00:31:00,502 --> 00:31:03,103
Do something to let us
know you are here.
646
00:31:07,276 --> 00:31:10,176
If you have enough to do
that [bleep] to me and Zak,
647
00:31:10,178 --> 00:31:12,312
you got enough to make a noise
648
00:31:12,314 --> 00:31:15,382
loud enough
in this room [bleep].
649
00:31:18,620 --> 00:31:19,986
[bleep]
650
00:31:21,189 --> 00:31:22,255
Dude, I think it's this vest.
651
00:31:22,257 --> 00:31:24,124
I think, they think
I am a cop.
652
00:31:24,126 --> 00:31:27,360
[Zak] Oh, may be, may be.
That's a tactical vest--
653
00:31:27,362 --> 00:31:29,930
[Aaron] Dude, they must think
I'm a cop or something.
654
00:31:29,932 --> 00:31:33,433
-[Zak] You have
a tactical vest on.
-I have a tactical vest on.
655
00:31:33,435 --> 00:31:37,003
-Oh, my God.
-[Zak] You are a cop,
you're the enemy.
656
00:31:39,241 --> 00:31:40,640
[Billy] Who did I just see?
657
00:31:43,779 --> 00:31:45,111
What was that?
658
00:31:46,148 --> 00:31:48,548
[indistinct conversation]
659
00:31:48,550 --> 00:31:50,517
[Zak] Downstairs,
near the jail cell,
660
00:31:50,585 --> 00:31:53,019
where Manny,
the molester, hanged himself
661
00:31:53,021 --> 00:31:55,555
we capture this
very loud bang.
662
00:32:11,840 --> 00:32:13,473
Come down, Aaron, you and Jay.
663
00:32:13,475 --> 00:32:17,310
[Zak] Aaron and Jay,
immediately head down there
to investigate.
664
00:32:18,413 --> 00:32:21,047
Okay. We were just upstairs
on the second floor,
665
00:32:21,049 --> 00:32:22,515
we just heard, it sounded like
666
00:32:22,551 --> 00:32:25,585
the door cages just going
goom, goom, goom.
667
00:32:25,587 --> 00:32:27,988
We felt it and could
hear it from up there.
668
00:32:35,364 --> 00:32:36,529
[Billy] Who would you
like to see?
669
00:32:37,132 --> 00:32:38,198
Go ahead.
670
00:32:43,205 --> 00:32:45,972
[Billy] Whoa, whoa, whoa.
Whoa! What the [bleep]!
671
00:32:45,974 --> 00:32:49,075
Zak, something grabbed
onto my pants like this,
672
00:32:49,077 --> 00:32:52,312
and was, and was jerking
my pants about that hard.
673
00:32:52,347 --> 00:32:54,514
[Zak] As I turned
the polterpod back on,
674
00:32:54,516 --> 00:32:57,283
we capture a spirit
telling us it's here.
675
00:32:58,553 --> 00:32:59,719
[Billy] Who did that?
676
00:33:00,555 --> 00:33:01,788
[spirit] It's here.
677
00:33:01,790 --> 00:33:03,156
[Zak] It's here?
678
00:33:04,192 --> 00:33:05,291
[Billy] Who did that?
679
00:33:06,228 --> 00:33:09,863
[spirit speaking]
680
00:33:09,865 --> 00:33:10,830
[Zak] It's here?
681
00:33:12,467 --> 00:33:13,800
[Billy] Why were you
pulling on my pants?
682
00:33:15,103 --> 00:33:16,569
What do you want to do to us?
683
00:33:16,604 --> 00:33:18,104
-[spirit] Injure.
-[Zak] Injure?
684
00:33:18,106 --> 00:33:19,339
[Billy] Injure?
685
00:33:19,341 --> 00:33:21,608
[Zak] Listen,
how this spirit intelligentl
686
00:33:21,610 --> 00:33:24,511
answers me and says that
it's going to injure us.
687
00:33:25,580 --> 00:33:27,113
What do you want to do to us?
688
00:33:27,115 --> 00:33:29,182
-[spirit] Injure.
-[Zak] Injure?
689
00:33:29,184 --> 00:33:31,051
-[spirit] Injure.
-[Zak] Injure?
690
00:33:31,053 --> 00:33:32,285
[Billy] Injure?
691
00:33:34,956 --> 00:33:36,389
-[spirit] Lay down.
-[Zak] Lay down?
692
00:33:36,391 --> 00:33:37,424
[Billy] Lay down?
693
00:33:38,593 --> 00:33:41,327
[spirit speaking]
694
00:33:41,396 --> 00:33:43,496
-[Zak] Lay down?
-[Billy] Lay down?
695
00:33:43,498 --> 00:33:45,398
[Zak] Incredibly,
this spirit now
696
00:33:45,400 --> 00:33:47,267
tells Billy to lay down,
697
00:33:47,269 --> 00:33:51,571
and as he does, listen to th
incredible next response.
698
00:33:51,573 --> 00:33:54,207
[Billy] Want him to lay down.
He's laying down.
699
00:33:55,277 --> 00:33:58,078
-[spirit] Put in cuffs.
-Put in cuffs?
700
00:33:58,080 --> 00:33:59,345
-Did you hear that?
-[Zak] Is that what he said?
701
00:33:59,414 --> 00:34:00,547
Put in cuffs.
702
00:34:00,549 --> 00:34:03,216
Want him to lay down.
He's laying down.
703
00:34:04,252 --> 00:34:05,385
[spirit speaking]
704
00:34:08,156 --> 00:34:09,422
Put in cuffs?
705
00:34:13,395 --> 00:34:14,461
[Zak] What's your name?
706
00:34:16,098 --> 00:34:17,464
[spirit] Woody.
707
00:34:17,499 --> 00:34:18,798
[Zak] Woody?
708
00:34:18,800 --> 00:34:21,701
[Zak] The same voice
that said "put in cuffs,"
709
00:34:21,770 --> 00:34:25,305
now intelligently, tells me
that his name is Woody.
710
00:34:25,307 --> 00:34:26,773
What's your name?
711
00:34:27,943 --> 00:34:29,275
[Woody speaking]
712
00:34:30,045 --> 00:34:31,177
[Woody speaking]
713
00:34:32,013 --> 00:34:33,079
Woody?
714
00:34:37,519 --> 00:34:40,086
Hey, we heard you.
715
00:34:41,923 --> 00:34:44,491
We heard you. It sounds like
a residual sound
716
00:34:44,493 --> 00:34:46,526
of jail cell shutting.
717
00:34:49,164 --> 00:34:50,463
Are you in here?
718
00:34:50,465 --> 00:34:52,265
Is anyone in here?
719
00:34:53,435 --> 00:34:55,068
What's your name?
720
00:34:57,572 --> 00:34:59,973
If you want out of here,
bang on the jail cell.
721
00:34:59,975 --> 00:35:00,840
[light bang]
722
00:35:00,842 --> 00:35:03,943
Oh! That was right over there.
723
00:35:03,945 --> 00:35:06,112
[Zak] The guys now head
to the other jail cells
724
00:35:06,114 --> 00:35:08,148
where they just heard
that sound,
725
00:35:08,150 --> 00:35:10,550
which was also captured
on our X camera.
726
00:35:13,455 --> 00:35:14,721
[light bang]
727
00:35:16,091 --> 00:35:17,223
[light bang]
728
00:35:18,426 --> 00:35:19,826
[Aaron] That was
right over there.
729
00:35:19,828 --> 00:35:21,928
[Zak] This is also
the jail cell where
730
00:35:21,930 --> 00:35:23,963
Manny, the molester,
killed himself
731
00:35:23,965 --> 00:35:26,299
on March 4th, 1953.
732
00:35:31,173 --> 00:35:32,805
Where are you? Who are you?
733
00:35:36,845 --> 00:35:38,278
[Zak] Back upstairs,
Billy and I
734
00:35:38,346 --> 00:35:40,213
continue to make
communication to see
735
00:35:40,248 --> 00:35:42,215
if the voice is disembodied
736
00:35:42,217 --> 00:35:45,185
Can you talk to us
without this?
737
00:35:47,022 --> 00:35:48,621
Are you around us?
738
00:35:50,792 --> 00:35:52,458
[Billy] Who keeps touching us?
739
00:35:55,197 --> 00:35:57,463
-[continuous static]
-What did you do right here?
740
00:36:01,503 --> 00:36:03,503
What happened down here?
741
00:36:03,505 --> 00:36:06,306
-[spirit] Hung.
-Saying hung?
742
00:36:06,741 --> 00:36:08,274
Do it say you're hung?
743
00:36:08,343 --> 00:36:11,244
-[Jay] That's what
I heard too?
-[Aaron] I heard hung. Hung.
744
00:36:11,947 --> 00:36:13,313
Yeah, but why?
745
00:36:14,249 --> 00:36:16,683
Why did you do that? Huh?
746
00:36:17,586 --> 00:36:18,851
[loud bang]
747
00:36:18,853 --> 00:36:20,453
[Jay] Whoa! Go... [bleep].
748
00:36:20,521 --> 00:36:21,754
[Aaron] What the [bleep].
Whoa! Whoa!
749
00:36:22,624 --> 00:36:23,556
[bleep]
750
00:36:29,030 --> 00:36:30,129
[loud bang]
751
00:36:30,131 --> 00:36:31,798
[Jay] Whoa! Go... [bleep].
752
00:36:31,800 --> 00:36:34,167
[Aaron] What the [bleep].
Whoa! Whoa!
753
00:36:34,169 --> 00:36:35,068
[Jay] Holy [bleep].
754
00:36:35,070 --> 00:36:38,104
[both screaming]
755
00:36:38,106 --> 00:36:39,872
Holy [bleep]!
756
00:36:39,874 --> 00:36:42,408
Oh, my God! [bleep].
757
00:36:44,646 --> 00:36:46,546
-[Aaron] Zak, Bill?
-[Zak] Yeah.
758
00:36:46,548 --> 00:36:47,614
[Aaron] Hurry!
759
00:36:49,050 --> 00:36:50,383
[Billy] Where are you guys?
760
00:36:50,385 --> 00:36:51,517
Where are you at?
761
00:36:51,519 --> 00:36:52,785
[Aaron] Jay's really
really hurt.
762
00:36:54,456 --> 00:36:55,622
Like, bad.
763
00:36:55,624 --> 00:36:57,357
-[Billy] What happened?
-[Zak] What happened, Jay?
764
00:36:57,359 --> 00:36:58,524
[Aaron] Something
got thrown at us.
765
00:36:58,526 --> 00:37:00,493
We were scrambled
in the middle there.
766
00:37:00,495 --> 00:37:01,894
Next thing, I know
we come over here
767
00:37:01,896 --> 00:37:03,263
and he's like
basically, crying.
768
00:37:03,265 --> 00:37:04,998
[Jay] I feel like
my back's ripped off.
769
00:37:05,000 --> 00:37:06,132
You all right?
770
00:37:06,134 --> 00:37:08,034
[Jay] I don't know.
I don't even wanna look.
771
00:37:08,036 --> 00:37:09,435
It feels like it's been
ripped apart.
772
00:37:09,437 --> 00:37:11,070
Where did you hit?
773
00:37:12,007 --> 00:37:13,406
[Aaron] Oh, my God!
774
00:37:13,408 --> 00:37:16,075
[Zak] Look here,
they even tore his shirt.
775
00:37:16,077 --> 00:37:18,878
-[Aaron] Oh, my God.
-[Jay] [bleep] that hurts.
776
00:37:18,880 --> 00:37:21,214
-[Zak] You okay, Jay?
-[Jay] I'm hurt right now.
777
00:37:21,216 --> 00:37:23,483
-[Zak] What happened?
-[Jay] Oh, something
got thrown at us,
778
00:37:23,485 --> 00:37:25,184
like, something banged,
really bad.
779
00:37:25,186 --> 00:37:26,786
-[Zak] Where did you hit?
-[Jay] I don't know,
780
00:37:26,788 --> 00:37:29,255
we were in that
little jail cell hallway.
781
00:37:29,257 --> 00:37:30,223
[Zak] Did he hit his back?
782
00:37:30,225 --> 00:37:31,624
I don't know.
783
00:37:31,626 --> 00:37:33,860
All I know is we both started,
he went this way,
I went that way,
784
00:37:33,862 --> 00:37:35,361
we got mixed up,
785
00:37:35,363 --> 00:37:37,964
and I'm yelling for him
to come this way
and he's, like, screaming.
786
00:37:37,966 --> 00:37:39,399
[Zak] As we replay
the footage,
787
00:37:39,401 --> 00:37:41,768
it appears that
a spirit voice says
788
00:37:41,770 --> 00:37:45,438
"hung" when Aaron asks
"What happened here?"
789
00:37:45,440 --> 00:37:47,307
What happened down here?
790
00:37:47,309 --> 00:37:48,308
[spirit speaking]
791
00:37:49,644 --> 00:37:50,476
[spirit speaking]
792
00:37:51,179 --> 00:37:53,012
Did he say hung?
793
00:37:53,014 --> 00:37:55,081
[Zak] Then a loud bang
is heard from the cell
794
00:37:55,083 --> 00:37:56,649
which causes panic.
795
00:37:56,651 --> 00:37:59,519
Why did you do that? Huh?
796
00:38:00,221 --> 00:38:01,354
[loud bang]
797
00:38:01,356 --> 00:38:02,555
Whoa!
798
00:38:02,557 --> 00:38:04,057
[loud bang]
799
00:38:04,059 --> 00:38:05,858
Whoa! Whoa! [bleep].
800
00:38:05,860 --> 00:38:08,795
[Zak] And during this momen
you can see Jay's back
801
00:38:08,797 --> 00:38:11,631
get shoved into
the large meal tray ledge,
802
00:38:11,633 --> 00:38:14,200
which causes him
to get badly injured.
803
00:38:14,202 --> 00:38:16,035
Whoa! What the [bleep].
804
00:38:16,037 --> 00:38:18,504
[both screaming]
805
00:38:18,840 --> 00:38:20,139
Jay, are you hurt
806
00:38:20,141 --> 00:38:22,041
-anywhere other than this?
-[Jay] Just...
just right there.
807
00:38:22,043 --> 00:38:23,910
[Zak] Nothing in
your vertebrate or anything?
808
00:38:23,912 --> 00:38:26,446
-[Jay] No, not...
-[Zak] So you have
a slash across there.
809
00:38:26,448 --> 00:38:29,115
-And you have a hole here.
-[Billy] Oh, yeah.
810
00:38:29,117 --> 00:38:31,050
They ripped your clothing
all the way through--
811
00:38:31,052 --> 00:38:32,585
[Zak] They ripped
his clothing.
812
00:38:32,587 --> 00:38:35,188
I tell Jay and Aaron to go
chill out at nerve center
813
00:38:35,256 --> 00:38:37,623
while Billy and I head down
to the basement.
814
00:38:37,625 --> 00:38:41,894
Right now, Billy is armed
with a boom microphone.
815
00:38:41,896 --> 00:38:43,529
It's a highly sensitive
microphone
816
00:38:43,531 --> 00:38:46,899
that's directional
and he has it aimed
like a gun.
817
00:38:46,901 --> 00:38:50,236
And he has some
noise canceling headphones on.
818
00:38:50,238 --> 00:38:54,107
So, the only thing he hears is
where this is being aimed at.
819
00:38:54,109 --> 00:38:55,875
So, we just wanna see
820
00:38:55,877 --> 00:38:58,144
if we could capture some
disembodied voices.
821
00:38:58,146 --> 00:39:00,613
We're gonna head downstairs
into the basement
822
00:39:00,615 --> 00:39:03,249
down by the shooting range,
down by the lockers,
823
00:39:03,251 --> 00:39:05,551
where the lady that used
to work here a long time ago
824
00:39:05,553 --> 00:39:07,320
grabbed the .45 out there,
825
00:39:07,322 --> 00:39:09,589
and unfortunately,
she shot herself in the head.
826
00:39:09,591 --> 00:39:11,457
So, lot of energy down there.
827
00:39:11,459 --> 00:39:13,559
It's very scary down there.
828
00:39:13,561 --> 00:39:16,262
A lot of the people here can't
make it past a certain box.
829
00:39:16,264 --> 00:39:17,430
We're going there now.
830
00:39:30,044 --> 00:39:32,945
I'm gonna stay pretty far
behind Billy,
831
00:39:32,947 --> 00:39:35,415
so I don't
contaminate his audio.
832
00:39:49,898 --> 00:39:51,664
[footsteps]
833
00:39:56,504 --> 00:39:58,471
-[Zak] Who was that?
-[Billy] I don't know.
834
00:39:58,473 --> 00:39:59,872
[Zak] Did you just
hear footsteps?
835
00:39:59,874 --> 00:40:01,574
[Billy] Yes. Loud footsteps.
836
00:40:01,576 --> 00:40:03,576
Those guys are back
at nerve, right?
837
00:40:03,578 --> 00:40:05,144
[Zak] Hey,
where are you guys at?
838
00:40:06,080 --> 00:40:07,313
We're both at nerve
839
00:40:07,315 --> 00:40:09,982
and we heard those footsteps
pretty loud from the TV.
840
00:40:09,984 --> 00:40:11,050
They were loud, dude.
841
00:40:11,052 --> 00:40:12,452
[Zak] Yeah,
that one's down there.
842
00:40:13,455 --> 00:40:16,322
There is no explanation
for these very loud footstep
843
00:40:16,324 --> 00:40:18,658
we just heard and captured.
844
00:40:35,009 --> 00:40:36,542
-[Zak] Who was that?
-[Billy] I don't know.
845
00:40:52,927 --> 00:40:54,193
[low growl]
846
00:40:54,195 --> 00:40:55,995
-[Zak] Whoa! Billy!
-[Billy] What?
847
00:40:55,997 --> 00:40:57,096
What the [bleep] was that?
848
00:40:57,098 --> 00:40:58,231
[Zak] Did you hear
a growl sound?
849
00:40:58,233 --> 00:41:00,366
[Billy] Yes, something just
came up on me right here.
850
00:41:00,368 --> 00:41:03,369
[Zak] Billy captures
this creepy growl type soun
851
00:41:03,371 --> 00:41:05,671
that we also hear
with our own ears.
852
00:41:10,278 --> 00:41:11,677
[low growl]
853
00:41:14,582 --> 00:41:16,449
-[Zak] Whoa! Billy?
-[Billy] What?
854
00:41:16,451 --> 00:41:17,416
What the [bleep] was that?
855
00:41:17,418 --> 00:41:18,584
[Zak] Did you hear
a growl sound?
856
00:41:18,686 --> 00:41:20,553
[Billy] Yes, something just
came up on me right here.
857
00:41:20,555 --> 00:41:22,121
[Billy] Hey, I just heard
a growl.
858
00:41:22,123 --> 00:41:23,956
[Zak] Our investigation,
859
00:41:23,958 --> 00:41:26,025
here at the Los Angeles
Police Museum
860
00:41:26,027 --> 00:41:29,629
was not only extremely uniqu
but also serious.
861
00:41:29,631 --> 00:41:33,132
To capture concrete evidenc
of what we were told about
862
00:41:33,134 --> 00:41:35,301
by the staff here,
863
00:41:35,303 --> 00:41:38,337
makes us realize that spirit
are still very attached
864
00:41:38,339 --> 00:41:41,541
to the belongings they used
in horrific crimes.
865
00:41:41,543 --> 00:41:44,377
As well as those that
took their very last breath
866
00:41:44,379 --> 00:41:46,746
inside of this
historic building.
867
00:41:47,282 --> 00:41:48,381
[spirit speaking]
868
00:41:49,350 --> 00:41:50,516
Did he say hung?
869
00:41:50,518 --> 00:41:52,752
Whoa! Go... [bleep].
870
00:41:52,754 --> 00:41:54,487
[bleep]
871
00:41:54,489 --> 00:41:56,022
-Whoa, whoa!
-Whoa! [bleep]