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Ladies and gentlemen,
we are back
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in the Skid Row District
of Downtown Los Angeles.
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I thought that we investigated
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the most haunted,
iconic, evil hotel
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in the entire United States,
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and that is the Hotel Cecil.
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But I have a surprise.
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Something else popped up,
something very mysterious
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that I never knew about.
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This hotel is the older,
wicked brother
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of the Hotel Cecil.
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We have been called
to investigate
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the Hotel Barclay.
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There are things in this world
that we will never
fully understand.
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[voice echoes] Understand.
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We want answers.
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We have worked years
to build our credibility,
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our reputation...
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...working alongside the most
renowned professionals
in the field,
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capturing groundbreaking proof
of the paranormal.
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It's working!
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I can't give you
an explanation.
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[Zak Bagans] This is
our evidence.
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OurGhost Adventures.
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This hotel, originally named
the Van Nuys,
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was built in 1896.
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It catered
to Southern California's
wealthy and elite.
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In 1929, the name was changed
to the Barclay,
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signaling a new transient era
at the hotel,
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a dingier, darker era
with deadly consequences.
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Today, the structure sits
nearly abandoned.
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It is said
that this place is haunted
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by very dark, sinister,
malevolent entities
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that are a result
of a serial killer,
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another murderer
that dismembered a woman
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that is of the likes
of the Black Dahlia murder.
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But these are just 2 of the 13
confirmed deaths here,
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not to mention
countless suicide attempts,
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along with many tragic events.
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Ladies and gentlemen,
we have discovered
the Hotel Barclay.
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In our investigations,
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our most valuable information
comes from witnesses
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who have experienced
terror firsthand.
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Tonight, we had
just such an interview.
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Starr Garcia was scheduled
to speak with us,
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but apparently, she has
become too frightened
to return to the Barclay.
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We've been sitting here
for two hours now,
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out in this parking lot,
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and she's supposed to show up,
and I hate when this happens.
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We could go meet her
somewhere else.
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We'll go to her house.
I just...
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We have to have
this interview.
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Although we may never
speak with Starr,
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we do have a man who knows
the dark history
of the Barclay.
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I'm sitting here with James,
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author, historian, journalist.
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James may have
a familiar face,
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because I met James
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at one of our most iconic
investigations ever
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at the Hotel Cecil.
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I compared this
to kinda, like,
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the Hotel Cecil's
wicked, evil brother.
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This area, I don't know
what it is myself...
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- [Zak] Yeah.
- ...while there seems to be
a particular preponderance
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for exceptionally
violent crimes.
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But for the Cecil
and for here,
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there's two or three hotels
almost in a triangle.
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I actually call them
a suicide triangle,
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because there's
so many suicides, as well.
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[Zak] So this is kinda,
we're dealing with, like,
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almost the Bermuda Triangle
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of evil, sadistic violence
and killing.
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What is it about this building
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that compels so many
to end their lives here?
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One of the guys
who committed suicide here,
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there have been
several suicides here,
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actually left
a very long note
for his wife,
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uh, who he'd just been
divorced from,
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saying that, uh, "I hope
you think of me every day
roasting in hell
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because of what you've done."
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- That was his suicide note?
- [James] That was
in his suicide note.
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And he killed himself
with cyanide?
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[James] Yeah,
took a dose of cyanide,
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which you could get
at pretty much any drugstore
in those days.
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I'm a sensitive.
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I feel emotions,
and sometimes,
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people just don't
understand that.
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They think
I'm just... [exclaims]
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It's because I feel
these emotions,
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this residual energy
at a very high level,
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and I can't control that.
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So, I need to know
for my own safety,
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for my crew's safety,
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what are we dealing with here?
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Well, you may not
be too happy,
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'cause there have been a
couple of extremely horrific,
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uh, Jack-the-Ripper-style
killings here in the past.
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Like, slicing
and dismembering?
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From, uh, from top to bottom,
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and cutting off arms and legs.
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[Zak] This is the tragic tale
of Virgie Lee Griffin.
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It was in 1944.
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His name was
Stephen Otto Wilson.
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Uh, he'd been discharged
from the army
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for, uh, psychotic
sexual practices
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and beliefs
in unnatural interests.
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He went out, just locally,
here to a bar,
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uh, picked up a woman,
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brought her back
to the hotel room here,
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and they had, uh,
a number of drinks...
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...and then, eventually,
he attacked her.
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[woman] Help me!
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Someone![struggling] Someone!
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He'd come prepared
with a butcher knife
and a razor.
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And as I said,
he, um, cut her open
from top to bottom,
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uh, cut off her arm,
cut off her leg...
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...and then went
to another bar
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and met another woman.
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And killed her?
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- [James] And killed her
somewhere else.
- [Zak] What, what...
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What is it
about the Hotel Cecil
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and now the Hotel Cecil's
older brother?
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What is it about this area
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that is attracting
these types of...
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- I mean, we investigate hotels
all over the country.
- [James] Yeah.
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But we don't run into
this type of serial killers
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and killers
that are dismembering
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and ritualistic killers.
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But I also know
there's a serial killer,
the Skid Row Slasher,
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- that killed here, right?
- Yes, yes.
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And he was
into this ritualistic stuff.
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[James] Yes, yes, he killed
11 victims, actually, overall.
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Nine, he did
in about a period
of eight weeks.
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[newscaster] Most residents
are staying off the streets,
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in fear of a killer
known in the area
as the Slasher.
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[Zak] The victims
were male, over 40,
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and all had a background
of heavy drinking.
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The Slasher's seventh victim
was found here at the Barclay.
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A man with his throat slashed
was found today
in a low-rent hotel
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on the edge
of Downtown Los Angeles.
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[Zak] The corpse was
encircled with salt,
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his shoes removed,
left pointing toward his body.
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There was evidence
the killer may have even
drank the blood of his victim.
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[newscaster]
All of the victims wound up
in the county morgue.
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But if the coroner has
turned up any evidence,
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he's not talking about it.
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[Zak] Then,
on February 3rd, 1975,
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after an exhaustive manhunt,
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Vaughn Orrin Greenwood
is apprehended
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for the killing of 11 men
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and the attempted murder
of another.
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He is sentenced
to life in prison.
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Do we know where, what floor,
or anything like that?
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Sadly, we... [stammering]
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We do know what floor.
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We do know what room.
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528.
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[Zak] We have a room number.
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Write that down, Aaron.
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528.
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We are just waiting for one
of the previous residents,
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and I think
she just showed up.
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Is that her?
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Uh, we are just so grateful,
because Starr just showed up.
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Although she is
three hours late,
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we are so relieved Starr
has decided to speak with us.
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She lived with her boyfriend
in room 320 of the Barclay.
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Do you wanna go inside?
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- Not a chance
in hell. [chuckles]
- [Zak] Okay.
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Starr, when did you live here?
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- 2017 is when I moved in.
- [Zak] Pretty recently.
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- Well, four years.
- So, we moved out... Mmm-hmm.
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When I moved in,
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the building was
pretty sparse.
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There was, like,
nobody in there.
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On my level,
which was on the third floor,
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there was just me
and my boyfriend on our side,
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one couple
on the very far end,
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and that was it.
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- [Zak] That's creepy already.
- Correct.
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So, we explore the building,
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and most of it
was completely empty.
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It was ominous.
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So, you were here
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- and you witnessed two people
dying on your floor.
- I didn't...
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- Not so much witnessed them.
- Well, you didn't witness it,
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- but on your floor.
- But I experienced it.
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I was walking out
of our apartment one day,
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and, like, the paramedics
were there,
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and they were like,
"Oh, do you know this guy?"
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"No. No idea."
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He'd been dead
for an entire week
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- until somebody found him.
- [Zak] On your same floor?
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[Starr Garcia] Yeah,
right next door to me,
three feet away.
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- [Zak] Oh, my. Three feet
from where you live?
- [Starr] Uh, yeah, correct.
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And then, uh,
somebody there...
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Some of the floors
didn't have bathrooms,
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There was a bathroom
at the end of the hall,
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and before the guy
even moved in,
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he died in front
of the bathroom.
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[Zak] Rommel Carrillo,
Starr's boyfriend,
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lived at the Barclay
for 14 years.
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[Rommel Carrillo]
I was walking past
the Barclay Hotel,
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like, three days ago,
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and I remember looking
at the building
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and kinda feeling like
the building was kinda
staring at me,
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telling me to come back in,
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and I kinda felt that,
I really did.
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And I wanted to go back in,
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and maybe that's what
kept me there for so long.
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But after I left, I could...
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I kinda knew, like,
I was like...
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00:10:08,700 --> 00:10:11,130
I was living
in a weird, crazy building.
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00:10:12,650 --> 00:10:16,290
Between the suicides,
the murders, and the energy,
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00:10:16,490 --> 00:10:17,570
something's going on
in this building.
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It's a creepy building.
It's not fun.
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And maybe I just
got used to it,
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and I didn't realize that
until after I moved out.
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We did have a ghost.
220
00:10:24,560 --> 00:10:27,460
Uh, it threw our platters
off the wall.
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Every time we came home,
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they were thrown
all over the ground.
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It's more, like,
he didn't live with us.
We lived with him.
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[Zak] Was the building
lashing out at Starr
and the other residents?
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00:10:40,200 --> 00:10:44,130
This would not be
the first time the Barclay
showed its wrath.
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In the early hours
of March 15th, 1972...
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...a mysterious fire broke out
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on the top floor
of the Barclay.
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Six residents were injured.
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Three lost their lives.
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Suspicious fires continue
to this day.
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00:11:09,770 --> 00:11:11,430
After they started
clearing out the building,
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00:11:11,630 --> 00:11:14,260
we had a lot of, uh, fires
in front of, like,
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00:11:14,460 --> 00:11:16,810
the, uh, you know,
our elevator door,
stuff like that, or...
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You know, making it harder
for us to get out
and stuff like that.
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And it happened
a couple times,
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and I never, ever found out
who that was.
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But it would happen,
it happened four times.
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And every time
the firefighters
would come in,
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00:11:29,040 --> 00:11:30,570
like, they couldn't
explain it.
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00:11:30,770 --> 00:11:31,530
But it was one of those things
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where, like,
it would always happen
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00:11:33,110 --> 00:11:34,530
at, like, around 2:00
in the morning,
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00:11:34,730 --> 00:11:35,500
4:00 in the morning,
245
00:11:35,700 --> 00:11:36,710
even, like, 3:00.
246
00:11:36,910 --> 00:11:39,360
You would never hear anything
except smell the smoke,
247
00:11:39,560 --> 00:11:40,930
and then eventually,
you would see smoke.
248
00:11:42,620 --> 00:11:47,060
[Zak] It seems odd
that there are no witnesses
to the origins of these fires.
249
00:11:48,310 --> 00:11:50,910
Is it possible
the building itself
250
00:11:51,110 --> 00:11:53,150
is compelling others
to start them
251
00:11:53,350 --> 00:11:56,580
as a way of purging itself
of the people who live there?
252
00:11:59,440 --> 00:12:02,910
Shockingly, as we are
conducting our interviews,
253
00:12:03,110 --> 00:12:06,240
a massive fire breaks out
just across the street.
254
00:12:08,790 --> 00:12:10,550
- [sirens blaring]
- We've got sirens going off.
255
00:12:13,060 --> 00:12:17,960
I can't help but feel
this is a warning to me,
to the whole team.
256
00:12:29,820 --> 00:12:32,840
- Are those people dressed
as Ghostbusters?
- Yeah.
257
00:12:33,040 --> 00:12:36,950
We just have
three people just dressed
in Ghostbusterscostumes.
258
00:12:37,150 --> 00:12:38,930
Hey, Ghostbusters!
259
00:12:40,270 --> 00:12:42,430
Are you guys going
into the Hotel Barclay?
260
00:12:42,630 --> 00:12:43,910
Hey, guys, I hate to tell you,
261
00:12:44,110 --> 00:12:47,150
but, uh, we're the ones
who got the call, not you.
262
00:12:47,350 --> 00:12:48,600
[all laughing]
263
00:12:48,800 --> 00:12:50,740
All right? So, you're
just gonna have to get
the [bleep] out of here.
264
00:12:50,940 --> 00:12:51,880
If we need reinforcements,
265
00:12:52,080 --> 00:12:53,150
can you guys come back
and help us?
266
00:12:53,350 --> 00:12:53,950
[woman speaking]
267
00:12:54,150 --> 00:12:56,290
Okay, you guys are
in Ecto-1, or...
268
00:12:56,490 --> 00:12:57,910
- You guys in Ecto-1?
- [all laughing]
269
00:12:58,110 --> 00:13:00,570
All right, guys.
On the count of three,
scream Ghost Adventures.
270
00:13:00,770 --> 00:13:01,810
One, two, three!
271
00:13:02,010 --> 00:13:03,740
- Ghostbusters!
- [Zak] Ghost Adventures!
272
00:13:03,940 --> 00:13:05,120
- No, no, no.
- No?
273
00:13:05,320 --> 00:13:06,290
- Adventures.
- Ghost Adventures.
274
00:13:06,490 --> 00:13:08,120
Oh, okay, I thought
you said Ghostbusters.
275
00:13:08,320 --> 00:13:10,910
- No, yeah, Ghost Adventures.
- We got the call.
276
00:13:11,110 --> 00:13:12,330
We got the call.
277
00:13:12,530 --> 00:13:15,580
- [all laughing]
- There's really a rivalry
going on right now.
278
00:13:21,310 --> 00:13:25,510
It's 11:00 p.m., and we are
about to enter the Barclay
for the first time.
279
00:13:27,580 --> 00:13:29,330
My adrenaline is pumping
280
00:13:29,530 --> 00:13:32,670
as we approach
this menacing structure.
281
00:13:32,870 --> 00:13:34,270
[whispers] This place
is awesome.
282
00:13:44,750 --> 00:13:47,910
[men chattering]
283
00:13:48,110 --> 00:13:50,980
[Zak] Wait, shh.
Roll, roll. Roll, roll.
284
00:13:51,180 --> 00:13:52,890
Roll, roll, roll, roll.
285
00:14:09,000 --> 00:14:10,130
Oh, man.
286
00:14:11,680 --> 00:14:14,260
The energy in this building
is so negative,
287
00:14:14,460 --> 00:14:16,050
it's oppressive.
288
00:14:16,250 --> 00:14:17,710
We've just stepped inside,
289
00:14:17,910 --> 00:14:19,220
and immediately,
we are confronted
290
00:14:19,420 --> 00:14:21,240
with an agitated tenant.
291
00:14:22,270 --> 00:14:25,360
Clearly, we are not
welcome here.
292
00:14:25,560 --> 00:14:28,880
We decide to begin
our investigation upstairs,
293
00:14:29,080 --> 00:14:30,530
so we head to the elevator.
294
00:14:30,730 --> 00:14:31,810
[Aaron Goodwin] What's wrong?
295
00:14:32,010 --> 00:14:33,930
[Zak] But clearly,
it has other plans.
296
00:14:36,720 --> 00:14:41,290
Hey, weird elevator things
going on, Hotel Cecil?
297
00:14:41,490 --> 00:14:44,980
- Oh, yeah.
- Oh...
298
00:14:45,180 --> 00:14:48,620
[Zak] Yet another parallel
between the Cecil
and the Barclay.
299
00:14:50,100 --> 00:14:52,840
This elevator, much like
the one at the Cecil,
300
00:14:53,040 --> 00:14:54,790
has seen horrific tragedy.
301
00:14:56,930 --> 00:14:58,880
1897.
302
00:14:59,080 --> 00:15:01,290
The hotel had only
been open two months
303
00:15:01,490 --> 00:15:04,220
when waiter Charles Gamble
was crushed
304
00:15:04,420 --> 00:15:07,430
between the elevator
and the third-floor landing.
305
00:15:07,630 --> 00:15:11,030
His body dropped three stories
to the basement.
306
00:15:12,480 --> 00:15:15,400
September 20th, 1901.
307
00:15:15,590 --> 00:15:20,360
Janitor Joe Kato decided
to watch the elevator
coming up the shaft.
308
00:15:20,560 --> 00:15:23,050
He forgot
as the elevator comes up,
309
00:15:23,250 --> 00:15:26,240
the 4,800-pound weight
comes down.
310
00:15:27,340 --> 00:15:29,580
It crushed the upper half
of his body.
311
00:15:30,310 --> 00:15:32,150
I can tell you right now, uh,
312
00:15:32,350 --> 00:15:34,080
everything that's happened
since we've been here,
313
00:15:34,280 --> 00:15:35,740
even in the parking lot,
314
00:15:35,940 --> 00:15:38,480
has just been weird,
strange, and...
315
00:15:40,030 --> 00:15:42,480
I mean, the elevator
just broke, so...
316
00:15:43,680 --> 00:15:45,190
Elevator's out
of the question.
317
00:15:45,390 --> 00:15:46,810
And then,
318
00:15:47,010 --> 00:15:49,570
we are gonna go
investigate room 320,
319
00:15:49,770 --> 00:15:52,710
and that's the only room that,
for some reason,
320
00:15:52,910 --> 00:15:54,710
they can't get open,
321
00:15:54,910 --> 00:15:56,680
even though it's
completely abandoned.
322
00:15:57,580 --> 00:16:00,550
So, it's just like,
"What's next?"
323
00:16:01,680 --> 00:16:02,880
What's next?
324
00:16:03,080 --> 00:16:05,430
It's like this building
is telling us,
325
00:16:05,630 --> 00:16:07,370
"Get the[bleep] out of here."
326
00:16:09,030 --> 00:16:12,430
Okay, so now, we're trying
to access the stairwell,
327
00:16:12,630 --> 00:16:13,640
and now this is locked,
328
00:16:13,840 --> 00:16:15,670
and we can't get
in the stairwell.
329
00:16:15,870 --> 00:16:18,150
- [Billy Tolley] Oh, my God.
- It was just open.
330
00:16:18,350 --> 00:16:20,220
And that's the only way
up or down, right?
331
00:16:20,420 --> 00:16:22,290
Yeah, and I'm telling you
that this is no coincidence
332
00:16:22,490 --> 00:16:24,620
- that these things
are happening.
- Doesn't want us up there.
333
00:16:25,930 --> 00:16:29,220
The whole vibe
in this place is, like,
334
00:16:29,420 --> 00:16:34,330
worse than the Hotel Cecil
times 20.
335
00:16:34,530 --> 00:16:38,510
It takes close to an hour
to get a worker to unlock
the stairwell door.
336
00:16:39,130 --> 00:16:40,260
Once open,
337
00:16:40,460 --> 00:16:42,840
I send Billy and Aaron
to the basement
338
00:16:43,040 --> 00:16:45,170
while Jay and I head
up to the third floor.
339
00:16:53,890 --> 00:16:55,880
This is where Starr,
who we interviewed,
340
00:16:56,080 --> 00:16:57,480
this is where she lived.
341
00:16:58,890 --> 00:17:01,720
She would refuse
to step foot up here again.
342
00:17:07,750 --> 00:17:08,960
We come in peace.
343
00:17:11,340 --> 00:17:12,980
We're not here
to piss you off.
344
00:17:13,180 --> 00:17:14,510
We're not here to anger you.
345
00:17:17,000 --> 00:17:19,500
We just wanna study you
346
00:17:19,700 --> 00:17:22,000
in your existence after death.
347
00:17:24,170 --> 00:17:27,340
I already know two of you died
on this floor...
348
00:17:29,410 --> 00:17:32,440
...and we met the woman who
discovered your body, Starr.
349
00:17:34,790 --> 00:17:37,150
This right here is
a recording device.
350
00:17:37,350 --> 00:17:40,510
We're going to leave
this recording going here.
351
00:17:51,480 --> 00:17:52,340
Hello?
352
00:17:55,650 --> 00:17:57,550
- God, dude.
- What is it?
353
00:17:59,410 --> 00:18:01,190
[Aaron] Wait, Bill...
354
00:18:01,390 --> 00:18:03,680
[Billy whispers] Dude,
this basement is huge, bro.
355
00:18:10,130 --> 00:18:12,150
[Aaron] Dude,
if these could talk...
356
00:18:12,350 --> 00:18:14,030
These mirrors, man.
Look at this.
357
00:18:16,200 --> 00:18:17,930
Uh, hey.
358
00:18:19,790 --> 00:18:20,680
Look at that.
359
00:18:23,480 --> 00:18:24,580
Think that's blood?
360
00:18:25,750 --> 00:18:27,130
[Billy whispers] I don't
like this space.
361
00:18:32,060 --> 00:18:33,840
[Zak] As we walk these halls,
362
00:18:34,040 --> 00:18:35,670
I think
of the countless visitors
363
00:18:35,870 --> 00:18:38,260
who stayed in these rooms.
364
00:18:38,460 --> 00:18:41,260
Some transient,
some full of hope,
365
00:18:41,460 --> 00:18:42,860
others, down on their luck.
366
00:18:43,510 --> 00:18:44,980
I can feel their presence
367
00:18:45,180 --> 00:18:46,710
as I feel their pain,
368
00:18:46,910 --> 00:18:47,650
their anger.
369
00:18:49,130 --> 00:18:50,750
- [crashing]
- Oh, [bleep]!
370
00:18:51,340 --> 00:18:52,720
What the hell was that?
371
00:18:54,130 --> 00:18:55,130
Is it [bleep]?
372
00:18:55,930 --> 00:18:57,060
I have no idea.
373
00:18:58,240 --> 00:18:59,170
Hello?
374
00:19:00,200 --> 00:19:01,050
[inhales sharply]
375
00:19:01,250 --> 00:19:02,130
Stopped my heart.
376
00:19:03,960 --> 00:19:05,890
[Jay Wasley] See something
moving in that window?
377
00:19:06,370 --> 00:19:07,310
[Zak] Yes.
378
00:19:09,650 --> 00:19:12,810
[Zak] While Jay and I
continue to investigate
the third floor,
379
00:19:13,010 --> 00:19:16,000
Aaron and Billy head
from the basement
to the second floor.
380
00:19:17,170 --> 00:19:19,290
[Billy] We're gonna take
some TriField readings,
381
00:19:19,490 --> 00:19:22,020
and we're gonna try
and locate an area
382
00:19:22,220 --> 00:19:23,710
with some activity.
383
00:19:23,910 --> 00:19:28,270
[Zak] This is the floor
where Virgie Lee Griffin
was brutally murdered.
384
00:19:28,790 --> 00:19:30,810
Virgie Griffin,
385
00:19:31,010 --> 00:19:35,020
we're here to try
to talk to you.
386
00:19:35,220 --> 00:19:38,340
[Billy] Virgie, what happened
to you was terrible...
387
00:19:40,890 --> 00:19:42,500
...and we're just trying
to get more information.
388
00:19:42,700 --> 00:19:44,960
Maybe you have a message
that you want to give
to somebody.
389
00:19:45,580 --> 00:19:47,260
Oh, it just spiked!
390
00:19:47,460 --> 00:19:48,430
My stomach pain...
391
00:19:48,630 --> 00:19:50,810
I have this pain
right across here,
392
00:19:51,010 --> 00:19:52,290
right under my ribs.
393
00:19:52,490 --> 00:19:54,570
- [Aaron] For real?
- Yeah, it hurts
really bad right now.
394
00:19:54,770 --> 00:19:56,150
I'm not [bleep] kidding.
395
00:19:56,350 --> 00:19:57,890
[Aaron] Like you're
getting cut open?
396
00:20:01,030 --> 00:20:01,960
[Aaron groans]
397
00:20:03,410 --> 00:20:06,050
Hurts, dude. It hurts.
398
00:20:06,250 --> 00:20:09,100
[Zak] I saw
a little white ball
floating around here.
399
00:20:12,100 --> 00:20:15,170
So, this is the bathroom
they would've found
that guy's body.
400
00:20:16,720 --> 00:20:18,430
After feeling physically ill
401
00:20:18,630 --> 00:20:21,600
while making contact
with the spirit of Virgie,
402
00:20:21,800 --> 00:20:23,680
Aaron and Billy exit
the building.
403
00:20:26,170 --> 00:20:29,130
At the same time,
I too begin to feel sick.
404
00:20:29,860 --> 00:20:31,510
The spirits here are clearly
405
00:20:32,510 --> 00:20:33,930
taking a toll on us.
406
00:20:43,370 --> 00:20:44,620
[Zak] Last night...
407
00:20:45,720 --> 00:20:47,510
...after we left.
408
00:20:48,440 --> 00:20:50,050
Uh, Jay, you and I,
409
00:20:50,250 --> 00:20:51,570
uh, Billy, Aaron,
410
00:20:51,770 --> 00:20:54,400
I told you guys to, um,
411
00:20:54,590 --> 00:20:57,370
set up some motion-activated
game cameras...
412
00:20:58,480 --> 00:21:00,190
...uh, on floors...
413
00:21:00,390 --> 00:21:01,910
- [Billy and Aaron]
Two and three.
- ...two and three.
414
00:21:02,110 --> 00:21:04,740
[Billy] We also set
a timelapse camera up,
415
00:21:04,940 --> 00:21:07,330
- at a certain location on
the second floor as well.
- [Zak] Okay.
416
00:21:07,530 --> 00:21:11,400
Where we think could possibly
be where she got hacked up.
417
00:21:11,590 --> 00:21:13,510
[Zak] It's interesting
we know that,
418
00:21:14,270 --> 00:21:16,050
um, Virgie Lee Griffin
419
00:21:16,250 --> 00:21:18,500
was brutally murdered
420
00:21:18,700 --> 00:21:21,430
and dismembered
like you said, Aaron,
421
00:21:21,630 --> 00:21:23,330
somewhere on the second floor.
422
00:21:23,530 --> 00:21:24,770
- Yes.
- We went into this area,
423
00:21:24,970 --> 00:21:26,890
he asked about her,
the meter spiked.
424
00:21:27,860 --> 00:21:29,080
[Billy] Virgie.
425
00:21:29,280 --> 00:21:31,410
Maybe you have a message
that you want
to give to somebody.
426
00:21:32,130 --> 00:21:34,120
Oh, it just spiked!
427
00:21:34,320 --> 00:21:36,050
There was a chain of events
that made us put this
428
00:21:36,250 --> 00:21:37,950
- camera in this spot.
- Made us think it's there.
429
00:21:38,150 --> 00:21:39,770
[Zak] Okay, so I'm looking
at the timelapse
430
00:21:39,970 --> 00:21:41,910
- infrared camera, right?
- Yes.
431
00:21:42,110 --> 00:21:44,190
[Zak] Okay.
What did we capture?
432
00:21:44,390 --> 00:21:47,190
- 3:24 AM, are you ready?
- [Zak] Mmm-hmm. Yeah.
433
00:21:47,390 --> 00:21:48,500
[Zak] Where am I looking--
434
00:21:48,700 --> 00:21:49,960
[Zak and Aaron] Whoa!
435
00:21:51,550 --> 00:21:52,530
[Billy] Yeah.
436
00:21:52,730 --> 00:21:55,150
[Zak] What the [bleep]
is that?
437
00:21:55,350 --> 00:21:56,740
Not only what
the [bleep] is that,
438
00:21:56,940 --> 00:21:59,530
the next frame is this.
439
00:21:59,730 --> 00:22:02,120
[Zak] Oh! What?
440
00:22:02,320 --> 00:22:04,290
So it goes from bottom to top.
441
00:22:04,490 --> 00:22:07,340
- [Zak] Play it again.
- [Billy] It raises,
it raises up. Ready?
442
00:22:08,200 --> 00:22:09,620
- [Billy] From there...
- [Zak] What?
443
00:22:10,750 --> 00:22:11,770
[Zak] What?
444
00:22:11,970 --> 00:22:14,460
And hey, and it's right where
we had that moment.
445
00:22:14,660 --> 00:22:16,670
- That's where the EMF
went crazy.
- That's where we think,
446
00:22:16,870 --> 00:22:20,020
- we think that could be her.
- [Zak] Wow.
447
00:22:20,220 --> 00:22:21,710
[Zak] Again, this was captured
448
00:22:21,910 --> 00:22:25,360
on our motion-activated
IR game cams
449
00:22:25,560 --> 00:22:27,330
at 3:24 AM.
450
00:22:27,530 --> 00:22:30,360
We were all sound asleep
at our hotel
451
00:22:30,560 --> 00:22:33,080
11 miles away.
452
00:22:33,280 --> 00:22:35,000
That's some scary
stuff right there.
453
00:22:36,170 --> 00:22:37,460
Well, we're still on visual.
454
00:22:37,660 --> 00:22:39,060
When Aaron and I
were in the basement,
455
00:22:39,820 --> 00:22:41,740
we were taking, I don't know,
456
00:22:41,940 --> 00:22:44,500
- hundreds of full
spectrum photos.
- [Aaron] Yeah.
457
00:22:44,700 --> 00:22:47,080
[Billy] And we came
to an area that had a bunch
of dresser drawers
458
00:22:47,280 --> 00:22:49,500
and old mirrors and stuff
from out of the hotel.
459
00:22:49,700 --> 00:22:50,810
I call it the artifact room.
460
00:22:51,010 --> 00:22:53,460
- So, I took
three photos, right?
- [Aaron] One...
461
00:22:53,660 --> 00:22:56,810
[Billy] One, two, three.
One, two...
462
00:22:57,010 --> 00:22:59,400
- [Billy] I don't know what
that is in this mirror.
- [Zak] Oh, wow.
463
00:22:59,590 --> 00:23:01,720
[Zak] It's definitely not
in the other ones.
464
00:23:03,370 --> 00:23:05,570
It's cool. I like how
it's sequential.
465
00:23:05,770 --> 00:23:07,570
[Billy] Boom, boom,
we only take three photos,
466
00:23:07,770 --> 00:23:09,260
so we have something
to compare it to.
467
00:23:09,460 --> 00:23:10,530
- [Zak] Interesting.
- [Billy] I don't know
what that is,
468
00:23:10,730 --> 00:23:12,640
- but it's in the mirror, so.
- [Zak] Okay.
469
00:23:12,840 --> 00:23:14,080
[Zak] Something definitely
unexplained there.
470
00:23:14,280 --> 00:23:15,910
It's a little blurry,
so it's tough to tell, but...
471
00:23:16,110 --> 00:23:17,740
This is the third floor.
472
00:23:17,940 --> 00:23:19,950
The camera is set to record
473
00:23:20,150 --> 00:23:22,290
five seconds
every five minutes,
474
00:23:22,490 --> 00:23:23,400
kinda like a time lapse.
475
00:23:23,590 --> 00:23:24,600
So throughout the night,
476
00:23:24,800 --> 00:23:27,400
it will trigger if something
goes in front of it,
477
00:23:27,590 --> 00:23:30,190
- [Zak] Okay.
- but it will also randomly,
you know, collect that.
478
00:23:30,390 --> 00:23:33,050
[Billy] So this was captured.
479
00:23:33,250 --> 00:23:35,360
It's probably two or three
o'clock in the morning.
480
00:23:35,560 --> 00:23:37,580
[Zak] What the[bleep]?
What is he doing?
481
00:23:38,860 --> 00:23:40,740
Is he peeping
in people's windows?
482
00:23:40,940 --> 00:23:42,220
Same guy,
483
00:23:42,420 --> 00:23:43,950
camera pointed the other way.
484
00:23:44,150 --> 00:23:45,260
Same floor.
485
00:23:45,460 --> 00:23:47,460
- [Zak] Different...
- [Billy] Guess what
room this is.
486
00:23:47,660 --> 00:23:49,880
- [Zak] Is that 320?
- [Billy] 320.
487
00:23:50,080 --> 00:23:51,710
[Zak] That's Starr's old room,
488
00:23:51,910 --> 00:23:53,770
- Yes.
- where all the poltergeist
activity happened.
489
00:23:53,970 --> 00:23:55,860
- Yup, same guy.
- [Zak] That door is locked.
490
00:24:01,510 --> 00:24:03,880
- [Zak] Why is he
trying to get in there?
- [Jay] Dude, what the...
491
00:24:04,080 --> 00:24:05,980
- That's the only room
he tried to get into,
- He was trying to get in.
492
00:24:06,180 --> 00:24:08,600
that's obviously not his room,
so why did he do that?
493
00:24:08,800 --> 00:24:11,000
Bizarre. And he's...
it's like he's affected.
494
00:24:14,930 --> 00:24:16,840
- [Zak] Yeah, very
weird behaviors.
- [Billy] Right?
495
00:24:17,040 --> 00:24:19,290
And then he looks back like
something's following him.
496
00:24:19,490 --> 00:24:22,710
[Zak] This peculiar behavior
appears eerily similar
497
00:24:22,910 --> 00:24:25,330
to the disturbing footage
of Elisa Lam,
498
00:24:25,530 --> 00:24:27,880
moments before her death.
499
00:24:28,080 --> 00:24:30,950
Yet another direct parallel
from the Cecil,
500
00:24:31,150 --> 00:24:32,530
to the Barclay.
501
00:24:32,730 --> 00:24:34,910
And why did he go to room 320,
502
00:24:35,110 --> 00:24:37,190
- to try and open it?
That's not his room.
- Right, out of all the rooms?
503
00:24:37,390 --> 00:24:39,020
And coincidentally that's the,
504
00:24:39,220 --> 00:24:40,910
that's the room that
we're focusing on...
505
00:24:41,110 --> 00:24:42,050
Yeah. Right.
506
00:24:42,250 --> 00:24:44,440
...for our investigation
on that floor.
507
00:24:48,790 --> 00:24:52,360
As we begin preparing
for our investigation,
508
00:24:52,560 --> 00:24:55,220
one of the X-cameras
rolling on the second floor
509
00:24:55,420 --> 00:24:58,130
starts capturing our
motion ball lighting up.
510
00:25:00,410 --> 00:25:04,170
This means that
something is physically
touching the ball.
511
00:25:05,510 --> 00:25:07,120
Whoa! Whoa, whoa, whoa, whoa!
512
00:25:07,320 --> 00:25:09,020
- [Zak] What's that?
What's that?
- [Billy] Look.
513
00:25:09,220 --> 00:25:11,050
- Hey, look, look, look!
- [Zak] What's wrong?
514
00:25:11,250 --> 00:25:12,600
[Billy] [bleep] look at that.
515
00:25:12,800 --> 00:25:13,770
- [Aaron] Whoa!
- [Jay] Whoa!
516
00:25:13,970 --> 00:25:15,020
What the hell?
517
00:25:15,220 --> 00:25:17,290
What floor is that?
What floor is that?
That's two.
518
00:25:17,490 --> 00:25:19,360
- That's motion.
- That's a motion sensor?
519
00:25:19,560 --> 00:25:21,670
[Billy] That's the ball.
That's the little ball,
520
00:25:21,870 --> 00:25:23,080
- and you have
to move the ball.
- Yeah!
521
00:25:23,280 --> 00:25:25,120
[Billy] You have
to actually touch it,
522
00:25:25,320 --> 00:25:26,190
basically touch it to make--
523
00:25:26,390 --> 00:25:28,670
Dude, hey, we're just
now getting ready,
524
00:25:28,870 --> 00:25:30,840
and you just pulled
the cameras out.
525
00:25:31,040 --> 00:25:33,060
- [Jay] My camera wasn't
even rolling.
- To physically do that.
526
00:25:40,860 --> 00:25:42,840
- [Billy] Is that second floor
or third floor?
- That's second floor.
527
00:25:43,040 --> 00:25:44,910
Really, that's crazy.
528
00:25:45,110 --> 00:25:48,050
[Billy] Hey, you have
to move it to make...
529
00:25:48,250 --> 00:25:50,740
Go up there real quick,
go up there real quick,
go and run.
530
00:25:50,940 --> 00:25:52,150
Go, go, go, go, go!
531
00:25:52,350 --> 00:25:55,640
As Jay, Aaron, and Billy
run up to the second floor,
532
00:25:55,840 --> 00:25:57,710
all of them are in a panic
and tell me
533
00:25:57,910 --> 00:25:59,750
the temperature is ice cold.
534
00:26:00,650 --> 00:26:01,880
Stay back, Aaron.
535
00:26:02,080 --> 00:26:04,640
Don't move right up on it,
observe it from a distance.
536
00:26:04,840 --> 00:26:06,100
Don't go right up on it.
537
00:26:07,000 --> 00:26:07,950
It's cold.
538
00:26:08,150 --> 00:26:09,910
[Billy]
Oh, it's freezing up here.
539
00:26:10,110 --> 00:26:11,530
[Jay] Oh, it's really
cold, Zak.
540
00:26:11,730 --> 00:26:13,190
[Billy] It's ice-cold up here.
541
00:26:13,390 --> 00:26:15,360
If you're up there
on that floor,
542
00:26:15,560 --> 00:26:18,060
I want you to make
that ball light up again.
543
00:26:19,310 --> 00:26:21,340
Make that ball go again.
544
00:26:23,620 --> 00:26:26,960
[Billy] If you're responsible
for doing this,
light that ball up right now.
545
00:26:28,550 --> 00:26:30,530
There it is! There it is!
546
00:26:30,730 --> 00:26:33,330
I just told it to...
oh, it's freezing cold.
547
00:26:33,530 --> 00:26:35,910
Look, are you trying
to show us
548
00:26:36,110 --> 00:26:38,120
something with feelings?
Stop showing us
with feelings.
549
00:26:38,320 --> 00:26:40,220
Move something,
throw something,
550
00:26:40,420 --> 00:26:41,400
knock something
out of the way.
551
00:26:41,590 --> 00:26:43,150
Then we'll pinpoint
where you're at
552
00:26:43,350 --> 00:26:45,720
and we can have
a real conversation, okay?
553
00:26:48,680 --> 00:26:50,190
Hey, is the spirit here?
554
00:26:50,390 --> 00:26:52,460
Are you trying to claim
that you're the one
555
00:26:52,660 --> 00:26:55,080
responsible for a lot
of these people doing what
they're doing here
556
00:26:55,280 --> 00:26:57,060
in the hotels around here?
557
00:26:58,170 --> 00:26:59,710
[machine crackling]
558
00:26:59,910 --> 00:27:01,260
[automated voice]
Need to talk.
559
00:27:01,460 --> 00:27:03,430
- "Need to talk"!
- "Need to talk".
560
00:27:03,630 --> 00:27:05,020
[Aaron] It just said,
"Need to talk."
561
00:27:05,220 --> 00:27:06,740
[Zak] Holy [bleep].
562
00:27:06,940 --> 00:27:08,430
That was so clear.
563
00:27:08,630 --> 00:27:10,220
This is an incredible
564
00:27:10,420 --> 00:27:13,020
three-word
intelligent response
565
00:27:13,220 --> 00:27:15,500
in the same woman's voice.
566
00:27:15,700 --> 00:27:17,880
Are you trying to claim
that you're the one
567
00:27:18,080 --> 00:27:20,460
responsible for a lot
of these people doing what
they're doing here
568
00:27:20,660 --> 00:27:22,310
in the hotels around here?
569
00:27:23,440 --> 00:27:25,080
[machine crackling]
570
00:27:25,280 --> 00:27:26,720
[automated voice speaking]
571
00:27:28,890 --> 00:27:30,950
- "Need to talk"!
- "Need to talk".
572
00:27:31,150 --> 00:27:32,600
[Aaron] It just said,
"Need to talk".
573
00:27:32,800 --> 00:27:35,950
[Zak] Could this be the spirit
of Virgie Lee Griffin,
574
00:27:36,150 --> 00:27:38,430
who was brutally
murdered and dismembered
575
00:27:38,630 --> 00:27:41,680
in 1944, on this exact floor?
576
00:27:43,510 --> 00:27:45,190
See if that's
Virgie Lee Griffin.
577
00:27:45,390 --> 00:27:46,260
[Aaron] That's definitely her.
578
00:27:46,460 --> 00:27:47,500
[Zak] What's her name?
What's her name?
579
00:27:47,700 --> 00:27:49,020
What's your name, okay?
580
00:27:49,220 --> 00:27:50,840
So we know who
we're talking with.
581
00:27:51,040 --> 00:27:52,050
[machine crackling]
582
00:27:52,250 --> 00:27:53,260
[Aaron] Wow.
583
00:27:53,460 --> 00:27:54,910
[automated voice]
Those murders[indistinct].
584
00:27:55,110 --> 00:27:56,360
I thought it said, "murders".
585
00:27:56,560 --> 00:27:57,530
[Jay] Murders?
586
00:27:57,730 --> 00:28:00,330
[Zak] From nerve center,
I hear the spirit sing
587
00:28:00,530 --> 00:28:02,910
something about
"those murders",
588
00:28:03,110 --> 00:28:05,050
and then another word
that we cannot make out.
589
00:28:05,250 --> 00:28:06,500
What's your name, okay?
590
00:28:06,700 --> 00:28:08,360
So we know who
we're talking with.
591
00:28:08,560 --> 00:28:09,810
[machine crackling]
592
00:28:10,010 --> 00:28:10,880
[Aaron] Wow.
593
00:28:11,080 --> 00:28:12,370
[automated voice speaking]
594
00:28:15,650 --> 00:28:17,120
[Zak] I thought
it said "murders".
595
00:28:17,320 --> 00:28:20,020
- [Jay] Murders?
- Wait, it just said it's not.
596
00:28:20,220 --> 00:28:22,770
It said, "It's not." A man.
597
00:28:22,970 --> 00:28:24,430
You said, "Is it Virgie Lee?"
598
00:28:24,630 --> 00:28:27,600
- Yeah.
- [Billy] And that guy goes,
"It's not."
599
00:28:27,800 --> 00:28:29,120
[Zak] This is amazing.
600
00:28:29,320 --> 00:28:30,950
As I radio the guys and say,
601
00:28:31,150 --> 00:28:33,980
"I think the last voice said
something about murders",
602
00:28:34,180 --> 00:28:36,570
another voice reacts
to me by saying,
603
00:28:36,770 --> 00:28:37,820
"It's not."
604
00:28:42,750 --> 00:28:45,240
- [Jay] Murders?
- Wait, it just
said, "it's not".
605
00:28:46,270 --> 00:28:47,130
What does that mean?
606
00:28:48,650 --> 00:28:49,620
Maybe not.
607
00:28:50,510 --> 00:28:51,460
[automated voice]
You're right.
608
00:28:51,660 --> 00:28:53,460
[all shouting] "You're right"!
609
00:28:53,660 --> 00:28:54,960
"You're right"!
610
00:28:56,790 --> 00:28:58,950
I'm right, 'cause I just
said she's not here
and it's him!
611
00:28:59,150 --> 00:29:01,600
[Zak] Listen now
as Aaron says,
612
00:29:01,800 --> 00:29:03,570
"Maybe it's not Virgie Lee",
613
00:29:03,770 --> 00:29:07,530
and this spirit, incredibly,
tells him he's right.
614
00:29:07,730 --> 00:29:10,150
This is mind-blowing
evidence of interaction
615
00:29:10,350 --> 00:29:12,000
with an intelligent spirit.
616
00:29:13,410 --> 00:29:14,370
Maybe not.
617
00:29:18,680 --> 00:29:21,290
[all shouting] "You're right"!
618
00:29:21,490 --> 00:29:24,570
Now, remember, guys,
the guy's name
that murdered her,
619
00:29:24,770 --> 00:29:26,740
his name was Otto Wilson.
620
00:29:26,940 --> 00:29:30,020
And he went on to murder
somebody else that same day.
621
00:29:30,220 --> 00:29:33,080
- Right.
- You know, like something
possessed this guy.
622
00:29:33,280 --> 00:29:35,950
He started there, here,
at this place.
623
00:29:36,150 --> 00:29:39,460
So did something get him,
someone, something
possessed him,
624
00:29:39,660 --> 00:29:41,120
He just took her
there for sex.
625
00:29:41,320 --> 00:29:43,340
And it was like
something possessed this guy.
626
00:29:44,200 --> 00:29:45,400
Aaron.
627
00:29:45,590 --> 00:29:47,080
Take that to that room.
628
00:29:47,280 --> 00:29:49,500
[Zak] Billy wants to take
the Polterpod
629
00:29:49,700 --> 00:29:51,770
to the room where we captured
the black mass
630
00:29:51,970 --> 00:29:54,150
last night on
our timelapse camera
631
00:29:54,350 --> 00:29:55,860
while we weren't even here.
632
00:29:57,370 --> 00:29:58,500
What happened here?
633
00:29:58,700 --> 00:29:59,670
[machine whirring]
634
00:29:59,870 --> 00:30:02,580
[Billy] Speak. Please, Virgie.
635
00:30:04,790 --> 00:30:05,720
[automated voice] [indistinct]
636
00:30:06,480 --> 00:30:07,460
What?
637
00:30:07,660 --> 00:30:10,270
[Billy] Speak. Please, Virgie.
638
00:30:17,130 --> 00:30:18,060
What?
639
00:30:19,130 --> 00:30:20,080
So, I think...
640
00:30:20,280 --> 00:30:22,640
As I radio the guys
to head back to nerve,
641
00:30:22,840 --> 00:30:24,710
they all start
leaving the area,
642
00:30:24,910 --> 00:30:26,710
at which time I reposition
643
00:30:26,910 --> 00:30:29,530
the remotely-controlled camera
to follow them,
644
00:30:29,730 --> 00:30:32,190
- when all of a sudden,
we all hear a loud crash,
- [crashing]
645
00:30:32,390 --> 00:30:35,710
and discover it is a 2x4
piece of wood
646
00:30:35,910 --> 00:30:38,460
that appears to have fallen
or been thrown
647
00:30:38,660 --> 00:30:40,770
from the room that
they just walked out of.
648
00:30:40,970 --> 00:30:42,640
She's making you
feel that, dude.
649
00:30:42,840 --> 00:30:44,480
[Aaron] Yeah, it's kinda
holding me back.
650
00:30:48,170 --> 00:30:50,150
What the [bleep]
was that, dude?
651
00:30:50,350 --> 00:30:52,810
[bleep], are you [bleep]
kidding right now?
652
00:30:53,010 --> 00:30:55,290
- [Billy] What was that, Jay?
- [Aaron] Did that just get
thrown at you?
653
00:30:55,490 --> 00:30:56,910
[Jay] I have no clue, dude.
654
00:30:57,110 --> 00:30:58,670
- [Billy] What even is it?
- [Jay] I was walking...
655
00:30:58,870 --> 00:30:59,910
[Billy] Is that a 2x4?
656
00:31:00,110 --> 00:31:01,980
[Aaron] It's a 2x4.
Where'd it come from?
657
00:31:02,180 --> 00:31:04,500
Where the [bleep]
did that come from?
658
00:31:04,700 --> 00:31:06,500
- Wow.
- Did you see that, Zak?
659
00:31:06,700 --> 00:31:08,080
- [Billy] Zak, did you see it?
- I see it, bro.
660
00:31:08,280 --> 00:31:09,580
[Zak] The camera was over.
661
00:31:10,580 --> 00:31:11,980
- The door's opening!
- [Jay] What?
662
00:31:12,180 --> 00:31:13,330
- [Billy] Get it, get it!
- [Aaron] Look!
663
00:31:13,530 --> 00:31:15,080
[Aaron] It just opened, dude.
664
00:31:15,280 --> 00:31:16,080
Hang on.
665
00:31:16,280 --> 00:31:18,260
[Billy] Bro, what the [bleep].
666
00:31:18,460 --> 00:31:20,150
[Aaron] Bro, I just saw
this crash open.
667
00:31:20,350 --> 00:31:23,120
[Zak] As the guys are taking
all of this in,
668
00:31:23,320 --> 00:31:26,020
watch this strange anomaly
appear to manifest
669
00:31:26,220 --> 00:31:27,810
out of the wooden doorframe.
670
00:31:28,010 --> 00:31:30,430
Could this have anything to do
with the piece of wood
671
00:31:30,630 --> 00:31:32,480
that just unexplainably moved?
672
00:31:33,960 --> 00:31:36,050
- It wasn't here.
- [Jay] No.
673
00:31:36,250 --> 00:31:37,880
[Billy] It came from
that room, 100%.
674
00:31:38,080 --> 00:31:39,710
Could it be from
the door opening?
675
00:31:39,910 --> 00:31:41,460
- [Billy] Maybe.
- Dude, I'm telling you,
it was standing here
676
00:31:41,660 --> 00:31:43,220
- the door was like this.
- [Billy] Listen.
677
00:31:43,420 --> 00:31:44,840
This is important, Zak.
678
00:31:45,040 --> 00:31:46,770
When Aaron and I
first came up here,
679
00:31:46,970 --> 00:31:48,980
we walked directly
to right here,
680
00:31:49,180 --> 00:31:51,150
I don't know why,
any other place,
681
00:31:51,350 --> 00:31:52,670
and we're just like,
"Whoa, you feel that?"
682
00:31:52,870 --> 00:31:54,050
And we went into this room,
683
00:31:54,250 --> 00:31:55,640
and I opened the closet
and I go,
684
00:31:55,840 --> 00:31:57,190
"I wonder if this
is where it happened."
685
00:31:57,390 --> 00:31:59,600
- Hang on. We're just gonna
try this, okay? Hang on.
- [Jay] Yeah.
686
00:31:59,800 --> 00:32:01,860
- [machine crackling]
- Did you die in here?
687
00:32:03,170 --> 00:32:04,080
[automated voice]
Chopped liver.
688
00:32:04,280 --> 00:32:05,500
[Zak] Listen to this,
689
00:32:05,700 --> 00:32:07,710
as Aaron asks Virgie Lee,
690
00:32:07,910 --> 00:32:10,120
who was chopped up
after being murdered,
691
00:32:10,320 --> 00:32:11,430
if she died here.
692
00:32:11,630 --> 00:32:14,710
They receive a response
saying, "chopped liver".
693
00:32:14,910 --> 00:32:16,650
Did you die in here?
694
00:32:22,240 --> 00:32:23,360
[Aaron] Who moved that board?
695
00:32:23,560 --> 00:32:25,080
[Billy] Dude, that's
[bleep] bizarre.
696
00:32:25,280 --> 00:32:26,530
I wanna know where
that came from.
697
00:32:26,730 --> 00:32:27,670
[automated voice]
You're in trouble.
698
00:32:27,870 --> 00:32:29,120
[Billy] "You're in trouble".
699
00:32:29,320 --> 00:32:31,960
Dude, that's [bleep] bizarre.
I wanna know where
that came from.
700
00:32:35,750 --> 00:32:36,840
[Billy] "You're in trouble."
701
00:32:37,040 --> 00:32:38,170
[hisses]
702
00:32:39,130 --> 00:32:40,330
The [bleep] was that?
703
00:32:40,530 --> 00:32:41,680
[Jay] There's nothing there.
704
00:32:42,650 --> 00:32:43,710
[Aaron] All I said was--
705
00:32:43,910 --> 00:32:46,050
I felt it, I felt that
on my [bleep] hand
just now!
706
00:32:46,250 --> 00:32:48,910
- Oh, [bleep].
- Like, like that,
swear to God.
707
00:32:49,110 --> 00:32:51,500
- What the [bleep]?
- [Jay] I was watching,
there's nothing on you.
708
00:32:51,700 --> 00:32:55,290
[Billy] Jay, that was someone
[bleep] put their hand
on my forearm like...
709
00:32:55,490 --> 00:32:57,150
look at my arm hair, dude.
710
00:32:57,350 --> 00:32:58,740
It's standing straight up.
711
00:32:58,940 --> 00:33:00,810
Zak, something crazy
just happened.
712
00:33:01,010 --> 00:33:02,400
This is too many signs.
713
00:33:02,590 --> 00:33:05,330
The light, the black mass,
this 2x4,
714
00:33:05,530 --> 00:33:06,670
this closet door opening.
715
00:33:06,870 --> 00:33:09,020
That, something just
touched me on my arm
716
00:33:09,220 --> 00:33:10,460
while you were playing that.
717
00:33:10,660 --> 00:33:12,050
[all screaming] Closet!
718
00:33:12,250 --> 00:33:14,360
What the [bleep]?
719
00:33:14,560 --> 00:33:16,710
"Closet"! It said "closet"!
720
00:33:16,910 --> 00:33:18,240
What happened?
721
00:33:19,410 --> 00:33:22,220
The 2x4 fell,
the closet door opened,
722
00:33:22,420 --> 00:33:24,840
Aaron goes in there,
we hear voices coming through,
723
00:33:25,040 --> 00:33:25,880
and then he
pulls out the Ovilus,
724
00:33:26,080 --> 00:33:27,740
and the first thing it says
is "closet".
725
00:33:27,940 --> 00:33:31,680
No [bleep] way,
that's where she
was dismembered.
726
00:33:34,620 --> 00:33:35,950
All of a sudden, the guys hear
727
00:33:36,150 --> 00:33:37,670
footsteps walking up on them.
728
00:33:37,870 --> 00:33:39,020
[on radio]
There's something in here,
729
00:33:39,220 --> 00:33:40,360
I'm gonna need you
to get out there.
730
00:33:40,560 --> 00:33:42,130
[Aaron] What?
731
00:33:49,720 --> 00:33:51,770
- [whispering] Upstairs?
- [whispering] Yeah.
732
00:33:51,970 --> 00:33:53,400
[in normal voice]
I honestly... dude,
I thought it
733
00:33:53,590 --> 00:33:55,220
was someone walking up on me.
734
00:33:55,420 --> 00:33:57,330
Hey, Aaron, you had a thing
735
00:33:57,530 --> 00:34:00,120
disappear into your head
20 seconds ago
736
00:34:00,320 --> 00:34:01,710
when you were over there,
it's more to the right.
737
00:34:01,910 --> 00:34:02,910
[both] That's twice.
738
00:34:03,110 --> 00:34:05,570
[Zak] Watching all this
activity from nerve center
739
00:34:05,770 --> 00:34:08,740
has made me
want to get inside
the building immediately.
740
00:34:08,940 --> 00:34:11,290
So I have Billy meet me
at base camp
741
00:34:11,490 --> 00:34:13,570
and I suit up
with the SLS camera,
742
00:34:13,770 --> 00:34:16,840
and I feel the need to do
a quick robot walk
on the sidewalk
743
00:34:17,040 --> 00:34:18,980
before heading
to the third floor.
744
00:34:19,180 --> 00:34:21,240
[Billy chuckling]
He's a robot.
745
00:34:22,580 --> 00:34:25,860
[Zak] I send Aaron and Jay
down to the basement.
746
00:34:27,930 --> 00:34:31,020
So this is where we captured
that footage last night
747
00:34:31,220 --> 00:34:34,400
of that resident
acting strangely right here.
748
00:34:34,590 --> 00:34:36,960
He was trying
to get inside of 320.
749
00:34:41,580 --> 00:34:43,460
Gotta also remember
that up here,
750
00:34:43,660 --> 00:34:45,460
Starr, that lived
right here, said that
751
00:34:45,660 --> 00:34:48,120
two people died while
she was living here.
752
00:34:48,320 --> 00:34:50,220
One right down there
in the bathroom,
753
00:34:50,420 --> 00:34:51,530
one right next door to her.
754
00:34:51,730 --> 00:34:54,400
Isn't that very strange
that this whole side
755
00:34:54,590 --> 00:34:56,460
is where all the activity
and all the death were?
756
00:34:56,660 --> 00:35:00,020
As we enter room 320,
we are on high alert
757
00:35:00,220 --> 00:35:02,150
for items moving
by themselves,
758
00:35:02,350 --> 00:35:05,050
because of how much
poltergeist activity
759
00:35:05,250 --> 00:35:07,710
Starr told us would occur
while living here.
760
00:35:07,910 --> 00:35:10,340
[Aaron] Were you moving
stuff in here?
761
00:35:11,680 --> 00:35:13,240
Can you show us
how you do that?
762
00:35:18,930 --> 00:35:20,360
[Zak] Down in the basement,
763
00:35:20,560 --> 00:35:22,810
Jay introduces
a new experiment.
764
00:35:23,010 --> 00:35:25,530
This is an ARP
2600 synthesizer.
765
00:35:25,730 --> 00:35:27,980
And my idea
that I wanna try out
766
00:35:28,180 --> 00:35:29,770
is this produces
different frequencies,
767
00:35:29,970 --> 00:35:31,640
kinda like what we do
with infrasound.
768
00:35:31,840 --> 00:35:35,260
And I can dial in
three different frequencies
at the same time,
769
00:35:35,460 --> 00:35:38,570
so three different values
of infrasound going
at the same time,
770
00:35:38,770 --> 00:35:40,710
plus white noise generation,
771
00:35:40,910 --> 00:35:43,530
and I'm gonna run
a spirit box through it.
772
00:35:43,730 --> 00:35:45,500
- [humming]
- This is just one
of the frequencies
773
00:35:45,700 --> 00:35:46,530
going right now.
774
00:35:46,730 --> 00:35:49,170
So I'm gonna dial in
a second frequency here.
775
00:35:55,130 --> 00:35:57,980
- Feel that one change
in the energy a little bit.
- [Aaron] Yeah.
776
00:35:58,180 --> 00:35:59,500
[Jay] If you're
a spirit down here,
777
00:35:59,700 --> 00:36:02,260
you can use this energy
to show yourself,
778
00:36:02,460 --> 00:36:04,130
to manifest or communicate.
779
00:36:06,720 --> 00:36:08,580
Adding in more frequencies.
780
00:36:11,620 --> 00:36:13,530
Bringing in the spirit box.
781
00:36:13,730 --> 00:36:15,840
[machines whirring]
782
00:36:16,040 --> 00:36:17,750
[Jay] Who runs this hotel?
783
00:36:20,410 --> 00:36:22,510
What is the evil entity
that's here?
784
00:36:27,680 --> 00:36:30,430
[Zak] As I continue
scanning room 320,
785
00:36:30,630 --> 00:36:32,710
I capture a figure
laying on the ground.
786
00:36:32,910 --> 00:36:35,260
It then seems
to burst with energy
787
00:36:35,460 --> 00:36:37,150
as it shoots over
to the right,
788
00:36:37,350 --> 00:36:38,950
and as I try to find it again,
789
00:36:39,150 --> 00:36:42,200
it appears across the room,
crawling up the wall.
790
00:36:45,000 --> 00:36:47,260
- [Zak] Whoa, whoa.
- [Billy] What do you got?
791
00:36:47,460 --> 00:36:49,670
[Zak] Something just crawled
up the wall right there.
792
00:36:49,870 --> 00:36:51,620
- [Billy] Seriously?
- Yeah, that was weird.
793
00:36:52,580 --> 00:36:53,790
[Billy] Who are you?
794
00:36:55,370 --> 00:36:56,530
No response.
795
00:36:56,730 --> 00:36:58,810
Who are you?
796
00:36:59,010 --> 00:37:00,530
- [automated voice] Begin.
- [Billy] "Begin".
797
00:37:00,730 --> 00:37:01,880
[Billy] Begin what?
798
00:37:02,080 --> 00:37:03,260
[automated voice] Near.
799
00:37:03,460 --> 00:37:04,220
- [Zak] Bill.
- [Billy] Yeah?
800
00:37:04,420 --> 00:37:05,220
[Billy] What's going on?
801
00:37:05,420 --> 00:37:06,980
[Zak] Whoa, whoa, whoa, whoa.
802
00:37:07,180 --> 00:37:08,640
[Billy] Begin what?
It says "near".
803
00:37:08,840 --> 00:37:10,330
[Zak] Yes, it's near you.
804
00:37:10,530 --> 00:37:11,840
This is shocking.
805
00:37:12,040 --> 00:37:14,840
Just as the Paranormal
Puck 2 says "near",
806
00:37:15,040 --> 00:37:18,360
I capture a figure
standing near Billy.
807
00:37:18,560 --> 00:37:19,510
Put your right hand out.
808
00:37:20,340 --> 00:37:21,370
Can you touch him?
809
00:37:24,240 --> 00:37:25,500
Okay, it's touching your hand.
810
00:37:25,700 --> 00:37:27,400
- [Billy] What are you...
- I don't...
811
00:37:27,590 --> 00:37:30,220
[Zak] It just disappeared.
I just lost my breath.
812
00:37:30,420 --> 00:37:33,150
[Zak] Watch now as I
ask Billy to put his arm out,
813
00:37:33,350 --> 00:37:35,950
then ask the figure
to touch his hand.
814
00:37:36,150 --> 00:37:38,710
And it does,
before disappearing.
815
00:37:38,910 --> 00:37:41,360
This is absolutely
compelling evidence,
816
00:37:41,560 --> 00:37:43,740
again, of an
intelligent spirit.
817
00:37:43,940 --> 00:37:45,360
Okay, it's touching your hand.
818
00:37:45,560 --> 00:37:47,570
Just disappeared.
819
00:37:47,770 --> 00:37:49,910
Yo, it just disappeared.
I just lost all my breath.
820
00:37:50,110 --> 00:37:52,190
- [Billy exhales]
It's really [bleep].
- I know, dude.
821
00:37:52,390 --> 00:37:54,290
[Billy] Oh... what's going on?
822
00:37:54,490 --> 00:37:56,170
'Cause you saw it.
823
00:38:00,170 --> 00:38:01,620
[Zak exhales]
824
00:38:03,410 --> 00:38:05,430
- [exhales]
- It was incredible?
825
00:38:05,630 --> 00:38:06,980
[Zak] I was fine,
but when it disappeared,
826
00:38:07,180 --> 00:38:08,360
like, it shot
through my chest.
827
00:38:08,560 --> 00:38:10,910
Like, it collapsed my lungs,
I swear to God.
828
00:38:11,110 --> 00:38:12,650
Like it squeezed them.
829
00:38:17,100 --> 00:38:18,530
[Zak] Back down
in the basement,
830
00:38:18,730 --> 00:38:21,500
Jay, all of a sudden,
starts receiving responses.
831
00:38:21,700 --> 00:38:22,840
[machine whirring]
832
00:38:23,040 --> 00:38:24,220
Did you die in this hotel?
833
00:38:24,420 --> 00:38:25,580
[voice on machine] Yeah.
834
00:38:27,720 --> 00:38:29,000
Did you die in this hotel?
835
00:38:35,680 --> 00:38:36,860
Can you tell us your name?
836
00:38:38,790 --> 00:38:40,000
[voice on machine]
[indistinct]
837
00:38:41,510 --> 00:38:42,890
Can you tell us your name?
838
00:38:48,960 --> 00:38:51,810
[Zak] As Aaron now
operates this machine,
839
00:38:52,010 --> 00:38:54,770
listen to the spirit
ask him if he's ready.
840
00:38:54,970 --> 00:38:56,530
- [voice] Ready?
- "Ready".
841
00:38:56,730 --> 00:38:58,260
- [Jay] Did it say "ready"?
- Ready.
842
00:38:58,460 --> 00:38:59,890
Yeah, ready. Go.
843
00:39:02,720 --> 00:39:05,120
- [voice] Hate him.
- "Him"?
844
00:39:05,320 --> 00:39:07,080
[Zak] They now capture
a very faint voice
845
00:39:07,280 --> 00:39:08,430
saying, "hate him."
846
00:39:08,630 --> 00:39:10,030
Yeah, ready. Go.
847
00:39:16,240 --> 00:39:17,260
"Him"?
848
00:39:17,460 --> 00:39:19,980
[Zak] Right after this spirit
says, "Hate him",
849
00:39:20,180 --> 00:39:21,840
Aaron immediately storms off
850
00:39:22,040 --> 00:39:24,360
and starts having pains
all over his body.
851
00:39:24,560 --> 00:39:27,030
Oh, my God,
my whole body hurts, dude.
852
00:39:29,750 --> 00:39:33,480
I feel like an old, old,
old, old, old, old man, dude.
853
00:39:34,680 --> 00:39:36,200
I just wanna, like, lie down.
854
00:39:37,820 --> 00:39:39,960
It's just, my bones
won't stop hurting.
855
00:39:42,790 --> 00:39:44,840
[Zak] Again, this
is the room where
856
00:39:45,040 --> 00:39:46,840
Starr told us that man died.
857
00:39:47,040 --> 00:39:49,260
And then the other man
died right around this corner.
858
00:39:49,460 --> 00:39:51,820
What is it about
this row right here?
859
00:39:53,650 --> 00:39:54,720
You wanna come out?
860
00:39:57,510 --> 00:39:59,340
This is your time now.
861
00:40:05,200 --> 00:40:06,580
Sir, can we talk to you?
862
00:40:08,720 --> 00:40:10,910
[knocking on door]
863
00:40:11,110 --> 00:40:13,440
Did something in here
cause you to die?
864
00:40:14,820 --> 00:40:16,930
Is something here
stealing souls?
865
00:40:18,480 --> 00:40:21,080
I want everyone right now
to turn the volume up
866
00:40:21,280 --> 00:40:24,150
and listen to this Class-A EVP
867
00:40:24,350 --> 00:40:26,290
of who we believe is the man
868
00:40:26,490 --> 00:40:28,150
who died in this room.
869
00:40:28,350 --> 00:40:29,680
[voice on EVP] [indistinct]
870
00:40:31,440 --> 00:40:33,050
- [Zak] What, what is that?
- What said that?
871
00:40:33,250 --> 00:40:34,370
[voice on EVP]
The door's not open.
872
00:40:35,270 --> 00:40:37,000
[Zak] "Door's not open"?
Say that again.
873
00:40:37,960 --> 00:40:38,980
[voice on EVP]
Door's not open.
874
00:40:39,180 --> 00:40:40,810
[Zak] "The door's not open"!
875
00:40:41,010 --> 00:40:44,120
[Billy] I have goosebumps
the whole up my arm
876
00:40:44,320 --> 00:40:47,340
after that man said,
"The door's not open."
877
00:40:48,750 --> 00:40:50,150
[Billy] This is the first
thing you've said.
878
00:40:50,350 --> 00:40:51,670
Sir, can we talk to you?
879
00:40:51,870 --> 00:40:53,150
That's the first thing
you said.
880
00:40:53,350 --> 00:40:55,290
I was recording you.
No one said,
881
00:40:55,490 --> 00:40:56,860
"The door's not open."
882
00:40:59,270 --> 00:41:02,770
[Zak] It's ironic
that we capture
a Class-A EVP
883
00:41:02,970 --> 00:41:05,360
talking about how
the door is not open,
884
00:41:05,560 --> 00:41:08,290
and now we capture
an unexplained light anomaly
885
00:41:08,490 --> 00:41:10,640
disappearing into
the door handle,
886
00:41:10,840 --> 00:41:12,950
as if a spirit
is trying to open it.
887
00:41:13,150 --> 00:41:14,530
[Billy on recording]
Sir, can we talk to you?
888
00:41:14,730 --> 00:41:16,030
[voice on EVP speaking]
889
00:41:17,930 --> 00:41:19,840
[Zak] This Class-A EVP
890
00:41:20,040 --> 00:41:21,950
is most definitely
one of the best
891
00:41:22,150 --> 00:41:24,400
spirit voices we
have ever captured.
892
00:41:24,590 --> 00:41:27,910
We immediately try
to call our contact
at the hotel
893
00:41:28,110 --> 00:41:30,530
to see if we can get the key
to open the door,
894
00:41:30,730 --> 00:41:33,670
where the spirit just told us
the door won't open.
895
00:41:33,870 --> 00:41:36,770
But we are unsuccessful
trying to get an answer back.
896
00:41:36,970 --> 00:41:39,120
We leave our investigation
897
00:41:39,320 --> 00:41:42,080
with absolutely
incredible evidence
898
00:41:42,280 --> 00:41:44,050
of poltergeist activity...
899
00:41:44,250 --> 00:41:46,910
[Aaron] What the [bleep]
was that?
900
00:41:47,110 --> 00:41:49,600
[Zak]
...intelligent communication
of spirits that
901
00:41:49,800 --> 00:41:50,910
needed to talk...
902
00:41:51,110 --> 00:41:51,930
[voice on machine]
903
00:41:55,130 --> 00:41:56,600
[all shouting] "You're right"!
904
00:41:56,800 --> 00:41:59,260
[Zak] ...spirits telling us
when they were near us...
905
00:41:59,460 --> 00:42:00,600
[Billy] It says, "Near".
906
00:42:00,800 --> 00:42:01,950
[Zak] Yes, it's near you.
907
00:42:02,150 --> 00:42:05,150
...and disturbing,
yet amazing proof
908
00:42:05,350 --> 00:42:07,200
of a very dark entity.