[Zak] We're in Ogden, Utah.
This is a really mysterious...
situation.
So all I've been told is that
we're going to investigate a couple buildings that
have a dangerous history
and a presence
that also fits that adjective.
Before we go to this location,
I am going to meet somebody.
She wants to talk to me before we enter the doors
of the location that we're going to investigate.
All that I do know
is that this location
is literally soaked in blood.
There are things in this world that we will
never fully understand.
[man, in eerie voice] Understand.
We want answers.
[Zak] We have worked years to build our credibility,
our reputation...
working alongside the most
renowned professionals in the field,
capturing groundbreaking proof of the paranormal.
[Aaron] It's working.
I can't give you an explanation.
[Zak] This is our evidence, our ghost adventures.
As we arrive at my contact's rendezvous point,
my instinct is telling me whatever I'm about to learn
will only heighten the severity of this investigation.
So I'm gonna walk in here
and see what this is all about.
-Okay? -[Aaron] Okay.
[Zak] There's some information about this location
that she needs to tell me.
Whatever occurred at these buildings,
as dark as it is,
that creates a residue.
-Are you Jackie? -I am.
-Hi, I'm Zak. -Nice to meet you, Zak.
[Zak] Nice to meet you as well.
So what am I getting myself into?
Have you ever been to Historic 25th Street in Ogden?
-No. -Utah?
-Do you know any of the history? -No.
[Jackie] This used to be
the most sinful town in America.
[Zak] This little town in Utah?
[Jackie] Yeah, because
the transcontinental railroad
met here.
The East and the West of the United States
was meeting together for the first time ever.
So it changed this city drastically, almost overnight.
There was a huge red light district.
And later on,
there was a woman named Rose Davie.
-This is her? -This is her mugshot.
[Zak] She doesn't look very friendly.
[Jackie] No. She was one of the most notorious madams
in Ogden history.
She came here in the '40s,
and by 1947, she had established
The Rose Room, a thriving brothel.
-And it was on the second upstairs level floor. -[Zak] Okay.
[Jackie] And there's been many accounts from locals
that have talked about how they've seen
a madam wandering around.
And then the bar.
What was the bar called? El Borracho?
-[Jackie] Mm-hmm. El Borracho. -[Zak] Um...
[Jackie] And that was the bar that was below The Rose Room.
Were there murders at that time?
There was many murders
-in that building. -In that building?
Many murders in that building.
[Zak] The brutality and murder that the El Borracho
was known for, spanned decades...
[man grunting]
[Zak] Making this host
to one of the most violent and bloody buildings
in all of Ogden's history.
Okay. So the location that we're investigating
is two buildings.
One building is called The Helena Building.
It's like some lofts.
The basement of that building
is called Unspoken.
It's kind of like a speakeasy kind of bar.
The other building is another bar called Alleged.
-That used to be the old bar that was... -[Billy] Borracho.
[Zak] ...where all the murders took place, The Rose Room.
Is there some type of energy underlying here
that was possessing people to do
these violent crimes and literally kill people?
I now enter the building which
once housed the El Borracho bar
and Rose Davie's brothel,
to meet with its owner, Jared,
who has recently opened a new bar called Alleged.
He is desperate for answers
for what he and his staff are experiencing.
So, Jared, I just met with Jackie.
She was letting me know about
-the history of your buildings. -[Jared] Mm-hmm.
-Yeah. -And
it's pretty dark.
Yeah. When we first bought the buildings,
I thought for sure they were cursed.
The buildings, they had been in such disrepair,
like, Ogden City had actually been told
that if The Helena caught fire,
just to let it burn.
So did you ever think to walk away from this,
that the curse could be a very real thing?
When we started the dig out on Unspoken
and we ran into roadblock and roadblock there,
in the middle of that,
I wished, I wished we'd never started digging down there.
[Zak] So let's go, guys.
Jared says that not only did digging in the basement
disturb something,
but his staff is terrified to go down there.
Hey, Mckenzi, how you doing?
-Nice to meet you. -Nice to meet you.
-This is the entrance to Unspoken? -Yes.
Why is it called Unspoken?
Speakeasy kind of vibe.
Oh.
-That's nice. -Yeah. [chuckles]
So, right now we are headed down
into the basement of The Helena Building.
We got to remember
that Rose is not the only spirit here.
We got to remember all the murders
that have taken place here,
and be aware that any other spirits can
show up at any other time.
[Mckenzi] So, I was
working down here by myself one night
and I saw something out of the corner of my eye.
And so I looked and saw the dress
and the lady, she was standing
right where the stairs are.
And who do you think this was?
Rose Davie.
-You do? -Yeah.
[Zak] You saw this too?
I mean, I definitely saw a woman for sure.
Um, so, I was working
down here, and as I was cleaning
just at the end of the shift,
as I was turning to put something behind me,
I saw a woman just standing there.
She was wearing a long dress. It went down to her ankles.
And right as I panned back, she was gone.
[Zak] Mckenzi now tells me about a strange phenomenon
that multiple people have witnessed
in The Unspoken Bar.
[Mckenzi] So one time I was walking through here.
I had my flashlight on
'cause I couldn't see,
and it was, like, channeled.
I was walking through channels of smoke.
-Like pillars of smoke? -Yeah.
-Yeah. Mm-hmm. -[Zak] Like mist?
Mckenzi, how were there pillars of smoke
In this basement that were
standalone? Each of them?
I can't explain it.
Do you think that these pillars of smoke were spirits?
Yes.
[Zak] Mckenzi wasn't the only employee
to have witnessed these
mysterious transient forms of mist.
I meet with Mark Hoaglin,
a plumber who worked on this basement renovation
and is still puzzled by what he saw.
So, like, all this was dirt.
And I mean, it was just dreary.
But out of right here, where the whiskey bottles are,
the white smoke would go poof,
and then exit into the east side of the building.
It was a ghost?
-It was a spirit, you think? -Mm-hmm.
That's weird 'cause there's another employee, Mckenzi,
that saw shafts of smoke down here.
-Oh, yeah. -[Zak] Pillars of smoke.
[Mark] The thing about this building is that
when I was in it, it was literally creepy.
I mean, there was just always something buzzing around.
[Zak] With The Unspoken Bar being underground,
we do a quick sweep to determine
if these claims can be debunked
by any structural
or environmental penetration from above ground.
But our findings are inconclusive.
Since we're within the bowels of
Ogden's once sin-ridden 25th Street,
could Jared's construction of this space
have stirred up spirits
from this former red light district?
Oh, my God!
[groans]
My stomach hurts so bad, Jay.
It's literally like someone's stabbing me in the stomach.
It literally happened
the second that I stepped out of that doorway
down there.
[Billy] Why is it at 2.9?
[Zak] With the immediate and sudden onset
of these horrible stomach pains,
it's becoming clear something from that space
didn't want me in there.
One of the murders was a stab victim. You know that, right?
He was stabbed in the chest and stomach.
[Jay] Could it be a residual feeling?
[Zak] In this moment,
could I be experiencing a transference
of residual energy from one of the violent deaths
that occurred inside the El Borracho?
Is it possible the smoke-like entities
we've been told about are the spirits of these victims?
If I'm experiencing this, it's no wonder
the employees here are fearful.
[Billy] It's so weird. It's a weird shape.
-[Aaron] It's weird. -[Billy] Almost looks like it has eyes in it.
[Zak] The guys suddenly discover
a disturbing piece of evidence
that validates what I'm feeling.
[Jay] Top of the stairs, right here,
Aaron was taking a photo of you
when you first said that your stomach was hurting.
[Zak] Holy [bleep]
So we just captured this anomaly
above the stairs.
It looks like a skull, isn't it?
-[Billy] It's the guy that was stabbed. -[Aaron] Yeah.
[Zak] To our surprise,
Jared tells us something about The Alleged building
that adds another layer of mystery
to this investigation.
[Jared] When we got ahold of this one,
there wasn't even a staircase to get to the second floor.
Someone had just sledgehammered a hole through the bricks
of the neighboring building
to then crawl into the second floor of this one.
-[Zak] Really? -Yeah.
The second floor,
that is where Rose Davie had her brothel, right?
[Jared] Correct, correct.
Staff, when they're in here alone, are really on edge.
You know, people who helped renovate it, very much on edge.
[Zak] It is without a doubt
completely strange that
one of the past owners of this building
sealed off Rose's former brothel
with a brick wall.
This is it.
It's weird to be walking up here.
This is where all of the sex would happen...
under the management of Rose Davie.
As I explore the space
that once housed Rose Davie's brothel,
my mind's eye looks past
this present-day veneer.
You can see where the walls were,
the dividing walls, where each room was.
And with the violence that stemmed from the El Borracho,
below, these opposite sensations
of pleasure and pain have collided,
creating a uniquely charged recipe for unrest
that may have birthed something
that someone once attempted to lock away.
[Jared] Right up above here right now is that doorway.
-[Zak] That was the hole? -[Jared] Uh-huh.
So that's crazy to me that Rose's brothel,
which is located right here,
this was completely sealed from this building.
My question is,
why would somebody seal the second floor?
Have you ever seen a ghost in either of these buildings?
I had an Airbnb guest
in one of The Helena lofts
who seemed to have, like, a sound mind, who was
essentially laying in bed,
and he was just kind of frozen,
like, he couldn't really move anymore
when he just saw this shadow silhouette of a woman on his wall.
What's interesting here is
while there's been so many murders,
the most frequent eyewitness account
of activity here is that of this woman,
not any of the other people being murdered.
So, we're here to try to see
whether or not this could be
the apparition of Rose Davie.
This is The Helena loft hotel.
-Think about this. -So this is where he experienced that.
Yes.
So think about how the fact that
if you were Rose,
you would still be up here
-because you had rooms. -She had rooms,
-but there's no rooms left. -Well, I...
But here there's rooms.
So she could be thinking
-she's running her brothel here. -Right.
[Zak] This is starting to make sense.
The only apparition frequently seen here
by multiple people is Rose Davie.
After Jared broke a hole through the brick wall
that sealed the original brothel
and renovated that space into a bar,
it makes sense,
she would move next door
to the hotel where there's rooms.
The loft that the guy saw
the female apparition was loft five.
[Zak] And men.
This is five.
Hey, Rose.
Rose, are you running a brothel in this hotel now?
Are you in the bedroom?
This is where he saw her.
-Hey, Aaron. -[Aaron] Yeah?
[Zak] EMF, please. Quickly.
I just felt, like,
a static type energy right here.
Wow. It's really high.
-[Billy] Is it? -[Zak] Yeah.
It's at a static four.
I just felt an energy in here. Really strong.
Rose, are you in here?
Oh, oh, oh. Guys.
-[Billy] Spikes? -[Zak] Rose, was that you?
Rose, can I lay in the bed?
I'm getting some hits.
Right there. Right there. Right there.
Right there. Oh, my God.
These EMF spikes are
a direct response to my questions,
indicating that we're in the presence
of an intelligent
and possibly domineering spirit.
Since Rose was a madam,
could she be telling me what to do
the same way she did the women who worked in her brothel?
So I'm going to do what Rose is telling me
in hopes of documenting further evidence.
Rose, I'm gonna lay in here.
If Rose's spirit is sensitive to place memory,
she may be haunting this space
that she still thinks is her brothel.
To test this theory,
I'm going to create an environment
which would have been familiar to her.
Here, Rose.
Do you want to lay in bed with me, Rose?
But after laying in this bed for several minutes,
all has gone quiet.
Maybe she doesn't want me.
Maybe I'm not her type. Aaron?
Sorry.
Lay down.
You look more from that time period.
[Aaron chuckling] Oh, my God.
[Zak] But to our surprise,
Aaron is a highly effective trigger object.
[Billy] Look at this. Look at this.
-[Zak] What the hell? -[Billy] Look at this.
Look at this.
-[Aaron] Oh, my God. -Laying on the pillow, grabbing the money.
-[Aaron] No. -[Billy] Look where the hands are.
[Zak] Amazingly, the XLS captures a figure,
human in form, and at the foot of the bed,
which is reacting to our trigger objects.
And if this isn't compelling enough,
we have no idea what we're about to witness.
[Billy] Oh, look it. Look it. She's grabbing him.
-[Zak] Yep. -[Billy] She's grabbing him, dude.
-[Zak] Whoa. -[Billy] Oh, she's mounting his [bleep]
Billy. Are you serious?
-Oh, my God. -That means that she didn't like you.
[Zak] What we're witnessing now
is unlike any XLS evidence we've ever captured.
This spirit has moved upwards
and is now laying on top of Aaron's body.
She's mounting you.
My wife is gonna be so pissed.
[Zak] We suspect we may be documenting Rose Davie
or one of her prostitutes from The Rose Room.
This is truly a watershed moment
in the history of our XLS evidence.
We're as giddy as schoolboys
because of the unbelievable capture we're now documenting.
But I need to remind everyone
that this figure,
which initially appeared at the foot of the bed
and then moved toward Aaron,
proves this is a separate entity
and not the XLS accidentally mapping him.
Bro, have you ever seen this?
-[Aaron] Oh, my God. -[Billy] Dude.
Oh, my God.
[Zak] Oh, my God.
Dude, she's holding onto the headboard like this.
[Billy] I have never seen anything like this.
[Aaron] Okay. I got to get up.
-[Zak] Hold on. Hold on. -[Billy] Oh, it's gone.
-[Aaron] She's gone. -[Billy] Gone.
-[Zak] Gone? -[Billy] Gone.
[Aaron] My job here is done.
-Oh, my God. -[laughing]
[Zak] We need a moment to process what we just captured.
First, this entity appears in response
to what proved to be our
highly effective trigger objects.
Then the entity moves upward
on top of Aaron and then appears to be
performing an act
similar to what a prostitute
would have done with their client.
This sequence of events not only substantiates
the claims employees and visitors have,
who believe they are encountering the spirit
of Rose Davie,
but validates the infamous and sinful reputation
Ogden's 25th Street and these buildings were once known for.
Despite this historical capture,
I do feel slightly melancholy
about how this evidence was acquired.
I got rejected by a ghost.
A ghost chose Aaron over you. [laughs]
[Aaron] Sorry, dude.
-I totally feel rejected. -[Billy laughing]
The second I get up from the bed, she jumps on him.
[Billy] And then goes away.
And then she went away when you went over to the bed.
You know what? You guys can finish this location.
[all laughing]
I'm going home.
[Zak] Based on this profound encounter
in The Helena lofts,
we quickly regroup with Jared,
the owner of these two buildings,
to show him what we documented.
We're very serious investigators,
um, but we're also humorous guys.
At least we think so. I mean, look...
-[Billy and Aaron laughing] -...if you wanted to meet Rose Davie
back then,
you'd have to be a customer of the brothel, right?
-Uh-huh. -[Zak] Right.
-Fair enough. Yeah, yeah. -[Zak] Right.
So what we did is we went
-to your hotel next door. -[Jared] Okay.
[Zak] And we tried to simulate us as clients.
Rose, I'm gonna lay in here.
-I'm laying there... -[Jared] Yeah.
...to see if she could lay down next to me.
-Yeah. Appreciate it. -We never got any evidence.
-[Jared] Okay. -[Zak] The second
that I got out of the bed,
Aaron, who probably would match...
-A male model. -...an older, scruffier
kind of guy back in that time.
-More her type. -[Zak] Exactly, Jared. Exactly.
So he ended up laying in the bed.
-[Jared] Mm-hmm. -[Zak] None of us
imagined...
[laughing] No.
-...what we captured. Okay? -I haven't seen this yet.
[Zak] It's mapping a figure.
It shouldn't be mapping anything.
[indistinct chatter on video]
There is a figure laying there.
-It's now moving, like, intelligently. -[Jared] Mm-hmm.
[Zak] So now it's shifted over towards Aaron
and it's grabbing his hands.
Now this figure...
-You got some. -[laughing] Dude.
Can you say that again?
-I said "You got some." -[Zak] Yeah.
And now it appears to be on top of Aaron
and is doing things that a woman
would do in bed with a client.
Keep playing.
[indistinct chatter on video]
[Zak] So we're going crazy right now.
It's like holding his hands down.
-Now pause it when it grabs... -Yeah, yeah, wait, wait.
-[Zak] You see it's grabbing his belly. -[Billy] Wait, wait, wait.
-[Zak] It's grabbing his belly. -It is.
[Billy] Ready?
-Right here. Oh. -[Zak] Okay.
So now it's got its hand.
-You see where the hand is now? -Oh, my God.
[Zak] Jared,
can you tell me where this figure [bleep]
It looks like definitely his upper thigh, for sure.
The figure's hand is now
touching Aaron's upper thigh.
But I want you to watch the arms of this figure now.
-[Billy] Watch. -[Zak] It's grabbing on to the headboard
right now, the rails.
[Billy] One arm.
[Zak] And then...
Both arms.
Oh, my God.
[Zak] This is the first time Aaron's seeing this, too.
[Billy] We were dying 'cause we're like...
[Zak] So now the figure is holding on
to the rails
while it's on top of Aaron.
-This is where it's the end of it. -[Jared] Yeah.
So she's done with Aaron. Ready, Aaron?
-What? -[Billy] Ready?
Lays down next to Aaron.
[Zak] Having her cigarette.
-[Billy] Lays down next to Aaron. -[Zak] Having her cigarette.
And gone.
Oh, my God, dude.
-[Zak] And gone. -Oh, my God. [laughs]
Did you just witness what we just witnessed?
Yeah, that was...
Yeah, it's obvious. The way it's moving.
Yeah, it looks like it's grabbing a headboard.
It's, you know, et cetera. Yeah.
-It's having sex with Aaron. -Yeah, yeah, yeah.
She got what she wanted.
-But can I say one thing? -Well, sex is a part of life.
And you know what I learned out of this?
The most compelling evidence I learned from this?
She chose me. Sorry, Zak.
-[Zak] All right. -[all laughing]
Okay. We are beginning
our lockdown investigation
right now.
We are investigating two different buildings.
The building that I'm in right now,
this used to be the El Borracho bar.
And above us on the second floor,
that used to be Rose Davie's brothel.
And Jay is right over here behind this curtain.
Say hi, Jay.
Hi, Jay.
And right now, Jay is
monitoring four different cameras
in the basement here,
on the main floor right here.
And there's a camera above us
and also on the stairwell.@
In the second building
is the hotel, The Helena Building.
Over there, we have
multiple cameras in multiple rooms,
especially number five.
In those rooms, we have motion sensors
that will trigger my watch
if there's any movement there.
Before we begin,
I want to make an announcement to the spirit of Rose.
So if you look right here,
do you see this device right here in the corner of the bar?
That is a 360-degree speaker
that connects to this walkie device,
this walkie-talkie device.
Doing a lot of Ghost Adventures house calls,
we have learned using these walkies,
using the electromagnetic spectrum to
channel our voice through the atmosphere,
we believe that can be heard even more clearer
in that astral plane to those spirits.
So I'm gonna send a message
right now to Rose using this device.
-You ready? -Yep.
[Zak] Hey, Rose.
First off,
somebody wants to say thank you for last night.
Come on.
Yeah, I had a really good... [speaks indistinctly]
Thanks.
[Zak] Are you nervous?
[Aaron] No, I didn't know what to say.
I got nervous.
-He puckered up. -[Billy] Yeah.
[Aaron laughing] I got nervous.
-Okay. -It got real.
[Zak] Rose,
so, listen.
Whether that was you last night with Aaron
or one of your other working ladies,
you gave us some incredible evidence of the afterlife.
And the intelligent movements,
everything was great. I'm like... [chuckles]
-You're getting... -[Aaron] Are you a porn director right now?
[Zak] I know that a lot of other people were murdered
in this building when it was the El Borracho.
It was a very violent bar.
I want to know if there's something
evil in the basement.
There's the exposed third floor.
We don't know what's buried there.
But what we do know factually
is that there was a lot of murders in this building.
We also know, Rose, that your floor...
Point to it, Jay.
Your floor...
-[Jay] Whoa. -[Zak] Whoa. Whoa.
See that, Bill?
-[Billy] Yeah. -[Zak] What the heck?
-[Billy] I got it. -[Jay] Whoa.
[Zak] As soon as I mention evil...
We want to know if there's something evil.
...the camera upstairs in Rose's old brothel
starts receiving strange interference.
What the heck?
So we immediately head up there.
-You said we're all the same again. -It's up here in her room.
It's shooting where her rooms were.
Go. Go.
That camera's plugged into the wall, too.
[Zak] Hold up. Oh, my God.
[Billy] What?
[Zak] Whoa, whoa, whoa, whoa, whoa, you guys.
-[Aaron] What? -[Billy] What just happened?
[Zak] Oh, my God.
That was scary.
I just looked in there, guys, and I swear to God,
it looked like a lady on her knees
like this, looking over her shoulder at me
with, like, black eyes.
The eyes were shiny.
-[Billy] In here? -[Zak] I swear.
I saw what I saw.
Oh, my God. That just scared the [bleep] out of me.
Dude, I thought there was a real person up here...
-[Zak] Oh, I know. -...and you confronted them.
[Zak] I know it's a little dark in here,
but I swear that's what I saw.
What I saw was very clear,
and because it was a quick flash image,
I want to now utilize our visual equipment
in an attempt to see if I can capture it on camera.
And what is about to happen is absolutely incredible.
Okay, so, because I thought I saw
a lady crouched down right there,
I'm gonna take some full-spectrum photos.
I'm gonna take some instant photos
on the Polaroid camera,
and I'm gonna go
do some EMF readings in that exact area.
Did I see you?
Was there somebody in here?
Was there somebody kneeling down right here?
Rose?
Are you here, Rose?
Is there somebody else here?
Were you murdered here?
[Billy] Whoa. Why is it flashing?
-Why is that flashing? -[Billy] What the hell?
Have you ever seen it do that?
[indistinct chatter on video]
[bleep]
I don't know what's going on here.
Sorry, but the whole monitor
just keeps flickering on and off too.
Something's messing their recording it big time.
-[Zak] The whole monitor just went off he said? -[Billy] Yeah.
[Zak] Whoever I saw, like, I want to see you.
All right? You've been seen by multiple people.
We're here for you.
Do you hear me?
Can you do something?
We know a lot of bad stuff took place up here.
There's a lot of men that were murdered.
Are you messing with our equipment?
In this moment,
while everyone is standing absolutely still,
I capture a dark shadow figure
within this doorway,
and I want to immediately review the photo.
[Billy] What is that?
-Who is that? -[Zak] Hold on.
What the [bleep]
I did not change my position
when I took the two photos after,
and you guys were standing where you were at, right?
[Billy] Yeah, we're over there.
Watch this doorway right here.
Okay, hold on. Let me zoom in.
[Zak] Do you see the doorway?
-[Billy] Yeah. -[Zak] Do you see that doorway? Watch.
[Aaron] Whoa! What the [bleep]
[Zak] This is shocking.
As I was standing in the same exact position,
I capture this dark shadow figure
of what appears to be a stocky man.
And as we were all standing in the same places
as seen in this wide shot,
I rapid-fired multiple still photos,
and this figure only appeared in one.
We now try to further debunk this.
[Billy] There's no way. I was over here.
[Aaron] Dude, I was over here.
[Zak] Go back to where you were.
-[Aaron] You were right here. -[Zak] Okay, let me try to...
[Aaron] Because I was, like, right over your shoulder.
[Zak] As we all return to our original positions,
I again take photos from the same spot
and see nothing.
This was us trying to replicate it.
Trying to replicate it.
-[Billy] Yeah. -[Zak] Trying to replicate it.
You'll notice no shadows anywhere,
not even on the wall around the doorway.
None of our shadows are being casted in that direction.
And there it is.
None of our shadows were even casted on these walls.
-[Billy] Because of where we're at. -[Zak] Because of
-where we were at. -[Billy] Yeah.
So it was impossible.
And whatever this was,
was back here, standing here like this.
After capturing a shadowy apparition
that we are unable to explain,
we head back to nerve center, and I have an idea.
Right now,
one of you, I want you to get back onto that device,,
and I want you to tell whoever we just saw,
whether that was Rose
or one of the ladies or a bouncer,
-to head over to The Helena Building. -[Jay] Okay.
Rose,
I know you can hear us.
We know you're here.
My friends are going over to The Helena Building next.
Could you follow them over there?
The rooms upstairs?
Please, follow them over there and meet them there now.
[Zak] Just as Jay says this,
we all feel a cold air mass
right here at nerve center.
[Aaron] Holy [bleep]
-[Zak] Got cold? -Dude, I am chilled up.
-[Billy] What happened? -Dude, I have a chill all around.
Like, no joke.
Like, I just feel like I just [bleep] went into a freezer.
[Aaron] Yeah.
-Did the monitor just shut off? -The monitor just freaked out.
I feel like I'm in a freezer.
Like, I feel like I'm a giant ice cube right now.
[Zak] I immediately conduct an ITC session using
the APF-D Processor
with the PSB7-PRO device.
[Zak] Did I just capture you on camera?
[man] No doubt.
[gasps] Oh!
[Billy] You heard that?
Oh, my God.
[Billy] "No doubt."
-That was so cool. -What the [bleep]
Did I just capture you on camera?
[gasps] Oh!
[Billy] You heard that?
Oh, my God.
I have not even, like,
put my high-pass filter on yet,
so I'm just gonna turn it right back on.
What's your name?
Hey, lady, what's your name?
[woman speaking indistinctly]
[Billy] Bro, what?
[Aaron] She's gone? Something, she's gone?
Hey lady, what's your name?
[Billy] Bro, what?
What's your name, lady?
[woman] Can't say.
-[Aaron] "Can't say." -[Jay] Yeah.
-Did you hear her? -[Aaron] Yeah.
-[Zak] Did you hear her? -[Aaron] Yeah.
-[Zak] Did she say, "Can't say"? -[Aaron] She's like,
"Can't say." Like, she was almost, like, struggling.
What's your name, lady?
-[Aaron] "Can't say." -[Jay] Yeah.
Did you hear her?
[Zak] This is now three female responses.
Are we talking to Rose?
Where do you want us to go?
[woman speaking indistinctly]
-[Billy] I heard her say "$28." -"$28."
[Billy] That's what I heard.
She was telling us $28!
-[Billy laughing] -Oh, my God.
[Billy] She said $28!
[Zak] Is this Rose telling us it is going to cost
$28 for us to receive service
at her brothel?
Where do you want us to go?
[woman speaking]
-[Billy] I heard her say "$28." -"$28."
[Zak] It is now time to head over
to investigate The Helena Building.
Okay, right now we're gonna go inside The Helena Building.
This is where we captured that evidence on an XLS camera.
And the entrance to that, we had to come back outside.
We're gonna head right over here.
[Billy] Did the sensor work?
-Huh? -[Billy] Did the sensor work?
-Yeah. -[Billy] Okay.
-[Aaron] You all right, chief? -Huh?
[Aaron] You sounded hurt.
[Zak] No.
As soon as I step into room 3,
I become very dizzy and disoriented.
[sighs] I don't know what's going on.
-[Aaron] Could have been the stress of those... -[Zak sighs]
[woman moaning in distance]
[Zak] We all now hear a very eerie
female moaning sound.
[sighs] I don't know what's going on.
-[Aaron] Could have been the stress of those... -[Zak sighs]
[Zak] We immediately open the back door
to see if anyone is outside,
but we don't see anyone anywhere.
Is it outside?
[Aaron] No.
-[Zak] What? -[Aaron] No.
[Zak shushes]
[Billy] Where was the singing coming from just now?
I don't know. We're just hearing, like, an old-fashioned singing.
Did somebody make a noise?
We now head up to the third level.
What?
It's not up here.
[Billy] Yeah.
If it's not outside,
and it's not up here,
then where is it coming from?
As I send Billy downstairs
to check the front of the building,
Aaron and I hear a terrifying,
unexplained voice come from our walkie-talkie.
Okay, so right now we're all absolutely puzzled
because, first off,
when we walked in to The Helena Hotel...
[eerie screeching voice]
[Aaron] What the [bleep]
-[Aaron] What'd you hear? -[Zak mimicking voice]
-[Aaron] What? -It goes... [mimicking voice]
[Aaron] Yeah.
[Aaron] What the--
[Aaron] What the [bleep]
-[Aaron] What'd you hear? -[Zak mimicking voice]
-[Aaron] What? -It goes... [mimicking voice]
[Aaron] Yeah.
[Billy] There's no music.
There's no music, dude.
[Zak] As we all make our way back to the third floor,
we hear a door slam shut.
[door slams]
[gasps]
-Did you just hear a door shut? -[Billy] Yes.
-Yes. -Did you just hear that?
[gasps]
-Did you just hear a door shut? -[Billy] Yes.
[Zak] Again, we search the whole building
and find no explanation for this door shutting.
So we head back to nerve center.
Do this. Go down into the basement
-where they see the smoke plumes... -Yeah.
-...and the smoke apparition came out of the wall. -[Billy] Yeah.
[Zak] Why don't you go down there
and do some ultraviolet video?
-Okay. -And just sweep the entire basement.
-Okay. -Okay. Aaron, why don't you
-go with him... -Okay.
-...and just film Billy. Okay? -Okay.
-[Billy] We'll do it. -Okay.
I'm just gonna stay here and keep an eye on these monitors.
[Billy] All right.
[Billy] Rose, are you down here?
Rose?
Show yourself.
Step in front of my camera.
I wanna see what you look like.
You interacted with us last time.
[Aaron] Oh!
Dude.
[Billy] What the hell, dude? Did you hear that?
[Aaron] It's like footsteps on the roof.
Anything upstairs?
This is really weird.
You know what's at the top of these stairs?
Come here.
This is the entrance to the club, right?
-The door we came in from the street? -[Aaron] Yeah.
Look up here.
Can you see that? It's Rose.
[Aaron] Oh [bleep]
[Billy] Yeah.
[Zak] It's amazing that the footsteps the guys heard
lead them to Rose's picture.
[Billy] It's Rose.
[Zak] As Billy returns to the bar,
Aaron captures the only anomaly recorded
on all of our cameras the entire night.
Watch as this anomaly rises up to Billy,
then quickly ponders for a moment
as it seems to notice him before shooting off.
It's also interesting that this anomaly is only visible
on the IR spectrum
and not on Billy's ultraviolet camera.
Right now, we're gonna use the Paranormal Puck 2 device
designed by inventor Bill Chappell,
and it uses sensors inside this puck
to determine changes
in the electromagnetic field around it.
And based on those changes,
it will select a word from a 2,000 word database,
based on the questions that I asked through the app.
The only answers that can come through
are from changes around this puck in
the electromagnetic spectrum.
Rose, Rose's girls,
the bouncer perhaps that we saw earlier,
please come over and talk with us.
-[Puck] Above. -[Billy] How many spirits are here?
-Above. -[Aaron] Above?
Above is the rooms.
Above is...
-All that stuff. -All that
-is above. Okay. -[Aaron] Where we had all the stuff go on.
[Zak sighs]
[gasps]
[Aaron] What the--
What's in this basement?
[Puck] Rose.
-Rose, dude. -[Aaron] No.
Right there, bro.
Right there.
"What is in this basement? Rose."
[Aaron] "What is in this basement? Rose."
No way, dude.
No way, bro. Pound.
Hey, [bleep] all night long.
-All night. -All night long.
-She's been around us all night. -Thank you, Rose.
It's cold.
-You feel that? -Yeah.
-[chuckling] Dude, it's-- -[Aaron] Rose, thank you.
Rose, thank you.
I'm a firm believer that you are here,
and like we said before, we're not judging you.
-No. -For anything you did.
-Thank you, Rose. -[Aaron] Thank you, Rose.
[Zak] The odds of the guys getting this intelligent response,
"Rose," is astronomical.
It is extremely apparent that
Rose Davie is living beyond her death
and still running a brothel in the afterlife.
He just saw this shadow silhouette
of a woman on his wall.
[Zak] We will also continue to ask ourselves,
who was the dark shadow figure that was seen in this doorway?
An incredible investigation that we will never forget,
especially Aaron.