1 00:00:03,567 --> 00:00:05,433 [Zak] We're in Ogden, Utah. 2 00:00:06,367 --> 00:00:08,634 This is a really mysterious... 3 00:00:10,066 --> 00:00:11,033 situation. 4 00:00:11,867 --> 00:00:14,000 So all I've been told is that 5 00:00:14,000 --> 00:00:17,667 we're going to investigate a couple buildings that 6 00:00:17,667 --> 00:00:20,133 have a dangerous history 7 00:00:20,400 --> 00:00:22,100 and a presence 8 00:00:22,100 --> 00:00:25,433 that also fits that adjective. 9 00:00:27,467 --> 00:00:29,900 Before we go to this location, 10 00:00:29,900 --> 00:00:31,867 I am going to meet somebody. 11 00:00:31,867 --> 00:00:35,567 She wants to talk to me before we enter the doors 12 00:00:35,567 --> 00:00:38,934 of the location that we're going to investigate. 13 00:00:39,967 --> 00:00:41,767 All that I do know 14 00:00:41,767 --> 00:00:44,166 is that this location 15 00:00:44,166 --> 00:00:46,634 is literally soaked in blood. 16 00:00:52,900 --> 00:00:55,000 There are things in this world that we will 17 00:00:55,000 --> 00:00:56,667 never fully understand. 18 00:00:56,667 --> 00:00:58,166 [man, in eerie voice] Understand. 19 00:00:58,567 --> 00:01:00,333 We want answers. 20 00:01:01,467 --> 00:01:04,467 [Zak] We have worked years to build our credibility, 21 00:01:05,367 --> 00:01:06,834 our reputation... 22 00:01:09,000 --> 00:01:10,500 working alongside the most 23 00:01:10,500 --> 00:01:13,467 renowned professionals in the field, 24 00:01:13,467 --> 00:01:16,667 capturing groundbreaking proof of the paranormal. 25 00:01:16,667 --> 00:01:17,867 [Aaron] It's working. 26 00:01:17,867 --> 00:01:19,166 I can't give you an explanation. 27 00:01:21,100 --> 00:01:25,066 [Zak] This is our evidence, our ghost adventures. 28 00:01:33,767 --> 00:01:36,800 As we arrive at my contact's rendezvous point, 29 00:01:36,800 --> 00:01:40,500 my instinct is telling me whatever I'm about to learn 30 00:01:40,500 --> 00:01:44,166 will only heighten the severity of this investigation. 31 00:01:44,166 --> 00:01:45,867 So I'm gonna walk in here 32 00:01:45,867 --> 00:01:47,300 and see what this is all about. 33 00:01:47,300 --> 00:01:49,100 -Okay? -[Aaron] Okay. 34 00:01:49,100 --> 00:01:51,000 [Zak] There's some information about this location 35 00:01:51,000 --> 00:01:52,667 that she needs to tell me. 36 00:01:52,667 --> 00:01:54,400 Whatever occurred at these buildings, 37 00:01:54,400 --> 00:01:56,166 as dark as it is, 38 00:01:56,166 --> 00:01:57,934 that creates a residue. 39 00:01:58,500 --> 00:01:59,867 -Are you Jackie? -I am. 40 00:01:59,867 --> 00:02:01,600 -Hi, I'm Zak. -Nice to meet you, Zak. 41 00:02:01,600 --> 00:02:03,066 [Zak] Nice to meet you as well. 42 00:02:05,800 --> 00:02:07,967 So what am I getting myself into? 43 00:02:07,967 --> 00:02:10,567 Have you ever been to Historic 25th Street in Ogden? 44 00:02:10,567 --> 00:02:11,500 -No. -Utah? 45 00:02:11,500 --> 00:02:13,367 -Do you know any of the history? -No. 46 00:02:14,166 --> 00:02:15,200 [Jackie] This used to be 47 00:02:15,200 --> 00:02:17,567 the most sinful town in America. 48 00:02:17,567 --> 00:02:18,967 [Zak] This little town in Utah? 49 00:02:18,967 --> 00:02:20,200 [Jackie] Yeah, because 50 00:02:20,200 --> 00:02:21,867 the transcontinental railroad 51 00:02:21,867 --> 00:02:23,500 met here. 52 00:02:23,500 --> 00:02:26,100 The East and the West of the United States 53 00:02:26,100 --> 00:02:28,667 was meeting together for the first time ever. 54 00:02:28,667 --> 00:02:32,567 So it changed this city drastically, almost overnight. 55 00:02:32,567 --> 00:02:34,967 There was a huge red light district. 56 00:02:35,367 --> 00:02:36,266 And later on, 57 00:02:36,266 --> 00:02:38,667 there was a woman named Rose Davie. 58 00:02:39,967 --> 00:02:42,100 -This is her? -This is her mugshot. 59 00:02:42,100 --> 00:02:43,667 [Zak] She doesn't look very friendly. 60 00:02:43,667 --> 00:02:46,300 [Jackie] No. She was one of the most notorious madams 61 00:02:46,300 --> 00:02:47,834 in Ogden history. 62 00:02:48,367 --> 00:02:49,266 She came here in the '40s, 63 00:02:49,266 --> 00:02:51,100 and by 1947, she had established 64 00:02:51,100 --> 00:02:54,166 The Rose Room, a thriving brothel. 65 00:02:54,166 --> 00:02:57,700 -And it was on the second upstairs level floor. -[Zak] Okay. 66 00:02:57,700 --> 00:02:59,567 [Jackie] And there's been many accounts from locals 67 00:02:59,567 --> 00:03:01,867 that have talked about how they've seen 68 00:03:01,867 --> 00:03:03,934 a madam wandering around. 69 00:03:07,567 --> 00:03:09,066 And then the bar. 70 00:03:09,066 --> 00:03:10,667 What was the bar called? El Borracho? 71 00:03:10,667 --> 00:03:12,100 -[Jackie] Mm-hmm. El Borracho. -[Zak] Um... 72 00:03:12,100 --> 00:03:14,567 [Jackie] And that was the bar that was below The Rose Room. 73 00:03:14,567 --> 00:03:16,967 Were there murders at that time? 74 00:03:16,967 --> 00:03:18,600 There was many murders 75 00:03:18,600 --> 00:03:19,600 -in that building. -In that building? 76 00:03:19,600 --> 00:03:21,700 Many murders in that building. 77 00:03:21,700 --> 00:03:24,900 [Zak] The brutality and murder that the El Borracho 78 00:03:24,900 --> 00:03:27,734 was known for, spanned decades... 79 00:03:28,200 --> 00:03:30,433 [man grunting] 80 00:03:34,200 --> 00:03:35,200 [Zak] Making this host 81 00:03:35,200 --> 00:03:38,367 to one of the most violent and bloody buildings 82 00:03:38,367 --> 00:03:40,166 in all of Ogden's history. 83 00:03:42,100 --> 00:03:44,500 Okay. So the location that we're investigating 84 00:03:44,500 --> 00:03:45,634 is two buildings. 85 00:03:47,300 --> 00:03:50,000 One building is called The Helena Building. 86 00:03:50,000 --> 00:03:51,433 It's like some lofts. 87 00:03:52,300 --> 00:03:53,967 The basement of that building 88 00:03:53,967 --> 00:03:55,867 is called Unspoken. 89 00:03:55,867 --> 00:03:58,367 It's kind of like a speakeasy kind of bar. 90 00:03:58,367 --> 00:04:01,600 The other building is another bar called Alleged. 91 00:04:01,600 --> 00:04:04,166 -That used to be the old bar that was... -[Billy] Borracho. 92 00:04:04,166 --> 00:04:07,000 [Zak] ...where all the murders took place, The Rose Room. 93 00:04:07,000 --> 00:04:10,400 Is there some type of energy underlying here 94 00:04:10,400 --> 00:04:12,900 that was possessing people to do 95 00:04:12,900 --> 00:04:15,533 these violent crimes and literally kill people? 96 00:04:16,567 --> 00:04:18,166 I now enter the building which 97 00:04:18,166 --> 00:04:20,867 once housed the El Borracho bar 98 00:04:20,867 --> 00:04:22,767 and Rose Davie's brothel, 99 00:04:22,767 --> 00:04:25,166 to meet with its owner, Jared, 100 00:04:25,166 --> 00:04:28,667 who has recently opened a new bar called Alleged. 101 00:04:28,667 --> 00:04:30,567 He is desperate for answers 102 00:04:30,567 --> 00:04:33,567 for what he and his staff are experiencing. 103 00:04:33,567 --> 00:04:36,600 So, Jared, I just met with Jackie. 104 00:04:36,600 --> 00:04:38,367 She was letting me know about 105 00:04:38,367 --> 00:04:41,166 -the history of your buildings. -[Jared] Mm-hmm. 106 00:04:41,166 --> 00:04:42,133 -Yeah. -And 107 00:04:42,667 --> 00:04:44,066 it's pretty dark. 108 00:04:44,066 --> 00:04:45,767 Yeah. When we first bought the buildings, 109 00:04:45,767 --> 00:04:48,000 I thought for sure they were cursed. 110 00:04:48,000 --> 00:04:50,800 The buildings, they had been in such disrepair, 111 00:04:50,800 --> 00:04:53,100 like, Ogden City had actually been told 112 00:04:53,100 --> 00:04:54,967 that if The Helena caught fire, 113 00:04:54,967 --> 00:04:55,900 just to let it burn. 114 00:04:55,900 --> 00:04:58,367 So did you ever think to walk away from this, 115 00:04:58,367 --> 00:05:02,300 that the curse could be a very real thing? 116 00:05:02,300 --> 00:05:04,266 When we started the dig out on Unspoken 117 00:05:04,266 --> 00:05:06,467 and we ran into roadblock and roadblock there, 118 00:05:06,467 --> 00:05:07,600 in the middle of that, 119 00:05:07,600 --> 00:05:10,433 I wished, I wished we'd never started digging down there. 120 00:05:11,667 --> 00:05:12,734 [Zak] So let's go, guys. 121 00:05:12,734 --> 00:05:15,767 Jared says that not only did digging in the basement 122 00:05:15,767 --> 00:05:17,066 disturb something, 123 00:05:17,066 --> 00:05:19,934 but his staff is terrified to go down there. 124 00:05:20,567 --> 00:05:22,166 Hey, Mckenzi, how you doing? 125 00:05:22,166 --> 00:05:23,667 -Nice to meet you. -Nice to meet you. 126 00:05:23,667 --> 00:05:26,667 -This is the entrance to Unspoken? -Yes. 127 00:05:27,266 --> 00:05:28,767 Why is it called Unspoken? 128 00:05:28,767 --> 00:05:30,266 Speakeasy kind of vibe. 129 00:05:30,266 --> 00:05:31,166 Oh. 130 00:05:31,166 --> 00:05:33,066 -That's nice. -Yeah. [chuckles] 131 00:05:33,667 --> 00:05:36,166 So, right now we are headed down 132 00:05:36,166 --> 00:05:40,000 into the basement of The Helena Building. 133 00:05:40,000 --> 00:05:41,367 We got to remember 134 00:05:41,367 --> 00:05:43,500 that Rose is not the only spirit here. 135 00:05:43,500 --> 00:05:44,800 We got to remember all the murders 136 00:05:44,800 --> 00:05:46,367 that have taken place here, 137 00:05:46,367 --> 00:05:48,767 and be aware that any other spirits can 138 00:05:48,767 --> 00:05:50,233 show up at any other time. 139 00:05:51,100 --> 00:05:52,400 [Mckenzi] So, I was 140 00:05:52,400 --> 00:05:54,867 working down here by myself one night 141 00:05:54,867 --> 00:05:58,066 and I saw something out of the corner of my eye. 142 00:05:58,066 --> 00:06:01,700 And so I looked and saw the dress 143 00:06:01,700 --> 00:06:03,400 and the lady, she was standing 144 00:06:03,400 --> 00:06:05,333 right where the stairs are. 145 00:06:06,567 --> 00:06:08,100 And who do you think this was? 146 00:06:08,100 --> 00:06:09,133 Rose Davie. 147 00:06:09,500 --> 00:06:10,634 -You do? -Yeah. 148 00:06:12,367 --> 00:06:14,166 [Zak] You saw this too? 149 00:06:14,166 --> 00:06:15,967 I mean, I definitely saw a woman for sure. 150 00:06:15,967 --> 00:06:17,900 Um, so, I was working 151 00:06:17,900 --> 00:06:20,367 down here, and as I was cleaning 152 00:06:20,367 --> 00:06:22,000 just at the end of the shift, 153 00:06:22,000 --> 00:06:24,367 as I was turning to put something behind me, 154 00:06:24,367 --> 00:06:26,300 I saw a woman just standing there. 155 00:06:26,300 --> 00:06:29,233 She was wearing a long dress. It went down to her ankles. 156 00:06:30,100 --> 00:06:33,166 And right as I panned back, she was gone. 157 00:06:33,166 --> 00:06:36,367 [Zak] Mckenzi now tells me about a strange phenomenon 158 00:06:36,367 --> 00:06:38,700 that multiple people have witnessed 159 00:06:38,700 --> 00:06:41,000 in The Unspoken Bar. 160 00:06:41,000 --> 00:06:43,000 [Mckenzi] So one time I was walking through here. 161 00:06:43,000 --> 00:06:44,467 I had my flashlight on 162 00:06:44,467 --> 00:06:45,900 'cause I couldn't see, 163 00:06:45,900 --> 00:06:47,600 and it was, like, channeled. 164 00:06:47,600 --> 00:06:48,767 I was walking through channels of smoke. 165 00:06:48,767 --> 00:06:50,300 -Like pillars of smoke? -Yeah. 166 00:06:50,300 --> 00:06:51,767 -Yeah. Mm-hmm. -[Zak] Like mist? 167 00:06:53,200 --> 00:06:56,100 Mckenzi, how were there pillars of smoke 168 00:06:56,100 --> 00:06:58,367 In this basement that were 169 00:06:59,166 --> 00:07:00,900 standalone? Each of them? 170 00:07:00,900 --> 00:07:02,767 I can't explain it. 171 00:07:02,767 --> 00:07:05,567 Do you think that these pillars of smoke were spirits? 172 00:07:05,567 --> 00:07:07,166 Yes. 173 00:07:07,166 --> 00:07:09,100 [Zak] Mckenzi wasn't the only employee 174 00:07:09,100 --> 00:07:10,266 to have witnessed these 175 00:07:10,266 --> 00:07:13,066 mysterious transient forms of mist. 176 00:07:13,066 --> 00:07:14,900 I meet with Mark Hoaglin, 177 00:07:14,900 --> 00:07:17,867 a plumber who worked on this basement renovation 178 00:07:17,867 --> 00:07:20,467 and is still puzzled by what he saw. 179 00:07:20,467 --> 00:07:22,533 So, like, all this was dirt. 180 00:07:23,367 --> 00:07:25,567 And I mean, it was just dreary. 181 00:07:25,567 --> 00:07:29,000 But out of right here, where the whiskey bottles are, 182 00:07:29,000 --> 00:07:31,767 the white smoke would go poof, 183 00:07:31,767 --> 00:07:34,567 and then exit into the east side of the building. 184 00:07:36,166 --> 00:07:37,066 It was a ghost? 185 00:07:37,066 --> 00:07:39,100 -It was a spirit, you think? -Mm-hmm. 186 00:07:39,100 --> 00:07:41,367 That's weird 'cause there's another employee, Mckenzi, 187 00:07:41,367 --> 00:07:43,867 that saw shafts of smoke down here. 188 00:07:43,867 --> 00:07:45,200 -Oh, yeah. -[Zak] Pillars of smoke. 189 00:07:45,200 --> 00:07:48,467 [Mark] The thing about this building is that 190 00:07:48,467 --> 00:07:52,000 when I was in it, it was literally creepy. 191 00:07:52,000 --> 00:07:55,967 I mean, there was just always something buzzing around. 192 00:07:55,967 --> 00:07:58,767 [Zak] With The Unspoken Bar being underground, 193 00:07:58,767 --> 00:08:00,700 we do a quick sweep to determine 194 00:08:00,700 --> 00:08:02,667 if these claims can be debunked 195 00:08:02,667 --> 00:08:04,266 by any structural 196 00:08:04,266 --> 00:08:08,300 or environmental penetration from above ground. 197 00:08:08,300 --> 00:08:10,767 But our findings are inconclusive. 198 00:08:11,867 --> 00:08:13,667 Since we're within the bowels of 199 00:08:13,667 --> 00:08:17,900 Ogden's once sin-ridden 25th Street, 200 00:08:17,900 --> 00:08:20,367 could Jared's construction of this space 201 00:08:20,367 --> 00:08:21,600 have stirred up spirits 202 00:08:21,600 --> 00:08:24,166 from this former red light district? 203 00:08:25,767 --> 00:08:27,333 Oh, my God! 204 00:08:28,266 --> 00:08:29,467 [groans] 205 00:08:29,467 --> 00:08:31,467 My stomach hurts so bad, Jay. 206 00:08:31,467 --> 00:08:34,333 It's literally like someone's stabbing me in the stomach. 207 00:08:35,000 --> 00:08:36,700 It literally happened 208 00:08:36,700 --> 00:08:39,767 the second that I stepped out of that doorway 209 00:08:40,367 --> 00:08:41,367 down there. 210 00:08:43,300 --> 00:08:46,066 [Billy] Why is it at 2.9? 211 00:08:46,066 --> 00:08:47,967 [Zak] With the immediate and sudden onset 212 00:08:47,967 --> 00:08:50,867 of these horrible stomach pains, 213 00:08:50,867 --> 00:08:53,467 it's becoming clear something from that space 214 00:08:53,467 --> 00:08:54,834 didn't want me in there. 215 00:08:56,367 --> 00:08:58,667 One of the murders was a stab victim. You know that, right? 216 00:08:58,667 --> 00:09:01,367 He was stabbed in the chest and stomach. 217 00:09:01,367 --> 00:09:03,066 [Jay] Could it be a residual feeling? 218 00:09:03,800 --> 00:09:05,100 [Zak] In this moment, 219 00:09:05,100 --> 00:09:07,567 could I be experiencing a transference 220 00:09:07,567 --> 00:09:11,266 of residual energy from one of the violent deaths 221 00:09:11,266 --> 00:09:13,934 that occurred inside the El Borracho? 222 00:09:15,100 --> 00:09:17,467 Is it possible the smoke-like entities 223 00:09:17,467 --> 00:09:21,467 we've been told about are the spirits of these victims? 224 00:09:21,467 --> 00:09:24,000 If I'm experiencing this, it's no wonder 225 00:09:24,000 --> 00:09:26,367 the employees here are fearful. 226 00:09:26,367 --> 00:09:28,900 [Billy] It's so weird. It's a weird shape. 227 00:09:28,900 --> 00:09:31,266 -[Aaron] It's weird. -[Billy] Almost looks like it has eyes in it. 228 00:09:31,266 --> 00:09:32,767 [Zak] The guys suddenly discover 229 00:09:32,767 --> 00:09:34,467 a disturbing piece of evidence 230 00:09:34,467 --> 00:09:36,567 that validates what I'm feeling. 231 00:09:37,500 --> 00:09:39,266 [Jay] Top of the stairs, right here, 232 00:09:39,266 --> 00:09:41,266 Aaron was taking a photo of you 233 00:09:41,266 --> 00:09:43,433 when you first said that your stomach was hurting. 234 00:09:43,867 --> 00:09:44,934 [Zak] Holy [bleep] 235 00:09:45,900 --> 00:09:47,867 So we just captured this anomaly 236 00:09:49,166 --> 00:09:50,767 above the stairs. 237 00:09:50,767 --> 00:09:53,166 It looks like a skull, isn't it? 238 00:09:53,166 --> 00:09:54,734 -[Billy] It's the guy that was stabbed. -[Aaron] Yeah. 239 00:09:57,400 --> 00:09:59,100 [Zak] To our surprise, 240 00:09:59,100 --> 00:10:02,166 Jared tells us something about The Alleged building 241 00:10:02,166 --> 00:10:04,367 that adds another layer of mystery 242 00:10:04,367 --> 00:10:05,767 to this investigation. 243 00:10:05,767 --> 00:10:07,367 [Jared] When we got ahold of this one, 244 00:10:07,367 --> 00:10:09,567 there wasn't even a staircase to get to the second floor. 245 00:10:09,567 --> 00:10:12,066 Someone had just sledgehammered a hole through the bricks 246 00:10:12,066 --> 00:10:13,033 of the neighboring building 247 00:10:13,033 --> 00:10:14,867 to then crawl into the second floor of this one. 248 00:10:14,867 --> 00:10:15,767 -[Zak] Really? -Yeah. 249 00:10:15,767 --> 00:10:17,266 The second floor, 250 00:10:17,266 --> 00:10:20,166 that is where Rose Davie had her brothel, right? 251 00:10:20,166 --> 00:10:21,500 [Jared] Correct, correct. 252 00:10:21,500 --> 00:10:24,266 Staff, when they're in here alone, are really on edge. 253 00:10:24,266 --> 00:10:26,934 You know, people who helped renovate it, very much on edge. 254 00:10:27,867 --> 00:10:29,400 [Zak] It is without a doubt 255 00:10:29,400 --> 00:10:31,033 completely strange that 256 00:10:31,033 --> 00:10:33,567 one of the past owners of this building 257 00:10:33,567 --> 00:10:36,934 sealed off Rose's former brothel 258 00:10:36,934 --> 00:10:38,333 with a brick wall. 259 00:10:38,734 --> 00:10:39,967 This is it. 260 00:10:39,967 --> 00:10:41,767 It's weird to be walking up here. 261 00:10:41,767 --> 00:10:45,834 This is where all of the sex would happen... 262 00:10:47,600 --> 00:10:50,333 under the management of Rose Davie. 263 00:10:50,934 --> 00:10:52,567 As I explore the space 264 00:10:52,567 --> 00:10:55,567 that once housed Rose Davie's brothel, 265 00:10:55,567 --> 00:10:57,166 my mind's eye looks past 266 00:10:57,166 --> 00:10:58,767 this present-day veneer. 267 00:10:58,767 --> 00:11:00,300 You can see where the walls were, 268 00:11:00,300 --> 00:11:03,266 the dividing walls, where each room was. 269 00:11:03,266 --> 00:11:06,567 And with the violence that stemmed from the El Borracho, 270 00:11:06,567 --> 00:11:08,767 below, these opposite sensations 271 00:11:08,767 --> 00:11:11,867 of pleasure and pain have collided, 272 00:11:11,867 --> 00:11:15,867 creating a uniquely charged recipe for unrest 273 00:11:15,867 --> 00:11:17,934 that may have birthed something 274 00:11:17,934 --> 00:11:21,367 that someone once attempted to lock away. 275 00:11:21,367 --> 00:11:24,367 [Jared] Right up above here right now is that doorway. 276 00:11:24,367 --> 00:11:26,567 -[Zak] That was the hole? -[Jared] Uh-huh. 277 00:11:26,567 --> 00:11:29,266 So that's crazy to me that Rose's brothel, 278 00:11:29,266 --> 00:11:31,567 which is located right here, 279 00:11:31,567 --> 00:11:34,767 this was completely sealed from this building. 280 00:11:34,767 --> 00:11:35,967 My question is, 281 00:11:35,967 --> 00:11:38,467 why would somebody seal the second floor? 282 00:11:43,867 --> 00:11:46,767 Have you ever seen a ghost in either of these buildings? 283 00:11:46,767 --> 00:11:48,266 I had an Airbnb guest 284 00:11:48,266 --> 00:11:50,266 in one of The Helena lofts 285 00:11:50,266 --> 00:11:52,467 who seemed to have, like, a sound mind, who was 286 00:11:52,467 --> 00:11:55,600 essentially laying in bed, 287 00:11:55,600 --> 00:11:56,867 and he was just kind of frozen, 288 00:11:56,867 --> 00:11:59,200 like, he couldn't really move anymore 289 00:11:59,200 --> 00:12:02,166 when he just saw this shadow silhouette of a woman on his wall. 290 00:12:03,834 --> 00:12:05,300 What's interesting here is 291 00:12:05,300 --> 00:12:06,867 while there's been so many murders, 292 00:12:06,867 --> 00:12:09,567 the most frequent eyewitness account 293 00:12:09,567 --> 00:12:13,166 of activity here is that of this woman, 294 00:12:13,166 --> 00:12:15,734 not any of the other people being murdered. 295 00:12:15,734 --> 00:12:18,400 So, we're here to try to see 296 00:12:18,400 --> 00:12:21,000 whether or not this could be 297 00:12:21,000 --> 00:12:23,233 the apparition of Rose Davie. 298 00:12:26,500 --> 00:12:29,100 This is The Helena loft hotel. 299 00:12:29,100 --> 00:12:31,367 -Think about this. -So this is where he experienced that. 300 00:12:31,367 --> 00:12:32,066 Yes. 301 00:12:32,066 --> 00:12:33,767 So think about how the fact that 302 00:12:33,767 --> 00:12:35,400 if you were Rose, 303 00:12:35,400 --> 00:12:37,266 you would still be up here 304 00:12:37,266 --> 00:12:38,300 -because you had rooms. -She had rooms, 305 00:12:38,300 --> 00:12:39,567 -but there's no rooms left. -Well, I... 306 00:12:39,567 --> 00:12:40,834 But here there's rooms. 307 00:12:40,834 --> 00:12:42,266 So she could be thinking 308 00:12:42,266 --> 00:12:44,567 -she's running her brothel here. -Right. 309 00:12:44,567 --> 00:12:46,934 [Zak] This is starting to make sense. 310 00:12:46,934 --> 00:12:49,734 The only apparition frequently seen here 311 00:12:49,734 --> 00:12:52,400 by multiple people is Rose Davie. 312 00:12:52,400 --> 00:12:55,166 After Jared broke a hole through the brick wall 313 00:12:55,166 --> 00:12:57,667 that sealed the original brothel 314 00:12:57,667 --> 00:13:00,166 and renovated that space into a bar, 315 00:13:00,166 --> 00:13:01,266 it makes sense, 316 00:13:01,266 --> 00:13:02,867 she would move next door 317 00:13:02,867 --> 00:13:05,400 to the hotel where there's rooms. 318 00:13:05,400 --> 00:13:07,667 The loft that the guy saw 319 00:13:07,667 --> 00:13:10,667 the female apparition was loft five. 320 00:13:10,667 --> 00:13:12,166 [Zak] And men. 321 00:13:12,166 --> 00:13:13,233 This is five. 322 00:13:14,934 --> 00:13:15,934 Hey, Rose. 323 00:13:17,000 --> 00:13:20,066 Rose, are you running a brothel in this hotel now? 324 00:13:20,967 --> 00:13:22,333 Are you in the bedroom? 325 00:13:23,767 --> 00:13:25,467 This is where he saw her. 326 00:13:26,367 --> 00:13:27,500 -Hey, Aaron. -[Aaron] Yeah? 327 00:13:27,500 --> 00:13:29,233 [Zak] EMF, please. Quickly. 328 00:13:29,734 --> 00:13:31,467 I just felt, like, 329 00:13:31,467 --> 00:13:33,800 a static type energy right here. 330 00:13:35,600 --> 00:13:37,100 Wow. It's really high. 331 00:13:37,100 --> 00:13:38,500 -[Billy] Is it? -[Zak] Yeah. 332 00:13:38,500 --> 00:13:40,200 It's at a static four. 333 00:13:40,200 --> 00:13:43,100 I just felt an energy in here. Really strong. 334 00:13:43,100 --> 00:13:44,433 Rose, are you in here? 335 00:13:46,066 --> 00:13:48,000 Oh, oh, oh. Guys. 336 00:13:48,000 --> 00:13:49,934 -[Billy] Spikes? -[Zak] Rose, was that you? 337 00:13:51,266 --> 00:13:53,133 Rose, can I lay in the bed? 338 00:13:54,467 --> 00:13:55,467 I'm getting some hits. 339 00:13:55,467 --> 00:13:57,100 Right there. Right there. Right there. 340 00:13:57,100 --> 00:13:58,367 Right there. Oh, my God. 341 00:13:59,667 --> 00:14:00,967 These EMF spikes are 342 00:14:00,967 --> 00:14:03,867 a direct response to my questions, 343 00:14:03,867 --> 00:14:05,567 indicating that we're in the presence 344 00:14:05,567 --> 00:14:07,100 of an intelligent 345 00:14:07,100 --> 00:14:09,634 and possibly domineering spirit. 346 00:14:11,000 --> 00:14:12,567 Since Rose was a madam, 347 00:14:12,567 --> 00:14:14,867 could she be telling me what to do 348 00:14:14,867 --> 00:14:18,133 the same way she did the women who worked in her brothel? 349 00:14:18,967 --> 00:14:21,066 So I'm going to do what Rose is telling me 350 00:14:21,066 --> 00:14:23,467 in hopes of documenting further evidence. 351 00:14:24,033 --> 00:14:25,967 Rose, I'm gonna lay in here. 352 00:14:25,967 --> 00:14:30,000 If Rose's spirit is sensitive to place memory, 353 00:14:30,000 --> 00:14:32,300 she may be haunting this space 354 00:14:32,300 --> 00:14:35,166 that she still thinks is her brothel. 355 00:14:36,500 --> 00:14:37,734 To test this theory, 356 00:14:37,734 --> 00:14:39,834 I'm going to create an environment 357 00:14:39,834 --> 00:14:42,033 which would have been familiar to her. 358 00:14:42,033 --> 00:14:42,867 Here, Rose. 359 00:14:44,066 --> 00:14:46,233 Do you want to lay in bed with me, Rose? 360 00:14:49,200 --> 00:14:52,000 But after laying in this bed for several minutes, 361 00:14:52,000 --> 00:14:53,634 all has gone quiet. 362 00:14:54,166 --> 00:14:55,734 Maybe she doesn't want me. 363 00:14:56,867 --> 00:14:59,100 Maybe I'm not her type. Aaron? 364 00:14:59,100 --> 00:15:00,100 Sorry. 365 00:15:00,934 --> 00:15:01,834 Lay down. 366 00:15:02,567 --> 00:15:04,467 You look more from that time period. 367 00:15:04,467 --> 00:15:06,467 [Aaron chuckling] Oh, my God. 368 00:15:07,100 --> 00:15:08,667 [Zak] But to our surprise, 369 00:15:08,667 --> 00:15:11,867 Aaron is a highly effective trigger object. 370 00:15:11,867 --> 00:15:13,367 [Billy] Look at this. Look at this. 371 00:15:13,367 --> 00:15:14,867 -[Zak] What the hell? -[Billy] Look at this. 372 00:15:14,867 --> 00:15:16,367 Look at this. 373 00:15:16,367 --> 00:15:19,667 -[Aaron] Oh, my God. -Laying on the pillow, grabbing the money. 374 00:15:19,667 --> 00:15:21,166 -[Aaron] No. -[Billy] Look where the hands are. 375 00:15:21,166 --> 00:15:25,066 [Zak] Amazingly, the XLS captures a figure, 376 00:15:25,066 --> 00:15:27,867 human in form, and at the foot of the bed, 377 00:15:27,867 --> 00:15:31,200 which is reacting to our trigger objects. 378 00:15:31,200 --> 00:15:33,367 And if this isn't compelling enough, 379 00:15:33,367 --> 00:15:36,600 we have no idea what we're about to witness. 380 00:15:36,600 --> 00:15:38,867 [Billy] Oh, look it. Look it. She's grabbing him. 381 00:15:38,867 --> 00:15:41,567 -[Zak] Yep. -[Billy] She's grabbing him, dude. 382 00:15:41,567 --> 00:15:44,100 -[Zak] Whoa. -[Billy] Oh, she's mounting his [bleep] 383 00:15:44,100 --> 00:15:47,367 Billy. Are you serious? 384 00:15:47,367 --> 00:15:50,333 -Oh, my God. -That means that she didn't like you. 385 00:15:51,100 --> 00:15:52,467 [Zak] What we're witnessing now 386 00:15:52,467 --> 00:15:56,000 is unlike any XLS evidence we've ever captured. 387 00:15:56,000 --> 00:15:58,166 This spirit has moved upwards 388 00:15:58,166 --> 00:16:01,367 and is now laying on top of Aaron's body. 389 00:16:01,367 --> 00:16:03,066 She's mounting you. 390 00:16:03,066 --> 00:16:06,300 My wife is gonna be so pissed. 391 00:16:06,300 --> 00:16:09,266 [Zak] We suspect we may be documenting Rose Davie 392 00:16:09,266 --> 00:16:12,333 or one of her prostitutes from The Rose Room. 393 00:16:13,100 --> 00:16:15,567 This is truly a watershed moment 394 00:16:15,567 --> 00:16:18,567 in the history of our XLS evidence. 395 00:16:18,567 --> 00:16:20,300 We're as giddy as schoolboys 396 00:16:20,300 --> 00:16:23,934 because of the unbelievable capture we're now documenting. 397 00:16:23,934 --> 00:16:25,567 But I need to remind everyone 398 00:16:25,567 --> 00:16:26,767 that this figure, 399 00:16:26,767 --> 00:16:30,033 which initially appeared at the foot of the bed 400 00:16:30,033 --> 00:16:32,500 and then moved toward Aaron, 401 00:16:32,500 --> 00:16:35,166 proves this is a separate entity 402 00:16:35,166 --> 00:16:38,600 and not the XLS accidentally mapping him. 403 00:16:38,600 --> 00:16:40,567 Bro, have you ever seen this? 404 00:16:40,567 --> 00:16:42,667 -[Aaron] Oh, my God. -[Billy] Dude. 405 00:16:43,600 --> 00:16:45,033 Oh, my God. 406 00:16:45,033 --> 00:16:46,400 [Zak] Oh, my God. 407 00:16:46,400 --> 00:16:49,667 Dude, she's holding onto the headboard like this. 408 00:16:49,667 --> 00:16:50,934 [Billy] I have never seen anything like this. 409 00:16:50,934 --> 00:16:52,367 [Aaron] Okay. I got to get up. 410 00:16:52,367 --> 00:16:54,033 -[Zak] Hold on. Hold on. -[Billy] Oh, it's gone. 411 00:16:54,033 --> 00:16:54,967 -[Aaron] She's gone. -[Billy] Gone. 412 00:16:54,967 --> 00:16:56,300 -[Zak] Gone? -[Billy] Gone. 413 00:16:56,300 --> 00:16:58,400 [Aaron] My job here is done. 414 00:16:58,400 --> 00:17:02,033 -Oh, my God. -[laughing] 415 00:17:02,033 --> 00:17:05,934 [Zak] We need a moment to process what we just captured. 416 00:17:05,934 --> 00:17:08,600 First, this entity appears in response 417 00:17:08,600 --> 00:17:10,266 to what proved to be our 418 00:17:10,266 --> 00:17:12,934 highly effective trigger objects. 419 00:17:12,934 --> 00:17:14,967 Then the entity moves upward 420 00:17:14,967 --> 00:17:17,667 on top of Aaron and then appears to be 421 00:17:17,667 --> 00:17:19,467 performing an act 422 00:17:19,467 --> 00:17:21,367 similar to what a prostitute 423 00:17:21,367 --> 00:17:23,433 would have done with their client. 424 00:17:24,867 --> 00:17:28,033 This sequence of events not only substantiates 425 00:17:28,033 --> 00:17:31,367 the claims employees and visitors have, 426 00:17:31,367 --> 00:17:33,467 who believe they are encountering the spirit 427 00:17:33,467 --> 00:17:34,734 of Rose Davie, 428 00:17:34,734 --> 00:17:38,834 but validates the infamous and sinful reputation 429 00:17:38,834 --> 00:17:43,066 Ogden's 25th Street and these buildings were once known for. 430 00:17:44,033 --> 00:17:46,367 Despite this historical capture, 431 00:17:46,367 --> 00:17:48,667 I do feel slightly melancholy 432 00:17:48,667 --> 00:17:51,467 about how this evidence was acquired. 433 00:17:51,467 --> 00:17:52,867 I got rejected by a ghost. 434 00:17:52,867 --> 00:17:56,667 A ghost chose Aaron over you. [laughs] 435 00:17:57,100 --> 00:17:58,200 [Aaron] Sorry, dude. 436 00:17:58,200 --> 00:18:00,266 -I totally feel rejected. -[Billy laughing] 437 00:18:00,266 --> 00:18:02,867 The second I get up from the bed, she jumps on him. 438 00:18:02,867 --> 00:18:03,934 [Billy] And then goes away. 439 00:18:03,934 --> 00:18:06,834 And then she went away when you went over to the bed. 440 00:18:06,834 --> 00:18:09,500 You know what? You guys can finish this location. 441 00:18:09,500 --> 00:18:10,767 [all laughing] 442 00:18:10,767 --> 00:18:11,934 I'm going home. 443 00:18:13,333 --> 00:18:14,233 [Zak] Based on this profound encounter 444 00:18:14,233 --> 00:18:15,934 in The Helena lofts, 445 00:18:15,934 --> 00:18:17,867 we quickly regroup with Jared, 446 00:18:17,867 --> 00:18:20,133 the owner of these two buildings, 447 00:18:20,133 --> 00:18:22,934 to show him what we documented. 448 00:18:22,934 --> 00:18:25,367 We're very serious investigators, 449 00:18:25,367 --> 00:18:27,734 um, but we're also humorous guys. 450 00:18:27,734 --> 00:18:29,867 At least we think so. I mean, look... 451 00:18:29,867 --> 00:18:32,767 -[Billy and Aaron laughing] -...if you wanted to meet Rose Davie 452 00:18:32,767 --> 00:18:33,767 back then, 453 00:18:33,767 --> 00:18:36,467 you'd have to be a customer of the brothel, right? 454 00:18:36,467 --> 00:18:37,467 -Uh-huh. -[Zak] Right. 455 00:18:37,467 --> 00:18:38,533 -Fair enough. Yeah, yeah. -[Zak] Right. 456 00:18:38,533 --> 00:18:40,567 So what we did is we went 457 00:18:40,567 --> 00:18:42,734 -to your hotel next door. -[Jared] Okay. 458 00:18:42,734 --> 00:18:47,233 [Zak] And we tried to simulate us as clients. 459 00:18:47,233 --> 00:18:49,033 Rose, I'm gonna lay in here. 460 00:18:49,033 --> 00:18:50,266 -I'm laying there... -[Jared] Yeah. 461 00:18:50,266 --> 00:18:52,433 ...to see if she could lay down next to me. 462 00:18:52,433 --> 00:18:54,634 -Yeah. Appreciate it. -We never got any evidence. 463 00:18:54,634 --> 00:18:55,634 -[Jared] Okay. -[Zak] The second 464 00:18:55,634 --> 00:18:58,033 that I got out of the bed, 465 00:18:58,033 --> 00:19:00,367 Aaron, who probably would match... 466 00:19:00,367 --> 00:19:02,100 -A male model. -...an older, scruffier 467 00:19:02,100 --> 00:19:04,166 kind of guy back in that time. 468 00:19:04,166 --> 00:19:07,667 -More her type. -[Zak] Exactly, Jared. Exactly. 469 00:19:07,667 --> 00:19:10,233 So he ended up laying in the bed. 470 00:19:10,233 --> 00:19:11,667 -[Jared] Mm-hmm. -[Zak] None of us 471 00:19:11,667 --> 00:19:12,567 imagined... 472 00:19:12,567 --> 00:19:14,033 [laughing] No. 473 00:19:14,033 --> 00:19:16,800 -...what we captured. Okay? -I haven't seen this yet. 474 00:19:17,634 --> 00:19:19,100 [Zak] It's mapping a figure. 475 00:19:19,767 --> 00:19:21,967 It shouldn't be mapping anything. 476 00:19:21,967 --> 00:19:24,567 [indistinct chatter on video] 477 00:19:24,567 --> 00:19:27,100 There is a figure laying there. 478 00:19:32,867 --> 00:19:35,367 -It's now moving, like, intelligently. -[Jared] Mm-hmm. 479 00:19:35,367 --> 00:19:37,634 [Zak] So now it's shifted over towards Aaron 480 00:19:37,634 --> 00:19:39,166 and it's grabbing his hands. 481 00:19:41,000 --> 00:19:42,266 Now this figure... 482 00:19:42,266 --> 00:19:45,166 -You got some. -[laughing] Dude. 483 00:19:45,166 --> 00:19:46,467 Can you say that again? 484 00:19:46,467 --> 00:19:48,133 -I said "You got some." -[Zak] Yeah. 485 00:19:48,133 --> 00:19:50,166 And now it appears to be on top of Aaron 486 00:19:50,166 --> 00:19:51,967 and is doing things that a woman 487 00:19:51,967 --> 00:19:53,867 would do in bed with a client. 488 00:19:53,867 --> 00:19:54,867 Keep playing. 489 00:19:54,867 --> 00:19:56,634 [indistinct chatter on video] 490 00:19:56,634 --> 00:19:58,467 [Zak] So we're going crazy right now. 491 00:19:58,467 --> 00:20:01,367 It's like holding his hands down. 492 00:20:01,367 --> 00:20:04,066 -Now pause it when it grabs... -Yeah, yeah, wait, wait. 493 00:20:04,066 --> 00:20:05,867 -[Zak] You see it's grabbing his belly. -[Billy] Wait, wait, wait. 494 00:20:05,867 --> 00:20:07,467 -[Zak] It's grabbing his belly. -It is. 495 00:20:07,467 --> 00:20:08,934 [Billy] Ready? 496 00:20:08,934 --> 00:20:10,767 -Right here. Oh. -[Zak] Okay. 497 00:20:10,767 --> 00:20:12,734 So now it's got its hand. 498 00:20:12,734 --> 00:20:16,000 -You see where the hand is now? -Oh, my God. 499 00:20:16,333 --> 00:20:17,166 [Zak] Jared, 500 00:20:18,066 --> 00:20:20,533 can you tell me where this figure [bleep] 501 00:20:20,533 --> 00:20:23,166 It looks like definitely his upper thigh, for sure. 502 00:20:23,166 --> 00:20:25,166 The figure's hand is now 503 00:20:25,166 --> 00:20:28,967 touching Aaron's upper thigh. 504 00:20:28,967 --> 00:20:31,634 But I want you to watch the arms of this figure now. 505 00:20:31,634 --> 00:20:33,467 -[Billy] Watch. -[Zak] It's grabbing on to the headboard 506 00:20:33,467 --> 00:20:34,967 right now, the rails. 507 00:20:34,967 --> 00:20:35,934 [Billy] One arm. 508 00:20:36,767 --> 00:20:37,567 [Zak] And then... 509 00:20:37,567 --> 00:20:39,000 Both arms. 510 00:20:39,000 --> 00:20:40,767 Oh, my God. 511 00:20:40,767 --> 00:20:42,667 [Zak] This is the first time Aaron's seeing this, too. 512 00:20:42,667 --> 00:20:44,266 [Billy] We were dying 'cause we're like... 513 00:20:44,266 --> 00:20:45,867 [Zak] So now the figure is holding on 514 00:20:45,867 --> 00:20:47,166 to the rails 515 00:20:47,166 --> 00:20:48,834 while it's on top of Aaron. 516 00:20:48,834 --> 00:20:50,767 -This is where it's the end of it. -[Jared] Yeah. 517 00:20:50,767 --> 00:20:52,934 So she's done with Aaron. Ready, Aaron? 518 00:20:52,934 --> 00:20:54,166 -What? -[Billy] Ready? 519 00:20:54,634 --> 00:20:56,333 Lays down next to Aaron. 520 00:20:56,333 --> 00:20:57,734 [Zak] Having her cigarette. 521 00:20:57,734 --> 00:20:59,767 -[Billy] Lays down next to Aaron. -[Zak] Having her cigarette. 522 00:20:59,767 --> 00:21:00,934 And gone. 523 00:21:02,000 --> 00:21:03,567 Oh, my God, dude. 524 00:21:03,567 --> 00:21:05,967 -[Zak] And gone. -Oh, my God. [laughs] 525 00:21:05,967 --> 00:21:07,867 Did you just witness what we just witnessed? 526 00:21:07,867 --> 00:21:08,867 Yeah, that was... 527 00:21:08,867 --> 00:21:11,166 Yeah, it's obvious. The way it's moving. 528 00:21:11,166 --> 00:21:13,333 Yeah, it looks like it's grabbing a headboard. 529 00:21:13,333 --> 00:21:14,533 It's, you know, et cetera. Yeah. 530 00:21:14,533 --> 00:21:16,433 -It's having sex with Aaron. -Yeah, yeah, yeah. 531 00:21:16,433 --> 00:21:17,767 She got what she wanted. 532 00:21:17,767 --> 00:21:20,533 -But can I say one thing? -Well, sex is a part of life. 533 00:21:20,533 --> 00:21:21,967 And you know what I learned out of this? 534 00:21:21,967 --> 00:21:24,233 The most compelling evidence I learned from this? 535 00:21:25,333 --> 00:21:27,333 She chose me. Sorry, Zak. 536 00:21:27,333 --> 00:21:29,133 -[Zak] All right. -[all laughing] 537 00:21:34,867 --> 00:21:36,367 Okay. We are beginning 538 00:21:36,367 --> 00:21:38,567 our lockdown investigation 539 00:21:38,567 --> 00:21:39,734 right now. 540 00:21:39,734 --> 00:21:42,867 We are investigating two different buildings. 541 00:21:42,867 --> 00:21:45,100 The building that I'm in right now, 542 00:21:45,100 --> 00:21:48,033 this used to be the El Borracho bar. 543 00:21:48,033 --> 00:21:50,667 And above us on the second floor, 544 00:21:50,667 --> 00:21:54,567 that used to be Rose Davie's brothel. 545 00:21:54,567 --> 00:21:57,934 And Jay is right over here behind this curtain. 546 00:21:58,567 --> 00:21:59,634 Say hi, Jay. 547 00:21:59,634 --> 00:22:00,533 Hi, Jay. 548 00:22:00,533 --> 00:22:03,166 And right now, Jay is 549 00:22:03,166 --> 00:22:06,033 monitoring four different cameras 550 00:22:06,033 --> 00:22:07,634 in the basement here, 551 00:22:07,634 --> 00:22:09,867 on the main floor right here. 552 00:22:09,867 --> 00:22:11,567 And there's a camera above us 553 00:22:11,567 --> 00:22:13,367 and also on the stairwell.@ 554 00:22:13,367 --> 00:22:15,033 In the second building 555 00:22:15,033 --> 00:22:16,900 is the hotel, The Helena Building. 556 00:22:17,266 --> 00:22:18,266 Over there, we have 557 00:22:18,266 --> 00:22:20,367 multiple cameras in multiple rooms, 558 00:22:20,367 --> 00:22:22,033 especially number five. 559 00:22:22,033 --> 00:22:25,100 In those rooms, we have motion sensors 560 00:22:25,100 --> 00:22:27,433 that will trigger my watch 561 00:22:27,433 --> 00:22:29,834 if there's any movement there. 562 00:22:29,834 --> 00:22:31,033 Before we begin, 563 00:22:31,033 --> 00:22:35,000 I want to make an announcement to the spirit of Rose. 564 00:22:35,000 --> 00:22:36,934 So if you look right here, 565 00:22:36,934 --> 00:22:39,834 do you see this device right here in the corner of the bar? 566 00:22:40,467 --> 00:22:43,767 That is a 360-degree speaker 567 00:22:43,767 --> 00:22:46,467 that connects to this walkie device, 568 00:22:46,467 --> 00:22:47,867 this walkie-talkie device. 569 00:22:47,867 --> 00:22:49,934 Doing a lot of Ghost Adventures house calls, 570 00:22:49,934 --> 00:22:52,233 we have learned using these walkies, 571 00:22:52,233 --> 00:22:54,767 using the electromagnetic spectrum to 572 00:22:54,767 --> 00:22:57,967 channel our voice through the atmosphere, 573 00:22:57,967 --> 00:23:01,467 we believe that can be heard even more clearer 574 00:23:01,467 --> 00:23:03,867 in that astral plane to those spirits. 575 00:23:03,867 --> 00:23:05,266 So I'm gonna send a message 576 00:23:05,266 --> 00:23:08,166 right now to Rose using this device. 577 00:23:08,166 --> 00:23:09,400 -You ready? -Yep. 578 00:23:10,066 --> 00:23:11,433 [Zak] Hey, Rose. 579 00:23:12,433 --> 00:23:14,000 First off, 580 00:23:14,000 --> 00:23:16,734 somebody wants to say thank you for last night. 581 00:23:17,233 --> 00:23:18,333 Come on. 582 00:23:20,634 --> 00:23:24,367 Yeah, I had a really good... [speaks indistinctly] 583 00:23:24,367 --> 00:23:25,266 Thanks. 584 00:23:25,266 --> 00:23:26,066 [Zak] Are you nervous? 585 00:23:26,066 --> 00:23:27,467 [Aaron] No, I didn't know what to say. 586 00:23:27,467 --> 00:23:28,900 I got nervous. 587 00:23:30,166 --> 00:23:31,333 -He puckered up. -[Billy] Yeah. 588 00:23:31,333 --> 00:23:32,266 [Aaron laughing] I got nervous. 589 00:23:32,266 --> 00:23:34,233 -Okay. -It got real. 590 00:23:35,367 --> 00:23:36,400 [Zak] Rose, 591 00:23:37,066 --> 00:23:38,767 so, listen. 592 00:23:38,767 --> 00:23:41,233 Whether that was you last night with Aaron 593 00:23:41,233 --> 00:23:43,967 or one of your other working ladies, 594 00:23:43,967 --> 00:23:46,934 you gave us some incredible evidence of the afterlife. 595 00:23:47,467 --> 00:23:50,133 And the intelligent movements, 596 00:23:50,133 --> 00:23:53,834 everything was great. I'm like... [chuckles] 597 00:23:53,834 --> 00:23:56,300 -You're getting... -[Aaron] Are you a porn director right now? 598 00:23:58,467 --> 00:24:00,433 [Zak] I know that a lot of other people were murdered 599 00:24:00,433 --> 00:24:03,166 in this building when it was the El Borracho. 600 00:24:04,066 --> 00:24:05,467 It was a very violent bar. 601 00:24:05,467 --> 00:24:07,533 I want to know if there's something 602 00:24:07,533 --> 00:24:09,333 evil in the basement. 603 00:24:09,333 --> 00:24:11,166 There's the exposed third floor. 604 00:24:11,166 --> 00:24:13,100 We don't know what's buried there. 605 00:24:13,100 --> 00:24:14,367 But what we do know factually 606 00:24:14,367 --> 00:24:17,266 is that there was a lot of murders in this building. 607 00:24:17,266 --> 00:24:19,634 We also know, Rose, that your floor... 608 00:24:19,634 --> 00:24:20,800 Point to it, Jay. 609 00:24:21,266 --> 00:24:22,467 Your floor... 610 00:24:22,467 --> 00:24:23,967 -[Jay] Whoa. -[Zak] Whoa. Whoa. 611 00:24:23,967 --> 00:24:24,734 See that, Bill? 612 00:24:24,734 --> 00:24:26,066 -[Billy] Yeah. -[Zak] What the heck? 613 00:24:26,066 --> 00:24:27,233 -[Billy] I got it. -[Jay] Whoa. 614 00:24:28,767 --> 00:24:30,667 [Zak] As soon as I mention evil... 615 00:24:30,667 --> 00:24:33,634 We want to know if there's something evil. 616 00:24:33,634 --> 00:24:36,634 ...the camera upstairs in Rose's old brothel 617 00:24:36,634 --> 00:24:39,533 starts receiving strange interference. 618 00:24:39,533 --> 00:24:40,567 What the heck? 619 00:24:40,567 --> 00:24:42,266 So we immediately head up there. 620 00:24:42,266 --> 00:24:44,767 -You said we're all the same again. -It's up here in her room. 621 00:24:44,767 --> 00:24:46,634 It's shooting where her rooms were. 622 00:24:46,967 --> 00:24:48,166 Go. Go. 623 00:24:50,834 --> 00:24:53,433 That camera's plugged into the wall, too. 624 00:25:06,567 --> 00:25:08,567 [Zak] Hold up. Oh, my God. 625 00:25:08,567 --> 00:25:09,467 [Billy] What? 626 00:25:09,467 --> 00:25:11,867 [Zak] Whoa, whoa, whoa, whoa, whoa, you guys. 627 00:25:11,867 --> 00:25:13,533 -[Aaron] What? -[Billy] What just happened? 628 00:25:13,533 --> 00:25:14,634 [Zak] Oh, my God. 629 00:25:15,033 --> 00:25:17,100 That was scary. 630 00:25:17,100 --> 00:25:19,266 I just looked in there, guys, and I swear to God, 631 00:25:19,266 --> 00:25:21,834 it looked like a lady on her knees 632 00:25:21,834 --> 00:25:23,867 like this, looking over her shoulder at me 633 00:25:23,867 --> 00:25:25,133 with, like, black eyes. 634 00:25:25,133 --> 00:25:26,367 The eyes were shiny. 635 00:25:26,367 --> 00:25:28,033 -[Billy] In here? -[Zak] I swear. 636 00:25:28,533 --> 00:25:30,166 I saw what I saw. 637 00:25:35,033 --> 00:25:37,000 Oh, my God. That just scared the [bleep] out of me. 638 00:25:37,000 --> 00:25:38,233 Dude, I thought there was a real person up here... 639 00:25:38,233 --> 00:25:40,767 -[Zak] Oh, I know. -...and you confronted them. 640 00:25:40,767 --> 00:25:42,367 [Zak] I know it's a little dark in here, 641 00:25:42,367 --> 00:25:44,567 but I swear that's what I saw. 642 00:25:44,567 --> 00:25:47,133 What I saw was very clear, 643 00:25:47,133 --> 00:25:49,567 and because it was a quick flash image, 644 00:25:49,567 --> 00:25:52,767 I want to now utilize our visual equipment 645 00:25:52,767 --> 00:25:55,767 in an attempt to see if I can capture it on camera. 646 00:25:55,767 --> 00:25:59,934 And what is about to happen is absolutely incredible. 647 00:25:59,934 --> 00:26:02,133 Okay, so, because I thought I saw 648 00:26:02,133 --> 00:26:04,166 a lady crouched down right there, 649 00:26:04,166 --> 00:26:06,333 I'm gonna take some full-spectrum photos. 650 00:26:06,333 --> 00:26:07,934 I'm gonna take some instant photos 651 00:26:07,934 --> 00:26:09,033 on the Polaroid camera, 652 00:26:09,033 --> 00:26:10,233 and I'm gonna go 653 00:26:10,233 --> 00:26:13,100 do some EMF readings in that exact area. 654 00:26:14,734 --> 00:26:15,900 Did I see you? 655 00:26:17,233 --> 00:26:18,734 Was there somebody in here? 656 00:26:21,066 --> 00:26:23,200 Was there somebody kneeling down right here? 657 00:26:24,333 --> 00:26:25,166 Rose? 658 00:26:25,667 --> 00:26:27,066 Are you here, Rose? 659 00:26:31,066 --> 00:26:32,433 Is there somebody else here? 660 00:26:32,433 --> 00:26:33,800 Were you murdered here? 661 00:26:36,000 --> 00:26:37,467 [Billy] Whoa. Why is it flashing? 662 00:26:37,467 --> 00:26:39,767 -Why is that flashing? -[Billy] What the hell? 663 00:26:39,767 --> 00:26:41,233 Have you ever seen it do that? 664 00:26:41,233 --> 00:26:44,600 [indistinct chatter on video] 665 00:26:46,266 --> 00:26:47,667 [bleep] 666 00:26:47,667 --> 00:26:49,233 I don't know what's going on here. 667 00:26:49,233 --> 00:26:50,667 Sorry, but the whole monitor 668 00:26:50,667 --> 00:26:52,767 just keeps flickering on and off too. 669 00:26:52,767 --> 00:26:55,100 Something's messing their recording it big time. 670 00:26:56,734 --> 00:26:58,900 -[Zak] The whole monitor just went off he said? -[Billy] Yeah. 671 00:27:00,467 --> 00:27:03,767 [Zak] Whoever I saw, like, I want to see you. 672 00:27:03,767 --> 00:27:06,367 All right? You've been seen by multiple people. 673 00:27:06,367 --> 00:27:07,734 We're here for you. 674 00:27:10,767 --> 00:27:12,000 Do you hear me? 675 00:27:13,233 --> 00:27:14,700 Can you do something? 676 00:27:15,867 --> 00:27:18,967 We know a lot of bad stuff took place up here. 677 00:27:18,967 --> 00:27:20,900 There's a lot of men that were murdered. 678 00:27:22,734 --> 00:27:24,900 Are you messing with our equipment? 679 00:27:39,834 --> 00:27:40,967 In this moment, 680 00:27:40,967 --> 00:27:44,166 while everyone is standing absolutely still, 681 00:27:44,166 --> 00:27:46,567 I capture a dark shadow figure 682 00:27:46,567 --> 00:27:48,667 within this doorway, 683 00:27:48,667 --> 00:27:51,467 and I want to immediately review the photo. 684 00:27:51,467 --> 00:27:52,533 [Billy] What is that? 685 00:27:53,233 --> 00:27:55,233 -Who is that? -[Zak] Hold on. 686 00:27:56,367 --> 00:27:57,634 What the [bleep] 687 00:27:57,634 --> 00:28:00,333 I did not change my position 688 00:28:00,333 --> 00:28:03,166 when I took the two photos after, 689 00:28:03,166 --> 00:28:05,467 and you guys were standing where you were at, right? 690 00:28:05,467 --> 00:28:06,634 [Billy] Yeah, we're over there. 691 00:28:07,166 --> 00:28:08,667 Watch this doorway right here. 692 00:28:08,667 --> 00:28:09,867 Okay, hold on. Let me zoom in. 693 00:28:09,867 --> 00:28:11,166 [Zak] Do you see the doorway? 694 00:28:11,166 --> 00:28:12,734 -[Billy] Yeah. -[Zak] Do you see that doorway? Watch. 695 00:28:13,867 --> 00:28:15,467 [Aaron] Whoa! What the [bleep] 696 00:28:15,467 --> 00:28:17,066 [Zak] This is shocking. 697 00:28:17,066 --> 00:28:20,834 As I was standing in the same exact position, 698 00:28:20,834 --> 00:28:23,367 I capture this dark shadow figure 699 00:28:23,367 --> 00:28:26,033 of what appears to be a stocky man. 700 00:28:26,033 --> 00:28:28,967 And as we were all standing in the same places 701 00:28:28,967 --> 00:28:30,767 as seen in this wide shot, 702 00:28:30,767 --> 00:28:33,834 I rapid-fired multiple still photos, 703 00:28:33,834 --> 00:28:37,367 and this figure only appeared in one. 704 00:28:37,367 --> 00:28:39,867 We now try to further debunk this. 705 00:28:39,867 --> 00:28:41,634 [Billy] There's no way. I was over here. 706 00:28:41,634 --> 00:28:42,333 [Aaron] Dude, I was over here. 707 00:28:42,333 --> 00:28:43,634 [Zak] Go back to where you were. 708 00:28:43,634 --> 00:28:45,667 -[Aaron] You were right here. -[Zak] Okay, let me try to... 709 00:28:45,667 --> 00:28:47,467 [Aaron] Because I was, like, right over your shoulder. 710 00:28:47,467 --> 00:28:50,467 [Zak] As we all return to our original positions, 711 00:28:50,467 --> 00:28:53,367 I again take photos from the same spot 712 00:28:53,367 --> 00:28:55,033 and see nothing. 713 00:28:55,033 --> 00:28:56,934 This was us trying to replicate it. 714 00:28:57,634 --> 00:28:59,100 Trying to replicate it. 715 00:28:59,567 --> 00:29:01,000 Trying to replicate it. 716 00:29:01,834 --> 00:29:03,000 Trying to replicate it. 717 00:29:03,000 --> 00:29:04,567 -[Billy] Yeah. -[Zak] Trying to replicate it. 718 00:29:04,567 --> 00:29:06,033 You'll notice no shadows anywhere, 719 00:29:06,033 --> 00:29:08,634 not even on the wall around the doorway. 720 00:29:08,634 --> 00:29:11,433 None of our shadows are being casted in that direction. 721 00:29:11,767 --> 00:29:13,567 And there it is. 722 00:29:13,567 --> 00:29:17,567 None of our shadows were even casted on these walls. 723 00:29:17,567 --> 00:29:18,867 -[Billy] Because of where we're at. -[Zak] Because of 724 00:29:18,867 --> 00:29:20,100 -where we were at. -[Billy] Yeah. 725 00:29:20,100 --> 00:29:21,834 So it was impossible. 726 00:29:21,834 --> 00:29:23,734 And whatever this was, 727 00:29:23,734 --> 00:29:26,567 was back here, standing here like this. 728 00:29:26,567 --> 00:29:29,066 After capturing a shadowy apparition 729 00:29:29,066 --> 00:29:31,266 that we are unable to explain, 730 00:29:31,266 --> 00:29:34,367 we head back to nerve center, and I have an idea. 731 00:29:34,367 --> 00:29:35,400 Right now, 732 00:29:35,400 --> 00:29:38,033 one of you, I want you to get back onto that device,, 733 00:29:38,033 --> 00:29:40,834 and I want you to tell whoever we just saw, 734 00:29:40,834 --> 00:29:42,133 whether that was Rose 735 00:29:42,133 --> 00:29:44,767 or one of the ladies or a bouncer, 736 00:29:44,767 --> 00:29:47,734 -to head over to The Helena Building. -[Jay] Okay. 737 00:29:48,367 --> 00:29:49,233 Rose, 738 00:29:50,100 --> 00:29:51,667 I know you can hear us. 739 00:29:51,667 --> 00:29:54,233 We know you're here. 740 00:29:54,233 --> 00:29:57,233 My friends are going over to The Helena Building next. 741 00:29:58,266 --> 00:30:00,100 Could you follow them over there? 742 00:30:01,033 --> 00:30:03,433 The rooms upstairs? 743 00:30:03,433 --> 00:30:06,734 Please, follow them over there and meet them there now. 744 00:30:07,567 --> 00:30:09,834 [Zak] Just as Jay says this, 745 00:30:09,834 --> 00:30:11,467 we all feel a cold air mass 746 00:30:11,467 --> 00:30:13,266 right here at nerve center. 747 00:30:13,266 --> 00:30:14,667 [Aaron] Holy [bleep] 748 00:30:14,667 --> 00:30:17,000 -[Zak] Got cold? -Dude, I am chilled up. 749 00:30:17,000 --> 00:30:19,634 -[Billy] What happened? -Dude, I have a chill all around. 750 00:30:19,634 --> 00:30:20,967 Like, no joke. 751 00:30:20,967 --> 00:30:24,467 Like, I just feel like I just [bleep] went into a freezer. 752 00:30:24,467 --> 00:30:25,634 [Aaron] Yeah. 753 00:30:25,634 --> 00:30:27,834 -Did the monitor just shut off? -The monitor just freaked out. 754 00:30:27,834 --> 00:30:29,467 I feel like I'm in a freezer. 755 00:30:29,467 --> 00:30:32,467 Like, I feel like I'm a giant ice cube right now. 756 00:30:32,467 --> 00:30:35,467 [Zak] I immediately conduct an ITC session using 757 00:30:35,467 --> 00:30:37,767 the APF-D Processor 758 00:30:37,767 --> 00:30:40,400 with the PSB7-PRO device. 759 00:30:45,000 --> 00:30:47,100 [Zak] Did I just capture you on camera? 760 00:30:48,100 --> 00:30:49,000 [man] No doubt. 761 00:30:49,433 --> 00:30:50,567 [gasps] Oh! 762 00:30:50,567 --> 00:30:51,667 [Billy] You heard that? 763 00:30:51,667 --> 00:30:54,266 Oh, my God. 764 00:30:54,266 --> 00:30:56,233 [Billy] "No doubt." 765 00:30:56,233 --> 00:30:58,900 -That was so cool. -What the [bleep] 766 00:31:00,066 --> 00:31:02,033 Did I just capture you on camera? 767 00:31:06,767 --> 00:31:07,867 [gasps] Oh! 768 00:31:07,867 --> 00:31:09,166 [Billy] You heard that? 769 00:31:09,166 --> 00:31:11,734 Oh, my God. 770 00:31:13,467 --> 00:31:14,967 I have not even, like, 771 00:31:14,967 --> 00:31:16,567 put my high-pass filter on yet, 772 00:31:16,567 --> 00:31:18,433 so I'm just gonna turn it right back on. 773 00:31:21,000 --> 00:31:22,133 What's your name? 774 00:31:23,734 --> 00:31:25,333 Hey, lady, what's your name? 775 00:31:28,767 --> 00:31:29,834 [woman speaking indistinctly] 776 00:31:30,767 --> 00:31:32,033 [Billy] Bro, what? 777 00:31:32,033 --> 00:31:34,400 [Aaron] She's gone? Something, she's gone? 778 00:31:35,767 --> 00:31:37,367 Hey lady, what's your name? 779 00:31:45,567 --> 00:31:46,400 [Billy] Bro, what? 780 00:31:47,967 --> 00:31:49,367 What's your name, lady? 781 00:31:51,767 --> 00:31:52,767 [woman] Can't say. 782 00:31:52,767 --> 00:31:54,834 -[Aaron] "Can't say." -[Jay] Yeah. 783 00:31:54,834 --> 00:31:55,934 -Did you hear her? -[Aaron] Yeah. 784 00:31:55,934 --> 00:31:57,000 -[Zak] Did you hear her? -[Aaron] Yeah. 785 00:31:57,000 --> 00:31:58,166 -[Zak] Did she say, "Can't say"? -[Aaron] She's like, 786 00:31:58,166 --> 00:32:01,133 "Can't say." Like, she was almost, like, struggling. 787 00:32:02,667 --> 00:32:04,133 What's your name, lady? 788 00:32:09,934 --> 00:32:11,433 -[Aaron] "Can't say." -[Jay] Yeah. 789 00:32:12,066 --> 00:32:13,100 Did you hear her? 790 00:32:13,100 --> 00:32:16,133 [Zak] This is now three female responses. 791 00:32:16,133 --> 00:32:17,834 Are we talking to Rose? 792 00:32:20,834 --> 00:32:22,266 Where do you want us to go? 793 00:32:25,133 --> 00:32:26,867 [woman speaking indistinctly] 794 00:32:26,867 --> 00:32:28,867 -[Billy] I heard her say "$28." -"$28." 795 00:32:28,867 --> 00:32:30,367 [Billy] That's what I heard. 796 00:32:30,367 --> 00:32:33,567 She was telling us $28! 797 00:32:33,567 --> 00:32:36,333 -[Billy laughing] -Oh, my God. 798 00:32:36,333 --> 00:32:38,767 [Billy] She said $28! 799 00:32:38,767 --> 00:32:41,767 [Zak] Is this Rose telling us it is going to cost 800 00:32:41,767 --> 00:32:45,367 $28 for us to receive service 801 00:32:45,367 --> 00:32:46,433 at her brothel? 802 00:32:47,000 --> 00:32:48,367 Where do you want us to go? 803 00:32:51,367 --> 00:32:52,700 [woman speaking] 804 00:32:54,133 --> 00:32:55,767 [woman speaking] 805 00:32:55,767 --> 00:32:58,033 -[Billy] I heard her say "$28." -"$28." 806 00:33:00,066 --> 00:33:01,934 [Zak] It is now time to head over 807 00:33:01,934 --> 00:33:03,867 to investigate The Helena Building. 808 00:33:03,867 --> 00:33:06,834 Okay, right now we're gonna go inside The Helena Building. 809 00:33:06,834 --> 00:33:09,667 This is where we captured that evidence on an XLS camera. 810 00:33:09,667 --> 00:33:12,567 And the entrance to that, we had to come back outside. 811 00:33:12,567 --> 00:33:14,333 We're gonna head right over here. 812 00:33:47,567 --> 00:33:49,300 [Billy] Did the sensor work? 813 00:33:49,300 --> 00:33:50,467 -Huh? -[Billy] Did the sensor work? 814 00:33:50,467 --> 00:33:51,367 -Yeah. -[Billy] Okay. 815 00:33:51,367 --> 00:33:52,667 -[Aaron] You all right, chief? -Huh? 816 00:33:52,667 --> 00:33:53,634 [Aaron] You sounded hurt. 817 00:33:54,200 --> 00:33:55,000 [Zak] No. 818 00:33:55,000 --> 00:33:57,467 As soon as I step into room 3, 819 00:33:57,467 --> 00:34:00,333 I become very dizzy and disoriented. 820 00:34:00,333 --> 00:34:02,567 [sighs] I don't know what's going on. 821 00:34:02,567 --> 00:34:04,867 -[Aaron] Could have been the stress of those... -[Zak sighs] 822 00:34:04,867 --> 00:34:06,400 [woman moaning in distance] 823 00:34:07,567 --> 00:34:10,867 [Zak] We all now hear a very eerie 824 00:34:10,867 --> 00:34:12,266 female moaning sound. 825 00:34:12,266 --> 00:34:14,467 [sighs] I don't know what's going on. 826 00:34:14,467 --> 00:34:16,834 -[Aaron] Could have been the stress of those... -[Zak sighs] 827 00:34:27,266 --> 00:34:29,300 [Zak] We immediately open the back door 828 00:34:29,300 --> 00:34:30,967 to see if anyone is outside, 829 00:34:30,967 --> 00:34:33,100 but we don't see anyone anywhere. 830 00:34:35,467 --> 00:34:36,433 Is it outside? 831 00:34:36,433 --> 00:34:37,200 [Aaron] No. 832 00:34:37,200 --> 00:34:39,000 -[Zak] What? -[Aaron] No. 833 00:34:40,867 --> 00:34:42,000 [Zak shushes] 834 00:34:47,200 --> 00:34:49,200 [Billy] Where was the singing coming from just now? 835 00:34:49,200 --> 00:34:52,233 I don't know. We're just hearing, like, an old-fashioned singing. 836 00:35:00,567 --> 00:35:02,033 Did somebody make a noise? 837 00:35:06,233 --> 00:35:08,300 We now head up to the third level. 838 00:35:18,533 --> 00:35:19,500 What? 839 00:35:27,867 --> 00:35:29,300 It's not up here. 840 00:35:29,300 --> 00:35:30,200 [Billy] Yeah. 841 00:35:30,200 --> 00:35:32,066 If it's not outside, 842 00:35:32,867 --> 00:35:34,600 and it's not up here, 843 00:35:36,066 --> 00:35:37,800 then where is it coming from? 844 00:35:39,467 --> 00:35:41,367 As I send Billy downstairs 845 00:35:41,367 --> 00:35:43,266 to check the front of the building, 846 00:35:43,266 --> 00:35:45,166 Aaron and I hear a terrifying, 847 00:35:45,166 --> 00:35:47,734 unexplained voice come from our walkie-talkie. 848 00:35:47,734 --> 00:35:50,834 Okay, so right now we're all absolutely puzzled 849 00:35:50,834 --> 00:35:52,734 because, first off, 850 00:35:52,734 --> 00:35:56,000 when we walked in to The Helena Hotel... 851 00:35:56,467 --> 00:35:58,333 [eerie screeching voice] 852 00:35:58,333 --> 00:36:00,133 [Aaron] What the [bleep] 853 00:36:01,867 --> 00:36:03,066 -[Aaron] What'd you hear? -[Zak mimicking voice] 854 00:36:03,066 --> 00:36:04,867 -[Aaron] What? -It goes... [mimicking voice] 855 00:36:04,867 --> 00:36:05,634 [Aaron] Yeah. 856 00:36:07,767 --> 00:36:08,600 [Aaron] What the-- 857 00:36:11,233 --> 00:36:12,934 [Aaron] What the [bleep] 858 00:36:14,567 --> 00:36:16,066 -[Aaron] What'd you hear? -[Zak mimicking voice] 859 00:36:16,066 --> 00:36:17,767 -[Aaron] What? -It goes... [mimicking voice] 860 00:36:17,767 --> 00:36:18,533 [Aaron] Yeah. 861 00:36:19,667 --> 00:36:20,834 [Billy] There's no music. 862 00:36:22,467 --> 00:36:23,834 There's no music, dude. 863 00:36:27,300 --> 00:36:29,567 [Zak] As we all make our way back to the third floor, 864 00:36:29,567 --> 00:36:31,734 we hear a door slam shut. 865 00:36:33,767 --> 00:36:34,767 [door slams] 866 00:36:34,767 --> 00:36:36,033 [gasps] 867 00:36:36,033 --> 00:36:38,433 -Did you just hear a door shut? -[Billy] Yes. 868 00:36:39,200 --> 00:36:40,800 -Yes. -Did you just hear that? 869 00:36:44,667 --> 00:36:45,433 [gasps] 870 00:36:47,533 --> 00:36:48,500 [gasps] 871 00:36:48,500 --> 00:36:51,000 -Did you just hear a door shut? -[Billy] Yes. 872 00:36:51,834 --> 00:36:53,634 [Zak] Again, we search the whole building 873 00:36:53,634 --> 00:36:56,767 and find no explanation for this door shutting. 874 00:36:56,767 --> 00:36:59,033 So we head back to nerve center. 875 00:36:59,033 --> 00:37:01,433 Do this. Go down into the basement 876 00:37:01,433 --> 00:37:03,867 -where they see the smoke plumes... -Yeah. 877 00:37:03,867 --> 00:37:06,734 -...and the smoke apparition came out of the wall. -[Billy] Yeah. 878 00:37:06,734 --> 00:37:07,867 [Zak] Why don't you go down there 879 00:37:07,867 --> 00:37:10,300 and do some ultraviolet video? 880 00:37:10,300 --> 00:37:12,667 -Okay. -And just sweep the entire basement. 881 00:37:12,667 --> 00:37:14,133 -Okay. -Okay. Aaron, why don't you 882 00:37:14,133 --> 00:37:15,266 -go with him... -Okay. 883 00:37:15,266 --> 00:37:17,200 -...and just film Billy. Okay? -Okay. 884 00:37:17,200 --> 00:37:18,333 -[Billy] We'll do it. -Okay. 885 00:37:18,333 --> 00:37:20,133 I'm just gonna stay here and keep an eye on these monitors. 886 00:37:20,133 --> 00:37:20,834 [Billy] All right. 887 00:37:34,834 --> 00:37:36,500 [Billy] Rose, are you down here? 888 00:37:44,900 --> 00:37:45,867 Rose? 889 00:37:47,967 --> 00:37:49,133 Show yourself. 890 00:37:50,133 --> 00:37:51,266 Step in front of my camera. 891 00:37:51,266 --> 00:37:52,867 I wanna see what you look like. 892 00:37:54,900 --> 00:37:57,200 You interacted with us last time. 893 00:38:00,667 --> 00:38:01,634 [Aaron] Oh! 894 00:38:05,133 --> 00:38:06,166 Dude. 895 00:38:14,500 --> 00:38:16,300 [Billy] What the hell, dude? Did you hear that? 896 00:38:16,300 --> 00:38:17,967 [Aaron] It's like footsteps on the roof. 897 00:38:18,634 --> 00:38:19,600 Anything upstairs? 898 00:38:22,133 --> 00:38:23,300 This is really weird. 899 00:38:23,300 --> 00:38:24,967 You know what's at the top of these stairs? 900 00:38:24,967 --> 00:38:26,033 Come here. 901 00:38:30,634 --> 00:38:33,333 This is the entrance to the club, right? 902 00:38:33,333 --> 00:38:35,734 -The door we came in from the street? -[Aaron] Yeah. 903 00:38:35,734 --> 00:38:36,567 Look up here. 904 00:38:37,467 --> 00:38:40,000 Can you see that? It's Rose. 905 00:38:40,500 --> 00:38:41,800 [Aaron] Oh [bleep] 906 00:38:41,800 --> 00:38:43,266 [Billy] Yeah. 907 00:38:43,266 --> 00:38:46,033 [Zak] It's amazing that the footsteps the guys heard 908 00:38:46,033 --> 00:38:48,200 lead them to Rose's picture. 909 00:38:48,200 --> 00:38:49,900 [Billy] It's Rose. 910 00:38:49,900 --> 00:38:51,967 [Zak] As Billy returns to the bar, 911 00:38:51,967 --> 00:38:54,934 Aaron captures the only anomaly recorded 912 00:38:54,934 --> 00:38:58,300 on all of our cameras the entire night. 913 00:38:58,300 --> 00:39:01,200 Watch as this anomaly rises up to Billy, 914 00:39:01,200 --> 00:39:03,467 then quickly ponders for a moment 915 00:39:03,467 --> 00:39:06,734 as it seems to notice him before shooting off. 916 00:39:06,734 --> 00:39:10,100 It's also interesting that this anomaly is only visible 917 00:39:10,100 --> 00:39:11,634 on the IR spectrum 918 00:39:11,634 --> 00:39:15,066 and not on Billy's ultraviolet camera. 919 00:39:17,734 --> 00:39:20,767 Right now, we're gonna use the Paranormal Puck 2 device 920 00:39:20,767 --> 00:39:23,333 designed by inventor Bill Chappell, 921 00:39:23,333 --> 00:39:26,300 and it uses sensors inside this puck 922 00:39:26,300 --> 00:39:27,500 to determine changes 923 00:39:27,500 --> 00:39:29,834 in the electromagnetic field around it. 924 00:39:29,834 --> 00:39:31,300 And based on those changes, 925 00:39:31,300 --> 00:39:34,967 it will select a word from a 2,000 word database, 926 00:39:34,967 --> 00:39:37,367 based on the questions that I asked through the app. 927 00:39:37,367 --> 00:39:39,133 The only answers that can come through 928 00:39:39,133 --> 00:39:41,467 are from changes around this puck in 929 00:39:41,467 --> 00:39:43,100 the electromagnetic spectrum. 930 00:39:44,300 --> 00:39:46,767 Rose, Rose's girls, 931 00:39:46,767 --> 00:39:49,300 the bouncer perhaps that we saw earlier, 932 00:39:49,300 --> 00:39:51,867 please come over and talk with us. 933 00:39:56,934 --> 00:39:59,100 -[Puck] Above. -[Billy] How many spirits are here? 934 00:40:00,400 --> 00:40:01,934 -Above. -[Aaron] Above? 935 00:40:01,934 --> 00:40:03,266 Above is the rooms. 936 00:40:03,266 --> 00:40:04,433 Above is... 937 00:40:04,433 --> 00:40:05,800 -All that stuff. -All that 938 00:40:05,800 --> 00:40:08,033 -is above. Okay. -[Aaron] Where we had all the stuff go on. 939 00:40:08,033 --> 00:40:09,467 [Zak sighs] 940 00:40:12,000 --> 00:40:12,800 [gasps] 941 00:40:14,800 --> 00:40:15,600 [Aaron] What the-- 942 00:40:16,667 --> 00:40:17,934 What's in this basement? 943 00:40:20,000 --> 00:40:21,033 What's in this basement? 944 00:40:21,033 --> 00:40:21,967 [Puck] Rose. 945 00:40:21,967 --> 00:40:23,400 -Rose, dude. -[Aaron] No. 946 00:40:24,266 --> 00:40:25,400 Right there, bro. 947 00:40:25,400 --> 00:40:26,834 Right there. 948 00:40:26,834 --> 00:40:28,800 "What is in this basement? Rose." 949 00:40:28,800 --> 00:40:30,233 [Aaron] "What is in this basement? Rose." 950 00:40:30,233 --> 00:40:32,800 No way, dude. 951 00:40:32,800 --> 00:40:34,934 No way, bro. Pound. 952 00:40:34,934 --> 00:40:37,767 Hey, [bleep] all night long. 953 00:40:37,767 --> 00:40:38,800 -All night. -All night long. 954 00:40:38,800 --> 00:40:41,266 -She's been around us all night. -Thank you, Rose. 955 00:40:41,266 --> 00:40:42,133 It's cold. 956 00:40:42,133 --> 00:40:43,367 -You feel that? -Yeah. 957 00:40:43,367 --> 00:40:45,667 -[chuckling] Dude, it's-- -[Aaron] Rose, thank you. 958 00:40:45,667 --> 00:40:46,667 Rose, thank you. 959 00:40:46,667 --> 00:40:49,066 I'm a firm believer that you are here, 960 00:40:49,066 --> 00:40:51,033 and like we said before, we're not judging you. 961 00:40:51,033 --> 00:40:52,900 -No. -For anything you did. 962 00:40:52,900 --> 00:40:54,667 -Thank you, Rose. -[Aaron] Thank you, Rose. 963 00:40:54,667 --> 00:40:58,233 [Zak] The odds of the guys getting this intelligent response, 964 00:40:58,233 --> 00:41:00,567 "Rose," is astronomical. 965 00:41:00,567 --> 00:41:02,467 It is extremely apparent that 966 00:41:02,467 --> 00:41:04,867 Rose Davie is living beyond her death 967 00:41:04,867 --> 00:41:08,100 and still running a brothel in the afterlife. 968 00:41:08,100 --> 00:41:09,800 He just saw this shadow silhouette 969 00:41:09,800 --> 00:41:11,100 of a woman on his wall. 970 00:41:15,266 --> 00:41:18,300 [Zak] We will also continue to ask ourselves, 971 00:41:18,300 --> 00:41:21,634 who was the dark shadow figure that was seen in this doorway? 972 00:41:21,634 --> 00:41:25,500 An incredible investigation that we will never forget, 973 00:41:25,500 --> 00:41:27,166 especially Aaron.