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[Zak] We're in Ogden, Utah.
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This is a really mysterious...
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situation.
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So all I've been told is that
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we're going to investigate
a couple buildings that
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have a dangerous history
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and a presence
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that also fits that adjective.
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Before we go to this location,
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I am going to meet somebody.
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She wants to talk to me
before we enter the doors
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of the location that
we're going to investigate.
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All that I do know
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is that this location
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is literally soaked in blood.
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There are things
in this world that we will
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never fully understand.
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[man, in eerie voice]
Understand.
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We want answers.
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[Zak] We have worked years
to build our credibility,
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our reputation...
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working alongside the most
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renowned professionals
in the field,
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capturing groundbreaking proof
of the paranormal.
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[Aaron] It's working.
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I can't give you
an explanation.
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[Zak] This is our evidence,
our ghost adventures.
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As we arrive at my contact's
rendezvous point,
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my instinct is telling me
whatever I'm about to learn
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will only
heighten the severity
of this investigation.
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So I'm gonna walk in here
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and see
what this is all about.
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-Okay?
-[Aaron] Okay.
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[Zak] There's some information
about this location
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that she needs to tell me.
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Whatever occurred
at these buildings,
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as dark as it is,
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that creates a residue.
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-Are you Jackie?
-I am.
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-Hi, I'm Zak.
-Nice to meet you, Zak.
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[Zak]
Nice to meet you as well.
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So what am I
getting myself into?
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Have you ever been to
Historic 25th Street in Ogden?
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-No.
-Utah?
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-Do you know
any of the history?
-No.
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[Jackie] This used to be
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the most sinful town
in America.
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[Zak]
This little town in Utah?
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[Jackie] Yeah, because
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the transcontinental railroad
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met here.
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The East and the West
of the United States
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was meeting together
for the first time ever.
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So it changed
this city drastically,
almost overnight.
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There was a huge
red light district.
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And later on,
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there was a woman
named Rose Davie.
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-This is her?
-This is her mugshot.
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[Zak] She doesn't
look very friendly.
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[Jackie] No. She was one of
the most notorious madams
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in Ogden history.
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She came here in the '40s,
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and by 1947,
she had established
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The Rose Room,
a thriving brothel.
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-And it was on the second
upstairs level floor.
-[Zak] Okay.
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[Jackie] And there's been
many accounts from locals
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that have talked about
how they've seen
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a madam wandering around.
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And then the bar.
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What was the bar called?
El Borracho?
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-[Jackie] Mm-hmm. El Borracho.
-[Zak] Um...
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[Jackie] And that was the bar
that was below The Rose Room.
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Were there murders
at that time?
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There was many murders
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-in that building.
-In that building?
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Many murders in that building.
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[Zak] The brutality and murder
that the El Borracho
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was known for,
spanned decades...
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[man grunting]
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[Zak] Making this host
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to one of the most violent
and bloody buildings
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in all of Ogden's history.
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Okay. So the location
that we're investigating
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is two buildings.
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One building is called
The Helena Building.
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It's like some lofts.
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The basement of that building
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is called Unspoken.
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It's kind of like
a speakeasy kind of bar.
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The other building is
another bar called Alleged.
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-That used to be
the old bar that was...
-[Billy] Borracho.
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[Zak] ...where all the murders
took place, The Rose Room.
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Is there some type
of energy underlying here
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that was
possessing people to do
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these violent crimes
and literally kill people?
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I now enter the building which
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once housed
the El Borracho bar
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and Rose Davie's brothel,
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to meet with its owner, Jared,
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who has recently opened
a new bar called Alleged.
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He is desperate for answers
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for what he and his staff
are experiencing.
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So, Jared,
I just met with Jackie.
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She was letting me know about
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-the history
of your buildings.
-[Jared] Mm-hmm.
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-Yeah.
-And
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it's pretty dark.
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Yeah. When we first bought
the buildings,
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I thought for sure
they were cursed.
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The buildings, they had been
in such disrepair,
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like, Ogden City had
actually been told
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that if The Helena
caught fire,
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just to let it burn.
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So did you ever think
to walk away from this,
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that the curse could be
a very real thing?
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When we started
the dig out on Unspoken
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and we ran into roadblock
and roadblock there,
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in the middle of that,
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I wished, I wished we'd never
started digging down there.
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[Zak] So let's go, guys.
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Jared says that not only did
digging in the basement
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disturb something,
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but his staff is terrified
to go down there.
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Hey, Mckenzi, how you doing?
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-Nice to meet you.
-Nice to meet you.
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-This is the entrance
to Unspoken?
-Yes.
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Why is it called Unspoken?
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Speakeasy kind of vibe.
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Oh.
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-That's nice.
-Yeah. [chuckles]
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So, right now
we are headed down
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into the basement
of The Helena Building.
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We got to remember
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that Rose is not
the only spirit here.
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We got to remember
all the murders
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that have taken place here,
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and be aware that
any other spirits can
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show up at any other time.
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[Mckenzi] So, I was
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working down here
by myself one night
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and I saw something
out of the corner of my eye.
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And so I looked
and saw the dress
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and the lady, she was standing
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right where the stairs are.
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And who do you think this was?
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Rose Davie.
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-You do?
-Yeah.
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[Zak] You saw this too?
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I mean, I definitely saw
a woman for sure.
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Um, so, I was working
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down here,
and as I was cleaning
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just at the end of the shift,
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as I was turning to put
something behind me,
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I saw a woman
just standing there.
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She was wearing a long dress.
It went down to her ankles.
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And right as I panned back,
she was gone.
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[Zak] Mckenzi now tells me
about a strange phenomenon
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that multiple people
have witnessed
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in The Unspoken Bar.
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[Mckenzi] So one time I was
walking through here.
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I had my flashlight on
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'cause I couldn't see,
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and it was, like, channeled.
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I was walking through
channels of smoke.
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-Like pillars of smoke?
-Yeah.
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-Yeah. Mm-hmm.
-[Zak] Like mist?
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Mckenzi, how were there
pillars of smoke
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In this basement that were
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standalone? Each of them?
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I can't explain it.
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Do you think that these
pillars of smoke were spirits?
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Yes.
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[Zak] Mckenzi wasn't
the only employee
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to have witnessed these
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mysterious transient forms
of mist.
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I meet with Mark Hoaglin,
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a plumber who worked
on this basement renovation
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and is still puzzled
by what he saw.
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So, like, all this was dirt.
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And I mean,
it was just dreary.
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But out of right here,
where the whiskey bottles are,
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the white smoke would go poof,
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and then exit into
the east side of the building.
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It was a ghost?
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-It was a spirit, you think?
-Mm-hmm.
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That's weird 'cause there's
another employee, Mckenzi,
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that saw shafts of smoke
down here.
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-Oh, yeah.
-[Zak] Pillars of smoke.
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[Mark] The thing about
this building is that
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when I was in it,
it was literally creepy.
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I mean, there was just always
something buzzing around.
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[Zak] With The Unspoken Bar
being underground,
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we do a quick sweep
to determine
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if these claims
can be debunked
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by any structural
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or environmental penetration
from above ground.
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But our findings
are inconclusive.
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Since we're within
the bowels of
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Ogden's once sin-ridden
25th Street,
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could Jared's construction
of this space
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have stirred up spirits
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from this
former red light district?
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Oh, my God!
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[groans]
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My stomach hurts so bad, Jay.
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It's literally like someone's
stabbing me in the stomach.
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It literally happened
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the second that I stepped out
of that doorway
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down there.
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[Billy] Why is it at 2.9?
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[Zak] With the immediate
and sudden onset
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of these horrible
stomach pains,
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it's becoming clear
something from that space
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didn't want me in there.
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One of the murders
was a stab victim.
You know that, right?
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He was stabbed
in the chest and stomach.
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00:09:01,367 --> 00:09:03,066
[Jay] Could it be
a residual feeling?
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00:09:03,800 --> 00:09:05,100
[Zak] In this moment,
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00:09:05,100 --> 00:09:07,567
could I be experiencing
a transference
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00:09:07,567 --> 00:09:11,266
of residual energy
from one of the violent deaths
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that occurred
inside the El Borracho?
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Is it possible
the smoke-like entities
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we've been told about are
the spirits of these victims?
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If I'm experiencing this,
it's no wonder
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the employees here
are fearful.
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[Billy] It's so weird.
It's a weird shape.
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00:09:28,900 --> 00:09:31,266
-[Aaron] It's weird.
-[Billy] Almost looks like
it has eyes in it.
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[Zak] The guys
suddenly discover
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a disturbing piece of evidence
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that validates
what I'm feeling.
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[Jay] Top of the stairs,
right here,
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00:09:39,266 --> 00:09:41,266
Aaron was taking
a photo of you
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when you first said that
your stomach was hurting.
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[Zak] Holy [bleep]
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So we just
captured this anomaly
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above the stairs.
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It looks like a skull,
isn't it?
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-[Billy] It's the guy
that was stabbed.
-[Aaron] Yeah.
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00:09:57,400 --> 00:09:59,100
[Zak] To our surprise,
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Jared tells us something about
The Alleged building
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00:10:02,166 --> 00:10:04,367
that adds
another layer of mystery
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to this investigation.
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00:10:05,767 --> 00:10:07,367
[Jared] When we got
ahold of this one,
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there wasn't even a staircase
to get to the second floor.
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Someone had just
sledgehammered a hole
through the bricks
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of the neighboring building
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to then crawl into
the second floor of this one.
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00:10:14,867 --> 00:10:15,767
-[Zak] Really?
-Yeah.
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The second floor,
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00:10:17,266 --> 00:10:20,166
that is where Rose Davie
had her brothel, right?
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[Jared] Correct, correct.
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Staff, when they're
in here alone,
are really on edge.
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00:10:24,266 --> 00:10:26,934
You know, people who
helped renovate it,
very much on edge.
254
00:10:27,867 --> 00:10:29,400
[Zak] It is without a doubt
255
00:10:29,400 --> 00:10:31,033
completely strange that
256
00:10:31,033 --> 00:10:33,567
one of the past owners
of this building
257
00:10:33,567 --> 00:10:36,934
sealed off Rose's
former brothel
258
00:10:36,934 --> 00:10:38,333
with a brick wall.
259
00:10:38,734 --> 00:10:39,967
This is it.
260
00:10:39,967 --> 00:10:41,767
It's weird
to be walking up here.
261
00:10:41,767 --> 00:10:45,834
This is where
all of the sex would happen...
262
00:10:47,600 --> 00:10:50,333
under the management
of Rose Davie.
263
00:10:50,934 --> 00:10:52,567
As I explore the space
264
00:10:52,567 --> 00:10:55,567
that once housed
Rose Davie's brothel,
265
00:10:55,567 --> 00:10:57,166
my mind's eye looks past
266
00:10:57,166 --> 00:10:58,767
this present-day veneer.
267
00:10:58,767 --> 00:11:00,300
You can see
where the walls were,
268
00:11:00,300 --> 00:11:03,266
the dividing walls,
where each room was.
269
00:11:03,266 --> 00:11:06,567
And with the violence that
stemmed from the El Borracho,
270
00:11:06,567 --> 00:11:08,767
below, these
opposite sensations
271
00:11:08,767 --> 00:11:11,867
of pleasure and pain
have collided,
272
00:11:11,867 --> 00:11:15,867
creating a uniquely charged
recipe for unrest
273
00:11:15,867 --> 00:11:17,934
that may have
birthed something
274
00:11:17,934 --> 00:11:21,367
that someone once attempted
to lock away.
275
00:11:21,367 --> 00:11:24,367
[Jared] Right up above here
right now is that doorway.
276
00:11:24,367 --> 00:11:26,567
-[Zak] That was the hole?
-[Jared] Uh-huh.
277
00:11:26,567 --> 00:11:29,266
So that's crazy to me
that Rose's brothel,
278
00:11:29,266 --> 00:11:31,567
which is located right here,
279
00:11:31,567 --> 00:11:34,767
this was completely
sealed from this building.
280
00:11:34,767 --> 00:11:35,967
My question is,
281
00:11:35,967 --> 00:11:38,467
why would somebody
seal the second floor?
282
00:11:43,867 --> 00:11:46,767
Have you ever seen a ghost
in either of these buildings?
283
00:11:46,767 --> 00:11:48,266
I had an Airbnb guest
284
00:11:48,266 --> 00:11:50,266
in one of The Helena lofts
285
00:11:50,266 --> 00:11:52,467
who seemed to have, like,
a sound mind, who was
286
00:11:52,467 --> 00:11:55,600
essentially laying in bed,
287
00:11:55,600 --> 00:11:56,867
and he was just
kind of frozen,
288
00:11:56,867 --> 00:11:59,200
like, he couldn't really
move anymore
289
00:11:59,200 --> 00:12:02,166
when he just saw this
shadow silhouette of
a woman on his wall.
290
00:12:03,834 --> 00:12:05,300
What's interesting here is
291
00:12:05,300 --> 00:12:06,867
while there's been
so many murders,
292
00:12:06,867 --> 00:12:09,567
the most frequent
eyewitness account
293
00:12:09,567 --> 00:12:13,166
of activity here
is that of this woman,
294
00:12:13,166 --> 00:12:15,734
not any of the other people
being murdered.
295
00:12:15,734 --> 00:12:18,400
So, we're here to try to see
296
00:12:18,400 --> 00:12:21,000
whether or not this could be
297
00:12:21,000 --> 00:12:23,233
the apparition of Rose Davie.
298
00:12:26,500 --> 00:12:29,100
This is The Helena loft hotel.
299
00:12:29,100 --> 00:12:31,367
-Think about this.
-So this is where
he experienced that.
300
00:12:31,367 --> 00:12:32,066
Yes.
301
00:12:32,066 --> 00:12:33,767
So think about
how the fact that
302
00:12:33,767 --> 00:12:35,400
if you were Rose,
303
00:12:35,400 --> 00:12:37,266
you would still be up here
304
00:12:37,266 --> 00:12:38,300
-because you had rooms.
-She had rooms,
305
00:12:38,300 --> 00:12:39,567
-but there's no rooms left.
-Well, I...
306
00:12:39,567 --> 00:12:40,834
But here there's rooms.
307
00:12:40,834 --> 00:12:42,266
So she could be thinking
308
00:12:42,266 --> 00:12:44,567
-she's running
her brothel here.
-Right.
309
00:12:44,567 --> 00:12:46,934
[Zak] This is starting
to make sense.
310
00:12:46,934 --> 00:12:49,734
The only apparition
frequently seen here
311
00:12:49,734 --> 00:12:52,400
by multiple people
is Rose Davie.
312
00:12:52,400 --> 00:12:55,166
After Jared broke a hole
through the brick wall
313
00:12:55,166 --> 00:12:57,667
that sealed
the original brothel
314
00:12:57,667 --> 00:13:00,166
and renovated that space
into a bar,
315
00:13:00,166 --> 00:13:01,266
it makes sense,
316
00:13:01,266 --> 00:13:02,867
she would move next door
317
00:13:02,867 --> 00:13:05,400
to the hotel
where there's rooms.
318
00:13:05,400 --> 00:13:07,667
The loft that the guy saw
319
00:13:07,667 --> 00:13:10,667
the female apparition
was loft five.
320
00:13:10,667 --> 00:13:12,166
[Zak] And men.
321
00:13:12,166 --> 00:13:13,233
This is five.
322
00:13:14,934 --> 00:13:15,934
Hey, Rose.
323
00:13:17,000 --> 00:13:20,066
Rose, are you running
a brothel in this hotel now?
324
00:13:20,967 --> 00:13:22,333
Are you in the bedroom?
325
00:13:23,767 --> 00:13:25,467
This is where he saw her.
326
00:13:26,367 --> 00:13:27,500
-Hey, Aaron.
-[Aaron] Yeah?
327
00:13:27,500 --> 00:13:29,233
[Zak] EMF, please. Quickly.
328
00:13:29,734 --> 00:13:31,467
I just felt, like,
329
00:13:31,467 --> 00:13:33,800
a static type energy
right here.
330
00:13:35,600 --> 00:13:37,100
Wow. It's really high.
331
00:13:37,100 --> 00:13:38,500
-[Billy] Is it?
-[Zak] Yeah.
332
00:13:38,500 --> 00:13:40,200
It's at a static four.
333
00:13:40,200 --> 00:13:43,100
I just felt an energy in here.
Really strong.
334
00:13:43,100 --> 00:13:44,433
Rose, are you in here?
335
00:13:46,066 --> 00:13:48,000
Oh, oh, oh. Guys.
336
00:13:48,000 --> 00:13:49,934
-[Billy] Spikes?
-[Zak] Rose, was that you?
337
00:13:51,266 --> 00:13:53,133
Rose, can I lay in the bed?
338
00:13:54,467 --> 00:13:55,467
I'm getting some hits.
339
00:13:55,467 --> 00:13:57,100
Right there.
Right there. Right there.
340
00:13:57,100 --> 00:13:58,367
Right there. Oh, my God.
341
00:13:59,667 --> 00:14:00,967
These EMF spikes are
342
00:14:00,967 --> 00:14:03,867
a direct response
to my questions,
343
00:14:03,867 --> 00:14:05,567
indicating that
we're in the presence
344
00:14:05,567 --> 00:14:07,100
of an intelligent
345
00:14:07,100 --> 00:14:09,634
and possibly
domineering spirit.
346
00:14:11,000 --> 00:14:12,567
Since Rose was a madam,
347
00:14:12,567 --> 00:14:14,867
could she be telling me
what to do
348
00:14:14,867 --> 00:14:18,133
the same way she did the women
who worked in her brothel?
349
00:14:18,967 --> 00:14:21,066
So I'm going to do
what Rose is telling me
350
00:14:21,066 --> 00:14:23,467
in hopes of documenting
further evidence.
351
00:14:24,033 --> 00:14:25,967
Rose, I'm gonna lay in here.
352
00:14:25,967 --> 00:14:30,000
If Rose's spirit is
sensitive to place memory,
353
00:14:30,000 --> 00:14:32,300
she may be haunting this space
354
00:14:32,300 --> 00:14:35,166
that she still thinks
is her brothel.
355
00:14:36,500 --> 00:14:37,734
To test this theory,
356
00:14:37,734 --> 00:14:39,834
I'm going to create
an environment
357
00:14:39,834 --> 00:14:42,033
which would have
been familiar to her.
358
00:14:42,033 --> 00:14:42,867
Here, Rose.
359
00:14:44,066 --> 00:14:46,233
Do you want to lay in bed
with me, Rose?
360
00:14:49,200 --> 00:14:52,000
But after laying in this bed
for several minutes,
361
00:14:52,000 --> 00:14:53,634
all has gone quiet.
362
00:14:54,166 --> 00:14:55,734
Maybe she doesn't want me.
363
00:14:56,867 --> 00:14:59,100
Maybe I'm not her type. Aaron?
364
00:14:59,100 --> 00:15:00,100
Sorry.
365
00:15:00,934 --> 00:15:01,834
Lay down.
366
00:15:02,567 --> 00:15:04,467
You look more
from that time period.
367
00:15:04,467 --> 00:15:06,467
[Aaron chuckling] Oh, my God.
368
00:15:07,100 --> 00:15:08,667
[Zak] But to our surprise,
369
00:15:08,667 --> 00:15:11,867
Aaron is a highly effective
trigger object.
370
00:15:11,867 --> 00:15:13,367
[Billy] Look at this.
Look at this.
371
00:15:13,367 --> 00:15:14,867
-[Zak] What the hell?
-[Billy] Look at this.
372
00:15:14,867 --> 00:15:16,367
Look at this.
373
00:15:16,367 --> 00:15:19,667
-[Aaron] Oh, my God.
-Laying on the pillow,
grabbing the money.
374
00:15:19,667 --> 00:15:21,166
-[Aaron] No.
-[Billy] Look where
the hands are.
375
00:15:21,166 --> 00:15:25,066
[Zak] Amazingly,
the XLS captures a figure,
376
00:15:25,066 --> 00:15:27,867
human in form,
and at the foot of the bed,
377
00:15:27,867 --> 00:15:31,200
which is reacting
to our trigger objects.
378
00:15:31,200 --> 00:15:33,367
And if this isn't
compelling enough,
379
00:15:33,367 --> 00:15:36,600
we have no idea
what we're about to witness.
380
00:15:36,600 --> 00:15:38,867
[Billy] Oh, look it. Look it.
She's grabbing him.
381
00:15:38,867 --> 00:15:41,567
-[Zak] Yep.
-[Billy] She's
grabbing him, dude.
382
00:15:41,567 --> 00:15:44,100
-[Zak] Whoa.
-[Billy] Oh, she's
mounting his [bleep]
383
00:15:44,100 --> 00:15:47,367
Billy. Are you serious?
384
00:15:47,367 --> 00:15:50,333
-Oh, my God.
-That means that
she didn't like you.
385
00:15:51,100 --> 00:15:52,467
[Zak]
What we're witnessing now
386
00:15:52,467 --> 00:15:56,000
is unlike any XLS evidence
we've ever captured.
387
00:15:56,000 --> 00:15:58,166
This spirit has moved upwards
388
00:15:58,166 --> 00:16:01,367
and is now laying
on top of Aaron's body.
389
00:16:01,367 --> 00:16:03,066
She's mounting you.
390
00:16:03,066 --> 00:16:06,300
My wife is gonna be so pissed.
391
00:16:06,300 --> 00:16:09,266
[Zak] We suspect we may be
documenting Rose Davie
392
00:16:09,266 --> 00:16:12,333
or one of her prostitutes
from The Rose Room.
393
00:16:13,100 --> 00:16:15,567
This is truly
a watershed moment
394
00:16:15,567 --> 00:16:18,567
in the history
of our XLS evidence.
395
00:16:18,567 --> 00:16:20,300
We're as giddy as schoolboys
396
00:16:20,300 --> 00:16:23,934
because of
the unbelievable capture
we're now documenting.
397
00:16:23,934 --> 00:16:25,567
But I need to remind everyone
398
00:16:25,567 --> 00:16:26,767
that this figure,
399
00:16:26,767 --> 00:16:30,033
which initially appeared
at the foot of the bed
400
00:16:30,033 --> 00:16:32,500
and then moved toward Aaron,
401
00:16:32,500 --> 00:16:35,166
proves this is
a separate entity
402
00:16:35,166 --> 00:16:38,600
and not the XLS
accidentally mapping him.
403
00:16:38,600 --> 00:16:40,567
Bro, have you ever seen this?
404
00:16:40,567 --> 00:16:42,667
-[Aaron] Oh, my God.
-[Billy] Dude.
405
00:16:43,600 --> 00:16:45,033
Oh, my God.
406
00:16:45,033 --> 00:16:46,400
[Zak] Oh, my God.
407
00:16:46,400 --> 00:16:49,667
Dude, she's holding onto
the headboard like this.
408
00:16:49,667 --> 00:16:50,934
[Billy] I have never seen
anything like this.
409
00:16:50,934 --> 00:16:52,367
[Aaron] Okay. I got to get up.
410
00:16:52,367 --> 00:16:54,033
-[Zak] Hold on. Hold on.
-[Billy] Oh, it's gone.
411
00:16:54,033 --> 00:16:54,967
-[Aaron] She's gone.
-[Billy] Gone.
412
00:16:54,967 --> 00:16:56,300
-[Zak] Gone?
-[Billy] Gone.
413
00:16:56,300 --> 00:16:58,400
[Aaron] My job here is done.
414
00:16:58,400 --> 00:17:02,033
-Oh, my God.
-[laughing]
415
00:17:02,033 --> 00:17:05,934
[Zak] We need a moment to
process what we just captured.
416
00:17:05,934 --> 00:17:08,600
First, this entity appears
in response
417
00:17:08,600 --> 00:17:10,266
to what proved to be our
418
00:17:10,266 --> 00:17:12,934
highly effective
trigger objects.
419
00:17:12,934 --> 00:17:14,967
Then the entity moves upward
420
00:17:14,967 --> 00:17:17,667
on top of Aaron
and then appears to be
421
00:17:17,667 --> 00:17:19,467
performing an act
422
00:17:19,467 --> 00:17:21,367
similar to what a prostitute
423
00:17:21,367 --> 00:17:23,433
would have done
with their client.
424
00:17:24,867 --> 00:17:28,033
This sequence of events
not only substantiates
425
00:17:28,033 --> 00:17:31,367
the claims employees
and visitors have,
426
00:17:31,367 --> 00:17:33,467
who believe they are
encountering the spirit
427
00:17:33,467 --> 00:17:34,734
of Rose Davie,
428
00:17:34,734 --> 00:17:38,834
but validates the infamous
and sinful reputation
429
00:17:38,834 --> 00:17:43,066
Ogden's 25th Street and these
buildings were once known for.
430
00:17:44,033 --> 00:17:46,367
Despite this
historical capture,
431
00:17:46,367 --> 00:17:48,667
I do feel slightly melancholy
432
00:17:48,667 --> 00:17:51,467
about how this evidence
was acquired.
433
00:17:51,467 --> 00:17:52,867
I got rejected by a ghost.
434
00:17:52,867 --> 00:17:56,667
A ghost chose Aaron
over you. [laughs]
435
00:17:57,100 --> 00:17:58,200
[Aaron] Sorry, dude.
436
00:17:58,200 --> 00:18:00,266
-I totally feel rejected.
-[Billy laughing]
437
00:18:00,266 --> 00:18:02,867
The second I get up from
the bed, she jumps on him.
438
00:18:02,867 --> 00:18:03,934
[Billy] And then goes away.
439
00:18:03,934 --> 00:18:06,834
And then she went away
when you went over to the bed.
440
00:18:06,834 --> 00:18:09,500
You know what? You guys
can finish this location.
441
00:18:09,500 --> 00:18:10,767
[all laughing]
442
00:18:10,767 --> 00:18:11,934
I'm going home.
443
00:18:13,333 --> 00:18:14,233
[Zak] Based on this
profound encounter
444
00:18:14,233 --> 00:18:15,934
in The Helena lofts,
445
00:18:15,934 --> 00:18:17,867
we quickly regroup with Jared,
446
00:18:17,867 --> 00:18:20,133
the owner of these
two buildings,
447
00:18:20,133 --> 00:18:22,934
to show him
what we documented.
448
00:18:22,934 --> 00:18:25,367
We're very
serious investigators,
449
00:18:25,367 --> 00:18:27,734
um, but we're also
humorous guys.
450
00:18:27,734 --> 00:18:29,867
At least we think so.
I mean, look...
451
00:18:29,867 --> 00:18:32,767
-[Billy and Aaron laughing]
-...if you wanted
to meet Rose Davie
452
00:18:32,767 --> 00:18:33,767
back then,
453
00:18:33,767 --> 00:18:36,467
you'd have to be a customer
of the brothel, right?
454
00:18:36,467 --> 00:18:37,467
-Uh-huh.
-[Zak] Right.
455
00:18:37,467 --> 00:18:38,533
-Fair enough. Yeah, yeah.
-[Zak] Right.
456
00:18:38,533 --> 00:18:40,567
So what we did is we went
457
00:18:40,567 --> 00:18:42,734
-to your hotel next door.
-[Jared] Okay.
458
00:18:42,734 --> 00:18:47,233
[Zak] And we tried
to simulate us as clients.
459
00:18:47,233 --> 00:18:49,033
Rose, I'm gonna lay in here.
460
00:18:49,033 --> 00:18:50,266
-I'm laying there...
-[Jared] Yeah.
461
00:18:50,266 --> 00:18:52,433
...to see if she could
lay down next to me.
462
00:18:52,433 --> 00:18:54,634
-Yeah. Appreciate it.
-We never got any evidence.
463
00:18:54,634 --> 00:18:55,634
-[Jared] Okay.
-[Zak] The second
464
00:18:55,634 --> 00:18:58,033
that I got out of the bed,
465
00:18:58,033 --> 00:19:00,367
Aaron, who probably
would match...
466
00:19:00,367 --> 00:19:02,100
-A male model.
-...an older, scruffier
467
00:19:02,100 --> 00:19:04,166
kind of guy back in that time.
468
00:19:04,166 --> 00:19:07,667
-More her type.
-[Zak] Exactly, Jared.
Exactly.
469
00:19:07,667 --> 00:19:10,233
So he ended up
laying in the bed.
470
00:19:10,233 --> 00:19:11,667
-[Jared] Mm-hmm.
-[Zak] None of us
471
00:19:11,667 --> 00:19:12,567
imagined...
472
00:19:12,567 --> 00:19:14,033
[laughing] No.
473
00:19:14,033 --> 00:19:16,800
-...what we captured. Okay?
-I haven't seen this yet.
474
00:19:17,634 --> 00:19:19,100
[Zak] It's mapping a figure.
475
00:19:19,767 --> 00:19:21,967
It shouldn't be
mapping anything.
476
00:19:21,967 --> 00:19:24,567
[indistinct chatter on video]
477
00:19:24,567 --> 00:19:27,100
There is a figure
laying there.
478
00:19:32,867 --> 00:19:35,367
-It's now moving,
like, intelligently.
-[Jared] Mm-hmm.
479
00:19:35,367 --> 00:19:37,634
[Zak] So now it's
shifted over towards Aaron
480
00:19:37,634 --> 00:19:39,166
and it's grabbing his hands.
481
00:19:41,000 --> 00:19:42,266
Now this figure...
482
00:19:42,266 --> 00:19:45,166
-You got some.
-[laughing] Dude.
483
00:19:45,166 --> 00:19:46,467
Can you say that again?
484
00:19:46,467 --> 00:19:48,133
-I said "You got some."
-[Zak] Yeah.
485
00:19:48,133 --> 00:19:50,166
And now it appears
to be on top of Aaron
486
00:19:50,166 --> 00:19:51,967
and is doing things
that a woman
487
00:19:51,967 --> 00:19:53,867
would do in bed with a client.
488
00:19:53,867 --> 00:19:54,867
Keep playing.
489
00:19:54,867 --> 00:19:56,634
[indistinct chatter on video]
490
00:19:56,634 --> 00:19:58,467
[Zak] So we're going
crazy right now.
491
00:19:58,467 --> 00:20:01,367
It's like holding
his hands down.
492
00:20:01,367 --> 00:20:04,066
-Now pause it when it grabs...
-Yeah, yeah, wait, wait.
493
00:20:04,066 --> 00:20:05,867
-[Zak] You see it's
grabbing his belly.
-[Billy] Wait, wait, wait.
494
00:20:05,867 --> 00:20:07,467
-[Zak] It's
grabbing his belly.
-It is.
495
00:20:07,467 --> 00:20:08,934
[Billy] Ready?
496
00:20:08,934 --> 00:20:10,767
-Right here. Oh.
-[Zak] Okay.
497
00:20:10,767 --> 00:20:12,734
So now it's got its hand.
498
00:20:12,734 --> 00:20:16,000
-You see where
the hand is now?
-Oh, my God.
499
00:20:16,333 --> 00:20:17,166
[Zak] Jared,
500
00:20:18,066 --> 00:20:20,533
can you tell me where this
figure [bleep]
501
00:20:20,533 --> 00:20:23,166
It looks like definitely
his upper thigh, for sure.
502
00:20:23,166 --> 00:20:25,166
The figure's hand is now
503
00:20:25,166 --> 00:20:28,967
touching Aaron's upper thigh.
504
00:20:28,967 --> 00:20:31,634
But I want you to watch
the arms of this figure now.
505
00:20:31,634 --> 00:20:33,467
-[Billy] Watch.
-[Zak] It's grabbing on
to the headboard
506
00:20:33,467 --> 00:20:34,967
right now, the rails.
507
00:20:34,967 --> 00:20:35,934
[Billy] One arm.
508
00:20:36,767 --> 00:20:37,567
[Zak] And then...
509
00:20:37,567 --> 00:20:39,000
Both arms.
510
00:20:39,000 --> 00:20:40,767
Oh, my God.
511
00:20:40,767 --> 00:20:42,667
[Zak] This is the first time
Aaron's seeing this, too.
512
00:20:42,667 --> 00:20:44,266
[Billy] We were dying
'cause we're like...
513
00:20:44,266 --> 00:20:45,867
[Zak] So now the figure
is holding on
514
00:20:45,867 --> 00:20:47,166
to the rails
515
00:20:47,166 --> 00:20:48,834
while it's on top of Aaron.
516
00:20:48,834 --> 00:20:50,767
-This is where
it's the end of it.
-[Jared] Yeah.
517
00:20:50,767 --> 00:20:52,934
So she's done with Aaron.
Ready, Aaron?
518
00:20:52,934 --> 00:20:54,166
-What?
-[Billy] Ready?
519
00:20:54,634 --> 00:20:56,333
Lays down next to Aaron.
520
00:20:56,333 --> 00:20:57,734
[Zak] Having her cigarette.
521
00:20:57,734 --> 00:20:59,767
-[Billy] Lays down
next to Aaron.
-[Zak] Having her cigarette.
522
00:20:59,767 --> 00:21:00,934
And gone.
523
00:21:02,000 --> 00:21:03,567
Oh, my God, dude.
524
00:21:03,567 --> 00:21:05,967
-[Zak] And gone.
-Oh, my God. [laughs]
525
00:21:05,967 --> 00:21:07,867
Did you just witness
what we just witnessed?
526
00:21:07,867 --> 00:21:08,867
Yeah, that was...
527
00:21:08,867 --> 00:21:11,166
Yeah, it's obvious.
The way it's moving.
528
00:21:11,166 --> 00:21:13,333
Yeah, it looks like
it's grabbing a headboard.
529
00:21:13,333 --> 00:21:14,533
It's, you know,
et cetera. Yeah.
530
00:21:14,533 --> 00:21:16,433
-It's having sex with Aaron.
-Yeah, yeah, yeah.
531
00:21:16,433 --> 00:21:17,767
She got what she wanted.
532
00:21:17,767 --> 00:21:20,533
-But can I say one thing?
-Well, sex is a part of life.
533
00:21:20,533 --> 00:21:21,967
And you know
what I learned out of this?
534
00:21:21,967 --> 00:21:24,233
The most compelling evidence
I learned from this?
535
00:21:25,333 --> 00:21:27,333
She chose me. Sorry, Zak.
536
00:21:27,333 --> 00:21:29,133
-[Zak] All right.
-[all laughing]
537
00:21:34,867 --> 00:21:36,367
Okay. We are beginning
538
00:21:36,367 --> 00:21:38,567
our lockdown investigation
539
00:21:38,567 --> 00:21:39,734
right now.
540
00:21:39,734 --> 00:21:42,867
We are investigating
two different buildings.
541
00:21:42,867 --> 00:21:45,100
The building
that I'm in right now,
542
00:21:45,100 --> 00:21:48,033
this used to be
the El Borracho bar.
543
00:21:48,033 --> 00:21:50,667
And above us
on the second floor,
544
00:21:50,667 --> 00:21:54,567
that used to be
Rose Davie's brothel.
545
00:21:54,567 --> 00:21:57,934
And Jay is right over here
behind this curtain.
546
00:21:58,567 --> 00:21:59,634
Say hi, Jay.
547
00:21:59,634 --> 00:22:00,533
Hi, Jay.
548
00:22:00,533 --> 00:22:03,166
And right now, Jay is
549
00:22:03,166 --> 00:22:06,033
monitoring four
different cameras
550
00:22:06,033 --> 00:22:07,634
in the basement here,
551
00:22:07,634 --> 00:22:09,867
on the main floor right here.
552
00:22:09,867 --> 00:22:11,567
And there's a camera above us
553
00:22:11,567 --> 00:22:13,367
and also on the stairwell.@
554
00:22:13,367 --> 00:22:15,033
In the second building
555
00:22:15,033 --> 00:22:16,900
is the hotel,
The Helena Building.
556
00:22:17,266 --> 00:22:18,266
Over there, we have
557
00:22:18,266 --> 00:22:20,367
multiple cameras
in multiple rooms,
558
00:22:20,367 --> 00:22:22,033
especially number five.
559
00:22:22,033 --> 00:22:25,100
In those rooms,
we have motion sensors
560
00:22:25,100 --> 00:22:27,433
that will trigger my watch
561
00:22:27,433 --> 00:22:29,834
if there's any movement there.
562
00:22:29,834 --> 00:22:31,033
Before we begin,
563
00:22:31,033 --> 00:22:35,000
I want to make an announcement
to the spirit of Rose.
564
00:22:35,000 --> 00:22:36,934
So if you look right here,
565
00:22:36,934 --> 00:22:39,834
do you see
this device right here
in the corner of the bar?
566
00:22:40,467 --> 00:22:43,767
That is a 360-degree speaker
567
00:22:43,767 --> 00:22:46,467
that connects
to this walkie device,
568
00:22:46,467 --> 00:22:47,867
this walkie-talkie device.
569
00:22:47,867 --> 00:22:49,934
Doing a lot of
Ghost Adventures house calls,
570
00:22:49,934 --> 00:22:52,233
we have learned
using these walkies,
571
00:22:52,233 --> 00:22:54,767
using the electromagnetic
spectrum to
572
00:22:54,767 --> 00:22:57,967
channel our voice
through the atmosphere,
573
00:22:57,967 --> 00:23:01,467
we believe that can be heard
even more clearer
574
00:23:01,467 --> 00:23:03,867
in that astral plane
to those spirits.
575
00:23:03,867 --> 00:23:05,266
So I'm gonna send a message
576
00:23:05,266 --> 00:23:08,166
right now to Rose
using this device.
577
00:23:08,166 --> 00:23:09,400
-You ready?
-Yep.
578
00:23:10,066 --> 00:23:11,433
[Zak] Hey, Rose.
579
00:23:12,433 --> 00:23:14,000
First off,
580
00:23:14,000 --> 00:23:16,734
somebody wants to say
thank you for last night.
581
00:23:17,233 --> 00:23:18,333
Come on.
582
00:23:20,634 --> 00:23:24,367
Yeah, I had a really good...
[speaks indistinctly]
583
00:23:24,367 --> 00:23:25,266
Thanks.
584
00:23:25,266 --> 00:23:26,066
[Zak] Are you nervous?
585
00:23:26,066 --> 00:23:27,467
[Aaron] No,
I didn't know what to say.
586
00:23:27,467 --> 00:23:28,900
I got nervous.
587
00:23:30,166 --> 00:23:31,333
-He puckered up.
-[Billy] Yeah.
588
00:23:31,333 --> 00:23:32,266
[Aaron laughing]
I got nervous.
589
00:23:32,266 --> 00:23:34,233
-Okay.
-It got real.
590
00:23:35,367 --> 00:23:36,400
[Zak] Rose,
591
00:23:37,066 --> 00:23:38,767
so, listen.
592
00:23:38,767 --> 00:23:41,233
Whether that was you
last night with Aaron
593
00:23:41,233 --> 00:23:43,967
or one of your
other working ladies,
594
00:23:43,967 --> 00:23:46,934
you gave us some
incredible evidence
of the afterlife.
595
00:23:47,467 --> 00:23:50,133
And the intelligent movements,
596
00:23:50,133 --> 00:23:53,834
everything was great.
I'm like... [chuckles]
597
00:23:53,834 --> 00:23:56,300
-You're getting...
-[Aaron] Are you
a porn director right now?
598
00:23:58,467 --> 00:24:00,433
[Zak] I know that a lot of
other people were murdered
599
00:24:00,433 --> 00:24:03,166
in this building
when it was the El Borracho.
600
00:24:04,066 --> 00:24:05,467
It was a very violent bar.
601
00:24:05,467 --> 00:24:07,533
I want to know
if there's something
602
00:24:07,533 --> 00:24:09,333
evil in the basement.
603
00:24:09,333 --> 00:24:11,166
There's the exposed
third floor.
604
00:24:11,166 --> 00:24:13,100
We don't know
what's buried there.
605
00:24:13,100 --> 00:24:14,367
But what we do know factually
606
00:24:14,367 --> 00:24:17,266
is that there was a lot
of murders in this building.
607
00:24:17,266 --> 00:24:19,634
We also know, Rose,
that your floor...
608
00:24:19,634 --> 00:24:20,800
Point to it, Jay.
609
00:24:21,266 --> 00:24:22,467
Your floor...
610
00:24:22,467 --> 00:24:23,967
-[Jay] Whoa.
-[Zak] Whoa. Whoa.
611
00:24:23,967 --> 00:24:24,734
See that, Bill?
612
00:24:24,734 --> 00:24:26,066
-[Billy] Yeah.
-[Zak] What the heck?
613
00:24:26,066 --> 00:24:27,233
-[Billy] I got it.
-[Jay] Whoa.
614
00:24:28,767 --> 00:24:30,667
[Zak] As soon
as I mention evil...
615
00:24:30,667 --> 00:24:33,634
We want to know
if there's something evil.
616
00:24:33,634 --> 00:24:36,634
...the camera upstairs
in Rose's old brothel
617
00:24:36,634 --> 00:24:39,533
starts receiving
strange interference.
618
00:24:39,533 --> 00:24:40,567
What the heck?
619
00:24:40,567 --> 00:24:42,266
So we immediately
head up there.
620
00:24:42,266 --> 00:24:44,767
-You said we're all
the same again.
-It's up here in her room.
621
00:24:44,767 --> 00:24:46,634
It's shooting
where her rooms were.
622
00:24:46,967 --> 00:24:48,166
Go. Go.
623
00:24:50,834 --> 00:24:53,433
That camera's
plugged into the wall, too.
624
00:25:06,567 --> 00:25:08,567
[Zak] Hold up. Oh, my God.
625
00:25:08,567 --> 00:25:09,467
[Billy] What?
626
00:25:09,467 --> 00:25:11,867
[Zak] Whoa, whoa, whoa,
whoa, whoa, you guys.
627
00:25:11,867 --> 00:25:13,533
-[Aaron] What?
-[Billy] What just happened?
628
00:25:13,533 --> 00:25:14,634
[Zak] Oh, my God.
629
00:25:15,033 --> 00:25:17,100
That was scary.
630
00:25:17,100 --> 00:25:19,266
I just looked in there, guys,
and I swear to God,
631
00:25:19,266 --> 00:25:21,834
it looked like
a lady on her knees
632
00:25:21,834 --> 00:25:23,867
like this, looking over
her shoulder at me
633
00:25:23,867 --> 00:25:25,133
with, like, black eyes.
634
00:25:25,133 --> 00:25:26,367
The eyes were shiny.
635
00:25:26,367 --> 00:25:28,033
-[Billy] In here?
-[Zak] I swear.
636
00:25:28,533 --> 00:25:30,166
I saw what I saw.
637
00:25:35,033 --> 00:25:37,000
Oh, my God. That just scared
the [bleep] out of me.
638
00:25:37,000 --> 00:25:38,233
Dude, I thought there
was a real person up here...
639
00:25:38,233 --> 00:25:40,767
-[Zak] Oh, I know.
-...and you confronted them.
640
00:25:40,767 --> 00:25:42,367
[Zak] I know it's
a little dark in here,
641
00:25:42,367 --> 00:25:44,567
but I swear that's what I saw.
642
00:25:44,567 --> 00:25:47,133
What I saw was very clear,
643
00:25:47,133 --> 00:25:49,567
and because it was
a quick flash image,
644
00:25:49,567 --> 00:25:52,767
I want to now utilize
our visual equipment
645
00:25:52,767 --> 00:25:55,767
in an attempt to see
if I can capture it on camera.
646
00:25:55,767 --> 00:25:59,934
And what is about to happen
is absolutely incredible.
647
00:25:59,934 --> 00:26:02,133
Okay, so,
because I thought I saw
648
00:26:02,133 --> 00:26:04,166
a lady crouched down
right there,
649
00:26:04,166 --> 00:26:06,333
I'm gonna take some
full-spectrum photos.
650
00:26:06,333 --> 00:26:07,934
I'm gonna take some
instant photos
651
00:26:07,934 --> 00:26:09,033
on the Polaroid camera,
652
00:26:09,033 --> 00:26:10,233
and I'm gonna go
653
00:26:10,233 --> 00:26:13,100
do some EMF readings
in that exact area.
654
00:26:14,734 --> 00:26:15,900
Did I see you?
655
00:26:17,233 --> 00:26:18,734
Was there somebody in here?
656
00:26:21,066 --> 00:26:23,200
Was there somebody
kneeling down right here?
657
00:26:24,333 --> 00:26:25,166
Rose?
658
00:26:25,667 --> 00:26:27,066
Are you here, Rose?
659
00:26:31,066 --> 00:26:32,433
Is there somebody else here?
660
00:26:32,433 --> 00:26:33,800
Were you murdered here?
661
00:26:36,000 --> 00:26:37,467
[Billy] Whoa.
Why is it flashing?
662
00:26:37,467 --> 00:26:39,767
-Why is that flashing?
-[Billy] What the hell?
663
00:26:39,767 --> 00:26:41,233
Have you ever seen it do that?
664
00:26:41,233 --> 00:26:44,600
[indistinct chatter on video]
665
00:26:46,266 --> 00:26:47,667
[bleep]
666
00:26:47,667 --> 00:26:49,233
I don't know
what's going on here.
667
00:26:49,233 --> 00:26:50,667
Sorry, but the whole monitor
668
00:26:50,667 --> 00:26:52,767
just keeps flickering
on and off too.
669
00:26:52,767 --> 00:26:55,100
Something's messing
their recording it big time.
670
00:26:56,734 --> 00:26:58,900
-[Zak] The whole monitor
just went off he said?
-[Billy] Yeah.
671
00:27:00,467 --> 00:27:03,767
[Zak] Whoever I saw,
like, I want to see you.
672
00:27:03,767 --> 00:27:06,367
All right? You've been
seen by multiple people.
673
00:27:06,367 --> 00:27:07,734
We're here for you.
674
00:27:10,767 --> 00:27:12,000
Do you hear me?
675
00:27:13,233 --> 00:27:14,700
Can you do something?
676
00:27:15,867 --> 00:27:18,967
We know a lot of bad stuff
took place up here.
677
00:27:18,967 --> 00:27:20,900
There's a lot of men
that were murdered.
678
00:27:22,734 --> 00:27:24,900
Are you messing
with our equipment?
679
00:27:39,834 --> 00:27:40,967
In this moment,
680
00:27:40,967 --> 00:27:44,166
while everyone is
standing absolutely still,
681
00:27:44,166 --> 00:27:46,567
I capture a dark shadow figure
682
00:27:46,567 --> 00:27:48,667
within this doorway,
683
00:27:48,667 --> 00:27:51,467
and I want to immediately
review the photo.
684
00:27:51,467 --> 00:27:52,533
[Billy] What is that?
685
00:27:53,233 --> 00:27:55,233
-Who is that?
-[Zak] Hold on.
686
00:27:56,367 --> 00:27:57,634
What the [bleep]
687
00:27:57,634 --> 00:28:00,333
I did not change my position
688
00:28:00,333 --> 00:28:03,166
when I took
the two photos after,
689
00:28:03,166 --> 00:28:05,467
and you guys were standing
where you were at, right?
690
00:28:05,467 --> 00:28:06,634
[Billy] Yeah,
we're over there.
691
00:28:07,166 --> 00:28:08,667
Watch this doorway right here.
692
00:28:08,667 --> 00:28:09,867
Okay, hold on. Let me zoom in.
693
00:28:09,867 --> 00:28:11,166
[Zak] Do you see the doorway?
694
00:28:11,166 --> 00:28:12,734
-[Billy] Yeah.
-[Zak] Do you see
that doorway? Watch.
695
00:28:13,867 --> 00:28:15,467
[Aaron] Whoa! What the [bleep]
696
00:28:15,467 --> 00:28:17,066
[Zak] This is shocking.
697
00:28:17,066 --> 00:28:20,834
As I was standing
in the same exact position,
698
00:28:20,834 --> 00:28:23,367
I capture this
dark shadow figure
699
00:28:23,367 --> 00:28:26,033
of what appears
to be a stocky man.
700
00:28:26,033 --> 00:28:28,967
And as we were all standing
in the same places
701
00:28:28,967 --> 00:28:30,767
as seen in this wide shot,
702
00:28:30,767 --> 00:28:33,834
I rapid-fired
multiple still photos,
703
00:28:33,834 --> 00:28:37,367
and this figure
only appeared in one.
704
00:28:37,367 --> 00:28:39,867
We now try
to further debunk this.
705
00:28:39,867 --> 00:28:41,634
[Billy] There's no way.
I was over here.
706
00:28:41,634 --> 00:28:42,333
[Aaron] Dude, I was over here.
707
00:28:42,333 --> 00:28:43,634
[Zak] Go back
to where you were.
708
00:28:43,634 --> 00:28:45,667
-[Aaron] You were right here.
-[Zak] Okay, let me try to...
709
00:28:45,667 --> 00:28:47,467
[Aaron] Because I was, like,
right over your shoulder.
710
00:28:47,467 --> 00:28:50,467
[Zak] As we all return
to our original positions,
711
00:28:50,467 --> 00:28:53,367
I again take photos
from the same spot
712
00:28:53,367 --> 00:28:55,033
and see nothing.
713
00:28:55,033 --> 00:28:56,934
This was us
trying to replicate it.
714
00:28:57,634 --> 00:28:59,100
Trying to replicate it.
715
00:28:59,567 --> 00:29:01,000
Trying to replicate it.
716
00:29:01,834 --> 00:29:03,000
Trying to replicate it.
717
00:29:03,000 --> 00:29:04,567
-[Billy] Yeah.
-[Zak] Trying to replicate it.
718
00:29:04,567 --> 00:29:06,033
You'll notice
no shadows anywhere,
719
00:29:06,033 --> 00:29:08,634
not even on the wall
around the doorway.
720
00:29:08,634 --> 00:29:11,433
None of our shadows are being
casted in that direction.
721
00:29:11,767 --> 00:29:13,567
And there it is.
722
00:29:13,567 --> 00:29:17,567
None of our shadows were
even casted on these walls.
723
00:29:17,567 --> 00:29:18,867
-[Billy] Because of
where we're at.
-[Zak] Because of
724
00:29:18,867 --> 00:29:20,100
-where we were at.
-[Billy] Yeah.
725
00:29:20,100 --> 00:29:21,834
So it was impossible.
726
00:29:21,834 --> 00:29:23,734
And whatever this was,
727
00:29:23,734 --> 00:29:26,567
was back here,
standing here like this.
728
00:29:26,567 --> 00:29:29,066
After capturing
a shadowy apparition
729
00:29:29,066 --> 00:29:31,266
that we are unable to explain,
730
00:29:31,266 --> 00:29:34,367
we head back to nerve center,
and I have an idea.
731
00:29:34,367 --> 00:29:35,400
Right now,
732
00:29:35,400 --> 00:29:38,033
one of you, I want you
to get back onto that device,,
733
00:29:38,033 --> 00:29:40,834
and I want you
to tell whoever we just saw,
734
00:29:40,834 --> 00:29:42,133
whether that was Rose
735
00:29:42,133 --> 00:29:44,767
or one of the ladies
or a bouncer,
736
00:29:44,767 --> 00:29:47,734
-to head over to
The Helena Building.
-[Jay] Okay.
737
00:29:48,367 --> 00:29:49,233
Rose,
738
00:29:50,100 --> 00:29:51,667
I know you can hear us.
739
00:29:51,667 --> 00:29:54,233
We know you're here.
740
00:29:54,233 --> 00:29:57,233
My friends are going over
to The Helena Building next.
741
00:29:58,266 --> 00:30:00,100
Could you follow them
over there?
742
00:30:01,033 --> 00:30:03,433
The rooms upstairs?
743
00:30:03,433 --> 00:30:06,734
Please, follow them over there
and meet them there now.
744
00:30:07,567 --> 00:30:09,834
[Zak] Just as Jay says this,
745
00:30:09,834 --> 00:30:11,467
we all feel a cold air mass
746
00:30:11,467 --> 00:30:13,266
right here at nerve center.
747
00:30:13,266 --> 00:30:14,667
[Aaron] Holy [bleep]
748
00:30:14,667 --> 00:30:17,000
-[Zak] Got cold?
-Dude, I am chilled up.
749
00:30:17,000 --> 00:30:19,634
-[Billy] What happened?
-Dude, I have
a chill all around.
750
00:30:19,634 --> 00:30:20,967
Like, no joke.
751
00:30:20,967 --> 00:30:24,467
Like, I just feel like I just
[bleep] went into a freezer.
752
00:30:24,467 --> 00:30:25,634
[Aaron] Yeah.
753
00:30:25,634 --> 00:30:27,834
-Did the monitor
just shut off?
-The monitor just freaked out.
754
00:30:27,834 --> 00:30:29,467
I feel like I'm in a freezer.
755
00:30:29,467 --> 00:30:32,467
Like, I feel like I'm
a giant ice cube right now.
756
00:30:32,467 --> 00:30:35,467
[Zak] I immediately conduct
an ITC session using
757
00:30:35,467 --> 00:30:37,767
the APF-D Processor
758
00:30:37,767 --> 00:30:40,400
with the PSB7-PRO device.
759
00:30:45,000 --> 00:30:47,100
[Zak] Did I just capture you
on camera?
760
00:30:48,100 --> 00:30:49,000
[man] No doubt.
761
00:30:49,433 --> 00:30:50,567
[gasps] Oh!
762
00:30:50,567 --> 00:30:51,667
[Billy] You heard that?
763
00:30:51,667 --> 00:30:54,266
Oh, my God.
764
00:30:54,266 --> 00:30:56,233
[Billy] "No doubt."
765
00:30:56,233 --> 00:30:58,900
-That was so cool.
-What the [bleep]
766
00:31:00,066 --> 00:31:02,033
Did I just
capture you on camera?
767
00:31:06,767 --> 00:31:07,867
[gasps] Oh!
768
00:31:07,867 --> 00:31:09,166
[Billy] You heard that?
769
00:31:09,166 --> 00:31:11,734
Oh, my God.
770
00:31:13,467 --> 00:31:14,967
I have not even, like,
771
00:31:14,967 --> 00:31:16,567
put my
high-pass filter on yet,
772
00:31:16,567 --> 00:31:18,433
so I'm just gonna
turn it right back on.
773
00:31:21,000 --> 00:31:22,133
What's your name?
774
00:31:23,734 --> 00:31:25,333
Hey, lady, what's your name?
775
00:31:28,767 --> 00:31:29,834
[woman speaking indistinctly]
776
00:31:30,767 --> 00:31:32,033
[Billy] Bro, what?
777
00:31:32,033 --> 00:31:34,400
[Aaron] She's gone?
Something, she's gone?
778
00:31:35,767 --> 00:31:37,367
Hey lady, what's your name?
779
00:31:45,567 --> 00:31:46,400
[Billy] Bro, what?
780
00:31:47,967 --> 00:31:49,367
What's your name, lady?
781
00:31:51,767 --> 00:31:52,767
[woman] Can't say.
782
00:31:52,767 --> 00:31:54,834
-[Aaron] "Can't say."
-[Jay] Yeah.
783
00:31:54,834 --> 00:31:55,934
-Did you hear her?
-[Aaron] Yeah.
784
00:31:55,934 --> 00:31:57,000
-[Zak] Did you hear her?
-[Aaron] Yeah.
785
00:31:57,000 --> 00:31:58,166
-[Zak] Did she say,
"Can't say"?
-[Aaron] She's like,
786
00:31:58,166 --> 00:32:01,133
"Can't say." Like, she was
almost, like, struggling.
787
00:32:02,667 --> 00:32:04,133
What's your name, lady?
788
00:32:09,934 --> 00:32:11,433
-[Aaron] "Can't say."
-[Jay] Yeah.
789
00:32:12,066 --> 00:32:13,100
Did you hear her?
790
00:32:13,100 --> 00:32:16,133
[Zak] This is now
three female responses.
791
00:32:16,133 --> 00:32:17,834
Are we talking to Rose?
792
00:32:20,834 --> 00:32:22,266
Where do you want us to go?
793
00:32:25,133 --> 00:32:26,867
[woman speaking indistinctly]
794
00:32:26,867 --> 00:32:28,867
-[Billy] I heard her
say "$28."
-"$28."
795
00:32:28,867 --> 00:32:30,367
[Billy] That's what I heard.
796
00:32:30,367 --> 00:32:33,567
She was telling us $28!
797
00:32:33,567 --> 00:32:36,333
-[Billy laughing]
-Oh, my God.
798
00:32:36,333 --> 00:32:38,767
[Billy] She said $28!
799
00:32:38,767 --> 00:32:41,767
[Zak] Is this Rose telling us
it is going to cost
800
00:32:41,767 --> 00:32:45,367
$28 for us to receive service
801
00:32:45,367 --> 00:32:46,433
at her brothel?
802
00:32:47,000 --> 00:32:48,367
Where do you want us to go?
803
00:32:51,367 --> 00:32:52,700
[woman speaking]
804
00:32:54,133 --> 00:32:55,767
[woman speaking]
805
00:32:55,767 --> 00:32:58,033
-[Billy] I heard her
say "$28."
-"$28."
806
00:33:00,066 --> 00:33:01,934
[Zak] It is now time
to head over
807
00:33:01,934 --> 00:33:03,867
to investigate
The Helena Building.
808
00:33:03,867 --> 00:33:06,834
Okay, right now we're gonna
go inside The Helena Building.
809
00:33:06,834 --> 00:33:09,667
This is where
we captured that evidence
on an XLS camera.
810
00:33:09,667 --> 00:33:12,567
And the entrance to that,
we had to come back outside.
811
00:33:12,567 --> 00:33:14,333
We're gonna
head right over here.
812
00:33:47,567 --> 00:33:49,300
[Billy] Did the sensor work?
813
00:33:49,300 --> 00:33:50,467
-Huh?
-[Billy] Did the sensor work?
814
00:33:50,467 --> 00:33:51,367
-Yeah.
-[Billy] Okay.
815
00:33:51,367 --> 00:33:52,667
-[Aaron] You all right, chief?
-Huh?
816
00:33:52,667 --> 00:33:53,634
[Aaron] You sounded hurt.
817
00:33:54,200 --> 00:33:55,000
[Zak] No.
818
00:33:55,000 --> 00:33:57,467
As soon as I step into room 3,
819
00:33:57,467 --> 00:34:00,333
I become very dizzy
and disoriented.
820
00:34:00,333 --> 00:34:02,567
[sighs] I don't know
what's going on.
821
00:34:02,567 --> 00:34:04,867
-[Aaron] Could have been
the stress of those...
-[Zak sighs]
822
00:34:04,867 --> 00:34:06,400
[woman moaning in distance]
823
00:34:07,567 --> 00:34:10,867
[Zak] We all now hear
a very eerie
824
00:34:10,867 --> 00:34:12,266
female moaning sound.
825
00:34:12,266 --> 00:34:14,467
[sighs] I don't know
what's going on.
826
00:34:14,467 --> 00:34:16,834
-[Aaron] Could have been
the stress of those...
-[Zak sighs]
827
00:34:27,266 --> 00:34:29,300
[Zak] We immediately open
the back door
828
00:34:29,300 --> 00:34:30,967
to see if anyone is outside,
829
00:34:30,967 --> 00:34:33,100
but we don't see
anyone anywhere.
830
00:34:35,467 --> 00:34:36,433
Is it outside?
831
00:34:36,433 --> 00:34:37,200
[Aaron] No.
832
00:34:37,200 --> 00:34:39,000
-[Zak] What?
-[Aaron] No.
833
00:34:40,867 --> 00:34:42,000
[Zak shushes]
834
00:34:47,200 --> 00:34:49,200
[Billy] Where was the singing
coming from just now?
835
00:34:49,200 --> 00:34:52,233
I don't know.
We're just hearing, like,
an old-fashioned singing.
836
00:35:00,567 --> 00:35:02,033
Did somebody make a noise?
837
00:35:06,233 --> 00:35:08,300
We now head up
to the third level.
838
00:35:18,533 --> 00:35:19,500
What?
839
00:35:27,867 --> 00:35:29,300
It's not up here.
840
00:35:29,300 --> 00:35:30,200
[Billy] Yeah.
841
00:35:30,200 --> 00:35:32,066
If it's not outside,
842
00:35:32,867 --> 00:35:34,600
and it's not up here,
843
00:35:36,066 --> 00:35:37,800
then where is it coming from?
844
00:35:39,467 --> 00:35:41,367
As I send Billy downstairs
845
00:35:41,367 --> 00:35:43,266
to check the front
of the building,
846
00:35:43,266 --> 00:35:45,166
Aaron and I hear a terrifying,
847
00:35:45,166 --> 00:35:47,734
unexplained voice come
from our walkie-talkie.
848
00:35:47,734 --> 00:35:50,834
Okay, so right now
we're all absolutely puzzled
849
00:35:50,834 --> 00:35:52,734
because, first off,
850
00:35:52,734 --> 00:35:56,000
when we walked in
to The Helena Hotel...
851
00:35:56,467 --> 00:35:58,333
[eerie screeching voice]
852
00:35:58,333 --> 00:36:00,133
[Aaron] What the [bleep]
853
00:36:01,867 --> 00:36:03,066
-[Aaron] What'd you hear?
-[Zak mimicking voice]
854
00:36:03,066 --> 00:36:04,867
-[Aaron] What?
-It goes... [mimicking voice]
855
00:36:04,867 --> 00:36:05,634
[Aaron] Yeah.
856
00:36:07,767 --> 00:36:08,600
[Aaron] What the--
857
00:36:11,233 --> 00:36:12,934
[Aaron] What the [bleep]
858
00:36:14,567 --> 00:36:16,066
-[Aaron] What'd you hear?
-[Zak mimicking voice]
859
00:36:16,066 --> 00:36:17,767
-[Aaron] What?
-It goes... [mimicking voice]
860
00:36:17,767 --> 00:36:18,533
[Aaron] Yeah.
861
00:36:19,667 --> 00:36:20,834
[Billy] There's no music.
862
00:36:22,467 --> 00:36:23,834
There's no music, dude.
863
00:36:27,300 --> 00:36:29,567
[Zak] As we all make our way
back to the third floor,
864
00:36:29,567 --> 00:36:31,734
we hear a door slam shut.
865
00:36:33,767 --> 00:36:34,767
[door slams]
866
00:36:34,767 --> 00:36:36,033
[gasps]
867
00:36:36,033 --> 00:36:38,433
-Did you just
hear a door shut?
-[Billy] Yes.
868
00:36:39,200 --> 00:36:40,800
-Yes.
-Did you just hear that?
869
00:36:44,667 --> 00:36:45,433
[gasps]
870
00:36:47,533 --> 00:36:48,500
[gasps]
871
00:36:48,500 --> 00:36:51,000
-Did you just
hear a door shut?
-[Billy] Yes.
872
00:36:51,834 --> 00:36:53,634
[Zak] Again, we search
the whole building
873
00:36:53,634 --> 00:36:56,767
and find no explanation
for this door shutting.
874
00:36:56,767 --> 00:36:59,033
So we head back
to nerve center.
875
00:36:59,033 --> 00:37:01,433
Do this. Go down
into the basement
876
00:37:01,433 --> 00:37:03,867
-where they see
the smoke plumes...
-Yeah.
877
00:37:03,867 --> 00:37:06,734
-...and the smoke apparition
came out of the wall.
-[Billy] Yeah.
878
00:37:06,734 --> 00:37:07,867
[Zak] Why don't you
go down there
879
00:37:07,867 --> 00:37:10,300
and do some ultraviolet video?
880
00:37:10,300 --> 00:37:12,667
-Okay.
-And just sweep
the entire basement.
881
00:37:12,667 --> 00:37:14,133
-Okay.
-Okay. Aaron, why don't you
882
00:37:14,133 --> 00:37:15,266
-go with him...
-Okay.
883
00:37:15,266 --> 00:37:17,200
-...and just film Billy. Okay?
-Okay.
884
00:37:17,200 --> 00:37:18,333
-[Billy] We'll do it.
-Okay.
885
00:37:18,333 --> 00:37:20,133
I'm just gonna stay here
and keep an eye
on these monitors.
886
00:37:20,133 --> 00:37:20,834
[Billy] All right.
887
00:37:34,834 --> 00:37:36,500
[Billy] Rose,
are you down here?
888
00:37:44,900 --> 00:37:45,867
Rose?
889
00:37:47,967 --> 00:37:49,133
Show yourself.
890
00:37:50,133 --> 00:37:51,266
Step in front of my camera.
891
00:37:51,266 --> 00:37:52,867
I wanna see
what you look like.
892
00:37:54,900 --> 00:37:57,200
You interacted
with us last time.
893
00:38:00,667 --> 00:38:01,634
[Aaron] Oh!
894
00:38:05,133 --> 00:38:06,166
Dude.
895
00:38:14,500 --> 00:38:16,300
[Billy] What the hell, dude?
Did you hear that?
896
00:38:16,300 --> 00:38:17,967
[Aaron] It's like footsteps
on the roof.
897
00:38:18,634 --> 00:38:19,600
Anything upstairs?
898
00:38:22,133 --> 00:38:23,300
This is really weird.
899
00:38:23,300 --> 00:38:24,967
You know what's at
the top of these stairs?
900
00:38:24,967 --> 00:38:26,033
Come here.
901
00:38:30,634 --> 00:38:33,333
This is the entrance
to the club, right?
902
00:38:33,333 --> 00:38:35,734
-The door we came in
from the street?
-[Aaron] Yeah.
903
00:38:35,734 --> 00:38:36,567
Look up here.
904
00:38:37,467 --> 00:38:40,000
Can you see that? It's Rose.
905
00:38:40,500 --> 00:38:41,800
[Aaron] Oh [bleep]
906
00:38:41,800 --> 00:38:43,266
[Billy] Yeah.
907
00:38:43,266 --> 00:38:46,033
[Zak] It's amazing that
the footsteps the guys heard
908
00:38:46,033 --> 00:38:48,200
lead them to Rose's picture.
909
00:38:48,200 --> 00:38:49,900
[Billy] It's Rose.
910
00:38:49,900 --> 00:38:51,967
[Zak] As Billy
returns to the bar,
911
00:38:51,967 --> 00:38:54,934
Aaron captures
the only anomaly recorded
912
00:38:54,934 --> 00:38:58,300
on all of our cameras
the entire night.
913
00:38:58,300 --> 00:39:01,200
Watch as this anomaly
rises up to Billy,
914
00:39:01,200 --> 00:39:03,467
then quickly ponders
for a moment
915
00:39:03,467 --> 00:39:06,734
as it seems to notice him
before shooting off.
916
00:39:06,734 --> 00:39:10,100
It's also interesting that
this anomaly is only visible
917
00:39:10,100 --> 00:39:11,634
on the IR spectrum
918
00:39:11,634 --> 00:39:15,066
and not on Billy's
ultraviolet camera.
919
00:39:17,734 --> 00:39:20,767
Right now, we're gonna use
the Paranormal Puck 2 device
920
00:39:20,767 --> 00:39:23,333
designed by
inventor Bill Chappell,
921
00:39:23,333 --> 00:39:26,300
and it uses sensors
inside this puck
922
00:39:26,300 --> 00:39:27,500
to determine changes
923
00:39:27,500 --> 00:39:29,834
in the electromagnetic field
around it.
924
00:39:29,834 --> 00:39:31,300
And based on those changes,
925
00:39:31,300 --> 00:39:34,967
it will select a word
from a 2,000 word database,
926
00:39:34,967 --> 00:39:37,367
based on the questions
that I asked through the app.
927
00:39:37,367 --> 00:39:39,133
The only answers
that can come through
928
00:39:39,133 --> 00:39:41,467
are from changes
around this puck in
929
00:39:41,467 --> 00:39:43,100
the electromagnetic spectrum.
930
00:39:44,300 --> 00:39:46,767
Rose, Rose's girls,
931
00:39:46,767 --> 00:39:49,300
the bouncer perhaps
that we saw earlier,
932
00:39:49,300 --> 00:39:51,867
please come over
and talk with us.
933
00:39:56,934 --> 00:39:59,100
-[Puck] Above.
-[Billy] How many spirits
are here?
934
00:40:00,400 --> 00:40:01,934
-Above.
-[Aaron] Above?
935
00:40:01,934 --> 00:40:03,266
Above is the rooms.
936
00:40:03,266 --> 00:40:04,433
Above is...
937
00:40:04,433 --> 00:40:05,800
-All that stuff.
-All that
938
00:40:05,800 --> 00:40:08,033
-is above. Okay.
-[Aaron] Where we had
all the stuff go on.
939
00:40:08,033 --> 00:40:09,467
[Zak sighs]
940
00:40:12,000 --> 00:40:12,800
[gasps]
941
00:40:14,800 --> 00:40:15,600
[Aaron] What the--
942
00:40:16,667 --> 00:40:17,934
What's in this basement?
943
00:40:20,000 --> 00:40:21,033
What's in this basement?
944
00:40:21,033 --> 00:40:21,967
[Puck] Rose.
945
00:40:21,967 --> 00:40:23,400
-Rose, dude.
-[Aaron] No.
946
00:40:24,266 --> 00:40:25,400
Right there, bro.
947
00:40:25,400 --> 00:40:26,834
Right there.
948
00:40:26,834 --> 00:40:28,800
"What is in
this basement? Rose."
949
00:40:28,800 --> 00:40:30,233
[Aaron] "What is
in this basement? Rose."
950
00:40:30,233 --> 00:40:32,800
No way, dude.
951
00:40:32,800 --> 00:40:34,934
No way, bro. Pound.
952
00:40:34,934 --> 00:40:37,767
Hey, [bleep] all night long.
953
00:40:37,767 --> 00:40:38,800
-All night.
-All night long.
954
00:40:38,800 --> 00:40:41,266
-She's been
around us all night.
-Thank you, Rose.
955
00:40:41,266 --> 00:40:42,133
It's cold.
956
00:40:42,133 --> 00:40:43,367
-You feel that?
-Yeah.
957
00:40:43,367 --> 00:40:45,667
-[chuckling] Dude, it's--
-[Aaron] Rose, thank you.
958
00:40:45,667 --> 00:40:46,667
Rose, thank you.
959
00:40:46,667 --> 00:40:49,066
I'm a firm believer
that you are here,
960
00:40:49,066 --> 00:40:51,033
and like we said before,
we're not judging you.
961
00:40:51,033 --> 00:40:52,900
-No.
-For anything you did.
962
00:40:52,900 --> 00:40:54,667
-Thank you, Rose.
-[Aaron] Thank you, Rose.
963
00:40:54,667 --> 00:40:58,233
[Zak]
The odds of the guys getting
this intelligent response,
964
00:40:58,233 --> 00:41:00,567
"Rose," is astronomical.
965
00:41:00,567 --> 00:41:02,467
It is extremely apparent that
966
00:41:02,467 --> 00:41:04,867
Rose Davie is living
beyond her death
967
00:41:04,867 --> 00:41:08,100
and still running a brothel
in the afterlife.
968
00:41:08,100 --> 00:41:09,800
He just saw this
shadow silhouette
969
00:41:09,800 --> 00:41:11,100
of a woman on his wall.
970
00:41:15,266 --> 00:41:18,300
[Zak] We will also continue
to ask ourselves,
971
00:41:18,300 --> 00:41:21,634
who was the dark shadow figure
that was seen in this doorway?
972
00:41:21,634 --> 00:41:25,500
An incredible investigation
that we will never forget,
973
00:41:25,500 --> 00:41:27,166
especially Aaron.