[Zak] There is evil in the courthouse.
[Rick] They beat him with sticks and clubs
and there was blood splattered
all over the walls.
[Zak] Are you okay?
Are you okay?
Are we in danger?
Holy [bleep].
All the pain, trauma, shock, fear.
[Aaron] Oh, my God!
[Billy and Aaron] Whoa! Whoa! Whoa!
[Billy and Aaron] Oh, my God!
That [bleep] got knocked over.
[Zak] There are things in this world
that we will never fully understand.
[distorted voice] Understand.
[distorted] We want answers.
[Zak] We have worked years to build our credibility,
our reputation,
[distorted noise]
[Zak] Working alongside
the most renowned professionals in the field,
capturing groundbreaking proof of the paranormal.
-[Aaron] It's working! -[Zak] What is it?
I can't give you an explanation.
[Zak] This is our evidence,
our Ghost Adventures.
[Zak] We're lost in the Nevada desert,
four hours north of Las Vegas,
in search of the notorious Belmont ghost town.
I don't think I've ever been in a place
that's more desolate than this.
Uh, who's that?
[suspenseful music playing]
[Zak] This pick up is the first sign of life
we've seen in hours.
[eerie music playing]
[Billy] Oh, stop it, bro.
-[Jay] Why is he slowing down? -[Billy] I don't know.
-Oh. -He can get by.
What is he-- What did he just grab?
Hi.
[Zak] Okay.
[Jay] Oh. What's in the book?
[Zak] What the [bleep]?
-[Aaron] What the [bleep] was that about, bro? -[Zak] I don't know, dude.
I'm not moving.
I mean, do I touch it?
-No. I don't know. -[Billy] No.
-Aaron, you open it. -[Jay] Yeah.
-[Aaron] I ain't touching that. -[Billy] Yeah, Aaron, open it.
All I know is this dude threw it down, bro.
[Zak] Wait, what?
[Billy] Whoa. That says, "Manson".
[Zak reading]
"Belmont, once thriving mining town,
killed by curse."
-What? -[chuckles]
What?
[narrator] Then we discover
a chilling handwritten message.
-[Billy] Read it. -[Zak] There is evil in the courthouse.
[Aaron] What?
[sinister instrumental music playing]
[Zak] The ghost town of Belmont, Nevada has
the darkest of dark histories.
After decades of ghastly hangings
and hideous suicides,
a curse is said to have dried up the silver mines,
decimated the town
and infected the abandoned courthouse.
People are reporting attacks,
screaming voices, and poltergeist activity.
We're here to see what we can do to help.
[Aaron] Oh, my God.
-[Billy] Wow. -[Zak] Look at that.
[Jay] The courthouse.
[Zak] We meet with Rick Otis,
who was born and raised in the area
and has a part-time residence here.
We heard there's a lot of negative paranormal activity
associated with the courthouse.
-We've heard that. -Okay.
There's a couple times in there
that's made the hair on my neck stand up,
and I'm not a real believer.
-Really? -Yeah.
There's a headline in a really old newspaper
that says that this town is cursed
from a couple guys that were hung.
-Do you know about that? -Uh-huh.
1874, two gentlemen were arrested.
And at the time,
Belmont didn't have
the courthouse or anything else.
Well, the bank building,
which was right there on the corner,
they used the bottom of that for the jail cells.
These two gentlemen were in captivity
in the bottom of the cells.
A few of the locals had too many beers
and decided that they was going to lynch them, so--
-So they took justice too far? -Yep.
As the story goes,
they just dropped ropes down through the floor
and [smacks lips] stretched their necks
There are stories that it was a brutal hanging,
and while they were still kicking and stuff,
they beat them with sticks and clubs and fists and...
There was blood splattered all over the walls.
And this is what ignited the curse of Belmont?
That's what they say.
[Zak] Before he was shot in the head,
one of the men declared their innocence and said...
[reading]
As we move towards the building
where the men were hanged,
Jay brings up a chilling bit of research.
You know their curse worked too, right?
Within months, the entire mine went dry.
-What? Really? -It was only, like,
maybe six months after they got
literally murdered
that the mine here dried up
and the town started becoming a ghost town.
-[Zak] Wow. -[Jay] From that point on,
six months after they hung.
[Zak] Guys, look at this.
The Cosmopolitan.
This was the bar.
This is what started it all.
It was at the Cosmopolitan
that Walker and McIntyre were seized by local lawmen
for reasons that are still hotly debated.
There were two versions of how the curse started.
One version is that they were accused of horse theft.
The other version is
that they got into a scuffle with the locals
while they were drunk.
And Charlie and Jack,
they threatened to burn the town down,
which was a capital crime.
We begin to feel an intense energy radiating
from these pivotal ruins.
So I pull out the TriField meter
to attempt to document it.
Oh, my God.
-Somebody get this. -I got it.
[Zak] Somebody get this.
-Are you getting that? -[Billy] Yeah, I'm seeing it.
When I turned this device on, it was a baseline zero.
And then it just pegged all the way up
to, like, 50 and 70 milligauss.
And then it just started doing an oscillation.
That was so crazy, dude. And look at it.
I had my phone out, but you could see,
my phone does nothing to it.
-Do you see this? -[Billy] Yeah.
[Zak] There is no electricity anywhere around these ruins
and none of our equipment is causing the spike.
So the question remains, what is causing it?
Is there something dark here
that we should be worried about?
[Aaron] Do you know we're talking about you,
the two guys that got hung?
[Zak] Can you do that to my device again?
Look.
Oh, my God.
[Jay] Did you see how it just stopped for a second?
-[Zak] What was that? Did you see that? -[Aaron] Yeah.
[Zak] It just stopped at 10.
Notice this very unusual EMF reading that spikes
and then hangs there
in direct response to my request,
as if a spirit is pleading to be noticed.
They are here.
-100%. -Yeah.
That was insanity.
Walker and McIntyre were dragged across the street
to this building,
which then housed the jail and later became the bank.
-Guys? -[Aaron] Yeah?
-[Zak] Are you seeing what I'm seeing? -[Aaron] Yup.
[Aaron] It looks like a basement.
[Zak] This is where Jack and Charlie were hanged.
I take a moment to reflect on what's at stake
when we attempt to reach across to the other side.
As we come here
and open ourselves up to all of this,
we react to their voices that we capture.
And we tell them that we want to feel
all of that pain and suffering that they had.
And in those last moments of their life,
the energy withinside of their souls
and in their bodies just kept rising
and rising and rising.
Like the steam in a teapot,
it exploded.
And that shrapnel from their soul,
from their body,
has still embedded itself
within every piece of wood that is still lying
in this town.
And it's still radioactive
with that curse.
It's not surprising
that the lynching of Walker and McIntyre might
plague Belmont spiritually.
But we're still not clear on how the courthouse,
built after the hanging,
became the epicenter of the curse.
We're about to find out.
You know, when we get here,
we never know exactly what's going to happen.
And that energy that we felt at the bar,
ultimately, we literally followed the flow of blood
to the building across the street
where they were executed and tortured.
It's as if the energy of that event
has injected itself within me.
And I feel that is what I needed
to prepare myself
for what awaits us in the courthouse.
But there's something else. There's another execution,
another death that we need to talk about
before we enter inside of that courthouse.
Because just like Jack and Charlie said
when they were getting hung,
their blood is going to stain this place forever.
But it wasn't only their blood.
In 1884, a Shoshone man, accused of murder, was
the first Native American hanged by whites in Nevada.
Add this to the expulsion
of the Shoshone from their native lands,
and it's not hard to see
how the curse could take on
larger and more threatening proportions.
[Zak] You know, as I was driving up the road
to come back here for day two of our investigation,
I was just looking out the window,
and I was thinking to myself,
you know, nothing has really changed
since the days of the 1800s
that we're investigating right now.
[gunshot]
[Zak] The energy has stayed as it was.
And to me, that stillness that you hear...
That.
Your mind just naturally starts to focus in
on images of the past.
Because it hasn't changed.
We move to the courthouse to meet
with paranormal investigators
Johnathan and Celia Isenhour,
who have had terrifying experiences
in the building.
We've been investigating for a very long time,
and this was, like, the most active place
that we have been into.
I mean, we had disembodied voices.
-[Celia] Mm-hmm. -We had shadow figures.
Your hair was pulled.
At any time, did you ever feel
as though they were threatening you
or anything like that?
There was one instance
where the Manson carving is.
The what?
[Johnathan] Manson carving.
As in Charles Manson?
-Yes. -[Celia] Mm-hmm.
[Zak] Rose Walter lived in Belmont
for most of her 93 years.
In 1969, she discovered a shady group of drifters
camping in the courthouse
and ran them off.
Soon after,
she saw those same faces
in the news coverage
of the nightmarish Manson family killing spree
and realized how close she had come
to pure evil.
-Oh, my God, dude. -[Johnathan] Supposedly,
they are the ones who made the carving.
-[Zak] Wait a minute. -[Aaron] Wow!
You're telling me
that the Manson family was
-inside of the courthouse-- -They were squatting.
-...right before the murders? -Yep.
Did the curse of the courthouse have
anything to do
with them then going
and doing all these murders?
Holy [bleep]
This place just got so much more...
-[bleep] up. -Yeah.
[Johnathan] What had happened to me,
we were both over there right at the carving.
And then, instantly, my pinky finger began to burn,
and it was blood red.
Would you want to go back in there with us?
Yeah, I would go in there.
Let's suit up,
and let's enter the courthouse.
[Johnathan] The stairs is where I had my hair pulled,
-right here. And we had-- -[Zak] So go--
-Go up there, face it. -Okay.
[Zak] I want you guys to call it out.
We're just gonna witness.
Who's the one that pulled my hair?
[Celia] Can you come down and pull his hair again?
[Billy] Oh, my gosh.
The TriField pegged when you said that.
-As soon as you-- -Really?
...made that statement,
it buried it in the red.
-[Zak] Really? -Dude, yeah.
-[Zak] Go around him. What? -All the way.
-[Celia] Wow. -All the way.
All the way.
[Zak] Are you okay?
Are you okay?
[Johnathan chuckles nervously]
[Celia] I just, like, lost the, like,
-Just kinda like, -I got goosebumps.
[Celia] thought I was gonna collapse there for a second.
[Zak] I just got this really--
fear of...
something bad, like.
[Billy] Watch the needle.
-Look, look. -[Zak] Whoa.
[Billy] Did you see that?
I just-- I feel like
I'm getting energy sucked
out of me right now.
This happened to me before.
[Zak] We're getting the readings to prove it.
And there's no electricity.
Whenever I asked when I was here
who pulled my hair, it was Marion.
-I don't know... -Look at this. It spiked when you just said that.
-[Zak] Bro, are you serious? -Say the name again.
Marion.
[Zak] I want you to hold that.
Whoever you are, whatever you are,
I demand you to show yourself.
Are you down here at the bottom of the stairs?
Hey, Jack. Hey, Charlie.
I know it's you guys.
Let me see your energy.
Is it you?
[loudly] It is you guys, isn't it?
It's you guys that's here with us!
This is breathtaking.
First, the TriField meter spikes in direct response
to Celia's provocation.
[Celia] Can you come down and pull his hair again?
[Zak] Then it responds to my challenge
to Jack and Charlie to reveal themselves.
That's why I use energy.
It's because my energy is used
by them
to do that.
Now, do you know about this room?
Uh, a guy killed himself back here.
[Zak] Watch as this light anomaly leaves Billy's arm
then shoots towards Johnathan and vanishes.
This is not dust
or any kind of flying insect.
The man who Johnathan says killed himself...
A guy killed himself back here.
[Zak] ...was the Nye County treasurer,
Adam McLean,
who embezzled public funds on a massive scale
in the late 1800s.
When he could hide it no longer,
he poisoned himself with strychnine
in his courthouse office.
Death from strychnine poisoning involves
a torturous combination of convulsions, asphyxiation,
and brain death.
[Celia] Adam McLean, are you here with us right now?
[Johnathan] Do you regret taking your life?
[Zak speaking loudly] If there's evil here,
then show us
what you are!
We get no response,
so we move to the second floor,
where I begin a Polterpod session.
When we get to the stairs to the third floor attic,
this happens.
-[device crackling] -[Zak] Is this staircase safe?
[female voice murmurs]
-[Billy] Whoa. -[Zak] Whoa!
-What? -The [bleep]
That was a woman's voice, bro.
-[Zak] What? -[Billy] Yeah.
[Zak] Ma'am?
Can you please talk to us again?
[female voice] Heard.
[crackling]
[Zak] Heard.
Are we in danger?
[female voice]More information--
More information!
-[Billy chuckles] -[Zak] What?
[Billy] What the [bleep]
That was clear as can be!
Uh, okay, I'm Zak.
And I'm 46.
Can you tell us your name, ma'am?
[Billy] Maybe it's Marion.
[female voice] Expanded--
[Aaron] Expanded.
[female voice] ...more dog.
-I-- -[Billy] Dude, "something dog."
[Zak] Something dog.
[Aaron] It's the same lady.
[Zak] It's not a coincidence that Johnathan was
just talking to Marion
down at the bottom of the stairs
and that's when all the activity started.
This is Marion. Who's Marion?
[Zak] We immediately gather at a local saloon to analyze
the voice of a female spirit
we captured on the Polterpod.
This is probably one of the most remote locations
-that we've ever investigated. -No doubt.
And to capture
a woman's voice,
clear, with full vocal tone,
-I think a few times. -Yeah.
That was incredible.
[voice speaks indistinctly]
More information--
Expanded--
...dog?
[Zak] For this last capture,
is the female spirit saying
"Evil dog?"
[spirit speaking]
It's very interesting because this was
right after the couple that we were with,
they started calling out Marion.
-Yes. -Remember?
And that's when we got the spike on the EMF.
[Zak] And that's when we started getting the spike.
-Soon as they started talking to her. -So, is this Marion?
Tonight, I'm going to really focus back in
on trying to really see
what she was trying to tell us.
Because if it's an important message
and it's coming through, which it did,
we need to hear what she's trying to say.
Now it's time to go darker,
deeper,
and we have to remember
this was a town of many deaths.
-Yeah. -So,
to begin this investigation,
I want to start
back at the bank building
where Jack and Charlie were hanged.
-Okay? -[Billy] Okay.
I'm going to go meet Jay there
-right now. -Okay.
Billy, I want you to go
back to that stream. Do you remember the stream?
-[Billy] Where the natural spring is-- -[Zak] Yeah.
[Billy] ...right there? Okay.
And Aaron, I'm going to have you go to the courthouse.
You're going to go in the courtroom.
I want you to go up there
and I want you to set up the XLS camera.
Also set up some other different pieces
of communication equipment.
And I want you to aim that XLS camera
back at the door.
Stay on your walkie
and I'll tell you exactly what we're going to do.
[Zak] Okay.
It is time to begin
our investigation
here in Belmont.
Our focal point,
the courthouse.
But this is what's happening right now.
Jay and I are at the bank building
where Jack and Charlie were executed,
where they were hanged in the basement
and they were probably innocent.
It was a horrendous death.
There was torture involved,
blood splattering all over the walls.
So what we're going to do is
Jay and I are going to start here.
Jay is going to try to make his way
down to the basement
where they were killed.
And what we're going to do is
Jay is going to say a prayer.
This prayer is intended
to try to release them
from this building.
As Jay prepares to climb down to the basement,
Billy stations himself at the spring.
And Aaron is awaiting my radio call
to enter the courthouse.
And as Jay releases these spirits,
the plan is
to have them follow me to the courthouse
where we will try to document their presence
on our equipment
that's set up in the courtroom.
Come here.
Listen, do you have a flashlight?
-[Jay] Yeah. -All right.
Are you sure you want to do this?
-Yeah, I'm willing to try. -All right.
I want you to be very careful physically.
-[Billy] Okay. -...from just the loose rocks,
the loose boards, the nails,
everything.
-We know you fall a lot, man. -[Jay chuckles softly]
Okay? So we don't want you falling
on a rusty nail.
This whole wall has collapsed,
but it opens up into the basement,
so I just got to get down there safe now.
Somehow.
Looks like there's two little rooms.
I'm gonna try to make it down there.
Right now, I'm down here by the stream
taking EMF readings,
and Zak and Jay are trying to connect
with Jack and Charlie at the bank.
The object is to get
Jack and Charlie to follow Zak
through here along this path
to the courthouse.
[Zak] Jack and Charlie,
my friend Jay is in the basement
where you were...
wrongfully killed.
You gave us a sign
that you were with us last night...
and you were trying to speak.
We want to take you from this building,
and we want to take you to the courthouse
to release you.
[Zak] Jay discovers there's an opening
that leads under the bank
and determines this is most likely the area
where the two men were brutally killed.
[softly] Oh.
[shushes]
[Jay] There's noises
from the room.
Don't think, like, a mountain lion would
be in there, do you?
-[Zak] Jay? -[Jay] Yeah?
[Zak] I want you to be very careful in there.
Okay.
And once you get in there, I need you to grab me
a piece of wood.
-Mm-hmm. -A piece of wood.
You got it.
'Cause that's the area where they were hanged.
[Zak] Jay now climbs into the stone chamber
and begins the prayer.
Oops.
[Jay exhales]
[Zak] Jay is walking in right now
to a room that is underneath of this rubble.
[Jay] Oh, wow.
"Lord Jesus, I ask that you come
as the Prince of Peace,
and bring your peace to Charlie and Jack.
Come and establish your dominion of peace
in them and manifest yourself in such a way
that Charlie and Jack will know that you are here.
Enable them to feel the depth of your love.
In your name, Jesus, I rebuke any forces of darkness
that seek to harm Charlie and Jack in any way
or have tried to keep them locked
in this prison here.
You have not given Charlie and Jack a spirit of fear
but of love,
power, and sound mind.
I claim this for them today.
I ask that you, Jesus, be like a poultice
and draw from Charlie and Jack all the pain,
trauma, shock, fear, terror, and shame
and bring it to death on your cross.
Send heavenly hosts to guard Charlie and Jack
as they travel the afterlife.
With my friend above me, Zak,
I ask in the name of Jesus.
Amen."
[Zak] Jay now climbs out of the basement
and hands me a piece of wood
that absorbed all of the energy
from the brutal torture and execution
of Jack and Charlie.
[Jay] This is from in that last room.
So,
their blood
is probably soaked in this piece of wood.
Yeah.
Because blood splattered
throughout the entire basement.
[Jay] What the [bleep]?
Whoa, whoa, whoa.
-Jay, what's wrong? -I don't know.
Something just ran by my leg, like, tall.
[Zak] Approximately two seconds before Jay sees
this dark shadow,
watch what we capture on the X camera
that's shooting the basement.
A dark shadow is seen leaving the basement
and shooting in the direction of Jay and I.
We can't, however, determine what this exactly is.
Because blood splattered
throughout the entire basement.
[Jay] What the [bleep]?
Whoa, whoa, whoa.
-Jay, what's wrong? -I don't know.
Something just ran by my leg.
Jack and Charlie, I want you to follow me.
You are bound to this wood.
You are bound
to your blood.
That prayer released you from the bank building.
You are now with me,
with this wood,
with this whiskey.
I now invite you
to follow me to the courthouse,
where we will have a retrial
and set you free from this place.
As I leave the bank building, I radio Aaron.
Aaron, come in. Aaron, come in.
[over radio] Go for Aaron.
Aaron, right now,
I want you to enter into the courthouse.
I was ready to walk
and as soon as I put my foot
on the step,
this just...
"Don't come in" feeling came over me.
Oh, God.
Ooh.
Oh, it's just adrenaline, fear--
I'm-- like frozen.
I'm scared to walk forward.
I'm scared to go up the steps.
-[faint footsteps] -[mouthing]
[exclaims softly]
Oh.
[breathing heavily]
[sighs]
There was footsteps walking around me.
[Zak] Right now, Aaron is hearing
and capturing footsteps
in this building.
I'm scared to walk forward.
I'm scared to go up the steps.
-[mouthing] -[footsteps]
[footsteps continue]
-[mouthing] -[footsteps]
[footsteps continue]
[Aaron breathing heavily]
Oh.
Billy, come in.
Go for Billy.
Are you at the spring?
[Billy] Yes.
I'm on my way there now.
As Billy is on his radio with me,
he captures this strange anomaly
behind him.
Copy that. I'll have the TriField ready.
[Zak] As I approach Billy, my boom mic picks up
strange interference.
[radio buzzing]
[Zak] Could this be Jack and Charlie following me?
[radio buzzing]
[Zak] They're with me, dude. I can feel it.
[Zak] Can you do some readings on me?
[Billy] Yeah.
[Zak] Billy baselines me
at around .3 and .5,
but starts getting some spikes
as I talk to Jack and Charlie.
Jack and Charlie, you are with me.
You can follow me to the courthouse.
We're trying to free you.
I have this wood from the basement.
that's stained with your blood.
That was a brutal, brutal way
that you left this world,
but now you are on the other side.
[Billy] 2.4.
[Zak] And now, do you want me to free you?
[Billy] Oh, 3.5.
[Zak] Do you want to be freed?
As we are documenting
a high EMF field around me,
Billy and I are curious to know if we are validating
a spiritual presence.
-[Billy] .3. -Billy, I want you
to get behind me, I want you to get the UV,
and I want you to take photos.
[Billy] Okay, hold up.
-Wow. It's-- -I feel something behind me.
[Billy] Zak, it was spiking
as you're walking away.
-[Zak] Get a spike behind me. -Holy [bleep]
It was just a 4.5.
A five. A six!
[Zak] What do you hear, Bill?
[Billy] I heard something stomping
right behind you.
I was back there grabbing the UV camera.
You didn't hear it
'cause you had your headphones on.
Dude, it was loud.
[Zak] As Billy states,
he heard a loud thumping
on the road out in front of me.
He captures this black shadow moving
from right to left.
[Billy] What was that?
[Zak] But as we check our thermal camera,
we debunk this
as being a deer.
[Aaron over radio]Are you by the building?
No, Billy and I are at nerve right now.
By the equipment.
As Aaron is sitting in the courtroom
monitoring the XLS camera to see
if the spirits of Jack and Charlie have entered
after I quickly opened
the front door
and placed the piece of wood in a bottle of whiskey
right before I met Billy
at base camp.
I'm going to set the whiskey right here.
He witnesses this huge black anomaly enter
the courtroom and go behind this door frame
which means this anomaly is
a far distance from the camera
and very large.
Please, come on up and...
[bleep] dude.
Guys, I just saw a [bleep] shadow's head
coming up the steps.
[Zak] And just before this happens,
our X camera captures
this super bright anomaly
on the staircase leading up
to where Aaron is located.
[Aaron screaming] Oh, my God, dude!
You guys!
[over radio]Are you by the building?
No, Billy and I are at nerve right now.
By the equipment.
[Billy] Dude, he sounded like he was, like,
in serious trouble.
-[Zak] Aaron? -[Aaron] Yeah!
[Zak] You okay?
[Billy] We're bringing the whiskey in the wood.
[Zak] Billy, stay here.
-[Billy] Okay. -[Zak] I want to see
if you can map a figure next to me.
[Billy] Okay.
[Zak] Jack and Charlie, are you with me?
[Aaron] Wait, see that Zak? Stay there.
You're mapped in.
[Zak] Can you see me on the XLS?
[Aaron] I can see you on the XLS.
[Zak] Charlie, are you with me?
[Aaron] We're here to help you get out.
-Here. I got the whiskey. -[Zak] Hold on, hold on,
hold on.
[Billy] Here's the whiskey.
-[Zak] Whoa, whoa, whoa. -[Billy] Oh, you have--
[Zak] Whoa, whoa, whoa.
Billy.
Bro, I just saw a black figure over there.
-Where? -[Zak] Can we turn this?
[Aaron] If you want to. Yeah. It's right here.
[Zak] I'm gonna try.
-[Aaron] Right here. -[Zak] Hold on, hold on.
I just saw a black figure over there.
Billy, go over there.
Where? Where is it pointing?
-[Aaron] Front row. -[Zak] I saw
a black shadow figure walk that way.
Charlie?
Jack?
Do you want to be free?
Whoa.
That was weird.
It's like a black mist.
It just went down under--
underneath Billy.
Kind of like what I saw.
Aaron and I now see what appears
to be the same black anomaly from earlier
now appear to move towards Billy,
then turn into a black mass.
Is this what I just saw with my own eyes?
Whoa.
That was weird.
It's like a black mist.
[Zak] As Billy and I lean in to observe the XLS screen,
we all hear this loud sound
and it makes us absolutely terrified.
[loud snap]
[Aaron] What the [bleep] was that, bro?
-Did the chair fall? -[Billy] What the [bleep] bro?
-[Zak] What was that? -What was that?
[Billy] I don't know.
Seriously, did that just break glass? [bleep]
-[Billy] I'm frozen, dude. -[Zak] Was that the glass?
-[Billy] I don't know. -Sounded like glass.
[Zak] What [bleep] was that?
[Billy] I don't know.
Nothing fell. It was just a loud noise.
How is that even possible?
[Billy] Go over there, Aaron.
[Aaron shudders] All right.
If we did do something good, can you--
Dude, it's freezing right here.
[Zak] As Aaron is standing in front of us
trying to get a response
from whatever made that sound,
watch this slow-moving bright anomaly manifest
while another strobing one moves towards it.
[Billy] You just made a huge noise.
Can you do that again
while Aaron's there?
He went to the noise.
[Zak] Jack and Charlie,
this is gonna interact with you.
All you have to do is go in front of the device
and it will follow you.
As I demand the spirits
to interact with this robot that will
follow and talk to anything within range of it...
Play with the device.
...Billy captures an anomaly shooting
right into it.
I now incredibly document
a figure standing in front of the robot.
-[Zak] Oh! -[Billy] What?
-[Zak] There's a figure. -[Billy] Oh.
[Zak] Oh, and it's talking to it!
[Billy] It just talked to it.
[Zak] It just talked to it as well.
[Aaron] [bleep] dude.
[Zak] You see how it's operating it
like, playing with the robot, with his hand?
[Billy] Oh, it's right over the robot.
-[Billy] This is crazy, dude. -[Zak] I know.
'Cause how long did we try
and get something to come out there--
-[Aaron] Nothing. -...with us?
-Nothing. Nothing. -[Aaron] Nothing showed up.
As soon as we leave it with that little thing, it's--
-We offered it alcohol, everything. -[Zak] Yeah.
It's literally interacting
-with something that we put on-- -[Aaron] Yeah.
...for it to touch and play with.
[Zak] Like, what are the odds?
[Billy] Whoa. What? It's--
-[Zak] Oh. -[Aaron and Billy] Whoa.
-What just happened? -[Billy] Bro.
[Zak] In what may be
one of the most incredible sequence of events
captured on camera,
let's replay everything.
First, we hear a loud sound
in this same area.
[loud snap]
[Zak] Then we capture these strange light anomalies.
One of them looking identical to the one we captured
on the staircase.
Then Billy captures
this anomaly disappearing into the robot
at the same exact time
this figure maps in
on the XLS camera,
interacting with the robot.
Then, when the XLS figure disappears,
that same anomaly is seen leaving the exact spot
where the XLS figure was just standing
when it was playing with the robot,
followed by another unexplained sound.
-Whoa. What? It's-- -[snap]
[Billy and Aaron] Whoa.
[Billy] Whoa, dude!
-What just happened? -[Billy] Bro.
[Aaron] It got knocked over? What just happened?
-I can't see. Everything's blurry. -[Billy] Bro, I don't know.
[Aaron] Dude, it sounded like this thing got knocked over.
-Oh, my God! -[Billy] Oh, my God! [bleep]
It got knocked over!
[Zak] After these incredible events,
all of the activity in the courtroom stops.
So we head downstairs while still shaken up
and target the vault room
where a Nye County treasurer,
Adam McLane, killed himself
with a lethal dose of strychnine in 1884.
I will now use the APF-D processor,
an ITC device,
for spirit communication.
We call all the spirits here in this room...
[static]
...you can use our energy.
[static]
[static intensifies]
[male voice speaks indistinctly]
[static]
[Zak] What?
[static]
[static intensifies]
[sighs]
[Aaron] Thought he was screaming like, for a minute.
[Zak] I don't know. It's weird.
[Billy] It's very weird in here.
[Zak] It's like, it's not a good energy down here.
-[Aaron] No. -[Billy] No. It's completely different.
[Zak] Sir, do you want to keep talking though?
[male voice speaks indistinctly]
[static]
[Billy] What?
[Zak] What did you say?
[Billy] It's completely different.
[Zak] Sir, do you want to keep talking though?
[male voice speaks indistinctly]
[male voice speaking]
[Zak] Can we do anything for you?
You want a cigarette?
Do you want whiskey?
[male voice speaks indistinctly]
What?
Do you want whiskey?
[male voice speaking]
What?
Sir, thank you for talking to us.
The same guy that's talking to us.
[Aaron] Yep.
[male voice speaks indistinctly]
-Whoa! -[Billy] Did you hear what it said?
-[Zak] What? -To leave.
-It said "Leave." -[Aaron] Yeah, it did.
It said [bleep]
[Aaron] My God, it goes, "Just leave."
[Billy] Yeah, "Just leave."
[Zak] Oh, my God.
-[Zak] The same guy that's talking to us. -[Aaron] Yep.
[male voice speaking]
-[Zak] Whoa! -[Billy] Did you hear what it said?
[Aaron] It goes, "Just leave."
[Billy] Yeah. "Just leave."
[Zak] Oh, my God.
Jack and Charlie...
you're free to leave.
Move on from this place.