[Zak] I heard there were dozens and dozens
-of people that died in this building. -That's correct.
[Melissa] That whole buildin it's just a bad place.
-[Zak] Oh, my God! -[Billy] I'm gonna freak out.
-[Zak] Billy! -[Billy] Whoa!
What the hell?
[Zak] Shh...
[Zak] There are things in this world that we will never fully understand
[distorted] Understand...
We want answers.
We have worked years to build our credibility.
Our reputation...
Working alongside the most renowned professionals in the field,
capturing groundbreaking proof of the paranormal.
-[Zak] It's working! -[man] Whoa!
I can't give you an explanation.
[Zak] This is our evidence..
...our Ghost Adventures.
[Zak] Many of the locations we investigate are located
in very remote towns far off the beaten path,
and I've already made a very wrong turn.
And we are lost right now!
We are looking for... We're in Oracle,
using my phone 'cause it's getting dark,
I don't know if this other camera's gonna pick it up,
so, this is as raw as it gets, ladies and gentlemen.
We are on a dirt road, we are in the middle
of nowhere in Arizona, a place called Oracle.
We're looking for a location that is a old sanatorium,
where a lot of people died.
Whoa!
Okay, there's a guy here.
Holy [bleep] .
Wow, that was weird.
That is creepy, dude.
It's like Hills Have Eyes [bleep] right now.
This is a dead end,
and I don't know where we're at.
I'm gonna call Billy.
-[Billy] You're stuck? -Yeah, yeah.
Are you, I mean, we still have cell phone service.
Hey, the guy told us to go here,
this guy's freaking me out, so... and it's still a dead end over here.
I gotta go by him. Lemme get off the phone.
[whispering] Okay.
That scared me a little bit.
All right, I think this is our road right here.
We're in Oracle,
and we are headed right now, to the Acadia Ranch and Sanatorium.
And we are going through a bunch of roads,
and we are passing and meeting a bunch of creepy people.
That's a fact.
This is the beginning of what is going to be
what I can already sense, by the looks of it,
a very scary investigation in a very weird and eerie town.
As the sun sets, we finally find our location
But as every second passes, the eeriness gets more and more intense.
This is one of the weirdest...
...entrances...
...that we've ever had to a location, ever.
-Note to self... -[Aaron] Absolutely.
-...not going back that way. -[Billy] No.
[Zak] All right, this is it
We are out in the middle of nowhere.
This is the old sanatorium,
and a lot of people died here.
Built in the late 1870s, Acadia Ranch was originally a boarding house,
but the tuberculosis epidemi with its contagious nature,
created the need for new sanatoriums to house sufferers,
and quickly, the Acadia Ranc became the Acadia Sanatorium
Dozens entered, barely able to breathe,
and when they exited, it was usually days
after they succumbed to this ravaging sickness,
packed into the morgue, waiting for transport.
So many deaths have left a heavy, strange, and nauseating residue
of pain and suffering on every inch of this building.
Not to mention multiple reports of violent attacks
by entities that occupy this daunting dwelling.
-[Zak] What is going on? -[Jay] I don't think anyone's here.
-[Billy] It's totally dark in there. -[Zak] Okay.
-[Billy] I don't see anybody. -[Zak] So, what are we gonna do?
I don't know, do we have a contact number?
Okay, so we're just gonna...
...make a quick call.
[phone ringing]
-[man on phone] Hello? -Yeah, hi, is this John?
-[John] Yes. -I believe we're at the location.
Where are you at?
[John] Inside the building.
-[Zak] John? -[John] Yeah.
[Zak] That's weird, you just came out of the darkness.
I've heard that some of the paranormal activity that happens in here
is dark in nature?
We had some reports down by the tack room.
What did they report?
[John] That there was a murder there...
...of a little child.
Original owner of the tack room had donated the building.
Reported she walked in there one evening,
and she felt real heavy, that she could barely move.
So she covered her eyes, and walked out backwards,
and she was afraid to go back in there for a couple months after.
I feel weird right now.
-We're sitting here actually, like, noticing that. -Mmm-hmm.
Yeah, it's just, a...
...interesting place.
The energy created by the murder of a child
certainly fuels the reports of multiple attacks.
And there is no denying the dark and odd energy
that is pouring out of this building,
even before we enter.
So, John just introduced us to Kevin.
Kevin knows a lot about the building.
I've heard he had some kind of interesting feelings,
I should say.
-Okay. -[Zak] Upon the arrival,
I haven't even gone inside the building yet.
What is the building called? Acadia Ranch?
It's Acadia Ranch, that's correct.
And it was a TB health cente from 1895 to 1930.
[Zak] Have you or others had a lot of experiences inside the building?
-Yeah, there has been quite a few people, yeah. -[Zak] Okay.
-There has been. -Previous owners...
-[Zak] Oh, previous owners! -[Kevin] Yes.
[Zak] Now, how far back does that go?
Back uh... I've known the Ramses since 1943.
-[Zak] And they were experiencing things in here? -Yes, they were.
-[Zak] That far back? -Yes.
-[Zak] Decades. -Yeah.
[Zak] Decades of activity!
[Kevin] The building's from about 1882,
when it was a tuberculosis hospital,
this was also used for, uh, rooms,
had beds all against the walls all the way around the room.
-[Zak] This? -Yes.
[Zak] So, just... just everybody imagine that right now.
Now, we're seeing that.
But imagine walking into this door right now,
and you're looking in this room and there are bed and beds and beds and beds
of people dying from tuberculosis.
Imagine all the coughing, all the pain, all the cries, all the desperation,
all the loneliness, and I heard there were dozens and dozens and dozens
of people that died in this building.
That's correct, and soon we'll show you some areas where they... the morgue.
-[Zak] The... the what? -[Kevin] I'll show you where they... the morgue.
[Zak] The morgue is here?
-[Kevin] That's correct. -[Zak] Where they stored the bodies.
Before we see the morgue, Kevin leads us through the kitchen
to a strange back room.
A thick, heavy wooden door, a dirt floor,
and extremely cold.
And as Billy and Aaron start taking some EMF readings,
I begin to retreat as I approach this part of the building.
Once again, I'm not feeling like myself
When I walk from there to here,
as soon as you came to the threshold, like, just now,
it went to a five again.
Look, you see it? Look!
[Zak] Is it me?
[Billy] I don't know.
It's just in the middle of...
[Zak] Something is leading me and drawing me to go around this place,
and it's very weird.
Yeah, this is weird.
Right in the center of that room.
-You all right? What's going on? -[Zak] Huh?
-Nothing. -You're completely different.
[Zak] Yeah, I feel different.
Just, like, where are you pointing?
Like, I'm almost crossing into their, kind of, dimension
and how they perceive this place, where they exist...
-[Billy] Yeah. -[Zak] ...but they're very reclusive.
I don't usually walk into places
and I can say, "Oh, there is this, this, this,"
but when I get feelings and they keep recurring and the visions in my head,
keep recurring,
-then I feel like... -...someone's talking to you?
-[Zak] I'm... I'm kind of on point. -Yeah.
[Zak] And what I feel like is, there's a lot of spirits here,
and I see them, like, almost like mannequins against the wall...
...and they just, like, have tape over their mouth.
Like, they won't talk.
Like, something won't let them interact.
So strong of a vision!
Is something here not allowing you to interact with us or talk to us?
Remember what I just said about the mannequins?
How, like, I vision... Look at this right there.
Look at, and I never saw that!
That's what I visualized!
Like a mannequin, is just...
The spirits are mannequins, and they can't talk.
I think that this sanatorium usually we go to sanatoriums
and they're these massive fortress castle-like buildings.
-Here, it's smaller with a bunch of little rooms. -[Aaron] It's a little packe
[Zak] And, the walls are thi and original.
-And it has contained all of the residual emotions... -[Aaron] Yeah.
-...the suffering, the pain... -Did you hear about the kid?
-[Zak] What kid? -[Aaron] He grabbed the dad's gun...
-[Zak] Yeah, yeah. -[Aaron] ...went outside and got shot.
[Zak] That's when it was a residence.
-And the morgue, they had to stack up bodies... -[Zak] Oh, yeah.
...just like in Virginia City until they had enough bodies
-to take 'em to the cemetery into Tucson. -[Zak] Oh, damn.
In 1936, when this building served as a residence,
a young boy shot himself after playing with his father's gun.
His body was laid to rest on the property just a short walk from here
It's overwhelming...
...the list of vicious event that have permeated this structure.
I now meet Jenn, who details an attack
she suffered by a savage, an imposing dark entity.
An attack that made her never want to return.
I can't believe I'm even sitting here.
I swore I'd never come back.
That room scares me to death.
I went in there and lost my balance,
had to literally catch myself up against the wall,
got extremely nauseous, and as I tried to exit that room,
I literally felt like someone or something
punched me in the back of the head.
-[Zak] In the back of the head? -Yes, it was horrible.
-[Zak] Would you call this an attack? -Definitely call it an attack.
[Zak] I complete my interview with Jenn,
but the investigator in me has one last thought.
So Jenn, I know typically after an interview, uh, we're done,
and you're free to go home.
I know what you're gonna do to me, Zak.
You wanna put me back in that room.
And I'm literally tearing up just thinking about it.
[exhaling heavily]
I can't forcefully do it, but for the sake of you possibly being a magnet,
-and us being investigators... -Oh, I know I'm a magnet.
...and us have a lot of equipment,
I don't wanna do this if you don't wanna do it.
I can already sense by your reaction
that this was a big event for you.
So what I wanna do is, is ask you
if you'd be willing, with us, to go back to that spot,
to see if we can document evidence of this entity,
and then we take it from there.
-I'll do it. -Okay.
[Zak] So, hang on.
Worst part is we're just gonna give her a high-five and say, "See you later."
She's the one... I'm just kidding.
-[Jenn] Ah! -[Zak] Uh, Jeff is our equipment tech.
Jeff designs a lot of the equipment that we use,
'cause he's been on multiple investigations with us,
Jeff, uh, I want you to go in there this time.
Okay?
Nice.
[Zak] You good?
So, I want you to operate this XLS.
I'm gonna give you this recorder.
Take this, and we're gonna walk to the location right now.
Okay? And we're gonna go step-by-step here.
You also realize, where's the one spot
in the whole building where I got affected?
You can call it out.
[Jenn] Why did you do that to me the last time I was here?
Did I upset you?
[Zak] If you are here, don't be a coward.
[Jenn] I know you're in here, I can feel you.
[Zak] Go in.
See if there's something around her.
-Billy, go with him. -[Billy] Okay.
[Zak] Film with your camera.
[Jenn] There's something over here.
[Jeff] Whoa!
What the hell was that?
[Jenn] I felt it, it was on my right side.
[Jeff] Holy [bleep] !
[Jenn] Oh, my God.
[Zak] Incredibly, Jenn tell us exactly on her body
where this figure was touching her before we even tell her about it.
[Zak] What was it, Jenn?
-[Jenn sighing] -It was a tall thing,
it went right up to the freakin' ceiling!
[Jenn] It's like seven, eight feet tall.
[Jeff] Wait, whoa!
-[Jenn panting] -[Jeff] Oh, okay.
-[Jenn] Ugh. -That was...
That was not...
[Jenn] I am freezing.
[Jeff] It was huge, it was huge.
[Zak] And you saw it again?
Yes, it was like... It was, like, wide. Huge!
[Zak] All of a sudden, I feel a strong energy go right through me.
Then I feel as though something is pulling me
to other parts of the building.
[Jeff] Right now, there's a small figure...
-...on your shoulder. -[Jenn] On my right side, right?
-[Jeff] Yes. -I can feel it.
-My right side is freezing. -It's on her shoulder.
[Zak] Ladies and gentlemen, this is absolutely incredibl
We begin documenting a small figure standing on top of Jenn,
as she is feeling this physically.
The guys call me back immediately.
[Jenn] I can feel it.
[Jeff] It's standing on her shoulder,
and it's got his hand on top of her head.
-[Jeff] Billy, look at this! -[Billy] Are you serious?
[Jeff] Come here, look, look
Look at that!
[Jenn sighing]
[Billy] Oh, my God.
[Jeff] It's touching the to of her head!
[Billy] It's literally standing on top of her.
[Jeff] And it... It's grabbed...
It's... you can see its fingers moving!
-Look! -[Billy] Come here, Zak. Quick.
-Look at the screen. -[Jeff] It's staying right now, it's staying.
[Zak] Oh, my God.
[Jenn shivering]
-[Zak] So, you are documenting. -[Jenn] I told you.
I don't know what that thing is,
but it doesn't like me, or does like me, or I don't know.
-[Zak] All of us are stunned -[Jenn coughing]
[Zak] We are excited, yet terrified, to document this moment on our cameras.
Who, or what, is that spirit and what is it doing to Jenn
I just can't go in that room
I can't go in that [bleep] room.
[Zak breathing heavily] Oh!
-[Billy] That is incredible. -[Jeff] That was amazing.
[Aaron] I have never seen that do that.
Where's Zak at?
-[Aaron] He's outside. -[Jeff] Gestures.
-He's outside? Okay. -[Jenn] Wow.
-[Aaron] You okay? -Yeah, I'm just free... I got ice cold.
-[Billy] Yeah. -I'm... I don't know what to say about that.
I really don't.
[Jenn] Wow.
-[Jeff] Oh, I'm shaking! -[Jenn] Ah, yeah.
I'm not supposed to be doing that right now.
Okay, right now we are taking a break from the main building.
We are out on the property here,
and we are with a woman named Melissa.
Melissa is taking us to another building on the property.
It was the old maternity shed, where women who were pregnant,
uh, they were sent here, uh, with tuberculosis.
And this is where they would have their babies.
Uh, the fate of the women and their babies, of course
unknown while suffering from that deadly disease.
And this is where Melissa had a very disturbing experience.
So, we're gonna head there right now.
This small structure is also known as the tack house,
where we were told by John a small child was murdered.
[Zak] This is it here.
-[Melissa] This is the maternity shed. -[Zak] Wow, this is uh...
Oh.
Yeah, this is creepy, isn't it?
-This building is sad to me. -[Zak] Why?
[Melissa] Just what they did in here.
They... They would take their babies from 'em,
from what I'm under... led to understand,
they would bury... there's babies buried all over back behind here, and...
-[Zak] Behind the building? -Yeah.
Back in here, and...
[Zak] I have witnessed many people dealing with
the dark energy that reaches through history
holding onto them tighter and tighter when they're near the center
But Melissa is a special cas
It's one of the most intens connections I've ever seen,
and frankly, it's worrisome
When I was in there, um, I started having contractions
like a woman would if she was in labor.
And, for most of the night, I still continued to have the pains
even when I wasn't in that building anymore.
It felt like I was in labor, and I was almost doubled over
and my daughter kept saying, "Are you okay?"
and I was, like, "Yeah, just having weird pains."
But it pretty much continued, like I said, the rest of the night,
so even when I left the building,
the pain was still there.
But, it was only in the building
that I felt really heavy, really bad feeling in there
Very bad, oppressive feeling, I guess you would call it.
They say here that you can have the same feelings
that the people here went through.
So, you can have the feelings of a contraction,
or your... your back and your ribs might hurt,
or it might be hard to breathe,
because they're trying to show you how they felt.
And I believe it.
I mean, I believe it because I've felt it,
and it was not a good feeling.
That whole building is just... it's full of sad.
It's full of lonely.
It's just...
...a bad place.
It's not good.
[Zak] To see the pain of this building channeled through Melissa
gives us great insight into the horrific things that happened here.
Atrocities of the darkest and most evil.
Mothers and children separat and thrown away.
And we must not forget the murder
that John also told us that occurred in here.
Do you wanna go in there, or no?
[Melissa sniffling]
-[Melissa] Yeah. -[Zak] Why don't you go in by yourself?
You can have a moment with whatever you need. We won't bother you.
Thanks.
Sometimes, locations affect people so deeply.
So...
...emotionally...
...that they connect with a moment in time,
where somebody else just like them in the present...
...is having that same moment.
The only difference is, the person that she's connecting with...
...died.
And this is the type of place that...
...you have to be very careful.
Because there are other things that lurk in these buildings...
...that could put you in a state so low,
so vulnerable and exposed,
that as soon as they get you to an emotional place like that...
...boom.
They have the firmest grip on you,
and you can't break free.
And there's something going on this property,
that is, yes, very sad.
But also very dark,
and dangerous.
[Zak] Before we begin our lockdown investigation of the old sanitorium,
Billy wants to show Aaron and I
a very compelling EVP that we just captured of who I believe
is the dominant male spirit that's keeping
all of the other innocent spirits under his control.
I have never heard a voice like this
in all the... all the EVPs I've listened to,
I swear to you, your jaw is gonna be on the floor.
-How many? -It's one.
-Okay, so let's hurry up. -[Aaron] Whoa.
'Cause, we are gonna do lockdown right now,
but we had to do this.
I have to listen to these.
You're gonna listen to these.
The very first time, as Aaron and myself.
It's not what we're used to listening to, okay?
-[Aaron] Okay. -I'm just gonna play it through.
[Aaron] All right, okay.
[static noises]
[clanging]
[banging]
[quietly] What?
[crashing]
[clanging]
Okay, I listened to this 100 times.
There was nobody in there.
There was nobody in there, but I want you to... I...
-You know how EVPs sometimes gets real filtered... -[Zak] Yeah, yeah.
-...like water sounds? -I just hear somebody in there throwing [bleep] around.
-That's the guy. -All of our viewers,
all of our fans that have been
listening to this for years and years with us, you figure it out.
Do you hear just stuff being thrown around in there?
Or do you hear EVP voices like Billy's saying?
I personally hear just stuff being thrown around.
But still, there shouldn't be...
-...anything thrown around. No one's in the building. -That right there.
[Zak] We are unsure what these loud noises are,
because as this recorder was left inside of the ice box room,
there was absolutely, not a single person inside of the locked buildin
[Zak] As we are preparing for our investigation,
I enter the building and turn on the Ovilus,
then begin asking questions
[Zak] Is somebody here with me and Billy right now?
[Ovilus] I am not. Shh...
[Zak] What? "I am not? Shh, be quiet."
This is absolutely incredibl
The Ovilus just intelligentl answered me and told me to be quiet.
[Zak] Is somebody here with me and Billy right now?
[Ovilus] I am not, shh...
[Zak] What? Billy and I are setting up the Ovilus next to an intercom system.
I was gonna communicate through the intercom system outside,
so we just don't barge in here and start investigating like that.
And I was gonna speak from outside of base camp
and see if we could get communication through the Ovilus.
We now head immediately back outside to nerve center
so that we can conduct our intercom experiment.
We're outside of base camp,
you're gonna notice one person's gone, and that is Jay.
Jay, we have sent over to investigate the cemetery
where the little boy who shot himself
and used to live here is buried.
And also, just countless other unmarked graves of people that died here
from tuberculosis, and who knows from what other reasons.
Because of those intelligent responses we just got on the Ovilus,
I wanna see if they'll talk more through our Ovilus.
[Zak over intercom] Thank yo for responding to us,
and we're not gonna be quiet
Okay? We're gonna keep talking.
Because we're not gonna leave here until we get answers.
[over intercom] Okay?
There have been women that have been severely affected here,
that have been attacked,
and we're gonna draw you out.
[over intercom] Whoever you are, whatever negative spirit you are,
we are going to come after you,
and we're not gonna leave.
Do something right now in the house
to give us a warning.
Just as I say this, watch what happens to our X camera
that is filming us right now
Can you come to this door right here?
[Billy] Hey, that camera just went off.
[Zak] What the hell?
[Billy] That just shut off.
-[Aaron] It did! -[Zak] It did, it just shut off by itself!
[camera powering on]
-[Zak] What the hell? -[Billy] Whoa, and it just turned on!
[Zak] It just turned on by itself!
Not only does the camera turn off unexplainably,
but it also turns itself back on.
[Billy] Full battery. Zak.
-[Zak] Yeah. -[Billy] That has a full battery.
It stopped recording, powered itself off,
powered itself back on...
[Zak over intercom] Did you just turn our camera off? Was that you
All right, here I am, I'm going into the Oracle cemetery.
It's just on the edge of the property, here.
I'm walking through the gate right now.
Already starting to feel some crazy energy just walking in this place,
I'm gonna set up a thermal camera right here,
shooting into where all the grave sites are.
Hopefully, we can catch something.
It is freezing cold out here, so any heat signature
besides myself is definitely unexplainable unless it's obviously an animal.
[Zak] You affecting, trying to interfere with our investigation?
[Billy] Zak, I feel like you should go to that morgue room.
[Zak] You in here?
Wow, it hasn't said a thing, Billy.
-[Billy] Are you serious? -[Zak] It didn't say a thing.
[Billy] Stop!
[Zak] The whole time that we went back out there,
we're doing intercom, our cameras being affected,
I said a lot of stuff through this intercom,
and the Ovilus screen has not changed from "Shh."
It's, like, that spirit was speaking through this to the other spirits.
-[Billy] Right. -[Zak] When I said, "Are you here?"
It's, like, you tell them that you're not.
And you "Shh."
And it's like, nothing has said anything since.
[Billy] I can't believe it's still on that.
[Zak] Okay, right now I'm gonna touch it,
it's still on the screen, okay?
Is there anything else that you want to tell the spirits?
And how many of you are here?
You gonna answer?
-Oh! -[Ovilus murmuring]
[Zak] "Stay, five!"
Is there anything you want to tell the spirits?
"Stay!"
How many are here? "Five!"
[Billy] Oh, my God, dude.
Who's in that room?
Come out!
If that laser triggers one more time,
I'm gonna freak out.
'Cause that has not been on.
[Zak] In the old morgue, we have set up a 360 degree laser tracking camera
[Billy] Go into the room and make...
[Zak] I know it bothers you that we're here.
Dude, something just touched my shoulder.
I swear to God, something just touched my shoulder, dude.
[Zak] That's 'cause there's something in there.
Who are you?
[Billy] This is where you got angry
when we were doing interviews today.
[Aaron] Dude...
Can you at least tell me something that I can... need to know?
That way, I can help out here.
[Zak] As Aaron reviews his digital recorder,
we capture a very distinct "No" followed by some unexplained whispers.
[Aaron speaking on recorder]
[Billy] "No!"
[Zak on device] I know it bothers you that we're here.
-Whoa! -[Billy] Oh, my God!
[Zak] Hey, guys...
Guys, guys!
[Billy] What, what, what?
-[Aaron] What? -[Billy] Dude, this is really [bleep] up right here.
[Zak] Guys, there's a guy standing back there, dude, I swear to God.
[Billy] You saw?
[Zak] I swear to God, there is a man standing back there.
I saw a quick image of him.
Go over there, Billy, 'cause he's gonna talk.
I guarantee you.
But be careful.
Back here.
Go in here, go in here, go in here.
He's behind the glass.
[Billy] The [bleep] is that?
-[Zak] Whoa, what happened? -What was that?
[Zak] What?
Something, like, rushed up right in front of my face...
-[Aaron] That wasn't you? -No!
-It wasn't me! -[Zak] That's the guy!
-That's the guy! -[Billy] Oh, my God, dude.
-[Zak] That's the guy. -He, like,
it was like a hand reached out at me like that, that's why I stopped.
[Zak] I'm telling you, I'm telling you!
[Billy] Sir, do you have a name?
You scared me. Why were you reaching at me?
[Zak] I want all of us to calm down for a moment,
because I feel as though I need to give a message
to all of the innocent soul who are stuck here.
Listen, for all of the innocent spirits here that died from tuberculosis,
I'm sorry, but our energy was being affected
by whatever powerful bad spirit is here.
If you're here, you're scared, we want to welcome you.
We wanna be your friend.
If you can't speak, can you give us a sign that you hear my voice?
So on a count of three, I want you to move something.
Tip over something, okay?
And I want you to do that now.
[Aaron gasping]
[whispering]
[Zak] What'd you hear?
[whispering] Boom, boom, boom in the kitchen.
[Zak] Way back there down that hallway,
that's the bad spot.
And that's where the woman we interviewed
got severely attacked.
Whoa, what was that?
This is it, I found the gravesite of Robert,
the child who passed away accidentally by shooting himself.
I'm gonna focus my investigation here,
and run back and grab the thermal and some gear.
See if I can make contact with the child
before I go back over to the house.
[Zak] Jay attempts to communicate with Robert,
but doesn't capture any unexplained voices
or electromagnetic field readings.
[Jay] Could you touch this device, make these numbers jump?
[Zak] However, it does seem as if he's being emotionally effected.
[Jay] I don't know if...
...it's the energy from Robert or what it is,
but something's hitting me right now.
I'm trying not to, but I could...
I could just start crying right now.
I could really just start crying,
I don't know...
[Zak] Back in the sanatorium
I try to establish communication with the dominant male spirit
that I physically saw earlie
[static noises]
[Zak] Do you want to talk to us?
[device speaking] Who is it
-[Zak] What? -Did you hear that?
[Zak] It appears a male spir is directly responding to my question,
however, we can't make out if it's saying "yes" or "who is."
What do you hear?
Do you wanna talk to us?
-[Billy exhales sharply] -[Zak] What?
Did you hear that?
I'm Zak.
Who are you?
[device murmuring]
-Don! -[Zak] Oh, my God!
The same [bleep] voice!
Same exact voice!
[Zak] Who are you?
Don!
-Don! -[Zak] Oh, my God!
The same [bleep] voice!
Ladies and gentlemen, I want you to understand how compelling it is
to receive another intelligent response
in the same exact voice.
We are now communicating between two different dimensions.
You there, Don?
Don, are we allowed to be in here?
[device murmuring]
[Zak] What did he say?
Don, are we allowed to be in here?
[Zak] What did he say?
Come here. Take this.
I tell Billy to escort Aaro to the ice box room
where the woman we interviewed earlier was violently attacked.
Someone, or something, punched me in the back of the head.
[Aaron] What is that?
Don't put your hand near the door.
Ow, dude, you're on my foot!
-[Billy] Get your foot out of the way! -[Aaron] No!
I saw the evil one!
[Zak] We're doing this as an experiment, Aaron.
[Billy] Yeah, it's just an experiment.
[door locking]
This device in my hand will allow you to hear you.
Your own voice.
We talked to Don.
Do you know who Don is?
[Billy] What's wrong?
Are you all right?
[Zak] Ow!
-[Zak] Ow! Billy... -[Billy] What, what?
[Zak] Oh, something just got me right here.
Something just got me here in my side.
-[Billy] What? -[Zak] Something just got me in my side, dude.
Just a boom.
I feel a sharp, stabbing pai like someone stuck me with a spear in my side,
which then triggers an episo of aggression.
-[Billy] What's trying to hurt you? -[Zak] I don't know.
[Billy] Well, don't hurt me!
-[Zak] I'm not. -[Billy] I know, but you're...
[Zak] I just had a sharp pain go into my side.
[Billy] I can tell.
[Zak] And it really hurt.
-It was spirit-inflicted! -[Billy] I believe it!
-[Zak] Okay? -[Billy] 100 percent.
[Zak] And it hurt when I was feeling him again.
[Billy] Who do you think it is?
[Zak] What else more can I do?
[Billy] Yeah, I don't know. I don't know.
-But... -[Zak] Well it's something, because something is here.
Billy immediately runs to ge more gear
to further validate that this spirit is around m
I saw you.
You are a male spirit. You are tall, you are big.
You just stabbed me in my side.
You have affected me twice.
You are trying to inflict your anger into my body,
to use against my friends.
And as Billy returns, I am still being badly affected.
[shouting angrily] Billy!
-Billy! -[Billy] What?
[Zak] As you walked, I saw a shadow [bleep] , a shadow figure.
A black figure, like, walked that way.
It... It was this.
His head... This thing was going like that.
Coincidentally, as I'm bein negatively affected,
we capture the very first light anomaly from all of our cameras.
And it just so happens that this anomaly disappears into me.
You're not going to do anything more to me.
Leave my body, I don't want anything to do with you.
Look, we're just trying to find out some answers for the owners, and...
...people who've had experiences here.
From what I understand, this is where they buried
a lot of the bodies, am I right?
[Zak] As Aaron reviews his recorder, he captures something absolutely chillin
[Aaron on device] From what I understand, this is where they buried
a lot of the bodies, am I right?
[distorted voice]
[Aaron on device] This is wh happened to you.
Whoa!
[Aaron on device] From what I understand, this is where they buried
a lot of the bodies, am I right?
This is what happened to you
[Zak] Billy now sets up some trigger balls
that will light up only if they are physically touched or moved.
I know I saw you with my own eyes,
I didn't even have to... I didn't even need a camera to see you.
And you reached at me. Why did you reach at me?
Zak just saw you walk by.
That's two people that saw you with our own eyes.
Now, what do you want?
And if you can hear my voice, make these light up.
Make 'em light up.
I... I'm challenging you.
There's also one in this room,
if you don't like these two.
Light up this little guy right here.
I dare you.
Light 'em up!
[shouting] Do it!
Come at me again and see what happens.
Put your hand right in front of my face like you did, and see what happens.
You caught me off guard the first time.
[Zak] As Billy leaves the room to find me,
the ball incredibly lights u
What are you doin'?
-[Zak] Huh? -[Billy] What are you doin'?
[Billy] You all right?
[Zak speaking]
This [bleep] was just strong.
The guy is connecting with m wants my energy.
He knows that, like, I'm alpha,
and he wants to use my power to inflict it on myself or you guys.
I feel it, I know it.
Everything's too clear here.
The visions are too clear. Everything.
Like, I'm crossed too far into their world.
If it's the guy that John spoke to us about that murdered somebody,
-and then killed himself for some reason... -[Billy] Yeah.
-...then I think it's that guy. -[Billy] That makes sense.
Imagine if you were to look in this wall right here,
-cut a hole right here... -[Billy] Yeah.
-...and then put a piece of Plexiglas right here... -[Billy] Yeah.
...and if you could see emotions,
you would just see screams and pain and crying and torment,
and it's just reverberating throughout this whole building.
Billy suits up with the XLS Camera and heads back inside
to try to get visual evidenc of this male spirit.
[Billy] I'm back!
Come on... Whoa, [bleep] !
Oh, my gosh!
Zak, come here, quick!
[Zak] A figure appears to be hiding in the baby carriage,
then jumps out as if it's trying to scare Billy.
[Billy] Whoa, [bleep] !
Oh, my gosh!
[Zak] What happened?
A figure appeared right next to the doorway,
next to the baby carriage,
and then a karate chop, just like that, and it disappeared.
Like, in an instant.
Same size figure that was in the ice box roo with our interviewee.
[Zak] How big was it?
Uh, tall!
[Zak] That's the man.
[Billy] Tall! Like, that tall.
[Zak] I told you, that's the man.
Nothing, now. Nothing.
-[Zak] Ooh. -[Billy] He showed himself,
and he showed that he's... that he's... can fight, or whatever.
That's what he did.
And now he's gone.
[Zak] As Billy captures this figure, at the same time,
this happens to Aaron.
You're just talking to me. You screamed at me.
Whoa, I can hear the guys in the background screaming.
What's going on right now? We're stuck in here, what's going on?
Spirits, tell me what's going on...
Dude, the whole wall just shook.
That's crazy.
Oh, I swear, I just saw someone right here.
-[Zak] Hello, are you just, uh... -[Aaron] Are you all right?
-[Billy] What? -[Zak] Oh.
-[Aaron] I can hear you. -[Zak] All right, come out of there.
Billy didn't lock the door, all you have to do is open it.
[Aaron] [bleep] .
Are you [bleep] serious?
Hey, hey. Can I say something?
-[Billy] Yeah. -You guys started [bleep] screaming,
and my whole door on that cellar started goin [making banging noises] .
Dude, I thought you were at the door...
-[Billy] No! -...shoving the door.
-[Aaron gasping] Whoa, look! -Whoa, whoa, whoa, whoa whoa, whoa!
[Billy] What the hell, dude?
I told you, it's in that room. I told you!
I challenged it earlier, the light goes up.
Those have been there this whole time.
-[Zak] What happened? -[Billy] The light up balls just lit up.
[Zak] These, there?
[Aaron] Look, I am bouncing. I am even right above it.
-It's not going off. -[Billy] Those have been there for probably 30 minutes,
and we went in this room I don't know how many times.
[Zak] You gotta get rid of that [bleep] thing.
You can't see [bleep] like that.
-You're blinding the camera. -[Billy] Okay.
[Zak] Just get rid of it. You got evidence already, get rid of it.
[Billy] Can I at least shoot you in the room where you got all upset?
'Cause I really feel like there's something in there.
-[Zak] What? -[Billy] I just... the next room over.
-You. -[Zak] Yeah, me, what?
-[Billy] Yeah, go in the next room over. -[Zak] Why?
So I can shoot you with this.
[Zak] No, I don't wanna be shot with it!
[Billy] I... I wanna see what this thing looks like!
It's... we're here for evidence.
[Zak] I know we're here for evidence...
[Billy] I wanna see if the big, tall figure's in that...
-[Zak] You just passed... -[Billy] Whoa, [bleep] !
-[Aaron] The anger is causing it to feed that... -[Billy] See? See?
[Aaron] Like the motion, I think, dude.
That's what happened when I was talkin' before, Aaron.
-It... it... -[Aaron] It's feeding off of it or something.
[Zak] The energy in the building is causing Billy and I to get heated,
just as something causes the ball to light up again.
-[Billy] ...fingers in that... -[Zak] You just...
[Billy] Oh, [bleep] !
[Zak] We just can't have audio right now.
I was outside, I had to go outside,
and then Billy came outside grabbed the XLS,
and then I heard Billy screaming...
[Billy] Whoa, [bleep] ! Oh, my gosh!
[Zak] I came back in here, and then Aaron
I called you out...
Are you [bleep] serious?
[Zak] And then the movement bulb began alarming,
indicating that something was touching it.
Aaron went up to it and showed you
by stomping on the ground right in front of it that
that does not affect the device.
And at that time, here we are.
I'm arguing again, with you, Billy,
and it's just getting weird again.
-[Zak] What are you doing? -I'm hungry, dude.
-[Zak] What? -[Aaron] I'm serious.
[Zak] Are you eating a beef stick?
Bro, I am so [bleep] hungry.
[Zak] In the midst of all of this you're eating a beef stick?
Moments after this other bal lights up,
and Aaron finishes his snack
we capture only the second light anomaly of the entire night.
Coincidentally floating pas the table that the ball is sitting on.
Spending time in a place where there is so much
death lingering at every tur
Oh, my God.
To walk the halls that have hosted so much pain and suffering
is a sensation that really won't leave us.
But maybe it's our duty to carry some of this sadnes
Just maybe, it will help set some of these tortured souls free.