1
00:01:19,700 --> 00:01:22,767
- ( doors slam )
- ( men speaking Setswana )

2
00:01:25,100 --> 00:01:27,633
SORRY, MMA.
( speaks Setswana )

3
00:01:29,967 --> 00:01:31,834
( machine beeping )

4
00:01:31,834 --> 00:01:35,333
( women speaking Setswana )

5
00:01:35,333 --> 00:01:37,667
TELL DR. GULUBANE AT ONCE!

6
00:01:37,667 --> 00:01:41,433
( speaking Setswana )

7
00:01:42,667 --> 00:01:45,100
DR. GULUBANE,
IT'S THE SAME--

8
00:01:45,100 --> 00:01:46,533
EXACTLY THE SAME.

9
00:01:46,533 --> 00:01:48,567
AND LOOK AT THE TIME.

10
00:01:50,200 --> 00:01:52,300
THAT'S IMPOSSIBLE.

11
00:01:56,567 --> 00:01:58,000
( women talking )

12
00:01:59,800 --> 00:02:02,133
I THINK, DR. SIBENKE,
IT WOULD BE BEST

13
00:02:02,133 --> 00:02:04,600
FOR EVERYONE IF
YOU STAYED AWAY.

14
00:02:07,000 --> 00:02:09,467
( theme music playing )

15
00:02:44,667 --> 00:02:47,100
( honking )

16
00:02:50,567 --> 00:02:52,834
( children shouting )

17
00:03:02,100 --> 00:03:04,166
- DUMELA, MMA.
- DUMELA, MMA.

18
00:03:04,166 --> 00:03:05,767
( greeting )

19
00:03:08,500 --> 00:03:11,700
IS THIS ALL
YOU'VE BROUGHT ME
FOR THE CHARITY SALE?

20
00:03:11,700 --> 00:03:13,667
AH, NO!
TAJA!

21
00:03:13,667 --> 00:03:16,200
PUT IT IN
THE ROOM.

22
00:03:16,200 --> 00:03:18,300
THANK YOU.

23
00:03:19,367 --> 00:03:20,834
HEY, GO ON.

24
00:03:22,266 --> 00:03:23,934
( speaking Setswana )

25
00:03:23,934 --> 00:03:27,867
THAT'S TABITHA
TEACHING THE BOYS RUGBY.

26
00:03:31,200 --> 00:03:35,400
MOTHOLELI, PLEASE ASK
MAMALE FOR A GLASS OF WATER

27
00:03:35,400 --> 00:03:36,967
FOR MMA RAMOTSWE.

28
00:03:42,033 --> 00:03:43,700
DOES SHE NEED
ANY HELP?

29
00:03:43,700 --> 00:03:46,767
NO NO NO NO NO,
SHE LIKES TO DO
THINGS HERSELF.

30
00:03:46,767 --> 00:03:48,500
BOTH PARENTS
PASSED AWAY

31
00:03:48,500 --> 00:03:51,467
AND HER BONES ARE BADLY
DAMAGED BY TUBERCULOSIS.

32
00:03:51,467 --> 00:03:53,200
IT'S A VERY
SAD STORY.

33
00:03:53,200 --> 00:03:56,500
THOSE PIECES ARE
TOO SMALL TO SELL.

34
00:03:56,500 --> 00:03:58,500
THEY'LL MAKE GOOD
COVERS FOR THE TOILET.

35
00:03:58,500 --> 00:04:00,500
GIVE IT TO
MARATEP.

36
00:04:00,500 --> 00:04:02,767
I'M VERY DISAPPOINTED
IN MR. PATEL.

37
00:04:02,767 --> 00:04:06,000
HE HAS SO MANY SHOPS
AND ONLY SENDS US ARE
THOSE CARPET OFF-CUTS.

38
00:04:06,000 --> 00:04:08,266
LARONA BROKE THE GLASS!

39
00:04:08,266 --> 00:04:10,500
TELL HER NOT TO
PICK IT UP!
( speaks Setswana )

40
00:04:10,500 --> 00:04:11,867
I WILL BE ONE MOMENT.

41
00:04:11,867 --> 00:04:13,133
LARONA!

42
00:04:15,600 --> 00:04:18,500
- DUMELA, MMA.
- DUMELA, MMA.

43
00:04:18,500 --> 00:04:21,400
MMA POTOKWANE SUGGESTED
THAT I TALK TO YOU.

44
00:04:21,400 --> 00:04:23,934
SHE SAYS THAT YOU ARE
A LADY DETECTIVE.

45
00:04:23,934 --> 00:04:25,667
EE, MMA.

46
00:04:25,667 --> 00:04:29,333
THAT IS TRUE.
ARE YOU IN NEED OF
SOME DETECTING?

47
00:04:29,333 --> 00:04:30,900
AHH-- TELL ME,

48
00:04:30,900 --> 00:04:33,100
IF SOMEONE IS
VERY FRIGHTENED,

49
00:04:33,100 --> 00:04:35,300
AND THEY LIVE IN
FEAR OF THEIR LIFE

50
00:04:35,300 --> 00:04:37,000
ALL DAY AND
ALL NIGHT,

51
00:04:37,000 --> 00:04:39,100
COULD YOU
FIND OUT WHY?

52
00:04:39,100 --> 00:04:40,834
WHO IS THIS
FRIGHTENED PERSON?

53
00:04:42,800 --> 00:04:44,900
IT IS MY FATHER.

54
00:04:44,900 --> 00:04:46,967
HIS NAME IS RRE LISINDI.

55
00:04:46,967 --> 00:04:50,834
HE-- HE OWNS THE CURIO
SHOP AT AFRICAN MALL.

56
00:04:50,834 --> 00:04:53,533
I KNOW IT. I'VE BOUGHT
THINGS FROM THERE.

57
00:04:53,533 --> 00:04:55,467
HE'S AN HONEST MAN.

58
00:04:55,467 --> 00:04:58,533
AND ALL HIS LIFE,
HE HAS BEEN A HAPPY
MAN TOO.

59
00:04:58,533 --> 00:04:59,967
BUT NOW HE--

60
00:04:59,967 --> 00:05:02,900
HE CANNOT EVEN SLEEP;
HE CAN HARDLY TALK.

61
00:05:02,900 --> 00:05:04,900
AND WHEN I ASK HIM
WHAT'S THE PROBLEM,

62
00:05:04,900 --> 00:05:07,233
HE SAYS THERE ARE
THINGS I MUST NOT KNOW

63
00:05:07,233 --> 00:05:09,000
OR I'LL GET
INTO DANGER.

64
00:05:09,000 --> 00:05:11,600
DANGER?
DID HE USE THAT WORD?

65
00:05:11,600 --> 00:05:13,900
EE, MMA--
THAT VERY WORD.

66
00:05:13,900 --> 00:05:17,834
SO YOU WANT ME
TO FIND OUT WHAT IS
TROUBLING YOUR FATHER.

67
00:05:17,834 --> 00:05:20,834
BUT I DO NOT
HAVE ENOUGH MON--

68
00:05:20,834 --> 00:05:22,533
DON'T WORRY
ABOUT MONEY.

69
00:05:22,533 --> 00:05:24,200
I WILL DO WHAT I CAN.

70
00:05:26,300 --> 00:05:28,767
TAKE THIS.

71
00:05:28,767 --> 00:05:30,834
IT HAS MY NUMBER
ON IT.

72
00:05:30,834 --> 00:05:34,333
"THE #1 LADIES'
DETECTIVE AGENCY"?

73
00:05:34,333 --> 00:05:35,700
EE, MMA.

74
00:05:35,700 --> 00:05:38,133
I LIKE IT.

75
00:05:47,367 --> 00:05:49,967
( brakes grinking )

76
00:06:03,033 --> 00:06:05,300
( breathing heavily )

77
00:06:06,600 --> 00:06:08,300
OH.

78
00:06:08,300 --> 00:06:12,433
OH OH-- AHH!

79
00:06:12,433 --> 00:06:14,600
SNAKE!

80
00:06:16,934 --> 00:06:19,066
SNAKE!

81
00:06:22,500 --> 00:06:23,934
SNAKE!

82
00:06:23,934 --> 00:06:26,433
( muttering in Setswana )

83
00:06:26,433 --> 00:06:28,800
OOOOH!

84
00:06:31,967 --> 00:06:33,867
IT'S A MAMBA.

85
00:06:33,867 --> 00:06:36,166
IF THIS SNAKE HAD
BITTEN YOU, MMA,

86
00:06:36,166 --> 00:06:38,166
YOU WOULD BE
ONE DEAD DETECTIVE.

87
00:06:38,166 --> 00:06:39,800
( speaks Setswana )

88
00:06:41,133 --> 00:06:43,367
- AHH!
- HA HA!

89
00:06:43,367 --> 00:06:46,433
STOP FOOLING AROUND!
PUT IT IN A BAG
AND THROW IT AWAY.

90
00:06:46,433 --> 00:06:48,633
AND THEN COME BACK
AND CLEAN THE CAR.

91
00:06:50,200 --> 00:06:52,900
I FEEL QUITE SICK TO THINK
WHAT COULD HAVE HAPPENED.

92
00:06:52,900 --> 00:06:55,033
OH, DON'T BE UPSET.

93
00:06:55,033 --> 00:06:57,266
I WAS ABOUT TO
DEAL WITH IT MYSELF

94
00:06:57,266 --> 00:07:01,133
WHEN A PASSERBY APPEARED
AND GAVE ME A TOW.

95
00:07:02,567 --> 00:07:04,533
YOU'RE SO COOL ABOUT IT.

96
00:07:04,533 --> 00:07:07,433
I'VE LIVED 38 YEARS AND
NEVER COME SO CLOSE TO DEATH.

97
00:07:07,433 --> 00:07:09,667
I-- I THOUGHT YOU
WERE 37?

98
00:07:09,667 --> 00:07:11,200
YES.

99
00:07:11,200 --> 00:07:14,834
WELL, BUT
TOMORROW IS MY BIRTHDAY.

100
00:07:14,834 --> 00:07:16,367
TOMORROW?

101
00:07:16,367 --> 00:07:17,767
YES.

102
00:07:17,767 --> 00:07:19,867
- CONGRATULATIONS!
- THANK YOU.

103
00:07:19,867 --> 00:07:22,567
- ARE YOU CELEBRATING?
- NO NO NO. I'M PAST ALL THAT.

104
00:07:22,567 --> 00:07:25,233
EVERYBODY SHOULD CELEBRATE
THE DAY OF THEIR BIRTH.

105
00:07:25,233 --> 00:07:27,900
LET ME TAKE YOU
OUT TO DINNER.

106
00:07:27,900 --> 00:07:29,700
NO, THAT'S NOT
NECESSARY.

107
00:07:29,700 --> 00:07:31,600
PLEASE.

108
00:07:31,600 --> 00:07:34,033
THAT WOULD
BE NICE.

109
00:07:34,033 --> 00:07:35,834
THANK YOU, MMA.

110
00:07:55,367 --> 00:07:57,800
THAT'S
A BEAUTIFUL CAR.

111
00:07:59,834 --> 00:08:02,867
WHO TAUGHT YOU TO
MAKE A CAR LIKE THAT?

112
00:08:02,867 --> 00:08:04,667
NO ONE.

113
00:08:04,667 --> 00:08:07,233
NO ONE AT ALL?

114
00:08:08,433 --> 00:08:10,066
GOD.

115
00:08:14,800 --> 00:08:17,533
WHAT DO YOU KNOW
ABOUT GOD?

116
00:08:17,533 --> 00:08:19,667
HE IS INVISIBLE.

117
00:08:19,667 --> 00:08:21,133
WELLINGTON,

118
00:08:21,133 --> 00:08:23,166
I'VE TOLD YOU
BEFORE, YOU MAY SIT
QUIETLY OUTSIDE

119
00:08:23,166 --> 00:08:24,934
BUT YOU MUST NOT
DISTURB THE CLIENTS.

120
00:08:24,934 --> 00:08:26,834
HE IS NOT DISTURBING ME.

121
00:08:26,834 --> 00:08:29,500
I HAVE A SON
HIS AGE AT HOME.

122
00:08:36,367 --> 00:08:39,367
I'M SORRY I'M LATE.
IT'S BEEN A VERY
DIFFICULT MORNING.

123
00:08:39,367 --> 00:08:42,166
A SNAKE WAS
IN THE VAN.
DR. SIBENKE?

124
00:08:42,166 --> 00:08:44,233
EE, MMA.
THAT IS ME.

125
00:08:44,233 --> 00:08:46,700
PLEASE COME INTO
MY OFFICE, DOCTOR.

126
00:08:55,400 --> 00:08:57,433
WHAT KIND OF SNAKE?

127
00:08:57,433 --> 00:08:58,467
A MAMBA.

128
00:08:58,467 --> 00:09:00,967
DON'T WORRY--
I KILLED IT.

129
00:09:00,967 --> 00:09:02,834
BUSH TEA, I THINK.

130
00:09:05,367 --> 00:09:07,633
SO YOUR FAMILY STILL
LIVES IN ZIMBABWE?

131
00:09:07,633 --> 00:09:09,133
EE, MMA,
THEY DO.

132
00:09:09,133 --> 00:09:13,567
OF COURSE I MISS THEM
EVERY MINUTE.

133
00:09:13,567 --> 00:09:16,667
BUT I HAD TO LEAVE

134
00:09:16,667 --> 00:09:19,066
JUST TO EARN ENOUGH
MONEY TO SUPPORT THEM.

135
00:09:19,066 --> 00:09:21,000
IT'S VERY SAD WHAT
HAS HAPPENED THERE.

136
00:09:21,000 --> 00:09:23,100
AHH, IT IS MORE
THAN SAD.

137
00:09:23,100 --> 00:09:25,200
( chair squeaks )

138
00:09:28,967 --> 00:09:32,767
BUT LET US NOT DWELL
ON THESE MATTERS.

139
00:09:32,767 --> 00:09:34,300
MMM.

140
00:09:34,300 --> 00:09:37,633
I WAS LUCKY ENOUGH TO
RECEIVE A POST AT
THE HOSPITAL

141
00:09:37,633 --> 00:09:39,934
WORKING UNDER
DR. GULUBANE.

142
00:09:39,934 --> 00:09:41,367
DR. GULUBANE?

143
00:09:41,367 --> 00:09:43,700
HE'S A VERY FINE MAN
AND A GOOD DOCTOR TOO.

144
00:09:43,700 --> 00:09:45,367
HE IS.

145
00:09:45,367 --> 00:09:47,333
BUT THEN...

146
00:09:47,333 --> 00:09:50,767
SOMETHING UNFORTUNATE
HAPPENED.

147
00:09:50,767 --> 00:09:52,800
THE VERY WEEK THAT
I STARTED WORK,

148
00:09:52,800 --> 00:09:54,867
A PATIENT OF MINE DIED...

149
00:09:54,867 --> 00:09:56,967
OF NO APPARENT CAUSE...

150
00:09:58,266 --> 00:10:01,300
ON A FRIDAY AFTERNOON
AND AT 2:00.

151
00:10:01,300 --> 00:10:04,000
THAT IS NOT UNUSUAL
IN A HOSPITAL.

152
00:10:04,000 --> 00:10:06,200
( loud scratching )

153
00:10:06,200 --> 00:10:08,900
( sighs )
WELL...

154
00:10:08,900 --> 00:10:10,467
THERE'S MORE.

155
00:10:10,467 --> 00:10:12,734
THE FOLLOWING FRIDAY

156
00:10:12,734 --> 00:10:15,900
THERE WAS ANOTHER
UNEXPLAINED DEATH...

157
00:10:15,900 --> 00:10:17,233
AT 2:00.

158
00:10:17,233 --> 00:10:20,767
THEN THIS LAST FRIDAY

159
00:10:20,767 --> 00:10:24,600
THE SAME THING
HAPPENED AGAIN.

160
00:10:24,600 --> 00:10:27,700
PEOPLE LOOK AT ME
STRANGELY NOW.

161
00:10:27,700 --> 00:10:29,867
THEY DON'T WANT
TO TALK TO ME;

162
00:10:29,867 --> 00:10:32,500
- THEY AVOID ME.
- CHH.

163
00:10:32,500 --> 00:10:35,000
THEY FEEL

164
00:10:35,000 --> 00:10:37,333
THAT SOMEBODY SHOULD
GET THE BLAME

165
00:10:37,333 --> 00:10:39,300
FOR THESE DEATHS.

166
00:10:39,300 --> 00:10:43,266
I AM A FOREIGNER
AND A REFUGEE.

167
00:10:43,266 --> 00:10:45,166
IT'S UNDERSTANDABLE.

168
00:10:55,367 --> 00:10:56,700
( sighs )

169
00:10:56,700 --> 00:10:58,300
WHAT ARE YOU
LOOKING FOR?

170
00:10:58,300 --> 00:11:00,767
I DON'T WANT TO BE RECOGNIZED
BY TABITHA'S FATHER.

171
00:11:00,767 --> 00:11:04,367
I'VE BEEN TO
HIS SHOP BEFORE.

172
00:11:07,033 --> 00:11:08,633
EE.

173
00:11:10,500 --> 00:11:13,433
DO THESE MAKE
ANY DIFFERENCE?

174
00:11:14,867 --> 00:11:17,567
NNYAA, MMA,
NO DIFFERENCE AT ALL.

175
00:11:19,600 --> 00:11:24,300
WELL, NOT A BIG DISGUISE.
I JUST DON'T WANT TO
BE IDENTIFIED.

176
00:11:24,300 --> 00:11:27,500
WELL, I CAN'T DO ANYTHING
ABOUT YOUR DISTINCTIVE FIGURE.

177
00:11:27,500 --> 00:11:30,500
THERE IS NOTHING
DISTINCTIVE ABOUT MY FIGURE.

178
00:11:30,500 --> 00:11:32,934
( speaks Setswana )

179
00:11:34,266 --> 00:11:35,667
( laughs )

180
00:11:35,667 --> 00:11:37,100
( sighs )

181
00:11:37,100 --> 00:11:38,567
WHAT ABOUT MY HAIR?

182
00:11:38,567 --> 00:11:40,233
WELL, I CAN MAKE IT LONGER

183
00:11:40,233 --> 00:11:42,300
SO THAT IT COVERS
YOUR FACE LIKE A YAK.

184
00:11:42,300 --> 00:11:44,300
NO, CERTAINLY NOT.

185
00:11:44,300 --> 00:11:47,300
THEN WHAT AM I GOING TO DO?
HE'S ALREADY SEEN YOUR FACE.

186
00:11:47,300 --> 00:11:48,900
MMM.

187
00:11:50,867 --> 00:11:52,633
I KNOW--

188
00:11:52,633 --> 00:11:54,667
HAVE YOU GOT
ANY TIME TODAY?

189
00:11:54,667 --> 00:11:56,800
OH, NO. NO NO NO NO NO.

190
00:11:56,800 --> 00:11:58,900
YOU ARE NOT SUGGESTING
THAT I GO.

191
00:11:58,900 --> 00:12:00,834
WHY NOT?

192
00:12:00,834 --> 00:12:02,367
IT'S VERY SIMPLE.

193
00:12:02,367 --> 00:12:04,533
FIND A BIRTHDAY
PRESENT FOR JLB.

194
00:12:04,533 --> 00:12:05,533
AND THEN WHAT?

195
00:12:05,533 --> 00:12:07,700
WHILE YOU'RE THERE,
LOOK AROUND.

196
00:12:07,700 --> 00:12:09,633
LOOK ON THE DESK;
LOOK ON THE SHELVES.

197
00:12:09,633 --> 00:12:11,433
LOOK AROUND FOR WHAT?

198
00:12:11,433 --> 00:12:14,166
FOR WHATEVER HE DOES NOT
WANT YOU TO SEE.

199
00:12:14,166 --> 00:12:16,867
- BAH!
- THAT'S WHAT'S
FRIGHTENING HIM.

200
00:12:26,600 --> 00:12:29,734
( choir vocalizing )

201
00:12:44,867 --> 00:12:46,867
- EXCUSE ME, SIR?
- AHHH!

202
00:12:46,867 --> 00:12:49,000
- CAN I HELP YOU?
- ( shouts in Setswana )

203
00:12:49,000 --> 00:12:51,000
- ( muttering )
- I'M SORRY?

204
00:12:51,000 --> 00:12:53,266
YES, YOU CAN
CERTAINLY HELP ME.

205
00:12:53,266 --> 00:12:54,633
I'M LOOKING-- WHOO.

206
00:12:54,633 --> 00:12:56,900
I'M LOOKING FOR A GIFT
FOR A VERY GOOD FRIEND OF MINE

207
00:12:56,900 --> 00:12:59,033
AND THAT'S WHY
I'M IN YOUR SHOP.

208
00:12:59,033 --> 00:13:00,166
TAKE A LOOK AROUND.

209
00:13:00,166 --> 00:13:02,266
( speaks Setswana )

210
00:13:05,000 --> 00:13:06,967
MMM.

211
00:13:10,033 --> 00:13:12,433
OOH, RRE,
THIS IS PRETTY!

212
00:13:12,433 --> 00:13:14,633
YOU HAVE A VERY
GOOD EYE, RRE.

213
00:13:14,633 --> 00:13:16,700
THERE'S ONLY ONE VILLAGE
WHERE THEY MAKE THOSE.

214
00:13:16,700 --> 00:13:18,700
GOOD.

215
00:13:18,700 --> 00:13:20,333
AND WHAT IS THAT?

216
00:13:20,333 --> 00:13:21,934
( phone ringing )

217
00:13:21,934 --> 00:13:24,300
EXCUSE ME--
I MUST TAKE THIS.

218
00:13:26,767 --> 00:13:28,700
LISINDI CURIOS.

219
00:13:28,700 --> 00:13:31,700
I-- I CAN'T
TALK TO YOU NOW.

220
00:13:31,700 --> 00:13:33,900
I HAVE
A CUSTOMER.

221
00:13:49,467 --> 00:13:51,533
OKAY.

222
00:13:51,533 --> 00:13:53,533
SIR?

223
00:13:53,533 --> 00:13:56,233
SIR? SIR!
EH EH EH!

224
00:13:56,233 --> 00:13:58,767
THIS IS MY STOREROOM.
IT IS PRIVATE.

225
00:13:58,767 --> 00:14:00,900
NOW PLEASE COME OUT
AT ONCE.

226
00:14:00,900 --> 00:14:02,734
AT ONCE.

227
00:14:02,734 --> 00:14:04,667
- PLEASE.
- PLEASE FORGIVE ME.

228
00:14:04,667 --> 00:14:06,734
I THOUGHT IT WAS JUST
ANOTHER WAY OUT.

229
00:14:06,734 --> 00:14:08,700
( muttering
in Setswana )

230
00:14:08,700 --> 00:14:11,133
RRE,
WE FORGOT THE GIFT.

231
00:14:11,133 --> 00:14:13,567
THERE IS SOMETHING
IN THAT STOREROOM.

232
00:14:13,567 --> 00:14:16,000
- HOW DO YOU KNOW?
- IT'S OBVIOUS!

233
00:14:16,000 --> 00:14:18,533
IT'S LIKE WHEN A BALD MAN
TRIES TO HIDE HIS BALDNESS

234
00:14:18,533 --> 00:14:20,600
BY PUSHING HIS HAIR OVER
LIKE WET GRASS.

235
00:14:20,600 --> 00:14:21,900
( chuckles )

236
00:14:21,900 --> 00:14:24,233
AND THEN WHAT DO YOU SEE
WHEN YOU LOOK AT HIM? HUH?

237
00:14:24,233 --> 00:14:26,400
BALDNESS AND
A MAN UNDERNEATH IT.

238
00:14:26,400 --> 00:14:27,500
( speaks Setswana )

239
00:14:27,500 --> 00:14:32,233
I NEED TO GET
INTO THAT STOREROOM.

240
00:14:32,233 --> 00:14:34,200
I'LL DO IT TONIGHT.

241
00:14:40,667 --> 00:14:42,700
WHERE WILL YOU
SLEEP TONIGHT?

242
00:14:42,700 --> 00:14:44,900
I DON'T KNOW.

243
00:14:44,900 --> 00:14:47,900
( owl hooting )

244
00:14:47,900 --> 00:14:50,266
( puts down chair )

245
00:14:54,700 --> 00:14:58,300
HOW WOULD IT BE IF YOU
HAD A PROPER PLACE TO LIVE?

246
00:14:58,300 --> 00:14:59,500
LIKE WHAT?

247
00:14:59,500 --> 00:15:01,266
IT DOESN'T MATTER WHAT
IT'S CALLED.

248
00:15:01,266 --> 00:15:03,767
YOU'D HAVE REGULAR FOOD
AND A BED

249
00:15:03,767 --> 00:15:05,734
AND SCHOOL LESSONS TOO.

250
00:15:05,734 --> 00:15:08,200
IF MMA RAMOTSWE AND I
KNEW OF A PLACE LIKE THAT,

251
00:15:08,200 --> 00:15:10,900
WOULD YOU LIKE
TO LIVE THERE?

252
00:15:10,900 --> 00:15:12,700
HUP!

253
00:15:23,667 --> 00:15:25,834
WELLINGTON?

254
00:15:36,133 --> 00:15:38,300
I'M SORRY
I'M LATE.

255
00:15:38,300 --> 00:15:40,500
- DO WE REALLY
HAVE TO DO THIS?
- NO NO.

256
00:15:40,500 --> 00:15:42,734
WE'LL JUST TAKE A QUICK
LOOK AROUND AND THEN
WE'LL GO.

257
00:15:43,633 --> 00:15:46,400
PLEASE GIVE ME
THE KEYS.

258
00:15:46,400 --> 00:15:49,300
WHEN WE OPEN THE DOOR,
WE MUST RUN AS FAST
AS WE CAN

259
00:15:49,300 --> 00:15:51,433
TO THE BUTTONS THAT
TURN OFF THE ALARM.

260
00:15:52,500 --> 00:15:55,066
Mma Ramostwe:
AH-- SHHH!

261
00:15:59,533 --> 00:16:01,667
( alarm beeping )

262
00:16:02,934 --> 00:16:05,200
GIVE ME THE CODE.
SHUT THE DOOR.

263
00:16:05,200 --> 00:16:07,333
SHUT THE DOOR,
SHUT THE DOOR.

264
00:16:09,767 --> 00:16:11,867
( beeping continues )

265
00:16:11,867 --> 00:16:14,066
TURN ON THE TORCH!

266
00:16:14,066 --> 00:16:16,100
NOT AT MY FACE--
HERE!

267
00:16:16,100 --> 00:16:18,567
( beeping increases )

268
00:16:20,900 --> 00:16:22,767
( pressing buttons )

269
00:16:22,767 --> 00:16:25,166
( beeping stops )

270
00:16:25,166 --> 00:16:28,433
THERE, THAT WASN'T
TOO DIFFICULT.

271
00:16:30,200 --> 00:16:32,100
GIVE ME THAT.

272
00:16:43,066 --> 00:16:45,133
( rats scurrying )

273
00:16:45,133 --> 00:16:46,934
AHHH!

274
00:16:46,934 --> 00:16:48,967
SOMETHING RAN
OVER MY FOOT.

275
00:16:48,967 --> 00:16:51,100
( dog barking )

276
00:17:11,033 --> 00:17:12,967
HOLD THIS.

277
00:17:34,133 --> 00:17:36,266
THESE TUSKS
ARE FRESH.

278
00:17:36,266 --> 00:17:39,100
YOU CAN ALMOST
SMELL THE ANIMAL
THEY BELONGED TO.

279
00:17:39,100 --> 00:17:42,533
I'M AFRAID YOUR FATHER
HAS GOT MIXED UP

280
00:17:42,533 --> 00:17:44,767
WITH IVORY SMUGGLERS.

281
00:17:45,900 --> 00:17:48,433
THAT'S WHY
HE'S SO FRIGHTENED.

282
00:17:48,433 --> 00:17:51,967
QUICK, PUT EVERYTHING
BACK THE WAY IT WAS.

283
00:17:51,967 --> 00:17:54,300
NO ONE MUST KNOW
WE WERE HERE.

284
00:18:02,667 --> 00:18:04,467
( pressing buttons )

285
00:18:04,467 --> 00:18:05,900
( alarm beeping )

286
00:18:05,900 --> 00:18:08,100
HURRY! HURRY!

287
00:18:08,100 --> 00:18:10,133
LET'S GO, LET'S GO.

288
00:18:10,133 --> 00:18:12,133
- ( clanging )
- OH!

289
00:18:12,133 --> 00:18:14,800
TURN THE LIGHT OFF.
TURN THE LIGHT OFF.

290
00:18:14,800 --> 00:18:16,900
- WHERE ARE THE KEYS?
- I THOUGHT YOU HAD THEM.

291
00:18:16,900 --> 00:18:19,066
I LEFT THEM
ON TOP OF THE ALARM.

292
00:18:19,066 --> 00:18:21,367
( beeping faster )

293
00:18:24,100 --> 00:18:25,400
LET'S GO, LET'S GO.

294
00:18:25,400 --> 00:18:27,066
( alarm stops )

295
00:18:27,066 --> 00:18:31,033
THANK GOODNESS.
THAT WAS GETTING ON MY NERVES.

296
00:18:31,033 --> 00:18:33,500
AHH, LET'S GO.

297
00:18:33,500 --> 00:18:34,967
( alarm shrieking )

298
00:18:34,967 --> 00:18:37,000
- WHAT DO WE DO NOW?
- RUN!

299
00:18:37,000 --> 00:18:38,667
- WHAT?
- RUN!

300
00:18:40,100 --> 00:18:42,500
TAKE THE KEYS.
I'LL GO GET THE CAR.

301
00:18:42,500 --> 00:18:44,800
( alarm continues )

302
00:18:50,200 --> 00:18:52,000
( engine revving )

303
00:19:01,967 --> 00:19:04,400
( sirens approaching )

304
00:19:08,567 --> 00:19:10,533
CHARLIE?

305
00:19:10,533 --> 00:19:14,000
FANWELL?
( speaks Setswana )

306
00:19:15,867 --> 00:19:18,300
THESE BOYS WILL BE
THE DEATH OF ME.

307
00:19:18,300 --> 00:19:19,767
WHAT TIME IS IT NOW?

308
00:19:19,767 --> 00:19:21,400
8:30.

309
00:19:21,400 --> 00:19:24,033
( sighs, mutters )

310
00:19:43,100 --> 00:19:45,633
"FROM A DISGRUNTLED
CUSTOMER."

311
00:19:46,967 --> 00:19:49,066
( sighs )

312
00:20:00,133 --> 00:20:03,100
( both sing
"Happy Birthday" )

313
00:20:16,433 --> 00:20:19,734
THANK YOU, BOYS.
I'M VERY TOUCHED.

314
00:20:19,734 --> 00:20:22,200
THE TIE IS COLORFUL.

315
00:20:22,200 --> 00:20:25,533
AHA! BUT YOU SHOULDN'T
HAVE WASTED YOUR MONEY
ON THE AFTERSHAVE.

316
00:20:25,533 --> 00:20:27,934
I'M QUITE HAPPY SMELLING
OF SUNLIGHT SOAP.

317
00:20:27,934 --> 00:20:31,066
AH, BUT, BOSS, WOMEN PREFER
SMART-SMELLING MEN.

318
00:20:31,066 --> 00:20:33,266
AND THAT IS THE PATH
TO HEAVENLY PLEASURE.

319
00:20:33,266 --> 00:20:36,667
NO.
( speaks Setswana )

320
00:20:36,667 --> 00:20:39,133
( boys shouting )

321
00:20:39,133 --> 00:20:40,533
YOU BROKE IN?

322
00:20:40,533 --> 00:20:43,266
IT WAS A LEGITIMATE
SEARCH FOR EVIDENCE.

323
00:20:43,266 --> 00:20:46,100
WHAT IF RRE LISINDI

324
00:20:46,100 --> 00:20:48,166
FINDS OUT THAT
IT WAS YOU?

325
00:20:48,166 --> 00:20:50,367
HE'LL TELL THE IVORY
SMUGGLERS AND THEY'LL--

326
00:20:50,367 --> 00:20:52,700
THERE'S NO WAY
HE CAN FIND OUT.

327
00:20:54,066 --> 00:20:56,300
SHOULDN'T WE
TELL THE POLICE?

328
00:20:56,300 --> 00:20:57,600
NO.

329
00:20:57,600 --> 00:20:59,467
I DON'T WANT
TO DO THAT.

330
00:20:59,467 --> 00:21:01,800
I WANT TO SOLVE
THIS CASE MYSELF.

331
00:21:01,800 --> 00:21:05,233
IN FACT, I DON'T
EVEN WANT TO TELL THEM
WHEN  I'VE SOLVED IT.

332
00:21:05,233 --> 00:21:06,633
WHY NOT?

333
00:21:06,633 --> 00:21:08,867
THE ONLY REASON
I TOOK THIS CASE

334
00:21:08,867 --> 00:21:11,900
WAS BECAUSE I WANTED
TO GIVE THAT YOUNG GIRL

335
00:21:11,900 --> 00:21:14,033
SOME PEACE OF MIND.

336
00:21:14,033 --> 00:21:16,500
I DON'T THINK PUTTING
HER FATHER BEHIND BARS

337
00:21:16,500 --> 00:21:18,333
IS A VERY GOOD WAY
OF DOING THAT.

338
00:21:18,333 --> 00:21:19,967
BUT HE'S BROKEN
THE LAW.

339
00:21:19,967 --> 00:21:23,500
RRE LISINDI DOESN'T FEEL
LIKE A BAD MAN TO ME.

340
00:21:23,500 --> 00:21:25,433
IF HE'S INVOLVED
IN A CRIME,

341
00:21:25,433 --> 00:21:27,867
IT'S BECAUSE BAD PEOPLE
HAVE FORCED HIM INTO IT.

342
00:21:27,867 --> 00:21:31,800
- BUT--
- THERE WILL BE NO MORE
TALKING WITHOUT TEA.

343
00:21:41,667 --> 00:21:44,200
WE MUST TALK ABOUT
THESE MYSTERIOUS DEATHS.

344
00:21:44,200 --> 00:21:46,867
DO YOU REALLY NOT KNOW
WHAT'S CAUSING THEM?

345
00:21:46,867 --> 00:21:50,266
NO. AFTER THE FIRST ONE,
WE TOOK EVERY PRECAUTION
POSSIBLE.

346
00:21:50,266 --> 00:21:52,300
BUT IT HAPPENED
AGAIN TWICE.

347
00:21:52,300 --> 00:21:54,867
UNFORTUNATELY, YES.
THIS IS THE WARD.

348
00:21:56,734 --> 00:21:59,533
DID ALL THREE PATIENTS
DIE IN THE SAME BED?

349
00:21:59,533 --> 00:22:02,233
YES, IT WAS THIS BED
RIGHT HERE.

350
00:22:02,233 --> 00:22:03,834
WE'VE CHANGED
THE BEDS AROUND, OF COURSE.

351
00:22:03,834 --> 00:22:06,300
MAYBE THERE'S SOMETHING WRONG
WITH ONE OF THE MACHINES.

352
00:22:06,300 --> 00:22:08,066
THEY'VE ALL BEEN
CHECKED AND TESTED.

353
00:22:08,066 --> 00:22:11,633
WE'VE EVEN CHANGED THEM
AROUND WITH VENTILATORS
FROM OTHER WARDS.

354
00:22:11,633 --> 00:22:15,767
LOOK, I HAVE NOTHING TO HIDE,
BUT THIS IS A MEDICAL PROBLEM.

355
00:22:15,767 --> 00:22:18,166
WHY DON'T YOU LEAVE IT
FOR THE HOSPITAL AUTHORITIES
TO SOLVE?

356
00:22:18,166 --> 00:22:21,767
I CAN'T STAND BY WHILE
AN INNOCENT MAN'S LIFE
IS BEING RUINED.

357
00:22:21,767 --> 00:22:24,633
JUST LET ME
TRY SOMETHING.

358
00:22:24,633 --> 00:22:26,367
I'LL COME BACK
ON FRIDAY.

359
00:22:26,367 --> 00:22:28,800
I'LL SIT IN THIS WARD
AT 2:00

360
00:22:28,800 --> 00:22:31,300
AND THEN...

361
00:22:32,800 --> 00:22:35,166
SEE WHAT HAPPENS.

362
00:22:41,700 --> 00:22:43,900
MMA RAMOTSWE,

363
00:22:43,900 --> 00:22:46,433
MAY I TROUBLE YOU
FOR YOUR SERVICES?

364
00:22:46,433 --> 00:22:48,433
I'D BE HAPPY
TO HELP YOU,

365
00:22:48,433 --> 00:22:50,266
BUT I'M ON MY WAY
TO A MEETING.

366
00:22:50,266 --> 00:22:52,233
YOU CAN MAKE AN APPOINTMENT
WITH MY SECRETARY.

367
00:22:52,233 --> 00:22:54,800
I'D PREFER
NOT TO WAIT.

368
00:22:54,800 --> 00:22:56,934
IT'S A FAMILY
MATTER.

369
00:22:56,934 --> 00:22:58,700
MY CARD.

370
00:22:58,700 --> 00:23:02,066
( typewriter
keys clacking )

371
00:23:07,800 --> 00:23:12,300
SO WHAT KIND OF FAMILY
MATTER MIGHT THIS BE?

372
00:23:13,834 --> 00:23:16,500
I'M A BUSINESSMAN HERE
IN THE CITY,

373
00:23:16,500 --> 00:23:19,967
BUT MY FAMILY OWNS A LARGE
FARM NORTH OF PILANE

374
00:23:19,967 --> 00:23:22,266
AND 6,000 HEAD
OF CATTLE.

375
00:23:22,266 --> 00:23:25,133
MY FATHER GOT MARRIED
WHEN HE WAS YOUNG.

376
00:23:25,133 --> 00:23:28,400
I'M THE OFFSPRING
OF THAT UNION.

377
00:23:28,400 --> 00:23:31,533
THEN SOME YEARS LATER
HE MARRIED AGAIN.

378
00:23:31,533 --> 00:23:34,834
SO YOUR MOTHER
WAS LATE.

379
00:23:34,834 --> 00:23:37,533
NNYAA, MMA.
SHE'S STILL ALIVE.

380
00:23:37,533 --> 00:23:40,667
MY FATHER IS ONE OF THOSE
OLD-FASHIONED MEN

381
00:23:40,667 --> 00:23:43,300
WHO BELIEVES THAT TWO WIVES
ARE BETTER THAN ONE.

382
00:23:43,300 --> 00:23:44,900
OH.

383
00:23:44,900 --> 00:23:47,967
HIS SECOND WIFE HAD
ANOTHER SON--

384
00:23:47,967 --> 00:23:49,266
( typing )

385
00:23:49,266 --> 00:23:51,200
--JOBE, WHO IS,

386
00:23:51,200 --> 00:23:53,934
I'M SORRY TO SAY,
THE FOOL OF THE FAMILY.

387
00:23:53,934 --> 00:23:55,934
MMM, THOSE ARE
HARSH WORDS.

388
00:23:55,934 --> 00:23:57,767
HOW ELSE CAN ONE
DESCRIBE A YOUNG MAN

389
00:23:57,767 --> 00:24:00,467
WHO FAILS AT EVERYTHING
THAT HE PUTS HIS HAND TO?

390
00:24:00,467 --> 00:24:03,867
WELL, JOBE GOT MARRIED
THIS YEAR.

391
00:24:03,867 --> 00:24:05,467
THEN THE TROUBLE BEGAN.

392
00:24:05,467 --> 00:24:07,834
WHAT KIND OF TROUBLE?

393
00:24:09,500 --> 00:24:11,600
ONE EVENING
AFTER DINNER,

394
00:24:11,600 --> 00:24:14,934
EVERYONE IN THE FAMILY
SUFFERED A VIOLENT
STOMACH COMPLAINT.

395
00:24:14,934 --> 00:24:18,867
MY MOTHER LOST NO TIME
IN TELLING ME HER SUSPICIONS.

396
00:24:18,867 --> 00:24:23,233
OH, SHE BELIEVES JOBE'S WIFE
POISONED THEM ALL.

397
00:24:23,233 --> 00:24:24,934
HOW DID YOU GUESS?

398
00:24:24,934 --> 00:24:27,934
WERE HER SUSPICIONS
CORRECT?

399
00:24:27,934 --> 00:24:29,734
ALL I KNOW IS THAT

400
00:24:29,734 --> 00:24:33,633
NOW BOTH WIVES ARE CONVINCED
THAT MAFELA IS THE POISONER.

401
00:24:33,633 --> 00:24:35,967
SHE PHONED ME
THIS MORNING,

402
00:24:35,967 --> 00:24:38,066
BEGGING FOR
MY HELP.

403
00:24:38,066 --> 00:24:40,233
SHE REQUESTED
A LADY DETECTIVE,

404
00:24:40,233 --> 00:24:42,400
- AND SO I'M HERE.
- MMM.

405
00:24:42,400 --> 00:24:45,367
SO YOU WANT ME TO
QUESTION YOUR FAMILY?

406
00:24:45,367 --> 00:24:46,800
NOT QUESTION, NO.

407
00:24:46,800 --> 00:24:50,033
MY FATHER IS A FRAIL OLD MAN
WHO HAS LOST HIS SIGHT.

408
00:24:50,033 --> 00:24:52,000
IT WILL DISTRESS HIM.

409
00:24:52,000 --> 00:24:55,233
JUST SAY THAT YOU ARE
MY PRIVATE ASSISTANT

410
00:24:55,233 --> 00:24:58,600
WHO NEEDS A HOLIDAY
AND THEN...

411
00:24:58,600 --> 00:25:01,000
DISCREETLY SEE WHAT
YOU CAN FIND OUT.

412
00:25:01,000 --> 00:25:03,400
WELL,

413
00:25:03,400 --> 00:25:05,867
RRE MAKGOTHI,

414
00:25:05,867 --> 00:25:09,300
I AM PLEASED TO SAY
I CAN TAKE YOUR CASE.

415
00:25:09,300 --> 00:25:12,266
MY FEE-- MY FEE

416
00:25:12,266 --> 00:25:14,633
WILL BE...

417
00:25:14,633 --> 00:25:17,367
ONE...

418
00:25:17,367 --> 00:25:19,533
THOUSAND PULA.

419
00:25:25,467 --> 00:25:27,133
THANK YOU.

420
00:25:27,133 --> 00:25:28,800
ENJOY IT, MISS.

421
00:25:28,800 --> 00:25:30,133
THANK YOU.

422
00:25:30,133 --> 00:25:32,500
SO...

423
00:25:32,500 --> 00:25:34,867
ARE YOU GOING
TO OPEN IT?

424
00:25:37,734 --> 00:25:39,834
WHAT IS IT?

425
00:25:39,834 --> 00:25:42,133
IT'S A SURPRISE.

426
00:25:55,667 --> 00:25:58,767
( rattling )

427
00:26:04,734 --> 00:26:06,000
IT'S PERFECT.

428
00:26:06,000 --> 00:26:07,433
HA! HOW DID YOU KNOW?

429
00:26:07,433 --> 00:26:09,000
HA HA!

430
00:26:09,000 --> 00:26:10,767
- I-- I--
- I COLLECT THEM--

431
00:26:10,767 --> 00:26:12,333
PERCUSSION INSTRUMENTS.

432
00:26:12,333 --> 00:26:15,533
I ONCE HAD A DREAM THAT
I'D BE THE GREATEST DRUMMER
IN THE WORLD.

433
00:26:15,533 --> 00:26:18,500
BUT NOW I JUST
COLLECT THEM.

434
00:26:18,500 --> 00:26:22,633
- IT'S ( Setswana word).
- YES.

435
00:26:22,633 --> 00:26:24,867
WHERE DID YOU FIND IT--

436
00:26:24,867 --> 00:26:26,667
NOT AT RRE LISINDI'S SHOP?

437
00:26:26,667 --> 00:26:28,300
YES, AS A MATTER
OF FACT.

438
00:26:28,300 --> 00:26:29,867
YOU DIDN'T STEAL IT?

439
00:26:29,867 --> 00:26:32,633
NO!
CERTAINLY NOT.

440
00:26:32,633 --> 00:26:35,767
PROMISE ME THAT YOU'LL
NEVER AGAIN DO SUCH
A CRAZY ESCAPADE.

441
00:26:35,767 --> 00:26:38,934
AHH, I DID GET A LITTLE
CARRIED AWAY.

442
00:26:38,934 --> 00:26:41,600
IS THAT A PROMISE?

443
00:26:41,600 --> 00:26:43,433
I SUPPOSE SO.

444
00:26:46,367 --> 00:26:48,066
MMM.

445
00:26:48,066 --> 00:26:50,967
MMA MAKUTSI THINKS
I SHOULD TELL THE POLICE.

446
00:26:50,967 --> 00:26:52,800
WELL, YOU KNOW
WHAT HAPPENS IF YOU DO.

447
00:26:52,800 --> 00:26:54,834
THE LITTLE SHOPKEEPER
GETS PUNISHED

448
00:26:54,834 --> 00:26:56,900
AND THE BIG GUYS AT
THE TOP OF THE HEAP
GO SCOT-FREE.

449
00:26:56,900 --> 00:27:01,433
YOU'RE RIGHT.
THEY ARE THE ONES WHO
SHOULD BE PUNISHED.

450
00:27:01,433 --> 00:27:03,934
NO, THE PEOPLE WHO RUN
THE IVORY TRADE

451
00:27:03,934 --> 00:27:06,000
ARE MORE DANGEROUS
THAN ANY MAMBA.

452
00:27:06,000 --> 00:27:08,200
IF THREATENED,
THEY'LL STRIKE TO KILL.

453
00:27:08,200 --> 00:27:12,900
A WOMAN IN THEIR WORLD
IS LIKE A FRAGILE SHIP
ON A STORMY SEA,

454
00:27:12,900 --> 00:27:17,033
OR AN ANTELOPE IN
A DESERT FULL OF LIONS.

455
00:27:18,567 --> 00:27:22,000
IT'S BEEN A VERY LONG TIME
SINCE SOMEONE COMPARED ME

456
00:27:22,000 --> 00:27:23,633
TO AN ANTELOPE.

457
00:27:25,133 --> 00:27:28,333
IF YOU'D ONLY ALLOW ME
TO PUT A SUPPORTIVE
ARM AROUND YOU...

458
00:27:28,333 --> 00:27:29,567
OH, JLB.

459
00:27:31,533 --> 00:27:34,700
YOU ARE A KIND...

460
00:27:34,700 --> 00:27:36,166
AND GOOD MAN,

461
00:27:36,166 --> 00:27:38,800
AND A VERY
LOYAL FRIEND.

462
00:27:39,700 --> 00:27:41,533
BUT...

463
00:27:41,533 --> 00:27:44,834
I DON'T NEED
A SUPPORTIVE ARM.

464
00:27:44,834 --> 00:27:46,667
I REALLY DON'T.

465
00:27:52,734 --> 00:27:56,767
I DON'T THINK THAT GIRL
IS POISONING ANYONE.

466
00:27:58,000 --> 00:28:00,500
THERE WAS A YOUNG WOMAN
IN MY VILLAGE

467
00:28:00,500 --> 00:28:02,500
WHO WAS ACCUSED OF
BEING A POISONER,

468
00:28:02,500 --> 00:28:04,967
BUT IT WAS ONLY BECAUSE
HER MOTHER-IN-LAW HATED HER.

469
00:28:04,967 --> 00:28:07,200
MMM, THAT HAPPENS
IN EVERY VILLAGE.

470
00:28:07,200 --> 00:28:09,500
BUT I WANT YOU
TO BE SAFE.

471
00:28:09,500 --> 00:28:12,834
YOU MUST NOT EAT
ANY FOOD AT ALL

472
00:28:12,834 --> 00:28:14,934
UNLESS EVERYONE ELSE
IS EATING IT TOO.

473
00:28:14,934 --> 00:28:17,700
I DON'T WANT MY FIRST
CASE AS A DETECTIVE

474
00:28:17,700 --> 00:28:19,867
TO BE INVESTIGATING
YOUR DEATH.

475
00:28:19,867 --> 00:28:22,734
I HOPE YOU'RE NOT IMPLYING
I STARVE MYSELF.

476
00:28:23,667 --> 00:28:25,300
HMM!

477
00:28:29,266 --> 00:28:32,066
( African music playing )

478
00:28:34,867 --> 00:28:37,100
( whistling )

479
00:29:06,800 --> 00:29:10,533
DUMELA, MMA.
LET ME CARRY YOUR SUITCASE.

480
00:29:10,533 --> 00:29:12,834
YOU ARE EXPECTED.

481
00:29:12,834 --> 00:29:15,200
( greeting each other
in Setswana )

482
00:29:15,200 --> 00:29:17,100
PLEASE, COME IN.

483
00:29:19,367 --> 00:29:22,433
YOU MUST MEET
THE BIG MMA FIRST.

484
00:29:22,433 --> 00:29:25,367
SHE'S WAITING FOR YOU
ON THE STOOP.

485
00:29:29,200 --> 00:29:30,667
DUMELA, MMA.

486
00:29:30,667 --> 00:29:32,100
DUMELA.

487
00:29:32,100 --> 00:29:34,100
I AM GLAD
YOU ARE HERE.

488
00:29:34,100 --> 00:29:36,367
COME AND SIT
BESIDE ME.

489
00:29:37,767 --> 00:29:40,934
DORALENE, MAKE SURE
OUR VISITOR'S ROOM IS READY.

490
00:29:42,767 --> 00:29:44,433
SO...

491
00:29:44,433 --> 00:29:46,567
YOU'RE MY SON'S
PERSONAL ASSISTANT?

492
00:29:46,567 --> 00:29:48,300
YES, THAT IS SO.

493
00:29:48,300 --> 00:29:50,600
I EXPECTED YOU
TO BE SKINNY--

494
00:29:50,600 --> 00:29:52,433
A SKINNY WOMAN.

495
00:29:52,433 --> 00:29:54,734
HE DOES NOT LIKE
TRADITIONAL SHAPES,
MY SON.

496
00:29:54,734 --> 00:29:57,066
HMM.
DON'T WORRY, MMA.

497
00:29:57,066 --> 00:29:59,767
I AM NOT ONE OF THOSE GIRLS
WHO WANTS TO MARRY HER BOSS.

498
00:29:59,767 --> 00:30:02,266
WOULD YOU LIKE
SOME WATER?

499
00:30:03,467 --> 00:30:05,567
THANK YOU.

500
00:30:08,600 --> 00:30:10,433
WHERE'S THE REST
OF THE FAMILY?

501
00:30:10,433 --> 00:30:12,367
YOU WILL MEET THEM
AT DINNERTIME.

502
00:30:12,367 --> 00:30:14,700
AND I THINK YOU WILL FIND
THAT IS QUITE SOON ENOUGH.

503
00:30:14,700 --> 00:30:16,567
HMM.

504
00:30:16,567 --> 00:30:18,900
DORALENE!

505
00:30:18,900 --> 00:30:21,166
WHERE'S THAT LAZY GIRL?

506
00:30:25,266 --> 00:30:28,033
I LOVE THIS HOUSE.

507
00:30:28,033 --> 00:30:30,266
IT'S A VERY FINE BUILDING.

508
00:30:30,266 --> 00:30:32,633
WHEN MY HUSBAND
MARRIED AGAIN,

509
00:30:32,633 --> 00:30:34,433
HE TRIED TO
MOVE ME OUT,

510
00:30:34,433 --> 00:30:36,166
BUT I SOON FOUND
MY WAY BACK.

511
00:30:36,166 --> 00:30:38,767
THAT MUST HAVE BEEN
VERY UPSETTING FOR YOU.

512
00:30:38,767 --> 00:30:40,967
THE OTHER WIFE?
HA HA HA!

513
00:30:40,967 --> 00:30:42,600
NO.

514
00:30:42,600 --> 00:30:45,200
I'M JUST SORRY THAT HE
CHOSE SUCH A SILLY WOMAN.

515
00:30:45,200 --> 00:30:49,133
STILL, BETTER A SILLY WOMAN
THAN A DANGEROUS ONE.

516
00:30:50,000 --> 00:30:54,000
( woman arguing )

517
00:30:54,000 --> 00:30:56,166
JUST DO WHAT
I TELL YOU!

518
00:30:57,300 --> 00:30:59,367
- DUMELA, MMA.
- DUMELA, MMA.

519
00:30:59,367 --> 00:31:01,000
HAVE YOU JUST ARRIVED
FROM THE CITY?

520
00:31:01,000 --> 00:31:03,033
- YES.
- WELL, THAT GUEST ROOM
IS BAD--

521
00:31:03,033 --> 00:31:05,734
NO BATH AND NONE OF
THE WINDOWS OPEN.

522
00:31:05,734 --> 00:31:08,467
OH, AND DON'T LET THAT
STUPID GIRL BOTHER YOU
WITH HER CHATTER.

523
00:31:12,400 --> 00:31:15,133
THIS IS THE VERY BEST
GUEST ROOM.

524
00:31:15,133 --> 00:31:16,800
THANK YOU.

525
00:31:22,633 --> 00:31:25,066
WAS THAT
MASTER JOBE'S WIFE?

526
00:31:25,066 --> 00:31:26,667
MAFELA.

527
00:31:28,867 --> 00:31:31,066
DO YOU KNOW WHY
SHE WAS SO ANGRY?

528
00:31:31,066 --> 00:31:34,300
OH, SHE'S JUST SCORNFUL
OF MASTER JOBE

529
00:31:34,300 --> 00:31:36,967
BECAUSE HE'S NOT AS SUCCESSFUL
AS HIS BIGGER BROTHER.

530
00:31:36,967 --> 00:31:40,400
SHE WANTS A BIG APARTMENT
IN THE CITY.

531
00:31:40,400 --> 00:31:42,266
SHE DOES NOT LIKE
THIS HOUSE,

532
00:31:42,266 --> 00:31:44,300
BUT THERE IS
NO HARM TO HER.

533
00:31:44,300 --> 00:31:46,133
TELL ME SOMETHING:

534
00:31:46,133 --> 00:31:48,367
DO THEY GET ON,
THE TWO WIVES?

535
00:31:48,367 --> 00:31:50,800
NOT AT ALL.
IT IS VERY HARD.

536
00:31:50,800 --> 00:31:54,433
THEY ARE ALWAYS FIGHTING
ABOUT WHO IS THE FAVORITE
OF THE OLD MAN.

537
00:31:54,433 --> 00:31:56,300
AND THEN WHEN
THEY ARE NOT LOOKING,

538
00:31:56,300 --> 00:31:57,867
HE CHASES AFTER ME.

539
00:31:57,867 --> 00:32:00,433
HE'S A NAUGHTY OLD
GOAT, THAT MAN.

540
00:32:05,867 --> 00:32:07,834
- ( children screaming )
- THERE YOU GO, THERE YOU GO.

541
00:32:07,834 --> 00:32:10,900
DON'T SPOIL THEM--
THEY'RE MY NAUGHTIEST
CHILDREN.

542
00:32:10,900 --> 00:32:13,133
HURRY!
HA HA HA!

543
00:32:14,667 --> 00:32:16,734
- DUMELA.
- DUMELA, RRE.

544
00:32:16,734 --> 00:32:20,266
- I THINK I HAVE THE PART
YOU ARE LOOKING FOR.
- OH, GOOD GOOD GOOD.

545
00:32:20,266 --> 00:32:22,166
HOW IS MMA RAMOTSWE?

546
00:32:22,166 --> 00:32:24,567
SHE'S AWAY ON
AN INVESTIGATION.

547
00:32:24,567 --> 00:32:26,567
AH, ALWAYS BUSY.

548
00:32:26,567 --> 00:32:27,934
YEAH.

549
00:32:27,934 --> 00:32:30,200
YOU'RE VERY FOND
OF HER, AREN'T YOU?

550
00:32:30,200 --> 00:32:33,033
WELL, I'VE ALWAYS
BELIEVED THAT

551
00:32:33,033 --> 00:32:35,433
SHE AND I ARE
IDEALLY SUITED.

552
00:32:35,433 --> 00:32:37,533
THEN YOU MUST SPEAK TO HER
ABOUT YOUR FEELINGS.

553
00:32:37,533 --> 00:32:39,600
I'VE TRIED TO.
SHE WON'T ALLOW ME TO.

554
00:32:39,600 --> 00:32:40,934
I DON'T KNOW WHY.

555
00:32:40,934 --> 00:32:43,033
I CAN OFFER HER
GREAT STABILITY.

556
00:32:43,033 --> 00:32:45,400
MAYBE SHE'S LOOKING
FOR SOMETHING DIFFERENT

557
00:32:45,400 --> 00:32:46,934
IN A COMPANION.

558
00:32:46,934 --> 00:32:49,300
I'M AFRAID THAT'S
ALL TOO TRUE.

559
00:32:49,300 --> 00:32:51,700
LAST NIGHT I CAME
VERY CLOSE

560
00:32:51,700 --> 00:32:55,433
TO PUTTING ALL
THOUGHTS OF HER ASIDE,
BUT THEN...

561
00:32:55,433 --> 00:32:57,867
FORGIVE ME, MMA.
IT'S...

562
00:32:57,867 --> 00:33:00,300
YOU'RE THE ONLY PERSON
I CAN TALK TO.

563
00:33:00,300 --> 00:33:02,000
I HAD THIS DREAM.

564
00:33:02,000 --> 00:33:04,533
EE?

565
00:33:04,533 --> 00:33:07,934
MMA RAMOTSWE WAS IN
THE KALAHARI DESERT.

566
00:33:07,934 --> 00:33:10,767
SHE WAS BEING
ATTACKED BY A LION.

567
00:33:12,066 --> 00:33:15,667
I RESCUED HER BY
KILLING HIM WITH A KNIFE.

568
00:33:15,667 --> 00:33:18,033
IS THAT ALL?

569
00:33:19,066 --> 00:33:21,734
NO, UM...

570
00:33:21,734 --> 00:33:23,867
IN THE DREAM,

571
00:33:23,867 --> 00:33:27,433
MMA RAMOTSWE
WAS COMPLETELY NAKED.

572
00:33:28,333 --> 00:33:30,333
COMPLETELY NAKED?

573
00:33:30,333 --> 00:33:33,467
( laughs )

574
00:33:33,467 --> 00:33:37,066
I THINK THIS DREAM IS
A VERY GOOD SIGN INDEED.

575
00:33:37,066 --> 00:33:39,233
COMPLETELY NAKED!

576
00:33:45,633 --> 00:33:48,867
( speaks Setswana )

577
00:33:48,867 --> 00:33:50,166
WELCOME.

578
00:33:50,166 --> 00:33:53,000
I'M THE OLD MAN'S
YOUNGER WIFE.

579
00:33:53,000 --> 00:33:55,467
IT WAS SO NICE OF YOU
TO TALK TO THE OLD LADY.

580
00:33:55,467 --> 00:33:57,734
I HOPE YOU'RE
NOT TOO BORED.

581
00:33:57,734 --> 00:34:01,033
THAT POOR OLD WOMAN
RAMBLES ON AND ON
AND ON THESE DAYS.

582
00:34:01,033 --> 00:34:02,433
IT'S VERY SAD.

583
00:34:02,433 --> 00:34:04,166
ANYWAY, I'LL SEE YOU
AT DINNER.

584
00:34:04,166 --> 00:34:05,533
OKAY.

585
00:34:05,533 --> 00:34:09,266
DON'T EAT ANYTHING
THAT IS PREPARED BY
MY DAUGHTER-IN-LAW.

586
00:34:31,400 --> 00:34:33,667
I HOPE I'M NOT
DISTURBING YOU.

587
00:34:36,600 --> 00:34:38,700
WHAT A FINE KITCHEN.

588
00:34:42,934 --> 00:34:45,500
THAT SMELLS DELICIOUS.

589
00:34:49,000 --> 00:34:51,433
ARE YOU HAPPY
IN YOUR WORK?

590
00:34:51,433 --> 00:34:53,700
I USED TO BE,

591
00:34:53,700 --> 00:34:56,700
AS A CHEF IN THE IMPERIAL HOTEL
IN GABORONE.

592
00:34:56,700 --> 00:34:59,934
THERE I WAS TREATED
WITH RESPECT.

593
00:34:59,934 --> 00:35:01,567
WHY DID YOU LEAVE?

594
00:35:01,567 --> 00:35:04,166
RRE MAKGOTHI LIKED
THE HOTEL FOOD SO MUCH

595
00:35:04,166 --> 00:35:06,333
THAT HE ASKED FOR
ONE OF THE CHEFS

596
00:35:06,333 --> 00:35:08,834
TO BE SENT TO
HIS FAMILY HOME.

597
00:35:09,800 --> 00:35:12,133
THE MANAGEMENT PICKED ON ME

598
00:35:12,133 --> 00:35:15,500
AND NOW I MUST WORK IN
THIS MADHOUSE WHERE PEOPLE
HATE EACH OTHER

599
00:35:15,500 --> 00:35:18,166
AND ALL THEY WANT TO EAT
IS CHICKEN AND RICE.

600
00:35:18,166 --> 00:35:21,333
LIFE IS NOT EASY FOR
A TRUE ARTIST.

601
00:35:28,900 --> 00:35:30,633
I LOVE CUMIN.

602
00:35:30,633 --> 00:35:32,867
PUT THAT BACK!

603
00:35:32,867 --> 00:35:35,266
NOBODY TOUCHES ANYTHING
IN THIS KITCHEN!

604
00:35:35,266 --> 00:35:36,834
I'M SORRY.

605
00:35:36,834 --> 00:35:40,467
I WON'T DISTURB YOUR
GOOD WORK ANY LONGER.

606
00:35:40,467 --> 00:35:44,767
AND I-- I LOOK FORWARD
TO SUPPER THIS EVENING.

607
00:35:53,433 --> 00:35:56,800
AH, I'M SORRY.
I WAS LOOKING FOR A TELEPHONE.

608
00:35:56,800 --> 00:35:59,400
YOU MUST BE
THE DETECTIVE.

609
00:35:59,400 --> 00:36:00,400
DUMELA.

610
00:36:00,400 --> 00:36:01,934
DUMELA.

611
00:36:01,934 --> 00:36:03,667
I'M JOBE.

612
00:36:03,667 --> 00:36:06,000
I AM IN DISGUISE,
SUPPOSEDLY.

613
00:36:06,000 --> 00:36:07,800
IT WAS MY WIFE
WHO ASKED FOR YOU.

614
00:36:07,800 --> 00:36:11,400
IT WILL BE A GREAT RELIEF
TO HAVE HER NAME CLEARED.

615
00:36:11,400 --> 00:36:13,900
THIS HAS BEEN VERY STRESSFUL
FOR BOTH OF US.

616
00:36:13,900 --> 00:36:15,433
I UNDERSTAND.

617
00:36:15,433 --> 00:36:17,934
I MEAN, DO YOU REALLY THINK
I WOULD BE WITH MY WIFE

618
00:36:17,934 --> 00:36:21,066
IF I THOUGHT SHE WAS
POISONING MY FAMILY?

619
00:36:21,066 --> 00:36:24,233
BUT THOSE OLD WOMEN,
THEY DON'T CARE WHO THEY
GOSSIP ABOUT.

620
00:36:24,233 --> 00:36:27,367
PLEASE, USE THE PHONE.

621
00:36:27,367 --> 00:36:29,500
- THANK YOU.
- YOU'RE WELCOME.

622
00:36:30,667 --> 00:36:32,867
( ringing )

623
00:36:32,867 --> 00:36:34,467
#1 LADIES' DETECTIVE--

624
00:36:34,467 --> 00:36:37,367
You'll be pleased to know
i'm still alive.

625
00:36:37,367 --> 00:36:40,200
GOOD. AND WHAT HAVE YOU
FOUND OUT?

626
00:36:40,200 --> 00:36:43,100
WELL, IT'S THE KIND OF FAMILY
WHERE ALMOST ANYONE

627
00:36:43,100 --> 00:36:45,100
COULD BE POISONING
ANYONE ELSE.

628
00:36:45,100 --> 00:36:46,734
BUT I'M BEGINNING
TO THINK

629
00:36:46,734 --> 00:36:48,433
THE DAUGHTER-IN-LAW
IS IN THE CLEAR.

630
00:36:48,433 --> 00:36:50,467
WHAT ABOUT THE OLD MAN?

631
00:36:50,467 --> 00:36:52,633
- I'LL MEET HIM AT DINNER.
- Dinner?

632
00:36:52,633 --> 00:36:55,800
YOU MUST PHONE ME AGAIN
RIGHT AFTER YOU'VE HAD
YOUR DINNER.

633
00:36:55,800 --> 00:36:57,800
I won't leave
the office until you've--

634
00:36:57,800 --> 00:37:00,900
- ( static )
- HELLO?

635
00:37:00,900 --> 00:37:02,967
HELLO?

636
00:37:03,900 --> 00:37:05,367
HELLO?

637
00:37:05,367 --> 00:37:07,200
MMA?

638
00:37:11,367 --> 00:37:13,333
HELLO?

639
00:37:20,000 --> 00:37:21,266
THANK YOU, MMA.

640
00:37:21,266 --> 00:37:23,133
KE ITUMETSE.

641
00:37:26,333 --> 00:37:30,200
SO, MMA,  DID YOU MANAGE
TO MAKE YOUR PHONE CALL?

642
00:37:30,200 --> 00:37:32,767
I TRIED, BUT
THE LINE WENT DEAD.

643
00:37:32,767 --> 00:37:34,233
( Mafela speaks Setswana )

644
00:37:34,233 --> 00:37:35,834
IT IS ALWAYS HAPPENING
OUT HERE.

645
00:37:35,834 --> 00:37:38,600
THE REPAIRMAN TAKES DAYS
AND DAYS TO COME.

646
00:37:38,600 --> 00:37:41,266
WE MIGHT AS WELL BE
LIVING ON THE MOON.

647
00:37:47,900 --> 00:37:50,400
( both speaking Setswana )

648
00:38:06,967 --> 00:38:09,266
( thunder rumbles )

649
00:38:11,333 --> 00:38:13,467
OOH!

650
00:38:19,433 --> 00:38:20,867
( gagging )

651
00:38:26,400 --> 00:38:28,934
- ( gagging )
- ARE YOU SICK TOO?

652
00:38:28,934 --> 00:38:31,967
EVERYONE IS SICK.
THE OLD LADIES ARE SICK.

653
00:38:31,967 --> 00:38:33,667
SICK SICK,
ALL THE TIME.

654
00:38:33,667 --> 00:38:36,433
OH...
( speaks Setswana ) OKAY.

655
00:38:41,767 --> 00:38:43,800
- Operator.
- OPERATOR,

656
00:38:43,800 --> 00:38:47,700
I KNOW IT'S LATE,
BUT I'VE BEEN TRYING TO
GET THROUGH ALL NIGHT.

657
00:38:47,700 --> 00:38:51,166
I'm sorry, but the line
is still out of order.

658
00:38:51,166 --> 00:38:53,700
Please try again
tomorrow.

659
00:38:53,700 --> 00:38:55,433
THANK YOU.

660
00:39:30,266 --> 00:39:31,734
OOH!

661
00:39:31,734 --> 00:39:34,533
( chuckling )

662
00:39:34,533 --> 00:39:36,066
I'M SORRY.

663
00:39:36,066 --> 00:39:38,500
I DIDN'T REALIZE THERE
WAS SOMEONE IN HERE.

664
00:39:38,500 --> 00:39:42,033
THEN YOU ARE NOT MUCH
OF A DETECTIVE.

665
00:39:42,033 --> 00:39:44,467
COME HERE.

666
00:39:46,734 --> 00:39:49,066
SIT DOWN, PLEASE.

667
00:39:54,967 --> 00:39:56,734
SO...

668
00:39:56,734 --> 00:39:58,967
TELL ME,

669
00:39:58,967 --> 00:40:01,633
WHY DID YOU NOT
EAT YOUR FOOD TONIGHT?

670
00:40:04,400 --> 00:40:07,033
YOU SMELLED SOMETHING
IN THE FOOD.

671
00:40:07,033 --> 00:40:09,934
YOU SMELLED SOMETHING THAT
WAS THERE ONCE BEFORE.

672
00:40:09,934 --> 00:40:12,166
AND WHAT WAS THAT?

673
00:40:12,166 --> 00:40:14,967
( rain continues falling )

674
00:40:30,633 --> 00:40:32,300
IT WAS THIS.

675
00:40:37,233 --> 00:40:40,367
I REMEMBER THIS HERB
FROM MY CHILDHOOD.

676
00:40:40,367 --> 00:40:45,100
IT DOES NOT KILL BUT IT
MAKES PEOPLE VERY SICK.

677
00:40:45,100 --> 00:40:49,033
PERHAPS YOU ARE A CLEVER
DETECTIVE AFTER ALL.

678
00:40:51,033 --> 00:40:53,667
COCO?

679
00:40:53,667 --> 00:40:55,400
CO-- OOH!

680
00:40:55,400 --> 00:40:57,333
EH EH.

681
00:40:59,734 --> 00:41:01,734
COCO.

682
00:41:03,166 --> 00:41:06,033
- WHAT TIME IS IT?
- IT IS MORNING!

683
00:41:06,033 --> 00:41:08,000
WHAT ARE YOU DOING
SLEEPING ON THE JOB?

684
00:41:08,000 --> 00:41:12,500
MMM? THAT IS NOT
VERY PROFESSIONAL--
97%.

685
00:41:12,500 --> 00:41:15,000
MMA RAMOTSWE PROMISED
SHE WOULD PHONE

686
00:41:15,000 --> 00:41:17,967
AND SHE WOULD NEVER EVER
BREAK THAT PROMISE UNLESS

687
00:41:17,967 --> 00:41:20,533
SOMETHING TERRIBLE
HAD HAPPENED TO HER.

688
00:41:20,533 --> 00:41:22,300
YOU NEED A CUP OF TEA.

689
00:41:22,300 --> 00:41:25,367
I'D NEVER FORGIVE MYSELF IF
SOMETHING HAPPENED TO HER.

690
00:41:25,367 --> 00:41:27,166
IT'S JUST THAT--

691
00:41:27,166 --> 00:41:30,567
THAT THERE ARE SO MANY THINGS
THAT YOU NEVER SAY TO SOMEONE

692
00:41:30,567 --> 00:41:32,266
WHEN YOU'RE WITH THEM
EVERY DAY--

693
00:41:32,266 --> 00:41:34,633
SO MANY THINGS THAT
YOU SHOULD SAY.

694
00:41:34,633 --> 00:41:35,967
MM-HMM.

695
00:41:35,967 --> 00:41:38,567
SUGAR BABES,
YOU ARE TIRED

696
00:41:38,567 --> 00:41:40,734
AND WORRIED
AND PARANOID.

697
00:41:40,734 --> 00:41:44,266
HMM? YOUR BRAIN HAS BEEN
UNDER THE DRYER FOR TOO LONG.

698
00:41:47,800 --> 00:41:49,333
RELAX.

699
00:41:49,333 --> 00:41:51,734
AFTER THAT CUP
OF TEA,

700
00:41:51,734 --> 00:41:54,700
YOU'LL FEEL BETTER.

701
00:41:54,700 --> 00:41:57,700
I AM HAVING A CRISIS,
YOU SILLY MAN!

702
00:41:57,700 --> 00:42:02,600
AND-- AND IT WILL NOT BE
SOLVED BY A CUP OF TEA.

703
00:42:06,166 --> 00:42:10,200
Mma Ramostwe:
"THE COUNTRY HOUSE
WITH ITS ECHOING CORRIDORS,

704
00:42:10,200 --> 00:42:11,967
POISONING PLOTS

705
00:42:11,967 --> 00:42:14,100
AND MULTIPLE SUSPECTS

706
00:42:14,100 --> 00:42:17,734
IS A MERE FIGMENT OF
POPULAR FICTION.

707
00:42:17,734 --> 00:42:21,433
THAT IS ALL THERE IS
TO SAY ABOUT IT."

708
00:42:21,433 --> 00:42:23,467
( knock on door )

709
00:42:23,467 --> 00:42:25,300
COME IN.

710
00:42:54,333 --> 00:42:55,834
( knocking )

711
00:42:55,834 --> 00:42:57,900
GOOD MORNING.

712
00:42:57,900 --> 00:42:59,533
THERE'S A BIG COMMOTION.

713
00:42:59,533 --> 00:43:03,834
THE BIG MAN HAS
ACCUSED THE COOK OF
POISONING THE FAMILY.

714
00:43:03,834 --> 00:43:05,567
I BROUGHT YOUR TEA.

715
00:43:07,633 --> 00:43:09,800
IF YOU FOUND THE POISON
IN THE KITCHEN,

716
00:43:09,800 --> 00:43:11,834
THEN THE POISONER
MUST BE THE COOK.

717
00:43:11,834 --> 00:43:14,467
NO, I DON'T THINK SO.

718
00:43:14,467 --> 00:43:17,033
- DO YOU KNOW THE COMBINATION?
- NO.

719
00:43:17,033 --> 00:43:19,200
WELL, DO YOU HAPPEN TO
KNOW HIS BIRTHDAY?

720
00:43:19,200 --> 00:43:20,900
HE WAS BORN ON
NEW YEAR'S DAY.

721
00:43:23,200 --> 00:43:24,800
HOW OLD IS HE NOW?

722
00:43:24,800 --> 00:43:26,266
HE'S 32.

723
00:43:28,667 --> 00:43:31,133
( beeping )

724
00:43:31,133 --> 00:43:33,834
OH! YOU ARE
A VERY SMART DETECTIVE.

725
00:43:35,166 --> 00:43:37,200
WHAT ARE YOU
LOOKING FOR?

726
00:43:37,200 --> 00:43:38,500
I DON'T KNOW.

727
00:43:42,734 --> 00:43:45,133
WAIT A MOMENT.

728
00:43:48,667 --> 00:43:51,900
IT'S NOT WHAT
I EXPECTED.

729
00:43:52,967 --> 00:43:54,700
BUT I THINK
I JUST FOUND...

730
00:43:54,700 --> 00:43:56,700
THE MOTIVE.

731
00:43:58,467 --> 00:43:59,867
BETTER?

732
00:43:59,867 --> 00:44:01,367
NO.

733
00:44:01,367 --> 00:44:03,734
- ( phone rings )
- YES?  YES?

734
00:44:03,734 --> 00:44:05,767
Mma Ramostwe:
It's me.

735
00:44:05,767 --> 00:44:08,600
OH!
SHE'S ALIVE.

736
00:44:08,600 --> 00:44:11,300
I-- I TRIED TO REACH YOU
ALL NIGHT,

737
00:44:11,300 --> 00:44:13,000
BUT I COULDN'T
GET THROUGH.

738
00:44:13,000 --> 00:44:14,700
The telephone line
had been cut--

739
00:44:14,700 --> 00:44:17,100
- TSAMAYA!
- --but now it's in
working order.

740
00:44:17,100 --> 00:44:20,800
AND I'M HAPPY TO SAY I'M
ALSO IN WORKING ORDER.

741
00:44:20,800 --> 00:44:22,467
I MAY HAVE
A TASK FOR YOU.

742
00:44:22,467 --> 00:44:24,400
I'M READY!

743
00:44:24,400 --> 00:44:27,700
I've got to stay
a few more hours.

744
00:44:27,700 --> 00:44:32,133
BUT-- BUT YOU ARE DUE AT
THE HOSPITAL AT-- AT 2:00.

745
00:44:32,133 --> 00:44:33,834
I know.

746
00:44:33,834 --> 00:44:35,934
A PATIENT WILL DIE
IF NO ONE IS THERE.

747
00:44:35,934 --> 00:44:37,967
IF I'M NOT BACK
IN TIME,

748
00:44:37,967 --> 00:44:41,133
I WANT YOU TO GO TO
THE HOSPITAL IN MY PLACE.

749
00:44:41,133 --> 00:44:42,700
I-- I CAN'T.

750
00:44:42,700 --> 00:44:46,233
DON'T WORRY, I'LL TELL YOU
EXACTLY WHAT TO DO.

751
00:44:46,233 --> 00:44:48,667
YOU MUST SIT IN THAT WARD.

752
00:44:50,100 --> 00:44:53,300
- ( writing )
- "SIT IN THAT WARD."

753
00:44:53,300 --> 00:44:55,500
DO NOT GO OUT
OF THAT WARD.

754
00:44:55,500 --> 00:44:59,667
"DO NOT GO OUT..."

755
00:44:59,667 --> 00:45:02,200
WHATEVER YOU SEE,
WHATEVER YOU HEAR,

756
00:45:02,200 --> 00:45:05,667
just stay.

757
00:45:05,667 --> 00:45:08,200
STAY.

758
00:45:08,200 --> 00:45:11,600
I HAD TO CANCEL SIX MEETINGS
TO BE HERE.

759
00:45:11,600 --> 00:45:14,433
FOR A FEE OF 1,000 PULA,
THIS BETTER BE GOOD.

760
00:45:14,433 --> 00:45:16,500
RRE MAKGOTHI,

761
00:45:16,500 --> 00:45:19,400
YOU SENT ME HERE TO FIND OUT
IF YOUR SISTER-IN-LAW

762
00:45:19,400 --> 00:45:21,734
TRIED TO POISON
YOUR FAMILY LAST MONTH.

763
00:45:21,734 --> 00:45:23,000
WELL, DID SHE?

764
00:45:23,000 --> 00:45:26,300
- NO, SHE DID NOT.
- ( all aruging )

765
00:45:26,300 --> 00:45:29,000
BUT THE PERSON WHO DID

766
00:45:29,000 --> 00:45:30,333
IS IN THIS ROOM.

767
00:45:30,333 --> 00:45:33,066
OH,
( speaks Setswana )

768
00:45:33,066 --> 00:45:35,266
IT WAS A MAN

769
00:45:35,266 --> 00:45:38,400
WHO FELT HIS WORK
WAS NOT APPRECIATED;

770
00:45:39,667 --> 00:45:41,700
AN ARTIST

771
00:45:41,700 --> 00:45:45,333
WHOSE ART WENT
UNACKNOWLEDGED.

772
00:45:46,667 --> 00:45:49,400
IT'S-- IT'S TRUE.

773
00:45:49,400 --> 00:45:53,033
I-- I THOUGHT
RRE MAKGOTHI WOULD FIRE ME

774
00:45:53,033 --> 00:45:56,066
IF MY FOOD WAS BAD.

775
00:45:56,066 --> 00:46:00,033
I WANTED TO GET MY OLD JOB
BACK AT THE IMPERIAL HOTEL.

776
00:46:00,033 --> 00:46:04,100
THAT IS WHY I PUT
SOME HERBS IN THE FOOD

777
00:46:04,100 --> 00:46:07,533
LAST MONTH.
I'M VERY SORRY ABOUT THAT.

778
00:46:07,533 --> 00:46:11,367
BUT I'M NOT RESPONSIBLE FOR
WHAT HAPPENED LAST NIGHT.

779
00:46:12,333 --> 00:46:14,100
NO, YOU AREN'T.

780
00:46:16,233 --> 00:46:19,066
LET ME TELL YOU
A STORY.

781
00:46:19,066 --> 00:46:21,567
THERE WAS
A FIRST-BORN SON,

782
00:46:21,567 --> 00:46:24,367
A CLEVER YOUNG MAN,
WHO STARTED A BUSINESS

783
00:46:24,367 --> 00:46:27,433
AND THEN ANOTHER
AND ANOTHER

784
00:46:27,433 --> 00:46:30,100
UNTIL HE BECAME RICH

785
00:46:30,100 --> 00:46:32,200
LIKE HIS DADDY.

786
00:46:32,200 --> 00:46:34,467
HE HAD A YOUNG
HALF-BROTHER,

787
00:46:34,467 --> 00:46:37,633
NOT AS CLEVER
AS HIMSELF,

788
00:46:37,633 --> 00:46:39,667
BUT NOT AS BULLYING EITHER...

789
00:46:39,667 --> 00:46:43,667
- I DON'T HAVE TO
LISTEN TO THIS.
- SIT DOWN!

790
00:46:46,433 --> 00:46:48,333
THE HALF-BROTHER

791
00:46:48,333 --> 00:46:50,133
MARRIED A YOUNG WOMAN

792
00:46:50,133 --> 00:46:52,133
WHO TREATED HIM
SCORNFULLY

793
00:46:52,133 --> 00:46:54,667
BECAUSE HE HAD NO TALENT
FOR MAKING MONEY.

794
00:46:54,667 --> 00:46:58,000
HE WAS SO DESPERATE
TO PROVE HIMSELF

795
00:46:58,000 --> 00:47:00,867
THAT HE GOT INVOLVED

796
00:47:00,867 --> 00:47:05,100
IN SMUGGLING ILLEGAL IVORY
OUT OF THE COUNTRY.

797
00:47:05,100 --> 00:47:06,433
ARE YOU ACCUSING ME OF
BEING A CRIMINAL?

798
00:47:06,433 --> 00:47:09,700
WHAT'S GOING ON HERE?
( speaks Setswana )

799
00:47:09,700 --> 00:47:11,200
WHAT IS THIS?
I KNEW YOU'D--

800
00:47:11,200 --> 00:47:13,667
I'M NOT FINISHED.

801
00:47:13,667 --> 00:47:15,200
( grunts )

802
00:47:15,200 --> 00:47:18,300
ONE NIGHT
A LADY DETECTIVE--

803
00:47:18,300 --> 00:47:20,266
THAT IS ME--

804
00:47:20,266 --> 00:47:24,066
STUMBLED ACROSS SOME
EVIDENCE OF HIS CRIME--

805
00:47:24,066 --> 00:47:27,333
TWO ELEPHANT TUSKS.

806
00:47:27,333 --> 00:47:31,667
SHE INADVERTENTLY LEFT
A TRACE OF HERSELF BEHIND.

807
00:47:31,667 --> 00:47:33,266
( alarm sounding )

808
00:47:35,834 --> 00:47:39,400
THE HALF-BROTHER
AND HIS WIFE PANICKED.

809
00:47:39,400 --> 00:47:43,200
THEY FEARED THAT THEIR
CRIME WOULD BE DISCOVERED,

810
00:47:43,200 --> 00:47:44,934
SO THEY DECIDED

811
00:47:44,934 --> 00:47:47,233
TO SILENCE
THE LADY DETECTIVE

812
00:47:47,233 --> 00:47:48,667
FOR GOOD.

813
00:47:51,400 --> 00:47:56,166
SO SHE PERSUADED YOU

814
00:47:56,166 --> 00:47:58,400
TO BRING ME HERE

815
00:47:58,400 --> 00:48:01,266
TO INVESTIGATE THE GOSSIP
THAT THE COOK

816
00:48:01,266 --> 00:48:03,033
HAD SO FOOLISHLY CAUSED

817
00:48:03,033 --> 00:48:07,000
AND TO REPEAT
THE SAME TRICK THE COOK DID.

818
00:48:07,000 --> 00:48:09,500
BUT THIS TIME,

819
00:48:09,500 --> 00:48:11,800
WITH A MORE SERIOUS
INTENTION.

820
00:48:13,233 --> 00:48:16,867
THIS MORNING, SHE LEFT ME
A SECOND DOSE OF POISON

821
00:48:16,867 --> 00:48:19,100
IN A CUP OF BUSH TEA.

822
00:48:19,100 --> 00:48:21,066
IF I HAD DRUNK IT,

823
00:48:21,066 --> 00:48:23,700
IT WOULD HAVE SEEMED AS THOUGH
I'D DIED FROM THE SAME POISON

824
00:48:23,700 --> 00:48:25,734
FED TO ALL OF YOU.

825
00:48:25,734 --> 00:48:29,967
THERE WOULD HAVE BEEN
A HOUSEFUL OF WITNESSES
TO CONFIRM IT.

826
00:48:29,967 --> 00:48:33,033
AND THIS UNFORTUNATE MAN

827
00:48:33,033 --> 00:48:35,333
WOULD HAVE
TAKEN THE BLAME.

828
00:48:36,433 --> 00:48:37,867
( fizzing )

829
00:48:39,200 --> 00:48:41,567
( sniffing )

830
00:48:41,567 --> 00:48:43,700
WHO SAYS THAT THIS
HAS BEEN POISONED?

831
00:48:43,700 --> 00:48:47,734
HAS IT BEEN ANALYZED?
HAVE YOU TRIED IT ON
ONE OF THE DOGS?

832
00:48:47,734 --> 00:48:49,934
ALL RIGHT--

833
00:48:49,934 --> 00:48:52,567
I'LL TRY IT MYSELF.

834
00:48:52,567 --> 00:48:54,467
Both:
NO, WAIT!

835
00:49:11,200 --> 00:49:14,500
- WHERE IS MMA RAMOTSWE?
- SHE WILL BE HERE BY 3:00.

836
00:49:14,500 --> 00:49:17,166
YOU WAIT HERE,
DR. SIBENKE.

837
00:49:17,166 --> 00:49:19,867
MMA RAMOTSWE IS VERY SORRY
SHE COULD NOT BE HERE,

838
00:49:19,867 --> 00:49:22,433
BUT SHE IS ON
A MOST DIFFICULT CASE.

839
00:49:22,433 --> 00:49:24,767
HOW DID YOU THINK YOU
COULD GET AWAY WITH IT?

840
00:49:24,767 --> 00:49:27,266
HUH?

841
00:49:27,266 --> 00:49:30,333
THEY WERE NEVER GOING
TO GET AWAY WITH IT.

842
00:49:30,333 --> 00:49:32,667
THEY'RE NOT
EXPERT CRIMINALS.

843
00:49:32,667 --> 00:49:35,700
IN THEIR NATURE,
THEY'RE NOT CRIMINALS AT ALL.

844
00:49:36,734 --> 00:49:38,500
THEY'VE JUST BEEN
INFECTED

845
00:49:38,500 --> 00:49:40,800
BY THE POISON IN
THIS WHOLE FAMILY.

846
00:49:40,800 --> 00:49:44,600
YOU, OLD MAN--

847
00:49:44,600 --> 00:49:46,800
YOU ARE TO BLAME

848
00:49:46,800 --> 00:49:50,834
FOR CARING ABOUT
NOBODY BUT YOURSELF

849
00:49:50,834 --> 00:49:52,934
YOU TWO LADIES--

850
00:49:52,934 --> 00:49:54,867
YOU ARE TO BLAME

851
00:49:54,867 --> 00:49:57,667
FOR STIRRING UP
SLANDER.

852
00:49:57,667 --> 00:49:59,467
AND YOU, RRE MAKGOTHI,

853
00:49:59,467 --> 00:50:01,834
YOU ARE VERY MUCH
TO BLAME.

854
00:50:01,834 --> 00:50:04,000
YOU DESPISED YOUR BROTHER

855
00:50:04,000 --> 00:50:05,567
AND CALLED HIM A FOOL.

856
00:50:05,567 --> 00:50:09,367
SHE MOCKED AND TAUNTED HIM
BECAUSE SHE WAS FOLLOWING

857
00:50:09,367 --> 00:50:10,800
YOUR EXAMPLE.

858
00:50:12,133 --> 00:50:14,533
I MUST LEAVE IT TO
YOU AND YOUR FAMILY

859
00:50:14,533 --> 00:50:18,333
TO LEARN SOME LOVE AND
RESPECT FOR ONE ANOTHER.

860
00:50:19,834 --> 00:50:22,900
RRE MAKGOTHI,

861
00:50:22,900 --> 00:50:26,600
1,000 PULA COULD NEVER
BEGIN TO COVER

862
00:50:26,600 --> 00:50:29,834
THE RISK I RAN
IN SOLVING THIS CASE.

863
00:50:30,767 --> 00:50:33,667
THIS IS MY FEE.

864
00:50:39,100 --> 00:50:42,633
- NO.
- ( all shouting in Setswana )

865
00:50:44,767 --> 00:50:47,066
( machine beeping )

866
00:51:08,600 --> 00:51:10,867
DR. GULUBANE!

867
00:51:58,600 --> 00:52:00,400
( beeping continues )

868
00:52:03,500 --> 00:52:04,900
( beeping stops )

869
00:52:14,066 --> 00:52:17,066
( beeping resumes )

870
00:52:19,133 --> 00:52:22,066
Mma Makutsi:
WHAT I CONCLUDE AS
A RESULT OF MY OBSERVATION

871
00:52:22,066 --> 00:52:25,333
IS THAT THE CLEANER HAS
BEEN UNPLUGGING ONE OF
THE VENTILATORS

872
00:52:25,333 --> 00:52:27,700
EVERY FRIDAY AFTERNOON
AT 2:00.

873
00:52:27,700 --> 00:52:29,900
AS A RESULT, THREE
PATIENTS HAVE DIED.

874
00:52:29,900 --> 00:52:32,100
THANK GOD YOU SAVED
THE LIFE OF THAT ONE.

875
00:52:32,100 --> 00:52:34,834
I WAS ONLY FOLLOWING
MY INSTRUCTIONS.

876
00:52:34,834 --> 00:52:36,333
WHAT WILL YOU DO NOW?

877
00:52:36,333 --> 00:52:38,633
WELL, THE CLEANER WILL
LOSE HER JOB FOR SURE.

878
00:52:38,633 --> 00:52:41,300
IT'S SAD--
HER HUSBAND HAS DIED;

879
00:52:41,300 --> 00:52:44,600
SHE HAS THREE SMALL
CHILDREN TO SUPPORT.

880
00:52:44,600 --> 00:52:47,667
WHAT IS THE JUSTICE
IN FIRING HER?

881
00:52:47,667 --> 00:52:50,333
IN MY OPINION,
THAT POOR WOMAN

882
00:52:50,333 --> 00:52:52,300
SHOULD NOT EVEN KNOW
WHAT SHE DID.

883
00:52:52,300 --> 00:52:55,900
BUT I MUST WRITE A REPORT
AND THAT REPORT MUST
TELL THE TRUTH.

884
00:52:55,900 --> 00:52:59,700
WILL IT INCLUDE
THE POOR TRAINING OF
YOUR LOW-PAID STAFF?

885
00:52:59,700 --> 00:53:01,200
NO.

886
00:53:01,200 --> 00:53:03,767
MAY I REMIND YOU THAT THIS
IS A VERY SERIOUS MATTER?

887
00:53:03,767 --> 00:53:05,867
THREE PATIENTS HAVE DIED.

888
00:53:08,467 --> 00:53:10,934
( siren wailing )

889
00:53:12,200 --> 00:53:14,500
BUT IT WON'T
CONSOLE THE FAMILIES

890
00:53:14,500 --> 00:53:17,100
TO KNOW THEY DIED
FROM A STUPID MISTAKE.

891
00:53:17,100 --> 00:53:19,800
BESIDES--

892
00:53:19,800 --> 00:53:22,000
I DON'T MEAN TO
SOUND HEARTLESS--

893
00:53:22,000 --> 00:53:24,467
BUT I'VE SEEN
THE PATIENTS.

894
00:53:24,467 --> 00:53:26,567
THEY WERE VERY OLD
AND ILL.

895
00:53:26,567 --> 00:53:28,567
IF THE OTHERS WERE
THE SAME,

896
00:53:28,567 --> 00:53:30,400
WOULD THEY NOT HAVE
DIED ANYWAY?

897
00:53:30,400 --> 00:53:33,433
THAT'S THE MOST OUTRAGEOUS
ARGUMENT I'VE EVER HEARD.

898
00:53:39,433 --> 00:53:44,300
LOOK, SPEAKING PERSONALLY,
AND OFF THE RECORD, OF COURSE,

899
00:53:44,300 --> 00:53:46,533
YOU MAY BE RIGHT.

900
00:53:50,667 --> 00:53:53,633
( upbeat music playing )

901
00:53:57,133 --> 00:54:00,066
( chattering )

902
00:54:03,200 --> 00:54:05,133
Woman:
I LIKE THIS ONE.

903
00:54:07,734 --> 00:54:10,233
OH, NO, I THINK THIS
IS BETTER FOR ME.

904
00:54:10,233 --> 00:54:12,600
BUT HERE IS
SOMETHING FOR YOU--

905
00:54:12,600 --> 00:54:14,066
FOR SMALL GIRLS.

906
00:54:15,333 --> 00:54:18,266
MMA, PLEASE COME SEE
MY FATHER.

907
00:54:18,266 --> 00:54:19,867
I'LL BE BACK.

908
00:54:22,967 --> 00:54:25,100
LOOK AT HIM.

909
00:54:25,100 --> 00:54:26,967
HE'S NOT AFRAID ANYMORE.

910
00:54:26,967 --> 00:54:30,967
WHAT HAS HAPPENED?
WHAT DID YOU DO?

911
00:54:30,967 --> 00:54:32,533
IT'S A VERY LONG STORY.

912
00:54:32,533 --> 00:54:35,834
Man over loudspeaker:
LADIES AND GENTLEMEN,
BOYS AND GIRLS,

913
00:54:35,834 --> 00:54:38,133
I WISH TO OFFER

914
00:54:38,133 --> 00:54:39,734
HEARTFELT THANKS

915
00:54:39,734 --> 00:54:43,033
TO THOSE OF OUR
BUSINESS COMMUNITY

916
00:54:43,033 --> 00:54:46,000
WHO HAVE DONATED MONEY

917
00:54:46,000 --> 00:54:47,900
AND GOODS:

918
00:54:47,900 --> 00:54:50,767
RRE CYRIL MABUSA

919
00:54:50,767 --> 00:54:53,233
OF MABUSA & SONS...

920
00:54:57,100 --> 00:54:59,133
WHAT A TIE.

921
00:54:59,133 --> 00:55:01,066
OH, YOU NOTICED IT.

922
00:55:01,066 --> 00:55:02,200
MMM.

923
00:55:02,200 --> 00:55:05,500
YOU DON'T THINK
IT'S TOO BRIGHT?

924
00:55:05,500 --> 00:55:08,533
I THINK IT'LL TAKE
SOME GETTING USED TO,

925
00:55:08,533 --> 00:55:10,433
BUT I LIKE IT.

926
00:55:10,433 --> 00:55:12,533
SHH!
THE BISHOP IS TALKING.

927
00:55:12,533 --> 00:55:16,467
...WHENEVER MY VINTAGE
BISHOP-MOBILE

928
00:55:16,467 --> 00:55:18,133
BREAKS DOWN,

929
00:55:18,133 --> 00:55:22,000
RRE JLB MATEKONI

930
00:55:22,000 --> 00:55:24,834
OF SPEEDY MOTORS!

931
00:55:24,834 --> 00:55:26,700
AND LASTLY,

932
00:55:26,700 --> 00:55:30,133
ONE GIFT THAT
CANNOT PASS

933
00:55:30,133 --> 00:55:32,967
WITHOUT A SPECIAL
ACKNOWLEDGEMENT,

934
00:55:32,967 --> 00:55:35,567
MMA POTOKWANE.

935
00:55:37,300 --> 00:55:38,800
THANK YOU, YOUR REVERENCE.

936
00:55:38,800 --> 00:55:41,033
FOR A GIFT OF MONEY

937
00:55:41,033 --> 00:55:43,767
THAT WILL HELP BUILD
A NEW WING

938
00:55:43,767 --> 00:55:47,433
FOR THE ORPHANAGE AND BUY
NEW BEDS FOR THE KIDS,

939
00:55:47,433 --> 00:55:49,967
BLANKETS AND PILLOWS TOO,

940
00:55:49,967 --> 00:55:53,633
I WISH TO THANK
RRE JOSIAH MAKGOTHI--

941
00:55:53,633 --> 00:55:55,033
RRE?

942
00:55:55,033 --> 00:55:56,667
( applause )

943
00:55:56,667 --> 00:55:59,333
--WHO HAS DONATED

944
00:55:59,333 --> 00:56:02,667
A CHECK FOR
THE MAGNIFICENT SUM

945
00:56:02,667 --> 00:56:06,166
OF 100,000 PULA!

946
00:56:06,166 --> 00:56:08,400
( cheering, whistling )

947
00:56:20,967 --> 00:56:23,233
I CANNOT
FIND WELLINGTON.

948
00:56:23,233 --> 00:56:25,600
HE'S OVER THERE
UNDER THE TREE.

949
00:56:28,367 --> 00:56:31,467
YOU KNOW, WHEN I SEE
THOSE CHILDREN TOGETHER,

950
00:56:31,467 --> 00:56:35,467
I CAN HARDLY BELIEVE
THERE'S ANYTHING WRONG
IN THE WORLD.

951
00:56:38,066 --> 00:56:41,834
( all shouting, playing )

952
00:56:45,867 --> 00:56:48,967
( theme music playing )