1
00:00:55,681 --> 00:00:57,474
[CHILDREN LAUGHING]

2
00:01:12,072 --> 00:01:13,198
[PHILLIPA SCREAMS]

3
00:01:25,168 --> 00:01:26,503
[SPEAKING IN JAPANESE]

4
00:01:33,468 --> 00:01:36,471
ATTENDANT [IN JAPANESE]:

5
00:02:09,796 --> 00:02:12,549
Are you here to kill me?

6
00:02:20,223 --> 00:02:22,726
I know what this is.

7
00:02:23,769 --> 00:02:28,940
I've seen one before.
Many, many years ago.

8
00:02:30,567 --> 00:02:34,446
It belonged to a man I met
in a half-remembered dream.

9
00:02:37,449 --> 00:02:42,579
A man possessed
of some radical notions.

10
00:02:46,416 --> 00:02:49,294
COBB:
What is the most resilient parasite?

11
00:02:49,586 --> 00:02:52,923
A bacteria? A virus?

12
00:02:53,507 --> 00:02:54,758
An intestinal worm?

13
00:02:55,092 --> 00:02:56,343
ARTHUR:
Uh...

14
00:02:56,510 --> 00:02:58,136
What Mr. Cobb is trying to say--

15
00:02:58,303 --> 00:02:59,513
An idea.

16
00:03:00,806 --> 00:03:03,308
Resilient. Highly contagious.

17
00:03:03,475 --> 00:03:06,478
Once an idea has taken hold of the brain,
it's almost impossible to eradicate.

18
00:03:08,563 --> 00:03:12,192
An idea that is fully formed,
fully understood, that sticks.

19
00:03:12,359 --> 00:03:13,610
Right in there somewhere.

20
00:03:13,777 --> 00:03:15,320
For someone like you to steal?

21
00:03:15,487 --> 00:03:18,448
Yes. In the dream state,
your conscious defenses are lowered...

22
00:03:18,615 --> 00:03:21,034
...and that makes your thoughts
vulnerable to theft.

23
00:03:21,201 --> 00:03:22,452
It's called extraction.

24
00:03:22,619 --> 00:03:26,164
Mr. Saito, we can train
your subconscious to defend itself...

25
00:03:26,331 --> 00:03:28,834
...from even the most skilled extractor.

26
00:03:29,000 --> 00:03:30,168
How can you do that?

27
00:03:30,335 --> 00:03:33,171
Because I am the most skilled extractor.

28
00:03:33,630 --> 00:03:37,050
I know how to search your mind
and find your secrets. I know the tricks.

29
00:03:37,217 --> 00:03:40,137
And I can teach them to you,
so that even when you're asleep...

30
00:03:40,303 --> 00:03:42,639
...your defense is never down.

31
00:03:43,557 --> 00:03:47,477
Look, if you want my help, you're gonna
have to be completely open with me.

32
00:03:47,644 --> 00:03:50,981
I need to know my way around
your thoughts better than your wife...

33
00:03:51,148 --> 00:03:53,483
...better than your therapist,
better than anyone.

34
00:03:53,900 --> 00:03:56,570
If this is a dream,
and you have a safe full of secrets...

35
00:03:56,737 --> 00:03:59,072
...I need to know what's in that safe.

36
00:03:59,239 --> 00:04:02,701
In order for this all to work,
you need to completely let me in.

37
00:04:05,579 --> 00:04:10,208
Enjoy your evening, gentlemen,
as I consider your proposal.

38
00:04:12,669 --> 00:04:13,712
He knows.

39
00:04:13,879 --> 00:04:15,505
[RUMBLING]

40
00:04:16,757 --> 00:04:18,216
What's going on up there?

41
00:04:26,141 --> 00:04:27,434
[MEN SHOUTING]

42
00:04:27,809 --> 00:04:29,394
[MACHINE HISSING]

43
00:04:39,780 --> 00:04:41,281
[EXPLOSION]

44
00:05:05,639 --> 00:05:06,890
[RUMBLING]

45
00:05:12,479 --> 00:05:15,065
Saito knows. He's playing with us.

46
00:05:15,482 --> 00:05:17,818
Doesn't matter. I can get it here.
Trust me.

47
00:05:17,984 --> 00:05:19,486
The information is in the safe.

48
00:05:19,653 --> 00:05:21,822
He looked right at it
when I mentioned secrets.

49
00:05:23,198 --> 00:05:24,241
What's she doing here?

50
00:05:27,160 --> 00:05:30,038
Just head back to the room.
All right? I'll take care of this.

51
00:05:30,205 --> 00:05:32,249
Okay, make sure you do.
We're here to work.

52
00:05:40,674 --> 00:05:45,345
If I jumped, would I survive?

53
00:05:47,722 --> 00:05:50,100
With a clean dive, perhaps.

54
00:05:50,267 --> 00:05:51,935
Mal, what are you doing here?

55
00:05:52,102 --> 00:05:54,312
I thought you might be missing me.

56
00:05:54,604 --> 00:05:55,772
COBB:
You know that I am.

57
00:05:57,315 --> 00:05:59,776
But I can't trust you anymore.

58
00:06:00,527 --> 00:06:01,903
So what?

59
00:06:03,446 --> 00:06:05,657
MAL:
Looks like Arthur's taste.

60
00:06:05,824 --> 00:06:09,452
Actually, the subject is partial
to postwar British painters.

61
00:06:11,162 --> 00:06:12,873
Please, have a seat.

62
00:06:20,630 --> 00:06:22,048
MAL:
Tell me...

63
00:06:22,465 --> 00:06:24,009
...do the children miss me?

64
00:06:28,346 --> 00:06:30,056
You can't imagine.

65
00:06:34,227 --> 00:06:35,312
What are you doing?

66
00:06:35,478 --> 00:06:37,022
Just getting some fresh air.

67
00:06:37,439 --> 00:06:39,190
Stay where you are, Mal.

68
00:06:48,325 --> 00:06:49,743
[GRUNTS]

69
00:06:52,913 --> 00:06:54,748
Goddamn it.

70
00:07:04,007 --> 00:07:05,216
[SOFT SCREECHING]

71
00:07:13,516 --> 00:07:14,517
[SILENCED GUNSHOT]

72
00:07:14,684 --> 00:07:15,936
[GUARD GRUNTS]

73
00:07:24,694 --> 00:07:26,321
[SILENCED GUNSHOT
THEN GUARD GRUNTS]

74
00:07:56,601 --> 00:07:58,186
SAITO:
Turn around.

75
00:07:58,353 --> 00:07:59,396
The gun, Dom.

76
00:08:08,655 --> 00:08:09,781
Please.

77
00:08:21,918 --> 00:08:24,254
Now the envelope, Mr. Cobb.

78
00:08:24,671 --> 00:08:28,091
Did she tell you?
Or have you known all along?

79
00:08:28,508 --> 00:08:33,471
That you're here to steal from me,
or that we are actually asleep?

80
00:08:37,600 --> 00:08:39,978
I want to know the name
of your employer.

81
00:08:41,980 --> 00:08:45,859
Ah, there's no use threatening him
in a dream, right, Mal?

82
00:08:46,026 --> 00:08:48,486
That depends
on what you're threatening.

83
00:08:49,404 --> 00:08:51,573
Killing him would just wake him up.

84
00:08:52,323 --> 00:08:53,491
But pain...

85
00:08:55,160 --> 00:08:56,619
[SCREAMS]

86
00:08:57,454 --> 00:08:59,330
Pain is in the mind.

87
00:09:00,040 --> 00:09:04,252
And judging by the decor,
we're in your mind, aren't we, Arthur?

88
00:09:07,714 --> 00:09:08,798
[GRUNTS]

89
00:09:15,638 --> 00:09:18,767
-What are you doing? It's too soon.
-But the dream’s collapsing.

90
00:09:18,933 --> 00:09:22,353
I'm gonna try to keep Saito under
a little bit longer. We're almost there.

91
00:09:22,771 --> 00:09:23,855
[SILENCED GUNFIRE]

92
00:09:36,576 --> 00:09:40,538
He was close. Very close.

93
00:09:43,166 --> 00:09:44,375
[SCREAMS]

94
00:09:53,676 --> 00:09:54,677
[YELLS]

95
00:09:54,844 --> 00:09:56,429
Stop him!

96
00:10:01,059 --> 00:10:02,811
[GUNFIRE]

97
00:10:10,527 --> 00:10:11,778
[GRUNTS]

98
00:10:18,034 --> 00:10:19,494
[HISSING]

99
00:10:20,787 --> 00:10:22,080
[SAITO GROANS]

100
00:10:22,247 --> 00:10:24,415
This isn't gonna work. Wake him up.

101
00:10:37,053 --> 00:10:38,388
[GRUNTS]

102
00:10:45,228 --> 00:10:47,188
He won't wake.

103
00:10:51,651 --> 00:10:52,944
-Give him the kick.
NASH: What?

104
00:10:53,486 --> 00:10:54,529
Dunk him.

105
00:10:54,696 --> 00:10:55,905
[GUN COCKS]

106
00:11:01,744 --> 00:11:03,288
[WOOD GROANING]

107
00:11:30,899 --> 00:11:32,483
[SAITO GRUNTING]

108
00:11:39,073 --> 00:11:40,450
COBB:
He's out.

109
00:11:42,452 --> 00:11:44,329
[SHOUTING IN FOREIGN LANGUAGE]

110
00:11:45,747 --> 00:11:47,790
You came prepared, hmm?

111
00:11:47,957 --> 00:11:51,794
Not even my head of security knows
this apartment. How did you find it?

112
00:11:52,462 --> 00:11:56,174
It's difficult for a man of your position
to keep a love nest like this secret...

113
00:11:56,341 --> 00:11:58,885
...particularly where there's
a married woman involved.

114
00:11:59,052 --> 00:12:01,012
-She would never...
-Yet here we are.

115
00:12:02,096 --> 00:12:04,182
-With a dilemma.
-They're getting closer.

116
00:12:04,349 --> 00:12:07,143
-You got what you came for.
COBB: Well, that's not true.

117
00:12:07,310 --> 00:12:09,979
You left out a key piece of information,
didn't you?

118
00:12:10,146 --> 00:12:13,316
You held something back
because you knew what we were up to.

119
00:12:13,483 --> 00:12:16,361
-Question is, why'd you let us in at all?
-An audition.

120
00:12:17,570 --> 00:12:20,490
-An audition for what?
-Doesn't matter. You failed.

121
00:12:20,657 --> 00:12:23,368
We extracted every bit of information
you had in there.

122
00:12:23,785 --> 00:12:26,079
But your deception was obvious.

123
00:12:32,335 --> 00:12:33,586
[MACHINE HISSING]

124
00:12:56,693 --> 00:13:00,571
[EDITH PIAF'S
"NON, JE NE REGRETTE RIEN" PLAYING]

125
00:13:03,199 --> 00:13:05,201
[SONG ECHOING]

126
00:13:06,953 --> 00:13:11,374
-So leave me and go.
-You don't seem to understand, Mr. Saito.

127
00:13:11,541 --> 00:13:15,795
That corporation that hired us,
they won't accept failure.

128
00:13:15,962 --> 00:13:18,089
We won't last two days.

129
00:13:20,049 --> 00:13:21,217
Cobb?

130
00:13:21,384 --> 00:13:24,554
Looks like I'm gonna have to do this
a little more simply.

131
00:13:24,721 --> 00:13:28,474
Tell us what you know!
Tell us what you know, now!

132
00:13:29,392 --> 00:13:31,102
[LAUGHING]

133
00:13:31,853 --> 00:13:34,731
SAITO:
I've always hated this carpet.

134
00:13:35,356 --> 00:13:39,235
It's stained and frayed
in such distinctive ways.

135
00:13:40,737 --> 00:13:44,073
But very definitely made of wool.

136
00:13:44,907 --> 00:13:46,617
Right now...

137
00:13:47,660 --> 00:13:50,079
...I'm lying on polyester.

138
00:13:53,958 --> 00:13:58,796
Which means I'm not lying
on my carpet, in my apartment.

139
00:13:59,672 --> 00:14:02,925
You have lived up to your reputation,
Mr. Cobb.

140
00:14:03,384 --> 00:14:05,428
I'm still dreaming.

141
00:14:07,096 --> 00:14:08,806
[ALARM BEEPING]

142
00:14:12,101 --> 00:14:13,936
-How'd it go?
-Not good.

143
00:14:19,317 --> 00:14:23,446
Dream within a dream, huh?
I'm impressed.

144
00:14:24,697 --> 00:14:28,201
But in my dream, you play by my rules.

145
00:14:28,368 --> 00:14:30,620
Ah, yes, but you see, Mr. Saito...

146
00:14:30,787 --> 00:14:32,205
We're not in your dream.

147
00:14:32,372 --> 00:14:33,956
We're in mine.

148
00:14:34,123 --> 00:14:35,666
[MEN SHOUTING]

149
00:14:36,793 --> 00:14:38,544
[ALARM BEEPING FASTER]

150
00:14:41,214 --> 00:14:42,548
[NASH YELLS]

151
00:14:43,883 --> 00:14:45,968
Asshole.
How do you mess up the carpet?

152
00:14:46,135 --> 00:14:48,471
-It wasn't my fault.
-You're the architect.

153
00:14:48,638 --> 00:14:50,765
I didn't know
he was gonna rub his cheek on it!

154
00:14:50,932 --> 00:14:52,016
That's enough.

155
00:14:53,142 --> 00:14:54,644
You. What the hell was all that?

156
00:14:55,144 --> 00:14:58,022
-I have it under control.
-I'd hate to see you out of control.

157
00:14:58,189 --> 00:15:01,984
We don't have time for this.
I'm getting off at Kyoto.

158
00:15:02,151 --> 00:15:03,986
ARTHUR:
He's not gonna check every compartment.

159
00:15:04,153 --> 00:15:05,780
Yeah, well, I don't like trains.

160
00:15:05,947 --> 00:15:08,699
Listen. Every man for himself.

161
00:16:17,393 --> 00:16:19,061
[PHONE RINGS]

162
00:16:23,065 --> 00:16:24,066
Yes, hello?

163
00:16:24,275 --> 00:16:26,903
PHILLIPA: Hi, Daddy.
JAMES: Hi, Dad.

164
00:16:27,403 --> 00:16:31,032
Hey, guys. Hey. How are you?
How you doing, huh?

165
00:16:31,199 --> 00:16:33,409
PHILLIPA: Good.
JAMES: Okay, I guess.

166
00:16:33,576 --> 00:16:37,330
Okay? Who's just okay?
Is that you, James?

167
00:16:37,497 --> 00:16:41,417
JAMES:
Yeah. When are you coming home, Dad?

168
00:16:42,418 --> 00:16:47,048
Well, I can't, sweetheart. I can't.
Not for a while, remember?

169
00:16:47,215 --> 00:16:48,549
JAMES:
Why?

170
00:16:48,883 --> 00:16:54,430
Look, I told you, I'm away
because I'm working, right?

171
00:16:54,764 --> 00:16:57,600
PHILLIPA:
Grandma says you're never coming back.

172
00:16:58,267 --> 00:17:00,144
COBB:
Phillipa, is that you?

173
00:17:01,103 --> 00:17:03,439
Put Grandma on the phone for me,
will you?

174
00:17:03,606 --> 00:17:05,316
PHILLIPA:
She's shaking her head.

175
00:17:07,443 --> 00:17:09,946
Well, just hope she's wrong about that.

176
00:17:10,821 --> 00:17:12,031
JAMES:
Daddy?

177
00:17:12,740 --> 00:17:13,783
Yeah, James?

178
00:17:13,950 --> 00:17:15,618
JAMES:
Is Mommy with you?

179
00:17:18,246 --> 00:17:20,456
James, we talked about this.

180
00:17:21,749 --> 00:17:24,085
Mommy's not here anymore.

181
00:17:25,127 --> 00:17:26,379
JAMES:
Where?

182
00:17:28,130 --> 00:17:30,758
WOMAN:
That's enough, kids. Say bye-bye.

183
00:17:30,925 --> 00:17:33,970
Listen, I'm gonna send some presents
with Grandpa, all right?

184
00:17:34,136 --> 00:17:35,137
And you be good, you be--

185
00:17:35,304 --> 00:17:36,973
[DIAL TONE]

186
00:17:42,812 --> 00:17:43,896
[KNOCKING ON DOOR]

187
00:17:45,648 --> 00:17:47,858
-Our ride's on the roof.
-Right.

188
00:17:55,032 --> 00:17:56,200
Hey, are you okay?

189
00:17:56,951 --> 00:17:58,244
Yeah. Yeah, I'm fine. Why?

190
00:17:58,411 --> 00:18:00,830
Well, down in the dream,
Mal showing up.

191
00:18:00,997 --> 00:18:04,250
Look, I'm, uh, sorry about your leg.
Won't happen again.

192
00:18:04,417 --> 00:18:08,004
-It's getting worse, isn't it?
-One apology's all you're getting, all right?

193
00:18:08,170 --> 00:18:10,673
-Where's Nash?
-He hasn't shown. You wanna wait?

194
00:18:10,840 --> 00:18:13,301
We were supposed to deliver
Saito's expansion plans...

195
00:18:13,467 --> 00:18:15,219
...to Cobol Engineering two hours ago.

196
00:18:15,386 --> 00:18:18,639
By now, they know we failed.
It's time we disappear.

197
00:18:19,181 --> 00:18:21,684
-Where you gonna go?
-Buenos Aires.

198
00:18:21,851 --> 00:18:26,105
I can lie low there, maybe sniff out
a job when things quiet down. You?

199
00:18:26,272 --> 00:18:27,481
Stateside.

200
00:18:27,690 --> 00:18:29,191
Send my regards.

201
00:18:35,531 --> 00:18:39,076
He sold you out. Thought to come
to me and bargain for his life.

202
00:18:41,245 --> 00:18:43,039
So I offer you the satisfaction.

203
00:18:47,001 --> 00:18:49,545
It's not the way I deal with things.

204
00:18:52,590 --> 00:18:54,091
[HELICOPTER STARTING]

205
00:19:01,807 --> 00:19:04,685
-What will you do with him?
-Nothing.

206
00:19:05,061 --> 00:19:07,563
But I can't speak for Cobol Engineering.

207
00:19:22,078 --> 00:19:25,081
-What do you want from us?
-Inception.

208
00:19:26,707 --> 00:19:29,085
-Is it possible?
-Of course not.

209
00:19:29,251 --> 00:19:31,462
If you can steal an idea
from someone's mind...

210
00:19:31,629 --> 00:19:33,506
...why can't you plant one there instead?

211
00:19:33,673 --> 00:19:35,758
Okay, here's me planting
an idea in your head.

212
00:19:35,925 --> 00:19:39,261
I say, "Don't think about elephants.”
What are you thinking about?

213
00:19:39,428 --> 00:19:40,429
Elephants.

214
00:19:40,596 --> 00:19:43,766
Right. But it's not your idea,
because you know I gave it to you.

215
00:19:43,974 --> 00:19:46,936
The subject's mind can always trace
the genesis of the idea.

216
00:19:47,103 --> 00:19:50,314
-True inspiration's impossible to fake.
-That's not true.

217
00:19:52,858 --> 00:19:55,945
-Can you do it?
-Are you offering me a choice?

218
00:19:56,112 --> 00:19:58,781
Because I can find my own way
to square things with Cobol.

219
00:19:58,948 --> 00:20:00,991
Then you do have a choice.

220
00:20:01,158 --> 00:20:02,952
Then I choose to leave, sir.

221
00:20:07,832 --> 00:20:09,542
Tell the crew where you want to go.

222
00:20:14,797 --> 00:20:15,881
Hey, Mr. Cobb.

223
00:20:19,051 --> 00:20:21,137
How would you like to go home?

224
00:20:21,929 --> 00:20:25,224
To America. To your children.

225
00:20:25,641 --> 00:20:28,978
You can't fix that. No one can.

226
00:20:29,145 --> 00:20:32,398
-Just like inception.
-Cobb, come on.

227
00:20:36,152 --> 00:20:39,029
-How complex is the idea?
-Simple enough.

228
00:20:39,196 --> 00:20:42,742
No idea is simple when you need
to plant it in somebody else's mind.

229
00:20:43,159 --> 00:20:46,662
My main competitor is
an old man in poor health.

230
00:20:46,829 --> 00:20:50,583
His son will soon inherit control
of the corporation.

231
00:20:51,500 --> 00:20:55,045
I need him to decide to break up
his father's empire.

232
00:20:55,755 --> 00:20:58,424
-Cobb, we should walk away from this.
-Hold on.

233
00:21:00,509 --> 00:21:03,763
If I were to do this,
if I even could do it...

234
00:21:03,929 --> 00:21:05,848
...I'd need a guarantee.

235
00:21:06,015 --> 00:21:09,268
-How do I know you can deliver?
-You don't.

236
00:21:09,852 --> 00:21:11,353
But I can.

237
00:21:11,937 --> 00:21:16,525
So do you want to take a leap of faith...

238
00:21:16,942 --> 00:21:20,780
...or become an old man,
filled with regret...

239
00:21:20,946 --> 00:21:23,532
...waiting to die alone?

240
00:21:26,619 --> 00:21:30,915
Assemble your team, Mr. Cobb.
And choose your people more wisely.

241
00:21:39,048 --> 00:21:40,883
Look, I know how much
you wanna go home.

242
00:21:43,677 --> 00:21:45,387
This can't be done.

243
00:21:45,554 --> 00:21:48,849
Yes, it can.
Just have to go deep enough.

244
00:21:49,058 --> 00:21:50,559
You don't know that.

245
00:21:51,894 --> 00:21:53,729
I've done it before.

246
00:21:54,939 --> 00:21:56,106
Who'd you do it to?

247
00:22:01,362 --> 00:22:03,364
Why are we going to Paris?

248
00:22:04,949 --> 00:22:06,659
We're gonna need a new architect.

249
00:22:07,243 --> 00:22:08,953
[BELLS TOLLING]

250
00:22:23,592 --> 00:22:25,636
COBB:
You never did like your office, did you?

251
00:22:27,429 --> 00:22:30,474
No space to think
in that broom cupboard.

252
00:22:32,351 --> 00:22:34,603
Is it safe for you to be here?

253
00:22:35,813 --> 00:22:38,232
Extradition between France
and the United States...

254
00:22:38,399 --> 00:22:40,609
...Is a bureaucratic nightmare,
you know that.

255
00:22:40,776 --> 00:22:43,529
I think they might find a way
to make it work in your case.

256
00:22:43,696 --> 00:22:48,200
Look, I, uh, brought these for you to give
to the kids when you have a chance.

257
00:22:48,367 --> 00:22:50,953
It'll take more than
the occasional stuffed animal...

258
00:22:51,120 --> 00:22:54,123
...to convince those children
they still have a father.

259
00:22:54,290 --> 00:22:57,126
I'm just doing what I know.
I'm doing what you taught me.

260
00:22:57,293 --> 00:22:58,794
I never taught you to be a thief.

261
00:22:58,961 --> 00:23:01,171
No, you taught me to navigate
people's minds.

262
00:23:01,338 --> 00:23:02,631
But after what happened...

263
00:23:02,798 --> 00:23:06,385
...there weren't a whole lot of legitimate
ways for me to use that skill.

264
00:23:11,515 --> 00:23:13,017
What are you doing here, Dom?

265
00:23:15,144 --> 00:23:17,521
I think I found a way home.

266
00:23:17,688 --> 00:23:21,275
It's a job
for some very, very powerful people.

267
00:23:21,483 --> 00:23:25,905
People who I believe can fix
my charges permanently.

268
00:23:26,697 --> 00:23:27,990
But I need your help.

269
00:23:28,657 --> 00:23:31,994
You're here to corrupt
one of my brightest and best.

270
00:23:32,161 --> 00:23:35,039
You know what I'm offering.
Let them decide for themselves.

271
00:23:35,205 --> 00:23:36,665
-Money.
-Not just money.

272
00:23:36,832 --> 00:23:38,167
You remember.

273
00:23:38,334 --> 00:23:41,587
It's the chance to build cathedrals,
entire cities...

274
00:23:41,754 --> 00:23:43,505
...things that never existed...

275
00:23:43,672 --> 00:23:46,884
...things that couldn't exist
in the real world.

276
00:23:47,051 --> 00:23:52,222
So you want me to let someone else
follow you into your fantasy?

277
00:23:52,389 --> 00:23:54,350
They don't actually come into the dream.

278
00:23:54,516 --> 00:23:57,811
They just design the levels
and teach them to the dreamers. That's all.

279
00:23:57,978 --> 00:23:59,188
Design it yourself.

280
00:24:01,857 --> 00:24:03,359
Mal won't let me.

281
00:24:09,573 --> 00:24:11,700
Come back to reality, Dom.

282
00:24:13,035 --> 00:24:15,621
-Please.
-Reality.

283
00:24:15,996 --> 00:24:18,540
Those kids, your grandchildren...

284
00:24:18,707 --> 00:24:22,711
...they're waiting for their father to come
back home. That's their reality.

285
00:24:22,878 --> 00:24:26,048
And this job, this last job,
that's how I get there.

286
00:24:26,590 --> 00:24:30,219
I would not be standing here
if I knew any other way.

287
00:24:33,389 --> 00:24:36,308
I need an architect
who's as good as I was.

288
00:24:40,521 --> 00:24:42,523
I've got somebody better.

289
00:24:42,690 --> 00:24:43,732
Ariadne?

290
00:24:46,318 --> 00:24:48,862
I'd like you to meet Mr. Cobb.

291
00:24:49,238 --> 00:24:50,364
Pleased to meet you.

292
00:24:50,531 --> 00:24:55,202
If you have a few moments, Mr. Cobb has
a job offer he'd like to discuss with you.

293
00:24:55,369 --> 00:24:56,412
A work placement?

294
00:24:56,787 --> 00:24:58,080
Not exactly.

295
00:24:58,247 --> 00:24:59,581
I have a test for you.

296
00:25:00,332 --> 00:25:02,418
You're not gonna tell me anything first?

297
00:25:02,584 --> 00:25:05,212
Before I describe the job,
I have to know you can do it.

298
00:25:05,379 --> 00:25:08,590
-Why?
-It's not, strictly speaking, legal.

299
00:25:11,677 --> 00:25:16,348
You have two minutes to design a maze
that it takes one minute to solve.

300
00:25:18,267 --> 00:25:19,435
Stop.

301
00:25:21,854 --> 00:25:23,063
Again.

302
00:25:25,190 --> 00:25:26,525
Stop.

303
00:25:29,695 --> 00:25:31,780
You're gonna have to do better than that.

304
00:25:44,793 --> 00:25:46,045
That's more like it.

305
00:26:06,231 --> 00:26:09,151
COBB: They say we only use a fraction
of our brain's true potential.

306
00:26:09,318 --> 00:26:10,986
Now, that's when we're awake.

307
00:26:11,153 --> 00:26:14,156
When we're asleep,
our mind can do almost anything.

308
00:26:14,323 --> 00:26:15,324
Such as?

309
00:26:15,491 --> 00:26:19,495
Imagine you're designing a building.
You consciously create each aspect.

310
00:26:19,661 --> 00:26:23,499
But sometimes, it feels like it's almost
creating itself, if you know what I mean.

311
00:26:23,665 --> 00:26:25,667
Yeah, like I'm discovering it.

312
00:26:25,834 --> 00:26:28,087
Genuine inspiration, right?

313
00:26:28,253 --> 00:26:31,590
Now, in a dream,
our mind continuously does this.

314
00:26:31,757 --> 00:26:36,386
We create and perceive
our world simultaneously.

315
00:26:36,553 --> 00:26:39,973
And our mind does this so well
that we don't even know it's happening.

316
00:26:40,140 --> 00:26:42,851
That allows us to get right
in the middle of that process.

317
00:26:43,018 --> 00:26:45,395
-How?
-By taking over the creating part.

318
00:26:45,562 --> 00:26:47,189
Now, this is where I need you.

319
00:26:47,356 --> 00:26:49,733
You create the world of the dream.

320
00:26:49,900 --> 00:26:55,280
We bring the subject into that dream,
and they fill it with their subconscious.

321
00:26:55,447 --> 00:27:00,119
How could I ever acquire enough detail
to make them think that it's reality?

322
00:27:00,285 --> 00:27:03,747
Well, dreams, they feel real
while we're in them, right?

323
00:27:03,914 --> 00:27:07,626
It's only when we wake up that we realize
something was actually strange.

324
00:27:09,086 --> 00:27:10,504
Let me ask you a question.

325
00:27:10,671 --> 00:27:14,049
You never really remember
the beginning of a dream, do you?

326
00:27:14,216 --> 00:27:17,261
You always wind up
right in the middle of what's going on.

327
00:27:17,427 --> 00:27:18,470
I guess, yeah.

328
00:27:18,637 --> 00:27:20,222
So how did we end up here?

329
00:27:20,597 --> 00:27:22,683
Well, we just came from the, uh...

330
00:27:22,891 --> 00:27:26,311
Think about it, Ariadne.
How did you get here?

331
00:27:26,895 --> 00:27:28,814
Where are you right now?

332
00:27:32,109 --> 00:27:33,277
We're dreaming?

333
00:27:33,443 --> 00:27:35,904
You're in the middle
of the workshop, sleeping.

334
00:27:36,071 --> 00:27:39,032
This is your first lesson
in shared dreaming. Stay calm.

335
00:27:39,199 --> 00:27:40,409
[CUP RATTLING]

336
00:27:40,909 --> 00:27:42,619
[RUMBLING]

337
00:28:16,361 --> 00:28:18,488
If it's just a dream,
then why are you--?

338
00:28:18,655 --> 00:28:19,948
['NON, JE NE REGRETTE RIEN" PLAYING]

339
00:28:20,115 --> 00:28:21,867
COBB:
Because it's never just a dream, is it?

340
00:28:22,034 --> 00:28:25,329
And a face full of glass hurts like hell.
When you're in it, it feels real.

341
00:28:25,495 --> 00:28:27,706
ARTHUR: That's why the military
developed dream sharing.

342
00:28:27,873 --> 00:28:31,585
It was a training program for soldiers
to shoot, stab and strangle each other...

343
00:28:31,752 --> 00:28:32,878
...and then wake up.

344
00:28:33,170 --> 00:28:34,963
ARIADNE:
How did architects become involved?

345
00:28:35,130 --> 00:28:37,883
COBB: Well, someone had to design
the dreams, right?

346
00:28:39,009 --> 00:28:40,302
Why don't you give us
another five minutes?

347
00:28:42,346 --> 00:28:46,308
Five minutes? What--? We were talking
for, like, at least an hour.

348
00:28:46,475 --> 00:28:48,727
In a dream, your mind
functions more quickly...

349
00:28:48,894 --> 00:28:51,730
...therefore time seems
to feel more slow.

350
00:28:51,897 --> 00:28:55,275
Five minutes in the real world
gives you an hour in the dream.

351
00:28:55,984 --> 00:28:59,071
Why don't you see what you
can get up to in five minutes?

352
00:29:01,073 --> 00:29:02,532
[MACHINE HISSING]

353
00:29:04,993 --> 00:29:07,913
COBB: You've got the basic layout.
Bookstore, café.

354
00:29:08,080 --> 00:29:09,748
Almost everything else is here too.

355
00:29:09,915 --> 00:29:12,834
ARIADNE: Who are the people?
-Projections of my subconscious.

356
00:29:13,001 --> 00:29:14,169
-Yours?
-Yes.

357
00:29:14,336 --> 00:29:16,880
Remember, you are the dreamer.
You build this world.

358
00:29:17,047 --> 00:29:19,716
I am the subject. My mind populates it.

359
00:29:19,883 --> 00:29:21,802
You can literally talk
to my subconscious.

360
00:29:21,969 --> 00:29:24,846
That's one of the ways we extract
information from the subject.

361
00:29:25,013 --> 00:29:26,306
How else do you do it?

362
00:29:26,515 --> 00:29:30,477
By creating something secure,
like a bank vault or a jail.

363
00:29:30,644 --> 00:29:34,356
The mind automatically fills it
with information it's trying to protect.

364
00:29:34,523 --> 00:29:37,317
-You understand?
-Then you break in and steal it?

365
00:29:37,484 --> 00:29:38,527
Well...

366
00:29:38,694 --> 00:29:43,198
I guess I thought that the dream space
would be all about the visual...

367
00:29:43,365 --> 00:29:45,200
...but it's more about the feel of it.

368
00:29:45,701 --> 00:29:49,830
My question is what happens when you
start messing with the physics of it all?

369
00:29:51,498 --> 00:29:53,375
[RUMBLING THEN METAL GROANING]

370
00:30:31,163 --> 00:30:32,748
It's something, isn't it?

371
00:30:33,832 --> 00:30:35,125
Yes, it is.

372
00:30:59,024 --> 00:31:00,609
ARIADNE:
Why are they all looking at me?

373
00:31:00,776 --> 00:31:04,279
Because my subconscious feels that
someone else is creating this world.

374
00:31:04,446 --> 00:31:08,742
The more you change things, the quicker
the projections start to converge on you.

375
00:31:08,909 --> 00:31:09,951
Converge?

376
00:31:10,118 --> 00:31:12,204
They sense the foreign nature
of the dreamer.

377
00:31:12,371 --> 00:31:15,040
They attack, like white blood cells
fighting an infection.

378
00:31:15,207 --> 00:31:18,043
-What, they're gonna attack us?
-No, no.

379
00:31:18,627 --> 00:31:20,128
Just you.

380
00:31:21,421 --> 00:31:22,881
[METAL CREAKING]

381
00:31:24,091 --> 00:31:28,345
This is great, but I'm telling you,
if you keep changing things like this...

382
00:31:31,848 --> 00:31:34,810
Jeez, mind telling your subconscious
to take it easy?

383
00:31:34,976 --> 00:31:37,646
It's my subconscious.
Remember? I can't control it.

384
00:32:31,324 --> 00:32:32,701
Very impressive.

385
00:32:44,421 --> 00:32:47,966
I know this bridge.
This place is real, isn't it?

386
00:32:48,133 --> 00:32:50,469
Yeah, I cross it every day
to get to the college.

387
00:32:50,635 --> 00:32:54,055
Never re-create places from your memory.
Always imagine new places.

388
00:32:54,222 --> 00:32:56,057
You draw from stuff you know, right?

389
00:32:56,224 --> 00:33:00,437
Only use details. A streetlamp
or a phone booth. Never entire areas.

390
00:33:00,604 --> 00:33:02,731
-Why not?
-Building a dream from your memory...

391
00:33:02,898 --> 00:33:06,401
...Is the easiest way to lose your grasp
on what's real and what is a dream.

392
00:33:06,568 --> 00:33:08,653
-Is that what happened to you?
-Listen to me.

393
00:33:08,820 --> 00:33:10,822
This has nothing to do
with me, understand?

394
00:33:10,989 --> 00:33:12,949
That why you need me
to build your dreams?

395
00:33:13,116 --> 00:33:15,660
Hey, get off of her. Back up. Back up.

396
00:33:15,827 --> 00:33:17,454
-Cobb! Cobb!
-Get off of her!

397
00:33:17,621 --> 00:33:19,581
-Let me go! Let me go!
-Mal!

398
00:33:20,081 --> 00:33:22,167
-Mal!
-Cobb! Wake me up!

399
00:33:22,334 --> 00:33:24,127
-Wake me up! Wake me up!
-No!

400
00:33:24,294 --> 00:33:25,795
-Mal, no! No!
-Wake me up!

401
00:33:25,962 --> 00:33:27,255
[GASPING]

402
00:33:27,422 --> 00:33:31,426
Hey, hey, hey. Look at me.
You're okay. You're okay.

403
00:33:31,593 --> 00:33:34,804
-Hey.
-Why wouldn't I wake up?

404
00:33:35,096 --> 00:33:36,723
There was still time on the clock.

405
00:33:36,890 --> 00:33:39,434
You can't wake up from
within the dream unless you die.

406
00:33:39,601 --> 00:33:41,186
-She'll need a totem.
ARIADNE: What?

407
00:33:41,353 --> 00:33:42,812
A totem, it's a small personal--

408
00:33:42,979 --> 00:33:45,524
That's some subconscious
you've got on you, Cobb!

409
00:33:45,690 --> 00:33:47,526
-She's a real charmer.
-Oh.

410
00:33:47,692 --> 00:33:50,320
- I see you met Mrs. Cobb.
-She's his wife?

411
00:33:50,487 --> 00:33:54,241
Yeah. So a totem. You need
a small object, potentially heavy.

412
00:33:54,407 --> 00:33:56,868
Something you can have on you
that no one else knows.

413
00:33:57,035 --> 00:33:58,286
ARIADNE: Like a coin?
ARTHUR: No.

414
00:33:58,453 --> 00:34:03,124
It needs to be more unique than that.
Like, this is a loaded die.

415
00:34:04,209 --> 00:34:07,128
No, I can't let you touch it.
That would defeat the purpose.

416
00:34:07,295 --> 00:34:11,466
See, only I know the balance and
the weight of this particular loaded die.

417
00:34:11,633 --> 00:34:13,468
That way,
when you look at your totem...

418
00:34:13,635 --> 00:34:16,763
...you know beyond a doubt that
you're not in someone else's dream.

419
00:34:20,183 --> 00:34:24,479
I don't know if you can't see what's
going on, or if you just don't want to...

420
00:34:24,646 --> 00:34:28,191
...but Cobb has some serious problems
that he's tried to bury down there.

421
00:34:28,358 --> 00:34:32,320
And I'm not about to just open my mind
to someone like that.

422
00:34:37,158 --> 00:34:38,285
[DOOR CLOSES]

423
00:34:38,451 --> 00:34:41,830
She'll be back. I've never seen anyone
pick it up that quickly before.

424
00:34:42,330 --> 00:34:46,501
Reality's not gonna be enough for her now,
and when she comes back...

425
00:34:47,168 --> 00:34:49,838
When she comes back,
you're gonna have her building mazes.

426
00:34:50,005 --> 00:34:52,299
-Where are you gonna be?
- I gotta go visit Eames.

427
00:34:52,465 --> 00:34:55,594
Eames? No, he's in Mombasa.
It's Cobol's back yard.

428
00:34:55,802 --> 00:34:57,345
It's a necessary risk.

429
00:34:57,762 --> 00:35:01,016
-Well, there's plenty of good thieves.
-We don't just need a thief.

430
00:35:02,142 --> 00:35:03,184
We need a forger.

431
00:35:11,860 --> 00:35:14,446
Rub them together all you want,
they're not gonna breed.

432
00:35:15,030 --> 00:35:16,031
You never know.

433
00:35:16,990 --> 00:35:19,034
COBB:
I'm gonna get you a drink.

434
00:35:21,202 --> 00:35:22,537
You're buying.

435
00:35:29,044 --> 00:35:31,338
-Your spelling hasn't improved.
-Piss off.

436
00:35:31,504 --> 00:35:33,465
How's your handwriting?

437
00:35:33,632 --> 00:35:35,467
-It's versatile.
-Good.

438
00:35:35,634 --> 00:35:36,885
Thank you very much.

439
00:35:37,552 --> 00:35:38,887
Inception.

440
00:35:39,137 --> 00:35:41,973
Now, before you bother telling me
it's impossible, let me--

441
00:35:42,140 --> 00:35:45,435
No, it's perfectly possible.
It's just bloody difficult.

442
00:35:45,602 --> 00:35:48,897
Interesting. Because Arthur keeps
telling me it can't be done.

443
00:35:49,314 --> 00:35:52,275
Hmm. Arthur. You still working
with that stick in the mud?

444
00:35:52,442 --> 00:35:54,152
He is good at what he does, right?

445
00:35:54,319 --> 00:35:56,404
Oh, he's the best,
but he has no imagination.

446
00:35:56,571 --> 00:35:57,572
Not like you.

447
00:35:57,739 --> 00:36:00,742
Listen, if you're gonna perform inception,
you need imagination.

448
00:36:00,909 --> 00:36:04,454
Let me ask you something.
Have you done it before?

449
00:36:04,621 --> 00:36:08,249
We tried it. Uh, we got the idea in place,
but it didn't take.

450
00:36:08,416 --> 00:36:11,753
-You didn't plant it deep enough?
-No, it's not just about depth.

451
00:36:11,920 --> 00:36:13,922
You need the simplest version
of the idea...

452
00:36:14,089 --> 00:36:17,759
...in order for it to grow naturally
in your subject's mind. It's a subtle art.

453
00:36:17,926 --> 00:36:20,470
So, what is this idea
that you need to plant?

454
00:36:20,637 --> 00:36:24,849
We need the heir of a major corporation
to dissolve his father's empire.

455
00:36:25,016 --> 00:36:27,435
Right there you have
various political motivations...

456
00:36:27,602 --> 00:36:29,604
...and anti-monopolistic sentiments
and so forth.

457
00:36:29,771 --> 00:36:31,606
But all of that stuff, it's, um...

458
00:36:31,773 --> 00:36:34,651
It's really at the mercy of your
subject's prejudice, you see?

459
00:36:34,818 --> 00:36:37,320
What you have to do is
start at the absolute basic.

460
00:36:37,487 --> 00:36:39,072
Which is what?

461
00:36:39,572 --> 00:36:41,449
The relationship with the father.

462
00:36:43,660 --> 00:36:45,328
-Do you have a chemist?
-No, not yet.

463
00:36:45,495 --> 00:36:48,581
Right. Okay, well,
there's a man here, Yusuf.

464
00:36:48,748 --> 00:36:52,168
He, uh, formulates his own versions
of the compounds.

465
00:36:52,335 --> 00:36:53,628
Why don't you take me there?

466
00:36:53,795 --> 00:36:56,881
Once you've lost your tail.
The man at the bar.

467
00:36:57,048 --> 00:36:58,508
COBB:
Cobol Engineering.

468
00:36:58,675 --> 00:37:01,010
That price on my head,
was that dead or alive?

469
00:37:01,177 --> 00:37:03,722
Don't remember.
Let's see if he starts shooting.

470
00:37:03,888 --> 00:37:07,517
Run interference. I'll meet you downstairs
in the bar in, say, uh, half an hour?

471
00:37:07,684 --> 00:37:09,686
-Back here?
-This is the last place they'd suspect.

472
00:37:09,853 --> 00:37:11,146
[CHUCKLES]

473
00:37:12,230 --> 00:37:13,565
All right.

474
00:37:14,733 --> 00:37:16,568
Freddy. Freddy Simmonds.

475
00:37:16,735 --> 00:37:18,194
My God, it's you, isn't it?

476
00:37:19,696 --> 00:37:20,864
[GRUNTS]

477
00:37:21,740 --> 00:37:22,824
No, it isn't you.

478
00:37:22,991 --> 00:37:24,409
Not dreaming now, are you?

479
00:37:24,576 --> 00:37:26,286
[GRUNTS THEN PEOPLE SHOUTING]

480
00:37:26,619 --> 00:37:28,204
MAN:
Get him!

481
00:37:43,720 --> 00:37:44,846
There!

482
00:38:03,072 --> 00:38:05,116
[WAITER SPEAKING
IN FOREIGN LANGUAGE]

483
00:38:05,366 --> 00:38:07,118
One café.

484
00:38:11,456 --> 00:38:12,624
Shh.

485
00:38:14,417 --> 00:38:16,211
[WAITER SHOUTING]

486
00:38:18,254 --> 00:38:19,714
One café.

487
00:38:20,757 --> 00:38:22,217
One café.

488
00:38:23,384 --> 00:38:24,552
[MEN SHOUTING]

489
00:38:41,861 --> 00:38:42,904
[HORN HONKS]

490
00:38:56,709 --> 00:38:57,919
[GRUNTING]

491
00:39:11,432 --> 00:39:12,767
[TIRES SCREECH]

492
00:39:16,813 --> 00:39:18,273
Care for a lift, Mr. Cobb?

493
00:39:19,899 --> 00:39:23,987
-What are you doing in Mombasa?
-I'm here to protect my investment.

494
00:39:24,654 --> 00:39:26,030
[WHISTLE]

495
00:39:26,489 --> 00:39:29,450
Ah. So this is your idea
of losing a tail, huh?

496
00:39:29,617 --> 00:39:30,618
Different tail.

497
00:39:33,454 --> 00:39:34,956
[ARIADNE CLEARS THROAT]

498
00:39:39,335 --> 00:39:41,087
Cobb said you'd be back.

499
00:39:42,213 --> 00:39:45,758
- I tried not to come, but...
-But there's nothing quite like it.

500
00:39:45,925 --> 00:39:47,594
It's just...

501
00:39:49,095 --> 00:39:50,430
...pure creation.

502
00:39:50,597 --> 00:39:53,099
Shall we take a look
at some paradoxical architecture?

503
00:39:53,266 --> 00:39:55,268
ARTHUR: You're gonna have to master
a few tricks...

504
00:39:55,435 --> 00:39:58,980
...if you're gonna build three complete
dream levels. Excuse me.

505
00:39:59,147 --> 00:40:00,565
ARIADNE:
What kind of tricks?

506
00:40:00,732 --> 00:40:04,235
In a dream, you can cheat architecture
into impossible shapes.

507
00:40:04,402 --> 00:40:08,323
That lets you create closed loops,
like the Penrose Steps.

508
00:40:08,489 --> 00:40:09,657
The infinite staircase.

509
00:40:13,870 --> 00:40:15,330
See?

510
00:40:19,500 --> 00:40:20,543
Paradox.

511
00:40:20,710 --> 00:40:22,128
So a closed loop like that...

512
00:40:22,295 --> 00:40:25,381
...will help you disguise the boundaries
of the dream you create.

513
00:40:25,548 --> 00:40:27,508
But how big do these levels have to be?

514
00:40:27,675 --> 00:40:30,845
It could be anything from
the floor of a building to an entire city.

515
00:40:31,012 --> 00:40:34,432
They have to be complicated enough
that we can hide from the projections.

516
00:40:34,599 --> 00:40:36,017
-A maze?
-Right, a maze.

517
00:40:36,184 --> 00:40:37,518
And the better the maze...

518
00:40:37,685 --> 00:40:40,355
Then the longer we have
before the projections catch us?

519
00:40:40,521 --> 00:40:41,814
Exactly.

520
00:40:42,482 --> 00:40:45,693
-My subconscious seems polite enough.
-Ha, ha. You wait, they'll turn ugly.

521
00:40:47,779 --> 00:40:49,197
No one likes to feel someone else
messing around in their mind.

522
00:40:49,364 --> 00:40:51,449
Cobb can't build anymore, can he?

523
00:40:53,284 --> 00:40:55,119
I don't know if he can't, but he won't.

524
00:40:55,286 --> 00:40:57,705
He thinks it's safer
if he doesn't know the layouts.

525
00:40:57,872 --> 00:40:58,957
Why?

526
00:40:59,123 --> 00:41:01,376
He won't tell me. But I think it's Mal.

527
00:41:01,793 --> 00:41:04,087
-His ex-wife?
-No, not his ex.

528
00:41:04,253 --> 00:41:07,423
-They're still together?
-No.

529
00:41:08,675 --> 00:41:10,176
No, she's dead.

530
00:41:12,136 --> 00:41:14,889
What you see in there
is just his projection of her.

531
00:41:18,393 --> 00:41:19,894
What was she like in real life?

532
00:41:20,561 --> 00:41:21,938
She was lovely.

533
00:41:25,775 --> 00:41:28,152
YUSUF: You are seeking a chemist?
COBB: Yes.

534
00:41:28,319 --> 00:41:30,446
To formulate compounds for a job?

535
00:41:31,114 --> 00:41:32,991
And to go into the field with us.

536
00:41:33,157 --> 00:41:35,410
No, I rarely go into the field, Mr. Cobb.

537
00:41:35,576 --> 00:41:39,288
Well, we'd need you there to tailor
compounds specific to our needs.

538
00:41:39,455 --> 00:41:41,582
-Which are?
-Great depth.

539
00:41:41,749 --> 00:41:45,003
A dream within a dream? Two levels?

540
00:41:47,755 --> 00:41:48,798
Three.

541
00:41:48,965 --> 00:41:52,552
Not possible. That many dreams
within dreams is too unstable.

542
00:41:52,719 --> 00:41:56,681
It is possible.
You just have to add a sedative.

543
00:41:56,848 --> 00:41:59,517
A powerful sedative.

544
00:42:01,310 --> 00:42:03,563
-How many team members?
-Five.

545
00:42:03,730 --> 00:42:05,440
SAITO:
Six.

546
00:42:06,315 --> 00:42:10,361
The only way to know you've done the job
is if I go in with you.

547
00:42:10,528 --> 00:42:13,614
There's no room for tourists
on a job like this, Mr. Saito.

548
00:42:13,781 --> 00:42:16,159
This time, it seems there is.

549
00:42:17,118 --> 00:42:20,830
This, I think, is a good place to start.
I use it every day.

550
00:42:20,997 --> 00:42:23,124
COBB: What for?
-Here, I'll show you.

551
00:42:27,462 --> 00:42:29,172
Perhaps you will not want to see.

552
00:42:32,133 --> 00:42:33,718
After you.

553
00:42:33,926 --> 00:42:35,595
[MACHINE HISSING]

554
00:42:43,019 --> 00:42:46,022
EAMES:
Ten. Twelve. All connected. Bloody hell.

555
00:42:46,189 --> 00:42:47,982
They come every day to share the dream.

556
00:42:50,985 --> 00:42:53,571
You see? Very stable.

557
00:42:59,285 --> 00:43:03,331
-How long do they dream for?
YUSUF: Three, four hours, each day.

558
00:43:03,623 --> 00:43:04,665
In dream time?

559
00:43:04,832 --> 00:43:08,503
With this compound? About 40 hours,
each and every day.

560
00:43:08,669 --> 00:43:11,964
-Why do they do it?
YUSUF: Tell him, Mr. Cobb.

561
00:43:13,508 --> 00:43:15,927
After a while, it becomes
the only way you can dream.

562
00:43:16,094 --> 00:43:18,012
Do you still dream, Mr. Cobb?

563
00:43:18,679 --> 00:43:22,058
-They come here every day to sleep?
MAN: No.

564
00:43:23,810 --> 00:43:26,521
They come to be woken up.

565
00:43:27,522 --> 00:43:30,817
The dream has become their reality.

566
00:43:31,734 --> 00:43:34,112
Who are you to say otherwise, sir?

567
00:43:36,405 --> 00:43:38,032
Let's see what you can do.

568
00:43:45,540 --> 00:43:46,958
[METAL GROANING]

569
00:43:49,043 --> 00:43:50,628
You know how to find me.

570
00:43:53,214 --> 00:43:55,216
You know what you have to do.

571
00:44:00,471 --> 00:44:01,556
Sharp, no?

572
00:44:17,113 --> 00:44:19,949
SAITO:
Are you all right, Mr. Cobb?

573
00:44:20,491 --> 00:44:24,245
Yeah, yeah. Everything's just fine.

574
00:44:32,712 --> 00:44:36,424
Robert Fischer, heir to the Fischer Morrow
energy conglomerate.

575
00:44:36,591 --> 00:44:38,467
COBB:
What's your problem with this Mr. Fischer?

576
00:44:38,634 --> 00:44:40,261
That's not your concern.

577
00:44:40,636 --> 00:44:45,016
Mr. Saito, this isn't your typical
corporate espionage.

578
00:44:45,183 --> 00:44:46,767
You asked me for inception.

579
00:44:46,934 --> 00:44:50,313
I do hope you understand
the gravity of that request.

580
00:44:50,479 --> 00:44:54,442
Now, the seed that we plant
in this man's mind will grow into an idea.

581
00:44:54,609 --> 00:44:56,485
This idea will define him.

582
00:44:56,652 --> 00:44:58,487
It may come to change...

583
00:44:58,654 --> 00:45:00,948
Well, it may come to change
everything about him.

584
00:45:01,115 --> 00:45:05,453
We're the last company standing
between them and total energy dominance.

585
00:45:05,620 --> 00:45:07,705
And we can no longer compete.

586
00:45:07,872 --> 00:45:11,334
Soon, they'll control the energy supply
of half the world.

587
00:45:11,500 --> 00:45:13,878
In effect, they become
a new superpower.

588
00:45:15,296 --> 00:45:18,633
The world needs Robert Fischer
to change his mind.

589
00:45:18,799 --> 00:45:20,343
EAMES:
That's where we come in.

590
00:45:20,509 --> 00:45:23,804
How is Robert Fischer's relationship
with his father?

591
00:45:23,971 --> 00:45:26,682
Rumor is the relationship
is quite complicated.

592
00:45:26,849 --> 00:45:29,352
Well, we can't work based
solely on rumor, can we?

593
00:45:29,518 --> 00:45:32,730
Can you get me access to this man here?
Browning.

594
00:45:32,897 --> 00:45:37,068
Fischer Senior's right-hand man.
Fischer Junior's godfather.

595
00:45:37,235 --> 00:45:40,488
It should be possible,
if you can get the right references.

596
00:45:40,655 --> 00:45:45,159
References are something
of a specialty for me, Mr. Saito.

597
00:45:45,785 --> 00:45:48,704
BROWNING: I'm not smelling
settlement here. Take them down.

598
00:45:48,871 --> 00:45:49,997
LAWYER:
Mr. Browning...

599
00:45:50,164 --> 00:45:54,001
...Maurice Fischer's policy
is always one of avoiding litigation.

600
00:45:56,545 --> 00:46:01,008
Well, shall we voice your concerns
with Maurice directly?

601
00:46:01,175 --> 00:46:02,593
Not sure that's necessary.

602
00:46:02,760 --> 00:46:05,429
No, no, no. I think we should.

603
00:46:26,701 --> 00:46:28,286
BROWNING:
How is he?

604
00:46:29,120 --> 00:46:31,872
I don't want to bother him
unnecessarily, but--

605
00:46:32,039 --> 00:46:37,545
MAURICE: Robert, I told you keep out
the damn-- Wait. So do it. Get--

606
00:46:37,795 --> 00:46:40,881
NURSE: Mr. Fischer.
MAURICE: Put it through.

607
00:46:41,257 --> 00:46:44,885
Never, never.
Never do the same as I asked.

608
00:46:46,178 --> 00:46:47,847
Leave that.

609
00:46:51,559 --> 00:46:52,893
Here.

610
00:46:55,187 --> 00:46:57,565
BROWNING:
Must be a cherished memory of his.

611
00:46:58,691 --> 00:47:03,237
I put it beside his bed.
He hasn't even noticed.

612
00:47:03,404 --> 00:47:05,072
Robert...

613
00:47:07,408 --> 00:47:09,827
...we need to talk about
a power of attorney.

614
00:47:09,994 --> 00:47:13,289
- I know this is hard, but it's imperative--
-Not now, Uncle Peter.

615
00:47:17,293 --> 00:47:19,086
EAMES:
The vultures are circling.

616
00:47:19,253 --> 00:47:23,674
And the sicker Maurice Fischer becomes,
the more powerful Peter Browning becomes.

617
00:47:23,841 --> 00:47:26,260
I've had ample opportunity
to observe Browning...

618
00:47:26,886 --> 00:47:31,265
...and adopt his physical presence, study
his mannerisms, and so on and so forth.

619
00:47:31,432 --> 00:47:35,269
So now in the first layer of the dream,
I can impersonate Browning.

620
00:47:35,436 --> 00:47:38,689
And suggest concepts
to Fischer's conscious mind.

621
00:47:38,856 --> 00:47:40,691
Then, when we take him
a level deeper...

622
00:47:40,858 --> 00:47:44,362
...his own projection of Browning
should feed that right back to him.

623
00:47:44,528 --> 00:47:46,447
So he gives himself the idea.

624
00:47:46,614 --> 00:47:50,868
Precisely. That's the only way it will stick.
It has to seem self-generated.

625
00:47:51,035 --> 00:47:54,455
Eames, I am impressed.

626
00:47:54,622 --> 00:47:58,167
Your condescension, as always,
is much appreciated, Arthur, thank you.

627
00:48:10,471 --> 00:48:11,680
[DOOR OPENS]

628
00:48:19,522 --> 00:48:21,524
Were you going under on your own?

629
00:48:21,690 --> 00:48:25,194
No, no, I was just, uh, running
some experiments.

630
00:48:25,361 --> 00:48:27,321
I didn't realize anyone was here, so...

631
00:48:27,488 --> 00:48:30,157
Yeah, I was just--
I was working on my totem, actually.

632
00:48:30,324 --> 00:48:31,492
Here, let me take a look.

633
00:48:33,661 --> 00:48:34,995
So you're learning, huh?

634
00:48:35,162 --> 00:48:38,666
An elegant solution
for keeping track of reality.

635
00:48:39,291 --> 00:48:41,669
-Was it your idea?
-No, it was, uh...

636
00:48:41,919 --> 00:48:44,004
It was Mal's, actually. This...

637
00:48:44,672 --> 00:48:48,467
This one was hers. She would spin it
in the dream and it would never topple.

638
00:48:48,676 --> 00:48:51,554
Just spin and spin.

639
00:48:53,097 --> 00:48:55,015
Arthur told me she passed away.

640
00:48:56,934 --> 00:48:59,019
How are the mazes coming along?

641
00:48:59,186 --> 00:49:02,064
Each level relates to the part
of the subject's subconscious...

642
00:49:02,231 --> 00:49:03,691
...that we are trying to access.

643
00:49:03,858 --> 00:49:09,321
So I'm making the bottom level a hospital,
so Fischer will bring his father.

644
00:49:09,697 --> 00:49:12,450
You know, I-- Actually, I have a question
about this layout.

645
00:49:12,616 --> 00:49:17,371
No, no, no. Don't show me specifics.
Only the dreamer should know the layout.

646
00:49:17,538 --> 00:49:18,706
Why is that so important?

647
00:49:18,873 --> 00:49:20,875
In case one of us brings in
our projections.

648
00:49:21,041 --> 00:49:23,377
We don't want them knowing
the details of the maze.

649
00:49:24,753 --> 00:49:27,214
You mean in case you bring Mal in.

650
00:49:27,381 --> 00:49:29,800
You can't keep her out, can you?

651
00:49:30,718 --> 00:49:32,219
-Right.
-You can't build...

652
00:49:32,386 --> 00:49:35,723
...because if you know the maze,
then she knows it.

653
00:49:35,890 --> 00:49:38,058
Well, she'd sabotage
the whole operation.

654
00:49:38,225 --> 00:49:41,061
-Cobb, do the others know?
-No. No, they don't.

655
00:49:41,228 --> 00:49:43,439
You've gotta warn them
if this is getting worse.

656
00:49:43,606 --> 00:49:45,566
No one said it's getting worse.

657
00:49:46,734 --> 00:49:50,070
I need to get home.
That's all I care about right now.

658
00:49:50,905 --> 00:49:52,990
Why can't you go home?

659
00:49:56,076 --> 00:49:58,120
Because they think I killed her.

660
00:50:01,373 --> 00:50:03,626
-Thank you.
-For what?

661
00:50:03,834 --> 00:50:06,086
For not asking whether I did.

662
00:50:06,253 --> 00:50:08,422
"I will split up my father's empire."

663
00:50:08,589 --> 00:50:12,801
Now, this is obviously an idea that
Robert himself would choose to reject...

664
00:50:12,968 --> 00:50:15,763
...which is why we need to plant it deep
in his subconscious.

665
00:50:15,930 --> 00:50:19,475
The subconscious is motivated
by emotion, right? Not reason.

666
00:50:19,642 --> 00:50:23,437
We need to find a way to translate this
into an emotional concept.

667
00:50:23,604 --> 00:50:26,023
How do you translate business strategy
into emotion?

668
00:50:26,190 --> 00:50:29,777
That's what we're here to figure out.
Robert's relationship with his father...

669
00:50:29,944 --> 00:50:32,696
-...Is stressed, to say the least.
-Can we run with that?

670
00:50:32,863 --> 00:50:36,450
We suggest breaking up his father's
company as a "screw you" to the old man.

671
00:50:36,617 --> 00:50:40,120
No, because I think positive emotion
trumps negative emotion every time.

672
00:50:40,496 --> 00:50:44,208
We all yearn for reconciliation,
for catharsis.

673
00:50:44,375 --> 00:50:48,128
We need Robert Fischer to have
a positive emotional reaction to all this.

674
00:50:48,295 --> 00:50:50,130
All right, well, try this. Um...

675
00:50:50,297 --> 00:50:55,052
"My father accepts that I want to create
for myself, not follow in his footsteps."

676
00:50:55,469 --> 00:50:56,512
That might work.

677
00:50:56,679 --> 00:50:59,848
Might? We're gonna need to do
a little better than "might."

678
00:51:00,015 --> 00:51:01,976
Thank you for your contribution, Arthur.

679
00:51:02,142 --> 00:51:05,104
Forgive me for wanting
a little specificity, Eames.

680
00:51:05,312 --> 00:51:06,397
Specificity?

681
00:51:06,564 --> 00:51:08,399
Inception's not about being specific.

682
00:51:08,566 --> 00:51:12,528
When we get inside his mind, we're
gonna have to work with what we find.

683
00:51:13,821 --> 00:51:16,824
EAMES: On the top level, we open up
his relationship with his father...

684
00:51:16,991 --> 00:51:20,077
...and say, "I will not follow
in my father's footsteps."

685
00:51:20,244 --> 00:51:24,915
Then the next level down, we feed him,
"I will create something for myself."

686
00:51:25,082 --> 00:51:28,419
Then, by the time we hit the bottom level,
we bring out the big guns.

687
00:51:28,586 --> 00:51:31,005
-"My father doesn't want me to be him."
EAMES: Exactly.

688
00:51:31,171 --> 00:51:32,172
[MACHINE HISSING]

689
00:51:32,339 --> 00:51:36,343
Three layers down, the dreams are gonna
collapse with the slightest disturbance.

690
00:51:36,510 --> 00:51:37,678
Sedation.

691
00:51:37,845 --> 00:51:40,681
For sleep stable enough to create
three layers of dreaming...

692
00:51:40,848 --> 00:51:44,768
...we'll have to combine it with
an extremely powerful sedative.

693
00:51:45,102 --> 00:51:46,687
[MACHINE HISSING]

694
00:51:56,196 --> 00:51:57,281
Good night.

695
00:51:57,865 --> 00:52:00,075
YUSUF: The compound we'll be using
to share the dream...

696
00:52:00,242 --> 00:52:02,202
...creates a clear connection
between dreamers...

697
00:52:02,369 --> 00:52:06,582
-...whilst accelerating brain function.
-In other words, more time on each level.

698
00:52:06,749 --> 00:52:09,877
Brain function in the dream will be
about 20 times normal.

699
00:52:10,085 --> 00:52:13,589
And when you enter a dream within
that dream, the effect is compounded.

700
00:52:13,756 --> 00:52:15,883
It's three dreams,
that's 10 hours times 20--

701
00:52:16,050 --> 00:52:18,927
Math was never my strong subject.
How much time is that?

702
00:52:19,094 --> 00:52:21,764
It's a week, the first level down.

703
00:52:22,473 --> 00:52:25,309
Six months the second level down,
and the third level--

704
00:52:25,476 --> 00:52:26,894
That's 10 years.

705
00:52:29,563 --> 00:52:31,732
Who'd wanna be stuck
in a dream for 10 years?

706
00:52:32,107 --> 00:52:33,275
Depends on the dream.

707
00:52:33,442 --> 00:52:35,736
So once we've made the plant,
how do we get out?

708
00:52:35,903 --> 00:52:39,239
I'm hoping you have something more
elegant than shooting me in the head.

709
00:52:39,406 --> 00:52:42,201
-A kick.
-What's a kick?

710
00:52:42,368 --> 00:52:45,079
EAMES:
This, Ariadne, would be a kick.

711
00:52:47,206 --> 00:52:49,917
It's that feeling of falling you get
that jolts you awake.

712
00:52:50,084 --> 00:52:53,295
-Snaps you out of the dream.
-We gonna feel a kick with this sedation?

713
00:52:53,462 --> 00:52:54,672
YUSUF:
That's the clever part.

714
00:52:54,838 --> 00:52:58,092
I customized the sedative to leave
inner-ear function unimpaired.

715
00:52:58,258 --> 00:53:03,097
That way, however deep the sleep,
the sleeper still feels falling.

716
00:53:03,263 --> 00:53:05,599
Or tipping.

717
00:53:06,266 --> 00:53:10,437
The trick is to synchronize a kick
that can penetrate all three levels.

718
00:53:10,938 --> 00:53:14,483
We could use a musical countdown
to synchronize the different kicks.

719
00:53:14,650 --> 00:53:16,985
['NON, JE NE REGRETTE RIEN" PLAYING]

720
00:53:22,366 --> 00:53:25,869
EAMES: He hasn't got any surgery
scheduled, no dental, nothing.

721
00:53:26,036 --> 00:53:28,038
COBB: Wasn't he supposed to have
a knee operation?

722
00:53:28,205 --> 00:53:31,458
Nothing. Nothing that they'll
put him under for, anyway. And we need--

723
00:53:31,625 --> 00:53:33,544
We need at least a good 10 hours.

724
00:53:33,711 --> 00:53:35,045
Sydney to Los Angeles.

725
00:53:36,380 --> 00:53:40,634
One of the longest flights in the world.
He makes it every two weeks.

726
00:53:40,801 --> 00:53:42,970
He must be flying private, then.

727
00:53:43,470 --> 00:53:46,640
SAITO: Not if there were unexpected
maintenance with his plane.

728
00:53:46,807 --> 00:53:49,059
ARTHUR: It would have to be a 747.
-Why's that?

729
00:53:49,226 --> 00:53:50,686
On a 747, the pilot's up top...

730
00:53:50,853 --> 00:53:54,064
...the first-class cabin's in the nose,
so no one would walk through.

731
00:53:54,231 --> 00:53:57,735
You'd have to buy out the entire cabin
and the first-class flight attendant.

732
00:53:57,901 --> 00:53:59,486
I bought the airline.

733
00:54:01,029 --> 00:54:02,823
It seemed neater.

734
00:54:04,450 --> 00:54:07,244
Well, looks like we have our 10 hours.

735
00:54:07,911 --> 00:54:11,039
Ariadne? Terrific work, by the way.

736
00:54:13,834 --> 00:54:15,502
[MACHINE HISSING]

737
00:54:59,046 --> 00:55:01,215
MAL:
You know how to find me.

738
00:55:02,716 --> 00:55:04,134
You know what you have to do.

739
00:55:07,971 --> 00:55:11,433
You remember when you asked me
to marry you?

740
00:55:12,309 --> 00:55:14,353
Of course I do.

741
00:55:15,437 --> 00:55:17,940
You said you had a dream.

742
00:55:20,901 --> 00:55:23,654
That we'd grow old together.

743
00:55:25,072 --> 00:55:26,782
And we can.

744
00:55:33,455 --> 00:55:35,415
COBB:
You shouldn't be here.

745
00:55:39,169 --> 00:55:42,631
Just wanted to see what kind of tests
you're doing on your own every night.

746
00:55:42,798 --> 00:55:46,009
-This has nothing to do with you.
-This has everything to do with me.

747
00:55:46,176 --> 00:55:51,974
-You've asked me to share dreams with you.
-Not these. These are my dreams.

748
00:56:02,860 --> 00:56:05,279
ARIADNE:
Why do you do this to yourself?

749
00:56:05,445 --> 00:56:08,365
It's the only way I can still dream.

750
00:56:10,117 --> 00:56:12,327
Why is it so important to dream?

751
00:56:13,245 --> 00:56:15,497
In my dreams, we're still together.

752
00:56:29,845 --> 00:56:31,597
These aren't just dreams.

753
00:56:33,390 --> 00:56:36,435
These are memories.
And you said never to use memories.

754
00:56:36,602 --> 00:56:37,644
I know I did.

755
00:56:38,312 --> 00:56:42,816
You're trying to keep her alive.
You can't let her go.

756
00:56:42,983 --> 00:56:45,986
You don't understand.
These are moments I regret.

757
00:56:46,153 --> 00:56:48,739
They're memories that I have to change.

758
00:56:49,990 --> 00:56:52,451
Well, what's down there that you regret?

759
00:56:52,826 --> 00:56:55,996
Listen, there's only one thing
you need to understand about me.

760
00:57:04,463 --> 00:57:06,048
ARIADNE:
This is your house?

761
00:57:06,715 --> 00:57:09,176
Mine and Mal's, yes.

762
00:57:09,343 --> 00:57:11,053
Where is she?

763
00:57:11,720 --> 00:57:13,722
She's already gone.

764
00:57:18,477 --> 00:57:20,020
That's my son, James.

765
00:57:20,187 --> 00:57:23,273
He's digging for something,
maybe a worm.

766
00:57:23,440 --> 00:57:24,483
[JAMES GIGGLING]

767
00:57:24,650 --> 00:57:25,776
That's Phillipa.

768
00:57:26,318 --> 00:57:28,195
I thought about calling out to them...

769
00:57:28,362 --> 00:57:31,114
...So they'd turn and smile
and I could see...

770
00:57:31,823 --> 00:57:36,954
...those beautiful faces of theirs,
but it's all too late.

771
00:57:37,120 --> 00:57:39,957
MAN:
Right now or never, Cobb.

772
00:57:44,419 --> 00:57:46,213
COBB:
Then I start to panic.

773
00:57:46,380 --> 00:57:49,091
I realize I'm gonna regret this moment...

774
00:57:49,925 --> 00:57:52,260
...that I need to see their faces
one last time.

775
00:57:52,427 --> 00:57:54,930
WOMAN:
James! Phillipa! Come on in!

776
00:57:55,097 --> 00:57:57,140
COBB:
But the moment's past.

777
00:57:59,351 --> 00:58:02,729
And whatever I do,
I can't change this moment.

778
00:58:03,605 --> 00:58:05,774
As I'm about to call out to them...

779
00:58:06,817 --> 00:58:07,901
...they run away.

780
00:58:10,654 --> 00:58:13,907
If I'm ever gonna see their faces again,
I've gotta get back home.

781
00:58:14,950 --> 00:58:16,451
The real world.

782
00:58:22,082 --> 00:58:23,750
[TRAIN APPROACHING]

783
00:58:45,480 --> 00:58:47,482
[SIREN WAILING IN THE DISTANCE]

784
00:58:58,035 --> 00:58:59,494
What are you doing here?

785
00:59:00,328 --> 00:59:01,455
My name is--

786
00:59:01,621 --> 00:59:04,916
I know who you are.
What are you doing here?

787
00:59:13,091 --> 00:59:15,510
I'm just trying to understand.

788
00:59:15,677 --> 00:59:17,804
How could you understand?

789
00:59:19,014 --> 00:59:21,141
Do you know what it is to be a lover?

790
00:59:23,143 --> 00:59:25,312
To be half of a whole?

791
00:59:26,521 --> 00:59:28,106
No.

792
00:59:29,566 --> 00:59:31,568
I'll tell you a riddle.

793
00:59:33,028 --> 00:59:35,322
You're waiting for a train.

794
00:59:36,364 --> 00:59:39,534
A train that will take you far away.

795
00:59:40,911 --> 00:59:43,872
You know where you hope
this train will take you...

796
00:59:44,915 --> 00:59:47,167
...but you don't know for sure.

797
00:59:47,334 --> 00:59:49,252
But it doesn't matter.

798
00:59:50,212 --> 00:59:53,632
How can it not matter to you
where that train will take you?

799
00:59:53,799 --> 00:59:55,550
COBB:
Because you'll be together.

800
00:59:56,593 --> 00:59:59,679
MAL: How could you bring her here, Dom?
-What is this place?

801
01:00:00,097 --> 01:00:03,266
This is a hotel suite where we
used to spend our anniversary.

802
01:00:03,433 --> 01:00:04,768
What happened here?

803
01:00:06,686 --> 01:00:09,523
You promised!
You promised we'd be together!

804
01:00:09,940 --> 01:00:12,025
Please, I need you to stay here
just for now!

805
01:00:12,192 --> 01:00:15,403
You said we'd be together!
You said we'd grow old together!

806
01:00:15,570 --> 01:00:18,031
I'll come back for you. I promise.

807
01:00:18,198 --> 01:00:19,699
[YELLING]

808
01:00:36,258 --> 01:00:41,638
Do you think you can just build
a prison of memories to lock her in?

809
01:00:42,264 --> 01:00:44,641
Do you really think that
that's gonna contain her?

810
01:00:45,559 --> 01:00:46,810
SAITO:
It's time.

811
01:00:48,061 --> 01:00:50,397
Maurice Fischer just died in Sydney.

812
01:00:50,564 --> 01:00:52,732
-When's the funeral?
-Thursday. In Los Angeles.

813
01:00:52,899 --> 01:00:56,153
Robert should accompany the body
no later than Tuesday. We should move.

814
01:00:56,319 --> 01:00:57,779
All right.

815
01:00:58,405 --> 01:01:01,408
-Cobb, I'm coming with you.
-1 promised Miles. No.

816
01:01:01,575 --> 01:01:04,744
The team needs someone who
understands what you're struggling with.

817
01:01:07,289 --> 01:01:09,457
And it doesn't have to be me...

818
01:01:09,624 --> 01:01:12,919
...but then you have to show Arthur
what I just saw.

819
01:01:18,717 --> 01:01:20,427
Get us another seat on the plane.

820
01:01:24,472 --> 01:01:27,517
COBB: If I get on this plane
and you don't honor our agreement...

821
01:01:27,684 --> 01:01:31,354
...when we land,
I go to jail for the rest of my life.

822
01:01:32,022 --> 01:01:34,232
Complete the job en route...

823
01:01:34,399 --> 01:01:36,860
...I make one phone call from the plane...

824
01:01:37,027 --> 01:01:39,946
...you have no trouble
getting through Immigration.

825
01:01:53,668 --> 01:01:56,171
-I'm sorry.
-Oh, yeah, absolutely.

826
01:01:56,338 --> 01:01:57,923
Thank you.

827
01:02:31,498 --> 01:02:34,834
Excuse me, I think this is yours?
You must have dropped it.

828
01:02:35,001 --> 01:02:36,878
FLIGHT ATTENDANT:
Would you care for a drink?

829
01:02:37,045 --> 01:02:38,338
Oh. Water, please.

830
01:02:38,505 --> 01:02:40,840
Oh, um, same, please.

831
01:02:41,800 --> 01:02:43,093
Um...

832
01:02:43,843 --> 01:02:44,928
Thank you.

833
01:02:45,095 --> 01:02:46,972
You know, I couldn't help but notice...

834
01:02:47,138 --> 01:02:50,725
...but you wouldn't happen to be related
to the Maurice Fischer, would you?

835
01:02:50,892 --> 01:02:52,394
Yes, he, um...

836
01:02:53,353 --> 01:02:55,355
He was my father.

837
01:02:55,772 --> 01:02:59,818
Well, he was a very inspiring figure.
I'm sorry for your loss.

838
01:03:02,779 --> 01:03:04,447
-Here you go.
-Thank you.

839
01:03:04,614 --> 01:03:05,949
COBB:
Hey.

840
01:03:06,366 --> 01:03:07,993
To your father.

841
01:03:08,576 --> 01:03:10,829
May he rest in peace, huh?

842
01:04:02,297 --> 01:04:03,798
[MACHINE HISSING]

843
01:04:14,601 --> 01:04:15,935
[HORN HONKS]

844
01:04:19,272 --> 01:04:21,608
-Couldn't have peed before you went under?
-Sorry.

845
01:04:21,775 --> 01:04:23,818
Bit too much free champagne
before takeoff?

846
01:04:23,985 --> 01:04:25,111
Ha, ha, bloody ha.

847
01:04:25,278 --> 01:04:28,239
We know he's gonna be looking for a taxi
in this weather.

848
01:04:39,918 --> 01:04:43,963
-Asshole! Hey, man, why don't you try--?
-Walk away.

849
01:04:56,059 --> 01:04:58,395
[MAN SINGING IN FOREIGN LANGUAGE
ON RADIO]

850
01:04:58,561 --> 01:04:59,646
[TURNS OFF RADIO]

851
01:04:59,813 --> 01:05:01,231
Just have him ca-- I gotta go.

852
01:05:01,398 --> 01:05:03,525
All right. Taxi. Thank you.

853
01:05:06,486 --> 01:05:09,322
All right, Third and Market. Snappy.

854
01:05:09,906 --> 01:05:12,242
-What are you doing?
-Sorry, I thought it was free.

855
01:05:12,409 --> 01:05:13,910
-It's not.
-Maybe we could share.

856
01:05:14,077 --> 01:05:16,913
Maybe not.
Can you pull over and get this--?

857
01:05:19,874 --> 01:05:21,209
Great.

858
01:05:26,172 --> 01:05:27,632
Come on.

859
01:05:38,726 --> 01:05:41,354
There's $500 in there.
The wallet's worth more than that.

860
01:05:41,521 --> 01:05:43,231
You might at least
drop me at my stop.

861
01:05:43,398 --> 01:05:44,524
I'm afraid that it doesn't--

862
01:05:44,691 --> 01:05:46,234
[GUNFIRE THEN EAMES GRUNTS]

863
01:05:47,527 --> 01:05:49,195
[TIRES SCREECHING]

864
01:05:54,200 --> 01:05:56,035
-Cover him!
EAMES: Down! Down now!

865
01:05:56,202 --> 01:05:57,829
What the hell is going on?

866
01:06:01,541 --> 01:06:03,793
ARIADNE:
This wasn't in the design.

867
01:06:04,711 --> 01:06:06,087
Cobb?

868
01:06:06,337 --> 01:06:07,380
Cobb?

869
01:06:12,844 --> 01:06:14,387
[GUNFIRE]

870
01:06:51,049 --> 01:06:52,175
[YELLS]

871
01:06:58,264 --> 01:06:59,474
Get him!

872
01:07:06,147 --> 01:07:07,607
Are you all right?

873
01:07:07,774 --> 01:07:09,943
Yeah, I'm okay. I'm okay.

874
01:07:10,109 --> 01:07:12,028
Fischer's okay, unless he gets carsick.

875
01:07:12,195 --> 01:07:13,446
Saito?

876
01:07:32,340 --> 01:07:34,467
COBB:
Get Fischer in the back room now.

877
01:07:34,801 --> 01:07:37,470
-Get him in the back room. Move.
ARTHUR: What the hell happened?

878
01:07:37,929 --> 01:07:39,389
COBB:
Has he been shot? Is he dying?

879
01:07:39,556 --> 01:07:41,307
ARTHUR: I don't know.
-Jesus Christ.

880
01:07:41,474 --> 01:07:43,893
ARTHUR: What happened to you?
-Blocked by a freight train.

881
01:07:44,060 --> 01:07:46,020
Why put a train
in a downtown intersection?

882
01:07:46,187 --> 01:07:47,814
- I didn't.
ARTHUR: Where'd it come from?

883
01:07:47,981 --> 01:07:49,649
Why the hell were we ambushed?

884
01:07:49,816 --> 01:07:52,235
Those were not normal projections.
They'd been trained, for God's sakes.

885
01:07:54,320 --> 01:07:55,947
-How could he be trained?
-Fischer's had an extractor...

886
01:07:56,114 --> 01:08:00,326
...teach his subconscious to defend itself,
so his subconscious is militarized.

887
01:08:00,493 --> 01:08:02,120
It should've shown in the research.

888
01:08:02,287 --> 01:08:04,080
COBB: Why the hell didn't it?
-Calm down.

889
01:08:04,247 --> 01:08:05,582
COBB:
Don't tell me to calm down!

890
01:08:05,748 --> 01:08:08,668
This was your job, goddamn it!
This was your responsibility!

891
01:08:08,835 --> 01:08:10,920
You were meant to check
Fischer's background!

892
01:08:11,087 --> 01:08:14,424
-We are not prepared for this!
-We have dealt with sub-security before!

893
01:08:14,591 --> 01:08:16,676
We'll be more careful
and we're gonna be fine!

894
01:08:16,843 --> 01:08:18,678
This was not a part of the plan!
He's dying.

895
01:08:18,845 --> 01:08:19,887
Put him out his misery.

896
01:08:20,054 --> 01:08:22,890
-No, don't do that! Don't do that.
-Cobb, hey, hey.

897
01:08:23,057 --> 01:08:25,184
He's in agony. I'm waking him up.

898
01:08:25,351 --> 01:08:27,228
No. It won't wake him up.

899
01:08:27,395 --> 01:08:31,024
What do you mean, it won't wake him up?
When we die in a dream, we wake up.

900
01:08:31,190 --> 01:08:32,442
Not from this.

901
01:08:32,609 --> 01:08:35,153
We're too heavily sedated
to wake up that way.

902
01:08:35,737 --> 01:08:37,447
Right. So, what happens when we die?

903
01:08:37,614 --> 01:08:39,449
-We drop into limbo.
-Are you serious?

904
01:08:39,616 --> 01:08:42,160
-Limbo?
ARTHUR: Unconstructed dream space.

905
01:08:42,327 --> 01:08:45,580
ARIADNE: What the hell is down there?
-Just raw, infinite subconscious.

906
01:08:45,747 --> 01:08:48,958
Nothing is down there, except for
what might have been left behind...

907
01:08:49,125 --> 01:08:52,045
...by anyone sharing the dream
who's been trapped there before.

908
01:08:52,211 --> 01:08:54,088
Which, in our case, is just you.

909
01:08:54,255 --> 01:08:56,966
-How long could we be stuck?
YUSUF: Can't even think about...

910
01:08:57,133 --> 01:08:59,552
-...trying to escape until the sedation--
-How long?

911
01:08:59,719 --> 01:09:02,930
Decades. It could be infinite.
Ask him, he's the one who's been there.

912
01:09:03,097 --> 01:09:04,307
ARTHUR:
Let's get him upstairs.

913
01:09:04,474 --> 01:09:05,767
[GROANING]

914
01:09:05,933 --> 01:09:07,393
Great.

915
01:09:08,394 --> 01:09:09,896
Thank you.

916
01:09:10,563 --> 01:09:13,816
So now we're trapped in Fischer's mind,
battling his own private army.

917
01:09:13,983 --> 01:09:15,443
And if we get killed...

918
01:09:15,610 --> 01:09:18,863
...we'll be lost in limbo till our brains
turn to scrambled egg, hmm?

919
01:09:25,745 --> 01:09:27,580
ARTHUR:
Someone got first aid?

920
01:09:29,832 --> 01:09:33,294
-You knew these risks and didn't tell us?
-There weren't meant to be risks.

921
01:09:33,461 --> 01:09:36,422
- I didn't know we'd be dealing with gunfire.
-You had no right.

922
01:09:36,589 --> 01:09:38,925
This was the only way
to go three layers deep.

923
01:09:39,092 --> 01:09:41,094
You knew about this
and went along with it?

924
01:09:41,260 --> 01:09:42,303
I trusted him.

925
01:09:42,470 --> 01:09:44,389
When? When he promised you
half his share?

926
01:09:44,555 --> 01:09:47,809
No. His whole share.
Besides, he said he'd done it before.

927
01:09:47,975 --> 01:09:50,061
What, with Mal?
Because that worked so good?

928
01:09:50,228 --> 01:09:53,648
That has nothing to do with it.
I did what I had to to get to my children.

929
01:09:53,815 --> 01:09:55,733
You led us into a war zone
with no way out?

930
01:09:55,900 --> 01:09:59,946
There is a way out. We continue on with
the job, and we do it as fast as possible...

931
01:10:00,113 --> 01:10:02,448
...and we get out using the kick,
just like before.

932
01:10:02,615 --> 01:10:05,076
Forget it. We go any deeper,
we just raise the stakes.

933
01:10:05,243 --> 01:10:07,120
I am sitting this one out on this level.

934
01:10:07,286 --> 01:10:09,706
COBB: Fischer's security
is surrounding this place.

935
01:10:09,872 --> 01:10:12,125
Ten hours of flight time
is a week at this level.

936
01:10:12,291 --> 01:10:16,045
That means each and every one of us
will be killed. That I can guarantee you.

937
01:10:16,629 --> 01:10:20,425
We have no other choice but to continue on
and do it as fast as possible.

938
01:10:22,009 --> 01:10:24,470
Downwards is the only way forwards.

939
01:10:26,013 --> 01:10:27,140
Get ready.

940
01:10:27,306 --> 01:10:29,475
You, come on. Let's go shake him up.

941
01:10:34,355 --> 01:10:37,400
I'm insured against kidnapping
for up to 10 million.

942
01:10:37,567 --> 01:10:40,486
-This should be very simple.
COBB: Shut up! It won't be.

943
01:10:40,653 --> 01:10:42,947
ARTHUR: In your father's office,
below the bookshelves...

944
01:10:43,114 --> 01:10:45,158
...Is his personal safe.
We need the combination.

945
01:10:45,324 --> 01:10:46,367
[SIGHS]

946
01:10:46,534 --> 01:10:47,952
I don't know any safe.

947
01:10:48,161 --> 01:10:50,997
COBB: That doesn't mean
you don't know the combination.

948
01:10:52,665 --> 01:10:54,000
Tell us what it is.

949
01:10:54,834 --> 01:10:56,586
I don't know.

950
01:11:01,507 --> 01:11:03,676
We have it on good authority
you do know.

951
01:11:03,843 --> 01:11:06,179
Yeah? Whose authority?

952
01:11:07,680 --> 01:11:11,184
-Five hundred dollars, this cost.
EAMES: What's inside it?

953
01:11:11,434 --> 01:11:15,188
Cash, cards, ID. And this.

954
01:11:20,234 --> 01:11:21,736
Useful?

955
01:11:22,487 --> 01:11:23,529
Maybe.

956
01:11:23,988 --> 01:11:25,782
You're on. You've got an hour.

957
01:11:26,199 --> 01:11:27,200
An hour?

958
01:11:28,534 --> 01:11:30,787
I was supposed to have all night
to crack this.

959
01:11:30,953 --> 01:11:33,539
And Saito wasn't supposed
to be shot in the chest.

960
01:11:33,706 --> 01:11:36,876
You've got one hour,
now get us something useful, please.

961
01:11:37,752 --> 01:11:39,253
[SCREAMING]

962
01:11:39,420 --> 01:11:41,881
-What's that?
-Good authority.

963
01:11:46,093 --> 01:11:47,804
Uncle Peter.

964
01:11:48,513 --> 01:11:50,640
Just make them stop.

965
01:11:50,932 --> 01:11:53,267
-The combination.
-I don't know it.

966
01:11:53,434 --> 01:11:56,103
-Why does Browning say you do?
- I don't know.

967
01:11:56,270 --> 01:11:58,731
Just let me talk to him
and I'll find out.

968
01:12:01,108 --> 01:12:03,820
You have one hour. Start talking.

969
01:12:05,822 --> 01:12:07,031
FISCHER:
You all right?

970
01:12:07,198 --> 01:12:08,741
[GROANING]

971
01:12:08,908 --> 01:12:10,243
You okay?

972
01:12:13,913 --> 01:12:17,583
Those bastards have had at me
for two days.

973
01:12:18,251 --> 01:12:20,753
They have someone with access
to your father's office.

974
01:12:20,920 --> 01:12:22,755
-They're trying to open his safe.
-Yeah.

975
01:12:22,922 --> 01:12:25,675
They thought I'd know the combination,
but I don't know it.

976
01:12:25,842 --> 01:12:28,594
-Yeah, well, neither do I, so...
-What?

977
01:12:29,345 --> 01:12:32,598
Maurice told me that when he passed,
you were the only one able to open it.

978
01:12:32,765 --> 01:12:35,268
No, he never gave me any combination.

979
01:12:36,018 --> 01:12:40,147
Maybe he did. I mean, maybe you
just didn't know it was a combination.

980
01:12:40,314 --> 01:12:41,524
Well, what, then?

981
01:12:41,691 --> 01:12:44,235
I don't know, some meaningful
combination of numbers...

982
01:12:44,402 --> 01:12:48,322
...based on your experiences
with Maurice.

983
01:12:50,032 --> 01:12:53,953
We didn't have very many, uh,
meaningful experiences together.

984
01:12:54,704 --> 01:12:56,163
Perhaps after your mother died.

985
01:12:58,833 --> 01:13:01,544
After my mother died,
you know what he told me?

986
01:13:03,212 --> 01:13:08,175
"Robert,
there's really nothing to be said."

987
01:13:08,342 --> 01:13:10,678
Oh, well, he was bad with emotion.

988
01:13:10,845 --> 01:13:13,556
I was 11, Uncle Peter.

989
01:13:14,307 --> 01:13:17,560
-How's he doing?
-He's in a lot of pain.

990
01:13:17,727 --> 01:13:21,314
When we get down to the lower levels,
the pain will be less intense.

991
01:13:21,480 --> 01:13:22,732
And if he dies?

992
01:13:23,900 --> 01:13:25,359
Worst-case scenario?

993
01:13:25,526 --> 01:13:28,237
When he wakes up,
his mind is completely gone.

994
01:13:28,404 --> 01:13:32,491
Cobb, I'll still honor the arrangement.

995
01:13:32,658 --> 01:13:34,327
COBB:
I appreciate that, Saito.

996
01:13:34,493 --> 01:13:38,581
But when you wake up, you won't even
remember that we had an arrangement.

997
01:13:38,748 --> 01:13:40,791
Limbo is gonna become your reality.

998
01:13:40,958 --> 01:13:44,712
You're gonna be lost down there so long
that you're gonna become an old man.

999
01:13:45,171 --> 01:13:46,505
Filled with regret?

1000
01:13:47,965 --> 01:13:49,050
Waiting to die alone.

1001
01:13:49,717 --> 01:13:50,843
No.

1002
01:13:51,385 --> 01:13:53,012
I'll come back.

1003
01:13:53,846 --> 01:13:56,515
And we'll be young men together again.

1004
01:14:02,480 --> 01:14:03,522
Breathe.

1005
01:14:03,689 --> 01:14:06,734
These people are gonna kill us
if we don't give them the combination.

1006
01:14:06,901 --> 01:14:08,819
-They just wanna ransom us.
- I heard them.

1007
01:14:08,986 --> 01:14:12,865
They're gonna lock us in that van,
and then drive it into the river.

1008
01:14:13,032 --> 01:14:14,533
All right. What is in the safe?

1009
01:14:15,618 --> 01:14:16,786
Something for you.

1010
01:14:17,411 --> 01:14:21,540
Maurice always said
it was his most precious gift to you.

1011
01:14:22,291 --> 01:14:25,378
-A will.
-Maurice's will is with Port and Dunn.

1012
01:14:25,544 --> 01:14:26,754
That's an alternate.

1013
01:14:26,921 --> 01:14:29,298
This would supersede the other
if you want it to.

1014
01:14:29,465 --> 01:14:32,093
It splits up the component businesses
of Fischer Morrow.

1015
01:14:32,259 --> 01:14:35,972
It'd be the end of the entire empire
as we know it.

1016
01:14:36,138 --> 01:14:38,599
Destroying my whole inheritance?

1017
01:14:40,267 --> 01:14:43,437
-Why would he suggest such a thing?
- I just don't know.

1018
01:14:46,315 --> 01:14:48,275
He loved you, Robert.

1019
01:14:48,859 --> 01:14:50,486
In his own way.

1020
01:14:50,653 --> 01:14:52,446
FISCHER:
In his own way.

1021
01:14:53,739 --> 01:14:55,282
At the end...

1022
01:14:56,409 --> 01:14:58,744
...he called me in to his deathbed.

1023
01:14:59,245 --> 01:15:01,080
He could barely speak.

1024
01:15:02,164 --> 01:15:06,419
But he took the trouble
to tell me one last thing.

1025
01:15:08,921 --> 01:15:10,548
He pulled me close.

1026
01:15:13,217 --> 01:15:15,302
And I could only make out...

1027
01:15:16,178 --> 01:15:17,596
...one word.

1028
01:15:21,308 --> 01:15:23,269
"Disappointed.”

1029
01:15:27,440 --> 01:15:28,774
[SIGHS]

1030
01:15:28,941 --> 01:15:30,109
When were you in limbo?

1031
01:15:31,694 --> 01:15:35,197
You might have the rest of the team
convinced to carry on with this job.

1032
01:15:35,364 --> 01:15:37,742
-But they don't know the truth.
-Truth? What truth?

1033
01:15:37,950 --> 01:15:42,079
The truth that, at any minute, you might
bring a freight train through the wall.

1034
01:15:42,246 --> 01:15:46,292
The truth that Mal is bursting
through your subconscious.

1035
01:15:46,459 --> 01:15:48,878
And the truth that,
as we go deeper into Fischer...

1036
01:15:49,045 --> 01:15:50,838
...we're also going deeper into you.

1037
01:15:51,672 --> 01:15:54,967
And I'm not sure
we're gonna like what we find.

1038
01:15:58,971 --> 01:16:00,431
We were working together.

1039
01:16:00,598 --> 01:16:04,268
We were exploring the concept
of a dream within a dream.

1040
01:16:04,477 --> 01:16:05,728
I kept pushing things.

1041
01:16:05,895 --> 01:16:09,565
I wanted to go deeper and deeper.
I wanted to go further.

1042
01:16:10,066 --> 01:16:14,945
I just didn't understand the concept that
hours could turn into years down there...

1043
01:16:15,112 --> 01:16:17,823
...that we could get trapped so deep...

1044
01:16:18,657 --> 01:16:21,994
...that when we wound up on the shore
of our own subconscious...

1045
01:16:22,578 --> 01:16:25,122
...we lost sight of what was real.

1046
01:16:31,170 --> 01:16:33,756
We created.
We built the world for ourselves.

1047
01:16:35,382 --> 01:16:37,384
We did that for years.

1048
01:16:38,511 --> 01:16:40,513
We built our own world.

1049
01:16:41,847 --> 01:16:43,557
How long were you stuck there?

1050
01:16:44,725 --> 01:16:46,852
Something like 50 years.

1051
01:16:50,231 --> 01:16:51,398
Jesus.

1052
01:16:53,692 --> 01:16:55,027
How could you stand it?

1053
01:16:55,194 --> 01:16:57,947
It wasn't so bad at first,
feeling like gods.

1054
01:16:58,114 --> 01:17:01,158
The problem was knowing
that none of it was real.

1055
01:17:01,325 --> 01:17:05,704
Eventually, it just became impossible
for me to live like that.

1056
01:17:05,871 --> 01:17:07,289
And what about for her?

1057
01:17:10,751 --> 01:17:14,672
She had locked something away,
something deep inside her.

1058
01:17:16,048 --> 01:17:21,303
A truth that she had once known,
but chose to forget.

1059
01:17:24,223 --> 01:17:26,725
Limbo became her reality.

1060
01:17:28,060 --> 01:17:29,895
What happened when you woke up?

1061
01:17:30,396 --> 01:17:34,066
Well, to wake up from that
after years, after decades...

1062
01:17:35,151 --> 01:17:39,655
...to become old souls thrown back
into youth like that?

1063
01:17:40,573 --> 01:17:44,326
I knew something was wrong with her.
She just wouldn't admit it.

1064
01:17:45,703 --> 01:17:47,955
Eventually, she told me the truth.

1065
01:17:48,414 --> 01:17:51,750
She was possessed by an idea.

1066
01:17:51,917 --> 01:17:57,631
This one very simple idea
that changed everything.

1067
01:17:58,757 --> 01:18:01,260
That our world wasn't real.

1068
01:18:02,178 --> 01:18:06,432
That she needed to wake up
to come back to reality...

1069
01:18:06,974 --> 01:18:09,351
...that in order to get back home...

1070
01:18:10,603 --> 01:18:12,396
...we had to kill ourselves.

1071
01:18:19,028 --> 01:18:22,489
-What about your children?
-She thought they were projections...

1072
01:18:22,656 --> 01:18:25,659
...that our real children were waiting
for us up there somewhere.

1073
01:18:25,826 --> 01:18:27,536
MAL: I'm their mother!
COBB: Calm down.

1074
01:18:27,703 --> 01:18:28,954
I can tell the difference.

1075
01:18:29,121 --> 01:18:31,457
If this is my dream,
why can't I control this?

1076
01:18:31,624 --> 01:18:33,334
You don't know you're dreaming!

1077
01:18:33,500 --> 01:18:35,711
COBB: She was certain
there was nothing I could do...

1078
01:18:35,878 --> 01:18:39,715
...no matter how much I begged,
no matter how much I pleaded.

1079
01:18:42,676 --> 01:18:45,721
She wanted to do it,
but she could not do it alone.

1080
01:18:45,888 --> 01:18:52,394
She loved me too much, so she came up
with a plan on our anniversary.

1081
01:19:18,462 --> 01:19:21,257
-Sweetheart, what are you doing?
-Join me.

1082
01:19:21,423 --> 01:19:25,678
Just-- Just step back inside. All right?
Just step back inside now, come on.

1083
01:19:25,844 --> 01:19:30,307
No. I'm going to jump,
and you're coming with me.

1084
01:19:30,474 --> 01:19:32,184
No, I'm not.

1085
01:19:32,351 --> 01:19:34,436
Now, you listen to me.

1086
01:19:35,020 --> 01:19:39,275
If you jump, you're not gonna wake up,
remember? You're gonna die.

1087
01:19:39,441 --> 01:19:41,360
Now, just step back inside.

1088
01:19:41,527 --> 01:19:44,280
Come on. Step back inside
so we can talk about this.

1089
01:19:44,446 --> 01:19:46,365
We've talked enough.

1090
01:19:48,450 --> 01:19:50,119
-Mal.
-Come out onto the ledge...

1091
01:19:50,286 --> 01:19:52,997
—...or I'll jump right now.
-Okay.

1092
01:19:57,251 --> 01:19:59,044
We're gonna talk about this.

1093
01:19:59,920 --> 01:20:01,088
All right?

1094
01:20:01,255 --> 01:20:06,343
-I'm asking you to take a leap of faith.
-No, honey.

1095
01:20:07,303 --> 01:20:10,306
No, I can't. You know I can't do that.

1096
01:20:10,472 --> 01:20:13,225
Take a second, think about our children.

1097
01:20:13,392 --> 01:20:15,144
Think about James.

1098
01:20:15,894 --> 01:20:17,521
Think about Phillipa, now.

1099
01:20:17,688 --> 01:20:20,607
If I go without you,
they'll take them away anyway.

1100
01:20:20,774 --> 01:20:24,069
-What does that mean??
-1 filed a letter with our attorney...

1101
01:20:24,528 --> 01:20:27,865
...explaining how I'm fearful
for my safety.

1102
01:20:30,075 --> 01:20:32,244
How you've threatened to kill me.

1103
01:20:35,039 --> 01:20:37,666
-Why did you do this?
-I love you, Dom.

1104
01:20:37,833 --> 01:20:39,585
Why did--? Why would you do this to me?

1105
01:20:39,752 --> 01:20:42,629
I've freed you from the guilt
of choosing to leave them.

1106
01:20:42,796 --> 01:20:45,841
We're going home to our real children.

1107
01:20:46,008 --> 01:20:49,636
Oh, no, no, no, Mal, you listen to me,
all right? Mal, look at me, please?

1108
01:20:49,803 --> 01:20:51,096
You're waiting for a train.

1109
01:20:51,597 --> 01:20:55,184
-Mal, goddamn it, don't do this!
-A train that will take you far away.

1110
01:20:55,351 --> 01:20:57,353
James and Phillipa are waiting for you!

1111
01:20:57,519 --> 01:21:01,357
You know where you hope this train
will take you, but you can't know for sure.

1112
01:21:01,523 --> 01:21:03,734
-Mal, look at me!
-But it doesn't matter.

1113
01:21:03,901 --> 01:21:07,112
-Mal, goddamn it! Mal, listen to me!
-Because you'll be together.

1114
01:21:07,279 --> 01:21:11,116
Sweetheart! Look at me! Mal, no!

1115
01:21:11,283 --> 01:21:12,701
Jesus Christ!

1116
01:21:16,205 --> 01:21:19,958
She had herself declared sane
by three different psychiatrists.

1117
01:21:20,125 --> 01:21:24,296
It made it impossible for me to try
to explain the nature of her madness.

1118
01:21:24,463 --> 01:21:25,714
So I ran.

1119
01:21:25,881 --> 01:21:27,383
[CHILDREN GIGGLING]

1120
01:21:27,549 --> 01:21:29,802
MAN:
Right now, or never, Cobb.

1121
01:21:36,141 --> 01:21:40,813
WOMAN:
James! Phillipa! Come on in! Come on!

1122
01:21:41,063 --> 01:21:42,147
All right, let's go.

1123
01:21:42,648 --> 01:21:46,485
I left my children behind and I've been
trying to buy my way back ever since.

1124
01:21:47,027 --> 01:21:50,906
Your guilt defines her.
It's what powers her.

1125
01:21:51,073 --> 01:21:54,368
But you are not responsible
for the idea that destroyed her.

1126
01:21:55,619 --> 01:21:58,163
And if we are gonna succeed in this...

1127
01:21:58,330 --> 01:22:03,335
...you have to forgive yourself,
and you're gonna have to confront her.

1128
01:22:03,502 --> 01:22:05,337
But you don't have to do that alone.

1129
01:22:05,504 --> 01:22:07,756
-No, you're not...
-I'm doing it for the others.

1130
01:22:08,424 --> 01:22:13,512
Because they have no idea the risk
they've taken coming down here with you.

1131
01:22:18,600 --> 01:22:20,102
We have to move.

1132
01:22:20,269 --> 01:22:21,687
Time's up.

1133
01:22:21,854 --> 01:22:24,606
All right. I don't know any combination.

1134
01:22:24,773 --> 01:22:27,860
-Not consciously, anyway.
COBB: How about instinctively, huh?

1135
01:22:28,026 --> 01:22:31,989
I got somebody in your father's office
right now ready to tap in the combination.

1136
01:22:32,156 --> 01:22:35,033
Give me the first six numbers
that come to your head right now.

1137
01:22:35,200 --> 01:22:37,453
-I have no idea.
-Right now!

1138
01:22:37,619 --> 01:22:39,872
I said, right now! Right now!

1139
01:22:40,038 --> 01:22:43,917
Five, two, eight, four, nine, one.

1140
01:22:47,796 --> 01:22:49,798
You'll have to do better than that.

1141
01:22:49,965 --> 01:22:53,302
All right. Bag them.
You're going for a ride.

1142
01:22:57,681 --> 01:23:01,810
FISCHER: We're worth more to you alive.
You hear me?

1143
01:23:07,065 --> 01:23:08,567
What'd you get?

1144
01:23:08,984 --> 01:23:11,528
Relationship with his father
is worse than we imagined.

1145
01:23:11,695 --> 01:23:12,738
This helps us how?

1146
01:23:12,905 --> 01:23:15,991
The stronger the issues,
the more powerful the catharsis.

1147
01:23:17,201 --> 01:23:20,287
-How are we gonna reconcile them?
-I'm working on that.

1148
01:23:20,454 --> 01:23:23,999
Work faster.
The projections are closing in quick.

1149
01:23:24,166 --> 01:23:27,753
We gotta break out of here
before we're totally boxed in.

1150
01:24:02,829 --> 01:24:03,872
Damn it.

1151
01:24:04,039 --> 01:24:07,042
You mustn't be afraid to dream
a little bigger, darling.

1152
01:24:23,809 --> 01:24:26,812
We need to shift his animosity
from his father to his godfather.

1153
01:24:26,979 --> 01:24:30,983
-Destroy his one positive relationship?
-No, repair his relationship with his father...

1154
01:24:31,149 --> 01:24:33,485
...whilst exposing his godfather's
true nature.

1155
01:24:33,652 --> 01:24:36,655
We should charge Fischer a lot more
than Saito for this job.

1156
01:24:36,822 --> 01:24:39,157
His security is gonna
get worse as we go deeper.

1157
01:24:39,324 --> 01:24:41,827
-I think we run with Mr. Charles.
-No.

1158
01:24:42,244 --> 01:24:43,662
EAMES: Who's Mr. Charles?
-Bad idea.

1159
01:24:43,829 --> 01:24:47,374
The second we get into that hotel
his security's gonna be all over us.

1160
01:24:47,541 --> 01:24:49,668
We run with Mr. Charles
like on the Stein job.

1161
01:24:49,835 --> 01:24:52,170
-You've done it before?
ARTHUR: Yeah, and it didn't work.

1162
01:24:52,337 --> 01:24:55,841
The subject realized he was dreaming
and his subconscious tore us to pieces.

1163
01:24:56,008 --> 01:24:58,010
Excellent. But you learned a lot, right?

1164
01:24:58,176 --> 01:25:00,304
-I need some kind of distraction.
EAMES: No problem.

1165
01:25:00,470 --> 01:25:02,681
How about a lovely lady
that I've used before?

1166
01:25:02,848 --> 01:25:04,891
Listen to me.
You drive carefully, all right?

1167
01:25:05,058 --> 01:25:07,519
Everything down there is
gonna be unstable as hell.

1168
01:25:12,065 --> 01:25:15,444
Don't jump too soon. We only got
one shot at that kick. We gotta make it.

1169
01:25:15,611 --> 01:25:18,905
I'll play the music to let you know
it's coming. The rest is on you.

1170
01:25:19,072 --> 01:25:20,866
-You ready?
-Ready!

1171
01:25:22,117 --> 01:25:23,201
Sweet dreams.

1172
01:25:23,368 --> 01:25:25,287
WOMAN:
Am I boring you?

1173
01:25:26,580 --> 01:25:29,791
I was telling you my story.
I guess it wasn't to your liking.

1174
01:25:31,627 --> 01:25:34,296
Um, I have a lot on my mind.

1175
01:25:35,839 --> 01:25:37,424
There goes Mr. Charles.

1176
01:25:42,137 --> 01:25:44,765
Mr. Fischer, right?

1177
01:25:44,931 --> 01:25:48,435
Pleasure to see you again.
Rod Green from marketing. I--

1178
01:25:48,602 --> 01:25:49,728
Hmm.

1179
01:25:49,895 --> 01:25:52,564
-And you must be?
-Leaving.

1180
01:25:55,817 --> 01:25:56,943
In case you get bored.

1181
01:26:02,199 --> 01:26:03,575
Must've blown you off.

1182
01:26:03,742 --> 01:26:06,453
That is, unless her phone number
really is only six digits.

1183
01:26:08,622 --> 01:26:13,085
Funny way to make friends,
someone stealing your wallet like that.

1184
01:26:15,754 --> 01:26:16,838
[SCOFFS]

1185
01:26:17,005 --> 01:26:19,341
Goddamn it. The wallet alone
is worth at least 500--

1186
01:26:19,508 --> 01:26:20,634
About $500, right?

1187
01:26:20,801 --> 01:26:23,762
Don't worry about it.
My people are already on it as we speak.

1188
01:26:23,929 --> 01:26:25,889
Who or what is Mr. Charles?

1189
01:26:26,098 --> 01:26:29,768
It's a gambit designed to turn Fischer
against his own subconscious.

1190
01:26:29,935 --> 01:26:31,269
ARIADNE:
And why don't you approve?

1191
01:26:31,436 --> 01:26:33,438
It involves telling the mark
that he's dreaming...

1192
01:26:33,605 --> 01:26:35,774
...which involves attracting
a lot of attention to us.

1193
01:26:35,941 --> 01:26:38,860
-Didn't Cobb say never to do that?
-Hmm.

1194
01:26:39,027 --> 01:26:40,779
So now you've noticed how much time...

1195
01:26:40,946 --> 01:26:43,615
...Cobb spends doing things
he says never to do.

1196
01:26:45,325 --> 01:26:47,119
Mr. Saito, can I have a moment?

1197
01:26:47,285 --> 01:26:49,705
-I'm sorry, but...
MAN: Hold on! Wait!

1198
01:26:51,039 --> 01:26:52,332
You look a bit perkier.

1199
01:26:52,499 --> 01:26:54,835
Very amusing, Mr. Eames.

1200
01:26:59,172 --> 01:27:00,799
[RUMBLING]

1201
01:27:01,091 --> 01:27:02,592
Turbulence on the plane?

1202
01:27:02,759 --> 01:27:04,469
No, it's much closer.

1203
01:27:04,636 --> 01:27:06,304
That's Yusuf's driving.

1204
01:27:07,180 --> 01:27:08,390
[TIRES SCREECHING]

1205
01:27:12,644 --> 01:27:13,979
[GLASSES CLINKING]

1206
01:27:14,646 --> 01:27:17,107
Um, I'm sorry.
Who did you say you were?

1207
01:27:17,274 --> 01:27:19,359
COBB:
Rod Green from marketing.

1208
01:27:19,526 --> 01:27:21,153
But that's not true at all, is it?

1209
01:27:23,238 --> 01:27:26,700
My name is Mr. Charles.
You remember me, don't you?

1210
01:27:26,908 --> 01:27:28,869
I'm the head of your security down here.

1211
01:27:30,162 --> 01:27:32,080
Get out on a different floor,
keep moving.

1212
01:27:32,247 --> 01:27:34,583
Dump the wallet.
Security will be looking for that.

1213
01:27:34,750 --> 01:27:38,253
-Okay.
-We need to buy Cobb a little more time.

1214
01:27:40,046 --> 01:27:41,256
[COUGHING]

1215
01:27:41,882 --> 01:27:43,467
Security, huh?

1216
01:27:45,886 --> 01:27:48,054
-You work for the hotel?
-No, no.

1217
01:27:48,221 --> 01:27:52,851
I specialize in a very specific type
of security.

1218
01:27:53,226 --> 01:27:54,895
Subconscious security.

1219
01:27:55,061 --> 01:27:57,189
You're talking about dreams?

1220
01:27:57,355 --> 01:28:00,192
Are you talking about, um, extraction?

1221
01:28:01,234 --> 01:28:02,652
I am here to protect you.

1222
01:28:02,819 --> 01:28:04,404
[GLASS SHATTERS]

1223
01:28:04,780 --> 01:28:06,364
[PEOPLE CHATTERING]

1224
01:28:13,205 --> 01:28:14,706
[CHATTERING STOPS]

1225
01:28:16,082 --> 01:28:18,627
Mr. Fischer, I'm here
to protect you in the event...

1226
01:28:18,794 --> 01:28:22,172
...that someone tries to access
your mind through your dreams.

1227
01:28:22,339 --> 01:28:24,966
You're not safe here.

1228
01:28:25,801 --> 01:28:27,385
They're coming for you.

1229
01:28:39,731 --> 01:28:41,149
[YELLS]

1230
01:28:45,737 --> 01:28:47,781
Strange weather, isn't it?

1231
01:28:52,619 --> 01:28:53,745
You feel that?

1232
01:28:55,747 --> 01:28:56,915
What's happening?

1233
01:28:57,082 --> 01:29:00,335
Cobb's drawing Fischer's attention
to the strangeness of the dream...

1234
01:29:00,502 --> 01:29:03,380
...which is making his subconscious
look for the dreamer.

1235
01:29:03,547 --> 01:29:06,591
For me. Quick, give me a kiss.

1236
01:29:11,596 --> 01:29:15,475
-They're still looking at us.
-Yeah, it was worth a shot.

1237
01:29:16,142 --> 01:29:18,186
We should probably get out of here.

1238
01:29:22,399 --> 01:29:23,483
[GUNFIRE]

1239
01:29:33,451 --> 01:29:37,038
COBB: You feel that? You've actually
been trained for this, Mr. Fischer.

1240
01:29:37,205 --> 01:29:41,209
Pay attention to the strangeness
of the weather, the shift in gravity.

1241
01:29:41,376 --> 01:29:44,546
None of this is real. You're in a dream.

1242
01:29:49,342 --> 01:29:51,595
Now, the easiest way
for you to test yourself...

1243
01:29:51,803 --> 01:29:55,849
...Is to try and remember how you arrived
at this hotel. Can you do that?

1244
01:29:56,683 --> 01:29:57,976
Yeah, I...

1245
01:29:58,143 --> 01:30:00,645
COBB: No, breathe, breathe.
Remember your training.

1246
01:30:02,689 --> 01:30:06,026
Accept the fact that you're in a dream,
and I'm here to protect you. Go on.

1247
01:30:08,028 --> 01:30:09,404
Mm-hm.

1248
01:30:12,198 --> 01:30:14,034
-You're not real?
-No.

1249
01:30:14,200 --> 01:30:17,579
No. I'm a projection
of your subconscious.

1250
01:30:17,746 --> 01:30:19,831
I was sent here to protect you
in the event...

1251
01:30:19,998 --> 01:30:22,918
...that extractors
tried to pull you into a dream.

1252
01:30:23,084 --> 01:30:26,338
And I believe that's what's
going on right now, Mr. Fischer.

1253
01:30:27,422 --> 01:30:28,465
Yeah.

1254
01:30:28,632 --> 01:30:29,716
Okay.

1255
01:30:30,634 --> 01:30:31,843
Okay.

1256
01:30:34,679 --> 01:30:36,681
Can you get me out of here?

1257
01:30:37,599 --> 01:30:40,185
Right away. Follow me.

1258
01:30:54,407 --> 01:30:55,742
Hold on a second.

1259
01:31:00,705 --> 01:31:02,540
Jesus Christ! What are you doing?

1260
01:31:02,707 --> 01:31:04,960
These men were sent here
to abduct you, all right?

1261
01:31:05,126 --> 01:31:07,712
If you want my help,
you have to remain calm.

1262
01:31:09,422 --> 01:31:11,716
I need you to work with me, Mr. Fischer.

1263
01:31:23,436 --> 01:31:27,065
If this is a dream, I should just
kill myself to wake up, right?

1264
01:31:27,232 --> 01:31:29,317
I wouldn't do that if I were you,
Mr. Fischer.

1265
01:31:29,484 --> 01:31:32,988
I believe they have you sedated,
and if you pull that trigger...

1266
01:31:33,154 --> 01:31:34,322
...you may not wake up.

1267
01:31:35,448 --> 01:31:39,744
You may go into a further dream state.
Now, you know what I'm talking about.

1268
01:31:42,080 --> 01:31:43,748
You remember the training.

1269
01:31:44,916 --> 01:31:46,292
Remember what I said to you.

1270
01:31:47,168 --> 01:31:48,336
Give me the gun.

1271
01:32:00,140 --> 01:32:02,767
-This room should be directly below 5287
-Yeah.

1272
01:32:04,019 --> 01:32:05,437
[SAFE BEEPS]

1273
01:32:12,110 --> 01:32:13,611
Think, Mr. Fischer, think.

1274
01:32:13,778 --> 01:32:17,615
What do you remember
from before this dream?

1275
01:32:17,991 --> 01:32:20,618
There was, um, a lot of gunfire.

1276
01:32:20,785 --> 01:32:23,413
There was rain.

1277
01:32:23,955 --> 01:32:25,540
Uncle Peter.

1278
01:32:25,790 --> 01:32:29,461
-Oh, my God, we've been kidnapped.
-Where were they holding you?

1279
01:32:32,464 --> 01:32:35,759
-They had us in the back of a van.
-That explains the gravity shifts.

1280
01:32:35,967 --> 01:32:38,011
You're in the back of a van.
Keep going.

1281
01:32:38,178 --> 01:32:40,472
It had something to do with, um...

1282
01:32:41,097 --> 01:32:43,975
Something to do with a safe.

1283
01:32:44,601 --> 01:32:46,227
God, why is it so hard to remember?

1284
01:32:46,394 --> 01:32:49,105
It's like trying to remember a dream
after you've woken up.

1285
01:32:49,272 --> 01:32:50,982
Listen, it takes years of practice.

1286
01:32:51,149 --> 01:32:53,568
You and Browning have been pulled
into this dream...

1287
01:32:53,735 --> 01:32:56,488
...because they're trying to steal
something from your mind.

1288
01:32:56,654 --> 01:33:00,241
I need you to focus and try
and remember what that is.

1289
01:33:00,408 --> 01:33:02,035
What is it, Mr. Fischer? Think!

1290
01:33:02,202 --> 01:33:05,955
A combination. They demanded
the first numbers to pop into my head.

1291
01:33:06,122 --> 01:33:08,833
They're trying to extract a number
from your subconscious.

1292
01:33:09,000 --> 01:33:12,796
It can represent anything.
We're in a hotel right now.

1293
01:33:13,588 --> 01:33:16,716
We should try hotel rooms.
What was the number, Mr. Fischer?

1294
01:33:16,883 --> 01:33:19,719
Try and remember for me.
This is very important.

1295
01:33:19,886 --> 01:33:21,221
Five.

1296
01:33:22,180 --> 01:33:24,641
Five, two-- It was something,
it was a long number.

1297
01:33:24,808 --> 01:33:26,893
That's good. We can start there.
Fifth floor.

1298
01:33:27,060 --> 01:33:28,103
Yep.

1299
01:33:28,269 --> 01:33:32,315
-So do you use a timer?
-No, I have to judge it for myself.

1300
01:33:32,524 --> 01:33:35,777
While you're all asleep in 528,
I wait for Yusuf's kick.

1301
01:33:35,944 --> 01:33:38,071
-Well, how will you know?
-His music warns me.

1302
01:33:38,238 --> 01:33:42,200
And then when the van hits the barrier
of the bridge, that should be unmistakable.

1303
01:33:42,367 --> 01:33:45,537
So we get a nice synchronized kick.

1304
01:33:45,703 --> 01:33:48,123
If it's too soon,
we won't get pulled out.

1305
01:33:48,289 --> 01:33:51,543
But if it's too late,
I won't be able to drop us.

1306
01:33:51,709 --> 01:33:55,547
-Well, why not?
-Because the van will be in freefall.

1307
01:33:56,047 --> 01:33:58,883
-Can't drop you without gravity.
-Right.

1308
01:34:04,556 --> 01:34:06,766
They're with me. Go on.

1309
01:34:31,082 --> 01:34:32,125
Mr. Charles.

1310
01:34:32,292 --> 01:34:35,253
-Do you know what that is, Mr. Fischer?
-Yeah, I think so.

1311
01:34:35,420 --> 01:34:37,505
They were trying to put you under.

1312
01:34:37,922 --> 01:34:40,008
-I'm already under.
-Under again.

1313
01:34:40,175 --> 01:34:42,760
What do you mean,
a dream within a dream?

1314
01:34:43,344 --> 01:34:45,805
Hey. I see you've changed.

1315
01:34:45,972 --> 01:34:47,599
I'm sorry?

1316
01:34:48,099 --> 01:34:51,978
Oh, I'm sorry.
I mistook you for a friend.

1317
01:34:52,145 --> 01:34:53,438
Oh.

1318
01:34:53,605 --> 01:34:55,732
Good-looking fellow, I'm sure.

1319
01:34:56,399 --> 01:34:59,319
No, no, no. That's Fischer's
projection of Browning.

1320
01:34:59,485 --> 01:35:01,362
Let's follow him
and see how he behaves.

1321
01:35:01,529 --> 01:35:03,489
-Why?
-Because how he acts will tell us...

1322
01:35:03,656 --> 01:35:06,993
...if Fischer is starting to suspect
his motives the way we want him to.

1323
01:35:07,160 --> 01:35:08,203
Shh.

1324
01:35:08,369 --> 01:35:09,787
[DOOR OPENS]

1325
01:35:12,790 --> 01:35:15,293
-Uncle Peter.
-You said you were kidnapped together?

1326
01:35:15,460 --> 01:35:18,880
Well, not exactly. They already had him.
They were torturing him.

1327
01:35:19,047 --> 01:35:20,506
And you saw them torture him?

1328
01:35:28,056 --> 01:35:29,891
The kidnappers are working for you?

1329
01:35:30,850 --> 01:35:32,310
Robert.

1330
01:35:32,477 --> 01:35:36,314
You're trying to get that safe open?
To get the alternate will?

1331
01:35:36,731 --> 01:35:40,985
Fischer Morrow has been my entire life.
I can't let you destroy it.

1332
01:35:41,152 --> 01:35:43,488
I'm not gonna throw away
my inheritance.

1333
01:35:43,655 --> 01:35:47,825
I couldn't let you rise
to your father's last taunt.

1334
01:35:48,660 --> 01:35:51,663
-What taunt?
-The will, Robert. That will?

1335
01:35:51,829 --> 01:35:53,790
That's his last insult.

1336
01:35:53,957 --> 01:35:57,585
A challenge for you to build something
for yourself...

1337
01:35:57,752 --> 01:36:01,547
...by telling you you're not worthy
of his accomplishments.

1338
01:36:07,220 --> 01:36:12,600
-What, but that he was, um, disappointed?
-I'm sorry.

1339
01:36:13,977 --> 01:36:17,063
But he's wrong.

1340
01:36:17,814 --> 01:36:20,441
You can build a better company
than he ever did.

1341
01:36:20,608 --> 01:36:23,027
Mr. Fischer? He's lying.

1342
01:36:23,194 --> 01:36:25,321
-How do you know?
-Trust me, it's what I do.

1343
01:36:25,488 --> 01:36:28,241
He's hiding something,
and we need to find out what that is.

1344
01:36:29,450 --> 01:36:32,870
I need you to do the same thing to him
that he was going to do to you.

1345
01:36:35,415 --> 01:36:39,502
We'll enter his subconscious and find out
what he doesn't want you to know.

1346
01:36:40,753 --> 01:36:42,213
All right.

1347
01:36:42,630 --> 01:36:43,923
[MACHINE HISSING]

1348
01:36:48,219 --> 01:36:49,470
COBB: He's out.
-Wait.

1349
01:36:49,637 --> 01:36:51,723
Whose subconscious are
we going into exactly?

1350
01:36:51,889 --> 01:36:53,224
We're going into Fischer's.

1351
01:36:53,391 --> 01:36:56,060
I told him it was Browning's
so he'd be a part of our team.

1352
01:36:56,227 --> 01:36:58,563
He's gonna help us break
into his own subconscious.

1353
01:36:58,730 --> 01:37:00,315
COBB:
That's right.

1354
01:37:00,481 --> 01:37:02,567
Security's gonna run you down hard.

1355
01:37:02,734 --> 01:37:05,069
And I will lead them on a merry chase.

1356
01:37:05,611 --> 01:37:08,239
-Just be back before the kick.
-Go to sleep, Mr. Eames.

1357
01:37:13,453 --> 01:37:14,662
ARTHUR:
You good?

1358
01:37:17,832 --> 01:37:19,167
Hey. You ready?

1359
01:37:19,334 --> 01:37:22,920
Yes, yes. I'm fine. I'm ready.

1360
01:37:35,475 --> 01:37:36,809
ARIADNE:
Cobb?

1361
01:37:37,477 --> 01:37:39,937
Cobb? What's down there?

1362
01:37:43,274 --> 01:37:45,902
Hopefully, the truth
we want Fischer to learn.

1363
01:37:46,069 --> 01:37:47,945
I mean, what's down there for you?

1364
01:37:55,953 --> 01:37:57,330
[SHOTGUN COCKS]

1365
01:37:58,498 --> 01:37:59,999
[GUNFIRE THEN YUSUF YELLS]

1366
01:38:10,843 --> 01:38:12,303
[ELEVATOR DINGS]

1367
01:38:22,105 --> 01:38:23,356
[YUSUF YELLS]

1368
01:38:33,991 --> 01:38:36,077
[BOTH GRUNTING]

1369
01:38:59,142 --> 01:39:01,018
[METAL GROANING]

1370
01:39:01,185 --> 01:39:02,979
[SECURITY GUARD SCREAMING]

1371
01:39:11,696 --> 01:39:12,989
[YELLING]

1372
01:40:15,009 --> 01:40:16,010
[GUNSHOT]

1373
01:40:23,017 --> 01:40:24,393
[LAUGHS]

1374
01:40:24,560 --> 01:40:26,312
Did you see that?

1375
01:40:44,789 --> 01:40:46,624
COBB:
Eames, this is your dream.

1376
01:40:46,791 --> 01:40:49,919
I need you to draw the security away
from the complex, understand?

1377
01:40:50,086 --> 01:40:51,879
-Who guides Fischer in?
COBB: Not me.

1378
01:40:52,046 --> 01:40:54,507
If I know the route,
everything could be compromised.

1379
01:40:54,674 --> 01:40:57,218
- I designed the place.
COBB: No, you're with me.

1380
01:40:57,385 --> 01:40:58,928
SAITO:
I could do it.

1381
01:40:59,345 --> 01:41:01,806
All right. Brief him on the route
into the complex.

1382
01:41:01,973 --> 01:41:06,143
-Fischer, you'll be going with him.
-All right. What about you?

1383
01:41:06,310 --> 01:41:09,146
You keep this live.
I'll be listening in the whole time.

1384
01:41:09,313 --> 01:41:13,484
The windows on that upper floor are big
enough for me to cover you from that tower.

1385
01:41:13,651 --> 01:41:14,944
FISCHER:
You're not coming in?

1386
01:41:15,111 --> 01:41:17,446
In order to find out the truth
about your father...

1387
01:41:17,613 --> 01:41:20,658
...you're gonna need to break into
Browning's mind on your own.

1388
01:41:21,492 --> 01:41:22,994
SAITO:
Come on, Fischer!

1389
01:41:27,498 --> 01:41:29,500
[BUZZER SOUNDING]

1390
01:42:18,049 --> 01:42:21,719
-Sound the alarm! Sound the alarm!
-Go, go, go!

1391
01:42:21,886 --> 01:42:23,429
Move!

1392
01:42:24,972 --> 01:42:26,057
Go!

1393
01:42:31,228 --> 01:42:32,563
[GUNFIRE]

1394
01:42:41,238 --> 01:42:42,281
YUSUF:
Sod it.

1395
01:42:53,459 --> 01:42:55,127
I hope you're ready.

1396
01:42:55,419 --> 01:42:58,089
['NON, JE NE REGRETTE RIEN" PLAYING]

1397
01:43:01,717 --> 01:43:03,719
[SONG ECHOING]

1398
01:43:03,886 --> 01:43:05,638
No, it's too soon.

1399
01:43:08,432 --> 01:43:10,267
[SONG ECHOING]

1400
01:43:12,144 --> 01:43:13,354
Cobb, do you hear that?

1401
01:43:13,521 --> 01:43:17,108
I first noticed it about 20 minutes ago,
I thought it was the wind up here.

1402
01:43:17,608 --> 01:43:20,111
Yeah, I hear it. It's music.

1403
01:43:20,277 --> 01:43:21,696
So, what do we do?

1404
01:43:21,862 --> 01:43:23,280
We move fast.

1405
01:43:28,786 --> 01:43:30,996
Yusuf's 10 seconds from the jump.

1406
01:43:32,873 --> 01:43:35,251
Which gives Arthur three minutes.

1407
01:43:36,168 --> 01:43:38,295
-Hey!
-That's him!

1408
01:43:38,963 --> 01:43:40,673
-Which gives us what?
-Sixty minutes.

1409
01:43:40,840 --> 01:43:44,135
-Can they make that route in an hour?
-They have to climb to the terrace.

1410
01:43:44,301 --> 01:43:47,138
Then they need a new route,
a more direct route.

1411
01:43:50,141 --> 01:43:51,726
[SHOUTS INDISTINCTLY]

1412
01:43:58,357 --> 01:43:59,984
It's designed as a labyrinth.

1413
01:44:00,151 --> 01:44:02,653
There must be access routes
that cut through the maze.

1414
01:44:02,820 --> 01:44:04,405
Eames?

1415
01:44:08,325 --> 01:44:09,869
[GUNFIRE]

1416
01:44:27,511 --> 01:44:28,763
Did Eames add any features?

1417
01:44:28,929 --> 01:44:30,389
I don't think I should tell you.

1418
01:44:30,556 --> 01:44:32,850
We don't have time for this.
Did he add anything?

1419
01:44:33,309 --> 01:44:34,560
He added an air-duct system...

1420
01:44:34,727 --> 01:44:36,479
-...that can cut through the maze.
-Good. Explain it to them.

1421
01:45:05,925 --> 01:45:07,343
[SECURITY GUARD GRUNTS]

1422
01:45:12,181 --> 01:45:13,724
Paradox.

1423
01:45:13,891 --> 01:45:15,392
[SCREAMS THEN THUDS]

1424
01:46:18,539 --> 01:46:20,040
[BOTH GASPING]

1425
01:46:23,627 --> 01:46:25,671
ARIADNE: What was that?
-The kick.

1426
01:46:26,297 --> 01:46:28,173
Cobb! Cobb, did we miss it?

1427
01:46:28,340 --> 01:46:30,050
Yeah, we missed it.

1428
01:46:30,217 --> 01:46:31,427
FISCHER:
Man.

1429
01:46:31,594 --> 01:46:35,890
Couldn't someone have dreamt up
a goddamn beach? Huh?

1430
01:46:36,056 --> 01:46:37,308
Uh-huh.

1431
01:46:38,058 --> 01:46:40,227
EAMES [OVER RADIO]:
Well, what the hell do we do now?

1432
01:46:40,394 --> 01:46:42,229
We finish the job before the next kick.

1433
01:46:42,396 --> 01:46:44,481
-What next kick?
-When the van hits the water.

1434
01:47:07,338 --> 01:47:10,799
WOMAN [ON RECORDING]: If you'd like to
make a call, please hang up and try again.

1435
01:47:10,966 --> 01:47:12,801
If you need help, hang up...

1436
01:47:13,010 --> 01:47:16,347
How do I drop you without gravity?

1437
01:47:18,849 --> 01:47:21,518
Arthur has a couple minutes,
and we have about 20.

1438
01:47:42,206 --> 01:47:43,624
[SAITO COUGHING]

1439
01:47:44,917 --> 01:47:46,585
You okay?

1440
01:47:51,048 --> 01:47:54,927
SOLDIER: Run! Turn around!
Move to base! Move to base!

1441
01:47:55,094 --> 01:47:56,637
Go, go, go!

1442
01:47:58,806 --> 01:47:59,974
There's something wrong.

1443
01:48:00,140 --> 01:48:02,476
They're heading your way,
like they know something.

1444
01:48:03,727 --> 01:48:05,938
Just buy us more time, all right?

1445
01:48:06,105 --> 01:48:07,940
-Come on!
-On my way.

1446
01:48:08,107 --> 01:48:09,817
SOLDIER:
Come on! Move!

1447
01:48:23,247 --> 01:48:24,873
[SILENCED GUNSHOT]

1448
01:48:36,760 --> 01:48:38,345
[BOTH GRUNTING]

1449
01:49:33,984 --> 01:49:35,527
All right.

1450
01:49:40,240 --> 01:49:41,784
[SILENCED GUNSHOT]

1451
01:49:47,706 --> 01:49:50,501
Okay. That's the antechamber
outside the strong room.

1452
01:49:50,667 --> 01:49:54,171
-Does the strong room have windows?
-It wouldn't be very strong if it did.

1453
01:49:54,338 --> 01:49:56,590
Let's hope Fischer likes
what he finds in there.

1454
01:49:58,217 --> 01:50:01,553
-Are those projections his subconscious?
-Yes.

1455
01:50:01,720 --> 01:50:05,099
-Are you destroying parts of his mind?
-No. They're just projections.

1456
01:50:18,821 --> 01:50:20,155
[COUGHS]

1457
01:50:24,284 --> 01:50:25,702
[SAITO COUGHING]

1458
01:50:31,375 --> 01:50:33,127
-We're here.
-You're clear, but hurry.

1459
01:50:33,293 --> 01:50:35,129
There's an entire army headed your way.

1460
01:51:01,947 --> 01:51:03,323
[WHISPERS]
I'm In.

1461
01:51:03,949 --> 01:51:05,159
[STATIC OVER RADIO]

1462
01:51:05,325 --> 01:51:06,785
[TURNS RADIO OFF]

1463
01:51:08,620 --> 01:51:09,746
SOLDIER:
There he is.

1464
01:51:52,331 --> 01:51:55,042
-There's someone in there.
-Fischer, it's a trap. Get out.

1465
01:51:56,210 --> 01:51:58,795
Come on. Come on, a little lower.

1466
01:52:04,509 --> 01:52:05,677
ARIADNE:
Cobb.

1467
01:52:06,303 --> 01:52:08,847
No, she is not real.

1468
01:52:09,473 --> 01:52:10,682
How do you know that?

1469
01:52:10,849 --> 01:52:14,478
She is just a projection.
Fischer. Fischer is real.

1470
01:52:17,314 --> 01:52:18,315
[GRUNTS]

1471
01:52:18,482 --> 01:52:20,025
Hello.

1472
01:52:24,696 --> 01:52:27,908
ARIADNE: Eames!
Eames, get to the antechamber now!

1473
01:53:11,827 --> 01:53:14,705
EAMES: What happened?
-Mal killed Fischer.

1474
01:53:16,957 --> 01:53:19,001
I couldn't shoot her.

1475
01:53:19,668 --> 01:53:23,046
There's no use in reviving him.
His mind's already trapped down there.

1476
01:53:23,213 --> 01:53:24,256
It's all over.

1477
01:53:26,008 --> 01:53:27,634
So that's it, then? We failed?

1478
01:53:28,260 --> 01:53:30,429
We're done. I'm sorry.

1479
01:53:34,308 --> 01:53:36,935
It's not me that doesn't get back
to my family, is it?

1480
01:53:37,644 --> 01:53:41,565
Shame. I wanted to know what was
gonna happen in there. I swear we had this.

1481
01:53:41,732 --> 01:53:43,775
Let's set the charges.

1482
01:53:45,610 --> 01:53:47,112
No, there's still another way.

1483
01:53:48,405 --> 01:53:51,825
-We have to follow Fischer down there.
-Not enough time.

1484
01:53:51,992 --> 01:53:54,828
No, but there will be enough time
down there.

1485
01:53:55,954 --> 01:53:57,080
And we will find him.

1486
01:53:57,247 --> 01:54:01,168
Okay, as soon as Arthur's music kicks in,
just use the defibrillator to revive him.

1487
01:54:01,335 --> 01:54:04,254
We can give him his own kick
down below.

1488
01:54:05,255 --> 01:54:06,965
Look, you get him in there.

1489
01:54:07,132 --> 01:54:10,010
As soon as the music ends,
you blow up the hospital...

1490
01:54:10,177 --> 01:54:12,971
...and we all ride the kick
back up the layers.

1491
01:54:14,181 --> 01:54:18,935
It's worth a shot, if Saito can hold
the guards off while I set the charges.

1492
01:54:19,102 --> 01:54:21,229
Saito will never make it, will he?

1493
01:54:23,273 --> 01:54:25,734
-Cobb, come on. We've gotta try this.
-Go for it.

1494
01:54:25,901 --> 01:54:28,820
If you are not back before the kick,
I am gone with or without you.

1495
01:54:28,987 --> 01:54:32,240
She's right. She's right.
Come on. Let's go.

1496
01:54:36,453 --> 01:54:38,663
Can I trust you to do
what needs to happen here?

1497
01:54:38,830 --> 01:54:40,040
Mal's gonna be down there.

1498
01:54:40,207 --> 01:54:42,626
I know where to find her.
She'll have Fischer.

1499
01:54:42,793 --> 01:54:46,713
-How do you know?
-Because she wants me to come after him.

1500
01:54:46,880 --> 01:54:49,049
She wants me back down there with her.

1501
01:55:15,826 --> 01:55:16,827
All right?

1502
01:55:24,084 --> 01:55:26,753
-This is your world?
-It was.

1503
01:55:27,546 --> 01:55:29,506
And this is where she'll be.

1504
01:55:30,215 --> 01:55:31,258
Come on.

1505
01:56:14,676 --> 01:56:15,719
[GUNFIRE]

1506
01:56:18,263 --> 01:56:20,724
Saito. Saito.

1507
01:56:21,183 --> 01:56:25,145
I need you to take care of Fischer
while I go set some charges, okay?

1508
01:56:25,312 --> 01:56:28,732
No room for tourists on these jobs.

1509
01:56:31,401 --> 01:56:32,569
Don't be silly.

1510
01:57:05,060 --> 01:57:07,103
ARIADNE:
You built all this? This is incredible.

1511
01:57:07,604 --> 01:57:09,606
We built for years.

1512
01:57:10,649 --> 01:57:12,651
Then we started in on the memories.

1513
01:57:19,699 --> 01:57:21,117
This way.

1514
01:58:02,784 --> 01:58:04,869
COBB:
This was our neighborhood.

1515
01:58:05,036 --> 01:58:07,372
Places from our past.

1516
01:58:07,539 --> 01:58:09,332
That was our first apartment.

1517
01:58:09,499 --> 01:58:11,710
Then we moved to that building
right there.

1518
01:58:11,876 --> 01:58:14,421
After Mal became pregnant,
that became our home.

1519
01:58:14,588 --> 01:58:17,382
You reconstructed all of this
from memory?

1520
01:58:17,549 --> 01:58:19,843
Like I told you, we had lots of time.

1521
01:58:20,010 --> 01:58:21,595
ARIADNE:
What is that?

1522
01:58:23,138 --> 01:58:24,889
That's the house Mal grew up in.

1523
01:58:25,056 --> 01:58:27,517
-Well, will she be in there?
-No.

1524
01:58:27,851 --> 01:58:28,852
Come on.

1525
01:58:29,019 --> 01:58:32,355
We both wanted to live in a house,
but we loved this type of building.

1526
01:58:32,522 --> 01:58:35,483
In the real world,
we'd have to choose, but not here.

1527
01:58:40,864 --> 01:58:42,198
[GRUNTS]

1528
01:58:43,325 --> 01:58:44,534
[GUNFIRE]

1529
01:58:46,453 --> 01:58:47,537
[GRUNTS]

1530
01:58:58,965 --> 01:59:00,050
[BEEPS]

1531
01:59:09,267 --> 01:59:10,393
[BEEPS]

1532
01:59:14,856 --> 01:59:15,899
[BEEPS]

1533
01:59:16,066 --> 01:59:18,068
How are we gonna bring Fischer back?

1534
01:59:18,485 --> 01:59:20,904
We're gonna have to come up
with some kind of a kick.

1535
01:59:21,071 --> 01:59:22,489
What?

1536
01:59:23,490 --> 01:59:24,574
I'm gonna improvise.

1537
01:59:24,741 --> 01:59:29,412
Listen, there's something you should
know about me. About inception.

1538
01:59:30,747 --> 01:59:32,082
[BOTH GRUNTING]

1539
01:59:32,248 --> 01:59:33,458
[GUNFIRE]

1540
01:59:42,509 --> 01:59:46,388
An idea is like a virus. Resilient.

1541
01:59:47,222 --> 01:59:48,765
Highly contagious.

1542
01:59:48,932 --> 01:59:52,268
And the smallest seed
of an idea can grow.

1543
01:59:53,353 --> 01:59:55,313
It can grow to define...

1544
01:59:56,356 --> 01:59:57,941
...or destroy you.

1545
02:00:01,069 --> 02:00:03,822
MAL:
The smallest idea, such as:

1546
02:00:04,447 --> 02:00:06,783
"Your world is not real."

1547
02:00:07,075 --> 02:00:10,829
Simple little thought
that changes everything.

1548
02:00:12,080 --> 02:00:16,584
So certain of your world. Of what's real.

1549
02:00:16,751 --> 02:00:18,545
Do you think he is?

1550
02:00:20,338 --> 02:00:23,258
Or do you think he's as lost as I was?

1551
02:00:24,384 --> 02:00:25,885
COBB:
I know what's real, Mal.

1552
02:00:27,971 --> 02:00:30,265
No creeping doubts?

1553
02:00:30,974 --> 02:00:33,601
Not feeling persecuted, Dom?

1554
02:00:33,893 --> 02:00:35,228
Chased around the globe...

1555
02:00:35,395 --> 02:00:38,064
...by anonymous corporations
and police forces...

1556
02:00:38,231 --> 02:00:40,859
...the way the projections
persecute the dreamer?

1557
02:00:42,485 --> 02:00:43,987
Admit it.

1558
02:00:45,280 --> 02:00:48,116
You don't believe in one reality anymore.

1559
02:00:48,283 --> 02:00:49,826
So choose.

1560
02:00:49,993 --> 02:00:53,329
Choose to be here. Choose me.

1561
02:01:15,602 --> 02:01:16,644
[COUGHS]

1562
02:01:20,106 --> 02:01:21,357
You know what I have to do.

1563
02:01:21,524 --> 02:01:24,194
I have to get back to our children
because you left them.

1564
02:01:25,528 --> 02:01:27,071
Because you left us.

1565
02:01:27,238 --> 02:01:29,032
-You're wrong.
COBB: I'm not wrong.

1566
02:01:29,199 --> 02:01:31,242
You're confused.

1567
02:01:32,368 --> 02:01:34,412
Our children are here.

1568
02:01:35,205 --> 02:01:38,458
And you'd like to see their faces again,
wouldn't you?

1569
02:01:38,625 --> 02:01:41,711
Yes, but I'm gonna see them
up above, Mal.

1570
02:01:41,878 --> 02:01:43,171
[GUNFIRE]

1571
02:01:46,382 --> 02:01:47,425
[BEEPS]

1572
02:01:51,554 --> 02:01:53,056
[FOOTSTEPS APPROACHING]

1573
02:01:53,223 --> 02:01:54,599
[SAITO COUGHING]

1574
02:01:55,350 --> 02:01:57,352
Up above?

1575
02:01:58,228 --> 02:02:01,898
Listen to yourself.
These are our children.

1576
02:02:02,398 --> 02:02:03,775
Watch.

1577
02:02:04,275 --> 02:02:05,985
James? Phillipa?

1578
02:02:06,152 --> 02:02:08,571
Don't do this, Mal. Please.
Those aren't my children.

1579
02:02:08,738 --> 02:02:11,241
You keep telling yourself that,
but you don't believe it.

1580
02:02:11,407 --> 02:02:13,284
-No, I know it.
-What if you're wrong?

1581
02:02:13,701 --> 02:02:15,995
What if I'm what's real?

1582
02:02:17,205 --> 02:02:19,415
You keep telling yourself what you know.

1583
02:02:21,000 --> 02:02:23,253
But what do you believe?

1584
02:02:24,212 --> 02:02:25,421
What do you feel?

1585
02:02:27,590 --> 02:02:29,008
Guilt.

1586
02:02:30,218 --> 02:02:32,428
I feel guilt, Mal.

1587
02:02:32,971 --> 02:02:36,933
And no matter what I do,
no matter how hopeless I am...

1588
02:02:37,100 --> 02:02:41,354
...no matter how confused,
that guilt is always there...

1589
02:02:41,521 --> 02:02:44,065
...reminding me of the truth.

1590
02:02:44,566 --> 02:02:45,859
What truth?

1591
02:02:48,278 --> 02:02:53,533
That the idea that caused you to question
your reality came from me.

1592
02:02:56,911 --> 02:03:00,039
You planted the idea in my mind?

1593
02:03:01,541 --> 02:03:03,042
What is she talking about?

1594
02:03:03,960 --> 02:03:09,215
The reason I knew inception was possible
was because I did it to her first.

1595
02:03:10,258 --> 02:03:13,219
- I did it to my own wife.
-Why?

1596
02:03:13,970 --> 02:03:15,471
We were lost in here.

1597
02:03:16,389 --> 02:03:21,019
I knew we needed to escape,
but she wouldn't accept it.

1598
02:03:24,230 --> 02:03:29,903
She had locked something away,
something deep inside.

1599
02:03:30,653 --> 02:03:34,824
A truth that she had once known,
but chose to forget.

1600
02:03:35,783 --> 02:03:37,911
And she couldn't break free.

1601
02:03:40,622 --> 02:03:43,333
So I decided to search for it.

1602
02:03:43,917 --> 02:03:48,796
I went deep into the recess of her mind
and found that secret place.

1603
02:03:48,963 --> 02:03:50,840
And I broke in...

1604
02:03:51,424 --> 02:03:53,593
...and I planted an idea.

1605
02:03:54,344 --> 02:03:58,097
A simple little idea
that would change everything.

1606
02:04:03,353 --> 02:04:05,688
That her world wasn't real.

1607
02:04:18,534 --> 02:04:21,704
That death was the only escape.

1608
02:04:29,128 --> 02:04:30,880
You're waiting for a train.

1609
02:04:31,047 --> 02:04:32,548
[METAL GROANING]

1610
02:04:33,216 --> 02:04:35,927
A train that'll take you far away.

1611
02:04:37,095 --> 02:04:40,098
You know where you hope
this train will take you...

1612
02:04:41,224 --> 02:04:43,226
...but you can't know for sure.

1613
02:04:44,394 --> 02:04:45,937
Yet it doesn't matter.

1614
02:04:47,397 --> 02:04:50,566
-Now, tell me why!
-Because you'll be together!

1615
02:04:54,904 --> 02:04:58,950
COBB: But I never knew that that idea
would grow in her mind like a cancer...

1616
02:04:59,117 --> 02:05:01,536
...that even after she woke...

1617
02:05:04,414 --> 02:05:06,916
That even after
you came back to reality...

1618
02:05:09,836 --> 02:05:12,797
...that you'd continue to believe
your world wasn't real.

1619
02:05:15,591 --> 02:05:17,969
That death was the only escape.

1620
02:05:18,136 --> 02:05:20,805
Mal, no! Jesus!

1621
02:05:20,972 --> 02:05:24,684
-You infected my mind.
-I was trying to save you.

1622
02:05:24,851 --> 02:05:26,269
You betrayed me.

1623
02:05:27,103 --> 02:05:30,773
But you can make amends.
You can still keep your promise.

1624
02:05:30,940 --> 02:05:33,985
We can still be together, right here...

1625
02:05:34,152 --> 02:05:36,612
...in the world we built together.

1626
02:05:42,952 --> 02:05:44,454
[COUGHING]

1627
02:05:52,462 --> 02:05:53,504
[BEEPS]

1628
02:05:53,671 --> 02:05:54,964
[GUNFIRE]

1629
02:06:12,482 --> 02:06:13,775
[GRUNTS]

1630
02:06:31,250 --> 02:06:33,836
['NON, JE NE REGRETTE RIEN" PLAYING]

1631
02:06:42,136 --> 02:06:43,721
[SONG ECHOING]

1632
02:06:49,560 --> 02:06:51,229
[DEFIBRILLATOR CHARGING]

1633
02:06:54,273 --> 02:06:55,525
[THUNDER CRASHING]

1634
02:06:57,443 --> 02:06:59,779
Cobb, we need to get Fischer.

1635
02:07:00,655 --> 02:07:01,948
You can't have him.

1636
02:07:02,990 --> 02:07:06,410
-If I stay here, will you let him go?
-What are you talking about?

1637
02:07:10,873 --> 02:07:12,708
Fischer is on the porch.

1638
02:07:13,292 --> 02:07:15,878
-Go check he's alive, Ariadne.
-Cobb, you can't do this.

1639
02:07:16,045 --> 02:07:18,714
Go check he's alive right now. Do it.

1640
02:07:32,228 --> 02:07:33,563
[ARIADNE GRUNTING]

1641
02:07:34,355 --> 02:07:37,441
He's here! And it's time,
but you have to come now!

1642
02:07:37,608 --> 02:07:41,279
COBB: You take Fischer with you, all right?
-You can't stay here to be with her.

1643
02:07:43,865 --> 02:07:46,576
I'm not. Saito's dead by now.

1644
02:07:46,742 --> 02:07:50,246
That means he's down here somewhere.
That means I have to find him.

1645
02:07:52,248 --> 02:07:55,334
I can't stay with her anymore,
because she doesn't exist.

1646
02:07:55,501 --> 02:07:58,921
I'm the only thing
you do believe in anymore.

1647
02:07:59,088 --> 02:08:00,423
No.

1648
02:08:01,591 --> 02:08:03,009
I wish.

1649
02:08:04,594 --> 02:08:07,096
I wish more than anything, but...

1650
02:08:08,222 --> 02:08:10,933
...I can't imagine you
with all your complexity...

1651
02:08:11,100 --> 02:08:13,644
...all your perfection,
all your imperfection.

1652
02:08:14,770 --> 02:08:15,771
-You all right?
-Yeah.

1653
02:08:15,938 --> 02:08:17,773
Look at you.

1654
02:08:19,025 --> 02:08:23,946
You're just a shade.
You're just a shade of my real wife.

1655
02:08:24,405 --> 02:08:27,033
And you were the best
that I could do, but...

1656
02:08:27,867 --> 02:08:30,286
...I'm sorry, you're just not good enough.

1657
02:08:30,453 --> 02:08:32,121
Does this feel real?

1658
02:08:32,538 --> 02:08:33,664
[GUNSHOT]

1659
02:08:34,498 --> 02:08:37,126
-What are you doing?
-lmprovising.

1660
02:08:41,380 --> 02:08:42,632
[GASPING]

1661
02:08:45,718 --> 02:08:47,428
No, no, no!

1662
02:08:48,387 --> 02:08:50,806
In there, now. Go, go, go.

1663
02:09:35,643 --> 02:09:37,520
I was dis--

1664
02:09:39,230 --> 02:09:41,565
I was dis-- Disa--

1665
02:09:42,441 --> 02:09:44,986
-I know, Dad.
-Dis--

1666
02:09:50,992 --> 02:09:53,077
I know you were disappointed...

1667
02:09:53,869 --> 02:09:55,246
...| couldn't be you.

1668
02:09:55,663 --> 02:09:57,164
No.

1669
02:09:57,665 --> 02:09:58,874
No, no, no.

1670
02:09:59,917 --> 02:10:01,919
I was disappointed...

1671
02:10:03,671 --> 02:10:05,589
...that you tried.

1672
02:10:22,732 --> 02:10:24,025
[BEEPING]

1673
02:10:28,863 --> 02:10:30,531
What?

1674
02:10:39,957 --> 02:10:41,083
Come on, come on.

1675
02:11:11,322 --> 02:11:12,823
Dad?

1676
02:11:14,617 --> 02:11:15,659
[SOBBING]

1677
02:11:51,153 --> 02:11:54,240
That's the kick, Ariadne!
You have to go now!

1678
02:12:07,086 --> 02:12:10,506
Don't lose yourself!
Find Saito and bring him back!

1679
02:12:10,673 --> 02:12:12,341
I will!

1680
02:12:52,506 --> 02:12:55,259
You remember when you asked me
to marry you?

1681
02:12:55,426 --> 02:12:56,552
Yes.

1682
02:12:56,719 --> 02:12:59,763
You said you dreamt
that we'd grow old together.

1683
02:13:02,475 --> 02:13:03,976
But we did.

1684
02:13:05,895 --> 02:13:08,272
We did. You don't remember?

1685
02:13:12,943 --> 02:13:15,779
I miss you more than I can bear...

1686
02:13:18,157 --> 02:13:20,159
...but we had our time together.

1687
02:13:21,494 --> 02:13:23,579
And I have to let you go.

1688
02:13:25,664 --> 02:13:27,458
I have to let you go.

1689
02:14:18,717 --> 02:14:20,010
I'm sorry, Robert.

1690
02:14:41,907 --> 02:14:43,409
[ARTHUR YELLS]

1691
02:14:47,663 --> 02:14:51,333
You know, the will means that Dad
wanted me to be my own man...

1692
02:14:52,418 --> 02:14:54,461
...not just to live for him.

1693
02:14:56,046 --> 02:14:58,591
That's what I'm gonna do, Uncle Peter.

1694
02:15:08,350 --> 02:15:09,602
What happened?

1695
02:15:10,060 --> 02:15:11,770
-Cobb stayed.
-With Mal?

1696
02:15:11,937 --> 02:15:13,188
No, to find Saito.

1697
02:15:15,482 --> 02:15:17,234
He'll be lost.

1698
02:15:19,778 --> 02:15:21,614
No, he'll be all right.

1699
02:15:37,630 --> 02:15:39,590
SAITO:
Have you come to kill me?

1700
02:15:43,886 --> 02:15:46,347
I'm waiting for someone.

1701
02:15:50,809 --> 02:15:53,562
COBB:
Someone from a half-remembered dream.

1702
02:15:56,315 --> 02:15:57,733
Cobb?

1703
02:15:58,442 --> 02:15:59,485
[SCOFFS]

1704
02:15:59,652 --> 02:16:01,403
Impossible.

1705
02:16:01,945 --> 02:16:04,573
We were young men together.

1706
02:16:06,158 --> 02:16:08,494
I'm an old man.

1707
02:16:09,745 --> 02:16:11,789
Filled with regret.

1708
02:16:14,917 --> 02:16:17,628
Waiting to die alone.

1709
02:16:20,798 --> 02:16:22,966
I've come back for you.

1710
02:16:26,261 --> 02:16:30,099
To remind you of something.

1711
02:16:33,394 --> 02:16:35,771
Something you once knew.

1712
02:16:38,607 --> 02:16:40,859
That this world is not real.

1713
02:16:45,781 --> 02:16:50,285
To convince me to honor
our arrangement?

1714
02:16:51,120 --> 02:16:53,872
To take a leap of faith, yes.

1715
02:16:59,962 --> 02:17:01,296
Come back...

1716
02:17:03,841 --> 02:17:07,219
...So we can be
young men together again.

1717
02:17:10,973 --> 02:17:12,975
Come back with me.

1718
02:17:16,061 --> 02:17:17,479
Come back.

1719
02:17:27,239 --> 02:17:28,949
FLIGHT ATTENDANT:
Hot towel, sir?

1720
02:17:29,575 --> 02:17:32,453
We'll be landing in Los Angeles
in about 20 minutes.

1721
02:17:32,619 --> 02:17:34,913
Do you need immigration forms?

1722
02:17:36,999 --> 02:17:38,333
Thank you.

1723
02:17:38,834 --> 02:17:40,461
Hot towel, sir?

1724
02:17:41,462 --> 02:17:44,465
-No.
-Do you need immigration forms?

1725
02:18:55,828 --> 02:18:56,912
Welcome home, Mr. Cobb.

1726
02:18:58,038 --> 02:18:59,665
Thank you, sir.

1727
02:19:43,709 --> 02:19:45,085
Welcome.

1728
02:19:45,544 --> 02:19:46,962
This way.

1729
02:20:08,150 --> 02:20:11,612
MILES:
James? Phillipa?

1730
02:20:15,324 --> 02:20:16,617
Look who's here.

1731
02:20:22,205 --> 02:20:23,290
Hey.

1732
02:20:24,374 --> 02:20:27,085
-Hey, guys! Hey! How are you?
PHILLIPA: Daddy! Daddy!

1733
02:20:27,252 --> 02:20:29,504
JAMES: Daddy!
COBB: How are you?

1734
02:20:30,631 --> 02:20:32,215
Look what I've been building!

1735
02:20:32,382 --> 02:20:36,094
-What are you building?
JAMES: We're building a house on the cliff!

1736
02:20:36,261 --> 02:20:39,139
COBB: On the cliff? Come on, I want you
to show me. Can you show me?

1737
02:20:39,306 --> 02:20:41,850
JAMES: Let's go.
PHILLIPA: Come on, Daddy!

1738
02:20:55,322 --> 02:21:01,322
OCR ENG Full
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