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Downloaded From www.AllSubs.org

1
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[CHILDREN LAUGHING]

2
00:01:12,381 --> 00:01:13,519
[PHILLIPA SCREAMS]

3
00:01:25,464 --> 00:01:26,841
[SPEAKING IN JAPANESE]

4
00:01:33,773 --> 00:01:38,778
He was delirious. But asked for you
by name.

5
00:01:40,780 --> 00:01:42,380
Show him.

6
00:01:43,681 --> 00:01:46,382
He was carrying nothing but this...

7
00:01:47,783 --> 00:01:49,384
... and this.

8
00:02:10,117 --> 00:02:12,859
Are you here to kill me?

9
00:02:20,530 --> 00:02:23,033
I know what this is

10
00:02:24,100 --> 00:02:29,278
I've seen one before.
Many, many years ago

11
00:02:30,875 --> 00:02:35,791
It belonged to a man I met
in a half-remembered dream

12
00:02:37,783 --> 00:02:42,893
A man possessed
of some radical notions

13
00:02:46,761 --> 00:02:49,640
COBB:
What is the most resilient parasite?

14
00:02:49,898 --> 00:02:53,277
A bacteria? A virus?

15
00:02:53,836 --> 00:02:55,111
An intestinal worm?

16
00:02:55,438 --> 00:02:56,678
ARTHUR
Uh...

17
00:02:56,840 --> 00:02:58,478
What Mr. Cobb is trying to say

18
00:02:58,641 --> 00:02:59,847
An idea

19
00:03:01,145 --> 00:03:03,648
Resilient. Highly contagious

20
00:03:03,814 --> 00:03:07,820
Once an idea has taken hold of the brain
it's almost impossible to eradicate.

21
00:03:08,253 --> 00:03:12,532
An idea that is fully formed,
fully understood, that sticks

22
00:03:12,692 --> 00:03:13,932
Right in there somewhere

23
00:03:14,093 --> 00:03:15,664
For someone like you to steal?

24
00:03:15,829 --> 00:03:18,776
Yes. In the dream state,
your conscious defenses are lowered

25
00:03:18,932 --> 00:03:21,379
and that makes your thoughts
vulnerable to theft.

26
00:03:21,536 --> 00:03:22,776
It's called extraction

27
00:03:22,937 --> 00:03:26,511
Mr. Saito, we can train
your subconscious to defend itself

28
00:03:26,675 --> 00:03:29,178
from even the most skilled extractor

29
00:03:29,345 --> 00:03:30,518
How can you do that?

30
00:03:30,680 --> 00:03:33,524
Because I am the most skilled extractor

31
00:03:33,984 --> 00:03:37,398
I know how to search your mind
and find your secrets. I know the tricks

32
00:03:37,555 --> 00:03:40,503
And I can teach them to you,
so that even when you're asleep

33
00:03:40,659 --> 00:03:43,003
your defense is never down

34
00:03:43,896 --> 00:03:47,811
Look, if you want my help, you're gonna
have to be completely open with me.

35
00:03:47,967 --> 00:03:51,347
I need to know my way around
your thoughts better than your wife

36
00:03:51,505 --> 00:03:53,815
better than your therapist
better than anyone.

37
00:03:54,241 --> 00:03:56,916
If this is a dream,
and you have a safe full of secrets

38
00:03:57,078 --> 00:03:59,422
I need to know what's in that safe

39
00:03:59,581 --> 00:04:03,052
In order for this all to work,
you need to completely let me in

40
00:04:05,923 --> 00:04:10,565
Enjoy your evening, gentlemen
as I consider your proposal.

41
00:04:13,031 --> 00:04:14,066
He knows

42
00:04:14,232 --> 00:04:15,836
[RUMBLING]

43
00:04:17,102 --> 00:04:18,581
What's going on up there?

44
00:04:26,481 --> 00:04:27,789
[MEN SHOUTING]

45
00:04:28,149 --> 00:04:29,753
[MACHINE HISSING]

46
00:04:40,129 --> 00:04:41,632
[EXPLOSION]

47
00:05:05,994 --> 00:05:07,269
[RUMBLING]

48
00:05:12,836 --> 00:05:15,442
Saito knows. He's playing with us

49
00:05:15,839 --> 00:05:18,184
Doesn't matter. I can get it here
Trust me.

50
00:05:18,342 --> 00:05:19,844
The information is in the safe

51
00:05:20,011 --> 00:05:22,185
He looked right at it
when I mentioned secrets

52
00:05:23,549 --> 00:05:24,584
What's she doing here?

53
00:05:27,520 --> 00:05:30,399
Just head back to the room.
All right? I'll take care of this

54
00:05:30,557 --> 00:05:32,595
Okay, make sure you do
We're here to work.

55
00:05:41,036 --> 00:05:45,713
If I jumped, would I survive?

56
00:05:48,078 --> 00:05:50,490
With a clean dive, perhaps

57
00:05:50,647 --> 00:05:52,321
Mal, what are you doing here?

58
00:05:52,483 --> 00:05:54,690
I thought you might be missing me

59
00:05:54,986 --> 00:05:56,524
COBB:
You know that I am

60
00:05:57,690 --> 00:06:00,170
But I can't trust you anymore

61
00:06:00,893 --> 00:06:02,271
So what?

62
00:06:03,830 --> 00:06:06,037
MAL:
Looks like Arthur's taste

63
00:06:06,199 --> 00:06:09,841
Actually, the subject is partial
to postwar British painters.

64
00:06:11,539 --> 00:06:13,247
Please, have a seat

65
00:06:20,984 --> 00:06:22,430
MAL:
Tell me

66
00:06:22,820 --> 00:06:24,390
do the children miss me?

67
00:06:28,727 --> 00:06:30,434
You can't imagine

68
00:06:34,600 --> 00:06:35,704
What are you doing?

69
00:06:35,868 --> 00:06:37,404
Just getting some fresh air

70
00:06:37,804 --> 00:06:39,579
Stay where you are, Mal

71
00:06:48,684 --> 00:06:50,129
[GRUNTS]

72
00:06:53,289 --> 00:06:55,132
Goddamn it

73
00:07:04,369 --> 00:07:05,609
[SOFT SCREECHING]

74
00:07:13,881 --> 00:07:14,916
[SILENCED GUNSHOT]

75
00:07:15,082 --> 00:07:16,322
[GUARD GRUNTS]

76
00:07:25,061 --> 00:07:26,699
[SILENCED GUNSHOT
THEN GUARD GRUNTS]

77
00:07:56,998 --> 00:07:58,569
SAITO:
Turn around

78
00:07:58,735 --> 00:07:59,770
The gun, Dom

79
00:08:09,047 --> 00:08:10,185
Please

80
00:08:22,295 --> 00:08:24,674
Now the envelope, Mr. Cobb

81
00:08:25,066 --> 00:08:28,479
Did she tell you?
Or have you known all along?

82
00:08:28,904 --> 00:08:33,876
That you're here to steal from me
or that we are actually asleep?

83
00:08:38,014 --> 00:08:40,393
I want to know the name
of your employer.

84
00:08:42,386 --> 00:08:46,267
Ah, there's no use threatening him
in a dream, right, Mal?

85
00:08:46,424 --> 00:08:48,904
That depends
on what you're threatening

86
00:08:49,796 --> 00:08:51,969
Killing him would just wake him up

87
00:08:52,732 --> 00:08:53,904
But pain

88
00:08:55,569 --> 00:08:57,014
[SCREAMS]

89
00:08:57,838 --> 00:08:59,750
Pain is in the mind

90
00:09:00,441 --> 00:09:04,652
And judging by the decor,
we're in your mind, aren't we, Arthur?

91
00:09:08,117 --> 00:09:09,187
[GRUNTS]

92
00:09:16,060 --> 00:09:19,166
- What are you doing? it's too soon
- But the dream's collapsing.

93
00:09:19,330 --> 00:09:22,778
I'm gonna try to keep Saito under
a little hit longer. We're almost there

94
00:09:23,168 --> 00:09:24,272
[SILENCED GUNFIRE]

95
00:09:36,985 --> 00:09:40,957
He was close. Very close

96
00:09:43,593 --> 00:09:44,800
[SCREAMS]

97
00:09:54,072 --> 00:09:55,108
[YELLS]

98
00:09:55,274 --> 00:09:56,844
Stop him!

99
00:10:01,481 --> 00:10:03,358
[GUNFIRE]

100
00:10:10,959 --> 00:10:12,199
[GRUNTS]

101
00:10:18,468 --> 00:10:19,913
[HISSING]

102
00:10:21,205 --> 00:10:22,513
[SAITO GROANS]

103
00:10:22,673 --> 00:10:24,846
This isn't gonna work. Wake him up

104
00:10:37,457 --> 00:10:38,800
[GRUNTS]

105
00:10:45,668 --> 00:10:47,614
He won’t wake

106
00:10:52,075 --> 00:10:53,383
- Give him the kick
NASH: What?

107
00:10:53,910 --> 00:10:54,945
Dunk him

108
00:10:55,111 --> 00:10:56,352
[GUN COCKS]

109
00:11:02,154 --> 00:11:03,724
[WOOD GROANING]

110
00:11:31,322 --> 00:11:32,926
[SAITO GRUNTING]

111
00:11:39,498 --> 00:11:40,875
COBB:
He's out

112
00:11:42,869 --> 00:11:44,780
[SHOUTING IN FOREIGN LANGUAGE]

113
00:11:46,173 --> 00:11:48,244
You came prepared, hmm?

114
00:11:48,409 --> 00:11:52,256
Not even my head of security knows
this apartment. How did you find it?

115
00:11:52,881 --> 00:11:56,625
It's difficult for a man of your position
to keep a love nest like this secret...

116
00:11:56,786 --> 00:11:59,323
...particularly where there's
a married woman involved.

117
00:11:59,489 --> 00:12:01,470
- She would never
- Yet here we are.

118
00:12:02,526 --> 00:12:04,631
- With a dilemma.
- They're getting closer

119
00:12:04,795 --> 00:12:07,572
- You got what you came for
COBB: Well, that's not true.

120
00:12:07,732 --> 00:12:10,406
You left out a key piece of information
didn't you?

121
00:12:10,568 --> 00:12:13,778
You held something back
because you knew what we were up to

122
00:12:13,939 --> 00:12:16,819
- Question is, why'd you let us in at all?
- An audition.

123
00:12:18,011 --> 00:12:20,958
- An audition for what?
- Doesn’t matter. You failed

124
00:12:21,114 --> 00:12:23,823
We extracted every hit of information
you had in there.

125
00:12:24,218 --> 00:12:26,528
But your deception was obvious

126
00:12:32,762 --> 00:12:34,036
[MACHINE HISSING]

127
00:12:57,125 --> 00:13:01,039
[EDITH PIAF'S
NON, JE NE REGRETTE RIEN" PLAYING]

128
00:13:03,632 --> 00:13:05,634
[SONG ECHOING]

129
00:13:07,404 --> 00:13:11,853
- So leave me and go.
- You don't seem to understand, Mr. Saito

130
00:13:12,008 --> 00:13:16,253
That corporation that hired us
they won't accept failure.

131
00:13:16,414 --> 00:13:18,554
We won't last two days

132
00:13:20,486 --> 00:13:21,692
Cobb?

133
00:13:21,854 --> 00:13:24,995
Looks like I'm gonna have to do this
a little more simply.

134
00:13:25,158 --> 00:13:28,936
Tell us what you know!
Tell us what you know, now!

135
00:13:29,830 --> 00:13:31,571
[LAUGHING]

136
00:13:32,299 --> 00:13:35,179
SAITO:
I've always hated this carpet

137
00:13:35,804 --> 00:13:39,719
it's stained and frayed
in such distinctive ways

138
00:13:41,210 --> 00:13:44,556
But very definitely made of wool

139
00:13:45,382 --> 00:13:47,089
Right now

140
00:13:48,119 --> 00:13:50,565
I'm lying on polyester

141
00:13:54,426 --> 00:13:59,274
Which means I'm not lying
on my carpet, in my apartment

142
00:14:00,133 --> 00:14:03,411
You have lived up to your reputation
Mr. Cobb.

143
00:14:03,838 --> 00:14:05,875
I'm still dreaming

144
00:14:07,542 --> 00:14:09,284
[ALARM BEEPING]

145
00:14:12,548 --> 00:14:14,392
How'd it go?
Not good.

146
00:14:19,790 --> 00:14:23,898
Dream within a dream, huh?
I'm impressed.

147
00:14:25,163 --> 00:14:28,668
But in my dream, you play by my rules

148
00:14:28,834 --> 00:14:31,110
Ah, yes, but you see, Mr. Saito

149
00:14:31,270 --> 00:14:32,681
We're not in your dream

150
00:14:32,838 --> 00:14:34,409
We're in mine

151
00:14:34,575 --> 00:14:36,145
[MEN SHOUTING]

152
00:14:37,277 --> 00:14:39,019
[ALARM BEEPING FASTER]

153
00:14:41,683 --> 00:14:43,026
[NASH YELLS]

154
00:14:44,353 --> 00:14:46,458
Asshole.
How do you mess up the carpet?

155
00:14:46,622 --> 00:14:48,933
- It wasn't my fault.
- You're the architect

156
00:14:49,092 --> 00:14:51,231
I didn't know
he was gonna rub his cheek on it!

157
00:14:51,394 --> 00:14:52,498
That's enough

158
00:14:53,598 --> 00:14:55,134
You. What the hell was all that?

159
00:14:55,633 --> 00:14:58,513
I have it under control.
I'd hate to see you out of control

160
00:14:58,670 --> 00:15:02,447
We don't have time for this
I'm getting off at Kyoto.

161
00:15:02,608 --> 00:15:04,452
ARTHUR:
He's not gonna check every compartment

162
00:15:04,611 --> 00:15:06,249
Yeah, well, I don't like trains

163
00:15:06,412 --> 00:15:09,189
Listen. Every man for himself

164
00:16:17,864 --> 00:16:19,538
[PHONE RINGS]

165
00:16:23,538 --> 00:16:24,574
Yes, hello?

166
00:16:24,773 --> 00:16:27,379
PHILLIPA: Hi, Daddy.
JAMES: Hi, Dad.

167
00:16:27,910 --> 00:16:31,518
Hey, guys. Hey. How are you?
How you doing, huh?

168
00:16:31,681 --> 00:16:33,922
PHILLIPA: Good.
JAMES: Okay, I guess

169
00:16:34,084 --> 00:16:37,828
Okay? Who’s just okay?
Is that you, James?

170
00:16:37,988 --> 00:16:41,903
JAMES:
Yeah. When are you coming home, Dad?

171
00:16:42,894 --> 00:16:47,537
Well, I can't, sweetheart. I can't
Not for a while, remember?

172
00:16:47,700 --> 00:16:49,043
JAMES
why?

173
00:16:49,369 --> 00:16:54,946
Look, I told you, I'm away
because I'm working, right?

174
00:16:55,243 --> 00:16:58,087
PHILLIPA:
Grandma says you're never coming back

175
00:16:58,747 --> 00:17:00,659
COBB:
Phillipa, is that you?

176
00:17:01,617 --> 00:17:03,961
Put Grandma on the phone for me
will you?

177
00:17:04,120 --> 00:17:05,828
PHILLIPA:
She's shaking her head

178
00:17:07,958 --> 00:17:10,462
Well, just hope she's wrong about that

179
00:17:11,329 --> 00:17:12,535
JAMES:
Daddy?

180
00:17:13,231 --> 00:17:14,266
Yeah, James?

181
00:17:14,432 --> 00:17:16,106
JAMES:
Is Mommy with you?

182
00:17:18,737 --> 00:17:20,945
James, we talked about this

183
00:17:22,242 --> 00:17:24,586
Mommy's not here anymore

184
00:17:25,646 --> 00:17:26,886
JAMES:
Where?

185
00:17:28,616 --> 00:17:31,257
WOMAN:
That's enough, kids. Say bye-bye

186
00:17:31,420 --> 00:17:34,458
Listen, I'm gonna send some presents
with Grandpa, all right?

187
00:17:34,623 --> 00:17:35,659
And you be good, you be

188
00:17:35,825 --> 00:17:37,498
[DIAL TONE]

189
00:17:43,300 --> 00:17:44,404
[KNOCKING ON DOOR]

190
00:17:46,171 --> 00:17:48,378
Our ride's on the roof
Right.

191
00:17:55,549 --> 00:17:56,721
Hey, are you okay?

192
00:17:57,451 --> 00:17:58,759
Yeah. Yeah, I'm fine. Why?

193
00:17:58,919 --> 00:18:01,366
Well, down in the dream
Mal showing up.

194
00:18:01,522 --> 00:18:04,765
Look, I'm, uh, sorry about your leg
Won't happen again.

195
00:18:04,926 --> 00:18:08,534
It's getting worse, isn't it?
One apology's all you're getting, all right?

196
00:18:08,697 --> 00:18:11,178
- Where's Nash?
- He hasn't shown. You wanna wait?

197
00:18:11,334 --> 00:18:13,814
We were supposed to deliver
Saito's expansion plans...

198
00:18:13,970 --> 00:18:15,745
To Cobol Engineering two hours ago

199
00:18:15,906 --> 00:18:19,149
By now, they know we failed
it's time we disappear.

200
00:18:19,677 --> 00:18:22,181
- Where you gonna go?
- Buenos Aires.

201
00:18:22,347 --> 00:18:26,626
I can lie low there, maybe sniff out
a job when things quiet down. You?

202
00:18:26,786 --> 00:18:27,992
Stateside

203
00:18:28,187 --> 00:18:29,689
Send my regards

204
00:18:36,030 --> 00:18:39,603
He sold you out. Thought to come
to me and bargain for his life.

205
00:18:41,770 --> 00:18:43,579
So I offer you the satisfaction

206
00:18:47,511 --> 00:18:50,048
it's not the way I deal with things

207
00:18:53,117 --> 00:18:54,619
[HELICOPTER STARTING]

208
00:19:02,328 --> 00:19:05,207
- What will you do with him?
- Nothing.

209
00:19:05,598 --> 00:19:08,102
But I can't speak for Cobol Engineering

210
00:19:22,619 --> 00:19:25,623
- What do you want from us?
- Inception.

211
00:19:27,225 --> 00:19:29,637
Is it possible?
Of course not.

212
00:19:29,794 --> 00:19:32,002
If you can steal an idea
from someone's mind...

213
00:19:32,164 --> 00:19:34,041
Why can't you plant one there instead?

214
00:19:34,199 --> 00:19:36,304
Okay, here's me planting
an idea in your head.

215
00:19:36,468 --> 00:19:39,780
I say, "Don't think about elephants
What are you thinking about?

216
00:19:39,940 --> 00:19:40,975
Elephants

217
00:19:41,141 --> 00:19:44,316
Right. But it's not your idea,
because you know I gave it to you

218
00:19:44,512 --> 00:19:47,494
The subject's mind can always trace
the genesis of the idea.

219
00:19:47,649 --> 00:19:50,858
True inspiration's impossible to fake
That's not true.

220
00:19:53,389 --> 00:19:56,495
- Can you do it?
- Are you offering me a choice?

221
00:19:56,659 --> 00:19:59,334
Because I can find my own way
to square things with Cobol.

222
00:19:59,496 --> 00:20:01,533
Then you do have a choice

223
00:20:01,699 --> 00:20:03,475
Then I choose to leave, sir

224
00:20:08,374 --> 00:20:10,081
Tell the crew where you want to go

225
00:20:15,349 --> 00:20:16,419
Hey, Mr. Cobb

226
00:20:19,587 --> 00:20:21,658
How would you like to go home?

227
00:20:22,458 --> 00:20:25,769
To America. To your children

228
00:20:26,195 --> 00:20:29,541
You can't fix that. No one can

229
00:20:29,699 --> 00:20:32,943
- Just like inception
- Cobb, come on.

230
00:20:36,674 --> 00:20:39,588
How complex is the idea?
Simple enough.

231
00:20:39,745 --> 00:20:43,284
No idea is simple when you need
to plant it in somebody else's mind

232
00:20:43,683 --> 00:20:47,187
My main competitor is
an old man in poor health

233
00:20:47,353 --> 00:20:51,131
His son will soon inherit control
of the corporation.

234
00:20:52,026 --> 00:20:55,600
I need him to decide to break up
his father's empire.

235
00:20:56,297 --> 00:20:58,972
Cobb, we should walk away from this
Hold on.

236
00:21:01,037 --> 00:21:04,315
If I were to do this
if I even could do it

237
00:21:04,474 --> 00:21:06,385
I'd need a guarantee

238
00:21:06,543 --> 00:21:09,821
- How do I know you can deliver?
- You don't.

239
00:21:10,415 --> 00:21:11,894
But I can

240
00:21:12,483 --> 00:21:17,058
So do you want to take a leap of faith

241
00:21:17,489 --> 00:21:21,336
or become an old man
filled with regret...

242
00:21:21,494 --> 00:21:24,101
Waiting to die alone?

243
00:21:27,168 --> 00:21:31,481
Assemble your team, Mr. Cobb.
And choose your people more wisely

244
00:21:39,583 --> 00:21:41,426
Look, I know how much
you wanna go home.

245
00:21:44,222 --> 00:21:45,963
This can't be done

246
00:21:46,124 --> 00:21:49,402
Yes, it can.
Just have to go deep enough

247
00:21:49,595 --> 00:21:51,131
You don't know that

248
00:21:52,465 --> 00:21:54,309
I've done it before

249
00:21:55,502 --> 00:21:56,674
Who’d you do it to?

250
00:22:01,909 --> 00:22:03,912
Why are we going to Paris?

251
00:22:05,514 --> 00:22:07,221
We're gonna need a new architect

252
00:22:07,816 --> 00:22:09,524
[BELLS TOLLING]

253
00:22:24,137 --> 00:22:26,208
COBB:
You never did like your office, did you?

254
00:22:28,007 --> 00:22:31,046
No space to think
in that broom cupboard

255
00:22:32,913 --> 00:22:35,155
Is it safe for you to be here?

256
00:22:36,384 --> 00:22:38,796
Extradition between France
and the United States...

257
00:22:38,954 --> 00:22:41,195
Is a bureaucratic nightmare
you know that.

258
00:22:41,357 --> 00:22:44,100
I think they might find a way
to make it work in your case.

259
00:22:44,261 --> 00:22:48,767
Look, I, uh, brought these for you to give
to the kids when you have a chance.

260
00:22:48,932 --> 00:22:51,539
It'll take more than
the occasional stuffed animal

261
00:22:51,702 --> 00:22:54,684
to convince those children
they still have a father.

262
00:22:54,840 --> 00:22:57,684
I'm just doing what I know.
I'm doing what you taught me

263
00:22:57,843 --> 00:22:59,380
I never taught you to be a thief

264
00:22:59,546 --> 00:23:01,753
No, you taught me to navigate
people's minds.

265
00:23:01,915 --> 00:23:03,223
But after what happened

266
00:23:03,383 --> 00:23:06,957
there weren't a whole lot of legitimate
ways for me to use that skill.

267
00:23:12,093 --> 00:23:13,595
What are you doing here, Dom?

268
00:23:15,698 --> 00:23:18,110
I think I found a way home

269
00:23:18,267 --> 00:23:21,841
it's a job
for some very, very powerful people

270
00:23:22,072 --> 00:23:26,488
People who I believe can fix
my charges permanently.

271
00:23:27,278 --> 00:23:28,552
But I need your help

272
00:23:29,247 --> 00:23:32,559
You're here to corrupt
one of my brightest and best

273
00:23:32,718 --> 00:23:35,632
You know what I'm offering.
Let them decide for themselves

274
00:23:35,789 --> 00:23:37,268
Money.
Not just money

275
00:23:37,424 --> 00:23:38,767
You remember

276
00:23:38,925 --> 00:23:42,169
it's the chance to build cathedrals
entire cities...

277
00:23:42,330 --> 00:23:44,105
Things that never existed

278
00:23:44,265 --> 00:23:47,475
things that couldn’t exist
in the real world.

279
00:23:47,636 --> 00:23:52,814
So you want me to let someone else
follow you into your fantasy?

280
00:23:52,976 --> 00:23:54,957
They don't actually come into the dream

281
00:23:55,112 --> 00:23:58,389
They just design the levels
and teach them to the dreamers. That's all

282
00:23:58,549 --> 00:23:59,789
Design it yourself

283
00:24:02,454 --> 00:24:03,956
Mal won’t let me

284
00:24:10,163 --> 00:24:12,302
Come back to reality, Dom

285
00:24:13,634 --> 00:24:16,206
Please.
Reality

286
00:24:16,571 --> 00:24:19,108
Those kids, your grandchildren

287
00:24:19,274 --> 00:24:23,280
they're waiting for their father to come
back home. That's their reality.

288
00:24:23,445 --> 00:24:26,655
And this job, this last job
that's how I get there.

289
00:24:27,183 --> 00:24:30,825
I would not be standing here
if I knew any other way.

290
00:24:33,991 --> 00:24:36,905
I need an architect
who's as good as I was

291
00:24:41,100 --> 00:24:43,102
I've got somebody better

292
00:24:43,269 --> 00:24:44,304
Ariadne?

293
00:24:46,907 --> 00:24:49,444
I'd like you to meet Mr. Cobb

294
00:24:49,843 --> 00:24:50,948
Pleased to meet you

295
00:24:51,112 --> 00:24:55,789
If you have a few moments, Mr. Cobb has
a job offer he'd like to discuss with you.

296
00:24:55,952 --> 00:24:56,987
A work placement?

297
00:24:57,386 --> 00:24:58,694
Not exactly

298
00:24:58,854 --> 00:25:00,197
I have a test for you

299
00:25:00,924 --> 00:25:02,995
You're not gonna tell me anything first?

300
00:25:03,160 --> 00:25:05,801
Before I describe the job,
I have to know you can do it

301
00:25:05,964 --> 00:25:09,173
- why?
- it's not, strictly speaking, legal

302
00:25:12,271 --> 00:25:16,948
You have two minutes to design a maze
that it takes one minute to solve.

303
00:25:18,878 --> 00:25:20,016
Stop

304
00:25:22,450 --> 00:25:23,656
Again

305
00:25:25,786 --> 00:25:27,130
Stop

306
00:25:30,292 --> 00:25:32,364
You're gonna have to do better than that

307
00:25:45,377 --> 00:25:46,652
That's more like it

308
00:26:06,836 --> 00:26:09,749
COBB: They say we only use a fraction
of our brain's true potential.

309
00:26:09,906 --> 00:26:11,614
Now, that's when we're awake

310
00:26:11,776 --> 00:26:14,757
When we're asleep,
our mind can do almost anything

311
00:26:14,912 --> 00:26:15,947
Such as?

312
00:26:16,113 --> 00:26:20,119
Imagine you're designing a building
You consciously create each aspect.

313
00:26:20,285 --> 00:26:24,132
But sometimes, it feels like it's almost
creating itself, if you know what I mean

314
00:26:24,290 --> 00:26:26,270
Yeah, like I'm discovering it

315
00:26:26,426 --> 00:26:28,703
Genuine inspiration, right?

316
00:26:28,862 --> 00:26:32,208
Now, in a dream,
our mind continuously does this

317
00:26:32,367 --> 00:26:37,010
We create and perceive
our world simultaneously

318
00:26:37,173 --> 00:26:40,586
And our mind does this so well
that we don't even know it's happening

319
00:26:40,743 --> 00:26:43,486
That allows us to get right
in the middle of that process

320
00:26:43,647 --> 00:26:46,025
How?
By taking over the creating part

321
00:26:46,183 --> 00:26:47,822
Now, this is where I need you

322
00:26:47,985 --> 00:26:50,363
You create the world of the dream

323
00:26:50,521 --> 00:26:55,904
We bring the subject into that dream,
and they fill it with their subconscious

324
00:26:56,061 --> 00:27:00,738
How could I ever acquire enough detail
to make them think that it's reality?

325
00:27:00,900 --> 00:27:04,371
Well, dreams, they feel real
while we're in them, right?

326
00:27:04,538 --> 00:27:08,248
It's only when we wake up that we realize
something was actually strange.

327
00:27:09,711 --> 00:27:11,122
Let me ask you a question

328
00:27:11,279 --> 00:27:14,693
You never really remember
the beginning of a dream, do you?

329
00:27:14,851 --> 00:27:17,890
You always wind up
right in the middle of what's going on

330
00:27:18,055 --> 00:27:19,090
I guess, yeah

331
00:27:19,256 --> 00:27:20,826
So how did we end up here?

332
00:27:21,225 --> 00:27:23,297
Well, we just came from the, uh

333
00:27:23,495 --> 00:27:26,942
Think about it, Ariadne.
How did you get here?

334
00:27:27,533 --> 00:27:29,444
Where are you right now?

335
00:27:32,739 --> 00:27:33,911
We're dreaming?

336
00:27:34,074 --> 00:27:36,520
You're in the middle
of the workshop, sleeping

337
00:27:36,676 --> 00:27:39,658
This is your first lesson
in shared dreaming. Stay calm

338
00:27:39,814 --> 00:27:41,054
[CUP RATTLING]

339
00:27:41,549 --> 00:27:43,257
[RUMBLING]

340
00:28:16,991 --> 00:28:19,131
If it's just a dream,
then why are you-?

341
00:28:19,295 --> 00:28:20,603
["NON, JE NE REGRETTE RIEN" PLAYING]

342
00:28:20,763 --> 00:28:22,504
COBB:
Because it's never just a dream, is it?

343
00:28:22,665 --> 00:28:25,977
And a face full of glass hurts like hell
When you're in it, it feels real.

344
00:28:26,136 --> 00:28:28,344
ARTHUR: That's why the military
developed dream sharing.

345
00:28:28,506 --> 00:28:32,215
It was a training program for soldiers
to shoot, stab and strangle each other.

346
00:28:32,376 --> 00:28:33,515
And then wake up

347
00:28:33,812 --> 00:28:35,621
ARIADNE:
How did architects become involved?

348
00:28:35,781 --> 00:28:38,524
COBB: Well, someone had to design
the dreams, right?

349
00:28:39,652 --> 00:28:41,996
Why don't you give us
another five minutes?

350
00:28:42,155 --> 00:28:43,260
Five minutes?

351
00:28:43,424 --> 00:28:44,459
[MUSIC STOPS]

352
00:28:44,625 --> 00:28:46,969
What-? We were talking
for, like, at least an hour

353
00:28:47,127 --> 00:28:49,369
In a dream, your mind
functions more quickly.

354
00:28:49,531 --> 00:28:52,375
Therefore time seems
to feel more slow.

355
00:28:52,534 --> 00:28:55,914
Five minutes in the real world
gives you an hour in the dream

356
00:28:56,639 --> 00:28:59,712
Why don't you see what you
can get up to in five minutes?

357
00:29:01,712 --> 00:29:03,191
[MACHINE HISSING]

358
00:29:05,617 --> 00:29:08,565
COBB: You've got the basic layout
Bookstore, café.

359
00:29:08,721 --> 00:29:10,394
Almost everything else is here too

360
00:29:10,556 --> 00:29:13,503
ARIADNE: Who are the people?
- Projections of my subconscious

361
00:29:13,660 --> 00:29:14,832
- Yours?
- Yes.

362
00:29:14,995 --> 00:29:17,532
Remember, you are the dreamer
You build this world.

363
00:29:17,697 --> 00:29:20,372
I am the subject. My mind populates it

364
00:29:20,534 --> 00:29:22,445
You can literally talk
to my subconscious.

365
00:29:22,603 --> 00:29:25,517
That's one of the ways we extract
information from the subject.

366
00:29:25,674 --> 00:29:26,948
How else do you do it?

367
00:29:27,142 --> 00:29:31,114
By creating something secure
like a bank vault or a jail.

368
00:29:31,281 --> 00:29:35,025
The mind automatically fills it
with information it's trying to protect

369
00:29:35,185 --> 00:29:37,961
- You understand?
- Then you break in and steal it?

370
00:29:38,122 --> 00:29:39,158
Well

371
00:29:39,324 --> 00:29:43,830
I guess I thought that the dream space
would be all about the visual...

372
00:29:43,996 --> 00:29:45,873
But it's more about the feel of it

373
00:29:46,332 --> 00:29:50,475
My question is what happens when you
start messing with the physics of it all?

374
00:29:52,139 --> 00:29:54,051
[RUMBLING THEN METAL GROANING]

375
00:30:31,820 --> 00:30:33,390
it's something, isn't it?

376
00:30:34,490 --> 00:30:35,798
Yes, it is

377
00:30:59,719 --> 00:31:01,256
ARIADNE:
Why are they all looking at me?

378
00:31:01,422 --> 00:31:04,927
Because my subconscious feels that
someone else is creating this world.

379
00:31:05,093 --> 00:31:09,405
The more you change things, the quicker
the projections start to converge on you.

380
00:31:09,564 --> 00:31:10,635
Converge?

381
00:31:10,800 --> 00:31:12,871
They sense the foreign nature
of the dreamer.

382
00:31:13,035 --> 00:31:15,710
They attack, like white blood cells
fighting an infection.

383
00:31:15,873 --> 00:31:18,717
- What, they're gonna attack us?
- No, no.

384
00:31:19,276 --> 00:31:20,847
Just you

385
00:31:22,080 --> 00:31:23,559
[METAL CREAKING]

386
00:31:24,749 --> 00:31:29,028
This is great, but I'm telling you,
if you keep changing things like this

387
00:31:32,526 --> 00:31:35,508
Jeez, mind telling your subconscious
to take it easy?

388
00:31:35,663 --> 00:31:38,337
It's my subconscious.
Remember? I can't control it

389
00:32:31,997 --> 00:32:33,374
Very impressive

390
00:32:45,112 --> 00:32:48,651
I know this bridge.
This place is real, isn't it?

391
00:32:48,817 --> 00:32:51,162
Yeah, I cross it every day
to get to the college.

392
00:32:51,320 --> 00:32:54,767
Never re-create places from your memory
Always imagine new places.

393
00:32:54,924 --> 00:32:56,768
You draw from stuff you know, right?

394
00:32:56,927 --> 00:33:01,137
Only use details. A streetlamp
or a phone booth. Never entire areas

395
00:33:01,299 --> 00:33:03,438
- Why not?
- Building a dream from your memory

396
00:33:03,601 --> 00:33:07,106
is the easiest way to lose your grasp
on what's real and what is a dream.

397
00:33:07,273 --> 00:33:09,344
Is that what happened to you?
Listen to me.

398
00:33:09,508 --> 00:33:11,511
This has nothing to do
with me, understand?

399
00:33:11,678 --> 00:33:13,658
That why you need me
to build your dreams?

400
00:33:13,813 --> 00:33:16,350
Hey, get off of her. Back up. Back up

401
00:33:16,517 --> 00:33:18,155
Cobb! Cobb!
Get off of her!

402
00:33:18,319 --> 00:33:20,265
Let me go! Let me go!
Mal!

403
00:33:20,755 --> 00:33:22,861
Mal!
Cobb! Wake me up!

404
00:33:23,025 --> 00:33:24,834
- Wake me up! Wake me up!
- No!

405
00:33:24,993 --> 00:33:26,495
- Mal, no! No!
- Wake me up!

406
00:33:26,663 --> 00:33:27,971
[GASPING]

407
00:33:28,131 --> 00:33:32,103
Hey, hey, hey. Look at me
You're okay. You're okay.

408
00:33:32,269 --> 00:33:35,512
- Hey.
- Why wouldn't I wake up?

409
00:33:35,806 --> 00:33:37,411
There was still time on the clock

410
00:33:37,576 --> 00:33:40,113
You can't wake up from
within the dream unless you die

411
00:33:40,278 --> 00:33:41,883
- She'll need a totem
ARIADNE: What?

412
00:33:42,048 --> 00:33:43,527
A totem, it's a small personal

413
00:33:43,683 --> 00:33:46,220
That's some subconscious
you've got on you, Cobb!

414
00:33:46,385 --> 00:33:48,229
She's a real charmer
Oh.

415
00:33:48,388 --> 00:33:51,028
I see you met Mrs. Cobb
She's his wife?

416
00:33:51,191 --> 00:33:54,935
Yeah. So a totem. You need
a small object, potentially heavy

417
00:33:55,096 --> 00:33:57,577
Something you can have on you
that no one else knows.

418
00:33:57,733 --> 00:33:59,007
ARIADNE: Like a coin?
ARTHUR: No.

419
00:33:59,168 --> 00:34:03,811
It needs to be more unique than that
Like, this is a loaded die.

420
00:34:04,908 --> 00:34:07,822
No, I can't let you touch it.
That would defeat the purpose

421
00:34:07,979 --> 00:34:12,190
See, only I know the balance and
the weight of this particular loaded die

422
00:34:12,351 --> 00:34:14,194
That way,
when you look at your totem

423
00:34:14,353 --> 00:34:17,460
...you know beyond a doubt that
you're not in someone else's dream

424
00:34:20,893 --> 00:34:25,206
I don't know if you can't see what's
going on, or if you just don't want to.

425
00:34:25,366 --> 00:34:28,905
But Cobb has some serious problems
that he's tried to bury down there.

426
00:34:29,070 --> 00:34:33,019
And I'm not about to just open my mind
to someone like that.

427
00:34:37,881 --> 00:34:38,985
[DOOR CLOSES]

428
00:34:39,149 --> 00:34:42,563
She'll he back. I've never seen anyone
pick it up that quickly before.

429
00:34:43,021 --> 00:34:47,231
Reality's not gonna be enough for her now
and when she comes back...

430
00:34:47,893 --> 00:34:50,567
When she comes back,
you're gonna have her building mazes

431
00:34:50,729 --> 00:34:53,006
- Where are you gonna be?
- I gotta go visit Eames.

432
00:34:53,166 --> 00:34:56,306
Eames? No, he's in Mombasa
it's Cobol's back yard.

433
00:34:56,469 --> 00:34:58,074
It's a necessary risk

434
00:34:58,472 --> 00:35:01,715
- Well, there's plenty of good thieves
- We don't just need a thief.

435
00:35:02,844 --> 00:35:03,879
We need a forger

436
00:35:12,588 --> 00:35:15,160
Rub them together all you want
they're not gonna breed.

437
00:35:15,726 --> 00:35:16,761
You never know

438
00:35:17,695 --> 00:35:19,733
COBB:
I'm gonna get you a drink

439
00:35:21,900 --> 00:35:23,278
You're buying

440
00:35:29,743 --> 00:35:32,053
- Your spelling hasn't improved
- Piss off.

441
00:35:32,212 --> 00:35:34,193
How's your handwriting?

442
00:35:34,348 --> 00:35:36,191
It's versatile
Good.

443
00:35:36,350 --> 00:35:37,590
Thank you very much

444
00:35:38,253 --> 00:35:39,630
Inception

445
00:35:39,855 --> 00:35:42,699
Now, before you bother telling me
it's impossible, let me-

446
00:35:42,858 --> 00:35:46,170
No, it's perfectly possible
it's just bloody difficult.

447
00:35:46,329 --> 00:35:49,607
Interesting. Because Arthur keeps
telling me it can't be done.

448
00:35:50,034 --> 00:35:53,015
Hmm. Arthur. You still working
with that stick in the mud?

449
00:35:53,170 --> 00:35:54,878
He is good at what he does, right?

450
00:35:55,040 --> 00:35:57,111
Oh, he's the best,
but he has no imagination

451
00:35:57,275 --> 00:35:58,311
Not like you

452
00:35:58,478 --> 00:36:01,459
Listen, if you're gonna perform inception
you need imagination.

453
00:36:01,614 --> 00:36:05,188
Let me ask you something
Have you done it before?

454
00:36:05,352 --> 00:36:08,994
We tried it. Uh, we got the idea in place
but it didn't take.

455
00:36:09,157 --> 00:36:12,502
- You didn't plant it deep enough?
- No, it's not just about depth.

456
00:36:12,660 --> 00:36:14,663
You need the simplest version
of the idea...

457
00:36:14,830 --> 00:36:18,505
...in order for it to grow naturally
in your subject's mind. it's a subtle art

458
00:36:18,668 --> 00:36:21,205
So, what is this idea
that you need to plant?

459
00:36:21,371 --> 00:36:25,582
We need the heir of a major corporation
to dissolve his father's empire.

460
00:36:25,743 --> 00:36:28,189
Right there you have
various political motivations

461
00:36:28,346 --> 00:36:30,349
and anti-monopolistic sentiments
and so forth.

462
00:36:30,516 --> 00:36:32,359
But all of that stuff, it's, um

463
00:36:32,518 --> 00:36:35,398
it's really at the mercy of your
subject's prejudice, you see?

464
00:36:35,555 --> 00:36:38,058
What you have to do is
start at the absolute basic

465
00:36:38,224 --> 00:36:39,795
Which is what?

466
00:36:40,294 --> 00:36:42,205
The relationship with the father

467
00:36:44,399 --> 00:36:46,072
Do you have a chemist?
No, not yet.

468
00:36:46,234 --> 00:36:49,307
Right. Okay, well,
there's a man here, Yusuf

469
00:36:49,472 --> 00:36:52,919
He, uh, formulates his own versions
of the compounds.

470
00:36:53,075 --> 00:36:54,384
Why don't you take me there?

471
00:36:54,545 --> 00:36:57,617
Once you've lost your tail
The man at the bar.

472
00:36:57,781 --> 00:36:59,261
COBB:
Cobol Engineering

473
00:36:59,417 --> 00:37:01,761
That price on my head,
was that dead or alive?

474
00:37:01,920 --> 00:37:04,458
Don't remember.
Let's see if he starts shooting

475
00:37:04,623 --> 00:37:08,264
Run interference. I'll meet you downstairs
in the bar in, say, uh, half an hour?

476
00:37:08,427 --> 00:37:10,430
Back here?
This is the last place they'd suspect

477
00:37:10,597 --> 00:37:11,871
[CHUCKLES]

478
00:37:12,966 --> 00:37:14,310
All right

479
00:37:15,469 --> 00:37:17,312
Freddy. Freddy Simmonds

480
00:37:17,471 --> 00:37:18,950
My God, it's you, isn't it?

481
00:37:20,442 --> 00:37:21,614
[GRUNTS]

482
00:37:22,477 --> 00:37:23,547
No, it isn't you

483
00:37:23,712 --> 00:37:25,158
Not dreaming now, are you?

484
00:37:25,315 --> 00:37:27,022
[GRUNTS THEN PEOPLE SHOUTING]

485
00:37:27,350 --> 00:37:28,954
MAN:
Get him!

486
00:37:44,470 --> 00:37:45,609
There!

487
00:38:03,827 --> 00:38:05,865
[WAITER SPEAKING
IN FOREIGN LANGUAGE]

488
00:38:06,097 --> 00:38:07,872
One café

489
00:38:12,204 --> 00:38:13,376
Shh

490
00:38:15,174 --> 00:38:16,949
[WAITER SHOUTING]

491
00:38:19,012 --> 00:38:20,492
One café

492
00:38:21,515 --> 00:38:22,994
One café

493
00:38:24,118 --> 00:38:25,291
[MEN SHOUTING]

494
00:38:42,607 --> 00:38:43,642
[HORN HONKS]

495
00:38:57,458 --> 00:38:58,698
[GRUNTING]

496
00:39:12,209 --> 00:39:13,517
[TIRES SCREECH]

497
00:39:17,582 --> 00:39:19,061
Care for a lift, Mr. Cobb?

498
00:39:20,652 --> 00:39:24,760
- What are you doing in Mombasa?
- I'm here to protect my investment

499
00:39:25,424 --> 00:39:26,802
[WHISTLE]

500
00:39:27,260 --> 00:39:30,207
Ah. So this is your idea
of losing a tail, huh?

501
00:39:30,364 --> 00:39:31,400
Different tail

502
00:39:34,235 --> 00:39:35,737
[ARIADNE CLEARS THROAT]

503
00:39:40,109 --> 00:39:41,851
Cobb said you’d be back

504
00:39:42,979 --> 00:39:46,518
I tried not to come, but...
But there's nothing quite like it

505
00:39:46,684 --> 00:39:48,357
it's just

506
00:39:49,854 --> 00:39:51,198
pure creation

507
00:39:51,356 --> 00:39:53,859
Shall we take a look
at some paradoxical architecture?

508
00:39:54,026 --> 00:39:56,028
ARTHUR: You're gonna have to master
a few tricks...

509
00:39:56,195 --> 00:39:59,733
If you're gonna build three complete
dream levels. Excuse me.

510
00:39:59,899 --> 00:40:01,345
ARIADNE:
What kind of tricks?

511
00:40:01,502 --> 00:40:05,006
In a dream, you can cheat architecture
into impossible shapes.

512
00:40:05,172 --> 00:40:09,087
That lets you create closed loops
like the Penrose Steps.

513
00:40:09,944 --> 00:40:11,947
The infinite staircase

514
00:40:14,650 --> 00:40:16,095
See?

515
00:40:20,257 --> 00:40:21,327
Paradox

516
00:40:21,492 --> 00:40:22,903
So a closed loop like that

517
00:40:23,061 --> 00:40:26,167
will help you disguise the boundaries
of the dream you create.

518
00:40:26,330 --> 00:40:28,311
But how big do these levels have to be?

519
00:40:28,467 --> 00:40:31,608
It could be anything
from the floor of a building to an entire city

520
00:40:31,771 --> 00:40:35,218
They have to be complicated enough
that we can hide from the projections

521
00:40:35,375 --> 00:40:36,787
- A maze?
- Right, a maze

522
00:40:36,944 --> 00:40:38,287
And the better the maze

523
00:40:38,479 --> 00:40:41,153
Then the longer we have
before the projections catch us?

524
00:40:41,315 --> 00:40:42,590
Exactly

525
00:40:43,251 --> 00:40:46,893
My subconscious seems polite enough
Ha, ha. You wait, they'll turn ugly.

526
00:40:47,056 --> 00:40:49,969
No one likes to feel someone else
messing around in their mind.

527
00:40:50,126 --> 00:40:52,232
Cobb can't build anymore, can he?

528
00:40:54,064 --> 00:40:55,907
I don't know if he can't, but he won't

529
00:40:56,066 --> 00:40:58,479
He thinks it's safer
if he doesn’t know the layouts

530
00:40:58,636 --> 00:40:59,740
why?

531
00:40:59,904 --> 00:41:02,146
He won’t tell me. But I think it's Mal

532
00:41:02,575 --> 00:41:04,885
His ex-wife?
No, not his ex

533
00:41:05,044 --> 00:41:08,219
They're still together?
No.

534
00:41:09,449 --> 00:41:10,951
No, she's dead

535
00:41:12,920 --> 00:41:15,662
What you see in there
is just his projection of her

536
00:41:19,194 --> 00:41:20,673
What was she like in real life?

537
00:41:21,330 --> 00:41:22,867
She was lovely

538
00:41:26,569 --> 00:41:28,948
YUSUF: You are seeking a chemist?
COBB: Yes.

539
00:41:29,106 --> 00:41:31,245
To formulate compounds for a job?

540
00:41:31,909 --> 00:41:33,787
And to go into the field with us

541
00:41:33,945 --> 00:41:36,186
No, I rarely go into the field, Mr. Cobb

542
00:41:36,348 --> 00:41:40,092
Well, we'd need you there to tailor
compounds specific to our needs.

543
00:41:40,253 --> 00:41:42,359
- Which are?
- Great depth

544
00:41:42,523 --> 00:41:45,800
A dream within a dream? Two levels?

545
00:41:48,563 --> 00:41:49,598
Three

546
00:41:49,764 --> 00:41:53,338
Not possible. That many dreams
within dreams is too unstable.

547
00:41:53,502 --> 00:41:57,473
It is possible.
You just have to add a sedative

548
00:41:57,641 --> 00:42:00,315
A powerful sedative

549
00:42:02,112 --> 00:42:04,354
How many team members?
Five.

550
00:42:04,515 --> 00:42:06,256
SAITO
Six.

551
00:42:07,118 --> 00:42:11,158
The only way to know you’ve done the job
is if I go in with you.

552
00:42:11,323 --> 00:42:14,430
There's no room for tourists
on a job like this, Mr. Saito.

553
00:42:14,594 --> 00:42:16,972
This time, it seems there is

554
00:42:17,898 --> 00:42:21,641
This, I think, is a good place to start
I use it every day.

555
00:42:21,802 --> 00:42:23,942
COBB: What for?
- Here, I'll show you

556
00:42:28,244 --> 00:42:29,985
Perhaps you will not want to see

557
00:42:32,915 --> 00:42:34,520
After you

558
00:42:34,718 --> 00:42:36,391
[MACHINE HISSING]

559
00:42:43,829 --> 00:42:46,833
EAMES:
Ten. Twelve. All connected. Bloody hell

560
00:42:46,999 --> 00:42:48,775
They come every day to share the dream

561
00:42:51,805 --> 00:42:54,377
You see? Very stable

562
00:43:00,082 --> 00:43:04,156
- How long do they dream for?
YUSUF: Three, four hours, each day

563
00:43:04,420 --> 00:43:05,455
In dream time?

564
00:43:05,622 --> 00:43:09,298
With this compound? About 40 hours
each and every day.

565
00:43:09,460 --> 00:43:12,771
- Why do they do it?
YUSUF: Tell him, Mr. Cobb

566
00:43:14,299 --> 00:43:16,745
After a while, it becomes
the only way you can dream

567
00:43:16,901 --> 00:43:18,848
Do you still dream, Mr. Cobb?

568
00:43:19,472 --> 00:43:22,885
- They come here every day to sleep?
MAN: No.

569
00:43:24,611 --> 00:43:27,319
They come to be woken up

570
00:43:28,315 --> 00:43:31,627
The dream has become their reality

571
00:43:32,553 --> 00:43:34,932
Who are you to say otherwise, sir?

572
00:43:37,226 --> 00:43:38,865
Let's see what you can do

573
00:43:46,337 --> 00:43:47,782
[METAL GROANING]

574
00:43:49,841 --> 00:43:51,445
You know how to find me

575
00:43:54,047 --> 00:43:56,049
You know what you have to do

576
00:44:01,288 --> 00:44:02,358
Sharp, no?

577
00:44:17,941 --> 00:44:20,786
SAITO:
Are you all right, Mr. Cobb?

578
00:44:21,312 --> 00:44:25,090
Yeah, yeah. Everything's just fine

579
00:44:33,526 --> 00:44:37,236
Robert Fischer, heir to the Fischer Morrow
energy conglomerate.

580
00:44:37,398 --> 00:44:39,309
COBB:
What's your problem with this Mr. Fischer?

581
00:44:39,468 --> 00:44:41,072
That's not your concern

582
00:44:41,470 --> 00:44:45,851
Mr. Saito, this isn't your typical
corporate espionage.

583
00:44:46,008 --> 00:44:47,612
You asked me for inception

584
00:44:47,777 --> 00:44:51,157
I do hope you understand
the gravity of that request.

585
00:44:51,315 --> 00:44:55,287
Now, the seed that we plant
in this man's mind will grow into an idea

586
00:44:55,453 --> 00:44:57,330
This idea will define him

587
00:44:57,489 --> 00:44:59,332
It may come to change

588
00:44:59,491 --> 00:45:01,802
Well, it may come to change
everything about him.

589
00:45:01,961 --> 00:45:06,308
We're the last company standing
between them and total energy dominance

590
00:45:06,466 --> 00:45:08,537
And we can no longer compete

591
00:45:08,702 --> 00:45:12,173
Soon, they'll control the energy supply
of half the world.

592
00:45:12,340 --> 00:45:14,718
In effect, they become
a new superpower.

593
00:45:16,111 --> 00:45:19,456
The world needs Robert Fischer
to change his mind.

594
00:45:19,615 --> 00:45:21,186
EAMES:
That's where we come in

595
00:45:21,351 --> 00:45:24,628
How is Robert Fischer's relationship
with his father?

596
00:45:24,788 --> 00:45:27,531
Rumor is the relationship
is quite complicated.

597
00:45:27,691 --> 00:45:30,195
Well, we can't work based
solely on rumor, can we?

598
00:45:30,362 --> 00:45:33,571
Can you get me access to this man here?
Browning.

599
00:45:33,732 --> 00:45:37,909
Fischer Senior's right-hand man
Fischer Junior's godfather.

600
00:45:38,070 --> 00:45:41,348
It should be possible,
if you can get the right references

601
00:45:41,508 --> 00:45:45,980
References are something
of a specialty for me, Mr. Saito

602
00:45:46,614 --> 00:45:49,561
BROWNING: I'm not smelling
settlement here. Take them down

603
00:45:49,717 --> 00:45:50,822
LAWYER:
Mr. Browning

604
00:45:50,986 --> 00:45:54,832
...Maurice Fischer's policy
is always one of avoiding litigation

605
00:45:57,394 --> 00:46:01,866
Well, shall we voice your concerns
with Maurice directly?

606
00:46:02,033 --> 00:46:03,444
Not sure that's necessary

607
00:46:03,601 --> 00:46:06,276
No, no, no. I think we should

608
00:46:27,563 --> 00:46:29,133
BROWNING
How is he?

609
00:46:29,966 --> 00:46:32,743
I don't want to bother him
unnecessarily, but...

610
00:46:32,903 --> 00:46:38,377
MAURICE: Robert, I told you keep out
the damn- Wait. So do it. Get-

611
00:46:38,643 --> 00:46:41,750
NURSE: Mr. Fischer.
MAURICE: Put it through

612
00:46:42,114 --> 00:46:45,721
Never, never.
Never do the same as I asked

613
00:46:47,020 --> 00:46:48,693
Leave that

614
00:46:52,393 --> 00:46:53,770
Here

615
00:46:56,030 --> 00:46:58,443
BROWNING:
Must be a cherished memory of his

616
00:46:59,535 --> 00:47:04,076
I put it beside his bed.
He hasn't even noticed

617
00:47:04,240 --> 00:47:05,913
Ruben

618
00:47:08,279 --> 00:47:10,691
we need to talk about
a power of attorney.

619
00:47:10,848 --> 00:47:14,160
I know this is hard, but it's imperative
Not now, Uncle Peter.

620
00:47:18,157 --> 00:47:19,966
EAMES:
The vultures are circling

621
00:47:20,126 --> 00:47:24,542
And the sicker Maurice Fischer becomes,
the more powerful Peter Browning becomes

622
00:47:24,698 --> 00:47:27,111
I've had ample opportunity
to observe Browning...

623
00:47:27,735 --> 00:47:32,116
And adopt his physical presence, study his
mannerisms, and so on and so forth.

624
00:47:32,274 --> 00:47:36,154
So now in the first layer of the dream
I can impersonate Browning.

625
00:47:36,312 --> 00:47:39,556
And suggest concepts
to Fischer's conscious mind

626
00:47:39,716 --> 00:47:41,559
Then, when we take him
a level deeper...

627
00:47:41,719 --> 00:47:45,223
...his own projection of Browning
should feed that right back to him

628
00:47:45,389 --> 00:47:47,336
So he gives himself the idea

629
00:47:47,492 --> 00:47:51,737
Precisely. That's the only way it will stick
It has to seem self-generated.

630
00:47:51,898 --> 00:47:55,311
Eames, I am impressed

631
00:47:55,468 --> 00:47:59,042
Your condescension, as always,
is much appreciated, Arthur, thank you

632
00:48:11,354 --> 00:48:12,561
[DOOR OPENS]

633
00:48:20,398 --> 00:48:22,401
Were you going under on your own?

634
00:48:22,568 --> 00:48:26,072
No, no, I was just, uh, running
some experiments.

635
00:48:26,238 --> 00:48:28,219
I didn't realize anyone was here, so

636
00:48:28,375 --> 00:48:31,049
Yeah, I was just-
I was working on my totem, actually

637
00:48:31,211 --> 00:48:32,384
Here, let me take a look

638
00:48:34,548 --> 00:48:35,856
So you're learning, huh?

639
00:48:36,017 --> 00:48:39,522
An elegant solution
for keeping track of reality

640
00:48:40,155 --> 00:48:42,568
- Was it your idea?
- No, it was, uh...

641
00:48:42,792 --> 00:48:44,863
It was Mal's, actually. This

642
00:48:45,561 --> 00:48:49,339
This one was hers. She would spin it
in the dream and it would never topple

643
00:48:49,533 --> 00:48:52,447
Just spin and spin

644
00:48:53,972 --> 00:48:55,918
Arthur told me she passed away

645
00:48:57,810 --> 00:48:59,881
How are the mazes coming along?

646
00:49:00,046 --> 00:49:02,960
Each level relates to the part
of the subject's subconscious.

647
00:49:03,116 --> 00:49:04,595
That we are trying to access

648
00:49:04,751 --> 00:49:10,202
So I'm making the bottom level a hospital
so Fischer will bring his father.

649
00:49:10,558 --> 00:49:13,335
You know, l- Actually, I have a question
about this layout.

650
00:49:13,495 --> 00:49:18,241
No, no, no. Don't show me specifics.
Only the dreamer should know the layout

651
00:49:18,401 --> 00:49:19,573
Why is that so important?

652
00:49:19,736 --> 00:49:21,738
In case one of us brings in
our projections.

653
00:49:21,905 --> 00:49:24,250
We don't want them knowing
the details of the maze.

654
00:49:25,643 --> 00:49:28,124
You mean in case you bring Mal in

655
00:49:28,280 --> 00:49:30,692
You can't keep her out, can you?

656
00:49:31,583 --> 00:49:33,120
- Right.
- You can't build

657
00:49:33,286 --> 00:49:36,597
because if you know the maze
then she knows it.

658
00:49:36,756 --> 00:49:38,964
Well, she'd sabotage
the whole operation.

659
00:49:39,126 --> 00:49:41,936
Cobb, do the others know?
No. No, they don't.

660
00:49:42,096 --> 00:49:44,338
You've gotta warn them
if this is getting worse.

661
00:49:44,499 --> 00:49:46,445
No one said it's getting worse

662
00:49:47,635 --> 00:49:50,947
I need to get home.
That's all I care about right now

663
00:49:51,807 --> 00:49:53,879
Why can't you go home?

664
00:49:56,980 --> 00:49:59,018
Because they think I killed her

665
00:50:02,253 --> 00:50:04,530
Thank you
For what?

666
00:50:04,723 --> 00:50:06,999
For not asking whether I did

667
00:50:07,159 --> 00:50:09,333
I will split up my father's empire

668
00:50:09,496 --> 00:50:13,707
Now, this is obviously an idea that
Robert himself would choose to reject

669
00:50:13,868 --> 00:50:16,678
which is why we need to plant it deep
in his subconscious.

670
00:50:16,837 --> 00:50:20,376
The subconscious is motivated
by emotion, right? Not reason.

671
00:50:20,542 --> 00:50:24,320
We need to find a way to translate this
into an emotional concept.

672
00:50:24,480 --> 00:50:26,926
How do you translate business strategy
into emotion?

673
00:50:27,083 --> 00:50:30,691
That's what we're here to figure out
Robert's relationship with his father.

674
00:50:30,854 --> 00:50:33,596
...is stressed, to say the least
Can we run with that?

675
00:50:33,758 --> 00:50:37,365
We suggest breaking up his father's
company as a "screw you" to the old man

676
00:50:37,529 --> 00:50:41,000
No, because I think positive emotion
trumps negative emotion every time.

677
00:50:41,400 --> 00:50:45,110
We all yearn for reconciliation,
for catharsis.

678
00:50:45,272 --> 00:50:49,050
We need Robert Fischer to have
a positive emotional reaction to all this

679
00:50:49,210 --> 00:50:51,053
All right, well, try this. Um

680
00:50:51,212 --> 00:50:55,958
"My father accepts that I want to create
for myself, not follow in his footsteps."

681
00:50:56,351 --> 00:50:57,421
That might work

682
00:50:57,586 --> 00:51:00,761
Might? We're gonna need to do
a little better than "might."

683
00:51:00,924 --> 00:51:02,904
Thank you for your contribution, Arthur

684
00:51:03,059 --> 00:51:06,007
Forgive me for wanting
a little specificity, Eames

685
00:51:06,197 --> 00:51:07,301
Specificity?

686
00:51:07,464 --> 00:51:09,308
Inception's not about being specific

687
00:51:09,467 --> 00:51:13,438
When we get inside his mind, we're
gonna have to work with what we find

688
00:51:14,740 --> 00:51:17,744
EAMES: On the top level, we open up
his relationship with his father...

689
00:51:17,910 --> 00:51:20,983
.and say, "I will not follow
in my father's footsteps."

690
00:51:21,148 --> 00:51:25,825
Then the next level down, we feed him
"I will create something for myself."

691
00:51:25,987 --> 00:51:29,333
Then, by the time we hit the bottom level
we bring out the big guns.

692
00:51:29,491 --> 00:51:31,903
- "My father doesn’t want me to be him
EAMES: Exactly.

693
00:51:32,061 --> 00:51:33,096
[MACHINE HISSING]

694
00:51:33,262 --> 00:51:37,268
Three layers down, the dreams are gonna
collapse with the slightest disturbance.

695
00:51:37,434 --> 00:51:38,606
Sedation

696
00:51:38,768 --> 00:51:41,613
For sleep stable enough to create
three layers of dreaming...

697
00:51:41,772 --> 00:51:45,687
...we'll have to combine it with
an extremely powerful sedative

698
00:51:46,011 --> 00:51:47,615
[MACHINE HISSING]

699
00:51:57,124 --> 00:51:58,194
Good night

700
00:51:58,792 --> 00:52:01,000
YUSUF: The compound we'll be using
to share the dream...

701
00:52:01,162 --> 00:52:03,108
Creates a clear connection
between dreamers...

702
00:52:03,265 --> 00:52:07,510
...whilst accelerating brain function.
In other words, more time on each level

703
00:52:07,670 --> 00:52:10,845
Brain function in the dream will be
about 20 times normal.

704
00:52:11,008 --> 00:52:14,512
And when you enter a dream within
that dream, the effect is compounded

705
00:52:14,678 --> 00:52:16,784
it's three dreams,
that's 10 hours times 20

706
00:52:16,948 --> 00:52:19,861
Math was never my strong subject
How much time is that?

707
00:52:20,019 --> 00:52:22,693
It's a week, the first level down

708
00:52:23,389 --> 00:52:26,234
Six months the second level down
and the third level-

709
00:52:26,393 --> 00:52:27,838
That's 10 years

710
00:52:30,464 --> 00:52:32,637
Who'd wanna be stuck
in a dream for 10 years?

711
00:52:33,034 --> 00:52:34,206
Depends on the dream

712
00:52:34,368 --> 00:52:36,679
So once we've made the plant
how do we get cut?

713
00:52:36,838 --> 00:52:40,184
I'm hoping you have something more
elegant than shooting me in the head.

714
00:52:40,343 --> 00:52:43,119
- A kick.
- What's a kick?

715
00:52:43,279 --> 00:52:45,988
EAMES:
This, Ariadne, would be a kick

716
00:52:48,118 --> 00:52:50,827
it's that feeling of falling you get
that jolts you awake.

717
00:52:50,989 --> 00:52:54,232
- Snaps you out of the dream.
- We gonna feel a kick with this sedation?

718
00:52:54,392 --> 00:52:55,599
YUSUF:
That's the clever part

719
00:52:55,761 --> 00:52:59,004
I customized the sedative to leave
inner-ear function unimpaired.

720
00:52:59,165 --> 00:53:04,013
That way, however deep the sleep
the sleeper still feels falling.

721
00:53:04,171 --> 00:53:06,550
Or tipping

722
00:53:07,175 --> 00:53:11,352
The trick is to synchronize a kick
that can penetrate all three levels.

723
00:53:11,880 --> 00:53:15,418
We could use a musical countdown
to synchronize the different kicks.

724
00:53:15,585 --> 00:53:17,929
["NON, JE NE REGRETTE RIEN" PLAYING]

725
00:53:23,294 --> 00:53:26,799
EAMES: He hasn't got any surgery
scheduled, no dental, nothing.

726
00:53:26,965 --> 00:53:28,967
COBB: Wasn't he supposed to have
a knee operation?

727
00:53:29,134 --> 00:53:32,378
Nothing. Nothing that they'll
put him under for, anyway. And we need

728
00:53:32,538 --> 00:53:34,484
We need at least a good 10 hours

729
00:53:34,640 --> 00:53:35,984
Sydney to Los Angeles

730
00:53:37,311 --> 00:53:41,590
One of the longest flights in the world
He makes it every two weeks.

731
00:53:41,750 --> 00:53:43,923
He must be flying private, then

732
00:53:44,419 --> 00:53:47,594
SAITO: Not if there were unexpected
maintenance with his plane.

733
00:53:47,757 --> 00:53:49,998
ARTHUR: It would have to be a 747
- Why's that?

734
00:53:50,159 --> 00:53:51,639
On a 747, the pilot’s up top

735
00:53:51,795 --> 00:53:55,004
the first-class cabin's in the nose
so no one would walk through.

736
00:53:55,165 --> 00:53:58,670
You'd have to buy out the entire cabin
and the first-class flight attendant.

737
00:53:58,836 --> 00:54:00,406
I bought the airline

738
00:54:01,974 --> 00:54:03,783
It seemed neater

739
00:54:05,377 --> 00:54:08,188
Well, looks like we have our 10 hours

740
00:54:08,848 --> 00:54:11,989
Ariadne? Terrific work, by the way

741
00:54:14,755 --> 00:54:16,463
[MACHINE HISSING]

742
00:55:00,009 --> 00:55:02,183
MAL:
You know how to find me

743
00:55:03,647 --> 00:55:05,092
You know what you have to do

744
00:55:08,920 --> 00:55:12,391
You remember when you asked me
to marry you?

745
00:55:13,259 --> 00:55:15,296
Of course I do

746
00:55:16,395 --> 00:55:18,899
You said you had a dream

747
00:55:21,835 --> 00:55:24,612
That we'd grow old together

748
00:55:26,040 --> 00:55:27,748
And we can

749
00:55:34,417 --> 00:55:36,363
COBB:
You shouldn’t be here

750
00:55:40,124 --> 00:55:43,595
Just wanted to see what kind of tests
you're doing on your own every night.

751
00:55:43,762 --> 00:55:46,971
This has nothing to do with you.
This has everything to do with me

752
00:55:47,132 --> 00:55:52,948
- You've asked me to share dreams with you
- Not these. These are my dreams.

753
00:56:03,819 --> 00:56:06,231
ARIADNE:
Why do you do this to yourself?

754
00:56:06,389 --> 00:56:09,337
It's the only way I can still dream

755
00:56:11,094 --> 00:56:13,302
Why is it so important to dream?

756
00:56:14,199 --> 00:56:16,475
In my dreams, we're still together

757
00:56:30,818 --> 00:56:32,559
These aren't just dreams

758
00:56:34,356 --> 00:56:37,394
These are memories.
And you said never to use memories

759
00:56:37,559 --> 00:56:38,630
I know I did

760
00:56:39,262 --> 00:56:43,803
You're trying to keep her alive
You can't let her go.

761
00:56:43,968 --> 00:56:46,972
You don't understand.
These are moments I regret

762
00:56:47,137 --> 00:56:49,709
They're memories that I have to change

763
00:56:50,942 --> 00:56:53,423
Well, what's down there that you regret?

764
00:56:53,813 --> 00:56:56,953
Listen, there's only one thing
you need to understand about me

765
00:57:05,426 --> 00:57:07,030
ARIADNE:
This is your house?

766
00:57:07,695 --> 00:57:10,176
Mine and Mal's, yes

767
00:57:10,332 --> 00:57:12,039
Where is she?

768
00:57:12,701 --> 00:57:14,704
She's already gone

769
00:57:19,443 --> 00:57:20,979
That's my son, James

770
00:57:21,145 --> 00:57:24,252
He's digging for something
maybe a worm.

771
00:57:24,416 --> 00:57:25,451
[JAMES GIGGLING]

772
00:57:25,617 --> 00:57:26,755
That's Phillipa

773
00:57:27,286 --> 00:57:29,164
I thought about calling out to them

774
00:57:29,322 --> 00:57:32,098
so they'd turn and smile
and I could see...

775
00:57:32,792 --> 00:57:37,936
Those beautiful faces of theirs
but it's all too late.

776
00:57:38,098 --> 00:57:40,943
MAN:
Right now or never, Cobb

777
00:57:45,408 --> 00:57:47,217
COBB:
Then I start to panic

778
00:57:47,376 --> 00:57:50,085
I realize I'm gonna regret this moment

779
00:57:50,914 --> 00:57:53,258
that I need to see their faces
one last time.

780
00:57:53,417 --> 00:57:55,921
WOMAN:
James! Phillipa! Come on in!

781
00:57:56,087 --> 00:57:58,124
COBB:
But the moment's past

782
00:58:00,326 --> 00:58:03,705
And whatever I do,
I can't change this moment

783
00:58:04,597 --> 00:58:06,770
As I'm about to call out to them

784
00:58:07,801 --> 00:58:08,905
they run away

785
00:58:11,639 --> 00:58:14,917
If I'm ever gonna see their faces again
I've gotta get back home.

786
00:58:15,944 --> 00:58:17,446
The real world

787
00:58:23,086 --> 00:58:24,725
[TRAIN APPROACHING]

788
00:58:46,481 --> 00:58:48,483
[SIREN WAILING IN THE DISTANCE]

789
00:58:59,028 --> 00:59:00,508
What are you doing here?

790
00:59:01,332 --> 00:59:02,436
My name is

791
00:59:02,600 --> 00:59:05,912
I know who you are.
What are you doing here?

792
00:59:14,080 --> 00:59:16,527
I'm just trying to understand

793
00:59:16,683 --> 00:59:18,822
How could you understand?

794
00:59:20,021 --> 00:59:22,160
Do you know what it is to be a lover?

795
00:59:24,159 --> 00:59:26,299
To be half of a whole?

796
00:59:27,530 --> 00:59:29,100
O

797
00:59:30,567 --> 00:59:32,569
I'll tell you a riddle

798
00:59:34,037 --> 00:59:36,348
You're waiting for a train

799
00:59:37,375 --> 00:59:40,550
A train that will take you far away

800
00:59:41,914 --> 00:59:44,895
You know where you hope
this train will take you...

801
00:59:45,919 --> 00:59:48,195
But you don't know for sure

802
00:59:48,354 --> 00:59:50,266
But it doesn’t matter

803
00:59:51,225 --> 00:59:54,638
How can it not matter to you
where that train will take you?

804
00:59:54,795 --> 00:59:56,571
COBB:
Because you'll be together

805
00:59:57,599 --> 01:00:00,706
MAL: How could you bring her here, Dom?
- What is this place?

806
01:00:01,103 --> 01:00:04,277
This is a hotel suite where we
used to spend our anniversary

807
01:00:04,440 --> 01:00:05,784
What happened here?

808
01:00:07,678 --> 01:00:10,523
You promised!
You promised we'd be together!

809
01:00:10,949 --> 01:00:13,020
Please, I need you to stay here
just for now!

810
01:00:13,184 --> 01:00:16,428
You said we'd be together!
You said we'd grow old together!

811
01:00:16,589 --> 01:00:19,069
I'll come back for you. I promise

812
01:00:19,225 --> 01:00:20,728
[YELLING]

813
01:00:37,280 --> 01:00:42,663
Do you think you can just build
a prison of memories to lock her in?

814
01:00:43,287 --> 01:00:45,665
Dc you really think that
that's gonna contain her?

815
01:00:46,558 --> 01:00:47,832
SAITO:
it's time

816
01:00:49,060 --> 01:00:51,405
Maurice Fischer just died in Sydney

817
01:00:51,564 --> 01:00:53,737
- When's the funeral?
- Thursday. In Los Angeles

818
01:00:53,900 --> 01:00:57,178
Robert should accompany the body
no later than Tuesday. We should move

819
01:00:57,337 --> 01:00:58,816
All right

820
01:00:59,406 --> 01:01:02,445
Cobb, I'm coming with you
I promised Miles. No.

821
01:01:02,610 --> 01:01:05,750
The team needs someone who
understands what you're struggling with

822
01:01:08,317 --> 01:01:10,490
And it doesn’t have to be me

823
01:01:10,653 --> 01:01:13,965
but then you have to show Arthur
what I just saw.

824
01:01:19,730 --> 01:01:21,438
Get us another seat on the plane

825
01:01:25,504 --> 01:01:28,543
COBB: If I get on this plane
and you don't honor our agreement

826
01:01:28,708 --> 01:01:32,384
...when we land,
I go to jail for the rest of my life

827
01:01:33,047 --> 01:01:35,254
Complete the job en route

828
01:01:35,416 --> 01:01:37,897
I make one phone call from the plane

829
01:01:38,053 --> 01:01:40,966
...you have no trouble
getting through Immigration

830
01:01:54,706 --> 01:01:57,210
I'm sorry.
Oh, yeah, absolutely

831
01:01:57,376 --> 01:01:58,946
Thank you

832
01:02:32,551 --> 01:02:35,862
Excuse me, I think this is yours?
You must have dropped it.

833
01:02:36,022 --> 01:02:37,934
FLIGHT ATTENDANT:
Would you care for a drink?

834
01:02:38,091 --> 01:02:39,399
Oh. Water, please

835
01:02:39,559 --> 01:02:41,869
Oh, um, same, please

836
01:02:42,830 --> 01:02:44,138
um

837
01:02:44,866 --> 01:02:45,970
Thank you

838
01:02:46,134 --> 01:02:48,012
You know, I couldn't help but notice

839
01:02:48,170 --> 01:02:51,777
but you wouldn't happen to be related
to the Maurice Fischer, would you?

840
01:02:51,940 --> 01:02:53,443
Yes, he, um

841
01:02:54,377 --> 01:02:56,379
He was my father

842
01:02:56,813 --> 01:03:00,853
Well, he was a very inspiring figure
I'm sorry for your loss.

843
01:03:03,822 --> 01:03:05,495
Here you go
Thank you.

844
01:03:05,657 --> 01:03:07,000
COBB
Hey.

845
01:03:07,392 --> 01:03:09,031
To your father

846
01:03:09,629 --> 01:03:11,870
May he rest in peace, huh?

847
01:04:03,360 --> 01:04:04,862
[MACHINE HISSING]

848
01:04:15,674 --> 01:04:17,017
[HORN HONKS]

849
01:04:20,347 --> 01:04:22,657
Couldn't have peed before you went under?
Sorry.

850
01:04:22,816 --> 01:04:24,888
Bit too much free champagne
before takeoff?

851
01:04:25,052 --> 01:04:26,156
Ha, ha, bloody ha

852
01:04:26,320 --> 01:04:29,302
We know he's gonna be looking for a taxi
in this weather.

853
01:04:40,971 --> 01:04:45,011
- Asshole! Hey, man, why don't you try-?
- Walk away.

854
01:04:57,124 --> 01:04:59,469
[MAN SINGING IN FOREIGN LANGUAGE
ON RADIO]

855
01:04:59,627 --> 01:05:00,731
[TURNS OFF RADIO]

856
01:05:00,895 --> 01:05:02,306
Just have him ca- I gotta go

857
01:05:02,463 --> 01:05:04,603
All right. Taxi. Thank you

858
01:05:07,536 --> 01:05:10,416
All right, Third and Market. Snappy

859
01:05:10,974 --> 01:05:13,318
- What are you doing?
- Sorry, I thought it was free

860
01:05:13,476 --> 01:05:14,979
it's not.
Maybe we could share

861
01:05:15,146 --> 01:05:17,990
Maybe not.
Can you pull over and get this-?

862
01:05:20,953 --> 01:05:22,296
Great

863
01:05:27,227 --> 01:05:28,706
Come on

864
01:05:39,809 --> 01:05:42,449
There's $500 in there.
The wallet's worth more than that

865
01:05:42,612 --> 01:05:44,319
You might at least
drop me at my stop

866
01:05:44,481 --> 01:05:45,585
I'm afraid that it doesn’t

867
01:05:45,749 --> 01:05:47,319
[GUNFIRE THEN EAMES GRUNTS]

868
01:05:48,585 --> 01:05:50,259
[TIRES SCREECHING]

869
01:05:55,294 --> 01:05:57,103
- Cover him!
EAMES: Down! Down now!

870
01:05:57,263 --> 01:05:58,901
What the hell is going on?

871
01:06:02,636 --> 01:06:04,878
ARIADNE:
This wasn't in the design

872
01:06:05,806 --> 01:06:07,183
Cobb?

873
01:06:07,408 --> 01:06:08,443
Cobb?

874
01:06:13,916 --> 01:06:15,487
[GUNFIRE]

875
01:06:52,128 --> 01:06:53,266
[YELLS]

876
01:06:59,370 --> 01:07:00,577
Get him!

877
01:07:07,246 --> 01:07:08,691
Are you all right?

878
01:07:08,881 --> 01:07:11,055
Yeah, I'm okay. I'm okay

879
01:07:11,218 --> 01:07:13,129
Fischer's okay, unless he gets carsick

880
01:07:13,287 --> 01:07:14,527
Saito?

881
01:07:33,444 --> 01:07:35,583
COBB:
Get Fischer in the back room now

882
01:07:35,881 --> 01:07:38,589
- Get him in the back room. Move.
ARTHUR: What the hell happened?

883
01:07:39,018 --> 01:07:40,497
COBB:
Has he been shot? Is he dying?

884
01:07:40,652 --> 01:07:42,394
ARTHUR: I don't know
- Jesus Christ.

885
01:07:42,555 --> 01:07:45,001
ARTHUR: What happened to you?
- Blocked by a freight train.

886
01:07:45,158 --> 01:07:47,139
Why put a train
in a downtown intersection?

887
01:07:47,294 --> 01:07:48,898
- I didn't.
ARTHUR: Where'd it come from?

888
01:07:49,063 --> 01:07:50,736
Why the hell were we ambushed?

889
01:07:50,899 --> 01:07:54,312
Those were not normal projections.
They'd been trained, for God's sakes

890
01:07:54,469 --> 01:07:57,041
How could he be trained?
Fischer's had an extractor

891
01:07:57,206 --> 01:08:01,417
teach his subconscious to defend itself
so his subconscious is militarized.

892
01:08:01,578 --> 01:08:03,216
It should've shown in the research

893
01:08:03,380 --> 01:08:05,189
COBB: Why the hell didn't it?
- Calm down.

894
01:08:05,349 --> 01:08:06,693
COBB:
Don’t tell me to calm down!

895
01:08:06,851 --> 01:08:09,798
This was your job, goddamn it!
This was your responsibility!

896
01:08:09,954 --> 01:08:12,026
You were meant to check
Fischer's background!

897
01:08:12,191 --> 01:08:15,536
- We are not prepared for this!
- We have dealt with sub-security before!

898
01:08:15,694 --> 01:08:17,800
We'll be more careful
and we're gonna be fine!

899
01:08:17,964 --> 01:08:19,773
This was not a part of the plan!
He's dying.

900
01:08:19,933 --> 01:08:21,003
Put him out his misery

901
01:08:21,168 --> 01:08:24,013
No, don't do that! Don’t do that
Cobb, hey, hey.

902
01:08:24,172 --> 01:08:26,277
He's in agony. I'm waking him up

903
01:08:26,442 --> 01:08:28,353
No. It won't wake him up

904
01:08:28,510 --> 01:08:32,118
What do you mean, it won't wake him up?
When we die in a dream, we wake up.

905
01:08:32,282 --> 01:08:33,556
Not from this

906
01:08:33,716 --> 01:08:36,253
We're too heavily sedated
to wake up that way.

907
01:08:36,854 --> 01:08:38,561
Right. Sc, what happens when we die?

908
01:08:38,722 --> 01:08:40,565
- We drop into limbo
- Are you serious?

909
01:08:40,724 --> 01:08:43,262
- Limbo?
ARTHUR: Unconstructed dream space

910
01:08:43,428 --> 01:08:46,706
ARIADNE: Well, what the hell is down there?
- Just raw, infinite subconscious.

911
01:08:46,866 --> 01:08:50,075
Nothing is down there, except for
what might have been left behind..

912
01:08:50,236 --> 01:08:53,150
...by anyone sharing the dream
who's been trapped there before

913
01:08:53,307 --> 01:08:55,218
Which, in our case, is just you

914
01:08:55,375 --> 01:08:58,084
- How long could we be stuck?
YUSUF: Can't even think about

915
01:08:58,246 --> 01:09:00,658
...trying to escape until the sedation
How long?

916
01:09:00,815 --> 01:09:04,059
Decades. It could be infinite.
Ask him, he's the one who's been there

917
01:09:04,220 --> 01:09:05,426
ARTHUR:
Let's get him upstairs

918
01:09:05,588 --> 01:09:06,897
[GROANING]

919
01:09:07,057 --> 01:09:08,502
Great

920
01:09:09,493 --> 01:09:10,972
Thank you

921
01:09:11,661 --> 01:09:14,905
So now we're trapped in Fischer's mind
battling his own private army.

922
01:09:15,066 --> 01:09:16,545
And if we get killed

923
01:09:16,701 --> 01:09:19,945
we'll be lost in limbo till our brains
turn to scrambled egg, hmm?

924
01:09:26,846 --> 01:09:28,690
ARTHUR:
Someone got first aid?

925
01:09:30,951 --> 01:09:34,422
- You knew these risks and didn't tell us?
- There weren't meant to be risks.

926
01:09:34,589 --> 01:09:37,537
- I didn't know we'd be dealing with gunfire
- You had no right.

927
01:09:37,693 --> 01:09:40,037
This was the only way
to go three layers deep

928
01:09:40,196 --> 01:09:42,234
You knew about this
and went along with it?

929
01:09:42,399 --> 01:09:43,434
I trusted him

930
01:09:43,600 --> 01:09:45,511
When? When he promised you
half his share?

931
01:09:45,669 --> 01:09:48,947
No. His whole share.
Besides, he said he'd done it before

932
01:09:49,107 --> 01:09:51,178
What, with Mal?
Because that worked so good?

933
01:09:51,342 --> 01:09:54,790
That has nothing to do with it.
I did what I had to, to get to my children

934
01:09:54,947 --> 01:09:56,858
You led us into a war zone
with no way cut?

935
01:09:57,016 --> 01:10:01,056
There is a way cut. We continue on with
the job, and we do it as fast as possible..

936
01:10:01,221 --> 01:10:03,566
And we get out using the kick
just like before.

937
01:10:03,724 --> 01:10:06,204
Forget it. We go any deeper
we just raise the stakes.

938
01:10:06,360 --> 01:10:08,238
I am sitting this one out on this level

939
01:10:08,397 --> 01:10:10,843
COBB: Fischer's security
is surrounding this place.

940
01:10:10,999 --> 01:10:13,276
Ten hours of flight time
is a week at this level.

941
01:10:13,436 --> 01:10:17,179
That means each and every one of us
will be killed. That I can guarantee you

942
01:10:17,775 --> 01:10:21,552
We have no other choice but to continue on
and do it as fast as possible.

943
01:10:23,148 --> 01:10:25,594
Downwards is the only way forwards

944
01:10:27,152 --> 01:10:28,291
Get ready

945
01:10:28,454 --> 01:10:30,661
You, come on. Let's go shake him up

946
01:10:35,495 --> 01:10:38,534
I'm insured against kidnapping
for up to 10 million.

947
01:10:38,700 --> 01:10:41,647
- This should be very simple
COBB: Shut up! It won't be.

948
01:10:41,803 --> 01:10:44,080
ARTHUR: In your father's office
below the bookshelves...

949
01:10:44,240 --> 01:10:46,311
...is his personal safe.
We need the combination

950
01:10:46,475 --> 01:10:47,510
[SIGHS]

951
01:10:47,676 --> 01:10:49,088
I don't know any safe

952
01:10:49,279 --> 01:10:52,158
COBB: That doesn't mean
you don't know the combination

953
01:10:53,784 --> 01:10:55,127
Tell us what it is

954
01:10:55,987 --> 01:10:57,728
I don't know

955
01:11:02,661 --> 01:11:04,801
We have it on good authority
you do know.

956
01:11:04,964 --> 01:11:07,308
Yeah? Whose authority?

957
01:11:08,802 --> 01:11:12,306
- Five hundred dollars, this cost
EAMES: What's inside it?

958
01:11:12,573 --> 01:11:16,351
Cash, cards, ID. And this

959
01:11:21,384 --> 01:11:22,886
Useful?

960
01:11:23,620 --> 01:11:24,655
Maybe

961
01:11:25,122 --> 01:11:26,931
You're on. You've got an hour

962
01:11:27,324 --> 01:11:28,359
An hour?

963
01:11:29,661 --> 01:11:31,937
I was supposed to have all night
to crack this.

964
01:11:32,096 --> 01:11:34,703
And Saito wasn't supposed
to be shot in the chest.

965
01:11:34,867 --> 01:11:38,041
You've got one hour,
now get us something useful, please

966
01:11:38,905 --> 01:11:40,407
[SCREAMING]

967
01:11:40,573 --> 01:11:43,019
- What's that?
- Good authority

968
01:11:47,248 --> 01:11:48,956
Uncle Peter

969
01:11:49,651 --> 01:11:51,790
Just make them stop

970
01:11:52,087 --> 01:11:54,432
The combination
I don't know it.

971
01:11:54,590 --> 01:11:57,264
- Why does Browning say you do?
- I don't know.

972
01:11:57,427 --> 01:11:59,908
Just let me talk to him
and I'll find cut.

973
01:12:02,266 --> 01:12:04,975
You have one hour. Start talking

974
01:12:06,971 --> 01:12:08,177
FISCHER:
You all right?

975
01:12:08,340 --> 01:12:09,911
[GROANING]

976
01:12:10,076 --> 01:12:11,384
You okay?

977
01:12:15,082 --> 01:12:18,757
Those bastards have had at me
for two days.

978
01:12:19,420 --> 01:12:21,900
They have someone with access
to your father's office.

979
01:12:22,056 --> 01:12:23,933
- They're trying to open his safe
- Yeah.

980
01:12:24,093 --> 01:12:26,835
They thought I'd know the combination
but I don't know it.

981
01:12:26,995 --> 01:12:29,738
- Yeah, well, neither do I, so
- What?

982
01:12:30,500 --> 01:12:33,743
Maurice told me that when he passed
you were the only one able to open it

983
01:12:33,903 --> 01:12:36,441
No, he never gave me any combination

984
01:12:37,174 --> 01:12:41,317
Maybe he did. I mean, maybe you
just didn't know it was a combination

985
01:12:41,480 --> 01:12:42,686
Well, what, then?

986
01:12:42,848 --> 01:12:45,386
I don't know, some meaningful
combination of numbers...

987
01:12:45,551 --> 01:12:49,500
Based on your experiences
with Maurice.

988
01:12:51,191 --> 01:12:55,140
We didn't have very many, uh,
meaningful experiences together

989
01:12:55,864 --> 01:12:57,343
Perhaps after your mother died

990
01:13:00,002 --> 01:13:02,141
After my mother died,
you know what he told me?

991
01:13:04,437 --> 01:13:09,410
"Robert,
there's really nothing to be said

992
01:13:09,577 --> 01:13:11,922
Oh, well, he was had with emotion

993
01:13:12,080 --> 01:13:14,789
I was 11, Uncle Peter

994
01:13:15,551 --> 01:13:18,794
How's he doing?
He's in a lot of pain

995
01:13:18,955 --> 01:13:22,563
When we get down to the lower levels
the pain will be less intense.

996
01:13:22,726 --> 01:13:23,966
And if he dies?

997
01:13:25,130 --> 01:13:26,609
Worst-case scenario?

998
01:13:26,765 --> 01:13:29,473
When he wakes up,
his mind is completely gone

999
01:13:29,634 --> 01:13:33,708
Cobb, I'll still honor the arrangement

1000
01:13:33,873 --> 01:13:35,581
COBB:
I appreciate that, Saito

1001
01:13:35,742 --> 01:13:39,815
But when you wake up, you won't even
remember that we had an arrangement.

1002
01:13:39,980 --> 01:13:42,018
Limbo is gonna become your reality

1003
01:13:42,183 --> 01:13:45,961
You're gonna be lost down there so long
that you're gonna become an old man.

1004
01:13:46,422 --> 01:13:47,765
Filled with regret?

1005
01:13:49,191 --> 01:13:50,296
Waiting to die alone

1006
01:13:50,960 --> 01:13:52,064
O

1007
01:13:52,629 --> 01:13:54,267
I'll come back

1008
01:13:55,065 --> 01:13:57,740
And we'll be young men together again

1009
01:14:03,709 --> 01:14:04,779
Breathe

1010
01:14:04,943 --> 01:14:07,982
These people are gonna kill us
if we don't give them the combination

1011
01:14:08,147 --> 01:14:10,058
They just wanna ransom us
I heard them.

1012
01:14:10,216 --> 01:14:14,131
They're gonna lock us in that van
and then drive it into the river.

1013
01:14:14,288 --> 01:14:15,768
All right. What is in the safe?

1014
01:14:16,858 --> 01:14:18,030
Something for you

1015
01:14:18,660 --> 01:14:22,803
Maurice always said
it was his most precious gift to you

1016
01:14:23,532 --> 01:14:26,605
- A will.
- Maurice's will is with Port and Dunn

1017
01:14:26,770 --> 01:14:28,010
That's an alternate

1018
01:14:28,171 --> 01:14:30,549
This would supersede the other
if you want it to.

1019
01:14:30,708 --> 01:14:33,348
It splits up the component businesses
of Fischer Morrow.

1020
01:14:33,511 --> 01:14:37,221
It'd be the end of the entire empire
as we know it.

1021
01:14:37,383 --> 01:14:39,863
Destroying my whole inheritance?

1022
01:14:41,521 --> 01:14:44,695
- Why would he suggest such a thing?
- I just don't know.

1023
01:14:47,561 --> 01:14:49,541
He loved you, Robert

1024
01:14:50,097 --> 01:14:51,736
In his own way

1025
01:14:51,900 --> 01:14:53,709
FISCHER:
In his own way

1026
01:14:55,003 --> 01:14:56,540
At the end

1027
01:14:57,673 --> 01:15:00,017
he called me into his deathbed

1028
01:15:00,510 --> 01:15:02,354
He could barely speak

1029
01:15:03,414 --> 01:15:07,659
But he took the trouble
to tell me one last thing

1030
01:15:10,155 --> 01:15:11,794
He pulled me close

1031
01:15:14,460 --> 01:15:16,566
And I could only make out

1032
01:15:17,431 --> 01:15:18,876
one word

1033
01:15:22,570 --> 01:15:24,550
Disappointed

1034
01:15:28,710 --> 01:15:30,018
[SIGHS]

1035
01:15:30,179 --> 01:15:31,386
When were you in limbo?

1036
01:15:32,949 --> 01:15:36,454
You might have the rest of the team
convinced to carry on with this job.

1037
01:15:36,620 --> 01:15:38,998
But they don't know the truth
Truth? What truth?

1038
01:15:39,190 --> 01:15:43,333
The truth that, at any minute, you might
bring a freight train through the wall.

1039
01:15:43,495 --> 01:15:47,569
The truth that Mal is bursting
through your subconscious.

1040
01:15:47,733 --> 01:15:50,145
And the truth that,
as we go deeper into Fischer

1041
01:15:50,303 --> 01:15:52,113
we're also going deeper into you

1042
01:15:52,940 --> 01:15:56,217
And I'm not sure
we're gonna like what we find

1043
01:16:00,215 --> 01:16:01,695
We were working together

1044
01:16:01,851 --> 01:16:05,526
We were exploring the concept
of a dream within a dream.

1045
01:16:05,721 --> 01:16:06,996
I kept pushing things

1046
01:16:07,157 --> 01:16:10,832
I wanted to go deeper and deeper
I wanted to go further.

1047
01:16:11,328 --> 01:16:16,210
I just didn't understand the concept that
hours could turn into years down there...

1048
01:16:16,367 --> 01:16:19,110
That we could get trapped so deep

1049
01:16:19,938 --> 01:16:23,250
that when we wound up on the shore
of our own subconscious...

1050
01:16:23,843 --> 01:16:26,380
We lost sight of what was real

1051
01:16:32,454 --> 01:16:35,025
We created.
We built the world for ourselves

1052
01:16:36,658 --> 01:16:38,661
We did that for years

1053
01:16:39,795 --> 01:16:41,775
We built our own world

1054
01:16:43,133 --> 01:16:44,840
How long were you stuck there?

1055
01:16:46,003 --> 01:16:48,109
Something like 50 years

1056
01:16:51,509 --> 01:16:52,682
Jesus

1057
01:16:54,980 --> 01:16:56,323
How could you stand it?

1058
01:16:56,482 --> 01:16:59,125
It wasn't so had at first
feeling like gods.

1059
01:16:59,179 --> 01:17:00,918
The problem was knowing
that none of it was real.

1060
01:17:00,946 --> 01:17:05,356
Eventually, it just became impossible
for me to live like that.

1061
01:17:05,519 --> 01:17:06,921
And what about for her?

1062
01:17:10,392 --> 01:17:14,300
She had locked something away,
something deep inside her.

1063
01:17:15,699 --> 01:17:20,943
A truth that she had once known,
but chose to forget.

1064
01:17:23,876 --> 01:17:26,381
Limbo became her reality.

1065
01:17:27,714 --> 01:17:29,517
What happened when you woke up?

1066
01:17:30,050 --> 01:17:33,724
Well, to wake up from that
after years, after decades...

1067
01:17:34,790 --> 01:17:39,299
...to become old souls thrown back
into youth like that?

1068
01:17:40,195 --> 01:17:43,970
I knew something was wrong with her.
She just wouldn't admit it.

1069
01:17:45,337 --> 01:17:47,607
Eventually, she told me the truth.

1070
01:17:48,039 --> 01:17:51,413
She was possessed by an idea.

1071
01:17:51,577 --> 01:17:57,289
This one very simple idea
that changed everything.

1072
01:17:58,419 --> 01:18:00,891
That our world wasn't real.

1073
01:18:01,824 --> 01:18:06,099
That she needed to wake up
to come back to reality...

1074
01:18:06,629 --> 01:18:09,001
...that in order to get back home...

1075
01:18:10,234 --> 01:18:12,036
...we had to kill ourselves.

1076
01:18:18,678 --> 01:18:22,152
- What about your children?
- She thought they were projections...

1077
01:18:22,315 --> 01:18:25,321
...that our real children were waiting
for us up there somewhere.

1078
01:18:25,486 --> 01:18:27,189
MAL: I'm their mother!
COBB: Calm down.

1079
01:18:27,354 --> 01:18:28,624
I can tell the difference.

1080
01:18:28,791 --> 01:18:31,128
If this is my dream,
why can't I control this?

1081
01:18:31,293 --> 01:18:32,995
You don't know you're dreaming!

1082
01:18:33,161 --> 01:18:35,367
COBB: She was certain
there was nothing I could do...

1083
01:18:35,532 --> 01:18:39,374
...no matter how much I begged,
no matter how much I pleaded.

1084
01:18:42,340 --> 01:18:45,380
She wanted to do it,
but she could not do it alone.

1085
01:18:45,544 --> 01:18:52,058
She loved me too much, so she came up
with a plan on our anniversary.

1086
01:19:18,118 --> 01:19:20,924
- Sweetheart, what are you doing?
- Join me.

1087
01:19:21,089 --> 01:19:25,365
Just- Just step back inside. All right?
Just step back inside now, come on.

1088
01:19:25,528 --> 01:19:29,971
No. I'm going to jump,
and you're coming with me.

1089
01:19:30,134 --> 01:19:31,837
No, I'm not.

1090
01:19:32,003 --> 01:19:34,107
Now, you listen to me.

1091
01:19:34,707 --> 01:19:38,948
If you jump, you're not gonna wake up,
remember? You're gonna die.

1092
01:19:39,111 --> 01:19:41,049
Now, just step back inside.

1093
01:19:41,215 --> 01:19:43,953
Come on. Step back inside
so we can talk about this.

1094
01:19:44,118 --> 01:19:46,056
We've talked enough.

1095
01:19:48,123 --> 01:19:49,793
- Mal.
- Come out onto the ledge...

1096
01:19:49,960 --> 01:19:52,664
- ...or I'll jump right now.
- Okay.

1097
01:19:56,934 --> 01:19:58,737
We're gonna talk about this.

1098
01:19:59,605 --> 01:20:00,773
All right?

1099
01:20:00,939 --> 01:20:06,017
- I'm asking you to take a leap of faith.
- No, honey.

1100
01:20:06,981 --> 01:20:09,988
No, I can't. You know I can't do that.

1101
01:20:10,152 --> 01:20:12,924
Take a second, think about our children.

1102
01:20:13,089 --> 01:20:14,827
Think about James.

1103
01:20:15,558 --> 01:20:17,194
Think about Phillipa, now.

1104
01:20:17,360 --> 01:20:20,300
If I go without you,
they'll take them away anyway.

1105
01:20:20,464 --> 01:20:23,771
- What does that mean?
- I filed a letter with our attorney...

1106
01:20:24,201 --> 01:20:27,542
...explaining how I'm fearful
for my safety.

1107
01:20:29,775 --> 01:20:31,913
How you've threatened to kill me.

1108
01:20:34,714 --> 01:20:37,353
- Why did you do this?
- I love you, Dom.

1109
01:20:37,518 --> 01:20:39,288
Why did-? Why would you do this to me?

1110
01:20:39,453 --> 01:20:42,326
I've freed you from the guilt
of choosing to leave them.

1111
01:20:42,491 --> 01:20:45,532
We're going home to our real children.

1112
01:20:45,696 --> 01:20:49,336
Oh, no, no, no, Mal, you listen to me,
all right? Mal, look at me, please?

1113
01:20:49,500 --> 01:20:50,803
You're waiting for a train.

1114
01:20:51,303 --> 01:20:54,876
- Mal, goddamn it, don't do this!
- A train that will take you far away.

1115
01:20:55,041 --> 01:20:57,045
James and Phillipa are waiting for you!

1116
01:20:57,210 --> 01:21:01,052
You know where you hope this train
will take you, but you can't know for sure.

1117
01:21:01,215 --> 01:21:03,419
- Mal, look at me!
- But it doesn't matter.

1118
01:21:03,584 --> 01:21:06,792
- Mal, goddamn it! Mal, listen to me!
- Because you'll be together.

1119
01:21:06,956 --> 01:21:10,798
Sweetheart! Look at me! Mal, no!

1120
01:21:10,961 --> 01:21:12,398
Jesus Christ!

1121
01:21:15,901 --> 01:21:19,642
She had herself declared sane
by three different psychiatrists.

1122
01:21:19,805 --> 01:21:24,015
It made it impossible for me to try
to explain the nature of her madness.

1123
01:21:24,178 --> 01:21:25,413
So I ran.

1124
01:21:25,579 --> 01:21:27,082
[CHILDREN GIGGLING]

1125
01:21:27,248 --> 01:21:29,486
MAN:
Right now, or never, Cobb.

1126
01:21:35,859 --> 01:21:40,501
WOMAN:
James! Phillipa! Come on in! Come on!

1127
01:21:40,765 --> 01:21:41,833
All right, let's go.

1128
01:21:42,367 --> 01:21:46,175
I left my children behind and I've been
trying to buy my way back ever since.

1129
01:21:46,740 --> 01:21:50,614
Your guilt defines her.
It's what powers her.

1130
01:21:50,778 --> 01:21:54,084
But you are not responsible
for the idea that destroyed her.

1131
01:21:55,315 --> 01:21:57,888
And if we are gonna succeed in this...

1132
01:21:58,053 --> 01:22:03,031
...you have to forgive yourself,
and you're gonna have to confront her.

1133
01:22:03,193 --> 01:22:05,030
But you don't have to do that alone.

1134
01:22:05,195 --> 01:22:07,466
- No, you're not...
- I'm doing it for the others.

1135
01:22:08,133 --> 01:22:13,244
Because they have no idea the risk
they've taken coming down here with you.

1136
01:22:18,312 --> 01:22:19,814
We have to move.

1137
01:22:19,980 --> 01:22:21,417
Time's up.

1138
01:22:21,583 --> 01:22:24,322
All right. I don't know any combination.

1139
01:22:24,486 --> 01:22:27,593
- Not consciously, anyway.
COBB: How about instinctively, huh?

1140
01:22:27,757 --> 01:22:31,699
I got somebody in your father's office
right now ready to tap in the combination.

1141
01:22:31,863 --> 01:22:34,768
Give me the first six numbers
that come to your head right now.

1142
01:22:34,933 --> 01:22:37,171
- I have no idea.
- Right now!

1143
01:22:37,336 --> 01:22:39,574
I said, right now! Right now!

1144
01:22:39,739 --> 01:22:43,647
Five, two, eight, four, nine, one.

1145
01:22:47,515 --> 01:22:49,518
You'll have to do better than that.

1146
01:22:49,684 --> 01:22:53,025
All right. Bag them.
You're going for a ride.

1147
01:22:57,394 --> 01:23:01,536
FISCHER: We're worth more to you alive.
You hear me?

1148
01:23:06,806 --> 01:23:08,309
What'd you get?

1149
01:23:08,708 --> 01:23:11,246
Relationship with his father
is worse than we imagined.

1150
01:23:11,411 --> 01:23:12,447
This helps us how?

1151
01:23:12,613 --> 01:23:15,719
The stronger the issues,
the more powerful the catharsis.

1152
01:23:16,919 --> 01:23:20,025
- How are we gonna reconcile them?
- I'm working on that.

1153
01:23:20,189 --> 01:23:23,730
Work faster.
The projections are closing in quick.

1154
01:23:23,894 --> 01:23:27,469
We gotta break out of here
before we're totally boxed in.

1155
01:24:02,576 --> 01:24:03,611
Damn it.

1156
01:24:03,778 --> 01:24:06,783
You mustn't be afraid to dream
a little bigger, darling.

1157
01:24:23,535 --> 01:24:26,540
We need to shift his animosity
from his father to his godfather.

1158
01:24:26,706 --> 01:24:30,748
- Destroy his one positive relationship?
- No, repair his relationship with his father...

1159
01:24:30,911 --> 01:24:33,216
...whilst exposing his godfather's
true nature.

1160
01:24:33,381 --> 01:24:36,387
We should charge Fischer a lot more
than Saito for this job.

1161
01:24:36,551 --> 01:24:38,923
His security is gonna
get worse as we go deeper.

1162
01:24:39,088 --> 01:24:41,594
- I think we run with Mr. Charles.
- No.

1163
01:24:41,992 --> 01:24:43,429
EAMES: Who's Mr. Charles?
- Bad idea.

1164
01:24:43,595 --> 01:24:47,135
The second we get into that hotel
his security's gonna be all over us.

1165
01:24:47,299 --> 01:24:49,404
We run with Mr. Charles
like on the Stein job.

1166
01:24:49,568 --> 01:24:51,906
- You've done it before?
ARTHUR: Yeah, and it didn't work.

1167
01:24:52,072 --> 01:24:55,580
The subject realized he was dreaming
and his subconscious tore us to pieces.

1168
01:24:55,743 --> 01:24:57,780
Excellent. But you learned a lot, right?

1169
01:24:57,945 --> 01:25:00,050
- I need some kind of distraction.
EAMES: No problem.

1170
01:25:00,216 --> 01:25:02,420
How about a lovely lady
that I've used before?

1171
01:25:02,584 --> 01:25:04,655
Listen to me.
You drive carefully, all right?

1172
01:25:04,821 --> 01:25:07,293
Everything down there is
gonna be unstable as hell.

1173
01:25:11,830 --> 01:25:15,204
Don't jump too soon. We only got
one shot at that kick. We gotta make it.

1174
01:25:15,368 --> 01:25:18,676
I'll play the music to let you know
it's coming. The rest is on you.

1175
01:25:18,839 --> 01:25:20,642
- You ready?
- Ready!

1176
01:25:21,875 --> 01:25:22,977
Sweet dreams.

1177
01:25:23,143 --> 01:25:25,047
WOMAN:
Am I boring you?

1178
01:25:26,348 --> 01:25:29,555
I was telling you my story.
I guess it wasn't to your liking.

1179
01:25:31,388 --> 01:25:34,061
Um, I have a lot on my mind.

1180
01:25:35,592 --> 01:25:37,195
There goes Mr. Charles.

1181
01:25:41,900 --> 01:25:44,539
Mr. Fischer, right?

1182
01:25:44,704 --> 01:25:48,211
Pleasure to see you again.
Rod Green from marketing. I-

1183
01:25:48,375 --> 01:25:49,512
Hmm.

1184
01:25:49,678 --> 01:25:52,350
- And you must be?
- Leaving.

1185
01:25:55,585 --> 01:25:56,720
In case you get bored.

1186
01:26:01,960 --> 01:26:03,329
Must've blown you off.

1187
01:26:03,495 --> 01:26:06,234
That is, unless her phone number
really is only six digits.

1188
01:26:08,401 --> 01:26:12,843
Funny way to make friends,
someone stealing your wallet like that.

1189
01:26:15,544 --> 01:26:16,612
[SCOFFS]

1190
01:26:16,777 --> 01:26:19,116
Goddamn it. The wallet alone
is worth at least 500-

1191
01:26:19,282 --> 01:26:20,417
About $500, right?

1192
01:26:20,583 --> 01:26:23,556
Don't worry about it.
My people are already on it as we speak.

1193
01:26:23,720 --> 01:26:25,658
Who or what is Mr. Charles?

1194
01:26:25,856 --> 01:26:29,564
It's a gambit designed to turn Fischer
against his own subconscious.

1195
01:26:29,728 --> 01:26:31,063
ARIADNE:
And why don't you approve?

1196
01:26:31,230 --> 01:26:33,233
It involves telling the mark
that he's dreaming...

1197
01:26:33,399 --> 01:26:35,537
...which involves attracting
a lot of attention to us.

1198
01:26:35,701 --> 01:26:38,640
- Didn't Cobb say never to do that?
- Hmm.

1199
01:26:38,804 --> 01:26:40,575
So now you've noticed how much time...

1200
01:26:40,741 --> 01:26:43,379
...Cobb spends doing things
he says never to do.

1201
01:26:45,114 --> 01:26:46,884
Mr. Saito, can I have a moment?

1202
01:26:47,049 --> 01:26:49,488
- I'm sorry, but...
MAN: Hold on! Wait!

1203
01:26:50,820 --> 01:26:52,122
You look a bit perkier.

1204
01:26:52,289 --> 01:26:54,627
Very amusing, Mr. Eames.

1205
01:26:58,964 --> 01:27:00,568
[RUMBLING]

1206
01:27:00,867 --> 01:27:02,370
Turbulence on the plane?

1207
01:27:02,536 --> 01:27:04,239
No, it's much closer.

1208
01:27:04,405 --> 01:27:06,076
That's Yusuf's driving.

1209
01:27:06,975 --> 01:27:08,177
[TIRES SCREECHING]

1210
01:27:12,416 --> 01:27:13,785
[GLASSES CLINKING]

1211
01:27:14,418 --> 01:27:16,890
Um, I'm sorry.
Who did you say you were?

1212
01:27:17,054 --> 01:27:19,159
COBB:
Rod Green from marketing.

1213
01:27:19,323 --> 01:27:20,926
But that's not true at all, is it?

1214
01:27:23,028 --> 01:27:26,502
My name is Mr. Charles.
You remember me, don't you?

1215
01:27:26,699 --> 01:27:28,669
I'm the head of your security down here.

1216
01:27:29,937 --> 01:27:31,874
Get out on a different floor,
keep moving.

1217
01:27:32,039 --> 01:27:34,376
Dump the wallet.
Security will be looking for that.

1218
01:27:34,543 --> 01:27:38,050
- Okay.
- We need to buy Cobb a little more time.

1219
01:27:39,848 --> 01:27:41,051
[COUGHING]

1220
01:27:41,685 --> 01:27:43,255
Security, huh?

1221
01:27:45,690 --> 01:27:47,861
- You work for the hotel?
- No, no.

1222
01:27:48,026 --> 01:27:52,636
I specialize in a very specific type
of security.

1223
01:27:53,032 --> 01:27:54,702
Subconscious security.

1224
01:27:54,867 --> 01:27:56,972
You're talking about dreams?

1225
01:27:57,137 --> 01:28:00,009
Are you talking about, um, extraction?

1226
01:28:01,042 --> 01:28:02,445
I am here to protect you.

1227
01:28:02,611 --> 01:28:04,214
[GLASS SHATTERS]

1228
01:28:04,580 --> 01:28:06,151
[PEOPLE CHATTERING]

1229
01:28:13,024 --> 01:28:14,526
[CHATTERING STOPS]

1230
01:28:15,895 --> 01:28:18,432
Mr. Fischer, I'm here
to protect you in the event...

1231
01:28:18,599 --> 01:28:21,973
...that someone tries to access
your mind through your dreams.

1232
01:28:22,136 --> 01:28:24,774
You're not safe here.

1233
01:28:25,608 --> 01:28:27,211
They're coming for you.

1234
01:28:39,524 --> 01:28:40,961
[YELLS]

1235
01:28:45,565 --> 01:28:47,603
Strange weather, isn't it?

1236
01:28:52,440 --> 01:28:53,575
You feel that?

1237
01:28:55,544 --> 01:28:56,747
What's happening?

1238
01:28:56,913 --> 01:29:00,152
Cobb's drawing Fischer's attention
to the strangeness of the dream...

1239
01:29:00,316 --> 01:29:03,189
...which is making his subconscious
Look for the dreamer.

1240
01:29:03,353 --> 01:29:06,427
For me. Quick, give me a kiss.

1241
01:29:11,431 --> 01:29:15,305
- They're still looking at us.
- Yeah, it was worth a shot.

1242
01:29:15,969 --> 01:29:18,008
We should probably get out of here.

1243
01:29:22,212 --> 01:29:23,314
[GUNFIRE]

1244
01:29:33,292 --> 01:29:36,866
COBB: You feel that? You've actually
been trained for this, Mr. Fischer.

1245
01:29:37,029 --> 01:29:41,037
Pay attention to the strangeness
of the weather, the shift in gravity.

1246
01:29:41,201 --> 01:29:44,374
None of this is real. You're in a dream.

1247
01:29:49,178 --> 01:29:51,415
Now, the easiest way
for you to test yourself...

1248
01:29:51,616 --> 01:29:55,690
...is to try and remember how you arrived
at this hotel. Can you do that?

1249
01:29:56,521 --> 01:29:57,823
Yeah, l...

1250
01:29:57,989 --> 01:30:00,527
COBB: No, breathe, breathe.
Remember your training.

1251
01:30:00,692 --> 01:30:05,870
Accept the fact that you're in a dream,
and I'm here to protect you. Go on.

1252
01:30:07,869 --> 01:30:09,238
Mm-hm.

1253
01:30:12,040 --> 01:30:13,877
- You're not real?
- No.

1254
01:30:14,042 --> 01:30:17,417
No. I'm a projection
of your subconscious.

1255
01:30:17,581 --> 01:30:19,685
I was sent here to protect you
in the event...

1256
01:30:19,850 --> 01:30:22,756
...that extractors
tried to pull you into a dream.

1257
01:30:22,920 --> 01:30:26,161
And I believe that's what's
going on right now, Mr. Fischer.

1258
01:30:27,260 --> 01:30:28,295
Yeah.

1259
01:30:28,461 --> 01:30:29,563
Okay.

1260
01:30:30,463 --> 01:30:31,699
Okay.

1261
01:30:34,536 --> 01:30:36,539
Can you get me out of here?

1262
01:30:37,440 --> 01:30:40,044
Right away. Follow me.

1263
01:30:54,260 --> 01:30:55,595
Hold on a second.

1264
01:31:00,535 --> 01:31:02,373
Jesus Christ! What are you doing?

1265
01:31:02,538 --> 01:31:04,808
These men were sent here
to abduct you, all right?

1266
01:31:04,973 --> 01:31:07,546
If you want my help,
you have to remain calm.

1267
01:31:09,279 --> 01:31:11,583
I need you to work with me, Mr. Fischer.

1268
01:31:23,296 --> 01:31:26,903
If this is a dream, I should just
kill myself to wake up, right?

1269
01:31:27,066 --> 01:31:29,172
I wouldn't do that if I were you,
Mr. Fischer.

1270
01:31:29,337 --> 01:31:32,844
I believe they have you sedated,
and if you pull that trigger...

1271
01:31:33,009 --> 01:31:34,178
...you may not wake up.

1272
01:31:35,312 --> 01:31:39,621
You may go into a further dream state.
Now, you know what I'm talking about.

1273
01:31:41,954 --> 01:31:43,625
You remember the training.

1274
01:31:44,758 --> 01:31:46,160
Remember what I said to you.

1275
01:31:47,026 --> 01:31:48,195
Give me the gun.

1276
01:32:00,010 --> 01:32:02,614
- This room should be directly below 52$?
- Yeah.

1277
01:32:03,882 --> 01:32:05,317
[SAFE BEEPS]

1278
01:32:11,991 --> 01:32:13,495
Think, Mr. Fischer, think.

1279
01:32:13,660 --> 01:32:17,501
What do you remember
from before this dream?

1280
01:32:17,864 --> 01:32:20,503
There was, um, a lot of gunfire.

1281
01:32:20,668 --> 01:32:23,274
There was rain.

1282
01:32:23,807 --> 01:32:25,409
Uncle Peter.

1283
01:32:25,675 --> 01:32:29,315
- Oh, my God, we've been kidnapped.
- Where were they holding you?

1284
01:32:32,348 --> 01:32:35,622
- They had us in the back of a van.
- That explains the gravity shifts.

1285
01:32:35,821 --> 01:32:37,891
You're in the back of a van.
Keep going.

1286
01:32:38,056 --> 01:32:40,328
It had something to do with, um...

1287
01:32:40,960 --> 01:32:43,834
Something to do with a safe.

1288
01:32:44,466 --> 01:32:46,102
God, why is it so hard to remember?

1289
01:32:46,267 --> 01:32:48,973
It's like trying to remember a dream
after you've woken up.

1290
01:32:49,138 --> 01:32:50,875
Listen, it takes years of practice.

1291
01:32:51,041 --> 01:32:53,446
You and Browning have been pulled
into this dream...

1292
01:32:53,611 --> 01:32:56,383
...because they're trying to steal
something from your mind.

1293
01:32:56,547 --> 01:33:00,121
I need you to focus and try
and remember what that is.

1294
01:33:00,285 --> 01:33:01,920
What is it, Mr. Fischer? Think!

1295
01:33:02,088 --> 01:33:05,829
A combination. They demanded
the first numbers to pop into my head.

1296
01:33:05,993 --> 01:33:08,731
They're trying to extract a number
from your subconscious.

1297
01:33:08,897 --> 01:33:12,671
It can represent anything.
We're in a hotel right now.

1298
01:33:13,467 --> 01:33:16,608
We should try hotel rooms.
What was the number, Mr. Fischer?

1299
01:33:16,772 --> 01:33:19,612
Try and remember for me.
This is very important.

1300
01:33:19,776 --> 01:33:21,111
Five.

1301
01:33:22,079 --> 01:33:24,518
Five, two- It was something,
it was a long number.

1302
01:33:24,682 --> 01:33:26,786
That's good. We can start there.
Fifth floor.

1303
01:33:26,951 --> 01:33:27,987
Yep.

1304
01:33:28,153 --> 01:33:32,195
- So do you use a timer?
- No, I have to judge it for myself.

1305
01:33:32,391 --> 01:33:35,665
While you're all asleep in 52$,
I wait for Yusuf's kick.

1306
01:33:35,830 --> 01:33:37,967
- Well, how will you know?
- His music warns me.

1307
01:33:38,132 --> 01:33:42,074
And then when the van hits the barrier
of the bridge, that should be unmistakable.

1308
01:33:42,236 --> 01:33:45,444
So we get a nice synchronized kick.

1309
01:33:45,608 --> 01:33:48,012
If it's too soon,
we won't get pulled out.

1310
01:33:48,178 --> 01:33:51,451
But if it's too late,
I won't be able to drop us.

1311
01:33:51,615 --> 01:33:55,424
- Well, why not?
- Because the van will be in freefall.

1312
01:33:55,956 --> 01:33:58,795
- Can't drop you without gravity.
- Right.

1313
01:34:04,433 --> 01:34:06,670
They're with me. Go on.

1314
01:34:30,999 --> 01:34:32,034
Mr. Charles.

1315
01:34:32,201 --> 01:34:35,174
- Do you know what that is, Mr. Fischer?
- Yeah, I think so.

1316
01:34:35,338 --> 01:34:37,408
They were trying to put you under.

1317
01:34:37,840 --> 01:34:39,912
- I'm already under.
- Under again.

1318
01:34:40,078 --> 01:34:42,650
What do you mean,
a dream within a dream?

1319
01:34:43,247 --> 01:34:45,720
Hey. I see you've changed.

1320
01:34:45,884 --> 01:34:47,520
I'm sorry?

1321
01:34:48,020 --> 01:34:51,895
Oh, I'm sorry.
I mistook you for a friend.

1322
01:34:52,058 --> 01:34:53,327
Oh.

1323
01:34:53,493 --> 01:34:55,631
Good-looking fellow, I'm sure.

1324
01:34:56,297 --> 01:34:59,236
No, no, no. That's Fischer's
projection of Browning.

1325
01:34:59,400 --> 01:35:01,272
Let's follow him
and see how he behaves.

1326
01:35:01,437 --> 01:35:03,407
- Why?
- Because how he acts will tell us...

1327
01:35:03,573 --> 01:35:06,914
...if Fischer is starting to suspect
his motives the way we want him to.

1328
01:35:07,078 --> 01:35:08,113
Shh.

1329
01:35:08,279 --> 01:35:09,715
[DOOR OPENS]

1330
01:35:12,685 --> 01:35:15,189
- Uncle Peter.
- You said you were kidnapped together?

1331
01:35:15,355 --> 01:35:18,794
Well, not exactly. They already had him.
They were torturing him.

1332
01:35:18,959 --> 01:35:20,430
And you saw them torture him?

1333
01:35:27,971 --> 01:35:29,808
The kidnappers are working for you?

1334
01:35:30,775 --> 01:35:32,244
Robert.

1335
01:35:32,409 --> 01:35:36,251
You're trying to get that safe open?
To get the alternate will?

1336
01:35:36,648 --> 01:35:40,890
Fischer Morrow has been my entire life.
I can't let you destroy it.

1337
01:35:41,054 --> 01:35:43,426
I'm not gonna throw away
my inheritance.

1338
01:35:43,589 --> 01:35:47,764
I couldn't let you rise
to your father's last taunt.

1339
01:35:48,562 --> 01:35:51,602
- What taunt?
- The will, Robert. That will?

1340
01:35:51,767 --> 01:35:53,704
That's his last insult.

1341
01:35:53,869 --> 01:35:57,510
A challenge for you to build something
for yourself...

1342
01:35:57,674 --> 01:36:01,482
...by telling you you're not worthy
of his accomplishments.

1343
01:36:07,153 --> 01:36:12,532
- What, but that he was, um, disappointed?
- I'm sorry.

1344
01:36:13,895 --> 01:36:17,002
But he's wrong.

1345
01:36:17,734 --> 01:36:20,372
You can build a better company
than he ever did.

1346
01:36:20,536 --> 01:36:22,974
Mr. Fischer? He's lying.

1347
01:36:23,140 --> 01:36:25,245
- How do you know?
- Trust me, it's what I do.

1348
01:36:25,409 --> 01:36:28,182
He's hiding something,
and we need to find out what that is.

1349
01:36:29,381 --> 01:36:32,788
I need you to do the same thing to him
that he was going to do to you.

1350
01:36:35,355 --> 01:36:39,430
We'll enter his subconscious and find out
what he doesn't want you to know.

1351
01:36:40,695 --> 01:36:42,165
All right.

1352
01:36:42,564 --> 01:36:43,866
[MACHINE HISSING]

1353
01:36:48,139 --> 01:36:49,407
COBB: He's out.
- Wait.

1354
01:36:49,572 --> 01:36:51,643
Whose subconscious are
we going into exactly?

1355
01:36:51,809 --> 01:36:53,145
We're going into Fischer's.

1356
01:36:53,311 --> 01:36:56,016
I told him it was Browning's
so he'd be a part of our team.

1357
01:36:56,181 --> 01:36:58,519
He's gonna help us break
into his own subconscious.

1358
01:36:58,684 --> 01:37:00,253
COBB:
That's right.

1359
01:37:00,419 --> 01:37:02,490
Security's gonna run you down hard.

1360
01:37:02,656 --> 01:37:04,993
And I will lead them on a merry chase.

1361
01:37:05,559 --> 01:37:08,197
- Just be back before the kick.
- Go to sleep, Mr. Eames.

1362
01:37:13,403 --> 01:37:14,605
ARTHUR:
You good?

1363
01:37:17,774 --> 01:37:19,111
Hey. You ready?

1364
01:37:19,278 --> 01:37:22,886
Yes, yes. I'm fine. I'm ready.

1365
01:37:35,431 --> 01:37:36,766
ARIADNE:
Cobb?

1366
01:37:37,434 --> 01:37:39,872
Cobb? What's down there?

1367
01:37:43,241 --> 01:37:45,846
Hopefully, the truth
we want Fischer to learn.

1368
01:37:46,010 --> 01:37:47,914
I mean, what's down there for you?

1369
01:37:55,889 --> 01:37:57,293
[SHOTGUN COCKS]

1370
01:37:58,460 --> 01:37:59,962
[GUNFIRE THEN YUSUF YELLS]

1371
01:38:10,808 --> 01:38:12,277
[ELEVATOR DINGS]

1372
01:38:22,055 --> 01:38:23,324
[YUSUF YELLS]

1373
01:38:33,938 --> 01:38:36,042
[BOTH GRUNTING]

1374
01:38:59,102 --> 01:39:00,972
[METAL GROANING]

1375
01:39:01,138 --> 01:39:02,941
[SECURITY GUARD SCREAMING]

1376
01:39:11,650 --> 01:39:12,953
[YELLING]

1377
01:40:15,532 --> 01:40:16,901
[GUNSHOT]

1378
01:40:23,007 --> 01:40:24,377
[LAUGHS]

1379
01:40:24,543 --> 01:40:26,313
Did you see that?

1380
01:40:44,802 --> 01:40:46,639
COBB:
Eames, this is your dream.

1381
01:40:46,805 --> 01:40:49,912
I need you to draw the security away
from the complex, understand?

1382
01:40:50,076 --> 01:40:51,879
- Who guides Fischer in?
COBB: Not me.

1383
01:40:52,044 --> 01:40:54,517
If I know the route,
everything could be compromised.

1384
01:40:54,682 --> 01:40:57,220
- I designed the place.
COBB: No, you're with me.

1385
01:40:57,385 --> 01:40:58,920
SAITO:
I could do it.

1386
01:40:59,354 --> 01:41:01,791
All right. Brief him on the route
into the complex.

1387
01:41:01,956 --> 01:41:06,166
- Fischer, you'll be going with him.
- All right. What about you?

1388
01:41:06,329 --> 01:41:09,168
You keep this live.
I'll be listening in the whole time.

1389
01:41:09,332 --> 01:41:13,474
The windows on that upper floor are big
enough for me to cover you from that tower.

1390
01:41:13,638 --> 01:41:14,941
FISCHER:
You're not coming in?

1391
01:41:15,107 --> 01:41:17,445
In order to find out the truth
about your father...

1392
01:41:17,610 --> 01:41:20,650
...you're gonna need to break into
Browning's mind on your own.

1393
01:41:21,515 --> 01:41:22,984
SAITO:
Come on, Fischer!

1394
01:41:27,522 --> 01:41:29,525
[BUFFER SOUNDING]

1395
01:42:18,085 --> 01:42:21,760
- Sound the alarm! Sound the alarm!
- Go, go, go!

1396
01:42:21,924 --> 01:42:23,460
Move!

1397
01:42:24,993 --> 01:42:26,062
Go!

1398
01:42:31,269 --> 01:42:32,604
[GUNFIRE]

1399
01:42:41,281 --> 01:42:42,316
YUSUF:
Sod it.

1400
01:42:53,496 --> 01:42:55,166
I hope you're ready.

1401
01:42:55,465 --> 01:42:58,138
[''NON, JE NE REGRETTE RIEN'' PLAYING]

1402
01:43:01,741 --> 01:43:03,744
[SONG ECHOING]

1403
01:43:03,909 --> 01:43:05,680
No, it's too soon.

1404
01:43:08,483 --> 01:43:10,319
[SONG ECHOING]

1405
01:43:12,187 --> 01:43:13,390
Cobb, do you hear that?

1406
01:43:13,556 --> 01:43:17,131
I first noticed it about 20 minutes ago,
I thought it was the wind up here.

1407
01:43:17,661 --> 01:43:20,166
Yeah, I hear it. It's music.

1408
01:43:20,330 --> 01:43:21,733
So, what do we do?

1409
01:43:21,900 --> 01:43:23,302
We move fast.

1410
01:43:28,808 --> 01:43:31,045
Yusuf's 10 seconds from the jump.

1411
01:43:32,913 --> 01:43:35,285
Which gives Arthur three minutes.

1412
01:43:36,218 --> 01:43:38,322
- Hey!
- That's him!

1413
01:43:38,986 --> 01:43:40,723
- Which gives us what?
- Sixty minutes.

1414
01:43:40,889 --> 01:43:44,163
- Can they make that route in an hour?
- They have to climb to the terrace.

1415
01:43:44,327 --> 01:43:47,200
Then they need a new route,
a more direct route.

1416
01:43:50,167 --> 01:43:51,771
[SHOUTS INDISTINCTLY]

1417
01:43:58,412 --> 01:44:00,047
It's designed as a labyrinth.

1418
01:44:00,213 --> 01:44:02,685
There must be access routes
that cut through the maze.

1419
01:44:02,850 --> 01:44:04,453
Eames?

1420
01:44:06,487 --> 01:44:08,091
[GUNFIRE]

1421
01:44:27,549 --> 01:44:28,817
Did Eames add any features?

1422
01:44:28,984 --> 01:44:30,453
I don't think I should tell you.

1423
01:44:30,618 --> 01:44:32,924
We don't have time for this.
Did he add anything?

1424
01:44:33,356 --> 01:44:36,128
He added an air-duct system
that can cut through the maze.

1425
01:44:36,292 --> 01:44:37,495
Good. Explain it to them.

1426
01:44:37,662 --> 01:44:38,897
ARIADNE: Saito?
- Go ahead.

1427
01:45:05,996 --> 01:45:07,400
[SECURITY GUARD GRUNTS]

1428
01:45:12,237 --> 01:45:13,807
Paradox.

1429
01:45:13,974 --> 01:45:15,476
[SCREAMS THEN THUDS]

1430
01:46:18,621 --> 01:46:20,124
[BOTH GASPING]

1431
01:46:23,694 --> 01:46:25,764
ARIADNE: What was that?
- The kick.

1432
01:46:26,363 --> 01:46:28,267
Cobb! Cobb, did we miss it?

1433
01:46:28,433 --> 01:46:30,136
Yeah, we missed it.

1434
01:46:30,301 --> 01:46:31,504
FISCHER:
Man.

1435
01:46:31,671 --> 01:46:35,980
Couldn't someone have dreamt up
a goddamn beach? Huh?

1436
01:46:36,143 --> 01:46:37,412
Uh-huh.

1437
01:46:38,145 --> 01:46:40,317
EAMES [OVER RADIO]:
Well, what the hell do we do now?

1438
01:46:40,482 --> 01:46:42,319
We finish the job before the next kick.

1439
01:46:42,484 --> 01:46:44,589
- What next kick?
- When the van hits the water.

1440
01:47:07,448 --> 01:47:10,889
WOMAN [ON RECORDING]: If you'd like to
make a call, please hang up and try again.

1441
01:47:11,054 --> 01:47:12,891
If you need help, hang up...

1442
01:47:13,123 --> 01:47:16,430
How do I drop you without gravity?

1443
01:47:18,931 --> 01:47:21,603
Arthur has a couple minutes,
and we have about 20.

1444
01:47:42,292 --> 01:47:43,728
[SAITO COUGHING]

1445
01:47:45,030 --> 01:47:46,700
You okay?

1446
01:47:51,172 --> 01:47:55,047
SOLDIER: Run! Turn around!
Move to base! Move to base!

1447
01:47:55,210 --> 01:47:56,745
Go, go, go!

1448
01:47:58,914 --> 01:48:00,083
There's something wrong.

1449
01:48:00,249 --> 01:48:02,587
They're heading your way,
like they know something.

1450
01:48:03,820 --> 01:48:06,058
Just buy us more time, all right?

1451
01:48:06,223 --> 01:48:08,060
- Come on!
- On my way.

1452
01:48:08,225 --> 01:48:09,929
SOLDIER:
Come on! Move!

1453
01:48:23,377 --> 01:48:24,981
[SILENCED GUNSHOT]

1454
01:48:36,894 --> 01:48:38,464
[BOTH GRUNTING]

1455
01:49:34,133 --> 01:49:35,670
All right.

1456
01:49:40,374 --> 01:49:41,910
[SILENCED GUNSHOT]

1457
01:49:47,850 --> 01:49:50,656
Okay. That's the antechamber
outside the strong room.

1458
01:49:50,821 --> 01:49:54,327
- Does the strong room have windows?
- It wouldn't be very strong if it did.

1459
01:49:54,491 --> 01:49:56,730
Let's hope Fischer likes
what he finds in there.

1460
01:49:58,363 --> 01:50:01,705
- Are those projections his subconscious?
- Yes.

1461
01:50:01,869 --> 01:50:05,243
- Are you destroying parts of his mind?
- No. They're just projections.

1462
01:50:18,956 --> 01:50:20,291
[COUGHS]

1463
01:50:24,430 --> 01:50:25,865
[SAITO COUGHING]

1464
01:50:31,539 --> 01:50:33,276
- We're here.
- You're clear, but hurry.

1465
01:50:33,441 --> 01:50:35,278
There's an entire army headed your way.

1466
01:51:02,110 --> 01:51:03,479
[WHISPERS]
I'm in.

1467
01:51:04,112 --> 01:51:05,314
[STATIC OVER RADIO]

1468
01:51:05,480 --> 01:51:06,951
[TURNS RADIO OFF]

1469
01:51:08,786 --> 01:51:09,921
SOLDIER:
There he is.

1470
01:51:52,508 --> 01:51:55,212
- There's someone in there.
- Fischer, it's a trap. Get out.

1471
01:51:56,379 --> 01:51:58,951
Come on. Come on, a little lower.

1472
01:52:04,688 --> 01:52:05,857
ARIADNE:
Cobb.

1473
01:52:06,491 --> 01:52:09,030
No, she is not real.

1474
01:52:09,627 --> 01:52:10,863
How do you know that?

1475
01:52:11,030 --> 01:52:14,671
She is just a projection.
Fischer. Fischer is real.

1476
01:52:17,473 --> 01:52:18,508
[GRUNTS]

1477
01:52:18,674 --> 01:52:20,209
Hello.

1478
01:52:24,881 --> 01:52:28,089
ARIADNE: Eames!
Eames, get to the antechamber now!

1479
01:53:12,007 --> 01:53:14,880
EAMES: What happened?
- Mal killed Fischer.

1480
01:53:17,146 --> 01:53:19,184
I couldn't shoot her.

1481
01:53:19,850 --> 01:53:23,224
There's no use in reviving him.
His mind's already trapped down there.

1482
01:53:23,388 --> 01:53:24,457
It's all over.

1483
01:53:26,191 --> 01:53:27,827
So that's it, then? We failed?

1484
01:53:28,462 --> 01:53:30,632
We're done. I'm sorry.

1485
01:53:34,503 --> 01:53:37,141
It's not me that doesn't get back
to my family, is it?

1486
01:53:37,839 --> 01:53:41,747
Shame. I wanted to know what was
gonna happen in there. I swear we had this.

1487
01:53:41,911 --> 01:53:43,982
Let's set the charges.

1488
01:53:45,816 --> 01:53:47,318
No, there's still another way.

1489
01:53:48,621 --> 01:53:52,027
- We have to follow Fischer down there.
- Not enough time.

1490
01:53:52,191 --> 01:53:55,030
No, but there will be enough time
down there.

1491
01:53:56,163 --> 01:53:57,265
And we will find him.

1492
01:53:57,431 --> 01:54:01,373
Okay, as soon as Arthur's music kicks in,
just use the defibrillator to revive him.

1493
01:54:01,536 --> 01:54:04,442
We can give him his own kick
down below.

1494
01:54:05,474 --> 01:54:07,177
Look, you get him in there.

1495
01:54:07,342 --> 01:54:10,215
As soon as the music ends,
you blow up the hospital...

1496
01:54:10,381 --> 01:54:13,185
...and we all ride the kick
back up the layers.

1497
01:54:14,386 --> 01:54:19,163
It's worth a shot, if Saito can hold
the guards off while I set the charges.

1498
01:54:19,325 --> 01:54:21,429
Saito will never make it, will he?

1499
01:54:22,728 --> 01:54:25,936
- Cobb, come on. We've gotta try this.
- Go for it.

1500
01:54:26,100 --> 01:54:29,040
If you are not back before the kick,
I am gone with or without you.

1501
01:54:29,204 --> 01:54:32,444
She's right. She's right.
Come on. Let's go.

1502
01:54:36,681 --> 01:54:38,885
Can I trust you to do
what needs to happen here?

1503
01:54:39,050 --> 01:54:40,253
Mal's gonna be down there.

1504
01:54:40,419 --> 01:54:42,856
I know where to find her.
She'll have Fischer.

1505
01:54:43,021 --> 01:54:46,929
- How do you know?
- Because she wants me to come after him.

1506
01:54:47,093 --> 01:54:49,264
She wants me back down there with her.

1507
01:55:16,029 --> 01:55:17,064
All right?

1508
01:55:24,306 --> 01:55:26,978
- This is your world?
- It was.

1509
01:55:27,777 --> 01:55:29,715
And this is where she'll be.

1510
01:55:30,514 --> 01:55:32,017
Come on.

1511
01:56:14,902 --> 01:56:15,939
[GUNFIRE]

1512
01:56:18,507 --> 01:56:20,980
Saito. Saito.

1513
01:56:21,411 --> 01:56:25,386
I need you to take care of Fischer
while I go set some charges, okay?

1514
01:56:25,551 --> 01:56:28,990
No room for tourists on these jobs.

1515
01:56:31,625 --> 01:56:32,793
Don't be silly.

1516
01:57:05,300 --> 01:57:07,371
ARIADNE:
You built all this? This is incredible.

1517
01:57:07,837 --> 01:57:09,874
We built for years.

1518
01:57:10,908 --> 01:57:12,911
Then we started in on the memories.

1519
01:57:19,951 --> 01:57:21,355
This way.

1520
01:58:03,039 --> 01:58:05,144
COBB:
This was our neighborhood.

1521
01:58:05,309 --> 01:58:07,647
Places from our past.

1522
01:58:07,812 --> 01:58:09,582
That was our first apartment.

1523
01:58:09,748 --> 01:58:11,987
Then we moved to that building
right there.

1524
01:58:12,151 --> 01:58:14,689
After Mal became pregnant,
that became our home.

1525
01:58:14,855 --> 01:58:17,661
You reconstructed all of this
from memory?

1526
01:58:17,825 --> 01:58:20,095
Like I told you, we had lots of time.

1527
01:58:20,260 --> 01:58:21,864
ARIADNE:
What is that?

1528
01:58:23,399 --> 01:58:25,168
That's the house Mal grew up in.

1529
01:58:25,334 --> 01:58:27,772
- Well, will she be in there?
- No.

1530
01:58:28,104 --> 01:58:29,139
Come on.

1531
01:58:29,305 --> 01:58:32,645
We both wanted to live in a house,
but we loved this type of building.

1532
01:58:32,810 --> 01:58:35,750
In the real world,
we'd have to choose, but not here.

1533
01:58:41,119 --> 01:58:42,456
[GRUNTS]

1534
01:58:43,590 --> 01:58:44,792
[GUNFIRE]

1535
01:58:46,727 --> 01:58:47,830
[GRUNTS]

1536
01:58:59,242 --> 01:59:00,344
[BEEPS]

1537
01:59:09,556 --> 01:59:10,691
[BEEPS]

1538
01:59:15,130 --> 01:59:16,165
[BEEPS]

1539
01:59:16,331 --> 01:59:18,369
How are we gonna bring Fischer back?

1540
01:59:18,768 --> 01:59:21,206
We're gonna have to come up
with some kind of a kick.

1541
01:59:21,370 --> 01:59:22,774
What?

1542
01:59:23,775 --> 01:59:24,877
I'm gonna improvise.

1543
01:59:25,043 --> 01:59:29,720
Listen, there's something you should
know about me. About inception.

1544
01:59:31,016 --> 01:59:32,386
[BOTH GRUNTING]

1545
01:59:32,552 --> 01:59:33,754
[GUNFIRE]

1546
01:59:42,799 --> 01:59:46,673
An idea is like a virus. Resilient.

1547
01:59:47,503 --> 01:59:49,074
Highly contagious.

1548
01:59:49,239 --> 01:59:52,579
And the smallest seed
of an idea can grow.

1549
01:59:53,645 --> 01:59:55,615
It can grow to define...

1550
01:59:56,648 --> 01:59:58,219
...or destroy you.

1551
02:00:01,354 --> 02:00:04,127
MAL:
The smallest idea, such as:

1552
02:00:04,725 --> 02:00:07,097
''Your world is not real.''

1553
02:00:07,361 --> 02:00:11,136
Simple little thought
that changes everything.

1554
02:00:12,367 --> 02:00:16,877
So certain of your world. Of what's real.

1555
02:00:17,040 --> 02:00:18,844
Do you think he is?

1556
02:00:20,646 --> 02:00:23,552
Or do you think he's as lost as I was?

1557
02:00:24,684 --> 02:00:26,187
COBB:
I know what's real, Mal.

1558
02:00:28,255 --> 02:00:30,559
No creeping doubts?

1559
02:00:31,258 --> 02:00:33,897
Not feeling persecuted, Dom?

1560
02:00:34,196 --> 02:00:35,532
Chased around the globe...

1561
02:00:35,698 --> 02:00:38,371
...by anonymous corporations
and police forces...

1562
02:00:38,535 --> 02:00:41,172
...the way the projections
persecute the dreamer?

1563
02:00:42,773 --> 02:00:44,277
Admit it.

1564
02:00:45,577 --> 02:00:48,417
You don't believe in one reality anymore.

1565
02:00:48,581 --> 02:00:50,117
So choose.

1566
02:00:50,282 --> 02:00:52,552
Choose to be here.

1567
02:00:53,053 --> 02:00:54,556
Choose me.

1568
02:01:15,881 --> 02:01:16,916
[COUGHS]

1569
02:01:20,419 --> 02:01:21,688
You know what I have to do.

1570
02:01:21,855 --> 02:01:24,528
I have to get back to our children
because you left them.

1571
02:01:25,860 --> 02:01:27,396
Because you left us.

1572
02:01:27,562 --> 02:01:29,367
- You're wrong.
COBB: I'm not wrong.

1573
02:01:29,532 --> 02:01:31,569
You're confused.

1574
02:01:32,669 --> 02:01:34,740
Our children are here.

1575
02:01:35,506 --> 02:01:38,779
And you'd like to see their faces again,
wouldn't you?

1576
02:01:38,944 --> 02:01:42,017
Yes, but I'm gonna see them
up above, Mal.

1577
02:01:42,181 --> 02:01:43,484
[GUNFIRE]

1578
02:01:46,720 --> 02:01:47,755
[BEEPS]

1579
02:01:51,893 --> 02:01:53,363
[FOOTSTEPS APPROACHING]

1580
02:01:53,528 --> 02:01:54,931
[SAITO COUGHING]

1581
02:01:55,665 --> 02:01:57,668
Up above?

1582
02:01:58,567 --> 02:02:02,208
Listen to yourself.
These are our children.

1583
02:02:02,740 --> 02:02:04,109
Watch.

1584
02:02:04,610 --> 02:02:06,312
James? Phillipa?

1585
02:02:06,478 --> 02:02:08,915
Don't do this, Mal. Please.
Those aren't my children.

1586
02:02:09,081 --> 02:02:11,554
You keep telling yourself that,
but you don't believe it.

1587
02:02:11,718 --> 02:02:13,621
- No, I know it.
- What if you're wrong?

1588
02:02:14,020 --> 02:02:16,326
What if I'm what's real?

1589
02:02:17,525 --> 02:02:19,763
You keep telling yourself what you know.

1590
02:02:21,330 --> 02:02:23,567
But what do you believe?

1591
02:02:24,534 --> 02:02:25,770
What do you feel?

1592
02:02:27,905 --> 02:02:29,340
Guilt.

1593
02:02:30,542 --> 02:02:32,779
I feel guilt, Mal.

1594
02:02:33,312 --> 02:02:37,254
And no matter what I do,
no matter how hopeless I am...

1595
02:02:37,416 --> 02:02:41,692
...no matter how confused,
that guilt is always there...

1596
02:02:41,856 --> 02:02:44,394
...reminding me of the truth.

1597
02:02:44,894 --> 02:02:46,196
What truth?

1598
02:02:48,631 --> 02:02:53,875
That the idea that caused you to question
your reality came from me.

1599
02:02:57,242 --> 02:03:00,383
You planted the idea in my mind?

1600
02:03:01,881 --> 02:03:03,384
What is she talking about?

1601
02:03:04,284 --> 02:03:09,561
The reason I knew inception was possible
was because I did it to her first.

1602
02:03:10,592 --> 02:03:13,565
- I did it to my own wife.
- Why?

1603
02:03:14,296 --> 02:03:15,800
We were lost in here.

1604
02:03:16,733 --> 02:03:21,376
I knew we needed to escape,
but she wouldn't accept it.

1605
02:03:24,575 --> 02:03:30,254
She had locked something away,
something deep inside.

1606
02:03:31,018 --> 02:03:35,159
A truth that she had once known,
but chose to forget.

1607
02:03:36,124 --> 02:03:38,261
And she couldn't break free.

1608
02:03:40,963 --> 02:03:43,702
So I decided to search for it.

1609
02:03:44,268 --> 02:03:49,146
I went deep into the recess of her mind
and found that secret place.

1610
02:03:49,308 --> 02:03:51,212
And I broke in...

1611
02:03:51,777 --> 02:03:53,948
...and I planted an idea.

1612
02:03:54,680 --> 02:03:58,455
A simple little idea
that would change everything.

1613
02:04:03,692 --> 02:04:06,064
That her world wasn't real.

1614
02:04:18,878 --> 02:04:22,085
That death was the only escape.

1615
02:04:29,491 --> 02:04:31,262
You're waiting for a train.

1616
02:04:31,428 --> 02:04:32,897
[METAL GROANING]

1617
02:04:33,562 --> 02:04:36,302
A train that'll take you far away.

1618
02:04:37,468 --> 02:04:40,473
You know where you hope
this train will take you...

1619
02:04:41,572 --> 02:04:43,610
...but you can't know for sure.

1620
02:04:44,776 --> 02:04:46,312
Yet it doesn't matter.

1621
02:04:47,747 --> 02:04:50,919
- Now, tell me why!
- Because you'll be together!

1622
02:04:55,257 --> 02:04:59,333
COBB: But I never knew that that idea
would grow in her mind like a cancer...

1623
02:04:59,496 --> 02:05:01,902
...that even after she woke...

1624
02:05:04,802 --> 02:05:07,274
That even after
you came back to reality...

1625
02:05:10,209 --> 02:05:13,182
...that you'd continue to believe
your world wasn't real.

1626
02:05:15,949 --> 02:05:18,355
That death was the only escape.

1627
02:05:18,520 --> 02:05:21,192
Mal, no! Jesus!

1628
02:05:21,356 --> 02:05:25,064
- You infected my mind.
- I was trying to save you.

1629
02:05:25,228 --> 02:05:26,630
You betrayed me.

1630
02:05:27,464 --> 02:05:31,171
But you can make amends.
You can still keep your promise.

1631
02:05:31,335 --> 02:05:34,376
We can still be together, right here...

1632
02:05:34,540 --> 02:05:37,012
...in the world we built together.

1633
02:05:43,318 --> 02:05:44,820
[COUGHING]

1634
02:05:52,862 --> 02:05:53,897
[BEEPS]

1635
02:05:54,064 --> 02:05:55,332
[GUNFIRE]

1636
02:06:12,855 --> 02:06:14,157
[GRUNTS]

1637
02:06:31,644 --> 02:06:34,250
[''NON, JE NE REGRETTE RIEN'' PLAYING]

1638
02:06:42,525 --> 02:06:44,128
[SONG ECHOING]

1639
02:06:49,967 --> 02:06:51,637
[DEFIBRILLATOR CHARGING]

1640
02:06:54,673 --> 02:06:55,942
[THUNDER CRASHING]

1641
02:06:57,844 --> 02:07:00,181
Cobb, we need to get Fischer.

1642
02:07:01,048 --> 02:07:02,350
You can't have him.

1643
02:07:03,384 --> 02:07:06,824
- If I stay here, will you let him go?
- What are you talking about?

1644
02:07:11,294 --> 02:07:13,132
Fischer is on the porch.

1645
02:07:13,697 --> 02:07:16,303
- Go check he's alive, Ariadne.
- Cobb, you can't do this.

1646
02:07:16,468 --> 02:07:19,107
Go check he's alive right now. Do it.

1647
02:07:32,655 --> 02:07:33,991
[ARIADNE GRUNTING]

1648
02:07:34,757 --> 02:07:37,863
He's here! And it's time,
but you have to come now!

1649
02:07:38,028 --> 02:07:41,702
COBB: You take Fischer with you, all right?
- You can't stay here to be with her.

1650
02:07:44,269 --> 02:07:46,974
I'm not. Saito's dead by now.

1651
02:07:47,139 --> 02:07:50,647
That means he's down here somewhere.
That means I have to find him.

1652
02:07:52,646 --> 02:07:55,753
I can't stay with her anymore,
because she doesn't exist.

1653
02:07:55,916 --> 02:07:59,324
I'm the only thing
you do believe in anymore.

1654
02:07:59,489 --> 02:08:00,824
No.

1655
02:08:01,991 --> 02:08:03,426
I wish.

1656
02:08:05,028 --> 02:08:07,532
I wish more than anything, but...

1657
02:08:08,634 --> 02:08:11,372
...I can't imagine you
with all your complexity...

1658
02:08:11,537 --> 02:08:14,075
...all your perfection,
all your imperfection.

1659
02:08:15,174 --> 02:08:16,209
- You all right?
- Yeah.

1660
02:08:16,376 --> 02:08:18,213
Look at you.

1661
02:08:19,447 --> 02:08:24,392
You're just a shade.
You're just a shade of my real wife.

1662
02:08:24,820 --> 02:08:27,458
And you were the best
that I could do, but...

1663
02:08:28,291 --> 02:08:30,730
...I'm sorry, you're just not good enough.

1664
02:08:30,895 --> 02:08:32,531
Does this feel real?

1665
02:08:32,963 --> 02:08:34,099
[GUNSHOT]

1666
02:08:34,933 --> 02:08:37,538
- What are you doing?
- Improvising.

1667
02:08:41,808 --> 02:08:43,043
[GASPING]

1668
02:08:46,147 --> 02:08:47,849
No, no, no!

1669
02:08:48,817 --> 02:08:51,222
In there, now. Go, go, go.

1670
02:09:36,077 --> 02:09:37,980
I was dis-

1671
02:09:39,682 --> 02:09:42,019
I was dis- Disa-

1672
02:09:42,885 --> 02:09:45,424
- I know, Dad.
- Dis-

1673
02:09:51,429 --> 02:09:53,533
I know you were disappointed...

1674
02:09:54,332 --> 02:09:55,702
...I couldn't be you.

1675
02:09:56,102 --> 02:09:57,604
No.

1676
02:09:58,104 --> 02:09:59,339
No, no, no.

1677
02:10:00,374 --> 02:10:02,377
I was disappointed...

1678
02:10:04,111 --> 02:10:06,049
...that you tried.

1679
02:10:23,168 --> 02:10:24,470
[BEEPING]

1680
02:10:29,309 --> 02:10:30,980
What?

1681
02:10:40,424 --> 02:10:41,560
Come on, come on.

1682
02:11:11,797 --> 02:11:13,299
Dad?

1683
02:11:15,100 --> 02:11:16,136
[SOBBING]

1684
02:11:51,647 --> 02:11:54,720
That's the kick, Ariadne!
You have to go now!

1685
02:12:07,567 --> 02:12:11,007
Don't lose yourself!
Find Saito and bring him back!

1686
02:12:11,171 --> 02:12:12,841
I will!

1687
02:12:52,590 --> 02:12:55,762
You remember when you asked me
to marry you?

1688
02:12:55,926 --> 02:12:57,030
Yes.

1689
02:12:57,195 --> 02:13:00,268
You said you dreamt
that we'd grow old together.

1690
02:13:02,971 --> 02:13:04,473
But we did.

1691
02:13:06,406 --> 02:13:08,779
We did. You don't remember?

1692
02:13:13,450 --> 02:13:16,289
I miss you more than I can bear...

1693
02:13:18,656 --> 02:13:20,659
...but we had our time together.

1694
02:13:21,994 --> 02:13:24,065
And I have to let you go.

1695
02:13:26,165 --> 02:13:27,969
I have to let you go.

1696
02:14:19,232 --> 02:14:20,535
I'm sorry, Robert.

1697
02:14:42,427 --> 02:14:43,930
[ARTHUR YELLS]

1698
02:14:48,202 --> 02:14:51,877
You know, the will means that Dad
wanted me to be my own man...

1699
02:14:52,941 --> 02:14:54,979
...not just to live for him.

1700
02:14:56,578 --> 02:14:59,117
That's what I'm gonna do, Uncle Peter.

1701
02:15:08,894 --> 02:15:10,130
What happened?

1702
02:15:10,596 --> 02:15:12,299
- Cobb stayed.
- With Mal?

1703
02:15:12,464 --> 02:15:13,733
No, to find Saito.

1704
02:15:16,003 --> 02:15:17,774
He'll be lost.

1705
02:15:20,309 --> 02:15:22,146
No, he'll be all right.

1706
02:15:38,165 --> 02:15:40,136
SAITO:
Have you come to kill me?

1707
02:15:44,405 --> 02:15:46,877
I'm waiting for someone.

1708
02:15:51,348 --> 02:15:54,120
COBB:
Someone from a half-remembered dream.

1709
02:15:56,854 --> 02:15:58,257
Cobb?

1710
02:15:58,990 --> 02:16:00,026
[SCOFFS]

1711
02:16:00,193 --> 02:16:01,963
Impossible.

1712
02:16:02,494 --> 02:16:05,100
We were young men together.

1713
02:16:06,700 --> 02:16:09,037
I'm an old man.

1714
02:16:10,271 --> 02:16:12,342
Filled with regret.

1715
02:16:15,478 --> 02:16:18,183
Waiting to die alone.

1716
02:16:21,352 --> 02:16:23,522
I've come back for you.

1717
02:16:26,793 --> 02:16:30,668
To remind you of something.

1718
02:16:33,934 --> 02:16:36,307
Something you once knew.

1719
02:16:39,175 --> 02:16:41,413
That this world is not real.

1720
02:16:46,317 --> 02:16:50,827
To convince me to honor
our arrangement?

1721
02:16:51,657 --> 02:16:54,428
To take a leap of faith, yes.

1722
02:17:00,535 --> 02:17:01,870
Come back...

1723
02:17:04,406 --> 02:17:07,780
...so we can be
young men together again.

1724
02:17:11,548 --> 02:17:13,518
Come back with me.

1725
02:17:16,621 --> 02:17:18,056
Come back.

1726
02:17:27,801 --> 02:17:29,504
FLIGHT ATTENDANT:
Hot towel, sir?

1727
02:17:30,138 --> 02:17:33,011
We'll be landing in Los Angeles
in about 20 minutes.

1728
02:17:33,175 --> 02:17:35,481
Do you need immigration forms?

1729
02:17:37,581 --> 02:17:38,917
Thank you.

1730
02:17:39,383 --> 02:17:41,020
Hot towel, sir?

1731
02:17:42,020 --> 02:17:45,025
- No.
- Do you need immigration forms?

1732
02:18:56,415 --> 02:18:57,483
Welcome home, Mr. Cobb.

1733
02:18:58,616 --> 02:19:00,252
Thank you, sir.

1734
02:19:44,307 --> 02:19:45,676
Welcome.

1735
02:19:46,142 --> 02:19:47,545
This way.

1736
02:20:08,737 --> 02:20:12,212
MILES:
James? Phillipa?

1737
02:20:15,946 --> 02:20:17,215
Look who's here.

1738
02:20:22,822 --> 02:20:23,890
Hey.

1739
02:20:24,991 --> 02:20:27,697
- Hey, guys! Hey! How are you?
PHILLIPA: Daddy! Daddy!

1740
02:20:27,861 --> 02:20:30,132
JAMES: Daddy!
COBB: How are you?

1741
02:20:31,232 --> 02:20:32,835
Look what I've been building!

1742
02:20:33,002 --> 02:20:36,708
- What are you building?
JAMES: We're building a house on the cliff!

1743
02:20:36,872 --> 02:20:39,745
COBB: On the cliff? Come on, I want you
to show me. Can you show me?

1744
02:20:39,910 --> 02:20:42,482
JAMES: Let's go.
PHILLIPA: Come on, Daddy!

1745
02:20:43,482 --> 02:20:53,482
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