1 00:00:01,223 --> 00:00:03,858 (The Audition) * I FEEL MY TEMPERATURE RISING * 2 00:00:03,892 --> 00:00:05,660 I'M TELLING YOU, IT'S THE EYES. 3 00:00:05,694 --> 00:00:08,230 THEY'RE THE WINDOWS TO THE SOUL. EYES CAN'T LIE. 4 00:00:08,263 --> 00:00:10,632 YOU KNOW THEY SAY THAT 60% OF MEN LOOK AT YOUR EYES FIRST? 5 00:00:10,665 --> 00:00:13,735 YEAH, WELL, 60% OF MEN ARE LYING... 6 00:00:13,768 --> 00:00:15,870 WITH THEIR MOUTHS. (pops lips) 7 00:00:15,904 --> 00:00:18,073 IT'S ALL ABOUT LIPS, McNALLY... 8 00:00:18,107 --> 00:00:20,041 BIG, RED LIPS. IT'S PRIMAL. IT'S KIND OF LIKE A-- 9 00:00:20,075 --> 00:00:21,676 IT'S LIKE A MONKEY'S BUTT. 10 00:00:21,710 --> 00:00:23,912 OH, THAT'S REALLY NICE. THAT'S VERY APPEALING. 11 00:00:23,945 --> 00:00:25,547 JUST TRYING TO BE HONEST. 12 00:00:25,580 --> 00:00:27,882 YOU WANT TO BE HONEST, BE HONEST. BOOBS. 13 00:00:27,916 --> 00:00:30,051 ALL THAT OTHER STUFF IS WINDOW DRESSING. 14 00:00:30,085 --> 00:00:32,421 OOH. THE DETECTIVE SPEAKS. 15 00:00:32,454 --> 00:00:33,622 DETECTIVE IN TRAINING. 16 00:00:33,655 --> 00:00:35,790 NOT TILL TOMORROW. 17 00:00:36,791 --> 00:00:37,959 WHAT ARE YOU DOING? 18 00:00:37,992 --> 00:00:39,128 NOTHING. 19 00:00:39,161 --> 00:00:40,995 THAT'S NOT FOR ME. THAT IS NOT HAPPENING. 20 00:00:41,029 --> 00:00:43,098 NO. I'M NOT GOING DANCING. 21 00:00:43,132 --> 00:00:45,767 TOMORROW'S MY FIRST DAY. I HAVE TO WORK IN THE MORNING. SO DO WE. 22 00:00:45,800 --> 00:00:47,269 SO WHAT? SHE DOESN'T WANT TO CELEBRATE, THAT'S HER PROBLEM. 23 00:00:47,302 --> 00:00:50,038 COME ON. YOU HAVE WORKED YOUR ASS OFF TO GET THIS. 24 00:00:50,071 --> 00:00:51,440 LOOK, IT'S SATURDAY NIGHT. 25 00:00:51,473 --> 00:00:54,276 WE'RE YOUNG, WE HAVE BRAS, 26 00:00:54,309 --> 00:00:56,111 AND YOU HAVE A PROMOTION. OKAY? 27 00:00:56,145 --> 00:00:57,712 ALL RIGHT? WE'RE NOT GOING OUT TO TRY TO PICK UP GUYS. (cork pops) 28 00:00:57,746 --> 00:01:00,182 WE'RE GOING OUT TO TAKE YOU FOR ONE DRINK. (chants) ONE DRINK... 29 00:01:00,215 --> 00:01:02,184 ONE DRINK. JUST ONE DRINK, JUST ONE DRINK. 30 00:01:02,217 --> 00:01:03,352 NO, I CAN'T! 31 00:01:03,385 --> 00:01:05,454 (both chant) YES, YOU CAN! 32 00:01:05,487 --> 00:01:07,656 FINE. ONE DRINK TO SHUT YOU UP. 33 00:01:07,689 --> 00:01:09,324 (all laugh) (glasses clink) 34 00:01:12,327 --> 00:01:15,597 * I'VE NEVER FELT THIS WAY ABOUT SOMEONE, WHOA * 35 00:01:15,630 --> 00:01:17,599 * WHOA * 36 00:01:17,632 --> 00:01:20,302 * OH * 37 00:01:20,335 --> 00:01:21,870 MAN, LAST NIGHT WAS CRAZY. 38 00:01:21,903 --> 00:01:23,037 YEAH. 39 00:01:23,071 --> 00:01:24,573 THOSE E.T.F. GUYS SURE KNOW HOW TO PARTY, HUH? 40 00:01:24,606 --> 00:01:25,807 NO DOUBT. 41 00:01:25,840 --> 00:01:27,376 I WISH I'D KNOWN WE WERE GONNA HAVE PEOPLE OVER. 42 00:01:27,409 --> 00:01:28,977 I WOULD HAVE INVITED TRACI AND ANDY... 43 00:01:29,010 --> 00:01:30,044 MAYBE EVEN, YOU KNOW, GAIL. 44 00:01:30,078 --> 00:01:31,413 YEAH, ME, TOO. 45 00:01:31,446 --> 00:01:33,248 THING IS, LAST NIGHT WASN'T REALLY MY IDEA, YOU KNOW? 46 00:01:33,282 --> 00:01:34,549 SUE AND THE E.T.F. GUYS 47 00:01:34,583 --> 00:01:36,751 JUST WANTED TO TAKE MY MIND OFF THINGS. 48 00:01:36,785 --> 00:01:38,253 OH, OKAY. WELL, MAYBE NEXT TIME. 49 00:01:38,287 --> 00:01:40,522 MORNING. (sighs) HEY. HEY. 50 00:01:40,555 --> 00:01:43,192 OH. DON'T DO THAT. I'LL CLEAN UP AFTER I GET BACK FROM SHIFT. 51 00:01:43,225 --> 00:01:44,326 I GOT IT. 52 00:01:44,359 --> 00:01:45,994 ALL RIGHT, WELL, I GOTTA GO. SEE YOU GUYS LATER. 53 00:01:46,027 --> 00:01:48,230 LATER. BYE. 54 00:01:48,263 --> 00:01:50,499 (sighs) 55 00:01:50,532 --> 00:01:52,334 YOU GONNA GO TO YOUR APPOINTMENT TODAY? 56 00:01:52,367 --> 00:01:54,102 I DON'T KNOW. I TRIED THERAPY WHEN MY BROTHER DIED. 57 00:01:54,135 --> 00:01:55,504 TALKING DOESN'T REALLY HELP. 58 00:01:55,537 --> 00:01:57,972 LOOK, IF GOING TO SEE THE SHRINK GETS YOU BACK ON THE JOB FASTER, 59 00:01:58,006 --> 00:01:59,374 I SAY YOU DO IT... 60 00:01:59,408 --> 00:02:01,910 AND ONCE YOU'RE BACK ON THE STREET, MAKING A DIFFERENCE, 61 00:02:01,943 --> 00:02:02,911 YOU'LL FEEL BETTER. 62 00:02:02,944 --> 00:02:03,978 MAYBE. 63 00:02:09,551 --> 00:02:11,286 GONNA SEE YOU AFTER WORK? 64 00:02:11,320 --> 00:02:13,021 YEAH. 65 00:02:15,724 --> 00:02:18,260 GO TO THAT APPOINTMENT. 66 00:02:23,265 --> 00:02:25,334 (tires screech) 67 00:02:25,367 --> 00:02:28,002 (Andy) OHH. THANKS FOR THE RIDE. 68 00:02:28,036 --> 00:02:29,871 NO PROBLEM. 69 00:02:31,506 --> 00:02:32,941 (sighs) 70 00:02:32,974 --> 00:02:34,643 HEY. WE'RE HERE. 71 00:02:34,676 --> 00:02:37,312 (groans) 72 00:02:42,417 --> 00:02:44,286 I'VE NEVER SEEN YOU GUYS LIKE THIS BEFORE. 73 00:02:44,319 --> 00:02:45,954 WHY DIDN'T YOU JUST CALL IN SICK? 74 00:02:45,987 --> 00:02:49,057 'CAUSE... TRACI'S FIRST DAY. SHE NEEDS US. 75 00:02:49,090 --> 00:02:51,726 YEAH, AND I NEED A MINT. 76 00:02:53,061 --> 00:02:57,566 HO HO HO. (laughs) ROUGH NIGHT? 77 00:02:57,599 --> 00:03:01,035 LET'S JUST SAY WE KEPT THE PARTY GOING IN YOUR HONOR. 78 00:03:01,069 --> 00:03:03,972 LOOKING GOOD, TRACE-- I MEAN, DETECTIVE. 79 00:03:04,005 --> 00:03:07,642 HEY. I'M NOT THERE YET. HOW'S DOV? 80 00:03:07,676 --> 00:03:09,244 OH, THE SAME. 81 00:03:09,278 --> 00:03:11,546 I CAN'T FIGURE OUT WHAT TO DO TO MAKE HIM FEEL BETTER. 82 00:03:11,580 --> 00:03:13,648 OH, IT SUCKS THAT WE CAN'T HELP HIM OUT. 83 00:03:13,682 --> 00:03:16,318 WHY CAN'T WE JUST COME OVER, COOK SOME FOOD, 84 00:03:16,351 --> 00:03:18,086 AND RENT SOME BATMAN MOVIES? 85 00:03:18,119 --> 00:03:20,389 YOU KNOW, I DON'T THINK HE WANTS TO HANG OUT WITH US ANYWAYS. 86 00:03:20,422 --> 00:03:22,491 WHY NOT? WE'RE FUN. 87 00:03:22,524 --> 00:03:24,158 WELL, MAYBE HE JUST NEEDS A LITTLE TIME TO HIMSELF, 88 00:03:24,192 --> 00:03:25,427 SORT SOME THINGS OUT. 89 00:03:25,460 --> 00:03:27,429 PLEASE. HEY, YOU. 90 00:03:27,462 --> 00:03:29,130 IF YOU EVER CARED ABOUT ME AT ALL, 91 00:03:29,163 --> 00:03:32,033 YOU'D FIND ME SOME COFFEE. 92 00:03:32,066 --> 00:03:33,402 LET'S GO. 93 00:03:33,435 --> 00:03:34,903 (man) CALL ME, LET ME KNOW WHAT HAPPENS. 94 00:03:34,936 --> 00:03:36,638 SO? 95 00:03:36,671 --> 00:03:38,172 YOU READY TO DO THIS? 96 00:03:38,206 --> 00:03:40,609 ALREADY HELPED C.I.B. PROCESS THREE BODIES. 97 00:03:40,642 --> 00:03:42,010 NOW I'M GOING OVER REPORTS FROM LAST NIGHT, 98 00:03:42,043 --> 00:03:43,845 SEE IF THERE'S ANYTHING I SHOULD CARRY OVER. 99 00:03:43,878 --> 00:03:45,314 WOW, WAY TO WORK IT. 100 00:03:45,347 --> 00:03:46,781 WELL, I JUST DON'T WANT PEOPLE THINKING 101 00:03:46,815 --> 00:03:49,083 I GOT THIS PROMOTION BECAUSE I'M SLEEPING WITH JERRY. 102 00:03:49,117 --> 00:03:50,319 NO ONE'S GONNA THINK THAT. 103 00:03:50,352 --> 00:03:51,720 I WOULD. 104 00:03:52,787 --> 00:03:54,923 YOU GOTTA SHAKE OFF THAT NEGATIVITY. 105 00:03:54,956 --> 00:03:57,258 OKAY? COME OUT OF THE GATE RUNNING. 106 00:03:57,292 --> 00:03:58,793 YOU ARE TRACI NASH, 107 00:03:58,827 --> 00:04:00,862 AND YOU ARE HERE BECAUSE YOU DESERVE TO BE HERE, 108 00:04:00,895 --> 00:04:02,431 AND THAT'S WHAT EVERYBODY'S GONNA KNOW. 109 00:04:02,464 --> 00:04:03,732 OKAY. 110 00:04:03,765 --> 00:04:05,300 THAT'S A GOOD PEP TALK, COACH. 111 00:04:05,334 --> 00:04:06,301 MM-HMM. GOT YOUR BACK, TRACI. 112 00:04:06,335 --> 00:04:07,302 ALL RIGHT. 113 00:04:07,336 --> 00:04:09,037 ALL RIGHT. GO BREAK A LEG. 114 00:04:09,070 --> 00:04:11,640 (chuckles) 115 00:04:11,673 --> 00:04:14,643 (indistinct conversations) 116 00:04:14,676 --> 00:04:17,145 (man speaks indistinctly over P.A.) 117 00:04:17,178 --> 00:04:18,713 DID YOU HAVE A NICE TIME WITH THE GIRLS LAST NIGHT? 118 00:04:18,747 --> 00:04:20,214 I'M NOT IN THE MOOD FOR YOU. 119 00:04:20,248 --> 00:04:22,584 YOU KNOW, IT'S A SCIENTIFIC FACT THAT THE OXYGEN ABOVE A BAR TOP 120 00:04:22,617 --> 00:04:25,286 IS THE THINNEST, SO IT'S NO WONDER YOUR HEAD HURTS. 121 00:04:25,320 --> 00:04:27,021 *** 122 00:04:27,055 --> 00:04:29,424 (hums) 123 00:04:29,458 --> 00:04:31,059 I GOT YOUR TEXTS. 124 00:04:31,092 --> 00:04:32,060 OH, MY GOD. 125 00:04:32,093 --> 00:04:33,094 NOW THE REALLY GOOD STUFF-- 126 00:04:33,127 --> 00:04:34,929 THAT STARTED COMING AROUND 2:00 OR 3:00. 127 00:04:34,963 --> 00:04:38,199 NO. YOU... YOU HAVE TO E-- NICK, YOU HAVE TO ERASE THOSE. 128 00:04:38,232 --> 00:04:40,369 ERASE THE EVIDENCE THAT THE FUN, CAREFREE GAIL I ONCE KNEW 129 00:04:40,402 --> 00:04:43,004 STILL EXISTS? NOT A CHANCE. 130 00:04:43,037 --> 00:04:46,307 (telephones ringing) 131 00:04:46,341 --> 00:04:48,377 NICK, I'M ACTUALLY NOT JOKING. 132 00:04:48,410 --> 00:04:50,779 OKAY, LET'S HAVE A ROUND OF APPLAUSE FOR NASH, 133 00:04:50,812 --> 00:04:54,516 WHO WILL BE STARTING HER 6-MONTH ROTATION WITH THE D's TODAY. 134 00:04:54,549 --> 00:04:57,652 (cheering) NOW I FINALLY GET WHAT YOU SAW IN JERRY. (chuckles) 135 00:04:57,686 --> 00:04:58,953 ALL RIGHT, IT'S SUNDAY MORNING. 136 00:04:58,987 --> 00:05:00,855 LOTS OF PEOPLE MOVING IN AND OUT OF THE CITY, 137 00:05:00,889 --> 00:05:02,724 SO LET'S KEEP THE ROADS MOVING, 138 00:05:02,757 --> 00:05:04,759 AND WE'LL HAVE A NICE, QUIET MORNING. 139 00:05:04,793 --> 00:05:05,760 (murmuring) 140 00:05:05,794 --> 00:05:07,429 CAR ASSIGNMENTS ARE ON THE BOARD. 141 00:05:07,462 --> 00:05:10,198 I, OF COURSE, WILL BE... ON DESK DUTY. 142 00:05:10,231 --> 00:05:11,433 OH, WHAT'S THE MATTER, WILLIAMS? 143 00:05:11,466 --> 00:05:13,334 CAN'T CUT IT ON THE STREET ANYMORE? (chuckles) 144 00:05:13,368 --> 00:05:16,705 ALL RIGHT. OKAY. LET'S GO. GO. (laughter) 145 00:05:19,307 --> 00:05:21,543 (indistinct conversations) 146 00:05:21,576 --> 00:05:23,678 (Noelle) NASH. DO YOU KNOW WHERE JERRY IS? 147 00:05:23,712 --> 00:05:26,748 HEADQUARTERS BEEN CALLING HIM, VOICE MAIL... WHAT'S GOING ON? 148 00:05:26,781 --> 00:05:28,249 HE GOT A NEW SMARTPHONE. 149 00:05:28,282 --> 00:05:29,718 HE CAN'T FIGURE OUT HOW IT WORKS. 150 00:05:29,751 --> 00:05:32,421 (laughs) WHY ARE YOU WEARING A SWEATER? 151 00:05:32,454 --> 00:05:33,888 IT'S, LIKE, A MILLION DEGREES IN HERE. 152 00:05:33,922 --> 00:05:37,258 YEAH, WELL, YOU'LL HAVE TO PICK UP THE CASE FILE FOR HIM, THEN. 153 00:05:37,291 --> 00:05:38,560 SO MY FIRST ASSIGNMENT 154 00:05:38,593 --> 00:05:40,829 IS PICKING UP DETECTIVE BARBER'S PAPERWORK? 155 00:05:40,862 --> 00:05:43,231 YEAH, YOU MAKE YOUR BED, YOU LIE IN IT... 156 00:05:43,264 --> 00:05:47,268 EVEN IF YOUR BED IS A DESK, AND YOU HATE IT. 157 00:05:47,301 --> 00:05:49,303 JUST THINK OF IT AS A DISPLAY OF GRATITUDE 158 00:05:49,337 --> 00:05:51,873 FOR JERRY GETTING YOU THIS GIG. 159 00:06:03,952 --> 00:06:05,153 EPSTEIN, WHAT ARE YOU DOING HERE? 160 00:06:05,186 --> 00:06:07,021 I GOTTA GET BACK TO WORK. 161 00:06:07,055 --> 00:06:08,957 I MEAN, I'LL--I'LL DO ANYTHING-- I'LL WASH SQUAD CARS, 162 00:06:08,990 --> 00:06:10,358 I'LL INVENTORY THE EVIDENCE ROOM... 163 00:06:10,391 --> 00:06:12,894 I CAN'T BRING YOU BACK UNTIL THE POLICE SHRINK CLEARS YOU, 164 00:06:12,927 --> 00:06:14,729 AND DR. MANSFIELD WON'T CLEAR YOU 165 00:06:14,763 --> 00:06:16,798 UNLESS YOU ACTUALLY GO TO YOUR APPOINTMENTS. 166 00:06:16,831 --> 00:06:19,333 I WENT... ONCE. IT WAS STUPID. WE BOTH JUST SAT THERE. 167 00:06:19,367 --> 00:06:23,838 I DON'T NEED A SHRINK. I GOTTA GET BACK ON THE JOB. 168 00:06:23,872 --> 00:06:25,940 NOT TILL YOU'RE CLEARED. 169 00:06:25,974 --> 00:06:27,942 YOU NEED TO DEAL WITH WHAT HAPPENED HERE. 170 00:06:27,976 --> 00:06:29,143 I KNOW WHAT HAPPENED. KID HAD A GUN. 171 00:06:29,177 --> 00:06:31,312 HE FIRED IT AT ME. I SHOT HIM. 172 00:06:33,748 --> 00:06:35,950 SORRY, EPSTEIN. MY HANDS ARE TIED. 173 00:06:35,984 --> 00:06:38,987 (chewing) 174 00:06:49,964 --> 00:06:50,932 (door opens) 175 00:06:50,965 --> 00:06:52,066 (Oliver) HEY. 176 00:06:52,100 --> 00:06:53,602 HEY. HOW'S IT GOING? 177 00:06:53,635 --> 00:06:55,069 ARE YOU LEAVING WITHOUT SAYING "HI" 178 00:06:55,103 --> 00:06:56,237 TO YOUR FAVORITE TRAINING OFFICER? 179 00:06:56,270 --> 00:06:57,539 NOELLE'S BUSY, SO-- 180 00:06:57,572 --> 00:07:00,174 NICE. EPSTEIN, YOU HAVEN'T LOST YOUR SENSE OF HUMOR. 181 00:07:00,208 --> 00:07:01,409 HAVE A GOOD SHIFT. 182 00:07:01,442 --> 00:07:03,645 OH, HOLD ON, HOLD ON. 183 00:07:03,678 --> 00:07:05,213 COME HERE. 184 00:07:05,246 --> 00:07:06,347 HOW ARE YOU? 185 00:07:06,380 --> 00:07:07,549 GOOD. 186 00:07:10,018 --> 00:07:11,953 OKAY, QUESTION-- 187 00:07:11,986 --> 00:07:14,489 WHEN YOU GOT SHOT AND YOU WERE OFF THE JOB, 188 00:07:14,523 --> 00:07:15,757 WHAT DID YOU DO? 189 00:07:17,025 --> 00:07:21,062 I, UH... I-I HELPED OUT WITH IZZY AND MADDIE'S SOCCER TEAMS, 190 00:07:21,095 --> 00:07:23,965 WHICH MOSTLY MEANT THAT I- I BROUGHT THE SLICED ORANGES 191 00:07:23,998 --> 00:07:25,834 AND I, UH, I CHEERED MY HEAD OFF. 192 00:07:25,867 --> 00:07:27,168 KIND OF REMINDED ME 193 00:07:27,201 --> 00:07:29,504 THAT I'M NOT JUST A UNIFORM AND A GUN AND A BADGE, 194 00:07:29,538 --> 00:07:32,507 THAT I CAN HELP WITHOUT CHASING BAD GUYS. 195 00:07:32,541 --> 00:07:34,242 YOU'RE A GOOD DAD. 196 00:07:34,275 --> 00:07:36,144 YOUR GIRLS ARE LUCKY TO HAVE YOU. 197 00:07:36,177 --> 00:07:38,780 (door opens) 198 00:07:38,813 --> 00:07:40,882 (door closes) 199 00:07:40,915 --> 00:07:42,517 (beeps) 200 00:07:42,551 --> 00:07:44,853 GOOD MORNING, McNALLY. 201 00:07:44,886 --> 00:07:46,655 YOU LOOK ABSOLUTELY RAVISHING. 202 00:07:46,688 --> 00:07:49,524 NASH'S FIRST DAY, AND YOU'RE GOING OUT THERE HUNGOVER. 203 00:07:49,558 --> 00:07:51,025 NICE WORK. REAL ROOKIE MOVE. 204 00:07:51,059 --> 00:07:52,527 OKAY, I'VE BEEN DOING THIS JOB FOR TWO YEARS NOW, 205 00:07:52,561 --> 00:07:56,064 I KNOW EXACTLY WHAT I'M DOING, AND I'M NOT HUNGOVER. 206 00:07:56,097 --> 00:07:57,465 YOU GOT SPARKLES IN YOUR HAIR. 207 00:07:57,498 --> 00:07:59,734 DO NOT. (whispers) STOP. 208 00:07:59,768 --> 00:08:01,002 (normal voice) YOU KNOW, YOU COULD HAVE COME WITH US. 209 00:08:01,035 --> 00:08:03,104 I HAD YOUR SKINNY JEANS AND BANDANNA ALL PICKED OUT. 210 00:08:03,137 --> 00:08:05,540 NOT EVEN IF YOU MAKE CHIEF. ALL RIGHT. LET ME DO THAT. 211 00:08:05,574 --> 00:08:07,308 CAN I DO IT NOW? LET ME DO IT. YOU KNOW WHAT? 212 00:08:07,341 --> 00:08:09,644 YOU JUST--YOU JUST CAN'T TURN IT OFF, CAN YOU? 213 00:08:09,678 --> 00:08:11,713 YOU NEED TO TURN IT ON TO GET THE COFFEE TO COME OUT. 214 00:08:11,746 --> 00:08:12,781 I'M NOT TALKING ABOUT THE MACHINE. 215 00:08:12,814 --> 00:08:13,948 I'M TALKING ABOUT YOU. 216 00:08:13,982 --> 00:08:15,116 YOU'RE CONSTANTLY A TRAINING OFFICER. 217 00:08:15,149 --> 00:08:16,450 YOU CAN'T TURN IT OFF. 218 00:08:16,484 --> 00:08:18,152 ARE YOU CALLING ME A CONTROL FREAK? 219 00:08:18,186 --> 00:08:19,654 HOW MANY TIMES HAVE YOU LET A ROOKIE DRIVE, 220 00:08:19,688 --> 00:08:21,289 WHILE YOU'VE BEEN A TRAINING OFFICER? 221 00:08:23,357 --> 00:08:24,325 FREAK. 222 00:08:24,358 --> 00:08:25,560 (beeps) 223 00:08:25,594 --> 00:08:27,562 COME ON. YOU GOTTA LET US FUMBLE AROUND, YOU KNOW, 224 00:08:27,596 --> 00:08:29,664 FIGURE IT OUT FOR OURSELVES. THAT'S HOW WE LEARN. 225 00:08:29,698 --> 00:08:30,899 (liquid trickles) 226 00:08:30,932 --> 00:08:33,234 EXHIBIT "A." 227 00:08:34,302 --> 00:08:36,404 SEE YOU ON THE ROAD, McNALLY. 228 00:08:41,142 --> 00:08:44,112 FEELS PRETTY GOOD GETTING BEHIND THE WHEEL. 229 00:08:44,145 --> 00:08:47,348 (clears throat) THAT, UH, BLUE SEDAN JUST DROVE BY-- 230 00:08:47,381 --> 00:08:48,482 WHAT WAS THE MARKER? 231 00:08:48,516 --> 00:08:53,054 ALPHA-YANKEE-YANKEE-FOXTROT- 6-7-NINER. 232 00:08:53,087 --> 00:08:55,489 DRIVER WAS A CLEAN-SHAVEN, FIGHTING-AGE MALE. 233 00:08:55,523 --> 00:08:57,659 CURRENTLY 50 METERS TO YOUR 6:00. 234 00:08:57,692 --> 00:08:59,227 ARMY HOTSHOT. 235 00:08:59,260 --> 00:09:00,561 I'M JUST USED TO KEEPING MY EYES OPEN. 236 00:09:00,595 --> 00:09:03,464 WELL, LET'S KEEP OUR EYES OPEN AND OUR MOUTHS SHUT. 237 00:09:03,497 --> 00:09:04,465 (static) 238 00:09:04,498 --> 00:09:06,267 (woman) We've got a 9-1-1 call 239 00:09:06,300 --> 00:09:08,903 for a 2-car MVA on Villiers, east of Cherry. 240 00:09:08,937 --> 00:09:09,938 (click, static) 241 00:09:12,573 --> 00:09:13,541 (static) 242 00:09:13,574 --> 00:09:15,009 1505. WE'LL TAKE THAT. 243 00:09:15,043 --> 00:09:17,145 (static, siren wails, engine revs) 244 00:09:17,178 --> 00:09:18,346 (Oliver) Dispatch, this is Shaw. 245 00:09:18,379 --> 00:09:19,547 Can we get some units to lock up the street? 246 00:09:19,580 --> 00:09:21,015 (woman) 1522, can you attend? 247 00:09:21,049 --> 00:09:23,317 (man) 10-4. On our way. 248 00:09:24,485 --> 00:09:26,855 (woman) Do you need any more cars there? 249 00:09:26,888 --> 00:09:28,890 1502 ON SCENE OF THE M.V.A. 250 00:09:28,923 --> 00:09:31,392 WE HAVE THREE PEOPLE AT LEAST, IN NEED OF MEDICAL ATTENTION. 251 00:09:31,425 --> 00:09:32,393 Copy. IS ANYBODY HURT? 252 00:09:33,494 --> 00:09:35,263 DID WE ORDER GIRL STRIPPERS? EMS is en route... 253 00:09:35,296 --> 00:09:36,765 PERFECT. 254 00:09:36,798 --> 00:09:39,233 COME HERE. YOU NEED TO TELL ME WHAT HAPPENED, OKAY? 255 00:09:39,267 --> 00:09:43,304 OKAY. WE WERE DRIVING, AND THEN--BLAMO! 256 00:09:43,337 --> 00:09:45,106 YEAH, YOUR MOM MUST BE REAL PROUD. 257 00:09:45,139 --> 00:09:47,508 YOU'VE GOTTA BE MORE SPECIFIC. STAND UP. 258 00:09:47,541 --> 00:09:50,845 THE CAR WAS PARKED ON THE SHOULDER, AND WE HIT IT. 259 00:09:50,879 --> 00:09:53,247 ALL RIGHT. WHO WAS DRIVING? 260 00:09:53,281 --> 00:09:54,282 (girls giggle) 261 00:09:54,315 --> 00:09:55,349 YEAH. 262 00:09:55,383 --> 00:09:56,785 OKAY. I'M GONNA CHECK THE OTHER CAR. 263 00:09:56,818 --> 00:09:58,086 OKAY. 264 00:09:59,320 --> 00:10:00,989 (Oliver) YOU ALL RIGHT? 265 00:10:01,022 --> 00:10:03,191 ALL RIGHT, LOOK AT ME. 266 00:10:03,224 --> 00:10:04,659 RIGHT OVER HERE. 267 00:10:04,693 --> 00:10:06,494 NO, DON'T LOOK AT HER. LOOK AT ME. 268 00:10:06,527 --> 00:10:07,729 SHAW. (Oliver) WHAT? 269 00:10:07,762 --> 00:10:09,397 WHAT'S THE SitRep? 270 00:10:09,430 --> 00:10:12,533 ROOKIE SPEAKS G.I. JOE. I'M TRYING TO TRANSLATE. 271 00:10:12,566 --> 00:10:16,437 WELL, THESE ENCHANTING BEINGS HIT THAT CAR, 272 00:10:16,470 --> 00:10:18,106 PUSHED IT ONTO THE TRAIN TRACKS. 273 00:10:18,139 --> 00:10:20,408 I'M GETTING MARRIED IN SEVEN HOURS. 274 00:10:20,441 --> 00:10:22,376 GOOD FOR YOU. LOOK AT ME. 275 00:10:23,878 --> 00:10:27,315 (police radio chatter) 276 00:10:27,348 --> 00:10:32,020 BETTER CALL THE D's. LOOKS LIKE TRACI JUST GOT HER FIRST CASE. 277 00:10:32,053 --> 00:10:33,688 *** 278 00:10:42,931 --> 00:10:46,567 (siren whoops, police radio chatter) 279 00:10:46,600 --> 00:10:48,302 (Oliver) THAT'S OKAY. CALL EVERYONE. 280 00:10:48,336 --> 00:10:50,071 TELL 'EM TO MEET YOU HERE. 281 00:10:51,072 --> 00:10:52,106 (Traci) HEY. 282 00:10:52,140 --> 00:10:53,207 HEY. 283 00:10:53,241 --> 00:10:54,208 SO I HEARD THE ACTION ON THE WAY OVER. 284 00:10:54,242 --> 00:10:55,676 DO WE KNOW WHO WAS DRIVING? 285 00:10:55,710 --> 00:10:57,779 WELL, DETECTIVE, THESE THREE ARE PLAYING "I AM SPARTACUS." 286 00:10:57,812 --> 00:10:59,447 EACH ONE OF THEM SAY THAT THEY WERE DRIVING, 287 00:10:59,480 --> 00:11:01,049 SO WE CAN'T ARREST ANY OF THEM. 288 00:11:01,082 --> 00:11:03,151 WHERE'S THE BODY? 289 00:11:03,184 --> 00:11:04,685 OVER THERE? OKAY. 290 00:11:04,719 --> 00:11:07,355 (Oliver) ALL RIGHT. TAKE IT FROM THE TOP. 291 00:11:07,388 --> 00:11:09,724 HEY. GOT HERE AS FAST AS I COULD. 292 00:11:09,758 --> 00:11:10,959 HEY, WHERE'S JERRY? 293 00:11:10,992 --> 00:11:13,294 LEFT HIM A MESSAGE. SHOULD BE ON HIS WAY OVER. 294 00:11:13,327 --> 00:11:16,998 ALL RIGHT. WELL, UNTIL THEN... WELCOME TO YOUR CRIME SCENE. 295 00:11:38,719 --> 00:11:39,821 WHERE DO WE START? 296 00:11:39,854 --> 00:11:41,122 OKAY. 297 00:11:41,155 --> 00:11:43,758 OKAY, IT LOOKS LIKE THE VICTIM HAS A LARGE LACERATION-- 298 00:11:43,792 --> 00:11:46,060 A LARGE LACERATION IN HIS FOREHEAD... 299 00:11:46,094 --> 00:11:49,764 CONSISTENT WITH BLOOD SPATTER ON THE WINDSHIELD. NO SEAT BELT. 300 00:11:49,798 --> 00:11:52,333 THERE'S NO S-- 301 00:11:55,269 --> 00:11:59,373 LOOKS LIKE HE, UH, HIT HIS HEAD, PROBABLY DIED INSTANTLY. 302 00:11:59,407 --> 00:12:00,875 SO WHAT'S THE CHARGE? 303 00:12:00,909 --> 00:12:03,945 IMPAIRED OPERATION CAUSING DEATH. 304 00:12:03,978 --> 00:12:05,379 THAT'S IF WE CAN FIGURE OUT 305 00:12:05,413 --> 00:12:06,747 WHO WAS DRIVING THE CAR THAT HIT HIM. 306 00:12:06,781 --> 00:12:07,816 YEAH. 307 00:12:07,849 --> 00:12:09,750 EXCUSE ME, WHO'S IN CHARGE HERE? 308 00:12:09,784 --> 00:12:11,786 UH, I AM. OFFICER NASH. 309 00:12:11,820 --> 00:12:14,222 HI. I'M KEN WHITE. I'M WITH THE CITY TRANSPORTATION OFFICE. 310 00:12:14,255 --> 00:12:15,990 LOOK, FOLKS, WE GOT TRAINS BACKED UP 311 00:12:16,024 --> 00:12:18,192 ALL THE WAY TO BURLINGTON AND AJAX. 312 00:12:18,226 --> 00:12:20,228 OKAY, WELL, YOU WANT TO TELL THAT TO THIS GUY? 313 00:12:20,261 --> 00:12:23,231 OKAY, WELL, THE WHOLE REGION IS AT A STANDSTILL 314 00:12:23,264 --> 00:12:25,533 BECAUSE OF THIS ONE CAR. CAN'T YOU JUST MOVE IT? 315 00:12:25,566 --> 00:12:28,102 NOT UNTIL I GET THE GO-AHEAD FROM DETECTIVE BARBER. 316 00:12:28,136 --> 00:12:30,905 WAIT. YOU JUST TOLD ME THAT YOU WERE IN CHARGE. 317 00:12:30,939 --> 00:12:33,374 (man) UH, SARGE, YOU GOT A SECOND? 318 00:12:33,407 --> 00:12:34,708 (clears throat) OKAY, NASH. 319 00:12:34,742 --> 00:12:36,811 IF YOU'RE COMFORTABLE MAKING THE CALL, GO FOR IT. 320 00:12:38,146 --> 00:12:41,215 TEN MINUTES. GIVE 'EM TEN MORE MINUTES, PLEASE. 321 00:12:48,456 --> 00:12:50,658 (dog barking in distance) 322 00:13:17,185 --> 00:13:19,921 27 TRAINS ARE AT A STANDSTILL! 323 00:13:19,954 --> 00:13:24,758 THEY'RE BLOCKING MAJOR ARTERIES ALL ACROSS THE G.T.A.! 324 00:13:24,792 --> 00:13:26,527 WHAT'S UP, TRACE? 325 00:13:26,560 --> 00:13:29,097 WELL, TRAFFIC RECON TEAM IS DONE, AND... 326 00:13:29,130 --> 00:13:31,332 I MEAN, IT LOOKS LIKE I.D.E.N.T. HAS WHAT THEY NEED. 327 00:13:31,365 --> 00:13:32,766 LOOK, IT'S NOT JUST A MATTER OF--OF TRAFFIC. 328 00:13:32,800 --> 00:13:34,602 IT'S A MATTER OF PUBLIC SAFETY. 329 00:13:34,635 --> 00:13:38,506 WHAT IF AN AMBULANCE WERE TO GET STALLED ON ITS WAY TO A CALL B-- ENOUGH! WE GET IT. 330 00:13:38,539 --> 00:13:41,309 OKAY. NASH. WHAT'S IT GONNA BE? 331 00:13:44,412 --> 00:13:45,813 MOVE THE CAR. 332 00:13:45,846 --> 00:13:47,748 OKAY. 333 00:13:51,619 --> 00:13:53,754 (Andy) ALL RIGHT. ON THREE? 334 00:13:53,787 --> 00:13:55,890 ONE, TWO, THREE. 335 00:13:57,926 --> 00:13:59,260 (grunts) 336 00:13:59,293 --> 00:14:01,395 (sighs) 337 00:14:03,331 --> 00:14:05,299 THE GIRL WITH THE GREEN DRESS WAS IN THE BACK. 338 00:14:05,333 --> 00:14:08,369 THE LADY WITH THAT "BRIDE" THING ACROSS HER CHEST-- 339 00:14:08,402 --> 00:14:10,671 SHE WAS DRIVING. I SAW HER GET OUT OF THE DRIVER'S SEAT. 340 00:14:10,704 --> 00:14:13,241 SO THE BRIDE WAS DRIVING. YOU SURE? 341 00:14:13,274 --> 00:14:15,143 'COURSE I'M SURE. I'M AN IRONMAN. 342 00:14:15,176 --> 00:14:17,511 I'M IN PEAK MENTAL AND PHYSICAL CONDITION. 343 00:14:17,545 --> 00:14:20,714 GET THE HELL OFF THE BIKE. 344 00:14:20,748 --> 00:14:24,218 ALL RIGHT. I'M GONNA TELL OLIVER. 345 00:14:24,252 --> 00:14:26,520 SADLY, THIS HEARTWARMING DISPLAY OF SISTERHOOD 346 00:14:26,554 --> 00:14:28,889 HAS COME TO AN END. WE HAVE AN EYEWITNESS. GET UP. 347 00:14:28,923 --> 00:14:30,691 ANGELA KEHOE... 348 00:14:30,724 --> 00:14:33,594 YOU'RE UNDER ARREST FOR IMPAIRED OPERATION CAUSING DEATH. (handcuffs clicking) 349 00:14:33,627 --> 00:14:35,496 "DEATH"? WHAT ARE YOU TALKING ABOUT? 350 00:14:35,529 --> 00:14:36,764 "WHAT AM I TALKING ABOUT"? 351 00:14:36,797 --> 00:14:38,732 THERE'S A DEAD MAN IN THAT "PARKED CAR" THAT YOU HIT. 352 00:14:38,766 --> 00:14:39,934 THE CAR WASN'T EVEN-- 353 00:14:39,968 --> 00:14:41,069 WHOA. (Nick) WHOA, WHOA, WHOA, WHOA. HEY. 354 00:14:41,102 --> 00:14:44,305 DON'T. I WILL HIT A GIRL. NASH. 355 00:14:44,338 --> 00:14:46,340 OKAY, SO HERE'S YOUR DRIVER. 356 00:14:46,374 --> 00:14:48,176 AND WHAT ABOUT THESE TWO? 357 00:14:48,209 --> 00:14:49,243 OH, THOSE ARE YOUR PARTING GIFTS 358 00:14:49,277 --> 00:14:51,145 FOR ASSAULTING AN OFFICER, BOTH OF THEM. 359 00:14:51,179 --> 00:14:52,546 ALL RIGHT, WELL, GET EVERYONE BACK TO THE STATION, 360 00:14:52,580 --> 00:14:55,249 AND GIVE THE DRIVER A BREATHALYZER TEST. 361 00:14:55,283 --> 00:14:58,119 (man) YOU ARE NEEDED HERE, ACTUALLY, YEAH. 362 00:14:58,152 --> 00:14:59,920 ROOKIE'S ALL GROWED UP. 363 00:14:59,954 --> 00:15:01,755 (man speaks indistinctly) 364 00:15:01,789 --> 00:15:03,157 (man) JOHN, 1408--FIND OUT WHERE THEY ARE, WILL YOU? 365 00:15:03,191 --> 00:15:04,158 (woman) HARRY? 366 00:15:04,192 --> 00:15:07,395 (cell phone ringtone playing) 367 00:15:10,999 --> 00:15:12,967 (ringtone continues) 368 00:15:13,001 --> 00:15:15,536 (siren wailing in distance, horn honks) 369 00:15:15,569 --> 00:15:17,805 (knocks on roof) 370 00:15:17,838 --> 00:15:19,707 YOU'RE THE COP WHO SHOT MY BROTHER. 371 00:15:21,409 --> 00:15:22,776 WE DON'T NEED YOUR CHARITY. 372 00:15:22,810 --> 00:15:23,911 I JUST WANTED TO-- 373 00:15:23,944 --> 00:15:25,013 I DON'T CARE WHAT YOU WANT. 374 00:15:25,046 --> 00:15:26,480 OKAY. LOOK, I'M SORRY, I'M SORRY-- 375 00:15:26,514 --> 00:15:27,581 YOU DON'T GET TO USE THIS TO MAKE YOURSELF FEEL BETTER. 376 00:15:27,615 --> 00:15:29,550 OKAY, THEN PLEASE JUST TELL ME WHAT I CAN DO. 377 00:15:29,583 --> 00:15:32,286 I'LL DO ANYTHING. JUST... PLEASE. 378 00:15:34,322 --> 00:15:35,823 FINE. 379 00:15:35,856 --> 00:15:37,558 I NEED A RIDE. 380 00:15:40,194 --> 00:15:42,463 (whirring) 381 00:15:42,496 --> 00:15:43,564 MAKE SURE THAT'S WHEN WE... 382 00:15:43,597 --> 00:15:46,800 WHO SAID THIS CAR COULD BE MOVED? I DID, 383 00:15:46,834 --> 00:15:49,003 BUT I CHECKED WITH I.D.E.N.T. I CHECKED WITH TRAFFIC RECON. 384 00:15:49,037 --> 00:15:51,405 THEY ALL GOT WHAT THEY NEEDED BEFORE THE CAR WAS MOVED. 385 00:15:51,439 --> 00:15:52,840 WHAT ABOUT THE CORONER? 386 00:15:52,873 --> 00:15:54,942 OR DID YOU GET YOUR MEDICAL DEGREE WHILE I WASN'T LOOKING? 387 00:15:54,975 --> 00:15:55,943 (whirring stops) 388 00:15:55,976 --> 00:15:58,212 NO, OF COURSE NOT, BUT I-- 389 00:15:58,246 --> 00:16:00,614 FRANK. FRANK. I ORDERED NASH TO MOVE THE CAR. 390 00:16:00,648 --> 00:16:01,615 WHERE THE HELL HAVE YOU BEEN? 391 00:16:01,649 --> 00:16:02,783 I'VE BEEN CALLING YOU ALL MORNING. 392 00:16:02,816 --> 00:16:05,286 IT'S MY NEW PHONE. UH, I DON'T-- 393 00:16:05,319 --> 00:16:07,021 WELL, I DON'T REALLY KNOW WHAT IT IS. 394 00:16:07,055 --> 00:16:09,323 IT'S JUST IT'S NOT, UH, IT'S NOT RECEIVING CALLS. 395 00:16:09,357 --> 00:16:12,026 THIS CASE BETTER BE AS SOLID AS YOU THINK IT IS, 396 00:16:12,060 --> 00:16:16,064 OR HEADS WILL ROLL-- YOUR HEAD, DETECTIVE BARBER. 397 00:16:19,233 --> 00:16:20,768 YOU DIDN'T HAVE TO DO THAT. 398 00:16:20,801 --> 00:16:23,237 NO, Y-Y-YEAH, I DID. I SHOULD HAVE BEEN HERE. 399 00:16:23,271 --> 00:16:24,638 IT'S GONNA BE OKAY. 400 00:16:24,672 --> 00:16:25,939 (man) DETECTIVE BARBER. 401 00:16:29,777 --> 00:16:31,212 HOW'S IT GOING, TEDD? 402 00:16:31,245 --> 00:16:33,681 I'M JUST PEACHY, JERRY. THANKS FOR ASKING. 403 00:16:33,714 --> 00:16:37,451 YOU TWO, HOWEVER-- YOU'VE HAD BETTER DAYS. 404 00:16:37,485 --> 00:16:39,253 REALLY? WHY'S THAT? 405 00:16:39,287 --> 00:16:41,455 MM. SEE THIS? 406 00:16:41,489 --> 00:16:42,990 HAVE A LOOK. 407 00:16:43,023 --> 00:16:44,992 INTERCOSTAL LACERATION. 408 00:16:45,025 --> 00:16:46,160 KIND OF LOOKS LIKE A KNIFE WOUND. 409 00:16:46,194 --> 00:16:47,228 YEAH, IT DOES. 410 00:16:47,261 --> 00:16:49,330 MM, YEAH, I CAN'T BE CERTAIN, BUT, UH, 411 00:16:49,363 --> 00:16:50,764 I'D BET MY 9 IRON ON IT. 412 00:16:50,798 --> 00:16:52,032 HE WAS STABBED? 413 00:16:52,066 --> 00:16:55,169 YEAH, AND LONG DEAD BY THE TIME THOSE WOMEN HIT HIM. 414 00:16:57,205 --> 00:16:59,407 SO I COMPROMISED THE SCENE OF A HOMICIDE? 415 00:16:59,440 --> 00:17:03,444 YEAH. LIKE I SAID, YOU'VE HAD BETTER DAYS. 416 00:17:03,477 --> 00:17:07,248 (sighing) 417 00:17:10,384 --> 00:17:11,485 (Jerry) NO. 418 00:17:11,519 --> 00:17:12,486 (Traci) COME ON. 419 00:17:12,520 --> 00:17:13,754 TRACI, YOU NEED TO STAY 420 00:17:13,787 --> 00:17:15,823 AS FAR AWAY FROM THIS INVESTIGATION AS POSSIBLE. 421 00:17:15,856 --> 00:17:17,325 THIS IS MY MESS. I NEED TO FIX IT. 422 00:17:17,358 --> 00:17:18,426 NO, I'M NOT GONNA LET YOU 423 00:17:18,459 --> 00:17:19,960 GET YANKED OFF YOUR DETECTIVE ROTATION 424 00:17:19,993 --> 00:17:21,829 BECAUSE OF SOMETHING I SHOULD HAVE BEEN ON TOP OF. 425 00:17:21,862 --> 00:17:23,664 HEY, THE VICTIM'S NAMED JESSE SALENKO, 426 00:17:23,697 --> 00:17:25,099 UM, HE'S 28 YEARS OLD, 427 00:17:25,133 --> 00:17:27,901 AND PRIORS INCLUDE POSSESSION WITH THE INTENT TO TRAFFIC. 428 00:17:27,935 --> 00:17:29,737 WOW. OKAY. (sighs) 429 00:17:29,770 --> 00:17:31,605 UH, SAMMY, CAN YOU TAKE COLLINS AND GIVE NOTIFICATION? 430 00:17:31,639 --> 00:17:33,006 YOU GOT A NEXT OF KIN? 431 00:17:33,040 --> 00:17:36,110 YEAH, HIS BROTHER PAUL. UH, NO RECORD, BUT SAME ADDRESS. 432 00:17:36,144 --> 00:17:38,646 ALL RIGHT, UM... (clears throat) THE REST OF YOU, 433 00:17:38,679 --> 00:17:39,780 PROCESS THE BRIDE AND RELEASE HER FRIENDS. 434 00:17:39,813 --> 00:17:41,081 I'M GONNA TALK TO THE DRUG SQUAD 435 00:17:41,115 --> 00:17:42,983 AND SEE IF THEY GOT ANY MORE INFORMATION ON OUR VICTIM. 436 00:17:43,016 --> 00:17:43,984 (Traci) JERRY. 437 00:17:44,017 --> 00:17:45,319 (Jerry) NO. 438 00:17:46,354 --> 00:17:49,089 IF SHE KNOWS WHAT'S GOOD FOR HER, SHE'LL BACK OFF. 439 00:17:49,123 --> 00:17:50,524 IT WAS JUST A ROOKIE MISTAKE. 440 00:17:50,558 --> 00:17:53,561 YEAH, AND I LET HER MAKE IT. 441 00:17:53,594 --> 00:17:56,597 (siren wailing in distance) 442 00:17:58,399 --> 00:18:00,868 (car door closes, police radio chatter) 443 00:18:00,901 --> 00:18:04,104 UH, DEATH NOTIFICATIONS ARE, UH... 444 00:18:04,138 --> 00:18:06,840 COMPLICATED, SO JUST... 445 00:18:06,874 --> 00:18:09,577 FOLLOW MY LEAD, YOU KNOW? 446 00:18:11,512 --> 00:18:14,315 (buzzer, telephone rings) 447 00:18:14,348 --> 00:18:15,583 (man) Hello? 448 00:18:15,616 --> 00:18:17,151 MR. SALENKO? 449 00:18:17,185 --> 00:18:18,752 Yeah? Who's this? 450 00:18:18,786 --> 00:18:20,988 UH, THIS IS OFFICER SAM SWAREK. 451 00:18:21,021 --> 00:18:22,723 CAN MY PARTNER AND I COME UP 452 00:18:22,756 --> 00:18:25,393 AND TALK TO YOU FOR A FEW MINUTES? 453 00:18:25,426 --> 00:18:26,827 Yeah, sure. 454 00:18:26,860 --> 00:18:28,629 (buzzer) 455 00:18:28,662 --> 00:18:30,564 (door opens) 456 00:18:33,534 --> 00:18:35,236 YOU'RE GONNA LOVE THIS PART OF THE JOB. 457 00:18:35,269 --> 00:18:38,272 (police radio chatter) 458 00:18:39,273 --> 00:18:40,741 PAUL SALENKO? 459 00:18:40,774 --> 00:18:41,875 YEAH. 460 00:18:41,909 --> 00:18:43,411 CAN WE STEP INSIDE FOR A MINUTE? 461 00:18:43,444 --> 00:18:45,045 WHY? WHAT DO YOU WANT? 462 00:18:45,078 --> 00:18:46,947 SIR, PLEASE? 463 00:18:55,489 --> 00:18:58,025 SO IS THIS ABOUT MY BROTHER? 464 00:18:58,058 --> 00:18:59,827 MR. SALENKO, I'M VERY SORRY TO TELL YOU THIS, 465 00:18:59,860 --> 00:19:01,195 BUT YOUR BROTHER IS DEAD. 466 00:19:01,229 --> 00:19:04,365 W-WHAT DO YOU MEAN? WHAT-- WHAT HAPPENED TO JESSE? 467 00:19:04,398 --> 00:19:05,966 WE'VE JUST STARTED THE INVESTIGATION, 468 00:19:05,999 --> 00:19:08,168 AND WE'LL LET YOU KNOW AS SOON AS WE CAN, OKAY? 469 00:19:08,202 --> 00:19:11,605 DID SOMEONE HURT HIM? PLEASE JUST TELL ME THE TRUTH. 470 00:19:11,639 --> 00:19:12,740 IT LOOKS THAT WAY, YEAH. 471 00:19:12,773 --> 00:19:13,874 (whispers) OH, JEEZ. 472 00:19:13,907 --> 00:19:15,809 HEY. YOU'RE ALL RIGHT. I GOT YOU. 473 00:19:15,843 --> 00:19:17,378 I THINK I'M GONNA BE SICK. 474 00:19:17,411 --> 00:19:18,846 HEY, JUST BREATHE IN THROUGH YOUR MOUTH, 475 00:19:18,879 --> 00:19:21,582 OUT THROUGH YOUR NOSE. OKAY? THAT'LL HELP WITH YOUR STOMACH. 476 00:19:21,615 --> 00:19:23,917 (pants) 477 00:19:25,919 --> 00:19:28,622 (police radio chatter) 478 00:19:28,656 --> 00:19:30,724 (camera shutter clicks) PLEASE. YOU HAVE TO LET HER GO. 479 00:19:30,758 --> 00:19:32,626 HER WEDDING IS IN, LIKE, FOUR HOURS. 480 00:19:32,660 --> 00:19:34,027 YEAH, WELL, MAYBE YOU SHOULD HAVE THOUGHT ABOUT THAT 481 00:19:34,061 --> 00:19:35,563 BEFORE YOU WENT OUT AND GOT HAMMERED. 482 00:19:35,596 --> 00:19:37,130 IT WAS HER BRILLIANT IDEA. 483 00:19:37,164 --> 00:19:39,533 YEAH, AND IF WE HAD IT YOUR WAY, 484 00:19:39,567 --> 00:19:42,035 WE WOULD HAVE GONE TO THE BALLET AND BEEN IN BED BY 10:00. 485 00:19:42,069 --> 00:19:44,405 YES, AND BEEN PROPERLY RESTED FOR THE WEDDING. 486 00:19:44,438 --> 00:19:45,973 OH, AND ALSO? NOT IN JAIL. IS IT WEIRD 487 00:19:46,006 --> 00:19:48,476 THAT I FIND THE SOUND OF THEIR BICKERING COMFORTING? 488 00:19:48,509 --> 00:19:51,679 LIKE WAVES LAPPING AGAINST THE SHORE. 489 00:19:51,712 --> 00:19:53,747 SOUNDS LIKE DINNER AT YOUR MA'S HOUSE. 490 00:19:53,781 --> 00:19:54,948 I'D LIKE TO CALL MY BROTHER COLE. 491 00:19:54,982 --> 00:19:57,217 HE'S THE GROOM AND A LAWYER. 492 00:19:57,251 --> 00:20:00,053 OOH. OKAY. 493 00:20:04,425 --> 00:20:05,993 HERE YOU GO. 494 00:20:09,196 --> 00:20:11,231 WHERE'D YOU GET THAT? 495 00:20:11,265 --> 00:20:15,303 UH, CLUB 191, THE AFTER-HOURS BAR WE WERE AT. 496 00:20:15,336 --> 00:20:17,671 (papers rustle) 497 00:20:36,290 --> 00:20:38,091 (sighs) 498 00:20:38,125 --> 00:20:39,827 WHERE ARE WE HEADED? 499 00:20:39,860 --> 00:20:41,495 JUST DRIVE. 500 00:20:41,529 --> 00:20:43,564 I'M--I'M--I'M HAPPY TO TAKE YOU ANYWHERE YOU NEED TO GO. 501 00:20:43,597 --> 00:20:44,865 I JUST--I HAVE AN APPOINT-- 502 00:20:44,898 --> 00:20:46,066 I WANT YOU TO TELL ME WHAT HAPPENED 503 00:20:46,099 --> 00:20:47,935 THE DAY YOU KILLED MY BROTHER, 504 00:20:47,968 --> 00:20:50,904 AND IT'LL BE EASIER IF YOU DRIVE WHILE WE TALK. 505 00:20:50,938 --> 00:20:53,474 THAT WAY, WE DON'T HAVE TO LOOK AT EACH OTHER. 506 00:20:58,178 --> 00:20:59,913 THE BRIDAL PARTY 507 00:20:59,947 --> 00:21:02,716 WAS AT THE EXACT SAME AFTER-HOURS CLUB AS THE VICTIM. 508 00:21:02,750 --> 00:21:04,552 OKAY, DIDN'T JERRY TELL YOU TO BACK OFF? 509 00:21:04,585 --> 00:21:06,920 NEW PLAN--WE KEEP THE GIRLS HERE A LITTLE LONGER, 510 00:21:06,954 --> 00:21:09,222 AND THEN WE INTERVIEW THEM AS POTENTIAL WITNESSES. 511 00:21:09,256 --> 00:21:11,559 THEY REMEMBER JESSE SALENKO FROM THE CLUB, THEN MAYBE 512 00:21:11,592 --> 00:21:12,926 THEY'LL REMEMBER SOMETHING TO HELP US CATCH HIS KILLER. 513 00:21:12,960 --> 00:21:15,095 UM, SHOULDN'T WE JUST TAKE THIS ONE ON THE CHIN 514 00:21:15,128 --> 00:21:16,630 AND, YOU KNOW, CATCH 'EM NEXT TIME? 515 00:21:16,664 --> 00:21:18,298 NO, BECAUSE HALF THE DIVISION THINKS 516 00:21:18,332 --> 00:21:20,534 I ONLY GOT THIS PROMOTION 'CAUSE I'M SLEEPING WITH JERRY. 517 00:21:20,568 --> 00:21:21,902 YEAH, AND I GOT HER INTO THIS MESS 518 00:21:21,935 --> 00:21:23,471 BECAUSE I WENT ALL TONY ROBBINS ON HER. 519 00:21:23,504 --> 00:21:26,173 WAIT, YOU WANT US TO GET FIRED SO YOU CAN KEEP YOUR PROMOTION? 520 00:21:26,206 --> 00:21:28,308 GAIL, I HAVE WORKED HARDER THAN YOU HAVE IN YOUR ENTIRE LIFE 521 00:21:28,342 --> 00:21:30,210 TO GET HERE, SO YOU'RE GONNA HELP ME STAY HERE. 522 00:21:30,243 --> 00:21:32,713 THAT'S NOT A REQUEST. YES, MA'AM. 523 00:21:32,746 --> 00:21:35,816 WHERE DO YOU WANT US TO GO? ANDY AND I TAKE THE BRIDE. YOU TWO TAKE THE HARPIES. 524 00:21:35,849 --> 00:21:36,817 OKAY. 525 00:21:36,850 --> 00:21:37,851 OKAY. 526 00:21:39,152 --> 00:21:42,890 I NEEDED SOME FRESH AIR, SO I WENT OUT BACK. 527 00:21:42,923 --> 00:21:44,658 THERE WAS A GUY OUT THERE, HE TOLD ME HIS NAME WAS JESSE 528 00:21:44,692 --> 00:21:46,159 AND ASKED ME IF I WANTED TO PARTY, 529 00:21:46,193 --> 00:21:48,261 I SAID "NO" AND I WENT BACK INSIDE. 530 00:21:48,295 --> 00:21:50,330 WAS THAT THE ONLY CONTACT YOU HAD WITH THE VICTIM? 531 00:21:50,364 --> 00:21:51,599 YES. 532 00:21:53,667 --> 00:21:55,736 (door opens) 533 00:21:55,769 --> 00:21:57,371 (door closes) 534 00:21:57,405 --> 00:21:59,940 DID JESSE SEEM AGITATED OR SCARED 535 00:21:59,973 --> 00:22:01,609 LIKE SOMEONE WAS AFTER HIM? 536 00:22:01,642 --> 00:22:03,043 NO. 537 00:22:03,076 --> 00:22:04,912 HE WAS HAVING A GOOD TIME. 538 00:22:04,945 --> 00:22:06,947 HE KEPT BUYING ANGIE AND ME DRINKS. 539 00:22:06,980 --> 00:22:08,616 WHAT ABOUT YOU? 540 00:22:08,649 --> 00:22:09,850 (scoffs) BROOKE WAS TOO MUCH OF A SNOB 541 00:22:09,883 --> 00:22:11,351 TO EVEN GIVE HIM THE TIME OF DAY. 542 00:22:11,385 --> 00:22:12,986 WELL, NOW THAT WE KNOW HE WAS A DRUG DEALER, 543 00:22:13,020 --> 00:22:14,622 I'D SAY MY JUDGMENT IS PRETTY GOOD. 544 00:22:14,655 --> 00:22:16,189 CONGRATULATIONS ON YOUR JUDGMENT. 545 00:22:16,223 --> 00:22:19,092 CONGRATULATIONS ON BEING A WHORE. 546 00:22:19,126 --> 00:22:20,561 HEY! 547 00:22:20,594 --> 00:22:23,731 THAT'S ENOUGH. STOP! GO TO YOUR CORNER. (Gail) HEY! 548 00:22:23,764 --> 00:22:25,132 WHAT'S THAT ON YOUR SHOULDER? 549 00:22:25,165 --> 00:22:27,267 LOOKS LIKE A SEAT BELT BURN, OFFICER DIAZ. 550 00:22:27,300 --> 00:22:28,569 CONSISTENT WITH SOMEONE WHO WAS IN THE DRIVER'S SEAT 551 00:22:28,602 --> 00:22:30,237 WHEN THE ACCIDENT HAPPENED. 552 00:22:30,270 --> 00:22:32,706 SO OUR IRONMAN WAS WRONG. 553 00:22:32,740 --> 00:22:35,375 WELL, HE SAID HE READ "BRIDE" ON THE DRIVER'S SASH. 554 00:22:35,409 --> 00:22:37,511 MAYBE HE STOPPED READING BEFORE HE GOT TO THE "MAID" PART. 555 00:22:37,545 --> 00:22:39,179 (Chris pants) 556 00:22:39,212 --> 00:22:40,948 I THINK YOU'D BETTER CALL THAT LAWYER. COME ON. LET'S GO. 557 00:22:40,981 --> 00:22:42,015 (chair clatters) 558 00:22:42,049 --> 00:22:43,417 (Chris) COME ON. (door opens, beeps) 559 00:22:43,451 --> 00:22:46,119 HEY. WHAT'S WRONG WITH YOU? (door closes) 560 00:22:46,153 --> 00:22:47,755 YOU TAKE YOUR BEST GIRLFRIEND CLUBBING 561 00:22:47,788 --> 00:22:48,922 THE NIGHT BEFORE HER WEDDING, 562 00:22:48,956 --> 00:22:50,958 YOU LET HER GET IN A CAR WITH A DRUNK DRIVER, 563 00:22:50,991 --> 00:22:52,159 AND THEN YOU LET HER TAKE THE RAP 564 00:22:52,192 --> 00:22:53,994 FOR A CRIME THAT SHE DIDN'T EVEN COMMIT. 565 00:22:54,027 --> 00:22:55,328 THAT'S NICE WORK. 566 00:22:55,362 --> 00:22:58,131 I DON'T EVEN REMEMBER GETTING IN THE CAR. 567 00:22:58,165 --> 00:23:00,267 I WAS COMPLETELY OUT OF IT BY THEN. 568 00:23:00,300 --> 00:23:03,003 I DON'T THINK YOU GET HOW THIS WHOLE MAID OF HONOR THING WORKS. 569 00:23:03,036 --> 00:23:04,638 I MEAN, THE BRIDE IS SUPPOSED TO GET WASTED 570 00:23:04,672 --> 00:23:05,973 WHILE YOU LOOK AFTER HER. 571 00:23:06,006 --> 00:23:08,275 I WANTED TO TALK TO ANGIE LAST NIGHT, 572 00:23:08,308 --> 00:23:10,478 BUT I DIDN'T HAVE THE NERVE, 573 00:23:10,511 --> 00:23:13,947 SO I DRANK... A LOT. 574 00:23:14,882 --> 00:23:18,251 LET ME GUESS. YOU SLEPT WITH HER FIANCE? 575 00:23:18,285 --> 00:23:20,387 (sighs) 576 00:23:20,420 --> 00:23:24,191 I THINK SHE'S MAKING A MISTAKE, MARRYING COLE. 577 00:23:24,224 --> 00:23:26,894 I WANTED TO TELL HER THAT BEFORE IT WAS TOO LATE, 578 00:23:26,927 --> 00:23:28,896 BUT THEN SHE TOOK OFF WITH THAT JESSE GUY. 579 00:23:28,929 --> 00:23:32,065 DOES THAT SOUND LIKE SOMEONE WHO SHOULD BE GETTING MARRIED? 580 00:23:36,303 --> 00:23:38,238 YOUR MAID OF HONOR JUST TOLD MY COLLEAGUE 581 00:23:38,271 --> 00:23:39,973 SOMETHING VERY INTERESTING. SHE SAID THAT 582 00:23:40,007 --> 00:23:42,442 YOU WERE WITH THE VICTIM FOR MOST OF THE NIGHT. (door closes) 583 00:23:42,476 --> 00:23:44,311 I DON'T KNOW WHY SHE'D SAY THAT. 584 00:23:44,344 --> 00:23:46,246 ANGELA. 585 00:23:47,314 --> 00:23:49,517 OKAY, YES, WE TALKED. 586 00:23:50,317 --> 00:23:52,520 WE DID A RAIL TOGETHER... 587 00:23:52,553 --> 00:23:55,188 AND THEN THIS OTHER GUY SHOWED UP, TOTALLY FREAKED OUT, 588 00:23:55,222 --> 00:23:56,824 AND SAID HE NEEDED TO TALK TO JESSE. 589 00:23:56,857 --> 00:23:58,358 TALK ABOUT WHAT? 590 00:23:58,391 --> 00:23:59,893 I DON'T KNOW--HE DRAGGED JESSE OFF TOWARDS THE PARKING LOT, 591 00:23:59,927 --> 00:24:01,629 AND THAT WAS THE LAST THAT I SAW OF EITHER OF THEM. 592 00:24:01,662 --> 00:24:03,063 WELL, DID YOU CATCH THE OTHER GUY'S NAME? 593 00:24:03,096 --> 00:24:05,032 I ASSUMED IT WAS JESSE'S BROTHER 594 00:24:05,065 --> 00:24:07,434 BECAUSE JESSE KEPT CALLING HIM "LITTLE BRO." 595 00:24:07,467 --> 00:24:10,638 LIKE, "RELAX, LITTLE BRO." "I'LL DEAL WITH IT, LITTLE BRO." 596 00:24:15,543 --> 00:24:18,579 LET'S GET A SKETCH ARTIST IN HERE, AND IF THE GUY ANGELA SAW 597 00:24:18,612 --> 00:24:20,614 IS A MATCH FOR THE VICTIM'S LITTLE BROTHER, BRING HIM IN. 598 00:24:20,648 --> 00:24:23,984 MM-HMM. FEEL LIKE SOLVING A MURDER ON YOUR FIRST SHIFT? 599 00:24:24,017 --> 00:24:25,853 *** 600 00:24:28,789 --> 00:24:29,890 ALL RIGHT. 601 00:24:29,923 --> 00:24:31,058 WELL, WE'LL SIT ON PAUL SALENKO 602 00:24:31,091 --> 00:24:34,061 UNTIL YOU SEND THE COMPOSITE SKETCH. 603 00:24:34,094 --> 00:24:35,529 THANKS. 604 00:24:35,563 --> 00:24:38,899 WE GOT A POSSIBLE SUSPECT FOR OUR HOMICIDE, AND... 605 00:24:38,932 --> 00:24:42,035 IT'S THE VICTIM'S BROTHER. IMAGINE THAT. 606 00:24:42,069 --> 00:24:43,270 GUY WAS SO BROKEN UP, 607 00:24:43,303 --> 00:24:44,572 I NEVER WOULD HAVE GUESSED HE WAS INVOLVED. 608 00:24:44,605 --> 00:24:46,774 YEAH, WELL, YOU GOT A LOT TO LEARN. 609 00:24:46,807 --> 00:24:49,376 (police radio chatter) 610 00:24:49,409 --> 00:24:52,713 (clears throat) OKAY, SO THEORIES--WHAT DO YOU GOT? 611 00:24:52,746 --> 00:24:56,416 UH, WELL, USUAL MOTIVES ARE LOVE AND MONEY, SO... 612 00:24:56,449 --> 00:24:58,118 MAYBE PAUL KILLED HIS BROTHER 613 00:24:58,151 --> 00:24:59,620 'CAUSE THEY WERE IN LOVE WITH THE SAME GIRL. 614 00:24:59,653 --> 00:25:02,122 RIGHT, WELL, OUR VICTIM'S GOT A RAP SHEET 615 00:25:02,155 --> 00:25:04,124 FOR COCAINE POSSESSION AND TRAFFICKING. 616 00:25:04,157 --> 00:25:06,727 OKAY. OKAY. SO HE WAS AN ENTREPRENEUR. 617 00:25:06,760 --> 00:25:09,496 MAYBE HIS LITTLE BROTHER WANTED IN ON THE BUSINESS. 618 00:25:09,529 --> 00:25:11,331 THINK THAT'S BETTER. 619 00:25:11,364 --> 00:25:14,367 (siren wailing) 620 00:25:17,004 --> 00:25:19,807 TELL ME AGAIN FROM THE BEGINNING. 621 00:25:19,840 --> 00:25:21,942 YEAH, I... I-I ALREADY TOLD YOU I-- 622 00:25:21,975 --> 00:25:25,345 NOT THE VERSION I READ IN THE POLICE REPORT. THE TRUTH. 623 00:25:27,380 --> 00:25:29,182 YOUR BROTHER WAS BEHIND THE COUNTER. 624 00:25:29,216 --> 00:25:31,719 I THOUGHT HE WORKED THERE, BUT SOMETHING WAS OFF. 625 00:25:31,752 --> 00:25:33,821 I ASKED HIM TO STEP OUT BEHIND THE COUNTER 626 00:25:33,854 --> 00:25:35,623 AND SHOW ME HIS HANDS, BUT... 627 00:25:35,656 --> 00:25:39,259 HE DIDN'T. HE DUCKED, AND WHEN HE STOOD BACK UP... 628 00:25:39,292 --> 00:25:41,461 HE HAD A GUN. 629 00:25:41,494 --> 00:25:45,098 WHY DID YOU GO INTO THE STORE? 630 00:25:45,132 --> 00:25:47,000 I NEEDED LICORICE. 631 00:25:48,301 --> 00:25:51,538 I KNOW IT SOUNDS STUPID, BUT THAT'S THE TRUTH. 632 00:25:54,241 --> 00:25:55,709 DID HE DIE RIGHT AWAY? 633 00:25:55,743 --> 00:25:57,344 WHAT? 634 00:25:57,377 --> 00:25:59,479 WHEN THE BULLET FROM YOUR GUN PUT A HOLE 635 00:25:59,512 --> 00:26:01,849 IN MY BROTHER'S CHEST, DID HE DIE RIGHT AWAY? 636 00:26:11,391 --> 00:26:13,293 (sighs) 637 00:26:14,662 --> 00:26:17,831 YOUR BROTHER WAS BLEEDING OUT, BUT HE WAS STILL BREATHING. 638 00:26:17,865 --> 00:26:22,836 I TRIED TO KEEP HIM ALIVE UNTIL THE MEDICS GOT THERE. 639 00:26:22,870 --> 00:26:25,072 HOW HARD DID YOU TRY? 640 00:26:26,640 --> 00:26:28,942 I DON'T WANT TO TALK ABOUT THIS ANYMORE. 641 00:26:28,976 --> 00:26:31,779 YOU'RE GONNA TELL ME WHAT I WANT TO KNOW. THAT'S HOW THIS WORKS. 642 00:26:31,812 --> 00:26:33,246 YOUR BROTHER HAD A GUN. HE SHOT AT ME. 643 00:26:33,280 --> 00:26:35,115 I HAD NO CHOICE BUT TO SHOOT HIM. 644 00:26:35,148 --> 00:26:37,450 YOU DON'T KNOW ANYTHING ABOUT MY BROTHER. 645 00:26:37,484 --> 00:26:40,220 I KNOW I WAS HAVING A PERFECTLY GOOD LIFE UNTIL HE CAME ALONG. 646 00:26:40,253 --> 00:26:42,923 ALL HE HAD TO DO WAS SHOW ME HIS HANDS. 647 00:26:48,962 --> 00:26:50,630 I'M SORRY. 648 00:26:50,664 --> 00:26:52,632 (seat belt clicks) 649 00:26:58,438 --> 00:26:59,773 (hangs up receiver) 650 00:26:59,807 --> 00:27:01,709 FIRST THE BRIDE WAS DRIVING. 651 00:27:01,742 --> 00:27:03,410 NOW THE BRIDESMAID'S DRIVING. 652 00:27:03,443 --> 00:27:06,413 NEXT, IT'LL BE THE BRIDE'S THIRD COUSIN WITH THE WONKY EYE. 653 00:27:06,446 --> 00:27:08,749 HEY, YOU BEEN GETTING ANY PHOTOS BY ACCIDENT FROM JERRY? 654 00:27:08,782 --> 00:27:11,685 HE'S BEEN SENDING 'EM TO ALL OF US SINCE HE GOT THAT NEW PHONE. 655 00:27:11,719 --> 00:27:15,322 LAST WEEK, HE SENT ME ONE WHERE HE'S IN SHORTS. 656 00:27:15,355 --> 00:27:16,623 IT WAS AWKWARD. 657 00:27:16,656 --> 00:27:21,094 CHRIS, WHEN WE WERE TOGETHER, WAS I INCONSISTENT? 658 00:27:21,128 --> 00:27:22,730 W-WHAT DO YOU MEAN? 659 00:27:22,763 --> 00:27:25,933 HOT ONE MINUTE, THEN COLD THE NEXT? 660 00:27:25,966 --> 00:27:28,501 UH, YEAH, YOU KNOW? 661 00:27:28,535 --> 00:27:31,171 A LITTLE, MAYBE, BUT HEY, THAT WAS HALF THE FUN 662 00:27:31,204 --> 00:27:33,774 OF DATING YOU, YOU KNOW? ALWAYS KEPT ME ON MY TOES. 663 00:27:33,807 --> 00:27:34,975 (telephone rings) 664 00:27:35,542 --> 00:27:37,845 I THINK I'M A SOCIOPATH. 665 00:27:37,878 --> 00:27:39,446 GAIL, YOU'RE NOT A SOCIOPATH. 666 00:27:39,479 --> 00:27:41,581 WELL, THEN WHY CAN'T I EXPRESS MYSELF 667 00:27:41,614 --> 00:27:44,684 IN A WAY THAT IS NOT DRIPPING WITH SARCASM OR CONTEMPT 668 00:27:44,718 --> 00:27:47,620 UNLESS I'M DRUNK, APPARENTLY? 669 00:27:47,654 --> 00:27:49,589 OKAY, YOU GOT A HARD SHELL, 670 00:27:49,622 --> 00:27:51,859 BUT YOU KNOW, ONCE YOU CRACK IT-- 671 00:27:51,892 --> 00:27:53,927 DON'T SAY "OOEY GOOEY CENTER." THAT'S REALLY GROSS. 672 00:27:53,961 --> 00:27:55,562 IT'S NOT A BAD QUALITY. 673 00:27:55,595 --> 00:27:56,930 IT'S JUST WHO YOU ARE, 674 00:27:56,964 --> 00:28:00,734 AND IT WAS WORTH IT TO BE WITH YOU. 675 00:28:00,768 --> 00:28:02,169 YOU ARE SUCH A SAP. 676 00:28:04,604 --> 00:28:06,774 THANK YOU. 677 00:28:14,114 --> 00:28:15,448 (cell phone alert chimes, beep) 678 00:28:15,482 --> 00:28:19,386 McNALLY SENT THE POLICE SKETCH. IT'S PAUL SALENKO. 679 00:28:19,419 --> 00:28:20,587 YEP. HE FOOLED US ONCE. 680 00:28:20,620 --> 00:28:23,056 THIS TIME, WE'RE BRINGING HIM IN NO MATTER WHAT. 681 00:28:28,896 --> 00:28:31,298 POLICE! 682 00:28:36,736 --> 00:28:38,105 CLEARING UPSTAIRS. 683 00:28:38,138 --> 00:28:39,940 COPY THAT. 684 00:28:40,941 --> 00:28:42,442 POLICE! 685 00:28:43,443 --> 00:28:44,912 (police radio chatter) 686 00:28:44,945 --> 00:28:47,948 (Paul) I DIDN'T TAKE IT. I DON'T HAVE IT! OKAY, OKAY. 687 00:28:47,981 --> 00:28:51,819 SWAREK! HE'S OUT BACK AND HE'S GOT COMPANY. 688 00:28:51,852 --> 00:28:54,121 (Paul) JUST LET ME GO, MAN. (grunts) 689 00:28:54,154 --> 00:28:57,124 I DIDN'T TAKE YOUR MONEY, MAN. IT WASN'T ME. 690 00:28:57,157 --> 00:28:58,725 (Paul grunts) 691 00:28:58,758 --> 00:29:00,360 IT WASN'T ME! 692 00:29:00,393 --> 00:29:01,561 GET IN THE CAR! 693 00:29:01,594 --> 00:29:02,729 HEY! 694 00:29:02,762 --> 00:29:04,297 (engine revving, tires screeching) 695 00:29:04,331 --> 00:29:07,067 HEY! POLICE! STOP THE CAR NOW! 696 00:29:07,100 --> 00:29:09,702 (Sam) HOLSTER THAT WEAPON! 697 00:29:09,736 --> 00:29:11,371 COLLINS! HOLSTER THAT WEAPON! 698 00:29:11,404 --> 00:29:12,372 I CAN SHOOT THE TIRE OUT! 699 00:29:12,405 --> 00:29:14,041 YEAH. PUT IT AWAY! 700 00:29:14,074 --> 00:29:15,075 (car horn honks, tires screech) 701 00:29:15,108 --> 00:29:16,476 DO YOU KNOW WHAT HAPPENS 702 00:29:16,509 --> 00:29:18,711 IF YOU SHOOT OUT THE TIRE OF A CAR GOING THAT FAST? HUH? 703 00:29:18,745 --> 00:29:22,449 TAGS ARE FROM NEW YORK STATE. ALPHA-OSCAR-CHARLIE-8-9-6-3. 704 00:29:22,482 --> 00:29:23,516 LEAST YOU DID SOMETHING RIGHT. 705 00:29:23,550 --> 00:29:24,952 NINE TIMES OUT OF TEN, I MAKE THAT SHOT. 706 00:29:24,985 --> 00:29:27,020 IS THAT RIGHT? YOU JUST MISSED TWICE. 707 00:29:27,054 --> 00:29:29,056 IF YOU HADN'T CHASED AFTER HIM IN THE FIRST PLACE, 708 00:29:29,089 --> 00:29:31,724 WE'D BE TAILING HIM IN OUR CAR INSTEAD OF SHOOTING OFF ROUNDS 709 00:29:31,758 --> 00:29:34,561 IN THE STREET. JERRY, IT'S SAM. WE JUST LOST SALENKO. 710 00:29:37,865 --> 00:29:39,499 (grunts) 711 00:29:41,568 --> 00:29:44,271 VLADO BOBAS, DRUG TRAFFICKER FROM ROCHESTER. 712 00:29:44,304 --> 00:29:46,039 OUR MURDER VICTIM, JESSE SALENKO, 713 00:29:46,073 --> 00:29:48,075 AND HIS YOUNGER BROTHER, WORK FOR THIS GUY, 714 00:29:48,108 --> 00:29:49,776 RUNNING COCAINE ACROSS THE BORDER. 715 00:29:49,809 --> 00:29:51,044 DRUG SQUAD FOUND OUT 716 00:29:51,078 --> 00:29:52,445 THAT THEY DIDN'T PAY UP AFTER THE SHIPMENT. 717 00:29:52,479 --> 00:29:53,680 THEY OWED HIM 50 GRAND. 718 00:29:53,713 --> 00:29:55,482 SO WHAT, HE COMES TO COLLECT, THEY DON'T PAY, 719 00:29:55,515 --> 00:29:58,251 AND THEN THIS JESSE KID GETS A KNIFE IN THE RIBS? 720 00:29:58,285 --> 00:30:00,753 AND THEN THEY GRAB HIS KID BROTHER RIGHT OUT FROM UNDER US. 721 00:30:00,787 --> 00:30:02,522 OKAY, SO IF WE FIND THE KID WITHIN THE NEXT HOUR, 722 00:30:02,555 --> 00:30:03,991 WE GOT BOBAS. 723 00:30:04,024 --> 00:30:06,026 IF NOT, WE'RE GONNA BE FISHING THE KID OUT OF ASHBRIDGES BAY-- 724 00:30:06,059 --> 00:30:07,260 BOBAS IS LONG GONE. 725 00:30:07,294 --> 00:30:08,929 ALL RIGHT. WELL, LET'S GET 'EM. 726 00:30:11,731 --> 00:30:14,167 I WILL GO BACK TO THE DESK. 727 00:30:15,268 --> 00:30:17,504 ALL RIGHT. CALL GUNS & GANGS. 728 00:30:17,537 --> 00:30:20,140 GET LOCAL ADDRESSES FOR KNOWN ASSOCIATES. 729 00:30:20,173 --> 00:30:22,475 YEAH, I'LL GET NASH TO CALL BORDER SERVICES 730 00:30:22,509 --> 00:30:23,476 IN CASE THEY HEAD TO NEW YORK. 731 00:30:23,510 --> 00:30:24,577 VERY GOOD. 732 00:30:24,611 --> 00:30:25,913 WHAT CAN I DO? 733 00:30:25,946 --> 00:30:28,681 OKAY-- (man) I WILL PROSECUTE THIS ENTIRE DIVISION 734 00:30:28,715 --> 00:30:30,650 IF MY FIANCEE IS NOT RELEASED IMMEDIATELY. 735 00:30:30,683 --> 00:30:31,818 I CAN MAKE THE CALL. 736 00:30:31,851 --> 00:30:34,054 I'M AN ATTORNEY WITH SHEPHARD & BLAKE. 737 00:30:34,087 --> 00:30:37,024 AND I AM AN OFFICER WITH CALM YOUR ASS DOWN. 738 00:30:37,057 --> 00:30:39,993 SO YOU LOWER VOICE AND YOU SPEAK TO ME LIKE I'M A HUMAN BEING. 739 00:30:40,027 --> 00:30:42,462 MY FIANCEE IS BEING UNDULY DETAINED DESPITE THE FACT 740 00:30:42,495 --> 00:30:45,632 THAT SHE HAS ALREADY PROVIDED WITNESS TESTIMONY. 741 00:30:45,665 --> 00:30:46,866 WHAT'S HE TALKING ABOUT? 742 00:30:46,900 --> 00:30:48,601 I NEED TO HOLD ON TO THE BRIDE A LITTLE LONGER. 743 00:30:48,635 --> 00:30:51,238 NO, NO. I CAN'T DEAL WITH THIS RIGHT NOW. 744 00:30:51,271 --> 00:30:52,439 JUST MAKE HIM GO AWAY. 745 00:30:52,472 --> 00:30:54,007 JUST--JERRY, JUST GIVE ME TEN MORE MINUTES. 746 00:30:54,041 --> 00:30:55,575 I HAVE A FEELING THE BRIDE'S STILL HIDING SOMETHING, 747 00:30:55,608 --> 00:30:56,843 SO IF I CAN GET HER TO T-- 748 00:30:56,876 --> 00:30:58,845 OKAY, UNLESS SHE'S HIDING PAUL SALENKO IN HER PURSE, 749 00:30:58,878 --> 00:31:00,513 I NEED YOU TO PUT THOSE FEELINGS ASIDE 750 00:31:00,547 --> 00:31:02,950 AND JUST RELEASE HER, PLEASE. 751 00:31:02,983 --> 00:31:04,251 (Cole) IS THERE SOMEBODY HERE WHO ACTUALLY KNOWS 752 00:31:04,284 --> 00:31:05,885 WHAT THE LAW SAYS? 753 00:31:05,919 --> 00:31:08,455 TRACE. BRIDE'S BREATHALYZER TEST RESULTS. 754 00:31:08,488 --> 00:31:11,824 UM, THERE WERE DRUGS IN THE CAR, SO WE GAVE HER A DRUG TEST, TOO. 755 00:31:11,858 --> 00:31:13,560 TEST CAME BACK NEGATIVE? 756 00:31:13,593 --> 00:31:15,828 YEAH, I MEAN, MUST HAVE BELONGED TO ONE OF THE OTHER GIRLS. 757 00:31:15,862 --> 00:31:18,331 BUT SHE TOLD US THAT SHE WAS DOING COCAINE WITH THE VICTIM 758 00:31:18,365 --> 00:31:19,599 BEHIND THE CLUB. 759 00:31:19,632 --> 00:31:21,434 OKAY, BUT WHY WOULD SHE LIE TO A POLICE OFFICER 760 00:31:21,468 --> 00:31:23,736 ABOUT TAKING ILLEGAL DRUGS, IF SHE WAS CLEAN? 761 00:31:25,105 --> 00:31:27,474 (sighs) OKAY, C--JUST-- CAN YOU HELP NOELLE WITH THE-- 762 00:31:27,507 --> 00:31:29,809 WITH THE GROOM? I'M JUST GONNA TAKE ANOTHER CRACK AT ANGELA. 763 00:31:29,842 --> 00:31:31,578 ALL RIGHT. WHAT ABOUT JERRY? 764 00:31:31,611 --> 00:31:33,180 SCREW JERRY. 765 00:31:35,382 --> 00:31:37,750 TEST SAYS YOU WEREN'T ON ANY DRUGS LAST NIGHT. 766 00:31:37,784 --> 00:31:39,419 (door closes) 767 00:31:39,452 --> 00:31:41,254 WHAT WERE YOU DOING BEHIND THE CLUB WITH JESSE? 768 00:31:42,855 --> 00:31:44,591 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 769 00:31:45,658 --> 00:31:47,294 ANGELA... 770 00:31:47,327 --> 00:31:49,129 I'M TRYING TO SOLVE A MURDER. 771 00:31:49,162 --> 00:31:51,164 YOU'RE ONE OF THE LAST PEOPLE WHO HAD CONTACT WITH THE VICTIM. 772 00:31:51,198 --> 00:31:53,333 JUST TELL ME WHAT HAPPENED. 773 00:31:57,170 --> 00:31:58,871 JESSE BOUGHT ME A FEW DRINKS. 774 00:31:58,905 --> 00:32:01,975 HE WAS CUTE AND FUNNY, AND... 775 00:32:02,009 --> 00:32:04,477 HE COULD TELL I WAS STRESSED OUT, SO HE... 776 00:32:04,511 --> 00:32:06,479 ASKED ME IF I WANTED TO GO BACK TO HIS PLACE 777 00:32:06,513 --> 00:32:07,981 AND BLOW OFF SOME STEAM. 778 00:32:08,015 --> 00:32:10,550 SO YOU DID? YOU DIDN'T? DID YOU GO BACK WITH HIM? 779 00:32:10,583 --> 00:32:11,851 I WAS GOING TO. 780 00:32:11,884 --> 00:32:14,121 YEAH, I THOUGHT, "WHAT'S ONE LITTLE TRANSGRESSION 781 00:32:14,154 --> 00:32:16,723 BEFORE A LIFETIME OF COMMITMENT?" 782 00:32:18,758 --> 00:32:21,594 UH, BUT THEN HIS BROTHER SHOWED UP, AND... 783 00:32:21,628 --> 00:32:22,996 THEY BOTH DISAPPEARED. 784 00:32:24,897 --> 00:32:26,399 (sighs) 785 00:32:27,400 --> 00:32:30,303 COLE WANTED TO GET MARRIED SO BADLY, 786 00:32:30,337 --> 00:32:33,940 AND I DIDN'T WANT HIM TO THINK THAT I WASN'T READY, 787 00:32:33,973 --> 00:32:36,343 AND I THOUGHT THAT IF I PRETENDED LONG ENOUGH, 788 00:32:36,376 --> 00:32:38,845 IT WOULD START TO FEEL REAL. 789 00:32:38,878 --> 00:32:42,249 YEAH, FAKE IT TILL YOU MAKE IT. TRUST ME, I'VE BEEN THERE. 790 00:32:43,583 --> 00:32:45,918 I'M SORRY I CAN'T HELP YOU. 791 00:32:45,952 --> 00:32:47,820 WE'VE SEARCHED HIS CAR, 792 00:32:47,854 --> 00:32:51,324 WE'VE TALKED TO HIS KNOWN ASSOCIATES, WE'VE... 793 00:32:51,358 --> 00:32:53,160 CHECKED HIS APARTMENT ON DUNDAS, 794 00:32:53,193 --> 00:32:55,695 AND ALL OF OUR LEADS ARE COMING UP EMPTY, SO... (sighs) 795 00:32:55,728 --> 00:32:57,997 IF YOU CAN THINK OF ANYTHING ELSE... 796 00:32:58,031 --> 00:33:00,267 JESSE DIDN'T LIVE ON DUNDAS. 797 00:33:00,300 --> 00:33:01,534 (button clicks) 798 00:33:01,568 --> 00:33:04,337 HE LIVED AT 418 HASTINGS. 799 00:33:05,738 --> 00:33:08,708 HE TEXTED ME HIS ADDRESS SO I COULD MEET UP WITH HIM LATER. 800 00:33:16,949 --> 00:33:18,518 HELLO? 801 00:33:18,551 --> 00:33:20,887 HELLO-- YEAH, I HATE THIS PHONE. 802 00:33:20,920 --> 00:33:24,124 JESSE SALENKO HAS A LOFT AT QUEEN AND HASTINGS. 803 00:33:24,157 --> 00:33:25,525 I THOUGHT HE LIVED WITH HIS BROTHER. 804 00:33:25,558 --> 00:33:28,195 HE DOES. THIS APARTMENT ISN'T IN THE SYSTEM. 805 00:33:28,228 --> 00:33:30,697 OKAY, YEAH, THAT'S WORTH A SHOT. 806 00:33:39,606 --> 00:33:41,541 (Sam) COLLINS. 807 00:33:48,781 --> 00:33:50,183 PERIMETER. 808 00:33:50,217 --> 00:33:51,318 BUT THIS IS THE PART I'M GOOD AT. 809 00:33:51,351 --> 00:33:52,619 GUYS, YOU READY? 810 00:33:53,686 --> 00:33:54,921 STAY CLOSE. 811 00:33:57,290 --> 00:33:58,658 NASH, WE'RE GOOD. 812 00:33:58,691 --> 00:33:59,659 TAKEDOWN. 813 00:33:59,692 --> 00:34:01,194 (bang) 814 00:34:01,228 --> 00:34:02,962 (Sam) POLICE! DON'T MOVE! DON'T MOVE! 815 00:34:02,995 --> 00:34:06,133 GET DOWN! DO NOT MOVE! (crackling) 816 00:34:06,166 --> 00:34:07,834 (Nick) STOP STRUGGLING, IT'LL STOP HURTING. 817 00:34:07,867 --> 00:34:10,937 (thud, Bobas moaning) 818 00:34:14,040 --> 00:34:15,342 THANKS. 819 00:34:15,375 --> 00:34:16,809 (Paul coughs) 820 00:34:18,645 --> 00:34:22,115 (panting) 821 00:34:22,149 --> 00:34:25,285 THIS IS McNALLY. THE ROOM IS SECURE. 822 00:34:29,656 --> 00:34:31,891 (Andy) COME ON. LET'S GO. 823 00:34:37,997 --> 00:34:41,033 HEY. FOUND IT UNDER THE BOTTOM DRESSER DRAWER. 824 00:34:41,067 --> 00:34:44,704 IT'S WHERE I USED TO KEEP MY CONTRABAND AT THE BASE. 825 00:34:44,737 --> 00:34:47,106 NO, NO, THAT'S NASH'S WIN. 826 00:34:47,140 --> 00:34:48,541 (car door closes) 827 00:34:51,811 --> 00:34:54,781 SEE THEM PUT YOU BACK IN UNIFORM AFTER THIS. 828 00:34:54,814 --> 00:34:56,082 (chuckles) 829 00:34:56,115 --> 00:34:57,650 HOOAH. 830 00:34:58,851 --> 00:35:01,154 [chatter over p.a.] 831 00:35:01,188 --> 00:35:04,191 JESSE--THE VICTIM--HE WANTED TO SELL THE SHIPMENT AT A MARKUP, 832 00:35:04,224 --> 00:35:06,326 PAY BOBAS BACK HIS MONEY, AND KEEP THE DIFFERENCE. 833 00:35:06,359 --> 00:35:08,628 SO HOW'D HE END UP WITH A KNIFE IN HIS RIBS? 834 00:35:08,661 --> 00:35:10,230 WELL, BOBAS SHOWED UP AT THEIR LOFT, DEMANDING HIS MONEY, 835 00:35:10,263 --> 00:35:11,564 AND JESSE WASN'T THERE, 836 00:35:11,598 --> 00:35:13,500 SO HIS LITTLE BROTHER WENT TO THE CLUB TO WARN HIM-- 837 00:35:13,533 --> 00:35:14,701 BOBAS MUST HAVE FOLLOWED HIM. 838 00:35:14,734 --> 00:35:16,336 HE FOUND JESSE IN THE CAR, AND HE STABBED HIM. 839 00:35:16,369 --> 00:35:17,437 ANYTHING ELSE? 840 00:35:17,470 --> 00:35:18,438 WELL, YOU KNOW, 841 00:35:18,471 --> 00:35:19,706 ACCORDING TO HIS LITTLE BROTHER, 842 00:35:19,739 --> 00:35:21,774 JESSE DIDN'T WANT TO BE A RUNNER HIS WHOLE LIFE. 843 00:35:21,808 --> 00:35:24,211 HE WANTED RESPECT, HE WANTED PEOPLE TO TAKE HIM SERIOUSLY, 844 00:35:24,244 --> 00:35:26,679 AND... HE GOT TOO BIG TOO FAST. 845 00:35:26,713 --> 00:35:29,582 SO I GOT IN CONTACT WITH THE ROCHESTER P.D., 846 00:35:29,616 --> 00:35:32,385 AND THEY WILL BE SHUTTING DOWN BOBAS' OPERATION IN THE MORNING. 847 00:35:32,419 --> 00:35:34,321 WELL DONE. YOU, TOO. 848 00:35:34,354 --> 00:35:38,191 STICK WITH THIS GUY, YOU'LL BE PERMANENT, NO TIME. 849 00:35:38,225 --> 00:35:40,227 THANK YOU, SIR. 850 00:35:43,029 --> 00:35:45,532 I'M SO GLAD WE CAN STILL BE FRIENDS, YOU KNOW, 851 00:35:45,565 --> 00:35:46,699 AFTER EVERYTHING. 852 00:35:46,733 --> 00:35:48,568 ME, TOO. 853 00:35:49,669 --> 00:35:51,037 SO I'LL MEET YOU IN THE PARKING LOT? 854 00:35:51,070 --> 00:35:53,573 ACTUALLY, I'M PROBABLY GONNA GO STRAIGHT HOME. 855 00:35:53,606 --> 00:35:55,308 I'LL JUST CATCH A RIDE WITH SOMEONE ELSE. 856 00:35:55,342 --> 00:35:56,609 YOU'RE NOT COMING TO THE PENNY? 857 00:35:56,643 --> 00:35:58,010 NO WAY. 858 00:35:58,044 --> 00:35:59,779 WELL, WE'RE CELEBRATING TRACI'S FIRST DAY. 859 00:35:59,812 --> 00:36:02,815 I MEAN, DRINKS ARE ON ANDY. OW! WHAT THE HELL WAS-- 860 00:36:02,849 --> 00:36:04,217 DID YOU FEEL THAT? 861 00:36:04,251 --> 00:36:06,553 BECAUSE THAT'S HOW MY HEAD FEELS AFTER LAST NIGHT. 862 00:36:06,586 --> 00:36:08,721 I'M GOING HOME. 863 00:36:08,755 --> 00:36:10,490 (sighs) OH... 864 00:36:10,523 --> 00:36:13,560 AND BY THE WAY, I MAY OR MAY NOT HAVE PUKED 865 00:36:13,593 --> 00:36:15,562 IN THE BACKSEAT OF YOUR CAR ON THE RIDE IN THIS MORNING. 866 00:36:15,595 --> 00:36:16,829 WHAT? 867 00:36:16,863 --> 00:36:18,465 STILL FRIENDS? 868 00:36:18,498 --> 00:36:21,067 YOU AND ME? TO THE END OF TIME? 869 00:36:22,302 --> 00:36:24,404 HEY, TRACE, LET ME DO THAT. 870 00:36:24,437 --> 00:36:26,439 DON'T. 871 00:36:26,473 --> 00:36:30,443 WE'RE PARTNERS, RIGHT? SO YOUR MESS IS MY MESS. 872 00:36:30,477 --> 00:36:31,844 YEAH. 873 00:36:31,878 --> 00:36:33,946 THAT'S WHY I TOOK THE HIT WITH FRANK. 874 00:36:36,115 --> 00:36:39,452 YOU ALSO GAVE UP ON ME TODAY. 875 00:36:39,486 --> 00:36:40,820 I MADE A MISTAKE 876 00:36:40,853 --> 00:36:43,323 AND I NEEDED YOU TO LET ME FIX IT, NOT DISMISS ME. 877 00:36:43,356 --> 00:36:46,793 TRACE, I-I DON'T WANT YOU TAKING A FALL 878 00:36:46,826 --> 00:36:49,329 FOR MAKING A DECISION THAT WASN'T YOURS IN THE FIRST PLACE. 879 00:36:49,362 --> 00:36:50,563 I CAN HANDLE MYSELF. 880 00:36:50,597 --> 00:36:52,465 YEAH, ABSOLUTELY. 881 00:36:52,499 --> 00:36:55,101 I MEAN, YOU-- YOU PROVED THAT TODAY. 882 00:36:55,134 --> 00:36:57,904 TRACE, YOU ARE A DYNAMITE DETECTIVE. 883 00:37:08,180 --> 00:37:10,817 LOOK, I'M, UH... 884 00:37:10,850 --> 00:37:13,353 I HAVEN'T BEEN... 885 00:37:13,953 --> 00:37:16,489 HANDLING THINGS WELL... 886 00:37:18,325 --> 00:37:20,026 AND I'M SORRY. 887 00:37:20,059 --> 00:37:21,794 OKAY? 888 00:37:23,095 --> 00:37:25,565 I LOVE HAVING YOU AS A PARTNER. 889 00:37:30,803 --> 00:37:32,372 MM? 890 00:37:40,279 --> 00:37:41,981 (Oliver) HEY, HONEY? 891 00:37:42,014 --> 00:37:44,551 HEY. HOW WAS YOUR DAY? (chuckles) 892 00:37:44,584 --> 00:37:47,086 I ALMOST PEPPER-SPRAYED A LAWYER IN A TUXEDO. 893 00:37:47,119 --> 00:37:48,555 ALL RIGHT. SEE? 894 00:37:48,588 --> 00:37:50,923 THAT'S ALL THE MORE REASON TO BE BACK ON THE BEAT WITH US. 895 00:37:50,957 --> 00:37:52,425 I CAN'T. 896 00:37:52,459 --> 00:37:54,961 LOOK, JUST TALK TO FRANK, OKAY? 897 00:37:54,994 --> 00:37:57,063 HE'LL BE POWERLESS AGAINST THOSE DIMPLES. 898 00:37:57,096 --> 00:37:59,432 I'M PREGNANT. 899 00:38:01,834 --> 00:38:02,802 OHH. 900 00:38:02,835 --> 00:38:03,870 (clears throat) 901 00:38:03,903 --> 00:38:05,237 I'M GIVING YOU ALL THOSE CRACKS, 902 00:38:05,271 --> 00:38:07,139 RAZZING YOU ABOUT NOT BEING ABLE TO HACK IT ON THE STREET. 903 00:38:07,173 --> 00:38:09,642 YEAH. THANK YOU. 904 00:38:09,676 --> 00:38:12,144 THAT IS THE BEST NEWS-- COME HERE--EVER. 905 00:38:12,178 --> 00:38:13,980 AW, MAN! 906 00:38:14,013 --> 00:38:15,382 (chuckles) 907 00:38:15,415 --> 00:38:19,352 SO? YOU WORKING ON NAMES? OLLIE? OLLIE WILLIAMS? OLIVER WILLIAMS? 908 00:38:19,386 --> 00:38:20,753 HUH? IT'S A NAME OF POWER. 909 00:38:20,787 --> 00:38:23,723 ACTUALLY, THE BABY'S GONNA HAVE FRANK'S LAST NAME. 910 00:38:23,756 --> 00:38:26,192 (whispers) THAT SON OF A BITCH. 911 00:38:26,225 --> 00:38:27,827 (chuckles) LET ME BUY YOU A DRINK. 912 00:38:27,860 --> 00:38:29,929 (normal voice) YES. YES, DO. MM-HMM. 913 00:38:32,465 --> 00:38:34,701 HEY. HAVE FUN BABYSITTING? 914 00:38:34,734 --> 00:38:36,636 HE'S NOT THE WORST ROOKIE I'VE EVER HAD. 915 00:38:36,669 --> 00:38:39,005 WATCH IT. 916 00:38:39,606 --> 00:38:40,973 SOMETIMES, UH... 917 00:38:41,941 --> 00:38:44,577 I HOLD ON A LITTLE TIGHT BECAUSE I DON'T WANT 918 00:38:44,611 --> 00:38:47,747 YOU GUYS TO GET HURT OR SCREW UP. 919 00:38:47,780 --> 00:38:49,148 I DON'T KNOW. 920 00:38:49,181 --> 00:38:52,018 TRACI MESSED UP. YOU KNOW? THE WORLD DIDN'T END. 921 00:38:53,720 --> 00:38:55,888 SHE'S GONNA MAKE A HELL OF A DETECTIVE. 922 00:38:55,922 --> 00:38:58,190 YEAH, WELL, WE, UH, 923 00:38:58,224 --> 00:39:00,192 WE WERE TRAINED BY THE BEST. 924 00:39:02,995 --> 00:39:04,531 WANT A RIDE TO THE PENNY? 925 00:39:04,564 --> 00:39:06,533 SURE, IF I DRIVE. 926 00:39:07,600 --> 00:39:08,568 MY TRUCK? Y-- 927 00:39:08,601 --> 00:39:10,069 YES, BECAUSE YOU LET NICK DRIVE. 928 00:39:10,102 --> 00:39:11,438 WELL, THAT WAS B-- THAT WAS BECAUSE OF YOU. 929 00:39:11,471 --> 00:39:13,773 YEAH, BUT I WANT TO DRIVE. YOU NEVER LET ME DRIVE. 930 00:39:19,412 --> 00:39:20,447 DON'T HIT ANYTHING, ALL RIGHT? 931 00:39:20,480 --> 00:39:21,548 YEAH, YEAH, YEAH, YEAH, YEAH. 932 00:39:22,615 --> 00:39:24,283 (sighs) 933 00:39:25,785 --> 00:39:27,820 TWO WORDS--RESTRAINING ORDER. 934 00:39:27,854 --> 00:39:29,822 HEY, YOU CAN PRETEND TO HATE ME ALL YOU LIKE. 935 00:39:29,856 --> 00:39:31,891 I GOT A DOZEN TEXTS THAT SAY OTHERWISE. 936 00:39:31,924 --> 00:39:33,426 I WAS DRUNK, 937 00:39:33,460 --> 00:39:35,628 AND I CONFUSED YOUR PHONE NUMBER WITH SOMEONE ELSE'S. 938 00:39:35,662 --> 00:39:38,631 YOU KNOW WHAT? I LIKE YOU. I'M NOT AFRAID TO TELL YOU... 939 00:39:38,665 --> 00:39:40,467 WHEN I'M SOBER. 940 00:39:40,500 --> 00:39:42,301 GOOD NIGHT, GAIL. 941 00:39:43,135 --> 00:39:44,904 DO YOU WANT TO GO TO DINNER? 942 00:39:47,173 --> 00:39:48,374 WELL, THAT DEPENDS. 943 00:39:48,407 --> 00:39:49,609 IF I SAY "YES," 944 00:39:49,642 --> 00:39:51,243 YOU GONNA BE ALL ICE QUEEN WITH ME AGAIN TOMORROW? 945 00:39:51,277 --> 00:39:52,745 (Dan Griffin's "Lorne Park" playing) 946 00:39:52,779 --> 00:39:55,582 THIS IS JUST ME, MAN... BEING ME. 947 00:39:55,615 --> 00:39:57,884 * I DON'T FLY A BANNER * 948 00:39:57,917 --> 00:39:59,318 WELL, IN THAT CASE... 949 00:39:59,351 --> 00:40:00,319 * ABOVE MY HEAD * 950 00:40:00,352 --> 00:40:02,622 I'LL COOK. 951 00:40:02,655 --> 00:40:04,524 * ANYMORE * 952 00:40:08,194 --> 00:40:11,130 * YEARS HAVE COME BETWEEN US * 953 00:40:12,131 --> 00:40:14,934 * ARE YOU STILL * 954 00:40:14,967 --> 00:40:16,669 * BEAUTIFUL? * (cell phone ringtone playing, water running) 955 00:40:16,703 --> 00:40:17,670 DOV? 956 00:40:17,704 --> 00:40:18,738 (rattle) 957 00:40:18,771 --> 00:40:20,406 (ringtone continues playing) 958 00:40:20,439 --> 00:40:23,109 * I WAS WALKING BACKWARDS * 959 00:40:23,142 --> 00:40:24,110 (beep) 960 00:40:24,143 --> 00:40:25,111 HELLO? 961 00:40:25,144 --> 00:40:26,345 * TO THE HOUSE * 962 00:40:26,378 --> 00:40:28,681 OH, HE'S IN THE SHOWER. CAN I TAKE A MESSAGE? 963 00:40:28,715 --> 00:40:30,617 * I WAS BORN * 964 00:40:30,650 --> 00:40:33,085 OH, HE--HE DIDN'T GO TO HIS APPOINTMENT? 965 00:40:33,119 --> 00:40:35,187 * WHEN THE GRASS GREW OVER * 966 00:40:35,221 --> 00:40:39,391 OKAY. WELL, UM, HE PROBABLY JUST FORGOT ABOUT IT. (rustling, opens drawer) 967 00:40:39,425 --> 00:40:40,760 (closes drawer) HE'S BEEN REALLY BUSY. 968 00:40:40,793 --> 00:40:42,261 * HELD MY OWN * 969 00:40:42,294 --> 00:40:43,963 YEAH. 970 00:40:43,996 --> 00:40:46,666 I WILL. I'LL HAVE HIM CALL YOU. 971 00:40:46,699 --> 00:40:48,134 * COULD I ASK FORGIVENESS * 972 00:40:48,167 --> 00:40:49,536 OKAY. THANKS. 973 00:40:49,569 --> 00:40:52,639 * OR IS IT TOO LATE FOR LOVE? * 974 00:40:52,672 --> 00:40:54,040 HEY. 975 00:40:54,073 --> 00:40:55,041 HEY. 976 00:40:55,074 --> 00:40:57,109 (pants) HOW WAS YOUR DAY? 977 00:40:57,143 --> 00:40:58,410 IT WAS GOOD. 978 00:40:58,444 --> 00:40:59,846 WHAT'D YOU DO TODAY? 979 00:40:59,879 --> 00:41:01,948 I-I CALLED YOU A COUPLE TIMES, BUT THERE WAS NO ANSWER. 980 00:41:01,981 --> 00:41:04,150 OH, YEAH. I WENT TO MY APPOINTMENT WITH DR. MANSFIELD. 981 00:41:04,183 --> 00:41:05,317 REALLY? 982 00:41:05,351 --> 00:41:06,719 YEAH, IT WAS GOOD, ACTUALLY. YOU KNOW WHAT? 983 00:41:06,753 --> 00:41:08,387 THINK I HAD A BREAKTHROUGH. 984 00:41:08,420 --> 00:41:11,991 * WILL YOU SEE ME AFTER DARK? * 985 00:41:12,024 --> 00:41:15,094 SO, UH, I WAS THINKING, UH, TOMORROW NIGHT, UH, 986 00:41:15,127 --> 00:41:17,296 INVITING GAIL AND ANDY AND TRACI OVER FOR A MOVIE NIGHT. 987 00:41:17,329 --> 00:41:18,865 WOULD YOU BE COOL WITH THAT? 988 00:41:18,898 --> 00:41:21,467 (chuckles) YEAH, THAT'D BE GREAT. OKAY. 989 00:41:21,500 --> 00:41:22,835 HEY. 990 00:41:22,869 --> 00:41:24,303 I'M GLAD YOU'RE HERE. 991 00:41:24,336 --> 00:41:29,175 * TO YOUR STREETLIGHTS HUNG LIKE HALOS IN THE NIGHT * 992 00:41:30,910 --> 00:41:32,879 * LORNE PARK * 993 00:41:32,912 --> 00:41:34,814 ***