1 00:00:01,022 --> 00:00:03,125 (siren wails) 2 00:00:04,159 --> 00:00:06,228 (Carmen Townsend's "Without My Love" playing) 3 00:00:06,261 --> 00:00:07,729 (Gail) SO ROMANTIC. 4 00:00:07,762 --> 00:00:08,730 (thud) 5 00:00:08,763 --> 00:00:09,731 UH, WHAT WAS THAT? 6 00:00:09,764 --> 00:00:10,732 (Nick) I DON'T WANT TO KNOW. 7 00:00:10,765 --> 00:00:13,034 * GIVE HER A GO * 8 00:00:13,068 --> 00:00:15,870 * STILL BUSTED BROKE, THERE'S NO BANKIN' ON THIS * 9 00:00:15,904 --> 00:00:17,939 * HEART OF GOLD * 10 00:00:17,972 --> 00:00:18,940 OW! 11 00:00:18,973 --> 00:00:20,375 SORRY. JUST A NAIL. 12 00:00:20,409 --> 00:00:21,810 OKAY? JUST A NAIL. 13 00:00:21,843 --> 00:00:28,283 * IF SHE COULD BE AS LOYAL AS THE LOW FUEL LIGHT * 14 00:00:28,317 --> 00:00:32,053 * LOYAL AS THE LOW, LOW, LOW * 15 00:00:32,087 --> 00:00:34,089 (pants) 16 00:00:36,125 --> 00:00:38,026 HEY, UM, MAYBE-- MAYBE THIS WASN'T 17 00:00:38,059 --> 00:00:40,329 THE RIGHT PLACE TO, UH, TO DO THIS. HMM? 18 00:00:40,362 --> 00:00:42,131 YOUR CAR'S OUT BACK. 19 00:00:42,164 --> 00:00:44,599 YEAH. YEAH, LET'S DO IT IN THE PARKING LOT. 20 00:00:44,633 --> 00:00:46,301 THAT'S SUPER STEALTH. 21 00:00:47,369 --> 00:00:49,037 YOU WANT TO COME BACK TO MY PLACE? 22 00:00:49,070 --> 00:00:51,106 I'M ALLERGIC TO YOUR CHEAP SHEETS, REMEMBER? 23 00:00:51,140 --> 00:00:53,508 OKAY, PRINCESS. 24 00:00:53,542 --> 00:00:57,179 HOW ABOUT YOUR PLACE? PARENTS ARE OUT OF TOWN, RIGHT? 25 00:00:57,212 --> 00:01:01,516 YEAH, YEAH. IT'S JUST THAT THEY'RE REDOING THE ROOF, AND... 26 00:01:01,550 --> 00:01:04,153 I'M STAYING AT ANDY'S, SO... 27 00:01:06,321 --> 00:01:07,922 OKAY. 28 00:01:07,956 --> 00:01:08,923 (sighs) 29 00:01:08,957 --> 00:01:11,126 SO WHAT DO YOU WANT TO DO? 30 00:01:11,160 --> 00:01:14,196 (sighs) 31 00:01:14,229 --> 00:01:17,098 YOU RELAX. I'M NOT GONNA ASK YOU TO CUDDLE ME, OKAY? 32 00:01:17,132 --> 00:01:20,269 OH. NO, I KNOW. YOU'RE NOT EXACTLY THE GIRLFRIEND TYPE. 33 00:01:20,302 --> 00:01:24,139 GUYS INVITED ME FOR A BEER AT THE PENNY, IF YOU WANT TO COME. 34 00:01:24,173 --> 00:01:28,277 GIRLS WON'T FLIRT WITH YOU IF I'M THERE, RIGHT? BUDDY? 35 00:01:28,310 --> 00:01:31,246 RIGHT, 'CAUSE ACTUALLY HANGING OUT ISN'T ALLOWED. 36 00:01:31,280 --> 00:01:32,547 SAYS WHO? 37 00:01:32,581 --> 00:01:35,083 SAYS YOU, LIKE, A MILLION TIMES. 38 00:01:35,116 --> 00:01:36,885 YOU KEEP SAYING THAT'S WHAT YOU WANT, SO... 39 00:01:38,453 --> 00:01:40,555 THEN I GUESS I'M GETTING WHAT I WANT. 40 00:01:45,394 --> 00:01:47,329 (Andy) EW. THESE ARE SO GROSS. 41 00:01:47,362 --> 00:01:48,330 HEY. 42 00:01:48,363 --> 00:01:49,331 HEY. 43 00:01:49,364 --> 00:01:50,665 HEY. 44 00:01:50,699 --> 00:01:54,068 (sighs) ANDY, WHY DID YOU BUY THESE? LOOK AT THEIR-- 45 00:01:54,102 --> 00:01:55,970 THEY'RE ZOMBIE BRIDES. LOOK AT THEIR SMILES. 46 00:01:56,004 --> 00:01:57,439 I KNOW. 47 00:01:57,472 --> 00:01:59,574 YOU HAVE TO START PRACTICING, THOUGH, 'CAUSE VERY SOON, 48 00:01:59,608 --> 00:02:00,942 EVERYBODY'S GONNA BE WATCHING YOU. 49 00:02:00,975 --> 00:02:03,545 DON'T. I CAN'T EVEN THINK ABOUT WALKING DOWN THE AISLE 50 00:02:03,578 --> 00:02:06,014 AND HAVING ALL EYES STARING AT ME. 51 00:02:06,047 --> 00:02:08,082 ALTHOUGH I THINK I TALKED JERRY 52 00:02:08,116 --> 00:02:10,519 INTO A-A WEDDING IN THE DOMINICAN REPUBLIC. 53 00:02:10,552 --> 00:02:12,787 REALLY? DESTINATION WEDDING? 54 00:02:12,821 --> 00:02:14,323 WANT TO KEEP IT SMALL, 55 00:02:14,356 --> 00:02:16,591 BUT YOU AND SAM WILL COME, THOUGH, RIGHT? YEAH, OF COURSE. 56 00:02:16,625 --> 00:02:19,261 COULD TAKE SOME VACATION TIME, MAKE A REAL HOLIDAY OUT OF IT. 57 00:02:19,294 --> 00:02:21,496 YEAH, I CAN'T EVEN PICTURE SAM ON VACATION. 58 00:02:21,530 --> 00:02:22,897 HE DOESN'T EVEN OWN SHORTS. 59 00:02:22,931 --> 00:02:24,866 I DON'T MEAN TO BE A PARTY POOPER, 60 00:02:24,899 --> 00:02:27,068 BUT YOU DID OFFER ME THE COUCH, RIGHT? 61 00:02:27,101 --> 00:02:28,370 YEAH. 62 00:02:28,403 --> 00:02:31,573 WELL... I'D KIND OF LIKE TO USE IT, 63 00:02:31,606 --> 00:02:33,575 'CAUSE I'M PRETTY TIRED, 64 00:02:33,608 --> 00:02:36,010 SO WHY DON'T YOU TAKE YOUR GIGGLES TO THE BEDROOM? 65 00:02:36,044 --> 00:02:37,746 WHOA. OKAY. 66 00:02:37,779 --> 00:02:39,481 YOU ARE SUCH A CHARMER. 67 00:02:41,383 --> 00:02:43,017 (sighs) 68 00:02:43,051 --> 00:02:45,587 (Traci) GOOD NIGHT, GAIL. 69 00:02:45,620 --> 00:02:48,823 (Eux Autres) * SO I'M NOT COMING HOME TONIGHT * 70 00:02:48,857 --> 00:02:50,492 (Andy speaks indistinctly) 71 00:02:50,525 --> 00:02:52,394 (Traci) IT'S GONNA BE FUN. 72 00:02:52,427 --> 00:02:53,895 (Andy speaks indistinctly) 73 00:02:53,928 --> 00:02:55,964 (Traci laughs and speaks indistinctly) 74 00:02:55,997 --> 00:02:57,999 * WHAT WAS WRONG WITH ME * 75 00:03:01,002 --> 00:03:03,405 SO THE WEDDING'S GONNA BE IN DOMINICAN REPUBLIC. 76 00:03:03,438 --> 00:03:05,474 I WAS THINKING MAYBE WE COULD TAKE A WEEK OR TWO 77 00:03:05,507 --> 00:03:07,609 AND HAVE OUR FIRST VACATION TOGETHER. 78 00:03:07,642 --> 00:03:09,911 GREAT. 79 00:03:09,944 --> 00:03:13,114 W--COME ON. WE'VE NEVER BEEN ANYWHERE TOGETHER. 80 00:03:13,147 --> 00:03:14,583 I MEAN, WE'VE NEVER BEEN TO A COTTAGE, 81 00:03:14,616 --> 00:03:15,917 WE'VE NEVER EVEN BEEN CAMPING... 82 00:03:15,950 --> 00:03:16,951 WE WENT TO SUDBURY. 83 00:03:16,985 --> 00:03:19,254 OH, YEAH, I FORGOT. HOW ROMANTIC. 84 00:03:19,288 --> 00:03:20,455 (gun racks) 85 00:03:20,489 --> 00:03:22,257 COME ON. YOUR BEST FRIEND AND MY BEST FRIEND 86 00:03:22,291 --> 00:03:24,893 ARE GETTING MARRIED. IT'S A BIG DEAL. 87 00:03:24,926 --> 00:03:26,261 (holsters gun) 88 00:03:26,295 --> 00:03:28,062 WHAT'S WRONG WITH CITY HALL? 89 00:03:28,096 --> 00:03:30,332 CITY HALL? THAT'S YOUR IDEA OF A DREAM WEDDING? 90 00:03:30,365 --> 00:03:32,601 WHY DO PEOPLE HAVE TO GET MARRIED AT ALL? 91 00:03:32,634 --> 00:03:36,037 (police radio chatter) 92 00:03:36,070 --> 00:03:38,039 (door buzzes and beeps) 93 00:03:38,072 --> 00:03:40,041 (indistinct conversations) 94 00:03:40,074 --> 00:03:43,312 (door closes) SO WHAT DO YOU THINK ABOUT ME AND YOU, 95 00:03:43,345 --> 00:03:45,280 AFTER THE CEREMONY, 96 00:03:45,314 --> 00:03:49,818 TAKING OFF ON THIS? HMM? 97 00:03:49,851 --> 00:03:53,488 AND WE JUST SAIL AWAY UNDER THE STARS, ME AND YOU. 98 00:03:53,522 --> 00:03:56,024 YOU DON'T KNOW HOW TO SAIL. 99 00:03:56,057 --> 00:03:58,159 HOW HARD COULD IT BE TO DRIVE A BOAT? 100 00:03:58,192 --> 00:04:00,962 BUT THE LAST TIME THAT YOU WENT OUT WITH THE MARINE UNIT, 101 00:04:00,995 --> 00:04:02,163 YOU FELL IN THE WATER, 102 00:04:02,196 --> 00:04:04,399 AND THE DIVE TEAM HAD TO PULL YOU OUT. 103 00:04:04,433 --> 00:04:05,700 UM... 104 00:04:05,734 --> 00:04:09,338 THE WATER WAS CHOPPY, AND I HAD THAT INNER EAR THING. 105 00:04:09,371 --> 00:04:11,340 (chuckles) 106 00:04:12,474 --> 00:04:14,142 YOU HATE THE BOAT. 107 00:04:14,175 --> 00:04:16,378 I DO NOT HATE THE BOAT. 108 00:04:16,411 --> 00:04:20,315 IT IS VERY SWEET AND ROMANTIC. IT'S JUST... 109 00:04:20,349 --> 00:04:22,517 I DON'T KNOW. I THOUGHT WE'D KEEP IT SIMPLE. 110 00:04:22,551 --> 00:04:27,322 MY MOM AND LEO, YOUR FAMILY, OUR FRIENDS. 111 00:04:27,356 --> 00:04:29,057 IS THAT OKAY? 112 00:04:29,090 --> 00:04:30,625 NO WORRIES. 113 00:04:30,659 --> 00:04:31,726 ARE YOU SURE? 114 00:04:31,760 --> 00:04:33,362 SIMPLE IS SIMPLE, 115 00:04:33,395 --> 00:04:36,365 AND YOU ARE THE BRIDE. (kisses) 116 00:04:40,702 --> 00:04:44,138 ALL RIGHT. ASSIGNMENTS ARE ON THE BOARD. IT'S CHANGE-UP DAY. 117 00:04:44,172 --> 00:04:47,108 YOU'VE ALL GOT NEW PARTNERS, SO GET TO KNOW EACH OTHER. 118 00:04:47,141 --> 00:04:48,977 KEEPS YOU MORE ALERT ON THE ROAD. 119 00:04:49,010 --> 00:04:51,613 AND ON A PERSONAL NOTE, 120 00:04:51,646 --> 00:04:55,116 I WOULD LIKE TO THANK YOU ALL FOR YOUR BABY NAME SUGGESTIONS, 121 00:04:55,149 --> 00:04:57,686 BUT AFTER CAREFUL CONSIDERATION, 122 00:04:57,719 --> 00:04:59,988 I WILL NOT BE NAMING MY CHILD "NINJA." 123 00:05:00,021 --> 00:05:01,289 TOLD YOU. (officers groaning) 124 00:05:01,322 --> 00:05:02,991 OR "OLIVER." 125 00:05:03,024 --> 00:05:04,826 I WEEP FOR THAT CHILD. 126 00:05:04,859 --> 00:05:05,827 (laughter) 127 00:05:05,860 --> 00:05:07,261 THAT IS YOUR LOSS, MY FRIEND. 128 00:05:07,295 --> 00:05:10,131 I KNOW. ALL RIGHT. DISMISSED. GO. 129 00:05:10,164 --> 00:05:13,167 (indistinct conversations) 130 00:05:18,907 --> 00:05:20,409 UH, OLIVER? 131 00:05:20,442 --> 00:05:21,443 YEAH. 132 00:05:21,476 --> 00:05:23,645 DOV AND I ARE PARTNERS TODAY, 133 00:05:23,678 --> 00:05:25,179 BUT WE ALREADY KNOW EACH OTHER. 134 00:05:25,213 --> 00:05:28,316 WELL, UH, HOW WELL DO WE REALLY KNOW ANYONE? 135 00:05:28,349 --> 00:05:30,585 PRETTY WELL, YOU KNOW. WE'RE ROOMMATES. 136 00:05:30,619 --> 00:05:33,422 IT'S TRUE. SOMETIMES I DO HIS DIRTY LAUNDRY BY MISTAKE. 137 00:05:33,455 --> 00:05:34,789 WHAT'S HIS MIDDLE NAME? 138 00:05:34,823 --> 00:05:36,958 BILL. 139 00:05:36,991 --> 00:05:38,827 T-TED. 140 00:05:38,860 --> 00:05:40,862 YOU PUT MONEY ON THAT? 141 00:05:41,930 --> 00:05:43,064 SEE? 142 00:05:43,097 --> 00:05:45,734 SO MUCH TO LEARN. 143 00:05:45,767 --> 00:05:48,970 I DON'T KNOW ABOUT YOU, BUT I ACTUALLY COMPLETELY LOST TRACK. 144 00:05:49,003 --> 00:05:51,573 THOSE SHOTS JUST KEPT APPEARING IN FRONT OF ME. IT WAS INSANE. 145 00:05:51,606 --> 00:05:54,609 I KNOW. I HAVEN'T HAD A BOILERMAKER SINCE THE ACADEMY. 146 00:05:54,643 --> 00:05:56,210 NORMALLY, I DON'T DRINK LIKE THAT, 147 00:05:56,244 --> 00:05:58,847 BUT YOU ARE A VERY BAD INFLUENCE. AH. 148 00:05:58,880 --> 00:06:00,949 (giggles) HEY. 149 00:06:00,982 --> 00:06:02,617 HELLO. 150 00:06:04,218 --> 00:06:05,787 COLLINS, LET'S GO. 151 00:06:05,820 --> 00:06:07,288 LATER, GUYS. 152 00:06:07,321 --> 00:06:08,523 BYE. 153 00:06:08,557 --> 00:06:11,392 SO DID YOU SLEEP WITH HIM LAST NIGHT OR SOMETHING? 154 00:06:11,426 --> 00:06:14,095 NO. I WISH. 155 00:06:14,128 --> 00:06:15,697 SORRY. 156 00:06:15,730 --> 00:06:17,599 YOU GUYS, LIKE, A THING OR SOME-- 157 00:06:17,632 --> 00:06:20,101 OH, GOD, NO. NO, NOT AT ALL. 158 00:06:20,134 --> 00:06:22,403 YOU KNOW WHAT? I PROBABLY SHOULDN'T HAVE SAID ANYTHING. 159 00:06:22,437 --> 00:06:24,105 WHAT? 160 00:06:24,138 --> 00:06:26,675 OKAY. YOU DIDN'T HEAR THIS FROM ME. 161 00:06:26,708 --> 00:06:31,279 HE SORT OF... CAUGHT SOMETHING OVER IN AFGHANISTAN. 162 00:06:32,914 --> 00:06:36,117 (whispers indistinctly) 163 00:06:36,150 --> 00:06:37,351 OH. 164 00:06:37,385 --> 00:06:39,353 I JUST THOUGHT YOU SHOULD KNOW. 165 00:06:39,387 --> 00:06:40,922 NOW IT'S LIKE... 166 00:06:40,955 --> 00:06:42,824 YEAH. 167 00:06:42,857 --> 00:06:45,159 (sirens wail in distance) 168 00:06:45,193 --> 00:06:46,728 OKAY, I GOTTA ASK YOU SOMETHING. 169 00:06:46,761 --> 00:06:48,930 MM-HMM. DO ALL GUYS HATE WEDDINGS? 170 00:06:48,963 --> 00:06:50,699 I DON'T KNOW. I LIKE WEDDINGS. 171 00:06:50,732 --> 00:06:53,301 OPEN BAR, DANCING, MEETING NEW PEOPLE... 172 00:06:53,334 --> 00:06:55,369 YES. THANK YOU. EXACTLY. 173 00:06:55,403 --> 00:06:57,138 YOU KNOW, YOU NEED TO TELL SAM THAT. 174 00:06:57,171 --> 00:06:59,541 DOMINICAN REPUBLIC'S GONNA BE LIKE A VACATION. 175 00:06:59,574 --> 00:07:02,376 OOH, WELL, A VACATION-- THAT'S A DIFFERENT THING. 176 00:07:02,410 --> 00:07:04,212 WHAT? WHAT DO YOU MEAN? 177 00:07:04,245 --> 00:07:06,280 IT'S A BIG STEP-- JUST THE TWO OF YOU, 178 00:07:06,314 --> 00:07:07,849 NO DISTRACTIONS-- YOU GOTTA BE SURE. 179 00:07:07,882 --> 00:07:09,083 YOU KNOW, 180 00:07:09,117 --> 00:07:10,952 WHAT IF ALL THE FASCINATING CONVERSATION RUNS OUT, 181 00:07:10,985 --> 00:07:13,221 YOU'RE LEFT WITH NOTHING TO SAY TO EACH OTHER? THEN WHAT? 182 00:07:13,254 --> 00:07:14,455 THEN YOU STILL GOT THE BEACH. 183 00:07:14,489 --> 00:07:15,790 WELL, YOU ALWAYS GOT THE BEACH. 184 00:07:15,824 --> 00:07:18,426 (woman) Unit 1509, are you 10-8? 185 00:07:18,459 --> 00:07:19,460 (radio static) GO AHEAD. 186 00:07:19,494 --> 00:07:21,429 (radio static) Attend 1801 King Street 187 00:07:21,462 --> 00:07:22,831 regarding a domestic disturbance. (radio static) 188 00:07:22,864 --> 00:07:24,232 1509, WE'RE ON IT. 189 00:07:24,265 --> 00:07:27,001 (woman) GET OUT OF MY APARTMENT RIGHT NOW. 190 00:07:27,035 --> 00:07:28,837 (man) I'M NOT GOING ANYWHERE. YOU TELL ME THE TRUTH. 191 00:07:28,870 --> 00:07:30,371 THEN I'LL HAVE SECURITY... 192 00:07:30,404 --> 00:07:32,473 TELL ME WHAT HAPPENED! (shouting indistinctly) 193 00:07:32,507 --> 00:07:34,208 (knock on door) 194 00:07:34,242 --> 00:07:35,376 POLICE! OPEN UP! OH. (woman) I DON'T KNOW WHAT YOU'RE TALKING ABOUT! 195 00:07:35,409 --> 00:07:37,045 OH. (man) YOU THINK I'M KIDDING? 196 00:07:37,078 --> 00:07:39,247 (Nick) POLICE! WE'RE COMING IN! HOW DO YOU EVEN KNOW WHERE I LIVE?! 197 00:07:39,280 --> 00:07:42,751 I KNOW WHAT YOU DO. I KNOW WHAT YOU MADE HER DO! (Nick) WHOA! STOP! STOP. 198 00:07:42,784 --> 00:07:45,053 (pants) OFFICER. GOOD. 199 00:07:45,086 --> 00:07:47,522 LISTEN, MY--MY-- MY GIRLFRIEND'S MISSING. 200 00:07:47,556 --> 00:07:49,791 LIZ ADAMS. SHE'S BEEN GONE A WEEK NOW. 201 00:07:49,824 --> 00:07:52,026 I CAN'T FIND HER, AND SHE WON'T CALL ME BACK. 202 00:07:52,060 --> 00:07:53,161 DID IT EVER OCCUR TO YOU 203 00:07:53,194 --> 00:07:55,163 THAT SHE MIGHT NOT WANT TO TALK TO YOU? 204 00:07:55,196 --> 00:07:57,165 YOU KNOW WHERE SHE IS! OKAY, OKAY, COME ON, LET'S CALM DOWN, 205 00:07:57,198 --> 00:07:59,601 STEP OUTSIDE IN THE HALL, HAVE A CHAT, ALL RIGHT? 206 00:07:59,634 --> 00:08:00,602 YOU OKAY? 207 00:08:00,635 --> 00:08:01,836 YEAH. 208 00:08:02,837 --> 00:08:04,238 ALL RIGHT. WHAT'S YOUR NAME? 209 00:08:04,272 --> 00:08:05,540 RACHEL FINDLAY. 210 00:08:05,574 --> 00:08:07,375 LOOK, THIS IS MY APARTMENT, 211 00:08:07,408 --> 00:08:09,243 AND THAT MAN HAS NO RIGHT BEING HERE. 212 00:08:09,277 --> 00:08:11,312 CAN YOU PLEASE MAKE SURE THAT HE LEAVES? 213 00:08:11,345 --> 00:08:13,915 ABSOLUTELY. OFFICER COLLINS IS GONNA CALM HIM DOWN. 214 00:08:13,948 --> 00:08:17,652 UM, LIZ ADAMS--HE SAID THAT SHE WAS MISSING. YOU KNOW HER? 215 00:08:17,686 --> 00:08:19,453 NOT VERY WELL. 216 00:08:19,487 --> 00:08:20,989 OKAY. WHAT DO YOU DO? 217 00:08:21,022 --> 00:08:24,659 I'M A STUDENT. UM, I'M GETTING MY M.B.A. 218 00:08:24,693 --> 00:08:28,496 (police radio chatter) 219 00:08:28,529 --> 00:08:31,299 SO YOUR GIRLFRIEND--SHE SAY ANYTHING TO YOU BEFORE SHE LEFT? 220 00:08:31,332 --> 00:08:33,802 YOU TWO HAVE A FIGHT? ANYTHING? 221 00:08:33,835 --> 00:08:35,770 I THINK SOMETHING HAPPENED, SOMETHING BAD. 222 00:08:35,804 --> 00:08:38,573 IT'S RACHEL'S FAULT. SHE GOT HER INTO THIS. 223 00:08:38,607 --> 00:08:40,174 OKAY. RACHEL. WHY? 224 00:08:40,208 --> 00:08:42,911 SHE'S LIZ'S PIMP, OR--OR MADAM. 225 00:08:42,944 --> 00:08:44,779 I DON'T EVEN KNOW WHAT YOU CALL IT. 226 00:08:44,813 --> 00:08:47,148 SO YOUR GIRLFRIEND'S A PROSTITUTE? 227 00:08:47,181 --> 00:08:50,184 AN ESCORT. WHAT'S THE DIFFERENCE? 228 00:08:50,218 --> 00:08:52,286 LIZ AND I HAVE BEEN TOGETHER FOR TWO YEARS, 229 00:08:52,320 --> 00:08:57,025 AND SHE'S BEEN LYING TO ME THE WHOLE TIME. 230 00:08:57,058 --> 00:08:58,092 IF THIS WOMAN'S MISSING, 231 00:08:58,126 --> 00:08:59,093 YOU NEED TO ANSWER OUR QUESTIONS. 232 00:08:59,127 --> 00:09:00,561 I DON'T SEE A WARRANT. 233 00:09:00,595 --> 00:09:02,997 YOU'RE RIGHT. WE DON'T HAVE A WARRANT... 234 00:09:03,031 --> 00:09:05,199 BUT WE CAN GET ONE. IT'S JUST GONNA BE A HASSLE. 235 00:09:05,233 --> 00:09:06,635 YOU KNOW, WE'RE GONNA HAVE TO SEIZE YOUR COMPUTERS 236 00:09:06,668 --> 00:09:09,871 AND ALL YOUR RECORDS, MAKE CALLS TO ALL YOUR CLIENTS. 237 00:09:09,904 --> 00:09:12,306 I THINK I'M GONNA CALL MY LAWYER. 238 00:09:12,340 --> 00:09:13,441 RACHEL, YOUR FRIEND IS MISSING. 239 00:09:13,474 --> 00:09:14,508 LOOK, I DON'T KNOW WHERE SHE IS. 240 00:09:14,542 --> 00:09:15,877 SHE'S PROBABLY OUT OF TOWN. 241 00:09:15,910 --> 00:09:18,079 MAYBE, BUT YOU RUN AN ESCORT AGENCY-- 242 00:09:18,112 --> 00:09:20,615 ELITE COMPANIONS IS NOT AN ESCORT AGENCY. 243 00:09:20,649 --> 00:09:22,984 THE GIRLS PROVIDE COMPANIONSHIP. THAT'S IT. 244 00:09:23,017 --> 00:09:24,385 OHH. 245 00:09:24,418 --> 00:09:26,621 WELL, IF LIZ IS HURT, AND ONE OF HER JOHNS IS INVOLVED, 246 00:09:26,655 --> 00:09:27,722 THEN YOU'LL BE LIABLE. 247 00:09:27,756 --> 00:09:29,557 FORGET LIABLE. YOU'LL BE CHARGED. 248 00:09:29,590 --> 00:09:31,159 (police radio chatter) 249 00:09:31,192 --> 00:09:32,727 LIZ GET ANY CALLS RECENTLY? 250 00:09:32,761 --> 00:09:33,995 I DON'T KNOW. 251 00:09:34,028 --> 00:09:36,665 SHE MANAGES HER OWN BOOKINGS. IT'S ALL DONE ONLINE. 252 00:09:36,698 --> 00:09:38,099 OKAY. WELL, HOW ABOUT A PASSWORD? 253 00:09:38,132 --> 00:09:40,568 WE CAN START WITH THAT. 254 00:09:40,601 --> 00:09:45,674 (keys clicking) OKAY, HERE SHE IS. "LIZ ADAMS." PROFESSIONAL NAME--"AMBER." 255 00:09:45,707 --> 00:09:47,175 (mouse clicks) 256 00:09:47,208 --> 00:09:49,577 $1,500 FOR DINNER AND CONVERSATION? 257 00:09:49,610 --> 00:09:50,845 (Dov) AND SEX. 258 00:09:50,879 --> 00:09:53,347 NO, NO, NO, NO. 3 GRAND FOR AN "INTIMATE ENCOUNTER." 259 00:09:53,381 --> 00:09:55,984 OKAY, YOU GUYS, SHE HASN'T BEEN GOING TO CLASS. 260 00:09:56,017 --> 00:09:57,786 AIRLINES DON'T HAVE HER ON ANY FLIGHT LISTS, 261 00:09:57,819 --> 00:09:59,587 AND THERE'S NO ACTIVITY ON HER CREDIT CARD. 262 00:09:59,620 --> 00:10:01,656 WELL, THAT SAID, SHE COULD BE HIDING OUT, PAYING CASH. 263 00:10:01,690 --> 00:10:02,991 IT'S A CASH BUSINESS, RIGHT? 264 00:10:03,024 --> 00:10:04,859 WE HAD ANOTHER ESCORT FROM THAT AGENCY 265 00:10:04,893 --> 00:10:06,394 THAT WENT MISSING A MONTH AGO. 266 00:10:06,427 --> 00:10:08,362 HER NAME IS NICOLE MARSHALL. 267 00:10:08,396 --> 00:10:10,564 IT'S ONE OF JERRY'S CASES, AND IT'S STILL ACTIVE. 268 00:10:10,598 --> 00:10:13,668 SHE CALLED 9-1-1, AND THEN SHE DISAPPEARED. 269 00:10:13,702 --> 00:10:14,936 HER CONDO WAS IMMACULATE. 270 00:10:14,969 --> 00:10:16,671 THERE WAS NO SIGNS OF A STRUGGLE, 271 00:10:16,705 --> 00:10:18,639 NO D.N.A., NO FINGERPRINTS, NOTHING. 272 00:10:18,673 --> 00:10:22,376 NICOLE MARSHALL--LAST SEEN A MONTH AGO--AUGUST 28. (beeps) 273 00:10:22,410 --> 00:10:23,745 (man) 9-1-1. What is your emergency? 274 00:10:23,778 --> 00:10:25,113 (woman) There's someone at my door. 275 00:10:25,146 --> 00:10:26,614 I think he's trying to break in. Please-- 276 00:10:26,647 --> 00:10:28,349 Okay, ma'am? Try and stay calm. What's your name? 277 00:10:28,382 --> 00:10:29,918 Nicole Marshall. 278 00:10:29,951 --> 00:10:31,753 Okay, Nicole? The police are on their way. (knock on door) 279 00:10:31,786 --> 00:10:33,221 He won't stop knocking. 280 00:10:33,254 --> 00:10:34,856 I can't see who he is, and he won't answer. 281 00:10:34,889 --> 00:10:36,557 THEY ACTUALLY LOOK PRETTY SIMILAR-- 282 00:10:36,590 --> 00:10:39,460 BLONDE, LONG HAIR, FAIR SKIN. 283 00:10:39,493 --> 00:10:41,295 WHAT, YOU THINK THERE'S A CONNECTION? 284 00:10:41,329 --> 00:10:44,733 UH, OKAY, GUYS, I HAVE A LIST OF ALL LIZ ADAMS' CLIENTS. 285 00:10:44,766 --> 00:10:45,734 THERE AREN'T THAT MANY. 286 00:10:45,767 --> 00:10:47,535 COUPLE OF REGULARS, ONCE-WEEKLIES. 287 00:10:47,568 --> 00:10:50,571 INCLUDING THE GUY SHE WENT ON A DATE WITH AT THE ARCHER HOTEL 288 00:10:50,604 --> 00:10:53,641 THE NIGHT SHE DISAPPEARED-- "NiceGuy 76." 289 00:10:53,674 --> 00:10:55,009 THIS GUY SEE ANY OTHER ESCORTS? 290 00:10:55,043 --> 00:10:59,247 UH, I GOT A LIST OF ALL HIS ACTIVITY, LAST TWO YEARS. 291 00:10:59,280 --> 00:11:00,782 "NICOLE MARSHALL." 292 00:11:00,815 --> 00:11:03,584 PROFESSIONAL NAME--VALENTINA. AUGUST 28. 293 00:11:05,419 --> 00:11:08,790 WE HAVE TWO ESCORTS, BOTH FROM THE SAME AGENCY. 294 00:11:08,823 --> 00:11:14,462 BOTH WENT MISSING AFTER A DATE AT THE ARCHER WITH NiceGuy 76. 295 00:11:14,495 --> 00:11:15,864 (Frank) "LIZ ADAMS." 296 00:11:15,897 --> 00:11:18,466 YOU TRACED HER CREDIT CARDS, CELL PHONE RECORDS? 297 00:11:18,499 --> 00:11:21,903 LAST CALL WAS TO HER BOYFRIEND BEFORE SHE DISAPPEARED, 298 00:11:21,936 --> 00:11:24,372 AND NOW HER PHONE'S OFF, SO WE CAN'T TRACK IT. 299 00:11:24,405 --> 00:11:26,808 IT'S BEEN A WEEK, FRANK. THE CLOCK'S RUNNING DOWN. 300 00:11:26,841 --> 00:11:28,476 SO WHAT DO YOU WANT TO DO? 301 00:11:28,509 --> 00:11:30,644 WELL, THE ESCORT AGENCY IS COOPERATING. 302 00:11:30,678 --> 00:11:33,047 WE KNOW THE JOHN'S GOT ANOTHER BOOKING TONIGHT WITH A GIRL 303 00:11:33,081 --> 00:11:34,615 AT HIS FAVORITE HOTEL ROOM. (buzzer, beep) 304 00:11:34,648 --> 00:11:37,018 WE FIGURE WE BRING HIM IN, AND WE, UH, KEEP HIM FOR QUES-- 305 00:11:37,051 --> 00:11:39,187 PULL HER, AND PUT ME IN. 306 00:11:39,220 --> 00:11:40,321 PUT YOU IN? 307 00:11:40,354 --> 00:11:41,990 YEAH, I MEAN, I FIT THE PATTERN, RIGHT? 308 00:11:42,023 --> 00:11:44,959 BOTH GIRLS ARE BLONDE, MID-20s. 309 00:11:44,993 --> 00:11:46,527 I MEAN, I'M RIGHT IN HIS SNACK BRACKET. 310 00:11:46,560 --> 00:11:48,963 PECK, THESE ARE HIGH-END ESCORTS. 311 00:11:48,997 --> 00:11:52,867 SIR. I VISITED EVERY COUNTRY IN EUROPE BEFORE I WAS 18. 312 00:11:52,901 --> 00:11:54,302 JE PARLE FRANCAIS. 313 00:11:54,335 --> 00:11:56,404 SHE HASN'T HAD THE PROPER TRAINING. 314 00:11:56,437 --> 00:11:57,605 SO LET'S TRAIN HER. 315 00:11:57,638 --> 00:11:59,007 WE GOT THE FOXY BROWN OF UNDERCOVER ESCORTS 316 00:11:59,040 --> 00:12:00,108 IN-HOUSE, RIGHT? 317 00:12:00,141 --> 00:12:02,844 HOTEL ROOM RAID OF '98-- 7 JOHNS ARRESTED. 318 00:12:02,877 --> 00:12:05,313 MORALITY SQUAD WANTED HER FOR MONTHS AFTER THAT, RIGHT? 319 00:12:05,346 --> 00:12:06,948 OKAY, WHO ARE WE TALKING ABOUT? 320 00:12:06,981 --> 00:12:09,050 OFFICER WILLIAMS. 321 00:12:09,083 --> 00:12:11,519 NOELLE? 322 00:12:11,552 --> 00:12:14,022 (police radio chatter) 323 00:12:14,055 --> 00:12:16,557 DON'T MAKE ME REGRET THIS. 324 00:12:18,326 --> 00:12:20,461 (pats arm) THERE YOU GO. 325 00:12:23,297 --> 00:12:26,134 OKAY, YOUR PROFILE IS YOUR FIRST POINT OF CONTACT 326 00:12:26,167 --> 00:12:28,702 WITH THE JOHN, SO IT HAS TO PROJECT THE RIGHT IMAGE. 327 00:12:28,736 --> 00:12:31,205 HOW ABOUT ANASTASIA? OR FRANCESCA? 328 00:12:31,239 --> 00:12:32,373 I'M NOT A DRAG QUEEN. 329 00:12:32,406 --> 00:12:35,643 I NEED SOMETHING THAT'S CLASSY AND EXOTIC. 330 00:12:35,676 --> 00:12:38,412 (sighs) ARIEL? OR BELLE? 331 00:12:38,446 --> 00:12:39,981 YOU'RE NAMING PRINCESSES. 332 00:12:40,014 --> 00:12:41,582 OR JASMINE? 333 00:12:41,615 --> 00:12:43,952 JASMINE. YOU COULD TOTALLY MAKE THAT WORK. 334 00:12:43,985 --> 00:12:45,453 ALL RIGHT. JASMINE'S FINE. JUST... 335 00:12:45,486 --> 00:12:47,555 (keyboard clicks) READ IT BACK TO ME. 336 00:12:47,588 --> 00:12:49,090 ALL RIGHT. 337 00:12:49,123 --> 00:12:52,961 "TREAT YOURSELF TO A LUXURIOUS RENDEZVOUS WITH JASMINE. 338 00:12:52,994 --> 00:12:55,729 "JASMINE ENJOYS SHARING DELICIOUS MEALS 339 00:12:55,763 --> 00:12:57,498 AND STIMULATING CONVERSATION." 340 00:12:57,531 --> 00:12:59,834 YEAH, "STIMULATING" HAS ONE "L." 341 00:13:01,335 --> 00:13:03,671 GRAMMAR COUNTS. YOU KNOW WHAT? I'M LEAVING. 342 00:13:03,704 --> 00:13:04,672 (keyboard clicks) 343 00:13:04,705 --> 00:13:06,941 ALL RIGHT. SHE IS RIGHT. 344 00:13:06,975 --> 00:13:08,977 THESE GUYS-- THEY WANT EDUCATED WOMEN. 345 00:13:09,010 --> 00:13:11,312 ALL RIGHT, AND WE NEED TO ADD SOMETHING. 346 00:13:11,345 --> 00:13:12,580 UH... 347 00:13:12,613 --> 00:13:15,383 "LET HER FILL YOUR NEED 348 00:13:15,416 --> 00:13:18,019 FOR THE ULTIMATE GIRLFRIEND EXPERIENCE." 349 00:13:18,052 --> 00:13:19,753 GIRLFRIEND EXPERIENCE? 350 00:13:19,787 --> 00:13:20,955 OKAY, GET IT OUT OF YOUR HEAD 351 00:13:20,989 --> 00:13:22,456 THAT YOU'RE A HOOKER IN A BETTER OUTFIT. 352 00:13:22,490 --> 00:13:24,358 THESE ARE POWERFUL MEN 353 00:13:24,392 --> 00:13:26,460 WITH STRESSFUL JOBS. 354 00:13:26,494 --> 00:13:27,828 THEY WANNA TELL YOU THINGS 355 00:13:27,862 --> 00:13:29,563 THAT THEY WON'T EVEN TELL THEIR WIVES. 356 00:13:29,597 --> 00:13:32,000 YOUR JOB IS TO LISTEN, MAKE 'EM FEEL LIKE 357 00:13:32,033 --> 00:13:34,802 THEY CAN TELL YOU ANYTHING. MAKE 'EM FEEL LIKE THEY'RE 358 00:13:34,835 --> 00:13:37,738 THE MOST IMPORTANT MAN IN THE ROOM. 359 00:13:37,771 --> 00:13:39,173 CAN YOU DO THAT? 360 00:13:39,207 --> 00:13:41,042 (breathy voice) ABSOLUTELY. OKAY, NO. 361 00:13:41,075 --> 00:13:42,576 NO, SEE, THAT'S YOUR FIRST MISTAKE. 362 00:13:42,610 --> 00:13:43,844 DON'T TRY TO BE SEXY. 363 00:13:43,878 --> 00:13:48,649 JUST... YOU HAVE TO BE REAL. 364 00:13:48,682 --> 00:13:49,750 THIS HARD DRIVE HOLDS 365 00:13:49,783 --> 00:13:53,287 40 HOURS OF DIGITIZED 9-1-1 CALLS. 366 00:13:53,321 --> 00:13:55,056 NOW ALL OF THESE CAME IN 367 00:13:55,089 --> 00:13:58,592 THE WEEK AFTER, UH, NICOLE MARSHALL DISAPPEARED. 368 00:13:58,626 --> 00:14:01,529 (crunching) YOU TWO ARE GOING TO LISTEN TO THE CALLS-- 369 00:14:01,562 --> 00:14:04,032 ALL OF THE CALLS. 370 00:14:04,065 --> 00:14:07,235 WE'RE LOOKING FOR PATTERNS, NEW EVIDENCE, ANYTHING. 371 00:14:07,268 --> 00:14:09,303 NOW MOST OF THE CALLS ARE GONNA SEEM UNRELATED. 372 00:14:09,337 --> 00:14:11,072 AND IF NOT, THEY'RE A PRANK. 373 00:14:11,105 --> 00:14:12,440 ALL RIGHT, BUT THERE IS NO SKIPPING. 374 00:14:12,473 --> 00:14:13,641 ABSOLUTELY NO SKIPPING. 375 00:14:13,674 --> 00:14:16,010 YOU ARE GOING TO LISTEN TO EVERY SINGLE CALL 376 00:14:16,044 --> 00:14:17,178 IN ITS ENTIRETY. 377 00:14:17,211 --> 00:14:20,314 ARE WE BEING PUNISHED FOR SOMETHING? 378 00:14:20,348 --> 00:14:21,382 POLICE OFFICERS, AREN'T YOU? 379 00:14:21,415 --> 00:14:22,750 YEAH. 380 00:14:22,783 --> 00:14:25,719 WELL, THIS IS WHAT POLICE OFFICERS DO. (Dov crunching) 381 00:14:25,753 --> 00:14:26,854 GIVE ME A CHIP THERE, PAL. 382 00:14:26,887 --> 00:14:30,058 THANK YOU. YOU'RE NOT GONNA NEED THESE. 383 00:14:30,091 --> 00:14:32,693 (crunches) 384 00:14:32,726 --> 00:14:34,095 OLIVER? 385 00:14:34,128 --> 00:14:35,496 WHAT? 386 00:14:35,529 --> 00:14:38,232 YOU'RE A JOHN. YOU'RE A CLIENT WHO'S BOOKED ME. (hits shoulder) 387 00:14:38,266 --> 00:14:39,300 I AM? 388 00:14:39,333 --> 00:14:41,970 YEAH. SIT. 389 00:14:42,003 --> 00:14:43,437 (crunches) 390 00:14:43,471 --> 00:14:46,074 (whispers) ALL RIGHT. 391 00:14:46,107 --> 00:14:48,977 (sighs) 392 00:14:49,010 --> 00:14:50,244 HI. 393 00:14:50,278 --> 00:14:52,513 HI. 394 00:14:52,546 --> 00:14:54,248 IT'S NICE TO MEET YOU. 395 00:14:54,282 --> 00:14:56,284 I'M GISELLE. 396 00:14:56,317 --> 00:14:57,518 HEY, GISELLE. 397 00:14:57,551 --> 00:15:01,589 AND, UH, YOU ARE... 398 00:15:01,622 --> 00:15:02,991 PETER. 399 00:15:03,024 --> 00:15:05,759 OKAY. PETER. PETER WHAT? 400 00:15:05,793 --> 00:15:07,761 PETER... 401 00:15:07,795 --> 00:15:09,563 PETER... PARKER. 402 00:15:09,597 --> 00:15:11,599 (chuckles) 403 00:15:11,632 --> 00:15:13,234 THAT'S FUNNY. 404 00:15:13,267 --> 00:15:16,770 UM, BUT I DON'T KNOW. I... 405 00:15:16,804 --> 00:15:18,172 YOU LOOK MORE LIKE THE KIND OF GUY 406 00:15:18,206 --> 00:15:19,907 WHO WAS NAMED AFTER HIS GRANDFATHER. 407 00:15:19,940 --> 00:15:25,579 I WAS NAMED AFTER MY GREAT-UNCLE... OLIVER. 408 00:15:25,613 --> 00:15:27,982 AND ARE YOU A FAMILY MAN, OLIVER? 409 00:15:28,016 --> 00:15:29,050 THREE GIRLS. 410 00:15:29,083 --> 00:15:30,418 THREE GIRLS? MM-HMM. 411 00:15:30,451 --> 00:15:33,154 WOW. SO YOU MUST HAVE YOUR HANDS FULL. 412 00:15:33,187 --> 00:15:34,555 YOU KNOW HAVE NO IDEA, GISELLE. 413 00:15:34,588 --> 00:15:38,792 OOH, I AM THE OLDEST OF FOUR GIRLS. 414 00:15:38,826 --> 00:15:40,394 I HAVE A PRETTY GOOD IDEA. 415 00:15:40,428 --> 00:15:44,898 I, UH... WELL, I SHARE THE LOAD WITH MY WIFE. 416 00:15:46,667 --> 00:15:49,137 ACTUALLY, MY WIFE DOES ALL THE WORK, AND SHE KNOWS IT. 417 00:15:50,638 --> 00:15:52,006 YOU KNOW WHAT? 418 00:15:52,040 --> 00:15:53,641 WHAT? 419 00:15:53,674 --> 00:15:56,677 WE'RE ALL JUST DOING THE BEST WE CAN. 420 00:15:56,710 --> 00:16:00,381 SOMETIMES WE GET LUCKY, AND THE... PEOPLE WE'RE WITH-- 421 00:16:00,414 --> 00:16:02,816 THEY UNDERSTAND AND SUPPORT THAT. 422 00:16:04,052 --> 00:16:05,619 WOW. 423 00:16:05,653 --> 00:16:06,854 YOU STILL GOT IT, WILLIAMS. 424 00:16:06,887 --> 00:16:07,855 MM-HMM. 425 00:16:07,888 --> 00:16:10,291 WOW. 426 00:16:10,324 --> 00:16:13,127 POINT IS, MAKE A CONNECTION. MAKE IT REAL. 427 00:16:13,161 --> 00:16:15,463 GOT IT? 428 00:16:15,496 --> 00:16:18,532 ALL RIGHT. LET'S GET YOUR PICTURE TAKEN. 429 00:16:18,566 --> 00:16:20,000 (groans) 430 00:16:20,034 --> 00:16:21,569 (male dispatcher) 9-1-1. What is your emergency? 431 00:16:21,602 --> 00:16:24,338 (elderly woman) I was at an antique fair down in Caledon, 432 00:16:24,372 --> 00:16:29,043 and I saw that young lady who was missing--Nicole Marshall? 433 00:16:29,077 --> 00:16:32,480 I'm positive it was her. She was bidding on a trunk. 434 00:16:32,513 --> 00:16:33,881 They were calling it a Jenny Lind, 435 00:16:33,914 --> 00:16:35,516 but there's no way those buttons were brass. 436 00:16:35,549 --> 00:16:36,850 Can you describe the woman? 437 00:16:36,884 --> 00:16:39,620 (teakettle whistling) Mm, she had red hair. 438 00:16:39,653 --> 00:16:42,490 Oh, one moment. There goes my teakettle. 439 00:16:42,523 --> 00:16:45,826 WE'RE TAKING CALLS FROM THE ANTIQUE ROADSHOW, 440 00:16:45,859 --> 00:16:48,196 AND GAIL'S GOING UNDERCOVER WITH HER NEW BOYFRIEND. 441 00:16:48,229 --> 00:16:49,530 IT'S OKAY IF YOU'RE NOT OVER HER. 442 00:16:49,563 --> 00:16:51,799 LOOK, JUST 'CAUSE YOU'RE NOT OVER SUE, 443 00:16:51,832 --> 00:16:53,267 DOESN'T MEAN I'M NOT OVER GAIL. 444 00:16:53,301 --> 00:16:54,535 YOU HAVE A DIFFERENT GIRL IN YOUR BED EVERY WEEK. 445 00:16:54,568 --> 00:16:55,969 SOMETIMES YOU DON'T EVEN CHANGE THE SHEETS. 446 00:16:56,003 --> 00:16:57,238 ONLY WHEN I DON'T HAVE TIME. 447 00:16:58,106 --> 00:17:00,441 ALL I'M SAYING IS IT'S OKAY. 448 00:17:00,474 --> 00:17:06,247 LOOK, SOMETIMES THE ONLY WAY TO BEAT QUALITY IS WITH QUANTITY. 449 00:17:06,280 --> 00:17:07,581 (taps key) 450 00:17:07,615 --> 00:17:10,351 OKAY, SO WE'RE ALL SET. 451 00:17:10,384 --> 00:17:13,854 NiceGuy76 LIKED MY PROFILE. DINNER AT THE ARCHER, 10:00, 452 00:17:13,887 --> 00:17:15,456 AND HE EVEN BOOKED THE PENTHOUSE SUITE. 453 00:17:15,489 --> 00:17:16,957 10:00 P.M.? MM-HMM. 454 00:17:16,990 --> 00:17:19,427 ALL RIGHT, WELL, WE DON'T HAVE TIME FOR A WARRANT, 455 00:17:19,460 --> 00:17:21,229 SO WE WON'T BE WIRED FOR AUDIO. 456 00:17:21,262 --> 00:17:25,866 THE BEST WE CAN DO IS TAP INTO HOTEL CAMERAS. 457 00:17:25,899 --> 00:17:27,701 ARE YOU SURE YOU WANNA DO THIS TONIGHT? 458 00:17:27,735 --> 00:17:29,337 IF HE WANTS TO MEET TONIGHT, I'M READY. 459 00:17:29,370 --> 00:17:32,005 I MEAN, WHY WOULD WE GIVE HIM A CHANCE TO RECONSIDER? 460 00:17:32,039 --> 00:17:33,274 LET'S DO IT. 461 00:17:33,307 --> 00:17:34,875 NOELLE? 462 00:17:34,908 --> 00:17:37,445 SHE SAYS SHE'S READY. 463 00:17:38,346 --> 00:17:39,913 OKAY. 464 00:17:39,947 --> 00:17:41,849 ALL RIGHT, YOU'RE NOT A COP. YOU'RE AN ESCORT. 465 00:17:41,882 --> 00:17:43,551 YOU WON'T BE ARMED, SO IF ANYTHING HAPPENS, 466 00:17:43,584 --> 00:17:46,287 SPRAY THIS IN HIS EYES AND GET OUT OF THERE. GOT IT? 467 00:17:46,320 --> 00:17:48,122 UH-HUH. 468 00:17:48,156 --> 00:17:49,223 SURE YOU'RE READY FOR THIS? 469 00:17:49,257 --> 00:17:51,058 ABSOLUTELY. 470 00:17:51,091 --> 00:17:52,593 I CAN DO THIS. 471 00:17:52,626 --> 00:17:55,363 *** 472 00:17:57,331 --> 00:18:00,268 (man) GUYS, I'M SORRY. MY HANDS ARE TIED. 473 00:18:00,301 --> 00:18:03,637 MY CLIENTS DO HAVE AN EXPECTATION OF PRIVACY. 474 00:18:03,671 --> 00:18:06,174 WE ONLY HAVE CAMERAS DOWN HERE. THERE ARE NONE UPSTAIRS. 475 00:18:06,207 --> 00:18:09,510 YOU MUST GET A LOT OF THESE LADIES COMING THROUGH HERE, HUH? 476 00:18:09,543 --> 00:18:11,779 MAYBE. I DON'T KNOW. 477 00:18:11,812 --> 00:18:13,714 COULD NEVER TELL WHO THEY ARE. 478 00:18:13,747 --> 00:18:15,082 REALLY? 479 00:18:15,115 --> 00:18:16,650 LET ME HELP YOU. THEY'RE DROP-DEAD. 480 00:18:16,684 --> 00:18:18,186 THEY ARRIVE ALONE. 481 00:18:18,219 --> 00:18:19,720 THEY LEAVE ALONE A FEW HOURS LATER. 482 00:18:19,753 --> 00:18:21,222 THEY COME BACK AGAIN AND AGAIN. 483 00:18:21,255 --> 00:18:22,723 I MEAN, THERE'S THAT. 484 00:18:22,756 --> 00:18:25,058 THESE ARE THE GIRLS YOU GUYS MAKE ALL YOUR MONEY ON. 485 00:18:25,092 --> 00:18:27,195 CAN'T ARREST TWO PEOPLE FOR HAVING DINNER. 486 00:18:27,228 --> 00:18:29,730 AND WE'RE HARDLY GOING TO FOLLOW THEM UP TO THEIR ROOMS. 487 00:18:29,763 --> 00:18:31,499 WHY DON'T YOU SHOW ME YOUR SECURITY SETUP? 488 00:18:31,532 --> 00:18:33,066 YOU BET. RIGHT THIS WAY. 489 00:18:33,100 --> 00:18:35,569 GAVIN. 490 00:18:35,603 --> 00:18:37,738 YOU'RE THE ONLY ONE THAT KNOWS WE'RE HERE TONIGHT. 491 00:18:37,771 --> 00:18:39,207 OF COURSE. 492 00:18:42,443 --> 00:18:43,677 THIS'LL WORK. 493 00:18:46,113 --> 00:18:47,915 YEAH. 494 00:18:47,948 --> 00:18:50,851 YEAH. THIS'LL-- THIS'LL BE JUST FINE. 495 00:18:50,884 --> 00:18:53,687 (woman speaking indistinctly) 496 00:18:53,721 --> 00:18:54,888 HEY. 497 00:18:54,922 --> 00:18:55,889 HEY. 498 00:18:55,923 --> 00:18:57,358 YOU LOOK AMAZING. 499 00:18:57,391 --> 00:18:59,393 THANK YOU. SO DO YOU. 500 00:19:01,262 --> 00:19:04,097 OKAY, SO A CAR'S GONNA TAKE YOU TO THE ARCHER, 501 00:19:04,131 --> 00:19:06,367 YOU KNOW, SO YOU MAKE AN ENTRANCE. 502 00:19:06,400 --> 00:19:08,035 JERRY WANTED ME TO REMIND YOU 503 00:19:08,068 --> 00:19:09,670 THAT THERE HAS TO BE AN EXCHANGE OF MONEY. 504 00:19:09,703 --> 00:19:12,039 SO AS SOON AS YOU GUYS GET UP TO THE ROOM, 505 00:19:12,072 --> 00:19:13,607 YOU KNOW, MAKE SURE HE PAYS YOU. 506 00:19:13,641 --> 00:19:14,608 OKAY. 507 00:19:14,642 --> 00:19:17,711 UH, WHEN HE DOES, 508 00:19:17,745 --> 00:19:19,280 YOU NEED TO CALL ROOM SERVICE 509 00:19:19,313 --> 00:19:20,548 AND ORDER A BOTTLE OF CHAMPAGNE, 510 00:19:20,581 --> 00:19:22,082 'CAUSE THAT'S THE SIGNAL FOR US. 511 00:19:22,115 --> 00:19:23,251 OKAY. 512 00:19:23,284 --> 00:19:24,252 ME AND NICK ARE GONNA BE THERE THE WHOLE TIME. 513 00:19:24,285 --> 00:19:25,353 WHEN YOU GUYS ARE COMING UPSTAIRS, 514 00:19:25,386 --> 00:19:27,087 WE'RE GONNA BE IN THE HALLWAY. 515 00:19:27,120 --> 00:19:28,656 I KNOW. OKAY. 516 00:19:28,689 --> 00:19:31,158 (zips pouch) 517 00:19:31,191 --> 00:19:32,293 WHAT'S UP? 518 00:19:32,326 --> 00:19:33,761 JUST, I DON'T HAVE EARRINGS. 519 00:19:33,794 --> 00:19:36,330 OH. PFFT. TAKE MINE. 520 00:19:36,364 --> 00:19:37,765 HERE, SERIOUSLY. THANK YOU. 521 00:19:37,798 --> 00:19:39,800 I DON'T NEED THEM. THEY'LL LOOK BETTER ON YOU ANYWAY. 522 00:19:39,833 --> 00:19:40,801 HERE. (earrings clatter) 523 00:19:40,834 --> 00:19:43,504 OKAY, WHAT DO YOU THINK? 524 00:19:43,537 --> 00:19:44,805 IT'S GONNA LOOK GREAT. 525 00:19:44,838 --> 00:19:47,007 PERFECT GIRLFRIEND MATERIAL? HMM? YEAH. 526 00:19:47,040 --> 00:19:48,309 HMM? HMM? 527 00:19:48,342 --> 00:19:50,744 ARE YOU NERVOUS? IT'S OKAY. 528 00:19:50,778 --> 00:19:52,680 IT'S FINE. USE IT. I MEAN, IT'S A FIRST DATE. 529 00:19:52,713 --> 00:19:54,181 YOU SHOULD BE NERVOUS. YES. 530 00:19:54,214 --> 00:19:56,817 LOOK, THIS IS THE COOLEST PART ABOUT BEING UNDERCOVER. MM-HMM. 531 00:19:56,850 --> 00:19:58,986 THE MORE REAL YOU ARE, THE MORE THEY'RE GONNA BUY IT. 532 00:19:59,019 --> 00:20:02,323 OKAY. LOOK, THE CAR'S HERE, SO I'M GONNA MEET YOU THERE. 533 00:20:02,356 --> 00:20:04,358 ALL RIGHT. (sighs) 534 00:20:09,497 --> 00:20:11,365 (horns honk in distance) 535 00:20:11,399 --> 00:20:14,402 (siren wailing in distance) 536 00:20:18,005 --> 00:20:19,273 THANK YOU. 537 00:20:21,342 --> 00:20:24,345 (indistinct conversations) 538 00:20:42,396 --> 00:20:43,864 (horn honks in distance) 539 00:20:48,769 --> 00:20:50,971 SHE'S ON HER WAY IN. 540 00:20:51,004 --> 00:20:56,810 *** 541 00:21:01,582 --> 00:21:03,050 (lowered voice) HERE WE GO. 542 00:21:08,188 --> 00:21:11,024 LET ME GUESS. 543 00:21:11,058 --> 00:21:12,225 APPLETINI. 544 00:21:12,259 --> 00:21:15,128 I DON'T LIKE FRUITY DRINKS. TEQUILA. 545 00:21:15,162 --> 00:21:19,066 OH, WELL, YOU KNOW, TECHNICALLY, THE AGAVE IS A FRUIT PLANT. 546 00:21:19,099 --> 00:21:22,970 OH, IS THAT WHAT YOU DO? YOU LECTURE PEOPLE ON ALCOHOL? 547 00:21:23,003 --> 00:21:25,238 ONLY PEOPLE LIKE YOU. 548 00:21:27,775 --> 00:21:29,176 AREN'T YOU WORKING? 549 00:21:29,209 --> 00:21:30,310 WHAT, ARE YOU GONNA REPORT ME? 550 00:21:30,344 --> 00:21:32,880 (bottle clatters) 551 00:21:35,583 --> 00:21:37,418 (glass clatters) IS THAT YOUR TELL? 552 00:21:37,451 --> 00:21:40,388 WHAT? YOU GET NERVOUS, YOU START PLAYING WITH YOUR EARRING. 553 00:21:40,421 --> 00:21:43,857 THESE AREN'T EVEN MINE. THEY'RE MY FRIEND'S. 554 00:21:43,891 --> 00:21:45,926 SHE LENT THEM TO ME 'CAUSE I'M STAYING AT HER HOUSE 555 00:21:45,959 --> 00:21:47,928 BECAUSE MY PLACE IS BEING RENOVATED, 556 00:21:47,961 --> 00:21:49,497 AND THEY'RE NOT EVEN REALLY MY STYLE, 557 00:21:49,530 --> 00:21:51,565 BUT I MEAN, I GUESS THEY'RE NICE, BUT... 558 00:21:51,599 --> 00:21:55,235 (laughs) I DON'T WHY I'M TALKING SO MUCH. 559 00:21:55,268 --> 00:21:56,303 UH... (chuckles) 560 00:21:56,336 --> 00:21:58,439 BECAUSE HE'S LATE. 561 00:22:03,944 --> 00:22:05,212 HEY. 562 00:22:05,245 --> 00:22:07,147 THIS GUY STANDS YOU UP, 563 00:22:07,180 --> 00:22:09,049 YOU GOTTA DUMP HIM. 564 00:22:09,082 --> 00:22:10,384 SERIOUSLY. 565 00:22:10,418 --> 00:22:12,319 PROMISE ME? 566 00:22:12,352 --> 00:22:13,621 PROMISE. 567 00:22:13,654 --> 00:22:15,255 (clink) 568 00:22:15,288 --> 00:22:17,925 (siren wailing in distance) 569 00:22:17,958 --> 00:22:20,994 WHAT IF HE DOESN'T SHOW? 570 00:22:21,028 --> 00:22:23,296 HE'LL SHOW. HE'S A ROMANTIC. 571 00:22:23,330 --> 00:22:25,132 PAYING FOR SEX IS ROMANTIC? 572 00:22:25,165 --> 00:22:28,068 HE'S NOT PAYING FOR SEX. 573 00:22:28,101 --> 00:22:29,437 HE'S PAYING TO HAVE PECK LOOK AT HIM 574 00:22:29,470 --> 00:22:32,172 LIKE HE'S EVERYTHING SHE COULD EVER WANT IN A MAN. 575 00:22:34,842 --> 00:22:36,877 JERRY... 576 00:22:36,910 --> 00:22:38,912 YOU DO REALIZE THAT YOU ARE EVERYTHING 577 00:22:38,946 --> 00:22:40,748 I COULD EVER WANT IN A MAN. 578 00:22:40,781 --> 00:22:43,150 YEAH. I KNOW. I GET IT. 579 00:22:44,351 --> 00:22:46,787 YOU JUST DON'T LIKE BOATS. 580 00:22:46,820 --> 00:22:48,922 (scoffs) 581 00:22:48,956 --> 00:22:50,624 JERRY. 582 00:22:50,658 --> 00:22:52,259 OKAY. 583 00:22:52,292 --> 00:22:53,260 HI. 584 00:22:53,293 --> 00:22:54,862 HI. CHARLIE DAVIS. NICE TO MEET YOU. 585 00:22:54,895 --> 00:22:55,963 HI. NICE TO MEET YOU, TOO. 586 00:22:55,996 --> 00:22:57,531 UM, CAN I GET YOU A DRINK? 587 00:22:57,565 --> 00:23:00,568 I--ACTUALLY, I'VE ALREADY GOT ONE. 588 00:23:00,601 --> 00:23:02,670 (glass clatters) 589 00:23:02,703 --> 00:23:04,805 I WOULD LOVE ANOTHER ONE, THOUGH. 590 00:23:04,838 --> 00:23:06,006 ARE YOU OKAY? 591 00:23:06,039 --> 00:23:07,941 (giggles) YEAH. UH, APPLETINI? 592 00:23:07,975 --> 00:23:10,544 UH, APPLETINI AND A CRANBERRY JUICE, PLEASE. 593 00:23:10,578 --> 00:23:12,446 *** 594 00:23:12,480 --> 00:23:14,548 SO, JASMINE, 595 00:23:14,582 --> 00:23:16,950 YOU'RE NOT WHAT I WAS EXPECTING. 596 00:23:16,984 --> 00:23:20,220 OH. RACHEL SAID THAT YOU WANTED TO MEET SOMEONE NEW. 597 00:23:20,253 --> 00:23:21,822 YOU DON'T HAVE TO BE NERVOUS. I'M NOT GONNA BITE. 598 00:23:23,991 --> 00:23:25,526 SO WHY DO YOU DO THIS? 599 00:23:26,760 --> 00:23:28,261 WHY NOT? 600 00:23:28,295 --> 00:23:30,363 YOU KNOW, IT'S FUNNY. 601 00:23:30,397 --> 00:23:33,266 BACK IN COLLEGE, A GIRL LIKE YOU 602 00:23:33,300 --> 00:23:35,769 WOULDN'T GIVE ME TIME OF DAY, AND NOW I MAKE YOU NERVOUS. 603 00:23:37,505 --> 00:23:40,173 HEY, NO, NO. IT'S A COMPLIMENT. 604 00:23:40,207 --> 00:23:43,343 REALLY, I MEAN, YOU'RE--YOU'RE VERY BEAUTIFUL. 605 00:23:43,376 --> 00:23:46,680 THAT MADE YOU UNCOMFORTABLE, THOUGH. WHY? 606 00:23:46,714 --> 00:23:48,516 I... DON'T KNOW. 607 00:23:48,549 --> 00:23:51,384 WELL, EITHER YOU DISAGREE, 608 00:23:51,418 --> 00:23:53,186 WHICH MEANS YOU'RE VERY INSECURE, 609 00:23:53,220 --> 00:23:55,556 OR... YOU KNOW IT'S THE TRUTH, 610 00:23:55,589 --> 00:23:58,025 BUT YOU THINK IT'S SOCIALLY UNACCEPTABLE TO ADMIT IT. 611 00:23:58,058 --> 00:24:00,360 I-I HONESTLY DON'T KNOW WHAT TO SAY. 612 00:24:00,393 --> 00:24:02,896 I'M JUST FASCINATED TO KNOW WHY A WOMAN LIKE YOU 613 00:24:02,930 --> 00:24:05,065 WOULD WANNA BE SEEN WITH SOMEONE LIKE ME. 614 00:24:05,098 --> 00:24:07,568 WELL, MAYBE YOU'RE THE ONE WHO'S DEEPLY INSECURE. 615 00:24:11,238 --> 00:24:13,173 NOW WE'RE GETTING SOMEWHERE. 616 00:24:14,407 --> 00:24:16,009 (man) SO WOULD YOU LIKE TO SEE SOME MENUS? 617 00:24:16,043 --> 00:24:18,278 HEY, YEAH, PLEASE. THANK YOU. 618 00:24:18,311 --> 00:24:20,948 *** 619 00:24:22,650 --> 00:24:24,818 (female dispatcher) 9-1-1. What is your emergency? 620 00:24:24,852 --> 00:24:28,121 (elderly man) Yes, hello. My name is Clarence Dodgson. 621 00:24:28,155 --> 00:24:31,191 Can you put me through to the Lost and Found Department? 622 00:24:31,224 --> 00:24:34,194 OH, SERIOUSLY, KILL ME. SHOOT ME IN THE FACE WITH YOUR GUN. Well, I don't know. 623 00:24:34,227 --> 00:24:37,731 I found this necklace while I was out walking. 624 00:24:37,765 --> 00:24:40,834 It's gold and has a heart-shaped locked. 625 00:24:40,868 --> 00:24:42,970 The person who dropped it must be very upset. 626 00:24:43,003 --> 00:24:45,305 LOOK... (stammers) 627 00:24:45,338 --> 00:24:48,175 NOBODY CALLS IN TO REPORT LOST AND FOUND. 628 00:24:48,208 --> 00:24:49,810 OKAY, JUST--JUST SKIP IT. 629 00:24:49,843 --> 00:24:51,845 NO. OLIVER SAID WE GOTTA LISTEN TO ALL OF 'EM 630 00:24:51,879 --> 00:24:52,946 ALL THE WAY THROUGH. 631 00:24:52,980 --> 00:24:54,548 THIS IS ABOUT AS BAD AS THE THREE PEOPLE 632 00:24:54,582 --> 00:24:58,418 THAT CALLED 9-1-1 OVER PIZZAS. 633 00:24:58,451 --> 00:25:01,889 IT'S NOTHIN'. JUST SKIP IT. (taps key) 634 00:25:01,922 --> 00:25:04,324 Sir, if there's no emergency, I have to clear the line. 635 00:25:04,357 --> 00:25:06,226 Well, I found it on the ground 636 00:25:06,259 --> 00:25:07,995 while I was walking my dog Atticus 637 00:25:08,028 --> 00:25:09,329 by Moore Park. 638 00:25:09,362 --> 00:25:12,132 And there's an inscription. 639 00:25:12,165 --> 00:25:14,802 Just a moment. Let me get my other glasses. 640 00:25:16,904 --> 00:25:20,507 Yes, that's better. It says "Nicole." 641 00:25:20,540 --> 00:25:23,844 It looks to me like a keepsake, so I wanted to call it in. 642 00:25:23,877 --> 00:25:26,647 (taps key) 643 00:25:27,848 --> 00:25:30,150 GOLD HEART-SHAPED NECKLACE. 644 00:25:30,183 --> 00:25:32,285 THAT'S NOT NOTHIN'. 645 00:25:42,996 --> 00:25:45,232 I STARTED THE BUSINESS IN MY PARENTS' BASEMENT, 646 00:25:45,265 --> 00:25:48,068 AND, UM, I HAD NO IDEA IT WOULD GO SO BIG SO FAST. 647 00:25:48,101 --> 00:25:52,706 AND IT'S WEIRD BEING IN CHARGE OF 200 PEOPLE, 648 00:25:52,740 --> 00:25:53,974 MOSTLY 'CAUSE THEY WANT ME TO-- 649 00:25:54,007 --> 00:25:55,275 THEY EXPECT ME TO ACT A CERTAIN WAY, 650 00:25:55,308 --> 00:26:00,013 LIKE... TOUGH, DECISIVE, NO FEAR. 651 00:26:00,047 --> 00:26:02,850 IT'S NOT WHO I AM. 652 00:26:02,883 --> 00:26:04,551 KIND OF WHO THEY NEED ME TO BE. 653 00:26:04,584 --> 00:26:05,986 YEAH, MY FRIENDS ARE LIKE THAT. 654 00:26:06,019 --> 00:26:08,221 SORT OF SEE ME THIS ONE WAY, 655 00:26:08,255 --> 00:26:10,023 NO MATTER WHAT I DO. 656 00:26:10,057 --> 00:26:12,159 AND THE WEIRD THING IS, IT'S SORT OF GETTING EASIER 657 00:26:12,192 --> 00:26:15,295 FOR ME TO BE THAT PERSON. 658 00:26:15,328 --> 00:26:17,898 WELL... I MUST BE GETTING GOOD AT IT. 659 00:26:17,931 --> 00:26:19,833 (chuckles) 660 00:26:19,867 --> 00:26:21,601 YOU WANNA GET OUT OF HERE? 661 00:26:24,371 --> 00:26:25,639 YEAH, SURE. 662 00:26:26,774 --> 00:26:29,342 HEY, CAN I HAVE THE, UM, CAN I HAVE THE BILL, PLEASE? 663 00:26:32,145 --> 00:26:35,215 (cell phone beeps) 664 00:26:35,248 --> 00:26:39,019 (indistinct conversations) 665 00:26:39,052 --> 00:26:40,353 (Charlie) THANK YOU. 666 00:26:50,363 --> 00:26:52,199 (button clicks) 667 00:26:52,232 --> 00:26:54,902 (speaks inaudibly) 668 00:26:58,471 --> 00:27:00,040 (elevator bell dings, doors open) 669 00:27:03,711 --> 00:27:05,545 (elevator doors close) 670 00:27:05,578 --> 00:27:08,248 SO, UH, WHAT FLOOR ARE YOU ON? 671 00:27:08,281 --> 00:27:10,818 I AM IN THE PENTHOUSE. 672 00:27:10,851 --> 00:27:12,485 (button clicks) 673 00:27:13,954 --> 00:27:16,824 BUT... I THOUGHT WE'D GO FOR A LITTLE RIDE FIRST. 674 00:27:16,857 --> 00:27:18,158 (button clicks) 675 00:27:20,994 --> 00:27:22,162 (beep) 676 00:27:24,197 --> 00:27:26,299 McNALLY, THEY'RE RIGHT BEHIND YOU. 677 00:27:28,301 --> 00:27:31,604 (elevator doors close) 678 00:27:37,244 --> 00:27:39,246 (elevator doors open) 679 00:27:42,950 --> 00:27:46,319 (elevator bell dings, doors open) 680 00:27:50,590 --> 00:27:52,525 (receiver clatters) 681 00:27:54,194 --> 00:27:55,729 (cell phone rings) 682 00:27:55,763 --> 00:27:57,297 (beep) 683 00:27:57,330 --> 00:27:58,766 YEAH. 684 00:27:58,799 --> 00:28:00,868 HEY, LISTEN, NOBODY'S IN THE ELEVATOR. WHERE ARE THEY? 685 00:28:00,901 --> 00:28:03,103 WHAT? HOLD ON. 686 00:28:03,136 --> 00:28:04,171 (beep) 687 00:28:04,204 --> 00:28:05,405 SAM, YOU GOT A VISUAL? 688 00:28:05,438 --> 00:28:07,640 WHAT DO YOU MEAN? THEY JUST WENT IN THE ELEVATOR. 689 00:28:07,674 --> 00:28:09,376 THEY'RE NOT UPSTAIRS? 690 00:28:11,611 --> 00:28:13,947 ALL RIGHT, HANG ON. 691 00:28:14,581 --> 00:28:16,149 WHERE ARE THEY? 692 00:28:18,285 --> 00:28:20,220 WHERE ARE THEY? 693 00:28:20,253 --> 00:28:21,221 WHERE ARE THEY? 694 00:28:21,254 --> 00:28:25,058 (pounding keys) 695 00:28:26,293 --> 00:28:28,661 *** 696 00:28:28,695 --> 00:28:32,099 (siren wailing in distance) 697 00:28:32,132 --> 00:28:35,535 OKAY, COME ON. COME ON. 698 00:28:41,541 --> 00:28:43,076 GOT HER. THERE. 699 00:28:43,110 --> 00:28:44,611 IN THE GARAGE. 700 00:28:44,644 --> 00:28:47,981 SO I GUESS THIS IS, UH, P3? 701 00:28:48,015 --> 00:28:49,749 SORRY. I ALWAYS GET LOST IN THESE THINGS. 702 00:28:49,783 --> 00:28:51,952 DON'T WORRY. I KNOW WHERE I PARKED. 703 00:28:53,453 --> 00:28:54,855 SMART GIRL. 704 00:28:54,888 --> 00:28:59,159 OKAY, GUYS, THEY'RE IN THE PARKING GARAGE, THIRD LEVEL. 705 00:28:59,192 --> 00:29:00,293 OKAY. 706 00:29:00,327 --> 00:29:01,561 (button clicks) LEVEL 3. THE GARAGE. 707 00:29:01,594 --> 00:29:03,130 (button clicks) 708 00:29:03,163 --> 00:29:04,764 (sighs) 709 00:29:04,798 --> 00:29:07,634 WE'LL TAKE THE STAIRS. IT'LL BE FASTER. 710 00:29:07,667 --> 00:29:09,102 HAD TO BE THE PENTHOUSE. 711 00:29:11,839 --> 00:29:14,241 (sighs and sniffles) 712 00:29:16,709 --> 00:29:18,411 (opens car door) 713 00:29:18,445 --> 00:29:19,412 LADIES FIRST. 714 00:29:19,446 --> 00:29:21,381 HEY, SO, LISTEN, UM, 715 00:29:21,414 --> 00:29:23,984 NOT TO BE BORING, BUT... 716 00:29:25,853 --> 00:29:27,855 YEAH. NO, OF COURSE. 717 00:29:27,888 --> 00:29:29,990 I MEAN, THAT'S ALWAYS AN AWKWARD MOMENT, RIGHT? 718 00:29:30,023 --> 00:29:33,693 NO, NOT AT ALL. UM... LET'S GET IN THE CAR FIRST. 719 00:29:33,726 --> 00:29:35,896 OKAY. 720 00:29:46,206 --> 00:29:47,807 (opens car door) 721 00:29:51,811 --> 00:29:53,080 HERE. 722 00:29:53,113 --> 00:29:55,082 THANK YOU. 723 00:29:55,115 --> 00:29:57,650 IT'S OKAY. I'M SURE YOU'RE WORTH IT. 724 00:29:59,252 --> 00:30:01,989 NOW WE CAN JUST RELAX. BE OURSELVES. 725 00:30:02,022 --> 00:30:04,524 UM, SO WHERE ARE WE GOING? 726 00:30:07,194 --> 00:30:08,661 (starts engine) YOU'LL SEE. 727 00:30:08,695 --> 00:30:10,363 YEAH, IT'S JUST, USUALLY MY DATES 728 00:30:10,397 --> 00:30:12,199 LIKE TO GO RIGHT UPSTAIRS. 729 00:30:12,232 --> 00:30:14,401 WELL, WHAT'S THE FUN IN THAT? 730 00:30:14,434 --> 00:30:17,170 I DON'T LIKE SURPRISES. 731 00:30:17,204 --> 00:30:19,539 I TOLD YOU. 732 00:30:21,041 --> 00:30:23,010 DON'T BE NERVOUS. 733 00:30:25,012 --> 00:30:26,713 IT'S TIME YOU LEARNED TO DO WHAT I TELL YOU. 734 00:30:28,882 --> 00:30:30,050 (loud knock on window) 735 00:30:30,083 --> 00:30:32,986 NiceGuy. NiceGuy76. 736 00:30:33,020 --> 00:30:35,022 I THOUGHT THAT WAS YOU. 737 00:30:35,055 --> 00:30:36,556 WHO THE HELL ARE YOU? GET OUT OF THE CAR. 738 00:30:36,589 --> 00:30:37,790 WHAT THE... 739 00:30:39,626 --> 00:30:41,494 GET OVER HERE. GET OFF! 740 00:30:41,528 --> 00:30:42,495 AAH! WHAT ARE YOU DOING, HUH? 741 00:30:42,529 --> 00:30:43,830 WHAT THE HELL IS GOING ON? 742 00:30:43,863 --> 00:30:46,299 YOU GOT A NAME? CHARLIE DAVIS. 743 00:30:46,333 --> 00:30:48,468 CHARLIE DAVIS, YOU'RE UNDER ARREST FOR SOLICITATION. (handcuffs clicking) 744 00:30:48,501 --> 00:30:49,469 WHAT?! 745 00:30:49,502 --> 00:30:52,973 YOU OKAY? YEAH, I'M FINE. 746 00:30:53,006 --> 00:30:54,074 WHAT ARE YOU, A COP? 747 00:30:54,107 --> 00:30:56,009 I'M SORRY. 748 00:30:56,043 --> 00:30:58,078 SO ALL THAT STUFF THAT WAS SAID IN THERE--WHAT WAS THAT? 749 00:30:58,111 --> 00:31:00,313 SHUT UP. GET OFF OF ME! I DIDN'T DO ANYTHING! 750 00:31:00,347 --> 00:31:02,149 OH, YEAH? 751 00:31:02,182 --> 00:31:03,883 DO THE NAMES LIZ ADAMS AND NICOLE MARSHALL 752 00:31:03,917 --> 00:31:06,719 MEAN ANYTHING TO YOU? HUH? 753 00:31:06,753 --> 00:31:09,622 OR MAYBE YOU KNOW THEM AS AMBER AND VALENTINA? 754 00:31:09,656 --> 00:31:13,693 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. (panting) 755 00:31:13,726 --> 00:31:14,928 (grunts) 756 00:31:14,962 --> 00:31:15,996 ARE YOU OKAY? 757 00:31:16,029 --> 00:31:17,430 YEAH, I'M FINE. 758 00:31:17,464 --> 00:31:19,933 OKAY. McNALLY'S GONNA STAY WITH YOU. 759 00:31:19,967 --> 00:31:21,935 QUICK DEBRIEF HERE AT THE HOTEL, 760 00:31:21,969 --> 00:31:23,470 AND THEN YOU CAN GO HOME, ALL RIGHT? 761 00:31:23,503 --> 00:31:25,105 OKAY. 762 00:31:25,138 --> 00:31:26,106 PECK. 763 00:31:26,139 --> 00:31:27,407 MM-HMM? 764 00:31:27,440 --> 00:31:28,575 YOU DID GOOD. 765 00:31:31,778 --> 00:31:34,147 ALL RIGHT. LET'S TALK WITH THIS GUY. 766 00:31:34,181 --> 00:31:35,682 COME ON, BUDDY. 767 00:31:37,917 --> 00:31:39,452 (siren wailing) 768 00:31:39,486 --> 00:31:41,854 (door beeps and buzzes) 769 00:31:41,888 --> 00:31:44,757 (cell phone beeps) 770 00:31:44,791 --> 00:31:45,825 YOU KNOW, I'VE HAD THIS FOR A WHILE. 771 00:31:45,858 --> 00:31:48,728 I STILL CAN'T FIGURE IT OUT. 772 00:31:48,761 --> 00:31:49,862 YOU MUST BE GOOD WITH THIS. 773 00:31:49,896 --> 00:31:51,398 YOU'RE A COMPUTER PROGRAMMER, RIGHT? 774 00:31:52,632 --> 00:31:55,402 YEAH, I BET YOU KNOW YOUR WAY AROUND THE INTERNET, 775 00:31:55,435 --> 00:31:58,705 HOW TO BE UNTRACEABLE... 776 00:31:58,738 --> 00:32:01,208 INVISIBLE. 777 00:32:01,241 --> 00:32:02,375 WELL... (beep) 778 00:32:02,409 --> 00:32:07,080 WELL, MODERN TECHNOLOGY. IT IS AMAZING. 779 00:32:07,114 --> 00:32:08,615 (sniffs) 780 00:32:09,749 --> 00:32:14,121 YOU'RE STILL HUMAN, THOUGH, AREN'T YOU, CHARLIE, HMM? 781 00:32:14,154 --> 00:32:16,289 FUNNY THING ABOUT PEOPLE-- 782 00:32:16,323 --> 00:32:19,126 THEY'RE CREATURES OF HABIT. 783 00:32:19,159 --> 00:32:24,197 LIKE YOUR THING, APPARENTLY, IS BLONDES. 784 00:32:26,466 --> 00:32:27,967 LIZ ADAMS. 785 00:32:28,001 --> 00:32:30,503 NICOLE MARSHALL. 786 00:32:32,839 --> 00:32:35,108 (filtered voice) BEAUTIFUL GIRLS, CHARLIE. 787 00:32:35,142 --> 00:32:37,844 THEY'RE EXPENSIVE. HMM? 788 00:32:39,846 --> 00:32:41,381 SO LET'S START WITH LIZ. 789 00:32:42,315 --> 00:32:44,851 YOU WERE WITH HER LAST MONDAY NIGHT, RIGHT? 790 00:32:46,086 --> 00:32:48,921 YES, I WAS. WE HAD DINNER, 791 00:32:48,955 --> 00:32:50,790 AND THEN WE WENT TO MY HOTEL ROOM, 792 00:32:50,823 --> 00:32:53,860 AND THEN I WENT TO THE MERCURY UNTIL 3:00 A.M. 793 00:32:53,893 --> 00:32:55,195 (filtered voice) YOU CAN CHECK MY CREDIT CARD. 794 00:32:55,228 --> 00:32:58,431 I SPENT LIKE $800. 795 00:32:58,465 --> 00:33:01,368 (cell phone rings) 796 00:33:01,401 --> 00:33:02,369 (sighs) 797 00:33:02,402 --> 00:33:04,003 (ring, beep) 798 00:33:04,037 --> 00:33:05,705 YEAH? 799 00:33:05,738 --> 00:33:09,742 (police radio chatter) 800 00:33:09,776 --> 00:33:11,244 WHAT'S UP? 801 00:33:11,278 --> 00:33:13,280 YOU'RE NOT GONNA BELIEVE THIS. WHAT? 802 00:33:13,313 --> 00:33:15,915 GUESS WHO JUST WALKED IN. WHO? 803 00:33:15,948 --> 00:33:18,685 MEET LIZ ADAMS. 804 00:33:18,718 --> 00:33:23,223 LIZ. WE'RE VERY HAPPY TO SEE YOU. 805 00:33:23,256 --> 00:33:24,457 WHAT'S GOING ON? 806 00:33:24,491 --> 00:33:27,460 YOUR BOYFRIEND FILED A MISSING PERSONS REPORT. 807 00:33:27,494 --> 00:33:29,829 HE REPORTED ME MISSING? 808 00:33:29,862 --> 00:33:31,298 WHY? 809 00:33:31,331 --> 00:33:33,300 WHERE HAVE YOU BEEN ALL WEEK? 810 00:33:33,333 --> 00:33:35,202 I WENT TO A B&B IN NIAGARA. 811 00:33:35,235 --> 00:33:36,436 WHY WAS YOUR PHONE OFF? 812 00:33:36,469 --> 00:33:38,171 DREW AND I HAD A FIGHT. 813 00:33:38,205 --> 00:33:40,540 I NEEDED A LITTLE TIME TO MYSELF. 814 00:33:40,573 --> 00:33:42,175 OKAY. 815 00:33:42,209 --> 00:33:43,510 DID YOUR JOHN DO THAT? 816 00:33:43,543 --> 00:33:45,378 WHAT ARE YOU TALKING ABOUT? 817 00:33:45,412 --> 00:33:46,513 WE TALKED TO RACHEL FINDLAY, LIZ. 818 00:33:46,546 --> 00:33:48,381 WE KNOW ABOUT ELITE COMPANIONS. 819 00:33:49,282 --> 00:33:52,419 (sighs) COULD YOU COME WITH ME, PLEASE? 820 00:33:54,421 --> 00:33:56,923 (door buzzes and beeps) 821 00:34:03,730 --> 00:34:04,997 (door closes) 822 00:34:05,031 --> 00:34:06,366 DO YOU KNOW THIS GUY? 823 00:34:09,236 --> 00:34:10,437 LIZ? 824 00:34:10,470 --> 00:34:11,904 WE'RE NOT GONNA ARREST YOU. 825 00:34:11,938 --> 00:34:14,374 WE JUST NEED SOME INFORMATION, OKAY? 826 00:34:17,444 --> 00:34:18,411 IT'S CHARLIE. 827 00:34:18,445 --> 00:34:19,979 (speaking inaudibly) 828 00:34:20,012 --> 00:34:21,748 HE'S ONE OF MY WEEKLIES. 829 00:34:21,781 --> 00:34:25,285 RIGHT. CAN YOU CONFIRM YOU WERE WITH HIM ON MONDAY NIGHT? 830 00:34:25,318 --> 00:34:26,786 YES. 831 00:34:26,819 --> 00:34:30,022 LIZ, WITH THESE TYPES OF JOHNS, 832 00:34:30,056 --> 00:34:33,593 THE BEHAVIOR ALWAYS ESCALATES. IT STARTS WITH A BLACK EYE, 833 00:34:33,626 --> 00:34:35,662 AND THEN IT'S SOMETHING A LOT WORSE. 834 00:34:35,695 --> 00:34:38,298 WHAT ARE YOU TALKING ABOUT? 835 00:34:38,331 --> 00:34:40,967 CHARLIE DIDN'T HIT ME. 836 00:34:41,000 --> 00:34:42,802 IT WAS DREW. 837 00:34:42,835 --> 00:34:45,505 IT WAS MY BOYFRIEND. 838 00:34:45,538 --> 00:34:48,375 *** 839 00:34:50,277 --> 00:34:51,978 (door beeps) 840 00:34:52,011 --> 00:34:53,246 (man) THANK YOU. (telephone rings) 841 00:34:53,280 --> 00:34:54,814 (Chris) SO, MR. DODGSON... DIVISION 15. 842 00:34:54,847 --> 00:34:56,849 YOU CALLED 9-1-1 LAST MONTH ABOUT A NECKLACE? 843 00:34:56,883 --> 00:35:00,019 Y-YES. I-I HAVE IT RIGHT HERE. 844 00:35:00,052 --> 00:35:03,122 I'D ALMOST, UH, FORGOTTEN IT, UH, UNTIL YOU CALLED. 845 00:35:03,156 --> 00:35:04,724 CAN YOU TELL ME WHERE YOU FOUND IT? 846 00:35:04,757 --> 00:35:06,526 ATTICUS AND I DO OUR WALKING IN MOORE PARK. 847 00:35:06,559 --> 00:35:09,429 I FOUND IT BY THE BACK. 848 00:35:09,462 --> 00:35:10,463 WHERE EXACTLY? 849 00:35:10,497 --> 00:35:14,734 ABOUT 30 FEET PAST A BLUE SHED, 850 00:35:14,767 --> 00:35:17,237 THERE'S A FALLEN TREE. 851 00:35:17,270 --> 00:35:20,240 I FOUND IT RIGHT THERE, O-ON THE PATH BY THE TREE. 852 00:35:20,273 --> 00:35:22,242 (lowered voice) MOORE PARK-- COULD BE POTENTIAL DUMP SITE. 853 00:35:22,275 --> 00:35:23,376 (lowered voice) YEAH, YEAH, LET'S CUT HIM LOOSE 854 00:35:23,410 --> 00:35:26,346 AND CHECK IT OUT. 855 00:35:26,379 --> 00:35:28,715 UM, UH, THANK YOU. 856 00:35:28,748 --> 00:35:31,884 YEAH. THANK YOU. (chuckles) 857 00:35:31,918 --> 00:35:34,921 (telephone ringing) 858 00:35:36,756 --> 00:35:38,758 CHARLIE'S ALIBI CHECKED OUT. 859 00:35:38,791 --> 00:35:41,328 I KICKED HIM ON A PROMISE TO APPEAR. 860 00:35:41,361 --> 00:35:43,330 HE'S A FREE MAN. 861 00:35:43,363 --> 00:35:44,364 GREAT. 862 00:35:44,397 --> 00:35:45,365 YEAH, WELL, ACCORDING TO LIZ, 863 00:35:45,398 --> 00:35:46,733 IT WAS HER BOYFRIEND WHO HIT HER 864 00:35:46,766 --> 00:35:48,735 AFTER HE FOUND OUT WHAT SHE WAS DOING FOR A LIVING. 865 00:35:48,768 --> 00:35:50,470 THAT'S WHY SHE LEFT TOWN. 866 00:35:50,503 --> 00:35:51,571 YOU THINK SHE'S TELLING THE TRUTH? 867 00:35:51,604 --> 00:35:53,306 I DON'T KNOW. MAYBE? 868 00:35:53,340 --> 00:35:54,441 YOU KNOW, OR MAYBE SHE'S PROTECTING THE JOHN. 869 00:35:54,474 --> 00:35:56,142 I SUPPOSE THAT'S GOOD BUSINESS. 870 00:35:56,175 --> 00:35:58,878 YOU KNOW, BUT CHARLIE GOES HOME, 871 00:35:58,911 --> 00:36:00,313 AND HE GETS RID OF ANY EVIDENCE 872 00:36:00,347 --> 00:36:04,917 THAT COULD TIE HIM TO NICOLE'S DISAPPEARANCE. 873 00:36:06,653 --> 00:36:08,421 WE'RE BACK TO SQUARE ONE. 874 00:36:12,091 --> 00:36:13,660 HEY. 875 00:36:13,693 --> 00:36:16,162 HEARD YOU'RE NOT COMING TO MY WEDDING. 876 00:36:16,195 --> 00:36:18,465 WHAT? WHO TOLD YOU THAT? 877 00:36:18,498 --> 00:36:20,333 IT'S THE WORD ON THE STREET. 878 00:36:20,367 --> 00:36:22,369 (scoffs) 879 00:36:22,402 --> 00:36:25,472 IT'S TOO BAD 'CAUSE I THOUGHT YOU'D BE MY BEST MAN. 880 00:36:28,341 --> 00:36:29,742 THOUGHT YOU'D NEVER ASK. 881 00:36:29,776 --> 00:36:32,279 ALL RIGHT, SO THIS IS THE THING WITH THE BEST MAN-- 882 00:36:32,312 --> 00:36:35,815 HE USUALLY COMES TO THE WEDDING. 883 00:36:35,848 --> 00:36:37,317 (sighs) 884 00:36:37,350 --> 00:36:39,919 COULDN'T JUST HAVE IT AT CITY HALL, HUH? 885 00:36:41,187 --> 00:36:44,123 OKAY, YOU KNOW WHAT? WHY DON'T YOU JUST TELL ANDY THE TRUTH? 886 00:36:44,156 --> 00:36:46,893 IT'S NOT SUCH A BIG DEAL. SO YOU'RE AFRAID OF FLYING. 887 00:36:46,926 --> 00:36:48,160 I NEVER SAID THAT. 888 00:36:48,194 --> 00:36:49,962 I JUST HATE TAKING MY BOOTS OFF AT THE AIRPORT. 889 00:36:49,996 --> 00:36:51,364 OKAY. 890 00:37:00,307 --> 00:37:03,075 WHAT'S WEIRD IS THAT I WAS MORE HONEST WITH THAT GUY 891 00:37:03,109 --> 00:37:05,978 THAN I HAVE BEEN WITH ANYONE IN, LIKE, A REALLY LONG TIME. 892 00:37:06,012 --> 00:37:09,048 YEAH, AND YOU DID GREAT. 893 00:37:09,081 --> 00:37:10,850 SAM'S GONNA ACTUALLY PICK ME UP. 894 00:37:10,883 --> 00:37:12,919 UM, I'M GONNA STAY AT HIS PLACE TONIGHT. 895 00:37:12,952 --> 00:37:15,054 OH, GREAT. NOW I HAVE THAT VISUAL IN MY HEAD. 896 00:37:15,087 --> 00:37:17,524 (chuckles) I WAS GONNA ASK YOU IF YOU WANTED A RIDE HOME. 897 00:37:17,557 --> 00:37:18,725 NO, I THINK I'M--I'M ACTUALLY GONNA GET A CAB 898 00:37:18,758 --> 00:37:20,059 BACK TO YOUR PLACE. 899 00:37:20,092 --> 00:37:23,062 HEY, ARE YOU, UH, ARE YOU FREE? WHERE TO? 900 00:37:23,095 --> 00:37:24,997 I'M GONNA GO TO QUEEN AND CARLISLE IN LESLIEVILLE. 901 00:37:25,031 --> 00:37:26,499 YEAH. 902 00:37:26,533 --> 00:37:28,935 (horn honks in distance) 903 00:37:28,968 --> 00:37:31,070 LISTEN, GAIL, IF-- IF YOU DON'T, 904 00:37:31,103 --> 00:37:33,072 YOU KNOW, WANNA BE ALONE TONIGHT, I GET IT. 905 00:37:33,105 --> 00:37:34,407 I'M OKAY. I'M GOOD. 906 00:37:34,441 --> 00:37:36,509 I'M JUST--I'M JUST TIRED. (car doors close) 907 00:37:36,543 --> 00:37:38,745 AND IT'S GONNA BE REALLY NICE HAVING THE PLACE TO MYSELF. 908 00:37:38,778 --> 00:37:40,513 (car engine starts) OKAY. YOU HAVE YOUR KEY? 909 00:37:40,547 --> 00:37:41,514 YEAH. ALL RIGHT. 910 00:37:41,548 --> 00:37:42,682 SEE YA LATER. 911 00:37:42,715 --> 00:37:43,983 SEE YOU TOMORROW. BYE. 912 00:37:44,016 --> 00:37:46,252 BYE. 913 00:37:46,285 --> 00:37:48,421 (closes car door) 914 00:37:48,455 --> 00:37:50,423 (car departs) 915 00:37:50,457 --> 00:37:52,525 (sighs) THANK YOU. 916 00:37:52,559 --> 00:37:53,926 (cell phone beeps) 917 00:37:53,960 --> 00:37:56,996 (radio chatter) 918 00:37:57,029 --> 00:37:58,998 UH, HEY, IT'S ME. 919 00:37:59,031 --> 00:38:03,403 UM... SO, YOU KNOW, I'M ON MY OWN TONIGHT, 920 00:38:03,436 --> 00:38:08,140 AND I'M AT ANDY'S, AND I WAS JUST SORT OF THINKING MAYBE, UH, 921 00:38:08,174 --> 00:38:10,477 MAYBE WE SHOULD TALK. 922 00:38:10,510 --> 00:38:12,579 AND I-I KNOW IT'S BEEN A REALLY LONG DAY, 923 00:38:12,612 --> 00:38:14,847 BUT, WELL, FRANK GAVE ME TOMORROW OFF, 924 00:38:14,881 --> 00:38:19,386 SO, UH, JUST, UH, CALL ME. 925 00:38:19,419 --> 00:38:20,453 (beep) 926 00:38:20,487 --> 00:38:23,890 (radio chatter continues) 927 00:38:25,358 --> 00:38:27,093 SO WHAT IS YOUR MIDDLE NAME? 928 00:38:27,126 --> 00:38:29,529 EZEKIEL. IT MEANS "STRENGTH OF GOD." 929 00:38:29,562 --> 00:38:32,465 OKAY, WAIT. SO YOUR FULL NAME MEANS 930 00:38:32,499 --> 00:38:34,467 "BEAR WITH THE STRENGTH OF GOD" EPSTEIN? 931 00:38:34,501 --> 00:38:36,369 YEAH. GUESS IT DOES. 932 00:38:36,403 --> 00:38:38,905 (chuckles) HEY, THERE'S THE BLUE SHED. 933 00:38:38,938 --> 00:38:41,974 IT'S GOTTA BE AROUND HERE SOMEWHERE. 934 00:38:42,008 --> 00:38:43,910 THERE'S THE TREE. 935 00:38:45,277 --> 00:38:47,246 (exhales deeply) CREEPY OUT HERE. 936 00:38:47,279 --> 00:38:49,849 YEAH, MAYBE YOU'LL FIND YOUR NEXT DATE HERE. 937 00:38:49,882 --> 00:38:52,118 YOU KNOW WHAT? YOU'RE RIGHT. 938 00:38:52,151 --> 00:38:54,253 I'M NOT OVER GAIL, OKAY? 939 00:38:54,286 --> 00:38:55,588 BUT SHE'S WITH NICK NOW, 940 00:38:55,622 --> 00:38:57,724 SO WHAT ELSE AM I SUPPOSED TO DO, RIGHT? 941 00:38:57,757 --> 00:38:59,992 THAT'S OKAY. HEY, YOU'RE MOVING ON. 942 00:39:00,026 --> 00:39:02,128 IT'S NORMAL. BUT, UH, MAYBE JUST TRY TO MOVE ON A LITTLE SLOWER. 943 00:39:02,161 --> 00:39:05,932 WE GOT REALLY THIN WALLS. 944 00:39:05,965 --> 00:39:08,701 (police radio chatter) 945 00:39:15,174 --> 00:39:17,844 DOV, COME HERE. 946 00:39:17,877 --> 00:39:20,279 (thunder rumbling) 947 00:39:20,312 --> 00:39:23,315 (police radio chatter) 948 00:39:34,093 --> 00:39:37,263 (thunder rumbling) 949 00:39:52,845 --> 00:39:58,518 HEY, SAM, UH... I'M STILL WAITING AT THE HOTEL. 950 00:39:58,551 --> 00:40:00,119 YOU KNOW WHAT? IT'S A REALLY NICE NIGHT, 951 00:40:00,152 --> 00:40:04,190 SO I'M JUST GONNA WALK. BYE. 952 00:40:09,496 --> 00:40:12,499 (engine revving) 953 00:40:14,033 --> 00:40:17,470 (horn honks) 954 00:40:17,504 --> 00:40:19,005 (chuckles) 955 00:40:19,038 --> 00:40:20,072 I-I LEFT YOU A MESSAGE THAT SAID 956 00:40:20,106 --> 00:40:21,207 YOU DIDN'T HAVE TO PICK ME UP. 957 00:40:21,240 --> 00:40:22,875 THE TRUCK JUST DROVE ITSELF OVER HERE. 958 00:40:22,909 --> 00:40:24,343 I THINK THE ALIGNMENT'S OFF. 959 00:40:24,376 --> 00:40:26,312 OH, RIGHT. 960 00:40:34,521 --> 00:40:36,756 I GOT GAIL'S FULL STATEMENT. (seat belt clicks) 961 00:40:36,789 --> 00:40:38,891 UM, WHOLE CONVERSATION, THE EXCHANGE-- 962 00:40:38,925 --> 00:40:40,159 IT CAN WAIT. 963 00:40:40,192 --> 00:40:42,128 WE HAD TO CUT THE GUY LOOSE ABOUT AN HOUR AGO. 964 00:40:42,161 --> 00:40:43,730 WHAT? WHY? 965 00:40:43,763 --> 00:40:45,832 THE MISSING GIRL, LIZ ADAMS-- 966 00:40:45,865 --> 00:40:47,199 IT TURNS OUT SHE WASN'T MISSING. 967 00:40:47,233 --> 00:40:50,169 SHE, UH, SHE JUST WENT ON HOLIDAY. 968 00:40:50,202 --> 00:40:53,039 SHE SHOWED UP AT THE STATION ABOUT AN HOUR AGO. 969 00:40:53,072 --> 00:40:54,340 WHAT, SO THIS WHOLE STING OPERATION-- 970 00:40:54,373 --> 00:40:56,308 I MEAN, GAIL GOING UNDERCOVER AS A CALL GIRL-- 971 00:40:56,342 --> 00:40:58,745 EVERYTHING WAS FOR NOTHING? 972 00:40:58,778 --> 00:41:03,249 I REALLY WANNA SEE YOU TONIGHT, AND I-- 973 00:41:03,282 --> 00:41:05,451 I WANT YOU TO COME OVER TO ANDY'S. 974 00:41:07,887 --> 00:41:09,355 (beep) 975 00:41:09,388 --> 00:41:10,990 (knock on door) 976 00:41:11,023 --> 00:41:13,459 SO HOW LONG IS PECK STAYING WITH YOU? 977 00:41:13,492 --> 00:41:16,162 COUPLE OF DAYS. OKAY. 978 00:41:16,195 --> 00:41:17,730 I GUESS TILL HER PARENTS COME BACK FROM A CONFERENCE 979 00:41:17,764 --> 00:41:19,866 IN NEW ZEALAND. OH. 980 00:41:26,973 --> 00:41:29,642 (grunts) 981 00:41:29,676 --> 00:41:32,979 (screaming) 982 00:41:33,012 --> 00:41:35,047 UHH! 983 00:41:35,081 --> 00:41:36,515 YOU WANT ME TO TAKE YOU HOME? 984 00:41:37,584 --> 00:41:40,019 I MEAN, GAIL HAD A TOUGH SHIFT. 985 00:41:40,052 --> 00:41:41,554 MAYBE I SHOULD BE WITH HER. 986 00:41:45,124 --> 00:41:46,959 AAH! 987 00:41:46,993 --> 00:41:49,061 (screaming) 988 00:41:51,197 --> 00:41:52,765 AAH! OHH! 989 00:41:52,799 --> 00:41:56,736 (grunting) 990 00:42:04,977 --> 00:42:06,212 (muffled scream) 991 00:42:06,245 --> 00:42:08,247 ***