***
(siren wailing in distance)
(lock clicks)
GAIL?
YOU HOME?
(lock clicks)
HEY, REMEMBER WHAT WE TALKED ABOUT.
COMPLETELY UNCOOL TO WALK AROUND NAKED IN SOMEONE ELSE'S PLACE.
GAIL?
HEY.
OH.
(both grunting)
AAH!
(groans)
(panting)
(siren wailing)
YOU'RE UP EARLY.
(typing on keyboard) HEY.
(mug clatters)
MMM. CHECK THIS OUT.
(coffee pours)
OH, I THOUGHT YOU PASSED THIS CASE OFF
TO HOMICIDE SQUAD LAST NIGHT.
OOH. SORRY. WRONG FILE.
OH.
(chuckles)
WHAT'S THIS?
THAT'S OUR FUTURE.
I FIGURED AFTER WE GET MARRIED, WE'RE GONNA NEED A NEW PLACE.
(gasps)
SO I HAVE BEEN LOOKING.
AND I KNOW YOU WANT TO LIVE NEAR THE DOWNTOWN.
SO ALL THESE HOUSES ARE A 10-MINUTE DRIVE
FROM CITY CENTER, AND THEY'RE IN GOOD NEIGHBORHOODS.
TREE-LINED STREETS, GOOD SCHOOLS.
THEY ALL HAVE FOUR BEDROOMS.
YEAH. ONE FOR US,
AND THERE'S ONE FOR LEO, AND THERE'S THE OFFICE,
AND THE OTHER ONE COULD BE FOR, UM...
A NURSERY.
(groans) JERRY.
I KNOW. I KNOW. I'M NOT-- I'M NOT SAYING TOMORROW.
JUST SOMEDAY.
IF--IF WE WANT.
WHAT I WANT IS TO BE A GOOD MOM
TO THE CHILD THAT I ALREADY HAVE...
MM-HMM.
AND TO DO MY BEST AT THE JOB THAT I JUST BARELY STARTED.
AND ALL I WANT IS FOR YOU TO BE HAPPY.
YOU KNOW WHAT?
WE GOT A LOT OF TIME TO TALK ABOUT IT.
OR NOT TALKING ABOUT IT.
I MEAN, ACTUALLY, I QUITE LIKE IT WHEN WE DON'T TALK.
ME, TOO. REALLY?
(indistinct conversations)
OH, IS IT BRIGHT IN HERE,
OR AM I BEING BLINDED
BY THE RADIANT GLOW OF OUR MAMA-TO-BE?
WHAT THE HELL COLOR IS MORNING CHARTREUSE?
THAT IS AWESOME. UH, I LOVE THIS ONE.
IT'S, UH, YELLOWISH, IN THE...
IT'S IN THE YELLOW FAMILY.
HMM. IT'S NICE.
YOU HAVEN'T PAINTED THE BABY'S ROOM?
OKAY, I MAY LOOK LIKE A HOUSE,
BUT I STILL HAVE ANOTHER MONTH TO GO,
WHICH IS GOOD BECAUSE I OBVIOUSLY NEED
ANOTHER COUPLE WEEKS TO PICK A DAMN COLOR!
NO. NO. NO. YOU KNOW, YOU'RE RIGHT. YOU'RE RIGHT.
THERE'S NO RUSH. THERE'S ABSOLUTELY NO RUSH.
YOU GOT THE NAME. YOU GOT YOUR GO BAG.
YOU'RE READY. YOU'RE READY.
(whispers) IT'S GOOD. YOU'RE GOOD.
(normal voice) YOU'RE GOOD. EVERYTHING'S GOOD.
HEY, BUDDY.
BUDDY.
(groans)
SAMMY. (pours coffee)
OH, WHAT'S THIS?
WELL, A GROOM IS SUPPOSED TO GET HIS BEST MAN A GIFT.
SO IT'S A POCKET WATCH.
AH.
SO YOU CAN BE AT THE CHURCH ON TIME.
EXCEPT IT'S NOT GONNA BE A CHURCH. IT'S GONNA BE A BEACH,
SO I DON'T KNOW IF IT'S GONNA GO WITH YOUR MANKINI.
YEAH. ALL RIGHT. AM I SUPPOSED TO GET YOU SOMETHING?
NO. NO. NO.
YOU JUST GOTTA BE THERE, BUD.
YOU KNOW, MAKE SURE THAT I DON'T... (inhales deeply)
MAKE TOO BIG OF A FOOL OF MYSELF.
SO I HAVE TO DO MAGIC?
OH, THAT'S FUNNY.
OH, AND APPARENTLY, IT'S BAD LUCK
TO, UH, GIVE A WATCH AS A GIFT,
SO IF YOU WANNA THROW ME, LIKE, 5 OR 10 BUCKS,
THEN TECHNICALLY, IT'S NOT A GIFT.
10 BUCKS?
YEAH. OR YOU BUY ME A ROUND. THEN WE'RE SQUARE.
HERE YOU GO.
THAT'S FUNNY.
(police radio chatter)
HEY, NASH.
HAVE YOU SEEN McNALLY?
NO, NOT THIS MORNING.
NO?
OKAY, LISTEN UP.
FOR THOSE OF YOU WEREN'T THERE LAST NIGHT,
LET ME BRING YOU UP TO SPEED.
WE SENT OFFICER PECK UNDERCOVER ON A MISSING PERSONS CASE
ONLY TO FIND OUT THAT PERSON WASN'T ACTUALLY MISSING.
ON THE OTHER HAND, OFFICER EPSTEIN AND DIAZ
FOLLOWED UP ON A POTENTIALLY RELATED COLD CASE,
AND LATE LAST NIGHT, FOUND THE BODY
OF NICOLE MARSHALL AT MOORE PARK.
MARSHALL WAS A CALL GIRL
THAT DID GO MISSING A MONTH AGO.
WHERE WE AT WITH IT?
WE'RE NOT. I MEAN, NOW THAT THERE'S A BODY,
IT'S BEING HANDED OFF TO HOMICIDE.
HAVE YOU SEEN McNALLY THIS MORNING?
NO. NO?
(beeps)
(Frank speaking indistinctly)
(telephone rings)
(ring)
HELLO?
GOOD MORNING. UH, I'M SURE YOU AND PECK
were staying up late last night painting each other's toenails,
but you're supposed to be at work.
SAM.
SAM, IT'S GAIL.
(sirens wailing)
(camera shutter clicks, police radio chatter)
HE MUST HAVE STUCK HER WITH SOMETHING.
SHE'S GOT A NEEDLE MARK ON HER NECK.
ANY DIZZINESS OR NAUSEA?
NO. JUST A HEADACHE.
ALL RIGHT, FOLKS, THE LAB MAKES THIS TOP PRIORITY,
SO EVERYTHING GETS COPIED
TO HEADQUARTERS AND ALL DIVISIONS. YEAH?
ANDY, YOU OKAY?
YEAH.
McNALLY, YOU ABLE TO WALK THROUGH IT?
YEAH, UM, I-I CAME HOME, UM...
I-I COULDN'T HAVE BEEN, YOU KNOW,
LATER THAN TEN MINUTES AFTER GAIL GOT HERE.
BUT IT WAS DARK,
AND THE LAMP WAS ON THE GROUND.
GAIL WAS LYING RIGHT OVER THERE,
AND WHEN I CHECKED HER, WHEN I FLIPPED HER OVER,
SHE WAS UNCONSCIOUS, SHE HAD, UH, BLOOD ON HER FACE,
AND HER HANDS WERE ZIP-TIED.
UM, THAT'S--THAT'S WHEN HE--
HE GRABBED ME AND HE...
I DON'T--I DON'T KNOW. THAT'S ALL I CAN REMEMBER.
DID YOU SEE HIS FACE?
NOPE.
I MEAN, I KNOW THAT HE WAS STRONGER THAN ME.
HE WAS TALLER THAN ME.
I MEAN, I TRIED TO FIGHT HIM OFF.
DO YOU HAVE ANY IDEA WHAT HE SHOT HER UP WITH?
THERE'S NO WAY TO TELL WITHOUT A BLOOD TEST.
ALL RIGHT, ANDY, YOU'RE GONNA GO TO THE HOSPITAL, OKAY?
NO. NO.
LISTEN, WE NEED TO FOCUS ON GAIL.
IF THE DRUG IS STILL IN YOUR BLOOD, IT'S EVIDENCE.
IT MIGHT BE THE FASTEST WAY TO FIND HER.
COME ON.
LET'S GET YOU CHANGED. I'LL GO WITH YOU.
(exhales deeply, lowered voice) HE CAME PREPARED,
YOU KNOW, ZIP TIES, SOME KIND OF SEDATIVE.
McNALLY MUST HAVE SURPRISED HIM.
SHE'S LUCKY HE DIDN'T GRAB HER, TOO.
(exhales deeply)
(man) WHAT'S YOUR 20?
(police radio chatter)
WHAT'S GOING ON?
PLEASE. I-I GOTTA GET IN THERE.
DIAZ, YOU GOTTA CALM DOWN, PAL.
IT'S GAIL. I KNOW. ALL THE MORE REASON
NOT TO STORM IN THERE AND CONTAMINATE THE SCENE.
WE'RE GONNA GET THIS RIGHT, OKAY?
HOW'S ANDY?
SHE'S OKAY. SAM IS WITH HER.
(sirens whoop)
CANVASSED THE NEIGHBORS. NO ONE SAW ANYTHING.
ALL RIGHT, THEN YOU KEEP CANVASSING.
NEXT BLOCK, BLOCK AFTER THAT. YOU TALK TO EVERYBODY.
NO DETAIL IS TOO SMALL.
ALL RIGHT? KEEP IT TOGETHER.
ALL RIGHT?
ON IT.
COME ON, PEOPLE. LET'S MOVE IT BACK.
WRONG DAY TO PISS ME OFF.
NOELLE, YOU DON'T NEED TO BE HERE.
MISSING OFFICER. WE ALL NEED TO BE HERE.
WE GOT ANYTHING?
FRANK, HER WHOLE FAMILY'S POLICE. THEY'RE GONNA FIND OUT.
HER BROTHER'S IN DEEP COVER. I'LL HAVE HIS HANDLER GET WORD.
NO SURVEILLANCE CAMERAS.
(sirens continue wailing)
SIR, ANDY'S GIVEN HER STATEMENT.
I'M GOING WITH HER TO MEMORIAL.
LOOK, SIR, I'M REALLY SORRY.
WHAT?
I JUST SHOULD'VE FOUGHT HARDER.
I MEAN, SHE WAS IN MY APARTMENT, AND--
McNALLY. DON'T. WE ARE GOING TO FIND HER.
EVERY OFFICER IN THE CITY IS GONNA BE ON THIS UNTIL WE DO.
OKAY?
NASH. YEAH?
WE'LL GO IN MY SQUAD CAR.
HEY. A-ARE YOU SURE YOU DON'T WANT ME TO GO WITH YOU?
YEAH.
(siren wails)
WHAT'S HE DOING HERE?
OKAY, LOOK, LUKE CAUGHT THE NICOLE MARSHALL CASE.
IT'S THE SAME M.O. AS PECK.
A BLONDE CALL GIRL TAKEN FROM HER APARTMENT.
WE HAVE TO CONSIDER THAT THEY'RE CONNECTED.
CALLAGHAN.
HOW LONG SHE BEEN GONE?
McNALLY SAW HER JUST AFTER 2:00 A.M.
CORONER'S STILL WITH THE BODY, BUT NICOLE MARSHALL HAD, UH,
WOUNDS ON HER THAT HAD STARTED TO HEAL.
SO HE KEPT HER ALIVE?
ABOUT 24 HOURS.
OKAY, SO IT'S THE SAME GUY WE'VE GOT.
WE GOT 14 HOURS.
ALL RIGHT, LET'S GET MOVING.
(breathing heavily)
***
(woman speaks indistinctly over P.A.)
(exhales deeply)
YOU OKAY?
YEAH, I JUST GOTTA SIT DOWN.
I ALWAYS GOTTA SIT DOWN.
SWOLLEN ANKLES. SORE BACK.
HOW DID YOU HANDLE THIS?
I WAS 17.
RIGHT.
HEY. UH, WHAT DID THEY SAY?
UH, SOME KIND OF TRANQUILIZER. UH, BLOOD'S GONE TO THE LAB.
THEY SHOULD HAVE AN ANSWER IN A COUPLE HOURS.
AND YOU? I'M FINE. HOSPITAL CLEARED ME.
I GUESS NOW WE JUST HAVE TO WAIT FOR THE RESULTS.
UH, YEAH. REALLY, I'M FINE.
I'M GONNA GET BACK TO WORK.
ANDY.
LOOK, GAIL IS MISSING. OKAY, I GOTTA GO.
BLOOD WORK'S GONNA TAKE A WHILE.
I MEAN, IF I COULD GET UP, I'D BE OUT THERE MYSELF.
OKAY. FINE. BUT LET ME CALL FOR A RELAY.
I'LL HAVE A SQUAD CAR MEET YOU OUTSIDE,
TAKE YOU TO THE STATION. ALL RIGHT.
OKAY.
ALL RIGHT, LISTEN UP.
SOME OF YOU MAY KNOW,
LAST NIGHT WE RAN A STING OPERATION AT THE ARCHER HOTEL.
OFFICER PECK WAS THE BAIT.
JUST AFTER 2:00 A.M.,
OFFICER McNALLY AND PECK WERE ASSAULTED
AT McNALLY'S HOME.
PECK WAS ABDUCTED.
NO WITNESSES.
SAME M.O. AS NICOLE MARSHALL--
BLONDE CALL GIRL LAST SEEN AT THE ARCHER.
OUR PRIME SUSPECT WAS
THE SUBJECT OF LAST NIGHT'S OPERATION.
ONE CHARLES DAVIS, AGE 32,
OWNER OF A BIO SOFTWARE COMPANY,
AND LAST KNOWN CLIENT OF NICOLE MARSHALL.
YOU BROUGHT THAT GUY IN LAST NIGHT.
YEAH, AND WE LET HIM GO
ABOUT AN HOUR BEFORE PECK WENT MISSING.
BUT IF YOU GRABBED HIM, HE KNOWS GAIL'S POLICE.
PREDATORS LIKE THAT ARE ARROGANT.
THE FACT THAT SHE'S A COP
MIGHT MAKE IT THAT MUCH MORE OF A THRILL.
WE'RE WAITING FOR A WARRANT,
AND DETECTIVE CALLAGHAN'S GONNA BE HANDLING THE MARSHALL ANGLE.
DIAZ, COLLINS,
YOU HELP HIM OUT. ANYTHING HE NEEDS.
ALL RIGHT. LET'S GO.
(Jerry) COLLINS.
(indistinct conversations)
WE RECOVERED PECK'S PHONE AT THE SCENE,
AND IT SHOWS 2 CALLS TO YOU AT 1:46 AND 2:05.
SO WHAT WAS THAT ABOUT?
SHE LEFT ME A COUPLE MESSAGES. WANTED TO SEE ME.
YOU DIDN'T GO SEE HER?
ACTUALLY, UH, I DIDN'T CHECK MY PHONE TILL THIS MORNING.
ALL RIGHT. I'M GONNA NEED THE MESSAGES,
'CAUSE WE GOTTA PUT A TIME LINE TOGETHER FOR PECK.
YES, SIR. YEAH.
ABSOLUTELY.
GOOD.
DETECTIVE CALLAGHAN, WHAT CAN I DO TO HELP?
GRAB A BOX.
I.D.E.N.T. HASN'T FOUND ANYTHING OVER AT ANDY'S PLACE YET,
BUT WE KNOW THIS GUY. HE USED GLOVES,
ZIP TIES, SOME KIND OF SEDATIVE.
GUY THIS ORGANIZED, IT'S NOT HIS FIRST TIME.
I WANT YOU TO GO THROUGH THESE UNSOLVED CASES.
LOOK FOR ANYTHING THAT POPS,
SO ASSAULTS INVOLVING NEEDLES, INJECTIONS, CALL GIRLS.
SIR, HOW IS THAT GONNA HELP US FIND GAIL?
IT'S CALLED POLICE WORK, OFFICER...
COLLINS. COLLINS.
IF WE BRING IN CHARLIE DAVIS,
HE'S GOT GAIL LOCKED UP SOMEWHERE,
WE'RE GONNA NEED ALL THE LEVERAGE WE CAN GET.
THE MORE WE CAN TIE TO HIM, BETTER CHANCE WE HAVE.
YOU GUYS ALREADY HAD TO LET HIM GO ONCE.
LET'S MAKE SURE THAT DOESN'T HAPPEN AGAIN.
ALL RIGHT.
THIS WARRANT COVERS ALL OF DAVIS' PROPERTIES.
TEAM ONE, YOU'RE ON THE HOUSE.
TEAM TWO, YOU'RE SEARCHING THE BOAT AT THE MARINA.
TEAM THREE, WE GOT THE OFFICE.
NOW ANYONE FINDS ANYTHING, YOU CALL IT IN IMMEDIATELY.
ALL RIGHT. LET'S GO.
ALL RIGHT, E.T.F.'s MOVING OUT THREE T.A.C. TEAMS.
THEY'LL MEET US THERE.
OKAY.
McNALLY.
WHAT ARE YOU DOING HERE?
THE HOSPITAL CLEARED ME.
NOELLE AND TRACI ARE WAITING ON THE A LITTLE BIT RESULTS.
ANDY, YOU DON'T HAVE TO DO THIS, OKAY?
YOU WERE ASSAULTED AND DRUGGED.
LET HER WORK.
COME ON. ANDY'S THE ONLY PERSON
WE KNOW FOR SURE WHO'S HAD ANY CONTACT WITH THIS GUY.
HOSPITAL SAID SHE'S OKAY. LET HER DO HER JOB.
WE NEED EVERYONE WE CAN GET, RIGHT?
FINE. BUT I DON'T WANT YOU ANYWHERE NEAR THAT SEARCH.
OKAY.
YOU GOOD? I'M GOOD, JERRY.
OKAY. HEAD OVER TO THE ARCHER. SEE IF ANYONE SAW CHARLIE DAVIS
BACK THERE AFTER WE RELEASED HIM. OKAY.
I'LL GET A RIDE WITH McNALLY, ALL RIGHT?
OKAY.
GREAT TO HAVE YOU BACK, BUDDY.
UM, THANKS FOR THAT.
I'M JUST HERE TILL WE FIND HER.
WHY DIDN'T YOU ANSWER THE PHONE?
WHEN GAIL CALLED YOU LAST NIGHT, WHY DIDN'T YOU ANSWER?
I WAS TIRED. WE CALL EACH OTHER A LOT.
I THOUGHT IT WASN'T IMPORTANT.
(scoffs) WHY? 'CAUSE YOU'RE FRIENDS WITH BENEFITS?
IS THAT ONE OF THE BENEFITS?
YOU--YOU DON'T NEED TO BE THERE WHEN SOMEBODY NEEDS YOU?
LOOK, YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT.
I KNOW GAIL DESERVES BETTER.
(scoffs) RIGHT. BETTER. LIKE YOU.
YEAH, SOMEBODY WHO ACTUALLY CARES ABOUT HER.
SOMEBODY WHO'D ANSWER THE PHONE WHEN SHE CALLS.
SOMEBODY WHO WOULD NEVER LET THIS HAPPEN TO HER.
OH, YOU THINK THIS IS MY FAULT? YOU DON'T?
YOU WANT TO HIT ME? HIT ME.
THAT'S NOT GONNA HELP US FIND HER.
WE NEED TO TALK TO ALL OF YOUR EMPLOYEES,
EVERYBODY WHO WAS ON SHIFT LAST NIGHT.
THEN I'M AFRAID YOU'RE GOING TO HAVE TO COME BACK.
THE EVENING SHIFT DOESN'T BEGIN FOR ANOTHER SIX HOURS.
WHAT ARE YOU STILL DOING HERE?
IT'S CONFERENCE SEASON. I HAVEN'T EVEN BEEN HOME YET.
WHAT'S THIS ABOUT? PART OF OUR INVESTIGATION.
I ALREADY TOLD DETECTIVE BARBER, THIS HOTEL IS NOT RESPONSIBLE
FOR ACTIVITY THAT TAKES PLACE BETWEEN CONSENTING ADULTS.
OKAY, LOOK, WE NEED TO KNOW IF YOU'VE SEEN THIS MAN
BETWEEN 1:30 AND 2:00 A.M.
I THOUGHT YOU ARRESTED HIM.
HE ABDUCTED ONE OF OUR OFFICERS LAST NIGHT.
WHAT?
YEAH. WE THINK THAT HE CAME BACK AND HE FOLLOWED HER FROM HERE.
YOUR SECURITY CAMERAS-- DO THEY RECORD TO A HARD DRIVE?
YES. YES. UH, IT HOLDS 30 DAYS' WORTH OF FOOTAGE.
GREAT. GET IT ALL, PLEASE. WE'LL NEED EVERYTHING.
OKAY.
YEAH. I GOT CHARLIE DAVIS RIGHT HERE.
WE GRABBED HIM FROM HIS OFFICE, AND WE BROUGHT HIM IN.
NO, WE DIDN'T FIND ANYTHING. WHAT ABOUT THE BOAT?
(door beeps and buzzes)
OKAY, CHARLIE.
I'M GETTING A LITTLE TIRED OF THIS.
SO WHY DON'T YOU TELL ME WHERE MY OFFICER IS?
LOOK...
IF SHE'S OKAY,
I'M GONNA MAKE IT CLEAR THAT YOU COOPERATED.
I TOLD YOU, I DON'T KNOW WHERE THAT BITCH IS.
(grunts)
(filtered voice) I SWEAR TO GOD, IF ANYTHING HAPPENED TO HER,
I MEAN, IF YOU HURT HER IN ANY WAY,
THAT WON'T BE ANYTHING
COMPARED TO THE PAIN THAT I'M GONNA BRING DOWN ON YOU.
(grunts) HEY. HEY, I WAS HERE LAST NIGHT.
ALL RIGHT? I WAS IN THIS CHAIR.
AND THEN I WENT HOME. THERE ARE CAMERAS ALL OVER MY HOUSE.
CHECK WITH THE SECURITY COMPANY. THEY'LL CONFIRM IT.
LOOK, I... (groans)
I KNOW THIS MUST BE EMBARRASSING FOR YOU,
SCREWING UP TWICE IN 24 HOURS.
(pants) BUT WHOEVER GRABBED THAT COP LAST NIGHT,
IT WASN'T ME.
(sighs)
(rattling)
YOU KNOW, DETECTIVE, I HOPE YOU HAVE OTHER INTERESTS
OUTSIDE THIS JOB, BECAUSE ONCE MY LAWYERS ARE DONE WITH YOU,
YOU'RE NOT GONNA HAVE IT ANYMORE.
(door beeps and buzzes)
(door opens)
WHERE AM I?
AH.
YOU'RE AWAKE.
WHAT'S--WHAT'S IN MY ARM? (water running)
I'M JUST TRYING TO KEEP YOU HYDRATED.
THAT SEDATIVE CAN GIVE YOU AN AWFUL HEADACHE.
YEAH.
SO WILL SMASHING YOUR ELBOW IN MY FACE.
SORRY THAT HAD TO HAPPEN.
DON'T WORRY, THOUGH.
I'M GONNA GET YOU ALL FIXED UP.
YOU KNOW, FOR SOMEONE WHO'S TRYING TO SCARE ME,
IT SOUNDS LIKE YOU'RE WEARING TAP SHOES.
THEY'RE ACTUALLY...
WING TIPS.
I TAKE IT BACK.
WING TIPS ARE TERRIFYING.
I THINK... MAYBE...
YOU WOKE UP TOO EARLY.
YOU SHOULD REALLY GET SOME REST. WHAT ARE YOU DOING?
NO. WAIT. WAIT. WAIT. WAIT. WAIT. WAIT. WAIT.
WHAT ARE YOU DOING? WHAT ARE YOU DOING? SHH. SHH. SHH. JUST RELAX.
JUST... RELAX.
I'M GONNA TAKE CARE OF YOU.
THIS IS EVERYTHING FROM THE ARCHER.
THERE'S NO SIGN THAT DAVIS CAME BACK AFTER WE GRABBED HIM.
NOTHING ON CAMERA ANYWAY. THE COVERAGE IS PRETTY CRAPPY.
WELL, THE SEARCH AT DAVIS' PLACE DIDN'T TURN UP ANYTHING.
WHAT ABOUT HIS ALIBI?
IT CHECKS OUT. SECURITY COMPANY HAS HIM HOME
15 MINUTES AFTER WE RELEASED HIM.
I MEAN, THE GUY WAS HOME ALL NIGHT.
SO WE'RE BACK TO ZERO. NO CLOSER TO FINDING GAIL.
WELL, WE EXPAND OUR SEARCH. LOOK FOR ANOTHER SUSPECT.
LUKE, TELL ME YOU GOT SOMETHING.
MAYBE.
OKAY, YEAH, I'LL TAKE A "MAYBE."
DIAZ AND THE NEW KID FOUND A COUPLE OF BODIES
RELATED TO SOME OLD CASES. IT'S NOT EXACTLY ON PATTERN, BUT--
CALL GIRLS?
NO. ONE OF THE VICTIMS HAD BEEN TRANQUILIZED
WITH A MIXTURE OF KETAMINE AND ACEPROMAZINE.
I TRACED HER BACK TO A DINNER RESERVATION
AT THE ARCHER HOTEL THE NIGHT SHE DISAPPEARED.
SO THE CONNECTION'S THE HOTEL.
LIKE I SAID, MAYBE.
SOMEONE WHO WORKS THERE. MAKES SENSE.
OKAY, THE ONLY STAFF THAT KNEW IT WAS A STING OPERATION
WAS CRONE, THE MANAGER.
EVERYONE ELSE THOUGHT IT WAS BUSINESS AS USUAL.
STAFF WOULD BE THE PERFECT COVER.
LOTS OF OPPORTUNITY TO PICK A TARGET.
SURE. MAKE CASUAL CONVERSATION,
BUT NOBODY REALLY NOTICES YOU'RE THERE.
AND THEY KNOW EXACTLY WHERE THE CAMERAS ARE
AND HOW NOT TO BE SEEN IF THEY FOLLOW SOMEBODY HOME.
(indistinct conversations)
(groans)
IT'S BRAXTON HICKS.
WHAT?
FALSE LABOR.
IT'S THE DRESS REHEARSAL BEFORE THE BIG SHOW.
I HAD 'EM FOR WEEKS.
YEAH. WELL, MR. BRAXTON HICKS CAN KISS MY PREGNANT ASS.
THESE JUST KEEP GETTING WORSE.
SINCE WHEN?
OH, LAST NIGHT.
FRANK ORDERED THAI FOOD, AND THEY HAVEN'T STOPPED SINCE.
WELL, FALSE LABOR'S NOT SUPPOSED TO LAST THAT LONG.
NOELLE.
THIS COULD BE THE REAL THING.
NO. NO WAY. NOT TODAY.
NOT WITH GAIL OUT THERE SOMEWHERE WITH SOME PSYCHO.
BUT JERRY'S GOT THE WHOLE SERVICE OUT LOOKING FOR HER.
I MEAN, RIGHT NOW YOU JUST NEED TO BE CONCERNED
ABOUT YOURSELF FOR ONCE.
I AM NOT HAVING THIS BABY YET.
OKAY.
BUT IF YOU ARE HAVING THIS BABY,
I THINK WE SHOULD CALL FRANK. LET HIM KNOW.
NO.
NOT WITH GAIL STILL MISSING. HE HAS ENOUGH TO WORRY ABOUT.
I...
I JUST HOPE THEY'RE GETTING CLOSE.
(indistinct conversations)
22 STAFF ON SHIFT LAST NIGHT
IN THE LOUNGE, LOBBY, AND KITCHEN,
INCLUDING SIX WITH PRIORS.
SIX? THAT SOUNDS LIKE A LOT.
HOSPITALITY INDUSTRY? NOT REALLY.
WE GOT THREE ASSAULTS, TWO DRUG CHARGES,
AND A MAIL FRAUD.
(sighs)
HEY, SAM. WHAT ABOUT THIS GUY?
BARTENDER?
UH-HUH.
HE WAS HOVERING ALL NIGHT.
SO ANYTHING GAIL SAID TO DAVIS, HE COULD'VE HEARD. YEAH.
LET ME SEE THIS.
"SETH MacKEIGAN.
MINOR ASSAULT, POSSESSION WITH INTENT."
IT'S HIM. IT'S GOTTA BE.
I MEAN, THE BAR CLOSES AT 1:00. HE WOULD'VE HAD TIME.
IT SAYS HE DRIVES A GRAY CAMRY.
LOOK AT THIS PICTURE.
SURVEILLANCE TOOK IT 30 SECONDS AFTER GAIL'S CAB LEFT.
YEAH, GRAY CAMRY.
HOW FAST CAN WE HAVE E.T.F AT HIS HOUSE?
WHOA. WHOA. WHOA. WE'RE NOT GONNA BUST SOME GUY
ON SOME MINOR CHARGES FROM A COUPLE OF YEARS AGO
FOR THE FACT THAT HE WAS NEAR THE HOTEL WHERE HE WORKS.
YEAH, BUT WHAT IF THIS IS THE GUY?
THEN WE PROVE IT.
YOU KNOW WHAT? WE'VE BLOWN THIS TWICE ALREADY
BY JUMPING THE GUN, SO WE JUST GOTTA SLOW THINGS DOWN
AND TAKE OUR TIME AND--AND PUT THESE PIECES TOGETHER.
OKAY. OKAY. YOU KNOW, IT'S JUST-- CHASING FALSE LEADS
IS NOT GONNA HELP US GET GAIL ANY FASTER.
OKAY, PECK GOT INTO SKYVIEW CAB 302.
GO TALK TO THE CAB DRIVER.
SEE IF HE REMEMBERS BEING FOLLOWED BY MacKEIGAN.
THEN MAYBE I CAN GET ANOTHER WARRANT.
NO. WE DON'T HAVE TIME FOR THAT.
LOOK, JERRY. IT'S HIM. IT'S THE BARTENDER, OKAY?
HE SITS ALL NIGHT WITH THESE GIRLS, OKAY,
ASKS THEM WHO THEY ARE, UH, WHAT THEY DO,
WHETHER THEY LIVE ALONE OR NOT. HE CAN ASK 'EM ANYTHING,
AND THEY JUST THINK HE'S BEING NICE.
LOOK, JERRY, I THINK McNALLY'S RIGHT.
WE'VE GOT A WINDOW. LET'S CHECK ON THIS GUY RIGHT NOW.
ALL RIGHT. ALL RIGHT. FINE. I'M GONNA TRACK DOWN THE CAB DRIVER.
YOU GUYS GO TO THE HOTEL.
LEARN ANYTHING THAT YOU CAN ABOUT MacKEIGAN,
ANYTHING THAT CAN GET US THROUGH THE DOOR.
AND NOBODY MAKES A MOVE ON HIM UNTIL I SAY SO.
THESE ARE ALL SUSPICIOUS DEATHS?
UH, WOMEN ALL OVER THE CITY, THE LAST TEN YEARS.
NOW THE RED ONES ARE WHERE THE BODIES WERE DISCOVERED.
THE GREEN ONES WERE WHERE THEY WERE ABDUCTED
OR WHERE THEY LIVED.
AND THEY TRACE BACK TO THE HOTEL.
AT LEAST TWO, MAYBE THREE.
WHICH ONE IS PECK?
UH, WE AGREED WE'RE NOT PUTTING HER UP THERE.
RIGHT HERE.
THESE ONES FIT. THIS IS WHERE WE'RE GONNA FIND HIM.
WHY IS HE DUMPING THEM IN THE CITY?
KNOWS THE AREA. IT'S HIS COMFORT ZONE.
SIR, PERMISSION TO TAKE OUT A SQUAD?
AND GO WHERE?
NO OFFENSE. I KNOW THIS IS POLICE WORK,
BUT WE'RE NOT DETECTIVES. WE'RE GRUNTS.
PATROL OFFICERS. WE SHOULD BE OUT THERE ON THE STREETS.
YOU DON'T EVEN KNOW WHAT YOU'RE LOOKING FOR.
HE'S BEEN DUMPING THE BODIES IN THE SAME 10-BLOCK AREA.
IF WE BEEF UP POLICE PRESENCE IN HIS COMFORT ZONE,
MAYBE HE'LL STAY AWAY FROM IT. WE COULD BUY GAIL SOME TIME.
I'M WITH NICK ON THIS ONE, SIR.
I SAY WE RIDE AROUND AND SEE WHAT WE SEE.
THERE'S A LOT OF PEOPLE HERE.
EVERYBODY'S ON THIS THING, LUKE,
SO I REALLY THINK THAT WE SHOULD BE
OUT ON THE STREETS LOOKING FOR OUR GIRL.
I'LL LET DISPATCH KNOW IF I CAN NARROW IT DOWN ANY FURTHER.
ANY LUCK WITH THE FOOTAGE WE GAVE YOU?
YEAH. WE NEED SOME MORE INFORMATION
ON ONE OF YOUR STAFF-- SETH MacKEIGAN.
WE NEED HIS VEHICLE PASS FOR THE PARKING LOT
AND HIS WORK SCHEDULE SINCE HE STARTED HERE.
SURE. BUT IF YOU WANT TO TALK TO HIM, HE'S RIGHT THERE.
SETH.
HEY.
HEY. HEY!
STOP!
OKAY. OKAY. OKAY. OKAY. OKAY. OKAY.
OKAY. OKAY.
YEAH? WHAT'D YOU DO WITH HER, HUH?
EASY. EASY. EASY. WHAT'D YOU DO WITH HER?
WHAT? DO WITH WHO?
JASMINE, THE BLONDE WHO WAS AT THE BAR LAST NIGHT.
YOU FOLLOWED HER HOME.
I DON'T KNOW WHAT THE HELL YOU'RE TALKING ABOUT.
YEAH, RIGHT. WHY'D YOU RUN?
'CAUSE HE WAS TRYING TO FLUSH THAT DOWN THE TOILET. NO, THAT IS NOT MINE.
LAST NIGHT--WHERE'D YOU GO WHEN YOU LEFT HERE?
I-I--JETPACK. IT'S--IT'S AN AFTER-HOURS CLUB.
I DEEJAY THERE SOMETIMES.
OH, YEAH? WHAT TIME WAS THAT?
I-I GOT THERE JUST BEFORE 2:00, AND THEN LEFT AT 5:00.
REALLY?
YEAH. AND SOME OF THE STAFF WERE THERE. YOU CAN ASK THEM.
YEAH, WE'LL DO THAT.
(police radio chatter)
OKAY. OW.
OW.
OKAY, THAT'S OKAY. THAT IS OKAY.
THEY ARE-- ARE HALF AN HOUR APART STILL,
SO, YOU KNOW, EVEN IF IT IS LABOR,
THEN YOU GOT PLENTY OF TIME.
YOU KNOW, SOME PEOPLE, IT CAN TAKE A-A COUPLE OF DAYS.
(cell phone rings)
(ring)
(beep) JERRY, I'VE CALLED YOU, LIKE, THREE TIMES.
YEAH. I CAN'T, UH,
I CAN'T GET THIS STUPID THING OFF MUTE.
OKAY, DON'T DO IT NOW
BECAUSE YOU'RE JUST GONNA END UP HANGING UP ON ME.
What do you got?
UH, THE LAB RESULTS FROM ANDY'S BLOOD CAME IN.
Yeah, let me guess-- Ketamine and Acepromazine.
HOW'D YOU KNOW?
WELL, NICOLE MARSHALL ALSO HAD TRACES OF IT IN HER SYSTEM.
IT'S A MEDICAL TRANQUILIZER,
BUT THE MIX IS TRICKY TO ADMINISTER IN THE PROPER DOSE.
SO WE'RE LOOKING FOR SOMEBODY WHO KNOWS WHAT THEY'RE DOING.
ANY LEADS?
Well, we think Peck may have been followed
by a staff member at the Archer.
A HISTORY OF DRUGS. I'M WORKING ON IT NOW.
You think he's the guy?
I DON'T... (sighs)
LOOK, HE BETTER BE, BECAUSE I'M--I'M RUNNING OUT OF OPTIONS.
I WOULD COME AND JOIN YOU, BUT, UM,
I KINDA HAVE A BIT OF A SITUATION HERE.
NOELLE'S IN LABOR.
ALREADY? Yeah, but don't tell Frank
BECAUSE SHE DOESN'T WANT HIM TO WORRY.
YEAH. YEAH. NO, YOU STAY THERE,
AND I'LL CALL YOU AS SOON AS WE KNOW SOMETHING.
(Noelle screams) OW!
OKAY, JER, I GOTTA GO. I'LL TALK TO YOU LATER.
ALL RIGHT.
(cell phone beeps)
(dog barking in distance)
ROSS PERIK?
UH, THAT'S RIGHT.
I'M DETECTIVE JERRY BARBER, 15 DIVISION.
I HAVE A FEW QUESTIONS ABOUT ONE OF YOUR FARES LAST NIGHT.
DO YOU MIND IF I COME IN A MINUTE?
UH, BY ALL MEANS, DETECTIVE. COME ON IN.
THANKS.
(dog continues barking)
***
SO, YOU HAD A QUESTION ABOUT ONE OF MY FARES?
YEAH, A WOMAN YOU PICKED UP LAST NIGHT
AT THE ARCHER AROUND 1:30.
UH, I'M THERE A LOT. I DON'T REALLY, UH,
PAY A LOT OF ATTENTION TO FACES.
WELL, SHE'S BLONDE, UH, MID-20s,
QUITE POSSIBLY NOT VERY NICE.
OH, YES, THAT DOES RING A BELL.
AND YOU DROPPED HER OFF AT 2768 CARLAW.
SHE'S A POLICE OFFICER.
YEAH, THAT'S RIGHT.
I NEVER WOULD HAVE GUESSED THAT FROM THE WAY SHE WAS DRESSED.
OH, SO YOU DO REMEMBER?
UH, W-WAS THERE A PROBLEM?
DID SHE... COMPLAIN ABOUT THE SERVICE?
NOW DO YOU REMEMBER BEING FOLLOWED?
OR MAYBE YOU SAW SOMEONE WHEN YOU DROPPED HER OFF?
YOU KNOW, COME TO THINK OF IT, THERE MAY HAVE BEEN
A SET OF LIGHTS BEHIND ME FOR A WHILE,
BUT IT'S, UH... IT'S HARD TO SAY.
OKAY. DO YOU REMEMBER A COLOR OR MAKE?
UH, NO, I'M SORRY.
(sighs) ALL RIGHT.
WOULD YOU HAPPEN TO KNOW WHAT TIME YOU DROPPED HER OFF?
IT MIGHT HELP US FIGURE OUT WHO ELSE WAS ON THE STREET.
UH... I-I'M NOT SURE.
UM, UH, PROBABLY 1:45, 2:00-ISH.
WELL, YOUR METER WOULD HAVE THE EXACT TIME, RIGHT?
UNLESS YOU WEREN'T RUNNING YOUR METER.
I KNOW SOMETIMES THOSE THINGS GET, UH...
(sniffs) SWITCHED OFF--
BY ACCIDENT, OF COURSE.
NO. DETECTIVE, I ALWAYS RUN MY METER.
IT'S THE LAW. I'LL JUST GET THE LOG.
WOULD YOU, UM...
COULD YOU JUST WAIT HERE FOR A SECOND?
YEAH, THAT'D BE GREAT. THANK YOU.
EVERY EMPLOYEE WHO HAD CONTACT WITH GAIL LAST NIGHT
CHECKS OUT.
OKAY, SO--SO WHO ELSE DID SHE HAVE CONTACT WITH?
MAYBE SHE TALKED TO ONE OF THE CUSTOMERS.
NO. NO. I MEAN, I TOOK HER OUT HERE PERSONALLY,
AND I PUT HER STRAIGHT IN A CAB.
(sighs) SO YOU PUT HER IN A CAB...
I PUT HER IN THE CAB. I TOLD HER
THAT I WOULD BE STAYING WITH YOU.
YOU KNOW, THAT SHE WOULD HAVE THE PLACE TO HERSELF.
MAYBE SOMEONE OVERHEARD YOU--
SOMEONE YOU WOULDN'T EVEN THINK WAS LISTENING.
SAME CABBIES COME HERE EVERY NIGHT.
PEOPLE GET IN, TELL THEM EXACTLY WHERE THEY LIVE.
THE CAB DRIVER.
(Velcro tears) THAT'S WHO JERRY WANTED US TO CHECK OUT,
BUT THEN HE SAID HE WOULD DO IT.
(cell phone dialing) I HOPE HE ANSWERS HIS DAMN PHONE.
THREE MONTHS, YOU'D THINK HE'D FIGURE OUT HOW TO USE IT.
(breathing heavily)
COME ON.
THIS, UH, PICTURE ON YOUR BOOKSHELF--
WHERE IS IT?
MY GIRLFRIEND AND I ARE GETTING MARRIED,
AND WE'RE LOOKING FOR A PLACE TO HONEYMOON.
OH, UH, THAT'S SOMALIA.
SOMALIA? HUH.
WHAT WERE YOU DOING THERE?
CHARITY WORK. WITH DOCTORS ABROAD.
YOU'RE A VOLUNTEER?
M.D., ACTUALLY.
OR I USED TO BE.
I NEEDED A CHANGE.
SOMETHING A LITTLE LESS STRESSFUL.
I'M SURE YOU UNDERSTAND, DETECTIVE.
(clicks tongue)
BELIEVE ME, I DO.
SO, UH...
DO YOU MISS IT-- MEDICINE?
SOMETIMES.
(unholsters gun) (blade plunges)
(grunts)
(grunting continues)
(breath quavers)
(grunting)
(blade slices)
I'M SORRY...
BUT YOU SHOULDN'T HAVE COME HERE.
(blade plunges) (grunts)
(gasping)
(panting)
OKAY. SKYVIEW CAB NUMBER 302
IS REGISTERED TO A ROSS PERIK.
(beeping) 26 SPRINGMORE.
ALL RIGHT. CALL JERRY AGAIN.
TELL HIM NOT TO GO IN WITHOUT BACKUP.
TELL HIM TO WAIT FOR US.
(siren wailing)
(breathing unevenly) (cell phone buzzes)
(buzzes)
(continues breathing unevenly) (buzzes)
(gasps and exhales)
(door opens)
(panting)
(coughs)
(clattering)
YOU'RE A COP.
(murmurs) WHAT?
WHY DIDN'T YOU TELL ME?!
(pants) I'M THE ONE TAKING CARE OF YOU.
(knife clatters) COME ON. LET'S GO!
(muffled whimpering)
(sniffles and gasps softly)
(breathing unevenly)
(beeps)
(groaning softly)
(Perik) COME ON! LET'S GO!
(exhales sharply)
(groaning softly)
I'M GONNA GET YOU OUT OF HERE.
I JUST NEED A LITTLE MORE TIME.
(grunts loudly) (grunts)
(objects clattering)
(both grunting)
(grunting continues)
(muffled scream) (grunts loudly)
(mutters indistinctly)
(grunts and gasps)
(muffled screaming)
OKAY. COME ON.
(muffled whimpering) COME ON!
(whimpering continues)
(muffled) OH, GOD, NO!
***
IT'S JERRY'S CAR. HE'S STILL HERE.
(police radio chatter)
(doorbell rings)
(knock on door)
(radio chatter continues)
JERRY'S DOWN. WHAT?
(both unholster guns)
(Sam) POLICE!
McNALLY, CLEAR THE HOUSE.
(loud clatter)
(radio static) 1519, I GOT A 10-33 AT 26, UH, SPRINGMORE.
I'VE GOT AN OFFICER DOWN. I NEED MEDICS RIGHT AWAY, PLEASE.
(radio static) (female dispatcher) 1519, EMS is being
dispatched to your location. JERRY? JERRY!
JERRY! All units, Code 1.
Officer down... HOW YOU DOING, SAMMY?
IT'S OKAY. WE'RE HERE, BROTHER. ALL RIGHT?
I repeat-- we have an officer down,
26 Springmore, near...
(weakly) SAMMY. SAMMY.
HE HAS HER. HE LEFT.
WHAT? HE LEFT.
MY PHONE IS IN HIS POCKET.
IT'S WHAT?
MY PHONE... IS IN HIS POCKET.
YOU PUT YOUR PHONE IN HIS POCKET?
(breathing heavily) JUST FOLLOW THE PHONE...
(chuckles) ...AND YOU'LL FIND HIM. ALL RIGHT.
MY PHONE-- OKAY, ALL RIGHT, ALL RIGHT.
HEY. HERE.
LOOK, THE HOUSE IS CLEAR. PERIK'S GONE.
I THINK HE WAS KEEPING HER IN THE BASEMENT. OKAY. I GOT THIS.
ALL RIGHT, I NEED YOU TO CALL IN,
GET 'EM TO TRACK JERRY'S CELL PHONE RIGHT NOW, OKAY? OKAY.
ALL RIGHT. IT'S WITH THE SUBJECT, AND HE'S GOT GAIL!
(radio static) OKAY, DISPATCH, UM...
WE NEED G.P.S. ON A DETECTIVE JERRY BARBER'S PHONE NUMBER.
HIS CELL NUMBER. (radio static)
Copy that. I'll have the comm center...
YOU DID GOOD, BUD. WE'RE GONNA GET HER, ALL RIGHT?
GOOD JOB.
(breathing unevenly)
YOU FINALLY FOUND A USE FOR THAT CELL PHONE, HUH?
(chuckles weakly)
(exhales)
JERRY?
JERRY, STAY WITH ME.
JERRY? JERRY?
THAT'S IT. LOOK AT ME.
(engine rumbling)
(Katie Costello's "Stranger" playing)
(exhales)
* STRANGER, I'VE KNOWN YOU FOR SO LONG *
(sirens wailing)
* I FOUND YOU LOST WITH A COMPASS IN THE FOG *
(tires screeching, thud)
(vehicles, sirens stop) * STRANGER, YOU KNOW ME TOO MUCH *
(speaking inaudibly) * ILLUSIONARY SELF *
* HAD NOT BEEN TOUCHED *
* UNTIL YOU *
* HUMMING HALLELUJAH IN THE DARK *
* THE SUN MIGHT RISE *
* AS SOMETIMES DOES IT FALL *
(handle clicks)
* HALLELUJAH *
(speaking inaudibly)
* AHH, AHH *
* STRANGER, YOU'VE FOLLOWED ME SO FAR *
(sirens wailing)
* UNTIL THE ROADS CONVERGED, AS DID THE STARS *
* NOT TONIGHT *
* HUMMING HALLELUJAH IN THE NIGHT *
* THE SUN MIGHT RISE *
* AS SOMETIMES DOES IT FALL *
* HALLELUJAH *
(woman speaking indistinctly on P.A.)
(sighs)
HEY, TRACE, UM...
CALL ME WHEN YOU GET THIS.
UM, I'LL TRY YOU AT HOME AGAIN.
(sirens wailing)
SWAREK, WHAT'S THE WORD?
(clears throat) UH... STAB WOUND TO THE ABDOMEN.
IT'S BAD. (sighs)
WHEN WILL WE KNOW?
(clicks tongue)
YOU HEARD. WE GOT GAIL BACK. YEAH.
YEAH, CALLAGHAN AND THE BOYS,
THEY, UH, NARROWED DOWN WHERE THEY THOUGHT THEY MIGHT BE,
SO, WE, UM... WE WERE, UH... WE WERE IN THE NEIGHBORHOOD.
PHONE TRACE TOOK US RIGHT TO HIM.
YEAH, CAN YOU BELIEVE THAT JERRY
FINALLY FIGURED OUT HOW TO WORK THAT THING?
HOW'S GAIL?
UH... SHE'S GOOD. MM.
YOU KNOW. I MEAN, SHE'S UPSTAIRS.
HE DIDN'T--
SHE'S OKAY.
FRANK, WHAT DO WE KNOW ABOUT THIS GUY?
WELL, CALLAGHAN'S WORKING ON IT NOW.
BUT IT LOOKS LIKE HE WAS SOME KIND OF A, UH,
DOCTOR, LOST HIS LICENSE ABOUT SIX, SEVEN YEARS AGO.
SERGEANT, HAVE YOU BEEN ABLE TO GET AHOLD OF TRACI?
'CAUSE I CAN'T GET HER.
NO. SHE HASN'T BEEN PICKING UP.
LAST I HEARD, SHE WAS WAITING HERE FOR YOUR LAB RESULTS.
(woman on P.A.) Dr. Stevens to Admitting.
Dr. Stevens, come to Admitting.
(gasps softly) SHE IS BEAUTIFUL.
AND HEALTHY. YOU DID GREAT.
(laughs) HAPPENED SO FAST, I DIDN'T HAVE MUCH CHOICE.
(laughs)
I KINDA ALWAYS WANTED A GIRL.
(laughs) NO, SORRY, NASH. (baby fussing)
SHE IS ALL MINE.
(laughs) WELL...
PROBABLY GONNA HAVE TO GET ONE OF MY OWN,
'CAUSE JERRY'S GONNA INSIST
WHEN HE MEETS THIS LITTLE ANGEL. MM-HMM.
(laughs)
(fussing continues) YES, YOU. OOH.
(babbling and fussing) (laughs)
I KNOW YOU WANTED TO WAIT, BUT, UH... OHH.
YOU THINK WE CAN CALL FRANK NOW?
(both laugh) OKAY.
(both laugh)
OHH... (laughs)
(cell phone beeping)
OH, THEY MUST HAVE FOUND GAIL. I'VE GOT LIKE TEN MESSAGES.
(beeping)
(breathes deeply)
(man speaking indistinctly on P.A.)
ANDY.
WHAT'S GOING ON?
WHERE'S JERRY?
TRACI...
OH... (voice breaking) WHERE IS HE?
I'M S-- (voice breaking) I'M SO SORRY.
NO. (crying)
(crying) NO!
NO! (sniffling)
("One Way" by Rose Cousins playing)
* I BREAK *
* WHERE YOU BEND *
* I TAKE WHAT YOU SEND *
* AND WE BOTH PRETEND *
* BUT I START *
* WHERE YOU END *
***
* I'VE GOT *
* ONE WAY *
***
* OH *
* AND I BREAK *
* WHERE YOU BEND *
* I TAKE WHAT YOU SEND *
* WE BOTH PRETEND *
* BUT I KNOW THAT I START *
* WHERE YOU END *
***