1 00:00:01,123 --> 00:00:02,157 *** 2 00:00:02,191 --> 00:00:04,359 (siren wailing in distance) 3 00:00:05,327 --> 00:00:06,995 (lock clicks) 4 00:00:07,028 --> 00:00:08,330 GAIL? 5 00:00:10,799 --> 00:00:12,367 YOU HOME? 6 00:00:12,401 --> 00:00:13,868 (lock clicks) 7 00:00:15,504 --> 00:00:18,640 HEY, REMEMBER WHAT WE TALKED ABOUT. 8 00:00:18,673 --> 00:00:23,745 COMPLETELY UNCOOL TO WALK AROUND NAKED IN SOMEONE ELSE'S PLACE. 9 00:00:26,315 --> 00:00:27,849 GAIL? 10 00:00:27,882 --> 00:00:30,719 HEY. 11 00:00:30,752 --> 00:00:32,053 OH. 12 00:00:32,087 --> 00:00:34,456 (both grunting) 13 00:00:34,489 --> 00:00:38,127 AAH! 14 00:00:38,160 --> 00:00:39,461 (groans) 15 00:00:39,494 --> 00:00:42,497 (panting) 16 00:00:51,906 --> 00:00:53,842 (siren wailing) 17 00:00:53,875 --> 00:00:55,810 YOU'RE UP EARLY. 18 00:00:55,844 --> 00:00:56,811 (typing on keyboard) HEY. 19 00:00:56,845 --> 00:00:58,613 HEY. (mug clatters) 20 00:00:58,647 --> 00:01:00,715 MMM. CHECK THIS OUT. 21 00:01:00,749 --> 00:01:03,185 (coffee pours) 22 00:01:03,218 --> 00:01:04,919 OH, I THOUGHT YOU PASSED THIS CASE OFF 23 00:01:04,953 --> 00:01:06,121 TO HOMICIDE SQUAD LAST NIGHT. 24 00:01:06,155 --> 00:01:07,889 OOH. SORRY. WRONG FILE. 25 00:01:07,922 --> 00:01:09,023 OH. 26 00:01:09,057 --> 00:01:11,193 (chuckles) 27 00:01:11,226 --> 00:01:12,361 WHAT'S THIS? 28 00:01:12,394 --> 00:01:14,629 THAT'S OUR FUTURE. 29 00:01:14,663 --> 00:01:17,199 I FIGURED AFTER WE GET MARRIED, WE'RE GONNA NEED A NEW PLACE. 30 00:01:17,232 --> 00:01:18,333 (gasps) 31 00:01:18,367 --> 00:01:20,835 SO I HAVE BEEN LOOKING. 32 00:01:20,869 --> 00:01:24,439 AND I KNOW YOU WANT TO LIVE NEAR THE DOWNTOWN. 33 00:01:24,473 --> 00:01:27,542 SO ALL THESE HOUSES ARE A 10-MINUTE DRIVE 34 00:01:27,576 --> 00:01:30,812 FROM CITY CENTER, AND THEY'RE IN GOOD NEIGHBORHOODS. 35 00:01:30,845 --> 00:01:34,015 TREE-LINED STREETS, GOOD SCHOOLS. 36 00:01:34,048 --> 00:01:35,950 THEY ALL HAVE FOUR BEDROOMS. 37 00:01:35,984 --> 00:01:37,852 YEAH. ONE FOR US, 38 00:01:37,886 --> 00:01:40,155 AND THERE'S ONE FOR LEO, AND THERE'S THE OFFICE, 39 00:01:40,189 --> 00:01:43,225 AND THE OTHER ONE COULD BE FOR, UM... 40 00:01:43,258 --> 00:01:45,227 A NURSERY. 41 00:01:45,260 --> 00:01:47,061 (groans) JERRY. 42 00:01:47,095 --> 00:01:49,498 I KNOW. I KNOW. I'M NOT-- I'M NOT SAYING TOMORROW. 43 00:01:49,531 --> 00:01:51,400 JUST SOMEDAY. 44 00:01:51,433 --> 00:01:53,001 IF--IF WE WANT. 45 00:01:53,034 --> 00:01:55,970 WHAT I WANT IS TO BE A GOOD MOM 46 00:01:56,004 --> 00:01:57,639 TO THE CHILD THAT I ALREADY HAVE... 47 00:01:57,672 --> 00:01:58,940 MM-HMM. 48 00:01:58,973 --> 00:02:02,911 AND TO DO MY BEST AT THE JOB THAT I JUST BARELY STARTED. 49 00:02:02,944 --> 00:02:06,815 AND ALL I WANT IS FOR YOU TO BE HAPPY. 50 00:02:09,117 --> 00:02:11,085 YOU KNOW WHAT? 51 00:02:11,119 --> 00:02:13,488 WE GOT A LOT OF TIME TO TALK ABOUT IT. 52 00:02:15,056 --> 00:02:16,525 OR NOT TALKING ABOUT IT. 53 00:02:16,558 --> 00:02:18,427 I MEAN, ACTUALLY, I QUITE LIKE IT WHEN WE DON'T TALK. 54 00:02:18,460 --> 00:02:20,195 ME, TOO. REALLY? 55 00:02:30,104 --> 00:02:31,373 (indistinct conversations) 56 00:02:31,406 --> 00:02:33,208 OH, IS IT BRIGHT IN HERE, 57 00:02:33,242 --> 00:02:35,076 OR AM I BEING BLINDED 58 00:02:35,109 --> 00:02:38,647 BY THE RADIANT GLOW OF OUR MAMA-TO-BE? 59 00:02:38,680 --> 00:02:42,351 WHAT THE HELL COLOR IS MORNING CHARTREUSE? 60 00:02:42,384 --> 00:02:45,520 THAT IS AWESOME. UH, I LOVE THIS ONE. 61 00:02:45,554 --> 00:02:48,623 IT'S, UH, YELLOWISH, IN THE... 62 00:02:48,657 --> 00:02:50,492 IT'S IN THE YELLOW FAMILY. 63 00:02:50,525 --> 00:02:52,361 HMM. IT'S NICE. 64 00:02:52,394 --> 00:02:54,062 YOU HAVEN'T PAINTED THE BABY'S ROOM? 65 00:02:54,095 --> 00:02:56,231 OKAY, I MAY LOOK LIKE A HOUSE, 66 00:02:56,265 --> 00:02:57,966 BUT I STILL HAVE ANOTHER MONTH TO GO, 67 00:02:57,999 --> 00:02:59,901 WHICH IS GOOD BECAUSE I OBVIOUSLY NEED 68 00:02:59,934 --> 00:03:01,770 ANOTHER COUPLE WEEKS TO PICK A DAMN COLOR! 69 00:03:01,803 --> 00:03:03,672 NO. NO. NO. YOU KNOW, YOU'RE RIGHT. YOU'RE RIGHT. 70 00:03:03,705 --> 00:03:05,340 THERE'S NO RUSH. THERE'S ABSOLUTELY NO RUSH. 71 00:03:05,374 --> 00:03:07,376 YOU GOT THE NAME. YOU GOT YOUR GO BAG. 72 00:03:07,409 --> 00:03:08,810 YOU'RE READY. YOU'RE READY. 73 00:03:08,843 --> 00:03:10,679 (whispers) IT'S GOOD. YOU'RE GOOD. 74 00:03:10,712 --> 00:03:14,449 (normal voice) YOU'RE GOOD. EVERYTHING'S GOOD. 75 00:03:14,483 --> 00:03:15,584 HEY, BUDDY. 76 00:03:15,617 --> 00:03:16,751 BUDDY. 77 00:03:16,785 --> 00:03:17,786 (groans) 78 00:03:17,819 --> 00:03:19,854 SAMMY. (pours coffee) 79 00:03:22,223 --> 00:03:23,992 OH, WHAT'S THIS? 80 00:03:24,025 --> 00:03:27,796 WELL, A GROOM IS SUPPOSED TO GET HIS BEST MAN A GIFT. 81 00:03:27,829 --> 00:03:28,997 SO IT'S A POCKET WATCH. 82 00:03:29,030 --> 00:03:30,198 AH. 83 00:03:30,231 --> 00:03:31,633 SO YOU CAN BE AT THE CHURCH ON TIME. 84 00:03:31,666 --> 00:03:34,168 EXCEPT IT'S NOT GONNA BE A CHURCH. IT'S GONNA BE A BEACH, 85 00:03:34,202 --> 00:03:37,238 SO I DON'T KNOW IF IT'S GONNA GO WITH YOUR MANKINI. 86 00:03:37,272 --> 00:03:39,240 YEAH. ALL RIGHT. AM I SUPPOSED TO GET YOU SOMETHING? 87 00:03:39,274 --> 00:03:40,975 NO. NO. NO. 88 00:03:41,009 --> 00:03:42,877 YOU JUST GOTTA BE THERE, BUD. 89 00:03:42,911 --> 00:03:45,447 YOU KNOW, MAKE SURE THAT I DON'T... (inhales deeply) 90 00:03:45,480 --> 00:03:47,682 MAKE TOO BIG OF A FOOL OF MYSELF. 91 00:03:47,716 --> 00:03:49,117 SO I HAVE TO DO MAGIC? 92 00:03:49,150 --> 00:03:51,019 OH, THAT'S FUNNY. 93 00:03:51,052 --> 00:03:53,187 OH, AND APPARENTLY, IT'S BAD LUCK 94 00:03:53,221 --> 00:03:55,223 TO, UH, GIVE A WATCH AS A GIFT, 95 00:03:55,256 --> 00:03:57,258 SO IF YOU WANNA THROW ME, LIKE, 5 OR 10 BUCKS, 96 00:03:57,292 --> 00:03:58,927 THEN TECHNICALLY, IT'S NOT A GIFT. 97 00:03:58,960 --> 00:04:00,194 10 BUCKS? 98 00:04:00,228 --> 00:04:02,464 YEAH. OR YOU BUY ME A ROUND. THEN WE'RE SQUARE. 99 00:04:02,497 --> 00:04:03,698 HERE YOU GO. 100 00:04:03,732 --> 00:04:04,999 THAT'S FUNNY. 101 00:04:05,033 --> 00:04:08,036 (police radio chatter) 102 00:04:10,639 --> 00:04:11,940 HEY, NASH. 103 00:04:11,973 --> 00:04:13,442 HAVE YOU SEEN McNALLY? 104 00:04:13,475 --> 00:04:14,776 NO, NOT THIS MORNING. 105 00:04:14,809 --> 00:04:15,877 NO? 106 00:04:15,910 --> 00:04:17,746 OKAY, LISTEN UP. 107 00:04:17,779 --> 00:04:19,481 FOR THOSE OF YOU WEREN'T THERE LAST NIGHT, 108 00:04:19,514 --> 00:04:20,949 LET ME BRING YOU UP TO SPEED. 109 00:04:20,982 --> 00:04:23,652 WE SENT OFFICER PECK UNDERCOVER ON A MISSING PERSONS CASE 110 00:04:23,685 --> 00:04:27,088 ONLY TO FIND OUT THAT PERSON WASN'T ACTUALLY MISSING. 111 00:04:27,121 --> 00:04:29,758 ON THE OTHER HAND, OFFICER EPSTEIN AND DIAZ 112 00:04:29,791 --> 00:04:32,160 FOLLOWED UP ON A POTENTIALLY RELATED COLD CASE, 113 00:04:32,193 --> 00:04:33,862 AND LATE LAST NIGHT, FOUND THE BODY 114 00:04:33,895 --> 00:04:37,832 OF NICOLE MARSHALL AT MOORE PARK. 115 00:04:37,866 --> 00:04:39,801 MARSHALL WAS A CALL GIRL 116 00:04:39,834 --> 00:04:41,803 THAT DID GO MISSING A MONTH AGO. 117 00:04:41,836 --> 00:04:43,104 WHERE WE AT WITH IT? 118 00:04:43,137 --> 00:04:44,573 WE'RE NOT. I MEAN, NOW THAT THERE'S A BODY, 119 00:04:44,606 --> 00:04:46,040 IT'S BEING HANDED OFF TO HOMICIDE. 120 00:04:46,074 --> 00:04:47,476 HAVE YOU SEEN McNALLY THIS MORNING? 121 00:04:47,509 --> 00:04:48,677 NO. NO? 122 00:04:48,710 --> 00:04:50,612 (beeps) 123 00:04:50,645 --> 00:04:53,648 (Frank speaking indistinctly) 124 00:04:57,118 --> 00:05:00,655 (telephone rings) 125 00:05:00,689 --> 00:05:04,526 (ring) 126 00:05:04,559 --> 00:05:08,397 (ring) 127 00:05:08,430 --> 00:05:12,367 (ring) 128 00:05:12,401 --> 00:05:15,036 (ring) 129 00:05:15,069 --> 00:05:16,170 HELLO? 130 00:05:16,204 --> 00:05:19,207 GOOD MORNING. UH, I'M SURE YOU AND PECK 131 00:05:19,240 --> 00:05:21,075 were staying up late last night painting each other's toenails, 132 00:05:21,109 --> 00:05:22,411 but you're supposed to be at work. 133 00:05:22,444 --> 00:05:23,978 SAM. 134 00:05:24,012 --> 00:05:26,781 SAM, IT'S GAIL. 135 00:05:28,750 --> 00:05:31,753 (sirens wailing) 136 00:05:34,823 --> 00:05:36,591 (camera shutter clicks, police radio chatter) 137 00:05:36,625 --> 00:05:38,259 HE MUST HAVE STUCK HER WITH SOMETHING. 138 00:05:38,292 --> 00:05:40,161 SHE'S GOT A NEEDLE MARK ON HER NECK. 139 00:05:43,064 --> 00:05:45,066 ANY DIZZINESS OR NAUSEA? 140 00:05:45,099 --> 00:05:47,402 NO. JUST A HEADACHE. 141 00:05:48,937 --> 00:05:51,806 ALL RIGHT, FOLKS, THE LAB MAKES THIS TOP PRIORITY, 142 00:05:51,840 --> 00:05:53,074 SO EVERYTHING GETS COPIED 143 00:05:53,107 --> 00:05:54,643 TO HEADQUARTERS AND ALL DIVISIONS. YEAH? 144 00:05:54,676 --> 00:05:56,611 ANDY, YOU OKAY? 145 00:05:56,645 --> 00:05:58,046 YEAH. 146 00:05:58,913 --> 00:06:01,416 McNALLY, YOU ABLE TO WALK THROUGH IT? 147 00:06:01,450 --> 00:06:05,286 YEAH, UM, I-I CAME HOME, UM... 148 00:06:06,988 --> 00:06:09,390 I-I COULDN'T HAVE BEEN, YOU KNOW, 149 00:06:09,424 --> 00:06:11,593 LATER THAN TEN MINUTES AFTER GAIL GOT HERE. 150 00:06:11,626 --> 00:06:13,728 BUT IT WAS DARK, 151 00:06:13,762 --> 00:06:15,830 AND THE LAMP WAS ON THE GROUND. 152 00:06:15,864 --> 00:06:18,166 GAIL WAS LYING RIGHT OVER THERE, 153 00:06:18,199 --> 00:06:20,034 AND WHEN I CHECKED HER, WHEN I FLIPPED HER OVER, 154 00:06:20,068 --> 00:06:21,870 SHE WAS UNCONSCIOUS, SHE HAD, UH, BLOOD ON HER FACE, 155 00:06:21,903 --> 00:06:24,038 AND HER HANDS WERE ZIP-TIED. 156 00:06:24,939 --> 00:06:26,541 UM, THAT'S--THAT'S WHEN HE-- 157 00:06:26,575 --> 00:06:29,043 HE GRABBED ME AND HE... 158 00:06:29,077 --> 00:06:32,046 I DON'T--I DON'T KNOW. THAT'S ALL I CAN REMEMBER. 159 00:06:32,080 --> 00:06:33,181 DID YOU SEE HIS FACE? 160 00:06:33,214 --> 00:06:34,949 NOPE. 161 00:06:34,983 --> 00:06:36,885 I MEAN, I KNOW THAT HE WAS STRONGER THAN ME. 162 00:06:36,918 --> 00:06:38,052 HE WAS TALLER THAN ME. 163 00:06:38,086 --> 00:06:40,455 I MEAN, I TRIED TO FIGHT HIM OFF. 164 00:06:40,489 --> 00:06:42,256 DO YOU HAVE ANY IDEA WHAT HE SHOT HER UP WITH? 165 00:06:42,290 --> 00:06:44,726 THERE'S NO WAY TO TELL WITHOUT A BLOOD TEST. 166 00:06:44,759 --> 00:06:47,428 ALL RIGHT, ANDY, YOU'RE GONNA GO TO THE HOSPITAL, OKAY? 167 00:06:47,462 --> 00:06:48,863 NO. NO. 168 00:06:48,897 --> 00:06:50,732 LISTEN, WE NEED TO FOCUS ON GAIL. 169 00:06:50,765 --> 00:06:52,767 IF THE DRUG IS STILL IN YOUR BLOOD, IT'S EVIDENCE. 170 00:06:52,801 --> 00:06:54,569 IT MIGHT BE THE FASTEST WAY TO FIND HER. 171 00:06:54,603 --> 00:06:56,204 COME ON. 172 00:06:56,237 --> 00:06:57,872 LET'S GET YOU CHANGED. I'LL GO WITH YOU. 173 00:07:02,410 --> 00:07:04,979 (exhales deeply, lowered voice) HE CAME PREPARED, 174 00:07:05,013 --> 00:07:07,115 YOU KNOW, ZIP TIES, SOME KIND OF SEDATIVE. 175 00:07:07,148 --> 00:07:08,950 McNALLY MUST HAVE SURPRISED HIM. 176 00:07:08,983 --> 00:07:11,019 SHE'S LUCKY HE DIDN'T GRAB HER, TOO. 177 00:07:11,052 --> 00:07:12,353 (exhales deeply) 178 00:07:13,722 --> 00:07:15,389 (man) WHAT'S YOUR 20? 179 00:07:15,423 --> 00:07:17,692 (police radio chatter) 180 00:07:17,726 --> 00:07:19,494 WHAT'S GOING ON? 181 00:07:19,528 --> 00:07:21,229 PLEASE. I-I GOTTA GET IN THERE. 182 00:07:21,262 --> 00:07:22,864 DIAZ, YOU GOTTA CALM DOWN, PAL. 183 00:07:22,897 --> 00:07:24,999 IT'S GAIL. I KNOW. ALL THE MORE REASON 184 00:07:25,033 --> 00:07:26,801 NOT TO STORM IN THERE AND CONTAMINATE THE SCENE. 185 00:07:26,835 --> 00:07:28,737 WE'RE GONNA GET THIS RIGHT, OKAY? 186 00:07:28,770 --> 00:07:30,071 HOW'S ANDY? 187 00:07:30,104 --> 00:07:32,006 SHE'S OKAY. SAM IS WITH HER. 188 00:07:32,040 --> 00:07:33,808 (sirens whoop) 189 00:07:33,842 --> 00:07:35,810 CANVASSED THE NEIGHBORS. NO ONE SAW ANYTHING. 190 00:07:35,844 --> 00:07:37,746 ALL RIGHT, THEN YOU KEEP CANVASSING. 191 00:07:37,779 --> 00:07:39,480 NEXT BLOCK, BLOCK AFTER THAT. YOU TALK TO EVERYBODY. 192 00:07:39,514 --> 00:07:41,315 NO DETAIL IS TOO SMALL. 193 00:07:41,349 --> 00:07:42,851 ALL RIGHT? KEEP IT TOGETHER. 194 00:07:42,884 --> 00:07:44,285 ALL RIGHT? 195 00:07:44,318 --> 00:07:46,187 ON IT. 196 00:07:46,220 --> 00:07:49,157 COME ON, PEOPLE. LET'S MOVE IT BACK. 197 00:07:49,190 --> 00:07:51,626 WRONG DAY TO PISS ME OFF. 198 00:07:54,262 --> 00:07:56,230 NOELLE, YOU DON'T NEED TO BE HERE. 199 00:07:56,264 --> 00:07:58,667 MISSING OFFICER. WE ALL NEED TO BE HERE. 200 00:07:58,700 --> 00:08:01,235 WE GOT ANYTHING? 201 00:08:01,269 --> 00:08:04,405 FRANK, HER WHOLE FAMILY'S POLICE. THEY'RE GONNA FIND OUT. 202 00:08:04,438 --> 00:08:07,742 HER BROTHER'S IN DEEP COVER. I'LL HAVE HIS HANDLER GET WORD. 203 00:08:07,776 --> 00:08:10,244 NO SURVEILLANCE CAMERAS. 204 00:08:10,278 --> 00:08:12,981 (sirens continue wailing) 205 00:08:13,014 --> 00:08:15,984 SIR, ANDY'S GIVEN HER STATEMENT. 206 00:08:16,017 --> 00:08:17,719 I'M GOING WITH HER TO MEMORIAL. 207 00:08:17,752 --> 00:08:19,854 LOOK, SIR, I'M REALLY SORRY. 208 00:08:19,888 --> 00:08:20,989 WHAT? 209 00:08:21,022 --> 00:08:22,390 I JUST SHOULD'VE FOUGHT HARDER. 210 00:08:22,423 --> 00:08:24,025 I MEAN, SHE WAS IN MY APARTMENT, AND-- 211 00:08:24,058 --> 00:08:26,595 McNALLY. DON'T. WE ARE GOING TO FIND HER. 212 00:08:26,628 --> 00:08:30,331 EVERY OFFICER IN THE CITY IS GONNA BE ON THIS UNTIL WE DO. 213 00:08:30,364 --> 00:08:31,499 OKAY? 214 00:08:31,532 --> 00:08:32,601 NASH. YEAH? 215 00:08:32,634 --> 00:08:34,335 WE'LL GO IN MY SQUAD CAR. 216 00:08:34,368 --> 00:08:36,771 HEY. A-ARE YOU SURE YOU DON'T WANT ME TO GO WITH YOU? 217 00:08:36,805 --> 00:08:38,873 YEAH. 218 00:08:38,907 --> 00:08:41,242 (siren wails) 219 00:08:47,248 --> 00:08:48,750 WHAT'S HE DOING HERE? 220 00:08:48,783 --> 00:08:51,252 OKAY, LOOK, LUKE CAUGHT THE NICOLE MARSHALL CASE. 221 00:08:51,285 --> 00:08:53,021 IT'S THE SAME M.O. AS PECK. 222 00:08:53,054 --> 00:08:55,023 A BLONDE CALL GIRL TAKEN FROM HER APARTMENT. 223 00:08:55,056 --> 00:08:56,658 WE HAVE TO CONSIDER THAT THEY'RE CONNECTED. 224 00:08:56,691 --> 00:08:57,659 CALLAGHAN. 225 00:08:57,692 --> 00:08:58,693 HOW LONG SHE BEEN GONE? 226 00:08:58,727 --> 00:09:01,095 McNALLY SAW HER JUST AFTER 2:00 A.M. 227 00:09:02,396 --> 00:09:04,899 CORONER'S STILL WITH THE BODY, BUT NICOLE MARSHALL HAD, UH, 228 00:09:04,933 --> 00:09:06,467 WOUNDS ON HER THAT HAD STARTED TO HEAL. 229 00:09:06,500 --> 00:09:07,702 SO HE KEPT HER ALIVE? 230 00:09:07,736 --> 00:09:08,970 ABOUT 24 HOURS. 231 00:09:09,003 --> 00:09:11,439 OKAY, SO IT'S THE SAME GUY WE'VE GOT. 232 00:09:11,472 --> 00:09:13,808 WE GOT 14 HOURS. 233 00:09:13,842 --> 00:09:16,110 ALL RIGHT, LET'S GET MOVING. 234 00:09:27,155 --> 00:09:30,124 (breathing heavily) 235 00:09:30,158 --> 00:09:33,795 *** 236 00:09:36,097 --> 00:09:39,367 (woman speaks indistinctly over P.A.) 237 00:09:39,400 --> 00:09:41,803 (exhales deeply) 238 00:09:41,836 --> 00:09:43,037 YOU OKAY? 239 00:09:43,071 --> 00:09:44,673 YEAH, I JUST GOTTA SIT DOWN. 240 00:09:44,706 --> 00:09:46,875 I ALWAYS GOTTA SIT DOWN. 241 00:09:46,908 --> 00:09:48,943 SWOLLEN ANKLES. SORE BACK. 242 00:09:48,977 --> 00:09:50,712 HOW DID YOU HANDLE THIS? 243 00:09:50,745 --> 00:09:51,780 I WAS 17. 244 00:09:51,813 --> 00:09:53,214 RIGHT. 245 00:09:53,247 --> 00:09:55,416 HEY. UH, WHAT DID THEY SAY? 246 00:09:55,449 --> 00:09:58,552 UH, SOME KIND OF TRANQUILIZER. UH, BLOOD'S GONE TO THE LAB. 247 00:09:58,586 --> 00:10:00,054 THEY SHOULD HAVE AN ANSWER IN A COUPLE HOURS. 248 00:10:00,088 --> 00:10:02,456 AND YOU? I'M FINE. HOSPITAL CLEARED ME. 249 00:10:02,490 --> 00:10:04,458 I GUESS NOW WE JUST HAVE TO WAIT FOR THE RESULTS. 250 00:10:04,492 --> 00:10:06,360 UH, YEAH. REALLY, I'M FINE. 251 00:10:06,394 --> 00:10:07,696 I'M GONNA GET BACK TO WORK. 252 00:10:07,729 --> 00:10:08,730 ANDY. 253 00:10:08,763 --> 00:10:11,833 LOOK, GAIL IS MISSING. OKAY, I GOTTA GO. 254 00:10:11,866 --> 00:10:13,835 BLOOD WORK'S GONNA TAKE A WHILE. 255 00:10:13,868 --> 00:10:17,138 I MEAN, IF I COULD GET UP, I'D BE OUT THERE MYSELF. 256 00:10:17,171 --> 00:10:19,040 OKAY. FINE. BUT LET ME CALL FOR A RELAY. 257 00:10:19,073 --> 00:10:20,809 I'LL HAVE A SQUAD CAR MEET YOU OUTSIDE, 258 00:10:20,842 --> 00:10:22,176 TAKE YOU TO THE STATION. ALL RIGHT. 259 00:10:22,210 --> 00:10:23,477 OKAY. 260 00:10:23,511 --> 00:10:25,213 ALL RIGHT, LISTEN UP. 261 00:10:25,246 --> 00:10:26,715 SOME OF YOU MAY KNOW, 262 00:10:26,748 --> 00:10:30,518 LAST NIGHT WE RAN A STING OPERATION AT THE ARCHER HOTEL. 263 00:10:30,551 --> 00:10:33,221 OFFICER PECK WAS THE BAIT. 264 00:10:33,254 --> 00:10:34,823 JUST AFTER 2:00 A.M., 265 00:10:34,856 --> 00:10:37,591 OFFICER McNALLY AND PECK WERE ASSAULTED 266 00:10:37,625 --> 00:10:40,028 AT McNALLY'S HOME. 267 00:10:40,061 --> 00:10:41,295 PECK WAS ABDUCTED. 268 00:10:41,329 --> 00:10:42,296 NO WITNESSES. 269 00:10:42,330 --> 00:10:44,699 SAME M.O. AS NICOLE MARSHALL-- 270 00:10:44,733 --> 00:10:46,634 BLONDE CALL GIRL LAST SEEN AT THE ARCHER. 271 00:10:46,667 --> 00:10:48,369 OUR PRIME SUSPECT WAS 272 00:10:48,402 --> 00:10:51,105 THE SUBJECT OF LAST NIGHT'S OPERATION. 273 00:10:51,139 --> 00:10:52,907 ONE CHARLES DAVIS, AGE 32, 274 00:10:52,941 --> 00:10:55,609 OWNER OF A BIO SOFTWARE COMPANY, 275 00:10:55,643 --> 00:10:57,846 AND LAST KNOWN CLIENT OF NICOLE MARSHALL. 276 00:10:57,879 --> 00:10:59,347 YOU BROUGHT THAT GUY IN LAST NIGHT. 277 00:10:59,380 --> 00:11:00,448 YEAH, AND WE LET HIM GO 278 00:11:00,481 --> 00:11:02,316 ABOUT AN HOUR BEFORE PECK WENT MISSING. 279 00:11:02,350 --> 00:11:05,820 BUT IF YOU GRABBED HIM, HE KNOWS GAIL'S POLICE. 280 00:11:05,854 --> 00:11:07,922 PREDATORS LIKE THAT ARE ARROGANT. 281 00:11:07,956 --> 00:11:09,223 THE FACT THAT SHE'S A COP 282 00:11:09,257 --> 00:11:10,591 MIGHT MAKE IT THAT MUCH MORE OF A THRILL. 283 00:11:10,624 --> 00:11:12,794 WE'RE WAITING FOR A WARRANT, 284 00:11:12,827 --> 00:11:16,030 AND DETECTIVE CALLAGHAN'S GONNA BE HANDLING THE MARSHALL ANGLE. 285 00:11:16,064 --> 00:11:17,866 DIAZ, COLLINS, 286 00:11:17,899 --> 00:11:20,902 YOU HELP HIM OUT. ANYTHING HE NEEDS. 287 00:11:20,935 --> 00:11:22,670 ALL RIGHT. LET'S GO. 288 00:11:24,105 --> 00:11:25,506 (Jerry) COLLINS. 289 00:11:25,539 --> 00:11:28,376 (indistinct conversations) 290 00:11:32,847 --> 00:11:35,449 WE RECOVERED PECK'S PHONE AT THE SCENE, 291 00:11:35,483 --> 00:11:39,187 AND IT SHOWS 2 CALLS TO YOU AT 1:46 AND 2:05. 292 00:11:39,220 --> 00:11:40,789 SO WHAT WAS THAT ABOUT? 293 00:11:40,822 --> 00:11:42,857 SHE LEFT ME A COUPLE MESSAGES. WANTED TO SEE ME. 294 00:11:42,891 --> 00:11:45,293 YOU DIDN'T GO SEE HER? 295 00:11:45,326 --> 00:11:48,930 ACTUALLY, UH, I DIDN'T CHECK MY PHONE TILL THIS MORNING. 296 00:11:48,963 --> 00:11:51,599 ALL RIGHT. I'M GONNA NEED THE MESSAGES, 297 00:11:51,632 --> 00:11:53,267 'CAUSE WE GOTTA PUT A TIME LINE TOGETHER FOR PECK. 298 00:11:53,301 --> 00:11:54,602 YES, SIR. YEAH. 299 00:11:54,635 --> 00:11:56,404 ABSOLUTELY. 300 00:11:56,437 --> 00:11:57,738 GOOD. 301 00:12:01,075 --> 00:12:03,011 DETECTIVE CALLAGHAN, WHAT CAN I DO TO HELP? 302 00:12:03,044 --> 00:12:04,712 GRAB A BOX. 303 00:12:04,745 --> 00:12:07,015 I.D.E.N.T. HASN'T FOUND ANYTHING OVER AT ANDY'S PLACE YET, 304 00:12:07,048 --> 00:12:08,850 BUT WE KNOW THIS GUY. HE USED GLOVES, 305 00:12:08,883 --> 00:12:11,119 ZIP TIES, SOME KIND OF SEDATIVE. 306 00:12:11,152 --> 00:12:13,454 GUY THIS ORGANIZED, IT'S NOT HIS FIRST TIME. 307 00:12:13,487 --> 00:12:15,489 I WANT YOU TO GO THROUGH THESE UNSOLVED CASES. 308 00:12:15,523 --> 00:12:16,891 LOOK FOR ANYTHING THAT POPS, 309 00:12:16,925 --> 00:12:19,928 SO ASSAULTS INVOLVING NEEDLES, INJECTIONS, CALL GIRLS. 310 00:12:19,961 --> 00:12:21,629 SIR, HOW IS THAT GONNA HELP US FIND GAIL? 311 00:12:21,662 --> 00:12:24,432 IT'S CALLED POLICE WORK, OFFICER... 312 00:12:24,465 --> 00:12:25,900 COLLINS. COLLINS. 313 00:12:25,934 --> 00:12:27,135 IF WE BRING IN CHARLIE DAVIS, 314 00:12:27,168 --> 00:12:28,436 HE'S GOT GAIL LOCKED UP SOMEWHERE, 315 00:12:28,469 --> 00:12:30,404 WE'RE GONNA NEED ALL THE LEVERAGE WE CAN GET. 316 00:12:30,438 --> 00:12:33,842 THE MORE WE CAN TIE TO HIM, BETTER CHANCE WE HAVE. 317 00:12:33,875 --> 00:12:36,210 YOU GUYS ALREADY HAD TO LET HIM GO ONCE. 318 00:12:36,244 --> 00:12:37,979 LET'S MAKE SURE THAT DOESN'T HAPPEN AGAIN. 319 00:12:43,651 --> 00:12:45,019 ALL RIGHT. 320 00:12:45,053 --> 00:12:47,155 THIS WARRANT COVERS ALL OF DAVIS' PROPERTIES. 321 00:12:47,188 --> 00:12:48,789 TEAM ONE, YOU'RE ON THE HOUSE. 322 00:12:48,823 --> 00:12:50,558 TEAM TWO, YOU'RE SEARCHING THE BOAT AT THE MARINA. 323 00:12:50,591 --> 00:12:52,360 TEAM THREE, WE GOT THE OFFICE. 324 00:12:52,393 --> 00:12:57,398 NOW ANYONE FINDS ANYTHING, YOU CALL IT IN IMMEDIATELY. 325 00:12:57,431 --> 00:12:58,833 ALL RIGHT. LET'S GO. 326 00:13:00,401 --> 00:13:03,204 ALL RIGHT, E.T.F.'s MOVING OUT THREE T.A.C. TEAMS. 327 00:13:03,237 --> 00:13:04,338 THEY'LL MEET US THERE. 328 00:13:04,372 --> 00:13:05,406 OKAY. 329 00:13:05,439 --> 00:13:07,341 McNALLY. 330 00:13:07,375 --> 00:13:08,709 WHAT ARE YOU DOING HERE? 331 00:13:08,742 --> 00:13:10,311 THE HOSPITAL CLEARED ME. 332 00:13:10,344 --> 00:13:12,380 NOELLE AND TRACI ARE WAITING ON THE A LITTLE BIT RESULTS. 333 00:13:12,413 --> 00:13:14,748 ANDY, YOU DON'T HAVE TO DO THIS, OKAY? 334 00:13:14,782 --> 00:13:16,417 YOU WERE ASSAULTED AND DRUGGED. 335 00:13:16,450 --> 00:13:17,518 LET HER WORK. 336 00:13:17,551 --> 00:13:19,520 COME ON. ANDY'S THE ONLY PERSON 337 00:13:19,553 --> 00:13:22,156 WE KNOW FOR SURE WHO'S HAD ANY CONTACT WITH THIS GUY. 338 00:13:22,190 --> 00:13:24,092 HOSPITAL SAID SHE'S OKAY. LET HER DO HER JOB. 339 00:13:24,125 --> 00:13:25,659 WE NEED EVERYONE WE CAN GET, RIGHT? 340 00:13:25,693 --> 00:13:28,629 FINE. BUT I DON'T WANT YOU ANYWHERE NEAR THAT SEARCH. 341 00:13:28,662 --> 00:13:30,364 OKAY. 342 00:13:32,266 --> 00:13:34,035 YOU GOOD? I'M GOOD, JERRY. 343 00:13:34,068 --> 00:13:35,937 OKAY. HEAD OVER TO THE ARCHER. SEE IF ANYONE SAW CHARLIE DAVIS 344 00:13:35,970 --> 00:13:38,339 BACK THERE AFTER WE RELEASED HIM. OKAY. 345 00:13:38,372 --> 00:13:39,840 I'LL GET A RIDE WITH McNALLY, ALL RIGHT? 346 00:13:39,874 --> 00:13:41,842 OKAY. 347 00:13:41,876 --> 00:13:43,177 GREAT TO HAVE YOU BACK, BUDDY. 348 00:13:46,147 --> 00:13:48,917 UM, THANKS FOR THAT. 349 00:13:48,950 --> 00:13:51,019 I'M JUST HERE TILL WE FIND HER. 350 00:13:59,928 --> 00:14:02,830 WHY DIDN'T YOU ANSWER THE PHONE? 351 00:14:02,863 --> 00:14:05,033 WHEN GAIL CALLED YOU LAST NIGHT, WHY DIDN'T YOU ANSWER? 352 00:14:05,066 --> 00:14:08,236 I WAS TIRED. WE CALL EACH OTHER A LOT. 353 00:14:08,269 --> 00:14:09,904 I THOUGHT IT WASN'T IMPORTANT. 354 00:14:09,938 --> 00:14:12,173 (scoffs) WHY? 'CAUSE YOU'RE FRIENDS WITH BENEFITS? 355 00:14:12,206 --> 00:14:13,507 IS THAT ONE OF THE BENEFITS? 356 00:14:13,541 --> 00:14:15,209 YOU--YOU DON'T NEED TO BE THERE WHEN SOMEBODY NEEDS YOU? 357 00:14:15,243 --> 00:14:16,644 LOOK, YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 358 00:14:16,677 --> 00:14:17,912 I KNOW GAIL DESERVES BETTER. 359 00:14:17,946 --> 00:14:20,548 (scoffs) RIGHT. BETTER. LIKE YOU. 360 00:14:20,581 --> 00:14:22,416 YEAH, SOMEBODY WHO ACTUALLY CARES ABOUT HER. 361 00:14:22,450 --> 00:14:24,252 SOMEBODY WHO'D ANSWER THE PHONE WHEN SHE CALLS. 362 00:14:24,285 --> 00:14:25,686 SOMEBODY WHO WOULD NEVER LET THIS HAPPEN TO HER. 363 00:14:25,719 --> 00:14:27,288 OH, YOU THINK THIS IS MY FAULT? YOU DON'T? 364 00:14:27,321 --> 00:14:29,390 YOU WANT TO HIT ME? HIT ME. 365 00:14:29,423 --> 00:14:31,459 THAT'S NOT GONNA HELP US FIND HER. 366 00:14:37,365 --> 00:14:39,000 WE NEED TO TALK TO ALL OF YOUR EMPLOYEES, 367 00:14:39,033 --> 00:14:40,568 EVERYBODY WHO WAS ON SHIFT LAST NIGHT. 368 00:14:40,601 --> 00:14:42,370 THEN I'M AFRAID YOU'RE GOING TO HAVE TO COME BACK. 369 00:14:42,403 --> 00:14:44,538 THE EVENING SHIFT DOESN'T BEGIN FOR ANOTHER SIX HOURS. 370 00:14:44,572 --> 00:14:46,207 WHAT ARE YOU STILL DOING HERE? 371 00:14:46,240 --> 00:14:48,009 IT'S CONFERENCE SEASON. I HAVEN'T EVEN BEEN HOME YET. 372 00:14:48,042 --> 00:14:50,278 WHAT'S THIS ABOUT? PART OF OUR INVESTIGATION. 373 00:14:50,311 --> 00:14:52,513 I ALREADY TOLD DETECTIVE BARBER, THIS HOTEL IS NOT RESPONSIBLE 374 00:14:52,546 --> 00:14:55,083 FOR ACTIVITY THAT TAKES PLACE BETWEEN CONSENTING ADULTS. 375 00:14:55,116 --> 00:14:57,018 OKAY, LOOK, WE NEED TO KNOW IF YOU'VE SEEN THIS MAN 376 00:14:57,051 --> 00:14:58,786 BETWEEN 1:30 AND 2:00 A.M. 377 00:14:58,819 --> 00:14:59,920 I THOUGHT YOU ARRESTED HIM. 378 00:14:59,954 --> 00:15:01,789 HE ABDUCTED ONE OF OUR OFFICERS LAST NIGHT. 379 00:15:01,822 --> 00:15:03,391 WHAT? 380 00:15:03,424 --> 00:15:05,826 YEAH. WE THINK THAT HE CAME BACK AND HE FOLLOWED HER FROM HERE. 381 00:15:05,859 --> 00:15:08,829 YOUR SECURITY CAMERAS-- DO THEY RECORD TO A HARD DRIVE? 382 00:15:08,862 --> 00:15:11,399 YES. YES. UH, IT HOLDS 30 DAYS' WORTH OF FOOTAGE. 383 00:15:11,432 --> 00:15:13,634 GREAT. GET IT ALL, PLEASE. WE'LL NEED EVERYTHING. 384 00:15:13,667 --> 00:15:14,768 OKAY. 385 00:15:16,704 --> 00:15:18,606 YEAH. I GOT CHARLIE DAVIS RIGHT HERE. 386 00:15:18,639 --> 00:15:21,976 WE GRABBED HIM FROM HIS OFFICE, AND WE BROUGHT HIM IN. 387 00:15:27,248 --> 00:15:29,984 NO, WE DIDN'T FIND ANYTHING. WHAT ABOUT THE BOAT? 388 00:15:31,719 --> 00:15:34,288 (door beeps and buzzes) 389 00:15:34,322 --> 00:15:36,090 OKAY, CHARLIE. 390 00:15:38,026 --> 00:15:40,328 I'M GETTING A LITTLE TIRED OF THIS. 391 00:15:40,361 --> 00:15:42,263 SO WHY DON'T YOU TELL ME WHERE MY OFFICER IS? 392 00:15:44,165 --> 00:15:45,799 LOOK... 393 00:15:47,501 --> 00:15:49,470 IF SHE'S OKAY, 394 00:15:49,503 --> 00:15:51,505 I'M GONNA MAKE IT CLEAR THAT YOU COOPERATED. 395 00:15:51,539 --> 00:15:55,009 I TOLD YOU, I DON'T KNOW WHERE THAT BITCH IS. 396 00:15:55,043 --> 00:15:57,745 (grunts) 397 00:15:57,778 --> 00:16:00,648 (filtered voice) I SWEAR TO GOD, IF ANYTHING HAPPENED TO HER, 398 00:16:00,681 --> 00:16:02,616 I MEAN, IF YOU HURT HER IN ANY WAY, 399 00:16:02,650 --> 00:16:04,218 THAT WON'T BE ANYTHING 400 00:16:04,252 --> 00:16:06,187 COMPARED TO THE PAIN THAT I'M GONNA BRING DOWN ON YOU. 401 00:16:06,220 --> 00:16:09,190 (grunts) HEY. HEY, I WAS HERE LAST NIGHT. 402 00:16:09,223 --> 00:16:11,392 ALL RIGHT? I WAS IN THIS CHAIR. 403 00:16:11,425 --> 00:16:14,962 AND THEN I WENT HOME. THERE ARE CAMERAS ALL OVER MY HOUSE. 404 00:16:14,995 --> 00:16:17,165 CHECK WITH THE SECURITY COMPANY. THEY'LL CONFIRM IT. 405 00:16:18,599 --> 00:16:20,434 LOOK, I... (groans) 406 00:16:20,468 --> 00:16:23,204 I KNOW THIS MUST BE EMBARRASSING FOR YOU, 407 00:16:23,237 --> 00:16:26,740 SCREWING UP TWICE IN 24 HOURS. 408 00:16:26,774 --> 00:16:32,012 (pants) BUT WHOEVER GRABBED THAT COP LAST NIGHT, 409 00:16:32,046 --> 00:16:33,547 IT WASN'T ME. 410 00:16:33,581 --> 00:16:36,084 (sighs) 411 00:16:36,117 --> 00:16:38,552 (rattling) 412 00:16:38,586 --> 00:16:40,454 YOU KNOW, DETECTIVE, I HOPE YOU HAVE OTHER INTERESTS 413 00:16:40,488 --> 00:16:45,259 OUTSIDE THIS JOB, BECAUSE ONCE MY LAWYERS ARE DONE WITH YOU, 414 00:16:45,293 --> 00:16:46,827 YOU'RE NOT GONNA HAVE IT ANYMORE. 415 00:16:46,860 --> 00:16:48,729 (door beeps and buzzes) 416 00:16:58,072 --> 00:16:59,940 (door opens) 417 00:17:13,154 --> 00:17:15,489 WHERE AM I? 418 00:17:16,557 --> 00:17:18,492 AH. 419 00:17:18,526 --> 00:17:20,461 YOU'RE AWAKE. 420 00:17:20,494 --> 00:17:23,431 WHAT'S--WHAT'S IN MY ARM? (water running) 421 00:17:26,300 --> 00:17:29,069 I'M JUST TRYING TO KEEP YOU HYDRATED. 422 00:17:30,838 --> 00:17:35,143 THAT SEDATIVE CAN GIVE YOU AN AWFUL HEADACHE. 423 00:17:35,176 --> 00:17:36,977 YEAH. 424 00:17:37,010 --> 00:17:39,947 SO WILL SMASHING YOUR ELBOW IN MY FACE. 425 00:17:41,014 --> 00:17:43,151 SORRY THAT HAD TO HAPPEN. 426 00:17:44,618 --> 00:17:46,987 DON'T WORRY, THOUGH. 427 00:17:47,020 --> 00:17:49,957 I'M GONNA GET YOU ALL FIXED UP. 428 00:17:51,024 --> 00:17:54,428 YOU KNOW, FOR SOMEONE WHO'S TRYING TO SCARE ME, 429 00:17:54,462 --> 00:17:57,231 IT SOUNDS LIKE YOU'RE WEARING TAP SHOES. 430 00:17:59,633 --> 00:18:01,969 THEY'RE ACTUALLY... 431 00:18:02,636 --> 00:18:04,905 WING TIPS. 432 00:18:04,938 --> 00:18:06,340 I TAKE IT BACK. 433 00:18:07,308 --> 00:18:09,643 WING TIPS ARE TERRIFYING. 434 00:18:14,382 --> 00:18:17,418 I THINK... MAYBE... 435 00:18:17,451 --> 00:18:19,320 YOU WOKE UP TOO EARLY. 436 00:18:20,521 --> 00:18:22,823 YOU SHOULD REALLY GET SOME REST. WHAT ARE YOU DOING? 437 00:18:22,856 --> 00:18:24,792 NO. WAIT. WAIT. WAIT. WAIT. WAIT. WAIT. WAIT. 438 00:18:24,825 --> 00:18:26,694 WHAT ARE YOU DOING? WHAT ARE YOU DOING? SHH. SHH. SHH. JUST RELAX. 439 00:18:26,727 --> 00:18:29,597 JUST... RELAX. 440 00:18:31,899 --> 00:18:34,335 I'M GONNA TAKE CARE OF YOU. 441 00:18:36,737 --> 00:18:38,138 THIS IS EVERYTHING FROM THE ARCHER. 442 00:18:38,172 --> 00:18:40,408 THERE'S NO SIGN THAT DAVIS CAME BACK AFTER WE GRABBED HIM. 443 00:18:40,441 --> 00:18:43,110 NOTHING ON CAMERA ANYWAY. THE COVERAGE IS PRETTY CRAPPY. 444 00:18:43,143 --> 00:18:44,945 WELL, THE SEARCH AT DAVIS' PLACE DIDN'T TURN UP ANYTHING. 445 00:18:44,978 --> 00:18:46,247 WHAT ABOUT HIS ALIBI? 446 00:18:46,280 --> 00:18:48,516 IT CHECKS OUT. SECURITY COMPANY HAS HIM HOME 447 00:18:48,549 --> 00:18:50,351 15 MINUTES AFTER WE RELEASED HIM. 448 00:18:50,384 --> 00:18:51,652 I MEAN, THE GUY WAS HOME ALL NIGHT. 449 00:18:51,685 --> 00:18:55,389 SO WE'RE BACK TO ZERO. NO CLOSER TO FINDING GAIL. 450 00:18:55,423 --> 00:18:58,091 WELL, WE EXPAND OUR SEARCH. LOOK FOR ANOTHER SUSPECT. 451 00:18:58,125 --> 00:19:00,027 LUKE, TELL ME YOU GOT SOMETHING. 452 00:19:00,060 --> 00:19:01,629 MAYBE. 453 00:19:01,662 --> 00:19:02,930 OKAY, YEAH, I'LL TAKE A "MAYBE." 454 00:19:02,963 --> 00:19:04,598 DIAZ AND THE NEW KID FOUND A COUPLE OF BODIES 455 00:19:04,632 --> 00:19:07,301 RELATED TO SOME OLD CASES. IT'S NOT EXACTLY ON PATTERN, BUT-- 456 00:19:07,335 --> 00:19:08,636 CALL GIRLS? 457 00:19:08,669 --> 00:19:09,937 NO. ONE OF THE VICTIMS HAD BEEN TRANQUILIZED 458 00:19:09,970 --> 00:19:12,340 WITH A MIXTURE OF KETAMINE AND ACEPROMAZINE. 459 00:19:12,373 --> 00:19:14,342 I TRACED HER BACK TO A DINNER RESERVATION 460 00:19:14,375 --> 00:19:16,244 AT THE ARCHER HOTEL THE NIGHT SHE DISAPPEARED. 461 00:19:16,277 --> 00:19:17,678 SO THE CONNECTION'S THE HOTEL. 462 00:19:17,711 --> 00:19:19,012 LIKE I SAID, MAYBE. 463 00:19:19,046 --> 00:19:21,148 SOMEONE WHO WORKS THERE. MAKES SENSE. 464 00:19:21,181 --> 00:19:23,351 OKAY, THE ONLY STAFF THAT KNEW IT WAS A STING OPERATION 465 00:19:23,384 --> 00:19:25,319 WAS CRONE, THE MANAGER. 466 00:19:25,353 --> 00:19:27,521 EVERYONE ELSE THOUGHT IT WAS BUSINESS AS USUAL. 467 00:19:27,555 --> 00:19:29,122 STAFF WOULD BE THE PERFECT COVER. 468 00:19:29,156 --> 00:19:30,758 LOTS OF OPPORTUNITY TO PICK A TARGET. 469 00:19:30,791 --> 00:19:32,793 SURE. MAKE CASUAL CONVERSATION, 470 00:19:32,826 --> 00:19:34,462 BUT NOBODY REALLY NOTICES YOU'RE THERE. 471 00:19:34,495 --> 00:19:36,497 AND THEY KNOW EXACTLY WHERE THE CAMERAS ARE 472 00:19:36,530 --> 00:19:40,568 AND HOW NOT TO BE SEEN IF THEY FOLLOW SOMEBODY HOME. 473 00:19:40,601 --> 00:19:44,605 (indistinct conversations) 474 00:19:45,506 --> 00:19:46,874 (groans) 475 00:19:46,907 --> 00:19:48,041 IT'S BRAXTON HICKS. 476 00:19:48,075 --> 00:19:49,343 WHAT? 477 00:19:49,377 --> 00:19:51,279 FALSE LABOR. 478 00:19:51,312 --> 00:19:53,013 IT'S THE DRESS REHEARSAL BEFORE THE BIG SHOW. 479 00:19:53,046 --> 00:19:54,682 I HAD 'EM FOR WEEKS. 480 00:19:54,715 --> 00:19:59,553 YEAH. WELL, MR. BRAXTON HICKS CAN KISS MY PREGNANT ASS. 481 00:19:59,587 --> 00:20:01,555 THESE JUST KEEP GETTING WORSE. 482 00:20:01,589 --> 00:20:02,623 SINCE WHEN? 483 00:20:02,656 --> 00:20:04,625 OH, LAST NIGHT. 484 00:20:04,658 --> 00:20:06,760 FRANK ORDERED THAI FOOD, AND THEY HAVEN'T STOPPED SINCE. 485 00:20:08,061 --> 00:20:11,732 WELL, FALSE LABOR'S NOT SUPPOSED TO LAST THAT LONG. 486 00:20:11,765 --> 00:20:13,701 NOELLE. 487 00:20:13,734 --> 00:20:15,436 THIS COULD BE THE REAL THING. 488 00:20:15,469 --> 00:20:18,205 NO. NO WAY. NOT TODAY. 489 00:20:18,238 --> 00:20:20,841 NOT WITH GAIL OUT THERE SOMEWHERE WITH SOME PSYCHO. 490 00:20:20,874 --> 00:20:24,211 BUT JERRY'S GOT THE WHOLE SERVICE OUT LOOKING FOR HER. 491 00:20:24,244 --> 00:20:25,779 I MEAN, RIGHT NOW YOU JUST NEED TO BE CONCERNED 492 00:20:25,813 --> 00:20:27,315 ABOUT YOURSELF FOR ONCE. 493 00:20:27,348 --> 00:20:29,617 I AM NOT HAVING THIS BABY YET. 494 00:20:29,650 --> 00:20:31,552 OKAY. 495 00:20:33,186 --> 00:20:35,523 BUT IF YOU ARE HAVING THIS BABY, 496 00:20:35,556 --> 00:20:39,560 I THINK WE SHOULD CALL FRANK. LET HIM KNOW. 497 00:20:39,593 --> 00:20:40,961 NO. 498 00:20:40,994 --> 00:20:43,997 NOT WITH GAIL STILL MISSING. HE HAS ENOUGH TO WORRY ABOUT. 499 00:20:44,031 --> 00:20:45,933 I... 500 00:20:45,966 --> 00:20:48,168 I JUST HOPE THEY'RE GETTING CLOSE. 501 00:20:48,201 --> 00:20:51,772 (indistinct conversations) 502 00:20:51,805 --> 00:20:53,641 22 STAFF ON SHIFT LAST NIGHT 503 00:20:53,674 --> 00:20:55,409 IN THE LOUNGE, LOBBY, AND KITCHEN, 504 00:20:55,443 --> 00:20:58,078 INCLUDING SIX WITH PRIORS. 505 00:20:58,111 --> 00:21:00,080 SIX? THAT SOUNDS LIKE A LOT. 506 00:21:00,113 --> 00:21:02,483 HOSPITALITY INDUSTRY? NOT REALLY. 507 00:21:02,516 --> 00:21:04,017 WE GOT THREE ASSAULTS, TWO DRUG CHARGES, 508 00:21:04,051 --> 00:21:05,719 AND A MAIL FRAUD. 509 00:21:05,753 --> 00:21:07,020 (sighs) 510 00:21:07,054 --> 00:21:09,823 HEY, SAM. WHAT ABOUT THIS GUY? 511 00:21:09,857 --> 00:21:10,858 BARTENDER? 512 00:21:10,891 --> 00:21:11,992 UH-HUH. 513 00:21:12,025 --> 00:21:14,127 HE WAS HOVERING ALL NIGHT. 514 00:21:14,161 --> 00:21:17,398 SO ANYTHING GAIL SAID TO DAVIS, HE COULD'VE HEARD. YEAH. 515 00:21:17,431 --> 00:21:18,399 LET ME SEE THIS. 516 00:21:18,432 --> 00:21:20,401 "SETH MacKEIGAN. 517 00:21:20,434 --> 00:21:22,870 MINOR ASSAULT, POSSESSION WITH INTENT." 518 00:21:22,903 --> 00:21:25,105 IT'S HIM. IT'S GOTTA BE. 519 00:21:25,138 --> 00:21:27,207 I MEAN, THE BAR CLOSES AT 1:00. HE WOULD'VE HAD TIME. 520 00:21:27,240 --> 00:21:29,309 IT SAYS HE DRIVES A GRAY CAMRY. 521 00:21:31,178 --> 00:21:32,713 LOOK AT THIS PICTURE. 522 00:21:32,746 --> 00:21:35,549 SURVEILLANCE TOOK IT 30 SECONDS AFTER GAIL'S CAB LEFT. 523 00:21:37,217 --> 00:21:38,552 YEAH, GRAY CAMRY. 524 00:21:38,586 --> 00:21:40,320 HOW FAST CAN WE HAVE E.T.F AT HIS HOUSE? 525 00:21:40,354 --> 00:21:42,122 WHOA. WHOA. WHOA. WE'RE NOT GONNA BUST SOME GUY 526 00:21:42,155 --> 00:21:44,057 ON SOME MINOR CHARGES FROM A COUPLE OF YEARS AGO 527 00:21:44,091 --> 00:21:46,059 FOR THE FACT THAT HE WAS NEAR THE HOTEL WHERE HE WORKS. 528 00:21:46,093 --> 00:21:47,495 YEAH, BUT WHAT IF THIS IS THE GUY? 529 00:21:47,528 --> 00:21:49,363 THEN WE PROVE IT. 530 00:21:49,397 --> 00:21:51,432 YOU KNOW WHAT? WE'VE BLOWN THIS TWICE ALREADY 531 00:21:51,465 --> 00:21:54,201 BY JUMPING THE GUN, SO WE JUST GOTTA SLOW THINGS DOWN 532 00:21:54,234 --> 00:21:57,204 AND TAKE OUR TIME AND--AND PUT THESE PIECES TOGETHER. 533 00:21:57,237 --> 00:21:59,540 OKAY. OKAY. YOU KNOW, IT'S JUST-- CHASING FALSE LEADS 534 00:21:59,573 --> 00:22:01,842 IS NOT GONNA HELP US GET GAIL ANY FASTER. 535 00:22:05,546 --> 00:22:08,148 OKAY, PECK GOT INTO SKYVIEW CAB 302. 536 00:22:08,181 --> 00:22:10,984 GO TALK TO THE CAB DRIVER. 537 00:22:11,018 --> 00:22:13,120 SEE IF HE REMEMBERS BEING FOLLOWED BY MacKEIGAN. 538 00:22:13,153 --> 00:22:15,155 THEN MAYBE I CAN GET ANOTHER WARRANT. 539 00:22:15,188 --> 00:22:17,090 NO. WE DON'T HAVE TIME FOR THAT. 540 00:22:17,124 --> 00:22:19,326 LOOK, JERRY. IT'S HIM. IT'S THE BARTENDER, OKAY? 541 00:22:19,359 --> 00:22:20,928 HE SITS ALL NIGHT WITH THESE GIRLS, OKAY, 542 00:22:20,961 --> 00:22:23,363 ASKS THEM WHO THEY ARE, UH, WHAT THEY DO, 543 00:22:23,397 --> 00:22:25,165 WHETHER THEY LIVE ALONE OR NOT. HE CAN ASK 'EM ANYTHING, 544 00:22:25,198 --> 00:22:26,634 AND THEY JUST THINK HE'S BEING NICE. 545 00:22:26,667 --> 00:22:28,268 LOOK, JERRY, I THINK McNALLY'S RIGHT. 546 00:22:28,301 --> 00:22:30,303 WE'VE GOT A WINDOW. LET'S CHECK ON THIS GUY RIGHT NOW. 547 00:22:30,337 --> 00:22:32,372 ALL RIGHT. ALL RIGHT. FINE. I'M GONNA TRACK DOWN THE CAB DRIVER. 548 00:22:32,406 --> 00:22:33,774 YOU GUYS GO TO THE HOTEL. 549 00:22:33,807 --> 00:22:35,543 LEARN ANYTHING THAT YOU CAN ABOUT MacKEIGAN, 550 00:22:35,576 --> 00:22:38,211 ANYTHING THAT CAN GET US THROUGH THE DOOR. 551 00:22:38,245 --> 00:22:41,281 AND NOBODY MAKES A MOVE ON HIM UNTIL I SAY SO. 552 00:22:45,085 --> 00:22:46,787 THESE ARE ALL SUSPICIOUS DEATHS? 553 00:22:46,820 --> 00:22:48,789 UH, WOMEN ALL OVER THE CITY, THE LAST TEN YEARS. 554 00:22:48,822 --> 00:22:51,825 NOW THE RED ONES ARE WHERE THE BODIES WERE DISCOVERED. 555 00:22:51,859 --> 00:22:54,161 THE GREEN ONES WERE WHERE THEY WERE ABDUCTED 556 00:22:54,194 --> 00:22:55,395 OR WHERE THEY LIVED. 557 00:22:55,429 --> 00:22:57,097 AND THEY TRACE BACK TO THE HOTEL. 558 00:22:57,130 --> 00:22:58,899 AT LEAST TWO, MAYBE THREE. 559 00:22:58,932 --> 00:23:00,734 WHICH ONE IS PECK? 560 00:23:00,768 --> 00:23:02,803 UH, WE AGREED WE'RE NOT PUTTING HER UP THERE. 561 00:23:02,836 --> 00:23:04,204 RIGHT HERE. 562 00:23:04,237 --> 00:23:06,540 THESE ONES FIT. THIS IS WHERE WE'RE GONNA FIND HIM. 563 00:23:06,574 --> 00:23:08,008 WHY IS HE DUMPING THEM IN THE CITY? 564 00:23:08,041 --> 00:23:10,844 KNOWS THE AREA. IT'S HIS COMFORT ZONE. 565 00:23:10,878 --> 00:23:12,813 SIR, PERMISSION TO TAKE OUT A SQUAD? 566 00:23:13,781 --> 00:23:14,982 AND GO WHERE? 567 00:23:15,015 --> 00:23:17,618 NO OFFENSE. I KNOW THIS IS POLICE WORK, 568 00:23:17,651 --> 00:23:19,453 BUT WE'RE NOT DETECTIVES. WE'RE GRUNTS. 569 00:23:19,487 --> 00:23:21,522 PATROL OFFICERS. WE SHOULD BE OUT THERE ON THE STREETS. 570 00:23:21,555 --> 00:23:23,156 YOU DON'T EVEN KNOW WHAT YOU'RE LOOKING FOR. 571 00:23:23,190 --> 00:23:25,626 HE'S BEEN DUMPING THE BODIES IN THE SAME 10-BLOCK AREA. 572 00:23:25,659 --> 00:23:27,394 IF WE BEEF UP POLICE PRESENCE IN HIS COMFORT ZONE, 573 00:23:27,427 --> 00:23:29,763 MAYBE HE'LL STAY AWAY FROM IT. WE COULD BUY GAIL SOME TIME. 574 00:23:29,797 --> 00:23:31,431 I'M WITH NICK ON THIS ONE, SIR. 575 00:23:31,465 --> 00:23:33,734 I SAY WE RIDE AROUND AND SEE WHAT WE SEE. 576 00:23:36,770 --> 00:23:38,305 THERE'S A LOT OF PEOPLE HERE. 577 00:23:38,338 --> 00:23:40,007 EVERYBODY'S ON THIS THING, LUKE, 578 00:23:40,040 --> 00:23:41,842 SO I REALLY THINK THAT WE SHOULD BE 579 00:23:41,875 --> 00:23:43,944 OUT ON THE STREETS LOOKING FOR OUR GIRL. 580 00:23:46,747 --> 00:23:49,082 I'LL LET DISPATCH KNOW IF I CAN NARROW IT DOWN ANY FURTHER. 581 00:23:51,218 --> 00:23:53,420 ANY LUCK WITH THE FOOTAGE WE GAVE YOU? 582 00:23:53,453 --> 00:23:54,888 YEAH. WE NEED SOME MORE INFORMATION 583 00:23:54,922 --> 00:23:56,624 ON ONE OF YOUR STAFF-- SETH MacKEIGAN. 584 00:23:56,657 --> 00:23:58,325 WE NEED HIS VEHICLE PASS FOR THE PARKING LOT 585 00:23:58,358 --> 00:23:59,660 AND HIS WORK SCHEDULE SINCE HE STARTED HERE. 586 00:23:59,693 --> 00:24:02,496 SURE. BUT IF YOU WANT TO TALK TO HIM, HE'S RIGHT THERE. 587 00:24:02,530 --> 00:24:03,697 SETH. 588 00:24:03,731 --> 00:24:04,732 HEY. 589 00:24:04,765 --> 00:24:05,833 HEY. HEY! 590 00:24:08,536 --> 00:24:09,703 STOP! 591 00:24:09,737 --> 00:24:10,971 OKAY. OKAY. OKAY. OKAY. OKAY. OKAY. 592 00:24:11,004 --> 00:24:12,272 OKAY. OKAY. 593 00:24:12,305 --> 00:24:13,641 YEAH? WHAT'D YOU DO WITH HER, HUH? 594 00:24:13,674 --> 00:24:15,175 EASY. EASY. EASY. WHAT'D YOU DO WITH HER? 595 00:24:15,208 --> 00:24:16,544 WHAT? DO WITH WHO? 596 00:24:16,577 --> 00:24:18,846 JASMINE, THE BLONDE WHO WAS AT THE BAR LAST NIGHT. 597 00:24:18,879 --> 00:24:20,280 YOU FOLLOWED HER HOME. 598 00:24:20,313 --> 00:24:21,481 I DON'T KNOW WHAT THE HELL YOU'RE TALKING ABOUT. 599 00:24:21,515 --> 00:24:23,383 YEAH, RIGHT. WHY'D YOU RUN? 600 00:24:23,416 --> 00:24:27,054 'CAUSE HE WAS TRYING TO FLUSH THAT DOWN THE TOILET. NO, THAT IS NOT MINE. 601 00:24:27,087 --> 00:24:29,857 LAST NIGHT--WHERE'D YOU GO WHEN YOU LEFT HERE? 602 00:24:29,890 --> 00:24:32,425 I-I--JETPACK. IT'S--IT'S AN AFTER-HOURS CLUB. 603 00:24:32,459 --> 00:24:33,727 I DEEJAY THERE SOMETIMES. 604 00:24:33,761 --> 00:24:35,328 OH, YEAH? WHAT TIME WAS THAT? 605 00:24:35,362 --> 00:24:37,998 I-I GOT THERE JUST BEFORE 2:00, AND THEN LEFT AT 5:00. 606 00:24:38,031 --> 00:24:39,366 REALLY? 607 00:24:39,399 --> 00:24:41,101 YEAH. AND SOME OF THE STAFF WERE THERE. YOU CAN ASK THEM. 608 00:24:41,134 --> 00:24:43,804 YEAH, WE'LL DO THAT. 609 00:24:43,837 --> 00:24:46,540 (police radio chatter) 610 00:24:47,575 --> 00:24:49,142 OKAY. OW. 611 00:24:49,176 --> 00:24:50,578 OW. 612 00:24:51,378 --> 00:24:52,980 OKAY, THAT'S OKAY. THAT IS OKAY. 613 00:24:53,013 --> 00:24:56,049 THEY ARE-- ARE HALF AN HOUR APART STILL, 614 00:24:56,083 --> 00:24:58,952 SO, YOU KNOW, EVEN IF IT IS LABOR, 615 00:24:58,986 --> 00:25:01,589 THEN YOU GOT PLENTY OF TIME. 616 00:25:01,622 --> 00:25:05,593 YOU KNOW, SOME PEOPLE, IT CAN TAKE A-A COUPLE OF DAYS. 617 00:25:05,626 --> 00:25:08,762 (cell phone rings) 618 00:25:08,796 --> 00:25:10,297 (ring) 619 00:25:10,330 --> 00:25:13,000 (beep) JERRY, I'VE CALLED YOU, LIKE, THREE TIMES. 620 00:25:13,033 --> 00:25:15,302 YEAH. I CAN'T, UH, 621 00:25:15,335 --> 00:25:17,170 I CAN'T GET THIS STUPID THING OFF MUTE. 622 00:25:17,204 --> 00:25:18,438 OKAY, DON'T DO IT NOW 623 00:25:18,471 --> 00:25:19,573 BECAUSE YOU'RE JUST GONNA END UP HANGING UP ON ME. 624 00:25:19,607 --> 00:25:21,008 What do you got? 625 00:25:21,041 --> 00:25:23,844 UH, THE LAB RESULTS FROM ANDY'S BLOOD CAME IN. 626 00:25:23,877 --> 00:25:25,579 Yeah, let me guess-- Ketamine and Acepromazine. 627 00:25:25,613 --> 00:25:26,980 HOW'D YOU KNOW? 628 00:25:27,014 --> 00:25:29,783 WELL, NICOLE MARSHALL ALSO HAD TRACES OF IT IN HER SYSTEM. 629 00:25:29,817 --> 00:25:31,151 IT'S A MEDICAL TRANQUILIZER, 630 00:25:31,184 --> 00:25:33,621 BUT THE MIX IS TRICKY TO ADMINISTER IN THE PROPER DOSE. 631 00:25:33,654 --> 00:25:36,489 SO WE'RE LOOKING FOR SOMEBODY WHO KNOWS WHAT THEY'RE DOING. 632 00:25:36,523 --> 00:25:37,591 ANY LEADS? 633 00:25:37,625 --> 00:25:38,892 Well, we think Peck may have been followed 634 00:25:38,926 --> 00:25:40,828 by a staff member at the Archer. 635 00:25:40,861 --> 00:25:42,696 A HISTORY OF DRUGS. I'M WORKING ON IT NOW. 636 00:25:42,730 --> 00:25:44,732 You think he's the guy? 637 00:25:44,765 --> 00:25:46,333 I DON'T... (sighs) 638 00:25:46,366 --> 00:25:49,837 LOOK, HE BETTER BE, BECAUSE I'M--I'M RUNNING OUT OF OPTIONS. 639 00:25:49,870 --> 00:25:52,873 I WOULD COME AND JOIN YOU, BUT, UM, 640 00:25:52,906 --> 00:25:56,243 I KINDA HAVE A BIT OF A SITUATION HERE. 641 00:25:56,276 --> 00:25:57,510 NOELLE'S IN LABOR. 642 00:25:57,544 --> 00:25:59,479 ALREADY? Yeah, but don't tell Frank 643 00:25:59,512 --> 00:26:00,848 BECAUSE SHE DOESN'T WANT HIM TO WORRY. 644 00:26:00,881 --> 00:26:02,850 YEAH. YEAH. NO, YOU STAY THERE, 645 00:26:02,883 --> 00:26:04,084 AND I'LL CALL YOU AS SOON AS WE KNOW SOMETHING. 646 00:26:04,117 --> 00:26:06,053 (Noelle screams) OW! 647 00:26:06,086 --> 00:26:08,188 OKAY, JER, I GOTTA GO. I'LL TALK TO YOU LATER. 648 00:26:08,221 --> 00:26:09,456 ALL RIGHT. 649 00:26:09,990 --> 00:26:11,224 (cell phone beeps) 650 00:26:15,863 --> 00:26:18,231 (dog barking in distance) 651 00:26:28,275 --> 00:26:29,743 ROSS PERIK? 652 00:26:29,777 --> 00:26:31,144 UH, THAT'S RIGHT. 653 00:26:31,178 --> 00:26:33,747 I'M DETECTIVE JERRY BARBER, 15 DIVISION. 654 00:26:33,781 --> 00:26:36,183 I HAVE A FEW QUESTIONS ABOUT ONE OF YOUR FARES LAST NIGHT. 655 00:26:36,216 --> 00:26:37,517 DO YOU MIND IF I COME IN A MINUTE? 656 00:26:37,550 --> 00:26:40,120 UH, BY ALL MEANS, DETECTIVE. COME ON IN. 657 00:26:40,153 --> 00:26:41,554 THANKS. 658 00:26:47,728 --> 00:26:49,863 (dog continues barking) 659 00:26:49,897 --> 00:26:54,167 *** 660 00:26:55,869 --> 00:26:58,638 SO, YOU HAD A QUESTION ABOUT ONE OF MY FARES? 661 00:26:58,672 --> 00:27:00,007 YEAH, A WOMAN YOU PICKED UP LAST NIGHT 662 00:27:00,040 --> 00:27:01,709 AT THE ARCHER AROUND 1:30. 663 00:27:01,742 --> 00:27:03,811 UH, I'M THERE A LOT. I DON'T REALLY, UH, 664 00:27:03,844 --> 00:27:05,645 PAY A LOT OF ATTENTION TO FACES. 665 00:27:05,679 --> 00:27:08,215 WELL, SHE'S BLONDE, UH, MID-20s, 666 00:27:08,248 --> 00:27:09,750 QUITE POSSIBLY NOT VERY NICE. 667 00:27:09,783 --> 00:27:11,952 OH, YES, THAT DOES RING A BELL. 668 00:27:11,985 --> 00:27:14,988 AND YOU DROPPED HER OFF AT 2768 CARLAW. 669 00:27:17,257 --> 00:27:19,359 SHE'S A POLICE OFFICER. 670 00:27:19,392 --> 00:27:21,294 YEAH, THAT'S RIGHT. 671 00:27:21,328 --> 00:27:23,697 I NEVER WOULD HAVE GUESSED THAT FROM THE WAY SHE WAS DRESSED. 672 00:27:23,731 --> 00:27:25,799 OH, SO YOU DO REMEMBER? 673 00:27:25,833 --> 00:27:27,500 UH, W-WAS THERE A PROBLEM? 674 00:27:27,534 --> 00:27:29,803 DID SHE... COMPLAIN ABOUT THE SERVICE? 675 00:27:29,837 --> 00:27:32,672 NOW DO YOU REMEMBER BEING FOLLOWED? 676 00:27:32,706 --> 00:27:35,408 OR MAYBE YOU SAW SOMEONE WHEN YOU DROPPED HER OFF? 677 00:27:35,442 --> 00:27:37,945 YOU KNOW, COME TO THINK OF IT, THERE MAY HAVE BEEN 678 00:27:37,978 --> 00:27:39,947 A SET OF LIGHTS BEHIND ME FOR A WHILE, 679 00:27:39,980 --> 00:27:42,315 BUT IT'S, UH... IT'S HARD TO SAY. 680 00:27:42,349 --> 00:27:44,017 OKAY. DO YOU REMEMBER A COLOR OR MAKE? 681 00:27:45,085 --> 00:27:46,954 UH, NO, I'M SORRY. 682 00:27:46,987 --> 00:27:48,555 (sighs) ALL RIGHT. 683 00:27:48,588 --> 00:27:50,390 WOULD YOU HAPPEN TO KNOW WHAT TIME YOU DROPPED HER OFF? 684 00:27:50,423 --> 00:27:53,160 IT MIGHT HELP US FIGURE OUT WHO ELSE WAS ON THE STREET. 685 00:27:53,193 --> 00:27:55,695 UH... I-I'M NOT SURE. 686 00:27:55,729 --> 00:27:58,365 UM, UH, PROBABLY 1:45, 2:00-ISH. 687 00:27:58,398 --> 00:28:01,268 WELL, YOUR METER WOULD HAVE THE EXACT TIME, RIGHT? 688 00:28:01,301 --> 00:28:02,836 UNLESS YOU WEREN'T RUNNING YOUR METER. 689 00:28:02,870 --> 00:28:04,471 I KNOW SOMETIMES THOSE THINGS GET, UH... 690 00:28:04,504 --> 00:28:05,773 (sniffs) SWITCHED OFF-- 691 00:28:05,806 --> 00:28:06,940 BY ACCIDENT, OF COURSE. 692 00:28:06,974 --> 00:28:10,410 NO. DETECTIVE, I ALWAYS RUN MY METER. 693 00:28:10,443 --> 00:28:13,480 IT'S THE LAW. I'LL JUST GET THE LOG. 694 00:28:13,513 --> 00:28:15,415 WOULD YOU, UM... 695 00:28:15,448 --> 00:28:17,450 COULD YOU JUST WAIT HERE FOR A SECOND? 696 00:28:17,484 --> 00:28:19,519 YEAH, THAT'D BE GREAT. THANK YOU. 697 00:28:23,523 --> 00:28:25,492 EVERY EMPLOYEE WHO HAD CONTACT WITH GAIL LAST NIGHT 698 00:28:25,525 --> 00:28:26,860 CHECKS OUT. 699 00:28:26,894 --> 00:28:28,762 OKAY, SO--SO WHO ELSE DID SHE HAVE CONTACT WITH? 700 00:28:28,796 --> 00:28:30,530 MAYBE SHE TALKED TO ONE OF THE CUSTOMERS. 701 00:28:30,563 --> 00:28:33,433 NO. NO. I MEAN, I TOOK HER OUT HERE PERSONALLY, 702 00:28:33,466 --> 00:28:36,403 AND I PUT HER STRAIGHT IN A CAB. 703 00:28:37,404 --> 00:28:38,839 (sighs) SO YOU PUT HER IN A CAB... 704 00:28:38,872 --> 00:28:40,007 I PUT HER IN THE CAB. I TOLD HER 705 00:28:40,040 --> 00:28:41,374 THAT I WOULD BE STAYING WITH YOU. 706 00:28:41,408 --> 00:28:43,576 YOU KNOW, THAT SHE WOULD HAVE THE PLACE TO HERSELF. 707 00:28:45,078 --> 00:28:46,847 MAYBE SOMEONE OVERHEARD YOU-- 708 00:28:46,880 --> 00:28:49,149 SOMEONE YOU WOULDN'T EVEN THINK WAS LISTENING. 709 00:28:49,182 --> 00:28:50,818 SAME CABBIES COME HERE EVERY NIGHT. 710 00:28:50,851 --> 00:28:53,253 PEOPLE GET IN, TELL THEM EXACTLY WHERE THEY LIVE. 711 00:28:53,286 --> 00:28:55,088 THE CAB DRIVER. 712 00:28:55,122 --> 00:28:57,690 (Velcro tears) THAT'S WHO JERRY WANTED US TO CHECK OUT, 713 00:28:57,724 --> 00:28:59,226 BUT THEN HE SAID HE WOULD DO IT. 714 00:28:59,259 --> 00:29:01,128 (cell phone dialing) I HOPE HE ANSWERS HIS DAMN PHONE. 715 00:29:01,161 --> 00:29:03,897 THREE MONTHS, YOU'D THINK HE'D FIGURE OUT HOW TO USE IT. 716 00:29:03,931 --> 00:29:05,866 (breathing heavily) 717 00:29:05,899 --> 00:29:07,200 COME ON. 718 00:29:18,278 --> 00:29:20,747 THIS, UH, PICTURE ON YOUR BOOKSHELF-- 719 00:29:20,780 --> 00:29:23,250 WHERE IS IT? 720 00:29:23,283 --> 00:29:25,052 MY GIRLFRIEND AND I ARE GETTING MARRIED, 721 00:29:25,085 --> 00:29:27,888 AND WE'RE LOOKING FOR A PLACE TO HONEYMOON. 722 00:29:27,921 --> 00:29:31,124 OH, UH, THAT'S SOMALIA. 723 00:29:34,928 --> 00:29:38,131 SOMALIA? HUH. 724 00:29:40,767 --> 00:29:42,235 WHAT WERE YOU DOING THERE? 725 00:29:44,271 --> 00:29:46,706 CHARITY WORK. WITH DOCTORS ABROAD. 726 00:29:48,275 --> 00:29:50,410 YOU'RE A VOLUNTEER? 727 00:29:50,443 --> 00:29:51,912 M.D., ACTUALLY. 728 00:29:51,945 --> 00:29:54,081 OR I USED TO BE. 729 00:29:54,114 --> 00:29:56,516 I NEEDED A CHANGE. 730 00:29:56,549 --> 00:29:59,920 SOMETHING A LITTLE LESS STRESSFUL. 731 00:29:59,953 --> 00:30:01,754 I'M SURE YOU UNDERSTAND, DETECTIVE. 732 00:30:01,788 --> 00:30:03,090 (clicks tongue) 733 00:30:04,091 --> 00:30:06,059 BELIEVE ME, I DO. 734 00:30:08,228 --> 00:30:09,930 SO, UH... 735 00:30:09,963 --> 00:30:12,232 DO YOU MISS IT-- MEDICINE? 736 00:30:12,265 --> 00:30:13,266 SOMETIMES. 737 00:30:13,300 --> 00:30:14,501 (unholsters gun) (blade plunges) 738 00:30:14,534 --> 00:30:17,137 (grunts) 739 00:30:17,170 --> 00:30:18,338 (grunting continues) 740 00:30:18,371 --> 00:30:20,473 (breath quavers) 741 00:30:20,507 --> 00:30:23,176 (grunting) 742 00:30:23,210 --> 00:30:24,477 (blade slices) 743 00:30:26,113 --> 00:30:27,580 I'M SORRY... 744 00:30:27,614 --> 00:30:29,782 BUT YOU SHOULDN'T HAVE COME HERE. 745 00:30:31,218 --> 00:30:32,752 (blade plunges) (grunts) 746 00:30:32,785 --> 00:30:36,389 (gasping) 747 00:30:38,525 --> 00:30:42,695 (panting) 748 00:30:44,031 --> 00:30:46,166 OKAY. SKYVIEW CAB NUMBER 302 749 00:30:46,199 --> 00:30:48,001 IS REGISTERED TO A ROSS PERIK. 750 00:30:48,035 --> 00:30:49,336 (beeping) 26 SPRINGMORE. 751 00:30:49,369 --> 00:30:50,837 ALL RIGHT. CALL JERRY AGAIN. 752 00:30:50,870 --> 00:30:52,339 TELL HIM NOT TO GO IN WITHOUT BACKUP. 753 00:30:52,372 --> 00:30:53,506 TELL HIM TO WAIT FOR US. 754 00:30:53,540 --> 00:30:56,743 (siren wailing) 755 00:30:57,877 --> 00:31:02,049 (breathing unevenly) (cell phone buzzes) 756 00:31:02,082 --> 00:31:04,451 (buzzes) 757 00:31:04,484 --> 00:31:06,619 (continues breathing unevenly) (buzzes) 758 00:31:06,653 --> 00:31:08,355 (gasps and exhales) 759 00:31:08,388 --> 00:31:10,190 (door opens) 760 00:31:12,559 --> 00:31:16,296 (panting) 761 00:31:19,099 --> 00:31:20,533 (coughs) 762 00:31:22,102 --> 00:31:24,771 (clattering) 763 00:31:24,804 --> 00:31:26,239 YOU'RE A COP. 764 00:31:26,273 --> 00:31:27,907 (murmurs) WHAT? 765 00:31:27,941 --> 00:31:30,610 WHY DIDN'T YOU TELL ME?! 766 00:31:30,643 --> 00:31:33,746 (pants) I'M THE ONE TAKING CARE OF YOU. 767 00:31:37,951 --> 00:31:40,853 (knife clatters) COME ON. LET'S GO! 768 00:31:40,887 --> 00:31:43,991 (muffled whimpering) 769 00:31:46,293 --> 00:31:48,661 (sniffles and gasps softly) 770 00:31:48,695 --> 00:31:51,764 (breathing unevenly) 771 00:31:56,369 --> 00:31:58,071 (beeps) 772 00:31:58,105 --> 00:32:00,340 (groaning softly) 773 00:32:00,373 --> 00:32:02,642 (Perik) COME ON! LET'S GO! 774 00:32:06,313 --> 00:32:09,249 (exhales sharply) 775 00:32:09,282 --> 00:32:13,620 (groaning softly) 776 00:32:15,022 --> 00:32:17,724 I'M GONNA GET YOU OUT OF HERE. 777 00:32:17,757 --> 00:32:21,194 I JUST NEED A LITTLE MORE TIME. 778 00:32:21,228 --> 00:32:23,196 (grunts loudly) (grunts) 779 00:32:23,230 --> 00:32:24,964 (objects clattering) 780 00:32:24,998 --> 00:32:28,101 (both grunting) 781 00:32:31,271 --> 00:32:33,040 (grunting continues) 782 00:32:33,073 --> 00:32:35,108 (muffled scream) (grunts loudly) 783 00:32:35,142 --> 00:32:36,776 (mutters indistinctly) 784 00:32:36,809 --> 00:32:39,346 (grunts and gasps) 785 00:32:39,379 --> 00:32:42,249 (muffled screaming) 786 00:32:42,282 --> 00:32:44,084 OKAY. COME ON. 787 00:32:44,117 --> 00:32:46,119 (muffled whimpering) COME ON! 788 00:32:46,153 --> 00:32:50,090 (whimpering continues) 789 00:32:50,123 --> 00:32:53,293 (muffled) OH, GOD, NO! 790 00:32:53,326 --> 00:32:55,762 *** 791 00:32:56,363 --> 00:33:00,767 *** 792 00:33:05,872 --> 00:33:08,741 IT'S JERRY'S CAR. HE'S STILL HERE. 793 00:33:10,477 --> 00:33:14,047 (police radio chatter) 794 00:33:17,217 --> 00:33:19,319 (doorbell rings) 795 00:33:19,352 --> 00:33:22,155 (knock on door) 796 00:33:22,189 --> 00:33:25,392 (radio chatter continues) 797 00:33:26,826 --> 00:33:28,428 JERRY'S DOWN. WHAT? 798 00:33:28,461 --> 00:33:30,930 (both unholster guns) 799 00:33:30,963 --> 00:33:32,499 (Sam) POLICE! 800 00:33:35,168 --> 00:33:36,836 McNALLY, CLEAR THE HOUSE. 801 00:33:36,869 --> 00:33:38,538 (loud clatter) 802 00:33:38,571 --> 00:33:42,809 (radio static) 1519, I GOT A 10-33 AT 26, UH, SPRINGMORE. 803 00:33:42,842 --> 00:33:45,545 I'VE GOT AN OFFICER DOWN. I NEED MEDICS RIGHT AWAY, PLEASE. 804 00:33:45,578 --> 00:33:47,380 (radio static) (female dispatcher) 1519, EMS is being 805 00:33:47,414 --> 00:33:50,450 dispatched to your location. JERRY? JERRY! 806 00:33:50,483 --> 00:33:51,818 JERRY! All units, Code 1. 807 00:33:51,851 --> 00:33:53,586 Officer down... HOW YOU DOING, SAMMY? 808 00:33:53,620 --> 00:33:55,422 IT'S OKAY. WE'RE HERE, BROTHER. ALL RIGHT? 809 00:33:55,455 --> 00:33:57,124 I repeat-- we have an officer down, 810 00:33:57,157 --> 00:33:58,958 26 Springmore, near... 811 00:33:58,991 --> 00:34:00,693 (weakly) SAMMY. SAMMY. 812 00:34:00,727 --> 00:34:03,130 HE HAS HER. HE LEFT. 813 00:34:03,163 --> 00:34:05,465 WHAT? HE LEFT. 814 00:34:05,498 --> 00:34:07,234 MY PHONE IS IN HIS POCKET. 815 00:34:07,267 --> 00:34:08,768 IT'S WHAT? 816 00:34:08,801 --> 00:34:10,837 MY PHONE... IS IN HIS POCKET. 817 00:34:10,870 --> 00:34:12,605 YOU PUT YOUR PHONE IN HIS POCKET? 818 00:34:12,639 --> 00:34:15,708 (breathing heavily) JUST FOLLOW THE PHONE... 819 00:34:15,742 --> 00:34:17,877 (chuckles) ...AND YOU'LL FIND HIM. ALL RIGHT. 820 00:34:17,910 --> 00:34:19,512 MY PHONE-- OKAY, ALL RIGHT, ALL RIGHT. 821 00:34:19,546 --> 00:34:21,514 HEY. HERE. 822 00:34:21,548 --> 00:34:23,283 LOOK, THE HOUSE IS CLEAR. PERIK'S GONE. 823 00:34:23,316 --> 00:34:25,618 I THINK HE WAS KEEPING HER IN THE BASEMENT. OKAY. I GOT THIS. 824 00:34:25,652 --> 00:34:27,287 ALL RIGHT, I NEED YOU TO CALL IN, 825 00:34:27,320 --> 00:34:30,990 GET 'EM TO TRACK JERRY'S CELL PHONE RIGHT NOW, OKAY? OKAY. 826 00:34:31,023 --> 00:34:33,693 ALL RIGHT. IT'S WITH THE SUBJECT, AND HE'S GOT GAIL! 827 00:34:33,726 --> 00:34:35,695 (radio static) OKAY, DISPATCH, UM... 828 00:34:35,728 --> 00:34:39,166 WE NEED G.P.S. ON A DETECTIVE JERRY BARBER'S PHONE NUMBER. 829 00:34:39,199 --> 00:34:40,600 HIS CELL NUMBER. (radio static) 830 00:34:40,633 --> 00:34:42,101 Copy that. I'll have the comm center... 831 00:34:42,135 --> 00:34:44,137 YOU DID GOOD, BUD. WE'RE GONNA GET HER, ALL RIGHT? 832 00:34:44,171 --> 00:34:45,538 GOOD JOB. 833 00:34:45,572 --> 00:34:47,507 (breathing unevenly) 834 00:34:47,540 --> 00:34:49,142 YOU FINALLY FOUND A USE FOR THAT CELL PHONE, HUH? 835 00:34:49,176 --> 00:34:50,243 (chuckles weakly) 836 00:34:50,277 --> 00:34:51,278 (exhales) 837 00:34:51,311 --> 00:34:52,712 JERRY? 838 00:34:52,745 --> 00:34:54,046 JERRY, STAY WITH ME. 839 00:34:54,080 --> 00:34:56,616 JERRY? JERRY? 840 00:34:58,151 --> 00:34:59,619 THAT'S IT. LOOK AT ME. 841 00:34:59,652 --> 00:35:02,522 (engine rumbling) 842 00:35:02,555 --> 00:35:06,025 (Katie Costello's "Stranger" playing) 843 00:35:08,094 --> 00:35:09,496 (exhales) 844 00:35:09,529 --> 00:35:13,833 * STRANGER, I'VE KNOWN YOU FOR SO LONG * 845 00:35:13,866 --> 00:35:15,668 (sirens wailing) 846 00:35:15,702 --> 00:35:19,672 * I FOUND YOU LOST WITH A COMPASS IN THE FOG * 847 00:35:19,706 --> 00:35:22,175 (tires screeching, thud) 848 00:35:22,209 --> 00:35:27,980 (vehicles, sirens stop) * STRANGER, YOU KNOW ME TOO MUCH * 849 00:35:28,014 --> 00:35:30,450 (speaking inaudibly) * ILLUSIONARY SELF * 850 00:35:30,483 --> 00:35:34,020 * HAD NOT BEEN TOUCHED * 851 00:35:34,053 --> 00:35:38,024 * UNTIL YOU * 852 00:35:38,057 --> 00:35:44,096 * HUMMING HALLELUJAH IN THE DARK * 853 00:35:44,130 --> 00:35:45,965 * THE SUN MIGHT RISE * 854 00:35:45,998 --> 00:35:48,668 * AS SOMETIMES DOES IT FALL * 855 00:35:48,701 --> 00:35:50,237 (handle clicks) 856 00:35:50,270 --> 00:35:54,407 * HALLELUJAH * 857 00:35:54,441 --> 00:35:57,777 * HALLELUJAH * 858 00:35:57,810 --> 00:35:59,346 (speaking inaudibly) 859 00:35:59,379 --> 00:36:03,716 * AHH, AHH * 860 00:36:06,052 --> 00:36:11,691 * STRANGER, YOU'VE FOLLOWED ME SO FAR * 861 00:36:11,724 --> 00:36:13,159 (sirens wailing) 862 00:36:13,192 --> 00:36:18,298 * UNTIL THE ROADS CONVERGED, AS DID THE STARS * 863 00:36:18,331 --> 00:36:22,302 * NOT TONIGHT * 864 00:36:22,335 --> 00:36:28,375 * HUMMING HALLELUJAH IN THE NIGHT * 865 00:36:28,408 --> 00:36:29,976 * THE SUN MIGHT RISE * 866 00:36:30,009 --> 00:36:34,013 * AS SOMETIMES DOES IT FALL * 867 00:36:34,046 --> 00:36:38,718 * HALLELUJAH * 868 00:36:38,751 --> 00:36:40,853 * HALLELUJAH * 869 00:36:40,887 --> 00:36:44,991 * HALLELUJAH * 870 00:36:45,024 --> 00:36:46,793 * HALLELUJAH * 871 00:36:46,826 --> 00:36:51,598 * HALLELUJAH * 872 00:36:51,631 --> 00:36:53,466 * HALLELUJAH * 873 00:36:53,500 --> 00:36:58,438 * HALLELUJAH * 874 00:36:58,471 --> 00:37:01,073 * HALLELUJAH * 875 00:37:02,642 --> 00:37:09,148 * HALLELUJAH * 876 00:37:13,119 --> 00:37:15,455 (woman speaking indistinctly on P.A.) 877 00:37:15,488 --> 00:37:17,290 (sighs) 878 00:37:35,274 --> 00:37:37,577 HEY, TRACE, UM... 879 00:37:37,610 --> 00:37:39,011 CALL ME WHEN YOU GET THIS. 880 00:37:39,045 --> 00:37:41,247 UM, I'LL TRY YOU AT HOME AGAIN. 881 00:37:41,280 --> 00:37:46,319 (sirens wailing) 882 00:37:46,353 --> 00:37:49,722 SWAREK, WHAT'S THE WORD? 883 00:37:50,990 --> 00:37:54,694 (clears throat) UH... STAB WOUND TO THE ABDOMEN. 884 00:37:54,727 --> 00:37:56,228 IT'S BAD. (sighs) 885 00:37:56,262 --> 00:37:58,164 WHEN WILL WE KNOW? 886 00:37:58,197 --> 00:38:00,367 (clicks tongue) 887 00:38:00,400 --> 00:38:03,302 YOU HEARD. WE GOT GAIL BACK. YEAH. 888 00:38:03,336 --> 00:38:04,871 YEAH, CALLAGHAN AND THE BOYS, 889 00:38:04,904 --> 00:38:06,673 THEY, UH, NARROWED DOWN WHERE THEY THOUGHT THEY MIGHT BE, 890 00:38:06,706 --> 00:38:09,075 SO, WE, UM... WE WERE, UH... WE WERE IN THE NEIGHBORHOOD. 891 00:38:09,108 --> 00:38:10,910 PHONE TRACE TOOK US RIGHT TO HIM. 892 00:38:10,943 --> 00:38:12,244 YEAH, CAN YOU BELIEVE THAT JERRY 893 00:38:12,278 --> 00:38:13,446 FINALLY FIGURED OUT HOW TO WORK THAT THING? 894 00:38:13,480 --> 00:38:15,415 HOW'S GAIL? 895 00:38:15,448 --> 00:38:17,249 UH... SHE'S GOOD. MM. 896 00:38:17,283 --> 00:38:18,451 YOU KNOW. I MEAN, SHE'S UPSTAIRS. 897 00:38:18,485 --> 00:38:20,052 HE DIDN'T-- 898 00:38:20,086 --> 00:38:21,654 SHE'S OKAY. 899 00:38:22,855 --> 00:38:25,725 FRANK, WHAT DO WE KNOW ABOUT THIS GUY? 900 00:38:25,758 --> 00:38:27,360 WELL, CALLAGHAN'S WORKING ON IT NOW. 901 00:38:27,394 --> 00:38:30,062 BUT IT LOOKS LIKE HE WAS SOME KIND OF A, UH, 902 00:38:30,096 --> 00:38:32,932 DOCTOR, LOST HIS LICENSE ABOUT SIX, SEVEN YEARS AGO. 903 00:38:32,965 --> 00:38:34,434 SERGEANT, HAVE YOU BEEN ABLE TO GET AHOLD OF TRACI? 904 00:38:34,467 --> 00:38:35,768 'CAUSE I CAN'T GET HER. 905 00:38:35,802 --> 00:38:37,437 NO. SHE HASN'T BEEN PICKING UP. 906 00:38:37,470 --> 00:38:39,539 LAST I HEARD, SHE WAS WAITING HERE FOR YOUR LAB RESULTS. 907 00:38:39,572 --> 00:38:41,374 (woman on P.A.) Dr. Stevens to Admitting. 908 00:38:41,408 --> 00:38:44,544 Dr. Stevens, come to Admitting. 909 00:38:44,577 --> 00:38:48,681 (gasps softly) SHE IS BEAUTIFUL. 910 00:38:48,715 --> 00:38:52,552 AND HEALTHY. YOU DID GREAT. 911 00:38:52,585 --> 00:38:55,855 (laughs) HAPPENED SO FAST, I DIDN'T HAVE MUCH CHOICE. 912 00:38:55,888 --> 00:38:57,490 (laughs) 913 00:38:57,524 --> 00:38:59,592 I KINDA ALWAYS WANTED A GIRL. 914 00:38:59,626 --> 00:39:03,430 (laughs) NO, SORRY, NASH. (baby fussing) 915 00:39:03,463 --> 00:39:06,566 SHE IS ALL MINE. 916 00:39:06,599 --> 00:39:08,601 (laughs) WELL... 917 00:39:09,769 --> 00:39:11,938 PROBABLY GONNA HAVE TO GET ONE OF MY OWN, 918 00:39:11,971 --> 00:39:13,573 'CAUSE JERRY'S GONNA INSIST 919 00:39:13,606 --> 00:39:15,442 WHEN HE MEETS THIS LITTLE ANGEL. MM-HMM. 920 00:39:15,475 --> 00:39:17,176 (laughs) 921 00:39:17,209 --> 00:39:19,311 (fussing continues) YES, YOU. OOH. 922 00:39:19,345 --> 00:39:20,913 (babbling and fussing) (laughs) 923 00:39:20,947 --> 00:39:23,716 I KNOW YOU WANTED TO WAIT, BUT, UH... OHH. 924 00:39:23,750 --> 00:39:25,284 YOU THINK WE CAN CALL FRANK NOW? 925 00:39:25,317 --> 00:39:27,654 (both laugh) OKAY. 926 00:39:27,687 --> 00:39:28,721 OKAY. (both laugh) 927 00:39:28,755 --> 00:39:30,923 OHH... (laughs) 928 00:39:30,957 --> 00:39:34,193 (cell phone beeping) 929 00:39:34,226 --> 00:39:36,929 OH, THEY MUST HAVE FOUND GAIL. I'VE GOT LIKE TEN MESSAGES. 930 00:39:36,963 --> 00:39:38,998 (beeping) 931 00:39:41,434 --> 00:39:43,269 (breathes deeply) 932 00:39:47,239 --> 00:39:50,142 (man speaking indistinctly on P.A.) 933 00:39:52,779 --> 00:39:54,046 ANDY. 934 00:39:57,750 --> 00:39:59,952 WHAT'S GOING ON? 935 00:40:03,690 --> 00:40:05,124 WHERE'S JERRY? 936 00:40:07,660 --> 00:40:09,729 TRACI... 937 00:40:09,762 --> 00:40:11,498 OH... (voice breaking) WHERE IS HE? 938 00:40:12,765 --> 00:40:15,902 I'M S-- (voice breaking) I'M SO SORRY. 939 00:40:15,935 --> 00:40:17,837 NO. (crying) 940 00:40:17,870 --> 00:40:20,940 (crying) NO! 941 00:40:20,973 --> 00:40:23,843 NO! (sniffling) 942 00:40:25,645 --> 00:40:28,648 ("One Way" by Rose Cousins playing) 943 00:40:42,428 --> 00:40:45,765 * I BREAK * 944 00:40:45,798 --> 00:40:50,136 * WHERE YOU BEND * 945 00:40:50,169 --> 00:40:56,108 * I TAKE WHAT YOU SEND * 946 00:40:56,142 --> 00:41:02,281 * AND WE BOTH PRETEND * 947 00:41:02,314 --> 00:41:05,151 * BUT I START * 948 00:41:05,184 --> 00:41:08,454 * WHERE YOU END * 949 00:41:08,487 --> 00:41:15,895 *** 950 00:41:23,269 --> 00:41:25,905 * I'VE GOT * 951 00:41:25,938 --> 00:41:29,208 * ONE WAY * 952 00:41:29,241 --> 00:41:33,412 *** 953 00:41:33,445 --> 00:41:35,147 * OH * 954 00:41:35,181 --> 00:41:37,249 * AND I BREAK * 955 00:41:37,283 --> 00:41:42,188 * WHERE YOU BEND * 956 00:41:42,221 --> 00:41:48,227 * I TAKE WHAT YOU SEND * 957 00:41:48,260 --> 00:41:52,331 * WE BOTH PRETEND * 958 00:41:52,364 --> 00:41:56,335 * BUT I KNOW THAT I START * 959 00:41:56,368 --> 00:41:59,071 * WHERE YOU END * 960 00:41:59,105 --> 00:42:10,482 * WHERE YOU END * 961 00:42:11,450 --> 00:42:18,224 * WHERE YOU END * 962 00:42:21,160 --> 00:42:23,162 ***