1 00:00:01,823 --> 00:00:03,192 [ BUZZER ] 2 00:00:06,761 --> 00:00:09,531 ALL RIGHT, WHAT DID WE LEARN TONIGHT, WENDELL? 3 00:00:09,564 --> 00:00:10,365 [ CHUCKLES ] 4 00:00:10,399 --> 00:00:12,067 THE OFFICER ASKED YOU A QUESTION. 5 00:00:12,101 --> 00:00:14,269 JUST BECAUSE SOMEONE LEFT IT IN THEIR CAR 6 00:00:14,303 --> 00:00:16,138 DOESN'T MAKE IT FINDERS KEEPERS. 7 00:00:16,171 --> 00:00:18,273 ALSO, WHEN YOU DECIDE TO RUN FROM THE COPS, 8 00:00:18,307 --> 00:00:19,408 DON'T DROP YOUR INHALER. 9 00:00:19,441 --> 00:00:20,642 MM. 10 00:00:20,675 --> 00:00:22,511 [ SIGHS ] 11 00:00:22,544 --> 00:00:24,346 I'VE HAD TO PEE FOR LIKE AN HOUR. 12 00:00:24,379 --> 00:00:25,347 SO GO. 13 00:00:25,380 --> 00:00:26,815 IT'S FINE. I'LL JUST HOLD IT. 14 00:00:26,848 --> 00:00:29,118 BOSS, GO. GO TAKE CARE OF BUSINESS, OKAY? 15 00:00:29,151 --> 00:00:30,519 I CAN -- I CAN PROCESS HIM. 16 00:00:30,552 --> 00:00:32,354 I'VE SEEN YOU DO IT LIKE 20 TIMES. 17 00:00:32,387 --> 00:00:34,389 NO, I SHOULDN'T. 18 00:00:34,423 --> 00:00:36,091 SERIOUSLY, BOSS, OKAY, LOOK.. 19 00:00:36,125 --> 00:00:37,092 IT'S THE END OF THE DAY. 20 00:00:37,126 --> 00:00:39,361 WE CAN GET OUT OF HERE QUICKER. I CAN DO IT. 21 00:00:39,394 --> 00:00:40,295 JUST DON'T MOVE, OKAY? 22 00:00:40,329 --> 00:00:44,099 NOT A MUSCLE. AND DON'T DO ANYTHING, OKAY? 23 00:00:44,133 --> 00:00:46,168 BE RIGHT BACK. 24 00:00:50,505 --> 00:00:52,474 PFFT. YOU LOOK GOOD. 25 00:00:52,507 --> 00:00:55,510 [ CHUCKLES ] MEETING STEVE FOR DINNER. 26 00:00:55,544 --> 00:00:56,445 IL CORTELLO. 27 00:00:56,478 --> 00:00:58,447 REALLY? HOW'D YOU GET THOSE RESERVATIONS? 28 00:00:58,480 --> 00:01:00,249 TELL THEM YOU'RE A HOT-SHOT DETECTIVE? 29 00:01:00,282 --> 00:01:01,383 [ CHUCKLES ] YEAH. 30 00:01:01,416 --> 00:01:02,751 AND THEN I BEGGED LIKE EVERYBODY ELSE. 31 00:01:02,784 --> 00:01:04,386 [ CHUCKLES ] YOU KNOW SOMETHING? 32 00:01:04,419 --> 00:01:05,820 I ACTUALLY -- I NEED TO THANK YOU 33 00:01:05,854 --> 00:01:07,522 FOR MAKING MY LIFE WAY EASIER. 34 00:01:07,556 --> 00:01:08,457 OH, YEAH? 35 00:01:08,490 --> 00:01:10,125 SAM IS COMING INTO WORK IN A GOOD MOOD. 36 00:01:10,159 --> 00:01:11,526 HE IS SMILING ALL THE TIME. 37 00:01:11,560 --> 00:01:13,395 SINCE YOU GUYS GOT BACK TOGETHER -- 38 00:01:13,428 --> 00:01:15,397 OH, WHOA, WHOA, WHOA. WE'RE NOT BACK TOGETHER. 39 00:01:15,430 --> 00:01:17,399 NO. 40 00:01:17,432 --> 00:01:21,170 WE -- WE HAVE AGREED THAT WE ARE FRIENDS RIGHT NOW. 41 00:01:21,203 --> 00:01:23,605 YOU'RE MAKING LISTS AGAIN -- PROS AND CONS. 42 00:01:23,638 --> 00:01:25,240 BECAUSE I'M TRYING TO BE SMART 43 00:01:25,274 --> 00:01:27,442 ABOUT THE FACT THAT WE DIDN'T WORK FOR A REASON. 44 00:01:27,476 --> 00:01:28,677 YES. AND WHAT DID THE LIST TELL YOU? 45 00:01:28,710 --> 00:01:31,213 ON PAPER? THAT WE ARE A VERY BAD IDEA. 46 00:01:31,246 --> 00:01:32,447 BUT YOUR GUT SAYS SOMETHING ELSE. 47 00:01:32,481 --> 00:01:34,516 WHY ARE YOU SAYING THAT? 48 00:01:34,549 --> 00:01:36,218 BECAUSE YOU KEEP MAKING THE LISTS. 49 00:01:36,251 --> 00:01:37,852 YOU'RE HOPING THE "PROS" ARE GONNA WIN. 50 00:01:37,886 --> 00:01:40,489 Wendell: COME ON, MAN! LET'S GO! 51 00:01:40,522 --> 00:01:41,523 I GOT TO GO. 52 00:01:41,556 --> 00:01:43,425 HAVE A GOOD NIGHT. OKAY. 53 00:01:43,458 --> 00:01:46,328 NOT SUCH A BIG MAN NOW, ARE YOU, ASSHAT?! 54 00:01:46,361 --> 00:01:47,629 Officer: EASY! 55 00:01:47,662 --> 00:01:49,731 COME ON, MAN! 56 00:01:49,764 --> 00:01:51,766 ALL RIGHT, YOU'RE GOING IN THE CAGE! 57 00:01:51,800 --> 00:01:53,168 WHAT THE HELL HAPPENED? 58 00:01:53,202 --> 00:01:54,703 Duncan: WELL, SLIM STARTED RUNNING HIS MOUTH, 59 00:01:54,736 --> 00:01:56,205 SO WENDELL KICKED HIM IN THE JEWELS 60 00:01:56,238 --> 00:01:57,406 AND JUST KEPT ON GOING. 61 00:01:57,439 --> 00:01:59,374 IT WAS CRAZY, BOSS. OH, YEAH. 62 00:01:59,408 --> 00:02:01,610 YOU DIDN'T DO ANYTHING? 63 00:02:01,643 --> 00:02:05,814 YOU -- YOU TOLD ME NOT TO MOVE, SO I DIDN'T. 64 00:02:05,847 --> 00:02:08,850 *** 65 00:02:10,852 --> 00:02:13,455 [ BREATHING HEAVILY ] 66 00:02:31,005 --> 00:02:33,742 [ MACHINE BEEPS ] 67 00:02:33,775 --> 00:02:35,176 HEY. 68 00:02:36,845 --> 00:02:38,713 OH. HEY. 69 00:02:38,747 --> 00:02:40,749 HOW'S IT GOING? GOOD. 70 00:02:40,782 --> 00:02:42,317 SWEATY. 71 00:02:42,351 --> 00:02:44,219 GOOD AND SWEATY. YOU LOOK GOOD. 72 00:02:44,253 --> 00:02:45,420 THANK YOU. 73 00:02:45,454 --> 00:02:46,855 AREN'T YOU SUPPOSED TO BE TAKING IT EASY? 74 00:02:46,888 --> 00:02:47,922 HMM. 75 00:02:47,956 --> 00:02:49,458 I'VE GOT IT EASY. 76 00:02:49,491 --> 00:02:52,261 MY MOM, SHE'S MAKING ALL MY MEALS 77 00:02:52,294 --> 00:02:53,828 AND DOING MY LAUNDRY, 78 00:02:53,862 --> 00:02:56,231 AND MY DAD IS DRIVING ME HERE EVERY DAY. 79 00:02:56,265 --> 00:02:58,833 AND OLIVER HAS ME ON DESK DUTY FOR A MONTH, SO... 80 00:02:58,867 --> 00:03:00,902 YOU SHOULD REALLY TRY GETTING SHOT. 81 00:03:00,935 --> 00:03:03,638 ARE THE DOCTORS OKAY WITH THE EXERCISE? 82 00:03:03,672 --> 00:03:06,641 NEEDED TO BURN OFF SOME ENERGY, YOU KNOW? 83 00:03:06,675 --> 00:03:07,876 BLAST THE GLUTES. 84 00:03:07,909 --> 00:03:08,943 RIGHT. YEAH. 85 00:03:08,977 --> 00:03:11,313 GLUTES. 86 00:03:11,346 --> 00:03:14,249 SO, AM I TOO SWEATY FOR A GOOD-MORNING KISS? 87 00:03:14,283 --> 00:03:17,319 NO. OF COURSE NOT. 88 00:03:19,988 --> 00:03:21,490 ALL RIGHT, SO, I'LL SEE YOU IN PARADE. 89 00:03:21,523 --> 00:03:22,557 MM-HMM. 90 00:03:22,591 --> 00:03:24,793 TAKE IT EASY. ALL RIGHT? YEP. 91 00:03:27,996 --> 00:03:30,865 [ BREATHES DEEPLY ] TAKE IT EASY. 92 00:03:36,871 --> 00:03:38,840 Sam: McNALLY, DON'T DRINK THAT. 93 00:03:38,873 --> 00:03:40,342 THERE'S SOMETHING WRONG WITH THE MACHINE. 94 00:03:40,375 --> 00:03:41,643 IT MAKES THE COFFEE TASTE LIKE FISH SOUP. 95 00:03:41,676 --> 00:03:43,312 LIKE, IN A GOOD WAY? 96 00:03:43,345 --> 00:03:44,779 NOT REALLY. HERE. 97 00:03:44,813 --> 00:03:47,482 YOU GOT ME COFFEE? THANK YOU. 98 00:03:47,516 --> 00:03:48,917 IT'S WHAT FRIENDS DO, RIGHT? 99 00:03:48,950 --> 00:03:50,352 MM. 100 00:03:50,385 --> 00:03:51,653 STILL RIDING WITH THAT ROOKIE? 101 00:03:51,686 --> 00:03:52,654 I AM. 102 00:03:52,687 --> 00:03:54,389 HOW'S THAT WORKING OUT FOR YOU? 103 00:03:54,423 --> 00:03:55,724 UH, WELL, IT'S FAIR TO SAY 104 00:03:55,757 --> 00:03:57,959 THAT TRAINING DUNCAN MOORE HAS ITS CHALLENGES. 105 00:03:57,992 --> 00:04:00,329 IN A GOOD WAY? NOT REALLY. 106 00:04:00,362 --> 00:04:01,896 HERE. 107 00:04:01,930 --> 00:04:03,298 THANK YOU. 108 00:04:03,332 --> 00:04:04,433 IT'S WHAT FRIENDS DO. 109 00:04:04,466 --> 00:04:07,436 YOU NEED SOME ADVICE, I SUPPOSE I CAN FIND THE TIME. 110 00:04:07,469 --> 00:04:09,304 I HAVE TRAINED SOME OF THE BEST. 111 00:04:09,338 --> 00:04:10,672 OH, YEAH? OH, YEAH. 112 00:04:10,705 --> 00:04:11,673 GOT TO BE CAREFUL, THOUGH. 113 00:04:11,706 --> 00:04:13,908 SOMETIMES THEY DEVELOP FEELINGS. IT GETS AWKWARD. 114 00:04:13,942 --> 00:04:16,911 OH. PROBABLY SHOULD'VE TOLD HIM UP FRONT HE'S NOT MY TYPE. 115 00:04:16,945 --> 00:04:18,046 MM. MAYBE. 116 00:04:18,079 --> 00:04:19,914 DOESN'T ALWAYS DO THE TRICK. 117 00:04:19,948 --> 00:04:21,683 [ CHUCKLES ] 118 00:04:21,716 --> 00:04:24,919 SO, THAT MEANS THAT I WANT YOU VISIBLE OUT THERE. 119 00:04:24,953 --> 00:04:28,623 WE PROMISED THIS NEIGHBORHOOD AN INCREASED POLICE PRESENCE, 120 00:04:28,657 --> 00:04:31,693 BUT IT'S JUST WORDS UNLESS THEY SEE US OUT THERE 121 00:04:31,726 --> 00:04:32,827 DOING WHAT WE DO. 122 00:04:32,861 --> 00:04:33,628 OKAY? 123 00:04:33,662 --> 00:04:35,964 LASTLY, SUMMER UNIFORMS ARE IN. 124 00:04:35,997 --> 00:04:40,535 IT'S, UH, BIKINI TOPS AND OPTIONAL BUTT-LESS CHAPS. 125 00:04:40,569 --> 00:04:42,003 WHAT DO YOU THINK, DIAZ? 126 00:04:42,036 --> 00:04:43,772 PUT YOU DOWN FOR A SET OF EACH? 127 00:04:43,805 --> 00:04:45,874 UH...SURE. 128 00:04:45,907 --> 00:04:48,109 YES -- YES, SIR. EXCELLENT. ALL RIGHT. 129 00:04:48,142 --> 00:04:51,413 NOW, ON THAT FRIGHTENING IMAGE, PROTECT, SERVE, AND, UH... 130 00:04:51,446 --> 00:04:52,547 DON'T SIT DOWN, PAL. 131 00:04:52,581 --> 00:04:54,649 SOMEBODY FILL DIAZ IN. 132 00:04:54,683 --> 00:04:55,984 THAT'S IT. OFF YOU GO. 133 00:04:56,017 --> 00:04:58,353 HEY, I'LL MEET YOU IN THE CAR IN FIVE MINUTES, OKAY? 134 00:04:58,387 --> 00:05:00,021 COOL BEANS, BOSS. 135 00:05:01,923 --> 00:05:05,059 OLIVER. CAN I TALK TO YOU FOR A MINUTE, IN YOUR OFFICE? 136 00:05:05,093 --> 00:05:07,596 OKAY... 137 00:05:07,629 --> 00:05:10,899 HEY, FELLA. 138 00:05:10,932 --> 00:05:13,001 I HAVE A TASK FOR YOU. DO YOU ACCEPT? 139 00:05:13,034 --> 00:05:15,437 DEPENDS. DOES IT INVOLVE A VENDING MACHINE? 140 00:05:15,470 --> 00:05:17,406 NO. THIS IS AN INVESTIGATION. 141 00:05:17,439 --> 00:05:19,608 GOOD. TOOK ME 20 MINUTES TO GET YOU THAT CANDY BAR. 142 00:05:19,641 --> 00:05:20,875 THAT WAS A PROTEIN BAR. 143 00:05:20,909 --> 00:05:23,545 ANYWAYS, I NEED SOME INTEL ON THE D.L., OKAY? 144 00:05:23,578 --> 00:05:25,747 AND I THINK YOU'RE THE MAN FOR THE JOB. 145 00:05:25,780 --> 00:05:27,716 ALL RIGHT. WHAT IS IT? 146 00:05:27,749 --> 00:05:29,484 [ BREATHES DEEPLY ] IT'S DOV. 147 00:05:29,518 --> 00:05:31,686 HE HASN'T TOUCHED ME SINCE THE HOSPITAL, 148 00:05:31,720 --> 00:05:34,423 WHICH MEANS THAT HIM AND I HAVE NOT MINGLED LIMBS 149 00:05:34,456 --> 00:05:35,524 IN A VERY LONG TIME, 150 00:05:35,557 --> 00:05:37,426 AND I'M STARTING TO GET WORRIED. 151 00:05:37,459 --> 00:05:38,993 UH... I'M NOT DOING THAT. 152 00:05:39,027 --> 00:05:40,795 NO, NO. NO, NO, NO, NO, NO. 153 00:05:40,829 --> 00:05:42,864 NICK, NICK -- SORRY. 154 00:05:42,897 --> 00:05:44,899 LOOK, I'M JUST -- I'M STARTING TO GET PARANOID, OKAY? 155 00:05:44,933 --> 00:05:46,167 IS IT MY NECK SCAR? 156 00:05:46,200 --> 00:05:48,002 IS IT THE FACT THAT I'M SLEEPING IN MY CHILDHOOD BED AT NIGHT? 157 00:05:48,036 --> 00:05:49,904 OR MAYBE IT'S THE WHOLE WES THING. I DON'T KNOW. 158 00:05:49,938 --> 00:05:51,906 OR MAYBE THIS WHOLE THING IS JUST TOO MUCH FOR HIM, 159 00:05:51,940 --> 00:05:54,108 AND -- AND HE'S FREAKED OUT AND HE DOESN'T WANT TO TELL ME, 160 00:05:54,142 --> 00:05:55,844 AND -- AND -- AND I'M FREAKING OUT. 161 00:05:55,877 --> 00:05:57,579 FINE, FINE, FINE. I'LL TALK TO HIM. 162 00:05:57,612 --> 00:05:58,547 REALLY? 163 00:05:58,580 --> 00:06:02,183 OKAY, BUT, COLLINS, JUST REMEMBER, THOUGH. 164 00:06:02,216 --> 00:06:03,818 D.L. GOT IT. 165 00:06:07,489 --> 00:06:09,123 OKAY, WHAT IS IT? 166 00:06:09,157 --> 00:06:12,761 I MEAN, NOTHING. REALLY, I MEAN... 167 00:06:12,794 --> 00:06:16,665 YOU KNOW, THINGS ARE GOOD, UH, LIKE USUAL. 168 00:06:16,698 --> 00:06:17,832 YEAH. 169 00:06:17,866 --> 00:06:20,134 I'M REALLY LOOKING FORWARD TO SPRINGTIME. 170 00:06:20,168 --> 00:06:21,903 YOU KNOW, SEEING THAT FIRST CROCUS. 171 00:06:21,936 --> 00:06:24,172 THIS WEATHER'S GETTING ME DOWN, MAN. 172 00:06:24,205 --> 00:06:25,206 McNALLY. 173 00:06:25,239 --> 00:06:28,677 LOOK [SIGHS] 174 00:06:28,710 --> 00:06:30,645 IT'S DUNCAN. 175 00:06:30,679 --> 00:06:32,714 OFFICER MOORE? YES. YES. 176 00:06:32,747 --> 00:06:36,885 I -- I FEEL LIKE I CANNOT GET THROUGH TO HIM AT ALL. 177 00:06:36,918 --> 00:06:39,454 OKAY, EVERY DAY, IT'S ONE STEP FORWARD, FIVE STEPS BACK. 178 00:06:39,488 --> 00:06:41,590 I MEAN, IS IT POSSIBLE THAT I'M MAKING HIM WORSE? 179 00:06:41,623 --> 00:06:44,459 I'M READING YOUR REPORTS. THEY'RE PRETTY CLEAN. 180 00:06:44,493 --> 00:06:45,694 THAT'S BECAUSE I DON'T WANT TO BE NEGATIVE. 181 00:06:45,727 --> 00:06:46,961 OKAY. BUT YOU'RE BEING HONEST. 182 00:06:46,995 --> 00:06:48,129 YEAH. 183 00:06:48,162 --> 00:06:49,564 RIGHT, SO, I SAT RIGHT THERE, 184 00:06:49,598 --> 00:06:51,232 AND I TOLD YOU TO KEEP HIM ON A SHORT LEASH. 185 00:06:51,265 --> 00:06:54,736 SO MAYBE CUT HIM A BIT OF SLACK, YOU KNOW? 186 00:06:54,769 --> 00:06:56,204 LOOSEN IT UP A BIT. 187 00:06:56,237 --> 00:06:57,772 SEE WHAT HAPPENS. 188 00:06:57,806 --> 00:06:58,807 YEAH. 189 00:06:58,840 --> 00:06:59,974 McNALLY, IF YOUR INSTINCT SAYS 190 00:07:00,008 --> 00:07:01,843 THAT THIS KID ISN'T CUT OUT FOR THIS, 191 00:07:01,876 --> 00:07:03,177 YOU GOT TO LET ME KNOW THAT. 192 00:07:03,211 --> 00:07:05,647 NO. 193 00:07:05,680 --> 00:07:08,116 NO. IT'S ME. 194 00:07:08,149 --> 00:07:10,051 I HAVE BEEN ALL OVER HIM. 195 00:07:10,084 --> 00:07:12,020 IT'S WHAT IT IS. 196 00:07:12,053 --> 00:07:13,755 OKAY. ALL RIGHT. 197 00:07:13,788 --> 00:07:15,757 SO, THEN YOU EASE UP. 198 00:07:15,790 --> 00:07:18,026 MAYBE HE'LL SURPRISE YOU. 199 00:07:18,059 --> 00:07:19,628 YEAH. 200 00:07:19,661 --> 00:07:21,496 GET OUT. 201 00:07:21,530 --> 00:07:22,897 YEAH. 202 00:07:28,302 --> 00:07:31,272 [ HUMMING ] 203 00:07:31,305 --> 00:07:34,008 LOOKS LIKE THE HAMSTER'S SPINNING A LITTLE FAST TODAY. 204 00:07:34,042 --> 00:07:36,244 HMM? YEAH, EXACTLY. 205 00:07:36,277 --> 00:07:38,179 HOW MANY OF THOSE HAVE YOU HAD? 206 00:07:38,212 --> 00:07:40,081 LIKE TWO, THREE. I DON'T KNOW. 207 00:07:40,114 --> 00:07:42,283 I HAD KIND OF A LATE NIGHT LAST NIGHT, 208 00:07:42,316 --> 00:07:44,719 IF YOU KNOW WHAT I'M SAYING. EW. 209 00:07:44,753 --> 00:07:46,788 ALL RIGHT, YOU'VE MET SOMEBODY. YEAH. 210 00:07:46,821 --> 00:07:50,592 YEAH, I FIGURE I GOT TO GET BACK ON THAT HORSE, YOU KNOW? 211 00:07:50,625 --> 00:07:53,294 NO MATTER HOW MANY TIMES IT BUCKS YOU OFF, 212 00:07:53,327 --> 00:07:55,163 YOU JUST GOT TO STAY ON IT. 213 00:07:55,196 --> 00:07:57,198 PLEASE, CAN YOU JUST -- CAN YOU STOP? 214 00:07:57,231 --> 00:07:58,633 CAN YOU JUST SHUT YOUR FACE? 215 00:07:58,667 --> 00:07:59,901 MAYBE YOU SHOULD TRY IT. 216 00:07:59,934 --> 00:08:02,070 YOU KNOW, MIGHT HELP YOU GET OVER HOLLY. 217 00:08:02,103 --> 00:08:03,872 I DON'T NEED TO GET OVER HOLLY. 218 00:08:03,905 --> 00:08:05,807 OH, I THOUGHT YOU GUYS BROKE UP. 219 00:08:05,840 --> 00:08:08,009 NO. I JUST DON'T TALK TO HER ANYMORE. 220 00:08:08,042 --> 00:08:10,545 [ CHUCKLES ] I WISH I COULD BE MORE LIKE YOU. 221 00:08:10,579 --> 00:08:12,013 THAT GOES WITHOUT SAYING. 222 00:08:12,046 --> 00:08:13,815 I MEAN, YOU'RE JUST, LIKE -- 223 00:08:13,848 --> 00:08:15,717 IT'S LIKE YOU'RE, LIKE, COLD, YOU KNOW? 224 00:08:15,750 --> 00:08:17,318 BUT I MEAN, YOU KNOW, IN A GOOD WAY. 225 00:08:17,351 --> 00:08:19,821 YOU KNOW, YOU NEVER GET TOO WRAPPED UP IN ANYTHING. 226 00:08:19,854 --> 00:08:21,956 IF SOMETHING DOESN'T WORK OUT, NO BIG DEAL. 227 00:08:21,990 --> 00:08:22,891 ONTO THE NEXT ONE. 228 00:08:22,924 --> 00:08:26,027 IS THAT, LIKE, UH... LIKE, A LESBIAN THING? 229 00:08:26,060 --> 00:08:27,295 [ CHUCKLES ] YEAH. 230 00:08:27,328 --> 00:08:30,632 YOU KNOW WHAT? I DO THINK IT'S A LESBIAN THING. 231 00:08:30,665 --> 00:08:33,301 I DO. 232 00:08:33,334 --> 00:08:36,104 [ ENGINE REVS ] OH, GOD! 233 00:08:36,137 --> 00:08:37,872 THAT WAS A POTHOLE. 234 00:08:37,906 --> 00:08:40,875 JUST KIND OF CAME OUT OF NOWHERE. 235 00:08:40,909 --> 00:08:41,810 [ CAR ALARM CHIRPS ] 236 00:08:41,843 --> 00:08:43,578 STARTED TO THINK YOU WEREN'T GONNA SHOW. 237 00:08:43,612 --> 00:08:44,646 EVERYTHING COOL? 238 00:08:44,679 --> 00:08:46,080 DUNCAN, SELF-FEEDBACK TIME. 239 00:08:46,114 --> 00:08:48,082 BEEN ON THE JOB FIVE WEEKS NOW, RIGHT? 240 00:08:48,116 --> 00:08:49,851 HOW DO YOU THINK YOU'RE DOING? 241 00:08:49,884 --> 00:08:52,754 UH...WELL, I -- I GUESS, YOU KNOW, 242 00:08:52,787 --> 00:08:54,889 I STILL GOT SOME THINGS TO LEARN, BUT... 243 00:08:54,923 --> 00:08:55,924 MM-HMM. 244 00:08:55,957 --> 00:08:57,592 ...I GUESS THINGS ARE, YOU KNOW, PRETTY SOLID. 245 00:08:57,626 --> 00:08:58,627 LIVING THE DREAM. 246 00:08:58,660 --> 00:09:00,795 OKAY, BUT HOW ARE YOU FEELING ABOUT IT? 247 00:09:00,829 --> 00:09:03,965 WHY? WE -- WE, LIKE, ON A DATE NOW? 248 00:09:03,998 --> 00:09:05,934 WHAT? WHAT? NO. 249 00:09:05,967 --> 00:09:07,135 I WAS -- I -- OKAY, LOOK. 250 00:09:07,168 --> 00:09:10,004 I JUST FEEL LIKE I'VE BEEN A LITTLE BIT TOO STRICT WITH YOU. 251 00:09:10,038 --> 00:09:11,139 OH, YEAH? 252 00:09:11,172 --> 00:09:13,041 YEAH. HOW ARE YOU GONNA LEARN IF I DON'T LET YOU, RIGHT? 253 00:09:13,074 --> 00:09:14,375 SO... 254 00:09:14,408 --> 00:09:16,878 I'M LOOSENING THE LEASH A LITTLE BIT. 255 00:09:16,911 --> 00:09:19,180 SERIOUSLY? YES. 256 00:09:19,213 --> 00:09:20,915 DON'T MAKE ME REGRET IT. 257 00:09:20,949 --> 00:09:22,884 NO, MA'AM. 258 00:09:22,917 --> 00:09:24,152 UH... 259 00:09:24,185 --> 00:09:26,921 [ British accent ] WHERE TO, M'LADY? 260 00:09:26,955 --> 00:09:28,957 WE CAN DRIVE ALONG THE LAKESHORE 261 00:09:28,990 --> 00:09:31,159 OR SWING BY THE FASHION DISTRICT. 262 00:09:31,192 --> 00:09:33,762 WOMAN: All units -- we've got a 911 from Parklawn Tower, 263 00:09:33,795 --> 00:09:35,830 corner of Sherbourne and Howard. 264 00:09:35,864 --> 00:09:37,899 Body lying in the stairwell, is unresponsive. 265 00:09:37,932 --> 00:09:40,101 1504. WE'RE ON OUR WAY. 266 00:09:40,134 --> 00:09:41,202 A-ARE YOU DRIVING? 267 00:09:41,235 --> 00:09:43,738 OH, RIGHT. YEAH, YEAH, YEAH. 268 00:09:43,772 --> 00:09:45,974 [ SIREN WAILS ] 269 00:09:53,948 --> 00:09:55,950 Woman: YOU COME ABOUT THE DEAD GUY? 270 00:09:55,984 --> 00:09:57,652 YEAH. DID YOU CALL IT IN? 271 00:09:57,686 --> 00:10:00,755 YEAH. FOUND HIM IN THE STAIRWELL BETWEEN FOURTH AND FIFTH. 272 00:10:00,789 --> 00:10:02,791 LOOKS LIKE HE WAS SHOT. 273 00:10:02,824 --> 00:10:04,358 OKAY. DID YOU HEAR THE GUNSHOTS? 274 00:10:04,392 --> 00:10:06,294 NO, WE JUST FOUND HIM ON THE WAY DOWN. 275 00:10:06,327 --> 00:10:08,863 IT'S THE SECOND DEAD GUY I HAD TO CALL IN THIS YEAR. 276 00:10:08,897 --> 00:10:10,098 THANK YOU. 277 00:10:10,131 --> 00:10:11,933 ALL RIGHT, LET'S GO. 278 00:10:11,966 --> 00:10:13,334 WAIT A MINUTE, WAIT A MINUTE. 279 00:10:13,367 --> 00:10:15,169 IF -- IF -- IF SOMEONE WAS SHOT HERE, 280 00:10:15,203 --> 00:10:17,438 ISN'T IT A POSSIBILITY THE SHOOTER'S STILL INSIDE? 281 00:10:17,471 --> 00:10:19,440 SHOULDN'T WE WAIT FOR BACKUP OR SOMETHING? 282 00:10:19,473 --> 00:10:21,209 WELL, THAT'S WHY WE HAVE PARTNERS. 283 00:10:21,242 --> 00:10:22,777 COME ON. KEEP YOUR HEAD UP. 284 00:10:22,811 --> 00:10:25,079 [ POLICE RADIO CHATTER ] 285 00:10:34,255 --> 00:10:35,790 SHE'S RIGHT. 286 00:10:35,824 --> 00:10:38,026 LOOKS LIKE A GUNSHOT. 287 00:10:43,364 --> 00:10:44,332 [ COUGHS ] 288 00:10:44,365 --> 00:10:45,767 AHH! HOLY CRAP! HE'S ALIVE. 289 00:10:45,800 --> 00:10:46,901 OKAY. 290 00:10:46,935 --> 00:10:49,137 UH, THIS IS McNALLY. 291 00:10:49,170 --> 00:10:51,172 WE'RE ON SCENE, PARKLAWN TOWER. 292 00:10:51,205 --> 00:10:54,175 WE NEED MEDICS. WE GOT A MALE, 30s, POSSIBLE GSW. 293 00:10:54,208 --> 00:10:55,243 FOURTH-FLOOR STAIRWELL. 294 00:10:55,276 --> 00:10:57,445 HEY, CAN YOU GO DOWN TO THE CAR, GET THE MEDI-KIT? 295 00:10:57,478 --> 00:10:59,113 WOMAN: Copy, 1504. Medics are on the way. 296 00:10:59,147 --> 00:11:00,715 LIKE, NOW. 297 00:11:00,749 --> 00:11:02,150 LIKE, GO. 298 00:11:11,525 --> 00:11:12,393 BIG MORNING. 299 00:11:12,426 --> 00:11:14,829 YEAH. THANK GOD YOU GOT ME THAT COFFEE. 300 00:11:14,863 --> 00:11:18,066 HEARD THE MEDICS SAY HE'S STILL GOT A CHANCE, SO GOOD WORK. 301 00:11:18,099 --> 00:11:19,100 HE SAY ANYTHING? 302 00:11:19,133 --> 00:11:21,035 UNCONSCIOUS WHEN WE FOUND HIM. 303 00:11:21,069 --> 00:11:23,938 MANAGED TO GET AN I.D. BEFORE THE MEDICS TOOK HIM AWAY. 304 00:11:23,972 --> 00:11:24,839 DARRELL RIGGS, 37. 305 00:11:24,873 --> 00:11:27,175 RAN HIM IN THE SYSTEM, GOT A COUPLE HITS. 306 00:11:27,208 --> 00:11:28,476 ANYTHING INTERESTING? 307 00:11:28,509 --> 00:11:30,044 ON POSSESSION, ASSAULT. 308 00:11:30,078 --> 00:11:32,180 LAST ONE WAS FOR A WEAPONS CHARGE IN '04. 309 00:11:32,213 --> 00:11:34,115 BUT GET THIS -- HE DOESN'T LIVE HERE. 310 00:11:34,148 --> 00:11:35,383 ADDRESS IS OVER ON DELANY. 311 00:11:35,416 --> 00:11:37,185 OKAY, LET'S TALK TO EVERYONE IN THE BUILDING. 312 00:11:37,218 --> 00:11:38,386 HE MUST'VE KNOWN SOMEBODY. 313 00:11:38,419 --> 00:11:40,254 AND MAKE SURE ALL THE CARS IN THE LOT ARE ACCOUNTED FOR. 314 00:11:40,288 --> 00:11:42,156 IF HE DROVE HERE, ONE OF THEM MIGHT BE HIS, YEAH? 315 00:11:42,190 --> 00:11:43,291 OKAY. 316 00:11:43,324 --> 00:11:45,226 McNALLY, UH -- 317 00:11:45,259 --> 00:11:46,961 YEAH, I'LL GET THE NEXT OF KIN TO TAKE THEM TO THE HOSPITAL. 318 00:11:46,995 --> 00:11:48,329 MAYBE THEY KNOW SOMETHING WE DON'T. 319 00:11:48,362 --> 00:11:49,230 THAT'S WHAT I WAS GONNA SAY. 320 00:11:49,263 --> 00:11:51,933 I KNOW. LET YOU KNOW WHAT WE FIND OUT. 321 00:11:51,966 --> 00:11:52,934 THANKS. DUNCAN. 322 00:11:52,967 --> 00:11:55,336 YOU SHOULD'VE SEEN McNALLY -- SEE YOU, GUYS. 323 00:11:57,338 --> 00:11:59,774 SO, OUR VIC'S IN THE SYSTEM. 324 00:11:59,808 --> 00:12:01,209 MM-HMM. 325 00:12:01,242 --> 00:12:03,477 WELL, WHAT GOES AROUND COMES AROUND, RIGHT? 326 00:12:03,511 --> 00:12:05,213 HE'S A VICTIM LIKE ANY OTHER. 327 00:12:05,246 --> 00:12:06,080 KEEP AN OPEN MIND. 328 00:12:06,114 --> 00:12:08,449 ACTUALLY, I THINK THAT WHAT WE NEED 329 00:12:08,482 --> 00:12:10,051 IS AN OPERATIONAL THEORY. 330 00:12:10,084 --> 00:12:11,085 OH, REALLY? 331 00:12:11,119 --> 00:12:12,320 LONG RAP SHEET, 332 00:12:12,353 --> 00:12:14,322 GETS SHOT IN A STAIRWELL IN THIS 'HOOD? 333 00:12:14,355 --> 00:12:16,791 MNH-MNH. I HIGHLY DOUBT HE'S AN INNOCENT VICTIM. 334 00:12:16,825 --> 00:12:19,427 WELL, HIS LAST CHARGE WAS 10 YEARS AGO. 335 00:12:19,460 --> 00:12:20,594 PEOPLE CHANGE. 336 00:12:20,628 --> 00:12:24,198 OVER HALF THE INMATES IN PRISON ARE REPEAT OFFENDERS. 337 00:12:24,232 --> 00:12:26,534 BUT LOOK -- ONCE A BEHAVIOR IS SET, 338 00:12:26,567 --> 00:12:29,137 THAT'S PRETTY MUCH HOW IT'S GONNA BE. 339 00:12:29,170 --> 00:12:30,371 RESEARCH PROVES IT. 340 00:12:30,404 --> 00:12:33,908 WELL, PEOPLE CHANGE, BECAUSE I'VE SEEN IT. 341 00:12:33,942 --> 00:12:35,977 PROBABLY TEMPORARY, BUT -- 342 00:12:36,010 --> 00:12:38,246 WILL YOU JUST DRIVE? OKAY. 343 00:12:38,279 --> 00:12:40,048 Dov: I UNDERSTAND THAT, MA'AM. 344 00:12:40,081 --> 00:12:41,415 IF YOU WOULDN'T MIND JUST TELLING ME -- 345 00:12:41,449 --> 00:12:42,951 [ DOOR CLOSES ] 346 00:12:42,984 --> 00:12:45,319 THANK YOU VERY MUCH. 347 00:12:45,353 --> 00:12:47,221 WOW. ANYTHING? 348 00:12:47,255 --> 00:12:49,824 UH, NO. SAME AS USUAL IN THIS NEIGHBORHOOD. 349 00:12:49,858 --> 00:12:53,194 NO ONE WANTS TO GET INVOLVED. 350 00:12:53,227 --> 00:12:54,495 HEY, UH... 351 00:12:54,528 --> 00:12:56,831 CHLOE -- SHE SEEMS TO BE DOING GOOD. 352 00:12:56,865 --> 00:12:58,299 YEAH. 353 00:12:58,332 --> 00:13:00,034 THAT'S GOOD. 354 00:13:00,068 --> 00:13:02,136 YEAH. 355 00:13:02,170 --> 00:13:05,339 YOU? YOU'RE GOOD? 356 00:13:05,373 --> 00:13:06,941 YEAH. 357 00:13:06,975 --> 00:13:08,209 WHY? 358 00:13:08,242 --> 00:13:11,579 NO, IT'S GOOD. JUST -- JUST ASKING. 359 00:13:11,612 --> 00:13:13,081 HEY, SHE, UH... 360 00:13:13,114 --> 00:13:16,084 SHE SLEEP OVER AT YOUR PLACE YET? 361 00:13:16,117 --> 00:13:18,119 SHE'S STAYING WITH HER PARENTS. TECHNICALLY, SHE'S STILL RECOVERING. 362 00:13:18,152 --> 00:13:20,188 THAT'S GOT TO BE TOUGH, HUH? 363 00:13:20,221 --> 00:13:22,623 IT'S HARD TO GET THE ACTION TO HAPPEN 364 00:13:22,656 --> 00:13:24,358 WITH THE PARENTS AROUND. 365 00:13:24,392 --> 00:13:27,862 UNLESS YOU'RE INTO THE WHOLE "GETTING CAUGHT" THING. 366 00:13:27,896 --> 00:13:29,230 WHAT ARE YOU TALKING ABOUT? 367 00:13:29,263 --> 00:13:30,598 HMM? UM... 368 00:13:30,631 --> 00:13:32,934 JUST MAKING CONVERSATION. 369 00:13:32,967 --> 00:13:34,102 I'M GONNA -- 370 00:13:34,135 --> 00:13:36,170 I HAVEN'T, UH, CHECKED WITH THESE GUYS YET, 371 00:13:36,204 --> 00:13:37,238 SO I WILL... 372 00:13:37,271 --> 00:13:38,272 CHECK. 373 00:13:42,176 --> 00:13:44,312 [ DOOR CLOSES ] 374 00:13:44,345 --> 00:13:47,148 BIG SURPRISE -- NOBODY WANTS TO TALK TO US. 375 00:13:47,181 --> 00:13:50,051 EH. MAYBE WE'LL DO BETTER ON THE NEXT FLOOR. 376 00:13:50,084 --> 00:13:52,486 LET'S TAKE THE STAIRS. IT'S ONE FLOOR. 377 00:13:52,520 --> 00:13:54,155 SO IT'LL BE A SHORT RIDE. 378 00:13:54,188 --> 00:13:56,557 ALL RIGHT, FINE. I'LL SEE YOU UP THERE. 379 00:14:12,673 --> 00:14:13,541 THIS IS PECK. 380 00:14:13,574 --> 00:14:15,643 WE NEED MEDICS BACK AT PARKLAWN TOWER, 381 00:14:15,676 --> 00:14:17,111 FOURTH-FLOOR LAUNDRY ROOM. 382 00:14:17,145 --> 00:14:18,913 MA'AM? MA'AM, IT'S OKAY. 383 00:14:18,947 --> 00:14:21,215 WOMAN: Copy that -- medics five minutes out. 384 00:14:21,249 --> 00:14:22,516 MA'AM. IT'S ALL RIGHT. IT'S ALL RIGHT. 385 00:14:22,550 --> 00:14:24,352 [ GASPS ] HELP ME! HELP ME! 386 00:14:24,385 --> 00:14:27,255 JUST RELAX. JUST TRY TO BREATHE, OKAY? 387 00:14:27,288 --> 00:14:28,589 CAN YOU SAY YOUR NAME? 388 00:14:28,622 --> 00:14:30,658 SOPHIE! PLEASE! 389 00:14:30,691 --> 00:14:33,627 S-SOPHIE, DON'T TRY TO TALK. JUST FOCUS ON YOUR BREATHING. 390 00:14:33,661 --> 00:14:35,263 SOPHIE, IT'S OKAY. LOOK AT ME. 391 00:14:35,296 --> 00:14:36,264 LOOK AT ME, SOPHIE, OKAY? 392 00:14:36,297 --> 00:14:38,232 SOPHIE, I'M RIGHT HERE. 393 00:14:38,266 --> 00:14:40,568 IT'S OKAY. I'M RIGHT HERE. 394 00:14:40,601 --> 00:14:44,272 YOU KNOW WHAT? I DOUBT ANYONE'S EVEN HOME. 395 00:14:44,305 --> 00:14:46,640 WELL... 396 00:14:46,674 --> 00:14:49,978 THE TV's ON. SOMEONE MIGHT BE HERE. 397 00:14:50,011 --> 00:14:52,713 [ SNIFFLES ] 398 00:14:52,746 --> 00:14:54,515 HI. 399 00:14:54,548 --> 00:14:57,051 I'M OFFICER McNALLY. THIS IS OFFICER MOORE. 400 00:14:57,085 --> 00:14:58,719 WE'RE HERE ABOUT DARRELL RIGGS. 401 00:14:58,752 --> 00:15:00,454 THAT'S MY DAD. 402 00:15:00,488 --> 00:15:02,256 WHAT'S YOUR NAME? 403 00:15:02,290 --> 00:15:03,191 WHY? 404 00:15:03,224 --> 00:15:05,159 BECAUSE WE'RE POLICE OFFICERS, AND WE ASKED. 405 00:15:06,494 --> 00:15:08,629 YOU PLAY BALL? 406 00:15:08,662 --> 00:15:10,999 YEAH. YEAH? 407 00:15:11,032 --> 00:15:12,433 BET YOU'RE PRETTY GOOD, HUH? 408 00:15:12,466 --> 00:15:14,268 THINK YOU CAN TAKE MY PARTNER HERE? 409 00:15:14,302 --> 00:15:15,636 I MEAN, NOT THAT IT'S FAIR. 410 00:15:15,669 --> 00:15:17,105 HE'S GOT LITTLE-GIRL HANDS. 411 00:15:17,138 --> 00:15:18,606 [ CHUCKLES ] 412 00:15:18,639 --> 00:15:21,042 I'M ANDY. 413 00:15:21,075 --> 00:15:22,210 MARCUS. 414 00:15:22,243 --> 00:15:23,311 NICE TO MEET YOU. 415 00:15:23,344 --> 00:15:25,013 HEY, IS YOUR MOM HOME? 416 00:15:25,046 --> 00:15:27,181 MY MOM'S DEAD. 417 00:15:27,215 --> 00:15:28,116 SORRY. 418 00:15:28,149 --> 00:15:30,985 IS THERE ANYBODY ELSE THAT YOU LIVE WITH? 419 00:15:31,019 --> 00:15:33,354 MY GRAN, BUT SHE WORKS ON SATURDAYS. 420 00:15:33,387 --> 00:15:37,325 OKAY, MARCUS, YOUR -- YOUR DAD HAS BEEN HURT, 421 00:15:37,358 --> 00:15:39,293 AND HE'S IN THE HOSPITAL RIGHT NOW. 422 00:15:39,327 --> 00:15:41,062 IS HE OKAY? I THINK SO, YEAH. 423 00:15:41,095 --> 00:15:42,230 WHY DON'T YOU GRAB YOUR JACKET? 424 00:15:42,263 --> 00:15:43,631 WE'RE GONNA GO PICK UP YOUR GRANDMOTHER, 425 00:15:43,664 --> 00:15:45,066 AND THEN WE'LL GO TO THE HOSPITAL. 426 00:15:45,099 --> 00:15:46,034 DOES THAT SOUND GOOD? 427 00:15:46,067 --> 00:15:47,268 OKAY. 428 00:15:50,404 --> 00:15:51,772 OKAY. 429 00:15:51,805 --> 00:15:54,475 YOU MIGHT WANT TO TRY RELAXING, 430 00:15:54,508 --> 00:15:57,445 MAYBE BE A FRIEND, SINCE HE'S A KID. 431 00:15:57,478 --> 00:15:59,613 RIGHT. YEAH, YEAH. 432 00:15:59,647 --> 00:16:01,315 SORRY ABOUT THAT, BOSS. 433 00:16:01,349 --> 00:16:02,650 HEY, BUT YOU -- YOU WERE JUST JOKING 434 00:16:02,683 --> 00:16:04,385 ABOUT THE WHOLE LITTLE-GIRL-HAND THING, RIGHT? 435 00:16:04,418 --> 00:16:06,420 SURE, YEAH. 436 00:16:06,454 --> 00:16:09,490 TWO SHOOTINGS IN ONE DAY. NO WONDER RENT'S CHEAP. 437 00:16:09,523 --> 00:16:10,358 YEAH. 438 00:16:10,391 --> 00:16:12,226 WE GET AN I.D. ON THE SECOND VICTIM? 439 00:16:12,260 --> 00:16:13,561 NO, MEDICS JUST TOOK HER AWAY. 440 00:16:13,594 --> 00:16:14,695 THEY DIDN'T FIND ANYTHING. 441 00:16:14,728 --> 00:16:17,131 SHE WAS DOING LAUNDRY IN THE BUILDING, 442 00:16:17,165 --> 00:16:19,033 SO SHE MUST LIVE HERE, RIGHT? 443 00:16:19,067 --> 00:16:20,468 YOU THINK SHE WAS THE TARGET? 444 00:16:20,501 --> 00:16:22,070 I DON'T KNOW. 445 00:16:24,672 --> 00:16:27,041 MAYBE SHE WAS AN ACCIDENT. 446 00:16:30,344 --> 00:16:31,679 HUH. 447 00:16:31,712 --> 00:16:34,548 WHO LIVES UPSTAIRS? 448 00:16:35,816 --> 00:16:39,120 POLICE! OPEN UP! 449 00:16:39,153 --> 00:16:43,557 THE BULLET HOLE IS CAUSE. 450 00:16:47,395 --> 00:16:50,331 THIS IS THE POLICE. WE ARE INSIDE THE APARTMENT. 451 00:16:53,267 --> 00:16:54,702 IS ANYONE HERE? 452 00:16:54,735 --> 00:16:58,239 I'M PRETTY SURE HE CAN'T HEAR YOU. 453 00:17:05,646 --> 00:17:07,215 [ CAMERA SHUTTER CLICKS ] 454 00:17:07,248 --> 00:17:09,350 LADIES AND GENTLEMEN, 455 00:17:09,383 --> 00:17:12,253 DOMINIC CODY, HEAD OF THE JAMESON GANG. 456 00:17:12,286 --> 00:17:14,522 Traci: I THINK WE CAN MARK THAT AS "FORMER." 457 00:17:14,555 --> 00:17:18,559 LOOKS LIKE WHOEVER DID IT USED THIS TO MUFFLE THE SHOTS. 458 00:17:18,592 --> 00:17:20,628 AND ONE OF THEM WENT STRAIGHT THROUGH THAT GRATE 459 00:17:20,661 --> 00:17:22,196 TO THE LAUNDRY ROOM DOWNSTAIRS. 460 00:17:22,230 --> 00:17:23,531 HE WAS ALONE. 461 00:17:23,564 --> 00:17:25,766 CREW MEMBERS USUALLY HAVE PROTECTION. 462 00:17:25,799 --> 00:17:27,635 CODY HAD BEEN TRYING TO SET UP A CEASE-FIRE 463 00:17:27,668 --> 00:17:30,638 BETWEEN THE JAMESONS AND SOME OF THE OTHER GANGS. 464 00:17:30,671 --> 00:17:32,840 MAYBE, UH, HE THOUGHT IT WAS WORKING. 465 00:17:32,873 --> 00:17:35,376 YOU'RE LOOKING AT DARRELL RIGGS, THE GUY IN THE STAIRWELL? 466 00:17:35,409 --> 00:17:36,377 YEAH. 467 00:17:36,410 --> 00:17:37,478 AS FAR AS I CAN TELL, 468 00:17:37,511 --> 00:17:40,414 NO AFFILIATIONS TO CODY OR ANY OTHER JAMESON CREW. 469 00:17:40,448 --> 00:17:42,350 SO... SO WHAT'S THE CONNECTION? 470 00:17:42,383 --> 00:17:44,818 WELL, WITH ANY LUCK, DARRELL RIGGS WILL BE ABLE TO TELL US. 471 00:17:44,852 --> 00:17:47,588 OKAY, THANK YOU. 472 00:17:49,157 --> 00:17:51,792 HE'S GONNA BE IN SURGERY FOR AT LEAST ANOTHER HOUR OR SO, 473 00:17:51,825 --> 00:17:53,527 IF HE MAKES IT. 474 00:17:53,561 --> 00:17:55,696 NOW HE'S CONNECTED TO A DEAD BANGER. 475 00:17:55,729 --> 00:17:57,698 STILL THINK HE'S A CHANGED MAN? 476 00:18:01,169 --> 00:18:02,903 HEY. 477 00:18:02,936 --> 00:18:04,772 UM, YOU KNOW WHAT, OFFICER MOORE? 478 00:18:04,805 --> 00:18:06,707 I BET YOU MARCUS IS PRETTY THIRSTY. 479 00:18:06,740 --> 00:18:10,411 THERE'S A, UH, WATER FOUNTAIN RIGHT AROUND THE CORNER. 480 00:18:10,444 --> 00:18:12,680 I BET YOU HE'D LIKE SOMETHING FROM THE VENDING MACHINE. 481 00:18:12,713 --> 00:18:14,215 YEAH? 482 00:18:14,248 --> 00:18:15,849 YEAH. RIGHT. 483 00:18:15,883 --> 00:18:17,851 YEAH, YEAH, YEAH. YEAH. COME ON, BUD. 484 00:18:17,885 --> 00:18:20,154 LET ME, UM -- LET ME GET YOU SOMETHING, MY TREAT. 485 00:18:20,188 --> 00:18:21,322 COME ON. 486 00:18:24,958 --> 00:18:28,696 MRS. RIGGS, I KNOW THIS ISN'T THE BEST TIME TO ASK THIS, 487 00:18:28,729 --> 00:18:31,599 BUT I REALLY DO NEED TO DISCUSS YOUR SON. 488 00:18:31,632 --> 00:18:33,367 YOU KNOW, ABOUT HIS PAST. 489 00:18:33,401 --> 00:18:36,270 WELL, DARRELL, HE -- HE PUT ALL THAT BEHIND HIM 490 00:18:36,304 --> 00:18:37,705 AFTER MARCUS' MOTHER DIED. 491 00:18:37,738 --> 00:18:39,673 OKAY. 492 00:18:39,707 --> 00:18:40,808 OKAY. WHAT'LL IT BE? 493 00:18:40,841 --> 00:18:42,543 MAYBE A LITTLE CHERRY COLA? 494 00:18:42,576 --> 00:18:44,845 NO, I BET YOU'RE A ROOT-BEER GUY LIKE ME. 495 00:18:44,878 --> 00:18:47,281 I HATE ROOT BEER. THEY GOT GRAPE JUICE? 496 00:18:47,315 --> 00:18:50,318 GRAPE JUICE? SERIOUSLY? 497 00:18:51,719 --> 00:18:54,822 OKAY. WHATEVER. 498 00:18:58,459 --> 00:19:00,461 HEY, YOU KNOW, MY PARTNER SENT US OVER HERE 499 00:19:00,494 --> 00:19:02,863 SO THAT SHE COULD TALK TO YOUR GRANDMA ABOUT YOUR DAD. 500 00:19:02,896 --> 00:19:04,798 BUT I'M GONNA BET THAT YOU KNOW WAY MORE 501 00:19:04,832 --> 00:19:06,700 ABOUT WHAT'S GOING ON THAN YOUR GRANDMA. 502 00:19:06,734 --> 00:19:07,735 AM I RIGHT? 503 00:19:07,768 --> 00:19:09,770 HMM? 504 00:19:09,803 --> 00:19:13,641 SO, WHY DON'T YOU TELL ME HOW HE KNOWS DOMINIC CODY, HMM? 505 00:19:13,674 --> 00:19:15,376 HE RUNNING WITH BANGERS? 506 00:19:15,409 --> 00:19:16,944 MY DAD'S NOT A BANGER. 507 00:19:16,977 --> 00:19:18,679 WELL, EVERYONE'S GONNA THINK HE IS. 508 00:19:18,712 --> 00:19:21,549 SO, I MEAN, UNLESS YOU KNOW WHAT'S GOING ON. 509 00:19:21,582 --> 00:19:23,751 COME ON, MAN. TELL ME THE TRUTH. 510 00:19:23,784 --> 00:19:24,952 WHAT'S GOING ON? 511 00:19:24,985 --> 00:19:26,954 THE TRUTH? 512 00:19:26,987 --> 00:19:28,956 YOUR FRIEND'S RIGHT. 513 00:19:28,989 --> 00:19:31,259 YOU DO HAVE LITTLE-GIRL HANDS. 514 00:19:32,993 --> 00:19:33,861 OKAY, DO YOU HAVE ANY IDEA 515 00:19:33,894 --> 00:19:35,696 WHY HE WOULD HAVE BEEN THERE THIS MORNING? 516 00:19:35,729 --> 00:19:37,298 WELL, HE -- HE WAS PROBABLY WORKING. 517 00:19:37,331 --> 00:19:38,366 I MEAN, WHERE WAS IT? 518 00:19:38,399 --> 00:19:39,667 PARKLAWN TOWER. 519 00:19:39,700 --> 00:19:42,236 WELL, DARRELL'S A HANDYMAN, 520 00:19:42,270 --> 00:19:45,339 AND SOMETIMES HE DOES ELECTRICAL WORK UNDER THE TABLE. 521 00:19:45,373 --> 00:19:47,675 AND THAT -- THAT WAS ONE OF THE PLACES. 522 00:19:47,708 --> 00:19:50,210 THANK YOU. THIS IS REALLY HELPFUL. 523 00:19:52,380 --> 00:19:53,581 SORRY. EXCUSE ME. 524 00:19:53,614 --> 00:19:56,417 OKAY, THANKS. THAT WAS ANDY. 525 00:19:56,450 --> 00:19:57,818 SEEMS OUR VICTIM IN THE STAIRWELL 526 00:19:57,851 --> 00:19:59,887 MIGHT'VE BEEN DOING SOME ELECTRICAL WORK HERE. 527 00:20:07,461 --> 00:20:09,430 [ DOOR HINGES CREAK ] 528 00:20:09,463 --> 00:20:11,565 Sam: STUFF'S STILL HERE. 529 00:20:11,599 --> 00:20:14,435 SO, IT'S EARLY IN THE MORNING, 530 00:20:14,468 --> 00:20:17,305 ELECTRICIAN SHOWS UP, STARTS TO DO HIS THING. 531 00:20:17,338 --> 00:20:19,840 IN THERE, OUR BAD GUY IS TAKING CARE OF CODY. 532 00:20:19,873 --> 00:20:22,610 MAYBE ELECTRICIAN HEARS HIM, MAYBE HE DOESN'T. 533 00:20:22,643 --> 00:20:25,646 EITHER WAY, BAD GUY COMES OUT, SEES THE ELECTRICIAN. 534 00:20:25,679 --> 00:20:28,015 WHO, IN TURN, SEES HIM. HE TRIES TO GET AWAY. 535 00:20:28,048 --> 00:20:29,983 BIG GUY, MAYBE NOT MOVING SO FAST. 536 00:20:30,017 --> 00:20:32,520 KILLER CATCHES UP... 537 00:20:32,553 --> 00:20:34,588 GETS RID OF THE ONLY EYEWITNESS. 538 00:20:34,622 --> 00:20:35,456 WRONG PLACE, WRONG TIME, 539 00:20:35,489 --> 00:20:36,890 JUST LIKE THE WOMAN IN THE LAUNDRY ROOM. 540 00:20:36,924 --> 00:20:38,726 Steve: TRACE, SWAREK, CHECK THIS OUT. 541 00:20:38,759 --> 00:20:41,729 IDENT FOUND IT STUFFED IN CODY'S MOUTH. 542 00:20:41,762 --> 00:20:42,796 LOOK AT THIS. 543 00:20:42,830 --> 00:20:46,434 OKAY, THIS BRAND OF HEROIN IS KNOWN AS SUGAR SKULL. 544 00:20:46,467 --> 00:20:48,302 AND THERE'S ONLY ONE GANG WHO SELLS IT. 545 00:20:48,336 --> 00:20:50,438 LAS VIBORAS. THAT'S RIGHT. 546 00:20:50,471 --> 00:20:51,839 SO IT LOOKS LIKE THE VIPERS KILLED CODY 547 00:20:51,872 --> 00:20:53,040 TO SEND THE JAMESONS A MESSAGE. 548 00:20:53,073 --> 00:20:55,008 LET ME GUESS -- CEASE-FIRE'S OVER. 549 00:20:55,042 --> 00:20:57,545 I THINK SO. 550 00:20:59,813 --> 00:21:01,382 [ CAMERA SHUTTER CLICKS ] 551 00:21:05,786 --> 00:21:07,888 THAT WOMAN BLED ALL OVER ME. 552 00:21:07,921 --> 00:21:09,890 JUST GOT OFF THE PHONE WITH THE HOSPITAL. 553 00:21:09,923 --> 00:21:12,626 SHE LOST A LOT OF BLOOD AND HER HEART RATE WAS REALLY LOW, 554 00:21:12,660 --> 00:21:14,428 BUT THEY MANAGED TO STABILIZE HER. 555 00:21:14,462 --> 00:21:16,897 WELL, GOOD. MAYBE SHE COULD PAY FOR MY DRY-CLEANING BILL. 556 00:21:16,930 --> 00:21:20,033 I STARTED ASKING AROUND, AND NOBODY SEEMS TO KNOW HER. 557 00:21:20,067 --> 00:21:22,803 SUPER SAYS HE DOESN'T EVEN REMEMBER A SOPHIE. 558 00:21:22,836 --> 00:21:25,439 YOU SURE SHE DIDN'T GIVE YOU A LAST NAME? 559 00:21:25,473 --> 00:21:27,875 WE DIDN'T EXACTLY HAVE TIME FOR GIRL TALK, DIAZ. 560 00:21:27,908 --> 00:21:30,978 WELL, HE ALSO SAID THERE'S A LOT OF PEOPLE IN AND OUT OF HERE, 561 00:21:31,011 --> 00:21:32,713 AND SOMETIMES IT TAKES A WHILE 562 00:21:32,746 --> 00:21:34,348 FOR THE PAPERWORK TO CATCH UP, SO... 563 00:21:34,382 --> 00:21:35,416 WELL, GREAT. 564 00:21:35,449 --> 00:21:36,550 SO YOU'RE GONNA HAVE TO KNOCK ON EVERY SINGLE DOOR 565 00:21:36,584 --> 00:21:38,051 UNTIL YOU FIND SOMEBODY THAT DOES KNOW HER. 566 00:21:38,085 --> 00:21:39,219 WHOA. M-ME? 567 00:21:39,252 --> 00:21:43,491 I HAVE TO GO BACK TO THE STATION AND GET CLEANED UP, DIAZ. 568 00:21:45,393 --> 00:21:46,627 GAIL. 569 00:21:48,896 --> 00:21:49,897 YOU DID GOOD TODAY. 570 00:21:49,930 --> 00:21:52,132 YEAH. I KNOW. 571 00:21:52,165 --> 00:21:54,067 [ CHUCKLES ] 572 00:21:54,101 --> 00:21:56,103 [ POLICE RADIO CHATTER ] 573 00:22:06,113 --> 00:22:08,882 WELL, NEWS TRAVELS FAST. 574 00:22:08,916 --> 00:22:09,750 Traci: SHAY BISHOP. 575 00:22:09,783 --> 00:22:11,952 CODY'S NUMBER TWO WITH THE JAMESONS. 576 00:22:11,985 --> 00:22:15,055 THIS NEIGHBORHOOD, 10 MINUTES AND EVERYBODY KNOWS EVERYTHING. 577 00:22:15,088 --> 00:22:16,957 YEAH. SHAY. 578 00:22:16,990 --> 00:22:18,859 YEAH, OUR BOY LIVES UP THERE. WE WANT TO KNOW WHAT'S GOING ON. 579 00:22:18,892 --> 00:22:21,128 YEAH? AND I'M GUESSING YOU ALREADY KNOW. 580 00:22:21,161 --> 00:22:22,730 THAT'S WHY YOU'RE HERE, RIGHT? 581 00:22:22,763 --> 00:22:23,797 SO... HUH? 582 00:22:23,831 --> 00:22:25,833 IS IT TRUE? IS THAT HIM? 583 00:22:25,866 --> 00:22:26,967 I'M AFRAID SO. 584 00:22:27,000 --> 00:22:27,968 IT'S GOT TO BE RUIZ. 585 00:22:28,001 --> 00:22:29,803 MAN, HE BEEN IN OUR FACE ALL WEEK. HE DID THIS. 586 00:22:29,837 --> 00:22:31,071 RAMON RUIZ? 587 00:22:31,104 --> 00:22:32,239 HIM AND CODY HAD A PROBLEM? 588 00:22:32,272 --> 00:22:35,443 HEY, HEY, PEOPLE ALL WORKED UP, RUNNING THEIR MOUTHS. 589 00:22:35,476 --> 00:22:37,811 TRUTH IS, WE GOT NO IDEA. 590 00:22:37,845 --> 00:22:40,948 LOOK, SHAY, I KNOW YOU PROBABLY WANT TO TAKE CARE OF THIS, 591 00:22:40,981 --> 00:22:43,784 BUT YOU NEED TO REALIZE WE GOT TWO CIVILIANS DOWN. 592 00:22:43,817 --> 00:22:44,985 HEY, WE DIDN'T START THIS. 593 00:22:45,018 --> 00:22:47,488 SO DON'T TRY AND FINISH IT, OKAY? 594 00:22:47,521 --> 00:22:49,056 JUST LET US DO OUR JOBS. 595 00:22:50,658 --> 00:22:52,960 WE'LL CHILL TODAY. 596 00:22:52,993 --> 00:22:58,031 BUT TOMORROW, WHATEVER HAPPENS...HAPPENS. 597 00:22:58,065 --> 00:23:00,601 [ SIREN WAILING IN DISTANCE ] 598 00:23:01,869 --> 00:23:03,804 GREAT. 599 00:23:03,837 --> 00:23:07,174 ONE DAY BEFORE THERE'S AN ALL-OUT GANG WAR. 600 00:23:07,207 --> 00:23:13,180 OUR TARGET IS RAMON RUIZ, NEW BOSS OF LAS VIBORAS. 601 00:23:13,213 --> 00:23:14,948 NOW, SOURCES CONFIRM 602 00:23:14,982 --> 00:23:18,151 THAT HE RECENTLY MADE A PLAY FOR SOME JAMESON TERRITORY. 603 00:23:18,185 --> 00:23:20,688 OKAY, NOW, THESE TWO CREWS HAD A TRUCE. 604 00:23:20,721 --> 00:23:21,589 BUT THAT'S DONE. 605 00:23:21,622 --> 00:23:23,524 AND NOW WE'VE GOT A DAY TO CLOSE THIS 606 00:23:23,557 --> 00:23:24,725 BEFORE THE JAMESONS HIT BACK. 607 00:23:24,758 --> 00:23:27,928 HOME BASE FOR THE VIPERS IS AN AUTO-BODY SHOP ON DUPONT. 608 00:23:27,961 --> 00:23:30,498 WE'RE GETTING WARRANTS FOR ANYTHING WE CAN 609 00:23:30,531 --> 00:23:33,634 THAT'LL LET US HOLD THESE GUYS TILL WE CAN FIGURE THIS OUT. 610 00:23:33,667 --> 00:23:34,635 THANKS, DETECTIVE. 611 00:23:34,668 --> 00:23:36,604 UH, OKAY, ETF IS GONNA HANDLE THIS TAKEDOWN, 612 00:23:36,637 --> 00:23:38,071 SO SOME OF YOU ARE GONNA BE RESPONSIBLE 613 00:23:38,105 --> 00:23:40,841 FOR ARRESTS AND TRANSPORTATION, BUT THIS IS IMPORTANT. 614 00:23:40,874 --> 00:23:43,777 WE ALREADY HAVE A COUPLE OF INNOCENT VICTIMS ON THIS TODAY, 615 00:23:43,811 --> 00:23:45,012 SO WHEN YOU'RE OUT THERE, 616 00:23:45,045 --> 00:23:47,180 MAKE SURE THAT YOU HAVE EACH OTHER'S BACKS. 617 00:23:47,214 --> 00:23:48,516 OFF YOU GO. 618 00:23:48,549 --> 00:23:50,584 THANK YOU. 619 00:23:53,687 --> 00:23:56,724 IF THE JAMESONS RETALIATE, WE COULD HAVE AN ALL-OUT WAR. 620 00:23:56,757 --> 00:23:58,492 A LOT MORE INNOCENT BODIES. 621 00:23:58,526 --> 00:24:00,861 LET'S HOPE THE ELECTRICIAN WAKES UP IN TIME 622 00:24:00,894 --> 00:24:03,864 TO GIVE US AN I.D. AND MAKE SURE THAT DOESN'T HAPPEN. 623 00:24:03,897 --> 00:24:05,899 [ POLICE RADIO CHATTER ] 624 00:24:09,069 --> 00:24:12,105 THAT IS SOME HEAVY ARTILLERY. 625 00:24:12,139 --> 00:24:14,174 THESE GANGS THAT BAD? 626 00:24:14,207 --> 00:24:16,176 MOST GANGS ARE BETTER ARMED THAN WE ARE -- 627 00:24:16,209 --> 00:24:18,145 AUTOMATIC WEAPONS, ARMOR-PIERCING ROUNDS. 628 00:24:18,178 --> 00:24:19,747 "COP KILLERS"? MM-HMM. 629 00:24:19,780 --> 00:24:20,614 VIPERS HAVE THOSE? 630 00:24:20,648 --> 00:24:22,750 YEAH, THEY ALL HAVE THOSE. 631 00:24:23,684 --> 00:24:25,619 YOU SURE YOU STILL DON'T WANT TO GO? 632 00:24:25,653 --> 00:24:27,821 WELL, IF THE ELECTRICIAN WAKES UP IN TIME, 633 00:24:27,855 --> 00:24:29,923 MAYBE WE CAN CLOSE THIS CASE, AND NOBODY ELSE GETS HURT. 634 00:24:29,957 --> 00:24:31,191 WE WERE THE FIRST ON THE SCENE, 635 00:24:31,224 --> 00:24:33,060 SO WE NEED TO MAKE SURE THAT THIS IS ALL IN ORDER. 636 00:24:33,093 --> 00:24:35,963 YEAH, DOT THE I's AND CROSS THE T's, RIGHT? 637 00:24:35,996 --> 00:24:38,165 PAPERWORK'S PART OF POLICE WORK. 638 00:24:38,198 --> 00:24:40,601 DETAILS ARE IMPORTANT. 639 00:24:42,235 --> 00:24:44,838 SO IF I FILL THIS OUT, DO I GET REIMBURSED 640 00:24:44,872 --> 00:24:47,507 FOR THE GRAPE JUICE THAT I BOUGHT THE KID? 641 00:24:48,976 --> 00:24:50,077 YEAH, I KNOW, RIGHT? 642 00:24:50,110 --> 00:24:53,013 WHAT KID DRINKS GRAPE JUICE WHEN THERE'S ROOT BEER? 643 00:24:53,046 --> 00:24:54,582 HOLD ON. WHERE'S THAT, UH...? 644 00:24:54,615 --> 00:24:55,482 WHAT? 645 00:24:55,515 --> 00:24:57,918 THE CONTENT LIST FOR DARRELL RIGGS' CAR. 646 00:24:59,920 --> 00:25:04,792 HALF A CUP OF COFFEE, BOTTLE OF GRAPE JUICE. 647 00:25:04,825 --> 00:25:06,627 WHAT, YOU THINK THE KID WAS THERE? 648 00:25:06,660 --> 00:25:07,961 WE PICKED HIM UP AT HIS HOME. 649 00:25:07,995 --> 00:25:09,997 YEAH, BUT WE DIDN'T FIND HIS DAD FOR A WHILE. 650 00:25:10,030 --> 00:25:11,899 HE WOULD'VE HAD A LOT OF TIME TO GET BACK. 651 00:25:11,932 --> 00:25:14,067 I DON'T KNOW. IT FEELS KIND OF LIKE A LONG SHOT. 652 00:25:14,101 --> 00:25:16,303 YEAH, WELL, IT'S THE BEST SHOT WE'VE GOT. 653 00:25:16,336 --> 00:25:18,005 COME ON. YOU'RE STILL DRIVING. 654 00:25:32,352 --> 00:25:34,622 HEY. 655 00:25:34,655 --> 00:25:38,291 IS IT JUST ME, OR IS ALL THIS BADASS TESTOSTERONE IN HERE 656 00:25:38,325 --> 00:25:40,127 TOTALLY HOT? 657 00:25:40,160 --> 00:25:42,830 JUST YOU. YEAH. 658 00:25:42,863 --> 00:25:45,098 SO, HOW'D IT GO? 659 00:25:45,132 --> 00:25:47,067 PRETTY GOOD, ACTUALLY. NO MAJOR INCIDENTS. GOOD. 660 00:25:47,100 --> 00:25:48,368 SWAREK'S IN TALKING TO RUIZ RIGHT NOW, 661 00:25:48,401 --> 00:25:49,770 SO WE'LL SEE HOW THAT GOES. NICE. 662 00:25:49,803 --> 00:25:51,639 YEAH, I WAS TALKING ABOUT DOV. 663 00:25:51,672 --> 00:25:53,173 WHAT'D HE SAY? 664 00:25:53,206 --> 00:25:55,142 UH... 665 00:25:55,175 --> 00:25:57,044 WE DIDN'T REALLY... GET INTO IT. 666 00:25:58,211 --> 00:26:00,648 NICK... [ CLEARS THROAT ] 667 00:26:00,681 --> 00:26:04,151 THERE'S AN ITCH THAT NEEDS TO BE SCRATCHED, 668 00:26:04,184 --> 00:26:06,654 AND I AM VERY, VERY ITCHY. 669 00:26:06,687 --> 00:26:08,055 AND I KNOW THAT SOUNDS GROSS, 670 00:26:08,088 --> 00:26:10,357 BUT THAT DOESN'T EVEN BEGIN TO EXPLAIN THE GROSSNESS 671 00:26:10,390 --> 00:26:12,660 THAT'S HAPPENING IN MY HEAD. OKAY, OKAY, I -- 672 00:26:12,693 --> 00:26:14,261 I WILL TRY AND... TALK TO HIM AGAIN. 673 00:26:14,294 --> 00:26:15,963 THANK YOU. 674 00:26:15,996 --> 00:26:17,731 [ BREATHES DEEPLY ] 675 00:26:23,403 --> 00:26:27,174 UM, MRS. -- MRS. RIGGS? 676 00:26:27,207 --> 00:26:29,176 HI. WE HEARD THAT YOUR SON'S OUT OF SURGERY. 677 00:26:29,209 --> 00:26:31,979 YEAH, BUT THE DOCTORS DON'T KNOW WHEN HE'S GONNA WAKE UP. 678 00:26:32,012 --> 00:26:33,146 OKAY, UM... 679 00:26:33,180 --> 00:26:36,316 LOOK, WE THINK THAT DARRELL IS A WITNESS TO THE MURDER 680 00:26:36,349 --> 00:26:38,719 THAT HAPPENED IN PARKLAWN TOWER. 681 00:26:38,752 --> 00:26:40,253 PROBABLY WHY HE WAS SHOT. 682 00:26:40,287 --> 00:26:42,790 DO YOU KNOW WHO DID IT? WE HAVE A GOOD IDEA, YEAH. 683 00:26:42,823 --> 00:26:44,925 UM, LISTEN, DID -- DID DARRELL EVER TAKE MARCUS 684 00:26:44,958 --> 00:26:46,059 TO WORK WITH HIM? 685 00:26:46,093 --> 00:26:47,094 WELL, SOMETIMES. 686 00:26:47,127 --> 00:26:49,329 I MEAN, DARRELL LIKES TO KEEP HIM OUT OF TROUBLE. 687 00:26:49,362 --> 00:26:50,230 WHERE IS HE NOW? 688 00:26:50,263 --> 00:26:54,334 HE TOOK THE SUBWAY HOME TO GET MY PILLS. 689 00:26:54,367 --> 00:26:56,036 DOES HE HAVE A CELLPHONE? 690 00:26:56,069 --> 00:26:56,904 YEAH. 691 00:26:56,937 --> 00:26:59,006 I'M JUST GONNA GRAB THAT NUMBER OFF YOU. 692 00:26:59,039 --> 00:27:01,875 NO ANSWER. 693 00:27:01,909 --> 00:27:03,076 HE DOESN'T KNOW YOU. 694 00:27:03,110 --> 00:27:04,978 I DON'T PICK UP IF I DON'T RECOGNIZE THE NUMBER, EITHER. 695 00:27:05,012 --> 00:27:07,380 BUT IF -- IF -- IF THE KID WAS THERE, 696 00:27:07,414 --> 00:27:09,182 WHY DIDN'T HE SAY ANYTHING? 697 00:27:09,216 --> 00:27:11,184 HE WAS PROBABLY TERRIFIED. 698 00:27:11,218 --> 00:27:15,322 YOU KNOW, FOR A LOT OF PEOPLE, WE ARE NOT THE GOOD GUYS. 699 00:27:15,355 --> 00:27:17,090 OKAY, WHEN WE GET THERE, 700 00:27:17,124 --> 00:27:18,926 I WANT YOU TO DROP ME A BLOCK SHORT OF THE HOUSE. 701 00:27:18,959 --> 00:27:20,160 WHY? 702 00:27:20,193 --> 00:27:21,929 BECAUSE THE LAST THING THIS FAMILY NEEDS 703 00:27:21,962 --> 00:27:23,697 IS A SQUAD CAR SITTING IN THEIR DRIVEWAY, 704 00:27:23,731 --> 00:27:25,833 TELLING EVERYBODY THAT THEY'RE TALKING TO THE POLICE. 705 00:27:25,866 --> 00:27:28,201 SO YOU DROP ME OFF, YOU CIRCLE THE BLOCK. 706 00:27:28,235 --> 00:27:30,170 I'M GONNA RADIO WHEN I HAVE HIM. 707 00:27:30,203 --> 00:27:31,304 COPY THAT, BOSS. 708 00:27:33,941 --> 00:27:35,709 Sam: YOU WANT TO TELL ME WHAT YOU WERE UP TO THIS MORNING? 709 00:27:35,743 --> 00:27:38,812 SHALL I GUESS? NOTHING? YOGA? 710 00:27:38,846 --> 00:27:41,982 SUN SALUTATION? HUH? HMM? 711 00:27:46,219 --> 00:27:49,189 [ BUZZER ] 712 00:27:49,222 --> 00:27:52,092 GSR TEST IS NEGATIVE. 713 00:27:52,125 --> 00:27:53,360 HE SAY ANYTHING? 714 00:27:53,393 --> 00:27:55,963 NO. HE KNOWS IF WE HAD ANYTHING, WE WOULDN'T NEED HIM TO TALK. 715 00:27:55,996 --> 00:27:58,198 OR DETECTIVE PECK HERE COULD SAY 716 00:27:58,231 --> 00:28:01,034 HE GOT A FULL CONFESSION AND WE CAN GO HOME. 717 00:28:01,068 --> 00:28:02,069 UH, YEAH, NO. 718 00:28:02,102 --> 00:28:04,437 ACTUALLY, I JUST TALKED TO A FRIEND IN DRUG SQUAD 719 00:28:04,471 --> 00:28:05,705 OUT OF WINDSOR. YEAH? 720 00:28:05,739 --> 00:28:08,842 THEY'VE HAD EYES ON THIS HEROIN SUPPLIER FOR A WHILE NOW, OKAY. 721 00:28:08,876 --> 00:28:10,978 SEEMS THEY HAD A PARTY LAST NIGHT, AND GUESS WHO WAS THERE. 722 00:28:11,011 --> 00:28:13,847 RUIZ AND HIS CREW. 723 00:28:13,881 --> 00:28:16,083 AND THEY DIDN'T ROLL OUT UNTIL 6:00 A.M., 724 00:28:16,116 --> 00:28:18,451 ALL OF THEM, AND IT'S ON TAPE. 725 00:28:18,485 --> 00:28:20,087 SO THAT'S WHY HE'S NOT TALKING. 726 00:28:20,120 --> 00:28:22,489 IT WASN'T THEM, JUST SOMEONE WHO WANTS US TO THINK IT WAS. 727 00:28:22,522 --> 00:28:24,892 YEP. 728 00:28:24,925 --> 00:28:26,293 THANKS, STEVE. 729 00:28:26,326 --> 00:28:29,262 NO PROBLEM. 730 00:28:29,296 --> 00:28:32,299 MARCUS, IF YOU WERE THERE, I REALLY NEED YOU TO TELL ME. 731 00:28:32,332 --> 00:28:35,168 PLEASE. 732 00:28:35,202 --> 00:28:37,137 MY DAD TOLD ME NEVER TO TALK TO COPS. 733 00:28:37,170 --> 00:28:38,338 OKAY. I UNDERSTAND THAT. 734 00:28:38,371 --> 00:28:41,041 BUT WHOEVER DID THIS REALLY HURT YOUR DAD. 735 00:28:41,074 --> 00:28:45,212 OKAY, WE'RE JUST TRYING TO KEEP HIM SAFE. 736 00:28:45,245 --> 00:28:47,815 YOU WERE THERE, WEREN'T YOU? 737 00:28:50,150 --> 00:28:51,852 MARCUS. 738 00:28:51,885 --> 00:28:54,421 MARCUS, DID YOU SEE ANYTHING? 739 00:28:54,454 --> 00:28:56,023 [ SIGHS ] 740 00:28:56,056 --> 00:28:59,960 WE WERE IN THE ELECTRICAL ROOM, AND...WE HEARD SHOTS. 741 00:28:59,993 --> 00:29:03,396 MY DAD SAID WE SHOULD GO, SO I TOOK OFF AHEAD. 742 00:29:03,430 --> 00:29:05,065 OKAY, THAT WAS SMART. 743 00:29:05,098 --> 00:29:07,467 I WAS ALMOST DOWN THE STAIRS, 744 00:29:07,500 --> 00:29:10,337 THEN I HEARD A COUPLE MORE SHOTS. 745 00:29:10,370 --> 00:29:13,874 I LOOKED OVER THE RAILING AND I SAW MY DAD, 746 00:29:13,907 --> 00:29:15,542 SO I JUST KEPT RUNNING. 747 00:29:15,575 --> 00:29:18,111 THE SHOOTER -- DID HE SEE YOU? 748 00:29:18,145 --> 00:29:20,213 NO. DON'T THINK SO. 749 00:29:20,247 --> 00:29:22,349 HE WASN'T AFTER ME. 750 00:29:22,382 --> 00:29:23,884 IF I SHOWED YOU A PICTURE, 751 00:29:23,917 --> 00:29:25,953 WOULD YOU BE ABLE TO RECOGNIZE HIM? 752 00:29:25,986 --> 00:29:29,122 SURE. EVERYBODY KNOWS THE JAMESON CREW. 753 00:29:34,494 --> 00:29:35,395 McNALLY, HEY, WHAT'S UP? 754 00:29:35,428 --> 00:29:37,530 ANDY: The shooter wasn't one of the Vipers. 755 00:29:37,564 --> 00:29:38,565 IT WAS SHAY BISHOP. 756 00:29:38,598 --> 00:29:39,566 How do you know that? 757 00:29:39,599 --> 00:29:42,102 BECAUSE MARCUS RIGGS SAW, AND HE'S SURE OF IT. 758 00:29:42,135 --> 00:29:44,004 DOES BISHOP KNOW THE KID SAW HIM? 759 00:29:44,037 --> 00:29:45,038 No, he doesn't think so. 760 00:29:45,072 --> 00:29:46,940 LOOK, I THOUGHT WE HAD EVIDENCE ON THE VIPERS. 761 00:29:46,974 --> 00:29:48,575 YEAH, WELL, IF BISHOP KILLED HIS OWN BOSS, 762 00:29:48,608 --> 00:29:50,210 HE'S GONNA HAVE TO PIN IT ON SOMEONE. 763 00:29:50,243 --> 00:29:52,212 OTHERWISE, HE'S AS GOOD AS DEAD BY HIS OWN GUYS. 764 00:29:52,245 --> 00:29:53,546 OKAY, I MEAN, I GUESS THAT MAKES SENSE 765 00:29:53,580 --> 00:29:54,614 WHY HE'D GET RID OF HIM. 766 00:29:54,647 --> 00:29:55,916 Get the kid back here right now. 767 00:29:55,949 --> 00:29:58,085 I'LL HAVE UNITS TRACK DOWN BISHOP. 768 00:29:58,118 --> 00:30:00,187 OKAY. WE'RE ON IT. 769 00:30:03,756 --> 00:30:05,592 ALL RIGHT, MARCUS, I'M GONNA TAKE YOU TO THE STATION WHERE YOU'RE SAFE, OKAY? 770 00:30:05,625 --> 00:30:06,960 WHAT ABOUT MY GRAN'S PILLS? SHE NEEDS THEM. 771 00:30:06,994 --> 00:30:08,361 OKAY. 772 00:30:08,395 --> 00:30:10,230 WELL, LET'S GO GET THEM NOW, 773 00:30:10,263 --> 00:30:12,832 AND I'LL DROP THEM OFF AFTER, ALL RIGHT? 774 00:30:16,536 --> 00:30:20,273 I'M NOT SURE WHICH ONES SHE NEEDS. 775 00:30:20,307 --> 00:30:22,542 OKAY. WELL, YOU KNOW WHAT? WE'LL JUST TAKE THEM ALL, ALL RIGHT? 776 00:30:22,575 --> 00:30:24,577 [ TIRES SCREECH ] 777 00:30:31,218 --> 00:30:34,087 HEY, DID YOU TELL ANYONE THAT YOU SAW SHAY BISHOP? 778 00:30:36,489 --> 00:30:38,959 MARCUS? 779 00:30:38,992 --> 00:30:41,594 I JUST TEXTED MY FRIEND KAMAL. 780 00:30:41,628 --> 00:30:42,629 WHAT DID YOU SAY? 781 00:30:42,662 --> 00:30:45,365 YOUR PARTNER SAID THAT EVERYONE WAS GONNA THINK 782 00:30:45,398 --> 00:30:46,433 MY DAD WAS A BAD PERSON, 783 00:30:46,466 --> 00:30:51,404 SO I WANTED TO MAKE SURE THAT HE KNEW IT WASN'T TRUE. 784 00:30:51,438 --> 00:30:54,074 OKAY, YOU NEED TO HIDE. NOW. 785 00:30:54,107 --> 00:30:56,576 COME ON. 786 00:30:56,609 --> 00:30:59,546 Duncan, get in here. I need backup. 787 00:30:59,579 --> 00:31:01,348 COPY THAT, BOSS. I'M ON MY WAY. 788 00:31:01,381 --> 00:31:03,150 ANDY: All units -- this is McNally, 789 00:31:03,183 --> 00:31:04,918 Requesting backup at 2995 Delany. 790 00:31:04,952 --> 00:31:06,386 Suspect Shay Bishop is on scene. 791 00:31:06,419 --> 00:31:07,487 Repeat -- this is McNally. 792 00:31:07,520 --> 00:31:10,623 ARMED SUBJECT AT 2995 DELANY. I'M WITH A CIVILIAN. 793 00:31:10,657 --> 00:31:12,960 WOMAN: Copy, McNally. Units en route. 794 00:31:12,993 --> 00:31:14,527 OKAY, LISTEN. I NEED YOU TO SIT DOWN THERE, OKAY? 795 00:31:14,561 --> 00:31:16,229 DO NOT MOVE UNTIL I TELL YOU. PLEASE GET DOWN. 796 00:31:16,263 --> 00:31:17,998 HE'S GONNA KILL ME. 797 00:31:18,031 --> 00:31:20,067 I'M NOT GONNA LET THAT HAPPEN. JUST BE QUIET. 798 00:31:20,100 --> 00:31:22,335 MAYBE HE WON'T EVEN COME UP HERE IN THE FIRST PLACE. 799 00:31:22,369 --> 00:31:23,971 [ KNOCK ON DOOR ] 800 00:31:24,004 --> 00:31:24,972 Shay: MARCUS! 801 00:31:25,005 --> 00:31:27,507 DON'T MOVE. 802 00:31:27,540 --> 00:31:30,277 [ DOORKNOB RATTLES ] 803 00:31:30,310 --> 00:31:32,445 DUNCAN, WHAT'S YOUR 20? 804 00:31:32,479 --> 00:31:35,448 Duncan? 805 00:31:35,482 --> 00:31:37,550 [ DOOR OPENS ] 806 00:31:38,685 --> 00:31:39,652 [ DOOR CLOSES ] 807 00:31:39,686 --> 00:31:42,089 DUNCAN, WHERE ARE YOU? 808 00:31:42,122 --> 00:31:44,992 Please respond. I need you -- now. 809 00:31:45,025 --> 00:31:48,661 [ BREATHING HEAVILY ] 810 00:31:48,695 --> 00:31:51,731 COME ON, DUNCAN, MAN. COME ON. 811 00:31:51,764 --> 00:31:54,167 MAYBE I CAN JUST TELL HIM I DIDN'T SEE ANYTHING. 812 00:31:54,201 --> 00:31:55,035 NO. 813 00:31:55,068 --> 00:31:57,037 Shay: YO, MARCUS! DON'T SAY ANYTHING. 814 00:31:57,070 --> 00:31:58,605 YOU HERE? 815 00:31:58,638 --> 00:32:00,173 DUNCAN, WHAT ARE YOU DOING, MAN? 816 00:32:00,207 --> 00:32:02,175 It's Bishop -- he's in the house. 817 00:32:02,209 --> 00:32:04,544 I'm with Marcus, and we're trapped upstairs. 818 00:32:04,577 --> 00:32:07,714 Duncan? 819 00:32:07,747 --> 00:32:10,150 Officer Moore, please respond. 820 00:32:12,485 --> 00:32:13,653 Duncan? 821 00:32:13,686 --> 00:32:15,722 Officer Moore, respond -- 822 00:32:15,755 --> 00:32:16,756 [ BEEPS ] 823 00:32:16,789 --> 00:32:19,659 Shay: YO, MARCUS. 824 00:32:19,692 --> 00:32:21,128 IS HE COMING? 825 00:32:22,362 --> 00:32:24,231 YOU UPSTAIRS? 826 00:32:24,264 --> 00:32:26,633 COME DOWN, KID. 827 00:32:26,666 --> 00:32:29,736 I JUST WANT TO TALK. 828 00:32:29,769 --> 00:32:30,803 THIS IS OFFICER McNALLY. 829 00:32:30,837 --> 00:32:33,606 YOU TAKE ONE MORE STEP UP THOSE STAIRS, I WILL SHOOT. 830 00:32:33,640 --> 00:32:37,410 HE'S UP THERE WITH YOU. 831 00:32:40,747 --> 00:32:42,782 PUT DOWN THE GUN, SHAY. 832 00:32:42,815 --> 00:32:45,552 THAT KID'S BEEN SAYING SOME THINGS THAT JUST AREN'T TRUE. 833 00:32:45,585 --> 00:32:47,354 AND HE NEEDS TO STOP SAYING THEM. 834 00:32:47,387 --> 00:32:48,488 Marcus: I WON'T SAY ANYTHING! 835 00:32:48,521 --> 00:32:49,389 JUST -- I SWEAR! 836 00:32:49,422 --> 00:32:51,458 PUT THE GUN DOWN ON THE STAIRS RIGHT NOW, 837 00:32:51,491 --> 00:32:54,027 LAY DOWN ON THE FLOOR, ARMS OUT! 838 00:32:54,061 --> 00:32:56,063 [ BREATHING HEAVILY ] 839 00:32:59,566 --> 00:33:01,468 [ SIGHS ] 840 00:33:01,501 --> 00:33:05,805 DON'T MAKE THIS WORSE, SHAY. 841 00:33:05,838 --> 00:33:08,408 I GOT NO CHOICE. 842 00:33:08,441 --> 00:33:11,178 CAN'T LET HIM TALK. 843 00:33:11,211 --> 00:33:13,746 [ BREATHES HEAVILY ] 844 00:33:13,780 --> 00:33:16,316 [ GUNSHOTS ] 845 00:33:24,357 --> 00:33:26,193 [ BREATHING HEAVILY ] 846 00:33:26,226 --> 00:33:27,794 SHOTS FIRED. HE'S ON THE GROUND FLOOR. 847 00:33:27,827 --> 00:33:31,231 NICK: 1511, we're on scene. 848 00:33:31,264 --> 00:33:34,101 NICK, I THINK HE'S COMING TOWARDS YOU, AND HE'S ARMED. 849 00:33:34,134 --> 00:33:35,735 Copy that. 850 00:33:35,768 --> 00:33:37,637 He's coming out front. We're on him. 851 00:33:37,670 --> 00:33:39,472 Officer: POLICE! Officer #2: SHAY BISHOP, DO NOT MOVE! 852 00:33:39,506 --> 00:33:42,375 DO NOT MOVE! PUT YOUR WEAPON ON THE GROUND! 853 00:33:42,409 --> 00:33:44,111 LET'S SEE YOUR HANDS, BUDDY! 854 00:33:44,144 --> 00:33:45,812 NOW HANDS ON THE BACK OF YOUR HEAD! BACK UP SLOWLY! 855 00:33:45,845 --> 00:33:48,381 PUT YOUR ARMS OUT! 856 00:33:48,415 --> 00:33:50,750 MARCUS... 857 00:33:50,783 --> 00:33:53,486 IT'S OKAY. 858 00:33:53,520 --> 00:33:55,855 Subject apprehended! COME HERE. 859 00:33:55,888 --> 00:33:57,724 IT'S OKAY. 860 00:33:57,757 --> 00:34:00,260 [ BREATHING HEAVILY ] 861 00:34:00,293 --> 00:34:02,129 [ SIRENS WAILING ] 862 00:34:06,333 --> 00:34:07,834 GET OFF ME! 863 00:34:25,718 --> 00:34:27,754 Duncan: HEY, BOSS. 864 00:34:29,522 --> 00:34:30,757 YOU OKAY? 865 00:34:30,790 --> 00:34:31,824 IT GOT KIND OF -- 866 00:34:31,858 --> 00:34:33,426 WHERE THE HELL WERE YOU? 867 00:34:33,460 --> 00:34:35,295 OH, NO, I JUST GOT TURNED AROUND A LITTLE BIT. 868 00:34:35,328 --> 00:34:37,197 YOU KNOW, THERE WAS A BUNCH OF ONE-WAYS, AND -- 869 00:34:37,230 --> 00:34:39,199 AND THEN I THINK THE BATTERY ON MY RADIO'S KIND OF SHOT AND -- 870 00:34:39,232 --> 00:34:40,167 OH, YEAH? 871 00:34:40,200 --> 00:34:42,602 NO, YOU DON'T HAVE TO CHECK IT BECAUSE I -- 872 00:34:42,635 --> 00:34:44,471 COULD'VE BEEN THE BATTERY, COULD'VE BEEN ANYTHING. 873 00:34:44,504 --> 00:34:46,373 [ RADIO BEEPS ] 874 00:34:46,406 --> 00:34:48,275 I WAS IN THAT HOUSE WITH A KID. 875 00:34:48,308 --> 00:34:49,442 I NEEDED YOU. 876 00:34:49,476 --> 00:34:50,643 YEAH, BUT, BOSS, IT WASN'T WORKING -- 877 00:34:50,677 --> 00:34:53,880 I DON'T WANT TO HEAR IT. 878 00:34:55,348 --> 00:34:57,650 [ ENGINE TURNS OVER ] 879 00:35:03,656 --> 00:35:06,526 Steve: BISHOP WASN'T SO HAPPY ABOUT THE CEASE-FIRE. 880 00:35:06,559 --> 00:35:08,895 HE THOUGHT CODY WAS WEAK FOR NOT FIGHTING BACK. 881 00:35:08,928 --> 00:35:11,664 SO HE KILLS HIS BOSS, BLAMES HIS ENEMIES. 882 00:35:11,698 --> 00:35:12,665 CLASSIC. 883 00:35:12,699 --> 00:35:13,600 [ CHUCKLES ] 884 00:35:13,633 --> 00:35:16,303 I'D HATE TO BE HIM WHEN HIS GUYS FIND OUT. 885 00:35:16,336 --> 00:35:17,404 OOH. 886 00:35:17,437 --> 00:35:20,540 SO, WHAT HAPPENS TO RUIZ AND HIS CREW? 887 00:35:20,573 --> 00:35:22,375 NOW WE CUT THEM LOOSE. 888 00:35:22,409 --> 00:35:26,279 THE JAMESONS COMING APART, THEY'LL MOVE IN AND TAKE OVER. 889 00:35:26,313 --> 00:35:28,415 RIGHT? SO IT GOES. 890 00:35:28,448 --> 00:35:29,849 CIRCLE OF LIFE. 891 00:35:29,882 --> 00:35:32,285 NO. 892 00:35:32,319 --> 00:35:33,853 WE CAN'T JUST WRITE OFF A WHOLE NEIGHBORHOOD. 893 00:35:35,622 --> 00:35:38,758 YEAH. YEAH, YOU'RE RIGHT. 894 00:35:45,665 --> 00:35:49,702 HEY, I'VE CHECKED THROUGH DMV RECORDS FOR SOPHIES, 895 00:35:49,736 --> 00:35:52,805 SOPHIAS AT THAT ADDRESS, AND STILL NO LUCK ON AN I.D. 896 00:35:52,839 --> 00:35:54,874 NO ONE'S REPORTED ANYONE MISSING, 897 00:35:54,907 --> 00:35:57,310 SO IF I WAS THAT WOMAN, I WOULD BE -- 898 00:35:57,344 --> 00:35:58,578 I'D BE A LITTLE HURT. 899 00:35:58,611 --> 00:36:00,547 SHE DIDN'T MAKE IT. 900 00:36:00,580 --> 00:36:04,417 I -- I SWUNG BY THE HOSPITAL ON THE WAY HERE, AND... 901 00:36:04,451 --> 00:36:06,719 I DON'T KNOW. SHE WAS STABLE. 902 00:36:06,753 --> 00:36:09,856 AND THEN SHE HAD SOME SORT OF HEMORRHAGE. 903 00:36:14,361 --> 00:36:16,429 DID THE HOSPITAL FIND ANY KEYS ON HER? 904 00:36:16,463 --> 00:36:18,298 WELL, IF SHE WAS DOING LAUNDRY, SHE WOULD HAVE -- 905 00:36:18,331 --> 00:36:20,267 I MEAN, SHE WOULD HAVE LOCKED HER APARTMENT, RIGHT? 906 00:36:20,300 --> 00:36:21,834 IT'S NOT LIKE YOU WOULD HAVE LEFT IT UNLOCKED 907 00:36:21,868 --> 00:36:23,703 FOR ANY AMOUNT OF TIME IN A BUILDING LIKE THAT. 908 00:36:23,736 --> 00:36:24,637 I DON'T KNOW. 909 00:36:24,671 --> 00:36:25,505 SHE DIDN'T -- SHE DIDN'T HAVE ANYTHING -- 910 00:36:25,538 --> 00:36:27,440 YEAH, BUT WHAT IF SHE DROPPED THEM? 911 00:36:27,474 --> 00:36:29,776 I'M GONNA GO BACK AND TAKE A LOOK. 912 00:36:29,809 --> 00:36:30,777 WAIT -- 913 00:36:30,810 --> 00:36:32,845 I DON'T WANT TO BE DOING THIS AGAIN TOMORROW. 914 00:36:32,879 --> 00:36:34,314 DO -- DO YOU WANT ME TO COME WITH YOU? 915 00:36:34,347 --> 00:36:35,882 NO, IT'S OKAY. DON'T WORRY ABOUT IT. 916 00:36:35,915 --> 00:36:37,350 YOU'VE PROBABLY GOT A DATE 917 00:36:37,384 --> 00:36:38,885 WITH SOME HOT CHICK OR SOMETHING. 918 00:36:47,594 --> 00:36:50,397 OKAY, UH... 919 00:36:50,430 --> 00:36:51,998 WHAT'S GOING ON WITH YOU AND CHLOE? 920 00:36:52,031 --> 00:36:54,501 WHAT DO YOU KEEP TALKING ABOUT? 921 00:36:54,534 --> 00:36:57,270 SHE SAYS THAT YOU TWO HAVEN'T... 922 00:36:57,304 --> 00:36:58,905 SHE WANTS TO KNOW WHY. 923 00:36:58,938 --> 00:37:00,307 SHE TALKED TO YOU ABOUT THAT? 924 00:37:00,340 --> 00:37:02,008 YEAH, I'M NOT THRILLED ABOUT IT, EITHER. 925 00:37:02,041 --> 00:37:03,343 SO, YOU'RE STILL INTO HER? 926 00:37:03,376 --> 00:37:04,977 YES. GOOD. SO WHAT'S THE PROBLEM? 927 00:37:05,011 --> 00:37:05,978 THERE IS NO PROBLEM. 928 00:37:06,012 --> 00:37:07,580 SHE DIED RIGHT IN FRONT OF ME. 929 00:37:07,614 --> 00:37:09,882 I -- I -- I DON'T WANT TO PUSH HER BEFORE SHE'S READY. 930 00:37:09,916 --> 00:37:12,785 OOH, SHE IS -- SHE'S READY. BELIEVE ME. 931 00:37:12,819 --> 00:37:16,323 GOOD. YOU. COME HERE. 932 00:37:16,356 --> 00:37:17,957 HOW YOU FEELING? FINE. 933 00:37:17,990 --> 00:37:19,959 GOOD. FRAGILE? NO. 934 00:37:19,992 --> 00:37:22,429 DOV HERE DOESN'T WANT TO... 935 00:37:22,462 --> 00:37:25,031 RUSH YOU, BECAUSE, WELL, YOU DIED. 936 00:37:25,064 --> 00:37:26,799 FOR LIKE TWO MINUTES. 937 00:37:26,833 --> 00:37:27,934 STILL, IT FREAKS A GUY OUT. 938 00:37:27,967 --> 00:37:29,469 POINT IS, HE WANTS WHAT YOU WANT. 939 00:37:29,502 --> 00:37:31,604 REALLY? 940 00:37:31,638 --> 00:37:33,005 YES. 941 00:37:33,039 --> 00:37:36,409 GOOD. YOU TWO GET A ROOM, TELL ME ALL ABOUT IT. 942 00:37:36,443 --> 00:37:38,978 DON'T DO THE LAST PART. 943 00:37:39,011 --> 00:37:41,881 I'M NOT FRAGILE AT ALL. 944 00:37:55,928 --> 00:37:58,765 [ KEYS JINGLE ] 945 00:38:01,734 --> 00:38:02,802 OH, SWEETIE, SORRY. 946 00:38:02,835 --> 00:38:04,337 YOU SHOULDN'T BE IN HERE RIGHT NOW. 947 00:38:04,371 --> 00:38:05,738 I'M LOOKING FOR MY MOM. 948 00:38:05,772 --> 00:38:08,608 SHE WASN'T HOME WHEN I GOT BACK FROM ELLA'S. 949 00:38:10,142 --> 00:38:11,811 SWEETIE, IS... 950 00:38:11,844 --> 00:38:13,846 IS YOUR MOM SOPHIE? 951 00:38:13,880 --> 00:38:16,383 NO. HER NAME'S TREENA. 952 00:38:16,416 --> 00:38:17,584 I'M SOPHIE. 953 00:38:17,617 --> 00:38:20,653 WHY? DO YOU KNOW WHERE SHE IS? 954 00:38:27,126 --> 00:38:29,596 THAT'S ALL IN YOUR REPORT? 955 00:38:29,629 --> 00:38:31,564 IT'S WHAT HAPPENED. 956 00:38:31,598 --> 00:38:33,433 OKAY. 957 00:38:33,466 --> 00:38:35,902 SO, WHAT NOW? 958 00:38:35,935 --> 00:38:39,572 HE IS GONNA GET SUSPENDED, PENDING AN INVESTIGATION, 959 00:38:39,606 --> 00:38:43,543 I WOULD EXPECT, AND PROBABLY, THEY'RE GONNA TAKE HIS BADGE. 960 00:38:43,576 --> 00:38:45,845 THEY'RE NOT GONNA LIKE THIS UP TOP. 961 00:38:45,878 --> 00:38:46,713 I'M SORRY. 962 00:38:46,746 --> 00:38:48,815 I REALLY SHOULD'VE TOLD YOU EVERYTHING. 963 00:38:48,848 --> 00:38:50,983 I JUST -- I THOUGHT I COULD HANDLE IT. 964 00:38:51,017 --> 00:38:52,151 NO, LOOK. 965 00:38:52,184 --> 00:38:56,122 THIS JOB ISN'T MEANT FOR EVERYBODY. 966 00:38:56,155 --> 00:39:00,527 AT LEAST WE FOUND OUT BEFORE ANYBODY GOT HURT. 967 00:39:17,510 --> 00:39:20,647 MOORE, COME HERE. 968 00:39:32,792 --> 00:39:34,527 HEY. ROUGH DAY? 969 00:39:34,561 --> 00:39:35,394 YEAH. 970 00:39:35,428 --> 00:39:38,130 NEED SOMEBODY TO GIVE YOU A RIDE HOME? 971 00:39:38,164 --> 00:39:39,499 THAT'D BE GREAT. 972 00:39:39,532 --> 00:39:42,168 OKAY. I'LL MEET YOU AT MY TRUCK IN 10. 973 00:39:47,907 --> 00:39:49,942 [ HIP-HOP MUSIC PLAYING ] 974 00:40:05,057 --> 00:40:06,693 THERE HE IS. 975 00:40:06,726 --> 00:40:07,927 HOW MUCH? 976 00:40:07,960 --> 00:40:11,898 SAME AS LAST TIME. IT'S ALL THERE. 977 00:40:11,931 --> 00:40:13,633 ALL RIGHT. 978 00:40:13,666 --> 00:40:15,935 [ COUGHING ] 979 00:40:28,214 --> 00:40:31,484 YOU DIDN'T SAY ANYTHING THE WHOLE RIDE OVER. 980 00:40:31,518 --> 00:40:32,885 WELL, YOU, EITHER. 981 00:40:32,919 --> 00:40:33,720 [ SCOFFS ] 982 00:40:33,753 --> 00:40:35,922 YOU KNOW, IT JUST WOULD'VE BEEN NICE 983 00:40:35,955 --> 00:40:37,223 FOR YOU TO SAY SOMETHING. 984 00:40:37,256 --> 00:40:41,027 LIKE -- LIKE, THERE WAS NOTHING I COULD DO, 985 00:40:41,060 --> 00:40:45,498 OR I COULDN'T HAVE TRAINED HIM ANY BETTER. 986 00:40:45,532 --> 00:40:46,999 "IT WOULD HAVE HAPPENED EVENTUALLY." 987 00:40:47,033 --> 00:40:48,501 I MEAN, I DON'T KNOW, SOMETHING. 988 00:40:48,535 --> 00:40:50,002 SORRY. 989 00:40:50,036 --> 00:40:53,105 Y-YOU DON'T NEED ME TO SAY THAT, DO YOU? 990 00:40:54,707 --> 00:40:57,710 HEY, LOOK AT ME. 991 00:40:57,744 --> 00:41:00,146 YOU'RE ONE OF THE BEST I'VE EVER SEEN, OKAY? 992 00:41:00,179 --> 00:41:03,149 YOU HAD A FEELING ABOUT THIS GUY, AND YOU WERE RIGHT. 993 00:41:03,182 --> 00:41:06,919 YOU GOT TO TRUST THAT. 994 00:41:06,953 --> 00:41:09,255 ANDY. ANDY... 995 00:41:09,288 --> 00:41:12,592 I THINK YOU'RE FEELING THE WAY YOU'RE FEELING 996 00:41:12,625 --> 00:41:14,794 BECAUSE YOU BELIEVE IN PEOPLE, 997 00:41:14,827 --> 00:41:17,129 AND YOU KNOW THEY CAN BE BETTER. 998 00:41:17,163 --> 00:41:20,667 IT'S WHAT MAKES YOU WHO YOU ARE. 999 00:41:39,786 --> 00:41:41,621 THANK YOU. 1000 00:41:46,058 --> 00:41:47,193 I'LL SEE YOU TOMORROW. 1001 00:41:47,226 --> 00:41:48,861 OKAY. 1002 00:41:48,895 --> 00:41:50,663 NIGHT.