1 00:00:12,201 --> 00:00:13,468 ARE WE WAITING FOR ANYONE ELSE? 2 00:00:13,502 --> 00:00:16,871 NOPE. JUST ME AND THE BABY. 3 00:00:16,905 --> 00:00:18,173 GOOD TO GO. 4 00:00:20,475 --> 00:00:22,344 UH, WHERE'S THE RADIOLOGIST? IS SHE COMING? 5 00:00:22,377 --> 00:00:23,545 SHE'S AT OUR OTHER CLINIC. 6 00:00:23,578 --> 00:00:25,747 SHE GOT HELD UP, BUT SHE'LL BE HERE SOON. 7 00:00:25,780 --> 00:00:27,949 I GOT A CALL TO COME BACK IN. 8 00:00:27,982 --> 00:00:29,318 IS THERE A PROBLEM? 9 00:00:29,351 --> 00:00:31,186 SHE'S JUST BEING HYPER VIGILANT. 10 00:00:31,220 --> 00:00:33,722 UH, SORRY I'M LATE. 11 00:00:33,755 --> 00:00:35,657 HEY. 12 00:00:35,690 --> 00:00:38,059 I'M THE DADDY. UH, FATHER. 13 00:00:38,093 --> 00:00:39,428 [ CHUCKLES ] 14 00:00:44,766 --> 00:00:46,668 WOW. 15 00:00:46,701 --> 00:00:48,870 THAT'S A LITTLE FACE THERE. 16 00:00:48,903 --> 00:00:50,071 IT'S GROWING SO FAST. 17 00:00:50,105 --> 00:00:51,806 SHOULD'VE BEEN HERE TWO WEEKS AGO. 18 00:00:51,840 --> 00:00:53,275 LOOKED LIKE A BIG PEANUT. 19 00:00:59,148 --> 00:01:02,584 IS...EVERYTHING ALL RIGHT? 20 00:01:02,617 --> 00:01:04,753 UM... 21 00:01:04,786 --> 00:01:06,020 [ CHUCKLES ] YEAH. 22 00:01:06,054 --> 00:01:09,291 I'M JUST GONNA GET THE IMAGES PROCESSED FOR THE RADIOLOGIST 23 00:01:09,324 --> 00:01:12,727 AND, UH, SHE'LL BE ABLE TO DISCUSS EVERYTHING WITH YOU. 24 00:01:12,761 --> 00:01:14,663 BUT YOU'D TELL US IF SOMETHING WAS WRONG, RIGHT? 25 00:01:14,696 --> 00:01:17,432 YOU KNOW, I'M NOT AT LIBERTY TO READ THE IMAGES 26 00:01:17,466 --> 00:01:19,033 AND DISCUSS THEM WITH YOU. 27 00:01:19,067 --> 00:01:21,503 UM, BUT YOU CAN WAIT HERE IF YOU LIKE. 28 00:01:24,973 --> 00:01:27,476 UH... 29 00:01:27,509 --> 00:01:29,077 [ CHUCKLES ] 30 00:01:29,110 --> 00:01:32,347 IT'S FINE. YOU DON'T HAVE TO STAY. 31 00:01:32,381 --> 00:01:34,048 I'LL LET YOU KNOW WHAT SHE SAYS. 32 00:01:34,082 --> 00:01:37,085 I'M NOT GOING ANYWHERE. 33 00:01:37,118 --> 00:01:38,420 UNLESS YOU WANT ME TO. 34 00:01:38,453 --> 00:01:39,954 NO. 35 00:01:39,988 --> 00:01:41,790 NO, IT'S YOUR BABY, TOO. 36 00:01:44,893 --> 00:01:47,095 [ SIGHS ] 37 00:01:47,128 --> 00:01:49,097 *** 38 00:01:49,130 --> 00:01:52,100 -- Captions by VITAC -- 39 00:01:52,133 --> 00:01:55,370 MORNING, SANCHEZ. LOVELY DAY. 40 00:01:55,404 --> 00:01:58,607 DAVIS, LOOKING GOOD. LOSE WEIGHT OR SOMETHING? 41 00:01:58,640 --> 00:01:59,441 [ CHUCKLES ] 42 00:01:59,474 --> 00:02:01,109 GOOD MORROW TO THEE, OFFICER MOORE. 43 00:02:01,142 --> 00:02:03,445 CHLOE PRICE. PRICE LOOKS NICE. 44 00:02:03,478 --> 00:02:04,479 LOOK AT YOU LOOKING LIKE SUNSHINE THIS MORNING. 45 00:02:04,513 --> 00:02:07,282 YEAH. I MEAN, TODAY'S THE DAY FOR A FRESH START, 46 00:02:07,316 --> 00:02:08,617 SO I'M KIND OF FEELING LIKE SUNSHINE. 47 00:02:08,650 --> 00:02:09,751 THAT'S NICE. 48 00:02:09,784 --> 00:02:11,520 HOPE YOU'RE WEARING SUNSCREEN, THOUGH. 49 00:02:11,553 --> 00:02:13,555 EVERYONE KNOWS THAT THE SUN BURNS THE SKIN. 50 00:02:13,588 --> 00:02:15,023 OH. OH. 51 00:02:15,056 --> 00:02:16,391 ONLY WHEN IT'S BARE SKIN. 52 00:02:16,425 --> 00:02:19,093 OH, THIS SUN IS SO BRIGHT, IT PENETRATES YOUR CLOTHING. 53 00:02:19,127 --> 00:02:20,695 P-PENETRATION. 54 00:02:20,729 --> 00:02:21,963 MM-HMM. 55 00:02:21,996 --> 00:02:23,465 UM, OKAY. ALL RIGHT. 56 00:02:23,498 --> 00:02:27,436 UH, WELL, YOUR SUN DOESN'T HAVE TO WORK SO HARD. 57 00:02:27,469 --> 00:02:29,103 IF IT WANTS TO BURN MY SKIN, 58 00:02:29,137 --> 00:02:30,972 I CAN JUST TAKE MY CLOTHES OFF. 59 00:02:31,005 --> 00:02:32,140 PSST! 60 00:02:32,173 --> 00:02:33,908 DON'T MAKE THE SUN'S JOB SO EASY, OKAY? 61 00:02:33,942 --> 00:02:34,976 'CAUSE I LIKE TO WORK HARD. 62 00:02:35,009 --> 00:02:37,346 [ CHUCKLES ] 63 00:02:38,847 --> 00:02:39,814 OKAY. 64 00:02:39,848 --> 00:02:41,516 OKAY. YEAH. THIS HAS GONE ON LONG ENOUGH, YEAH? 65 00:02:41,550 --> 00:02:43,285 [ CLEARS THROAT ] WHAT -- WHAT HAS? 66 00:02:43,318 --> 00:02:46,721 JUST THIS -- WHATEVER. WHATEVER'S HAPPENING HERE. 67 00:02:46,755 --> 00:02:48,089 OH, RIGHT. 68 00:02:48,122 --> 00:02:50,825 NO, I WAS -- I WAS COMPLETELY OB-- 69 00:02:50,859 --> 00:02:52,661 OBLIVIOUS TO IT UNTIL THIS -- RIGHT THIS MOMENT. 70 00:02:52,694 --> 00:02:54,429 YEAH. YEAH. BUT IT'S TIME TO GET REAL. 71 00:02:54,463 --> 00:02:55,764 MM-HMM. YOUR TIE'S CROOKED. 72 00:03:00,435 --> 00:03:02,003 RING A DING, DING. 73 00:03:02,036 --> 00:03:05,240 IT'S GONNA BE A GOOD DAY. 74 00:03:05,274 --> 00:03:07,342 GIMME THAT! 75 00:03:07,376 --> 00:03:09,478 [ SNAPS FINGERS ] DOV EPSTEIN. 76 00:03:09,511 --> 00:03:11,246 HEY. UM, QUICK QUESTION. 77 00:03:11,280 --> 00:03:13,515 DO I KNOW YOU? LIKE, TRULY, TRULY KNOW YOU? 78 00:03:13,548 --> 00:03:16,251 I DON'T KNOW. DOES ANYBODY TRULY KNOW ANYBODY? 79 00:03:16,285 --> 00:03:17,586 NOPE. WHAT'S YOUR MIDDLE NAME? 80 00:03:17,619 --> 00:03:18,720 EZEKIEL. 81 00:03:18,753 --> 00:03:19,788 EZEKIEL? SEE, LOOK. 82 00:03:19,821 --> 00:03:22,257 I FEEL LIKE I KNOW YOU SO MUCH BETTER NOW. 83 00:03:22,291 --> 00:03:23,392 WHAT'S DIAZ'S MIDDLE NAME? 84 00:03:23,425 --> 00:03:24,293 HE DOESN'T HAVE ONE. 85 00:03:24,326 --> 00:03:27,128 OH, OKAY. UH, HOW'S HE TAKE HIS COFFEE? 86 00:03:27,161 --> 00:03:28,096 BLACK. 87 00:03:28,129 --> 00:03:30,732 AH. IS IT TRUE THAT PECK HAS RETRACTABLE FANGS? 88 00:03:30,765 --> 00:03:31,866 YES. 89 00:03:31,900 --> 00:03:33,167 I KNEW THAT. 90 00:03:33,201 --> 00:03:34,068 OKAY. HOLD ON. 91 00:03:34,102 --> 00:03:35,770 UM, WE'RE JUST GETTING STARTED, BROTHER. 92 00:03:35,804 --> 00:03:37,406 UH...OKAY, WELL, HEY, 93 00:03:37,439 --> 00:03:39,140 LET ME TELL YOU A FEW TRUTHS ABOUT MYSELF. 94 00:03:39,173 --> 00:03:41,242 I AM A CERTIFIED GOLDEN DANCER. 95 00:03:41,276 --> 00:03:42,544 CHECK IT. [ SNAPS FINGERS ] 96 00:03:42,577 --> 00:03:44,012 THAT'S CALLED A BODY ROLL. 97 00:03:44,045 --> 00:03:46,815 THAT'S -- WOMEN LOVE IT. 98 00:03:46,848 --> 00:03:50,985 ANYWAY, UM, MY MIDDLE NAME IS JOAQUIN. 99 00:03:51,019 --> 00:03:52,287 AND, HEY, YOU KNOW WHAT? 100 00:03:52,321 --> 00:03:54,589 SOMETIMES I LIKE TO PEE SITTING DOWN. 101 00:03:54,623 --> 00:03:56,491 WHOA. WHOA. BACK UP. HANDS OFF. 102 00:03:56,525 --> 00:03:58,259 OKAY. I WANT TO UN-KNOW THAT. 103 00:03:58,293 --> 00:04:00,329 OKAY, BUT HOLD ON. WAIT. 104 00:04:00,362 --> 00:04:01,663 IT'S MY TURN, THOUGH. 105 00:04:01,696 --> 00:04:04,833 I-I-I WAS GON-- I WAS GONNA ASK YOU ABOUT CHLOE PRICE. 106 00:04:04,866 --> 00:04:08,637 [ CLEARS THROAT ] I SHOULDN'T HAVE TOLD HIM THAT. 107 00:04:11,440 --> 00:04:14,208 [ CLEARS THROAT ] 108 00:04:14,242 --> 00:04:15,644 Nick: MORNING. MORNING. 109 00:04:15,677 --> 00:04:17,379 MORNING. Oliver: ALL RIGHT, EVERYBODY. 110 00:04:17,412 --> 00:04:18,513 TODAY WE'RE GONNA BE ASSISTING 111 00:04:18,547 --> 00:04:20,081 WITH A COUPLE OF PRISONER TRANSFERS. 112 00:04:20,114 --> 00:04:22,050 HEY. ALL RIGHT. 113 00:04:22,083 --> 00:04:25,487 OKAY. ALL RIGHT. 114 00:04:25,520 --> 00:04:28,623 WHAT? NOBODY'S EVER SEEN A PIRATE IN A COP COSTUME BEFORE? 115 00:04:28,657 --> 00:04:30,559 [ LAUGHTER ] ALL RIGHT. 116 00:04:30,592 --> 00:04:34,195 UH, I WILL TELL THIS STORY ONCE AND ONLY ONCE. 117 00:04:34,228 --> 00:04:37,766 I GOT A CAT HAIR STUCK IN MY EYE AND I COULD NOT GET IT OUT, 118 00:04:37,799 --> 00:04:40,835 AND APPARENTLY, THERE'S SOME KIND OF GERM ON CAT HAIR 119 00:04:40,869 --> 00:04:43,505 THAT HAS GIVEN ME A CORNEAL INFECTION, 120 00:04:43,538 --> 00:04:47,141 SO LET ME STAND AS AN EXAMPLE, ALL RIGHT? 121 00:04:47,175 --> 00:04:49,077 CAT SCRATCH FEVER IS NOT JUST A SONG. 122 00:04:49,110 --> 00:04:50,612 OKAY? DO NOT PICK UP STRAY CATS, 123 00:04:50,645 --> 00:04:52,381 EVEN IF THEY WANDER INTO YOUR BACKYARD 124 00:04:52,414 --> 00:04:54,115 AND THEY'RE CUTE AS ALL GET-OUT. OKAY. 125 00:04:54,148 --> 00:04:55,517 LET'S GET DOWN TO BUSINESS. 126 00:04:55,550 --> 00:04:58,252 PINE VALLEY CORRECTIONAL CENTER FOR WOMEN, OKAY? 127 00:04:58,286 --> 00:04:59,754 THEY ARE COMPLETELY UNDERSTAFFED 128 00:04:59,788 --> 00:05:00,922 AND THEY'RE OPERATING ON A SHOESTRING. 129 00:05:00,955 --> 00:05:03,958 THEY HAVE ASKED US TO TRANSFER TWO INMATES. 130 00:05:03,992 --> 00:05:05,460 ONE IS GOING TO SANDWOOD, 131 00:05:05,494 --> 00:05:07,161 THE OTHER'S GOING TO NORTH POINT MAXIMUM. 132 00:05:07,195 --> 00:05:08,129 OKAY? 133 00:05:08,162 --> 00:05:11,199 UM, McNALLY AND WARD. 134 00:05:11,232 --> 00:05:12,634 OKAY, YOU'RE GONNA TAKE THE INMATE 135 00:05:12,667 --> 00:05:13,935 UP TO NORTH POINT MAXIMUM. 136 00:05:13,968 --> 00:05:16,337 ALL RIGHT, THERE'S NOTHING LIKE A LONG RIDE IN A HOT SQUAD CAR 137 00:05:16,371 --> 00:05:17,372 TO GET TO KNOW A PERSON. 138 00:05:17,406 --> 00:05:18,407 IT'S GONNA BE LOVELY. 139 00:05:18,440 --> 00:05:19,608 UH, PECK AND COLLINS, OKAY, 140 00:05:19,641 --> 00:05:21,710 YOU'RE GONNA TAKE THAT JAUNT OVER TO SANDWOOD. 141 00:05:21,743 --> 00:05:25,313 EVERYBODY ELSE, YOUR, UH, YOUR ASSIGNMENTS ARE ON THE BOARD. 142 00:05:25,346 --> 00:05:27,816 OKAY, PLAY SAFE AND, UH, COLOR INSIDE THE LINES. 143 00:05:27,849 --> 00:05:30,151 OKAY? REMEMBER, I GOT MY EYE ON YOU. 144 00:05:30,184 --> 00:05:33,154 Man: OOH. 145 00:05:33,187 --> 00:05:35,457 YOU DON'T NEED TO DO THIS. 146 00:05:35,490 --> 00:05:36,791 I AM FINE TO DO IT ON MY OWN. 147 00:05:36,825 --> 00:05:38,059 I KNOW YOU ARE. 148 00:05:38,092 --> 00:05:39,794 I, UH -- I WANTED TO BE HERE. 149 00:05:39,828 --> 00:05:42,330 OKAY. 150 00:05:42,363 --> 00:05:45,066 [ TELEPHONE RINGS IN DISTANCE ] 151 00:05:45,099 --> 00:05:46,535 UH... 152 00:05:46,568 --> 00:05:50,338 YOU, UH...WANT HALF? 153 00:05:50,371 --> 00:05:52,507 SURE. 154 00:05:53,908 --> 00:05:55,309 Andy: SO, MY BOYFRIEND'S GONNA BE A FATHER, 155 00:05:55,343 --> 00:05:57,612 BUT, UH, I'M NOT GONNA BE THE MOTHER. 156 00:05:57,646 --> 00:05:58,747 THE MOTHER WORKS IN INTELLIGENCE 157 00:05:58,780 --> 00:06:01,483 AND SHE'S BIPOLAR AND EVERYONE KNOWS, 158 00:06:01,516 --> 00:06:02,851 SO IT'S AWKWARD. 159 00:06:04,719 --> 00:06:07,021 UM... 160 00:06:07,055 --> 00:06:08,189 YEAH. 161 00:06:08,222 --> 00:06:10,459 UH, LOOK, WE'RE JUST GONNA BE TOGETHER THE ENTIRE DAY, 162 00:06:10,492 --> 00:06:12,393 AND SO I JUST FIGURED LET'S SKIP THE SMALL TALK 163 00:06:12,427 --> 00:06:15,129 AND GO STRAIGHT TO OVER-SHARING. 164 00:06:15,163 --> 00:06:17,098 I'M CRAZY ABOUT NICK COLLINS. 165 00:06:17,131 --> 00:06:18,166 PARDONNE MOI? 166 00:06:18,199 --> 00:06:19,300 SORRY, IS THAT WEIRD? 167 00:06:19,333 --> 00:06:21,202 'CAUSE I KNOW -- I KNOW THAT YOU USED TO DATE HIM, AND -- 168 00:06:21,235 --> 00:06:23,572 NO, YOU KNOW WHAT? I ACTUALLY SAW YOU GUYS TALKING IN PARADE. 169 00:06:23,605 --> 00:06:25,039 I WAS WONDERING WHAT THAT WAS ABOUT. 170 00:06:25,073 --> 00:06:26,240 NO, NO, NO. IT'S NOTHING. 171 00:06:26,274 --> 00:06:27,308 I MEAN, I CAN'T AND I WON'T, 172 00:06:27,341 --> 00:06:29,678 AND THAT'S WHY I'M LOOKING FOR EXCUSES TO AVOID HIM, 173 00:06:29,711 --> 00:06:33,181 AND WHO BETTER TO ASK THAN HIS EX, RIGHT? 174 00:06:33,214 --> 00:06:35,917 HE'S A GREAT GUY. YEAH. 175 00:06:35,950 --> 00:06:38,553 YEAH, BUT EVERYONE HAS THEIR FLAWS. 176 00:06:38,587 --> 00:06:40,188 FOR SURE. OKAY. 177 00:06:40,221 --> 00:06:41,590 EXCEPT FOR NICK. 178 00:06:41,623 --> 00:06:43,825 I MEAN, YOU'RE NOT GOING OUT WITH HIM ANYMORE. 179 00:06:43,858 --> 00:06:45,193 YEAH, BUT THAT'S BECAUSE OF MY HISTORY WITH SAM. 180 00:06:45,226 --> 00:06:49,531 LOOK, HE'S FUNNY AND LOYAL. 181 00:06:49,564 --> 00:06:51,566 HE'S A GREAT CATCH. 182 00:06:51,600 --> 00:06:53,735 STILL, YOU KNOW, I CAN'T DATE A COP. 183 00:06:53,768 --> 00:06:56,237 [ CHUCKLES ] THAT OLD CHESTNUT. 184 00:06:56,270 --> 00:06:57,539 YEAH. I SAID THAT, TOO. 185 00:07:01,910 --> 00:07:04,713 SO, HAVE YOU DONE MANY PRISON TRANSFERS BEFORE? 186 00:07:04,746 --> 00:07:05,880 WHAT, ARE YOU KIDDING ME? 187 00:07:05,914 --> 00:07:08,116 BEFORE THIS, I WAS PATROLLING SHAUGHNESSY IN VANCOUVER. 188 00:07:08,149 --> 00:07:10,451 MOST EXCITING THING I DID WAS STOP A FEW B&Es. 189 00:07:10,485 --> 00:07:12,521 McNALLY. YES. THAT'S ME. 190 00:07:12,554 --> 00:07:13,922 COLLINS. Nick: YES. 191 00:07:13,955 --> 00:07:14,923 PECK? 192 00:07:14,956 --> 00:07:16,625 UM, WARD? 193 00:07:16,658 --> 00:07:18,359 KEEP THESE WITH YOU AT ALL TIMES. 194 00:07:18,392 --> 00:07:22,230 PLACE YOUR FIREARMS, MAGAZINES, AND CELLPHONES IN THESE BINS 195 00:07:22,263 --> 00:07:24,699 ALONG WITH ANYTHING THAT CAN BE USED AS A WEAPON. 196 00:07:24,733 --> 00:07:28,302 SIGN THEM IN NOW AND YOU CAN PICK THEM UP ON YOUR WAY OUT. 197 00:07:28,336 --> 00:07:29,337 ANY QUESTIONS? 198 00:07:29,370 --> 00:07:30,572 JUST ONE. YOU ARE? 199 00:07:30,605 --> 00:07:32,306 JUSTINE ORDOWER. I'M THE WARDEN. 200 00:07:32,340 --> 00:07:33,675 WARDEN ORDOWER? 201 00:07:33,708 --> 00:07:35,844 YEAH, I KNOW. IT'S UNFORTUNATE. 202 00:07:35,877 --> 00:07:37,712 LET'S DO SOME QUICK PAPERWORK, 203 00:07:37,746 --> 00:07:40,081 AND THEN I'LL SHOW YOU THE CELLBLOCK. 204 00:07:47,488 --> 00:07:49,323 WE'VE HAD AN ISSUE WITH OVERCROWDING 205 00:07:49,357 --> 00:07:50,725 EVER SINCE OUR FUNDING GOT CUT. 206 00:07:50,759 --> 00:07:52,594 AS A RESULT, THE WOMEN AREN'T GETTING OUT 207 00:07:52,627 --> 00:07:53,662 AS MUCH AS THEY SHOULD. 208 00:07:53,695 --> 00:07:55,329 NEITHER AM I, IF I'M BEING HONEST. 209 00:07:55,363 --> 00:07:56,430 WE NEED A 3-TO-40 RATIO 210 00:07:56,464 --> 00:07:58,332 TO LET THE WOMEN OUT OF THE CELLBLOCK. 211 00:07:58,366 --> 00:08:00,068 HEY, THE INMATES WE'RE TRANSFERRING, 212 00:08:00,101 --> 00:08:01,169 ANYTHING WE SHOULD KNOW? 213 00:08:01,202 --> 00:08:02,303 KENZIE GRANT IS A HANDFUL. 214 00:08:02,336 --> 00:08:04,305 SHE'S FERAL, SHE'S IMPULSIVE. 215 00:08:04,338 --> 00:08:06,440 SHE STABBED AN INMATE IN THE SHOWER. 216 00:08:06,474 --> 00:08:08,610 NOW SHE'S BEING TRANSFERRED TO MAXIMUM. 217 00:08:08,643 --> 00:08:09,778 WHAT ABOUT ROCHELLE DAWBER? 218 00:08:09,811 --> 00:08:12,814 ROCHELLE IS THE OPPOSITE OF KENZIE GRANT. 219 00:08:12,847 --> 00:08:14,515 WHEN YOU COME THROUGH WITH THEM, 220 00:08:14,549 --> 00:08:15,750 WE'LL FINISH THE PAPERWORK. 221 00:08:15,784 --> 00:08:18,386 GUARD ANDERSON WILL TAKE CARE OF YOU. 222 00:08:18,419 --> 00:08:19,453 Andy: THANK YOU. 223 00:08:19,487 --> 00:08:20,689 [ LOCK BEEPS ] 224 00:08:23,357 --> 00:08:25,760 [ WOMEN WHISTLING, CATCALLING ] 225 00:08:25,794 --> 00:08:27,929 SEE? SOME WOMEN LIKE ME. 226 00:08:27,962 --> 00:08:29,831 THEY'RE WHISTLING AT ME, YOU IDIOT. 227 00:08:29,864 --> 00:08:31,099 OF COURSE WOMEN LIKE YOU. 228 00:08:31,132 --> 00:08:33,768 I'M THE ONLY POLICE OFFICER HERE YOU HAVEN'T SLEPT WITH. YET. 229 00:08:33,802 --> 00:08:35,904 Anderson: DAWBER'S IN HER CELL. GRANT'S OVER THERE. 230 00:08:35,937 --> 00:08:37,005 THANK YOU. 231 00:08:40,108 --> 00:08:41,209 MICHELLE DAWBER? 232 00:08:41,242 --> 00:08:42,343 YEAH. IT'S ME. 233 00:08:42,376 --> 00:08:43,812 DO YOU HAVE ANY BAGS OR ANYTHING? 234 00:08:43,845 --> 00:08:45,980 OH, NO. NO, THEY WERE ALREADY TAKEN TO SANDWOOD. 235 00:08:46,014 --> 00:08:47,281 I DIDN'T HAVE THAT MUCH ANYWAY. 236 00:08:47,315 --> 00:08:48,516 IS IT ALL RIGHT IF WE LEAVE NOW? 237 00:08:48,549 --> 00:08:50,051 I'D REALLY LIKE TO GET OUT OF HERE. 238 00:08:50,084 --> 00:08:51,686 KENZIE GRANT? 239 00:08:51,720 --> 00:08:54,555 YO. WHO'S ASKING? 240 00:08:54,589 --> 00:08:56,224 ME. YOU READY TO GO? 241 00:08:56,257 --> 00:08:57,025 NO, I'M NOT. 242 00:08:57,058 --> 00:08:58,359 WELL, MAYBE YOU CAN GET READY. 243 00:08:58,392 --> 00:09:00,795 HUH. I KNOW YOU. 244 00:09:00,829 --> 00:09:02,496 YEAH, YOU'RE FROM VANCOUVER. 245 00:09:02,530 --> 00:09:04,599 I DON'T THINK THAT WE KNOW EACH OTHER. 246 00:09:04,633 --> 00:09:05,934 MAYBE I LOOK FAMILIAR. 247 00:09:05,967 --> 00:09:08,502 NO. NO, I KNOW YOU FROM SOMEWHERE. 248 00:09:08,536 --> 00:09:10,471 Nick: YOU ALL GOOD? 249 00:09:10,504 --> 00:09:11,272 ALL GOOD. 250 00:09:11,305 --> 00:09:13,174 YEAH, WE'LL BE THERE IN A MINUTE. 251 00:09:13,207 --> 00:09:16,144 ALL RIGHT. LET'S GO. 252 00:09:16,177 --> 00:09:17,979 ANYTHING YOU NEED TO GRAB OUT OF YOUR CELL? 253 00:09:18,012 --> 00:09:20,448 NOTHING WORTH TAKING. ALL RIGHT, LET'S GO. 254 00:09:20,481 --> 00:09:22,250 Juliet: AFTER YOU. 255 00:09:27,421 --> 00:09:28,522 HEY! 256 00:09:28,556 --> 00:09:29,624 DON'T TOUCH ME. 257 00:09:29,658 --> 00:09:31,893 HEY! Woman: DON'T PUSH ME, BITCH. 258 00:09:31,926 --> 00:09:33,828 Juliet: WHOA, WHOA. THAT'S ENOUGH, LADIES. 259 00:09:33,862 --> 00:09:35,596 THAT'S ENOUGH. BREAK APART. LET'S GO. 260 00:09:35,630 --> 00:09:37,866 THERE YOU GO. 261 00:09:39,100 --> 00:09:40,234 [ GRUNTS ] 262 00:09:40,268 --> 00:09:42,904 Andy: HEY! STOP! BITCH! 263 00:09:42,937 --> 00:09:44,739 GUARD! 264 00:09:44,773 --> 00:09:47,141 BACK OFF! EVERYBODY BACK IN THEIR CELLS NOW! 265 00:09:47,175 --> 00:09:49,711 [ WOMEN SHOUTING ] 266 00:09:59,688 --> 00:10:01,589 GET OFF! GET OFF! 267 00:10:01,622 --> 00:10:02,957 GO! 268 00:10:02,991 --> 00:10:05,226 OH, MY GOD! 269 00:10:05,259 --> 00:10:07,028 WHAT THE HELL HAPPENED?! WHO DID THAT TO YOU? 270 00:10:07,061 --> 00:10:08,763 WHO HAS THE KNIFE? I DON'T KNOW! 271 00:10:08,797 --> 00:10:10,098 [ ALARM BLARING ] 272 00:10:10,131 --> 00:10:10,965 WHAT IS THAT? 273 00:10:10,999 --> 00:10:11,966 YOU KNOW WHAT? YOU TAKE HER. 274 00:10:12,000 --> 00:10:14,035 I'M GONNA GO BACK, CHECK ON McNALLY AND WARD. 275 00:10:14,068 --> 00:10:15,770 NO. I WANT TO STAY WITH YOU. 276 00:10:15,804 --> 00:10:17,338 I'LL GO BACK. 277 00:10:17,371 --> 00:10:20,208 HEY! GET BACK! MOVE! 278 00:10:20,241 --> 00:10:22,276 [ WOMEN SHOUTING ] 279 00:10:26,580 --> 00:10:27,849 [ LOCK BEEPS ] 280 00:10:27,882 --> 00:10:30,518 ALL RIGHT! GO! GO! 281 00:10:30,551 --> 00:10:32,353 LET GO! LET GO! 282 00:10:32,386 --> 00:10:34,255 LET GO! 283 00:10:34,288 --> 00:10:36,925 DO YOU HEAR ME?! 284 00:10:42,831 --> 00:10:43,832 THIS IS McNALLY. 285 00:10:43,865 --> 00:10:46,500 WE'RE GONNA NEED HELP GETTING OUT OF THIS PRISON. 286 00:10:52,040 --> 00:10:53,742 [ KNOCK ON DOOR ] WARDEN? 287 00:10:53,775 --> 00:10:55,676 STAFF SERGEANT OLIVER SHAW. TELL ME WHAT'S HAPPENING. 288 00:10:55,710 --> 00:10:57,478 THE INMATES ARE A LITTLE RESTLESS. 289 00:10:57,511 --> 00:10:59,647 THEY'RE RESTLESS? BUT I'M ORDERING A FULL LOCKDOWN. 290 00:10:59,680 --> 00:11:00,782 THEN WHAT HAPPENS? 291 00:11:00,815 --> 00:11:02,751 THEN WE WAIT FOR THE INMATES TO SETTLE BEFORE WE MOVE IN. 292 00:11:02,784 --> 00:11:04,753 WHAT IF THEY DON'T SETTLE? 293 00:11:04,786 --> 00:11:07,388 A PRISON RIOT IS LIKE A CANDLE UNDER A GLASS. 294 00:11:07,421 --> 00:11:10,324 EVENTUALLY, IT RUNS OUT OF OXYGEN AND IT GOES OUT. 295 00:11:10,358 --> 00:11:13,962 IF WE MOVE IN GUNS BLAZING, WE ADD MORE OXYGEN. 296 00:11:13,995 --> 00:11:16,064 NOW, IF YOU'LL EXCUSE ME... 297 00:11:21,169 --> 00:11:22,570 WHAT DO WE DO? 298 00:11:22,603 --> 00:11:24,105 WE GOT TO WAIT. 299 00:11:24,138 --> 00:11:25,439 WE DON'T HAVE JURISDICTION IN THIS PRISON. 300 00:11:25,473 --> 00:11:26,374 THEY'RE RUNNING THE SHOW. 301 00:11:26,407 --> 00:11:28,109 DOESN'T MEAN WE CAN'T LEAN ON THEM, THOUGH. 302 00:11:28,142 --> 00:11:29,610 CAN YOU SEE HOW DEEP IT IS? 303 00:11:29,643 --> 00:11:31,145 Andy: I-I CAN'T. THERE'S TOO MUCH BLOOD. 304 00:11:31,179 --> 00:11:32,313 WE GOT TO GO TO THE INFIRMARY. 305 00:11:32,346 --> 00:11:33,748 THERE'S A NURSE THERE. 306 00:11:33,782 --> 00:11:35,583 Woman over P.A. system: THE PRISON IS OFFICIALLY ON LOCKDOWN... 307 00:11:35,616 --> 00:11:36,751 OH, I DO KNOW YOU. 308 00:11:36,785 --> 00:11:39,420 USED TO GO WITH THAT DEALER WHO RAN WITH THE REAPERS. 309 00:11:39,453 --> 00:11:41,089 TWO YEARS AGO, GUY NAMED CUDDY. 310 00:11:41,122 --> 00:11:43,758 NO. LIKE I TOLD YOU, I THINK YOU GOT ME MIXED UP WITH SOMEONE. 311 00:11:43,792 --> 00:11:44,558 YEAH. I REMEMBER THINKING, 312 00:11:44,592 --> 00:11:46,127 "WHAT'S THIS SQUEAKY LITTLE REDHEAD 313 00:11:46,160 --> 00:11:47,561 DOING WITH A BASTARD LIKE HIM?" 314 00:11:47,595 --> 00:11:48,763 IT WAS A ROUGH CROWD. 315 00:11:48,797 --> 00:11:49,931 WHATEVER YOU SAY. 316 00:11:49,964 --> 00:11:51,933 ALL RIGHT, LET'S, UH, LET'S GET YOU TO THE INFIRMARY. 317 00:11:51,966 --> 00:11:54,635 THREE, TWO. [ GRUNTS ] 318 00:11:54,668 --> 00:11:57,005 [ WOMEN SHOUTING ] 319 00:11:57,038 --> 00:11:59,707 EVERYTHING'S LOCKED DOWN. 320 00:11:59,740 --> 00:12:02,076 WE GOT TO GET OUT OF HERE. THIS DOOR'S UNLOCKED. 321 00:12:02,110 --> 00:12:03,912 NO. NO. WE'RE NOT GOING DOWN THERE. 322 00:12:03,945 --> 00:12:05,679 Rochelle: IT JUST LEADS INTO THE BASEMENT. 323 00:12:05,713 --> 00:12:06,915 IT CUTS ACROSS THE ENTIRE PRISON 324 00:12:06,948 --> 00:12:08,516 AND THEN IT COMES OUT ON THE OTHER SIDE 325 00:12:08,549 --> 00:12:09,818 RIGHT OUTSIDE THE WARDEN'S OFFICE, 326 00:12:09,851 --> 00:12:11,685 AND A GUARD WILL BE ABLE TO LET US OUT. I PROMISE. 327 00:12:11,719 --> 00:12:13,822 UNLESS YOU WANT TO STAY HERE. 328 00:12:13,855 --> 00:12:16,390 GET AWAY FROM ME! ALL RIGHT, GO. GO. 329 00:12:16,424 --> 00:12:17,725 SURE THIS GOES SOMEWHERE? 330 00:12:17,758 --> 00:12:19,093 I'VE CUT ACROSS HERE BEFORE. 331 00:12:19,127 --> 00:12:21,662 OH, YEAH? YOU GET OUT AND ROAM THE PRISON A LOT? 332 00:12:21,695 --> 00:12:24,899 I GET OUT A BIT. 333 00:12:24,933 --> 00:12:26,734 THE GUARDS TREAT ME A BIT DIFFERENTLY. 334 00:12:26,767 --> 00:12:27,836 GOOD FOR YOU. 335 00:12:27,869 --> 00:12:29,503 NO NEED TO BE SNARKY. I'M NOT. 336 00:12:29,537 --> 00:12:32,573 I JUST FIGURE WHEN YOU'RE IN PRISON, YOU'RE IN PRISON. 337 00:12:32,606 --> 00:12:34,242 WELL, I GUESS IT'S ALL RELATIVE. 338 00:12:35,977 --> 00:12:37,846 WHAT NOW, SMARTY PANTS? 339 00:12:46,420 --> 00:12:48,923 HELLO? 340 00:12:50,791 --> 00:12:52,460 McNALLY? 341 00:12:54,829 --> 00:12:56,430 [ LOCK BEEPS ] 342 00:12:56,464 --> 00:12:58,166 [ WOMEN SHOUTING ] 343 00:13:02,403 --> 00:13:05,006 HEY, IT'S, UH, IT'S PECK. I'M STUCK IN A CELLBLOCK. 344 00:13:05,039 --> 00:13:06,007 CAN ANYONE HELP ME? 345 00:13:06,040 --> 00:13:07,641 PECK, IT'S ME. ARE YOU IN DANGER? 346 00:13:07,675 --> 00:13:09,510 NO. NOT AT THE MOMENT. 347 00:13:09,543 --> 00:13:11,545 ALL RIGHT, I WANT YOU TO STAY WHERE YOU ARE. 348 00:13:11,579 --> 00:13:14,748 I WILL TRY MY VERY BEST. 349 00:13:14,782 --> 00:13:17,285 HELLO. 350 00:13:17,318 --> 00:13:19,820 HELLO. HELLO. 351 00:13:19,854 --> 00:13:21,956 LOOK AT YOU, BLONDIE. 352 00:13:21,990 --> 00:13:23,457 WELCOME TO MY LAIR. 353 00:13:23,491 --> 00:13:25,826 LOOKS LIKE EVERYBODY ELSE TOOK OFF ON ME. 354 00:13:25,860 --> 00:13:27,795 COME IN. 355 00:13:27,828 --> 00:13:30,298 I DON'T BITE. 356 00:13:30,331 --> 00:13:32,633 WELL, I DO... 357 00:13:32,666 --> 00:13:35,069 BUT I WON'T. I PROMISE. 358 00:13:37,906 --> 00:13:41,075 I CAN'T STAND THIS WAITING. 359 00:13:41,109 --> 00:13:43,077 IF THERE'S SOMETHING WRONG, 360 00:13:43,111 --> 00:13:46,447 THEY SHOULD JUST -- THEY SHOULD JUST TELL US. 361 00:13:46,480 --> 00:13:50,051 IT'S WEIRD HOW A MINUTE IS AN EMPIRICAL THING. 362 00:13:50,084 --> 00:13:52,887 IT'S 60 SECONDS, IT NEVER CHANGES, 363 00:13:52,921 --> 00:13:55,623 AND SOMETIMES THAT MINUTE FLIES, 364 00:13:55,656 --> 00:13:58,092 AND OTHER TIMES IT JUST CRAWLS. 365 00:13:58,126 --> 00:13:59,227 KIND OF LIKE A JUNE BUG. 366 00:13:59,260 --> 00:14:02,463 YOU GROW UP WITH JUNE BUGS? 367 00:14:02,496 --> 00:14:04,498 NO. WHAT'S A JUNE BUG? 368 00:14:04,532 --> 00:14:06,434 A JUNE BUG IS A LITTLE -- 369 00:14:06,467 --> 00:14:08,736 WELL, A LARGE BROWN BEETLE WITH WINGS, 370 00:14:08,769 --> 00:14:09,703 AND THEY FLAP AROUND 371 00:14:09,737 --> 00:14:11,172 IN EVERYBODY'S, UH, PORCH LIGHTS AT NIGHT. 372 00:14:11,205 --> 00:14:13,641 YOU GOT TO DUCK THEM TO GET INTO THE HOUSE, 373 00:14:13,674 --> 00:14:16,510 AND IN THE MORNING, THEY'RE CRAWLING AROUND ON THE GROUND LIKE SLUGS. 374 00:14:16,544 --> 00:14:18,246 OH. 375 00:14:18,279 --> 00:14:19,413 ARE THERE JUNE BUGS IN THE CITY? 376 00:14:19,447 --> 00:14:23,651 I SPENT THE WEEKENDS AT MY GRANDMA'S AT CRYSTAL BEACH. 377 00:14:23,684 --> 00:14:24,585 YOU'RE KIDDING? 378 00:14:24,618 --> 00:14:27,188 I USED TO SPEND SUMMERS AT CRYSTAL BEACH. 379 00:14:27,221 --> 00:14:28,056 REALLY? 380 00:14:28,089 --> 00:14:29,423 YEAH. MY COUSINS LIVE THERE. 381 00:14:29,457 --> 00:14:30,791 I LOVE CRYSTAL BEACH. 382 00:14:30,824 --> 00:14:32,360 AND YOU DON'T KNOW JUNE BUGS? 383 00:14:32,393 --> 00:14:34,628 NO, I ONLY EVER WENT IN AUGUST. 384 00:14:34,662 --> 00:14:38,432 WE WERE PROBABLY SWIMMING THERE AT THE SAME TIME. 385 00:14:38,466 --> 00:14:40,601 YEAH. WHO KNEW? 386 00:14:44,838 --> 00:14:46,941 GET UP. I HAVE TO PAT YOU DOWN. 387 00:14:48,442 --> 00:14:49,210 GET UP. 388 00:14:49,243 --> 00:14:52,380 [ SIGHS ] BE MY GUEST. 389 00:14:52,413 --> 00:14:54,848 BEEN A WHILE SINCE I HAD A GOOD GROPE. 390 00:14:54,882 --> 00:14:56,917 I KIND OF MISS IT. 391 00:14:56,951 --> 00:14:58,953 THIS SORT OF THING HAPPEN OFTEN? 392 00:14:58,987 --> 00:14:59,988 OFTEN ENOUGH. 393 00:15:00,021 --> 00:15:01,189 BUNCH OF BABIES. 394 00:15:01,222 --> 00:15:04,058 THEY'RE ALWAYS WHINING ABOUT, "OH, THERE'S NO DESSERT." 395 00:15:04,092 --> 00:15:06,961 NOT ENOUGH TIME IN THE EXERCISE YARD. 396 00:15:06,995 --> 00:15:08,696 WE'RE IN PRISON. 397 00:15:08,729 --> 00:15:12,100 I THINK THEY THOUGHT IT WAS GONNA BE LIKE A PRINCESS BALL. 398 00:15:12,133 --> 00:15:13,401 DO YOU KNOW WHAT STARTED IT? 399 00:15:13,434 --> 00:15:16,170 OH, GOD KNOWS. 400 00:15:16,204 --> 00:15:19,240 MAYBE PRINCESS NUMBER 41576 401 00:15:19,273 --> 00:15:23,577 COULD'VE ROBBED PRINCESS NUMBER 2134's COOKIE. 402 00:15:23,611 --> 00:15:25,479 [ SIGHS ] IT'S GONNA BE FINE. YOU KNOW WHAT? 403 00:15:25,513 --> 00:15:27,048 WE'RE NOT GONNA BE IN HERE FOREVER. 404 00:15:27,081 --> 00:15:28,649 IT'S GONNA BE FINE. GONNA SEEM LIKE FOREVER. 405 00:15:28,682 --> 00:15:33,121 EVERYBODY BREATHING THE SAME AIR OVER AND OVER, IN AND OUT. 406 00:15:33,154 --> 00:15:36,690 EVERYBODY PICKLING ON EACH OTHER'S STINKING BREATH. 407 00:15:39,227 --> 00:15:42,096 CAN SOMEONE PLEASE COME AND GET ME? 408 00:15:42,130 --> 00:15:44,598 OLIVER: Hang tight, Peck. We're working on it. 409 00:15:44,632 --> 00:15:47,235 McNALLY, YOU GUYS DOING OKAY? 410 00:15:47,268 --> 00:15:48,769 ANDY: Yeah, our inmate is injured. 411 00:15:48,802 --> 00:15:49,637 WE'RE IN A HALLWAY. 412 00:15:49,670 --> 00:15:51,539 I THINK WE'RE CLOSE TO THE ENTRANCE. 413 00:15:51,572 --> 00:15:54,275 BUT WE'RE ACTUALLY TRYING TO MAKE OUR WAY TO THE INFIRMARY. 414 00:15:54,308 --> 00:15:56,377 UH, NO, I WANT YOU OUT OF THERE RIGHT NOW. 415 00:15:56,410 --> 00:15:58,412 I WANT YOU TO HEAD TOWARD THAT ENTRANCE. 416 00:15:58,446 --> 00:16:00,814 When I see you, we'll send a guard to come get you out. 417 00:16:00,848 --> 00:16:02,816 YEAH, BUT SHE'S LOSING A LOT OF BLOOD. 418 00:16:02,850 --> 00:16:04,785 WE'LL HAVE EMS WAITING FOR HER. 419 00:16:04,818 --> 00:16:06,087 WE'RE CALLING THEM NOW. 420 00:16:06,120 --> 00:16:07,221 OKAY, YOU HEAR THAT, KENZIE? 421 00:16:07,255 --> 00:16:09,757 NO, YOU GOT TO TAKE ME TO THE INFIRMARY. 422 00:16:09,790 --> 00:16:11,159 IF WE GET YOU OUT OF HERE, 423 00:16:11,192 --> 00:16:14,028 WE'LL HAVE YOU TO A HOSPITAL IN 15 MINUTES, OKAY? 424 00:16:14,062 --> 00:16:17,565 I SAID WE'RE GOING TO THE INFIRMARY. [ SIGHS ] 425 00:16:23,571 --> 00:16:25,739 OLIVER: McNally, can you hear me? 426 00:16:25,773 --> 00:16:26,807 Ward? 427 00:16:26,840 --> 00:16:28,842 DON'T TOUCH IT! 428 00:16:28,876 --> 00:16:30,678 Open your radios. 429 00:16:30,711 --> 00:16:32,446 McNally, please confirm you're heading out, right? 430 00:16:32,480 --> 00:16:35,649 LOOK, KENZIE, WE CAN HELP YOU. 431 00:16:35,683 --> 00:16:37,385 NO. YOU'RE NOT GONNA HELP ME. 432 00:16:37,418 --> 00:16:39,520 WHAT, DO YOU THINK I'M STUPID? 433 00:16:39,553 --> 00:16:41,389 I NEED TO GET TO J-BIRD. 434 00:16:41,422 --> 00:16:42,556 WHO'S J-BIRD? 435 00:16:42,590 --> 00:16:44,758 MY BUNKY, MAN. 436 00:16:44,792 --> 00:16:45,926 I NEED TO GET THE REAL STORY. 437 00:16:45,959 --> 00:16:47,428 I DON'T KNOW WHY SHE'S PINNING THIS ON ME. 438 00:16:47,461 --> 00:16:51,465 Did you stab yourself so we'd take you to the infirmary? 439 00:16:51,499 --> 00:16:54,735 You don't got to go deep to bleed heavy. 440 00:16:54,768 --> 00:16:55,803 J-Bird lied. 441 00:16:55,836 --> 00:16:57,805 HEY, WHAT THE HELL'S GOING ON HERE? WHO'S J-BIRD? 442 00:16:57,838 --> 00:16:59,073 JODI ROBBINS. 443 00:16:59,107 --> 00:17:00,541 SHE'S THE INMATE THAT KENZIE STABBED. 444 00:17:00,574 --> 00:17:02,310 SHE'S RECOVERING IN THE INFIRMARY. WHY? 445 00:17:02,343 --> 00:17:04,345 Donnelly's lying. I don't know why. 446 00:17:04,378 --> 00:17:07,047 MAN, I KNOW HE HATES ME, BUT SHE'S MY BEST FRIEND. 447 00:17:07,081 --> 00:17:08,816 SO THERE'S GOT TO BE MORE TO IT THAN THAT, RIGHT? 448 00:17:08,849 --> 00:17:10,050 WHO'S DONNELLY? 449 00:17:10,084 --> 00:17:11,619 ONE OF THE GUARDS. HE SAW IT HAPPEN. 450 00:17:11,652 --> 00:17:12,786 SO, WHAT'S THE PROBLEM? WHY ISN'T HE HERE? 451 00:17:12,820 --> 00:17:15,156 WHY AREN'T WE TALKING TO HIM? HE RESIGNED TWO WEEKS AGO. 452 00:17:15,189 --> 00:17:17,425 MY THIRD RESIGNATION IN THE LAST MONTH. 453 00:17:17,458 --> 00:17:18,759 Kenzie, put down the knife. 454 00:17:18,792 --> 00:17:19,793 No! 455 00:17:19,827 --> 00:17:22,062 JUST TAKE THE KNIFE AWAY FROM HER THROAT, OKAY? 456 00:17:22,096 --> 00:17:23,231 TELL US WHAT HAPPENED. 457 00:17:23,264 --> 00:17:24,832 I PUT DOWN THE KNIFE, YOU'RE NOT GONNA TAKE ME THERE! 458 00:17:24,865 --> 00:17:26,134 TELL US WHAT HAPPENED. 459 00:17:26,167 --> 00:17:27,268 LAST TIME I SAW J-BIRD, 460 00:17:27,301 --> 00:17:30,171 SHE WAS LYING ON THE FLOOR IN THE SHOWER, ALL RIGHT? 461 00:17:30,204 --> 00:17:31,639 ALL THIS BLOOD'S GOING IN THE DRAIN. 462 00:17:31,672 --> 00:17:33,307 NEXT THING I KNOW, THEY SAY I DID IT. 463 00:17:33,341 --> 00:17:35,643 I DON'T TRUST THEM. I DON'T TRUST YOU. 464 00:17:35,676 --> 00:17:38,346 Juliet: OKAY. OKAY, KENZIE, YOU KNOW WHAT? 465 00:17:38,379 --> 00:17:40,981 EVEN IF YOU DIDN'T DO IT, ALL RIGHT, RIGHT NOW 466 00:17:41,014 --> 00:17:44,385 YOU HAVE A KNIFE POINTED AT MY THROAT, OKAY? 467 00:17:44,418 --> 00:17:45,953 NOW, LOOK, W-W-WE'RE GONNA -- 468 00:17:45,986 --> 00:17:47,821 WE'RE GONNA TAKE YOU TO THE INFIRMARY. 469 00:17:47,855 --> 00:17:48,756 I JUST HAVE TO CALL THEM 470 00:17:48,789 --> 00:17:50,023 AND LET THEM KNOW WHERE WE'RE GOING, OKAY? 471 00:17:50,057 --> 00:17:52,493 TAKE OFF YOUR RADIO. OKAY. 472 00:17:52,526 --> 00:17:53,694 TAKE IT OFF! 473 00:18:00,534 --> 00:18:02,503 LET'S GO! 474 00:18:02,536 --> 00:18:03,904 NOW! GO. 475 00:18:03,937 --> 00:18:05,206 McNALLY, I'M RIGHT BEHIND YOU, OKAY? 476 00:18:05,239 --> 00:18:07,241 ALL RIGHT. YEAH. 477 00:18:10,911 --> 00:18:12,780 McNALLY? 478 00:18:12,813 --> 00:18:14,282 McNALLY? 479 00:18:14,315 --> 00:18:18,319 OKAY, I GOT NO CONTACT WITH MY COPS. 480 00:18:18,352 --> 00:18:19,387 WE CAN'T JUST SIT AROUND HERE 481 00:18:19,420 --> 00:18:21,655 AND WAIT FOR THIS TO GET WORSE, YOU UNDERSTAND? 482 00:18:26,494 --> 00:18:28,462 WE HAVE A HOSTAGE SITUATION. 483 00:18:28,496 --> 00:18:31,832 AN INMATE IS HOLDING TWO POLICE OFFICERS IN CORRIDOR 7. 484 00:18:31,865 --> 00:18:33,401 GET THE NEGOTIATOR DOWN HERE. 485 00:18:33,434 --> 00:18:35,068 TRACI. 486 00:18:35,102 --> 00:18:36,470 I NEED YOU TO FIND OUT EVERYTHING YOU CAN 487 00:18:36,504 --> 00:18:38,105 ABOUT AN INMATE HERE CALLED KENZIE GRANT. 488 00:18:38,138 --> 00:18:39,607 CALL ME BACK AS SOON AS YOU CAN. 489 00:18:39,640 --> 00:18:42,075 MAYBE WE'LL HAVE SOMETHING FOR THE NEGOTIATOR 490 00:18:42,109 --> 00:18:43,076 WHEN THEY GET HERE. 491 00:18:43,110 --> 00:18:44,345 COLLINS? 492 00:18:44,378 --> 00:18:45,379 How you holding up? 493 00:18:45,413 --> 00:18:47,815 YEAH, I'M LOCKED IN THE BASEMENT, BUT I'M FINE. 494 00:18:47,848 --> 00:18:49,116 HOW'S EVERYONE ELSE? 495 00:18:49,149 --> 00:18:50,351 Peck's sitting tight. 496 00:18:50,384 --> 00:18:52,453 OKAY. WHAT ABOUT WARD AND McNALLY? 497 00:18:52,486 --> 00:18:54,722 They've got a bit of a situation on their hands. 498 00:18:54,755 --> 00:18:55,656 WHAT'S GOING ON? 499 00:18:55,689 --> 00:18:57,925 They're in there with an inmate right now. 500 00:18:57,958 --> 00:18:59,059 She's got a knife on them. 501 00:18:59,092 --> 00:19:00,494 She wants to get to the infirmary. 502 00:19:00,528 --> 00:19:02,330 We're trying to get them out of there. 503 00:19:02,363 --> 00:19:04,332 ALL RIGHT. HOW FAR AWAY IS TACTICAL? 504 00:19:04,365 --> 00:19:05,499 They're working their way through. 505 00:19:05,533 --> 00:19:07,301 THERE'S RIOTS IN MOST OF THE CELLBLOCKS. 506 00:19:07,335 --> 00:19:08,469 I'LL KEEP YOU POSTED. 507 00:19:09,970 --> 00:19:11,171 THEY'RE WITH KENZIE GRANT? 508 00:19:16,577 --> 00:19:17,811 HEY! 509 00:19:17,845 --> 00:19:20,147 OLIVER: Diaz, any way of calling the security company 510 00:19:20,180 --> 00:19:21,349 to manually override the system? 511 00:19:21,382 --> 00:19:23,884 DIAZ: Warden called the company. 512 00:19:23,917 --> 00:19:24,918 I NEED TO PEE. 513 00:19:24,952 --> 00:19:27,288 All right, copy that. 514 00:19:27,321 --> 00:19:28,956 Collins, what corridor are you in? 515 00:19:28,989 --> 00:19:30,858 THERE'S THE TOILET. GO AHEAD. 516 00:19:30,891 --> 00:19:32,626 PROMISE I WON'T LOOK. 517 00:19:32,660 --> 00:19:34,161 Stay put. We'll figure this out. 518 00:19:34,194 --> 00:19:36,230 NO, THANKS. I'D RATHER HOLD IT. 519 00:19:36,264 --> 00:19:37,431 SUIT YOURSELF. 520 00:19:39,733 --> 00:19:43,170 SO... 521 00:19:43,203 --> 00:19:45,373 ARE YOU MARRIED? 522 00:19:45,406 --> 00:19:47,408 DO -- DO YOU RIDE HORSES? 523 00:19:47,441 --> 00:19:48,476 DO YOU HAVE ANY YOUNGSTERS? 524 00:19:48,509 --> 00:19:52,813 ACTUALLY, I'M IN THE MIDDLE OF TRYING TO ADOPT. 525 00:19:52,846 --> 00:19:55,215 OH, DON'T DO IT. 526 00:19:55,249 --> 00:19:58,619 YOUNGSTERS JUST SUCK THE LIFE RIGHT OUT OF YOU. 527 00:19:58,652 --> 00:20:03,357 THEY FEED OFF YOUR HAIR AND YOUR BONES AND YOUR TEETH. 528 00:20:03,391 --> 00:20:06,360 MY JOINTS HAVEN'T BEEN THE SAME SINCE I HAD THE YOUNG ONES. 529 00:20:06,394 --> 00:20:07,361 YEAH, NO OFFENSE, ODELLE, 530 00:20:07,395 --> 00:20:09,129 BUT YOU MIGHT NOT HAVE BEEN THE BEST PARENT. 531 00:20:09,162 --> 00:20:10,298 OH, MAYBE, MAYBE NOT. 532 00:20:10,331 --> 00:20:12,232 MAYBE I WAS TOO GOOD. 533 00:20:12,266 --> 00:20:15,436 ONE THING -- IF I HAD MY TIME BACK, 534 00:20:15,469 --> 00:20:17,505 I'D TRY TO GET MORE OF MY LIFE 535 00:20:17,538 --> 00:20:20,374 BEFORE THE YOUNGSTERS CAME ALONG, YOU KNOW? 536 00:20:20,408 --> 00:20:21,875 I'D -- I'D -- I SHOULD PROBABLY -- 537 00:20:21,909 --> 00:20:24,211 SHOULD PROBABLY HAVE MADE A LIST OF STUFF TO DO. 538 00:20:24,244 --> 00:20:26,314 YOU MEAN LIKE A -- LIKE A BUCKET LIST? 539 00:20:26,347 --> 00:20:28,048 YEAH, SOMETHING LIKE THAT. 540 00:20:28,081 --> 00:20:31,118 ALL THE THINGS I NEVER GOT DONE ONCE THE YOUNGSTERS CAME. 541 00:20:31,151 --> 00:20:32,286 LIKE WHAT? 542 00:20:32,320 --> 00:20:35,289 I NEVER GOT TO RIDE IN A HOT-AIR BALLOON. 543 00:20:35,323 --> 00:20:37,257 I NEVER EVEN GOT TO DRINK A MAI TAI, 544 00:20:37,291 --> 00:20:39,059 I NEVER SLEPT WITH A BLACK MAN, 545 00:20:39,092 --> 00:20:41,629 I NEVER PINCHED A STRANGER ON THE BUTT 546 00:20:41,662 --> 00:20:43,797 JUST BECAUSE I WANTED TO. 547 00:20:43,831 --> 00:20:44,765 WHAT? 548 00:20:44,798 --> 00:20:47,368 YOU CAN'T GO AROUND GIVING IN TO YOUR WHIMS 549 00:20:47,401 --> 00:20:49,202 ONCE YOU BECOME A MOTHER. 550 00:20:49,236 --> 00:20:51,805 I MEAN, ONCE THE YOUNGSTERS TAKE OVER, 551 00:20:51,839 --> 00:20:53,006 YOU'RE IN SECOND PLACE, 552 00:20:53,040 --> 00:20:55,376 AND IF YOU HAVEN'T DONE EVERYTHING YOU WANT TO DO 553 00:20:55,409 --> 00:20:56,477 BY THEN [SCOFFS] 554 00:20:56,510 --> 00:20:59,580 YOU MIGHT AS WELL JUST FORGET IT 'CAUSE IT'S GAME OVER. 555 00:21:02,082 --> 00:21:05,218 GO. LET'S GO. 556 00:21:05,252 --> 00:21:07,054 ALL RIGHT, KENZIE, OKAY. YOU KNOW WHAT? 557 00:21:07,087 --> 00:21:08,356 JUST PLEASE PUT DOWN THE KNIFE 558 00:21:08,389 --> 00:21:10,223 'CAUSE WE'RE TAKING YOU THERE RIGHT NOW. 559 00:21:10,257 --> 00:21:11,492 OH, YEAH? I DON'T THINK SO. 560 00:21:11,525 --> 00:21:12,960 YOU'VE BEEN LYING TO ME SINCE THE MOMENT YOU WALKED IN HERE. 561 00:21:12,993 --> 00:21:14,895 I'M NOT LISTENING TO YOU. 562 00:21:14,928 --> 00:21:17,130 ALL RIGHT, YOU KNOW WHAT? YOU KNOW WHAT? 563 00:21:17,164 --> 00:21:18,832 YOU WERE RIGHT. YOU'RE RIGHT. 564 00:21:18,866 --> 00:21:19,667 I DO. I REMEMBER YOU. 565 00:21:19,700 --> 00:21:20,868 OH, YEAH, YOU'RE FULL OF IT. 566 00:21:20,901 --> 00:21:21,902 NO, NO, NO. FORWARD. 567 00:21:21,935 --> 00:21:23,371 THERE WAS -- THERE WAS THAT -- THERE WAS THAT BAR 568 00:21:23,404 --> 00:21:24,372 ON THE NORTH SIDE OF HASTINGS, RIGHT? 569 00:21:24,405 --> 00:21:26,607 IT WAS THAT LITTLE -- LITTLE HOLE IN THE WALL. 570 00:21:26,640 --> 00:21:29,276 IT HAD -- IT HAD LICENSE PLATES NAILED TO THE DOOR, RIGHT? 571 00:21:29,309 --> 00:21:31,612 AND MAYBE WE EVEN GOT DRUNK TOGETHER. 572 00:21:31,645 --> 00:21:33,681 NO, YOU GOT DRUNK. YOU GOT DRUNK. 573 00:21:33,714 --> 00:21:35,583 I WAS JUST WAITING FOR CUDDY TO BRING ME MY DOPE. 574 00:21:35,616 --> 00:21:37,050 RIGHT. BUT WE GOT ALONG. 575 00:21:37,084 --> 00:21:38,986 NO, YOU WERE A BITCH. 576 00:21:39,019 --> 00:21:40,320 YEAH. 577 00:21:40,354 --> 00:21:41,822 OKAY, WELL, WHAT DID YOU EXPECT? 578 00:21:41,855 --> 00:21:43,757 YOU WERE A CLIENT AND CUDDY ALWAYS TOLD ME 579 00:21:43,791 --> 00:21:45,292 NOT TO GET CLOSE TO CLIENTS. 580 00:21:45,325 --> 00:21:47,327 YEAH, WELL, CUDDY WAS A MEAN SON OF A BITCH. 581 00:21:47,361 --> 00:21:48,762 YES. YES, HE IS. 582 00:21:48,796 --> 00:21:51,331 AND HE WOULDN'T BE HAPPY IF HE FOUND OUT ABOUT THIS. 583 00:21:51,365 --> 00:21:52,966 OH, YEAH? WELL, GUESS WHAT? 584 00:21:53,000 --> 00:21:54,368 A WOMAN'S PRISON IS ONE PLACE 585 00:21:54,402 --> 00:21:55,836 WHERE CUDDY CAN'T GET ME, ALL RIGHT? 586 00:21:55,869 --> 00:21:56,970 NOW, I'M NOT GETTING OUT ANY TIME SOON, 587 00:21:57,004 --> 00:21:58,606 SO THE LEAST I CAN DO IS FIND OUT WHY MY BEST FRIEND 588 00:21:58,639 --> 00:22:00,040 IS SAYING I TRIED TO KILL HER. 589 00:22:00,073 --> 00:22:02,009 LET'S GO. GO! 590 00:22:02,042 --> 00:22:03,143 COME ON, BITCH. 591 00:22:03,176 --> 00:22:05,646 STAFF. HOW'S IT GOING DOWN THERE? 592 00:22:05,679 --> 00:22:07,347 OLIVER: Well, your guess is as good as mine. 593 00:22:07,381 --> 00:22:08,782 Apparently, this isn't their first rodeo, 594 00:22:08,816 --> 00:22:10,350 which is supposed to tell me something. 595 00:22:10,384 --> 00:22:11,852 Anyway, what did you find out? 596 00:22:11,885 --> 00:22:13,787 WELL, I TALKED TO KENZIE'S PUBLIC DEFENDER. 597 00:22:13,821 --> 00:22:15,389 KENZIE GRANT'S BEEN IN AND OUT OF PRISON 598 00:22:15,423 --> 00:22:16,624 SINCE SHE WAS A TEENAGER. 599 00:22:16,657 --> 00:22:20,127 HER ONLY FRIEND IN THERE IS THIS J-BIRD PERSON, JODI ROBBINS. 600 00:22:20,160 --> 00:22:23,296 THE GUARD WHO WITNESSED THE STABBING SAYS IT WAS KENZIE, 601 00:22:23,330 --> 00:22:25,399 and J-Bird corroborated that from the hospital. 602 00:22:25,433 --> 00:22:27,334 ALL RIGHT, KENZIE IS ADAMANT THAT SHE DID NOT DO THIS. 603 00:22:27,367 --> 00:22:28,836 MAYBE WE OUGHT TO TALK TO THAT GUARD. 604 00:22:28,869 --> 00:22:29,770 ON IT. 605 00:22:29,803 --> 00:22:31,104 GREG DONNELLY IS ON HIS WAY DOWN HERE NOW. 606 00:22:31,138 --> 00:22:32,873 YOU SAID HE RESIGNED, RIGHT? 607 00:22:32,906 --> 00:22:34,107 YEAH. WHY? 608 00:22:34,141 --> 00:22:35,242 Well, employment records are vague, 609 00:22:35,275 --> 00:22:37,044 but there are a number of complaints filed against him. 610 00:22:37,077 --> 00:22:38,211 OH, YEAH? WHAT FOR? 611 00:22:38,245 --> 00:22:41,014 APPARENTLY, HE WAS HAVING AN INAPPROPRIATE RELATIONSHIP 612 00:22:41,048 --> 00:22:42,249 with one of the inmates. 613 00:22:42,282 --> 00:22:43,584 THEY SAY WHO WITH? 614 00:22:45,118 --> 00:22:47,254 ROCHELLE DAWBER. 615 00:22:47,287 --> 00:22:49,657 WOMAN: Diaz, you hear from McNally yet? 616 00:22:49,690 --> 00:22:51,859 YOU REALIZE I DON'T BELONG IN HERE. 617 00:22:51,892 --> 00:22:53,393 NEITHER DO I. 618 00:22:53,427 --> 00:22:55,062 NO. I MEAN IN PRISON. 619 00:22:56,797 --> 00:22:58,932 NORMALLY, GOOD THINGS COME INTO MY LIFE. 620 00:22:58,966 --> 00:23:00,367 I'M AN INDIGO CHILD. 621 00:23:00,400 --> 00:23:01,301 EXCUSE ME? 622 00:23:01,334 --> 00:23:05,806 MORE LIGHT FALLS ON ME THAN ON MOST PEOPLE. 623 00:23:05,839 --> 00:23:07,675 IT MEANS I CAST A VERY LARGE SHADOW. 624 00:23:07,708 --> 00:23:10,578 WELL, THERE'S NOT A LOT OF LIGHT SHINING ON YOU DOWN HERE. 625 00:23:10,611 --> 00:23:12,813 WOULD YOU LET ME SHOW YOU SOMETHING? 626 00:23:15,583 --> 00:23:18,151 OF THAT LIGHT THAT SHINES IN HERE, 627 00:23:18,185 --> 00:23:21,421 MOST OF IT'S SHINING ON ME. 628 00:23:21,455 --> 00:23:24,391 IN FACT, I HAVE BEEN TOLD 629 00:23:24,424 --> 00:23:30,464 THAT I JUST CAST THIS ENERGY AURA ALL AROUND ME. 630 00:23:30,498 --> 00:23:35,168 AND IF I STAND AGAINST A LIGHT, YOU CAN SEE IT. 631 00:23:35,202 --> 00:23:37,437 LOOK, NO OFFENSE, BUT I REALLY DON'T WANT TO HEAR 632 00:23:37,471 --> 00:23:38,539 ABOUT YOUR AURA RIGHT NOW. 633 00:23:38,572 --> 00:23:40,240 WELL, I THINK YOU DO, 634 00:23:40,273 --> 00:23:43,210 BECAUSE I FORGOT TO MENTION ONE THING. 635 00:23:43,243 --> 00:23:44,945 AND THAT'S THAT I HAVE A KEY. 636 00:23:44,978 --> 00:23:46,046 [ LOCK BEEPS ] 637 00:24:00,994 --> 00:24:02,730 Kenzie: GET IN THERE. GET IN THERE. 638 00:24:02,763 --> 00:24:04,498 J. Andy: WHERE IS EVERYBODY? 639 00:24:04,532 --> 00:24:06,233 TURN AROUND. GET ON THE WALL. 640 00:24:06,266 --> 00:24:08,335 DON'T MOVE. J? 641 00:24:08,368 --> 00:24:11,138 J, BUDDY. 642 00:24:11,171 --> 00:24:12,740 HEY, IT'S ME. 643 00:24:12,773 --> 00:24:13,641 KENZIE? 644 00:24:13,674 --> 00:24:15,976 YEAH. YOU LOOK AWFUL. 645 00:24:16,009 --> 00:24:17,144 WHAT'S GOING ON? 646 00:24:17,177 --> 00:24:19,713 LISTEN, THAT DAY IN THE SHOWERS, WHO WAS IT? 647 00:24:19,747 --> 00:24:22,550 LISTEN, THEY GOT TO HEAR IT FROM YOU, OKAY? 648 00:24:22,583 --> 00:24:23,684 'CAUSE IF YOU TELL THEM THE TRUTH, 649 00:24:23,717 --> 00:24:27,020 THEY'RE NOT GONNA TRANSFER ME. OKAY? 650 00:24:27,054 --> 00:24:27,855 I-I-I ALREADY SAID. 651 00:24:27,888 --> 00:24:30,057 [ SIRENS WAILING IN DISTANCE ] 652 00:24:32,025 --> 00:24:34,161 IT WAS YOU. 653 00:24:34,194 --> 00:24:35,529 WHAT? 654 00:24:35,563 --> 00:24:37,097 IT WAS HER. 655 00:24:37,130 --> 00:24:38,599 IT WAS YOU. YOU DID IT. 656 00:24:39,800 --> 00:24:42,035 WHAT ARE YOU DOING THIS TO ME FOR, MAN?! 657 00:24:42,069 --> 00:24:44,004 THEY'RE TRYING TO CHARGE ME WITH ATTEMPTED MURDER! 658 00:24:44,037 --> 00:24:45,573 I'M SORRY. YOU KNOW WHAT THAT MEANS?! 659 00:24:45,606 --> 00:24:46,574 DO YOU KNOW WHAT THEY'RE GONNA DO TO ME? 660 00:24:46,607 --> 00:24:48,776 I'M NEVER GONNA GET OUT, MAN! 661 00:24:48,809 --> 00:24:51,011 I'M NEVER GONNA HAVE A CHANCE! 662 00:24:51,044 --> 00:24:52,145 COME ON, J! 663 00:24:52,179 --> 00:24:53,914 [ Straining ] I-I'M SORRY! 664 00:24:53,947 --> 00:24:54,815 J! HEY. 665 00:24:54,848 --> 00:24:57,417 WHAT'S HAPPENING? WHAT'S HAPPENING? 666 00:24:57,450 --> 00:24:59,519 HEY! 667 00:24:59,553 --> 00:25:01,088 DO SOMETHING! 668 00:25:04,357 --> 00:25:06,293 I CAN'T FIND A PULSE. 669 00:25:06,326 --> 00:25:09,029 SAVE HER. IF J DIES... NO. 670 00:25:09,062 --> 00:25:09,963 ...SO DOES THIS ONE. 671 00:25:09,997 --> 00:25:11,231 Andy: OKAY, OKAY, OKAY. HOLD ON A SECOND. 672 00:25:11,264 --> 00:25:13,601 YOU GOT TO LET HER GO THEN. YOU NEED TO PUT DOWN THE KNIFE. 673 00:25:13,634 --> 00:25:14,902 I'M NOT GONNA BE ABLE TO CONCENTRATE 674 00:25:14,935 --> 00:25:16,136 AND I NEED HER HELP, OKAY? 675 00:25:16,169 --> 00:25:17,838 YOU WANT ME TO SAVE HER, 676 00:25:17,871 --> 00:25:19,807 TAKE THE KNIFE AWAY FROM HER NECK. 677 00:25:19,840 --> 00:25:22,309 DON'T DO ANYTHING STUPID. 678 00:25:22,342 --> 00:25:24,211 START COMPRESSIONS. HURRY UP! 679 00:25:24,244 --> 00:25:27,981 HURRY UP. 680 00:25:28,015 --> 00:25:29,416 OH, MY GOD. 681 00:25:29,449 --> 00:25:31,585 OKAY, SO TAKE ME THROUGH IT AGAIN. 682 00:25:31,619 --> 00:25:34,688 UH, WELL, I RAN IN WHEN I HEARD THE SCREAM. 683 00:25:34,722 --> 00:25:36,790 KENZIE WAS THERE HOLDING THE KNIFE. 684 00:25:36,824 --> 00:25:38,458 SHE RAN OFF. I LET HER GO. 685 00:25:38,491 --> 00:25:40,127 WHY DIDN'T YOU STOP HER? 686 00:25:40,160 --> 00:25:41,995 [ SCOFFS ] WHERE IS SHE GONNA GO? SHE'S IN A PRISON. 687 00:25:42,029 --> 00:25:46,600 OKAY. UH, DO YOU KNOW WHY KENZIE WENT AFTER JODI? 688 00:25:46,634 --> 00:25:48,401 PROBABLY A LOVER'S QUARREL. 689 00:25:48,435 --> 00:25:50,437 I THINK THEY WERE INTO EACH OTHER. 690 00:25:50,470 --> 00:25:52,305 YOU THINK? 691 00:25:52,339 --> 00:25:53,807 I LIKE TO THINK SO, YEAH. 692 00:25:53,841 --> 00:25:57,310 HEY, LOVE IS LOVE. IT HAPPENS WHEN IT HAPPENS. 693 00:25:57,344 --> 00:25:59,647 ARE YOU IN LOVE, MR. DONNELLY? 694 00:25:59,680 --> 00:26:00,714 [ SIGHS ] 695 00:26:00,748 --> 00:26:02,482 LOOK, YOU DIDN'T BRING ME HERE 696 00:26:02,515 --> 00:26:03,984 TO TALK ABOUT MY LOVE LIFE. 697 00:26:04,017 --> 00:26:06,453 YOU WANT A CONFIRMATION THAT KENZIE TRIED TO DO IN J-BIRD, 698 00:26:06,486 --> 00:26:08,221 AND I'M TELLING YOU THAT, YES, SHE DID. 699 00:26:08,255 --> 00:26:10,057 CAN I GO? 700 00:26:10,090 --> 00:26:13,193 WE'RE ALMOST DONE. JUST GIVE ME A MINUTE. 701 00:26:17,297 --> 00:26:18,598 HE'S LYING. I CAN FEEL IT. 702 00:26:18,632 --> 00:26:19,466 WHY WOULD HE LIE? 703 00:26:19,499 --> 00:26:20,400 I WANT TO DIG 704 00:26:20,433 --> 00:26:22,803 INTO THIS INAPPROPRIATE RELATIONSHIP MORE. 705 00:26:22,836 --> 00:26:24,537 DOV, CAN YOU LOOK INTO ROCHELLE DAWBER 706 00:26:24,571 --> 00:26:26,106 WHILE I GO OVER HIS EMPLOYMENT RECORDS, 707 00:26:26,139 --> 00:26:28,475 AND, DUNCAN, JUST KEEP THIS YO-YO ENTERTAINED SOMEHOW. 708 00:26:28,508 --> 00:26:30,243 HOW AM I SUPPOSED TO KEEP HIM ENTERTAINED? 709 00:26:30,277 --> 00:26:31,311 I DON'T KNOW. 710 00:26:31,344 --> 00:26:33,546 GET HIM TO TELL YOU ABOUT HIMSELF, SHARE HIS TRUTHS. 711 00:26:33,580 --> 00:26:35,082 SEE IF HE PEES SITTING DOWN. 712 00:26:40,353 --> 00:26:41,354 [ DOOR CLOSES ] 713 00:26:41,388 --> 00:26:44,057 HEY, DIAZ, WHAT'S THE STATUS? 714 00:26:44,091 --> 00:26:46,559 RIOT SQUAD HASN'T CAUGHT UP TO YOU YET? 715 00:26:46,593 --> 00:26:49,229 NO, THEY HAVE NOT. 716 00:26:49,262 --> 00:26:51,464 I, UH... I LOST MY INMATE. 717 00:26:51,498 --> 00:26:52,632 SHE GOT A KEY. 718 00:26:52,666 --> 00:26:53,533 She locked me down here. 719 00:26:53,566 --> 00:26:54,467 ALL RIGHT, I'M COMING TO GET YOU OUT. 720 00:26:54,501 --> 00:26:56,469 I'M COMING, TOO. I'M DONE HANGING OUT HERE. 721 00:26:56,503 --> 00:26:58,739 SIR, TWO WORDS. 722 00:26:58,772 --> 00:27:00,674 EYE PATCH? DEPTH PERCEPTION. 723 00:27:00,708 --> 00:27:05,078 OKAY. OKAY, BE CAREFUL, DIAZ. 724 00:27:07,380 --> 00:27:09,016 YOU GOT ANYTHING? YEAH. 725 00:27:09,049 --> 00:27:12,319 ROCHELLE DAWBER IS IN FOR A D.U.I. AND HIT AND RUN. 726 00:27:12,352 --> 00:27:14,888 SHE WAS ALSO CHARGED WITH MANSLAUGHTER IN THE ACCIDENT, 727 00:27:14,922 --> 00:27:16,523 BUT THOSE CHARGES WERE DROPPED. 728 00:27:16,556 --> 00:27:17,958 WHY? PLEA BARGAIN. 729 00:27:17,991 --> 00:27:19,860 SHE HAD ANOTHER D.U.I. TWO YEARS AGO 730 00:27:19,893 --> 00:27:23,363 AND STALKING AND CRIMINAL HARASSMENT CHARGES IN 2010. 731 00:27:23,396 --> 00:27:24,898 ALSO DROPPED. 732 00:27:24,932 --> 00:27:26,199 HUH. SHE'S GOT A HISTORY 733 00:27:26,233 --> 00:27:28,301 OF WEASELING HER WAY OUT OF TROUBLE. 734 00:27:28,335 --> 00:27:29,369 WHAT ABOUT DONNELLY? 735 00:27:29,402 --> 00:27:31,238 THERE WERE A NUMBER OF COMPLAINTS FILED AGAINST HIM 736 00:27:31,271 --> 00:27:32,205 BY OTHER GUARDS 737 00:27:32,239 --> 00:27:33,907 SAYING HE WAS GIVING HER SPECIAL PRIVILEGES. 738 00:27:33,941 --> 00:27:35,743 ONE INMATE SAID SHE SAW THEM HAVING SEX. 739 00:27:35,776 --> 00:27:37,945 HOW DO WE GET HIM TO TALK? WE WING IT. 740 00:27:40,781 --> 00:27:42,082 [ DOOR BUZZES ] 741 00:27:45,352 --> 00:27:46,419 MR. DONNELLY. 742 00:27:46,453 --> 00:27:48,756 WE'VE BEEN TALKING TO AN INMATE YOU'RE FAMILIAR WITH. 743 00:27:48,789 --> 00:27:49,957 I'M FAMILIAR WITH A LOT OF INMATES. 744 00:27:49,990 --> 00:27:52,059 WE MEAN THE ONE YOU'RE SLEEPING WITH -- ROCHELLE DAWBER. 745 00:27:52,092 --> 00:27:54,194 UNLESS YOU'RE SLEEPING WITH A LOT OF INMATES. 746 00:27:54,227 --> 00:27:55,295 WHAT'S ROCHELLE SAY? 747 00:27:55,328 --> 00:27:56,196 A LOT, ACTUALLY. 748 00:27:56,229 --> 00:27:57,530 WE HAVE AN OFFICER WITH HER RIGHT NOW. 749 00:27:57,564 --> 00:27:58,799 THEY SPENT THE MORNING TOGETHER. 750 00:27:58,832 --> 00:27:59,933 YOU KNOW, SHE'S A SWEET GIRL. 751 00:27:59,967 --> 00:28:03,003 MM, AND SINCE SHE'S GETTING READY TO LEAVE THE PRISON, 752 00:28:03,036 --> 00:28:04,704 SOUNDS LIKE SHE'S GOT A LOT TO SAY. 753 00:28:04,738 --> 00:28:05,906 WHAT ARE YOU TALKING ABOUT? 754 00:28:05,939 --> 00:28:09,042 WE KNOW YOU LIED ABOUT SEEING KENZIE STAB JODI ROBBINS. 755 00:28:09,076 --> 00:28:10,978 WHY WOULD I LIE ABOUT THAT? 756 00:28:11,011 --> 00:28:13,246 'CAUSE YOU DID IT YOURSELF. 757 00:28:13,280 --> 00:28:15,816 WHAT? 758 00:28:15,849 --> 00:28:18,285 WHY WOULD I SHANK SOME CHICK IN THE SHOWER? 759 00:28:18,318 --> 00:28:21,789 I DON'T KNOW, BUT YOU SHOULD PROBABLY CALL YOUR LAWYER, 760 00:28:21,822 --> 00:28:23,356 'CAUSE IF THIS LEAD PANS OUT, 761 00:28:23,390 --> 00:28:25,358 YOU'RE LOOKING AT SECOND-DEGREE MURDER MINIMUM. 762 00:28:25,392 --> 00:28:26,593 HEY, HOW DO YOU THINK THEY TREAT FORMER GUARDS 763 00:28:26,626 --> 00:28:27,627 WHEN THEY'RE IN PRISON? 764 00:28:27,660 --> 00:28:28,929 OOH, NOT SO GOOD. 765 00:28:28,962 --> 00:28:31,631 HEY, LOOK, I DIDN'T STAB ANYONE. 766 00:28:31,664 --> 00:28:33,700 I MIGHT'VE SAID I SAW SOMETHING I DIDN'T SEE, 767 00:28:33,733 --> 00:28:34,902 BUT THAT'S IT. 768 00:28:34,935 --> 00:28:37,070 OFFICER MOORE, CAN YOU GET STARTED ON THAT WARRANT, PLEASE? 769 00:28:37,104 --> 00:28:38,038 ABSOLUTELY. 770 00:28:38,071 --> 00:28:40,373 NO, WAIT, HEY! WAIT! WAIT! LOOK. 771 00:28:40,407 --> 00:28:42,009 IF ROCHELLE IS POINTING THE FINGER AT ME, 772 00:28:42,042 --> 00:28:43,510 IT'S 'CAUSE SHE WANTS TO TAKE THE ATTENTION 773 00:28:43,543 --> 00:28:44,511 OFF OF HERSELF, OKAY? 774 00:28:44,544 --> 00:28:46,313 WHAT DO YOU MEAN? 775 00:28:46,346 --> 00:28:47,047 [ SIGHS ] 776 00:28:47,080 --> 00:28:49,149 JODI WANTED A FAVOR FROM ME, 777 00:28:49,182 --> 00:28:52,052 SO I GOT A LITTLE FAVOR FROM HER, IF YOU KNOW WHAT I MEAN. 778 00:28:52,085 --> 00:28:54,454 BUT THEN ROCHELLE CAUGHT US TOGETHER. 779 00:28:54,487 --> 00:28:55,588 SHE FREAKS, SHE GOES NUTS, 780 00:28:55,622 --> 00:28:57,925 SHE THINKS THAT JODI'S ENCROACHING ON HER TERRITORY. 781 00:28:57,958 --> 00:28:59,126 SHE'S ACTING LIKE AN ANIMAL. 782 00:28:59,159 --> 00:29:01,161 OKAY, SO WHAT ARE YOU SAYING -- THAT ROCHELLE STABBED JODI? 783 00:29:01,194 --> 00:29:04,097 IF THAT'S TRUE, WHY WOULD JODI LIE? 784 00:29:04,131 --> 00:29:05,498 WHY WOULD SHE BLAME HER BEST FRIEND? 785 00:29:05,532 --> 00:29:07,167 'CAUSE ROCHELLE FORCED HER TO. 786 00:29:07,200 --> 00:29:10,737 SHE SAID THAT SHE'D KILL KENZIE IF JODI DIDN'T PLAY ALONG. 787 00:29:10,770 --> 00:29:12,005 JODI FREAKED. 788 00:29:12,039 --> 00:29:13,506 WHY DID YOU GO ALONG WITH IT? 789 00:29:13,540 --> 00:29:15,508 [ SIGHS ] 790 00:29:15,542 --> 00:29:17,978 SHE GOT ME BY THE BALLS, OKAY? 791 00:29:18,011 --> 00:29:20,547 LOOK, WHEN I FIRST MET HER, I DIDN'T THINK MUCH. 792 00:29:20,580 --> 00:29:22,349 OKAY? A BALLERINA TYPE. 793 00:29:22,382 --> 00:29:25,185 I DID HER A COUPLE OF FAVORS. I LIKED HER. 794 00:29:25,218 --> 00:29:27,921 THEN I FOUND OUT WHAT SHE'S REALLY LIKE. 795 00:29:27,955 --> 00:29:29,689 AND WHAT DOES THAT MEAN? WHAT IS SHE REALLY LIKE? 796 00:29:29,722 --> 00:29:32,025 ROCHELLE'S A SOCIOPATH. 797 00:29:32,059 --> 00:29:35,362 NOT KIDDING, MAN. BITCH IS CRAZY. 798 00:29:35,395 --> 00:29:37,330 IF SHE WANTS JODI TO PAY, SHE'S GONNA PAY. 799 00:29:37,364 --> 00:29:41,368 AND IF ANYONE GETS IN HER WAY, SHE'LL KILL THEM. 800 00:29:41,401 --> 00:29:43,036 OKAY. HERE. 801 00:29:43,070 --> 00:29:44,437 CUT OFF HER SHIRT. I'LL TAKE OVER. 802 00:29:44,471 --> 00:29:45,505 READY? YEP. 803 00:29:45,538 --> 00:29:48,008 GO. [ PANTING ] 804 00:29:53,746 --> 00:29:55,482 ALL RIGHT, READY? YEP. 805 00:29:58,018 --> 00:29:59,352 ALL RIGHT, CAN YOU WORK AROUND ME? 806 00:29:59,386 --> 00:30:00,453 YEAH. 807 00:30:03,456 --> 00:30:04,557 ATTACHING PADS. 808 00:30:07,494 --> 00:30:08,561 PLUGGING IN. 809 00:30:08,595 --> 00:30:09,662 CAN YOU SPEED IT UP? 810 00:30:09,696 --> 00:30:11,431 LOOK, WE'RE NOT DOCTORS, ALL RIGHT? 811 00:30:11,464 --> 00:30:12,900 CLEAR. 812 00:30:12,933 --> 00:30:14,234 SHOCKING! 813 00:30:14,267 --> 00:30:16,269 [ THUMP ] 814 00:30:16,303 --> 00:30:18,305 OKAY. 815 00:30:19,839 --> 00:30:21,474 IS THERE A PULSE? 816 00:30:21,508 --> 00:30:22,642 NOTHING. 817 00:30:22,675 --> 00:30:23,944 COME ON, J. SHE CAN'T DIE. 818 00:30:23,977 --> 00:30:25,212 SHE'S MY BEST FRIEND. 819 00:30:27,214 --> 00:30:28,548 OH, MY GOSH. 820 00:30:29,549 --> 00:30:31,218 OH! NO! 821 00:30:31,251 --> 00:30:33,120 DOWN! NO! 822 00:30:33,153 --> 00:30:35,088 DOWN! 823 00:30:41,361 --> 00:30:43,563 Juliet: SHOCKING. [ THUMP ] 824 00:30:50,203 --> 00:30:52,339 DO YOU GUYS THINK JODI'S GONNA BE OKAY? 825 00:30:52,372 --> 00:30:53,340 I DON'T KNOW. 826 00:30:57,044 --> 00:30:58,311 READY? YEAH. 827 00:31:00,413 --> 00:31:02,182 CLEAR. SHOCKING. 828 00:31:02,215 --> 00:31:03,783 [ THUMP ] 829 00:31:03,816 --> 00:31:05,385 ANYTHING? 830 00:31:05,418 --> 00:31:07,154 NO PULSE? COME ON. 831 00:31:12,525 --> 00:31:13,994 LOOK, STAND BACK, OKAY? 832 00:31:14,027 --> 00:31:16,696 OKAY. READY? GO. 833 00:31:16,729 --> 00:31:17,797 [ BANGS ] OH! 834 00:31:17,830 --> 00:31:18,999 WHAT'S THAT? THEY'RE HERE. 835 00:31:19,032 --> 00:31:21,268 WHO? WHAT DO THEY WANT? KENZIE? 836 00:31:21,301 --> 00:31:22,702 Kenzie: NO, THEY'RE LOOKING FOR DRUGS. 837 00:31:22,735 --> 00:31:23,503 IF THERE'S DRUGS IN THE PRISON, 838 00:31:23,536 --> 00:31:25,038 THEY'RE GONNA BE IN THE INFIRMARY. 839 00:31:25,072 --> 00:31:27,474 RIOT POLICE ARE GONNA BE HERE IN A MINUTE ANYWAY. 840 00:31:27,507 --> 00:31:28,541 [ BANGING CONTINUES ] 841 00:31:35,115 --> 00:31:36,416 Radiologist: I CALLED YOU BACK IN 842 00:31:36,449 --> 00:31:38,285 BECAUSE I WAS CONCERNED AFTER OUR LAST MEETING 843 00:31:38,318 --> 00:31:40,420 ABOUT A POTENTIAL NEURAL TUBE DEFECT. 844 00:31:40,453 --> 00:31:41,955 WHAT DOES THAT MEAN? 845 00:31:41,989 --> 00:31:43,056 IT'S A DEFECT OF THE FETAL SPINE, 846 00:31:43,090 --> 00:31:46,226 WHICH CAN LEAD TO SIGNIFICANT DEVELOPMENT ISSUES. 847 00:31:46,259 --> 00:31:47,827 OKAY. 848 00:31:47,860 --> 00:31:48,828 SHE'S SMALL. 849 00:31:48,861 --> 00:31:51,698 BUT AS OF RIGHT NOW, I THINK THE BABY'S FINE. 850 00:31:51,731 --> 00:31:54,701 I'M STILL GONNA WANT TO SEE YOU EVERY FEW WEEKS 851 00:31:54,734 --> 00:31:56,369 JUST TO MONITOR HER GROWTH. 852 00:31:56,403 --> 00:31:58,471 HER? 853 00:31:58,505 --> 00:32:00,640 IT'S A GIRL? 854 00:32:00,673 --> 00:32:04,611 AND WE -- WE CAN ALL JUST PRETEND I DIDN'T SLIP UP THERE. 855 00:32:04,644 --> 00:32:06,313 NO, WE CAN'T. 856 00:32:06,346 --> 00:32:07,947 A BABY GIRL? 857 00:32:07,981 --> 00:32:09,282 [ BOTH CHUCKLE ] 858 00:32:09,316 --> 00:32:10,417 I'LL HAVE OUR OFFICE CALL YOU, 859 00:32:10,450 --> 00:32:12,852 BOOK YOU IN FOR ANOTHER APPOINTMENT IN THREE WEEKS. 860 00:32:12,885 --> 00:32:15,588 CONGRATULATIONS. 861 00:32:15,622 --> 00:32:16,689 [ CHUCKLES ] 862 00:32:16,723 --> 00:32:19,426 THANK YOU. 863 00:32:19,459 --> 00:32:21,061 [ DOOR OPENS ] 864 00:32:21,094 --> 00:32:22,629 [ CHUCKLES ] 865 00:32:26,466 --> 00:32:27,434 A GIRL. 866 00:32:27,467 --> 00:32:30,937 [ CHUCKLES ] 867 00:32:30,970 --> 00:32:34,341 OH. 868 00:32:34,374 --> 00:32:36,143 I DON'T... 869 00:32:36,176 --> 00:32:38,311 I DON'T WANT TO TELL ANYONE ABOUT THIS. 870 00:32:38,345 --> 00:32:40,980 SURE. 871 00:32:41,014 --> 00:32:42,982 I'M GONNA TELL ANDY. 872 00:32:43,016 --> 00:32:45,552 YEAH, SEE, UM... 873 00:32:45,585 --> 00:32:50,057 THIS IS WHY I WANTED TO COME ALONE TODAY. 874 00:32:50,090 --> 00:32:53,193 WHAT ARE YOU -- WHAT ARE YOU SAYING? 875 00:32:53,226 --> 00:32:56,163 HOW'S THIS SUPPOSED TO HAPPEN, SAM? 876 00:32:56,196 --> 00:32:59,299 US HAVING A BABY TOGETHER, BUT WE'RE NOT TOGETHER. 877 00:32:59,332 --> 00:33:01,368 YOU'RE BUILDING A LIFE WITH ANDY. 878 00:33:01,401 --> 00:33:02,969 I MEAN, HOW IS IT SUPPOSED TO WORK? 879 00:33:03,002 --> 00:33:04,003 IT'S SIMPLE. 880 00:33:04,037 --> 00:33:07,207 I WILL ALWAYS BE THERE FOR YOU AND FOR THE BABY. 881 00:33:08,841 --> 00:33:10,543 BUT ANDY CAN'T COME THIRD. 882 00:33:10,577 --> 00:33:15,448 YEAH, WELL, THAT'S A VERY BIG PROMISE YOU'RE MAKING. 883 00:33:15,482 --> 00:33:17,117 TO YOU OR TO HER? 884 00:33:17,150 --> 00:33:19,252 TO ALL OF US. 885 00:33:19,286 --> 00:33:21,754 I'M OKAY WITH THAT. 886 00:33:26,659 --> 00:33:28,261 WE GOT TO DO SOMETHING, OR THEY'RE GONNA BUST IN. 887 00:33:28,295 --> 00:33:30,029 Andy: HOLD ON. I THINK WE GOT HER BACK. 888 00:33:30,063 --> 00:33:32,465 OH. YOU'RE ALIVE. 889 00:33:33,833 --> 00:33:34,801 ARE YOU ALL DEAF? 890 00:33:34,834 --> 00:33:37,170 [ WOMEN SHOUTING ] 891 00:33:37,204 --> 00:33:38,805 YOU WANT SOME OF THIS?! 892 00:33:38,838 --> 00:33:39,939 EVERYONE STAND BACK! 893 00:33:39,972 --> 00:33:41,241 HEY! GET BACK! GET BACK! 894 00:33:41,274 --> 00:33:42,975 NO! STAND BACK! 895 00:33:43,009 --> 00:33:43,976 Woman: LET ME SEE WHAT YOU GOT! 896 00:33:44,010 --> 00:33:45,011 HEY! 897 00:33:45,044 --> 00:33:47,580 LET'S DO THIS! 898 00:33:47,614 --> 00:33:49,316 NO! STOP! 899 00:34:06,065 --> 00:34:08,301 [ MEN SHOUTING ] 900 00:34:24,884 --> 00:34:26,619 OLIVER: Peck, are you all right? 901 00:34:26,653 --> 00:34:28,455 NEVER BETTER. 902 00:34:28,488 --> 00:34:31,891 I'M CURRENTLY GETTING PARENTING TIPS FROM A LIFER. 903 00:34:31,924 --> 00:34:32,792 Take notes, Peck. 904 00:34:32,825 --> 00:34:34,227 They're starting to move everybody back 905 00:34:34,261 --> 00:34:35,162 to the cellblock now. 906 00:34:35,195 --> 00:34:36,196 I want you out of there. 907 00:34:36,229 --> 00:34:37,997 ALL RIGHT, I'M ON MY WAY. 908 00:34:38,030 --> 00:34:40,800 WELL... 909 00:34:40,833 --> 00:34:44,003 THANKS FOR KEEPING TIME WITH ME. 910 00:34:44,036 --> 00:34:46,673 A STUCK-UP, SNOOTY COPPER. 911 00:34:46,706 --> 00:34:47,740 BETTER THAN NOTHING. 912 00:34:50,143 --> 00:34:52,312 ODELLE. 913 00:34:52,345 --> 00:34:53,780 WHY ARE YOU HERE? 914 00:34:56,149 --> 00:35:00,019 I GOT 20 YEARS FOR SECOND-DEGREE MURDER. 915 00:35:00,052 --> 00:35:01,321 REALLY? 916 00:35:01,354 --> 00:35:04,924 YEAH. KILLED MY HUSBAND -- THE DINK. 917 00:35:04,957 --> 00:35:06,159 BUT ONLY AFTER THEY DIED. 918 00:35:06,193 --> 00:35:08,928 AFTER WHO DIED? 919 00:35:08,961 --> 00:35:12,064 MY KIDS, IN A FIRE. 920 00:35:12,098 --> 00:35:14,167 HE FELL ASLEEP SMOKING A CIGARETTE. 921 00:35:14,201 --> 00:35:17,003 I WAS DOING A NIGHT SHIFT AT THE OLD-AGE HOME. 922 00:35:17,036 --> 00:35:21,174 AND WHEN I FOUND OUT, I KILLED HIM. 923 00:35:21,208 --> 00:35:24,811 THAT'S THE HARDEST THING ABOUT BEING A MOTHER. 924 00:35:24,844 --> 00:35:27,914 YOU CAN'T PROTECT THEM. 925 00:35:27,947 --> 00:35:30,750 NOT FOREVER. 926 00:35:30,783 --> 00:35:32,118 THEY BECOME YOUR LIFE, 927 00:35:32,151 --> 00:35:37,624 AND WHEN YOU LOSE THEM... IT'S HARD. 928 00:35:37,657 --> 00:35:45,232 IT'S HARD TO...KNOW, YOU KNOW...HOW TO KEEP LIVING. 929 00:35:46,032 --> 00:35:49,168 [ CHUCKLES ] 930 00:35:53,072 --> 00:35:55,041 I'LL SEE YOU AROUND. 931 00:35:55,074 --> 00:35:56,343 [ SMACKS LIPS ] 932 00:35:59,679 --> 00:36:01,748 YEAH. 933 00:36:05,885 --> 00:36:07,587 [ SIRENS WAILING ] 934 00:36:07,620 --> 00:36:09,756 HEY, IF YOU'RE STILL LOOKING FOR A GOOD REASON 935 00:36:09,789 --> 00:36:12,024 TO AVOID DATING NICK, I'VE GOT ONE FOR YOU. 936 00:36:12,058 --> 00:36:13,660 OH, YEAH? WHAT'S THAT? 937 00:36:13,693 --> 00:36:15,194 YOU'RE A LIAR. 938 00:36:15,228 --> 00:36:16,263 UH, EXCUSE ME? 939 00:36:16,296 --> 00:36:17,864 WHAT WAS THAT WITH KENZIE? 940 00:36:17,897 --> 00:36:18,898 WHAT DO YOU MEAN? 941 00:36:18,931 --> 00:36:20,032 OH, COME ON. 942 00:36:20,066 --> 00:36:21,568 I WOULD'VE SAID ANYTHING TO GET HER 943 00:36:21,601 --> 00:36:23,703 TO TAKE THE KNIFE OFF MY THROAT. 944 00:36:23,736 --> 00:36:24,571 OKAY? 945 00:36:24,604 --> 00:36:26,539 WHAT'S WITH THE TWO PHONES? 946 00:36:26,573 --> 00:36:28,708 ONE OF THEM IS MY VANCOUVER NUMBER, OKAY, 947 00:36:28,741 --> 00:36:30,610 AND I CAN'T BEAR TO DISCONNECT IT. 948 00:36:30,643 --> 00:36:34,347 [ SCOFFS ] I DON'T BUY THAT. 949 00:36:35,315 --> 00:36:37,850 LOOK, ANDY. 950 00:36:37,884 --> 00:36:40,287 I, UM... 951 00:36:42,489 --> 00:36:47,059 ...I WENT UNDERCOVER AND THINGS GOT REALLY MESSY. 952 00:36:47,093 --> 00:36:48,761 AND I GOT INVOLVED WITH A GUY. 953 00:36:48,795 --> 00:36:49,929 WITH JUST THE WRONG GUY. 954 00:36:49,962 --> 00:36:52,699 SORRY, YOU WERE -- YOU WERE INVOLVED WITH THE REAPERS? 955 00:36:52,732 --> 00:36:53,666 I WASN'T INVOLVED WITH THE GANG. 956 00:36:53,700 --> 00:36:57,570 BUT I FELL IN LOVE WITH ONE OF THEIR DEALERS. 957 00:36:57,604 --> 00:37:01,608 THAT'S WHY I'M SO CAREFUL ABOUT WHO I GET INVOLVED WITH. 958 00:37:01,641 --> 00:37:03,343 BUT I GOT MYSELF OUT OF IT. 959 00:37:03,376 --> 00:37:05,044 YOU GOT YOURSELF OUT OF IT. 960 00:37:05,077 --> 00:37:08,147 BUT NO DEBTS, NO TIES? 961 00:37:08,180 --> 00:37:09,282 NOTHING. NO, I JUST WALKED AWAY. 962 00:37:09,316 --> 00:37:10,417 I WALKED AWAY WITH A BROKEN HEART 963 00:37:10,450 --> 00:37:16,523 AND [SIGHS] AN EMPTY BANK ACCOUNT, BUT...I WALKED AWAY. 964 00:37:18,891 --> 00:37:20,092 OH, MY GOD, OKAY. 965 00:37:20,126 --> 00:37:22,362 I DON'T KNOW WHAT YOU'RE GONNA DO WITH THIS INFORMATION, 966 00:37:22,395 --> 00:37:25,498 BUT IT WAS A REALLY DARK TIME IN MY LIFE. 967 00:37:25,532 --> 00:37:29,135 AND I'M ASHAMED OF IT. 968 00:37:29,168 --> 00:37:31,203 AND I WOULD BE REALLY GRATEFUL 969 00:37:31,237 --> 00:37:33,840 IF YOU COULD FIND A WAY TO KEEP IT TO YOURSELF. 970 00:37:40,246 --> 00:37:42,449 DOV EZEKIEL EPSTEIN. 971 00:37:42,482 --> 00:37:44,384 IT WAS GOOD WORKING WITH YOU TODAY, MAN. 972 00:37:44,417 --> 00:37:46,085 YEAH, IT WAS GOOD WORKING WITH YOU, TOO. 973 00:37:46,118 --> 00:37:47,286 I GUESS. 974 00:37:47,320 --> 00:37:49,622 UM, I GOT A QUESTION. OKAY, CHECK IT OUT. 975 00:37:49,656 --> 00:37:50,623 IF A GIRL SAYS 976 00:37:50,657 --> 00:37:51,624 THAT SHE WANTS TO TOUCH YOUR SKIN WITH HER EYES, 977 00:37:51,658 --> 00:37:53,426 BUT SHE DOESN'T WANT YOU TO TAKE YOUR CLOTHES OFF 978 00:37:53,460 --> 00:37:54,527 BECAUSE, YOU KNOW, THAT'S -- THAT'S -- 979 00:37:54,561 --> 00:37:56,195 THAT'S HALF THE FUN RIGHT THERE, 980 00:37:56,228 --> 00:37:57,597 DOES THAT MEAN SHE'S INTO YOU? 981 00:37:57,630 --> 00:37:59,532 YEAH, I THINK THAT MEANS SHE'S VERY INTO YOU. 982 00:37:59,566 --> 00:38:02,034 I KNEW IT. OKAY. OKAY. 983 00:38:02,068 --> 00:38:05,338 SO, ARE YOU SAYING THAT YOU AND CHLOE ARE, LIKE, DONE DONE? 984 00:38:05,372 --> 00:38:06,873 I'M SORRY, WAIT. ARE YOU TALKING ABOUT -- 985 00:38:06,906 --> 00:38:08,040 PRICE! 986 00:38:08,074 --> 00:38:08,741 WHAT'S UP? 987 00:38:08,775 --> 00:38:10,009 HEY. WHAT'S UP? GIMME THAT. 988 00:38:10,042 --> 00:38:11,478 YOU DOWN FOR SOME BEERS? UH -- 989 00:38:11,511 --> 00:38:13,380 MAYBE YOU CAN SPREAD SOME OF THAT SUNSHINE ON ME. 990 00:38:13,413 --> 00:38:15,948 [ CHUCKLES ] UH, OKAY. UM... 991 00:38:15,982 --> 00:38:17,684 YEAH, IS, UM... 992 00:38:17,717 --> 00:38:19,819 IS EVERYBODY GOING TO THE PENNY, OR -- 993 00:38:19,852 --> 00:38:21,921 UH, NO. DOV DOESN'T WANT TO COME OUT TONIGHT. 994 00:38:21,954 --> 00:38:23,423 UM, SO IT LOOKS LIKE 995 00:38:23,456 --> 00:38:24,491 IT'S JUST GONNA BE YOU AND ME. 996 00:38:24,524 --> 00:38:27,560 OKAY. YEAH, UM... 997 00:38:27,594 --> 00:38:28,561 YEAH, I MEAN, WHY NOT, RIGHT? 998 00:38:28,595 --> 00:38:29,529 YEAH. LET'S HIT IT. 999 00:38:29,562 --> 00:38:30,697 COOL. ALL RIGHT, DOV. 1000 00:38:30,730 --> 00:38:32,932 SEE YOU LATER, MAN. THANKS FOR THE ADVICE. 1001 00:38:32,965 --> 00:38:33,700 NIGHT, DOV. 1002 00:38:33,733 --> 00:38:35,402 YEAH, HAVE A GOOD NIGHT. YEAH. 1003 00:38:42,942 --> 00:38:43,910 LAUR-- LAURALEE? 1004 00:38:43,943 --> 00:38:45,745 HEY, GAIL. HI. 1005 00:38:45,778 --> 00:38:47,213 YOU'RE -- YOU'RE NOT -- ARE YOU LOOKING -- 1006 00:38:47,246 --> 00:38:48,114 ARE YOU LOOKING FOR ME? 1007 00:38:48,147 --> 00:38:49,882 NO, THERE'S A GUY IN CELLS WENT DRINKING, 1008 00:38:49,916 --> 00:38:52,118 LEFT HIS KID IN THE CAR. I'M HERE TO PICK HER UP. 1009 00:38:52,151 --> 00:38:54,186 FUN. YEAH. [ CHUCKLES ] 1010 00:38:54,220 --> 00:38:55,822 DO YOU HAVE PARENTING CLASS TOMORROW? 1011 00:38:55,855 --> 00:38:56,556 YES. 1012 00:38:56,589 --> 00:38:58,825 EQUALLY FUN. YEAH. 1013 00:38:58,858 --> 00:39:01,761 [ CHUCKLES ] SO, I'LL SEE YOU TOMORROW. 1014 00:39:01,794 --> 00:39:03,896 YEAH, SURE. 1015 00:39:06,666 --> 00:39:07,700 SORRY. 1016 00:39:07,734 --> 00:39:12,071 I-I'VE NEVER DONE THAT EVER, AND I'M VERY SORRY. 1017 00:39:12,104 --> 00:39:13,440 [ CHUCKLES ] 1018 00:39:22,014 --> 00:39:22,782 [ SIGHS ] 1019 00:39:22,815 --> 00:39:24,651 IT WAS CLOSE. IT WAS REALLY CLOSE. 1020 00:39:24,684 --> 00:39:26,385 YOU KNOW, I ALMOST COULDN'T EXPLAIN IT AWAY. 1021 00:39:26,419 --> 00:39:27,554 BUT YOU DID IT. 1022 00:39:27,587 --> 00:39:29,756 WELL, I DID MY BEST, BUT I... 1023 00:39:29,789 --> 00:39:32,124 I DON'T KNOW WHAT KIND OF SNOOPING AROUND 1024 00:39:32,158 --> 00:39:32,992 SHE'S GONNA DO NOW. 1025 00:39:33,025 --> 00:39:35,428 [ CHUCKLES ] DON'T WORRY ABOUT THAT. 1026 00:39:35,462 --> 00:39:37,464 I'LL COVER YOUR TRACKS. 1027 00:39:39,131 --> 00:39:40,700 I DON'T LIKE IT. 1028 00:39:40,733 --> 00:39:42,535 I DON'T WANT TO BE LYING TO THESE PEOPLE. 1029 00:39:42,569 --> 00:39:44,236 YOU DON'T HAVE TO LIKE IT. 1030 00:39:44,270 --> 00:39:45,772 JUST HAVE TO DO IT. 1031 00:39:49,208 --> 00:39:50,710 YEAH. 1032 00:39:52,378 --> 00:39:56,883 Sam: OKAY, SO YOU GOT CAUGHT IN A PRISON RIOT, 1033 00:39:56,916 --> 00:39:59,285 NEW GIRL GOT A KNIFE TO HER THROAT. 1034 00:39:59,318 --> 00:40:00,887 ANYTHING ELSE? 1035 00:40:00,920 --> 00:40:04,223 YEAH. DON'T FORGET ABOUT OLIVER'S EYE PATCH. 1036 00:40:04,256 --> 00:40:06,726 [ BOTH CHUCKLE ] 1037 00:40:06,759 --> 00:40:09,028 I WISH I COULD'VE SEEN THAT. 1038 00:40:09,061 --> 00:40:11,330 WHAT ABOUT THE NEW GIRL? 1039 00:40:11,363 --> 00:40:14,834 WHAT'S, UH -- WHAT'S SHE ALL ABOUT? 1040 00:40:14,867 --> 00:40:18,437 SHE'S, UH... SHE'S ALL RIGHT. 1041 00:40:18,471 --> 00:40:19,539 ALL RIGHT? THAT'S IT? 1042 00:40:19,572 --> 00:40:21,340 YOU SPENT A WHOLE DAY WITH HER. 1043 00:40:21,373 --> 00:40:23,610 SHE'S ALL RIGHT? THAT'S ABOUT IT. 1044 00:40:23,643 --> 00:40:26,846 NOT MUCH OF A DETECTIVE, ARE YOU? 1045 00:40:26,879 --> 00:40:27,780 WHAT ABOUT YOU? 1046 00:40:27,814 --> 00:40:29,949 HOW WAS THE RADIOLOGIST TODAY? 1047 00:40:29,982 --> 00:40:33,019 MARLO WAS A LITTLE FREAKED OUT 'CAUSE THE RADIOLOGIST 1048 00:40:33,052 --> 00:40:35,254 THOUGHT THERE MIGHT BE SOMETHING WRONG WITH THE BABY. 1049 00:40:35,287 --> 00:40:36,388 IS EVERYTHING OKAY? 1050 00:40:36,422 --> 00:40:38,858 EVERYTHING'S FINE. IT WAS A FALSE ALARM. 1051 00:40:38,891 --> 00:40:40,527 GOOD. 1052 00:40:40,560 --> 00:40:44,230 [ SIGHS ] 1053 00:40:44,263 --> 00:40:45,765 IT'S A GIRL. 1054 00:40:49,135 --> 00:40:51,103 WOW. 1055 00:40:51,137 --> 00:40:53,540 THAT'S AMAZING. 1056 00:40:53,573 --> 00:40:59,178 * DROWNED OUT MY SORROWS AND WORRY ABOUT TOMORROW * 1057 00:40:59,211 --> 00:41:01,147 WOW. YEAH. 1058 00:41:01,180 --> 00:41:02,649 [ SIGHS ] 1059 00:41:02,682 --> 00:41:05,518 YOU'RE GONNA HAVE A DAUGHTER? 1060 00:41:05,552 --> 00:41:07,887 * I COULD CRY 1061 00:41:09,756 --> 00:41:13,159 SHE'S GOING TO ADORE YOU. 1062 00:41:14,894 --> 00:41:16,963 SHE'S GONNA ADORE YOU, TOO. 1063 00:41:16,996 --> 00:41:19,666 * OOOOH 1064 00:41:27,574 --> 00:41:29,275 IT'S PRETTY COMPLICATED, HUH? 1065 00:41:31,443 --> 00:41:35,381 * OOOOH 1066 00:41:35,414 --> 00:41:37,183 YEAH. 1067 00:41:37,216 --> 00:41:41,487 * OOOOH 1068 00:41:41,520 --> 00:41:43,089 * OOOOH 1069 00:41:43,122 --> 00:41:46,993 WHERE ARE THINGS GONNA GO...WITH US? 1070 00:41:48,527 --> 00:41:50,062 UP. 1071 00:41:50,096 --> 00:41:52,098 * OH, OH 1072 00:41:52,131 --> 00:41:53,499 HOW? 1073 00:41:53,532 --> 00:41:55,602 HEARTS. 1074 00:41:55,635 --> 00:41:59,572 * MAKES ME FORGET 1075 00:41:59,606 --> 00:42:00,206 * I DIDN'T PRAY FOR THAT