1 00:00:02,457 --> 00:00:03,825 I HAVEN'T SPENT THE NIGHT IN A COUPLE OF WEEKS. 2 00:00:03,858 --> 00:00:05,026 BROUGHT A MALBEC. 3 00:00:05,060 --> 00:00:07,696 I WAS HOPING YOU COULD READ THE LABEL TO ME IN SPANISH. 4 00:00:07,729 --> 00:00:11,633 UH, OKAY, I'M IN YOUR KITCHEN NOW, SO I'M GONNA HANG UP. 5 00:00:11,666 --> 00:00:13,635 HEY, SAM, YOU UPSTAIRS? 6 00:00:13,668 --> 00:00:15,404 [ HORN HONKS IN DISTANCE ] 7 00:00:28,250 --> 00:00:29,951 [ SIREN WAILING IN DISTANCE ] [ BABY COOS ] 8 00:00:29,984 --> 00:00:33,021 [ CHUCKLES ] 9 00:00:33,054 --> 00:00:34,156 HEY. 10 00:00:34,189 --> 00:00:36,191 I THOUGHT YOU WERE UPSTAIRS. 11 00:00:36,225 --> 00:00:39,060 UH, MARLO SHOWED UP A FEW HOURS AGO. 12 00:00:39,094 --> 00:00:40,229 SHE'S COMPLETELY EXHAUSTED. 13 00:00:40,262 --> 00:00:42,964 THIS LITTLE FROG HAS BEEN, YOU KNOW, CRYING ALL DAY LONG, 14 00:00:42,997 --> 00:00:44,733 SO I'VE BEEN DOING LAPS AROUND THE BLOCK 15 00:00:44,766 --> 00:00:47,035 TO TRY TO CALM HER DOWN. I TRIED TO CALL YOU FIRST. 16 00:00:47,068 --> 00:00:49,438 [ EXHALES SHARPLY ] IT'S THURSDAY. 17 00:00:49,471 --> 00:00:52,407 UH... I-I COMPLETELY LOST TRACK. 18 00:00:52,441 --> 00:00:55,377 IT'S OKAY. YOU KNOW WHAT? YOU GOT A LOT ON YOUR PLATE RIGHT NOW. 19 00:00:55,410 --> 00:00:58,113 MAYBE YOU CAN SHARE THIS WITH MARLO WHEN SHE WAKES UP. 20 00:00:58,147 --> 00:00:59,047 THAT WOULD BE NICE. 21 00:00:59,080 --> 00:01:00,849 SHE HAD NO PLACE ELSE TO TAKE THE BABY. 22 00:01:00,882 --> 00:01:03,118 SHE'S GOT TO GET SOME SLEEP, OKAY? 23 00:01:03,152 --> 00:01:04,786 SO, YOU KNOW, WE DON'T WANT HER TO NOT SLEEP. 24 00:01:04,819 --> 00:01:07,389 WE'RE ALL TRYING TO FIGURE THIS OUT TOGETHER, REMEMBER? 25 00:01:07,422 --> 00:01:10,925 YEAH. YEAH. HOW COULD I FORGET? 26 00:01:10,959 --> 00:01:12,461 ANDY. ANDY, COME ON. I'M SORRY. 27 00:01:12,494 --> 00:01:13,395 GOOD NIGHT. 28 00:01:13,428 --> 00:01:14,863 PLEASE. [ DOOR SLAMS ] 29 00:01:14,896 --> 00:01:17,732 * BABY, LET ME STAY 30 00:01:17,766 --> 00:01:19,868 [ INDISTINCT CONVERSATIONS ] 31 00:01:19,901 --> 00:01:20,869 * WHEN THE WORLD IS GONE 32 00:01:20,902 --> 00:01:22,204 [ COUGHS ] 33 00:01:24,105 --> 00:01:29,144 * PROMISE I'LL BEHAVE 34 00:01:29,178 --> 00:01:30,179 * NEVER RIGHT YOUR WRONGS 35 00:01:30,212 --> 00:01:32,181 I WAS GONNA SAY, "I'LL HAVE WHAT SHE'S HAVING," 36 00:01:32,214 --> 00:01:33,915 BUT NOW I'M RECONSIDERING. 37 00:01:33,948 --> 00:01:35,384 * IS THAT WHAT YOU WANT? 38 00:01:35,417 --> 00:01:37,586 EXCUSE ME. CAN I GRAB A BEER? 39 00:01:37,619 --> 00:01:39,588 I THOUGHT YOU WERE SUPPOSED TO BE IN VANCOUVER. NOT TILL TOMORROW. 40 00:01:39,621 --> 00:01:41,356 I HAVE TO TESTIFY AT STEVE PECK'S HEARING. 41 00:01:41,390 --> 00:01:44,226 LUCKY YOU -- GET AWAY FROM ALL THIS DRAMA. 42 00:01:44,259 --> 00:01:47,196 * SOMEONE YOU CAN FLAUNT YOU KNOW, ANDY, YOU'RE PROBABLY NEVER GONNA SEE ME AGAIN... 43 00:01:47,229 --> 00:01:52,401 * LIKE THE OTHER TOYS? ...SO -- THANK YOU -- I MEAN, IF YOU WANT TO TALK... 44 00:01:53,902 --> 00:01:56,805 WE HAD PLANS... SAM AND I. 45 00:01:56,838 --> 00:02:00,141 NOT -- NOT JUST FOR TONIGHT. I MEAN FOR OUR LIFE. 46 00:02:00,175 --> 00:02:02,211 WE'RE GETTING MARRIED. 47 00:02:02,244 --> 00:02:05,447 HOW AM I SUPPOSED TO MARRY HIM IN THE MIDDLE OF ALL THIS? 48 00:02:05,480 --> 00:02:10,185 A-ANOTHER THING I'M REALLY CONFUSED ABOUT IS MARLO. 49 00:02:10,219 --> 00:02:12,187 LIKE, RIGHT FROM THE BEGINNING, 50 00:02:12,221 --> 00:02:13,722 SHE HAD PLANNED TO DO THIS ON HER OWN. 51 00:02:13,755 --> 00:02:17,459 SO, WHAT, SHE HAS NO OTHER BACKUP PLAN OTHER THAN SAM? 52 00:02:17,492 --> 00:02:19,328 * AHH 53 00:02:19,361 --> 00:02:22,197 EXCUSE ME. CAN YOU TOP HER UP? 54 00:02:22,231 --> 00:02:23,998 WELL, HAVE YOU TALKED TO SAM ABOUT IT? 55 00:02:24,032 --> 00:02:26,000 AND SAY WHAT? [ LIQUID POURING ] 56 00:02:26,034 --> 00:02:27,602 WHAT CAN HE DO? 57 00:02:27,636 --> 00:02:30,872 * AHH 58 00:02:30,905 --> 00:02:34,676 I JUST WISH I COULD FAST-FORWARD THROUGH ALL THIS, YOU KNOW? 59 00:02:34,709 --> 00:02:37,212 YOU KNOW, ANDY, 60 00:02:37,246 --> 00:02:40,315 I'M ORGANIZING A NEW U.C. OPERATION IN VANCOUVER. 61 00:02:40,349 --> 00:02:41,716 IT'S FIVE MONTHS, AND I COULD USE 62 00:02:41,750 --> 00:02:43,518 AN OPERATIVE THAT'S UNKNOWN IN THE CITY. 63 00:02:43,552 --> 00:02:47,789 YEAH, WELL, I PROMISED SAM THAT I WOULD STICK BY HIM. 64 00:02:47,822 --> 00:02:51,860 THINK OF IT AS HITTING PAUSE TILL THE DUST SETTLES. 65 00:02:51,893 --> 00:02:53,728 IT MIGHT BE GOOD. 66 00:02:53,762 --> 00:02:55,230 THINK ABOUT IT. 67 00:02:59,868 --> 00:03:01,636 * AHH 68 00:03:01,670 --> 00:03:04,839 -- Captions by VITAC -- 69 00:03:04,873 --> 00:03:07,976 * BABY, I'LL BEHAVE 70 00:03:08,009 --> 00:03:11,713 WHAT DOES MY OUTFIT SAY TO YOU? 71 00:03:11,746 --> 00:03:13,915 "I'M WEARING CLOTHES." 72 00:03:13,948 --> 00:03:16,385 DOES IT SAY THAT, "MY BROTHER IS A GOOD GUY, 73 00:03:16,418 --> 00:03:18,520 SO PLEASE DON'T SEND HIM TO PRISON" 74 00:03:18,553 --> 00:03:20,255 OR THAT, "I'M AN UNRELIABLE WITNESS, 75 00:03:20,289 --> 00:03:22,190 SO PLEASE SEND HIM TO THE ELECTRIC CHAIR"? 76 00:03:22,223 --> 00:03:23,191 HEY. HEY. 77 00:03:23,224 --> 00:03:24,526 BRING IT IN. [ SCOFFS ] 78 00:03:24,559 --> 00:03:26,461 OKAY? 79 00:03:26,495 --> 00:03:30,265 YOU'RE GONNA GO IN THERE. YOU'RE GONNA TELL THE TRUTH. 80 00:03:30,299 --> 00:03:32,834 EVERYTHING ELSE IS UP TO THE JUDGE. 81 00:03:32,867 --> 00:03:35,370 I HATE TO ADMIT THIS, 82 00:03:35,404 --> 00:03:37,772 BUT I REALLY DON'T KNOW WHAT I WOULD DO WITHOUT YOU. 83 00:03:40,842 --> 00:03:43,144 CALL ME AS SOON AS YOU'RE OUT OF COURT. 84 00:03:43,177 --> 00:03:44,413 INSPECTOR. 85 00:03:44,446 --> 00:03:46,615 Gail: DAD. CHRIS. 86 00:03:46,648 --> 00:03:48,650 HI. 87 00:03:50,452 --> 00:03:52,153 YOU LOOK NICE TODAY. 88 00:03:52,186 --> 00:03:54,556 OH. THANK YOU. YOU TOO. 89 00:03:54,589 --> 00:03:56,858 SO, DO YOU KNOW WHICH COURTROOM IT IS? 90 00:03:56,891 --> 00:03:59,594 YEAH, GAIL, I DO, BUT LET'S HAVE A SEAT 91 00:03:59,628 --> 00:04:01,863 AND TALK ABOUT WHAT YOU'RE PLANNING 92 00:04:01,896 --> 00:04:04,366 ON TELLING THE JUDGE TODAY. 93 00:04:06,034 --> 00:04:08,136 I WAS IN THE LOUNGE WITH STEVE 94 00:04:08,169 --> 00:04:09,704 AN HOUR BEFORE THE BOMB WENT OFF. 95 00:04:09,738 --> 00:04:11,573 HE'S GONNA NEED A BETTER ALIBI THAN THAT. 96 00:04:11,606 --> 00:04:12,641 DO YOU WANT ME TO LIE AND SAY 97 00:04:12,674 --> 00:04:15,310 THAT I WAS WITH STEVE IN HIS OFFICE DRINKING COFFEE 98 00:04:15,344 --> 00:04:17,045 WHEN THE BOMB WENT OFF? YEAH. 99 00:04:17,078 --> 00:04:18,480 THAT WOULD WORK. 100 00:04:18,513 --> 00:04:23,184 AS LONG AS YOU WERE WITH HIM BETWEEN 5:00 AND 6:00. 101 00:04:23,217 --> 00:04:24,185 NOW, YOU LISTEN TO ME. 102 00:04:24,218 --> 00:04:27,322 YOUR BROTHER WAS A GUNS-AND-GANGS DETECTIVE. 103 00:04:27,356 --> 00:04:29,458 HOW LONG DO YOU THINK HE'D LAST IN PRISON? 104 00:04:37,366 --> 00:04:38,467 I'D LIKE THAT, ACTUALLY. YES. 105 00:04:38,500 --> 00:04:39,801 HEY, CHECK IT OUT! 106 00:04:39,834 --> 00:04:41,936 NEW LEAF, NEW ME. 107 00:04:41,970 --> 00:04:43,738 I'M LEANER, I'M MEANER... 108 00:04:43,772 --> 00:04:46,341 AND IT'S STILL ON SLEEP MODE! 109 00:04:46,375 --> 00:04:48,343 ALL RIGHT, I'LL BITE. WHY THE NEW LEAF? 110 00:04:48,377 --> 00:04:49,844 OH, YOU KNOW, JUST EVERYTHING GOING ON 111 00:04:49,878 --> 00:04:51,613 WITH MY STEPDAD AND THE TRIAL, YOU KNOW. 112 00:04:51,646 --> 00:04:53,348 IT'S -- BUT I-I GOT TO STAY FOCUSED, 113 00:04:53,382 --> 00:04:54,883 KEEP MY EYES ON THE BALL, YOU KNOW? 114 00:04:54,916 --> 00:04:56,618 YOU KNOW, PLUS, I DON'T -- I DON'T WANT PEOPLE 115 00:04:56,651 --> 00:04:58,953 TO ASSOCIATE ME WITH WHAT HE DID, 116 00:04:58,987 --> 00:05:00,355 YOU KNOW, SO... 117 00:05:00,389 --> 00:05:02,624 BUT, I MEAN, HEY, WHATEVER HAPPENS, 118 00:05:02,657 --> 00:05:04,225 I STILL GOT YOU GUYS, RIGHT? 119 00:05:04,258 --> 00:05:05,293 [ GROANS ] MWAH! 120 00:05:05,326 --> 00:05:08,129 IT TURNS OUT YOUR DEODORANT'S ON SLEEP MODE, TOO. 121 00:05:08,162 --> 00:05:09,764 HEY. GEAR UP. 122 00:05:09,798 --> 00:05:11,666 JARVIS WANTS US IN THE SQUAD ROOM. 123 00:05:11,700 --> 00:05:14,268 [ INDISTINCT CONVERSATIONS ] THANK YOU FOR ATTENTION. 124 00:05:14,302 --> 00:05:16,538 [ CLEARS THROAT ] [ CONVERSATIONS STOP ] 125 00:05:16,571 --> 00:05:18,407 IN THE WAKE OF THE CORRUPTIONS SCANDAL 126 00:05:18,440 --> 00:05:20,675 THAT ROCKED THIS POLICE SERVICE, 127 00:05:20,709 --> 00:05:23,678 EVERY DIVISION IN THE CITY IS BEING RESTRUCTURED. 128 00:05:23,712 --> 00:05:25,814 MANY OF YOU WILL BE TRANSFERRED, 129 00:05:25,847 --> 00:05:27,248 PROMOTED, OR SHUFFLED TO DIFFERENT PLATOONS. 130 00:05:27,281 --> 00:05:29,418 WHAT? Woman: WHAT? 131 00:05:29,451 --> 00:05:30,952 UM, SIR, DO WE, UH -- 132 00:05:30,985 --> 00:05:33,422 DO WE GET A SAY IN WHERE WE END UP, WHERE WE GO? 133 00:05:33,455 --> 00:05:34,556 NO, YOU DON'T. 134 00:05:34,589 --> 00:05:36,758 HOW IS SPLITTING US UP GONNA MAKE THIS DIVISION BETTER? 135 00:05:36,791 --> 00:05:38,760 WELL, IN THIS CASE, IT DOESN'T MATTER. 136 00:05:38,793 --> 00:05:40,161 THE CHIEF IS DEMANDING A SHAKE-UP, 137 00:05:40,194 --> 00:05:41,396 SO THAT'S WHAT HE'S GETTING. SHAW. 138 00:05:41,430 --> 00:05:43,131 [ POLICE RADIO CHATTER ] 139 00:05:43,164 --> 00:05:45,066 HE CANNOT BE SERIOUS RIGHT NOW. 140 00:05:45,099 --> 00:05:46,668 I WILL GIVE YOU MORE INFORMATION WHEN I HAVE IT. 141 00:05:46,701 --> 00:05:48,970 OFFICER SHAW WILL GIVE OUT YOUR ASSIGNMENTS. 142 00:05:49,003 --> 00:05:50,138 I'M NOT GOING BACK TO 27. 143 00:05:50,171 --> 00:05:51,406 SHE'S NOT GOING BACK TO 27. 144 00:05:51,440 --> 00:05:53,508 RIGHT, WELL, THINK OF IT AS AN OPPORTUNITY 145 00:05:53,542 --> 00:05:55,410 TO STEP OUTSIDE YOUR COMFORT ZONE -- 146 00:05:55,444 --> 00:05:56,545 I DON'T KNOW -- TRY SOMETHING NEW. 147 00:05:56,578 --> 00:05:58,613 IF I WANT THAT, I'LL GO TO ZUMBA. 148 00:05:58,647 --> 00:06:02,417 SEE? THAT'S THE SPIRIT, NASH. UM, LET'S DEAL WITH TODAY. 149 00:06:02,451 --> 00:06:05,086 UH, MOORE, YOU'RE ON THE FRONT DESK. 150 00:06:05,119 --> 00:06:07,689 McSTEIN, YOU GOT TO GET OVER TO CITY VIEW MUSIC FESTIVAL. 151 00:06:07,722 --> 00:06:10,091 SOME SCALPERS ARE BUGGING KIDS. WHAT? 152 00:06:10,124 --> 00:06:12,126 "DICE," YOU'RE ON PATROL. 153 00:06:12,160 --> 00:06:13,528 ARE WE "DICE"? YEAH, I'M SORRY. 154 00:06:13,562 --> 00:06:15,664 NOT EVERY ONE OF THESE NAMES CAN BE A WINNER. 155 00:06:15,697 --> 00:06:17,999 COLLINS, UH, YOU'RE IN BOOKING. 156 00:06:18,032 --> 00:06:19,468 YOU'RE WITH ME. RIGHT. 157 00:06:19,501 --> 00:06:21,870 WE GOT A JOB TO DO, FOLKS. LET'S GO DO IT. 158 00:06:33,915 --> 00:06:35,550 DON'T WORRY. 159 00:06:35,584 --> 00:06:37,486 I'M JUST TAKING IT OFF FOR WORK. 160 00:06:37,519 --> 00:06:39,954 OKAY. HOW ARE YOU? 161 00:06:39,988 --> 00:06:42,156 OTHER THAN THE BOMB THAT JARVIS DROPPED ON US, 162 00:06:42,190 --> 00:06:44,559 I GUESS I'M DOING PRETTY GREAT. 163 00:06:44,593 --> 00:06:47,428 YEAH, OLIVER CALLED ME. HE'S, UH, WORKING BOOKING TODAY. 164 00:06:47,462 --> 00:06:48,362 HE HASN'T WORKED BOOKING 165 00:06:48,396 --> 00:06:50,999 SINCE, UH, I HAD LONG HAIR AND A MUSTACHE. 166 00:06:51,032 --> 00:06:53,768 HMM. 167 00:06:53,802 --> 00:06:54,836 [ SIGHS ] 168 00:06:54,869 --> 00:06:57,639 I'M -- I'M REALLY SORRY ABOUT LAST NIGHT, OKAY? 169 00:06:57,672 --> 00:06:58,840 IT WAS LATE. I WAS TIRED. 170 00:06:58,873 --> 00:07:00,775 I WASN'T THINKING. OH, I KNOW. I KNOW. 171 00:07:00,809 --> 00:07:02,744 I KNOW. 172 00:07:02,777 --> 00:07:04,613 [ SIGHS ] 173 00:07:04,646 --> 00:07:07,015 IT'S MUCH DEEPER THAN THAT. 174 00:07:07,048 --> 00:07:08,683 OKAY. 175 00:07:08,717 --> 00:07:11,553 LAST NIGHT, I CAME OVER... 176 00:07:11,586 --> 00:07:16,157 AND I INTERRUPTED A FAMILY -- 177 00:07:16,190 --> 00:07:18,660 ONE THAT I HAVE NO PART OF. 178 00:07:20,261 --> 00:07:24,398 THE FACT IS, SAM, THE LIFE THAT I WANTED WITH YOU, 179 00:07:24,432 --> 00:07:27,401 YOU'RE ACTUALLY HAVING WITH SOMEBODY ELSE. 180 00:07:27,435 --> 00:07:29,538 AND THERE'S NOTHING I CAN DO ABOUT IT. 181 00:07:29,571 --> 00:07:30,805 UH, I DON'T THINK THAT'S RIGHT. 182 00:07:30,839 --> 00:07:33,542 UH, THE LIFE THAT YOU AND I WANT, 183 00:07:33,575 --> 00:07:35,544 I-I'M NOT HAVING WITH ANYONE ELSE, OKAY? 184 00:07:35,577 --> 00:07:37,679 WELL, IT FEELS LIKE IT. 185 00:07:37,712 --> 00:07:42,684 YOU AND I ARE GONNA HAVE THE LIFE THAT WE WANT TOGETHER. 186 00:07:42,717 --> 00:07:45,554 WE WILL HAVE THAT, BUT WE GOT TO STICK TOGETHER 187 00:07:45,587 --> 00:07:49,123 AND FIGURE IT OUT, LIKE WE PROMISED. 188 00:07:49,157 --> 00:07:50,525 FIGURE WHAT -- [ SCOFFS ] 189 00:07:50,559 --> 00:07:53,628 HOW DO YOU WANT TO ACTUALLY DO THAT, PRACTICALLY? 190 00:07:53,662 --> 00:07:55,029 I DON'T KNOW, BUT THIS IS IT. 191 00:07:55,063 --> 00:07:56,665 HERE WE ARE, WE-- WE'RE WORKING IT OUT. 192 00:07:56,698 --> 00:07:58,266 YEAH, BUT WE'RE NOT WORKING IT OUT 193 00:07:58,299 --> 00:08:01,069 'CAUSE IT'S NOT WORKING -- FOR ME. 194 00:08:01,102 --> 00:08:02,937 OKAY, THEN HOW CAN WE MAKE IT WORK FOR YOU? 195 00:08:02,971 --> 00:08:04,673 LOOK, SAM, I HAVE AN OPPORTUNITY. 196 00:08:04,706 --> 00:08:06,407 [ SIGHS ] WHAT? 197 00:08:06,440 --> 00:08:09,544 JULIET OFFERED ME A U.C. GIG IN VANCOUVER. 198 00:08:09,578 --> 00:08:11,813 ONLY BE ABOUT FIVE MONTHS. 199 00:08:11,846 --> 00:08:13,214 YOU KNOW, MAYBE I SHOULD TAKE OFF 200 00:08:13,247 --> 00:08:16,417 AND, UH, JUST PRESS PAUSE ON THIS FOR A LITTLE BIT. 201 00:08:16,450 --> 00:08:18,687 YOU SAID -- YOU PROMISED 202 00:08:18,720 --> 00:08:20,221 YOU WEREN'T GONNA DO THAT ANYMORE. 203 00:08:20,254 --> 00:08:23,958 I'M ONLY BRINGING THIS UP BECAUSE I FEEL LIKE... 204 00:08:23,992 --> 00:08:26,961 YOU MIGHT BE ABLE TO GET A HANDLE ON BEING A NEW FATHER, 205 00:08:26,995 --> 00:08:30,464 AND I WOULD HAVE SPACE TO CLEAR MY HEAD. 206 00:08:30,498 --> 00:08:33,101 CALL IT WHAT YOU WANT. THAT'S NOT WHAT THIS IS. 207 00:08:33,134 --> 00:08:38,206 THIS IS ANDY McNALLY RUNNING AWAY ONE MORE TIME. 208 00:08:38,239 --> 00:08:39,240 I'M NOT RUNNING. 209 00:08:39,273 --> 00:08:41,475 I GUESS I SHOULD HAVE SEEN THAT COMING, RIGHT? 210 00:08:41,509 --> 00:08:43,277 SHOULD I HAVE SEEN THAT COMING? 211 00:08:45,346 --> 00:08:46,180 [ SIGHS ] 212 00:08:46,214 --> 00:08:47,515 ALL RIGHT, I'VE GOT SOME WORK TO DO, 213 00:08:47,548 --> 00:08:50,284 SO I'M JUST GONNA GO AND DO THAT, OKAY? YEAH, YOU SHOULD GO DO IT. 214 00:08:50,318 --> 00:08:52,887 [ DOOR OPENS ] 215 00:08:52,921 --> 00:08:54,689 [ SIGHS ] 216 00:08:58,226 --> 00:08:59,828 NICK! 217 00:09:04,532 --> 00:09:06,835 2 MILK, 1 1/2 SUGAR? 218 00:09:06,868 --> 00:09:08,002 YEAH. 219 00:09:08,036 --> 00:09:11,339 YEAH, AND THAT EXTRA HALF SUGAR REALLY MAKES A DIFFERENCE. 220 00:09:11,372 --> 00:09:12,874 PACKING UP? 221 00:09:12,907 --> 00:09:16,277 YEAH, YEAH, I, UH -- I LEAVE TONIGHT. 222 00:09:16,310 --> 00:09:20,749 WOW, WELL, I GUESS I SHOULD SAY SOMETHING THEN. 223 00:09:20,782 --> 00:09:23,017 I JUST DON'T KNOW WHAT THAT WOULD BE. 224 00:09:23,051 --> 00:09:25,386 WELL, LOOK, THEN CAN I TALK? 225 00:09:25,419 --> 00:09:27,756 I'M REALLY SORRY... 226 00:09:27,789 --> 00:09:30,358 FOR THE 100th TIME. 227 00:09:30,391 --> 00:09:32,761 I'M SORRY. 228 00:09:32,794 --> 00:09:35,029 I MEAN, THAT'S 101. 229 00:09:35,063 --> 00:09:37,031 I'M SORRY, TOO. 230 00:09:37,065 --> 00:09:39,033 AND FOR THE RECORD, YOU KNOW, 231 00:09:39,067 --> 00:09:41,535 I TRIED TO KEEP MY DISTANCE WHEN I FIRST GOT HERE. 232 00:09:41,569 --> 00:09:43,772 YEAH, BUT YOU DIDN'T. 233 00:09:43,805 --> 00:09:45,907 LOOK, I THOUGHT I KNEW YOU. 234 00:09:45,940 --> 00:09:47,676 THE FACT YOU COULD KEEP ALL THAT HIDDEN 235 00:09:47,709 --> 00:09:49,410 WITHOUT EVEN BATTING AN EYE... 236 00:09:49,443 --> 00:09:51,479 WOW. 237 00:09:51,512 --> 00:09:55,383 I REALLY THOUGHT THAT YOU WERE GONNA SAY SOMETHING ELSE. 238 00:09:55,416 --> 00:09:57,618 YEAH, WELL, ME TOO. 239 00:09:59,153 --> 00:10:00,221 [ ROCK MUSIC PLAYING ] 240 00:10:00,254 --> 00:10:02,456 YOU THOUGHT ABOUT WHERE YOU'D GO IF YOU HAD A CHOICE? 241 00:10:02,490 --> 00:10:05,059 YEAH, BACK IN TIME 9 1/2 MONTHS. 242 00:10:05,093 --> 00:10:06,194 YOU? 243 00:10:06,227 --> 00:10:07,195 I DON'T KNOW. 244 00:10:07,228 --> 00:10:08,863 I KIND OF LIKED WORKING INTELLIGENCE WITH MARLO. 245 00:10:08,897 --> 00:10:11,733 SORRY TO BRING HER UP. IT'S FINE. 246 00:10:11,766 --> 00:10:13,467 YOU WANT TO TALK ABOUT IT? 247 00:10:13,501 --> 00:10:16,504 NO, I REALLY DON'T. I JUST WANT TO WORK. 248 00:10:16,537 --> 00:10:18,773 WELL, I DON'T SEE ANY SCALPERS. 249 00:10:18,807 --> 00:10:20,942 HEY. I DO SEE A DRUNK GIRL. 250 00:10:20,975 --> 00:10:24,645 COME ON, TAMMY. THIS WAY. 251 00:10:24,679 --> 00:10:25,680 HEY, IS SHE OKAY? 252 00:10:25,714 --> 00:10:27,548 UH, YEAH, I'M SORRY, OFFICER...S. 253 00:10:27,581 --> 00:10:29,417 UH, SHE'S JUST A LITTLE DRUNK. 254 00:10:29,450 --> 00:10:30,819 I NEED TO GO HOME. 255 00:10:30,852 --> 00:10:31,820 NO, I KNOW. I KNOW. WE'RE LEAVING. 256 00:10:31,853 --> 00:10:34,355 UH, WE'RE JUST GONNA GO WAIT FOR THE BUS, OKAY? 257 00:10:34,388 --> 00:10:36,624 RADIO'S QUIET. 258 00:10:36,657 --> 00:10:38,659 YOU KNOW WHAT? WE'LL GIVE YOU A RIDE. 259 00:10:38,693 --> 00:10:40,194 OH. CAR'S OVER HERE. 260 00:10:40,228 --> 00:10:44,065 WOW. THANKS. UH, I DON'T HAVE A CAR 261 00:10:44,098 --> 00:10:47,235 'CAUSE, UH, WE'RE SAVING UP FOR OUR OWN PLACE. 262 00:10:47,268 --> 00:10:50,839 AND A DOG -- A SPRINGER. THAT'S TAMMY'S LAST NAME. 263 00:10:50,872 --> 00:10:52,106 VERY COOL. I LOVE DOGS. 264 00:10:52,140 --> 00:10:54,075 TAMMY, DON'T THROW UP IN THE CAR, PLEASE. 265 00:10:54,108 --> 00:10:55,744 OH, MY PURSE. 266 00:10:55,777 --> 00:10:57,545 MY PURSE -- I LEFT IT IN THE MEDICAL TENT. I NEED -- 267 00:10:57,578 --> 00:10:58,646 YEAH. OKAY, I'LL COME BACK AND GET IT. IT'S MY MOM'S. 268 00:10:58,679 --> 00:11:01,716 I'LL COME BACK AND GET IT WHEN YOU'RE HOME SAFE, OKAY? 269 00:11:01,750 --> 00:11:03,952 [ CROWD CHEERING ] 270 00:11:10,258 --> 00:11:11,492 TAMMY? TAMMY? 271 00:11:11,525 --> 00:11:13,327 WHOA. HEY. 272 00:11:13,361 --> 00:11:15,864 [ GRUNTING ] DOV? 273 00:11:15,897 --> 00:11:16,998 HEY, HER PULSE IS RACING. 274 00:11:17,031 --> 00:11:18,867 THIS IS 1511. GIVE ME YOUR SWEATER. 275 00:11:18,900 --> 00:11:21,002 WE NEED EMS TO THE CITY VIEW MUSIC FESTIVAL. 276 00:11:21,035 --> 00:11:23,772 WE'RE BACKSTAGE, NEAR THE HOLDING AREA. PUT IT UNDER HER HEAD. 277 00:11:23,805 --> 00:11:25,173 MAN: Copy that. 1504. OKAY. 278 00:11:25,206 --> 00:11:29,177 We're dispatching EMS... IS SHE GONNA BE OKAY? 279 00:11:33,314 --> 00:11:36,284 AAH! 280 00:11:36,317 --> 00:11:38,019 SAM. 281 00:11:38,052 --> 00:11:39,553 SAM! 282 00:11:39,587 --> 00:11:41,222 [ SIGHS ] 283 00:11:41,255 --> 00:11:44,525 YOU GOT TO GO EASY ON THIS BABY, ALL RIGHT? 284 00:11:44,558 --> 00:11:47,695 I'M A REASONABLE MAN. AM I NOT? 285 00:11:47,728 --> 00:11:50,231 UH...YEAH, UM... 286 00:11:50,264 --> 00:11:53,101 I TELL THEM, "SAM SWAREK, HE LOVES HIS SALT AND VINEGAR. 287 00:11:53,134 --> 00:11:54,568 "YOU GOT TO GO HEAVY ON THOSE THINGS. 288 00:11:54,602 --> 00:11:57,371 YOU KNOW, TWO ROWS AT LEAST." 289 00:11:57,405 --> 00:12:01,375 YOU STICK TOGETHER EVEN THROUGH THE DIFFICULT TIMES, RIGHT? 290 00:12:01,409 --> 00:12:03,044 YES. YEAH. 291 00:12:03,077 --> 00:12:07,015 THAT'S -- THAT'S THE PLAN, RIGHT, IN THEORY, 292 00:12:07,048 --> 00:12:10,151 BUT THERE'S GONNA BE -- THERE'S GONNA BE TRANSFERS. 293 00:12:10,184 --> 00:12:13,421 THERE'S GONNA BE THE ODD NEW DIVISION, NEW PLATOONS. 294 00:12:13,454 --> 00:12:15,656 YOU KNOW, I JUST -- I KEEP TELLING MYSELF, 295 00:12:15,689 --> 00:12:18,326 "WE'LL ALWAYS HAVE THE PENNY." 296 00:12:18,359 --> 00:12:20,294 WELL, YOU CAN'T SHOW UP AT THE PENNY IF YOU'RE WORKING IN VANCOUVER. 297 00:12:20,328 --> 00:12:22,763 NONE OF US ARE GOING TO VANCOUVER. NOT US. 298 00:12:22,797 --> 00:12:24,765 McNALLY. 299 00:12:24,799 --> 00:12:26,667 WARD OFFERED HER A U.C. GIG. 300 00:12:26,700 --> 00:12:28,769 IN VANCOUVER? 301 00:12:31,039 --> 00:12:32,673 HAVE YOU -- YOU GUYS TALKED ABOUT THIS? 302 00:12:32,706 --> 00:12:34,775 YES. LIKE REALLY TALKED ABOUT IT? 303 00:12:34,809 --> 00:12:36,310 YEAH, I-I TALKED WITH HER, OKAY? 304 00:12:36,344 --> 00:12:38,179 OKAY, AND? AND IT DIDN'T MAKE ANY DIFFERENCE. 305 00:12:38,212 --> 00:12:39,747 SHE IS REALLY, REALLY UPSET 306 00:12:39,780 --> 00:12:41,415 ABOUT THE WHOLE "MARLO AND THE BABY" THING, 307 00:12:41,449 --> 00:12:44,118 AND APPARENTLY, I'VE MISSED HOW UPSET SHE IS. 308 00:12:44,152 --> 00:12:46,387 WAIT. OKAY. LISTEN, BUDDY. 309 00:12:46,420 --> 00:12:48,389 WHEN MY KIDS WERE BORN, FIRST FEW WEEKS, 310 00:12:48,422 --> 00:12:51,492 I DIDN'T -- I-I BARELY NOTICED IF I WAS WEARING PANTS. 311 00:12:51,525 --> 00:12:54,628 OKAY, THAT STUFF... 312 00:12:54,662 --> 00:12:58,132 ANDY McNALLY LOVES YOU. 313 00:12:59,533 --> 00:13:03,104 AND IF SHE GOES... YOU GUYS -- 314 00:13:03,137 --> 00:13:07,241 THE -- YOU -- SHE -- YOU CAN, UM... 315 00:13:07,275 --> 00:13:10,111 I DON'T -- I DON'T KNOW. I DON'T KNOW. 316 00:13:10,144 --> 00:13:12,914 THAT'S IT? 317 00:13:14,582 --> 00:13:15,549 OKAY, THANKS, PAL. 318 00:13:15,583 --> 00:13:17,685 THANKS FOR THE GOOD TALK. [ STAMMERS, SIGHS ] 319 00:13:17,718 --> 00:13:19,187 IT -- [ SIGHS ] 320 00:13:19,220 --> 00:13:20,922 [ ROCK MUSIC PLAYING ] [ INDISTINCT CONVERSATIONS ] 321 00:13:20,955 --> 00:13:22,390 I THINK SHE LEFT IT OVER THERE. 322 00:13:22,423 --> 00:13:24,525 ALL RIGHT. 323 00:13:29,730 --> 00:13:30,698 EASY. E-EASY. 324 00:13:30,731 --> 00:13:31,832 HEY, DO YOU NEED SOME HELP? 325 00:13:31,866 --> 00:13:34,468 NO, NO, NO. I'M GOOD. THANKS. 326 00:13:36,037 --> 00:13:39,140 DRUGS ARE A BIG PROBLEM AT THESE FESTIVALS. 327 00:13:39,173 --> 00:13:40,741 YOU KNOW, I TRY TO KEEP THEM OUT, 328 00:13:40,774 --> 00:13:43,477 BUT THERE'S ONLY SO MUCH I CAN DO. 329 00:13:43,511 --> 00:13:45,346 UH, PEYTON O'BRIEN. ANDY. 330 00:13:45,379 --> 00:13:46,414 I'M THE PROMOTER. 331 00:13:46,447 --> 00:13:47,882 BEEN MAKING THE ROUNDS THIS MORNING, 332 00:13:47,916 --> 00:13:50,451 BRINGING IN ANY KIDS WHO SEEM OFF. 333 00:13:50,484 --> 00:13:51,920 OR UNCONSCIOUS. YEAH. 334 00:13:51,953 --> 00:13:55,056 FOUND THIS ONE DEAD ON HER FEET LIKE A ZOMBIE, 335 00:13:55,089 --> 00:13:57,458 NO CLUE WHERE SHE WAS OR HOW SHE GOT HERE. 336 00:13:57,491 --> 00:13:59,793 SHE WASN'T THE ONLY ONE. YOU BROUGHT THEM IN, TOO? 337 00:13:59,827 --> 00:14:01,862 LAST NIGHT. 338 00:14:01,896 --> 00:14:03,264 WHAT'S THAT EXPRESSION? 339 00:14:03,297 --> 00:14:05,733 UH, ONE TIME'S AN INCIDENT, TWO TIMES A COINCIDENCE... 340 00:14:05,766 --> 00:14:07,035 THREE'S A PATTERN. EXACTLY. 341 00:14:07,068 --> 00:14:08,169 [ CELLPHONE VIBRATING ] EXCUSE ME. 342 00:14:08,202 --> 00:14:09,537 YEAH. HEY, DOV. WHAT'S UP? 343 00:14:09,570 --> 00:14:12,006 TAMMY'S TOX-SCREEN RESULTS JUST CAME BACK IN. 344 00:14:12,040 --> 00:14:15,243 HER BLOOD TESTED POSITIVE FOR TWO TYPES OF DRUGS -- 345 00:14:15,276 --> 00:14:18,879 ECSTASY, WHICH IS PRETTY COMMON AT MUSIC FESTIVALS, 346 00:14:18,913 --> 00:14:20,148 and flunitrazepam. 347 00:14:20,181 --> 00:14:22,750 SORRY, WHAT'S THAT? ROOFIES. 348 00:14:22,783 --> 00:14:24,018 SOMEBODY ROOFIED HER, 349 00:14:24,052 --> 00:14:25,453 OR AT LEAST THAT'S WHAT IT LOOKS LIKE. 350 00:14:25,486 --> 00:14:28,056 WELL, SHE MIGHT NOT BE THE ONLY ONE. 351 00:14:28,089 --> 00:14:29,057 I'M GONNA CALL SAM. 352 00:14:29,090 --> 00:14:30,891 KEEP ME UPDATED ON TAMMY'S CONDITION, OKAY? 353 00:14:30,925 --> 00:14:32,360 WILL DO. 354 00:14:32,393 --> 00:14:34,895 [ MONITOR BEEPING ] 355 00:14:39,767 --> 00:14:41,002 HEY. 356 00:14:41,035 --> 00:14:43,737 [ CHUCKLES ] THIS IS SO GREAT. 357 00:14:43,771 --> 00:14:45,974 THIS IS EXACTLY WHAT I NEED. 358 00:14:46,007 --> 00:14:49,110 OKAY, SO, UH, THAT'S HOW THIS IS GONNA BE. 359 00:14:49,143 --> 00:14:51,645 HOW DID YOU THINK THAT THIS WAS GONNA BE? 360 00:14:51,679 --> 00:14:54,983 YOU LIED, YOU SNUCK AROUND COLLECTING ALL OUR SECRETS, 361 00:14:55,016 --> 00:14:57,251 AND NOW YOU'RE ABOUT TO SHARE THEM WITH A JUDGE. 362 00:14:57,285 --> 00:14:59,320 GAIL... 363 00:14:59,353 --> 00:15:01,822 I DIDN'T PUT YOUR BROTHER IN THIS SITUATION. 364 00:15:01,855 --> 00:15:03,824 HE PUT HIMSELF HERE. 365 00:15:03,857 --> 00:15:06,094 JULIET. MM-HMM? 366 00:15:06,127 --> 00:15:08,696 HOW'S MY EX DOING? 367 00:15:08,729 --> 00:15:11,299 SORRY? NICHOLAS -- HOW HE'S DOING? 368 00:15:11,332 --> 00:15:13,501 OH, I FORGOT. 369 00:15:13,534 --> 00:15:16,704 HE WANTS NOTHING TO DO WITH YOU, EITHER. 370 00:15:16,737 --> 00:15:19,440 YEAH. 371 00:15:19,473 --> 00:15:21,976 AND I DON'T BLAME HIM. 372 00:15:22,010 --> 00:15:24,112 PLEASE DON'T DO THAT. 373 00:15:24,145 --> 00:15:25,980 IT IS MUCH HARDER FOR ME TO HATE YOU 374 00:15:26,014 --> 00:15:28,582 WHEN YOU HATE YOURSELF. 375 00:15:34,122 --> 00:15:38,526 SO, UM, HOW IS THE -- HOW'S THE ADOPTION GOING? 376 00:15:38,559 --> 00:15:39,860 OH, MY GOD. 377 00:15:39,893 --> 00:15:41,329 WHAT? 378 00:15:41,362 --> 00:15:42,596 OH, MY GOD. 379 00:15:42,630 --> 00:15:43,697 IS EVERYTHING OKAY? 380 00:15:43,731 --> 00:15:46,000 NO, I WAS SUPPOSED TO MEET MY CASE WORKER THIS MORNING. 381 00:15:46,034 --> 00:15:47,968 [ GASPS ] 382 00:15:50,471 --> 00:15:53,607 LAURALEE, I KNOW. I KNOW. I'M SO SORRY. 383 00:15:53,641 --> 00:15:55,009 [ BREATHES DEEPLY ] 384 00:15:55,043 --> 00:15:56,744 NO, I CAN'T BECAUSE I'M AT THE -- 385 00:15:56,777 --> 00:15:59,147 I'M AT THE COURTHOUSE RIGHT NOW. 386 00:15:59,180 --> 00:16:01,249 YEAH, NO, I CAN MEET YOU HERE. 387 00:16:01,282 --> 00:16:02,783 UM... 388 00:16:02,816 --> 00:16:06,387 YEAH, LAURALEE, I'M -- I'M SO SORRY. 389 00:16:06,420 --> 00:16:08,422 [ SIGHS ] 390 00:16:12,126 --> 00:16:14,728 I HOPE THAT EVERYTHING'S OKAY. 391 00:16:17,198 --> 00:16:19,567 YOU'RE TRYING TO PUT MY BROTHER IN PRISON, 392 00:16:19,600 --> 00:16:22,770 SO WHY DON'T YOU JUST STOP BEING NICE TO ME? 393 00:16:22,803 --> 00:16:26,574 I JUST FIND IT VERY CONFUSING. 394 00:16:26,607 --> 00:16:30,144 BRYCE, UH, WHEN DID TAMMY START ACTING ERRATICALLY. 395 00:16:30,178 --> 00:16:32,446 I DON'T KNOW WHAT HAPPENED. 396 00:16:32,480 --> 00:16:34,782 YOU WEREN'T WITH HER LAST NIGHT, WERE YOU? 397 00:16:34,815 --> 00:16:37,318 HER PARENTS WOULD HAVE FREAKED OUT 398 00:16:37,351 --> 00:16:38,786 IF THEY KNEW SHE WAS HERE ALONE, 399 00:16:38,819 --> 00:16:40,054 SO SHE ASKED ME TO COVER FOR HER. 400 00:16:40,088 --> 00:16:42,056 SHE CAME TO THE FESTIVAL BY HERSELF? 401 00:16:42,090 --> 00:16:42,990 [ SIGHS ] 402 00:16:43,023 --> 00:16:44,692 SHE LOVES THE BAND THAT PLAYED LAST NIGHT, 403 00:16:44,725 --> 00:16:47,128 SO SHE BOUGHT A V.I.P. PASS FROM A SCALPER. 404 00:16:47,161 --> 00:16:48,396 THEN THIS MORNING, SHE CALLED ME 405 00:16:48,429 --> 00:16:49,797 AND SAID SHE WASN'T FEELING WELL, 406 00:16:49,830 --> 00:16:50,998 ASKED ME TO COME AND PICK HER UP. 407 00:16:51,031 --> 00:16:52,700 WHY DIDN'T YOU COME WITH HER LAST NIGHT? 408 00:16:52,733 --> 00:16:53,901 I WAS AT WORK. 409 00:16:53,934 --> 00:16:56,970 I'M WORKING EXTRA SHIFTS SO I CAN BUY TAMMY A VINTAGE RING. 410 00:16:57,004 --> 00:16:59,107 IT'S DIAMONDS AND SAPPHIRES. [ CHUCKLES ] 411 00:16:59,140 --> 00:17:01,142 DIAMONDS 'CAUSE THEY LAST FOREVER 412 00:17:01,175 --> 00:17:03,844 AND SAPPHIRES 'CAUSE THEY'RE BLUE LIKE HER EYES. 413 00:17:03,877 --> 00:17:05,579 DETECTIVE, YOU GOT A MINUTE? 414 00:17:05,613 --> 00:17:07,581 [ POLICE RADIO CHATTER ] 415 00:17:07,615 --> 00:17:08,649 UH, YEAH. 416 00:17:08,682 --> 00:17:10,951 BRYCE, PLEASE TRY TO REMEMBER EVERYTHING YOU CAN 417 00:17:10,984 --> 00:17:13,954 ABOUT WHAT HAPPENED AND TELL IT TO OFFICER McNALLY, OKAY? 418 00:17:13,987 --> 00:17:16,957 THANK YOU. 419 00:17:16,990 --> 00:17:19,227 JUST FINISHED TALKING TO THE MEDIC. 420 00:17:19,260 --> 00:17:20,961 THE ONLY THING THOSE TWO GIRLS HAD IN COMMON 421 00:17:20,994 --> 00:17:22,930 WAS THE V.I.P. PASS. 422 00:17:22,963 --> 00:17:24,665 [ INDISTINCT CONVERSATIONS ] 423 00:17:24,698 --> 00:17:26,334 HUH. TAMMY HAD ONE, TOO. 424 00:17:26,367 --> 00:17:29,337 MM-HMM. OFFICERS... 425 00:17:29,370 --> 00:17:31,205 THIS MIGHT ACTUALLY BE MY FAULT. 426 00:17:31,239 --> 00:17:33,107 UM, LOOK, I-I'VE BEEN TAKING STEPS 427 00:17:33,141 --> 00:17:35,809 TO CLEAN UP THE FESTIVAL, BUT I SHOULD HAVE KNOWN. 428 00:17:35,843 --> 00:17:37,345 SHOULD HAVE KNOWN WHAT? 429 00:17:37,378 --> 00:17:41,349 THIS HAS HAPPENED BEFORE. 430 00:17:41,382 --> 00:17:44,485 THERE WAS AN INCIDENT LAST TIME THESE GUYS WERE HERE. 431 00:17:44,518 --> 00:17:46,487 INCIDENT? WHAT KIND OF INCIDENT? 432 00:17:46,520 --> 00:17:49,357 THEY GOT CAUGHT WITH SOME UNDERAGE GIRLS ON THE BUS. 433 00:17:49,390 --> 00:17:52,260 GAVE THEM BOOZE AND PILLS AND, WELL, YOU KNOW THE REST. 434 00:17:52,293 --> 00:17:54,262 [ BOTH GRUNTING ] 435 00:17:54,295 --> 00:17:55,996 HEY! HEY, BREAK IT UP! 436 00:17:56,029 --> 00:17:57,665 [ INDISTINCT SHOUTING ] HEY. HEY! DUMMIES! 437 00:17:57,698 --> 00:18:00,134 USUALLY WHEN YOU'RE DOING SOMETHING ILLEGAL 438 00:18:00,168 --> 00:18:02,370 AND YOU SEE THE POLICE, YOU STOP AND RUN 439 00:18:02,403 --> 00:18:04,238 OR YOU ACT LIKE YOU'RE INNOCENT. 440 00:18:04,272 --> 00:18:05,373 BASIC RULES OF CRIME-ING. 441 00:18:05,406 --> 00:18:07,908 HE THREW THE FIRST PUNCH, OFFICER. 442 00:18:07,941 --> 00:18:09,543 HAUL HIM IN. YOU BIT ME. 443 00:18:09,577 --> 00:18:11,745 YOU CALL THAT A BITE? THAT WAS NOTHING. 444 00:18:11,779 --> 00:18:13,281 I'LL SHOW YOU A BITE. 445 00:18:13,314 --> 00:18:14,815 YOU GUYS THE STONE BROTHERS? 446 00:18:14,848 --> 00:18:17,251 YEAH, WHAT? YOU WANT AN AUTOGRAPH OR SOMETHING? 447 00:18:17,285 --> 00:18:18,986 DETECTIVE SWAREK, METRO POLICE. 448 00:18:19,019 --> 00:18:20,053 I'VE GOT SOME QUESTIONS FOR YOU. 449 00:18:20,087 --> 00:18:22,022 I NEED YOU TO COME DOWN TO THE STATION WITH ME. 450 00:18:22,055 --> 00:18:23,691 YOU WANT TO QUESTION SOMEONE, 451 00:18:23,724 --> 00:18:27,295 ASK HIM WHERE'S OUR MONEY FROM LAST NIGHT'S SHOW. 452 00:18:27,328 --> 00:18:28,562 WE PUT OUR BLOOD, SWEAT, AND GUTS IN THAT SHOW! 453 00:18:28,596 --> 00:18:29,897 OH, DID YOU, NOW? THAT'S GROSS. CALM DOWN. 454 00:18:29,930 --> 00:18:31,399 IT'S A METAPHOR, HONEY. 455 00:18:31,432 --> 00:18:33,601 OH, I THINK IT'S AN IDIOM. OH, YOU' AN IDIOM! 456 00:18:35,068 --> 00:18:36,036 [ INDISTINCT SHOUTING ] HEY! HEY! 457 00:18:36,069 --> 00:18:38,038 ALL RIGHT! ALL RIGHT! ALL RIGHT! ALL RIGHT! 458 00:18:38,071 --> 00:18:39,707 BRENT STONE, MIKE STONE... SHUT UP! 459 00:18:39,740 --> 00:18:42,310 ...YOU'RE BOTH UNDER ARREST FOR ASSAULT. 460 00:18:42,343 --> 00:18:43,777 WHAT, FOR BITING? 461 00:18:43,811 --> 00:18:44,578 WE'LL START WITH THAT. 462 00:18:44,612 --> 00:18:47,515 DIAZ, PRICE, GET THEM OUT OF HERE. 463 00:18:54,021 --> 00:18:56,190 THIS WILL NOT -- 464 00:18:56,224 --> 00:18:58,192 IT WILL NOT HAPPEN AGAIN. I PROMISE. 465 00:18:58,226 --> 00:18:59,460 THIS IS ALREADY THE SECOND APPOINTMENT 466 00:18:59,493 --> 00:19:00,461 THAT YOU'VE MISSED WITH SOPHIE. 467 00:19:00,494 --> 00:19:03,497 YEAH, BUT MY LIFE IS JUST VERY CHAOTIC RIGHT NOW. 468 00:19:03,531 --> 00:19:05,733 WELL, HOW IS IT GONNA BE WHEN YOU HAVE AN 8-YEAR-OLD? 469 00:19:05,766 --> 00:19:07,735 YEAH, BUT THESE ARE EXTRAORDINARY CIRCUMSTANCES, 470 00:19:07,768 --> 00:19:09,537 AND MY LIFE IS GONNA GO BACK TO NORMAL. 471 00:19:09,570 --> 00:19:11,805 EVERYTHING -- EVERYTHING IS GONNA GO BACK TO NORMAL. 472 00:19:11,839 --> 00:19:16,377 GAIL, THERE'S ANOTHER FAMILY INTERESTED IN ADOPTING SOPHIE. 473 00:19:16,410 --> 00:19:19,146 NO. 474 00:19:19,179 --> 00:19:21,882 THEY'RE A GOOD FAMILY. THEY'RE RELIABLE. 475 00:19:21,915 --> 00:19:24,017 NO, I'M S-- 476 00:19:24,051 --> 00:19:25,486 I CAN'T HEAR ABOUT THEM. 477 00:19:25,519 --> 00:19:28,656 LOOK, I HAVE TO THINK ABOUT WHAT'S BEST FOR SOPHIE. 478 00:19:28,689 --> 00:19:30,591 PLEASE. 479 00:19:30,624 --> 00:19:33,794 YOU HAVE TO JUST LET ME GET THROUGH THIS DAY. 480 00:19:33,827 --> 00:19:36,597 I'M BEGGING YOU. 481 00:19:36,630 --> 00:19:40,067 THERE'S NOTHING THAT I WANT MORE THAN TO BE HER MOM. 482 00:19:40,100 --> 00:19:42,603 JUST -- JUST LET ME PROVE IT. 483 00:19:45,539 --> 00:19:48,041 PLEASE. 484 00:19:48,075 --> 00:19:49,777 OKAY. 485 00:19:49,810 --> 00:19:52,980 [ SIGHS ] 486 00:19:53,013 --> 00:19:55,115 SO, HOW WAS YOUR SHOW LAST NIGHT? 487 00:19:55,148 --> 00:19:56,250 IT WAS FINE. 488 00:19:56,284 --> 00:19:59,387 [ SCOFFS ] WELL...HE WAS FINE. 489 00:19:59,420 --> 00:20:00,454 I WAS EXCELLENT. 490 00:20:00,488 --> 00:20:03,924 YOU GUYS MUST HAVE SOME CRAZY, YOUNG GROUPIES, HUH? 491 00:20:03,957 --> 00:20:06,059 NOT INTO THE YOUNG GIRLS. 492 00:20:06,093 --> 00:20:09,297 NOTHING TO TALK ABOUT, NOTHING IN COMMON. 493 00:20:09,330 --> 00:20:10,298 IS THAT RIGHT? 494 00:20:10,331 --> 00:20:11,299 IS THAT WHAT YOU LIKE TO DO 495 00:20:11,332 --> 00:20:13,467 WITH THE YOUNG GIRLS THAT COME TO YOUR SHOWS? 496 00:20:13,501 --> 00:20:15,736 YOU LIKE TO TALK? WE DON'T MESS AROUND WITH THE KIDS, MAN. 497 00:20:15,769 --> 00:20:20,908 WE WERE TOLD ABOUT, UH, AN INCIDENT ON YOUR TOUR BUS 498 00:20:20,941 --> 00:20:22,510 TWO YEARS AGO WITH SOME MINORS. 499 00:20:22,543 --> 00:20:26,246 BUT LUCKILY YOU HAD THE MONEY TO MAKE IT GO AWAY. 500 00:20:26,280 --> 00:20:28,282 WE WERE AS HIGH AS A KITE THAT NIGHT. 501 00:20:28,316 --> 00:20:29,883 WERE YOU HIGH LAST NIGHT? 502 00:20:31,852 --> 00:20:35,289 SO, YOU DON'T KNOW HOW FOUR TEENAGE GIRLS 503 00:20:35,323 --> 00:20:37,291 GOT ROOFIED BACKSTAGE AT YOUR SHOW? 504 00:20:37,325 --> 00:20:40,160 IT COULDN'T HAVE BEEN US, OKAY, BECAUSE -- 505 00:20:40,193 --> 00:20:41,829 DON'T. BRENT, DON'T. NO, MAN. 506 00:20:41,862 --> 00:20:44,298 YOU CAN GO TO PRISON WITH A SEX-OFFENDER TARGET 507 00:20:44,332 --> 00:20:46,033 ON YOUR BACK IF YOU WANT TO, NOT ME. 508 00:20:46,066 --> 00:20:47,468 KEEP TALKING. 509 00:20:47,501 --> 00:20:48,736 WE'RE IN THE PROGRAM, 510 00:20:48,769 --> 00:20:50,871 AND WE'VE BEEN CLEAN SINCE THAT NIGHT. 511 00:20:50,904 --> 00:20:53,841 I MEAN, WE DON'T EVEN HANG OUT BACKSTAGE AFTER OUR SHOWS NOW. 512 00:20:53,874 --> 00:20:56,444 IT'S JUST TOO EASY TO SLIP BACK INTO BAD HABITS. 513 00:20:56,477 --> 00:20:57,945 SO, YOU'RE CLEAN AND SOBER? 514 00:20:59,146 --> 00:21:00,648 YEAH. 515 00:21:06,420 --> 00:21:08,255 [ CHUCKLES ] WHAT'S THAT? 516 00:21:08,288 --> 00:21:09,923 THAT'S 20 ROOFIES. 517 00:21:09,957 --> 00:21:13,126 THEY WERE FOUND IN A CRATE OF SPARKLING WATER 518 00:21:13,160 --> 00:21:15,195 ON YOUR TOUR BUS. 519 00:21:15,228 --> 00:21:17,465 OBVIOUSLY, THEY'RE NOT OURS. 520 00:21:17,498 --> 00:21:20,267 SO, YOU'RE SAYING THAT SOMEONE ROOFIED A BUNCH OF GIRLS, 521 00:21:20,300 --> 00:21:23,937 UH, AFTER YOUR SHOW LAST NIGHT AND STASHED THOSE ON YOUR BUS? 522 00:21:23,971 --> 00:21:25,606 THAT'S WHAT WE'RE SAYING. 523 00:21:25,639 --> 00:21:27,475 WHY WOULD SOMEBODY DO THAT? 524 00:21:27,508 --> 00:21:31,178 BECAUSE WE'RE JERKS, ALL RIGHT? 525 00:21:31,211 --> 00:21:34,114 OR AT LEAST, WE USED TO BE. 526 00:21:34,147 --> 00:21:37,451 THE AMOUNT OF PEOPLE WE'VE SCREWED OVER IN OUR LIVES -- 527 00:21:37,485 --> 00:21:39,620 I WOULDN'T KNOW WHERE TO START. 528 00:21:39,653 --> 00:21:42,723 YEAH, BUT THERE IS ONE GUY. 529 00:21:42,756 --> 00:21:44,257 [ SCOFFS ] 530 00:21:44,291 --> 00:21:46,527 A SECURITY GUY NAMED RUSTY. 531 00:21:46,560 --> 00:21:49,262 HE'S BEEN IN AND OUT OF OUR BUS. 532 00:21:49,296 --> 00:21:53,133 I'M LOOKING FOR A SECURITY GUARD NAMED RUSTY. 533 00:21:53,166 --> 00:21:55,403 UH, YEAH, HE'S ON THE, UH, NIGHT SHIFT. 534 00:21:55,436 --> 00:21:56,970 HE'S PROBABLY HOME SLEEPING. [ CHUCKLES ] 535 00:21:57,004 --> 00:21:58,872 I'M GONNA NEED HIS ADDRESS. 536 00:21:58,906 --> 00:22:00,408 YEAH. 537 00:22:00,441 --> 00:22:02,543 I KEEP ALL THE EMPLOYEE RECORDS ON MY LAPTOP. 538 00:22:02,576 --> 00:22:03,377 GREAT. 539 00:22:03,411 --> 00:22:05,879 PLEASE. [ CLEARS THROAT ] 540 00:22:09,417 --> 00:22:10,784 WELL, THEY'RE RIGHT. 541 00:22:10,818 --> 00:22:12,986 THERE'S PLENTY OF PEOPLE WITH A REASON TO HATE THOSE TWO. 542 00:22:13,020 --> 00:22:14,655 WHERE DO YOU EVEN START? 543 00:22:14,688 --> 00:22:16,256 I'M, UH, GONNA START ON THE TOUR BUS 544 00:22:16,289 --> 00:22:17,658 WITH THOSE UNDERAGE GIRLS. 545 00:22:17,691 --> 00:22:19,660 RECORDS IS SENDING ME THE INCIDENT REPORT. 546 00:22:19,693 --> 00:22:21,995 LET'S HOPE YOU HAVE BETTER LUCK THAN I'VE BEEN HAVING. 547 00:22:22,029 --> 00:22:23,030 YEAH, LET'S HOPE. 548 00:22:23,063 --> 00:22:25,933 DAMN. 549 00:22:25,966 --> 00:22:27,935 SHE'S SHOWING MORE BELLY THAN SHAKIRA. 550 00:22:27,968 --> 00:22:30,070 AREN'T YOU ON RECEPTION. 551 00:22:30,103 --> 00:22:32,873 YEAH, BUT, DETECTIVE NASH... 552 00:22:34,942 --> 00:22:37,778 ...I'VE MESSED UP SO MUCH SINCE BEING HERE, YOU KNOW? 553 00:22:37,811 --> 00:22:39,813 AND NOW MY STEPDAD IS GOING TO TRIAL FOR -- 554 00:22:39,847 --> 00:22:43,116 YOU ARE NOTHING LIKE HIM. YOU'RE A GOOD COP. 555 00:22:46,053 --> 00:22:48,288 [ STAMMERS ] 556 00:22:48,321 --> 00:22:51,158 NO ONE'S EVER SAID THAT TO ME BEFORE. 557 00:22:51,191 --> 00:22:53,060 THANK YOU. 558 00:22:55,062 --> 00:22:57,030 HEY, TAKE A LOOK AT THIS. 559 00:22:57,064 --> 00:22:58,131 [ CLEARS THROAT ] 560 00:22:58,165 --> 00:23:00,701 THESE WERE TAKEN LAST NIGHT, BACKSTAGE, AFTER THE SHOW. 561 00:23:00,734 --> 00:23:03,671 I PULLED THEM FROM THE VICTIM'S SOCIAL-MEDIA ACCOUNTS. 562 00:23:03,704 --> 00:23:04,605 OKAY. 563 00:23:04,638 --> 00:23:06,840 THE PROBLEM IS THE BAND'S NOT IN ANY OF THEM, 564 00:23:06,874 --> 00:23:08,709 WHICH MEANS THEY'RE TELLING THE TRUTH -- 565 00:23:08,742 --> 00:23:10,711 WE DON'T HAVE A SUSPECT. 566 00:23:10,744 --> 00:23:12,980 OKAY, WELL, WHAT ABOUT THAT GUY? 567 00:23:13,013 --> 00:23:14,715 I MEAN, HE'S IN MOST OF THESE PHOTOS. 568 00:23:14,748 --> 00:23:16,316 WELL, HE'S A PROMOTER. IT'S HIS FESTIVAL. 569 00:23:16,349 --> 00:23:19,319 MY COUSIN IS ONE OF THE ORGANIZERS 570 00:23:19,352 --> 00:23:20,954 AT THE ELVISFEST IN MICHIGAN. 571 00:23:20,988 --> 00:23:22,122 OKAY. 572 00:23:22,155 --> 00:23:25,092 POINT IS, HE'S GOT ACCESS TO ALL THE BUSES. 573 00:23:25,125 --> 00:23:29,262 Sam: NASH, REPORT'S IN. 574 00:23:29,296 --> 00:23:34,067 UH...ANY CONNECTION TO A PEYTON O'BRIEN? 575 00:23:34,101 --> 00:23:37,270 LOOK -- ONE OF THE VICTIMS ON THE TOUR-BUS ASSAULT. 576 00:23:37,304 --> 00:23:39,272 KIRSTEN O'BRIEN. YEP. 577 00:23:39,306 --> 00:23:42,209 McNALLY. 578 00:23:42,242 --> 00:23:43,611 ARE YOU WITH PEYTON? 579 00:23:43,644 --> 00:23:45,212 PEYTON IS THE ONE WHO DRUGGED THE GIRLS. 580 00:23:45,245 --> 00:23:47,748 I GUESS I AM A GOOD COP. YEP. 581 00:23:47,781 --> 00:23:50,017 PEYTON THE PROMOTER? ARE YOU SURE? 582 00:23:50,050 --> 00:23:52,486 WHY WOULD HE DRUG GIRLS AT HIS OWN FESTIVAL? 583 00:23:52,520 --> 00:23:54,622 IT'S BAD PRESS. YEAH, WE'LL GO GRAB HIM. 584 00:23:54,655 --> 00:23:58,258 HEY. SO, IT WAS PEYTON WHO DRUGGED TAMMY. 585 00:23:58,291 --> 00:23:59,860 HE'S TRYING TO PIN IT ON THE BAND. 586 00:23:59,893 --> 00:24:03,096 OFFICER, WHY ARE YOU NOT AT THE HOSPITAL? 587 00:24:05,499 --> 00:24:09,603 BRYCE, I NEED YOU TO SIT DOWN. 588 00:24:09,637 --> 00:24:11,471 WHY ARE YOU NOT AT THE HOSPITAL? 589 00:24:11,505 --> 00:24:13,073 HAVE A SEAT. 590 00:24:13,106 --> 00:24:15,108 [ ROCK MUSIC PLAYING ] 591 00:24:28,221 --> 00:24:30,090 TAMMY PASSED AWAY. 592 00:24:33,827 --> 00:24:35,195 WHAT? 593 00:24:35,228 --> 00:24:36,997 SHE WENT INTO CARDIAC ARREST. 594 00:24:37,030 --> 00:24:40,333 DOCTORS WEREN'T ABLE TO REVIVE HER. 595 00:24:40,367 --> 00:24:44,471 YOU SEE, HER -- HER -- HER HEART IS, 596 00:24:44,504 --> 00:24:47,708 UH, SO STRONG. 597 00:24:50,077 --> 00:24:52,079 SHE WOULDN'T LEAVE ME. 598 00:24:58,986 --> 00:25:02,155 [ CRIES ] 599 00:25:05,826 --> 00:25:08,128 Dov: IS THERE ANYBODY YOU WANT US TO CALL? 600 00:25:10,063 --> 00:25:12,700 WHY DIDN'T I JUST GO WITH HER LAST NIGHT? 601 00:25:12,733 --> 00:25:14,301 BRYCE, THIS ISN'T YOUR FAULT. 602 00:25:14,334 --> 00:25:15,869 YOU CAN'T BLAME YOURSELF FOR THIS. 603 00:25:15,903 --> 00:25:19,740 I DON'T HAVE ANYONE ELSE. 604 00:25:19,773 --> 00:25:22,710 I NEED TO CALL TAMMY'S PARENTS. 605 00:25:22,743 --> 00:25:25,679 YOU SHOULD CALL CHLOE. 606 00:25:28,115 --> 00:25:29,883 [ KEYS CLACKING ] 607 00:25:29,917 --> 00:25:32,352 UGH. GENERATOR CONKED OUT. 608 00:25:32,385 --> 00:25:34,354 BATTERY'S DEAD. 609 00:25:34,387 --> 00:25:35,889 WELL, YOU MUST HAVE HARD COPIES 610 00:25:35,923 --> 00:25:38,091 OF THE EMPLOYEE RECORDS HERE SOMEWHERE, NO? 611 00:25:38,125 --> 00:25:42,429 YEAH, WHY DON'T YOU, UM, CHECK THAT FILING CABINET? 612 00:25:42,462 --> 00:25:44,164 [ CLEARS THROAT ] OKAY. 613 00:25:44,197 --> 00:25:46,199 [ CELLPHONE VIBRATING ] 614 00:25:48,235 --> 00:25:49,469 HEY, DOV. 615 00:25:49,502 --> 00:25:51,571 YEAH, I'M STILL LOOKING FOR THE ADDRESS. 616 00:25:55,108 --> 00:25:56,877 OKAY, UM... 617 00:25:56,910 --> 00:26:00,948 YEAH, NO, I GOT IT. [ DRAWER CLOSES ] 618 00:26:00,981 --> 00:26:03,617 WHO WAS THAT? 619 00:26:03,651 --> 00:26:04,752 WHO'S THIS? 620 00:26:04,785 --> 00:26:06,586 [ POLICE RADIO CHATTER ] 621 00:26:07,554 --> 00:26:09,489 THAT'S MY LITTLE SISTER -- KIRSTY. 622 00:26:09,522 --> 00:26:11,992 SHE HAS A BEAUTIFUL SMILE. 623 00:26:12,025 --> 00:26:16,129 YEAH, THAT, UH... PHOTO WAS TAKEN A LONG TIME AGO. 624 00:26:16,163 --> 00:26:19,466 SO, YOU GUYS CLOSE? 625 00:26:19,499 --> 00:26:22,069 AS CLOSE AS CAN BE, CONSIDERING. 626 00:26:22,102 --> 00:26:25,605 CONSIDERING? CONSIDERING WHAT? 627 00:26:25,639 --> 00:26:29,142 SOMETHING HAPPENED TO HER A COUPLE OF YEARS AGO, 628 00:26:29,176 --> 00:26:32,245 AND SHE -- SHE NEVER REALLY RECOVERED. 629 00:26:32,279 --> 00:26:34,481 WHAT HAPPENED? 630 00:26:34,514 --> 00:26:37,617 I THINK YOU KNOW. 631 00:26:37,651 --> 00:26:39,152 WHAT I KNOW IS THAT YOU TRIED 632 00:26:39,186 --> 00:26:42,055 TO SET UP MIKE AND BRENT BECAUSE OF WHAT THEY DID. 633 00:26:42,089 --> 00:26:44,658 YEAH, WHAT THEY DID NEVER EVEN WENT TO COURT 634 00:26:44,692 --> 00:26:47,360 BECAUSE THERE WAS NO RELIABLE WITNESSES. 635 00:26:47,394 --> 00:26:49,897 DID YOU KNOW THAT, UM -- 636 00:26:49,930 --> 00:26:53,166 THAT BEING DRUGGED MAKES YOU UNRELIABLE? 637 00:26:53,200 --> 00:26:55,769 [ CHUCKLES ] THE SYSTEM FAILED. YOU TRIED TO GET EVEN. 638 00:26:55,803 --> 00:26:56,837 I GET IT. YEAH, JUST BECAUSE THEY'RE SOBER, 639 00:26:56,870 --> 00:27:01,208 I'M SUPPOSED TO, WHAT, JUST FORGIVE AND MOVE ON? 640 00:27:01,241 --> 00:27:03,443 MY SISTER HASN'T LEFT THE HOUSE IN TWO YEARS. 641 00:27:03,476 --> 00:27:04,477 THE THING IS, PEYTON, 642 00:27:04,511 --> 00:27:07,314 ONE OF THE GIRLS THAT YOU ROOFIED -- SHE DIED. 643 00:27:07,347 --> 00:27:09,850 NO. 644 00:27:09,883 --> 00:27:12,152 NO, I-I-I MADE SURE THEY WERE OKAY. 645 00:27:12,185 --> 00:27:13,353 I LOOKED AFTER THEM. 646 00:27:13,386 --> 00:27:15,155 LOOK, I'M REALLY SORRY ABOUT WHAT HAPPENED TO YOUR SISTER, 647 00:27:15,188 --> 00:27:18,258 BUT I NEED YOU TO TURN AROUND AND GET DOWN ON YOUR KNEES. 648 00:27:19,860 --> 00:27:22,429 [ EXHALES SHARPLY ] 649 00:27:22,462 --> 00:27:25,265 [ POLICE RADIO CHATTER ] 650 00:27:25,298 --> 00:27:26,333 [ HANDCUFFS CLINKING ] 651 00:27:26,366 --> 00:27:31,204 PEYTON O'BRIEN, YOU'RE UNDER ARREST FOR MURDER. 652 00:27:31,238 --> 00:27:34,775 DO YOU SMELL SOMETHING? 653 00:27:35,843 --> 00:27:38,011 [ DOORKNOB RATTLING ] 654 00:27:38,045 --> 00:27:39,012 WHAT THE HELL? 655 00:27:39,046 --> 00:27:40,881 WHAT? 656 00:27:47,855 --> 00:27:50,557 HEY, I JUST FOUND OUT 657 00:27:50,590 --> 00:27:51,825 THE PROMOTER'S TRAILER'S BACKSTAGE. 658 00:27:51,859 --> 00:27:54,227 CHLOE'S NOT PICKING UP. HAVE YOU SEEN BRYCE? 659 00:27:54,261 --> 00:27:55,829 HE WAS MAKING A CALL, AND NOW I CAN'T FIND HIM. 660 00:27:55,863 --> 00:27:57,064 CHLOE: This is Chloe. 10-33. 661 00:27:57,097 --> 00:27:58,732 I am trapped in the promoter's trailer. 662 00:27:58,766 --> 00:28:01,835 It's on fire. The trailer is on fire. LET'S GO. 663 00:28:04,905 --> 00:28:07,074 WE NEED TO FIND SOMETHING TO BREAK THE DOOR DOWN, OKAY? 664 00:28:07,107 --> 00:28:08,776 YEAH. 665 00:28:14,281 --> 00:28:15,548 [ BOTH COUGHING ] 666 00:28:15,582 --> 00:28:16,683 HEY, BRYCE! 667 00:28:16,716 --> 00:28:19,753 BRYCE! GET AWAY FROM THERE! 668 00:28:19,787 --> 00:28:20,954 MOVE BACK! 669 00:28:20,988 --> 00:28:23,290 HE KILLED TAMMY. WHAT ARE YOU DOING? 670 00:28:23,323 --> 00:28:24,624 Chris: I'M GONNA GRAB THE FIRE EXTINGUISHER 671 00:28:24,657 --> 00:28:25,625 FROM THE BACK OF THE CAR. OKAY. 672 00:28:25,658 --> 00:28:27,027 CHLOE! CHLOE, HANG ON! 673 00:28:27,060 --> 00:28:28,962 WE'RE GONNA GET YOU OUT OF THERE! 674 00:28:28,996 --> 00:28:30,430 GREAT! THAT WOULD BE GREAT! 675 00:28:30,463 --> 00:28:32,265 Andy: DISPATCH, WE NEED FIRE AND EMS TO THE SOUTH LOT 676 00:28:32,299 --> 00:28:34,401 OF THE CITY VIEW MUSIC FESTIVAL NOW! 677 00:28:34,434 --> 00:28:36,770 MOVE ANYTHING FLAMMABLE AWAY FROM THE DOOR. 678 00:28:36,804 --> 00:28:39,306 [ POLICE RADIO CHATTER ] CHLOE, ARE YOU OKAY?! 679 00:28:41,274 --> 00:28:42,509 NO, DON'T! 680 00:28:46,446 --> 00:28:47,680 CHLOE! 681 00:28:47,714 --> 00:28:50,417 [ POLICE RADIO CHATTER ] 682 00:28:50,450 --> 00:28:52,685 SHE'S NOT BREATHING. 683 00:28:52,719 --> 00:28:54,487 I NEED THAT FIRE OUT NOW! 684 00:28:54,521 --> 00:28:56,890 CHRIS: Yeah, I got it. I'm here. 685 00:28:56,924 --> 00:28:58,391 [ FIRE EXTINGUISHER BLOWING ] 686 00:29:04,264 --> 00:29:05,866 IT'S CLEAR. 687 00:29:13,140 --> 00:29:15,108 [ GRUNTS ] 688 00:29:15,142 --> 00:29:18,011 [ COUGHING ] 689 00:29:20,213 --> 00:29:21,982 CHLOE. CHLOE. 690 00:29:22,015 --> 00:29:24,952 OKAY, CHLOE, BREATHE. BREATHE. 691 00:29:24,985 --> 00:29:26,219 CHLOE? COME ON. [ COUGHING ] 692 00:29:26,253 --> 00:29:28,388 YOU'RE GONNA BE FINE. JUST TAKE A BREATH. 693 00:29:30,723 --> 00:29:33,927 CHLOE, I NEED YOU TO TAKE A BREATH, OKAY? 694 00:29:35,728 --> 00:29:37,197 [ COUGHING ] 695 00:29:46,840 --> 00:29:49,142 WHAT TOOK YOU SO LONG? 696 00:29:49,176 --> 00:29:52,045 [ COUGHS ] 697 00:29:55,315 --> 00:29:57,817 [ CAMERA BEEPS, SHUTTER CLICKS ] 698 00:29:57,851 --> 00:29:59,219 ALL RIGHT, JUST STICK HIM IN THE BULLPEN 699 00:29:59,252 --> 00:30:01,188 TILL THE D's ARE READY FOR HIM. 700 00:30:06,426 --> 00:30:08,461 THAT KID HAD HIS WHOLE LIFE AHEAD OF HIM. 701 00:30:08,495 --> 00:30:10,998 NOT ANYMORE. 702 00:30:11,031 --> 00:30:13,266 BUT YOU'RE JUST HANGING OUT HERE LIKE YOU GOT 703 00:30:13,300 --> 00:30:15,035 ALL THE TIME IN THE WORLD TO CHOOSE THE RIGHT ONE. 704 00:30:15,068 --> 00:30:18,671 I JUST DON'T KNOW IF I COULD TRUST HER AGAIN. 705 00:30:18,705 --> 00:30:19,806 ISN'T THAT SOMETHING 706 00:30:19,839 --> 00:30:22,209 YOU'RE GONNA WANT TO KNOW FOR SURE? 707 00:30:22,242 --> 00:30:26,446 LISTEN, NICK, IF JULIA LEAVES, YOU'RE NEVER GONNA KNOW HER. 708 00:30:38,591 --> 00:30:39,826 [ DOOR CLOSES ] 709 00:30:39,859 --> 00:30:40,860 YOU KNOW, GAIL, 710 00:30:40,894 --> 00:30:43,230 I DIDN'T WANT TO FIND ANYTHING WHEN I CAME TO 15. 711 00:30:43,263 --> 00:30:44,998 I WANTED TO BE HAPPY WITH NICK. 712 00:30:45,032 --> 00:30:46,833 I WANTED TO BE PART OF THE FAMILY. 713 00:30:46,866 --> 00:30:48,969 BUT I HAD A JOB TO DO. 714 00:30:49,002 --> 00:30:51,338 SO, AFTER EVERYTHING THAT IT COST YOU, 715 00:30:51,371 --> 00:30:53,907 YOU'RE OKAY WITH THE CHOICES YOU MADE? 716 00:30:53,941 --> 00:30:57,510 HERE'S WHAT I DO KNOW -- 717 00:30:57,544 --> 00:30:59,779 I CAN LIVE WITH MYSELF. 718 00:30:59,812 --> 00:31:03,350 I CAN LOOK IN THE MIRROR AND STILL SEE ME. 719 00:31:03,383 --> 00:31:07,720 AND SOMETIMES THAT'S ALL YOU CAN HOPE FOR. 720 00:31:07,754 --> 00:31:10,590 [ FOOTSTEPS DEPART ] 721 00:31:10,623 --> 00:31:13,060 [ DOOR OPENS ] Bill: GAIL. 722 00:31:13,093 --> 00:31:15,162 THEY'RE READY FOR YOU. 723 00:31:20,433 --> 00:31:23,403 DO YOU SWEAR TO TELL THE TRUTH, THE WHOLE TRUTH, 724 00:31:23,436 --> 00:31:25,272 AND NOTHING BUT THE TRUTH, SO HELP YOU GOD? 725 00:31:25,305 --> 00:31:26,806 I DO. 726 00:31:26,839 --> 00:31:27,975 Judge: LET'S BEGIN. 727 00:31:28,008 --> 00:31:30,710 MS. SWAIN. 728 00:31:30,743 --> 00:31:31,644 THANK YOU, YOUR HONOR. 729 00:31:31,678 --> 00:31:33,846 OFFICER PECK, CAN YOU TELL US WHAT HAPPENED 730 00:31:33,880 --> 00:31:36,249 THE DAY OF THE EVIDENCE-ROOM EXPLOSION? 731 00:31:36,283 --> 00:31:38,818 AFTER WE CAUGHT TED McDONALD, 732 00:31:38,851 --> 00:31:41,955 WE ALL TOOK A BREATHER 733 00:31:41,989 --> 00:31:44,757 WHILE DETECTIVE SWAREK TRIED TO GET A CONFESSION. 734 00:31:44,791 --> 00:31:49,429 THEN I WENT TO THE LOUNGE, AND THAT'S WHERE I SAW STEVE. 735 00:31:49,462 --> 00:31:51,098 AND DID YOU TALK? 736 00:31:51,131 --> 00:31:52,966 YES. ABOUT WHAT? 737 00:31:53,000 --> 00:31:56,236 I ASKED HIM TO BE THE GODFATHER 738 00:31:56,269 --> 00:31:58,538 OF THE CHILD I'M ABOUT TO ADOPT. 739 00:31:58,571 --> 00:32:02,842 AND HE MADE SOME STUPID JOKE ABOUT MARLON BRANDO 740 00:32:02,875 --> 00:32:05,112 AND THEN HE -- 741 00:32:05,145 --> 00:32:07,647 HE HUGGED ME AND HE SAID HE WOULD BE HONORED. 742 00:32:07,680 --> 00:32:09,149 AND WHAT TIME WAS THAT? 743 00:32:09,182 --> 00:32:11,051 THAT WAS ABOUT AN HOUR BEFORE THE BOMB WENT OFF. 744 00:32:11,084 --> 00:32:13,353 AND HOW LONG WERE YOU WITH YOUR BROTHER? 745 00:32:13,386 --> 00:32:15,688 IT WAS A WHILE. 746 00:32:15,722 --> 00:32:17,124 CAN YOU BE MORE SPECIFIC? 747 00:32:17,157 --> 00:32:18,391 THERE WAS JUST A LOT GOING ON, 748 00:32:18,425 --> 00:32:20,960 SO I-I WASN'T PAYING ATTENTION TO THE TIME. 749 00:32:20,994 --> 00:32:24,164 DID YOU TWO GO ANYWHERE ELSE AFTER THE, UH, LOUNGE? 750 00:32:24,197 --> 00:32:25,332 YEAH, WE WERE GONNA GRAB A COFFEE, 751 00:32:25,365 --> 00:32:26,499 AND WE WERE GONNA GO TO HIS OFFICE. 752 00:32:26,533 --> 00:32:28,901 SO, YOU WERE WITH STEVE IN HIS OFFICE, 753 00:32:28,935 --> 00:32:31,171 DRINKING COFFEE, WHEN THE BOMB WENT OFF? 754 00:32:31,204 --> 00:32:34,207 THAT'S NOT WHAT I SAID. 755 00:32:34,241 --> 00:32:36,676 SORRY. I'M HAVING TROUBLE FOLLOWING. 756 00:32:36,709 --> 00:32:38,578 GAIL, WERE YOU WITH YOUR BROTHER 757 00:32:38,611 --> 00:32:42,049 BETWEEN 5:00 AND 6:00 P.M. ON THE DATE IN QUESTION? 758 00:32:42,082 --> 00:32:44,484 STEVE AND I WERE -- 759 00:32:44,517 --> 00:32:46,286 GAIL. WE -- 760 00:32:46,319 --> 00:32:47,954 ANSWER THE DAMN QUESTION. 761 00:32:47,987 --> 00:32:49,622 Judge: SIT DOWN, INSPECTOR. 762 00:32:57,664 --> 00:32:59,899 MS. PECK... 763 00:32:59,932 --> 00:33:01,301 GO ON. 764 00:33:03,303 --> 00:33:06,539 I-I WAS -- STEVE AND -- 765 00:33:06,573 --> 00:33:09,276 YOUR HONOR, I'D LIKE TO SPEAK WITH YOU, 766 00:33:09,309 --> 00:33:11,778 WITH MY COUNSEL, AND THE PROSECUTION IN PRIVATE. 767 00:33:11,811 --> 00:33:13,546 IF THIS IS A STALLING TACTIC -- 768 00:33:13,580 --> 00:33:14,481 IT'S NOT, YOUR HONOR. 769 00:33:14,514 --> 00:33:16,183 YOU'LL WANT TO HEAR WHAT I HAVE TO SAY. 770 00:33:16,216 --> 00:33:18,785 YOU'VE GOT FIVE MINUTES. 771 00:33:18,818 --> 00:33:20,053 MS. PECK... YEAH? 772 00:33:20,087 --> 00:33:21,188 ...YOU'RE DISMISSED FOR THE TIME BEING. 773 00:33:21,221 --> 00:33:22,555 DON'T GO ANYWHERE. 774 00:33:30,197 --> 00:33:32,899 [ DOOR OPENS ] 775 00:33:32,932 --> 00:33:35,168 DAD, WHAT HAPPENED? 776 00:33:35,202 --> 00:33:37,036 Bill: HE CONFESSED. 777 00:33:37,070 --> 00:33:40,440 HE TOOK A PLEA DEAL. 778 00:33:40,473 --> 00:33:42,509 HE'S GONNA TESTIFY AGAINST COMMISSIONER SANTANA 779 00:33:42,542 --> 00:33:44,377 AND AIDAN KELLY FOR A SLAP ON THE WRIST. 780 00:33:44,411 --> 00:33:46,179 S-SO, THAT'S -- THAT'S GOOD. 781 00:33:46,213 --> 00:33:47,947 YOU THINK THAT'S GOOD, GAIL? 782 00:33:47,980 --> 00:33:51,684 DO YOU? REALLY? 783 00:33:51,718 --> 00:33:53,220 [ INDISTINCT WHISPERING ] 784 00:33:53,253 --> 00:33:55,388 STEVE. OH, HE HAS -- HE HAS NOTHING TO SAY TO YOU. 785 00:33:55,422 --> 00:33:57,490 I'M NOT A REPORTER. I'M HIS SISTER. 786 00:33:57,524 --> 00:33:59,992 CAN YOU JUST GIVE US A SECOND, PLEASE? SURE. 787 00:34:00,026 --> 00:34:01,828 PLEASE TELL ME THAT EVERYTHING'S JUST -- 788 00:34:01,861 --> 00:34:03,096 IT'S GONNA BLOW OVER, RIGHT? 789 00:34:03,130 --> 00:34:05,365 NO, NO, IT'S NOT. 790 00:34:05,398 --> 00:34:07,234 YOU DON'T KNOW WHAT I GOT MYSELF IN THE MIDDLE OF. 791 00:34:07,267 --> 00:34:11,104 NO. OUR PARENTS AND SANTANA -- IT'S, UH... 792 00:34:11,138 --> 00:34:12,539 [ SIGHS ] 793 00:34:12,572 --> 00:34:15,642 I'M REALLY SORRY. 794 00:34:15,675 --> 00:34:18,411 YEAH, ME TOO. 795 00:34:31,591 --> 00:34:33,326 NEED A RIDE HOME? 796 00:34:36,028 --> 00:34:38,731 I CAN'T GO HOME. 797 00:34:46,939 --> 00:34:49,476 [ FOOTSTEPS APPROACHING ] 798 00:34:49,509 --> 00:34:52,111 HEY. 799 00:34:53,713 --> 00:34:55,215 HEY. 800 00:34:55,248 --> 00:34:56,483 SHE SLEEPING? 801 00:34:56,516 --> 00:35:00,453 UH, YEAH, AS LONG AS I KEEP MOVING AROUND. 802 00:35:00,487 --> 00:35:04,991 THE SECOND I LIE DOWN, SHE WANTS TO PLAY. 803 00:35:05,024 --> 00:35:09,028 YEAH. MUST BE TOUGH. 804 00:35:09,061 --> 00:35:12,565 LOOK, ANDY, I'M... 805 00:35:12,599 --> 00:35:15,034 SO SORRY ABOUT LAST NIGHT, OKAY? 806 00:35:15,067 --> 00:35:16,436 THAT'LL NEVER HAPPEN AGAIN. 807 00:35:16,469 --> 00:35:19,772 I'M JUST...TRYING TO FIGURE IT OUT, YOU KNOW? 808 00:35:19,806 --> 00:35:23,310 I KNOW. ME TOO. 809 00:35:23,343 --> 00:35:26,446 [ ZIPPER CLOSES ] ANY LUCK? 810 00:35:26,479 --> 00:35:30,783 [ CHUCKLES ] NO. NOT REALLY. 811 00:35:30,817 --> 00:35:33,320 [ SIGHS ] 812 00:35:33,353 --> 00:35:34,854 I CAN'T HELP BUT THINK, WOULD IT JUST BE EASIER 813 00:35:34,887 --> 00:35:37,857 FOR EVERYBODY IF I GOT OUT OF TOWN FOR A BIT? 814 00:35:37,890 --> 00:35:41,761 WELL, I DON'T THINK THAT WOULD BE EASIER FOR SAM. 815 00:35:44,096 --> 00:35:46,466 YOU KNOW, AND IF IT WASN'T FOR YOU, 816 00:35:46,499 --> 00:35:50,203 THE TWO OF US WOULDN'T EVEN BE HERE. 817 00:35:50,237 --> 00:35:52,739 LOOK, MY, UH -- MY SISTER'S COMING 818 00:35:52,772 --> 00:35:55,208 TO STAY WITH ME FOR A COUPLE WEEKS. 819 00:35:55,242 --> 00:35:58,878 SO YOU AND SAM CAN SEE THE BABY AS OFTEN AS YOU WANT. 820 00:35:58,911 --> 00:36:02,682 AND I GOT TO START WORKING ON BUILDING MY OWN LIFE, YOU KNOW? 821 00:36:02,715 --> 00:36:05,552 [ BABY CRYING ] 822 00:36:05,585 --> 00:36:07,354 OKAY. 823 00:36:07,387 --> 00:36:09,489 WE GOT TO GET GOING. 824 00:36:09,522 --> 00:36:11,858 BUT I'LL SEE YOU AROUND, ALL RIGHT? 825 00:36:11,891 --> 00:36:14,594 YEAH. 826 00:36:14,627 --> 00:36:16,629 OKAY. 827 00:36:21,534 --> 00:36:24,371 EXCUSE ME. CAN YOU GO ANY FASTER? I'M GONNA MISS MY PLANE. 828 00:36:24,404 --> 00:36:25,972 [ SIGHS, CLEARS THROAT ] 829 00:36:26,005 --> 00:36:28,975 [ SIREN WAILS, CHIRPS ] 830 00:36:29,008 --> 00:36:31,611 OH. SERIOUSLY? 831 00:36:35,047 --> 00:36:37,517 [ POLICE RADIO CHATTER ] 832 00:36:39,752 --> 00:36:41,988 UNREAL. 833 00:36:42,021 --> 00:36:45,458 [ KNOCK ON WINDOW ] 834 00:36:45,492 --> 00:36:46,926 HI. 835 00:36:46,959 --> 00:36:48,995 YOUR PHONE'S OFF. 836 00:36:49,028 --> 00:36:51,864 I KNOW. I WAS IN COURT. WHAT ARE -- IS EVERYTHING OKAY? 837 00:36:51,898 --> 00:36:55,535 NICK, HOW DID YOU KNOW THAT THIS WAS MY CAR? 838 00:36:55,568 --> 00:36:56,869 I DIDN'T. 839 00:36:56,903 --> 00:36:59,606 YOU'RE THE FOURTH AIRPORT LIMO I'VE PULLED OVER. 840 00:36:59,639 --> 00:37:02,041 WANT TO STEP OUT OF THE CAR FOR ME, PLEASE, MA'AM? 841 00:37:02,074 --> 00:37:04,544 UM... I'LL BE RIGHT BACK. 842 00:37:04,577 --> 00:37:07,814 LOOK, NICK, I'M -- I MEAN, I'M GONNA MISS MY FLIGHT, SO -- 843 00:37:07,847 --> 00:37:09,282 DOESN'T MATTER. THERE'S A MILLION FLIGHTS, RIGHT? 844 00:37:09,316 --> 00:37:11,351 WHAT? LOOK, JUST HEAR ME OUT. 845 00:37:11,384 --> 00:37:15,087 YOU DID TRY TO KEEP YOUR DISTANCE. 846 00:37:15,121 --> 00:37:16,289 I DIDN'T LET YOU. 847 00:37:16,323 --> 00:37:19,492 I THOUGHT YOU WERE PULLING AWAY 'CAUSE YOU WERE SCARED. 848 00:37:19,526 --> 00:37:21,794 BUT IF I'M HONEST, IT'S ME THAT WAS SCARED. 849 00:37:21,828 --> 00:37:24,196 ME TOO. YEAH? 850 00:37:24,230 --> 00:37:25,164 YES. 851 00:37:25,197 --> 00:37:28,668 YES, BUT I -- I STILL -- I WANT THIS TO WORK. 852 00:37:28,701 --> 00:37:30,470 GOOD. 853 00:37:30,503 --> 00:37:32,271 WELL, I'LL -- I'LL COME WITH YOU. 854 00:37:32,305 --> 00:37:34,574 [ STAMMERS ] I'LL MEET YOU THERE. 855 00:37:34,607 --> 00:37:36,042 I'LL MEET -- I GOT TO PACK, ANYWAY. 856 00:37:36,075 --> 00:37:37,510 OKAY. GOOD. WE'LL FIGURE IT OUT. 857 00:37:37,544 --> 00:37:39,812 OKAY. 858 00:37:45,352 --> 00:37:48,054 * LOVER, COME ROUND 859 00:37:48,087 --> 00:37:49,556 HEY. HEY. 860 00:37:49,589 --> 00:37:50,590 * LIE WITH THE LAMB 861 00:37:50,623 --> 00:37:53,460 THANK YOU VERY, VERY MUCH FOR MEETING ME HERE. 862 00:37:53,493 --> 00:37:55,862 * YOU'LL FIND IT'S THE SLOW DANCE * YEAH, NO PROBLEM. 863 00:37:55,895 --> 00:37:57,930 * THAT HARBINGER OF ROMANCE IS EVERYTHING OKAY? 864 00:37:57,964 --> 00:38:00,066 OH, YEAH, IT'S GREAT. 865 00:38:00,099 --> 00:38:02,535 IT'S GREAT. 866 00:38:02,569 --> 00:38:04,804 * YOU BARELY KEEP THE WILD AT BAY * 867 00:38:04,837 --> 00:38:06,105 WHAT HAPPENED? 868 00:38:06,138 --> 00:38:07,974 * WHAT EASY PREY 869 00:38:08,007 --> 00:38:09,241 WELL, I HAD, UM... 870 00:38:09,275 --> 00:38:12,512 * YOU BARELY SEE YOUR OWN BETRAY YOU * ...I HAD TWO STORIES 871 00:38:12,545 --> 00:38:14,614 THAT I WAS GONNA TELL IN COURT TODAY. 872 00:38:14,647 --> 00:38:16,716 * WHEN THE DARK CAME FOR MORE * 873 00:38:16,749 --> 00:38:19,218 * SAME AS BEFORE ONE WAS THE TRUTH, 874 00:38:19,251 --> 00:38:20,219 AND THEN ONE WAS... 875 00:38:20,252 --> 00:38:21,087 * OH, MY, MY ...LIKE -- 876 00:38:21,120 --> 00:38:25,492 WELL, IT WAS FURTHER AWAY FROM THE TRUTH. 877 00:38:27,026 --> 00:38:28,728 * I KNOW YOU WANTED SOMETHING BAD * AND I DON'T REALLY KNOW WHICH ONE 878 00:38:28,761 --> 00:38:31,163 I WOULD HAVE TOLD -- [ SIGHS ] -- 879 00:38:31,197 --> 00:38:33,065 HAD I BEEN GIVEN THE CHANCE. 880 00:38:33,099 --> 00:38:34,534 * YOU HAD TO KNOW YOUR LUCK WAS * 881 00:38:34,567 --> 00:38:38,738 AND I DON'T KNOW WHAT THAT SAYS ABOUT ME AS A PERSON. 882 00:38:38,771 --> 00:38:40,373 * LEAVING 883 00:38:40,407 --> 00:38:43,109 * WHEN THE DARK CAME FOR MORE * WHY DON'T YOU TELL ME ABOUT THE FAMILY... 884 00:38:43,142 --> 00:38:45,845 * SAME AS BEFORE ...THE ONE THAT IS INTERESTED IN ADOPTING SOPHIE? 885 00:38:45,878 --> 00:38:46,846 [ CLEARS THROAT ] 886 00:38:46,879 --> 00:38:47,847 * OH, MY, MY 887 00:38:47,880 --> 00:38:50,249 THE MOTHER'S A TEACHER. 888 00:38:50,282 --> 00:38:53,252 THE FATHER IS A CONTRACTOR. 889 00:38:53,285 --> 00:38:56,689 THEY LIVE IN THE SAME NEIGHBORHOOD AS SOPHIE, 890 00:38:56,723 --> 00:38:58,958 SO SHE WON'T HAVE TO SWITCH SCHOOLS. 891 00:38:58,991 --> 00:39:03,763 THEY HAVE ANOTHER ADOPTED CHILD, TWO YEARS OLDER, 892 00:39:03,796 --> 00:39:09,536 AND THEY'RE LOOKING TO EXPAND THEIR FAMILY. 893 00:39:09,569 --> 00:39:12,405 * WHEN I LOOK BACK 894 00:39:12,439 --> 00:39:16,776 * IF I LOOK BACK, I'LL BREAK THE RULES * 895 00:39:16,809 --> 00:39:20,212 * THAT HASTEN MY REBELLION [ GASPS ] 896 00:39:20,246 --> 00:39:23,483 [ Crying ] THEY SOUND PERFECT. 897 00:39:23,516 --> 00:39:26,419 * YOU BARELY KEEP THE WILD AT BAY * 898 00:39:26,453 --> 00:39:30,457 * WHAT EASY PREY 899 00:39:30,490 --> 00:39:33,460 HEY, STILL HAVE YOUR KEY. THOUGHT I'D COME BY. 900 00:39:33,493 --> 00:39:34,827 YOU CAN TAKE SOME MORE SHOTS AT ME 901 00:39:34,861 --> 00:39:36,463 IN CASE YOU DIDN'T GET YOUR FILL TODAY. 902 00:39:36,496 --> 00:39:37,597 WHAT TIME'S YOUR FLIGHT? 903 00:39:37,630 --> 00:39:39,566 DON'T HAVE A FLIGHT. OH, YEAH? 904 00:39:39,599 --> 00:39:40,767 TAKING A TRAIN TO VANCOUVER? I'M NOT TAKING THE TRAIN. 905 00:39:40,800 --> 00:39:43,670 LOOK, I ONLY TOLD YOU ABOUT THE OFFER TO GIVE YOU AN OUT. 906 00:39:43,703 --> 00:39:48,274 GIVING ME AN OUT. I DON'T WANT AN OUT. 907 00:39:48,307 --> 00:39:49,942 I NEVER DID, OKAY? 908 00:39:49,976 --> 00:39:51,644 I ALSO DON'T WANT YOU TO FEEL LIKE CRAP, 909 00:39:51,678 --> 00:39:53,680 BUT APPARENTLY THERE'S NOTHING I CAN DO ABOUT THAT. 910 00:39:53,713 --> 00:39:55,948 WELL, MAYBE WE SHOULD STOP TALKING, YOU KNOW? 911 00:39:55,982 --> 00:39:57,684 NO, NO, NO, I'M HAPPY TO TALK, OKAY? 912 00:39:57,717 --> 00:39:59,452 BUT I'M NOT GONNA TALK TO YOUR BACK 913 00:39:59,486 --> 00:40:00,887 AS YOU'RE RUNNING OUT THE DOOR. 914 00:40:00,920 --> 00:40:02,889 CLEARLY, I'M NOT RUNNING OUT THE DOOR. 915 00:40:02,922 --> 00:40:04,924 OKAY, WELL, TALK THEN. YOU TALK. 916 00:40:04,957 --> 00:40:07,927 NO, YOU TALK! 917 00:40:10,930 --> 00:40:12,431 OKAY. 918 00:40:12,465 --> 00:40:14,634 THE ONLY REASON I EVER THOUGHT I COULD BE A DAD 919 00:40:14,667 --> 00:40:16,503 IN THE FIRST PLACE IS BECAUSE OF YOU. 920 00:40:16,536 --> 00:40:18,638 BEING WITH YOU HAS CHANGED ME. 921 00:40:18,671 --> 00:40:19,539 I'M A BETTER MAN... 922 00:40:19,572 --> 00:40:21,574 WHICH MEANS I MIGHT ACTUALLY BE ABLE TO 923 00:40:21,608 --> 00:40:23,710 BE THE DAD I NEVER THOUGHT I COULD BE. 924 00:40:23,743 --> 00:40:25,712 AND I WANT TO SHOW THAT TO YOU. 925 00:40:25,745 --> 00:40:29,682 I WANT TO BE THAT... WITH YOU. 926 00:40:29,716 --> 00:40:32,552 SO PLEASE DON'T GO AWAY AGAIN, 927 00:40:32,585 --> 00:40:34,521 NOT FOR FIVE MONTHS OR FIVE MINUTES, OKAY? 928 00:40:34,554 --> 00:40:40,059 * I CAN'T HOLD YOU CLOSE, AND I CAN'T HAVE YOU HERE * SAM...I JUST... 929 00:40:40,092 --> 00:40:41,327 * OR LET YOU GO 930 00:40:41,360 --> 00:40:42,595 MISS YOU. 931 00:40:42,629 --> 00:40:44,997 * OR KEEP YOU HERE 932 00:40:45,031 --> 00:40:46,866 * AND I CAN'T CHANGE A THING BUT I DON'T KNOW HOW TO SAY THAT TO YOU 933 00:40:46,899 --> 00:40:48,300 WITHOUT FEELING LIKE I'M ASKING YOU 934 00:40:48,334 --> 00:40:51,037 TO CHOOSE BETWEEN ME AND YOUR FAMILY. * AND I CAN'T CHANGE YOUR MIND 935 00:40:51,070 --> 00:40:56,375 * OR SAVE THE DAY OR GO BACK IN TIME * 936 00:40:56,408 --> 00:40:58,310 [ Voice breaking ] ANDY McNALLY, 937 00:40:58,344 --> 00:41:03,115 YOU ARE MY FAMILY, OKAY? * BECAUSE WHERE WE ARE IS JUST WHERE WE ARE * 938 00:41:03,149 --> 00:41:04,917 YES, I LOVE THAT BABY. 939 00:41:04,951 --> 00:41:06,118 * FALLING FARTHER FROM SO FAR [ Voice breaking ] SO DO I. 940 00:41:06,152 --> 00:41:10,790 YEAH, WELL, I LOVE THAT BABY SO MUCH THAT I WANT MORE BABIES. 941 00:41:10,823 --> 00:41:14,360 * UNDERNEATH MORNING SHEETS I WANT OUR BABIES. 942 00:41:14,393 --> 00:41:17,564 WE'VE BOTH TRIED RUNNING AWAY. 943 00:41:17,597 --> 00:41:20,199 * TELL ME, TELL ME YOU NEED ME WE'VE BOTH TRIED BEING WITH OTHER PEOPLE, 944 00:41:20,232 --> 00:41:24,070 BUT WE KEEP FINDING OUR WAY BACK TO EACH OTHER. 945 00:41:24,103 --> 00:41:27,540 SO LET'S PLEASE, ANDY, TRY THE ONE THING WE HAVEN'T. 946 00:41:27,574 --> 00:41:31,277 LET'S STAY TOGETHER. 947 00:41:31,310 --> 00:41:34,547 I'M OBVIOUSLY GONNA STAY. 948 00:41:34,581 --> 00:41:36,883 I LOVE YOU. 949 00:41:36,916 --> 00:41:39,151 OKAY. 950 00:41:39,185 --> 00:41:40,653 I LOVE YOU, TOO. 951 00:41:46,192 --> 00:41:47,960 [ SIGHS ] 952 00:41:47,994 --> 00:41:49,562 * WHERE WE ARE IS JUST WHERE WE ARE * WHAT IS HAPPENING? 953 00:41:49,596 --> 00:41:52,031 [ DOG WHIMPERS ] THAT'S A GOLDENDOODLE. 954 00:41:52,064 --> 00:41:53,833 YOU BOUGHT A PUPPY? 955 00:41:53,866 --> 00:41:54,867 * FALLING FARTHER FROM SO FAR I ORDERED IT SIX MONTHS AGO 956 00:41:54,901 --> 00:41:57,837 AND GOT THE CALL THAT IT WAS READY TO BE PICKED UP. 957 00:41:57,870 --> 00:42:00,372 [ CHUCKLES ] SO, BOO RADLEY, MEET ANDY McNALLY. 958 00:42:00,406 --> 00:42:03,843 * UNDERNEATH MIDNIGHT SHEETS WELL, CLEARLY I CAN'T LEAVE NOW. 959 00:42:03,876 --> 00:42:05,678 I GOT TO TAKE CARE OF THIS GUY. 960 00:42:05,712 --> 00:42:07,413 * TELL ME, TELL ME YOU NEED ME [ SIGHS ] 961 00:42:07,446 --> 00:42:09,882 CAN WE PLEASE GET MARRIED? WE ARE. 962 00:42:09,916 --> 00:42:11,450 FASTER? 963 00:42:11,483 --> 00:42:12,985 OKAY. OKAY? 964 00:42:13,019 --> 00:42:16,589 OKAY. * TELL ME, TELL ME YOU NEED ME 965 00:42:16,623 --> 00:42:18,324 SHOULD WE TAKE THIS LITTLE GUY FOR A WALK? 966 00:42:18,357 --> 00:42:19,592 YEAH, WE CAN DO WHATEVER YOU WANT. 967 00:42:19,626 --> 00:42:20,359 WE'RE ALL YOURS. [ DOG PANTING ]