1 00:00:08,297 --> 00:00:09,498 [ GROANS ] McNALLY? 2 00:00:09,531 --> 00:00:11,800 YO. UP AND AT 'EM. IT'S 10 AFTER 8:00. 3 00:00:11,833 --> 00:00:12,601 WE GOT TO GET A MOVE ON! 4 00:00:12,634 --> 00:00:14,136 WHY -- WHY ARE YOU HOLLERING AT ME? 5 00:00:14,169 --> 00:00:15,370 COME UP HERE AND SAY HELLO. 6 00:00:15,404 --> 00:00:17,606 NO! YOU CAN'T SEE ME UNTIL THE CEREMONY. 7 00:00:17,639 --> 00:00:18,573 HEY. GET OVER HERE. 8 00:00:18,607 --> 00:00:20,942 THAT'S RIDICULOUS. IT'S ACTUALLY TRADITION. 9 00:00:20,975 --> 00:00:22,811 IT'S A SUPERSTITION. 10 00:00:22,844 --> 00:00:24,446 LOOK, I'M GONNA TAKE BOO FOR A WALK 11 00:00:24,479 --> 00:00:26,481 AND THEN TAKE HIM TO THE SITTER'S, OKAY? 12 00:00:26,515 --> 00:00:29,718 UH, YOU HAVE LIKE 40 MINUTES TO GET READY AND GET OUT OF HERE. 13 00:00:29,751 --> 00:00:32,053 ALSO, DON'T FORGET THAT OLIVER'S TAKING YOU, ALL RIGHT? 14 00:00:32,087 --> 00:00:33,622 TRACI'S GONNA TAKE ME. 15 00:00:33,655 --> 00:00:35,690 UH, DO YOU HAVE THE MUSIC ON YOUR PHONE? 16 00:00:35,724 --> 00:00:36,425 I DO. 17 00:00:36,458 --> 00:00:38,560 OKAY. WHAT ABOUT YOUR VOWS? 18 00:00:38,593 --> 00:00:40,595 I DO -- MEMORIZED. 19 00:00:40,629 --> 00:00:43,365 WOULD YOU PLEASE COME UP HERE AND SAY HELLO? 20 00:00:43,398 --> 00:00:45,400 [ SIGHS ] OKAY. CLOSE YOUR EYES. 21 00:00:45,434 --> 00:00:47,969 I'LL KNOW IF YOU'RE CHEATING. 22 00:00:48,002 --> 00:00:50,839 MY EYES ARE CLOSED. 23 00:00:50,872 --> 00:00:52,607 SEE? 24 00:00:52,641 --> 00:00:55,844 A PERFECT MATCH, McNALLY, YOU AND ME. 25 00:00:55,877 --> 00:00:57,078 'CAUSE YOU ARE VERY HIGH-MAINTENANCE, 26 00:00:57,112 --> 00:00:58,680 AND I CAN FIX ANYTHING. [ CHUCKLES ] 27 00:00:58,713 --> 00:01:01,150 I LOVE YOU. 28 00:01:02,551 --> 00:01:03,852 LET'S GO. 29 00:01:03,885 --> 00:01:05,854 OKAY. 30 00:01:05,887 --> 00:01:08,056 OKAY. 31 00:01:08,089 --> 00:01:09,458 LET'S DO THIS THING. 32 00:01:09,491 --> 00:01:12,694 -- Captions by VITAC -- 33 00:01:14,496 --> 00:01:16,831 NASH, WHERE ARE WE ON THE LINDSAY McCONNELL MURDER? 34 00:01:16,865 --> 00:01:18,200 UH, I'VE BEEN WORKING IT ALL NIGHT 35 00:01:18,233 --> 00:01:19,934 WITH GAIL AND DETECTIVE ANDERSON. 36 00:01:19,968 --> 00:01:21,102 GAIL WAS THE FIRST ON-SCENE. 37 00:01:21,136 --> 00:01:22,637 AND WE'RE STILL NOT SURE WHAT HAPPENED. 38 00:01:22,671 --> 00:01:24,273 WHAT ARE YOU, NEW? THE HUSBAND DID IT. 39 00:01:24,306 --> 00:01:25,340 THE HUSBAND ALWAYS DID IT. 40 00:01:25,374 --> 00:01:27,809 OKAY, BUT I'VE HAD HIM IN INTERVIEW FOR FOUR HOURS. 41 00:01:27,842 --> 00:01:28,977 HIS STORY HASN'T CHANGED. 42 00:01:29,010 --> 00:01:30,679 HE SAID HE CAME HOME FROM WORK LAST NIGHT 43 00:01:30,712 --> 00:01:32,481 AND HE FOUND HER DEAD. AND YOU BOUGHT THAT? 44 00:01:32,514 --> 00:01:34,949 OKAY, SIR, IT'S JUST THAT IT'S ANDY AND SAM'S WEDDING DAY. 45 00:01:34,983 --> 00:01:35,784 I'M THE MAID OF HONOR -- 46 00:01:35,817 --> 00:01:37,219 DO YOU KNOW WHO DANIEL McCONNELL IS? 47 00:01:37,252 --> 00:01:38,086 THE DEFENSE LAWYER? 48 00:01:38,119 --> 00:01:39,921 YEAH. HE'S ALSO THE VICTIM'S UNCLE. 49 00:01:39,954 --> 00:01:40,889 HE CALLED ME SIX TIMES. 50 00:01:40,922 --> 00:01:42,257 HE WANTS TO KNOW IF WE'RE LAYING ANY CHARGES. 51 00:01:42,291 --> 00:01:44,526 AND TONIGHT I'M HAVING DINNER AT A CHARITY FUNDRAISER. [ SIGHS ] 52 00:01:44,559 --> 00:01:45,827 GUESS WHO'S SITTING AT MY TABLE. 53 00:01:45,860 --> 00:01:47,095 BEFORE YOU GO ANYWHERE TODAY, 54 00:01:47,128 --> 00:01:48,797 I NEED A WORKING THEORY, DETECTIVE. 55 00:01:48,830 --> 00:01:50,399 I'M SORRY ABOUT THE TIMING. 56 00:01:50,432 --> 00:01:51,666 [ SIGHS ] 57 00:01:51,700 --> 00:01:53,668 TRACI. AREN'T YOU SUPPOSED TO BE HELPING ANDY? 58 00:01:53,702 --> 00:01:56,471 YEAH, I AM, BUT I'M NOT, CLEARLY. 59 00:01:56,505 --> 00:01:57,606 OKAY. WHAT DO YOU NEED? 60 00:01:57,639 --> 00:01:59,274 THE FLOWERS ARE BEING DELIVERED 61 00:01:59,308 --> 00:02:00,842 PROBABLY RIGHT NOW TO THE SALLY PORT. 62 00:02:00,875 --> 00:02:03,044 I NEED YOU AND CHRIS TO DRIVE THEM UP TO THE CHURCH. 63 00:02:03,077 --> 00:02:04,012 ALL RIGHT. 64 00:02:04,045 --> 00:02:05,580 IN MY LOCKER, YOU'RE GONNA FIND, UM, UM, UM, 65 00:02:05,614 --> 00:02:09,918 RIBBONS FOR THE MASON JARS, AND THE PROJECTOR -- 66 00:02:09,951 --> 00:02:11,052 OH, MY GOD. THE SLIDE SHOW. 67 00:02:11,085 --> 00:02:12,887 I WAS SUPPOSED TO DO IT LAST NIGHT. IT'S A SURPRISE. 68 00:02:12,921 --> 00:02:15,290 NO, IT'S COOL. I WILL STAY. HEY, I GOT YOU COVERED, RIGHT? 69 00:02:15,324 --> 00:02:17,926 OKAY, A LITTLE STAR TRANSITION, A LITTLE SLO-MO, 70 00:02:17,959 --> 00:02:19,861 A LITTLE PHIL COLLINS -- I GOT THIS. 71 00:02:19,894 --> 00:02:21,663 NASH! ANY DAY. 72 00:02:21,696 --> 00:02:22,864 TWO MINUTES? 73 00:02:22,897 --> 00:02:24,366 THANK YOU. 74 00:02:28,837 --> 00:02:30,705 WE HAVE TONS OF TIME. 75 00:02:30,739 --> 00:02:32,241 I SHOULD HAVE PICKED THE ROUTE. 76 00:02:32,274 --> 00:02:33,408 DO NOT WORRY. 77 00:02:33,442 --> 00:02:35,944 IT'S NOT US I'M WORRIED ABOUT. 78 00:02:35,977 --> 00:02:39,348 [ CELLPHONE VIBRATING ] 79 00:02:39,381 --> 00:02:40,815 HEY. DID TRACI CALL YOU? 80 00:02:40,849 --> 00:02:41,816 NO. 81 00:02:41,850 --> 00:02:43,051 It's just a little snag. 82 00:02:43,084 --> 00:02:45,487 UH, SHE GOT HELD UP AT WORK, BUT SHE'S ALREADY SENDING A CAR. 83 00:02:45,520 --> 00:02:46,555 WELL, CAN YOU PUSH IT UP? 84 00:02:46,588 --> 00:02:49,391 I-I -- TRAFFIC IS IMPOSSIBLE ALL THE WAY OUT OF TOWN. 85 00:02:49,424 --> 00:02:51,125 YOU KNOW WHAT? CHANGE OF ROUTE. 86 00:02:51,159 --> 00:02:53,428 407 TO THE 9 TO THE 5, OKAY? TELL EVERYBODY. 87 00:02:53,462 --> 00:02:54,829 YES, I GOT IT. I GOT IT. 88 00:02:54,863 --> 00:02:56,265 I LOVE YOU. I GOT TO GO. 89 00:02:56,298 --> 00:02:57,232 Don't worry. 90 00:02:57,266 --> 00:02:58,500 [ SIGHS ] LOVE YOU. 91 00:02:58,533 --> 00:03:01,370 LISTEN TO HER, BUDDY. REMEMBER MY WEDDING? 92 00:03:01,403 --> 00:03:03,638 MY COUSIN, AND HE LEFT OUR RINGS ON A CITY BUS. 93 00:03:03,672 --> 00:03:05,774 I HAD TO CHASE THAT THING FOR LIKE 10 BLOCKS. 94 00:03:05,807 --> 00:03:09,844 OKAY? THESE THINGS ALWAYS HAVE A WAY OF WORKING THEMSELVES OUT. 95 00:03:14,283 --> 00:03:16,117 Duncan: FELLAS. SUP? 96 00:03:16,150 --> 00:03:17,752 UM, I GOT A QUICK QUESTION. 97 00:03:17,786 --> 00:03:20,822 WHAT'S THE WHOLE SITUATION WITH THE PLUS-ONE? 98 00:03:20,855 --> 00:03:21,890 I'M TAKING CHLOE. 99 00:03:21,923 --> 00:03:22,891 Duncan: OH. 100 00:03:22,924 --> 00:03:24,659 WELL, SHE'S TECHNICALLY INVITED, 101 00:03:24,693 --> 00:03:25,994 SO YOU'RE SUPPOSED TO BRING SOMEBODY ELSE. 102 00:03:26,027 --> 00:03:27,262 DON'T THINK IT WORKS THAT WAY. 103 00:03:28,162 --> 00:03:29,030 DIAZ, MY MAN -- 104 00:03:29,063 --> 00:03:30,265 NOPE. 105 00:03:30,299 --> 00:03:32,000 SO, IS THIS MY LUCKY DAY OR WHAT? 106 00:03:32,033 --> 00:03:33,702 JUST IN TIME FOR THE BACHELOR PARTY. 107 00:03:33,735 --> 00:03:35,870 YOU GUYS GOT DANCERS? BETTER HOPE SO. 108 00:03:35,904 --> 00:03:37,306 Dov: SORRY. WHO ARE YOU? 109 00:03:37,339 --> 00:03:39,641 MY NAME'S JAY SWAREK. I'M THE FATHER OF THE GROOM. 110 00:03:39,674 --> 00:03:41,643 BUT I GUESS YOU GUYS WOULDN'T RECOGNIZE ME. 111 00:03:41,676 --> 00:03:44,413 I'M SURE THAT MY PICTURE DIDN'T END UP IN HIS WALLET. 112 00:03:44,446 --> 00:03:45,547 SERIOUSLY? YEAH. 113 00:03:45,580 --> 00:03:47,282 YOU'RE SAM'S DAD? YES, I AM. 114 00:03:47,316 --> 00:03:48,683 NOW, HE TOLD ME I SHOULD MEET YOU GUYS 115 00:03:48,717 --> 00:03:50,419 AND HOOK UP HERE AND WE'LL DRIVE UP TOGETHER. 116 00:03:50,452 --> 00:03:51,720 IS THAT ALL RIGHT? 117 00:03:51,753 --> 00:03:52,687 YEAH, BUT -- 118 00:03:52,721 --> 00:03:55,357 DON'T WORRY ABOUT IT. YOU RELAX, THERE, NANCY. 119 00:03:55,390 --> 00:03:58,493 SPECIAL PAROLE. JUST A DAY PASS FOR GOOD BEHAVIOR. 120 00:03:58,527 --> 00:04:01,430 IT'S A SPECIAL OCCASION. 121 00:04:01,463 --> 00:04:02,431 COME ON. LET'S GO. 122 00:04:02,464 --> 00:04:04,933 [ CAR DOOR CLOSES ] 123 00:04:07,936 --> 00:04:10,038 [ SIGHS ] 124 00:04:12,240 --> 00:04:13,608 MY VOWS. 125 00:04:20,315 --> 00:04:22,183 [ KNOCK ON DOOR ] 126 00:04:22,216 --> 00:04:23,918 UH... 127 00:04:23,952 --> 00:04:27,322 YOU'RE SUPPOSED TO CALL WHEN YOU GET HERE. 128 00:04:28,289 --> 00:04:29,624 NICK. 129 00:04:29,658 --> 00:04:30,692 WOW. 130 00:04:30,725 --> 00:04:31,760 HI. 131 00:04:31,793 --> 00:04:33,061 YOU LOOK BEAUTIFUL. 132 00:04:33,094 --> 00:04:34,829 OH. [ CHUCKLES ] 133 00:04:34,863 --> 00:04:35,897 THANK YOU. 134 00:04:35,930 --> 00:04:37,899 I THOUGHT YOU WEREN'T SUPPOSED TO PUT THAT ON YET. 135 00:04:37,932 --> 00:04:38,800 WELL, YEAH. 136 00:04:38,833 --> 00:04:40,134 I WAS JUST TRYING IT ON ONE MORE TIME -- 137 00:04:40,168 --> 00:04:42,003 YOU KNOW, MAKE SURE IT WAS PERFECT. 138 00:04:42,036 --> 00:04:42,904 COME IN. 139 00:04:42,937 --> 00:04:45,840 YOU'RE COMING, RIGHT? 140 00:04:45,874 --> 00:04:46,975 NO. 141 00:04:47,008 --> 00:04:49,644 ACTUALLY, I'M, UH, I'M HEADING TO VANCOUVER IN TWO HOURS. 142 00:04:49,678 --> 00:04:51,713 OH. I DON'T KNOW FOR HOW LONG, 143 00:04:51,746 --> 00:04:53,247 BUT I FIGURE IT'S WORTH A SHOT, RIGHT? 144 00:04:53,281 --> 00:04:54,649 OHH. OKAY. 145 00:04:54,683 --> 00:04:56,718 DO YOU NEED ANYTHING BEFORE I, UH...BEFORE I GO? 146 00:04:56,751 --> 00:04:59,521 UH, I MEAN, SOMETHING BORROWED, SOMETHING BLUE. 147 00:04:59,554 --> 00:05:02,256 UH, MY VOWS. HOW ABOUT THOSE? 'CAUSE I LOST THEM. 148 00:05:02,290 --> 00:05:04,192 OKAY, WELL, WHERE WAS THE LAST PLACE 149 00:05:04,225 --> 00:05:05,794 YOU, UH, YOU SAW THEM? 150 00:05:05,827 --> 00:05:08,129 HERE, ACTUALLY, ON THE COUNTER. 151 00:05:08,162 --> 00:05:09,964 [ SIGHS ] 152 00:05:09,998 --> 00:05:11,533 [ FABRIC RIPS ] 153 00:05:12,734 --> 00:05:15,003 THIS IS NOT HAPPENING. 154 00:05:15,036 --> 00:05:15,670 SEWING KIT? 155 00:05:15,704 --> 00:05:18,072 EH -- MY BAG, RIGHT THERE. 156 00:05:18,106 --> 00:05:20,241 OKAY. 157 00:05:20,274 --> 00:05:22,844 [ Sighing ] OH, COME ON! 158 00:05:22,877 --> 00:05:23,845 LET'S SEE. 159 00:05:23,878 --> 00:05:25,146 HOW BAD IS IT? 160 00:05:25,179 --> 00:05:27,649 UM...YOU WANT TO TAKE THAT OFF? 161 00:05:27,682 --> 00:05:29,518 'CAUSE IF I STITCH YOU INTO THERE, 162 00:05:29,551 --> 00:05:32,120 YOU WILL NOT BE ABLE TO GET OUT. 163 00:05:32,153 --> 00:05:34,423 UH... 164 00:05:34,456 --> 00:05:36,791 UH, FINE. JUST DO IT. IT'S FINE. 165 00:05:36,825 --> 00:05:39,060 YEAH? YEAH. I DON'T HAVE TIME. 166 00:05:39,093 --> 00:05:40,895 ALL RIGHT. [ SIGHS ] 167 00:05:41,963 --> 00:05:43,898 I MEAN, YOU KNOW WHAT YOU'RE DOING, RIGHT? 168 00:05:43,932 --> 00:05:44,699 OF COURSE I DO. 169 00:05:44,733 --> 00:05:46,668 TEACH YOU HOW TO SEW IN THE ARMY? 170 00:05:46,701 --> 00:05:48,770 [ CHUCKLES ] YES, MA'AM. 171 00:05:50,204 --> 00:05:51,740 OW! 172 00:05:51,773 --> 00:05:52,774 MAN! 173 00:05:52,807 --> 00:05:54,008 DEEP BREATH IN. 174 00:05:54,042 --> 00:05:56,445 [ CHUCKLES ] 175 00:05:56,478 --> 00:05:57,846 [ SIGHS ] 176 00:05:57,879 --> 00:06:00,114 YOU'RE HAPPY, HUH? 177 00:06:00,148 --> 00:06:02,050 YEAH. YEAH, I REALLY AM. 178 00:06:02,083 --> 00:06:04,786 GOOD. I'M GLAD. 179 00:06:04,819 --> 00:06:06,154 WHAT ABOUT YOU? 180 00:06:06,187 --> 00:06:07,922 OVER THE MOON. 181 00:06:07,956 --> 00:06:11,159 I MEAN, THE MARLO STUFF IS A LITTLE TRICKY. 182 00:06:11,192 --> 00:06:13,795 UM... BUT...I DON'T KNOW. 183 00:06:13,828 --> 00:06:15,797 I ACTUALLY CAN'T BELIEVE WE MADE IT THIS FAR. 184 00:06:15,830 --> 00:06:17,999 WELL, I ACTUALLY CAN'T BELIEVE I'M STITCHING YOU 185 00:06:18,032 --> 00:06:19,400 INTO YOUR WEDDING DRESS. 186 00:06:19,434 --> 00:06:21,002 [ CHUCKLES ] 187 00:06:21,035 --> 00:06:22,036 THERE WE GO. 188 00:06:22,070 --> 00:06:23,337 THANK YOU. 189 00:06:23,371 --> 00:06:25,039 [ SIGHS ] 190 00:06:25,073 --> 00:06:25,874 THANK YOU, THANK YOU. 191 00:06:25,907 --> 00:06:27,809 IF I HAD TO ASK THE DRIVER TO DO IT, 192 00:06:27,842 --> 00:06:29,878 THAT WOULD HAVE BEEN PRETTY AWKWARD. 193 00:06:35,917 --> 00:06:37,185 SOMETHING BORROWED. 194 00:06:39,921 --> 00:06:41,289 THANK YOU. 195 00:06:41,322 --> 00:06:42,390 [ SIGHS ] 196 00:06:42,423 --> 00:06:43,925 [ CELLPHONE VIBRATING ] 197 00:06:43,958 --> 00:06:45,660 UM... 198 00:06:45,694 --> 00:06:47,195 HAVE A GREAT FLIGHT. 199 00:06:47,228 --> 00:06:49,531 YOU HAVE A GREAT, UH... WEDDING. 200 00:06:49,564 --> 00:06:50,932 BREAK -- BREAK A LEG. 201 00:06:50,965 --> 00:06:52,967 OKAY. BYE. 202 00:06:54,068 --> 00:06:57,005 I'M COMING. I'M COMING. 203 00:06:57,038 --> 00:06:58,206 HMM? 204 00:06:59,841 --> 00:07:02,443 NO, I DON'T HAVE 40 MINUTES. 205 00:07:02,477 --> 00:07:04,779 NO, IT'S MY WEDDING, GUY! 206 00:07:05,880 --> 00:07:08,382 OKAY. YOU KNOW WHAT? DON'T -- UH, DON'T EVEN COME. 207 00:07:08,416 --> 00:07:11,019 I'LL DRIVE MYSELF. 208 00:07:17,959 --> 00:07:19,661 [ SIGHS ] 209 00:07:32,774 --> 00:07:34,943 [ ENGINE TURNS OVER ] 210 00:07:36,645 --> 00:07:38,613 [ PARKING BRAKE DISENGAGES ] 211 00:07:38,647 --> 00:07:40,414 [ TIRES SQUEAL ] 212 00:07:40,448 --> 00:07:43,117 SO, WHAT DO WE KNOW? 213 00:07:43,151 --> 00:07:44,352 Gail: LINDSAY McCONNELL -- 214 00:07:44,385 --> 00:07:46,921 SHE'S FOUND DEAD LAST NIGHT, BOTTOM OF THE BASEMENT STAIRS. 215 00:07:46,955 --> 00:07:48,623 BLUNT-FORCE TRAUMA TO THE HEAD, 216 00:07:48,657 --> 00:07:50,792 BLOOD ON THE HAMMER LYING NEXT TO HER ON THE FLOOR. 217 00:07:50,825 --> 00:07:54,062 HUSBAND COMES HOME, 6:00 P.M., SAID HE FOUND HER THAT WAY. 218 00:07:54,095 --> 00:07:55,129 * DREAMING 219 00:07:55,163 --> 00:07:56,497 OH! SH-- MY BAD. 220 00:07:56,531 --> 00:07:58,432 * I MUST BE DREAMING 221 00:07:58,466 --> 00:08:00,234 SHH! SORRY. SORRY. 222 00:08:01,069 --> 00:08:03,337 CORONER'S REPORT. DEAD NINE HOURS. 223 00:08:03,371 --> 00:08:04,673 TIME OF DEATH -- 224 00:08:04,706 --> 00:08:07,809 APPROXIMATELY AN HOUR AFTER HUBBY LEFT FOR WORK. 225 00:08:07,842 --> 00:08:10,712 IF THE HUSBAND DID IT, WHAT'S HIS MOTIVE? 226 00:08:10,745 --> 00:08:12,714 WHAT DO YOU MEAN, "WHAT'S HIS MOTIVE?" THEY WERE MARRIED. 227 00:08:12,747 --> 00:08:14,683 SO THAT'S HIS MOTIVE -- THEY WERE MARRIED. 228 00:08:14,716 --> 00:08:16,317 BUT, I MEAN, IT'S ALL PRETTY THIN. 229 00:08:16,350 --> 00:08:17,719 THEY WERE MARRIED A COUPLE YEARS. 230 00:08:17,752 --> 00:08:18,820 EVERYONE SAID THEY WERE HAPPY. 231 00:08:18,853 --> 00:08:20,889 EVERYONE'S HAPPY. WHAT DOES THAT EVEN MEAN? 232 00:08:20,922 --> 00:08:23,024 YOU'RE HAPPY WHEN YOU'RE WITH SOMEONE AT FIRST 233 00:08:23,057 --> 00:08:25,293 AND ALL THEIR LITTLE QUIRKS SEEM CUTE. 234 00:08:25,326 --> 00:08:26,460 AND THEN AFTER A WHILE, 235 00:08:26,494 --> 00:08:28,630 YOU HATE THE WAY THAT THEY CHEW THEIR FOOD 236 00:08:28,663 --> 00:08:30,565 AND FIND YOURSELF HOLDING A HAMMER. 237 00:08:30,599 --> 00:08:32,200 KNOW WHAT I MEAN? 238 00:08:34,402 --> 00:08:36,605 WONDER WHAT SHE WAS MAKING FOR DINNER. 239 00:08:36,638 --> 00:08:38,472 LOOKS LIKE A MARINADE OF SOME KIND. 240 00:08:38,506 --> 00:08:39,608 MAYBE PIRI PIRI? MMM. 241 00:08:39,641 --> 00:08:41,843 THAT'S WHAT MY MOM WOULD BE MAKING. 242 00:08:41,876 --> 00:08:44,579 PORTUGUESE SPECIALTY. [ CHUCKLES ] 243 00:08:44,613 --> 00:08:46,748 WHO IS THAT MUPPET? 244 00:08:46,781 --> 00:08:50,284 [ POP MUSIC PLAYING OVER STEREO ] 245 00:08:50,318 --> 00:08:55,223 * THE COLOR IN YOUR EYES 246 00:08:55,256 --> 00:08:58,259 * OH, OH, OH, OH 247 00:08:58,292 --> 00:09:03,231 "I, ANDREA McNALLY, TAKE YOU, SAMUEL SWAREK, 248 00:09:03,264 --> 00:09:05,834 "TO BE MY PARTNER IN LIFE, 249 00:09:05,867 --> 00:09:08,703 "LOVING WHAT I KNOW OF YOU 250 00:09:08,737 --> 00:09:11,706 AND TRUSTING WHAT I DO NOT KNOW YET" -- 251 00:09:11,740 --> 00:09:14,242 WHICH BETTER NOT BE A LOT, BECAUSE I HATE SURPRISES. 252 00:09:15,977 --> 00:09:17,846 OH, MAN. 253 00:09:17,879 --> 00:09:21,215 "I PROMISE TO HONOR YOU AND CHERISH YOU" -- 254 00:09:21,249 --> 00:09:22,917 LEARN HOW TO READ A MAP. 255 00:09:32,794 --> 00:09:36,731 AND I PROMISE THAT IF WE EVER GET MARRIED AGAIN, 256 00:09:36,765 --> 00:09:40,835 I WILL LEAVE WAY MORE TIME TO GET TO YOU. 257 00:09:43,805 --> 00:09:46,440 HEY, DO ME A FAVOR. TAKE A RIGHT RIGHT HERE. 258 00:09:46,474 --> 00:09:47,642 [ CHRIS SIGHS ] A RIGHT. 259 00:09:47,676 --> 00:09:48,643 THIS ISN'T THE WAY OUT OF TOWN. 260 00:09:48,677 --> 00:09:50,544 I GOT TO MAKE A QUICK PIT STOP. DO YOU MIND? 261 00:09:50,578 --> 00:09:51,746 NOW, COME ON. IT'S A WEDDING. 262 00:09:51,780 --> 00:09:54,282 I-I'M COMING EMPTY-HANDED. I GOT TO GET A WEDDING PRESENT. 263 00:09:54,315 --> 00:09:55,283 PLEASE? 264 00:09:55,316 --> 00:09:57,085 ALL RIGHT, BUT MAKE IT QUICK. 265 00:09:57,118 --> 00:09:58,086 NO PROBLEM. 266 00:09:58,119 --> 00:09:59,320 OKAY, GOOD. 267 00:09:59,353 --> 00:10:00,388 THIS ONE? 268 00:10:00,421 --> 00:10:01,690 YEAH, PERFECT. 269 00:10:01,723 --> 00:10:03,457 A BUDDY OF MINE'S IN THERE. 270 00:10:03,491 --> 00:10:05,526 HE'S WAITING FOR ME. HE'S GOT IT. 271 00:10:05,559 --> 00:10:07,395 OKAY. 272 00:10:07,428 --> 00:10:09,831 BE RIGHT BACK. 273 00:10:12,934 --> 00:10:13,935 Cops. 274 00:10:13,968 --> 00:10:16,637 WE'RE SURE HE KNOWS THIS GUY, RIGHT? 275 00:10:20,809 --> 00:10:23,011 [ DOORKNOB RATTLES ] 276 00:10:24,779 --> 00:10:27,916 LOOKS LIKE NOBODY'S HOME. 277 00:10:41,863 --> 00:10:43,431 HEY! ARE YOU CRAZY? 278 00:10:43,464 --> 00:10:45,934 YOU'RE STANDING IN THE MIDDLE OF A HIGHWAY! YEAH, HI. UM, I REALLY NEED A RIDE. 279 00:10:45,967 --> 00:10:47,836 OKAY, BUT STAND ON THE SHOULDER, MAN, OKAY? 280 00:10:47,869 --> 00:10:49,938 YOU'RE GONNA GET HIT. OKAY, YEAH. GREAT. 281 00:10:49,971 --> 00:10:51,539 GEEZ. 282 00:10:51,572 --> 00:10:52,707 UH, WHOA, WHOA, WHOA. NO, NO. 283 00:10:52,741 --> 00:10:54,709 WHAT ARE YOU -- WHAT ARE YOU DOING? YOU SAID "OKAY." 284 00:10:54,743 --> 00:10:55,977 NO, I SAID, "OKAY, STAND ON THE SHOULDER," 285 00:10:56,010 --> 00:10:57,511 NOT, "OKAY, I CAN GIVE YOU A RIDE." 286 00:10:57,545 --> 00:10:58,379 LOOK. PLEASE? OKAY? 287 00:10:58,412 --> 00:10:59,748 JUST LIKE 20 MINUTES NORTH TO UXBRIDGE. 288 00:10:59,781 --> 00:11:02,583 NO! IT'S LIKE 20 MINUTES NORTH. 289 00:11:02,616 --> 00:11:03,584 PLEASE. 290 00:11:03,617 --> 00:11:05,386 FINE. BUCKLE UP. I'M IN A RUSH. 291 00:11:05,419 --> 00:11:06,387 OKAY. THANK YOU. 292 00:11:06,420 --> 00:11:09,457 [ SEAT BELT CLICKS ] 293 00:11:22,536 --> 00:11:23,738 WHERE YOU COMING FROM? 294 00:11:23,772 --> 00:11:26,207 A FRIEND'S HOUSE. 295 00:11:26,240 --> 00:11:28,376 IT'S HARD TO GET AROUND, LIVING OUT HERE. 296 00:11:28,409 --> 00:11:30,711 IT'S, UH -- USED TO RIDE MY BIKE, ACTUALLY, 297 00:11:30,745 --> 00:11:33,147 BUT THEN IT -- IT BROKE. 298 00:11:35,750 --> 00:11:37,786 IS THAT A -- IS THAT A WEDDING DRESS? 299 00:11:37,819 --> 00:11:39,888 YOU GETTING MARRIED OR SOMETHING? 300 00:11:39,921 --> 00:11:41,790 [ Chuckling ] I AM, ACTUALLY. 301 00:11:41,823 --> 00:11:42,991 TO A GUY NAMED SAM. 302 00:11:43,024 --> 00:11:44,859 THAT'S AWESOME. I'M HAPPY FOR YOU. 303 00:11:44,893 --> 00:11:46,127 WELL, THANK YOU. 304 00:11:47,095 --> 00:11:50,631 YOU HAVE A BOYFRIEND OR...? 305 00:11:50,664 --> 00:11:52,733 I-I USED TO, YEAH. HE WENT TO JAIL. 306 00:11:52,767 --> 00:11:55,804 BUT HE WAS KIND OF A JERK ANYWAYS, THOUGH, 307 00:11:55,837 --> 00:11:59,774 SO...YOU KNOW, IT'S NOT A-A GREAT LOSS. 308 00:11:59,808 --> 00:12:00,775 THAT'S GOOD. 309 00:12:00,809 --> 00:12:01,976 [ CHUCKLES ] 310 00:12:02,977 --> 00:12:05,880 OKAY, I'M IN THE KITCHEN, I'M CUTTING CHICKEN. 311 00:12:05,914 --> 00:12:07,916 MY HUSBAND WAKES UP. HE COMES DOWNSTAIRS. 312 00:12:07,949 --> 00:12:09,517 Gail: I'M THE HUSBAND. 313 00:12:09,550 --> 00:12:12,620 AND I DON'T LIKE THE WAY YOU CHEW. 314 00:12:12,653 --> 00:12:14,956 I GRAB A HAMMER. 315 00:12:14,989 --> 00:12:16,157 SMACK! 316 00:12:16,190 --> 00:12:18,893 SO, WHY AM I AT THE BOTTOM OF THE BASEMENT STAIRS? 317 00:12:18,927 --> 00:12:21,229 WHY AM I JUST GONNA, LIKE, LEAVE THE HAMMER LYING NEXT TO YOU 318 00:12:21,262 --> 00:12:22,530 AND THEN HEAD TO WORK? 319 00:12:22,563 --> 00:12:23,798 [ BLOWS NOSE ] 320 00:12:23,832 --> 00:12:25,333 WHAT'S YOUR PROBLEM? 321 00:12:25,366 --> 00:12:28,036 OH, IT'S JUST -- IT'S JUST SO SPECIAL, YOU KNOW? 322 00:12:28,069 --> 00:12:29,770 IT'S JUST THE END OF AN ERA. 323 00:12:29,804 --> 00:12:32,206 ALL THE MOMENTS JUST...COMING TOGETHER. 324 00:12:32,240 --> 00:12:33,207 [ CHUCKLES ] 325 00:12:33,241 --> 00:12:34,809 YEAH. 326 00:12:34,843 --> 00:12:37,378 YOU WEREN'T EVEN AROUND FOR ALL THOSE MOMENTS. 327 00:12:37,411 --> 00:12:40,949 YOU'RE JUST WALKING IN -- THE LAST ACT OF THE SHOW. 328 00:12:41,950 --> 00:12:43,985 IT'S THE BEST PART, GAIL. 329 00:12:47,889 --> 00:12:49,958 Sam: I-I THINK SHE SHOULD BE HERE BY NOW. 330 00:12:49,991 --> 00:12:52,226 EVEN WITH TRAFFIC, IT'S AN HOUR'S DRIVE. 331 00:12:52,260 --> 00:12:55,029 YEAH, HEY. YOU KNOW, W-W-WE'RE IN GREAT SHAPE, OKAY? 332 00:12:55,063 --> 00:12:56,497 FATHER JEAN PIERRE IS HERE. 333 00:12:56,530 --> 00:12:59,367 CHRIS AND DOV LEFT WITH THE REST OF THE FLOWERS ON SCHEDULE. 334 00:12:59,400 --> 00:13:01,735 [ Singsong voice ] AND LOOK WHO I RAN INTO. 335 00:13:01,769 --> 00:13:03,604 HEY. HEY. DID YOU GET MY PRESENT? 336 00:13:03,637 --> 00:13:05,139 IS THAT YOUR PRESENT? 337 00:13:05,173 --> 00:13:06,540 NO. NO. 338 00:13:06,574 --> 00:13:07,608 YARROW. OH. 339 00:13:07,641 --> 00:13:08,910 YOU HANG IT ABOVE YOUR BED, 340 00:13:08,943 --> 00:13:11,412 AND I GUARANTEE YOU SEVEN YEARS OF PASSION. 341 00:13:11,445 --> 00:13:12,914 OH. ONLY SEVEN YEARS? 342 00:13:12,947 --> 00:13:13,814 [ BOTH CHUCKLE ] 343 00:13:13,848 --> 00:13:16,150 HEY, UH, WHAT'S -- WHAT'S WITH THE SMOKE? 344 00:13:16,184 --> 00:13:17,685 OH, IT'S A PURIFYING RITUAL. 345 00:13:17,718 --> 00:13:19,553 IT'S GONNA CLEANSE ALL THE NEGATIVE ENERGY. 346 00:13:19,587 --> 00:13:21,089 OH. NICE. 347 00:13:23,024 --> 00:13:25,726 [ DANCE RINGTONE PLAYS ] 348 00:13:25,759 --> 00:13:27,261 [ CELLPHONE BEEPS ] 349 00:13:27,295 --> 00:13:28,062 HELLO? 350 00:13:28,096 --> 00:13:29,597 DUNCAN, IT'S EPSTEIN. 351 00:13:29,630 --> 00:13:31,732 I NEED YOU TO RUN AN ADDRESS FOR ME. 352 00:13:31,765 --> 00:13:34,335 139 WEST 22nd STREET. 353 00:13:34,368 --> 00:13:36,905 I WANT TO KNOW WHO LIVES THERE, IF THEY HAVE A CRIMINAL RECORD, 354 00:13:36,938 --> 00:13:39,874 IF THEY HAVE ANY CONNECTION TO A GUY NAMED JAY SWAREK. 355 00:13:39,908 --> 00:13:41,142 CALL ME BACK. 356 00:13:41,175 --> 00:13:42,810 OKAY. I'M ON IT. I'M ON IT. 357 00:13:42,843 --> 00:13:43,811 UM, HEY. 358 00:13:43,844 --> 00:13:46,580 UH, ANY WORD ABOUT THE WHOLE PLUS-ONE THING? 359 00:13:47,681 --> 00:13:50,351 UH... 360 00:13:50,384 --> 00:13:51,886 OKAY. 361 00:13:51,920 --> 00:13:53,287 COME ON. WE'RE GOOD. LET'S GO. 362 00:13:53,321 --> 00:13:55,289 [ CAR DOOR CLOSES ] DID YOU GET YOUR PRESENT? 363 00:13:55,323 --> 00:13:56,790 YEAH. RIGHT HERE. [ ENGINE TURNS OVER ] 364 00:13:56,824 --> 00:13:59,127 SO, LET'S SHAKE A LEG. COME ON. 365 00:14:07,401 --> 00:14:09,237 SO, WHAT'S YOUR NAME? 366 00:14:09,270 --> 00:14:10,504 STARR. 367 00:14:10,538 --> 00:14:11,672 WITH TWO R's. 368 00:14:11,705 --> 00:14:13,007 COOL. 369 00:14:14,575 --> 00:14:16,010 YOU SEEM REALLY ANXIOUS. 370 00:14:16,044 --> 00:14:17,011 AND I ACTUALLY THOUGHT 371 00:14:17,045 --> 00:14:19,513 I HAD CORNERED THE MARKET ON ANXIETY TODAY. 372 00:14:19,547 --> 00:14:21,749 I'M FINE. 373 00:14:21,782 --> 00:14:22,716 I-I, UM, I MEAN, 374 00:14:22,750 --> 00:14:25,086 I JUST HAD A-A BIT OF A BAD RIDE BEFORE YOU. 375 00:14:25,119 --> 00:14:26,754 BUT I'M ALL GOOD NOW. A BAD RIDE? 376 00:14:26,787 --> 00:14:29,757 YEAH, JUST A CREEPY DRIVER, KIND OF. 377 00:14:29,790 --> 00:14:31,525 HE, UH, HE WAS A BIG SHOT. 378 00:14:31,559 --> 00:14:32,526 [ CHUCKLES ] 379 00:14:32,560 --> 00:14:34,595 WHAT DOES THAT MEAN? 380 00:14:34,628 --> 00:14:38,232 LIKE, $100 KICKS, YOU KNOW, BIG, FANCY CONVERTIBLE, 381 00:14:38,266 --> 00:14:40,234 THOUGHT HE OWNED THE WORLD. 382 00:14:40,268 --> 00:14:41,269 [ CHUCKLES ] 383 00:14:45,839 --> 00:14:49,043 HEY, WHAT HAPPENED TO YOUR HAND? 384 00:14:49,077 --> 00:14:51,879 UH...Y-YOU KNOW, I -- YOU CAN TELL ME. IT'S OKAY. 385 00:14:51,912 --> 00:14:54,182 NO, I-I REALLY DON'T WANT TO TALK ABOUT IT, OKAY? 386 00:14:57,251 --> 00:14:58,386 [ SIGHS ] 387 00:14:58,419 --> 00:15:00,821 [ CELLPHONE CHIMES ] 388 00:15:00,854 --> 00:15:04,058 SO, HOW DID -- HOW DID YOU MEET THIS SAM GUY? 389 00:15:04,092 --> 00:15:05,326 UH, IN AN ALLEYWAY. 390 00:15:05,359 --> 00:15:07,195 I BASICALLY KICKED HIS ASS. 391 00:15:07,228 --> 00:15:10,431 UM, STARR, DID YOU GET INTO IT WITH THE DRIVER BACK THERE? 392 00:15:10,464 --> 00:15:11,966 BECAUSE I PASSED BY A RED CONVERTIBLE 393 00:15:12,000 --> 00:15:13,968 THAT WAS ON THE SIDE OF THE ROAD. 394 00:15:14,002 --> 00:15:16,804 IS THAT HIM? IS THAT WHO YOU'RE TALKING ABOUT? 395 00:15:16,837 --> 00:15:18,973 UM...YOU KNOW, I'M ACTUALLY GOOD -- 396 00:15:19,007 --> 00:15:21,375 I'M GOOD TO GET OUT HERE NOW, ACTUALLY. 397 00:15:21,409 --> 00:15:24,078 NO, THAT'S OKAY. I CAN TAKE YOU TO UXBRIDGE. 398 00:15:26,680 --> 00:15:27,781 WHY ARE YOU TURNING AROUND? 399 00:15:27,815 --> 00:15:28,882 BECAUSE. OKAY, PULL OVER. 400 00:15:28,916 --> 00:15:30,651 LET ME OUT OF THIS TRUCK. NO! HEY, HEY, HEY, HEY, HEY! 401 00:15:30,684 --> 00:15:31,619 LET ME OUT! HEY! 402 00:15:31,652 --> 00:15:33,821 TELL ME WHAT HAPPENED! 403 00:15:33,854 --> 00:15:34,888 WHAT HAPPENED TO YOU? 404 00:15:34,922 --> 00:15:38,126 LOOK, THE GUY WAS WASTED, OKAY? 405 00:15:38,159 --> 00:15:40,128 HE PULLED ME ONTO THIS SIDE ROAD, 406 00:15:40,161 --> 00:15:42,163 UH, I PUNCHED HIM IN THE NOSE, AND THEN I TOOK OFF. 407 00:15:42,196 --> 00:15:44,065 OKAY. [ CELLPHONE CHIRPS ] 408 00:15:44,098 --> 00:15:45,699 ARE YOU GONNA STOP NOW? 409 00:15:45,733 --> 00:15:47,368 HEY, CAN YOU JUST -- DO ME A FAVOR. 410 00:15:47,401 --> 00:15:50,004 GRAB THE CHARGER OUT OF THE GLOVE COMPARTMENT, PLEASE. 411 00:15:50,038 --> 00:15:51,005 NO, THERE'S NO -- JUST -- 412 00:15:51,039 --> 00:15:52,573 THERE'S NO PHONE CHARGER. 413 00:15:52,606 --> 00:15:53,607 [ SIGHS ] 414 00:15:53,641 --> 00:15:55,809 LOOK, I DON'T WANT TO GO BACK AND SEE HIM, OKAY? 415 00:15:55,843 --> 00:15:57,045 I-I UNDERSTAND THAT. 416 00:15:57,078 --> 00:16:00,914 BUT IF THIS GUY ASSAULTED YOU, THEN HE SHOULD BE ARRESTED. 417 00:16:00,948 --> 00:16:04,285 I'M A POLICE OFFICER. I CAN HANDLE HIM. 418 00:16:12,060 --> 00:16:13,461 I'M NOT GETTING OUT OF THE TRUCK. 419 00:16:13,494 --> 00:16:16,030 THAT'S FINE. YOU DON'T HAVE TO. I'LL TAKE CARE OF IT. 420 00:16:18,932 --> 00:16:20,434 HEY! 421 00:16:20,468 --> 00:16:22,836 I'M A POLICE OFFICER. I WANT TO TALK TO YOU FOR A SECOND. 422 00:16:22,870 --> 00:16:25,039 GET OUT OF THE CAR. 423 00:16:25,073 --> 00:16:26,240 [ GROANING ] 424 00:16:26,274 --> 00:16:27,908 I-I CAN'T MOVE. GET OUT OF THE CAR. 425 00:16:27,941 --> 00:16:29,443 I CAN'T M-M-MOVE. 426 00:16:30,711 --> 00:16:32,546 STARR! 427 00:16:33,547 --> 00:16:34,915 HEY! 428 00:16:34,948 --> 00:16:37,551 NO -- 429 00:16:37,585 --> 00:16:40,054 [ GROANS ] 430 00:16:40,088 --> 00:16:41,555 COME ON!! 431 00:16:41,589 --> 00:16:44,058 IT'S MY WEDDING!! 432 00:16:52,833 --> 00:16:55,069 GET OUT OF THE CAR -- NOW. 433 00:16:55,103 --> 00:16:56,337 I CAN'T. 434 00:16:56,370 --> 00:16:58,106 WHY NOT? 435 00:16:58,139 --> 00:17:00,174 S-SHE STABBED ME. 436 00:17:07,848 --> 00:17:10,551 [ DANCE RINGTONE PLAYS ] 437 00:17:10,584 --> 00:17:11,685 ANDY. 438 00:17:11,719 --> 00:17:12,453 HELLO? 439 00:17:12,486 --> 00:17:13,954 DUNCAN. IT'S ANDY. [ GROANING ] 440 00:17:13,987 --> 00:17:15,756 HEY, I ONLY HAVE A FEW SECONDS RIGHT NOW -- 441 00:17:15,789 --> 00:17:18,359 ANDY, LISTEN, LIKE, I'M HONORED TO BE ON YOUR MIND RIGHT NOW, 442 00:17:18,392 --> 00:17:20,694 BUT LOOK, PLEASE, TODAY'S ABOUT YOU, OKAY? 443 00:17:20,728 --> 00:17:21,562 YOU NEED TO FOCUS. 444 00:17:21,595 --> 00:17:22,563 No, you need to listen to me right now! 445 00:17:22,596 --> 00:17:25,466 I AM AT A DEAD-END ROAD OFF OF CONCESSION 5, 446 00:17:25,499 --> 00:17:28,869 UH, PROBABLY ABOUT THREE KLICKS EAST OF WHITEVALE. 447 00:17:28,902 --> 00:17:29,903 I WAS DRIVING SAM'S TRUCK, 448 00:17:29,937 --> 00:17:33,006 AND I-I'M WITH THIS GUY RIGHT NOW, AND HE'S -- 449 00:17:33,040 --> 00:17:34,007 DUNCAN? 450 00:17:34,041 --> 00:17:36,510 HELLO? 451 00:17:36,544 --> 00:17:38,346 ANDY? 452 00:17:39,613 --> 00:17:40,781 [ SIGHS ] 453 00:17:40,814 --> 00:17:41,982 OKAY, OKAY, UH... 454 00:17:42,015 --> 00:17:43,917 DO YOU HAVE A SHIRT IN YOUR DUFFEL BAG? 455 00:17:43,951 --> 00:17:45,153 [ Weakly ] YEAH. 456 00:17:45,186 --> 00:17:47,721 LOOK, THE KID WAS JUST STANDING IN THE MIDDLE OF THE HIGHWAY, 457 00:17:47,755 --> 00:17:48,989 AND SHE FLAGGED ME DOWN. 458 00:17:49,022 --> 00:17:50,591 S-S-SHE SAID SHE NEEDED A RIDE HOME, 459 00:17:50,624 --> 00:17:52,593 AND SHE WANTED ME TO TURN DOWN THIS ROAD HERE. 460 00:17:52,626 --> 00:17:54,928 THEN SHE PULLED OUT A KNIFE AND THEN -- OKAY. OKAY. 461 00:17:54,962 --> 00:17:56,597 I NEED YOU TO PUT PRESSURE ON HERE, OKAY? 462 00:17:56,630 --> 00:17:59,733 AND KEEP THE PRESSURE ON. SHE SAID SHE WANTED MY WALLET AND MY PHONE, AND I SAID NO. 463 00:17:59,767 --> 00:18:02,270 AND THEN SHE -- SHE HIT ME WITH THE BUTT OF THE KNIFE, 464 00:18:02,303 --> 00:18:03,537 AND THEN -- AND THEN SHE -- SHE -- 465 00:18:03,571 --> 00:18:05,839 OW! NO, NO, NO! YOU CAN'T -- YOU HAVE TO LET GO! PLEASE! 466 00:18:05,873 --> 00:18:07,074 DON'T TOUCH IT, OKAY? 467 00:18:07,107 --> 00:18:09,377 WE HAVE TO LEAVE IT IN BECAUSE I DON'T KNOW WHAT IT'S HIT. 468 00:18:09,410 --> 00:18:11,044 ARE YOU JUST GONNA LEAVE IT IN ME? 469 00:18:11,078 --> 00:18:12,246 YES, WE'RE GONNA WRAP IT UP, OKAY? 470 00:18:12,280 --> 00:18:14,315 DON'T LOOK. DON'T LOOK DOWN. KEEP PRESSURE. 471 00:18:14,348 --> 00:18:15,683 [ BREATHING SHAKILY ] 472 00:18:15,716 --> 00:18:16,884 WHERE ARE YOUR CAR KEYS? 473 00:18:16,917 --> 00:18:18,919 SHE -- SHE TOOK THEM WITH HER. 474 00:18:18,952 --> 00:18:20,654 [ PANTING ] 475 00:18:22,623 --> 00:18:23,824 [ CELLPHONE BUZZES ] 476 00:18:23,857 --> 00:18:24,958 YEAH? 477 00:18:24,992 --> 00:18:27,395 SO, THE HOUSE BELONGS TO A KNOWN ASSOCIATE OF JAY SWAREK. 478 00:18:27,428 --> 00:18:29,397 THEY HAD A COUPLE OF B&Es BACK IN THE '90s. 479 00:18:29,430 --> 00:18:30,931 REALLY? THAT'S VERY INTERESTING. 480 00:18:30,964 --> 00:18:32,200 Yeah, it's crazy. Listen. 481 00:18:32,233 --> 00:18:35,236 UM, ANY WORD ABOUT THE WHOLE PLUS-ONE SITUATION? 482 00:18:35,269 --> 00:18:37,104 BECAUSE, I MEAN, I TRIED TO ASK ANDY, 483 00:18:37,137 --> 00:18:39,139 BUT HER PHONE CUT OUT. 484 00:18:39,173 --> 00:18:41,942 SHOULD I BE WORRIED? 485 00:18:41,975 --> 00:18:42,876 HELLO? 486 00:18:42,910 --> 00:18:44,545 JAY, YOU LIED TO US. 487 00:18:44,578 --> 00:18:47,848 THAT HOUSE BACK THERE BELONGS TO A KNOWN CRIMINAL. 488 00:18:47,881 --> 00:18:49,183 CRIMINAL? STEWART? 489 00:18:49,217 --> 00:18:51,185 [ Chuckling ] STEWART'S NOT A KNOWN CRIMINAL. 490 00:18:51,219 --> 00:18:52,653 HE'S A KNOWN YELLOWBELLY. 491 00:18:52,686 --> 00:18:54,255 AND HE WASN'T HOME, SO TECHNICALLY, 492 00:18:54,288 --> 00:18:55,789 I WASN'T ASSOCIATING WITH ANYBODY, RIGHT? 493 00:18:55,823 --> 00:18:57,858 SO, WHAT? YOU DECIDE TO BREAK INTO HIS HOUSE? 494 00:18:57,891 --> 00:18:59,793 LOOK. 495 00:18:59,827 --> 00:19:02,095 THIS WATCH IS ORIGINALLY MY SON'S WATCH. 496 00:19:02,129 --> 00:19:03,063 I GAVE IT TO HIM. 497 00:19:03,096 --> 00:19:04,932 THIS WATCH MEANS MORE TO HIM THAN ANYTHING. 498 00:19:04,965 --> 00:19:07,668 I GOT TO GET IT TO HIM. I GOT TO GET IT TO HIM TODAY. 499 00:19:07,701 --> 00:19:08,469 WHY? 500 00:19:08,502 --> 00:19:10,338 'CAUSE A LONG TIME AGO, 501 00:19:10,371 --> 00:19:12,706 I TOOK THIS WATCH AWAY FROM HIM, OKAY? 502 00:19:12,740 --> 00:19:15,609 HE BROKE A WINDOW IN MY HOUSE AFTER I WARNED HIM, 503 00:19:15,643 --> 00:19:18,145 SO I TOOK IT OFF HIM AS PAYMENT. 504 00:19:18,178 --> 00:19:19,547 IT'S TOUGH LOVE. 505 00:19:19,580 --> 00:19:21,615 OKAY, MAYBE TOO TOUGH. 506 00:19:21,649 --> 00:19:23,617 BUT LOOK HOW IT ALL TURNED OUT. 507 00:19:23,651 --> 00:19:27,255 AND I NEVER HAD THE CHANCE AS A FATHER 508 00:19:27,288 --> 00:19:29,623 TO SHOW HIM HOW ABSOLUTELY PROUD I AM OF HIM. 509 00:19:29,657 --> 00:19:32,260 AND I FIGURED THIS MIGHT DO THE TRICK. 510 00:19:34,262 --> 00:19:37,231 WE DON'T NEED TO CHARGE SOMEONE. WE JUST NEED A THEORY. 511 00:19:37,265 --> 00:19:39,967 OKAY, SO YOU WANT TO JUST FLIP A COIN AND PICK ONE? 512 00:19:40,000 --> 00:19:41,869 Gail: DO YOU HAVE A BETTER IDEA? 513 00:19:43,136 --> 00:19:44,238 WHAT'S THE KNIFE FOR? 514 00:19:44,272 --> 00:19:45,806 SHE WAS MAKING PIRI PIRI, RIGHT? 515 00:19:45,839 --> 00:19:48,141 NO ONE NEVER SAID SHE WAS MAKING PIRI PIRI. 516 00:19:48,175 --> 00:19:49,343 SHUT UP. 517 00:19:49,377 --> 00:19:50,644 PIRI PIRI, YOU MARINATE THE WHOLE CHICKEN, 518 00:19:50,678 --> 00:19:52,746 WHICH IS WHY YOU DON'T NEED A KNIFE. 519 00:19:52,780 --> 00:19:55,983 PLUS, IT'S A LOT OF CHICKEN FOR TWO PEOPLE. 520 00:19:56,016 --> 00:19:57,651 IT WAS FROZEN. 521 00:19:57,685 --> 00:19:59,820 IT WAS FROZEN. SHE WAS USING THE KNIFE TO SEPARATE IT. 522 00:19:59,853 --> 00:20:01,889 I DO IT ALL THE TIME 'CAUSE I LIVE ALONE. 523 00:20:01,922 --> 00:20:02,956 WELL, YOU DON'T SAY. 524 00:20:02,990 --> 00:20:03,857 I'M CONSTANTLY FORGETTING 525 00:20:03,891 --> 00:20:05,125 TO PUT THE CHICKEN OUT THE NIGHT BEFORE, 526 00:20:05,158 --> 00:20:06,527 SO IT'S ALWAYS ROCK-SOLID, 527 00:20:06,560 --> 00:20:08,629 SO I HAVE TO USE THE KNIFE TO WEDGE IT APART. 528 00:20:08,662 --> 00:20:10,864 IT'S ACTUALLY REALLY DANGEROUS, WHICH IS WHY... 529 00:20:10,898 --> 00:20:12,132 WHICH IS WHY WHAT? WHAT? 530 00:20:12,165 --> 00:20:13,501 WHICH IS WHY I USE A HAMMER 531 00:20:13,534 --> 00:20:16,770 TO POUND ON THE END OF THE KNIFE. 532 00:20:16,804 --> 00:20:19,807 SHE WAS -- SHE WAS -- SHE WAS CARRYING THE HAMMER. 533 00:20:19,840 --> 00:20:22,410 THAT'S WHY HER PRINTS ARE ALL OVER IT. 534 00:20:22,443 --> 00:20:26,013 AND SHE WAS BRINGING IT BACK DOWNSTAIRS. 535 00:20:26,046 --> 00:20:29,082 SO, SHE TRIPPED... SHE FELL... 536 00:20:29,116 --> 00:20:33,020 SHE LANDED ON THE HAMMER, AND SHE SMASHED HER HEAD OPEN? 537 00:20:34,655 --> 00:20:36,424 SO, MAYBE THEY WERE HAPPILY MARRIED. 538 00:20:36,457 --> 00:20:38,692 MAYBE NOT EVERY RELATIONSHIP IS A PIECE OF CRAP! HA. 539 00:20:38,726 --> 00:20:41,495 STILL VERY TRAGIC, BUT MAYBE -- MAYBE IT WASN'T A MURDER. 540 00:20:41,529 --> 00:20:43,163 IT'S A THEORY. I'M GONNA TAKE IT. 541 00:20:43,196 --> 00:20:44,698 OKAY, I'M TELLING JARVIS. YOU GUYS JUST GO. 542 00:20:44,732 --> 00:20:46,834 FORGET IT. WE'RE LATE. YOU DRIVE LIKE A MANIAC. 543 00:20:46,867 --> 00:20:48,235 YOU'RE MY PLUS-ONE. 544 00:20:48,268 --> 00:20:50,871 You can thank me later, by the way. 545 00:20:50,904 --> 00:20:52,640 OH, I DON'T LIKE HER. 546 00:20:52,673 --> 00:20:55,676 OKAY. I'M JUST GONNA RECLINE YOU A LITTLE BIT, OKAY? 547 00:20:55,709 --> 00:20:56,477 OKAY. 548 00:20:56,510 --> 00:20:57,845 JUST KEEP BREATHING. 549 00:20:57,878 --> 00:20:59,580 [ GROANING ] 550 00:20:59,613 --> 00:21:01,915 D-DID YOU JUST GET MARRIED OR SOMETHING? 551 00:21:01,949 --> 00:21:03,417 UH, I'M ABOUT TO. 552 00:21:03,451 --> 00:21:05,018 I HAVE ABOUT 15 MINUTES. 553 00:21:05,052 --> 00:21:07,054 I-I'M SORRY. IT'S OKAY. IT'S OKAY. YOU KNOW WHAT? 554 00:21:07,087 --> 00:21:08,322 SOMEONE'S GONNA COME SOON, 555 00:21:08,356 --> 00:21:10,658 BUT UNTIL THEN, I'VE GOT YOU, ALL RIGHT? 556 00:21:10,691 --> 00:21:12,793 SO, WE JUST NEED TO KEEP PRESSURE ON HERE. OKAY. 557 00:21:12,826 --> 00:21:14,595 I NEED YOU TO TALK TO ME, ALL RIGHT? 558 00:21:14,628 --> 00:21:16,397 WHAT WERE YOU GONNA DO TODAY? 559 00:21:16,430 --> 00:21:20,701 UH, I-I RENTED THIS S-SILLY RED CAR 560 00:21:20,734 --> 00:21:24,438 SO I COULD SURPRISE MY GIRLFRIEND, L-LINDA. 561 00:21:24,472 --> 00:21:26,407 I WAS ON MY WAY TO THE COTTAGE. 562 00:21:26,440 --> 00:21:29,042 AND -- AND SHE WASN'T EXPECTING ME TILL TOMORROW, 563 00:21:29,076 --> 00:21:31,244 BUT I-I COULDN'T WAIT. 564 00:21:31,278 --> 00:21:33,547 OH, YEAH? WHY NOT? 565 00:21:33,581 --> 00:21:35,649 'CAUSE I MISSED HER. 566 00:21:35,683 --> 00:21:39,587 I WANTED TO -- I WANTED TO GO FOR ONE LAST SWIM 567 00:21:39,620 --> 00:21:41,254 BEFORE IT GETS TOO COLD, YOU KNOW? 568 00:21:41,288 --> 00:21:42,356 YEAH. 569 00:21:42,390 --> 00:21:44,792 I FIGURED THAT COULD BE 74. 570 00:21:44,825 --> 00:21:46,394 74 WHAT? 571 00:21:46,427 --> 00:21:50,864 E-EPIPHANIES. 572 00:21:50,898 --> 00:21:53,867 JUST...LIKE... 573 00:21:53,901 --> 00:21:56,069 MOMENTS. 574 00:21:56,103 --> 00:21:58,138 YOU KNOW? BIG OR -- OR SMALL. 575 00:21:58,171 --> 00:22:03,977 JUST...THINGS I WOULDN'T HAVE NOTICED BEFORE I MET HER. 576 00:22:06,146 --> 00:22:07,881 ANGUS? 577 00:22:07,915 --> 00:22:08,782 ANGUS, HOLD ON. 578 00:22:08,816 --> 00:22:10,784 ANGUS, COME ON. YOU GOT TO STAY WITH ME. 579 00:22:10,818 --> 00:22:11,819 OKAY, YOU KNOW WHAT WE'RE GONNA DO? 580 00:22:11,852 --> 00:22:13,787 WE'RE GONNA, UH, GET YOU OUT OF HERE RIGHT NOW. 581 00:22:13,821 --> 00:22:15,789 YOU'RE GONNA COME WITH ME TO THE HIGHWAY, OKAY? 582 00:22:15,823 --> 00:22:17,791 I'M GONNA GET YOU UP. YES. WE'RE GONNA COUNT TO THREE. NO, I C-- I CAN'T. 583 00:22:17,825 --> 00:22:19,860 ONE, TWO, THREE. COME ON, ANGUS. 584 00:22:19,893 --> 00:22:20,928 [ GROANING ] 585 00:22:20,961 --> 00:22:21,662 COME ON. LET'S GO. AAH! 586 00:22:21,695 --> 00:22:22,996 YOU'RE OKAY. YOU GOT IT. 587 00:22:23,030 --> 00:22:24,297 [ GROANING ] 588 00:22:24,331 --> 00:22:25,866 COME ON. OH, NO, NO. I CAN'T. 589 00:22:25,899 --> 00:22:26,834 PLEASE. I CAN'T. 590 00:22:26,867 --> 00:22:29,703 THAT'S SO WEIRD. I CAN'T EVEN MOVE. 591 00:22:29,737 --> 00:22:32,806 OKAY, OKAY. LOOK, I'M GONNA GO OUT TO THE ROAD. 592 00:22:32,840 --> 00:22:34,675 I'M GONNA FLAG SOMEBODY DOWN AND GET US SOME HELP. 593 00:22:34,708 --> 00:22:36,410 I NEED YOU TO KEEP PRESSURE ON THIS. 594 00:22:36,444 --> 00:22:38,879 I'M GONNA DIE HERE, AREN'T I? 595 00:22:38,912 --> 00:22:39,813 NO! NO, YOU'RE NOT. 596 00:22:39,847 --> 00:22:41,682 NO, LISTEN. I'M GONNA GO OUT TO THE ROAD. 597 00:22:41,715 --> 00:22:43,517 I'M, I'M -- I'M GONNA BE RIGHT BACK. 598 00:22:43,551 --> 00:22:44,585 OKAY? I PROMISE, OKAY? 599 00:22:44,618 --> 00:22:46,286 KEEP PRESSURE. PLEASE. 600 00:22:46,319 --> 00:22:47,655 OKAY? 601 00:22:56,930 --> 00:22:58,031 [ SIGHS ] 602 00:22:58,065 --> 00:23:00,434 YOU KNOW, ONE TIME, I HAD A BRIDE SHOW UP ON A SATURDAY 603 00:23:00,468 --> 00:23:02,135 WHEN THE WEDDING WAS ACTUALLY ON A SUNDAY. 604 00:23:02,169 --> 00:23:03,904 THAT'S PRETTY WEIRD. 605 00:23:03,937 --> 00:23:05,038 Father: MM-HMM. 606 00:23:05,072 --> 00:23:06,540 SHE'S GONNA BE HERE. 607 00:23:06,574 --> 00:23:09,810 UH, THE WEDDING'S IN, UH, 10 -- 10 MINUTES. 608 00:23:09,843 --> 00:23:11,411 COME ON. YOU KNOW THE GIRL. 609 00:23:11,445 --> 00:23:13,581 SHE'S PROBABLY WORKING ON ONE OF HER LISTS. 610 00:23:13,614 --> 00:23:15,315 SHE WANTS EVERYTHING TO BE PERFECT 611 00:23:15,348 --> 00:23:17,050 BEFORE SHE WALKS THROUGH THE DOOR. 612 00:23:17,084 --> 00:23:18,051 YEAH, YOU THINK? 613 00:23:18,085 --> 00:23:19,052 YEAH, I DO. 614 00:23:19,086 --> 00:23:20,788 SHE LOVES YOU. 615 00:23:20,821 --> 00:23:23,724 I, UM...I JUST TALKED TO THE GUYS IN NORTHBROOK, 616 00:23:23,757 --> 00:23:25,826 AND THERE'S BEEN NO REPORTED ACCIDENTS. 617 00:23:25,859 --> 00:23:28,328 SO...SAM, DO YOU WANT US TO GO AND LOOK FOR HER? 618 00:23:28,361 --> 00:23:30,130 LIKE, PUT AN APB OUT ON THE TRUCK? 619 00:23:30,163 --> 00:23:32,165 Jay: SAMMY! 620 00:23:32,199 --> 00:23:33,801 SAMMY! 621 00:23:35,903 --> 00:23:37,905 I MADE IT. 622 00:23:37,938 --> 00:23:39,006 SURPRISE. 623 00:23:39,039 --> 00:23:40,841 [ CHUCKLES ] 624 00:23:40,874 --> 00:23:42,175 WHAT ARE YOU DOING? I COME IN PEACE! 625 00:23:42,209 --> 00:23:43,176 Shh! 626 00:23:43,210 --> 00:23:45,012 SAMMY, I BROUGHT YOU SOMETHING. 627 00:23:45,045 --> 00:23:46,013 WHERE IS IT? 628 00:23:46,046 --> 00:23:47,447 H-HOW DID YOU GET HERE? 629 00:23:47,481 --> 00:23:48,582 WE DROVE HIM. 630 00:23:48,616 --> 00:23:50,183 THAT WASN'T THE PLAN? 631 00:23:50,217 --> 00:23:51,619 THANKS, GUYS. 632 00:23:51,652 --> 00:23:52,953 DID SARAH TELL YOU ABOUT THIS? 633 00:23:52,986 --> 00:23:55,556 YEAH. SHE PROBABLY THOUGHT I'D JUST SEND YOU A CARD. 634 00:23:55,589 --> 00:23:56,690 LOOK AT THIS. 635 00:23:56,724 --> 00:23:58,759 BUDDY, YOU JUST GOT TO BREATHE, ALL RIGHT? BREATHE. 636 00:23:58,792 --> 00:24:00,728 [ EXHALES SHARPLY ] SAMMY. 637 00:24:00,761 --> 00:24:04,464 AFTER ALL THIS TIME, LOOK WHAT I GOT FOR YOU RIGHT HERE. 638 00:24:04,498 --> 00:24:05,699 IT'S YOUR WATCH. 639 00:24:05,733 --> 00:24:06,867 REMEMBER HOW YOU LOVED THAT? 640 00:24:06,900 --> 00:24:09,537 I FIGURED TODAY WOULD BE A GOOD DAY FOR YOU TO HAVE IT, 641 00:24:09,570 --> 00:24:10,437 BRING YOU LUCK. 642 00:24:10,470 --> 00:24:12,606 THAT'S FUNNY, DAD. UM [CHUCKLES] THANKS. 643 00:24:12,640 --> 00:24:14,474 I ALREADY HAVE ONE, FUNNILY ENOUGH. 644 00:24:14,508 --> 00:24:16,877 FRIEND OF MINE GAVE IT TO ME -- BEFORE HE DIED. 645 00:24:16,910 --> 00:24:18,345 WELL... 646 00:24:18,378 --> 00:24:20,047 IT'S KIND OF AN OLIVE BRANCH, ANYWAY. 647 00:24:20,080 --> 00:24:23,651 I DON'T MEAN TO BE A BURDEN, BUT I DO NEED TO INFORM YOU 648 00:24:23,684 --> 00:24:27,487 THAT WE HAVE A FUNERAL HERE AT 3:00 P.M. 649 00:24:27,521 --> 00:24:29,256 OKAY? 650 00:24:29,289 --> 00:24:31,491 [ HORN HONKS ] 651 00:24:33,393 --> 00:24:34,562 DID WE MISS IT? 652 00:24:34,595 --> 00:24:36,363 [ CAR DOORS CLOSE ] NO. 653 00:24:36,396 --> 00:24:38,599 WHERE'S ANDY? 654 00:24:43,904 --> 00:24:45,238 HEY! 655 00:24:45,272 --> 00:24:46,707 STOP! 656 00:24:46,740 --> 00:24:48,709 PLEASE, PLEASE, PLEASE! I NEED YOUR HELP! 657 00:24:48,742 --> 00:24:50,878 [ HORN BLARES ] HEY! NO, NO, NO! I NEED YOUR HELP! 658 00:24:50,911 --> 00:24:52,345 UNBELIEVABLE! 659 00:24:52,379 --> 00:24:54,748 WHAT IS WRONG WITH YOU?! 660 00:24:54,782 --> 00:24:57,017 YOU ARE WHAT'S WRONG WITH THE WORLD! 661 00:24:57,050 --> 00:24:58,185 I'M GETTING MARRIED! 662 00:25:04,457 --> 00:25:07,160 [ DOOR OPENS ] 663 00:25:07,194 --> 00:25:09,029 [ DOOR CLOSES ] 664 00:25:09,062 --> 00:25:10,030 Jay: WELL. 665 00:25:10,063 --> 00:25:13,033 WE ALL DIE ALONE. 666 00:25:13,066 --> 00:25:14,868 THAT'S WHAT THEY SAY. 667 00:25:16,804 --> 00:25:18,606 THAT'S VERY HELPFUL, DAD. THANKS. 668 00:25:18,639 --> 00:25:20,708 WELL, WE -- WE MIGHT ALL DIE ALONE, 669 00:25:20,741 --> 00:25:22,610 BUT THAT DOESN'T MEAN WE HAVE TO LIVE ALONE. 670 00:25:22,643 --> 00:25:23,644 AND YOU KNOW WHAT? 671 00:25:23,677 --> 00:25:25,378 IF WE'RE GONNA CHOOSE TO LIVE WITH OTHER PEOPLE, 672 00:25:25,412 --> 00:25:28,115 CHANCES ARE WE'RE GONNA HAVE TO MAKE A COMPROMISE AT SOME POINT. 673 00:25:28,148 --> 00:25:30,684 AND YOU KNOW WHAT? I'VE LEARNED HOW TO COMPROMISE. 674 00:25:30,718 --> 00:25:32,552 I'VE ALSO LEARNED HOW TO BE VULNERABLE. 675 00:25:32,586 --> 00:25:35,589 YOU KNOW WHAT? YOU DON'T HAVE TO ACT LIKE A FRUIT TO CATCH A WOMAN. 676 00:25:35,623 --> 00:25:37,591 [ LAUGHS ] YOU REALLY DON'T. 677 00:25:37,625 --> 00:25:39,760 ACTUALLY, THEY HATE IT, IN MY EXPERIENCE. 678 00:25:39,793 --> 00:25:42,730 WELL, THANKS FOR THE DATING TIPS FROM, UH, MILLBURN PRISON. 679 00:25:42,763 --> 00:25:45,332 HEY, AT LEAST YOUR MOTHER SHOWED UP FOR OUR WEDDING. 680 00:25:45,365 --> 00:25:47,100 OHH. 681 00:25:48,636 --> 00:25:51,471 BUT, HEY, IF YOUR GIRL DOESN'T SHOW UP, 682 00:25:51,504 --> 00:25:52,840 WHAT YOU'RE GONNA DO 683 00:25:52,873 --> 00:25:55,342 IS PICK YOURSELF UP ON YOUR OWN TWO FEET, 684 00:25:55,375 --> 00:25:56,476 ACT LIKE A MAN. 685 00:25:56,509 --> 00:25:59,479 YOU KNOW THAT BECAUSE I HAD TO SHOW YOU HOW HARD LIFE IS. 686 00:25:59,512 --> 00:26:01,481 OH, YOU SHOWED ME HOW HARD LIFE IS. 687 00:26:01,514 --> 00:26:02,482 THANK YOU. 688 00:26:02,515 --> 00:26:03,617 THAT'S FINE. 689 00:26:03,651 --> 00:26:05,518 SO, WHAT ABOUT THE WATCH? I CAN GIVE IT BACK TO STEWART? 690 00:26:05,552 --> 00:26:09,056 YOU'RE OUT OF PRISON ONE DAY, YOU'RE ALREADY ROBBING PEOPLE? 691 00:26:09,089 --> 00:26:10,557 EH, SO WHAT? 692 00:26:10,590 --> 00:26:12,459 SO I GO BACK TO PRISON. 693 00:26:12,492 --> 00:26:14,494 WHAT ELSE WAS I REALLY GONNA DO? 694 00:26:14,527 --> 00:26:16,296 WORK IN A DOLLAR STORE? PAY RENT? 695 00:26:16,329 --> 00:26:19,132 OH! I CAN SIT AROUND YOUR, UH, HIGHFALUTIN CONDO. 696 00:26:19,166 --> 00:26:22,770 WE COULD TALK ABOUT BEING VULNERABLE ALL NIGHT. 697 00:26:22,803 --> 00:26:26,439 LOOK, THANK YOUR LUCKY STARS YOU DIDN'T END UP LIKE ME. 698 00:26:26,473 --> 00:26:27,775 THAT'S PRETTY HUGE. 699 00:26:27,808 --> 00:26:30,477 AND IF YOUR GIRL KNEW HOW HARD THAT WAS, 700 00:26:30,510 --> 00:26:33,714 I THINK SHE'D BE HERE RIGHT NOW. 701 00:26:34,782 --> 00:26:36,049 WELL, THANKS, POP. 702 00:26:36,083 --> 00:26:37,184 YEAH. 703 00:26:46,026 --> 00:26:46,994 HEY! 704 00:26:47,027 --> 00:26:48,361 STOP! 705 00:26:54,935 --> 00:26:56,169 HEY! 706 00:26:56,203 --> 00:26:57,370 DUNCAN? 707 00:26:57,404 --> 00:26:59,006 ANDY. 708 00:27:00,240 --> 00:27:01,942 WHAT ARE YOU DOING OUT HERE, ANDY? YOU'RE GONNA GET SQUASHED. 709 00:27:01,975 --> 00:27:03,677 I HAVE NEVER BEEN SO HAPPY TO SEE SOMEONE IN MY WHOLE LIFE, 710 00:27:03,711 --> 00:27:05,045 LISTEN, THE FIRST RULE IN ROAD SAFETY 711 00:27:05,078 --> 00:27:05,913 IS YOU DON'T STAND IN THE MIDDLE OF IT. HOW -- HOW DID YOU FIND ME? 712 00:27:05,946 --> 00:27:08,248 I TRACKED THE NAV SYSTEM IN SAM'S TRUCK. 713 00:27:08,281 --> 00:27:09,082 [ SIGHS ] 714 00:27:09,116 --> 00:27:10,784 YOU SOUNDED STRESSED OUT ON THE PHONE, 715 00:27:10,818 --> 00:27:12,452 SO I FIGURED, YOU KNOW -- I MEAN, I KNOW I'M A DUMMY, 716 00:27:12,485 --> 00:27:13,954 BUT I'M NOT DEAF, YOU KNOW, AND I FIGURED I'D COME OUT 717 00:27:13,987 --> 00:27:15,956 [ ENGINE TURNS OVER ] AND MAKE SURE YOU'RE OKAY. 718 00:27:15,989 --> 00:27:16,824 WAIT. 719 00:27:24,097 --> 00:27:25,432 ANGUS. 720 00:27:25,465 --> 00:27:27,300 ANGUS! 721 00:27:27,334 --> 00:27:28,468 HEY! 722 00:27:28,501 --> 00:27:30,303 HEY, HEY, HEY! ANGUS! 723 00:27:30,337 --> 00:27:32,405 CAN YOU HEAR ME? 724 00:27:32,439 --> 00:27:33,473 [ GROANS WEAKLY ] 725 00:27:33,506 --> 00:27:35,042 HEY. 726 00:27:35,075 --> 00:27:36,609 YOU CAME BACK. 727 00:27:36,643 --> 00:27:39,579 'COURSE I DID. I PROMISED. 728 00:27:39,612 --> 00:27:41,715 BIG DAY FOR PROMISES, HUH? 729 00:27:41,749 --> 00:27:42,783 YEAH, IT IS. 730 00:27:42,816 --> 00:27:43,851 [ CHUCKLES ] 731 00:27:43,884 --> 00:27:45,953 [ SIRENS WAILING ] 732 00:27:50,824 --> 00:27:51,759 THESE GUYS ARE GONNA CALL YOUR GIRL, 733 00:27:51,792 --> 00:27:52,760 LET HER KNOW WHERE YOU ARE. 734 00:27:52,793 --> 00:27:53,861 THANK YOU. YOU'RE WELCOME. 735 00:27:53,894 --> 00:27:55,162 [ SIREN CHIRPS ] 736 00:27:55,195 --> 00:27:56,964 HEY, DUNCAN. CAN I USE YOUR PHONE? 737 00:27:58,966 --> 00:28:00,200 PSSH. 738 00:28:00,233 --> 00:28:02,836 [ BELLS TOLLING ] 739 00:28:05,839 --> 00:28:06,940 Oliver: [ COUGHS ] SAM? 740 00:28:06,974 --> 00:28:11,311 WE'RE GONNA -- WE'RE GONNA GO AND WE'RE GONNA FIND HER. 741 00:28:11,344 --> 00:28:12,379 OKAY. OKAY. 742 00:28:12,412 --> 00:28:14,948 [ CELLPHONE VIBRATING ] 743 00:28:14,982 --> 00:28:15,749 MOORE. 744 00:28:15,783 --> 00:28:17,484 UH, SAM. IT'S ME. 745 00:28:18,685 --> 00:28:20,320 McNALLY. 746 00:28:20,353 --> 00:28:21,488 WHERE ARE YOU? 747 00:28:21,521 --> 00:28:22,489 EEE. 748 00:28:22,522 --> 00:28:23,757 UH, CONCESSION 5 ROAD, 749 00:28:23,791 --> 00:28:25,725 JUST THIS ADORABLE LITTLE DEAD END. 750 00:28:25,759 --> 00:28:27,761 UM, THERE WAS THIS GIRL. SHE STABBED THIS GUY. 751 00:28:27,795 --> 00:28:29,797 Actually, it's a really long story. 752 00:28:29,830 --> 00:28:31,598 IS IT? IS IT A LONG STORY? 753 00:28:31,631 --> 00:28:32,532 I'M SORRY. 754 00:28:32,565 --> 00:28:35,135 UH, DID YOU THINK I WASN'T GONNA SHOW UP? 755 00:28:36,169 --> 00:28:38,872 SWEETHEART, I NEVER DOUBTED YOU FOR A SECOND. 756 00:28:38,906 --> 00:28:40,740 ALL RIGHT. WE STILL GOOD TO DO THIS THING? 757 00:28:40,774 --> 00:28:43,176 WELL, UH, WE MISSED OUR FIRST WINDOW, 758 00:28:43,210 --> 00:28:46,079 BUT GIVE IT ABOUT 45 MINUTES, WE COULD BE BACK IN BUSINESS. 759 00:28:46,113 --> 00:28:48,215 OKAY. 760 00:28:48,248 --> 00:28:50,383 McNALLY? 761 00:28:50,417 --> 00:28:51,785 ARE YOU OKAY? 762 00:28:51,819 --> 00:28:52,853 I'M GREAT. 763 00:28:52,886 --> 00:28:54,387 I LOVE YOU. 764 00:28:54,421 --> 00:28:56,523 I LOVE YOU, TOO. 765 00:28:59,226 --> 00:29:00,961 SHE'S ON HER WAY. 766 00:29:02,562 --> 00:29:03,997 * GOING TO FIND JUST ONE 767 00:29:04,031 --> 00:29:05,265 OKAY. 768 00:29:05,298 --> 00:29:06,867 THANK YOU. 769 00:29:08,435 --> 00:29:09,402 YOU LOOK PERFECT. 770 00:29:09,436 --> 00:29:11,638 [ CHUCKLES ] 771 00:29:11,671 --> 00:29:12,806 SOMETHING BLUE. 772 00:29:12,840 --> 00:29:15,775 * SEEMS TO BE THE GOAL OF EVERYONE * 773 00:29:15,809 --> 00:29:16,810 READY? YEAH. 774 00:29:16,844 --> 00:29:18,511 SEE YOU IN A MINUTE. 775 00:29:18,545 --> 00:29:20,747 * FROM THE SEARCH TO THE HURT 776 00:29:20,780 --> 00:29:24,051 * I BELIEVED I COULD TAKE YOU ON * 777 00:29:24,084 --> 00:29:25,785 [ SIGHS ] 778 00:29:25,819 --> 00:29:27,855 * WE WOULD DRINK, WE WOULD DANCE * 779 00:29:27,888 --> 00:29:32,993 * AND YOU WOULD WATCH ME WHENEVER YOU WANT * 780 00:29:33,026 --> 00:29:34,727 * AND CAN YOU GIVE ME 781 00:29:34,761 --> 00:29:40,100 * EVERYTHING, EVERYTHING, EVERYTHING? * 782 00:29:40,133 --> 00:29:43,570 * 'CAUSE I CAN'T GIVE YOU ANYTHING * 783 00:29:48,441 --> 00:29:52,712 * AND IF YOU WAIT 784 00:29:52,745 --> 00:29:56,583 * IF YOU WA-A-A-A-A-IT 785 00:29:56,616 --> 00:29:57,885 I LOVE YOU. 786 00:29:57,918 --> 00:30:02,822 * I WILL TRUST IN TIME THAT WE WILL MEET AGAIN * 787 00:30:02,856 --> 00:30:06,693 * IF YOU WAIT 788 00:30:06,726 --> 00:30:10,163 DEARLY BELOVED... 789 00:30:10,197 --> 00:30:15,102 WE ARE GATHERED HERE TODAY TO WITNESS THE UNION 790 00:30:15,135 --> 00:30:18,738 OF SAMUEL JAY SWAREK... 791 00:30:18,771 --> 00:30:21,574 ANDREA GRACE McNALLY... 792 00:30:21,608 --> 00:30:23,376 IN HOLY MATRIMONY. 793 00:30:23,410 --> 00:30:25,345 INTO THIS ESTATE, 794 00:30:25,378 --> 00:30:28,015 THESE TWO PRESENT COME NOW TO BE JOINED. 795 00:30:28,048 --> 00:30:29,616 IF ANYONE CAN SHOW JUST CAUSE 796 00:30:29,649 --> 00:30:33,620 WHY THESE TWO SHOULD NOT BE LAWFULLY JOINED TOGETHER, 797 00:30:33,653 --> 00:30:35,788 LET THEM SPEAK NOW, 798 00:30:35,822 --> 00:30:38,058 OR THEY CAN FOREVER HOLD THEIR PEACE. 799 00:30:40,827 --> 00:30:43,063 [ LIGHT LAUGHTER ] 800 00:30:44,397 --> 00:30:45,565 SAM? 801 00:30:48,701 --> 00:30:49,836 [ INHALES ] 802 00:30:49,869 --> 00:30:54,441 I, SAMUEL JAY SWAREK... 803 00:30:54,474 --> 00:30:56,776 TAKE YOU, McNALLY... 804 00:30:56,809 --> 00:30:59,046 [ BOTH LAUGH ] 805 00:30:59,079 --> 00:31:04,151 ...ANDREA GRACE McNALLY... 806 00:31:04,184 --> 00:31:07,220 AS MY LAWFULLY WEDDED WIFE... 807 00:31:07,254 --> 00:31:10,157 TO LOVE AND TO CHERISH... 808 00:31:12,960 --> 00:31:16,763 ...TO...EMBRACE... 809 00:31:16,796 --> 00:31:19,466 AND TO SET FREE. 810 00:31:19,499 --> 00:31:23,703 YOU TOOK A BROKEN MAN AND YOU MADE HIM WHOLE. 811 00:31:23,736 --> 00:31:28,508 AND EACH DAY, I WILL BE GRATEFUL. 812 00:31:28,541 --> 00:31:32,679 I AM GRATEFUL FOR EVERYTHING YOU'VE GIVEN TO ME. 813 00:31:32,712 --> 00:31:35,315 SO, NOW I TAKE YOU -- 814 00:31:35,348 --> 00:31:40,753 MY FRIEND, MY BEST FRIEND, MY PARTNER, 815 00:31:40,787 --> 00:31:44,291 AND THE LOVE OF MY LIFE -- 816 00:31:44,324 --> 00:31:47,794 FOR BETTER OR FOR WORSE, IN SICKNESS AND IN HEALTH, 817 00:31:47,827 --> 00:31:52,399 FOR NOW, FOREVER, FOR ALWAYS. 818 00:31:56,469 --> 00:31:57,704 [ SNIFFLES ] 819 00:31:57,737 --> 00:32:00,507 [ CHUCKLES ] 820 00:32:00,540 --> 00:32:04,744 [ Voice breaking ] I HAD THE GREATEST VOWS EVER. 821 00:32:04,777 --> 00:32:06,279 AND I CAN'T FIND THEM. 822 00:32:06,313 --> 00:32:08,348 [ SIGHS ] 823 00:32:08,381 --> 00:32:10,750 SO... 824 00:32:10,783 --> 00:32:13,753 HERE I AM... 825 00:32:13,786 --> 00:32:17,557 LOOKING AT YOU. 826 00:32:17,590 --> 00:32:20,527 AND THIS IS WHAT I KNOW. 827 00:32:20,560 --> 00:32:25,198 I HAVE LOVED YOU SINCE THE MOMENT I SAW YOU. 828 00:32:25,232 --> 00:32:26,833 LOVED YOU AND FEARED YOU. 829 00:32:26,866 --> 00:32:29,702 WELL, NOT YOU, BUT THIS. 830 00:32:29,736 --> 00:32:31,438 [ SNIFFLES ] 831 00:32:31,471 --> 00:32:36,976 I HAVE BEEN SO TERRIFIED TO LOVE...THIS PROFOUNDLY. 832 00:32:38,945 --> 00:32:40,913 BUT NOT ANYMORE. 833 00:32:40,947 --> 00:32:42,582 [ SIGHS ] 834 00:32:42,615 --> 00:32:46,586 FOR GOOD AND FOR BAD... 835 00:32:46,619 --> 00:32:49,722 FOR GREAT AND FOR HARD... 836 00:32:49,756 --> 00:32:51,491 FOR DREAMS... 837 00:32:51,524 --> 00:32:55,928 AND THE TRUTH BEHIND THE DREAMS... 838 00:32:55,962 --> 00:32:58,465 I AM HERE. 839 00:32:58,498 --> 00:33:00,200 I AM YOURS. 840 00:33:02,502 --> 00:33:04,871 SAM SWAREK... 841 00:33:04,904 --> 00:33:08,375 I CHOOSE YOU. 842 00:33:08,408 --> 00:33:14,147 I PROMISE TO HONOR YOU AND CHERISH YOU. 843 00:33:17,684 --> 00:33:20,987 AND WHILE I WILL NOT OBEY YOU, PER SE... 844 00:33:21,020 --> 00:33:22,322 [ BOTH CHUCKLE ] 845 00:33:22,355 --> 00:33:25,725 ...I WILL ALWAYS HEAR YOU. 846 00:33:25,758 --> 00:33:28,928 AND I WILL KEEP LOVING YOU... 847 00:33:28,961 --> 00:33:31,831 ONE MOMENT AFTER ANOTHER... 848 00:33:31,864 --> 00:33:34,033 ONE EPIPHANY AT A TIME. 849 00:33:37,904 --> 00:33:40,006 WE GOT ANY RINGS? 850 00:33:40,039 --> 00:33:42,209 YEAH. 851 00:33:42,242 --> 00:33:45,078 HERE YOU GO, PAL. 852 00:33:47,847 --> 00:33:52,051 WITH THIS RING, I THEE WED. 853 00:33:52,085 --> 00:33:53,486 THANK YOU. 854 00:33:53,520 --> 00:33:56,856 [ Laughing ] BUT I THINK YOU HAVE THE WRONG RING. 855 00:33:56,889 --> 00:33:58,858 Oliver: SORRY. [ CHUCKLES ] 856 00:33:58,891 --> 00:34:00,059 [ CLEARS THROAT ] 857 00:34:00,093 --> 00:34:05,698 * FROM THE MEANING, THE MOMENT YOU TRIED TO TAKE ME ON * 858 00:34:05,732 --> 00:34:06,933 Sam: ONCE AGAIN. OKAY. 859 00:34:06,966 --> 00:34:08,368 [ CHUCKLES ] 860 00:34:08,401 --> 00:34:11,838 * FROM THE AIR TO THE ROOM, A BED THAT I OWN * 861 00:34:11,871 --> 00:34:14,941 WITH THIS RING, I THEE WED. 862 00:34:14,974 --> 00:34:17,076 * AND CAN YOU GIVE ME 863 00:34:17,110 --> 00:34:22,449 * EVERYTHING, EVERYTHING, EVERYTHING? * 864 00:34:22,482 --> 00:34:25,585 * 'CAUSE I CAN'T GIVE YOU ANYTHING * 865 00:34:25,618 --> 00:34:27,220 [ SIGHS ] 866 00:34:27,254 --> 00:34:30,590 WITH THIS RING, I THEE WED. 867 00:34:30,623 --> 00:34:34,827 * AND IF YOU WAIT 868 00:34:34,861 --> 00:34:36,863 * IF YOU WA-A-A-A-A-IT 869 00:34:36,896 --> 00:34:38,598 BY THE POWER VESTED IN ME, 870 00:34:38,631 --> 00:34:42,569 I NOW PRONOUNCE YOU HUSBAND AND WIFE. 871 00:34:42,602 --> 00:34:43,870 [ CHUCKLES ] 872 00:34:43,903 --> 00:34:46,773 [ CHEERS AND APPLAUSE ] 873 00:34:56,816 --> 00:34:58,751 [ GLASS CLINKING ] 874 00:34:58,785 --> 00:35:02,054 LADIES AND GENTLEMEN, IF I COULD HAVE YOUR ATTENTION. 875 00:35:02,088 --> 00:35:04,657 TROOPS, THIS IS, UH, LIKE PARADE, I GUESS. 876 00:35:04,691 --> 00:35:06,493 [ LAUGHTER ] AND NO ONE LISTENS ANYWAY. 877 00:35:06,526 --> 00:35:07,494 [ CHUCKLES ] 878 00:35:07,527 --> 00:35:08,461 ALL RIGHT. 879 00:35:08,495 --> 00:35:11,764 I AM HONORED -- NO, I AM THRILLED -- 880 00:35:11,798 --> 00:35:12,865 TO PRESENT -- 881 00:35:12,899 --> 00:35:14,033 WHERE ARE THEY? 882 00:35:14,066 --> 00:35:17,837 UH, MR. AND MRS... 883 00:35:17,870 --> 00:35:20,307 UH...ANDY AND SAM! 884 00:35:20,340 --> 00:35:22,909 [ CHEERS AND APPLAUSE ] 885 00:35:22,942 --> 00:35:24,711 YEAH! 886 00:35:24,744 --> 00:35:27,113 [ CHEERS AND APPLAUSE ] 887 00:35:27,146 --> 00:35:33,152 * A CERTAIN KIND OF LIGHT NEVER SHONE ON ME * 888 00:35:35,822 --> 00:35:42,362 * BUT I WANT MY LIFE TO BE LIVED WITH YOU* 889 00:35:43,896 --> 00:35:46,899 * LIVED WITH YOU 890 00:35:49,369 --> 00:35:51,804 Frankie: YOU KNOW, THE WORST PART ABOUT THIS MARRIAGE THING 891 00:35:51,838 --> 00:35:54,006 IS THAT IT COULD ACTUALLY HAPPEN TO US NOW. 892 00:35:54,040 --> 00:35:55,975 LIKE, IT'S A POSSIBILITY. 893 00:35:56,008 --> 00:35:58,611 [ Laughing ] WHOA. 894 00:35:58,645 --> 00:36:01,281 YOU JUST NEED TO, LIKE, RELAX, STRING BEAN. 895 00:36:01,314 --> 00:36:02,882 WE'RE NOT GETTING MARRIED. 896 00:36:02,915 --> 00:36:05,218 I ALREADY DON'T LIKE THE WAY YOU CHEW. 897 00:36:05,252 --> 00:36:07,620 I DIDN'T MEAN YOU AND ME. 898 00:36:07,654 --> 00:36:10,723 OH, DID YOU MEAN "THE GAYS"? 899 00:36:10,757 --> 00:36:13,293 YEAH. SURE YOU DID. 900 00:36:13,326 --> 00:36:15,828 EQUALITY IS A TERRIBLE THING. 901 00:36:15,862 --> 00:36:17,029 UH, HEY, LADIES. 902 00:36:17,063 --> 00:36:19,566 HAVE EITHER OF YOU SEEN JAY SWAREK? 903 00:36:19,599 --> 00:36:22,201 I DON'T KNOW WHO THAT IS. 904 00:36:23,169 --> 00:36:24,771 OKAY. 905 00:36:27,607 --> 00:36:33,380 * WHEN I SAY THE TRUTH IS WRITTEN ON MY SKIN * 906 00:36:33,413 --> 00:36:35,582 * GIRL, YOU'RE LIKE A PEARL ON THE OUTSIDE * 907 00:36:35,615 --> 00:36:36,783 HEY, ANDY. 908 00:36:36,816 --> 00:36:39,018 UM, CAN I TALK TO YOU FOR A QUICK SECOND? 909 00:36:39,051 --> 00:36:40,553 YEAH. 910 00:36:40,587 --> 00:36:41,554 UM... 911 00:36:41,588 --> 00:36:44,123 I JUST WANT TO SAY THANK YOU FOR EVERYTHING. 912 00:36:44,156 --> 00:36:47,026 YEAH. I SHOULD BE THANKING YOU. 913 00:36:47,059 --> 00:36:48,495 I DID SAVE THE DAY, DIDN'T I? 914 00:36:49,396 --> 00:36:50,297 I'M JUST PLAYING. 915 00:36:50,330 --> 00:36:54,401 UM, BUT BEING INVITED TO THIS MEANS A LOT. 916 00:36:54,434 --> 00:36:56,135 OH. [ CHUCKLES ] 917 00:36:56,168 --> 00:36:57,970 I-I DIDN'T INVITE YOU. 918 00:36:58,004 --> 00:36:59,372 OKAY. 919 00:36:59,406 --> 00:37:01,841 WELL, I MEAN, BEING INCLUDED FEELS NICE, TOO. 920 00:37:01,874 --> 00:37:03,743 UM... 921 00:37:03,776 --> 00:37:05,912 I'M BEING TRANSFERRED TO 16 DIVISION. 922 00:37:05,945 --> 00:37:08,615 I WANTED TO WAIT UNTIL AFTER THE CEREMONY TO LET YOU KNOW, 923 00:37:08,648 --> 00:37:12,151 BUT...YOU KNOW, JUST IN CASE YOU GOT TOO DISTRACTED 924 00:37:12,184 --> 00:37:14,654 AND FORGOT YOUR VOWS OR SOMETHING... 925 00:37:14,687 --> 00:37:17,290 WHICH WERE AWESOME. THEY ALMOST MADE ME CRY. 926 00:37:17,324 --> 00:37:19,158 I'M ACTUALLY GONNA MISS YOU. 927 00:37:19,191 --> 00:37:22,094 I'M GONNA MISS YOU, TOO. COME HERE. 928 00:37:22,128 --> 00:37:24,263 YOU TAUGHT ME EVERYTHING I KNOW. 929 00:37:26,299 --> 00:37:27,834 BUT I GOT TO FIND JAY, OKAY? 930 00:37:27,867 --> 00:37:30,370 YOU HAVE AN AMAZING WEDDING, ALL RIGHT? 931 00:37:30,403 --> 00:37:32,004 THANK YOU. SEE YOU. 932 00:37:32,038 --> 00:37:33,573 STAY OUT OF TROUBLE. 933 00:37:33,606 --> 00:37:37,009 [ DANCE MUSIC PLAYING ] 934 00:37:37,043 --> 00:37:39,379 HOW YOU DOING? 935 00:37:40,947 --> 00:37:42,048 JAY? DUNCAN. 936 00:37:42,081 --> 00:37:43,082 THAT'S YOU. 937 00:37:43,115 --> 00:37:44,083 OKAY. 938 00:37:44,116 --> 00:37:45,985 OH! OHH! 939 00:37:46,018 --> 00:37:47,854 [ LAUGHS ] 940 00:37:47,887 --> 00:37:48,821 [ LAUGHTER ] 941 00:37:48,855 --> 00:37:49,689 GO, DUNCAN! 942 00:37:49,722 --> 00:37:53,125 * I'M GONNA FIND A BETTER WAY 943 00:37:53,159 --> 00:37:55,094 WHAT'S ON YOUR MIND, McNALLY? 944 00:37:55,127 --> 00:37:56,128 Traci: WHOO! 945 00:37:56,162 --> 00:38:01,167 JUST THAT EVERYONE WE LOVE IS HERE -- TOGETHER. 946 00:38:01,200 --> 00:38:04,236 AND WE'RE HERE -- TOGETHER. 947 00:38:04,270 --> 00:38:05,705 I FEEL LIKE I'M GONNA EXPLODE 948 00:38:05,738 --> 00:38:08,174 INTO, LIKE, A MILLION SHINY PIECES. 949 00:38:08,207 --> 00:38:10,076 I THINK THAT'S CALLED "JOY." 950 00:38:10,109 --> 00:38:11,711 [ Chuckling ] YEAH. 951 00:38:13,045 --> 00:38:14,847 YO. PRICE. 952 00:38:16,248 --> 00:38:18,785 UH-OHHHHHH! 953 00:38:18,818 --> 00:38:20,553 [ LAUGHS ] 954 00:38:30,663 --> 00:38:33,733 * LATELY, I'VE BEEN, I'VE BEEN LOSING SLEEP * 955 00:38:33,766 --> 00:38:37,103 * DREAMING ABOUT THE THINGS THAT WE COULD BE * 956 00:38:37,136 --> 00:38:38,337 [ CHUCKLES ] 957 00:38:38,371 --> 00:38:41,207 * BABY, I'VE BEEN, I'VE BEEN THINKING HARD * 958 00:38:41,240 --> 00:38:43,676 GOOD MORNING, MRS. SWAREK. 959 00:38:43,710 --> 00:38:46,413 GOOD MORNING... MR. McNALLY. 960 00:38:46,446 --> 00:38:48,014 [ CHUCKLES ] 961 00:38:50,683 --> 00:38:54,353 * YEAH, WE'LL BE COUNTING STARS * 962 00:38:59,559 --> 00:39:01,628 [ COFFEE POURS ] 963 00:39:04,296 --> 00:39:05,264 WHAT? 964 00:39:05,297 --> 00:39:06,499 NOTHING. 965 00:39:07,299 --> 00:39:09,669 OKAY, THEN. 966 00:39:09,702 --> 00:39:11,771 HEY. WALK HERE TODAY? 967 00:39:11,804 --> 00:39:12,939 YEAH. YOU? 968 00:39:12,972 --> 00:39:16,208 YEAH. EXERCISE. KEEPS THE ANXIETY DOWN. 969 00:39:16,242 --> 00:39:17,410 YOU'RE TELLING ME. 970 00:39:17,444 --> 00:39:19,311 * OLD, BUT I'M NOT THAT OLD 971 00:39:19,345 --> 00:39:21,914 * YOUNG, BUT I'M NOT THAT BOLD 972 00:39:21,948 --> 00:39:23,115 YOU BELIEVE THIS? 973 00:39:23,149 --> 00:39:25,885 SIX YEARS AT THIS PLACE. 974 00:39:25,918 --> 00:39:26,986 SIX YEARS TOGETHER. 975 00:39:27,019 --> 00:39:30,990 WHATEVER HAPPENS, YOU'RE A SOLID COP, McNALLY. 976 00:39:31,023 --> 00:39:32,158 A GREAT PARTNER. 977 00:39:32,191 --> 00:39:33,460 YOU TOO. 978 00:39:33,493 --> 00:39:37,930 * I COULDN'T LIE, COULDN'T LIE, COULDN'T LIE * 979 00:39:37,964 --> 00:39:38,898 READY? 980 00:39:38,931 --> 00:39:40,032 [ SIGHS ] NO. 981 00:39:40,066 --> 00:39:41,801 [ CHUCKLES ] 982 00:39:41,834 --> 00:39:43,035 MORNING. 983 00:39:43,069 --> 00:39:45,472 * I'VE BEEN LOSING SLEEP 984 00:39:45,505 --> 00:39:47,173 UH, EXCUSE ME. THAT'S MY LOCKER. 985 00:39:47,206 --> 00:39:49,008 OH. 986 00:39:49,041 --> 00:39:49,842 OKAY. 987 00:39:49,876 --> 00:39:51,678 THEY JUST GAVE ME A NUMBER, SO I -- 988 00:39:51,711 --> 00:39:53,680 I WONDERED WHY THERE WAS STUFF IN HERE. 989 00:39:53,713 --> 00:39:55,281 SO YOU WERE JUST GOING THROUGH MY PERSONAL THINGS? 990 00:39:55,314 --> 00:39:57,750 * WE'LL BE COUNTING STARS 991 00:39:57,784 --> 00:39:58,451 NO, I -- 992 00:39:58,485 --> 00:40:00,487 MOVE IT, CHILD. 993 00:40:01,153 --> 00:40:02,922 OH, MY GOD. I KNEW IT. 994 00:40:02,955 --> 00:40:05,124 THEY'RE TRANSFERRING ME -- 27 DIVISION. 995 00:40:05,157 --> 00:40:06,526 SHOOT ME NOW. 996 00:40:06,559 --> 00:40:09,128 DO NOT SAY THAT UNLESS YOU MEAN IT, CHLOE. 997 00:40:09,161 --> 00:40:12,732 YOU'RE RIGHT. IT'S JUST AN UNFORTUNATE FIGURE OF SPEECH. 998 00:40:12,765 --> 00:40:14,433 [ Voice breaking ] OH, MY GOD. 999 00:40:14,467 --> 00:40:16,669 I'M GONNA MISS YOU GUYS SO MUCH. 1000 00:40:16,703 --> 00:40:19,472 * I FEEL SOMETHING SO WRONG 1001 00:40:19,506 --> 00:40:21,407 SAME DIVISION. 1002 00:40:21,440 --> 00:40:23,810 ME TOO. ANDY? 1003 00:40:23,843 --> 00:40:24,611 SAME. 1004 00:40:24,644 --> 00:40:26,212 MY NAME'S NOT EVEN ON HERE. 1005 00:40:26,245 --> 00:40:27,880 CHECK OVER THERE. 1006 00:40:29,516 --> 00:40:30,683 DETECTIVE IN TRAINING. 1007 00:40:30,717 --> 00:40:32,685 IT'S WHAT YOU WANTED, RIGHT? YOU'VE DONE ALL THE COURSES. 1008 00:40:32,719 --> 00:40:33,920 THE NEW STAFF SAID YOU WERE READY. 1009 00:40:33,953 --> 00:40:35,788 * BABY, I'VE BEEN, I'VE BEEN LOSING SLEEP * 1010 00:40:35,822 --> 00:40:37,490 IT'S FINE. 27 DIVISION'S FINE. 1011 00:40:37,524 --> 00:40:39,225 AT LEAST I KNOW MY WAY AROUND. 1012 00:40:39,258 --> 00:40:40,793 CAN IT, PRICE. YOU'RE STAYING. 1013 00:40:40,827 --> 00:40:43,029 SAME PLATOON? SAME PLATOON. 1014 00:40:43,062 --> 00:40:44,864 REALLY? 1015 00:40:46,065 --> 00:40:48,868 [ Laughing ] WOW. THAT WAS TOTALLY WORTH IT. 1016 00:40:48,901 --> 00:40:51,170 YOU HAVE SOME GOOD MOVES THERE, PRICE. 1017 00:40:51,203 --> 00:40:52,338 YOU READY TO GO? 1018 00:40:52,371 --> 00:40:53,706 WHAT HAPPENED? 1019 00:40:53,740 --> 00:40:55,942 I KIND OF MISSED BOSSING YOU GUYS AROUND. 1020 00:40:55,975 --> 00:40:58,010 NOW, I DIG THAT CORNER OFFICE. 1021 00:40:58,044 --> 00:40:59,679 IT'S THE DRAWERS. 1022 00:40:59,712 --> 00:41:01,814 AND THE GLASS. SO MUCH GLASS. 1023 00:41:01,848 --> 00:41:03,683 IS THAT WHY WE'RE STILL HERE? 1024 00:41:03,716 --> 00:41:05,484 UH, ONLY THING THAT I SAID TO JARVIS -- 1025 00:41:05,518 --> 00:41:08,688 YOU GUYS ARE NOT THE PROBLEM. YOU ARE THE SOLUTION. 1026 00:41:08,721 --> 00:41:11,691 LET'S GO MEET YOUR ROOKIES. 1027 00:41:11,724 --> 00:41:12,692 WHAT DO YOU MEAN, "OUR"? 1028 00:41:12,725 --> 00:41:14,761 I MEAN YOU'RE GONNA BE TRAINING THEM, DIAZ -- 1029 00:41:14,794 --> 00:41:15,995 YOU AND PECK, McNALLY. 1030 00:41:16,028 --> 00:41:17,897 AND TODAY, YOU ARE GONNA BE REPORTING 1031 00:41:17,930 --> 00:41:20,733 TO DETECTIVE SERGEANT TRACI NASH, 1032 00:41:20,767 --> 00:41:22,702 OUR BRAND-NEW HEAD OF GUNS AND GANGS. 1033 00:41:22,735 --> 00:41:24,871 THAT'S RIGHT. GET IN THERE. THERE'S BEEN A LOT OF -- 1034 00:41:24,904 --> 00:41:26,606 DETECTIVE -- DON'T EVEN TALK TO ME RIGHT NOW. 1035 00:41:26,639 --> 00:41:28,675 ALL RIGHT, THAT IS WHERE WE'RE GONNA FOCUS OUR DAY. 1036 00:41:28,708 --> 00:41:31,077 HEY! COME ON, CHILDREN, INSIDE. CLASS IS ABOUT TO START. 1037 00:41:32,779 --> 00:41:34,614 ALL RIGHT, EVERYBODY. LISTEN UP. 1038 00:41:34,647 --> 00:41:36,148 "A" PLATOON IS REPORTING FOR PARADE. 1039 00:41:36,182 --> 00:41:38,551 SO, EVERYBODY ELSE, YOU KNOW WHAT THAT MEANS. 1040 00:41:38,585 --> 00:41:40,553 I WILL BE AVAILABLE RIGHT AFTER THIS 1041 00:41:40,587 --> 00:41:42,421 TO DISCUSS NEXT MOVES, ALL RIGHT? 1042 00:41:42,454 --> 00:41:43,690 * WE COULD BE 1043 00:41:43,723 --> 00:41:45,491 UH, ANYONE THAT DOESN'T KNOW WHO I AM, 1044 00:41:45,524 --> 00:41:46,893 I'M ACTING STAFF SERGEANT OLIVER SHAW, 1045 00:41:46,926 --> 00:41:49,361 AND I WILL BE YOUR HOSTESS TODAY, OKAY? 1046 00:41:49,395 --> 00:41:51,363 UH, THERE ARE FRESH FACES HERE, AND I WILL TELL YOU, 1047 00:41:51,397 --> 00:41:53,700 WE ARE GLAD THAT YOU ARE HERE. 1048 00:41:53,733 --> 00:41:55,501 OKAY, DOWN TO BUSINESS. 1049 00:41:55,534 --> 00:41:57,604 McNALLY, YOU'RE TAKING CONNOR. 1050 00:41:57,637 --> 00:41:58,905 DIAZ, WITH ZETTEL. 1051 00:41:58,938 --> 00:42:00,907 PECK, YOU'RE ROLLING WITH FOX, 1052 00:42:00,940 --> 00:42:03,710 WHO LOOKS A LITTLE BIT NERVOUS, SO YOU WILL GO GENTLE ON HIM. 1053 00:42:03,743 --> 00:42:05,277 Traci: STAFF? YES? 1054 00:42:05,311 --> 00:42:06,813 MORE SHOTS FIRED ON RICHMOND. 1055 00:42:06,846 --> 00:42:08,314 ALL RIGHT, GET OUT THERE. 1056 00:42:08,347 --> 00:42:09,882 T.O.s, KEEP EYES ON YOUR ROOKIES. 1057 00:42:09,916 --> 00:42:11,951 ROOKIES, KEEP EYES ON YOUR T.O.s. 1058 00:42:11,984 --> 00:42:13,953 STAY TOGETHER. 1059 00:42:13,986 --> 00:42:15,922 SERVE, PROTECT... 1060 00:42:18,090 --> 00:42:18,958 ...AND DON'T SCREW UP. 1061 00:42:18,991 --> 00:42:20,993 * TAKE THAT MONEY, WATCH IT BURN * 1062 00:42:21,027 --> 00:42:21,994 * SINK IN THE RIVER THE LESSONS ARE LEARNED *