1
00:00:22,277 --> 00:00:25,405
IT SCARES US
JUST THINKING ABOUT IT.

2
00:00:25,405 --> 00:00:27,658
WHEN YOU HEAR IT,
YOU'RE GONNA THINK WE'RE INSANE.

3
00:00:27,658 --> 00:00:30,661
TRY US.
PLEASE, FROM THE START.

4
00:00:32,537 --> 00:00:34,331
IT STARTED OUT SMALL,

5
00:00:34,331 --> 00:00:37,459
LIKE A HAND OR A LEG
WAS IN A DIFFERENT POSITION.

6
00:00:37,459 --> 00:00:40,337
THEN ITS HEAD WAS LOOKING UP
INSTEAD OF DOWN.

7
00:00:40,337 --> 00:00:43,548
AND THEN ONE DAY, IT WAS
IN A COMPLETELY DIFFERENT ROOM.

8
00:00:43,548 --> 00:00:44,675
IT WAS MOVING AROUND
BY ITSELF.

9
00:00:44,675 --> 00:00:46,218
EVER THINK

10
00:00:46,218 --> 00:00:47,970
THAT MAYBE SOMEBODY HAD A KEY
TO YOUR APARTMENT

11
00:00:47,970 --> 00:00:49,638
AND WAS JUST PLAYING
A TRICK ON YA?

12
00:00:49,638 --> 00:00:51,473
THAT'S EXACTLY
WHAT WE THOUGHT.

13
00:00:51,473 --> 00:00:53,016
BUT NEVER ONCE DID WE FIND

14
00:00:53,016 --> 00:00:55,185
ANY SIGN OR EVIDENCE
OF INTRUSION.

15
00:00:55,185 --> 00:00:56,687
AND THIS ALL LED YOU TO BELIEVE

16
00:00:56,687 --> 00:00:59,106
THAT THE DOLL WAS POSSESSED?
YES.

17
00:00:59,106 --> 00:01:00,565
CAMILLA GOT IN TOUCH
WITH A MEDIUM.

18
00:01:00,565 --> 00:01:02,067
WE LEARNED FROM HER

19
00:01:02,067 --> 00:01:03,652
THAT A SEVEN-YEAR-OLD GIRL
NAMED ANNABELLE HIGGINS

20
00:01:03,652 --> 00:01:05,904
HAD DIED IN THIS APARTMENT.

21
00:01:05,904 --> 00:01:09,825
SHE WAS LONELY AND TOOK
A LIKING TO MY DOLL.

22
00:01:09,825 --> 00:01:12,577
ALL SHE WANTED
WAS TO BE FRIENDS.

23
00:01:12,577 --> 00:01:15,455
WHEN WE HEARD THIS, WE FELT
REALLY SORRY FOR HER.

24
00:01:15,455 --> 00:01:17,708
I MEAN, WE'RE NURSES,
WE HELP PEOPLE.

25
00:01:17,708 --> 00:01:22,796
SO WE GAVE HER PERMISSION
TO MOVE INTO THE DOLL.

26
00:01:22,796 --> 00:01:25,674
WAIT,
YOU DID WHAT?

27
00:01:25,674 --> 00:01:27,884
SHE WANTED TO LIVE WITH US
BY INHABITING THE DOLL.

28
00:01:27,884 --> 00:01:29,177
WE SAID YES.

29
00:01:29,177 --> 00:01:31,972
BUT THEN
THINGS GOT WORSE.

30
00:01:50,073 --> 00:01:53,160
WHEN WE CAME HOME, SHE WAS
SITTING IN THE HALLWAY.

31
00:01:53,160 --> 00:01:56,121
BUT WE HAD LEFT HER
IN THE SPARE ROOM.

32
00:02:33,533 --> 00:02:35,660
DEBBIE!
DEBBIE, WAIT!

33
00:03:50,610 --> 00:03:52,612
WE ARE BEYOND TERRIFIED.

34
00:03:52,612 --> 00:03:55,198
WE DON'T KNOW WHAT'S GOING ON
OR WHAT TO DO.

35
00:03:55,198 --> 00:03:56,741
CAN YOU HELP US?

36
00:03:56,741 --> 00:03:58,285
YES, WE CAN.

37
00:03:58,285 --> 00:04:02,414
NOW, FIRSTLY, THERE'S NO SUCH
THING AS ANNABELLE,

38
00:04:02,414 --> 00:04:03,790
AND THERE NEVER WAS.

39
00:04:03,790 --> 00:04:04,916
GHOSTS
DON'T POSSESS SUCH POWER.

40
00:04:04,916 --> 00:04:06,084
I THINK WHAT WE HAVE HERE

41
00:04:06,084 --> 00:04:08,879
IS SOMETHING EXTREMELY
MANIPULATIVE.

42
00:04:08,879 --> 00:04:10,464
IT'S SOMETHING INHUMAN.

43
00:04:10,464 --> 00:04:13,550
IT WAS A BIG MISTAKE
ACKNOWLEDGING THIS DOLL.

44
00:04:13,550 --> 00:04:16,011
AND THROUGH THAT,
THE INHUMAN SPIRIT TRICKED YOU.

45
00:04:16,011 --> 00:04:19,347
YOU GAVE IT PERMISSION
TO INFEST YOUR LIVES.

46
00:04:19,347 --> 00:04:21,308
WHAT'S AN INHUMAN SPIRIT?

47
00:04:21,308 --> 00:04:25,479
IT'S SOMETHING THAT'S NEVER
WALKED THE EARTH IN HUMAN FORM.

48
00:04:25,479 --> 00:04:27,522
IT'S SOMETHING DEMONIC.

49
00:04:30,942 --> 00:04:34,029
SO THE DOLL
WAS NEVER POSSESSED?

50
00:04:34,029 --> 00:04:35,655
NO, NO, IT WAS USED
AS A CONDUIT.

51
00:04:35,655 --> 00:04:38,241
IT WAS MOVED AROUND TO GIVE
THE IMPRESSION OF POSSESSION.

52
00:04:38,241 --> 00:04:42,037
DEMONIC SPIRITS DON'T POSSESS
THINGS, THEY POSSESS PEOPLE.

53
00:04:42,037 --> 00:04:44,873
IT WANTED TO GET
INSIDE OF<i> YOU.</i>

54
00:04:54,633 --> 00:04:56,843
ALL RIGHT,
THAT'S GOOD, DREW.

55
00:04:56,843 --> 00:04:58,428
YOU CAN SHUT IT DOWN NOW.

56
00:04:58,428 --> 00:05:00,805
HIT THE LIGHTS.

57
00:05:03,058 --> 00:05:05,393
SO WE GOT THE CHURCH
TO SEND A PRIEST OVER

58
00:05:05,393 --> 00:05:08,188
TO PERFORM A BLESSING
ON THE HOUSE AND THE OCCUPANTS.

59
00:05:08,188 --> 00:05:10,065
WHATEVER WAS OPPRESSING
THAT APARTMENT

60
00:05:10,065 --> 00:05:11,983
WAS NO LONGER WITH THEM.
ANY QUESTIONS?

61
00:05:13,944 --> 00:05:15,237
YES.

62
00:05:15,237 --> 00:05:17,030
WHERE'S THE DOLL NOW??

63
00:05:17,030 --> 00:05:19,366
SOMEPLACE SAFE.

64
00:05:20,158 --> 00:05:21,201
YEP.

65
00:05:21,201 --> 00:05:22,494
SO, WHAT ARE YOU GUYS?

66
00:05:22,494 --> 00:05:24,412
I MEAN,
WHAT DO PEOPLE CALL YOU?

67
00:05:24,412 --> 00:05:28,875
UH, WELL, WE'VE BEEN
CALLED DEMONOLOGISTS.

68
00:05:28,875 --> 00:05:30,168
THAT'S ONE NAME FOR US.

69
00:05:30,168 --> 00:05:32,087
GHOST HUNTERS,
PARANORMAL RESEARCHERS.

70
00:05:32,087 --> 00:05:33,672
KOOKS.

71
00:05:34,673 --> 00:05:36,550
WACKOS.

72
00:05:36,550 --> 00:05:38,009
BUT WE PREFER TO BE KNOWN

73
00:05:38,009 --> 00:05:40,053
SIMPLY AS ED
AND LORRAINE WARREN.

74
00:06:41,573 --> 00:06:43,074
HERE WE ARE.

75
00:06:46,161 --> 00:06:47,912
WOW, HEAR THAT?

76
00:06:47,912 --> 00:06:49,414
I DON'T HEAR ANYTHING.

77
00:06:49,414 --> 00:06:51,625
EXACTLY.
OH.

78
00:06:51,625 --> 00:06:55,086
OKAY.
GUYS, WE ARE HERE!

79
00:06:55,086 --> 00:06:57,004
OH, GOD, WE'RE
IN THE MIDDLE OF NOWHERE.

80
00:06:57,004 --> 00:06:58,965
ARE YOU SO EXCITED?
WHERE'S MY "YES"?

81
00:06:58,965 --> 00:07:00,550
WHERE'S MY "YES"?
YES!

82
00:07:00,550 --> 00:07:03,094
I'LL RACE YA!
ARE YOU GUYS EXCITED?

83
00:07:03,094 --> 00:07:04,846
I'M SO EXCITED!

84
00:07:04,846 --> 00:07:08,266
COME ON, SADIE!
I GET MY OWN ROOM!

85
00:07:08,266 --> 00:07:10,518
ARE YOU KIDDING ME?
NO DIBS ON THE ROOMS!

86
00:07:10,518 --> 00:07:11,978
WHAT?!
WHAT?!

87
00:07:11,978 --> 00:07:13,480
SO DO I GET TO PICK
MY OWN ROOM?

88
00:07:13,480 --> 00:07:15,231
OR DO I HAVE NO CHOICE
IN THAT EITHER?

89
00:07:18,068 --> 00:07:21,613
WELL, FIRST CUTE BOY SHE MEETS,
SHE'LL FORGET ABOUT JERSEY.

90
00:07:21,613 --> 00:07:23,615
AH, GREAT.
I HOPE.

91
00:07:23,615 --> 00:07:24,783
CAN'T WAIT.

92
00:07:24,783 --> 00:07:25,950
COME ON, SADIE.

93
00:07:27,077 --> 00:07:28,244
SADIE, LET'S GO.

94
00:07:29,496 --> 00:07:32,707
HEY, COME.

95
00:07:32,707 --> 00:07:34,376
WHAT'S THE MATTER
WITH YOU?

96
00:07:34,376 --> 00:07:36,711
HEY, COME ON, GIRL.

97
00:07:36,711 --> 00:07:39,297
ALL RIGHT, SUIT YOURSELF.

98
00:07:52,686 --> 00:07:54,270
WATCH YOUR STEP.
COMING THROUGH.

99
00:07:55,563 --> 00:07:56,648
WHOA, WATCH OUT, DAD.

100
00:07:56,648 --> 00:07:57,774
WHERE DO YOU WANT IT?

101
00:07:57,774 --> 00:07:58,983
THAT GOES
IN THE LIVING ROOM.

102
00:07:58,983 --> 00:08:00,402
HEY, ANDREA,
WHERE'S MY WIND CHIME?

103
00:08:00,402 --> 00:08:02,070
I THINK NANCY'S GOT IT
IN THE OTHER ROOM.

104
00:08:02,070 --> 00:08:04,072
OH, THANKS. HEY, NANCY, HAVE
YOU SEEN MY WIND CHIME?

105
00:08:04,072 --> 00:08:05,198
OH, THIS ONE?
YEAH, THANKS.

106
00:08:05,198 --> 00:08:06,366
YOU'RE GONNA HAVE TO
CATCH IT.

107
00:08:06,366 --> 00:08:07,909
NANCY! LET GO!
GIVE IT HERE.

108
00:08:09,661 --> 00:08:10,870
YOU'RE SO MEAN.

109
00:08:12,247 --> 00:08:13,998
HEY, MOM, CAN I HANG UP
MY WIND CHIME?

110
00:08:13,998 --> 00:08:16,209
OF COURSE. THERE'S A LINE
OUTSIDE YOU CAN HANG IT ON.

111
00:08:16,209 --> 00:08:17,961
HONEY,
HAVE APRIL COME IN, OKAY?

112
00:08:17,961 --> 00:08:19,587
IT'S GONNA BE DARK SOON.
OKAY.

113
00:08:29,472 --> 00:08:32,517
COME ON, APRIL!
MOM WANTS US INSIDE!

114
00:08:32,517 --> 00:08:35,478
LOOK WHAT I FOUND, CINDY.

115
00:08:55,165 --> 00:08:56,458
ONE...

116
00:08:56,458 --> 00:08:58,209
TWO...

117
00:08:58,209 --> 00:09:00,336
THREE.

118
00:09:00,336 --> 00:09:03,006
NO PEEKING!
FOUR.

119
00:09:03,006 --> 00:09:04,591
ARE YOU GUYS DONE
WITH THE PIZZA?

120
00:09:04,591 --> 00:09:06,342
I DON'T WANT IT GOING TO WASTE.

121
00:09:06,342 --> 00:09:08,887
IT'S EXPENSIVE
FEEDING YOU GIRLS.

122
00:09:08,887 --> 00:09:12,557
...SEVEN, EIGHT, NINE, TEN.

123
00:09:12,557 --> 00:09:13,725
WHERE SHOULD I HIDE?

124
00:09:13,725 --> 00:09:17,437
READY OR NOT, HERE I COME!

125
00:09:17,437 --> 00:09:18,897
OKAY, CLAP.

126
00:09:27,197 --> 00:09:28,490
WHOA! WHOA!

127
00:09:28,490 --> 00:09:29,949
GUYS, YOU DON'T KNOW THE HOUSE
WELL ENOUGH.

128
00:09:29,949 --> 00:09:31,367
SOMEONE'S GONNA GET HURT.

129
00:09:31,367 --> 00:09:32,494
I'M OKAY, I'M OKAY.

130
00:09:32,494 --> 00:09:35,246
SECOND CLAP.

131
00:09:41,002 --> 00:09:42,837
THAT'S CHEATING.

132
00:09:54,557 --> 00:09:58,144
CLAP.

133
00:09:59,229 --> 00:10:00,605
GOT YOU!
AAH!

134
00:10:01,773 --> 00:10:03,775
ARE YOU OKAY?
UH, YEAH.

135
00:10:03,775 --> 00:10:05,568
ALL RIGHT,
WHAT DID WE BREAK NOW?

136
00:10:05,568 --> 00:10:06,528
I-I-I DIDN'T MEAN TO.

137
00:10:06,528 --> 00:10:07,779
MOVE OUT THERE, PLEASE.

138
00:10:07,779 --> 00:10:10,782
IT WAS CHRISTINE'S FAULT.
AH, JEEZ.

139
00:10:10,782 --> 00:10:11,908
MY FAULT?
OH, MY GOD.

140
00:10:11,908 --> 00:10:13,827
CHRISTINE DID IT.

141
00:10:13,827 --> 00:10:15,245
NO, I DIDN'T, YOU DID.
NO, TOTALLY, YOU PUSHED ME.

142
00:10:15,245 --> 00:10:16,871
NO, NO, YOU FELL BACK.

143
00:10:16,871 --> 00:10:19,916
HEY, NANCY, CAN YOU GO GET ME
THE MATCHES, PLEASE?

144
00:10:19,916 --> 00:10:21,501
WHAT'S GOING ON?NANCY BROKE SOMETHING.

145
00:10:21,501 --> 00:10:23,336
SHUT UP.
IT WAS YOU!

146
00:10:23,336 --> 00:10:25,004
WHAT BROKE?
IT'S THE WALL.

147
00:10:25,004 --> 00:10:26,297
WHOA.

148
00:10:26,297 --> 00:10:29,342
I THINK WE HAVE A CELLAR
OR SOMETHING.

149
00:10:29,342 --> 00:10:30,802
I WANNA SEE,
I WANNA SEE.

150
00:10:30,802 --> 00:10:32,136
OKAY.
MOVE, MOVE, MOVE.

151
00:10:32,136 --> 00:10:35,849
HERE, MATCHES.
THANK YOU.

152
00:10:35,849 --> 00:10:37,058
MOM, I WANNA SEE.
YOU CAN SEE.

153
00:10:37,058 --> 00:10:38,393
I WANNA SEE TOO.

154
00:10:38,393 --> 00:10:39,644
YOU CAN ALL SEE.

155
00:10:39,644 --> 00:10:40,770
MOVE!

156
00:10:51,322 --> 00:10:52,991
AH, MAN.

157
00:10:57,453 --> 00:10:58,705
HUH.

158
00:10:58,705 --> 00:11:01,165
ROGER?

159
00:11:01,165 --> 00:11:04,168
WHAT DO YOU SEE
DOWN THERE?

160
00:11:04,168 --> 00:11:07,046
JUST, UH, HARD TO TELL,
YOU KNOW?

161
00:11:07,046 --> 00:11:11,843
IT'S -- IT'S AN OLD PIANO
AND A WHOLE BUNCH OF GARBAGE.

162
00:11:13,761 --> 00:11:16,180
AH! SON OF A--

163
00:11:19,475 --> 00:11:21,185
WOW.

164
00:11:25,523 --> 00:11:29,152
ROG?

165
00:11:29,152 --> 00:11:31,404
COME ON UP.

166
00:11:34,949 --> 00:11:36,492
I DON'T WANT ANY OF YOU GIRLS
GOING DOWN THERE.

167
00:11:36,492 --> 00:11:37,660
THAT PLACE IS LOADED
WITH SPIDERS.

168
00:11:37,660 --> 00:11:38,661
EW!

169
00:11:38,661 --> 00:11:40,121
JUST RELAX.

170
00:11:40,121 --> 00:11:42,624
STOP IT, NANCY.
IT'S NOT FUNNY.

171
00:11:42,624 --> 00:11:44,292
WE'VE GOT EXTRA
SQUARE FOOTAGE ANYWAY.

172
00:11:44,292 --> 00:11:45,793
I'LL CHECK IT OUT
IN THE MORNING.

173
00:11:45,793 --> 00:11:47,253
I WONDER
WHY IT WAS BOARDED UP.

174
00:11:47,253 --> 00:11:48,838
I DON'T KNOW.

175
00:11:48,838 --> 00:11:50,465
OKAY, GUYS, SHOW'S OVER.
FIVE MORE MINUTES.

176
00:11:50,465 --> 00:11:51,549
NO MORE MINUTES.
UP TO BED.

177
00:11:51,549 --> 00:11:52,884
PLEASE. THANK YOU.

178
00:11:52,884 --> 00:11:54,218
BUT I'M NOT TIRED.
ALL RIGHT, TO BED.

179
00:11:58,056 --> 00:11:59,724
MAN, I'M FRIED.

180
00:11:59,724 --> 00:12:02,268
SOMETHING'S UP WITH SADIE.

181
00:12:02,268 --> 00:12:04,562
YEAH, I DON'T KNOW
WHAT HER PROBLEM IS.

182
00:12:04,562 --> 00:12:06,522
COULDN'T GET HER
TO COME INSIDE.

183
00:12:06,522 --> 00:12:08,358
WE CAN'T LEAVE HER
OUT THERE.

184
00:12:08,358 --> 00:12:11,861
SHE'S ALL RIGHT.
I GOT HER ON A CHAIN.

185
00:12:11,861 --> 00:12:15,073
SADIE, HEY, BE QUIET.

186
00:12:16,449 --> 00:12:19,661
THANKS
FOR MAKIN' THIS WORK.

187
00:12:19,661 --> 00:12:21,162
I KNOW IT WAS A LOT
TO BITE OFF.

188
00:12:21,162 --> 00:12:22,580
YEAH.

189
00:12:22,580 --> 00:12:24,791
IT'S GONNA BE GREAT,
ISN'T IT?

190
00:12:24,791 --> 00:12:27,293
I THINK IT'S GREAT ALREADY.

191
00:12:27,293 --> 00:12:29,545
YEAH.

192
00:12:31,965 --> 00:12:34,425
YOU STILL TOO FRIED
TO CHRISTEN THE NEW HOUSE?

193
00:12:34,425 --> 00:12:37,637
WHO SAID I'M FRIED?

194
00:12:37,637 --> 00:12:40,807
AIN'T NOBODY HERE'S FRIED.

195
00:13:15,008 --> 00:13:17,802
MOM?

196
00:13:17,802 --> 00:13:20,013
HEY.
HOW DID YOU GUYS SLEEP?

197
00:13:20,013 --> 00:13:21,222
I'M COLD.

198
00:13:21,222 --> 00:13:23,599
IT IS CHILLY, ISN'T IT?

199
00:13:23,599 --> 00:13:25,476
DO YOU THINK MAYBE
WE COULD HAVE BOUGHT A HOUSE

200
00:13:25,476 --> 00:13:27,020
THAT HAS A TOILET
THAT ACTUALLY WORKS?

201
00:13:27,020 --> 00:13:28,271
TELL YOUR FATHER.

202
00:13:28,271 --> 00:13:29,647
AND THERE WAS
THIS REALLY FUNKY SMELL

203
00:13:29,647 --> 00:13:30,815
IN MY BEDROOM LAST NIGHT.

204
00:13:30,815 --> 00:13:32,066
REEKED LIKE
SOMETHING DIED.

205
00:13:32,066 --> 00:13:33,067
IS IT STILL THERE?

206
00:13:33,067 --> 00:13:34,402
NO.
PROBLEM SOLVED.

207
00:13:59,677 --> 00:14:01,971
ROGER?

208
00:14:02,764 --> 00:14:04,682
ROGER?

209
00:14:04,682 --> 00:14:06,601
DOWN HERE, HONEY.

210
00:14:10,855 --> 00:14:12,356
MORNING.

211
00:14:13,983 --> 00:14:16,778
OH.

212
00:14:16,778 --> 00:14:20,364
THIS IS GONNA TAKE
SOME SERIOUS ELBOW GREASE.

213
00:14:20,364 --> 00:14:21,949
YEAH.

214
00:14:21,949 --> 00:14:23,743
OH, MY GOD.

215
00:14:31,084 --> 00:14:32,960
WHAT ARE WE GONNA DO
WITH ALL THIS STUFF?

216
00:14:32,960 --> 00:14:35,171
WELL, WE PROBABLY OUGHT TO GO
THROUGH IT, YOU KNOW?

217
00:14:35,171 --> 00:14:37,548
THERE MIGHT BE SOME ANTIQUES
DOWN HERE WORTH A LOT OF MONEY.

218
00:14:37,548 --> 00:14:39,884
YEAH, OR JUST A LOT OF JUNK
THE PREVIOUS OWNER DIDN'T WANT.

219
00:14:39,884 --> 00:14:41,803
IT'S OURS NOW.

220
00:14:41,803 --> 00:14:43,054
KNOCK YOURSELF OUT.

221
00:14:43,054 --> 00:14:44,680
I'M GONNA MAKE SOME COFFEE.

222
00:14:44,680 --> 00:14:46,099
OKAY.
I'LL BE UP IN A MINUTE.

223
00:14:46,099 --> 00:14:47,850
I'M GONNA SEE IF I CAN GET
THIS FURNACE WORKING.

224
00:14:47,850 --> 00:14:50,228
YEAH, THAT'D BE NICE.
IT'S FREEZING.
YEAH.

225
00:15:03,866 --> 00:15:07,495
SADIE!
COME HERE, SADIE!

226
00:15:07,495 --> 00:15:11,165
MOMMY!
MOMMY, WHERE'S SADIE?

227
00:15:11,165 --> 00:15:12,500
SHE'S OUTSIDE.

228
00:15:12,500 --> 00:15:13,626
YOU KNOW, I'M SURE
SHE'S HUNGRY BY NOW.

229
00:15:13,626 --> 00:15:15,002
WHY DON'T YOU GO
AND GET HER.

230
00:15:16,420 --> 00:15:17,630
OH!
MORNING, DAD.

231
00:15:17,630 --> 00:15:19,799
CAN YOU HOLD THIS?
HEY. SURE.

232
00:15:19,799 --> 00:15:21,217
SADIE!
SLOW IT DOWN, SCOOT.

233
00:15:21,217 --> 00:15:23,386
ROGER.
YEAH.

234
00:15:23,386 --> 00:15:24,679
THIS CLOCK STOPPED
AT 3:07,

235
00:15:24,679 --> 00:15:26,055
AND SO DID THE ONE
IN THE HALLWAY.

236
00:15:26,055 --> 00:15:27,306
THAT'S WEIRD.

237
00:15:29,642 --> 00:15:31,602
MAYBE IT GOT KNOCKED AROUND
IN THE MOVE.

238
00:15:31,602 --> 00:15:32,937
SPEAKING OF KNOCKED AROUND,

239
00:15:32,937 --> 00:15:34,647
WHAT DID YOU DO TO ME
LAST NIGHT?

240
00:15:34,647 --> 00:15:36,524
OUCH.
I DIDN'T DO THAT.

241
00:15:36,524 --> 00:15:37,733
DID I?
I DON'T KNOW.

242
00:15:37,733 --> 00:15:40,653
SADIE!

243
00:15:48,953 --> 00:15:51,247
APRIL! APRIL!

244
00:15:51,247 --> 00:15:52,748
APRIL!
WHAT'S--?

245
00:15:52,748 --> 00:15:54,625
APRIL!
WHAT'S GOING ON?

246
00:15:54,625 --> 00:15:56,169
WHAT HAPPENED?

247
00:15:56,169 --> 00:15:58,379
OH, MY GOD!

248
00:15:58,379 --> 00:16:01,966
OH, SADIE.

249
00:16:01,966 --> 00:16:03,467
ROGER.

250
00:16:09,182 --> 00:16:11,142
WE KEEP EVERYTHING LOCKED
IN HERE.

251
00:16:11,142 --> 00:16:15,146
FEEL FREE TO LOOK AROUND.
JUST DON'T TOUCH ANYTHING.

252
00:16:17,940 --> 00:16:20,693
WOW.

253
00:16:20,693 --> 00:16:24,238
THIS IS CRAZY.

254
00:16:24,238 --> 00:16:27,533
SO ALL THESE ARE TAKEN FROM
CASES YOU'VE INVESTIGATED?

255
00:16:27,533 --> 00:16:29,035
THAT'S RIGHT.

256
00:16:29,035 --> 00:16:31,746
EVERYTHING YOU SEE IN HERE
IS EITHER HAUNTED, CURSED,

257
00:16:31,746 --> 00:16:34,498
OR HAS BEEN USED IN SOME KIND
OF RITUALISTIC PRACTICE.

258
00:16:34,498 --> 00:16:36,834
NOTHING'S A TOY.

259
00:16:36,834 --> 00:16:38,586
NOT EVEN THE TOY MONKEY.

260
00:16:39,837 --> 00:16:40,880
DON'T TOUCH IT.

261
00:16:43,716 --> 00:16:45,426
WELL...

262
00:16:45,426 --> 00:16:48,137
WELL, ISN'T IT SCARY,
OR DOESN'T IT WORRY YOU

263
00:16:48,137 --> 00:16:50,723
TO HAVE ALL THESE ITEMS
RIGHT IN YOUR HOME?

264
00:16:50,723 --> 00:16:52,350
THAT'S WHY WE HAVE A PRIEST
THAT COMES BY ONCE A MONTH

265
00:16:52,350 --> 00:16:54,060
TO BLESS THE ROOM.

266
00:16:54,060 --> 00:16:57,146
IT'S SAFER FOR THESE THINGS

267
00:16:57,146 --> 00:16:58,606
TO BE IN HERE
THAN OUT THERE.

268
00:16:58,606 --> 00:17:00,608
IT'S KIND OF LIKE KEEPIN' GUNS
OFF THE STREET.

269
00:17:00,608 --> 00:17:02,693
WELL, WHY NOT JUST THROW 'EM
IN AN INCINERATOR?

270
00:17:02,693 --> 00:17:04,070
DESTROY 'EM.

271
00:17:04,070 --> 00:17:05,655
WELL, THAT WOULD ONLY DESTROY
THE VESSEL.

272
00:17:05,655 --> 00:17:09,033
SOMETIMES IT'S BETTER TO KEEP
THE GENIE IN THE BOTTLE.

273
00:17:09,033 --> 00:17:13,079
SAY,
IS THE ANNABELLE DOLL HERE?

274
00:17:13,079 --> 00:17:15,873
RIGHT THIS WAY.

275
00:17:18,668 --> 00:17:19,752
YEAH.

276
00:17:28,594 --> 00:17:30,179
YOU SAID
SHE'S A CONDUIT?

277
00:17:30,179 --> 00:17:32,139
THAT'S RIGHT.
WHAT DOES THAT MEAN?

278
00:17:32,139 --> 00:17:33,307
A VERY POWERFUL DEMONIC

279
00:17:33,307 --> 00:17:36,519
HAS LATCHED ITSELF
ONTO HER.

280
00:17:36,519 --> 00:17:39,313
SO WHEN YOU GUYS INVESTIGATE
THESE HAUNTINGS,

281
00:17:39,313 --> 00:17:42,024
HOW DO YOU STOP 'EM
FROM LATCHIN' ONTO YOU?

282
00:17:42,024 --> 00:17:43,943
WE HAVE TO TAKE
GREAT PRECAUTION.

283
00:17:43,943 --> 00:17:45,319
BUT WHAT ABOUT YOUR WIFE?

284
00:17:45,319 --> 00:17:48,739
WHAT ABOUT HER?

285
00:17:48,739 --> 00:17:50,741
WELL, FATHER GORDON
TOLD ME THAT--

286
00:17:50,741 --> 00:17:52,326
WELL, THAT WAS DIFFERENT.

287
00:17:52,326 --> 00:17:54,912
WHAT HAPPENED TO MY WIFE
HAPPENED DURING AN EXORCISM.

288
00:17:54,912 --> 00:17:56,455
WELL,
WHAT'S THE DIFFERENCE?

289
00:17:59,208 --> 00:18:01,585
'SCUSE ME.

290
00:18:01,585 --> 00:18:03,629
HONEY, WHAT ARE YOU DOIN'?

291
00:18:03,629 --> 00:18:06,590
COME HERE.
YOU KNOW BETTER.

292
00:18:06,590 --> 00:18:08,759
ALL RIGHT?
GEORGIANA?

293
00:18:08,759 --> 00:18:11,053
COME ON.
DID YOU TOUCH ANYTHING?

294
00:18:11,053 --> 00:18:12,263
NO.

295
00:18:12,263 --> 00:18:13,848
ALL RIGHT,
COME ON, HONEY.

296
00:18:13,848 --> 00:18:15,057
GEORGIANA!

297
00:18:15,057 --> 00:18:16,559
COULD YOU TAKE JUDY
UPSTAIRS?

298
00:18:16,559 --> 00:18:18,394
OH, SURE.
YOU CAN'T GO INTO THIS ROOM,

299
00:18:18,394 --> 00:18:20,229
NO MATTER WHAT, REMEMBER?
YES, DADDY.

300
00:18:20,229 --> 00:18:21,522
ALL RIGHT.

301
00:18:21,522 --> 00:18:22,982
GO ON.
OKAY, COME ON.

302
00:18:22,982 --> 00:18:25,109
LET'S SEE IF I CAN FIND YOU
A LITTLE SNACK, OKAY?

303
00:18:25,109 --> 00:18:26,235
COME ON.

304
00:18:34,410 --> 00:18:36,787
HEY.
WHAT'S GOIN' ON IN HERE?

305
00:18:36,787 --> 00:18:37,872
DADDY, LOOK.

306
00:18:37,872 --> 00:18:39,081
YOU LOOK VERY PRETTY.

307
00:18:39,081 --> 00:18:40,458
ALL RIGHT.
ALL DONE.

308
00:18:40,458 --> 00:18:41,584
GO GET DRESSED FOR DINNER.

309
00:18:41,584 --> 00:18:42,793
I'M WEARING IT
TO DINNER.

310
00:18:42,793 --> 00:18:44,837
NO, YOU'RE NOT!

311
00:18:44,837 --> 00:18:47,923
HERE YOU GO.

312
00:18:47,923 --> 00:18:49,425
HOW'D IT GO?

313
00:18:49,425 --> 00:18:51,552
OH, I THINK HE MAY WRITE
A POSITIVE ARTICLE.

314
00:18:51,552 --> 00:18:54,013
OOH, A NON-SKEPTIC.

315
00:18:54,013 --> 00:18:55,514
THAT'S A PLEASANT CHANGE.

316
00:18:55,514 --> 00:18:56,640
YEAH.

317
00:19:03,522 --> 00:19:06,150
STOP BLAMING YOURSELF.

318
00:19:15,826 --> 00:19:18,746
NO SUGAR.

319
00:19:18,746 --> 00:19:20,206
BE RIGHT BACK.

320
00:20:16,345 --> 00:20:18,264
NOT FUNNY, NANCY.

321
00:20:18,264 --> 00:20:21,350
WHAT?

322
00:20:21,350 --> 00:20:23,519
STOP GRABBING MY FOOT.

323
00:20:23,519 --> 00:20:25,771
SHUT UP,
I DIDN'T DO ANYTHING.

324
00:20:25,771 --> 00:20:29,483
YEAH, RIGHT.

325
00:20:29,483 --> 00:20:34,280
AND STOP FARTING.
IT REALLY STINKS.

326
00:20:34,280 --> 00:20:36,699
DON'T BLAME THAT ON ME.
IT'S YOU.

327
00:20:36,699 --> 00:20:38,993
PHEW.

328
00:22:53,294 --> 00:22:55,129
DAD?

329
00:22:55,129 --> 00:22:57,631
ANDREA, WHAT ARE YOU DOIN'
OUTTA BED?

330
00:22:57,631 --> 00:22:58,882
WHAT'S THAT SOUND?

331
00:22:58,882 --> 00:23:01,677
IT'S CINDY.
SHE'S IN MY ROOM.

332
00:23:01,677 --> 00:23:03,887
SHE'S SLEEPWALKING AGAIN.

333
00:23:17,776 --> 00:23:20,904
I'VE NEVER SEEN HER
DO THIS BEFORE.

334
00:23:24,908 --> 00:23:27,077
I REMEMBERED YOU SAYING NOT
TO WAKE HER IF SHE'S LIKE THIS.

335
00:23:27,077 --> 00:23:29,538
NO, WE JUST PUT HER
BACK TO BED.

336
00:23:29,538 --> 00:23:31,165
HEY, HEY.
SWEETIE.

337
00:23:31,165 --> 00:23:33,917
SHH.
LET'S GO BACK TO BED.

338
00:23:44,595 --> 00:23:46,722
SHE'S OKAY.
GOOD NIGHT.

339
00:23:46,722 --> 00:23:49,016
NIGHT.

340
00:24:00,819 --> 00:24:02,571
SHE'S
SLEEPWALKING AGAIN?

341
00:24:02,571 --> 00:24:04,281
SHE HASN'T DONE THAT
FOR AWHILE.

342
00:24:04,281 --> 00:24:06,617
SHE ENDED UP
IN ANDREA'S ROOM TOO.

343
00:24:06,617 --> 00:24:08,035
I THINK
KIND OF FREAKED HER OUT.

344
00:24:08,035 --> 00:24:09,286
THAT'S NOT GOOD.

345
00:24:09,286 --> 00:24:11,330
WHAT ARE WE GONNA DO?
I DON'T KNOW.

346
00:24:11,330 --> 00:24:13,374
HONEY, YOU GOT
ANOTHER BRUISE HERE.

347
00:24:13,374 --> 00:24:14,708
HMM?
DOES THAT HURT?

348
00:24:16,919 --> 00:24:18,379
THAT'S WEIRD.
I DON'T KNOW.

349
00:24:18,379 --> 00:24:21,840
WILL YOU DO ME A FAVOR,
GO SEE A DOCTOR FOR THAT?

350
00:24:21,840 --> 00:24:22,966
YEAH, I WILL.

351
00:24:22,966 --> 00:24:24,551
DRIVE SAFE.
YEAH.

352
00:24:24,551 --> 00:24:26,220
I LOVE YOU.
I LOVE YOU TOO.

353
00:24:56,625 --> 00:24:59,169
BYE!
LOVE YOU!

354
00:24:59,169 --> 00:25:02,423
CINDY,
YOU HAVE YOUR LUNCH?

355
00:25:02,423 --> 00:25:04,341
YEAH.

356
00:25:04,341 --> 00:25:09,221
YES, I DO.
I MISS SADIE A LOT.

357
00:25:09,221 --> 00:25:12,641
SHE WAS MY BEST FRIEND.

358
00:25:12,641 --> 00:25:16,353
YOU'RE MY FRIEND, RIGHT?

359
00:25:16,353 --> 00:25:18,605
YEAH, LET'S PLAY.

360
00:25:23,777 --> 00:25:24,945
WHO ARE YOU TALKING TO?

361
00:25:24,945 --> 00:25:27,156
RORY.

362
00:25:27,156 --> 00:25:28,782
RORY?

363
00:25:28,782 --> 00:25:30,909
HE'S MY NEW FRIEND.
OH, REALLY.

364
00:25:30,909 --> 00:25:32,202
YEAH,
DO YOU WANT TO SEE HIM?

365
00:25:32,202 --> 00:25:34,163
YEAH. UH-HUH.
HOW?

366
00:25:34,163 --> 00:25:35,289
WITH THIS.

367
00:25:35,289 --> 00:25:37,207
WHEN THE MUSIC STOPS,

368
00:25:37,207 --> 00:25:39,585
YOU SEE HIM IN THE MIRROR
STANDING BEHIND YOU.

369
00:25:39,585 --> 00:25:40,794
OKAY.

370
00:25:40,794 --> 00:25:43,172
BUT YOU HAVE TO
TWIST THE KEY.

371
00:25:43,172 --> 00:25:45,048
OKAY.

372
00:26:08,447 --> 00:26:10,240
BOO, MOMMY!
OH!

373
00:26:10,240 --> 00:26:11,784
GOT YOU!

374
00:26:11,784 --> 00:26:14,453
APRIL, YOU JUST GAVE ME
A HEART ATTACK.

375
00:26:14,453 --> 00:26:15,954
WELL, OKAY.

376
00:26:15,954 --> 00:26:18,081
I GUESS RORY DOESN'T WANT
TO SEE ME, HUH?

377
00:26:18,081 --> 00:26:19,124
HMM. OH, WELL.

378
00:26:19,124 --> 00:26:21,251
CAN WE PLAY HIDE-AND-CLAP?

379
00:26:21,251 --> 00:26:23,378
HIDE-AND-CLA--? OH, HONEY,
I DON'T WANT TO PLAY.

380
00:26:23,378 --> 00:26:24,838
PLEASE!
NOBODY EVER LETS ME PLAY.

381
00:26:24,838 --> 00:26:28,300
OKAY, OKAY.

382
00:26:30,093 --> 00:26:33,305
REMEMBER, YOU GET TO ASK ME
FOR THREE CLAPS.
OKAY.

383
00:26:33,305 --> 00:26:36,892
ONE, TWO, THREE.

384
00:26:36,892 --> 00:26:38,519
I'M GONNA GO HIDE NOW!
OKAY.

385
00:26:38,519 --> 00:26:48,403
FOUR, FIVE, SIX, SEVEN,
EIGHT, NINE, TEN!

386
00:26:51,323 --> 00:26:53,033
FIRST CLAP!

387
00:27:12,636 --> 00:27:14,346
OW. SHIT.

388
00:27:14,346 --> 00:27:16,431
SECOND CLAP!

389
00:27:31,113 --> 00:27:34,324
APRIL.

390
00:27:35,576 --> 00:27:37,578
UM...

391
00:27:39,705 --> 00:27:41,206
APRIL.

392
00:27:51,758 --> 00:27:54,636
OH, I KNOW WHERE YOU'RE HIDING.

393
00:27:54,636 --> 00:27:56,471
GIVE ME THE THIRD CLAP.

394
00:28:05,272 --> 00:28:06,815
I'M GONNA GET YOU NOW.

395
00:28:14,072 --> 00:28:16,742
I CAN HEAR YOU BREATHING.

396
00:28:16,742 --> 00:28:19,703
APRIL. APRIL.

397
00:28:26,335 --> 00:28:28,503
HA, HA!
YOU TOOK YOUR BLINDFOLD OFF.

398
00:28:28,503 --> 00:28:30,589
I WIN!
YOU WEREN'T EVEN WARM, MOM.

399
00:28:30,589 --> 00:28:33,216
I WAS IN CHRISTINE
AND NANCY'S ROOM.

400
00:28:36,803 --> 00:28:39,097
I GOTTA HAVE
SOME ROUTES HERE,

401
00:28:39,097 --> 00:28:41,683
OR I'M GONNA LOSE THE INSURANCE
ON THE RIG.

402
00:28:43,143 --> 00:28:46,688
THAT'S LIKE HALF
OF MY RATE, MAN.

403
00:28:48,190 --> 00:28:50,901
YEAH, OKAY.

404
00:28:50,901 --> 00:28:53,111
WELL, UH, I'LL TAKE IT.

405
00:28:53,111 --> 00:28:54,363
THANK YOU.

406
00:28:56,990 --> 00:28:58,450
WHAT'S THE ROUTE?

407
00:28:58,450 --> 00:29:01,370
IT'S, UH, FLORIDA.
IT'S A WEEK TURNAROUND.

408
00:29:01,370 --> 00:29:03,664
I START TOMORROW.

409
00:29:03,664 --> 00:29:05,457
WE'LL GET THROUGH THIS.

410
00:29:05,457 --> 00:29:08,543
YEAH.

411
00:29:08,543 --> 00:29:09,836
COME ON,
LET'S GO TO BED.

412
00:29:33,151 --> 00:29:36,363
MM.
STOP IT, NANCY.

413
00:29:36,363 --> 00:29:37,990
IT'S NOT FUNNY ANYMORE.

414
00:29:37,990 --> 00:29:41,243
I'M TRYING TO SLEEP,
PLEASE STOP GRABBING MY FEET.

415
00:31:24,971 --> 00:31:26,890
NANCY?

416
00:31:26,890 --> 00:31:30,227
NANCY?

417
00:31:32,395 --> 00:31:34,356
WHAT ARE YOU DOING?

418
00:31:37,818 --> 00:31:41,154
CHRISTINE?

419
00:31:41,154 --> 00:31:42,280
ARE YOU ALL RIGHT?

420
00:31:42,280 --> 00:31:45,534
DO YOU SEE IT?

421
00:31:48,370 --> 00:31:50,205
SEE WHAT?

422
00:31:54,960 --> 00:31:57,212
THERE'S SOMEONE
BEHIND THE DOOR.

423
00:31:57,212 --> 00:32:00,841
WHAT?

424
00:32:00,841 --> 00:32:03,260
THERE'S SOMEONE
STANDING OVER THERE.

425
00:32:05,971 --> 00:32:07,639
I DON'T SEE ANYONE.

426
00:32:10,559 --> 00:32:12,894
IT'S LOOKING RIGHT AT US.

427
00:32:22,237 --> 00:32:24,489
NANCY, DON'T!
NANCY.

428
00:32:24,489 --> 00:32:26,658
NO, NO. LOOK.
LOOK.

429
00:32:26,658 --> 00:32:28,660
LOOK, THERE'S NO ONE --
THERE'S NO ONE HERE.

430
00:32:28,660 --> 00:32:30,829
SEE?

431
00:32:30,829 --> 00:32:33,790
UGH.
IT'S THAT SMELL AGAIN.

432
00:32:33,790 --> 00:32:36,668
OH, MY GOD.

433
00:32:36,668 --> 00:32:39,796
IT'S STANDING
RIGHT BEHIND YOU.

434
00:32:55,478 --> 00:32:58,815
CHRISTINE?!
CHRISTINE! CHRISTINE!

435
00:32:58,815 --> 00:33:01,318
CHRIS--
GOD, IT WON'T OP--

436
00:33:01,318 --> 00:33:03,195
CHRISTINE!

437
00:33:03,195 --> 00:33:04,613
NO! NO! NO!

438
00:33:04,613 --> 00:33:05,947
WHAT'S GOING ON?
WHAT HAPPENED?

439
00:33:05,947 --> 00:33:07,741
THERE WAS SOMEONE ELSE
IN HERE!

440
00:33:07,741 --> 00:33:09,326
WHAT?
WHERE?

441
00:33:09,326 --> 00:33:12,537
BY THE DOOR.
IT WAS BEHIND THE DOOR.

442
00:33:12,537 --> 00:33:13,914
HONEY,
THERE'S NOTHING IN HERE.

443
00:33:13,914 --> 00:33:15,123
THERE'S NOBODY IN HERE.

444
00:33:15,123 --> 00:33:17,083
THERE WAS SOMEONE ELSE
IN HERE!

445
00:33:17,083 --> 00:33:19,377
I WAS JUST SLEEPING,

446
00:33:19,377 --> 00:33:21,713
AND THEN I FELT SOMEBODY
GRAB MY FEET.

447
00:33:21,713 --> 00:33:24,216
SO I THOUGHT IT WAS NANCY.

448
00:33:24,216 --> 00:33:26,843
WELL, HONEY, I'M PRETTY SURE
IT WAS JUST A BAD DREAM.

449
00:33:26,843 --> 00:33:30,430
NO! NO!
IT TALKED TO ME!

450
00:33:30,430 --> 00:33:37,270
IT SAID
THAT IT WANTS MY FAMILY DEAD.

451
00:33:43,109 --> 00:33:46,363
MR. WINSTON!

452
00:33:46,363 --> 00:33:48,448
WINSTON? WINSTON?

453
00:33:48,448 --> 00:33:50,825
GET BEHIND HIM.

454
00:33:50,825 --> 00:33:52,410
WHERE YOU OFF TO?

455
00:33:52,410 --> 00:33:55,872
I JUST GOTTA RUN TO THE STORE
FOR A FEW THINGS.

456
00:33:55,872 --> 00:33:58,166
WHY DO YOU EVEN TRY?

457
00:33:58,166 --> 00:33:59,751
WHAT?
WHAT DO YOU MEAN?

458
00:33:59,751 --> 00:34:01,503
IN 15 YEARS HAVE YOU EVER
BEEN ABLE TO LIE TO ME?

459
00:34:01,503 --> 00:34:03,296
FATHER GORDON CALLED.

460
00:34:03,296 --> 00:34:05,507
HE'S GOT A CASE HE WANTS US
TO LOOK INTO.

461
00:34:05,507 --> 00:34:07,425
I SAID
I'D GO CHECK IT OUT MYSELF.

462
00:34:07,425 --> 00:34:09,177
LORRAINE, MYSELF.

463
00:34:09,177 --> 00:34:11,096
I'M GOING WITH YOU.

464
00:34:11,096 --> 00:34:13,556
I KNOW YOU'RE WORRIED
IT'S GONNA HAPPEN AGAIN.

465
00:34:13,556 --> 00:34:15,016
YEAH, I AM.
I REALLY AM.

466
00:34:18,228 --> 00:34:21,064
MAYBE IT'S JUST TIME
WE TAKE A BREAK.

467
00:34:21,064 --> 00:34:22,816
WRITE THAT BOOK.

468
00:34:22,816 --> 00:34:25,860
DO YOU REMEMBER WHAT YOU SAID
TO ME ON OUR WEDDING NIGHT?

469
00:34:25,860 --> 00:34:29,072
"CAN WE DO IT AGAIN?"

470
00:34:31,574 --> 00:34:32,867
AFTER THAT.

471
00:34:35,161 --> 00:34:37,998
YOU SAID THAT GOD BROUGHT US
TOGETHER FOR A REASON.

472
00:34:37,998 --> 00:34:39,582
RIGHT?

473
00:34:39,582 --> 00:34:43,253
I'M PRETTY SURE
IT'S NOT TO WRITE A BOOK.

474
00:34:43,253 --> 00:34:46,089
I'M GONNA GET DRESSED.

475
00:34:49,884 --> 00:34:51,803
WE'VE ISOLATED THE DISTURBANCES
TO THE ATTIC.

476
00:34:51,803 --> 00:34:53,680
NOW, I JUST WANT YOU TO LISTEN
FOR A SECOND.

477
00:34:55,056 --> 00:34:57,600
OH, MY GOD.
THAT'S IT.

478
00:34:57,600 --> 00:34:59,728
DO IT AGAIN, ED.

479
00:35:00,854 --> 00:35:02,731
RIGHT NOW
IT'S JUST MY WEIGHT.

480
00:35:02,731 --> 00:35:04,607
BUT YOU TAKE THE WATER
COMIN' OFF-A THE PIPE

481
00:35:04,607 --> 00:35:06,901
COMBINED WITH THE WIND COMIN'
THROUGH THE BROKEN WINDOW,

482
00:35:06,901 --> 00:35:09,029
THESE BOARDS ARE GONNA EXPAND
AND RUB AGAINST EACH OTHER.

483
00:35:09,029 --> 00:35:10,405
YOU HEARD IT
ALL THROUGH THE HOUSE

484
00:35:10,405 --> 00:35:13,491
'CAUSE OF THESE PIPES
LEADING TO THE RADIATOR.

485
00:35:13,491 --> 00:35:16,077
SO THIS PLACE
ISN'T HAUNTED?

486
00:35:16,077 --> 00:35:17,454
NO, IT RARELY IS.

487
00:35:17,454 --> 00:35:19,748
YEAH,
THERE'S USUALLY ALWAYS

488
00:35:19,748 --> 00:35:22,459
SOME KIND OF RATIONAL
EXPLANATION.

489
00:36:03,875 --> 00:36:06,294
GIRLS, IT'S WAY PAST
YOUR BEDTIME.

490
00:38:03,286 --> 00:38:04,746
WHO IS THAT?!

491
00:39:07,183 --> 00:39:09,894
WHO'S EVER DOWN THERE,
I'M GONNA LOCK YOU IN NOW!

492
00:39:09,894 --> 00:39:11,563
AAH!

493
00:39:11,563 --> 00:39:13,690
AAH! AAH!

494
00:39:13,690 --> 00:39:15,817
AAH! AAH!

495
00:40:01,154 --> 00:40:03,072
AAH!

496
00:40:03,072 --> 00:40:05,575
AAH! AAH!

497
00:40:05,575 --> 00:40:07,201
ANDREA!! HELP!!

498
00:40:31,976 --> 00:40:34,270
HEY, WANNA PLAY
HIDE-AND-CLAP?

499
00:40:37,690 --> 00:40:39,233
AAAAH!

500
00:41:08,888 --> 00:41:10,348
CINDY?

501
00:41:24,320 --> 00:41:27,990
OKAY, NOW...

502
00:41:27,990 --> 00:41:29,617
ALL RIGHT?

503
00:41:29,617 --> 00:41:31,744
ALL RIGHT, COME ON.

504
00:41:31,744 --> 00:41:35,415
COME ON.
THERE YOU GO.

505
00:41:35,415 --> 00:41:37,834
OKAY, YOU CAN, UH, JUST SLEEP
WITH ME TONIGHT,

506
00:41:37,834 --> 00:41:39,043
ALL RIGHT?

507
00:41:43,464 --> 00:41:45,383
THERE YOU GO.

508
00:41:45,383 --> 00:41:47,635
THERE.

509
00:42:40,354 --> 00:42:41,355
AAH!

510
00:42:51,240 --> 00:42:52,366
ANDREA?!

511
00:42:52,366 --> 00:42:53,826
HELP! HELP! HELP!

512
00:42:56,412 --> 00:42:59,415
WHO'S IN HERE?
ANDREA!

513
00:42:59,415 --> 00:43:00,625
ANDREA?!

514
00:43:00,625 --> 00:43:01,834
IN HERE!

515
00:43:01,834 --> 00:43:03,836
HELP, DADDY!
HELP, IT'S ANDREA!

516
00:43:03,836 --> 00:43:06,672
WHO'S IN HERE?
WHAT HAPPENED?

517
00:43:06,672 --> 00:43:09,425
WHAT'S WRONG, BABY?

518
00:43:09,425 --> 00:43:11,969
SOMEBODY, GODDAMN IT,
TELL ME WHAT'S GOIN' ON HERE?!

519
00:43:15,723 --> 00:43:19,894
FEAR IS DEFINED AS A FEELING
OF AGITATION AND ANXIETY

520
00:43:19,894 --> 00:43:22,897
CAUSED BY THE PRESENCE
OR IMMINENCE OF DANGER.

521
00:43:22,897 --> 00:43:25,817
WHETHER IT'S A GHOST,
A SPIRIT OR AN ENTITY,

522
00:43:25,817 --> 00:43:26,984
THEY ALL FEED ON IT.

523
00:43:26,984 --> 00:43:28,027
TAKE MAURICE HERE.

524
00:43:28,027 --> 00:43:29,654
HE'S A FRENCH-CANADIAN FARMER

525
00:43:29,654 --> 00:43:32,365
WHO HAD NOTHING MORE
THAN A THIRD-GRADE EDUCATION,

526
00:43:32,365 --> 00:43:33,866
YET AFTER HE WAS POSSESSED,

527
00:43:33,866 --> 00:43:35,660
SPOKE SOME OF THE BEST LATIN
I'D EVER HEARD.

528
00:43:35,660 --> 00:43:37,161
SOMETIMES BACKWARDS.

529
00:43:37,161 --> 00:43:38,830
HE'D BEEN MOLESTED
BY HIS FATHER,

530
00:43:38,830 --> 00:43:41,040
WHO HAD ALSO TORTURED HIM
REPEATEDLY.

531
00:43:41,040 --> 00:43:44,669
A DARK SPIRIT MADE ITS HOME
IN THIS MAN.

532
00:43:44,669 --> 00:43:47,255
NOW, IF YOU LOOK
INTO HIS EYES,

533
00:43:47,255 --> 00:43:50,424
YOU CAN SEE HIM
TEARING BLOOD.

534
00:43:56,472 --> 00:43:59,851
AND LIKE THAT,
AN UPSIDE-DOWN CROSS

535
00:43:59,851 --> 00:44:02,103
STARTED TO APPEAR
FROM WITHIN HIS BODY.

536
00:44:05,606 --> 00:44:07,733
ALL RIGHT, DREW,
YOU CAN HIT THE LIGHTS.

537
00:44:07,733 --> 00:44:09,235
OH. OH.

538
00:44:09,235 --> 00:44:10,945
DID YOU PERSONALLY
PERFORM THE EXORCISM?

539
00:44:10,945 --> 00:44:14,615
NO, I'M NOT AUTHORIZED.
BUT I'VE ASSISTED ON MANY.

540
00:44:14,615 --> 00:44:16,659
SEE, AN EXORCISM
CAN BE VERY DANGEROUS,

541
00:44:16,659 --> 00:44:19,287
NOT ONLY FOR THE VICTIM,
BUT FOR ANYONE IN THE ROOM.

542
00:44:19,287 --> 00:44:21,622
SO, WHAT HAPPENED
TO MAURICE?

543
00:44:21,622 --> 00:44:22,957
WELL, HE TRIED
TO KILL HIS WIFE,

544
00:44:22,957 --> 00:44:24,292
BUT INSTEAD HE SHOT HER
IN THE ARM

545
00:44:24,292 --> 00:44:25,877
AND THEN HE TURNED THE GUN
ON HIMSELF.

546
00:44:25,877 --> 00:44:30,089
MAURICE HAD A VERY TROUBLED LIFE
WITH LITTLE TO LIVE FOR

547
00:44:30,089 --> 00:44:33,467
AND NOT EVEN AN EXORCIST
COULD BRING HIM BACK.

548
00:44:33,467 --> 00:44:36,721
WHICH BRINGS US TO THE THREE

549
00:44:36,721 --> 00:44:39,098
INFESTATION, OPPRESSION
AND POSSESSION.

550
00:44:39,098 --> 00:44:43,144
THAT'S
THE WHISPERING, THE FOOTSTEPS,

551
00:44:43,144 --> 00:44:45,146
THE FEELING OF ANOTHER PRESENCE,

552
00:44:45,146 --> 00:44:48,774
WHICH ULTIMATELY GROWS INTO
OPPRESSION, THE SECOND STAGE.

553
00:44:48,774 --> 00:44:51,110
NOW THIS IS WHERE THE VICTIM,
AND IT'S USUALLY THE ONE

554
00:44:51,110 --> 00:44:53,029
WHO'S THE MOST PSYCHOLOGICALLY
VULNERABLE,

555
00:44:53,029 --> 00:44:56,115
IS TARGETED SPECIFICALLY
BY AN EXTERNAL FORCE.

556
00:44:56,115 --> 00:44:59,744
BREAKS THE VICTIM DOWN.
CRUSHES THEIR WILL.

557
00:44:59,744 --> 00:45:01,829
AND, ONCE IN A WEAKENED STATE,

558
00:45:01,829 --> 00:45:05,416
LEADS THEM TO THE THIRD
POSSESSION.

559
00:45:07,335 --> 00:45:09,503
HEY, ED?
LORRAINE?

560
00:45:09,503 --> 00:45:11,964
THERE'S SOMEONE HERE THAT
WOULD LIKE TO TALK TO YOU.

561
00:45:11,964 --> 00:45:13,716
HI.
THANKS, DREW.

562
00:45:13,716 --> 00:45:15,092
THANK YOU.
SURE. I'LL SEE YOU LATER.

563
00:45:15,092 --> 00:45:16,969
HOW CAN WE HELP YOU?

564
00:45:16,969 --> 00:45:19,472
THERE'S SOMETHING HORRIBLE
HAPPENING IN MY HOUSE.

565
00:45:19,472 --> 00:45:21,182
COULD YOU COME
AND TAKE A LOOK?

566
00:45:21,182 --> 00:45:22,975
YOU KNOW, UH,
IT'S GETTIN' KINDA LATE.

567
00:45:22,975 --> 00:45:24,936
WE REALLY NEED TO BE HEADIN'
TO OUR FAMILY.

568
00:45:24,936 --> 00:45:26,062
NO, YOU DON'T UNDERSTAND.

569
00:45:26,062 --> 00:45:27,521
BUT WE DO.

570
00:45:27,521 --> 00:45:29,023
THERE'S USUALLY SOME SORT OF
RATIONAL EXPLANATION.

571
00:45:29,023 --> 00:45:30,942
I HAVE FIVE DAUGHTERS
WHO ARE SCARED TO DEATH.

572
00:45:30,942 --> 00:45:33,527
I'M SO AFRAID THIS THING
WANTS TO HURT US.

573
00:45:33,527 --> 00:45:36,072
YOU HAVE A DAUGHTER.
WOULDN'T YOU DO ANYTHING
YOU COULD TO PROTECT HER?

574
00:45:36,072 --> 00:45:37,406
PLEASE.

575
00:45:37,406 --> 00:45:39,700
PLEASE CAN YOU COME
AND TAKE A LOOK?

576
00:45:42,078 --> 00:45:43,079
OF COURSE WE WILL.

577
00:45:43,079 --> 00:45:46,457
OF COURSE WE WILL.

578
00:45:57,134 --> 00:45:59,470
<i> COME ON, JAN!
OPEN UP!</i>

579
00:46:00,930 --> 00:46:02,765
<i> JAN, WHAT HAPPENED?</i>

580
00:46:04,266 --> 00:46:05,810
<i> THE TOP OF YOUR HEAD
TURNED BLACK.</i>

581
00:46:05,810 --> 00:46:07,269
HEY. YOU GUYS
STRAIGHTEN UP? THANKS.

582
00:46:07,269 --> 00:46:08,437
<i> DON'T BE SILLY,
IT'S A WIG.</i>

583
00:46:12,775 --> 00:46:14,610
HELLO.
HI.

584
00:46:14,610 --> 00:46:16,696
THANKS FOR COMING.

585
00:46:16,696 --> 00:46:19,198
HI, I'M ROGER.
LORRAINE.

586
00:46:19,198 --> 00:46:21,534
HEY, NICE TO MEET YOU,
ROGER. ED WARREN.

587
00:46:21,534 --> 00:46:23,494
THANKS FOR COMIN'.
PLEASE, COME IN.

588
00:46:23,494 --> 00:46:25,871
THANK YOU.

589
00:46:25,871 --> 00:46:27,498
SO...

590
00:46:27,498 --> 00:46:29,041
OH, MY GOD.
LOOK AT YOU ALL.

591
00:46:29,041 --> 00:46:30,918
WHO ARE THESE BEAUTIFUL
YOUNG WOMEN?

592
00:46:30,918 --> 00:46:32,086
THIS IS ANDREA,
THE OLDEST,

593
00:46:32,086 --> 00:46:36,882
NANCY, CINDY,
CHRISTINE, AND APRIL.

594
00:46:36,882 --> 00:46:39,135
IT'S MR. AND MRS. WARREN.

595
00:46:39,135 --> 00:46:41,429
WE, UM, WE'RE ALL SLEEPING
DOWN HERE NOW.

596
00:46:41,429 --> 00:46:42,763
MM.

597
00:46:42,763 --> 00:46:45,850
THE GIRLS FEEL SAFER
AND IT'S WARMER.

598
00:46:45,850 --> 00:46:47,727
I'M CONSTANTLY
TURNING UP THE HEAT,

599
00:46:47,727 --> 00:46:49,478
BUT THE HOUSE
IS ALWAYS FREEZING.

600
00:46:49,478 --> 00:46:52,231
IT'S NOT A PROBLEM
WITH THE FURNACE, THOUGH.

601
00:46:52,231 --> 00:46:53,941
I MEAN,
NOT THAT I CAN FIND.

602
00:46:58,029 --> 00:47:02,366
IT'S GOTTEN A LOT WORSE
THE PAST FEW NIGHTS.

603
00:47:02,366 --> 00:47:06,454
THERE'S THIS AWFUL SMELL,
LIKE ROTTING MEAT.

604
00:47:06,454 --> 00:47:07,830
IT MOVES AROUND THE HOUSE.

605
00:47:09,749 --> 00:47:11,917
UH...

606
00:47:11,917 --> 00:47:13,294
WHAT?
WHAT IS IT?

607
00:47:13,294 --> 00:47:16,922
WELL, RANCID SMELLS COULD
INDICATE

608
00:47:16,922 --> 00:47:19,383
SOME TYPE OF DEMONIC ACTIVITY.

609
00:47:19,383 --> 00:47:22,428
OH, MY GOD.

610
00:47:25,181 --> 00:47:26,348
WELL,
THAT'S TO KEEP THOSE DOORS

611
00:47:26,348 --> 00:47:27,349
FROM BANGIN' AT NIGHT.

612
00:47:27,349 --> 00:47:29,477
OTHERWISE, IT'S LIKE....

613
00:47:29,477 --> 00:47:30,978
ALL NIGHT LONG,
JUST LIKE THAT.

614
00:47:30,978 --> 00:47:33,481
DOES IT COME IN THREES?

615
00:47:33,481 --> 00:47:34,523
YEAH.

616
00:47:34,523 --> 00:47:35,816
IT STOPS AT DAWN?

617
00:47:35,816 --> 00:47:38,819
UH-HUH.

618
00:47:38,819 --> 00:47:42,281
WELL, SOMETIMES IT'S MEANT

619
00:47:42,281 --> 00:47:44,909
THE FATHER, THE SON
AND THE HOLY SPIRIT.

620
00:47:46,577 --> 00:47:48,329
YOU KNOW,
IT'S THE DAMNDEST THING,

621
00:47:48,329 --> 00:47:50,081
BUT WE ALSO GET
ALL KINDS OF BIRDS

622
00:47:50,081 --> 00:47:52,416
THAT WILL JUST FLY AGAINST
THE SIDE OF THE HOUSE

623
00:47:52,416 --> 00:47:54,001
AND BREAK THEIR NECKS.

624
00:47:54,001 --> 00:47:55,169
MM. REALLY?

625
00:47:55,169 --> 00:47:57,797
AND THE CLOCKS STOP
AT 3:07 A.M.

626
00:47:57,797 --> 00:48:00,007
ALL OF THEM?
EVERY ONE.

627
00:48:03,302 --> 00:48:06,347
OH, WE WERE HANGING THOSE
ALONG THE STAIRS.

628
00:48:06,347 --> 00:48:09,183
SOMETHING JUST KEPT
KNOCKING THEM DOWN,

629
00:48:09,183 --> 00:48:11,393
SO WE STOPPED
HANGING 'EM UP.

630
00:48:14,146 --> 00:48:16,649
THAT'S WHAT
I WAS TALKING ABOUT.

631
00:48:16,649 --> 00:48:18,234
IT WAS HERE
WHEN WE MOVED IN.

632
00:48:18,234 --> 00:48:20,319
THERE'S ALSO A LOT OF STUFF
IN THE CELLAR.

633
00:48:23,697 --> 00:48:25,199
SHOW ME THE CELLAR.

634
00:48:37,294 --> 00:48:40,297
LOOK WHAT SHE MADE ME DO.

635
00:48:40,297 --> 00:48:42,758
YOU PICKIN' UP ANYTHING
IN HERE, HON?

636
00:48:46,262 --> 00:48:48,556
SOMETHIN' AWFUL
HAPPENED HERE, ED.

637
00:48:52,893 --> 00:48:56,564
THOSE BRUISES, THEY FROM
SOMETHIN' THAT HAPPENED HERE?

638
00:48:56,564 --> 00:48:59,984
OH, IT'S SOME IRON
DEFICIENCY THING I HAVE.

639
00:49:02,236 --> 00:49:04,488
YOU KNOW, WITH ALL
THAT'S BEEN GOIN' ON,

640
00:49:04,488 --> 00:49:06,115
WHY HAVEN'T YOU JUST MOVED OUT?

641
00:49:06,115 --> 00:49:08,284
WELL, I DON'T KNOW WHERE
WE'D MOVE TO, YOU KNOW?

642
00:49:08,284 --> 00:49:10,202
WE GOT ALL OUR MONEY TIED UP
IN THIS PLACE

643
00:49:10,202 --> 00:49:13,205
AND HAD A LOT OF REPAIRS
ON TOP OF THAT.

644
00:49:13,205 --> 00:49:14,790
AND I DON'T KNOW ANYBODY

645
00:49:14,790 --> 00:49:17,668
WHO'S GONNA TAKE IN A FAMILY
OF SEVEN INDEFINITELY.

646
00:49:17,668 --> 00:49:19,670
THAT'S WHY
WE TRACKED YOU DOWN.

647
00:49:19,670 --> 00:49:22,131
WE'RE GLAD YOU FOUND US.

648
00:49:22,131 --> 00:49:26,677
ALL RIGHT,
LET'S GET STARTED.

649
00:49:26,677 --> 00:49:29,763
MY NAME IS ED WARREN.
IT'S NOVEMBER 1st, 1971.

650
00:49:29,763 --> 00:49:32,349
I'M SITTING HERE
WITH CAROLYN PERRON,

651
00:49:32,349 --> 00:49:33,809
WHO, WITH HER FAMILY,

652
00:49:33,809 --> 00:49:37,271
HAS BEEN EXPERIENCING
SUPERNATURAL OCCURRENCES.

653
00:49:37,271 --> 00:49:38,522
OKAY, GO AHEAD.

654
00:49:40,399 --> 00:49:42,318
WHERE DO I START?

655
00:49:42,318 --> 00:49:45,029
FROM THE FIRST OCCURRENCE.

656
00:49:45,029 --> 00:49:47,239
I GUESS IT WAS THE CLOCKS.

657
00:49:47,239 --> 00:49:49,366
MOM AND DAD TELL ME
THAT YOU HAVE A FRIEND.

658
00:49:49,366 --> 00:49:51,911
HIS NAME'S RORY.
HE LIVES HERE TOO.

659
00:49:51,911 --> 00:49:53,746
BUT HE'S ALWAYS SAD.

660
00:49:53,746 --> 00:49:56,081
WHY'S THAT?
HE WON'T TELL ME

661
00:49:56,081 --> 00:49:59,210
BUT I THINK SOMETHING BAD
HAPPENED TO HIM.

662
00:50:01,378 --> 00:50:04,256
DO YOU MIND
IF I TRY TO SEE RORY?

663
00:51:34,972 --> 00:51:36,015
HEY.

664
00:51:46,275 --> 00:51:48,235
WHAT IS IT?

665
00:52:08,797 --> 00:52:10,883
WE BOUGHT IT AT AUCTION
FROM THE BANK,

666
00:52:10,883 --> 00:52:13,218
SO, YOU KNOW, WE NEVER KNEW
WHO LIVED HERE.

667
00:52:17,348 --> 00:52:19,683
WELL,
LORRAINE AND I BOTH FEEL

668
00:52:19,683 --> 00:52:24,271
THAT WHAT YOUR HOUSE NEEDS
IS A CLEANSING.

669
00:52:24,271 --> 00:52:25,689
AN EXORCISM.

670
00:52:25,689 --> 00:52:28,692
WHAT, EXORCISM?

671
00:52:30,194 --> 00:52:31,737
I THOUGHT THAT WAS --

672
00:52:31,737 --> 00:52:33,697
I THOUGHT THAT WAS SOMETHIN'
THAT YOU DO TO PEOPLE.

673
00:52:33,697 --> 00:52:35,282
NO, NOT NECESSARILY, NO.

674
00:52:35,282 --> 00:52:37,201
WE HAVE TO
GET OUTTA HERE.

675
00:52:37,201 --> 00:52:40,204
I'M AFRAID
THAT'S NOT GONNA HELP.

676
00:52:40,204 --> 00:52:45,167
LORRAINE SAW SOMETHIN',
WHICH-- GO AHEAD, HON.

677
00:52:47,002 --> 00:52:49,338
I'VE BEEN SEEING
THE DARK ENTITY

678
00:52:49,338 --> 00:52:52,049
THAT HAUNTS YOUR HOUSE
AND YOUR LAND.

679
00:52:56,428 --> 00:53:00,599
I SAW IT FIRST WHEN I CAME
THROUGH YOUR DOOR.

680
00:53:00,599 --> 00:53:02,935
IT WAS LATCHED
TO YOUR BACK.

681
00:53:05,187 --> 00:53:07,564
AND THEN I SAW IT AGAIN
WITH THE GIRLS

682
00:53:07,564 --> 00:53:10,150
WHEN WE WALKED
INTO THE LIVING ROOM.

683
00:53:10,150 --> 00:53:12,694
AND IT DOESN'T MATTER
WHERE YOU GO,

684
00:53:12,694 --> 00:53:15,948
THIS DARK ENTITY HAS LATCHED
ITSELF TO YOUR FAMILY

685
00:53:15,948 --> 00:53:17,616
AND IT'S FEEDING OFF YOU.

686
00:53:20,577 --> 00:53:23,080
EVEN IF WE LEAVE?

687
00:53:23,080 --> 00:53:25,707
SOMETIMES WHEN YOU GET HAUNTED,
IT'S LIKE STEPPIN' ON GUM.

688
00:53:25,707 --> 00:53:28,252
YOU TAKE IT WITH YOU.

689
00:53:28,252 --> 00:53:30,421
LOOK, I GOTTA TELL YOU,

690
00:53:30,421 --> 00:53:32,339
YOU HAVE A LOT OF SPIRITS
IN HERE,

691
00:53:32,339 --> 00:53:34,508
BUT THIS IS THE ONE
THAT I'M MOST WORRIED ABOUT,

692
00:53:34,508 --> 00:53:37,136
BECAUSE IT IS SO HATEFUL.

693
00:53:37,136 --> 00:53:39,221
OKAY,
SO WHAT DO WE DO?

694
00:53:39,221 --> 00:53:40,889
CAN WE CALL A PRIEST?

695
00:53:40,889 --> 00:53:42,599
I WISH
IT WERE THAT EASY.

696
00:53:42,599 --> 00:53:45,102
PERFORMING AN EXORCISM
IS AN ARCHAIC PROCEDURE.

697
00:53:45,102 --> 00:53:47,104
REQUIRES YEARS OF TRAINING.

698
00:53:47,104 --> 00:53:51,442
AND EVEN THEN, I HAVE SEEN IT
GO HORRIBLY WRONG.

699
00:53:51,442 --> 00:53:53,735
BUT BEFORE
WE EVEN GET THAT FAR,

700
00:53:53,735 --> 00:53:55,988
THE CHURCH HAS TO
AUTHORIZE IT FIRST.

701
00:53:55,988 --> 00:53:58,615
IT MEANS WE GOTTA INVESTIGATE,
GATHER EVIDENCE

702
00:53:58,615 --> 00:54:01,118
AND PROVIDE PROOF,
AND THAT'S THE HARD PART.

703
00:54:03,370 --> 00:54:05,038
HAVE YOUR CHILDREN
BEEN BAPTIZED?

704
00:54:05,038 --> 00:54:07,040
UH, NO, WE NEVER
GOT AROUND TO THAT.

705
00:54:07,040 --> 00:54:09,543
WE'RE NOT REALLY
A CHURCHGOING FAMILY.

706
00:54:09,543 --> 00:54:12,171
WELL, YOU MAY WANT
TO RETHINK THAT.

707
00:54:12,171 --> 00:54:14,047
OUR PRESENCE HERE
COULD MAKE THINGS WORSE.
WHY?

708
00:54:14,047 --> 00:54:15,757
BECAUSE WE'RE A THREAT.

709
00:54:15,757 --> 00:54:19,219
AND WHATEVER YOU'RE DEALING
WITH HERE ISN'T GONNA LIKE US.

710
00:54:19,219 --> 00:54:21,305
SO FAR IT HASN'T DONE
ANYTHING VIOLENT,

711
00:54:21,305 --> 00:54:22,764
AND THAT'S A GOOD SIGN.

712
00:54:22,764 --> 00:54:24,475
SO WE'RE GONNA HAVE OUR GUY

713
00:54:24,475 --> 00:54:26,101
DO SOME HOMEWORK
ON THE PROPERTY, THOUGH,

714
00:54:26,101 --> 00:54:27,311
TO SEE
WHAT WE'RE UP AGAINST.

715
00:54:29,146 --> 00:54:32,065
JUDY,
WHAT ARE YOU UP TO?

716
00:54:32,065 --> 00:54:33,525
I GOT YOU A PRESENT.

717
00:54:34,985 --> 00:54:38,030
ME AND NANNA GOT THESE
AT THE CHURCH'S YARD SALE.

718
00:54:38,030 --> 00:54:39,198
HONEY.

719
00:54:39,198 --> 00:54:40,240
ONE FOR YOU
AND ONE FOR ME.

720
00:54:40,240 --> 00:54:41,617
AWW!

721
00:54:41,617 --> 00:54:43,368
SHE PUT A PICTURE OF YOU
AND DADDY IN MINE.

722
00:54:43,368 --> 00:54:46,955
NANNA SAID THIS WAY
WE'LL ALWAYS BE TOGETHER.

723
00:54:46,955 --> 00:54:49,333
YOU'LL BE WITH ME
AND I'LL BE WITH YOU.

724
00:54:52,169 --> 00:54:54,004
I MISS YOU AND DADDY.

725
00:55:04,556 --> 00:55:06,350
HEY, HON.

726
00:55:06,350 --> 00:55:09,561
YUP.

727
00:55:09,561 --> 00:55:11,522
YOU'RE NOT GONNA
BELIEVE THIS.

728
00:55:11,522 --> 00:55:13,524
CAROLYN'S VOICE
DIDN'T RECORD.

729
00:55:13,524 --> 00:55:14,983
WHAT DO YOU MEAN?

730
00:55:14,983 --> 00:55:17,528
LISTEN.

731
00:55:17,528 --> 00:55:21,114
<i> MY NAME IS ED WARREN.
IT'S NOVEMBER 1st, 1971.</i>

732
00:55:21,114 --> 00:55:22,115
<i> I'M SITTING HERE
WITH CAROLYN PERRON,</i>

733
00:55:22,115 --> 00:55:23,951
<i> WHO, WITH HER FAMILY,</i>

734
00:55:23,951 --> 00:55:26,078
<i> HAS BEEN EXPERIENCING
SUPERNATURAL OCCURRENCES.</i>

735
00:55:26,078 --> 00:55:28,080
<i> OKAY, GO AHEAD.</i>

736
00:55:30,415 --> 00:55:33,335
<i> FROM THE FIRST OCCURRENCE.</i>

737
00:55:36,880 --> 00:55:39,424
NOTHIN'.
THE WHOLE TIME.

738
00:55:39,424 --> 00:55:41,677
I DON'T KNOW.
YOU FIND ANYTHING?

739
00:55:41,677 --> 00:55:42,844
LOTS.

740
00:55:42,844 --> 00:55:44,096
I MEAN, IT'S NO WONDER

741
00:55:44,096 --> 00:55:45,806
THEY'RE GOING THROUGH
WHAT THEY ARE.

742
00:55:45,806 --> 00:55:48,517
THAT'S THE ORIGINAL
FARMHOUSE.

743
00:55:48,517 --> 00:55:52,104
IT WAS BUILT IN 1863 BY A MAN
NAMED JEDSON SHERMAN,

744
00:55:52,104 --> 00:55:54,731
WHO WAS MARRIED TO A WOMAN
NAMED BATHSHEBA.

745
00:55:54,731 --> 00:55:58,110
ED, SHE'S RELATED
TO MARY TOWNE ESTYE.

746
00:55:58,110 --> 00:56:00,320
SHE WAS ONE OF THE WOMEN ACCUSED
OF WITCHCRAFT IN SALEM.

747
00:56:00,320 --> 00:56:02,489
SHE WAS HUNG
DURING THE TRIALS.
WOW.

748
00:56:02,489 --> 00:56:05,576
AFTER BATHSHEBA MARRIED JEDSON,
THEY HAD A BABY,

749
00:56:05,576 --> 00:56:07,411
AND WHEN THE BABY WAS
7 DAYS OLD,

750
00:56:07,411 --> 00:56:09,121
JEDSON CAUGHT HER
SACRIFICING IT

751
00:56:09,121 --> 00:56:10,664
IN FRONT OF THE FIREPLACE.

752
00:56:10,664 --> 00:56:13,875
SHE RAN OUT TO THAT TREE
BY THE DOCK, CLIMBED UP,

753
00:56:13,875 --> 00:56:15,335
PROCLAIMED HER LOVE
TO SATAN,

754
00:56:15,335 --> 00:56:17,337
AND CURSED ANYONE WHO TRIED
TO TAKE HER LAND,

755
00:56:17,337 --> 00:56:20,924
AND HUNG HERSELF.

756
00:56:20,924 --> 00:56:24,636
TIME OF DEATH WAS PRONOUNCED
AT 3:07 IN THE MORNING.

757
00:56:24,636 --> 00:56:27,139
WELL, THAT EXPLAINS
A FEW THINGS.

758
00:56:27,139 --> 00:56:29,433
YEAH, SO DOES THIS.

759
00:56:29,433 --> 00:56:32,019
HER LAST NAME'S WALKER.
SHE LIVED THERE IN THE '30s.

760
00:56:32,019 --> 00:56:33,312
SHE HAD A BOY NAMED RORY

761
00:56:33,312 --> 00:56:35,230
WHO MYSTERIOUSLY DISAPPEARED
IN THE WOODS.

762
00:56:35,230 --> 00:56:37,107
THEN SHE KILLED HERSELF
IN THE CELLAR.

763
00:56:37,107 --> 00:56:39,109
AND THAT'S NOT ALL.

764
00:56:41,653 --> 00:56:44,281
SO, WHAT WAS THE ORIGINAL
200-ACRE FARM

765
00:56:44,281 --> 00:56:46,908
HAS SINCE BEEN SUBDIVIDED
AND SOLD OFF.

766
00:56:46,908 --> 00:56:49,036
THERE WAS ANOTHER BOY
WHO DROWNED IN A POND HERE.

767
00:56:49,036 --> 00:56:50,787
HE LIVED IN A HOUSE
OVER HERE.

768
00:56:50,787 --> 00:56:53,165
AND A WOMAN WHO WORKED AS A MAID
IN A NEIGHBORING HOME,

769
00:56:53,165 --> 00:56:54,958
SHE COMMITTED SUICIDE TOO.

770
00:56:56,668 --> 00:56:58,503
PEOPLE WHO TOOK HER LAND.

771
00:57:00,255 --> 00:57:01,423
<i> I'M SITTING HERE
WITH CAROLYN PERRON,</i>

772
00:57:01,423 --> 00:57:03,175
<i> WHO, WITH HER FAMILY,</i>

773
00:57:03,175 --> 00:57:06,011
<i> HAS BEEN EXPERIENCING
SUPERNATURAL OCCURRENCES.</i>

774
00:57:06,011 --> 00:57:08,680
<i> OKAY, GO AHEAD.</i>

775
00:57:11,058 --> 00:57:14,186
<i> FROM THE FIRST OCCURRENCE.</i>

776
00:57:49,471 --> 00:57:51,682
OH. HERE'S BRAD.

777
00:57:54,726 --> 00:57:56,186
YOU FIND IT OKAY?
OH, YEAH.

778
00:57:56,186 --> 00:57:57,854
DREW,
THIS IS OFFICER BRAD.

779
00:57:57,854 --> 00:58:00,982
OFFICER BRAD HAMILTON,
HARRISVILLE, RHODE ISLAND, PD.

780
00:58:00,982 --> 00:58:02,734
MM.
NICE TO MEET YOU, MAN.

781
00:58:02,734 --> 00:58:04,820
SO YOU'RE THE LUCKY
NEW COP, HUH?

782
00:58:04,820 --> 00:58:06,113
GUESS SO.

783
00:58:06,113 --> 00:58:08,031
YOU KNOW YOU CAN'T
SHOOT GHOSTS, RIGHT?

784
00:58:08,031 --> 00:58:09,449
TAKE IT EASY ON HIM, DREW.

785
00:58:09,449 --> 00:58:11,493
ALL RIGHT, GUYS, HELP ME
GET THIS STUFF UNLOADED.

786
00:58:13,161 --> 00:58:14,955
YOU TAKE THIS.

787
00:58:14,955 --> 00:58:17,207
HI, ROGER.

788
00:58:21,962 --> 00:58:24,089
ALL RIGHT.
WHEN YOU'RE FINISHED HERE,

789
00:58:24,089 --> 00:58:26,299
WHY DON'T YOU HIT UPSTAIRS,
ALL RIGHT, DREW?

790
00:58:26,299 --> 00:58:27,718
YOU GOT IT.

791
00:58:51,116 --> 00:58:52,868
WHAT'S WRONG
WITH YOUR CHEVY?

792
00:58:52,868 --> 00:58:54,953
WHAT'S NOT WRONG WITH HER?

793
00:58:54,953 --> 00:58:56,663
NEEDS A NEW CARBURETOR
TO START.

794
00:58:56,663 --> 00:58:58,248
OH, YEAH?

795
00:58:58,248 --> 00:59:00,625
KIND OF PUT FIXING HER UP
ON HOLD FOR AWHILE.

796
00:59:00,625 --> 00:59:02,669
YEAH.

797
00:59:04,171 --> 00:59:06,465
HEY, BRAD, HAND ME
A THERMOSTAT, WOULD YA?

798
00:59:08,633 --> 00:59:11,470
WHAT'S THIS, UH, DO?

799
00:59:11,470 --> 00:59:13,346
WELL, WHEN THERE'S AN INSTANT
DROP IN TEMPERATURE,

800
00:59:13,346 --> 00:59:15,307
THE THERMOSTAT TRIGGERS
THE CAMERA TO TAKE A PICTURE.

801
00:59:15,307 --> 00:59:18,435
YOU'VE ACTUALLY CAUGHT THINGS
ON FILM?

802
00:59:18,435 --> 00:59:21,688
WELL, YEAH,
THAT'S, UH, THE POINT.

803
00:59:21,688 --> 00:59:25,150
WHY, UH...WHY OUT HERE?

804
00:59:25,150 --> 00:59:28,487
WELL, THIS IS WHERE THE WITCH
COMMITTED SUICIDE.

805
00:59:28,487 --> 00:59:30,447
SHE HUNG HERSELF
FROM THAT BRANCH

806
00:59:30,447 --> 00:59:32,449
RIGHT ABOVE
WHERE YOU'RE STANDIN'.

807
00:59:38,747 --> 00:59:41,208
HOW COULD A MOTHER
KILL HER OWN CHILD?

808
00:59:41,208 --> 00:59:43,126
IT WAS NEVER
A CHILD TO HER.

809
00:59:43,126 --> 00:59:45,295
SHE JUST USED
HER GOD-GIVEN GIFT

810
00:59:45,295 --> 00:59:47,631
AS THE ULTIMATE OFFENSE
AGAINST HIM.

811
00:59:47,631 --> 00:59:49,633
WITCHES BELIEVE
IT ELEVATES THEIR STATUS

812
00:59:49,633 --> 00:59:50,717
IN THE EYES OF SATAN.

813
00:59:59,059 --> 01:00:00,769
MM.

814
01:00:00,769 --> 01:00:02,521
WOW.

815
01:00:02,521 --> 01:00:04,356
THAT'S A NICE DAY
AT THE BEACH, HUH?

816
01:00:04,356 --> 01:00:06,691
HOW DID YOU KNOW?

817
01:00:06,691 --> 01:00:08,026
IT'S AN INSIGHT.

818
01:00:08,026 --> 01:00:09,820
IT'S LIKE A PEEK
THROUGH THE CURTAIN

819
01:00:09,820 --> 01:00:11,071
INTO ANOTHER PERSON'S LIFE.

820
01:00:11,071 --> 01:00:13,365
MM.

821
01:00:13,365 --> 01:00:15,158
MM.

822
01:00:15,158 --> 01:00:17,619
THAT DAY
MEANT SO MUCH TO ME.

823
01:00:17,619 --> 01:00:19,287
WE WERE DRIVING
ALONG THE COAST.

824
01:00:19,287 --> 01:00:22,290
NANCY POINTED OUT
HOW PRETTY THE VIEW WAS.

825
01:00:22,290 --> 01:00:25,627
I THOUGHT THIS IS A PERFECT
OPPORTUNITY FOR A PHOTO.

826
01:00:25,627 --> 01:00:27,420
WE WERE GONNA START FRESH,
YOU KNOW?

827
01:00:27,420 --> 01:00:28,922
A NEW HOUSE,
A NEW BEGINNING.

828
01:00:28,922 --> 01:00:30,757
YOU SHOULD HAVE SEEN
ROGER AND THE GIRLS.

829
01:00:30,757 --> 01:00:32,008
I'VE NEVER SEEN THEM
SO HAPPY.

830
01:00:32,008 --> 01:00:33,718
CHEESE!

831
01:00:33,718 --> 01:00:37,097
THEY MEAN THE WORLD
TO ME.

832
01:00:47,983 --> 01:00:51,278
PUT YOUR HAND
FLAT ON THE DESK.

833
01:00:51,278 --> 01:00:52,863
YEAH, AND TAKE IT OFF.

834
01:00:56,032 --> 01:00:57,075
HERE WE GO.

835
01:01:02,163 --> 01:01:03,665
SEE?

836
01:01:03,665 --> 01:01:06,251
IT JUST REVEALS TO US
WHAT THE NAKED EYE CAN'T SEE.

837
01:01:06,251 --> 01:01:08,336
PRETTY FAR OUT, ISN'T IT?

838
01:01:08,336 --> 01:01:11,381
YEAH, IT'S GROOVY.

839
01:01:16,136 --> 01:01:18,305
DREW, YOU GOT THE BOLEX
READY FOR BRAD?

840
01:01:18,305 --> 01:01:21,683
YEAH, ALREADY LOCKED
AND LOADED, SIR.

841
01:01:38,241 --> 01:01:41,870
WHAT? I HAD TO GO.

842
01:02:03,892 --> 01:02:06,311
ALL THE ROOMS ARE COMING IN
PRETTY GOOD.

843
01:02:06,311 --> 01:02:08,021
GOOD.

844
01:02:13,109 --> 01:02:15,695
WHAT'S IN THE BOTTLE?

845
01:02:15,695 --> 01:02:16,738
HOLY WATER.

846
01:02:18,823 --> 01:02:20,951
PRESENCE OF RELIGIOUS ICONS

847
01:02:20,951 --> 01:02:23,995
WILL GET A REACTION
FROM ANYTHING UNHOLY.

848
01:02:26,164 --> 01:02:29,584
SORT OF PISSES THEM OFF.

849
01:02:29,584 --> 01:02:31,962
SO I SET THESE
THROUGHOUT THE HOUSE,

850
01:02:31,962 --> 01:02:34,255
SEE IF I CAN STIR THINGS
UP A BIT.

851
01:02:34,255 --> 01:02:37,258
LIKE HOLDING A CROSS
TO A VAMPIRE?

852
01:02:37,258 --> 01:02:39,803
YEAH. EXACTLY.

853
01:02:39,803 --> 01:02:42,847
EXCEPT I DON'T BELIEVE
IN VAMPIRES.

854
01:02:47,060 --> 01:02:55,819
WASN'T ME.

855
01:03:02,075 --> 01:03:04,244
BRAD, GET THE CAMERA.

856
01:03:08,164 --> 01:03:09,499
OKAY.

857
01:03:15,046 --> 01:03:17,632
ALL RIGHT, IT'S 9:18, WE'RE
HEADED DOWN INTO THE CELLAR

858
01:03:17,632 --> 01:03:19,592
WHERE THE DOOR'S JUST OPENED
ON ITS OWN.

859
01:03:19,592 --> 01:03:23,346
I HAVE LORRAINE AND OFFICER
BRAD HAMILTON WITH ME.

860
01:03:23,346 --> 01:03:25,140
LET'S KEEP THE CELLAR LIGHT OFF.

861
01:03:39,529 --> 01:03:42,240
GIVE US A SIGN THAT YOU
WANNA COMMUNICATE WITH US.

862
01:04:10,643 --> 01:04:12,854
HON, YOU ALL RIGHT?

863
01:04:16,900 --> 01:04:20,570
THERE'S DEFINITELY
SOMETHING HERE.

864
01:04:20,570 --> 01:04:22,113
ALL RIGHT, CLOSE THE DOOR.
MOVE SOMETHING.

865
01:04:22,113 --> 01:04:23,573
MY HANDS ARE SO COLD.

866
01:04:25,950 --> 01:04:26,951
COME ON.

867
01:04:32,082 --> 01:04:33,583
NO.

868
01:04:33,583 --> 01:04:34,918
IT'S GONE?

869
01:04:34,918 --> 01:04:35,960
IT'S GONE.

870
01:04:35,960 --> 01:04:38,296
I GOT NOTHIN'. OKAY.

871
01:04:59,192 --> 01:05:00,485
WELL, LIKE I SAID,

872
01:05:00,485 --> 01:05:03,238
IT DOESN'T ALWAYS WORK
WHEN YOU WANT IT TO.

873
01:05:03,238 --> 01:05:06,157
YEAH, MAYBE THE CAMERA
PICKED SOMETHIN' UP.

874
01:05:06,157 --> 01:05:08,493
WATCH OUT!

875
01:05:11,246 --> 01:05:12,997
FOR A GUY
WHO DOESN'T BELIEVE,

876
01:05:12,997 --> 01:05:14,791
YOU LOOKED
A LITTLE FREAKED OUT

877
01:05:14,791 --> 01:05:16,292
WHEN THAT DOOR
SLAMMED SHUT.

878
01:05:19,254 --> 01:05:22,340
IT MUST HAVE BEEN A DRAFT.

879
01:05:22,340 --> 01:05:23,883
OH, THAT'S FUNNY.

880
01:05:23,883 --> 01:05:27,512
A DRAFT NEVER PUT THAT LOOK
ON MY FACE BEFORE.

881
01:05:29,180 --> 01:05:32,642
I BELIEVE THE CLOCK.

882
01:05:32,642 --> 01:05:34,477
IT'S 3:08.

883
01:05:45,780 --> 01:05:47,574
FOR YOU.

884
01:05:47,574 --> 01:05:49,993
I THINK I MIGHT TAKE SOME
GIRLS FOR ICE CREAM LATER ON.

885
01:05:49,993 --> 01:05:51,494
WHAT DO YOU SAY ABOUT THAT?

886
01:05:51,494 --> 01:05:53,079
YEAH!
YES!

887
01:05:53,079 --> 01:05:54,914
HONEY, YOU WANNA COME?
NO, I'M -- I'M EXHAUSTED.

888
01:05:54,914 --> 01:05:56,416
I'M JUST GONNA TAKE A NAP.

889
01:05:56,416 --> 01:05:58,168
THE LATE NIGHTS ARE --
THEY'RE GETTIN' TO ME.

890
01:05:58,168 --> 01:05:59,961
THAT'S PROBABLY A GOOD IDEA.
WHY DON'T YOU GET SOME REST.

891
01:05:59,961 --> 01:06:01,671
LORRAINE AND I'LL WATCH
OVER THINGS FOR A BIT.
REALLY?

892
01:06:01,671 --> 01:06:03,673
I'M GONNA TAKE OFF.

893
01:06:03,673 --> 01:06:05,300
I HAVE A SHIFT STARTING
IN AN HOUR.

894
01:06:05,300 --> 01:06:07,635
THE HOUSE HASN'T FELT
LIKE THIS IN A LONG TIME.

895
01:06:07,635 --> 01:06:10,680
I THINK THE KIDS FEEL A LOT
SAFER WITH YOU AROUND.

896
01:06:13,391 --> 01:06:15,143
I COULD GET USED TO THIS.

897
01:06:15,143 --> 01:06:16,769
WHAT, ME DOING LAUNDRY?

898
01:06:18,771 --> 01:06:21,191
YOU'RE FUNNY.

899
01:06:21,191 --> 01:06:23,067
NO, THIS PLACE.

900
01:06:23,067 --> 01:06:24,527
NICE, FRESH COUNTRY AIR.

901
01:06:27,363 --> 01:06:28,990
MM.

902
01:06:28,990 --> 01:06:31,701
THEY HAVE SUCH A BEAUTIFUL
FAMILY, DON'T THEY?

903
01:06:31,701 --> 01:06:34,495
YEAH,
THAT LITTLE ONE, APRIL,

904
01:06:34,495 --> 01:06:36,247
DID YOU SEE HER
BRING ME PANCAKES?
YEAH.

905
01:06:41,502 --> 01:06:44,380
WE'VE GOTTA HELP THEM.

906
01:06:44,380 --> 01:06:46,257
I KNOW.

907
01:06:46,257 --> 01:06:47,550
I'LL START WITH THE CHEVY.

908
01:07:54,284 --> 01:07:56,828
AAH!

909
01:08:11,009 --> 01:08:13,469
CAROLYN!

910
01:08:13,469 --> 01:08:14,470
ARE YOU OKAY?!

911
01:08:14,470 --> 01:08:15,847
CAROLYN, OPEN THE DOOR.

912
01:08:15,847 --> 01:08:17,015
CAROLYN, OPEN UP!

913
01:08:23,271 --> 01:08:25,273
ARE YOU OKAY?

914
01:08:25,273 --> 01:08:26,691
OH, I'M FINE.
ARE YOU SICK?

915
01:08:26,691 --> 01:08:28,192
I WOKE UP JUST FEELING
A LITTLE NAUSEOUS,

916
01:08:28,192 --> 01:08:29,485
THAT'S ALL.
I THOUGHT I SAW--

917
01:08:29,485 --> 01:08:31,988
I HEAR ROGER
AND THE GIRLS.

918
01:08:31,988 --> 01:08:33,281
ONE MINUTE.

919
01:08:45,001 --> 01:08:46,919
HEY, GUYS, DO YOU WANNA
PLAY A GAME?

920
01:08:46,919 --> 01:08:48,338
BORING!
THANK YOU, DADDY.

921
01:08:48,338 --> 01:08:51,382
LET'S GO PLAY!
LET'S GO INSIDE.

922
01:08:54,969 --> 01:08:56,679
I THOUGHT THAT WAS YOU.

923
01:08:56,679 --> 01:08:57,930
HEY,
I HOPE YOU DON'T MIND.

924
01:08:57,930 --> 01:08:59,307
I GOT A GOOD DEAL
ON A REBUILD

925
01:08:59,307 --> 01:09:00,892
AT THAT WRECKING YARD
IN SMITHFIELD.

926
01:09:00,892 --> 01:09:02,643
NO, YOU LOOK LIKE YOU KNOW
WHAT YOU'RE DOIN'.

927
01:09:02,643 --> 01:09:03,728
YEAH, WE'LL SEE.

928
01:09:07,190 --> 01:09:08,816
GOT A NICE PLACE HERE,
ROGER.

929
01:09:08,816 --> 01:09:11,194
LORRAINE AND I ALWAYS WANTED
A SPOT IN THE COUNTRY.

930
01:09:11,194 --> 01:09:13,738
I'LL SELL YOU THIS ONE.

931
01:09:13,738 --> 01:09:16,366
HEY, HAND ME A WRENCH,
WOULD YA?

932
01:09:18,910 --> 01:09:23,539
HEY, UH, IT REALLY MEANS A LOT
TO US TO HAVE YOU HERE.

933
01:09:23,539 --> 01:09:27,627
I GOTTA ADMIT, I WAS A LITTLE
BIT SKEPTICAL GOING IN.

934
01:09:27,627 --> 01:09:29,545
JUST WANNA SAY THANK YOU,
THOUGH,

935
01:09:29,545 --> 01:09:31,089
FOR COMIN' OUT WHEN YOU DID.

936
01:09:32,840 --> 01:09:34,384
I CAN'T TAKE THE CREDIT.

937
01:09:34,384 --> 01:09:36,552
THAT'S, UH,
THAT'S ALL LORRAINE.

938
01:09:36,552 --> 01:09:38,012
I DIDN'T WANT TO.

939
01:09:38,012 --> 01:09:39,347
OH. WHY'S THAT?

940
01:09:42,558 --> 01:09:46,104
WHATEVER LORRAINE SEES, FEELS,
TOUCHES, IT HELPS PEOPLE.

941
01:09:46,104 --> 01:09:48,648
BUT IT ALSO
TAKES A TOLL ON HER.

942
01:09:48,648 --> 01:09:52,276
LITTLE PIECE EACH TIME.

943
01:09:52,276 --> 01:09:56,406
COUPLE MONTHS AGO
WE WERE WORKIN' ON A CASE.

944
01:09:56,406 --> 01:09:59,784
SHE SAW SOMETHIN'.

945
01:10:08,584 --> 01:10:09,836
AAH!

946
01:10:09,836 --> 01:10:12,046
IT TOOK A REAL BIG PIECE.

947
01:10:13,840 --> 01:10:17,009
WHEN WE GOT HOME,
SHE WENT INTO OUR ROOM,

948
01:10:17,009 --> 01:10:20,346
LOCKED HERSELF IN,
DIDN'T TALK, DIDN'T EAT,

949
01:10:20,346 --> 01:10:22,598
DIDN'T COME OUT
FOR EIGHT DAYS.

950
01:10:22,598 --> 01:10:24,142
WHAT'D SHE SEE?

951
01:10:24,142 --> 01:10:26,978
AAH!

952
01:10:26,978 --> 01:10:28,146
GET OUTTA HERE!

953
01:10:28,146 --> 01:10:30,898
I DON'T KNOW.

954
01:10:30,898 --> 01:10:33,276
AND I WON'T ASK.

955
01:10:50,126 --> 01:10:52,962
I NEED TO RELOAD.
YOU WANT SOME?

956
01:10:52,962 --> 01:10:56,090
I'M GOOD, THANKS.

957
01:10:56,090 --> 01:10:57,550
ALL RIGHT.

958
01:11:42,053 --> 01:11:44,055
LOOK WHAT SHE MADE ME DO.

959
01:12:27,390 --> 01:12:30,017
LOOK WHAT SHE MADE ME DO.

960
01:12:31,978 --> 01:12:33,604
HEY.

961
01:12:41,195 --> 01:12:42,446
ED?

962
01:12:42,446 --> 01:12:45,199
LOOK WHAT SHE MADE ME DO!

963
01:12:45,199 --> 01:12:47,868
ED! ED!

964
01:12:47,868 --> 01:12:50,788
ED!

965
01:12:50,788 --> 01:12:51,998
DUDE, YOU OKAY?

966
01:12:51,998 --> 01:12:53,583
HOLD UP, BRAD.
WHAT'S GOING ON?

967
01:12:53,583 --> 01:12:54,917
I SAW SOMEONE.

968
01:12:54,917 --> 01:12:56,752
THERE WAS A WOMAN
DRESSED AS A MAID.

969
01:13:00,423 --> 01:13:02,341
ED?
ED, WE'RE GETTING SOMETHING.

970
01:13:07,805 --> 01:13:09,432
IT'S JUST CINDY.
SHE'S SLEEPWALKING.

971
01:13:09,432 --> 01:13:10,683
NO, NO, NO, NO, WAIT, WAIT,
WAIT. WE NEED THIS.

972
01:13:10,683 --> 01:13:11,934
WHY DO WE NEED
PICTURES OF CINDY?

973
01:13:13,019 --> 01:13:14,312
SHE DIDN'T TRIGGER IT.

974
01:13:14,312 --> 01:13:15,980
WHAT DO YOU MEAN
SHE DIDN'T TRIGGER IT?

975
01:13:15,980 --> 01:13:17,481
SOMEBODY'S WITH HER.

976
01:13:19,609 --> 01:13:23,237
WHO?

977
01:13:26,324 --> 01:13:28,367
CINDY!

978
01:13:30,036 --> 01:13:32,204
CINDY!

979
01:13:39,587 --> 01:13:42,798
CINDY!
HEY, OVER HERE.
IT'S SAFE.

980
01:13:42,798 --> 01:13:46,052
THERE'S SOMEONE ELSE
IN THERE WITH HER.

981
01:13:46,052 --> 01:13:47,803
I'M HEARING ANOTHER VOICE.
HERE, LISTEN.

982
01:13:53,059 --> 01:13:55,436
FOLLOW ME.
THIS WAY.

983
01:13:55,436 --> 01:13:58,064
THIS IS WHERE I HIDE.

984
01:14:03,694 --> 01:14:06,197
CINDY?

985
01:14:06,197 --> 01:14:08,199
CINDY?

986
01:14:10,576 --> 01:14:11,869
WHERE'D SHE GO, ED?

987
01:14:11,869 --> 01:14:13,412
WINDOWS ARE LOCKED.

988
01:14:16,290 --> 01:14:18,334
ED, WHERE'D SHE GO?!

989
01:14:20,336 --> 01:14:21,837
BRAD, GET THE UV LIGHT.

990
01:14:21,837 --> 01:14:24,465
THE WHAT?
JUST ASK DREW.

991
01:14:24,465 --> 01:14:27,551
DREW, I NEED A UV LIGHT.

992
01:14:27,551 --> 01:14:29,595
UH...HERE, THAT'S IT.
GO, GO, GO, GO!

993
01:14:36,310 --> 01:14:38,020
TURN OFF THE LIGHT.

994
01:14:41,107 --> 01:14:42,441
GET OUT OF THE WAY.

995
01:14:46,070 --> 01:14:47,279
OKAY.

996
01:15:16,058 --> 01:15:17,351
HIT THE LIGHTS!

997
01:15:29,655 --> 01:15:31,198
FOUND HER.

998
01:15:33,200 --> 01:15:34,452
HERE WE GO.

999
01:15:34,452 --> 01:15:37,913
ALL RIGHT.
YOU GOT HER?
YEAH.

1000
01:15:48,382 --> 01:15:51,802
THAT'S WHERE RORY HIDES
WHEN HE'S AFRAID.

1001
01:16:16,827 --> 01:16:18,120
HON?

1002
01:16:18,120 --> 01:16:20,623
COULD I HAVE APRIL'S
MUSIC BOX PLEASE?

1003
01:16:20,623 --> 01:16:21,624
YEAH.

1004
01:16:23,626 --> 01:16:24,752
HOW'S CINDY?

1005
01:16:24,752 --> 01:16:25,920
SHE DOESN'T REMEMBER
A THING.

1006
01:16:29,089 --> 01:16:31,258
THERE YOU GO.

1007
01:16:31,258 --> 01:16:32,384
THANK YOU.

1008
01:17:08,379 --> 01:17:10,172
AAH!

1009
01:17:10,172 --> 01:17:12,424
LORRAINE!

1010
01:17:15,386 --> 01:17:17,680
NO.

1011
01:17:29,817 --> 01:17:31,318
LORRAINE!

1012
01:17:31,318 --> 01:17:32,862
LORRAINE!

1013
01:17:36,782 --> 01:17:38,868
LORRAINE!

1014
01:17:38,868 --> 01:17:39,994
LORRAINE!

1015
01:18:31,837 --> 01:18:35,299
SHE MADE ME DO IT.

1016
01:18:35,299 --> 01:18:39,553
SHE MADE ME DO IT.

1017
01:18:59,740 --> 01:19:02,910
SHE MADE ME DO IT.

1018
01:19:40,656 --> 01:19:43,492
AAH! AAH!

1019
01:19:43,492 --> 01:19:46,036
AAH!

1020
01:19:46,036 --> 01:19:47,204
ED!

1021
01:19:47,204 --> 01:19:49,206
COME ON!
LORRAINE!

1022
01:19:50,416 --> 01:19:51,542
ED!

1023
01:19:56,088 --> 01:19:58,841
ED!

1024
01:19:58,841 --> 01:20:00,759
ED, I KNOW WHAT SHE DID.

1025
01:20:00,759 --> 01:20:03,470
I GOT YA.
I KNOW WHAT SHE DID.

1026
01:20:03,470 --> 01:20:04,847
I KNOW WHAT SHE DID.
WHAT?

1027
01:20:04,847 --> 01:20:06,724
SHE POSSESSED THE MOTHER
TO KILL THE CHILD.

1028
01:20:06,724 --> 01:20:08,058
SHE VISITS CAROLYN
EVERY NIGHT.

1029
01:20:08,058 --> 01:20:09,435
THAT'S WHAT
THE BRUISE MARKS ARE!

1030
01:20:09,435 --> 01:20:11,603
SHE'S FEEDING OFF OF HER!

1031
01:20:24,033 --> 01:20:27,202
UH...NANCY?

1032
01:20:34,168 --> 01:20:35,461
ARE YOU OKAY?

1033
01:20:35,461 --> 01:20:37,004
NANCY!

1034
01:20:38,422 --> 01:20:42,009
GRAB HER!

1035
01:20:42,009 --> 01:20:44,178
DADDY! HELP!

1036
01:20:44,178 --> 01:20:45,429
NANCY!

1037
01:20:52,603 --> 01:20:53,812
IS SHE OKAY?

1038
01:20:53,812 --> 01:20:55,314
IT'S OKAY, I GOT YOU.

1039
01:20:55,314 --> 01:20:56,398
D'YOU GET THAT?

1040
01:20:56,398 --> 01:20:59,818
YEAH.

1041
01:21:01,820 --> 01:21:04,281
I'LL HAVE
THE FOOTAGE DEVELOPED

1042
01:21:04,281 --> 01:21:05,866
AND GET IT OVER
TO FATHER GORDON.

1043
01:21:05,866 --> 01:21:07,409
HE'S OUR LIAISON
AT THE CHURCH.

1044
01:21:07,409 --> 01:21:10,204
I IMAGINE WE'LL GET
A PRETTY FAST RESPONSE.

1045
01:21:10,204 --> 01:21:12,706
LISTEN, ROGER?
YEAH?

1046
01:21:12,706 --> 01:21:15,042
LISTEN, WHEN WE GET
THE EXORCIST, I'LL BE BACK.

1047
01:21:15,042 --> 01:21:16,752
BUT LORRAINE--
YEAH, I UNDERSTAND.

1048
01:21:16,752 --> 01:21:18,754
UNTIL THEN DREW'S GONNA KEEP
AN EYE ON YOU.

1049
01:21:18,754 --> 01:21:20,380
HEY, ED, THANK YOU
FOR EVERYTHING.

1050
01:21:20,380 --> 01:21:21,507
YEAH.

1051
01:21:21,507 --> 01:21:25,761
MOMMY?

1052
01:21:27,054 --> 01:21:28,180
THAT'S EVERYTHING.

1053
01:21:39,983 --> 01:21:41,860
MOMMY?

1054
01:21:58,502 --> 01:22:00,921
JUDY?

1055
01:22:00,921 --> 01:22:03,924
OH, GOD! JUDY?

1056
01:22:11,140 --> 01:22:14,226
LORRAINE! WAIT!

1057
01:22:16,019 --> 01:22:17,646
LORRAINE.
WHAT?

1058
01:22:17,646 --> 01:22:19,106
MOM. MOM, IT'S ME.
IS JUDY OKAY?

1059
01:22:19,106 --> 01:22:20,274
WHAT?

1060
01:22:20,274 --> 01:22:22,025
CAN YOU GO CHECK, PLEASE?

1061
01:22:22,025 --> 01:22:24,069
DAMN IT, MOM,
JUST CHECK, PLEASE!

1062
01:22:24,069 --> 01:22:25,571
LORRAINE, ARE YOU GONNA
TELL ME WHAT'S GOING ON?

1063
01:22:25,571 --> 01:22:27,030
IT'S JUDY.

1064
01:22:27,030 --> 01:22:28,115
WHAT? WHAT DO YOU MEAN?
WHAT?

1065
01:22:28,115 --> 01:22:30,159
WHAT?!

1066
01:22:32,452 --> 01:22:34,621
OH, THANK GOD.

1067
01:22:34,621 --> 01:22:36,623
MOM, I'M SORRY.
I DIDN'T MEAN TO SCARE YOU.

1068
01:22:36,623 --> 01:22:38,083
I'LL EXPLAIN LATER, OKAY?

1069
01:22:39,418 --> 01:22:41,128
WHAT THE HELL HAPPENED?

1070
01:22:41,128 --> 01:22:44,882
I HAD A VISION OF JUDY
IN THE WATER.

1071
01:22:44,882 --> 01:22:47,342
I KNOW IT WAS
SOME KIND OF WARNING.

1072
01:22:47,342 --> 01:22:50,095
I KNOW IT.

1073
01:22:50,095 --> 01:22:52,014
OKAY.

1074
01:22:53,182 --> 01:22:55,642
LET'S GET OUTTA HERE.

1075
01:23:42,272 --> 01:23:43,565
SO?

1076
01:23:43,565 --> 01:23:45,067
YEAH, WELL,
YOU WEREN'T KIDDING.

1077
01:23:45,067 --> 01:23:46,568
NO.

1078
01:23:47,945 --> 01:23:50,072
LOOK, ED,
THIS IS COMPLICATED

1079
01:23:50,072 --> 01:23:51,949
BECAUSE THE KIDS
AREN'T BAPTIZED.

1080
01:23:51,949 --> 01:23:53,575
NO, I UNDERSTAND.

1081
01:23:53,575 --> 01:23:55,619
AND THE FAMILY, THEY'RE NOT
MEMBERS OF THE CHURCH.

1082
01:23:55,619 --> 01:23:57,704
OH, COME ON.
AND THE APPROVAL

1083
01:23:57,704 --> 01:24:01,792
WOULD HAVE TO COME DIRECTLY
FROM THE VATICAN.

1084
01:24:01,792 --> 01:24:04,503
FATHER, WE'VE NEVER SEEN
NOTHING LIKE THIS.

1085
01:24:08,548 --> 01:24:11,426
YEAH, WELL, NEITHER HAVE I.

1086
01:24:20,018 --> 01:24:22,104
FATHER, THEY DON'T HAVE
A LOT OF TIME.

1087
01:24:22,104 --> 01:24:25,399
ALL RIGHT.

1088
01:24:25,399 --> 01:24:26,984
I'LL PUSH IT THROUGH
MYSELF.

1089
01:24:26,984 --> 01:24:28,068
THANK YOU, FATHER.

1090
01:24:28,068 --> 01:24:29,486
THANK YOU.
THANK YOU.

1091
01:24:29,486 --> 01:24:31,488
ALL RIGHT,
WE'LL WAIT FOR YOUR CALL.

1092
01:24:31,488 --> 01:24:32,698
YEAH.

1093
01:25:36,219 --> 01:25:38,472
MOMMY? DADDY?

1094
01:25:55,947 --> 01:25:58,825
MOMMY? DADDY?

1095
01:26:21,848 --> 01:26:24,434
DAD?

1096
01:26:40,575 --> 01:26:44,621
NANNA? NANNA?

1097
01:27:38,383 --> 01:27:41,511
NANNA!
NANNA, HELP!

1098
01:27:41,511 --> 01:27:43,555
NANNA, HELP!

1099
01:27:43,555 --> 01:27:44,723
JUDY?

1100
01:27:44,723 --> 01:27:47,809
NANNA! NANNA!

1101
01:27:47,809 --> 01:27:49,728
NANNA!

1102
01:27:49,728 --> 01:27:51,104
HELP!

1103
01:27:51,104 --> 01:27:53,190
JUDY!
NANNA!

1104
01:27:53,190 --> 01:27:55,192
JUDY, OPEN THE DOOR!
MOM!

1105
01:27:55,192 --> 01:27:58,403
ED, THERE'S
SOMETHING WRONG.

1106
01:27:58,403 --> 01:28:00,989
WHAT?

1107
01:28:02,574 --> 01:28:04,993
NANNA!
JUDY!

1108
01:28:04,993 --> 01:28:06,870
HELP!
JUDY!
JUDY, OPEN THIS DOOR!

1109
01:28:06,870 --> 01:28:08,079
MOM!
WHAT IS IT?

1110
01:28:08,079 --> 01:28:09,623
WHAT'S WRONG WITH HER?!
JUDY!

1111
01:28:09,623 --> 01:28:11,333
HEY, MOVE.
MOVE, MOVE, MOVE, MOVE.

1112
01:28:11,333 --> 01:28:13,084
JUDY, GET BACK, HONEY.
GET BACK!

1113
01:28:13,084 --> 01:28:15,587
HURRY.

1114
01:28:15,587 --> 01:28:18,173
HELP! HELP!

1115
01:28:18,173 --> 01:28:19,257
DAD!
GET AWAY
FROM THE DOOR, JUDY!

1116
01:28:21,468 --> 01:28:23,595
AAH!

1117
01:28:23,595 --> 01:28:26,598
OH, GOD!
ARE YOU OKAY?

1118
01:28:26,598 --> 01:28:30,560
THERE WAS SOMEONE ROCKING
IN THE CHAIR WITH ANNABELLE.

1119
01:28:36,733 --> 01:28:38,902
IT'S OKAY.

1120
01:28:59,297 --> 01:29:00,799
SHE'S STILL IN THE CASE.

1121
01:29:03,927 --> 01:29:06,096
IT'S OKAY.

1122
01:29:06,096 --> 01:29:07,556
IT'S OKAY.
IT'S OKAY.

1123
01:29:12,727 --> 01:29:15,272
- DAD! DAD!
- DADDY!

1124
01:29:15,272 --> 01:29:16,606
DAD! DAD!

1125
01:29:16,606 --> 01:29:18,650
MOM JUST LEFT
WITH CHRISTINE AND APRIL.

1126
01:29:18,650 --> 01:29:19,734
SHE J-- SHE JUST WENT IN THE CAR
AND DROVE AWAY.

1127
01:29:19,734 --> 01:29:21,069
I DON'T KNOW WHAT HAPPENED.

1128
01:29:21,069 --> 01:29:22,654
DADDY, SHE SMELLS
LIKE ROTTING MEAT.

1129
01:29:22,654 --> 01:29:24,072
SHE DIDN'T SAY WHAT WAS GOING
ON. SHE JUST LEFT.

1130
01:29:24,072 --> 01:29:25,824
HUH?
WHAT DO YOU MEAN, SHE LEFT?

1131
01:29:25,824 --> 01:29:27,033
LEFT WHERE?
GONE! I DON'T KNOW
WHERE SHE WAS GOING.

1132
01:29:32,080 --> 01:29:34,499
WHERE ARE WE GOING, MOM?

1133
01:29:42,382 --> 01:29:44,050
HELLO?

1134
01:29:44,050 --> 01:29:45,677
It's Roger. There's something
going on with Carolyn.

1135
01:29:45,677 --> 01:29:47,220
ANDREA WAS HERE AND SHE SAID
THAT CAROLYN TOOK OFF

1136
01:29:47,220 --> 01:29:48,638
WITH CHRISTINE AND APRIL.

1137
01:29:48,638 --> 01:29:50,390
THE GIRLS SAID SHE SMELLED
LIKE ROTTEN MEAT.

1138
01:29:50,390 --> 01:29:52,100
SHE POSSESSES THE MOTHER
TO KILL THE CHILD,

1139
01:29:52,100 --> 01:29:54,436
THAT'S WHAT SHE DOES.
SHE'S TAKING THEM BACK
TO THE HOUSE.

1140
01:29:54,436 --> 01:29:56,479
ROGER, GET BACK
TO THE HOUSE NOW.
I'LL MEET YOU THERE.

1141
01:29:56,479 --> 01:29:59,774
LOCK THE DOOR, CLOSE THE BLINDS.
STAY OFF THE PHONE!

1142
01:30:01,026 --> 01:30:02,277
GO.

1143
01:30:07,449 --> 01:30:08,450
I'M COMING WITH YOU.
NO WAY.

1144
01:30:08,450 --> 01:30:09,576
YOU STAY HERE WITH JUDY.

1145
01:30:09,576 --> 01:30:10,910
THE ONLY WAY
TO PROTECT JUDY

1146
01:30:10,910 --> 01:30:12,329
IS IF WE STOP THIS
WHERE IT STARTED.

1147
01:30:12,329 --> 01:30:14,247
OTHERWISE, SHE'S JUST GONNA
LATCH ONTO US AGAIN.

1148
01:30:14,247 --> 01:30:15,749
THAT'S EXACTLY
WHY I'M GOIN'.

1149
01:30:15,749 --> 01:30:17,667
YOU THINK I'M GONNA LET YOU WALK
INTO THIS ALONE?

1150
01:30:17,667 --> 01:30:20,211
I CAN'T LOSE YOU.

1151
01:30:20,211 --> 01:30:23,048
YOU WON'T.

1152
01:30:23,048 --> 01:30:25,800
LET'S FINISH THIS TOGETHER.

1153
01:30:43,610 --> 01:30:44,903
IT'S LOCKED.

1154
01:30:44,903 --> 01:30:46,863
CAROLYN!

1155
01:30:46,863 --> 01:30:47,989
ROGER!

1156
01:30:47,989 --> 01:30:49,282
GET OUTTA THE WAY!

1157
01:30:55,455 --> 01:30:57,040
ROGER!
ED!

1158
01:30:57,040 --> 01:30:59,334
CAROLYN!
ED!

1159
01:30:59,334 --> 01:31:00,335
CAROLYN!

1160
01:31:00,335 --> 01:31:01,711
WE'RE DOWN HERE!

1161
01:31:01,711 --> 01:31:04,381
CAROLYN, DON'T!
NO, NO! SHE'S GOT--!

1162
01:31:04,381 --> 01:31:05,757
GET HER HAND!
GRAB THE SCISSORS!

1163
01:31:17,769 --> 01:31:20,480
WE GOTTA GET HER
TO THE CAR!
AND BRING HER WHERE?!

1164
01:31:20,480 --> 01:31:23,233
TO TAKE HER TO THE PRIEST
FOR THE EXORCISM.

1165
01:31:23,233 --> 01:31:24,526
WAIT, WHERE'S APRIL?

1166
01:31:25,985 --> 01:31:28,154
APRIL?

1167
01:31:28,154 --> 01:31:30,573
TAKE CHRISTINE TO THE CAR
AND FIND APRIL!

1168
01:31:30,573 --> 01:31:33,368
APRIL!
COME ON!

1169
01:31:44,337 --> 01:31:45,588
SHE WON'T LET HER
LEAVE THE HOUSE!

1170
01:31:45,588 --> 01:31:47,048
WHAT?!
WHAT DO YOU MEAN?!

1171
01:31:47,048 --> 01:31:48,216
IF WE TAKE HER OUT,
THE WITCH WILL KILL HER.

1172
01:31:55,390 --> 01:31:59,352
ROGER!
CAROLYN!

1173
01:32:01,396 --> 01:32:03,064
CAROLYN?

1174
01:32:07,861 --> 01:32:09,529
OKAY, I'M GONNA PUT YOU
IN HERE.

1175
01:32:09,529 --> 01:32:11,489
COME ON.

1176
01:32:11,489 --> 01:32:12,991
GET IN. STAY IN HERE.
I DON'T WANT TO STAY HERE
BY MYSELF.

1177
01:32:12,991 --> 01:32:14,367
STAY IN HERE NO MATTER WHAT.
I'LL BE BACK, I PROMISE.

1178
01:32:14,367 --> 01:32:16,327
NO!
I HAVE TO FIND APRIL, OKAY?

1179
01:32:16,327 --> 01:32:18,079
I'LL BE BACK, I PROMISE.

1180
01:32:20,582 --> 01:32:22,375
APRIL?

1181
01:32:24,544 --> 01:32:25,754
YOU OKAY?

1182
01:32:34,554 --> 01:32:36,848
STOP! BRAD!

1183
01:32:36,848 --> 01:32:38,808
BRAD!

1184
01:32:41,394 --> 01:32:43,021
AAH!

1185
01:32:51,070 --> 01:32:54,032
LET'S GET SOMETHING
TO TIE HER UP!

1186
01:33:00,497 --> 01:33:01,623
HOLD IT.

1187
01:33:12,383 --> 01:33:13,843
I GOTTA CALL FATHER GORDON.

1188
01:33:13,843 --> 01:33:15,929
WE GOTTA GET FATHER GORDON
OUT HERE.

1189
01:33:15,929 --> 01:33:17,597
HE'S TOO FAR AWAY.
SHE WON'T MAKE IT.
LOOK AT HER.

1190
01:33:28,441 --> 01:33:29,859
THEN YOU NEED TO LEAVE.

1191
01:33:29,859 --> 01:33:31,319
WHAT ARE YOU
TALKING ABOUT?

1192
01:33:31,319 --> 01:33:33,613
I HAVE TO DO IT.
THE EXORCISM.

1193
01:33:33,613 --> 01:33:35,865
WHAT? I THOUGHT YOU SAID
WE NEED A PRIEST.

1194
01:33:35,865 --> 01:33:36,991
YOU'RE NOT A PRIEST.

1195
01:33:36,991 --> 01:33:38,451
WELL, YOU GOT A BETTER IDEA?

1196
01:33:38,451 --> 01:33:41,621
HE CAN DO IT.
YOU CAN DO IT.

1197
01:33:41,621 --> 01:33:43,832
BUT YOU GOTTA GET OUTTA HERE.
I'M NOT LEAVING YOU!

1198
01:33:43,832 --> 01:33:46,042
DAMN IT, LORRAINE, I'M NOT
DOING THIS WITH YOU IN HERE.

1199
01:33:48,419 --> 01:33:50,421
GOD BROUGHT US TOGETHER
FOR A REASON.

1200
01:33:50,421 --> 01:33:51,798
THIS IS IT.

1201
01:33:51,798 --> 01:33:53,967
I'M GONNA GET THE BOOK.

1202
01:34:10,692 --> 01:34:13,486
APRIL!

1203
01:34:20,827 --> 01:34:23,288
APRIL!

1204
01:34:44,183 --> 01:34:48,021
"IN THE NAME OF THE FATHER,
THE SON, THE HOLY SPIRIT."

1205
01:34:51,941 --> 01:34:54,611
"VADE RETRO SATANA.

1206
01:34:54,611 --> 01:34:58,698
SANCTE MICHAEL ARCHANGELE,
DEFENDE NOS IN PROEILO."

1207
01:35:25,224 --> 01:35:26,809
AAH!

1208
01:35:26,809 --> 01:35:28,686
APRIL!

1209
01:36:14,816 --> 01:36:16,192
"DEUM VERUM."

1210
01:36:23,408 --> 01:36:28,830
"TE" -- UH, "TE PER DEUM VERUM,
PER DEUM SANCTUM QUI SIC DI--"

1211
01:36:28,830 --> 01:36:30,832
HOLD HER STILL!
HOLD HER STILL!

1212
01:36:30,832 --> 01:36:32,750
COME HERE!
HOLD HER STILL!

1213
01:36:32,750 --> 01:36:35,586
"QUI SIC DILEXIT MUNDUM.
RECEDE, SEDUCTOR!

1214
01:36:35,586 --> 01:36:37,922
VOS IN CUBILI TUO!"

1215
01:36:41,467 --> 01:36:43,428
APRIL?

1216
01:36:49,642 --> 01:36:50,727
APRIL!

1217
01:36:50,727 --> 01:36:53,146
APRIL, YOU UNDER THERE?

1218
01:36:53,146 --> 01:36:54,856
APRIL!

1219
01:36:55,982 --> 01:36:57,608
"SANCTE MICHAEL ARCHANGELE,

1220
01:36:57,608 --> 01:37:00,403
CONTRA NEQUITIAM ET INSIDIAS
DIABOLI ESTO PRAESIDIUM."

1221
01:37:00,403 --> 01:37:02,530
CAROLYN. CAROLYN.
DON'T GIVE IN!

1222
01:37:02,530 --> 01:37:04,032
DON'T LET HER TAKE YOU!

1223
01:37:04,032 --> 01:37:05,867
ED! YOU GOTTA STOP,
YOU'RE KILLIN' HER. STOP!

1224
01:37:05,867 --> 01:37:08,578
NO, HE CAN'T!
"NOS ARE PADRES
DE PROTESTATE DIABOLI..."

1225
01:37:08,578 --> 01:37:10,872
ROGER, HELP ME!

1226
01:37:10,872 --> 01:37:15,501
"...MALEDICTUS.
TU PENCHEFS INTERFECTORIBUS..."

1227
01:37:15,501 --> 01:37:19,088
ED!
GODDAMN IT, STOP IT!

1228
01:37:19,088 --> 01:37:20,381
UNDERSTAND THIS!

1229
01:37:20,381 --> 01:37:22,050
WE ARE NOW FIGHTING
FOR HER SOUL!

1230
01:37:22,050 --> 01:37:25,219
"IN THE NAME OF JESUS CHRIST,
THE SAINTS AND ALL THE ANGELS,

1231
01:37:25,219 --> 01:37:27,346
I COMMAND YOU
TO REVEAL YOURSELF!"

1232
01:37:56,209 --> 01:38:00,088
ROGER, HELP ME!

1233
01:38:00,088 --> 01:38:03,841
"ABODE HOSTE VISIBILE
ET INVISIBLE ET UBIQUE

1234
01:38:03,841 --> 01:38:06,094
EN HOC SECULAR LIBERATOR."

1235
01:38:34,413 --> 01:38:36,082
"OMINI FANTASMA,

1236
01:38:36,082 --> 01:38:40,044
O-O-OMINI SELEGIO E NOMINE
DOMINE NOSTRI, JESU."

1237
01:38:48,219 --> 01:38:49,428
WHOA.

1238
01:38:49,428 --> 01:38:52,348
PUT HER DOWN!

1239
01:38:52,348 --> 01:38:54,600
PUT HER DOWN!

1240
01:38:55,643 --> 01:38:57,311
PUT HER DOWN!

1241
01:38:58,980 --> 01:39:01,524
- CAROLYN!
- CAROLYN!

1242
01:39:04,152 --> 01:39:05,903
ED, LOOK OUT!

1243
01:39:10,575 --> 01:39:11,784
ARE YOU OKAY?

1244
01:39:13,619 --> 01:39:15,872
HOLD HER STILL!
DON'T LET HER UP!

1245
01:39:15,872 --> 01:39:17,415
WE'RE LOSIN' HER, ROGER!

1246
01:39:17,415 --> 01:39:20,084
DAMN YOU! YOU LEAVE MY FAMILY
ALONE, YOU HEAR ME?

1247
01:39:20,084 --> 01:39:21,419
I DON'T KNOW WHAT YOU ARE,

1248
01:39:21,419 --> 01:39:22,795
BUT YOU LEAVE MY WIFE ALONE,
GODDAMN IT!

1249
01:39:22,795 --> 01:39:24,797
LET HER GO!
DO YOU HEAR ME?!

1250
01:39:24,797 --> 01:39:26,090
LET HER GO!

1251
01:39:26,090 --> 01:39:28,217
"DAT ORABE SPARATEM
ES IGNIS."

1252
01:39:28,217 --> 01:39:30,636
LET HER GO, GODDAMN IT!
LET HER GO!

1253
01:39:30,636 --> 01:39:33,639
"--PENCHEFS INTERFECTORIBUS
PATRIS LABIDINIS OPTER."

1254
01:39:37,059 --> 01:39:39,353
SHE'S ALREADY GONE.

1255
01:39:39,353 --> 01:39:42,648
AND NOW
YOU'RE ALL GONNA DIE.

1256
01:39:49,447 --> 01:39:50,740
APRIL!

1257
01:39:50,740 --> 01:39:53,784
I FOUND HER!
SHE'S UNDER THE HOUSE!

1258
01:39:53,784 --> 01:39:55,369
UNDER THE KITCHEN!

1259
01:39:55,369 --> 01:39:57,413
NO, CAROLYN, DON'T!
NO!

1260
01:39:57,413 --> 01:39:58,831
GET HER!

1261
01:40:13,971 --> 01:40:15,348
HERE.
CAROLYN!

1262
01:40:17,642 --> 01:40:18,893
CAROLYN!

1263
01:40:18,893 --> 01:40:20,144
SHE'S IN THAT HOLE.
RIGHT THERE.

1264
01:40:22,897 --> 01:40:24,941
CAROLYN?
OH, MY GOD. NO!

1265
01:40:24,941 --> 01:40:27,902
CAN'T GO IN.
CAN'T REACH.

1266
01:40:27,902 --> 01:40:31,781
NO! CAROLYN, DON'T!
NO!

1267
01:40:31,781 --> 01:40:33,241
CAROLYN, NO!

1268
01:40:33,241 --> 01:40:35,534
BATHSHEBA!

1269
01:40:37,620 --> 01:40:41,791
BY THE POWER OF GOD,
I CONDEMN YOU BACK TO HELL!

1270
01:40:41,791 --> 01:40:44,168
AAH!

1271
01:40:44,168 --> 01:40:45,753
THIS IS YOUR DAUGHTER!

1272
01:40:47,380 --> 01:40:50,174
YOU CAN'T GIVE IN!

1273
01:40:50,174 --> 01:40:53,469
ROGER, WE NEED TO GET HER
TO FIGHT FROM THE INSIDE.

1274
01:40:53,469 --> 01:40:55,096
DON'T LET HER DO THIS
TO YOU, OKAY?

1275
01:40:55,096 --> 01:40:56,555
DON'T LET THIS THING DO THIS.
YOU GOTTA FIGHT IT.

1276
01:40:56,555 --> 01:40:58,099
I KNOW YOU'RE STRONGER
THAN SHE IS.

1277
01:40:58,099 --> 01:41:00,142
YOU GOTTA FIGHT IT!
KEEP IT GOING, ROGER!

1278
01:41:00,142 --> 01:41:01,227
YOU GOTTA STAY WITH US,
ALL RIGHT?

1279
01:41:01,227 --> 01:41:03,896
COME ON BACK, CAROLYN.

1280
01:41:03,896 --> 01:41:05,106
LORRAINE, THAT'S IT!
GET HER BACK!

1281
01:41:05,106 --> 01:41:06,482
REMEMBER
WHAT YOU SHOWED ME.

1282
01:41:06,482 --> 01:41:07,817
NO!

1283
01:41:09,652 --> 01:41:12,321
REMEMBER THAT DAY THAT YOU SAID
YOU WOULD NEVER FORGET.

1284
01:41:21,872 --> 01:41:24,709
YOU SAID THEY MEANT
THE WORLD TO YOU.

1285
01:41:24,709 --> 01:41:27,211
THIS IS WHAT
YOU'LL BE LEAVING BEHIND.

1286
01:42:40,743 --> 01:42:42,411
IT'S OVER.

1287
01:42:42,411 --> 01:42:44,622
I AM SO SORRY.

1288
01:42:44,622 --> 01:42:48,834
I LOVE YOU SO MUCH.
I LOVE YOU SO MUCH.

1289
01:42:48,834 --> 01:42:51,295
I LOVE YOU SO MUCH.

1290
01:42:51,295 --> 01:42:52,755
I'M SO HAPPY.

1291
01:42:52,755 --> 01:42:56,384
OH!

1292
01:42:56,384 --> 01:42:59,053
HEY!

1293
01:43:12,441 --> 01:43:16,445
OOH. A DRAFT DO THAT
TO YOUR FACE?

1294
01:43:16,445 --> 01:43:19,240
I'D TAKE A GUY
WITH A GUN ANY DAY.

1295
01:43:23,160 --> 01:43:25,246
YOU DID GOOD.

1296
01:43:25,246 --> 01:43:27,581
NO, YOU DID.

1297
01:44:27,600 --> 01:44:30,227
I'LL CALL FATHER GORDON
AND LET HIM KNOW WHAT HAPPENED.

1298
01:44:30,227 --> 01:44:32,688
SOUNDS GOOD.

1299
01:44:57,463 --> 01:45:01,383
THE VATICAN APPROVED
THE EXORCISM.

1300
01:45:01,383 --> 01:45:03,969
NICE TIMING.

1301
01:45:03,969 --> 01:45:08,891
AND IF WE CAN, THEN HE'D LIKE
TO MEET WITH US TOMORROW.

1302
01:45:08,891 --> 01:45:11,352
THERE'S A CASE IN LONG ISLAND
HE'D LIKE TO DISCUSS.

1303
01:45:11,352 --> 01:45:13,312
REALLY?