1
00:00:01,715 --> 00:00:04,092
[ OMINOUS MUSIC PLAYS ]
2
00:00:22,277 --> 00:00:25,405
Debbie: IT SCARES US
JUST THINKING ABOUT IT.
3
00:00:25,405 --> 00:00:27,658
WHEN YOU HEAR IT,
YOU'RE GONNA THINK WE'RE INSANE.
4
00:00:27,658 --> 00:00:30,661
Ed: TRY US.
PLEASE, FROM THE START.
5
00:00:30,661 --> 00:00:32,537
[ CLICK ]
6
00:00:32,537 --> 00:00:34,331
Debbie:
IT STARTED OUT SMALL,
7
00:00:34,331 --> 00:00:37,459
LIKE A HAND OR A LEG
WAS IN A DIFFERENT POSITION.
8
00:00:37,459 --> 00:00:40,337
THEN ITS HEAD WAS LOOKING UP
INSTEAD OF DOWN.
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00:00:40,337 --> 00:00:43,548
AND THEN ONE DAY, IT WAS
IN A COMPLETELY DIFFERENT ROOM.
10
00:00:43,548 --> 00:00:44,675
IT WAS MOVING AROUND
BY ITSELF.
11
00:00:44,675 --> 00:00:46,218
Ed: EVER THINK
12
00:00:46,218 --> 00:00:47,970
THAT MAYBE SOMEBODY HAD A KEY
TO YOUR APARTMENT
13
00:00:47,970 --> 00:00:49,638
AND WAS JUST PLAYING
A TRICK ON YA?
14
00:00:49,638 --> 00:00:51,473
Debbie: THAT'S EXACTLY
WHAT WE THOUGHT.
15
00:00:51,473 --> 00:00:53,016
BUT NEVER ONCE DID WE FIND
16
00:00:53,016 --> 00:00:55,185
ANY SIGN OR EVIDENCE
OF INTRUSION.
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00:00:55,185 --> 00:00:56,687
Lorraine:
AND THIS ALL LED YOU TO BELIEVE
18
00:00:56,687 --> 00:00:59,106
THAT THE DOLL WAS POSSESSED?
YES.
19
00:00:59,106 --> 00:01:00,565
CAMILLA GOT IN TOUCH
WITH A MEDIUM.
20
00:01:00,565 --> 00:01:02,067
WE LEARNED FROM HER
21
00:01:02,067 --> 00:01:03,652
THAT A SEVEN-YEAR-OLD GIRL
NAMED ANNABELLE HIGGINS
22
00:01:03,652 --> 00:01:05,904
HAD DIED IN THIS APARTMENT.
23
00:01:05,904 --> 00:01:09,825
SHE WAS LONELY AND TOOK
A LIKING TO MY DOLL.
24
00:01:09,825 --> 00:01:12,577
ALL SHE WANTED
WAS TO BE FRIENDS.
25
00:01:12,577 --> 00:01:15,455
WHEN WE HEARD THIS, WE FELT
REALLY SORRY FOR HER.
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00:01:15,455 --> 00:01:17,708
I MEAN, WE'RE NURSES,
WE HELP PEOPLE.
27
00:01:17,708 --> 00:01:22,796
SO WE GAVE HER PERMISSION
TO MOVE INTO THE DOLL.
28
00:01:22,796 --> 00:01:25,674
WAIT,
YOU DID WHAT?
29
00:01:25,674 --> 00:01:27,884
SHE WANTED TO LIVE WITH US
BY INHABITING THE DOLL.
30
00:01:27,884 --> 00:01:29,177
WE SAID YES.
31
00:01:29,177 --> 00:01:31,972
BUT THEN
THINGS GOT WORSE.
32
00:01:31,972 --> 00:01:34,391
[ LAUGHTER ]
33
00:01:38,478 --> 00:01:40,063
[ SCOFFS ]
34
00:01:50,073 --> 00:01:53,160
WHEN WE CAME HOME, SHE WAS
SITTING IN THE HALLWAY.
35
00:01:53,160 --> 00:01:56,121
BUT WE HAD LEFT HER
IN THE SPARE ROOM.
36
00:02:03,211 --> 00:02:05,255
[ DOOR CREAKS ]
37
00:02:11,636 --> 00:02:14,765
[ BREATHING HEAVILY ]
38
00:02:19,353 --> 00:02:22,898
[ CLATTER, ROLLING ]
39
00:02:33,533 --> 00:02:35,660
DEBBIE!
DEBBIE, WAIT!
40
00:02:41,833 --> 00:02:42,876
[ LID SLAMS ]
41
00:02:44,753 --> 00:02:46,129
[ KNOCK ON DOOR ]
42
00:02:51,760 --> 00:02:54,429
[ POUNDING ON DOOR ]
43
00:02:54,429 --> 00:02:55,806
[ DOOR CREAKS ]
44
00:03:04,189 --> 00:03:05,649
[ LIGHT SWITCH CLICKS ]
45
00:03:14,533 --> 00:03:17,619
[ DOOR CREAKS ]
46
00:03:35,095 --> 00:03:36,138
[ POUNDING ON DOOR ]
47
00:03:36,138 --> 00:03:37,472
[ GASPS ]
48
00:03:47,315 --> 00:03:48,567
[ GASPS ]
49
00:03:50,610 --> 00:03:52,612
Debbie:
WE ARE BEYOND TERRIFIED.
50
00:03:52,612 --> 00:03:55,198
WE DON'T KNOW WHAT'S GOING ON
OR WHAT TO DO.
51
00:03:55,198 --> 00:03:56,741
CAN YOU HELP US?
52
00:03:56,741 --> 00:03:58,285
YES, WE CAN.
53
00:03:58,285 --> 00:04:02,414
NOW, FIRSTLY, THERE'S NO SUCH
THING AS ANNABELLE,
54
00:04:02,414 --> 00:04:03,790
AND THERE NEVER WAS.
55
00:04:03,790 --> 00:04:04,916
Lorraine: GHOSTS
DON'T POSSESS SUCH POWER.
56
00:04:04,916 --> 00:04:06,084
I THINK WHAT WE HAVE HERE
57
00:04:06,084 --> 00:04:08,879
IS SOMETHING EXTREMELY
MANIPULATIVE.
58
00:04:08,879 --> 00:04:10,464
IT'S SOMETHING INHUMAN.
59
00:04:10,464 --> 00:04:13,550
IT WAS A BIG MISTAKE
ACKNOWLEDGING THIS DOLL.
60
00:04:13,550 --> 00:04:16,011
AND THROUGH THAT,
THE INHUMAN SPIRIT TRICKED YOU.
61
00:04:16,011 --> 00:04:19,347
YOU GAVE IT PERMISSION
TO INFEST YOUR LIVES.
62
00:04:19,347 --> 00:04:21,308
WHAT'S AN INHUMAN SPIRIT?
63
00:04:21,308 --> 00:04:25,479
IT'S SOMETHING THAT'S NEVER
WALKED THE EARTH IN HUMAN FORM.
64
00:04:25,479 --> 00:04:27,522
IT'S SOMETHING DEMONIC.
65
00:04:30,942 --> 00:04:34,029
Debbie: SO THE DOLL
WAS NEVER POSSESSED?
66
00:04:34,029 --> 00:04:35,655
NO, NO, IT WAS USED
AS A CONDUIT.
67
00:04:35,655 --> 00:04:38,241
IT WAS MOVED AROUND TO GIVE
THE IMPRESSION OF POSSESSION.
68
00:04:38,241 --> 00:04:42,037
DEMONIC SPIRITS DON'T POSSESS
THINGS, THEY POSSESS PEOPLE.
69
00:04:42,037 --> 00:04:44,873
IT WANTED TO GET
INSIDE OF YOU.
70
00:04:52,005 --> 00:04:54,633
[ PROJECTOR CLICKING ]
71
00:04:54,633 --> 00:04:56,843
Ed: ALL RIGHT,
THAT'S GOOD, DREW.
72
00:04:56,843 --> 00:04:58,428
YOU CAN SHUT IT DOWN NOW.
73
00:04:58,428 --> 00:05:00,805
HIT THE LIGHTS.
74
00:05:03,058 --> 00:05:05,393
SO WE GOT THE CHURCH
TO SEND A PRIEST OVER
75
00:05:05,393 --> 00:05:08,188
TO PERFORM A BLESSING
ON THE HOUSE AND THE OCCUPANTS.
76
00:05:08,188 --> 00:05:10,065
WHATEVER WAS OPPRESSING
THAT APARTMENT
77
00:05:10,065 --> 00:05:11,983
WAS NO LONGER WITH THEM.
ANY QUESTIONS?
78
00:05:13,944 --> 00:05:15,237
YES.
79
00:05:15,237 --> 00:05:17,030
WHERE'S THE DOLL NOW??
80
00:05:17,030 --> 00:05:19,366
SOMEPLACE SAFE.
81
00:05:20,158 --> 00:05:21,201
YEP.
82
00:05:21,201 --> 00:05:22,494
SO, WHAT ARE YOU GUYS?
83
00:05:22,494 --> 00:05:24,412
I MEAN,
WHAT DO PEOPLE CALL YOU?
84
00:05:24,412 --> 00:05:28,875
UH, WELL, WE'VE BEEN
CALLED DEMONOLOGISTS.
85
00:05:28,875 --> 00:05:30,168
THAT'S ONE NAME FOR US.
86
00:05:30,168 --> 00:05:32,087
GHOST HUNTERS,
PARANORMAL RESEARCHERS.
87
00:05:32,087 --> 00:05:33,672
KOOKS.
88
00:05:33,672 --> 00:05:34,673
[ LAUGHTER ]
89
00:05:34,673 --> 00:05:36,550
WACKOS.
90
00:05:36,550 --> 00:05:38,009
BUT WE PREFER TO BE KNOWN
91
00:05:38,009 --> 00:05:40,053
SIMPLY AS ED
AND LORRAINE WARREN.
92
00:06:25,807 --> 00:06:29,227
Children: ♪ "THERE GOES JOHN
JACOB JINGLEHEIMER SCHMIDT" ♪
93
00:06:29,227 --> 00:06:30,812
♪ DA-DA-DA-DA-DA-DA-DA-DA ♪
94
00:06:30,812 --> 00:06:33,690
♪ JOHN JACOB
JINGLEHEIMER SCHMIDT ♪
95
00:06:33,690 --> 00:06:36,943
♪ HIS NAME IS MY NAME TOO ♪
96
00:06:36,943 --> 00:06:38,486
♪ WHENEVER WE GO OUT ♪
97
00:06:38,486 --> 00:06:40,030
♪ THE PEOPLE ALWAYS SHOUT ♪
98
00:06:40,030 --> 00:06:41,573
♪ "THERE GOES JOHN JACOB
JINGLEHEIMER SCHMIDT" ♪
99
00:06:41,573 --> 00:06:43,074
Roger: HERE WE ARE.
100
00:06:46,161 --> 00:06:47,912
WOW, HEAR THAT?
101
00:06:47,912 --> 00:06:49,414
I DON'T HEAR ANYTHING.
102
00:06:49,414 --> 00:06:51,625
EXACTLY.
OH. [ LAUGHS ]
103
00:06:51,625 --> 00:06:55,086
OKAY.
GUYS, WE ARE HERE!
104
00:06:55,086 --> 00:06:57,004
OH, GOD, WE'RE
IN THE MIDDLE OF NOWHERE.
105
00:06:57,004 --> 00:06:58,965
ARE YOU SO EXCITED?
WHERE'S MY "YES"?
106
00:06:58,965 --> 00:07:00,550
WHERE'S MY "YES"?
Girl: YES!
107
00:07:00,550 --> 00:07:03,094
I'LL RACE YA!
ARE YOU GUYS EXCITED?
108
00:07:03,094 --> 00:07:04,846
[ DOG BARKING ]
I'M SO EXCITED!
109
00:07:04,846 --> 00:07:08,266
April: COME ON, SADIE!
I GET MY OWN ROOM!
110
00:07:08,266 --> 00:07:10,518
Nancy:
ARE YOU KIDDING ME?
NO DIBS ON THE ROOMS!
111
00:07:10,518 --> 00:07:11,978
WHAT?!
WHAT?!
112
00:07:11,978 --> 00:07:13,480
SO DO I GET TO PICK
MY OWN ROOM?
113
00:07:13,480 --> 00:07:15,231
OR DO I HAVE NO CHOICE
IN THAT EITHER?
114
00:07:18,068 --> 00:07:21,613
WELL, FIRST CUTE BOY SHE MEETS,
SHE'LL FORGET ABOUT JERSEY.
115
00:07:21,613 --> 00:07:23,615
AH, GREAT.
I HOPE.
116
00:07:23,615 --> 00:07:24,783
CAN'T WAIT.
117
00:07:24,783 --> 00:07:25,950
COME ON, SADIE.
118
00:07:25,950 --> 00:07:27,077
[ DOG PANTING ]
119
00:07:27,077 --> 00:07:28,244
SADIE, LET'S GO.
[ SMOOCHES ]
120
00:07:28,244 --> 00:07:29,496
[ DOG WHINES ]
121
00:07:29,496 --> 00:07:32,707
HEY, COME.
122
00:07:32,707 --> 00:07:34,376
WHAT'S THE MATTER
WITH YOU?
123
00:07:34,376 --> 00:07:36,711
HEY, COME ON, GIRL.
124
00:07:36,711 --> 00:07:39,297
ALL RIGHT, SUIT YOURSELF.
125
00:07:39,297 --> 00:07:40,632
[ DOOR BANGS ]
126
00:07:40,632 --> 00:07:44,511
[ RADIO TUNING ]
127
00:07:44,511 --> 00:07:45,637
[ THE ZOMBIES'
"TIME OF THE SEASON" PLAYS ]
128
00:07:45,637 --> 00:07:47,138
♪ WHAT'S YOUR NAME? ♪
129
00:07:47,138 --> 00:07:48,181
♪ WHAT'S YOUR NAME? ♪
130
00:07:48,181 --> 00:07:49,307
♪ WHO'S YOUR DADDY? ♪
131
00:07:49,307 --> 00:07:50,392
♪ WHO'S YOUR DADDY? ♪
132
00:07:50,392 --> 00:07:51,434
♪ HE RICH ♪
133
00:07:51,434 --> 00:07:52,686
♪ IS HE RICH LIKE ME? ♪
134
00:07:52,686 --> 00:07:54,270
WATCH YOUR STEP.
COMING THROUGH.
135
00:07:54,270 --> 00:07:55,563
♪ HAS HE TAKEN ♪
♪ HAS HE TAKEN ♪
136
00:07:55,563 --> 00:07:56,648
WHOA, WATCH OUT, DAD.
137
00:07:56,648 --> 00:07:57,774
Man:
WHERE DO YOU WANT IT?
138
00:07:57,774 --> 00:07:58,983
THAT GOES
IN THE LIVING ROOM.
139
00:07:58,983 --> 00:08:00,402
HEY, ANDREA,
WHERE'S MY WIND CHIME?
140
00:08:00,402 --> 00:08:02,070
I THINK NANCY'S GOT IT
IN THE OTHER ROOM.
141
00:08:02,070 --> 00:08:04,072
OH, THANKS. HEY, NANCY, HAVE
YOU SEEN MY WIND CHIME?
142
00:08:04,072 --> 00:08:05,198
OH, THIS ONE?
YEAH, THANKS.
143
00:08:05,198 --> 00:08:06,366
YOU'RE GONNA HAVE TO
CATCH IT.
144
00:08:06,366 --> 00:08:07,909
NANCY! LET GO!
GIVE IT HERE.
145
00:08:07,909 --> 00:08:09,661
♪ I REALLY WANT TO KNOW ♪
146
00:08:09,661 --> 00:08:10,870
YOU'RE SO MEAN.
147
00:08:10,870 --> 00:08:12,247
♪ IT'S THE TIME OF THE SEASON ♪
148
00:08:12,247 --> 00:08:13,998
HEY, MOM, CAN I HANG UP
MY WIND CHIME?
149
00:08:13,998 --> 00:08:16,209
OF COURSE. THERE'S A LINE
OUTSIDE YOU CAN HANG IT ON.
150
00:08:16,209 --> 00:08:17,961
HONEY,
HAVE APRIL COME IN, OKAY?
151
00:08:17,961 --> 00:08:19,587
IT'S GONNA BE DARK SOON.
OKAY.
152
00:08:26,636 --> 00:08:28,054
[ WIND CHIME JINGLING ]
153
00:08:29,472 --> 00:08:32,517
COME ON, APRIL!
MOM WANTS US INSIDE!
154
00:08:32,517 --> 00:08:35,478
LOOK WHAT I FOUND, CINDY.
155
00:08:39,774 --> 00:08:41,776
[ MUSIC BOX PLAYS ]
156
00:08:55,165 --> 00:08:56,458
Nancy and Cindy: ONE...
157
00:08:56,458 --> 00:08:58,209
TWO...
158
00:08:58,209 --> 00:09:00,336
THREE.
159
00:09:00,336 --> 00:09:03,006
NO PEEKING!
FOUR.
160
00:09:03,006 --> 00:09:04,591
ARE YOU GUYS DONE
WITH THE PIZZA?
161
00:09:04,591 --> 00:09:06,342
I DON'T WANT IT GOING TO WASTE.
162
00:09:06,342 --> 00:09:08,887
IT'S EXPENSIVE
FEEDING YOU GIRLS.
163
00:09:08,887 --> 00:09:12,557
...SEVEN, EIGHT, NINE, TEN.
164
00:09:12,557 --> 00:09:13,725
WHERE SHOULD I HIDE?
165
00:09:13,725 --> 00:09:17,437
READY OR NOT, HERE I COME!
166
00:09:17,437 --> 00:09:18,897
OKAY, CLAP.
167
00:09:18,897 --> 00:09:21,608
[ BOTH CLAP ]
168
00:09:27,197 --> 00:09:28,490
WHOA! WHOA!
169
00:09:28,490 --> 00:09:29,949
GUYS, YOU DON'T KNOW THE HOUSE
WELL ENOUGH.
170
00:09:29,949 --> 00:09:31,367
SOMEONE'S GONNA GET HURT.
171
00:09:31,367 --> 00:09:32,494
I'M OKAY, I'M OKAY.
172
00:09:32,494 --> 00:09:35,246
SECOND CLAP.
173
00:09:37,207 --> 00:09:38,625
[ CLAP, CLAP ]
174
00:09:41,002 --> 00:09:42,837
THAT'S CHEATING.
175
00:09:54,557 --> 00:09:58,144
CLAP.
176
00:09:58,144 --> 00:09:59,229
[ CLAP ]
177
00:09:59,229 --> 00:10:00,605
GOT YOU!
AAH!
178
00:10:00,605 --> 00:10:01,773
[ THUD ]
179
00:10:01,773 --> 00:10:03,775
ARE YOU OKAY?
UH, YEAH.
180
00:10:03,775 --> 00:10:05,568
ALL RIGHT,
WHAT DID WE BREAK NOW?
181
00:10:05,568 --> 00:10:06,528
I-I-I DIDN'T MEAN TO.
182
00:10:06,528 --> 00:10:07,779
MOVE OUT THERE, PLEASE.
183
00:10:07,779 --> 00:10:10,782
IT WAS CHRISTINE'S FAULT.
AH, JEEZ.
184
00:10:10,782 --> 00:10:11,908
Christine: MY FAULT?
OH, MY GOD.
185
00:10:11,908 --> 00:10:13,827
Nancy: CHRISTINE DID IT.
186
00:10:13,827 --> 00:10:15,245
Christine:
NO, I DIDN'T, YOU DID.
NO, TOTALLY, YOU PUSHED ME.
187
00:10:15,245 --> 00:10:16,871
NO, NO, YOU FELL BACK.
188
00:10:16,871 --> 00:10:19,916
HEY, NANCY, CAN YOU GO GET ME
THE MATCHES, PLEASE?
189
00:10:19,916 --> 00:10:21,501
WHAT'S GOING ON?
Christine:
NANCY BROKE SOMETHING.
190
00:10:21,501 --> 00:10:23,336
SHUT UP.
IT WAS YOU!
191
00:10:23,336 --> 00:10:25,004
WHAT BROKE?
IT'S THE WALL.
192
00:10:25,004 --> 00:10:26,297
WHOA.
193
00:10:26,297 --> 00:10:29,342
I THINK WE HAVE A CELLAR
OR SOMETHING.
194
00:10:29,342 --> 00:10:30,802
I WANNA SEE,
I WANNA SEE.
195
00:10:30,802 --> 00:10:32,136
OKAY.
MOVE, MOVE, MOVE.
196
00:10:32,136 --> 00:10:35,849
HERE, MATCHES.
THANK YOU.
197
00:10:35,849 --> 00:10:37,058
MOM, I WANNA SEE.
Carolyn: YOU CAN SEE.
198
00:10:37,058 --> 00:10:38,393
Nancy: I WANNA SEE TOO.
199
00:10:38,393 --> 00:10:39,644
YOU CAN ALL SEE.
200
00:10:39,644 --> 00:10:40,770
MOVE!
201
00:10:49,445 --> 00:10:51,322
[ STAIRS CREAKING ]
202
00:10:51,322 --> 00:10:52,991
AH, MAN.
203
00:10:57,453 --> 00:10:58,705
HUH.
204
00:10:58,705 --> 00:11:01,165
ROGER?
205
00:11:01,165 --> 00:11:04,168
WHAT DO YOU SEE
DOWN THERE?
206
00:11:04,168 --> 00:11:07,046
JUST, UH, HARD TO TELL,
YOU KNOW?
207
00:11:07,046 --> 00:11:11,843
IT'S -- IT'S AN OLD PIANO
AND A WHOLE BUNCH OF GARBAGE.
208
00:11:11,843 --> 00:11:13,761
[ SIZZLE ]
209
00:11:13,761 --> 00:11:16,180
AH! SON OF A--
210
00:11:16,180 --> 00:11:17,390
[ MATCH STRIKES ]
211
00:11:19,475 --> 00:11:21,185
WOW.
212
00:11:25,523 --> 00:11:29,152
ROG?
213
00:11:29,152 --> 00:11:31,404
COME ON UP.
214
00:11:31,404 --> 00:11:34,949
[ STAIRS CREAKING ]
215
00:11:34,949 --> 00:11:36,492
I DON'T WANT ANY OF YOU GIRLS
GOING DOWN THERE.
216
00:11:36,492 --> 00:11:37,660
THAT PLACE IS LOADED
WITH SPIDERS.
217
00:11:37,660 --> 00:11:38,661
EW!
218
00:11:38,661 --> 00:11:40,121
JUST RELAX.
219
00:11:40,121 --> 00:11:42,624
Christine: STOP IT, NANCY.
IT'S NOT FUNNY.
220
00:11:42,624 --> 00:11:44,292
WE'VE GOT EXTRA
SQUARE FOOTAGE ANYWAY.
221
00:11:44,292 --> 00:11:45,793
I'LL CHECK IT OUT
IN THE MORNING.
222
00:11:45,793 --> 00:11:47,253
I WONDER
WHY IT WAS BOARDED UP.
223
00:11:47,253 --> 00:11:48,838
I DON'T KNOW.
224
00:11:48,838 --> 00:11:50,465
OKAY, GUYS, SHOW'S OVER.
Cindy: FIVE MORE MINUTES.
225
00:11:50,465 --> 00:11:51,549
NO MORE MINUTES.
UP TO BED.
226
00:11:51,549 --> 00:11:52,884
PLEASE. THANK YOU.
227
00:11:52,884 --> 00:11:54,218
BUT I'M NOT TIRED.
ALL RIGHT, TO BED.
228
00:11:54,218 --> 00:11:55,845
[ DOG BARKING ]
229
00:11:58,056 --> 00:11:59,724
Roger: MAN, I'M FRIED.
230
00:11:59,724 --> 00:12:02,268
Carolyn:
SOMETHING'S UP WITH SADIE.
231
00:12:02,268 --> 00:12:04,562
YEAH, I DON'T KNOW
WHAT HER PROBLEM IS.
232
00:12:04,562 --> 00:12:06,522
COULDN'T GET HER
TO COME INSIDE.
233
00:12:06,522 --> 00:12:08,358
WE CAN'T LEAVE HER
OUT THERE.
234
00:12:08,358 --> 00:12:11,861
SHE'S ALL RIGHT.
I GOT HER ON A CHAIN.
235
00:12:11,861 --> 00:12:15,073
SADIE, HEY, BE QUIET.
236
00:12:16,449 --> 00:12:19,661
THANKS
FOR MAKIN' THIS WORK.
237
00:12:19,661 --> 00:12:21,162
I KNOW IT WAS A LOT
TO BITE OFF.
238
00:12:21,162 --> 00:12:22,580
YEAH.
239
00:12:22,580 --> 00:12:24,791
IT'S GONNA BE GREAT,
ISN'T IT?
240
00:12:24,791 --> 00:12:27,293
I THINK IT'S GREAT ALREADY.
241
00:12:27,293 --> 00:12:29,545
YEAH.
242
00:12:31,965 --> 00:12:34,425
YOU STILL TOO FRIED
TO CHRISTEN THE NEW HOUSE?
243
00:12:34,425 --> 00:12:37,637
WHO SAID I'M FRIED?
244
00:12:37,637 --> 00:12:40,807
AIN'T NOBODY HERE'S FRIED.
245
00:12:48,356 --> 00:12:52,652
[ CREAKING ]
246
00:12:56,614 --> 00:12:58,199
[ SIGHS ]
247
00:13:15,008 --> 00:13:17,802
MOM?
248
00:13:17,802 --> 00:13:20,013
HEY.
HOW DID YOU GUYS SLEEP?
249
00:13:20,013 --> 00:13:21,222
I'M COLD.
250
00:13:21,222 --> 00:13:23,599
IT IS CHILLY, ISN'T IT?
251
00:13:23,599 --> 00:13:25,476
DO YOU THINK MAYBE
WE COULD HAVE BOUGHT A HOUSE
252
00:13:25,476 --> 00:13:27,020
THAT HAS A TOILET
THAT ACTUALLY WORKS?
253
00:13:27,020 --> 00:13:28,271
TELL YOUR FATHER.
254
00:13:28,271 --> 00:13:29,647
AND THERE WAS
THIS REALLY FUNKY SMELL
255
00:13:29,647 --> 00:13:30,815
IN MY BEDROOM LAST NIGHT.
256
00:13:30,815 --> 00:13:32,066
REEKED LIKE
SOMETHING DIED.
257
00:13:32,066 --> 00:13:33,067
IS IT STILL THERE?
258
00:13:33,067 --> 00:13:34,402
NO.
PROBLEM SOLVED.
259
00:13:59,677 --> 00:14:01,971
ROGER?
260
00:14:02,764 --> 00:14:04,682
ROGER?
261
00:14:04,682 --> 00:14:06,601
Roger:
DOWN HERE, HONEY.
262
00:14:06,601 --> 00:14:08,352
[ STAIRS CREAKING ]
263
00:14:10,855 --> 00:14:12,356
MORNING.
264
00:14:13,983 --> 00:14:16,778
OH.
265
00:14:16,778 --> 00:14:20,364
THIS IS GONNA TAKE
SOME SERIOUS ELBOW GREASE.
266
00:14:20,364 --> 00:14:21,949
[ Chuckling ] YEAH.
267
00:14:21,949 --> 00:14:23,743
OH, MY GOD.
268
00:14:28,498 --> 00:14:31,084
[ SOUR NOTES PLAY ]
269
00:14:31,084 --> 00:14:32,960
WHAT ARE WE GONNA DO
WITH ALL THIS STUFF?
270
00:14:32,960 --> 00:14:35,171
WELL, WE PROBABLY OUGHT TO GO
THROUGH IT, YOU KNOW?
271
00:14:35,171 --> 00:14:37,548
THERE MIGHT BE SOME ANTIQUES
DOWN HERE WORTH A LOT OF MONEY.
272
00:14:37,548 --> 00:14:39,884
YEAH, OR JUST A LOT OF JUNK
THE PREVIOUS OWNER DIDN'T WANT.
273
00:14:39,884 --> 00:14:41,803
IT'S OURS NOW.
274
00:14:41,803 --> 00:14:43,054
KNOCK YOURSELF OUT.
275
00:14:43,054 --> 00:14:44,680
I'M GONNA MAKE SOME COFFEE.
276
00:14:44,680 --> 00:14:46,099
OKAY.
I'LL BE UP IN A MINUTE.
277
00:14:46,099 --> 00:14:47,850
I'M GONNA SEE IF I CAN GET
THIS FURNACE WORKING.
278
00:14:47,850 --> 00:14:50,228
YEAH, THAT'D BE NICE.
IT'S FREEZING.
YEAH.
279
00:14:50,228 --> 00:14:51,687
[ STAIRS CREAKING ]
280
00:14:59,487 --> 00:15:01,322
[ SIGHS ]
281
00:15:03,866 --> 00:15:07,495
April: SADIE!
COME HERE, SADIE!
282
00:15:07,495 --> 00:15:11,165
MOMMY!
MOMMY, WHERE'S SADIE?
283
00:15:11,165 --> 00:15:12,500
SHE'S OUTSIDE.
284
00:15:12,500 --> 00:15:13,626
YOU KNOW, I'M SURE
SHE'S HUNGRY BY NOW.
285
00:15:13,626 --> 00:15:15,002
WHY DON'T YOU GO
AND GET HER.
286
00:15:16,420 --> 00:15:17,630
OH!
MORNING, DAD.
287
00:15:17,630 --> 00:15:19,799
CAN YOU HOLD THIS?
HEY. SURE.
288
00:15:19,799 --> 00:15:21,217
SADIE!
SLOW IT DOWN, SCOOT.
289
00:15:21,217 --> 00:15:23,386
ROGER.
YEAH.
290
00:15:23,386 --> 00:15:24,679
THIS CLOCK STOPPED
AT 3:07,
291
00:15:24,679 --> 00:15:26,055
AND SO DID THE ONE
IN THE HALLWAY.
292
00:15:26,055 --> 00:15:27,306
THAT'S WEIRD.
293
00:15:29,642 --> 00:15:31,602
MAYBE IT GOT KNOCKED AROUND
IN THE MOVE.
294
00:15:31,602 --> 00:15:32,937
SPEAKING OF KNOCKED AROUND,
295
00:15:32,937 --> 00:15:34,647
WHAT DID YOU DO TO ME
LAST NIGHT?
296
00:15:34,647 --> 00:15:36,524
OUCH.
I DIDN'T DO THAT.
297
00:15:36,524 --> 00:15:37,733
DID I?
I DON'T KNOW.
298
00:15:37,733 --> 00:15:40,653
SADIE!
299
00:15:45,491 --> 00:15:48,953
[ SCREAMING ]
300
00:15:48,953 --> 00:15:51,247
APRIL! APRIL!
301
00:15:51,247 --> 00:15:52,748
APRIL!
WHAT'S--?
302
00:15:52,748 --> 00:15:54,625
APRIL!
WHAT'S GOING ON?
303
00:15:54,625 --> 00:15:56,169
WHAT HAPPENED?
304
00:15:56,169 --> 00:15:58,379
OH, MY GOD!
305
00:15:58,379 --> 00:16:01,966
[ Crying ] OH, SADIE.
306
00:16:01,966 --> 00:16:03,467
ROGER.
307
00:16:09,182 --> 00:16:11,142
Ed: WE KEEP EVERYTHING LOCKED
IN HERE.
308
00:16:11,142 --> 00:16:15,146
FEEL FREE TO LOOK AROUND.
JUST DON'T TOUCH ANYTHING.
309
00:16:17,940 --> 00:16:20,693
WOW.
310
00:16:20,693 --> 00:16:24,238
THIS IS CRAZY.
311
00:16:24,238 --> 00:16:27,533
SO ALL THESE ARE TAKEN FROM
CASES YOU'VE INVESTIGATED?
312
00:16:27,533 --> 00:16:29,035
THAT'S RIGHT.
313
00:16:29,035 --> 00:16:31,746
EVERYTHING YOU SEE IN HERE
IS EITHER HAUNTED, CURSED,
314
00:16:31,746 --> 00:16:34,498
OR HAS BEEN USED IN SOME KIND
OF RITUALISTIC PRACTICE.
315
00:16:34,498 --> 00:16:36,834
NOTHING'S A TOY.
316
00:16:36,834 --> 00:16:38,586
NOT EVEN THE TOY MONKEY.
317
00:16:39,837 --> 00:16:40,880
DON'T TOUCH IT.
318
00:16:43,716 --> 00:16:45,426
WELL...
[ CLEARS THROAT ]
319
00:16:45,426 --> 00:16:48,137
WELL, ISN'T IT SCARY,
OR DOESN'T IT WORRY YOU
320
00:16:48,137 --> 00:16:50,723
TO HAVE ALL THESE ITEMS
RIGHT IN YOUR HOME?
321
00:16:50,723 --> 00:16:52,350
THAT'S WHY WE HAVE A PRIEST
THAT COMES BY ONCE A MONTH
322
00:16:52,350 --> 00:16:54,060
TO BLESS THE ROOM.
323
00:16:54,060 --> 00:16:57,146
WELL, THE WAY I SEE IT IS:
IT'S SAFER FOR THESE THINGS
324
00:16:57,146 --> 00:16:58,606
TO BE IN HERE
THAN OUT THERE.
325
00:16:58,606 --> 00:17:00,608
IT'S KIND OF LIKE KEEPIN' GUNS
OFF THE STREET.
326
00:17:00,608 --> 00:17:02,693
WELL, WHY NOT JUST THROW 'EM
IN AN INCINERATOR?
327
00:17:02,693 --> 00:17:04,070
DESTROY 'EM.
328
00:17:04,070 --> 00:17:05,655
WELL, THAT WOULD ONLY DESTROY
THE VESSEL.
329
00:17:05,655 --> 00:17:09,033
SOMETIMES IT'S BETTER TO KEEP
THE GENIE IN THE BOTTLE.
330
00:17:09,033 --> 00:17:13,079
SAY,
IS THE ANNABELLE DOLL HERE?
331
00:17:13,079 --> 00:17:15,873
RIGHT THIS WAY.
332
00:17:18,668 --> 00:17:19,752
YEAH.
333
00:17:23,714 --> 00:17:25,549
[ SIGHS ]
334
00:17:28,594 --> 00:17:30,179
YOU SAID
SHE'S A CONDUIT?
335
00:17:30,179 --> 00:17:32,139
THAT'S RIGHT.
WHAT DOES THAT MEAN?
336
00:17:32,139 --> 00:17:33,307
A VERY POWERFUL DEMONIC
337
00:17:33,307 --> 00:17:36,519
HAS LATCHED ITSELF
ONTO HER.
338
00:17:36,519 --> 00:17:39,313
SO WHEN YOU GUYS INVESTIGATE
THESE HAUNTINGS,
339
00:17:39,313 --> 00:17:42,024
HOW DO YOU STOP 'EM
FROM LATCHIN' ONTO YOU?
340
00:17:42,024 --> 00:17:43,943
WE HAVE TO TAKE
GREAT PRECAUTION.
341
00:17:43,943 --> 00:17:45,319
BUT WHAT ABOUT YOUR WIFE?
342
00:17:45,319 --> 00:17:48,739
WHAT ABOUT HER?
343
00:17:48,739 --> 00:17:50,741
WELL, FATHER GORDON
TOLD ME THAT--
344
00:17:50,741 --> 00:17:52,326
WELL, THAT WAS DIFFERENT.
345
00:17:52,326 --> 00:17:54,912
WHAT HAPPENED TO MY WIFE
HAPPENED DURING AN EXORCISM.
346
00:17:54,912 --> 00:17:56,455
WELL,
WHAT'S THE DIFFERENCE?
347
00:17:56,455 --> 00:17:57,748
[ SIGHS ]
348
00:17:57,748 --> 00:17:59,208
[ CREAKING ]
349
00:17:59,208 --> 00:18:01,585
'SCUSE ME.
350
00:18:01,585 --> 00:18:03,629
HONEY, WHAT ARE YOU DOIN'?
351
00:18:03,629 --> 00:18:06,590
COME HERE.
YOU KNOW BETTER.
352
00:18:06,590 --> 00:18:08,759
ALL RIGHT?
GEORGIANA?
353
00:18:08,759 --> 00:18:11,053
COME ON.
DID YOU TOUCH ANYTHING?
354
00:18:11,053 --> 00:18:12,263
Judy: NO.
355
00:18:12,263 --> 00:18:13,848
ALL RIGHT,
COME ON, HONEY.
356
00:18:13,848 --> 00:18:15,057
GEORGIANA!
357
00:18:15,057 --> 00:18:16,559
COULD YOU TAKE JUDY
UPSTAIRS?
358
00:18:16,559 --> 00:18:18,394
OH, SURE.
YOU CAN'T GO INTO THIS ROOM,
359
00:18:18,394 --> 00:18:20,229
NO MATTER WHAT, REMEMBER?
YES, DADDY.
360
00:18:20,229 --> 00:18:21,522
ALL RIGHT.
361
00:18:21,522 --> 00:18:22,982
GO ON.
OKAY, COME ON.
362
00:18:22,982 --> 00:18:25,109
LET'S SEE IF I CAN FIND YOU
A LITTLE SNACK, OKAY?
363
00:18:25,109 --> 00:18:26,235
COME ON.
364
00:18:30,573 --> 00:18:33,200
[ DOOR CREAKS ]
365
00:18:33,200 --> 00:18:34,410
[ BOTH LAUGH ]
366
00:18:34,410 --> 00:18:36,787
HEY.
WHAT'S GOIN' ON IN HERE?
367
00:18:36,787 --> 00:18:37,872
Judy: DADDY, LOOK.
368
00:18:37,872 --> 00:18:39,081
YOU LOOK VERY PRETTY.
369
00:18:39,081 --> 00:18:40,458
ALL RIGHT.
ALL DONE.
370
00:18:40,458 --> 00:18:41,584
GO GET DRESSED FOR DINNER.
371
00:18:41,584 --> 00:18:42,793
I'M WEARING IT
TO DINNER.
372
00:18:42,793 --> 00:18:44,837
NO, YOU'RE NOT!
373
00:18:44,837 --> 00:18:47,923
HERE YOU GO.
374
00:18:47,923 --> 00:18:49,425
HOW'D IT GO?
375
00:18:49,425 --> 00:18:51,552
OH, I THINK HE MAY WRITE
A POSITIVE ARTICLE.
376
00:18:51,552 --> 00:18:54,013
OOH, A NON-SKEPTIC.
377
00:18:54,013 --> 00:18:55,514
THAT'S A PLEASANT CHANGE.
378
00:18:55,514 --> 00:18:56,640
YEAH.
379
00:18:59,518 --> 00:19:00,603
[ SIGHS ]
380
00:19:03,522 --> 00:19:06,150
STOP BLAMING YOURSELF.
381
00:19:15,826 --> 00:19:18,746
NO SUGAR.
382
00:19:18,746 --> 00:19:20,206
BE RIGHT BACK.
383
00:19:29,382 --> 00:19:31,509
[ CLOCK TICKING ]
384
00:19:34,887 --> 00:19:38,099
[ TICKING STOPS ]
385
00:19:58,160 --> 00:20:00,204
[ SIGHS ]
386
00:20:16,345 --> 00:20:18,264
NOT FUNNY, NANCY.
387
00:20:18,264 --> 00:20:21,350
Nancy: WHAT?
388
00:20:21,350 --> 00:20:23,519
STOP GRABBING MY FOOT.
389
00:20:23,519 --> 00:20:25,771
SHUT UP,
I DIDN'T DO ANYTHING.
390
00:20:25,771 --> 00:20:29,483
YEAH, RIGHT.
391
00:20:29,483 --> 00:20:34,280
AND STOP FARTING.
IT REALLY STINKS.
392
00:20:34,280 --> 00:20:36,699
DON'T BLAME THAT ON ME.
IT'S YOU.
393
00:20:36,699 --> 00:20:38,993
PHEW.
394
00:20:38,993 --> 00:20:41,662
[ STATIC ]
395
00:21:00,181 --> 00:21:02,516
[ THUMPING ]
396
00:21:02,516 --> 00:21:03,934
[ SIGHS ]
397
00:21:15,112 --> 00:21:17,823
[ THUMPING ]
398
00:21:23,871 --> 00:21:27,458
[ DOOR CREAKING ]
399
00:21:36,926 --> 00:21:38,302
[ TV TURNS OFF ]
400
00:21:54,026 --> 00:21:56,320
[ THUMPING ]
401
00:21:59,823 --> 00:22:07,873
[ DOOR CREAKING ]
402
00:22:29,562 --> 00:22:32,314
[ DOOR CREAKS ]
403
00:22:32,314 --> 00:22:33,524
[ THUDDING ]
404
00:22:35,943 --> 00:22:38,571
[ WIND HOWLING ]
405
00:22:38,571 --> 00:22:41,949
[ WIND CHIME JINGLES ]
406
00:22:41,949 --> 00:22:44,535
[ THUD ]
407
00:22:53,294 --> 00:22:55,129
DAD?
408
00:22:55,129 --> 00:22:57,631
ANDREA, WHAT ARE YOU DOIN'
OUTTA BED?
409
00:22:57,631 --> 00:22:58,882
WHAT'S THAT SOUND?
410
00:22:58,882 --> 00:23:01,677
IT'S CINDY.
SHE'S IN MY ROOM.
411
00:23:01,677 --> 00:23:03,887
SHE'S SLEEPWALKING AGAIN.
412
00:23:03,887 --> 00:23:06,223
[ SIGHS ]
413
00:23:09,643 --> 00:23:11,520
[ THUMPING ]
414
00:23:17,776 --> 00:23:20,904
I'VE NEVER SEEN HER
DO THIS BEFORE.
415
00:23:24,908 --> 00:23:27,077
I REMEMBERED YOU SAYING NOT
TO WAKE HER IF SHE'S LIKE THIS.
416
00:23:27,077 --> 00:23:29,538
NO, WE JUST PUT HER
BACK TO BED.
417
00:23:29,538 --> 00:23:31,165
HEY, HEY.
SWEETIE.
418
00:23:31,165 --> 00:23:33,917
SHH.
LET'S GO BACK TO BED.
419
00:23:44,595 --> 00:23:46,722
SHE'S OKAY.
GOOD NIGHT.
420
00:23:46,722 --> 00:23:49,016
NIGHT.
421
00:24:00,819 --> 00:24:02,571
Carolyn: SHE'S
SLEEPWALKING AGAIN?
422
00:24:02,571 --> 00:24:04,281
SHE HASN'T DONE THAT
FOR AWHILE.
423
00:24:04,281 --> 00:24:06,617
SHE ENDED UP
IN ANDREA'S ROOM TOO.
424
00:24:06,617 --> 00:24:08,035
I THINK
KIND OF FREAKED HER OUT.
425
00:24:08,035 --> 00:24:09,286
THAT'S NOT GOOD.
426
00:24:09,286 --> 00:24:11,330
WHAT ARE WE GONNA DO?
I DON'T KNOW.
427
00:24:11,330 --> 00:24:13,374
HONEY, YOU GOT
ANOTHER BRUISE HERE.
428
00:24:13,374 --> 00:24:14,708
HMM?
DOES THAT HURT?
429
00:24:16,919 --> 00:24:18,379
THAT'S WEIRD.
I DON'T KNOW.
430
00:24:18,379 --> 00:24:21,840
WILL YOU DO ME A FAVOR,
GO SEE A DOCTOR FOR THAT?
431
00:24:21,840 --> 00:24:22,966
YEAH, I WILL.
432
00:24:22,966 --> 00:24:24,551
DRIVE SAFE.
YEAH.
433
00:24:24,551 --> 00:24:26,220
I LOVE YOU.
I LOVE YOU TOO.
434
00:24:32,851 --> 00:24:34,436
[ SIGHS ]
435
00:24:34,436 --> 00:24:38,232
[ THUMP ]
436
00:24:38,232 --> 00:24:40,359
[ BIRD COOS ]
437
00:24:55,457 --> 00:24:56,625
[ DOOR OPENS, CLOSES ]
438
00:24:56,625 --> 00:24:59,169
BYE!
LOVE YOU!
439
00:24:59,169 --> 00:25:02,423
CINDY,
YOU HAVE YOUR LUNCH?
440
00:25:02,423 --> 00:25:04,341
Cindy: YEAH.
441
00:25:04,341 --> 00:25:09,221
April: YES, I DO.
I MISS SADIE A LOT.
442
00:25:09,221 --> 00:25:12,641
SHE WAS MY BEST FRIEND.
443
00:25:12,641 --> 00:25:16,353
YOU'RE MY FRIEND, RIGHT?
444
00:25:16,353 --> 00:25:18,605
YEAH, LET'S PLAY.
445
00:25:18,605 --> 00:25:20,190
[ DOOR CREAKS ]
446
00:25:23,777 --> 00:25:24,945
WHO ARE YOU TALKING TO?
447
00:25:24,945 --> 00:25:27,156
RORY.
448
00:25:27,156 --> 00:25:28,782
RORY?
449
00:25:28,782 --> 00:25:30,909
HE'S MY NEW FRIEND.
OH, REALLY.
450
00:25:30,909 --> 00:25:32,202
YEAH,
DO YOU WANT TO SEE HIM?
451
00:25:32,202 --> 00:25:34,163
YEAH. UH-HUH.
HOW?
452
00:25:34,163 --> 00:25:35,289
WITH THIS.
453
00:25:35,289 --> 00:25:37,207
WHEN THE MUSIC STOPS,
454
00:25:37,207 --> 00:25:39,585
YOU SEE HIM IN THE MIRROR
STANDING BEHIND YOU.
455
00:25:39,585 --> 00:25:40,794
OKAY.
456
00:25:40,794 --> 00:25:43,172
BUT YOU HAVE TO
TWIST THE KEY.
457
00:25:43,172 --> 00:25:45,048
OKAY.
458
00:25:45,048 --> 00:25:46,467
[ MUSIC BOX PLAYS ]
459
00:26:08,447 --> 00:26:10,240
BOO, MOMMY!
OH!
460
00:26:10,240 --> 00:26:11,784
[ LAUGHS ]
GOT YOU!
461
00:26:11,784 --> 00:26:14,453
APRIL, YOU JUST GAVE ME
A HEART ATTACK.
462
00:26:14,453 --> 00:26:15,954
WELL, OKAY.
463
00:26:15,954 --> 00:26:18,081
I GUESS RORY DOESN'T WANT
TO SEE ME, HUH?
464
00:26:18,081 --> 00:26:19,124
HMM. OH, WELL.
465
00:26:19,124 --> 00:26:21,251
CAN WE PLAY HIDE-AND-CLAP?
466
00:26:21,251 --> 00:26:23,378
HIDE-AND-CLA--? OH, HONEY,
I DON'T WANT TO PLAY.
467
00:26:23,378 --> 00:26:24,838
PLEASE!
NOBODY EVER LETS ME PLAY.
468
00:26:24,838 --> 00:26:28,300
OKAY, OKAY.
469
00:26:28,300 --> 00:26:30,093
[ LAUGHS ]
470
00:26:30,093 --> 00:26:33,305
REMEMBER, YOU GET TO ASK ME
FOR THREE CLAPS.
OKAY.
471
00:26:33,305 --> 00:26:36,892
Both: ONE, TWO, THREE.
472
00:26:36,892 --> 00:26:38,519
I'M GONNA GO HIDE NOW!
OKAY.
473
00:26:38,519 --> 00:26:48,403
FOUR, FIVE, SIX, SEVEN,
EIGHT, NINE, TEN!
474
00:26:51,323 --> 00:26:53,033
FIRST CLAP!
475
00:26:53,033 --> 00:26:55,619
[ CLAP, CLAP ]
476
00:27:05,462 --> 00:27:06,713
[ CLATTERING ]
477
00:27:08,549 --> 00:27:11,260
[ CLOCK CHIMING ]
478
00:27:11,260 --> 00:27:12,636
[ THUMP ]
479
00:27:12,636 --> 00:27:14,346
OW. SHIT.
480
00:27:14,346 --> 00:27:16,431
SECOND CLAP!
481
00:27:16,431 --> 00:27:17,474
[ CLAP, CLAP ]
482
00:27:31,113 --> 00:27:34,324
[ Singsong voice ]
APRIL.
483
00:27:35,576 --> 00:27:37,578
UM...
484
00:27:39,705 --> 00:27:41,206
APRIL.
485
00:27:41,206 --> 00:27:43,292
[ DOOR CREAKING ]
486
00:27:51,758 --> 00:27:54,636
OH, I KNOW WHERE YOU'RE HIDING.
487
00:27:54,636 --> 00:27:56,471
GIVE ME THE THIRD CLAP.
488
00:28:01,143 --> 00:28:02,728
[ CLAP, CLAP ]
489
00:28:02,728 --> 00:28:05,272
[ CHUCKLES ]
490
00:28:05,272 --> 00:28:06,815
I'M GONNA GET YOU NOW.
491
00:28:06,815 --> 00:28:09,860
[ BREATHING ]
492
00:28:14,072 --> 00:28:16,742
I CAN HEAR YOU BREATHING.
493
00:28:16,742 --> 00:28:19,703
APRIL. APRIL.
494
00:28:19,703 --> 00:28:20,996
[ FOOTSTEPS ]
495
00:28:26,335 --> 00:28:28,503
HA, HA!
YOU TOOK YOUR BLINDFOLD OFF.
496
00:28:28,503 --> 00:28:30,589
I WIN!
YOU WEREN'T EVEN WARM, MOM.
497
00:28:30,589 --> 00:28:33,216
I WAS IN CHRISTINE
AND NANCY'S ROOM.
498
00:28:36,803 --> 00:28:39,097
Roger: I GOTTA HAVE
SOME ROUTES HERE,
499
00:28:39,097 --> 00:28:41,683
OR I'M GONNA LOSE THE INSURANCE
ON THE RIG.
500
00:28:41,683 --> 00:28:43,143
[ CHUCKLES ]
501
00:28:43,143 --> 00:28:46,688
THAT'S LIKE HALF
OF MY RATE, MAN.
502
00:28:48,190 --> 00:28:50,901
YEAH, OKAY.
503
00:28:50,901 --> 00:28:53,111
WELL, UH, I'LL TAKE IT.
504
00:28:53,111 --> 00:28:54,363
THANK YOU.
505
00:28:56,990 --> 00:28:58,450
WHAT'S THE ROUTE?
506
00:28:58,450 --> 00:29:01,370
IT'S, UH, FLORIDA.
IT'S A WEEK TURNAROUND.
507
00:29:01,370 --> 00:29:03,664
I START TOMORROW.
508
00:29:03,664 --> 00:29:05,457
WE'LL GET THROUGH THIS.
509
00:29:05,457 --> 00:29:08,543
[ CHUCKLES ]
YEAH.
510
00:29:08,543 --> 00:29:09,836
COME ON,
LET'S GO TO BED.
511
00:29:33,151 --> 00:29:36,363
MM.
STOP IT, NANCY.
512
00:29:36,363 --> 00:29:37,990
IT'S NOT FUNNY ANYMORE.
513
00:29:37,990 --> 00:29:41,243
I'M TRYING TO SLEEP,
PLEASE STOP GRABBING MY FEET.
514
00:29:45,372 --> 00:29:46,456
[ GASPS ]
515
00:30:10,480 --> 00:30:11,982
[ GASPS ]
516
00:30:11,982 --> 00:30:14,526
[ BREATHING HEAVILY ]
517
00:30:14,526 --> 00:30:16,111
[ WHIMPERING ]
518
00:30:54,524 --> 00:30:58,153
[ CREAKING ]
519
00:31:12,334 --> 00:31:15,087
[ BREATHING HEAVILY ]
520
00:31:15,087 --> 00:31:17,255
[ WHIMPERING ]
521
00:31:24,971 --> 00:31:26,890
NANCY?
522
00:31:26,890 --> 00:31:30,227
[ Crying ] NANCY?
523
00:31:32,395 --> 00:31:34,356
WHAT ARE YOU DOING?
524
00:31:37,818 --> 00:31:41,154
CHRISTINE?
525
00:31:41,154 --> 00:31:42,280
ARE YOU ALL RIGHT?
526
00:31:42,280 --> 00:31:45,534
DO YOU SEE IT?
527
00:31:48,370 --> 00:31:50,205
SEE WHAT?
528
00:31:54,960 --> 00:31:57,212
THERE'S SOMEONE
BEHIND THE DOOR.
529
00:31:57,212 --> 00:32:00,841
WHAT?
530
00:32:00,841 --> 00:32:03,260
THERE'S SOMEONE
STANDING OVER THERE.
531
00:32:05,971 --> 00:32:07,639
I DON'T SEE ANYONE.
532
00:32:10,559 --> 00:32:12,894
IT'S LOOKING RIGHT AT US.
533
00:32:22,237 --> 00:32:24,489
NANCY, DON'T!
NANCY.
534
00:32:24,489 --> 00:32:26,658
NO, NO. LOOK.
LOOK.
535
00:32:26,658 --> 00:32:28,660
LOOK, THERE'S NO ONE --
THERE'S NO ONE HERE.
536
00:32:28,660 --> 00:32:30,829
SEE?
537
00:32:30,829 --> 00:32:33,790
UGH.
IT'S THAT SMELL AGAIN.
538
00:32:33,790 --> 00:32:36,668
OH, MY GOD.
539
00:32:36,668 --> 00:32:39,796
IT'S STANDING
RIGHT BEHIND YOU.
540
00:32:39,796 --> 00:32:42,966
[ HEAVY BREATHING ]
541
00:32:50,223 --> 00:32:51,308
[ DOOR SLAMS ]
542
00:32:51,308 --> 00:32:55,478
[ BOTH SCREAMING ]
543
00:32:55,478 --> 00:32:58,815
CHRISTINE?!
CHRISTINE! CHRISTINE!
544
00:32:58,815 --> 00:33:01,318
CHRIS--
GOD, IT WON'T OP--
545
00:33:01,318 --> 00:33:03,195
CHRISTINE!
546
00:33:03,195 --> 00:33:04,613
NO! NO! NO!
547
00:33:04,613 --> 00:33:05,947
WHAT'S GOING ON?
WHAT HAPPENED?
548
00:33:05,947 --> 00:33:07,741
THERE WAS SOMEONE ELSE
IN HERE!
549
00:33:07,741 --> 00:33:09,326
WHAT?
WHERE?
550
00:33:09,326 --> 00:33:12,537
[ Crying ] BY THE DOOR.
IT WAS BEHIND THE DOOR.
551
00:33:12,537 --> 00:33:13,914
HONEY,
THERE'S NOTHING IN HERE.
552
00:33:13,914 --> 00:33:15,123
THERE'S NOBODY IN HERE.
553
00:33:15,123 --> 00:33:17,083
THERE WAS SOMEONE ELSE
IN HERE!
554
00:33:17,083 --> 00:33:19,377
I WAS JUST SLEEPING,
555
00:33:19,377 --> 00:33:21,713
AND THEN I FELT SOMEBODY
GRAB MY FEET.
556
00:33:21,713 --> 00:33:24,216
SO I THOUGHT IT WAS NANCY.
557
00:33:24,216 --> 00:33:26,843
WELL, HONEY, I'M PRETTY SURE
IT WAS JUST A BAD DREAM.
558
00:33:26,843 --> 00:33:30,430
NO! NO!
IT TALKED TO ME!
559
00:33:30,430 --> 00:33:37,270
IT SAID
THAT IT WANTS MY FAMILY DEAD.
560
00:33:37,270 --> 00:33:40,106
[ SOBBING ]
561
00:33:43,109 --> 00:33:46,363
Lorraine: MR. WINSTON!
562
00:33:46,363 --> 00:33:48,448
WINSTON? WINSTON?
563
00:33:48,448 --> 00:33:50,825
GET BEHIND HIM.
564
00:33:50,825 --> 00:33:52,410
WHERE YOU OFF TO?
565
00:33:52,410 --> 00:33:55,872
I JUST GOTTA RUN TO THE STORE
FOR A FEW THINGS.
566
00:33:55,872 --> 00:33:58,166
WHY DO YOU EVEN TRY?
567
00:33:58,166 --> 00:33:59,751
WHAT?
WHAT DO YOU MEAN?
568
00:33:59,751 --> 00:34:01,503
IN 15 YEARS HAVE YOU EVER
BEEN ABLE TO LIE TO ME?
569
00:34:01,503 --> 00:34:03,296
[ SIGHS ]
FATHER GORDON CALLED.
570
00:34:03,296 --> 00:34:05,507
HE'S GOT A CASE HE WANTS US
TO LOOK INTO.
571
00:34:05,507 --> 00:34:07,425
I SAID
I'D GO CHECK IT OUT MYSELF.
572
00:34:07,425 --> 00:34:09,177
LORRAINE, MYSELF.
573
00:34:09,177 --> 00:34:11,096
I'M GOING WITH YOU.
574
00:34:11,096 --> 00:34:13,556
I KNOW YOU'RE WORRIED
IT'S GONNA HAPPEN AGAIN.
575
00:34:13,556 --> 00:34:15,016
YEAH, I AM.
I REALLY AM.
576
00:34:18,228 --> 00:34:21,064
MAYBE IT'S JUST TIME
WE TAKE A BREAK.
577
00:34:21,064 --> 00:34:22,816
WRITE THAT BOOK.
578
00:34:22,816 --> 00:34:25,860
DO YOU REMEMBER WHAT YOU SAID
TO ME ON OUR WEDDING NIGHT?
579
00:34:25,860 --> 00:34:29,072
"CAN WE DO IT AGAIN?"
580
00:34:31,574 --> 00:34:32,867
AFTER THAT.
581
00:34:32,867 --> 00:34:35,161
[ BOTH LAUGH ]
582
00:34:35,161 --> 00:34:37,998
YOU SAID THAT GOD BROUGHT US
TOGETHER FOR A REASON.
583
00:34:37,998 --> 00:34:39,582
RIGHT?
584
00:34:39,582 --> 00:34:43,253
I'M PRETTY SURE
IT'S NOT TO WRITE A BOOK.
585
00:34:43,253 --> 00:34:46,089
I'M GONNA GET DRESSED.
586
00:34:48,258 --> 00:34:49,884
[ SIGHS ]
587
00:34:49,884 --> 00:34:51,803
WE'VE ISOLATED THE DISTURBANCES
TO THE ATTIC.
588
00:34:51,803 --> 00:34:53,680
NOW, I JUST WANT YOU TO LISTEN
FOR A SECOND.
589
00:34:53,680 --> 00:34:55,056
[ CREAKING ]
590
00:34:55,056 --> 00:34:57,600
[ GASPS ] OH, MY GOD.
THAT'S IT.
591
00:34:57,600 --> 00:34:59,728
DO IT AGAIN, ED.
592
00:34:59,728 --> 00:35:00,854
[ CREAKING ]
593
00:35:00,854 --> 00:35:02,731
RIGHT NOW
IT'S JUST MY WEIGHT.
594
00:35:02,731 --> 00:35:04,607
BUT YOU TAKE THE WATER
COMIN' OFF-A THE PIPE
595
00:35:04,607 --> 00:35:06,901
COMBINED WITH THE WIND COMIN'
THROUGH THE BROKEN WINDOW,
596
00:35:06,901 --> 00:35:09,029
THESE BOARDS ARE GONNA EXPAND
AND RUB AGAINST EACH OTHER.
597
00:35:09,029 --> 00:35:10,405
YOU HEARD IT
ALL THROUGH THE HOUSE
598
00:35:10,405 --> 00:35:13,491
'CAUSE OF THESE PIPES
LEADING TO THE RADIATOR.
599
00:35:13,491 --> 00:35:16,077
SO THIS PLACE
ISN'T HAUNTED?
600
00:35:16,077 --> 00:35:17,454
NO, IT RARELY IS.
601
00:35:17,454 --> 00:35:19,748
YEAH,
THERE'S USUALLY ALWAYS
602
00:35:19,748 --> 00:35:22,459
SOME KIND OF RATIONAL
EXPLANATION.
603
00:35:22,459 --> 00:35:25,545
[ BETSY BRYE'S
"SLEEP WALK" PLAYS ]
604
00:35:29,966 --> 00:35:35,597
♪ SLEEP WALK ♪
605
00:35:35,597 --> 00:35:42,854
♪ INSTEAD OF DREAMING,
I SLEEP WALK ♪
606
00:35:42,854 --> 00:35:48,109
♪ 'CAUSE I LOST YOU
AND NOW WHAT AM I TO DO? ♪
607
00:35:48,109 --> 00:35:50,528
[ ZIPPER ZIPS ]
608
00:35:50,528 --> 00:35:51,696
♪ CAN'T BELIEVE ♪
609
00:35:51,696 --> 00:35:53,031
[ CHILD GIGGLES ]
610
00:35:53,031 --> 00:35:58,661
♪ THAT WE'RE THROUGH ♪
611
00:35:58,661 --> 00:36:02,207
[ MUSIC STOPS ]
612
00:36:02,207 --> 00:36:03,875
[ CLAP, CLAP ]
613
00:36:03,875 --> 00:36:06,294
GIRLS, IT'S WAY PAST
YOUR BEDTIME.
614
00:36:12,258 --> 00:36:14,761
[ CLOCK TICKING ]
615
00:36:17,722 --> 00:36:19,349
[ DOOR CREAKS ]
616
00:36:35,448 --> 00:36:36,783
[ LIGHT SWITCH CLICKS ]
617
00:36:53,174 --> 00:36:55,051
[ DOOR CREAKS ]
618
00:37:04,811 --> 00:37:07,021
[ SHATTERING ]
619
00:37:07,021 --> 00:37:10,024
[ CHILD LAUGHING ]
620
00:37:10,024 --> 00:37:12,277
[ PICTURE FRAME SHATTERS ]
621
00:37:31,504 --> 00:37:33,423
[ GLASS CRUNCHING ]
622
00:37:42,640 --> 00:37:45,101
[ DOOR CREAKS ]
623
00:37:46,811 --> 00:37:49,856
[ CLOCK CHIMING ]
624
00:37:57,655 --> 00:37:59,157
[ CLAP, CLAP ]
625
00:38:03,286 --> 00:38:04,746
WHO IS THAT?!
626
00:38:15,673 --> 00:38:17,342
[ DOOR CREAKS ]
627
00:38:28,436 --> 00:38:30,813
[ DOOR CREAKS ]
628
00:39:07,183 --> 00:39:09,894
WHO'S EVER DOWN THERE,
I'M GONNA LOCK YOU IN NOW!
629
00:39:09,894 --> 00:39:11,563
[ DOOR SLAMS ]
AAH!
630
00:39:11,563 --> 00:39:13,690
AAH! AAH!
631
00:39:13,690 --> 00:39:15,817
AAH! AAH!
632
00:39:15,817 --> 00:39:18,403
[ PANTING ]
633
00:39:46,055 --> 00:39:48,224
[ BREATHING HEAVILY ]
634
00:40:01,154 --> 00:40:03,072
AAH!
635
00:40:03,072 --> 00:40:05,575
AAH! AAH!
636
00:40:05,575 --> 00:40:07,201
ANDREA!! HELP!!
637
00:40:07,201 --> 00:40:08,578
[ CHILD LAUGHS ]
638
00:40:13,291 --> 00:40:15,668
[ STRIKES MATCH ]
639
00:40:15,668 --> 00:40:17,587
[ BREATHING HEAVILY ]
640
00:40:27,639 --> 00:40:29,891
[ STRIKES MATCH ]
641
00:40:31,976 --> 00:40:34,270
Rory: HEY, WANNA PLAY
HIDE-AND-CLAP?
642
00:40:37,690 --> 00:40:39,233
AAAAH!
643
00:40:39,233 --> 00:40:40,818
[ RATTLING ]
644
00:40:50,662 --> 00:40:53,456
[ THUMPING ]
645
00:41:08,888 --> 00:41:10,348
CINDY?
646
00:41:24,320 --> 00:41:27,990
[ SIGHS ]
OKAY, NOW...
647
00:41:27,990 --> 00:41:29,617
ALL RIGHT?
648
00:41:29,617 --> 00:41:31,744
ALL RIGHT, COME ON.
649
00:41:31,744 --> 00:41:35,415
COME ON.
THERE YOU GO.
650
00:41:35,415 --> 00:41:37,834
OKAY, YOU CAN, UH, JUST SLEEP
WITH ME TONIGHT,
651
00:41:37,834 --> 00:41:39,043
ALL RIGHT?
652
00:41:43,464 --> 00:41:45,383
THERE YOU GO.
653
00:41:45,383 --> 00:41:47,635
THERE.
654
00:41:51,556 --> 00:41:54,434
[ THUMPING ]
655
00:42:35,224 --> 00:42:37,310
[ GASPS,
BREATHING HEAVILY ]
656
00:42:40,354 --> 00:42:41,355
AAH!
657
00:42:41,355 --> 00:42:45,193
[ SCREAMING ]
658
00:42:51,240 --> 00:42:52,366
Roger: ANDREA?!
659
00:42:52,366 --> 00:42:53,826
Carolyn:
HELP! HELP! HELP!
660
00:42:53,826 --> 00:42:56,412
[ SCREAMING CONTINUES ]
661
00:42:56,412 --> 00:42:59,415
WHO'S IN HERE?
ANDREA!
662
00:42:59,415 --> 00:43:00,625
ANDREA?!
663
00:43:00,625 --> 00:43:01,834
IN HERE!
664
00:43:01,834 --> 00:43:03,836
HELP, DADDY!
HELP, IT'S ANDREA!
665
00:43:03,836 --> 00:43:06,672
WHO'S IN HERE?
WHAT HAPPENED?
666
00:43:06,672 --> 00:43:09,425
WHAT'S WRONG, BABY?
667
00:43:09,425 --> 00:43:11,969
SOMEBODY, GODDAMN IT,
TELL ME WHAT'S GOIN' ON HERE?!
668
00:43:15,723 --> 00:43:19,894
Ed: FEAR IS DEFINED AS A FEELING
OF AGITATION AND ANXIETY
669
00:43:19,894 --> 00:43:22,897
CAUSED BY THE PRESENCE
OR IMMINENCE OF DANGER.
670
00:43:22,897 --> 00:43:25,817
WHETHER IT'S A GHOST,
A SPIRIT OR AN ENTITY,
671
00:43:25,817 --> 00:43:26,984
THEY ALL FEED ON IT.
672
00:43:26,984 --> 00:43:28,027
TAKE MAURICE HERE.
673
00:43:28,027 --> 00:43:29,654
HE'S A FRENCH-CANADIAN FARMER
674
00:43:29,654 --> 00:43:32,365
WHO HAD NOTHING MORE
THAN A THIRD-GRADE EDUCATION,
675
00:43:32,365 --> 00:43:33,866
YET AFTER HE WAS POSSESSED,
676
00:43:33,866 --> 00:43:35,660
SPOKE SOME OF THE BEST LATIN
I'D EVER HEARD.
677
00:43:35,660 --> 00:43:37,161
SOMETIMES BACKWARDS.
678
00:43:37,161 --> 00:43:38,830
HE'D BEEN MOLESTED
BY HIS FATHER,
679
00:43:38,830 --> 00:43:41,040
WHO HAD ALSO TORTURED HIM
REPEATEDLY.
680
00:43:41,040 --> 00:43:44,669
A DARK SPIRIT MADE ITS HOME
IN THIS MAN.
681
00:43:44,669 --> 00:43:47,255
NOW, IF YOU LOOK
INTO HIS EYES,
682
00:43:47,255 --> 00:43:50,424
YOU CAN SEE HIM
TEARING BLOOD.
683
00:43:50,424 --> 00:43:53,219
[ MEN ON VIDEO
SPEAKING INDISTINCTLY ]
684
00:43:56,472 --> 00:43:59,851
AND LIKE THAT,
AN UPSIDE-DOWN CROSS
685
00:43:59,851 --> 00:44:02,103
STARTED TO APPEAR
FROM WITHIN HIS BODY.
686
00:44:02,103 --> 00:44:05,606
[ STUDENTS GASP ]
687
00:44:05,606 --> 00:44:07,733
ALL RIGHT, DREW,
YOU CAN HIT THE LIGHTS.
688
00:44:07,733 --> 00:44:09,235
OH. OH.
689
00:44:09,235 --> 00:44:10,945
Woman: DID YOU PERSONALLY
PERFORM THE EXORCISM?
690
00:44:10,945 --> 00:44:14,615
NO, I'M NOT AUTHORIZED.
BUT I'VE ASSISTED ON MANY.
691
00:44:14,615 --> 00:44:16,659
SEE, AN EXORCISM
CAN BE VERY DANGEROUS,
692
00:44:16,659 --> 00:44:19,287
NOT ONLY FOR THE VICTIM,
BUT FOR ANYONE IN THE ROOM.
693
00:44:19,287 --> 00:44:21,622
SO, WHAT HAPPENED
TO MAURICE?
694
00:44:21,622 --> 00:44:22,957
WELL, HE TRIED
TO KILL HIS WIFE,
695
00:44:22,957 --> 00:44:24,292
BUT INSTEAD HE SHOT HER
IN THE ARM
696
00:44:24,292 --> 00:44:25,877
AND THEN HE TURNED THE GUN
ON HIMSELF.
697
00:44:25,877 --> 00:44:30,089
MAURICE HAD A VERY TROUBLED LIFE
WITH LITTLE TO LIVE FOR
698
00:44:30,089 --> 00:44:33,467
AND NOT EVEN AN EXORCIST
COULD BRING HIM BACK.
699
00:44:33,467 --> 00:44:36,721
WHICH BRINGS US TO THE THREE
STAGES OF DEMONIC ACTIVITY:
700
00:44:36,721 --> 00:44:39,098
INFESTATION, OPPRESSION
AND POSSESSION.
701
00:44:39,098 --> 00:44:43,144
NOW, INFESTATION: THAT'S
THE WHISPERING, THE FOOTSTEPS,
702
00:44:43,144 --> 00:44:45,146
THE FEELING OF ANOTHER PRESENCE,
703
00:44:45,146 --> 00:44:48,774
WHICH ULTIMATELY GROWS INTO
OPPRESSION, THE SECOND STAGE.
704
00:44:48,774 --> 00:44:51,110
NOW THIS IS WHERE THE VICTIM,
AND IT'S USUALLY THE ONE
705
00:44:51,110 --> 00:44:53,029
WHO'S THE MOST PSYCHOLOGICALLY
VULNERABLE,
706
00:44:53,029 --> 00:44:56,115
IS TARGETED SPECIFICALLY
BY AN EXTERNAL FORCE.
707
00:44:56,115 --> 00:44:59,744
BREAKS THE VICTIM DOWN.
CRUSHES THEIR WILL.
708
00:44:59,744 --> 00:45:01,829
AND, ONCE IN A WEAKENED STATE,
709
00:45:01,829 --> 00:45:05,416
LEADS THEM TO THE THIRD
AND FINAL STAGE: POSSESSION.
710
00:45:05,416 --> 00:45:07,335
[ BELLS TOLLING ]
711
00:45:07,335 --> 00:45:09,503
HEY, ED?
LORRAINE?
712
00:45:09,503 --> 00:45:11,964
THERE'S SOMEONE HERE THAT
WOULD LIKE TO TALK TO YOU.
713
00:45:11,964 --> 00:45:13,716
HI.
THANKS, DREW.
714
00:45:13,716 --> 00:45:15,092
THANK YOU.
SURE. I'LL SEE YOU LATER.
715
00:45:15,092 --> 00:45:16,969
HOW CAN WE HELP YOU?
716
00:45:16,969 --> 00:45:19,472
THERE'S SOMETHING HORRIBLE
HAPPENING IN MY HOUSE.
717
00:45:19,472 --> 00:45:21,182
COULD YOU COME
AND TAKE A LOOK?
718
00:45:21,182 --> 00:45:22,975
YOU KNOW, UH,
IT'S GETTIN' KINDA LATE.
719
00:45:22,975 --> 00:45:24,936
WE REALLY NEED TO BE HEADIN'
TO OUR FAMILY.
720
00:45:24,936 --> 00:45:26,062
NO, YOU DON'T UNDERSTAND.
721
00:45:26,062 --> 00:45:27,521
BUT WE DO.
722
00:45:27,521 --> 00:45:29,023
THERE'S USUALLY SOME SORT OF
RATIONAL EXPLANATION.
723
00:45:29,023 --> 00:45:30,942
I HAVE FIVE DAUGHTERS
WHO ARE SCARED TO DEATH.
724
00:45:30,942 --> 00:45:33,527
I'M SO AFRAID THIS THING
WANTS TO HURT US.
725
00:45:33,527 --> 00:45:36,072
YOU HAVE A DAUGHTER.
WOULDN'T YOU DO ANYTHING
YOU COULD TO PROTECT HER?
726
00:45:36,072 --> 00:45:37,406
PLEASE.
727
00:45:37,406 --> 00:45:39,700
PLEASE CAN YOU COME
AND TAKE A LOOK?
728
00:45:42,078 --> 00:45:43,079
OF COURSE WE WILL.
729
00:45:43,079 --> 00:45:46,457
OF COURSE WE WILL.
730
00:45:57,134 --> 00:45:59,470
Marcia: COME ON, JAN!
OPEN UP!
731
00:46:00,930 --> 00:46:02,765
JAN, WHAT HAPPENED?
732
00:46:02,765 --> 00:46:04,266
[ KNOCK ON DOOR ]
733
00:46:04,266 --> 00:46:05,810
THE TOP OF YOUR HEAD
TURNED BLACK.
734
00:46:05,810 --> 00:46:07,269
Carolyn: HEY. YOU GUYS
STRAIGHTEN UP? THANKS.
735
00:46:07,269 --> 00:46:08,437
Jan: DON'T BE SILLY,
IT'S A WIG.
736
00:46:08,437 --> 00:46:09,522
[ TV TURNS OFF ]
737
00:46:12,775 --> 00:46:14,610
HELLO.
HI.
738
00:46:14,610 --> 00:46:16,696
THANKS FOR COMING.
739
00:46:16,696 --> 00:46:19,198
HI, I'M ROGER.
LORRAINE.
740
00:46:19,198 --> 00:46:21,534
HEY, NICE TO MEET YOU,
ROGER. ED WARREN.
741
00:46:21,534 --> 00:46:23,494
THANKS FOR COMIN'.
PLEASE, COME IN.
742
00:46:23,494 --> 00:46:25,871
THANK YOU.
743
00:46:25,871 --> 00:46:27,498
SO...
744
00:46:27,498 --> 00:46:29,041
OH, MY GOD.
LOOK AT YOU ALL.
745
00:46:29,041 --> 00:46:30,918
WHO ARE THESE BEAUTIFUL
YOUNG WOMEN?
746
00:46:30,918 --> 00:46:32,086
THIS IS ANDREA,
THE OLDEST,
747
00:46:32,086 --> 00:46:36,882
NANCY, CINDY,
CHRISTINE, AND APRIL.
748
00:46:36,882 --> 00:46:39,135
IT'S MR. AND MRS. WARREN.
749
00:46:39,135 --> 00:46:41,429
WE, UM, WE'RE ALL SLEEPING
DOWN HERE NOW.
750
00:46:41,429 --> 00:46:42,763
MM.
751
00:46:42,763 --> 00:46:45,850
THE GIRLS FEEL SAFER
AND IT'S WARMER.
752
00:46:45,850 --> 00:46:47,727
I'M CONSTANTLY
TURNING UP THE HEAT,
753
00:46:47,727 --> 00:46:49,478
BUT THE HOUSE
IS ALWAYS FREEZING.
754
00:46:49,478 --> 00:46:52,231
Roger: IT'S NOT A PROBLEM
WITH THE FURNACE, THOUGH.
755
00:46:52,231 --> 00:46:53,941
I MEAN,
NOT THAT I CAN FIND.
756
00:46:58,029 --> 00:47:02,366
IT'S GOTTEN A LOT WORSE
THE PAST FEW NIGHTS.
757
00:47:02,366 --> 00:47:06,454
THERE'S THIS AWFUL SMELL,
LIKE ROTTING MEAT.
758
00:47:06,454 --> 00:47:07,830
IT MOVES AROUND THE HOUSE.
759
00:47:09,749 --> 00:47:11,917
UH...
760
00:47:11,917 --> 00:47:13,294
WHAT?
WHAT IS IT?
761
00:47:13,294 --> 00:47:16,922
WELL, RANCID SMELLS COULD
[SIGHS] INDICATE
762
00:47:16,922 --> 00:47:19,383
SOME TYPE OF DEMONIC ACTIVITY.
763
00:47:19,383 --> 00:47:22,428
OH, MY GOD.
764
00:47:25,181 --> 00:47:26,348
Roger: WELL,
THAT'S TO KEEP THOSE DOORS
765
00:47:26,348 --> 00:47:27,349
FROM BANGIN' AT NIGHT.
766
00:47:27,349 --> 00:47:29,477
OTHERWISE, IT'S LIKE....
767
00:47:29,477 --> 00:47:30,978
ALL NIGHT LONG,
JUST LIKE THAT.
768
00:47:30,978 --> 00:47:33,481
DOES IT COME IN THREES?
769
00:47:33,481 --> 00:47:34,523
YEAH.
770
00:47:34,523 --> 00:47:35,816
IT STOPS AT DAWN?
771
00:47:35,816 --> 00:47:38,819
UH-HUH.
772
00:47:38,819 --> 00:47:42,281
WELL, SOMETIMES IT'S MEANT
AS AN INSULT TO THE TRINITY:
773
00:47:42,281 --> 00:47:44,909
THE FATHER, THE SON
AND THE HOLY SPIRIT.
774
00:47:46,577 --> 00:47:48,329
YOU KNOW,
IT'S THE DAMNDEST THING,
775
00:47:48,329 --> 00:47:50,081
BUT WE ALSO GET
ALL KINDS OF BIRDS
776
00:47:50,081 --> 00:47:52,416
THAT WILL JUST FLY AGAINST
THE SIDE OF THE HOUSE
777
00:47:52,416 --> 00:47:54,001
AND BREAK THEIR NECKS.
778
00:47:54,001 --> 00:47:55,169
MM. REALLY?
779
00:47:55,169 --> 00:47:57,797
AND THE CLOCKS STOP
AT 3:07 A.M.
780
00:47:57,797 --> 00:48:00,007
ALL OF THEM?
EVERY ONE.
781
00:48:03,302 --> 00:48:06,347
OH, WE WERE HANGING THOSE
ALONG THE STAIRS.
782
00:48:06,347 --> 00:48:09,183
SOMETHING JUST KEPT
KNOCKING THEM DOWN,
783
00:48:09,183 --> 00:48:11,393
SO WE STOPPED
HANGING 'EM UP.
784
00:48:14,146 --> 00:48:16,649
THAT'S WHAT
I WAS TALKING ABOUT.
785
00:48:16,649 --> 00:48:18,234
IT WAS HERE
WHEN WE MOVED IN.
786
00:48:18,234 --> 00:48:20,319
THERE'S ALSO A LOT OF STUFF
IN THE CELLAR.
787
00:48:23,697 --> 00:48:25,199
SHOW ME THE CELLAR.
788
00:48:29,286 --> 00:48:32,498
[ INDISTINCT SCREAMING ]
789
00:48:37,294 --> 00:48:40,297
Woman:
LOOK WHAT SHE MADE ME DO.
790
00:48:40,297 --> 00:48:42,758
YOU PICKIN' UP ANYTHING
IN HERE, HON?
791
00:48:46,262 --> 00:48:48,556
SOMETHIN' AWFUL
HAPPENED HERE, ED.
792
00:48:52,893 --> 00:48:56,564
THOSE BRUISES, THEY FROM
SOMETHIN' THAT HAPPENED HERE?
793
00:48:56,564 --> 00:48:59,984
OH, IT'S SOME IRON
DEFICIENCY THING I HAVE.
794
00:49:02,236 --> 00:49:04,488
YOU KNOW, WITH ALL
THAT'S BEEN GOIN' ON,
795
00:49:04,488 --> 00:49:06,115
WHY HAVEN'T YOU JUST MOVED OUT?
796
00:49:06,115 --> 00:49:08,284
WELL, I DON'T KNOW WHERE
WE'D MOVE TO, YOU KNOW?
797
00:49:08,284 --> 00:49:10,202
WE GOT ALL OUR MONEY TIED UP
IN THIS PLACE
798
00:49:10,202 --> 00:49:13,205
AND HAD A LOT OF REPAIRS
ON TOP OF THAT.
799
00:49:13,205 --> 00:49:14,790
AND I DON'T KNOW ANYBODY
800
00:49:14,790 --> 00:49:17,668
WHO'S GONNA TAKE IN A FAMILY
OF SEVEN INDEFINITELY.
801
00:49:17,668 --> 00:49:19,670
THAT'S WHY
WE TRACKED YOU DOWN.
802
00:49:19,670 --> 00:49:22,131
WE'RE GLAD YOU FOUND US.
803
00:49:22,131 --> 00:49:26,677
ALL RIGHT,
LET'S GET STARTED.
804
00:49:26,677 --> 00:49:29,763
MY NAME IS ED WARREN.
IT'S NOVEMBER 1st, 1971.
805
00:49:29,763 --> 00:49:32,349
I'M SITTING HERE
WITH CAROLYN PERRON,
806
00:49:32,349 --> 00:49:33,809
WHO, WITH HER FAMILY,
807
00:49:33,809 --> 00:49:37,271
HAS BEEN EXPERIENCING
SUPERNATURAL OCCURRENCES.
808
00:49:37,271 --> 00:49:38,522
OKAY, GO AHEAD.
809
00:49:40,399 --> 00:49:42,318
WHERE DO I START?
810
00:49:42,318 --> 00:49:45,029
FROM THE FIRST OCCURRENCE.
811
00:49:45,029 --> 00:49:47,239
I GUESS IT WAS THE CLOCKS.
812
00:49:47,239 --> 00:49:49,366
MOM AND DAD TELL ME
THAT YOU HAVE A FRIEND.
813
00:49:49,366 --> 00:49:51,911
HIS NAME'S RORY.
HE LIVES HERE TOO.
814
00:49:51,911 --> 00:49:53,746
BUT HE'S ALWAYS SAD.
815
00:49:53,746 --> 00:49:56,081
WHY'S THAT?
HE WON'T TELL ME
816
00:49:56,081 --> 00:49:59,210
BUT I THINK SOMETHING BAD
HAPPENED TO HIM.
817
00:50:01,378 --> 00:50:04,256
DO YOU MIND
IF I TRY TO SEE RORY?
818
00:50:16,143 --> 00:50:19,563
[ GEARS CRANK ]
819
00:50:19,563 --> 00:50:21,440
[ MUSIC BOX PLAYS ]
820
00:51:08,654 --> 00:51:09,822
[ DOOR CLOSES ]
821
00:51:32,678 --> 00:51:34,972
[ SIGHS ]
822
00:51:34,972 --> 00:51:36,015
HEY.
823
00:51:36,015 --> 00:51:38,017
[ CREAKING ]
824
00:51:46,275 --> 00:51:48,235
WHAT IS IT?
825
00:51:48,235 --> 00:51:51,905
[ CREAKING ]
826
00:52:08,797 --> 00:52:10,883
WE BOUGHT IT AT AUCTION
FROM THE BANK,
827
00:52:10,883 --> 00:52:13,218
SO, YOU KNOW, WE NEVER KNEW
WHO LIVED HERE.
828
00:52:17,348 --> 00:52:19,683
WELL,
LORRAINE AND I BOTH FEEL
829
00:52:19,683 --> 00:52:24,271
THAT WHAT YOUR HOUSE NEEDS
IS A CLEANSING.
830
00:52:24,271 --> 00:52:25,689
AN EXORCISM.
831
00:52:25,689 --> 00:52:28,692
WHAT, EXORCISM?
832
00:52:30,194 --> 00:52:31,737
I THOUGHT THAT WAS --
833
00:52:31,737 --> 00:52:33,697
I THOUGHT THAT WAS SOMETHIN'
THAT YOU DO TO PEOPLE.
834
00:52:33,697 --> 00:52:35,282
NO, NOT NECESSARILY, NO.
835
00:52:35,282 --> 00:52:37,201
WE HAVE TO
GET OUTTA HERE.
836
00:52:37,201 --> 00:52:40,204
I'M AFRAID
THAT'S NOT GONNA HELP.
837
00:52:40,204 --> 00:52:45,167
LORRAINE SAW SOMETHIN',
WHICH-- GO AHEAD, HON.
838
00:52:47,002 --> 00:52:49,338
I'VE BEEN SEEING
THE DARK ENTITY
839
00:52:49,338 --> 00:52:52,049
THAT HAUNTS YOUR HOUSE
AND YOUR LAND.
840
00:52:56,428 --> 00:53:00,599
I SAW IT FIRST WHEN I CAME
THROUGH YOUR DOOR.
841
00:53:00,599 --> 00:53:02,935
IT WAS LATCHED
TO YOUR BACK.
842
00:53:05,187 --> 00:53:07,564
AND THEN I SAW IT AGAIN
WITH THE GIRLS
843
00:53:07,564 --> 00:53:10,150
WHEN WE WALKED
INTO THE LIVING ROOM.
844
00:53:10,150 --> 00:53:12,694
AND IT DOESN'T MATTER
WHERE YOU GO,
845
00:53:12,694 --> 00:53:15,948
THIS DARK ENTITY HAS LATCHED
ITSELF TO YOUR FAMILY
846
00:53:15,948 --> 00:53:17,616
AND IT'S FEEDING OFF YOU.
847
00:53:20,577 --> 00:53:23,080
EVEN IF WE LEAVE?
848
00:53:23,080 --> 00:53:25,707
SOMETIMES WHEN YOU GET HAUNTED,
IT'S LIKE STEPPIN' ON GUM.
849
00:53:25,707 --> 00:53:28,252
YOU TAKE IT WITH YOU.
850
00:53:28,252 --> 00:53:30,421
Lorraine:
LOOK, I GOTTA TELL YOU,
851
00:53:30,421 --> 00:53:32,339
YOU HAVE A LOT OF SPIRITS
IN HERE,
852
00:53:32,339 --> 00:53:34,508
BUT THIS IS THE ONE
THAT I'M MOST WORRIED ABOUT,
853
00:53:34,508 --> 00:53:37,136
BECAUSE IT IS SO HATEFUL.
854
00:53:37,136 --> 00:53:39,221
OKAY,
SO WHAT DO WE DO?
855
00:53:39,221 --> 00:53:40,889
CAN WE CALL A PRIEST?
856
00:53:40,889 --> 00:53:42,599
Ed: I WISH
IT WERE THAT EASY.
857
00:53:42,599 --> 00:53:45,102
PERFORMING AN EXORCISM
IS AN ARCHAIC PROCEDURE.
858
00:53:45,102 --> 00:53:47,104
REQUIRES YEARS OF TRAINING.
859
00:53:47,104 --> 00:53:51,442
AND EVEN THEN, I HAVE SEEN IT
GO HORRIBLY WRONG.
860
00:53:51,442 --> 00:53:53,735
BUT BEFORE
WE EVEN GET THAT FAR,
861
00:53:53,735 --> 00:53:55,988
THE CHURCH HAS TO
AUTHORIZE IT FIRST.
862
00:53:55,988 --> 00:53:58,615
IT MEANS WE GOTTA INVESTIGATE,
GATHER EVIDENCE
863
00:53:58,615 --> 00:54:01,118
AND PROVIDE PROOF,
AND THAT'S THE HARD PART.
864
00:54:03,370 --> 00:54:05,038
HAVE YOUR CHILDREN
BEEN BAPTIZED?
865
00:54:05,038 --> 00:54:07,040
Roger: UH, NO, WE NEVER
GOT AROUND TO THAT.
866
00:54:07,040 --> 00:54:09,543
WE'RE NOT REALLY
A CHURCHGOING FAMILY.
867
00:54:09,543 --> 00:54:12,171
WELL, YOU MAY WANT
TO RETHINK THAT.
868
00:54:12,171 --> 00:54:14,047
OUR PRESENCE HERE
COULD MAKE THINGS WORSE.
WHY?
869
00:54:14,047 --> 00:54:15,757
BECAUSE WE'RE A THREAT.
870
00:54:15,757 --> 00:54:19,219
AND WHATEVER YOU'RE DEALING
WITH HERE ISN'T GONNA LIKE US.
871
00:54:19,219 --> 00:54:21,305
SO FAR IT HASN'T DONE
ANYTHING VIOLENT,
872
00:54:21,305 --> 00:54:22,764
AND THAT'S A GOOD SIGN.
873
00:54:22,764 --> 00:54:24,475
SO WE'RE GONNA HAVE OUR GUY
874
00:54:24,475 --> 00:54:26,101
DO SOME HOMEWORK
ON THE PROPERTY, THOUGH,
875
00:54:26,101 --> 00:54:27,311
TO SEE
WHAT WE'RE UP AGAINST.
876
00:54:29,146 --> 00:54:32,065
Lorraine: JUDY,
WHAT ARE YOU UP TO?
877
00:54:32,065 --> 00:54:33,525
I GOT YOU A PRESENT.
878
00:54:33,525 --> 00:54:34,985
[ GASPS ]
879
00:54:34,985 --> 00:54:38,030
ME AND NANNA GOT THESE
AT THE CHURCH'S YARD SALE.
880
00:54:38,030 --> 00:54:39,198
HONEY.
881
00:54:39,198 --> 00:54:40,240
ONE FOR YOU
AND ONE FOR ME.
882
00:54:40,240 --> 00:54:41,617
AWW!
883
00:54:41,617 --> 00:54:43,368
SHE PUT A PICTURE OF YOU
AND DADDY IN MINE.
884
00:54:43,368 --> 00:54:46,955
NANNA SAID THIS WAY
WE'LL ALWAYS BE TOGETHER.
885
00:54:46,955 --> 00:54:49,333
YOU'LL BE WITH ME
AND I'LL BE WITH YOU.
886
00:54:52,169 --> 00:54:54,004
I MISS YOU AND DADDY.
887
00:55:04,556 --> 00:55:06,350
HEY, HON.
888
00:55:06,350 --> 00:55:09,561
YUP.
889
00:55:09,561 --> 00:55:11,522
YOU'RE NOT GONNA
BELIEVE THIS.
890
00:55:11,522 --> 00:55:13,524
CAROLYN'S VOICE
DIDN'T RECORD.
891
00:55:13,524 --> 00:55:14,983
WHAT DO YOU MEAN?
892
00:55:14,983 --> 00:55:17,528
LISTEN.
893
00:55:17,528 --> 00:55:21,114
MY NAME IS ED WARREN.
IT'S NOVEMBER 1st, 1971.
894
00:55:21,114 --> 00:55:22,115
I'M SITTING HERE
WITH CAROLYN PERRON,
895
00:55:22,115 --> 00:55:23,951
WHO, WITH HER FAMILY,
896
00:55:23,951 --> 00:55:26,078
HAS BEEN EXPERIENCING
SUPERNATURAL OCCURRENCES.
897
00:55:26,078 --> 00:55:28,080
OKAY, GO AHEAD.
898
00:55:30,415 --> 00:55:33,335
FROM THE FIRST OCCURRENCE.
899
00:55:36,880 --> 00:55:39,424
NOTHIN'.
THE WHOLE TIME.
900
00:55:39,424 --> 00:55:41,677
I DON'T KNOW.
YOU FIND ANYTHING?
901
00:55:41,677 --> 00:55:42,844
LOTS.
902
00:55:42,844 --> 00:55:44,096
I MEAN, IT'S NO WONDER
903
00:55:44,096 --> 00:55:45,806
THEY'RE GOING THROUGH
WHAT THEY ARE.
904
00:55:45,806 --> 00:55:48,517
THAT'S THE ORIGINAL
FARMHOUSE.
905
00:55:48,517 --> 00:55:52,104
IT WAS BUILT IN 1863 BY A MAN
NAMED JEDSON SHERMAN,
906
00:55:52,104 --> 00:55:54,731
WHO WAS MARRIED TO A WOMAN
NAMED BATHSHEBA.
907
00:55:54,731 --> 00:55:58,110
ED, SHE'S RELATED
TO MARY TOWNE ESTYE.
908
00:55:58,110 --> 00:56:00,320
SHE WAS ONE OF THE WOMEN ACCUSED
OF WITCHCRAFT IN SALEM.
909
00:56:00,320 --> 00:56:02,489
SHE WAS HUNG
DURING THE TRIALS.
WOW.
910
00:56:02,489 --> 00:56:05,576
AFTER BATHSHEBA MARRIED JEDSON,
THEY HAD A BABY,
911
00:56:05,576 --> 00:56:07,411
AND WHEN THE BABY WAS
7 DAYS OLD,
912
00:56:07,411 --> 00:56:09,121
JEDSON CAUGHT HER
SACRIFICING IT
913
00:56:09,121 --> 00:56:10,664
IN FRONT OF THE FIREPLACE.
914
00:56:10,664 --> 00:56:13,875
SHE RAN OUT TO THAT TREE
BY THE DOCK, CLIMBED UP,
915
00:56:13,875 --> 00:56:15,335
PROCLAIMED HER LOVE
TO SATAN,
916
00:56:15,335 --> 00:56:17,337
AND CURSED ANYONE WHO TRIED
TO TAKE HER LAND,
917
00:56:17,337 --> 00:56:20,924
AND HUNG HERSELF.
918
00:56:20,924 --> 00:56:24,636
TIME OF DEATH WAS PRONOUNCED
AT 3:07 IN THE MORNING.
919
00:56:24,636 --> 00:56:27,139
WELL, THAT EXPLAINS
A FEW THINGS.
920
00:56:27,139 --> 00:56:29,433
YEAH, SO DOES THIS.
921
00:56:29,433 --> 00:56:32,019
HER LAST NAME'S WALKER.
SHE LIVED THERE IN THE '30s.
922
00:56:32,019 --> 00:56:33,312
SHE HAD A BOY NAMED RORY
923
00:56:33,312 --> 00:56:35,230
WHO MYSTERIOUSLY DISAPPEARED
IN THE WOODS.
924
00:56:35,230 --> 00:56:37,107
THEN SHE KILLED HERSELF
IN THE CELLAR.
925
00:56:37,107 --> 00:56:39,109
AND THAT'S NOT ALL.
926
00:56:41,653 --> 00:56:44,281
SO, WHAT WAS THE ORIGINAL
200-ACRE FARM
927
00:56:44,281 --> 00:56:46,908
HAS SINCE BEEN SUBDIVIDED
AND SOLD OFF.
928
00:56:46,908 --> 00:56:49,036
THERE WAS ANOTHER BOY
WHO DROWNED IN A POND HERE.
929
00:56:49,036 --> 00:56:50,787
HE LIVED IN A HOUSE
OVER HERE.
930
00:56:50,787 --> 00:56:53,165
AND A WOMAN WHO WORKED AS A MAID
IN A NEIGHBORING HOME,
931
00:56:53,165 --> 00:56:54,958
SHE COMMITTED SUICIDE TOO.
932
00:56:56,668 --> 00:56:58,503
PEOPLE WHO TOOK HER LAND.
933
00:56:58,503 --> 00:57:00,255
[ TAPE RECORDER CLICKS ]
934
00:57:00,255 --> 00:57:01,423
I'M SITTING HERE
WITH CAROLYN PERRON,
935
00:57:01,423 --> 00:57:03,175
WHO, WITH HER FAMILY,
936
00:57:03,175 --> 00:57:06,011
HAS BEEN EXPERIENCING
SUPERNATURAL OCCURRENCES.
937
00:57:06,011 --> 00:57:08,680
OKAY, GO AHEAD.
938
00:57:08,680 --> 00:57:11,058
[ STATIC, MOANING ]
939
00:57:11,058 --> 00:57:14,186
FROM THE FIRST OCCURRENCE.
940
00:57:14,186 --> 00:57:18,398
[ STATIC, MOANING CONTINUE ]
941
00:57:47,594 --> 00:57:49,471
[ ENGINE REVS ]
942
00:57:49,471 --> 00:57:51,682
OH. HERE'S BRAD.
943
00:57:51,682 --> 00:57:54,726
[ ENGINE SHUTS OFF ]
944
00:57:54,726 --> 00:57:56,186
YOU FIND IT OKAY?
Brad: OH, YEAH.
945
00:57:56,186 --> 00:57:57,854
DREW,
THIS IS OFFICER BRAD.
946
00:57:57,854 --> 00:58:00,982
OFFICER BRAD HAMILTON,
HARRISVILLE, RHODE ISLAND, PD.
947
00:58:00,982 --> 00:58:02,734
MM.
NICE TO MEET YOU, MAN.
948
00:58:02,734 --> 00:58:04,820
SO YOU'RE THE LUCKY
NEW COP, HUH?
949
00:58:04,820 --> 00:58:06,113
GUESS SO.
950
00:58:06,113 --> 00:58:08,031
YOU KNOW YOU CAN'T
SHOOT GHOSTS, RIGHT?
951
00:58:08,031 --> 00:58:09,449
TAKE IT EASY ON HIM, DREW.
952
00:58:09,449 --> 00:58:11,493
ALL RIGHT, GUYS, HELP ME
GET THIS STUFF UNLOADED.
953
00:58:11,493 --> 00:58:13,161
[ DEAD MAN'S BONES' "IN THE ROOM
WHERE YOU SLEEP" PLAYS ]
954
00:58:13,161 --> 00:58:14,955
YOU TAKE THIS.
955
00:58:14,955 --> 00:58:17,207
HI, ROGER.
956
00:58:21,962 --> 00:58:24,089
ALL RIGHT.
WHEN YOU'RE FINISHED HERE,
957
00:58:24,089 --> 00:58:26,299
WHY DON'T YOU HIT UPSTAIRS,
ALL RIGHT, DREW?
958
00:58:26,299 --> 00:58:27,718
YOU GOT IT.
959
00:58:27,718 --> 00:58:32,431
♪ I SAW SOMETHING
SITTING ON YOUR BED ♪
960
00:58:32,431 --> 00:58:37,769
♪ I SAW SOMETHING
TOUCHING YOUR HEAD ♪
961
00:58:37,769 --> 00:58:39,020
[ BELL JINGLES ]
962
00:58:39,020 --> 00:58:41,940
♪ IN THE ROOM
WHERE YOU SLEEP ♪
963
00:58:41,940 --> 00:58:44,818
♪ IN THE ROOM
WHERE YOU SLEEP ♪
964
00:58:44,818 --> 00:58:47,821
♪ WHERE YOU SLEEP ♪
965
00:58:51,116 --> 00:58:52,868
Ed: WHAT'S WRONG
WITH YOUR CHEVY?
966
00:58:52,868 --> 00:58:54,953
WHAT'S NOT WRONG WITH HER?
967
00:58:54,953 --> 00:58:56,663
NEEDS A NEW CARBURETOR
TO START.
968
00:58:56,663 --> 00:58:58,248
OH, YEAH?
969
00:58:58,248 --> 00:59:00,625
KIND OF PUT FIXING HER UP
ON HOLD FOR AWHILE.
970
00:59:00,625 --> 00:59:02,669
YEAH.
971
00:59:04,171 --> 00:59:06,465
HEY, BRAD, HAND ME
A THERMOSTAT, WOULD YA?
972
00:59:08,633 --> 00:59:11,470
WHAT'S THIS, UH, DO?
973
00:59:11,470 --> 00:59:13,346
WELL, WHEN THERE'S AN INSTANT
DROP IN TEMPERATURE,
974
00:59:13,346 --> 00:59:15,307
THE THERMOSTAT TRIGGERS
THE CAMERA TO TAKE A PICTURE.
975
00:59:15,307 --> 00:59:18,435
YOU'VE ACTUALLY CAUGHT THINGS
ON FILM?
976
00:59:18,435 --> 00:59:21,688
WELL, YEAH,
THAT'S, UH, THE POINT.
977
00:59:21,688 --> 00:59:25,150
WHY, UH...WHY OUT HERE?
978
00:59:25,150 --> 00:59:28,487
WELL, THIS IS WHERE THE WITCH
COMMITTED SUICIDE.
979
00:59:28,487 --> 00:59:30,447
SHE HUNG HERSELF
FROM THAT BRANCH
980
00:59:30,447 --> 00:59:32,449
RIGHT ABOVE
WHERE YOU'RE STANDIN'.
981
00:59:38,747 --> 00:59:41,208
Carolyn: HOW COULD A MOTHER
KILL HER OWN CHILD?
982
00:59:41,208 --> 00:59:43,126
IT WAS NEVER
A CHILD TO HER.
983
00:59:43,126 --> 00:59:45,295
SHE JUST USED
HER GOD-GIVEN GIFT
984
00:59:45,295 --> 00:59:47,631
AS THE ULTIMATE OFFENSE
AGAINST HIM.
985
00:59:47,631 --> 00:59:49,633
WITCHES BELIEVE
IT ELEVATES THEIR STATUS
986
00:59:49,633 --> 00:59:50,717
IN THE EYES OF SATAN.
987
00:59:55,722 --> 00:59:59,059
[ CHILDREN LAUGHING ]
988
00:59:59,059 --> 01:00:00,769
MM.
989
01:00:00,769 --> 01:00:02,521
WOW.
[ CHUCKLES ]
990
01:00:02,521 --> 01:00:04,356
THAT'S A NICE DAY
AT THE BEACH, HUH?
991
01:00:04,356 --> 01:00:06,691
HOW DID YOU KNOW?
992
01:00:06,691 --> 01:00:08,026
IT'S AN INSIGHT.
993
01:00:08,026 --> 01:00:09,820
IT'S LIKE A PEEK
THROUGH THE CURTAIN
994
01:00:09,820 --> 01:00:11,071
INTO ANOTHER PERSON'S LIFE.
995
01:00:11,071 --> 01:00:13,365
MM.
996
01:00:13,365 --> 01:00:15,158
MM.
997
01:00:15,158 --> 01:00:17,619
THAT DAY
MEANT SO MUCH TO ME.
998
01:00:17,619 --> 01:00:19,287
WE WERE DRIVING
ALONG THE COAST.
999
01:00:19,287 --> 01:00:22,290
NANCY POINTED OUT
HOW PRETTY THE VIEW WAS.
1000
01:00:22,290 --> 01:00:25,627
I THOUGHT THIS IS A PERFECT
OPPORTUNITY FOR A PHOTO.
1001
01:00:25,627 --> 01:00:27,420
WE WERE GONNA START FRESH,
YOU KNOW?
1002
01:00:27,420 --> 01:00:28,922
A NEW HOUSE,
A NEW BEGINNING.
1003
01:00:28,922 --> 01:00:30,757
YOU SHOULD HAVE SEEN
ROGER AND THE GIRLS.
1004
01:00:30,757 --> 01:00:32,008
I'VE NEVER SEEN THEM
SO HAPPY.
1005
01:00:32,008 --> 01:00:33,718
All: CHEESE!
1006
01:00:33,718 --> 01:00:37,097
THEY MEAN THE WORLD
TO ME.
1007
01:00:40,058 --> 01:00:43,436
[ SIGHS ]
1008
01:00:47,983 --> 01:00:51,278
PUT YOUR HAND
FLAT ON THE DESK.
1009
01:00:51,278 --> 01:00:52,863
YEAH, AND TAKE IT OFF.
1010
01:00:56,032 --> 01:00:57,075
HERE WE GO.
1011
01:01:02,163 --> 01:01:03,665
SEE?
1012
01:01:03,665 --> 01:01:06,251
IT JUST REVEALS TO US
WHAT THE NAKED EYE CAN'T SEE.
1013
01:01:06,251 --> 01:01:08,336
PRETTY FAR OUT, ISN'T IT?
1014
01:01:08,336 --> 01:01:11,381
YEAH, IT'S GROOVY.
1015
01:01:16,136 --> 01:01:18,305
DREW, YOU GOT THE BOLEX
READY FOR BRAD?
1016
01:01:18,305 --> 01:01:21,683
YEAH, ALREADY LOCKED
AND LOADED, SIR.
1017
01:01:21,683 --> 01:01:24,185
[ BELL JINGLES ]
1018
01:01:24,185 --> 01:01:26,354
[ DOOR CREAKS ]
1019
01:01:31,610 --> 01:01:33,069
[ TOILET FLUSHES ]
1020
01:01:33,069 --> 01:01:35,196
[ BELL JINGLES ]
1021
01:01:38,241 --> 01:01:41,870
WHAT? I HAD TO GO.
1022
01:02:03,892 --> 01:02:06,311
ALL THE ROOMS ARE COMING IN
PRETTY GOOD.
1023
01:02:06,311 --> 01:02:08,021
GOOD.
1024
01:02:11,691 --> 01:02:13,109
[ SIGHS ]
1025
01:02:13,109 --> 01:02:15,695
WHAT'S IN THE BOTTLE?
1026
01:02:15,695 --> 01:02:16,738
HOLY WATER.
1027
01:02:18,823 --> 01:02:20,951
PRESENCE OF RELIGIOUS ICONS
1028
01:02:20,951 --> 01:02:23,995
WILL GET A REACTION
FROM ANYTHING UNHOLY.
1029
01:02:26,164 --> 01:02:29,584
SORT OF PISSES THEM OFF.
1030
01:02:29,584 --> 01:02:31,962
SO I SET THESE
THROUGHOUT THE HOUSE,
1031
01:02:31,962 --> 01:02:34,255
SEE IF I CAN STIR THINGS
UP A BIT.
1032
01:02:34,255 --> 01:02:37,258
LIKE HOLDING A CROSS
TO A VAMPIRE?
1033
01:02:37,258 --> 01:02:39,803
YEAH. EXACTLY.
1034
01:02:39,803 --> 01:02:42,847
EXCEPT I DON'T BELIEVE
IN VAMPIRES.
1035
01:02:42,847 --> 01:02:44,349
[ BELL JINGLES ]
1036
01:02:47,060 --> 01:02:55,819
WASN'T ME.
1037
01:02:55,819 --> 01:02:58,113
[ DOOR CREAKS ]
1038
01:02:59,239 --> 01:03:02,075
[ CAMERA SHUTTER CLICKS ]
1039
01:03:02,075 --> 01:03:04,244
Ed: BRAD, GET THE CAMERA.
1040
01:03:08,164 --> 01:03:09,499
OKAY.
1041
01:03:15,046 --> 01:03:17,632
ALL RIGHT, IT'S 9:18, WE'RE
HEADED DOWN INTO THE CELLAR
1042
01:03:17,632 --> 01:03:19,592
WHERE THE DOOR'S JUST OPENED
ON ITS OWN.
1043
01:03:19,592 --> 01:03:23,346
I HAVE LORRAINE AND OFFICER
BRAD HAMILTON WITH ME.
1044
01:03:23,346 --> 01:03:25,140
LET'S KEEP THE CELLAR LIGHT OFF.
1045
01:03:39,529 --> 01:03:42,240
GIVE US A SIGN THAT YOU
WANNA COMMUNICATE WITH US.
1046
01:03:46,494 --> 01:03:48,663
[ WATER RUNNING IN PIPES ]
1047
01:04:10,643 --> 01:04:12,854
HON, YOU ALL RIGHT?
1048
01:04:16,900 --> 01:04:20,570
THERE'S DEFINITELY
SOMETHING HERE.
1049
01:04:20,570 --> 01:04:22,113
ALL RIGHT, CLOSE THE DOOR.
MOVE SOMETHING.
1050
01:04:22,113 --> 01:04:23,573
MY HANDS ARE SO COLD.
1051
01:04:25,950 --> 01:04:26,951
COME ON.
1052
01:04:32,082 --> 01:04:33,583
NO.
1053
01:04:33,583 --> 01:04:34,918
IT'S GONE?
1054
01:04:34,918 --> 01:04:35,960
IT'S GONE.
1055
01:04:35,960 --> 01:04:38,296
I GOT NOTHIN'. OKAY.
1056
01:04:43,551 --> 01:04:45,220
[ STAIRS CREAKING ]
1057
01:04:48,348 --> 01:04:49,808
[ THUMP ]
1058
01:04:59,192 --> 01:05:00,485
WELL, LIKE I SAID,
1059
01:05:00,485 --> 01:05:03,238
IT DOESN'T ALWAYS WORK
WHEN YOU WANT IT TO.
1060
01:05:03,238 --> 01:05:06,157
YEAH, MAYBE THE CAMERA
PICKED SOMETHIN' UP.
1061
01:05:06,157 --> 01:05:08,493
[ DOOR CREAKS, SLAMS ]
WATCH OUT!
1062
01:05:11,246 --> 01:05:12,997
Drew: FOR A GUY
WHO DOESN'T BELIEVE,
1063
01:05:12,997 --> 01:05:14,791
YOU LOOKED
A LITTLE FREAKED OUT
1064
01:05:14,791 --> 01:05:16,292
WHEN THAT DOOR
SLAMMED SHUT.
1065
01:05:19,254 --> 01:05:22,340
IT MUST HAVE BEEN A DRAFT.
1066
01:05:22,340 --> 01:05:23,883
OH, THAT'S FUNNY.
1067
01:05:23,883 --> 01:05:27,512
A DRAFT NEVER PUT THAT LOOK
ON MY FACE BEFORE.
1068
01:05:29,180 --> 01:05:32,642
I BELIEVE THE CLOCK.
1069
01:05:32,642 --> 01:05:34,477
IT'S 3:08.
1070
01:05:40,275 --> 01:05:43,027
[ INDISTINCT CONVERSATIONS ]
1071
01:05:45,780 --> 01:05:47,574
FOR YOU.
1072
01:05:47,574 --> 01:05:49,993
Roger: I THINK I MIGHT TAKE SOME
GIRLS FOR ICE CREAM LATER ON.
1073
01:05:49,993 --> 01:05:51,494
WHAT DO YOU SAY ABOUT THAT?
1074
01:05:51,494 --> 01:05:53,079
YEAH!
YES!
1075
01:05:53,079 --> 01:05:54,914
HONEY, YOU WANNA COME?
NO, I'M -- I'M EXHAUSTED.
1076
01:05:54,914 --> 01:05:56,416
I'M JUST GONNA TAKE A NAP.
1077
01:05:56,416 --> 01:05:58,168
THE LATE NIGHTS ARE --
THEY'RE GETTIN' TO ME.
1078
01:05:58,168 --> 01:05:59,961
THAT'S PROBABLY A GOOD IDEA.
WHY DON'T YOU GET SOME REST.
1079
01:05:59,961 --> 01:06:01,671
LORRAINE AND I'LL WATCH
OVER THINGS FOR A BIT.
REALLY?
1080
01:06:01,671 --> 01:06:03,673
Brad: I'M GONNA TAKE OFF.
1081
01:06:03,673 --> 01:06:05,300
I HAVE A SHIFT STARTING
IN AN HOUR.
1082
01:06:05,300 --> 01:06:07,635
[ SIGHS ] THE HOUSE HASN'T FELT
LIKE THIS IN A LONG TIME.
1083
01:06:07,635 --> 01:06:10,680
I THINK THE KIDS FEEL A LOT
SAFER WITH YOU AROUND.
1084
01:06:13,391 --> 01:06:15,143
I COULD GET USED TO THIS.
1085
01:06:15,143 --> 01:06:16,769
WHAT, ME DOING LAUNDRY?
1086
01:06:16,769 --> 01:06:18,771
[ LAUGHS ]
1087
01:06:18,771 --> 01:06:21,191
YOU'RE FUNNY.
1088
01:06:21,191 --> 01:06:23,067
NO, THIS PLACE.
1089
01:06:23,067 --> 01:06:24,527
NICE, FRESH COUNTRY AIR.
1090
01:06:24,527 --> 01:06:27,363
[ SIGHS ]
1091
01:06:27,363 --> 01:06:28,990
MM.
1092
01:06:28,990 --> 01:06:31,701
THEY HAVE SUCH A BEAUTIFUL
FAMILY, DON'T THEY?
1093
01:06:31,701 --> 01:06:34,495
YEAH,
THAT LITTLE ONE, APRIL,
1094
01:06:34,495 --> 01:06:36,247
DID YOU SEE HER
BRING ME PANCAKES?
YEAH. [ CHUCKLES ]
1095
01:06:41,502 --> 01:06:44,380
WE'VE GOTTA HELP THEM.
1096
01:06:44,380 --> 01:06:46,257
I KNOW.
1097
01:06:46,257 --> 01:06:47,550
I'LL START WITH THE CHEVY.
1098
01:06:47,550 --> 01:06:48,843
[ BOTH LAUGH ]
1099
01:06:57,060 --> 01:07:00,104
[ WIND CHIME JINGLES ]
1100
01:07:00,104 --> 01:07:03,191
[ SWING CREAKS ]
1101
01:07:03,191 --> 01:07:05,193
[ WIND HOWLING ]
1102
01:07:22,627 --> 01:07:25,588
[ LEAVES RUSTLE ]
1103
01:07:54,284 --> 01:07:56,828
AAH!
1104
01:07:56,828 --> 01:07:58,830
[ GASPING ]
1105
01:08:01,958 --> 01:08:04,877
[ GROWLS ]
[ GAGGING ]
1106
01:08:11,009 --> 01:08:13,469
CAROLYN!
1107
01:08:13,469 --> 01:08:14,470
ARE YOU OKAY?!
1108
01:08:14,470 --> 01:08:15,847
CAROLYN, OPEN THE DOOR.
1109
01:08:15,847 --> 01:08:17,015
CAROLYN, OPEN UP!
1110
01:08:17,015 --> 01:08:18,558
[ COUGHING, GAGGING ]
1111
01:08:23,271 --> 01:08:25,273
ARE YOU OKAY?
1112
01:08:25,273 --> 01:08:26,691
OH, I'M FINE.
ARE YOU SICK?
1113
01:08:26,691 --> 01:08:28,192
I WOKE UP JUST FEELING
A LITTLE NAUSEOUS,
1114
01:08:28,192 --> 01:08:29,485
THAT'S ALL.
I THOUGHT I SAW--
1115
01:08:29,485 --> 01:08:31,988
I HEAR ROGER
AND THE GIRLS.
1116
01:08:31,988 --> 01:08:33,281
ONE MINUTE.
1117
01:08:36,701 --> 01:08:38,619
[ LAUGHTER ]
1118
01:08:38,619 --> 01:08:41,122
[ INDISTINCT CONVERSATION ]
1119
01:08:45,001 --> 01:08:46,919
April: HEY, GUYS, DO YOU WANNA
PLAY A GAME?
1120
01:08:46,919 --> 01:08:48,338
Cindy: BORING!
THANK YOU, DADDY.
1121
01:08:48,338 --> 01:08:51,382
LET'S GO PLAY!
Nancy: LET'S GO INSIDE.
1122
01:08:54,969 --> 01:08:56,679
Roger:
I THOUGHT THAT WAS YOU.
1123
01:08:56,679 --> 01:08:57,930
HEY,
I HOPE YOU DON'T MIND.
1124
01:08:57,930 --> 01:08:59,307
I GOT A GOOD DEAL
ON A REBUILD
1125
01:08:59,307 --> 01:09:00,892
AT THAT WRECKING YARD
IN SMITHFIELD.
1126
01:09:00,892 --> 01:09:02,643
NO, YOU LOOK LIKE YOU KNOW
WHAT YOU'RE DOIN'.
1127
01:09:02,643 --> 01:09:03,728
YEAH, WE'LL SEE.
1128
01:09:07,190 --> 01:09:08,816
GOT A NICE PLACE HERE,
ROGER.
1129
01:09:08,816 --> 01:09:11,194
LORRAINE AND I ALWAYS WANTED
A SPOT IN THE COUNTRY.
1130
01:09:11,194 --> 01:09:13,738
I'LL SELL YOU THIS ONE.
[ LAUGHS ]
1131
01:09:13,738 --> 01:09:16,366
HEY, HAND ME A WRENCH,
WOULD YA?
1132
01:09:18,910 --> 01:09:23,539
HEY, UH, IT REALLY MEANS A LOT
TO US TO HAVE YOU HERE.
1133
01:09:23,539 --> 01:09:27,627
I GOTTA ADMIT, I WAS A LITTLE
BIT SKEPTICAL GOING IN.
1134
01:09:27,627 --> 01:09:29,545
JUST WANNA SAY THANK YOU,
THOUGH,
1135
01:09:29,545 --> 01:09:31,089
FOR COMIN' OUT WHEN YOU DID.
1136
01:09:32,840 --> 01:09:34,384
I CAN'T TAKE THE CREDIT.
1137
01:09:34,384 --> 01:09:36,552
THAT'S, UH,
THAT'S ALL LORRAINE.
1138
01:09:36,552 --> 01:09:38,012
I DIDN'T WANT TO.
1139
01:09:38,012 --> 01:09:39,347
OH. WHY'S THAT?
1140
01:09:42,558 --> 01:09:46,104
WHATEVER LORRAINE SEES, FEELS,
TOUCHES, IT HELPS PEOPLE.
1141
01:09:46,104 --> 01:09:48,648
BUT IT ALSO
TAKES A TOLL ON HER.
1142
01:09:48,648 --> 01:09:52,276
LITTLE PIECE EACH TIME.
1143
01:09:52,276 --> 01:09:56,406
COUPLE MONTHS AGO
WE WERE WORKIN' ON A CASE.
1144
01:09:56,406 --> 01:09:59,784
SHE SAW SOMETHIN'.
1145
01:09:59,784 --> 01:10:02,078
[ SPEAKING LATIN ]
1146
01:10:08,584 --> 01:10:09,836
AAH!
1147
01:10:09,836 --> 01:10:12,046
IT TOOK A REAL BIG PIECE.
1148
01:10:13,840 --> 01:10:17,009
WHEN WE GOT HOME,
SHE WENT INTO OUR ROOM,
1149
01:10:17,009 --> 01:10:20,346
LOCKED HERSELF IN,
DIDN'T TALK, DIDN'T EAT,
1150
01:10:20,346 --> 01:10:22,598
DIDN'T COME OUT
FOR EIGHT DAYS.
1151
01:10:22,598 --> 01:10:24,142
WHAT'D SHE SEE?
1152
01:10:24,142 --> 01:10:26,978
AAH!
1153
01:10:26,978 --> 01:10:28,146
GET OUTTA HERE!
1154
01:10:28,146 --> 01:10:30,898
I DON'T KNOW.
1155
01:10:30,898 --> 01:10:33,276
AND I WON'T ASK.
1156
01:10:40,199 --> 01:10:42,285
[ SIGHS ]
1157
01:10:46,456 --> 01:10:50,126
[ SIGHS ]
1158
01:10:50,126 --> 01:10:52,962
I NEED TO RELOAD.
YOU WANT SOME?
1159
01:10:52,962 --> 01:10:56,090
I'M GOOD, THANKS.
1160
01:10:56,090 --> 01:10:57,550
ALL RIGHT.
1161
01:11:42,053 --> 01:11:44,055
Woman:
LOOK WHAT SHE MADE ME DO.
1162
01:12:23,594 --> 01:12:25,012
[ GASPS ]
1163
01:12:27,390 --> 01:12:30,017
LOOK WHAT SHE MADE ME DO.
1164
01:12:31,978 --> 01:12:33,604
HEY.
1165
01:12:41,195 --> 01:12:42,446
ED?
1166
01:12:42,446 --> 01:12:45,199
LOOK WHAT SHE MADE ME DO!
1167
01:12:45,199 --> 01:12:47,868
ED! ED!
1168
01:12:47,868 --> 01:12:50,788
ED!
1169
01:12:50,788 --> 01:12:51,998
Drew: DUDE, YOU OKAY?
1170
01:12:51,998 --> 01:12:53,583
HOLD UP, BRAD.
WHAT'S GOING ON?
1171
01:12:53,583 --> 01:12:54,917
I SAW SOMEONE.
1172
01:12:54,917 --> 01:12:56,752
THERE WAS A WOMAN
DRESSED AS A MAID.
1173
01:12:56,752 --> 01:12:57,878
[ BREATHING HEAVILY ]
1174
01:12:57,878 --> 01:13:00,423
[ CAMERA SHUTTER CLICKS ]
1175
01:13:00,423 --> 01:13:02,341
ED?
ED, WE'RE GETTING SOMETHING.
1176
01:13:07,805 --> 01:13:09,432
Roger: IT'S JUST CINDY.
SHE'S SLEEPWALKING.
1177
01:13:09,432 --> 01:13:10,683
NO, NO, NO, NO, WAIT, WAIT,
WAIT. WE NEED THIS.
1178
01:13:10,683 --> 01:13:11,934
WHY DO WE NEED
PICTURES OF CINDY?
1179
01:13:11,934 --> 01:13:13,019
[ CAMERA SHUTTER CLICKS ]
1180
01:13:13,019 --> 01:13:14,312
SHE DIDN'T TRIGGER IT.
1181
01:13:14,312 --> 01:13:15,980
WHAT DO YOU MEAN
SHE DIDN'T TRIGGER IT?
1182
01:13:15,980 --> 01:13:17,481
SOMEBODY'S WITH HER.
1183
01:13:19,609 --> 01:13:23,237
WHO?
1184
01:13:25,072 --> 01:13:26,324
[ DOOR CREAKS, SLAMS ]
1185
01:13:26,324 --> 01:13:28,367
CINDY!
1186
01:13:30,036 --> 01:13:32,204
[ CAMERA SHUTTER CLICKING ]
CINDY!
1187
01:13:36,292 --> 01:13:37,460
[ GRUNTING ]
1188
01:13:39,587 --> 01:13:42,798
CINDY!
Rory: HEY, OVER HERE.
IT'S SAFE.
1189
01:13:42,798 --> 01:13:46,052
THERE'S SOMEONE ELSE
IN THERE WITH HER.
1190
01:13:46,052 --> 01:13:47,803
I'M HEARING ANOTHER VOICE.
HERE, LISTEN.
1191
01:13:53,059 --> 01:13:55,436
FOLLOW ME.
THIS WAY.
1192
01:13:55,436 --> 01:13:58,064
THIS IS WHERE I HIDE.
1193
01:14:03,694 --> 01:14:06,197
CINDY?
1194
01:14:06,197 --> 01:14:08,199
CINDY?
1195
01:14:10,576 --> 01:14:11,869
WHERE'D SHE GO, ED?
1196
01:14:11,869 --> 01:14:13,412
WINDOWS ARE LOCKED.
1197
01:14:16,290 --> 01:14:18,334
ED, WHERE'D SHE GO?!
1198
01:14:20,336 --> 01:14:21,837
BRAD, GET THE UV LIGHT.
1199
01:14:21,837 --> 01:14:24,465
THE WHAT?
JUST ASK DREW.
1200
01:14:24,465 --> 01:14:27,551
DREW, I NEED A UV LIGHT.
1201
01:14:27,551 --> 01:14:29,595
UH...HERE, THAT'S IT.
GO, GO, GO, GO!
1202
01:14:36,310 --> 01:14:38,020
TURN OFF THE LIGHT.
1203
01:14:41,107 --> 01:14:42,441
GET OUT OF THE WAY.
1204
01:14:46,070 --> 01:14:47,279
OKAY.
1205
01:14:47,279 --> 01:14:50,074
[ BREATHING HEAVILY ]
1206
01:15:03,421 --> 01:15:04,672
[ CREAKING ]
1207
01:15:14,056 --> 01:15:16,058
[ THUMPING ]
1208
01:15:16,058 --> 01:15:17,351
HIT THE LIGHTS!
1209
01:15:29,655 --> 01:15:31,198
FOUND HER.
1210
01:15:33,200 --> 01:15:34,452
HERE WE GO.
1211
01:15:34,452 --> 01:15:37,913
ALL RIGHT.
YOU GOT HER?
YEAH.
1212
01:15:37,913 --> 01:15:39,039
[ SIGHS ]
1213
01:15:48,382 --> 01:15:51,802
THAT'S WHERE RORY HIDES
WHEN HE'S AFRAID.
1214
01:15:56,640 --> 01:15:58,851
[ CREAKING ]
1215
01:16:06,734 --> 01:16:08,861
[ SIGHS ]
1216
01:16:16,827 --> 01:16:18,120
HON?
1217
01:16:18,120 --> 01:16:20,623
COULD I HAVE APRIL'S
MUSIC BOX PLEASE?
1218
01:16:20,623 --> 01:16:21,624
YEAH.
1219
01:16:23,626 --> 01:16:24,752
HOW'S CINDY?
1220
01:16:24,752 --> 01:16:25,920
SHE DOESN'T REMEMBER
A THING.
1221
01:16:29,089 --> 01:16:31,258
THERE YOU GO.
1222
01:16:31,258 --> 01:16:32,384
THANK YOU.
1223
01:17:08,379 --> 01:17:10,172
AAH!
1224
01:17:10,172 --> 01:17:12,424
LORRAINE!
1225
01:17:12,424 --> 01:17:14,093
[ CLATTERING ]
1226
01:17:14,093 --> 01:17:15,386
[ GROANS ]
1227
01:17:15,386 --> 01:17:17,680
NO.
1228
01:17:29,817 --> 01:17:31,318
LORRAINE!
1229
01:17:31,318 --> 01:17:32,862
LORRAINE!
1230
01:17:36,782 --> 01:17:38,868
LORRAINE!
1231
01:17:38,868 --> 01:17:39,994
LORRAINE!
1232
01:17:39,994 --> 01:17:42,538
[ GROANS SOFTLY ]
1233
01:18:00,306 --> 01:18:03,642
[ WOMAN WEEPING ]
1234
01:18:06,353 --> 01:18:07,563
[ MUSIC BOX TINKS ]
1235
01:18:13,903 --> 01:18:15,404
[ GEARS CRANK ]
1236
01:18:15,404 --> 01:18:17,865
[ MUSIC BOX PLAYS ]
1237
01:18:25,581 --> 01:18:27,166
[ WOMAN WEEPING ]
1238
01:18:31,837 --> 01:18:35,299
[ Crying ] SHE MADE ME DO IT.
1239
01:18:35,299 --> 01:18:39,553
SHE MADE ME DO IT.
1240
01:18:58,447 --> 01:18:59,740
[ GASPS ]
1241
01:18:59,740 --> 01:19:02,910
SHE MADE ME DO IT.
1242
01:19:05,829 --> 01:19:07,289
[ CREAKING ]
1243
01:19:22,262 --> 01:19:25,265
[ GASPS ]
1244
01:19:25,265 --> 01:19:28,560
[ ROPE CREAKING ]
1245
01:19:28,560 --> 01:19:30,521
[ BREATHING HEAVILY ]
1246
01:19:40,656 --> 01:19:43,492
AAH! AAH!
1247
01:19:43,492 --> 01:19:46,036
AAH!
1248
01:19:46,036 --> 01:19:47,204
ED!
1249
01:19:47,204 --> 01:19:49,206
COME ON!
LORRAINE!
1250
01:19:49,206 --> 01:19:50,416
[ KNOCK ON DOOR ]
1251
01:19:50,416 --> 01:19:51,542
Lorraine: ED!
1252
01:19:56,088 --> 01:19:58,841
ED!
1253
01:19:58,841 --> 01:20:00,759
ED, I KNOW WHAT SHE DID.
1254
01:20:00,759 --> 01:20:03,470
I GOT YA.
I KNOW WHAT SHE DID.
1255
01:20:03,470 --> 01:20:04,847
I KNOW WHAT SHE DID.
WHAT?
1256
01:20:04,847 --> 01:20:06,724
SHE POSSESSED THE MOTHER
TO KILL THE CHILD.
1257
01:20:06,724 --> 01:20:08,058
SHE VISITS CAROLYN
EVERY NIGHT.
1258
01:20:08,058 --> 01:20:09,435
THAT'S WHAT
THE BRUISE MARKS ARE!
1259
01:20:09,435 --> 01:20:11,603
SHE'S FEEDING OFF OF HER!
1260
01:20:11,603 --> 01:20:13,188
[ RATTLING ]
1261
01:20:24,033 --> 01:20:27,202
UH...NANCY?
1262
01:20:29,747 --> 01:20:34,168
[ ALL SCREAM ]
1263
01:20:34,168 --> 01:20:35,461
ARE YOU OKAY?
1264
01:20:35,461 --> 01:20:37,004
NANCY!
1265
01:20:37,004 --> 01:20:38,422
[ ALL SCREAMING ]
1266
01:20:38,422 --> 01:20:42,009
GRAB HER!
1267
01:20:42,009 --> 01:20:44,178
Nancy: DADDY! HELP!
1268
01:20:44,178 --> 01:20:45,429
Carolyn: NANCY!
1269
01:20:52,603 --> 01:20:53,812
IS SHE OKAY?
1270
01:20:53,812 --> 01:20:55,314
[ CRYING ]
IT'S OKAY, I GOT YOU.
1271
01:20:55,314 --> 01:20:56,398
D'YOU GET THAT?
1272
01:20:56,398 --> 01:20:59,818
YEAH.
1273
01:21:01,820 --> 01:21:04,281
I'LL HAVE
THE FOOTAGE DEVELOPED
1274
01:21:04,281 --> 01:21:05,866
AND GET IT OVER
TO FATHER GORDON.
1275
01:21:05,866 --> 01:21:07,409
HE'S OUR LIAISON
AT THE CHURCH.
1276
01:21:07,409 --> 01:21:10,204
I IMAGINE WE'LL GET
A PRETTY FAST RESPONSE.
1277
01:21:10,204 --> 01:21:12,706
LISTEN, ROGER?
YEAH?
1278
01:21:12,706 --> 01:21:15,042
LISTEN, WHEN WE GET
THE EXORCIST, I'LL BE BACK.
1279
01:21:15,042 --> 01:21:16,752
BUT LORRAINE--
YEAH, I UNDERSTAND.
1280
01:21:16,752 --> 01:21:18,754
UNTIL THEN DREW'S GONNA KEEP
AN EYE ON YOU.
1281
01:21:18,754 --> 01:21:20,380
HEY, ED, THANK YOU
FOR EVERYTHING.
1282
01:21:20,380 --> 01:21:21,507
YEAH.
1283
01:21:21,507 --> 01:21:25,761
Judy: MOMMY?
1284
01:21:25,761 --> 01:21:27,054
[ CAR DOORS SHUTTING ]
1285
01:21:27,054 --> 01:21:28,180
THAT'S EVERYTHING.
1286
01:21:39,983 --> 01:21:41,860
MOMMY?
1287
01:21:56,500 --> 01:21:58,502
[ BREATHING HEAVILY ]
1288
01:21:58,502 --> 01:22:00,921
JUDY?
1289
01:22:00,921 --> 01:22:03,924
OH, GOD! JUDY?
1290
01:22:11,140 --> 01:22:14,226
Ed: LORRAINE! WAIT!
1291
01:22:16,019 --> 01:22:17,646
LORRAINE.
WHAT?
1292
01:22:17,646 --> 01:22:19,106
MOM. MOM, IT'S ME.
IS JUDY OKAY?
1293
01:22:19,106 --> 01:22:20,274
WHAT?
1294
01:22:20,274 --> 01:22:22,025
CAN YOU GO CHECK, PLEASE?
1295
01:22:22,025 --> 01:22:24,069
DAMN IT, MOM,
JUST CHECK, PLEASE!
1296
01:22:24,069 --> 01:22:25,571
LORRAINE, ARE YOU GONNA
TELL ME WHAT'S GOING ON?
1297
01:22:25,571 --> 01:22:27,030
IT'S JUDY.
1298
01:22:27,030 --> 01:22:28,115
WHAT? WHAT DO YOU MEAN?
WHAT?
1299
01:22:28,115 --> 01:22:30,159
WHAT?!
1300
01:22:30,159 --> 01:22:32,452
[ POUNDS WALL ]
1301
01:22:32,452 --> 01:22:34,621
OH, THANK GOD.
1302
01:22:34,621 --> 01:22:36,623
MOM, I'M SORRY.
I DIDN'T MEAN TO SCARE YOU.
1303
01:22:36,623 --> 01:22:38,083
I'LL EXPLAIN LATER, OKAY?
1304
01:22:39,418 --> 01:22:41,128
WHAT THE HELL HAPPENED?
1305
01:22:41,128 --> 01:22:44,882
I HAD A VISION OF JUDY
IN THE WATER.
1306
01:22:44,882 --> 01:22:47,342
I KNOW IT WAS
SOME KIND OF WARNING.
1307
01:22:47,342 --> 01:22:50,095
I KNOW IT.
1308
01:22:50,095 --> 01:22:52,014
OKAY.
1309
01:22:52,014 --> 01:22:53,182
[ CRYING ]
1310
01:22:53,182 --> 01:22:55,642
LET'S GET OUTTA HERE.
1311
01:23:19,374 --> 01:23:21,335
[ PROJECTOR CLICKING ]
1312
01:23:42,272 --> 01:23:43,565
SO?
1313
01:23:43,565 --> 01:23:45,067
YEAH, WELL,
YOU WEREN'T KIDDING.
1314
01:23:45,067 --> 01:23:46,568
NO.
1315
01:23:46,568 --> 01:23:47,945
[ SIGHS ]
1316
01:23:47,945 --> 01:23:50,072
LOOK, ED,
THIS IS COMPLICATED
1317
01:23:50,072 --> 01:23:51,949
BECAUSE THE KIDS
AREN'T BAPTIZED.
1318
01:23:51,949 --> 01:23:53,575
NO, I UNDERSTAND.
1319
01:23:53,575 --> 01:23:55,619
AND THE FAMILY, THEY'RE NOT
MEMBERS OF THE CHURCH.
1320
01:23:55,619 --> 01:23:57,704
OH, COME ON.
AND [SIGHS] THE APPROVAL
1321
01:23:57,704 --> 01:24:01,792
WOULD HAVE TO COME DIRECTLY
FROM THE VATICAN.
1322
01:24:01,792 --> 01:24:04,503
FATHER, WE'VE NEVER SEEN
NOTHING LIKE THIS.
1323
01:24:08,548 --> 01:24:11,426
YEAH, WELL, NEITHER HAVE I.
1324
01:24:20,018 --> 01:24:22,104
FATHER, THEY DON'T HAVE
A LOT OF TIME.
1325
01:24:22,104 --> 01:24:25,399
[ SIGHS ]
ALL RIGHT.
1326
01:24:25,399 --> 01:24:26,984
I'LL PUSH IT THROUGH
MYSELF.
1327
01:24:26,984 --> 01:24:28,068
THANK YOU, FATHER.
1328
01:24:28,068 --> 01:24:29,486
THANK YOU.
THANK YOU.
1329
01:24:29,486 --> 01:24:31,488
ALL RIGHT,
WE'LL WAIT FOR YOUR CALL.
1330
01:24:31,488 --> 01:24:32,698
YEAH.
1331
01:24:32,698 --> 01:24:34,157
[ RAINING ]
1332
01:24:36,702 --> 01:24:39,288
[ THUNDER RUMBLES ]
1333
01:25:12,404 --> 01:25:15,324
[ GASPS ]
1334
01:25:36,219 --> 01:25:38,472
MOMMY? DADDY?
1335
01:25:38,472 --> 01:25:41,350
[ THUNDER RUMBLES ]
1336
01:25:55,947 --> 01:25:58,825
MOMMY? DADDY?
1337
01:26:11,630 --> 01:26:13,840
[ THUNDER CRASHES ]
1338
01:26:21,848 --> 01:26:24,434
DAD?
1339
01:26:24,434 --> 01:26:27,604
[ THUNDER RUMBLES ]
1340
01:26:40,575 --> 01:26:44,621
NANNA? NANNA?
1341
01:26:44,621 --> 01:26:47,416
[ GASPS ]
1342
01:26:47,416 --> 01:26:50,710
[ GROWLING ]
1343
01:26:50,710 --> 01:26:51,878
[ CREAKING ]
1344
01:26:51,878 --> 01:26:53,713
[ THUNDER CRASHES ]
1345
01:26:56,466 --> 01:26:58,135
[ DOOR SLAMS ]
1346
01:26:58,135 --> 01:27:00,429
[ POUNDING ON DOOR ]
1347
01:27:00,429 --> 01:27:02,431
[ SCREAMING, CRYING ]
1348
01:27:08,979 --> 01:27:10,397
[ POUNDING STOPS ]
1349
01:27:21,241 --> 01:27:25,996
[ RASPY GASPING ]
1350
01:27:35,380 --> 01:27:38,383
[ CREAKING ]
1351
01:27:38,383 --> 01:27:41,511
NANNA!
NANNA, HELP!
1352
01:27:41,511 --> 01:27:43,555
NANNA, HELP!
1353
01:27:43,555 --> 01:27:44,723
JUDY?
1354
01:27:44,723 --> 01:27:47,809
NANNA! NANNA!
1355
01:27:47,809 --> 01:27:49,728
NANNA!
1356
01:27:49,728 --> 01:27:51,104
HELP!
1357
01:27:51,104 --> 01:27:53,190
JUDY!
NANNA!
1358
01:27:53,190 --> 01:27:55,192
JUDY, OPEN THE DOOR!
MOM!
1359
01:27:55,192 --> 01:27:58,403
ED, THERE'S
SOMETHING WRONG.
1360
01:27:58,403 --> 01:28:00,989
WHAT?
1361
01:28:00,989 --> 01:28:02,574
[ BRAKES SQUEAK ]
1362
01:28:02,574 --> 01:28:04,993
Judy: NANNA!
JUDY!
1363
01:28:04,993 --> 01:28:06,870
HELP!
JUDY!
JUDY, OPEN THIS DOOR!
1364
01:28:06,870 --> 01:28:08,079
MOM!
WHAT IS IT?
1365
01:28:08,079 --> 01:28:09,623
WHAT'S WRONG WITH HER?!
JUDY!
1366
01:28:09,623 --> 01:28:11,333
HEY, MOVE.
MOVE, MOVE, MOVE, MOVE.
1367
01:28:11,333 --> 01:28:13,084
JUDY, GET BACK, HONEY.
GET BACK!
1368
01:28:13,084 --> 01:28:15,587
HURRY.
1369
01:28:15,587 --> 01:28:18,173
HELP! HELP!
1370
01:28:18,173 --> 01:28:19,257
DAD!
GET AWAY
FROM THE DOOR, JUDY!
1371
01:28:21,468 --> 01:28:23,595
AAH!
1372
01:28:23,595 --> 01:28:26,598
OH, GOD!
ARE YOU OKAY?
1373
01:28:26,598 --> 01:28:30,560
THERE WAS SOMEONE ROCKING
IN THE CHAIR WITH ANNABELLE.
1374
01:28:30,560 --> 01:28:31,520
[ CRYING ]
1375
01:28:36,733 --> 01:28:38,902
IT'S OKAY.
1376
01:28:59,297 --> 01:29:00,799
SHE'S STILL IN THE CASE.
1377
01:29:03,927 --> 01:29:06,096
IT'S OKAY.
1378
01:29:06,096 --> 01:29:07,556
IT'S OKAY.
IT'S OKAY.
1379
01:29:12,727 --> 01:29:15,272
Nancy: DAD! DAD!
Cindy: DADDY!
1380
01:29:15,272 --> 01:29:16,606
Andrea: DAD! DAD!
1381
01:29:16,606 --> 01:29:18,650
MOM JUST LEFT
WITH CHRISTINE AND APRIL.
1382
01:29:18,650 --> 01:29:19,734
SHE J-- SHE JUST WENT IN THE CAR
AND DROVE AWAY.
1383
01:29:19,734 --> 01:29:21,069
I DON'T KNOW WHAT HAPPENED.
1384
01:29:21,069 --> 01:29:22,654
DADDY, SHE SMELLS
LIKE ROTTING MEAT.
1385
01:29:22,654 --> 01:29:24,072
SHE DIDN'T SAY WHAT WAS GOING
ON. SHE JUST LEFT.
1386
01:29:24,072 --> 01:29:25,824
Roger: HUH?
WHAT DO YOU MEAN, SHE LEFT?
1387
01:29:25,824 --> 01:29:27,033
LEFT WHERE?
GONE! I DON'T KNOW
WHERE SHE WAS GOING.
1388
01:29:32,080 --> 01:29:34,499
WHERE ARE WE GOING, MOM?
1389
01:29:38,169 --> 01:29:39,296
[ TELEPHONE RINGING ]
1390
01:29:42,382 --> 01:29:44,050
HELLO?
1391
01:29:44,050 --> 01:29:45,677
It's Roger. There's something
going on with Carolyn.
1392
01:29:45,677 --> 01:29:47,220
ANDREA WAS HERE AND SHE SAID
THAT CAROLYN TOOK OFF
1393
01:29:47,220 --> 01:29:48,638
WITH CHRISTINE AND APRIL.
1394
01:29:48,638 --> 01:29:50,390
THE GIRLS SAID SHE SMELLED
LIKE ROTTEN MEAT.
1395
01:29:50,390 --> 01:29:52,100
SHE POSSESSES THE MOTHER
TO KILL THE CHILD,
1396
01:29:52,100 --> 01:29:54,436
THAT'S WHAT SHE DOES.
SHE'S TAKING THEM BACK
TO THE HOUSE.
1397
01:29:54,436 --> 01:29:56,479
ROGER, GET BACK
TO THE HOUSE NOW.
I'LL MEET YOU THERE.
1398
01:29:56,479 --> 01:29:59,774
LOCK THE DOOR, CLOSE THE BLINDS.
STAY OFF THE PHONE!
1399
01:29:59,774 --> 01:30:01,026
[ GIRLS CRYING ]
1400
01:30:01,026 --> 01:30:02,277
GO.
1401
01:30:07,449 --> 01:30:08,450
I'M COMING WITH YOU.
NO WAY.
1402
01:30:08,450 --> 01:30:09,576
YOU STAY HERE WITH JUDY.
1403
01:30:09,576 --> 01:30:10,910
THE ONLY WAY
TO PROTECT JUDY
1404
01:30:10,910 --> 01:30:12,329
IS IF WE STOP THIS
WHERE IT STARTED.
1405
01:30:12,329 --> 01:30:14,247
OTHERWISE, SHE'S JUST GONNA
LATCH ONTO US AGAIN.
1406
01:30:14,247 --> 01:30:15,749
THAT'S EXACTLY
WHY I'M GOIN'.
1407
01:30:15,749 --> 01:30:17,667
YOU THINK I'M GONNA LET YOU WALK
INTO THIS ALONE?
1408
01:30:17,667 --> 01:30:20,211
I CAN'T LOSE YOU.
1409
01:30:20,211 --> 01:30:23,048
YOU WON'T.
1410
01:30:23,048 --> 01:30:25,800
LET'S FINISH THIS TOGETHER.
1411
01:30:25,800 --> 01:30:28,762
[ SIREN WAILING ]
1412
01:30:43,610 --> 01:30:44,903
Ed: IT'S LOCKED.
1413
01:30:44,903 --> 01:30:46,863
[ POUNDING ON DOOR ]
CAROLYN!
1414
01:30:46,863 --> 01:30:47,989
ROGER!
1415
01:30:47,989 --> 01:30:49,282
Brad: GET OUTTA THE WAY!
1416
01:30:49,282 --> 01:30:50,283
[ GUN COCKS ]
1417
01:30:51,451 --> 01:30:55,455
[ SCREAMING ]
1418
01:30:55,455 --> 01:30:57,040
ROGER!
Roger: ED!
1419
01:30:57,040 --> 01:30:59,334
CAROLYN!
ED!
1420
01:30:59,334 --> 01:31:00,335
CAROLYN!
1421
01:31:00,335 --> 01:31:01,711
WE'RE DOWN HERE!
1422
01:31:01,711 --> 01:31:04,381
CAROLYN, DON'T!
NO, NO! SHE'S GOT--!
1423
01:31:04,381 --> 01:31:05,757
GET HER HAND!
GRAB THE SCISSORS!
1424
01:31:05,757 --> 01:31:07,842
[ SCREAMING CONTINUES ]
1425
01:31:17,769 --> 01:31:20,480
WE GOTTA GET HER
TO THE CAR!
Brad: AND BRING HER WHERE?!
1426
01:31:20,480 --> 01:31:23,233
TO TAKE HER TO THE PRIEST
FOR THE EXORCISM.
1427
01:31:23,233 --> 01:31:24,526
WAIT, WHERE'S APRIL?
1428
01:31:25,985 --> 01:31:28,154
APRIL?
1429
01:31:28,154 --> 01:31:30,573
TAKE CHRISTINE TO THE CAR
AND FIND APRIL!
1430
01:31:30,573 --> 01:31:33,368
APRIL!
COME ON!
1431
01:31:33,368 --> 01:31:34,744
[ SCREAMING CONTINUES ]
1432
01:31:44,337 --> 01:31:45,588
SHE WON'T LET HER
LEAVE THE HOUSE!
1433
01:31:45,588 --> 01:31:47,048
WHAT?!
WHAT DO YOU MEAN?!
1434
01:31:47,048 --> 01:31:48,216
IF WE TAKE HER OUT,
THE WITCH WILL KILL HER.
1435
01:31:49,801 --> 01:31:51,803
[ THUD ]
1436
01:31:51,803 --> 01:31:55,390
[ SCREAMING CONTINUES ]
1437
01:31:55,390 --> 01:31:59,352
ROGER!
CAROLYN!
1438
01:32:01,396 --> 01:32:03,064
CAROLYN?
1439
01:32:07,861 --> 01:32:09,529
OKAY, I'M GONNA PUT YOU
IN HERE.
1440
01:32:09,529 --> 01:32:11,489
[ CRYING ]
COME ON.
1441
01:32:11,489 --> 01:32:12,991
GET IN. STAY IN HERE.
I DON'T WANT TO STAY HERE
BY MYSELF.
1442
01:32:12,991 --> 01:32:14,367
STAY IN HERE NO MATTER WHAT.
I'LL BE BACK, I PROMISE.
1443
01:32:14,367 --> 01:32:16,327
[ Crying ] NO!
I HAVE TO FIND APRIL, OKAY?
1444
01:32:16,327 --> 01:32:18,079
I'LL BE BACK, I PROMISE.
1445
01:32:20,582 --> 01:32:22,375
APRIL?
1446
01:32:24,544 --> 01:32:25,754
YOU OKAY?
1447
01:32:25,754 --> 01:32:27,046
[ GROWLING, SCREAMING ]
1448
01:32:34,554 --> 01:32:36,848
Ed: STOP! BRAD!
1449
01:32:36,848 --> 01:32:38,808
BRAD!
1450
01:32:41,394 --> 01:32:43,021
AAH!
1451
01:32:51,070 --> 01:32:54,032
LET'S GET SOMETHING
TO TIE HER UP!
1452
01:32:54,032 --> 01:32:56,493
[ SCREAMING CONTINUES ]
1453
01:33:00,497 --> 01:33:01,623
Lorraine: HOLD IT.
1454
01:33:05,001 --> 01:33:06,669
[ COUGHS ]
1455
01:33:12,383 --> 01:33:13,843
I GOTTA CALL FATHER GORDON.
1456
01:33:13,843 --> 01:33:15,929
WE GOTTA GET FATHER GORDON
OUT HERE.
1457
01:33:15,929 --> 01:33:17,597
HE'S TOO FAR AWAY.
SHE WON'T MAKE IT.
LOOK AT HER.
1458
01:33:20,850 --> 01:33:24,646
[ PANTING ]
1459
01:33:24,646 --> 01:33:27,273
[ SCREAMING CONTINUES ]
1460
01:33:28,441 --> 01:33:29,859
THEN YOU NEED TO LEAVE.
1461
01:33:29,859 --> 01:33:31,319
WHAT ARE YOU
TALKING ABOUT?
1462
01:33:31,319 --> 01:33:33,613
I HAVE TO DO IT.
THE EXORCISM.
1463
01:33:33,613 --> 01:33:35,865
WHAT? I THOUGHT YOU SAID
WE NEED A PRIEST.
1464
01:33:35,865 --> 01:33:36,991
YOU'RE NOT A PRIEST.
1465
01:33:36,991 --> 01:33:38,451
WELL, YOU GOT A BETTER IDEA?
1466
01:33:38,451 --> 01:33:41,621
HE CAN DO IT.
YOU CAN DO IT.
1467
01:33:41,621 --> 01:33:43,832
BUT YOU GOTTA GET OUTTA HERE.
I'M NOT LEAVING YOU!
1468
01:33:43,832 --> 01:33:46,042
DAMN IT, LORRAINE, I'M NOT
DOING THIS WITH YOU IN HERE.
1469
01:33:48,419 --> 01:33:50,421
GOD BROUGHT US TOGETHER
FOR A REASON.
1470
01:33:50,421 --> 01:33:51,798
THIS IS IT.
1471
01:33:51,798 --> 01:33:53,967
I'M GONNA GET THE BOOK.
1472
01:34:10,692 --> 01:34:13,486
Drew: APRIL!
1473
01:34:20,827 --> 01:34:23,288
APRIL!
1474
01:34:29,252 --> 01:34:32,755
[ DISTORTED GROANING ]
1475
01:34:44,183 --> 01:34:48,021
"IN THE NAME OF THE FATHER,
THE SON, THE HOLY SPIRIT."
1476
01:34:51,941 --> 01:34:54,611
"VADE RETRO SATANA.
1477
01:34:54,611 --> 01:34:58,698
SANCTE MICHAEL ARCHANGELE,
DEFENDE NOS IN PROEILO."
1478
01:34:58,698 --> 01:35:00,658
[ HOLY WATER SPLASHES ]
1479
01:35:00,658 --> 01:35:01,868
[ DISTORTED SCREAMING ]
1480
01:35:01,868 --> 01:35:06,497
[ RUMBLING ]
1481
01:35:16,382 --> 01:35:17,550
[ GASPS ]
1482
01:35:19,844 --> 01:35:21,596
[ WINGS FLUTTERING ]
1483
01:35:21,596 --> 01:35:22,680
[ GASPS ]
1484
01:35:25,224 --> 01:35:26,809
AAH!
1485
01:35:26,809 --> 01:35:28,686
APRIL!
1486
01:35:28,686 --> 01:35:30,104
[ BANG ]
1487
01:35:39,405 --> 01:35:40,990
[ BANG ]
1488
01:35:43,201 --> 01:35:44,827
[ BANG ]
1489
01:35:51,417 --> 01:35:52,919
[ BIRD CAWS ]
1490
01:35:55,129 --> 01:35:56,631
[ GLASS SHATTERS ]
[ GASPS ]
1491
01:35:56,631 --> 01:35:59,342
[ BIRD SQUAWKING ]
1492
01:35:59,342 --> 01:36:01,260
[ BIRDS CAWING ]
1493
01:36:10,103 --> 01:36:11,938
[ THUD, GLASS SHATTERS ]
1494
01:36:14,816 --> 01:36:16,192
[ GLASS SHATTERS ]
"DEUM VERUM."
1495
01:36:18,987 --> 01:36:20,613
[ WIND HOWLING ]
1496
01:36:20,613 --> 01:36:23,408
[ RATTLING ]
1497
01:36:23,408 --> 01:36:28,830
"TE" -- UH, "TE PER DEUM VERUM,
PER DEUM SANCTUM QUI SIC DI--"
1498
01:36:28,830 --> 01:36:30,832
HOLD HER STILL!
HOLD HER STILL!
1499
01:36:30,832 --> 01:36:32,750
COME HERE!
HOLD HER STILL!
1500
01:36:32,750 --> 01:36:35,586
"QUI SIC DILEXIT MUNDUM.
RECEDE, SEDUCTOR!
1501
01:36:35,586 --> 01:36:37,922
VOS IN CUBILI TUO!"
1502
01:36:41,467 --> 01:36:43,428
APRIL?
1503
01:36:46,055 --> 01:36:49,642
[ CHILD CRYING ]
1504
01:36:49,642 --> 01:36:50,727
APRIL!
1505
01:36:50,727 --> 01:36:53,146
APRIL, YOU UNDER THERE?
1506
01:36:53,146 --> 01:36:54,856
[ POUNDING ]
APRIL!
1507
01:36:54,856 --> 01:36:55,982
Carolyn: [ MOANING ]
1508
01:36:55,982 --> 01:36:57,608
"SANCTE MICHAEL ARCHANGELE,
1509
01:36:57,608 --> 01:37:00,403
CONTRA NEQUITIAM ET INSIDIAS
DIABOLI ESTO PRAESIDIUM."
1510
01:37:00,403 --> 01:37:02,530
CAROLYN. CAROLYN.
DON'T GIVE IN!
1511
01:37:02,530 --> 01:37:04,032
DON'T LET HER TAKE YOU!
1512
01:37:04,032 --> 01:37:05,867
ED! YOU GOTTA STOP,
YOU'RE KILLIN' HER. STOP!
1513
01:37:05,867 --> 01:37:08,578
NO, HE CAN'T!
"NOS ARE PADRES
DE PROTESTATE DIABOLI..."
1514
01:37:08,578 --> 01:37:10,872
ROGER, HELP ME!
1515
01:37:10,872 --> 01:37:15,501
Ed: "...MALEDICTUS.
TU PENCHEFS INTERFECTORIBUS..."
1516
01:37:15,501 --> 01:37:19,088
ED!
GODDAMN IT, STOP IT!
1517
01:37:19,088 --> 01:37:20,381
UNDERSTAND THIS!
1518
01:37:20,381 --> 01:37:22,050
WE ARE NOW FIGHTING
FOR HER SOUL!
1519
01:37:22,050 --> 01:37:25,219
"IN THE NAME OF JESUS CHRIST,
THE SAINTS AND ALL THE ANGELS,
1520
01:37:25,219 --> 01:37:27,346
I COMMAND YOU
TO REVEAL YOURSELF!"
1521
01:37:27,346 --> 01:37:29,432
[ DISTORTED SCREAM ]
1522
01:37:42,862 --> 01:37:44,447
[ SCREAMING CONTINUES ]
1523
01:37:56,209 --> 01:38:00,088
ROGER, HELP ME!
1524
01:38:00,088 --> 01:38:03,841
"ABODE HOSTE VISIBILE
ET INVISIBLE ET UBIQUE
1525
01:38:03,841 --> 01:38:06,094
EN HOC SECULAR LIBERATOR."
1526
01:38:06,094 --> 01:38:09,472
[ SCREAMING, RUMBLING STOPS ]
1527
01:38:09,472 --> 01:38:11,557
[ LIGHT BULB CREAKING ]
1528
01:38:20,691 --> 01:38:22,443
[ CHAIR CREAKS ]
1529
01:38:26,864 --> 01:38:28,116
[ GASPS ]
1530
01:38:32,787 --> 01:38:34,413
[ GASPS ]
1531
01:38:34,413 --> 01:38:36,082
"OMINI FANTASMA,
1532
01:38:36,082 --> 01:38:40,044
O-O-OMINI SELEGIO E NOMINE
DOMINE NOSTRI, JESU."
1533
01:38:42,672 --> 01:38:45,341
[ DISTORTED SCREAMING ]
1534
01:38:48,219 --> 01:38:49,428
Ed: WHOA.
1535
01:38:49,428 --> 01:38:52,348
PUT HER DOWN!
1536
01:38:52,348 --> 01:38:54,600
PUT HER DOWN!
1537
01:38:55,643 --> 01:38:57,311
PUT HER DOWN!
1538
01:38:58,980 --> 01:39:01,524
Roger: CAROLYN!
Lorraine: CAROLYN!
1539
01:39:04,152 --> 01:39:05,903
ED, LOOK OUT!
1540
01:39:05,903 --> 01:39:07,655
[ GRUNTS ]
1541
01:39:07,655 --> 01:39:09,532
[ PANTING ]
1542
01:39:09,532 --> 01:39:10,575
[ COUGHS ]
1543
01:39:10,575 --> 01:39:11,784
ARE YOU OKAY?
1544
01:39:11,784 --> 01:39:13,619
Carolyn:
[ DISTORTED LAUGH ]
1545
01:39:13,619 --> 01:39:15,872
Ed: HOLD HER STILL!
DON'T LET HER UP!
1546
01:39:15,872 --> 01:39:17,415
WE'RE LOSIN' HER, ROGER!
1547
01:39:17,415 --> 01:39:20,084
DAMN YOU! YOU LEAVE MY FAMILY
ALONE, YOU HEAR ME?
1548
01:39:20,084 --> 01:39:21,419
I DON'T KNOW WHAT YOU ARE,
1549
01:39:21,419 --> 01:39:22,795
BUT YOU LEAVE MY WIFE ALONE,
GODDAMN IT!
1550
01:39:22,795 --> 01:39:24,797
LET HER GO!
DO YOU HEAR ME?!
1551
01:39:24,797 --> 01:39:26,090
LET HER GO!
1552
01:39:26,090 --> 01:39:28,217
"DAT ORABE SPARATEM
ES IGNIS."
1553
01:39:28,217 --> 01:39:30,636
LET HER GO, GODDAMN IT!
LET HER GO!
1554
01:39:30,636 --> 01:39:33,639
"--PENCHEFS INTERFECTORIBUS
PATRIS LABIDINIS OPTER."
1555
01:39:33,639 --> 01:39:37,059
[ PRAYING INDISTINCTLY ]
1556
01:39:37,059 --> 01:39:39,353
SHE'S ALREADY GONE.
1557
01:39:39,353 --> 01:39:42,648
AND NOW
YOU'RE ALL GONNA DIE.
1558
01:39:42,648 --> 01:39:44,525
[ CREAKING ]
[ GUN COCKS ]
1559
01:39:44,525 --> 01:39:46,194
[ GLASS SHATTERS ]
1560
01:39:49,447 --> 01:39:50,740
Drew: APRIL!
1561
01:39:50,740 --> 01:39:53,784
I FOUND HER!
SHE'S UNDER THE HOUSE!
1562
01:39:53,784 --> 01:39:55,369
UNDER THE KITCHEN!
1563
01:39:55,369 --> 01:39:57,413
Ed: NO, CAROLYN, DON'T!
NO!
1564
01:39:57,413 --> 01:39:58,831
GET HER!
1565
01:40:13,971 --> 01:40:15,348
Brad: HERE.
CAROLYN!
1566
01:40:15,348 --> 01:40:17,642
[ SHRIEKING ]
1567
01:40:17,642 --> 01:40:18,893
Roger: CAROLYN!
1568
01:40:18,893 --> 01:40:20,144
SHE'S IN THAT HOLE.
RIGHT THERE.
1569
01:40:22,897 --> 01:40:24,941
CAROLYN?
OH, MY GOD. NO!
1570
01:40:24,941 --> 01:40:27,902
CAN'T GO IN.
CAN'T REACH.
1571
01:40:27,902 --> 01:40:31,781
NO! CAROLYN, DON'T!
NO!
1572
01:40:31,781 --> 01:40:33,241
CAROLYN, NO!
1573
01:40:33,241 --> 01:40:35,534
BATHSHEBA!
1574
01:40:35,534 --> 01:40:37,620
[ SCREECHES ]
1575
01:40:37,620 --> 01:40:41,791
BY THE POWER OF GOD,
I CONDEMN YOU BACK TO HELL!
1576
01:40:41,791 --> 01:40:44,168
AAH!
1577
01:40:44,168 --> 01:40:45,753
THIS IS YOUR DAUGHTER!
1578
01:40:45,753 --> 01:40:47,380
[ SCREAMING ]
1579
01:40:47,380 --> 01:40:50,174
YOU CAN'T GIVE IN!
[ SCREAMING CONTINUES ]
1580
01:40:50,174 --> 01:40:53,469
ROGER, WE NEED TO GET HER
TO FIGHT FROM THE INSIDE.
1581
01:40:53,469 --> 01:40:55,096
DON'T LET HER DO THIS
TO YOU, OKAY?
1582
01:40:55,096 --> 01:40:56,555
DON'T LET THIS THING DO THIS.
YOU GOTTA FIGHT IT.
1583
01:40:56,555 --> 01:40:58,099
I KNOW YOU'RE STRONGER
THAN SHE IS.
1584
01:40:58,099 --> 01:41:00,142
YOU GOTTA FIGHT IT!
KEEP IT GOING, ROGER!
1585
01:41:00,142 --> 01:41:01,227
YOU GOTTA STAY WITH US,
ALL RIGHT?
1586
01:41:01,227 --> 01:41:03,896
COME ON BACK, CAROLYN.
1587
01:41:03,896 --> 01:41:05,106
LORRAINE, THAT'S IT!
GET HER BACK!
1588
01:41:05,106 --> 01:41:06,482
REMEMBER
WHAT YOU SHOWED ME.
1589
01:41:06,482 --> 01:41:07,817
NO!
1590
01:41:09,652 --> 01:41:12,321
REMEMBER THAT DAY THAT YOU SAID
YOU WOULD NEVER FORGET.
1591
01:41:12,321 --> 01:41:16,075
[ MUFFLED LAUGHTER ]
1592
01:41:16,075 --> 01:41:19,036
[ CRYING ]
1593
01:41:21,872 --> 01:41:24,709
YOU SAID THEY MEANT
THE WORLD TO YOU.
1594
01:41:24,709 --> 01:41:27,211
THIS IS WHAT
YOU'LL BE LEAVING BEHIND.
1595
01:41:27,211 --> 01:41:29,755
[ CRYING CONTINUES ]
1596
01:41:47,106 --> 01:41:48,441
[ GAGS ]
1597
01:41:48,441 --> 01:41:50,609
[ COUGHING ]
1598
01:41:52,862 --> 01:41:54,655
[ VOMITING ]
1599
01:41:56,907 --> 01:41:58,951
[ COUGHS ]
1600
01:42:31,192 --> 01:42:35,154
[ GASPS ]
1601
01:42:35,154 --> 01:42:36,947
[ SIGHS ]
1602
01:42:40,743 --> 01:42:42,411
IT'S OVER.
1603
01:42:42,411 --> 01:42:44,622
I AM SO SORRY.
1604
01:42:44,622 --> 01:42:48,834
I LOVE YOU SO MUCH.
I LOVE YOU SO MUCH.
1605
01:42:48,834 --> 01:42:51,295
[ Crying ]
I LOVE YOU SO MUCH.
1606
01:42:51,295 --> 01:42:52,755
I'M SO HAPPY.
1607
01:42:52,755 --> 01:42:56,384
OH!
1608
01:42:56,384 --> 01:42:59,053
HEY!
1609
01:43:12,441 --> 01:43:16,445
OOH. A DRAFT DO THAT
TO YOUR FACE?
1610
01:43:16,445 --> 01:43:19,240
I'D TAKE A GUY
WITH A GUN ANY DAY.
1611
01:43:23,160 --> 01:43:25,246
YOU DID GOOD.
1612
01:43:25,246 --> 01:43:27,581
NO, YOU DID.
1613
01:44:08,205 --> 01:44:10,458
[ SIGHS ]
1614
01:44:24,680 --> 01:44:27,600
[ SIGHS ]
1615
01:44:27,600 --> 01:44:30,227
I'LL CALL FATHER GORDON
AND LET HIM KNOW WHAT HAPPENED.
1616
01:44:30,227 --> 01:44:32,688
SOUNDS GOOD.
1617
01:44:38,819 --> 01:44:39,820
[ ZIPPER OPENS ]
1618
01:44:57,463 --> 01:45:01,383
THE VATICAN APPROVED
THE EXORCISM.
1619
01:45:01,383 --> 01:45:03,969
[ CHUCKLES ]
NICE TIMING.
1620
01:45:03,969 --> 01:45:08,891
AND IF WE CAN, THEN HE'D LIKE
TO MEET WITH US TOMORROW.
1621
01:45:08,891 --> 01:45:11,352
THERE'S A CASE IN LONG ISLAND
HE'D LIKE TO DISCUSS.
1622
01:45:11,352 --> 01:45:13,312
REALLY?
1623
01:45:36,252 --> 01:45:38,712
[ MUSIC BOX PLAYS ]
1624
01:46:10,035 --> 01:46:12,454
[ OMINOUS MUSIC PLAYS ]
1625
01:46:51,118 --> 01:46:53,746
[ CLINKING ]