[ OMINOUS MUSIC PLAYS ]
Debbie: IT SCARES US JUST THINKING ABOUT IT.
WHEN YOU HEAR IT, YOU'RE GONNA THINK WE'RE INSANE.
Ed: TRY US. PLEASE, FROM THE START.
[ CLICK ]
Debbie: IT STARTED OUT SMALL,
LIKE A HAND OR A LEG WAS IN A DIFFERENT POSITION.
THEN ITS HEAD WAS LOOKING UP INSTEAD OF DOWN.
AND THEN ONE DAY, IT WAS IN A COMPLETELY DIFFERENT ROOM.
IT WAS MOVING AROUND BY ITSELF.
Ed: EVER THINK
THAT MAYBE SOMEBODY HAD A KEY TO YOUR APARTMENT
AND WAS JUST PLAYING A TRICK ON YA?
Debbie: THAT'S EXACTLY WHAT WE THOUGHT.
BUT NEVER ONCE DID WE FIND
ANY SIGN OR EVIDENCE OF INTRUSION.
Lorraine: AND THIS ALL LED YOU TO BELIEVE
THAT THE DOLL WAS POSSESSED? YES.
CAMILLA GOT IN TOUCH WITH A MEDIUM.
WE LEARNED FROM HER
THAT A SEVEN-YEAR-OLD GIRL NAMED ANNABELLE HIGGINS
HAD DIED IN THIS APARTMENT.
SHE WAS LONELY AND TOOK A LIKING TO MY DOLL.
ALL SHE WANTED WAS TO BE FRIENDS.
WHEN WE HEARD THIS, WE FELT REALLY SORRY FOR HER.
I MEAN, WE'RE NURSES, WE HELP PEOPLE.
SO WE GAVE HER PERMISSION TO MOVE INTO THE DOLL.
WAIT, YOU DID WHAT?
SHE WANTED TO LIVE WITH US BY INHABITING THE DOLL.
WE SAID YES.
BUT THEN THINGS GOT WORSE.
[ LAUGHTER ]
[ SCOFFS ]
WHEN WE CAME HOME, SHE WAS SITTING IN THE HALLWAY.
BUT WE HAD LEFT HER IN THE SPARE ROOM.
[ DOOR CREAKS ]
[ BREATHING HEAVILY ]
[ CLATTER, ROLLING ]
DEBBIE! DEBBIE, WAIT!
[ LID SLAMS ]
[ KNOCK ON DOOR ]
[ POUNDING ON DOOR ]
[ DOOR CREAKS ]
[ LIGHT SWITCH CLICKS ]
[ DOOR CREAKS ]
[ POUNDING ON DOOR ]
[ GASPS ]
Debbie: WE ARE BEYOND TERRIFIED.
WE DON'T KNOW WHAT'S GOING ON OR WHAT TO DO.
CAN YOU HELP US?
YES, WE CAN.
NOW, FIRSTLY, THERE'S NO SUCH THING AS ANNABELLE,
AND THERE NEVER WAS.
Lorraine: GHOSTS DON'T POSSESS SUCH POWER.
I THINK WHAT WE HAVE HERE
IS SOMETHING EXTREMELY MANIPULATIVE.
IT'S SOMETHING INHUMAN.
IT WAS A BIG MISTAKE ACKNOWLEDGING THIS DOLL.
AND THROUGH THAT, THE INHUMAN SPIRIT TRICKED YOU.
YOU GAVE IT PERMISSION TO INFEST YOUR LIVES.
WHAT'S AN INHUMAN SPIRIT?
IT'S SOMETHING THAT'S NEVER WALKED THE EARTH IN HUMAN FORM.
IT'S SOMETHING DEMONIC.
Debbie: SO THE DOLL WAS NEVER POSSESSED?
NO, NO, IT WAS USED AS A CONDUIT.
IT WAS MOVED AROUND TO GIVE THE IMPRESSION OF POSSESSION.
DEMONIC SPIRITS DON'T POSSESS THINGS, THEY POSSESS PEOPLE.
IT WANTED TO GET INSIDE OF YOU.
[ PROJECTOR CLICKING ]
Ed: ALL RIGHT, THAT'S GOOD, DREW.
YOU CAN SHUT IT DOWN NOW.
HIT THE LIGHTS.
SO WE GOT THE CHURCH TO SEND A PRIEST OVER
TO PERFORM A BLESSING ON THE HOUSE AND THE OCCUPANTS.
WHATEVER WAS OPPRESSING THAT APARTMENT
WAS NO LONGER WITH THEM. ANY QUESTIONS?
YES.
WHERE'S THE DOLL NOW??
SOMEPLACE SAFE.
YEP.
SO, WHAT ARE YOU GUYS?
I MEAN, WHAT DO PEOPLE CALL YOU?
UH, WELL, WE'VE BEEN CALLED DEMONOLOGISTS.
THAT'S ONE NAME FOR US.
GHOST HUNTERS, PARANORMAL RESEARCHERS.
KOOKS.
[ LAUGHTER ]
WACKOS.
BUT WE PREFER TO BE KNOWN
SIMPLY AS ED AND LORRAINE WARREN.
Children: ♪ "THERE GOES JOHN JACOB JINGLEHEIMER SCHMIDT" ♪
♪ DA-DA-DA-DA-DA-DA-DA-DA ♪
♪ JOHN JACOB JINGLEHEIMER SCHMIDT ♪
♪ HIS NAME IS MY NAME TOO ♪
♪ WHENEVER WE GO OUT ♪
♪ THE PEOPLE ALWAYS SHOUT ♪
♪ "THERE GOES JOHN JACOB JINGLEHEIMER SCHMIDT" ♪
Roger: HERE WE ARE.
WOW, HEAR THAT?
I DON'T HEAR ANYTHING.
EXACTLY. OH. [ LAUGHS ]
OKAY. GUYS, WE ARE HERE!
OH, GOD, WE'RE IN THE MIDDLE OF NOWHERE.
ARE YOU SO EXCITED? WHERE'S MY "YES"?
Girl: YES!
I'LL RACE YA! ARE YOU GUYS EXCITED?
[ DOG BARKING ] I'M SO EXCITED!
April: COME ON, SADIE! I GET MY OWN ROOM!
Nancy: ARE YOU KIDDING ME? NO DIBS ON THE ROOMS!
WHAT?! WHAT?!
SO DO I GET TO PICK MY OWN ROOM?
OR DO I HAVE NO CHOICE IN THAT EITHER?
WELL, FIRST CUTE BOY SHE MEETS, SHE'LL FORGET ABOUT JERSEY.
AH, GREAT. I HOPE.
CAN'T WAIT.
COME ON, SADIE.
[ DOG PANTING ]
SADIE, LET'S GO. [ SMOOCHES ]
[ DOG WHINES ]
HEY, COME.
WHAT'S THE MATTER WITH YOU?
HEY, COME ON, GIRL.
ALL RIGHT, SUIT YOURSELF.
[ DOOR BANGS ]
[ RADIO TUNING ]
[ THE ZOMBIES' "TIME OF THE SEASON" PLAYS ]
♪ WHAT'S YOUR NAME? ♪
♪ WHO'S YOUR DADDY? ♪
♪ HE RICH ♪
♪ IS HE RICH LIKE ME? ♪
WATCH YOUR STEP. COMING THROUGH.
♪ HAS HE TAKEN ♪ ♪ HAS HE TAKEN ♪
WHOA, WATCH OUT, DAD.
Man: WHERE DO YOU WANT IT?
THAT GOES IN THE LIVING ROOM.
HEY, ANDREA, WHERE'S MY WIND CHIME?
I THINK NANCY'S GOT IT IN THE OTHER ROOM.
OH, THANKS. HEY, NANCY, HAVE YOU SEEN MY WIND CHIME?
OH, THIS ONE? YEAH, THANKS.
YOU'RE GONNA HAVE TO CATCH IT.
NANCY! LET GO! GIVE IT HERE.
♪ I REALLY WANT TO KNOW ♪
YOU'RE SO MEAN.
♪ IT'S THE TIME OF THE SEASON ♪
HEY, MOM, CAN I HANG UP MY WIND CHIME?
OF COURSE. THERE'S A LINE OUTSIDE YOU CAN HANG IT ON.
HONEY, HAVE APRIL COME IN, OKAY?
IT'S GONNA BE DARK SOON. OKAY.
[ WIND CHIME JINGLING ]
COME ON, APRIL! MOM WANTS US INSIDE!
LOOK WHAT I FOUND, CINDY.
[ MUSIC BOX PLAYS ]
Nancy and Cindy: ONE...
TWO...
THREE.
NO PEEKING! FOUR.
ARE YOU GUYS DONE WITH THE PIZZA?
I DON'T WANT IT GOING TO WASTE.
IT'S EXPENSIVE FEEDING YOU GIRLS.
...SEVEN, EIGHT, NINE, TEN.
WHERE SHOULD I HIDE?
READY OR NOT, HERE I COME!
OKAY, CLAP.
[ BOTH CLAP ]
WHOA! WHOA!
GUYS, YOU DON'T KNOW THE HOUSE WELL ENOUGH.
SOMEONE'S GONNA GET HURT.
I'M OKAY, I'M OKAY.
SECOND CLAP.
[ CLAP, CLAP ]
THAT'S CHEATING.
CLAP.
[ CLAP ]
GOT YOU! AAH!
[ THUD ]
ARE YOU OKAY? UH, YEAH.
ALL RIGHT, WHAT DID WE BREAK NOW?
I-I-I DIDN'T MEAN TO.
MOVE OUT THERE, PLEASE.
IT WAS CHRISTINE'S FAULT. AH, JEEZ.
Christine: MY FAULT? OH, MY GOD.
Nancy: CHRISTINE DID IT.
Christine: NO, I DIDN'T, YOU DID. NO, TOTALLY, YOU PUSHED ME.
NO, NO, YOU FELL BACK.
HEY, NANCY, CAN YOU GO GET ME THE MATCHES, PLEASE?
WHAT'S GOING ON? Christine: NANCY BROKE SOMETHING.
SHUT UP. IT WAS YOU!
WHAT BROKE? IT'S THE WALL.
WHOA.
I THINK WE HAVE A CELLAR OR SOMETHING.
I WANNA SEE, I WANNA SEE.
OKAY. MOVE, MOVE, MOVE.
HERE, MATCHES. THANK YOU.
MOM, I WANNA SEE. Carolyn: YOU CAN SEE.
Nancy: I WANNA SEE TOO.
YOU CAN ALL SEE.
MOVE!
[ STAIRS CREAKING ]
AH, MAN.
HUH.
ROGER?
WHAT DO YOU SEE DOWN THERE?
JUST, UH, HARD TO TELL, YOU KNOW?
IT'S -- IT'S AN OLD PIANO AND A WHOLE BUNCH OF GARBAGE.
[ SIZZLE ]
AH! SON OF A--
[ MATCH STRIKES ]
WOW.
ROG?
COME ON UP.
[ STAIRS CREAKING ]
I DON'T WANT ANY OF YOU GIRLS GOING DOWN THERE.
THAT PLACE IS LOADED WITH SPIDERS.
EW!
JUST RELAX.
Christine: STOP IT, NANCY. IT'S NOT FUNNY.
WE'VE GOT EXTRA SQUARE FOOTAGE ANYWAY.
I'LL CHECK IT OUT IN THE MORNING.
I WONDER WHY IT WAS BOARDED UP.
I DON'T KNOW.
OKAY, GUYS, SHOW'S OVER. Cindy: FIVE MORE MINUTES.
NO MORE MINUTES. UP TO BED.
PLEASE. THANK YOU.
BUT I'M NOT TIRED. ALL RIGHT, TO BED.
[ DOG BARKING ]
Roger: MAN, I'M FRIED.
Carolyn: SOMETHING'S UP WITH SADIE.
YEAH, I DON'T KNOW WHAT HER PROBLEM IS.
COULDN'T GET HER TO COME INSIDE.
WE CAN'T LEAVE HER OUT THERE.
SHE'S ALL RIGHT. I GOT HER ON A CHAIN.
SADIE, HEY, BE QUIET.
THANKS FOR MAKIN' THIS WORK.
I KNOW IT WAS A LOT TO BITE OFF.
YEAH.
IT'S GONNA BE GREAT, ISN'T IT?
I THINK IT'S GREAT ALREADY.
YEAH.
YOU STILL TOO FRIED TO CHRISTEN THE NEW HOUSE?
WHO SAID I'M FRIED?
AIN'T NOBODY HERE'S FRIED.
[ CREAKING ]
[ SIGHS ]
MOM?
HEY. HOW DID YOU GUYS SLEEP?
I'M COLD.
IT IS CHILLY, ISN'T IT?
DO YOU THINK MAYBE WE COULD HAVE BOUGHT A HOUSE
THAT HAS A TOILET THAT ACTUALLY WORKS?
TELL YOUR FATHER.
AND THERE WAS THIS REALLY FUNKY SMELL
IN MY BEDROOM LAST NIGHT.
REEKED LIKE SOMETHING DIED.
IS IT STILL THERE?
NO. PROBLEM SOLVED.
ROGER?
Roger: DOWN HERE, HONEY.
[ STAIRS CREAKING ]
MORNING.
OH.
THIS IS GONNA TAKE SOME SERIOUS ELBOW GREASE.
[ Chuckling ] YEAH.
OH, MY GOD.
[ SOUR NOTES PLAY ]
WHAT ARE WE GONNA DO WITH ALL THIS STUFF?
WELL, WE PROBABLY OUGHT TO GO THROUGH IT, YOU KNOW?
THERE MIGHT BE SOME ANTIQUES DOWN HERE WORTH A LOT OF MONEY.
YEAH, OR JUST A LOT OF JUNK THE PREVIOUS OWNER DIDN'T WANT.
IT'S OURS NOW.
KNOCK YOURSELF OUT.
I'M GONNA MAKE SOME COFFEE.
OKAY. I'LL BE UP IN A MINUTE.
I'M GONNA SEE IF I CAN GET THIS FURNACE WORKING.
YEAH, THAT'D BE NICE. IT'S FREEZING. YEAH.
[ STAIRS CREAKING ]
[ SIGHS ]
April: SADIE! COME HERE, SADIE!
MOMMY! MOMMY, WHERE'S SADIE?
SHE'S OUTSIDE.
YOU KNOW, I'M SURE SHE'S HUNGRY BY NOW.
WHY DON'T YOU GO AND GET HER.
OH! MORNING, DAD.
CAN YOU HOLD THIS? HEY. SURE.
SADIE! SLOW IT DOWN, SCOOT.
ROGER. YEAH.
THIS CLOCK STOPPED AT 3:07,
AND SO DID THE ONE IN THE HALLWAY.
THAT'S WEIRD.
MAYBE IT GOT KNOCKED AROUND IN THE MOVE.
SPEAKING OF KNOCKED AROUND,
WHAT DID YOU DO TO ME LAST NIGHT?
OUCH. I DIDN'T DO THAT.
DID I? I DON'T KNOW.
SADIE!
[ SCREAMING ]
APRIL! APRIL!
APRIL! WHAT'S--?
APRIL! WHAT'S GOING ON?
WHAT HAPPENED?
OH, MY GOD!
[ Crying ] OH, SADIE.
ROGER.
Ed: WE KEEP EVERYTHING LOCKED IN HERE.
FEEL FREE TO LOOK AROUND. JUST DON'T TOUCH ANYTHING.
WOW.
THIS IS CRAZY.
SO ALL THESE ARE TAKEN FROM CASES YOU'VE INVESTIGATED?
THAT'S RIGHT.
EVERYTHING YOU SEE IN HERE IS EITHER HAUNTED, CURSED,
OR HAS BEEN USED IN SOME KIND OF RITUALISTIC PRACTICE.
NOTHING'S A TOY.
NOT EVEN THE TOY MONKEY.
DON'T TOUCH IT.
WELL... [ CLEARS THROAT ]
WELL, ISN'T IT SCARY, OR DOESN'T IT WORRY YOU
TO HAVE ALL THESE ITEMS RIGHT IN YOUR HOME?
THAT'S WHY WE HAVE A PRIEST THAT COMES BY ONCE A MONTH
TO BLESS THE ROOM.
WELL, THE WAY I SEE IT IS: IT'S SAFER FOR THESE THINGS
TO BE IN HERE THAN OUT THERE.
IT'S KIND OF LIKE KEEPIN' GUNS OFF THE STREET.
WELL, WHY NOT JUST THROW 'EM IN AN INCINERATOR?
DESTROY 'EM.
WELL, THAT WOULD ONLY DESTROY THE VESSEL.
SOMETIMES IT'S BETTER TO KEEP THE GENIE IN THE BOTTLE.
SAY, IS THE ANNABELLE DOLL HERE?
RIGHT THIS WAY.
YEAH.
[ SIGHS ]
YOU SAID SHE'S A CONDUIT?
THAT'S RIGHT. WHAT DOES THAT MEAN?
A VERY POWERFUL DEMONIC
HAS LATCHED ITSELF ONTO HER.
SO WHEN YOU GUYS INVESTIGATE THESE HAUNTINGS,
HOW DO YOU STOP 'EM FROM LATCHIN' ONTO YOU?
WE HAVE TO TAKE GREAT PRECAUTION.
BUT WHAT ABOUT YOUR WIFE?
WHAT ABOUT HER?
WELL, FATHER GORDON TOLD ME THAT--
WELL, THAT WAS DIFFERENT.
WHAT HAPPENED TO MY WIFE HAPPENED DURING AN EXORCISM.
WELL, WHAT'S THE DIFFERENCE?
[ SIGHS ]
[ CREAKING ]
'SCUSE ME.
HONEY, WHAT ARE YOU DOIN'?
COME HERE. YOU KNOW BETTER.
ALL RIGHT? GEORGIANA?
COME ON. DID YOU TOUCH ANYTHING?
Judy: NO.
ALL RIGHT, COME ON, HONEY.
GEORGIANA!
COULD YOU TAKE JUDY UPSTAIRS?
OH, SURE. YOU CAN'T GO INTO THIS ROOM,
NO MATTER WHAT, REMEMBER? YES, DADDY.
ALL RIGHT.
GO ON. OKAY, COME ON.
LET'S SEE IF I CAN FIND YOU A LITTLE SNACK, OKAY?
COME ON.
[ DOOR CREAKS ]
[ BOTH LAUGH ]
HEY. WHAT'S GOIN' ON IN HERE?
Judy: DADDY, LOOK.
YOU LOOK VERY PRETTY.
ALL RIGHT. ALL DONE.
GO GET DRESSED FOR DINNER.
I'M WEARING IT TO DINNER.
NO, YOU'RE NOT!
HERE YOU GO.
HOW'D IT GO?
OH, I THINK HE MAY WRITE A POSITIVE ARTICLE.
OOH, A NON-SKEPTIC.
THAT'S A PLEASANT CHANGE.
YEAH.
[ SIGHS ]
STOP BLAMING YOURSELF.
NO SUGAR.
BE RIGHT BACK.
[ CLOCK TICKING ]
[ TICKING STOPS ]
[ SIGHS ]
NOT FUNNY, NANCY.
Nancy: WHAT?
STOP GRABBING MY FOOT.
SHUT UP, I DIDN'T DO ANYTHING.
YEAH, RIGHT.
AND STOP FARTING. IT REALLY STINKS.
DON'T BLAME THAT ON ME. IT'S YOU.
PHEW.
[ STATIC ]
[ THUMPING ]
[ SIGHS ]
[ THUMPING ]
[ DOOR CREAKING ]
[ TV TURNS OFF ]
[ THUMPING ]
[ DOOR CREAKING ]
[ DOOR CREAKS ]
[ THUDDING ]
[ WIND HOWLING ]
[ WIND CHIME JINGLES ]
[ THUD ]
DAD?
ANDREA, WHAT ARE YOU DOIN' OUTTA BED?
WHAT'S THAT SOUND?
IT'S CINDY. SHE'S IN MY ROOM.
SHE'S SLEEPWALKING AGAIN.
[ SIGHS ]
[ THUMPING ]
I'VE NEVER SEEN HER DO THIS BEFORE.
I REMEMBERED YOU SAYING NOT TO WAKE HER IF SHE'S LIKE THIS.
NO, WE JUST PUT HER BACK TO BED.
HEY, HEY. SWEETIE.
SHH. LET'S GO BACK TO BED.
SHE'S OKAY. GOOD NIGHT.
NIGHT.
Carolyn: SHE'S SLEEPWALKING AGAIN?
SHE HASN'T DONE THAT FOR AWHILE.
SHE ENDED UP IN ANDREA'S ROOM TOO.
I THINK KIND OF FREAKED HER OUT.
THAT'S NOT GOOD.
WHAT ARE WE GONNA DO? I DON'T KNOW.
HONEY, YOU GOT ANOTHER BRUISE HERE.
HMM? DOES THAT HURT?
THAT'S WEIRD. I DON'T KNOW.
WILL YOU DO ME A FAVOR, GO SEE A DOCTOR FOR THAT?
YEAH, I WILL.
DRIVE SAFE. YEAH.
I LOVE YOU. I LOVE YOU TOO.
[ SIGHS ]
[ THUMP ]
[ BIRD COOS ]
[ DOOR OPENS, CLOSES ]
BYE! LOVE YOU!
CINDY, YOU HAVE YOUR LUNCH?
Cindy: YEAH.
April: YES, I DO. I MISS SADIE A LOT.
SHE WAS MY BEST FRIEND.
YOU'RE MY FRIEND, RIGHT?
YEAH, LET'S PLAY.
[ DOOR CREAKS ]
WHO ARE YOU TALKING TO?
RORY.
RORY?
HE'S MY NEW FRIEND. OH, REALLY.
YEAH, DO YOU WANT TO SEE HIM?
YEAH. UH-HUH. HOW?
WITH THIS.
WHEN THE MUSIC STOPS,
YOU SEE HIM IN THE MIRROR STANDING BEHIND YOU.
OKAY.
BUT YOU HAVE TO TWIST THE KEY.
OKAY.
[ MUSIC BOX PLAYS ]
BOO, MOMMY! OH!
[ LAUGHS ] GOT YOU!
APRIL, YOU JUST GAVE ME A HEART ATTACK.
WELL, OKAY.
I GUESS RORY DOESN'T WANT TO SEE ME, HUH?
HMM. OH, WELL.
CAN WE PLAY HIDE-AND-CLAP?
HIDE-AND-CLA--? OH, HONEY, I DON'T WANT TO PLAY.
PLEASE! NOBODY EVER LETS ME PLAY.
OKAY, OKAY.
[ LAUGHS ]
REMEMBER, YOU GET TO ASK ME FOR THREE CLAPS. OKAY.
Both: ONE, TWO, THREE.
I'M GONNA GO HIDE NOW! OKAY.
FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, TEN!
FIRST CLAP!
[ CLAP, CLAP ]
[ CLATTERING ]
[ CLOCK CHIMING ]
[ THUMP ]
OW. SHIT.
SECOND CLAP!
[ CLAP, CLAP ]
[ Singsong voice ] APRIL.
UM...
APRIL.
[ DOOR CREAKING ]
OH, I KNOW WHERE YOU'RE HIDING.
GIVE ME THE THIRD CLAP.
[ CLAP, CLAP ]
[ CHUCKLES ]
I'M GONNA GET YOU NOW.
[ BREATHING ]
I CAN HEAR YOU BREATHING.
APRIL. APRIL.
[ FOOTSTEPS ]
HA, HA! YOU TOOK YOUR BLINDFOLD OFF.
I WIN! YOU WEREN'T EVEN WARM, MOM.
I WAS IN CHRISTINE AND NANCY'S ROOM.
Roger: I GOTTA HAVE SOME ROUTES HERE,
OR I'M GONNA LOSE THE INSURANCE ON THE RIG.
[ CHUCKLES ]
THAT'S LIKE HALF OF MY RATE, MAN.
YEAH, OKAY.
WELL, UH, I'LL TAKE IT.
THANK YOU.
WHAT'S THE ROUTE?
IT'S, UH, FLORIDA. IT'S A WEEK TURNAROUND.
I START TOMORROW.
WE'LL GET THROUGH THIS.
[ CHUCKLES ] YEAH.
COME ON, LET'S GO TO BED.
MM. STOP IT, NANCY.
IT'S NOT FUNNY ANYMORE.
I'M TRYING TO SLEEP, PLEASE STOP GRABBING MY FEET.
[ GASPS ]
[ BREATHING HEAVILY ]
[ WHIMPERING ]
[ CREAKING ]
[ BREATHING HEAVILY ]
[ WHIMPERING ]
NANCY?
[ Crying ] NANCY?
WHAT ARE YOU DOING?
CHRISTINE?
ARE YOU ALL RIGHT?
DO YOU SEE IT?
SEE WHAT?
THERE'S SOMEONE BEHIND THE DOOR.
WHAT?
THERE'S SOMEONE STANDING OVER THERE.
I DON'T SEE ANYONE.
IT'S LOOKING RIGHT AT US.
NANCY, DON'T! NANCY.
NO, NO. LOOK. LOOK.
LOOK, THERE'S NO ONE -- THERE'S NO ONE HERE.
SEE?
UGH. IT'S THAT SMELL AGAIN.
OH, MY GOD.
IT'S STANDING RIGHT BEHIND YOU.
[ HEAVY BREATHING ]
[ DOOR SLAMS ]
[ BOTH SCREAMING ]
CHRISTINE?! CHRISTINE! CHRISTINE!
CHRIS-- GOD, IT WON'T OP--
CHRISTINE!
NO! NO! NO!
WHAT'S GOING ON? WHAT HAPPENED?
THERE WAS SOMEONE ELSE IN HERE!
WHAT? WHERE?
[ Crying ] BY THE DOOR. IT WAS BEHIND THE DOOR.
HONEY, THERE'S NOTHING IN HERE.
THERE'S NOBODY IN HERE.
THERE WAS SOMEONE ELSE IN HERE!
I WAS JUST SLEEPING,
AND THEN I FELT SOMEBODY GRAB MY FEET.
SO I THOUGHT IT WAS NANCY.
WELL, HONEY, I'M PRETTY SURE IT WAS JUST A BAD DREAM.
NO! NO! IT TALKED TO ME!
IT SAID THAT IT WANTS MY FAMILY DEAD.
[ SOBBING ]
Lorraine: MR. WINSTON!
WINSTON? WINSTON?
GET BEHIND HIM.
WHERE YOU OFF TO?
I JUST GOTTA RUN TO THE STORE FOR A FEW THINGS.
WHY DO YOU EVEN TRY?
WHAT? WHAT DO YOU MEAN?
IN 15 YEARS HAVE YOU EVER BEEN ABLE TO LIE TO ME?
[ SIGHS ] FATHER GORDON CALLED.
HE'S GOT A CASE HE WANTS US TO LOOK INTO.
I SAID I'D GO CHECK IT OUT MYSELF.
LORRAINE, MYSELF.
I'M GOING WITH YOU.
I KNOW YOU'RE WORRIED IT'S GONNA HAPPEN AGAIN.
YEAH, I AM. I REALLY AM.
MAYBE IT'S JUST TIME WE TAKE A BREAK.
WRITE THAT BOOK.
DO YOU REMEMBER WHAT YOU SAID TO ME ON OUR WEDDING NIGHT?
"CAN WE DO IT AGAIN?"
AFTER THAT.
[ BOTH LAUGH ]
YOU SAID THAT GOD BROUGHT US TOGETHER FOR A REASON.
RIGHT?
I'M PRETTY SURE IT'S NOT TO WRITE A BOOK.
I'M GONNA GET DRESSED.
[ SIGHS ]
WE'VE ISOLATED THE DISTURBANCES TO THE ATTIC.
NOW, I JUST WANT YOU TO LISTEN FOR A SECOND.
[ CREAKING ]
[ GASPS ] OH, MY GOD. THAT'S IT.
DO IT AGAIN, ED.
[ CREAKING ]
RIGHT NOW IT'S JUST MY WEIGHT.
BUT YOU TAKE THE WATER COMIN' OFF-A THE PIPE
COMBINED WITH THE WIND COMIN' THROUGH THE BROKEN WINDOW,
THESE BOARDS ARE GONNA EXPAND AND RUB AGAINST EACH OTHER.
YOU HEARD IT ALL THROUGH THE HOUSE
'CAUSE OF THESE PIPES LEADING TO THE RADIATOR.
SO THIS PLACE ISN'T HAUNTED?
NO, IT RARELY IS.
YEAH, THERE'S USUALLY ALWAYS
SOME KIND OF RATIONAL EXPLANATION.
[ BETSY BRYE'S "SLEEP WALK" PLAYS ]
♪ SLEEP WALK ♪
♪ INSTEAD OF DREAMING, I SLEEP WALK ♪
♪ 'CAUSE I LOST YOU AND NOW WHAT AM I TO DO? ♪
[ ZIPPER ZIPS ]
♪ CAN'T BELIEVE ♪
[ CHILD GIGGLES ]
♪ THAT WE'RE THROUGH ♪
[ MUSIC STOPS ]
[ CLAP, CLAP ]
GIRLS, IT'S WAY PAST YOUR BEDTIME.
[ CLOCK TICKING ]
[ DOOR CREAKS ]
[ LIGHT SWITCH CLICKS ]
[ DOOR CREAKS ]
[ SHATTERING ]
[ CHILD LAUGHING ]
[ PICTURE FRAME SHATTERS ]
[ GLASS CRUNCHING ]
[ DOOR CREAKS ]
[ CLOCK CHIMING ]
[ CLAP, CLAP ]
WHO IS THAT?!
[ DOOR CREAKS ]
WHO'S EVER DOWN THERE, I'M GONNA LOCK YOU IN NOW!
[ DOOR SLAMS ] AAH!
AAH! AAH!
[ PANTING ]
[ BREATHING HEAVILY ]
AAH!
AAH! AAH!
ANDREA!! HELP!!
[ CHILD LAUGHS ]
[ STRIKES MATCH ]
[ BREATHING HEAVILY ]
[ STRIKES MATCH ]
Rory: HEY, WANNA PLAY HIDE-AND-CLAP?
AAAAH!
[ RATTLING ]
[ THUMPING ]
CINDY?
[ SIGHS ] OKAY, NOW...
ALL RIGHT?
ALL RIGHT, COME ON.
COME ON. THERE YOU GO.
OKAY, YOU CAN, UH, JUST SLEEP WITH ME TONIGHT,
ALL RIGHT?
THERE YOU GO.
THERE.
[ THUMPING ]
[ GASPS, BREATHING HEAVILY ]
AAH!
[ SCREAMING ]
Roger: ANDREA?!
Carolyn: HELP! HELP! HELP!
[ SCREAMING CONTINUES ]
WHO'S IN HERE? ANDREA!
ANDREA?!
IN HERE!
HELP, DADDY! HELP, IT'S ANDREA!
WHO'S IN HERE? WHAT HAPPENED?
WHAT'S WRONG, BABY?
SOMEBODY, GODDAMN IT, TELL ME WHAT'S GOIN' ON HERE?!
Ed: FEAR IS DEFINED AS A FEELING OF AGITATION AND ANXIETY
CAUSED BY THE PRESENCE OR IMMINENCE OF DANGER.
WHETHER IT'S A GHOST, A SPIRIT OR AN ENTITY,
THEY ALL FEED ON IT.
TAKE MAURICE HERE.
HE'S A FRENCH-CANADIAN FARMER
WHO HAD NOTHING MORE THAN A THIRD-GRADE EDUCATION,
YET AFTER HE WAS POSSESSED,
SPOKE SOME OF THE BEST LATIN I'D EVER HEARD.
SOMETIMES BACKWARDS.
HE'D BEEN MOLESTED BY HIS FATHER,
WHO HAD ALSO TORTURED HIM REPEATEDLY.
A DARK SPIRIT MADE ITS HOME IN THIS MAN.
NOW, IF YOU LOOK INTO HIS EYES,
YOU CAN SEE HIM TEARING BLOOD.
[ MEN ON VIDEO SPEAKING INDISTINCTLY ]
AND LIKE THAT, AN UPSIDE-DOWN CROSS
STARTED TO APPEAR FROM WITHIN HIS BODY.
[ STUDENTS GASP ]
ALL RIGHT, DREW, YOU CAN HIT THE LIGHTS.
OH. OH.
Woman: DID YOU PERSONALLY PERFORM THE EXORCISM?
NO, I'M NOT AUTHORIZED. BUT I'VE ASSISTED ON MANY.
SEE, AN EXORCISM CAN BE VERY DANGEROUS,
NOT ONLY FOR THE VICTIM, BUT FOR ANYONE IN THE ROOM.
SO, WHAT HAPPENED TO MAURICE?
WELL, HE TRIED TO KILL HIS WIFE,
BUT INSTEAD HE SHOT HER IN THE ARM
AND THEN HE TURNED THE GUN ON HIMSELF.
MAURICE HAD A VERY TROUBLED LIFE WITH LITTLE TO LIVE FOR
AND NOT EVEN AN EXORCIST COULD BRING HIM BACK.
WHICH BRINGS US TO THE THREE STAGES OF DEMONIC ACTIVITY:
INFESTATION, OPPRESSION AND POSSESSION.
NOW, INFESTATION: THAT'S THE WHISPERING, THE FOOTSTEPS,
THE FEELING OF ANOTHER PRESENCE,
WHICH ULTIMATELY GROWS INTO OPPRESSION, THE SECOND STAGE.
NOW THIS IS WHERE THE VICTIM, AND IT'S USUALLY THE ONE
WHO'S THE MOST PSYCHOLOGICALLY VULNERABLE,
IS TARGETED SPECIFICALLY BY AN EXTERNAL FORCE.
BREAKS THE VICTIM DOWN. CRUSHES THEIR WILL.
AND, ONCE IN A WEAKENED STATE,
LEADS THEM TO THE THIRD AND FINAL STAGE: POSSESSION.
[ BELLS TOLLING ]
HEY, ED? LORRAINE?
THERE'S SOMEONE HERE THAT WOULD LIKE TO TALK TO YOU.
HI. THANKS, DREW.
THANK YOU. SURE. I'LL SEE YOU LATER.
HOW CAN WE HELP YOU?
THERE'S SOMETHING HORRIBLE HAPPENING IN MY HOUSE.
COULD YOU COME AND TAKE A LOOK?
YOU KNOW, UH, IT'S GETTIN' KINDA LATE.
WE REALLY NEED TO BE HEADIN' TO OUR FAMILY.
NO, YOU DON'T UNDERSTAND.
BUT WE DO.
THERE'S USUALLY SOME SORT OF RATIONAL EXPLANATION.
I HAVE FIVE DAUGHTERS WHO ARE SCARED TO DEATH.
I'M SO AFRAID THIS THING WANTS TO HURT US.
YOU HAVE A DAUGHTER. WOULDN'T YOU DO ANYTHING YOU COULD TO PROTECT HER?
PLEASE.
PLEASE CAN YOU COME AND TAKE A LOOK?
OF COURSE WE WILL.
Marcia: COME ON, JAN! OPEN UP!
JAN, WHAT HAPPENED?
[ KNOCK ON DOOR ]
THE TOP OF YOUR HEAD TURNED BLACK.
Carolyn: HEY. YOU GUYS STRAIGHTEN UP? THANKS.
Jan: DON'T BE SILLY, IT'S A WIG.
[ TV TURNS OFF ]
HELLO. HI.
THANKS FOR COMING.
HI, I'M ROGER. LORRAINE.
HEY, NICE TO MEET YOU, ROGER. ED WARREN.
THANKS FOR COMIN'. PLEASE, COME IN.
THANK YOU.
SO...
OH, MY GOD. LOOK AT YOU ALL.
WHO ARE THESE BEAUTIFUL YOUNG WOMEN?
THIS IS ANDREA, THE OLDEST,
NANCY, CINDY, CHRISTINE, AND APRIL.
IT'S MR. AND MRS. WARREN.
WE, UM, WE'RE ALL SLEEPING DOWN HERE NOW.
MM.
THE GIRLS FEEL SAFER AND IT'S WARMER.
I'M CONSTANTLY TURNING UP THE HEAT,
BUT THE HOUSE IS ALWAYS FREEZING.
Roger: IT'S NOT A PROBLEM WITH THE FURNACE, THOUGH.
I MEAN, NOT THAT I CAN FIND.
IT'S GOTTEN A LOT WORSE THE PAST FEW NIGHTS.
THERE'S THIS AWFUL SMELL, LIKE ROTTING MEAT.
IT MOVES AROUND THE HOUSE.
UH...
WHAT? WHAT IS IT?
WELL, RANCID SMELLS COULD [SIGHS] INDICATE
SOME TYPE OF DEMONIC ACTIVITY.
OH, MY GOD.
Roger: WELL, THAT'S TO KEEP THOSE DOORS
FROM BANGIN' AT NIGHT.
OTHERWISE, IT'S LIKE....
ALL NIGHT LONG, JUST LIKE THAT.
DOES IT COME IN THREES?
YEAH.
IT STOPS AT DAWN?
UH-HUH.
WELL, SOMETIMES IT'S MEANT AS AN INSULT TO THE TRINITY:
THE FATHER, THE SON AND THE HOLY SPIRIT.
YOU KNOW, IT'S THE DAMNDEST THING,
BUT WE ALSO GET ALL KINDS OF BIRDS
THAT WILL JUST FLY AGAINST THE SIDE OF THE HOUSE
AND BREAK THEIR NECKS.
MM. REALLY?
AND THE CLOCKS STOP AT 3:07 A.M.
ALL OF THEM? EVERY ONE.
OH, WE WERE HANGING THOSE ALONG THE STAIRS.
SOMETHING JUST KEPT KNOCKING THEM DOWN,
SO WE STOPPED HANGING 'EM UP.
THAT'S WHAT I WAS TALKING ABOUT.
IT WAS HERE WHEN WE MOVED IN.
THERE'S ALSO A LOT OF STUFF IN THE CELLAR.
SHOW ME THE CELLAR.
[ INDISTINCT SCREAMING ]
Woman: LOOK WHAT SHE MADE ME DO.
YOU PICKIN' UP ANYTHING IN HERE, HON?
SOMETHIN' AWFUL HAPPENED HERE, ED.
THOSE BRUISES, THEY FROM SOMETHIN' THAT HAPPENED HERE?
OH, IT'S SOME IRON DEFICIENCY THING I HAVE.
YOU KNOW, WITH ALL THAT'S BEEN GOIN' ON,
WHY HAVEN'T YOU JUST MOVED OUT?
WELL, I DON'T KNOW WHERE WE'D MOVE TO, YOU KNOW?
WE GOT ALL OUR MONEY TIED UP IN THIS PLACE
AND HAD A LOT OF REPAIRS ON TOP OF THAT.
AND I DON'T KNOW ANYBODY
WHO'S GONNA TAKE IN A FAMILY OF SEVEN INDEFINITELY.
THAT'S WHY WE TRACKED YOU DOWN.
WE'RE GLAD YOU FOUND US.
ALL RIGHT, LET'S GET STARTED.
MY NAME IS ED WARREN. IT'S NOVEMBER 1st, 1971.
I'M SITTING HERE WITH CAROLYN PERRON,
WHO, WITH HER FAMILY,
HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES.
OKAY, GO AHEAD.
WHERE DO I START?
FROM THE FIRST OCCURRENCE.
I GUESS IT WAS THE CLOCKS.
MOM AND DAD TELL ME THAT YOU HAVE A FRIEND.
HIS NAME'S RORY. HE LIVES HERE TOO.
BUT HE'S ALWAYS SAD.
WHY'S THAT? HE WON'T TELL ME
BUT I THINK SOMETHING BAD HAPPENED TO HIM.
DO YOU MIND IF I TRY TO SEE RORY?
[ GEARS CRANK ]
[ MUSIC BOX PLAYS ]
[ DOOR CLOSES ]
[ SIGHS ]
HEY.
[ CREAKING ]
WHAT IS IT?
[ CREAKING ]
WE BOUGHT IT AT AUCTION FROM THE BANK,
SO, YOU KNOW, WE NEVER KNEW WHO LIVED HERE.
WELL, LORRAINE AND I BOTH FEEL
THAT WHAT YOUR HOUSE NEEDS IS A CLEANSING.
AN EXORCISM.
WHAT, EXORCISM?
I THOUGHT THAT WAS --
I THOUGHT THAT WAS SOMETHIN' THAT YOU DO TO PEOPLE.
NO, NOT NECESSARILY, NO.
WE HAVE TO GET OUTTA HERE.
I'M AFRAID THAT'S NOT GONNA HELP.
LORRAINE SAW SOMETHIN', WHICH-- GO AHEAD, HON.
I'VE BEEN SEEING THE DARK ENTITY
THAT HAUNTS YOUR HOUSE AND YOUR LAND.
I SAW IT FIRST WHEN I CAME THROUGH YOUR DOOR.
IT WAS LATCHED TO YOUR BACK.
AND THEN I SAW IT AGAIN WITH THE GIRLS
WHEN WE WALKED INTO THE LIVING ROOM.
AND IT DOESN'T MATTER WHERE YOU GO,
THIS DARK ENTITY HAS LATCHED ITSELF TO YOUR FAMILY
AND IT'S FEEDING OFF YOU.
EVEN IF WE LEAVE?
SOMETIMES WHEN YOU GET HAUNTED, IT'S LIKE STEPPIN' ON GUM.
YOU TAKE IT WITH YOU.
Lorraine: LOOK, I GOTTA TELL YOU,
YOU HAVE A LOT OF SPIRITS IN HERE,
BUT THIS IS THE ONE THAT I'M MOST WORRIED ABOUT,
BECAUSE IT IS SO HATEFUL.
OKAY, SO WHAT DO WE DO?
CAN WE CALL A PRIEST?
Ed: I WISH IT WERE THAT EASY.
PERFORMING AN EXORCISM IS AN ARCHAIC PROCEDURE.
REQUIRES YEARS OF TRAINING.
AND EVEN THEN, I HAVE SEEN IT GO HORRIBLY WRONG.
BUT BEFORE WE EVEN GET THAT FAR,
THE CHURCH HAS TO AUTHORIZE IT FIRST.
IT MEANS WE GOTTA INVESTIGATE, GATHER EVIDENCE
AND PROVIDE PROOF, AND THAT'S THE HARD PART.
HAVE YOUR CHILDREN BEEN BAPTIZED?
Roger: UH, NO, WE NEVER GOT AROUND TO THAT.
WE'RE NOT REALLY A CHURCHGOING FAMILY.
WELL, YOU MAY WANT TO RETHINK THAT.
OUR PRESENCE HERE COULD MAKE THINGS WORSE. WHY?
BECAUSE WE'RE A THREAT.
AND WHATEVER YOU'RE DEALING WITH HERE ISN'T GONNA LIKE US.
SO FAR IT HASN'T DONE ANYTHING VIOLENT,
AND THAT'S A GOOD SIGN.
SO WE'RE GONNA HAVE OUR GUY
DO SOME HOMEWORK ON THE PROPERTY, THOUGH,
TO SEE WHAT WE'RE UP AGAINST.
Lorraine: JUDY, WHAT ARE YOU UP TO?
I GOT YOU A PRESENT.
[ GASPS ]
ME AND NANNA GOT THESE AT THE CHURCH'S YARD SALE.
HONEY.
ONE FOR YOU AND ONE FOR ME.
AWW!
SHE PUT A PICTURE OF YOU AND DADDY IN MINE.
NANNA SAID THIS WAY WE'LL ALWAYS BE TOGETHER.
YOU'LL BE WITH ME AND I'LL BE WITH YOU.
I MISS YOU AND DADDY.
HEY, HON.
YUP.
YOU'RE NOT GONNA BELIEVE THIS.
CAROLYN'S VOICE DIDN'T RECORD.
WHAT DO YOU MEAN?
LISTEN.
MY NAME IS ED WARREN. IT'S NOVEMBER 1st, 1971.
I'M SITTING HERE WITH CAROLYN PERRON,
WHO, WITH HER FAMILY,
HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES.
OKAY, GO AHEAD.
FROM THE FIRST OCCURRENCE.
NOTHIN'. THE WHOLE TIME.
I DON'T KNOW. YOU FIND ANYTHING?
LOTS.
I MEAN, IT'S NO WONDER
THEY'RE GOING THROUGH WHAT THEY ARE.
THAT'S THE ORIGINAL FARMHOUSE.
IT WAS BUILT IN 1863 BY A MAN NAMED JEDSON SHERMAN,
WHO WAS MARRIED TO A WOMAN NAMED BATHSHEBA.
ED, SHE'S RELATED TO MARY TOWNE ESTYE.
SHE WAS ONE OF THE WOMEN ACCUSED OF WITCHCRAFT IN SALEM.
SHE WAS HUNG DURING THE TRIALS. WOW.
AFTER BATHSHEBA MARRIED JEDSON, THEY HAD A BABY,
AND WHEN THE BABY WAS 7 DAYS OLD,
JEDSON CAUGHT HER SACRIFICING IT
IN FRONT OF THE FIREPLACE.
SHE RAN OUT TO THAT TREE BY THE DOCK, CLIMBED UP,
PROCLAIMED HER LOVE TO SATAN,
AND CURSED ANYONE WHO TRIED TO TAKE HER LAND,
AND HUNG HERSELF.
TIME OF DEATH WAS PRONOUNCED AT 3:07 IN THE MORNING.
WELL, THAT EXPLAINS A FEW THINGS.
YEAH, SO DOES THIS.
HER LAST NAME'S WALKER. SHE LIVED THERE IN THE '30s.
SHE HAD A BOY NAMED RORY
WHO MYSTERIOUSLY DISAPPEARED IN THE WOODS.
THEN SHE KILLED HERSELF IN THE CELLAR.
AND THAT'S NOT ALL.
SO, WHAT WAS THE ORIGINAL 200-ACRE FARM
HAS SINCE BEEN SUBDIVIDED AND SOLD OFF.
THERE WAS ANOTHER BOY WHO DROWNED IN A POND HERE.
HE LIVED IN A HOUSE OVER HERE.
AND A WOMAN WHO WORKED AS A MAID IN A NEIGHBORING HOME,
SHE COMMITTED SUICIDE TOO.
PEOPLE WHO TOOK HER LAND.
[ TAPE RECORDER CLICKS ]
I'M SITTING HERE WITH CAROLYN PERRON,
WHO, WITH HER FAMILY,
HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES.
OKAY, GO AHEAD.
[ STATIC, MOANING ]
FROM THE FIRST OCCURRENCE.
[ STATIC, MOANING CONTINUE ]
[ ENGINE REVS ]
OH. HERE'S BRAD.
[ ENGINE SHUTS OFF ]
YOU FIND IT OKAY? Brad: OH, YEAH.
DREW, THIS IS OFFICER BRAD.
OFFICER BRAD HAMILTON, HARRISVILLE, RHODE ISLAND, PD.
MM. NICE TO MEET YOU, MAN.
SO YOU'RE THE LUCKY NEW COP, HUH?
GUESS SO.
YOU KNOW YOU CAN'T SHOOT GHOSTS, RIGHT?
TAKE IT EASY ON HIM, DREW.
ALL RIGHT, GUYS, HELP ME GET THIS STUFF UNLOADED.
[ DEAD MAN'S BONES' "IN THE ROOM WHERE YOU SLEEP" PLAYS ]
YOU TAKE THIS.
HI, ROGER.
ALL RIGHT. WHEN YOU'RE FINISHED HERE,
WHY DON'T YOU HIT UPSTAIRS, ALL RIGHT, DREW?
YOU GOT IT.
♪ I SAW SOMETHING SITTING ON YOUR BED ♪
♪ I SAW SOMETHING TOUCHING YOUR HEAD ♪
[ BELL JINGLES ]
♪ IN THE ROOM WHERE YOU SLEEP ♪
♪ WHERE YOU SLEEP ♪
Ed: WHAT'S WRONG WITH YOUR CHEVY?
WHAT'S NOT WRONG WITH HER?
NEEDS A NEW CARBURETOR TO START.
OH, YEAH?
KIND OF PUT FIXING HER UP ON HOLD FOR AWHILE.
YEAH.
HEY, BRAD, HAND ME A THERMOSTAT, WOULD YA?
WHAT'S THIS, UH, DO?
WELL, WHEN THERE'S AN INSTANT DROP IN TEMPERATURE,
THE THERMOSTAT TRIGGERS THE CAMERA TO TAKE A PICTURE.
YOU'VE ACTUALLY CAUGHT THINGS ON FILM?
WELL, YEAH, THAT'S, UH, THE POINT.
WHY, UH...WHY OUT HERE?
WELL, THIS IS WHERE THE WITCH COMMITTED SUICIDE.
SHE HUNG HERSELF FROM THAT BRANCH
RIGHT ABOVE WHERE YOU'RE STANDIN'.
Carolyn: HOW COULD A MOTHER KILL HER OWN CHILD?
IT WAS NEVER A CHILD TO HER.
SHE JUST USED HER GOD-GIVEN GIFT
AS THE ULTIMATE OFFENSE AGAINST HIM.
WITCHES BELIEVE IT ELEVATES THEIR STATUS
IN THE EYES OF SATAN.
[ CHILDREN LAUGHING ]
MM.
WOW. [ CHUCKLES ]
THAT'S A NICE DAY AT THE BEACH, HUH?
HOW DID YOU KNOW?
IT'S AN INSIGHT.
IT'S LIKE A PEEK THROUGH THE CURTAIN
INTO ANOTHER PERSON'S LIFE.
MM.
THAT DAY MEANT SO MUCH TO ME.
WE WERE DRIVING ALONG THE COAST.
NANCY POINTED OUT HOW PRETTY THE VIEW WAS.
I THOUGHT THIS IS A PERFECT OPPORTUNITY FOR A PHOTO.
WE WERE GONNA START FRESH, YOU KNOW?
A NEW HOUSE, A NEW BEGINNING.
YOU SHOULD HAVE SEEN ROGER AND THE GIRLS.
I'VE NEVER SEEN THEM SO HAPPY.
All: CHEESE!
THEY MEAN THE WORLD TO ME.
[ SIGHS ]
PUT YOUR HAND FLAT ON THE DESK.
YEAH, AND TAKE IT OFF.
HERE WE GO.
SEE?
IT JUST REVEALS TO US WHAT THE NAKED EYE CAN'T SEE.
PRETTY FAR OUT, ISN'T IT?
YEAH, IT'S GROOVY.
DREW, YOU GOT THE BOLEX READY FOR BRAD?
YEAH, ALREADY LOCKED AND LOADED, SIR.
[ BELL JINGLES ]
[ DOOR CREAKS ]
[ TOILET FLUSHES ]
[ BELL JINGLES ]
WHAT? I HAD TO GO.
ALL THE ROOMS ARE COMING IN PRETTY GOOD.
GOOD.
[ SIGHS ]
WHAT'S IN THE BOTTLE?
HOLY WATER.
PRESENCE OF RELIGIOUS ICONS
WILL GET A REACTION FROM ANYTHING UNHOLY.
SORT OF PISSES THEM OFF.
SO I SET THESE THROUGHOUT THE HOUSE,
SEE IF I CAN STIR THINGS UP A BIT.
LIKE HOLDING A CROSS TO A VAMPIRE?
YEAH. EXACTLY.
EXCEPT I DON'T BELIEVE IN VAMPIRES.
[ BELL JINGLES ]
WASN'T ME.
[ DOOR CREAKS ]
[ CAMERA SHUTTER CLICKS ]
Ed: BRAD, GET THE CAMERA.
OKAY.
ALL RIGHT, IT'S 9:18, WE'RE HEADED DOWN INTO THE CELLAR
WHERE THE DOOR'S JUST OPENED ON ITS OWN.
I HAVE LORRAINE AND OFFICER BRAD HAMILTON WITH ME.
LET'S KEEP THE CELLAR LIGHT OFF.
GIVE US A SIGN THAT YOU WANNA COMMUNICATE WITH US.
[ WATER RUNNING IN PIPES ]
HON, YOU ALL RIGHT?
THERE'S DEFINITELY SOMETHING HERE.
ALL RIGHT, CLOSE THE DOOR. MOVE SOMETHING.
MY HANDS ARE SO COLD.
COME ON.
NO.
IT'S GONE?
IT'S GONE.
I GOT NOTHIN'. OKAY.
[ STAIRS CREAKING ]
[ THUMP ]
WELL, LIKE I SAID,
IT DOESN'T ALWAYS WORK WHEN YOU WANT IT TO.
YEAH, MAYBE THE CAMERA PICKED SOMETHIN' UP.
[ DOOR CREAKS, SLAMS ] WATCH OUT!
Drew: FOR A GUY WHO DOESN'T BELIEVE,
YOU LOOKED A LITTLE FREAKED OUT
WHEN THAT DOOR SLAMMED SHUT.
IT MUST HAVE BEEN A DRAFT.
OH, THAT'S FUNNY.
A DRAFT NEVER PUT THAT LOOK ON MY FACE BEFORE.
I BELIEVE THE CLOCK.
IT'S 3:08.
[ INDISTINCT CONVERSATIONS ]
FOR YOU.
Roger: I THINK I MIGHT TAKE SOME GIRLS FOR ICE CREAM LATER ON.
WHAT DO YOU SAY ABOUT THAT?
YEAH! YES!
HONEY, YOU WANNA COME? NO, I'M -- I'M EXHAUSTED.
I'M JUST GONNA TAKE A NAP.
THE LATE NIGHTS ARE -- THEY'RE GETTIN' TO ME.
THAT'S PROBABLY A GOOD IDEA. WHY DON'T YOU GET SOME REST.
LORRAINE AND I'LL WATCH OVER THINGS FOR A BIT. REALLY?
Brad: I'M GONNA TAKE OFF.
I HAVE A SHIFT STARTING IN AN HOUR.
[ SIGHS ] THE HOUSE HASN'T FELT LIKE THIS IN A LONG TIME.
I THINK THE KIDS FEEL A LOT SAFER WITH YOU AROUND.
I COULD GET USED TO THIS.
WHAT, ME DOING LAUNDRY?
[ LAUGHS ]
YOU'RE FUNNY.
NO, THIS PLACE.
NICE, FRESH COUNTRY AIR.
[ SIGHS ]
MM.
THEY HAVE SUCH A BEAUTIFUL FAMILY, DON'T THEY?
YEAH, THAT LITTLE ONE, APRIL,
DID YOU SEE HER BRING ME PANCAKES? YEAH. [ CHUCKLES ]
WE'VE GOTTA HELP THEM.
I KNOW.
I'LL START WITH THE CHEVY.
[ BOTH LAUGH ]
[ WIND CHIME JINGLES ]
[ SWING CREAKS ]
[ WIND HOWLING ]
[ LEAVES RUSTLE ]
AAH!
[ GASPING ]
[ GROWLS ] [ GAGGING ]
CAROLYN!
ARE YOU OKAY?!
CAROLYN, OPEN THE DOOR.
CAROLYN, OPEN UP!
[ COUGHING, GAGGING ]
ARE YOU OKAY?
OH, I'M FINE. ARE YOU SICK?
I WOKE UP JUST FEELING A LITTLE NAUSEOUS,
THAT'S ALL. I THOUGHT I SAW--
I HEAR ROGER AND THE GIRLS.
ONE MINUTE.
[ LAUGHTER ]
[ INDISTINCT CONVERSATION ]
April: HEY, GUYS, DO YOU WANNA PLAY A GAME?
Cindy: BORING! THANK YOU, DADDY.
LET'S GO PLAY! Nancy: LET'S GO INSIDE.
Roger: I THOUGHT THAT WAS YOU.
HEY, I HOPE YOU DON'T MIND.
I GOT A GOOD DEAL ON A REBUILD
AT THAT WRECKING YARD IN SMITHFIELD.
NO, YOU LOOK LIKE YOU KNOW WHAT YOU'RE DOIN'.
YEAH, WE'LL SEE.
GOT A NICE PLACE HERE, ROGER.
LORRAINE AND I ALWAYS WANTED A SPOT IN THE COUNTRY.
I'LL SELL YOU THIS ONE. [ LAUGHS ]
HEY, HAND ME A WRENCH, WOULD YA?
HEY, UH, IT REALLY MEANS A LOT TO US TO HAVE YOU HERE.
I GOTTA ADMIT, I WAS A LITTLE BIT SKEPTICAL GOING IN.
JUST WANNA SAY THANK YOU, THOUGH,
FOR COMIN' OUT WHEN YOU DID.
I CAN'T TAKE THE CREDIT.
THAT'S, UH, THAT'S ALL LORRAINE.
I DIDN'T WANT TO.
OH. WHY'S THAT?
WHATEVER LORRAINE SEES, FEELS, TOUCHES, IT HELPS PEOPLE.
BUT IT ALSO TAKES A TOLL ON HER.
LITTLE PIECE EACH TIME.
COUPLE MONTHS AGO WE WERE WORKIN' ON A CASE.
SHE SAW SOMETHIN'.
[ SPEAKING LATIN ]
AAH!
IT TOOK A REAL BIG PIECE.
WHEN WE GOT HOME, SHE WENT INTO OUR ROOM,
LOCKED HERSELF IN, DIDN'T TALK, DIDN'T EAT,
DIDN'T COME OUT FOR EIGHT DAYS.
WHAT'D SHE SEE?
AAH!
GET OUTTA HERE!
I DON'T KNOW.
AND I WON'T ASK.
[ SIGHS ]
I NEED TO RELOAD. YOU WANT SOME?
I'M GOOD, THANKS.
ALL RIGHT.
Woman: LOOK WHAT SHE MADE ME DO.
[ GASPS ]
LOOK WHAT SHE MADE ME DO.
HEY.
ED?
LOOK WHAT SHE MADE ME DO!
ED! ED!
ED!
Drew: DUDE, YOU OKAY?
HOLD UP, BRAD. WHAT'S GOING ON?
I SAW SOMEONE.
THERE WAS A WOMAN DRESSED AS A MAID.
[ BREATHING HEAVILY ]
[ CAMERA SHUTTER CLICKS ]
ED? ED, WE'RE GETTING SOMETHING.
Roger: IT'S JUST CINDY. SHE'S SLEEPWALKING.
NO, NO, NO, NO, WAIT, WAIT, WAIT. WE NEED THIS.
WHY DO WE NEED PICTURES OF CINDY?
[ CAMERA SHUTTER CLICKS ]
SHE DIDN'T TRIGGER IT.
WHAT DO YOU MEAN SHE DIDN'T TRIGGER IT?
SOMEBODY'S WITH HER.
WHO?
[ DOOR CREAKS, SLAMS ]
CINDY!
[ CAMERA SHUTTER CLICKING ] CINDY!
[ GRUNTING ]
CINDY! Rory: HEY, OVER HERE. IT'S SAFE.
THERE'S SOMEONE ELSE IN THERE WITH HER.
I'M HEARING ANOTHER VOICE. HERE, LISTEN.
FOLLOW ME. THIS WAY.
THIS IS WHERE I HIDE.
CINDY?
WHERE'D SHE GO, ED?
WINDOWS ARE LOCKED.
ED, WHERE'D SHE GO?!
BRAD, GET THE UV LIGHT.
THE WHAT? JUST ASK DREW.
DREW, I NEED A UV LIGHT.
UH...HERE, THAT'S IT. GO, GO, GO, GO!
TURN OFF THE LIGHT.
GET OUT OF THE WAY.
OKAY.
[ BREATHING HEAVILY ]
[ CREAKING ]
[ THUMPING ]
HIT THE LIGHTS!
FOUND HER.
HERE WE GO.
ALL RIGHT. YOU GOT HER? YEAH.
[ SIGHS ]
THAT'S WHERE RORY HIDES WHEN HE'S AFRAID.
[ CREAKING ]
[ SIGHS ]
HON?
COULD I HAVE APRIL'S MUSIC BOX PLEASE?
YEAH.
HOW'S CINDY?
SHE DOESN'T REMEMBER A THING.
THERE YOU GO.
THANK YOU.
AAH!
LORRAINE!
[ CLATTERING ]
[ GROANS ]
NO.
LORRAINE!
[ GROANS SOFTLY ]
[ WOMAN WEEPING ]
[ MUSIC BOX TINKS ]
[ GEARS CRANK ]
[ MUSIC BOX PLAYS ]
[ WOMAN WEEPING ]
[ Crying ] SHE MADE ME DO IT.
SHE MADE ME DO IT.
[ GASPS ]
SHE MADE ME DO IT.
[ CREAKING ]
[ GASPS ]
[ ROPE CREAKING ]
[ BREATHING HEAVILY ]
AAH! AAH!
AAH!
ED!
COME ON! LORRAINE!
[ KNOCK ON DOOR ]
Lorraine: ED!
ED!
ED, I KNOW WHAT SHE DID.
I GOT YA. I KNOW WHAT SHE DID.
WHAT?
SHE POSSESSED THE MOTHER TO KILL THE CHILD.
SHE VISITS CAROLYN EVERY NIGHT.
THAT'S WHAT THE BRUISE MARKS ARE!
SHE'S FEEDING OFF OF HER!
[ RATTLING ]
UH...NANCY?
[ ALL SCREAM ]
ARE YOU OKAY?
NANCY!
[ ALL SCREAMING ]
GRAB HER!
Nancy: DADDY! HELP!
Carolyn: NANCY!
IS SHE OKAY?
[ CRYING ] IT'S OKAY, I GOT YOU.
D'YOU GET THAT?
YEAH.
I'LL HAVE THE FOOTAGE DEVELOPED
AND GET IT OVER TO FATHER GORDON.
HE'S OUR LIAISON AT THE CHURCH.
I IMAGINE WE'LL GET A PRETTY FAST RESPONSE.
LISTEN, ROGER? YEAH?
LISTEN, WHEN WE GET THE EXORCIST, I'LL BE BACK.
BUT LORRAINE-- YEAH, I UNDERSTAND.
UNTIL THEN DREW'S GONNA KEEP AN EYE ON YOU.
HEY, ED, THANK YOU FOR EVERYTHING.
YEAH.
Judy: MOMMY?
[ CAR DOORS SHUTTING ]
THAT'S EVERYTHING.
MOMMY?
[ BREATHING HEAVILY ]
JUDY?
OH, GOD! JUDY?
Ed: LORRAINE! WAIT!
LORRAINE. WHAT?
MOM. MOM, IT'S ME. IS JUDY OKAY?
WHAT?
CAN YOU GO CHECK, PLEASE?
DAMN IT, MOM, JUST CHECK, PLEASE!
LORRAINE, ARE YOU GONNA TELL ME WHAT'S GOING ON?
IT'S JUDY.
WHAT? WHAT DO YOU MEAN? WHAT?
WHAT?!
[ POUNDS WALL ]
OH, THANK GOD.
MOM, I'M SORRY. I DIDN'T MEAN TO SCARE YOU.
I'LL EXPLAIN LATER, OKAY?
WHAT THE HELL HAPPENED?
I HAD A VISION OF JUDY IN THE WATER.
I KNOW IT WAS SOME KIND OF WARNING.
I KNOW IT.
OKAY.
[ CRYING ]
LET'S GET OUTTA HERE.
[ PROJECTOR CLICKING ]
SO?
YEAH, WELL, YOU WEREN'T KIDDING.
NO.
[ SIGHS ]
LOOK, ED, THIS IS COMPLICATED
BECAUSE THE KIDS AREN'T BAPTIZED.
NO, I UNDERSTAND.
AND THE FAMILY, THEY'RE NOT MEMBERS OF THE CHURCH.
OH, COME ON. AND [SIGHS] THE APPROVAL
WOULD HAVE TO COME DIRECTLY FROM THE VATICAN.
FATHER, WE'VE NEVER SEEN NOTHING LIKE THIS.
YEAH, WELL, NEITHER HAVE I.
FATHER, THEY DON'T HAVE A LOT OF TIME.
[ SIGHS ] ALL RIGHT.
I'LL PUSH IT THROUGH MYSELF.
THANK YOU, FATHER.
THANK YOU. THANK YOU.
ALL RIGHT, WE'LL WAIT FOR YOUR CALL.
YEAH.
[ RAINING ]
[ THUNDER RUMBLES ]
[ GASPS ]
MOMMY? DADDY?
[ THUNDER RUMBLES ]
MOMMY? DADDY?
[ THUNDER CRASHES ]
DAD?
[ THUNDER RUMBLES ]
NANNA? NANNA?
[ GASPS ]
[ GROWLING ]
[ CREAKING ]
[ THUNDER CRASHES ]
[ DOOR SLAMS ]
[ POUNDING ON DOOR ]
[ SCREAMING, CRYING ]
[ POUNDING STOPS ]
[ RASPY GASPING ]
[ CREAKING ]
NANNA! NANNA, HELP!
JUDY?
NANNA! NANNA!
NANNA!
HELP!
JUDY! NANNA!
JUDY, OPEN THE DOOR! MOM!
ED, THERE'S SOMETHING WRONG.
WHAT?
[ BRAKES SQUEAK ]
Judy: NANNA! JUDY!
HELP! JUDY! JUDY, OPEN THIS DOOR!
MOM! WHAT IS IT?
WHAT'S WRONG WITH HER?! JUDY!
HEY, MOVE. MOVE, MOVE, MOVE, MOVE.
JUDY, GET BACK, HONEY. GET BACK!
HURRY.
HELP! HELP!
DAD! GET AWAY FROM THE DOOR, JUDY!
AAH!
OH, GOD! ARE YOU OKAY?
THERE WAS SOMEONE ROCKING IN THE CHAIR WITH ANNABELLE.
[ CRYING ]
IT'S OKAY.
SHE'S STILL IN THE CASE.
IT'S OKAY.
Nancy: DAD! DAD! Cindy: DADDY!
Andrea: DAD! DAD!
MOM JUST LEFT WITH CHRISTINE AND APRIL.
SHE J-- SHE JUST WENT IN THE CAR AND DROVE AWAY.
I DON'T KNOW WHAT HAPPENED.
DADDY, SHE SMELLS LIKE ROTTING MEAT.
SHE DIDN'T SAY WHAT WAS GOING ON. SHE JUST LEFT.
Roger: HUH? WHAT DO YOU MEAN, SHE LEFT?
LEFT WHERE? GONE! I DON'T KNOW WHERE SHE WAS GOING.
WHERE ARE WE GOING, MOM?
[ TELEPHONE RINGING ]
HELLO?
It's Roger. There's something going on with Carolyn.
ANDREA WAS HERE AND SHE SAID THAT CAROLYN TOOK OFF
WITH CHRISTINE AND APRIL.
THE GIRLS SAID SHE SMELLED LIKE ROTTEN MEAT.
SHE POSSESSES THE MOTHER TO KILL THE CHILD,
THAT'S WHAT SHE DOES. SHE'S TAKING THEM BACK TO THE HOUSE.
ROGER, GET BACK TO THE HOUSE NOW. I'LL MEET YOU THERE.
LOCK THE DOOR, CLOSE THE BLINDS. STAY OFF THE PHONE!
[ GIRLS CRYING ]
GO.
I'M COMING WITH YOU. NO WAY.
YOU STAY HERE WITH JUDY.
THE ONLY WAY TO PROTECT JUDY
IS IF WE STOP THIS WHERE IT STARTED.
OTHERWISE, SHE'S JUST GONNA LATCH ONTO US AGAIN.
THAT'S EXACTLY WHY I'M GOIN'.
YOU THINK I'M GONNA LET YOU WALK INTO THIS ALONE?
I CAN'T LOSE YOU.
YOU WON'T.
LET'S FINISH THIS TOGETHER.
[ SIREN WAILING ]
Ed: IT'S LOCKED.
[ POUNDING ON DOOR ] CAROLYN!
ROGER!
Brad: GET OUTTA THE WAY!
[ GUN COCKS ]
[ SCREAMING ]
ROGER! Roger: ED!
CAROLYN! ED!
CAROLYN!
WE'RE DOWN HERE!
CAROLYN, DON'T! NO, NO! SHE'S GOT--!
GET HER HAND! GRAB THE SCISSORS!
[ SCREAMING CONTINUES ]
WE GOTTA GET HER TO THE CAR! Brad: AND BRING HER WHERE?!
TO TAKE HER TO THE PRIEST FOR THE EXORCISM.
WAIT, WHERE'S APRIL?
APRIL?
TAKE CHRISTINE TO THE CAR AND FIND APRIL!
APRIL! COME ON!
[ SCREAMING CONTINUES ]
SHE WON'T LET HER LEAVE THE HOUSE!
WHAT?! WHAT DO YOU MEAN?!
IF WE TAKE HER OUT, THE WITCH WILL KILL HER.
[ THUD ]
[ SCREAMING CONTINUES ]
ROGER! CAROLYN!
CAROLYN?
OKAY, I'M GONNA PUT YOU IN HERE.
[ CRYING ] COME ON.
GET IN. STAY IN HERE. I DON'T WANT TO STAY HERE BY MYSELF.
STAY IN HERE NO MATTER WHAT. I'LL BE BACK, I PROMISE.
[ Crying ] NO! I HAVE TO FIND APRIL, OKAY?
I'LL BE BACK, I PROMISE.
APRIL?
YOU OKAY?
[ GROWLING, SCREAMING ]
Ed: STOP! BRAD!
BRAD!
AAH!
LET'S GET SOMETHING TO TIE HER UP!
[ SCREAMING CONTINUES ]
Lorraine: HOLD IT.
[ COUGHS ]
I GOTTA CALL FATHER GORDON.
WE GOTTA GET FATHER GORDON OUT HERE.
HE'S TOO FAR AWAY. SHE WON'T MAKE IT. LOOK AT HER.
[ PANTING ]
[ SCREAMING CONTINUES ]
THEN YOU NEED TO LEAVE.
WHAT ARE YOU TALKING ABOUT?
I HAVE TO DO IT. THE EXORCISM.
WHAT? I THOUGHT YOU SAID WE NEED A PRIEST.
YOU'RE NOT A PRIEST.
WELL, YOU GOT A BETTER IDEA?
HE CAN DO IT. YOU CAN DO IT.
BUT YOU GOTTA GET OUTTA HERE. I'M NOT LEAVING YOU!
DAMN IT, LORRAINE, I'M NOT DOING THIS WITH YOU IN HERE.
GOD BROUGHT US TOGETHER FOR A REASON.
THIS IS IT.
I'M GONNA GET THE BOOK.
Drew: APRIL!
APRIL!
[ DISTORTED GROANING ]
"IN THE NAME OF THE FATHER, THE SON, THE HOLY SPIRIT."
"VADE RETRO SATANA.
SANCTE MICHAEL ARCHANGELE, DEFENDE NOS IN PROEILO."
[ HOLY WATER SPLASHES ]
[ DISTORTED SCREAMING ]
[ RUMBLING ]
[ GASPS ]
[ WINGS FLUTTERING ]
[ GASPS ]
AAH!
APRIL!
[ BANG ]
[ BIRD CAWS ]
[ GLASS SHATTERS ] [ GASPS ]
[ BIRD SQUAWKING ]
[ BIRDS CAWING ]
[ THUD, GLASS SHATTERS ]
[ GLASS SHATTERS ] "DEUM VERUM."
[ WIND HOWLING ]
[ RATTLING ]
"TE" -- UH, "TE PER DEUM VERUM, PER DEUM SANCTUM QUI SIC DI--"
HOLD HER STILL! HOLD HER STILL!
COME HERE! HOLD HER STILL!
"QUI SIC DILEXIT MUNDUM. RECEDE, SEDUCTOR!
VOS IN CUBILI TUO!"
APRIL?
[ CHILD CRYING ]
APRIL!
APRIL, YOU UNDER THERE?
[ POUNDING ] APRIL!
Carolyn: [ MOANING ]
"SANCTE MICHAEL ARCHANGELE,
CONTRA NEQUITIAM ET INSIDIAS DIABOLI ESTO PRAESIDIUM."
CAROLYN. CAROLYN. DON'T GIVE IN!
DON'T LET HER TAKE YOU!
ED! YOU GOTTA STOP, YOU'RE KILLIN' HER. STOP!
NO, HE CAN'T! "NOS ARE PADRES DE PROTESTATE DIABOLI..."
ROGER, HELP ME!
Ed: "...MALEDICTUS. TU PENCHEFS INTERFECTORIBUS..."
ED! GODDAMN IT, STOP IT!
UNDERSTAND THIS!
WE ARE NOW FIGHTING FOR HER SOUL!
"IN THE NAME OF JESUS CHRIST, THE SAINTS AND ALL THE ANGELS,
I COMMAND YOU TO REVEAL YOURSELF!"
[ DISTORTED SCREAM ]
[ SCREAMING CONTINUES ]
ROGER, HELP ME!
"ABODE HOSTE VISIBILE ET INVISIBLE ET UBIQUE
EN HOC SECULAR LIBERATOR."
[ SCREAMING, RUMBLING STOPS ]
[ LIGHT BULB CREAKING ]
[ CHAIR CREAKS ]
[ GASPS ]
"OMINI FANTASMA,
O-O-OMINI SELEGIO E NOMINE DOMINE NOSTRI, JESU."
[ DISTORTED SCREAMING ]
Ed: WHOA.
PUT HER DOWN!
Roger: CAROLYN! Lorraine: CAROLYN!
ED, LOOK OUT!
[ GRUNTS ]
[ PANTING ]
[ COUGHS ]
ARE YOU OKAY?
Carolyn: [ DISTORTED LAUGH ]
Ed: HOLD HER STILL! DON'T LET HER UP!
WE'RE LOSIN' HER, ROGER!
DAMN YOU! YOU LEAVE MY FAMILY ALONE, YOU HEAR ME?
I DON'T KNOW WHAT YOU ARE,
BUT YOU LEAVE MY WIFE ALONE, GODDAMN IT!
LET HER GO! DO YOU HEAR ME?!
LET HER GO!
"DAT ORABE SPARATEM ES IGNIS."
LET HER GO, GODDAMN IT! LET HER GO!
"--PENCHEFS INTERFECTORIBUS PATRIS LABIDINIS OPTER."
[ PRAYING INDISTINCTLY ]
SHE'S ALREADY GONE.
AND NOW YOU'RE ALL GONNA DIE.
[ CREAKING ] [ GUN COCKS ]
[ GLASS SHATTERS ]
Drew: APRIL!
I FOUND HER! SHE'S UNDER THE HOUSE!
UNDER THE KITCHEN!
Ed: NO, CAROLYN, DON'T! NO!
GET HER!
Brad: HERE. CAROLYN!
[ SHRIEKING ]
Roger: CAROLYN!
SHE'S IN THAT HOLE. RIGHT THERE.
CAROLYN? OH, MY GOD. NO!
CAN'T GO IN. CAN'T REACH.
NO! CAROLYN, DON'T! NO!
CAROLYN, NO!
BATHSHEBA!
[ SCREECHES ]
BY THE POWER OF GOD, I CONDEMN YOU BACK TO HELL!
AAH!
THIS IS YOUR DAUGHTER!
[ SCREAMING ]
YOU CAN'T GIVE IN! [ SCREAMING CONTINUES ]
ROGER, WE NEED TO GET HER TO FIGHT FROM THE INSIDE.
DON'T LET HER DO THIS TO YOU, OKAY?
DON'T LET THIS THING DO THIS. YOU GOTTA FIGHT IT.
I KNOW YOU'RE STRONGER THAN SHE IS.
YOU GOTTA FIGHT IT! KEEP IT GOING, ROGER!
YOU GOTTA STAY WITH US, ALL RIGHT?
COME ON BACK, CAROLYN.
LORRAINE, THAT'S IT! GET HER BACK!
REMEMBER WHAT YOU SHOWED ME.
NO!
REMEMBER THAT DAY THAT YOU SAID YOU WOULD NEVER FORGET.
[ MUFFLED LAUGHTER ]
[ CRYING ]
YOU SAID THEY MEANT THE WORLD TO YOU.
THIS IS WHAT YOU'LL BE LEAVING BEHIND.
[ CRYING CONTINUES ]
[ GAGS ]
[ COUGHING ]
[ VOMITING ]
[ COUGHS ]
[ GASPS ]
[ SIGHS ]
IT'S OVER.
I AM SO SORRY.
I LOVE YOU SO MUCH. I LOVE YOU SO MUCH.
[ Crying ] I LOVE YOU SO MUCH.
I'M SO HAPPY.
OH!
HEY!
OOH. A DRAFT DO THAT TO YOUR FACE?
I'D TAKE A GUY WITH A GUN ANY DAY.
YOU DID GOOD.
NO, YOU DID.
[ SIGHS ]
I'LL CALL FATHER GORDON AND LET HIM KNOW WHAT HAPPENED.
SOUNDS GOOD.
[ ZIPPER OPENS ]
THE VATICAN APPROVED THE EXORCISM.
[ CHUCKLES ] NICE TIMING.
AND IF WE CAN, THEN HE'D LIKE TO MEET WITH US TOMORROW.
THERE'S A CASE IN LONG ISLAND HE'D LIKE TO DISCUSS.
REALLY?
[ MUSIC BOX PLAYS ]
[ OMINOUS MUSIC PLAYS ]
[ CLINKING ]