1 00:00:01,715 --> 00:00:04,092 [ OMINOUS MUSIC PLAYS ] 2 00:00:22,277 --> 00:00:25,405 Debbie: IT SCARES US JUST THINKING ABOUT IT. 3 00:00:25,405 --> 00:00:27,658 WHEN YOU HEAR IT, YOU'RE GONNA THINK WE'RE INSANE. 4 00:00:27,658 --> 00:00:30,661 Ed: TRY US. PLEASE, FROM THE START. 5 00:00:30,661 --> 00:00:32,537 [ CLICK ] 6 00:00:32,537 --> 00:00:34,331 Debbie: IT STARTED OUT SMALL, 7 00:00:34,331 --> 00:00:37,459 LIKE A HAND OR A LEG WAS IN A DIFFERENT POSITION. 8 00:00:37,459 --> 00:00:40,337 THEN ITS HEAD WAS LOOKING UP INSTEAD OF DOWN. 9 00:00:40,337 --> 00:00:43,548 AND THEN ONE DAY, IT WAS IN A COMPLETELY DIFFERENT ROOM. 10 00:00:43,548 --> 00:00:44,675 IT WAS MOVING AROUND BY ITSELF. 11 00:00:44,675 --> 00:00:46,218 Ed: EVER THINK 12 00:00:46,218 --> 00:00:47,970 THAT MAYBE SOMEBODY HAD A KEY TO YOUR APARTMENT 13 00:00:47,970 --> 00:00:49,638 AND WAS JUST PLAYING A TRICK ON YA? 14 00:00:49,638 --> 00:00:51,473 Debbie: THAT'S EXACTLY WHAT WE THOUGHT. 15 00:00:51,473 --> 00:00:53,016 BUT NEVER ONCE DID WE FIND 16 00:00:53,016 --> 00:00:55,185 ANY SIGN OR EVIDENCE OF INTRUSION. 17 00:00:55,185 --> 00:00:56,687 Lorraine: AND THIS ALL LED YOU TO BELIEVE 18 00:00:56,687 --> 00:00:59,106 THAT THE DOLL WAS POSSESSED? YES. 19 00:00:59,106 --> 00:01:00,565 CAMILLA GOT IN TOUCH WITH A MEDIUM. 20 00:01:00,565 --> 00:01:02,067 WE LEARNED FROM HER 21 00:01:02,067 --> 00:01:03,652 THAT A SEVEN-YEAR-OLD GIRL NAMED ANNABELLE HIGGINS 22 00:01:03,652 --> 00:01:05,904 HAD DIED IN THIS APARTMENT. 23 00:01:05,904 --> 00:01:09,825 SHE WAS LONELY AND TOOK A LIKING TO MY DOLL. 24 00:01:09,825 --> 00:01:12,577 ALL SHE WANTED WAS TO BE FRIENDS. 25 00:01:12,577 --> 00:01:15,455 WHEN WE HEARD THIS, WE FELT REALLY SORRY FOR HER. 26 00:01:15,455 --> 00:01:17,708 I MEAN, WE'RE NURSES, WE HELP PEOPLE. 27 00:01:17,708 --> 00:01:22,796 SO WE GAVE HER PERMISSION TO MOVE INTO THE DOLL. 28 00:01:22,796 --> 00:01:25,674 WAIT, YOU DID WHAT? 29 00:01:25,674 --> 00:01:27,884 SHE WANTED TO LIVE WITH US BY INHABITING THE DOLL. 30 00:01:27,884 --> 00:01:29,177 WE SAID YES. 31 00:01:29,177 --> 00:01:31,972 BUT THEN THINGS GOT WORSE. 32 00:01:31,972 --> 00:01:34,391 [ LAUGHTER ] 33 00:01:38,478 --> 00:01:40,063 [ SCOFFS ] 34 00:01:50,073 --> 00:01:53,160 WHEN WE CAME HOME, SHE WAS SITTING IN THE HALLWAY. 35 00:01:53,160 --> 00:01:56,121 BUT WE HAD LEFT HER IN THE SPARE ROOM. 36 00:02:03,211 --> 00:02:05,255 [ DOOR CREAKS ] 37 00:02:11,636 --> 00:02:14,765 [ BREATHING HEAVILY ] 38 00:02:19,353 --> 00:02:22,898 [ CLATTER, ROLLING ] 39 00:02:33,533 --> 00:02:35,660 DEBBIE! DEBBIE, WAIT! 40 00:02:41,833 --> 00:02:42,876 [ LID SLAMS ] 41 00:02:44,753 --> 00:02:46,129 [ KNOCK ON DOOR ] 42 00:02:51,760 --> 00:02:54,429 [ POUNDING ON DOOR ] 43 00:02:54,429 --> 00:02:55,806 [ DOOR CREAKS ] 44 00:03:04,189 --> 00:03:05,649 [ LIGHT SWITCH CLICKS ] 45 00:03:14,533 --> 00:03:17,619 [ DOOR CREAKS ] 46 00:03:35,095 --> 00:03:36,138 [ POUNDING ON DOOR ] 47 00:03:36,138 --> 00:03:37,472 [ GASPS ] 48 00:03:47,315 --> 00:03:48,567 [ GASPS ] 49 00:03:50,610 --> 00:03:52,612 Debbie: WE ARE BEYOND TERRIFIED. 50 00:03:52,612 --> 00:03:55,198 WE DON'T KNOW WHAT'S GOING ON OR WHAT TO DO. 51 00:03:55,198 --> 00:03:56,741 CAN YOU HELP US? 52 00:03:56,741 --> 00:03:58,285 YES, WE CAN. 53 00:03:58,285 --> 00:04:02,414 NOW, FIRSTLY, THERE'S NO SUCH THING AS ANNABELLE, 54 00:04:02,414 --> 00:04:03,790 AND THERE NEVER WAS. 55 00:04:03,790 --> 00:04:04,916 Lorraine: GHOSTS DON'T POSSESS SUCH POWER. 56 00:04:04,916 --> 00:04:06,084 I THINK WHAT WE HAVE HERE 57 00:04:06,084 --> 00:04:08,879 IS SOMETHING EXTREMELY MANIPULATIVE. 58 00:04:08,879 --> 00:04:10,464 IT'S SOMETHING INHUMAN. 59 00:04:10,464 --> 00:04:13,550 IT WAS A BIG MISTAKE ACKNOWLEDGING THIS DOLL. 60 00:04:13,550 --> 00:04:16,011 AND THROUGH THAT, THE INHUMAN SPIRIT TRICKED YOU. 61 00:04:16,011 --> 00:04:19,347 YOU GAVE IT PERMISSION TO INFEST YOUR LIVES. 62 00:04:19,347 --> 00:04:21,308 WHAT'S AN INHUMAN SPIRIT? 63 00:04:21,308 --> 00:04:25,479 IT'S SOMETHING THAT'S NEVER WALKED THE EARTH IN HUMAN FORM. 64 00:04:25,479 --> 00:04:27,522 IT'S SOMETHING DEMONIC. 65 00:04:30,942 --> 00:04:34,029 Debbie: SO THE DOLL WAS NEVER POSSESSED? 66 00:04:34,029 --> 00:04:35,655 NO, NO, IT WAS USED AS A CONDUIT. 67 00:04:35,655 --> 00:04:38,241 IT WAS MOVED AROUND TO GIVE THE IMPRESSION OF POSSESSION. 68 00:04:38,241 --> 00:04:42,037 DEMONIC SPIRITS DON'T POSSESS THINGS, THEY POSSESS PEOPLE. 69 00:04:42,037 --> 00:04:44,873 IT WANTED TO GET INSIDE OF YOU. 70 00:04:52,005 --> 00:04:54,633 [ PROJECTOR CLICKING ] 71 00:04:54,633 --> 00:04:56,843 Ed: ALL RIGHT, THAT'S GOOD, DREW. 72 00:04:56,843 --> 00:04:58,428 YOU CAN SHUT IT DOWN NOW. 73 00:04:58,428 --> 00:05:00,805 HIT THE LIGHTS. 74 00:05:03,058 --> 00:05:05,393 SO WE GOT THE CHURCH TO SEND A PRIEST OVER 75 00:05:05,393 --> 00:05:08,188 TO PERFORM A BLESSING ON THE HOUSE AND THE OCCUPANTS. 76 00:05:08,188 --> 00:05:10,065 WHATEVER WAS OPPRESSING THAT APARTMENT 77 00:05:10,065 --> 00:05:11,983 WAS NO LONGER WITH THEM. ANY QUESTIONS? 78 00:05:13,944 --> 00:05:15,237 YES. 79 00:05:15,237 --> 00:05:17,030 WHERE'S THE DOLL NOW?? 80 00:05:17,030 --> 00:05:19,366 SOMEPLACE SAFE. 81 00:05:20,158 --> 00:05:21,201 YEP. 82 00:05:21,201 --> 00:05:22,494 SO, WHAT ARE YOU GUYS? 83 00:05:22,494 --> 00:05:24,412 I MEAN, WHAT DO PEOPLE CALL YOU? 84 00:05:24,412 --> 00:05:28,875 UH, WELL, WE'VE BEEN CALLED DEMONOLOGISTS. 85 00:05:28,875 --> 00:05:30,168 THAT'S ONE NAME FOR US. 86 00:05:30,168 --> 00:05:32,087 GHOST HUNTERS, PARANORMAL RESEARCHERS. 87 00:05:32,087 --> 00:05:33,672 KOOKS. 88 00:05:33,672 --> 00:05:34,673 [ LAUGHTER ] 89 00:05:34,673 --> 00:05:36,550 WACKOS. 90 00:05:36,550 --> 00:05:38,009 BUT WE PREFER TO BE KNOWN 91 00:05:38,009 --> 00:05:40,053 SIMPLY AS ED AND LORRAINE WARREN. 92 00:06:25,807 --> 00:06:29,227 Children: ♪ "THERE GOES JOHN JACOB JINGLEHEIMER SCHMIDT" ♪ 93 00:06:29,227 --> 00:06:30,812 ♪ DA-DA-DA-DA-DA-DA-DA-DA ♪ 94 00:06:30,812 --> 00:06:33,690 ♪ JOHN JACOB JINGLEHEIMER SCHMIDT ♪ 95 00:06:33,690 --> 00:06:36,943 ♪ HIS NAME IS MY NAME TOO ♪ 96 00:06:36,943 --> 00:06:38,486 ♪ WHENEVER WE GO OUT ♪ 97 00:06:38,486 --> 00:06:40,030 ♪ THE PEOPLE ALWAYS SHOUT ♪ 98 00:06:40,030 --> 00:06:41,573 ♪ "THERE GOES JOHN JACOB JINGLEHEIMER SCHMIDT" ♪ 99 00:06:41,573 --> 00:06:43,074 Roger: HERE WE ARE. 100 00:06:46,161 --> 00:06:47,912 WOW, HEAR THAT? 101 00:06:47,912 --> 00:06:49,414 I DON'T HEAR ANYTHING. 102 00:06:49,414 --> 00:06:51,625 EXACTLY. OH. [ LAUGHS ] 103 00:06:51,625 --> 00:06:55,086 OKAY. GUYS, WE ARE HERE! 104 00:06:55,086 --> 00:06:57,004 OH, GOD, WE'RE IN THE MIDDLE OF NOWHERE. 105 00:06:57,004 --> 00:06:58,965 ARE YOU SO EXCITED? WHERE'S MY "YES"? 106 00:06:58,965 --> 00:07:00,550 WHERE'S MY "YES"? Girl: YES! 107 00:07:00,550 --> 00:07:03,094 I'LL RACE YA! ARE YOU GUYS EXCITED? 108 00:07:03,094 --> 00:07:04,846 [ DOG BARKING ] I'M SO EXCITED! 109 00:07:04,846 --> 00:07:08,266 April: COME ON, SADIE! I GET MY OWN ROOM! 110 00:07:08,266 --> 00:07:10,518 Nancy: ARE YOU KIDDING ME? NO DIBS ON THE ROOMS! 111 00:07:10,518 --> 00:07:11,978 WHAT?! WHAT?! 112 00:07:11,978 --> 00:07:13,480 SO DO I GET TO PICK MY OWN ROOM? 113 00:07:13,480 --> 00:07:15,231 OR DO I HAVE NO CHOICE IN THAT EITHER? 114 00:07:18,068 --> 00:07:21,613 WELL, FIRST CUTE BOY SHE MEETS, SHE'LL FORGET ABOUT JERSEY. 115 00:07:21,613 --> 00:07:23,615 AH, GREAT. I HOPE. 116 00:07:23,615 --> 00:07:24,783 CAN'T WAIT. 117 00:07:24,783 --> 00:07:25,950 COME ON, SADIE. 118 00:07:25,950 --> 00:07:27,077 [ DOG PANTING ] 119 00:07:27,077 --> 00:07:28,244 SADIE, LET'S GO. [ SMOOCHES ] 120 00:07:28,244 --> 00:07:29,496 [ DOG WHINES ] 121 00:07:29,496 --> 00:07:32,707 HEY, COME. 122 00:07:32,707 --> 00:07:34,376 WHAT'S THE MATTER WITH YOU? 123 00:07:34,376 --> 00:07:36,711 HEY, COME ON, GIRL. 124 00:07:36,711 --> 00:07:39,297 ALL RIGHT, SUIT YOURSELF. 125 00:07:39,297 --> 00:07:40,632 [ DOOR BANGS ] 126 00:07:40,632 --> 00:07:44,511 [ RADIO TUNING ] 127 00:07:44,511 --> 00:07:45,637 [ THE ZOMBIES' "TIME OF THE SEASON" PLAYS ] 128 00:07:45,637 --> 00:07:47,138 ♪ WHAT'S YOUR NAME? ♪ 129 00:07:47,138 --> 00:07:48,181 ♪ WHAT'S YOUR NAME? ♪ 130 00:07:48,181 --> 00:07:49,307 ♪ WHO'S YOUR DADDY? ♪ 131 00:07:49,307 --> 00:07:50,392 ♪ WHO'S YOUR DADDY? ♪ 132 00:07:50,392 --> 00:07:51,434 ♪ HE RICH ♪ 133 00:07:51,434 --> 00:07:52,686 ♪ IS HE RICH LIKE ME? ♪ 134 00:07:52,686 --> 00:07:54,270 WATCH YOUR STEP. COMING THROUGH. 135 00:07:54,270 --> 00:07:55,563 ♪ HAS HE TAKEN ♪ ♪ HAS HE TAKEN ♪ 136 00:07:55,563 --> 00:07:56,648 WHOA, WATCH OUT, DAD. 137 00:07:56,648 --> 00:07:57,774 Man: WHERE DO YOU WANT IT? 138 00:07:57,774 --> 00:07:58,983 THAT GOES IN THE LIVING ROOM. 139 00:07:58,983 --> 00:08:00,402 HEY, ANDREA, WHERE'S MY WIND CHIME? 140 00:08:00,402 --> 00:08:02,070 I THINK NANCY'S GOT IT IN THE OTHER ROOM. 141 00:08:02,070 --> 00:08:04,072 OH, THANKS. HEY, NANCY, HAVE YOU SEEN MY WIND CHIME? 142 00:08:04,072 --> 00:08:05,198 OH, THIS ONE? YEAH, THANKS. 143 00:08:05,198 --> 00:08:06,366 YOU'RE GONNA HAVE TO CATCH IT. 144 00:08:06,366 --> 00:08:07,909 NANCY! LET GO! GIVE IT HERE. 145 00:08:07,909 --> 00:08:09,661 ♪ I REALLY WANT TO KNOW ♪ 146 00:08:09,661 --> 00:08:10,870 YOU'RE SO MEAN. 147 00:08:10,870 --> 00:08:12,247 ♪ IT'S THE TIME OF THE SEASON ♪ 148 00:08:12,247 --> 00:08:13,998 HEY, MOM, CAN I HANG UP MY WIND CHIME? 149 00:08:13,998 --> 00:08:16,209 OF COURSE. THERE'S A LINE OUTSIDE YOU CAN HANG IT ON. 150 00:08:16,209 --> 00:08:17,961 HONEY, HAVE APRIL COME IN, OKAY? 151 00:08:17,961 --> 00:08:19,587 IT'S GONNA BE DARK SOON. OKAY. 152 00:08:26,636 --> 00:08:28,054 [ WIND CHIME JINGLING ] 153 00:08:29,472 --> 00:08:32,517 COME ON, APRIL! MOM WANTS US INSIDE! 154 00:08:32,517 --> 00:08:35,478 LOOK WHAT I FOUND, CINDY. 155 00:08:39,774 --> 00:08:41,776 [ MUSIC BOX PLAYS ] 156 00:08:55,165 --> 00:08:56,458 Nancy and Cindy: ONE... 157 00:08:56,458 --> 00:08:58,209 TWO... 158 00:08:58,209 --> 00:09:00,336 THREE. 159 00:09:00,336 --> 00:09:03,006 NO PEEKING! FOUR. 160 00:09:03,006 --> 00:09:04,591 ARE YOU GUYS DONE WITH THE PIZZA? 161 00:09:04,591 --> 00:09:06,342 I DON'T WANT IT GOING TO WASTE. 162 00:09:06,342 --> 00:09:08,887 IT'S EXPENSIVE FEEDING YOU GIRLS. 163 00:09:08,887 --> 00:09:12,557 ...SEVEN, EIGHT, NINE, TEN. 164 00:09:12,557 --> 00:09:13,725 WHERE SHOULD I HIDE? 165 00:09:13,725 --> 00:09:17,437 READY OR NOT, HERE I COME! 166 00:09:17,437 --> 00:09:18,897 OKAY, CLAP. 167 00:09:18,897 --> 00:09:21,608 [ BOTH CLAP ] 168 00:09:27,197 --> 00:09:28,490 WHOA! WHOA! 169 00:09:28,490 --> 00:09:29,949 GUYS, YOU DON'T KNOW THE HOUSE WELL ENOUGH. 170 00:09:29,949 --> 00:09:31,367 SOMEONE'S GONNA GET HURT. 171 00:09:31,367 --> 00:09:32,494 I'M OKAY, I'M OKAY. 172 00:09:32,494 --> 00:09:35,246 SECOND CLAP. 173 00:09:37,207 --> 00:09:38,625 [ CLAP, CLAP ] 174 00:09:41,002 --> 00:09:42,837 THAT'S CHEATING. 175 00:09:54,557 --> 00:09:58,144 CLAP. 176 00:09:58,144 --> 00:09:59,229 [ CLAP ] 177 00:09:59,229 --> 00:10:00,605 GOT YOU! AAH! 178 00:10:00,605 --> 00:10:01,773 [ THUD ] 179 00:10:01,773 --> 00:10:03,775 ARE YOU OKAY? UH, YEAH. 180 00:10:03,775 --> 00:10:05,568 ALL RIGHT, WHAT DID WE BREAK NOW? 181 00:10:05,568 --> 00:10:06,528 I-I-I DIDN'T MEAN TO. 182 00:10:06,528 --> 00:10:07,779 MOVE OUT THERE, PLEASE. 183 00:10:07,779 --> 00:10:10,782 IT WAS CHRISTINE'S FAULT. AH, JEEZ. 184 00:10:10,782 --> 00:10:11,908 Christine: MY FAULT? OH, MY GOD. 185 00:10:11,908 --> 00:10:13,827 Nancy: CHRISTINE DID IT. 186 00:10:13,827 --> 00:10:15,245 Christine: NO, I DIDN'T, YOU DID. NO, TOTALLY, YOU PUSHED ME. 187 00:10:15,245 --> 00:10:16,871 NO, NO, YOU FELL BACK. 188 00:10:16,871 --> 00:10:19,916 HEY, NANCY, CAN YOU GO GET ME THE MATCHES, PLEASE? 189 00:10:19,916 --> 00:10:21,501 WHAT'S GOING ON? Christine: NANCY BROKE SOMETHING. 190 00:10:21,501 --> 00:10:23,336 SHUT UP. IT WAS YOU! 191 00:10:23,336 --> 00:10:25,004 WHAT BROKE? IT'S THE WALL. 192 00:10:25,004 --> 00:10:26,297 WHOA. 193 00:10:26,297 --> 00:10:29,342 I THINK WE HAVE A CELLAR OR SOMETHING. 194 00:10:29,342 --> 00:10:30,802 I WANNA SEE, I WANNA SEE. 195 00:10:30,802 --> 00:10:32,136 OKAY. MOVE, MOVE, MOVE. 196 00:10:32,136 --> 00:10:35,849 HERE, MATCHES. THANK YOU. 197 00:10:35,849 --> 00:10:37,058 MOM, I WANNA SEE. Carolyn: YOU CAN SEE. 198 00:10:37,058 --> 00:10:38,393 Nancy: I WANNA SEE TOO. 199 00:10:38,393 --> 00:10:39,644 YOU CAN ALL SEE. 200 00:10:39,644 --> 00:10:40,770 MOVE! 201 00:10:49,445 --> 00:10:51,322 [ STAIRS CREAKING ] 202 00:10:51,322 --> 00:10:52,991 AH, MAN. 203 00:10:57,453 --> 00:10:58,705 HUH. 204 00:10:58,705 --> 00:11:01,165 ROGER? 205 00:11:01,165 --> 00:11:04,168 WHAT DO YOU SEE DOWN THERE? 206 00:11:04,168 --> 00:11:07,046 JUST, UH, HARD TO TELL, YOU KNOW? 207 00:11:07,046 --> 00:11:11,843 IT'S -- IT'S AN OLD PIANO AND A WHOLE BUNCH OF GARBAGE. 208 00:11:11,843 --> 00:11:13,761 [ SIZZLE ] 209 00:11:13,761 --> 00:11:16,180 AH! SON OF A-- 210 00:11:16,180 --> 00:11:17,390 [ MATCH STRIKES ] 211 00:11:19,475 --> 00:11:21,185 WOW. 212 00:11:25,523 --> 00:11:29,152 ROG? 213 00:11:29,152 --> 00:11:31,404 COME ON UP. 214 00:11:31,404 --> 00:11:34,949 [ STAIRS CREAKING ] 215 00:11:34,949 --> 00:11:36,492 I DON'T WANT ANY OF YOU GIRLS GOING DOWN THERE. 216 00:11:36,492 --> 00:11:37,660 THAT PLACE IS LOADED WITH SPIDERS. 217 00:11:37,660 --> 00:11:38,661 EW! 218 00:11:38,661 --> 00:11:40,121 JUST RELAX. 219 00:11:40,121 --> 00:11:42,624 Christine: STOP IT, NANCY. IT'S NOT FUNNY. 220 00:11:42,624 --> 00:11:44,292 WE'VE GOT EXTRA SQUARE FOOTAGE ANYWAY. 221 00:11:44,292 --> 00:11:45,793 I'LL CHECK IT OUT IN THE MORNING. 222 00:11:45,793 --> 00:11:47,253 I WONDER WHY IT WAS BOARDED UP. 223 00:11:47,253 --> 00:11:48,838 I DON'T KNOW. 224 00:11:48,838 --> 00:11:50,465 OKAY, GUYS, SHOW'S OVER. Cindy: FIVE MORE MINUTES. 225 00:11:50,465 --> 00:11:51,549 NO MORE MINUTES. UP TO BED. 226 00:11:51,549 --> 00:11:52,884 PLEASE. THANK YOU. 227 00:11:52,884 --> 00:11:54,218 BUT I'M NOT TIRED. ALL RIGHT, TO BED. 228 00:11:54,218 --> 00:11:55,845 [ DOG BARKING ] 229 00:11:58,056 --> 00:11:59,724 Roger: MAN, I'M FRIED. 230 00:11:59,724 --> 00:12:02,268 Carolyn: SOMETHING'S UP WITH SADIE. 231 00:12:02,268 --> 00:12:04,562 YEAH, I DON'T KNOW WHAT HER PROBLEM IS. 232 00:12:04,562 --> 00:12:06,522 COULDN'T GET HER TO COME INSIDE. 233 00:12:06,522 --> 00:12:08,358 WE CAN'T LEAVE HER OUT THERE. 234 00:12:08,358 --> 00:12:11,861 SHE'S ALL RIGHT. I GOT HER ON A CHAIN. 235 00:12:11,861 --> 00:12:15,073 SADIE, HEY, BE QUIET. 236 00:12:16,449 --> 00:12:19,661 THANKS FOR MAKIN' THIS WORK. 237 00:12:19,661 --> 00:12:21,162 I KNOW IT WAS A LOT TO BITE OFF. 238 00:12:21,162 --> 00:12:22,580 YEAH. 239 00:12:22,580 --> 00:12:24,791 IT'S GONNA BE GREAT, ISN'T IT? 240 00:12:24,791 --> 00:12:27,293 I THINK IT'S GREAT ALREADY. 241 00:12:27,293 --> 00:12:29,545 YEAH. 242 00:12:31,965 --> 00:12:34,425 YOU STILL TOO FRIED TO CHRISTEN THE NEW HOUSE? 243 00:12:34,425 --> 00:12:37,637 WHO SAID I'M FRIED? 244 00:12:37,637 --> 00:12:40,807 AIN'T NOBODY HERE'S FRIED. 245 00:12:48,356 --> 00:12:52,652 [ CREAKING ] 246 00:12:56,614 --> 00:12:58,199 [ SIGHS ] 247 00:13:15,008 --> 00:13:17,802 MOM? 248 00:13:17,802 --> 00:13:20,013 HEY. HOW DID YOU GUYS SLEEP? 249 00:13:20,013 --> 00:13:21,222 I'M COLD. 250 00:13:21,222 --> 00:13:23,599 IT IS CHILLY, ISN'T IT? 251 00:13:23,599 --> 00:13:25,476 DO YOU THINK MAYBE WE COULD HAVE BOUGHT A HOUSE 252 00:13:25,476 --> 00:13:27,020 THAT HAS A TOILET THAT ACTUALLY WORKS? 253 00:13:27,020 --> 00:13:28,271 TELL YOUR FATHER. 254 00:13:28,271 --> 00:13:29,647 AND THERE WAS THIS REALLY FUNKY SMELL 255 00:13:29,647 --> 00:13:30,815 IN MY BEDROOM LAST NIGHT. 256 00:13:30,815 --> 00:13:32,066 REEKED LIKE SOMETHING DIED. 257 00:13:32,066 --> 00:13:33,067 IS IT STILL THERE? 258 00:13:33,067 --> 00:13:34,402 NO. PROBLEM SOLVED. 259 00:13:59,677 --> 00:14:01,971 ROGER? 260 00:14:02,764 --> 00:14:04,682 ROGER? 261 00:14:04,682 --> 00:14:06,601 Roger: DOWN HERE, HONEY. 262 00:14:06,601 --> 00:14:08,352 [ STAIRS CREAKING ] 263 00:14:10,855 --> 00:14:12,356 MORNING. 264 00:14:13,983 --> 00:14:16,778 OH. 265 00:14:16,778 --> 00:14:20,364 THIS IS GONNA TAKE SOME SERIOUS ELBOW GREASE. 266 00:14:20,364 --> 00:14:21,949 [ Chuckling ] YEAH. 267 00:14:21,949 --> 00:14:23,743 OH, MY GOD. 268 00:14:28,498 --> 00:14:31,084 [ SOUR NOTES PLAY ] 269 00:14:31,084 --> 00:14:32,960 WHAT ARE WE GONNA DO WITH ALL THIS STUFF? 270 00:14:32,960 --> 00:14:35,171 WELL, WE PROBABLY OUGHT TO GO THROUGH IT, YOU KNOW? 271 00:14:35,171 --> 00:14:37,548 THERE MIGHT BE SOME ANTIQUES DOWN HERE WORTH A LOT OF MONEY. 272 00:14:37,548 --> 00:14:39,884 YEAH, OR JUST A LOT OF JUNK THE PREVIOUS OWNER DIDN'T WANT. 273 00:14:39,884 --> 00:14:41,803 IT'S OURS NOW. 274 00:14:41,803 --> 00:14:43,054 KNOCK YOURSELF OUT. 275 00:14:43,054 --> 00:14:44,680 I'M GONNA MAKE SOME COFFEE. 276 00:14:44,680 --> 00:14:46,099 OKAY. I'LL BE UP IN A MINUTE. 277 00:14:46,099 --> 00:14:47,850 I'M GONNA SEE IF I CAN GET THIS FURNACE WORKING. 278 00:14:47,850 --> 00:14:50,228 YEAH, THAT'D BE NICE. IT'S FREEZING. YEAH. 279 00:14:50,228 --> 00:14:51,687 [ STAIRS CREAKING ] 280 00:14:59,487 --> 00:15:01,322 [ SIGHS ] 281 00:15:03,866 --> 00:15:07,495 April: SADIE! COME HERE, SADIE! 282 00:15:07,495 --> 00:15:11,165 MOMMY! MOMMY, WHERE'S SADIE? 283 00:15:11,165 --> 00:15:12,500 SHE'S OUTSIDE. 284 00:15:12,500 --> 00:15:13,626 YOU KNOW, I'M SURE SHE'S HUNGRY BY NOW. 285 00:15:13,626 --> 00:15:15,002 WHY DON'T YOU GO AND GET HER. 286 00:15:16,420 --> 00:15:17,630 OH! MORNING, DAD. 287 00:15:17,630 --> 00:15:19,799 CAN YOU HOLD THIS? HEY. SURE. 288 00:15:19,799 --> 00:15:21,217 SADIE! SLOW IT DOWN, SCOOT. 289 00:15:21,217 --> 00:15:23,386 ROGER. YEAH. 290 00:15:23,386 --> 00:15:24,679 THIS CLOCK STOPPED AT 3:07, 291 00:15:24,679 --> 00:15:26,055 AND SO DID THE ONE IN THE HALLWAY. 292 00:15:26,055 --> 00:15:27,306 THAT'S WEIRD. 293 00:15:29,642 --> 00:15:31,602 MAYBE IT GOT KNOCKED AROUND IN THE MOVE. 294 00:15:31,602 --> 00:15:32,937 SPEAKING OF KNOCKED AROUND, 295 00:15:32,937 --> 00:15:34,647 WHAT DID YOU DO TO ME LAST NIGHT? 296 00:15:34,647 --> 00:15:36,524 OUCH. I DIDN'T DO THAT. 297 00:15:36,524 --> 00:15:37,733 DID I? I DON'T KNOW. 298 00:15:37,733 --> 00:15:40,653 SADIE! 299 00:15:45,491 --> 00:15:48,953 [ SCREAMING ] 300 00:15:48,953 --> 00:15:51,247 APRIL! APRIL! 301 00:15:51,247 --> 00:15:52,748 APRIL! WHAT'S--? 302 00:15:52,748 --> 00:15:54,625 APRIL! WHAT'S GOING ON? 303 00:15:54,625 --> 00:15:56,169 WHAT HAPPENED? 304 00:15:56,169 --> 00:15:58,379 OH, MY GOD! 305 00:15:58,379 --> 00:16:01,966 [ Crying ] OH, SADIE. 306 00:16:01,966 --> 00:16:03,467 ROGER. 307 00:16:09,182 --> 00:16:11,142 Ed: WE KEEP EVERYTHING LOCKED IN HERE. 308 00:16:11,142 --> 00:16:15,146 FEEL FREE TO LOOK AROUND. JUST DON'T TOUCH ANYTHING. 309 00:16:17,940 --> 00:16:20,693 WOW. 310 00:16:20,693 --> 00:16:24,238 THIS IS CRAZY. 311 00:16:24,238 --> 00:16:27,533 SO ALL THESE ARE TAKEN FROM CASES YOU'VE INVESTIGATED? 312 00:16:27,533 --> 00:16:29,035 THAT'S RIGHT. 313 00:16:29,035 --> 00:16:31,746 EVERYTHING YOU SEE IN HERE IS EITHER HAUNTED, CURSED, 314 00:16:31,746 --> 00:16:34,498 OR HAS BEEN USED IN SOME KIND OF RITUALISTIC PRACTICE. 315 00:16:34,498 --> 00:16:36,834 NOTHING'S A TOY. 316 00:16:36,834 --> 00:16:38,586 NOT EVEN THE TOY MONKEY. 317 00:16:39,837 --> 00:16:40,880 DON'T TOUCH IT. 318 00:16:43,716 --> 00:16:45,426 WELL... [ CLEARS THROAT ] 319 00:16:45,426 --> 00:16:48,137 WELL, ISN'T IT SCARY, OR DOESN'T IT WORRY YOU 320 00:16:48,137 --> 00:16:50,723 TO HAVE ALL THESE ITEMS RIGHT IN YOUR HOME? 321 00:16:50,723 --> 00:16:52,350 THAT'S WHY WE HAVE A PRIEST THAT COMES BY ONCE A MONTH 322 00:16:52,350 --> 00:16:54,060 TO BLESS THE ROOM. 323 00:16:54,060 --> 00:16:57,146 WELL, THE WAY I SEE IT IS: IT'S SAFER FOR THESE THINGS 324 00:16:57,146 --> 00:16:58,606 TO BE IN HERE THAN OUT THERE. 325 00:16:58,606 --> 00:17:00,608 IT'S KIND OF LIKE KEEPIN' GUNS OFF THE STREET. 326 00:17:00,608 --> 00:17:02,693 WELL, WHY NOT JUST THROW 'EM IN AN INCINERATOR? 327 00:17:02,693 --> 00:17:04,070 DESTROY 'EM. 328 00:17:04,070 --> 00:17:05,655 WELL, THAT WOULD ONLY DESTROY THE VESSEL. 329 00:17:05,655 --> 00:17:09,033 SOMETIMES IT'S BETTER TO KEEP THE GENIE IN THE BOTTLE. 330 00:17:09,033 --> 00:17:13,079 SAY, IS THE ANNABELLE DOLL HERE? 331 00:17:13,079 --> 00:17:15,873 RIGHT THIS WAY. 332 00:17:18,668 --> 00:17:19,752 YEAH. 333 00:17:23,714 --> 00:17:25,549 [ SIGHS ] 334 00:17:28,594 --> 00:17:30,179 YOU SAID SHE'S A CONDUIT? 335 00:17:30,179 --> 00:17:32,139 THAT'S RIGHT. WHAT DOES THAT MEAN? 336 00:17:32,139 --> 00:17:33,307 A VERY POWERFUL DEMONIC 337 00:17:33,307 --> 00:17:36,519 HAS LATCHED ITSELF ONTO HER. 338 00:17:36,519 --> 00:17:39,313 SO WHEN YOU GUYS INVESTIGATE THESE HAUNTINGS, 339 00:17:39,313 --> 00:17:42,024 HOW DO YOU STOP 'EM FROM LATCHIN' ONTO YOU? 340 00:17:42,024 --> 00:17:43,943 WE HAVE TO TAKE GREAT PRECAUTION. 341 00:17:43,943 --> 00:17:45,319 BUT WHAT ABOUT YOUR WIFE? 342 00:17:45,319 --> 00:17:48,739 WHAT ABOUT HER? 343 00:17:48,739 --> 00:17:50,741 WELL, FATHER GORDON TOLD ME THAT-- 344 00:17:50,741 --> 00:17:52,326 WELL, THAT WAS DIFFERENT. 345 00:17:52,326 --> 00:17:54,912 WHAT HAPPENED TO MY WIFE HAPPENED DURING AN EXORCISM. 346 00:17:54,912 --> 00:17:56,455 WELL, WHAT'S THE DIFFERENCE? 347 00:17:56,455 --> 00:17:57,748 [ SIGHS ] 348 00:17:57,748 --> 00:17:59,208 [ CREAKING ] 349 00:17:59,208 --> 00:18:01,585 'SCUSE ME. 350 00:18:01,585 --> 00:18:03,629 HONEY, WHAT ARE YOU DOIN'? 351 00:18:03,629 --> 00:18:06,590 COME HERE. YOU KNOW BETTER. 352 00:18:06,590 --> 00:18:08,759 ALL RIGHT? GEORGIANA? 353 00:18:08,759 --> 00:18:11,053 COME ON. DID YOU TOUCH ANYTHING? 354 00:18:11,053 --> 00:18:12,263 Judy: NO. 355 00:18:12,263 --> 00:18:13,848 ALL RIGHT, COME ON, HONEY. 356 00:18:13,848 --> 00:18:15,057 GEORGIANA! 357 00:18:15,057 --> 00:18:16,559 COULD YOU TAKE JUDY UPSTAIRS? 358 00:18:16,559 --> 00:18:18,394 OH, SURE. YOU CAN'T GO INTO THIS ROOM, 359 00:18:18,394 --> 00:18:20,229 NO MATTER WHAT, REMEMBER? YES, DADDY. 360 00:18:20,229 --> 00:18:21,522 ALL RIGHT. 361 00:18:21,522 --> 00:18:22,982 GO ON. OKAY, COME ON. 362 00:18:22,982 --> 00:18:25,109 LET'S SEE IF I CAN FIND YOU A LITTLE SNACK, OKAY? 363 00:18:25,109 --> 00:18:26,235 COME ON. 364 00:18:30,573 --> 00:18:33,200 [ DOOR CREAKS ] 365 00:18:33,200 --> 00:18:34,410 [ BOTH LAUGH ] 366 00:18:34,410 --> 00:18:36,787 HEY. WHAT'S GOIN' ON IN HERE? 367 00:18:36,787 --> 00:18:37,872 Judy: DADDY, LOOK. 368 00:18:37,872 --> 00:18:39,081 YOU LOOK VERY PRETTY. 369 00:18:39,081 --> 00:18:40,458 ALL RIGHT. ALL DONE. 370 00:18:40,458 --> 00:18:41,584 GO GET DRESSED FOR DINNER. 371 00:18:41,584 --> 00:18:42,793 I'M WEARING IT TO DINNER. 372 00:18:42,793 --> 00:18:44,837 NO, YOU'RE NOT! 373 00:18:44,837 --> 00:18:47,923 HERE YOU GO. 374 00:18:47,923 --> 00:18:49,425 HOW'D IT GO? 375 00:18:49,425 --> 00:18:51,552 OH, I THINK HE MAY WRITE A POSITIVE ARTICLE. 376 00:18:51,552 --> 00:18:54,013 OOH, A NON-SKEPTIC. 377 00:18:54,013 --> 00:18:55,514 THAT'S A PLEASANT CHANGE. 378 00:18:55,514 --> 00:18:56,640 YEAH. 379 00:18:59,518 --> 00:19:00,603 [ SIGHS ] 380 00:19:03,522 --> 00:19:06,150 STOP BLAMING YOURSELF. 381 00:19:15,826 --> 00:19:18,746 NO SUGAR. 382 00:19:18,746 --> 00:19:20,206 BE RIGHT BACK. 383 00:19:29,382 --> 00:19:31,509 [ CLOCK TICKING ] 384 00:19:34,887 --> 00:19:38,099 [ TICKING STOPS ] 385 00:19:58,160 --> 00:20:00,204 [ SIGHS ] 386 00:20:16,345 --> 00:20:18,264 NOT FUNNY, NANCY. 387 00:20:18,264 --> 00:20:21,350 Nancy: WHAT? 388 00:20:21,350 --> 00:20:23,519 STOP GRABBING MY FOOT. 389 00:20:23,519 --> 00:20:25,771 SHUT UP, I DIDN'T DO ANYTHING. 390 00:20:25,771 --> 00:20:29,483 YEAH, RIGHT. 391 00:20:29,483 --> 00:20:34,280 AND STOP FARTING. IT REALLY STINKS. 392 00:20:34,280 --> 00:20:36,699 DON'T BLAME THAT ON ME. IT'S YOU. 393 00:20:36,699 --> 00:20:38,993 PHEW. 394 00:20:38,993 --> 00:20:41,662 [ STATIC ] 395 00:21:00,181 --> 00:21:02,516 [ THUMPING ] 396 00:21:02,516 --> 00:21:03,934 [ SIGHS ] 397 00:21:15,112 --> 00:21:17,823 [ THUMPING ] 398 00:21:23,871 --> 00:21:27,458 [ DOOR CREAKING ] 399 00:21:36,926 --> 00:21:38,302 [ TV TURNS OFF ] 400 00:21:54,026 --> 00:21:56,320 [ THUMPING ] 401 00:21:59,823 --> 00:22:07,873 [ DOOR CREAKING ] 402 00:22:29,562 --> 00:22:32,314 [ DOOR CREAKS ] 403 00:22:32,314 --> 00:22:33,524 [ THUDDING ] 404 00:22:35,943 --> 00:22:38,571 [ WIND HOWLING ] 405 00:22:38,571 --> 00:22:41,949 [ WIND CHIME JINGLES ] 406 00:22:41,949 --> 00:22:44,535 [ THUD ] 407 00:22:53,294 --> 00:22:55,129 DAD? 408 00:22:55,129 --> 00:22:57,631 ANDREA, WHAT ARE YOU DOIN' OUTTA BED? 409 00:22:57,631 --> 00:22:58,882 WHAT'S THAT SOUND? 410 00:22:58,882 --> 00:23:01,677 IT'S CINDY. SHE'S IN MY ROOM. 411 00:23:01,677 --> 00:23:03,887 SHE'S SLEEPWALKING AGAIN. 412 00:23:03,887 --> 00:23:06,223 [ SIGHS ] 413 00:23:09,643 --> 00:23:11,520 [ THUMPING ] 414 00:23:17,776 --> 00:23:20,904 I'VE NEVER SEEN HER DO THIS BEFORE. 415 00:23:24,908 --> 00:23:27,077 I REMEMBERED YOU SAYING NOT TO WAKE HER IF SHE'S LIKE THIS. 416 00:23:27,077 --> 00:23:29,538 NO, WE JUST PUT HER BACK TO BED. 417 00:23:29,538 --> 00:23:31,165 HEY, HEY. SWEETIE. 418 00:23:31,165 --> 00:23:33,917 SHH. LET'S GO BACK TO BED. 419 00:23:44,595 --> 00:23:46,722 SHE'S OKAY. GOOD NIGHT. 420 00:23:46,722 --> 00:23:49,016 NIGHT. 421 00:24:00,819 --> 00:24:02,571 Carolyn: SHE'S SLEEPWALKING AGAIN? 422 00:24:02,571 --> 00:24:04,281 SHE HASN'T DONE THAT FOR AWHILE. 423 00:24:04,281 --> 00:24:06,617 SHE ENDED UP IN ANDREA'S ROOM TOO. 424 00:24:06,617 --> 00:24:08,035 I THINK KIND OF FREAKED HER OUT. 425 00:24:08,035 --> 00:24:09,286 THAT'S NOT GOOD. 426 00:24:09,286 --> 00:24:11,330 WHAT ARE WE GONNA DO? I DON'T KNOW. 427 00:24:11,330 --> 00:24:13,374 HONEY, YOU GOT ANOTHER BRUISE HERE. 428 00:24:13,374 --> 00:24:14,708 HMM? DOES THAT HURT? 429 00:24:16,919 --> 00:24:18,379 THAT'S WEIRD. I DON'T KNOW. 430 00:24:18,379 --> 00:24:21,840 WILL YOU DO ME A FAVOR, GO SEE A DOCTOR FOR THAT? 431 00:24:21,840 --> 00:24:22,966 YEAH, I WILL. 432 00:24:22,966 --> 00:24:24,551 DRIVE SAFE. YEAH. 433 00:24:24,551 --> 00:24:26,220 I LOVE YOU. I LOVE YOU TOO. 434 00:24:32,851 --> 00:24:34,436 [ SIGHS ] 435 00:24:34,436 --> 00:24:38,232 [ THUMP ] 436 00:24:38,232 --> 00:24:40,359 [ BIRD COOS ] 437 00:24:55,457 --> 00:24:56,625 [ DOOR OPENS, CLOSES ] 438 00:24:56,625 --> 00:24:59,169 BYE! LOVE YOU! 439 00:24:59,169 --> 00:25:02,423 CINDY, YOU HAVE YOUR LUNCH? 440 00:25:02,423 --> 00:25:04,341 Cindy: YEAH. 441 00:25:04,341 --> 00:25:09,221 April: YES, I DO. I MISS SADIE A LOT. 442 00:25:09,221 --> 00:25:12,641 SHE WAS MY BEST FRIEND. 443 00:25:12,641 --> 00:25:16,353 YOU'RE MY FRIEND, RIGHT? 444 00:25:16,353 --> 00:25:18,605 YEAH, LET'S PLAY. 445 00:25:18,605 --> 00:25:20,190 [ DOOR CREAKS ] 446 00:25:23,777 --> 00:25:24,945 WHO ARE YOU TALKING TO? 447 00:25:24,945 --> 00:25:27,156 RORY. 448 00:25:27,156 --> 00:25:28,782 RORY? 449 00:25:28,782 --> 00:25:30,909 HE'S MY NEW FRIEND. OH, REALLY. 450 00:25:30,909 --> 00:25:32,202 YEAH, DO YOU WANT TO SEE HIM? 451 00:25:32,202 --> 00:25:34,163 YEAH. UH-HUH. HOW? 452 00:25:34,163 --> 00:25:35,289 WITH THIS. 453 00:25:35,289 --> 00:25:37,207 WHEN THE MUSIC STOPS, 454 00:25:37,207 --> 00:25:39,585 YOU SEE HIM IN THE MIRROR STANDING BEHIND YOU. 455 00:25:39,585 --> 00:25:40,794 OKAY. 456 00:25:40,794 --> 00:25:43,172 BUT YOU HAVE TO TWIST THE KEY. 457 00:25:43,172 --> 00:25:45,048 OKAY. 458 00:25:45,048 --> 00:25:46,467 [ MUSIC BOX PLAYS ] 459 00:26:08,447 --> 00:26:10,240 BOO, MOMMY! OH! 460 00:26:10,240 --> 00:26:11,784 [ LAUGHS ] GOT YOU! 461 00:26:11,784 --> 00:26:14,453 APRIL, YOU JUST GAVE ME A HEART ATTACK. 462 00:26:14,453 --> 00:26:15,954 WELL, OKAY. 463 00:26:15,954 --> 00:26:18,081 I GUESS RORY DOESN'T WANT TO SEE ME, HUH? 464 00:26:18,081 --> 00:26:19,124 HMM. OH, WELL. 465 00:26:19,124 --> 00:26:21,251 CAN WE PLAY HIDE-AND-CLAP? 466 00:26:21,251 --> 00:26:23,378 HIDE-AND-CLA--? OH, HONEY, I DON'T WANT TO PLAY. 467 00:26:23,378 --> 00:26:24,838 PLEASE! NOBODY EVER LETS ME PLAY. 468 00:26:24,838 --> 00:26:28,300 OKAY, OKAY. 469 00:26:28,300 --> 00:26:30,093 [ LAUGHS ] 470 00:26:30,093 --> 00:26:33,305 REMEMBER, YOU GET TO ASK ME FOR THREE CLAPS. OKAY. 471 00:26:33,305 --> 00:26:36,892 Both: ONE, TWO, THREE. 472 00:26:36,892 --> 00:26:38,519 I'M GONNA GO HIDE NOW! OKAY. 473 00:26:38,519 --> 00:26:48,403 FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, TEN! 474 00:26:51,323 --> 00:26:53,033 FIRST CLAP! 475 00:26:53,033 --> 00:26:55,619 [ CLAP, CLAP ] 476 00:27:05,462 --> 00:27:06,713 [ CLATTERING ] 477 00:27:08,549 --> 00:27:11,260 [ CLOCK CHIMING ] 478 00:27:11,260 --> 00:27:12,636 [ THUMP ] 479 00:27:12,636 --> 00:27:14,346 OW. SHIT. 480 00:27:14,346 --> 00:27:16,431 SECOND CLAP! 481 00:27:16,431 --> 00:27:17,474 [ CLAP, CLAP ] 482 00:27:31,113 --> 00:27:34,324 [ Singsong voice ] APRIL. 483 00:27:35,576 --> 00:27:37,578 UM... 484 00:27:39,705 --> 00:27:41,206 APRIL. 485 00:27:41,206 --> 00:27:43,292 [ DOOR CREAKING ] 486 00:27:51,758 --> 00:27:54,636 OH, I KNOW WHERE YOU'RE HIDING. 487 00:27:54,636 --> 00:27:56,471 GIVE ME THE THIRD CLAP. 488 00:28:01,143 --> 00:28:02,728 [ CLAP, CLAP ] 489 00:28:02,728 --> 00:28:05,272 [ CHUCKLES ] 490 00:28:05,272 --> 00:28:06,815 I'M GONNA GET YOU NOW. 491 00:28:06,815 --> 00:28:09,860 [ BREATHING ] 492 00:28:14,072 --> 00:28:16,742 I CAN HEAR YOU BREATHING. 493 00:28:16,742 --> 00:28:19,703 APRIL. APRIL. 494 00:28:19,703 --> 00:28:20,996 [ FOOTSTEPS ] 495 00:28:26,335 --> 00:28:28,503 HA, HA! YOU TOOK YOUR BLINDFOLD OFF. 496 00:28:28,503 --> 00:28:30,589 I WIN! YOU WEREN'T EVEN WARM, MOM. 497 00:28:30,589 --> 00:28:33,216 I WAS IN CHRISTINE AND NANCY'S ROOM. 498 00:28:36,803 --> 00:28:39,097 Roger: I GOTTA HAVE SOME ROUTES HERE, 499 00:28:39,097 --> 00:28:41,683 OR I'M GONNA LOSE THE INSURANCE ON THE RIG. 500 00:28:41,683 --> 00:28:43,143 [ CHUCKLES ] 501 00:28:43,143 --> 00:28:46,688 THAT'S LIKE HALF OF MY RATE, MAN. 502 00:28:48,190 --> 00:28:50,901 YEAH, OKAY. 503 00:28:50,901 --> 00:28:53,111 WELL, UH, I'LL TAKE IT. 504 00:28:53,111 --> 00:28:54,363 THANK YOU. 505 00:28:56,990 --> 00:28:58,450 WHAT'S THE ROUTE? 506 00:28:58,450 --> 00:29:01,370 IT'S, UH, FLORIDA. IT'S A WEEK TURNAROUND. 507 00:29:01,370 --> 00:29:03,664 I START TOMORROW. 508 00:29:03,664 --> 00:29:05,457 WE'LL GET THROUGH THIS. 509 00:29:05,457 --> 00:29:08,543 [ CHUCKLES ] YEAH. 510 00:29:08,543 --> 00:29:09,836 COME ON, LET'S GO TO BED. 511 00:29:33,151 --> 00:29:36,363 MM. STOP IT, NANCY. 512 00:29:36,363 --> 00:29:37,990 IT'S NOT FUNNY ANYMORE. 513 00:29:37,990 --> 00:29:41,243 I'M TRYING TO SLEEP, PLEASE STOP GRABBING MY FEET. 514 00:29:45,372 --> 00:29:46,456 [ GASPS ] 515 00:30:10,480 --> 00:30:11,982 [ GASPS ] 516 00:30:11,982 --> 00:30:14,526 [ BREATHING HEAVILY ] 517 00:30:14,526 --> 00:30:16,111 [ WHIMPERING ] 518 00:30:54,524 --> 00:30:58,153 [ CREAKING ] 519 00:31:12,334 --> 00:31:15,087 [ BREATHING HEAVILY ] 520 00:31:15,087 --> 00:31:17,255 [ WHIMPERING ] 521 00:31:24,971 --> 00:31:26,890 NANCY? 522 00:31:26,890 --> 00:31:30,227 [ Crying ] NANCY? 523 00:31:32,395 --> 00:31:34,356 WHAT ARE YOU DOING? 524 00:31:37,818 --> 00:31:41,154 CHRISTINE? 525 00:31:41,154 --> 00:31:42,280 ARE YOU ALL RIGHT? 526 00:31:42,280 --> 00:31:45,534 DO YOU SEE IT? 527 00:31:48,370 --> 00:31:50,205 SEE WHAT? 528 00:31:54,960 --> 00:31:57,212 THERE'S SOMEONE BEHIND THE DOOR. 529 00:31:57,212 --> 00:32:00,841 WHAT? 530 00:32:00,841 --> 00:32:03,260 THERE'S SOMEONE STANDING OVER THERE. 531 00:32:05,971 --> 00:32:07,639 I DON'T SEE ANYONE. 532 00:32:10,559 --> 00:32:12,894 IT'S LOOKING RIGHT AT US. 533 00:32:22,237 --> 00:32:24,489 NANCY, DON'T! NANCY. 534 00:32:24,489 --> 00:32:26,658 NO, NO. LOOK. LOOK. 535 00:32:26,658 --> 00:32:28,660 LOOK, THERE'S NO ONE -- THERE'S NO ONE HERE. 536 00:32:28,660 --> 00:32:30,829 SEE? 537 00:32:30,829 --> 00:32:33,790 UGH. IT'S THAT SMELL AGAIN. 538 00:32:33,790 --> 00:32:36,668 OH, MY GOD. 539 00:32:36,668 --> 00:32:39,796 IT'S STANDING RIGHT BEHIND YOU. 540 00:32:39,796 --> 00:32:42,966 [ HEAVY BREATHING ] 541 00:32:50,223 --> 00:32:51,308 [ DOOR SLAMS ] 542 00:32:51,308 --> 00:32:55,478 [ BOTH SCREAMING ] 543 00:32:55,478 --> 00:32:58,815 CHRISTINE?! CHRISTINE! CHRISTINE! 544 00:32:58,815 --> 00:33:01,318 CHRIS-- GOD, IT WON'T OP-- 545 00:33:01,318 --> 00:33:03,195 CHRISTINE! 546 00:33:03,195 --> 00:33:04,613 NO! NO! NO! 547 00:33:04,613 --> 00:33:05,947 WHAT'S GOING ON? WHAT HAPPENED? 548 00:33:05,947 --> 00:33:07,741 THERE WAS SOMEONE ELSE IN HERE! 549 00:33:07,741 --> 00:33:09,326 WHAT? WHERE? 550 00:33:09,326 --> 00:33:12,537 [ Crying ] BY THE DOOR. IT WAS BEHIND THE DOOR. 551 00:33:12,537 --> 00:33:13,914 HONEY, THERE'S NOTHING IN HERE. 552 00:33:13,914 --> 00:33:15,123 THERE'S NOBODY IN HERE. 553 00:33:15,123 --> 00:33:17,083 THERE WAS SOMEONE ELSE IN HERE! 554 00:33:17,083 --> 00:33:19,377 I WAS JUST SLEEPING, 555 00:33:19,377 --> 00:33:21,713 AND THEN I FELT SOMEBODY GRAB MY FEET. 556 00:33:21,713 --> 00:33:24,216 SO I THOUGHT IT WAS NANCY. 557 00:33:24,216 --> 00:33:26,843 WELL, HONEY, I'M PRETTY SURE IT WAS JUST A BAD DREAM. 558 00:33:26,843 --> 00:33:30,430 NO! NO! IT TALKED TO ME! 559 00:33:30,430 --> 00:33:37,270 IT SAID THAT IT WANTS MY FAMILY DEAD. 560 00:33:37,270 --> 00:33:40,106 [ SOBBING ] 561 00:33:43,109 --> 00:33:46,363 Lorraine: MR. WINSTON! 562 00:33:46,363 --> 00:33:48,448 WINSTON? WINSTON? 563 00:33:48,448 --> 00:33:50,825 GET BEHIND HIM. 564 00:33:50,825 --> 00:33:52,410 WHERE YOU OFF TO? 565 00:33:52,410 --> 00:33:55,872 I JUST GOTTA RUN TO THE STORE FOR A FEW THINGS. 566 00:33:55,872 --> 00:33:58,166 WHY DO YOU EVEN TRY? 567 00:33:58,166 --> 00:33:59,751 WHAT? WHAT DO YOU MEAN? 568 00:33:59,751 --> 00:34:01,503 IN 15 YEARS HAVE YOU EVER BEEN ABLE TO LIE TO ME? 569 00:34:01,503 --> 00:34:03,296 [ SIGHS ] FATHER GORDON CALLED. 570 00:34:03,296 --> 00:34:05,507 HE'S GOT A CASE HE WANTS US TO LOOK INTO. 571 00:34:05,507 --> 00:34:07,425 I SAID I'D GO CHECK IT OUT MYSELF. 572 00:34:07,425 --> 00:34:09,177 LORRAINE, MYSELF. 573 00:34:09,177 --> 00:34:11,096 I'M GOING WITH YOU. 574 00:34:11,096 --> 00:34:13,556 I KNOW YOU'RE WORRIED IT'S GONNA HAPPEN AGAIN. 575 00:34:13,556 --> 00:34:15,016 YEAH, I AM. I REALLY AM. 576 00:34:18,228 --> 00:34:21,064 MAYBE IT'S JUST TIME WE TAKE A BREAK. 577 00:34:21,064 --> 00:34:22,816 WRITE THAT BOOK. 578 00:34:22,816 --> 00:34:25,860 DO YOU REMEMBER WHAT YOU SAID TO ME ON OUR WEDDING NIGHT? 579 00:34:25,860 --> 00:34:29,072 "CAN WE DO IT AGAIN?" 580 00:34:31,574 --> 00:34:32,867 AFTER THAT. 581 00:34:32,867 --> 00:34:35,161 [ BOTH LAUGH ] 582 00:34:35,161 --> 00:34:37,998 YOU SAID THAT GOD BROUGHT US TOGETHER FOR A REASON. 583 00:34:37,998 --> 00:34:39,582 RIGHT? 584 00:34:39,582 --> 00:34:43,253 I'M PRETTY SURE IT'S NOT TO WRITE A BOOK. 585 00:34:43,253 --> 00:34:46,089 I'M GONNA GET DRESSED. 586 00:34:48,258 --> 00:34:49,884 [ SIGHS ] 587 00:34:49,884 --> 00:34:51,803 WE'VE ISOLATED THE DISTURBANCES TO THE ATTIC. 588 00:34:51,803 --> 00:34:53,680 NOW, I JUST WANT YOU TO LISTEN FOR A SECOND. 589 00:34:53,680 --> 00:34:55,056 [ CREAKING ] 590 00:34:55,056 --> 00:34:57,600 [ GASPS ] OH, MY GOD. THAT'S IT. 591 00:34:57,600 --> 00:34:59,728 DO IT AGAIN, ED. 592 00:34:59,728 --> 00:35:00,854 [ CREAKING ] 593 00:35:00,854 --> 00:35:02,731 RIGHT NOW IT'S JUST MY WEIGHT. 594 00:35:02,731 --> 00:35:04,607 BUT YOU TAKE THE WATER COMIN' OFF-A THE PIPE 595 00:35:04,607 --> 00:35:06,901 COMBINED WITH THE WIND COMIN' THROUGH THE BROKEN WINDOW, 596 00:35:06,901 --> 00:35:09,029 THESE BOARDS ARE GONNA EXPAND AND RUB AGAINST EACH OTHER. 597 00:35:09,029 --> 00:35:10,405 YOU HEARD IT ALL THROUGH THE HOUSE 598 00:35:10,405 --> 00:35:13,491 'CAUSE OF THESE PIPES LEADING TO THE RADIATOR. 599 00:35:13,491 --> 00:35:16,077 SO THIS PLACE ISN'T HAUNTED? 600 00:35:16,077 --> 00:35:17,454 NO, IT RARELY IS. 601 00:35:17,454 --> 00:35:19,748 YEAH, THERE'S USUALLY ALWAYS 602 00:35:19,748 --> 00:35:22,459 SOME KIND OF RATIONAL EXPLANATION. 603 00:35:22,459 --> 00:35:25,545 [ BETSY BRYE'S "SLEEP WALK" PLAYS ] 604 00:35:29,966 --> 00:35:35,597 ♪ SLEEP WALK ♪ 605 00:35:35,597 --> 00:35:42,854 ♪ INSTEAD OF DREAMING, I SLEEP WALK ♪ 606 00:35:42,854 --> 00:35:48,109 ♪ 'CAUSE I LOST YOU AND NOW WHAT AM I TO DO? ♪ 607 00:35:48,109 --> 00:35:50,528 [ ZIPPER ZIPS ] 608 00:35:50,528 --> 00:35:51,696 ♪ CAN'T BELIEVE ♪ 609 00:35:51,696 --> 00:35:53,031 [ CHILD GIGGLES ] 610 00:35:53,031 --> 00:35:58,661 ♪ THAT WE'RE THROUGH ♪ 611 00:35:58,661 --> 00:36:02,207 [ MUSIC STOPS ] 612 00:36:02,207 --> 00:36:03,875 [ CLAP, CLAP ] 613 00:36:03,875 --> 00:36:06,294 GIRLS, IT'S WAY PAST YOUR BEDTIME. 614 00:36:12,258 --> 00:36:14,761 [ CLOCK TICKING ] 615 00:36:17,722 --> 00:36:19,349 [ DOOR CREAKS ] 616 00:36:35,448 --> 00:36:36,783 [ LIGHT SWITCH CLICKS ] 617 00:36:53,174 --> 00:36:55,051 [ DOOR CREAKS ] 618 00:37:04,811 --> 00:37:07,021 [ SHATTERING ] 619 00:37:07,021 --> 00:37:10,024 [ CHILD LAUGHING ] 620 00:37:10,024 --> 00:37:12,277 [ PICTURE FRAME SHATTERS ] 621 00:37:31,504 --> 00:37:33,423 [ GLASS CRUNCHING ] 622 00:37:42,640 --> 00:37:45,101 [ DOOR CREAKS ] 623 00:37:46,811 --> 00:37:49,856 [ CLOCK CHIMING ] 624 00:37:57,655 --> 00:37:59,157 [ CLAP, CLAP ] 625 00:38:03,286 --> 00:38:04,746 WHO IS THAT?! 626 00:38:15,673 --> 00:38:17,342 [ DOOR CREAKS ] 627 00:38:28,436 --> 00:38:30,813 [ DOOR CREAKS ] 628 00:39:07,183 --> 00:39:09,894 WHO'S EVER DOWN THERE, I'M GONNA LOCK YOU IN NOW! 629 00:39:09,894 --> 00:39:11,563 [ DOOR SLAMS ] AAH! 630 00:39:11,563 --> 00:39:13,690 AAH! AAH! 631 00:39:13,690 --> 00:39:15,817 AAH! AAH! 632 00:39:15,817 --> 00:39:18,403 [ PANTING ] 633 00:39:46,055 --> 00:39:48,224 [ BREATHING HEAVILY ] 634 00:40:01,154 --> 00:40:03,072 AAH! 635 00:40:03,072 --> 00:40:05,575 AAH! AAH! 636 00:40:05,575 --> 00:40:07,201 ANDREA!! HELP!! 637 00:40:07,201 --> 00:40:08,578 [ CHILD LAUGHS ] 638 00:40:13,291 --> 00:40:15,668 [ STRIKES MATCH ] 639 00:40:15,668 --> 00:40:17,587 [ BREATHING HEAVILY ] 640 00:40:27,639 --> 00:40:29,891 [ STRIKES MATCH ] 641 00:40:31,976 --> 00:40:34,270 Rory: HEY, WANNA PLAY HIDE-AND-CLAP? 642 00:40:37,690 --> 00:40:39,233 AAAAH! 643 00:40:39,233 --> 00:40:40,818 [ RATTLING ] 644 00:40:50,662 --> 00:40:53,456 [ THUMPING ] 645 00:41:08,888 --> 00:41:10,348 CINDY? 646 00:41:24,320 --> 00:41:27,990 [ SIGHS ] OKAY, NOW... 647 00:41:27,990 --> 00:41:29,617 ALL RIGHT? 648 00:41:29,617 --> 00:41:31,744 ALL RIGHT, COME ON. 649 00:41:31,744 --> 00:41:35,415 COME ON. THERE YOU GO. 650 00:41:35,415 --> 00:41:37,834 OKAY, YOU CAN, UH, JUST SLEEP WITH ME TONIGHT, 651 00:41:37,834 --> 00:41:39,043 ALL RIGHT? 652 00:41:43,464 --> 00:41:45,383 THERE YOU GO. 653 00:41:45,383 --> 00:41:47,635 THERE. 654 00:41:51,556 --> 00:41:54,434 [ THUMPING ] 655 00:42:35,224 --> 00:42:37,310 [ GASPS, BREATHING HEAVILY ] 656 00:42:40,354 --> 00:42:41,355 AAH! 657 00:42:41,355 --> 00:42:45,193 [ SCREAMING ] 658 00:42:51,240 --> 00:42:52,366 Roger: ANDREA?! 659 00:42:52,366 --> 00:42:53,826 Carolyn: HELP! HELP! HELP! 660 00:42:53,826 --> 00:42:56,412 [ SCREAMING CONTINUES ] 661 00:42:56,412 --> 00:42:59,415 WHO'S IN HERE? ANDREA! 662 00:42:59,415 --> 00:43:00,625 ANDREA?! 663 00:43:00,625 --> 00:43:01,834 IN HERE! 664 00:43:01,834 --> 00:43:03,836 HELP, DADDY! HELP, IT'S ANDREA! 665 00:43:03,836 --> 00:43:06,672 WHO'S IN HERE? WHAT HAPPENED? 666 00:43:06,672 --> 00:43:09,425 WHAT'S WRONG, BABY? 667 00:43:09,425 --> 00:43:11,969 SOMEBODY, GODDAMN IT, TELL ME WHAT'S GOIN' ON HERE?! 668 00:43:15,723 --> 00:43:19,894 Ed: FEAR IS DEFINED AS A FEELING OF AGITATION AND ANXIETY 669 00:43:19,894 --> 00:43:22,897 CAUSED BY THE PRESENCE OR IMMINENCE OF DANGER. 670 00:43:22,897 --> 00:43:25,817 WHETHER IT'S A GHOST, A SPIRIT OR AN ENTITY, 671 00:43:25,817 --> 00:43:26,984 THEY ALL FEED ON IT. 672 00:43:26,984 --> 00:43:28,027 TAKE MAURICE HERE. 673 00:43:28,027 --> 00:43:29,654 HE'S A FRENCH-CANADIAN FARMER 674 00:43:29,654 --> 00:43:32,365 WHO HAD NOTHING MORE THAN A THIRD-GRADE EDUCATION, 675 00:43:32,365 --> 00:43:33,866 YET AFTER HE WAS POSSESSED, 676 00:43:33,866 --> 00:43:35,660 SPOKE SOME OF THE BEST LATIN I'D EVER HEARD. 677 00:43:35,660 --> 00:43:37,161 SOMETIMES BACKWARDS. 678 00:43:37,161 --> 00:43:38,830 HE'D BEEN MOLESTED BY HIS FATHER, 679 00:43:38,830 --> 00:43:41,040 WHO HAD ALSO TORTURED HIM REPEATEDLY. 680 00:43:41,040 --> 00:43:44,669 A DARK SPIRIT MADE ITS HOME IN THIS MAN. 681 00:43:44,669 --> 00:43:47,255 NOW, IF YOU LOOK INTO HIS EYES, 682 00:43:47,255 --> 00:43:50,424 YOU CAN SEE HIM TEARING BLOOD. 683 00:43:50,424 --> 00:43:53,219 [ MEN ON VIDEO SPEAKING INDISTINCTLY ] 684 00:43:56,472 --> 00:43:59,851 AND LIKE THAT, AN UPSIDE-DOWN CROSS 685 00:43:59,851 --> 00:44:02,103 STARTED TO APPEAR FROM WITHIN HIS BODY. 686 00:44:02,103 --> 00:44:05,606 [ STUDENTS GASP ] 687 00:44:05,606 --> 00:44:07,733 ALL RIGHT, DREW, YOU CAN HIT THE LIGHTS. 688 00:44:07,733 --> 00:44:09,235 OH. OH. 689 00:44:09,235 --> 00:44:10,945 Woman: DID YOU PERSONALLY PERFORM THE EXORCISM? 690 00:44:10,945 --> 00:44:14,615 NO, I'M NOT AUTHORIZED. BUT I'VE ASSISTED ON MANY. 691 00:44:14,615 --> 00:44:16,659 SEE, AN EXORCISM CAN BE VERY DANGEROUS, 692 00:44:16,659 --> 00:44:19,287 NOT ONLY FOR THE VICTIM, BUT FOR ANYONE IN THE ROOM. 693 00:44:19,287 --> 00:44:21,622 SO, WHAT HAPPENED TO MAURICE? 694 00:44:21,622 --> 00:44:22,957 WELL, HE TRIED TO KILL HIS WIFE, 695 00:44:22,957 --> 00:44:24,292 BUT INSTEAD HE SHOT HER IN THE ARM 696 00:44:24,292 --> 00:44:25,877 AND THEN HE TURNED THE GUN ON HIMSELF. 697 00:44:25,877 --> 00:44:30,089 MAURICE HAD A VERY TROUBLED LIFE WITH LITTLE TO LIVE FOR 698 00:44:30,089 --> 00:44:33,467 AND NOT EVEN AN EXORCIST COULD BRING HIM BACK. 699 00:44:33,467 --> 00:44:36,721 WHICH BRINGS US TO THE THREE STAGES OF DEMONIC ACTIVITY: 700 00:44:36,721 --> 00:44:39,098 INFESTATION, OPPRESSION AND POSSESSION. 701 00:44:39,098 --> 00:44:43,144 NOW, INFESTATION: THAT'S THE WHISPERING, THE FOOTSTEPS, 702 00:44:43,144 --> 00:44:45,146 THE FEELING OF ANOTHER PRESENCE, 703 00:44:45,146 --> 00:44:48,774 WHICH ULTIMATELY GROWS INTO OPPRESSION, THE SECOND STAGE. 704 00:44:48,774 --> 00:44:51,110 NOW THIS IS WHERE THE VICTIM, AND IT'S USUALLY THE ONE 705 00:44:51,110 --> 00:44:53,029 WHO'S THE MOST PSYCHOLOGICALLY VULNERABLE, 706 00:44:53,029 --> 00:44:56,115 IS TARGETED SPECIFICALLY BY AN EXTERNAL FORCE. 707 00:44:56,115 --> 00:44:59,744 BREAKS THE VICTIM DOWN. CRUSHES THEIR WILL. 708 00:44:59,744 --> 00:45:01,829 AND, ONCE IN A WEAKENED STATE, 709 00:45:01,829 --> 00:45:05,416 LEADS THEM TO THE THIRD AND FINAL STAGE: POSSESSION. 710 00:45:05,416 --> 00:45:07,335 [ BELLS TOLLING ] 711 00:45:07,335 --> 00:45:09,503 HEY, ED? LORRAINE? 712 00:45:09,503 --> 00:45:11,964 THERE'S SOMEONE HERE THAT WOULD LIKE TO TALK TO YOU. 713 00:45:11,964 --> 00:45:13,716 HI. THANKS, DREW. 714 00:45:13,716 --> 00:45:15,092 THANK YOU. SURE. I'LL SEE YOU LATER. 715 00:45:15,092 --> 00:45:16,969 HOW CAN WE HELP YOU? 716 00:45:16,969 --> 00:45:19,472 THERE'S SOMETHING HORRIBLE HAPPENING IN MY HOUSE. 717 00:45:19,472 --> 00:45:21,182 COULD YOU COME AND TAKE A LOOK? 718 00:45:21,182 --> 00:45:22,975 YOU KNOW, UH, IT'S GETTIN' KINDA LATE. 719 00:45:22,975 --> 00:45:24,936 WE REALLY NEED TO BE HEADIN' TO OUR FAMILY. 720 00:45:24,936 --> 00:45:26,062 NO, YOU DON'T UNDERSTAND. 721 00:45:26,062 --> 00:45:27,521 BUT WE DO. 722 00:45:27,521 --> 00:45:29,023 THERE'S USUALLY SOME SORT OF RATIONAL EXPLANATION. 723 00:45:29,023 --> 00:45:30,942 I HAVE FIVE DAUGHTERS WHO ARE SCARED TO DEATH. 724 00:45:30,942 --> 00:45:33,527 I'M SO AFRAID THIS THING WANTS TO HURT US. 725 00:45:33,527 --> 00:45:36,072 YOU HAVE A DAUGHTER. WOULDN'T YOU DO ANYTHING YOU COULD TO PROTECT HER? 726 00:45:36,072 --> 00:45:37,406 PLEASE. 727 00:45:37,406 --> 00:45:39,700 PLEASE CAN YOU COME AND TAKE A LOOK? 728 00:45:42,078 --> 00:45:43,079 OF COURSE WE WILL. 729 00:45:43,079 --> 00:45:46,457 OF COURSE WE WILL. 730 00:45:57,134 --> 00:45:59,470 Marcia: COME ON, JAN! OPEN UP! 731 00:46:00,930 --> 00:46:02,765 JAN, WHAT HAPPENED? 732 00:46:02,765 --> 00:46:04,266 [ KNOCK ON DOOR ] 733 00:46:04,266 --> 00:46:05,810 THE TOP OF YOUR HEAD TURNED BLACK. 734 00:46:05,810 --> 00:46:07,269 Carolyn: HEY. YOU GUYS STRAIGHTEN UP? THANKS. 735 00:46:07,269 --> 00:46:08,437 Jan: DON'T BE SILLY, IT'S A WIG. 736 00:46:08,437 --> 00:46:09,522 [ TV TURNS OFF ] 737 00:46:12,775 --> 00:46:14,610 HELLO. HI. 738 00:46:14,610 --> 00:46:16,696 THANKS FOR COMING. 739 00:46:16,696 --> 00:46:19,198 HI, I'M ROGER. LORRAINE. 740 00:46:19,198 --> 00:46:21,534 HEY, NICE TO MEET YOU, ROGER. ED WARREN. 741 00:46:21,534 --> 00:46:23,494 THANKS FOR COMIN'. PLEASE, COME IN. 742 00:46:23,494 --> 00:46:25,871 THANK YOU. 743 00:46:25,871 --> 00:46:27,498 SO... 744 00:46:27,498 --> 00:46:29,041 OH, MY GOD. LOOK AT YOU ALL. 745 00:46:29,041 --> 00:46:30,918 WHO ARE THESE BEAUTIFUL YOUNG WOMEN? 746 00:46:30,918 --> 00:46:32,086 THIS IS ANDREA, THE OLDEST, 747 00:46:32,086 --> 00:46:36,882 NANCY, CINDY, CHRISTINE, AND APRIL. 748 00:46:36,882 --> 00:46:39,135 IT'S MR. AND MRS. WARREN. 749 00:46:39,135 --> 00:46:41,429 WE, UM, WE'RE ALL SLEEPING DOWN HERE NOW. 750 00:46:41,429 --> 00:46:42,763 MM. 751 00:46:42,763 --> 00:46:45,850 THE GIRLS FEEL SAFER AND IT'S WARMER. 752 00:46:45,850 --> 00:46:47,727 I'M CONSTANTLY TURNING UP THE HEAT, 753 00:46:47,727 --> 00:46:49,478 BUT THE HOUSE IS ALWAYS FREEZING. 754 00:46:49,478 --> 00:46:52,231 Roger: IT'S NOT A PROBLEM WITH THE FURNACE, THOUGH. 755 00:46:52,231 --> 00:46:53,941 I MEAN, NOT THAT I CAN FIND. 756 00:46:58,029 --> 00:47:02,366 IT'S GOTTEN A LOT WORSE THE PAST FEW NIGHTS. 757 00:47:02,366 --> 00:47:06,454 THERE'S THIS AWFUL SMELL, LIKE ROTTING MEAT. 758 00:47:06,454 --> 00:47:07,830 IT MOVES AROUND THE HOUSE. 759 00:47:09,749 --> 00:47:11,917 UH... 760 00:47:11,917 --> 00:47:13,294 WHAT? WHAT IS IT? 761 00:47:13,294 --> 00:47:16,922 WELL, RANCID SMELLS COULD [SIGHS] INDICATE 762 00:47:16,922 --> 00:47:19,383 SOME TYPE OF DEMONIC ACTIVITY. 763 00:47:19,383 --> 00:47:22,428 OH, MY GOD. 764 00:47:25,181 --> 00:47:26,348 Roger: WELL, THAT'S TO KEEP THOSE DOORS 765 00:47:26,348 --> 00:47:27,349 FROM BANGIN' AT NIGHT. 766 00:47:27,349 --> 00:47:29,477 OTHERWISE, IT'S LIKE.... 767 00:47:29,477 --> 00:47:30,978 ALL NIGHT LONG, JUST LIKE THAT. 768 00:47:30,978 --> 00:47:33,481 DOES IT COME IN THREES? 769 00:47:33,481 --> 00:47:34,523 YEAH. 770 00:47:34,523 --> 00:47:35,816 IT STOPS AT DAWN? 771 00:47:35,816 --> 00:47:38,819 UH-HUH. 772 00:47:38,819 --> 00:47:42,281 WELL, SOMETIMES IT'S MEANT AS AN INSULT TO THE TRINITY: 773 00:47:42,281 --> 00:47:44,909 THE FATHER, THE SON AND THE HOLY SPIRIT. 774 00:47:46,577 --> 00:47:48,329 YOU KNOW, IT'S THE DAMNDEST THING, 775 00:47:48,329 --> 00:47:50,081 BUT WE ALSO GET ALL KINDS OF BIRDS 776 00:47:50,081 --> 00:47:52,416 THAT WILL JUST FLY AGAINST THE SIDE OF THE HOUSE 777 00:47:52,416 --> 00:47:54,001 AND BREAK THEIR NECKS. 778 00:47:54,001 --> 00:47:55,169 MM. REALLY? 779 00:47:55,169 --> 00:47:57,797 AND THE CLOCKS STOP AT 3:07 A.M. 780 00:47:57,797 --> 00:48:00,007 ALL OF THEM? EVERY ONE. 781 00:48:03,302 --> 00:48:06,347 OH, WE WERE HANGING THOSE ALONG THE STAIRS. 782 00:48:06,347 --> 00:48:09,183 SOMETHING JUST KEPT KNOCKING THEM DOWN, 783 00:48:09,183 --> 00:48:11,393 SO WE STOPPED HANGING 'EM UP. 784 00:48:14,146 --> 00:48:16,649 THAT'S WHAT I WAS TALKING ABOUT. 785 00:48:16,649 --> 00:48:18,234 IT WAS HERE WHEN WE MOVED IN. 786 00:48:18,234 --> 00:48:20,319 THERE'S ALSO A LOT OF STUFF IN THE CELLAR. 787 00:48:23,697 --> 00:48:25,199 SHOW ME THE CELLAR. 788 00:48:29,286 --> 00:48:32,498 [ INDISTINCT SCREAMING ] 789 00:48:37,294 --> 00:48:40,297 Woman: LOOK WHAT SHE MADE ME DO. 790 00:48:40,297 --> 00:48:42,758 YOU PICKIN' UP ANYTHING IN HERE, HON? 791 00:48:46,262 --> 00:48:48,556 SOMETHIN' AWFUL HAPPENED HERE, ED. 792 00:48:52,893 --> 00:48:56,564 THOSE BRUISES, THEY FROM SOMETHIN' THAT HAPPENED HERE? 793 00:48:56,564 --> 00:48:59,984 OH, IT'S SOME IRON DEFICIENCY THING I HAVE. 794 00:49:02,236 --> 00:49:04,488 YOU KNOW, WITH ALL THAT'S BEEN GOIN' ON, 795 00:49:04,488 --> 00:49:06,115 WHY HAVEN'T YOU JUST MOVED OUT? 796 00:49:06,115 --> 00:49:08,284 WELL, I DON'T KNOW WHERE WE'D MOVE TO, YOU KNOW? 797 00:49:08,284 --> 00:49:10,202 WE GOT ALL OUR MONEY TIED UP IN THIS PLACE 798 00:49:10,202 --> 00:49:13,205 AND HAD A LOT OF REPAIRS ON TOP OF THAT. 799 00:49:13,205 --> 00:49:14,790 AND I DON'T KNOW ANYBODY 800 00:49:14,790 --> 00:49:17,668 WHO'S GONNA TAKE IN A FAMILY OF SEVEN INDEFINITELY. 801 00:49:17,668 --> 00:49:19,670 THAT'S WHY WE TRACKED YOU DOWN. 802 00:49:19,670 --> 00:49:22,131 WE'RE GLAD YOU FOUND US. 803 00:49:22,131 --> 00:49:26,677 ALL RIGHT, LET'S GET STARTED. 804 00:49:26,677 --> 00:49:29,763 MY NAME IS ED WARREN. IT'S NOVEMBER 1st, 1971. 805 00:49:29,763 --> 00:49:32,349 I'M SITTING HERE WITH CAROLYN PERRON, 806 00:49:32,349 --> 00:49:33,809 WHO, WITH HER FAMILY, 807 00:49:33,809 --> 00:49:37,271 HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES. 808 00:49:37,271 --> 00:49:38,522 OKAY, GO AHEAD. 809 00:49:40,399 --> 00:49:42,318 WHERE DO I START? 810 00:49:42,318 --> 00:49:45,029 FROM THE FIRST OCCURRENCE. 811 00:49:45,029 --> 00:49:47,239 I GUESS IT WAS THE CLOCKS. 812 00:49:47,239 --> 00:49:49,366 MOM AND DAD TELL ME THAT YOU HAVE A FRIEND. 813 00:49:49,366 --> 00:49:51,911 HIS NAME'S RORY. HE LIVES HERE TOO. 814 00:49:51,911 --> 00:49:53,746 BUT HE'S ALWAYS SAD. 815 00:49:53,746 --> 00:49:56,081 WHY'S THAT? HE WON'T TELL ME 816 00:49:56,081 --> 00:49:59,210 BUT I THINK SOMETHING BAD HAPPENED TO HIM. 817 00:50:01,378 --> 00:50:04,256 DO YOU MIND IF I TRY TO SEE RORY? 818 00:50:16,143 --> 00:50:19,563 [ GEARS CRANK ] 819 00:50:19,563 --> 00:50:21,440 [ MUSIC BOX PLAYS ] 820 00:51:08,654 --> 00:51:09,822 [ DOOR CLOSES ] 821 00:51:32,678 --> 00:51:34,972 [ SIGHS ] 822 00:51:34,972 --> 00:51:36,015 HEY. 823 00:51:36,015 --> 00:51:38,017 [ CREAKING ] 824 00:51:46,275 --> 00:51:48,235 WHAT IS IT? 825 00:51:48,235 --> 00:51:51,905 [ CREAKING ] 826 00:52:08,797 --> 00:52:10,883 WE BOUGHT IT AT AUCTION FROM THE BANK, 827 00:52:10,883 --> 00:52:13,218 SO, YOU KNOW, WE NEVER KNEW WHO LIVED HERE. 828 00:52:17,348 --> 00:52:19,683 WELL, LORRAINE AND I BOTH FEEL 829 00:52:19,683 --> 00:52:24,271 THAT WHAT YOUR HOUSE NEEDS IS A CLEANSING. 830 00:52:24,271 --> 00:52:25,689 AN EXORCISM. 831 00:52:25,689 --> 00:52:28,692 WHAT, EXORCISM? 832 00:52:30,194 --> 00:52:31,737 I THOUGHT THAT WAS -- 833 00:52:31,737 --> 00:52:33,697 I THOUGHT THAT WAS SOMETHIN' THAT YOU DO TO PEOPLE. 834 00:52:33,697 --> 00:52:35,282 NO, NOT NECESSARILY, NO. 835 00:52:35,282 --> 00:52:37,201 WE HAVE TO GET OUTTA HERE. 836 00:52:37,201 --> 00:52:40,204 I'M AFRAID THAT'S NOT GONNA HELP. 837 00:52:40,204 --> 00:52:45,167 LORRAINE SAW SOMETHIN', WHICH-- GO AHEAD, HON. 838 00:52:47,002 --> 00:52:49,338 I'VE BEEN SEEING THE DARK ENTITY 839 00:52:49,338 --> 00:52:52,049 THAT HAUNTS YOUR HOUSE AND YOUR LAND. 840 00:52:56,428 --> 00:53:00,599 I SAW IT FIRST WHEN I CAME THROUGH YOUR DOOR. 841 00:53:00,599 --> 00:53:02,935 IT WAS LATCHED TO YOUR BACK. 842 00:53:05,187 --> 00:53:07,564 AND THEN I SAW IT AGAIN WITH THE GIRLS 843 00:53:07,564 --> 00:53:10,150 WHEN WE WALKED INTO THE LIVING ROOM. 844 00:53:10,150 --> 00:53:12,694 AND IT DOESN'T MATTER WHERE YOU GO, 845 00:53:12,694 --> 00:53:15,948 THIS DARK ENTITY HAS LATCHED ITSELF TO YOUR FAMILY 846 00:53:15,948 --> 00:53:17,616 AND IT'S FEEDING OFF YOU. 847 00:53:20,577 --> 00:53:23,080 EVEN IF WE LEAVE? 848 00:53:23,080 --> 00:53:25,707 SOMETIMES WHEN YOU GET HAUNTED, IT'S LIKE STEPPIN' ON GUM. 849 00:53:25,707 --> 00:53:28,252 YOU TAKE IT WITH YOU. 850 00:53:28,252 --> 00:53:30,421 Lorraine: LOOK, I GOTTA TELL YOU, 851 00:53:30,421 --> 00:53:32,339 YOU HAVE A LOT OF SPIRITS IN HERE, 852 00:53:32,339 --> 00:53:34,508 BUT THIS IS THE ONE THAT I'M MOST WORRIED ABOUT, 853 00:53:34,508 --> 00:53:37,136 BECAUSE IT IS SO HATEFUL. 854 00:53:37,136 --> 00:53:39,221 OKAY, SO WHAT DO WE DO? 855 00:53:39,221 --> 00:53:40,889 CAN WE CALL A PRIEST? 856 00:53:40,889 --> 00:53:42,599 Ed: I WISH IT WERE THAT EASY. 857 00:53:42,599 --> 00:53:45,102 PERFORMING AN EXORCISM IS AN ARCHAIC PROCEDURE. 858 00:53:45,102 --> 00:53:47,104 REQUIRES YEARS OF TRAINING. 859 00:53:47,104 --> 00:53:51,442 AND EVEN THEN, I HAVE SEEN IT GO HORRIBLY WRONG. 860 00:53:51,442 --> 00:53:53,735 BUT BEFORE WE EVEN GET THAT FAR, 861 00:53:53,735 --> 00:53:55,988 THE CHURCH HAS TO AUTHORIZE IT FIRST. 862 00:53:55,988 --> 00:53:58,615 IT MEANS WE GOTTA INVESTIGATE, GATHER EVIDENCE 863 00:53:58,615 --> 00:54:01,118 AND PROVIDE PROOF, AND THAT'S THE HARD PART. 864 00:54:03,370 --> 00:54:05,038 HAVE YOUR CHILDREN BEEN BAPTIZED? 865 00:54:05,038 --> 00:54:07,040 Roger: UH, NO, WE NEVER GOT AROUND TO THAT. 866 00:54:07,040 --> 00:54:09,543 WE'RE NOT REALLY A CHURCHGOING FAMILY. 867 00:54:09,543 --> 00:54:12,171 WELL, YOU MAY WANT TO RETHINK THAT. 868 00:54:12,171 --> 00:54:14,047 OUR PRESENCE HERE COULD MAKE THINGS WORSE. WHY? 869 00:54:14,047 --> 00:54:15,757 BECAUSE WE'RE A THREAT. 870 00:54:15,757 --> 00:54:19,219 AND WHATEVER YOU'RE DEALING WITH HERE ISN'T GONNA LIKE US. 871 00:54:19,219 --> 00:54:21,305 SO FAR IT HASN'T DONE ANYTHING VIOLENT, 872 00:54:21,305 --> 00:54:22,764 AND THAT'S A GOOD SIGN. 873 00:54:22,764 --> 00:54:24,475 SO WE'RE GONNA HAVE OUR GUY 874 00:54:24,475 --> 00:54:26,101 DO SOME HOMEWORK ON THE PROPERTY, THOUGH, 875 00:54:26,101 --> 00:54:27,311 TO SEE WHAT WE'RE UP AGAINST. 876 00:54:29,146 --> 00:54:32,065 Lorraine: JUDY, WHAT ARE YOU UP TO? 877 00:54:32,065 --> 00:54:33,525 I GOT YOU A PRESENT. 878 00:54:33,525 --> 00:54:34,985 [ GASPS ] 879 00:54:34,985 --> 00:54:38,030 ME AND NANNA GOT THESE AT THE CHURCH'S YARD SALE. 880 00:54:38,030 --> 00:54:39,198 HONEY. 881 00:54:39,198 --> 00:54:40,240 ONE FOR YOU AND ONE FOR ME. 882 00:54:40,240 --> 00:54:41,617 AWW! 883 00:54:41,617 --> 00:54:43,368 SHE PUT A PICTURE OF YOU AND DADDY IN MINE. 884 00:54:43,368 --> 00:54:46,955 NANNA SAID THIS WAY WE'LL ALWAYS BE TOGETHER. 885 00:54:46,955 --> 00:54:49,333 YOU'LL BE WITH ME AND I'LL BE WITH YOU. 886 00:54:52,169 --> 00:54:54,004 I MISS YOU AND DADDY. 887 00:55:04,556 --> 00:55:06,350 HEY, HON. 888 00:55:06,350 --> 00:55:09,561 YUP. 889 00:55:09,561 --> 00:55:11,522 YOU'RE NOT GONNA BELIEVE THIS. 890 00:55:11,522 --> 00:55:13,524 CAROLYN'S VOICE DIDN'T RECORD. 891 00:55:13,524 --> 00:55:14,983 WHAT DO YOU MEAN? 892 00:55:14,983 --> 00:55:17,528 LISTEN. 893 00:55:17,528 --> 00:55:21,114 MY NAME IS ED WARREN. IT'S NOVEMBER 1st, 1971. 894 00:55:21,114 --> 00:55:22,115 I'M SITTING HERE WITH CAROLYN PERRON, 895 00:55:22,115 --> 00:55:23,951 WHO, WITH HER FAMILY, 896 00:55:23,951 --> 00:55:26,078 HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES. 897 00:55:26,078 --> 00:55:28,080 OKAY, GO AHEAD. 898 00:55:30,415 --> 00:55:33,335 FROM THE FIRST OCCURRENCE. 899 00:55:36,880 --> 00:55:39,424 NOTHIN'. THE WHOLE TIME. 900 00:55:39,424 --> 00:55:41,677 I DON'T KNOW. YOU FIND ANYTHING? 901 00:55:41,677 --> 00:55:42,844 LOTS. 902 00:55:42,844 --> 00:55:44,096 I MEAN, IT'S NO WONDER 903 00:55:44,096 --> 00:55:45,806 THEY'RE GOING THROUGH WHAT THEY ARE. 904 00:55:45,806 --> 00:55:48,517 THAT'S THE ORIGINAL FARMHOUSE. 905 00:55:48,517 --> 00:55:52,104 IT WAS BUILT IN 1863 BY A MAN NAMED JEDSON SHERMAN, 906 00:55:52,104 --> 00:55:54,731 WHO WAS MARRIED TO A WOMAN NAMED BATHSHEBA. 907 00:55:54,731 --> 00:55:58,110 ED, SHE'S RELATED TO MARY TOWNE ESTYE. 908 00:55:58,110 --> 00:56:00,320 SHE WAS ONE OF THE WOMEN ACCUSED OF WITCHCRAFT IN SALEM. 909 00:56:00,320 --> 00:56:02,489 SHE WAS HUNG DURING THE TRIALS. WOW. 910 00:56:02,489 --> 00:56:05,576 AFTER BATHSHEBA MARRIED JEDSON, THEY HAD A BABY, 911 00:56:05,576 --> 00:56:07,411 AND WHEN THE BABY WAS 7 DAYS OLD, 912 00:56:07,411 --> 00:56:09,121 JEDSON CAUGHT HER SACRIFICING IT 913 00:56:09,121 --> 00:56:10,664 IN FRONT OF THE FIREPLACE. 914 00:56:10,664 --> 00:56:13,875 SHE RAN OUT TO THAT TREE BY THE DOCK, CLIMBED UP, 915 00:56:13,875 --> 00:56:15,335 PROCLAIMED HER LOVE TO SATAN, 916 00:56:15,335 --> 00:56:17,337 AND CURSED ANYONE WHO TRIED TO TAKE HER LAND, 917 00:56:17,337 --> 00:56:20,924 AND HUNG HERSELF. 918 00:56:20,924 --> 00:56:24,636 TIME OF DEATH WAS PRONOUNCED AT 3:07 IN THE MORNING. 919 00:56:24,636 --> 00:56:27,139 WELL, THAT EXPLAINS A FEW THINGS. 920 00:56:27,139 --> 00:56:29,433 YEAH, SO DOES THIS. 921 00:56:29,433 --> 00:56:32,019 HER LAST NAME'S WALKER. SHE LIVED THERE IN THE '30s. 922 00:56:32,019 --> 00:56:33,312 SHE HAD A BOY NAMED RORY 923 00:56:33,312 --> 00:56:35,230 WHO MYSTERIOUSLY DISAPPEARED IN THE WOODS. 924 00:56:35,230 --> 00:56:37,107 THEN SHE KILLED HERSELF IN THE CELLAR. 925 00:56:37,107 --> 00:56:39,109 AND THAT'S NOT ALL. 926 00:56:41,653 --> 00:56:44,281 SO, WHAT WAS THE ORIGINAL 200-ACRE FARM 927 00:56:44,281 --> 00:56:46,908 HAS SINCE BEEN SUBDIVIDED AND SOLD OFF. 928 00:56:46,908 --> 00:56:49,036 THERE WAS ANOTHER BOY WHO DROWNED IN A POND HERE. 929 00:56:49,036 --> 00:56:50,787 HE LIVED IN A HOUSE OVER HERE. 930 00:56:50,787 --> 00:56:53,165 AND A WOMAN WHO WORKED AS A MAID IN A NEIGHBORING HOME, 931 00:56:53,165 --> 00:56:54,958 SHE COMMITTED SUICIDE TOO. 932 00:56:56,668 --> 00:56:58,503 PEOPLE WHO TOOK HER LAND. 933 00:56:58,503 --> 00:57:00,255 [ TAPE RECORDER CLICKS ] 934 00:57:00,255 --> 00:57:01,423 I'M SITTING HERE WITH CAROLYN PERRON, 935 00:57:01,423 --> 00:57:03,175 WHO, WITH HER FAMILY, 936 00:57:03,175 --> 00:57:06,011 HAS BEEN EXPERIENCING SUPERNATURAL OCCURRENCES. 937 00:57:06,011 --> 00:57:08,680 OKAY, GO AHEAD. 938 00:57:08,680 --> 00:57:11,058 [ STATIC, MOANING ] 939 00:57:11,058 --> 00:57:14,186 FROM THE FIRST OCCURRENCE. 940 00:57:14,186 --> 00:57:18,398 [ STATIC, MOANING CONTINUE ] 941 00:57:47,594 --> 00:57:49,471 [ ENGINE REVS ] 942 00:57:49,471 --> 00:57:51,682 OH. HERE'S BRAD. 943 00:57:51,682 --> 00:57:54,726 [ ENGINE SHUTS OFF ] 944 00:57:54,726 --> 00:57:56,186 YOU FIND IT OKAY? Brad: OH, YEAH. 945 00:57:56,186 --> 00:57:57,854 DREW, THIS IS OFFICER BRAD. 946 00:57:57,854 --> 00:58:00,982 OFFICER BRAD HAMILTON, HARRISVILLE, RHODE ISLAND, PD. 947 00:58:00,982 --> 00:58:02,734 MM. NICE TO MEET YOU, MAN. 948 00:58:02,734 --> 00:58:04,820 SO YOU'RE THE LUCKY NEW COP, HUH? 949 00:58:04,820 --> 00:58:06,113 GUESS SO. 950 00:58:06,113 --> 00:58:08,031 YOU KNOW YOU CAN'T SHOOT GHOSTS, RIGHT? 951 00:58:08,031 --> 00:58:09,449 TAKE IT EASY ON HIM, DREW. 952 00:58:09,449 --> 00:58:11,493 ALL RIGHT, GUYS, HELP ME GET THIS STUFF UNLOADED. 953 00:58:11,493 --> 00:58:13,161 [ DEAD MAN'S BONES' "IN THE ROOM WHERE YOU SLEEP" PLAYS ] 954 00:58:13,161 --> 00:58:14,955 YOU TAKE THIS. 955 00:58:14,955 --> 00:58:17,207 HI, ROGER. 956 00:58:21,962 --> 00:58:24,089 ALL RIGHT. WHEN YOU'RE FINISHED HERE, 957 00:58:24,089 --> 00:58:26,299 WHY DON'T YOU HIT UPSTAIRS, ALL RIGHT, DREW? 958 00:58:26,299 --> 00:58:27,718 YOU GOT IT. 959 00:58:27,718 --> 00:58:32,431 ♪ I SAW SOMETHING SITTING ON YOUR BED ♪ 960 00:58:32,431 --> 00:58:37,769 ♪ I SAW SOMETHING TOUCHING YOUR HEAD ♪ 961 00:58:37,769 --> 00:58:39,020 [ BELL JINGLES ] 962 00:58:39,020 --> 00:58:41,940 ♪ IN THE ROOM WHERE YOU SLEEP ♪ 963 00:58:41,940 --> 00:58:44,818 ♪ IN THE ROOM WHERE YOU SLEEP ♪ 964 00:58:44,818 --> 00:58:47,821 ♪ WHERE YOU SLEEP ♪ 965 00:58:51,116 --> 00:58:52,868 Ed: WHAT'S WRONG WITH YOUR CHEVY? 966 00:58:52,868 --> 00:58:54,953 WHAT'S NOT WRONG WITH HER? 967 00:58:54,953 --> 00:58:56,663 NEEDS A NEW CARBURETOR TO START. 968 00:58:56,663 --> 00:58:58,248 OH, YEAH? 969 00:58:58,248 --> 00:59:00,625 KIND OF PUT FIXING HER UP ON HOLD FOR AWHILE. 970 00:59:00,625 --> 00:59:02,669 YEAH. 971 00:59:04,171 --> 00:59:06,465 HEY, BRAD, HAND ME A THERMOSTAT, WOULD YA? 972 00:59:08,633 --> 00:59:11,470 WHAT'S THIS, UH, DO? 973 00:59:11,470 --> 00:59:13,346 WELL, WHEN THERE'S AN INSTANT DROP IN TEMPERATURE, 974 00:59:13,346 --> 00:59:15,307 THE THERMOSTAT TRIGGERS THE CAMERA TO TAKE A PICTURE. 975 00:59:15,307 --> 00:59:18,435 YOU'VE ACTUALLY CAUGHT THINGS ON FILM? 976 00:59:18,435 --> 00:59:21,688 WELL, YEAH, THAT'S, UH, THE POINT. 977 00:59:21,688 --> 00:59:25,150 WHY, UH...WHY OUT HERE? 978 00:59:25,150 --> 00:59:28,487 WELL, THIS IS WHERE THE WITCH COMMITTED SUICIDE. 979 00:59:28,487 --> 00:59:30,447 SHE HUNG HERSELF FROM THAT BRANCH 980 00:59:30,447 --> 00:59:32,449 RIGHT ABOVE WHERE YOU'RE STANDIN'. 981 00:59:38,747 --> 00:59:41,208 Carolyn: HOW COULD A MOTHER KILL HER OWN CHILD? 982 00:59:41,208 --> 00:59:43,126 IT WAS NEVER A CHILD TO HER. 983 00:59:43,126 --> 00:59:45,295 SHE JUST USED HER GOD-GIVEN GIFT 984 00:59:45,295 --> 00:59:47,631 AS THE ULTIMATE OFFENSE AGAINST HIM. 985 00:59:47,631 --> 00:59:49,633 WITCHES BELIEVE IT ELEVATES THEIR STATUS 986 00:59:49,633 --> 00:59:50,717 IN THE EYES OF SATAN. 987 00:59:55,722 --> 00:59:59,059 [ CHILDREN LAUGHING ] 988 00:59:59,059 --> 01:00:00,769 MM. 989 01:00:00,769 --> 01:00:02,521 WOW. [ CHUCKLES ] 990 01:00:02,521 --> 01:00:04,356 THAT'S A NICE DAY AT THE BEACH, HUH? 991 01:00:04,356 --> 01:00:06,691 HOW DID YOU KNOW? 992 01:00:06,691 --> 01:00:08,026 IT'S AN INSIGHT. 993 01:00:08,026 --> 01:00:09,820 IT'S LIKE A PEEK THROUGH THE CURTAIN 994 01:00:09,820 --> 01:00:11,071 INTO ANOTHER PERSON'S LIFE. 995 01:00:11,071 --> 01:00:13,365 MM. 996 01:00:13,365 --> 01:00:15,158 MM. 997 01:00:15,158 --> 01:00:17,619 THAT DAY MEANT SO MUCH TO ME. 998 01:00:17,619 --> 01:00:19,287 WE WERE DRIVING ALONG THE COAST. 999 01:00:19,287 --> 01:00:22,290 NANCY POINTED OUT HOW PRETTY THE VIEW WAS. 1000 01:00:22,290 --> 01:00:25,627 I THOUGHT THIS IS A PERFECT OPPORTUNITY FOR A PHOTO. 1001 01:00:25,627 --> 01:00:27,420 WE WERE GONNA START FRESH, YOU KNOW? 1002 01:00:27,420 --> 01:00:28,922 A NEW HOUSE, A NEW BEGINNING. 1003 01:00:28,922 --> 01:00:30,757 YOU SHOULD HAVE SEEN ROGER AND THE GIRLS. 1004 01:00:30,757 --> 01:00:32,008 I'VE NEVER SEEN THEM SO HAPPY. 1005 01:00:32,008 --> 01:00:33,718 All: CHEESE! 1006 01:00:33,718 --> 01:00:37,097 THEY MEAN THE WORLD TO ME. 1007 01:00:40,058 --> 01:00:43,436 [ SIGHS ] 1008 01:00:47,983 --> 01:00:51,278 PUT YOUR HAND FLAT ON THE DESK. 1009 01:00:51,278 --> 01:00:52,863 YEAH, AND TAKE IT OFF. 1010 01:00:56,032 --> 01:00:57,075 HERE WE GO. 1011 01:01:02,163 --> 01:01:03,665 SEE? 1012 01:01:03,665 --> 01:01:06,251 IT JUST REVEALS TO US WHAT THE NAKED EYE CAN'T SEE. 1013 01:01:06,251 --> 01:01:08,336 PRETTY FAR OUT, ISN'T IT? 1014 01:01:08,336 --> 01:01:11,381 YEAH, IT'S GROOVY. 1015 01:01:16,136 --> 01:01:18,305 DREW, YOU GOT THE BOLEX READY FOR BRAD? 1016 01:01:18,305 --> 01:01:21,683 YEAH, ALREADY LOCKED AND LOADED, SIR. 1017 01:01:21,683 --> 01:01:24,185 [ BELL JINGLES ] 1018 01:01:24,185 --> 01:01:26,354 [ DOOR CREAKS ] 1019 01:01:31,610 --> 01:01:33,069 [ TOILET FLUSHES ] 1020 01:01:33,069 --> 01:01:35,196 [ BELL JINGLES ] 1021 01:01:38,241 --> 01:01:41,870 WHAT? I HAD TO GO. 1022 01:02:03,892 --> 01:02:06,311 ALL THE ROOMS ARE COMING IN PRETTY GOOD. 1023 01:02:06,311 --> 01:02:08,021 GOOD. 1024 01:02:11,691 --> 01:02:13,109 [ SIGHS ] 1025 01:02:13,109 --> 01:02:15,695 WHAT'S IN THE BOTTLE? 1026 01:02:15,695 --> 01:02:16,738 HOLY WATER. 1027 01:02:18,823 --> 01:02:20,951 PRESENCE OF RELIGIOUS ICONS 1028 01:02:20,951 --> 01:02:23,995 WILL GET A REACTION FROM ANYTHING UNHOLY. 1029 01:02:26,164 --> 01:02:29,584 SORT OF PISSES THEM OFF. 1030 01:02:29,584 --> 01:02:31,962 SO I SET THESE THROUGHOUT THE HOUSE, 1031 01:02:31,962 --> 01:02:34,255 SEE IF I CAN STIR THINGS UP A BIT. 1032 01:02:34,255 --> 01:02:37,258 LIKE HOLDING A CROSS TO A VAMPIRE? 1033 01:02:37,258 --> 01:02:39,803 YEAH. EXACTLY. 1034 01:02:39,803 --> 01:02:42,847 EXCEPT I DON'T BELIEVE IN VAMPIRES. 1035 01:02:42,847 --> 01:02:44,349 [ BELL JINGLES ] 1036 01:02:47,060 --> 01:02:55,819 WASN'T ME. 1037 01:02:55,819 --> 01:02:58,113 [ DOOR CREAKS ] 1038 01:02:59,239 --> 01:03:02,075 [ CAMERA SHUTTER CLICKS ] 1039 01:03:02,075 --> 01:03:04,244 Ed: BRAD, GET THE CAMERA. 1040 01:03:08,164 --> 01:03:09,499 OKAY. 1041 01:03:15,046 --> 01:03:17,632 ALL RIGHT, IT'S 9:18, WE'RE HEADED DOWN INTO THE CELLAR 1042 01:03:17,632 --> 01:03:19,592 WHERE THE DOOR'S JUST OPENED ON ITS OWN. 1043 01:03:19,592 --> 01:03:23,346 I HAVE LORRAINE AND OFFICER BRAD HAMILTON WITH ME. 1044 01:03:23,346 --> 01:03:25,140 LET'S KEEP THE CELLAR LIGHT OFF. 1045 01:03:39,529 --> 01:03:42,240 GIVE US A SIGN THAT YOU WANNA COMMUNICATE WITH US. 1046 01:03:46,494 --> 01:03:48,663 [ WATER RUNNING IN PIPES ] 1047 01:04:10,643 --> 01:04:12,854 HON, YOU ALL RIGHT? 1048 01:04:16,900 --> 01:04:20,570 THERE'S DEFINITELY SOMETHING HERE. 1049 01:04:20,570 --> 01:04:22,113 ALL RIGHT, CLOSE THE DOOR. MOVE SOMETHING. 1050 01:04:22,113 --> 01:04:23,573 MY HANDS ARE SO COLD. 1051 01:04:25,950 --> 01:04:26,951 COME ON. 1052 01:04:32,082 --> 01:04:33,583 NO. 1053 01:04:33,583 --> 01:04:34,918 IT'S GONE? 1054 01:04:34,918 --> 01:04:35,960 IT'S GONE. 1055 01:04:35,960 --> 01:04:38,296 I GOT NOTHIN'. OKAY. 1056 01:04:43,551 --> 01:04:45,220 [ STAIRS CREAKING ] 1057 01:04:48,348 --> 01:04:49,808 [ THUMP ] 1058 01:04:59,192 --> 01:05:00,485 WELL, LIKE I SAID, 1059 01:05:00,485 --> 01:05:03,238 IT DOESN'T ALWAYS WORK WHEN YOU WANT IT TO. 1060 01:05:03,238 --> 01:05:06,157 YEAH, MAYBE THE CAMERA PICKED SOMETHIN' UP. 1061 01:05:06,157 --> 01:05:08,493 [ DOOR CREAKS, SLAMS ] WATCH OUT! 1062 01:05:11,246 --> 01:05:12,997 Drew: FOR A GUY WHO DOESN'T BELIEVE, 1063 01:05:12,997 --> 01:05:14,791 YOU LOOKED A LITTLE FREAKED OUT 1064 01:05:14,791 --> 01:05:16,292 WHEN THAT DOOR SLAMMED SHUT. 1065 01:05:19,254 --> 01:05:22,340 IT MUST HAVE BEEN A DRAFT. 1066 01:05:22,340 --> 01:05:23,883 OH, THAT'S FUNNY. 1067 01:05:23,883 --> 01:05:27,512 A DRAFT NEVER PUT THAT LOOK ON MY FACE BEFORE. 1068 01:05:29,180 --> 01:05:32,642 I BELIEVE THE CLOCK. 1069 01:05:32,642 --> 01:05:34,477 IT'S 3:08. 1070 01:05:40,275 --> 01:05:43,027 [ INDISTINCT CONVERSATIONS ] 1071 01:05:45,780 --> 01:05:47,574 FOR YOU. 1072 01:05:47,574 --> 01:05:49,993 Roger: I THINK I MIGHT TAKE SOME GIRLS FOR ICE CREAM LATER ON. 1073 01:05:49,993 --> 01:05:51,494 WHAT DO YOU SAY ABOUT THAT? 1074 01:05:51,494 --> 01:05:53,079 YEAH! YES! 1075 01:05:53,079 --> 01:05:54,914 HONEY, YOU WANNA COME? NO, I'M -- I'M EXHAUSTED. 1076 01:05:54,914 --> 01:05:56,416 I'M JUST GONNA TAKE A NAP. 1077 01:05:56,416 --> 01:05:58,168 THE LATE NIGHTS ARE -- THEY'RE GETTIN' TO ME. 1078 01:05:58,168 --> 01:05:59,961 THAT'S PROBABLY A GOOD IDEA. WHY DON'T YOU GET SOME REST. 1079 01:05:59,961 --> 01:06:01,671 LORRAINE AND I'LL WATCH OVER THINGS FOR A BIT. REALLY? 1080 01:06:01,671 --> 01:06:03,673 Brad: I'M GONNA TAKE OFF. 1081 01:06:03,673 --> 01:06:05,300 I HAVE A SHIFT STARTING IN AN HOUR. 1082 01:06:05,300 --> 01:06:07,635 [ SIGHS ] THE HOUSE HASN'T FELT LIKE THIS IN A LONG TIME. 1083 01:06:07,635 --> 01:06:10,680 I THINK THE KIDS FEEL A LOT SAFER WITH YOU AROUND. 1084 01:06:13,391 --> 01:06:15,143 I COULD GET USED TO THIS. 1085 01:06:15,143 --> 01:06:16,769 WHAT, ME DOING LAUNDRY? 1086 01:06:16,769 --> 01:06:18,771 [ LAUGHS ] 1087 01:06:18,771 --> 01:06:21,191 YOU'RE FUNNY. 1088 01:06:21,191 --> 01:06:23,067 NO, THIS PLACE. 1089 01:06:23,067 --> 01:06:24,527 NICE, FRESH COUNTRY AIR. 1090 01:06:24,527 --> 01:06:27,363 [ SIGHS ] 1091 01:06:27,363 --> 01:06:28,990 MM. 1092 01:06:28,990 --> 01:06:31,701 THEY HAVE SUCH A BEAUTIFUL FAMILY, DON'T THEY? 1093 01:06:31,701 --> 01:06:34,495 YEAH, THAT LITTLE ONE, APRIL, 1094 01:06:34,495 --> 01:06:36,247 DID YOU SEE HER BRING ME PANCAKES? YEAH. [ CHUCKLES ] 1095 01:06:41,502 --> 01:06:44,380 WE'VE GOTTA HELP THEM. 1096 01:06:44,380 --> 01:06:46,257 I KNOW. 1097 01:06:46,257 --> 01:06:47,550 I'LL START WITH THE CHEVY. 1098 01:06:47,550 --> 01:06:48,843 [ BOTH LAUGH ] 1099 01:06:57,060 --> 01:07:00,104 [ WIND CHIME JINGLES ] 1100 01:07:00,104 --> 01:07:03,191 [ SWING CREAKS ] 1101 01:07:03,191 --> 01:07:05,193 [ WIND HOWLING ] 1102 01:07:22,627 --> 01:07:25,588 [ LEAVES RUSTLE ] 1103 01:07:54,284 --> 01:07:56,828 AAH! 1104 01:07:56,828 --> 01:07:58,830 [ GASPING ] 1105 01:08:01,958 --> 01:08:04,877 [ GROWLS ] [ GAGGING ] 1106 01:08:11,009 --> 01:08:13,469 CAROLYN! 1107 01:08:13,469 --> 01:08:14,470 ARE YOU OKAY?! 1108 01:08:14,470 --> 01:08:15,847 CAROLYN, OPEN THE DOOR. 1109 01:08:15,847 --> 01:08:17,015 CAROLYN, OPEN UP! 1110 01:08:17,015 --> 01:08:18,558 [ COUGHING, GAGGING ] 1111 01:08:23,271 --> 01:08:25,273 ARE YOU OKAY? 1112 01:08:25,273 --> 01:08:26,691 OH, I'M FINE. ARE YOU SICK? 1113 01:08:26,691 --> 01:08:28,192 I WOKE UP JUST FEELING A LITTLE NAUSEOUS, 1114 01:08:28,192 --> 01:08:29,485 THAT'S ALL. I THOUGHT I SAW-- 1115 01:08:29,485 --> 01:08:31,988 I HEAR ROGER AND THE GIRLS. 1116 01:08:31,988 --> 01:08:33,281 ONE MINUTE. 1117 01:08:36,701 --> 01:08:38,619 [ LAUGHTER ] 1118 01:08:38,619 --> 01:08:41,122 [ INDISTINCT CONVERSATION ] 1119 01:08:45,001 --> 01:08:46,919 April: HEY, GUYS, DO YOU WANNA PLAY A GAME? 1120 01:08:46,919 --> 01:08:48,338 Cindy: BORING! THANK YOU, DADDY. 1121 01:08:48,338 --> 01:08:51,382 LET'S GO PLAY! Nancy: LET'S GO INSIDE. 1122 01:08:54,969 --> 01:08:56,679 Roger: I THOUGHT THAT WAS YOU. 1123 01:08:56,679 --> 01:08:57,930 HEY, I HOPE YOU DON'T MIND. 1124 01:08:57,930 --> 01:08:59,307 I GOT A GOOD DEAL ON A REBUILD 1125 01:08:59,307 --> 01:09:00,892 AT THAT WRECKING YARD IN SMITHFIELD. 1126 01:09:00,892 --> 01:09:02,643 NO, YOU LOOK LIKE YOU KNOW WHAT YOU'RE DOIN'. 1127 01:09:02,643 --> 01:09:03,728 YEAH, WE'LL SEE. 1128 01:09:07,190 --> 01:09:08,816 GOT A NICE PLACE HERE, ROGER. 1129 01:09:08,816 --> 01:09:11,194 LORRAINE AND I ALWAYS WANTED A SPOT IN THE COUNTRY. 1130 01:09:11,194 --> 01:09:13,738 I'LL SELL YOU THIS ONE. [ LAUGHS ] 1131 01:09:13,738 --> 01:09:16,366 HEY, HAND ME A WRENCH, WOULD YA? 1132 01:09:18,910 --> 01:09:23,539 HEY, UH, IT REALLY MEANS A LOT TO US TO HAVE YOU HERE. 1133 01:09:23,539 --> 01:09:27,627 I GOTTA ADMIT, I WAS A LITTLE BIT SKEPTICAL GOING IN. 1134 01:09:27,627 --> 01:09:29,545 JUST WANNA SAY THANK YOU, THOUGH, 1135 01:09:29,545 --> 01:09:31,089 FOR COMIN' OUT WHEN YOU DID. 1136 01:09:32,840 --> 01:09:34,384 I CAN'T TAKE THE CREDIT. 1137 01:09:34,384 --> 01:09:36,552 THAT'S, UH, THAT'S ALL LORRAINE. 1138 01:09:36,552 --> 01:09:38,012 I DIDN'T WANT TO. 1139 01:09:38,012 --> 01:09:39,347 OH. WHY'S THAT? 1140 01:09:42,558 --> 01:09:46,104 WHATEVER LORRAINE SEES, FEELS, TOUCHES, IT HELPS PEOPLE. 1141 01:09:46,104 --> 01:09:48,648 BUT IT ALSO TAKES A TOLL ON HER. 1142 01:09:48,648 --> 01:09:52,276 LITTLE PIECE EACH TIME. 1143 01:09:52,276 --> 01:09:56,406 COUPLE MONTHS AGO WE WERE WORKIN' ON A CASE. 1144 01:09:56,406 --> 01:09:59,784 SHE SAW SOMETHIN'. 1145 01:09:59,784 --> 01:10:02,078 [ SPEAKING LATIN ] 1146 01:10:08,584 --> 01:10:09,836 AAH! 1147 01:10:09,836 --> 01:10:12,046 IT TOOK A REAL BIG PIECE. 1148 01:10:13,840 --> 01:10:17,009 WHEN WE GOT HOME, SHE WENT INTO OUR ROOM, 1149 01:10:17,009 --> 01:10:20,346 LOCKED HERSELF IN, DIDN'T TALK, DIDN'T EAT, 1150 01:10:20,346 --> 01:10:22,598 DIDN'T COME OUT FOR EIGHT DAYS. 1151 01:10:22,598 --> 01:10:24,142 WHAT'D SHE SEE? 1152 01:10:24,142 --> 01:10:26,978 AAH! 1153 01:10:26,978 --> 01:10:28,146 GET OUTTA HERE! 1154 01:10:28,146 --> 01:10:30,898 I DON'T KNOW. 1155 01:10:30,898 --> 01:10:33,276 AND I WON'T ASK. 1156 01:10:40,199 --> 01:10:42,285 [ SIGHS ] 1157 01:10:46,456 --> 01:10:50,126 [ SIGHS ] 1158 01:10:50,126 --> 01:10:52,962 I NEED TO RELOAD. YOU WANT SOME? 1159 01:10:52,962 --> 01:10:56,090 I'M GOOD, THANKS. 1160 01:10:56,090 --> 01:10:57,550 ALL RIGHT. 1161 01:11:42,053 --> 01:11:44,055 Woman: LOOK WHAT SHE MADE ME DO. 1162 01:12:23,594 --> 01:12:25,012 [ GASPS ] 1163 01:12:27,390 --> 01:12:30,017 LOOK WHAT SHE MADE ME DO. 1164 01:12:31,978 --> 01:12:33,604 HEY. 1165 01:12:41,195 --> 01:12:42,446 ED? 1166 01:12:42,446 --> 01:12:45,199 LOOK WHAT SHE MADE ME DO! 1167 01:12:45,199 --> 01:12:47,868 ED! ED! 1168 01:12:47,868 --> 01:12:50,788 ED! 1169 01:12:50,788 --> 01:12:51,998 Drew: DUDE, YOU OKAY? 1170 01:12:51,998 --> 01:12:53,583 HOLD UP, BRAD. WHAT'S GOING ON? 1171 01:12:53,583 --> 01:12:54,917 I SAW SOMEONE. 1172 01:12:54,917 --> 01:12:56,752 THERE WAS A WOMAN DRESSED AS A MAID. 1173 01:12:56,752 --> 01:12:57,878 [ BREATHING HEAVILY ] 1174 01:12:57,878 --> 01:13:00,423 [ CAMERA SHUTTER CLICKS ] 1175 01:13:00,423 --> 01:13:02,341 ED? ED, WE'RE GETTING SOMETHING. 1176 01:13:07,805 --> 01:13:09,432 Roger: IT'S JUST CINDY. SHE'S SLEEPWALKING. 1177 01:13:09,432 --> 01:13:10,683 NO, NO, NO, NO, WAIT, WAIT, WAIT. WE NEED THIS. 1178 01:13:10,683 --> 01:13:11,934 WHY DO WE NEED PICTURES OF CINDY? 1179 01:13:11,934 --> 01:13:13,019 [ CAMERA SHUTTER CLICKS ] 1180 01:13:13,019 --> 01:13:14,312 SHE DIDN'T TRIGGER IT. 1181 01:13:14,312 --> 01:13:15,980 WHAT DO YOU MEAN SHE DIDN'T TRIGGER IT? 1182 01:13:15,980 --> 01:13:17,481 SOMEBODY'S WITH HER. 1183 01:13:19,609 --> 01:13:23,237 WHO? 1184 01:13:25,072 --> 01:13:26,324 [ DOOR CREAKS, SLAMS ] 1185 01:13:26,324 --> 01:13:28,367 CINDY! 1186 01:13:30,036 --> 01:13:32,204 [ CAMERA SHUTTER CLICKING ] CINDY! 1187 01:13:36,292 --> 01:13:37,460 [ GRUNTING ] 1188 01:13:39,587 --> 01:13:42,798 CINDY! Rory: HEY, OVER HERE. IT'S SAFE. 1189 01:13:42,798 --> 01:13:46,052 THERE'S SOMEONE ELSE IN THERE WITH HER. 1190 01:13:46,052 --> 01:13:47,803 I'M HEARING ANOTHER VOICE. HERE, LISTEN. 1191 01:13:53,059 --> 01:13:55,436 FOLLOW ME. THIS WAY. 1192 01:13:55,436 --> 01:13:58,064 THIS IS WHERE I HIDE. 1193 01:14:03,694 --> 01:14:06,197 CINDY? 1194 01:14:06,197 --> 01:14:08,199 CINDY? 1195 01:14:10,576 --> 01:14:11,869 WHERE'D SHE GO, ED? 1196 01:14:11,869 --> 01:14:13,412 WINDOWS ARE LOCKED. 1197 01:14:16,290 --> 01:14:18,334 ED, WHERE'D SHE GO?! 1198 01:14:20,336 --> 01:14:21,837 BRAD, GET THE UV LIGHT. 1199 01:14:21,837 --> 01:14:24,465 THE WHAT? JUST ASK DREW. 1200 01:14:24,465 --> 01:14:27,551 DREW, I NEED A UV LIGHT. 1201 01:14:27,551 --> 01:14:29,595 UH...HERE, THAT'S IT. GO, GO, GO, GO! 1202 01:14:36,310 --> 01:14:38,020 TURN OFF THE LIGHT. 1203 01:14:41,107 --> 01:14:42,441 GET OUT OF THE WAY. 1204 01:14:46,070 --> 01:14:47,279 OKAY. 1205 01:14:47,279 --> 01:14:50,074 [ BREATHING HEAVILY ] 1206 01:15:03,421 --> 01:15:04,672 [ CREAKING ] 1207 01:15:14,056 --> 01:15:16,058 [ THUMPING ] 1208 01:15:16,058 --> 01:15:17,351 HIT THE LIGHTS! 1209 01:15:29,655 --> 01:15:31,198 FOUND HER. 1210 01:15:33,200 --> 01:15:34,452 HERE WE GO. 1211 01:15:34,452 --> 01:15:37,913 ALL RIGHT. YOU GOT HER? YEAH. 1212 01:15:37,913 --> 01:15:39,039 [ SIGHS ] 1213 01:15:48,382 --> 01:15:51,802 THAT'S WHERE RORY HIDES WHEN HE'S AFRAID. 1214 01:15:56,640 --> 01:15:58,851 [ CREAKING ] 1215 01:16:06,734 --> 01:16:08,861 [ SIGHS ] 1216 01:16:16,827 --> 01:16:18,120 HON? 1217 01:16:18,120 --> 01:16:20,623 COULD I HAVE APRIL'S MUSIC BOX PLEASE? 1218 01:16:20,623 --> 01:16:21,624 YEAH. 1219 01:16:23,626 --> 01:16:24,752 HOW'S CINDY? 1220 01:16:24,752 --> 01:16:25,920 SHE DOESN'T REMEMBER A THING. 1221 01:16:29,089 --> 01:16:31,258 THERE YOU GO. 1222 01:16:31,258 --> 01:16:32,384 THANK YOU. 1223 01:17:08,379 --> 01:17:10,172 AAH! 1224 01:17:10,172 --> 01:17:12,424 LORRAINE! 1225 01:17:12,424 --> 01:17:14,093 [ CLATTERING ] 1226 01:17:14,093 --> 01:17:15,386 [ GROANS ] 1227 01:17:15,386 --> 01:17:17,680 NO. 1228 01:17:29,817 --> 01:17:31,318 LORRAINE! 1229 01:17:31,318 --> 01:17:32,862 LORRAINE! 1230 01:17:36,782 --> 01:17:38,868 LORRAINE! 1231 01:17:38,868 --> 01:17:39,994 LORRAINE! 1232 01:17:39,994 --> 01:17:42,538 [ GROANS SOFTLY ] 1233 01:18:00,306 --> 01:18:03,642 [ WOMAN WEEPING ] 1234 01:18:06,353 --> 01:18:07,563 [ MUSIC BOX TINKS ] 1235 01:18:13,903 --> 01:18:15,404 [ GEARS CRANK ] 1236 01:18:15,404 --> 01:18:17,865 [ MUSIC BOX PLAYS ] 1237 01:18:25,581 --> 01:18:27,166 [ WOMAN WEEPING ] 1238 01:18:31,837 --> 01:18:35,299 [ Crying ] SHE MADE ME DO IT. 1239 01:18:35,299 --> 01:18:39,553 SHE MADE ME DO IT. 1240 01:18:58,447 --> 01:18:59,740 [ GASPS ] 1241 01:18:59,740 --> 01:19:02,910 SHE MADE ME DO IT. 1242 01:19:05,829 --> 01:19:07,289 [ CREAKING ] 1243 01:19:22,262 --> 01:19:25,265 [ GASPS ] 1244 01:19:25,265 --> 01:19:28,560 [ ROPE CREAKING ] 1245 01:19:28,560 --> 01:19:30,521 [ BREATHING HEAVILY ] 1246 01:19:40,656 --> 01:19:43,492 AAH! AAH! 1247 01:19:43,492 --> 01:19:46,036 AAH! 1248 01:19:46,036 --> 01:19:47,204 ED! 1249 01:19:47,204 --> 01:19:49,206 COME ON! LORRAINE! 1250 01:19:49,206 --> 01:19:50,416 [ KNOCK ON DOOR ] 1251 01:19:50,416 --> 01:19:51,542 Lorraine: ED! 1252 01:19:56,088 --> 01:19:58,841 ED! 1253 01:19:58,841 --> 01:20:00,759 ED, I KNOW WHAT SHE DID. 1254 01:20:00,759 --> 01:20:03,470 I GOT YA. I KNOW WHAT SHE DID. 1255 01:20:03,470 --> 01:20:04,847 I KNOW WHAT SHE DID. WHAT? 1256 01:20:04,847 --> 01:20:06,724 SHE POSSESSED THE MOTHER TO KILL THE CHILD. 1257 01:20:06,724 --> 01:20:08,058 SHE VISITS CAROLYN EVERY NIGHT. 1258 01:20:08,058 --> 01:20:09,435 THAT'S WHAT THE BRUISE MARKS ARE! 1259 01:20:09,435 --> 01:20:11,603 SHE'S FEEDING OFF OF HER! 1260 01:20:11,603 --> 01:20:13,188 [ RATTLING ] 1261 01:20:24,033 --> 01:20:27,202 UH...NANCY? 1262 01:20:29,747 --> 01:20:34,168 [ ALL SCREAM ] 1263 01:20:34,168 --> 01:20:35,461 ARE YOU OKAY? 1264 01:20:35,461 --> 01:20:37,004 NANCY! 1265 01:20:37,004 --> 01:20:38,422 [ ALL SCREAMING ] 1266 01:20:38,422 --> 01:20:42,009 GRAB HER! 1267 01:20:42,009 --> 01:20:44,178 Nancy: DADDY! HELP! 1268 01:20:44,178 --> 01:20:45,429 Carolyn: NANCY! 1269 01:20:52,603 --> 01:20:53,812 IS SHE OKAY? 1270 01:20:53,812 --> 01:20:55,314 [ CRYING ] IT'S OKAY, I GOT YOU. 1271 01:20:55,314 --> 01:20:56,398 D'YOU GET THAT? 1272 01:20:56,398 --> 01:20:59,818 YEAH. 1273 01:21:01,820 --> 01:21:04,281 I'LL HAVE THE FOOTAGE DEVELOPED 1274 01:21:04,281 --> 01:21:05,866 AND GET IT OVER TO FATHER GORDON. 1275 01:21:05,866 --> 01:21:07,409 HE'S OUR LIAISON AT THE CHURCH. 1276 01:21:07,409 --> 01:21:10,204 I IMAGINE WE'LL GET A PRETTY FAST RESPONSE. 1277 01:21:10,204 --> 01:21:12,706 LISTEN, ROGER? YEAH? 1278 01:21:12,706 --> 01:21:15,042 LISTEN, WHEN WE GET THE EXORCIST, I'LL BE BACK. 1279 01:21:15,042 --> 01:21:16,752 BUT LORRAINE-- YEAH, I UNDERSTAND. 1280 01:21:16,752 --> 01:21:18,754 UNTIL THEN DREW'S GONNA KEEP AN EYE ON YOU. 1281 01:21:18,754 --> 01:21:20,380 HEY, ED, THANK YOU FOR EVERYTHING. 1282 01:21:20,380 --> 01:21:21,507 YEAH. 1283 01:21:21,507 --> 01:21:25,761 Judy: MOMMY? 1284 01:21:25,761 --> 01:21:27,054 [ CAR DOORS SHUTTING ] 1285 01:21:27,054 --> 01:21:28,180 THAT'S EVERYTHING. 1286 01:21:39,983 --> 01:21:41,860 MOMMY? 1287 01:21:56,500 --> 01:21:58,502 [ BREATHING HEAVILY ] 1288 01:21:58,502 --> 01:22:00,921 JUDY? 1289 01:22:00,921 --> 01:22:03,924 OH, GOD! JUDY? 1290 01:22:11,140 --> 01:22:14,226 Ed: LORRAINE! WAIT! 1291 01:22:16,019 --> 01:22:17,646 LORRAINE. WHAT? 1292 01:22:17,646 --> 01:22:19,106 MOM. MOM, IT'S ME. IS JUDY OKAY? 1293 01:22:19,106 --> 01:22:20,274 WHAT? 1294 01:22:20,274 --> 01:22:22,025 CAN YOU GO CHECK, PLEASE? 1295 01:22:22,025 --> 01:22:24,069 DAMN IT, MOM, JUST CHECK, PLEASE! 1296 01:22:24,069 --> 01:22:25,571 LORRAINE, ARE YOU GONNA TELL ME WHAT'S GOING ON? 1297 01:22:25,571 --> 01:22:27,030 IT'S JUDY. 1298 01:22:27,030 --> 01:22:28,115 WHAT? WHAT DO YOU MEAN? WHAT? 1299 01:22:28,115 --> 01:22:30,159 WHAT?! 1300 01:22:30,159 --> 01:22:32,452 [ POUNDS WALL ] 1301 01:22:32,452 --> 01:22:34,621 OH, THANK GOD. 1302 01:22:34,621 --> 01:22:36,623 MOM, I'M SORRY. I DIDN'T MEAN TO SCARE YOU. 1303 01:22:36,623 --> 01:22:38,083 I'LL EXPLAIN LATER, OKAY? 1304 01:22:39,418 --> 01:22:41,128 WHAT THE HELL HAPPENED? 1305 01:22:41,128 --> 01:22:44,882 I HAD A VISION OF JUDY IN THE WATER. 1306 01:22:44,882 --> 01:22:47,342 I KNOW IT WAS SOME KIND OF WARNING. 1307 01:22:47,342 --> 01:22:50,095 I KNOW IT. 1308 01:22:50,095 --> 01:22:52,014 OKAY. 1309 01:22:52,014 --> 01:22:53,182 [ CRYING ] 1310 01:22:53,182 --> 01:22:55,642 LET'S GET OUTTA HERE. 1311 01:23:19,374 --> 01:23:21,335 [ PROJECTOR CLICKING ] 1312 01:23:42,272 --> 01:23:43,565 SO? 1313 01:23:43,565 --> 01:23:45,067 YEAH, WELL, YOU WEREN'T KIDDING. 1314 01:23:45,067 --> 01:23:46,568 NO. 1315 01:23:46,568 --> 01:23:47,945 [ SIGHS ] 1316 01:23:47,945 --> 01:23:50,072 LOOK, ED, THIS IS COMPLICATED 1317 01:23:50,072 --> 01:23:51,949 BECAUSE THE KIDS AREN'T BAPTIZED. 1318 01:23:51,949 --> 01:23:53,575 NO, I UNDERSTAND. 1319 01:23:53,575 --> 01:23:55,619 AND THE FAMILY, THEY'RE NOT MEMBERS OF THE CHURCH. 1320 01:23:55,619 --> 01:23:57,704 OH, COME ON. AND [SIGHS] THE APPROVAL 1321 01:23:57,704 --> 01:24:01,792 WOULD HAVE TO COME DIRECTLY FROM THE VATICAN. 1322 01:24:01,792 --> 01:24:04,503 FATHER, WE'VE NEVER SEEN NOTHING LIKE THIS. 1323 01:24:08,548 --> 01:24:11,426 YEAH, WELL, NEITHER HAVE I. 1324 01:24:20,018 --> 01:24:22,104 FATHER, THEY DON'T HAVE A LOT OF TIME. 1325 01:24:22,104 --> 01:24:25,399 [ SIGHS ] ALL RIGHT. 1326 01:24:25,399 --> 01:24:26,984 I'LL PUSH IT THROUGH MYSELF. 1327 01:24:26,984 --> 01:24:28,068 THANK YOU, FATHER. 1328 01:24:28,068 --> 01:24:29,486 THANK YOU. THANK YOU. 1329 01:24:29,486 --> 01:24:31,488 ALL RIGHT, WE'LL WAIT FOR YOUR CALL. 1330 01:24:31,488 --> 01:24:32,698 YEAH. 1331 01:24:32,698 --> 01:24:34,157 [ RAINING ] 1332 01:24:36,702 --> 01:24:39,288 [ THUNDER RUMBLES ] 1333 01:25:12,404 --> 01:25:15,324 [ GASPS ] 1334 01:25:36,219 --> 01:25:38,472 MOMMY? DADDY? 1335 01:25:38,472 --> 01:25:41,350 [ THUNDER RUMBLES ] 1336 01:25:55,947 --> 01:25:58,825 MOMMY? DADDY? 1337 01:26:11,630 --> 01:26:13,840 [ THUNDER CRASHES ] 1338 01:26:21,848 --> 01:26:24,434 DAD? 1339 01:26:24,434 --> 01:26:27,604 [ THUNDER RUMBLES ] 1340 01:26:40,575 --> 01:26:44,621 NANNA? NANNA? 1341 01:26:44,621 --> 01:26:47,416 [ GASPS ] 1342 01:26:47,416 --> 01:26:50,710 [ GROWLING ] 1343 01:26:50,710 --> 01:26:51,878 [ CREAKING ] 1344 01:26:51,878 --> 01:26:53,713 [ THUNDER CRASHES ] 1345 01:26:56,466 --> 01:26:58,135 [ DOOR SLAMS ] 1346 01:26:58,135 --> 01:27:00,429 [ POUNDING ON DOOR ] 1347 01:27:00,429 --> 01:27:02,431 [ SCREAMING, CRYING ] 1348 01:27:08,979 --> 01:27:10,397 [ POUNDING STOPS ] 1349 01:27:21,241 --> 01:27:25,996 [ RASPY GASPING ] 1350 01:27:35,380 --> 01:27:38,383 [ CREAKING ] 1351 01:27:38,383 --> 01:27:41,511 NANNA! NANNA, HELP! 1352 01:27:41,511 --> 01:27:43,555 NANNA, HELP! 1353 01:27:43,555 --> 01:27:44,723 JUDY? 1354 01:27:44,723 --> 01:27:47,809 NANNA! NANNA! 1355 01:27:47,809 --> 01:27:49,728 NANNA! 1356 01:27:49,728 --> 01:27:51,104 HELP! 1357 01:27:51,104 --> 01:27:53,190 JUDY! NANNA! 1358 01:27:53,190 --> 01:27:55,192 JUDY, OPEN THE DOOR! MOM! 1359 01:27:55,192 --> 01:27:58,403 ED, THERE'S SOMETHING WRONG. 1360 01:27:58,403 --> 01:28:00,989 WHAT? 1361 01:28:00,989 --> 01:28:02,574 [ BRAKES SQUEAK ] 1362 01:28:02,574 --> 01:28:04,993 Judy: NANNA! JUDY! 1363 01:28:04,993 --> 01:28:06,870 HELP! JUDY! JUDY, OPEN THIS DOOR! 1364 01:28:06,870 --> 01:28:08,079 MOM! WHAT IS IT? 1365 01:28:08,079 --> 01:28:09,623 WHAT'S WRONG WITH HER?! JUDY! 1366 01:28:09,623 --> 01:28:11,333 HEY, MOVE. MOVE, MOVE, MOVE, MOVE. 1367 01:28:11,333 --> 01:28:13,084 JUDY, GET BACK, HONEY. GET BACK! 1368 01:28:13,084 --> 01:28:15,587 HURRY. 1369 01:28:15,587 --> 01:28:18,173 HELP! HELP! 1370 01:28:18,173 --> 01:28:19,257 DAD! GET AWAY FROM THE DOOR, JUDY! 1371 01:28:21,468 --> 01:28:23,595 AAH! 1372 01:28:23,595 --> 01:28:26,598 OH, GOD! ARE YOU OKAY? 1373 01:28:26,598 --> 01:28:30,560 THERE WAS SOMEONE ROCKING IN THE CHAIR WITH ANNABELLE. 1374 01:28:30,560 --> 01:28:31,520 [ CRYING ] 1375 01:28:36,733 --> 01:28:38,902 IT'S OKAY. 1376 01:28:59,297 --> 01:29:00,799 SHE'S STILL IN THE CASE. 1377 01:29:03,927 --> 01:29:06,096 IT'S OKAY. 1378 01:29:06,096 --> 01:29:07,556 IT'S OKAY. IT'S OKAY. 1379 01:29:12,727 --> 01:29:15,272 Nancy: DAD! DAD! Cindy: DADDY! 1380 01:29:15,272 --> 01:29:16,606 Andrea: DAD! DAD! 1381 01:29:16,606 --> 01:29:18,650 MOM JUST LEFT WITH CHRISTINE AND APRIL. 1382 01:29:18,650 --> 01:29:19,734 SHE J-- SHE JUST WENT IN THE CAR AND DROVE AWAY. 1383 01:29:19,734 --> 01:29:21,069 I DON'T KNOW WHAT HAPPENED. 1384 01:29:21,069 --> 01:29:22,654 DADDY, SHE SMELLS LIKE ROTTING MEAT. 1385 01:29:22,654 --> 01:29:24,072 SHE DIDN'T SAY WHAT WAS GOING ON. SHE JUST LEFT. 1386 01:29:24,072 --> 01:29:25,824 Roger: HUH? WHAT DO YOU MEAN, SHE LEFT? 1387 01:29:25,824 --> 01:29:27,033 LEFT WHERE? GONE! I DON'T KNOW WHERE SHE WAS GOING. 1388 01:29:32,080 --> 01:29:34,499 WHERE ARE WE GOING, MOM? 1389 01:29:38,169 --> 01:29:39,296 [ TELEPHONE RINGING ] 1390 01:29:42,382 --> 01:29:44,050 HELLO? 1391 01:29:44,050 --> 01:29:45,677 It's Roger. There's something going on with Carolyn. 1392 01:29:45,677 --> 01:29:47,220 ANDREA WAS HERE AND SHE SAID THAT CAROLYN TOOK OFF 1393 01:29:47,220 --> 01:29:48,638 WITH CHRISTINE AND APRIL. 1394 01:29:48,638 --> 01:29:50,390 THE GIRLS SAID SHE SMELLED LIKE ROTTEN MEAT. 1395 01:29:50,390 --> 01:29:52,100 SHE POSSESSES THE MOTHER TO KILL THE CHILD, 1396 01:29:52,100 --> 01:29:54,436 THAT'S WHAT SHE DOES. SHE'S TAKING THEM BACK TO THE HOUSE. 1397 01:29:54,436 --> 01:29:56,479 ROGER, GET BACK TO THE HOUSE NOW. I'LL MEET YOU THERE. 1398 01:29:56,479 --> 01:29:59,774 LOCK THE DOOR, CLOSE THE BLINDS. STAY OFF THE PHONE! 1399 01:29:59,774 --> 01:30:01,026 [ GIRLS CRYING ] 1400 01:30:01,026 --> 01:30:02,277 GO. 1401 01:30:07,449 --> 01:30:08,450 I'M COMING WITH YOU. NO WAY. 1402 01:30:08,450 --> 01:30:09,576 YOU STAY HERE WITH JUDY. 1403 01:30:09,576 --> 01:30:10,910 THE ONLY WAY TO PROTECT JUDY 1404 01:30:10,910 --> 01:30:12,329 IS IF WE STOP THIS WHERE IT STARTED. 1405 01:30:12,329 --> 01:30:14,247 OTHERWISE, SHE'S JUST GONNA LATCH ONTO US AGAIN. 1406 01:30:14,247 --> 01:30:15,749 THAT'S EXACTLY WHY I'M GOIN'. 1407 01:30:15,749 --> 01:30:17,667 YOU THINK I'M GONNA LET YOU WALK INTO THIS ALONE? 1408 01:30:17,667 --> 01:30:20,211 I CAN'T LOSE YOU. 1409 01:30:20,211 --> 01:30:23,048 YOU WON'T. 1410 01:30:23,048 --> 01:30:25,800 LET'S FINISH THIS TOGETHER. 1411 01:30:25,800 --> 01:30:28,762 [ SIREN WAILING ] 1412 01:30:43,610 --> 01:30:44,903 Ed: IT'S LOCKED. 1413 01:30:44,903 --> 01:30:46,863 [ POUNDING ON DOOR ] CAROLYN! 1414 01:30:46,863 --> 01:30:47,989 ROGER! 1415 01:30:47,989 --> 01:30:49,282 Brad: GET OUTTA THE WAY! 1416 01:30:49,282 --> 01:30:50,283 [ GUN COCKS ] 1417 01:30:51,451 --> 01:30:55,455 [ SCREAMING ] 1418 01:30:55,455 --> 01:30:57,040 ROGER! Roger: ED! 1419 01:30:57,040 --> 01:30:59,334 CAROLYN! ED! 1420 01:30:59,334 --> 01:31:00,335 CAROLYN! 1421 01:31:00,335 --> 01:31:01,711 WE'RE DOWN HERE! 1422 01:31:01,711 --> 01:31:04,381 CAROLYN, DON'T! NO, NO! SHE'S GOT--! 1423 01:31:04,381 --> 01:31:05,757 GET HER HAND! GRAB THE SCISSORS! 1424 01:31:05,757 --> 01:31:07,842 [ SCREAMING CONTINUES ] 1425 01:31:17,769 --> 01:31:20,480 WE GOTTA GET HER TO THE CAR! Brad: AND BRING HER WHERE?! 1426 01:31:20,480 --> 01:31:23,233 TO TAKE HER TO THE PRIEST FOR THE EXORCISM. 1427 01:31:23,233 --> 01:31:24,526 WAIT, WHERE'S APRIL? 1428 01:31:25,985 --> 01:31:28,154 APRIL? 1429 01:31:28,154 --> 01:31:30,573 TAKE CHRISTINE TO THE CAR AND FIND APRIL! 1430 01:31:30,573 --> 01:31:33,368 APRIL! COME ON! 1431 01:31:33,368 --> 01:31:34,744 [ SCREAMING CONTINUES ] 1432 01:31:44,337 --> 01:31:45,588 SHE WON'T LET HER LEAVE THE HOUSE! 1433 01:31:45,588 --> 01:31:47,048 WHAT?! WHAT DO YOU MEAN?! 1434 01:31:47,048 --> 01:31:48,216 IF WE TAKE HER OUT, THE WITCH WILL KILL HER. 1435 01:31:49,801 --> 01:31:51,803 [ THUD ] 1436 01:31:51,803 --> 01:31:55,390 [ SCREAMING CONTINUES ] 1437 01:31:55,390 --> 01:31:59,352 ROGER! CAROLYN! 1438 01:32:01,396 --> 01:32:03,064 CAROLYN? 1439 01:32:07,861 --> 01:32:09,529 OKAY, I'M GONNA PUT YOU IN HERE. 1440 01:32:09,529 --> 01:32:11,489 [ CRYING ] COME ON. 1441 01:32:11,489 --> 01:32:12,991 GET IN. STAY IN HERE. I DON'T WANT TO STAY HERE BY MYSELF. 1442 01:32:12,991 --> 01:32:14,367 STAY IN HERE NO MATTER WHAT. I'LL BE BACK, I PROMISE. 1443 01:32:14,367 --> 01:32:16,327 [ Crying ] NO! I HAVE TO FIND APRIL, OKAY? 1444 01:32:16,327 --> 01:32:18,079 I'LL BE BACK, I PROMISE. 1445 01:32:20,582 --> 01:32:22,375 APRIL? 1446 01:32:24,544 --> 01:32:25,754 YOU OKAY? 1447 01:32:25,754 --> 01:32:27,046 [ GROWLING, SCREAMING ] 1448 01:32:34,554 --> 01:32:36,848 Ed: STOP! BRAD! 1449 01:32:36,848 --> 01:32:38,808 BRAD! 1450 01:32:41,394 --> 01:32:43,021 AAH! 1451 01:32:51,070 --> 01:32:54,032 LET'S GET SOMETHING TO TIE HER UP! 1452 01:32:54,032 --> 01:32:56,493 [ SCREAMING CONTINUES ] 1453 01:33:00,497 --> 01:33:01,623 Lorraine: HOLD IT. 1454 01:33:05,001 --> 01:33:06,669 [ COUGHS ] 1455 01:33:12,383 --> 01:33:13,843 I GOTTA CALL FATHER GORDON. 1456 01:33:13,843 --> 01:33:15,929 WE GOTTA GET FATHER GORDON OUT HERE. 1457 01:33:15,929 --> 01:33:17,597 HE'S TOO FAR AWAY. SHE WON'T MAKE IT. LOOK AT HER. 1458 01:33:20,850 --> 01:33:24,646 [ PANTING ] 1459 01:33:24,646 --> 01:33:27,273 [ SCREAMING CONTINUES ] 1460 01:33:28,441 --> 01:33:29,859 THEN YOU NEED TO LEAVE. 1461 01:33:29,859 --> 01:33:31,319 WHAT ARE YOU TALKING ABOUT? 1462 01:33:31,319 --> 01:33:33,613 I HAVE TO DO IT. THE EXORCISM. 1463 01:33:33,613 --> 01:33:35,865 WHAT? I THOUGHT YOU SAID WE NEED A PRIEST. 1464 01:33:35,865 --> 01:33:36,991 YOU'RE NOT A PRIEST. 1465 01:33:36,991 --> 01:33:38,451 WELL, YOU GOT A BETTER IDEA? 1466 01:33:38,451 --> 01:33:41,621 HE CAN DO IT. YOU CAN DO IT. 1467 01:33:41,621 --> 01:33:43,832 BUT YOU GOTTA GET OUTTA HERE. I'M NOT LEAVING YOU! 1468 01:33:43,832 --> 01:33:46,042 DAMN IT, LORRAINE, I'M NOT DOING THIS WITH YOU IN HERE. 1469 01:33:48,419 --> 01:33:50,421 GOD BROUGHT US TOGETHER FOR A REASON. 1470 01:33:50,421 --> 01:33:51,798 THIS IS IT. 1471 01:33:51,798 --> 01:33:53,967 I'M GONNA GET THE BOOK. 1472 01:34:10,692 --> 01:34:13,486 Drew: APRIL! 1473 01:34:20,827 --> 01:34:23,288 APRIL! 1474 01:34:29,252 --> 01:34:32,755 [ DISTORTED GROANING ] 1475 01:34:44,183 --> 01:34:48,021 "IN THE NAME OF THE FATHER, THE SON, THE HOLY SPIRIT." 1476 01:34:51,941 --> 01:34:54,611 "VADE RETRO SATANA. 1477 01:34:54,611 --> 01:34:58,698 SANCTE MICHAEL ARCHANGELE, DEFENDE NOS IN PROEILO." 1478 01:34:58,698 --> 01:35:00,658 [ HOLY WATER SPLASHES ] 1479 01:35:00,658 --> 01:35:01,868 [ DISTORTED SCREAMING ] 1480 01:35:01,868 --> 01:35:06,497 [ RUMBLING ] 1481 01:35:16,382 --> 01:35:17,550 [ GASPS ] 1482 01:35:19,844 --> 01:35:21,596 [ WINGS FLUTTERING ] 1483 01:35:21,596 --> 01:35:22,680 [ GASPS ] 1484 01:35:25,224 --> 01:35:26,809 AAH! 1485 01:35:26,809 --> 01:35:28,686 APRIL! 1486 01:35:28,686 --> 01:35:30,104 [ BANG ] 1487 01:35:39,405 --> 01:35:40,990 [ BANG ] 1488 01:35:43,201 --> 01:35:44,827 [ BANG ] 1489 01:35:51,417 --> 01:35:52,919 [ BIRD CAWS ] 1490 01:35:55,129 --> 01:35:56,631 [ GLASS SHATTERS ] [ GASPS ] 1491 01:35:56,631 --> 01:35:59,342 [ BIRD SQUAWKING ] 1492 01:35:59,342 --> 01:36:01,260 [ BIRDS CAWING ] 1493 01:36:10,103 --> 01:36:11,938 [ THUD, GLASS SHATTERS ] 1494 01:36:14,816 --> 01:36:16,192 [ GLASS SHATTERS ] "DEUM VERUM." 1495 01:36:18,987 --> 01:36:20,613 [ WIND HOWLING ] 1496 01:36:20,613 --> 01:36:23,408 [ RATTLING ] 1497 01:36:23,408 --> 01:36:28,830 "TE" -- UH, "TE PER DEUM VERUM, PER DEUM SANCTUM QUI SIC DI--" 1498 01:36:28,830 --> 01:36:30,832 HOLD HER STILL! HOLD HER STILL! 1499 01:36:30,832 --> 01:36:32,750 COME HERE! HOLD HER STILL! 1500 01:36:32,750 --> 01:36:35,586 "QUI SIC DILEXIT MUNDUM. RECEDE, SEDUCTOR! 1501 01:36:35,586 --> 01:36:37,922 VOS IN CUBILI TUO!" 1502 01:36:41,467 --> 01:36:43,428 APRIL? 1503 01:36:46,055 --> 01:36:49,642 [ CHILD CRYING ] 1504 01:36:49,642 --> 01:36:50,727 APRIL! 1505 01:36:50,727 --> 01:36:53,146 APRIL, YOU UNDER THERE? 1506 01:36:53,146 --> 01:36:54,856 [ POUNDING ] APRIL! 1507 01:36:54,856 --> 01:36:55,982 Carolyn: [ MOANING ] 1508 01:36:55,982 --> 01:36:57,608 "SANCTE MICHAEL ARCHANGELE, 1509 01:36:57,608 --> 01:37:00,403 CONTRA NEQUITIAM ET INSIDIAS DIABOLI ESTO PRAESIDIUM." 1510 01:37:00,403 --> 01:37:02,530 CAROLYN. CAROLYN. DON'T GIVE IN! 1511 01:37:02,530 --> 01:37:04,032 DON'T LET HER TAKE YOU! 1512 01:37:04,032 --> 01:37:05,867 ED! YOU GOTTA STOP, YOU'RE KILLIN' HER. STOP! 1513 01:37:05,867 --> 01:37:08,578 NO, HE CAN'T! "NOS ARE PADRES DE PROTESTATE DIABOLI..." 1514 01:37:08,578 --> 01:37:10,872 ROGER, HELP ME! 1515 01:37:10,872 --> 01:37:15,501 Ed: "...MALEDICTUS. TU PENCHEFS INTERFECTORIBUS..." 1516 01:37:15,501 --> 01:37:19,088 ED! GODDAMN IT, STOP IT! 1517 01:37:19,088 --> 01:37:20,381 UNDERSTAND THIS! 1518 01:37:20,381 --> 01:37:22,050 WE ARE NOW FIGHTING FOR HER SOUL! 1519 01:37:22,050 --> 01:37:25,219 "IN THE NAME OF JESUS CHRIST, THE SAINTS AND ALL THE ANGELS, 1520 01:37:25,219 --> 01:37:27,346 I COMMAND YOU TO REVEAL YOURSELF!" 1521 01:37:27,346 --> 01:37:29,432 [ DISTORTED SCREAM ] 1522 01:37:42,862 --> 01:37:44,447 [ SCREAMING CONTINUES ] 1523 01:37:56,209 --> 01:38:00,088 ROGER, HELP ME! 1524 01:38:00,088 --> 01:38:03,841 "ABODE HOSTE VISIBILE ET INVISIBLE ET UBIQUE 1525 01:38:03,841 --> 01:38:06,094 EN HOC SECULAR LIBERATOR." 1526 01:38:06,094 --> 01:38:09,472 [ SCREAMING, RUMBLING STOPS ] 1527 01:38:09,472 --> 01:38:11,557 [ LIGHT BULB CREAKING ] 1528 01:38:20,691 --> 01:38:22,443 [ CHAIR CREAKS ] 1529 01:38:26,864 --> 01:38:28,116 [ GASPS ] 1530 01:38:32,787 --> 01:38:34,413 [ GASPS ] 1531 01:38:34,413 --> 01:38:36,082 "OMINI FANTASMA, 1532 01:38:36,082 --> 01:38:40,044 O-O-OMINI SELEGIO E NOMINE DOMINE NOSTRI, JESU." 1533 01:38:42,672 --> 01:38:45,341 [ DISTORTED SCREAMING ] 1534 01:38:48,219 --> 01:38:49,428 Ed: WHOA. 1535 01:38:49,428 --> 01:38:52,348 PUT HER DOWN! 1536 01:38:52,348 --> 01:38:54,600 PUT HER DOWN! 1537 01:38:55,643 --> 01:38:57,311 PUT HER DOWN! 1538 01:38:58,980 --> 01:39:01,524 Roger: CAROLYN! Lorraine: CAROLYN! 1539 01:39:04,152 --> 01:39:05,903 ED, LOOK OUT! 1540 01:39:05,903 --> 01:39:07,655 [ GRUNTS ] 1541 01:39:07,655 --> 01:39:09,532 [ PANTING ] 1542 01:39:09,532 --> 01:39:10,575 [ COUGHS ] 1543 01:39:10,575 --> 01:39:11,784 ARE YOU OKAY? 1544 01:39:11,784 --> 01:39:13,619 Carolyn: [ DISTORTED LAUGH ] 1545 01:39:13,619 --> 01:39:15,872 Ed: HOLD HER STILL! DON'T LET HER UP! 1546 01:39:15,872 --> 01:39:17,415 WE'RE LOSIN' HER, ROGER! 1547 01:39:17,415 --> 01:39:20,084 DAMN YOU! YOU LEAVE MY FAMILY ALONE, YOU HEAR ME? 1548 01:39:20,084 --> 01:39:21,419 I DON'T KNOW WHAT YOU ARE, 1549 01:39:21,419 --> 01:39:22,795 BUT YOU LEAVE MY WIFE ALONE, GODDAMN IT! 1550 01:39:22,795 --> 01:39:24,797 LET HER GO! DO YOU HEAR ME?! 1551 01:39:24,797 --> 01:39:26,090 LET HER GO! 1552 01:39:26,090 --> 01:39:28,217 "DAT ORABE SPARATEM ES IGNIS." 1553 01:39:28,217 --> 01:39:30,636 LET HER GO, GODDAMN IT! LET HER GO! 1554 01:39:30,636 --> 01:39:33,639 "--PENCHEFS INTERFECTORIBUS PATRIS LABIDINIS OPTER." 1555 01:39:33,639 --> 01:39:37,059 [ PRAYING INDISTINCTLY ] 1556 01:39:37,059 --> 01:39:39,353 SHE'S ALREADY GONE. 1557 01:39:39,353 --> 01:39:42,648 AND NOW YOU'RE ALL GONNA DIE. 1558 01:39:42,648 --> 01:39:44,525 [ CREAKING ] [ GUN COCKS ] 1559 01:39:44,525 --> 01:39:46,194 [ GLASS SHATTERS ] 1560 01:39:49,447 --> 01:39:50,740 Drew: APRIL! 1561 01:39:50,740 --> 01:39:53,784 I FOUND HER! SHE'S UNDER THE HOUSE! 1562 01:39:53,784 --> 01:39:55,369 UNDER THE KITCHEN! 1563 01:39:55,369 --> 01:39:57,413 Ed: NO, CAROLYN, DON'T! NO! 1564 01:39:57,413 --> 01:39:58,831 GET HER! 1565 01:40:13,971 --> 01:40:15,348 Brad: HERE. CAROLYN! 1566 01:40:15,348 --> 01:40:17,642 [ SHRIEKING ] 1567 01:40:17,642 --> 01:40:18,893 Roger: CAROLYN! 1568 01:40:18,893 --> 01:40:20,144 SHE'S IN THAT HOLE. RIGHT THERE. 1569 01:40:22,897 --> 01:40:24,941 CAROLYN? OH, MY GOD. NO! 1570 01:40:24,941 --> 01:40:27,902 CAN'T GO IN. CAN'T REACH. 1571 01:40:27,902 --> 01:40:31,781 NO! CAROLYN, DON'T! NO! 1572 01:40:31,781 --> 01:40:33,241 CAROLYN, NO! 1573 01:40:33,241 --> 01:40:35,534 BATHSHEBA! 1574 01:40:35,534 --> 01:40:37,620 [ SCREECHES ] 1575 01:40:37,620 --> 01:40:41,791 BY THE POWER OF GOD, I CONDEMN YOU BACK TO HELL! 1576 01:40:41,791 --> 01:40:44,168 AAH! 1577 01:40:44,168 --> 01:40:45,753 THIS IS YOUR DAUGHTER! 1578 01:40:45,753 --> 01:40:47,380 [ SCREAMING ] 1579 01:40:47,380 --> 01:40:50,174 YOU CAN'T GIVE IN! [ SCREAMING CONTINUES ] 1580 01:40:50,174 --> 01:40:53,469 ROGER, WE NEED TO GET HER TO FIGHT FROM THE INSIDE. 1581 01:40:53,469 --> 01:40:55,096 DON'T LET HER DO THIS TO YOU, OKAY? 1582 01:40:55,096 --> 01:40:56,555 DON'T LET THIS THING DO THIS. YOU GOTTA FIGHT IT. 1583 01:40:56,555 --> 01:40:58,099 I KNOW YOU'RE STRONGER THAN SHE IS. 1584 01:40:58,099 --> 01:41:00,142 YOU GOTTA FIGHT IT! KEEP IT GOING, ROGER! 1585 01:41:00,142 --> 01:41:01,227 YOU GOTTA STAY WITH US, ALL RIGHT? 1586 01:41:01,227 --> 01:41:03,896 COME ON BACK, CAROLYN. 1587 01:41:03,896 --> 01:41:05,106 LORRAINE, THAT'S IT! GET HER BACK! 1588 01:41:05,106 --> 01:41:06,482 REMEMBER WHAT YOU SHOWED ME. 1589 01:41:06,482 --> 01:41:07,817 NO! 1590 01:41:09,652 --> 01:41:12,321 REMEMBER THAT DAY THAT YOU SAID YOU WOULD NEVER FORGET. 1591 01:41:12,321 --> 01:41:16,075 [ MUFFLED LAUGHTER ] 1592 01:41:16,075 --> 01:41:19,036 [ CRYING ] 1593 01:41:21,872 --> 01:41:24,709 YOU SAID THEY MEANT THE WORLD TO YOU. 1594 01:41:24,709 --> 01:41:27,211 THIS IS WHAT YOU'LL BE LEAVING BEHIND. 1595 01:41:27,211 --> 01:41:29,755 [ CRYING CONTINUES ] 1596 01:41:47,106 --> 01:41:48,441 [ GAGS ] 1597 01:41:48,441 --> 01:41:50,609 [ COUGHING ] 1598 01:41:52,862 --> 01:41:54,655 [ VOMITING ] 1599 01:41:56,907 --> 01:41:58,951 [ COUGHS ] 1600 01:42:31,192 --> 01:42:35,154 [ GASPS ] 1601 01:42:35,154 --> 01:42:36,947 [ SIGHS ] 1602 01:42:40,743 --> 01:42:42,411 IT'S OVER. 1603 01:42:42,411 --> 01:42:44,622 I AM SO SORRY. 1604 01:42:44,622 --> 01:42:48,834 I LOVE YOU SO MUCH. I LOVE YOU SO MUCH. 1605 01:42:48,834 --> 01:42:51,295 [ Crying ] I LOVE YOU SO MUCH. 1606 01:42:51,295 --> 01:42:52,755 I'M SO HAPPY. 1607 01:42:52,755 --> 01:42:56,384 OH! 1608 01:42:56,384 --> 01:42:59,053 HEY! 1609 01:43:12,441 --> 01:43:16,445 OOH. A DRAFT DO THAT TO YOUR FACE? 1610 01:43:16,445 --> 01:43:19,240 I'D TAKE A GUY WITH A GUN ANY DAY. 1611 01:43:23,160 --> 01:43:25,246 YOU DID GOOD. 1612 01:43:25,246 --> 01:43:27,581 NO, YOU DID. 1613 01:44:08,205 --> 01:44:10,458 [ SIGHS ] 1614 01:44:24,680 --> 01:44:27,600 [ SIGHS ] 1615 01:44:27,600 --> 01:44:30,227 I'LL CALL FATHER GORDON AND LET HIM KNOW WHAT HAPPENED. 1616 01:44:30,227 --> 01:44:32,688 SOUNDS GOOD. 1617 01:44:38,819 --> 01:44:39,820 [ ZIPPER OPENS ] 1618 01:44:57,463 --> 01:45:01,383 THE VATICAN APPROVED THE EXORCISM. 1619 01:45:01,383 --> 01:45:03,969 [ CHUCKLES ] NICE TIMING. 1620 01:45:03,969 --> 01:45:08,891 AND IF WE CAN, THEN HE'D LIKE TO MEET WITH US TOMORROW. 1621 01:45:08,891 --> 01:45:11,352 THERE'S A CASE IN LONG ISLAND HE'D LIKE TO DISCUSS. 1622 01:45:11,352 --> 01:45:13,312 REALLY? 1623 01:45:36,252 --> 01:45:38,712 [ MUSIC BOX PLAYS ] 1624 01:46:10,035 --> 01:46:12,454 [ OMINOUS MUSIC PLAYS ] 1625 01:46:51,118 --> 01:46:53,746 [ CLINKING ]