1 00:00:02,503 --> 00:00:05,206 WHERE'S ALI AND SPENCER? 2 00:00:05,239 --> 00:00:06,340 ALI? 3 00:00:06,374 --> 00:00:08,209 SHE'S GONE. 4 00:00:08,242 --> 00:00:10,311 I THINK I HEARD HER SCREAM. 5 00:00:10,344 --> 00:00:12,346 DID YOU SEE THE PAPER TODAY? 6 00:00:12,380 --> 00:00:13,447 YEAH. 7 00:00:13,481 --> 00:00:15,283 SHE'S GONE, BUT SHE'S EVERYWHERE. 8 00:00:15,316 --> 00:00:16,550 I'D LIKE TO KNOW MORE ABOUT YOU. 9 00:00:16,584 --> 00:00:19,487 I'D LIKE TO KNOW MORE ABOUT YOU TOO. 10 00:00:19,520 --> 00:00:23,191 SO, I HEAR THE NEW TEACHER IS REALLY HOT. 11 00:00:24,492 --> 00:00:25,526 HOLY CRAP. 12 00:00:25,559 --> 00:00:26,827 ( cell phone rings ) 13 00:00:26,860 --> 00:00:29,530 SOMEBODY LEFT A NOTE IN MY LOCKER. 14 00:00:29,563 --> 00:00:32,133 FROM "A"? DO YOU REALLY THINK IT'S HER? 15 00:00:32,166 --> 00:00:36,070 WE RECEIVED A CALL FROM ROSEWOOD MALL SECURITY. 16 00:00:36,104 --> 00:00:39,407 THEY HAVE YOUR DAUGHTER ON TAPE SHOPLIFTING A PAIR OF SUNGLASSES. 17 00:00:39,440 --> 00:00:41,675 FIRST TIME? YES. 18 00:00:41,709 --> 00:00:43,077 SO I'M CORRUPTING YOU. 19 00:00:43,111 --> 00:00:44,812 WE'RE MEETING MELISSA'S FIANCé. 20 00:00:44,845 --> 00:00:46,280 I'M WREN. 21 00:00:46,314 --> 00:00:47,681 THAT FEELS AWESOME. 22 00:00:47,715 --> 00:00:49,150 WE FOUND YOUR FRIEND. 23 00:00:49,183 --> 00:00:50,284 I KNEW SHE WAS BACK. IS SHE INSIDE? 24 00:00:50,318 --> 00:00:51,285 EMILY. 25 00:00:51,319 --> 00:00:53,554 THEY FOUND ALISON'S BODY. 26 00:00:53,587 --> 00:00:54,788 IT'S JENNA. 27 00:00:56,290 --> 00:00:59,260 ( cell phones ring simultaneously ) 28 00:00:59,293 --> 00:01:00,561 OH, MY GOD. 29 00:01:00,594 --> 00:01:02,563 IT'S FROM... 30 00:01:02,596 --> 00:01:03,697 I GOT ONE TOO. 31 00:01:03,731 --> 00:01:06,167 "I'M STILL HERE, BITCHES..." 32 00:01:06,200 --> 00:01:09,303 All: "...AND I KNOW EVERYTHING. 'A.'" 33 00:01:09,337 --> 00:01:12,806 Female Vocalist: * WHAT HAVE THEY DONE 34 00:01:12,840 --> 00:01:15,143 * TO THE BIRDS AND THE BEES * 35 00:01:15,176 --> 00:01:16,410 * THE CRADLE WAS DROPPED... 36 00:01:16,444 --> 00:01:18,712 WHY WAS JENNA THERE? 37 00:01:18,746 --> 00:01:20,481 I GUESS SHE'S BACK. 38 00:01:20,514 --> 00:01:23,317 THAT COP ACTED LIKE WE WERE SUSPECTS OR SOMETHING. 39 00:01:23,351 --> 00:01:25,219 DO YOU THINK WE LOOKED GUILTY? 40 00:01:25,253 --> 00:01:27,621 WHY WOULD WE? WE HAVEN'T DONE ANYTHING WRONG. 41 00:01:27,655 --> 00:01:29,723 EXCEPT LIE ABOUT THE JENNA THING. 42 00:01:29,757 --> 00:01:33,261 WE PROMISED WE'D NEVER BRING UP THE JENNA THING AGAIN, REMEMBER? 43 00:01:33,294 --> 00:01:34,628 IT NEVER HAPPENED. 44 00:01:34,662 --> 00:01:36,897 HAVE YOU FOUND A WAY TO FORGET? 45 00:01:36,930 --> 00:01:39,600 I STILL WAKE UP SOMETIMES IN THE MIDDLE OF THE NIGHT. 46 00:01:39,633 --> 00:01:40,668 IT WAS AN ACCIDENT. 47 00:01:44,305 --> 00:01:45,806 IT'S MEDICINAL. 48 00:01:47,308 --> 00:01:48,709 CRAMPS. 49 00:01:50,178 --> 00:01:51,712 I DON'T GET IT. 50 00:01:51,745 --> 00:01:54,682 HOW DOES "A" KNOW SOMETHING ABOUT ME THAT ONLY ALISON KNEW? 51 00:01:54,715 --> 00:01:58,419 ALI KNEW ALL OF OUR SECRETS, BUT... 52 00:01:58,452 --> 00:02:00,221 WE NEVER KNEW ANY OF HERS. 53 00:02:00,254 --> 00:02:01,455 I KNEW SOME. 54 00:02:01,489 --> 00:02:02,856 GO ON. 55 00:02:04,592 --> 00:02:07,195 TALK. I CAN'T. 56 00:02:07,228 --> 00:02:10,264 SPENCE! NO, YOU ARE NOT GONNA DROP A BOMB LIKE THAT AND JUST CLAM UP! 57 00:02:10,298 --> 00:02:12,166 SHE'D SO KILL ME IF I TOLD YOU. 58 00:02:12,200 --> 00:02:13,601 SHE'S DEAD. 59 00:02:15,836 --> 00:02:18,572 ALI WAS SEEING SOMEONE THAT SUMMER. 60 00:02:18,606 --> 00:02:21,275 I KNEW SHE WAS KEEPING SOMETHING FROM ME... 61 00:02:21,309 --> 00:02:22,543 FROM US. 62 00:02:22,576 --> 00:02:24,912 WELL, WHY DIDN'T SHE WANT US TO KNOW? 63 00:02:24,945 --> 00:02:27,848 HE WAS AN OLDER BOY, AND HE HAD A GIRLFRIEND. 64 00:02:27,881 --> 00:02:28,849 WHO WAS IT? 65 00:02:28,882 --> 00:02:30,751 SHE NEVER TOLD ME HIS NAME. 66 00:02:30,784 --> 00:02:32,620 THAT'S ONLY HALF THE SECRET. 67 00:02:32,653 --> 00:02:34,722 IT'S MORE THAN YOU EVER GOT FROM HER. 68 00:02:34,755 --> 00:02:39,760 HOW IS THAT ALI TOLD US NOTHING, AND WE TOLD HER EVERYTHING? 69 00:02:39,793 --> 00:02:42,896 BECAUSE SHE MADE US FEEL LIKE WE WERE PART OF SOMETHING SPECIAL. 70 00:02:42,930 --> 00:02:44,865 WE WERE. 71 00:02:46,267 --> 00:02:47,601 I MISS THAT. 72 00:02:47,635 --> 00:02:49,370 ME TOO. 73 00:02:49,403 --> 00:02:51,205 I MISS ALI. 74 00:02:53,941 --> 00:02:56,210 I CAN'T BELIEVE YOU STILL WEAR THAT. 75 00:02:56,244 --> 00:02:58,779 ALI STILL WEARS HERS. 76 00:02:58,812 --> 00:03:00,381 WORE. 77 00:03:00,414 --> 00:03:02,250 WHEN ALI DIDN'T COME HOME THAT NIGHT, 78 00:03:02,283 --> 00:03:04,952 I KNEW SOMETHING TERRIBLE MUST HAVE HAPPENED, 79 00:03:04,985 --> 00:03:06,854 BUT THERE WAS ALWAYS SOME PART OF ME 80 00:03:06,887 --> 00:03:09,690 THAT IMAGINED SOMEDAY SHE'D JUST SHOW UP. 81 00:03:09,723 --> 00:03:10,891 YEAH. 82 00:03:10,924 --> 00:03:13,561 I USED TO THINK THAT MAYBE SHE'D JUST... 83 00:03:13,594 --> 00:03:15,729 RUN OFF WITH SOME GUY. 84 00:03:15,763 --> 00:03:17,865 SHE WAS LAYING ON A BEACH SOMEWHERE. 85 00:03:17,898 --> 00:03:20,868 OR GETTING A TAN OUT BY THE POOL WITH THAT HOT LIFEGUARD. 86 00:03:20,901 --> 00:03:23,437 OHH. YEAH... WHAT WAS HIS NAME? 87 00:03:23,471 --> 00:03:24,705 WHO CARES? 88 00:03:24,738 --> 00:03:27,275 "SAVE ME!" 89 00:03:27,308 --> 00:03:29,843 ( all laughing softly ) 90 00:03:29,877 --> 00:03:31,845 ( cane tapping ) 91 00:04:30,971 --> 00:04:32,573 The Pierces: * GOT A SECRET 92 00:04:32,606 --> 00:04:33,841 * CAN YOU KEEP IT? 93 00:04:33,874 --> 00:04:36,577 * SWEAR THIS ONE YOU'LL SAVE 94 00:04:36,610 --> 00:04:38,979 * BETTER LOCK IT IN YOUR POCKET * 95 00:04:39,012 --> 00:04:41,715 * TAKING THIS ONE TO THE GRAVE * 96 00:04:41,749 --> 00:04:44,318 * IF I SHOW YOU THEN I KNOW YOU * 97 00:04:44,352 --> 00:04:46,854 * WON'T TELL WHAT I SAID 98 00:04:46,887 --> 00:04:49,723 * 'CAUSE TWO CAN KEEP A SECRET * 99 00:04:49,757 --> 00:04:51,759 * IF ONE OF THEM IS DEAD 100 00:04:53,494 --> 00:04:56,096 Television Meteorologist: TURNING NOW TO THE WEATHER, BATTEN DOWN THE HATCHES. 101 00:04:56,129 --> 00:04:57,631 BIG CHANGES ARE ON THE WAY IN OUR WEATHER. 102 00:04:57,665 --> 00:04:58,999 A NASTY STORM SYSTEM IS HEADING OUR WAY, 103 00:04:59,032 --> 00:05:01,402 BRINGING HEAVY RAIN, THUNDERSTORMS. 104 00:05:01,435 --> 00:05:02,836 CURRENT CONDITIONS RIGHT NOW, 105 00:05:02,870 --> 00:05:04,438 WE'VE GOT PARTLY CLOUDY SKIES 106 00:05:04,472 --> 00:05:05,839 WITH TEMPERATURES IN THE MID- TO UPPER-60s. 107 00:05:05,873 --> 00:05:07,975 RIGHT NOW, IT'S 62 UP IN RIVERSIDE. 108 00:05:08,008 --> 00:05:09,443 MIDWAY, 66... 109 00:05:09,477 --> 00:05:11,445 THAT'S THE LAST OF THE MILK. 110 00:05:11,479 --> 00:05:13,747 IT'S ON THE LIST. 111 00:05:13,781 --> 00:05:17,017 ...OVER THE AREA RIGHT NOW WITH A LOT OF WARM AIR, 112 00:05:17,050 --> 00:05:20,621 BUT WE'VE GOT A COLD FRONT MOVING IN FROM THE WEST RIGHT HERE BEHIND ME. 113 00:05:20,654 --> 00:05:22,623 Newscaster: IN OTHER NEWS, 114 00:05:22,656 --> 00:05:24,492 ROSEWOOD DETECTIVE DARREN WILDEN 115 00:05:24,525 --> 00:05:26,560 HELD A PRESS CONFERENCE THIS MORNING. 116 00:05:26,594 --> 00:05:29,730 Wilden: THE CORONER DID RELEASE HIS FINDINGS THIS MORNING, 117 00:05:29,763 --> 00:05:31,965 AND ALTHOUGH ALISON DiLAURENTIS' BODY 118 00:05:31,999 --> 00:05:34,468 DID SHOW SIGNS OF A BLUNT-FORCE HEAD TRAUMA, 119 00:05:34,502 --> 00:05:36,670 THE CAUSE OF HER DEATH WAS SUFFOCATION. 120 00:05:41,675 --> 00:05:43,544 ARE YOU OKAY GOING TO SCHOOL TODAY? 121 00:05:43,577 --> 00:05:45,713 YEAH. I'LL BE FINE. 122 00:05:48,115 --> 00:05:50,083 I DON'T WANT TO THINK ABOUT WHAT THE POLICE ARE SAYING, 123 00:05:50,117 --> 00:05:52,453 AND YOU SHOULDN'T EITHER. 124 00:05:52,486 --> 00:05:55,723 TRY TO REMEMBER ALISON AS THE BEAUTIFUL GIRL YOU KNEW. 125 00:06:00,127 --> 00:06:01,762 I'M REALLY SORRY, MOM. 126 00:06:01,795 --> 00:06:03,731 FOR WHAT? 127 00:06:03,764 --> 00:06:04,965 THE COP. 128 00:06:04,998 --> 00:06:08,836 IT'S OVER. OKAY? 129 00:06:08,869 --> 00:06:11,839 WE WON'T BE SEEING HIM AGAIN. 130 00:06:18,011 --> 00:06:19,580 IS THAT AMBER ROSE? 131 00:06:20,914 --> 00:06:23,684 IT'S A GOOD COLOR FOR YOU. 132 00:06:23,717 --> 00:06:26,854 I HAD TO LOOK TWICE TO MAKE SURE THAT WAS HANNA. 133 00:06:26,887 --> 00:06:27,988 RIGHT? 134 00:06:28,021 --> 00:06:29,623 THAT WAS SOME FUNERAL DRESS. 135 00:06:29,657 --> 00:06:31,859 HER MOTHER DIDN'T GET THAT FROM CURVY GIRL. 136 00:06:31,892 --> 00:06:33,060 WHO SHOPS AT CURVY GIRL? 137 00:06:33,093 --> 00:06:34,695 NO ONE, ANYMORE. 138 00:06:34,728 --> 00:06:36,630 DO YOU NOT HAVE TIME FOR BREAKFAST? 139 00:06:36,664 --> 00:06:39,533 NO. I'M PROBABLY GONNA BE LATE TONIGHT TOO. 140 00:06:39,567 --> 00:06:43,070 LATE NIGHTS ALREADY? WE JUST GOT HERE. 141 00:06:43,103 --> 00:06:45,005 YEAH. WHAT'S THAT ABOUT? 142 00:06:45,038 --> 00:06:46,474 WHAT'S IT ABOUT? 143 00:06:46,507 --> 00:06:47,908 BEING GONE FOR A YEAR. 144 00:06:47,941 --> 00:06:49,176 PLAYING CATCH-UP. 145 00:06:49,209 --> 00:06:51,512 FACULTY MEETINGS. CHANGING MY CURRICULUM. 146 00:06:51,545 --> 00:06:52,946 DEMANDING STUDENTS. 147 00:06:52,980 --> 00:06:55,883 MAYBE YOUR FAMILY'S DEMANDS SHOULD COME FIRST. 148 00:06:59,853 --> 00:07:01,889 I'M GONNA BE LATE. LOVE YOU, ELLA. 149 00:07:06,259 --> 00:07:07,995 WHAT WAS THAT ABOUT? 150 00:07:08,028 --> 00:07:09,863 YOU GUYS WERE GETTING ALONG SO WELL WHEN WE WERE AWAY. 151 00:07:09,897 --> 00:07:11,131 I DON'T GET IT. 152 00:07:11,164 --> 00:07:12,966 WELL, YOU KNOW, SHE'S... 153 00:07:13,000 --> 00:07:14,835 SHE'S A TEENAGE GIRL, ELLA. 154 00:07:14,868 --> 00:07:17,471 AREN'T THEY ALL MOODY AND UNPREDICTABLE? 155 00:07:31,184 --> 00:07:33,621 ( both chuckle ) 156 00:07:33,654 --> 00:07:35,255 SO... 157 00:07:35,288 --> 00:07:37,491 ARE YOU OKAY? 158 00:07:38,659 --> 00:07:41,495 THAT... WAS A DUMB QUESTION. 159 00:07:41,529 --> 00:07:42,930 OF COURSE YOU'RE NOT OKAY. 160 00:07:42,963 --> 00:07:46,133 I, UM, I THOUGHT ABOUT GOING TO THE FUNERAL, 161 00:07:46,166 --> 00:07:49,770 BUT I... I DIDN'T KNOW HER, AND IT DIDN'T... 162 00:07:49,803 --> 00:07:50,804 FEEL RIGHT. 163 00:07:50,838 --> 00:07:53,741 NO, I... I UNDERSTAND. 164 00:07:53,774 --> 00:07:55,142 CAN I HAVE A SIP? 165 00:07:55,175 --> 00:07:57,177 SURE. DO YOU WANT YOUR OWN? 166 00:07:57,210 --> 00:07:58,912 I'D RATHER SHARE YOURS. 167 00:08:00,113 --> 00:08:03,951 Female Vocalist: * I AM BEHIND 168 00:08:03,984 --> 00:08:05,152 * NEVER MIND 169 00:08:05,185 --> 00:08:06,219 * I WILL NOT PINE 170 00:08:06,253 --> 00:08:08,155 * FOR I AM MINE 171 00:08:09,222 --> 00:08:10,791 YOU LOOK TIRED. 172 00:08:10,824 --> 00:08:12,793 I HAVEN'T GOTTEN MUCH SLEEP. 173 00:08:12,826 --> 00:08:17,064 MY MOM FOUND ANOTHER ONE OF ALISON'S BOXES IN THE BASEMENT. 174 00:08:17,097 --> 00:08:19,633 THERE WERE PICTURES OF HER IN MY ROOM. 175 00:08:20,834 --> 00:08:21,969 HER ROOM. 176 00:08:23,270 --> 00:08:24,905 SHE'S EVERYWHERE. 177 00:08:26,574 --> 00:08:28,075 AND THAT POSTER. 178 00:08:29,276 --> 00:08:33,581 SOMEONE SHOULD TAKE THOSE POSTERS DOWN. 179 00:08:33,614 --> 00:08:36,016 IT HURTS WAY TOO MUCH TO LOOK AT THEM. 180 00:08:38,085 --> 00:08:39,920 EMILY... 181 00:08:39,953 --> 00:08:41,622 I'M SO SORRY. 182 00:08:44,692 --> 00:08:47,060 * I AM BEHIND 183 00:08:48,929 --> 00:08:50,931 IS EVERYTHING ALL RIGHT? 184 00:08:50,964 --> 00:08:53,300 MOM, THIS IS MAYA ST. GERMAIN. 185 00:08:53,333 --> 00:08:56,136 OH, MAYA. HI. HI! 186 00:08:59,673 --> 00:09:01,775 WELL, I WOULD SAY WELCOME TO THE NEIGHBORHOOD, BUT... 187 00:09:01,809 --> 00:09:04,878 IT'S KIND OF HARD WHEN YOUR BACKYARD'S A CRIME SCENE. 188 00:09:04,912 --> 00:09:06,747 STILL? 189 00:09:06,780 --> 00:09:09,650 IT'S WHERE PEOPLE COME TO BE CLOSE TO HER. 190 00:09:09,683 --> 00:09:12,786 THEY LIGHT CANDLES AND LEAVE TEDDY BEARS. 191 00:09:12,820 --> 00:09:16,657 I GET IT, BUT IT STILL FEELS LIKE HER HOUSE. 192 00:09:16,690 --> 00:09:17,891 SURE. 193 00:09:17,925 --> 00:09:20,327 I CAN UNDERSTAND HOW YOU'RE NOT SLEEPING. 194 00:09:20,360 --> 00:09:24,164 YOU KNOW, MAYA, WHY DON'T YOU JUST SPEND A FEW DAYS WITH US? 195 00:09:24,197 --> 00:09:25,733 YOU COULD SLEEP IN EMILY'S ROOM. 196 00:09:28,869 --> 00:09:30,237 THANK YOU. MM-HMM. 197 00:09:38,879 --> 00:09:40,948 Female Vocalist: * I'M THE KIND OF GIRL 198 00:09:40,981 --> 00:09:42,650 * WHO LISTENS 199 00:09:42,683 --> 00:09:46,119 * YOU NEVER KNOW WHAT YOU MIGHT BE MISSING * 200 00:09:46,153 --> 00:09:47,855 NICE! 201 00:09:47,888 --> 00:09:50,791 ( chuckles ) SO I HEAR YOU'RE GUNNING FOR VARSITY CAPTAIN. 202 00:09:50,824 --> 00:09:52,893 WELL, I HAVE A SHOT, SO... 203 00:09:52,926 --> 00:09:55,162 IF A HASTINGS HAS A SHOT, SHE TAKES THE SHOT. 204 00:09:55,195 --> 00:09:56,897 IS THAT A DRINKING GAME? 205 00:09:56,930 --> 00:09:58,198 YEAH, IT SHOULD BE. 206 00:09:58,231 --> 00:10:00,200 SPENCER, THIS IS MAYA. 207 00:10:00,233 --> 00:10:02,235 OH. YEAH. 208 00:10:02,269 --> 00:10:05,673 NEW GIRL WHO MOVED INTO DEAD GIRL'S HOUSE. 209 00:10:06,874 --> 00:10:08,909 CAN'T BELIEVE I JUST SAID THAT. 210 00:10:08,942 --> 00:10:10,944 YEAH, I CAN'T BELIEVE YOU JUST SAID THAT EITHER. 211 00:10:10,978 --> 00:10:14,247 I THINK BRAD PITT AND I ARE MISSING THE SAME SENSITIVITY CHIP. 212 00:10:14,281 --> 00:10:15,816 IT'S FINE. 213 00:10:15,849 --> 00:10:18,218 WE'RE ALL TRYING TO FIND A WAY TO DEAL WITH IT. 214 00:10:18,251 --> 00:10:20,688 MAYA AND I ARE GOING FOR SOME CAFFEINE. 215 00:10:20,721 --> 00:10:21,955 DO YOU WANT TO JOIN? 216 00:10:21,989 --> 00:10:24,958 OH, I'D KILL FOR A LATTE, BUT, UM... 217 00:10:24,992 --> 00:10:27,394 THIS IS MY ONLY TIME TO PRACTICE, SO... 218 00:10:27,427 --> 00:10:29,129 WE'LL CATCH YOU LATER. 219 00:10:33,200 --> 00:10:34,902 SHE'S INTENSE. 220 00:10:34,935 --> 00:10:37,137 IF YOU KNEW HER PARENTS, YOU'D UNDERSTAND. 221 00:10:37,170 --> 00:10:38,305 MM. 222 00:10:44,745 --> 00:10:47,147 CAN I TALK TO YOU? 223 00:10:47,180 --> 00:10:49,382 YEAH, OF COURSE. 224 00:10:49,416 --> 00:10:52,119 I'D LIKE TO TRANSFER OUT OF YOUR CLASS. 225 00:10:56,256 --> 00:10:59,259 CAN YOU COME INSIDE FOR A MINUTE, PLEASE? 226 00:11:00,794 --> 00:11:02,195 Yeah. 227 00:11:13,206 --> 00:11:15,408 I UNDERSTAND WHERE YOU'RE COMING FROM. 228 00:11:15,442 --> 00:11:18,812 I JUST... WISH THAT YOU COULD STAY IN THE CLASS. 229 00:11:19,880 --> 00:11:21,749 THIS ISN'T AN EASY DECISION. 230 00:11:23,216 --> 00:11:26,920 BUT I FEEL LIKE IT'S THE RIGHT THING TO DO. 231 00:11:26,954 --> 00:11:28,421 I CAN KEEP MY FEELINGS IN CHECK. 232 00:11:28,455 --> 00:11:30,090 I CAN'T. 233 00:11:30,123 --> 00:11:32,960 AND EVEN IF I COULD, I DON'T WANT TO. 234 00:11:32,993 --> 00:11:37,998 IT'S TOO HARD TO SIT IN THIS ROOM EVERY DAY AND CALL YOU MR. FITZ. 235 00:11:39,532 --> 00:11:42,736 OKAY? I CAN'T PRETEND LIKE I DON'T KNOW YOU. 236 00:11:46,006 --> 00:11:47,140 SO... 237 00:11:48,341 --> 00:11:49,910 WILL YOU SIGN IT? 238 00:11:53,280 --> 00:11:55,348 ARE YOU SURE? 239 00:11:58,418 --> 00:11:59,987 YEAH, I'M... I'M SURE. 240 00:12:12,099 --> 00:12:13,200 THANK YOU. 241 00:12:13,233 --> 00:12:14,367 MM-HM. 242 00:12:26,013 --> 00:12:27,514 OKAY, 243 00:12:27,547 --> 00:12:29,116 I AM ALL FOR BOOB JOBS, 244 00:12:29,149 --> 00:12:31,318 BUT WHEN I SEE THOSE, I WANT TO "MOO." 245 00:12:31,351 --> 00:12:33,787 ( both chuckle ) 246 00:12:33,821 --> 00:12:35,455 I SPY A SEAN. 247 00:12:35,488 --> 00:12:37,190 I'LL SEE YOU AT LUNCH. 248 00:12:45,598 --> 00:12:48,368 WHAT'S WRONG? YOU SURPRISED ME. 249 00:12:48,401 --> 00:12:50,370 WE STILL ON FOR THE MOVIE? 250 00:12:50,403 --> 00:12:53,573 MY MOM INVITED MAYA TO STAY WITH US TONIGHT. 251 00:12:53,606 --> 00:12:56,844 OHH... WHAT KIND OF JAMMIES DO YOU THINK NEW GIRL WEARS? 252 00:12:56,877 --> 00:12:58,478 HOW WOULD I KNOW? 253 00:12:58,511 --> 00:13:00,814 I'LL SEE YOU AT PRACTICE. 254 00:13:07,287 --> 00:13:09,256 Woman on P.A.: WILL THE FOLLOWING STUDENTS 255 00:13:09,289 --> 00:13:11,391 PLEASE COME TO THE OFFICE-- 256 00:13:11,424 --> 00:13:13,193 EMILY FIELDS, 257 00:13:13,226 --> 00:13:15,128 ARIA MONTGOMERY, 258 00:13:15,162 --> 00:13:17,230 SPENCER HASTINGS, 259 00:13:17,264 --> 00:13:19,332 HANNA MARIN. 260 00:13:19,366 --> 00:13:21,001 ( class bell rings ) 261 00:13:21,034 --> 00:13:22,435 ( cell phone chimes ) 262 00:13:24,571 --> 00:13:25,906 WAIT. 263 00:13:27,640 --> 00:13:29,309 IT'S FROM "A." 264 00:13:32,279 --> 00:13:34,281 "DEAD GIRLS WALKING." 265 00:13:54,201 --> 00:13:56,503 ( sighs ) SO LET'S SEE... 266 00:13:58,338 --> 00:14:00,107 YOU THOUGHT YOU HEARD HER SCREAM. 267 00:14:00,140 --> 00:14:02,442 I-I SAID THAT, YEAH. 268 00:14:02,475 --> 00:14:04,044 AND WHEN YOU THREE WOKE UP 269 00:14:04,077 --> 00:14:06,046 IN THE BARN, ALISON WAS GONE, 270 00:14:06,079 --> 00:14:07,547 AND SO WAS SPENCER. 271 00:14:07,580 --> 00:14:09,149 YES, I WOKE UP BEFORE THEM, 272 00:14:09,182 --> 00:14:11,919 AND I REALIZED THAT ALI WAS MISSING, SO... 273 00:14:11,952 --> 00:14:14,221 SO YOU WENT LOOKING FOR HER. 274 00:14:15,322 --> 00:14:16,623 THAT'S WHAT HAPPENED. 275 00:14:16,656 --> 00:14:18,491 I GOT THAT. 276 00:14:18,525 --> 00:14:21,494 SO, WHAT'S UP? WAS THIS A SLUMBER PARTY, OR...? 277 00:14:21,528 --> 00:14:23,030 IS THIS AN INTERROGATION? 278 00:14:23,063 --> 00:14:25,398 NO, JUST A ROUTINE FOLLOW-UP. 279 00:14:27,100 --> 00:14:29,202 WHY DID YOU GUYS ALL FALL ASLEEP? 280 00:14:29,236 --> 00:14:31,338 I GUESS WE WERE TIRED. 281 00:14:31,371 --> 00:14:32,372 TIRED? 282 00:14:32,405 --> 00:14:33,540 REALLY. 283 00:14:36,243 --> 00:14:38,078 IS THAT HOW YOU REMEMBER IT, HANNA? 284 00:14:38,111 --> 00:14:39,646 YEAH. 285 00:14:39,679 --> 00:14:41,248 YEAH, YOU GUYS WERE TIRED. 286 00:14:41,281 --> 00:14:43,050 LOOK, WE'VE TOLD YOU EVERYTHING WE KNOW, 287 00:14:43,083 --> 00:14:45,385 JUST LIKE WE DID THE NIGHT SHE WENT MISSING. 288 00:14:45,418 --> 00:14:47,020 I KNOW, AND YOU SEE, THE THING IS, 289 00:14:47,054 --> 00:14:49,656 IT'S ALMOST EXACTLY WHAT YOU SAID LAST YEAR-- 290 00:14:49,689 --> 00:14:51,992 ALMOST LIKE IT WAS REHEARSED. 291 00:14:54,561 --> 00:14:56,229 LIKE SPENCER SAID, 292 00:14:56,263 --> 00:14:58,598 WE'VE TOLD YOU EVERYTHING WE KNOW. 293 00:15:00,633 --> 00:15:02,435 HE KNOWS WE'RE LYING. 294 00:15:02,469 --> 00:15:04,171 LYING IS NOT A CRIME. 295 00:15:04,204 --> 00:15:06,273 IT IS WHEN YOU'RE GIVING FALSE STATEMENTS TO THE POLICE. 296 00:15:06,306 --> 00:15:08,408 IT'S CALLED OBSTRUCTION OF JUSTICE. 297 00:15:08,441 --> 00:15:10,243 OH, PLEASE! WE LIED ABOUT DRINKING. 298 00:15:10,277 --> 00:15:12,512 BUT THE TRUTH THAT MATTERS IS WE DON'T KNOW ANYTHING 299 00:15:12,545 --> 00:15:14,014 ABOUT WHAT HAPPENED TO ALI THAT NIGHT. 300 00:15:14,047 --> 00:15:15,248 WE ALSO KNOW ABOUT SOMEONE 301 00:15:15,282 --> 00:15:17,084 WHO MIGHT HAVE WANTED TO HURT HER. 302 00:15:17,117 --> 00:15:19,052 WE SHOULD HAVE TOLD THE POLICE THE TRUTH ABOUT JENNA'S ACCIDENT 303 00:15:19,086 --> 00:15:20,253 THE NIGHT IT HAPPENED. 304 00:15:20,287 --> 00:15:21,989 I WANTED TO, REMEMBER? 305 00:15:22,022 --> 00:15:24,591 WE HAD A CHANCE TO DO MORE THAN JUST TELL THE TRUTH. 306 00:15:24,624 --> 00:15:26,326 WE HAD A CHANCE TO STOP ALI. 307 00:15:26,359 --> 00:15:28,061 BUT WE DIDN'T. 308 00:15:28,095 --> 00:15:30,463 AND TELLING THE POLICE NOW ABOUT WHAT HAPPENED TO JENNA 309 00:15:30,497 --> 00:15:32,332 ISN'T GOING TO MAKE HER SEE AGAIN. 310 00:15:32,365 --> 00:15:34,634 IT'LL JUST RUIN OUR LIVES. 311 00:15:39,139 --> 00:15:41,474 OH, MY GOD, SHE'S BACK IN SCHOOL TOO? 312 00:15:48,681 --> 00:15:50,650 JENNA? 313 00:15:50,683 --> 00:15:52,986 HEY, IT'S-- IT'S ARIA. 314 00:15:53,020 --> 00:15:56,156 DO YOU... WANT TO COME SIT WITH US? 315 00:15:58,025 --> 00:16:00,560 SURE. OKAY. THANK YOU. 316 00:16:06,033 --> 00:16:08,235 SO YOU'RE GONNA BE BETWEEN HANNA AND EMILY, 317 00:16:08,268 --> 00:16:11,371 AND SPENCER'S RIGHT ACROSS FROM YOU. 318 00:16:14,274 --> 00:16:15,242 Jenna: THANK YOU. 319 00:16:15,275 --> 00:16:17,310 YEAH. AND HERE'S A CHAIR. 320 00:16:17,344 --> 00:16:18,578 SO... 321 00:16:18,611 --> 00:16:21,181 THIS WOULD BE ALISON'S CHAIR, RIGHT? 322 00:16:21,214 --> 00:16:24,584 NO. WE'RE NOT EVEN SITTING AT THAT TABLE. 323 00:16:24,617 --> 00:16:28,155 YOU KNOW, SHE CAME TO VISIT ME IN THE HOSPITAL AFTER THE ACCIDENT. 324 00:16:28,188 --> 00:16:29,422 ALISON DID? 325 00:16:29,456 --> 00:16:32,059 MM-HM. 326 00:16:32,092 --> 00:16:33,460 EVERYONE MISUNDERSTOOD ALISON, 327 00:16:33,493 --> 00:16:35,362 BUT I KNEW EXACTLY WHO SHE WAS. 328 00:16:35,395 --> 00:16:38,465 WHEN DID YOU GET BACK, JENNA? 329 00:16:38,498 --> 00:16:40,567 WE HEARD THAT YOU WERE IN PHILADELPHIA, 330 00:16:40,600 --> 00:16:43,236 A SCHOOL FOR THE... VISUALLY IMPAIRED. 331 00:16:43,270 --> 00:16:46,039 YOU CAN SAY "BLIND," SPENCER. 332 00:16:46,073 --> 00:16:48,475 IT'S OKAY. IT'S NOT A DIRTY WORD. 333 00:16:54,114 --> 00:16:55,215 WOW. 334 00:16:55,248 --> 00:16:58,385 IT'S SO QUIET. 335 00:16:58,418 --> 00:17:00,153 YOU GUYS USED TO BE THE FUN TABLE. 336 00:17:02,722 --> 00:17:06,726 WHAT HAPPENED TO YOU GIRLS? ( chuckles ) 337 00:17:08,495 --> 00:17:12,432 Male Vocalist: * WE LIKE TO WATCH YOU LAUGHING * 338 00:17:15,235 --> 00:17:18,571 * PICKING INSECTS OFF PLANTS * 339 00:17:18,605 --> 00:17:21,708 * NO TIME TO THINK OF CONSEQUENCES * 340 00:17:22,775 --> 00:17:24,744 * SHOW YOURSELF 341 00:17:24,777 --> 00:17:27,747 * TAKE ONLY WHAT YOU NEED FROM IT * 342 00:17:27,780 --> 00:17:29,749 LOOK AT THIS! ( giggling ) 343 00:17:29,782 --> 00:17:32,051 ( angrily ) I SEE YOU! 344 00:17:34,454 --> 00:17:35,622 OH, MY GOD, I CAN'T BELIEVE IT! 345 00:17:35,655 --> 00:17:37,224 WHO WAS IT, ALI? WHAT DID YOU SEE? 346 00:17:37,257 --> 00:17:39,226 HE WAS IN THAT TREE, SPYING ON US! 347 00:17:39,259 --> 00:17:41,428 I AM SO CREEPED OUT! WHO WAS IT? 348 00:17:41,461 --> 00:17:42,695 IT WAS THAT PERV, TOBY CAVANAUGH. 349 00:17:42,729 --> 00:17:43,863 ARE YOU SURE? YES, I'M SURE! 350 00:17:43,896 --> 00:17:45,865 HE WAS RIGHT THERE! 351 00:17:45,898 --> 00:17:47,600 I BET HE SAW US ALL NAKED. 352 00:17:47,634 --> 00:17:50,270 SHOULD WE TELL SOMEONE? 353 00:17:50,303 --> 00:17:52,372 I MEAN, WE COULD. 354 00:17:53,673 --> 00:17:56,409 BUT I HAVE A BETTER IDEA. 355 00:17:56,443 --> 00:17:58,845 ( fireworks shrieking ) 356 00:18:02,649 --> 00:18:04,251 ARE WE SURE HE'S NOT IN THERE? 357 00:18:04,284 --> 00:18:05,818 HE'S NOT, OKAY? 358 00:18:05,852 --> 00:18:08,421 YOU'VE GOT THE LIGHTER, RIGHT, SPENCER? 359 00:18:08,455 --> 00:18:09,889 LET'S WAIT A SECOND. 360 00:18:09,922 --> 00:18:11,191 WHAT, EMILY? 361 00:18:11,224 --> 00:18:12,825 I DON'T WANT TO DO THIS. FINE. 362 00:18:12,859 --> 00:18:14,227 GO BACK. YOU'RE ON YOUR OWN. 363 00:18:14,261 --> 00:18:16,263 OKAY, MAYBE EMILY'S RIGHT. 364 00:18:16,296 --> 00:18:18,365 WE SHOULD JUST CALL THE COPS. THEY'LL TAKE CARE OF IT. 365 00:18:18,398 --> 00:18:19,699 WHERE'S THE FUN IN THAT? 366 00:18:21,401 --> 00:18:23,803 GIRLS, TOBY CAVANAUGH IS A FREAK, 367 00:18:23,836 --> 00:18:25,705 AND WE NEED TO TEACH HIM A LESSON. 368 00:18:25,738 --> 00:18:27,440 IF HE THINKS HE CAN COME AND SPY ON US 369 00:18:27,474 --> 00:18:28,741 WHILE WE'RE IN YOUR BEDROOM, EMILY, 370 00:18:28,775 --> 00:18:30,577 HE NEEDS TO KNOW THAT HIS LITTLE DOMAIN 371 00:18:30,610 --> 00:18:32,679 IS NO LONGER A SAFE LITTLE HIDEOUT. 372 00:18:32,712 --> 00:18:35,582 WHO KNOWS WHAT HE DOES IN THERE ALL DAY, THAT LITTLE FREAK. 373 00:18:35,615 --> 00:18:37,317 ARE YOU SURE THAT IT WAS TOBY? 374 00:18:37,350 --> 00:18:39,586 YES! AND IT'S A STINK BOMB, FOR GOD'S SAKES! 375 00:18:39,619 --> 00:18:42,189 WE'RE NOT NUKING THE PLACE. NOW, LET'S DO IT. 376 00:18:43,590 --> 00:18:45,192 GIVE ME THE LIGHTER. 377 00:19:06,213 --> 00:19:08,315 LET'S GET OUT OF HERE. 378 00:19:17,657 --> 00:19:19,559 All: LET'S GO! LET'S MOVE! 379 00:19:26,433 --> 00:19:27,834 ( cell phone chimes ) 380 00:19:32,372 --> 00:19:33,840 ( chimes ) 381 00:19:35,242 --> 00:19:36,909 AREN'T YOU GONNA GET THAT? 382 00:19:58,931 --> 00:20:00,833 ( class bell rings ) 383 00:20:00,867 --> 00:20:03,870 OKAY, PEOPLE, LET'S TAKE OUR SEATS. 384 00:20:13,480 --> 00:20:14,714 AM I LATE? 385 00:20:14,747 --> 00:20:16,649 IT'S-- IT'S MONA, RIGHT? 386 00:20:16,683 --> 00:20:17,984 THAT'S RIGHT, MR. FRITZ. 387 00:20:18,017 --> 00:20:19,286 ( all chuckle ) 388 00:20:19,319 --> 00:20:20,820 WHAT? 389 00:20:20,853 --> 00:20:23,523 TAKE YOUR SEAT, MONA, PLEASE. 390 00:20:26,526 --> 00:20:28,295 IT'S "FITZ," NOT "FRITZ." 391 00:20:28,328 --> 00:20:29,296 OOPS. 392 00:20:29,329 --> 00:20:30,697 IF THE MOCKINGBIRD 393 00:20:30,730 --> 00:20:33,966 REPRESENTS THE IDEA OF INNOCENCE, 394 00:20:34,000 --> 00:20:36,636 WHAT CHARACTERS ARE INNOCENT? 395 00:20:36,669 --> 00:20:39,572 TAKE A SECOND. JOT DOWN YOUR IDEAS. 396 00:20:39,606 --> 00:20:41,007 WE'LL DISCUSS. 397 00:21:01,093 --> 00:21:03,396 Female Vocalist: * SHE WORE THAT DRESS 398 00:21:03,430 --> 00:21:05,398 * LIKE IT WAS A SATURDAY 399 00:21:05,432 --> 00:21:08,435 * PRETTY AS A SUMMER ROSE 400 00:21:09,869 --> 00:21:11,971 * PICKED IN THE MORNING 401 00:21:12,004 --> 00:21:13,973 * AND HE HELD HER HAND 402 00:21:14,006 --> 00:21:16,409 * LIKE IT WAS A MYSTERY 403 00:21:16,443 --> 00:21:17,544 * ONE 404 00:21:17,577 --> 00:21:19,312 * HE COULDN'T QUITE BELIEVE 405 00:21:20,413 --> 00:21:21,781 * WAS WALKING WITH HIM 406 00:21:21,814 --> 00:21:23,950 * THEY WERE HIGH 407 00:21:23,983 --> 00:21:26,819 * UP ON A HILL 408 00:21:26,853 --> 00:21:29,789 * WITH SOMETHING TO SAY 409 00:21:29,822 --> 00:21:32,592 * AND DAYLIGHT TO KILL 410 00:21:32,625 --> 00:21:35,462 * TIME SLIPPED AWAY 411 00:21:35,495 --> 00:21:36,463 * THE WAY THAT IT WILL 412 00:21:36,496 --> 00:21:37,630 THANKS. 413 00:21:43,803 --> 00:21:45,405 HANNA. 414 00:21:45,438 --> 00:21:46,706 WHAT? 415 00:21:46,739 --> 00:21:49,509 IT'S TOO HARD TO STOP IF WE GO THERE. 416 00:21:49,542 --> 00:21:51,043 OH, COME ON, SEAN. 417 00:21:51,077 --> 00:21:52,812 IT'S JUST US TWO. IT'S OKAY. 418 00:21:52,845 --> 00:21:54,914 * AROUND AND AROUND 419 00:21:54,947 --> 00:21:57,384 * DANCING ROUND THE QUESTION POSED * 420 00:21:57,417 --> 00:21:59,051 COME ON, HANNA, I... 421 00:21:59,085 --> 00:22:00,086 * GO DOWN 422 00:22:01,421 --> 00:22:04,791 * THE WAY THAT IT WILL 423 00:22:04,824 --> 00:22:07,494 YOU DO LIKE ME LIKE THAT, RIGHT? 424 00:22:07,527 --> 00:22:08,795 YES. 425 00:22:09,962 --> 00:22:11,631 I MEAN, MAYBE YOU... 426 00:22:11,664 --> 00:22:15,535 STILL THINK OF ME AS JUST A FRIEND, 427 00:22:15,568 --> 00:22:17,837 THE GIRL I USED TO BE. 428 00:22:32,685 --> 00:22:34,854 DO YOU KISS YOUR FRIENDS LIKE THAT? 429 00:22:34,887 --> 00:22:36,489 NO. 430 00:22:36,523 --> 00:22:38,024 LOOK... 431 00:22:38,057 --> 00:22:40,627 I LIKE THE GIRL YOU USED TO BE, 432 00:22:40,660 --> 00:22:43,129 JUST LIKE I LIKE THE GIRL YOU ARE NOW. 433 00:22:43,162 --> 00:22:45,131 IS THIS WAITING THING SOMETHING YOU REALLY WANT, 434 00:22:45,164 --> 00:22:47,033 OR IS IT BECAUSE OF YOUR DAD? 435 00:22:47,066 --> 00:22:48,635 NO, IT'S ME. IT'S... 436 00:22:48,668 --> 00:22:50,770 IT'S MY CHOICE. 437 00:22:54,607 --> 00:22:56,443 HI, MRS. MARIN. ( clears throat ) 438 00:22:56,476 --> 00:22:58,611 WE'LL SUBMIT THE LOAN DOCS IN THE MORNING. 439 00:22:58,645 --> 00:22:59,879 OKAY. GREAT. THANKS. 440 00:22:59,912 --> 00:23:01,013 HI. 441 00:23:02,515 --> 00:23:04,150 HOW'S THE STUDYING GOING? 442 00:23:04,183 --> 00:23:05,518 FINE. 443 00:23:08,054 --> 00:23:10,022 SEAN... 444 00:23:10,056 --> 00:23:12,158 PLEASE TELL YOUR DAD WE REALLY HAVE BEEN 445 00:23:12,191 --> 00:23:13,593 TRYING TO MAKE IT TO CHURCH, 446 00:23:13,626 --> 00:23:15,762 BUT I'VE BEEN WORKING ON THE WEEKENDS... 447 00:23:15,795 --> 00:23:17,764 OH, YEAH, NO. I'LL LET HIM KNOW, MRS. MARIN. 448 00:23:17,797 --> 00:23:19,766 BUT IT'S OKAY. I MEAN, HE UNDERSTANDS. 449 00:23:19,799 --> 00:23:21,868 HE WORKS ON THE WEEKENDS TOO. 450 00:23:21,901 --> 00:23:24,537 ( doorbell chimes ) 451 00:23:24,571 --> 00:23:25,838 CUTE PREACHER HUMOR. 452 00:23:28,107 --> 00:23:31,177 LOOK WHO STOPPED BY FOR DINNER. 453 00:23:31,210 --> 00:23:34,547 I BROUGHT THAI TAKEOUT. 454 00:23:34,581 --> 00:23:36,182 It's time for Sean to leave. 455 00:23:38,851 --> 00:23:41,120 LET'S EAT IN THE DINING ROOM. 456 00:23:51,598 --> 00:23:53,966 I'VE DECIDED ON THE CLASS I WANT TO TAKE AT HOLLIS. 457 00:23:54,000 --> 00:23:57,136 BUT IT'S NOT FOR CREDIT, DAD, IT'S FOR FUN. 458 00:23:57,169 --> 00:23:59,606 ( chuckles ) WHAT'S THE POINT OF THAT? 459 00:24:00,707 --> 00:24:02,241 YOUR MOM'S COMING BACK A DAY EARLY. 460 00:24:02,274 --> 00:24:04,010 SHE'LL BE HOME TOMORROW. 461 00:24:04,043 --> 00:24:06,212 Male Vocalist: * PEOPLE STARE 462 00:24:06,245 --> 00:24:07,747 * UP THE BLOCK AND DOWN THE STREET * 463 00:24:07,780 --> 00:24:10,082 * TO NORTH KING'S HIGHWAY 464 00:24:10,116 --> 00:24:12,719 * AND THERE'S A BEATING IN MY CHEST * 465 00:24:12,752 --> 00:24:14,987 * AND IT'S SEEMING TO SUGGEST * 466 00:24:15,021 --> 00:24:16,989 * THAT BEFORE THIS DAY IS THROUGH... * 467 00:24:17,023 --> 00:24:19,759 HEY. I WAS GONNA E-MAIL YOU WHEN I GOT HOME. 468 00:24:19,792 --> 00:24:21,227 HOW WEIRD WAS THAT LUNCH? 469 00:24:21,260 --> 00:24:24,831 I'D SAY ON A SCALE FROM ONE TO TEN... 470 00:24:24,864 --> 00:24:26,132 ELEVEN. YEAH. 471 00:24:28,134 --> 00:24:31,070 IS THAT THE NEW FIANCé? 472 00:24:31,103 --> 00:24:32,705 IS HE AS UPTIGHT AS MELISSA? 473 00:24:32,739 --> 00:24:35,508 NO ONE'S AS UPTIGHT AS MELISSA. 474 00:24:35,542 --> 00:24:36,609 ( both chuckle ) 475 00:24:37,977 --> 00:24:39,178 I'D BETTER GET BACK. 476 00:24:39,211 --> 00:24:41,548 All right. See ya. 477 00:24:41,581 --> 00:24:42,782 Yeah. Thank you. 478 00:24:44,651 --> 00:24:45,952 CAN I GET ANYONE A DRINK? 479 00:24:45,985 --> 00:24:48,087 I'LL HAVE A VODKA SODA. 480 00:24:48,120 --> 00:24:49,822 Melissa: SHE'S KIDDING. 481 00:24:49,856 --> 00:24:52,291 I'M GONNA HAVE A GLASS OF THE HOUSE CAB. 482 00:24:52,324 --> 00:24:53,626 MELISSA? 483 00:24:53,660 --> 00:24:55,161 THE SAME AS MY FATHER. 484 00:24:55,194 --> 00:24:57,730 I ACTUALLY WILL HAVE A VODKA SODA. 485 00:25:00,800 --> 00:25:03,035 SO I GET YOUR CONNECTION TO SPENCER. 486 00:25:03,069 --> 00:25:04,637 YOU BOTH LIKE TO WIN. 487 00:25:04,671 --> 00:25:07,907 WINNING'S GREAT, BUT IF I'VE DONE MY BEST, 488 00:25:07,940 --> 00:25:10,643 I USUALLY FEEL GOOD ABOUT THE OUTCOME, NO MATTER WHAT IT IS. 489 00:25:10,677 --> 00:25:11,844 AND SPENCER? 490 00:25:11,878 --> 00:25:13,379 SPENCER NEEDS TO WIN. 491 00:25:17,249 --> 00:25:19,686 ALISON WAS ALWAYS IN THE MIDDLE-- 492 00:25:19,719 --> 00:25:21,287 THE CENTER OF ATTENTION. 493 00:25:21,320 --> 00:25:23,022 HAVE YOU EVER KNOWN ANYONE LIKE THAT? 494 00:25:23,055 --> 00:25:25,024 I USUALLY RUN FROM THOSE GIRLS. 495 00:25:25,057 --> 00:25:26,292 THEY SCARE ME. 496 00:25:26,325 --> 00:25:28,294 "THOSE GIRLS"? 497 00:25:28,327 --> 00:25:30,029 THE QUEEN BEES. 498 00:25:30,062 --> 00:25:34,000 YOU SEEM LIKE A PERSON WHO WOULDN'T RUN FROM ANYONE. 499 00:25:35,201 --> 00:25:36,969 DO YOU HAVE A SIDE? 500 00:25:37,003 --> 00:25:38,337 SORRY? 501 00:25:38,370 --> 00:25:39,706 OF THE BED? 502 00:25:40,773 --> 00:25:42,742 I KIND OF SLEEP IN THE MIDDLE. 503 00:25:44,076 --> 00:25:47,146 I, UM, KIND OF SLEEP IN THE MIDDLE TOO. 504 00:25:54,353 --> 00:25:56,823 HI/LOW, ANYONE? HI/LOW? 505 00:25:56,856 --> 00:25:59,091 IT'S A GAME. YOU GUYS DON'T PLAY IT IN BED? 506 00:25:59,125 --> 00:26:01,193 WREN, YOU CAN PLAY TOO. 507 00:26:01,227 --> 00:26:03,062 I'M A BIT LOST. 508 00:26:03,095 --> 00:26:05,064 Peter: YOU'LL CATCH ON. 509 00:26:05,097 --> 00:26:06,866 I'LL GO FIRST. 510 00:26:06,899 --> 00:26:08,935 WE JUST STARTED OUR FIRST WEEK OF CLASS, 511 00:26:08,968 --> 00:26:11,771 AND I'VE ALREADY BEEN NOMINATED TO SERVE 512 00:26:11,804 --> 00:26:14,273 ON THE BUSINESS SCHOOL'S LEADERSHIP COMMITTEE. 513 00:26:14,306 --> 00:26:16,342 MELISSA LIKES TO PLAY THE GAME 514 00:26:16,375 --> 00:26:17,910 WHEN SHE'S FAIRLY CERTAIN SHE'LL WIN. 515 00:26:17,944 --> 00:26:20,346 GUESS WHO I LEARNED THAT FROM? 516 00:26:20,379 --> 00:26:22,348 DON'T GO TASTING VICTORY JUST YET. 517 00:26:22,381 --> 00:26:24,851 THE JUDGE RULED ON MY BRIEF TODAY, 518 00:26:24,884 --> 00:26:27,053 AND THE CLASS ACTION SUIT AGAINST WINSLOW 519 00:26:27,086 --> 00:26:28,721 HAS BEEN DISMISSED. 520 00:26:28,755 --> 00:26:30,022 OH. 521 00:26:30,056 --> 00:26:33,325 IF I DON'T PLAY, DO I STILL GET ANOTHER DRINK? 522 00:26:33,359 --> 00:26:35,695 ( mouths silently ) SPENCER... 523 00:26:35,728 --> 00:26:37,096 YOU'RE UP. 524 00:26:38,397 --> 00:26:39,666 UM... 525 00:26:42,234 --> 00:26:43,870 I'LL GO. 526 00:26:45,905 --> 00:26:48,140 I GOT A BRILLIANT PARKING SPOT TODAY, 527 00:26:48,174 --> 00:26:50,309 RIGHT IN FRONT OF THE CHEM LAB. 528 00:26:50,342 --> 00:26:52,178 * JUST WHAT THE FUTURE HOLDS * 529 00:26:52,211 --> 00:26:53,646 ( both laugh ) 530 00:26:53,680 --> 00:26:55,682 HE'S JUST KIDDING. 531 00:27:28,748 --> 00:27:31,017 ( cell phone beeps ) 532 00:28:05,918 --> 00:28:06,919 YOU'RE COOKING? 533 00:28:06,953 --> 00:28:08,187 'MORNING. 534 00:28:10,056 --> 00:28:12,058 OVER EASY, OKAY? 535 00:28:13,492 --> 00:28:14,961 OF COURSE. 536 00:28:24,804 --> 00:28:27,439 SO, MAYA, NOW THAT YOU TWO HAVE SLEPT TOGETHER, 537 00:28:27,473 --> 00:28:29,441 YOU'VE GOTTEN FURTHER WITH EMILY THAN I HAVE. 538 00:28:29,475 --> 00:28:32,044 WHAT SHOULD I KNOW? 539 00:28:32,078 --> 00:28:34,981 GOOD GIRLS DON'T KISS AND TELL. 540 00:28:35,014 --> 00:28:36,282 YOU DON'T STRIKE ME AS A GOOD GIRL. 541 00:28:36,315 --> 00:28:38,050 SHUT UP, BEN. 542 00:28:38,084 --> 00:28:41,053 SO, DID YOU GUYS GET MUCH SLEEP? 'CAUSE I WOULDN'T HAVE. 543 00:28:41,087 --> 00:28:44,090 I DON'T KNOW ABOUT EMILY, BUT I SLEPT LIKE A BABY. 544 00:28:44,123 --> 00:28:45,291 COMING, EM? 545 00:28:45,324 --> 00:28:46,993 UM, YEAH, I'LL CATCH UP TO YOU. 546 00:28:47,026 --> 00:28:49,896 BYE, BEN. BYE. 547 00:28:49,929 --> 00:28:51,297 Female Vocalist: * 2012 548 00:28:51,330 --> 00:28:53,132 * EVERYTHING YOU KNOW... 549 00:28:53,165 --> 00:28:55,768 WE WERE JUST MESSING AROUND. WHAT ARE YOU SO WEIRDED-OUT ABOUT? 550 00:28:55,802 --> 00:28:57,770 * WILL COME TO AN END 551 00:28:57,804 --> 00:29:01,207 * IS IT FACT OR IS IT FICTION? * 552 00:29:01,240 --> 00:29:04,376 * GOVERNMENT AND POLITICIANS * 553 00:29:04,410 --> 00:29:06,312 * ARE ACTING QUITE SUSPICIOUS * 554 00:29:06,345 --> 00:29:08,414 GET A ROOM, BEN! AND ROCK IT! 555 00:29:08,447 --> 00:29:10,316 LOOKY! 556 00:29:10,349 --> 00:29:11,884 EM, COME ON. 557 00:29:11,918 --> 00:29:14,353 Boy: LOOKING GOOD, EMILY. YOU'RE LOOKING GOOD TOO. 558 00:29:14,386 --> 00:29:16,288 I'M SORRY, ARE YOU TALKING TO ME? 559 00:29:16,322 --> 00:29:17,456 WHATEVER. 560 00:29:18,891 --> 00:29:20,259 YOU OKAY? 561 00:29:20,292 --> 00:29:22,394 NOT REALLY. 562 00:29:22,428 --> 00:29:24,430 YOU KNOW, I NEVER THOUGHT OF YOU AS SOMEONE 563 00:29:24,463 --> 00:29:26,432 WHO'D BE SO COMFORTABLE WITH PDA. 564 00:29:26,465 --> 00:29:28,968 MAYBE I'M NOT THE PERSON EVERYONE THINKS I AM. 565 00:29:29,001 --> 00:29:30,169 WHO IS? 566 00:29:30,202 --> 00:29:33,005 * IS THERE A SOLUTION? 567 00:29:33,039 --> 00:29:35,041 * OUR HANDS ARE IN THE AIR 568 00:29:44,016 --> 00:29:45,151 ARIA. 569 00:29:48,320 --> 00:29:50,489 MR. FITZ! HI! 570 00:29:50,522 --> 00:29:52,358 THIS IS MY MOM, ELLA. 571 00:29:52,391 --> 00:29:55,194 OH, MR. FITZ. THE NEW ENGLISH TEACHER. 572 00:29:55,227 --> 00:29:58,364 YES. IT'S A PLEASURE TO MEET YOU, MRS. MONTGOMERY. 573 00:29:58,397 --> 00:30:01,500 OH, PLEASE, CALL ME ELLA. WE'RE A VERY INFORMAL FAMILY. 574 00:30:01,533 --> 00:30:03,502 ARE YOU GOING TO SEE THE MOVIE? 575 00:30:03,535 --> 00:30:06,973 YES, I AM. IT'S ONE OF MY FAVORITES. 576 00:30:07,006 --> 00:30:10,176 OH, ARIA'S TOO. SHE'S TOLD US A LOT ABOUT YOU. 577 00:30:10,209 --> 00:30:12,444 ALTHOUGH YOU FORGOT TO MENTION 578 00:30:12,478 --> 00:30:14,847 THE "YOU'RE VERY YOUNG" PART. 579 00:30:14,881 --> 00:30:16,448 WELL... I JUST... 580 00:30:16,482 --> 00:30:18,450 WE SHOULD GET GOING. THE MOVIE'S STARTING. 581 00:30:18,484 --> 00:30:19,852 WE'LL SEE YOU INSIDE. 582 00:30:19,886 --> 00:30:22,054 See you inside. 583 00:30:22,088 --> 00:30:24,857 AND YOU FORGOT TO MENTION THE "REALLY CUTE" PART. 584 00:30:26,192 --> 00:30:28,027 ( film music playing ) 585 00:30:39,571 --> 00:30:41,040 MR. FITZ. 586 00:30:42,674 --> 00:30:44,243 WHY DON'T YOU COME SIT WITH US? 587 00:30:45,945 --> 00:30:50,149 UH... YEAH. YEAH, OKAY. 588 00:30:50,182 --> 00:30:51,984 Excuse me. 589 00:30:59,091 --> 00:31:00,993 I'm fine. Thank you. 590 00:31:13,940 --> 00:31:15,574 YOU ALL RIGHT? 591 00:31:21,113 --> 00:31:22,248 ( sighs ) 592 00:31:26,585 --> 00:31:30,089 IT'S ALL GONNA BE OKAY. I PROMISE YOU. 593 00:31:30,122 --> 00:31:32,558 EVERYTHING'S GONNA GET BACK TO NORMAL. 594 00:31:32,591 --> 00:31:35,694 I DON'T KNOW WHAT NORMAL FEELS LIKE ANYMORE. 595 00:31:35,727 --> 00:31:38,297 YOU'VE BEEN MISSING HER FOR A WHOLE YEAR. 596 00:31:38,330 --> 00:31:40,299 YOU KNOW, THAT'S A LOT TO TAKE ON. 597 00:31:42,301 --> 00:31:43,635 IT'S NOT JUST THAT. 598 00:31:45,404 --> 00:31:49,141 I THINK THERE'S SOMETHING WRONG WITH ME. 599 00:31:51,310 --> 00:31:53,279 HONEY, THERE'S NOTHING WRONG WITH YOU. 600 00:31:53,312 --> 00:31:55,214 YOU LOST A DEAR FRIEND. 601 00:31:56,248 --> 00:31:58,584 YOU NEED TO FIND A WAY TO SAY GOODBYE. 602 00:32:00,186 --> 00:32:02,321 WHAT ABOUT REACHING OUT TO THE OTHER GIRLS? 603 00:32:02,354 --> 00:32:05,324 HAVE YOU TALKED TO THEM? HAVE YOU TOLD 'EM HOW YOU FEEL? 604 00:32:05,357 --> 00:32:08,194 IN SOME WAYS, FINDING OUT ALI IS REALLY GONE 605 00:32:08,227 --> 00:32:11,197 HAS BROUGHT US BACK TOGETHER... 606 00:32:11,230 --> 00:32:13,199 BUT IT'S STILL NOT WHAT IT USED TO BE. 607 00:32:13,232 --> 00:32:15,101 WHY? 608 00:32:15,134 --> 00:32:18,504 WE WERE FRIENDS BECAUSE OF ALI. 609 00:32:18,537 --> 00:32:21,207 THEN USE HER TO GET CLOSE AGAIN. 610 00:32:21,240 --> 00:32:25,044 YOU GUYS NEED TO FIND A WAY TO SAY GOODBYE TOGETHER. 611 00:32:38,790 --> 00:32:41,260 STILL HAVING TROUBLE WITH THAT BURSA SAC? 612 00:32:43,395 --> 00:32:46,365 I CAN'T TAKE YOU SERIOUSLY WHEN YOU SAY BURSA SAC. 613 00:32:46,398 --> 00:32:48,634 SHALL I GIVE YOU ANOTHER RUB? 614 00:32:48,667 --> 00:32:51,370 NO, THAT'S... THAT'S OKAY. 615 00:32:51,403 --> 00:32:52,771 YEAH, IT'S LATE. 616 00:32:52,804 --> 00:32:55,274 WELL, IT'S EARLY FOR ME. 617 00:32:55,307 --> 00:32:57,676 I HAVE A HISTORY TEST ON MONDAY 618 00:32:57,709 --> 00:32:59,745 AND A PAPER DUE IN LATIN. 619 00:33:01,413 --> 00:33:03,649 ASCENDO TUUN. 620 00:33:03,682 --> 00:33:05,651 DO YOU KNOW WHAT YOU JUST SAID TO ME? 621 00:33:05,684 --> 00:33:08,754 THINK SO. UH... "UP YOURS"? 622 00:33:10,289 --> 00:33:12,458 YEAH. OKAY. 623 00:33:12,491 --> 00:33:15,694 THAT'S THE ONLY LATIN I REMEMBER. CAN I HELP WITH ANYTHING? 624 00:33:15,727 --> 00:33:19,031 WHAT, WITH YOUR EXTENSIVE KNOWLEDGE OF THE LANGUAGE? 625 00:33:19,065 --> 00:33:20,466 YEAH. 626 00:33:25,371 --> 00:33:28,107 YOU KNOW, I DIDN'T GROW UP IN A FAMILY LIKE YOURS, 627 00:33:28,140 --> 00:33:30,442 SO I DON'T KNOW THAT KIND OF PRESSURE, 628 00:33:30,476 --> 00:33:33,445 BUT I CAN IMAGINE IT COULD BE UNBEARABLE AT TIMES. 629 00:33:33,479 --> 00:33:37,183 WELL, YOU'RE NOT EXACTLY A SLOUCH, MR. OXFORD. 630 00:33:37,216 --> 00:33:39,518 I MEAN, THAT DRIVE HAD TO COME FROM SOMEWHERE. 631 00:33:39,551 --> 00:33:41,287 YEAH. IT CAME FROM ME. 632 00:33:41,320 --> 00:33:43,389 MY LIFE HAS BEEN MY CHOICE. 633 00:33:43,422 --> 00:33:45,291 WELL, YOU'RE LUCKY. 634 00:33:48,827 --> 00:33:50,729 I'M SORRY. I'M BEING INTRUSIVE. 635 00:33:50,762 --> 00:33:53,432 NO, NO. YOU'RE BEING NICE. 636 00:33:59,405 --> 00:34:01,373 GEHRY SAID THAT THE "HAT TRICK" CHAIR 637 00:34:01,407 --> 00:34:04,510 WAS INSPIRED BY AN APPLE CRATE. 638 00:34:04,543 --> 00:34:06,378 I DIDN'T REALIZE THAT YOU WERE INTO DESIGN. 639 00:34:06,412 --> 00:34:07,513 YEAH. 640 00:34:07,546 --> 00:34:09,748 AND I APPRECIATE BEAUTY. 641 00:34:34,473 --> 00:34:36,175 STOP. STOP. 642 00:34:36,208 --> 00:34:37,409 WE CAN'T-- 643 00:34:37,443 --> 00:34:39,178 YOU CAN'T DO THIS. IT'S NOT RIGHT. 644 00:34:49,821 --> 00:34:51,823 ( door closes ) 645 00:35:20,786 --> 00:35:23,355 OKAY, SO WE'RE SURE THOSE MADDENS GO WITH THE DRESS? 646 00:35:23,389 --> 00:35:24,890 THIS SOUNDS TOTALLY GAY, 647 00:35:24,923 --> 00:35:26,892 BUT IF I SAW YOU STRUTTIN' IT IN THAT DRESS 648 00:35:26,925 --> 00:35:29,495 AND KICKIN' UP THOSE HEELS, I WOULD THINK ABOUT DOING YOU. 649 00:35:29,528 --> 00:35:30,762 AND WE LOVE THE NECKLACE? 650 00:35:30,796 --> 00:35:33,131 WE ADORE IT. 651 00:35:36,302 --> 00:35:38,704 RELAX. YOU ACTUALLY PAID FOR THAT. 652 00:35:38,737 --> 00:35:39,871 LET'S GO. 653 00:35:39,905 --> 00:35:42,341 UM, YEAH. I'LL BE RIGHT BACK. 654 00:35:44,576 --> 00:35:45,911 ARE YOU SPYING ON ME? 655 00:35:45,944 --> 00:35:47,479 JUST DOING MY JOB. 656 00:35:47,513 --> 00:35:49,381 LOOK, I'LL PAY FOR THE SUNGLASSES. 657 00:35:49,415 --> 00:35:51,383 I'LL PICK UP TRASH ON THE HIGHWAY. 658 00:35:51,417 --> 00:35:54,520 I'LL DO WHATEVER IT TAKES, BUT I WANT YOU TO LEAVE MY MOTHER ALONE. 659 00:35:54,553 --> 00:35:56,355 YOU SEE, THE THING IS, HANNA, 660 00:35:56,388 --> 00:35:59,391 I DON'T CARE IF YOU WERE DRINKING THE NIGHT ALISON WENT MISSING. 661 00:35:59,425 --> 00:36:01,427 WHAT I CARE ABOUT 662 00:36:01,460 --> 00:36:03,629 IS YOU AND YOUR PRETTY LITTLE FRIENDS KNOWING WHO KILLED HER. 663 00:36:03,662 --> 00:36:04,830 WHAT? 664 00:36:04,863 --> 00:36:06,832 YOUR MOM MAY BE HOT, HANNA, 665 00:36:06,865 --> 00:36:09,601 BUT SHE'S NOT HOT ENOUGH TO MAKE THAT GO AWAY. 666 00:36:16,608 --> 00:36:18,844 ( vocalizing ) 667 00:36:26,952 --> 00:36:30,256 ( vocalizing continues ) 668 00:36:38,029 --> 00:36:41,800 ( vocalizing continues ) 669 00:36:52,611 --> 00:36:55,213 ( vocalizing continues ) 670 00:37:22,341 --> 00:37:25,577 Female Vocalist: * 'CAUSE I WANT 671 00:37:25,611 --> 00:37:28,580 * TO BE SEEN 672 00:37:28,614 --> 00:37:34,320 * WITH A FRESH PAIR OF EYES * 673 00:37:34,353 --> 00:37:36,822 ( vocalizing resumes ) 674 00:37:56,608 --> 00:37:57,976 ( all laughing ) 675 00:37:58,009 --> 00:38:00,579 I GOT YOU GUYS SOMETHING. 676 00:38:02,414 --> 00:38:03,515 WHAT'S THE OCCASION? 677 00:38:03,549 --> 00:38:04,816 YOU'LL SEE. OPEN 'EM. 678 00:38:12,491 --> 00:38:14,626 WE'LL BE FRIENDS FOREVER. 679 00:38:19,631 --> 00:38:22,067 CAN YOU PUT MINE ON FOR ME, EM? 680 00:38:22,100 --> 00:38:25,571 ( male vocalist sings soulful song ) 681 00:38:26,938 --> 00:38:29,941 ( soulful song continues ) 682 00:38:35,146 --> 00:38:38,350 ( soulful song continues ) 683 00:38:43,489 --> 00:38:45,857 WE NEED TO TALK. 684 00:38:45,891 --> 00:38:48,860 YOU CAN'T KEEP DOING THIS. 685 00:38:48,894 --> 00:38:51,630 YOU'RE NOT VERY GOOD AT HIDING YOUR FEELINGS. 686 00:38:53,632 --> 00:38:55,834 AND YOUR MOTHER KNOWS THAT SOMETHING IS UP. 687 00:38:57,769 --> 00:38:59,137 LOOK, ARIA, 688 00:38:59,170 --> 00:39:01,006 I DON'T LIKE TO LIE, 689 00:39:01,039 --> 00:39:04,476 BUT SOMETIMES TELLING THE TRUTH DOES MORE HARM THAN GOOD. 690 00:39:04,510 --> 00:39:06,645 NOW, WHEN WE WERE IN ICELAND, 691 00:39:06,678 --> 00:39:09,548 YOU FOUND A WAY TO LET GO OF WHAT HAPPENED. 692 00:39:10,582 --> 00:39:12,684 ARE YOU SEEING HER AGAIN? 693 00:39:12,718 --> 00:39:14,920 SHE TEACHES AT HOLLIS, SO I DO SEE HER, 694 00:39:14,953 --> 00:39:16,822 BUT NOT LIKE THAT. 695 00:39:23,829 --> 00:39:25,096 ( sighs ) 696 00:39:30,702 --> 00:39:32,103 WERE YOU IN LOVE WITH HER? 697 00:39:33,572 --> 00:39:36,408 I HAD VERY STRONG FEELINGS FOR MEREDITH, 698 00:39:36,442 --> 00:39:40,546 AND MY ATTRACTION TO HER TOOK ME COMPLETELY BY SURPRISE. 699 00:39:40,579 --> 00:39:44,650 I HAD NO INTENTION OF BEING UNFAITHFUL TO YOUR MOTHER. 700 00:39:44,683 --> 00:39:49,455 AND YOU'RE TOO YOUNG TO UNDERSTAND THIS, BUT... 701 00:39:49,488 --> 00:39:51,857 THE TRUTH IS, I... 702 00:39:51,890 --> 00:39:53,759 GAVE IN TO MY EMOTIONS. 703 00:39:57,863 --> 00:40:01,032 ( door opens ) 704 00:40:03,769 --> 00:40:06,472 MR. CHUNG WAS VERY HAPPY TO SEE US. 705 00:40:06,505 --> 00:40:09,741 FROM THE LOOKS OF ALL OF THIS FOOD, 706 00:40:09,775 --> 00:40:12,478 I'M SURE THAT HE WAS. 707 00:40:12,511 --> 00:40:13,812 WE GOT YOU KUNG PAO. 708 00:40:13,845 --> 00:40:16,915 YOU'RE... YOU'RE NOT GOING OUT TONIGHT? 709 00:40:18,249 --> 00:40:19,818 NO. 710 00:40:19,851 --> 00:40:21,453 NO, I THINK I'LL STAY HOME. 711 00:40:24,490 --> 00:40:25,691 I LIKE THE SOUND OF THAT. 712 00:40:28,760 --> 00:40:30,462 IS THIS GOOD? MM, YEAH. 713 00:40:30,496 --> 00:40:32,731 YOU WANT SOME? YEAH, THANKS. 714 00:40:32,764 --> 00:40:35,501 I'M GONNA GO GET OUT OF THESE WET CLOTHES, OKAY? 715 00:40:38,837 --> 00:40:40,472 IS IT GOOD? 716 00:40:40,506 --> 00:40:41,940 TRY THIS? Ella: NO, THANKS. I'M GOOD. 717 00:40:41,973 --> 00:40:43,208 YOU'RE GOOD? I'M GOOD. 718 00:40:43,241 --> 00:40:45,010 YOU'RE SURE? I AM GOOD. 719 00:40:45,043 --> 00:40:47,613 I THINK I GOT TOO MUCH FOOD. THAT'S FINE. 720 00:40:47,646 --> 00:40:49,715 I TOLD YOU, MR. CHUNG WAS VERY HAPPY. 721 00:40:53,552 --> 00:40:55,987 ( indistinct happy chatter ) 722 00:41:08,299 --> 00:41:10,268 Female Vocalist: * I HAD A VISION 723 00:41:10,301 --> 00:41:12,137 * MORE LIKE A CRAZY DREAM 724 00:41:12,170 --> 00:41:13,204 * THAT I WAS WALKING 725 00:41:13,238 --> 00:41:15,874 * INTO A CRAZY SCENE 726 00:41:15,907 --> 00:41:18,176 * NEXT THING I KNEW, I LOST ALL CONTROL... * 727 00:41:29,054 --> 00:41:31,056 SEND TEXT NOW.