1 00:00:02,136 --> 00:00:03,737 PREVIOUSLY ON PRETTY LITTLE LIARS... 2 00:00:07,641 --> 00:00:09,677 ( gasping ) 3 00:00:10,678 --> 00:00:12,613 DON'T TELL. 4 00:00:12,646 --> 00:00:14,348 Hanna: I'M IN THE SHOWER, MOM. 5 00:00:15,683 --> 00:00:17,318 Ashley: ALL RIGHT, SEE YOU AT DINNER. 6 00:00:18,852 --> 00:00:21,089 WANT TO SHARE A TOWEL TOO? 7 00:00:21,122 --> 00:00:22,490 Toby: 2-1-4. 8 00:00:22,523 --> 00:00:24,225 COULD BE ANYTHING-- A HOUSE NUMBER, 9 00:00:24,258 --> 00:00:25,659 AN AREA CODE. 10 00:00:25,693 --> 00:00:27,595 WE HAVE TO FIGURE IT OUT, FOR BOTH OUR SAKES. 11 00:00:27,628 --> 00:00:30,364 I WOULD LIKE TO COMPOSE SOME MUSIC FOR THE PLAY. 12 00:00:30,398 --> 00:00:31,832 SURE. THAT'D BE GREAT. 13 00:00:31,865 --> 00:00:33,501 I DIDN'T EVEN KNOW THEY KNEW EACH OTHER. 14 00:00:33,534 --> 00:00:35,103 What is that? 15 00:00:35,136 --> 00:00:37,138 What did he just give her? 16 00:00:37,171 --> 00:00:39,540 YOU KNOW YOU WANT TO KISS ME. 17 00:00:39,573 --> 00:00:40,741 ( all gasp ) 18 00:00:40,774 --> 00:00:42,376 COME CLOSER. OH, MY GOD! 19 00:00:43,744 --> 00:00:45,413 IS THAT... BLOOD? 20 00:00:45,446 --> 00:00:48,416 YOU THINK THAT'S WHAT IAN USED TO KILL ALISON? 21 00:00:48,449 --> 00:00:50,584 WHICH ONE OF YOU FOUND THE TROPHY? 22 00:00:50,618 --> 00:00:52,853 IT'S NOT HUMAN BLOOD. WHY WOULD THERE--? 23 00:00:52,886 --> 00:00:56,290 LET'S SAVE OUR QUESTIONS FOR THE PRECINCT. FOLLOW ME. 24 00:00:57,791 --> 00:01:01,429 THE VIDEO WAS SENT TO US BY AN ANONYMOUS SOURCE. 25 00:01:01,462 --> 00:01:04,165 PROBABLY THE SAME PERSON WHO SENT IT TO YOU. 26 00:01:04,198 --> 00:01:06,600 IT WAS LOADED ONTO SPENCER'S LAPTOP. 27 00:01:06,634 --> 00:01:09,570 THIS TIME WE SAW WHO ALISON WAS TALKING TO. 28 00:01:09,603 --> 00:01:11,705 IT WAS IAN. 29 00:01:11,739 --> 00:01:14,542 HE TOLD HER TO COME CLOSER... 30 00:01:14,575 --> 00:01:17,745 AND SHE DID. 31 00:01:17,778 --> 00:01:19,447 IAN AND ALISON WERE TOGETHER 32 00:01:19,480 --> 00:01:21,282 THE WEEKEND BEFORE SHE WENT MISSING. 33 00:01:21,315 --> 00:01:23,284 SPENCER CALLED HILTON HEAD. 34 00:01:23,317 --> 00:01:24,485 IT WAS SPENCER... 35 00:01:24,518 --> 00:01:26,120 WHO TALKED TO THE DESK CLERK. 36 00:01:26,154 --> 00:01:27,855 IAN LIED TO SPENCER. 37 00:01:27,888 --> 00:01:30,391 HE STAYED AT HILTON HEAD LAST SUMMER. 38 00:01:30,424 --> 00:01:32,393 THIS IS WHAT I DON'T UNDERSTAND-- 39 00:01:32,426 --> 00:01:34,562 IAN WAS A STAR ATHLETE, RIGHT? 40 00:01:34,595 --> 00:01:38,566 POPULAR GUY, DATING A BEAUTIFUL WOMAN LIKE YOUR SISTER. 41 00:01:38,599 --> 00:01:42,136 YOU REALLY THINK HE WOULD RISK ALL THAT TO BE WITH ALISON? 42 00:01:42,170 --> 00:01:44,572 SHE WAS BARELY 15. 43 00:01:44,605 --> 00:01:48,242 WELL, MAYBE HE HAS A THING FOR YOUNGER GIRLS. 44 00:01:50,744 --> 00:01:52,813 WHY WOULD YOU SAY THAT? 45 00:01:52,846 --> 00:01:55,683 I DON'T KNOW. 46 00:01:55,716 --> 00:01:59,253 WERE THERE OTHER YOUNGER GIRLS HE WAS INTERESTED IN? 47 00:01:59,287 --> 00:02:00,888 NOT THAT I KNOW OF. 48 00:02:00,921 --> 00:02:02,723 NO. NO. 49 00:02:02,756 --> 00:02:04,458 NO ONE BUT ALISON. 50 00:02:06,594 --> 00:02:09,663 ( telephone ringing ) 51 00:02:11,232 --> 00:02:13,334 YOU'LL BE AVAILABLE FOR MORE QUESTIONS? 52 00:02:13,367 --> 00:02:15,869 OF COURSE. THE GIRLS HAVE NOTHING TO HIDE. 53 00:02:20,674 --> 00:02:22,776 PAM JUST STEPPED OUT TO CALL WAYNE. 54 00:02:22,810 --> 00:02:24,845 ARE THEY BEING CHARGED WITH SOMETHING-- 55 00:02:24,878 --> 00:02:26,680 CONSPIRACY TO COMMIT AN HONEST MISTAKE? 56 00:02:28,449 --> 00:02:29,817 SORRY. 57 00:02:29,850 --> 00:02:31,552 HAVEN'T THEY BEEN THROUGH ENOUGH? 58 00:02:31,585 --> 00:02:32,886 THE GIRLS ARE FREE TO GO. 59 00:02:32,920 --> 00:02:34,422 I'M STILL TRYING TO PROCESS THIS. 60 00:02:34,455 --> 00:02:36,290 IT APPEARS OUR DAUGHTERS 61 00:02:36,324 --> 00:02:39,427 HAVE BEEN THE VICTIMS OF A CRUEL JOKE. 62 00:02:41,395 --> 00:02:44,965 WHOEVER SAID "THE TRUTH WILL SET YOU FREE" NEVER MET "A." 63 00:02:44,998 --> 00:02:46,400 JESUS. 64 00:02:47,568 --> 00:02:50,338 IT'S FROM THE BIBLE. JESUS SAID IT. 65 00:02:50,371 --> 00:02:51,739 THEN ARIA'S RIGHT, 66 00:02:51,772 --> 00:02:53,741 BECAUSE THAT BITCH IS GOING STRAIGHT TO HELL. 67 00:02:53,774 --> 00:02:56,710 I WASN'T COMPLETELY HONEST IN THERE. 68 00:02:58,246 --> 00:03:00,648 I SHOULD HAVE BEEN, BUT MY MOM WAS RIGHT NEXT TO ME, 69 00:03:00,681 --> 00:03:02,383 AND WITH THE WHOLE WREN THING, 70 00:03:02,416 --> 00:03:03,784 I COULDN'T BRING MYSELF TO SAY 71 00:03:03,817 --> 00:03:05,419 THAT I ALSO HOOKED UP WITH IAN. 72 00:03:05,453 --> 00:03:07,388 THAT HAS NOTHING TO DO WITH THIS. 73 00:03:07,421 --> 00:03:09,357 I LIED ABOUT IT TOO, SPENCE. 74 00:03:09,390 --> 00:03:12,626 YOU KNOW, SOMETIMES TELLING THE TRUTH DOES MORE HARM THAN GOOD. 75 00:03:12,660 --> 00:03:15,529 WHO SAID THAT? 76 00:03:15,563 --> 00:03:16,664 ALISON. 77 00:03:18,566 --> 00:03:20,468 HEY, EMILY. GARRETT? 78 00:03:21,902 --> 00:03:23,504 YOU'RE A COP NOW? 79 00:03:23,537 --> 00:03:26,574 LOOK, UH, SORRY THEY'RE PUTTING YOU THROUGH THIS. 80 00:03:26,607 --> 00:03:28,742 OFFICER REYNOLDS. 81 00:03:32,546 --> 00:03:35,849 PROBABLY WANTS A REFILL ON HIS COFFEE AND ANOTHER JELLY DONUT. 82 00:03:39,487 --> 00:03:41,221 HE LOOKS GOOD IN A UNIFORM. 83 00:03:42,623 --> 00:03:45,259 SIR? YOU KNOW THOSE GIRLS? 84 00:03:45,293 --> 00:03:47,528 MY PARENTS LIVED DOWN THE STREET FROM EMILY FIELDS, 85 00:03:47,561 --> 00:03:49,029 SO WE USED TO BE NEIGHBORS. 86 00:03:49,062 --> 00:03:50,931 YOU THINK THEY'RE TELLING THE TRUTH? 87 00:03:50,964 --> 00:03:53,867 UH... I DON'T KNOW WHY THEY WOULD LIE, SIR. 88 00:03:53,901 --> 00:03:56,370 NEITHER DO I. 89 00:03:56,404 --> 00:03:58,639 BUT YOU'RE GONNA HELP ME FIND OUT. 90 00:03:58,672 --> 00:04:00,274 SIR? 91 00:04:00,308 --> 00:04:04,412 UNLESS YOU'D RATHER BE WRITING PARKING TICKETS. 92 00:04:10,818 --> 00:04:12,886 The Pierces: * GOT A SECRET, CAN YOU KEEP IT? * 93 00:04:12,920 --> 00:04:15,523 * SWEAR THIS ONE YOU'LL SAVE * 94 00:04:15,556 --> 00:04:17,425 * BETTER LOCK IT IN YOUR POCKET * 95 00:04:17,458 --> 00:04:20,528 * TAKING THIS ONE TO THE GRAVE * 96 00:04:20,561 --> 00:04:22,763 * IF I SHOW YOU THEN I KNOW YOU * 97 00:04:22,796 --> 00:04:25,966 * WON'T TELL WHAT I SAID 98 00:04:25,999 --> 00:04:28,302 * 'CAUSE TWO CAN KEEP A SECRET * 99 00:04:28,336 --> 00:04:30,738 * IF ONE OF THEM IS DEAD * 100 00:04:35,643 --> 00:04:36,777 HEY. 101 00:04:38,612 --> 00:04:40,013 DID YOU GET SOME SLEEP? 102 00:04:40,047 --> 00:04:42,015 A LITTLE. 103 00:04:42,049 --> 00:04:45,886 YEAH, WE ALL NEEDED A NIGHT TO SETTLE DOWN AND... 104 00:04:45,919 --> 00:04:48,556 RETHINK THIS. 105 00:04:48,589 --> 00:04:50,958 HAVE YOU... TALKED TO MELISSA? 106 00:04:50,991 --> 00:04:52,760 YEAH. 107 00:04:52,793 --> 00:04:54,628 YEAH, WE TALKED TO MELISSA AND IAN. 108 00:04:54,662 --> 00:04:57,030 THEY... WEREN'T THAT SURPRISED. 109 00:04:57,064 --> 00:04:59,367 IN HINDSIGHT, YOUR SISTER SAW IT COMING... 110 00:04:59,400 --> 00:05:01,535 AND WE SHOULD HAVE TOO. 111 00:05:01,569 --> 00:05:03,404 SAW WHAT COMING? 112 00:05:03,437 --> 00:05:05,406 WE SHOULD HAVE INSISTED THAT YOU SEE SOMEONE 113 00:05:05,439 --> 00:05:07,941 AFTER THEY FOUND ALISON. 114 00:05:07,975 --> 00:05:09,810 WE'RE NOT BLAMING YOU, WE'RE BLAMING OURSELVES. 115 00:05:09,843 --> 00:05:11,579 LIKE-- LIKE A SHRINK? 116 00:05:15,849 --> 00:05:16,984 DAD? 117 00:05:18,852 --> 00:05:22,022 LOOK, YOU-- YOU TOLD THE POLICE EVERYTHING YOU KNOW. 118 00:05:22,055 --> 00:05:24,592 SO WHILE THEY'RE DOING THEIR JOB, 119 00:05:24,625 --> 00:05:27,728 WE JUST THINK YOU SHOULD SEE A THERAPIST, 120 00:05:27,761 --> 00:05:28,962 TALK ABOUT HOW YOU FEEL. 121 00:05:31,098 --> 00:05:33,801 I-I FEEL SCARED. 122 00:05:33,834 --> 00:05:36,604 OKAY? 123 00:05:36,637 --> 00:05:40,674 I FEEL SCARED EVERY DAY THAT HE'S HERE. 124 00:05:40,708 --> 00:05:44,412 PLEASE, THERE'S NOTHING WRONG WITH ME. 125 00:05:50,551 --> 00:05:52,653 I HOPE YOU GET THE HELP YOU NEED. 126 00:05:52,686 --> 00:05:55,122 SPENCER, I WANT YOU TO KNOW I'M NOT ANGRY WITH YOU. 127 00:05:55,155 --> 00:05:58,526 I'M... CONFUSED, BUT I'M NOT MAD. 128 00:05:58,559 --> 00:06:02,796 WHAT I DON'T UNDERSTAND IS WHY YOU CAME BACK TO ROSEWOOD. 129 00:06:02,830 --> 00:06:04,598 YOU GOT AWAY WITH IT. 130 00:06:04,632 --> 00:06:05,966 YOU'RE SICK. MELISSA. 131 00:06:05,999 --> 00:06:07,735 THAT'S HOW I DEAL WITH THIS, DAD. 132 00:06:07,768 --> 00:06:09,837 I HAVE TO BELIEVE YOU'RE ILL. 133 00:06:09,870 --> 00:06:11,405 IF YOU HAD JUST STAYED AWAY, 134 00:06:11,439 --> 00:06:12,840 NO ONE EVER WOULD HAVE KNOWN. 135 00:06:12,873 --> 00:06:14,041 Veronica: NOW, THAT'S ENOUGH. 136 00:06:14,074 --> 00:06:15,509 THE TROPHY WASN'T REAL, 137 00:06:15,543 --> 00:06:17,545 BUT THAT DOESN'T MEAN THAT HE DIDN'T DO IT. 138 00:06:17,578 --> 00:06:19,847 OH, MY GOD, DO YOU HEAR YOURSELF? 139 00:06:19,880 --> 00:06:22,750 I'M JUST MAKING THINGS WORSE BY BEING HERE. 140 00:06:22,783 --> 00:06:25,385 SPENCER, I MEANT WHAT I SAID. 141 00:06:30,858 --> 00:06:33,193 WHY CAN'T YOU JUST LET ME BE HAPPY? 142 00:06:33,226 --> 00:06:36,430 THIS ISN'T ABOUT YOU! YOU'RE RIGHT. 143 00:06:36,464 --> 00:06:39,399 LIKE ALWAYS, IT'S ABOUT YOU. 144 00:06:44,538 --> 00:06:47,074 LOOK, I KNOW WHAT THIS MUST LOOK LIKE, AND... 145 00:06:47,107 --> 00:06:48,676 NO. 146 00:06:48,709 --> 00:06:51,178 HONEY, I DON'T THINK YOU DO. 147 00:06:59,587 --> 00:07:01,855 I FORGOT MY BAG HERE LAST NIGHT. 148 00:07:03,857 --> 00:07:05,559 HAVE YOU BEEN SWIMMING AT NIGHTS 149 00:07:05,593 --> 00:07:07,695 BECAUSE YOU KNOW I'M HERE IN THE MORNINGS? 150 00:07:07,728 --> 00:07:09,997 IT'S JUST KIND OF WORKED OUT THAT WAY. 151 00:07:10,030 --> 00:07:14,768 AHEM. I LEFT YOU A COUPLE OF MESSAGES. 152 00:07:14,802 --> 00:07:17,671 I WENT TO VISIT MY AUNT. 153 00:07:17,705 --> 00:07:19,907 SHE'S OLD AND SICK. 154 00:07:21,575 --> 00:07:23,677 I THOUGHT MAYBE YOU WERE AVOIDING ME. 155 00:07:23,711 --> 00:07:25,679 NO. I JUST... 156 00:07:26,680 --> 00:07:27,948 NO. 157 00:07:30,217 --> 00:07:32,686 OKAY, THIS IS BEYOND AWKWARD. 158 00:07:32,720 --> 00:07:34,522 CAN WE PLEASE TALK ABOUT WHAT HAPPENED? 159 00:07:34,555 --> 00:07:36,156 THERE'S NOTHING TO TALK ABOUT. 160 00:07:36,189 --> 00:07:38,659 YOU KISSED ME, REMEMBER? 161 00:07:40,060 --> 00:07:42,696 EMILY, JUST DROP IT. 162 00:07:46,700 --> 00:07:48,569 SO YOU WANT TO PRETEND LIKE IT DIDN'T HAPPEN? 163 00:07:48,602 --> 00:07:51,071 YES. PLEASE. 164 00:07:55,576 --> 00:07:58,178 CONSIDER IT FORGOTTEN. 165 00:08:11,625 --> 00:08:14,728 ARE YOU SURE THAT YOU WANT TO STAY HERE? 166 00:08:14,762 --> 00:08:17,130 I CAN'T HANDLE ANOTHER FIGHT WITH JENNA, 167 00:08:17,164 --> 00:08:19,667 I DON'T WANT TO GO HOME UNTIL MY PARENTS GET BACK, 168 00:08:19,700 --> 00:08:22,770 AND I DON'T THINK YOUR PARENTS ARE GONNA OFFER ME THE GUEST ROOM. 169 00:08:22,803 --> 00:08:25,539 IT'S MY FAULT SHE'S MAKING YOUR LIFE SO MISERABLE. 170 00:08:25,573 --> 00:08:27,074 I DIDN'T HAVE TO TAKE HER PHONE. 171 00:08:27,107 --> 00:08:28,809 HOW DOES SHE KNOW IT WAS YOU? 172 00:08:28,842 --> 00:08:30,778 SHE DOESN'T. BUT WITH JENNA, 173 00:08:30,811 --> 00:08:32,946 SUSPICION IS ENOUGH. 174 00:08:32,980 --> 00:08:35,783 I REALLY AM SORRY. THAT'S OKAY. 175 00:08:35,816 --> 00:08:37,284 MY FOLKS'LL BE BACK ON MONDAY, 176 00:08:37,317 --> 00:08:39,920 AND THEY'RE USUALLY A DECENT BUFFER. 177 00:08:39,953 --> 00:08:41,955 YOU NEVER TALK ABOUT YOUR PARENTS. 178 00:08:41,989 --> 00:08:43,190 NEITHER DO YOU. 179 00:08:44,758 --> 00:08:46,293 YEAH, WELL... 180 00:08:46,326 --> 00:08:48,161 THE HOUSE OF HASTINGS ISN'T EXACTLY 181 00:08:48,195 --> 00:08:50,764 MY SAFE PLACE TO LAND RIGHT NOW, EITHER. 182 00:08:50,798 --> 00:08:52,265 SPENCER... 183 00:08:52,299 --> 00:08:56,069 IF JENNA HAS ANYTHING TO DO WITH YOU BEING FRAMED, 184 00:08:56,103 --> 00:08:58,572 I'LL DO WHATEVER I CAN TO HELP YOU. 185 00:08:58,606 --> 00:09:01,008 THANK YOU. 186 00:09:14,788 --> 00:09:17,925 ( flute playing ) 187 00:09:23,997 --> 00:09:27,134 ( flute continuing ) 188 00:09:33,140 --> 00:09:35,375 ( taps softly ) 189 00:09:35,408 --> 00:09:37,745 ( flute ceases ) 190 00:09:43,717 --> 00:09:45,986 ( silence ) 191 00:10:01,301 --> 00:10:02,870 ( coffee pouring ) 192 00:10:02,903 --> 00:10:04,137 ENJOY YOUR SHOWER. 193 00:10:04,171 --> 00:10:06,173 I INTEND TO. 194 00:10:22,823 --> 00:10:23,957 MORNING. 195 00:10:23,991 --> 00:10:25,659 THANKS. 196 00:10:25,693 --> 00:10:27,194 OKAY, PEBBLES OR PUFFS? 197 00:10:27,227 --> 00:10:29,362 UH... SURPRISE ME. 198 00:10:40,974 --> 00:10:42,375 ( chuckles softly ) 199 00:10:43,410 --> 00:10:45,045 THAT TICKLES. 200 00:10:45,078 --> 00:10:46,246 REALLY? 201 00:10:46,279 --> 00:10:48,248 YOU'RE NOT LAUGHING. 202 00:10:48,281 --> 00:10:49,950 HANNA? 203 00:11:00,227 --> 00:11:03,163 MY ASS JUST FELL INTO THE TOILET FOR THE SECOND TIME THIS WEEK. 204 00:11:03,196 --> 00:11:05,432 YOU KNOW, I WAS CLEANING YESTERDAY. 205 00:11:05,465 --> 00:11:07,367 I FORGOT TO PUT THE SEAT BACK DOWN. 206 00:11:07,400 --> 00:11:09,770 UH-HUH. 207 00:11:09,803 --> 00:11:11,071 SORRY. 208 00:11:12,105 --> 00:11:13,373 EXPECTING COMPANY? 209 00:11:13,406 --> 00:11:14,942 NO. 210 00:11:17,210 --> 00:11:19,046 ( chuckles ) 211 00:11:19,079 --> 00:11:21,949 WAS HE HERE LAST NIGHT? 212 00:11:21,982 --> 00:11:24,184 UPSTAIRS, IN THE NO-BOY ZONE? 213 00:11:24,217 --> 00:11:25,352 NOPE. 214 00:11:25,385 --> 00:11:27,420 DON'T LIE TO ME, HANNA. 215 00:11:28,856 --> 00:11:32,059 I KNOW WHAT YOU THINK OF HIM, AND HE DOES TOO. 216 00:11:32,092 --> 00:11:34,261 THAT'S WHY HE DOESN'T HANG AROUND HERE ANYMORE. 217 00:11:36,063 --> 00:11:37,497 OKAY, HE CAME OVER A FEW TIMES, 218 00:11:37,530 --> 00:11:39,132 BUT IT WAS TO HELP ME WITH MY HOMEWORK. 219 00:11:39,166 --> 00:11:41,935 RIGHT. I KNOW BOYS LIKE CALEB. 220 00:11:41,969 --> 00:11:44,071 HE'S A TOUGH GUY, SO YOU THINK YOU'RE SAFE WITH HIM, 221 00:11:44,104 --> 00:11:45,773 BUT YOU'RE NOT. 222 00:11:45,806 --> 00:11:47,407 CALEB IS LOOKING OUT FOR CALEB. 223 00:11:47,440 --> 00:11:49,409 YOU MAY KNOW GUYS LIKE CALEB, 224 00:11:49,442 --> 00:11:51,078 BUT YOU DON'T KNOW HIM. 225 00:11:51,111 --> 00:11:52,712 ( sighs ) 226 00:12:00,287 --> 00:12:01,755 THAT WAS CLOSE. 227 00:12:01,789 --> 00:12:05,325 IT WAS TOO CLOSE. YOU SHOULD TAKE THIS TO GO. 228 00:12:07,961 --> 00:12:10,363 ( sighs ) 229 00:12:13,433 --> 00:12:16,069 WHAT ARE YOU STILL DOING HERE? FORGOT SOMETHING. 230 00:12:16,103 --> 00:12:18,071 WHAT? 231 00:12:33,020 --> 00:12:34,421 ( sighs ) 232 00:12:50,237 --> 00:12:52,806 ( no audible dialogue ) 233 00:12:55,943 --> 00:12:58,211 ( cell phone rings ) 234 00:13:11,191 --> 00:13:12,960 SORRY TO INTERRUPT. 235 00:13:12,993 --> 00:13:14,161 I-I CAN COME BACK LATER, IF YOU'RE BUSY. 236 00:13:14,194 --> 00:13:15,795 I WAS JUST LEAVING. 237 00:13:18,065 --> 00:13:19,833 THANK YOU AGAIN FOR YOUR HELP, MR. FITZ. 238 00:13:19,867 --> 00:13:21,134 ABSOLUTELY, JENNA. 239 00:13:22,269 --> 00:13:23,871 HE'S ALL YOURS. 240 00:13:28,541 --> 00:13:32,012 JENNA IS SUBMITTING A SHORT STORY TO A COMPETITION. 241 00:13:32,045 --> 00:13:34,614 OH, I... THOUGHT MUSIC WAS HER THING. 242 00:13:34,647 --> 00:13:37,117 I THINK SHE'S GOT A SHOT AT WINNING. 243 00:13:38,451 --> 00:13:40,420 SO, UM, TONIGHT I WAS THINKING 244 00:13:40,453 --> 00:13:43,090 THAT I WOULD COOK INSTEAD OF TAKEOUT. 245 00:13:43,123 --> 00:13:45,092 SURE. I'VE GOT A FACULTY THING AT FOUR, 246 00:13:45,125 --> 00:13:47,560 AND I PROMISED JENNA ANOTHER ROUND OF NOTES. 247 00:13:47,594 --> 00:13:50,898 WHAT'S HER... STORY ABOUT? 248 00:13:50,931 --> 00:13:54,935 EXPOSING PEOPLE. THE PROTAGONIST IS BLIND, 249 00:13:54,968 --> 00:13:58,972 BUT SHE "SEES" MORE THAN SIGHTED PEOPLE. 250 00:13:59,006 --> 00:14:01,474 SO IT'S ABOUT HER? SHE SAYS IT'S FICTION... 251 00:14:01,508 --> 00:14:03,476 BUT IT BEGINS ON THE NIGHT OF AN ACCIDENT, 252 00:14:03,510 --> 00:14:05,979 AND HER BROTHER IS RESPONSIBLE FOR IT. 253 00:14:09,416 --> 00:14:11,418 WAS IT REALLY TOBY'S FAULT? 254 00:14:11,451 --> 00:14:13,353 HE-- HE SET FIRE TO THE GARAGE, 255 00:14:13,386 --> 00:14:16,089 BUT HE DIDN'T KNOW JENNA WAS INSIDE. 256 00:14:16,123 --> 00:14:19,126 HER STORY SUGGESTS THAT IT WASN'T AN ACCIDENT. 257 00:14:19,159 --> 00:14:21,294 I WOULDN'T KNOW. 258 00:14:22,329 --> 00:14:24,264 HM. 259 00:14:24,297 --> 00:14:26,433 ( sighs ) 260 00:14:27,467 --> 00:14:29,369 ( clears throat ) 261 00:14:43,483 --> 00:14:46,486 ( approaching conversation ) 262 00:14:46,519 --> 00:14:48,555 I CAN'T BELIEVE THAT THIS IS HAPPENING. 263 00:14:48,588 --> 00:14:50,090 DO YOU WANT US TO TALK TO THEM FOR YOU? 264 00:14:50,123 --> 00:14:52,125 NO. WHO? 265 00:14:52,159 --> 00:14:54,061 SPENCER'S PARENTS THINK SHE'S NUTS. 266 00:14:54,094 --> 00:14:55,595 UNSTABLE. 267 00:14:55,628 --> 00:14:57,064 AND WHY SHOULD THEY BELIEVE ME? 268 00:14:57,097 --> 00:14:58,531 I MEAN, WE HAVE NO PROOF. 269 00:14:58,565 --> 00:15:00,133 I'M THE GIRL WHO CRIED WOLF. 270 00:15:00,167 --> 00:15:02,235 AND THE WOLF IS LIVING IN YOUR BACKYARD. 271 00:15:02,269 --> 00:15:04,537 RIGHT, WHICH IS WHY I NEED TO GET INTO ROOM 214. 272 00:15:04,571 --> 00:15:06,273 SPENCER THINKS JENNA HAS A ROOM 273 00:15:06,306 --> 00:15:07,507 AT THE EDGEWOOD MOTOR COURT. 274 00:15:07,540 --> 00:15:09,409 DID YOU SAY 214? 275 00:15:09,442 --> 00:15:12,980 AND I SAW THE BAG THAT IAN GAVE HER. IT'S IN THE ROOM. 276 00:15:13,013 --> 00:15:16,116 I THINK WE NEED TO TAKE A BREAK FROM PLAYING CHARLIE'S ANGELS. 277 00:15:16,149 --> 00:15:19,152 I DON'T WANT TO SPEND ANOTHER NIGHT WITH THE ROSEWOOD P.D. 278 00:15:19,186 --> 00:15:20,553 Spencer: HEY! 279 00:15:20,587 --> 00:15:22,522 AND THERE GOES LUCY LIU. 280 00:15:22,555 --> 00:15:25,625 GARRETT, CAN I TALK TO YOU FOR A SECOND? 281 00:15:25,658 --> 00:15:28,295 SURE. WHAT'S UP? 282 00:15:28,328 --> 00:15:31,564 I KNOW THAT MOST OF THE EVIDENCE WE HAVE ON IAN IS WEAK. 283 00:15:31,598 --> 00:15:34,201 "WEAK"? IT'S NONEXISTENT. 284 00:15:34,234 --> 00:15:36,136 YOU HAVE TO FOLLOW UP ON HILTON HEAD. 285 00:15:36,169 --> 00:15:38,705 I KNOW THAT HE WAS THERE. I SPOKE TO THE CLERK MYSELF. 286 00:15:38,738 --> 00:15:40,707 I'M WAITING FOR A MANAGER TO CALL ME BACK. 287 00:15:40,740 --> 00:15:43,176 IF IAN WAS THERE WITH ALISON, I'LL FIND OUT. 288 00:15:43,210 --> 00:15:44,344 THANK YOU. 289 00:15:47,147 --> 00:15:48,381 HEY, SPENCER. 290 00:15:49,516 --> 00:15:51,351 YEAH? 291 00:15:52,519 --> 00:15:54,754 WHY WOULD IAN WANT ALI DEAD? 292 00:15:54,787 --> 00:15:57,957 BECAUSE SHE WAS GOING TO TELL MELISSA ABOUT THEIR AFFAIR. 293 00:16:14,174 --> 00:16:16,543 I UNDERSTAND WHY YOU'RE SO FOND OF MR. FITZ. 294 00:16:16,576 --> 00:16:20,680 HE TAKES SUCH A PERSONAL INTEREST IN HIS STUDENTS. 295 00:16:20,713 --> 00:16:23,183 I FEEL LIKE I CAN TELL HIM ANYTHING. 296 00:16:23,216 --> 00:16:26,219 I WAS THINKING OF SUGGESTING HE ADD ORWELL'S 1984 297 00:16:26,253 --> 00:16:28,355 TO THE READING LIST. 298 00:16:28,388 --> 00:16:30,457 YOU KNOW... 299 00:16:30,490 --> 00:16:32,625 BIG BROTHER'S ALWAYS WATCHING YOU. 300 00:16:32,659 --> 00:16:36,363 MR. FITZ ISN'T SEDUCED BY CONTROLLING CHARACTERS. 301 00:16:38,231 --> 00:16:39,699 YOU DO KNOW HIM BETTER. 302 00:16:46,506 --> 00:16:48,341 SCRABBLE. 303 00:16:48,375 --> 00:16:50,077 MAD LIBS. 304 00:16:50,110 --> 00:16:52,379 ( gasps ) "BIKES TO DIE FOR, BABES TO FIGHT FOR." 305 00:16:52,412 --> 00:16:54,347 PAGE 12. IT'S A GREAT READ. 306 00:16:54,381 --> 00:16:55,648 ( dubiously ) THANKS. 307 00:16:55,682 --> 00:16:57,650 AND I DOWNLOADED THIS APP THAT TURNS MY PHONE 308 00:16:57,684 --> 00:16:59,286 INTO A LISTENING DEVICE. 309 00:16:59,319 --> 00:17:01,221 THAT WAY, IF ANYBODY GOES NEXT DOOR, 310 00:17:01,254 --> 00:17:03,790 WE'LL BE ABLE TO HEAR THEM THROUGH THE WALL. 311 00:17:03,823 --> 00:17:05,392 CAFFEINE? 312 00:17:05,425 --> 00:17:07,260 I THINK YOU'VE HAD ENOUGH. 313 00:17:07,294 --> 00:17:08,495 ( nearby door closes ) 314 00:17:13,500 --> 00:17:16,503 HEY, DID YOU JUST COME OUT OF ROOM 214? 315 00:17:16,536 --> 00:17:18,305 IS THERE ANY WAY THAT WE CAN GET IN THERE? 316 00:17:18,338 --> 00:17:19,706 IS IT YOUR ROOM? 317 00:17:19,739 --> 00:17:22,309 NO, BUT WE-- 318 00:17:22,342 --> 00:17:24,377 I'VE GOT WORK TO DO. WAIT, UM... 319 00:17:24,411 --> 00:17:26,045 FOR A 20... 320 00:17:27,747 --> 00:17:30,283 CAN WE PRETEND THAT HE SAID YES? 321 00:17:35,622 --> 00:17:37,757 SPENCER, JENNA'S GLASSES. 322 00:17:39,392 --> 00:17:40,627 THIS IS HER ROOM. 323 00:17:40,660 --> 00:17:42,395 THE BAG WAS ON THE BED. 324 00:18:07,320 --> 00:18:08,455 NOTHING. 325 00:18:09,922 --> 00:18:12,192 ( door opens ) 326 00:18:16,329 --> 00:18:18,865 SO... WHAT'S IT GONNA BE FIRST? 327 00:18:18,898 --> 00:18:21,901 MAC AND CHEESE OR FLUFF 'N' FOLD? 328 00:18:21,934 --> 00:18:24,304 Female Vocalist: * HEART WAS BEATING 329 00:18:24,337 --> 00:18:26,473 * THUMP-THUMPS BEATING FASTER * 330 00:18:26,506 --> 00:18:29,242 * WHEN I SAW 331 00:18:29,276 --> 00:18:32,412 * YOUR FACE 332 00:18:33,880 --> 00:18:37,350 * OOH 333 00:18:37,384 --> 00:18:41,354 * OOOHHH 334 00:18:41,388 --> 00:18:43,256 MOM. ( Caleb clears throat ) 335 00:18:43,290 --> 00:18:45,392 WHAT ARE YOU DOING HERE? I THOUGHT YOU WERE WORKING LATE. 336 00:18:45,425 --> 00:18:48,161 IT'S TIME FOR YOU TO SAY GOODBYE, CALEB. 337 00:18:48,195 --> 00:18:51,398 NO, HE JUST GOT HERE. YOU MEAN HE JUST GOT BACK. 338 00:18:51,431 --> 00:18:53,733 I FOUND THIS IN THE BASEMENT. 339 00:18:55,635 --> 00:18:57,304 I SHOULD GO. NO, DON'T LEAVE. 340 00:18:57,337 --> 00:18:59,806 EXCELLENT IDEA. MOM, HE STAYED HERE ONE NIGHT. 341 00:18:59,839 --> 00:19:02,809 REALLY? BECAUSE THE KITCHEN CABINET FIXED ITSELF; 342 00:19:02,842 --> 00:19:04,811 A WEEK AGO, OUR GROCERY BILL HAS TRIPLED; 343 00:19:04,844 --> 00:19:07,180 AND I KNOW YOU DON'T CARB-LOAD FOR BREAKFAST. 344 00:19:07,214 --> 00:19:09,382 THIS ISN'T HER FAULT. SAVE IT. 345 00:19:09,416 --> 00:19:10,683 JUST GO. 346 00:19:12,319 --> 00:19:14,221 DON'T COME BACK. 347 00:19:22,929 --> 00:19:25,732 ( door opens, closes ) 348 00:19:25,765 --> 00:19:27,934 HE HAD NOWHERE TO GO. 349 00:19:27,967 --> 00:19:29,502 THIS ISN'T A HALFWAY HOUSE. 350 00:19:29,536 --> 00:19:31,471 CAN'T HE JUST PLEASE SPEND THE NIGHT? 351 00:19:31,504 --> 00:19:33,373 IT'S GETTING LATE, AND IF HE DOESN'T STAY HERE, 352 00:19:33,406 --> 00:19:36,209 HE'LL WIND UP SLEEPING ON A BENCH AT THE BUS STATION. 353 00:19:40,313 --> 00:19:42,649 WE DON'T LIE TO EACH OTHER, HANNA. 354 00:19:52,825 --> 00:19:54,961 ( door slams ) 355 00:20:05,872 --> 00:20:08,441 GPS: YOU HAVE ARRIVED AT YOUR DESTINATION. 356 00:20:10,042 --> 00:20:14,881 ( rock music playing ) 357 00:20:14,914 --> 00:20:17,317 Woman on PA: HEY, DON'T FORGET TO SIGN UP 358 00:20:17,350 --> 00:20:19,886 FOR YOUR TURN AT KARAOKE TONIGHT. 359 00:20:23,323 --> 00:20:26,493 ( sighs softly ) DO YOU COME HERE A LOT? 360 00:20:26,526 --> 00:20:29,696 I DIDN'T REALIZE IT WAS SO... 361 00:20:29,729 --> 00:20:31,398 RUSTIC? 362 00:20:32,465 --> 00:20:34,401 I FOUND IT ONLINE. 363 00:20:34,434 --> 00:20:35,768 I THOUGHT IT WOULD BE... 364 00:20:35,802 --> 00:20:37,504 REMOTE. 365 00:20:37,537 --> 00:20:39,672 YOU GONNA FINISH ALL MY SENTENCES? 366 00:20:39,706 --> 00:20:41,408 SORRY. 367 00:20:41,441 --> 00:20:43,376 THAT WAS A JOKE. 368 00:20:44,444 --> 00:20:46,379 I THINK... I WAS... 369 00:20:46,413 --> 00:20:48,548 YOU GO FIRST. 370 00:20:48,581 --> 00:20:50,383 YOU WERE RIGHT TODAY. 371 00:20:52,319 --> 00:20:54,821 I WAS AVOIDING YOU. 372 00:20:54,854 --> 00:20:57,924 I SCARED MYSELF THAT NIGHT WHEN I... KISSED ME? 373 00:20:57,957 --> 00:21:00,327 THERE YOU GO AGAIN. 374 00:21:03,896 --> 00:21:06,333 THE FIRST TIME I SAW YOU WITH MAYA, 375 00:21:06,366 --> 00:21:08,968 WHEN I REALIZED YOU WERE TOGETHER... 376 00:21:09,001 --> 00:21:12,472 I FINALLY ADMITTED TO MYSELF THAT I WAS LIKE YOU. 377 00:21:12,505 --> 00:21:15,408 AM I THE FIRST GIRL YOU'VE KISSED? 378 00:21:16,476 --> 00:21:18,645 ROMANTIC, HUH? 379 00:21:18,678 --> 00:21:21,514 DEFINITELY YOU SURPRISED ME. 380 00:21:21,548 --> 00:21:23,650 SO, WAS MAYA YOUR FIRST GIRLFRIEND? 381 00:21:23,683 --> 00:21:26,519 SHE WAS. 382 00:21:27,954 --> 00:21:31,290 BUT SHE... WASN'T THE FIRST GIRL I'VE EVER KISSED. 383 00:21:34,060 --> 00:21:36,396 I WAS IN LOVE WITH ALISON. 384 00:21:36,429 --> 00:21:38,898 WAS SHE IN LOVE WITH YOU? 385 00:21:38,931 --> 00:21:40,066 NO. 386 00:21:43,002 --> 00:21:45,104 I DIDN'T KNOW HER WELL, BUT... 387 00:21:45,137 --> 00:21:48,441 SHE SEEMED LIKE A VERY DYNAMIC PERSON. 388 00:21:48,475 --> 00:21:49,976 SHE WAS THAT. 389 00:21:51,143 --> 00:21:54,881 MAYA WAS KIND OF LIKE THAT TOO, RIGHT? 390 00:21:54,914 --> 00:21:59,386 YEAH, I... GUESS I LIKE... 391 00:21:59,419 --> 00:22:00,887 BALLSY WOMEN. 392 00:22:00,920 --> 00:22:03,890 ( both laugh ) 393 00:22:07,394 --> 00:22:09,629 Female Vocalist: * I LOVE THE WAY YOU TALK 394 00:22:09,662 --> 00:22:13,032 * I LOVE THE WAY YOU SMILE, THE WAY YOU WALK * 395 00:22:13,065 --> 00:22:15,535 * I LOVE THE WAY... 396 00:22:15,568 --> 00:22:17,937 WELCOME HOME, HONEY. 397 00:22:17,970 --> 00:22:19,772 WOW. 398 00:22:21,841 --> 00:22:23,042 HI. 399 00:22:27,447 --> 00:22:29,782 ARE WE CELEBRATING SOMETHING I'M NOT AWARE OF? 400 00:22:29,816 --> 00:22:31,083 NO. 401 00:22:31,117 --> 00:22:33,653 YOU'RE WEARING THIS DRESS BECAUSE...? 402 00:22:33,686 --> 00:22:37,557 BECAUSE I JUST... WANTED TO HEAR YOU SAY WOW. 403 00:22:37,590 --> 00:22:39,859 ( chuckles ) I LIKE COMING HOME TO YOU. 404 00:22:39,892 --> 00:22:42,094 ( chuckles ) 405 00:22:42,128 --> 00:22:43,430 ( sighs ) 406 00:22:43,463 --> 00:22:44,697 SORRY I'M LATE. 407 00:22:44,731 --> 00:22:47,867 THINGS WITH JENNA TOOK LONGER THAN I THOUGHT. 408 00:22:47,900 --> 00:22:50,470 I CAN'T STOP THINKING ABOUT HER STORY. 409 00:22:50,503 --> 00:22:52,505 CHEESE BALL? SURE. 410 00:22:52,539 --> 00:22:55,775 HER STORY IS SO RAW, WHICH IS SURPRISING, 411 00:22:55,808 --> 00:22:57,910 COMING FROM SOMEBODY SO GUARDED. 412 00:22:57,944 --> 00:23:00,112 WAS SHE ALWAYS LIKE THAT? 413 00:23:01,614 --> 00:23:03,583 WE WERE NEVER THAT CLOSE. 414 00:23:03,616 --> 00:23:05,852 CAN'T IMAGINE WHAT HER LIFE MUST BE LIKE. 415 00:23:05,885 --> 00:23:09,456 HOW DOES A FAMILY JUST GET OVER SOMETHING LIKE THAT? 416 00:23:09,489 --> 00:23:11,157 ( curtly ) THEY DON'T. 417 00:23:12,959 --> 00:23:15,061 CAN WE JUST TALK ABOUT SOMETHING ELSE? 418 00:23:15,094 --> 00:23:17,163 Yeah. DINNER'S ALMOST READY. 419 00:23:24,236 --> 00:23:27,206 ( distant owl hooting ) 420 00:23:27,239 --> 00:23:29,208 YOU SURE I CAN'T HELP YOU WITH THAT? 421 00:23:29,241 --> 00:23:31,444 IT'S ACTUALLY EASIER IF I DO IT MYSELF. 422 00:23:32,745 --> 00:23:35,147 ( unusual howling ) 423 00:23:36,616 --> 00:23:38,718 OWLS DO THAT WHEN THEY DIVE FOR PREY. 424 00:23:41,621 --> 00:23:43,856 ( nearby leaves rustling ) 425 00:23:43,890 --> 00:23:47,527 OKAY, I THINK I'D FEEL SAFER ON A BENCH AT THE BUS STATION. 426 00:23:47,560 --> 00:23:51,598 I TOLD YOU I'D SPRING FOR A HOTEL. 427 00:23:51,631 --> 00:23:53,432 AND I SAID NO, THANK YOU. 428 00:23:56,035 --> 00:23:58,971 ALL RIGHT, JUNGLE JANE, WHAT GIVES? 429 00:23:59,005 --> 00:24:00,507 WHAT DO YOU MEAN? 430 00:24:00,540 --> 00:24:02,842 YOU'RE THE QUEEN OF HEELS AND HANDBAGS, 431 00:24:02,875 --> 00:24:04,844 BUT OUT HERE YOU'RE DORA THE EXPLORER. 432 00:24:04,877 --> 00:24:06,713 ( chuckles softly ) 433 00:24:06,746 --> 00:24:08,681 YOU HAVE ANY OTHER PERSONALITIES I SHOULD KNOW ABOUT? 434 00:24:12,819 --> 00:24:15,922 I SPENT FIVE SUMMERS AT FAT CAMP. 435 00:24:16,989 --> 00:24:18,124 YOU? 436 00:24:20,126 --> 00:24:22,629 MY NICKNAME WAS "HEFTY HANNA." 437 00:24:24,631 --> 00:24:26,766 YOU DIDN'T HAVE TO TELL ME THAT. 438 00:24:29,268 --> 00:24:31,871 I WANT YOU TO KNOW WHO I AM. 439 00:24:38,778 --> 00:24:40,513 I NEVER MET MY FATHER. 440 00:24:46,052 --> 00:24:47,954 WHEN I WAS 5, 441 00:24:47,987 --> 00:24:50,590 MY MOM DROPPED ME OFF AT MY AUNT'S HOUSE TO GO SHOPPING. 442 00:24:54,193 --> 00:24:55,795 SHE NEVER CAME BACK. 443 00:24:59,065 --> 00:25:01,768 WHEN I WAS 10, SHE SENT ME A BIRTHDAY CARD. 444 00:25:04,704 --> 00:25:08,140 IT SAID, "HAPPY BIRTHDAY. LOVE, MOM." 445 00:25:11,143 --> 00:25:12,278 THAT'S IT. 446 00:25:15,982 --> 00:25:17,984 I SHOULD HAVE BEEN PISSED, RIGHT? 447 00:25:19,986 --> 00:25:23,122 I WAS SO HAPPY TO GET THAT CARD. 448 00:25:26,292 --> 00:25:28,160 IT WAS POSTMARKED FROM ARIZONA. 449 00:25:31,163 --> 00:25:33,600 THAT'S THE LAST PLACE I KNOW SHE WAS. 450 00:25:33,633 --> 00:25:35,034 ( clears throat softly ) 451 00:25:54,120 --> 00:25:58,791 ( rock music playing ) 452 00:25:58,825 --> 00:26:00,793 Paige: * I GUESS I JUST LOST MY HUSBAND * 453 00:26:00,827 --> 00:26:02,695 * I DON'T KNOW WHERE HE WENT 454 00:26:02,729 --> 00:26:04,731 * SO I'M GONNA DRINK MY MONEY * 455 00:26:04,764 --> 00:26:06,332 * I'M NOT GONNA PAY HIS RENT * 456 00:26:06,365 --> 00:26:08,234 * I'VE GOT A BRAND-NEW ATTITUDE * 457 00:26:08,267 --> 00:26:10,236 * AND I'M GONNA WEAR IT TONIGHT * 458 00:26:10,269 --> 00:26:13,673 * I'M GONNA GET IN TROUBLE; I WANT TO START A FIGHT * 459 00:26:13,706 --> 00:26:16,375 HEY, EVERYBODY, CAN YOU HELP ME GET MY FRIEND UP HERE 460 00:26:16,408 --> 00:26:18,110 TO SING ALONG? 461 00:26:18,144 --> 00:26:20,079 ( cheers and applause ) 462 00:26:20,112 --> 00:26:22,114 NO. NO WAY. 463 00:26:22,148 --> 00:26:24,116 ( applause continues ) 464 00:26:24,150 --> 00:26:25,752 THEY LOVE YOU ALREADY. 465 00:26:25,785 --> 00:26:28,354 I DON'T DO KARAOKE. 466 00:26:28,387 --> 00:26:29,889 COME ON, EMILY. 467 00:26:29,922 --> 00:26:32,792 TAKE A WALK ON THE WILD SIDE. 468 00:26:32,825 --> 00:26:34,326 ( cheers and applause ) 469 00:26:42,669 --> 00:26:45,838 I AM SO GONNA GET YOU BACK FOR THIS. 470 00:26:45,872 --> 00:26:47,239 * NAH NAH NAH NAH NAH 471 00:26:47,273 --> 00:26:48,908 * HE'S GONNA START A FIGHT 472 00:26:48,941 --> 00:26:50,777 * NAH NAH NAH NAH NAH 473 00:26:50,810 --> 00:26:52,344 * WE'RE ALL GONNA GET IN A FIGHT * 474 00:26:52,378 --> 00:26:53,846 Both: * SO, SO WHAT 475 00:26:53,880 --> 00:26:56,148 * I'M STILL A ROCK STAR 476 00:26:56,182 --> 00:26:58,184 * I'VE GOT MY ROCK MOVES 477 00:26:58,217 --> 00:27:00,186 * AND I DON'T NEED YOU 478 00:27:00,219 --> 00:27:02,154 * AND GUESS WHAT? 479 00:27:02,188 --> 00:27:03,923 * I'M HAVING MORE FUN 480 00:27:03,956 --> 00:27:05,858 * AND NOW THAT WE'RE DONE... * 481 00:27:05,892 --> 00:27:09,261 JENNA MIGHT NOT EVEN BE HERE TILL MORNING. 482 00:27:11,363 --> 00:27:12,965 ( sighs ) 483 00:27:20,707 --> 00:27:22,108 ( sighs ) 484 00:27:23,175 --> 00:27:25,277 "GLYCERALDEHYDE"? 485 00:27:25,311 --> 00:27:28,748 WITH THE "C" ON THE DOUBLE LETTER, 486 00:27:28,781 --> 00:27:30,750 IT IS 32 POINTS, 487 00:27:30,783 --> 00:27:34,787 PLUS THE TRIPLE WORD SCORE GETS ME 96 POINTS. 488 00:27:36,856 --> 00:27:38,190 "GOOFBALL." 489 00:27:38,224 --> 00:27:42,829 YOU CAN PUT DOWN 104 POINTS FOR ME. 490 00:27:42,862 --> 00:27:45,364 THANKS FOR THE "G." I'VE BEEN WAITING FOR IT. 491 00:27:45,397 --> 00:27:47,934 EIGHTEEN POINTS, 492 00:27:47,967 --> 00:27:50,102 TIMES THE TRIPLE WORD SCORE, 493 00:27:50,136 --> 00:27:52,939 PLUS THE 50-POINT BINGO BONUS. 494 00:27:52,972 --> 00:27:56,475 WELL. 104 POINTS. 495 00:27:56,508 --> 00:27:58,077 GOOD FOR YOU. 496 00:27:58,110 --> 00:27:59,979 I LIKE THIS GAME. 497 00:28:01,080 --> 00:28:02,949 ( scoffs softly ) 498 00:28:02,982 --> 00:28:05,484 I HOPE YOU DON'T TAKE THIS THE WRONG WAY, 499 00:28:05,517 --> 00:28:08,487 BUT... YOU CAN'T BE COMFORTABLE 500 00:28:08,520 --> 00:28:12,024 IN THAT JACKET AND THAT TIE. 501 00:28:14,293 --> 00:28:16,729 I'M FINE. 502 00:28:20,166 --> 00:28:23,169 TOP OR BOTTOM? 503 00:28:24,937 --> 00:28:26,305 I'M JUST KIDDING. 504 00:28:53,365 --> 00:28:57,336 Female Vocalist: * HAVE YOU EVER FED A LOVER * 505 00:28:57,369 --> 00:29:01,140 * WITH JUST YOUR HANDS? 506 00:29:03,509 --> 00:29:07,113 * CLOSED YOUR EYES AND TRUSTED * 507 00:29:08,280 --> 00:29:10,749 * JUST TRUSTED? 508 00:29:12,018 --> 00:29:15,521 * HAVE YOU EVER LOOKED FEAR IN THE FACE * 509 00:29:15,554 --> 00:29:20,893 * AND SAID, "I JUST DON'T CARE"? * 510 00:29:22,428 --> 00:29:27,166 * IT'S ONLY HALF-PAST THE POINT OF NO RETURN * 511 00:29:27,199 --> 00:29:29,568 * THE TIP OF THE ICEBERG 512 00:29:29,601 --> 00:29:32,038 * THE SUN BEFORE THE BURN 513 00:29:32,071 --> 00:29:34,340 * THE THUNDER BEFORE THE LIGHTNING * 514 00:29:34,373 --> 00:29:36,909 * AND THE BREATH BEFORE THE PHRASE * 515 00:29:36,943 --> 00:29:38,410 * HAVE YOU EVER 516 00:29:38,444 --> 00:29:39,411 * FELT 517 00:29:39,445 --> 00:29:43,782 * THIS WAY? 518 00:29:51,858 --> 00:29:53,525 * HAVE YOU EVER BEEN 519 00:29:53,559 --> 00:29:56,095 * TOUCHED SO GENTLY 520 00:29:56,128 --> 00:29:58,264 * YOU HAD TO CRY? 521 00:30:01,267 --> 00:30:04,837 * HAVE YOU EVER INVITED A STRANGER TO COME IN... * 522 00:30:04,871 --> 00:30:06,272 Are you sure? 523 00:30:06,305 --> 00:30:07,606 *...SIDE? 524 00:30:07,639 --> 00:30:08,975 I'm sure. 525 00:30:10,276 --> 00:30:12,044 Do you have...? 526 00:30:12,078 --> 00:30:15,047 * IT'S ONLY HALF-PAST THE POINT OF OBLIVION * 527 00:30:15,081 --> 00:30:17,416 * THE HOURGLASS ON THE TABLE * 528 00:30:17,449 --> 00:30:20,019 * THE WALK BEFORE THE RUN 529 00:30:20,052 --> 00:30:22,454 * THE BREATH BEFORE THE KISS * 530 00:30:22,488 --> 00:30:24,991 * AND THE FEAR BEFORE THE FLAMES * 531 00:30:25,024 --> 00:30:26,158 * HAVE YOU EVER 532 00:30:26,192 --> 00:30:27,359 * FELT 533 00:30:27,393 --> 00:30:29,896 * THIS WAY? 534 00:30:36,368 --> 00:30:38,204 WE WANT? 535 00:30:38,237 --> 00:30:39,538 WE NEED. 536 00:30:39,571 --> 00:30:42,074 ( cell phone plinks ) 537 00:30:44,276 --> 00:30:45,511 ANYBODY INTERESTING? 538 00:30:45,544 --> 00:30:48,280 I HAVEN'T DECIDED YET. 539 00:30:48,314 --> 00:30:50,282 MAYBE I CAN HELP. 540 00:30:50,316 --> 00:30:52,985 ( cell phone rings ) 541 00:30:55,321 --> 00:30:59,025 I THOUGHT YOUR SATURDAYS WERE SAVED FOR COFFEE AND CARTOONS WITH FITZ. 542 00:30:59,058 --> 00:31:00,893 WHY ARE YOU AVOIDING HIM? 543 00:31:00,927 --> 00:31:02,962 I'M NOT EXACTLY AVOIDING HIM. 544 00:31:02,995 --> 00:31:05,564 HE'S CALLED YOU THREE TIMES SINCE YOU'VE BEEN HERE. 545 00:31:05,597 --> 00:31:08,034 OKAY, I'M AVOIDING HIM. 546 00:31:10,202 --> 00:31:13,539 HE'S... HELPING JENNA WITH THIS THING, 547 00:31:13,572 --> 00:31:15,474 AND HE KEEPS ASKING QUESTIONS ABOUT HER. 548 00:31:15,507 --> 00:31:17,043 "WAS IT REALLY TOBY'S FAULT? 549 00:31:17,076 --> 00:31:19,245 CAN YOU IMAGINE HOW HARD HER LIFE MUST BE?" 550 00:31:19,278 --> 00:31:21,347 I MEAN... OH, MY GOD! 551 00:31:21,380 --> 00:31:23,082 SO WHAT DO YOU SAY? 552 00:31:23,115 --> 00:31:26,085 I LIE. OVER AND OVER AGAIN. 553 00:31:26,118 --> 00:31:28,955 DO YOU WANT TO TELL HIM THE TRUTH? 554 00:31:28,988 --> 00:31:31,490 DOESN'T MATTER. WE MADE A PROMISE. 555 00:31:31,523 --> 00:31:33,225 SO YOU WANT TO? 556 00:31:33,259 --> 00:31:35,561 I FEEL LIKE I NEED TO. 557 00:31:35,594 --> 00:31:38,130 THEN YOU DON'T HAVE A CHOICE. 558 00:31:38,164 --> 00:31:42,234 I DON'T KNOW ABOUT SPENCER OR HANNA, 559 00:31:42,268 --> 00:31:46,638 BUT... IF YOU TRUST HIM, I DO TOO. 560 00:32:25,011 --> 00:32:26,645 Hey. 561 00:32:26,678 --> 00:32:29,381 HAVE YOU BEEN UP ALL NIGHT? 562 00:32:29,415 --> 00:32:31,550 MNH-MNH. 563 00:32:31,583 --> 00:32:33,419 ( nearby sound ) 564 00:32:35,687 --> 00:32:37,456 ( door opens ) 565 00:32:37,489 --> 00:32:41,627 ( flute playing ) 566 00:32:44,130 --> 00:32:48,167 ( flute continuing ) 567 00:32:54,306 --> 00:32:57,443 ( flute continuing ) 568 00:33:05,217 --> 00:33:06,785 "YOU'RE GETTING COLDER." 569 00:33:06,818 --> 00:33:08,620 WHAT? 570 00:33:14,393 --> 00:33:15,527 WHO IS "A"? 571 00:33:15,561 --> 00:33:17,696 I-I HAVE NO IDEA. 572 00:33:20,266 --> 00:33:23,369 ( rock music playing ) I LOVE THIS BAND. 573 00:33:23,402 --> 00:33:25,271 ME TOO. 574 00:33:25,304 --> 00:33:28,474 THEY'RE PLAYING IN THE CITY NEXT MONTH. WE SHOULD GO AND SEE 'EM. 575 00:33:28,507 --> 00:33:31,277 I'D LIKE TO, BUT, YOU KNOW... 576 00:33:31,310 --> 00:33:32,444 WHAT? 577 00:33:34,180 --> 00:33:36,782 WE MIGHT SEE PEOPLE WE KNOW THERE. 578 00:33:36,815 --> 00:33:39,418 I CAN'T RISK BEING SEEN WITH YOU. 579 00:33:46,458 --> 00:33:49,228 I THOUGHT YOU UNDERSTOOD. 580 00:33:49,261 --> 00:33:52,464 I SO UNDERSTAND. BELIEVE ME, I DO. 581 00:33:54,500 --> 00:33:57,069 BUT HEARING YOU SAY THAT... 582 00:33:57,103 --> 00:33:58,570 OUCH. 583 00:33:58,604 --> 00:34:01,073 I DIDN'T MEAN TO HURT YOUR FEELINGS. 584 00:34:02,508 --> 00:34:04,810 I HAD AN AMAZING TIME LAST NIGHT. 585 00:34:07,146 --> 00:34:09,715 AND I WOULD REALLY LIKE TO KEEP SEEING YOU. 586 00:34:09,748 --> 00:34:12,251 LIKE THIS? 587 00:34:12,284 --> 00:34:15,387 ALWAYS IN THE MIDDLE OF NOWHERE, HIDING? 588 00:34:15,421 --> 00:34:17,556 IT'S THE ONLY WAY I CAN DO IT. 589 00:34:20,426 --> 00:34:22,528 I'M NOT ASHAMED OF WHO I AM... 590 00:34:22,561 --> 00:34:24,796 BUT I USED TO BE, 591 00:34:24,830 --> 00:34:27,233 AND IF WE HAVE TO HIDE LIKE THIS ALL THE TIME, 592 00:34:27,266 --> 00:34:29,801 I'M GONNA START TO FEEL THAT WAY AGAIN. 593 00:34:29,835 --> 00:34:32,271 I REALLY LIKE YOU, EMILY. 594 00:34:32,304 --> 00:34:33,672 I LIKE YOU TOO. 595 00:34:33,705 --> 00:34:37,609 AND I'LL ALWAYS BE HERE FOR YOU. 596 00:34:37,643 --> 00:34:40,279 BUT I THINK IT HAS TO BE AS FRIENDS. 597 00:34:41,880 --> 00:34:43,349 I'M SORRY. 598 00:34:51,223 --> 00:34:53,359 HEY. 599 00:34:53,392 --> 00:34:55,361 I'VE BEEN LEAVING YOU MESSAGES ALL MORNING. 600 00:34:55,394 --> 00:34:56,895 I KNOW. 601 00:34:56,928 --> 00:34:59,298 I'VE BEEN AVOIDING YOU. 602 00:34:59,331 --> 00:35:01,099 WHY? 603 00:35:07,673 --> 00:35:10,376 WHAT'S GOING ON, ARIA? 604 00:35:10,409 --> 00:35:12,644 YOU'RE STARTING TO SCARE ME. 605 00:35:12,678 --> 00:35:17,516 I'VE BEEN WALKING AROUND YOUR BLOCK THE PAST TWO HOURS, 606 00:35:17,549 --> 00:35:20,919 TRYING TO TALK MYSELF OUT OF WHAT I'M ABOUT TO TELL YOU, 607 00:35:20,952 --> 00:35:26,158 BECAUSE I KNOW IF I DO... 608 00:35:26,192 --> 00:35:29,795 THERE'S A CHANCE THAT YOU'LL NEVER LOOK AT ME THE SAME AGAIN. 609 00:35:30,862 --> 00:35:32,198 ARIA. 610 00:35:36,202 --> 00:35:39,571 YOU STILL HAVEN'T HEARD ANYTHING? 611 00:35:39,605 --> 00:35:42,441 PLEASE LET ME KNOW THE SECOND THAT YOU DO. 612 00:35:48,514 --> 00:35:50,649 WHERE HAVE YOU BEEN? WITH CALEB. 613 00:35:50,682 --> 00:35:51,750 SLEEPING ON A BUS BENCH? 614 00:35:51,783 --> 00:35:53,219 WE CAMPED OUT. 615 00:35:53,252 --> 00:35:54,753 DON'T EVER DO THAT AGAIN. 616 00:35:54,786 --> 00:35:58,224 I HAVE BEEN UP ALL NIGHT LOOKING FOR YOU, 617 00:35:58,257 --> 00:36:00,526 SCARED TO DEATH OF WHAT MIGHT HAVE HAPPENED TO YOU-- 618 00:36:00,559 --> 00:36:02,661 WHERE DO YOU THINK YOU'RE GOING? 619 00:36:02,694 --> 00:36:05,531 I'M GOING TO SHOWER, AND THEN I'M CHANGING, AND THEN I'M GOING BACK. 620 00:36:05,564 --> 00:36:07,533 NO, YOU'RE NOT! YOU KNOW, I DON'T GET YOU! 621 00:36:07,566 --> 00:36:10,402 YOU OF ALL PEOPLE SHOULD UNDERSTAND HIS SITUATION. 622 00:36:10,436 --> 00:36:13,939 YOU WERE LUCKY ENOUGH TO GET OUT OF YOURS. 623 00:36:13,972 --> 00:36:16,708 OR HAVE YOU FORGOTTEN? 624 00:36:23,982 --> 00:36:26,585 ( cell phone rings ) 625 00:36:29,888 --> 00:36:32,391 ( ring ) 626 00:36:35,627 --> 00:36:38,297 ( ring ) 627 00:36:41,400 --> 00:36:44,870 ( ring ) 628 00:36:44,903 --> 00:36:46,238 CALEB. 629 00:36:46,272 --> 00:36:48,006 HANNA? 630 00:36:48,039 --> 00:36:50,542 NO. THIS IS HER MOTHER. 631 00:36:57,283 --> 00:36:59,418 IF IT GETS TOO UNCOMFORTABLE AT HOME, 632 00:36:59,451 --> 00:37:01,420 I'M HERE FOR ONE MORE NIGHT. 633 00:37:01,453 --> 00:37:02,954 YOU CAN ALWAYS COME BACK. 634 00:37:02,988 --> 00:37:05,491 I MIGHT ACTUALLY TAKE YOU UP ON THAT. 635 00:37:07,426 --> 00:37:09,528 I'M SORRY THIS WAS A BUST. 636 00:37:09,561 --> 00:37:12,831 IT WASN'T... A COMPLETE WASH. 637 00:37:12,864 --> 00:37:14,833 TO BE HONEST... 638 00:37:14,866 --> 00:37:18,003 IT WAS REALLY FUN TO KICK YOUR ASS AT SCRABBLE. 639 00:37:39,057 --> 00:37:41,727 I WAS... NOT EXPECTING THAT. 640 00:37:42,928 --> 00:37:44,396 ME NEITHER. 641 00:37:58,577 --> 00:38:01,513 HEY, IT WAS NOT A COMPLETE ASS-KICKING, BY THE WAY. 642 00:38:01,547 --> 00:38:03,315 GOODBYE, SPENCER. 643 00:38:17,829 --> 00:38:19,831 THANKS FOR LETTING ME COME TO DINNER. 644 00:38:22,368 --> 00:38:25,337 DID IT FOR HANNA, NOT YOU. 645 00:38:25,371 --> 00:38:26,505 I KNOW. 646 00:38:27,773 --> 00:38:30,075 UH, IS IT OKAY IF I GRAB A SODA? 647 00:38:30,108 --> 00:38:31,710 HELP YOURSELF. 648 00:38:33,445 --> 00:38:35,647 YOU HAVE BEEN FOR WEEKS, RIGHT? 649 00:38:41,687 --> 00:38:44,089 YOU CAN STAY HERE. 650 00:38:45,156 --> 00:38:48,427 FOR A SHORT TIME, IN THE GUEST ROOM. 651 00:38:48,460 --> 00:38:51,397 BUT IF YOU EVEN THINK ABOUT HURTING MY DAUGHTER, 652 00:38:51,430 --> 00:38:56,802 I WILL MAKE SURE YOU REGRET IT. 653 00:38:56,835 --> 00:38:58,704 I BELIEVE YOU. 654 00:39:01,773 --> 00:39:03,409 THANK YOU. 655 00:39:13,485 --> 00:39:16,988 I TRY NOT TO LOOK BACK, BUT... 656 00:39:17,022 --> 00:39:20,559 IF THERE'S ANYTHING THAT I COULD CHANGE IN MY LIFE, 657 00:39:20,592 --> 00:39:22,127 IT WOULD BE THAT NIGHT. 658 00:39:25,797 --> 00:39:26,932 HEY. 659 00:39:29,935 --> 00:39:32,037 I LOVE YOU. 660 00:39:32,070 --> 00:39:35,441 AND NOTHING YOU JUST SAID TO ME CHANGES THAT. 661 00:39:39,210 --> 00:39:41,046 THANK YOU FOR LOOKING AT ME TONIGHT 662 00:39:41,079 --> 00:39:43,682 THE SAME WAY YOU DID YESTERDAY. 663 00:39:58,464 --> 00:39:59,831 I'LL SEE YOU IN THE MORNING. 664 00:39:59,865 --> 00:40:01,132 SLEEP TIGHT. 665 00:40:15,514 --> 00:40:17,082 GOOD NIGHT, MRS. MARIN. 666 00:40:19,518 --> 00:40:20,652 YOU CAN CALL ME ASHLEY. 667 00:40:35,100 --> 00:40:37,703 ( cell phone keys beeping ) 668 00:40:47,979 --> 00:40:51,082 I can't do this anymore. 669 00:40:51,116 --> 00:40:52,951 It's over. 670 00:40:52,984 --> 00:40:54,853 I'm out. 671 00:40:54,886 --> 00:40:56,488 ( beep ) 672 00:40:58,289 --> 00:41:02,127 WHY IS THERE A POLICE CAR IN THE DRIVEWAY? 673 00:41:02,160 --> 00:41:04,896 DID THEY TALK TO IAN? 674 00:41:04,930 --> 00:41:07,599 DID THEY FIND OUT THAT HE WAS AT HILTON HEAD WITH ALI? 675 00:41:07,633 --> 00:41:09,134 NO. 676 00:41:09,167 --> 00:41:11,837 BECAUSE HE WASN'T WITH ALISON, HE WAS WITH ME. 677 00:41:17,208 --> 00:41:19,044 HE LIED TO PROTECT ME. 678 00:41:19,077 --> 00:41:22,047 I WAS PREGNANT THAT SUMMER, AND... 679 00:41:22,080 --> 00:41:25,483 WE WENT THERE TO GET AN ABORTION. 680 00:41:29,254 --> 00:41:32,524 I LOST THE BABY BEFORE WE WENT TO THE DOCTOR. 681 00:41:32,558 --> 00:41:36,061 THAT'S WHY THIS BABY IS SO IMPORTANT TO ME. 682 00:41:36,094 --> 00:41:37,963 ( approaching conversation ) 683 00:41:37,996 --> 00:41:40,632 Veronica: OH, SPENCER. 684 00:41:40,666 --> 00:41:44,302 WE'RE TRYING TO HELP YOU, BUT YOU NEED TO START BEING COMPLETELY HONEST WITH US. 685 00:41:44,335 --> 00:41:46,237 POLICE ARE WAITING IN THE LIVING ROOM. 686 00:41:46,271 --> 00:41:48,106 THEY KNOW YOU LIED TO THEM. 687 00:41:48,139 --> 00:41:50,976 HONEY, THEY KNOW THAT YOU WERE SEEING IAN. 688 00:42:00,752 --> 00:42:03,288 ( cell phone plinks ) 689 00:42:15,133 --> 00:42:16,234 Voice: YEAH. 690 00:42:16,267 --> 00:42:18,336 ( indistinct police radio chatter ) 691 00:42:18,369 --> 00:42:21,339 WHAT'S GOING ON IN THERE? 692 00:42:21,372 --> 00:42:23,675 DID SHE SEND ANYTHING ELSE? 693 00:42:23,709 --> 00:42:25,677 JUST THE S.O.S. 694 00:42:25,711 --> 00:42:27,813 ( cell phone rings ) 695 00:42:27,846 --> 00:42:30,582 ( cell phone plinks ) 696 00:42:33,384 --> 00:42:36,354 "BREAKING NEWS, BITCHES. 697 00:42:36,387 --> 00:42:39,691 "SPENCER HASTINGS NOW A PERSON OF INTEREST... 698 00:42:39,725 --> 00:42:41,827 "...IN MY DEATH. 699 00:42:41,860 --> 00:42:43,261 All: 'A.'" 700 00:42:49,968 --> 00:42:52,570 ( distorted audio ) 701 00:42:59,711 --> 00:43:01,680 WHAT'S GOING ON IN THERE? 702 00:43:01,713 --> 00:43:03,281 DID SHE SEND ANYTHING ELSE? 703 00:43:03,314 --> 00:43:05,717 JUST THE S.O.S. 704 00:43:07,819 --> 00:43:10,722 ( cell phone rings ) 705 00:43:10,756 --> 00:43:13,725 "BREAKING NEWS, BITCHES. 706 00:43:13,759 --> 00:43:16,862 "SPENCER HASTINGS NOW A PERSON OF INTEREST... 707 00:43:16,895 --> 00:43:18,396 "...IN MY DEATH. 708 00:43:18,429 --> 00:43:19,765 All: 'A.'"