1 00:00:00,168 --> 00:00:01,001 PREVIOUSLY ON PRETTY LITTLE LIARS... 2 00:00:03,471 --> 00:00:05,139 THEY SERVED A SEARCH WARRANT. 3 00:00:05,173 --> 00:00:07,708 MAKE THEM GET OUT. I CAN'T. 4 00:00:07,741 --> 00:00:10,678 YOU'RE PERSON OF INTEREST IN A MURDER INVESTIGATION. 5 00:00:10,711 --> 00:00:13,381 GARRETT? 6 00:00:13,414 --> 00:00:14,548 YOU'RE A COP NOW? 7 00:00:16,750 --> 00:00:20,821 I WAS... NOT EXPECTING THAT. 8 00:00:20,854 --> 00:00:22,223 ME NEITHER. 9 00:00:22,256 --> 00:00:24,258 I HAD AN AMAZING TIME LAST NIGHT, 10 00:00:24,292 --> 00:00:26,760 AND I WOULD REALLY LIKE TO KEEP SEEING YOU. 11 00:00:26,794 --> 00:00:29,730 LIKE THIS? ALWAYS IN THE MIDDLE OF NOWHERE? 12 00:00:29,763 --> 00:00:31,832 SO WHO IS IT? SOMEBODY NEW? 13 00:00:31,865 --> 00:00:33,567 SOMEBODY I KNOW? 14 00:00:33,601 --> 00:00:35,736 I THINK I'M GONNA HAVE TO START LOOKING IN THE HALLWAYS 15 00:00:35,769 --> 00:00:37,238 TO SEE IF I CAN GUESS WHO IT IS. 16 00:00:37,271 --> 00:00:38,506 YOU WERE SPYING ON ME, THE WHOLE TIME. 17 00:00:38,539 --> 00:00:40,408 NOT THE WHOLE TIME. 18 00:00:40,441 --> 00:00:42,310 DON'T TOUCH ME. ( weeping ) 19 00:00:42,343 --> 00:00:44,745 THEY FOUND SOME FIBERS... 20 00:00:44,778 --> 00:00:46,380 SOME THREADS CAUGHT IN A BRACELET. 21 00:00:46,414 --> 00:00:48,216 THE ONE ALISON GAVE US? 22 00:00:48,249 --> 00:00:50,184 I THINK SOMEONE'S GOING TO A GREAT DEAL OF TROUBLE 23 00:00:50,218 --> 00:00:51,585 TO MAKE YOU LOOK GUILTY. 24 00:01:02,730 --> 00:01:05,233 DO YOU THINK SOMEBODY RUBBED THAT SWEATER ON YOUR BRACELET? 25 00:01:05,266 --> 00:01:06,700 SOMEBODY? TRY IAN. 26 00:01:06,734 --> 00:01:10,104 HE'S DOING EVERYTHING HE CAN TO MAKE YOU LOOK GUILTY. 27 00:01:10,138 --> 00:01:12,140 YOUR PARENTS SHOULD HIRE YOU A 24-HOUR BODYGUARD. 28 00:01:12,173 --> 00:01:13,407 WHAT ABOUT JENNA? 29 00:01:13,441 --> 00:01:16,277 WHAT IF SHE PAID CALEB TO GET THAT BRACELET? 30 00:01:16,310 --> 00:01:17,845 WHEN WAS CALEB IN SPENCER'S HOUSE? 31 00:01:17,878 --> 00:01:19,513 HE DOESN'T NEED AN INVITATION, EM. 32 00:01:19,547 --> 00:01:21,649 HE BROKE INTO A VENDING MACHINE WITH A SPORK. 33 00:01:21,682 --> 00:01:23,251 GUYS... ( bell dings ) 34 00:01:23,284 --> 00:01:25,353 I THINK SOMEBODY'S WATCHING US. 35 00:01:27,421 --> 00:01:30,424 THOSE? THEY'RE FOR THE FOUNDERS FESTIVAL. 36 00:01:30,458 --> 00:01:33,327 MAN, IF THAT'S WHAT ROSEWOOD'S FOUNDING FAMILY LOOKED LIKE, 37 00:01:33,361 --> 00:01:34,862 HOW DID THEY EVER GET ANYONE TO MOVE HERE? 38 00:01:34,895 --> 00:01:37,465 AND WHY WERE THEY ALLOWED TO REPRODUCE? 39 00:01:37,498 --> 00:01:38,666 GUYS, IF CALEB WAS-- 40 00:01:38,699 --> 00:01:40,701 COULD WE STOP USING THE "C" WORD? 41 00:01:40,734 --> 00:01:42,636 WE KNOW THIS IS HARD FOR YOU, OKAY, 42 00:01:42,670 --> 00:01:47,141 BUT WE HAVE TO TALK ABOUT CA-- HIM. 43 00:01:48,376 --> 00:01:49,877 IF WE WANT TO HELP SPENCER, 44 00:01:49,910 --> 00:01:52,280 WE HAVE TO KNOW WHAT CALEB KNOWS. 45 00:01:52,313 --> 00:01:54,348 GUYS, THERE IS DEFINITELY SOMEBODY OUT THERE. 46 00:01:54,382 --> 00:01:56,217 MAYBE IF EMILY AND I CORNERED CALEB-- 47 00:01:56,250 --> 00:01:58,386 NOT IN SCHOOL, BUT SOMEWHERE THAT'S JENNA-FREE. 48 00:01:58,419 --> 00:02:00,688 IF CALEB'S GONNA TALK TO ANYONE, IT'S GONNA BE ME. 49 00:02:02,190 --> 00:02:03,557 WILL YOU DO IT? 50 00:02:03,591 --> 00:02:05,426 ( bell dings ) 51 00:02:05,459 --> 00:02:07,428 TO HELP SPENCER, SURE. 52 00:02:07,461 --> 00:02:09,430 THANKS, HANNA. 53 00:02:20,608 --> 00:02:22,176 Hanna: SPENCER? 54 00:02:22,210 --> 00:02:24,144 ARE YOU COMING? YEAH. 55 00:02:38,592 --> 00:02:40,661 The Pierces: * GOT A SECRET, CAN YOU KEEP IT? * 56 00:02:40,694 --> 00:02:43,331 * SWEAR THIS ONE YOU'LL SAVE * 57 00:02:43,364 --> 00:02:45,233 * BETTER LOCK IT IN YOUR POCKET * 58 00:02:45,266 --> 00:02:48,302 * TAKING THIS ONE TO THE GRAVE * 59 00:02:48,336 --> 00:02:50,571 * IF I SHOW YOU THEN I KNOW YOU * 60 00:02:50,604 --> 00:02:53,741 * WON'T TELL WHAT I SAID 61 00:02:53,774 --> 00:02:55,876 * 'CAUSE TWO CAN KEEP A SECRET * 62 00:02:55,909 --> 00:02:58,512 * IF ONE OF THEM IS DEAD * 63 00:03:03,851 --> 00:03:05,519 WHAT'S THE PURPLE ONE? 64 00:03:05,553 --> 00:03:06,920 FOLIC ACID. 65 00:03:06,954 --> 00:03:09,490 DR. BARONE'S NEW NURSE CHATTED MY EAR OFF ABOUT IT. 66 00:03:09,523 --> 00:03:13,361 REALLY JUST AN EXCUSE SO SHE COULD ASK QUESTIONS ABOUT OUR FAMILY. 67 00:03:13,394 --> 00:03:14,762 WHAT KIND OF QUESTIONS? 68 00:03:14,795 --> 00:03:17,465 MOM, EVERYONE IN TOWN'S TALKING ABOUT US. 69 00:03:17,498 --> 00:03:18,832 THE BRACELET, 70 00:03:18,866 --> 00:03:20,468 THE POLICE MARCHING OUT OF HERE WITH BAGS. 71 00:03:20,501 --> 00:03:22,603 WHAT DID YOU SAY, TO THIS NURSE? 72 00:03:22,636 --> 00:03:23,771 NOTHING. 73 00:03:23,804 --> 00:03:25,406 BUT YOU KNOW THE SECOND I LEFT, 74 00:03:25,439 --> 00:03:27,408 SHE PROBABLY TOLD THE OTHERS THAT SPENCER WAS GONNA BE 75 00:03:27,441 --> 00:03:29,243 WEARING HANDCUFFS AT MY BABY SHOWER. 76 00:03:29,277 --> 00:03:30,911 'MORNING, SWEETIE. 77 00:03:30,944 --> 00:03:32,380 YOU WANT SOME YOGURT? 78 00:03:32,413 --> 00:03:33,581 I HAVE-- I HAVE FRESH BERRIES. 79 00:03:33,614 --> 00:03:35,949 NO. I ALREADY ATE, THANKS. 80 00:03:37,651 --> 00:03:39,820 WHAT WERE YOU TALKING ABOUT? 81 00:03:39,853 --> 00:03:41,689 THE FOUNDERS FESTIVAL. 82 00:03:41,722 --> 00:03:43,457 YOUR SISTER AND IAN ARE THINKING OF HELPING 83 00:03:43,491 --> 00:03:44,958 MRS. ACKARD WITH THE CHURCH BOOTH. 84 00:03:44,992 --> 00:03:46,460 FUN. 85 00:03:46,494 --> 00:03:49,597 ACTUALLY, I'D LIKE YOU TO JOIN THEM. 86 00:03:49,630 --> 00:03:51,432 Melissa: YOU GET ON MRS. ACKARD'S GOOD SIDE, 87 00:03:51,465 --> 00:03:52,766 AND NO ONE IN TOWN WOULD... 88 00:03:52,800 --> 00:03:54,502 WHY DO I NEED TO BE ON HER GOOD SIDE? 89 00:03:54,535 --> 00:03:56,737 BECAUSE PEOPLE ARE TALKING 90 00:03:56,770 --> 00:03:59,307 AND JUMPING TO A LOT OF CONCLUSIONS. 91 00:03:59,340 --> 00:04:02,276 ( cell phone rings ) 92 00:04:02,310 --> 00:04:05,045 IT'S TOBY. 93 00:04:05,078 --> 00:04:07,047 HONEY, I'D PREFER IT IF YOU'D NOT HAVE ANY CONTACT WITH HIM 94 00:04:07,080 --> 00:04:08,982 UNTIL THIS SITUATION IS BEHIND US. 95 00:04:09,016 --> 00:04:12,820 WHY? WHAT DOES TOBY HAVE TO DO WITH ANYTHING? HE'S A FRIEND. 96 00:04:12,853 --> 00:04:14,955 YOU NEED TO BE CAREFUL ABOUT WHO YOU ASSOCIATE WITH. 97 00:04:14,988 --> 00:04:18,726 SO, WHAT? I'M JUST SUPPOSED TO IGNORE HIM, NOT SPEAK TO HIM? 98 00:04:18,759 --> 00:04:19,927 YES. 99 00:04:19,960 --> 00:04:21,061 SWEETIE, LISTEN TO ME. 100 00:04:21,094 --> 00:04:22,830 YOU NEED TO BE AT THE FESTIVAL. 101 00:04:22,863 --> 00:04:24,064 IF YOU'RE NOT, YOUR NEIGHBORS ARE GONNA THINK 102 00:04:24,097 --> 00:04:25,533 YOU HAVE SOMETHING TO HIDE. 103 00:04:25,566 --> 00:04:26,800 I DON'T REALLY CARE WHAT MY NEIGHBORS THINK. 104 00:04:26,834 --> 00:04:28,436 THEY'RE NOT JUST NEIGHBORS, SPENCER, 105 00:04:28,469 --> 00:04:29,803 THEY'RE POTENTIAL JURORS. 106 00:04:29,837 --> 00:04:31,905 AND MOST VERDICTS ARE DECIDED IN LIVING ROOMS, 107 00:04:31,939 --> 00:04:33,774 AND TOWN FAIRS. 108 00:04:33,807 --> 00:04:37,478 JUST TAKE TOBY OUT OF THAT EQUATION, OKAY? 109 00:04:53,494 --> 00:04:55,629 GOOD MORNING. 110 00:04:56,764 --> 00:04:59,633 SO... I HAVE A MEETING TONIGHT, 111 00:04:59,667 --> 00:05:02,336 BUT DO YOU WANT TO WAIT SO WE CAN HAVE DINNER TOGETHER AND...? 112 00:05:02,370 --> 00:05:05,105 I'LL GRAB SOMETHING AFTER SCHOOL. 113 00:05:05,138 --> 00:05:06,607 OKAY. 114 00:05:11,111 --> 00:05:15,949 DID... CALEB MOVE BACK IN WITH HIS FOSTER FAMILY? 115 00:05:15,983 --> 00:05:18,886 DO YOU WANT TO TELL ME WHY HE MOVED OUT SO QUICKLY? 116 00:05:18,919 --> 00:05:22,055 THERE'S... NOTHING TO TELL. 117 00:05:26,527 --> 00:05:27,895 ( sighs ) 118 00:05:27,928 --> 00:05:30,498 LOOK, IF YOU WOULD RATHER STAY HOME FROM SCHOOL, 119 00:05:30,531 --> 00:05:32,032 HAVE A MENTAL HEALTH DAY... 120 00:05:32,065 --> 00:05:33,634 Mona: KNOCK-KNOCK. 121 00:05:33,667 --> 00:05:35,403 IN HERE, MONA. 122 00:05:37,538 --> 00:05:38,606 'MORNING, MRS. M. 123 00:05:38,639 --> 00:05:39,873 HI. 124 00:05:39,907 --> 00:05:41,609 OOH, CAN I STEAL SOME OF THAT COFFEE? 125 00:05:41,642 --> 00:05:42,776 SURE. 126 00:05:48,081 --> 00:05:50,050 IS SKETCHY-BOY GONE FOR GOOD? 127 00:05:50,083 --> 00:05:52,085 YES, MONA, HE'S GONE. 128 00:05:54,087 --> 00:05:55,423 YOU READY? 129 00:05:55,456 --> 00:05:57,791 HANNA, COULD I JUST SAY SOMETHING? 130 00:05:57,825 --> 00:05:59,860 THIS IS ALL MY FAULT. 131 00:05:59,893 --> 00:06:01,495 WHAT? 132 00:06:01,529 --> 00:06:03,597 I KNEW HE WAS GONNA DISAPPOINT YOU IN A MAJOR WAY, 133 00:06:03,631 --> 00:06:05,699 AND I BLAME MYSELF FOR NOT STEPPING UP TO PROTECT YOU. 134 00:06:05,733 --> 00:06:08,001 MONA. NO, I MEAN IT. 135 00:06:08,035 --> 00:06:09,503 A BIG PART OF ME NEVER TRUSTED HIM, 136 00:06:09,537 --> 00:06:10,738 AND IF I'D BEEN A BETTER FRIEND, 137 00:06:10,771 --> 00:06:12,039 I WOULD HAVE TOLD HIM TO GET LOST 138 00:06:12,072 --> 00:06:14,074 BEFORE HE UNZIPPED HIS READY DUFFLE BAG. 139 00:06:15,876 --> 00:06:17,745 I HATE SEEING YOU GET HURT. 140 00:06:17,778 --> 00:06:20,748 WELL, I'M NOT HURT. 141 00:06:20,781 --> 00:06:22,916 CAN WE GO? 142 00:06:25,453 --> 00:06:26,954 ( door opens ) 143 00:06:26,987 --> 00:06:28,556 ( sighs ) 144 00:06:28,589 --> 00:06:29,723 ( door closes ) 145 00:06:29,757 --> 00:06:33,060 ( indistinct chatter ) 146 00:06:33,093 --> 00:06:34,528 GOT A SECOND? 147 00:06:34,562 --> 00:06:36,764 UM... 148 00:06:36,797 --> 00:06:38,532 SURE. 149 00:06:38,566 --> 00:06:40,801 LOOK, I DON'T KNOW WHAT HANNA'S TOLD YOU... EVERYTHING. 150 00:06:40,834 --> 00:06:42,102 SHE'S MY BEST FRIEND. 151 00:06:42,135 --> 00:06:44,137 THEN MAYBE YOU CAN HELP ME. 152 00:06:44,171 --> 00:06:46,774 SHE'S HAVING A HARD TIME HEARING HOW SORRY I AM. ( mouthing silently ) 153 00:06:46,807 --> 00:06:48,609 SHE WON'T TAKE MY CALLS, 154 00:06:48,642 --> 00:06:50,177 SHE LOOKS THE OTHER WAY WHENEVER I SEE HER. CALEB. 155 00:06:50,210 --> 00:06:52,680 HAVE THIS CONVERSATION WITH HANNA, OKAY? 156 00:07:01,254 --> 00:07:02,956 WHAT ARE YOU DOING? 157 00:07:02,990 --> 00:07:04,625 ( giggling ) I GOT 'EM. 158 00:07:04,658 --> 00:07:05,793 I GOT THE TICKETS. 159 00:07:05,826 --> 00:07:08,095 NO WAY! I THOUGHT THEY WERE SOLD OUT. 160 00:07:08,128 --> 00:07:10,864 MY DAD KNOWS SOMEBODY AT HOLLIS WHO WORKS FOR COLLEGE EVENTS. 161 00:07:10,898 --> 00:07:13,000 THAT'S AWESOME. HOW MUCH WAS IT? 162 00:07:13,033 --> 00:07:15,102 MY TREAT. 163 00:07:15,135 --> 00:07:16,937 ISN'T THAT WHY THEY CALL IT A DATE? 164 00:07:16,970 --> 00:07:18,539 THOSE TICKETS WERE EXPENSIVE. 165 00:07:18,572 --> 00:07:20,974 EM, I CAN HANDLE TWO TICKETS. 166 00:07:21,008 --> 00:07:23,477 TROY SATTLER WILL PAY FOR HIS OWN. 167 00:07:23,511 --> 00:07:26,747 WAIT. TROY SATTLER'S COMING TOO? 168 00:07:26,780 --> 00:07:30,751 EMILY, YOU KNOW I WANT TO BE ALONE WITH YOU, 169 00:07:30,784 --> 00:07:32,686 BUT I GOT THE TICKETS FROM MY DAD, 170 00:07:32,720 --> 00:07:34,688 AND I JUST THOUGHT IF A GUY CAME ALONG... 171 00:07:34,722 --> 00:07:37,224 I'M NOT PRETENDING TO DATE TROY. 172 00:07:37,257 --> 00:07:40,027 HE'S JUST, LIKE, INSURANCE. 173 00:07:40,060 --> 00:07:45,032 LOOK, I REALLY WANT TO HAVE THAT TALK WITH MY DAD. I DO. 174 00:07:45,065 --> 00:07:48,802 I EVEN WENT ONLINE AND LOOKED FOR, LIKE, WHAT TO SAY. 175 00:07:48,836 --> 00:07:52,105 YOU'RE GONNA COME OUT TO YOUR PARENTS THROUGH E-MAIL? 176 00:07:52,139 --> 00:07:53,707 NO. 177 00:07:53,741 --> 00:07:56,644 SHERIDAN PREP HAS A CAMPUS PRIDE GROUP, 178 00:07:56,677 --> 00:07:58,612 WITH A WEBSITE. 179 00:07:58,646 --> 00:08:00,013 IT'S NOT LIKE I CAN GO TO A MEETING, THOUGH. 180 00:08:00,047 --> 00:08:01,649 THEIR SCHOOL IS, LIKE, TWO MILES FROM HERE. 181 00:08:01,682 --> 00:08:04,017 THEN MEET SOMEONE FROM THE GROUP FOR A COFFEE. 182 00:08:07,621 --> 00:08:10,490 WOULD IT HELP IF I WENT WITH YOU? 183 00:08:25,305 --> 00:08:27,040 HEY. HI. 184 00:08:27,074 --> 00:08:29,877 ( low ) SO, CAN WE TALK ABOUT THIS WEEKEND, THE FESTIVAL? 185 00:08:29,910 --> 00:08:32,179 ( class bell rings ) 186 00:08:33,714 --> 00:08:34,882 I WAS THINK-- ( coffee splatters ) 187 00:08:34,915 --> 00:08:37,718 OH, GOD! I AM SO SORRY. DID I DO THAT? 188 00:08:39,687 --> 00:08:41,555 Aria: UM... 189 00:08:41,589 --> 00:08:43,223 SORRY. 190 00:08:43,256 --> 00:08:46,259 Look, how do you feel about a stay-at-home weekend instead, 191 00:08:46,293 --> 00:08:48,028 your place, with me? 192 00:08:48,061 --> 00:08:50,130 Yeah. What's going on? 193 00:08:50,163 --> 00:08:51,732 OH, DID I GET IT ON YOUR SHOES? 194 00:08:51,765 --> 00:08:52,900 I AM SUCH A SPAZ! 195 00:08:52,933 --> 00:08:56,303 Look, we can just talk about it later. 196 00:08:56,336 --> 00:08:59,172 Sure. My classroom, after school. 197 00:08:59,206 --> 00:09:00,307 No, we can't. 198 00:09:00,340 --> 00:09:02,242 Can we just do this over dinner? 199 00:09:02,275 --> 00:09:04,144 Sure. 200 00:09:16,690 --> 00:09:17,991 MIND IF I JOIN YOU? 201 00:09:18,025 --> 00:09:19,993 UH... NO. 202 00:09:20,027 --> 00:09:21,829 I MEAN, YES, PLEASE. 203 00:09:25,398 --> 00:09:27,701 SO, WE'RE TALKING? 204 00:09:27,735 --> 00:09:29,603 WHAT DOES JENNA WANT? 205 00:09:29,637 --> 00:09:31,939 WHY WAS SHE WILLING TO PAY YOU TO LIVE IN MY BASEMENT? 206 00:09:31,972 --> 00:09:33,674 I TOLD YOU, I GAVE THE MONEY BACK. 207 00:09:33,707 --> 00:09:34,808 WHAT DID SHE ASK YOU TO DO? 208 00:09:34,842 --> 00:09:36,810 RECORD OUR CONVERSATIONS? 209 00:09:36,844 --> 00:09:38,345 RIFLE THROUGH MY PURSE, 210 00:09:38,378 --> 00:09:41,381 THE DRAWERS IN MY BEDROOM? 211 00:09:41,414 --> 00:09:43,717 WHAT DOES SHE WANT? 212 00:09:46,654 --> 00:09:48,155 A KEY. 213 00:09:48,188 --> 00:09:50,658 SHE OFFERED ME A LOT OF MONEY TO LOOK FOR A KEY. 214 00:09:50,691 --> 00:09:51,992 A KEY TO WHAT, MY HOUSE? 215 00:09:52,025 --> 00:09:53,360 I GAVE YOU THAT. 216 00:09:54,828 --> 00:09:55,963 NO. 217 00:09:57,230 --> 00:09:59,232 SHE THINKS THAT YOUR FRIEND, 218 00:09:59,266 --> 00:10:01,101 THE ONE WHO DIED, MAY HAVE GIVE YOU 219 00:10:01,134 --> 00:10:02,736 OR ONE OF YOUR GIRLS A KEY. 220 00:10:02,770 --> 00:10:05,005 ALI DIDN'T DIE, SHE WAS MURDERED. 221 00:10:08,141 --> 00:10:09,142 WHAT KIND OF KEY? 222 00:10:09,176 --> 00:10:10,978 JENNA DIDN'T KNOW. 223 00:10:12,412 --> 00:10:15,849 AND AS SOON AS I REALIZED SOMETHING WAS HAPPENING BETWEEN YOU AND ME, 224 00:10:15,883 --> 00:10:17,851 I TOLD HER TO BACK OFF. 225 00:10:17,885 --> 00:10:20,721 HANNA, WHAT'S WITH YOU GUYS AND JENNA CAVANAUGH? 226 00:10:20,754 --> 00:10:22,222 WHY DID SHE NEED ME? 227 00:10:22,255 --> 00:10:23,991 WHY COULDN'T SHE JUST ASK YOU DIRECTLY? 228 00:10:24,024 --> 00:10:26,126 YOU KNOW WHAT? YOU DON'T GET TO ASK QUESTIONS. 229 00:10:26,159 --> 00:10:27,761 WHAT ELSE? 230 00:10:29,697 --> 00:10:31,899 IF I KNEW MORE, SO WOULD YOU. 231 00:10:40,140 --> 00:10:41,208 I MISS YOU. 232 00:10:48,749 --> 00:10:50,951 YEAH. YOU'LL GET OVER IT. 233 00:11:03,764 --> 00:11:04,932 OKAY, I'M BACK. 234 00:11:04,965 --> 00:11:06,466 Spencer: HEY, IS FITZ THERE? 235 00:11:06,499 --> 00:11:08,702 NO, HE GOT PULLED INTO SOME FACULTY THING, 236 00:11:08,736 --> 00:11:10,804 SO HE TEXTED ME TO ORDER SOME FOOD. 237 00:11:10,838 --> 00:11:14,074 SO YOU GUYS ARE STILL TEXTING? WOW. 238 00:11:14,107 --> 00:11:15,475 I WOULD HAVE THOUGHT AFTER THAT THING WITH YOUR MOM... 239 00:11:15,508 --> 00:11:17,077 HE DOESN'T KNOW ABOUT THAT. 240 00:11:17,110 --> 00:11:18,712 IF HE THINKS MY PARENTS ARE SNIFFING US OUT, 241 00:11:18,746 --> 00:11:21,381 IT'LL JUST MAKE HIM PARANOID, NOT ROMANTIC. 242 00:11:21,414 --> 00:11:23,250 YEAH, TELL ME ABOUT IT. 243 00:11:23,283 --> 00:11:26,453 I STILL DON'T KNOW IF TOBY THINKS I SET HIM UP WITH THAT SWEATER. 244 00:11:26,486 --> 00:11:28,221 WAIT, YOU HAVEN'T TALKED TO HIM YET? 245 00:11:28,255 --> 00:11:30,090 NO. HE LEFT ME A MESSAGE 246 00:11:30,123 --> 00:11:32,259 SAYING THAT HE COULDN'T MEET ME AFTER SCHOOL. 247 00:11:32,292 --> 00:11:33,861 Veronica: SPENCER! 248 00:11:33,894 --> 00:11:35,362 I GOTTA GO. MY MOM'S CALLING. 249 00:11:35,395 --> 00:11:36,496 OKAY. 250 00:11:36,529 --> 00:11:37,865 BYE. 251 00:12:00,888 --> 00:12:03,991 ( cell phone rings ) 252 00:12:04,024 --> 00:12:07,327 HELLO? HEY, IT'S ME. UH, YEAH, THIS MEETING'S 253 00:12:07,360 --> 00:12:09,329 RUNNING A BIT LONG. 254 00:12:09,362 --> 00:12:11,064 DID YOU ORDER DINNER YET? 255 00:12:11,098 --> 00:12:14,968 UM... YOU KNOW WHAT? I-I CAN'T STAY. 256 00:12:15,002 --> 00:12:17,004 IS SOMETHING WRONG? 257 00:12:17,037 --> 00:12:18,271 NO, NO. 258 00:12:18,305 --> 00:12:20,073 UM, WE'LL JUST-- WE'LL TALK LATER, OKAY? 259 00:12:20,107 --> 00:12:21,241 OKAY. 260 00:12:37,324 --> 00:12:39,226 A KEY? A KEY FOR WHAT? 261 00:12:39,259 --> 00:12:41,261 ( sighs ) THAT'S WHAT I SAID. 262 00:12:41,294 --> 00:12:42,996 WAS IT A KEY TO ALI'S HOUSE? 263 00:12:43,030 --> 00:12:44,397 HER LOCKER AT THE TENNIS CLUB? 264 00:12:44,431 --> 00:12:45,999 WHY WOULD JENNA WANT THAT? 265 00:12:46,033 --> 00:12:47,500 WHAT WAS SHE GONNA DO, SNIFF ALI'S OLD SWEAT SOCKS? 266 00:12:47,534 --> 00:12:49,102 IF JENNA'S "A," SHE'S LOOKING FOR 267 00:12:49,136 --> 00:12:51,004 ANY INFORMATION ON US SHE CAN GET. 268 00:12:51,038 --> 00:12:54,007 I CANNOT BELIEVE THAT HE WENT THROUGH MY CLOSET AND MY NIGHTSTAND. 269 00:12:54,041 --> 00:12:55,142 WHAT A JERK! 270 00:12:55,175 --> 00:12:56,543 HE'S A TOTAL CREEP. HE'S AN ANIMAL. 271 00:12:56,576 --> 00:12:58,578 EASY, GUYS. 272 00:12:58,611 --> 00:13:01,381 HE LOOKED THROUGH YOUR STUFF, HE DIDN'T INVADE POLAND. 273 00:13:01,414 --> 00:13:03,583 WHY ARE YOU STICKING UP FOR HIM? HE BROKE HER TRUST. 274 00:13:03,616 --> 00:13:04,952 HE WENT BEHIND HER BACK. 275 00:13:04,985 --> 00:13:07,354 HE STUCK HIS HANDS IN HER PANTY DRAWER! 276 00:13:08,521 --> 00:13:10,357 I'M SORRY. 277 00:13:10,390 --> 00:13:12,492 OKAY, ALL I'M SAYING IS THAT SOMEBODY 278 00:13:12,525 --> 00:13:14,494 CAN LOOK THROUGH SOMEONE ELSE'S STUFF 279 00:13:14,527 --> 00:13:16,429 THAT THEY'RE NOT SUPPOSED TO BE LOOKING THROUGH. 280 00:13:18,365 --> 00:13:20,934 YOU WANNA TRANSLATE THAT INTO SPEECH? 281 00:13:20,968 --> 00:13:24,304 I SAW EZRA'S WEBSITE PAGE. 282 00:13:24,337 --> 00:13:28,108 LOOK, I-I KNOCKED HIS DESK, AND HIS LAPTOP SCREEN CAME UP. 283 00:13:28,141 --> 00:13:29,476 SO, BIG DEAL. 284 00:13:29,509 --> 00:13:31,344 WHAT'S THE JUICIEST THING ON HIS STATUS UPDATE? 285 00:13:31,378 --> 00:13:34,047 "EZRA FITS HAS JOINED THE MARK TWAIN FAN PAGE"? 286 00:13:34,081 --> 00:13:35,916 HOW 'BOUT HE HAS A DOUBLE LIFE. 287 00:13:35,949 --> 00:13:38,118 WAIT, I THOUGHT THAT YOU WERE HIS DOUBLE LIFE. 288 00:13:38,151 --> 00:13:39,552 FINE. TRIPLE LIFE. 289 00:13:41,521 --> 00:13:45,092 THERE WAS THIS PICTURE OF HIM COZYING UP TO SOME GIRL 290 00:13:45,125 --> 00:13:47,194 WEARING AN ENGAGEMENT RING IN ITALY. 291 00:13:48,929 --> 00:13:50,097 WHAT'S HER NAME? 292 00:13:50,130 --> 00:13:51,598 JACKIE. 293 00:13:51,631 --> 00:13:53,500 HOW DO YOU KNOW SHE WASN'T HIS COUSIN? 294 00:13:53,533 --> 00:13:55,035 'CAUSE IN PICTURE NUMBER THREE, 295 00:13:55,068 --> 00:13:57,905 THEY WERE LICKING EACH OTHER'S GELATO. 296 00:13:58,939 --> 00:14:00,507 I MEAN, GUYS, SERIOUSLY, WHAT DO I DO? 297 00:14:00,540 --> 00:14:02,109 BE HONEST WITH HIM. 298 00:14:02,142 --> 00:14:04,344 EXPLAIN WHAT HAPPENED AND SEE WHAT HE SAYS. 299 00:14:04,377 --> 00:14:06,613 YEAH, AND REMEMBER, PEOPLE CAN LOOK GUILTY OF SOMETHING 300 00:14:06,646 --> 00:14:08,315 EVEN IF THEY'RE COMPLETELY INNOCENT. 301 00:14:08,348 --> 00:14:10,050 OKAY, YOU KNOW WHAT? SCREW THAT. 302 00:14:10,083 --> 00:14:12,319 MAKE A FAKE PROFILE, "FRIEND" JACKIE, 303 00:14:12,352 --> 00:14:14,021 COMB THROUGH THAT SKANK'S PAGE, 304 00:14:14,054 --> 00:14:15,222 AND NAIL HIS ASS TO THE WALL. 305 00:14:19,126 --> 00:14:21,328 OR WE CAN DO WHAT EMILY SAYS. 306 00:14:35,008 --> 00:14:36,243 HEY. 307 00:14:36,276 --> 00:14:38,311 HOW ARE YOU? RELIEVED... 308 00:14:38,345 --> 00:14:40,580 THAT YOU'RE SPEAKING TO ME. 309 00:14:40,613 --> 00:14:43,150 I WASN'T SURE IF YOU'D HEARD THE COPS' THEORY 310 00:14:43,183 --> 00:14:44,551 ABOUT ME PLANTING EVIDENCE. 311 00:14:44,584 --> 00:14:46,519 WE SHOULDN'T TALK ABOUT THIS. 312 00:14:46,553 --> 00:14:49,456 SO YOU DO THINK IT WAS ME? 313 00:14:50,490 --> 00:14:52,159 NO, OF COURSE NOT. 314 00:14:53,360 --> 00:14:55,395 BUT I CAN'T SAY THE SAME FOR MY FAMILY. 315 00:14:57,530 --> 00:15:00,233 SPENCER, YOU SHOULD GO HOME. 316 00:15:00,267 --> 00:15:03,370 THOSE GUYS HAVE A WAY OF ADDING TWO AND TWO 317 00:15:03,403 --> 00:15:05,005 AND COMING UP WITH FIVE. 318 00:15:08,008 --> 00:15:09,642 I'LL STOP BY YOUR PLACE LATER. 319 00:15:09,676 --> 00:15:12,479 UM, I'M NOT SURE THAT THAT'S SUCH A GOOD IDEA. 320 00:15:12,512 --> 00:15:14,047 WHY NOT? 321 00:15:15,515 --> 00:15:19,719 BECAUSE YOUR PARENTS DON'T WANT YOU NEAR ME? 322 00:15:19,752 --> 00:15:22,022 MAKES SENSE. 323 00:15:22,055 --> 00:15:23,556 HOW 'BOUT THE FESTIVAL? 324 00:15:23,590 --> 00:15:26,459 MAYBE WE COULD MEET UP BEHIND A TENT, 325 00:15:26,493 --> 00:15:28,295 OR THE FUNHOUSE. 326 00:15:28,328 --> 00:15:29,696 SEVEN O'CLOCK? 327 00:15:29,729 --> 00:15:33,033 TOBY. I NEED YOU TO DRIVE ME TO SCHOOL. 328 00:15:33,066 --> 00:15:34,434 I HAVE A MAKE-UP TEST. 329 00:15:34,467 --> 00:15:37,270 OKAY, JUST... LET ME GET CLEANED UP. 330 00:15:55,622 --> 00:15:57,657 HEY, SPENCER. 331 00:16:01,294 --> 00:16:02,695 UH... HOW'S IT GOIN'? 332 00:16:02,729 --> 00:16:04,697 YOU TELL ME, GARRETT. 333 00:16:04,731 --> 00:16:06,199 I THOUGHT YOU WERE ON OUR SIDE. 334 00:16:06,233 --> 00:16:08,335 I DON'T GET TO HAVE PERSONAL FEELINGS 335 00:16:08,368 --> 00:16:09,736 WHEN I'M IN UNIFORM. 336 00:16:09,769 --> 00:16:11,238 WELL, IF YOU PUT ON A PAIR OF JEANS, 337 00:16:11,271 --> 00:16:12,739 THIS WOULD BE CALLED STALKING. 338 00:16:14,141 --> 00:16:16,109 SPENCER, LOOK. 339 00:16:16,143 --> 00:16:18,645 IF BEING TRAILED IS GONNA HELP CLEAR YOUR NAME, 340 00:16:18,678 --> 00:16:21,314 BETTER IT'S ME THAN SOMEONE WHO THINKS YOU'RE GUILTY. 341 00:16:28,421 --> 00:16:30,123 Female Vocalist: * FIRE INSIDE 342 00:16:30,157 --> 00:16:32,159 * IS BURNING OUT IN FRONT OF ME * 343 00:16:32,192 --> 00:16:34,627 * I'M OUT OF CONTROL 344 00:16:34,661 --> 00:16:36,196 * NOW 345 00:16:36,229 --> 00:16:39,499 * AND I CAN'T TURN THIS AROUND * 346 00:16:39,532 --> 00:16:42,235 * YOU WALK IN THE DOOR 347 00:16:42,269 --> 00:16:43,770 * NOW 348 00:16:43,803 --> 00:16:45,572 * AND I CAN'T FIND MY WAY OUT * 349 00:16:45,605 --> 00:16:48,675 HEY, ARE YOU PAIGE? 350 00:16:48,708 --> 00:16:54,247 WHAT? OH, NO. I'M EMILY, HER FRIEND. 351 00:16:54,281 --> 00:16:55,482 ARE YOU...? 352 00:16:55,515 --> 00:16:56,549 SAMARA. 353 00:16:56,583 --> 00:16:58,418 I GO TO SHERIDAN PREP. 354 00:16:58,451 --> 00:17:00,420 MEMBER OF THE CAMPUS PRIDE GROUP. 355 00:17:00,453 --> 00:17:01,554 DID YOUR FRIEND TELL YOU? 356 00:17:01,588 --> 00:17:03,423 YEAH. SORRY. 357 00:17:03,456 --> 00:17:06,293 DIDN'T REALIZE YOU'D BE SO... 358 00:17:07,660 --> 00:17:10,463 PUNCTUAL. 359 00:17:10,497 --> 00:17:13,200 OKAY, SO EVEN THOUGH WE CAN'T SEE HER PROFILE, 360 00:17:13,233 --> 00:17:14,467 JACKIE AND MR. FITZ-- 361 00:17:14,501 --> 00:17:15,835 EZRA. 362 00:17:15,868 --> 00:17:18,105 WENT TO THE SAME COLLEGE. 363 00:17:18,138 --> 00:17:21,574 SO I LOOKED UP ALUMNI AND PUNCHED IN RANDOM NAMES 364 00:17:21,608 --> 00:17:25,478 UNTIL I FOUND A GIRL WHO ALREADY DIDN'T HAVE A PAGE. 365 00:17:25,512 --> 00:17:27,447 TONYA FREEMAN? YEP. 366 00:17:27,480 --> 00:17:28,781 WHO'S THAT? WHO CARES? 367 00:17:28,815 --> 00:17:31,118 THIS IS STARTING TO FEEL SO WRONG. 368 00:17:31,151 --> 00:17:32,685 HEY, IT'S SO NOT. 369 00:17:32,719 --> 00:17:35,555 LOOK, I DON'T WANT WHAT HAPPENED TO ME TO HAPPEN TO YOU. 370 00:17:35,588 --> 00:17:38,691 FOOL ME ONCE, SHAME ON YOU, AND FOOL MY BEST FRIEND, YOU'RE DEAD-FRICKIN'-MEAT. 371 00:17:38,725 --> 00:17:40,693 HM, THAT'S... TENDER. 372 00:17:40,727 --> 00:17:43,163 BUT WHAT ABOUT A PROFILE PICTURE? 373 00:17:43,196 --> 00:17:45,165 OH, WE'RE NOT PUTTING ONE UP. 374 00:17:45,198 --> 00:17:47,467 OKAY, IF THE PROFILE IS FACELESS, 375 00:17:47,500 --> 00:17:49,769 JACKIE WILL ASSUME IT WAS SOMEONE SHE USED TO BE FRIENDS WITH, 376 00:17:49,802 --> 00:17:51,804 FEEL GUILTY SHE FORGOT THEY EXIST, 377 00:17:51,838 --> 00:17:54,541 AND ACCEPT THE FRIEND REQUEST. 378 00:17:54,574 --> 00:17:57,344 WELL, JACKIE IS ABOUT TO BE REUNITED 379 00:17:57,377 --> 00:17:59,546 WITH ONE OF HER OLD PALS. 380 00:17:59,579 --> 00:18:02,549 YOU DO THE HONORS, TONYA. 381 00:18:04,151 --> 00:18:06,353 ARIA, DO YOU WANT TO KNOW THE TRUTH OR NOT? 382 00:18:12,392 --> 00:18:14,127 Female Vocalist: * UPSIDE 383 00:18:18,431 --> 00:18:22,469 EMILY, NOT TO BE RUDE, BUT... IS THERE A FRIEND? 384 00:18:22,502 --> 00:18:23,903 WHAT? 385 00:18:23,936 --> 00:18:25,638 LOOK, IF YOU MADE IT THIS FAR, YOU'RE DOING GREAT. 386 00:18:25,672 --> 00:18:27,640 OH, NO, NO. IT'S NOT ME. 387 00:18:27,674 --> 00:18:29,509 THIS IS ABOUT PAIGE, 388 00:18:29,542 --> 00:18:32,579 SOMEONE I'M STARTING TO DATE. 389 00:18:32,612 --> 00:18:34,247 THAT'S WHY THIS SUCKS. 390 00:18:34,281 --> 00:18:37,317 FEELS LIKE IT'S A STEP BACK FOR ME. I GET IT. 391 00:18:37,350 --> 00:18:39,786 I WAS WITH A CLOSETED GIRL WHEN I FIRST MOVED HERE. 392 00:18:39,819 --> 00:18:42,255 NOTHING BUT DRAMA. 393 00:18:42,289 --> 00:18:45,192 I START TO REALIZE THAT IF IT WAS MEANT TO BE, IT SHOULDN'T BE THIS HARD. 394 00:18:45,225 --> 00:18:46,359 ( soft chuckle ) 395 00:18:49,396 --> 00:18:50,897 SOMETHING TELLS ME SHE'S NOT COMING. 396 00:18:50,930 --> 00:18:53,566 ( sighs ) I'M SORRY. 397 00:18:53,600 --> 00:18:55,702 IT'S OKAY. I HAD TO BE IN THE NEIGHBORHOOD ANYWAY. 398 00:18:55,735 --> 00:18:57,770 I'M SETTING UP A BOOTH AT THE FESTIVAL. 399 00:18:57,804 --> 00:19:00,740 ME AND SOME FRIENDS FROM ART CLASS ARE SELLING HANDMADE JEWELRY. 400 00:19:00,773 --> 00:19:03,210 THAT'S CUTE. DID YOU MAKE THAT? 401 00:19:03,243 --> 00:19:04,811 YEAH. THANKS. 402 00:19:04,844 --> 00:19:07,514 HEY, IF YOU WANT TO SEE MORE, YOU SHOULD COME BY EARLY, 403 00:19:07,547 --> 00:19:09,516 GET THE FIRST CHOICE. 404 00:19:09,549 --> 00:19:10,917 ARE YOU FREE TOMORROW MORNING? 405 00:19:16,556 --> 00:19:18,325 ( laughing ) AW, CUTE. 406 00:19:18,358 --> 00:19:19,926 DID YOU COME UP WITH THAT YOURSELF, MRS. ACKARD? 407 00:19:19,959 --> 00:19:21,628 WELL, IF YOU WANT PEOPLE TO COUGH UP MONEY, 408 00:19:21,661 --> 00:19:23,796 YOU'D BETTER MAKE 'EM SMILE. 409 00:19:23,830 --> 00:19:25,798 Ian: OKAY, WE'RE GOOD. 410 00:19:25,832 --> 00:19:27,434 THAT TENT'S NOT COMING DOWN ANYTIME SOON. 411 00:19:27,467 --> 00:19:30,537 OH, WE FEEL SAFE IN YOUR HANDS, IAN. 412 00:19:30,570 --> 00:19:33,640 SHAME ON YOU TWO FOR NOT HAVING A CHURCH WEDDING IN ROSEWOOD. 413 00:19:33,673 --> 00:19:36,376 WELL, WE PLAN ON MAKING UP FOR IT. 414 00:19:36,409 --> 00:19:38,845 OUR BABY'S GONNA HAVE THE BIGGEST CHRISTENING THIS TOWN'S EVER SEEN. 415 00:19:38,878 --> 00:19:40,347 OH, GOOD! 416 00:19:40,380 --> 00:19:42,582 WE NEED AS MANY JOYOUS EVENTS AS POSSIBLE. 417 00:19:42,615 --> 00:19:46,519 THIS TOWN STILL HASN'T RECOVERED SINCE ALISON'S... 418 00:19:47,820 --> 00:19:50,357 OH. ME AND MY LOOSE LIPS. 419 00:19:50,390 --> 00:19:51,891 I'M SORRY. 420 00:19:51,924 --> 00:19:54,494 NO, IT'S OKAY, MRS. ACKARD. 421 00:19:54,527 --> 00:19:56,463 UNDER THE CIRCUMSTANCES, 422 00:19:56,496 --> 00:19:59,232 SPENCER'S DOING REALLY WELL. 423 00:19:59,266 --> 00:20:03,303 IAN, BEFORE I FORGET, THE REVEREND AND I ARE PLANNING A GOLF TRIP, 424 00:20:03,336 --> 00:20:04,971 BUT WE CAN'T DECIDE BETWEEN PEBBLE BEACH, 425 00:20:05,004 --> 00:20:07,340 KAANAPALI, HILTON HEAD... 426 00:20:07,374 --> 00:20:08,541 OOH! 427 00:20:08,575 --> 00:20:10,677 IAN KNOWS ALL ABOUT HILTON HEAD. 428 00:20:10,710 --> 00:20:12,512 OH, HAVE YOU BEEN THERE? 429 00:20:12,545 --> 00:20:14,347 YEAH. 430 00:20:14,381 --> 00:20:16,816 UM... I ONLY PLAYED THERE ONCE, BUT IT WAS A DREAM. 431 00:20:16,849 --> 00:20:18,618 Mrs. Ackard: AND DID YOU STAY THERE TOO? 432 00:20:18,651 --> 00:20:20,253 YEAH, UM... AND MAKE SURE YOU GET 433 00:20:20,287 --> 00:20:22,489 A ROOM OVERLOOKING THE NINTH HOLE, RIGHT, HON? 434 00:20:22,522 --> 00:20:25,792 DEFINITELY. THE ROOM'S GOT AN AMAZING OCEAN VIEW. 435 00:20:25,825 --> 00:20:27,394 OH, REALLY? 436 00:20:27,427 --> 00:20:29,429 THE BROCHURE SAYS THAT THE GOLF COURSE AND THE OCEAN 437 00:20:29,462 --> 00:20:31,431 ARE ON OPPOSITE SIDES OF THE HOTEL. 438 00:20:31,464 --> 00:20:34,000 OH, NO, THAT'S RIGHT. 439 00:20:34,033 --> 00:20:36,803 UM, I WAS THINKING ABOUT THE VIEW FROM THE HOTEL RESTAURANT. 440 00:20:36,836 --> 00:20:38,471 OHH! 441 00:20:43,042 --> 00:20:45,244 WHAT DO YOU THINK YOU'RE DOING? 442 00:20:48,381 --> 00:20:51,884 OH, IAN, COULD YOU HELP ME WITH THIS BOX OUT TO THE BOOTH, PLEASE? 443 00:20:51,918 --> 00:20:54,253 AH, YES, MA'AM. OF COURSE. 444 00:21:03,029 --> 00:21:04,864 SO, DID YOU TELL THE POLICE THAT YOU STAYED 445 00:21:04,897 --> 00:21:08,000 ON OPPOSITE SIDES OF THE HOTEL, 446 00:21:08,034 --> 00:21:09,969 OR WERE YOU EVEN AT HILTON HEAD? 447 00:21:24,884 --> 00:21:27,387 Female Vocalist: * NOTHIN' TURNS OUT 448 00:21:27,420 --> 00:21:28,788 THESE ARE BEAUTIFUL. 449 00:21:28,821 --> 00:21:30,523 * THE WAY YOU WANTED 450 00:21:30,557 --> 00:21:32,659 DID YOU MAKE THESE? 451 00:21:32,692 --> 00:21:35,362 NOT TO TOOT MY OWN HORN, BUT... TOOT-TOOT! 452 00:21:39,499 --> 00:21:43,936 WOW. THEY LOOK... AMAZING WITH YOUR SKIN TONE. 453 00:21:43,970 --> 00:21:45,672 YOU SHOULD HAVE THEM. 454 00:21:45,705 --> 00:21:48,541 YOU DON'T HAVE TO GIVE THEM TO ME. 455 00:21:48,575 --> 00:21:52,745 OKAY, STEAL THEM. I'LL TURN AROUND. 456 00:21:52,779 --> 00:21:53,946 EMILY? 457 00:21:55,782 --> 00:21:56,916 HI. 458 00:21:56,949 --> 00:21:58,518 HI. 459 00:21:58,551 --> 00:22:02,021 UH, PAIGE, THIS IS SAMARA FROM SHERIDAN PREP, 460 00:22:02,054 --> 00:22:04,924 WHO YOU WERE SUPPOSED TO MEET AT THE GRILLE. 461 00:22:04,957 --> 00:22:06,793 OH. HI. 462 00:22:06,826 --> 00:22:08,528 HI. 463 00:22:08,561 --> 00:22:10,930 LOOK, IF YOU EVER WANT TO RESCHEDULE, 464 00:22:10,963 --> 00:22:15,635 GRAB A COFFEE, TALK ABOUT YOUR DAD, EMILY HAS MY CELL. 465 00:22:18,938 --> 00:22:20,773 UM... 466 00:22:20,807 --> 00:22:24,010 TELL YOUR FRIEND HOW HOT SHE LOOKS IN THOSE EARRINGS. 467 00:22:29,181 --> 00:22:31,384 ( soft knocking ) 468 00:22:34,053 --> 00:22:36,022 OH, HEY, MRS. MARIN. 469 00:22:36,055 --> 00:22:37,590 HANNA'S NOT HERE. 470 00:22:37,624 --> 00:22:40,059 SHE'S, UM... 471 00:22:40,092 --> 00:22:41,961 SETTING UP FOR THE FESTIVAL. 472 00:22:47,700 --> 00:22:48,768 WHAT'S IN THE BAG? 473 00:22:48,801 --> 00:22:50,670 SCREWDRIVER. 474 00:22:50,703 --> 00:22:52,439 I ACCIDENTALLY PACKED IT. 475 00:22:52,472 --> 00:22:54,507 I DIDN'T WANT YOU TO THINK I MADE OFF WITH YOUR STUFF. 476 00:22:54,541 --> 00:22:56,609 SO WHERE ARE YOU STAYING? 477 00:22:56,643 --> 00:22:58,745 WELL, FOR THE NEXT FEW NIGHTS, ON A BUS, 478 00:22:58,778 --> 00:23:00,980 ON MY WAY TO ARIZONA. 479 00:23:01,013 --> 00:23:02,482 DOES HANNA KNOW YOU'RE LEAVING? 480 00:23:02,515 --> 00:23:04,150 I DON'T EXPECT HER OR YOU 481 00:23:04,183 --> 00:23:06,519 TO THROW ME A GOING-AWAY PARTY. 482 00:23:06,553 --> 00:23:08,521 ALL I KNOW IS MY DAUGHTER'S SITTING IN A DARK ROOM 483 00:23:08,555 --> 00:23:11,057 LISTENING TO ELLIOTT SMITH ON A LOOP. 484 00:23:11,090 --> 00:23:13,092 I DON'T KNOW WHAT HAPPENED BETWEEN YOU TWO. 485 00:23:13,125 --> 00:23:15,828 WOULD IT MATTER? YOU WERE NEVER REALLY MY BIGGEST FAN. 486 00:23:15,862 --> 00:23:17,830 THAT'S BECAUSE I DIDN'T WANT TO SEE MY DAUGHTER 487 00:23:17,864 --> 00:23:19,666 LISTENING TO ELLIOTT SMITH ON A LOOP. 488 00:23:19,699 --> 00:23:22,535 I'M NOT JUDGING. 489 00:23:22,569 --> 00:23:24,170 I THINK SHE'S LUCKY. 490 00:23:25,805 --> 00:23:27,173 MAYBE IF I HAD A MOM LIKE YOU, 491 00:23:27,206 --> 00:23:28,775 I WOULDN'T BE SLEEPING ON A BUS 492 00:23:28,808 --> 00:23:31,578 AND MAKING UP THE RULES AS I GO ALONG. 493 00:23:40,787 --> 00:23:42,589 CAN YOU GIVE THIS TO HER? 494 00:23:44,791 --> 00:23:47,927 YOU SHOULD GO TO THE FESTIVAL AND GIVE IT TO HER YOURSELF. 495 00:23:49,662 --> 00:23:51,197 HANNA DOESN'T NEED ONE MORE GUY IN HER LIFE 496 00:23:51,230 --> 00:23:52,965 LEAVING WITHOUT SAYING GOODBYE. 497 00:23:59,238 --> 00:24:01,007 WHAT DID YOU TELL HER... 498 00:24:01,040 --> 00:24:02,174 ABOUT ME? 499 00:24:02,208 --> 00:24:03,576 NOTHING. 500 00:24:03,610 --> 00:24:05,244 I TOLD HER YOU WERE DEALING WITH STUFF, 501 00:24:05,277 --> 00:24:06,879 YOU WERE SCARED YOUR PARENTS WOULD... 502 00:24:06,913 --> 00:24:08,214 I WISH YOU HADN'T DONE THAT. 503 00:24:08,247 --> 00:24:09,816 IF I DIDN'T SHOW UP, THERE WAS A REASON. 504 00:24:09,849 --> 00:24:11,751 HEY. 505 00:24:11,784 --> 00:24:13,653 THE SECOND YOU GUYS LEFT, EVERYBODY SUDDENLY GOT THIRSTY. 506 00:24:13,686 --> 00:24:16,122 ( soft chuckle ) 507 00:24:16,155 --> 00:24:18,157 UH, HERE, FOR THE EARRINGS. 508 00:24:22,161 --> 00:24:24,997 LOOK, PAIGE, I HOPE IT DIDN'T SEEM LIKE I WAS CALLING YOU OUT. 509 00:24:25,031 --> 00:24:27,567 I GET IT. WE'VE ALL BEEN THERE. 510 00:24:27,600 --> 00:24:29,969 I KNOW YOU'RE TRYING TO BE NICE AND EVERYTHING, 511 00:24:30,002 --> 00:24:32,271 BUT, HONESTLY, YOU DON'T EVEN KNOW ME. 512 00:24:32,304 --> 00:24:33,973 PAIGE! WHAT? 513 00:24:34,006 --> 00:24:35,975 SORRY, EMILY, I'M NOT LOOKING TO JOIN A CLUB 514 00:24:36,008 --> 00:24:38,244 AND RIDE DOWN MAIN STREET ON A RAINBOW CHOPPER. 515 00:24:38,277 --> 00:24:40,012 ACTUALLY, I DRIVE A JEEP. 516 00:24:40,046 --> 00:24:41,948 BUT THAT'S BESIDE THE POINT. 517 00:24:41,981 --> 00:24:45,251 YOU KNOW WHAT? I'M GONNA TAKE THIS TO GO. 518 00:24:45,284 --> 00:24:46,919 I'VE GOT A PAPER THAT'S DUE. 519 00:24:46,953 --> 00:24:50,022 TELL YOUR FRIENDS IT WAS REALLY NICE TO MEET THEM. 520 00:24:50,056 --> 00:24:52,725 EMILY, WAIT. WHAT? 521 00:24:52,759 --> 00:24:54,927 SO YOU CAN BE RUDE TO ME TOO? 522 00:24:54,961 --> 00:24:57,697 YOU KNOW WHAT, PAIGE? THIS IS BECOMING WAY TOO MUCH DRAMA. 523 00:24:57,730 --> 00:25:00,166 I DON'T WANT TO BE YOUR SECRET. 524 00:25:04,170 --> 00:25:07,173 ( clattering sound ) 525 00:25:07,206 --> 00:25:09,175 Female Vocalist: * MAYBE ALL THIS TIME 526 00:25:09,208 --> 00:25:11,510 * WE'VE BEEN HELD DOWN 527 00:25:12,912 --> 00:25:14,647 ( incoming message chime ) 528 00:25:16,082 --> 00:25:20,687 * BY THE HEAVY WEIGHT OF OUR OWN THOUGHTS * 529 00:25:24,724 --> 00:25:29,195 * MAYBE ALL THIS TIME WE'VE SEARCHED AROUND * 530 00:25:31,964 --> 00:25:33,833 * IT'S BEEN SO LONG 531 00:25:33,866 --> 00:25:38,771 * IT'S BEEN SO LONG THAT WE'VE FORGOT * 532 00:25:40,840 --> 00:25:44,811 * WHAT WE WANT 533 00:25:44,844 --> 00:25:49,649 * WHAT WE WANT 534 00:25:49,682 --> 00:25:53,352 * WHAT WE WANT 535 00:25:53,385 --> 00:25:55,955 MONA. THOUGHT YOU WERE GONNA HELP. 536 00:25:55,988 --> 00:25:57,957 I AM HELPING. I'M MAKING SURE YOU DON'T 537 00:25:57,990 --> 00:26:00,960 HOST A PITY PARTY FOR YOURSELF AND INVITE A CHEESECAKE. 538 00:26:05,632 --> 00:26:09,268 UM, DON'T LOOK NOW, BUT SKETCHY IS AT 12:00. 539 00:26:09,301 --> 00:26:11,738 ( sighs ) I-I CANNOT DEAL WITH HIM RIGHT NOW. 540 00:26:11,771 --> 00:26:14,206 JUST DON'T TELL HIM I'M HERE. 541 00:26:14,240 --> 00:26:18,177 * WHO YOU ARE AND WHO YOU'RE NOT * 542 00:26:18,210 --> 00:26:20,179 WE'RE NOT OPEN FOR BUSINESS YET. 543 00:26:20,212 --> 00:26:21,981 I KNOW. HANNA'S MOM SAID THAT-- 544 00:26:22,014 --> 00:26:23,850 SHE HAD TO STEP OUT. 545 00:26:24,951 --> 00:26:26,185 ANY IDEA WHEN SHE'LL BE BACK? 546 00:26:26,218 --> 00:26:28,154 PROBABLY WHEN YOU LEAVE. 547 00:26:29,789 --> 00:26:31,357 YOU REALLY HURT HER, CALEB. 548 00:26:31,390 --> 00:26:35,061 * IT'S BEEN SO LONG THAT YOU FORGOT * 549 00:26:37,396 --> 00:26:38,765 MAKE SURE SHE GETS THIS. 550 00:26:38,798 --> 00:26:42,234 * WHAT YOU WANT 551 00:26:42,268 --> 00:26:46,405 * WHAT YOU WANT 552 00:26:46,438 --> 00:26:50,409 * WHAT WE WANT 553 00:26:50,442 --> 00:26:55,047 * WHAT WE WANT 554 00:26:55,081 --> 00:26:59,218 * WHAT WE WANT 555 00:26:59,251 --> 00:27:04,256 * WHAT WE WANT 556 00:27:04,290 --> 00:27:09,896 * WHAT WE WANT WE HAVE ALREADY GOT * 557 00:27:12,832 --> 00:27:17,403 * WHAT WE WANT WE HAVE ALREADY * 558 00:27:17,436 --> 00:27:18,738 * GOT 559 00:27:18,771 --> 00:27:19,872 WHAT DID HE WANT? 560 00:27:19,906 --> 00:27:21,373 CHANGE FOR A TWENTY. 561 00:27:21,407 --> 00:27:23,242 * WHAT WE WANT WE HAVE... 562 00:27:23,275 --> 00:27:25,244 CAN YOU HELP ME WITH THE TAPE? 563 00:27:25,277 --> 00:27:27,680 * ALREADY GOT 564 00:27:37,790 --> 00:27:40,426 ( indistinct happy chatter ) 565 00:27:46,833 --> 00:27:49,368 Woman: ( happily ) OH, MY GOD! 566 00:27:49,401 --> 00:27:52,004 ( happy chatter continuing ) 567 00:27:54,273 --> 00:27:57,243 HEY. WE'VE BEEN LOOKING FOR YOU. 568 00:27:57,276 --> 00:28:00,847 WHY? DID THE REVEREND'S WIFE START TO SEE THROUGH YOUR ACT TOO? 569 00:28:00,880 --> 00:28:02,749 WHEN ARE YOU GONNA LEARN TO JUST KEEP QUIET? 570 00:28:02,782 --> 00:28:04,116 GET AWAY FROM ME. 571 00:28:04,150 --> 00:28:05,885 YOU KNOW, EVERY TIME YOU TRY TO BRING ME DOWN, 572 00:28:05,918 --> 00:28:07,319 YOU END UP IN TROUBLE. 573 00:28:07,353 --> 00:28:10,022 AND YOU KNOW WHAT THEY SAY ABOUT QUICKSAND, SPENCE. 574 00:28:10,056 --> 00:28:12,391 THE MORE YOU STRUGGLE, THE FASTER YOU SINK. 575 00:28:12,424 --> 00:28:14,727 AND YOU'RE SINKING FAST. 576 00:28:19,498 --> 00:28:21,768 SO... 577 00:28:21,801 --> 00:28:24,470 RUNAWAY BRIDE, TOP-SECRET AFFAIR, 578 00:28:24,503 --> 00:28:27,206 ALL FIVE SEASONS OF BIG LOVE. 579 00:28:27,239 --> 00:28:29,208 I SENSE A THEME HERE. 580 00:28:29,241 --> 00:28:31,243 YOU TRYING TO TELL ME SOMETHING? 581 00:28:31,277 --> 00:28:32,745 YEAH. 582 00:28:34,413 --> 00:28:35,848 I GUESS I AM. 583 00:28:37,216 --> 00:28:38,851 BUT AFTER I DO, 584 00:28:38,885 --> 00:28:40,419 YOU HAVE TO TELL ME SOMETHING. 585 00:28:41,553 --> 00:28:42,889 OKAY. 586 00:28:44,390 --> 00:28:46,092 FRIDAY... 587 00:28:46,125 --> 00:28:50,763 WHEN-- WHEN I GOT HERE BEFORE YOU, I... 588 00:28:50,797 --> 00:28:53,299 I SAW A PHOTO ON YOUR WEBSITE PAGE 589 00:28:53,332 --> 00:28:56,335 OF YOU... AND JACKIE. 590 00:28:56,368 --> 00:28:58,805 I WASN'T LOOKING FOR IT, OKAY? 591 00:28:58,838 --> 00:29:00,840 I WAS HUNTING DOWN YOUR MENUS AND THE PHOTO POPPED UP, 592 00:29:00,873 --> 00:29:02,975 AND... I COULDN'T HELP BUT NOTICE 593 00:29:03,009 --> 00:29:05,244 HOW HAPPY THE TWO OF YOU WERE. 594 00:29:05,277 --> 00:29:06,879 AND, OH, DID I MENTION A RING? 595 00:29:06,913 --> 00:29:09,248 BECAUSE SHE WAS WEARING A RING. 596 00:29:09,281 --> 00:29:11,984 LOOK, EZRA, I AM NOT COMING 597 00:29:12,018 --> 00:29:14,553 FROM SOME FREAKY, JEALOUS PLACE, OKAY? 598 00:29:14,586 --> 00:29:17,023 I MEAN, MAYBE I WAS WHEN I PICKED OUT BIG LOVE, 599 00:29:17,056 --> 00:29:19,325 BUT, HONESTLY... 600 00:29:19,358 --> 00:29:21,794 I-I JUST FEEL LIKE YOU KNOW EVERYTHING ABOUT ME, 601 00:29:21,828 --> 00:29:25,865 AND I DON'T FEEL LIKE YOU'VE SHARED AS MUCH. 602 00:29:25,898 --> 00:29:28,067 PLEASE JUMP IN AT ANY TIME. 603 00:29:32,238 --> 00:29:34,506 I... UH... 604 00:29:34,540 --> 00:29:40,346 I MET JACKIE MY FRESHMAN YEAR IN THE DORM. 605 00:29:40,379 --> 00:29:44,183 WE SAW EACH OTHER ON AND OFF FOR ABOUT TWO YEARS. 606 00:29:44,216 --> 00:29:45,351 GOOD. 607 00:29:47,419 --> 00:29:48,855 I NEED MORE. 608 00:29:51,023 --> 00:29:54,861 SHE WAS THE FIRST REALLY SERIOUS GIRLFRIEND I EVER HAD. 609 00:29:54,894 --> 00:29:57,997 I DATED OTHER PEOPLE, BUT NONE OF THEM WERE HER. 610 00:29:58,030 --> 00:29:59,899 SO, WHEN WE GOT BACK TOGETHER, I... 611 00:29:59,932 --> 00:30:02,201 ( chuckles ) I PROPOSED. 612 00:30:02,234 --> 00:30:04,937 THAT PICTURE WAS TAKEN IN FLORENCE. 613 00:30:04,971 --> 00:30:07,506 I BOUGHT THE RING ON THE PONTE VECCHIO. 614 00:30:07,539 --> 00:30:09,942 MY BROTHER HAD TO WIRE ME THE MONEY. 615 00:30:09,976 --> 00:30:12,178 I DIDN'T EVEN TELL HIM WHAT IT WAS FOR. 616 00:30:12,211 --> 00:30:13,980 WHY? 617 00:30:14,013 --> 00:30:16,215 'CAUSE I WASN'T SURE WHAT HER ANSWER WOULD BE. 618 00:30:16,248 --> 00:30:20,319 SO... YOU WERE MARRIED? 619 00:30:20,352 --> 00:30:22,521 NO. NO, IT NEVER HAPPENED. 620 00:30:22,554 --> 00:30:23,890 OH. 621 00:30:26,893 --> 00:30:28,294 WHY DID YOU BREAK IT OFF? 622 00:30:30,429 --> 00:30:32,564 I DIDN'T. SHE DID. 623 00:30:32,598 --> 00:30:33,933 OH. 624 00:30:38,337 --> 00:30:40,606 FITZ, WHY HASN'T SHE TAKEN DOWN THAT PHOTO? 625 00:30:40,639 --> 00:30:42,608 OH, I DON'T KNOW. 626 00:30:42,641 --> 00:30:44,510 GUESS IT WAS A GREAT SUMMER 627 00:30:44,543 --> 00:30:47,246 WITH LOTS OF MEMORIES SHE WANTS TO HOLD ON TO. 628 00:30:48,680 --> 00:30:50,482 AND WHAT ABOUT YOU? 629 00:30:50,516 --> 00:30:52,084 ARIA, THAT'S HER PHOTO, NOT MINE. 630 00:30:52,118 --> 00:30:54,086 BUT IF SHE HADN'T GIVEN YOU BACK THAT RING, 631 00:30:54,120 --> 00:30:56,255 YOU'D BE MARRIED TO HER RIGHT NOW. 632 00:30:58,090 --> 00:30:59,558 POSSIBLY. 633 00:30:59,591 --> 00:31:03,029 AND YOU'VE NEVER TOLD ME THIS BECAUSE... 634 00:31:03,062 --> 00:31:05,031 I GUESS I'M ONE OF THOSE PEOPLE 635 00:31:05,064 --> 00:31:08,600 THAT DOESN'T PUT THINGS THAT DIDN'T WORK OUT ON MY RéSUMé. 636 00:31:11,203 --> 00:31:12,604 WHAT'S... 637 00:31:14,473 --> 00:31:16,575 WHAT'S BOTHERING YOU MORE-- 638 00:31:16,608 --> 00:31:18,577 THAT OLD PHOTO BEING OUT THERE, 639 00:31:18,610 --> 00:31:23,349 OR... THE FACT THAT YOU AND I CAN'T TAKE A PICTURE LIKE THAT? 640 00:31:23,382 --> 00:31:25,384 HM? 641 00:31:29,288 --> 00:31:31,057 ARIA. 642 00:31:33,692 --> 00:31:36,262 THAT WAS THEN. 643 00:31:36,295 --> 00:31:39,398 YOU'RE VERY MUCH NOW. 644 00:31:49,575 --> 00:31:52,178 ( indistinct happy chatter ) 645 00:31:55,347 --> 00:31:57,149 HEY, SWEETIE, HOW'S IT GOING? 646 00:31:57,183 --> 00:31:58,617 GOOD. 647 00:31:58,650 --> 00:32:00,552 DID CALEB COME BY? 648 00:32:00,586 --> 00:32:02,621 NOPE. HAVEN'T SEEN HIM. 649 00:32:02,654 --> 00:32:03,990 OH. 650 00:32:05,992 --> 00:32:09,561 HE CAME BY THE HOUSE. I THINK HE WANTED TO SAY GOODBYE. 651 00:32:09,595 --> 00:32:11,597 HE'S LEAVING ROSEWOOD. 652 00:32:13,565 --> 00:32:15,001 HE IS? 653 00:32:15,034 --> 00:32:16,302 YEAH. 654 00:32:18,304 --> 00:32:20,439 WELL... GOOD RIDDANCE. 655 00:32:20,472 --> 00:32:22,474 LOOK, YOU CALLED IT, MOM. 656 00:32:22,508 --> 00:32:24,576 SOME BAD BOYS ARE JUST THAT. BAD. 657 00:32:24,610 --> 00:32:27,046 THE THING IS, I WAS WRONG. 658 00:32:27,079 --> 00:32:28,480 BUT IF IT MAKES A DIFFERENCE, 659 00:32:28,514 --> 00:32:31,583 MY FIRST IMPRESSION OF HIM WAS WAY OFF. 660 00:32:31,617 --> 00:32:34,186 WHAT ARE YOU SEEING NOW THAT YOU DIDN'T SEE BEFORE? 661 00:32:37,656 --> 00:32:39,491 MYSELF. 662 00:32:49,201 --> 00:32:50,602 ( incoming message chime ) 663 00:32:58,577 --> 00:33:00,312 ( incoming message chime ) 664 00:33:10,056 --> 00:33:12,358 I BROUGHT YOU A PRESENT BACK FROM MY TRIP, 665 00:33:12,391 --> 00:33:15,161 BUT YOU HAVE TO KEEP IT A SECRET. 666 00:33:15,194 --> 00:33:17,129 I DIDN'T BRING ANYTHING BACK FOR THE OTHER GIRLS, 667 00:33:17,163 --> 00:33:19,665 SO IF THEY ASK ABOUT IT, YOU HAVE TO LIE. 668 00:33:19,698 --> 00:33:21,033 PROMISE? 669 00:33:27,573 --> 00:33:29,541 IT'S BEAUTIFUL. 670 00:33:29,575 --> 00:33:31,677 IT'S VINTAGE. 671 00:33:31,710 --> 00:33:33,512 MY GRANDMA GAVE IT TO ME. 672 00:33:33,545 --> 00:33:35,414 I WANTED YOU TO HAVE IT. 673 00:33:37,683 --> 00:33:42,588 YOU'RE THE ONLY ONE THAT REALLY UNDERSTANDS ME, EM, 674 00:33:42,621 --> 00:33:46,058 THE ONLY ONE THAT I CAN COMPLETELY BE HONEST WITH. 675 00:33:50,529 --> 00:33:52,131 I HAVE TO GO. 676 00:33:52,164 --> 00:33:53,799 I HAVE A PRIOR ENGAGEMENT. 677 00:33:53,832 --> 00:33:56,268 WE'LL DEFINITELY SEE YOU LATER, RIGHT? 678 00:33:56,302 --> 00:33:57,436 YEAH. 679 00:33:59,438 --> 00:34:01,073 DON'T HAVE ANY FUN WITHOUT ME. 680 00:34:01,107 --> 00:34:03,242 ( soft chuckle ) 681 00:34:09,648 --> 00:34:12,484 MAKE SURE YOU KEEP THAT IN A SAFE PLACE. 682 00:34:12,518 --> 00:34:14,386 IT'S A LOT MORE VALUABLE THAN IT LOOKS. 683 00:34:31,270 --> 00:34:32,671 ( sighs ) 684 00:35:00,699 --> 00:35:02,734 Woman on Television: ...COCKTAIL PARTIES I GAVE? 685 00:35:02,768 --> 00:35:05,471 RIVERS OF ALCOHOL AND TONS OF CAVIAR! 686 00:35:05,504 --> 00:35:06,905 I GOT A CHARLIE HORSE FROM CHUCKING... 687 00:35:06,938 --> 00:35:08,274 WHAT HAPPENED? 688 00:35:08,307 --> 00:35:10,209 HERE, PUT THAT OVER YOUR HEAD. 689 00:35:10,242 --> 00:35:12,911 ARE YOU GONNA TORTURE ME 'CAUSE I GAVE SOMEBODY ELSE A RING? 690 00:35:12,944 --> 00:35:14,646 ARIA, SERIOUSLY, IT WASN'T EVEN A KARAT. 691 00:35:14,680 --> 00:35:16,482 GET IN THE BAG, MR. FITZ. 692 00:35:16,515 --> 00:35:18,550 WE'RE TAKING A PICTURE AS A COUPLE. 693 00:35:26,358 --> 00:35:28,660 YOU KNOW THIS IS NUTS, RIGHT? 694 00:35:28,694 --> 00:35:31,530 ( camera shutter clicks ) ARE WE DONE? I CAN'T BREATHE. 695 00:35:31,563 --> 00:35:33,699 ( both laughing ) 696 00:35:41,807 --> 00:35:43,642 ( cell phone rings ) 697 00:35:43,675 --> 00:35:45,143 TIME OUT. 698 00:35:50,749 --> 00:35:52,718 I HAVE TO LEAVE. 699 00:35:52,751 --> 00:35:54,820 N-NOW? 700 00:35:54,853 --> 00:35:56,822 ARE YOU COMING BACK? 701 00:35:56,855 --> 00:35:58,557 UM... 702 00:35:58,590 --> 00:36:00,959 I-I DON'T KNOW. I MIGHT. I'LL CALL YOU. LOVE YOU. 703 00:36:00,992 --> 00:36:02,328 YOU TOO. 704 00:36:07,233 --> 00:36:09,501 HEY, EM, IT'S ME. I'M ON MY WAY. 705 00:36:16,575 --> 00:36:18,944 ( indistinct music and happy chatter ) 706 00:36:18,977 --> 00:36:21,680 Barker: BIG AND TALL, YOUNG AND OLD, ALL AGES. 707 00:36:21,713 --> 00:36:23,515 ANYTHING YOU GOT. COME ON IN. 708 00:36:23,549 --> 00:36:25,951 COME ON IN, GUYS, ONLY TWO TICKETS EACH. 709 00:36:42,033 --> 00:36:44,636 ( music continuing ) 710 00:36:44,670 --> 00:36:47,273 ( happy chatter ) 711 00:36:48,974 --> 00:36:50,542 ( playfully sinister canned laughter ) 712 00:36:50,576 --> 00:36:52,010 Boy: HOW DO YOU GET OUT OF HERE? 713 00:36:52,043 --> 00:36:53,512 WHICH WAY SHOULD WE GO? 714 00:36:53,545 --> 00:36:56,248 IS IT UP HERE? 715 00:36:56,282 --> 00:36:58,550 ( playfully sinister canned laughter ) 716 00:37:00,552 --> 00:37:02,421 ( laughter continuing ) 717 00:37:03,889 --> 00:37:05,223 TOBY? 718 00:37:09,027 --> 00:37:10,729 ARE YOU IN HERE? 719 00:37:10,762 --> 00:37:12,764 Girl: HEY, GUYS, WAIT FOR ME! 720 00:37:15,401 --> 00:37:17,603 ( thunder crashes ) 721 00:37:17,636 --> 00:37:19,938 ( sinister laughter ) 722 00:37:40,992 --> 00:37:42,928 TOBY, WHERE ARE YOU? 723 00:37:50,336 --> 00:37:51,703 HELLO? 724 00:37:51,737 --> 00:37:53,339 HELLO? 725 00:37:53,372 --> 00:37:54,773 ( knocking on door ) 726 00:37:54,806 --> 00:37:56,342 HELLO? 727 00:37:56,375 --> 00:37:57,743 CAN SOMEBODY PLEASE HELP ME? 728 00:37:57,776 --> 00:37:59,611 ( knocking on door ) 729 00:37:59,645 --> 00:38:01,580 HEY, CAN SOMEBODY HEAR ME? 730 00:38:02,948 --> 00:38:04,316 HANNA! 731 00:38:04,350 --> 00:38:06,084 WHY DIDN'T YOU ANSWER YOUR PHONE? 732 00:38:06,117 --> 00:38:08,820 I LEFT IT AT THE BOOTH. YOU DIDN'T GET EMILY'S TEXT? 733 00:38:08,854 --> 00:38:11,557 SHE FOUND THE KEY, THE KEY THAT JENNA WAS LOOKING FOR. 734 00:38:11,590 --> 00:38:13,459 SHE WANTS US TO MEET HER AT THAT STORAGE PLACE NEAR HOLLIS. 735 00:38:13,492 --> 00:38:17,095 WHERE'S SPENCER? I COULDN'T REACH HER. HOPEFULLY, SHE'S ON THE WAY. 736 00:38:17,128 --> 00:38:19,097 SOMEBODY PLEASE OPEN THIS! 737 00:38:19,130 --> 00:38:21,700 ( sinister canned laughter continuing ) 738 00:38:21,733 --> 00:38:23,702 ( pounding on door ) 739 00:38:23,735 --> 00:38:25,704 HELLO?! 740 00:38:25,737 --> 00:38:27,339 ( pounding on door ) 741 00:38:27,373 --> 00:38:29,375 PLEASE OPEN THE DOOR! 742 00:38:31,777 --> 00:38:33,545 HELLO? PLEASE? 743 00:38:41,019 --> 00:38:43,355 ( knock on door ) 744 00:38:51,430 --> 00:38:52,531 MR. FITZ. 745 00:38:52,564 --> 00:38:54,600 I'M SORRY TO DISTURB YOU. 746 00:38:54,633 --> 00:38:57,669 I'M GARRETT REYNOLDS WITH THE ROSEWOOD POLICE. YOU GOT A MINUTE? 747 00:38:58,937 --> 00:39:00,806 SURE. WHAT CAN I DO FOR YOU? 748 00:39:00,839 --> 00:39:01,907 MAY I COME IN? 749 00:39:03,975 --> 00:39:05,411 YES, PLEASE. 750 00:39:08,113 --> 00:39:09,848 EXCUSE THE MESS. 751 00:39:15,621 --> 00:39:18,023 WHAT IS THIS REGARDING? 752 00:39:18,056 --> 00:39:20,759 I'D LIKE TO TALK TO YOU ABOUT ONE OF YOUR STUDENTS. 753 00:39:26,164 --> 00:39:28,066 Spencer: HELLO, PLEASE! 754 00:39:28,099 --> 00:39:30,802 ( sinister canned laughter continuing ) 755 00:39:38,076 --> 00:39:40,078 WHY ISN'T SHE ANSWERING? 756 00:39:40,111 --> 00:39:41,847 I HAVE NO IDEA. 757 00:39:44,450 --> 00:39:47,152 Aria: IS HE GOING SOMEWHERE? 758 00:39:47,185 --> 00:39:49,020 I DON'T KNOW. 759 00:39:49,054 --> 00:39:50,856 ARIZONA. WHO CARES? 760 00:39:54,059 --> 00:39:56,495 HANNA. HEY. 761 00:39:56,528 --> 00:39:57,996 GO OVER THERE AND SAY SOMETHING. 762 00:39:58,029 --> 00:40:00,532 GO... BEFORE HE DOES. 763 00:40:00,566 --> 00:40:03,835 Male Vocalist: * I'M WAITING 764 00:40:03,869 --> 00:40:08,173 * FOR LOVE TO INTERVENE 765 00:40:08,206 --> 00:40:09,775 I CAN'T. 766 00:40:09,808 --> 00:40:12,778 NOW, COME ON. EMILY'S WAITING FOR US. 767 00:40:12,811 --> 00:40:14,446 SIR. 768 00:40:14,480 --> 00:40:16,682 * I DON'T WANT TO LEAVE 769 00:40:16,715 --> 00:40:18,116 OH, THANK YOU. 770 00:40:20,151 --> 00:40:23,522 ( clattering ) TOBY, IS THAT YOU? 771 00:40:31,262 --> 00:40:35,133 Melissa: IAN? YEAH, I'VE GOT HER! SHE'S FINE. 772 00:40:35,166 --> 00:40:36,968 ( running footsteps approach ) 773 00:40:38,069 --> 00:40:40,806 OH, HONEY, ARE YOU OKAY? 774 00:40:40,839 --> 00:40:43,208 Melissa: YOU NEEDED A CROWBAR TO GET HER OUT? 775 00:40:43,241 --> 00:40:44,943 Ian: IT'S WHAT WAS KEEPING HER IN. 776 00:40:44,976 --> 00:40:47,178 SOMEBODY JAMMED THE DOOR WITH IT. 777 00:40:47,212 --> 00:40:48,947 ( incoming message chime ) 778 00:40:58,857 --> 00:41:00,826 NOBODY ELSE COMES IN HERE UNTIL YOU FIGURE THIS OUT. 779 00:41:00,859 --> 00:41:03,461 MY SISTER-IN-LAW COULD HAVE BEEN SERIOUSLY HURT. 780 00:41:17,042 --> 00:41:19,945 COME ON, GIRLS, LET'S CUT THROUGH HERE. 781 00:41:27,218 --> 00:41:28,554 SPENCER. 782 00:42:07,258 --> 00:42:09,094 GUYS, LOOK. 783 00:42:09,127 --> 00:42:10,729 WHAT IS THAT? 784 00:42:12,998 --> 00:42:15,967 THAT'S ALI'S OLD LUNCHBOX FROM WHEN SHE WAS A KID. 785 00:42:19,771 --> 00:42:21,172 WHAT IS THAT? 786 00:42:21,206 --> 00:42:22,641 I DON'T KNOW, BUT WE'RE TAKING IT. 787 00:42:22,674 --> 00:42:23,909 HANNA, WAIT. 788 00:42:23,942 --> 00:42:25,110 WAIT FOR WHAT? 789 00:42:25,143 --> 00:42:26,712 FOR SOMEONE ELSE TO TAKE IT? 790 00:42:33,218 --> 00:42:35,220 ( girls laughing ) 791 00:42:35,253 --> 00:42:38,056 SOMEONE'S BEEN SPYING ON US FOR YEARS. 792 00:42:38,089 --> 00:42:40,325 AND ALI DIDN'T TAKE THE VIDEO. SHE'S IN IT. 793 00:42:40,358 --> 00:42:41,960 SHE'S IN A LOT OF 'EM. 794 00:42:41,993 --> 00:42:45,831 OH, MY GOD, THAT'S JULY 4th. 795 00:42:45,864 --> 00:42:48,233 SHE ALWAYS SAID IT WAS TOBY PEEPING ON US. 796 00:42:48,266 --> 00:42:50,836 NO, THERE'S NO WAY THAT THIS IS TOBY. 797 00:42:50,869 --> 00:42:52,838 WELL, THEN, WHO IS IT? 798 00:42:52,871 --> 00:42:55,273 HOW 'BOUT WHY? 799 00:42:55,306 --> 00:42:57,609 WHY DID ALISON HAVE THESE VIDEOS? 800 00:42:57,643 --> 00:42:59,978 DID THE PERSON WHO TOOK THIS KNOW SHE HAD THEM? 801 00:43:00,011 --> 00:43:02,047 IS THIS WHY SHE WAS KILLED?