1 00:00:01,102 --> 00:00:02,336 PREVIOUSLY ON PRETTY LITTLE LIARS... DID "A" SEND THIS TO YOU? 2 00:00:04,805 --> 00:00:07,641 NO. I TOOK IT OUT OF PAIGE'S BAG. WHY WOULD PAIGE HAVE IT? 3 00:00:07,675 --> 00:00:08,776 SHE MAY BE "A," ARIA. 4 00:00:08,809 --> 00:00:11,245 ARE YOU EMILY FIELDS? YES. 5 00:00:11,279 --> 00:00:12,680 I'M MAYA'S COUSIN NATE. 6 00:00:12,713 --> 00:00:14,115 Maggie: YOU MUST BE AMY! 7 00:00:14,148 --> 00:00:14,882 ARE YOU MAGGIE? I AM. 8 00:00:14,915 --> 00:00:17,118 I LIKE THIS AGE. IT'S SO SWEET. 9 00:00:17,151 --> 00:00:19,153 MALCOLM HAPPENS TO BE MY SON. 10 00:00:19,187 --> 00:00:21,122 I'M NOT GONNA ASK YOU TO EXPLAIN ANYTHING, 11 00:00:21,155 --> 00:00:22,756 BECAUSE YOU WON'T-- I'LL FIND OUT FOR MYSELF. 12 00:00:22,790 --> 00:00:24,758 Emily: I THINK WE NEED TO KEEP THINGS ON A FRIENDSHIP LEVEL. 13 00:00:24,792 --> 00:00:27,261 WHAT ABOUT THE OTHER NIGHT? DOESN'T CHANGE THINGS. 14 00:00:27,295 --> 00:00:32,100 I AM GOING TO HELP YOU STOP "A," AND I'M NOT ASKING FOR YOUR PERMISSION. 15 00:00:32,133 --> 00:00:35,169 YOU AND PAIGE HAVE BEEN SEEING EACH OTHER ON AND OFF FOR ALMOST A YEAR, 16 00:00:35,203 --> 00:00:37,771 AND SHE'S NEVER MENTIONED ANYTHING ABOUT ALI TO YOU? 17 00:00:37,805 --> 00:00:41,142 ARE YOU FINISHED? BECAUSE I AM. 18 00:00:46,147 --> 00:00:47,815 ( siren wails ) 19 00:00:49,583 --> 00:00:52,086 ( Hanna crying ) 20 00:01:09,203 --> 00:01:12,240 SHH. IT'S OKAY. IT'S OKAY. 21 00:01:12,273 --> 00:01:15,176 SO, THE DECEASED WAS A FRIEND OF YOURS? 22 00:01:17,278 --> 00:01:19,647 ( sobbing ) 23 00:01:19,680 --> 00:01:23,251 MISS FIELDS, PLEASE. I'M TRYING TO UNDERSTAND WHAT HAPPENED HERE. 24 00:01:23,284 --> 00:01:26,787 DID YOU KNOW THE VICTIM? YES. 25 00:01:26,820 --> 00:01:29,089 THE DECEASED WAS A FRIEND OF YOURS? 26 00:01:35,163 --> 00:01:37,531 * GOT A SECRET, CAN YOU KEEP IT * 27 00:01:37,565 --> 00:01:39,833 * SWEAR THIS ONE YOU'LL SAVE 28 00:01:39,867 --> 00:01:42,470 * BETTER LOCK IT IN YOUR POCKET * 29 00:01:42,503 --> 00:01:45,173 * TAKING THIS ONE TO THE GRAVE * 30 00:01:45,206 --> 00:01:50,178 * IF I SHOW YOU THEN I'LL KNOW YOU WON'T TELL WHAT I SAID * 31 00:01:50,211 --> 00:01:54,882 * 'CAUSE TWO CAN KEEP A SECRET IF ONE OF THEM IS DEAD ** 32 00:01:56,584 --> 00:01:59,253 TV: JURY SELECTION IS EXPECTED TO CONCLUDE TODAY, 33 00:01:59,287 --> 00:02:01,389 AND DEFENSE ATTORNEY VERONICA HASTINGS 34 00:02:01,422 --> 00:02:03,791 MADE A STATEMENT TO REPORTERS THIS MORNING. 35 00:02:03,824 --> 00:02:06,727 Veronica: MY CLIENT IS EMOTIONALLY EXHAUSTED. 36 00:02:06,760 --> 00:02:09,863 BUT HE'S RELIEVED TO KNOW THAT HE'S FINALLY GOING TO HAVE THE OPPORTUNITY 37 00:02:09,897 --> 00:02:11,532 TO CLEAR HIS NAME. 38 00:02:11,565 --> 00:02:13,667 HOW DID THIS GET SO BIG? 39 00:02:13,701 --> 00:02:17,538 I MEAN, IT'S LIKE ALL EYES ARE ON ROSEWOOD. 40 00:02:17,571 --> 00:02:21,409 CAN'T HELP BUT THINK THAT TOBY TOOK THAT JOB IN BUCKS COUNTY JUST TO AVOID ALL THIS. 41 00:02:21,442 --> 00:02:24,845 SHE'S TAKING THE LONG WAY BECAUSE REPORTERS ARE HOUNDING HER FOR INTERVIEWS. 42 00:02:24,878 --> 00:02:28,316 OKAY, HOW ARE WE GONNA DO THIS? WELL, 43 00:02:28,349 --> 00:02:30,918 EMILY THINK SHE'S COMING OVER HERE SO WE CAN APOLOGIZE. 44 00:02:30,951 --> 00:02:32,820 BUT WHEN SHE REALIZES WHAT THIS IS, 45 00:02:32,853 --> 00:02:35,456 SHE'LL PROBABLY BE MORE MAD AT US THAN SHE WAS BEFORE. 46 00:02:35,489 --> 00:02:37,525 I AM NOT LOOKING FORWARD TO SEEING THAT. 47 00:02:37,558 --> 00:02:40,861 IN A SUCCESSFUL INTERVENTION, THE LOVED ONE FEELS SAFE, NOT JUDGED. 48 00:02:40,894 --> 00:02:43,264 Aria: GREAT. RIGHT, 49 00:02:43,297 --> 00:02:44,832 SO WE'LL START OUT ALL WARM AND FUZZY, 50 00:02:44,865 --> 00:02:46,800 AND THEN WE JUST HAVE TO HIT HER WITH THE TRUTH. 51 00:02:46,834 --> 00:02:48,202 YEAH. AND THAT'S YOUR CUE. 52 00:02:48,236 --> 00:02:52,340 OKAY, SO...PAIGE WAS JEALOUS OF ALI, 53 00:02:52,373 --> 00:02:54,542 WE KNOW THAT PAIGE WAS JEALOUS OF MAYA, 54 00:02:54,575 --> 00:02:56,677 AND SHE WAS WITH EMILY THAT NIGHT, 55 00:02:56,710 --> 00:02:58,946 IT WAS EASY FOR HER TO SET US UP. 56 00:02:58,979 --> 00:03:00,314 RIGHT. AND SHE HAS THE OTHER EARRING. 57 00:03:00,348 --> 00:03:01,815 SO SHE MUST HAVE ALI'S BODY, RIGHT? 58 00:03:01,849 --> 00:03:02,950 YEAH. I DON'T GET IT. 59 00:03:02,983 --> 00:03:06,354 IF PAIGE WAS SO INTO EMILY, WHY WOULD SHE DRUG HER? 60 00:03:06,387 --> 00:03:08,422 AND THEN WHY WOULD SHE DRUG HERSELF? 61 00:03:08,456 --> 00:03:10,991 HANNA, I THOUGHT WE WERE ALL ON THE SAME "A" PAGE HERE. 62 00:03:11,024 --> 00:03:13,327 WE ARE. THIS IS A PRACTICE RUN. 63 00:03:13,361 --> 00:03:14,928 RIGHT, OKAY. 64 00:03:14,962 --> 00:03:17,931 UH, DRUGGING YOURSELF IS THE BEST ALIBI EVER. 65 00:03:17,965 --> 00:03:21,335 CLASSIC SHARON STONE MOVE. REMEMBER THAT MOVIE, BASIC INSTINCT? 66 00:03:21,369 --> 00:03:22,803 NO. NO. 67 00:03:22,836 --> 00:03:25,806 SHE WROTE A MURDER MYSTERY NOVEL 68 00:03:25,839 --> 00:03:27,941 TO COVER UP A CRIME THAT SHE WAS ABOUT TO COMMIT. 69 00:03:27,975 --> 00:03:29,943 IT WAS ACTUALLY KIND OF GENIUS. 70 00:03:29,977 --> 00:03:32,680 LOOK, REMEMBER, I'M EMILY HERE. 71 00:03:32,713 --> 00:03:35,816 WE STILL THINK THAT "A" IS WORKING WITH MONA. 72 00:03:35,849 --> 00:03:37,951 SO WHAT IS YOUR CONNECTION? 73 00:03:37,985 --> 00:03:39,820 TWO PEOPLE WHO HATED ALI. 74 00:03:39,853 --> 00:03:42,490 MAYBE ONE OF THEM KILLED HER AND THE OTHER ONE COVERED THEIR TRACKS. 75 00:03:42,523 --> 00:03:43,891 OR ARE STILL COVERING THEIR TRACKS 76 00:03:43,924 --> 00:03:45,859 BY STEALING THE BODY AND THEN PINNING IT ON US. 77 00:03:45,893 --> 00:03:50,764 YEAH. AND THE ULTIMATE PRIZE IS PAIGE GETS EMILY ALL TO HERSELF. 78 00:03:50,798 --> 00:03:53,000 ( knocking ) HEY. 79 00:03:58,372 --> 00:03:59,973 HEY, EM. Emily: HI. 80 00:04:02,976 --> 00:04:05,913 HEY. YOU WANT SOME COFFEE? 81 00:04:08,048 --> 00:04:11,018 Hanna: EM, YOU KNOW HOW MUCH WE LOVE YOU, RIGHT? 82 00:04:11,051 --> 00:04:15,356 WE LOVE YOU ENOUGH TO TELL YOU THE TRUTH, EVEN WHEN IT HURTS. 83 00:04:15,389 --> 00:04:17,291 THIS DOESN'T SOUND LIKE AN APOLOGY. 84 00:04:17,325 --> 00:04:19,360 I HAD TO GET YOU HERE, EMILY. 85 00:04:19,393 --> 00:04:21,362 I'M SORRY FOR LYING. 86 00:04:21,395 --> 00:04:23,631 WHAT IS THIS? 87 00:04:23,664 --> 00:04:26,867 IT'S THE THREE PEOPLE WHO LOVE YOU THE MOST IN THE WORLD 88 00:04:26,900 --> 00:04:29,303 TRYING TO GET YOU TO SEE WHO PAIGE REALLY IS. 89 00:04:29,337 --> 00:04:31,472 I CAN'T BELIEVE IT. 90 00:04:31,505 --> 00:04:33,941 THE TRIAL'S STARTED, AND THIS HOW YOU GUYS SHOW UP FOR ME. 91 00:04:33,974 --> 00:04:35,943 WE SUPPORT YOU, EMILY. WE DO. 92 00:04:35,976 --> 00:04:38,479 BUT WE'RE PRETTY SURE THAT GARRETT DID NOT KILL MAYA. 93 00:04:38,512 --> 00:04:41,549 AND YOU THINK PAIGE DID? ARE YOU OUT OF YOUR FRIGGIN' MINDS? 94 00:04:41,582 --> 00:04:45,586 WHEN DID IT BECOME SO EASY FOR YOU LIE TO YOUR FRIENDS? 95 00:04:46,787 --> 00:04:48,756 EMILY, WAIT. 96 00:04:52,125 --> 00:04:55,763 WE FOUND THAT AT THE TRUNK SHOW. IN PAIGE'S PACK. 97 00:04:55,796 --> 00:04:58,599 IT'S THE OTHER EARRING ARIA PUT IN ALI'S CASKET. 98 00:04:58,632 --> 00:05:02,903 WE FOUND A LOT OF OTHER THINGS EXACTLY WHERE "A" HAS PUT THEM. 99 00:05:02,936 --> 00:05:05,939 THREE AGAINST ONE. "A" WINS. 100 00:05:09,910 --> 00:05:11,845 THAT WAS EXACTLY WHAT PAIGE WANTED. 101 00:05:11,879 --> 00:05:14,882 GREAT. SO NOW WHAT? 102 00:05:23,757 --> 00:05:24,825 HEY. 103 00:05:24,858 --> 00:05:27,428 EM WASN'T IN FIRST PERIOD. 104 00:05:27,461 --> 00:05:29,096 I THINK SHE DITCHED SCHOOL TODAY. 105 00:05:29,129 --> 00:05:31,899 DOES THREE MESSAGES AND SIX TEXTS MAKE ME A STALKER? 106 00:05:31,932 --> 00:05:35,503 THIS IS THE PART WHERE YOU'RE SUPPOSED TO REASSURE ME 107 00:05:35,536 --> 00:05:38,839 THAT I'M JUST BEING A CARING FRIEND AND EMILY'S GOING TO BE FINE. 108 00:05:38,872 --> 00:05:42,576 SHE WAS TOTALLY RIGHT IN CALLING ME OUT FOR LYING THIS MORNING. 109 00:05:42,610 --> 00:05:46,580 SO IF ANYBODY NEEDS AN INTERVENTION, IT'S ME. 110 00:05:46,614 --> 00:05:48,749 WHAT'S GOING ON? 111 00:05:48,782 --> 00:05:51,018 I HAVEN'T TOLD YOU GUYS YET BECAUSE EZRA DOESN'T EVEN KNOW. 112 00:05:51,051 --> 00:05:54,855 WELL, WHATEVER IT IS, WE'RE HERE FOR YOU. I'LL BE OKAY. 113 00:05:54,888 --> 00:05:59,893 WES LET IT SLIP THAT EZRA GOT A GIRL PREGNANT BEFORE HE LEFT FOR COLLEGE. 114 00:05:59,927 --> 00:06:02,963 THEIR MOM PAID HER TO TAKE OF IT, 115 00:06:02,996 --> 00:06:05,966 BUT SHE DIDN'T TAKE CARE OF IT, SHE HAD THE BABY. 116 00:06:05,999 --> 00:06:08,902 IT'S A LITTLE BOY. EZRA HAS A KID? 117 00:06:08,936 --> 00:06:10,971 YEAH, AND I'M NOT DONE. WAIT, THERE'S MORE? 118 00:06:11,004 --> 00:06:14,975 I FOUND THE BABY'S MOM... BUT I DIDN'T TELL EZRA. 119 00:06:15,008 --> 00:06:17,878 SO EZRA HAS NO IDEA? 120 00:06:17,911 --> 00:06:19,880 HE THINKS SHE HAD AN ABORTION. 121 00:06:19,913 --> 00:06:21,982 ARIA, YOU HAVE TO TELL HIM THE TRUTH. 122 00:06:22,015 --> 00:06:24,117 WELL, FOR WHATEVER REASON, SHE DOESN'T WANT HIM TO KNOW. 123 00:06:24,151 --> 00:06:26,119 AND I PUSHED HIM TO CALL HER. 124 00:06:26,153 --> 00:06:27,988 WHEN THEY TALKED, SHE DIDN'T SAY ANYTHING ABOUT IT. 125 00:06:28,021 --> 00:06:30,458 IF HE FINDS OUT THAT YOU KNEW AND YOU DIDN'T TELL HIM... 126 00:06:30,491 --> 00:06:33,894 I JUST REALLY FEEL LIKE I'M ABOUT TO RATTLE THE CAGE OF A SLEEPING GIANT. 127 00:06:37,030 --> 00:06:40,968 DO YOU REMEMBER WHAT ALI SAID ABOUT SECRETS KEEPING US CLOSE? 128 00:06:41,001 --> 00:06:43,103 SHE WAS WRONG. 129 00:06:43,136 --> 00:06:46,173 THEY TEAR US APART. 130 00:06:46,206 --> 00:06:47,875 ( bell rings ) 131 00:07:01,689 --> 00:07:04,858 IF YOU'VE GOT SOMETHING TO SAY, JUST SAY IT. 132 00:07:04,892 --> 00:07:07,861 EMILY CALLED ME THIS MORNING IN TEARS. 133 00:07:07,895 --> 00:07:10,063 WHAT THE HELL IS WRONG WITH YOU GUYS? 134 00:07:10,097 --> 00:07:13,000 WHAT DO YOU WANT, PAIGE? 135 00:07:13,033 --> 00:07:15,002 I WANT YOU TO LEAVE EMILY ALONE. 136 00:07:15,035 --> 00:07:16,637 SHE'S GOT A LOT GOING ON RIGHT NOW, 137 00:07:16,670 --> 00:07:18,205 SHE DOESN'T NEED YOU GUYS MAKING IT WORSE FOR HER. 138 00:07:18,238 --> 00:07:20,474 IF YOU THINK I'M GONNA LET YOU HURT HER, 139 00:07:20,508 --> 00:07:21,842 YOU ARE UNDERESTIMATING ME. 140 00:07:21,875 --> 00:07:25,846 IF YOU DON'T BACK DOWN, YOU'RE THE ONE WHO'S GONNA GET HURT, SPENCER. 141 00:07:25,879 --> 00:07:28,916 I WON'T LET YOU COME BETWEEN US. 142 00:07:28,949 --> 00:07:30,818 I KNOW WHO YOU ARE. 143 00:07:35,022 --> 00:07:36,890 ( slams locker door ) 144 00:07:45,899 --> 00:07:48,902 THEY THINK THEY KNOW YOU, BUT THEY'RE WRONG. 145 00:07:51,038 --> 00:07:53,040 DO THEY JUST NOT WANT YOU TO BE HAPPY? 146 00:07:53,073 --> 00:07:56,009 THEY DON'T TRUST ANYBODY. IT'S BECAUSE OF "A." 147 00:07:56,043 --> 00:07:57,911 YOU MEAN MONA. 148 00:08:00,981 --> 00:08:02,883 IF I TELL YOU SOMETHING, 149 00:08:02,916 --> 00:08:06,253 PROMISE ME IT DOESN'T LEAVE THIS ROOM. 150 00:08:06,286 --> 00:08:08,856 EMILY, YOU CAN TRUST ME WITH YOUR LIFE. 151 00:08:08,889 --> 00:08:12,593 IF YOU TELL ANYONE, IT WON'T BE SAFE. 152 00:08:12,626 --> 00:08:14,928 THERE'S NOTHING I WOULDN'T DO TO PROTECT YOU. 153 00:08:14,962 --> 00:08:18,198 IT'S NOT ME I'M WORRIED ABOUT. IT'S YOU. 154 00:08:20,801 --> 00:08:22,903 EM, WHAT IS IT? 155 00:08:25,105 --> 00:08:27,841 WE THINK THERE'S SOMEBODY ELSE HELPING MONA. 156 00:08:30,911 --> 00:08:32,946 HAVE YOU TOLD THE POLICE? 157 00:08:32,980 --> 00:08:35,215 THAT NIGHT I CAME OVER, 158 00:08:35,248 --> 00:08:38,886 THE NIGHT ALI'S BODY WAS TAKEN, "A" SET US UP. 159 00:08:38,919 --> 00:08:40,921 THEY HAD A PHOTO OF US AT HER GRAVE, 160 00:08:40,954 --> 00:08:42,756 AND WE LOOK GUILTY AS HELL. 161 00:08:42,790 --> 00:08:45,859 SO YOUR FRIENDS THINK IT'S ME? 162 00:08:45,893 --> 00:08:48,295 THAT I'M THIS NEW "A"? 163 00:08:48,328 --> 00:08:50,931 THAT'S WHAT YOU WERE ARGUING ABOUT THIS MORNING? 164 00:08:50,964 --> 00:08:53,767 THEY'LL FIGURE IT OUT. THEY'LL REALIZE THEY'RE WRONG. 165 00:08:53,801 --> 00:08:56,737 AND IN THE MEANTIME THEY'LL DO EVERYTHING THEY CAN TO KEEP ME AWAY FROM YOU. 166 00:08:56,770 --> 00:08:58,772 I WON'T LET THAT HAPPEN. 167 00:08:58,806 --> 00:09:01,041 ( cell phone rings ) 168 00:09:07,715 --> 00:09:09,683 I HAVE SOME FAMILY STUFF TO TAKE CARE OF. 169 00:09:09,717 --> 00:09:12,019 BUT I'LL SEE YOU MONDAY. 170 00:09:12,052 --> 00:09:15,322 AND I'LL GO TO THE TRIAL EVERY DAY. 171 00:09:15,355 --> 00:09:18,191 I PROMISE I WON'T LEAVE YOUR SIDE. 172 00:09:27,134 --> 00:09:29,269 IT'S VOICE MAIL AGAIN. 173 00:09:29,302 --> 00:09:31,138 SHE HAS TO BE HOME. 174 00:09:31,171 --> 00:09:34,307 MAYBE WE SHOULD JUST GO OVER THERE. 175 00:09:34,341 --> 00:09:36,309 SO THINGS JUST WENT FROM WORSE TO WORSER. 176 00:09:36,343 --> 00:09:39,146 THAT'S NOT A WORD. BUT CONTINUE. 177 00:09:39,179 --> 00:09:43,884 PAIGE WASN'T IN SPANISH TODAY. YO HABLO SICKO. 178 00:09:43,917 --> 00:09:47,020 WHAT? SHE WENT HOME SICK. 179 00:09:47,054 --> 00:09:48,756 OR IS SHE AT EMILY'S? 180 00:09:48,789 --> 00:09:50,791 I DON'T KNOW ABOUT YOU TWO, 181 00:09:50,824 --> 00:09:53,160 BUT I'M REALLY WILLING TO TAKE THIS TO THE COPS. 182 00:09:53,193 --> 00:09:56,897 NO! I'M ALREADY ON THEIR RADAR. 183 00:09:56,930 --> 00:10:00,033 FOR ALL I KNOW, PAIGE SMEARED MY BLOOD ALL OVER THAT ANKLET. 184 00:10:00,067 --> 00:10:01,702 WELL, EMILY MIGHT BE WITH PAIGE RIGHT NOW, 185 00:10:01,735 --> 00:10:03,303 AND WE ALL KNOW WHAT SHE'S CAPABLE OF. 186 00:10:03,336 --> 00:10:05,172 I THINK WE SHOULD CALL HER PARENTS. 187 00:10:05,205 --> 00:10:08,241 WE'LL TELL THEM EVERYTHING. TOGETHER. SPENCER'S RIGHT. 188 00:10:08,275 --> 00:10:09,977 THERE'S STRENGTH IN NUMBERS. 189 00:10:14,347 --> 00:10:15,883 ALL RIGHT. 190 00:10:15,916 --> 00:10:18,185 LET'S DO IT. 191 00:10:18,218 --> 00:10:20,688 ( cell phones ring ) 192 00:10:24,457 --> 00:10:26,293 "STAND DOWN, BITCHES. 193 00:10:26,326 --> 00:10:29,329 PLAY IT MY WAY AND EMILY STAYS SAFE. "A". 194 00:10:33,333 --> 00:10:37,337 * IF YOU WANT TO RULE THE WORLD YOU'VE GOT TO STOP PRETENDING * 195 00:10:41,274 --> 00:10:45,045 * WE'VE GOT 'EM WRAPPED AROUND OUR TRIGGER FINGERS * 196 00:10:45,078 --> 00:10:48,448 * QUEEN BEE, THEY'RE THE STING FOR OUR STINGERS * 197 00:10:48,481 --> 00:10:51,785 * WE'LL MAKE 'EM SWOON, MAKE IT HURT JUST A LITTLE BIT * 198 00:10:51,819 --> 00:10:55,288 * THE BOYS AND THE GIRLS AND THE FREAKS IN THE MIDDLE * 199 00:10:55,322 --> 00:10:58,959 * BOYS AND THE GIRLS AND THE FREAKS IN THE MIDDLE * 200 00:10:58,992 --> 00:11:02,662 * BOY AND THE GIRLS AND THE FREAKS IN THE MIDDLE * 201 00:11:06,934 --> 00:11:09,202 IF WE DON'T HEAR FROM THEM IN THE NEXT HOUR 202 00:11:09,236 --> 00:11:11,905 I THINK WE SHOULD REVISIT THE IDEA OF TELLING HER PARENTS. 203 00:11:11,939 --> 00:11:13,173 I AGREE. 204 00:11:13,206 --> 00:11:15,843 THIS IS PROBABLY PAIGE JUST KILLING TIME 205 00:11:15,876 --> 00:11:18,946 SO SHE CAN JUST FIND A WAY TO WEASEL HERSELF OUT OF THIS. 206 00:11:20,981 --> 00:11:23,450 HANNA. HEY. 207 00:11:23,483 --> 00:11:25,953 I'M JUST THINKING ABOUT EMILY. 208 00:11:25,986 --> 00:11:28,055 SHE FINALLY GETS OVER MAYA, 209 00:11:28,088 --> 00:11:31,458 AND NOW SHE'S STUCK WITH SOME TWISTED PSYCHO BITCH. 210 00:11:31,491 --> 00:11:34,962 IT'S JUST ANOTHER MONSTER THAT ALISON CREATED. 211 00:11:34,995 --> 00:11:38,431 SHE'S BEEN GONE TWO YEARS, AND WE'RE STILL CAUGHT IN HER WEB. 212 00:11:38,465 --> 00:11:40,734 ( tablet beeps ) 213 00:11:42,335 --> 00:11:44,104 IT'S FROM "A." 214 00:11:44,137 --> 00:11:45,906 "LET'S SETTLE THIS. 215 00:11:45,939 --> 00:11:48,776 ALISON'S GRAVE. TEN P.M. BRING MAYA'S BAG." 216 00:11:48,809 --> 00:11:50,811 THERE'S AN ATTACHMENT. 217 00:11:52,946 --> 00:11:54,948 IT'S ANOTHER PICTURE FROM THAT NIGHT. 218 00:11:57,117 --> 00:12:00,788 PAIGE CAN BRINGS US DOWN AND LEAVE EMILY COMPLETELY IN THE CLEAR. 219 00:12:00,821 --> 00:12:02,956 THIS MUST HAVE BEEN HER PLAN ALL ALONG. 220 00:12:02,990 --> 00:12:05,358 GET RID OF US, AND THEN SHE CAN HAVE EMILY ALL TO HERSELF. 221 00:12:05,392 --> 00:12:07,795 BUT SHE HASN'T SENT THESE TO THE COPS FOR A REASON, 222 00:12:07,828 --> 00:12:10,931 AND IT'S PROBABLY BECAUSE THERE'S SOMETHING IN MAYA'S BAG THAT SHE NEEDS. 223 00:12:10,964 --> 00:12:12,365 SOMETHING THAT PROVES THAT SHE KILLED HER. 224 00:12:12,399 --> 00:12:15,803 NO, WE SEARCHED EVERY INCH OF THAT BAG. 225 00:12:15,836 --> 00:12:17,204 YOU GUYS... 226 00:12:18,872 --> 00:12:20,373 ANOTHER PICTURE. 227 00:12:20,407 --> 00:12:23,043 "TELL EMILY AND I'LL LEAVE YOU HOLDING THE BAG." 228 00:12:23,076 --> 00:12:25,112 IS THAT ALI? 229 00:12:25,145 --> 00:12:27,848 OH, MY GOD. 230 00:12:27,881 --> 00:12:29,850 ( door opens ) 231 00:12:29,883 --> 00:12:31,518 WHAT WAS THAT? 232 00:12:31,551 --> 00:12:33,854 WHAT WAS THAT? DO YOU THINK YOUR MOM'S HOME EARLY? 233 00:12:45,098 --> 00:12:46,099 MOM? 234 00:12:48,001 --> 00:12:50,337 THERE'S SOMEBODY DOWNSTAIRS. 235 00:12:50,370 --> 00:12:52,505 WAS IT PAIGE? 236 00:13:02,082 --> 00:13:04,384 WHAT ARE YOU DOING HERE?! I ALMOST KILLED YOU! 237 00:13:04,417 --> 00:13:06,854 WITH A PINK, FURRY LAMP, HANNA? 238 00:13:06,887 --> 00:13:09,389 WHAT ARE YOU DOING HERE? YOU'RE SUPPOSED TO BE WATCHING EMILY'S HOUSE. 239 00:13:09,422 --> 00:13:12,192 BUT THERE ARE, LIKE, A DOZEN REPORTERS CAMPED OUT ON HER LAWN, 240 00:13:12,225 --> 00:13:14,361 HER MOM IS HOME-- SHE'S SAFE. 241 00:13:14,394 --> 00:13:16,363 WE HEARD FROM PAIGE AND MONA. 242 00:13:18,531 --> 00:13:22,202 YOU GUYS AREN'T SHOWING UP THERE ALONE. 243 00:13:22,235 --> 00:13:25,072 ( cell phone rings ) 244 00:13:25,105 --> 00:13:28,942 HELLO. Hanna: HI, EM, IT'S ME. 245 00:13:28,976 --> 00:13:30,944 PLEASE DON'T HANG UP. 246 00:13:30,978 --> 00:13:32,980 I WANT TO MAKE SURE YOU'RE OKAY. 247 00:13:33,013 --> 00:13:34,281 SPENCER AND I ARE IN TOWN, 248 00:13:34,314 --> 00:13:36,516 AND THERE ARE REPORTERS EVERYWHERE. 249 00:13:36,549 --> 00:13:38,952 SO ARE YOU OKAY? 250 00:13:38,986 --> 00:13:40,921 NATE'S GOING OUT OF TOWN THIS WEEKEND. 251 00:13:40,954 --> 00:13:42,489 I'M GOING WITH HIM. 252 00:13:42,522 --> 00:13:44,091 THAT'S GREAT. WHERE ARE YOU GOING? 253 00:13:44,124 --> 00:13:47,227 THE LIGHTHOUSE ROCK INN. HE FOUND IT ONLINE. 254 00:13:47,260 --> 00:13:49,196 LOOK, I KNOW IT DOESN'T SEEM LIKE IT, 255 00:13:49,229 --> 00:13:52,065 BUT WE ARE HERE FOR YOU, EM. YOU'RE RIGHT. 256 00:13:52,099 --> 00:13:54,101 IT DOESN'T SEEM LIKE IT. 257 00:13:58,505 --> 00:14:01,008 THEY'RE THREE-DEEP ON THE LAWN OUT THERE. 258 00:14:01,041 --> 00:14:02,976 YEAH, I JUST GOT OFF THE PHONE WITH HANNA. 259 00:14:03,010 --> 00:14:05,478 SHE SAID THAT REPORTERS ARE ALL OVER TOWN. 260 00:14:05,512 --> 00:14:08,949 I KNOW YOU WANT TO LEAVE, BUT I REALLY FEEL LIKE YOU NEED TO BE WITH FAMILY THIS WEEKEND. 261 00:14:08,982 --> 00:14:12,019 I WILL BE WITH FAMILY. MAYA'S FAMILY. 262 00:14:12,052 --> 00:14:15,022 I TOLD YOU, NATE'S PARENTS ARE GOING TO BE THERE TOO. 263 00:14:15,055 --> 00:14:18,992 IT'S OUR WAY OF CELEBRATING MAYA BEFORE THIS WHOLE THING BECOMES ALL ABOUT GARRETT. 264 00:14:19,026 --> 00:14:21,094 AND NATE'S STILL JUST A FRIEND? 265 00:14:21,128 --> 00:14:24,331 HE WASN'T AT FIRST, BUT HE IS NOW. 266 00:14:24,364 --> 00:14:27,234 I REALLY NEED A FRIEND THIS WEEKEND. 267 00:14:31,304 --> 00:14:33,941 ARE YOU SURE YOU DON'T WANT ME TO COME? 268 00:14:33,974 --> 00:14:36,543 DON'T WORRY. HE'LL TAKE GOOD CARE OF ME. 269 00:14:40,447 --> 00:14:42,115 HEY. 270 00:14:42,149 --> 00:14:44,084 CALL ME WHEN YOU GET THERE? 271 00:14:44,117 --> 00:14:45,986 I WILL. 272 00:14:49,056 --> 00:14:51,491 OH. THANKS, ANGIE. 273 00:14:51,524 --> 00:14:53,526 IT ACTUALLY MAKES ME FEEL A LOT BETTER 274 00:14:53,560 --> 00:14:55,662 KNOWING EMILY'S GOING TO BE FAR AWAY FROM HERE TONIGHT. 275 00:14:55,695 --> 00:14:57,664 YEAH, ME TOO. 276 00:14:57,697 --> 00:15:01,534 SO I'LL PICK YOU UP AT NINE. YEAH, SEE YOU THEN. 277 00:15:17,517 --> 00:15:18,986 TOBY? 278 00:15:32,065 --> 00:15:34,467 NO, PLEASE, DON'T LET ME GO. 279 00:15:37,270 --> 00:15:39,506 I'M SO SORRY FOR EVERYTHING-- 280 00:15:39,539 --> 00:15:41,241 FOR ALL THE SECRETS. 281 00:15:41,274 --> 00:15:44,044 SPENCER, I KNOW WHO YOU ARE. 282 00:15:44,077 --> 00:15:46,746 YOU NEVER HAVE TO SAY YOU'RE SORRY. 283 00:15:46,779 --> 00:15:49,216 * BACK, BACK, ON MY BACK * 284 00:15:49,249 --> 00:15:51,751 * STANDING ON A RAILROAD TRACK * 285 00:15:51,784 --> 00:15:56,556 * IT WON'T BE LONG TILL I SEE YOU * 286 00:15:56,589 --> 00:15:58,758 * YOU'VE BEEN ON MY MIND 287 00:15:58,791 --> 00:16:01,761 * TALK ABOUT A LONELY TIME 288 00:16:01,794 --> 00:16:05,265 * YOU DON'T KNOW HOW MUCH I NEED YOU * 289 00:16:07,034 --> 00:16:08,535 HERE. 290 00:16:08,568 --> 00:16:10,137 THANK YOU. 291 00:16:11,038 --> 00:16:12,272 ( kiss ) 292 00:16:20,813 --> 00:16:22,549 ( cell phone chimes ) 293 00:16:34,394 --> 00:16:36,163 EZRA? 294 00:16:36,196 --> 00:16:37,664 LOVE YOU, BABE. 295 00:16:43,836 --> 00:16:46,239 ( knock on door ) 296 00:16:46,273 --> 00:16:47,774 EXPECTING COMPANY? 297 00:16:47,807 --> 00:16:49,776 IT'S PROBABLY MRS. ROSENTHAL FROM NEXT DOOR. 298 00:16:49,809 --> 00:16:53,380 SHE LOCKS HERSELF OUT AT LEAST ONCE A WEEK, SO I KEEP A KEY. 299 00:16:53,413 --> 00:16:54,447 THAT'S SWEET. 300 00:16:54,481 --> 00:16:56,416 IT'S RIGHT BY THE DOOR. 301 00:17:04,591 --> 00:17:06,293 MAGGIE? 302 00:17:08,161 --> 00:17:11,498 IT SOUNDS LIKE A CLICHE, BUT I WAS IN THE NEIGHBORHOOD. 303 00:17:13,800 --> 00:17:15,402 WELL, PLEASE COME--COME IN. 304 00:17:19,539 --> 00:17:23,376 M-MAGGIE, THIS IS... 305 00:17:23,410 --> 00:17:25,312 MY GIRLFRIEND, ARIA. 306 00:17:25,345 --> 00:17:27,714 EZRA, THERE'S SOMETHING THAT I NEED TO TELL YOU. 307 00:17:36,089 --> 00:17:36,956 I'M PICKING UP ASSIGNMENTS HERE AND THERE. 308 00:17:39,326 --> 00:17:43,130 UH...SEEMS LIKE THINGS ARE REALLY STARTING TO COME TOGETHER. 309 00:17:43,163 --> 00:17:45,198 I THINK IT'S TERRIFIC THAT YOU'RE WRITING. 310 00:17:45,232 --> 00:17:47,534 BUT WHY DID YOU GIVE UP TEACHING? 311 00:17:47,567 --> 00:17:50,203 UH, IT'S COMPLICATED. 312 00:17:50,237 --> 00:17:52,372 ( knock on door ) 313 00:17:52,405 --> 00:17:54,841 THAT HAS GOT TO BE MRS. ROSENTHAL. 314 00:18:00,747 --> 00:18:03,383 YOU KNOW THE TRUTH. WHY HAVEN'T YOU TOLD HIM? 315 00:18:03,416 --> 00:18:06,519 THAT'S NOT SOMETHING YOU SPRING ON SOMEONE. 316 00:18:06,553 --> 00:18:08,121 WHAT ARE YOU DOING HERE? 317 00:18:08,155 --> 00:18:11,791 I WAS CURIOUS. HE'S THE FATHER OF MY SON. 318 00:18:11,824 --> 00:18:14,261 YEAH, HE DESERVES TO KNOW THAT. 319 00:18:14,294 --> 00:18:17,397 DID YOU COME HERE TO TELL HIM? MAYBE. 320 00:18:17,430 --> 00:18:19,266 I-- I'M NOT SURE. 321 00:18:19,299 --> 00:18:21,134 LOOK, I'VE BEEN THROUGH A LOT. 322 00:18:21,168 --> 00:18:24,137 I NEED SOME TIME TO SORT THIS ALL OUT. 323 00:18:24,171 --> 00:18:26,139 I'VE EARNED IT, OKAY? NO. 324 00:18:26,173 --> 00:18:28,675 NO, IT'S NOT OKAY. 325 00:18:28,708 --> 00:18:30,677 IF HE FIGURES OUT THAT I'M LYING TO HIM-- 326 00:18:30,710 --> 00:18:34,281 HE WON'T FIGURE IT OUT. I PROMISE. PLEASE. 327 00:18:34,314 --> 00:18:36,649 Ezra: WELL... 328 00:18:36,683 --> 00:18:38,885 THERE WE GO. 329 00:18:40,820 --> 00:18:42,855 WAIT. SO WHAT YOU'RE ASKING ME TO DO-- 330 00:18:42,889 --> 00:18:45,392 THERE'S MORE TO THIS STORY THAN YOU KNOW. 331 00:18:45,425 --> 00:18:49,896 FOR MALCOLM'S SAKE, I NEED TO FIGURE OUT WHAT'S BEST FOR HIM. 332 00:18:51,831 --> 00:18:56,569 I'M NOT THE ONLY ONE HERE WITH A SECRET...AMY. 333 00:18:56,603 --> 00:18:59,939 ( door closes ) Ezra: CAN'T REMEMBER HER KEYS, 334 00:18:59,972 --> 00:19:02,909 YET SHE NEVER FORGETS DESSERT. 335 00:19:05,245 --> 00:19:06,513 IS EVERYTHING OKAY? 336 00:19:07,747 --> 00:19:09,849 YEAH. 337 00:19:09,882 --> 00:19:12,585 I'LL GET PLATES FOR THIS. 338 00:19:15,222 --> 00:19:17,190 Thank you. 339 00:19:26,599 --> 00:19:28,635 HEY. I THOUGHT YOU WERE TAKING A SHOWER. 340 00:19:30,002 --> 00:19:32,505 IS THAT A GUN? 341 00:19:33,906 --> 00:19:35,975 WHERE DID YOU GET THAT? 342 00:19:36,008 --> 00:19:38,811 YOU KNOW WHAT, I DON'T WANT TO KNOW. JUST GET RID OF IT. 343 00:19:38,845 --> 00:19:41,748 HANNA, THIS "A" ALMOST KILLED MY MOM. 344 00:19:41,781 --> 00:19:44,851 OKAY? I'M NOT LETTING YOU GO TO THAT CEMETERY WITHOUT SOME KIND OF PROTECTION. 345 00:19:44,884 --> 00:19:46,353 WELL, IF YOU PLAN TO BRING THAT GUN, 346 00:19:46,386 --> 00:19:47,687 THEN YOU CAN FORGET ABOUT COMING TONIGHT. 347 00:19:47,720 --> 00:19:49,689 IT'S NOT JUST YOUR CALL, HANNA. 348 00:19:49,722 --> 00:19:51,458 IS IT LOADED? 349 00:19:51,491 --> 00:19:53,226 LISTEN TO ME, OKAY? 350 00:19:53,260 --> 00:19:55,695 CALEB, I SWEAR TO GOD, GET RID OF THAT THING NOW 351 00:19:55,728 --> 00:19:58,531 OR DON'T LET THE DOOR HIT YOU IN THE ASS IN THE WAY OUT. 352 00:19:58,565 --> 00:19:59,866 ALL RIGHT. 353 00:19:59,899 --> 00:20:01,734 I HEAR YOU. 354 00:20:10,843 --> 00:20:14,414 IT'LL STAY THERE UNTIL MONDAY AND THEN I'LL GET RID OF IT. 355 00:20:14,447 --> 00:20:16,383 ARE YOU GOOD WITH THAT? 356 00:20:18,017 --> 00:20:22,422 HEY. IT'S GONNA BE OKAY. 357 00:20:22,455 --> 00:20:24,891 I PROMISE. 358 00:20:24,924 --> 00:20:27,860 IT JUST FEELS TOO EASY... 359 00:20:27,894 --> 00:20:31,764 PAIGE AND MONA GIVING UP LIKE THIS. 360 00:20:31,798 --> 00:20:34,567 WE'RE GONNA PUT AN END TO THIS TONIGHT. 361 00:20:34,601 --> 00:20:36,836 NOW, REMEMBER, 362 00:20:36,869 --> 00:20:40,239 THERE'S TWO OF THEM AND FOUR OF US. 363 00:20:51,984 --> 00:20:53,986 ( cell phone rings ) 364 00:20:57,324 --> 00:20:58,891 I'M HERE. 365 00:21:07,634 --> 00:21:09,001 I UNDERSTAND. 366 00:21:09,902 --> 00:21:12,872 * NOTHING GOES AS PLANNED 367 00:21:17,610 --> 00:21:20,913 * EVERYTHING WILL BREAK 368 00:21:22,114 --> 00:21:23,950 ARE YOU SURE? 369 00:21:23,983 --> 00:21:24,951 YES. 370 00:21:24,984 --> 00:21:27,987 * PEOPLE SAY GOOD-BYE 371 00:21:29,856 --> 00:21:31,824 ( laughing ) 372 00:21:31,858 --> 00:21:35,528 * IN THEIR OWN SPECIAL WAY 373 00:21:39,866 --> 00:21:43,836 * ALL THAT YOU RELY ON 374 00:21:43,870 --> 00:21:47,340 * RELY ON, ON 375 00:21:47,374 --> 00:21:50,610 * AND ALL THAT CAN YOU FAKE 376 00:21:54,681 --> 00:21:59,386 * WILL LEAVE YOU IN THE MORNING * 377 00:22:02,422 --> 00:22:05,925 * BUT FIND YOU IN THE DAY * 378 00:22:12,599 --> 00:22:15,835 * OH, YOU'RE IN MY VEINS 379 00:22:15,868 --> 00:22:19,972 * AND I CANNOT GET YOU OUT * 380 00:22:20,006 --> 00:22:23,009 * OH, YOU'RE ALL I TASTE 381 00:22:23,042 --> 00:22:27,714 * AT NIGHT INSIDE MY MOUTH * 382 00:22:27,747 --> 00:22:30,717 * OH, YOU RUN AWAY 383 00:22:30,750 --> 00:22:35,154 * 'CAUSE I AM NOT WHAT YOU FOUND * 384 00:22:35,187 --> 00:22:37,990 * OH, YOU'RE IN MY VEINS 385 00:22:38,024 --> 00:22:41,694 * AND I CANNOT GET YOU OUT 386 00:22:45,598 --> 00:22:48,901 * EVERYTHING WILL CHANGE 387 00:22:52,905 --> 00:22:56,543 * NOTHING STAYS THE SAME 388 00:23:00,747 --> 00:23:04,551 * NOBODY IS PERFECT 389 00:23:07,620 --> 00:23:12,725 * OH, BUT EVERYONE'S TO BLAME * 390 00:23:12,759 --> 00:23:16,195 * HEY, YEAH YEAH? WHAT'S HE UP TO NOW? 391 00:23:16,228 --> 00:23:19,799 ( Ezra, Maggie chatter ) * ALL THAT YOU RELY ON 392 00:23:19,832 --> 00:23:22,902 * RELY ON 393 00:23:22,935 --> 00:23:25,938 * AND ALL THAT YOU CAN SAVE 394 00:23:30,477 --> 00:23:34,581 * WILL LEAVE YOU IN THE MORNING * 395 00:23:34,614 --> 00:23:37,884 * HEY, HEY, HEY 396 00:23:37,917 --> 00:23:40,853 * AND FIND YOU IN THE DAY 397 00:23:40,887 --> 00:23:44,891 DID YOU GET THAT JOB IN BUCKS COUNTY JUST TO GET AWAY FROM ME? 398 00:23:44,924 --> 00:23:49,862 I KNOW IT LOOKS THAT WAY... BUT NO. 399 00:23:49,896 --> 00:23:52,899 YOU'RE GOING BACK. 400 00:23:52,932 --> 00:23:55,868 SPENCER... 401 00:23:55,902 --> 00:23:59,438 I AM EXACTLY WHERE I NEED TO BE. 402 00:24:07,647 --> 00:24:09,516 I LOVE YOU. 403 00:24:11,684 --> 00:24:13,786 I LOVE YOU TOO. 404 00:24:20,927 --> 00:24:25,031 * NO, I CANNOT GET YOU OUT * 405 00:24:35,908 --> 00:24:39,512 * OH, NO, I CANNOT GET YOU * 406 00:24:46,185 --> 00:24:48,555 HEY, HAN, IT'S SPENCE. 407 00:24:48,588 --> 00:24:50,957 PLEASE TELL ME THAT YOU HAVE MAYA'S BAG, 408 00:24:50,990 --> 00:24:53,960 BECAUSE I AM SO READY FOR THIS TO BE OVER. 409 00:25:40,206 --> 00:25:41,140 Caleb: ALL RIGHT, THE APP IS VOICE-ACTIVATED, 410 00:25:42,775 --> 00:25:45,144 SO IT'LL RECORD ANY SOUND THAT IT HEARS. 411 00:25:45,177 --> 00:25:48,615 AND I CAN PICK UP THE FEED, SO I'LL BE WITH YOU EVERY STEP OF THE WAY. 412 00:25:48,648 --> 00:25:51,618 CALEB, I THINK THAT YOU SHOULD TAKE MAYA'S BAG WITH YOU. 413 00:25:51,651 --> 00:25:54,186 IT'S OUR ONLY FORM OF LEVERAGE, AND IF SHE DOESN'T ADMIT 414 00:25:54,220 --> 00:25:56,756 TO DIGGING UP THE BODY, SHE DOESN'T GET THE BAG. 415 00:25:56,789 --> 00:25:59,592 ALL RIGHT. I SHOULD JUST GET OUT OF SIGHT. 416 00:26:02,061 --> 00:26:05,031 Aria: WHAT DO WE DO NOW? 417 00:26:05,064 --> 00:26:07,333 WE WAIT FOR "A." 418 00:26:07,366 --> 00:26:09,836 ( telephone ringing ) 419 00:26:14,841 --> 00:26:15,842 HELLO? 420 00:26:15,875 --> 00:26:19,145 Distorted voice: YOU HAVE ONE MINUTE. GET OUT. 421 00:26:19,178 --> 00:26:20,913 ( line disconnects ) 422 00:26:25,051 --> 00:26:26,786 NATE? 423 00:26:30,122 --> 00:26:33,359 IT'S TEN-FORTY. I GET MONA BEING FASHIONABLY LATE, 424 00:26:33,392 --> 00:26:35,628 BUT PAIGE? SOMETHING'S NOT RIGHT. 425 00:26:35,662 --> 00:26:38,030 WE'RE MEETING "A" IN FRONT OF ALI'S EMPTY GRAVE. 426 00:26:38,064 --> 00:26:39,666 THERE'S NOTHING RIGHT ABOUT THIS. 427 00:26:39,699 --> 00:26:42,902 WHO ARE YOU CALLING? NATE. 428 00:26:42,935 --> 00:26:45,905 HEY, NATE, IT'S HANNA. CAN YOU GIVE ME A CALL BACK? 429 00:26:45,938 --> 00:26:48,975 I JUST WANT TO MAKE SURE THAT YOU GUYS ARE OKAY. 430 00:26:50,810 --> 00:26:53,312 CALEB, DO YOU SEE ANYTHING? Caleb: NOTHING. 431 00:26:53,345 --> 00:26:56,949 NOT A CAR IN SIGHT. 432 00:27:42,061 --> 00:27:44,931 LOOKS LIKE A STORM'S ON THE WAY. 433 00:27:54,506 --> 00:27:56,909 I WENT FOR A GREAT HIKE. 434 00:27:56,943 --> 00:27:59,445 IT IS DEAD UP HERE. 435 00:27:59,478 --> 00:28:00,980 NOT A SOUL IN SIGHT. 436 00:28:01,013 --> 00:28:02,849 MUST BE OFF SEASON. 437 00:28:02,882 --> 00:28:05,084 MY PARENTS WILL BE HERE IN A FEW HOURS. 438 00:28:05,117 --> 00:28:06,719 DID YOU CALL YOUR MOM? 439 00:28:09,021 --> 00:28:11,290 YEAH. EVERYTHING'S FINE. 440 00:28:33,012 --> 00:28:35,948 OKAY, THERE'S A LIGHTHOUSE ROCK INN NEAR BAYHEAD. 441 00:28:35,982 --> 00:28:37,850 THERE'S ONE IN BELMAR, TOO. 442 00:28:37,884 --> 00:28:40,920 NATE'S STILL NOT ANSWERING. 443 00:28:40,953 --> 00:28:43,956 MAYBE PAIGE SENT US HERE TO KEEP US AWAY FROM EMILY. 444 00:28:43,990 --> 00:28:47,860 SO SHE COULD GET TO HER. ( car approaches ) 445 00:28:50,830 --> 00:28:51,931 ( cell phone rings ) 446 00:28:51,964 --> 00:28:53,232 IT'S CALEB. 447 00:28:53,265 --> 00:28:55,334 HEY, WHERE ARE YOU GOING? I JUST HEARD YOU. 448 00:28:55,367 --> 00:28:58,004 I DON'T THINK PAIGE EVER PLANNED ON MEETING YOU GUYS. 449 00:28:58,037 --> 00:28:59,338 I'M HEADING TO BELMAR. 450 00:28:59,371 --> 00:29:01,340 YOU GUYS GO TO BAYHEAD. 451 00:29:01,373 --> 00:29:03,242 WE'LL CALL YOU LATER. 452 00:29:06,078 --> 00:29:08,047 WE'RE GOING TO BAYHEAD. 453 00:29:08,080 --> 00:29:10,249 ( steam hissing ) 454 00:29:20,026 --> 00:29:22,128 I BROUGHT SOME DVDs. 455 00:29:22,161 --> 00:29:24,964 I THOUGHT WE MIGHT WATCH A MOVIE LATER. 456 00:29:24,997 --> 00:29:28,067 I'M NOT, UM, REALLY FEELING THAT GREAT. 457 00:29:28,100 --> 00:29:29,501 I THINK I'M GONNA GET SOME FRESH AIR. 458 00:29:29,535 --> 00:29:31,470 I'LL GO WITH YOU. 459 00:29:31,503 --> 00:29:33,806 IT'S REALLY DARK OUT. 460 00:29:33,840 --> 00:29:35,207 ( distant foghorn ) 461 00:29:35,241 --> 00:29:37,243 I'LL FIND MY WAY. 462 00:29:46,118 --> 00:29:48,054 YOU BETTER WEAR YOUR JACKET. 463 00:29:48,087 --> 00:29:50,089 IT'S COLD OUT THERE. 464 00:30:09,976 --> 00:30:11,410 ( gasps ) 465 00:30:11,443 --> 00:30:14,981 OH, MY GOD. YOU SCARED ME HALF TO DEATH. 466 00:30:24,090 --> 00:30:24,924 I WANTED TO GIVE YOU THIS IN PERSON 467 00:30:26,525 --> 00:30:29,461 BECAUSE I WANT TO BE THERE WHEN YOU WATCH IT. 468 00:30:29,495 --> 00:30:33,065 I'VE SAID SO MANY WRONG THINGS TO YOU. 469 00:30:33,099 --> 00:30:35,935 EMILY, THIS IS ME TAKING THE TIME TO GET IT RIGHT. 470 00:30:35,968 --> 00:30:38,537 I'VE BEEN STAYING AT NOEL KAHN'S CABIN 471 00:30:38,570 --> 00:30:42,474 TRYING TO FIGURE A WAY OUT OF THE MESS THAT I GOT MYSELF INTO 472 00:30:42,508 --> 00:30:44,977 AND I'M NOT TOTALLY SURE, 473 00:30:45,011 --> 00:30:47,079 BUT I THINK THAT STALKER FROM TRU NORTH FOUND ME, 474 00:30:47,113 --> 00:30:51,017 I THOUGHT I SAW HIM AT A PARTY THE OTHER NIGHT. 475 00:30:51,050 --> 00:30:53,585 THIS ISN'T ABOUT HIM, IT'S ABOUT US. 476 00:30:55,187 --> 00:30:58,557 I'M COMING HOME, AND... 477 00:30:58,590 --> 00:31:00,559 IF YOU STILL WANT TO BE WITH ME, 478 00:31:00,592 --> 00:31:04,096 IF I CAN STILL COUNT ON US, 479 00:31:04,130 --> 00:31:06,165 I KNOW I CAN GET THROUGH THIS. 480 00:31:08,467 --> 00:31:11,270 HOW COULD YOU NOT FALL IN LOVE WITH HER SMILE? 481 00:31:11,303 --> 00:31:14,306 WHY DO YOU HAVE THIS? I THINK YOU KNOW THE ANSWER. 482 00:31:17,676 --> 00:31:20,980 WHAT YOU DON'T KNOW... 483 00:31:21,013 --> 00:31:23,515 IS HOW MUCH I LOVED HER. 484 00:31:24,683 --> 00:31:26,485 DON'T LOOK AT ME LIKE THAT. 485 00:31:26,518 --> 00:31:30,056 I SAID, DON'T LOOK AT ME LIKE THAT! 486 00:31:31,390 --> 00:31:35,094 WHEN I FOUND YOU AT THE BREW, 487 00:31:35,127 --> 00:31:38,097 HEARING YOU TALK ABOUT MAYA... 488 00:31:38,130 --> 00:31:40,666 I FELT SO CONNECTED TO HER. 489 00:31:40,699 --> 00:31:42,368 IT'S IRONIC. 490 00:31:42,401 --> 00:31:45,104 YOU TOOK HER FROM ME, 491 00:31:45,137 --> 00:31:47,439 AND THEN YOU GAVE ME A LITTLE BIT OF HER BACK. 492 00:31:47,473 --> 00:31:50,977 DID YOU BRING ME HERE TO KILL ME TOO? 493 00:31:51,010 --> 00:31:54,613 I'M GONNA DO TO YOU WHAT YOU DID TO ME. 494 00:31:54,646 --> 00:31:57,016 I'M GONNA TAKE SOMETHING FROM YOU, 495 00:31:57,049 --> 00:31:59,385 AND YOU ARE GONNA WATCH ME DO IT. 496 00:32:12,731 --> 00:32:15,134 ( whimpering ) 497 00:32:20,072 --> 00:32:22,641 YOU'RE GONNA MAKE A RIGHT AT THE INTERSECTION. 498 00:32:22,674 --> 00:32:24,977 HOW FAR AWAY ARE YOU FROM BELMAR? 499 00:32:25,011 --> 00:32:27,146 I'M NOT SURE. A COUPLE OF MILES, MAYBE. 500 00:32:27,179 --> 00:32:29,648 CAN YOU JUST PROMISE ME THAT YOU'LL BE CAREFUL? 501 00:32:29,681 --> 00:32:32,418 I PROMISE. THERE IT IS ON THE HILL. 502 00:32:32,451 --> 00:32:36,088 HANNA...I LOVE YOU. 503 00:32:36,122 --> 00:32:39,591 I LOVE YOU TOO, CALEB. 504 00:32:52,138 --> 00:32:54,673 WHEN WE KISSED, 505 00:32:54,706 --> 00:32:58,244 I THOUGHT, "MAYBE I DON'T HAVE TO HURT HER. 506 00:32:58,277 --> 00:33:01,647 MAYBE I CAN MOVE ON WITH EMILY." 507 00:33:01,680 --> 00:33:05,784 BUT JUST LIKE MAYA, YOU WERE PLAYING ME. THAT'S NOT TRUE. 508 00:33:05,817 --> 00:33:09,288 I GAVE YOU A CHOICE. YOU PICKED HER. 509 00:33:26,338 --> 00:33:29,141 ( whimpering loudly ) 510 00:33:52,431 --> 00:33:55,534 LOOKS LIKE THIS PLACE IS CLOSED. 511 00:33:55,567 --> 00:33:57,236 Spencer: WAIT. NO. 512 00:33:57,269 --> 00:33:59,138 THERE'S A LIGHT ON IN THAT CABIN. 513 00:34:11,817 --> 00:34:13,452 I WANT YOU TO SEE THIS. 514 00:34:15,587 --> 00:34:17,289 NO. NO! 515 00:34:18,424 --> 00:34:20,459 MY FRIENDS KNOW I'M HERE. 516 00:34:20,492 --> 00:34:23,195 MY MOM KNOWS. THEY'LL FIND YOU. 517 00:34:23,229 --> 00:34:25,464 YOU UNDERESTIMATE ME, EMILY. 518 00:34:25,497 --> 00:34:27,833 I HAVE BEEN PLANNING THIS FOR MONTHS. 519 00:34:27,866 --> 00:34:31,137 THEY THINK YOU'RE HERE WITH NATE ST. GERMAINE. 520 00:34:31,170 --> 00:34:33,305 AND HE DOESN'T EXIST. 521 00:34:35,641 --> 00:34:38,144 WHO ARE YOU? REALLY? 522 00:34:38,177 --> 00:34:39,778 LYNDON. 523 00:34:39,811 --> 00:34:41,513 I'M LYNDON JAMES. 524 00:34:41,547 --> 00:34:44,650 LYNDON, YOU DON'T HAVE TO DO THIS. 525 00:34:44,683 --> 00:34:47,553 YOU CAN LEAVE. YOU CAN WALK AWAY. I WON'T TELL ANYBODY. 526 00:34:47,586 --> 00:34:50,122 I'VE WAITED AS LONG AS I COULD. 527 00:34:50,156 --> 00:34:52,791 BUT I THINK JENNA SAW ME WITH MAYA. 528 00:34:52,824 --> 00:34:57,363 AND NOW WITH HER PARENTS IN TOWN FOR THE TRIAL... TIME'S UP. 529 00:35:10,876 --> 00:35:12,611 ( footsteps outside ) 530 00:35:23,889 --> 00:35:25,891 DAMNIT. 531 00:35:36,635 --> 00:35:37,836 EM! 532 00:35:50,716 --> 00:35:53,485 THERE'S NO ONE HERE. I'M CALLING CALEB. 533 00:36:23,582 --> 00:36:24,883 OH, COME ON. 534 00:36:24,916 --> 00:36:27,185 COME ON, COME ON. 535 00:36:42,268 --> 00:36:44,636 COME ON. COME ON! 536 00:36:52,378 --> 00:36:55,814 Operator: 911, WHAT IS YOUR EMERGENCY? 537 00:36:55,847 --> 00:36:57,949 HELLO? 538 00:36:57,983 --> 00:36:59,851 HELLO? NO! 539 00:37:03,455 --> 00:37:05,657 ( shouting ) 540 00:37:36,455 --> 00:37:38,924 ( slicing sound ) 541 00:37:47,933 --> 00:37:50,769 Caleb: EMILY! EMILY. 542 00:37:50,802 --> 00:37:53,271 EMILY. ( sobbing ) 543 00:37:54,072 --> 00:37:55,941 EMILY. 544 00:38:05,751 --> 00:38:07,018 COME HERE. 545 00:38:09,621 --> 00:38:10,889 IT'S OKAY. 546 00:38:17,929 --> 00:38:19,765 ( gunshot ) 547 00:38:26,372 --> 00:38:28,740 CALEB! NO!!! 548 00:38:33,679 --> 00:38:35,013 CALEB!!! 549 00:38:44,890 --> 00:38:46,758 ( siren wailing ) 550 00:38:51,597 --> 00:38:54,866 ( Hanna sobbing ) 551 00:39:07,479 --> 00:39:10,616 SO, THE DECEASED WAS A FRIEND OF YOURS? 552 00:39:15,921 --> 00:39:19,124 MISS FIELDS, PLEASE. I'M TRYING TO UNDERSTAND WHAT HAPPENED HERE. 553 00:39:19,157 --> 00:39:23,595 WHEN I WAS WITH EMILY YESTERDAY, I GOT AN ANONYMOUS TEXT. 554 00:39:23,629 --> 00:39:27,733 TEN P.M. SATURDAY, ROSEWOOD CEMETERY, OR EMILY GETS HURT. 555 00:39:27,766 --> 00:39:29,034 DID YOU KNOW THE VICTIM? 556 00:39:29,067 --> 00:39:31,002 YES. 557 00:39:31,036 --> 00:39:32,871 WAS HE A FRIEND OF YOURS? 558 00:39:32,904 --> 00:39:35,607 HE GOT ME BEFORE I GOT THERE. 559 00:39:41,012 --> 00:39:42,848 I CAN'T DO THIS RIGHT NOW. 560 00:39:42,881 --> 00:39:45,551 PLEASE JUST LET ME TALK TO MY FRIEND. 561 00:39:47,085 --> 00:39:48,920 OFFICERS. 562 00:39:52,891 --> 00:39:54,125 OH, HAN, 563 00:39:54,159 --> 00:39:56,562 I'M SO SORRY! 564 00:39:57,829 --> 00:39:59,965 ( sobbing ) 565 00:40:18,817 --> 00:40:19,885 HAN. 566 00:40:28,760 --> 00:40:30,195 CALEB'S STILL IN SURGERY. 567 00:40:32,664 --> 00:40:34,933 HOW YA HOLDIN' UP? 568 00:40:34,966 --> 00:40:36,802 I'M FINE. 569 00:40:36,835 --> 00:40:41,807 P.A.: PAM FIELDS, PLEASE PICK UP THE NEAREST COURTESY PHONE. 570 00:40:41,840 --> 00:40:43,775 MUST BE DAD. 571 00:40:43,809 --> 00:40:46,978 NO, I NEVER REACHED HIM. HE DOESN'T EVEN KNOW WE'RE HERE. 572 00:40:53,585 --> 00:40:55,921 ( cell phones ring ) 573 00:41:05,897 --> 00:41:09,901 Distorted voice: EMILY, I OWE YOU ONE. ( lines disconnects ) 574 00:41:13,038 --> 00:41:15,807 THAT WAS ODD. THERE WAS NO ONE THERE. 575 00:41:22,313 --> 00:41:23,915 ( no audible dialogue ) 576 00:41:29,187 --> 00:41:31,289 Garrett: I'M HERE TO SEE MY MOTHER. 577 00:41:31,322 --> 00:41:34,192 MOM, HE'S OUT OF JAIL? 578 00:41:34,225 --> 00:41:37,062 EMILY, I'M SO SORRY YOU HAD TO GO THROUGH THAT TONIGHT. 579 00:41:37,095 --> 00:41:40,198 BUT I WANT YOU KNOW THAT YOU HELPED AN INNOCENT VICTIM. 580 00:41:40,231 --> 00:41:43,635 BECAUSE OF YOU, GARRETT REYNOLDS IS A FREE MAN. 581 00:41:56,314 --> 00:41:59,785 IF I KNEW NATE WAS GONNA GET GARRETT OUT, 582 00:41:59,818 --> 00:42:02,654 I WOULD HAVE STAYED IN TONIGHT. 583 00:42:02,688 --> 00:42:04,790 YOU HAVE TO GET MAYA'S CELL PHONE BACK. 584 00:42:04,823 --> 00:42:06,825 THAT SHOULDN'T BE TOO DIFFICULT-- 585 00:42:06,858 --> 00:42:09,928 PAIGE DOESN'T EVEN KNOW SHE HAS IT. 586 00:42:09,961 --> 00:42:14,900 (sighs) IT SUCKS WE DIDN'T GET TO MAKE THAT PHONE CALL. 587 00:42:14,933 --> 00:42:18,704 RING RING. "WHAT'S PAIGE DOING WITH MAYA'S CELL PHONE? 588 00:42:18,737 --> 00:42:22,674 O-M-G. SHE MUST BE THE KILLER." 589 00:42:22,708 --> 00:42:26,945 OH, WELL, EVEN THE BEST LAID PLANS GO AWRY. 590 00:42:36,054 --> 00:42:37,088 ( beep ) 591 00:42:39,190 --> 00:42:41,126 I'LL SEE YOU SOON. 592 00:43:23,401 --> 00:43:26,972 Toby (distorted): I'LL TAKE TWO TICKETS FOR THE HALLOWEEN TRAIN.