1 00:00:01,169 --> 00:00:01,969 PREVIOUSLY ON PRETTY LITTLE LIARS... 2 00:00:03,337 --> 00:00:04,505 DO YOU REMEMBER WHAT ALI SAID 3 00:00:04,538 --> 00:00:06,140 ABOUT SECRETS KEEPING US CLOSE? 4 00:00:06,174 --> 00:00:07,408 SHE WAS WRONG. THEY TEAR US APART. 5 00:00:07,441 --> 00:00:09,510 JUST LIKE MAYA, YOU WERE PLAYING ME. 6 00:00:09,543 --> 00:00:11,579 I WANT YOU TO SEE THIS. 7 00:00:11,612 --> 00:00:13,547 NO. 8 00:00:13,581 --> 00:00:15,083 ( crying ) 9 00:00:17,818 --> 00:00:21,021 ( gunshot ) Hanna: CALEB! 10 00:00:22,323 --> 00:00:24,258 BECAUSE OF YOU, GARRETT REYNOLDS IS A FREE MAN. 11 00:00:24,292 --> 00:00:25,559 MOM, HE'S OUT OF JAIL? 12 00:00:25,593 --> 00:00:27,295 CHANGE OF PLANS. 13 00:00:27,328 --> 00:00:28,696 I'LL SEE YOU SOON. 14 00:00:38,672 --> 00:00:39,807 ( thunderclap ) 15 00:00:39,840 --> 00:00:41,575 * IF YOU GO DOWN IN THE WOODS TODAY * 16 00:00:41,609 --> 00:00:43,711 * YOU'RE SURE OF A BIG SURPRISE * 17 00:00:43,744 --> 00:00:45,846 * IF YOU GO DOWN IN THE WOODS TODAY * 18 00:00:45,879 --> 00:00:47,815 * YOU'D BETTER GO IN DISGUISE * 19 00:00:47,848 --> 00:00:51,152 * FOR EVERYTHING THAT EVER THERE WAS * 20 00:00:51,185 --> 00:00:53,554 * WILL GATHER THERE FOR CERTAIN BECAUSE * 21 00:00:53,587 --> 00:00:54,755 * TODAY'S THE DAY 22 00:00:54,788 --> 00:00:58,726 * THE TEDDY BEARS HAVE THEIR PICNIC * 23 00:01:02,796 --> 00:01:07,301 I TOLD THEM I WANTED TO DO AN ART PROJECT FOR HALLOWEEN. 24 00:01:07,335 --> 00:01:08,702 THEY SAID, "ART IS FINE, 25 00:01:08,736 --> 00:01:11,572 BUT WE DON'T LIKE TO TALK ABOUT HALLOWEEN IN HERE." 26 00:01:11,605 --> 00:01:14,142 IT'S SUPPOSED TO HAVE BAD CONNOTATIONS 27 00:01:14,175 --> 00:01:16,444 FOR SOME OF THE PATIENTS. ( thunderclap ) 28 00:01:16,477 --> 00:01:18,812 ( soft chuckle ) 29 00:01:18,846 --> 00:01:20,281 I GUESS I SEE THE POINT. 30 00:01:24,352 --> 00:01:26,754 BUT I LOVE HALLOWEEN. 31 00:01:26,787 --> 00:01:28,889 ALL THE DRESSING UP, 32 00:01:28,922 --> 00:01:31,625 BEING OTHER PEOPLE. 33 00:01:31,659 --> 00:01:33,261 TRICKS AND TREATS. 34 00:01:33,294 --> 00:01:35,529 TREATS THAT TURN INTO TRICKS. 35 00:01:35,563 --> 00:01:37,865 IT'S BETTER THAN CHRISTMAS. 36 00:01:37,898 --> 00:01:39,600 MORE MAKEUP. 37 00:01:47,675 --> 00:01:52,746 AND THIS IS GONNA BE THE BEST... HALLOWEEN... EVER. 38 00:01:57,618 --> 00:02:00,621 I'D BET SOMEBODY'S LIFE ON THAT. 39 00:02:00,654 --> 00:02:05,259 ( humming ) 40 00:02:05,293 --> 00:02:07,395 * IT'S LOVELY DOWN IN THE WOODS TODAY * 41 00:02:07,428 --> 00:02:09,630 * BUT SAFER TO STAY AT HOME 42 00:02:09,663 --> 00:02:11,899 ( humming ) 43 00:02:11,932 --> 00:02:13,000 GIVE ME A HINT. 44 00:02:13,033 --> 00:02:15,469 I WILL NOT GIVE YOU A HINT. WE MADE A DEAL. 45 00:02:15,503 --> 00:02:17,471 YOU'LL SEE MY COSTUME TONIGHT AT THE PARTY. 46 00:02:17,505 --> 00:02:19,773 BUT WHAT IF WE END UP WEARING THE SAME THING? 47 00:02:19,807 --> 00:02:22,376 WE ARE NOT GOING TO BE WEARING THE SAME THING, I PROMISE YOU. 48 00:02:22,410 --> 00:02:24,212 LOOK, I'LL GIVE YOU A HINT IF YOU GIVE ME A HINT. 49 00:02:24,245 --> 00:02:25,613 NO HINTS, OKAY? 50 00:02:25,646 --> 00:02:27,281 WE SAID WE'RE GONNA PICK SOMEBODY FROM A MOVIE, 51 00:02:27,315 --> 00:02:28,782 AND WE'RE ALL GONNA SURPRISE EACH OTHER. 52 00:02:28,816 --> 00:02:29,917 WHOSE STUPID IDEA WAS THAT? 53 00:02:29,950 --> 00:02:31,819 YOURS. YOURS. 54 00:02:33,821 --> 00:02:36,190 EM, YOU SURE YOU WANT TO DO THIS THING? 55 00:02:36,224 --> 00:02:38,826 I WANT TO DO THIS. I NEED TO DO IT. 56 00:02:38,859 --> 00:02:40,694 I WANT SOMETHING BIG AND SPLASHY TO MARK 57 00:02:40,728 --> 00:02:42,530 THE WHOLE "BEFORE" AND "AFTER" OF EVERYTHING. 58 00:02:42,563 --> 00:02:44,298 SYMBOLS AND CEREMONIES? 59 00:02:44,332 --> 00:02:46,467 AND PLUS THERE'S MYSTERY LIVE ENTERTAINMENT. 60 00:02:46,500 --> 00:02:48,936 MM-HMM. ( sighs ) I HAVE TO GET TO THE DENTIST. 61 00:02:48,969 --> 00:02:51,672 HOWCALEB? 62 00:02:51,705 --> 00:02:53,207 HE'S GETTING BETTER. 63 00:02:53,241 --> 00:02:54,942 HE WAS EASIER WHEN HE WAS IN THE HOSPITAL, THOUGH. 64 00:02:54,975 --> 00:02:57,945 NOW HE'S GOT OUT, AND WE HAVE TO GO UNDER THE RADAR. 65 00:02:57,978 --> 00:03:00,214 YOU'RE SURE YOU WANT TO GO ON THE GHOST TRAIN? 66 00:03:00,248 --> 00:03:03,451 YEAH. OTHERWISE I'M STUCK WITH MY MOM AND PASTOR TED 67 00:03:03,484 --> 00:03:04,952 HANDING OUT CANDY TO RUG RATS. 68 00:03:04,985 --> 00:03:06,787 YOUR MOM AND PASTOR TED? 69 00:03:06,820 --> 00:03:09,923 YEAH. THEY'RE GETTING PRETTY DOMESTIC. 70 00:03:09,957 --> 00:03:11,959 I'D TELL HER TO GO FOR IT. MY MOM MOVED ON. 71 00:03:11,992 --> 00:03:14,295 OH, MY GOD. 72 00:03:14,328 --> 00:03:16,597 OKAY, WHO WOULD DO THAT? 73 00:03:16,630 --> 00:03:18,299 IT'S CLIFFORD YERDLEY'S HOUSE. 74 00:03:18,332 --> 00:03:20,601 HE'S SUCH AN ASTONISHING JERK. 75 00:03:20,634 --> 00:03:21,835 JOKE'S OVER. 76 00:03:26,039 --> 00:03:27,308 AAAHHH! 77 00:03:27,341 --> 00:03:28,576 ( gasps ) 78 00:03:28,609 --> 00:03:30,411 ( laughter ) 79 00:03:30,444 --> 00:03:32,413 YOU ARE SUCH A TREMENDOUS LOSER! 80 00:03:32,446 --> 00:03:34,982 YOU KNOW, THIS IS WHY NOBODY WILL GO OUT WITH YOU! 81 00:03:35,015 --> 00:03:37,017 LET'S GET OUTTA HERE. 82 00:03:40,888 --> 00:03:43,624 ( distant cackle ) 83 00:03:44,858 --> 00:03:47,428 ( sinister chuckle ) 84 00:03:51,832 --> 00:03:53,467 * GOT A SECRET 85 00:03:53,501 --> 00:03:54,835 * CAN YOU KEEP IT? 86 00:03:54,868 --> 00:03:57,338 * SWEAR THIS ONE YOU'LL SAVE * 87 00:03:57,371 --> 00:03:59,873 * BETTER LOCK IT IN YOUR POCKET * 88 00:03:59,907 --> 00:04:02,476 * TAKING THIS ONE TO THE GRAVE * 89 00:04:02,510 --> 00:04:04,812 * IF I SHOW YOU THEN I KNOW YOU * 90 00:04:04,845 --> 00:04:07,481 * WON'T TELL WHAT I SAID 91 00:04:07,515 --> 00:04:09,817 * 'CAUSE TWO CAN KEEP A SECRET * 92 00:04:09,850 --> 00:04:12,386 * IF ONE OF THEM IS DEAD 93 00:04:18,592 --> 00:04:20,761 UH, THESE-- THESE AREN'T FOR YOU. 94 00:04:20,794 --> 00:04:22,396 THEY'RE-- THEY'RE FOR YOUR MOM. 95 00:04:22,430 --> 00:04:24,698 SHE HAD TO TAKE A CALL. 96 00:04:24,732 --> 00:04:25,933 OKAY. 97 00:04:25,966 --> 00:04:27,735 THE FLOWERS ARE FOR YOUR MOM, SPENCER, 98 00:04:27,768 --> 00:04:28,936 BUT I WANTED TO TALK TO YOU. 99 00:04:28,969 --> 00:04:31,439 LIKE TO KEEP MY PROMISES. 100 00:04:31,472 --> 00:04:33,974 OKAY, I'M LISTENING. 101 00:04:34,007 --> 00:04:37,578 IT'S NICE NOT HAVING A BIG SLAB OF GLASS BETWEEN US. 102 00:04:37,611 --> 00:04:39,447 YOU SAID THAT YOU WANTED TO TELL ME SOMETHING. 103 00:04:39,480 --> 00:04:41,982 YEAH. IT'S TIME FOR ME TO MOVE ON. 104 00:04:42,015 --> 00:04:43,584 I-I GOTTA GET OUTTA HERE. 105 00:04:43,617 --> 00:04:46,086 GOTTA FIND... CLOSURE. 106 00:04:46,119 --> 00:04:47,955 SO WHY DON'T YOU START THE HEALING PROCESS 107 00:04:47,988 --> 00:04:50,524 BY TELLING ME WHAT YOU KNOW? 108 00:04:52,693 --> 00:04:53,961 YOU'RE LEAVING. 109 00:04:53,994 --> 00:04:55,363 AM I? 110 00:04:57,665 --> 00:04:58,766 LATER. 111 00:04:58,799 --> 00:05:00,701 DON'T WAIT TOO LONG. 112 00:05:07,408 --> 00:05:08,609 WHAT DID HE WANT? 113 00:05:08,642 --> 00:05:09,943 HE SAID HE WOULD TELL ME WHAT HAPPENED 114 00:05:09,977 --> 00:05:11,011 THE NIGHT ALISON WAS KILLED 115 00:05:11,044 --> 00:05:12,913 AND WHO STOLE HER BODY IF HE GOT OFF. 116 00:05:12,946 --> 00:05:14,782 WELL, DID HE? 117 00:05:14,815 --> 00:05:15,716 NO. 118 00:05:15,749 --> 00:05:17,885 HE'S NOT GONNA TELL ME WHEN WE'RE NOT ALONE. 119 00:05:17,918 --> 00:05:19,887 WELL, THAT'S NOT GONNA HAPPEN. 120 00:05:19,920 --> 00:05:22,122 I'M NOT GONNA LEAVE YOU ALONE WITH THAT GUY. 121 00:05:22,155 --> 00:05:25,426 YOU MAKE IT SO HARD TO BE A MODERN POST-FEMINIST 122 00:05:25,459 --> 00:05:26,960 WHEN YOU GET SO ALPHA-MALE. 123 00:05:26,994 --> 00:05:28,896 WELL, YOU WANT ME TO STOP? 124 00:05:28,929 --> 00:05:30,130 NO. 125 00:05:30,163 --> 00:05:31,999 ( both chuckle ) 126 00:05:40,508 --> 00:05:42,843 ( power tool whirring ) 127 00:05:42,876 --> 00:05:44,011 Man: HOLD STILL! 128 00:05:52,185 --> 00:05:54,855 YOU KISS PRETTY GOOD FOR A MAN WITHOUT A SPLEEN. 129 00:05:54,888 --> 00:05:56,724 I STILL HAVE IT. 130 00:05:56,757 --> 00:05:58,492 THEY JUST SHOT A HOLE THROUGH IT. 131 00:05:58,526 --> 00:06:00,828 REMIND ME AGAIN WHERE THAT SCAR IS. 132 00:06:00,861 --> 00:06:02,996 OH, YEAH. RIGHT THERE. 133 00:06:05,599 --> 00:06:07,901 AW... (indistinct complaint ) 134 00:06:07,935 --> 00:06:09,970 ALL RIGHT, THIS, UH, HIDING STUFF 135 00:06:10,003 --> 00:06:11,739 IS GETTING REALLY OLD. 136 00:06:11,772 --> 00:06:12,840 YEAH, TELL ME ABOUT IT. 137 00:06:12,873 --> 00:06:15,008 THIS IS MY THIRD CLEANING IN THE LAST TWO MONTHS. 138 00:06:15,042 --> 00:06:17,478 WELL, YOUR GUMS LOOK GREAT. 139 00:06:17,511 --> 00:06:19,847 I MEAN, SERIOUSLY-- EVERYTHING THAT'S HAPPENED, 140 00:06:19,880 --> 00:06:22,015 AND WE'RE STILL IN THE SAME PLACE. 141 00:06:22,049 --> 00:06:23,484 NO ONE HAS HEARD FROM "A" 142 00:06:23,517 --> 00:06:25,719 SINCE GARRETT GOT OUT OF JAIL. 143 00:06:25,753 --> 00:06:27,988 YOU KNOW, MAYBE THAT WAS THE END OF IT. 144 00:06:28,021 --> 00:06:29,156 DO YOU WANT TO RISK IT? 145 00:06:29,189 --> 00:06:31,992 IF IT WAS JUST US, YES, 146 00:06:32,025 --> 00:06:34,762 BUT WE'D BE TAKING CHANCES FOR OTHER PEOPLE. 147 00:06:35,929 --> 00:06:37,431 THE GHOST TRAIN ISN'T GOING TO BE 148 00:06:37,465 --> 00:06:38,766 AS FUN WITHOUT YOU. 149 00:06:38,799 --> 00:06:40,834 IT BETTER NOT BE. WELL.... 150 00:06:40,868 --> 00:06:42,970 THEN AGAIN, SPOOKY ATMOSPHERE, 151 00:06:43,003 --> 00:06:44,572 HOT MUSIC-- 152 00:06:44,605 --> 00:06:46,840 IF THE RIGHT MYSTERIOUS STRANGER COMES ALONG, 153 00:06:46,874 --> 00:06:49,009 WHO KNOWS WHAT MIGHT HAPPEN? 154 00:06:49,042 --> 00:06:52,746 MAYBE... SOMETHING LIKE THIS. 155 00:07:11,932 --> 00:07:13,467 HI. 156 00:07:13,501 --> 00:07:14,702 HEY! 157 00:07:14,735 --> 00:07:17,004 YOU ALMOST GOT A PREVIEW 158 00:07:17,037 --> 00:07:18,772 OF COMING ATTRACTIONS. 159 00:07:18,806 --> 00:07:21,609 COSTUME FOR TONIGHT. 160 00:07:21,642 --> 00:07:23,176 WE HAVE A PROBLEM WITH TONIGHT. 161 00:07:23,210 --> 00:07:25,946 WH-WHAT SORT OF PROBLEM? 162 00:07:25,979 --> 00:07:27,881 I... CAN'T GO. 163 00:07:30,183 --> 00:07:31,919 EZRA! 164 00:07:31,952 --> 00:07:34,988 I KNOW. I'VE GOT... A MEETING IN PHILADELPHIA 165 00:07:35,022 --> 00:07:37,491 ABOUT GHOSTING AN AUTOBIOGRAPHY. 166 00:07:37,525 --> 00:07:40,961 ACTUALLY SOMEBODY WORTH WRITING ABOUT THIS TIME. 167 00:07:40,994 --> 00:07:42,963 IT WILL PAY FOR ALL OF NEXT YEAR. 168 00:07:42,996 --> 00:07:44,064 IT HAS TO BE TONIGHT. 169 00:07:45,899 --> 00:07:47,134 OH, CRAP. 170 00:07:47,167 --> 00:07:48,836 CRAP, INDEED. 171 00:07:48,869 --> 00:07:51,138 BUT I WILL MAKE IT UP TO YOU. 172 00:07:51,171 --> 00:07:54,542 I KNOW YOU WILL. 173 00:07:54,575 --> 00:07:57,878 I KNOW. I JUST... REALLY WANTED YOU TO SEE MY COSTUME. 174 00:07:57,911 --> 00:07:59,880 WELL, I-I CAN SEE IT TOMORROW. 175 00:07:59,913 --> 00:08:01,949 PLAYING DRESS-UP FOR YOUR MAN ON HALLOWEEN IS ONE THING. 176 00:08:01,982 --> 00:08:03,250 YOU DO IT ANY OTHER NIGHT, 177 00:08:03,283 --> 00:08:05,586 YOU END UP ON AN AFTERNOON TALK SHOW. 178 00:08:05,619 --> 00:08:07,154 DEPENDS ON THE COSTUME. 179 00:08:07,187 --> 00:08:12,159 AND BESIDES, I'VE GOT A LITTLE BIT OF TIME NOW. 180 00:08:13,193 --> 00:08:16,163 ( knock on door ) TRICK OR TREAT! 181 00:08:16,196 --> 00:08:18,131 GREAT. EARLY BIRDS. 182 00:08:18,165 --> 00:08:20,668 NIGHT OF THE LIVING PRESCHOOLERS. 183 00:08:30,711 --> 00:08:31,912 ( indistinct happy chatter ) 184 00:08:31,945 --> 00:08:37,751 ( music playing ) 185 00:08:37,785 --> 00:08:39,553 Man on PA: THE SHUTTLE FOR THE GHOST TRAIN 186 00:08:39,587 --> 00:08:43,123 IS LEAVING IN FIVE MINUTES. WE HAVE PLENTY OF SHUTTLES, 187 00:08:43,156 --> 00:08:45,959 SO DON'T PANIC IF THE FIRST ONE IS FULL. 188 00:08:47,360 --> 00:08:49,029 OHH! 189 00:08:49,062 --> 00:08:50,764 CAN'T YOU SEE I'M INCOGNITO? 190 00:08:50,798 --> 00:08:52,866 BEAUTIFUL. 191 00:08:52,900 --> 00:08:54,768 THANK YOU. 192 00:09:08,215 --> 00:09:10,884 HEY! OH, MY... GOD. YOU LOOK AMAZING. 193 00:09:10,918 --> 00:09:13,286 OH, NO BIG. I JUST PUT IT TOGETHER. 194 00:09:13,320 --> 00:09:15,989 BARELY TOOK SIX HOURS. WHO ARE YOU AGAIN? 195 00:09:16,023 --> 00:09:19,026 DAISY. FROM THE GREAT GATSBY. 196 00:09:19,059 --> 00:09:20,327 THE MOVIE? 197 00:09:20,360 --> 00:09:21,862 THE BOOK. 198 00:09:21,895 --> 00:09:23,864 RIGHT. WHERE'S YOUR AUTHOR? 199 00:09:23,897 --> 00:09:27,034 ( sighs ) EZRA HAD TO CANCEL ON ME. 200 00:09:27,067 --> 00:09:29,002 GREAT! WELL, I MEAN... 201 00:09:29,036 --> 00:09:30,871 NOW I'M NOT THE ONLY ONE WITHOUT A DATE, SO... 202 00:09:30,904 --> 00:09:32,940 HMM. 203 00:09:32,973 --> 00:09:34,642 YOU GUYS ON YOUR OWN? 204 00:09:34,675 --> 00:09:35,943 WHAT A SHAME. 205 00:09:35,976 --> 00:09:37,344 WHAT ARE YOU DOING HERE? 206 00:09:37,377 --> 00:09:39,146 WELL, IT'S NICE TO SEE YOU TOO. 207 00:09:39,179 --> 00:09:41,649 I THOUGHT YOU ALWAYS THREW YOUR OWN HALLOWEEN PARTIES. 208 00:09:41,682 --> 00:09:44,084 THIS YEAR I DECIDED TO LET SOMEONE ELSE DO THE WORK 209 00:09:44,117 --> 00:09:48,188 SO I COULD CONCENTRATE ON WHAT'S REALLY IMPORTANT. 210 00:09:48,221 --> 00:09:51,124 OH, YOU'RE SO SWEET. MMM. 211 00:10:00,100 --> 00:10:03,737 IT'S JUST A COSTUME. IT DOESN'T MEAN ANYTHING ANYMORE. 212 00:10:03,771 --> 00:10:05,338 Hanna: YEAH. RIGHT. 213 00:10:14,948 --> 00:10:18,018 IF YOU NEED ME, JUST WHISTLE. 214 00:10:19,953 --> 00:10:21,889 YOU KNOW HOW TO WHISTLE, DON'T YOU? 215 00:10:21,922 --> 00:10:23,957 FIVE MINUTES UNTIL THE SHUTTLE 216 00:10:23,991 --> 00:10:25,926 FOR THE GHOST TRAIN ARRIVES. 217 00:10:25,959 --> 00:10:27,795 HOW COULD YOU POSSIBLY THINK 218 00:10:27,828 --> 00:10:29,863 THAT WE WOULD BE THE SAME THING? 219 00:10:29,897 --> 00:10:31,298 DID GARRETT EVER COME BACK? 220 00:10:31,331 --> 00:10:33,133 NO. 221 00:10:33,166 --> 00:10:34,802 DID YOU CALL HIS HOUSE? 222 00:10:34,835 --> 00:10:36,136 HIS PHONE'S BEEN DISCONNECTED. 223 00:10:36,169 --> 00:10:37,971 WHERE IS HE? I DON'T KNOW. 224 00:10:38,005 --> 00:10:40,841 NOT BAD. 225 00:10:40,874 --> 00:10:42,876 YOU GOTTA ADMIT, I PUT OUT A BETTER SPREAD. 226 00:10:42,910 --> 00:10:44,912 YOU SHOULD PROBABLY GO INTO CATERING. 227 00:10:47,948 --> 00:10:49,783 ( coughing ) 228 00:10:49,817 --> 00:10:51,985 SERVES YOU RIGHT. 229 00:10:52,019 --> 00:10:53,120 ( gasping ) 230 00:10:54,454 --> 00:10:56,957 HEY, NOEL, WHAT'S WRONG? 231 00:11:01,929 --> 00:11:02,963 NOEL? 232 00:11:02,996 --> 00:11:04,331 DO SOMETHING! 233 00:11:07,935 --> 00:11:09,102 OH, MY GOD. 234 00:11:09,136 --> 00:11:11,171 Man: NOEL, ARE YOU ALL RIGHT? 235 00:11:11,204 --> 00:11:12,172 PLEASE BREATHE. CALM DOWN. 236 00:11:12,205 --> 00:11:14,341 IT'S OKAY. 237 00:11:14,374 --> 00:11:16,043 ( overlapping panicked chatter ) 238 00:11:16,076 --> 00:11:19,780 NOEL, IT'S OKAY, IT'S OKAY. CALM DOWN, CALM DOWN. 239 00:11:19,813 --> 00:11:23,050 ( canned laughter ) ( startled shouts ) 240 00:11:23,083 --> 00:11:25,886 ( laughter ) 241 00:11:32,359 --> 00:11:34,061 MUST HAVE BEEN SOMETHING I ATE. 242 00:11:34,094 --> 00:11:35,495 YOU'RE AMAZING. 243 00:11:35,528 --> 00:11:37,464 ( laughter ) 244 00:11:48,942 --> 00:11:51,711 THEY LOOK LIKE A WEDDING CAKE FROM OUTER SPACE. 245 00:11:54,547 --> 00:11:56,083 HEY. NICE. 246 00:11:58,251 --> 00:12:00,120 YOU GUYS, LOOK. 247 00:12:04,992 --> 00:12:07,060 WHEN DID HE GET BACK? 248 00:12:07,094 --> 00:12:08,962 I DON'T KNOW. 249 00:12:08,996 --> 00:12:11,464 ALL ABOARD THE SHUTTLE FOR THE GHOST TRAIN! 250 00:12:11,498 --> 00:12:13,266 ALL ABOARD! 251 00:12:26,279 --> 00:12:27,981 EVERYONE, ALL ABOARD THE SHUTTLE! 252 00:12:28,015 --> 00:12:30,283 THE SHUTTLE IS NOW LEAVING FOR THE GHOST TRAIN. 253 00:12:35,255 --> 00:12:36,890 MORE PATIENTS. 254 00:12:36,924 --> 00:12:38,125 COME IN. THANK YOU. 255 00:12:38,158 --> 00:12:41,228 DOCTOR, YOUR NEXT APPOINTMENT. 256 00:12:41,261 --> 00:12:45,098 MMM. TAKE ALL YOU WANT, WANT ALL YOU TAKE. 257 00:12:46,499 --> 00:12:47,968 HA HA HA! EWW. 258 00:12:48,001 --> 00:12:49,469 SORRY, I MUST HAVE TAKEN SOME WORK 259 00:12:49,502 --> 00:12:51,571 HOME FROM THE OFFICE. 260 00:12:51,604 --> 00:12:53,106 MMM! 261 00:12:55,042 --> 00:12:56,543 THERE YOU GO. 262 00:12:58,145 --> 00:13:00,547 I THINK YOU ARE ENJOYING THIS. 263 00:13:00,580 --> 00:13:01,982 I AM. 264 00:13:02,015 --> 00:13:03,483 BUT IT'S NOT THE SORT OF 265 00:13:03,516 --> 00:13:05,919 PASTORAL OUTREACH I SAW MYSELF DOING. 266 00:13:05,953 --> 00:13:09,923 JUST CONSIDER IT THERAPEUTIC IRRESPONSIBILITY. 267 00:13:09,957 --> 00:13:11,992 YES, NURSE. 268 00:13:12,025 --> 00:13:14,294 ALL ABOARD THE HALLOWEEN GHOST TRAIN. 269 00:13:14,327 --> 00:13:18,398 PLEASE KEEP MOVING FORWARD TO THE PERFORMANCE CAR. 270 00:13:18,431 --> 00:13:21,902 THERE ARE LOCKERS AVAILABLE FOR YOUR PERSONAL BELONGINGS... 271 00:13:21,935 --> 00:13:23,470 OKAY, WHAT'S THE POINT OF DRESSING UP 272 00:13:23,503 --> 00:13:25,138 IF NO ONE CAN SEE YOU? 273 00:13:25,172 --> 00:13:31,211 ( beat-driven music playing ) 274 00:13:31,244 --> 00:13:33,881 YOU HAVE GOT TO BE KIDDING ME. 275 00:13:33,914 --> 00:13:37,384 * FEELS LIKE I'M HAVING A MELTDOWN * 276 00:13:37,417 --> 00:13:41,989 * IT FEELS LIKE I'M LOSING CONTROL * 277 00:13:42,022 --> 00:13:44,992 * THEY TELL ME I'M A DANGER TO MYSELF * 278 00:13:45,025 --> 00:13:47,928 * NOW THE CRAZY TRAIN IS READY TO ROLL * 279 00:13:47,961 --> 00:13:48,862 * OHH 280 00:13:48,896 --> 00:13:52,232 * WALK THAT WALK LIKE YOU DON'T GIVE A-- * 281 00:13:52,265 --> 00:13:57,237 * YOU GOTTA RIGHT TO TURN IT UP AND GET DOWN * 282 00:13:57,270 --> 00:13:59,072 * ELECTRIC SHOCK 283 00:13:59,106 --> 00:14:01,074 * NO, I CAN'T GET ENOUGH 284 00:14:01,108 --> 00:14:03,543 * 'CAUSE TONIGHT WE'RE TAKIN' OVER THE TOWN * 285 00:14:03,576 --> 00:14:04,945 * HEY 286 00:14:04,978 --> 00:14:07,380 * I WANNA LOSE MY MIND 287 00:14:07,414 --> 00:14:08,982 * LIKE A MANIAC 288 00:14:09,016 --> 00:14:11,351 * AND CROSS THE LINE 289 00:14:11,384 --> 00:14:13,120 * NEVER LOOKIN' BACK 290 00:14:13,153 --> 00:14:15,222 * WE'RE ON THE LOOSE 291 00:14:15,255 --> 00:14:17,057 * GETTIN' CRAZY 292 00:14:17,090 --> 00:14:18,591 * AND WE'VE GONE CUCKOO 293 00:14:18,625 --> 00:14:21,962 * GONNA PARTY TILL THEY TAKE US AWAY * 294 00:14:21,995 --> 00:14:24,131 * GONNA LOSE MY MIND 295 00:14:24,164 --> 00:14:26,099 * I'M GONNA LOSE MY MIND 296 00:14:26,133 --> 00:14:27,968 * GONNA PARTY TILL THEY... 297 00:14:50,090 --> 00:14:53,126 * I'M SWINGING OFF OF MY HINGES * 298 00:14:53,160 --> 00:14:57,397 * I'M COCKED AND I'M READY TO GO * 299 00:14:57,430 --> 00:15:01,201 * GO HOME AND PACK UP YOU THINGS AS * 300 00:15:01,234 --> 00:15:04,404 * THE CRAZY TRAIN IS READY TO ROLL * 301 00:15:04,437 --> 00:15:06,106 * WHOA 302 00:15:06,139 --> 00:15:09,076 * WALK THAT WALK LIKE YOU DON'T GIVE A-- * 303 00:15:09,109 --> 00:15:12,012 * YOU GOT A RIGHT TO TURN IT UP AND GET DOWN * 304 00:15:12,045 --> 00:15:13,947 * YEAH 305 00:15:13,981 --> 00:15:16,483 * ELECTRIC SHOCK, NO, WE CAN'T GET ENOUGH * 306 00:15:16,516 --> 00:15:20,087 * 'CAUSE TONIGHT WE'RE TAKIN' OVER THE TOWN * 307 00:15:20,120 --> 00:15:21,088 * HEY 308 00:15:21,121 --> 00:15:23,390 * I WANNA LOSE MY MIND 309 00:15:23,423 --> 00:15:25,158 * LIKE A MANIAC 310 00:15:25,192 --> 00:15:27,360 * AND CROSS THE LINE 311 00:15:27,394 --> 00:15:28,695 * NEVER LOOKIN' BACK 312 00:15:28,728 --> 00:15:31,431 * I'M ON THE LOOSE 313 00:15:31,464 --> 00:15:33,466 * GETTIN' CRAZY, AND WE'VE GONE * 314 00:15:33,500 --> 00:15:34,334 * CUCKOO 315 00:15:34,367 --> 00:15:38,071 * GONNA PARTY TILL THEY TAKE US AWAY * 316 00:15:38,105 --> 00:15:41,074 CREEP. YOU KNOW WHAT? DO THAT AGAIN, YOU'LL LEAVE WITH A BLOODY STUMP! 317 00:15:44,177 --> 00:15:47,514 * GONNA GET OUT OF THIS STRAIT * 318 00:15:47,547 --> 00:15:49,282 * JACKET 319 00:15:49,316 --> 00:15:50,583 * WHOA 320 00:15:50,617 --> 00:15:51,985 * CUCKOO 321 00:15:55,288 --> 00:15:57,991 HEY. CAN I HAVE ONE OF THOSE OVER THERE? 322 00:16:01,794 --> 00:16:02,529 THANKS. 323 00:16:02,562 --> 00:16:05,999 SO WHAT DO YOU THINK OF MY COSTUME? 324 00:16:06,033 --> 00:16:07,734 IT'S VERY NICE. 325 00:16:07,767 --> 00:16:11,104 BUT YOU KNOW, I LIKED YOU A LOT BETTER LIKE THIS. 326 00:16:31,124 --> 00:16:32,592 ARE YOU FOLLOWING ME? 327 00:16:35,128 --> 00:16:37,797 I SAW YOU AT THE BREW, AND I DIDN'T KNOW THAT YOU WERE BACK. 328 00:16:37,830 --> 00:16:39,099 I'M BACK. 329 00:16:39,132 --> 00:16:40,367 ARE YOU ALL RIGHT? 330 00:16:40,400 --> 00:16:42,035 BETTER. YEAH. 331 00:16:42,069 --> 00:16:44,237 I WAS GONNA COME BY AND SEE YOU THIS AFTERNOON. 332 00:16:44,271 --> 00:16:45,772 WHY DIDN'T YOU? 333 00:16:45,805 --> 00:16:47,374 YOU HAD COMPANY. 334 00:16:47,407 --> 00:16:50,143 GARRETT REYNOLDS. I SAW HIM LEAVING. 335 00:16:50,177 --> 00:16:51,644 YOU KNOW, I'LL TELL YOU-- SEEING HIM WALK AROUND 336 00:16:51,678 --> 00:16:53,646 LIKE THAT IN THE OPEN GAVE ME A CHILL. 337 00:16:53,680 --> 00:16:56,549 YEAH, HE'S A FREE MAN. 338 00:16:56,583 --> 00:16:59,052 JUST BECAUSE HE'S FREE DOESN'T MAKE HIM INNOCENT. 339 00:17:07,194 --> 00:17:08,795 EXCUSE ME. 340 00:17:08,828 --> 00:17:10,163 YEAH. 341 00:17:19,572 --> 00:17:21,441 * WELL, I WAS WALKIN' FOR SOME TIME * 342 00:17:21,474 --> 00:17:23,543 * WHEN I CAME ACROSS THIS SIGN * 343 00:17:23,576 --> 00:17:25,545 * SAYIN' WHO ARE YOU AND WHERE ARE YOU FROM? * 344 00:17:25,578 --> 00:17:27,647 * WE DON'T LIKE WHEN VISITORS COME * 345 00:17:27,680 --> 00:17:29,516 * NO TRESPASSIN', THAT'S WHAT IT SAID * 346 00:17:29,549 --> 00:17:31,318 * AT LEAST THAT'S WHAT I COULD READ * 347 00:17:31,351 --> 00:17:33,686 * NO TRESPASSERS-- YEAH, MY ASS * 348 00:17:33,720 --> 00:17:35,655 * WAIT TILL YA GET A LOAD OF ME * 349 00:17:35,688 --> 00:17:37,390 * ONE DAY I WAS TRIPPIN' 350 00:17:37,424 --> 00:17:39,392 * AND THAT'S WHEN I COULD SEE * 351 00:17:39,426 --> 00:17:41,161 * THE ETHER THAT I TAPPED INTO * 352 00:17:41,194 --> 00:17:42,829 * COULD BE REALITY 353 00:17:42,862 --> 00:17:44,431 * IT WAS GREAT 354 00:17:44,464 --> 00:17:47,300 * THAT'S WHEN I CLIMBED THAT OPTIMISTIC VINE * 355 00:17:47,334 --> 00:17:49,502 * ONCE I HIT THAT MOUNTAIN PEAK * 356 00:17:49,536 --> 00:17:51,704 * I BEGAN TO LOSE MY MIND 357 00:17:51,738 --> 00:17:54,441 * THERE'S NO TURNIN' BACK 358 00:17:54,474 --> 00:17:55,642 * LET'S GO! 359 00:17:55,675 --> 00:17:58,445 BYE. THANK YOU. THANK YOU. 360 00:17:58,478 --> 00:17:59,846 THANKS FOR COMIN'. 361 00:17:59,879 --> 00:18:01,314 Man: VERY NICE. 362 00:18:03,183 --> 00:18:05,352 ( canned laughter ) 363 00:18:08,788 --> 00:18:11,258 OH, HI. ( nervous chuckle ) 364 00:18:11,291 --> 00:18:12,592 THE CANDY'S UP FRONT. 365 00:18:12,625 --> 00:18:15,795 MAY I CALL MY MOTHER? I WANNA GO HOME. 366 00:18:15,828 --> 00:18:17,730 ARE YOU BY YOURSELF? 367 00:18:17,764 --> 00:18:20,233 I'M COLD, AND I WANNA GO HOME. 368 00:18:20,267 --> 00:18:24,804 MY MOTHER SAID IF I EVER GET SCARED OR LOST OR TIRED, 369 00:18:24,837 --> 00:18:26,406 I SHOULD CALL HER. 370 00:18:26,439 --> 00:18:27,907 OF COURSE YOU CAN CALL. 371 00:18:27,940 --> 00:18:29,376 YEAH. 372 00:18:29,409 --> 00:18:30,877 THE PHONE'S RIGHT HERE. 373 00:18:32,679 --> 00:18:34,547 YOU CAN STAY HERE TILL SHE COMES. 374 00:18:34,581 --> 00:18:35,882 THANK YOU. 375 00:18:35,915 --> 00:18:39,652 THERE'S NOTHING TO BE AFRAID OF. 376 00:18:39,686 --> 00:18:41,221 IT'S ALL JUST MAKE-BELIEVE. 377 00:18:41,254 --> 00:18:43,856 PEOPLE SHOULDN'T MAKE SCARY THINGS. 378 00:18:45,825 --> 00:18:48,261 SCARY THINGS CAN SOMETIMES JUST BE FUN. 379 00:18:48,295 --> 00:18:51,864 I DON'T THINK SO. NOT ANYMORE. 380 00:18:53,966 --> 00:18:55,902 MAKE YOUR CALL, AND WHEN YOU'RE FINISHED, 381 00:18:55,935 --> 00:18:57,604 YOU CAN HELP ME WITH THE CANDY, OKAY? 382 00:18:57,637 --> 00:18:58,805 Okay. 383 00:19:04,844 --> 00:19:06,346 ( horn blares ) 384 00:19:06,379 --> 00:19:08,448 * I DON'T NEED NO SYMPATHY 385 00:19:08,481 --> 00:19:09,882 * I WON'T CRY AND WHINE 386 00:19:09,916 --> 00:19:11,784 OKAY, NO MEANS NO, OPERA BOY. 387 00:19:11,818 --> 00:19:14,521 UGH. STOP! 388 00:19:14,554 --> 00:19:16,923 WHY DID I EVER THINK THAT YOU WOULD NEED PROTECTION? 389 00:19:16,956 --> 00:19:17,990 * ...CAME ACROSS THIS SIGN 390 00:19:18,024 --> 00:19:19,826 * SAYIN' WHO ARE YOU AND WHERE ARE YOU FROM? * 391 00:19:19,859 --> 00:19:22,329 * WE DON'T LIKE WHEN VISITORS COME * 392 00:19:22,362 --> 00:19:23,930 * NO TRESPASSIN', THAT'S WHAT IT SAID * 393 00:19:23,963 --> 00:19:25,932 * AT LEAST THAT'S WHAT I COULD READ * 394 00:19:25,965 --> 00:19:27,867 * NO TRESPASSERS-- YEAH, MY ASS * 395 00:19:27,900 --> 00:19:29,536 * WAIT TILL THEY GET A LOAD OF ME * 396 00:19:29,569 --> 00:19:31,738 ( horn blares ) 397 00:19:33,973 --> 00:19:36,343 ( dance music playing ) 398 00:19:42,715 --> 00:19:44,451 I CAN'T TELL IF YOU'RE HAVING FUN OR NOT. 399 00:19:44,484 --> 00:19:45,952 ( chuckles ) 400 00:19:45,985 --> 00:19:47,220 HI. HI. 401 00:19:47,254 --> 00:19:49,289 NO, NO, NO, NO. THIS IS... 402 00:19:49,322 --> 00:19:51,824 INCREDIBLE. I-- IS-- IS THIS FUN FOR YOU? 403 00:19:51,858 --> 00:19:53,326 THIS IS ABSOLUTELY FUN. 404 00:19:53,360 --> 00:19:55,828 SO, DID YOU COME ALONE, OR...? 405 00:19:55,862 --> 00:19:57,830 YEAH, MY-- MY BOYFRIEND COULDN'T MAKE IT TONIGHT. 406 00:19:57,864 --> 00:19:59,966 WHAT'S YOUR NAME? ( loud clanging sound ) 407 00:19:59,999 --> 00:20:01,968 ( faint ) What? ( faint ) Aria! 408 00:20:02,001 --> 00:20:03,836 ( faint ) I can't hear you. What? 409 00:20:09,709 --> 00:20:11,411 ARIA. AH. 410 00:20:11,444 --> 00:20:13,846 THAT'S GREAT. THAT-- THAT REALLY SUITS YOU. 411 00:20:13,880 --> 00:20:15,848 OH. THANKS. 412 00:20:15,882 --> 00:20:17,817 WELL, LISTEN, UM, I HAVE ANOTHER SET, SO... 413 00:20:17,850 --> 00:20:19,419 OKAY. YEAH, I WON'T MISS IT. 414 00:20:19,452 --> 00:20:20,853 YOU'RE GONNA BE IN THE FRONT. ABSOLUTELY. 415 00:20:20,887 --> 00:20:22,289 OKAY. PROMISE? PROMISE. 416 00:20:22,322 --> 00:20:23,823 OKAY, BYE. ( chuckles ) 417 00:21:03,696 --> 00:21:04,964 I LIKE THIS. 418 00:21:04,997 --> 00:21:06,966 TRAVEL IS SO ROMANTIC. 419 00:21:06,999 --> 00:21:09,569 YEAH. WE COULD JUST STAY ONBOARD... 420 00:21:09,602 --> 00:21:10,970 TELL THEM TO KEEP GOING... 421 00:21:11,003 --> 00:21:12,939 NEVER STOP. 422 00:21:12,972 --> 00:21:14,841 ( sighs ) 423 00:21:22,349 --> 00:21:24,050 WHAT? 424 00:21:24,083 --> 00:21:26,285 I'M JUST LOOKIN' AT YOU. 425 00:21:28,855 --> 00:21:31,824 SOMETIMES, I'M STILL AMAZED THAT YOU'RE WITH ME. 426 00:21:33,360 --> 00:21:35,695 I'M AMAZED THAT YOU'RE WITH ME. 427 00:21:35,728 --> 00:21:39,466 YOU MEAN TO TELL ME THAT SOME THINGS ACTUALLY WORK OUT ALL RIGHT? 428 00:21:39,499 --> 00:21:41,834 SOMETIMES, WHEN NOBODY'S LOOKING, 429 00:21:41,868 --> 00:21:44,637 YEAH, THINGS WORK OUT. 430 00:21:44,671 --> 00:21:47,507 TELL ME ABOUT LOVE ON YOUR PLANET. 431 00:21:47,540 --> 00:21:50,910 ( both chuckle softly ) 432 00:22:05,992 --> 00:22:09,796 ( humming ) 433 00:22:12,999 --> 00:22:15,468 ( gasps, screams ) 434 00:22:19,606 --> 00:22:21,708 ( bell clanging ) 435 00:22:21,741 --> 00:22:25,512 I'M SORRY. HONESTLY, I'M SORRY. 436 00:22:25,545 --> 00:22:26,846 SORRY FOR WHAT? 437 00:22:26,879 --> 00:22:27,980 I LIKED YOU. YOU WERE THE ONE 438 00:22:28,014 --> 00:22:29,516 I REALLY WANTED TO KEEP SAFE, 439 00:22:29,549 --> 00:22:31,117 BUT I WASN'T STRONG ENOUGH. 440 00:22:31,150 --> 00:22:33,620 I THOUGHT THAT I HAD EVERYTHING UNDER CONTROL, BUT I DIDN'T. 441 00:22:33,653 --> 00:22:36,489 I DIDN'T EVEN KNOW WHAT THE GAME WAS TRULY ABOUT. 442 00:22:36,523 --> 00:22:39,726 GOD, I WAS A POLICE OFFICER, AND I WOUND UP IN A CELL. 443 00:22:39,759 --> 00:22:41,861 DID YOU KILL ALISON? 444 00:22:41,894 --> 00:22:43,596 I'M GONNA TELL YOU EVERYTHING I KNOW, 445 00:22:43,630 --> 00:22:44,864 AND THEN I'M GONE. 446 00:22:44,897 --> 00:22:46,766 DON'T TRY TO FIND ME. I'M NOT COMING BACK. 447 00:22:46,799 --> 00:22:49,001 THAT'S THE DEAL. ARE WE CLEAR? 448 00:22:49,035 --> 00:22:51,003 YES. 449 00:22:51,037 --> 00:22:53,706 ALL RIGHT, THE NIGHT OF ALISON'S DEATH, 450 00:22:53,740 --> 00:22:55,842 ALL OF US WERE UP IN HER ROOM, WITH IAN. 451 00:22:55,875 --> 00:22:57,510 YOUR SISTER SHOWS UP. 452 00:22:57,544 --> 00:22:59,479 NO, I KNOW ALL THIS. I'VE SEEN THE TAPE. 453 00:22:59,512 --> 00:23:01,013 BUT YOU DON'T KNOW WHAT YOU DON'T KNOW. 454 00:23:01,047 --> 00:23:04,016 I TOOK JENNA OUTSIDE TO LET IAN AND MELISSA TALK THINGS OVER. 455 00:23:04,050 --> 00:23:05,718 WHERE DID YOU GO WITH JENNA? 456 00:23:05,752 --> 00:23:07,186 BEHIND THE DiLAURENTIS HOUSE. 457 00:23:07,219 --> 00:23:09,889 WHERE THE GROUND WAS DUG UP? 458 00:23:09,922 --> 00:23:12,992 WE SHOULDN'T LEAVE THOSE TWO TOGETHER, GARRETT. 459 00:23:13,025 --> 00:23:14,761 WE CAN'T TRUST THEM. 460 00:23:14,794 --> 00:23:15,795 THERE'S NOTHING THEY CAN DO TO US 461 00:23:15,828 --> 00:23:18,164 WITHOUT SCREWING EVERYTHING UP FOR THEMSELVES. 462 00:23:18,197 --> 00:23:20,900 I THOUGHT I HEARD ANIMAL NOISES. 463 00:23:23,202 --> 00:23:25,472 YOU'VE GOT A REALLY BAD MEMORY. 464 00:23:25,505 --> 00:23:27,907 I TOLD YOU WHAT WOULD HAPPEN IF YOU CAME BACK. 465 00:23:27,940 --> 00:23:30,176 ( thunderclap ) ( chuckles ) 466 00:23:30,209 --> 00:23:31,711 HEY, STOP THAT. 467 00:23:31,744 --> 00:23:33,646 JUST GO BACK TO YOUR CAMERA CLUB. 468 00:23:33,680 --> 00:23:35,982 ( audibly struggling ) YOU'RE GONNA PAY FOR THAT! 469 00:23:36,015 --> 00:23:38,518 ALISON! ALISON, GET THE HELL OUTTA HERE! 470 00:23:38,551 --> 00:23:39,886 THIS IS MY BACK YARD! 471 00:23:39,919 --> 00:23:41,187 SHUT HER UP! YOU SHUT UP! 472 00:23:41,220 --> 00:23:43,690 AAH! HEY! 473 00:23:43,723 --> 00:23:45,024 ( chuckles ) 474 00:23:45,057 --> 00:23:46,726 ( indistinct remark ) 475 00:23:46,759 --> 00:23:48,995 JENNA, JENNA. 476 00:23:49,028 --> 00:23:51,498 WHAT'S THE MATTER? 477 00:23:51,531 --> 00:23:53,533 DIDN'T FIND WHAT YOU WERE LOOKING FOR IN MY BEDROOM? 478 00:23:53,566 --> 00:23:54,734 DO SOMETHING! 479 00:24:04,877 --> 00:24:07,580 AAH! AAH! ( thunderclap ) 480 00:24:12,752 --> 00:24:14,053 IS SHE DEAD? 481 00:24:20,960 --> 00:24:22,161 GARRETT? 482 00:24:22,194 --> 00:24:23,863 GARRETT, IS SHE DEAD? 483 00:24:23,896 --> 00:24:25,164 I TOOK CARE OF IT. LET'S GO. 484 00:24:25,197 --> 00:24:26,899 COME ON, LET'S GO. 485 00:24:43,049 --> 00:24:45,184 I DIDN'T KILL ALISON, 486 00:24:45,217 --> 00:24:47,954 BUT JENNA THINKS I DID. THAT'S IT?! 487 00:24:47,987 --> 00:24:50,122 YOU JUST WANTED TO TELL ME THAT YOU DIDN'T DO IT? 488 00:24:50,156 --> 00:24:53,560 NO, THERE'S MORE. I WENT BACK. 489 00:24:56,563 --> 00:24:58,998 Ali: I'M NOT THE ONE WHO MAKES PEOPLE DO THESE THINGS. 490 00:24:59,031 --> 00:25:00,633 IF YOU DON'T PAY FOR YOUR MISTAKES, 491 00:25:00,667 --> 00:25:02,869 HOW CAN YOU BECOME A BETTER PERSON? 492 00:25:02,902 --> 00:25:06,172 YOU SAY ALL OF THESE GROWN-UP THINGS... 493 00:25:06,205 --> 00:25:08,541 BUT YOU'RE STILL A CHILD. 494 00:25:08,575 --> 00:25:10,777 DON'T KID YOURSELF. 495 00:25:10,810 --> 00:25:12,979 YOU KNOW WHAT I'M CAPABLE OF. 496 00:25:14,113 --> 00:25:15,782 ( twig snaps ) 497 00:25:20,587 --> 00:25:23,022 NO! YOU'RE LYING! WHY WOULD I LIE? 498 00:25:23,055 --> 00:25:24,991 NO, IF YOU SAW THAT, WHY DIDN'T YOU TELL ANYBODY 499 00:25:25,024 --> 00:25:26,893 WHEN YOU WERE ARRESTED, WHEN YOU WERE CHARGED? 500 00:25:26,926 --> 00:25:28,761 I WOULD HAVE SAID SOMETHING IF YOUR MOM HADN'T HAD ME CLEARED, 501 00:25:28,795 --> 00:25:29,896 BUT SHE DID. 502 00:25:29,929 --> 00:25:31,598 WHAT ELSE DID YOU SEE? 503 00:25:31,631 --> 00:25:34,033 I DIDN'T STICK AROUND. AFTER HE HEARD ME, I LEFT. 504 00:25:34,066 --> 00:25:36,202 SHE WAS ALIVE WHEN I LEFT. 505 00:25:36,235 --> 00:25:38,771 I'M GONNA GO GET ARIA, AND YOU'RE GONNA SAY THIS TO HER FACE, 506 00:25:38,805 --> 00:25:40,072 DO YOU UNDERSTAND? 507 00:25:44,811 --> 00:25:47,980 STAY HERE. WHERE DO I HAVE TO GO? 508 00:25:53,920 --> 00:25:56,088 ( dance music playing ) 509 00:26:07,967 --> 00:26:09,936 HEY, HAVE YOU SEEN ARIA? 510 00:26:09,969 --> 00:26:13,139 GUESS WHAT? LOOK, I'M GONNA GUESS LATER. WHERE'S ARIA? 511 00:26:13,172 --> 00:26:15,174 I DON'T KNOW. I THINK BACK THERE. 512 00:26:32,659 --> 00:26:34,827 ( text indicator rings ) 513 00:26:38,397 --> 00:26:42,134 "GUESS WHO'S NOT GONNA MAKE IT TO THE END OF THE LINE?" 514 00:26:42,168 --> 00:26:43,703 "A." 515 00:27:02,722 --> 00:27:05,925 ( labored breathing ) 516 00:27:10,997 --> 00:27:13,900 ( muffled ) HELP! HELP! 517 00:27:21,040 --> 00:27:23,175 ( horn blares ) 518 00:27:29,849 --> 00:27:33,052 I COULDN'T FIND HER ANYWHERE. SHE'S GONE? 519 00:27:33,085 --> 00:27:35,254 NO, ARIA'S NOT GONE, YOU GUYS. SHE HAS TO BE ON THE TRAIN. 520 00:27:35,287 --> 00:27:37,456 UNLESS SHE'S NOT, ANYMORE. NO. NO. 521 00:27:37,489 --> 00:27:39,458 OKAY, SHE'S STILL HERE. WE JUST HAVE TO FIND HER. 522 00:27:39,491 --> 00:27:42,294 OKAY, WHAT ABOUT ALL THAT CRAZY STUFF GARRETT TOLD YOU? 523 00:27:42,328 --> 00:27:43,763 WHAT CRAZY STUFF? 524 00:27:43,796 --> 00:27:45,031 GARRETT SAID THAT HE SAW ARIA'S DAD WITH ALI 525 00:27:45,064 --> 00:27:46,766 THE NIGHT THAT SHE WAS KILLED. 526 00:27:46,799 --> 00:27:48,968 WE HAVE TO FIND HER. AND WE BELIEVE HIM? 527 00:27:49,001 --> 00:27:50,770 WHY WOULD HE LIE TO US NOW? 528 00:27:50,803 --> 00:27:52,972 TO MESS WITH US. EVERYONE'S MESSING WITH US. 529 00:27:53,005 --> 00:27:54,974 YOU CAN GET A VARSITY LETTER MESSING WITH US. 530 00:27:55,007 --> 00:27:56,843 OKAY, BUT HE SAYS THAT HE HAS TO LEAVE TOWN, 531 00:27:56,876 --> 00:27:58,077 AND THIS IS WHAT WE NEEDED TO KNOW. 532 00:27:58,110 --> 00:27:59,345 WHY DOES HE HAVE TO GET OUT OF TOWN? 533 00:27:59,378 --> 00:28:01,981 'CAUSE HE'S AFRAID OF SOMETHING, OR SOMEONE. 534 00:28:02,014 --> 00:28:04,851 LOOK, NOBODY CAN GET OFF THE TRAIN WHILE IT'S MOVING. 535 00:28:04,884 --> 00:28:07,086 WE HAVE TO FIND ARIA BEFORE WE GET TO THE END OF THE LINE. 536 00:28:07,119 --> 00:28:09,388 YOU GUYS, "A's" ON THIS TRAIN. 537 00:28:09,421 --> 00:28:11,057 WE NEED TO FIND PAIGE AND TOBY. 538 00:28:11,090 --> 00:28:14,026 CALEB'S ON BOARD TOO. HE SURPRISED ME. 539 00:28:14,060 --> 00:28:15,161 OKAY, WELL, YOU'D BETTER WARN HIM. 540 00:28:15,194 --> 00:28:16,462 I'M GONNA KEEP ON LOOKING FOR ARIA 541 00:28:16,495 --> 00:28:18,064 AND WORK MY WAY BACK TO GARRETT. 542 00:28:26,939 --> 00:28:29,108 ( wood creaking ) 543 00:28:40,386 --> 00:28:43,890 ( muffled cries ) 544 00:28:43,923 --> 00:28:47,059 ( groans ) 545 00:28:47,093 --> 00:28:49,061 ( music playing ) 546 00:28:51,964 --> 00:28:55,935 HEY, COME HERE. WE NEED TO TALK FOR A SECOND. 547 00:28:55,968 --> 00:28:58,771 NO, SERIOUSLY. LOOK, GARRETT'S ON THE TRAIN 548 00:28:58,805 --> 00:29:01,774 AND WE CAN'T FIND ARIA. 549 00:29:01,808 --> 00:29:03,976 CALEB, COME ON. ARE YOU LISTENING TO ME? 550 00:29:04,010 --> 00:29:06,112 WE HAVE A SITUATION HERE. 551 00:29:16,355 --> 00:29:17,824 ( Hanna gasps ) 552 00:29:19,959 --> 00:29:22,294 ( gasps ) 553 00:29:22,328 --> 00:29:25,798 UGH! LET GO! STOP! 554 00:29:30,970 --> 00:29:32,404 GOOD NIGHT. Girl: THANK YOU! 555 00:29:32,438 --> 00:29:33,806 BYE. 556 00:29:41,981 --> 00:29:43,916 TED, HAVE YOU SEEN A LITTLE BLONDE GIRL? 557 00:29:43,950 --> 00:29:45,051 YEAH, I'VE SEEN A LOT OF 'EM. 558 00:29:45,084 --> 00:29:48,054 NO, SHE WAS IN THE KITCHEN. SHE WANTED TO CALL HOME. 559 00:29:48,087 --> 00:29:50,589 UH... NOBODY CAME LOOKING FOR ANYBODY. 560 00:29:50,622 --> 00:29:52,524 HM. 561 00:29:58,865 --> 00:30:03,335 ( clattering sound ) 562 00:30:07,606 --> 00:30:09,842 ( Ashley gasps ) 563 00:30:09,876 --> 00:30:11,978 DID YOU MAKE YOUR CALL? 564 00:30:12,011 --> 00:30:15,014 I CALLED MY MOTHER. SHE ANSWERED THE PHONE, 565 00:30:15,047 --> 00:30:17,183 BUT WHEN I ASKED HER TO COME AND GET ME, 566 00:30:17,216 --> 00:30:19,952 SHE GOT REALLY UPSET AND STARTED TO CRY. 567 00:30:19,986 --> 00:30:22,221 WHY IS SHE MAD AT ME? 568 00:30:22,254 --> 00:30:24,590 MAYBE YOU DIALED THE WRONG NUMBER. 569 00:30:24,623 --> 00:30:26,993 BET MY SISTER TOLD HER I RAN AWAY. 570 00:30:27,026 --> 00:30:28,594 MY SISTER'S ALWAYS TELLING LIES, 571 00:30:28,627 --> 00:30:30,196 GETTING ME IN TROUBLE. 572 00:30:30,229 --> 00:30:32,064 WE'RE SISTERS, 573 00:30:32,098 --> 00:30:35,467 BUT WE FIGHT ALL THE TIME, OVER EVERYTHING, 574 00:30:35,501 --> 00:30:37,169 EVEN OUR DOLLS. 575 00:30:38,437 --> 00:30:42,008 I THINK SHE JUST LIKES TO FIGHT. 576 00:30:42,041 --> 00:30:46,145 DO YOU THINK SHE TOLD MY MOM SOMETHING BAD ABOUT ME? 577 00:30:47,446 --> 00:30:48,881 Um... 578 00:30:48,915 --> 00:30:50,516 ( sharp gasp ) 579 00:31:01,427 --> 00:31:03,229 WAIT HERE, OKAY? 580 00:31:03,262 --> 00:31:04,430 OKAY. 581 00:31:12,438 --> 00:31:15,975 TED... CAN I SEE YOU UP HERE FOR A MOMENT? 582 00:31:16,008 --> 00:31:17,009 SURE. 583 00:31:27,553 --> 00:31:29,021 WHAT IS IT? 584 00:31:53,445 --> 00:31:56,415 ( Spencer gasps ) 585 00:31:56,448 --> 00:31:59,151 ( audibly resisting ) 586 00:32:02,554 --> 00:32:06,092 UNH! STOP! PLEASE, STOP! 587 00:32:06,125 --> 00:32:08,460 ( gasping ) 588 00:32:13,199 --> 00:32:15,267 STOP! ( gasping ) 589 00:32:15,301 --> 00:32:17,669 AAH! 590 00:32:17,703 --> 00:32:19,071 AAH! 591 00:32:21,107 --> 00:32:25,011 ( coughing ) 592 00:32:25,044 --> 00:32:26,412 NO. OH, GOD. 593 00:32:26,445 --> 00:32:29,681 ( struggling and screaming ) 594 00:32:29,715 --> 00:32:32,118 ( heavy blow lands ) 595 00:32:40,026 --> 00:32:43,095 ( Spencer gasping ) 596 00:32:52,771 --> 00:32:54,573 AAH! 597 00:32:56,108 --> 00:32:58,544 ( Spencer gasping ) 598 00:32:58,577 --> 00:33:00,612 OH, ARE YOU OKAY? WHO WAS THAT? 599 00:33:00,646 --> 00:33:02,514 I DON'T KNOW. 600 00:33:02,548 --> 00:33:04,650 YOU KNOW WHAT? STAY PUT, STAY PUT. IT'S OKAY. 601 00:33:04,683 --> 00:33:06,185 NO, NO, NO. 602 00:33:12,724 --> 00:33:15,127 ( muffled gasps ) 603 00:33:17,263 --> 00:33:20,332 ( gasping ) 604 00:33:31,343 --> 00:33:35,114 ( screaming ) 605 00:33:39,718 --> 00:33:42,020 ( gasping ) 606 00:34:02,308 --> 00:34:04,110 ( sighs ) SO YOU THINK IT'S A GOOD IDEA, 607 00:34:04,143 --> 00:34:05,411 EM TELLING PAIGE? 608 00:34:05,444 --> 00:34:07,713 SHE PRETTY MUCH KNOWS EVERYTHING ALREADY. 609 00:34:07,746 --> 00:34:10,416 WHERE'S CALEB NOW? HE'S AT THE FRONT OF THE TRAIN WITH TOBY. 610 00:34:10,449 --> 00:34:12,684 THEY'RE GONNA WORK THEIR WAY BACK LOOKING FOR ARIA. 611 00:34:12,718 --> 00:34:15,154 Okay. YOU OKAY? 612 00:34:15,187 --> 00:34:17,323 WHAT DO YOU THINK? 613 00:34:17,356 --> 00:34:19,658 YOU KNOW WHAT THAT DEVIL COSTUME MEANS, DON'T YOU? 614 00:34:19,691 --> 00:34:22,161 YEAH, THAT WE WEREN'T FOOLING ANYONE. 615 00:34:22,194 --> 00:34:25,431 ( sighs ) THEY KNEW CALEB AND I WERE SNEAKING AROUND THE WHOLE TIME. 616 00:34:26,798 --> 00:34:29,067 WHAT GARRETT SAID, DO YOU THINK THAT'S TRUE? 617 00:34:31,837 --> 00:34:32,838 I don't-- 618 00:34:32,871 --> 00:34:34,540 Wait a minute. 619 00:34:37,843 --> 00:34:39,378 IT'S A BIG GIRL. 620 00:34:39,411 --> 00:34:41,147 MAYBE IT'S NOT FOR A GIRL AT ALL. 621 00:34:43,849 --> 00:34:46,718 ARE WE GOOD? YEAH, WE'RE GOOD. 622 00:34:46,752 --> 00:34:50,156 OKAY, SO YOU GO TO THE FRONT OF THE TRAIN, MEET UP WITH CALEB AND TOBY. 623 00:34:50,189 --> 00:34:52,291 WE'RE GONNA GO BACK TO WHERE I LAST SAW GARRETT AND LOOK FROM THERE. 624 00:34:52,324 --> 00:34:53,792 'KAY. OKAY. 625 00:34:55,427 --> 00:34:56,595 PAIGE. 626 00:34:57,796 --> 00:34:59,231 THANK YOU. 627 00:34:59,265 --> 00:35:01,333 IT WAS A PLEASURE. 628 00:35:07,206 --> 00:35:10,442 ( audibly struggling ) 629 00:35:14,513 --> 00:35:18,884 ( crate shifts ) ( gasping ) 630 00:35:20,919 --> 00:35:22,888 ( Aria gasping ) 631 00:35:26,492 --> 00:35:29,395 ( dance music playing ) 632 00:35:31,830 --> 00:35:34,400 YOU LOST YOUR GIRLFRIEND? 633 00:35:34,433 --> 00:35:36,902 YOU OUGHTA KEEP BETTER TRACK OF PEOPLE AROUND HERE. 634 00:35:36,935 --> 00:35:39,571 I'M LOOKING FOR ARIA. HAVE YOU SEEN HER? 635 00:35:39,605 --> 00:35:41,707 NO, BUT SHE HAS A THING FOR AUTHORITY FIGURES, 636 00:35:41,740 --> 00:35:45,277 SO SHE'S PROBABLY UP WITH THE ENGINEER. 637 00:35:45,311 --> 00:35:46,778 ( soft chuckle ) 638 00:35:57,456 --> 00:35:59,191 ( loud scraping ) 639 00:36:01,827 --> 00:36:03,629 ( suppressed cries ) 640 00:36:08,567 --> 00:36:10,902 MALE VOICE: ( indistinct ) ...lied to me. Can't do this...! 641 00:36:12,704 --> 00:36:15,841 ( crying ) 642 00:36:34,826 --> 00:36:36,462 IT'S A DEAD END. 643 00:36:36,495 --> 00:36:38,830 WELL, THEN, WE'LL MOVE FORWARD TO FIND PAIGE AND THE BOYS. 644 00:36:38,864 --> 00:36:39,831 YEAH. 645 00:36:44,870 --> 00:36:46,338 IT'S ARIA'S NECKLACE! 646 00:36:54,846 --> 00:36:56,848 ( audibly struggling ) COME ON! 647 00:36:56,882 --> 00:36:59,851 AAAHHH! 648 00:37:01,387 --> 00:37:04,723 FEMALE VOICE: Push, damn it! MALE VOICE: No! 649 00:37:04,756 --> 00:37:08,627 ( audibly struggling ) 650 00:37:13,632 --> 00:37:14,833 MALE VOICE: I can't! 651 00:37:14,866 --> 00:37:16,335 FEMALE VOICE: Shut up! Come back here! 652 00:37:16,368 --> 00:37:19,004 ( Aria crying out ) 653 00:37:23,842 --> 00:37:24,910 FEMALE VOICE: Push! 654 00:37:28,980 --> 00:37:31,517 ( gasping and crying ) 655 00:37:33,319 --> 00:37:34,886 ( male voice groans ) 656 00:37:34,920 --> 00:37:36,888 ( gasping ) 657 00:37:36,922 --> 00:37:38,457 ( Aria screams ) 658 00:37:40,959 --> 00:37:44,596 ( screaming ) NO! NO! 659 00:37:48,400 --> 00:37:50,402 ( crying ) ARIA? 660 00:37:50,436 --> 00:37:51,870 ARIA! NO! 661 00:37:51,903 --> 00:37:53,872 HELP! 662 00:37:53,905 --> 00:37:58,844 ( Aria crying ) 663 00:37:58,877 --> 00:38:00,646 GET A HAMMER. 664 00:38:00,679 --> 00:38:02,648 HOLD ON, HOLD ON! 665 00:38:02,681 --> 00:38:05,584 ( Aria crying ) 666 00:38:14,960 --> 00:38:16,728 COME ON, COME ON, IT'S OKAY, IT'S OKAY. 667 00:38:16,762 --> 00:38:18,464 ( Aria crying ) 668 00:38:18,497 --> 00:38:20,966 OH, MY GOD. OH, MY GOD! 669 00:38:24,403 --> 00:38:25,937 ( all gasping ) 670 00:38:34,880 --> 00:38:37,883 ( sighs ) WELL, THERE'S NOBODY OUTSIDE. 671 00:38:37,916 --> 00:38:39,918 WENT ALL THE WAY AROUND THE BLOCK. 672 00:38:42,421 --> 00:38:43,922 DID YOU RECOGNIZE HER? 673 00:38:45,557 --> 00:38:46,992 WAS SHE FROM THE NEIGHBORHOOD? 674 00:38:47,025 --> 00:38:50,896 NO, I DON'T THINK SHE WAS FROM AROUND HERE. 675 00:38:50,929 --> 00:38:52,864 WELL, SHE PROBABLY JUST WENT HOME. 676 00:38:54,165 --> 00:38:56,835 SHE WAS IN HANNA'S BEDROOM. 677 00:38:56,868 --> 00:38:59,505 HOW DID SHE GET PAST US AND OUT OF THE HOUSE? 678 00:38:59,538 --> 00:39:02,508 ( sighs ) WELL, SHE'S NOT IN THE HOUSE NOW, 679 00:39:02,541 --> 00:39:05,444 SO SHE MUST HAVE GOTTEN OUT. 680 00:39:05,477 --> 00:39:07,613 SHE WAS SO COLD. 681 00:39:09,815 --> 00:39:13,018 I CAN STILL FEEL HOW COLD SHE WAS. 682 00:39:15,153 --> 00:39:17,423 DO YOU BELIEVE IN GHOSTS? 683 00:39:20,025 --> 00:39:24,896 ( sighs ) I'M NOT SUPPOSED TO. 684 00:39:38,910 --> 00:39:40,512 Mmm... about four minutes. 685 00:39:42,814 --> 00:39:44,149 Maybe a little... 686 00:39:48,554 --> 00:39:50,889 THE TROOPER SAYS THEY'RE CALLING PARENTS. 687 00:39:50,922 --> 00:39:54,159 THEY WANT TO TAKE STATEMENTS BEFORE THEY LET US GO HOME. 688 00:39:54,192 --> 00:39:57,829 WHEN MY MOM GETS HERE, NOBODY WILL BE TALKING TO ANYBODY. 689 00:39:57,863 --> 00:40:00,966 HEY, ARE YOU OKAY? 690 00:40:00,999 --> 00:40:02,501 RELATIVELY. 691 00:40:14,946 --> 00:40:16,181 ARE YOU ALL RIGHT? YEAH. 692 00:40:16,214 --> 00:40:18,049 YEAH, THEY WANTED TO TAKE ME TO THE HOSPITAL, 693 00:40:18,083 --> 00:40:19,985 BUT I WOULDN'T LET 'EM. AND, LOOK, 694 00:40:20,018 --> 00:40:20,919 I DON'T CARE WHAT GARRETT SAID ABOUT MY DAD, 695 00:40:20,952 --> 00:40:22,153 HE HAD NOTHING TO DO WITH ALI. 696 00:40:22,187 --> 00:40:24,122 WHY WOULD WE BELIEVE GARRETT FOR A MINUTE? 697 00:40:24,155 --> 00:40:25,791 OKAY, STRAIGHT ANSWER-- 698 00:40:25,824 --> 00:40:27,158 "A" KILLED GARRETT, YES OR NO? 699 00:40:27,192 --> 00:40:28,994 YES. YEAH, BUT WHY? 700 00:40:30,228 --> 00:40:34,099 THAT WAS THE WHOLE POINT. WH-WHAT POINT? 701 00:40:34,132 --> 00:40:35,767 THAT WAS WHY "A" PUSHED US TO DO THINGS 702 00:40:35,801 --> 00:40:37,035 THAT WOULD GET GARRETT CLEARED. 703 00:40:37,068 --> 00:40:40,005 YEAH, SO HE COULD GET OUT OF THAT JAIL AND "A" COULD KILL HIM? 704 00:40:40,038 --> 00:40:42,207 TWO MEMBERS OF THE N.A.T. CLUB, DEAD. 705 00:40:42,240 --> 00:40:46,077 TWO PEOPLE WHO WERE IN THAT ROOM THE NIGHT ALI WAS KILLED. 706 00:40:46,111 --> 00:40:47,946 WHAT DO WE TELL THE COPS? 707 00:40:47,979 --> 00:40:50,181 AS LITTLE AS POSSIBLE. THEY'VE ALREADY FIGURED SOMETHING OUT. 708 00:40:50,215 --> 00:40:52,884 WHAT DO YOU MEAN? LOOK AT EVERYONE IN THIS TRAIN. 709 00:40:52,918 --> 00:40:54,786 THEY DIDN'T JUST PLACE US ANYWHERE. 710 00:40:54,820 --> 00:40:57,889 EVERYONE IN THIS CAR HAS SOMETHING TO DO WITH GARRETT REYNOLDS. 711 00:40:57,923 --> 00:41:00,526 ( door opens, closes ) 712 00:41:00,559 --> 00:41:02,227 ( indistinct remarks ) 713 00:41:02,260 --> 00:41:04,696 EZRA. HONEY. HEY. 714 00:41:04,730 --> 00:41:07,833 YOU'RE OKAY. YOU'RE OKAY. 715 00:41:07,866 --> 00:41:09,535 WHAT ARE YOU DOING HERE? 716 00:41:09,568 --> 00:41:11,837 I-I-I WENT TO THE END OF THE LINE 717 00:41:11,870 --> 00:41:13,839 TO MEET THE TRAIN, SURPRISE YOU, 718 00:41:13,872 --> 00:41:16,074 AND THEY SAID SOMEBODY WAS HURT, THERE WAS TROUBLE, 719 00:41:16,107 --> 00:41:18,844 SO I-I DROVE BESIDE THE TRACKS UNTIL I FOUND YOU. 720 00:41:18,877 --> 00:41:21,613 YOU FOUND ME. 721 00:41:21,647 --> 00:41:24,516 YEAH. YEAH, I FOUND YOU. 722 00:41:24,550 --> 00:41:27,018 WHY DON'T YOU TELL THE COPS YOU DID IT 723 00:41:27,052 --> 00:41:28,720 SO THE REST OF US CAN GO HOME. 724 00:41:28,754 --> 00:41:29,921 YOU KNOW WHAT? CAN IT, NOEL. 725 00:41:29,955 --> 00:41:31,156 OH, SHUT UP, HANNA. 726 00:41:31,189 --> 00:41:32,691 NO, Y SHUT UP. 727 00:41:32,724 --> 00:41:34,660 STOP TRYING TO PULL EVERYBODY 728 00:41:34,693 --> 00:41:37,162 INTO EVERY MESS YOU BITCHES MAKE FOR YOURSELVES. 729 00:41:37,195 --> 00:41:38,997 BACK OFF. 730 00:41:39,030 --> 00:41:40,766 OR WHAT? 731 00:41:40,799 --> 00:41:42,634 YOU DON'T WANNA KNOW, NOEL! 732 00:41:42,668 --> 00:41:45,236 ( audible struggle ) 733 00:41:55,681 --> 00:41:57,649 ( all gasping ) 734 00:42:07,759 --> 00:42:08,960 ( gasps ) 735 00:42:23,341 --> 00:42:25,711 ( thunderclap )