1 00:00:00,301 --> 00:00:01,735 PREVIOUSLY ON PRETTY LITTLE LIARS. 2 00:00:02,670 --> 00:00:04,305 IS THIS WHAT YOU'RE LOOKING FOR? 3 00:00:04,305 --> 00:00:06,907 EZRA IS TAKING ON THESE BIG RESPONSIBILITIES. 4 00:00:06,907 --> 00:00:07,941 AND HE NEEDS A JOB. 5 00:00:07,941 --> 00:00:08,942 THE PARK RANGERS FOUND A BODY. 6 00:00:08,942 --> 00:00:10,444 IT WAS TOBY. 7 00:00:10,444 --> 00:00:11,879 ( sighs ) 8 00:00:11,879 --> 00:00:13,681 NO, SPENCE, IT WASN'T. 9 00:00:13,681 --> 00:00:16,884 WILL YOU JUST TELL ME THAT WHAT I SAW TONIGHT WASN'T REAL? 10 00:00:16,884 --> 00:00:18,386 PLEASE, TELL ME. 11 00:00:18,386 --> 00:00:19,687 I'M HERE TO PICK UP MALCOLM. 12 00:00:19,687 --> 00:00:21,089 YOUR FRIEND PICKED ME UP INSTEAD. 13 00:00:21,089 --> 00:00:22,590 SHE SAID HER NAME WAS ALISON. 14 00:00:22,590 --> 00:00:24,625 THEY JUST FOUND A BODY TONIGHT. WHERE? 15 00:00:24,625 --> 00:00:26,127 EXACTLY WHERE SPENCER SAID IT WAS. 16 00:00:26,127 --> 00:00:28,562 I DON'T THINK THAT I CAN DO THIS, ANYMORE. 17 00:00:28,562 --> 00:00:31,932 LOOK AT ALL THAT'S HAPPENED SINCE YOU TURNED ME DOWN ON 18 00:00:31,932 --> 00:00:33,201 OUR LITTLE DRIVE UP THE MOUNTAIN. 19 00:00:37,004 --> 00:00:38,739 ( screaming ) 20 00:00:45,846 --> 00:00:47,581 SHE KNOWS WE'RE DOWN HERE, RIGHT? 21 00:00:48,382 --> 00:00:49,683 MAYBE SHE'S JUST AS NERVOUS ABOUT 22 00:00:49,683 --> 00:00:51,385 SEEING US AS WE ARE ABOUT SEEING HER. 23 00:00:51,385 --> 00:00:52,886 GUYS, SHE'S THE EXACT SAME SPENCER 24 00:00:52,886 --> 00:00:54,688 THAT WE SAW LAST WEEK. 25 00:00:54,688 --> 00:00:57,191 NO, THE SPENCER WE SAW IN RADLEY WAS NOT THE SPENCER I KNOW. 26 00:00:57,191 --> 00:00:58,459 THAT WAS BEFORE. 27 00:01:00,060 --> 00:01:02,796 EM, WE'RE NOT JUST HERE FOR HER, WE'RE FOR YOU, TOO. 28 00:01:04,198 --> 00:01:05,866 DO WE TALK ABOUT HIM? 29 00:01:05,866 --> 00:01:07,668 DO WE BRING IT UP? 30 00:01:07,668 --> 00:01:11,305 I DON'T WANT TO SAY ANYTHING THAT COULD PUT HER BACK THERE. 31 00:01:12,773 --> 00:01:13,941 ( sighing ) 32 00:01:13,941 --> 00:01:16,009 I KNOW THAT SAID THEY FOUND TOBY, 33 00:01:16,009 --> 00:01:18,546 BUT THEY SENT THAT SECOND BODY TO THE STATE CORONER 34 00:01:18,546 --> 00:01:21,282 FOR A REASON. I MEAN, MAYBE THERE'S HOPE. 35 00:01:22,383 --> 00:01:24,585 YOU KNOW HOW I FEEL ABOUT HOPE. 36 00:01:26,487 --> 00:01:28,489 BREEDS ETERNAL MISERY. 37 00:01:30,958 --> 00:01:33,361 WE LOST TOBY A LONG TIME AGO. 38 00:01:33,361 --> 00:01:35,129 WE JUST DIDN'T KNOW IT. 39 00:01:36,330 --> 00:01:38,699 OH, YOU'VE GOT TO LOVE THE HASTINGS. 40 00:01:38,699 --> 00:01:40,701 I JUST GET RELEASED FROM A MENTAL HOSPITAL, 41 00:01:40,701 --> 00:01:44,672 AND THEY WELCOME MY FRIENDS WITH TEA AND CRUMPETS. 42 00:01:44,672 --> 00:01:46,340 WHAT'S THE DIFFERENCE BETWEEN A CRUMPET 43 00:01:46,340 --> 00:01:47,341 AND AN ENGLISH MUFFIN? 44 00:01:47,341 --> 00:01:49,210 HANNA, DOES IT MATTER? 45 00:01:49,210 --> 00:01:51,078 I'M JUST MAKING CONVERSATION. 46 00:01:51,078 --> 00:01:53,547 AN ENGLISH MUFFIN IS A BAKED BREAD. IT'S MADE OF DOUGH. 47 00:01:53,547 --> 00:01:57,918 AND A CRUMPET IS A GRIDDLE CAKE. 48 00:01:57,918 --> 00:02:00,788 IT'S MADE OF BATTER. 49 00:02:00,788 --> 00:02:01,989 HOW ARE YOU, SPENCE? 50 00:02:01,989 --> 00:02:03,257 I'M ALL RIGHT. 51 00:02:03,257 --> 00:02:04,825 YOU KNOW, YOU DON'T HAVE TO PRETEND 52 00:02:04,825 --> 00:02:06,059 TO BE OKAY FOR US. 53 00:02:06,059 --> 00:02:08,028 YEAH, IF THIS WAS THE ACT YOU HAD TO PULL OFF 54 00:02:08,028 --> 00:02:09,763 TO GET OUT OF THERE, THEN... 55 00:02:09,763 --> 00:02:12,466 DO YOU REMEMBER WHEN YOU WERE IN THE LIGHT HOUSE, EMILY? 56 00:02:12,466 --> 00:02:14,635 AND YOU HAD TO MAKE THAT CHOICE? 57 00:02:14,635 --> 00:02:16,804 IT WAS EITHER HIM OR YOU? 58 00:02:16,804 --> 00:02:20,741 I WASN'T AS STRONG AS YOU WERE. 59 00:02:20,741 --> 00:02:23,344 WHEN I SAW TOBY IN THE WOODS, 60 00:02:23,344 --> 00:02:26,647 LIKE THAT, I JUST GAVE UP. 61 00:02:26,647 --> 00:02:28,516 SO WHAT CHANGED? 62 00:02:28,516 --> 00:02:30,451 YOU SEEM LIKE YOU'RE BACK TO YOURSELF. 63 00:02:30,451 --> 00:02:33,887 I DECIDED I DIDN'T WANT TO BE VICTIM ANYMORE. 64 00:02:35,923 --> 00:02:38,359 THAT'S NOT WHO I AM. 65 00:02:39,627 --> 00:02:41,662 HERE. 66 00:02:41,662 --> 00:02:42,930 WHAT'S THIS? 67 00:02:42,930 --> 00:02:45,566 MY PARENTS TOLD ALL OF THEIR FRIENDS THAT I WENT 68 00:02:45,566 --> 00:02:47,435 TO RADLEY FOR EXHAUSTION, SO THEY WANT TO THROW 69 00:02:47,435 --> 00:02:49,002 A SOIREE TO MAKE SURE THAT EVERYBODY KNOWS THAT 70 00:02:49,002 --> 00:02:50,638 I'M ALL BETTER NOW. 71 00:02:54,242 --> 00:02:56,377 COULD REALLY USE SOME SUPPORT. 72 00:02:56,377 --> 00:02:57,845 CAN YOU GUYS PLEASE COME? 73 00:02:57,845 --> 00:02:59,480 OF COURSE. 74 00:02:59,480 --> 00:03:00,614 SURE. YEAH, YOU KNOW 75 00:03:00,614 --> 00:03:03,517 WE'D DO ANYTHING FOR YOU. 76 00:03:03,517 --> 00:03:06,620 I'M COUNTING ON THAT. 77 00:03:06,620 --> 00:03:09,690 ( loud rock music playing ) 78 00:03:12,993 --> 00:03:18,799 * I'M GOING TO SEND YOU THE DEVIL'S LOVE SONG * 79 00:03:18,799 --> 00:03:24,305 * I'M GOING TO BREAK THE NEWS TO YOU MY LOVE * 80 00:03:24,305 --> 00:03:30,378 * I'M GOING TO SEND YOU THE DEVIL'S LOVE SONG * 81 00:03:35,483 --> 00:03:41,088 * YOU'RE GOING TO LEARN TO PLAY THE DEVIL'S LOVE SONG * 82 00:03:41,088 --> 00:03:46,927 * I'M GOING TO SING IT TO YOU GIRLS AND BOYS * 83 00:03:46,927 --> 00:03:51,399 * YOU'RE GOING TO LEARN TO PLAY THE DEVIL'S LOVE SONG * 84 00:03:52,800 --> 00:03:56,804 WE LIKE YOUR PLAN. YOU'LL GET YOUR REWARD FRIDAY. 85 00:04:10,551 --> 00:04:11,819 * GOT A SECRET, CAN YOU KEEP * 86 00:04:12,786 --> 00:04:15,155 * IT'S WHERE THIS ONE YOU SAVE * 87 00:04:15,155 --> 00:04:17,591 * GOT A LOCKET, IN YOUR POCKET * 88 00:04:17,591 --> 00:04:20,394 * TAKING THIS ONE TO THE GRAVE * 89 00:04:20,394 --> 00:04:22,596 * EVER SHOW YOU THAT I KNOW YOU * 90 00:04:22,596 --> 00:04:24,865 * WON'T TELL WHAT I SAID 91 00:04:24,865 --> 00:04:27,668 * 'CAUSE TWO CAN KEEP A SECRET * 92 00:04:27,668 --> 00:04:30,438 * IF ONE OF THEM IS DEAD 93 00:04:32,840 --> 00:04:34,675 Spencer: DID MALCOLM TELL YOU WHAT SHE LOOKED LIKE? 94 00:04:34,675 --> 00:04:36,477 NO, HE JUST SAID SHE WAS A FRIEND OF MINE, 95 00:04:36,477 --> 00:04:37,945 AND HER NAME WAS ALISON. THAT'S ALL I KNOW. 96 00:04:37,945 --> 00:04:39,980 WELL, LOOK--YOU HAVE TO TALK TO HIM, FIND OUT MORE. 97 00:04:39,980 --> 00:04:43,517 YEAH, LIKE DID SHE HAVE DARK HAIR, HORNS, AND A TAIL? 98 00:04:43,517 --> 00:04:47,321 GUYS, NO, WE ARE NOT USING MALCOLM TO GET TO MONA. 99 00:04:47,321 --> 00:04:48,589 YOU KNOW, THE LAST TIME I SAW EZRA 100 00:04:48,589 --> 00:04:50,223 I COULD HARDLY FACE HIM. 101 00:04:50,223 --> 00:04:51,959 ALL WE HAVE TO DO IS SHOW MONA'S PICTURE TO THE KID. 102 00:04:51,959 --> 00:04:53,794 HE'LL CONFIRM THAT MONA TOOK HIM AND THE COPS WILL 103 00:04:53,794 --> 00:04:56,029 TAKE OUR LULU HEAD BACK TO THE NUT FARM. 104 00:04:57,365 --> 00:04:59,232 HANNA. 105 00:04:59,232 --> 00:05:01,502 SORRY, SPENCE. MY BAD. 106 00:05:02,703 --> 00:05:04,438 I DON'T KNOW, IT SEEMS LIKE A REALLY 107 00:05:04,438 --> 00:05:05,706 BOLD MOVE FOR MONA. 108 00:05:05,706 --> 00:05:08,576 THE RISK BEING SEEN LIKE THAT? 109 00:05:08,576 --> 00:05:10,578 WHAT ARE YOU SAYING, SPENCE? 110 00:05:10,578 --> 00:05:11,979 IT FEELS DESPERATE. 111 00:05:11,979 --> 00:05:13,981 LIKE MAYBE SHE'S TRYING TO GET CAUGHT. 112 00:05:13,981 --> 00:05:17,351 OKAY, WELL, MALCOLM IS OFF LIMITS, OKAY? 113 00:05:17,351 --> 00:05:19,319 GOTTA GET TO CLASS. 114 00:05:23,524 --> 00:05:25,292 I CAN USE SOME EXTRA MONEY. 115 00:05:25,292 --> 00:05:26,827 DID YOU NOT JUST HEAR ARIA? 116 00:05:26,827 --> 00:05:29,363 EM, KIDS LOVE ME. I'LL MAKE A GAME OUT OF IT. 117 00:05:29,363 --> 00:05:31,732 Shana: HEY, EMILY. HEY. 118 00:05:31,732 --> 00:05:33,100 WHAT-UH-WHAT ARE YOU DOING HERE? 119 00:05:33,100 --> 00:05:34,635 OUR COACH ARRANGED FOR US TO PRACTICE 120 00:05:34,635 --> 00:05:36,003 HERE THIS MORNING. 121 00:05:36,003 --> 00:05:39,072 BUT I SAY IF IT'S WATER, IT'S WET, RIGHT? 122 00:05:39,072 --> 00:05:41,274 A POOL'S A POOL. 123 00:05:41,274 --> 00:05:43,477 I DON'T THINK WE'VE MET. 124 00:05:43,477 --> 00:05:47,247 UH, SHANA, THIS IS SPENCER. 125 00:05:47,247 --> 00:05:48,782 UH, YOU SWIM FOR OAKWOOD? 126 00:05:48,782 --> 00:05:51,619 AMONGST OTHER THINGS. WILL YOU BE AT THE MEET? 127 00:05:51,619 --> 00:05:53,353 YEAH. WOULDN'T MISS IT. 128 00:05:53,353 --> 00:05:56,356 I'LL LOOK FOR YOU. GOOD LUCK, EMILY. 129 00:05:56,356 --> 00:05:58,559 YOU, TOO. 130 00:05:58,559 --> 00:06:00,027 ( sighing ) 131 00:06:01,094 --> 00:06:03,330 I HATE HER. WHY? 132 00:06:03,330 --> 00:06:07,067 BECAUSE SHE FLIRTS WITH EVERYONE BUT ME. 133 00:06:07,067 --> 00:06:08,335 SHANA'S BAD NEWS. 134 00:06:08,335 --> 00:06:10,871 WHEREVER SHE GOES, TROUBLE FOLLOWS. 135 00:06:11,939 --> 00:06:13,807 ( bell rings ) 136 00:06:16,610 --> 00:06:19,279 WELL, IT WAS GREAT SEEING YOU. 137 00:06:19,279 --> 00:06:20,514 TAKE CARE. 138 00:06:22,550 --> 00:06:24,952 HEY. HEY. 139 00:06:24,952 --> 00:06:27,788 DID YOU HAVE ANOTHER INTERVIEW? 140 00:06:27,788 --> 00:06:30,290 YEAH, THEY CALLED THIS MORNING. 141 00:06:30,290 --> 00:06:31,859 WELL, THAT'S GOOD. 142 00:06:31,859 --> 00:06:33,126 PROBABLY MEANS THAT THEY'RE INTERESTED 143 00:06:33,126 --> 00:06:34,862 IN HAVING YOU BACK. 144 00:06:34,862 --> 00:06:38,398 I DON'T THINK IT'S GOING TO WORK OUT FOR ME. 145 00:06:38,398 --> 00:06:40,167 OH, I'M SORRY. 146 00:06:56,917 --> 00:07:00,821 YOU SAID YOU WERE GOING TO MAKE IT ALL GO AWAY. 147 00:07:00,821 --> 00:07:03,957 I'M WORRIED THAT THE POLICE HAVE EVIDENCE. 148 00:07:05,793 --> 00:07:07,961 LOOK, I NEED TO SEE YOU TODAY. 149 00:07:20,941 --> 00:07:22,710 ( phone beeps ) 150 00:07:25,879 --> 00:07:29,082 I'VE GOT TO GO. BYE. 151 00:07:42,129 --> 00:07:44,164 I JUST GOT OFF THE PHONE WITH YOUR MOM. 152 00:07:44,164 --> 00:07:46,634 DID YOU KNOW THAT EZRA WAS APPLYING FOR 153 00:07:46,634 --> 00:07:48,068 A TEACHING JOB AT ROSEWOOD HIGH? 154 00:07:48,068 --> 00:07:51,171 YEAH, HE APPLIED FOR A JOB SUBBING IN THE DISTRICT. 155 00:07:51,171 --> 00:07:54,675 LISTEN, YOUR MOM AND I RECOGNIZE THAT EZRA 156 00:07:54,675 --> 00:07:56,443 NEEDS TO FIND A WAY TO SUPPORT HIS SON. 157 00:07:56,443 --> 00:07:59,813 BUT HE CANNOT TEACH IN ROSEWOOD IF YOU TWO ARE STILL SEEING EACH OTHER. 158 00:07:59,813 --> 00:08:01,281 YOUR LEAVING US NO CHOICE-- 159 00:08:01,281 --> 00:08:05,786 DAD, SLOW DOWN, OKAY. HE'S NOT GETTING THE JOB. 160 00:08:05,786 --> 00:08:08,055 HE WAS OFFERED THE POSITION THIS MORNING, ARIA. 161 00:08:09,657 --> 00:08:12,660 EZRA ASKED FOR THE DAY TO DECIDE IF HE WANTS TO TAKE IT. 162 00:08:17,097 --> 00:08:20,601 SO, ARIA DIDN'T TELL ME THAT YOU WERE INTERESTED IN THE JOB. 163 00:08:20,601 --> 00:08:22,335 OH, WELL, I DIDN'T TELL HER BECAUSE I DIDN'T WANT 164 00:08:22,335 --> 00:08:25,172 TO FEEL PRESSURED IF YOU GAVE ME THE GIG. AHH. 165 00:08:25,172 --> 00:08:26,674 THANK YOU. 166 00:08:26,674 --> 00:08:29,176 SO, MALCOLM'S SEVEN, RIGHT? MM-HMM. 167 00:08:29,176 --> 00:08:32,212 WHAT'S HE INTO? FAST CARS AND FAST GIRLS? 168 00:08:34,114 --> 00:08:37,785 IT'S A JOKE. HE'S INTO TRAINS. 169 00:08:37,785 --> 00:08:41,021 OH! WELL, ALL ABOARD THE HANNA EXPRESS. ( laughs ) 170 00:08:43,056 --> 00:08:46,627 UM, DO YOU HAVE A RESUME, OR ANYTHING? 171 00:08:46,627 --> 00:08:48,996 HONESTLY, I HAVEN'T BABY SAT SINCE I WAS 15. 172 00:08:48,996 --> 00:08:51,531 BUT MY MOM'S IN NEW YORK, CALEB'S OUT OF TOWN, 173 00:08:51,531 --> 00:08:52,800 SO, I HAVE A LOT OF TIME TO KILL. 174 00:08:52,800 --> 00:08:55,535 AND I COULD USE THE EXTRA MONEY. 175 00:08:55,535 --> 00:08:58,338 OKAY. I HAVE AN APPOINTMENT TONIGHT, 176 00:08:58,338 --> 00:09:00,841 SO, IF YOU'RE FREE, 177 00:09:00,841 --> 00:09:02,843 WE CAN GIVE IT A TEST RUN. 178 00:09:02,843 --> 00:09:04,544 SEE IF IT'S A GOOD FIT. 179 00:09:04,544 --> 00:09:06,179 WELL, IT WILL BE, PROMISE. 180 00:09:06,179 --> 00:09:08,315 ( imitates train whistle ) ( laughs ) 181 00:09:28,068 --> 00:09:30,003 I'VE MISSED YOU. 182 00:09:31,471 --> 00:09:33,340 ( aircraft drone ) 183 00:09:34,742 --> 00:09:37,044 THEY'LL ALL BE TOGETHER THIS FRIDAY. 184 00:09:37,044 --> 00:09:39,046 YOU KNOW WHAT YOU NEED TO DO. 185 00:09:39,046 --> 00:09:43,583 Shana: YEAH. WHAT DID THE DOCTOR SAY ABOUT YOUR EYES? 186 00:09:43,583 --> 00:09:46,887 UM, I'LL HAVE GOOD DAYS AND BAD DAYS. 187 00:09:46,887 --> 00:09:50,357 EVENTUALLY THEY'LL ALL BE BAD. 188 00:09:58,498 --> 00:10:00,367 ON YOUR DARKEST DAYS, 189 00:10:00,367 --> 00:10:02,269 YOU KNOW I'LL BE HERE FOR YOU. 190 00:10:10,277 --> 00:10:11,979 Ezra: HEY. 191 00:10:19,252 --> 00:10:20,220 IS EVERYTHING OKAY? 192 00:10:22,055 --> 00:10:25,092 WHY DIDN'T YOU TELL ME THAT THEY OFFERED YOU THE JOB? 193 00:10:26,994 --> 00:10:29,196 'CAUSE I DON'T THINK I'M GOING TO TAKE IT. 194 00:10:29,196 --> 00:10:32,565 AND I DIDN'T THINK YOU SHOULD SHARE IN THE BURDEN OF THAT DECISION. 195 00:10:32,565 --> 00:10:35,168 YOU NEED A JOB, EZRA. YEAH, 196 00:10:35,168 --> 00:10:37,370 BUT YOU KNOW WHAT WOULD HAPPEN TO US IF I END UP 197 00:10:37,370 --> 00:10:39,807 BACK AT ROSEWOOD. 198 00:10:39,807 --> 00:10:43,143 THINGS ARE DIFFERENT NOW. PEOPLE KNOW ABOUT US. 199 00:10:43,143 --> 00:10:45,946 HEY, DON'T--DON'T CRY. DON'T CRY. 200 00:10:45,946 --> 00:10:48,816 WE'RE OKAY. NO, WE'RE NOT. 201 00:10:50,784 --> 00:10:54,087 NOTHING ABOUT US FEELS RIGHT ANYMORE. 202 00:10:57,157 --> 00:10:59,059 I'M SORRY. 203 00:10:59,059 --> 00:11:02,095 IT'S NOT YOUR FAULT. I WANT TO FIX THIS. 204 00:11:02,095 --> 00:11:03,096 I KNOW. 205 00:11:03,096 --> 00:11:06,633 I KNOW, BUT YOU CAN'T. 206 00:11:06,633 --> 00:11:10,103 OKAY, WE'VE BEEN CHASING AFTER WHAT WE USED TO HAVE 207 00:11:10,103 --> 00:11:14,441 EVER SINCE YOU FOUND OUT ABOUT MALCOLM, BUT... 208 00:11:14,441 --> 00:11:16,376 I JUST DON'T-- 209 00:11:16,376 --> 00:11:19,279 I DON'T THINK THAT WE CAN EVER GET THAT BACK. 210 00:11:23,216 --> 00:11:27,454 THINGS AREN'T EASY, BUT THEY CAN STILL BE GOOD. 211 00:11:27,454 --> 00:11:29,256 IT SHOULDN'T BE THIS HARD. 212 00:11:33,794 --> 00:11:37,297 IF YOU'RE NOT HAPPY ANYMORE... 213 00:11:40,067 --> 00:11:42,335 YOU KNOW, THAT'S WHAT MATTERS MOST TO ME. 214 00:11:46,206 --> 00:11:49,743 HEY, I LOVE YOU JUST AS MUCH AS I ALWAYS HAVE. 215 00:11:51,078 --> 00:11:54,147 AND THAT'S WHY I WANT YOU TO TAKE THIS JOB. 216 00:12:02,255 --> 00:12:04,892 ARIA, WAIT, WAIT. ( clears throat ) 217 00:12:08,896 --> 00:12:10,230 I LOVE YOU. 218 00:12:12,565 --> 00:12:14,401 ( sighs ) 219 00:12:26,947 --> 00:12:29,749 * SO FULL SO EMPTY STILL 220 00:12:29,749 --> 00:12:34,221 * YOU LEAVE ME WANTING 221 00:12:35,255 --> 00:12:37,624 * OH TELL WHERE'D YOU GO 222 00:12:37,624 --> 00:12:40,327 * DON'T BE INVISIBLE 223 00:12:40,327 --> 00:12:41,995 EVENING, MA'AM. 224 00:12:45,765 --> 00:12:48,468 * SAVE ME 225 00:12:48,468 --> 00:12:52,439 * GO ON BREAK 226 00:12:52,439 --> 00:12:56,443 * THE GLASS 227 00:12:56,443 --> 00:12:59,212 * TAKE ME 228 00:12:59,212 --> 00:13:01,248 * 229 00:13:08,121 --> 00:13:10,390 IT'S SEAT YOURSELF, PRETTY EYES. 230 00:13:16,729 --> 00:13:19,232 * I'M NOWHERE ELSE TO GO 231 00:13:19,232 --> 00:13:23,403 * I'M NOWHERE ELSE TO GO 232 00:13:42,022 --> 00:13:44,091 HANNA GOT THE JOB. 233 00:13:46,726 --> 00:13:48,395 I KNOW. 234 00:13:54,567 --> 00:13:56,069 SPENCER. 235 00:13:56,069 --> 00:13:58,872 WHEN I WAS IN RADLEY, 236 00:13:58,872 --> 00:14:00,908 MONA TOLD ME THAT YOU WERE ALIVE. 237 00:14:01,975 --> 00:14:04,912 I WANTED TO BELIEVE HER, BUT UNTIL NOW... 238 00:14:06,746 --> 00:14:09,682 BACK IN THE WOODS, 239 00:14:09,682 --> 00:14:11,118 WAS THAT YOU? 240 00:14:12,619 --> 00:14:14,221 WERE YOU A PART OF IT? 241 00:14:15,022 --> 00:14:16,389 MONA TOLD ME AFTER. 242 00:14:16,389 --> 00:14:19,126 AND YOU LET ME BELIEVE THAT YOU WERE DEAD? 243 00:14:20,560 --> 00:14:24,631 EVERYTHING I'VE DONE, WAS SO I COULD PROTECT YOU. 244 00:14:25,798 --> 00:14:28,401 I WANT TO BELIEVE THAT. 245 00:14:28,401 --> 00:14:30,904 LET ME TAKE YOU SOMEWHERE SAFE. 246 00:14:33,740 --> 00:14:35,775 DOES MONA KNOW YOU'RE HERE? 247 00:14:35,775 --> 00:14:37,310 NO. 248 00:14:39,146 --> 00:14:42,482 SHE TOLD ME YOU'D BE THERE FRIDAY. 249 00:14:42,482 --> 00:14:46,519 THAT YOU'D BE MY REWARD FOR DELIVERING THE GIRLS. 250 00:14:49,089 --> 00:14:51,992 HOW'D YOU FIND ME? 251 00:14:51,992 --> 00:14:53,994 SHE LEFT ME ALONE IN HER LAIR. 252 00:14:56,296 --> 00:14:59,032 I KIDNAPPED A SEVEN-YEAR-OLD. 253 00:15:00,968 --> 00:15:04,737 I'M THE REASON THAT ARIA AND EZRA BROKE UP. 254 00:15:04,737 --> 00:15:06,406 SO, I'VE EARNED HER TRUST. 255 00:15:07,574 --> 00:15:09,642 IT'S NOT SAFE FOR YOU TO BE HERE. 256 00:15:09,642 --> 00:15:13,813 I STOPPED WORRYING ABOUT ME A LONG TIME AGO. 257 00:15:13,813 --> 00:15:16,416 WHAT WE HAD WAS REAL. 258 00:15:16,416 --> 00:15:18,285 I'VE BEEN PRETENDING TO WORK WITH MONA 259 00:15:18,285 --> 00:15:20,853 SO I COULD KEEP YOU SAFE. 260 00:15:20,853 --> 00:15:23,623 I NEED YOU TO BELIEVE ME. 261 00:15:27,394 --> 00:15:30,063 AND I NEED YOU TO FOLLOW ME. 262 00:15:45,178 --> 00:15:47,280 ( television cartoon playing ) 263 00:15:48,248 --> 00:15:50,717 Hanna: DO WANT TO PLAY A GAME? 264 00:15:50,717 --> 00:15:52,152 COME ON, IT'LL BE FUN. 265 00:15:52,152 --> 00:15:54,754 MY DAD SAID I CAN WATCH CARTOONS. 266 00:15:54,754 --> 00:15:57,490 Hanna: FINE. 267 00:15:57,490 --> 00:16:00,393 BUT YOU SHOULD KNOW THAT WATCHING TV ROTS YOUR BRAIN. 268 00:16:01,761 --> 00:16:04,664 IT'S YOUR CHOICE IF YOU WANT TO GROW UP TO BE STUPID. 269 00:16:06,399 --> 00:16:08,301 JUST SAYIN'. 270 00:16:11,904 --> 00:16:13,473 OKAY, LET'S PLAY "GUESS WHO." 271 00:16:13,473 --> 00:16:14,941 I'LL SHOW YOU A PICTURE OF A PERSON, 272 00:16:14,941 --> 00:16:18,645 AND YOU TELL ME IF YOU KNOW THEM. OKAY. 273 00:16:20,647 --> 00:16:22,215 THAT'S ARIA. 274 00:16:22,215 --> 00:16:24,117 SEE. YOU'RE GOOD AT THIS. 275 00:16:24,117 --> 00:16:25,718 OKAY. 276 00:16:25,718 --> 00:16:27,654 DO YOU KNOW HER? 277 00:16:29,189 --> 00:16:30,990 SHE DIDN'T TAKE YOU TO THE CARNIVAL? 278 00:16:30,990 --> 00:16:33,660 I WENT WITH ARIA'S FRIEND, ALISON. 279 00:16:36,763 --> 00:16:38,731 IS THIS ALISON? NOPE. 280 00:16:38,731 --> 00:16:42,035 WHAT ABOUT THIS? NOPE. 281 00:16:45,338 --> 00:16:49,576 WHAT ABOUT THIS PERSON? THAT'S A BOY. 282 00:16:51,844 --> 00:16:53,946 I AM GOING TO GO CALL MY FRIEND REALLY QUICK. 283 00:16:53,946 --> 00:16:56,649 CAN I PLAY A GAME ON YOUR PHONE? 284 00:16:56,649 --> 00:16:58,785 SURE. 285 00:17:08,628 --> 00:17:09,996 ( phone ringing ) 286 00:17:09,996 --> 00:17:11,131 Emily: HEY. 287 00:17:11,131 --> 00:17:12,499 I STRUCK OUT. 288 00:17:12,499 --> 00:17:15,702 HE'S SEVEN. MAYBE HE'S CONFUSED. 289 00:17:15,702 --> 00:17:17,204 ( knocking on window ) 290 00:17:17,204 --> 00:17:20,540 HANNA. I GOTTA CALL YOU BACK. 291 00:17:37,690 --> 00:17:39,559 I DON'T UNDERSTAND, THEY HAVE THE TAPES AND THAT CAN'T-- 292 00:17:39,559 --> 00:17:41,328 NO, I DO UNDERSTAND, BUT THOSE BITCHES 293 00:17:41,328 --> 00:17:42,462 ARE GOING TO BE AT THE LODGE AT NINE. 294 00:17:42,462 --> 00:17:44,731 DO YOU UNDERSTAND? YES, I DO. 295 00:17:50,803 --> 00:17:52,805 ( indistinct whispering ) 296 00:18:04,484 --> 00:18:06,686 DOESN'T LOOK LIKE ANYBODY LIVES HERE. 297 00:18:08,321 --> 00:18:11,558 I SHUFFLE BETWEEN A FEW MOTELS. 298 00:18:11,558 --> 00:18:13,793 MONA DOESN'T KNOW ABOUT THIS ONE. 299 00:18:21,334 --> 00:18:23,636 AND RED COAT? 300 00:18:23,636 --> 00:18:28,175 THE ONLY THING I KNOW ABOUT RED COAT IS THAT SHE'S IN CHARGE. 301 00:18:32,145 --> 00:18:33,713 I KNOW. 302 00:18:37,284 --> 00:18:38,951 YOU STILL DON'T TRUST ME. 303 00:18:38,951 --> 00:18:45,225 LOOK, I UNDERSTAND WHY YOU'VE BEEN HELPING MONA. 304 00:18:46,259 --> 00:18:47,827 I MADE THE SAME DECISION. 305 00:18:49,462 --> 00:18:51,998 BUT IF I SAW YOU HURTING, 306 00:18:51,998 --> 00:18:54,434 THE WAY I KNOW YOU SAW ME... 307 00:19:02,942 --> 00:19:05,345 ( scoffs ) 308 00:19:09,216 --> 00:19:10,483 TOBY. 309 00:19:55,462 --> 00:19:57,764 NO WONDER I WAS A FAT KID. 310 00:19:57,764 --> 00:19:59,632 WHEN MY DAD CHEATED ON MY MOM AND LEFT US TO 311 00:19:59,632 --> 00:20:01,934 START A NEW FAMILY, I HAD A BOX OF THESE A NIGHT. 312 00:20:01,934 --> 00:20:03,603 ( phone beeping ) BUT I WOULD GET SOME PEANUT 313 00:20:03,603 --> 00:20:06,406 BUTTER AND THAT FROSTING IN A CAN AND HAVE A PARTY. 314 00:20:06,406 --> 00:20:09,809 ALISON'S RIGHT HERE. 315 00:20:09,809 --> 00:20:10,543 WHAT? 316 00:20:10,543 --> 00:20:12,645 SHE'S IN THIS PICTURE. 317 00:20:14,514 --> 00:20:17,083 I DON'T REMEMBER THAT. 318 00:20:17,083 --> 00:20:20,520 IT JUST POPPED UP. 319 00:20:20,520 --> 00:20:22,855 THAT CAN'T BE WHO YOU SAW. 320 00:20:22,855 --> 00:20:25,558 THAT'S ARIA'S FRIEND, ALISON. 321 00:20:27,494 --> 00:20:29,362 NO, MALCOLM, THAT GIRL'S-- 322 00:20:29,362 --> 00:20:30,630 I REMEMBER HER PRETTY HAIR. 323 00:20:30,630 --> 00:20:33,733 THAT'S HER, HANNA. WITH THE BLUE SHIRT. 324 00:20:44,677 --> 00:20:45,678 THAT'S ALISON. I MEAN, 325 00:20:46,713 --> 00:20:48,281 HE SAID SHE WAS THE GIRL IN THE BLUE SHIRT. 326 00:20:48,281 --> 00:20:50,383 THIS IS CRAZY. 327 00:20:50,383 --> 00:20:51,884 AND YOU'RE SAYING, THAT SHANA KNOWS JENNA. 328 00:20:51,884 --> 00:20:54,186 AND THAT THE BOTH OF THEM ARE MEETING UP WITH MELISSA? 329 00:20:54,186 --> 00:20:55,688 THIS IS CRAZIER THAN CRAZY. 330 00:20:55,688 --> 00:20:57,223 I MEAN, RADLEY'S LOOKING BETTER EVERY DAY. 331 00:20:57,223 --> 00:20:58,391 I'M ACTUALLY READY TO CHECK IN. 332 00:20:58,391 --> 00:20:59,692 WE'RE GOING TO FIGURE IT OUT. 333 00:20:59,692 --> 00:21:01,461 I'VE ALREADY GOT IT FIGURED OUT. 334 00:21:01,461 --> 00:21:03,330 SPENCER'S PART OF THE A-TEAM. GAME OVER. 335 00:21:03,330 --> 00:21:05,365 TODAY IT'S ME AND EZRA. TOMORROW IT'LL BE YOU AND CALEB. 336 00:21:05,365 --> 00:21:06,733 AND THEN IT'S GOING TO BE YOUR TURN EMILY, 337 00:21:06,733 --> 00:21:08,868 SO GET READY TO SAY GOODBYE TO PAIGE, 338 00:21:08,868 --> 00:21:10,870 'CAUSE I PROMISE YOU, A'S GOING TO TAKE HER FROM YOU. 339 00:21:11,938 --> 00:21:13,540 WHY WOULD SPENCER DO THIS TO US? 340 00:21:13,540 --> 00:21:15,241 GUYS, I DON'T BELIEVE FOR ONE SECOND 341 00:21:15,241 --> 00:21:16,509 THAT SPENCER'S ON THE A-TEAM. 342 00:21:16,509 --> 00:21:17,877 OKAY, IF SHE IS WORKING WITH MONA 343 00:21:17,877 --> 00:21:19,746 THEN THERE HAS TO BE MORE TO THE STORY. 344 00:21:19,746 --> 00:21:22,214 WE DON'T KNOW WHAT HAPPENED IN RADLEY. BUT SPENCER WENT IN 345 00:21:22,214 --> 00:21:25,652 THERE AT ROCK BOTTOM. AND SHE CAME OUT LIKE A SHINY NEW PENNY. 346 00:21:25,652 --> 00:21:27,954 ARE YOU THINKING SHOCK TREATMENT? 347 00:21:30,156 --> 00:21:34,427 NO. NO, I'M SAYING THAT MONA SPENT A LOT OF TIME IN RADLEY. 348 00:21:34,427 --> 00:21:35,862 AND MAYBE SHE MADE SOME FRIENDS. 349 00:21:35,862 --> 00:21:37,497 AND MAYBE SPENCER TALKED TO SOME OF THOSE FRIENDS. 350 00:21:37,497 --> 00:21:39,432 MONA ASKED SPENCER TO JOIN THE A-TEAM 351 00:21:39,432 --> 00:21:41,568 ON THE NIGHT OF THE MASQUERADE BALL. 352 00:21:41,568 --> 00:21:42,969 DID SPENCER FINALLY TAKE HER UP ON IT? 353 00:21:42,969 --> 00:21:45,171 YEAH, BUT WHY NOW? THERE'S A WAY TO PROVE 354 00:21:45,171 --> 00:21:46,739 THAT SPENCER'S STILL WITH US, 355 00:21:46,739 --> 00:21:49,409 AND IF MONA'S WATCHING, IT WON'T PUT SPENCER AT RISK. 356 00:21:54,113 --> 00:21:55,782 ( dance music starts playing ) 357 00:21:55,782 --> 00:21:58,885 REALLY, HANNA? YOU'RE IN THE MOOD FOR A DANCE PARTY? 358 00:21:58,885 --> 00:22:03,556 LOOK, A WAS EVERYWHERE BEFORE SPENCER JOINED THE A-TEAM. 359 00:22:03,556 --> 00:22:05,958 DO YOU REALLY THINK WE'RE MEETING IN SECRET? 360 00:22:13,032 --> 00:22:20,807 Lana del Rey: * I'VE BEEN OUT ON THAT OPEN ROAD * 361 00:22:20,807 --> 00:22:23,710 * YOU CAN BE MY FULL-TIME DADDY * 362 00:22:23,710 --> 00:22:26,913 * WHITE AND GOLD 363 00:22:30,583 --> 00:22:36,122 * SINGING BLUES HAS BEEN GETTIN' OLD * 364 00:22:38,825 --> 00:22:41,928 * YOU CAN BE MY FULL-TIME BABY * 365 00:22:41,928 --> 00:22:44,797 * HOT OR COLD 366 00:22:45,998 --> 00:22:50,770 * DON'T BREAK ME DOWN 367 00:22:50,770 --> 00:22:56,342 * I'VE BEEN DRIVIN' TOO LONG 368 00:22:56,342 --> 00:23:00,913 * WITH ONE PRETTY SONG 369 00:23:03,616 --> 00:23:07,420 * I HEAR THE BIRDS ON THE SUMMER BREEZE * 370 00:23:07,420 --> 00:23:12,391 * I DRIVE FAST, I AM ALONE IN THE NIGHT * 371 00:23:13,826 --> 00:23:17,730 * BEEN TRYIN' HARD NOT TO GET INTO TROUBLE * 372 00:23:17,730 --> 00:23:22,201 * BUT I, I'VE GOT A WAR IN MY MIND * 373 00:23:22,201 --> 00:23:27,974 * SO, I JUST RIDE 374 00:23:27,974 --> 00:23:33,145 * JUST RIDE 375 00:23:33,145 --> 00:23:38,117 * I JUST RIDE 376 00:23:38,117 --> 00:23:43,956 * I JUST RIDE 377 00:23:45,458 --> 00:23:47,527 ( soft music playing ) 378 00:23:52,865 --> 00:23:54,801 ARIA. 379 00:23:58,671 --> 00:24:00,840 I TOOK THE JOB. 380 00:24:05,778 --> 00:24:07,914 YOU REMEMBER WHAT YOU SAID AT ALI'S FUNERAL? 381 00:24:11,083 --> 00:24:14,020 YOU WERE RIGHT. THERE NEVER WAS A HAPPY ENDING FOR US. 382 00:24:18,090 --> 00:24:21,227 YOU KNOW, THIS DOESN'T HAVE TO BE FOREVER. 383 00:24:21,227 --> 00:24:22,729 YOU'RE GRADUATING IN SEVEN MONTHS. 384 00:24:22,729 --> 00:24:25,632 AND I WISH THAT I COULD HOLD ONTO THAT. 385 00:24:25,632 --> 00:24:26,766 BUT, IT'S TOO HARD. 386 00:24:29,869 --> 00:24:32,138 I NEED TO MOVE ON, AND SO DO YOU. 387 00:24:40,046 --> 00:24:42,081 BYE, EZRA. 388 00:25:17,584 --> 00:25:19,786 ( crowd cheering ) ( announcer indistinct ) 389 00:25:29,161 --> 00:25:31,163 Announcer: AND WHAT A WIN FOR THE RED DEVILS! 390 00:27:08,861 --> 00:27:10,329 WHAT IS THIS? 391 00:27:10,329 --> 00:27:12,832 YOU FOLLOWED ME HERE, THAT MEANS YOU DON'T 392 00:27:12,832 --> 00:27:14,033 KNOW WHO SHE IS, EITHER. 393 00:27:15,802 --> 00:27:17,003 AND IF YOU DON'T KNOW WHO SHE IS, 394 00:27:17,003 --> 00:27:19,138 THAT MEANS YOU'RE STILL ONE OF US. 395 00:27:26,345 --> 00:27:27,947 Aria: LOOK, SPENCE, WHATEVER IT IS, 396 00:27:27,947 --> 00:27:29,415 NO MATTER HOW DEEP YOU'RE INTO THIS, 397 00:27:29,415 --> 00:27:31,884 YOU KNOW THAT YOU CAN TELL US THE TRUTH, RIGHT? 398 00:27:31,884 --> 00:27:33,753 WE WANT TO HELP YOU. 399 00:27:40,592 --> 00:27:44,163 MONA CAME TO SEE ME AT RADLEY. 400 00:27:44,163 --> 00:27:47,099 AND WHEN I FOUND TOBY IN THE WOODS, 401 00:27:47,099 --> 00:27:48,868 SHE'D PLANNED THE WHOLE THING. 402 00:27:48,868 --> 00:27:50,269 SHE WANTED TO BREAK ME SO THAT SHE COULD 403 00:27:50,269 --> 00:27:53,039 PUT ME BACK TOGETHER. LIKE HER OWN HUMPTY DUMPTY. 404 00:27:53,039 --> 00:27:55,641 SO, MONA MADE YOU AN OFFER YOU COULDN'T REFUSE? 405 00:27:55,641 --> 00:27:59,011 SHE TOLD ME THAT TOBY WAS STILL ALIVE. 406 00:27:59,011 --> 00:28:00,379 Emily: TOBY'S ALIVE? 407 00:28:00,379 --> 00:28:02,214 AND IT'S TRUE. 408 00:28:03,816 --> 00:28:06,018 IT'S TRUE, HE'S BEEN WORKING WITH MONA BECAUSE 409 00:28:06,018 --> 00:28:08,020 HE FOUND OUT ABOUT RED COAT AND MONA'S THE ONLY PERSON 410 00:28:08,020 --> 00:28:10,156 WHO KNOWS WHO SHE IS. 411 00:28:10,156 --> 00:28:12,925 AND YOU'VE SEEN HIM? YEAH. 412 00:28:12,925 --> 00:28:14,426 LAST NIGHT. 413 00:28:15,795 --> 00:28:18,998 HE'S ON OUR SIDE. YOU GUYS, HE ALWAYS WAS. 414 00:28:18,998 --> 00:28:21,467 BUT THIS PARTY TOMORROW, IT'S A SET-UP. 415 00:28:21,467 --> 00:28:23,302 RED COAT JUST WANTS US ALL TO BE TOGETHER. 416 00:28:23,302 --> 00:28:26,372 WHY? WHAT'S SHE GONNA DO TO US? I DON'T KNOW. 417 00:28:26,372 --> 00:28:29,008 BUT WE'RE NOT GOING TO LET IT HAPPEN. 418 00:28:29,008 --> 00:28:30,576 OKAY, WHATEVER IT IS, WE'RE ONE STEP AHEAD OF HER, 419 00:28:30,576 --> 00:28:33,079 FINALLY, AND THERE ARE TWO OF US ON THE INSIDE. 420 00:28:33,079 --> 00:28:35,014 AND WHEN WERE YOU GOING TO CLUE US IN ON 421 00:28:35,014 --> 00:28:37,116 YOUR DOUBLE AGENT STATUS, NIKITA? 422 00:28:37,116 --> 00:28:40,152 I'M THE ONE WHO SENT YOU THE PICTURE OF ME AND ALI. 423 00:28:40,152 --> 00:28:41,754 AND YOU DID EXACTLY WHAT I NEEDED YOU TO DO. 424 00:28:41,754 --> 00:28:43,422 BECAUSE MONA WATCHES MY EVERY MOVE. 425 00:28:43,422 --> 00:28:46,592 YOU'VE FOUND A WAY TO GET TO ME WITHOUT HER KNOWING ABOUT IT. 426 00:28:46,592 --> 00:28:49,495 SO, INSTEAD OF RED COAT WAITING FOR US TOMORROW, 427 00:28:49,495 --> 00:28:51,030 WE'LL BE WAITING FOR HER. 428 00:28:51,030 --> 00:28:52,865 AND IF WE'RE LUCKY, THIS WILL ALL BE OVER WITH. 429 00:28:54,000 --> 00:28:56,168 LUCK WON'T HAVE ANYTHING TO DO WITH IT. 430 00:28:57,669 --> 00:28:59,171 ( bell ringing ) 431 00:29:01,507 --> 00:29:03,442 ( students murmuring ) 432 00:29:25,064 --> 00:29:27,133 Ezra: ALL RIGHT, GOOD MORNING. 433 00:29:27,133 --> 00:29:29,201 MY NAME IS MISTER FITZ. 434 00:29:29,201 --> 00:29:31,370 AND I'M BACK AS YOUR SUBSTITUTE TEACHER. 435 00:29:31,370 --> 00:29:33,840 UH, IF WE OPEN UP TO CHAPTER ONE, 436 00:29:33,840 --> 00:29:36,208 WE'LL FIND OUT WHY HEMINGWAY SAID, 437 00:29:36,208 --> 00:29:39,278 "ALL THINGS TRULY WICKED, START FROM INNOCENCE." 438 00:29:57,229 --> 00:29:59,365 IT'S PERFECT TIMING, ACTUALLY. 439 00:29:59,365 --> 00:30:00,833 I NEED A PICK-ME-UP. 440 00:30:00,833 --> 00:30:03,169 THAT PLACE IS REALLY NICE. 441 00:30:03,169 --> 00:30:06,338 IT'S THE HASTINGS. WERE YOU EXPECTING "DONUTS AND DOGS"? 442 00:30:07,406 --> 00:30:10,142 HOW CAN YOU AFFORD NEW MIU MIUS? 443 00:30:10,142 --> 00:30:11,978 OH! I BORROWED THEM. 444 00:30:11,978 --> 00:30:14,113 THE STORE GIVES FULL REFUNDS FOR RETURNS. 445 00:30:14,113 --> 00:30:15,814 THAT'S IF YOU DON'T WEAR THEM. 446 00:30:15,814 --> 00:30:18,050 DOESN'T SAY THAT ON THE RECEIPT. 447 00:30:29,628 --> 00:30:32,464 ( phone beeps ) 448 00:30:32,464 --> 00:30:33,499 THEY'RE RUNNING LATE. 449 00:30:33,499 --> 00:30:35,334 HOW LATE? 450 00:30:44,143 --> 00:30:47,146 THEY'RE ON THEIR WAY. THAT'S ALL I KNOW. 451 00:30:47,146 --> 00:30:49,415 SHE'S EXPECTING ALL OF YOU TO BE HERE. 452 00:30:49,415 --> 00:30:51,050 AND WE WILL BE. 453 00:30:54,120 --> 00:30:57,556 YOU HAVE NO IDEA WHAT SHE'S CAPABLE OF, SPENCER. 454 00:30:57,556 --> 00:31:00,927 TRUST ME. YOU DON'T WANT TO DISAPPOINT HER. 455 00:31:00,927 --> 00:31:02,461 I SAW THEM GETTING READY. 456 00:31:02,461 --> 00:31:05,831 AND I HAVE THE VIDEO YOU ASKED FOR. 457 00:31:05,831 --> 00:31:07,333 THEY DON'T SUSPECT ANYTHING. 458 00:31:08,500 --> 00:31:10,502 Hanna: YOU GUYS, I'M SERIOUS ABOUT NOT 459 00:31:10,502 --> 00:31:11,337 TAKING BACK THOSE SHOES. 460 00:31:11,337 --> 00:31:13,105 Emily: HANNA, QUIET! 461 00:31:13,105 --> 00:31:14,907 WE'VE GOT TO GET INSIDE BEFORE RED COAT SHOWS UP. 462 00:31:14,907 --> 00:31:17,876 IF SHE KNOWS WE'RE ONTO HER, WE'LL NEVER FIND OUT WHO SHE IS. 463 00:31:18,945 --> 00:31:20,679 Aria: ARE WE SURE WE TRUST TOBY? 464 00:31:20,679 --> 00:31:21,847 Emily: SPENCER DOES. 465 00:31:21,847 --> 00:31:23,149 Hanna: DO WE HAVE A CHOICE? 466 00:31:23,149 --> 00:31:25,617 Emily: IT'S ALL ACCORDING TO PLAN. 467 00:31:25,617 --> 00:31:28,087 ( aircraft drone ) 468 00:31:28,087 --> 00:31:29,655 Mona: HOW FAR AWAY ARE YOU? 469 00:31:29,655 --> 00:31:32,224 IT'S SAFE FOR YOU TO LAND. 470 00:31:33,692 --> 00:31:35,894 IT'S FINALLY ABOUT TO END. 471 00:31:38,064 --> 00:31:40,967 YOU'RE GETTING WHAT YOU'VE ALWAYS WANTED. 472 00:31:42,534 --> 00:31:46,172 SHE DOESN'T KNOW THE OTHERS AREN'T HERE YET. 473 00:31:46,172 --> 00:31:48,274 I TOLD YOU, THEY'RE COMING. 474 00:31:55,982 --> 00:31:59,351 WHY DON'T WE FOR A WALK WHILE WE WAIT? 475 00:32:09,861 --> 00:32:12,664 I'LL TAKE CARE OF SPENCER. 476 00:32:12,664 --> 00:32:13,966 TOBY? 477 00:32:15,034 --> 00:32:17,636 I KNOW HOW YOU FEEL, SPENCER. 478 00:32:17,636 --> 00:32:19,705 IT SUCKS TO BE LIED TO. 479 00:32:19,705 --> 00:32:20,772 GET UP. 480 00:32:20,772 --> 00:32:22,041 I BELIEVED YOU. 481 00:32:22,041 --> 00:32:24,176 I SAID GET UP! 482 00:32:26,312 --> 00:32:27,913 YOU WON'T GET AWAY WITH THIS. 483 00:32:27,913 --> 00:32:31,950 I'D SAY "WATCH ME," BUT YOU WON'T BE HERE TO SEE IT. 484 00:32:31,950 --> 00:32:34,286 ( Spencer struggling ) 485 00:32:44,196 --> 00:32:46,532 ( aircraft droning ) 486 00:32:50,936 --> 00:32:52,304 IF SOMETHING GOES WRONG, 487 00:32:52,304 --> 00:32:54,540 YOU KNOW WHAT YOU NEED TO DO. 488 00:33:23,802 --> 00:33:25,304 YOU'RE MAKING A TERRIBLE MISTAKE. 489 00:33:26,004 --> 00:33:27,039 THAT'S NOT HOW WE SEE IT. 490 00:33:27,039 --> 00:33:28,440 BECAUSE YOU DON'T SEE. 491 00:33:28,440 --> 00:33:30,742 YOU HAVE KNOW IDEA WHAT'S GOING ON HERE. 492 00:33:30,742 --> 00:33:32,078 WE KNOW ENOUGH. 493 00:33:42,020 --> 00:33:44,156 ( sound of branches breaking ) 494 00:33:44,156 --> 00:33:46,258 WHO IS THAT? 495 00:33:48,227 --> 00:33:50,529 GET TO THE PLANE. WAIT, TOBY! 496 00:33:50,529 --> 00:33:53,299 BE CAREFUL. REMEMBER WHY WE'RE HERE, SPENCER. 497 00:33:53,299 --> 00:33:55,567 YOU SEE HER. SHE DOESN'T SEE YOU. 498 00:34:21,093 --> 00:34:23,061 WHAT HAVE YOU DONE? 499 00:34:36,408 --> 00:34:39,111 ( phone dialing ) MONA, TRY YOUR PHONE. 500 00:34:39,578 --> 00:34:41,113 NOTHING. 501 00:34:41,113 --> 00:34:42,948 HOW CAN YOU NOT HAVE A SIGNAL? WE SAW YOU MAKE A CALL. 502 00:34:42,948 --> 00:34:44,683 IT'S HER. DON'T YOU GET IT? SHE CAN DO ANYTHING. 503 00:34:44,683 --> 00:34:46,418 SHE'S EVERYWHERE AND SHE'S NOWHERE. 504 00:34:47,453 --> 00:34:49,555 COME ON, LET'S GET OUT OF HERE. 505 00:34:57,496 --> 00:34:58,664 Hanna: IT'S LOCKED! 506 00:35:06,938 --> 00:35:08,574 ( screams ) 507 00:35:08,574 --> 00:35:11,143 WE'RE GONNA DIE. WE'RE ALL GOING TO BURN. 508 00:35:11,143 --> 00:35:12,444 SHUT UP, MONA! 509 00:35:12,444 --> 00:35:14,480 I'M NEVER GOING TO KNOW WHO SHE WAS. 510 00:35:14,480 --> 00:35:16,582 Aria: WHAT DID YOU JUST SAY? 511 00:35:18,317 --> 00:35:19,551 RED COAT. 512 00:35:19,551 --> 00:35:21,287 I DON'T KNOW WHO SHE IS EITHER. 513 00:35:21,287 --> 00:35:23,355 ARE YOU KIDDING? 514 00:35:23,355 --> 00:35:25,157 YOU GUYS, WE HAVE TO GET OUT OF HERE. 515 00:35:48,480 --> 00:35:49,715 ALI? 516 00:37:41,360 --> 00:37:43,629 ( explosion in the distance ) 517 00:37:47,399 --> 00:37:48,934 ( all coughing ) 518 00:37:56,041 --> 00:37:58,877 DID ANYONE SEE HER? 519 00:37:58,877 --> 00:38:00,379 SEE WHO? 520 00:38:00,379 --> 00:38:04,550 ALISON. SHE PULLED ME OUT OF THERE. SHE PULLED US ALL OUT. 521 00:38:05,584 --> 00:38:07,686 NO, YOU'RE HALLUCINATING. 522 00:38:07,686 --> 00:38:09,721 SHE WAS HERE. I SWEAR IT. 523 00:38:14,993 --> 00:38:16,762 ALI'S DEAD. 524 00:38:19,831 --> 00:38:21,066 I SAW HER, TOO. 525 00:38:23,735 --> 00:38:25,604 SO DID I. 526 00:38:26,572 --> 00:38:29,040 Spencer: ALI IS RED COAT. 527 00:38:35,146 --> 00:38:37,048 ( house collapses ) 528 00:39:07,513 --> 00:39:10,816 SO ALL OF THIS STARTED WHEN YOU WERE AT RADLEY? 529 00:39:10,816 --> 00:39:12,651 I MADE A DEAL WITH THE DEVIL. 530 00:39:12,651 --> 00:39:15,387 AND SHE GAVE ME A WAY IN AND OUT OF THAT PLACE. 531 00:39:15,387 --> 00:39:20,091 AT FIRST IT WAS FUN, HAVING A PARTNER. 532 00:39:20,091 --> 00:39:22,193 BUT THEN THE GAME CHANGED. 533 00:39:22,193 --> 00:39:23,795 SHE STOLE YOU FROM ME. 534 00:39:23,795 --> 00:39:25,631 SO WHAT HAPPENED THAT NIGHT? 535 00:39:25,631 --> 00:39:27,065 WERE YOU THERE AT THE CEMETERY? 536 00:39:27,065 --> 00:39:29,535 DID YOU DRUG ME? DID YOU TAKE ALI'S BODY? 537 00:39:29,535 --> 00:39:30,969 Mona: I DON'T KNOW WHO DRUGGED YOU. 538 00:39:30,969 --> 00:39:33,639 BUT I WAS AT THE CEMETERY AND SO WAS RED COAT. 539 00:39:33,639 --> 00:39:36,642 HOW COULD YOU NOT SEE WHO IT WAS? 540 00:39:36,642 --> 00:39:38,510 Mona: SHE WAS WEARING A MASK. 541 00:39:38,510 --> 00:39:42,681 SHE LOOKED JUST LIKE ALI. 542 00:39:44,416 --> 00:39:45,751 THAT'S PROBABLY WHAT HAPPENED TONIGHT. 543 00:39:45,751 --> 00:39:48,787 IT WASN'T ALI. IT WAS A MASK. 544 00:39:51,256 --> 00:39:53,091 GUYS? 545 00:39:57,529 --> 00:39:58,697 WAIT, IS THAT? 546 00:39:59,798 --> 00:40:02,701 SOMEBODY PULLED IT OUT OF THE LAKE. 547 00:40:11,643 --> 00:40:14,646 ( indistinct talking coming from car ) 548 00:40:16,147 --> 00:40:18,617 Recording coming from car: THINK THIS THROUGH, ASHLEY. 549 00:40:18,617 --> 00:40:21,086 Woman's recorded voice: HOW DO YOU LIVE WITH YOURSELF? 550 00:40:21,086 --> 00:40:24,956 Man's recorded voice: WE'RE NOT DONE HERE. 551 00:40:24,956 --> 00:40:26,424 HEY! 552 00:40:27,626 --> 00:40:29,861 WE'VE HAVE TO GET THIS OUT OF HERE. 553 00:40:38,570 --> 00:40:40,606 Aria: WAIT! THERE'S MORE. 554 00:40:41,640 --> 00:40:42,941 IT'S JENNA. 555 00:40:44,676 --> 00:40:46,845 Emily: AND SHANA? 556 00:40:48,980 --> 00:40:50,916 Spencer: THEY KNOW WILDEN? 557 00:40:58,389 --> 00:41:00,191 GUYS... 558 00:41:00,191 --> 00:41:02,127 LOOK AT THE TRUNK. 559 00:41:06,665 --> 00:41:09,801 ( phones all ringing ) 560 00:41:16,708 --> 00:41:18,143 Emily: YOU'RE MINE NOW. 561 00:41:18,143 --> 00:41:20,045 KISSES... 562 00:41:20,045 --> 00:41:22,514 A. 563 00:41:32,023 --> 00:41:32,991 ( all gasping ) 564 00:41:34,593 --> 00:41:36,862 ( thunder )