1 00:00:01,602 --> 00:00:03,504 PREVIOUSLY ON PRETTY LITTLE LIARS... 2 00:00:03,537 --> 00:00:06,140 MRS. DILAURENTIS HAS OFFERED TO LET US STAY WITH HER. 3 00:00:06,174 --> 00:00:07,708 YOU'RE GONNA SLEEP IN ALI'S OLD BED? 4 00:00:07,741 --> 00:00:10,111 HELL NO. I'M NOT MOVING IN THERE. EM, YOU HAVE TO. 5 00:00:10,144 --> 00:00:11,512 YOU KNEW I WASN'T HIS FATHER. 6 00:00:11,545 --> 00:00:14,215 I GAVE MYSELF THE ANSWER THAT I WANTED. 7 00:00:14,248 --> 00:00:16,617 YOU LET ME FALL IN LOVE WITH HIM. I'M SORRY. 8 00:00:17,818 --> 00:00:19,720 Toby: MY MOM USED TO PLAY THIS SONG ALL THE TIME. 9 00:00:19,753 --> 00:00:21,655 "A" IS TELLING YOU TO DITCH EDDIE LAMB 10 00:00:21,689 --> 00:00:23,224 AND GO FOR DR. PALMER. 11 00:00:23,257 --> 00:00:25,393 HOW MUCH LONGER DO YOU NEED ME TO KEEP THIS A SECRET? 12 00:00:25,426 --> 00:00:26,727 Emily: WE HAVE TO FACE FACTS-- 13 00:00:26,760 --> 00:00:28,496 WE'RE NOT GONNA BE TOGETHER NEXT YEAR. 14 00:00:28,529 --> 00:00:31,099 THEY'RE ALLEGING THAT I BULLIED MONA INTO GIVING HER CONFESSION. 15 00:00:31,132 --> 00:00:33,134 WHAT DOES THAT MEAN? YOUR MOTHER DOESN'T HAVE A LAWYER. 16 00:00:33,167 --> 00:00:35,035 HOW JEALOUS WERE YOU TONIGHT? 17 00:00:37,638 --> 00:00:39,673 Mrs. DiLaurentis: DEFINITELY LOOKS LIKE SOMEBODY USED THIS 18 00:00:39,707 --> 00:00:41,242 AS THEIR TEMPORARY HOME. 19 00:00:41,275 --> 00:00:42,543 Emily: SHOULD WE CALL THE POLICE? 20 00:00:42,576 --> 00:00:45,346 Mrs. DiLaurentis: I'M SURE THEY'RE LONG GONE. 21 00:00:52,453 --> 00:00:54,688 DO YOU ACTUALLY THINK SHE'S BEEN LIVING IN THAT CRAWL SPACE? 22 00:00:54,722 --> 00:00:56,757 ARIA, THERE WAS A SLEEPING BAG. 23 00:00:56,790 --> 00:00:58,492 BUT NAPPING ISN'T LIVING. 24 00:00:58,526 --> 00:01:01,362 UNLESS YOU'RE A REPTILE, WHICH KIND OF DESCRIBES CECE. 25 00:01:01,395 --> 00:01:03,464 LEAST THE CECE THAT MRS. DILAURENTIS REMEMBERS. 26 00:01:03,497 --> 00:01:04,865 BUT NOT JUST MRS. D. 27 00:01:04,898 --> 00:01:06,567 EVEN SHANA'S SCARED OF THIS GIRL. 28 00:01:06,600 --> 00:01:08,436 YEAH, WELL I'M SCARED OF SHANA. 29 00:01:08,469 --> 00:01:11,272 SHE'S NOT THE ONE WHO USED JENNA'S HEAD AS BATTING PRACTICE 30 00:01:11,305 --> 00:01:14,175 AT YOUR BIRTHDAY PARTY. YEAH, WHY IS CECE GOING AFTER JENNA? 31 00:01:14,208 --> 00:01:16,410 WHY WOULD SHE GO AFTER ANY OF US? 32 00:01:16,444 --> 00:01:19,280 WE HAD NOTHING TO DO WITH HER GETTING KICKED OUT OF COLLEGE. 33 00:01:19,313 --> 00:01:21,215 WE HAVE NO IDEA WHAT ALI COULD'VE TOLD HER. 34 00:01:21,249 --> 00:01:23,484 WHAT COULD ALI HAVE POSSIBLY SAID THAT WOULD MAKE CECE 35 00:01:23,517 --> 00:01:25,286 HATE US ENOUGH TO DRILL HOLES UNDER ALI'S HOUSE 36 00:01:25,319 --> 00:01:26,787 AND STARE UP EMILY'S SKIRT? 37 00:01:26,820 --> 00:01:29,157 HOW AM I SUPPOSED TO LIVE IN THAT HOUSE? 38 00:01:29,190 --> 00:01:30,791 HANG OUT ON THE SECOND FLOOR. 39 00:01:30,824 --> 00:01:32,760 AND WEAR UNDERWEAR AT ALL TIMES. 40 00:01:34,228 --> 00:01:35,396 I'M EATING THIS. 41 00:01:36,730 --> 00:01:38,399 HEY. WHERE YOU BEEN? 42 00:01:38,432 --> 00:01:39,600 UH, WITH MY MOM. 43 00:01:39,633 --> 00:01:40,768 SHE MET ANOTHER LAWYER. 44 00:01:42,236 --> 00:01:43,204 HOW'D IT GO? 45 00:01:43,237 --> 00:01:44,672 NOT GREAT. ( sighs ) 46 00:01:44,705 --> 00:01:46,574 THEY'RE ALL JUST BOTTOM-FEEDERS 47 00:01:46,607 --> 00:01:48,309 TRYING TO MAKE A NAME FOR THEMSELVES. 48 00:01:48,342 --> 00:01:49,310 THERE ARE OTHER ONES. 49 00:01:49,343 --> 00:01:50,711 EM, SHE'S MET ALL OF THEM. 50 00:01:50,744 --> 00:01:52,646 THEY DON'T CARE WHAT HAPPENS TO HER. 51 00:01:52,680 --> 00:01:54,848 SHE'S JUST... CASE NUMBER 79. 52 00:01:54,882 --> 00:01:57,285 YOUR MOM'S GONNA FIND SOMEBODY WHO REALLY CARES ABOUT HER. 53 00:01:57,318 --> 00:01:59,353 SHE ALREADY FOUND SOMEONE WHO CARED. 54 00:01:59,387 --> 00:02:01,622 WHY CAN'T YOU TELL YOUR MOM TO ASK THE JUDGE 55 00:02:01,655 --> 00:02:02,756 TO GET BACK ON THAT CASE? 56 00:02:02,790 --> 00:02:04,492 'CAUSE "A" TOOK HER DOWN, HANNA. 57 00:02:04,525 --> 00:02:05,926 SPENCER, TALK TO HER. 58 00:02:05,959 --> 00:02:06,927 PLEASE. 59 00:02:06,960 --> 00:02:08,896 MY MOM TRUSTS HER. SHE NEEDS HER. 60 00:02:08,929 --> 00:02:10,498 I KNOW, AND MY MOM IS NOT DESERTING HER. 61 00:02:10,531 --> 00:02:12,032 SHE JUST-- SHE HAS TO FIGURE OUT 62 00:02:12,065 --> 00:02:15,369 WHAT KIND OF ROLE SHE CAN PLAY WITHOUT COMPROMISING YOUR MOM'S DEFENSE. 63 00:02:15,403 --> 00:02:16,504 WHAT IS SHE DOING HERE? 64 00:02:16,537 --> 00:02:17,771 WHO? 65 00:02:17,805 --> 00:02:19,373 LIEUTENANT TANNER. 66 00:02:19,407 --> 00:02:20,774 WHY IS SHE AT OUR SCHOOL? 67 00:02:20,808 --> 00:02:22,776 DOUBT IT'S FOR THE BAKED ZITI. 68 00:02:22,810 --> 00:02:25,346 HELLO, LADIES. MAY I JOIN? 69 00:02:26,680 --> 00:02:29,350 I HEAR YOU AND YOUR MOTHER MOVED IN WITH A NEIGHBOR. 70 00:02:29,383 --> 00:02:32,886 MUST BE NICE NOT HAVING TO USE A DESK AS AN IRONING BOARD. 71 00:02:32,920 --> 00:02:35,689 HAVE YOU BEEN BACK TO YOUR HOUSE SINCE THE ACCIDENT? 72 00:02:35,723 --> 00:02:37,391 NO, I HAVEN'T. 73 00:02:37,425 --> 00:02:38,692 WELL I'M JUST HERE, LADIES, 74 00:02:38,726 --> 00:02:40,794 TO REMIND YOU THAT THE LOCAL P.D. 75 00:02:40,828 --> 00:02:42,496 IS STILL INVESTIGATING. 76 00:02:42,530 --> 00:02:44,465 DID THEY FIND OUT WHO WAS DRIVING THAT CAR? 77 00:02:44,498 --> 00:02:45,533 NO. 78 00:02:45,566 --> 00:02:47,201 NOT YET. 79 00:02:47,235 --> 00:02:49,803 OH, BUT THEY DID FIND SOMETHING INTERESTING 80 00:02:49,837 --> 00:02:51,672 WHILE THEY WERE SORTING THROUGH THE WRECKAGE. 81 00:02:51,705 --> 00:02:53,441 WHAT? WHAT WAS IT? 82 00:02:53,474 --> 00:02:55,175 A SHOE. 83 00:02:56,244 --> 00:02:57,678 A MUDDY SHOE... 84 00:02:57,711 --> 00:02:59,647 THAT, BELIEVE IT OR NOT, 85 00:02:59,680 --> 00:03:01,682 MATCHES THE SHOEPRINTS 86 00:03:01,715 --> 00:03:03,684 FROM THE WILDEN CRIME SCENE... 87 00:03:03,717 --> 00:03:06,387 WHICH FALLS UNDER MY JURISDICTION. 88 00:03:06,420 --> 00:03:08,389 DO THEY KNOW WHOSE SHOE IT IS? 89 00:03:08,422 --> 00:03:11,392 WELL WE SPOKE TO YOUR MOTHER, EMILY. WE KNOW IT'S NOT HERS. 90 00:03:11,425 --> 00:03:13,827 AND WE HAVE WAYS OF TESTING THESE THINGS OUT. 91 00:03:13,861 --> 00:03:15,729 YOU KNOW, D.N.A. AND STUFF. 92 00:03:15,763 --> 00:03:16,964 SOMETHING WRONG, HANNA? 93 00:03:16,997 --> 00:03:18,699 NO, I'M JUST-- 94 00:03:18,732 --> 00:03:19,967 I HAVE TO USE THE RESTROOM. 95 00:03:23,804 --> 00:03:27,275 GEEZ, I HOPE I DIDN'T RUIN ANYONE'S LUNCH. 96 00:03:32,880 --> 00:03:35,583 * GOT A SECRET, CAN YOU KEEP IT? * 97 00:03:35,616 --> 00:03:38,252 * SWEAR THIS ONE YOU'LL SAVE * 98 00:03:38,286 --> 00:03:40,688 * BETTER LOCK IT IN YOUR POCKET * 99 00:03:40,721 --> 00:03:42,956 * TAKING THIS ONE TO THE GRAVE * 100 00:03:42,990 --> 00:03:48,296 * IF I SHOW YOU THEN I'LL KNOW YOU WON'T TELL WHAT I SAID * 101 00:03:48,329 --> 00:03:50,831 * 'CAUSE TWO CAN KEEP A SECRET * 102 00:03:50,864 --> 00:03:52,966 * IF ONE OF THEM IS DEAD * 103 00:03:58,306 --> 00:03:59,707 Spencer: HANNA. 104 00:03:59,740 --> 00:04:02,276 HANNA, COME ON, DON'T LET TANNER FREAK YOU OUT 105 00:04:02,310 --> 00:04:04,412 ABOUT A MUDDY SHOE. IT'S PROBABLY NOT EVEN WHY SHE CAME HERE. 106 00:04:04,445 --> 00:04:06,013 OH, REALLY? IT WAS ABOUT THE BAKED ZITI? 107 00:04:06,046 --> 00:04:08,682 NO, LOOK, "A" PUT THAT SHOE IN EMILY'S HOUSE 108 00:04:08,716 --> 00:04:10,284 'CAUSE MONA MADE A CRAZY MOVE. 109 00:04:10,318 --> 00:04:11,885 WHY DOES "A" CARE WHAT MONA SAYS? 110 00:04:11,919 --> 00:04:14,021 BECAUSE HER CONFESSION SCREWED WITH "A's" PERFECT PLAN 111 00:04:14,054 --> 00:04:15,389 TO FRAME YOUR MOTHER. 112 00:04:15,423 --> 00:04:16,824 YEAH, AND TANNER'S JUST FISHING TO SEE 113 00:04:16,857 --> 00:04:18,459 IF WE WERE THE ONES WHO PUT MONA UP TO IT. 114 00:04:18,492 --> 00:04:20,294 SHE'S BEEN AFTER ME SINCE THAT "GUILTY" VIDEO 115 00:04:20,328 --> 00:04:21,495 WAS DELIVERED TO THE POLICE. 116 00:04:21,529 --> 00:04:23,897 OKAY, SHE'S JUST TRYING TO SCARE US INTO SPILLING SOMETHING. 117 00:04:23,931 --> 00:04:25,866 YEAH, WELL IT WORKED. MY BREAKFAST. 118 00:04:25,899 --> 00:04:27,635 WE NEED TO PUT CECE ON TANNER'S RADAR. 119 00:04:27,668 --> 00:04:28,902 HOW ARE WE SUPPOSED TO DO THAT? 120 00:04:28,936 --> 00:04:30,804 JUST INVITE HER INTO THE CRAWLSPACE? 121 00:04:30,838 --> 00:04:32,806 NO, WE ARE GONNA GO INTO THE CRAWLSPACE 122 00:04:32,840 --> 00:04:34,408 THIS AFTERNOON, AFTER SCHOOL, 123 00:04:34,442 --> 00:04:35,676 AND HOPEFULLY FIND SOME PROOF 124 00:04:35,709 --> 00:04:37,511 THAT CECE'S BACK IN TOWN AND LIVING DOWN THERE. 125 00:04:37,545 --> 00:04:40,047 IF WE GO DOWN THERE, MRS. D. IS GONNA START ASKING QUESTIONS. 126 00:04:40,080 --> 00:04:42,583 WELL MRS. D. ISN'T GONNA BE THERE 'CAUSE HANNA'S GOING SHOPPING WITH HER. 127 00:04:42,616 --> 00:04:44,685 FOR WHAT? THINGS TO WEAR WHILE VISITING MY MOTHER 128 00:04:44,718 --> 00:04:45,686 ON A CHAIN GANG? 129 00:04:45,719 --> 00:04:46,920 NO. TONIGHT'S DANCE. 130 00:04:46,954 --> 00:04:48,889 SPENCER! I AM NOT GOING TO THAT HOEDOWN! 131 00:04:48,922 --> 00:04:50,658 OKAY? I CANNOT LEAVE MY MOTHER ALONE. 132 00:04:50,691 --> 00:04:52,025 YOU DON'T HAVE TO GO TO THE HOEDOWN. 133 00:04:52,059 --> 00:04:54,328 YOU JUST HAVE TO WASTE AN HOUR OR TWO WITH MRS. D. 134 00:04:54,362 --> 00:04:55,596 TRYING ON BOLO TIES, OKAY? 135 00:04:55,629 --> 00:04:58,332 AND YOU TWO ARE GONNA MEET ME UNDERNEATH THE HOUSE AT 4:00. 136 00:04:58,366 --> 00:04:59,500 ( phone beeps ) OKAY. 137 00:05:01,635 --> 00:05:02,936 YOU OKAY? 138 00:05:02,970 --> 00:05:04,472 UH, YEAH. 139 00:05:04,505 --> 00:05:06,574 YEAH, NO-- I'M GONNA MEET YOU GUYS UNDER THE HOUSE. 140 00:05:06,607 --> 00:05:07,641 OKAY? 141 00:05:07,675 --> 00:05:08,909 ( school bell rings ) 142 00:05:08,942 --> 00:05:10,411 ( sighs ) 143 00:05:12,480 --> 00:05:13,481 ( sighs ) 144 00:05:14,482 --> 00:05:16,316 ( locker slams ) 145 00:05:25,559 --> 00:05:26,760 ( sighs ) 146 00:05:44,645 --> 00:05:45,946 HEY, THERE. 147 00:05:45,979 --> 00:05:47,080 HEY. 148 00:05:47,114 --> 00:05:49,049 IS TONIGHT STILL HAPPENING? 149 00:05:49,082 --> 00:05:50,451 TONIGHT? 150 00:05:50,484 --> 00:05:52,085 THE DANCE. 151 00:05:52,119 --> 00:05:53,120 OH. 152 00:05:53,153 --> 00:05:55,122 WE DON'T HAVE TO GO. 153 00:05:55,155 --> 00:05:57,124 NOT REALLY GOOD AT LINE DANCING, ANYWAY. 154 00:05:57,157 --> 00:05:59,493 YEAH, I DON'T KNOW. UH, MAYBE? 155 00:05:59,527 --> 00:06:01,595 I HAVE A LOT OF STUFF GOING ON, BUT... 156 00:06:01,629 --> 00:06:02,863 I'LL CALL YOU. 157 00:06:02,896 --> 00:06:04,465 WHAT'S THAT? 158 00:06:04,498 --> 00:06:05,999 A RECOMMENDATION LETTER. 159 00:06:06,033 --> 00:06:08,001 NICE. ZOE CAME THROUGH? 160 00:06:08,035 --> 00:06:09,036 YEAH. 161 00:06:10,037 --> 00:06:11,004 WOW. 162 00:06:11,038 --> 00:06:12,540 IT'S LONG. 163 00:06:12,573 --> 00:06:14,475 AND GUSHING. 164 00:06:14,508 --> 00:06:16,877 YEAH. THAT'S HOW ZOE TALKS. 165 00:06:16,910 --> 00:06:19,079 REALLY? ABOUT EVERY VOLUNTEER? 166 00:06:19,112 --> 00:06:21,048 HER SPIRIT MADE MY HEART RACE? 167 00:06:21,081 --> 00:06:22,750 SHE'S POETIC. 168 00:06:22,783 --> 00:06:24,618 SHE'S INTO YOU. 169 00:06:24,652 --> 00:06:27,488 SHE'S BEING SUPPORTIVE. 170 00:06:27,521 --> 00:06:28,556 EMILY, I'VE BEEN TO WEDDINGS 171 00:06:28,589 --> 00:06:30,758 WHERE PEOPLE DON'T SAY STUFF LIKE THIS IN THEIR VOWS. 172 00:06:30,791 --> 00:06:31,892 ( grunts softly ) 173 00:06:31,925 --> 00:06:33,594 I HAVE TO GET TO CLASS. 174 00:06:35,796 --> 00:06:36,930 ( sighs ) 175 00:06:40,701 --> 00:06:42,836 ARIA. 176 00:06:42,870 --> 00:06:44,104 HI. HEY. 177 00:06:44,137 --> 00:06:44,938 WHAT ARE YOU DOIN' HERE? 178 00:06:44,972 --> 00:06:47,107 I WAS GONNA OFFER YOU A LIFT HOME, 179 00:06:47,140 --> 00:06:48,642 BUT IT LOOKS LIKE-- ( car beeps ) 180 00:06:48,676 --> 00:06:50,478 YEAH, I DROVE MYSELF. 181 00:06:50,511 --> 00:06:52,646 UH, WANNA TAKE A DETOUR FOR A COFFEE? 182 00:06:52,680 --> 00:06:53,781 I'LL--I'LL TAILGATE YOU. 183 00:06:53,814 --> 00:06:56,183 LOVE TO, BUT I-- I HAVE SO MUCH STUFF 184 00:06:56,216 --> 00:06:57,518 I HAVE TO DO TODAY. 185 00:06:57,551 --> 00:06:59,219 THAT'S COOL. 186 00:06:59,252 --> 00:07:01,221 I JUST WANTED TO PASS ON A NAME 187 00:07:01,254 --> 00:07:04,024 OF A HOT-SHOT ATTORNEY WHO'S A FRIEND OF THE FAMILY. 188 00:07:04,057 --> 00:07:05,993 OH, THAT'S SO SWEET OF YOU. 189 00:07:06,026 --> 00:07:08,562 I DON'T KNOW WHAT HAPPENED BETWEEN SPENCER'S MOM AND HANNA'S, BUT-- 190 00:07:08,596 --> 00:07:11,932 THINK, UM, MRS. MARIN'S ALREADY FOUND SOMEBODY ELSE. 191 00:07:13,501 --> 00:07:14,468 ( grunts softly ) 192 00:07:14,502 --> 00:07:15,936 YEAH. 193 00:07:19,206 --> 00:07:20,207 DO YOU TWO-STEP? 194 00:07:20,240 --> 00:07:21,942 IN A PARKING LOT? 195 00:07:21,975 --> 00:07:24,144 IN A BARN IN WATERTOWN TONIGHT. 196 00:07:24,177 --> 00:07:26,680 THE SCHOOL'S THROWING THIS WESTERN THINGY. 197 00:07:26,714 --> 00:07:27,948 WOULD YOU WANNA GO? 198 00:07:27,981 --> 00:07:29,817 YES. 199 00:07:29,850 --> 00:07:31,251 OH. 200 00:07:31,284 --> 00:07:32,252 OKAY. 201 00:07:32,285 --> 00:07:33,253 ( chuckles ) WHAT? 202 00:07:33,286 --> 00:07:35,055 YOU CHANGE YOUR MIND? NO, 203 00:07:35,088 --> 00:07:37,491 THAT...WAS JUST SO EASY. 204 00:07:37,525 --> 00:07:38,992 WHAT'S WRONG WITH EASY? 205 00:07:39,026 --> 00:07:40,728 NOTHING. 206 00:07:40,761 --> 00:07:42,796 IT'S...JUST BEEN A LONG TIME 207 00:07:42,830 --> 00:07:44,698 SINCE I COULD GO TO A SCHOOL DANCE WITH SOMEBODY 208 00:07:44,732 --> 00:07:45,966 THAT I'M... 209 00:07:45,999 --> 00:07:47,668 DATING. ( chuckles ) 210 00:07:48,736 --> 00:07:50,571 WHAT TIME SHOULD YOUR DATE PICK YOU UP? 211 00:08:02,816 --> 00:08:04,852 UM, HI. 212 00:08:04,885 --> 00:08:06,253 BUSY? 213 00:08:06,286 --> 00:08:07,755 I SHOULD BE. 214 00:08:08,789 --> 00:08:09,857 WHAT IS THAT? 215 00:08:09,890 --> 00:08:11,825 WELL, I DID WHAT YOU SUGGESTED 216 00:08:11,859 --> 00:08:14,027 AND I REACHED OUT TO MY SUPERVISOR IN HAITI. 217 00:08:14,061 --> 00:08:15,863 SHE WROTE THIS. 218 00:08:18,231 --> 00:08:19,667 ARE YOU GROWING A BEARD? 219 00:08:20,668 --> 00:08:21,635 WHAT? 220 00:08:21,669 --> 00:08:22,670 NO. 221 00:08:23,804 --> 00:08:25,305 THIS IS GLOWING. 222 00:08:25,338 --> 00:08:26,607 WHAT'S THE PROBLEM. 223 00:08:26,640 --> 00:08:28,609 IS IT TOO GLOWING? 224 00:08:28,642 --> 00:08:30,978 I MEAN DOES IT SOUND LIKE MY MOTHER WROTE IT? 225 00:08:31,011 --> 00:08:34,081 EMILY, THERE ARE PEOPLE WITH REAL PROBLEMS IN THE WORLD, 226 00:08:34,114 --> 00:08:36,049 AND GETTING A GLOWING COLLEGE RECOMMENDATION 227 00:08:36,083 --> 00:08:38,118 ISN'T ONE OF THEM. 228 00:08:39,587 --> 00:08:41,054 SORRY I BOTHERED YOU. 229 00:08:43,323 --> 00:08:44,558 EMILY-- 230 00:08:47,127 --> 00:08:48,929 I HAVE A LOT ON MY MIND RIGHT NOW. 231 00:08:48,962 --> 00:08:51,031 I'M SORRY. I SHOULDN'T HAVE SNAPPED AT YOU. 232 00:08:52,966 --> 00:08:54,301 IS THIS ABOUT ARIA? 233 00:08:55,603 --> 00:08:57,905 SORRY, I SHOULDN'T HAVE ASKED YOU THAT. 234 00:08:57,938 --> 00:09:00,173 MAGGIE IS MOVING ACROSS THE COUNTRY 235 00:09:00,207 --> 00:09:02,109 AND TAKING MALCOLM WITH HER. 236 00:09:02,142 --> 00:09:05,145 W--HOW CAN SHE JUST DO THAT? 237 00:09:05,178 --> 00:09:06,880 I MEAN, YOU'RE MALCOLM'S FATHER. 238 00:09:06,914 --> 00:09:09,082 I'D LIKE TO BE THE FIRST TO TELL ARIA, 239 00:09:09,116 --> 00:09:11,151 SO I'D REALLY APPRECIATE IF YOU WOULDN'T SAY ANYTHING. 240 00:09:22,129 --> 00:09:24,564 HANNA, HEY. 241 00:09:27,968 --> 00:09:29,336 DO YOU NEED A RIDE? 242 00:09:29,369 --> 00:09:31,238 UH, NO. I'M GOING SHOPPING 243 00:09:31,271 --> 00:09:33,674 AT MACY'S WITH MRS. DILAURENTIS. 244 00:09:33,707 --> 00:09:35,776 WHAT--YOU'RE SHOPPING 245 00:09:35,809 --> 00:09:36,977 WITH ALISON'S MOM? 246 00:09:37,010 --> 00:09:38,846 WELL I CAN'T WITH MY OWN. 247 00:09:38,879 --> 00:09:40,681 HER ANKLE BRACE WOULD GO OFF 248 00:09:40,714 --> 00:09:42,215 ANY TIME SHE OPENS A WINDOW TOO FAST. 249 00:09:42,249 --> 00:09:43,984 RIGHT. 250 00:09:44,017 --> 00:09:45,886 WELL, OKAY, THEN I GUESS I'LL JUST COME BY 251 00:09:45,919 --> 00:09:47,354 AND PICK YOU UP FOR THE ROUND-UP. 252 00:09:47,387 --> 00:09:49,222 NO, WE DON'T HAVE TO GO TO THAT-- 253 00:09:49,256 --> 00:09:50,958 ACTUALLY, WE DO. 254 00:09:50,991 --> 00:09:53,226 YOUR MOM TEXTED ME DURING CHEM. 255 00:09:53,260 --> 00:09:54,928 SHE TOLD ME TO GRAB YOU AT 8:00. 256 00:09:54,962 --> 00:09:55,963 IT WAS AN ORDER. 257 00:09:57,330 --> 00:09:59,633 SHE WANTS YOU TO LIVE YOUR LIFE, HAN. 258 00:09:59,667 --> 00:10:00,768 WHATEVER. 259 00:10:01,869 --> 00:10:03,070 COME ON, 260 00:10:03,103 --> 00:10:05,305 GIDDY-UP, LITTLE DOGGIE. 261 00:10:05,338 --> 00:10:06,707 ( sighs ) 262 00:10:10,811 --> 00:10:12,179 ( sighs ) 263 00:10:24,124 --> 00:10:25,192 ( sighs ) 264 00:10:43,243 --> 00:10:44,277 IT WAS IN HANNA'S LOCKER. 265 00:10:44,311 --> 00:10:45,913 WHY WOULD CECE USE AN ENVELOPE 266 00:10:45,946 --> 00:10:47,748 FROM THE PLACE WHERE SHE USED TO WORK? 267 00:10:47,781 --> 00:10:49,016 SHE WOULDN'T. 268 00:10:49,049 --> 00:10:50,884 SO YOU DON'T THINK IT'S CECE? 269 00:10:50,918 --> 00:10:52,152 ( sighs ) 270 00:10:52,185 --> 00:10:53,821 I DON'T KNOW WHO IT IS. 271 00:10:53,854 --> 00:10:55,422 WELL IT'S JUST SUCH A CARELESS MOVE. 272 00:10:55,455 --> 00:10:57,124 DO YOU THINK SHE WANTS US TO FIND OUT IT'S HER? 273 00:10:57,157 --> 00:10:59,159 ( stammers ) THERE ARE EASIER WAYS TO DO IT. 274 00:10:59,192 --> 00:11:01,228 WELL WHY IS SHE SUDDENLY GIFTING YOU AND HANNA-- 275 00:11:01,261 --> 00:11:03,330 SPENCER, I DON'T FEEL LIKE ASKING QUESTIONS, 276 00:11:03,363 --> 00:11:05,365 AND NOT WHEN I'M GETTING ANSWERS. 277 00:11:06,900 --> 00:11:09,770 YEAH, AND THEY ALSO FEED TURKEYS 278 00:11:09,803 --> 00:11:12,973 LOTS OF TASTY TREATS BEFORE THEY CHOP THEIR HEADS OFF. 279 00:11:13,006 --> 00:11:15,108 ( sighs ) I JUST DON'T UNDERSTAND WHY HANNA WOULD BE GIVEN A GIFT 280 00:11:15,142 --> 00:11:17,210 THE SAME DAY HER MOTHER'S MUDDY SHOE 281 00:11:17,244 --> 00:11:19,012 SUDDENLY SHOWS UP. 282 00:11:19,046 --> 00:11:20,047 WHAT IS IT? 283 00:11:20,080 --> 00:11:22,015 Woman on Radio: * ANYTIME 284 00:11:22,049 --> 00:11:23,016 WHO'S SINGING? 285 00:11:23,050 --> 00:11:25,185 * YOU'RE FEELING BLUE 286 00:11:25,218 --> 00:11:26,386 MY MOTHER. 287 00:11:26,419 --> 00:11:28,455 WHAT? WHERE DID YOU GET THIS? 288 00:11:28,488 --> 00:11:29,790 ( singing continues ) 289 00:11:29,823 --> 00:11:32,259 I DON'T--I DON'T...KNOW. 290 00:11:32,292 --> 00:11:34,194 YOU DIDN'T PUT THIS IN HERE? 291 00:11:34,227 --> 00:11:36,096 TAKE IT OUT! 292 00:11:36,129 --> 00:11:39,066 TOBY, PLEASE! PLEASE TAKE THIS OUT RIGHT NOW! 293 00:11:39,099 --> 00:11:40,100 ( music stops ) 294 00:11:44,504 --> 00:11:45,739 ( sighing ) 295 00:12:02,823 --> 00:12:04,892 HEY, HOW YOU DOIN'? CAN--CAN I GET A WATER? 296 00:12:13,133 --> 00:12:14,802 ( sighs ) 297 00:12:18,371 --> 00:12:19,372 ( clears throat ) 298 00:12:19,406 --> 00:12:21,108 ARE YOU LOOKING FOR ME? 299 00:12:21,141 --> 00:12:22,976 LOOK, I DON'T KNOW WHO YOU ARE 300 00:12:23,010 --> 00:12:25,012 OR WHY YOU FIND ME SO DAMN INTERESTING, 301 00:12:25,045 --> 00:12:27,480 BUT IF YOU DON'T STOP, YOU'RE GONNA BE ONE SORRY STALKER. 302 00:12:27,514 --> 00:12:28,982 ( sighs ) 303 00:12:32,252 --> 00:12:33,420 Toby: I'LL GO TO PALMER TONIGHT. 304 00:12:33,453 --> 00:12:35,388 I-IF HE CAN REMEMBER WHERE HE STORED THE REST OF THESE-- 305 00:12:35,422 --> 00:12:38,125 TOBY, PALMER IS NOT A RELIABLE SOURCE. 306 00:12:38,158 --> 00:12:40,127 OKAY, HE THOUGHT THAT I WAS YOUR MOTHER! 307 00:12:40,160 --> 00:12:41,528 HE THOUGHT THAT MRS. DILAURENTIS WAS-- 308 00:12:41,561 --> 00:12:43,831 HE MAY REMEMBER WHERE HE KEPT THE REST OF HIS SESSIONS. 309 00:12:43,864 --> 00:12:46,399 LOOK, THIS IS A CLASSIC "A" MOVE. 310 00:12:46,433 --> 00:12:48,268 I MEAN, IF "A" WASN'T BEING DEVIOUS, 311 00:12:48,301 --> 00:12:49,837 WHY DID SHE HAVE TO BREAK INTO YOUR CAR 312 00:12:49,870 --> 00:12:51,138 DO DELIVER THIS TO YOU? 313 00:12:51,171 --> 00:12:52,973 SHE WAS PROBABLY HOPING YOU'D HEAR IT AND YOU'D 314 00:12:53,006 --> 00:12:54,541 WRAP YOUR TRUCK AROUND A TREE. 315 00:12:54,574 --> 00:12:57,010 I'M GONNA SEE PALMER TONIGHT. 316 00:12:57,044 --> 00:12:58,578 YOU WANNA COME WITH ME OR NOT? 317 00:12:58,611 --> 00:12:59,947 NOT. 318 00:12:59,980 --> 00:13:01,548 I'M MEETING ARIA AND EMILY. 319 00:13:01,581 --> 00:13:02,549 WHY? 320 00:13:02,582 --> 00:13:04,117 SO WE CAN FIND SIGNS OF CECE 321 00:13:04,151 --> 00:13:06,019 IN THAT FRICKIN' CRAWLSPACE. 322 00:13:07,554 --> 00:13:08,521 ( phone dialing ) 323 00:13:08,555 --> 00:13:09,890 WHAT ARE YOU DOING? 324 00:13:09,923 --> 00:13:11,158 WHO ARE YOU CALLING? 325 00:13:11,191 --> 00:13:12,292 PALMER. 326 00:13:12,325 --> 00:13:16,029 TOBY, DO YOU UNDERSTAND WHAT IS HAPPENING? 327 00:13:16,063 --> 00:13:18,398 YOU ARE COMPLETELY UNDER "A's" SPELL. 328 00:13:18,431 --> 00:13:20,133 CAN WE PLEASE, PLEASE, 329 00:13:20,167 --> 00:13:22,135 JUST TAKE A BREATH AND TRY TO PROVE THAT CECE 330 00:13:22,169 --> 00:13:24,004 IS "A" BEFORE WE MAKE ANOTHER MOVE? 331 00:13:24,037 --> 00:13:25,338 Woman on Phone: SARATOGA GARDENS. 332 00:13:25,372 --> 00:13:27,140 HOW MAY I DIRECT YOUR CALL? 333 00:13:27,174 --> 00:13:28,876 HELLO? 334 00:13:28,909 --> 00:13:30,343 HELLO? 335 00:13:33,313 --> 00:13:34,614 WHERE'S SPENCER? 336 00:13:34,647 --> 00:13:36,616 ALWAYS HAS THE BEST FLASHLIGHT. 337 00:13:36,649 --> 00:13:39,086 ISN'T SHE THE ONE THAT SAID TO MEET AT 4:00? 338 00:13:39,119 --> 00:13:41,321 YEAH, SHE'LL BE HERE. 339 00:13:41,354 --> 00:13:43,924 ( sighs ) WHEN WAS THE LAST TIME YOU SPOKE WITH EZRA? 340 00:13:43,957 --> 00:13:46,026 IT'S BEEN A WHILE. WHY? 341 00:13:47,327 --> 00:13:48,561 YOU SHOULD CALL HIM. 342 00:13:48,595 --> 00:13:49,696 WHY? WHAT'S GOING ON? 343 00:13:49,729 --> 00:13:52,332 HE JUST MENTION THAT HE'S BEEN TRYING TO REACH YOU. 344 00:13:52,365 --> 00:13:53,934 HE HAS. 345 00:13:53,967 --> 00:13:55,402 BUT I CAN'T DO THAT TO JAKE. 346 00:13:55,435 --> 00:13:56,336 I SPENT OUR FIRST THREE DATES 347 00:13:56,369 --> 00:13:58,171 TRYING TO CONVINCE HIM THAT I WAS AVAILABLE, 348 00:13:58,205 --> 00:14:00,507 AND NOW I-- NOW I FINALLY FEEL LIKE I AM. 349 00:14:01,574 --> 00:14:03,110 WHAT IS THAT? 350 00:14:03,143 --> 00:14:04,311 A BUTTON. 351 00:14:04,344 --> 00:14:06,413 DO YOU THINK IT BELONGS TO RED COAT? 352 00:14:07,414 --> 00:14:09,216 ( rustling ) 353 00:14:16,523 --> 00:14:18,258 ( exhales sharply ) 354 00:14:18,291 --> 00:14:20,327 HI. SORRY I'M LATE. ( Aria and Emily sigh ) 355 00:14:20,360 --> 00:14:23,196 YEAH, SO ARE WE. YOU COULD'VE ANNOUNCED YOURSELF. 356 00:14:23,230 --> 00:14:26,099 HI, I'M SPENCER. I'M CLIMBING INTO THE CRAWLSPACE. 357 00:14:26,133 --> 00:14:27,200 WHERE HAVE YOU BEEN? 358 00:14:27,234 --> 00:14:28,635 I WAS WITH TOBY. JUST-- 359 00:14:28,668 --> 00:14:29,836 STUFF'S GOING ON. 360 00:14:29,869 --> 00:14:32,639 YEAH, THERE'S BEEN A LOT OF STUFF GOING ON FOR A WHILE NOW, 361 00:14:32,672 --> 00:14:34,607 EVER SINCE HE GAVE "A" THAT LAIR. 362 00:14:34,641 --> 00:14:36,243 HAVE YOU FOUND ANYTHING? 363 00:14:36,276 --> 00:14:37,244 A BUTTON. 364 00:14:37,277 --> 00:14:38,311 LEMME SEE. 365 00:14:39,479 --> 00:14:42,182 ( wood creaking ) TOLD YOU SHE HAS THE BEST FLASHLIGHT. 366 00:14:42,215 --> 00:14:44,051 ( thudding ) 367 00:14:44,084 --> 00:14:46,319 ( creaking continues ) 368 00:14:46,353 --> 00:14:49,689 ( footsteps ) ( whispering ) I thought Mrs. D. was with Hanna. 369 00:14:49,722 --> 00:14:51,224 UH-- 370 00:14:54,727 --> 00:14:56,997 ( phone dialing ) 371 00:15:00,400 --> 00:15:02,970 ( footsteps continuing ) 372 00:15:06,339 --> 00:15:08,908 ( phone vibrating ) 373 00:15:14,481 --> 00:15:16,483 ( sighing ) 374 00:15:30,330 --> 00:15:32,232 ( all gasping ) 375 00:15:35,735 --> 00:15:37,704 ( all whimpering ) 376 00:15:37,737 --> 00:15:38,671 SHH. 377 00:15:42,075 --> 00:15:44,077 ( footsteps ) 378 00:15:46,579 --> 00:15:49,949 ( door opens, shuts ) 379 00:15:50,750 --> 00:15:52,952 ( breathing heavily ) 380 00:15:57,157 --> 00:15:58,758 WAIT, GO BACK. HOW MANY KNITTING NEEDLES WERE THERE? 381 00:15:58,791 --> 00:16:00,127 DOES THERE NEED TO BE MORE THAN ONE? 382 00:16:00,160 --> 00:16:02,762 I'M JUST SAYING THERE COULD HAVE BEEN MORE THAN ONE PERSON UP THERE. 383 00:16:02,795 --> 00:16:04,731 THERE WAS ONE PERSON, ONE HEAVY-FOOTED PERSON 384 00:16:04,764 --> 00:16:06,466 WHO KNEW EXACTLY WHERE THOSE HOLES WERE. 385 00:16:06,499 --> 00:16:08,135 EM, THIS COULD HELP US. 386 00:16:08,168 --> 00:16:10,470 IF THAT PERSON IS CECE, WE CAN TRAP HER-- 387 00:16:10,503 --> 00:16:13,206 MAYBE WITH THE DIVA DISH ENVELOPE; WHEN YOU GO BACK THERE, YOU SHOULD-- 388 00:16:13,240 --> 00:16:15,375 IF I GO BACK THERE, IT'S TO PACK UP MY SUITCASE, OKAY? 389 00:16:15,408 --> 00:16:17,177 I'M NOT SLEEPING IN THAT HOUSE AGAIN. 390 00:16:17,210 --> 00:16:19,212 I'LL MOVE IN HERE. MOVING IN WHERE? 391 00:16:19,246 --> 00:16:21,214 HERE. YOUR BEDROOM, THIS COUCH-- 392 00:16:21,248 --> 00:16:22,482 ANYWHERE WHERE THERE'S CARPETING. 393 00:16:22,515 --> 00:16:24,117 DO YOU WANNA DO THIS TONIGHT? 394 00:16:24,151 --> 00:16:25,652 YEAH. IS THAT A PROBLEM? 395 00:16:25,685 --> 00:16:26,453 UH... 396 00:16:26,486 --> 00:16:28,488 WHO WERE YOU TALKING TO UPSTAIRS? 397 00:16:28,521 --> 00:16:30,690 TOBY. WHY? WHAT DID I MISS? 398 00:16:31,691 --> 00:16:33,460 WHAT DID WE MISS? 399 00:16:33,493 --> 00:16:35,695 SPENCE, IT'S LIKE YOU'RE LIVING A DOUBLE LIFE. 400 00:16:35,728 --> 00:16:38,165 WHAT MAKES YOU THINK I'M LIVING A DOUBLE LIFE? 401 00:16:38,198 --> 00:16:40,767 BECAUSE I HAVE AND I KNOW EXACTLY WHAT IT LOOKS LIKE. 402 00:16:40,800 --> 00:16:44,237 EVERY TIME TOBY CALLS, YOU LEAVE THE ROOM, YOUR MOOD CHANGES. 403 00:16:44,271 --> 00:16:45,705 ARE YOU PREGNANT? SHUT UP, HANNA. 404 00:16:45,738 --> 00:16:47,640 OKAY, IT'S LIKE YOU'RE HERE BUT YOU'RE NOT. 405 00:16:47,674 --> 00:16:49,742 WE GET IT. WE UNDERSTAND YOU HAVE A BOYFRIEND. 406 00:16:49,776 --> 00:16:50,777 WE'VE ALL HAD THEM. 407 00:16:50,810 --> 00:16:53,380 YEAH, EVEN EMILY. SHUT UP, HANNA. 408 00:16:53,413 --> 00:16:55,782 OKAY BUT WE DON'T PUT ANYONE ABOVE OUR FRIENDSHIP. 409 00:16:55,815 --> 00:16:57,484 I'M NOT PUTTING HIM ABOVE YOU GUYS. 410 00:16:57,517 --> 00:16:58,751 I JUST--TOBY IS-- 411 00:16:58,785 --> 00:17:01,721 HE'S DEALING WITH SOME REALLY SERIOUS STUFF. 412 00:17:01,754 --> 00:17:02,822 SPENCER, 413 00:17:02,855 --> 00:17:05,325 HANNA'S MOM MIGHT BE GOING TO PRISON, LIKE, FOR REAL. 414 00:17:05,358 --> 00:17:07,227 EMILY'S GOT A CAR PARKED IN HER LIVING ROOM, 415 00:17:07,260 --> 00:17:08,795 AND I NEARLY LOST AN EYE THIS AFTERNOON. 416 00:17:08,828 --> 00:17:10,597 I THINK... ALL OF OUR STUFF 417 00:17:10,630 --> 00:17:12,299 RANKS ON THE "SERIOUS" CHARTS. 418 00:17:13,566 --> 00:17:15,135 ( stammers ) I PROMISED HIM. 419 00:17:15,168 --> 00:17:16,336 WE KNOW. 420 00:17:17,337 --> 00:17:19,172 Hanna: SPENCE, WHAT'S THE DEAL? 421 00:17:19,206 --> 00:17:21,108 IS TOBY WORKING WITH "A" AGAIN? 422 00:17:21,141 --> 00:17:22,375 NO. 423 00:17:23,876 --> 00:17:26,246 BUT "A" IS GIVING HIM GIFTS, TOO. 424 00:17:29,749 --> 00:17:32,219 TOBY'S MOTHER MIGHT HAVE BEEN MURDERED. 425 00:17:37,590 --> 00:17:40,560 YEAH, I KNOW HE'S NOT WELL. YOU TOLD ME THAT EARLIER. 426 00:17:41,528 --> 00:17:43,730 IT IS JUST A QUICK QUESTION! 427 00:17:46,166 --> 00:17:48,301 COULD YOU PLEASE JUST GET SOMEONE 428 00:17:48,335 --> 00:17:50,537 TO GET DR. PALMER ON THE PHONE? 429 00:17:53,506 --> 00:17:56,309 FINE, THANKS. YOU'VE BEEN A BIG HELP. 430 00:17:57,310 --> 00:17:59,112 ( phone beeps ) 431 00:17:59,146 --> 00:18:01,080 ( phone chimes ) 432 00:18:15,728 --> 00:18:17,730 ( indistinct chattering ) 433 00:18:22,769 --> 00:18:24,337 ( sighs ) 434 00:18:37,250 --> 00:18:39,152 Ezra: WELL, AT LEAST I KNOW 435 00:18:39,186 --> 00:18:40,453 YOU DIDN'T LOSE IT. 436 00:18:40,487 --> 00:18:41,654 OR THROW IT IN THE RIVER. 437 00:18:41,688 --> 00:18:43,656 YEAH. UM... 438 00:18:44,891 --> 00:18:47,394 I'M SORRY, EZRA. THINGS HAVE JUST BEEN... 439 00:18:47,427 --> 00:18:48,628 PRETTY BUSY. 440 00:18:48,661 --> 00:18:49,629 NO WORRIES. 441 00:18:49,662 --> 00:18:51,431 YOU'RE HERE NOW. 442 00:18:51,464 --> 00:18:52,799 TRUE. 443 00:18:52,832 --> 00:18:54,267 UM... 444 00:18:55,302 --> 00:18:57,204 I-I CAN'T REALLY TALK RIGHT NOW. 445 00:18:57,237 --> 00:18:59,272 W--IS THERE ANOTHER TIME 446 00:18:59,306 --> 00:19:00,307 WE CAN GET TOGETHER? 447 00:19:00,340 --> 00:19:02,209 I HAVE SOMETHING I-- 448 00:19:02,242 --> 00:19:04,777 WOULD RATHER NOT SAY IT OVER THE PHONE. 449 00:19:07,914 --> 00:19:09,616 HEY. Aria: HI! 450 00:19:09,649 --> 00:19:11,484 UM, I-I JUST SAT DOWN 451 00:19:11,518 --> 00:19:12,519 AND THEN I SAW EZRA FROM-- 452 00:19:12,552 --> 00:19:14,921 UM, EZRA, THIS IS JAKE. 453 00:19:14,954 --> 00:19:15,922 JAKE, EZRA. 454 00:19:15,955 --> 00:19:17,790 NICE TO MEET YOU. 455 00:19:17,824 --> 00:19:19,926 YEAH, YOU TOO. 456 00:19:21,794 --> 00:19:24,297 Ezra: SO I SHOULD ACTUALLY GET GOING. 457 00:19:24,331 --> 00:19:25,732 I'VE GOT A LOT OF WORK TO DO. 458 00:19:25,765 --> 00:19:27,867 BUT...IT WAS NICE METING YOU. 459 00:19:27,900 --> 00:19:29,302 MMM. 460 00:19:31,738 --> 00:19:32,972 Aria: WOW, THAT WAS WEIRD. 461 00:19:33,005 --> 00:19:35,275 I--I HAD NO IDEA THAT HE WAS GONNA BE HERE. 462 00:19:35,308 --> 00:19:36,343 DON'T SWEAT IT. 463 00:19:36,376 --> 00:19:38,445 IT'S A...SMALL TOWN. 464 00:19:41,948 --> 00:19:43,450 WHAT'S THIS? 465 00:19:43,483 --> 00:19:45,184 OPEN IT. 466 00:19:52,325 --> 00:19:54,594 YOU DID NOT BUY ME-- TRY 'EM ON. 467 00:19:55,828 --> 00:19:57,297 HERE? 468 00:19:57,330 --> 00:19:59,198 YEAH. I'LL HELP YOU. 469 00:20:06,706 --> 00:20:08,841 SERIOUSLY, THOUGH, HOW'D YOU KNOW MY SIZE? 470 00:20:08,875 --> 00:20:10,877 IT'S A GIFT. 471 00:20:10,910 --> 00:20:13,246 AND A GREAT PARTY TRICK. 472 00:20:20,019 --> 00:20:21,754 HOW DOES IT FEEL? 473 00:20:23,490 --> 00:20:25,525 I THINK PEOPLE ARE STARING AT US. 474 00:20:25,558 --> 00:20:27,460 THE BOOT. 475 00:20:29,362 --> 00:20:30,630 IT'S PERFECT. 476 00:20:31,631 --> 00:20:33,366 ( chuckles ) 477 00:20:37,337 --> 00:20:39,005 TOBY CAN'T TRUST "A" ANYMORE. 478 00:20:39,038 --> 00:20:41,341 I MADE THAT REALLY CLEAR. 479 00:20:41,374 --> 00:20:43,009 HOW CAN I HELP? 480 00:20:43,042 --> 00:20:46,012 UM, JUST GRAB MY STUFF IN THE BATHROOM. 481 00:20:46,045 --> 00:20:47,614 OH, AND CHECK THE SHOWER. 482 00:20:47,647 --> 00:20:48,848 YEAH. 483 00:20:50,450 --> 00:20:51,618 ( phone chimes ) 484 00:20:52,985 --> 00:20:54,354 ( phone beeps ) 485 00:21:02,028 --> 00:21:03,596 ( sighs ) 486 00:21:18,878 --> 00:21:21,648 * LEAVE IT ALONE 487 00:21:23,383 --> 00:21:25,051 STOP MOVING. 488 00:21:25,084 --> 00:21:27,086 I CAN'T HELP IT. IT TICKLES. 489 00:21:27,119 --> 00:21:28,655 GET OVER IT. 490 00:21:28,688 --> 00:21:30,690 ( music continues indistinctly ) 491 00:21:33,660 --> 00:21:35,528 * GO 492 00:21:35,562 --> 00:21:37,830 YOU NEED TO BREAK UP WITH BEN. WHAT? 493 00:21:37,864 --> 00:21:39,366 WHY? 494 00:21:39,399 --> 00:21:40,767 BECAUSE YOU DESERVE BETTER. 495 00:21:40,800 --> 00:21:42,835 HE'S A FLATHEAD. AND DEEP DOWN, 496 00:21:42,869 --> 00:21:44,471 YOU KNOW IT'S NOT RIGHT. 497 00:21:44,504 --> 00:21:46,072 SOMETIMES IT FEELS RIGHT. 498 00:21:46,105 --> 00:21:47,640 ( scoffs ) PLEASE. 499 00:21:47,674 --> 00:21:49,075 MUSHY SQUASH. 500 00:21:49,108 --> 00:21:50,877 HE'S NOT THAT BAD. 501 00:21:50,910 --> 00:21:53,112 THAT'S WHAT'S LEFT ON THE BUFFET TABLE 502 00:21:53,145 --> 00:21:55,548 AFTER EVERYONE'S MADE THEIR CHOICES, EM. 503 00:21:55,582 --> 00:21:57,049 YOU DON'T MAKE DECISIONS, 504 00:21:57,083 --> 00:21:58,818 AND THAT'S WHAT YOU'LL END UP WITH. 505 00:21:58,851 --> 00:22:00,553 BEN REALLY CARES ABOUT ME. 506 00:22:00,587 --> 00:22:02,088 AND I DON'T WANT TO HURT HIM. 507 00:22:02,121 --> 00:22:04,691 STOP TAKING CARE OF EVERYONE BUT YOURSELF. 508 00:22:04,724 --> 00:22:07,827 ALISON-- YOU NEED TO BE CAREFUL AT WHAT YOU'RE GOOD AT, HON, 509 00:22:07,860 --> 00:22:10,463 'CAUSE YOU'LL SPEND THE REST OF YOUR LIFE DOING IT. 510 00:22:11,631 --> 00:22:13,833 AND IF YOU NEED ME TO DO THE DEED, I'M HAPPY TO. 511 00:22:13,866 --> 00:22:15,101 WHAT "DEED"? 512 00:22:15,134 --> 00:22:17,036 BREAKING UP WITH BEN. 513 00:22:17,069 --> 00:22:19,105 I'VE DONE IT FOR LOTS OF PEOPLE. 514 00:22:19,138 --> 00:22:20,707 THAT'S SO WRONG. 515 00:22:20,740 --> 00:22:22,975 WHO WOULD ASK YOU TO DO SOMETHING LIKE THAT? 516 00:22:23,009 --> 00:22:25,645 SOMETIMES PEOPLE DON'T HAVE A CHOICE. 517 00:22:25,678 --> 00:22:27,013 FRIEND OF MINE WAS INVOLVED 518 00:22:27,046 --> 00:22:29,115 WITH THIS REALLY SCARY DUDE. 519 00:22:29,148 --> 00:22:31,751 SHE COULDN'T DO IT, SO I STEPPED IN. 520 00:22:31,784 --> 00:22:33,753 BUT THE BITCH DIDN'T TELL ME THAT HE HAD A GUN-- 521 00:22:33,786 --> 00:22:35,121 WHICH HE PULLED ON ME. 522 00:22:35,154 --> 00:22:36,923 WHAT?! WHO! 523 00:22:36,956 --> 00:22:38,991 A BOY AT OUR SCHOOL HAS A GUN? 524 00:22:39,025 --> 00:22:40,126 YOU DON'T KNOW HIM. 525 00:22:40,159 --> 00:22:41,994 HE DOESN'T GO TO OUR SCHOOL... 526 00:22:42,962 --> 00:22:45,097 ANYMORE. 527 00:22:45,131 --> 00:22:46,766 OTHER FOOT. 528 00:22:50,537 --> 00:22:52,572 Spencer: HEY. THIS IS EVERYTHING. 529 00:22:54,040 --> 00:22:56,108 WHAT'S WRONG? 530 00:22:56,142 --> 00:22:58,177 DID YOU KNOW THAT ALI ONCE HAD A GUN PULLED ON HER? 531 00:22:58,210 --> 00:23:01,481 WHAT? ALI USED TO HELP PEOPLE BREAK UP WITH THEIR BOYFRIENDS 532 00:23:01,514 --> 00:23:03,115 WHEN THE DIDN'T WANT TO DEAL WITH IT THEMSELVES. 533 00:23:03,149 --> 00:23:05,452 WHAT IF THAT WAS A FAVOR SHE DID FOR CECE, 534 00:23:05,485 --> 00:23:07,053 AND THAT CREEPY DUDE WAS WILDEN? 535 00:23:07,086 --> 00:23:08,488 WHOA, EMILY, SLOW DOWN. 536 00:23:08,521 --> 00:23:09,989 NO, W-WHEN I SAW THAT PHOTO 537 00:23:10,022 --> 00:23:12,191 OF WILDEN WITH HIS ARMS AROUND ALI AND CECE, 538 00:23:12,224 --> 00:23:14,594 I ASSUMED THAT HE WAS SEEING ALI. 539 00:23:14,627 --> 00:23:17,497 WHAT IF CECE WAS DATING JASON AND WILDEN? 540 00:23:17,530 --> 00:23:18,698 SO WHAT IF SHE WAS? 541 00:23:18,731 --> 00:23:20,099 MAYBE WHEN SHE CAME BACK TO ROSEWOOD, 542 00:23:20,132 --> 00:23:21,233 HE TRIED TO HOOK UP WITH HER, 543 00:23:21,267 --> 00:23:23,169 AND THE ONLY WAY TO GET RID OF HIM WAS TO KILL HIM? 544 00:23:32,945 --> 00:23:34,213 CeCe: HELLO? 545 00:23:34,246 --> 00:23:35,948 WHERE ARE YOU? 546 00:23:35,982 --> 00:23:37,884 I'M NOT WAITING HERE FOREVER. 547 00:23:37,917 --> 00:23:38,818 AND I SURE AS HELL 548 00:23:38,851 --> 00:23:41,420 AM NOT GOING BACK TO ROSEWOOD. 549 00:23:42,522 --> 00:23:43,823 CALL ME. 550 00:23:52,565 --> 00:23:54,567 * GOT A LITTLE BOOM IN MY BIG TRUCK * 551 00:23:54,601 --> 00:23:56,703 * GONNA OPEN UP THE DOORS AND TURN IT UP * 552 00:23:56,736 --> 00:23:59,071 * GONNA STOP MY BOOTS IN THE GEORGIA MUD * 553 00:23:59,105 --> 00:24:01,040 * GONNA WATCH YOU MAKE ME FALL IN LOVE * 554 00:24:01,073 --> 00:24:03,676 * GET UP ON THE HOOD OF MY DADDY'S TRACTOR * 555 00:24:03,710 --> 00:24:05,845 * UP ON THE TOOLBOX, IT DON'T MATTER * 556 00:24:05,878 --> 00:24:08,047 * DOWN ON THE TAILGATE, GIRL, I CAN'T WAIT * 557 00:24:08,080 --> 00:24:09,415 * TO WATCH YOU DO YOUR THING * 558 00:24:09,448 --> 00:24:12,685 * SHAKE IT FOR THE YOUNG BUCKS SITTIN' IN THE HONKY-TONKS * 559 00:24:12,719 --> 00:24:14,754 * FOR THE REDNECKS ROCKIN' TILL THE BREAK OF DAWN * OH. 560 00:24:14,787 --> 00:24:16,623 SHOULD'VE COME HERE ON HORSEBACK. 561 00:24:16,656 --> 00:24:19,025 OH, COME ON. GO WITH IT, HAN. 562 00:24:20,126 --> 00:24:21,193 WELL, 563 00:24:21,227 --> 00:24:22,629 WHAT'LL IT BE, MA'AM? 564 00:24:22,662 --> 00:24:24,731 'CAN I GET YOU A NICE, TALL GLASS 565 00:24:24,764 --> 00:24:26,032 OF SARSAPARILLA? 566 00:24:26,065 --> 00:24:28,134 ( both chuckling ) 567 00:24:32,705 --> 00:24:34,273 Travis: DO YOU WANNA DANCE? 568 00:24:34,306 --> 00:24:36,242 ( sighs ) WHAT? 569 00:24:37,544 --> 00:24:38,845 DANCE WITH ME. 570 00:24:38,878 --> 00:24:40,212 OKAY, ARE YOU OUT OF YOUR MIND? 571 00:24:40,246 --> 00:24:42,048 WHY WOULD I WANNA DANCE WITH YOU? 572 00:24:42,081 --> 00:24:44,651 BECAUSE I PUT THAT ENVELOPE IN YOUR LOCKER. 573 00:24:46,152 --> 00:24:47,987 I KNOW YOUR MOM'S INNOCENT. 574 00:24:49,088 --> 00:24:50,222 ( gasps ) 575 00:24:55,695 --> 00:24:56,896 WHO ARE YOU? 576 00:24:56,929 --> 00:24:58,531 I WAS AT THE LAKE THAT NIGHT. 577 00:24:58,565 --> 00:25:00,032 WILDEN CALLED US TO TOW HIS CAR OUT. 578 00:25:00,066 --> 00:25:02,769 LOOK, MY FAMILY OWNS THE GARAGE ON THE CORNER OF BROADMOOR AND LASHER. 579 00:25:02,802 --> 00:25:04,737 WAIT, YOU WERE AT THE LAKE THAT NIGHT? 580 00:25:04,771 --> 00:25:07,039 YEAH, YOUR MOM WAS THERE TALKING TO WILDEN. 581 00:25:07,073 --> 00:25:09,609 SHE DIDN'T SEE ME, BUT I SAW HER DRIVE OFF. 582 00:25:11,043 --> 00:25:13,145 ( sighs ) I HEARD GUNSHOTS... 583 00:25:13,179 --> 00:25:15,782 AFTER I SAW YOUR MOM DRIVE AWAY. 584 00:25:15,815 --> 00:25:17,750 AND I SAW SOMEONE RUNNING THROUGH THE WOODS. 585 00:25:17,784 --> 00:25:19,619 WHO? WHO DID YOU SEE? 586 00:25:19,652 --> 00:25:21,320 I DON'T KNOW, BUT IT WAS A GIRL. 587 00:25:21,353 --> 00:25:23,155 Caleb: HEY, HANNA. 588 00:25:23,189 --> 00:25:26,092 YOU, UH, HATE THIS, WE CAN SWITCH. 589 00:25:26,125 --> 00:25:28,861 I GOT LEMONADE, SO... 590 00:25:28,895 --> 00:25:31,564 UM, ACTUALLY CAN YOU HOLD THAT FOR ONE SECOND? 591 00:25:31,598 --> 00:25:32,599 I JUST-- 592 00:25:32,632 --> 00:25:34,667 I HAVE TO DANCE WITH-- TRAVIS. 593 00:25:34,701 --> 00:25:36,869 YEAH. H--ONE OF ARIA'S... 594 00:25:36,903 --> 00:25:39,906 BROTHER'S FRIENDS FROM LACROSSE. 595 00:25:39,939 --> 00:25:41,040 IT WAS A BET. 596 00:25:41,073 --> 00:25:43,676 SO, COME ON, TRAVIS. LET'S DANCE. 597 00:25:43,710 --> 00:25:45,912 * THERE'S A LITTLE MOONLIGHT * 598 00:25:46,913 --> 00:25:48,147 * DANCING ON THE SAND 599 00:25:48,180 --> 00:25:50,149 WHY'D YOU WAIT SO LONG? 600 00:25:50,182 --> 00:25:51,951 IT'S COMPLICATED. 601 00:25:51,984 --> 00:25:53,820 I KNOW COMPLICATED. 602 00:25:53,853 --> 00:25:56,589 LOOK, MY DAD AND WILDEN-- THERE'S BAD BLOOD BETWEEN THEM. 603 00:25:57,624 --> 00:25:59,125 MY DAD COULD'VE LOOKED JUST AS GUILTY 604 00:25:59,158 --> 00:26:00,326 AS YOUR MOM LOOKS NOW. 605 00:26:00,359 --> 00:26:02,194 THAT STILL DOESN'T GET YOU OFF THE HOOK. 606 00:26:02,228 --> 00:26:04,697 IT WAS ME AND A DEAD BODY. WHO'S GONNA BELIEVE ME WHEN I SAY I SAW SOMEONE 607 00:26:04,731 --> 00:26:06,232 RUNNING THROUGH THE WOODS? 608 00:26:06,265 --> 00:26:08,668 WAS THAT SOMEBODY A BLONDE? 609 00:26:08,701 --> 00:26:10,837 IT WAS VERY DARK, BUT I THINK SO. 610 00:26:10,870 --> 00:26:12,204 WHERE'D THE CASH COME FROM? 611 00:26:12,238 --> 00:26:14,073 WHEN I SAW HIS BODY, I-- 612 00:26:14,106 --> 00:26:16,843 I PANICKED. I LEFT MY TRUCK AT THE LAKE. 613 00:26:16,876 --> 00:26:18,645 THEN IT SHOWED UP LATER AT THE GARAGE. 614 00:26:18,678 --> 00:26:20,146 THAT ENVELOPE WAS ON THE SEAT, 615 00:26:20,179 --> 00:26:22,114 SO WHOEVER DELIVERED THAT THOUGHT IT WOULD SHUT ME UP. 616 00:26:22,148 --> 00:26:23,115 WELL IT DID. 617 00:26:23,149 --> 00:26:24,617 * IF I LEAVE MY HEART 618 00:26:24,651 --> 00:26:26,218 * WITH YOU TONIGHT 619 00:26:26,252 --> 00:26:27,887 * WILL YOU PROMISE ME 620 00:26:27,920 --> 00:26:31,323 * THAT YOU'RE GONNA TREAT IT RIGHT? * 621 00:26:32,324 --> 00:26:34,360 HOWDY, CALEB. HOW'S IT GOING? 622 00:26:34,393 --> 00:26:35,194 WHAT ARE THEY SERVING? 623 00:26:35,227 --> 00:26:37,263 UH, I WOULD JUST STICK WITH WATER. 624 00:26:37,296 --> 00:26:39,699 EVERYTHING ELSE TASTES LIKE COUGH SYRUP. WHERE'S HANNA? 625 00:26:39,732 --> 00:26:42,702 SHE'S DANCING OFF SOME BET WITH ONE OF YOUR BROTHER'S TEAMMATES. 626 00:26:42,735 --> 00:26:44,671 YOU KNOW ANYTHING ABOUT THAT? 627 00:26:44,704 --> 00:26:48,240 OH--YEAH, MIKE IS SO IMMATURE. ( scoffs ) 628 00:26:48,274 --> 00:26:49,341 I'LL HAVE A WATER. 629 00:26:49,375 --> 00:26:50,376 PLEASE. 630 00:26:54,814 --> 00:26:56,215 IT'S NOT AS HARD AS IT LOOKS. 631 00:26:56,248 --> 00:26:58,117 MY FATHER TAUGHT ME HOW TO TWO-STEP. 632 00:26:58,150 --> 00:26:59,251 HE LEARNED AT THE BASE. 633 00:26:59,285 --> 00:27:01,754 IN TEXAS, IT'S PART OF BASIC TRAINING. 634 00:27:01,788 --> 00:27:03,122 ( chuckles ) WELL WE SHOULD ALL BE DRAFTED 635 00:27:03,155 --> 00:27:06,258 BECAUSE I DON'T KNOW THE DIFFERENCE BETWEEN A TWO-STEP AND A POLKA. 636 00:27:06,292 --> 00:27:07,393 BUT...YOU'LL LEAD, 637 00:27:07,426 --> 00:27:08,394 RIGHT, TOBY? 638 00:27:08,427 --> 00:27:10,029 SURE. 639 00:27:10,062 --> 00:27:11,964 WHAT'S A POLKA? ( chuckles ) 640 00:27:11,998 --> 00:27:14,400 * IF I LEAVE MY HEART 641 00:27:14,433 --> 00:27:16,268 * WITH YOU TONIGHT 642 00:27:16,302 --> 00:27:18,437 * WILL YOU PROMISE ME GIRL, YOU'RE GONNA TREAT IT RIGHT? * 643 00:27:18,470 --> 00:27:20,907 DID YOU KNOW THAT PAIGE WAS GONNA BE HERE? 644 00:27:20,940 --> 00:27:22,675 UM, SORTA. 645 00:27:22,709 --> 00:27:24,944 SHE DIDN'T KNOW THAT I WAS, THOUGH. 646 00:27:26,946 --> 00:27:30,717 * SO IF I FALL 647 00:27:30,750 --> 00:27:33,652 * CAN YOU LET ME DOWN EASY? * 648 00:27:34,921 --> 00:27:38,858 * IF I FALL 649 00:27:38,891 --> 00:27:39,726 I DON'T GET IT. 650 00:27:39,759 --> 00:27:41,828 IF YOU WERE SO SCARED OF LOOKING GUILTY, 651 00:27:41,861 --> 00:27:43,429 WHY WOULD YOU LEAVE YOUR TRUCK AT THE LAKE? 652 00:27:43,462 --> 00:27:44,463 I-I FREAKED OUT, OKAY? 653 00:27:44,496 --> 00:27:45,264 IT WAS STUPID, I KNOW. 654 00:27:45,297 --> 00:27:47,033 BUT I CAN'T HIDE THAT MONEY ANYMORE. 655 00:27:47,066 --> 00:27:48,034 YOUR MOM NEEDS IT. 656 00:27:48,067 --> 00:27:49,035 NO. 657 00:27:49,068 --> 00:27:50,770 YOU HAVE TO SPEAK TO THE POLICE. 658 00:27:50,803 --> 00:27:52,338 LOOK, I-I'M NOT GONNA SELL OUT MY OWN FAMILY 659 00:27:52,371 --> 00:27:53,539 TO SAVE YOURS. 660 00:27:53,572 --> 00:27:56,008 ALL RIGHT, THE POLICE SHOULD'VE FIGURED THIS OUT BY NOW. 661 00:27:56,042 --> 00:27:57,109 WELL THEY HAVEN'T! 662 00:27:57,143 --> 00:27:58,778 AND NOW THEY HAVE PHYSICAL PROOF 663 00:27:58,811 --> 00:28:00,212 THAT MY MOM WAS THERE AT THE LAKE THAT NIGHT. 664 00:28:00,246 --> 00:28:02,048 AND SHE'S LOOKING GUILTIER EVERY MINUTE. 665 00:28:02,081 --> 00:28:03,950 SO WHAT ARE YOU GONNA DO ABOUT IT? 666 00:28:05,051 --> 00:28:06,986 I'VE DONE EVERYTHING THAT I'M GONNA DO. 667 00:28:08,821 --> 00:28:11,357 ( song ends ) ( crowd applauding and cheering) 668 00:28:13,960 --> 00:28:15,261 ( new song begins ) 669 00:28:15,294 --> 00:28:16,929 Girl: YEE-HAW! 670 00:28:22,769 --> 00:28:25,972 * TAKE ME BACK TO THE MUDDY WATER * 671 00:28:26,005 --> 00:28:28,808 * WHERE THE BULL AND THE COW DON'T BOTHER * 672 00:28:28,841 --> 00:28:31,377 * PICK UP A GIRL I KNOW WON'T HOLLER * 673 00:28:31,410 --> 00:28:33,946 * HEAD OUT OF TOWN, WATCH THE SUN GO DOWN * 674 00:28:33,980 --> 00:28:36,783 * MAYBE LATER WE'LL CALL SOME FRIENDS * 675 00:28:36,816 --> 00:28:39,251 * TELL 'EM, "MEET US WHERE THE PAVEMENT ENDS" * 676 00:28:43,155 --> 00:28:45,357 * I GOT SOME FAT WOOD 677 00:28:45,391 --> 00:28:46,826 * ROLLING IN THE TRUCK BED 678 00:28:46,859 --> 00:28:49,228 * FINE PINE, THAT'S WHAT SHE SAID * 679 00:28:49,261 --> 00:28:51,497 * FOUND IT IN THE FOREST WHERE THE KINDLIN' STRONG * 680 00:28:51,530 --> 00:28:54,233 * IT BURNS REAL HOT BUT IT DON'T LAST LONG * 681 00:28:54,266 --> 00:28:56,903 * JUST 'CAUSE I GOT HER WARM DON'T MEAN I'LL SEE SKIN * 682 00:28:56,936 --> 00:28:59,806 * BUT I'M GONNA START A FIRE WHERE THE PAVEMENT ENDS * 683 00:29:01,307 --> 00:29:04,777 * YOU CAN GET A BUZZ, BLAME IT ON THE RADIO * 684 00:29:04,811 --> 00:29:07,046 * FIND THE LIGHTER, LIVE A LITTLE HIGHER * 685 00:29:07,079 --> 00:29:11,517 * TAKE IT ALL IN, LET THE GOOD TIMES ROLL * 686 00:29:11,550 --> 00:29:13,853 * AND ON A CLEAR NIGHT 687 00:29:13,886 --> 00:29:15,221 * WHO NEEDS THE HEADLIGHTS 688 00:29:15,254 --> 00:29:18,124 * DROP IT IN "LOW," DRIVE BY THE MOONLIGHT * 689 00:29:18,157 --> 00:29:20,192 * OUT HERE THE WORLD DON'T SPIN * 690 00:29:20,226 --> 00:29:23,029 * EVERYTHING STOPS WHERE THE PAVEMENT ENDS * 691 00:29:32,138 --> 00:29:33,840 * DROP ME OFF 692 00:29:33,873 --> 00:29:35,441 * ON HOMEGROWN RED CLAY 693 00:29:35,474 --> 00:29:38,277 * WHERE THE DEER AND THE 'POSSUM DO PLAY * 694 00:29:38,310 --> 00:29:39,411 * TURN OFF THE PHONE 695 00:29:39,445 --> 00:29:40,980 * IT'S NEVER TOO LATE 696 00:29:41,013 --> 00:29:43,282 * TO CAST A LINE, CATCH SOME PEACE OF MIND * 697 00:29:43,315 --> 00:29:45,551 * LIFE'S TOO FAST TO RUN, MY FRIEND * 698 00:29:45,584 --> 00:29:47,586 * SLOW IT ON DOWN WHERE THE PAVEMENT ENDS * 699 00:29:47,619 --> 00:29:49,889 SO THIS KID FALLS OUT OF THE SKY NOW? 700 00:29:49,922 --> 00:29:52,158 HANNA, "A" DELIVERED THAT TRUCK. 701 00:29:52,191 --> 00:29:54,026 "A" PUT THAT MONEY IN THERE. 702 00:29:54,060 --> 00:29:56,295 HOW DO YOU KNOW THIS KID ISN'T WORKING FOR "A"? 703 00:29:57,429 --> 00:29:58,397 * EVERYTHING STOPS 704 00:29:58,430 --> 00:30:00,166 * WHERE THE PAVEMENT ENDS 705 00:30:00,199 --> 00:30:02,001 Caleb: HOW CAN YOU TRUST THIS GUY? 706 00:30:02,034 --> 00:30:03,435 ( song ends ) YOU'RE RIGHT. 707 00:30:03,469 --> 00:30:06,272 I CAN'T. ( crowd cheering and whooping ) 708 00:30:06,305 --> 00:30:08,307 BUT I'M GONNA HAVE TO. 709 00:30:08,340 --> 00:30:10,342 ( new song begins ) 710 00:30:14,446 --> 00:30:17,950 * MY LOVER'S GONE AND DONE ME WRONG * 711 00:30:18,951 --> 00:30:21,153 ( music continues indistinctly ) 712 00:30:25,291 --> 00:30:26,926 WANNA DANCE? 713 00:30:26,959 --> 00:30:28,594 ( chuckles softly ) 714 00:30:28,627 --> 00:30:29,996 SURE. 715 00:30:31,063 --> 00:30:34,033 * SHE PACKED UP AND LEFT ME * 716 00:30:34,066 --> 00:30:36,302 * FOR SOME ONE NIGHT... 717 00:30:37,303 --> 00:30:38,837 HEY, THERE. 718 00:30:39,671 --> 00:30:41,207 HI. 719 00:30:41,240 --> 00:30:43,409 JAKE, WHAT CAN I DO FOR YOU? 720 00:30:43,442 --> 00:30:46,078 YOU COULD START BY GIVING US A LITTLE BIT MORE SPACE. 721 00:30:47,079 --> 00:30:48,547 I'M SORRY? 722 00:30:48,580 --> 00:30:51,583 I'M GUESSING BEING A CHAPERONE WASN'T MANDATORY TONIGHT. 723 00:30:53,119 --> 00:30:56,288 NOW YOU GOTTA HAVE BETTER THINGS TO DO ON A FRIDAY NIGHT, DUDE. 724 00:30:56,322 --> 00:30:58,290 LOOK, IF YOU THINK I'M HERE 725 00:30:58,324 --> 00:30:59,425 BECAUSE-- 726 00:30:59,458 --> 00:31:00,526 I KNOW WHY YOU'RE HERE. 727 00:31:01,627 --> 00:31:04,030 AND I KNOW WHY YOU'RE HURTING, MAN... 728 00:31:04,063 --> 00:31:06,933 BUT YOU GOTTA LET HER MOVE ON. 729 00:31:06,966 --> 00:31:10,002 * ANY FOOL, I'D PLAY IT, TOO... * 730 00:31:11,003 --> 00:31:13,105 I'LL TAKE TWO LEMONADES, PLEASE. 731 00:31:15,074 --> 00:31:17,576 ( slow song playing ) 732 00:31:23,015 --> 00:31:25,251 DID EMILY SAY ANYTHING TO YOU? 733 00:31:25,284 --> 00:31:27,086 ABOUT WHAT? 734 00:31:27,119 --> 00:31:29,188 NOTHING. 735 00:31:32,024 --> 00:31:34,026 HEY, LOOK, IF YOU DON'T WANNA DANCE, WE DON'T-- 736 00:31:34,060 --> 00:31:35,127 NO, NO, NO. I DO. I DO. 737 00:31:35,161 --> 00:31:36,562 JUST-- 738 00:31:37,663 --> 00:31:39,999 I GOT AN ADDRESS NOW FOR PALMER'S CAR 739 00:31:40,032 --> 00:31:41,233 AND I WANNA GO THERE. 740 00:31:41,267 --> 00:31:43,035 WHAT? WHERE DID YOU GET THAT? 741 00:31:44,103 --> 00:31:45,671 IT'S LESS THAN TWO MILES AWAY FROM HERE, 742 00:31:45,704 --> 00:31:47,273 AND IF--IF THOSE LAST SESSIONS 743 00:31:47,306 --> 00:31:48,374 WITH MY MOTHER ARE IN THERE-- 744 00:31:48,407 --> 00:31:50,376 IS THIS WHAT WAS ON YOUR PHONE? 745 00:31:50,409 --> 00:31:52,178 ANOTHER GIFT? 746 00:31:52,211 --> 00:31:53,946 TOBY, WHO ARE YOU HERE WITH, 747 00:31:53,980 --> 00:31:55,114 ME OR "A"? 748 00:31:55,147 --> 00:31:57,249 WHY ARE YOU TRYING TO KEEP ME FROM KNOWING THE TRUTH? 749 00:31:57,283 --> 00:31:59,051 IT'S LIKE I BRING THIS UP AND I GET SHUT DOWN. 750 00:31:59,085 --> 00:32:00,719 NO, I'M NOT SHUTTING YOU DOWN, OKAY? 751 00:32:00,752 --> 00:32:02,688 I JUST DON'T WANNA SEE THIS THING BLOW UP IN YOUR FACE. 752 00:32:02,721 --> 00:32:04,957 I KNOW WHAT I'M DOING. NO, YOU DON'T. 753 00:32:04,991 --> 00:32:06,658 THAT'S THE THING. NONE OF US DO. 754 00:32:06,692 --> 00:32:08,627 OKAY, WE'RE ALL JUST TRYING TO MAKE THIS UP AS WE GO ALONG, 755 00:32:08,660 --> 00:32:10,496 BUT EVERYBODY THINKS THAT YOU'RE PLAYING WITH F-- 756 00:32:10,529 --> 00:32:12,064 WHOA, WHOA. 757 00:32:12,098 --> 00:32:13,565 WHO'S "EVERYBODY"? 758 00:32:13,599 --> 00:32:15,434 WHO ELSE KNOWS ABOUT MY MOTHER? 759 00:32:16,702 --> 00:32:18,370 DID YOU TELL YOUR FRIENDS? 760 00:32:20,472 --> 00:32:22,041 WHY WOULD YOU DO THAT? 761 00:32:22,074 --> 00:32:24,310 NOW THAT--THAT WILL BE THE LAST TEXT 762 00:32:24,343 --> 00:32:25,577 THAT I EVER GET. 763 00:32:25,611 --> 00:32:27,313 THAT'S FOR THE BEST. 764 00:32:27,346 --> 00:32:29,515 OKAY, I DIDN'T MEAN TO-- I TRUSTED YOU. 765 00:32:29,548 --> 00:32:31,550 I KNOW. 766 00:32:31,583 --> 00:32:33,719 BUT KEEPING THIS A SECRET HAS MEANT THAT I'VE HAD TO CHOOSE 767 00:32:33,752 --> 00:32:34,720 BETWEEN YOU AND THEM. 768 00:32:34,753 --> 00:32:36,322 RIGHT. 769 00:32:36,355 --> 00:32:37,589 AND YOU CHOSE THEM. 770 00:32:37,623 --> 00:32:40,159 * WISH I COULD TELL YOU 771 00:32:41,160 --> 00:32:44,230 * WORDS CAN'T BE FOUND 772 00:32:45,231 --> 00:32:50,236 * WHENEVER YOU COME AROUND 773 00:32:51,237 --> 00:32:55,774 * I GET WEAK IN THE KNEES 774 00:32:55,807 --> 00:32:58,010 * AND I LOSE MY BREATH 775 00:33:02,381 --> 00:33:03,649 ( slow country song playing ) 776 00:33:03,682 --> 00:33:04,783 Spencer: HEY. 777 00:33:04,816 --> 00:33:06,418 HEY, DID YOU DRIVE HERE? 778 00:33:06,452 --> 00:33:08,187 YEAH. WHY? DO YOU NEED A RIDE? 779 00:33:08,220 --> 00:33:09,421 NO, I NEED YOU TO FOLLOW TOBY. 780 00:33:09,455 --> 00:33:12,324 HERE, JUST GIMME THOSE PLATES, OKAY? I'LL FEED HANNA. YEAH. 781 00:33:12,358 --> 00:33:13,625 W-WHAT IS GOING ON? 782 00:33:13,659 --> 00:33:15,061 I THINK "A's" TRYING TO SET HIM UP. 783 00:33:15,094 --> 00:33:17,696 BUT I NEED YOU TO GO NOW, QUICK, BEFORE HE PULLS OUT OF THE LOT, PLEASE. 784 00:33:17,729 --> 00:33:19,531 GO. OKAY, OKAY, OKAY. 785 00:33:21,267 --> 00:33:25,604 * WHENEVER YOU COME AROUND 786 00:33:29,275 --> 00:33:30,709 Aria: HEY. 787 00:33:30,742 --> 00:33:33,412 WHO WAS THAT GUY HANNA WAS DANCING WITH EARLIER? 788 00:33:33,445 --> 00:33:35,114 I DIDN'T SEE HIM. 789 00:33:35,147 --> 00:33:36,748 UH, HAVE YOU SPOKEN TO EZRA? 790 00:33:36,782 --> 00:33:39,118 UM, NO. 791 00:33:39,151 --> 00:33:40,486 HE'S RIGHT OVER THERE. 792 00:33:40,519 --> 00:33:42,388 YEAH, EMILY, I KNOW. 793 00:33:42,421 --> 00:33:44,490 I JUST DON'T WANT A REPEAT OF THIS AFTERNOON. 794 00:33:44,523 --> 00:33:47,259 WE HAD THE WEIRDEST PILE-UP TODAY AT THE BREW. 795 00:33:47,293 --> 00:33:48,227 I MEAN, EZRA JUST-- 796 00:33:48,260 --> 00:33:51,063 HE LOOKED LIKE THIS WET, SAD PUPPY, AND JAKE-- 797 00:33:51,097 --> 00:33:52,264 DID YOU EVER EVEN CALL HIM? 798 00:33:52,298 --> 00:33:54,133 I CAN'T, EMILY I TOLD YOU. 799 00:33:54,166 --> 00:33:56,268 HOW IS JAKE SUPPOSED TO BELIEVE THAT IT'S REALLY OVER? 800 00:33:56,302 --> 00:33:57,736 OKAY, THIS ISN'T ABOUT JAKE. 801 00:33:57,769 --> 00:33:59,538 HE'S LOSING MALCOLM. 802 00:33:59,571 --> 00:34:01,173 FIRST HE LOSES YOU, 803 00:34:01,207 --> 00:34:03,809 AND NOW MAGGIE'S MOVING HIS KID ACROSS THE COUNTRY. 804 00:34:03,842 --> 00:34:05,777 HE'S IN A REALLY BAD PLACE. 805 00:34:05,811 --> 00:34:07,713 THAT'S WHAT HE WANTED TO TALK ABOUT? 806 00:34:31,170 --> 00:34:33,772 ( metal rattling ) 807 00:34:42,348 --> 00:34:43,782 ( breathes deeply, clears throat ) 808 00:34:43,815 --> 00:34:45,651 YOU LEFT BEFORE WE COULD FINISH. 809 00:34:46,885 --> 00:34:48,454 I TOLD YOU EVERYTHING I KNEW. 810 00:34:48,487 --> 00:34:50,522 THIS MONEY IS NOT GONNA HELP MY MOM 811 00:34:50,556 --> 00:34:51,857 OR YOU. 812 00:34:51,890 --> 00:34:53,859 YOU HAVE TO GIVE IT TO THE POLICE. 813 00:34:53,892 --> 00:34:55,461 DO NOT GIVE ME THAT. 814 00:34:55,494 --> 00:34:58,197 I KNOW HOW IT FEELS TO BE BLACKMAILED. 815 00:34:58,230 --> 00:34:59,765 OKAY, YOU CAN'T WISH IT AWAY. 816 00:34:59,798 --> 00:35:02,201 YOU HAVE TO DO SOMETHING. 817 00:35:02,234 --> 00:35:04,336 I'M NOT SELLING OUT MY OWN DAD. 818 00:35:04,370 --> 00:35:05,804 TRAVIS, MY MOM 819 00:35:05,837 --> 00:35:08,440 STILL BELIEVES THAT THE TRUTH WILL GET HER OUT OF THIS. 820 00:35:08,474 --> 00:35:11,143 AND YOU'RE HOLDING THAT TRUTH. 821 00:35:16,948 --> 00:35:18,784 LOOK, I KNOW YOU'RE SCARED. 822 00:35:18,817 --> 00:35:20,852 BUT YOU WOULDN'T HAVE COME TO ME 823 00:35:20,886 --> 00:35:23,489 IF YOU WEREN'T READY TO DO THE RIGHT THING. 824 00:35:33,465 --> 00:35:35,901 ( country music playing indistinctly ) 825 00:35:35,934 --> 00:35:37,503 HEY, WHERE THE HELL IS HANNA? 826 00:35:37,536 --> 00:35:39,471 I DON'T KNOW, BUT I THINK I SAW "RED COAT." 827 00:35:39,505 --> 00:35:41,640 WHAT? WAIT, WHERE? WAS IT CECE? 828 00:35:41,673 --> 00:35:43,775 I DON'T KNOW. IT WAS A FLASH, AND THEN SHE DISAPPEARED. 829 00:35:43,809 --> 00:35:45,777 I LOOKED UP FOR A SECOND RIGHT OVER THERE. 830 00:35:46,778 --> 00:35:48,146 THERE SHE IS. 831 00:35:59,791 --> 00:36:02,428 I SEE SOMEONE... HEADING DOWN THE MAIN ROAD. 832 00:36:02,461 --> 00:36:04,663 OH, EXCUSE ME. CAN WE PLEASE BORROW YOUR TRUCK? 833 00:36:04,696 --> 00:36:05,931 UH, NO. 834 00:36:05,964 --> 00:36:07,699 LAST HAY RIDE IS AT 9:30. 835 00:36:07,733 --> 00:36:09,268 NO, NO, NO. WE DON'T WANT A HAY RIDE. 836 00:36:09,301 --> 00:36:10,769 WE JUST--WE NEED TO CATCH UP WITH OUR FRIEND. 837 00:36:10,802 --> 00:36:12,871 WELL I'M SORRY, PIPPY LONGSTOCKING, 838 00:36:12,904 --> 00:36:14,940 BUT, UH, I'M DONE FOR THE NIGHT. 839 00:36:19,811 --> 00:36:21,179 ( sighs ) 840 00:36:34,593 --> 00:36:36,295 EZRA, I'M SO SORRY. 841 00:36:36,328 --> 00:36:37,829 I HAD NO IDEA WHAT WAS GOING ON. 842 00:36:37,863 --> 00:36:39,731 IT WAS EMILY WHO TOLD YOU? 843 00:36:39,765 --> 00:36:40,832 SHE HAD TO. 844 00:36:40,866 --> 00:36:41,900 UH-- 845 00:36:41,933 --> 00:36:43,969 LOOK, I-I THOUGHT THAT YOU WERE CALLING ME BECAUSE-- 846 00:36:44,002 --> 00:36:45,437 WE DON'T HAVE TO DO THIS NOW. 847 00:36:45,471 --> 00:36:46,705 NO, IF I WOULD'VE KNOWN-- 848 00:36:46,738 --> 00:36:48,607 IT'S OKAY, ARIA. 849 00:36:48,640 --> 00:36:50,976 I HAVE NO RIGHT TO BE INVADING YOUR LIFE WITH MY PROBLEMS. 850 00:36:51,009 --> 00:36:52,344 YOU SHOULD GET BACK TO JAKE. 851 00:36:52,378 --> 00:36:53,479 ( sighs ) 852 00:36:54,946 --> 00:36:57,449 ( clutch grinding ) 853 00:36:58,450 --> 00:36:59,785 HURRY! 854 00:36:59,818 --> 00:37:02,354 I-I CAN'T GET IT INTO FIRST GEAR. 855 00:37:02,388 --> 00:37:03,889 IS YOUR FOOT ON THE BRAKE? NO, IT'S ON THE CLUTCH. 856 00:37:03,922 --> 00:37:06,492 ( clutch grinding ) 857 00:37:06,525 --> 00:37:08,860 OH! 858 00:37:08,894 --> 00:37:09,895 ( lurching ) 859 00:37:09,928 --> 00:37:12,631 ( both panting ) 860 00:37:14,366 --> 00:37:15,967 DO YOU WANNA TRY THIS? 861 00:37:16,001 --> 00:37:18,003 SERIOUSLY, THIS WAS NOT ON MY DRIVER'S ED TEST. 862 00:37:18,036 --> 00:37:19,638 ( engine stalls ) 863 00:37:48,700 --> 00:37:50,536 ( grunting ) 864 00:37:58,644 --> 00:37:59,911 ( gasping ) 865 00:38:12,958 --> 00:38:14,793 ( rustling ) 866 00:38:14,826 --> 00:38:16,662 DON'T DO IT. 867 00:38:16,695 --> 00:38:17,729 WHAT ARE YOU DOING HERE? 868 00:38:17,763 --> 00:38:19,798 I'M STOPPING YOU FROM DOING SOMETHING REALLY STUPID. 869 00:38:19,831 --> 00:38:21,132 YOU DON'T KNOW WHAT'S GOING ON. JUST LEAVE ME ALONE. 870 00:38:21,166 --> 00:38:23,935 ALL I KNOW IS THAT SPENCER IS REALLY FREAKED OUT THAT YOU'RE HERE. 871 00:38:23,969 --> 00:38:25,737 I DON'T NEED AN INTERVENTION. 872 00:38:25,771 --> 00:38:27,806 JUST GO BACK TO THE PARTY. 873 00:38:27,839 --> 00:38:30,942 IF THIS HAS ANYTHING TO DO WITH "A," THEN YOU NEED A REALITY CHECK. 874 00:38:33,078 --> 00:38:35,046 ( vehicle approaching ) 875 00:38:40,819 --> 00:38:43,622 ( siren whooping ) 876 00:38:47,726 --> 00:38:49,761 Lieutenant Tanner: I JUST HAVE A COUPLE MORE QUESTIONS. 877 00:38:49,795 --> 00:38:51,663 YOU REALIZE YOU WILL HAVE TO REPEAT THIS 878 00:38:51,697 --> 00:38:53,899 OR YOU MIGHT HAVE TO REPEAT THIS IN FRONT OF A JUDGE. 879 00:38:55,534 --> 00:38:57,469 ( breathes deeply ) I UNDERSTAND THAT. 880 00:38:57,503 --> 00:38:58,370 ( sighs ) 881 00:38:58,404 --> 00:39:00,138 DO YOU THINK YOU COULD IDENTIFY THE PERSON 882 00:39:00,171 --> 00:39:02,107 YOU SAW RUNNING THROUGH THE WOODS? 883 00:39:02,140 --> 00:39:04,610 I'M NOT SURE. 884 00:39:05,611 --> 00:39:07,979 BUT YOU ARE ABSOLUTELY SURE 885 00:39:08,013 --> 00:39:09,448 THAT YOU HEARD THE GUNSHOTS 886 00:39:09,481 --> 00:39:11,116 AFTER MRS. MARIN DROVE OFF? 887 00:39:11,149 --> 00:39:12,818 YES, MA'AM. 888 00:39:12,851 --> 00:39:15,120 SHE WASN'T THERE WHEN HE WAS KILLED. 889 00:39:38,944 --> 00:39:40,946 ( country music playing ) 890 00:39:40,979 --> 00:39:42,080 THERE'S NOTHING. 891 00:39:42,113 --> 00:39:43,815 HEY, WELL AT LEAST WE HAVE THAT. 892 00:39:43,849 --> 00:39:45,551 IS IT MISSING A BUTTON? 893 00:39:45,584 --> 00:39:47,586 YEP. 894 00:39:47,619 --> 00:39:48,887 LISTEN, I'M GONNA CALL TOBY. 895 00:39:48,920 --> 00:39:50,021 I'M REALLY WORRIED ABOUT HIM. 896 00:39:50,055 --> 00:39:52,023 WELL SHE CAN'T BE TWO PLACES AT ONCE. 897 00:39:52,057 --> 00:39:53,492 AND CECE WAS ALREADY HERE. 898 00:39:53,525 --> 00:39:55,393 YEAH, BUT WE DON'T KNOW WHERE SHE WENT. 899 00:39:57,228 --> 00:40:01,600 * 'CAUSE IT HURTS SO MUCH TO BE ALONE * 900 00:40:03,201 --> 00:40:05,403 ( indistinct chattering ) 901 00:40:09,541 --> 00:40:12,043 ( song ends ) ( crowd cheering and applauding ) 902 00:40:16,147 --> 00:40:17,449 HEY. 903 00:40:17,483 --> 00:40:19,184 HEY. 904 00:40:19,217 --> 00:40:20,486 LOOK, 905 00:40:20,519 --> 00:40:24,022 I DON'T WANT TO BE THE PERSON THAT ENDS UP WITH MUSHY SQUASH. 906 00:40:25,491 --> 00:40:26,792 ARE YOU DRUNK? 907 00:40:27,793 --> 00:40:28,827 NO. 908 00:40:30,095 --> 00:40:32,498 WHAT ARE YOU TRYING TO SAY? 909 00:40:32,531 --> 00:40:34,900 I'M SAYING THAT I WANNA DANCE WITH YOU. 910 00:40:34,933 --> 00:40:36,502 NOW. 911 00:40:36,535 --> 00:40:38,770 BEFORE THEY TURN THE LIGHTS OFF. 912 00:40:47,846 --> 00:40:50,649 * I FINALLY ASKED YOU TO DANCE * 913 00:40:50,682 --> 00:40:53,018 * ON THE LAST SLOW SONG 914 00:40:54,953 --> 00:41:00,225 * BENEATH THAT MOON THAT WAS REALLY A DISCO BALL * 915 00:41:01,259 --> 00:41:03,895 * I CAN STILL FEEL 916 00:41:03,929 --> 00:41:07,866 * MY HEAD ON YOUR SHOULDER 917 00:41:07,899 --> 00:41:10,836 * AND HOPING THAT SONG 918 00:41:10,869 --> 00:41:15,206 * WOULD NEVER BE OVER 919 00:41:15,240 --> 00:41:20,612 * I HAVEN'T SEEN YOU IN AGES * 920 00:41:21,880 --> 00:41:25,116 * SOMETIMES I FIND MYSELF 921 00:41:25,150 --> 00:41:28,987 * WONDERING WHERE YOU ARE * 922 00:41:29,020 --> 00:41:34,025 * FOR ME YOU'LL ALWAYS BE 18 * 923 00:41:35,026 --> 00:41:37,929 * AND BEAUTIFUL 924 00:41:37,963 --> 00:41:44,002 * AND DANCING AWAY WITH MY HEART * 925 00:41:47,138 --> 00:41:49,507 YOU DIDN'T HAVE TO COME. 926 00:41:50,341 --> 00:41:52,277 I WANTED TO. 927 00:41:54,045 --> 00:41:55,714 IS JAKE OUT THERE... 928 00:41:55,747 --> 00:41:56,982 WAITING FOR YOU? 929 00:41:57,015 --> 00:41:59,517 NO, HE DROPPED ME AT HOME. I CAME BY MYSELF. 930 00:42:01,186 --> 00:42:03,221 WHAT HAPPENED WITH MALCOLM? 931 00:42:04,355 --> 00:42:05,724 ( sighs ) 932 00:42:05,757 --> 00:42:07,292 UM... 933 00:42:09,661 --> 00:42:12,030 IT'S A--IT'S A MESS, 934 00:42:12,063 --> 00:42:13,632 ARIA, 935 00:42:13,665 --> 00:42:15,901 AND I'D... 936 00:42:15,934 --> 00:42:17,869 REALLY RATHER NOT... 937 00:42:17,903 --> 00:42:20,138 DRAG YOU INTO IT. 938 00:42:26,077 --> 00:42:28,213 I'M NOT LEAVING, EZRA. 939 00:42:32,117 --> 00:42:34,152 OKAY, SO YOU MIGHT AS WELL TALK TO ME.