1 00:00:05,038 --> 00:00:11,109 [CHEERS AND APPLAUSE] ANDY: COMING TO YOU FROM THE 2 00:00:11,111 --> 00:00:12,745 [CHEERS AND APPLAUSE] ANDY: COMING TO YOU FROM THE HISTORIC LARGO THEATER IN LOS 3 00:00:12,747 --> 00:00:16,948 ANDY: COMING TO YOU FROM THE HISTORIC LARGO THEATER IN LOS ANGELES, IT'S CONAN! 4 00:00:16,950 --> 00:00:19,351 HISTORIC LARGO THEATER IN LOS ANGELES, IT'S CONAN! I'M ANDY RICHTER. 5 00:00:19,353 --> 00:00:20,719 ANGELES, IT'S CONAN! I'M ANDY RICHTER. TONIGHT, BRYAN CRANSTON. 6 00:00:20,721 --> 00:00:26,191 I'M ANDY RICHTER. TONIGHT, BRYAN CRANSTON. AND NOW, HERE HE IS, CONAN 7 00:00:26,193 --> 00:00:26,925 TONIGHT, BRYAN CRANSTON. AND NOW, HERE HE IS, CONAN O'BRIEN! 8 00:00:26,927 --> 00:00:27,959 AND NOW, HERE HE IS, CONAN O'BRIEN! [LAUGHTER] 9 00:00:27,961 --> 00:00:29,094 O'BRIEN! [LAUGHTER] CONAN: GOOD EVENING. 10 00:00:29,096 --> 00:00:32,297 [LAUGHTER] CONAN: GOOD EVENING. AND WELCOME TO OUR SHOW. 11 00:00:32,299 --> 00:00:33,665 CONAN: GOOD EVENING. AND WELCOME TO OUR SHOW. WE ARE VERY EXCITED TONIGHT 12 00:00:33,667 --> 00:00:35,934 AND WELCOME TO OUR SHOW. WE ARE VERY EXCITED TONIGHT BECAUSE ONE OF MY FAVORITE 13 00:00:35,936 --> 00:00:38,136 WE ARE VERY EXCITED TONIGHT BECAUSE ONE OF MY FAVORITE PEOPLE, I THINK YOURS AS WELL, 14 00:00:38,138 --> 00:00:39,638 BECAUSE ONE OF MY FAVORITE PEOPLE, I THINK YOURS AS WELL, MR. BRYAN CRANSTON IS GOING TO 15 00:00:39,640 --> 00:00:43,074 PEOPLE, I THINK YOURS AS WELL, MR. BRYAN CRANSTON IS GOING TO BE HERE IN PERSON, NO ZOOM, IN 16 00:00:43,076 --> 00:00:43,275 MR. BRYAN CRANSTON IS GOING TO BE HERE IN PERSON, NO ZOOM, IN PERSON. 17 00:00:43,277 --> 00:00:45,978 BE HERE IN PERSON, NO ZOOM, IN PERSON. WE HAD HIM TESTED 75 TIMES FOR 18 00:00:45,980 --> 00:00:46,678 PERSON. WE HAD HIM TESTED 75 TIMES FOR COVID. 19 00:00:46,680 --> 00:00:47,479 WE HAD HIM TESTED 75 TIMES FOR COVID. [LAUGHTER] 20 00:00:47,481 --> 00:00:49,781 COVID. [LAUGHTER] WHICH HE SAID WAS EXCESSIVE. 21 00:00:49,783 --> 00:00:50,982 [LAUGHTER] WHICH HE SAID WAS EXCESSIVE. AND I THINK IT WAS JUST THE 22 00:00:50,984 --> 00:00:51,450 WHICH HE SAID WAS EXCESSIVE. AND I THINK IT WAS JUST THE RIGHT AMOUNT. 23 00:00:51,452 --> 00:00:53,385 AND I THINK IT WAS JUST THE RIGHT AMOUNT. BUT HE'S GOING TO BE HERE 24 00:00:53,387 --> 00:00:55,754 RIGHT AMOUNT. BUT HE'S GOING TO BE HERE SITTING WITH ME AND HAVING A 25 00:00:55,756 --> 00:00:58,657 BUT HE'S GOING TO BE HERE SITTING WITH ME AND HAVING A CHAT, AND I CAN'T WAIT BECAUSE, 26 00:00:58,659 --> 00:00:59,725 SITTING WITH ME AND HAVING A CHAT, AND I CAN'T WAIT BECAUSE, GOD, I DO LOVE THAT GUY. 27 00:00:59,727 --> 00:01:01,693 CHAT, AND I CAN'T WAIT BECAUSE, GOD, I DO LOVE THAT GUY. AND I LOVE THAT HE'S HERE IN 28 00:01:01,695 --> 00:01:02,093 GOD, I DO LOVE THAT GUY. AND I LOVE THAT HE'S HERE IN PERSON. 29 00:01:02,095 --> 00:01:03,528 AND I LOVE THAT HE'S HERE IN PERSON. ANDY: YEAH, WE HAVE COMPANY 30 00:01:03,530 --> 00:01:03,862 PERSON. ANDY: YEAH, WE HAVE COMPANY TODAY. 31 00:01:03,864 --> 00:01:05,297 ANDY: YEAH, WE HAVE COMPANY TODAY. CONAN: WE HAVE COMPANY. 32 00:01:05,299 --> 00:01:06,564 TODAY. CONAN: WE HAVE COMPANY. ANDY: IT'S SO NICE. 33 00:01:06,566 --> 00:01:08,567 CONAN: WE HAVE COMPANY. ANDY: IT'S SO NICE. CONAN: I'M WEARING PANTS. 34 00:01:08,569 --> 00:01:08,867 ANDY: IT'S SO NICE. CONAN: I'M WEARING PANTS. LOVE THAT. 35 00:01:08,869 --> 00:01:10,969 CONAN: I'M WEARING PANTS. LOVE THAT. BEFORE HE COMES OUT, I DID WANT 36 00:01:10,971 --> 00:01:12,570 LOVE THAT. BEFORE HE COMES OUT, I DID WANT TO MENTION, THIS IS OUR LAST 37 00:01:12,572 --> 00:01:14,406 BEFORE HE COMES OUT, I DID WANT TO MENTION, THIS IS OUR LAST SHOW THAT WE'RE GOING TO BE 38 00:01:14,408 --> 00:01:18,510 TO MENTION, THIS IS OUR LAST SHOW THAT WE'RE GOING TO BE AIRING BEFORE VALENTINE'S DAY. 39 00:01:18,512 --> 00:01:20,912 SHOW THAT WE'RE GOING TO BE AIRING BEFORE VALENTINE'S DAY. SO I NEEDED TO DO THIS. 40 00:01:20,914 --> 00:01:25,250 AIRING BEFORE VALENTINE'S DAY. SO I NEEDED TO DO THIS. VALENTINE'S DAY VERY -- A VERY 41 00:01:25,252 --> 00:01:25,851 SO I NEEDED TO DO THIS. VALENTINE'S DAY VERY -- A VERY IMPORTANT TIME. 42 00:01:25,853 --> 00:01:27,853 VALENTINE'S DAY VERY -- A VERY IMPORTANT TIME. WE HAVE A NEW SPONSOR IN HONOR 43 00:01:27,855 --> 00:01:28,987 IMPORTANT TIME. WE HAVE A NEW SPONSOR IN HONOR OF VALENTINE'S DAY. 44 00:01:28,989 --> 00:01:30,322 WE HAVE A NEW SPONSOR IN HONOR OF VALENTINE'S DAY. LET ME JUST SAY, I DON'T KNOW 45 00:01:30,324 --> 00:01:31,490 OF VALENTINE'S DAY. LET ME JUST SAY, I DON'T KNOW WHAT TO SAY ABOUT THIS AD THAT 46 00:01:31,492 --> 00:01:32,891 LET ME JUST SAY, I DON'T KNOW WHAT TO SAY ABOUT THIS AD THAT YOU'RE GOING TO SEE RIGHT NOW. 47 00:01:32,893 --> 00:01:34,592 WHAT TO SAY ABOUT THIS AD THAT YOU'RE GOING TO SEE RIGHT NOW. I DON'T KNOW HOW TO EXPLAIN IT. 48 00:01:34,594 --> 00:01:36,095 YOU'RE GOING TO SEE RIGHT NOW. I DON'T KNOW HOW TO EXPLAIN IT. I'M NOT GOING TO TRY. 49 00:01:36,097 --> 00:01:37,962 I DON'T KNOW HOW TO EXPLAIN IT. I'M NOT GOING TO TRY. WHY DON'T WE JUST SHOW IT? 50 00:01:37,964 --> 00:01:39,865 I'M NOT GOING TO TRY. WHY DON'T WE JUST SHOW IT? AND I'LL APOLOGIZE AFTERWARDS. 51 00:01:39,867 --> 00:01:41,199 WHY DON'T WE JUST SHOW IT? AND I'LL APOLOGIZE AFTERWARDS. HERE WE GO. 52 00:01:41,201 --> 00:01:44,036 AND I'LL APOLOGIZE AFTERWARDS. HERE WE GO. >> LOVE CREAM, LOVE CREAM. 53 00:01:44,038 --> 00:01:46,037 HERE WE GO. >> LOVE CREAM, LOVE CREAM. LOVE CREAM. 54 00:01:46,039 --> 00:01:47,639 >> LOVE CREAM, LOVE CREAM. LOVE CREAM. THIS VALENTINE'S DAY SHOW THE 55 00:01:47,641 --> 00:01:49,541 LOVE CREAM. THIS VALENTINE'S DAY SHOW THE ONE YOU LOVE HOW MUCH YOU LOVE 56 00:01:49,543 --> 00:01:51,743 THIS VALENTINE'S DAY SHOW THE ONE YOU LOVE HOW MUCH YOU LOVE THEM WITH THE ONE CREAM THAT 57 00:01:51,745 --> 00:01:53,045 ONE YOU LOVE HOW MUCH YOU LOVE THEM WITH THE ONE CREAM THAT SAYS, I LOVE YOU. 58 00:01:53,047 --> 00:01:53,712 THEM WITH THE ONE CREAM THAT SAYS, I LOVE YOU. LOVE CREAM. 59 00:01:53,714 --> 00:01:55,247 SAYS, I LOVE YOU. LOVE CREAM. LOVE CREAM IS FORMULATED TO 60 00:01:55,249 --> 00:01:56,948 LOVE CREAM. LOVE CREAM IS FORMULATED TO PROVIDE THE MOST LOVE POSSIBLE. 61 00:01:56,950 --> 00:02:01,753 LOVE CREAM IS FORMULATED TO PROVIDE THE MOST LOVE POSSIBLE. USE LOVE CREAM FOR AND, AND 62 00:02:01,755 --> 00:02:05,023 PROVIDE THE MOST LOVE POSSIBLE. USE LOVE CREAM FOR AND, AND ALSO, AND THIS, OR ALSO. 63 00:02:05,025 --> 00:02:06,725 USE LOVE CREAM FOR AND, AND ALSO, AND THIS, OR ALSO. LOVE CREAM CONTAINS 50% MORE 64 00:02:06,727 --> 00:02:08,927 ALSO, AND THIS, OR ALSO. LOVE CREAM CONTAINS 50% MORE LOVE THAN THE LEADING BRAND OF 65 00:02:08,929 --> 00:02:10,662 LOVE CREAM CONTAINS 50% MORE LOVE THAN THE LEADING BRAND OF CREAM BASED LOVE. 66 00:02:10,664 --> 00:02:11,663 LOVE THAN THE LEADING BRAND OF CREAM BASED LOVE. LOVE CREAM HERE. 67 00:02:11,665 --> 00:02:13,098 CREAM BASED LOVE. LOVE CREAM HERE. AND LOVE CREAM THERE. 68 00:02:13,100 --> 00:02:14,766 LOVE CREAM HERE. AND LOVE CREAM THERE. LOVE CREAM FOR HER. 69 00:02:14,768 --> 00:02:17,503 AND LOVE CREAM THERE. LOVE CREAM FOR HER. AND LOVE CREAM FOR HIM. 70 00:02:17,505 --> 00:02:18,671 LOVE CREAM FOR HER. AND LOVE CREAM FOR HIM. LOVE CREAM. 71 00:02:18,673 --> 00:02:20,105 AND LOVE CREAM FOR HIM. LOVE CREAM. LOVE CREAM. 72 00:02:20,107 --> 00:02:21,773 LOVE CREAM. LOVE CREAM. LOVE CREAM. 73 00:02:21,775 --> 00:02:23,141 LOVE CREAM. LOVE CREAM. LOVE CREAM. 74 00:02:23,143 --> 00:02:27,546 LOVE CREAM. LOVE CREAM. LOVE CREAM. 75 00:02:27,548 --> 00:02:29,348 LOVE CREAM. LOVE CREAM. FALL IN CREAM ALL OVER AGAIN 76 00:02:29,350 --> 00:02:31,083 LOVE CREAM. FALL IN CREAM ALL OVER AGAIN WITH LOVE CREAM. 77 00:02:31,085 --> 00:02:32,685 FALL IN CREAM ALL OVER AGAIN WITH LOVE CREAM. CONAN: OK. 78 00:02:32,687 --> 00:02:34,820 WITH LOVE CREAM. CONAN: OK. AND I'M SORRY, YOU KNOW? 79 00:02:34,822 --> 00:02:35,954 CONAN: OK. AND I'M SORRY, YOU KNOW? THERE YOU HAVE IT. 80 00:02:35,956 --> 00:02:37,622 AND I'M SORRY, YOU KNOW? THERE YOU HAVE IT. GOT TO GET THE LOVE CREAM. 81 00:02:37,624 --> 00:02:39,491 THERE YOU HAVE IT. GOT TO GET THE LOVE CREAM. ANDY: IT WAS A JOURNEY. 82 00:02:39,493 --> 00:02:40,392 GOT TO GET THE LOVE CREAM. ANDY: IT WAS A JOURNEY. CONAN: IT WAS A JOURNEY. 83 00:02:40,394 --> 00:02:41,960 ANDY: IT WAS A JOURNEY. CONAN: IT WAS A JOURNEY. IT WAS A JOURNEY AND WE'VE 84 00:02:41,962 --> 00:02:42,427 CONAN: IT WAS A JOURNEY. IT WAS A JOURNEY AND WE'VE ARRIVED. 85 00:02:42,429 --> 00:02:44,296 IT WAS A JOURNEY AND WE'VE ARRIVED. AND WE HAVE A WONDERFUL SHOW 86 00:02:44,298 --> 00:02:44,696 ARRIVED. AND WE HAVE A WONDERFUL SHOW TONIGHT. 87 00:02:44,698 --> 00:02:47,799 AND WE HAVE A WONDERFUL SHOW TONIGHT. DON'T LET THAT FOOL YOU. 88 00:02:47,801 --> 00:02:48,933 TONIGHT. DON'T LET THAT FOOL YOU. BRYAN CRANSTON, HERE IN PERSON. 89 00:02:48,935 --> 00:02:54,606 DON'T LET THAT FOOL YOU. BRYAN CRANSTON, HERE IN PERSON. WE'LL TAKE 90 00:02:54,608 --> 00:02:58,544 BRYAN CRANSTON, HERE IN PERSON. WE'LL TAKE CONAN: MY GUEST TONIGHT IS A 91 00:02:58,546 --> 00:03:00,245 WE'LL TAKE CONAN: MY GUEST TONIGHT IS A TONY AWARD WINNER THAT WAS IN 92 00:03:00,247 --> 00:03:01,046 CONAN: MY GUEST TONIGHT IS A TONY AWARD WINNER THAT WAS IN "BREAKING BAD." 93 00:03:01,048 --> 00:03:04,216 TONY AWARD WINNER THAT WAS IN "BREAKING BAD." NOW YOU CAN SEE HIM IN "YOUR 94 00:03:04,218 --> 00:03:04,449 "BREAKING BAD." NOW YOU CAN SEE HIM IN "YOUR HONOR." 95 00:03:04,451 --> 00:03:06,151 NOW YOU CAN SEE HIM IN "YOUR HONOR." PLEASE WELCOME, BRYAN CRANSTON. 96 00:03:06,153 --> 00:03:07,318 HONOR." PLEASE WELCOME, BRYAN CRANSTON. THANK YOU FOR BEING HERE IN 97 00:03:07,320 --> 00:03:07,753 PLEASE WELCOME, BRYAN CRANSTON. THANK YOU FOR BEING HERE IN PERSON. 98 00:03:07,755 --> 00:03:09,087 THANK YOU FOR BEING HERE IN PERSON. BRYAN: SO GOOD TO BE HERE. 99 00:03:09,089 --> 00:03:10,556 PERSON. BRYAN: SO GOOD TO BE HERE. CONAN: YOU LEFT YOUR HOME AND 100 00:03:10,558 --> 00:03:12,257 BRYAN: SO GOOD TO BE HERE. CONAN: YOU LEFT YOUR HOME AND WENT SOME PLACE. 101 00:03:12,259 --> 00:03:13,124 CONAN: YOU LEFT YOUR HOME AND WENT SOME PLACE. BRYAN: TO DRIVE. 102 00:03:13,126 --> 00:03:13,825 WENT SOME PLACE. BRYAN: TO DRIVE. JUST TO GET OUT. 103 00:03:13,827 --> 00:03:16,228 BRYAN: TO DRIVE. JUST TO GET OUT. IT MEANS SO MUCH TO ME, THANK 104 00:03:16,230 --> 00:03:18,864 JUST TO GET OUT. IT MEANS SO MUCH TO ME, THANK YOU. 105 00:03:18,866 --> 00:03:20,498 IT MEANS SO MUCH TO ME, THANK YOU. CONAN: YOU DON'T CARE ABOUT 106 00:03:20,500 --> 00:03:21,466 YOU. CONAN: YOU DON'T CARE ABOUT BEING IN THE SHOW. 107 00:03:21,468 --> 00:03:24,636 CONAN: YOU DON'T CARE ABOUT BEING IN THE SHOW. YOU JUST WANTED TO GET OUT. 108 00:03:24,638 --> 00:03:25,937 BEING IN THE SHOW. YOU JUST WANTED TO GET OUT. BRYAN: THAT'S PRIMARILY IT. 109 00:03:25,939 --> 00:03:28,606 YOU JUST WANTED TO GET OUT. BRYAN: THAT'S PRIMARILY IT. I HAVE A COUPLE OF THINGS I NEED 110 00:03:28,608 --> 00:03:29,975 BRYAN: THAT'S PRIMARILY IT. I HAVE A COUPLE OF THINGS I NEED TO PICK UP AT THE STORE. 111 00:03:29,977 --> 00:03:32,010 I HAVE A COUPLE OF THINGS I NEED TO PICK UP AT THE STORE. CONAN: I HAVE A FEW QUESTIONS 112 00:03:32,012 --> 00:03:33,378 TO PICK UP AT THE STORE. CONAN: I HAVE A FEW QUESTIONS WHILE YOU SHOP. 113 00:03:33,380 --> 00:03:34,980 CONAN: I HAVE A FEW QUESTIONS WHILE YOU SHOP. BRYAN: WELL, IT WILL BE AS 114 00:03:34,982 --> 00:03:38,050 WHILE YOU SHOP. BRYAN: WELL, IT WILL BE AS EXCITING AS YOUR OTHER EPISODES. 115 00:03:38,052 --> 00:03:39,051 BRYAN: WELL, IT WILL BE AS EXCITING AS YOUR OTHER EPISODES. CONAN: ZING! 116 00:03:39,053 --> 00:03:41,619 EXCITING AS YOUR OTHER EPISODES. CONAN: ZING! YOU KNOW, I DIDN'T COME HERE TO 117 00:03:41,621 --> 00:03:42,788 CONAN: ZING! YOU KNOW, I DIDN'T COME HERE TO BE INSULTED BY YOU. 118 00:03:42,790 --> 00:03:43,621 YOU KNOW, I DIDN'T COME HERE TO BE INSULTED BY YOU. WAIT A MINUTE, THAT'S EXACTLY 119 00:03:43,623 --> 00:03:44,790 BE INSULTED BY YOU. WAIT A MINUTE, THAT'S EXACTLY WHY I CAME HERE. 120 00:03:44,792 --> 00:03:46,592 WAIT A MINUTE, THAT'S EXACTLY WHY I CAME HERE. WE HAVE SO MUCH TO TALK ABOUT. 121 00:03:46,594 --> 00:03:48,594 WHY I CAME HERE. WE HAVE SO MUCH TO TALK ABOUT. S THAT REUNION OF SORTS BECAUSE 122 00:03:48,596 --> 00:03:50,195 WE HAVE SO MUCH TO TALK ABOUT. S THAT REUNION OF SORTS BECAUSE I KNOW YOU WORKED WITH THE GREAT 123 00:03:50,197 --> 00:03:51,697 S THAT REUNION OF SORTS BECAUSE I KNOW YOU WORKED WITH THE GREAT ANDY RICHTER. 124 00:03:51,699 --> 00:03:53,164 I KNOW YOU WORKED WITH THE GREAT ANDY RICHTER. ANDY, YOU GUYS HAVE WORKED 125 00:03:53,166 --> 00:03:53,565 ANDY RICHTER. ANDY, YOU GUYS HAVE WORKED TOGETHER. 126 00:03:53,567 --> 00:03:54,600 ANDY, YOU GUYS HAVE WORKED TOGETHER. ANDY: WE HAVE. 127 00:03:54,602 --> 00:03:56,702 TOGETHER. ANDY: WE HAVE. A COUPLE OF FEW TIMES. 128 00:03:56,704 --> 00:03:59,104 ANDY: WE HAVE. A COUPLE OF FEW TIMES. WE DID A MOVIE TOGETHER. 129 00:03:59,106 --> 00:04:01,573 A COUPLE OF FEW TIMES. WE DID A MOVIE TOGETHER. AND THEN I WAS IN AN EPISODE OF 130 00:04:01,575 --> 00:04:04,276 WE DID A MOVIE TOGETHER. AND THEN I WAS IN AN EPISODE OF "MALCOLM IN THE MIDDLE." 131 00:04:04,278 --> 00:04:06,411 AND THEN I WAS IN AN EPISODE OF "MALCOLM IN THE MIDDLE." BRYAN: THE MOVIE WAS AN ADULT 132 00:04:06,413 --> 00:04:08,179 "MALCOLM IN THE MIDDLE." BRYAN: THE MOVIE WAS AN ADULT SEX MOVIE, SO WE DON'T USUALLY 133 00:04:08,181 --> 00:04:09,948 BRYAN: THE MOVIE WAS AN ADULT SEX MOVIE, SO WE DON'T USUALLY TALK ABOUT THAT ONE. 134 00:04:09,950 --> 00:04:10,682 SEX MOVIE, SO WE DON'T USUALLY TALK ABOUT THAT ONE. ANDY: YEAH. 135 00:04:10,684 --> 00:04:12,751 TALK ABOUT THAT ONE. ANDY: YEAH. BRYAN: HE WAS TERRIFIC. 136 00:04:12,753 --> 00:04:14,920 ANDY: YEAH. BRYAN: HE WAS TERRIFIC. CONAN: WELL, I'VE SEEN THE MOVIE 137 00:04:14,922 --> 00:04:15,820 BRYAN: HE WAS TERRIFIC. CONAN: WELL, I'VE SEEN THE MOVIE FOUR TIMES. 138 00:04:15,822 --> 00:04:18,690 CONAN: WELL, I'VE SEEN THE MOVIE FOUR TIMES. YOU ARE FORGETTABLE -- 139 00:04:18,692 --> 00:04:20,759 FOUR TIMES. YOU ARE FORGETTABLE -- BRYAN: COMPLETELY FORGETTABLE. 140 00:04:20,761 --> 00:04:23,929 YOU ARE FORGETTABLE -- BRYAN: COMPLETELY FORGETTABLE. HE IS AN AMAZING, I AS I MAG. 141 00:04:23,931 --> 00:04:25,630 BRYAN: COMPLETELY FORGETTABLE. HE IS AN AMAZING, I AS I MAG. IT WAS A MOVIE CALLED "SEEING 142 00:04:25,632 --> 00:04:27,566 HE IS AN AMAZING, I AS I MAG. IT WAS A MOVIE CALLED "SEEING OTHER PEOPLE." 143 00:04:27,568 --> 00:04:28,634 IT WAS A MOVIE CALLED "SEEING OTHER PEOPLE." CONAN: I DON'T KNOW WHERE THIS 144 00:04:28,636 --> 00:04:29,234 OTHER PEOPLE." CONAN: I DON'T KNOW WHERE THIS WAS FROM. 145 00:04:29,236 --> 00:04:31,437 CONAN: I DON'T KNOW WHERE THIS WAS FROM. THIS IS A STILL I WAS GIVEN OF 146 00:04:31,439 --> 00:04:34,072 WAS FROM. THIS IS A STILL I WAS GIVEN OF THE TWO OF YOU. 147 00:04:34,074 --> 00:04:36,541 THIS IS A STILL I WAS GIVEN OF THE TWO OF YOU. BRYAN: I THINK IN THIS ONE, ANDY 148 00:04:36,543 --> 00:04:39,444 THE TWO OF YOU. BRYAN: I THINK IN THIS ONE, ANDY WAS TELLING ME ABOUT HIS SEXUAL 149 00:04:39,446 --> 00:04:39,945 BRYAN: I THINK IN THIS ONE, ANDY WAS TELLING ME ABOUT HIS SEXUAL PROWESS. 150 00:04:39,947 --> 00:04:42,247 WAS TELLING ME ABOUT HIS SEXUAL PROWESS. ANDY: I JUST WAS DOING THAT. 151 00:04:42,249 --> 00:04:43,848 PROWESS. ANDY: I JUST WAS DOING THAT. CONAN: ANDY IS SO PROUD OF 152 00:04:43,850 --> 00:04:45,451 ANDY: I JUST WAS DOING THAT. CONAN: ANDY IS SO PROUD OF WORKING WITH YOU, THAT THIS IS 153 00:04:45,453 --> 00:04:47,753 CONAN: ANDY IS SO PROUD OF WORKING WITH YOU, THAT THIS IS HI DRIVER'S LICENSE VOTTO. 154 00:04:47,755 --> 00:04:49,955 WORKING WITH YOU, THAT THIS IS HI DRIVER'S LICENSE VOTTO. IT'S -- HIS DRIVER'S LICENSE 155 00:04:49,957 --> 00:04:50,221 HI DRIVER'S LICENSE VOTTO. IT'S -- HIS DRIVER'S LICENSE PHOTO. 156 00:04:50,223 --> 00:04:52,257 IT'S -- HIS DRIVER'S LICENSE PHOTO. IT'S THE TWO OF YOU. 157 00:04:52,259 --> 00:04:53,759 PHOTO. IT'S THE TWO OF YOU. IT'S THE ONLY DRIVER'S LICENSE 158 00:04:53,761 --> 00:04:56,261 IT'S THE TWO OF YOU. IT'S THE ONLY DRIVER'S LICENSE OF THE TWO OF YOU THAT EXISTS. 159 00:04:56,263 --> 00:04:57,495 IT'S THE ONLY DRIVER'S LICENSE OF THE TWO OF YOU THAT EXISTS. ANDY: FROM THE LIGHTNING OF 160 00:04:57,497 --> 00:04:59,665 OF THE TWO OF YOU THAT EXISTS. ANDY: FROM THE LIGHTNING OF THAT, YOU COULD TELL THEY COULD 161 00:04:59,667 --> 00:05:02,401 ANDY: FROM THE LIGHTNING OF THAT, YOU COULD TELL THEY COULD AFFORD HIM AND ME. 162 00:05:02,403 --> 00:05:06,738 THAT, YOU COULD TELL THEY COULD AFFORD HIM AND ME. CONAN: HI BUDGET -- HIGH BUDGET 163 00:05:06,740 --> 00:05:07,072 AFFORD HIM AND ME. CONAN: HI BUDGET -- HIGH BUDGET PRODUCTION. 164 00:05:07,074 --> 00:05:09,108 CONAN: HI BUDGET -- HIGH BUDGET PRODUCTION. >> YOU AND I ARE MORE THAN SIX 165 00:05:09,110 --> 00:05:09,875 PRODUCTION. >> YOU AND I ARE MORE THAN SIX FEET APART. 166 00:05:09,877 --> 00:05:13,479 >> YOU AND I ARE MORE THAN SIX FEET APART. AND ANDY I INSIST BE 65 FEET 167 00:05:13,481 --> 00:05:15,481 FEET APART. AND ANDY I INSIST BE 65 FEET AWAY FROM ME. 168 00:05:15,483 --> 00:05:17,615 AND ANDY I INSIST BE 65 FEET AWAY FROM ME. ANDY: IT WAS A COURT THING. 169 00:05:17,617 --> 00:05:18,083 AWAY FROM ME. ANDY: IT WAS A COURT THING. DROIN 170 00:05:18,085 --> 00:05:19,351 ANDY: IT WAS A COURT THING. DROIN BRYAN: A RESTRAINING ORDER. 171 00:05:19,353 --> 00:05:20,786 DROIN BRYAN: A RESTRAINING ORDER. THAT WAS THE MINIMUM. 172 00:05:20,788 --> 00:05:22,354 BRYAN: A RESTRAINING ORDER. THAT WAS THE MINIMUM. CONAN: I'VE TALKED TO YOU 173 00:05:22,356 --> 00:05:23,621 THAT WAS THE MINIMUM. CONAN: I'VE TALKED TO YOU SEVERAL TIMES BEFORE. 174 00:05:23,623 --> 00:05:24,890 CONAN: I'VE TALKED TO YOU SEVERAL TIMES BEFORE. WE'VE ALWAYS HAD A WONDERFUL 175 00:05:24,892 --> 00:05:25,256 SEVERAL TIMES BEFORE. WE'VE ALWAYS HAD A WONDERFUL TIME. 176 00:05:25,258 --> 00:05:27,392 WE'VE ALWAYS HAD A WONDERFUL TIME. YOU SEEM ANNOYED MOST OF THE 177 00:05:27,394 --> 00:05:28,093 TIME. YOU SEEM ANNOYED MOST OF THE TIME. 178 00:05:28,095 --> 00:05:29,828 YOU SEEM ANNOYED MOST OF THE TIME. BRYAN: YOU HAVE HAD A WONDERFUL 179 00:05:29,830 --> 00:05:30,528 TIME. BRYAN: YOU HAVE HAD A WONDERFUL TIME. 180 00:05:30,530 --> 00:05:31,863 BRYAN: YOU HAVE HAD A WONDERFUL TIME. I'LL ACKNOWLEDGE THAT FOR YOU. 181 00:05:31,865 --> 00:05:33,298 TIME. I'LL ACKNOWLEDGE THAT FOR YOU. CONAN: I'VE REALLY ENJOYED 182 00:05:33,300 --> 00:05:34,299 I'LL ACKNOWLEDGE THAT FOR YOU. CONAN: I'VE REALLY ENJOYED TALKING TO YOU. 183 00:05:34,301 --> 00:05:36,735 CONAN: I'VE REALLY ENJOYED TALKING TO YOU. YOU ALWAYS SEEM EH, TAKE IT OR 184 00:05:36,737 --> 00:05:37,469 TALKING TO YOU. YOU ALWAYS SEEM EH, TAKE IT OR LEAVE IT. 185 00:05:37,471 --> 00:05:41,306 YOU ALWAYS SEEM EH, TAKE IT OR LEAVE IT. YOU HAVE BEEN MARRIED 32 YEARS. 186 00:05:41,308 --> 00:05:43,475 LEAVE IT. YOU HAVE BEEN MARRIED 32 YEARS. AND JUST AN INCREDIBLE MARRIAGE 187 00:05:43,477 --> 00:05:44,876 YOU HAVE BEEN MARRIED 32 YEARS. AND JUST AN INCREDIBLE MARRIAGE ESPECIALLY IN THIS BUSINESS OF 188 00:05:44,878 --> 00:05:45,377 AND JUST AN INCREDIBLE MARRIAGE ESPECIALLY IN THIS BUSINESS OF SHOW. 189 00:05:45,379 --> 00:05:46,978 ESPECIALLY IN THIS BUSINESS OF SHOW. BRYAN: WELL, IT'S COLLECTIVE. 190 00:05:46,980 --> 00:05:50,516 SHOW. BRYAN: WELL, IT'S COLLECTIVE. I'VE BEEN MARRIED FIVE TIMES. 191 00:05:50,518 --> 00:05:52,651 BRYAN: WELL, IT'S COLLECTIVE. I'VE BEEN MARRIED FIVE TIMES. [LAUGHTER] 192 00:05:52,653 --> 00:05:54,886 I'VE BEEN MARRIED FIVE TIMES. [LAUGHTER] I STILL LOOK AT IT AS A SUCCESS. 193 00:05:54,888 --> 00:05:57,288 [LAUGHTER] I STILL LOOK AT IT AS A SUCCESS. CONAN: IF YOU LOOK AT IT THAT 194 00:05:57,290 --> 00:05:58,924 I STILL LOOK AT IT AS A SUCCESS. CONAN: IF YOU LOOK AT IT THAT WAY, MICKEY ROONEY WAS MARRIED 195 00:05:58,926 --> 00:06:00,292 CONAN: IF YOU LOOK AT IT THAT WAY, MICKEY ROONEY WAS MARRIED FOR 160 YEARS. 196 00:06:00,294 --> 00:06:03,428 WAY, MICKEY ROONEY WAS MARRIED FOR 160 YEARS. HOW DID YOU AND YOUR WIFE MEET? 197 00:06:03,430 --> 00:06:06,732 FOR 160 YEARS. HOW DID YOU AND YOUR WIFE MEET? BRYAN: WE MET -- AND -- WELL, WE 198 00:06:06,734 --> 00:06:08,433 HOW DID YOU AND YOUR WIFE MEET? BRYAN: WE MET -- AND -- WELL, WE WERE GUEST STARS. 199 00:06:08,435 --> 00:06:13,104 BRYAN: WE MET -- AND -- WELL, WE WERE GUEST STARS. MY WIFE ROBIN DIERDEN WAS AN 200 00:06:13,106 --> 00:06:13,372 WERE GUEST STARS. MY WIFE ROBIN DIERDEN WAS AN ACTOR. 201 00:06:13,374 --> 00:06:14,906 MY WIFE ROBIN DIERDEN WAS AN ACTOR. AND SHE'S RETIRED NOW. 202 00:06:14,908 --> 00:06:17,642 ACTOR. AND SHE'S RETIRED NOW. WE MET A SHOW CALLED "AIR WOLF." 203 00:06:17,644 --> 00:06:20,011 AND SHE'S RETIRED NOW. WE MET A SHOW CALLED "AIR WOLF." DO YOU REMEMBER THAT? 204 00:06:20,013 --> 00:06:20,946 WE MET A SHOW CALLED "AIR WOLF." DO YOU REMEMBER THAT? CONAN: OH, MY GOD. 205 00:06:20,948 --> 00:06:23,348 DO YOU REMEMBER THAT? CONAN: OH, MY GOD. I REMEMBER THAT SHOW. 206 00:06:23,350 --> 00:06:27,919 CONAN: OH, MY GOD. I REMEMBER THAT SHOW. BRYAN: IT WAS A THEME SHOW WITH 207 00:06:27,921 --> 00:06:30,756 I REMEMBER THAT SHOW. BRYAN: IT WAS A THEME SHOW WITH A GREAT THUMPING MUSIC. 208 00:06:30,758 --> 00:06:33,258 BRYAN: IT WAS A THEME SHOW WITH A GREAT THUMPING MUSIC. AND AS THE SHOW ROLLED ON IT WAS 209 00:06:33,260 --> 00:06:35,360 A GREAT THUMPING MUSIC. AND AS THE SHOW ROLLED ON IT WAS LIKE -- YOU STARTED LOSING 210 00:06:35,362 --> 00:06:36,094 AND AS THE SHOW ROLLED ON IT WAS LIKE -- YOU STARTED LOSING INTEREST. 211 00:06:36,096 --> 00:06:38,196 LIKE -- YOU STARTED LOSING INTEREST. CONAN: I REMEMBER THAT THEME SO 212 00:06:38,198 --> 00:06:38,463 INTEREST. CONAN: I REMEMBER THAT THEME SO WELL. 213 00:06:38,465 --> 00:06:39,164 CONAN: I REMEMBER THAT THEME SO WELL. BRYAN: YOU DO? 214 00:06:39,166 --> 00:06:39,998 WELL. BRYAN: YOU DO? CONAN: I DO. 215 00:06:40,000 --> 00:06:42,567 BRYAN: YOU DO? CONAN: I DO. AND BASICALLY I HATE TO ADMIT 216 00:06:42,569 --> 00:06:44,569 CONAN: I DO. AND BASICALLY I HATE TO ADMIT THIS BUT IT'S HOW I START MOST 217 00:06:44,571 --> 00:06:45,670 AND BASICALLY I HATE TO ADMIT THIS BUT IT'S HOW I START MOST OF MY MORNINGS. 218 00:06:45,672 --> 00:06:47,772 THIS BUT IT'S HOW I START MOST OF MY MORNINGS. I THINK WE SHOULD TAKE A LOOK 219 00:06:47,774 --> 00:06:49,141 OF MY MORNINGS. I THINK WE SHOULD TAKE A LOOK RIGHT NOW. 220 00:06:49,143 --> 00:06:49,941 I THINK WE SHOULD TAKE A LOOK RIGHT NOW. LADIES AND GENTLEMEN, THE 221 00:06:49,943 --> 00:06:56,448 RIGHT NOW. LADIES AND GENTLEMEN, THE OPENING TO "AIR WOLF." 222 00:06:56,450 --> 00:07:00,419 LADIES AND GENTLEMEN, THE OPENING TO "AIR WOLF." ♪ 223 00:07:00,421 --> 00:07:00,786 OPENING TO "AIR WOLF." ♪ [LAUGHTER] 224 00:07:00,788 --> 00:07:02,620 ♪ [LAUGHTER] CONAN: WHAT A DIFFERENT TIME IN 225 00:07:02,622 --> 00:07:03,021 [LAUGHTER] CONAN: WHAT A DIFFERENT TIME IN TELEVISION. 226 00:07:03,023 --> 00:07:05,323 CONAN: WHAT A DIFFERENT TIME IN TELEVISION. BRYAN: IT IS. 227 00:07:05,325 --> 00:07:06,658 TELEVISION. BRYAN: IT IS. [LAUGHTER] 228 00:07:06,660 --> 00:07:09,194 BRYAN: IT IS. [LAUGHTER] WHEN YOU KNOW THEY SPEND A 229 00:07:09,196 --> 00:07:11,663 [LAUGHTER] WHEN YOU KNOW THEY SPEND A FORTUNE ON JUST THE THEME SONG 230 00:07:11,665 --> 00:07:14,466 WHEN YOU KNOW THEY SPEND A FORTUNE ON JUST THE THEME SONG AND THE VISUALS. 231 00:07:14,468 --> 00:07:16,000 FORTUNE ON JUST THE THEME SONG AND THE VISUALS. THIS WAS SEVEN MINUTES OF THE 232 00:07:16,002 --> 00:07:17,403 AND THE VISUALS. THIS WAS SEVEN MINUTES OF THE SHOW. 233 00:07:17,405 --> 00:07:18,203 THIS WAS SEVEN MINUTES OF THE SHOW. CONAN: I KNOW. 234 00:07:18,205 --> 00:07:20,706 SHOW. CONAN: I KNOW. YOU KNOW WHAT'S INCREDIBLE, 235 00:07:20,708 --> 00:07:22,874 CONAN: I KNOW. YOU KNOW WHAT'S INCREDIBLE, WATCHING THIS NOW, YOU REALIZE 236 00:07:22,876 --> 00:07:23,809 YOU KNOW WHAT'S INCREDIBLE, WATCHING THIS NOW, YOU REALIZE -- 237 00:07:23,811 --> 00:07:25,310 WATCHING THIS NOW, YOU REALIZE -- BRYAN: IT GOES ON FOR ANOTHER 238 00:07:25,312 --> 00:07:27,612 -- BRYAN: IT GOES ON FOR ANOTHER SIX AND A HALF MINUTES. 239 00:07:27,614 --> 00:07:29,581 BRYAN: IT GOES ON FOR ANOTHER SIX AND A HALF MINUTES. CONAN: LET'S BE CLEAR TO OUR 240 00:07:29,583 --> 00:07:31,917 SIX AND A HALF MINUTES. CONAN: LET'S BE CLEAR TO OUR VIEWERS, YOUNGER PEOPLE CANNOT 241 00:07:31,919 --> 00:07:33,585 CONAN: LET'S BE CLEAR TO OUR VIEWERS, YOUNGER PEOPLE CANNOT BELIEVE HOW LONG SHOW OPENINGS 242 00:07:33,587 --> 00:07:34,319 VIEWERS, YOUNGER PEOPLE CANNOT BELIEVE HOW LONG SHOW OPENINGS USED TO BE. 243 00:07:34,321 --> 00:07:35,620 BELIEVE HOW LONG SHOW OPENINGS USED TO BE. WHAT HAS HAPPENED THEY'VE 244 00:07:35,622 --> 00:07:37,723 USED TO BE. WHAT HAS HAPPENED THEY'VE COMPLETELY GONE AWAY. 245 00:07:37,725 --> 00:07:39,224 WHAT HAS HAPPENED THEY'VE COMPLETELY GONE AWAY. THERE'S A QUICK -- 246 00:07:39,226 --> 00:07:43,228 COMPLETELY GONE AWAY. THERE'S A QUICK -- BRYAN: BAD, PA, PADA. 247 00:07:43,230 --> 00:07:45,097 THERE'S A QUICK -- BRYAN: BAD, PA, PADA. COPE AND THEN YOU'RE INTO IT. 248 00:07:45,099 --> 00:07:46,098 BRYAN: BAD, PA, PADA. COPE AND THEN YOU'RE INTO IT. THAT'S A SMALL FRACTION OF THE 249 00:07:46,100 --> 00:07:47,499 COPE AND THEN YOU'RE INTO IT. THAT'S A SMALL FRACTION OF THE OPENING OF THE SHOW. 250 00:07:47,501 --> 00:07:50,602 THAT'S A SMALL FRACTION OF THE OPENING OF THE SHOW. YOU HAVEN'T EVEN GOTTEN TO -- 251 00:07:50,604 --> 00:07:54,973 OPENING OF THE SHOW. YOU HAVEN'T EVEN GOTTEN TO -- THE OPENING TO "CHIPS" I CLOCKED 252 00:07:54,975 --> 00:07:59,044 YOU HAVEN'T EVEN GOTTEN TO -- THE OPENING TO "CHIPS" I CLOCKED IT AT 45 MINUTES. 253 00:07:59,046 --> 00:08:04,750 THE OPENING TO "CHIPS" I CLOCKED IT AT 45 MINUTES. BRYAN: IT WAS LIKE THE 254 00:08:04,752 --> 00:08:05,517 IT AT 45 MINUTES. BRYAN: IT WAS LIKE THE "HAWAII-5-0." 255 00:08:05,519 --> 00:08:06,718 BRYAN: IT WAS LIKE THE "HAWAII-5-0." IT WAS AN EXCITING HAWAII 256 00:08:06,720 --> 00:08:10,656 "HAWAII-5-0." IT WAS AN EXCITING HAWAII EXPERIENCE AND WOW! 257 00:08:10,658 --> 00:08:12,557 IT WAS AN EXCITING HAWAII EXPERIENCE AND WOW! CONAN: I KNOW WE'RE BEING VERY 258 00:08:12,559 --> 00:08:13,258 EXPERIENCE AND WOW! CONAN: I KNOW WE'RE BEING VERY COVID SAFE. 259 00:08:13,260 --> 00:08:15,360 CONAN: I KNOW WE'RE BEING VERY COVID SAFE. YOU AND YOUR WIFE CONTRACTED 260 00:08:15,362 --> 00:08:17,729 COVID SAFE. YOU AND YOUR WIFE CONTRACTED COVID EARLY ON IN THE PANDEMIC, 261 00:08:17,731 --> 00:08:20,032 YOU AND YOUR WIFE CONTRACTED COVID EARLY ON IN THE PANDEMIC, IS THAT RIGHT? 262 00:08:20,034 --> 00:08:21,733 COVID EARLY ON IN THE PANDEMIC, IS THAT RIGHT? BRYAN: WE DIDN'T HAVE IT. 263 00:08:21,735 --> 00:08:22,968 IS THAT RIGHT? BRYAN: WE DIDN'T HAVE IT. WE HAD TO HIRE A CONTRACTER THAT 264 00:08:22,970 --> 00:08:23,869 BRYAN: WE DIDN'T HAVE IT. WE HAD TO HIRE A CONTRACTER THAT WE GOT IT. 265 00:08:23,871 --> 00:08:25,837 WE HAD TO HIRE A CONTRACTER THAT WE GOT IT. IT WAS VERY IMPORTANT TO US. 266 00:08:25,839 --> 00:08:28,573 WE GOT IT. IT WAS VERY IMPORTANT TO US. CONAN: HOW MUCH DID IT COST YOU? 267 00:08:28,575 --> 00:08:30,442 IT WAS VERY IMPORTANT TO US. CONAN: HOW MUCH DID IT COST YOU? BRYAN: YOU DON'T WANT TO GO TO 268 00:08:30,444 --> 00:08:33,178 CONAN: HOW MUCH DID IT COST YOU? BRYAN: YOU DON'T WANT TO GO TO THE CHEAPEST ONE OR THE HIGHEST 269 00:08:33,180 --> 00:08:33,445 BRYAN: YOU DON'T WANT TO GO TO THE CHEAPEST ONE OR THE HIGHEST PRICE. 270 00:08:33,447 --> 00:08:34,746 THE CHEAPEST ONE OR THE HIGHEST PRICE. NICE DOSE OF COVID. 271 00:08:34,748 --> 00:08:38,150 PRICE. NICE DOSE OF COVID. THAT WAS ALMOST A YEAR AGO IN 272 00:08:38,152 --> 00:08:39,384 NICE DOSE OF COVID. THAT WAS ALMOST A YEAR AGO IN MARCH OF LAST YEAR. 273 00:08:39,386 --> 00:08:41,353 THAT WAS ALMOST A YEAR AGO IN MARCH OF LAST YEAR. CONAN: AND HOW BAD WAS IT? 274 00:08:41,355 --> 00:08:43,288 MARCH OF LAST YEAR. CONAN: AND HOW BAD WAS IT? BRYAN: IN 2020, THE GREATEST 275 00:08:43,290 --> 00:08:46,291 CONAN: AND HOW BAD WAS IT? BRYAN: IN 2020, THE GREATEST YEAR OF OUR LIVES. 276 00:08:46,293 --> 00:08:47,693 BRYAN: IN 2020, THE GREATEST YEAR OF OUR LIVES. WE WERE VERY LUCKY. 277 00:08:47,695 --> 00:08:51,497 YEAR OF OUR LIVES. WE WERE VERY LUCKY. WE -- ACTUALLY, I HAD TWO AND A 278 00:08:51,499 --> 00:08:54,933 WE WERE VERY LUCKY. WE -- ACTUALLY, I HAD TWO AND A HALF DAYS THREE DAYS OF BODY 279 00:08:54,935 --> 00:08:55,100 WE -- ACTUALLY, I HAD TWO AND A HALF DAYS THREE DAYS OF BODY ACHES. 280 00:08:55,102 --> 00:08:56,701 HALF DAYS THREE DAYS OF BODY ACHES. IT STAYED THERE, BUT IT DIDN'T 281 00:08:56,703 --> 00:08:57,302 ACHES. IT STAYED THERE, BUT IT DIDN'T NAIL ME. 282 00:08:57,304 --> 00:09:00,305 IT STAYED THERE, BUT IT DIDN'T NAIL ME. I NEVER WAS FORCED TO STAY IN 283 00:09:00,307 --> 00:09:00,505 NAIL ME. I NEVER WAS FORCED TO STAY IN BED. 284 00:09:00,507 --> 00:09:02,508 I NEVER WAS FORCED TO STAY IN BED. BUT IT JUST DIDN'T FEEL RIGHT. 285 00:09:02,510 --> 00:09:04,943 BED. BUT IT JUST DIDN'T FEEL RIGHT. AND EXHAUSTION, PURE EXHAUSTION 286 00:09:04,945 --> 00:09:06,211 BUT IT JUST DIDN'T FEEL RIGHT. AND EXHAUSTION, PURE EXHAUSTION FOR A WEEK. 287 00:09:06,213 --> 00:09:07,612 AND EXHAUSTION, PURE EXHAUSTION FOR A WEEK. I COULDN'T TAKE ENOUGH NAPS. 288 00:09:07,614 --> 00:09:09,314 FOR A WEEK. I COULDN'T TAKE ENOUGH NAPS. I WOULD GO FOR A WALK AND HAVE 289 00:09:09,316 --> 00:09:10,949 I COULDN'T TAKE ENOUGH NAPS. I WOULD GO FOR A WALK AND HAVE TO SIT DOWN AGAIN. 290 00:09:10,951 --> 00:09:12,184 I WOULD GO FOR A WALK AND HAVE TO SIT DOWN AGAIN. IT WAS EXHAUSTING. 291 00:09:12,186 --> 00:09:14,520 TO SIT DOWN AGAIN. IT WAS EXHAUSTING. A LITTLE BIT OF -- OF A 292 00:09:14,522 --> 00:09:16,722 IT WAS EXHAUSTING. A LITTLE BIT OF -- OF A HEAVYNESS IN MY CHEST FOR MAYBE 293 00:09:16,724 --> 00:09:19,191 A LITTLE BIT OF -- OF A HEAVYNESS IN MY CHEST FOR MAYBE HALF A DAY AND THAT WAS IT. 294 00:09:19,193 --> 00:09:21,326 HEAVYNESS IN MY CHEST FOR MAYBE HALF A DAY AND THAT WAS IT. CONAN: SO YOU GOT LUCKY. 295 00:09:21,328 --> 00:09:23,228 HALF A DAY AND THAT WAS IT. CONAN: SO YOU GOT LUCKY. BRYAN: I LOST MY SENSE OF TASTE 296 00:09:23,230 --> 00:09:24,262 CONAN: SO YOU GOT LUCKY. BRYAN: I LOST MY SENSE OF TASTE AND SMELL. 297 00:09:24,264 --> 00:09:25,331 BRYAN: I LOST MY SENSE OF TASTE AND SMELL. CONAN: YOU DID? 298 00:09:25,333 --> 00:09:27,632 AND SMELL. CONAN: YOU DID? WHICH IS A COMMON SIDE EFFECT. 299 00:09:27,634 --> 00:09:29,100 CONAN: YOU DID? WHICH IS A COMMON SIDE EFFECT. BRYAN: AND YOU SMELL VERY GOOD. 300 00:09:29,102 --> 00:09:33,605 WHICH IS A COMMON SIDE EFFECT. BRYAN: AND YOU SMELL VERY GOOD. AND I WAS DISAPPOINTING -- 301 00:09:33,607 --> 00:09:35,540 BRYAN: AND YOU SMELL VERY GOOD. AND I WAS DISAPPOINTING -- DISAPPOINTED TODAY THAT I WASN'T 302 00:09:35,542 --> 00:09:37,509 AND I WAS DISAPPOINTING -- DISAPPOINTED TODAY THAT I WASN'T GOING TO BE ABLE TO SMELL YOU. 303 00:09:37,511 --> 00:09:40,245 DISAPPOINTED TODAY THAT I WASN'T GOING TO BE ABLE TO SMELL YOU. CONAN: I HAVE A PINE SENT. 304 00:09:40,247 --> 00:09:41,213 GOING TO BE ABLE TO SMELL YOU. CONAN: I HAVE A PINE SENT. BRYAN: VERY OUTDOORSY. 305 00:09:41,215 --> 00:09:43,749 CONAN: I HAVE A PINE SENT. BRYAN: VERY OUTDOORSY. CONAN: THERE'S A LOT OF 306 00:09:43,751 --> 00:09:45,984 BRYAN: VERY OUTDOORSY. CONAN: THERE'S A LOT OF DOWNSIDES LOSING YOUR TASTE AN 307 00:09:45,986 --> 00:09:47,419 CONAN: THERE'S A LOT OF DOWNSIDES LOSING YOUR TASTE AN SMELL NOT BEING ABLE TO TASTE 308 00:09:47,421 --> 00:09:48,153 DOWNSIDES LOSING YOUR TASTE AN SMELL NOT BEING ABLE TO TASTE INCREDIBLE FOODS. 309 00:09:48,155 --> 00:09:52,290 SMELL NOT BEING ABLE TO TASTE INCREDIBLE FOODS. THERE'S GOT TO BE SOME UPSIDE. 310 00:09:52,292 --> 00:09:53,759 INCREDIBLE FOODS. THERE'S GOT TO BE SOME UPSIDE. BRYAN: YOU DON'T SMELL THE DOG 311 00:09:53,761 --> 00:09:56,127 THERE'S GOT TO BE SOME UPSIDE. BRYAN: YOU DON'T SMELL THE DOG POOP OR THE VOMIT THAT SOMEBODY 312 00:09:56,129 --> 00:09:58,196 BRYAN: YOU DON'T SMELL THE DOG POOP OR THE VOMIT THAT SOMEBODY -- AND I DO IT BECAUSE I STICK 313 00:09:58,198 --> 00:10:00,365 POOP OR THE VOMIT THAT SOMEBODY -- AND I DO IT BECAUSE I STICK MY NOSE RIGHT IN IT, NO, I DON'T 314 00:10:00,367 --> 00:10:02,434 -- AND I DO IT BECAUSE I STICK MY NOSE RIGHT IN IT, NO, I DON'T SMELL IT. 315 00:10:02,436 --> 00:10:03,035 MY NOSE RIGHT IN IT, NO, I DON'T SMELL IT. [LAUGHTER] 316 00:10:03,037 --> 00:10:05,203 SMELL IT. [LAUGHTER] NO. 317 00:10:05,205 --> 00:10:06,972 [LAUGHTER] NO. CONAN: BECAUSE I SAW YOU THREE 318 00:10:06,974 --> 00:10:09,808 NO. CONAN: BECAUSE I SAW YOU THREE MONTHS AGO -- YOUR FACE WAS 319 00:10:09,810 --> 00:10:12,577 CONAN: BECAUSE I SAW YOU THREE MONTHS AGO -- YOUR FACE WAS COVERED IN DOG SHIT AND YOU 320 00:10:12,579 --> 00:10:16,148 MONTHS AGO -- YOUR FACE WAS COVERED IN DOG SHIT AND YOU DIDN'T SEEM TO CARE. 321 00:10:16,150 --> 00:10:21,720 COVERED IN DOG SHIT AND YOU DIDN'T SEEM TO CARE. BRYAN: BECAUSE I COULDN'T SMELL 322 00:10:21,722 --> 00:10:24,823 DIDN'T SEEM TO CARE. BRYAN: BECAUSE I COULDN'T SMELL CONAN: I WANT TO TALK ABOUT 323 00:10:24,825 --> 00:10:26,959 BRYAN: BECAUSE I COULDN'T SMELL CONAN: I WANT TO TALK ABOUT "YOUR HONOR," WHICH I LOVE THIS 324 00:10:26,961 --> 00:10:27,626 CONAN: I WANT TO TALK ABOUT "YOUR HONOR," WHICH I LOVE THIS SHOW. 325 00:10:27,628 --> 00:10:28,226 "YOUR HONOR," WHICH I LOVE THIS SHOW. BRYAN: OH, GOOD. 326 00:10:28,228 --> 00:10:30,195 SHOW. BRYAN: OH, GOOD. CONAN: AND I ACTUALLY GOT VERY 327 00:10:30,197 --> 00:10:31,463 BRYAN: OH, GOOD. CONAN: AND I ACTUALLY GOT VERY WRAPPED UP IN IT. 328 00:10:31,465 --> 00:10:32,997 CONAN: AND I ACTUALLY GOT VERY WRAPPED UP IN IT. IT'S A FANTASTIC IDEA FOR A 329 00:10:32,999 --> 00:10:33,832 WRAPPED UP IN IT. IT'S A FANTASTIC IDEA FOR A SHOW. 330 00:10:33,834 --> 00:10:35,600 IT'S A FANTASTIC IDEA FOR A SHOW. AND ONE OF MY FAVORITE THINGS 331 00:10:35,602 --> 00:10:40,538 SHOW. AND ONE OF MY FAVORITE THINGS ABOUT THE SHOW IS HOW YOUR 332 00:10:40,540 --> 00:10:42,407 AND ONE OF MY FAVORITE THINGS ABOUT THE SHOW IS HOW YOUR CHARACTER -- THIS -- THIS JUDGE 333 00:10:42,409 --> 00:10:45,577 ABOUT THE SHOW IS HOW YOUR CHARACTER -- THIS -- THIS JUDGE IS A VERY DECENT, YOU KNOW, IS A 334 00:10:45,579 --> 00:10:47,812 CHARACTER -- THIS -- THIS JUDGE IS A VERY DECENT, YOU KNOW, IS A VERY DECENT PERSON WITH A VERY 335 00:10:47,814 --> 00:10:49,181 IS A VERY DECENT, YOU KNOW, IS A VERY DECENT PERSON WITH A VERY STRONG MORAL CODE WHO HAS TO 336 00:10:49,183 --> 00:10:51,450 VERY DECENT PERSON WITH A VERY STRONG MORAL CODE WHO HAS TO MAKE THESE DECISIONS TO SAVE HIS 337 00:10:51,452 --> 00:10:51,750 STRONG MORAL CODE WHO HAS TO MAKE THESE DECISIONS TO SAVE HIS SON. 338 00:10:51,752 --> 00:10:53,652 MAKE THESE DECISIONS TO SAVE HIS SON. AND SO EVERY STEP OF THE WAY, I 339 00:10:53,654 --> 00:10:54,853 SON. AND SO EVERY STEP OF THE WAY, I UNDERSTAND WHY OUR CHARACTER IS 340 00:10:54,855 --> 00:10:56,421 AND SO EVERY STEP OF THE WAY, I UNDERSTAND WHY OUR CHARACTER IS DOING WHAT THEY'RE DOING. 341 00:10:56,423 --> 00:10:59,591 UNDERSTAND WHY OUR CHARACTER IS DOING WHAT THEY'RE DOING. AND AT THE SAME TIME, THESE ARE 342 00:10:59,593 --> 00:11:00,959 DOING WHAT THEY'RE DOING. AND AT THE SAME TIME, THESE ARE DECISIONS, WHICH ARE -- GO 343 00:11:00,961 --> 00:11:02,127 AND AT THE SAME TIME, THESE ARE DECISIONS, WHICH ARE -- GO AGAINST EVERYTHING THAT YOU 344 00:11:02,129 --> 00:11:04,463 DECISIONS, WHICH ARE -- GO AGAINST EVERYTHING THAT YOU BELIEVE IS RIGHT. 345 00:11:04,465 --> 00:11:05,731 AGAINST EVERYTHING THAT YOU BELIEVE IS RIGHT. BRYAN: THAT'S WHAT GOT ME HOOKED 346 00:11:05,733 --> 00:11:07,866 BELIEVE IS RIGHT. BRYAN: THAT'S WHAT GOT ME HOOKED ON THE SHOW TO DO IT IN THE 347 00:11:07,868 --> 00:11:10,235 BRYAN: THAT'S WHAT GOT ME HOOKED ON THE SHOW TO DO IT IN THE FIRST PLACE WAS THAT PREMISE IS 348 00:11:10,237 --> 00:11:11,637 ON THE SHOW TO DO IT IN THE FIRST PLACE WAS THAT PREMISE IS IF YOU REALLY THOUGHT YOUR CHILD 349 00:11:11,639 --> 00:11:13,205 FIRST PLACE WAS THAT PREMISE IS IF YOU REALLY THOUGHT YOUR CHILD WAS IN DANGER OF BEING KILLED, 350 00:11:13,207 --> 00:11:16,375 IF YOU REALLY THOUGHT YOUR CHILD WAS IN DANGER OF BEING KILLED, WHAT WOULD YOU DO TO PROTECT HIM 351 00:11:16,377 --> 00:11:17,575 WAS IN DANGER OF BEING KILLED, WHAT WOULD YOU DO TO PROTECT HIM OR HER? 352 00:11:17,577 --> 00:11:19,077 WHAT WOULD YOU DO TO PROTECT HIM OR HER? YOU WOULD DO ANYTHING, 353 00:11:19,079 --> 00:11:19,411 OR HER? YOU WOULD DO ANYTHING, EVERYTHING. 354 00:11:19,413 --> 00:11:22,014 YOU WOULD DO ANYTHING, EVERYTHING. AND I TALKED TO ANY PARENT AND 355 00:11:22,016 --> 00:11:24,082 EVERYTHING. AND I TALKED TO ANY PARENT AND THEY SAID, YEP, I WOULD BECOME A 356 00:11:24,084 --> 00:11:24,450 AND I TALKED TO ANY PARENT AND THEY SAID, YEP, I WOULD BECOME A CRIMINAL. 357 00:11:24,452 --> 00:11:27,519 THEY SAID, YEP, I WOULD BECOME A CRIMINAL. AND MY CHARACTER IS A SUPERIOR 358 00:11:27,521 --> 00:11:27,820 CRIMINAL. AND MY CHARACTER IS A SUPERIOR COURT JUDGE. 359 00:11:27,822 --> 00:11:28,320 AND MY CHARACTER IS A SUPERIOR COURT JUDGE. AND HE DOES. 360 00:11:28,322 --> 00:11:29,721 COURT JUDGE. AND HE DOES. HE LIES TO AUTHORITIES, WHICH IS 361 00:11:29,723 --> 00:11:31,390 AND HE DOES. HE LIES TO AUTHORITIES, WHICH IS A CRIME. 362 00:11:31,392 --> 00:11:32,324 HE LIES TO AUTHORITIES, WHICH IS A CRIME. HE DESTROYS EVIDENCE. 363 00:11:32,326 --> 00:11:34,426 A CRIME. HE DESTROYS EVIDENCE. HE CREATES ALIBIS. 364 00:11:34,428 --> 00:11:35,860 HE DESTROYS EVIDENCE. HE CREATES ALIBIS. HE MANIPULATES JURIES. 365 00:11:35,862 --> 00:11:37,129 HE CREATES ALIBIS. HE MANIPULATES JURIES. HE'S DOING WHATEVER HE CAN TO 366 00:11:37,131 --> 00:11:39,631 HE MANIPULATES JURIES. HE'S DOING WHATEVER HE CAN TO KEEP HIS SON ALIVE. 367 00:11:39,633 --> 00:11:41,900 HE'S DOING WHATEVER HE CAN TO KEEP HIS SON ALIVE. AND EACH STEP IS GOING SO 368 00:11:41,902 --> 00:11:43,835 KEEP HIS SON ALIVE. AND EACH STEP IS GOING SO AGAINST HIS PRINCIPLES THAT IT'S 369 00:11:43,837 --> 00:11:45,637 AND EACH STEP IS GOING SO AGAINST HIS PRINCIPLES THAT IT'S ERODING HIS SOUL. 370 00:11:45,639 --> 00:11:47,406 AGAINST HIS PRINCIPLES THAT IT'S ERODING HIS SOUL. CONAN: AND IT KEEPS GOING DEEPER 371 00:11:47,408 --> 00:11:48,774 ERODING HIS SOUL. CONAN: AND IT KEEPS GOING DEEPER AND DEEPER AND DEEPER. 372 00:11:48,776 --> 00:11:50,442 CONAN: AND IT KEEPS GOING DEEPER AND DEEPER AND DEEPER. AND I ALSO LOVE THAT IT TAKES 373 00:11:50,444 --> 00:11:53,512 AND DEEPER AND DEEPER. AND I ALSO LOVE THAT IT TAKES PLACE IN NEW ORLEANS WHICH TO 374 00:11:53,514 --> 00:11:56,014 AND I ALSO LOVE THAT IT TAKES PLACE IN NEW ORLEANS WHICH TO ME, I WOULD WANT TO -- IF I WAS 375 00:11:56,016 --> 00:11:58,216 PLACE IN NEW ORLEANS WHICH TO ME, I WOULD WANT TO -- IF I WAS EVER INVOLVED IN SOME SHOW BIZ 376 00:11:58,218 --> 00:11:59,651 ME, I WOULD WANT TO -- IF I WAS EVER INVOLVED IN SOME SHOW BIZ VENTURE AND THEY SAID PICK A 377 00:11:59,653 --> 00:12:02,420 EVER INVOLVED IN SOME SHOW BIZ VENTURE AND THEY SAID PICK A CITY WHERE IT MIGHT HAPPEN I 378 00:12:02,422 --> 00:12:03,121 VENTURE AND THEY SAID PICK A CITY WHERE IT MIGHT HAPPEN I MIGHT CHOOSE NEW ORLEANS JUST 379 00:12:03,123 --> 00:12:05,190 CITY WHERE IT MIGHT HAPPEN I MIGHT CHOOSE NEW ORLEANS JUST FOR THE FOOD ALONE. 380 00:12:05,192 --> 00:12:06,458 MIGHT CHOOSE NEW ORLEANS JUST FOR THE FOOD ALONE. BRYAN: YEAH, BUT THAT'S NOT 381 00:12:06,460 --> 00:12:07,860 FOR THE FOOD ALONE. BRYAN: YEAH, BUT THAT'S NOT GOING TO HAPPEN FOR YOU. 382 00:12:07,862 --> 00:12:08,994 BRYAN: YEAH, BUT THAT'S NOT GOING TO HAPPEN FOR YOU. [LAUGHTER] 383 00:12:08,996 --> 00:12:10,362 GOING TO HAPPEN FOR YOU. [LAUGHTER] CONAN: YOU DON'T THINK -- 384 00:12:10,364 --> 00:12:11,663 [LAUGHTER] CONAN: YOU DON'T THINK -- BRYAN: THEY'RE NOT GOING TO SAY 385 00:12:11,665 --> 00:12:13,398 CONAN: YOU DON'T THINK -- BRYAN: THEY'RE NOT GOING TO SAY BE INVOLVED IN AN ENTERTAINING 386 00:12:13,400 --> 00:12:14,966 BRYAN: THEY'RE NOT GOING TO SAY BE INVOLVED IN AN ENTERTAINING PROGRAM OF SOME SORT. 387 00:12:14,968 --> 00:12:17,102 BE INVOLVED IN AN ENTERTAINING PROGRAM OF SOME SORT. I THINK YOU'VE SHOD YOUR WAD 388 00:12:17,104 --> 00:12:18,137 PROGRAM OF SOME SORT. I THINK YOU'VE SHOD YOUR WAD HERE. 389 00:12:18,139 --> 00:12:20,672 I THINK YOU'VE SHOD YOUR WAD HERE. CONAN: I THINK I'M DOING REALLY 390 00:12:20,674 --> 00:12:21,673 HERE. CONAN: I THINK I'M DOING REALLY WELL. 391 00:12:21,675 --> 00:12:24,609 CONAN: I THINK I'M DOING REALLY WELL. ANDY: BRYAN, THANK YOU. 392 00:12:24,611 --> 00:12:27,946 WELL. ANDY: BRYAN, THANK YOU. [LAUGHTER] 393 00:12:27,948 --> 00:12:28,980 ANDY: BRYAN, THANK YOU. [LAUGHTER] BRYAN: RIGHT? 394 00:12:28,982 --> 00:12:31,616 [LAUGHTER] BRYAN: RIGHT? ANDY: I TALK UNTIL I'M BLUE IN 395 00:12:31,618 --> 00:12:33,385 BRYAN: RIGHT? ANDY: I TALK UNTIL I'M BLUE IN THE FACE. 396 00:12:33,387 --> 00:12:33,752 ANDY: I TALK UNTIL I'M BLUE IN THE FACE. [LAUGHTER] 397 00:12:33,754 --> 00:12:37,255 THE FACE. [LAUGHTER] BRYAN: AND HOW HAS IT BEEN ALL 398 00:12:37,257 --> 00:12:39,357 [LAUGHTER] BRYAN: AND HOW HAS IT BEEN ALL THESE YEARS, MY FRIEND? 399 00:12:39,359 --> 00:12:41,092 BRYAN: AND HOW HAS IT BEEN ALL THESE YEARS, MY FRIEND? YOU HAVE TO WALK THAT LINE 400 00:12:41,094 --> 00:12:43,094 THESE YEARS, MY FRIEND? YOU HAVE TO WALK THAT LINE BETWEEN BEING SUPPORTIVE AND 401 00:12:43,096 --> 00:12:44,629 YOU HAVE TO WALK THAT LINE BETWEEN BEING SUPPORTIVE AND BECOME SYCOPHANTIC. 402 00:12:44,631 --> 00:12:47,332 BETWEEN BEING SUPPORTIVE AND BECOME SYCOPHANTIC. YOU DON'T WANT TO BE AN 403 00:12:47,334 --> 00:12:47,900 BECOME SYCOPHANTIC. YOU DON'T WANT TO BE AN ASS-KISSER. 404 00:12:47,902 --> 00:12:49,601 YOU DON'T WANT TO BE AN ASS-KISSER. BUT YOU HAVE TO SUPPORT HIM. 405 00:12:49,603 --> 00:12:50,736 ASS-KISSER. BUT YOU HAVE TO SUPPORT HIM. HAVE YOU EVER REALLY COME OUT 406 00:12:50,738 --> 00:12:52,337 BUT YOU HAVE TO SUPPORT HIM. HAVE YOU EVER REALLY COME OUT AND TOLD THE TRUTH ABOUT A 407 00:12:52,339 --> 00:12:53,671 HAVE YOU EVER REALLY COME OUT AND TOLD THE TRUTH ABOUT A MONOLOGUE THAT HE DID AND SAID 408 00:12:53,673 --> 00:12:56,641 AND TOLD THE TRUTH ABOUT A MONOLOGUE THAT HE DID AND SAID THAT WAS TERRIBLE? 409 00:12:56,643 --> 00:12:57,175 MONOLOGUE THAT HE DID AND SAID THAT WAS TERRIBLE? ANDY: NO. 410 00:12:57,177 --> 00:12:59,411 THAT WAS TERRIBLE? ANDY: NO. I JUST -- I JUST -- NOT 411 00:12:59,413 --> 00:12:59,845 ANDY: NO. I JUST -- I JUST -- NOT SPECIFICALLY. 412 00:12:59,847 --> 00:13:01,813 I JUST -- I JUST -- NOT SPECIFICALLY. I JUST GENERALLY KEEP HIM 413 00:13:01,815 --> 00:13:03,114 SPECIFICALLY. I JUST GENERALLY KEEP HIM FRIGHTENED OF ME. 414 00:13:03,116 --> 00:13:03,716 I JUST GENERALLY KEEP HIM FRIGHTENED OF ME. YEAH, YEAH. 415 00:13:03,718 --> 00:13:06,818 FRIGHTENED OF ME. YEAH, YEAH. CONAN: YEAH, ANDY, EARLY ON, 416 00:13:06,820 --> 00:13:09,187 YEAH, YEAH. CONAN: YEAH, ANDY, EARLY ON, SORT OF INTIMATED THAT HE HAD A 417 00:13:09,189 --> 00:13:10,955 CONAN: YEAH, ANDY, EARLY ON, SORT OF INTIMATED THAT HE HAD A VERY VIOLENT TEMPER AND HE'S 418 00:13:10,957 --> 00:13:12,657 SORT OF INTIMATED THAT HE HAD A VERY VIOLENT TEMPER AND HE'S PHYSICALLY ONE OF THE STRONGEST 419 00:13:12,659 --> 00:13:13,926 VERY VIOLENT TEMPER AND HE'S PHYSICALLY ONE OF THE STRONGEST PEOPLE I'VE EVER MET. 420 00:13:13,928 --> 00:13:15,227 PHYSICALLY ONE OF THE STRONGEST PEOPLE I'VE EVER MET. ANDY: THE FIRST THING I DO EVERY 421 00:13:15,229 --> 00:13:17,629 PEOPLE I'VE EVER MET. ANDY: THE FIRST THING I DO EVERY DAY AT WORK IS I COME IN AND I 422 00:13:17,631 --> 00:13:19,998 ANDY: THE FIRST THING I DO EVERY DAY AT WORK IS I COME IN AND I HAVE A PUMPKIN AND I CRUSH IT IN 423 00:13:20,000 --> 00:13:21,966 DAY AT WORK IS I COME IN AND I HAVE A PUMPKIN AND I CRUSH IT IN MY HANDS AND THEN WE'RE FINE. 424 00:13:21,968 --> 00:13:23,736 HAVE A PUMPKIN AND I CRUSH IT IN MY HANDS AND THEN WE'RE FINE. CONAN: YEAH, SO I DON'T MESS 425 00:13:23,738 --> 00:13:24,403 MY HANDS AND THEN WE'RE FINE. CONAN: YEAH, SO I DON'T MESS WITH ANDY. 426 00:13:24,405 --> 00:13:26,572 CONAN: YEAH, SO I DON'T MESS WITH ANDY. I KNOW YOU THINK IT'S UNLIKELY 427 00:13:26,574 --> 00:13:28,473 WITH ANDY. I KNOW YOU THINK IT'S UNLIKELY THAT I WILL BECOME A SERIOUS 428 00:13:28,475 --> 00:13:30,943 I KNOW YOU THINK IT'S UNLIKELY THAT I WILL BECOME A SERIOUS ACTOR OF GREAT RENOWN. 429 00:13:30,945 --> 00:13:32,644 THAT I WILL BECOME A SERIOUS ACTOR OF GREAT RENOWN. BUT I DID MEAN WHAT I SAID. 430 00:13:32,646 --> 00:13:34,046 ACTOR OF GREAT RENOWN. BUT I DID MEAN WHAT I SAID. I WOULD WANT TO BE IN NEW 431 00:13:34,048 --> 00:13:34,379 BUT I DID MEAN WHAT I SAID. I WOULD WANT TO BE IN NEW ORLEANS. 432 00:13:34,381 --> 00:13:36,248 I WOULD WANT TO BE IN NEW ORLEANS. ARE YOU EATING THE FOOD? 433 00:13:36,250 --> 00:13:38,116 ORLEANS. ARE YOU EATING THE FOOD? BECAUSE I SEE -- THERE WAS ONE 434 00:13:38,118 --> 00:13:39,985 ARE YOU EATING THE FOOD? BECAUSE I SEE -- THERE WAS ONE EPISODE WHERE YOU WERE HAVING 435 00:13:39,987 --> 00:13:42,020 BECAUSE I SEE -- THERE WAS ONE EPISODE WHERE YOU WERE HAVING THIS GIANT SHRIMP DINNER. 436 00:13:42,022 --> 00:13:45,457 EPISODE WHERE YOU WERE HAVING THIS GIANT SHRIMP DINNER. I'M THINKING ARE YOU'D -- ARE 437 00:13:45,459 --> 00:13:47,492 THIS GIANT SHRIMP DINNER. I'M THINKING ARE YOU'D -- ARE YOU EATING THE FOOD? 438 00:13:47,494 --> 00:13:49,394 I'M THINKING ARE YOU'D -- ARE YOU EATING THE FOOD? OR ARE YOU ONE OF THOSE ACTORS 439 00:13:49,396 --> 00:13:51,029 YOU EATING THE FOOD? OR ARE YOU ONE OF THOSE ACTORS THAT YOU PRETEND? 440 00:13:51,031 --> 00:13:52,431 OR ARE YOU ONE OF THOSE ACTORS THAT YOU PRETEND? BRYAN: I ALWAYS EAT ON THE SET. 441 00:13:52,433 --> 00:13:54,032 THAT YOU PRETEND? BRYAN: I ALWAYS EAT ON THE SET. THAT'S ALWAYS BEEN A PET PEEVE 442 00:13:54,034 --> 00:13:57,302 BRYAN: I ALWAYS EAT ON THE SET. THAT'S ALWAYS BEEN A PET PEEVE OF MINE TO SEE A SCENE, THANKS 443 00:13:57,304 --> 00:13:59,371 THAT'S ALWAYS BEEN A PET PEEVE OF MINE TO SEE A SCENE, THANKS GIVING DINNER OR SOMETHING AND 444 00:13:59,373 --> 00:14:00,639 OF MINE TO SEE A SCENE, THANKS GIVING DINNER OR SOMETHING AND PEOPLE ARE PUSHING AROUND THE 445 00:14:00,641 --> 00:14:03,575 GIVING DINNER OR SOMETHING AND PEOPLE ARE PUSHING AROUND THE FOOD AND NO ONE'S REALLY EATING 446 00:14:03,577 --> 00:14:06,511 PEOPLE ARE PUSHING AROUND THE FOOD AND NO ONE'S REALLY EATING AND EVERYBODY'S LIKE HA, HA, HA. 447 00:14:06,513 --> 00:14:07,779 FOOD AND NO ONE'S REALLY EATING AND EVERYBODY'S LIKE HA, HA, HA. I DON'T BELIEVE THAT. 448 00:14:07,781 --> 00:14:11,049 AND EVERYBODY'S LIKE HA, HA, HA. I DON'T BELIEVE THAT. PART OF -- PART OF CREATING A 449 00:14:11,051 --> 00:14:13,018 I DON'T BELIEVE THAT. PART OF -- PART OF CREATING A DRAMATIC INTERPRETATION OF A 450 00:14:13,020 --> 00:14:14,720 PART OF -- PART OF CREATING A DRAMATIC INTERPRETATION OF A SCENARIO IS TO BE -- TO BE AS 451 00:14:14,722 --> 00:14:15,487 DRAMATIC INTERPRETATION OF A SCENARIO IS TO BE -- TO BE AS REAL AS POSSIBLE. 452 00:14:15,489 --> 00:14:16,288 SCENARIO IS TO BE -- TO BE AS REAL AS POSSIBLE. EAT THE FOOD. 453 00:14:16,290 --> 00:14:18,022 REAL AS POSSIBLE. EAT THE FOOD. AND SO YOU'LL SEE ME CHOWING 454 00:14:18,024 --> 00:14:18,356 EAT THE FOOD. AND SO YOU'LL SEE ME CHOWING DOWN. 455 00:14:18,358 --> 00:14:19,858 AND SO YOU'LL SEE ME CHOWING DOWN. THAT WAS REAL SHRIMP. 456 00:14:19,860 --> 00:14:22,026 DOWN. THAT WAS REAL SHRIMP. AND WE WERE DIPPING IN THE 457 00:14:22,028 --> 00:14:22,194 THAT WAS REAL SHRIMP. AND WE WERE DIPPING IN THE SAUCE. 458 00:14:22,196 --> 00:14:23,996 AND WE WERE DIPPING IN THE SAUCE. SOME WERE HOTTER THAN OTHERS. 459 00:14:23,998 --> 00:14:25,664 SAUCE. SOME WERE HOTTER THAN OTHERS. YOUR EYES ARE WATERING. 460 00:14:25,666 --> 00:14:26,799 SOME WERE HOTTER THAN OTHERS. YOUR EYES ARE WATERING. IT WAS -- IT WAS GREAT. 461 00:14:26,801 --> 00:14:31,570 YOUR EYES ARE WATERING. IT WAS -- IT WAS GREAT. CONAN: IT'S ONE OF MY PET PEEVES 462 00:14:31,572 --> 00:14:34,606 IT WAS -- IT WAS GREAT. CONAN: IT'S ONE OF MY PET PEEVES ABOUT JON CRIE YOU'RE. 463 00:14:34,608 --> 00:14:37,409 CONAN: IT'S ONE OF MY PET PEEVES ABOUT JON CRIE YOU'RE. -- JOHN CRY OR. 464 00:14:37,411 --> 00:14:38,610 ABOUT JON CRIE YOU'RE. -- JOHN CRY OR. HE'S A TERRIFIC ACTOR. 465 00:14:38,612 --> 00:14:41,012 -- JOHN CRY OR. HE'S A TERRIFIC ACTOR. ANY TIME THAT SHOW IS ON, HE'S 466 00:14:41,014 --> 00:14:42,214 HE'S A TERRIFIC ACTOR. ANY TIME THAT SHOW IS ON, HE'S JUST PUSHING THE FOOD AND 467 00:14:42,216 --> 00:14:43,615 ANY TIME THAT SHOW IS ON, HE'S JUST PUSHING THE FOOD AND PUSHING IT AROUND. 468 00:14:43,617 --> 00:14:49,053 JUST PUSHING THE FOOD AND PUSHING IT AROUND. JON CRYOR EAT THE FOOD. 469 00:14:49,055 --> 00:14:51,189 PUSHING IT AROUND. JON CRYOR EAT THE FOOD. BRYAN: THAT SHOW IS GOING TO GO 470 00:14:51,191 --> 00:14:52,024 JON CRYOR EAT THE FOOD. BRYAN: THAT SHOW IS GOING TO GO NOWHERE. 471 00:14:52,026 --> 00:14:52,424 BRYAN: THAT SHOW IS GOING TO GO NOWHERE. [LAUGHTER] 472 00:14:52,426 --> 00:14:54,292 NOWHERE. [LAUGHTER] CONAN: SO YOU EAT THE FOOD. 473 00:14:54,294 --> 00:14:56,861 [LAUGHTER] CONAN: SO YOU EAT THE FOOD. WHAT ABOUT LOVE SCENES? 474 00:14:56,863 --> 00:14:59,498 CONAN: SO YOU EAT THE FOOD. WHAT ABOUT LOVE SCENES? BRYAN: I EAT THE FOOD IN LOVE 475 00:14:59,500 --> 00:15:00,165 WHAT ABOUT LOVE SCENES? BRYAN: I EAT THE FOOD IN LOVE SCENES. 476 00:15:00,167 --> 00:15:02,234 BRYAN: I EAT THE FOOD IN LOVE SCENES. CONAN: I NOTICE WHENEVER YOU 477 00:15:02,236 --> 00:15:04,603 SCENES. CONAN: I NOTICE WHENEVER YOU HAVE A SEX SCENE THROUGHOUT YOUR 478 00:15:04,605 --> 00:15:05,870 CONAN: I NOTICE WHENEVER YOU HAVE A SEX SCENE THROUGHOUT YOUR CAREER, YOU'VE GOT FOOD ON THE 479 00:15:05,872 --> 00:15:07,005 HAVE A SEX SCENE THROUGHOUT YOUR CAREER, YOU'VE GOT FOOD ON THE NIGHT STAND AND YOU'RE TAKING A 480 00:15:07,007 --> 00:15:07,939 CAREER, YOU'VE GOT FOOD ON THE NIGHT STAND AND YOU'RE TAKING A LOT OF BREAKS. 481 00:15:07,941 --> 00:15:10,342 NIGHT STAND AND YOU'RE TAKING A LOT OF BREAKS. BRYAN: OH, YEAH, FOOD, WHIPPED 482 00:15:10,344 --> 00:15:11,309 LOT OF BREAKS. BRYAN: OH, YEAH, FOOD, WHIPPED CREAM, STRAWBERRIES. 483 00:15:11,311 --> 00:15:13,712 BRYAN: OH, YEAH, FOOD, WHIPPED CREAM, STRAWBERRIES. YEAH, YEAH. 484 00:15:13,714 --> 00:15:13,945 CREAM, STRAWBERRIES. YEAH, YEAH. [LAUGHTER] 485 00:15:13,947 --> 00:15:15,481 YEAH, YEAH. [LAUGHTER] I WANT TO BE AUTHENTIC. 486 00:15:15,483 --> 00:15:18,016 [LAUGHTER] I WANT TO BE AUTHENTIC. SO I HAVE TO GO TO MY PARTNER 487 00:15:18,018 --> 00:15:21,653 I WANT TO BE AUTHENTIC. SO I HAVE TO GO TO MY PARTNER AND SAY, WE REALLY HAVE TO HAVE 488 00:15:21,655 --> 00:15:22,821 SO I HAVE TO GO TO MY PARTNER AND SAY, WE REALLY HAVE TO HAVE SEX. 489 00:15:22,823 --> 00:15:25,057 AND SAY, WE REALLY HAVE TO HAVE SEX. OR WE'RE LIARS. 490 00:15:25,059 --> 00:15:30,195 SEX. OR WE'RE LIARS. OR WE ARE JUST CHARLATANS. 491 00:15:30,197 --> 00:15:30,462 OR WE'RE LIARS. OR WE ARE JUST CHARLATANS. [LAUGHTER] 492 00:15:30,464 --> 00:15:33,131 OR WE ARE JUST CHARLATANS. [LAUGHTER] CONAN: AND HOW DOES THAT GO OVER 493 00:15:33,133 --> 00:15:34,599 [LAUGHTER] CONAN: AND HOW DOES THAT GO OVER ? 494 00:15:34,601 --> 00:15:35,534 CONAN: AND HOW DOES THAT GO OVER ? BRYAN: SEVERAL LAWSUITS WHICH I 495 00:15:35,536 --> 00:15:37,536 ? BRYAN: SEVERAL LAWSUITS WHICH I CAN'T TALK ABOUT. 496 00:15:37,538 --> 00:15:39,137 BRYAN: SEVERAL LAWSUITS WHICH I CAN'T TALK ABOUT. I'VE STILL GOT MY FINGERS 497 00:15:39,139 --> 00:15:40,873 CAN'T TALK ABOUT. I'VE STILL GOT MY FINGERS CROSSED IT'S GOING TO WORK SOME 498 00:15:40,875 --> 00:15:41,139 I'VE STILL GOT MY FINGERS CROSSED IT'S GOING TO WORK SOME DAY. 499 00:15:41,141 --> 00:15:42,941 CROSSED IT'S GOING TO WORK SOME DAY. CONAN: YEAH, UH-HUH. 500 00:15:42,943 --> 00:15:44,976 DAY. CONAN: YEAH, UH-HUH. YOU KNOW, I VERY MUCH -- I'M A 501 00:15:44,978 --> 00:15:47,879 CONAN: YEAH, UH-HUH. YOU KNOW, I VERY MUCH -- I'M A FAN OF THE SHOW "YOUR HONOR," 502 00:15:47,881 --> 00:15:50,215 YOU KNOW, I VERY MUCH -- I'M A FAN OF THE SHOW "YOUR HONOR," VERY HAPPY FOR YOU THAT IT IS 503 00:15:50,217 --> 00:15:51,583 FAN OF THE SHOW "YOUR HONOR," VERY HAPPY FOR YOU THAT IT IS SUCH AN EXCELLENT SHOW. 504 00:15:51,585 --> 00:15:53,485 VERY HAPPY FOR YOU THAT IT IS SUCH AN EXCELLENT SHOW. AND I WANTED TO SHOW A CLIP FROM 505 00:15:53,487 --> 00:15:54,286 SUCH AN EXCELLENT SHOW. AND I WANTED TO SHOW A CLIP FROM THE SHOW. 506 00:15:54,288 --> 00:15:55,087 AND I WANTED TO SHOW A CLIP FROM THE SHOW. BRYAN: OH, GOOD. 507 00:15:55,089 --> 00:15:57,189 THE SHOW. BRYAN: OH, GOOD. CONAN: WELL, HERE'S THE PROBLEM. 508 00:15:57,191 --> 00:15:59,357 BRYAN: OH, GOOD. CONAN: WELL, HERE'S THE PROBLEM. BECAUSE IT'S BEHIND -- IT'S 509 00:15:59,359 --> 00:16:00,492 CONAN: WELL, HERE'S THE PROBLEM. BECAUSE IT'S BEHIND -- IT'S APPARENTLY, I'M NOT ALLOWED TO 510 00:16:00,494 --> 00:16:01,626 BECAUSE IT'S BEHIND -- IT'S APPARENTLY, I'M NOT ALLOWED TO SHOW A CLIP. 511 00:16:01,628 --> 00:16:02,260 APPARENTLY, I'M NOT ALLOWED TO SHOW A CLIP. BRYAN: WHY? 512 00:16:02,262 --> 00:16:03,895 SHOW A CLIP. BRYAN: WHY? CONAN: WE WENT TO GET A CLIP. 513 00:16:03,897 --> 00:16:06,765 BRYAN: WHY? CONAN: WE WENT TO GET A CLIP. THEY SAID WE CAN'T RELEASE A 514 00:16:06,767 --> 00:16:07,566 CONAN: WE WENT TO GET A CLIP. THEY SAID WE CAN'T RELEASE A CLIP TO YOU. 515 00:16:07,568 --> 00:16:10,268 THEY SAID WE CAN'T RELEASE A CLIP TO YOU. IT'S ME CONAN O'BRIEN. 516 00:16:10,270 --> 00:16:12,404 CLIP TO YOU. IT'S ME CONAN O'BRIEN. BRYAN: IS IT ANYONE BUT CONAN 517 00:16:12,406 --> 00:16:13,505 IT'S ME CONAN O'BRIEN. BRYAN: IS IT ANYONE BUT CONAN ANSWER. 518 00:16:13,507 --> 00:16:15,607 BRYAN: IS IT ANYONE BUT CONAN ANSWER. GOD, I HATE HEARING THAT. 519 00:16:15,609 --> 00:16:17,142 ANSWER. GOD, I HATE HEARING THAT. CONAN: I ACTUALLY DID TRY TO GET 520 00:16:17,144 --> 00:16:20,178 GOD, I HATE HEARING THAT. CONAN: I ACTUALLY DID TRY TO GET THE CLIP. 521 00:16:20,180 --> 00:16:23,181 CONAN: I ACTUALLY DID TRY TO GET THE CLIP. MY PRODUCER CALLED ME AND SAID 522 00:16:23,183 --> 00:16:25,183 THE CLIP. MY PRODUCER CALLED ME AND SAID NO, THEY WON'T RELEASE A CLIP. 523 00:16:25,185 --> 00:16:26,385 MY PRODUCER CALLED ME AND SAID NO, THEY WON'T RELEASE A CLIP. PAY WALL I SUPPOSE. 524 00:16:26,387 --> 00:16:27,352 NO, THEY WON'T RELEASE A CLIP. PAY WALL I SUPPOSE. SOMETHING'S GOING ON. 525 00:16:27,354 --> 00:16:28,721 PAY WALL I SUPPOSE. SOMETHING'S GOING ON. I DON'T KNOW WHAT IT IS. 526 00:16:28,723 --> 00:16:30,923 SOMETHING'S GOING ON. I DON'T KNOW WHAT IT IS. WE HAVE TO SHOW SOME CLIP. 527 00:16:30,925 --> 00:16:34,426 I DON'T KNOW WHAT IT IS. WE HAVE TO SHOW SOME CLIP. SO HERE WE GO. 528 00:16:34,428 --> 00:16:41,567 WE HAVE TO SHOW SOME CLIP. SO HERE WE GO. ♪ 529 00:16:41,569 --> 00:16:48,273 SO HERE WE GO. ♪ [LAUGHTER] 530 00:16:48,275 --> 00:16:51,142 ♪ [LAUGHTER] CONAN: OH, MY GOD, THOSE ARE 531 00:16:51,144 --> 00:16:52,477 [LAUGHTER] CONAN: OH, MY GOD, THOSE ARE INTENSE EYES. 532 00:16:52,479 --> 00:16:53,745 CONAN: OH, MY GOD, THOSE ARE INTENSE EYES. BRYAN: MICHAEL VINCENT. 533 00:16:53,747 --> 00:16:55,747 INTENSE EYES. BRYAN: MICHAEL VINCENT. CONAN: AND I THINK THIS SHOW WAS 534 00:16:55,749 --> 00:16:58,150 BRYAN: MICHAEL VINCENT. CONAN: AND I THINK THIS SHOW WAS ON FOR SEVEN YEARS, SIX YEARS. 535 00:16:58,152 --> 00:16:59,551 CONAN: AND I THINK THIS SHOW WAS ON FOR SEVEN YEARS, SIX YEARS. BRYAN: I THINK IT WAS SOMETHING 536 00:16:59,553 --> 00:17:00,685 ON FOR SEVEN YEARS, SIX YEARS. BRYAN: I THINK IT WAS SOMETHING LIKE THAT. 537 00:17:00,687 --> 00:17:03,622 BRYAN: I THINK IT WAS SOMETHING LIKE THAT. CONAN: IT'S FUNNY BECAUSE I 538 00:17:03,624 --> 00:17:05,723 LIKE THAT. CONAN: IT'S FUNNY BECAUSE I TALKED TO RECENTLY -- AND -- AND 539 00:17:05,725 --> 00:17:07,459 CONAN: IT'S FUNNY BECAUSE I TALKED TO RECENTLY -- AND -- AND IT WAS SO CLEAR TO ME WHEN I WAS 540 00:17:07,461 --> 00:17:09,894 TALKED TO RECENTLY -- AND -- AND IT WAS SO CLEAR TO ME WHEN I WAS TALKING TO YOU THAT ONE OF THE 541 00:17:09,896 --> 00:17:12,597 IT WAS SO CLEAR TO ME WHEN I WAS TALKING TO YOU THAT ONE OF THE THINGS YOU'RE PROUDEST OF YOU 542 00:17:12,599 --> 00:17:14,499 TALKING TO YOU THAT ONE OF THE THINGS YOU'RE PROUDEST OF YOU HAVE BEEN THIS JOURNEYMAN ACTOR. 543 00:17:14,501 --> 00:17:16,568 THINGS YOU'RE PROUDEST OF YOU HAVE BEEN THIS JOURNEYMAN ACTOR. YOU'VE MADE YOUR LIVING AS AN 544 00:17:16,570 --> 00:17:16,835 HAVE BEEN THIS JOURNEYMAN ACTOR. YOU'VE MADE YOUR LIVING AS AN ACTOR. 545 00:17:16,837 --> 00:17:18,603 YOU'VE MADE YOUR LIVING AS AN ACTOR. I THINK PEOPLE JUST FOCUS ON, 546 00:17:18,605 --> 00:17:21,373 ACTOR. I THINK PEOPLE JUST FOCUS ON, OH, MY GOD, THERE'S THIS MASSIVE 547 00:17:21,375 --> 00:17:24,375 I THINK PEOPLE JUST FOCUS ON, OH, MY GOD, THERE'S THIS MASSIVE HIT, "BREAKING BAD" AND IT'S 548 00:17:24,377 --> 00:17:29,047 OH, MY GOD, THERE'S THIS MASSIVE HIT, "BREAKING BAD" AND IT'S THIS ICONIC WORLDWIDE 549 00:17:29,049 --> 00:17:29,381 HIT, "BREAKING BAD" AND IT'S THIS ICONIC WORLDWIDE PHENOMENON. 550 00:17:29,383 --> 00:17:30,615 THIS ICONIC WORLDWIDE PHENOMENON. WHAT THEY FORGET THAT YOU WERE 551 00:17:30,617 --> 00:17:31,784 PHENOMENON. WHAT THEY FORGET THAT YOU WERE BAD GUY NUMBER TWO IN THE SHOW 552 00:17:31,786 --> 00:17:33,786 WHAT THEY FORGET THAT YOU WERE BAD GUY NUMBER TWO IN THE SHOW THAT RAN IN THE 1980'S THAT MOST 553 00:17:33,788 --> 00:17:35,387 BAD GUY NUMBER TWO IN THE SHOW THAT RAN IN THE 1980'S THAT MOST PEOPLE AREN'T THINKING ABOUT 554 00:17:35,389 --> 00:17:37,689 THAT RAN IN THE 1980'S THAT MOST PEOPLE AREN'T THINKING ABOUT ANYMORE, AND THAT IS A BIG PART 555 00:17:37,691 --> 00:17:39,557 PEOPLE AREN'T THINKING ABOUT ANYMORE, AND THAT IS A BIG PART OF THE TRADE OF PEOPLE THAT GET 556 00:17:39,559 --> 00:17:40,993 ANYMORE, AND THAT IS A BIG PART OF THE TRADE OF PEOPLE THAT GET INTO ACTING. 557 00:17:40,995 --> 00:17:42,461 OF THE TRADE OF PEOPLE THAT GET INTO ACTING. AND YOU'RE LUCKY TO GET THAT. 558 00:17:42,463 --> 00:17:43,662 INTO ACTING. AND YOU'RE LUCKY TO GET THAT. BRYAN: AND THAT SHOW YOU'RE 559 00:17:43,664 --> 00:17:45,597 AND YOU'RE LUCKY TO GET THAT. BRYAN: AND THAT SHOW YOU'RE TALKING ABOUT, I WAS VERY 560 00:17:45,599 --> 00:17:47,599 BRYAN: AND THAT SHOW YOU'RE TALKING ABOUT, I WAS VERY FORTUNATE BECAUSE I WAS CAST AS 561 00:17:47,601 --> 00:17:48,800 TALKING ABOUT, I WAS VERY FORTUNATE BECAUSE I WAS CAST AS BAD GUY NUMBER THREE. 562 00:17:48,802 --> 00:17:51,870 FORTUNATE BECAUSE I WAS CAST AS BAD GUY NUMBER THREE. AND I WAS PROMOTED TO BAD GUY 563 00:17:51,872 --> 00:17:53,806 BAD GUY NUMBER THREE. AND I WAS PROMOTED TO BAD GUY NUMBER TWO. 564 00:17:53,808 --> 00:17:54,873 AND I WAS PROMOTED TO BAD GUY NUMBER TWO. [LAUGHTER] 565 00:17:54,875 --> 00:17:57,609 NUMBER TWO. [LAUGHTER] WHAT IS STREW THAT FOR AN ACTOR 566 00:17:57,611 --> 00:17:59,077 [LAUGHTER] WHAT IS STREW THAT FOR AN ACTOR YOU GET THOSE. 567 00:17:59,079 --> 00:18:01,413 WHAT IS STREW THAT FOR AN ACTOR YOU GET THOSE. HOTEL CLERK, BUSBOY, DRUNKEN 568 00:18:01,415 --> 00:18:03,281 YOU GET THOSE. HOTEL CLERK, BUSBOY, DRUNKEN FRAT BOY, ALL THOSE GUYS. 569 00:18:03,283 --> 00:18:05,117 HOTEL CLERK, BUSBOY, DRUNKEN FRAT BOY, ALL THOSE GUYS. AND WHEN YOU FINALLY GET A NAME, 570 00:18:05,119 --> 00:18:08,487 FRAT BOY, ALL THOSE GUYS. AND WHEN YOU FINALLY GET A NAME, IT'S LIKE, OH, GOD, I'M DARRYL! 571 00:18:08,489 --> 00:18:10,088 AND WHEN YOU FINALLY GET A NAME, IT'S LIKE, OH, GOD, I'M DARRYL! I'M DARRYL! 572 00:18:10,090 --> 00:18:11,289 IT'S LIKE, OH, GOD, I'M DARRYL! I'M DARRYL! YOU KNOW, YOU'RE SO EXCITED. 573 00:18:11,291 --> 00:18:13,558 I'M DARRYL! YOU KNOW, YOU'RE SO EXCITED. IF YOU GET A LAST NAME, YOU'VE 574 00:18:13,560 --> 00:18:14,226 YOU KNOW, YOU'RE SO EXCITED. IF YOU GET A LAST NAME, YOU'VE MADE IT. 575 00:18:14,228 --> 00:18:16,495 IF YOU GET A LAST NAME, YOU'VE MADE IT. YOU HAVE -- YOU HAVE MADE IT 576 00:18:16,497 --> 00:18:18,430 MADE IT. YOU HAVE -- YOU HAVE MADE IT ONCE YOU GET A LAST NAME. 577 00:18:18,432 --> 00:18:20,799 YOU HAVE -- YOU HAVE MADE IT ONCE YOU GET A LAST NAME. CONAN: WE'VE MADE IT CLEAR, I AM 578 00:18:20,801 --> 00:18:25,237 ONCE YOU GET A LAST NAME. CONAN: WE'VE MADE IT CLEAR, I AM NOT AN ACTOR AND SHOULDN'T BE A 579 00:18:25,239 --> 00:18:26,071 CONAN: WE'VE MADE IT CLEAR, I AM NOT AN ACTOR AND SHOULDN'T BE A AN ACTOR. 580 00:18:26,073 --> 00:18:29,508 NOT AN ACTOR AND SHOULDN'T BE A AN ACTOR. WHEN I GOT OUT HERE IN 1985, 581 00:18:29,510 --> 00:18:31,443 AN ACTOR. WHEN I GOT OUT HERE IN 1985, 1986, SOMEONE SAW ME BEING 582 00:18:31,445 --> 00:18:32,144 WHEN I GOT OUT HERE IN 1985, 1986, SOMEONE SAW ME BEING AMUSING. 583 00:18:32,146 --> 00:18:35,714 1986, SOMEONE SAW ME BEING AMUSING. I RECOMMENDED YOU FOR A JIM HEN 584 00:18:35,716 --> 00:18:38,150 AMUSING. I RECOMMENDED YOU FOR A JIM HEN SENSE SHOW WITH NOT PUPPETS 585 00:18:38,152 --> 00:18:39,918 I RECOMMENDED YOU FOR A JIM HEN SENSE SHOW WITH NOT PUPPETS WITH, YOU KNOW, LIVE PERFORMERS. 586 00:18:39,920 --> 00:18:41,619 SENSE SHOW WITH NOT PUPPETS WITH, YOU KNOW, LIVE PERFORMERS. AND I REMEMBER THAT I KNEW 587 00:18:41,621 --> 00:18:42,854 WITH, YOU KNOW, LIVE PERFORMERS. AND I REMEMBER THAT I KNEW NOTHING ABOUT IT. 588 00:18:42,856 --> 00:18:45,457 AND I REMEMBER THAT I KNEW NOTHING ABOUT IT. AND THEY SENT ME THE SIDES, THE 589 00:18:45,459 --> 00:18:46,058 NOTHING ABOUT IT. AND THEY SENT ME THE SIDES, THE SCRIPT. 590 00:18:46,060 --> 00:18:48,360 AND THEY SENT ME THE SIDES, THE SCRIPT. THE SCRIPT THEY SENT ME HAD TWO 591 00:18:48,362 --> 00:18:50,262 SCRIPT. THE SCRIPT THEY SENT ME HAD TWO CHARACTERS IN IT AND THEY DIDN'T 592 00:18:50,264 --> 00:18:52,464 THE SCRIPT THEY SENT ME HAD TWO CHARACTERS IN IT AND THEY DIDN'T TELL ME WHICH CHARACTER I WAS 593 00:18:52,466 --> 00:18:53,331 CHARACTERS IN IT AND THEY DIDN'T TELL ME WHICH CHARACTER I WAS SUPPOSED TO AUDITION FOR. 594 00:18:53,333 --> 00:18:55,067 TELL ME WHICH CHARACTER I WAS SUPPOSED TO AUDITION FOR. I WAS CONFUSED. 595 00:18:55,069 --> 00:18:57,135 SUPPOSED TO AUDITION FOR. I WAS CONFUSED. I SAID CAN YOU ACCEPTED ME 596 00:18:57,137 --> 00:18:58,437 I WAS CONFUSED. I SAID CAN YOU ACCEPTED ME ANYTHING MORE. 597 00:18:58,439 --> 00:19:00,272 I SAID CAN YOU ACCEPTED ME ANYTHING MORE. SO THEY DESCRIBED WHAT EACH 598 00:19:00,274 --> 00:19:00,739 ANYTHING MORE. SO THEY DESCRIBED WHAT EACH CHARACTER WAS. 599 00:19:00,741 --> 00:19:02,474 SO THEY DESCRIBED WHAT EACH CHARACTER WAS. AND THE FIRST ONE WAS DIRK. 600 00:19:02,476 --> 00:19:05,077 CHARACTER WAS. AND THE FIRST ONE WAS DIRK. EVERY MAN WANTS TO BE HIM. 601 00:19:05,079 --> 00:19:06,644 AND THE FIRST ONE WAS DIRK. EVERY MAN WANTS TO BE HIM. EVERY WOMAN WANTS TO BE WITH 602 00:19:06,646 --> 00:19:06,879 EVERY MAN WANTS TO BE HIM. EVERY WOMAN WANTS TO BE WITH HIM. 603 00:19:06,881 --> 00:19:08,881 EVERY WOMAN WANTS TO BE WITH HIM. AND I REMEMBER, IT'S NOT DIRK. 604 00:19:08,883 --> 00:19:09,514 HIM. AND I REMEMBER, IT'S NOT DIRK. [LAUGHTER] 605 00:19:09,516 --> 00:19:10,982 AND I REMEMBER, IT'S NOT DIRK. [LAUGHTER] AND THEN THE SECOND ONE WAS 606 00:19:10,984 --> 00:19:14,820 [LAUGHTER] AND THEN THE SECOND ONE WAS LIKE, YOU KNOW, GORMLEY. 607 00:19:14,822 --> 00:19:18,256 AND THEN THE SECOND ONE WAS LIKE, YOU KNOW, GORMLEY. IT WAS LIKE GORMLEY -- HE'S A 608 00:19:18,258 --> 00:19:20,225 LIKE, YOU KNOW, GORMLEY. IT WAS LIKE GORMLEY -- HE'S A GOOFY AS HE IS NERDY. 609 00:19:20,227 --> 00:19:25,397 IT WAS LIKE GORMLEY -- HE'S A GOOFY AS HE IS NERDY. HE'S REEDY SKINNY DUFUS WHO HAS 610 00:19:25,399 --> 00:19:26,998 GOOFY AS HE IS NERDY. HE'S REEDY SKINNY DUFUS WHO HAS NEVER LOST HIS VIRGINTY. 611 00:19:27,000 --> 00:19:29,568 HE'S REEDY SKINNY DUFUS WHO HAS NEVER LOST HIS VIRGINTY. IT'S THIS GUY. 612 00:19:29,570 --> 00:19:34,373 NEVER LOST HIS VIRGINTY. IT'S THIS GUY. SURE ENOUGH, THEY WERE LIKE HOW 613 00:19:34,375 --> 00:19:35,273 IT'S THIS GUY. SURE ENOUGH, THEY WERE LIKE HOW DID YOU KNOW? 614 00:19:35,275 --> 00:19:37,609 SURE ENOUGH, THEY WERE LIKE HOW DID YOU KNOW? I WAS LIKE [BEEP] YOU. 615 00:19:37,611 --> 00:19:40,112 DID YOU KNOW? I WAS LIKE [BEEP] YOU. ANDY: I LIKE THE PART OF THE 616 00:19:40,114 --> 00:19:43,782 I WAS LIKE [BEEP] YOU. ANDY: I LIKE THE PART OF THE SCRIPT WITH IT GOES JERRY, 617 00:19:43,784 --> 00:19:46,684 ANDY: I LIKE THE PART OF THE SCRIPT WITH IT GOES JERRY, COMMA, 32, A COMPLETE PIECE OF 618 00:19:46,686 --> 00:19:50,188 SCRIPT WITH IT GOES JERRY, COMMA, 32, A COMPLETE PIECE OF BLIPEE -- [BEEP]. 619 00:19:50,190 --> 00:19:51,423 COMMA, 32, A COMPLETE PIECE OF BLIPEE -- [BEEP]. [LAUGHTER] 620 00:19:51,425 --> 00:19:53,558 BLIPEE -- [BEEP]. [LAUGHTER] BRYAN: AND WE THOUGHT OF YOU. 621 00:19:53,560 --> 00:19:55,760 [LAUGHTER] BRYAN: AND WE THOUGHT OF YOU. WHAT PART OF A BIG PIECE OF 622 00:19:55,762 --> 00:19:57,829 BRYAN: AND WE THOUGHT OF YOU. WHAT PART OF A BIG PIECE OF [BEEP] MADE YOU THINK ABOUT ME? 623 00:19:57,831 --> 00:20:00,532 WHAT PART OF A BIG PIECE OF [BEEP] MADE YOU THINK ABOUT ME? WE CAN'T JUST GIVE YOU THE ROLE, 624 00:20:00,534 --> 00:20:02,100 [BEEP] MADE YOU THINK ABOUT ME? WE CAN'T JUST GIVE YOU THE ROLE, YOU UNDERSTAND, BECAUSE THERE 625 00:20:02,102 --> 00:20:05,404 WE CAN'T JUST GIVE YOU THE ROLE, YOU UNDERSTAND, BECAUSE THERE ARE OTHER PIECES OF [BEEP] IN 626 00:20:05,406 --> 00:20:06,338 YOU UNDERSTAND, BECAUSE THERE ARE OTHER PIECES OF [BEEP] IN TOWN. 627 00:20:06,340 --> 00:20:08,373 ARE OTHER PIECES OF [BEEP] IN TOWN. ANDY: I WOULD SEE THE SAME 628 00:20:08,375 --> 00:20:09,742 TOWN. ANDY: I WOULD SEE THE SAME PIECES OF [BEEP] IN EVERY 629 00:20:09,744 --> 00:20:11,342 ANDY: I WOULD SEE THE SAME PIECES OF [BEEP] IN EVERY WAITING ROOM IN TOWN. 630 00:20:11,344 --> 00:20:12,844 PIECES OF [BEEP] IN EVERY WAITING ROOM IN TOWN. CONAN: EVERY TIME YOU SHOW UP, 631 00:20:12,846 --> 00:20:15,013 WAITING ROOM IN TOWN. CONAN: EVERY TIME YOU SHOW UP, THREE OTHER PIECES OF [BEEP] ARE 632 00:20:15,015 --> 00:20:15,247 CONAN: EVERY TIME YOU SHOW UP, THREE OTHER PIECES OF [BEEP] ARE THERE. 633 00:20:15,249 --> 00:20:16,381 THREE OTHER PIECES OF [BEEP] ARE THERE. . 634 00:20:16,383 --> 00:20:18,617 THERE. . BRYAN: HEY, [BEEP] BALL. 635 00:20:18,619 --> 00:20:20,919 . BRYAN: HEY, [BEEP] BALL. HEY [BEEP] FOR BRAIN. 636 00:20:20,921 --> 00:20:24,957 BRYAN: HEY, [BEEP] BALL. HEY [BEEP] FOR BRAIN. CONAN: "YOUR HONOR" AIRS SUNDAY 637 00:20:24,959 --> 00:20:27,359 HEY [BEEP] FOR BRAIN. CONAN: "YOUR HONOR" AIRS SUNDAY AT 10:00 ON SHOWTIME. 638 00:20:27,361 --> 00:20:29,361 CONAN: "YOUR HONOR" AIRS SUNDAY AT 10:00 ON SHOWTIME. "AIR WOLF," I DON'T KNOW HOW YOU 639 00:20:29,363 --> 00:20:32,831 AT 10:00 ON SHOWTIME. "AIR WOLF," I DON'T KNOW HOW YOU CAN SEE "AIR WOLF"? 640 00:20:32,833 --> 00:20:33,832 "AIR WOLF," I DON'T KNOW HOW YOU CAN SEE "AIR WOLF"? BRYAN: ON YOUTUBE. 641 00:20:33,834 --> 00:20:35,233 CAN SEE "AIR WOLF"? BRYAN: ON YOUTUBE. CONAN: I'M SURE YOU CAN WATCH 642 00:20:35,235 --> 00:20:36,635 BRYAN: ON YOUTUBE. CONAN: I'M SURE YOU CAN WATCH CLIPS AND WATCH THE BEGINNING 643 00:20:36,637 --> 00:20:38,637 CONAN: I'M SURE YOU CAN WATCH CLIPS AND WATCH THE BEGINNING SEVERAL TIMES AND IT WAKES YOU 644 00:20:38,639 --> 00:20:41,573 CLIPS AND WATCH THE BEGINNING SEVERAL TIMES AND IT WAKES YOU UP LIKE A STRONG COUPLE OF 645 00:20:41,575 --> 00:20:42,140 SEVERAL TIMES AND IT WAKES YOU UP LIKE A STRONG COUPLE OF COFFEE. 646 00:20:42,142 --> 00:20:42,975 UP LIKE A STRONG COUPLE OF COFFEE. BRYAN CRANSTON, YOU ARE AN 647 00:20:42,977 --> 00:20:46,178 COFFEE. BRYAN CRANSTON, YOU ARE AN AMAZING TALENT AND ALSO ONE OF 648 00:20:46,180 --> 00:20:48,546 BRYAN CRANSTON, YOU ARE AN AMAZING TALENT AND ALSO ONE OF THE NICEST PEOPLE I'VE MET IN 649 00:20:48,548 --> 00:20:49,881 AMAZING TALENT AND ALSO ONE OF THE NICEST PEOPLE I'VE MET IN THIS FOOLISH BUSINESS WE'RE IN. 650 00:20:49,883 --> 00:20:54,319 THE NICEST PEOPLE I'VE MET IN THIS FOOLISH BUSINESS WE'RE IN. THANK YOU VERY MUCH 651 00:20:54,321 --> 00:20:58,190 THIS FOOLISH BUSINESS WE'RE IN. THANK YOU VERY MUCH ♪ 652 00:20:58,192 --> 00:20:59,524 THANK YOU VERY MUCH ♪ CONAN: OK, EVERYBODY. 653 00:20:59,526 --> 00:21:00,959 ♪ CONAN: OK, EVERYBODY. THAT'S OUR SHOW. 654 00:21:00,961 --> 00:21:01,359 CONAN: OK, EVERYBODY. THAT'S OUR SHOW. GOOD NIGHT.