NARRATOR: Lasers with the power to cut through solid stone,
acoustic chambers that might able interplanetary communication,
and architecture designed to harness cosmic energy.
Are these dramatic examples of our own modern day technology?
Or are they examples of astounding achievements used in the ancient past?
The only way that these huge cubes of stone were removed from the mountain
is by some kind of laser-like instrument able to liquify rock.
These temples were used to communicate with the gods
and resonate with cosmic energies.
BILL BIRNES: People see this as an example of help given to
an earthly civilization by---
ancient aliens.
NARRATOR: Millions of people around the world believe we have
been visited in the past by extraterrestrial beings.
What if it were true?
Did ancient aliens really help to shape our history?
And could the proof be found by examining the construction
methods of our planet's ancient engineers?
sync and corrected by Bellows
Peru, South America.
The Andes Mountains.
9,000 feet above sea level, in an area the Inca people once
called the Sacred Valley, lie
the ruins of the ancient city of Ollantaytambo.
Once serving as both a temple and a fortress, mainstream
historians claim Ollantaytambo was built around 1440 AD by the
Inca Emperor Pachacuti.
But some scholars believe Ollantaytambo was built upon the
ruins of a far older city--
one whose origins remain unknown.
FOERSTER: The gate behind me is called the Gateway of the Gods,
and it was build several thousand years before the Inca arrived here.
It was built by a culture we call the Urin Pacha.
We give them that name because we have no idea who they were,
where they came from or where they went.
It is clearly evident that the earliest parts of Ollantaytambo
dates to at least 12,000 years old, if not older.
JESUS GAMARRA: From the research, I have been able to determine
this was built by the Arak civilization.
The Arak people are as ancient
as what would be the equivalent to Adam or the first humans.
NARRATOR: But how could the earliest humans on earth have
produced such astonishing stonework
with massive interlocking blocks precisely fitted together?
Or have constructed aqueducts
and irrigation systems that still function today?
Or have moved and set colossal stones of granite, each weighing more than 50 tons?
ANDREW COLLINS: Ollantaytambo is a mountain fortress.
It's renowned specifically for the incredible size blocks
that were used in its construction.
Most particularly those that are found on its highest level, the highest point
on this mountain.
There are six of these positioned in a line,
and they were transported from another mountain where, the source says,
across a plain, across a river and then up the mountain.
And, of course, the biggest mystery is, how the hell were they
not only able to cut these things but to move them up this mountain?
STEPHEN VANDER HART: In modern day, if we were gonna move a 50 ton bolder
we would have to assemble a special transportation unit,
consisting of steel girders, several axles, hydraulic jacks
Moving it up the hill, we'd probably have to change the face of the hill---
build a road, maybe anchor it,
using some kind of cable-and-pulley system-- several different options,
none of which would be available to the people who lived way back then.
FOERSTER: These six giant slabs of red granite have stood here
for thousands of years because of the beautiful engineering of the ancients.
If there's a major earthquake, these shims can ride up and down,
absorbing the shock of the earthquake, and that keeps the giant slabs in place.
The ability to fit perfectly- fitting stones of several tons in weight together
so that a single human hair can't fit in between them is not a question
of sweat or man-hours, it's a question of technology.
Main stream archaeologists claim the dense, hard granite
was cut and shaped by means of stone or bronze tools.
But evidence of such tools has never been found at the site.
And stranger still is the means by which the mammoth rocks are
bonded into place, as if fused together by an unknown form of energy.
JASON MARTELL: It's almost as if two stones are leaned together
and infused them with some type of high radiation beam or a laser
that then would fuse the rocks together. Then they could stack a third rock and
another fused area.
There is no explanation for how they had the ability to create
such a high heat source and fuse these rocks in such an intricate fashion.
NARRATOR: Further evidence of the mysterious methods used by
ancient craftsmen can be found nearby---
at the Temple of the Condor.
Here, enormous slabs of andesite stone were quarried from what is
known as "The Wall of Living Rock."
FOERSTER: The Temple of the Condor is curious because we find
huge cube-like sections of stone-- andesite, which is very hard--
have been removed from the mountain with such accuracy
that we can't find a scratch in the surface.
The corners also are not sharp. They're perfectly rounded,
and no one can explain how this could have been achieved.
GIORGIO TSOUKALOS: The rock surface looks rough but when you touch it
it feels as smooth as a bathroom mirror.
which means some type of vitrification process was used.
And at the bottom of where this alcove was cut out, we can see a
crisscross pattern.
And in my opinion, they are actually saw marks.
To me, this pattern is irrefutable proof for ancient machining.
ERICH VON DANIKEN: Prehistoric tools would never work.
You see, Ollantaytambo is mostly made out of andesite.
To cut andesite, you need something which is harder than andesite.
You could use a diamond, but there was no tool in Stone Age time
to cut these rocks, so it must have been extraterrestrial tool.
NARRATOR: Might the ancient engineers of Ollantaytambo
really have used tools acquired from otherworldly sources,
as ancient astronaut theorists contend?
Perhaps clues can be found by examining the earliest creation
myths of the Andes Mountains.
In them, the ancient ancestors, or founders, were described as
a brother and sister-- referred to as "Children of the Sun."
Sent by the "Sun God," these mysterious beings arrived on
Earth with something described as a golden wedge.
DAVID CHILDRESS: Was this golden wedge some sort of hand-held device that could
cut stone, and even possibly levitate the giant blocks into place?
If the golden wedge used by the Children of the Sun was really
some kind of high-tech device for cutting stone or levitating stone,
it would probably have been given to them by extraterrestrials.
TSOUKALOS: The fact that Ollantaytambo specifically has
this story about this golden wedge leads me to think that
some type of extraterrestrial activity took place there
thousands and thousands of years ago.
And that some type of sophisticated extraterrestrial technology was used
in order to achieve some of those amazing feats of engineering that we can
see at Ollantaytambo today.
BIRNES: What you can't explain is the moving of 50-ton stones up
the sheer face of a cliff to create the walls of the fortress.
That, in and of itself, required more than cranes, more than lifts,
more than scaffolds. It required something like an
anti-gravitational device, or a tractor beam to lift that much stone that high.
That's why people see this as an example of help given
to an earthly civilization by ancient aliens.
Do the incredible accomplishments of the early people of the Andes Mountains
really provide proof that early man was in contact with otherworldly beings?
If so, wouldn't there be even more incredible evidence?
There are those who believe such evidence does exist,
hidden within the ruins of a Mesoamerican metropolis.
Central Mexico, 35 miles northeast of Mexico City.
Here in a highlands plateau,
lies the enormous archeological site of the ancient city of Teotihuacan.
Established around 100 B.C., and lasting until its fall between
the seventh and eighth centuries, Teotihuacan was one
of the largest cities in the ancient world, with over 150,000
inhabitants at its peak.
DAVID CHEETHAM, PH.D: When you enter the city, you are immediately struck by
sort of that modern layout of a city. You have a Street of the Dead
that goes for miles, along which you have all of the major
ceremonial architecture,
including some of the largest buildings ever erected in the New World.
NARRATOR: According to scholars, the advanced design of
Teotihuacan suggests that ancient builders had knowledge,
not only of architecture, but of complex mathematical and
astronomical sciences.
From the air, the city's layout strangely resembles a computer
circuit board with two large
processor chips-- the Sun Pyramid and the Moon Pyramid.
Researchers have also found numerous and remarkable
similarities to the Great Pyramids of Egypt.
PHILIP COPPENS: When we look at these buildings, we find the same mathematics
incorporated into them than what we find in the Great Pyramids
and the surrounding pyramids of the Giza Plateau.
ARLAN ANDREWS: The Great Pyramid of Khufu at Giza
and the Sun Pyramid at Teotihuacan apparently have about the same base,
almost 750 feet square.
TSOUKALOS: The base perimeter of the Pyramid of the Sun is
four Pi times its height.
In Giza, it's two pi times its height.
Essentially, the Pyramid of the Sun is exactly half as tall
as the Pyramid of Giza.
COPPENS: Teotihuacan is created according to a specific layout.
The Temple of the Sun,
the Temple of the Moon,
and the Temple of Quetzalcoatl
are in the same layout as Orion's Belt,
which is basically the formation, which the three pyramids of the Giza Plateau
have been laid out into, as well.
NARRATOR: Might the design and layout of Teotihuacan
be comparable to that of Giza because of similar influence
by extraterrestrial visitors, as ancient astronaut theorists believe?
CHILDRESS: When you have similar pyramid complexes,
like the ones at Teotihuacan, and the ones at Giza
you have to kind of think that the same builders, the same designers
are behind these giant complexes.
NARRATOR: But perhaps the most intriguing aspect of Teotihuacan
is the finding by archeologists, of the extensive use of mica
embedded in numerous structures.
A mineral only found 3,000 miles away, in Brazil
JOEL PALKA: It is found in all buildings, housing complexes, temples and,
along the roads, it is found everywhere.
COLLINS: These mica sheets were probably transported
from thousands of miles away, from Brazil. That's the nearest source.
Now, what would you wanna do that?
Obviously they were not there for decoration, because you couldn't see them
Mica has some electrical properties that make it very good for being an isolator
It resists the transformation of electricity, it's also very good at being
able to be stable at high temperatures so that it can be
used in furnace windows and oven windows.
It is clear so you can see through it, and at the same
time, it stands up to the
temperature and electrical, uh, discharges.
COPPENS: So we know that they must have had a very specific
and good reason to incorporate it.
And the only possible reasons really why they would be doing this
is because somehow it was part of some technology.
NARRATOR: Recently, archeologists have also
discovered large quantities of mica crystals in a
subterranean chamber.
As well as, in several shafts that run
beneath the Avenue of the Dead.
TSOUKALOS: There is an underground shaft that goes from the mica chamber
in direction of the Pyramid of the Sun.
So is it possible that this mica chamber contained some type of
an energy-producing device,
a power plant that fed some of the other pyramids?
It is possible.
CHILDRESS: There's many similarities between the
pyramids at Teotihuacan and the pyramids at Giza.
Both have inner chambers.
It's thought by some that the Great Pyramid itself was a
massive microwave generator, literally sending a beam up to a
satellite, or powering some other kind of spacecraft or installation.
We could have had the same thing happening here at Teotihuacan.
NARRATOR: If the Pyramid of the Sun were really designed to
generate power, as ancient astronaut theorists believe,
could its mica-lined chambers and shafts have served as an
interconnecting power grid for the entire city?
Or could the use of mica have served
another, perhaps more protective purpose?
MARTELL: NASA uses mica to deflect the heat on many of their crafts,
such as, the space shuttle.
On reentry, the bottom part of the space shuttle is all lined
with mica and is a perfect deflector of large amounts of heat.
CHILDRESS: Could the mica at Teotihuacan also have been
used to shield and protect the ancient people perhaps from the
blast of an extraterrestrial rocket taking off?
Or even the radiation maybe from some kind of spacecraft?
But if the ancient builders of Teotihuacan used
mica for the purposes of power generation and radiation
protection, then where did their advanced engineering and
construction knowledge come from?
TSOUKALOS: The earliest descriptions of Teotihuacan
talk about gods descending from the sky in ships
or winged serpents, and that something extraordinary happened there.
WILLIAM HENRY: Teotihuacan, like the ancient Egyptian pyramids,
are believed to have been built by the Gods.
And the gods ascended into the heavens in craft that we today
think could be rocket ships.
The builders certainly must have learned the secrets from
the gods themselves.
MARTELL: An interesting similarity with many of these
ancient sites were reports of the gods ascending and
descending from the heavens.
It's very possible that these were actually being used as landing sites.
So it's very possible that the knowledge to build Teotihuacan
was given to us by extraterrestrials.
NARRATOR: Do the ancient legends of flying alien beings
and other strange creatures provide proof that ancient
aliens did, in fact, influence the incredible architectural
achievements of Teotihuacan?
Perhaps more clues can be found on the other side of the planet
and carved into the walls of sacred Indian temples.
The Republic of India.
Situated on the subcontinent of South Asia,
in the southern portion of the country,
are the ruins of a vast temple complex known as Vijayanagara.
Translated as "the city of victory,"
this site once was the prosperous capital of the
largest and most powerful Hindu kingdom in all of India.
CHILDRESS: Vijayanagara is said to have been built in the 14th century A.D.
However, there's a lot of evidence to show that it is a much older city.
And in fact, Hindu legends say that the ancient king, Rama
mad with his monkey god friend, Hanuma they're at a cave at Vijayanagara
and this would put the city, back many thousands of years.
This general region of Southern India had human occupation,
perhaps, hundreds of thousands of years.
While the city of Vijayanagara is certainly the largest
settlement that ever existed,
there were civilizations that existed there much earlier.
According to scholars, the temples of
Vijayanagara were built using ancient geometric and
mathematical formulas found only in Vastu Shastra,
a traditional Hindu system of design based on aligning art and
architecture with the elemental
properties of earth, water, air, fire and space.
Vastu architecture is unique, because it creates structures,
that are supposed to resinate with earth and cosmic energies.
When you create a structure, you
want the building to be in harmony with the earth.
If you think as the earth as embedded in a space nervous system
and that the solar system is embedded in a space universe,
it's all one nervous system.
Well, the earth itself is tied to the rest of the universe by
this, and receives and emanates energy by using this nervous system.
And these temples illustrate that perfectly.
It could be that these spaces were used as a technology to go
deep within human consciousness and communicate with the gods.
The origins of Vastu architecture can be traced
in ancient India Sangam literature to a mythic hero
called Mamuni Mayan, who lived some 10,000 to 12,000 years ago.
But who, or what, was this mysterious ancient figure?
According to Hindu beliefs, Mamuni Mayan is revered as the
Visvakarman-- the lord of creation-- and the deity who
designed and fabricated the divine architecture of the universe.
But might this god really have been an extraterrestrial entity,
as ancient astronaut theorists believe?
Researchers point to clues carved in stone throughout the
ancient Vastu temples of Vijayanagara.
CHILDRESS: Vijayanagara was thought to be a city that
connected people to the gods.
The gods themselves were said to have lived in this city--
Shiva and--- and Rama.
Many of the strange statues there are of certain aspects of Vishnu.
And he looks like some kind of strange extraterrestrial god.
These are statues that still exist today at Vijayanagara.
According to the myths and legends, this is a very holy place.
B. VIURIAKSHI: Why? Because of Rama, one of the reincarnation of Vishnu
Rama is a God, he had to be displaced.
That's how this place has become very sacred.
Through their evidence of the actual nature of the Hindu Gods,
can be found at ancient Hindu scriptures.
Epic poems, like the Mahabharata and the Ramayana,
and sacred texts called Vedic literature contain multiple references
to flying objects of various shapes and sizes.
In the ancient Vedic literature, they say that they had the ***,
PATRICK FLANAGAN: which are anti-gravity air crafts
and they'd let them flew around on them.
And the Vimani's construction is detailed in a Mahabharata and some of the other
ancient books that come to us from that time, and stories.
In Vijayanagara you have the traditional Hindu Vastu architecture.
You have, therefore, the stone
temples that are, uh, conical in shape.
So the architecture itself was sort of a copy of the airships
or rockets or spaceships that they called Vimanas.
At Vijayanagara, they were using Vastu technology.
And Vastu technology has been used to make flying vehicles.
The technology is there to create weapons, to probably
create an energy that could power a spaceship.
DÄNIKEN: The Vimanas we would be called today, space shuttle.
Flying machines, now we have different sort of space shuttle,
A Russian space shuttle doesn't look like an American space shuttle and so on.
So in ancient India, we have different descriptions of
Vimanas with wings, with all kinds of lights and so on, and
out of these Vimanas so-called gods came.
NARRATOR: Might the early people of South India really
have been taught advanced building techniques to harness
powerful cosmic energy?
And if so, might this have been done so that early man could
connect with other distant worlds,
as ancient astronaut theorists believe?
CHILDRESS: Vijayanagara would have been one of many cities
around the planet built by the extraterrestrial gods.
It was part of a network of ancient cities around the planet
that included megalithic cites
in South America, on Pacific islands, in India and Egypt and
Africa and other areas of the Middle East.
It was one of their special cities that they had built
thousands of years ago.
NARRATOR: Did ancient man really incorporate the wisdom
and expertise of cosmic travelers into the architecture
of their monumental buildings?
If so, wouldn't additional evidence of such contact exist
elsewhere in the world?
What if there were recent findings of the use of machine
technology discovered in ancient Egypt?
NARRATOR: Luxor, Egypt
Here, along the east bank of the Nile River,
lie the archaeological remains of the vast Karnak temple complex,
dating to the 32nd century B.C.
With its numerous structures, including great halls, obelisks,
and an avenue of sphinxes, Karnak represents the combined
achievement of many generations of Egypt's ancient builders.
MARTELL: When one travels to Luxor and gazes upon the Karnak Temple
we see large pillars, oversized obelisks, and what's very amazing about this area
is that it's one of the few places where over 30 Pharaohs contributed
to its sheer size and wealth of knowledge over a vast period of time.
NARRATOR: For centuries, archaeologists and scholars have
considered Karnak to be one the most dramatic examples of
of the remarkable technological ability of early man.
But do the construction techniques used in building
these incredible monuments reveal evidence of something more--
something not of this earth?
COPPENS: When we start looking at hieroglyphs, we are
amazed as to how beautiful and how carefully they have been carved.
The technology which we see is clearly of a perfection which
it's beautiful, and almost makes our heart cry
whenever you come face to face with it.
NARRATOR: Experts believe the most impressive evidence
of advanced machining can be found at Karnak tall
4-sided tapering monuments, called obelisks.
CHILDRESS: The obelisk is carved with the same inscriptions on four sides.
They're all exactly the same, and they are all beautifully cut
and articulated hieroglyphs into this red granite stone.
We would look at it today and say that would be some of machine
that carved these things out
For example, there were slots, they were only .14 inches wide, half inch deep.
When you look inside you can see, the bottom of them were made
ANDREWS: by a rotating tool. So this was a tool that
punched in, came out, stepped down, punched in, came out, ---
The human hand, no matter how good you are, could never do that.
The tool marks themselves, the precision,
the depth, the rotating impressions that were made were not done by hand.
Some of those were so precisely engraved as to require machine tools to do it.
The tool kit that we see,
that the ancient Egyptians were supposed to use-- there is no way
that any of those tools could produce the results that we saw.
NARRATOR: To many scholars, the apparent precision used in
the construction of the obelisks at Karnak suggests a 21st-
century level of expertise.
CHRISTOPHER DUNN: Precision is what our civilization is built on.
To craft something to within 2/10,000th of an inch or 1,000th of an inch
is quite common today, because that tolerance or that precision
is necessary and it has purpose.
But how can we explain such precision in ancient construction?
TSOUKALOS: If you look at the Ramses statue, it is so perfect
that you wonder how was this even done?
With allegedly primitive tools?
Because today, we could only do this, with machines.
DUNN: So the way we check the symmetry of the Ramses statue is
to take two images of the same photographs, make transparencies,
and compare the left to the right.
We flip it over and bring it over the original,
and as we can see, we have a perfect match.
The ancient Egyptians were very skilled at working granite.
I cannot see how they could have created what they created with
the tools that are commonly accepted to have been in the
ancient Egyptians' toolbox,
such as copper chisels or stone chisels, wooden mallets, stone balls.
But if as many historians and archaeologists contend
the ancient builders did not possess the equivalent
of modern tools, how were these monuments built with such
mathematical precision?
Perhaps the answer can be found by comparing an example of
ancient sculpture with one made by more modern methods.
We can compare the aluminum model, the face machine, the striations coming
down the face with the striations coming down the face
of the statue at Karnak in Egypt, and also the tool marks,
so where we see above the eyebrow, the dig in right there,
where the-- kind of shows us what kind of tools or the shape
of the tools that they used.
So the elements that bring this machining to ancient statue are
not just the symmetry but also the the geometry, the precision,
and the tool marks, and we have all three elements
in modern machining and ancient statuary.
It's an enormously difficult thing to do by hand without
introducing some mechanical systems.
Seems to me to be impossible.
NARRATOR: But if the tool marks seen on the Ramses statue
appear identical to those made made by modern methods,
wouldn't it prove that the ancient builders had access to machines
and perhaps even electricity?
CHILDRESS: Allegedly they did not have electricity, power tools.
Supposedly, they didn't have diamond saws.
But yet, they're doing things that would require precision
work, precision tools.
So where did they get those things?
How could they have had these advanced machining tools that
we've only just acquired ourselves today in our civilization?
So one answer would have to be
they'd gotten it from ancient aliens.
NARRATOR: Might the early Egyptian builders have had
access to extraterrestrial knowledge and technology?
Or might the ancient builders have been aliens themselves?
According to ancient astronaut theorists, the answer is yes.
And for proof, they point to a tiny island
in the middle of the Mediterranean Sea.
Malta,
a small island nation in the center of the Mediterranean Sea,
just south of Italy.
Scholars believe the first inhabitants migrated here from
the nearby island of Sicily in 5200 B.C.
Today, stone structures on the Maltese island of Gozo are
considered by archeologists to be among the greatest
achievements by ancient builders anywhere in the world.
The temples on Malta and Gozo are 1,000 years older than the pyramids of Egypt.
They are the earliest monumental architecture in the world.
There are engineering features in these temples that are just astonishing.
We're talking about walls enclosing space---paved walkways---
they were ceilinged at one time.
Definitely much more complex than anything else that was
appearing on earth for a very long time.
NARRATOR: Built before metal tools or the wheel had been
invented, experts are baffled by the sheer scale of the
construction and the use of vertically arranged monolithic
stones, each weighing over 20 tons.
FLANAGAN: It's only been in recent years, that we developed instruments,
that are accurate enough to appreciate that some of these ancient societies
were able to shape stones to optical accuracy,
optical accuracy greater that we are able to do today.
And so they must have had some kind of advanced technology
enabling them to do that.
NARRATOR: But if the ancient builders of Malta had used
advanced technology, where did it come from?
Researchers believe answers may be found among Malta's numerous mysteries--
including the so-called cart ruts, which can be found all over Malta.
These parallel incisions in the bedrock have been identified as cart ruts
because that's what they look like.
What they really were, what their purpose was,
we don't know. There's nothing written.
ANDREWS: The cart ruts on Malta are about four feet wide.
They're uniformly spaced.
Some of them run hundreds of yards.
Some of them run miles.
According to the studies of them, they've probably been there up to 10,000 years ago
Because some of the ancient temples have got wider on the top of the ruts
NARRATOR: Ancient astronaut theories believe
the cart ruts may, in fact, be evidence,
that Malta was one of Earth's earliest industrial work sites.
CHILDRESS: It seems like what these cart ruts really were,
was some kind of ancient railway.
And this railway was then to move heavy machinery, much as we
would use today in a mining operation, even the way rockets
are rolled out onto a launch pad.
NARRATOR: Further evidence of the use of advanced technology
on Malta can be found underground.
In 1902, construction workers, while building the foundation
for several houses, accidentally discovered a mysterious
underground sanctuary dating to 2500 B.C.
Called the Hypogeum, the subterranean structure was
revealed to be three levels deep--- all hewn from solid stone.
ENEIX: It's been estimated that they removed more than
2,000 tons of stone from these subterranean chambers to create
a space that beautifully replicates the temples above ground.
NARRATOR: Perhaps one of the greatest mysteries concerning
the Hypogeum involve the acoustical properties
in what is called the "Oracle Room."
The acoustic properties within this are absolutely extraordinary,
because what happens is that if a person is within the Oracle Room,
the way that their voice is carried is heard within the whole of the complex.
The ancients were using this profound sound technology
in order to put themselves in a deep state of trance,
in order to access higher human conciousness, they wanted
to go deep within, in order to connect themselves with star energy
NARRATOR: Might the Oracle Room have been used to
communicate with ancient gods?
Or, perhaps, celestial ancestors?
Or do its advanced acoustics suggest that early Maltese
people had mastered the science of sonic manipulation,
the ability to manipulate solid matter through audio frequencies?
FLANAGAN: One of the main things that I've realized is
that they're using something called fractal nonlinear resonance.
And we're now discovering in the field of material science that
nonlinear resonances of sound waves, microwaves, magnetic
waves, that we are able to actually change matter in ways
that we never dreamed possible.
NARRATOR: If the Oracle Room was used to harness the power of
audio waves, as many ancient astronaut theorists believe,
is it possible the prehistoric builders used sonic technology
to help build Malta's mammoth temples?
CHILDRESS: The builders had this advanced knowledge of sonic technology.
And, in fact, sound technology can be used for all kinds of
applications, including levitation or anti-gravity.
COLLINS: All around the world, there are myths and
legends relating to how large structures came into being.
They talk about the movement of stones through the use of sound,
about the use of instruments or the banging, the ringing---
that will elevate stones enough so that they can be pushed as if
they've become completely weightless.
CHILDRESS: It would appear that the builders at Malta had
very advanced knowledge of things we're just now discovering.
And you would think that they got this knowledge from extraterrestrials.
NARRATOR: Enormous blocks of stone---
mysterious carving techniques--- and mathematical precision
that rivals anything possible in the modern age.
Might the tools and technology that went into building
the world's most magnificent ancient structures have come
from distant galaxies?
Or were the ancient engineers really extraterrestrial beings?
Perhaps the answer can be found, not out in space but in plain
sight all over the world-- an answer which suggests that
the ancient builders may have served to be the architects, not
of the past, but of our future.
sync and corrected by Bellows www.addic7ed.com