1 00:00:13,876 --> 00:00:17,748 [ ROYAL BLOOD’S "FIGURE IT OUT" \h\h\h\h\h\h\h\h\h\h\h\hPLAYS ] 2 00:00:23,820 --> 00:00:26,163 ♪ NOTHING HERE TO SEE, \hJUST A KID LIKE ME ♪ 3 00:00:26,163 --> 00:00:29,628 ♪ TRYING TO CUT SOME TEETH, \hTRYING TO FIGURE IT OUT ♪ 4 00:00:32,664 --> 00:00:35,073 ♪ NOTHING BETTER TO DO WHEN I’M STUCK ON YOU ♪ 5 00:00:35,073 --> 00:00:38,406 \h\h♪ I’M STILL IN HERE, TRYING TO FIGURE IT OUT ♪ 6 00:00:41,673 --> 00:00:44,049 ♪ GETTING HARD TO SLEEP, \hBLOOD IS IN MY DREAMS ♪ 7 00:00:44,049 --> 00:00:47,415 \h\h♪ LOVE IS KILLING ME, TRYING TO FIGURE IT OUT ♪ 8 00:00:50,550 --> 00:00:52,882 ♪ NOTHING BETTER TO DO WHEN I’M STUCK ON YOU ♪ 9 00:00:52,882 --> 00:00:55,951 \h\h♪ I’M STILL IN HERE, TRYING TO FIGURE IT OUT ♪ 10 00:01:08,205 --> 00:01:10,372 \h\h\h\h[ SHOUTING, LAUGHTER ] \h\h\h\h\h\h\h♪ I’LL LET IT GO ’CAUSE I WON’T SEE YOU LATER ♪ 11 00:01:10,372 --> 00:01:12,869 ♪ AND WE’RE NOT ALLOWED \h\h\hTO TALK IT OUT ♪ 12 00:01:12,869 --> 00:01:14,706 \h\h♪ I SAID I’D GO, PUT MYSELF ON SHOW ♪ 13 00:01:14,706 --> 00:01:16,939 \h\h\h\h\h♪ BUT I’M STILL TRYING TO FIGURE IT OUT ♪ 14 00:01:16,939 --> 00:01:19,381 \h\h\h♪ I BROKE MY SHOE, TRIPPED AND FELL ON YOU ♪ 15 00:01:19,381 --> 00:01:21,548 ♪ BUT YOU DIDN’T KNOW \hI PLANNED IT OUT ♪ 16 00:01:21,548 --> 00:01:23,682 \h\h\h\h\h\h♪ I SAID I’D GO, YEAH, I WON’T SEE YOU LATER ♪ 17 00:01:23,682 --> 00:01:25,717 ♪ AND WE’RE NOT ALLOWED \h\hTO FIGURE IT OUT ♪ 18 00:01:25,717 --> 00:01:29,886 \h\hI MAY HAVE TO JERK IT BEFORE WE EVEN GET THERE. 19 00:01:29,886 --> 00:01:31,052 NOT NEAR ME, PLEASE. 20 00:01:31,052 --> 00:01:32,757 LET ME SEE. 21 00:01:32,757 --> 00:01:35,100 \h\h\h\h\hWHO THROWS A PARTY WHEN HIS WIFE LEAVES HIM 22 00:01:35,100 --> 00:01:36,200 ON THEIR HONEYMOON? 23 00:01:36,200 --> 00:01:38,301 \h\h\h\hVINCE DOES. AND WHY WOULDN’T HE? 24 00:01:38,301 --> 00:01:40,798 \h\h\hI HOPE THAT’S WHAT MY NEXT HONEYMOON’S LIKE. 25 00:01:40,798 --> 00:01:42,734 \h\h\h\h\h\h\h♪ I’LL LET IT GO, ’CAUSE I WON’T SEE YOU LATER ♪ 26 00:01:42,734 --> 00:01:45,407 ♪ AND WE’RE NOT ALLOWED \h\h\hTO TALK IT OUT ♪ 27 00:01:45,407 --> 00:01:47,068 \h\h♪ I SAID I’D GO, PUT MYSELF ON SHOW ♪ 28 00:01:47,068 --> 00:01:49,444 \h\h\h\h\h♪ BUT I’M STILL TRYING TO FIGURE IT OUT ♪ 29 00:01:49,444 --> 00:01:51,710 \h\h\h\h\h\h\h♪ I’LL LET IT GO, ’CAUSE I WON’T SEE YOU LATER ♪ 30 00:01:51,710 --> 00:01:53,151 ♪ AND WE’RE NOT ALLOWED \h\h\hTO TALK IT OUT ♪ 31 00:01:53,151 --> 00:01:54,152 VINCE. 32 00:01:54,152 --> 00:01:55,813 YO. COME IN. 33 00:01:56,451 --> 00:01:57,287 HEY. 34 00:01:57,287 --> 00:01:58,486 YOUR FRIENDS ARE HERE. 35 00:01:58,486 --> 00:02:01,456 REALLY? AH, I DIDN’T \hTHINK THEY’D COME. 36 00:02:02,754 --> 00:02:03,953 WHAT? 37 00:02:03,953 --> 00:02:05,394 LET THEM WAIT. 38 00:02:05,394 --> 00:02:06,989 \h\h\h\hI JUST GOT OUT OF A FAILED MARRIAGE. 39 00:02:06,989 --> 00:02:10,091 YOU’RE GONNA HAVE TO GIVE ME \h\h\h\h\h\h\hAT LEAST A FEW HOURS. 40 00:02:10,091 --> 00:02:12,137 OKAY. A FEW. 41 00:02:12,137 --> 00:02:13,963 [ DANCE MUSIC PLAYS ] 42 00:02:13,963 --> 00:02:14,964 [ LAUGHS ] 43 00:02:14,964 --> 00:02:16,405 HEY, BOYS! 44 00:02:16,405 --> 00:02:17,472 HEY, BABY BRO! 45 00:02:17,472 --> 00:02:18,737 \h\h\h\h\h\h\h\h\h\h\h\h\hWELCOME. WHAT’S UP? 46 00:02:18,737 --> 00:02:20,145 \h\h\h\h\hI TOLD YOU GUYS YOU DIDN’T HAVE TO COME. 47 00:02:20,145 --> 00:02:21,410 YEAH, WE WERE IN PARIS \h\h\h\h\h\h\h\h\hANYWAY. 48 00:02:21,410 --> 00:02:22,972 WE WANTED TO MAKE SURE \h\h\h\h\h\hTHERE WASN’T 49 00:02:22,972 --> 00:02:24,314 A NATALIE WOOD-TYPE SITUATION \h\h\h\h\h\hYOU NEEDED COVERIN’ UP. 50 00:02:24,314 --> 00:02:25,579 AW, I APPRECIATE IT. \h\h\h\h\h\h\hTHANKS. 51 00:02:25,579 --> 00:02:26,811 E DID KINDA HESITATE WHEN WE ASKED HIM 52 00:02:26,811 --> 00:02:28,516 \h\hIF HE WOULD HELP WITH THAT SORT OF THING. 53 00:02:28,516 --> 00:02:30,782 \h\h\h\h\h\h\h\h\hJERK-OFF. WE THOUGHT YOU WERE ALONE! \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI WAS. 54 00:02:30,782 --> 00:02:32,289 WHERE’D YOU FIND ALL THE HOTTIES? 55 00:02:32,289 --> 00:02:33,785 IT’S IBIZA, TURTLE. \h\h\h\h\h\h\h\h\h\h\h\h\hME. 56 00:02:33,785 --> 00:02:35,017 COME ON. 57 00:02:35,017 --> 00:02:36,821 I LIKE IBIZA, BRO. 58 00:02:36,821 --> 00:02:37,690 WE’LL BE RIGHT BACK. 59 00:02:37,690 --> 00:02:40,495 \h\hRIGHT BACK. NOBODY LEAVES. 60 00:02:40,495 --> 00:02:42,761 \h\h\h\h\h\h\hYOU. YOU CAN GO. 61 00:02:42,761 --> 00:02:45,093 \h\h\h\h\h\h\h\hSO, WHAT HAPPENED? JUST WASN’T WORKIN’. 62 00:02:45,093 --> 00:02:47,172 \h\h\h\h\h\h\h\hAFTER NINE DAYS? SOMETIMES YOU JUST KNOW. 63 00:02:47,172 --> 00:02:48,800 \h\h\h\h\h\h\h\h\h\h\h\h\hWE ALL KNEW WHEN YOU WERE SAYIN’ "I DO." 64 00:02:48,800 --> 00:02:50,703 \hI KNOW, I KNOW. I MADE A MISTAKE. 65 00:02:50,703 --> 00:02:52,969 BUT IT’S NOT LIKE IT WAS THE SHORTEST MARRIAGE IN HOLLYWOOD HISTORY. 66 00:02:52,969 --> 00:02:55,103 \h\h\h\h\h\hNO. BRITNEY SPEARS. TWO DAYS. I LOOKED IT UP. 67 00:02:55,103 --> 00:02:56,104 THANK YOU, TURTLE. 68 00:02:56,104 --> 00:02:57,182 \hALL RIGHT. SO, WHAT NOW? 69 00:02:57,182 --> 00:02:58,876 EASY. WE’RE GONNA GET IT ANNULLED. 70 00:02:58,876 --> 00:03:00,482 \h\h\hTRUST ME, IT’S ALL GOOD. 71 00:03:00,482 --> 00:03:01,846 AND SHE AGREES? 72 00:03:01,846 --> 00:03:02,979 SHE SAID IT FIRST. 73 00:03:02,979 --> 00:03:04,321 I MEAN, WE’RE LYING THERE LOOKING AT EACH OTHER, 74 00:03:04,321 --> 00:03:05,718 \h\h\h\hAND WE DIDN’T HAVE A THING TO SAY. 75 00:03:05,718 --> 00:03:06,653 DOES? 76 00:03:06,653 --> 00:03:09,194 AND I’M THINKIN’, "WHAT DID I DO?" 77 00:03:09,194 --> 00:03:10,525 SAID IT. 78 00:03:10,525 --> 00:03:11,856 AND THEN SHE JUST LEFT? 79 00:03:11,856 --> 00:03:14,122 NO, WE HAD SEX FIRST, AGREED TO BE FRIENDS, 80 00:03:14,122 --> 00:03:16,300 \hAND THEN WENT TO SLEEP, AND WHEN I WOKE UP, SHE WAS GONE. 81 00:03:16,300 --> 00:03:18,401 SHE LEFT THIS NOTE. 82 00:03:18,401 --> 00:03:19,633 WHAT’S IT SAY? 83 00:03:19,633 --> 00:03:20,898 \h\h\hYOU’RE NOT GONNA BELIEVE IT. 84 00:03:20,898 --> 00:03:23,164 \h"I READ THE SCRIPT FOR YOUR NEXT MOVIE. 85 00:03:23,164 --> 00:03:24,473 YOU’RE BETTER THAN THIS." 86 00:03:26,068 --> 00:03:27,410 \h\hTHEY’RE DOING ANOTHER REWRITE. 87 00:03:27,410 --> 00:03:29,170 YEAH, WELL, I READ IT AGAIN. \h\h\h\h\h\h\h\hSHE’S RIGHT. 88 00:03:29,170 --> 00:03:30,908 \h\h\h\h\h\hIT SUCKS. LET’S GET OUT OF IT. 89 00:03:30,908 --> 00:03:32,646 THE MOVIE STARTS SHOOTING NEXT MONTH. I KNOW. 90 00:03:32,646 --> 00:03:34,549 \hBUT I REALIZED THIS WHOLE RUSHING INTO MARRIAGE THING 91 00:03:34,549 --> 00:03:36,144 \h\h\h\h\h\h\h\h\hIS BECAUSE I’M SEARCHING FOR SOMETHING. 92 00:03:36,144 --> 00:03:37,849 SOMETHING MEANINGFUL. 93 00:03:37,849 --> 00:03:39,554 \hI REALLY NEED TO DO SOMETHING DIFFERENT. 94 00:03:39,554 --> 00:03:41,391 DIFFERENT THAN ANYTHING I’VE EVER DONE BEFORE. 95 00:03:41,391 --> 00:03:43,393 \h\h\h\hYEAH, ME, TOO, BRO. 96 00:03:43,393 --> 00:03:44,922 \h\h\h\h\hARI SAYS HE’S GOT SOMETHIN’. 97 00:03:44,922 --> 00:03:46,627 ARI’S RETIRED. 98 00:03:47,595 --> 00:03:49,828 ISN’T HE? 99 00:03:52,160 --> 00:03:54,371 \h\h\h\h\hAri: FAX? FAX. FAX. 100 00:03:54,371 --> 00:03:58,606 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI’M SORRY. I CAN’T PRINT, SCAN OR E-MAIL ’CAUSE THERE’S NO INTERNET-O. 101 00:03:59,739 --> 00:04:01,675 [ Chuckling ] I NEED TO GET BACK TO CIVILIZATION. 102 00:04:01,675 --> 00:04:03,578 \h\h\hHONEY, CAN YOU TAKE ANY LONGER TO PACK? 103 00:04:03,578 --> 00:04:06,911 \h\h\h\h\h\h\h\h\hARI, DO NOT PUSH ME, OR I’LL CHANGE MY MIND AGAIN. 104 00:04:06,911 --> 00:04:08,880 I WOULDN’T PUSH HER, DAD. 105 00:04:08,880 --> 00:04:11,520 [ RINGTONE PLAYS ] 106 00:04:11,520 --> 00:04:13,115 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hVINNIE CHASE. Ari Gold! 107 00:04:13,115 --> 00:04:16,756 VEGAS ODDS HAD YOUR RETIREMENT LASTING LONGER THAN MY MARRIAGE. 108 00:04:16,756 --> 00:04:19,462 \h\h\h\h\h\h\h\h\h\hWELL, GOOD THING THAT I BET BIG AGAINST BOTH. 109 00:04:19,462 --> 00:04:21,024 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYou okay? YEAH, I’M OKAY. 110 00:04:21,024 --> 00:04:22,399 AND YOU? 111 00:04:22,399 --> 00:04:24,060 HOW’D YOU GET THE WIFE TO LET YOU GO BACK TO WORK? 112 00:04:24,060 --> 00:04:25,930 \h\h\h\h\h\hONCE SHE REALIZED THAT SHE COULDN’T UNDERSTAND WHAT 113 00:04:25,930 --> 00:04:27,932 THE REAL HOUSEWIVES OF MILAN \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTO GO. 114 00:04:27,932 --> 00:04:30,440 ARI. \h\h\h\h\h\h\h\h\h\h\h\hI’m not going \h\h\h\h\h\h\hback to work, Vinnie. 115 00:04:30,440 --> 00:04:32,035 \hI AM GOING BACK TO BE THE KING OF HOLLYWOOD, 116 00:04:32,035 --> 00:04:34,279 \h\h\h\h\h\h\hBUT I AGREED TO LIVE BY ALL OF MY QUEEN’S RULES. 117 00:04:34,279 --> 00:04:37,579 \h\h\h\h\h\h\hONE OF WHICH IS TO LEAVE MY NUTSAC IN THE MEDITERRANEAN. 118 00:04:37,579 --> 00:04:39,548 MM-HMM. I HEARD THAT. 119 00:04:39,548 --> 00:04:40,747 BUT WE’RE ALL GOOD. 120 00:04:40,747 --> 00:04:41,649 GOOD. 121 00:04:41,649 --> 00:04:43,145 \h\h\h\h\h\h\h\h\hI HEAR YOU GOT SOMETHING FOR ME. 122 00:04:43,145 --> 00:04:44,487 Something big. 123 00:04:44,487 --> 00:04:46,720 MY FIRST MOVIE AS STUDIO HEAD, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAND BOOM! 124 00:04:46,720 --> 00:04:48,084 \h\hI WANT YOU TO STAR IN IT. 125 00:04:48,084 --> 00:04:49,085 OH, YEAH? 126 00:04:49,085 --> 00:04:50,086 HOW BADLY? 127 00:04:50,086 --> 00:04:51,329 WHAT DO YOU MEAN? 128 00:04:51,329 --> 00:04:53,430 \h’CAUSE I DECIDED WHATEVER I DO NEXT, 129 00:04:53,430 --> 00:04:55,960 I ALSO WANT TO DIRECT. 130 00:04:55,960 --> 00:04:57,126 [ COUGHS ] 131 00:04:57,126 --> 00:04:58,259 DOES HE EVEN KNOW \hHOW TO DIRECT? 132 00:04:58,259 --> 00:04:59,535 ARI? 133 00:05:01,636 --> 00:05:02,736 ARI. 134 00:05:02,736 --> 00:05:04,837 [ JANE’S ADDICTION’S "SUPERHERO" PLAYS ] 135 00:05:04,837 --> 00:05:06,036 ARI. 136 00:05:15,650 --> 00:05:18,147 ♪ YEAH, YEAH ♪ 137 00:05:18,147 --> 00:05:20,325 ♪ YEAH, YEAH ♪ 138 00:05:20,325 --> 00:05:21,458 ♪ YEAH ♪ 139 00:05:21,458 --> 00:05:23,493 ♪ MY MIND HAD BEEN ENABLED ♪ 140 00:05:23,493 --> 00:05:25,924 ♪ IN THE MEMORY YOU OVERFLOWED ♪ 141 00:05:25,924 --> 00:05:28,333 ♪ WANT TO BE YOUR SUPERHERO ♪ 142 00:05:28,333 --> 00:05:30,533 ♪ EVEN IF I TUMBLE FALL ♪ 143 00:05:30,533 --> 00:05:33,833 ♪ I’M OKAY ♪ 144 00:05:33,833 --> 00:05:38,167 ♪ BUT I NEED YOU DESPERATELY ♪ 145 00:05:38,167 --> 00:05:43,007 ♪ YOU KNOW I NEED YOU \h\h\h\hDESPERATELY ♪ 146 00:05:57,560 --> 00:06:00,057 ♪ YEAH, YEAH ♪ 147 00:06:00,057 --> 00:06:02,158 ♪ YEAH, YEAH ♪ 148 00:06:02,158 --> 00:06:03,225 ♪ YEAH ♪ 149 00:06:03,225 --> 00:06:05,370 ♪ YOU WERE SMILING BY MY TABLE ♪ 150 00:06:05,370 --> 00:06:07,834 ♪ HAD TO CALL UP EVERYONE \h\h\h\h\h\h\hTHAT DAY ♪ 151 00:06:07,834 --> 00:06:10,331 ♪ BEAUTIFUL MIND AND BODY ♪ 152 00:06:10,331 --> 00:06:12,333 ♪ WHAT A HAPPY ENDING I SEE ♪ 153 00:06:12,333 --> 00:06:15,644 ♪ I’M OKAY ♪ 154 00:06:15,644 --> 00:06:20,385 ♪ YOU HAVE THAT EFFECT ON ME ♪ 155 00:06:20,385 --> 00:06:24,884 ♪ BUT I NEED YOU DESPERATELY ♪ 156 00:06:24,884 --> 00:06:30,791 ♪ YOU KNOW I NEED YOU \h\h\h\hDESPERATELY ♪ 157 00:06:32,991 --> 00:06:36,126 [ GUITAR SOLO ] 158 00:06:37,567 --> 00:06:42,671 ♪ I WANT TO BE YOUR SUPERHERO ♪ 159 00:06:46,576 --> 00:06:50,778 ♪ YEAH, I WANT TO BE \h\hYOUR SUPERHERO ♪ 160 00:06:56,113 --> 00:06:58,115 ♪ OH, YEAH ♪ 161 00:06:58,115 --> 00:07:00,458 ♪ OH, YEAH ♪ 162 00:07:00,458 --> 00:07:03,120 ♪ OH, YEAH ♪ 163 00:07:09,093 --> 00:07:11,733 EVEN IF YOU’VE NEVER SEEN \hA VINCENT CHASE MOVIE, 164 00:07:11,733 --> 00:07:13,603 \h\h\h\h\h\hCHANCES ARE YOU’VE HEARD THE NAME. 165 00:07:13,603 --> 00:07:16,573 \h\h\h\h\h\h\hTHE 34-YEAR-OLD HAS 15 STARRING ROLES ON HIS RéSUMé, 166 00:07:16,573 --> 00:07:18,608 \h\h\h\h\h\h\h\h\hINCLUDING JAMES CAMERON’S "AQUAMAN," 167 00:07:18,608 --> 00:07:20,973 ONCE THE ALL-TIME BOX-OFFICE CHAMP. 168 00:07:20,973 --> 00:07:23,481 CHASE HAILS FROM MODEST ROOTS \h\h\h\hIN QUEENS, NEW YORK, 169 00:07:23,481 --> 00:07:25,274 WHERE HE WAS RAISED BY A SINGLE MOTHER, 170 00:07:25,274 --> 00:07:27,749 \h\h\h\h\h\h\hAND SURROUNDED BY A GROUP OF LOYAL FRIENDS. 171 00:07:27,749 --> 00:07:30,653 \h\h\h\h\h\h\h\h\h\h\hFRIENDS WHO STILL SURROUND HIM TODAY. 172 00:07:30,653 --> 00:07:32,754 WE CAUGHT UP WITH CHASE \h\h\hAND HIS ENTOURAGE 173 00:07:32,754 --> 00:07:34,822 \h\h\h\h\h\h\h\hON THE SET OF HIS DIRECTORIAL DEBUT, "HYDE." 174 00:07:34,822 --> 00:07:36,494 WHO’S HE CALLIN’ \h\hAN ENTOURAGE? 175 00:07:36,494 --> 00:07:38,793 \h\h\h\hA MODERN-DAY RETELLING OF... \hNOT ME. I’M A RELATIVE. 176 00:07:38,793 --> 00:07:40,828 \h\hROBERT LOUIS STEVENSON’S CLASSIC, "JEKYLL AND HYDE," 177 00:07:40,828 --> 00:07:42,896 \h\h\h\h\h\h\h\h\h\hA FILM THAT SOME IN THE INDUSTRY 178 00:07:42,896 --> 00:07:45,096 ARE NOW WHISPERING WAS TOO EXPENSIVE 179 00:07:45,096 --> 00:07:46,801 \h\h\h\h\h\h\h\h\h\hTO BE PUT IN THE HANDS OF A FIRST-TIMER. 180 00:07:46,801 --> 00:07:48,297 EH. \h\h\h\h\hSHUT UP. 181 00:07:48,297 --> 00:07:49,837 [ BARKS ] \h\h\h\h\h\h\h\h\h\h\h\h\h\hIS THAT \h\hWHAT PEOPLE ARE SAYING? 182 00:07:49,837 --> 00:07:51,806 \h\h\hWELL, THIS IS A VERY BIG UNDERTAKING. 183 00:07:51,806 --> 00:07:53,808 WELL, \h\h\h\h\h\h\hBIG. 184 00:07:53,808 --> 00:07:55,645 \h\h\h\h\hTHOUGH THE SETS ARE BIG. 185 00:07:55,645 --> 00:07:57,680 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBIG. ENORMOUS, IN FACT. 186 00:07:57,680 --> 00:07:59,407 \h\h\h\h\h\h\hNO EXPENSE SEEMS TO HAVE BEEN SPARED 187 00:07:59,407 --> 00:08:00,848 \h\h\h\h\h\h\hIN TURNING THE STREETS OF HOLLYWOOD 188 00:08:00,848 --> 00:08:03,114 \h\h\hINTO A FUTURISTIC LOS ANGELES NIGHTMARE. 189 00:08:03,114 --> 00:08:04,489 \h\h\h\hWE WANTED TO SURROUND VINCE 190 00:08:04,489 --> 00:08:05,622 WITH THE BEST PEOPLE IN THE BUSINESS 191 00:08:05,622 --> 00:08:06,986 \hTO MAKE SURE HE WAS COVERED. 192 00:08:06,986 --> 00:08:08,284 THAT’S "HYDE" PRODUCER \h\h\h\h\hERIC MURPHY, 193 00:08:08,284 --> 00:08:09,626 CHASE’S LONGTIME MANAGER 194 00:08:09,626 --> 00:08:10,990 \h\hAND BEST FRIEND SINCE KINDERGARTEN. 195 00:08:10,990 --> 00:08:13,355 \h\h\h\hBUT WHAT EXACTLY WERE HIS QUALIFICATIONS 196 00:08:13,355 --> 00:08:15,665 \h\h\h\h\h\h\hWHEN MR. CHASE ASKED HIM TO COME ON BOARD? 197 00:08:15,665 --> 00:08:18,261 \h\h\hI WAS ACTUALLY MANAGING A SBARRO’S. 198 00:08:18,261 --> 00:08:19,504 SBARRO’S? 199 00:08:19,504 --> 00:08:21,935 \h\h\h\h\h\hYEAH. THE PIZZA PLACE. 200 00:08:21,935 --> 00:08:23,541 PIZZA PLACE, IN FACT. 201 00:08:23,541 --> 00:08:25,510 \h\hNICE PIC. CHASE PLUCKED MURPHY AWAY 202 00:08:25,510 --> 00:08:28,337 \h\h\h\hFROM A LIFE OF SPINNING PIES... \h\h\h\h\h\h\h\h\h\h\h\h\hI AM GONNA \h\h\h\h\h\h\h\h\h\hKILL MY MOTHER. 203 00:08:28,337 --> 00:08:30,977 ...AND DECIDED HE WAS EQUIPPED \h\hTO HELP GUIDE HIM THROUGH 204 00:08:30,977 --> 00:08:32,682 THE TREACHEROUS WATERS \h\h\h\hOF HOLLYWOOD. 205 00:08:32,682 --> 00:08:34,343 \h\h\h\h\h\hWHAT DID EVERYBODY ELSE THINK? 206 00:08:34,343 --> 00:08:35,685 [ CHUCKLES ] 207 00:08:35,685 --> 00:08:38,523 WELL, MY AGENT AT THE TIME, HE WASN’T TOO HAPPY. 208 00:08:38,523 --> 00:08:40,151 HIS AGENT AT THE TIME 209 00:08:40,151 --> 00:08:42,351 \h\h\h\h\hWAS NONE OTHER THAN HOLLYWOOD POWERHOUSE ARI GOLD, 210 00:08:42,351 --> 00:08:44,793 \h\hWHO HAS SINCE MOVED ON FROM THE AGENCY BUSINESS, 211 00:08:44,793 --> 00:08:46,564 \h\h\h\h\h\hAND IS NOW THE HEAD OF THE STUDIO 212 00:08:46,564 --> 00:08:47,829 THAT IS PRODUCING "HYDE." 213 00:08:47,829 --> 00:08:49,226 \h\h\h\hYOU SEE IT WITH PRO ATHLETES. 214 00:08:49,226 --> 00:08:50,997 YOU -- YOU SEE IT WITH MOVIE STARS. 215 00:08:50,997 --> 00:08:52,702 THEY WANT TO SHARE THE RIDE \h\h\h\h\h\h\h\hWITH THEIR FRIENDS. 216 00:08:52,702 --> 00:08:54,495 \hIT MAKES IT FEEL MORE REAL FOR THEM. 217 00:08:54,495 --> 00:08:55,870 AND WERE YOU OKAY \h\h\hWITH THIS? 218 00:08:55,870 --> 00:08:58,235 NO, I WAS NOT OKAY WITH IT. \h\h\h\h\h\h\h\h\h\h\h\hI HATED IT. 219 00:08:58,235 --> 00:09:01,205 I MEAN, I FOUND THIS KID OFF A MENTOS COMMERCIAL. 220 00:09:01,205 --> 00:09:02,140 REALLY? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. 221 00:09:02,140 --> 00:09:03,845 I WAS WATCHING TV \h\hWITH THE WIFE 222 00:09:03,845 --> 00:09:05,583 \h\h\h\h\hAND I SAID, "THIS GUY’S A STAR." 223 00:09:05,583 --> 00:09:07,717 ♪ FRESH GOES BETTER \h\h\hWITH MENTOS ♪ 224 00:09:07,717 --> 00:09:09,554 ♪ FRESH AND FULL OF LIFE ♪ 225 00:09:09,554 --> 00:09:11,886 \h\h\h\h\h\hAnnouncer: MENTOS. THE FRESHMAKER. 226 00:09:11,886 --> 00:09:14,218 AND YOU WERE RIGHT. I’M THAT GOOD, PIERS. 227 00:09:14,218 --> 00:09:17,023 \h\h\h\h\h\h\h\hMorgan: IT WASN’T JUST MURPHY THAT GOLD WAS FORCED TO DEAL WITH. 228 00:09:17,023 --> 00:09:18,728 \h\h\h\h\h\hTHERE WAS SAL "TURTLE" ASSANTE, 229 00:09:18,728 --> 00:09:20,697 \h\h\h\hANOTHER FRIEND FROM THE NEIGHBORHOOD, 230 00:09:20,697 --> 00:09:22,061 WHO BECAME VINCE’S DRIVER. 231 00:09:22,061 --> 00:09:24,569 \h\h\hI LIKE TO THINK I DID MORE THAN JUST DRIVE. 232 00:09:24,569 --> 00:09:26,868 \h\h\h\hYEAH, HE DROVE, HE PARKED, HE WAITED. 233 00:09:26,868 --> 00:09:29,937 [ Laughing ] YES! HE ALSO MADE A FORTUNE \hIN A TEQUILA COMPANY 234 00:09:29,937 --> 00:09:31,433 THAT’S A GOOD LINE. \h\h\h\h\hWHEN CHASE HELPED HIM... 235 00:09:31,433 --> 00:09:33,842 \h\h\h\h\h\h\hGAIN ACCESS TO BILLIONAIRE MARK CUBAN. 236 00:09:33,842 --> 00:09:35,008 HOW MUCH DID HE MAKE? 237 00:09:35,008 --> 00:09:37,043 \h\hHE WON’T SAY. IT’S SO ANNOYING. 238 00:09:37,043 --> 00:09:39,243 AND THAT’S CHASE’S \hHALF-BROTHER... 239 00:09:39,243 --> 00:09:40,244 WHY’S HE GOT TO SAY THAT? 240 00:09:40,244 --> 00:09:41,586 \h\h\h\h\h\h\hI KNOW. HE SHOULD’VE SAID QUARTER. 241 00:09:41,586 --> 00:09:43,346 ...AND ACTOR, JOHNNY CHASE. 242 00:09:43,346 --> 00:09:44,952 VICTORY! 243 00:09:44,952 --> 00:09:46,591 YOU’VE PROBABLY SEEN HIM \h\h\h\h\h\hIN SOMETHING 244 00:09:46,591 --> 00:09:48,593 BECAUSE, WELL, HE’S BEEN IN \h\h\hJUST ABOUT EVERYTHING. 245 00:09:48,593 --> 00:09:52,355 \h\h\h\h\h\h\h"MELROSE PLACE," "PACIFIC BLUE," "LAW & ORDER," 246 00:09:52,355 --> 00:09:55,127 \h\h\h\hAND THE RECENTLY CANCELED ANIMATED SHOW "JOHNNY BANANAS." 247 00:09:55,127 --> 00:09:58,603 I CAN’T BELIEVE YOU DID THIS, RONALD. I’M SO SCREWED. 248 00:09:58,603 --> 00:10:02,035 AND TODAY, HE FEELS HE MAY HAVE CAUGHT THE BREAK OF A LIFETIME 249 00:10:02,035 --> 00:10:04,268 AS HIS YOUNGER BROTHER CAST HIM IN WHAT HE DESCRIBES 250 00:10:04,268 --> 00:10:07,205 AS A SMALL BUT PIVOTAL ROLE \h\h\h\h\h\h\h\h\hIN "HYDE." 251 00:10:07,205 --> 00:10:08,778 \h\h\hSO, YOU CAME TO HOLLYWOOD FIRST? 252 00:10:08,778 --> 00:10:10,439 I WAS THE TRAILBLAZER. 253 00:10:10,439 --> 00:10:11,539 AND THEN VINCE FOLLOWED? 254 00:10:11,539 --> 00:10:12,980 WITH TURTLE. 255 00:10:12,980 --> 00:10:14,718 THEY LIVED IN MY HOUSE RENT-FREE FOR THE FIRST YEAR. 256 00:10:14,718 --> 00:10:15,983 \h\h\h\h\h\h\hBUT, AS I UNDERSTAND IT, 257 00:10:15,983 --> 00:10:18,821 \h\hYOU NOW LIVE IN VINCE’S HOUSE? 258 00:10:18,821 --> 00:10:20,251 I’M 40 YEARS OLD 259 00:10:20,251 --> 00:10:22,286 AND COULD QUITE POSSIBLY GET AN OSCAR NOM THIS YEAR. 260 00:10:22,286 --> 00:10:24,959 WHY THE [BLEEP] WOULD I LIVE AT MY BABY BROTHER’S HOUSE? 261 00:10:24,959 --> 00:10:26,994 I CAN’T BELIEVE YOU JUST \hCURSED AT PIERS MORGAN. 262 00:10:26,994 --> 00:10:28,996 I CAN’T BELIEVE HE JUST SAID \hHE MIGHT GET AN OSCAR NOM. 263 00:10:28,996 --> 00:10:31,636 I’M JUST STAYING THERE TILL MY ROOF GETS RESHINGLED. 264 00:10:31,636 --> 00:10:35,398 \h\h\h\h\h\h\h\h\hSO I GOT THE PIZZA BOY, THE BROTHER FREDO, AND A TURTLE. 265 00:10:35,398 --> 00:10:37,807 YET, SOMEHOW, THIS SORT OF WEIRD COLLECTION OF PEOPLE, 266 00:10:37,807 --> 00:10:38,808 IT WORKED. 267 00:10:38,808 --> 00:10:40,403 IT DID, AND THE TRUTH IS, 268 00:10:40,403 --> 00:10:42,471 \h\h\h\h\h\h\h\h\hTHEIR BLIND LOYALTY TO EACH OTHER IS KIND OF CHARMING. 269 00:10:42,471 --> 00:10:45,243 SOME PEOPLE, ARI, SAY YOU HAVE THE SAME CHARACTER TRAITS. 270 00:10:45,243 --> 00:10:47,476 I LIKE TO THINK OF MYSELF \hAS LOYAL, BUT NOT BLIND. 271 00:10:47,476 --> 00:10:49,984 YET, MANY WERE SURPRISED WHEN YOU LET VINCE DIRECT THIS MOVIE. 272 00:10:49,984 --> 00:10:51,348 \h\hMANY PEOPLE WERE SURPRISED 273 00:10:51,348 --> 00:10:53,185 WHEN SOMEONE LET MEL GIBSON \h\h\h\h\h\h\hDIRECT "BRAVEHEART" 274 00:10:53,185 --> 00:10:54,989 OR KEVIN COSTNER DIRECT \h\h"DANCES WITH WOLVES." 275 00:10:54,989 --> 00:10:56,793 THEY BOTH WON OSCARS. 276 00:10:56,793 --> 00:10:58,993 BUT THEY WEREN’T STUDIO HEADS HANDING EX-CLIENTS 277 00:10:58,993 --> 00:11:02,029 DIRECTORIAL DEBUTS AT A TIME WHEN THE STUDIO SUFFERED 278 00:11:02,029 --> 00:11:03,833 ITS WORST EVER \hFISCAL YEAR, 279 00:11:03,833 --> 00:11:06,264 \h\h\h\h\hAND WITHOUT ANY TENTPOLE FRANCHISE 280 00:11:06,264 --> 00:11:07,837 \h\h\h\h\hTO BOLSTER THE HEMORRHAGING LOSSES. 281 00:11:07,837 --> 00:11:09,003 \h\h\h\h\h\h\hLISTEN, THE YEAR AIN’T OVER, 282 00:11:09,003 --> 00:11:10,807 \h\h\h\h\hAND THIS IS A FRANCHISE PICTURE. 283 00:11:10,807 --> 00:11:11,973 RIGHT, BUT YOU ARE \hWAY OVER BUDGET. 284 00:11:11,973 --> 00:11:13,205 WHERE’D YOU HEAR THAT? 285 00:11:13,205 --> 00:11:14,844 \h\h\hARI, YOUR NECK IS ON THE LINE HERE, 286 00:11:14,844 --> 00:11:16,604 AND SO IS VINCENT CHASE’S -- YOU’VE GOT TO BE WORRIED. 287 00:11:16,604 --> 00:11:18,375 I DON’T WORRY. \h\hI JUST WIN. 288 00:11:18,375 --> 00:11:20,212 [ LAUGHS ] 289 00:11:20,212 --> 00:11:22,049 I THOUGHT THIS WAS GONNA BE \h\h\h\h\h\hA FLUFF PIECE, PIERS. 290 00:11:22,049 --> 00:11:23,545 NO. \h\h\h\h\h\h\h\h\h\hNO. OKAY, GREAT. 291 00:11:23,545 --> 00:11:25,855 WELL, WHY DON’T -- WHY DON’T \h\hWE TURN THOSE CAMERAS OFF. 292 00:11:25,855 --> 00:11:27,351 [ RINGTONE PLAYS ] \h\h\h\h\h\h\hIS IT HOT IN HERE? 293 00:11:27,351 --> 00:11:28,385 NO, I’M GOOD. 294 00:11:28,385 --> 00:11:30,024 I GOT ANG LEE FROM THE SET. 295 00:11:30,024 --> 00:11:31,487 NIN HAO, NI ZING. 296 00:11:31,487 --> 00:11:33,456 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHEY -- [ TV SHUTS OFF ] 297 00:11:33,456 --> 00:11:34,864 YOU OKAY? 298 00:11:34,864 --> 00:11:36,558 \h\h\h\h\h\h\h\h\h\h\h[ SIGHS ] I DON’T USUALLY WORRY, EITHER. 299 00:11:36,558 --> 00:11:38,560 WHAT ARE YOU WORRIED ABOUT? THE MOVIE’S GONNA BE GREAT. 300 00:11:38,560 --> 00:11:40,133 NO, I’M NOT WORRIED \h\h\h\h\h\h\h\h\h\hRIGHT NOW. 301 00:11:40,133 --> 00:11:41,530 \h\h\hI’M WORRIED ABOUT TELLING ARI 302 00:11:41,530 --> 00:11:43,136 THAT WE NEED MORE MONEY \hTO FINISH THE MOVIE. 303 00:11:43,136 --> 00:11:45,666 WELL, ISN’T IT THE PRODUCER’S JOB TO TELL ARI THAT? 304 00:11:45,666 --> 00:11:46,711 SERIOUSLY, E. 305 00:11:46,711 --> 00:11:47,910 I WILL CALL HIM \h\h\hTOMORROW. 306 00:11:47,910 --> 00:11:49,714 YOU SAID THAT YESTERDAY. \h\h\h\h\h\h\h\h\h\h\h\h\h\hI’LL CALL HIM. 307 00:11:49,714 --> 00:11:50,880 FINE. 308 00:11:50,880 --> 00:11:52,046 \h\h\h\h\h\hSO, SHOULD WE GO OUT TONIGHT? 309 00:11:52,046 --> 00:11:53,212 \h\h\h\h\h\h\hDEFINITELY. OH, YEAH. 310 00:11:53,212 --> 00:11:54,675 \h\h\hI’M HAVING A GREAT HAIR DAY. 311 00:11:54,675 --> 00:11:55,852 NAH, I CAN’T. I HAVE PLANS. 312 00:11:55,852 --> 00:11:57,414 WITH WHO? \h\h\h\h\h\h\h\h\h\h\h\hYOU DON’T KNOW HER. 313 00:11:57,414 --> 00:11:59,724 DOES YOUR SOON-TO-BE BABY MAMA KNOW HER? [ Chuckling ] YEAH. 314 00:11:59,724 --> 00:12:02,221 DRAMA, SLOAN AND I HAVEN’T BEEN \h\hTOGETHER FOR LIKE SIX MONTHS. 315 00:12:02,221 --> 00:12:03,926 \h\h\h\hYEAH, BUT YOU HAVEN’T BEEN WITH ANYONE ELSE EITHER. 316 00:12:03,926 --> 00:12:05,026 \h\h\hOH, PLEASE, LIKE YOU’D KNOW. 317 00:12:05,026 --> 00:12:06,588 \h\h\hCOME ON. WHO’S THE GIRL? 318 00:12:06,588 --> 00:12:07,996 HER NAME’S MELANIE, \h\h\h\hALL RIGHT? 319 00:12:07,996 --> 00:12:09,228 I’VE BEEN SEEING HER \h\h\h\hA FEW WEEKS. 320 00:12:09,228 --> 00:12:11,065 A FEW WEEKS? \h\h\h\hJESUS CHRIST. 321 00:12:11,065 --> 00:12:13,100 \hTHIS GUY SNUCK INTO ANOTHER RELATIONSHIP. 322 00:12:13,100 --> 00:12:14,739 IT’S NOT A RELATIONSHIP. \h\h\h\hI’M JUST HAVING FUN. 323 00:12:14,739 --> 00:12:16,070 FUN IS WHEN YOU FORGET \h\h\h\h\hA GIRL’S NAME 324 00:12:16,070 --> 00:12:17,401 \h\h\h\h\h\h\hWHILE YOU’RE FUCKIN’ HER. 325 00:12:17,401 --> 00:12:19,238 Turtle: NO WONDER WHY HE HAS NO TIME FOR BUSINESS. 326 00:12:19,238 --> 00:12:21,746 \h\h\h\h\h\h\h\h\h\hJESUS. GUYS, YOU KNOW, WE’RE ALMOST 35. HE’S ALMOST 60. 327 00:12:21,746 --> 00:12:23,539 \h\h\hI DON’T HAVE TO ANSWER TO THIS SHIT. 328 00:12:23,539 --> 00:12:25,046 FINE. DON’T. 329 00:12:25,046 --> 00:12:26,542 \h\h\h\h\h\h\hYEAH, SHE MUST BE A PIG. 330 00:12:26,542 --> 00:12:28,280 DEFINITELY. 331 00:12:28,280 --> 00:12:31,184 [ SHOCKING BLUE’S "LOVE BUZZ" \h\h\h\h\h\h\h\h\h\h\hPLAYS ] 332 00:12:31,184 --> 00:12:34,088 ♪ WOULD YOU BELIEVE ME \h\h\hWHEN I TELL YOU ♪ 333 00:12:34,088 --> 00:12:35,353 \h\h\hMelanie: YOU’RE AMAZING. 334 00:12:35,353 --> 00:12:36,761 \h\h\h\h\hEric: WELL, YOU’RE DOING ALL THE WORK. 335 00:12:36,761 --> 00:12:38,389 YOU’RE DOING PLENTY. 336 00:12:38,389 --> 00:12:40,798 [ TELEPHONE RINGS ] 337 00:12:40,798 --> 00:12:42,459 OH, MY GOD. 338 00:12:42,459 --> 00:12:43,592 THIS COULD BE IT. 339 00:12:43,592 --> 00:12:44,725 I’M SORRY. \h\h\h\h\h\h\h\h\h\h\h\h\hIT’S OKAY. 340 00:12:44,725 --> 00:12:46,463 I GOT TO TAKE THIS. 341 00:12:48,905 --> 00:12:50,104 HELLO? 342 00:12:50,104 --> 00:12:51,908 \h\h\h\hPLEASE TELL ME YOU’RE NOT STILL SLEEPING. 343 00:12:51,908 --> 00:12:53,107 \hI’VE ALREADY RUN FIVE MILES 344 00:12:53,107 --> 00:12:55,142 \h\h\h\h\hAND FUCKED LIKE AN ADULT-FILM STAR. 345 00:12:55,142 --> 00:12:56,308 I’M ABOUT TO HAVE A BABY, \h\h\h\h\h\h\h\h\h\h\hASSHOLE. 346 00:12:56,308 --> 00:12:57,947 \h\h\hI THOUGHT YOU WERE SLOAN. 347 00:12:57,947 --> 00:12:59,883 SPEAKING OF WHICH, YOU WERE IN MY DREAM LAST NIGHT. 348 00:12:59,883 --> 00:13:01,313 \h\h\h\h\h\h\hYEAH, WELL, I HOPE I WASN’T NAKED. 349 00:13:01,313 --> 00:13:03,447 Nope, your baby mama gave birth to Pete Dinklage. 350 00:13:03,447 --> 00:13:05,614 You’re not related to him, \h\h\h\h\h\hare you? WHO IS THAT? 351 00:13:05,614 --> 00:13:06,791 YOU GOT A GIRL THERE, \h\h\h\h\h\h\h\h\hE? 352 00:13:06,791 --> 00:13:07,957 What do you want, \h\h\h\h\h\hAri? 353 00:13:07,957 --> 00:13:09,222 BIG TITTIES? \hTIGHT ASS? 354 00:13:09,222 --> 00:13:11,059 \h\h\h\hGIVE ME SOMETHING I CAN USE IN THE OFFICE. 355 00:13:11,059 --> 00:13:12,896 \h\hI CAN HEAR YOU. YOU’RE DISGUSTING. 356 00:13:12,896 --> 00:13:13,963 AND I HAVE BOTH. 357 00:13:13,963 --> 00:13:15,459 How do you do it, E? 358 00:13:15,459 --> 00:13:17,967 \h\h\h\h\h\h\h\hI KNOW IT’S NOT YOUR LOOKS OR YOUR PERSONALITY. 359 00:13:17,967 --> 00:13:19,661 \h\h\h\h\h\h\h\h\h\h\h\h\h\hARI. Just one pic. 360 00:13:19,661 --> 00:13:22,301 COME ON. MY WIFE DIDN’T REALLY FUCK ME THIS MORNING. 361 00:13:22,301 --> 00:13:23,973 She gets headaches. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hARI! 362 00:13:23,973 --> 00:13:25,436 \h\h\h\h\h\h\h\h\h\h\h\hHEY, THIERRY. HEY. 363 00:13:25,436 --> 00:13:26,811 YOU GONNA COACH MY SON’S TEAM? 364 00:13:26,811 --> 00:13:27,911 I DON’T HAVE TIME \hFOR THAT SHIT. 365 00:13:27,911 --> 00:13:29,275 I LOVE THE HONESTY. 366 00:13:29,275 --> 00:13:32,278 \h\h\h\h\hE, WHEN AM I GONNA SEE THIS MOVIE? 367 00:13:32,278 --> 00:13:34,148 YOU KNOW, I WAS GONNA CALL YOU TODAY TO TALK ABOUT THAT. 368 00:13:34,148 --> 00:13:35,182 I don’t want to talk. 369 00:13:35,182 --> 00:13:36,821 I WANT TO WATCH A FILM. 370 00:13:36,821 --> 00:13:37,822 WELL, IT’S NOT READY. 371 00:13:37,822 --> 00:13:39,153 WHEN WILL IT BE READY? 372 00:13:39,153 --> 00:13:41,023 ’CAUSE IMPORTANT PEOPLE ARE STARTING TO WONDER. 373 00:13:41,023 --> 00:13:42,420 IMPORTANT PEOPLE \h\h\hMEANING ME. 374 00:13:42,420 --> 00:13:44,158 \hDID I TELL YOU THE JEWISH JOURNAL 375 00:13:44,158 --> 00:13:46,523 JUST NAMED ME "BEST-LOOKING CIRCUMCISED STUDIO HEAD"? 376 00:13:46,523 --> 00:13:49,163 \hYEAH, WELL, VINCE STILL HASN’T FINISHED HIS CUT. 377 00:13:49,163 --> 00:13:50,791 YOU’VE BEEN SAYING THAT \h\h\h\h\h\h\hFOR A MONTH. 378 00:13:50,791 --> 00:13:52,331 HOLD ON A SECOND. 379 00:13:52,331 --> 00:13:54,036 DO YOU HAVE TIME FOR LUNCH TODAY? 380 00:13:54,036 --> 00:13:56,665 \h\h\hNO, I-I CAN’T. I GOT THE -- I GOT THE DOCTOR. 381 00:13:56,665 --> 00:13:58,634 OH, THAT’S RIGHT. \h\h\hWITH SLOAN. 382 00:13:58,634 --> 00:13:59,668 \h\h\h\h\h\h\h\hLOOK, I KNOW THIS IS WEIRD -- 383 00:13:59,668 --> 00:14:00,878 Eric! 384 00:14:00,878 --> 00:14:02,374 YEAH, UH, LISTEN -- 385 00:14:02,374 --> 00:14:04,640 How about if, uh, Vince and I come in and see you today? 386 00:14:04,640 --> 00:14:05,883 SEE ME? WHY? 387 00:14:05,883 --> 00:14:07,379 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSomething wrong? NO, IT’S ALL GOOD. 388 00:14:07,379 --> 00:14:09,216 WE’RE JUST GONNA COME BY THE OFFICE THIS MORNING. YOU FREE? 389 00:14:09,216 --> 00:14:11,020 \h\hFOR WHAT? WHAT’S WRONG? 390 00:14:11,020 --> 00:14:12,681 UH, WE NEED MORE MONEY. BYE. 391 00:14:13,858 --> 00:14:16,190 \h\h\h\h\h\h\hDON’T HANG -- DID YOU HANG UP ON ME?! 392 00:14:16,190 --> 00:14:18,192 E, YOU FUCKIN’ \h\hDWARF CUNT! 393 00:14:18,192 --> 00:14:19,523 WHAT’S A DWARF CUNT, \h\h\h\h\h\h\h\hDAD? 394 00:14:19,523 --> 00:14:21,327 \h\h\hOH, I’M SORRY. IT’S NOTHING, BUDDY. 395 00:14:21,327 --> 00:14:22,867 IT’S A NEW MOVIE IDEA I HAD. 396 00:14:22,867 --> 00:14:24,363 DON’T USE THAT WORD \h\h\h\hAT SCHOOL. 397 00:14:24,363 --> 00:14:26,200 \h\h\hYOU WERE JUST ON A RUN. HOW COULD YOU BE SO ANGRY? 398 00:14:26,200 --> 00:14:28,972 WORK IS NOT SUPPOSED TO MAKE YOU THIS ANGRY ANYMORE, ARI. 399 00:14:28,972 --> 00:14:29,973 YEAH, DAD. 400 00:14:29,973 --> 00:14:30,974 I KNOW. I KNOW. 401 00:14:30,974 --> 00:14:32,074 THAT WAS OUR AGREEMENT. 402 00:14:32,074 --> 00:14:33,504 YES. I KNOW. 403 00:14:33,504 --> 00:14:35,308 DO WE NEED TO MAKE A THERAPY \h\h\h\hSESSION WITH DR. MARCUS? 404 00:14:35,308 --> 00:14:36,243 NO. 405 00:14:36,243 --> 00:14:38,311 \h\h\h\h\h\hI THINK THAT WOULD BE BEST. 406 00:14:38,311 --> 00:14:39,609 MAYBE. 407 00:14:40,984 --> 00:14:43,151 \h\hTurtle: COME ON. WHY ARE YOU SO SCARED TO SHOW ARI THE MOVIE? 408 00:14:43,151 --> 00:14:44,680 \h\h\h\hVince: I’M NOT SCARED. 409 00:14:44,680 --> 00:14:46,385 Drama: YOU SHOULD AT LEAST \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSCENES. 410 00:14:46,385 --> 00:14:47,419 IT’S JUST NOT \hREADY YET, 411 00:14:47,419 --> 00:14:48,926 \h\h\h\hWHICH IS WHY I NEED E TO TELL HIM 412 00:14:48,926 --> 00:14:50,851 THAT HE CAN’T SEE IT TILL AFTER THE SCREENING. 413 00:14:50,851 --> 00:14:52,226 \h\hYOU REALLY WON’T TELL HIM? 414 00:14:52,226 --> 00:14:53,557 \h\h\hI TOLD HIM ABOUT THE MONEY. 415 00:14:53,557 --> 00:14:54,998 THE ONLY THING HE’S GONNA DO \h\h\h\h\h\hIS SCREAM AT ME. 416 00:14:54,998 --> 00:14:56,329 \h\h\hOH, FINE. I’LL TELL HIM. 417 00:14:56,329 --> 00:14:57,165 PUSSY. 418 00:14:57,165 --> 00:14:58,595 \h\h\h\h\h\h\h\hUH, SPEAKING OF WHICH, 419 00:14:58,595 --> 00:15:00,597 WAIT TILL YOU SEE THE GIRLS I GOT LINED UP FOR TONIGHT. 420 00:15:00,597 --> 00:15:02,401 \h\h\h\h\h\h\h\h\h\hI TOLD YOU I WAS HANDLIN’ THE GIRLS. 421 00:15:02,401 --> 00:15:04,073 I KNOW, BUT I WOULD \h\h\hLIKE TO AVOID 422 00:15:04,073 --> 00:15:06,372 SOME OF THE NURSING-HOME REJECTS FROM THE LAST PARTY. 423 00:15:06,372 --> 00:15:08,242 I THOUGHT THE SCREENING \h\hWAS TO GET OPINIONS 424 00:15:08,242 --> 00:15:10,211 \h\hON THE MOVIE, NOT TO GET LAID. 425 00:15:10,211 --> 00:15:12,180 EVERYTHING WE DO \h\h\h\h\h\h\h\h\hGET LAID, E. 426 00:15:12,180 --> 00:15:13,379 YOU KNOW THAT. 427 00:15:13,379 --> 00:15:14,578 FUCK ME. 428 00:15:14,578 --> 00:15:15,920 EMILY RATAJKOWSKI. 429 00:15:15,920 --> 00:15:17,053 I LOVE HER. 430 00:15:17,053 --> 00:15:18,450 \hI KNOW HER. WHY WOULDN’T YOU? 431 00:15:18,450 --> 00:15:19,253 Emily: HEY, VINCE. 432 00:15:19,253 --> 00:15:20,386 \hHEY, EMILY. HOW ARE YOU? 433 00:15:20,386 --> 00:15:21,717 IT’S SO FUNNY \h\hTO SEE YOU. 434 00:15:21,717 --> 00:15:23,257 I JUST GOT AN INVITATION \h\h\h\h\hFOR YOUR SCREENING. 435 00:15:23,257 --> 00:15:24,258 REALLY? \h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. 436 00:15:24,258 --> 00:15:25,787 ONE OF MINE, OBVIOUSLY. 437 00:15:25,787 --> 00:15:27,723 WHOSEVER. THIS IS GONNA BE A GREAT FUCKING SCREENING. 438 00:15:27,723 --> 00:15:28,999 MM-HMM. 439 00:15:30,264 --> 00:15:32,266 VINCE. 440 00:15:33,267 --> 00:15:35,104 UH, HEY, UH, EMILY, 441 00:15:35,104 --> 00:15:36,798 \h\hI-I GOT TO RUN INTO THIS MEETING. 442 00:15:36,798 --> 00:15:37,799 I-I’LL CALL YOU LATER? 443 00:15:37,799 --> 00:15:39,636 YEAH. CALL ME. 444 00:15:39,636 --> 00:15:45,642 ♪ ...SMOOTH SAILING FROM HERE ON OUT ♪ 445 00:15:47,776 --> 00:15:49,316 YOU’RE UPSET. 446 00:15:49,316 --> 00:15:50,152 "UPSET"? 447 00:15:50,152 --> 00:15:51,747 HE MEANS ANGRY. 448 00:15:51,747 --> 00:15:53,056 THIS IS THE THIRD TIME 449 00:15:53,056 --> 00:15:54,486 THAT YOU’VE COME TO ME \h\h\h\hFOR MORE MONEY. 450 00:15:54,486 --> 00:15:56,620 ARI, LISTEN -- \h\hI WAS TALKING \hTO VINCE, ERIC! 451 00:15:56,620 --> 00:15:58,226 SEE, I KNOW THEY DIDN’T TEACH YOU ABOUT BUDGETS 452 00:15:58,226 --> 00:16:00,261 IN SPAGHETTI-AND-MEATBALLS \h\h\h\h\h\h\h\h\h\hCLASS. 453 00:16:00,261 --> 00:16:01,922 VINNIE HAS BEEN ON SETS \h\h\h\h\h\h\h\hBEFORE, 454 00:16:01,922 --> 00:16:03,132 SO I EXPECTED MORE \h\h\h\h\hFROM HIM. 455 00:16:03,132 --> 00:16:04,496 \h\h\h\h\h\h\h\h\hI TOLD YOU HE WAS GONNA YELL AT ME. 456 00:16:04,496 --> 00:16:06,069 YEAH, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hME. 457 00:16:06,069 --> 00:16:07,565 \h\h\h\h\h\h\h\hWHAT’D YOU SPEND THE MONEY ON, ANYWAY? 458 00:16:07,565 --> 00:16:09,974 \h\hI MEAN, I KNOW IT WASN’T ON TURTLE AND CRAFT SERVICES. 459 00:16:09,974 --> 00:16:11,305 \hYOU LIKE THE NEW SVELTE FRAME, HUH? 460 00:16:11,305 --> 00:16:13,241 \h\h\h\h\h\hYOU LOOK LIKE KAREN FUCKIN’ CARPENTER. 461 00:16:13,241 --> 00:16:15,177 \h\h\h\h\h\h\h\h\h\h[ LAUGHS ] WHAT DID I TELL YOU 462 00:16:15,177 --> 00:16:16,574 WHEN I GAVE YOU \h$100 MILLION? 463 00:16:16,574 --> 00:16:17,509 YOU? 464 00:16:17,509 --> 00:16:19,478 \h\hYOU AGREED TO NOT GO OVER. 465 00:16:19,478 --> 00:16:20,842 WE TOLD YOU IT WASN’T ENOUGH. 466 00:16:20,842 --> 00:16:22,811 BUT YOU AGREED TO NOT GO OVER. 467 00:16:22,811 --> 00:16:25,484 BECAUSE YOU SAID I COULDN’T DIRECT UNLESS WE AGREED. 468 00:16:25,484 --> 00:16:28,322 \h\h\hIT’S LIKE WHEN A GIRL ASKS IF YOU WANT TO BANG HER HOT SISTER. 469 00:16:28,322 --> 00:16:29,818 \hOF COURSE YOU SAY NO. 470 00:16:29,818 --> 00:16:32,854 NEITHER OF YOU REALLY BELIEVES \h\h\h\h\h\h\h\h\h\hYOU MEAN IT, THOUGH. 471 00:16:32,854 --> 00:16:33,855 WHAT IS HE DOING HERE? 472 00:16:33,855 --> 00:16:35,296 THIS IS BAD. 473 00:16:35,296 --> 00:16:36,627 WHEN YOU SEE THE MOVIE, \h\h\h\hYOU WON’T THINK SO. 474 00:16:36,627 --> 00:16:37,496 SEEN IT? 475 00:16:37,496 --> 00:16:38,827 \h\h\h\h\h\h\hHE’S SEEN A COUPLE OF SCENES. 476 00:16:38,827 --> 00:16:39,960 THEY ARE POWERFUL. 477 00:16:39,960 --> 00:16:41,830 \h\h\h\h\h\h\h\hYEAH, A FEW IN PARTICULAR. 478 00:16:41,830 --> 00:16:43,271 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI \h\h\h\h\h\h\h\h\h\h\h\h\h\hGONNA SEE IT? \h\h\h\h\h\h\h\h\hEric: WELL, WE’RE GONNA HAVE 479 00:16:43,271 --> 00:16:44,866 A FRIENDS-AND-FAMILY \hSCREENING TONIGHT. 480 00:16:44,866 --> 00:16:46,769 \hWE’RE GONNA GET SOME FEEDBACK, AND THEN WE’LL SHOW YOU THE CUT. 481 00:16:46,769 --> 00:16:49,343 \h\h\h\hYOU’RE GONNA LET EVERYONE SEE THE FUCKIN’ MOVIE BUT ME. 482 00:16:49,343 --> 00:16:51,114 \h\h\h\h\h\h\h\hARI, YOU ARE ALL THAT MATTERS. 483 00:16:51,114 --> 00:16:53,050 I WANT IT TO BE PERFECT WHEN I SHOW IT TO YOU. 484 00:16:53,050 --> 00:16:54,678 \h\h\hI CAN’T JUST WRITE YOU A CHECK. 485 00:16:54,678 --> 00:16:57,681 \h\h\h\h\h\h\h\h\h\hI GOT TO DEAL WITH THESE CO-FINANCIERS IN TEXAS. 486 00:16:57,681 --> 00:17:01,817 \h\h\h\hDO YOU KNOW HOW HARD I HAVE WORKED TO AVOID GOING TO TEXAS? 487 00:17:01,817 --> 00:17:03,720 DO YOU KNOW WHAT THEY DO \h\h\h\h\h\hTO JEWS IN TEXAS? 488 00:17:03,720 --> 00:17:05,722 \hLOOK, ARI, I DIDN’T TAKE AN ACTING FEE ON THIS, 489 00:17:05,722 --> 00:17:07,691 WHICH YOU KNOW IS MORE THAN THE $10 MILLION OVER BUDGET WE ARE. 490 00:17:07,691 --> 00:17:08,890 YOU’RE 15 OVER. 491 00:17:08,890 --> 00:17:10,694 REALLY? 492 00:17:10,694 --> 00:17:14,665 OKAY, WELL, I DIDN’T TAKE THE FEE BECAUSE I WANTED TO DIRECT. 493 00:17:14,665 --> 00:17:17,503 NOW, WE’VE KNOWN EACH OTHER FOR 15 YEARS, SO YOU GOT TO TRUST ME. 494 00:17:17,503 --> 00:17:19,307 \h\hI DIDN’T WASTE ONE SINGLE NICKEL. 495 00:17:19,307 --> 00:17:20,869 I’VE BEEN KILLING MYSELF TO MAKE THIS MOVIE GREAT, 496 00:17:20,869 --> 00:17:23,410 AND I’M NOT GONNA STOP WORKING UNTIL IT IS PERFECT. 497 00:17:23,410 --> 00:17:25,841 \hI NEED THE MONEY TO MAKE IT PERFECT. 498 00:17:25,841 --> 00:17:28,613 \h\h\h\h\h\h\h\hSO... CAN YOU GET IT FOR ME? 499 00:17:31,055 --> 00:17:34,916 [ BABY CRYING, MOTHER SHUSHING ] 500 00:17:34,916 --> 00:17:36,093 HEY. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHEY. 501 00:17:36,093 --> 00:17:37,193 SORRY I’M LATE. 502 00:17:37,193 --> 00:17:38,260 NO, YOU’RE NOT LATE. 503 00:17:38,260 --> 00:17:39,987 YOU’RE ON TIME, \h\hAS ALWAYS. 504 00:17:39,987 --> 00:17:41,021 HOW YOU FEELIN’? 505 00:17:41,021 --> 00:17:42,198 [ EXHALES SHARPLY ] \h\h\h\h\h\h\hBIG. 506 00:17:42,198 --> 00:17:43,826 \h\h\h\h\hWELL, YOU LOOK GREAT. 507 00:17:43,826 --> 00:17:45,069 THANKS. 508 00:17:45,069 --> 00:17:46,730 DID YOU GET MY E-MAIL ABOUT MY COUSIN SEAN? 509 00:17:46,730 --> 00:17:48,501 HE HAD HIS BABY. NO, WHAT DID HE HAVE? 510 00:17:48,501 --> 00:17:50,701 A GIRL. LAURIE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH. 511 00:17:50,701 --> 00:17:52,241 I SENT YOU A PICTURE. 512 00:17:52,241 --> 00:17:55,079 \hI THINK YOUR E-MAILS ARE GOING TO MY SPAM. 513 00:17:55,079 --> 00:17:56,773 IT’S NOT INTENTIONAL. 514 00:17:56,773 --> 00:17:59,182 \h\h\h\hLOOK. THERE SHE IS. 515 00:17:59,182 --> 00:18:01,217 OH, MY GOD. 516 00:18:01,217 --> 00:18:02,911 SHE’S BEAUTIFUL! 517 00:18:02,911 --> 00:18:05,221 LOOK AT THOSE EYES. 518 00:18:05,221 --> 00:18:06,519 [ CELLPHONE CHIMES ] 519 00:18:06,519 --> 00:18:09,456 SOMEONE NAMED MELANIE \h\h\hWANTS YOUR COCK. 520 00:18:09,456 --> 00:18:10,556 HUH? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMM. 521 00:18:10,556 --> 00:18:12,129 YEAH, IT JUST CAME UP \h\h\h\hON THE SCREEN. 522 00:18:12,129 --> 00:18:15,627 "I WANT YOUR COCK." \h\h\hFROM MELANIE. 523 00:18:15,627 --> 00:18:16,628 [ SIGHS ] 524 00:18:16,628 --> 00:18:17,761 WOW, THAT’S, UH... 525 00:18:17,761 --> 00:18:18,762 CLASSY. 526 00:18:18,762 --> 00:18:20,104 [ SCOFFS ] SORRY. 527 00:18:20,104 --> 00:18:21,600 IT’S NOT MY BUSINESS. 528 00:18:21,600 --> 00:18:23,437 Nurse: SLOAN? \h\h\h\h\h\h\hOH. COMING. 529 00:18:23,437 --> 00:18:24,768 \h\h\h\h\h\h\hOKAY, LET ME HELP YOU UP. 530 00:18:24,768 --> 00:18:26,374 I WILL, UH, BE RIGHT HERE WHEN YOU GET OUT. 531 00:18:26,374 --> 00:18:27,474 \h\h\h\h\h\h\h\hOKAY. AND I’LL BE IN THERE. 532 00:18:27,474 --> 00:18:29,278 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOKAY. THIS IS SOME BULLSHIT. 533 00:18:29,278 --> 00:18:31,038 \h\h\h\h\hHEY, TIP. HOW YOU DOIN’, MAN? 534 00:18:31,038 --> 00:18:33,447 MAN, I’M DOING JUST FINE \h\h\h\hIF I’M GONNA HAVE \hMORE KIDS THAN ALBUMS. 535 00:18:33,447 --> 00:18:34,811 I’M DOIN’ JUST DAMN FINE. 536 00:18:34,811 --> 00:18:36,714 \h\h\h\h\h\h\h\h[ CELLPHONE RINGS ] \h\h\h\hYOU NEED TO SHUT THE FUCK UP. 537 00:18:36,714 --> 00:18:38,287 DON’T TELL ME TO SHUT THE FUCK \hUP. YOU SHUT YOUR OVARIES UP. 538 00:18:38,287 --> 00:18:39,552 OH, \h\h\h\hFAULT. 539 00:18:39,552 --> 00:18:40,982 I’M GONNA TAKE THIS. \hI’LL BE RIGHT BACK. 540 00:18:40,982 --> 00:18:43,754 \hYEAH, MAN. CALL SOMEBODY WHO CAN KICK ME IN MY NUTS. 541 00:18:43,754 --> 00:18:44,953 I NEED A VASECTOMY. 542 00:18:44,953 --> 00:18:46,130 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHEY. MELANIE: Hey. 543 00:18:46,130 --> 00:18:47,494 Bad time? 544 00:18:47,494 --> 00:18:48,990 NO, BUT YOU CAN’T TEXT ME \h\h\h\h\h\h\h\hSHIT LIKE THAT. 545 00:18:48,990 --> 00:18:50,299 SHIT LIKE WHAT? 546 00:18:50,299 --> 00:18:52,301 YOU BEG ME TO TEXT YOU SEXY STUFF ALL DAY. 547 00:18:52,301 --> 00:18:54,303 \h\h\h\h\h\hI KNOW, BUT SLOAN WAS LOOKIN’ AT MY PHONE. 548 00:18:54,303 --> 00:18:57,097 OH. I DIDN’T REALIZE YOU WERE AT THE DOCTOR’S ALREADY. 549 00:18:57,097 --> 00:18:58,934 AND WHY’S SHE LOOKING AT YOUR PHONE? AH, YOU KNOW. 550 00:18:58,934 --> 00:19:01,310 \h\hI WAS SHOWIN’ HER A PICTURE \h\h\h\h\h\h\h\h\hOF MY COUSIN’S BABY. Great. 551 00:19:01,310 --> 00:19:02,839 \h\h\hYEAH, SHE MUST REALLY THINK I’M A WHORE. 552 00:19:02,839 --> 00:19:04,313 No, she doesn’t. 553 00:19:04,313 --> 00:19:06,843 GOD, I ONLY SENT THAT BECAUSE I WAS FEELING INSECURE. 554 00:19:06,843 --> 00:19:09,285 \hI didn’t think she or anyone else was gonna see it. 555 00:19:09,285 --> 00:19:10,451 I KNOW, I’M SORRY. 556 00:19:10,451 --> 00:19:12,651 THIS IS REALLY WEIRD, ERIC. 557 00:19:12,651 --> 00:19:14,818 \h\hYOU WERE RIGHT. THIS IS TOO WEIRD. 558 00:19:14,818 --> 00:19:16,490 \hCOULD WE TALK ABOUT THIS AT THE SCREENING TONIGHT? 559 00:19:16,490 --> 00:19:19,361 No, Eric. I-I really don’t want to get in any deeper. 560 00:19:19,361 --> 00:19:21,264 \h\h\h\h\h\hI THINK YOU’RE A GREAT GUY. 561 00:19:21,264 --> 00:19:22,529 I REALLY DO. 562 00:19:22,529 --> 00:19:24,663 AND I PROMISE I’M NOT MAD. 563 00:19:24,663 --> 00:19:27,094 JUST RESPECT ME, \h\h\h\h\hPLEASE. 564 00:19:27,094 --> 00:19:28,700 DON’T CALL. 565 00:19:32,836 --> 00:19:34,508 LOOK, ALL WE’RE SAYING IS \h\h\h\h\h\h\h\h\hWE DON’T GET 566 00:19:34,508 --> 00:19:36,873 WHY YOU HAVE TO FALL IN LOVE \h\h\hWITH EVERY GIRL YOU FUCK. 567 00:19:36,873 --> 00:19:38,611 \h\h\h\hSAYING IS THAT, UNLIKE YOU, 568 00:19:38,611 --> 00:19:39,942 \h\h\hI LIKE TO HAVE MORE OF A CONNECTION 569 00:19:39,942 --> 00:19:41,614 \hTHAN WHETHER OR NOT I HAVE EXACT CHANGE. 570 00:19:41,614 --> 00:19:44,518 PFFT. PLEASE. I HAVEN’T PAID \h\h\h\h\h\h\h\h\hFOR PUSSY IN YEARS. 571 00:19:45,189 --> 00:19:46,685 AT LEAST A YEAR. 572 00:19:46,685 --> 00:19:48,885 THE POINT IS THE GIRL SAID NOT TO CALL HER ANYMORE. 573 00:19:48,885 --> 00:19:50,986 SO RESPECT THAT \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYOU. 574 00:19:50,986 --> 00:19:52,196 \h\h\h\h\h\h\h\h\hYEAH, BUT HOPE SHE DOESN’T. 575 00:19:52,196 --> 00:19:53,527 YOU GOT ENOUGH COMPLICATIONS \h\h\h\h\h\h\h\h\h\h\h\h\hRIGHT NOW. 576 00:19:53,527 --> 00:19:54,825 \h\h\h\h\h\h\hRIGHT. HOW’S SLOAN, ANYWAY? 577 00:19:54,825 --> 00:19:57,234 \h\h\h\h\hDOCTOR SAYS SHE’S GONNA POP ANY SECOND. 578 00:19:57,234 --> 00:20:00,204 \h\h\h\hONE VAGINA CLOSES JUST AS ANOTHER OPENS. 579 00:20:00,204 --> 00:20:01,568 YOU’RE DISGUSTING. 580 00:20:01,568 --> 00:20:03,702 YEAH, AND YOU’RE A MOPE, E, \h\h\h\h\h\h\hWHICH WE CAN’T HAVE. 581 00:20:03,702 --> 00:20:05,308 \h\h\hSERIOUSLY, THIS IS A BIG NIGHT FOR VINCE, 582 00:20:05,308 --> 00:20:06,573 SO TRY NOT TO RUIN IT. 583 00:20:06,573 --> 00:20:08,674 DON’T WORRY. HIS MOPING HAS NEVER AFFECTED ME. 584 00:20:08,674 --> 00:20:10,907 I’M NOT MOPING. NO, YOU’RE MOPING, E. 585 00:20:10,907 --> 00:20:13,415 \h\h\h\hAND YOU NEED TO GET ON TOP OF SOMETHIN’ FAST SO YOU STOP. 586 00:20:13,415 --> 00:20:15,010 I HAD SEX LESS THAN SIX HOURS \h\h\h\h\h\h\h\h\hAGO, DRAMA. 587 00:20:15,010 --> 00:20:16,220 I THINK I’LL BE OKAY. 588 00:20:16,220 --> 00:20:17,749 YOU’RE FUCKIN’ SOMETHIN’ \h\h\h\h\h\h\h\h\h\hTONIGHT. 589 00:20:17,749 --> 00:20:20,323 \h\h\h\hFOR BABY BRO, IF NOT FOR YOURSELF. 590 00:20:20,323 --> 00:20:21,588 HOLY SHIT! 591 00:20:21,588 --> 00:20:22,589 WHAT? 592 00:20:22,589 --> 00:20:24,052 RONDA ROUSEY, THE FIGHTER. 593 00:20:24,052 --> 00:20:26,725 \h\h\h\h\hSO WHAT? SO I LOVE HER! GET IN THE CAR! 594 00:20:27,396 --> 00:20:29,596 GET IN THE CAR! 595 00:20:30,498 --> 00:20:32,896 [ ENGINE REVS ] 596 00:20:32,896 --> 00:20:34,766 [ ENGINE REVS ] 597 00:20:34,766 --> 00:20:35,734 [ HORN BLARES ] 598 00:20:35,734 --> 00:20:37,274 JESUS, TURTLE! \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSORRY! 599 00:20:37,274 --> 00:20:38,770 DO YOU EVEN KNOW HER? 600 00:20:38,770 --> 00:20:40,838 \h\hYES. WE MET AT COACHELLA A FEW YEARS AGO, REMEMBER? 601 00:20:40,838 --> 00:20:42,741 Vince: OH, YEAH. THINK WE HAD A CONNECTION. 602 00:20:42,741 --> 00:20:45,282 PLEASE. HE’S GOT A BETTER CHANCE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hME. ME. 603 00:20:45,282 --> 00:20:46,778 SHOULD I ABANDON THIS? 604 00:20:46,778 --> 00:20:48,846 \hDO YOU REALLY THINK YOU HAD A CONNECTION? 605 00:20:48,846 --> 00:20:50,254 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. THEN GO. 606 00:20:50,254 --> 00:20:51,948 YOU’RE GOOD PEOPLES, VIN. 607 00:20:51,948 --> 00:20:54,984 [ ROCK MUSIC PLAYS ] 608 00:21:08,272 --> 00:21:10,868 [ ENGINE SHUTS OFF ] 609 00:21:10,868 --> 00:21:13,739 YO, STOP FOLLOWING ME, MOTHERFUCKER! 610 00:21:13,739 --> 00:21:15,873 \h\h\h\h\h\h\h\hNO! NO! \h\hWE KNOW EACH OTHER! Eric: GEEZ. 611 00:21:15,873 --> 00:21:17,974 I JUST WANTED TO INVITE YOU \h\h\h\h\hTO MY BOY’S SCREENING. 612 00:21:19,316 --> 00:21:20,812 OH. HEY, VINCE. 613 00:21:20,812 --> 00:21:21,648 HI. 614 00:21:21,648 --> 00:21:23,419 \h\h\h\h\h\h\h\h\hUH, SORRY ABOUT YOUR CAR. 615 00:21:23,419 --> 00:21:24,618 IT’S ALL GOOD. 616 00:21:24,618 --> 00:21:25,949 DO YOU REMEMBER ME? 617 00:21:25,949 --> 00:21:29,249 OH, YEAH, BUT DIDN’T YOU USED TO BE REALLY FAT? 618 00:21:29,249 --> 00:21:31,559 [ LAUGHTER ] 619 00:21:31,559 --> 00:21:34,859 [ JOHNNY CASH’S "GHOST RIDERS \h\h\h\h\hIN THE SKY" PLAYS ] 620 00:21:38,665 --> 00:21:43,604 ♪ AN OLD COWBOY WENT RIDIN’ OUT \h\h\hONE DARK AND WINDY DAY ♪ 621 00:21:43,604 --> 00:21:45,738 [ CELLPHONE RINGS ] 622 00:21:45,738 --> 00:21:49,445 \h♪ UPON A RIDGE, HE RESTED AS HE WENT ALONG HIS WAY ♪ 623 00:21:49,445 --> 00:21:52,580 LLOYD, HOW MANY TIMES HAVE I TOLD YOU I DON’T VIDEO CHAT WITH MEN? 624 00:21:52,580 --> 00:21:55,418 YOU KNOW HOW COMFORTING YOUR FACE IS TO ME, ARI. WHAT DO YOU NEED? 625 00:21:55,418 --> 00:21:58,322 Well, I was wondering if I would be seeing you at Vince’s screening. 626 00:21:58,322 --> 00:21:59,620 WERE INVITED? 627 00:21:59,620 --> 00:22:01,754 \h\hDrama wants me to see his scenes. 628 00:22:01,754 --> 00:22:02,689 You weren’t? 629 00:22:02,689 --> 00:22:04,493 \h\h\hI’M IN TEXAS. SMELL THE COW SHIT? 630 00:22:04,493 --> 00:22:05,494 [ COWS LOWING ] 631 00:22:05,494 --> 00:22:06,990 \h\h\h\h\h\hOh. That’s too bad. 632 00:22:06,990 --> 00:22:08,761 \h\hI actually wanted to see you face to face. 633 00:22:08,761 --> 00:22:10,334 FACE TO FACE, \hYOKO. 634 00:22:10,334 --> 00:22:11,929 IN THREE DIMENSIONS. 635 00:22:11,929 --> 00:22:12,798 WHY? 636 00:22:12,798 --> 00:22:14,635 \h\h\h\h\h\hEh-- No. It’s nothing. 637 00:22:14,635 --> 00:22:16,197 COULD WE HAVE LUNCH \h\h\h\hTHIS WEEK? 638 00:22:16,197 --> 00:22:18,375 \hI DON’T TYPICALLY HAVE LUNCH WITH MY EX-ASSISTANTS, LLOYD. 639 00:22:18,375 --> 00:22:19,838 NOT UNLESS I NEED SOMETHING \h\h\h\h\h\h\h\h\h\h\h\hFROM THEM, 640 00:22:19,838 --> 00:22:21,510 WHICH I CAN’T EVER IMAGINE \h\hBEING THE CASE WITH YOU, 641 00:22:21,510 --> 00:22:23,006 SO WHAT’S UP? 642 00:22:23,006 --> 00:22:25,041 I’m getting married! 643 00:22:25,041 --> 00:22:26,350 OH, GOD. 644 00:22:26,350 --> 00:22:28,352 And I want you to give me away. OH, GOD! 645 00:22:28,352 --> 00:22:29,947 \h\h\h\h\h\h\hPlease, don’t make a gay joke. 646 00:22:29,947 --> 00:22:32,048 \h\h\hI WASN’T GOING TO. I WAS GONNA MAKE A MARRIAGE JOKE. 647 00:22:32,048 --> 00:22:33,390 \h\h\h\h\h\h\h\h\hNOW THAT YOU’VE BEEN GRANTED THOSE RIGHTS, 648 00:22:33,390 --> 00:22:34,952 \h\h\h\hGOOD LUCK WITH THE DIVORCE. 649 00:22:34,952 --> 00:22:37,119 THAT’LL REALLY MAKE YOU WISH \hFOR A GOOD OLD ASS FUCKING. 650 00:22:37,119 --> 00:22:38,186 Ari. 651 00:22:38,186 --> 00:22:39,187 [ CHUCKLES ] 652 00:22:39,187 --> 00:22:42,289 [ DOG BARKING IN DISTANCE ] 653 00:22:42,289 --> 00:22:44,027 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI GOT TO GO. Wait! Ari! 654 00:22:44,027 --> 00:22:45,666 Will you give me away? 655 00:22:45,666 --> 00:22:47,327 \h\h\h\h\h\h\hBYE. [ CELLPHONE BEEPS ] 656 00:22:47,327 --> 00:22:49,406 [ CAR DOOR OPENS ] 657 00:22:49,406 --> 00:22:52,035 HEY, LARSEN. 658 00:22:52,035 --> 00:22:52,871 SAY, ARI. 659 00:22:52,871 --> 00:22:55,038 THIS IS MY SON, \h\h\h\hTRAVIS. 660 00:22:55,038 --> 00:22:57,546 HE’S GONNA SIT IN WITH US, IF YOU DON’T MIND. 661 00:22:58,712 --> 00:23:00,307 GOOD. 662 00:23:00,307 --> 00:23:03,211 [ HORSES WHINNY ] 663 00:23:03,211 --> 00:23:06,214 ARI, WE SURE DO APPRECIATE YOU \hCOMIN’ OUT HERE ALL THIS WAY. 664 00:23:06,214 --> 00:23:07,721 OH, OF COURSE. 665 00:23:07,721 --> 00:23:09,591 YOU’VE BEEN ON THE JOB \hNEARLY EIGHT MONTHS, 666 00:23:09,591 --> 00:23:11,252 \h\h\hAND YOU HADN’T PAID US A VISIT YET. 667 00:23:11,252 --> 00:23:13,155 \hWE’RE BEGINNIN’ TO FEEL UNLOVED. 668 00:23:13,155 --> 00:23:15,597 \h\h\h\h\h\h\h\h\h[ CHUCKLES ] WELL, I DIDN’T KNOW I WAS INVITED. 669 00:23:15,597 --> 00:23:18,699 OH, ANYBODY WHO SPENDS MY MONEY \h\h\h\h\h\h\h\h\hLIKE YOU DO, 670 00:23:18,699 --> 00:23:21,999 ALWAYS INVITED TO MY HOME \h\h\h\h\hTO TELL ME WHY. 671 00:23:23,407 --> 00:23:26,036 SAW YOU ON "PIERS MORGAN" \h\h\h\h\h\h\hLAST NIGHT. 672 00:23:26,036 --> 00:23:27,334 OH, YEAH? 673 00:23:27,334 --> 00:23:28,577 WHAT’D YOU THINK? 674 00:23:28,577 --> 00:23:30,040 \h\h\h\h\hI THOUGHT YOU LOOKED NERVOUS. 675 00:23:30,040 --> 00:23:31,239 [ CHUCKLES ] 676 00:23:31,239 --> 00:23:32,911 WELL, I WASN’T. 677 00:23:32,911 --> 00:23:35,716 TRAVIS, HERE, HE’S GOT A REAL GOOD EYE FOR THINGS LIKE THAT, 678 00:23:35,716 --> 00:23:38,686 AND H-HE SAID YOU LOOKED LIKE ONE OF THEM GUYS THAT, UH -- 679 00:23:38,686 --> 00:23:40,248 \h\h\h\hW-WHAT WAS IT YOU SAID AGAIN, TRAVIS? 680 00:23:40,248 --> 00:23:42,525 \h\hU-UH, LIKE -- LIKE ONE OF THOSE GUYS FROM BIG TOBACCO 681 00:23:42,525 --> 00:23:44,252 WHEN THEY WERE UP THERE \h\h\h\hLYIN’ TO CONGRESS. 682 00:23:44,252 --> 00:23:46,595 AH. [ LAUGHS ] \h\h\h\hWELL... 683 00:23:46,595 --> 00:23:48,124 \h\h\h\h\hWELL, MY WIFE THOUGHT I LOOKED SEXY. 684 00:23:48,124 --> 00:23:50,797 ARI, AM I GONNA LOSE A SHIT TON OF MONEY ON THIS MOVIE? 685 00:23:50,797 --> 00:23:52,634 NO. YOUR MONEY’S \hIN GREAT HANDS. 686 00:23:52,634 --> 00:23:54,262 \h\hBUT YOU STILL WANT MORE OF IT. 687 00:23:54,262 --> 00:23:56,638 \hJUST A LITTLE BIT FOR SOME VISUAL EFFECTS THAT IT NEEDS. 688 00:23:56,638 --> 00:23:58,134 \h\h\h\hI DON’T CARE ABOUT VISUAL EFFECTS. 689 00:23:58,134 --> 00:24:00,367 \h\h\h\h\hWELL, IF YOU WANT TO PROTECT YOUR INVESTMENT, 690 00:24:00,367 --> 00:24:01,544 YOU NEED TO CARE. 691 00:24:01,544 --> 00:24:03,106 HM. 692 00:24:04,910 --> 00:24:08,144 \h\h\h\h\h\h\hYOU KNOW, IN THE LAST FOUR YEARS, 693 00:24:08,144 --> 00:24:10,245 \h\h\h\h\h\hI’VE INVESTED NEARLY A BILLION DOLLARS 694 00:24:10,245 --> 00:24:11,455 IN YOUR STUDIO’S MOVIES. 695 00:24:11,455 --> 00:24:13,622 YOU KNOW HOW MANY I’VE SEEN? MNH-MNH. 696 00:24:13,622 --> 00:24:15,624 NOT A GODDAMN ONE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHM. 697 00:24:15,624 --> 00:24:17,120 BUT THIS ONE HERE, I GOT TO TELL YOU, 698 00:24:17,120 --> 00:24:19,254 WITH YOUR -- YOUR MOVIE-STAR GUY IN CHARGE AND EVERYTHING, 699 00:24:19,254 --> 00:24:20,288 I-I’M DAMN CURIOUS. 700 00:24:20,288 --> 00:24:21,498 I UNDERSTAND. 701 00:24:21,498 --> 00:24:22,796 ARI, WE’RE GONNA NEED TO SEE THIS THING 702 00:24:22,796 --> 00:24:24,391 BEFORE I WRITE ANOTHER CHECK. 703 00:24:24,391 --> 00:24:25,667 LARSEN, MY DIRECTOR -- 704 00:24:25,667 --> 00:24:28,065 \h\h\h\h\hYOUR -- YOUR MOVIE STAR? 705 00:24:28,065 --> 00:24:31,838 \h\hVINCE DOESN’T WANT TO SHOW THE MOVIE TILL IT’S PERFECT. 706 00:24:31,838 --> 00:24:34,170 \h\h\h\h\h\h\h\hHE’S AN ARTIST. I’D LIKE TO RESPECT THAT. 707 00:24:34,170 --> 00:24:36,172 OKAY. 708 00:24:36,172 --> 00:24:39,439 YOU KNOW, MY WIFE HAS A $12,000 CHIHUAHUA. 709 00:24:39,439 --> 00:24:41,782 THREE YEARS RUNNIN’, IT GOT "BEST IN SHOW." 710 00:24:41,782 --> 00:24:43,685 \hTHE LAST JUDGE SAID THAT HE HAD 711 00:24:43,685 --> 00:24:46,248 THE BEST COCK AND BALLS HE’D EVER SEEN. 712 00:24:46,248 --> 00:24:48,316 BUT HE AIN’T PERFECT. 713 00:24:48,316 --> 00:24:49,988 \h\h\h\hYOU KNOW HOW I KNOW THAT? 714 00:24:49,988 --> 00:24:52,562 HE KEEPS PISSIN’ \h\hON MY BOOTS. 715 00:24:53,321 --> 00:24:54,993 I-I DON’T FOLLOW. 716 00:24:54,993 --> 00:24:57,666 \h\h\h\h\h\h\h\hI MEAN THERE’S NO SUCH THING AS PERFECT. 717 00:24:57,666 --> 00:25:00,460 \hNOW, SEE, FOR YOU, I KNOW THIS MOVIE’S ENORMOUS. 718 00:25:00,460 --> 00:25:01,868 IF IT FAILS, 719 00:25:01,868 --> 00:25:03,837 YOU GO DOWN IN FLAMES HINDENBERG. 720 00:25:03,837 --> 00:25:06,202 \h\h\h\h\h\h\hTO ME, THIS IS JUST ANOTHER CHECK. 721 00:25:06,202 --> 00:25:07,808 IT WON’T FAIL. 722 00:25:07,808 --> 00:25:10,943 I HAVE TO GO TO DUBAI TONIGHT ON, UH, MORE PRESSIN’ BUSINESS. 723 00:25:10,943 --> 00:25:13,946 I WANT YOU TO TAKE TRAVIS HERE \h\h\h\h\h\h\h\hTO LA-LA LAND WITH YOU 724 00:25:13,946 --> 00:25:16,619 \h\h\hAND SHOW HIM THE GODDAMN MOVIE. 725 00:25:17,378 --> 00:25:18,445 IT’S NOT READY. 726 00:25:18,445 --> 00:25:19,721 WELL, GET IT READY. 727 00:25:19,721 --> 00:25:22,823 ’CAUSE THIS OIL SPIGOT IS SHUT OFF TILL YOU DO. 728 00:25:22,823 --> 00:25:25,188 [ SLUM VILLAGE’S "TAINTED" \h\h\h\h\h\h\h\h\h\hPLAYS ] 729 00:25:26,959 --> 00:25:30,061 ARE YOU SERIOUSLY ASKING ME IF I’M TAKING P.E.D.s? 730 00:25:30,061 --> 00:25:31,700 YEAH, AND I’M NOT SAYING \h\h\h\h\h\h\hI’M AGAINST IT. 731 00:25:31,700 --> 00:25:33,229 I JUST WANT TO KNOW \h\h\h\hIF YOU DO, 732 00:25:33,229 --> 00:25:35,363 BECAUSE I WANT TO GET SHREDDED \h\h\h\h\h\h\h\hFOR THE "HYDE" JUNKET. 733 00:25:35,363 --> 00:25:38,366 NO P.E.D.s. I’M ALL NATURAL. PROVE IT. 734 00:25:38,366 --> 00:25:39,906 HOW? \h\h\h\h\h\h\hTAKE A PISS TEST. 735 00:25:39,906 --> 00:25:42,040 FINE, BUT IF I PASS, \h\h\h\hYOU DRINK IT. 736 00:25:42,040 --> 00:25:45,010 \hGUYS, DID YOU KNOW EMILY WAS SEEING ARMIE HAMMER? 737 00:25:45,010 --> 00:25:46,814 THE LONE RANGER? I THOUGHT THEY BROKE UP. 738 00:25:46,814 --> 00:25:47,914 \h\h\h\h\hI GUESS THEY STILL TALK. 739 00:25:47,914 --> 00:25:49,311 I PLAYED SOFTBALL \h\hWITH THE GUY. 740 00:25:49,311 --> 00:25:51,379 \h\hHE’S OUT OF HIS MIND. I’D LEAVE IT ALONE, BRO. 741 00:25:51,379 --> 00:25:52,380 REALLY? \h\h\h\h\h\h\h\h\h\h\h\hYEAH. 742 00:25:52,380 --> 00:25:53,689 I’M GONNA TRY TO. 743 00:25:53,689 --> 00:25:54,888 WHY DOES IT \hLOOK LIKE 744 00:25:54,888 --> 00:25:56,417 THERE’S ENOUGH FOOD HERE \h\h\h\h\h\h\h\hFOR 300? 745 00:25:56,417 --> 00:25:57,924 \h\hI DON’T KNOW, ’CAUSE THERE’S SUPPOSED TO BE ENOUGH FOR 500. 746 00:25:57,924 --> 00:25:59,728 500?! \h\h\h\h\h\h\h\hWELL, AND RONDA. 747 00:25:59,728 --> 00:26:01,158 \h\h\h\hLOOK, VINCE, THIS WAS SUPPOSED TO BE 748 00:26:01,158 --> 00:26:03,160 \h\hAN INTIMATE THING SO WE COULD GET SOME FEEDBACK. 749 00:26:03,160 --> 00:26:06,064 RELAX. TURTLE THOUGHT WE’D DO \h\hBETTER WITH A BIG CROWD. 750 00:26:06,064 --> 00:26:07,901 DON’T WORRY, I GOT EVERYONE \h\hWALKIN’ THROUGH THAT DOOR 751 00:26:07,901 --> 00:26:09,397 \h\h\h\h\h\h\h\h\h\h\h\h\hSIGNING AN NDA, SO THEY CAN’T TALK ABOUT IT. 752 00:26:09,397 --> 00:26:12,070 AND WHERE ARE YOU GONNA SIT \h500 PEOPLE? ON THE COUCH? 753 00:26:12,070 --> 00:26:13,841 DON’T BE RIDICULOUS. 754 00:26:13,841 --> 00:26:16,008 THERE’S A WHOLE BEACH \h\h\h\h\h\hOUT THERE. 755 00:26:16,008 --> 00:26:17,141 CHECK IT OUT. 756 00:26:20,078 --> 00:26:22,212 JESUS. 757 00:26:22,212 --> 00:26:25,083 [ CELLPHONE RINGS ] 758 00:26:25,083 --> 00:26:26,414 IT’S ARI. 759 00:26:28,185 --> 00:26:29,186 HELLO? 760 00:26:29,186 --> 00:26:31,551 \h\h\h\hWHEN EXACTLY IS THIS SCREENING OF YOURS? 761 00:26:31,551 --> 00:26:32,761 WHEN IT GETS DARK. \h\h\h\h\h\h\hWHY? 762 00:26:32,761 --> 00:26:34,125 ’CAUSE I’M COMING WITH YOUR MONEY, 763 00:26:34,125 --> 00:26:36,699 AND THERE AIN’T NOTHING WE CAN DO ABOUT IT. 764 00:26:36,699 --> 00:26:40,032 ♪ SHE ’BOUT TO GO IN ♪ 765 00:26:40,032 --> 00:26:43,431 ♪ SHE LIKES THAT LOW END ♪ 766 00:26:43,431 --> 00:26:44,608 [ SHOUTING, LAUGHTER ] 767 00:26:44,608 --> 00:26:48,172 ♪ DAMN, HER ASS IS SO BIG ♪ 768 00:26:49,404 --> 00:26:52,814 ♪ JUST KEEP IT BUMPIN’ ♪ 769 00:26:52,814 --> 00:26:54,541 ♪ PEACHES ’N’ CREAM ♪ \h\h\h\h\h\h\h\h\h\hWHAT’S UP, SAI? 770 00:26:54,541 --> 00:26:56,279 AMAZING RAPPER \h\hRIGHT HERE. \h♪ UH-OH, THERE SHE GOES ♪ 771 00:26:56,279 --> 00:26:58,281 ♪ THAT’S THAT LOOK \hALL ON HER FACE ♪ \h\h\h\h\h\h\h\h\h\h\h\h\hHOW ARE YOU? 772 00:26:58,281 --> 00:27:00,657 ♪ SHORTY DANCING LIKE SHE KNOWS ♪ 773 00:27:00,657 --> 00:27:02,285 ♪ SHE’S THE BADDEST \h\hIN THE PLACE ♪ 774 00:27:02,285 --> 00:27:04,958 \h\h\h\hI DON’T RIDE A BIKE. I DO THE SANTA MONICA STEPS. 775 00:27:04,958 --> 00:27:06,157 SICK, BRO. \h\h\hSICK. 776 00:27:06,157 --> 00:27:08,797 \h\h\h\h\h\h\h\h♪ FREAK, DON’T FAIL ME NOW, HEY ♪ 777 00:27:08,797 --> 00:27:10,799 \h\h\h\h♪ SO WHAT YOU WANT TO DO? ♪ GO AHEAD, RUSS! 778 00:27:10,799 --> 00:27:13,934 ♪ GOT HER FREAK-UM DRESS ON ♪ 779 00:27:13,934 --> 00:27:16,398 THE STORY OF JEKYLL AND HYDE \h\h\h\h\h\h\h\h\h\h\h\h\hREPRESENTS 780 00:27:16,398 --> 00:27:19,940 A CONCEPT IN VICTORIAN CULTURE \h\h\h\h\h\h\h\h\hOF THE INNER CONFLICT 781 00:27:19,940 --> 00:27:22,910 OF HUMANITY’S SENSE \hOF GOOD AND EVIL. 782 00:27:22,910 --> 00:27:24,978 I HAVE NO UNDERSTANDING OF WHAT YOU’RE SAYING, BRO. 783 00:27:24,978 --> 00:27:26,782 \h\h\h\h\h\hOF COURSE I REMEMBER YOU GUYS. 784 00:27:26,782 --> 00:27:28,311 YOU WENT TO MIDDLE SCHOOL WITH MY DAUGHTER. 785 00:27:28,311 --> 00:27:30,148 \hWE ALWAYS THOUGHT YOU WERE SO FUNNY. 786 00:27:30,148 --> 00:27:33,151 AND SO CUTE. [ CHUCKLES ] 787 00:27:33,151 --> 00:27:34,790 ♪ SHORTY, WHAT YOU THINK \h\h\h\hABOUT MY RETURN ♪ 788 00:27:34,790 --> 00:27:35,791 LET’S GO. 789 00:27:35,791 --> 00:27:37,155 [ GRUNTING ] 790 00:27:37,155 --> 00:27:38,354 YOU TIRED YET, \h\h\h\hTURTLE? 791 00:27:38,354 --> 00:27:40,928 [ CROWD CHEERING ] 792 00:27:40,928 --> 00:27:43,425 HEY, VINCE. BUDDY. \h\hI NEED A FAVOR. \hYEAH. 793 00:27:43,425 --> 00:27:46,362 I NEED YOU TO FUCK MY DAUGHTER’S FRIENDS SO I DON’T HAVE TO. 794 00:27:46,362 --> 00:27:48,771 \h\h\h\hIN ENGLISH LITERATURE, THERE’S A GUY NAMED JEKYLL 795 00:27:48,771 --> 00:27:49,970 \hAND A GUY NAMED HYDE. 796 00:27:49,970 --> 00:27:51,840 \h\h\h\h\h\h\hAND YOU HAVE THAT SAME THING IN YOU. 797 00:27:51,840 --> 00:27:53,743 DO YOU UNDERSTAND? 798 00:27:54,843 --> 00:27:56,042 I’M GONNA SHOW YOU SOME OF MY FOOTAGE. 799 00:27:56,042 --> 00:27:57,439 YOU’RE GONNA FLIP OUT. 800 00:27:57,439 --> 00:27:59,342 \h\h\h\h\hYOU MIGHT WANT TO PUT ME IN "IRON MAN 3." 801 00:27:59,342 --> 00:28:02,048 SURE. WELL, WE DID THR-- FOUR WOULD BE NEXT. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h"IRON MAN 4." 802 00:28:02,048 --> 00:28:03,819 \h\h\h\h\h\h\hDOWNEY’S GREAT. DON’T GET ME WRONG. I LOVE DOWNEY. 803 00:28:03,819 --> 00:28:05,315 HE’S JUST A LITTLE LONG IN THE TOOTH. 804 00:28:05,315 --> 00:28:06,855 RIGHT. \h\h\h\h\h\h\h\h\h\h\hI THINK YOU WANT \h\h\h\h\h\h\h\h\h\hTO GO YOUNGER, MAN. 805 00:28:06,855 --> 00:28:08,450 IF I RECALL, YOU’RE FIVE YEARS OLDER THAN HIM. 806 00:28:08,450 --> 00:28:10,320 \h\h\h\h\h\h\h\hYOU KNOW, FUCK YOU, \h\h\h\h\h\h\h\h\h\h\h\h\hFAVREAU. WHAT -- 807 00:28:10,320 --> 00:28:12,520 NAH. YOU FUCKED ME \h\hON "SWINGERS." 808 00:28:12,520 --> 00:28:13,862 \h\h\h\h\h\h\h\hYOU FUCKED M-- YOU’RE ALWAYS FUCKING ME. 809 00:28:13,862 --> 00:28:15,193 I OFFERED YOU "SWINGERS." 810 00:28:15,193 --> 00:28:16,700 \hYOU COULDN’T DO IT BECAUSE OF "VIKING QUEST." 811 00:28:16,700 --> 00:28:17,866 \h\hYOU COULDA SHOT AROUND ME! 812 00:28:17,866 --> 00:28:19,230 JUST BECAUSE YOU’RE SHORT 813 00:28:19,230 --> 00:28:20,528 DOESN’T MEAN YOU CAN’T ACHIEVE YOUR GOALS, E. 814 00:28:20,528 --> 00:28:21,804 NO, I-I KNOW THAT. 815 00:28:21,804 --> 00:28:23,300 \h\h\h\h\h\h\h\h\h\hDO YOU THINK I’D HAVE A SUPER BOWL RING 816 00:28:23,300 --> 00:28:25,302 \h\hIF I LISTENED TO EVERYBODY WHO TOLD ME I WAS TOO SHORT? 817 00:28:25,302 --> 00:28:26,974 RIGHT. 818 00:28:26,974 --> 00:28:29,878 WE’RE THINKING OF HONEYMOONING \h\h\hIN MOSCOW OR THE UKRAINE. 819 00:28:29,878 --> 00:28:31,308 \h\h\h\h\h\h\h\hWE KNOW IT’S NOT TRADITIONAL. 820 00:28:31,308 --> 00:28:33,211 \h\hTRADITIONAL? FUCK TRADITIONAL. 821 00:28:33,211 --> 00:28:34,916 DON’T THEY SHOOT GUYS LIKE YOU OVER THERE? 822 00:28:34,916 --> 00:28:36,181 THAT’S UGANDA. 823 00:28:36,181 --> 00:28:38,216 \h\h\h\hGO TO HAWAII. DO YOURSELF A FUCKIN’ FAVOR. 824 00:28:38,216 --> 00:28:39,888 [ BOTH LAUGH ] 825 00:28:39,888 --> 00:28:41,219 \h\h\h\h\h\hMOLLY. ANYONE WANT MOLLY? 826 00:28:41,219 --> 00:28:43,254 \h\h\hMOLLY. MOLLY. ANYONE WANT MOLLY? 827 00:28:43,254 --> 00:28:45,388 \h\h\h\h\h\h\h\h\hI THOUGHT YOU DON’T DO DRUGS ANYMORE, BILLY. 828 00:28:45,388 --> 00:28:47,687 \h\h\h\h\h\h\h\h\h\h\h\h\h\hDRUGS ANYMORE, DRAMA. 829 00:28:47,687 --> 00:28:49,161 GIVE ME TWO. 830 00:28:49,161 --> 00:28:51,097 \h\h\hI’M SURE ARI HAS SEEN AN UNFINISHED FILM BEFORE. 831 00:28:51,097 --> 00:28:52,527 DIRECTED. 832 00:28:52,527 --> 00:28:55,398 YOU’RE REALLY NERVOUS, HUH? \h\h\h\h\h\h\h\h\h\h\h\hIT’S CUTE. 833 00:28:55,398 --> 00:28:57,103 WHAT, YOU NEVER GET NERVOUS BEFORE A PHOTO SHOOT? 834 00:28:57,103 --> 00:28:58,742 \h\h\hNO, I KNOW WHAT I LOOK LIKE. 835 00:28:58,742 --> 00:29:01,503 EVERYONE MAKE SURE YOU FILL OUT \h\hA NON-DISCLOSURE AGREEMENT 836 00:29:01,503 --> 00:29:04,242 OR YOU CANNOT STAY FOR THE SCREENING. 837 00:29:04,242 --> 00:29:06,783 OH, E, THIS HOUSE IS SICK. \h\h\h\hWHEN DID VINCE BUY IT? 838 00:29:06,783 --> 00:29:08,378 IT’S NOT VINCE’S. \hIT’S TURTLE’S. 839 00:29:08,378 --> 00:29:11,513 \h\h\hYOU’RE KIDDING. HOW MUCH DOES THIS FUCKING GUY MAKE? 840 00:29:11,513 --> 00:29:13,713 EXCUSE ME, MISS. YOU CAN’T USE A PENCIL WHEN YOU’RE FILLING OUT THE NDA. 841 00:29:13,713 --> 00:29:15,418 \h\h\h\h\h\h\hTurtle: SO, THAT’S A TRUE STORY? 842 00:29:15,418 --> 00:29:17,860 YOU BEAT UP FOUR GUYS FOR GETTIN’ LOUD AT A MOVIE THEATER? 843 00:29:17,860 --> 00:29:19,356 \h\h\h\h\h\h\h\h\h\hWELL, THE PRESS EXAGGERATED. 844 00:29:19,356 --> 00:29:21,930 I JUST BROKE ONE GUY’S JAW \h\h\hAND ANOTHER GUY’S NOSE. 845 00:29:21,930 --> 00:29:24,031 \h\h\h\h\hAND THE THIRD GUY -- THERE WASN’T REALLY FOUR. 846 00:29:24,031 --> 00:29:26,869 THE THIRD GUY, I JUST THREW OVER MY SHOULDER, AND HE RAN OFF. 847 00:29:26,869 --> 00:29:29,102 A BOYFRIEND WITH YOU OR ANYTHING? AND WHAT’D HE DO? 848 00:29:29,102 --> 00:29:31,401 NO, I HAVEN’T HAD A BOYFRIEND \h\h\h\h\h\h\h\h\h\hIN LIKE TWO YEARS. 849 00:29:31,401 --> 00:29:33,238 \h\h\h\h\h\h\h\h\h\h\h\h\hTOO FOCUSED \h\h\h\h\h\h\h\h\h\h\h\hON MY CAREER. OH. 850 00:29:33,238 --> 00:29:34,602 \h\h\h\h\h\hYOU’RE IN FOUR FUCKING SCENES, 851 00:29:34,602 --> 00:29:36,406 \h\h\h\h\h\hAND YOU EXPECT ME TO GET YOU A MAGAZINE COVER? 852 00:29:36,406 --> 00:29:37,946 SCARLETT JO WASN’T EVEN \h\h\h\hON CAMERA IN "HER." 853 00:29:37,946 --> 00:29:39,376 SHE GOT A COVER. 854 00:29:39,376 --> 00:29:41,411 YEAH, WELL, IF YOU HAD HER TITS, I CAN GET YOU A COVER. 855 00:29:41,411 --> 00:29:43,743 I GOT A COUPLE COVERS \hCOMIN’ OUT, DRAMA. 856 00:29:43,743 --> 00:29:45,822 EVEN A FEW I TURNED DOWN. 857 00:29:45,822 --> 00:29:47,714 \h\h\h\hWHAT THE FUCK YOU MAKIN’ OVER HERE? 858 00:29:47,714 --> 00:29:49,716 LITTLE POTION FOR E. 859 00:29:49,716 --> 00:29:52,796 \h\h\h\h\h\hMOLLY, WATER, AND A TOUCH OF VIAGRA. 860 00:29:52,796 --> 00:29:54,798 WHAT DID I DO WRONG \h\h\hWITH MY LIFE? 861 00:29:54,798 --> 00:29:56,932 \hTHIS IS A NORMAL TUESDAY AFTERNOON? 862 00:29:56,932 --> 00:29:58,659 YOU GOT TO SEE \h\h\h\h\h\h\h\h\h\h\hPARTIES. 863 00:29:58,659 --> 00:30:00,232 \h\h\h\h\h\hARI! YOU GOT INVITED. 864 00:30:00,232 --> 00:30:02,135 I WANT YOU TO MEET \hMY FIANCé, GREG. \h\h\h\h\h\h\h\h\h\h\hNO, LLOYD! NO! 865 00:30:02,135 --> 00:30:03,807 \h\hERIC MURPHY. TRAVIS McCREDLE. 866 00:30:03,807 --> 00:30:04,940 NICE TO MEET YOU, \h\h\h\h\hTRAVIS. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHI. 867 00:30:04,940 --> 00:30:06,469 ERIC MANAGES VINNIE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH. 868 00:30:06,469 --> 00:30:09,274 \h\h\h\h\hAND TRAVIS’S FATHER CO-FINANCES OUR ENTIRE SLATE. 869 00:30:09,274 --> 00:30:11,243 \h\h\hALL THAT MONEY’S GONNA BE MINE SOMEDAY, 870 00:30:11,243 --> 00:30:15,643 \h\hSO I PREFER YOU CONSIDER THAT I CO-FINANCED THE SLATE. 871 00:30:15,643 --> 00:30:17,315 FUCK ME. 872 00:30:17,315 --> 00:30:19,614 IS THAT EMILY RATAJKOWSKI OVER THERE TALKIN’ TO VINNIE CHASE? 873 00:30:19,614 --> 00:30:20,648 SURE IS. 874 00:30:20,648 --> 00:30:21,990 YOU WANT TO MEET HER? 875 00:30:21,990 --> 00:30:23,486 \h\h\h\h\h\h\h\hWELL, I WANT TO MARRY HER, 876 00:30:23,486 --> 00:30:25,356 \h\h\h\hBUT YOU GOT TO START SOMEWHERE, RIGHT? 877 00:30:25,356 --> 00:30:26,489 [ CHUCKLES ] 878 00:30:26,489 --> 00:30:27,490 OH, BOY. 879 00:30:27,490 --> 00:30:29,030 E, HAVE SOME WATER. 880 00:30:29,030 --> 00:30:30,295 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHY? YOU LOOK PARCHED. 881 00:30:30,295 --> 00:30:32,000 ALMOST SICKLY. \h\h\h\h\h\h\h\h\h\h\h\h\hARE YOU SERIOUS? 882 00:30:32,000 --> 00:30:33,001 YOU’RE YELLOW, BRO. 883 00:30:33,001 --> 00:30:34,464 VINNIE CHASE! 884 00:30:34,464 --> 00:30:37,368 \hBIG FAN OF YOUR WORK, ESPECIALLY "AQUAMAN 2." 885 00:30:37,368 --> 00:30:40,140 \h\h\h\h\h\h\hAH, THANKS. BUT I WAS ONLY IN THE FIRST "AQUAMAN." 886 00:30:40,140 --> 00:30:42,340 \h\h\h\h\h\h\h\h\h\h\h\h[ CHUCKLES ] \hWELL, ALL THOSE COMIC-BOOK MOVIES 887 00:30:42,340 --> 00:30:44,177 START TO BLEND TOGETHER \h\h\h\hAFTER A WHILE. 888 00:30:44,177 --> 00:30:45,948 EXCEPT FOR "THE AVENGERS." 889 00:30:45,948 --> 00:30:48,346 ALL FIVE OF THOSE HEROES \hON SCREEN AT ONE TIME. 890 00:30:48,346 --> 00:30:50,315 THAT WAS REALLY SOMETHING, \h\h\h\h\h\h\h\hWASN’T IT? 891 00:30:50,315 --> 00:30:51,514 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h[ CHUCKLES ] YEAH, WELL... 892 00:30:51,514 --> 00:30:53,351 TRAVIS, HAVE YOU MET \hEMILY RATAJKOWSKI? 893 00:30:53,351 --> 00:30:55,518 \h\h\h\hNO, BUT I FEEL LIKE WE ALREADY KNOW EACH OTHER. 894 00:30:55,518 --> 00:30:58,026 \h\h\h\h\h\h\hSPORTS ILLUSTRATED SPREAD ON THE PLANE. 895 00:30:58,026 --> 00:31:00,391 THAT LOOKED COLD. \hWAS THAT COLD? 896 00:31:00,391 --> 00:31:01,194 IT WAS. 897 00:31:01,194 --> 00:31:03,229 WELL, IT WAS STILL HOT. 898 00:31:05,528 --> 00:31:07,695 \h\h\h\hAri: TRAVIS, VINNIE WOULD LIKE TO THANK YOU 899 00:31:07,695 --> 00:31:09,906 \h\h\h\h\h\hFOR ALL THE SUPPORT THAT YOU’VE GIVEN HIM ON HIS MOVIE. 900 00:31:09,906 --> 00:31:11,039 YES. 901 00:31:11,039 --> 00:31:12,733 $100 MILLION-PLUS \h\h\h\hWITH P&A. 902 00:31:12,733 --> 00:31:14,042 \h\h\h\h\h\h\hAND I HEAR YOU’RE LOOKIN’ FOR MORE. 903 00:31:14,042 --> 00:31:15,571 JUST A LITTLE. 904 00:31:15,571 --> 00:31:18,607 \h\hWELL, I’M LOOKIN’ FORWARD TO BEING ABLE TO EXPLAIN WHY. 905 00:31:20,180 --> 00:31:22,380 I’M GONNA GO GET A DRINK. LET YOU GUYS TALK? 906 00:31:22,380 --> 00:31:23,711 OKAY. 907 00:31:24,844 --> 00:31:26,747 \h\h\h\h\h\h\h\h\h\hVINCE, I-IS -- IS THAT YOUR GIRL? 908 00:31:26,747 --> 00:31:28,419 \h\h\h\h\h\hOH, NO. WE’RE JUST FRIENDS. 909 00:31:28,419 --> 00:31:30,817 OH. SO I’M FREE IN THE CLEAR \h\h\h\h\h\h\hTO GO FOR THAT? 910 00:31:30,817 --> 00:31:32,027 UH, YEAH. 911 00:31:32,027 --> 00:31:33,556 \h\h\h\h\h\hI DON’T KNOW WHAT I’M ASKIN’ YOU FOR. 912 00:31:33,556 --> 00:31:35,525 \h\h\hYOU DON’T OWN EVERY PIECE OF PUSSY IN THIS TOWN, DO YOU? 913 00:31:35,525 --> 00:31:37,230 [ LAUGHTER ] 914 00:31:37,230 --> 00:31:40,761 [ DIPLO’S "EXPRESS YOURSELF" \h\h\h\h\h\h\h\h\h\h\hPLAYS ] 915 00:31:40,761 --> 00:31:44,666 ♪ EXPRESS YOURSELF, EXPRESS YOURSELF, EXPRESS YOURSELF ♪ 916 00:31:44,666 --> 00:31:47,504 \h\h\h\h♪ RELEASE IT, GO ATTACK THE FLOOR ♪ 917 00:31:47,504 --> 00:31:49,242 ♪ DIPLO ♪ 918 00:31:49,242 --> 00:31:53,114 ♪ EXPRESS YOURSELF, EXPRESS YOURSELF, EXPRESS YOURSELF ♪ 919 00:31:53,114 --> 00:31:55,380 \h\h\h\h\h\h\h♪ PUT YOUR, PUT YOUR BACK IN IT NOW ♪ 920 00:31:55,380 --> 00:31:57,547 MR. SUIT. 921 00:31:57,547 --> 00:31:59,615 ARE YOU OKAY? 922 00:31:59,615 --> 00:32:00,924 I FEEL STRANGE. 923 00:32:00,924 --> 00:32:02,354 STRANGE HOW? 924 00:32:02,354 --> 00:32:04,928 \h\hMY DICK GETS HARD EVERY TIME A GIRL LOOKS AT ME. 925 00:32:04,928 --> 00:32:07,359 LIKE, TODAY OR ALWAYS? 926 00:32:09,064 --> 00:32:10,065 [ CHUCKLES ] 927 00:32:10,065 --> 00:32:11,495 YOU’RE CUTE. 928 00:32:12,562 --> 00:32:15,070 I SHOULD PROBABLY \hGO TALK TO HER. 929 00:32:15,070 --> 00:32:18,073 \h\h\h\h\h\hSEEMS LIKE THE RIGHT MOVE, SUIT. 930 00:32:18,073 --> 00:32:19,767 YOU’RE A GOOD GUY, \h\h\h\h\h\h\hBILL. 931 00:32:19,767 --> 00:32:22,946 \h\h\h\h\h\h\h\hMAYBE I COULD FINANCE SOMETHIN’ FOR YOU TO STAR IN. 932 00:32:22,946 --> 00:32:24,772 \h\h\h\hHAVE YOU SEEN ANYTHING I’VE DONE, OR...? 933 00:32:24,772 --> 00:32:26,774 \h\h\h\h\h\hUH, NOT IN COMPLETE, BUT I’VE SEEN THAT TRAILER 934 00:32:26,774 --> 00:32:29,414 \h\h\hFOR THAT NEW ONE YOU GOT COMIN’ OUT MAYBE 500 TIMES. 935 00:32:29,414 --> 00:32:31,779 MAYBE YOU WANT TO FINANCE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTO STAR IN. 936 00:32:31,779 --> 00:32:33,484 \h\h\hI’M JOHNNY, VINCE’S BROTHER. 937 00:32:33,484 --> 00:32:35,651 OH. HEY. 938 00:32:35,651 --> 00:32:37,224 YOU’RE AN ACTOR, TOO? 939 00:32:37,224 --> 00:32:39,556 YEAH. \h\h\hWHAT’VE YOU BEEN IN? 940 00:32:39,556 --> 00:32:40,458 EVERYTHING. 941 00:32:40,458 --> 00:32:41,789 HAVE YOU SEEN HIM \h\hIN ANYTHING? 942 00:32:41,789 --> 00:32:43,296 UM, I, UH... 943 00:32:43,296 --> 00:32:45,265 \h\h\hI’VE SEEN HIM IN "VIKING QUEST." 944 00:32:45,265 --> 00:32:47,432 REALLY? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hVince: YEAH, \h\h\h\h\h\h\h\h\hAND HE’S IN MY MOVIE. 945 00:32:47,432 --> 00:32:48,598 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH. JUST FOUR SCENES. 946 00:32:48,598 --> 00:32:50,303 FOUR PIVOTAL SCENES. \h\h\h\h\h\h\hHE’S AMAZING. 947 00:32:50,303 --> 00:32:51,975 REALLY? \h\h\h\h\h\h\h\h\h\h\h\hYEAH. 948 00:32:51,975 --> 00:32:53,636 \h\h\h\h\hONE OF THE REASONS WHY I WANTED TO MAKE THIS MOVIE 949 00:32:53,636 --> 00:32:56,474 IS BECAUSE I KNEW WHAT THAT ROLE WOULD DO FOR MY BIG BRO. 950 00:32:56,474 --> 00:32:57,805 \h\h\hIT’S GONNA CHANGE HIS LIFE. 951 00:32:57,805 --> 00:32:58,982 THANKS, BRO. 952 00:32:58,982 --> 00:32:59,983 WELL, I CAN’T WAIT \h\h\h\hTO SEE IT. 953 00:32:59,983 --> 00:33:01,281 \h\h\h\h\hAri: I CAN’T EITHER. 954 00:33:01,281 --> 00:33:03,415 \h\h\hSO, WHAT’S UP? ARE WE GONNA DO THIS? 955 00:33:03,415 --> 00:33:05,285 ARI, RELAX. IT’S NOT GONNA BE \h\h\hDARK FOR AT LEAST AN HOUR. 956 00:33:05,285 --> 00:33:07,419 BY THE TIME EVERYONE’S SEATED, \h\h\h\h\h\h\h\hIT’LL BE DARK. 957 00:33:07,419 --> 00:33:08,354 LET’S GO. 958 00:33:08,354 --> 00:33:10,026 \h\h\hALL RIGHT. I GOT TO FIND E. 959 00:33:10,026 --> 00:33:11,192 FUCK E. 960 00:33:11,192 --> 00:33:13,293 \h\h\h\h\hTO GET BACK TO MY CONVERSATION... 961 00:33:13,293 --> 00:33:16,131 SO, YOU’RE A "VIKING QUEST" FAN, HUH? 962 00:33:16,131 --> 00:33:17,297 \h\h\h\h\h\hHOW LONG HAVE YOU LIVED HERE? 963 00:33:17,297 --> 00:33:18,529 JUST A COUPLE OF MONTHS. 964 00:33:18,529 --> 00:33:20,168 \h\h\h\hIT CAME WITH ALL THE FURNITURE AND STUFF, 965 00:33:20,168 --> 00:33:21,499 SO IT FEELS LIVED-IN. 966 00:33:21,499 --> 00:33:23,303 SO, WHAT’S YOUR DEAL, \h\h\h\h\h\h\h\hTURTLE? 967 00:33:23,303 --> 00:33:24,931 YOU SELLING COKE \h\h\hTHESE DAYS? 968 00:33:24,931 --> 00:33:26,108 NO. 969 00:33:26,108 --> 00:33:27,769 \h\h\h\h\h\h\h\h\h\hWHY -- WHY WOULD YOU SAY THAT? 970 00:33:27,769 --> 00:33:29,639 \h\h\h\h\hI SAY THAT ’CAUSE THE LAST TIME I SAW YOU, 971 00:33:29,639 --> 00:33:31,509 YOU WERE A FAT POTHEAD LIVING OFF OF VINCE. 972 00:33:31,509 --> 00:33:33,643 \hAND NOW YOU LIVE NEXT TO SPIELBERG. 973 00:33:33,643 --> 00:33:34,545 [ SCOFFS ] 974 00:33:34,545 --> 00:33:36,316 \h\h\h\h\hI STARTED A TEQUILA COMPANY. 975 00:33:36,316 --> 00:33:37,713 OH, YEAH? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. 976 00:33:37,713 --> 00:33:39,319 AND I STARTED WORKIN’ OUT. 977 00:33:39,319 --> 00:33:41,288 WHAT DO YOU DO, \h\h\hPILATES? 978 00:33:42,652 --> 00:33:46,029 \h\h\h\hI BOX A LITTLE. AND I -- I DO CARDIO. 979 00:33:46,029 --> 00:33:47,525 THAT’S CUTE. 980 00:33:48,625 --> 00:33:49,725 [ MUFFLED MOANING ] 981 00:33:49,725 --> 00:33:50,990 WHAT? 982 00:33:50,990 --> 00:33:53,135 \h\h\h\h\hI THINK SOMEONE’S FUCKIN’ IN THERE. 983 00:33:53,135 --> 00:33:54,367 COME ON. 984 00:33:54,367 --> 00:33:55,995 [ MOANING CONTINUES ] 985 00:33:55,995 --> 00:33:57,040 MOTHERFUCKER! 986 00:33:57,040 --> 00:33:58,140 OH, MY GOD! 987 00:33:58,140 --> 00:33:59,636 [ DOOR THUMPS ] 988 00:33:59,636 --> 00:34:00,769 I GOT IT. \h\h\h\h\h\h\h\h\h\h\h\hFUCKER. 989 00:34:01,704 --> 00:34:02,705 HEY! 990 00:34:02,705 --> 00:34:04,212 OH! \h\h\h\h\h\h\h\h\h\h\h\h\hOH, SHIT! 991 00:34:04,212 --> 00:34:08,084 OF ALL THE GUYS I NEVER THOUGHT \h\hI’D CATCH FUCKIN’ IN MY ROOM. 992 00:34:08,084 --> 00:34:09,547 SORRY. 993 00:34:09,547 --> 00:34:11,747 \h\h\h\h\hNO, DON’T BE. I LOVE IT. I LOVE IT. 994 00:34:11,747 --> 00:34:13,353 HI, RONDA ROUSEY. 995 00:34:13,353 --> 00:34:15,454 \h\hI WON 500 BUCKS ON YOUR LAST FIGHT. 996 00:34:16,389 --> 00:34:18,017 [ DU TONC’S "DARKNESS" PLAYS ] 997 00:34:18,017 --> 00:34:19,227 \h\h\h\hFrank Luntz: CAN’T WAIT TO WATCH. 998 00:34:19,227 --> 00:34:20,558 REALLY? 999 00:34:23,231 --> 00:34:25,068 \h\h\h\hYOU SAID YOU WERE A VIRGO? 1000 00:34:25,068 --> 00:34:27,565 OH, UH, I -- UM, A GEMINI. \h\h\h\h\h\h\h\h\h\h[ CHUCKLES ] 1001 00:34:27,565 --> 00:34:30,238 \h\hTHE, UH, TWINS, RIGHT? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. 1002 00:34:30,238 --> 00:34:32,075 I LOVE TWINS. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hUH-HUH. 1003 00:34:32,075 --> 00:34:33,538 COME ON, VINNIE! 1004 00:34:33,538 --> 00:34:36,409 \h\h\h\hLET’S ROLL THIS MOTHERFUCKER! 1005 00:34:36,409 --> 00:34:37,938 Mark Cuban: YOU EVER THINK \hABOUT PLAYING BASKETBALL? 1006 00:34:37,938 --> 00:34:39,577 Russell Wilson: YOU EVER THOUGHT ABOUT SIGNING ME? 1007 00:34:39,577 --> 00:34:42,250 [ CROWD CHEERING, WHISTLING ] 1008 00:34:42,250 --> 00:34:44,087 GUYS. GUYS. 1009 00:34:44,087 --> 00:34:45,682 WHAT THE FUCK ARE WE DOING? 1010 00:34:45,682 --> 00:34:48,883 VINCE DOESN’T WANT TO SHOW YOU \h\h\h\hTHE MOVIE WITH THIS CROWD. 1011 00:34:48,883 --> 00:34:50,390 HOLY SHIT. WHAT? 1012 00:34:50,390 --> 00:34:52,590 HOW BAD IS IT? ARI, IT’S-- 1013 00:34:52,590 --> 00:34:54,097 NO, YOU LOOK NERVOUS RIGHT NOW, VINCE. I’M NOT -- 1014 00:34:54,097 --> 00:34:55,527 \hNO, I’VE NEVER SEEN YOU NERVOUS. 1015 00:34:55,527 --> 00:34:56,759 JUST TELL ME, DOES IT SUCK? 1016 00:34:56,759 --> 00:34:57,793 \h\h\h\h\h\h\hNO. IT DOESN’T SUCK. 1017 00:34:57,793 --> 00:34:59,696 \h\h\h\hTELL HIM IT DOESN’T SUCK. \h\h\h\h\h\h\h\hIT DOESN’T SUCK. 1018 00:34:59,696 --> 00:35:01,170 FILM! 1019 00:35:02,138 --> 00:35:04,140 \h\h\h\h\h\h\h\h\h\h\hFILM! FILM! FILM! FILM! 1020 00:35:04,140 --> 00:35:07,110 [ CROWD CHANTING "FILM!" ] 1021 00:35:07,110 --> 00:35:09,442 \h\hCOME ON! FUCKIN’ FILM! 1022 00:35:09,442 --> 00:35:11,147 ROLL IT, VINNIE! \h\h\h\hCOME ON! 1023 00:35:11,147 --> 00:35:13,149 JUST PUT IT ON! 1024 00:35:13,149 --> 00:35:16,416 \hVINNIE, SHOW US THE FUCKIN’ FILM! 1025 00:35:16,416 --> 00:35:18,451 LET’S GO, BABY! 1026 00:35:18,451 --> 00:35:20,849 [ CHANTING CONTINUES ] 1027 00:35:26,294 --> 00:35:29,297 HEY, I-I-I’M GONNA -- I’M GONNA TAKE CARE OF IT. 1028 00:35:29,297 --> 00:35:32,300 \hVINCE? TIME TO GET THIS SHOW ON THE ROAD. 1029 00:35:32,300 --> 00:35:34,401 I’M GETTING SOME QUALITY TIME ALONE WITH EMILY. 1030 00:35:34,401 --> 00:35:35,897 WHAT’S THE RUNNIN’ TIME ON THIS? 1031 00:35:35,897 --> 00:35:37,668 140 MINUTES. 1032 00:35:37,668 --> 00:35:38,801 JESUS. 1033 00:35:38,801 --> 00:35:41,507 I LIKE SHORT MOVIES, VINCE, YOU KNOW? 1034 00:35:41,507 --> 00:35:42,607 AND -- AND -- AND COMEDIES. 1035 00:35:42,607 --> 00:35:43,905 \hYOU EVER SEEN "BAD GRANDPA"? 1036 00:35:43,905 --> 00:35:45,478 \h\h\h\h\h\h\h\h\h\h\hI’M CALLING THIS OFF. THAT NEVER GETS OLD. 1037 00:35:45,478 --> 00:35:46,974 \h\h\hNO -- YOU KNOW, \h\hFUCK THESE GUYS. VINCE. 1038 00:35:46,974 --> 00:35:48,415 YOU KNOW WHAT? GIVE TRAVIS AND ARI DVDs TO TAKE HOME. 1039 00:35:48,415 --> 00:35:49,647 \h\h\h\h\h\h\hHOLD ON. VINCE, LET’S SEE THE -- 1040 00:35:49,647 --> 00:35:50,978 I KNOW, I-I CAN WATCH THAT WITH EMILY. 1041 00:35:50,978 --> 00:35:53,079 HEY, EVERYONE. 1042 00:35:53,079 --> 00:35:54,080 VINNIE! 1043 00:35:54,080 --> 00:35:55,114 GOOD NEWS AND BAD NEWS. 1044 00:35:55,114 --> 00:35:56,588 [ CROWD MURMURS ] 1045 00:35:56,588 --> 00:35:58,458 \h\h\h\h\hTHE BAD NEWS IS THE PROJECTOR BROKE. 1046 00:35:58,458 --> 00:36:01,593 NO! NO, NO. VINNIE, NO! 1047 00:36:01,593 --> 00:36:04,794 \h\h\h\hTHE GOOD NEWS IS, LOOK WHO JUST SHOWED UP. 1048 00:36:04,794 --> 00:36:06,169 PHARRELL! 1049 00:36:06,169 --> 00:36:07,698 \h\h\h\h\h\hPHARRELL? WHAT THE FUCK IS PHARRELL? 1050 00:36:07,698 --> 00:36:10,767 COULD WE POSSIBLY CONVINCE YOU TO COME UP HERE AND PERFORM? 1051 00:36:10,767 --> 00:36:13,000 [ CROWD CHEERS ] 1052 00:36:13,000 --> 00:36:15,178 I’M GONNA KILL VINCE. 1053 00:36:15,178 --> 00:36:16,971 [ "HUNTER" PLAYS ] 1054 00:36:16,971 --> 00:36:19,512 \h\h\h\h\h\h\h\h♪ JUST BECAUSE IT’S THE MIDDLE OF THE NIGHT ♪ 1055 00:36:19,512 --> 00:36:22,009 \h\h\h♪ THAT DON’T MEAN I WON’T HUNT YOU DOWN ♪ 1056 00:36:22,009 --> 00:36:23,043 MY LIFE IS OVER. 1057 00:36:23,043 --> 00:36:24,187 NO, IT ISN’T, ARI. \h\h\h\h\h\hRELAX. 1058 00:36:24,187 --> 00:36:25,716 RELAX, E? 1059 00:36:25,716 --> 00:36:27,850 YOU REMEMBER THAT COLOMBIAN SOCCER PLAYER THAT GOT STRUNG UP 1060 00:36:27,850 --> 00:36:29,687 BY HIS DICK AFTER GIVING UP THE GAME-WINNING GOAL? 1061 00:36:29,687 --> 00:36:32,195 WELL, THAT’S WHERE WE’RE HEADED IF THIS MOVIE TANKS. 1062 00:36:32,195 --> 00:36:33,856 VINCE WILL NOT COME BACK FROM THIS, 1063 00:36:33,856 --> 00:36:36,199 \h\h\hNEITHER WILL I, AND NEITHER WILL YOU. 1064 00:36:36,199 --> 00:36:38,465 RELAX KNOWIN’ THAT! 1065 00:36:39,235 --> 00:36:41,600 [ CROWD CHEERING ] 1066 00:36:43,470 --> 00:36:44,999 I DON’T ASK FOR MUCH, DO I? 1067 00:36:44,999 --> 00:36:47,507 \h\h\h\h\hHEALTH AND HAPPINESS FOR THE KIDS, PEACE ON EARTH... 1068 00:36:47,507 --> 00:36:51,038 THE WIFE TO HAVE BIGGER TITS -- \h\h\h\h\h\h\h\hONLY SOMETIMES. 1069 00:36:51,038 --> 00:36:52,611 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBUT I’M -- WHAT ARE YOU DOIN’? 1070 00:36:54,712 --> 00:36:55,845 NOTHIN’. 1071 00:36:55,845 --> 00:36:57,550 YOU DIDN’T COME TO BED. 1072 00:36:57,550 --> 00:37:00,256 \h\h\h\h\h\h\h\hNO, I -- I HAVEN’T... WHAT? 1073 00:37:00,256 --> 00:37:01,851 \h\h\h\h\h\hWHAT, ARE YOU PRAYING? 1074 00:37:01,851 --> 00:37:04,183 \h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. SOMETHIN’ WRONG WITH THAT? 1075 00:37:04,183 --> 00:37:05,723 \h\h\hWELL, YOU DON’T BELIEVE IN GOD, SO... 1076 00:37:05,723 --> 00:37:08,187 FOR THE GOOD STUFF, \h\h\h\h\h\h\hI DO. 1077 00:37:08,187 --> 00:37:09,859 IT’S 2:00 A.M. 1078 00:37:09,859 --> 00:37:11,894 \h\h\h\hYOU SAT DOWN TO WATCH THIS MOVIE AT MIDNIGHT. 1079 00:37:11,894 --> 00:37:13,335 I’M MENTALLY PREPPING. 1080 00:37:13,335 --> 00:37:16,602 \h\h\h\h\h\h\h\h\h\h\h\hI’M GONNA START NOW. \h\h\h\h\h\h\h\h\h\h\h\hYOU WANT TO JOIN ME? YOU SAID I COULDN’T. 1081 00:37:16,602 --> 00:37:18,868 \h\h\h\h\h\hWELL, YOU COULD BLOW ME THROUGH IT, IN CASE IT SUCKS. 1082 00:37:18,868 --> 00:37:20,067 EASE THE PAIN? 1083 00:37:20,067 --> 00:37:21,442 \h\h\h\h\hGOOD LUCK. I’LL SEE YOU IN BED. 1084 00:37:21,442 --> 00:37:22,905 I LOVE YOU. 1085 00:37:22,905 --> 00:37:24,643 I LOVE YOU, TOO. 1086 00:37:28,350 --> 00:37:29,648 AH. 1087 00:37:35,291 --> 00:37:37,359 DON’T FUCK ME ON THIS, \h\h\h\h\h\h\h\hVINNIE. 1088 00:37:37,359 --> 00:37:38,888 ] 1089 00:37:38,888 --> 00:37:42,331 DON’T YOU FUCK ME. 1090 00:37:49,437 --> 00:37:51,604 [ CROWD CHEERING ] 1091 00:38:04,419 --> 00:38:07,048 [ SIREN WAILING ] 1092 00:38:09,556 --> 00:38:12,526 [ CROWD CHEERING ] 1093 00:38:13,824 --> 00:38:16,398 [ MUSIC STOPS ] 1094 00:38:22,305 --> 00:38:24,373 [ INDISTINCT SHOUTING ] 1095 00:38:31,237 --> 00:38:33,041 [ CROWD SCREAMING ] 1096 00:38:41,280 --> 00:38:43,689 [ SCREAMS ] 1097 00:38:50,465 --> 00:38:53,831 \hSADLY, ALL GOOD PARTIES MUST COME TO AN END. 1098 00:38:56,603 --> 00:38:58,440 [ INDISTINCT SHOUTING ] 1099 00:39:04,974 --> 00:39:06,173 OH, COME ON. 1100 00:39:06,173 --> 00:39:08,516 \h\h\h\h\h\h\hTHERE IS NO WAY EMILY WOULD BANG THAT YOKEL. 1101 00:39:08,516 --> 00:39:09,715 I’M TELLIN’ YOU -- SHE LEFT WITH HIM. 1102 00:39:09,715 --> 00:39:11,310 I DON’T CARE. NO WAY. 1103 00:39:11,310 --> 00:39:13,455 \h\hTHESE GUYS WITH MONEY ALWAYS GET WOMEN OUT OF THEIR LEAGUE. 1104 00:39:13,455 --> 00:39:15,017 \h\h\h\hOH, YOU MEAN LIKE TURTLE AND RONDA? 1105 00:39:15,017 --> 00:39:17,624 OH, PLEASE -- SHE’S MORE LIKELY \h\h\h\h\h\h\h\h\h\hTO BREAK HIS WINDPIPE 1106 00:39:17,624 --> 00:39:19,285 \h\h\h\h\h\h\hTHAN BANG HIS MALNOURISHED ASS. 1107 00:39:19,285 --> 00:39:20,363 HUH. WE’LL SEE. 1108 00:39:20,363 --> 00:39:21,859 WE WERE TEXTIN’ \h\hALL NIGHT. 1109 00:39:21,859 --> 00:39:24,224 \h\hSHE SENT ME A SEXY PIC. 1110 00:39:24,224 --> 00:39:25,599 YEAH, RIGHT. SHUT UP. 1111 00:39:26,369 --> 00:39:27,832 MM-HMM. 1112 00:39:27,832 --> 00:39:29,669 \h\h\h\h[ Laughing ] THAT’S A FIGHT-PROMO PIC. 1113 00:39:29,669 --> 00:39:31,066 NOT RELEASED YET, \hTHOUGH, BITCH. 1114 00:39:31,066 --> 00:39:32,408 AND SHE JUST SAID, 1115 00:39:32,408 --> 00:39:34,201 "I’M SENDING AN UBER FOR YOU \h\h\h\h\h\h\h\h\h\h\hIN 90 MINUTES," 1116 00:39:34,201 --> 00:39:35,741 \h\h\h\hSO... BOTH OF YOU. 1117 00:39:35,741 --> 00:39:38,304 PROFESSIONAL PICS, \h\h\h\hUBER CAR... 1118 00:39:38,304 --> 00:39:41,142 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hFROM YOU, AND IT AIN’T YOUR DICK, BRO. 1119 00:39:41,142 --> 00:39:43,551 I AGREE -- SHE PROBABLY WANTS YOU TO MAKE HER SOME MONEY 1120 00:39:43,551 --> 00:39:46,048 \h\h\h\h\h\hNOW THAT YOU’RE MINI-MARK CUBAN. 1121 00:39:46,048 --> 00:39:47,555 THAT’S FINE. 1122 00:39:47,555 --> 00:39:50,019 \h\h\h\hTRUTH IS, I-I’D RATHER WORK WITH HER THAN DATE HER, ANYWAY. 1123 00:39:50,019 --> 00:39:51,988 \h\h\h\h\hOH, YOU ARE SO FULL OF SHIT, TURTLE. 1124 00:39:51,988 --> 00:39:53,891 \h\h\h\h\h\h\h\hYEAH, OR MAYBE THOSE SKINNY PILLS HE’S TAKIN’ 1125 00:39:53,891 --> 00:39:55,222 \h\hARE FILLED WITH ESTROGEN. 1126 00:39:55,222 --> 00:39:56,223 YO, YO. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYO. 1127 00:39:56,223 --> 00:39:57,400 \h\h\h\hHEY, MORNIN’, BRO. 1128 00:39:57,400 --> 00:39:58,401 ANY WORD FROM ARI? 1129 00:39:58,401 --> 00:39:59,831 RADIO SILENCE. 1130 00:39:59,831 --> 00:40:02,097 AH, HE PROBABLY HASN’T EVEN \h\h\h\h\h\h\hWATCHED IT YET, VIN. 1131 00:40:02,097 --> 00:40:04,968 \h\h\h\h\hYEAH, MAYBE HIS DVD PLAYER BROKE. 1132 00:40:06,167 --> 00:40:07,905 HEY, SIT DOWN, BRO. 1133 00:40:07,905 --> 00:40:10,743 I MADE YOUR FAVORITE -- HAND-ROLLED CROISSANTS, 1134 00:40:10,743 --> 00:40:14,208 \h\hEGGS BENEDICT WITH CHAMPAGNE SHERRY-INFUSED BéARNAISE SAUCE 1135 00:40:14,208 --> 00:40:15,583 AND FRESHLY SQUEEZED \h\h\h\hGUAVA JUICE. 1136 00:40:15,583 --> 00:40:16,947 FAVORITE. 1137 00:40:16,947 --> 00:40:19,983 JOHNNY, THIS LOOKS GREAT, BUT I’M NOT REALLY HUNGRY. 1138 00:40:20,687 --> 00:40:22,051 HEY, COME ON. 1139 00:40:22,051 --> 00:40:24,724 EVEN IF ARI HATED THE MOVIE, \h\h\h\h\h\hWHO GIVES A SHIT? 1140 00:40:24,724 --> 00:40:26,759 HE’S STILL A FUCKIN’ AGENT \h\h\h\h\h\h\h\h\hAT HEART. 1141 00:40:26,759 --> 00:40:28,464 YEAH, SERIOUSLY, BRO. \h\h\h\h\h\h\hFUCK ARI. 1142 00:40:28,464 --> 00:40:29,465 \h\h\h\h\hEric: YEAH, FUCK ’IM. 1143 00:40:29,465 --> 00:40:30,730 FUCK ARI. 1144 00:40:30,730 --> 00:40:32,160 [ CELLPHONE CHIMES ] \h\hTHANKS, GUYS. 1145 00:40:33,865 --> 00:40:34,998 IT’S ARI. 1146 00:40:35,900 --> 00:40:37,638 \h\h\h\hTHINK HE HEARD US? WHAT’D HE SAY? 1147 00:40:37,638 --> 00:40:39,101 \h\h\hHE WANTS US TO GO OUT FRONT. 1148 00:40:39,101 --> 00:40:40,839 WHY? 1149 00:40:43,105 --> 00:40:44,271 Vince: WOW. 1150 00:40:44,271 --> 00:40:46,042 Turtle: HOLY SHIT. 1151 00:40:46,042 --> 00:40:47,109 LOOK AT THIS BEAUTY! 1152 00:40:47,109 --> 00:40:48,407 \h\h\h\h\h\h\h\h\h\hDIDN’T HATE THE MOVIE. 1153 00:40:48,407 --> 00:40:50,552 NO, ACTUALLY, HE LOVED IT. 1154 00:40:50,552 --> 00:40:53,489 "VINNIE, I’M BLOWN AWAY. \h\h\h\h\h\h\hBLOWN AWAY. 1155 00:40:53,489 --> 00:40:55,722 \h\h\h\h\h\h\h\hAND, E, YOU’VE DONE GOOD, TOO." 1156 00:40:55,722 --> 00:40:57,284 [ MOTOR WHIRRING ] 1157 00:40:57,284 --> 00:40:59,121 [ LAUGHTER ] 1158 00:40:59,121 --> 00:41:02,124 [ OB O’BRIEN’S "SCHEMIN’ UP" \h\h\h\h\h\h\h\h\h\h\hPLAYS ] 1159 00:41:02,124 --> 00:41:05,292 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hME IN THAT NOTE, BRO? 1160 00:41:05,292 --> 00:41:08,603 ♪ ALL MY NIGGAS SO HUNGRY, MAN, THEY JUST EAT WHAT THEY KILL ♪ 1161 00:41:08,603 --> 00:41:11,672 \h♪ I LIKE CONVERTIBLE BENTLEYS AND HOUSES DEEP IN THE HILLS ♪ 1162 00:41:11,672 --> 00:41:13,234 \h\h\h\h\h\h\h♪ I MIGHT TELL THE WHOLE CREW COME THROUGH ♪ 1163 00:41:13,234 --> 00:41:15,104 ♪ MY SQUAD GOT TO ROLL THROUGH, \h\h\h\h\h\h\h\hCOME THROUGH ♪ 1164 00:41:15,104 --> 00:41:16,842 ♪ TELL THE YOUNG HIGH-SCHOOL \h\h\h\hKIDS KEEP DREAMIN’ ♪ 1165 00:41:16,842 --> 00:41:18,679 ♪ BECAUSE THEY SURE DO \h\h\h\h\h\hCOME TRUE ♪ 1166 00:41:18,679 --> 00:41:20,912 ♪ THEN I SAY YEAH, \h\h\h\hOH, YEAH ♪ 1167 00:41:20,912 --> 00:41:22,276 \h\h\h\h\h\h♪ MY SOUND IS WHAT UP RIGHT NOW ♪ 1168 00:41:22,276 --> 00:41:24,487 \h\h\h♪ I’VE BEEN DOWN, BUT I’M UP RIGHT NOW ♪ 1169 00:41:24,487 --> 00:41:25,521 ALL RIGHT, HERE WE GO! 1170 00:41:25,521 --> 00:41:27,248 \h\h\h\h\h\h\h\h\h\h\h\hYEAH! OH, YEAH, BABY! 1171 00:41:27,248 --> 00:41:28,953 ♪ MAN, I DON’T GIVE A FUCK \h\h\h\h\h\h\h\hRIGHT NOW ♪ 1172 00:41:28,953 --> 00:41:30,592 ♪ LET A NIGGA SWIM IN THE PUSSY \h\h\h\h\h\h\h\h\hON THE LOW ♪ 1173 00:41:30,592 --> 00:41:33,122 ♪ ’BOUT TO GO DROWN IN THE CUP \h\h\hRIGHT NOW, HOLLA AT ME ♪ 1174 00:41:33,122 --> 00:41:36,862 ♪ YEAH, I GOT TWO TINGS \h\h\hCOMIN’ THROUGH ♪ 1175 00:41:36,862 --> 00:41:40,162 I REALLY NEED AN ANSWER, ARI. TIME IS RUNNING OUT. 1176 00:41:40,162 --> 00:41:43,165 \h\hISN’T MY OFFERING UP MY HOUSE FOR THE CEREMONY ENOUGH, LLOYD? 1177 00:41:43,165 --> 00:41:46,641 \h\h\hNO, EVEN THOUGH THAT IS SO AMAZINGLY GENEROUS, 1178 00:41:46,641 --> 00:41:48,511 \h\h\h\h\h\h\hTHIS IS SO MUCH MORE IMPORTANT TO ME. 1179 00:41:48,511 --> 00:41:49,974 \h\h\h\h\hI need more information. 1180 00:41:49,974 --> 00:41:52,339 LIKE WHAT? Like what will you \h\h\h\hbe wearing? 1181 00:41:52,339 --> 00:41:53,714 \h\h\h\h\hI KNOW IT CAN’T BE WHITE 1182 00:41:53,714 --> 00:41:55,342 BECAUSE YOU’VE BEEN BANGED \h\h\h\h\h\h\hMORE TIMES THAN -- 1183 00:41:55,342 --> 00:41:56,750 ARI! 1184 00:41:58,180 --> 00:41:59,621 HEY, LIAM. 1185 00:41:59,621 --> 00:42:01,447 GO FUCK YOURSELF, \h\h\h\h\h\hARI. 1186 00:42:01,447 --> 00:42:04,120 FORGIVE AND FORGET, BUDDY. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO? 1187 00:42:05,352 --> 00:42:06,793 HEY, SCHINDLER. 1188 00:42:06,793 --> 00:42:09,191 LEAVE NO JEW BEHIND! 1189 00:42:09,191 --> 00:42:10,027 ARI?! 1190 00:42:10,027 --> 00:42:11,490 Listen, Lloyd, \h\hI love you, 1191 00:42:11,490 --> 00:42:13,261 \hBUT I JUST -- I CAN’T COMMIT. 1192 00:42:20,334 --> 00:42:21,775 REALLY? 1193 00:42:23,205 --> 00:42:24,404 [ TIRES SCREECH ] 1194 00:42:24,404 --> 00:42:25,504 OH, GOD. 1195 00:42:25,504 --> 00:42:26,978 [ ENGINE SHUTS OFF ] 1196 00:42:29,376 --> 00:42:32,049 \h\h\h\h\h\h\hHEY, ARI. TELL ME YOU’RE NOT PARKIN’ THERE. 1197 00:42:32,049 --> 00:42:35,382 MY STUDIO, ED. DON’T FORCE ME TO REVOKE YOUR PARKING PRIVILEGES. 1198 00:42:35,382 --> 00:42:37,087 FUCKING ASSHOLE! 1199 00:42:38,187 --> 00:42:41,058 \h\h\h\h\h\hWHO IS INSANE ENOUGH TO PARK IN MY SPOT, ALLEN? 1200 00:42:41,058 --> 00:42:43,027 UH, I DO NOT KNOW. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTOW IT. 1201 00:42:43,027 --> 00:42:44,523 ACTUALLY, YOU KNOW WHAT, \h\h\h\h\hI’M IN A GOOD MOOD. 1202 00:42:44,523 --> 00:42:45,733 JUST SPIT ON IT. 1203 00:42:45,733 --> 00:42:47,493 CAR, ARI. 1204 00:42:47,493 --> 00:42:49,528 TRAVIS McCREDLE’S HERE TO SEE YOU. 1205 00:42:49,528 --> 00:42:51,035 I CAN SEE THAT NOW. 1206 00:42:51,035 --> 00:42:52,069 SORRY. 1207 00:42:52,069 --> 00:42:53,774 \h\h\h\h\h\hDIDN’T KNOW WHERE ELSE TO PUT IT. 1208 00:42:53,774 --> 00:42:54,775 THAT’S OKAY. 1209 00:42:54,775 --> 00:42:55,842 WHAT’S HAPPENING? 1210 00:42:55,842 --> 00:42:57,173 YOU GET A CHANCE \h\h\hTO LOOK AT 1211 00:42:57,173 --> 00:42:59,076 VINNIE CHASE’S MASTERPIECE \h\h\h\h\h\h\h\hLAST NIGHT? 1212 00:42:59,076 --> 00:43:00,682 \h\h\h\h\h\h\h\h\h\h\h\hI DID. YOU GOT A MINUTE TO CHAT? 1213 00:43:01,408 --> 00:43:02,541 YES. YES, YES, YES. 1214 00:43:02,541 --> 00:43:03,586 UH... \h\h\h\h\h\h\h\h\hGREAT. 1215 00:43:03,586 --> 00:43:05,115 HOLD ALL MY CALLS, \h\h\h\h\h\hALLEN. 1216 00:43:05,115 --> 00:43:06,886 BUT REMEMBER YOU HAVE COUPLES THERAPY AT 11:00. 1217 00:43:06,886 --> 00:43:08,756 OH, AND -- AND, ARI. ARI. 1218 00:43:08,756 --> 00:43:10,318 Do you still want me to spit on his car? 1219 00:43:11,924 --> 00:43:13,288 WOW! 1220 00:43:13,288 --> 00:43:14,355 WHAT A SPACE. 1221 00:43:14,355 --> 00:43:15,697 AH, IT’S COMFY, HUH? 1222 00:43:15,697 --> 00:43:17,259 \h\h\h\h\h\h\hYOU SHOULD SEE MY FATHER’S WORK OFFICE. 1223 00:43:17,259 --> 00:43:19,767 I BET YOUR FATHER HAS A MUCH NICER OFFICE THAN THIS. 1224 00:43:19,767 --> 00:43:21,197 \h\h\hNO, MY FATHER DOESN’T BELIEVE IN 1225 00:43:21,197 --> 00:43:24,101 \h\h\h\h\h\h\h\h\hWASTIN’ MONEY ON EXTRAVAGANT OFFICE SETTINGS. 1226 00:43:24,101 --> 00:43:26,532 MY FATHER BELIEVES IN PUTTIN’ MONEY INTO PRODUCT, 1227 00:43:26,532 --> 00:43:29,645 WHETHER THAT’S PIG’S EARS WE’RE SELLIN’ FOR DOGS TO CHEW ON 1228 00:43:29,645 --> 00:43:31,306 \h\h\hOR METHANE GAS FOR MIDDLE EASTERNERS 1229 00:43:31,306 --> 00:43:32,538 TO POISON EACH OTHER WITH. 1230 00:43:32,538 --> 00:43:34,243 \h\h\h\h\h\h\h\hYES. WELL, YOU KNOW WHAT? 1231 00:43:34,243 --> 00:43:36,619 I TRIED YOUR FATHER -- \hWAITIN’ TO HEAR BACK. 1232 00:43:36,619 --> 00:43:39,787 I SPOKE TO HIM. I TOLD HIM HE DIDN’T NEED TO CALL YOU UNTIL AFTER WE SPOKE. 1233 00:43:39,787 --> 00:43:41,624 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH. \h\h\h\hI, OBVIOUSLY, DIDN’T LIKE THE MOVIE 1234 00:43:41,624 --> 00:43:43,120 AS MUCH AS YOU DID, \h\h\h\h\h\h\hARI. 1235 00:43:43,120 --> 00:43:45,320 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO? \h\h\h\h\h\h\h\h\hNO, IT’S NO MASTERPIECE. 1236 00:43:45,320 --> 00:43:47,223 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAH. NOT FROM THESE EYES’ PERSPECTIVE. 1237 00:43:47,223 --> 00:43:50,556 WELL...AND, UH, WHAT TYPE OF TRAINING DO YOU HAVE TO JUDGE THAT? 1238 00:43:50,556 --> 00:43:53,328 I WENT TO THE AUSTIN P.A. FILM ACADEMY FOR A SEMESTER, 1239 00:43:53,328 --> 00:43:56,067 AND ALL MY TEACHERS SAID I HAD TREMENDOUS TASTE. 1240 00:43:56,067 --> 00:43:58,674 \hI CAN...SEE IT IN YOUR WARDROBE. 1241 00:43:58,674 --> 00:44:00,005 [ CHUCKLES ] 1242 00:44:00,005 --> 00:44:03,173 LOOK, ARI, I HAVE THOUGHTS ABOUT THIS MOVIE, 1243 00:44:03,173 --> 00:44:06,176 AND MY FATHER WOULD LIKE FOR YOU TO TAKE THEM SERIOUSLY. 1244 00:44:06,176 --> 00:44:07,177 THOUGHTS? 1245 00:44:07,177 --> 00:44:08,816 YOU HAVE NOTES? 1246 00:44:08,816 --> 00:44:10,653 \h\h\h\h\h\hWHATEVER YOU WANT TO CALL THEM. 1247 00:44:10,653 --> 00:44:12,182 BUT MOST OF THEM \hREVOLVE AROUND 1248 00:44:12,182 --> 00:44:14,580 \h\h\h\h\hCUTTING OUT VINCENT CHASE’S MUTANT BROTHER. 1249 00:44:14,580 --> 00:44:16,450 DRAMA. 1250 00:44:16,450 --> 00:44:20,388 YEAH. HE’S AN ABOMINATION AND HE’S GOT TO GO. 1251 00:44:21,862 --> 00:44:23,666 THE CHALLENGE FOR ME WAS 1252 00:44:23,666 --> 00:44:26,163 I WAS THE ONLY HUMAN \h\h\hIN THAT SCENE. 1253 00:44:26,163 --> 00:44:27,802 \h\hEVERYONE ELSE WAS LIVING DEAD. 1254 00:44:27,802 --> 00:44:29,672 So how did that affect how you played the role? 1255 00:44:29,672 --> 00:44:31,333 IT DIDN’T. 1256 00:44:31,333 --> 00:44:32,840 IT COULDN’T. 1257 00:44:32,840 --> 00:44:34,303 I HAD TO BE REAL. 1258 00:44:34,303 --> 00:44:36,844 IF I PLAYED INTO IT, \hNO WAY IT COULD BE. 1259 00:44:36,844 --> 00:44:38,472 That’s really interesting. 1260 00:44:38,472 --> 00:44:39,946 YEAH. 1261 00:44:39,946 --> 00:44:41,684 NOW, COME ON, BABY. 1262 00:44:41,684 --> 00:44:43,147 SHOW ME A LITTLE NIP. 1263 00:44:43,147 --> 00:44:45,215 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hPLEASE? You are relentless. 1264 00:44:45,215 --> 00:44:47,349 This is like our third session since last night. 1265 00:44:47,349 --> 00:44:48,790 \h\h\h\h\h\hYEAH, WELL, I’M A LITTLE STRESSED 1266 00:44:48,790 --> 00:44:50,187 ABOUT AN AUDITION \hI GOT TOMORROW, 1267 00:44:50,187 --> 00:44:52,794 AND YOUR VOICE, IT SOOTHES ME. 1268 00:44:52,794 --> 00:44:54,158 \h\h\h\h\hTAKE IT AS A COMPLIMENT. 1269 00:44:54,158 --> 00:44:55,555 Fine. 1270 00:44:55,555 --> 00:44:57,557 Unbutton your pants. 1271 00:44:57,557 --> 00:44:59,196 OH, YEAH, BABY. 1272 00:44:59,196 --> 00:45:00,362 OH, YEAH. 1273 00:45:00,362 --> 00:45:02,166 [ Moans ] 1274 00:45:02,166 --> 00:45:05,037 \h\hOH, THAT’S WHAT I’M TALKIN’ ABOUT. 1275 00:45:05,037 --> 00:45:06,709 \h\h\h\h\h\h\h\hRANDY: Jen! Oh! 1276 00:45:06,709 --> 00:45:08,040 \hWhat the fuck are you doin’? 1277 00:45:08,040 --> 00:45:09,173 Randy! You’re supposed to be in Chatsworth! 1278 00:45:09,173 --> 00:45:11,010 \hWho the fuck is this loser? 1279 00:45:11,010 --> 00:45:12,176 \h\h\hYOU DON’T NEED TO CALL ME A LOSER, BRO. 1280 00:45:12,176 --> 00:45:13,716 \h\h\h\h\h\h\h\h\h\h\hJesus. Put some fucking clothes on! 1281 00:45:13,716 --> 00:45:16,048 Oh, my God! You’re not supposed to be here! Listen to me! 1282 00:45:16,048 --> 00:45:17,984 I’m gonna find you, you hear me? You’re gonna pay for this. 1283 00:45:17,984 --> 00:45:19,315 I’m gonna hunt you down, 1284 00:45:19,315 --> 00:45:21,350 \h\hand you’re gonna fuckin’ pay for this! 1285 00:45:21,350 --> 00:45:23,187 Johnny, I’m so sorry. This wasn’t -- 1286 00:45:23,187 --> 00:45:26,388 \h\h\h\h\h\h\h\h\h\h\h\hYO, JOHNNY, WANT TO DROP ME AT EDITING? 1287 00:45:26,388 --> 00:45:27,224 YEAH, SURE, BRO. 1288 00:45:27,224 --> 00:45:29,457 \hWHAT THE FUCK ARE YOU DOIN’? 1289 00:45:32,064 --> 00:45:34,066 \hYOU THINK I SHOULD START A VODKA COMPANY? 1290 00:45:34,066 --> 00:45:35,562 \h\h\h\h\h\hI THINK YOU WOULD KILL IT. 1291 00:45:35,562 --> 00:45:36,739 BUT I DON’T EVEN DRINK. 1292 00:45:36,739 --> 00:45:37,938 REALLY? 1293 00:45:37,938 --> 00:45:39,940 \h\h\h\h\h\h\hUH, LOOK. I GOT A TON OF IDEAS. 1294 00:45:39,940 --> 00:45:41,205 YOU SHOULD HAVE \hA FITNESS APP 1295 00:45:41,205 --> 00:45:43,944 \h\h\h\h\h\h\h\hAND, LIKE, YOUR OWN CLOTHING LINE. 1296 00:45:43,944 --> 00:45:46,243 WHAT, YOU DON’T THINK MY BRAND’S DOING FINE ALREADY? 1297 00:45:46,243 --> 00:45:49,246 I THINK YOU COULD ALWAYS \h\h\h\hBE DOING BETTER, NO? 1298 00:45:49,246 --> 00:45:52,447 \h\h\h\hI’M CONFUSED. IS THIS A BUSINESS MEETING? 1299 00:45:52,447 --> 00:45:53,789 UH... 1300 00:45:53,789 --> 00:45:55,956 \h\h\h\h\h\h\h\h\h\h\h’CAUSE I DIDN’T KNOW. I DIDN’T KNOW EITHER. 1301 00:45:55,956 --> 00:45:58,090 I-IS THIS A DATE? 1302 00:45:58,090 --> 00:46:00,257 \h\h\h\hI DON’T COOK FOR PEOPLE WHO ARE TRYIN’ TO PITCH ME. 1303 00:46:00,257 --> 00:46:01,555 [ SCOFFS ] WHATEVER. 1304 00:46:01,555 --> 00:46:03,590 I THOUGHT A NICE, NORMAL GUY WANTED TO HANG OUT FOR ONCE. 1305 00:46:03,590 --> 00:46:05,262 I DID! I DO! 1306 00:46:05,262 --> 00:46:07,770 NO ONE UNDER 250 POUNDS EVER HAS THE BALLS TO TALK TO ME. 1307 00:46:07,770 --> 00:46:10,267 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI SHOULD’VE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hKNOWN BETTER. \h\h\hNO, NO. IT’S NOT LIKE THAT. 1308 00:46:10,267 --> 00:46:12,632 \h\h\h\h\h\h\h\h\h\h\h\h\hYOU SHOULD GO. JUST SEE YOURSELF OUT, TURTLE. 1309 00:46:12,632 --> 00:46:14,106 RONDA, COME ON. 1310 00:46:14,106 --> 00:46:16,438 \h\h\h\h\h\h\h\h\h\hYOU SHOULD GO BEFORE I FEEL LIKE HITTING SOMETHING. 1311 00:46:16,438 --> 00:46:17,879 I’LL CALL YOU AN UBER. 1312 00:46:17,879 --> 00:46:20,640 AN UBERX, ACTUALLY. 1313 00:46:20,640 --> 00:46:22,576 MOTHERFUCKIN’ ASSHOLE. 1314 00:46:22,576 --> 00:46:24,985 WELL, WHAT DO YOU MEAN HE WON’T RELEASE ANY MORE MONEY? WHY NOT? 1315 00:46:24,985 --> 00:46:26,316 I’M DEALING WITH IT. 1316 00:46:26,316 --> 00:46:27,746 \hI thought you said his opinion didn’t matter. 1317 00:46:27,746 --> 00:46:29,286 \h\h\h\h\h\h\h\h\hIT DOESN’T, AND I’M DEALING WITH IT. 1318 00:46:29,286 --> 00:46:30,584 \h\h\h\h\h\h\h\hWELL, YOU BETTER DEAL FAST, 1319 00:46:30,584 --> 00:46:32,454 ’CAUSE WE CAN’T FINISH THE MOVIE WITHOUT MONEY. 1320 00:46:32,454 --> 00:46:34,291 \h\h\h\h\h\h\h\h\hREALLY? ’CAUSE I THOUGHT WE COULD FINISH \h\h\h\h\hIT WITH FROOT LOOPS. 1321 00:46:34,291 --> 00:46:35,655 \h\h\h\hYOU’RE FUNNY BUT DID YOU TELL VINCE? 1322 00:46:35,655 --> 00:46:37,063 ’CAUSE HE’S ON HIS WAY TO EDITING. 1323 00:46:37,063 --> 00:46:39,164 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hyou ’cause it’s your job, 1324 00:46:39,164 --> 00:46:42,167 ALONG WITH GOING OVER BUDGET AND BEING SHORT, TO TELL HIM THESE THINGS. 1325 00:46:42,167 --> 00:46:43,938 YOU NEED TO CALL HIM ’CAUSE I’M WALKIN’ INTO LAMAZE CLASS. 1326 00:46:43,938 --> 00:46:45,467 \h\h\hNothing says you’re working hard 1327 00:46:45,467 --> 00:46:47,909 \h\h\h\hMORE THAN LAMAZE CLASS AT NOON ON A WEDNESDAY, E. 1328 00:46:47,909 --> 00:46:49,812 THANKS FOR NOTHIN’. 1329 00:46:49,812 --> 00:46:51,242 HEY, BABY. 1330 00:46:51,979 --> 00:46:53,244 I’M EXCITED FOR THERAPY. 1331 00:46:53,244 --> 00:46:54,850 \h\h\h\h\h\h\h\h\h\h\hDON’T BE. IT’S A WASTE OF FUCKIN’ MONEY. 1332 00:46:54,850 --> 00:46:55,851 HEY, KELSEY. 1333 00:46:55,851 --> 00:46:56,852 ARI. MELISSA. 1334 00:46:56,852 --> 00:46:58,084 \h\h\h\h\h\h\h\h\h\h\h\hHI. YOU OKAY? 1335 00:46:58,084 --> 00:46:59,745 \h\h\hI’M HERE, SO I’M FUCKED. 1336 00:46:59,745 --> 00:47:01,582 \h\h\h\h\h\h\h\h\hHERE, I’M GUESSING YOU’RE FUCKED AS WELL. 1337 00:47:01,582 --> 00:47:03,782 NICE SEEIN’ YA! 1338 00:47:03,782 --> 00:47:05,927 THIS SHOULD BE FUN. 1339 00:47:05,927 --> 00:47:07,588 BREATHE IN. 1340 00:47:07,588 --> 00:47:11,658 ONE, TWO, THREE. 1341 00:47:11,658 --> 00:47:12,967 AND CONTINUE. 1342 00:47:12,967 --> 00:47:14,661 \h\h\h\h\h\h\h\h\h\h\h\hSloan: WHAT ABOUT THE NAME RYAN? 1343 00:47:14,661 --> 00:47:16,003 \h\h\h\h\h\h\h\hEric: FOR A BOY OR A GIRL? 1344 00:47:16,003 --> 00:47:17,004 EITHER. 1345 00:47:17,004 --> 00:47:19,006 I LIKE IT. 1346 00:47:19,006 --> 00:47:21,041 BUT RYAN MURPHY CREATED "GLEE." 1347 00:47:21,041 --> 00:47:24,374 \h\h\h\h\h\h\h\h\h\h\hAND YOU THINK PEOPLE WILL CONFUSE OUR BABY WITH HIM? 1348 00:47:24,374 --> 00:47:26,882 IF WE NAME OUR BABY RYAN MURPHY, THEN, YEAH, I DO. 1349 00:47:26,882 --> 00:47:29,852 [ LAUGHS ] 1350 00:47:29,852 --> 00:47:33,020 \hWHY DOES CHAD LOWE KEEP STARIN’ AT YOU? 1351 00:47:33,020 --> 00:47:36,188 Hey. How are you? 1352 00:47:40,962 --> 00:47:42,326 \h\h\h\hSloan: WOULD YOU STOP? 1353 00:47:42,326 --> 00:47:44,031 \h\h\h\h\h\h\h\h\hEric: WHAT, I JUST DIDN’T KNOW YOU WERE DATING. 1354 00:47:44,031 --> 00:47:45,967 WE WENT OUT A COUPLE OF TIMES. IT’S NOT A BIG DEAL. 1355 00:47:45,967 --> 00:47:48,035 YEAH. WONDER WHAT THE GIRL HE’S WITH WOULD THINK ABOUT THAT. 1356 00:47:48,035 --> 00:47:49,905 THEY’RE NOT TOGETHER. 1357 00:47:49,905 --> 00:47:51,500 THEN WHAT ARE THEY DOIN’ \h\h\h\h\h\hIN LAMAZE CLASS? 1358 00:47:51,500 --> 00:47:53,700 \h\h\h\h\h\h\h\h\h\h\h\hDOING IN LAMAZE CLASS? 1359 00:47:53,700 --> 00:47:55,878 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHIS IS \h\h\h\h\h\h\h\h\h\h\h\h\h\hA FUCKED-UP TOWN. [ Chuckling ] YEAH. 1360 00:47:55,878 --> 00:47:57,572 YOU KNOW WHAT? 1361 00:47:57,572 --> 00:48:00,344 I THINK WE’RE BETTER OFF IF WE DON’T QUESTION EACH OTHER. 1362 00:48:00,344 --> 00:48:03,215 I AGREE. BUT TELL ME YOU HAVEN’T HAD SEX. 1363 00:48:03,215 --> 00:48:05,085 \h\h\hOH, MY GOD. ARE YOU SERIOUS? 1364 00:48:05,085 --> 00:48:06,317 \h\h\h\h\h\hCAN’T, CAN YOU? 1365 00:48:06,317 --> 00:48:08,055 \h\h\h\h\h\h\h\h\h\hI MEAN, WITH THE BABY IN THERE. 1366 00:48:08,055 --> 00:48:09,683 I MEAN, YOU COULD HURT IT, \h\h\h\h\h\h\h\h\h\h\h\h\hRIGHT? 1367 00:48:09,683 --> 00:48:10,992 OH, RELAX, ERIC. 1368 00:48:10,992 --> 00:48:12,818 \h\h\h\h\h\h\h\hNO, I’M NOT HAVING SEX. 1369 00:48:12,818 --> 00:48:15,062 \h\h\h\h\h\h\hAND NOT BECAUSE I HAVEN’T WANTED TO. 1370 00:48:15,062 --> 00:48:16,558 BECAUSE, I DON’T KNOW IF YOU KNOW THIS, 1371 00:48:16,558 --> 00:48:19,231 BUT PREGNANT WOMEN CAN GET VERY HORNY. 1372 00:48:19,231 --> 00:48:23,334 PROBLEM IS, NOBODY WANTS TO HAVE SEX WITH ME. 1373 00:48:23,334 --> 00:48:25,237 HAVE SEX WITH YOU. 1374 00:48:26,073 --> 00:48:28,240 WHERE ARE YOU HEADED WITH THIS? 1375 00:48:28,240 --> 00:48:29,670 WHAT, ARE YOU GONNA TELL ME YOU LOVE ME 1376 00:48:29,670 --> 00:48:31,111 AND YOU WANT ME BACK AGAIN? 1377 00:48:31,111 --> 00:48:33,542 WHO’S TALKIN’ ABOUT LOVE? \h\h\hI’M TALKIN’ ABOUT SEX. 1378 00:48:33,542 --> 00:48:35,841 \h\h\h\hI’M SAYING THAT I WOULD HAVE SEX WITH YOU RIGHT NOW 1379 00:48:35,841 --> 00:48:37,084 IF YOU REALLY NEED IT. 1380 00:48:37,084 --> 00:48:38,547 I JUST DON’T WANT TO GET EMOTIONAL. 1381 00:48:38,547 --> 00:48:40,549 [ SCOFFS, LAUGHS ] 1382 00:48:40,549 --> 00:48:43,288 DO YOU KNOW I HAVEN’T EVEN BEEN HELD IN SIX MONTHS? 1383 00:48:43,288 --> 00:48:46,753 \h\h\h\h\h\h\h\h\h\h\h\hALREADY GETTING EMOTIONAL. 1384 00:48:46,753 --> 00:48:48,590 FOLLOW ME HOME. 1385 00:48:48,590 --> 00:48:49,624 SERIOUSLY? 1386 00:48:49,624 --> 00:48:50,889 YEAH, SURE. \hWHY NOT. 1387 00:48:50,889 --> 00:48:52,792 YOU’RE CLEAN. I TRUST YOU. 1388 00:48:52,792 --> 00:48:54,365 \h\h\h\h\h\h\h\h\h\h\h\h\h\hSLOAN. YEAH? 1389 00:48:54,365 --> 00:48:56,202 I’M NOT REALLY \h\hTHAT CLEAN. 1390 00:48:57,038 --> 00:48:58,369 WHAT DO YOU MEAN? 1391 00:48:59,535 --> 00:49:02,241 I HAD SEX WITH SOMEONE \h\h\h\h\h\h\hLAST NIGHT. 1392 00:49:02,241 --> 00:49:05,640 \h\h\h\h\h\hOH, WHO? THE "I WANT YOUR COCK" TEXTER? 1393 00:49:05,640 --> 00:49:07,213 NO, SOMEONE ELSE. 1394 00:49:07,213 --> 00:49:10,117 \h\h\h\h\h\h\h\h\h\h\h\hACTUALLY, I HAD SEX WITH THE TEXTER YESTERDAY ALSO. 1395 00:49:10,117 --> 00:49:12,416 2 GIRLS IN 24 HOURS? 1396 00:49:12,416 --> 00:49:14,550 \h\h\h\h\h\h\h\h\h\hWELL, NOT BY DESIGN. WHO ARE YOU? 1397 00:49:14,550 --> 00:49:18,422 AND WHY DO YOU ALWAYS HAVE TO BE SO FUCKING HONEST? 1398 00:49:18,422 --> 00:49:20,094 \h’CAUSE THAT’S JUST WHO I AM. 1399 00:49:20,094 --> 00:49:21,623 AND I GUESS THAT’S WHY \h\h\hWE’RE NOT TOGETHER. 1400 00:49:21,623 --> 00:49:24,725 NO. WE’RE NOT TOGETHER ’CAUSE YOU FUCKED MY STEPMOTHER. 1401 00:49:24,725 --> 00:49:26,133 DON’T EVER FORGET THAT. 1402 00:49:26,133 --> 00:49:27,596 \h\h\h\h\h\h\h\h\h\h\h\hAND YOU TOLD ME THAT IF I CAME CLEAN AND ADMITTED IT, 1403 00:49:27,596 --> 00:49:29,631 YOU’D GET OVER IT, \h\h\h\h\h\h\h\h\h\h\h\h\h\hTHAT. 1404 00:49:29,631 --> 00:49:31,072 I TRIED, ERIC. 1405 00:49:31,072 --> 00:49:32,601 \h\h\h\h\h\h\hI MEAN, I DIDN’T MOVE TO NEW YORK 1406 00:49:32,601 --> 00:49:36,143 \h\h\h’CAUSE I REALLY WANTED TO TRY -- I DID. 1407 00:49:36,143 --> 00:49:38,046 I’LL TALK TO YOU LATER. 1408 00:49:39,674 --> 00:49:41,181 [ CELLPHONE RINGING ] 1409 00:49:44,987 --> 00:49:47,088 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHELLO. It’s Melanie. 1410 00:49:47,088 --> 00:49:48,991 I NEED YOU TO MEET ME AT THE LITTLE DOOR IN 30. 1411 00:49:48,991 --> 00:49:50,091 \h\hI DIDN’T THINK I’D HEAR FROM YOU. 1412 00:49:50,091 --> 00:49:51,752 \h\h\h\h\h\h\h\hEric, this isn’t a social call. 1413 00:49:51,752 --> 00:49:52,786 I’M PREGNANT. 1414 00:49:52,786 --> 00:49:54,194 And if you don’t meet me in 30, 1415 00:49:54,194 --> 00:49:56,757 THE NEXT CALL YOU’RE GOING TO GET IS FROM MY ATTORNEY. 1416 00:50:00,794 --> 00:50:02,037 ERIC. 1417 00:50:02,037 --> 00:50:04,600 \h\hI CAN’T BELIEVE I’M GONNA SAY THIS, 1418 00:50:04,600 --> 00:50:07,339 BUT I’M WILLING \hTO TRY AGAIN. 1419 00:50:09,671 --> 00:50:12,113 DID YOU HEAR WHAT I SAID? 1420 00:50:13,609 --> 00:50:15,182 UH... 1421 00:50:16,216 --> 00:50:19,186 OKAY. GOOD TALK. 1422 00:50:21,617 --> 00:50:24,554 \h\hSO, WHY DID YOU STOP TAKING THE "ANGER MEDS," 1423 00:50:24,554 --> 00:50:25,819 AS YOU CALL THEM? 1424 00:50:25,819 --> 00:50:27,689 \h\h\h\h\h\h\h\h\hI DIDN’T THINK \h\h\h\h\h\h\hTHEY WERE WORKING. DID. 1425 00:50:27,689 --> 00:50:29,460 EXCEPT TO AFFECT ME 1426 00:50:29,460 --> 00:50:32,496 \h\h\h\h\h\hIN PLACES THAT I JUST DIDN’T WANT TO BE AFFECTED. 1427 00:50:32,496 --> 00:50:34,399 \h\hHAVE YOU BEEN UNABLE TO MAINTAIN AN ERECTION? 1428 00:50:34,399 --> 00:50:36,500 I DIDN’T SAY THAT. \h\hDID I SAY THAT? 1429 00:50:36,500 --> 00:50:37,897 HE’S HAVING TROUBLE \h\h\h\hFINISHING. 1430 00:50:37,897 --> 00:50:40,042 \h\h\h\h\h\h\h\h\h\hM-MEANING THAT I CAN GO ALL NIGHT. 1431 00:50:40,042 --> 00:50:42,209 \h\h\hBOOM. [ LAUGHS ] 1432 00:50:42,209 --> 00:50:43,540 \hAND NOW YOU FEEL THAT HE’S REVERTING 1433 00:50:43,540 --> 00:50:46,246 \h\h\h\h\h\h\h\h\hBACK TO HIS PAST BEHAVIORS. 1434 00:50:46,246 --> 00:50:47,874 \h\h\h\h\hIT’S AS IF WE’RE IN A TIME MACHINE. 1435 00:50:47,874 --> 00:50:50,877 \h\h\h\h\h\h\h\h\h\h\h\h\hTHE PAST BEHAVIORS THAT ALMOST ENDED YOUR MARRIAGE. 1436 00:50:50,877 --> 00:50:52,010 YES. 1437 00:50:52,010 --> 00:50:54,221 \h\hYOU DON’T FEEL THAT IS TRUE, ARI? 1438 00:50:54,221 --> 00:50:56,223 NO, OF COURSE I DON’T \h\hFEEL THAT IT’S TRUE 1439 00:50:56,223 --> 00:50:57,752 TRUE. 1440 00:50:57,752 --> 00:50:59,853 \hI PROMISED MY WIFE THAT IF SHE LET ME GO BACK TO WORK, 1441 00:50:59,853 --> 00:51:01,426 IT WOULD BE NOTHING BUT FUN, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBEEN. 1442 00:51:01,426 --> 00:51:04,198 I DO ALMOST NOTHING BUT SMILE ALL DAY. 1443 00:51:04,198 --> 00:51:06,497 \hAND THE ANGER MEDS DIDN’T MAKE ME CALM. 1444 00:51:06,497 --> 00:51:08,334 THEY JUST MADE ME NOT ABLE TO COME, 1445 00:51:08,334 --> 00:51:09,896 \h\hWHICH JUST MADE ME ANGRY. 1446 00:51:09,896 --> 00:51:11,271 \h\h\h\h\hAND JUST MADE MY WIFE SORE. 1447 00:51:11,271 --> 00:51:15,077 \h\h\h\h\h\h\h\h\hNOW, CURRENTLY, I AM A LITTLE BIT STRESSED 1448 00:51:15,077 --> 00:51:16,672 ABOUT THIS GIANT MOVIE 1449 00:51:16,672 --> 00:51:18,278 BECAUSE I HAVEN’T BEEN ABLE \hTO SEE IT UNTIL YESTERDAY. 1450 00:51:18,278 --> 00:51:19,939 \h\h\h\h\h\h\hTHANK GOD IT’S FUCKING AMAZING. 1451 00:51:19,939 --> 00:51:22,876 BUT SUDDENLY, THIS LITTLE PUNK \hBITCH VERSION OF FORREST GUMP 1452 00:51:22,876 --> 00:51:24,449 \h\h\h\h\h\hTHINKS THAT HE HAS THE AUTHORITY TO WEIGH IN 1453 00:51:24,449 --> 00:51:26,187 \h\h\h\h\h\h\h\h\h\h\h\h\h\hON CUTTING MY MOVIE-STAR DIRECTOR’S BROTHER, 1454 00:51:26,187 --> 00:51:29,256 AND HIS FUCKIN’ FOGHORN LEGHORN \hOF A FATHER WON’T CALL ME BACK 1455 00:51:29,256 --> 00:51:30,554 \h\h\hTO TELL ME THAT HE DOESN’T, 1456 00:51:30,554 --> 00:51:33,095 \h\h\h\h\h\h\h\h\h\hSO, YES, I AM A TINY, TINY BIT STRESSED, 1457 00:51:33,095 --> 00:51:35,361 WHICH IS NORMAL, NO? 1458 00:51:36,296 --> 00:51:38,958 \h\h\h\h\h\hWHY DON’T WE KEEP THE FOCUS OFF WORK? 1459 00:51:38,958 --> 00:51:41,268 \h\h\h\h\hTELL HER WHAT YOU DID TODAY. 1460 00:51:41,268 --> 00:51:43,028 WHAT DOES THAT HAVE TO DO \h\h\h\h\h\h\h\hWITH ANYTHING? 1461 00:51:43,028 --> 00:51:44,271 \h\h\h\h\hHE TOLD HIS EX-ASSISTANT 1462 00:51:44,271 --> 00:51:45,734 THAT HE COULD HAVE HIS WEDDING AT OUR HOUSE. 1463 00:51:45,734 --> 00:51:47,637 \h\h\h\h\h\h\h\h\h\h"EX-ASSISTANT." HE’S LIKE A DAUGHTER TO ME. 1464 00:51:47,637 --> 00:51:49,540 YOU DIDN’T EVEN ASK ME. BECAUSE I THOUGHT \h\h\hYOU’D LIKE IT. 1465 00:51:49,540 --> 00:51:51,575 \h\hWHAT? 300 GAY MEN RUNNING AROUND IN OUR YARD? 1466 00:51:51,575 --> 00:51:53,742 \h\h\h\h\h\h\h\h\h\h\h\h\h\hYOU’RE MAKING BIGOTED ASSUMPTIONS NOW, BABY. 1467 00:51:53,742 --> 00:51:56,448 YEAH, HE SAID IT WAS GONNA BE A TOGA-THEMED WEDDING 1468 00:51:56,448 --> 00:51:58,780 WITH GLASS DILDOS AS CENTERPIECES. 1469 00:51:58,780 --> 00:52:01,046 \h\h\h\h\h\h\h\h\h\h\h[ Chuckling ] THAT WAS A JOKE, OBVIOUSLY. 1470 00:52:01,046 --> 00:52:03,290 \h\h\h\h\h\h\hHE HAS THESE HIGHS AND LOWS. 1471 00:52:03,290 --> 00:52:05,259 IT’S, LIKE, ONE MINUTE HE’S ON THE PHONE, SCREAMING, 1472 00:52:05,259 --> 00:52:07,327 \h\h\h\hAND THE NEXT, HE’S ON THE GROUND, PRAYING. 1473 00:52:07,327 --> 00:52:09,329 \h\h\hAND I JUST HAVE THIS FEELING IN MY GUT 1474 00:52:09,329 --> 00:52:10,957 THAT HE COULD EXPLODE AT ANY SECOND. 1475 00:52:10,957 --> 00:52:12,057 IT’S JUST NOT TRUE. 1476 00:52:12,057 --> 00:52:13,168 [ RINGTONE PLAYS ] 1477 00:52:13,168 --> 00:52:14,466 \h\h\hI TOLD YOU TO TURN THAT OFF. 1478 00:52:14,466 --> 00:52:16,435 I THOUGHT I DID. [ CLEARS THROAT ] 1479 00:52:16,435 --> 00:52:18,899 IT COULD BE THE TEXAN \h\h\h\h\h\h\hOR VINCE. 1480 00:52:18,899 --> 00:52:20,307 IT’S THE STUDIO. 1481 00:52:20,307 --> 00:52:22,243 [ RINGTONE STOPS ] 1482 00:52:22,243 --> 00:52:23,574 IT’S -- IT’S A NEW PHONE \h\h\h\h\h\h\h\h\hSHE GOT ME. 1483 00:52:23,574 --> 00:52:25,004 \h\h\h\h\hI DON’T KNOW HOW TO TURN THE RINGER OFF. 1484 00:52:25,004 --> 00:52:27,072 TURN THE WHOLE POWER OFF. WELL, I DON’T KNOW HOW TO. 1485 00:52:27,072 --> 00:52:28,315 [ RINGTONE RESUMES ] 1486 00:52:28,315 --> 00:52:29,910 IT’S THE STUDIO AGAIN. 1487 00:52:29,910 --> 00:52:31,153 DON’T ANSWER THAT. 1488 00:52:31,153 --> 00:52:32,352 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWELL, \h\h\h\h\h\h\h\h\h\h\hIT MUST BE IMPORTANT. DON’T. 1489 00:52:32,352 --> 00:52:33,914 \h\h\h\h\h\h\h\h\hIT COULD BE ABOUT THE TEXAN OR VINCE. 1490 00:52:33,914 --> 00:52:36,081 I-I HAVE TO TAKE IT. \h\h\h\h\h\h\h\h\hI-- 1491 00:52:36,081 --> 00:52:37,159 [ RINGTONE CONTINUES ] 1492 00:52:37,159 --> 00:52:38,457 WHAT? 1493 00:52:38,457 --> 00:52:39,689 Did you show a cut 1494 00:52:39,689 --> 00:52:42,494 OF VINCE’S MOVIE TO LARSEN McCREDLE’S SON? 1495 00:52:42,494 --> 00:52:44,166 \h\h\h\h\h\hYes. How do you know? 1496 00:52:44,166 --> 00:52:45,464 THE EDITOR JUST CALLED. 1497 00:52:45,464 --> 00:52:47,433 \h\h\h\h\hAPPARENTLY, THE KID SHOWED UP WITH NOTES. 1498 00:52:47,433 --> 00:52:49,171 \h\h\h\hJESUS. IS VINCE THERE? 1499 00:52:49,171 --> 00:52:50,304 Not yet. 1500 00:52:50,304 --> 00:52:52,471 BUT THE KID SAID, AND I’M QUOTING, 1501 00:52:52,471 --> 00:52:54,671 "THAT PRETTY-BOY DIRECTOR IS LOCKED OUT, 1502 00:52:54,671 --> 00:52:57,608 ALONG WITH EVERYONE ELSE, UNTIL I SAY SO." 1503 00:52:57,608 --> 00:52:58,906 [ GROWLS ] 1504 00:53:03,878 --> 00:53:05,187 ARI? 1505 00:53:05,187 --> 00:53:07,684 Ari? \h\h\h\h\h\hI GOT TO GO, DANA. 1506 00:53:07,684 --> 00:53:09,917 [ SIGHS ] 1507 00:53:13,393 --> 00:53:15,560 I’M OKAY TO CONTINUE. 1508 00:53:15,560 --> 00:53:16,990 [ MOBB DEEP’S "GIVE UP THE GOODS (JUST STEP)" PLAYS ] 1509 00:53:16,990 --> 00:53:18,794 LOOK, MAYBE \h\h\hWANT TO BANG YOU. 1510 00:53:18,794 --> 00:53:20,664 MY BAD. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBAD. 1511 00:53:20,664 --> 00:53:22,534 \h\hYOU TOTALLY GOT IN MY HEAD. 1512 00:53:22,534 --> 00:53:24,371 WHY DON’T YOU JUST CALL HER AND APOLOGIZE? 1513 00:53:24,371 --> 00:53:26,703 I ALREADY DID. SHE SENT ME \h\h\h\hSTRAIGHT TO VOICEMAIL. 1514 00:53:26,703 --> 00:53:27,539 TWICE. 1515 00:53:27,539 --> 00:53:29,508 LOOK, TURTLE, I’M SORRY. 1516 00:53:29,508 --> 00:53:31,741 BUT I GOT MY OWN PROBLEMS RIGHT NOW. 1517 00:53:31,741 --> 00:53:33,710 DON’T FUCK GIRLS WITH BOYFRIENDS AND YOU WOULDN’T. 1518 00:53:33,710 --> 00:53:35,679 \hSHE NEVER MENTIONED SHE HAD A BOYFRIEND. 1519 00:53:35,679 --> 00:53:37,318 \h\hI WOULDN’T WORRY ABOUT IT. 1520 00:53:37,318 --> 00:53:39,518 \h\h\h\h\h\hUNLESS SHE SELLS YOU OUT, HOW’S HE GONNA FIND YOU ANYWAY? 1521 00:53:39,518 --> 00:53:41,080 \h\h\h\h\h\h\h\hWELL, MAYBE HE RECOGNIZED ME. 1522 00:53:41,080 --> 00:53:42,389 \h\h\h\h\h\hCOME ON. WHAT ARE THE ODDS OF THAT? 1523 00:53:42,389 --> 00:53:43,753 BILLION TO ONE, \h\h\hAT LEAST. 1524 00:53:43,753 --> 00:53:45,227 \hCOULD YOU PLEASE NOT MAKE FUN OF ME? 1525 00:53:45,227 --> 00:53:46,789 EVER? 1526 00:53:48,186 --> 00:53:51,431 \h\h\h\hALL RIGHT, WHAT’S THE PROBLEM? 1527 00:53:51,431 --> 00:53:53,829 \h\h\h\hYOU KNOW WHAT I’M AUDITIONING FOR TOMORROW? 1528 00:53:53,829 --> 00:53:56,370 VICTIM NUMBER THREE ON "THE MENTALIST." 1529 00:53:56,370 --> 00:53:59,241 AN OLD, BROKEN-DOWN \h\hMALE BALLERINA. 1530 00:53:59,241 --> 00:54:00,506 GOOD PART? 1531 00:54:01,738 --> 00:54:04,004 YOU KNOW, I KNOW PEOPLE HAVE LOOKED AT ME AS A JOKE 1532 00:54:04,004 --> 00:54:06,006 FOR THE PAST 20 YEARS. 1533 00:54:06,006 --> 00:54:09,944 BUT IN VINCE’S MOVIE, IT FELT LIKE I FOUND SOMETHING. 1534 00:54:09,944 --> 00:54:12,881 AND I’M JUST PRAYING THAT PEOPLE SEE IT 1535 00:54:12,881 --> 00:54:15,356 \h\h\hAND THAT THINGS REALLY CHANGE FOR ME. 1536 00:54:15,356 --> 00:54:17,952 I GOT A GOOD FEELING \h\h\hTHAT THEY WILL. 1537 00:54:19,756 --> 00:54:20,856 THANKS. 1538 00:54:22,363 --> 00:54:23,364 HEY, IS THAT E? 1539 00:54:23,364 --> 00:54:24,365 NO. 1540 00:54:24,365 --> 00:54:25,366 MAYBE. 1541 00:54:25,366 --> 00:54:26,763 E. 1542 00:54:26,763 --> 00:54:29,370 \h\h\h♪ I’M BORN WITH IT, I’M GETTIN’ ON WITH IT ♪ 1543 00:54:29,370 --> 00:54:30,371 HANG ON. 1544 00:54:30,371 --> 00:54:32,032 ♪ CAUSE I’M A WHAT? ♪ 1545 00:54:32,032 --> 00:54:34,606 ♪ COMPOSER OF HARDCORE, A LYRICAL DESTRUCTOR ♪ 1546 00:54:34,606 --> 00:54:36,806 ♪ DON’T MAKE ME BUCK YA ♪ 1547 00:54:36,806 --> 00:54:37,939 YO, E! 1548 00:54:37,939 --> 00:54:40,040 WHAT ARE YOU DOIN’? 1549 00:54:40,040 --> 00:54:41,074 NOTHING. 1550 00:54:41,074 --> 00:54:42,779 \h\h\h\h\hTurtle: WHERE’S YOUR CAR? 1551 00:54:42,779 --> 00:54:45,111 NOBODY WALKS IN L.A., E. YOU LOOK STUPID. 1552 00:54:45,111 --> 00:54:47,784 MY LIFE IS OVER. 1553 00:54:47,784 --> 00:54:50,149 ♪ FLIPPIN’ ON NIGGAS \hWALKIN’ AROUND... ♪ 1554 00:54:50,149 --> 00:54:52,624 COME ON, TRAVIS! \hOPEN THE DOOR! 1555 00:54:52,624 --> 00:54:54,329 I’M DEALING WITH ARI ON THIS, VINCE. 1556 00:54:54,329 --> 00:54:56,122 ON WHAT? COME ON! 1557 00:54:56,122 --> 00:54:57,662 JUST OPEN THE DOOR! 1558 00:54:57,662 --> 00:54:59,092 YO, VINNIE, WHAT’S UP? 1559 00:54:59,092 --> 00:55:00,258 YO, WHAT’S UP, MARK? 1560 00:55:00,258 --> 00:55:01,798 I’M DOIN’ SOME LOOPIN’ \h\h\h\h\h\hFOR "TED 3." 1561 00:55:01,798 --> 00:55:03,503 THREE? HOW MANY OF THOSE ARE YOU GONNA DO? 1562 00:55:03,503 --> 00:55:05,065 SHIT, I’LL DO 20 IF I CAN. \h\h\h\h\h\h\hWHAT’S THE MATTER? 1563 00:55:05,065 --> 00:55:06,473 YOUR GIRLFRIEND LOCK YOU OUT \h\h\h\h\h\h\h\hOF THE EDITING ROOM? 1564 00:55:06,473 --> 00:55:08,068 NO, MY CO-FINANCIER. 1565 00:55:08,068 --> 00:55:09,674 YOU SERIOUS? 1566 00:55:09,674 --> 00:55:11,313 WELL, MY BOYS WILL BREAK DOWN \h\hTHE FUCKING DOOR RIGHT NOW. 1567 00:55:11,313 --> 00:55:13,238 \h\h\h\h\h\hI GOT THE HAMSTER HERE. \h\h\h\h\h\h\h\h\h\h\h\h\h\hHE’S CRAZY. I’M CRAZY. 1568 00:55:13,238 --> 00:55:14,811 VINNIE. \h\h\h\hWHAT’S UP, ARI? 1569 00:55:14,811 --> 00:55:16,846 WHAT KIND OF SHIT STUDIO YOU RUNNIN’ AROUND HERE? 1570 00:55:16,846 --> 00:55:19,651 MARK, HEY. CALM DOWN. \h\h\h\h\h\h\h\h\h\h\hDUDE, I’M CALM. \hBUT YOU BETTER GET EXCITED. 1571 00:55:19,651 --> 00:55:21,147 I MEAN, YOU DON’T WANT \hEVERYBODY AROUND TOWN 1572 00:55:21,147 --> 00:55:22,819 \h\h\h\h\h\h\h\h\hTHINKING THAT THIS IS HOW YOU TREAT YOUR FILMMAKERS. 1573 00:55:22,819 --> 00:55:24,282 RIGHT? WHAT THE FUCK IS GOING ON? LISTEN. 1574 00:55:24,282 --> 00:55:25,789 \h\h\h\hI-I-I AM DEALING WITH IT. 1575 00:55:25,789 --> 00:55:27,659 YEAH, WELL, E SAID HE’S NOT GONNA RELEASE ANY MORE MONEY. 1576 00:55:27,659 --> 00:55:28,990 CAN HE DO THAT? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hARI. 1577 00:55:28,990 --> 00:55:30,662 HE’S GOT ISSUES. 1578 00:55:30,662 --> 00:55:32,862 WHAT, HE DOESN’T LIKE THE MOVIE? IT DOESN’T MATTER. 1579 00:55:32,862 --> 00:55:35,293 \h\h\h\h\h\h\h\h\h\h\h\h\hTELL HIM THE TRUTH. YEAH, SERIOUSLY. 1580 00:55:35,293 --> 00:55:36,503 ARI, COME ON, SPEAK! 1581 00:55:36,503 --> 00:55:38,439 TELL HIM THE TRUTH. \h\h\hDON’T BE SHY. 1582 00:55:39,341 --> 00:55:40,672 HE DOESN’T LIKE DRAMA. 1583 00:55:40,672 --> 00:55:43,169 \h\h\hHE WANTS TO CUT HIM OUT. 1584 00:55:43,169 --> 00:55:44,269 JOHNNY? YEAH. 1585 00:55:44,269 --> 00:55:45,809 THAT’S FUCKED UP, \h\h\h\h\hVINCE. 1586 00:55:45,809 --> 00:55:47,349 I’M DOING MY REALITY SHOW "WAHLBURGERS" RIGHT NOW AT A&E. 1587 00:55:47,349 --> 00:55:49,307 \h\h\h\h\h\h\hIF THEY TRY TO CUT OUT MY MOTHER, I’D KILL SOMEBODY. 1588 00:55:49,307 --> 00:55:51,815 \h\h\h\h\h\h\h\h\h\h\h\hEVEN IF SHE SUCKED AS BAD AS DRAMA PROBABLY SUCKS. 1589 00:55:51,815 --> 00:55:53,784 HEY! YOU GUYS KNOW REGGIE \h\h\h\h\h\hFROM JORDAN, RIGHT? 1590 00:55:53,784 --> 00:55:54,818 YEP. \h\h\h\h\h\h\h\hYOU GUYS \h\h\hWANT SOME SHOES? 1591 00:55:54,818 --> 00:55:56,556 \h\h\h\h\hNO, NO, WE’RE GOOD, MARK. 1592 00:55:56,556 --> 00:55:58,525 \h\h\h\h\h\hI’M NOT CUTTING OUT JOHNNY. 1593 00:55:58,525 --> 00:55:59,823 NO, YOU’RE NOT. 1594 00:55:59,823 --> 00:56:01,990 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI WILL \h\h\h\h\h\h\h\h\h\h\h\h\h\hTAKE CARE OF IT. YOU BETTER. 1595 00:56:01,990 --> 00:56:03,860 \h\h\h\h[ THA DOGG POUND’S "WHAT WOULD U DO?" PLAYS ] 1596 00:56:03,860 --> 00:56:06,632 \h\h\h♪ NOW WHAT WOULD YOU DO? IF YOU COULD FUCK WITH ME... ♪ 1597 00:56:06,632 --> 00:56:08,029 [ BUZZER ] \h\h\h\h\h\h\h\h\hOH, SHIT. \h\h\h\h\hTHAT’S ARI GOLD. 1598 00:56:08,029 --> 00:56:10,537 \h\h\h\h\h♪ BUT YOU CAN’T, SO DON’T EVEN THINK ABOUT ♪ 1599 00:56:10,537 --> 00:56:14,167 HAVE THE REDNECK COUNTRY-ASS \h\h\h\h\h\h\hHICK IN EDITING BAY 3 1600 00:56:14,167 --> 00:56:15,509 DRAGGED OFF MY LOT. 1601 00:56:15,509 --> 00:56:17,412 \h\h\h\h\hIF HE RESISTS, YOU HAVE MY PERMISSION 1602 00:56:17,412 --> 00:56:19,040 \h\h\h\hTO SHOOT HIM IN THE FUCKIN’ HEAD! 1603 00:56:19,040 --> 00:56:20,976 \h\h\h\h\h\h♪ STEPPIN’ IN THE MOTHERFUCKIN’ HOUSE ♪ 1604 00:56:20,976 --> 00:56:22,978 ♪ BITCHES BUTTERFLY ALL DAY, WHILE I STEADY MAKE MY PAY ♪ 1605 00:56:22,978 --> 00:56:24,716 \h\h\hYOU’RE LIKE AN NBA PLAYER, E. 1606 00:56:24,716 --> 00:56:26,916 YOU IMAGINE WHEN SOMEONE SAYS, \h\h\h\h\h\h\h\h\h"OH, YOU HAVE TWINS?" 1607 00:56:26,916 --> 00:56:28,588 \h\h\h\h\h\h\hAND HE SAYS, "NO, THEY’RE NOT TWINS. 1608 00:56:28,588 --> 00:56:30,854 ONE WAS BORN IN OCTOBER, \hONE WAS BORN IN APRIL." 1609 00:56:30,854 --> 00:56:32,823 LIKE MINIATURE \hIRISH TWINS. 1610 00:56:32,823 --> 00:56:34,891 YOU KNOW, YOU GUYS ARE FUNNY, BUT WHAT AM I GONNA DO? 1611 00:56:34,891 --> 00:56:36,827 SERIOUSLY. \h\h\h\h\h\h\h\h\h\h\h\h\hTAKE A BREATH. 1612 00:56:36,827 --> 00:56:38,323 \h\h\h\h\h\h\hYOU DON’T EVEN KNOW \h\h\h\h\h\h\h\h\hIF IT’S YOURS. OR IF SHE WANTS IT. 1613 00:56:38,323 --> 00:56:39,929 WELL, \h\hSOMETHIN’. 1614 00:56:45,572 --> 00:56:46,903 \h\h\h\h\hYOU GUYS DON’T HAVE TO WAIT. 1615 00:56:46,903 --> 00:56:48,872 \h\h\h\h\hWE KNOW. BUT WE WILL ANYWAY. 1616 00:56:48,872 --> 00:56:52,744 \h♪ DO YOU WANNA RAP, SCRAP, OR BLAST TO THAT NIGGA DAZ ♪ 1617 00:56:52,744 --> 00:56:54,779 ♪ I’LL BE THE FIRST ONE \h\h\h\h\hTO HIT ’EM ♪ 1618 00:56:54,779 --> 00:56:56,451 \h\h\h\hHE’S A FUCKING IDIOT. WHO CARES WHAT HE THINKS? 1619 00:56:56,451 --> 00:56:57,782 SOMEONE, APPARENTLY, 1620 00:56:57,782 --> 00:57:00,213 ’CAUSE THEY’RE LETTING HIM HOLD MY FILM HOSTAGE. 1621 00:57:00,213 --> 00:57:01,753 NOT TO PILE ON... 1622 00:57:01,753 --> 00:57:02,754 WHAT? 1623 00:57:02,754 --> 00:57:04,250 WELL, MY PUBLICIST CALLED \h\h\h\h\h\h\h\h\h\h\hAND SAID 1624 00:57:04,250 --> 00:57:07,352 THAT "JUST JARED" WANTS TO KNOW \h\h\h\h\h\h\h\h\h\h\h\h\hIF WE’RE DATING. 1625 00:57:07,352 --> 00:57:08,628 I DON’T CARE. \hUP TO YOU. 1626 00:57:08,628 --> 00:57:10,058 \hTELL THEM WHATEVER YOU’RE COMFORTABLE WITH. 1627 00:57:10,058 --> 00:57:12,093 \h\h\h\h\hTHAT WASN’T THEIR ONLY QUESTION. 1628 00:57:12,093 --> 00:57:13,600 NO? \h\h\h\h\h\h\h\h\h\h\h\hNO. 1629 00:57:13,600 --> 00:57:15,393 \h\h\h\h\h\hTHEY WANTED TO CONFIRM THAT THERE’S SOMETHING WRONG 1630 00:57:15,393 --> 00:57:17,604 \h\h\h\h\h\hWITH THE MOVIE, SINCE YOU CANCELED THE SCREENING. 1631 00:57:17,604 --> 00:57:19,738 \h\h\h\h\hOH, JESUS. WHAT DID YOU TELL THEM? 1632 00:57:19,738 --> 00:57:22,708 THAT IT WAS GREAT. WHAT DO YOU THINK? 1633 00:57:23,709 --> 00:57:26,305 DO YOU REALLY THINK \h\h\h\hIT’S GREAT? 1634 00:57:26,305 --> 00:57:27,779 YES. 1635 00:57:28,549 --> 00:57:29,880 NOW STOP. 1636 00:57:29,880 --> 00:57:32,179 YOU’RE TOO GOOD-LOOKING \h\h\h\h\h\hTO BE INSECURE. 1637 00:57:37,118 --> 00:57:38,988 I’M GONNA CALL E. 1638 00:57:41,089 --> 00:57:42,563 [ WHISTLES ] 1639 00:57:42,563 --> 00:57:44,499 [ LAUGHS ] FUCK YOU DOING? 1640 00:57:44,499 --> 00:57:45,797 WE’RE HUNGRY. 1641 00:57:45,797 --> 00:57:48,899 [ CELLPHONE RINGING ] 1642 00:57:48,899 --> 00:57:49,933 ERIC. 1643 00:57:49,933 --> 00:57:52,133 \h\h\h\h\h[ RINGING STOPS ] HEY! 1644 00:57:52,133 --> 00:57:53,475 PAULA. 1645 00:57:53,475 --> 00:57:54,971 YEAH, OF COURSE. HI. HOW ARE YOU? 1646 00:57:54,971 --> 00:57:56,808 \h\h\h\hGOOD. IT’S FUNNY RUNNING INTO YOU HERE. 1647 00:57:56,808 --> 00:57:58,106 \h\h\h\h\h\h\hI WANTED TO TALK TO YOU TODAY, 1648 00:57:58,106 --> 00:57:59,613 BUT WE DIDN’T EVEN \hEXCHANGE NUMBERS. 1649 00:57:59,613 --> 00:58:00,944 \h\hYEAH, I KNOW. SORRY ABOUT THAT. 1650 00:58:00,944 --> 00:58:02,748 \h\h\h\h\h\h\hDO YOU MIND IF I SIT FOR A MINUTE? 1651 00:58:02,748 --> 00:58:04,783 UH, YOU KNOW, ACTUALLY, I HAVE A MEETING RIGHT NOW. 1652 00:58:04,783 --> 00:58:06,983 IS THERE ANY WAY I CAN, UH, I CAN CALL YOU LATER? 1653 00:58:06,983 --> 00:58:09,348 \h\h\h\h\h\hUM, WE HAD SEX LAST NIGHT, SO I’M GONNA SIT FOR ONE MINUTE. 1654 00:58:09,348 --> 00:58:10,624 OKAY. 1655 00:58:10,624 --> 00:58:12,186 ISN’T THAT THE GIRL HE BANGED LAST NIGHT? 1656 00:58:12,186 --> 00:58:13,451 I THINK SO. 1657 00:58:13,451 --> 00:58:15,024 \h\h\h\hSHE THE ONE THAT GOT PREGNANT? 1658 00:58:15,024 --> 00:58:16,663 \h\h\h\h\hI CAN’T KEEP UP WITH THIS GUY ANYMORE. 1659 00:58:16,663 --> 00:58:19,864 I JUST WANTED TO SAY THAT THAT WAS REALLY FAST FOR ME. 1660 00:58:19,864 --> 00:58:21,998 I DON’T USUALLY DO THAT THAT FAST. 1661 00:58:21,998 --> 00:58:23,131 OH, ME EITHER. 1662 00:58:23,131 --> 00:58:24,935 IT WAS SOMETHING ABOUT YOU. LIKE, YOU -- 1663 00:58:24,935 --> 00:58:29,335 YOU JUST SEEMED SO... SWEET AND INNOCENT. 1664 00:58:29,335 --> 00:58:30,611 IS THAT AN ACT? 1665 00:58:30,611 --> 00:58:32,008 NO. 1666 00:58:32,008 --> 00:58:33,174 REALLY? 1667 00:58:34,516 --> 00:58:36,474 \h\h\h\h\h\h\h\h\h\h\h\h\h\hHEY. HEY. 1668 00:58:36,474 --> 00:58:37,651 IS THAT THE OTHER ONE? 1669 00:58:37,651 --> 00:58:39,477 I DON’T KNOW. \h\hI GUESS. 1670 00:58:39,477 --> 00:58:40,819 THIS COULD GET UGLY. 1671 00:58:40,819 --> 00:58:42,018 SHOULD WE DO SOMETHIN’? 1672 00:58:42,018 --> 00:58:43,019 YEAH. 1673 00:58:43,019 --> 00:58:43,987 TAKE PICTURES. 1674 00:58:43,987 --> 00:58:45,318 \h\h\h\h\h\h\h\hWHAT, DID YOU BRING A DATE? 1675 00:58:45,318 --> 00:58:47,122 \h\h\h\h\h\h\h\hOH, NO, NO, NO. NO. WE JUST RAN INTO EACH OTHER. 1676 00:58:47,122 --> 00:58:48,893 I JUST MET HIM \h\hLAST NIGHT. 1677 00:58:48,893 --> 00:58:49,960 OH. 1678 00:58:49,960 --> 00:58:51,456 \h\h\h\h\hIS THIS YOUR GIRLFRIEND? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hUH... 1679 00:58:51,456 --> 00:58:52,996 ’CAUSE LAST NIGHT, YOU SAID YOU DIDN’T HAVE A GIRLFRIEND. 1680 00:58:52,996 --> 00:58:54,965 \h\h\h\h\h\h\h\h\h\h\h\hI DON’T. I DON’T HAVE A GIRLFRIEND. 1681 00:58:54,965 --> 00:58:57,198 \h\h\h\h\h\h\h\h\h\hNO, NO, NO. I’M -- I’M NOT HIS GIRLFRIEND. 1682 00:58:57,198 --> 00:58:58,804 EXCUSE ME. 1683 00:58:58,804 --> 00:59:00,542 \h\h\h\h\hALTHOUGH, WE DID HAVE SEX... 1684 00:59:00,542 --> 00:59:03,237 UH, YESTERDAY. 1685 00:59:03,237 --> 00:59:04,370 ARE YOU SERIOUS? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. 1686 00:59:04,370 --> 00:59:05,404 SO DID WE. 1687 00:59:05,404 --> 00:59:06,812 DID HE GET YOU PREGNANT ALSO? 1688 00:59:06,812 --> 00:59:08,407 NOT THAT I KNOW OF. 1689 00:59:08,407 --> 00:59:09,650 WELL, YOU BETTER CHECK, BECAUSE 1690 00:59:09,650 --> 00:59:11,718 \h\h\h\hAPPARENTLY, HE HAS VERY STRONG SWIMMERS. 1691 00:59:11,718 --> 00:59:15,282 OKAY, UM, I WILL GO TO THE GYNO TODAY. 1692 00:59:16,481 --> 00:59:18,219 \h\h\h\h\h\h\hWHAT TIME DID YOU GUYS HAVE SEX? 1693 00:59:18,219 --> 00:59:19,891 LIKE 6:00 A.M. WHY? 1694 00:59:19,891 --> 00:59:21,354 \h\h\h\h\hOKAY, SO YOU’RE FINE. 1695 00:59:21,354 --> 00:59:22,729 I JUST -- IT’S -- 1696 00:59:22,729 --> 00:59:24,698 \h\h\h\h\h\h\h\h\hTHE REASON WHY I WANTED TO TALK TO YOU TODAY... 1697 00:59:24,698 --> 00:59:25,897 THIS IS, LIKE, \hEMBARRASSING. 1698 00:59:25,897 --> 00:59:27,162 UM... 1699 00:59:27,162 --> 00:59:29,362 \h\h\h\h\h\h\h\h\hYOU MIGHT NEED \h\h\h\hTO GO TO THE DOCTOR, TOO. WHAT? 1700 00:59:29,362 --> 00:59:31,573 I REALLY DON’T WANT TO TALK ABOUT THIS IN FRONT OF HER. 1701 00:59:31,573 --> 00:59:32,574 TALK ABOUT WHAT? 1702 00:59:32,574 --> 00:59:33,938 [ SCOFFS ] 1703 00:59:33,938 --> 00:59:35,742 \h\h\h\h\h\h\h\hOKAY, I MIGHT HAVE SOMETHING. 1704 00:59:35,742 --> 00:59:37,106 \hIT’S PROBABLY NOT CONTAGIOUS. 1705 00:59:37,106 --> 00:59:38,778 EW! \h\h\h\h\h\h\h\h\h\h\h\hDON’T GET NASTY \h\h\h\h\h\h\h\h\h\h\h\hWITH ME, BITCH. 1706 00:59:38,778 --> 00:59:41,583 \hWELL, WHAT DO YOU HAVE, LIKE HERPES OR SOMETHING? 1707 00:59:41,583 --> 00:59:43,750 \h\h\h\h\h\h\h\h\h\h\h\h\hCAN YOU \h\h\h\h\h\hSHUT THE FUCK UP? \h\h\h\h\hShh. GIRLS, LISTEN. 1708 00:59:43,750 --> 00:59:45,752 \hI-I DON’T KNOW WHAT TO SAY TO BOTH OF YOU \h\hAT THE SAME TIME. 1709 00:59:45,752 --> 00:59:47,083 Melanie: WHY DON’T YOU JUST \h\h\h\h\h\h\h\h\hSAY YOU’RE SORRY 1710 00:59:47,083 --> 00:59:49,723 FOR BEING ANOTHER TYPICAL \h\h\h\h\h\h\h\hL.A. DOUCHEBAG. 1711 00:59:49,723 --> 00:59:51,791 \h\h\h\h\h\h\h\hBECAUSE I’M NOT. \h\h\h\h\h\hWELL, WE THINK YOU ARE. 1712 00:59:51,791 --> 00:59:54,123 WHO RUNS AROUND AND USES AS MANY GIRLS AS HE CAN. 1713 00:59:54,123 --> 00:59:56,290 \h\h\h\h\h\h\h\h\h\h\h\h\hI DON’T. WELL, WE THINK YOU DO. 1714 00:59:56,290 --> 00:59:57,555 "WE"? 1715 00:59:57,555 --> 00:59:59,524 \h\hYEAH, WE USED TO LIVE TOGETHER, ERIC. 1716 00:59:59,524 --> 01:00:01,064 WE HAVEN’T SPOKEN \h\hIN A LITTLE, 1717 01:00:01,064 --> 01:00:02,527 \hBUT WE DID THIS MORNING 1718 01:00:02,527 --> 01:00:04,430 \h\h\hAND, SOMEHOW, YOUR NAME CAME UP. 1719 01:00:06,707 --> 01:00:08,401 \h\hSO YOU’RE NOT REALLY PREGNANT. 1720 01:00:08,401 --> 01:00:09,534 NO. 1721 01:00:09,534 --> 01:00:11,074 AND YOU DON’T HAVE \h\h\h\h\h\hHERPES. 1722 01:00:11,074 --> 01:00:12,075 NO! 1723 01:00:12,075 --> 01:00:13,373 THANK GOD! 1724 01:00:13,373 --> 01:00:14,913 THIS WAS POINTLESS. 1725 01:00:14,913 --> 01:00:17,146 NO, THIS ISN’T POINTLESS. \h\h\h\hI GET THE POINT. 1726 01:00:17,146 --> 01:00:18,279 THANK YOU. 1727 01:00:18,279 --> 01:00:20,380 WELL, N-NOT THANK YOU, BUT, I MEAN, I’M SORRY. 1728 01:00:20,380 --> 01:00:21,953 WHAT THE FUCK? 1729 01:00:23,119 --> 01:00:24,692 WHEW. 1730 01:00:25,660 --> 01:00:27,827 IT’S STILL TOO BLEAK. 1731 01:00:27,827 --> 01:00:30,159 YES, THIS MOVIE WILL BE \h\hAN OSCAR CONTENDER, 1732 01:00:30,159 --> 01:00:32,425 \h\h\h\h\h\hBUT IT ALSO HAS COMMERCIAL APPEAL, AS WELL. 1733 01:00:32,425 --> 01:00:35,329 \h\h\h\h\hTHE POSTER NEEDS TO LET TOOTHLESS GUYS IN TEXAS, 1734 01:00:35,329 --> 01:00:37,100 \h\h\h\h\h\h\h\h\hWHO SNORT METH AND POSSIBLY FUCK THEIR SISTERS, 1735 01:00:37,100 --> 01:00:40,840 KNOW THAT IT’S ALSO FUN \hFOR A SATURDAY NIGHT. 1736 01:00:40,840 --> 01:00:42,600 \h\h\h\h\h\h\h\hIF ONLY WE COULD SEE IT, ARI. 1737 01:00:42,600 --> 01:00:45,504 DVDs ARE BEING MADE AS WE SPEAK. EVERYONE CAN SEE IT NOW. 1738 01:00:45,504 --> 01:00:47,506 \h\h\h\h\h\h\h\h\h\h\hYOU’VE SEEN IT? OH, YES. 1739 01:00:47,506 --> 01:00:48,980 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAND IT WORKS? OH, IT WORKS, DANA. 1740 01:00:48,980 --> 01:00:51,246 I SAW IT LAST NIGHT. [ LAUGHS ] 1741 01:00:51,246 --> 01:00:52,654 IT WORKS SO WELL, \h\h\h\hIN FACT, 1742 01:00:52,654 --> 01:00:54,117 \h\h\h\hTHAT TONIGHT, AFTER EVERYONE GOES HOME, 1743 01:00:54,117 --> 01:00:56,658 I MIGHT SNEAK ONTO THE SET, GO INTO THE HYDE LABORATORY, 1744 01:00:56,658 --> 01:00:58,990 AND MASTURBATE INTO A BEAKER. 1745 01:00:58,990 --> 01:01:01,927 \h\h\h\h\h\h\h\h\h\h\h\h\hARI. JOHN ELLIS KEEPS CALLING. 1746 01:01:02,763 --> 01:01:03,863 \hTHE CHAIRMAN OF THE STUDIO? 1747 01:01:03,863 --> 01:01:04,930 I KNOW WHO HE IS. 1748 01:01:04,930 --> 01:01:06,129 \h\h\h\h\h\h\hUH, HE’S ON THE LOT. 1749 01:01:06,129 --> 01:01:07,702 \h\hJOHN ELLIS IS ON THE LOT? 1750 01:01:07,702 --> 01:01:09,770 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. WHAT’D HE SAY? 1751 01:01:11,673 --> 01:01:14,940 \h\h\h\h\hHE SAID TO TELL YOU TO GET YOUR ASS UP TO HIS OFFICE. NOW. 1752 01:01:15,875 --> 01:01:17,635 WHAT SHOULD I, UH, \h\h\h\h\hTELL HIM? 1753 01:01:17,635 --> 01:01:24,180 YOU TELL HIM TO GET HIS ASS OFFICE. 1754 01:01:24,180 --> 01:01:25,951 NOW! 1755 01:01:26,545 --> 01:01:29,185 ARI. ARI! 1756 01:01:29,185 --> 01:01:30,186 HE SAID WHAT?! 1757 01:01:30,186 --> 01:01:31,649 [ TAME IMPALA’S "ELEPHANT" \h\h\h\h\h\h\h\h\h\hPLAYS ] 1758 01:01:31,649 --> 01:01:33,728 MOTHERFUCKER. 1759 01:01:33,728 --> 01:01:36,324 \h♪ WELL, HE FEELS LIKE AN ELEPHANT ♪ 1760 01:01:36,324 --> 01:01:40,900 ♪ SHAKING HIS BIG GRAY TRUNK \h\h\h\hFOR THE HELL OF IT ♪ 1761 01:01:40,900 --> 01:01:44,167 ♪ HE KNOWS THAT YOU’RE DREAMING \h\hABOUT BEING LOVED BY HIM ♪ 1762 01:01:44,167 --> 01:01:47,533 \h\h\h\hDavid Spade: I DO A LITTLE LIGHT KARATE. THIS IS HOW I KEEP -- 1763 01:01:47,533 --> 01:01:48,809 ARI. HEY, BUDDY. 1764 01:01:48,809 --> 01:01:50,305 \h\hDUDE, WHAT’S THIS MAY 4th RELEASE DATE? 1765 01:01:50,305 --> 01:01:52,241 ARE YOU KIDDING ME? \h\h\h\h\h\hI DON’T HAVE ANY TIME FOR THIS. 1766 01:01:52,241 --> 01:01:54,177 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCOME ON, DUDE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hARE YOU SERIOUS? YEAH, LOOK, YOU KNOW WHAT? 1767 01:01:54,177 --> 01:01:55,541 I’LL -- I’LL TALK TO MARKETING. WE’LL GET ON IT. EXCUSE ME. 1768 01:01:55,541 --> 01:01:57,213 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWE’RE UP AGAINST \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTYLER PERRY, LET’S GO, LET’S GO. 1769 01:01:57,213 --> 01:01:58,478 THE NEW "HUNGER GAMES" -- \hWE’LL GET SLAUGHTERED! 1770 01:01:58,478 --> 01:02:00,579 LOOK, YOU KNOW WHAT -- I DON’T KNOW YOU. 1771 01:02:00,579 --> 01:02:05,518 \h\h\h♪ AND IT’S NOT LIKE MISTER SHOOK TO GET SHY ♪ 1772 01:02:05,518 --> 01:02:08,796 ♪ WHEN THEY ASK HIM \h\hWHO IS ON TOP ♪ 1773 01:02:09,555 --> 01:02:11,029 HEY, WARREN. 1774 01:02:11,029 --> 01:02:13,768 WHAT THE HELL DID YOU DO \h\h\h\h\hTO JOHN ELLIS? 1775 01:02:13,768 --> 01:02:15,033 IT’S ALL GOOD. 1776 01:02:15,033 --> 01:02:16,364 \h\hYOU KNOW HOW MUCH OF THE STUDIO I OWN? 1777 01:02:16,364 --> 01:02:17,200 THE WHOLE THING. 1778 01:02:17,200 --> 01:02:18,872 \hYEAH, WELL, FIX IT, ARI. 1779 01:02:18,872 --> 01:02:20,907 \h\h\h\hIT’S DONE. THANK YOU, WARREN. 1780 01:02:20,907 --> 01:02:23,536 ♪ HE’S GOT FRIENDS, BUT THEY GOT FEAR ♪ 1781 01:02:23,536 --> 01:02:26,847 \h\h\h\h\h\h♪ OH, LOOK, SEE, THERE HE IS NOW ♪ 1782 01:02:26,847 --> 01:02:29,982 ♪ COMING DOWN THE STAIRS ♪ 1783 01:02:31,082 --> 01:02:33,084 \h\h\h\h\h[ TIRES SCREECH ] ARI! ARI! 1784 01:02:33,084 --> 01:02:34,855 I-I CAN’T NOW, JESS. 1785 01:02:34,855 --> 01:02:36,252 ARE YOU KIDDING ME? 1786 01:02:36,252 --> 01:02:38,353 [ TIRES SQUEAL ] 1787 01:02:38,353 --> 01:02:40,289 I JUST GOT OFF THE PHONE WITH FUCKING KIVES, 1788 01:02:40,289 --> 01:02:42,929 \h\h\h\h\hAND HE SAID THAT YOU STILL HAVEN’T GREENLIT 1789 01:02:42,929 --> 01:02:44,293 MY PASSION PROJECT. NO, I KNOW. 1790 01:02:44,293 --> 01:02:46,196 \h\h\h\h\h\h\h\h\h\hJESS, WE’RE GOING -- WHAT THE FUCK?! 1791 01:02:46,196 --> 01:02:47,560 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYOU KNOW -- DO YOU THINK I GIVE A SHIT 1792 01:02:47,560 --> 01:02:50,068 ABOUT ZOMBIE APOCALYPSE? WHAT THE FUCK IS THAT? 1793 01:02:50,068 --> 01:02:51,872 I’M DEALING WITH A FIRST-TIME DIRECTOR HERE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI KNOW. 1794 01:02:51,872 --> 01:02:54,105 WHO’S MORE INTERESTED IN INSTAGRAMMING MY ASS. 1795 01:02:54,105 --> 01:02:56,206 \h\h\h\h\h\hHASHTAG JESSICA ALBA’S ASS. 1796 01:02:56,206 --> 01:02:58,043 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWELL, HA-- HA-- ARE YOU KIDDING ME? 1797 01:02:58,043 --> 01:02:59,704 LOOK ME IN THE FACE. UH-HUH. 1798 01:02:59,704 --> 01:03:01,816 I’M GONNA WALK OFF \h\h\hTHIS PROJECT 1799 01:03:01,816 --> 01:03:03,609 \h\h\h\hIF YOU DON’T GREENLIGHT MY MOVIE. 1800 01:03:03,609 --> 01:03:04,742 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hDONE. SWEAR. 1801 01:03:04,742 --> 01:03:05,985 I SWEAR TO YOU, \h\hIT’S DONE. 1802 01:03:05,985 --> 01:03:07,250 SWEAR! \h\h\h\h\h\h\h\h\h\hIT’S DONE. IT’S DONE. 1803 01:03:07,250 --> 01:03:08,746 ON YOUR MOM! YEAH, ON MY MOM! 1804 01:03:08,746 --> 01:03:12,486 ♪ HE PULLED THE MIRRORS \h\hOFF HIS CADILLAC ♪ 1805 01:03:12,486 --> 01:03:16,457 \h♪ ’CAUSE HE DOESN’T LIKE IT LOOKING LIKE HE LOOKS BACK ♪ 1806 01:03:16,457 --> 01:03:22,265 ♪ HE TALKS LIKE HIS OPINION \h\h\h\hIS A SIMPLE FACT ♪ 1807 01:03:22,265 --> 01:03:25,367 ♪ THAT’S HOW IT IS \h\hTILL THE END ♪ 1808 01:03:27,270 --> 01:03:28,502 ♪ YEAH ♪ 1809 01:03:31,912 --> 01:03:33,639 \h\h\h\h\h\h\h\h\h\h\h\hARE YOU OUT OF YOUR FUCKING MIND? 1810 01:03:33,639 --> 01:03:35,080 RELAX, JOHN. \hYOUR HEART. 1811 01:03:35,080 --> 01:03:36,180 \h\hI DON’T HAVE A HEART PROBLEM. 1812 01:03:36,180 --> 01:03:37,819 NO, BUT YOU’RE OLD. \h\h\h[ CHUCKLES ] 1813 01:03:37,819 --> 01:03:38,985 \h\h\hYOU THINK THIS IS FUNNY? 1814 01:03:38,985 --> 01:03:40,250 \h\h\h\h\hYOU TOLD ME WHEN I TOOK THIS JOB 1815 01:03:40,250 --> 01:03:42,153 THAT I WOULDN’T HAVE TO ANSWER TO McCREDLE. 1816 01:03:42,153 --> 01:03:44,650 I DIDN’T KNOW THAT YOU WERE GONNA GO OVER BUDGET ON YOUR FIRST SHOT. 1817 01:03:44,650 --> 01:03:47,752 IT DOESN’T MATTER WHAT A MOVIE COSTS. ONLY WHAT IT MAKES. 1818 01:03:47,752 --> 01:03:49,028 \h\h\h\h\hTHIS ONE IS GOING TO MAKE -- 1819 01:03:49,028 --> 01:03:50,689 ARI, I PUT MY REPUTATION \h\h\h\h\h\h\h\h\hON THE LINE 1820 01:03:50,689 --> 01:03:51,998 TO GET YOU THIS JOB. 1821 01:03:51,998 --> 01:03:54,033 NO, YOU BEGGED ME TO TAKE THIS JOB. 1822 01:03:54,033 --> 01:03:56,332 ACTUALLY, YOU BEGGED ME JOB. 1823 01:03:56,332 --> 01:03:58,169 \h\h\h\h\h\hAND THEN YOU TOOK YOUR OFFER BACK 1824 01:03:58,169 --> 01:04:00,435 AND TOLD ME THAT YOU WERE GOING TO GROOM ME. 1825 01:04:00,435 --> 01:04:01,370 FOR ONE YEAR! 1826 01:04:01,370 --> 01:04:03,504 AND THIS IS YOUR IDEA OF GROOMING? 1827 01:04:03,504 --> 01:04:04,637 THIS IS THE NEW WORLD. 1828 01:04:04,637 --> 01:04:07,178 \h\h\hWE’RE ALL IN IT. WE MINIMIZE OUR RISK. 1829 01:04:07,178 --> 01:04:09,807 \h\h\h\hAND MAXIMIZE OUR POSITION AS PUSSIES 1830 01:04:09,807 --> 01:04:11,809 \hBY KOWTOWING TO COWTIPPERS? 1831 01:04:11,809 --> 01:04:13,987 \h\h\hI TOLD YOU, WITH THIS MOVIE, 1832 01:04:13,987 --> 01:04:16,715 \h\h\h\hI DIDN’T WANT ANY OF THEIR FUCKING FARM MONEY. 1833 01:04:16,715 --> 01:04:17,716 I DIDN’T NEED IT. 1834 01:04:17,716 --> 01:04:18,717 THE BOARD DISAGREED. 1835 01:04:18,717 --> 01:04:20,653 AND SO DID I. 1836 01:04:20,653 --> 01:04:23,964 ABOUT HOW MUCH YOU SPENT \h\hABOUT HOW YOU MADE IT. 1837 01:04:24,965 --> 01:04:26,527 \h\h\hSO THIS IS ALL ABOUT VINCE. 1838 01:04:26,527 --> 01:04:29,332 \h\h\h\hNOBODY THOUGHT HE HAD ANY BUSINESS DIRECTING THIS FILM, 1839 01:04:29,332 --> 01:04:30,630 \h\h\h\h\h\hBUT YOU BULLIED IT THROUGH. 1840 01:04:30,630 --> 01:04:32,907 THAT’S WHY YOU WANTED ME TO SUCCEED YOU. 1841 01:04:32,907 --> 01:04:34,832 \h\h\hEVERYTHING THROUGH. 1842 01:04:34,832 --> 01:04:36,009 \h\hWELL, SEE IT ANY WAY YOU LIKE. 1843 01:04:36,009 --> 01:04:37,076 I’M TAKING YOU OFF THIS MOVIE. 1844 01:04:37,076 --> 01:04:38,737 \h\h\h\h\hDANA GORDON IS IN CHARGE NOW. 1845 01:04:38,737 --> 01:04:41,674 WE MADE A GREAT MOVIE THAT THIS IDIOT IS TRYING TO FUCK UP. 1846 01:04:41,674 --> 01:04:44,578 \h\hTHIS IDIOT’S FATHER OWNS HALF THE FUCKING NEGATIVE, 1847 01:04:44,578 --> 01:04:46,052 AND YOU KNOW IT. 1848 01:04:46,052 --> 01:04:48,186 HE CAN TOSS IT IN THE GARBAGE \h\h\h\h\h\h\h\h\h\h\hIF HE DECIDES TO. 1849 01:04:48,186 --> 01:04:50,892 YOU HAVE THE -- \h\h\h\h\h\h\h\hDANA HAS THIS COVERED. 1850 01:04:50,892 --> 01:04:52,487 \h\h\h\h\hYOU STAY THE FUCK OUT OF IT! 1851 01:04:52,487 --> 01:04:54,489 \h\h\h\hHEY, JOHN, YOU CAN’T DO THIS! 1852 01:04:54,489 --> 01:04:56,161 ARI, I JUST DID. 1853 01:04:59,065 --> 01:05:00,495 \h\h\h\hYO, E, WHAT THE FUCK? 1854 01:05:00,495 --> 01:05:02,068 \h\hI’VE BEEN CALLING YOU FOR AT LEAST TWO HOURS. 1855 01:05:02,068 --> 01:05:03,531 \h\h\h\h\hSORRY, MY PHONE’S DEAD. 1856 01:05:03,531 --> 01:05:05,566 \h\h\h\h\hYOU CANNOT IMAGINE WHAT I’VE BEEN DEALING WITH. 1857 01:05:05,566 --> 01:05:07,007 VINCE, THESE GIRLS OUT HERE \h\h\h\h\h\h\h\hARE CRAZY. 1858 01:05:07,007 --> 01:05:08,668 I’M NEVER TOUCHING ANOTHER ONE AGAIN. 1859 01:05:08,668 --> 01:05:10,670 \h\h\h\h\h\h\h\h\hWHY, BECAUSE OF THIS OR BECAUSE NO ONE’LL LET YOU? 1860 01:05:10,670 --> 01:05:12,738 \h\h\h\h\hLOOK, GUYS, YOU KNOW I LOVE YOU ALL, BUT RIGHT NOW, 1861 01:05:12,738 --> 01:05:14,773 \h\h\h\h\h\h\hI DON’T GIVE A FUCK ABOUT WHAT YOU’RE TALKING ABOUT. 1862 01:05:14,773 --> 01:05:16,511 WE GOT A REAL PROBLEM WITH THIS TRAVIS GUY, 1863 01:05:16,511 --> 01:05:19,712 AND I NEED MY MANAGER-PRODUCER \h\h\h\h\h\h\h\h\h\h\h\h\hBACK NOW, OKAY? 1864 01:05:19,712 --> 01:05:21,219 OKAY. 1865 01:05:21,219 --> 01:05:23,749 DID ARI TELL YOU WHY HE’S NOT \h\hGONNA RELEASE THE MONEY? 1866 01:05:23,749 --> 01:05:26,928 HE DIDN’T LIKE THE MOVIE? WHAT DIDN’T HE LIKE? 1867 01:05:26,928 --> 01:05:28,358 IS IT ME? 1868 01:05:30,096 --> 01:05:32,263 \h\h\h\h\h\h\hPLEASE, FOR THE LOVE OF GOD, 1869 01:05:32,263 --> 01:05:33,693 TELL ME IT’S NOT ME \h\hHE DIDN’T LIKE. 1870 01:05:33,693 --> 01:05:36,102 WHAT KIND OF A SICK, NARCISSISTIC FUCK ARE YOU? 1871 01:05:36,102 --> 01:05:38,137 NOT EVERYTHING IN THE WORLD IS ABOUT YOU. 1872 01:05:38,137 --> 01:05:40,106 SERIOUSLY, DRAMA. 1873 01:05:40,106 --> 01:05:43,373 \h\h[ THE ROLLING STONES’ "BEAST OF BURDEN" PLAYS ] 1874 01:05:43,373 --> 01:05:45,606 JUST CUT ME OUT, \h\h\h\h\h\hBRO. 1875 01:05:45,606 --> 01:05:46,871 JOHNNY, STOP. 1876 01:05:46,871 --> 01:05:48,048 NO, I GET IT. 1877 01:05:48,048 --> 01:05:49,115 JUST CUT ME. 1878 01:05:49,115 --> 01:05:51,282 \h\h\h\hTHE GOOD LIFE WASN’T MEANT FOR ME. 1879 01:05:51,282 --> 01:05:54,120 \h\h\h\h\hI WAS GIVEN THE GIFT OF DELUSIONAL CONFIDENCE, 1880 01:05:54,120 --> 01:05:55,385 \h\h\h\h\hBUT NOT ANY REAL TALENT. 1881 01:05:55,385 --> 01:05:57,222 \h\h\hWILL YOU SHUT UP AND PUT THAT SHIT DOWN? 1882 01:05:57,222 --> 01:05:59,257 \h\h\hSERIOUSLY. YOU SHOULD BE DRINKING MY TEQUILA ANYWAY. 1883 01:05:59,257 --> 01:06:00,819 REAL MEN DRINK WHISKEY, \h\h\h\h\h\h\h\h\h\hTURTLE. 1884 01:06:00,819 --> 01:06:04,658 \h\h\h\h♪ I’LL NEVER BE YOUR BEAST OF BURDEN ♪ 1885 01:06:04,658 --> 01:06:09,597 \h♪ MY BACK IS BROAD, BUT IT’S A-HURTIN’ ♪ 1886 01:06:09,597 --> 01:06:11,203 VINCE. 1887 01:06:13,337 --> 01:06:16,472 \h\h\hI DON’T WANT YOU TO FUCK UP YOUR MOVIE BECAUSE OF ME, BRO. 1888 01:06:16,472 --> 01:06:19,079 YOU’RE WORTH MORE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAM. 1889 01:06:19,079 --> 01:06:20,773 AND I’M FINALLY OKAY WITH THAT. 1890 01:06:20,773 --> 01:06:22,643 JOHNNY. 1891 01:06:22,643 --> 01:06:25,481 THIS MOVIE IS WHAT IT IS OF YOU. 1892 01:06:25,481 --> 01:06:28,319 \hAND ’CAUSE OF E AND EVEN TURTLE. 1893 01:06:28,319 --> 01:06:30,750 BECAUSE WE DO THINGS WE LOVE, NOT THINGS SOME RICH PRICK, 1894 01:06:30,750 --> 01:06:33,159 WHOSE DADDY GIVES HIM EVERYTHING, TELLS US TO. 1895 01:06:33,159 --> 01:06:34,523 YOU’RE REALLY GOOD \h\hIN THIS MOVIE. 1896 01:06:34,523 --> 01:06:35,854 TELL HIM, GUYS. 1897 01:06:35,854 --> 01:06:39,066 \h\h\h\h\h\h\h\h\h\h\h\hI DIDN’T EVEN THINK YOU COULD ACT UNTIL I SAW THIS. 1898 01:06:40,463 --> 01:06:41,827 THANKS. 1899 01:06:41,827 --> 01:06:43,466 \h\hDON’T WORRY. WE’LL HANDLE IT. 1900 01:06:43,466 --> 01:06:44,830 \h\h\h\h\hHEY, AND IF IT DOESN’T WORK OUT, 1901 01:06:44,830 --> 01:06:47,140 WE CAN ALWAYS MOVE BACK TO QUEENS WITH MA, RIGHT? 1902 01:06:47,140 --> 01:06:49,538 \hI DON’T WANT TO GO BACK TO QUEENS, BRO! 1903 01:06:49,538 --> 01:06:50,704 I’LL HANDLE IT. 1904 01:06:50,704 --> 01:06:53,707 I LIKE THE WEATHER OUT HERE \h\h\h\h\h\h\h\h\hTOO MUCH. 1905 01:06:55,346 --> 01:06:59,119 [ RINGTONE PLAYS ] 1906 01:06:59,119 --> 01:07:01,187 HELLO? \h\h\h\h\hRANDY: Guess what? 1907 01:07:01,187 --> 01:07:04,388 \h\h\h\h\hI KNOW WHO YOU ARE, TARVOLD FROM "VIKING QUEST." 1908 01:07:04,388 --> 01:07:06,225 \h\hAND I’M GONNA FUCKING KILL YOU! 1909 01:07:06,225 --> 01:07:08,359 \hHEY, PAL, GUESS WHAT? 1910 01:07:08,359 --> 01:07:11,329 I’M ALREADY DEAD. 1911 01:07:11,329 --> 01:07:14,431 SO FUCKIN’ BRING IT! 1912 01:07:16,697 --> 01:07:18,039 HEY! 1913 01:07:18,039 --> 01:07:19,337 THERE HE IS. 1914 01:07:19,337 --> 01:07:20,569 \h\h\h\h\h\h\hTRAVIS. THANKS FOR MAKING THE TIME. 1915 01:07:20,569 --> 01:07:22,208 \h\hNO, THANK YOU FOR COMIN’ TO ME. 1916 01:07:22,208 --> 01:07:23,737 HOW ARE YOU? \h\h\h\h\h\h\hYOU’RE SITTIN’ IN \h\h\h\h\h\h\h\hON THIS, TOO? 1917 01:07:23,737 --> 01:07:26,047 UH, YEAH. 1918 01:07:26,047 --> 01:07:27,576 OKAY. 1919 01:07:27,576 --> 01:07:29,545 \hLOOK, I’M REAL SORRY ABOUT EARLIER, VINCE. 1920 01:07:29,545 --> 01:07:32,416 BUT THAT ARI JUST WOULDN’T \h\h\h\h\h\h\h\hLET ME BE HEARD. 1921 01:07:32,416 --> 01:07:34,154 HE’S PROBABLY JUST BEING PROTECTIVE OF ME. 1922 01:07:34,154 --> 01:07:35,485 HE’S LIKE THAT. 1923 01:07:35,485 --> 01:07:37,322 WELL, I’M JUST BEING PROTECTIVE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOF MY MONEY. 1924 01:07:37,322 --> 01:07:39,489 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHAT. WE UNDERSTAND THAT. 1925 01:07:39,489 --> 01:07:40,886 \h\h\h\h\hI’M SORRY -- I KNOW WE MET BEFORE, 1926 01:07:40,886 --> 01:07:42,921 BUT WHAT IS YOUR INVOLVEMENT \h\h\h\h\h\h\h\h\h\h\hIN THIS, AGAIN? 1927 01:07:42,921 --> 01:07:44,098 I’M THE PRODUCER \h\hOF THE MOVIE. 1928 01:07:44,098 --> 01:07:45,528 A-AND HE’S MY MANAGER. 1929 01:07:45,528 --> 01:07:46,760 OH, YEAH! 1930 01:07:46,760 --> 01:07:49,235 Y- UH, UH, YOU WERE THE GUY \h\h\hON "PIERS MORGAN," UH... 1931 01:07:49,235 --> 01:07:50,830 SPINNING PIZZA DOUGH, \h\h\h\h\h\h\h\hRIGHT? 1932 01:07:50,830 --> 01:07:53,536 \h\h\h\h\h\h\hVINCE, Y-YOU TAKE CARE OF MORE PEOPLE THAN RED CROSS, HUH? 1933 01:07:53,536 --> 01:07:55,670 I LIKE TO THINK \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hME. 1934 01:07:55,670 --> 01:07:58,035 \h\h\h\h\h\hIT’S PROBABLY BEST TO THINK OF IT THAT WAY, YEAH. 1935 01:07:58,035 --> 01:08:00,741 UH, SO LISTEN, I’D LOVE TO HEAR YOUR THOUGHTS ON THE MOVIE. 1936 01:08:00,741 --> 01:08:02,743 I KNOW YOU HAVE SOME ISSUES WITH MY BROTHER. 1937 01:08:02,743 --> 01:08:03,744 YEAH. 1938 01:08:03,744 --> 01:08:05,251 HE’S NOT GOOD. 1939 01:08:05,251 --> 01:08:07,253 [ Chuckling ] WELL... YEAH, I-I DISAGREE. 1940 01:08:07,253 --> 01:08:08,914 \h\h\hIT’S PROBABLY ’CAUSE YOU’RE TOO CLOSE TO IT. 1941 01:08:08,914 --> 01:08:12,016 \hYOU CAN’T SEE IT CLEARLY ’CAUSE HE’S YOUR BROTHER. 1942 01:08:12,016 --> 01:08:13,523 \h\h\h\hAS AN ARTIST, I’M PRETTY UNBIASED. 1943 01:08:13,523 --> 01:08:15,426 \h\h\h\h\h\h\h\h\hYEAH, WELL, MAYBE THERE’S A BIGGER ISSUE 1944 01:08:15,426 --> 01:08:17,593 \h\h\h\h\h\h\hTHAT’S MAKING YOU NOT LIKE HIS CHARACTER, TRAVIS. 1945 01:08:17,593 --> 01:08:19,100 I MEAN, HE’S PRETTY PIVOTAL \h\h\h\h\h\h\hIN THE MOVIE, 1946 01:08:19,100 --> 01:08:20,629 INCLUDING THE FINAL SCENE. 1947 01:08:20,629 --> 01:08:22,763 \h\h\hI DON’T REALLY UNDERSTAND HOW YOU COULD JUST CUT HIM OUT. 1948 01:08:22,763 --> 01:08:25,403 \h\h\h\h\h\h\h\h\h\h\hYEAH, I-I THINK THAT BIGGER ISSUE THING MAKES SENSE. 1949 01:08:25,403 --> 01:08:28,406 \hOH. D-DID YOU HAVE OTHER PROBLEMS WITH THE MOVIE? 1950 01:08:28,406 --> 01:08:30,111 \h\h\h\h\h\h\h\hYEAH, I DID. I GAVE ARI A WHOLE LIST. 1951 01:08:30,111 --> 01:08:32,377 MAYBE YOU COULD BE \h\hMORE SPECIFIC. 1952 01:08:32,377 --> 01:08:34,808 \h\h\h\hWELL, Y-YOU’RE PUTTIN’ ME IN AN AWKWARD POSITION HERE, VINCE, 1953 01:08:34,808 --> 01:08:36,612 \h\h\h\h’CAUSE NOT ONLY ARE YOU THE DIRECTOR, 1954 01:08:36,612 --> 01:08:38,284 YOU’RE THE STAR \hOF THE THING. 1955 01:08:38,284 --> 01:08:40,044 I-IT’S OKAY. I WON’T TAKE ANYTHING PERSONALLY. 1956 01:08:40,044 --> 01:08:41,782 \h\h\h\hWITH A MOVIE, THERE ARE SO MANY PARTS 1957 01:08:41,782 --> 01:08:43,883 THAT HAVE TO COME TOGETHER, SO TELL ME, 1958 01:08:43,883 --> 01:08:45,786 \hWHAT EXACTLY WAS IT THAT YOU DIDN’T LIKE? 1959 01:08:45,786 --> 01:08:46,787 UH, WELL... 1960 01:08:46,787 --> 01:08:48,129 OKAY. 1961 01:08:48,129 --> 01:08:50,054 ASIDE FROM YOUR BROTHER... 1962 01:08:50,054 --> 01:08:51,363 YOU. 1963 01:08:53,167 --> 01:08:55,829 OH. \h\h\h\h\h\h\h\h\h\h\hUNDERSTAND, THIS IS \hREALLY STRANGE FOR ME, VINCE, 1964 01:08:55,829 --> 01:08:57,798 ’CAUSE I REALLY AM A BIG FAN OF YOURS. 1965 01:08:57,798 --> 01:08:59,800 I’M PROBABLY THE ONLY PERSON \h\h\h\h\h\h\h\h\hIN THE WHOLE WORLD 1966 01:08:59,800 --> 01:09:02,308 WHO LIKED THAT "MEDELLIN" THING \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHAT YOU DID. 1967 01:09:02,308 --> 01:09:03,804 BUT, WITH THIS, \h\h\hYOU KNOW, 1968 01:09:03,804 --> 01:09:06,246 IT’S LIKE YOU WERE TRYING TO DO \h\h\h\h\h\h\h\h\h\h\h\h\hTHIS KOOKY THING, 1969 01:09:06,246 --> 01:09:08,743 \h\h\h\hLIKE JOHNNY DEPP DID IN -- IN "PIRATES OF THE CARIBBEAN." 1970 01:09:08,743 --> 01:09:11,845 \h\h\h\hNOW, WHAT HE DID, HE WENT OUT ON A LIMB. 1971 01:09:11,845 --> 01:09:15,112 AND IT COULD’VE BEEN STUPID, \h\hBUT, GOD, IT -- IT WORKED. 1972 01:09:15,112 --> 01:09:18,852 WHAT YOU DID HERE, THOUGH, \h\h\h\h\hIT -- IT JUST DIDN’T. 1973 01:09:18,852 --> 01:09:20,986 AND MAYBE THAT’S ’CAUSE \hYOU DIRECTED THE THING 1974 01:09:20,986 --> 01:09:23,758 AND ALL YOU HAD WAS YOUR BUDDY \h\h\hLOOKIN’ OVER YOUR SHOULDER. 1975 01:09:23,758 --> 01:09:25,826 \h\h\hYOU DON’T HAVE ANYONE WHO CAN COME IN AND SAY, 1976 01:09:25,826 --> 01:09:29,027 \h\h\h\h\h\h\h\h"HEY, THIS IS GETTIN’ KIND OF FUCKED UP AND GOOFY." 1977 01:09:29,027 --> 01:09:30,996 \h\h\h\h\h\hBUT IT MOST CERTAINLY WAS. 1978 01:09:32,503 --> 01:09:35,176 YOU SHOULD HAVE PUNCHED HIM \hRIGHT IN THE FUCKIN’ FACE. 1979 01:09:35,176 --> 01:09:36,606 \h\hOH, BELIEVE ME, I THOUGHT ABOUT IT. 1980 01:09:36,606 --> 01:09:38,773 \h\h\h\h\h\h\h\h\h\h\h\h\hTOO CLOSE TO IT. MAYBE I DO SUCK. 1981 01:09:38,773 --> 01:09:39,543 PSSSH. 1982 01:09:39,543 --> 01:09:41,182 YOU KNOW WHAT, \h\h\h\h\h\h\hBRO? 1983 01:09:41,182 --> 01:09:44,713 \h\h\h\h\h\h\h\h\h\h\hIF YOU DO, AT LEAST WE SUCK TOGETHER. 1984 01:09:49,553 --> 01:09:51,291 \hIT’S GOOD, RIGHT, BABY? 1985 01:09:51,291 --> 01:09:52,688 YES, ARI. 1986 01:09:52,688 --> 01:09:54,195 YOU LIKE IT? 1987 01:09:54,195 --> 01:09:55,493 YES. 1988 01:09:55,493 --> 01:09:57,363 \h\h\h\h\h\h\h\h\h\h\h\hBUT DO YOU LOVE IT? I LOVE IT. 1989 01:09:57,363 --> 01:09:58,859 YOU WOULDN’T LIE TO ME, \h\h\h\h\h\h\h\hWOULD YOU? 1990 01:09:58,859 --> 01:10:00,234 NO. \h\h\h\h\h\h\h\h\h\hALL RIGHT. 1991 01:10:00,234 --> 01:10:01,565 \h\h\h\h\h\h\h\h\h\h\h\h\hTHEN SAY IT AGAIN. I LOVE IT, ARI. 1992 01:10:01,565 --> 01:10:02,863 \h\h\h\h\h\h\h\h\hTHEN SAY IT AGAIN, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHONEY. I LOVE IT! 1993 01:10:02,863 --> 01:10:04,997 \hIT’S THE BEST MOVIE VINCE HAS EVER DONE! 1994 01:10:04,997 --> 01:10:06,801 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. NOW CAN WE FINISH? 1995 01:10:06,801 --> 01:10:09,034 THE MEDS ARE STILL IN ME, BABY. \h\h\h\h\h\h\h\h\h\h\h\hI’M NOT SURE I CAN. 1996 01:10:09,034 --> 01:10:13,379 THEN GET OFF, ’CAUSE I WAS DONE, LIKE, 20 MINUTES AGO. 1997 01:10:13,379 --> 01:10:14,908 [ SIGHS ] 1998 01:10:14,908 --> 01:10:16,140 I’M SORRY. 1999 01:10:16,140 --> 01:10:18,076 \hIT’S THIS KID. HE’S KILLIN’ ME. 2000 01:10:18,076 --> 01:10:20,144 I KNOW I HAVEN’T BEEN GREAT \h\h\h\h\h\h\hTO YOU LATELY, BABY, 2001 01:10:20,144 --> 01:10:22,850 \h\h\h\h\h\hBUT YOU KNOW THAT I DIDN’T COME BACK TO WORK FOR THE MONEY. 2002 01:10:22,850 --> 01:10:25,083 \h\h\h\hI CAME BACK TO LEAVE A LEGACY. 2003 01:10:25,083 --> 01:10:27,525 \h\h\h\h\hTO MAKE MY FAMILY PROUD. 2004 01:10:27,525 --> 01:10:29,362 AND I WANT TO GO OUT \h\hON MY OWN TERMS, 2005 01:10:29,362 --> 01:10:32,189 \h\h\h\h\h\h\hAND THIS KID IS TRYING TO HOBBLE ME. 2006 01:10:32,189 --> 01:10:34,367 LIKE TONYA HARDING. 2007 01:10:34,367 --> 01:10:36,699 AND I CAN’T HAVE IT, \h’CAUSE HE’S WRONG. 2008 01:10:36,699 --> 01:10:39,504 \h\h\h\h\h\h\h\h\h\h\h\hDRAMA SUCKING, I COULD’VE MAYBE BOUGHT THAT. 2009 01:10:39,504 --> 01:10:41,407 BUT VINCE? NO. 2010 01:10:41,407 --> 01:10:44,938 I’M A MILLION PERCENT SURE \h\h\h\h\h\h\h\h\h\hHE IS WRONG. 2011 01:10:44,938 --> 01:10:47,248 IT’S JUST HIS OPINION. 2012 01:10:47,248 --> 01:10:48,942 WHAT CAN YOU DO? 2013 01:10:51,384 --> 01:10:56,015 \h\h\h\h♪ WE FLY HIGH, NO LIE, YOU KNOW THIS ♪ 2014 01:10:56,015 --> 01:10:58,556 ♪ BALLIN’ ♪ 2015 01:10:58,556 --> 01:10:59,920 \hTHANKS, HECTOR. I WON’T BE LONG. 2016 01:10:59,920 --> 01:11:02,120 \h\h\h\h\hWHAT, ARI, NO SUIT? NOT TONIGHT, DV. 2017 01:11:02,120 --> 01:11:05,926 ♪ WE STAY FLY, NO LIE, \h\hAND YOU KNOW THIS ♪ 2018 01:11:05,926 --> 01:11:07,224 ♪ BALLIN’ ♪ 2019 01:11:07,224 --> 01:11:12,636 \h\h♪ HIPS AND THIGHS, OH, MY, STAY FOCUSED ♪ 2020 01:11:14,770 --> 01:11:16,607 \h\h\h\hWHO TOLD YOU WHERE I WAS STAYIN’? 2021 01:11:16,607 --> 01:11:18,939 MY OFFICE BOOKED YOUR ROOM \h\h\h\h\h\h\h\h\h\h\h\hFOR YOU. 2022 01:11:18,939 --> 01:11:20,237 \h\h\h\h\h\h\h\hCAN I COME IN? NO. 2023 01:11:20,237 --> 01:11:22,382 ’CAUSE YOU HAVEN’T RETURNED \h\h\hANY OF MY FUCKIN’ CALLS. 2024 01:11:22,382 --> 01:11:23,878 \h\h\h\h\h\h\hARI, I HAVE PEOPLE HERE. 2025 01:11:23,878 --> 01:11:25,110 I DON’T MIND. 2026 01:11:25,110 --> 01:11:26,782 OH. SORRY ABOUT THAT. 2027 01:11:26,782 --> 01:11:28,949 \h\h\h\h\h\h\h\h\hDIDN’T REALIZE YOU WERE IN THE MIDDLE OF A WORK SESSION. 2028 01:11:28,949 --> 01:11:29,983 [ SCOFFS ] 2029 01:11:29,983 --> 01:11:31,325 \h\h\h\h\h\h\h\hMAYBE I SHOULD CALL SECURITY 2030 01:11:31,325 --> 01:11:32,953 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hASS DRAGGED OUT OF HERE. 2031 01:11:32,953 --> 01:11:35,395 \h\h\h\hHOW’D YOU LIKE THAT? HEY, I AM SORRY \h\hABOUT THAT, 2032 01:11:35,395 --> 01:11:37,826 \h\h\h\h\h\h\h\h\h\h\hBUT WE DO HAVE WHAT ARE KNOWN AS PROTOCOLS. 2033 01:11:37,826 --> 01:11:39,465 \h\h\h\h\h\hEVEN IN THIS LAWLESS TOWN. 2034 01:11:39,465 --> 01:11:40,895 \h\h\h\h\hMY FATHER WANTS TO SHOOT YOU. 2035 01:11:40,895 --> 01:11:42,732 \h\h\h\h\h\hWELL, WE COULD HAVE A MEXICAN STANDOFF, THEN. 2036 01:11:42,732 --> 01:11:44,305 BECAUSE AFTER LOOKING \h\h\hAT YOUR LONG LIST 2037 01:11:44,305 --> 01:11:48,441 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMOVIE, I WANT TO SHOOT MYSELF, 2038 01:11:48,441 --> 01:11:51,741 \h\h\h\hBECAUSE THEY DON’T MAKE ANY FUCKING SENSE. 2039 01:11:51,741 --> 01:11:52,940 I AGREE. 2040 01:11:52,940 --> 01:11:54,315 WITH WHAT? 2041 01:11:54,315 --> 01:11:55,844 I’M GRASPIN’ AT STRAWS HERE, ARI. 2042 01:11:55,844 --> 01:11:57,780 \h\h\hI-I DON’T KNOW HOW TO FIX MY PROBLEMS. 2043 01:11:57,780 --> 01:11:59,518 VINCENT CHASE IS GREAT \h\h\h\h\hIN THIS MOVIE. 2044 01:11:59,518 --> 01:12:00,849 BULLSHIT. HE SUCKS. 2045 01:12:00,849 --> 01:12:03,148 \hHIS TOO-PRETTY FACE RUINS THE FUCKIN’ THING. 2046 01:12:03,148 --> 01:12:04,688 IT’S DISTRACTING. 2047 01:12:04,688 --> 01:12:07,361 HOW THE HELL ARE YOU GONNA FIX HIS FACE WITH EDITING? 2048 01:12:07,361 --> 01:12:09,022 I GUESS I’M NOT. 2049 01:12:09,022 --> 01:12:11,332 WHICH IS WHY I TOLD MY FATHER WE SHOULD JUST BITE THE BULLET, 2050 01:12:11,332 --> 01:12:12,828 PUT SOME MORE MONEY \hINTO THIS THING, 2051 01:12:12,828 --> 01:12:15,534 AND RESHOOT IT WITH NEW ACTORS AND A DIFFERENT DIRECTOR. 2052 01:12:15,534 --> 01:12:17,503 [ LAUGHS ] RESHOOT? 2053 01:12:17,503 --> 01:12:19,670 DO YOU HAVE ANY IDEA \hWHAT THAT’LL COST? 2054 01:12:19,670 --> 01:12:21,540 \h\h\h\h\h\h\h\h\h\h\h\hJOB TO FIGURE OUT. 2055 01:12:21,540 --> 01:12:24,708 BUT I’LL BET THAT THERE’S A CHEAP WAY TO DO IT DIGITALLY. 2056 01:12:24,708 --> 01:12:27,678 HELL, I SAW TUPAC SHAKUR IN CONCERT LAST YEAR. 2057 01:12:27,678 --> 01:12:29,845 THAT GUY’S BEEN DEAD 20 YEARS. 2058 01:12:29,845 --> 01:12:31,484 [ CAN HISSES ] 2059 01:12:31,484 --> 01:12:33,849 YOU HAD NO PROBLEM WITH VINCE \h\h\h\h\h\h\h\h\h\h\h\h\hAT THE PARTY. 2060 01:12:33,849 --> 01:12:35,312 A FAN, EVEN. 2061 01:12:35,312 --> 01:12:37,556 DID SOMETHING HAPPEN? 2062 01:12:37,556 --> 01:12:40,020 \h\h\h\hI DON’T KNOW WHAT YOU’RE TALKIN’ ABOUT. 2063 01:12:40,988 --> 01:12:42,187 WHAT HAPPENED? 2064 01:12:42,187 --> 01:12:44,530 I DON’T KNOW WHAT THE FUCK YOU’RE TALKIN’ ABOUT, ARI, 2065 01:12:44,530 --> 01:12:45,861 BUT IF YOU DON’T LEAVE RIGHT NOW, 2066 01:12:45,861 --> 01:12:47,929 \hI REALLY WILL CALL SECURITY. 2067 01:12:50,195 --> 01:12:53,033 COME ON, THIS GUY’S REALLY GONNA SCREW UP A $100 MILLION MOVIE 2068 01:12:53,033 --> 01:12:54,507 \h\h\h\h\h’CAUSE OF A PERSONAL PROBLEM? 2069 01:12:54,507 --> 01:12:55,871 THAT’S WHAT ARI SAYS. 2070 01:12:55,871 --> 01:12:57,543 HE SAYS HE WANTS TO REPLACE ME WITH A HOLOGRAM. 2071 01:12:57,543 --> 01:12:59,039 CAN THEY EVEN DO THAT? 2072 01:12:59,039 --> 01:13:01,811 \h\h\hI WAS REPLACED WITH A DIGITAL CHARACTER ONCE. 2073 01:13:01,811 --> 01:13:03,549 \h\h\h\hBUT THAT WAS BEFORE FILMING BEGAN. 2074 01:13:03,549 --> 01:13:05,485 I MEAN, WHAT COULD I POSSIBLY HAVE DONE TO THIS GUY? 2075 01:13:05,485 --> 01:13:07,047 DID YOU SHAKE HANDS \h\hWHEN YOU MET HIM? 2076 01:13:07,047 --> 01:13:10,215 \h\hTHESE SOUTHERNERS ARE REAL PARTICULAR ABOUT THEIR MANNERS. 2077 01:13:10,215 --> 01:13:11,557 I THINK SO. 2078 01:13:11,557 --> 01:13:13,988 OH, BOY. ARMIE HAMMER, \h\h\h\hTWELVE O’CLOCK. 2079 01:13:13,988 --> 01:13:15,055 OH, GOOD GOD. 2080 01:13:15,055 --> 01:13:17,926 \h\hYO, VINNIE CHASE. THE DEEJAY FROM HELL. 2081 01:13:17,926 --> 01:13:19,224 WHAT’S UP, ARMIE? 2082 01:13:19,224 --> 01:13:20,995 WHAT’S UP? 2083 01:13:20,995 --> 01:13:23,195 \h\h\h\h\h\hYOU KNOW THAT I WAS DATING EMILY, RIGHT? 2084 01:13:23,195 --> 01:13:24,438 EMILY? 2085 01:13:24,438 --> 01:13:26,000 \h\h\h\h\hI THOUGHT YOU GUYS BROKE UP. 2086 01:13:26,000 --> 01:13:28,739 \h\h\h\h\hI DON’T SEE HOW THAT FUCKIN’ MATTERS. 2087 01:13:28,739 --> 01:13:31,170 NO, THIS ISN’T THE TIME OR THE PLACE, BUT... 2088 01:13:31,170 --> 01:13:33,447 JUST KNOW THAT I WILL ENJOY SNEAKING UP BEHIND YOU 2089 01:13:33,447 --> 01:13:35,581 AND SNATCHIN’ THE FUCKIN’ LIFE OUT OF YOU. 2090 01:13:36,747 --> 01:13:39,915 YOU KNOW WHAT I’M TALKIN’ ABOUT, RIGHT, DRAMA? 2091 01:13:39,915 --> 01:13:42,489 \h\h\h\h\hYOU GUYS ENJOY YOUR SALADS. 2092 01:13:44,216 --> 01:13:45,558 \h\h\h\h\h\hWELL, THAT WAS AWKWARD. 2093 01:13:45,558 --> 01:13:47,054 HE’S A LOT BIGGER \hTHAN I THOUGHT. 2094 01:13:47,054 --> 01:13:49,353 WHY DIDN’T YOU JUST TELL HIM \h\h\h\h\h\h\h\h\h\h\hIT WASN’T TRUE? 2095 01:13:49,353 --> 01:13:50,761 TRUE. 2096 01:13:50,761 --> 01:13:53,192 REALLY? SINCE WHEN? 2097 01:13:53,192 --> 01:13:54,193 SINCE AFTER THE SCREENING. 2098 01:13:54,193 --> 01:13:55,700 I WENT OVER THERE \h\h\h\h\h\hLATER 2099 01:13:55,700 --> 01:13:57,999 \h\h\h\h\h\h\h\h\h\h\h\hAFTER SHE WAS DONE WATCHING THE MOVIE WITH TRAVIS. 2100 01:14:00,474 --> 01:14:01,937 WHAT? 2101 01:14:01,937 --> 01:14:05,237 A GIRL? THIS WHOLE THING \hIS OVER A FUCKIN’ GIRL? 2102 01:14:05,237 --> 01:14:06,546 \h\h\h\hYOU GUYS ARE BEING CRAZY. 2103 01:14:06,546 --> 01:14:07,910 \h\hI CAN’T BELIEVE YOU WERE WITH EMILY 2104 01:14:07,910 --> 01:14:09,615 AND YOU DIDN’T TELL US. WHY WOULD I TELL YOU? 2105 01:14:09,615 --> 01:14:11,617 ’CAUSE MOST OF THE FUN OF BEING WITH A GIRL THAT HOT 2106 01:14:11,617 --> 01:14:13,245 \hIS THAT YOU GET TO TELL YOUR FRIENDS ABOUT IT. 2107 01:14:13,245 --> 01:14:15,313 \h\h\h\h\h\h\hTURTLE, I THINK WE DEFINE "FUN" DIFFERENTLY. 2108 01:14:15,313 --> 01:14:16,314 I CAN’T BELIEVE THIS. 2109 01:14:16,314 --> 01:14:17,458 BELIEVE WHAT? 2110 01:14:17,458 --> 01:14:18,723 THERE’S NO WAY TRAVIS COULD POSSIBLY 2111 01:14:18,723 --> 01:14:20,120 KNOW ABOUT THIS YESTERDAY -- NO WAY. 2112 01:14:20,120 --> 01:14:21,154 WHY NOT? 2113 01:14:21,154 --> 01:14:22,760 \hHE PROBABLY WAITED OUTSIDE OF HER HOUSE 2114 01:14:22,760 --> 01:14:23,959 AFTER SHE GOT RID OF HIM. 2115 01:14:23,959 --> 01:14:25,158 WE’RE THE ONLY ONES \h\h\h\hDUMB ENOUGH 2116 01:14:25,158 --> 01:14:26,632 \h\h\hTO NOT REALIZE YOU’D GO OVER THERE. 2117 01:14:26,632 --> 01:14:28,898 \h\h\h\h\hCOME ON. THAT’S RIDICULOUS. 2118 01:14:30,394 --> 01:14:32,396 YOU DON’T THINK HE DRIVES \h\h\h\hA YELLOW LAMBORGHINI? 2119 01:14:32,396 --> 01:14:34,706 \h\h\h\h\h\h\h\h\h\h\h\h\hHE DOES. HE HAD IT ON THE LOT. WHY? 2120 01:14:35,674 --> 01:14:36,972 JESUS FUCK. 2121 01:14:36,972 --> 01:14:39,007 YOU COULDN’T JUST HOLD OFF \h\h\h\h\h\h\h\hONE NIGHT? 2122 01:14:39,007 --> 01:14:40,943 \h\hWE’RE A YEAR INTO THIS THING. 2123 01:14:40,943 --> 01:14:43,308 SERIOUSLY, VIN. AND THIS MOVIE’S 20 YEARS. 2124 01:14:43,308 --> 01:14:44,485 \h\h\h\h\h\h\hYEAH, AND GIVE ME A LIFE. 2125 01:14:44,485 --> 01:14:45,816 \h\h\h\h\hI HOPE SHE WAS WORTH IT. 2126 01:14:45,816 --> 01:14:47,345 \h\h\h\h\h\h\h\h\h\h\h\h\hGUYS, ARE YOU REALLY TELLIN’ ME 2127 01:14:47,345 --> 01:14:48,918 \hYOU THINK I SHOULD’VE STAYED AWAY FROM HER BECAUSE OF HIM? 2128 01:14:48,918 --> 01:14:51,151 \h\h\h\h\h\hI MEAN, IS THAT WHO WE ARE? 2129 01:14:52,823 --> 01:14:55,023 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI WOULD’VE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBANGED HER. YEAH, ME, TOO. 2130 01:14:55,023 --> 01:14:57,795 \h\h\h\hWIFE MIGHT EVEN GIVE ME A PASS FOR HER. 2131 01:14:57,795 --> 01:14:59,500 \h\h\h\h\h\h\h\h\h\hAH, FUCK HIM. NO, SERIOUSLY. \h\hFUCK HIM. 2132 01:14:59,500 --> 01:15:00,765 \h\h\h\hALL RIGHT, WE DON’T NEED HIM. 2133 01:15:00,765 --> 01:15:02,096 \h\h\h\h\h\h\h\h\h\hPUT UP THE $8 MILLION WE NEED. 2134 01:15:02,096 --> 01:15:04,329 HOW MUCH FUCKIN’ MONEY \h\hDID THIS GUY MAKE? 2135 01:15:04,329 --> 01:15:06,463 VIN, I’M SERIOUS, AND IT’S NOT JUST ’CAUSE I LOVE YOU. 2136 01:15:06,463 --> 01:15:09,004 IT’S ’CAUSE I LOVE THIS MOVIE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI APPRECIATE IT, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTURTLE, 2137 01:15:09,004 --> 01:15:10,841 BUT I CAN’T LET YOU DO THAT -- \h\h\h\h\h\h\h\h\h\h\h\h\hPUT UP THE MONEY. 2138 01:15:10,841 --> 01:15:12,513 I’LL SPLIT IT WITH YOU. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHANK YOU. 2139 01:15:12,513 --> 01:15:14,339 I’M STRAPPED, BRO. 2140 01:15:14,339 --> 01:15:16,847 \hALL THE LOVE IN THIS ROOM IS REALLY FUCKIN’ TOUCHING, 2141 01:15:16,847 --> 01:15:18,552 BUT YOU CAN’T DO IT -- IT’S McCREDLE’S MOVIE. 2142 01:15:18,552 --> 01:15:20,884 \h\h\h\h\h\h\h\h\hHE DOESN’T NEED \h\h\h\h\h\h\hOR WANT YOUR MONEY. SO THAT’S IT? 2143 01:15:20,884 --> 01:15:23,447 NO. I WILL HANDLE THIS, \h\h\h\h\h\h\hAS USUAL. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHOW? 2144 01:15:23,447 --> 01:15:26,351 DON’T WORRY, CARROT BOTTOM. \h\h\h\hI GOT IDEAS. LATER! 2145 01:15:26,351 --> 01:15:28,155 LATER. LATER. \h\h\h\h\h\h\h\h\hLATER. 2146 01:15:28,155 --> 01:15:30,487 \h\h\h\h\h\hI CAN’T BELIEVE THERE’S NOTHIN’ WE CAN DO. 2147 01:15:30,487 --> 01:15:33,864 \h\h\h\h\hI GOT AN AUDITION AT 3:00. WHO WANTS TO RUN LINES WITH ME? 2148 01:15:33,864 --> 01:15:35,360 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNAH. NO WAY. NOT A CHANCE. 2149 01:15:35,360 --> 01:15:36,669 [ CELLPHONE CHIMES ] 2150 01:15:36,669 --> 01:15:37,967 \h\h\hAH, RONDA FINALLY ANSWERED MY TEXT. 2151 01:15:37,967 --> 01:15:39,067 \h\h\h\hREALLY? WHAT’D SHE SAY? 2152 01:15:39,067 --> 01:15:41,036 \h\h\h\hSHE SAID, "IF YOU WANT TO APOLOGIZE, 2153 01:15:41,036 --> 01:15:43,038 DO IT IN PERSON, \h\hLIKE A MAN." 2154 01:15:43,038 --> 01:15:44,545 \h\h\h\h\hYOU GUYS WANT TO COME WITH? 2155 01:15:44,545 --> 01:15:45,546 SURE. 2156 01:15:45,546 --> 01:15:47,548 SURE. 2157 01:15:47,548 --> 01:15:51,310 \h\h\hYOU ARE THE MASTER OF YOUR UNIVERSE, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOM. 2158 01:15:51,310 --> 01:15:54,819 \h\h\h\h\h\h\hIF YOU CONTROL YOUR OWN PHYSICAL UNIVERSE. 2159 01:15:54,819 --> 01:15:58,350 I WILL SOLVE THIS PROBLEM. 2160 01:15:58,350 --> 01:16:03,520 CALMNESS AND CONTROL OF BREATH \h\h\h\h\hARE KEYS TO SUCCESS. 2161 01:16:03,520 --> 01:16:10,164 \h\h\h\h\h\h\h\h\h\h\h\hOM. I WILL FIGURE THIS OUT. 2162 01:16:10,164 --> 01:16:14,201 \h\hPUT FEAR TO THE SIDE, FOR FEAR WILL CONQUER YOU. 2163 01:16:14,201 --> 01:16:16,236 OM. 2164 01:16:16,236 --> 01:16:21,208 \h\h\h\h\h\h\h\h\h\h\h\hI WILL LET NO MAN SEE THE DARKNESS INSIDE OF ME. 2165 01:16:21,208 --> 01:16:22,616 [ RINGTONE PLAYING ] 2166 01:16:22,616 --> 01:16:24,079 OM. 2167 01:16:24,079 --> 01:16:26,950 \h\h\h\hI WILL LEARN HOW TO STOP THIS FUCKING PHONE 2168 01:16:26,950 --> 01:16:29,590 \h\h\h\h\hFROM OVERTAKING MY FUCKING CALMING CD! 2169 01:16:29,590 --> 01:16:30,591 WHAT?! 2170 01:16:30,591 --> 01:16:31,790 ABOUT THE WEDDING, ARI. 2171 01:16:31,790 --> 01:16:33,451 Lloyd, I’ve got bigger problems 2172 01:16:33,451 --> 01:16:36,729 THAN WHO’S GONNA GIVE YOU AWAY \h\hAT YOUR BIG FAT GAY WEDDING. 2173 01:16:36,729 --> 01:16:39,127 CALL YOUR BOYS AT GRINDR. I’M SURE THERE’S AN APP FOR THAT. 2174 01:16:39,127 --> 01:16:41,129 \h\h\h\hLISTEN, ARI, I JUST GOT FINISHED TALKING 2175 01:16:41,129 --> 01:16:42,768 TO A CLASSROOM OF 8th GRADERS 2176 01:16:42,768 --> 01:16:44,429 \h\habout the future of the agenting business. 2177 01:16:44,429 --> 01:16:47,135 AND AS I LOOKED AT THEIR LITTLE FACES, IT HIT ME -- 2178 01:16:47,135 --> 01:16:49,610 \h\hMY FATHER IS NOT COMING TO MY WEDDING. 2179 01:16:49,610 --> 01:16:51,106 THAT IS NOT MY PROBLEM, \h\h\h\h\h\h\h\h\h\hLLOYD. 2180 01:16:51,106 --> 01:16:53,207 \h\h\h\h\hDO YOU KNOW WHY HE’S NOT COMING? 2181 01:16:53,207 --> 01:16:54,406 I don’t care. 2182 01:16:54,406 --> 01:16:56,716 IT’S BECAUSE HE HASN’T SPOKEN TO ME SINCE I CAME OUT. 2183 01:16:56,716 --> 01:16:58,278 HE DIDN’T KNOW \hBEFORE THAT? 2184 01:16:58,278 --> 01:17:00,148 WHO IS HE, THE GUY FROM \h\h\h\h"THE CRYING GAME"? 2185 01:17:00,148 --> 01:17:02,249 YOU’RE THE CLOSEST THING I HAVE TO A FATHER NOW, ARI. 2186 01:17:02,249 --> 01:17:04,383 \h\h\h\h\h\h\h\h\h\hLLOYD! I CAN’T DEAL WITH THIS. 2187 01:17:04,383 --> 01:17:07,551 NOT WHILE I’M TRYING TO FIGURE \h\h\hOUT HOW TO SAVE THIS MOVIE, 2188 01:17:07,551 --> 01:17:10,961 \hWHICH IS THE MOST IMPORTANT INVESTMENT I HAVE EVER MADE. 2189 01:17:10,961 --> 01:17:13,458 You invest in people, Ari, not product. 2190 01:17:13,458 --> 01:17:16,395 THAT’S WHY I HAVE SUCCEEDED, AND THAT’S WHY YOU WILL. 2191 01:17:16,395 --> 01:17:18,133 Oh, and, Ari? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT? 2192 01:17:18,133 --> 01:17:19,706 I LOVE YOU. 2193 01:17:24,436 --> 01:17:25,470 FUCK! 2194 01:17:25,470 --> 01:17:27,274 FUCK! 2195 01:17:27,274 --> 01:17:29,012 FUCK, FUCK, FUCK! 2196 01:17:29,012 --> 01:17:30,651 FUCK! 2197 01:17:30,651 --> 01:17:33,148 \h\h\h[ X AMBASSADORS’ "ENTREPRENEURS" PLAYS ] 2198 01:17:36,987 --> 01:17:40,661 \h\h\h\h\hSTILL TIME TO LEAVE. I DON’T THINK SHE SAW YOU YET. 2199 01:17:40,661 --> 01:17:42,223 OOPS! 2200 01:17:43,257 --> 01:17:45,160 TOO LATE. 2201 01:17:45,160 --> 01:17:46,491 HEY, RONDA. 2202 01:17:46,491 --> 01:17:48,933 HEY, TURTLE. 2203 01:17:48,933 --> 01:17:51,331 WHAT, DO YOU BRING YOUR BACKUP DANCERS WITH YOU EVERYWHERE? 2204 01:17:51,331 --> 01:17:53,938 SORRY, VINCE. 2205 01:17:53,938 --> 01:17:55,709 \h\h\h\h\h\hWELL, YOU SAID IF I WANTED TO APOLOGIZE... 2206 01:17:55,709 --> 01:17:57,172 WHAT IS THERE, REALLY, TO APOLOGIZE ABOUT? 2207 01:17:57,172 --> 01:17:58,877 \hYEAH, I DIDN’T WANT YA TO HAVE THE WRONG IDEA. 2208 01:17:58,877 --> 01:18:00,439 \h\h\h\h\hAND WHAT WAS THE RIGHT IDEA? 2209 01:18:00,439 --> 01:18:03,277 \h\h\h\h\h\h\h\h\h\h\h\h\h\hI WANTED... YEAH, I WANT TO TAKE YOU OUT. 2210 01:18:03,277 --> 01:18:05,345 SO, THEN, WHY THIS TALK ABOUT US DOING BUSINESS? 2211 01:18:05,345 --> 01:18:07,512 \h\h\h\h\h\h\h\h\h\h\h\hJU-- BECAUSE THIS GUY GOT IN MY HEAD, ALL RIGHT, 2212 01:18:07,512 --> 01:18:09,646 TELLIN’ ME THAT THERE’S NO WAY YOU’D BE INTERESTED IN ME, AND -- 2213 01:18:09,646 --> 01:18:11,351 \h\hNOT VERY MANLY TO LET ANOTHER GUY 2214 01:18:11,351 --> 01:18:13,727 INFLUENCE WHAT YOU DO \h\hWITH A LADY, BRO. 2215 01:18:13,727 --> 01:18:15,388 ’SPECIALLY THIS GUY. 2216 01:18:15,388 --> 01:18:17,555 [ LAUGHTER ] \hVince: LISTEN, RONDA. 2217 01:18:17,555 --> 01:18:19,029 \h\h\h\h\h\h\h\hTURTLE’S SHY, AND HE REALLY LIKES YOU. 2218 01:18:19,029 --> 01:18:20,800 PROMISE, HE COULD CARE LESS \h\h\h\h\h\h\h\h\h\hABOUT BUSINESS. 2219 01:18:20,800 --> 01:18:22,560 EVERYONE IN THIS TOWN HAS AN ANGLE. 2220 01:18:22,560 --> 01:18:24,562 \h\h\h\h\h\h\hI DON’T. I REALLY, REALLY DON’T. 2221 01:18:24,562 --> 01:18:26,168 SO LET ME PROVE IT TO YOU. \h\h\hWHAT DO YOU WANT TO DO? 2222 01:18:26,168 --> 01:18:27,664 \h\h\h\h\hYOU WANT TO TAKE ME IN THE RING? 2223 01:18:27,664 --> 01:18:29,138 I’LL LET YOU BEAT ME UP \h\h\h\h\h\h\hFOR A ROUND. 2224 01:18:29,138 --> 01:18:30,711 LET ME? 2225 01:18:30,711 --> 01:18:33,241 YOU KNOW, HE DOES BOX AND DO SOME CARDIO. 2226 01:18:33,241 --> 01:18:35,210 \h\hI MEANT, LIKE, I WON’T FIGHT BACK. 2227 01:18:35,210 --> 01:18:36,882 \hYOU COULDN’T LAST 30 SECONDS WITH ME 2228 01:18:36,882 --> 01:18:38,345 \hIF YOUR LIFE DEPENDED ON IT. 2229 01:18:38,345 --> 01:18:39,753 OOH. \h\h\h\h\h\hOOH. 2230 01:18:39,753 --> 01:18:41,051 I COULD REALLY HURT YOU, TURTLE. 2231 01:18:41,051 --> 01:18:42,415 SO I LAST THIRTY SECONDS, 2232 01:18:42,415 --> 01:18:44,054 YOU LET ME TAKE YOU OUT \h\h\h\h\hON A PROPER DATE. 2233 01:18:44,054 --> 01:18:46,221 \hLAST SIXTY SECONDS, AND I’LL LET YOU FUCK ME. 2234 01:18:46,221 --> 01:18:48,487 [ LAUGHS ] 2235 01:18:48,487 --> 01:18:50,896 \h\h\h\h\h\h\h[ BELL DINGS ] \h\h\h\h\h\h\h[ TOM MORELLO’S "KING OF THE JUNGLE" PLAYS ] 2236 01:18:50,896 --> 01:18:52,557 HOW MUCH TIME?! \h\h\h\hTHREE SECONDS! 2237 01:18:52,557 --> 01:18:54,691 WHAT DO I DO? WHAT DO I DO? \h\h\h\h\h\h\h\h\h\h\h\h\hANYTHING! 2238 01:18:54,691 --> 01:18:56,935 Ronda: PRAY! 2239 01:18:56,935 --> 01:18:59,102 SHE’S GOT THE ARMBAR! THAT’S NOT GOOD! 2240 01:18:59,102 --> 01:19:00,400 \h\h\h\h\h\h\h\h\hTAP OUT, TURTLE! TIME? 2241 01:19:00,400 --> 01:19:01,940 FIFTEEN SECONDS! \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTURTLE! \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTAP OUT! 2242 01:19:01,940 --> 01:19:03,007 TAP OR I’LL BREAK IT. 2243 01:19:03,007 --> 01:19:04,404 HOW MUCH TIME? 2244 01:19:04,404 --> 01:19:05,702 TEN SECONDS! 2245 01:19:05,702 --> 01:19:07,374 \h\h\h\h\h\h\h\h\h\h\h\h\h\hDO YOU THINK \h\h\h\h\h\h\h\h\h\h\h\h\h\hI’M BLUFFING? TAP OUT! 2246 01:19:07,374 --> 01:19:09,376 YOU WON’T DO IT! IT ISN’T WORTH IT, \h\h\h\h\h\hTURTLE. 2247 01:19:09,376 --> 01:19:10,377 DON’T TAP OUT! 2248 01:19:10,377 --> 01:19:11,279 RONDA, I DON’T QUIT. 2249 01:19:11,279 --> 01:19:12,753 \h\h\h\hI JUST WANTED TO TAKE YOU TO DINNER! 2250 01:19:12,753 --> 01:19:13,754 FINE! 2251 01:19:13,754 --> 01:19:15,349 [ POP! ] \h\h\hOH! 2252 01:19:15,349 --> 01:19:18,583 [ SCREAMING ] 2253 01:19:18,583 --> 01:19:19,760 UGH. 2254 01:19:19,760 --> 01:19:22,928 [ TELEPHONE RINGS ] 2255 01:19:22,928 --> 01:19:24,292 LARSEN McCREDLE’S OFFICE. 2256 01:19:24,292 --> 01:19:25,425 IT’S ARI GOLD AGAIN. 2257 01:19:25,425 --> 01:19:28,362 MR. GOLD, I HAVE TOLD YOU \h\h\h\h20 TIMES ALREADY, 2258 01:19:28,362 --> 01:19:31,398 MR. McCREDLE IS UNAVAILABLE \h\h\h\hTO SPEAK WITH YOU. 2259 01:19:31,398 --> 01:19:33,631 AND I TOLD YOU 20 TIMES I NEED TO SPEAK WITH HIM. 2260 01:19:33,631 --> 01:19:35,600 WHERE’S DANA? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMEETING. 2261 01:19:35,600 --> 01:19:36,909 TRY HIM AGAIN AND TELL HIM 2262 01:19:36,909 --> 01:19:38,735 \hIT’S AN EMERGENCY REGARDING HIS SON. 2263 01:19:38,735 --> 01:19:40,077 IS EVERYTHING OKAY \h\h\hWITH TRAVIS? 2264 01:19:40,077 --> 01:19:42,046 Have you seen the movie "Taken"? YES. 2265 01:19:42,046 --> 01:19:44,213 \h\h\h\h\h\h\h\h\h\h\h\h\hTHINK OF ME AS THE LIAM NEESON CHARACTER 2266 01:19:44,213 --> 01:19:47,117 \hAND MR. McCREDLE IS MY TARGET IF I DON’T HEAR BACK FROM HIM. 2267 01:19:47,117 --> 01:19:49,383 \h\h\h\h\h\h\h\h\h\h\hHAVE YOU HEARD BACK \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hFROM DANA? \hSHE’S STILL IN THAT MEETING. 2268 01:19:49,383 --> 01:19:51,792 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT MEETING? LAURA DIDN’T KNOW. 2269 01:19:51,792 --> 01:19:53,090 \hHAVE YOU TRIED JOHN ELLIS AGAIN? 2270 01:19:53,090 --> 01:19:55,290 \h\hYES. APPARENTLY, HE’S IN THE SAME MEETING. 2271 01:19:55,290 --> 01:19:57,094 THINK THE TEXAS MONEY GUY’S IN TOWN. 2272 01:19:57,094 --> 01:19:58,832 AND YOU DON’T THINK 2273 01:19:58,832 --> 01:20:01,428 \hTHIS IS INFORMATION THAT I COULD’VE USED? 2274 01:20:01,428 --> 01:20:02,429 WHERE IS THIS MEETING? 2275 01:20:02,429 --> 01:20:06,268 I’M NOT SUPPOSED TO SAY. \h\h\h\hI CAN CALL DANA. 2276 01:20:06,268 --> 01:20:07,335 \h\h\h\h\h\h\hWHERE’S THE FUCKING MEETING? 2277 01:20:07,335 --> 01:20:09,073 \h\hJOHN’S HOUSE IN SANTA BARBARA. 2278 01:20:09,073 --> 01:20:10,404 SHOULD I TELL THEM \h\hYOU’RE COMING? 2279 01:20:10,404 --> 01:20:11,944 NOPE! 2280 01:20:11,944 --> 01:20:15,772 \hTELL THEM TO BUILD A BIG FUCKIN’ BOMB SHELTER. 2281 01:20:15,772 --> 01:20:18,643 Chad Lowe: NO, I DIDN’T STUDY \h\h\h\h\hTHESE DANCE MOVES. 2282 01:20:18,643 --> 01:20:20,315 I WAS BORN WITH THEM. 2283 01:20:20,315 --> 01:20:22,856 NO, I DIDN’T -- I DIDN’T STUDY THESE DANCE MOVES. 2284 01:20:22,856 --> 01:20:25,122 AHHH. 2285 01:20:25,122 --> 01:20:27,190 \h\h\h\h\h\h\h\h\h\hEURIPIDES. \h\h\h\h\h\h\h\h\h\hEURIPIDES. UH... 2286 01:20:27,190 --> 01:20:29,159 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAESCHYLUS, AES-- \h...CAN YOU DO THAT TO YOURSELF, PLEASE? 2287 01:20:29,159 --> 01:20:31,161 UH, IT’S MY PROCESS, \h\h\h\h\h\hASSHOLE. 2288 01:20:31,161 --> 01:20:33,163 \h\h\h\h\h\h\h\h\h\h\h\h\h\hEURIPIDES. \h\h\h\h\h\h\h\h\h\h\h\h\h\hAESCHYLUS. DOUCHEBAG. 2289 01:20:33,163 --> 01:20:36,496 \h\h\h\hLEMONA, LUMINA, LINO-- LEMONA, LUMINUM, LINOLEUM. \h[ RINGTONE PLAYS ] 2290 01:20:36,496 --> 01:20:38,003 YEAH, HEY, MOM. 2291 01:20:38,003 --> 01:20:39,796 \h\h\h\hNO, I’M JUST ON THIS LAME AUDITION 2292 01:20:39,796 --> 01:20:41,336 \h\h\h\h\h\h\h\hWITH A BUNCH OF SHITHEADS. 2293 01:20:41,336 --> 01:20:42,172 YEP. 2294 01:20:42,172 --> 01:20:43,635 JOHNNY CHASE? YEAH. 2295 01:20:43,635 --> 01:20:45,703 YOU’RE NEXT. 2296 01:20:45,703 --> 01:20:47,309 \h\h\h\h\h\hOH. DON’T FUCK THIS UP, DRAMA. 2297 01:20:47,309 --> 01:20:49,443 FUCK YOU. WE KNOW YOU WILL. 2298 01:20:49,443 --> 01:20:50,642 JIMMY CHASE IS NEXT. 2299 01:20:50,642 --> 01:20:52,985 \h\h\h\hHEY. HEY, RICHARD. 2300 01:20:52,985 --> 01:20:54,349 \h\h\h\h\h\h\h\hI DIDN’T KNOW YOU WERE DOIN’ THIS. \h\h\hYEAH. 2301 01:20:54,349 --> 01:20:56,351 \h\hTHAT’S GREAT. NOW I’M EXCITED. 2302 01:20:56,351 --> 01:20:58,353 AH, THANKS. WELL, UH, THANKS FOR COMIN’ IN, JIMMY. 2303 01:20:58,353 --> 01:21:01,356 "JIMMY"? 2304 01:21:01,356 --> 01:21:02,654 NO? 2305 01:21:02,654 --> 01:21:04,689 OH. \h\h\h\h\h\h\h\h\h\h\h\h\h\hNO. 2306 01:21:04,689 --> 01:21:06,064 \h\h\h\h\h\h\h\h\h\h\h\h\hJOHNNY. THAT’S MY FAULT. 2307 01:21:06,064 --> 01:21:07,461 \hI’M SO SORRY. IT’S "JOHNNY." 2308 01:21:07,461 --> 01:21:08,902 SORRY, JOHNNY. I TOLD HIM "JIMMY," I’M -- 2309 01:21:08,902 --> 01:21:10,167 THERE WAS A JIMMY IN HERE EARLIER. 2310 01:21:10,167 --> 01:21:11,300 \h\h\h\h\h\hI THINK THAT’S WHAT IT WAS. 2311 01:21:11,300 --> 01:21:13,797 He’s Vinnie Chase’s \h\h\h\h\hbrother. 2312 01:21:13,797 --> 01:21:15,007 I know. 2313 01:21:15,007 --> 01:21:16,074 No. \h\h\h\h\h\h\h\h\h\h\h\h\h\hYeah. 2314 01:21:16,074 --> 01:21:17,141 YOU’RE VINNIE CHASE’S BROTHER? 2315 01:21:17,141 --> 01:21:20,045 YEAH. \h\h\h\h\h\h\h\h\h\h\h\h\hWOW. 2316 01:21:20,045 --> 01:21:22,179 YOU LOOK NOTHING LIKE HIM. NOT EVEN A LITTLE. 2317 01:21:22,179 --> 01:21:24,984 \h\h\h\hYOU KNOW, WE’VE MET BEFORE. 2318 01:21:24,984 --> 01:21:25,985 WE HAVE? 2319 01:21:25,985 --> 01:21:27,052 YEAH. "WEST WING." 2320 01:21:27,052 --> 01:21:28,383 \h\hOH. DID YOU DO AN EPISODE? 2321 01:21:28,383 --> 01:21:31,221 NO, I GOT CAST \hIN THE PILOT. 2322 01:21:31,221 --> 01:21:33,520 \h\hAND THEN REPLACED AFTER THE TABLE READ. 2323 01:21:33,520 --> 01:21:34,554 HUH. 2324 01:21:34,554 --> 01:21:36,897 \hWELL, YOU MISSED A PRETTY GOOD RUN. 2325 01:21:36,897 --> 01:21:38,822 UH-HUH. 2326 01:21:38,822 --> 01:21:40,230 \h\h\h\h\h\hANY NOTES BEFORE I GET STARTED? 2327 01:21:40,230 --> 01:21:42,331 \h\h\h\h\h\hNOPE. NO NOTES, JOHNNY. 2328 01:21:42,331 --> 01:21:44,102 SO WHENEVER YOU’RE READY, \h\h\h\h\h\h\h\h\h\h\h\hJOHNNY, 2329 01:21:44,102 --> 01:21:45,730 \hSARAH’S GONNA READ WITH YOU. 2330 01:21:45,730 --> 01:21:48,832 [ YELLS ] 2331 01:21:48,832 --> 01:21:50,438 OKAY. 2332 01:21:50,438 --> 01:21:51,945 DID YOU GO TO SCHOOL \h\h\h\h\hFOR DANCE? 2333 01:21:51,945 --> 01:21:53,705 \h\h\h\h\h\h\h\h\hOH, MY GOD. WHAT? 2334 01:21:53,705 --> 01:21:55,344 I’M SORRY. \hNOTHING. 2335 01:21:55,344 --> 01:21:57,412 \h\h\h\h\h\h\h\h\h\h\h\h\h\hJUST KEEP -- \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hKEEP GOING. WHAT? 2336 01:21:58,248 --> 01:22:00,250 DID YOU GO TO SCHOOL \h\h\h\h\hFOR DANCE? 2337 01:22:00,250 --> 01:22:03,022 \h\hJohnny: NO, I DIDN’T STUDY THESE DANCE MOVES. 2338 01:22:03,022 --> 01:22:04,749 I WAS BORN WITH THEM. 2339 01:22:04,749 --> 01:22:06,718 \h\h\h\h\h\h\h\h\hOH, MY GOD! WHAT? 2340 01:22:06,718 --> 01:22:09,127 \h\h\h\h\h\h\hSORRY, JOHNNY, HONESTLY, WE’RE GETTING ALL THIS ON TAPE, 2341 01:22:09,127 --> 01:22:10,524 \hAND IT’S GREAT, SO JUST KEEP READING WITH SARAH. 2342 01:22:10,524 --> 01:22:12,097 \h\h\h\h\h\h\hSARAH, JUST KEEP -- YEAH. SARAH, KEEP GOIN’. 2343 01:22:12,097 --> 01:22:14,363 WOULD YOU DESCRIBE YOURSELF \h\h\h\h\h\h\hAS FLEXIBLE? 2344 01:22:14,363 --> 01:22:17,366 WELL, I GUESS YOU COULD SAY I AM PRETTY LIMBER. 2345 01:22:17,366 --> 01:22:18,697 \h\h\h\hMan: JESUS CHRIST! 2346 01:22:18,697 --> 01:22:20,369 ARE YOU GUYS JOKING? 2347 01:22:20,369 --> 01:22:22,635 I’M TRYIN’ TO ACT HERE. 2348 01:22:22,635 --> 01:22:25,110 WHAT THE FUCK ARE YOU LOOKIN’ AT THAT’S SO IMPORTANT? 2349 01:22:25,110 --> 01:22:26,276 WE’RE LOOKIN’ AT YOU, JOHNNY. 2350 01:22:26,276 --> 01:22:28,982 WE’RE LOOKING AT YOU. 2351 01:22:28,982 --> 01:22:31,149 \h\h\h\hARE YOU FAMILIAR WITH THE PENAL CODE IN THIS COUNTY? 2352 01:22:31,149 --> 01:22:32,612 HERE’S THE GOOD NEWS -- 2353 01:22:32,612 --> 01:22:34,647 \h\h\h\h\h\h\h\h\h\h\h\hOH, YEAH. \h\h\hI WON’T EVER FORGET YOU AGAIN. 2354 01:22:34,647 --> 01:22:39,652 \h\h\h\h\h\h\h\h\hTMZ PRESENTS: RAW EMOTION WITH JOHNNY CHASE. 2355 01:22:39,652 --> 01:22:42,127 OH, YEAH. OHHH. 2356 01:22:42,127 --> 01:22:46,428 \hWE GOT A SEX TAPE FROM A HUGE STAR... 2357 01:22:46,428 --> 01:22:47,627 ’S BROTHER. 2358 01:22:47,627 --> 01:22:48,969 [ LAUGHTER ] 2359 01:22:48,969 --> 01:22:50,333 OH, YOU LIKE THAT? 2360 01:22:50,333 --> 01:22:51,730 HE WAS HAVING A VIDEO CHAT \h\h\h\h\h\h\h\h\hWITH THIS GIRL, 2361 01:22:51,730 --> 01:22:53,435 IT TURNED INTO SEX, 2362 01:22:53,435 --> 01:22:55,272 HER BOYFRIEND POSTED IT UP \h\h\hTO REVENGE GIRLFRIENDS. 2363 01:22:55,272 --> 01:22:56,900 AND, CUT TO THE CHASE! 2364 01:22:56,900 --> 01:22:58,506 [ SCREAMING, MOANING ] 2365 01:22:58,506 --> 01:23:01,674 [ THE VIOLENT FEMMES’ \h"ADD IT UP" PLAYS ] 2366 01:23:01,674 --> 01:23:04,677 OH, MY FUCKING GOD. 2367 01:23:04,677 --> 01:23:06,514 OH, GOOD MERCIFUL GOD. 2368 01:23:06,514 --> 01:23:07,449 OH, YEAH, BABE. 2369 01:23:07,449 --> 01:23:10,991 OH, MY GOD. \h\h\h\h\h\h\h\h\h\h\h\h\hOH, YEAH! 2370 01:23:10,991 --> 01:23:13,158 [ GASPS ] OH, GOD. 2371 01:23:13,158 --> 01:23:14,423 \h\h\hTHAT’S WHAT I’M TALKIN’ ABOUT! 2372 01:23:14,423 --> 01:23:17,657 \h\h\h\h\h\h\h\h\hOH, MY GOD. I KNOW THIS FUCKING KID. 2373 01:23:17,657 --> 01:23:19,758 OH, MY GOD. 2374 01:23:19,758 --> 01:23:21,661 EWW. 2375 01:23:21,661 --> 01:23:23,498 OH, MY GOD. 2376 01:23:23,498 --> 01:23:24,928 OH, MY GOD! 2377 01:23:24,928 --> 01:23:26,864 [ HORNS HONKING ] 2378 01:23:26,864 --> 01:23:30,637 OVER HERE, JOHNNY! WHAT THE FUCK YOU LOOKIN’ AT? 2379 01:23:30,637 --> 01:23:33,508 HOW ’BOUT I SHOVE THAT CAMERA \h\h\h\h\h\hUP YOUR ASS, HUH? 2380 01:23:33,508 --> 01:23:35,279 WHAT ARE YOU LOOKIN’ AT? \h\h\hTHERE! RIGHT THERE! 2381 01:23:35,279 --> 01:23:36,313 \hSTOP FUCKIN’ LOOKIN’ AT ME. 2382 01:23:36,313 --> 01:23:37,347 WHAT ARE YOU LOOKIN’ AT? 2383 01:23:37,347 --> 01:23:38,645 YOU GOT A PROBLEM? 2384 01:23:38,645 --> 01:23:40,284 STOP LOOKIN’ AT ME. 2385 01:23:40,284 --> 01:23:42,682 \h\h\h\h\h\h\h\hI CAN’T BELIEVE YOU JUST IGNORED ME YESTERDAY. 2386 01:23:42,682 --> 01:23:45,322 \h\h\h\h\h\h\h\h\h\hI WASN’T IGNORING YOU. HE WASN’T IGNORING YOU. 2387 01:23:45,322 --> 01:23:46,554 \h\h\h\hSO -- OH, REALLY? WE’RE ALL GONNA DO THIS? 2388 01:23:46,554 --> 01:23:48,193 \h\h\h\h\h\h\hOKAY. HE DIDN’T RESPOND. 2389 01:23:48,193 --> 01:23:50,525 HE HAD SOME CRAZY THINGS HAPPEN YESTERDAY. 2390 01:23:50,525 --> 01:23:51,724 \h\h\h\h\h\h\h\h\h\hWELL, HE DIDN’T CALL ME TODAY. 2391 01:23:51,724 --> 01:23:53,363 YOU PROBABLY SHOULD’VE CALLED TODAY, E. 2392 01:23:53,363 --> 01:23:54,364 WELL, I DIDN’T KNOW \h\h\hWHAT TO SAY. 2393 01:23:54,364 --> 01:23:55,794 HE DIDN’T KNOW \hWHAT TO SAY. 2394 01:23:55,794 --> 01:23:58,236 \h\h\h\h\h\h\hFOR SIX MONTHS, HE BEGS ME TO TAKE HIM BACK. 2395 01:23:58,236 --> 01:23:59,633 \h\h\h\h\hNOW I SAY I’M WILLING TO TRY, 2396 01:23:59,633 --> 01:24:01,503 \hAND HE DOESN’T KNOW WHAT TO SAY? 2397 01:24:01,503 --> 01:24:02,801 SHE’S GOT A LOT OF ANGER \h\h\h\h\h\h\h\h\hTOWARDS ME. 2398 01:24:02,801 --> 01:24:04,539 YOU KNOW, MAYBE YOU SHOULD SAVE THIS FOR LATER. 2399 01:24:04,539 --> 01:24:07,245 I SAID I’LL KEEP TRYING \h\h\h\hTO GET OVER IT. 2400 01:24:07,245 --> 01:24:08,741 HE’S RIGHT. MAYBE WE SHOULD \h\h\h\h\h\h\h\hSAVE IT TILL LATER. 2401 01:24:08,741 --> 01:24:10,512 NO, I THINK WE SHOULD TALK ABOUT THIS NOW. 2402 01:24:10,512 --> 01:24:12,151 \h\h\h\h\h\h\h\hMAYBE I SHOULDN’T BE HERE. 2403 01:24:12,151 --> 01:24:13,680 WHY NOT? 2404 01:24:13,680 --> 01:24:15,418 YOU’VE BEEN HERE FOR EVERYTHING \h\h\hELSE BUT THE CONCEPTION. 2405 01:24:15,418 --> 01:24:17,552 \h\h\hGOOD POINT. E, SAY SOMETHIN’. 2406 01:24:17,552 --> 01:24:18,916 STOP. 2407 01:24:18,916 --> 01:24:22,557 LOOK, SLOAN, I LOVE YOU, OKAY? \h\h\h\h\h\h\h\h\h\h\h\h\hYOU KNOW THAT. 2408 01:24:22,557 --> 01:24:24,229 AND THERE’S NOBODY ELSE \h\h\h\hI’D RATHER BE WITH. 2409 01:24:24,229 --> 01:24:25,890 BUT THERE’S NO MORE \h\h\h\h\h\hTRYING. 2410 01:24:25,890 --> 01:24:27,595 YOU’RE EITHER OVER THE PAST \h\h\h\h\h\h\h\h\h\hOR YOU’RE NOT. 2411 01:24:27,595 --> 01:24:29,927 YO! GUESS WHO’S GOT \h\h\hTHE STRONGEST 2412 01:24:29,927 --> 01:24:31,203 \h\h\h\h\hBONES IN THE ASSANTE FAMILY? 2413 01:24:31,203 --> 01:24:32,996 NO BREAK? NOPE. TORN LABRUM. 2414 01:24:32,996 --> 01:24:34,503 BUT DINNER WITH RONDA IS ON. 2415 01:24:34,503 --> 01:24:36,670 \h\h\h\hSO, SLOAN, ANY WAY WE CAN GET THIS LABOR PROCESS CRANKIN’? 2416 01:24:36,670 --> 01:24:38,243 REALLY? 2417 01:24:38,243 --> 01:24:40,245 OH, SEE WHAT I’M SAYIN’? LET’S GO! \h\h\h\h\h\h\h\h\h\h\h\h\hTURTLE, MOVE IT. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hLET’S GO! 2418 01:24:40,245 --> 01:24:41,279 YOU GUYS WERE STOPPED. 2419 01:24:41,279 --> 01:24:43,776 [ NOREAGA’S "SUPERTHUG" PLAYS ] 2420 01:24:43,776 --> 01:24:46,680 ♪ WHAT, WHAT, WHAT, WHAT, WHAT, WHAT, WHAT, WHAT, WHAT, WHAT ♪ 2421 01:24:46,680 --> 01:24:50,255 ♪ WHAT, WHAT, WHAT, WHAT, WHAT, \hWHAT, WHAT, WHAT, WHAT, WHAT ♪ 2422 01:24:50,255 --> 01:24:51,883 ♪ AIYYO, WE LIGHT A CANDLE ♪ 2423 01:24:51,883 --> 01:24:54,127 \h\h♪ RUN LAPS AROUND THE ENGLISH CHANNEL ♪ 2424 01:24:54,127 --> 01:24:55,755 \h\h\h\h\h\h\h♪ NEPTUNES, I GOT A COCKER SPANIEL ♪ 2425 01:24:55,755 --> 01:24:58,296 ♪ WE ON THE RUN NOW, YO, \h\hIT AIN’T NO FUN NOW ♪ 2426 01:24:58,296 --> 01:25:00,925 \h\h\h\h\h\h\h\h♪ AND WHERE I GO, YOU NIGGAS CAN’T EVEN COME NOW ♪ 2427 01:25:00,925 --> 01:25:03,466 ♪ YOU AIN’T THE LORD, NIGGA, \h\hBREAK IT, I DON’T CARE ♪ 2428 01:25:03,466 --> 01:25:05,798 \h\h♪ AND WHEN YA GET CAUGHT, REMEMBER THAT I DON’T CARE ♪ 2429 01:25:05,798 --> 01:25:07,734 \h\h\h\h\h\h\h\h\h♪ N.O.R.E., NOTHIN’ BUT THE ATMOSPHERE ♪ 2430 01:25:07,734 --> 01:25:10,209 ♪ YO, FOR NOW WE ON THE RUN, \h\hYO, IF THAT AIN’T CLEAR ♪ 2431 01:25:10,209 --> 01:25:11,309 \h\h\h\h\h\h\h\hARI, ARE YOU FUCKING CRAZY? 2432 01:25:11,309 --> 01:25:12,640 YOU CAN’T LAND THERE! 2433 01:25:12,640 --> 01:25:16,380 AH, BUT, JOHN, \h\hI JUST DID. 2434 01:25:22,749 --> 01:25:25,389 HELLO. 2435 01:25:25,389 --> 01:25:26,885 \h\h\h\h\h\h\hMUST NOT HAVE GOTTEN MY INVITE. 2436 01:25:26,885 --> 01:25:29,129 WOW. 2437 01:25:29,129 --> 01:25:31,461 I KNOW ALL OF YOU. 2438 01:25:31,461 --> 01:25:35,795 MR. TISCH, WE SHARED A SUITE \h\h\h\h\hAT THE SUPER BOWL. 2439 01:25:35,795 --> 01:25:39,139 MUST NOT BE THE DIFFERENCE MAKER THAT YOU CLAIMED. 2440 01:25:39,139 --> 01:25:42,967 MELDMAN, ALL THOSE NIGHTS \h\h\h\h\h\h\hIN CABO... 2441 01:25:42,967 --> 01:25:45,475 MEANINGLESS. 2442 01:25:45,475 --> 01:25:48,808 LARSEN, YOU MUST NOT HAVE GOTTEN ALL MY MESSAGES. 2443 01:25:48,808 --> 01:25:51,008 AND YOU MUST BE A LOT TOUGHER THAN YOU LOOK. 2444 01:25:51,008 --> 01:25:53,978 OKAY, THIS ROOM IS GONNA BE EVEN MORE HOSTILE THAN I THOUGHT. 2445 01:25:53,978 --> 01:25:56,519 \h\h\hWHICH IS INTERESTING, BECAUSE I HEARD THE PURPOSE 2446 01:25:56,519 --> 01:25:58,455 OF THIS MEETING WAS TO FIRE ME. 2447 01:25:58,455 --> 01:25:59,588 WHERE’D YOU HEAR THAT? 2448 01:25:59,588 --> 01:26:03,262 I HEARD IT UP HERE, \h\h\h\h\h\h\hJOHN. 2449 01:26:03,262 --> 01:26:06,661 \h\h\h\h\h\h\h\hNOT FROM YOU, WHO I’VE KNOWN FOR 20 YEARS. 2450 01:26:06,661 --> 01:26:08,861 NOT FROM YOU, DANA, \hWHO I USED TO -- 2451 01:26:08,861 --> 01:26:14,174 ANYWAY, YOU WANT TO FIRE ME BECAUSE MR. McCREDLE’S SON 2452 01:26:14,174 --> 01:26:15,604 [LAUGHS] 2453 01:26:15,604 --> 01:26:17,441 DOESN’T LIKE THE MOVIE \h\h\h\h\hTHAT I MADE. 2454 01:26:17,441 --> 01:26:20,312 \h\h\hWELL, I DON’T THINK YOU KNOW THE WHOLE STORY. 2455 01:26:20,312 --> 01:26:22,039 OH, REALLY, GOLD? 2456 01:26:22,039 --> 01:26:25,317 WELL, I CAN’T WAIT TO HEAR THE FUCKIN’ FAIRY TALE YOU SPIN. 2457 01:26:25,317 --> 01:26:26,780 ME, TOO. 2458 01:26:26,780 --> 01:26:27,979 SHUT UP, TRAVIS. 2459 01:26:27,979 --> 01:26:30,146 TRAVIS DOESN’T REALLY \h\h\hHATE THE MOVIE. 2460 01:26:30,146 --> 01:26:32,357 HE HATES VINCE. 2461 01:26:32,357 --> 01:26:33,985 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hDAD, HE’S SO \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hFULL OF SHIT. WHAT’D I SAY? 2462 01:26:33,985 --> 01:26:35,954 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHY DO -- \h\h\h\hDO YOU WANT A BOOT UP YOUR ASS? 2463 01:26:35,954 --> 01:26:37,120 NO. 2464 01:26:37,120 --> 01:26:39,056 NOW, I HAVE A SON, \hSO THIS IS HARD. 2465 01:26:39,056 --> 01:26:41,124 WELL, SPEAK, GOD DAMN IT. 2466 01:26:41,124 --> 01:26:43,335 \h\h\h\h\hTHIS WHOLE THING IS OVER A GIRL. 2467 01:26:43,335 --> 01:26:44,666 WHAT GIRL? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hDAD! 2468 01:26:44,666 --> 01:26:46,668 \h\h\h\h\h\h\h\h\hTHE SHOW -- I -- SHUT UP! 2469 01:26:46,668 --> 01:26:49,242 WHAT FUCKING GIRL, \h\h\h\h\h\h\hGOLD? 2470 01:26:49,242 --> 01:26:51,409 EMILY RATAJKOWSKI. 2471 01:26:51,409 --> 01:26:53,037 OHHH, I LIKE HER. 2472 01:26:53,037 --> 01:26:54,379 I DO, TOO. 2473 01:26:54,379 --> 01:26:56,216 \h\h\h\h\h\h\h\hI DON’T KNOW WHAT HE’S TALKIN’ ABOUT. 2474 01:26:56,216 --> 01:26:58,350 OH, COME ON, TRAVIS. 2475 01:26:58,350 --> 01:26:59,879 YOU MEAN TO TELL ME 2476 01:26:59,879 --> 01:27:02,552 \h\h\h\hTHAT YOU DIDN’T SIT OUTSIDE HER HOUSE, 2477 01:27:02,552 --> 01:27:04,653 AFTER SHE TOLD YOU \h\h\h\hGOOD NIGHT, 2478 01:27:04,653 --> 01:27:06,391 JUST WAITING TO SEE IF VINCE SHOWED UP? 2479 01:27:06,391 --> 01:27:08,085 HE FUCKIN’ SNUCK IN THERE \h\h\h\h\h\h\h\h\h\h\hAFTER ME. 2480 01:27:08,085 --> 01:27:10,054 \h\h\h\hI PUT IN A WHOLE NIGHT W-- 2481 01:27:10,054 --> 01:27:11,330 WOW. 2482 01:27:11,330 --> 01:27:12,562 I WASN’T EVEN 100% SURE \h\h\h\h\hI WAS RIGHT. 2483 01:27:12,562 --> 01:27:14,762 YOU SHOULD KNOW THIS, \h\h\h\h\h\h\hTRAVIS. 2484 01:27:14,762 --> 01:27:16,830 THAT’S WHAT MOVIE STARS \hARE SUPPOSED TO DO -- 2485 01:27:16,830 --> 01:27:19,668 WALK INTO ROOMS AND FUCK GIRLS \h\h\h\h\hTHAT CIVILIANS WANT. 2486 01:27:19,668 --> 01:27:20,933 \h\h\h\h\hTHAT’S WHY THEY’RE MOVIE STARS. 2487 01:27:20,933 --> 01:27:23,067 YOU CAUSIN’ TROUBLE \hOVER PUSSY AGAIN? 2488 01:27:23,067 --> 01:27:24,409 DAD, THIS IS OUR MONEY. 2489 01:27:24,409 --> 01:27:25,905 WE FINANCED THIS FILM. 2490 01:27:25,905 --> 01:27:28,171 \h\h\hAND I DON’T THINK THAT THAT PRETTY BOY OUT THERE 2491 01:27:28,171 --> 01:27:30,107 SHOULD BE ALLOWED \hTO SHIT ON ME. 2492 01:27:30,107 --> 01:27:31,548 WAIT OUTSIDE. 2493 01:27:31,548 --> 01:27:32,747 ARE YOU SERIOUS? 2494 01:27:32,747 --> 01:27:35,453 YES, GOD DAMN IT. \h\hWAIT OUTSIDE. 2495 01:27:44,693 --> 01:27:47,630 I’M REAL SORRY \h\hABOUT THAT. 2496 01:27:47,630 --> 01:27:50,435 UM, I HAVE A COPY \h\hOF THE MOVIE. 2497 01:27:50,435 --> 01:27:51,766 VINNIE CHASE’S UNFINISHED CUT. 2498 01:27:51,766 --> 01:27:53,273 \h\hI THINK IF YOU TAKE A LOOK AT IT, 2499 01:27:53,273 --> 01:27:55,572 \h\h\h\h\hYOU’RE GONNA SEE THAT YOUR MONEY IS IN SECURE HANDS. 2500 01:27:55,572 --> 01:27:58,135 I SAW IT LAST NIGHT, LARSEN. 2501 01:27:58,135 --> 01:28:00,104 \h\h\h\h\hREALLY? WHAT’D YOU THINK? 2502 01:28:00,104 --> 01:28:02,381 IT’S AMAZING. 2503 01:28:02,381 --> 01:28:05,483 [ LAUGHS ] 2504 01:28:05,483 --> 01:28:07,045 I TOLD YOU. 2505 01:28:07,045 --> 01:28:08,552 Larsen: WELL, I DON’T NEED \h\h\h\hTO SEE THE DAMN MOVIE. 2506 01:28:08,552 --> 01:28:09,916 \h\hYOU PEOPLE DO WHAT YOU DO, 2507 01:28:09,916 --> 01:28:13,117 BUT, UH, IF ANYBODY WANTS TO SEE MORE OF MY MONEY, 2508 01:28:13,117 --> 01:28:16,296 HE STILL HAS TO GO. 2509 01:28:16,296 --> 01:28:17,660 \h\h\h\h\h\h\h\h\hLARSEN, YOU HEARD WHAT HAPPENED. 2510 01:28:17,660 --> 01:28:19,893 \h\h\h\h\h\hWHAT I HEARD IS THIS MAN TREATED MY SON 2511 01:28:19,893 --> 01:28:21,796 LIKE A HORSE’S ASS, \h\h\hWHICH HE IS. 2512 01:28:21,796 --> 01:28:23,259 BUT THAT’S NOT REALLY \h\h\h\h\h\hTHE POINT. 2513 01:28:23,259 --> 01:28:25,129 YOU SAID YOU HAVE A SON, \h\h\h\h\h\h\h\h\h\h\h\hGOLD? 2514 01:28:25,129 --> 01:28:26,229 \h\hI DO. HE’S 12. 2515 01:28:26,229 --> 01:28:27,802 \h\hWELL, I HOPE WHEN HE GROWS UP, 2516 01:28:27,802 --> 01:28:31,234 HE’S NOT A COMPLETE AND UTTER \h\h\hFUCKIN’ BUFFOON LIKE MINE. 2517 01:28:31,234 --> 01:28:33,577 BUT JUST IN CASE \h\h\h\h\hHE IS, 2518 01:28:33,577 --> 01:28:35,645 I HOPE THE PEOPLE THAT RESPECT YOU 2519 01:28:35,645 --> 01:28:38,010 AT LEAST PRETEND \hTO RESPECT HIM. 2520 01:28:40,485 --> 01:28:41,783 I CAN’T BELIEVE \h\h\hA WEBSITE 2521 01:28:41,783 --> 01:28:43,752 \hWOULD ACTUALLY POST SOMETHING LIKE THAT. 2522 01:28:43,752 --> 01:28:45,853 \h\hTHEY POSTED IT AS "SEE VINCENT CHASE’S BROTHER 2523 01:28:45,853 --> 01:28:47,657 \h\h\h\h\h\hSPANK IT AT VINCENT CHASE’S POOL." 2524 01:28:47,657 --> 01:28:50,121 \h\h\h\h\h\h\h\hTHAT WAS MY POOL? MINE. 2525 01:28:50,121 --> 01:28:52,662 OH, WELL. I GUESS A SEX TAPE WORKED FOR PARIS AND KIM. 2526 01:28:52,662 --> 01:28:54,092 \h\h\h\hMAYBE IT’LL DO GOOD FOR JOHNNY. 2527 01:28:54,092 --> 01:28:56,160 AH, NAH, VIN. A GIRL PLAYIN’ WITH HERSELF IS ONE THING. 2528 01:28:56,160 --> 01:28:58,503 \h\h\hDRAMA DOING IT, IT’S A WHOLE HORRIFYING OTHER. 2529 01:28:58,503 --> 01:29:00,835 ABSOLUTELY THE MOST VILE, \h\h\h\hDISGUSTING THING 2530 01:29:00,835 --> 01:29:02,507 \hI HAVE EVER FUCKIN’ SEEN. 2531 01:29:02,507 --> 01:29:03,640 \h\h\h\h\h\h\h\hOKAY, SHAUNA. HAVE YOU HEARD FROM HIM? 2532 01:29:03,640 --> 01:29:04,971 NO -- NO, WHY? IS HE MISSING? 2533 01:29:04,971 --> 01:29:06,379 CALLED HIM LIKE TEN TIMES. \h\h\h\h\hHE WON’T PICK UP. 2534 01:29:06,379 --> 01:29:07,809 TRY HIM AGAIN, \h\h\h\hPLEASE? 2535 01:29:07,809 --> 01:29:10,383 I CAN GET HIS FACE \hON A MILK CARTON. 2536 01:29:10,383 --> 01:29:11,681 YOU NEED TO CALM DOWN. 2537 01:29:11,681 --> 01:29:13,309 DON’T TELL ME TO CALM DOWN. 2538 01:29:13,309 --> 01:29:15,355 \h\h\h\h\h\hI’M HERE BECAUSE I CAN’T CALM DOWN, 2539 01:29:15,355 --> 01:29:17,181 \hAND I NEED TO SEE THE DOCTOR, 2540 01:29:17,181 --> 01:29:19,359 WHO CAN HOPEFULLY \h\hCALM ME DOWN. 2541 01:29:19,359 --> 01:29:21,284 MR. CHASE, HE IS IN WITH SOMEONE. 2542 01:29:21,284 --> 01:29:24,859 OH, IS HE IN WITH SOMEONE WHO’S BEEN COMIN’ HERE FOR 15 YEARS? 2543 01:29:24,859 --> 01:29:26,828 \hSOMEBODY WHO HAD TO SCRAPE UP LOOSE CHANGE 2544 01:29:26,828 --> 01:29:28,632 \h\h\hWHEN INSURANCE WOULDN’T PAY HIS BILL? 2545 01:29:28,632 --> 01:29:31,503 IS HE IN WITH SOMEONE WHOSE LIFE IS IN COMPLETE SHAMBLES? 2546 01:29:31,503 --> 01:29:32,570 ARE YOU SUICIDAL? 2547 01:29:32,570 --> 01:29:34,297 OH, MY GOD. 2548 01:29:34,297 --> 01:29:35,903 I DON’T KNOW. 2549 01:29:35,903 --> 01:29:37,575 \h\h\h\hWELL, IF YOU AREN’T -- I AM! 2550 01:29:37,575 --> 01:29:38,708 \hOKAY, LET -- LET ME CALL 911 2551 01:29:38,708 --> 01:29:39,874 \h\h\h\h\hAND HAVE AN AMBULANCE COME. 2552 01:29:39,874 --> 01:29:43,416 \h\hNO, NO, NO. DON’T DO THAT. 2553 01:29:43,416 --> 01:29:44,912 WHAT ARE YOU LOOKIN’ AT? 2554 01:29:44,912 --> 01:29:45,913 WHAT? 2555 01:29:45,913 --> 01:29:47,145 WHAT’S ON YOUR SCREEN? 2556 01:29:47,145 --> 01:29:48,784 NOTHING. 2557 01:29:50,720 --> 01:29:52,656 OH, JESUS CHRIST. 2558 01:29:52,656 --> 01:29:54,658 I’M A DEAD MAN! 2559 01:29:54,658 --> 01:29:56,792 I NEED THE DOCTOR. 2560 01:29:58,926 --> 01:30:01,533 \h\h\hDOC FELDMAN. IT’S JOHNNY CHASE. 2561 01:30:01,533 --> 01:30:03,161 \h\h\h\h\hI’VE BEEN A PATIENT OF YOURS 2562 01:30:03,161 --> 01:30:05,438 SINCE YOU WERE WORKIN’ THAT FUCKIN’ STRIP MALL IN SHERMAN OAKS. 2563 01:30:05,438 --> 01:30:07,363 I NEED YOU RIGHT NOW, GOD DAMN IT, 2564 01:30:07,363 --> 01:30:09,871 SO GET YOUR ASS \h\h\hOUT HERE. 2565 01:30:09,871 --> 01:30:11,510 I’M DYIN’. 2566 01:30:11,510 --> 01:30:12,907 PUT THE PHONE DOWN. 2567 01:30:12,907 --> 01:30:15,514 SORRY. 2568 01:30:15,514 --> 01:30:18,242 [ RINGTONE PLAYS ] 2569 01:30:18,242 --> 01:30:19,914 MOTHERFUCK. 2570 01:30:19,914 --> 01:30:22,180 \hWHAT, TURTLE? WHAT? WILL YOU PLEASE STOP CALLING? 2571 01:30:22,180 --> 01:30:24,589 I CAN’T TALK RIGHT NOW. 2572 01:30:26,426 --> 01:30:29,924 WHAT? 2573 01:30:29,924 --> 01:30:32,091 REALLY? 2574 01:30:32,091 --> 01:30:36,194 JOHNNY, WHAT THE HELL \h\h\h\h\hIS GOIN’ ON? 2575 01:30:36,194 --> 01:30:39,538 NOTHIN’, DOC. \h\hALL GOOD. 2576 01:30:39,538 --> 01:30:41,100 \h\h\h\h[ THE NATIONAL’S "I NEED MY GIRL" PLAYS ] 2577 01:30:41,100 --> 01:30:43,938 I’M HAVIN’ A BABY. 2578 01:30:43,938 --> 01:30:47,942 ♪ I AM GOOD, I AM GROUNDED ♪ 2579 01:30:47,942 --> 01:30:49,614 ♪ DAVY SAYS THAT I LOOK TALLER ♪ 2580 01:30:49,614 --> 01:30:54,113 \h\hCONGRATULATIONS. YOU HAVE A BRAND-NEW BABY GIRL. 2581 01:30:54,113 --> 01:30:55,587 AH. 2582 01:30:55,587 --> 01:30:59,415 THANK YOU. 2583 01:30:59,415 --> 01:31:01,824 SHE’S AMAZING. 2584 01:31:01,824 --> 01:31:03,463 \h\h\hSHE LOOKS JUST LIKE YOU. 2585 01:31:03,463 --> 01:31:06,895 ♪ ...MY GIRL ♪ 2586 01:31:06,895 --> 01:31:14,430 ♪ I NEED MY GIRL ♪ 2587 01:31:14,430 --> 01:31:15,772 ♪ I NEED MY GIRL ♪ 2588 01:31:15,772 --> 01:31:17,070 [ ERIC CLAPS ] \hRYAN MURPHY, 2589 01:31:17,070 --> 01:31:18,577 \h6 POUNDS 4 OUNCES, BORN 19 MINUTES AGO. 2590 01:31:18,577 --> 01:31:19,743 Shauna: YES! 2591 01:31:19,743 --> 01:31:20,909 YOU’RE A DADDY! GET OVER HERE. 2592 01:31:20,909 --> 01:31:22,405 OH. CONGRATS. AH, CONGRATULATIONS! 2593 01:31:22,405 --> 01:31:23,615 \h\h\h\h\hTHANK YOU. THANK YOU VERY MUCH. 2594 01:31:23,615 --> 01:31:24,616 WELL -- HOW’S SLOAN? 2595 01:31:24,616 --> 01:31:26,079 SHE’S OVER IT. 2596 01:31:26,079 --> 01:31:27,311 YEAH? 2597 01:31:27,311 --> 01:31:28,752 YEAH. 2598 01:31:28,752 --> 01:31:30,952 DO WE HAVE OURSELVES \h\h\h\h\h\h\hA BABY? 2599 01:31:30,952 --> 01:31:32,492 \h\h\h\h\h\h\h\h\h\h\h\hBECAUSE IN THE GRAND SCHEME OF THINGS, 2600 01:31:32,492 --> 01:31:33,625 WHAT THE FUCK ELSE \h\h\h\h\hMATTERS? 2601 01:31:33,625 --> 01:31:35,286 \h\h\hWE GOT A BABY GIRL! 2602 01:31:35,286 --> 01:31:37,024 YOU’RE KIDDING. \h\h\h\h\hNAME? 2603 01:31:37,024 --> 01:31:38,025 RYAN. 2604 01:31:38,025 --> 01:31:40,324 RYAN MURPHY? 2605 01:31:40,324 --> 01:31:41,534 YEAH, YOU LIKE IT? 2606 01:31:41,534 --> 01:31:42,964 \h\h\h\h\hWELL, I READ FOR THE TEACHER ON "GLEE" 2607 01:31:42,964 --> 01:31:44,328 \h\h\h\h\hSIX TIMES AND DIDN’T GET IT. 2608 01:31:44,328 --> 01:31:47,430 \h\h\h\hBUT, YEAH, I LIKE IT! [ CELLPHONE RINGS ] 2609 01:31:47,430 --> 01:31:48,838 PIERS MORGAN? 2610 01:31:48,838 --> 01:31:50,334 WHAT THE FUCK IS PIERS MORGAN CALLING YOU FOR? 2611 01:31:50,334 --> 01:31:51,544 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHELLO? HEY, VINCE. 2612 01:31:51,544 --> 01:31:53,139 IT’S PIERS MORGAN HERE. Hey, Piers. 2613 01:31:53,139 --> 01:31:55,009 LISTEN, IF THIS IS ABOUT EMILY, \h\h\h\h\h\h\h\h\h\h\h\hI HAVE NO COMMENT. 2614 01:31:55,009 --> 01:31:57,308 NO, VINCE. I’VE GOT NO INTEREST IN YOUR SEX LIFE. 2615 01:31:57,308 --> 01:31:59,376 \hI’M CALLING TO SEE IF YOU’VE GOT ANY COMMENT 2616 01:31:59,376 --> 01:32:01,686 TO MAKE ABOUT ARI GOLD? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAs far as what? 2617 01:32:01,686 --> 01:32:03,017 \h\h\hWELL, AS FAR AS THE BIG, BREAKING NEWS. 2618 01:32:03,017 --> 01:32:05,789 He just resigned from the studio. 2619 01:32:05,789 --> 01:32:08,792 I GOT TO CALL YOU BACK. 2620 01:32:08,792 --> 01:32:12,697 \h\h\hWHAT’S WITH THE STUNNED FACE? 2621 01:32:12,697 --> 01:32:14,666 \h\hPLEASE DON’T TELL ME THE BABY LOOKS LIKE E. 2622 01:32:14,666 --> 01:32:16,261 [ LAUGHS ] 2623 01:32:18,868 --> 01:32:20,837 YEAH, I "RESIGNED." 2624 01:32:20,837 --> 01:32:24,643 THAT’S JUST HOW I SPUN IT TO SAVE MYSELF THE HUMILIATION. 2625 01:32:24,643 --> 01:32:26,678 \h\h\hTRUTH IS, THEY FIRED ME. 2626 01:32:26,678 --> 01:32:28,680 \h\h\h\h\h\h\hARI, I FEEL AWFUL. THIS IS ALL BECAUSE OF ME. 2627 01:32:28,680 --> 01:32:31,408 \h\h\h\h\h\h\hNAH, IT’S BECAUSE OF ME. 2628 01:32:31,408 --> 01:32:32,981 I GOT A BIG EGO. 2629 01:32:32,981 --> 01:32:36,050 BUT THERE’S A REASON FOR THAT. IT’S ’CAUSE I’M ALWAYS RIGHT! 2630 01:32:36,050 --> 01:32:38,690 MUST HAVE A BIG BUYOUT, \h\h\h\h\h\hTHOUGH, NO? 2631 01:32:38,690 --> 01:32:41,055 \h\h\h\h\hWHAT, AM I ON CNBC, TURTLE? 2632 01:32:41,055 --> 01:32:43,563 BUT, YEAH, IT WOULD’VE BEEN BIG, EVEN BY YOUR STANDARDS. 2633 01:32:43,563 --> 01:32:44,564 "WOULD’VE BEEN"? 2634 01:32:44,564 --> 01:32:45,928 $30 MILLION. 2635 01:32:45,928 --> 01:32:48,491 I TOLD THEM TO LICK MY BALLS. I DON’T TAKE CHARITY. 2636 01:32:48,491 --> 01:32:51,230 \h\hWHAT, SO YOU’RE JUST GONNA LET \h\h\h\h\h\h\h\hTHEM KEEP $30 MILLION? NO. COME ON. 2637 01:32:51,230 --> 01:32:53,397 I TOLD THEM I WANT AN EQUITY STAKE IN THE MOVIE FOR IT. 2638 01:32:53,397 --> 01:32:56,433 \h\h\h\h\h\h\h\h\hARI, ARE YOU SERIOUS? YOU COULD LOSE ALL YOUR MONEY. 2639 01:32:56,433 --> 01:32:58,534 YOU’RE MY MENTOS MAN, VINNIE. 2640 01:32:58,534 --> 01:33:00,239 15 YEARS WE’VE BEEN TOGETHER. 2641 01:33:00,239 --> 01:33:02,439 YOU THINK I’M GONNA \hABANDON SHIP NOW? 2642 01:33:02,439 --> 01:33:05,013 NOT EVEN IF THE WATER’S FREEZING AND THE ORCHESTRA’S PLAYING. 2643 01:33:05,013 --> 01:33:06,619 \h\h\h\h\h\h\hOH, GREAT. A "TITANIC" REFERENCE. 2644 01:33:06,619 --> 01:33:08,588 \h\h\h\h\h\hCOME ON, ARI. "HYDE’S" GONNA BE A MONSTER. 2645 01:33:08,588 --> 01:33:10,590 \h\h\h\hYOU JUST SAID YOU’RE ALWAYS RIGHT. 2646 01:33:10,590 --> 01:33:12,185 UNTIL I’M WRONG. 2647 01:33:14,693 --> 01:33:16,728 I’M KIDDIN’, DRAMA. LIGHTEN UP. 2648 01:33:16,728 --> 01:33:18,125 WARREN BUFFETT’S GONNA BE 2649 01:33:18,125 --> 01:33:20,094 BLOWIN’ US FOR INVESTMENT ADVICE SOON, YOU’LL SEE. 2650 01:33:20,094 --> 01:33:23,394 I’M PROUD OF YOU, VINNIE. I’M REAL PROUD. 2651 01:33:23,394 --> 01:33:24,604 PROUD OF ALL OF YOU. 2652 01:33:24,604 --> 01:33:26,606 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHANKS, ARI. CONGRATS AGAIN ON THE BABY. 2653 01:33:26,606 --> 01:33:27,871 THANKS AGAIN. 2654 01:33:27,871 --> 01:33:31,567 \h\h\h\h\h\h\h[ THE WHO’S "EMINENCE FRONT" PLAYS ] 2655 01:33:31,567 --> 01:33:33,712 LATER. 2656 01:33:33,712 --> 01:33:36,682 LATER. 2657 01:33:46,824 --> 01:33:49,024 [ CHEERS AND APPLAUSE ] 2658 01:33:51,994 --> 01:33:53,897 [ CAMERA SHUTTERS CLICKING ] 2659 01:33:56,834 --> 01:33:58,231 LADIES AND GENTLEMEN, 2660 01:33:58,231 --> 01:34:00,464 WELCOME TO THE 72nd ANNUAL \h\h\h\h\h\hGOLDEN GLOBE AWARDS. 2661 01:34:00,464 --> 01:34:01,740 WE’RE ON THE RED CARPET \h\h\h\h\h\h\h\h\h\h\hLIVE. 2662 01:34:01,740 --> 01:34:03,401 THIS IS WHERE YOU WANT TO BE, 2663 01:34:03,401 --> 01:34:05,645 AND, MARIA, ALREADY PEOPLE ARE \hSTARTING TO ASK THE QUESTION, 2664 01:34:05,645 --> 01:34:07,108 \h\h\h\h\h\h"WHO WILL THE BIG WINNERS BE?" 2665 01:34:07,108 --> 01:34:09,110 MM-HMM. \h\h\h\h\h\h\h\h\h\h\h\hIF YOU’VE BEEN \h\h\h\h\h\h\h\h\h\h\hPAYING ATTENTION, 2666 01:34:09,110 --> 01:34:11,651 \h\h\h\hYOU PROBABLY GET THE IDEA THAT VINCENT CHASE AND "HYDE" 2667 01:34:11,651 --> 01:34:12,949 \h\h\h\h\hARE GONNA HAVE A HUGE NIGHT. 2668 01:34:12,949 --> 01:34:14,148 THAT’S RIGHT, MATT. 2669 01:34:14,148 --> 01:34:16,084 \h\h\h"HYDE" HAS BEEN A BOX OFFICE MONSTER 2670 01:34:16,084 --> 01:34:19,021 WITH $450 MILLION WORLDWIDE AND COUNTING, 2671 01:34:19,021 --> 01:34:21,958 FIVE NOMINATIONS, INCLUDING BEST PICTURE AND TWO ACTING NODS. 2672 01:34:21,958 --> 01:34:23,487 \h\h\h\h\h\h\hAND THAT SURPRISE OF THE YEAR. 2673 01:34:23,487 --> 01:34:26,765 YOU HAVE A BEST-SUPPORTING-ACTOR NOMINATION FOR JOHNNY CHASE, 2674 01:34:26,765 --> 01:34:29,031 AND HE’S ONLY IN FOUR SCENES \h\h\h\h\h\h\h\h\h\h\h\hIN THE MOVIE. 2675 01:34:31,594 --> 01:34:33,167 WHAT’D I TELL YOU, \h\h\h\h\h\hTURTLE? 2676 01:34:33,167 --> 01:34:35,334 YOU VISUALIZE SUCCESS, YOU GET IT. 2677 01:34:35,334 --> 01:34:37,600 \h\h\h\h\h\h\hYEAH, BUT YOU’VE BEEN VISUALIZING IT FOR 20 YEARS. 2678 01:34:37,600 --> 01:34:40,603 NO. I’VE BEEN VERBALIZING IT. \h\h\h\hTHERE’S A DIFFERENCE. 2679 01:34:40,603 --> 01:34:42,781 DO YOU THINK HE’S GONNA BE MORE DIFFICULT TO HANDLE IF HE WINS? 2680 01:34:42,781 --> 01:34:45,014 \h\h\h\h\h\h\h\h\h\h\h\hOH, YEAH. DEFINITELY. 2681 01:34:45,014 --> 01:34:46,950 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hVINCENT CHASE! HEY, TERRENCE. 2682 01:34:46,950 --> 01:34:48,853 CONGRATS ON EVERYTHING. \h\hSO, HOW DOES IT FEEL? 2683 01:34:48,853 --> 01:34:51,218 YEAH, I DON’T WANT TO \h\hSPEAK FOR BABY BRO, 2684 01:34:51,218 --> 01:34:53,055 BUT IT FEELS SICK, \h\h\h\h\hTERRENCE. 2685 01:34:53,055 --> 01:34:55,057 YOU CAN QUOTE ME \h\h\h\hON THAT. 2686 01:34:57,389 --> 01:34:58,896 CONGRATULATIONS. 2687 01:34:58,896 --> 01:35:00,557 YOU’RE GETTING A LOT OF CREDIT \h\h\h\h\hFOR THE WORK YOU DID 2688 01:35:00,557 --> 01:35:02,229 BEHIND THE SCENES \hON THIS MOVIE. 2689 01:35:02,229 --> 01:35:04,902 WELL, I’M A LITTLE MORE CREATIVE THAN PEOPLE GIVE ME CREDIT FOR. 2690 01:35:04,902 --> 01:35:06,233 \h\h\h\h\hI’VE HEARD YOU HAVE OTHER OFFERS. 2691 01:35:06,233 --> 01:35:07,806 \h\hCAN YOU TELL US, PERHAPS, ARE YOU GONNA 2692 01:35:07,806 --> 01:35:08,972 RUN ANOTHER STUDIO \h\h\hOR SOMETHING? 2693 01:35:08,972 --> 01:35:10,303 \h\h\h\hWELL, MARIA, I MAY RUN A COUNTRY. 2694 01:35:10,303 --> 01:35:11,876 \h\h\h\h\h\hTHERE ARE A FEW THAT COULD USE MY HELP. 2695 01:35:11,876 --> 01:35:13,878 [ CAMERA SHUTTERS CLICKING ] 2696 01:35:16,716 --> 01:35:18,377 \h\h\h\hJOHNNY! LOOK OVER HERE! 2697 01:35:18,377 --> 01:35:20,247 JOHNNY! 2698 01:35:20,247 --> 01:35:21,721 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWoman: MR. CHASE! Man: VINCE! 2699 01:35:21,721 --> 01:35:23,921 ♪ ...AS THE SKIER TRACKS ♪ 2700 01:35:23,921 --> 01:35:26,825 ♪ AND PEOPLE FORGET ♪ 2701 01:35:26,825 --> 01:35:29,586 ♪ FORGET THEY’RE HIDING ♪ 2702 01:35:29,586 --> 01:35:32,732 ♪ BEHIND AN EMINENCE FRONT ♪ 2703 01:35:32,732 --> 01:35:35,559 ♪ EMINENCE FRONT, \hIT’S A PUT-ON ♪ 2704 01:35:39,398 --> 01:35:42,434 ♪ IT’S JUST AN EMINENCE FRONT ♪ 2705 01:35:42,434 --> 01:35:46,977 ♪ EMINENCE FRONT, \hIT’S A PUT-ON ♪ 2706 01:35:50,046 --> 01:35:52,246 ♪ EMINENCE FRONT ♪ 2707 01:35:52,246 --> 01:35:55,018 ♪ IT’S AN EMINENCE FRONT, \h\h\h\h\hIT’S A PUT-ON ♪ 2708 01:35:55,018 --> 01:35:59,253 ♪ IT’S A PUT-ON, IT’S A PUT-ON ♪ 2709 01:35:59,253 --> 01:36:05,094 ♪ COME ON, JOIN THE PARTY, \h\h\h\h\h\h\hDRESS TO... ♪ 2710 01:36:05,094 --> 01:36:07,195 \h\h\h\h\h\hAND THE AWARD FOR BEST SUPPORTING ACTOR 2711 01:36:07,195 --> 01:36:09,868 IN A MOTION PICTURE GOES TO... 2712 01:36:13,938 --> 01:36:17,634 GET THE FUCK OUT OF HERE. 2713 01:36:17,634 --> 01:36:20,076 SORRY, I HAVE-- HAVEN’T SEEN -- 2714 01:36:20,076 --> 01:36:21,814 \h\h\h\h\hI HAVEN’T SEEN THE MOVIE YET. 2715 01:36:21,814 --> 01:36:24,410 I -- I IMAGINE HE’S FANTASTIC. 2716 01:36:24,410 --> 01:36:26,643 \h\h\h\h\hGIVE IT UP! JOHNNY CHASE, "HYDE"! 2717 01:36:26,643 --> 01:36:28,711 [ CHEERS AND APPLAUSE ] 2718 01:36:28,711 --> 01:36:29,987 YOU WON! 2719 01:36:29,987 --> 01:36:32,121 \hGET UP! YOU WON! 2720 01:36:32,121 --> 01:36:34,860 GET UP THERE! GO! GO! 2721 01:36:56,442 --> 01:36:59,577 YOU CAN FUCK IT LATER. YOU SPEAK. 2722 01:37:02,822 --> 01:37:05,583 VICTORY! 2723 01:37:05,583 --> 01:37:06,925 [ CHEERS AND APPLAUSE ] 2724 01:37:06,925 --> 01:37:08,355 YEAH! 2725 01:37:08,355 --> 01:37:09,862 [ MA$E’S "FEEL SO GOOD" PLAYS ] 2726 01:37:09,862 --> 01:37:11,831 ♪ YO, WHAT YOU KNOW \hABOUT GOIN’ OUT ♪ 2727 01:37:11,831 --> 01:37:14,658 \h\h\h\h♪ HEAD WEST, RED LEX, TV’s ALL UP IN THE HEADREST ♪ 2728 01:37:14,658 --> 01:37:16,869 \h\h\h♪ TRY AND LIVE IT UP, RIDE TRUE, A BIGGER TRUCK ♪ 2729 01:37:16,869 --> 01:37:19,366 \h\h♪ PEEPS ALL GLITTERED UP, STICK UP CAN, THEY GO WHAT? ♪ 2730 01:37:19,366 --> 01:37:21,533 ♪ JIG WITH IT ’CAUSE SHIP CRISP, SPLIT IT ALL ♪ 2731 01:37:21,533 --> 01:37:24,107 ♪ HO’S RIDE, GET YOUR NUT TILL I CAN’T GET IT UP ♪ 2732 01:37:24,107 --> 01:37:25,801 \h\h♪ I’M A BIG MAN, GIVE THIS MAN ROOM ♪ 2733 01:37:25,801 --> 01:37:28,848 \h♪ I’D HAVE HIT EVERYTHING, FROM CANCUN TO GRANT’S TOMB ♪ 2734 01:37:28,848 --> 01:37:31,180 ♪ BAD, BAD, BAD, BAD BOY ♪ 2735 01:37:31,180 --> 01:37:33,479 ♪ YOU MAKE ME FEEL SO GOOD ♪ 2736 01:37:33,479 --> 01:37:35,118 ♪ YOU KNOW YOU MAKE ME FEEL \h\h\h\h\h\h\h\h\hSO GOOD ♪ 2737 01:37:35,118 --> 01:37:36,680 ♪ YOU KNOW YOU MAKE ME FEEL \h\h\h\h\h\h\h\h\hSO GOOD ♪ 2738 01:37:36,680 --> 01:37:37,714 ♪ THAT’S WHAT WE DO ♪ 2739 01:37:37,714 --> 01:37:40,288 ♪ BAD, BAD, BAD, BAD BOY ♪ 2740 01:37:40,288 --> 01:37:42,620 ♪ I WOULDN’T CHANGE YOU \h\h\h\h\hIF I COULD ♪ 2741 01:37:42,620 --> 01:37:44,193 ♪ I WOULDN’T CHANGE YOU \h\h\h\h\hIF I COULD ♪ 2742 01:37:44,193 --> 01:37:45,964 ♪ I WOULDN’T CHANGE YOU \h\h\h\h\hIF I COULD ♪ 2743 01:37:45,964 --> 01:37:48,263 [ CLASSICAL MUSIC PLAYS ] 2744 01:38:02,574 --> 01:38:05,115 [ WAGNER’S "BRIDAL CHORUS" \h\h\h\h\h\h\h\h\h\hPLAYS ] 2745 01:38:08,217 --> 01:38:10,813 YOU’RE DOING FINE, \h\h\h\h\h\hLLOYD. 2746 01:38:10,813 --> 01:38:12,749 THANK YOU, ARI. 2747 01:38:12,749 --> 01:38:13,750 AND YOU? 2748 01:38:13,750 --> 01:38:14,817 I MAY THROW UP. 2749 01:38:14,817 --> 01:38:17,589 [ CHUCKLES ] JUST BREATHE. 2750 01:38:22,165 --> 01:38:23,397 LADIES AND GENTLEMEN, 2751 01:38:23,397 --> 01:38:25,938 TODAY WE GATHER \hTO CELEBRATE 2752 01:38:25,938 --> 01:38:28,270 \h\hONE OF LIFE’S GREATEST MOMENTS. 2753 01:38:28,270 --> 01:38:33,242 \h\h\h\h\h\hTHE COMMITMENT THAT THESE TWO MEN ARE ABOUT TO MAKE 2754 01:38:33,242 --> 01:38:37,048 IS THE MOST IMPORTANT COMMITMENT ANYONE CAN MAKE. 2755 01:38:37,048 --> 01:38:38,379 IF YOU’RE NOT REALLY GAY, LLOYD, 2756 01:38:38,379 --> 01:38:40,117 NOW WOULD PROBABLY BE THE TIME TO SAY SO. 2757 01:38:40,117 --> 01:38:43,186 \h\h\hAND IF YOU ARE, ARI, THIS IS PROBABLY YOUR TIME. 2758 01:38:43,186 --> 01:38:44,616 DON’T KID YOURSELF, SULU. 2759 01:38:44,616 --> 01:38:46,321 [ LIGHT LAUGHTER ] 2760 01:38:47,751 --> 01:38:49,291 MAZEL TOV! 2761 01:38:49,291 --> 01:38:51,656 [ MENDELSSOHN’S "WEDDING MARCH" \h\h\h\h\h\h\h\h\h\h\h\hPLAYS ] 2762 01:38:57,398 --> 01:39:02,205 \h\h\h\h\h\h\h\h\h\h\h\hTogether: CONGRATULATIONS, GREG AND LLOYD! 2763 01:39:05,142 --> 01:39:08,673 [ "HAVA NAGILA" PLAYS ] 2764 01:39:10,906 --> 01:39:12,908 WHO’S THE GIRL? 2765 01:39:12,908 --> 01:39:14,745 \h\h\h\h\h\h\h\h\h\hUH, THIS IS ALYSSA MILLER. 2766 01:39:14,745 --> 01:39:16,021 HI. 2767 01:39:21,653 --> 01:39:23,325 YEE-HAW! 2768 01:39:23,325 --> 01:39:25,129 \hI DON’T UNDERSTAND. LLOYD WANTED A JEWISH WEDDING? 2769 01:39:25,129 --> 01:39:27,329 \h\h\h\h\h\hNAH. MY HOUSE, MY GOD. 2770 01:39:27,329 --> 01:39:29,265 HM. L’CHAIM. 2771 01:39:29,265 --> 01:39:30,728 L’CHAIM, BITCHES! 2772 01:39:38,978 --> 01:39:40,507 \h\h\hVINNIE! GET IN HERE. 2773 01:39:40,507 --> 01:39:42,146 COME ON, WE NEED A GROUP SHOT. \h\h\h\h\h\h\h\h\h\hCOME HERE. 2774 01:39:42,146 --> 01:39:43,510 \h\hI JUST DON’T LIKE IT. 2775 01:39:43,510 --> 01:39:45,083 WELL, MAYBE YOU JUST DON’T FUCKIN’ GET IT, 2776 01:39:45,083 --> 01:39:46,579 YOU BEAN-COUNTING \h\hLITTLE SUIT. 2777 01:39:46,579 --> 01:39:48,152 \h\h\h\hASK VINCE. SEE WHAT HE THINKS. 2778 01:39:48,152 --> 01:39:49,989 WHAT’S THAT? \h\h\h\h\h\h\hI GOT AN IDEA. 2779 01:39:49,989 --> 01:39:52,024 \hOH, YEAH? WHAT IS IT? 2780 01:39:52,024 --> 01:39:53,784 IT’S ABOUT VINNIE. 2781 01:39:53,784 --> 01:39:55,258 AND THE BOYS. 2782 01:39:55,258 --> 01:39:57,161 AND HOW THEY STARTED \h\h\h\hFROM NOTHING, 2783 01:39:57,161 --> 01:39:58,756 TURNED IT INTO \hALL OF THIS. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYEAH. 2784 01:39:58,756 --> 01:40:01,297 \h\h\h\h\hAri: DUMBEST IDEA \h\h\h\h\hI’VE EVER HEARD. Eric: YEAH, I AGREE. 2785 01:40:01,297 --> 01:40:02,463 OH, I DON’T KNOW. IS IT? 2786 01:40:02,463 --> 01:40:03,761 \h\h\h\h\h\h\hTurtle: MAYBE IT’S A TV SHOW. 2787 01:40:03,761 --> 01:40:05,631 YEAH. \h\h\h\h\h\h\h\hMAYBE I \h\h\h\h\hCOULD DIRECT. 2788 01:40:05,631 --> 01:40:08,832 MAYBE TURTLE, SLOAN, RONDA, \h\h\hOR THE FUCKIN’ BABY CAN. 2789 01:40:08,832 --> 01:40:09,965 ARI. 2790 01:40:09,965 --> 01:40:11,175 \h\h\h\h\h\h\h\h\h\hOKAY, EVERYBODY GET TOGETHER 2791 01:40:11,175 --> 01:40:13,177 AND SMILE. 2792 01:40:13,177 --> 01:40:15,509 \h\h\h\h\h\h\h\h\h\h[ TOM PETTY’S "SOMEWHERE UNDER HEAVEN" PLAYS ] 2793 01:40:20,679 --> 01:40:25,288 ♪ ONE DAY YOU’RE GONNA \h\h\h\hFALL IN LOVE ♪ 2794 01:40:25,288 --> 01:40:29,094 ♪ ONE DAY YOU’RE GONNA \h\h\h\hPAY THE RENT ♪ 2795 01:40:33,164 --> 01:40:37,465 \h\h\h\h\h\h\h♪ HOLD ON TO WHAT LOVE YOU FIND ♪ 2796 01:40:37,465 --> 01:40:43,075 ♪ YOU’RE GONNA NEED \hALL YOU CAN GET ♪ 2797 01:40:43,075 --> 01:40:49,312 ♪ SOMEWHERE UNDER HEAVEN ♪ 2798 01:40:49,312 --> 01:40:56,319 ♪ IN A FIELD OF SUGARCANE ♪ 2799 01:40:56,319 --> 01:41:03,491 \h\h\h\h\h♪ LITTLE JENNY WOULD DANCE IN THE RAIN ♪ 2800 01:41:14,205 --> 01:41:18,242 ♪ IN THE AFTERNOON \h\hTHUNDERSTORMS ♪ 2801 01:41:18,242 --> 01:41:22,675 ♪ THE SUN’S SHADOW’S \h\h\h\hMOVIN’ SLOW ♪ 2802 01:41:26,283 --> 01:41:30,716 \h♪ SHE COULD SMELL THE EARTH AND SKY ♪ 2803 01:41:30,716 --> 01:41:36,425 ♪ AND OFF HER MIND WOULD GO ♪ 2804 01:41:36,425 --> 01:41:42,959 ♪ SOMEWHERE UNDER HEAVEN ♪ 2805 01:41:42,959 --> 01:41:49,207 ♪ IN A FIELD OF SUGARCANE ♪ 2806 01:41:49,207 --> 01:41:56,874 \h\h\h\h\h♪ LITTLE JENNY WOULD DANCE IN THE RAIN ♪ 2807 01:42:14,133 --> 01:42:20,766 ♪ SOMEWHERE UNDER HEAVEN ♪ 2808 01:42:20,766 --> 01:42:27,641 ♪ IN THE EYE OF A HURRICANE ♪ 2809 01:42:27,641 --> 01:42:34,714 \h\h\h\h\h♪ LITTLE JENNY WOULD DANCE IN THE RAIN ♪ 2810 01:42:52,171 --> 01:42:59,244 ♪ SOMEWHERE UNDER HEAVEN ♪ 2811 01:43:05,646 --> 01:43:12,620 ♪ SOMEWHERE UNDER HEAVEN ♪ 2812 01:43:13,687 --> 01:43:16,789 [ THE SKINS’ "HERE WE COME" \h\h\h\h\h\h\h\h\h\hPLAYS ] 2813 01:43:22,465 --> 01:43:25,237 \h\h♪ EVERY LITTLE TIME I LOOK OUT THE WINDOW ♪ 2814 01:43:25,237 --> 01:43:27,470 ♪ THE WORLD IS FLYING BY ♪ 2815 01:43:27,470 --> 01:43:31,903 \h♪ EVERY OTHER MILE, I SEE THE PAIN BEHIND THE PEOPLE’S EYES ♪ 2816 01:43:31,903 --> 01:43:39,350 \h\h♪ STEEL-RAIL RIDERS LIGHT THE FIRE INSIDE ♪ 2817 01:43:39,350 --> 01:43:43,255 ♪ IT DOESN’T MATTER YOUR COLOR ♪ 2818 01:43:43,255 --> 01:43:45,686 ♪ YOUR BACKGROUND ♪ 2819 01:43:45,686 --> 01:43:50,394 ♪ THE MOTHER IS MAD NOW ♪ 2820 01:43:50,394 --> 01:43:54,761 ♪ SHE’S CALLING US BACK ♪ 2821 01:43:54,761 --> 01:43:59,700 \h\h\h\h♪ YOU SHOULD KNOW WE NEVER, EVER GIVE UP ♪ 2822 01:43:59,700 --> 01:44:04,034 \h\h\h\h\h♪ WE GOT SOUL YOU’LL NEVER CORRUPT ♪ 2823 01:44:04,034 --> 01:44:08,775 ♪ YOU CAN BURN IN THE STREET \h\h\hOR GET OUT OF THE WAY ♪ 2824 01:44:08,775 --> 01:44:11,349 ♪ HERE WE COME, HERE WE COME ♪ 2825 01:44:11,349 --> 01:44:14,682 ♪ HERE WE COME ♪