- Previously on
"The Real Housewives of Beverly Hills"...
- Lick someone's toe. - Oh, hell no.
- I'll do it. - No!
[women screaming] - No!
- This is the Kyle that I love.
We're finally getting there again.
You're gonna tell everybody I don't eat?
- Well, you don't.
- And you know that I have an esopho--you know that I do.
- I know. You told me that.
- Narrow esophagus is not a medical diagnosis, period.
- Why do you care?
[dramatic music]
- Do you want to come to Barcelona?
- Yeah! - Yes.
[applause] Yes.
[cheering]
- But I don't even want to invite that nurse/doctor.
- You already invited her.
- Well, she owes me an apology.
- When I met Annemarie, she told me she was a doctor.
- I have a board-certified doctor, so I know what I have.
- Great.
- And you said that I made up--
- I didn't say you made it up.
- You said she lied.
- Crystal, didn't you want to go to med school?
- Did you go to medical school?
- Here we go.
Here we go, like, downplaying--
- Let me tell you something. - --my profession again.
- You're such a bitch. What is wrong with you?
- Sutton, I'm sorry.
- Same. - Have you talked to Crystal?
- How are we gonna go to Spain?
[upbeat music]
- I may act for a living,
but I never fall for a bad performance.
- Who needs a knight in shining armor
when you have your own horse?
- The best part about losing everything
is getting it all back.
- Fashion is my language, and I speak it fluently.
- They say wisdom comes with age,
but I'm proving otherwise.
- I may put you to sleep for a living,
but I always keep one eye open.
- It's hard to outrun rumors.
But luckily, I'm in better shape than ever.
[mellow music]
- * You can hate me, you can like me *
* I'm still showing up to the party *
- Runaway suitcase.
- Oh, my god.
How many suitcases do I need?
- I love this bag.
I think this is really cute.
I can't believe I'm traveling with glam.
That's so insane.
It just seems excessive.
- It is excessive, but you are who you are.
- * Set me free and party tonight *
- Can you bring the shoes over for mommy?
Thank you.
Honey, those are a collector's item.
[phone rings]
Thanks, baby.
Hi, Papa. Aw, you're in bed.
- Hi, Daddy.
- Hi, baby. What's going on?
- How you feeling? You tired?
- Yeah, I'm good. I'm perfect.
- You have to get on London time.
If you wake up early, Bubba, the best thing for you to do
is to just--
- Go back to sleep.
- Well, if you can go back to sleep, for sure.
- No, no.
If you can't go back to sleep, close your eyes.
- Jaggy, yes, sir.
- * You can hate me, you can like me *
- Let's pick out some dresses that are Spanish.
Do you like this?
- This is nice for, like-- - Outside dinner?
- Outside dinner.
- I can wear this for flamenco dancing.
- Flamingo? Flamingo?
Flamenco. - Flamingo dancing?
- [laughs]
- Is that how you do it?
- [speaking Spanish]
- [laughs]
- * Boy, you make me weak *
* Tonight, I'm just gonna let it be *
* Set me free and party till next week *
- We have got to hurry.
- OK.
- We have 8 million things to do.
- See, if only you could take me through the airport.
- Excuse me. Coming through.
- Where are you going? - Coming through.
- Oh. - Mm-hmm.
- You need to come, and then I don't have
to walk through the airport.
I could just do this.
This is awesome.
- Al España! - Al España!
Yeah.
All right.
- Do you think I should do a separate suitcase
for shoes and handbags?
- Obviously.
- I need white jeans, and I can't find,
so I have to go buy some.
And I don't like this plastic hanger.
We know this.
This is like--oh, this is very sexy, in case I meet a man.
- [whistles]
- That's pretty, right?
- Ooh, la, la.
- OK.
I'll do my underpinnings.
Then I'm done.
- I'm not sure why I'm not coming.
- I don't want this to be a sore subject with you.
- Well, about what?
- I am bringing Noel.
- Well, you need glam.
- Yeah.
- Yeah, well, I understand that.
- And then also, I'm bringing Merce.
I started working for the Merce Cunningham Studio
when I was in my 20s, back in the '90s, in New York City.
And Merce was one of the best in the dance world,
respected like no one else.
I looked up to Merce like he was--
I mean, he was a god.
So you want to go get him?
- Wait.
You mean the ashes?
- Mm-hmm.
- What--
- We have to pack him,
and we have to figure out what we're gonna put him in.
[both speak language]
- This is against my religion.
- I've had Merce's ashes now for, I don't know,
12 years or something.
I want to release these ashes in a significant place
and make this a really meaningful trip.
Will he fit in this little container?
- Well, if we dump the ashes in there.
- How do we know it's gonna fit in there?
- [sighs]
- Maybe I put the Ziploc bag in a pretty thing
and then open the Ziploc bag.
- Just make sure it doesn't blow in your face when you--
- I'm not nervous about this.
[upbeat music]
* *
- Hello, Mrs. Crystal. Are you OK?
- All right.
- Hey, welcome. - Thanks so much.
- Oh, thank you.
- That's a lot of luggage.
- Now, don't be judgy.
- I'm not.
- I think Spain is gonna to be a great restart for all of us.
There's nothing a sangria or five can't fix.
- Are you bringing us presents?
- [laughs]
- She brought us some--
- You can take whatever you want.
- The trip is starting out on a good note.
- Hi. - How are you?
- I'm fine. - That's so cute.
- Nobody's killing each other at LAX.
I mean, so far, so good.
- Well, good.
- So at the end, you just started throwing stuff in?
- Exactly.
- Hello, Mrs. Garcelle. - Hello, everyone.
Hello. - Oh, there she is.
- Hi, everybody. - Hi.
I have never been to Spain. I always wanted to go to Spain.
- I tried.
- Are you ready for a good time?
- I'm ready as I'll ever be. - I know.
- Hey. - So excited to see you.
- Hello.
- I'm looking forward to the food, the culture,
the men, the life.
- Yeah.
Hey.
Where are you? What number are you?
- 12. - 11.
- You're all the way over there.
- [speaks Spanish]
[jet engine roars]
- I have my ritual. My PJs.
- Yes, queen.
- Yeah. [laughs]
- Your pajama outfit is worth more than,
like, my wedding outfit.
[laughs]
- Yes.
And these are my pajamas.
$7.99.
Clearance rack.
- I don't wear Chanel.
[upbeat music]
We're about to land.
It's really pretty outside.
- We made it. - Whoo-hoo.
- Whoo.
- Oh, god.
- Yay, guys.
You excited to be in Spain?
[cheering] - Yes.
- Whoo.
- * I'm lost *
* You guys go *
* Stop blowing up my phone *
[singing in Spanish]
- Look at the beautiful view. - Yeah.
- Look at the ocean.
- Whoo!
- We're going to draw for rooms so it's fair.
- Nice.
- But all the rooms are beautiful, so it's OK.
- The house where we're staying
is in Sitges, one of the first places
where the Merce Cunningham Dance Company
performed in Europe.
How amazing is that?
So we've got, like, a quick ride.
So I wanted to play a little game with y'all.
- Oh. - No.
- [laughs]
- I have a prize for the winner.
- Is it a Birkin? - What kind of surprise?
- Is it a Birkin?
- It's good.
It's a good prize.
This game is called All of a Sutton.
- Isn't that cute and clever? - OK.
- [laughs]
- Let's play a game about me, and I'm gonna call it me.
- Name one of my cats' names.
- Prince.
- You get a point.
What was my first job in New York City?
- Oh. - Barista.
- Starbucks.
[buzzer blares] - Wrong.
- Stripper? [buzzer blares]
- Uh-uh. That's Erika.
[all exclaim]
- Oh, my.
- You're damn right. - Oh.
[laughter]
- And guess what? Nothing's changed.
- And you made a lot more money than I did as a nanny.
- No.
- What is my father's name?
- Mr. Sutton. [buzzer blares]
- [laughs]
- I know your father's name.
John. - Crenshaw.
- It's John T., but I'll take John.
- You're really disappointing me.
- I'm out here trying.
- What is the name of my middle child?
- Philip. - Yes.
[dings] - Last question.
What is my second car that's not the Bentley?
- A Chevrolet, Chevy-- [buzzer blares]
- No, the-- - The F-150.
- I mean, I do believe that Erika is the winner.
[cheering] - Erika.
- Garcelle, I really thought that you
would be the winner since we talk almost every day, a lot.
- Listen, I'm her bestie, but, like, you know,
I can't know everything.
- I know every answer.
So who's the best friend here?
- What does she get? What does she get?
- A tiara.
- From Dolce & Gabbana?
- No, from Sutton's store. - Oh.
- I love it here. - "Oh."
[laughs] - Right where it belongs.
[upbeat music]
- We made it. - Whoo.
- This is beautiful.
- Oh, my gosh. So pretty, you guys.
- Oh, wow. - I see sangria.
- Hey, ladies.
- Zoe.
How are you?
- So nice to see you.
Welcome to Villa Catalina.
Can I show you into the villa?
- Very good. - Let's do it.
- Yes, please.
- Is that your Shirley Temple?
- It is. It's my non-alcoholic--
- I'm just kidding.
- Ooh.
This is so beautiful.
- Wow.
- The house is this chateau-looking rustic house.
- Look at all that luggage.
[laughter] - Jesus.
Oh, my god.
- Welcome to Villa Catalina.
It was built in the 14th century.
- Wow. - Wow.
- So over 700 years old.
- Jesus times up here.
- It was built by one of the most famous wine-producing
families in Spain.
While it's been fully restored,
we have left some of the original features.
And just to warn you, that--
- It's haunted? - [laughs] Well--
- Yes. That's what you're gonna tell us.
I knew it. - I've never seen anything.
- I felt it. It's haunted.
- No. - [gasps] What?
- I do have the ability to smell different spirits.
[eerie music]
- I really can.
Sutton, you booked us a haunted house.
- Wah!
What the (BLEEP)? Who the hell says that?
- What? - No, no, no.
We all know who goes first in the horror movies.
- Between me and Annemarie, I hope it's her.
[laughs]
- The previous owners told us that there
are some little people.
- So you failed to mention this earlier.
- They're super friendly. - Are you saying ghosts?
- Spirits. She's saying they're ghosts.
- Yeah, but they're friendly. They hang out.
- She's saying there's little guys running around.
- But I've never seen them. - Ah.
- Seen them, or hear them, or feel them?
- Don't be worried at all. - We're gonna die.
[dramatic music]
What is she talking about, aliens?
- What are little people? Like, are these ghosts?
Are these Martians?
- What are these, garden gnomes?
I have no idea.
- They would be little and really pale
and have hair sticking out, and their eyes are big.
And they're coming for me.
[lightning cracks]
[high-pitched voice] Ah.
Garcelle!
- You guys, just embrace it.
- What the hell?
- Coming up...
- I'm Storm. I'm the chef. - Hola.
- Hi, Storm. - Well, he's hot.
- Ooh. - Nice to meet you.
- Thank you, Chef. We can tag team him.
- Anytime you want. - OK.
[upbeat music]
- [singing in Spanish]
- Well, I'm sure you ladies are really tired
after your journey, so we've prepared
some cocktails and some tapas.
- Ah, nice.
- And Sutton let me know that
you're gonna draw for the rooms.
- I just want the least haunted room.
* *
- Is this a nine or a six?
- That's a nine.
- The one without the little people, please.
- Oh, I have a bathtub.
Yes.
- I have 10. Oh, wow.
This is cute.
- This is my favorite room of the house.
- Oh, and I have a view of the pool.
Look. - [gasps] Oh, my god.
You're lucky.
- Love it.
This is a great room.
- This is really nice.
- I like your sitting area.
- I'm thrilled.
- Is that a seven or an F?
- Oh. - Oh.
- It's a seven.
- You're close to me.
- So this is my room.
OK. Great.
- I have three. - Three.
Oh, 1, 2, 3. Good.
We can all-- - I know.
- We're gonna make it together.
- [vocalizing]
- This is good.
This is really pretty.
- And you can see the vineyards outside.
- Ah. - Thank you.
I'm good.
The spirits aren't here.
- OK. This is me.
I'm number two. - OK.
Well, I'm gonna be using your full-length mirror.
This is cute.
- And this is one?
All right.
- [groans]
I don't need ghosts and little people in my life.
I'm on medication.
I'm trying very hard to remain stable.
- Is that an attic?
- No, it's just a--
- It's an attic. - Oh.
- I'm telling you, it's an attic.
- Don't do that. - Just--
- No. You left a crack.
- No. You left it open here. Ah.
In a house like this, you don't open the vents.
You don't go into attics or basements.
Everybody knows that.
- Nobody jumped out of there.
- Yet. - Yet.
- [laughs] - OK.
So if you ladies would like to get ready,
we'll have dinner prepared for you soon.
- Thank you so much.
- Thank you.
[upbeat music]
- I think I'm in here.
[thuds] - [screams]
- ----ing hell.
[doorbell rings]
- Hello, guys.
- Whoo.
- Erika's here. - Hello.
Hi. - Oh, my god.
It's excessive.
I've never traveled with glam before this group.
- Love your hair.
- But it's so much, 'cause you got
to keep up with these bitches.
[thudding]
- Oh, my gosh. It fell.
- It fell? - [gasps]
- Look. You can see it's--
- Oh, my god.
Oh, my god.
- It fell down.
[laughs]
- How does the closet fall down?
- By the little people.
- [laughs] [dramatic tone]
- [speaks Spanish]
Chanel does not belong on the floor.
- I don't think I packed properly for this place.
- Wait, Kyle.
Oh, my god.
- What the hell is this?
- Don't be jealous.
- Pleather with rhinestones?
Kyle, it's dental floss. - And this.
Well, I'm sorry I'm not serving widow
from 1950 with all my outfits.
[laughs]
- That's a lot of leather you brought.
- I never know what I'm gonna be in the mood for,
so I have a variety of things.
Leather leggings are my go-to.
- Not in Spain.
- Maybe some of my clothes do look like a hooker.
Big deal.
- OK. Well, you've got a bathing suit.
- G-string. - [gasps]
Kyle, who are you?
Who is this new person?
I don't know this Kyle.
Wow.
Yes, she's got an amazing body and she wants to show it off.
I get it.
Peekaboo.
- [laughs] That's supposed to cover my ass.
- But what are you thinking when you're packing like this?
Is Kyle looking for her next husband in Spain?
[laughs]
- Well, I'm gonna go get ready.
I don't know what you're doing.
- I have to put all my things away by myself.
- Well, honey, maybe some of the things
you need to put away, away.
- Like, throw away. - Like, garbage can.
- [laughs]
[upbeat music]
- [singing in Spanish]
[shoes clacking]
- We're gonna sound like tap dancers all the way down.
- I don't know. It's kind of nice.
[acoustic guitar music playing] Is that live music?
- [singing in Spanish]
- Yes.
I told y'all there was gonna be música.
- This is so romantic.
- Oh, ho, ho.
- This is beautiful.
- Come on. Come on. Here's the bar.
- I like my drinks strong,
and I don't drink that many of them.
- I like 'em strong, and I drink many of 'em.
- We're fully in a haunted house.
[thunder rumbles] [eerie music]
There's doors that look like they shouldn't be opened.
[door hinges squeak]
[lightning cracks]
I don't even ----ing play with that sh--.
I don't play with Ouija boards.
I don't play with ghosts.
I am Haitian.
And where I'm from, there's voodoo.
There's witchcraft.
Growing up, I would hear stories.
You know, they went to a funeral
and it was an open casket,
and the person turned into a goat--
like, things that would freak me out.
Or I would hear drums in the middle of the night.
And we weren't allowed to look outside
because they didn't want us to see.
I don't want any part of it,
because I believe those things do exist.
If there are any ghosts in here, please be nice.
Don't scare me.
- Please go away until the end of the week.
- I like that better.
- Girl, it's 11:00 PM, and we're the first ones out.
[laughs]
- Well, Kyle is in her robe, on the floor.
- Why?
- Don't wear the stripper heels tonight.
- I'll skip the stripper heels. - Yeah.
- All right, honey. I'll see you in a minute.
- Hello? - Hey.
- Hi.
- I'm curious about the shoes. - I know.
We're like-- - I wore flats.
- So pretty. - Hi.
- Hello. - Pretty girl.
- You look beautiful. - Thank you.
- How are you? - [smooches]
- It's a self-serve bar.
- OK.
- I do not see a lemon in sight.
I'll make do.
- You guys, I thought I was gonna be, like, late.
- I thought I was gonna be late, too.
[suspenseful music]
- Sh--. 11 o'clock.
Uh-huh.
Most unorganized human.
No.
- Erika. Erika, Erika.
- Erika has her dresses on. - Hello.
- Oh, my god. The tiara's cute.
- This is the tiara. - Oh. So cute.
- We stuck it on really quickly.
- You told me you were doing that.
- I love that. - You won.
- Oh, my god. I won.
- Yes. It's so cute.
- It's adorable. What does it say?
- C'est moi. - C'est moi.
- Cute! - Because you won.
- I won. - That looks good on you.
Congratulations. - Thank you very much.
I won the prize. - She listened.
- You're so good.
She remembers, too.
- Well, how-- - There she is.
- Ooh! - Señorita.
You are sexy, you bitch.
I love you for this.
You look so beautiful.
- Hi. Welcome to Villa Catalina.
I'm Storm.
- Hola.
- I'm the chef. Hola.
- Hi, Storm.
- [laughs] Well, he's hot.
- Hi, Chef.
- Storm can feel free to rain all over me.
Bring it.
- I hope you enjoy the house and the food.
We're gonna have typical Spanish tapas.
- Ooh.
- So whenever you want, you can go inside when--
- Are you here the whole time we're here?
- I'm gonna be this whole week. - Amazing.
- Because we're hungry.
- Garcelle!
- I feel like--
- I'm getting to know him. - No.
- Nice to meet you. - Thank you, Storm.
- All right. - Thank you, Chef.
We can tag team him.
- Anytime you want. - OK.
- Girl, you go first. I'll take it second.
- OK.
- The place instantly got better with Storm.
- Sutton's like this. - Oh wait, Sutton's like this.
Erika, too. Erika's like--[laughs]
He can cook. He has an accent.
We're in Spain.
I mean, olé.
- This place isn't so bad after all.
- I know! [overlapping speech]
- You're welcome.
- [laughs]
- Coming up...
- Crystal said that you ladies were not intelligent.
- Damn.
[mellow music]
- Let's go eat, guys.
Is the hot chef in here?
That's all I really care about.
- We need to look and see if he has a ring.
- Oh, shut up, Annemarie.
Quit trying to ruin my fantasy.
- Oh, and look. Whoo.
- [gasps] - Oh, my gosh.
How pretty is this, you guys? - How pretty.
How pretty. - It's so pretty.
I'm gonna sit here.
- Can you get my drink, and I'll get Merce?
- Thank you.
Beautiful.
Ooh.
- OK, I brought a special guest.
- One of the ghosts? - Oh, my gosh.
- Whoo! - Stop it, Kyle.
- [laughs]
- I would like to introduce y'all--
- What is that? - His name is Merce Cunningham.
- Oh, the-- - Right.
- He's a world-renowned choreographer.
He's a real big deal.
- Are they supposed to go in a little Ziploc like that?
- This is a--it came in, like, this envelope.
But-- - That's a Ziploc.
- When you get ashes, it doesn't--
- It's called an envelope.
- Oh, dear.
- This man meant so much to you, and he's in a Ziploc?
- I don't want to be put in a Ziploc bag.
Put me in a Birkin. Fine.
But a Ziploc? No.
- He's one of the founders of modern dance in--
- With Martha Graham and all of them?
- Yes. - Twyla?
- Twyla studied under him. - OK. There you go.
Merce Cunningham was a real legend,
and I kind of feel like a loser for not knowing about him.
Because I know so much about like Bob Fosse,
Alvin Ailey, or other greats.
So when I said to Mikey, like, who's Merce Cunningham?
He goes, how dare you?
And I got checked by my own friend.
So how did you know him?
- I worked for him for six years.
I was his studio manager, and we became very close.
We had a very special relationship.
Merce and I had a bond immediately
when I was working in the studio with him.
I think he liked me as a dancer,
and he liked my work ethic.
And I would go over to his apartment, and he would cook.
He also liked, I guess, how I watered his plants.
When my father died, that was one of the first calls I got,
was from Merce. - Ooh.
- Oh, wow. - Yeah.
So we were like-- - Super close.
- --sweet together. - Mm-hmm.
- He was just such a unique person,
and he didn't mind my quirkiness.
He never called me weird.
He never said anything bad about me.
He liked me.
Merce was one of the most important men in my life.
- Storm.
- Good evening. - Hi.
- We have-- [dings]
- Good evening.
- --smoked salmon with caviar and cream cheese.
- Oh, yum.
- Garcelle.
- No? - No?
No? - Are you gonna clap, then?
- Huh-uh. - Cool.
- That's amazing. - Very good.
We'll keep on bringing tapas.
- Thank you, Storm. [laughter]
- All the women are like, ooh, hi.
Pay attention to me.
Oh, my god. I love your food.
- Yes.
- Everybody's into Storm, whether you're married or not.
- This looks so yummy.
- This is the best ham and cheese ever, in the world.
- Is that right?
- It is so good.
- This salmon is delicious.
- Yeah, I'm all about that. - It's melting in your mouth.
- Beautiful. - Wow.
- It bursts in your mouth.
- Oh, it's so yummy.
- And if it's creamy--
- Oh!
- With the accoutrements, like, with the crème fraiche--
- What are y'all talking about?
- Yes. - Oh.
- Yes. - Oh!
- Uh! - What is this?
- Gazpacho. - Yes.
- Yummy.
- I like when you go to different countries,
and you have to eat what they bring you.
And it forces you to try things.
Like, I would never eat that.
- I just want to interrupt, but I just--
I feel like there's a bit of an, like, elephant in the room,
and there's something that I need to get off my chest.
Last weekend was a lot.
There were a lot of things that were said that,
I mean, on my part, I can apologize for.
Sutton and I talked.
I'm sorry that I upset you by talking about your esophagus.
I hope we're in a better place.
- Yeah. - OK?
- You know what? The esophagus stuff is fine.
My problem was the lonely and the insecure.
- Mm-hmm.
- I'm gonna wake up in the morning to my amazing children
and my amazing husband and my amazing life
and thank god that I'm not lonely and I'm not insecure.
- Damn.
- Who's lonely and insecure?
I didn't like that.
You have three divorcees at this table.
I was more lonely, I think, during my marriage.
He traveled a lot.
And when he didn't travel, he was asleep
because he works all the time.
And I think we can understand that.
And you shouldn't have used the word "lonely."
- Mm-hmm. I can own that.
- Lonely affected me, too.
Annemarie saying that if you're single,
you're lonely and desperate, I took offense to that
because I'm single.
So if you don't have a man, you're lonely and desperate?
Come on.
- [firmly] Several of us were angry that night.
I said things that I was not proud of.
I apologize for them, OK?
I'm sorry I called you lonely.
- Wow, if this is Annemarie's apology,
don't apologize because I'm not accepting it.
- I'm sorry that that affected you.
I'm sorry that I said lonely, if that affected you.
- I'm fine.
- Anybody else I may have offended,
I apologize for that comment. I was angry.
- Are you calling me insecure? - We're gonna get to you.
[dramatic music]
- Coming up...
- Like, you need people to think
that you're better than them.
- I've met you six times in my life!
- You're acting like a hormonal teenager.
- Oh, my god.
[upbeat music]
* *
- I'm sorry that I said lonely, if that affected you.
- I'm fine.
- Anybody else I may have offended,
I apologize for that comment. - Are you calling me insecure?
- We're gonna get to you.
Let's talk about the Crystal situation.
So the first night that Crystal and I met
was at a mutual friend's house around the holidays.
The first thing Crystal said to me about this group of women
was that you ladies were not intelligent.
- Damn.
- Nobody was educated, and you're very shallow.
- Shallow and uneducated?
- Shallow?
- Well, she knows I'm educated, so...
- That's ridiculous.
- I'm out of this group.
- We're all educated.
- I'm just kidding.
- We're all educated.
- That's ridiculous.
- You're nowhere near more educated than the rest of us.
And by the way, child bride,
while you were busy getting married at 12,
the rest of us were building businesses,
graduating college, doing things, you know,
to educate ourselves.
- Did you say that?
- I would not say that to someone that I just met.
I don't feel that way.
That's false. I never said those things.
[tape whirs]
No, these women are quite savvy,
but they're clearly not highly educated.
- I would really like you to be honest, though,
with what you said about the ladies.
Because I really would, like-- - I didn't say that.
[tense music]
- Do we have a history with Crystal
thinking maybe we were--
less smart than her?
- I'm not gonna change the word that I used.
The word was used correctly.
"Violation" means to abuse your privacy.
- Boundaries. - A disrespect of boundaries.
Period. Google it.
I know. These are big words.
- Uh, we understand big words.
We kind of already knew that Crystal
thinks that maybe some of us are not as astute as she is.
There's a word for her.
- And then you said that the ladies were "fake socialites"
and that you were the only true socialite in the group.
- Isn't that, like, a Northeast, Southeast
kind of thing?
What are we gonna do, cotillion?
- We all know that I am a socialite, so who cares?
Well, it's true. I am.
- I don't want to be a socialite.
- Nobody does.
- Do I feel like Crystal could have said that?
Yes, I can.
What that basically is saying is,
"This is my excuse for not being interesting,
because my intellect is too high."
No, you're boring.
- That's, like, embarrassing. Why would you--
- OK. So did you say that?
- First of all, it's offensive that you ask me that.
But no, I didn't say that.
- Well, she's accusing you. So I'm asking you.
- I just said no. - Why wouldn't I ask you?
- I didn't say it.
Have I ever said that I was a socialite?
- No.
- Have I said that I'm very social?
- Yes. - Yes.
- With all the socialites that I do know,
they don't say, I'm a socialite.
- That is correct.
- The first time I met Crystal,
that was when she told me
that all of the girls were uneducated and shallow.
I mean, I thought it was really crazy
that somebody I just met four seconds ago
was telling me this information.
But now, knowing Crystal better and how she acts,
very on brand for her to do something like that.
- You have this need to make people--
like, you need people to think that you're better than them.
- I don't need anything. - No, she doesn't.
- Thank you.
- No, but that's what-- that's all I've seen.
- That's all you've seen?
I've met you six times in my life.
- Crystal, that doesn't matter. - Give me an example--
- It's what you show me. - Give me an example
of when I think I act like I'm better than you.
- Well, right now-- - Give me an example.
- Well, right now, I think you do because you are--
- OK. So always.
- You're not being honest. - Give another example.
- You're not being honest-- - So give me another example.
- With--Crystal. - Give me another example.
[dramatic music]
- Obviously, there's something about Annemarie
that provokes Crystal,
because Crystal is usually someone who's very reserved
with her thoughts and feelings.
I've never seen her have a response to someone like this.
I think that Annemarie and Crystal
need to talk alone so I don't have to hear any of it.
- Do you think I would call myself a socialite?
- But it goes back to, like-- - Let me ask her a question.
Stop talking. - Oh, my god. My head.
- You need people to think that you're better than them.
- OK. I don't-- - I need that?
- OK, y'all.
- That goes back to, like, your insecurity thing, Crystal.
- The girl who calls herself a doctor who is a nurse.
- See? - Enough.
- Annemarie says that she wants to bring
lightness and fun to wherever she goes.
But actually, what she does is she's antagonistic,
she's combative, and she's very divisive.
- Crystal, bring it down a notch.
- Do not tell me to bring it down.
- You're acting like a hormonal teenager.
- Oh, my god.
- OK, don't make the little people come out.
- [laughs]
- You know what else I want from you?
I want to thank you-- - For what?
- For giving you something to talk about
and making your ass relevant. [tense music]
- Ooh!
- Oh, god.
* *
- I'm sorry that I trigger you.
I'm sorry that you find my life so interesting.
She has nothing to talk about, except for me.
* *
- You guys, we've been up a long time.
We've traveled.
We'll put a pin in it tonight.
- Don't take my kindness for weakness.
- When have you been kind, Crystal?
- I thought that our first night in Spain
was gonna be amazing.
We've got wine. We've got tapas.
We have this beautiful table.
We have a chef. Perfection.
But no, let's ruin it, Annemarie,
by telling the story that Crystal hates us all
and thinks we're stupid and vapid.
- Sutton, thank you.
- Goodnight, goodnight, goodnight, goodnight, goodnight.
- Yeah, I'm done.
- This is not how I thought it was gonna work.
- All right, let's go.
Take the ashes and your phone.
Do you think we scared the baby ghost?
- Well, y'all, I'm scared I'm gonna drop Merce.
- I'm sleeping in your room.
I can't believe I'm saying that.
- I told you that you could.
We can separate the bed into twin beds.
- OK. Good.
- Goodnight, guys. - Goodnight.
Goodnight.
- Goodnight.
OK. Where am I?
- You're right there. - Thank you.
- I'm in the scary room.
- Well, that was a lot of fun. - Yeah.
- See you later.
- Goodnight, everybody.
[door bangs] What the hell happened?
- Coming up...
- She's calling you a liar to the whole group.
[insects chirping]
[eerie music]
* *
[object thuds]
* *
- It's 1 o'clock in the morning,
and I'm scared out of my mind.
I'm even scared to go to Sutton's room,
but I'm going anyways.
So I am tiptoeing around.
The floors are creaky.
I know there's a room with a crib in it.
I don't want to see because I don't know who's in the crib.
Oh, Sutton. [knocking on door]
- Garcelle?
- I'm coming in.
- That was really loud.
- I want some snacks, and I'm not sleeping in my room.
But I don't know if I want to sleep with the ashes
staring at me.
- OK. [clears throat]
- This is the ugliest hat I've ever seen in my life.
- Shut up.
- [laughs] - I'm wearing this tomorrow.
I'm wearing this tomorrow. Shut up.
- It's terrible.
Who made it?
- Marni, and it's so cute.
And I'm wearing it tomorrow.
And when you see my entire outfit,
you're going to be so jealous, 'cause look.
- I don't think I'm gonna be jealous of that.
- This is so cute.
- You look crazy.
[laughs]
Where are the snacks? Where are the snacks?
Where are the--ow! Oh, my god.
After being in Vegas with Sutton
and she's talking all night, here I am,
wanting to sleep with her again.
Sutton, I'm going to sleep. Goodnight.
- OK, OK, OK, OK, OK.
- Sutton, please just go to sleep.
- [laughs] Garcelle.
It has to be right.
Is it OK if I read some stuff?
- I don't care if you burn.
- I just got a book on tantric sex.
- You're a pain in the ass.
- I can read out loud to you. - No, no.
I don't want to hear anything.
This room seems a lot more modern than mine.
Mine feels-- - It does?
- --like there's a creepy man that's coming out any minute.
- [laughs]
- Boo.
[laughter]
[upbeat music]
* *
- [singing in Spanish]
* *
- Ah.
- Erika? - Yeah?
- What are you wearing?
- I slept one hour.
- Uno. - Yeah.
- I couldn't sleep.
- Annemarie? Hi.
[knocking on door] - Hi.
Oh, my gosh.
You look so cute. - I don't know.
Is this appropriate for the church?
- Oh, my god. - What if I change?
- No, no, no. I think it's fine.
- Are you sure? - I think it's fine because
also it's gonna be warm, we're gonna be walking around.
And so come, let's have a seat.
Don't mind my late night snacks.
- Oh, girl.
- We're just gonna hide the--
- Pretend that didn't happen. - No, you didn't see that.
- [trilling tongue]
- What the hell is that?
- [high-pitched vocalizing]
- What the hell is that bird sound?
- It was me.
I was doing some vocal exercises.
That's-- [vocalizing]
- I hear George doing that all the time.
- [trilling lips]
[upbeat music] - Crystal?
[knocking on door] - Hello?
- May I enter? - Yes.
- How are you feeling about last night?
It got so heated.
- Yeah, let's close the door.
Where's your door?
Is this your door?
- It's right there.
[laughs]
- Oh, this door. - Yeah.
- I am so confused. - That's all right.
I know. There's a lot of doors.
- OK. - Yeah.
Um, she's a lot.
- Yeah.
- Because I don't think she listens.
- I don't like confrontation,
being in a bad place with people.
- People you're on a trip with.
- Right.
Like, I want us to be good. - Yeah.
- You know what I mean? - Yeah.
- That being said, she is not being truthful
about what she told me about the group.
- So she for sure said this?
- Garcelle, I do not lie.
- Yeah. - I don't lie.
- She's calling you a liar to the whole group.
- Yeah, but I don't believe anyone believes it.
Honestly.
- Do you think Crystal called us shallow and uneducated?
- I don't believe that Annemarie's
flat out making it up.
- Yeah.
Something has a little ring of truth for me here.
I can see where she would say to others,
oh, these women are uneducated.
I'm really different.
I don't think Annemarie would pull that out of just nowhere.
We all get frustrated in the group.
We all say things.
But if we're uneducated and shallow, then why be here?
- Is it OK for her to call you a liar?
- No, it's ridiculous. I don't know what else to say.
- Why are you letting her off the hook?
- Here's the thing.
This is the difference between us.
You need someone to say that wasn't said
in order for you to feel better. I don't.
- Mm.
We all know that Crystal and I
have had some challenging times.
- I can't deal with crazy people.
- You don't even know me.
- I don't know you, but-- - You said you--
- --all that you've shown me--
- That's all I've shown you.
- Is crazy? Yes.
- I think sometimes with friendships,
it takes a deep dive
to come up fresh.
And Crystal and I have both come into this fresh air spot,
and we really like each other's company.
So I want Crystal and Annemarie
to nip this in the bud
and build a better friendship on that.
Keep sticking up for yourself,
because what she's saying isn't nice.
- No, it's not.
- I don't know how you can be friends with somebody
that is gonna continually do this.
- Well, I'm treading lightly.
- Well, you need to tell her that.
- I will.
[upbeat music]
- Hi. - Hi.
- Good morning. - Good morning.
- Hi.
Look at you.
- Kyle?
- Coming.
- Yay.
- She's up. - Hallelujah. Mazel tov.
OK, people.
We got a lot to do today.
First, we're going to church.
We have to take two sprinters.
We are in one. - Oh, OK.
I see. - You are in the other.
And then we're gonna reconvene at church.
- What about confession? Because some of you need it.
- Well, some of us need an exorcism.
- Some of you need it more than others.
- We got to take it to the bridge, take it to Jesus.
- Well, I would just like to share some very good, happy news
that I got in the morning.
And I think that it's important,
maybe for you, Crystal.
Attached are two decisions today
by the district court on our appeal regarding the earrings.
- [gasps] - Oh.
[tense music]
[upbeat music]
- I would just like to share some happy news that I got
in the morning, and I think that it's important,
maybe for you, Crystal.
Attached are two decisions today
by the district court on our appeal regarding the earrings.
- [gasps] - Oh.
- The district court reverses
the bankruptcy court's turnover order.
- Wow.
- What does that mean? - Yeah.
- The court wants the trustee
to prove that the money used to pay for the earrings
was actual client trust fund money.
In other words, you can't prove that the money
that was used to buy my earrings was client money.
You can't do that, so they shouldn't have
been taken in the first place.
Remember when I got very heated and I said,
this story is not over, please listen to me?
- You have a pair of $750,000 earrings.
If you give it to them--
- What's gonna happen?
- Ha. - I would give it up.
Let's get real. - Yeah, let's get real.
You're not sharing without facts, though.
What facts do you have?
- Why wouldn't you just go, (BLEEP) it?
Let's pay the victims.
It's not saying I'm guilty.
It's saying I have compassion.
- You know what I say? I'm not guilty.
And how ----ing dare you say that sh-- about me.
What I said was going to happen is happening.
This is a long fight.
Let it work through the legal system.
Please do not rush to judgment.
Look, a win is a win.
Yes, it goes back down to a lower court.
Yes, we'll still fight it out,
but the upper court said, hold on a second.
This isn't quite right.
- Congratulations. - Congratulations.
- Yes.
- I think that Erika feels vindicated
with a number of the ladies in this group.
So many of them doubted her so much.
- I told you all, give me a minute.
And I was right.
- I wish she would just let the earrings go and give something
back to the victims so that you can sleep at night,
so you feel like, you know, even though you're not guilty,
you're giving back to the victims.
You need good karma.
- The thing that you're saying, though,
because you said you got loud--
- Yeah.
- And maybe when it's so loud, we can't hear.
- Yeah.
- So maybe we don't get so loud.
- Agreed.
- I can't control people's reactions,
but I was really expecting more from these ladies.
I really was.
- OK.
We got to go, because we have a lot to do.
- I don't need anybody to put their arms around me,
but I do need you to acknowledge that what I said
would happen is happening.
You know, that would be a nice moment for me.
- Come on. - I'm coming.
You're such a bossy bitch.
- Well, I'm sorry.
I'm trying to keep us on schedule.
- Let's hit it.
- Herding cats here.
- How windy and narrow are these roads?
- It's very windy and narrow, so don't get carsick.
- Bye, ladies. - Bye.
- We'll see you at the church.
- Say your prayers. [head thuds]
Ow. Sh--.
- You OK? - Barely.
- Here we go. We're off.
* *
- So what are we saying at the chapel,
our intentions for this trip?
- Yeah.
- Mm-hmm.
- I have a lot of disappointment
in a lot of these women in this group.
We were so passionate last year.
But after I have gotten a favorable ruling,
everybody's, ah, OK.
Well, OK, yeah.
Ah.
Therapy, therapy, therapy. [laughs]
- You're gonna need to have some empathy for them,
like, emotionally.
- Therapy, therapy, therapy, therapy.
- [burps]
- Are you OK? Who was that, you, Sutton?
- Yes.
- Yeah.
I'm right there with you.
- It's really pretty.
* *
- Oh! - I know.
I'm getting really sick, you guys.
- Uh-huh. - I can't--
- Don't look back. Don't look.
That's why I'm looking forward.
- You guys, this is rough for me.
- I might. - Uh-oh.
* *
- Oh, I can't look backwards anymore, you guys.
- No, no. - Nauseous, too.
- You shouldn't. - We're good.
- Besides, it's a much nicer view forward.
- Yeah. - I need to get out of the car.
- There's not even sides here to stop.
Like, where do we stop?
- I need to get out of the car right now.
- Stop the car. Let her out right here.
- Right now? - Right here.
- OK. - You guys can keep going up.
I just need to get out of the car, please.
- Can we stop for a second?
- [sighs] I need to get out.
Sorry.
[tense music]
- Where the (BLEEP) are we going?
- Oh, no.
- Uh, uh, uh.
- Oh, my god. - Oh, my god.
- What's wrong?
- OK. Let's go.
- OK. Oh.
- We're right here.
- Get me out of here. Let's--
- You can get out.
- Need some air?
- What's wrong?
- Her hands are swollen up.
[tense music]
- Hey, what does it mean when your veins pop out?
- What do you mean?
- Crystal's not feeling well.
- You OK? - Yeah.
I'm just, you know, like-- - Carsick?
- Want to just see what it says now?
- They are really big. Holy crap.
- No, no. You're gonna be OK.
- The universe works in mysterious ways.
Last night, these two were at each other's throats.
And right now, Crystal's at Annemarie's mercy.
I'm gonna call 911.
[line rings]
- Next time on
"The Real Housewives of Beverly Hills"...
- What? Look, everybody. - Wow.
- [speaks Spanish]
[laughter]
- That's pretty. - I'm gonna get this.
- No dollar? - I have it.
I have it. Come here.
Sugar mama right here.
- OK. - [laughs]
- How you talked to me made me feel a certain way.
- If there's anything I say
that for whatever reason triggers you, please tell me.
'Cause I'd never want to do that.
- I believe that. - What's wrong?
- [sobs] - What's wrong?
- There's a lot of my dad wrapped up in this.