1 00:00:02,335 --> 00:00:04,037 NATALIE: IT'S WEDNESDAY, SEPTEMBER 21, AND "THE TALK" IS 2 00:00:04,104 --> 00:00:05,205 LIVE. 3 00:00:05,271 --> 00:00:08,108 HELP COULD BE ON THE WAY FOR ANYONE SUFFERING FROM ANXIETY 4 00:00:08,174 --> 00:00:09,776 AND PANIC ATTACKS. 5 00:00:09,843 --> 00:00:13,446 FIND OUT ABOUT THE NEW PUSH TO MAKE MENTAL HEALTH SCREENINGS A 6 00:00:13,513 --> 00:00:19,386 BIGGER PART OF OUR OVERALL HEALTH CARE. 7 00:00:19,452 --> 00:00:24,591 BILLY EICHNER SAYS SOCIETY PUTS PHYSICAL MASCULINITY ON A 8 00:00:24,657 --> 00:00:25,692 PEDESTAL. 9 00:00:25,759 --> 00:00:28,661 AND MORE ABOUT THE LOTTERY JACKPOT FROM JULY AND WHO IS 10 00:00:28,728 --> 00:00:31,531 COMING FORWARD TO CLAIM THAT LIFE CHANGING PRIZE. 11 00:00:31,598 --> 00:00:38,104 THEN FROM "TWIN PEAKS, ""SEX AND THE CITY" AND THE NEW FILM 12 00:00:38,171 --> 00:00:41,641 "CONFESS, FLECHE" KYLE MACLACHLAN IS HERE. 13 00:00:41,708 --> 00:00:46,346 WE CONTINUE OUR SERIES INSPIRED BY NATIONAL HISPANIC HERITAGE 14 00:00:46,413 --> 00:00:50,116 MONTH AND WE'RE JOINED BILLIONA PENA, CREATOR OF "DIARY OF A 15 00:00:50,183 --> 00:00:50,884 FUTURE PRESIDENT." 16 00:00:50,950 --> 00:00:51,651 SO LET'S TALK. 17 00:00:53,987 --> 00:00:55,188 >> ♪ YOU AND ME ♪ ♪ YOU KNOW ♪ 18 00:00:55,255 --> 00:00:56,189 ♪ WE MAKE SOME ♪ REAL GOOD COMPANY ♪ 19 00:00:56,256 --> 00:00:58,258 ♪ ALL RIGHT ♪ ALL RIGHT ♪ 20 00:00:58,324 --> 00:00:59,626 ♪ ALL RIGHT ♪ ♪ SAID YOU AND ME ♪ 21 00:00:59,692 --> 00:01:01,261 ♪ YOU KNOW ♪ ♪ WE MAKE SOME 22 00:01:01,327 --> 00:01:02,295 ♪ REAL GOOD COMPANY ♪ ♪ HOP IN ♪ 23 00:01:02,362 --> 00:01:04,164 ♪ WE POPPIN ♪ ♪ ALL THE MAGIC WE MAKIN ♪ 24 00:01:04,230 --> 00:01:05,398 ♪ LORD KNOWS ♪ ♪ I LOVE ♪ 25 00:01:05,465 --> 00:01:07,200 ♪ CONVERSATING WITH YOU ♪ ♪ WE COME TOGETHER ♪ 26 00:01:07,267 --> 00:01:09,135 ♪ GET THE FIREWORKS STARTED ♪ ♪ YEAH ♪ 27 00:01:09,202 --> 00:01:11,337 ♪ WE THE LIFE ♪ ♪ OF THE PARTY ♪ 28 00:01:11,404 --> 00:01:14,107 ♪ IT'S TRUE ♪ ♪ LIKE LOOK AT THAT ♪ 29 00:01:14,174 --> 00:01:15,875 ♪ LOOK AT THAT ♪ ♪ LOOK AT THAT VIBE ♪ 30 00:01:15,942 --> 00:01:17,610 ♪ EVERYBODY GATHER ROUND ♪ ♪ LOOK AT THAT ♪ 31 00:01:17,677 --> 00:01:19,345 ♪ LOOK AT THAT ♪ ♪ LOOK AT THAT SHINE ♪ 32 00:01:19,412 --> 00:01:20,780 ♪ LIVE IT UP ♪ ♪ TILL THE LIGHTS GO DOWN ♪ 33 00:01:20,847 --> 00:01:22,782 ♪ LOOK AT THAT ♪ ♪ LOOK AT THAT ♪ 34 00:01:22,849 --> 00:01:24,284 ♪ LOOK AT THAT SMILE ♪ ♪ EVERY TIME YOU COME AROUND ♪ 35 00:01:24,350 --> 00:01:27,020 ♪ I FEEL LIKE ♪ ♪ I'M BRAND-NEW ♪ 36 00:01:27,086 --> 00:01:30,924 ♪ YOU AND ME ♪ ♪ YOU KNOW WE MAKE ♪ 37 00:01:30,990 --> 00:01:32,392 ♪ SOME REAL GOOD COMPANY ♪ ♪ ALL RIGHT ♪ 38 00:01:32,459 --> 00:01:34,027 ♪ ALL RIGHT ♪ ♪ ALL RIGHT ♪ 39 00:01:34,093 --> 00:01:35,662 ♪ SAID YOU AND ME ♪ ♪ YOU KNOW WE MAKE SOME ♪ 40 00:01:35,728 --> 00:01:40,266 ♪ REAL GOOD COMPANY ♪ ♪ AND YOU CAN STAY ♪ 41 00:01:40,333 --> 00:01:55,215 ♪ AS LONG AS YOU LIKE ♪ ♪ AND YOU CAN STAY ♪ 42 00:01:55,281 --> 00:02:00,653 ♪ AS LONG AS YOU LIKE ♪ ♪ AND YOU CAN STAY ♪ 43 00:02:00,720 --> 00:02:01,321 ♪ HERE ALL NIGHT ♪ NATALIE: I LOVE IT WHEN JERRY 44 00:02:01,387 --> 00:02:03,456 DOES HIS LITTLE TURN, HIS 360. 45 00:02:03,523 --> 00:02:05,592 WELCOME TO "THE TALK." 46 00:02:05,658 --> 00:02:06,860 GREAT AUDIENCE TODAY. 47 00:02:06,926 --> 00:02:10,330 LET'S GET STARTED WITH WHAT I THINK IS A REALLY IMPORTANT 48 00:02:10,396 --> 00:02:13,433 TOPIC OF CONVERSATION, ONE WE SHOULD BE HAVING MUCH MORE OF, 49 00:02:13,500 --> 00:02:16,436 AND THAT'S ABOUT MENTAL HEALTH AND A PUSH TO MAKE OUR MENTAL 50 00:02:16,503 --> 00:02:18,037 HEALTH EVEN MORE OF A PRIORITY. 51 00:02:18,104 --> 00:02:22,041 IT'S SOMETHING THAT'S SO VITAL, ESPECIALLY IN THE AFTERMATH OF 52 00:02:22,108 --> 00:02:25,979 THE PANDEMIC, SO MANY PEOPLE ARE SUFFERING WITH ANXIETY AND PANIC 53 00:02:26,045 --> 00:02:28,615 DISORDERS. 54 00:02:28,681 --> 00:02:35,355 NOW WE TALK ABOUT HOW DO WE DYING -- DIAGNOSE AND TREAT THEM 55 00:02:35,421 --> 00:02:36,656 AND GET TREATMENT. 56 00:02:36,723 --> 00:02:42,295 THERE ARE HIGH LEVELS OF ANXIETY RIGHT NOW. 57 00:02:42,362 --> 00:02:46,499 >> ACCORDING TO THE DRAFT RECOMMENDATION BY THE U.S. 58 00:02:46,566 --> 00:02:48,635 PREVENTATIVE TASK FORCE, ROUTINE SCREENINGS ARE BENEFICIAL FOR 59 00:02:48,701 --> 00:02:50,436 ADULTS UNDER 65. 60 00:02:50,503 --> 00:02:53,540 ANXIETY DISORDERS ARE CONSIDERED THE MOST COMMON MENTAL ILLNESS 61 00:02:53,606 --> 00:02:57,076 IN THE COUNTRY, AFFECTING NEARLY 50 MILLION PEOPLE WITH JUST 62 00:02:57,143 --> 00:02:59,946 UNDER ONE OUT OF EVERY THREE ADULTS SAYING THEY'VE 63 00:03:00,013 --> 00:03:03,216 EXPERIENCED AN ANXIETY DISORDER AT SOME POINT IN THEIR LIVES. 64 00:03:03,283 --> 00:03:05,985 ACCORDING TO A RECENT SURVEY FROM THE C.D.C., OVER THE COURSE 65 00:03:06,052 --> 00:03:11,758 OF THE PANDEMIC, THE NUMBER OF ADULTS SEEKING TREATMENT 66 00:03:11,824 --> 00:03:18,565 >> THE MOST IMPORTANT THING TO REALIZE REGARDLESS WHERE YOU ARE 67 00:03:18,631 --> 00:03:21,935 IN YOUR RELATIONSHIPS AND WHERE YOU ARE IN SOCIETY IT CAN AFFECT 68 00:03:22,001 --> 00:03:25,004 ANYONE ANY WHERE, ANY TIME. 69 00:03:25,071 --> 00:03:28,174 NATALIE: I DON'T WANT TO PUT ANYBODY ON THE SPOT HERE BUT I 70 00:03:28,241 --> 00:03:32,145 WILL SAY I'VE HAD ANXIETY DISORDER AS A TEENAGER AND 71 00:03:32,211 --> 00:03:33,780 DIDN'T KNOW IT BACK THEN. 72 00:03:33,846 --> 00:03:39,419 DOES ANYBODY WANT TO RAISE YOUR HAND IF YOU FELT THAT WAY AND IF 73 00:03:39,485 --> 00:03:43,656 YOU HAD A ANXIETY ATTACK OR PANIC ATTACK, YOU KNOW WHAT THAT 74 00:03:43,723 --> 00:03:44,824 FEELS LIKE. 75 00:03:44,891 --> 00:03:48,628 YOU FEEL LIKE YOU ARE GOING TO PASS OUT OR YOU'RE HAVING A 76 00:03:48,695 --> 00:03:49,095 HEART ATTACK. 77 00:03:49,162 --> 00:03:50,096 YOU ARE SWEATING. 78 00:03:50,163 --> 00:03:50,964 YOU CAN'T EAT. 79 00:03:51,030 --> 00:03:52,031 YOU CAN'T SLEEP. 80 00:03:52,098 --> 00:03:55,335 ALL YOU CAN THINK ABOUT IS THAT DOOMSDAY SCENARIO. 81 00:03:55,401 --> 00:04:01,174 I REMEMBER DURING THE S.A.T.'S AS A TEENAGER, I WAS -- HIT A 82 00:04:01,240 --> 00:04:04,978 MATH PROBLEM, I COULD NOT EVEN SEE THE NUMBERS ANYMORE. 83 00:04:05,044 --> 00:04:07,080 NOTHING IN FRONT OF ME. 84 00:04:07,146 --> 00:04:08,915 IT WAS LIKE A BLANK PIECE OF PAPER. 85 00:04:08,982 --> 00:04:11,951 I COULDN'T MAKE SENSE OF IT AND I STARTED TO HYPERVENTILATE. 86 00:04:12,018 --> 00:04:14,020 I DIDN'T KNOW WHAT WAS HAPPENING. 87 00:04:14,087 --> 00:04:16,289 SHERYL: HOW DID YOU GET THROUGH IT WHILE TAKING THE TEST, WHAT 88 00:04:16,356 --> 00:04:18,424 DID YOU DO? 89 00:04:18,491 --> 00:04:21,794 NATALIE: I PUT MY PENCIL DOWN AND TRIED DEEP BREATHING. 90 00:04:21,861 --> 00:04:22,996 BACK THEN, NOBODY TALKED ABOUT THIS. 91 00:04:23,062 --> 00:04:24,564 THAT'S WHAT I LOVE NOW. 92 00:04:24,631 --> 00:04:27,500 I HAVE PEOPLE VERY CLOSE TO ME GOING THROUGH THIS RIGHT NOW. 93 00:04:27,567 --> 00:04:32,205 I TALKED TO A LOT OF THERAPISTS THE LAST COUPLE DAYS AND THEY'VE 94 00:04:32,271 --> 00:04:34,741 ALL SAID SINCE THE PANDEMIC THEY'RE SEEING THIS. 95 00:04:34,807 --> 00:04:36,342 IT'S A CRISIS. 96 00:04:36,409 --> 00:04:39,646 IT'S REACHED A CRISIS POINT AND THERE'S NOT ADEQUATE HELP OR 97 00:04:39,712 --> 00:04:40,913 SUPPORT FOR PEOPLE. 98 00:04:40,980 --> 00:04:45,351 BY THE WAY, I'M SOMEBODY WHO HAS THE ABILITY TO CALL PEOPLE THAT 99 00:04:45,418 --> 00:04:49,055 I KNOW, TO CALL THERAPISTS, TO PUT MONEY AT THE PROBLEM. 100 00:04:49,122 --> 00:04:52,158 BUT THERE ARE PEOPLE I THINK ABOUT ALL OF THOSE DURING THE 101 00:04:52,225 --> 00:04:55,428 PANDEMIC WHO, YOU KNOW, KIDS RAISING THEIR BROTHERS AND 102 00:04:55,495 --> 00:04:59,165 SISTERS AND TRYING TO HELP THEM GO TO SCHOOL AND STUFF WHO DON'T 103 00:04:59,232 --> 00:05:03,836 HAVE THAT HELP AND TO BE ABLE TO CALL SOMEBODY TO SAY, I NEED 104 00:05:03,903 --> 00:05:05,304 MENTAL HEALTH AND I NEED SUPPORT. 105 00:05:05,371 --> 00:05:09,742 IT'S EXPENSIVE AND THERE'S NOT ENOUGH BEING THROWN AT IT RIGHT 106 00:05:09,809 --> 00:05:10,977 NOW. 107 00:05:11,044 --> 00:05:13,479 AKBAR: I THINK THE OTHER SIDE TO THAT, TOO, THERE ARE A LOT OF 108 00:05:13,546 --> 00:05:15,148 PEOPLE WHO CAN'T IDENTIFY IT. 109 00:05:15,214 --> 00:05:19,452 I PERSONALLY HAVE SAID I FEEL LIKE I'M HAVING A ANXIETY 110 00:05:19,519 --> 00:05:20,687 ATTACK. 111 00:05:20,753 --> 00:05:23,990 BUT WHEN WE'RE DISCUSSING IT, I'M NOT QUITE SURE I UNDERSTAND 112 00:05:24,057 --> 00:05:27,326 WHAT IT IS AND PEOPLE USE IT SO FREQUENTLY BECAUSE IT'S BECOMING 113 00:05:27,393 --> 00:05:30,129 MORE AND MORE RELEVANT IN OUR SOCIETY AND PEOPLE ARE HEARING 114 00:05:30,196 --> 00:05:31,964 IT MORE AND SAYING IT. 115 00:05:32,031 --> 00:05:34,667 SO JUST TO BE ABLE TO GET THAT KNOWLEDGE OF WHAT IT IS AND 116 00:05:34,734 --> 00:05:38,604 BEING ABLE TO GIVE PEOPLE THE EQUIPMENT TO BE ABLE TO IDENTIFY 117 00:05:38,671 --> 00:05:45,378 THIS IS ANXIETY. 118 00:05:45,445 --> 00:05:48,448 AMANDA: IT'S SUCH A GREAT POINT, AKBAR, BECAUSE I THINK IT DOES 119 00:05:48,514 --> 00:05:49,749 COME IN DIFFERENT LEVELS. 120 00:05:49,816 --> 00:05:53,186 I REMEMBER THE FIRST TIME I HAD A PANIC ATTACK, IT WAS WHEN I 121 00:05:53,252 --> 00:05:57,890 WAS GOING THROUGH MY DIVORCE AND I WAS AT HOME BY MYSELF AND I 122 00:05:57,957 --> 00:06:00,126 HAD THIS ATTACK COME OVER ME. 123 00:06:00,193 --> 00:06:01,994 I DID NOT KNOW WHAT WAS GOING ON. 124 00:06:02,061 --> 00:06:06,499 BUT THEN I THINK BECAUSE I HAD HEARD ABOUT IT, I'M LIKE OH, MY 125 00:06:06,566 --> 00:06:08,735 GOD, I THINK THIS IS WHAT THIS IS. 126 00:06:08,801 --> 00:06:12,872 I CALLED MY GIRLFRIEND AND HER ADVICE TO ME THAT DAY WAS DEEP 127 00:06:12,939 --> 00:06:16,075 BREATHING AND STAYING ON THE PHONE WITH ME AND TALKING ME 128 00:06:16,142 --> 00:06:19,812 THROUGH IT WAS DRINKING A GLASS OF WATER. 129 00:06:19,879 --> 00:06:22,749 WHEN YOU'RE HAVING A PANIC ATTACK THE ACT OF DRINKING 130 00:06:22,815 --> 00:06:25,818 SOMETHING REALLY HELPS TO CALM YOUR NERVOUS SYSTEM BECAUSE IT 131 00:06:25,885 --> 00:06:27,587 FORCES YOU TO SWALLOW AND BREATHE. 132 00:06:27,653 --> 00:06:31,390 SO THAT'S A GREAT TIP THAT EVEN TO THIS DAY, I'VE HAD PANIC 133 00:06:31,457 --> 00:06:35,328 ATTACKS SINCE THEN LOSING MY HUSBAND AND JUST GOING THROUGH 134 00:06:35,394 --> 00:06:37,296 LIFE'S SITUATIONS, IT COMES OVER YOU. 135 00:06:37,363 --> 00:06:41,434 AND WHEN A PANIC ATTACK COMES OVER YOU, IT IS SO TERRIFYING 136 00:06:41,501 --> 00:06:44,604 BECAUSE YOU REALLY -- YOUR HEART IS RACING AND YOU CAN'T BREATHE 137 00:06:44,670 --> 00:06:46,472 AND IT'S VERY INTENSE. 138 00:06:46,539 --> 00:06:51,177 BUT THEN ALSO SINCE HAVING THAT PANIC ATTACK, AND I WAS 32 YEARS 139 00:06:51,244 --> 00:06:54,814 OLD AND I HADN'T HAD ONE UNTIL I WAS 32 YEARS OLD. 140 00:06:54,881 --> 00:07:00,686 BUT SINCE THEN, ANXIETY IN SOCIAL SITUATIONS HAS COME OVER 141 00:07:00,753 --> 00:07:04,223 ME, ESPECIALLY AFTER THE PANDEMIC BEING INTRODUCED BACK 142 00:07:04,290 --> 00:07:07,093 INTO LARGE GROUPS, I REMEMBER HAVING ANXIETY. 143 00:07:07,160 --> 00:07:10,029 THE FIRST TIME I WAS IN A LARGE GROUP OF PEOPLE OR THE FIRST 144 00:07:10,096 --> 00:07:12,965 TIME I WENT BACK INTO A HOSPITAL AFTER EVERYTHING THAT HAPPENED 145 00:07:13,032 --> 00:07:18,771 WITH MY HUSBAND, I HAD A HUGE ANXIETY ISSUE. 146 00:07:18,838 --> 00:07:19,906 IT'S REALLY CRAZY. 147 00:07:19,972 --> 00:07:25,178 AND I THINK THAT ANYTHING THAT WE CAN DO TO SUPPORT EARLY 148 00:07:25,244 --> 00:07:30,950 SCREENING, ESPECIALLY NOW, IS ABSOLUTELY IMPORTANT. 149 00:07:31,017 --> 00:07:35,321 AKBAR: AND EDUCATION, IT WILL BE SO KEY TO BEING ABLE TO IDENTIFY 150 00:07:35,388 --> 00:07:36,556 THAT. 151 00:07:36,622 --> 00:07:39,125 ONE THING YOU WERE SAYING, I'M SURE THERE ARE PEOPLE, TOO, WHO 152 00:07:39,192 --> 00:07:44,530 ALSO ARE NERVOUS OR YOU'RE REALLY STRESSED OUT AND BEING 153 00:07:44,597 --> 00:07:47,800 ABLE TO SEPARATE WHAT'S NERVOUSNESS AND WHAT'S STRESS 154 00:07:47,867 --> 00:07:51,204 AND PANIC AND ANXIETY. 155 00:07:51,270 --> 00:07:53,806 NATALIE: IT'S IMPORTANT THAT DIFFERENTIATION. 156 00:07:53,873 --> 00:07:56,576 WE'VE ALL HAD SLEEPLESS NIGHTS AND WE'VE BEEN STRESSED BUT IF 157 00:07:56,642 --> 00:08:00,746 YOU'VE HAD A PANIC ATTACK OR ANXIETY ATTACK, IT'S NOT JUST 20 158 00:08:00,813 --> 00:08:04,917 MINUTES OR THREE OR FOUR DAYS, IT'S A WEEK OR A MONTH, IT 159 00:08:04,984 --> 00:08:06,118 LASTS. 160 00:08:06,185 --> 00:08:07,420 SHERYL: THAT'S WHY YOU NEED TO ALSO GET THE ATTENTION OR THE 161 00:08:07,486 --> 00:08:10,957 CARE THAT YOU NEED FROM A PROFESSIONAL BECAUSE THERE' A 162 00:08:11,023 --> 00:08:14,961 FINE LINE BETWEEN A SLEEPLESS NIGHT AND INSOMNIA. 163 00:08:15,027 --> 00:08:19,665 THERE'S A FINE LINE BETWEEN I GOT A LITTLE GAS, A LITTLE BIT 164 00:08:19,732 --> 00:08:24,036 OF CHEST PAIN, OR A TRUE RESTRICTIVE ANXIETY ATTACK. 165 00:08:24,103 --> 00:08:28,507 A LOT OF PEOPLE DON'T REALIZE -- ESPECIALLY WITH COVID, AT FIRST 166 00:08:28,574 --> 00:08:31,177 EVERYTHING WAS NORMAL, IT'S GOING TO BE OK, AND THEN ALL OF 167 00:08:31,244 --> 00:08:33,045 A SUDDEN I CAN'T GO TO WORK. 168 00:08:33,112 --> 00:08:34,247 I'M WORKING FROM HOME. 169 00:08:34,313 --> 00:08:36,115 MY WHOLE SITUATION IS CHANGING. 170 00:08:36,182 --> 00:08:37,483 DO I KEEP MY JOB? 171 00:08:37,550 --> 00:08:40,953 THEN YOU LOOK AT DIFFERENT GENERATIONS, YOU KNOW. 172 00:08:41,020 --> 00:08:42,288 I'M A BOOMER, RIGHT? 173 00:08:42,355 --> 00:08:45,224 THE GENERATION BEFORE US, WORLD WAR II GENERATION, THEY 174 00:08:45,291 --> 00:08:47,560 REPRESSED A LOT OF THEIR FEELINGS, YOU KNOW. 175 00:08:47,627 --> 00:08:50,062 AND THEN WITH THE BOOMER GENERATION, WE KIND OF TALKED 176 00:08:50,129 --> 00:08:53,165 ABOUT IT BUT DID WE DO ANYTHING ABOUT IT? 177 00:08:53,232 --> 00:08:56,502 NOW WE'VE GOT A SITUATION OF ISOLATION AND A SITUATION OF 178 00:08:56,569 --> 00:08:57,737 INSECURITY. 179 00:08:57,803 --> 00:09:03,075 THE SAME THING THAT OUR PARENTS WERE DEALING WITH, RECESSION, 180 00:09:03,142 --> 00:09:06,145 CAN I PAY MY MORTGAGE, WHAT IS GOING ON WITH ME? 181 00:09:06,212 --> 00:09:09,215 I REMEMBER MY PARENTS SITTING IN THE CAR. 182 00:09:09,282 --> 00:09:12,685 THEY WERE AT HOME BUT THEY DIDN'T GET OUT OF THE CAR 183 00:09:12,752 --> 00:09:15,688 BECAUSE THEY WERE STRESSED OUT OF WHATEVER WAS GOING TO MEET 184 00:09:15,755 --> 00:09:16,789 THEM IN THE HOUSE. 185 00:09:16,856 --> 00:09:23,696 NOW I'M SITTING IN THE CAR LIKE MY PARENTS DID. 186 00:09:23,763 --> 00:09:26,732 AMANDA: OR IT CAN CAUSE YOU TO STAY INSIDE YOUR HOUSE AND 187 00:09:26,799 --> 00:09:31,671 ISOLATE YOURSELF AND NOT WANT TO GO OUTSIDE OF YOUR HOUSE BECAUSE 188 00:09:31,737 --> 00:09:33,372 YOU'RE ANXIETY RIDDEN. 189 00:09:33,439 --> 00:09:37,276 SHERYL: WE DON'T HAVE THE SOCIAL STRUCTURE EITHER. 190 00:09:37,343 --> 00:09:40,546 WHERE I LIVED MY FAMILY LIVED AROUND MY GRANDMOTHER AND NOW WE 191 00:09:40,613 --> 00:09:42,615 DON'T HAVE THAT ANYMORE. 192 00:09:42,682 --> 00:09:45,184 EVERYONE SAID THE GLUE THAT WAS HOLDING THE FAMILY TOGETHER, THE 193 00:09:45,251 --> 00:09:48,120 THING THAT HELPED YOU GET OVER, NOW YOU DON'T HAVE IT ANYMORE. 194 00:09:48,187 --> 00:09:50,990 I WANT PEOPLE TO UNDERSTAND, BECAUSE I'VE HAD THIS SITUATION 195 00:09:51,057 --> 00:09:55,561 AND I THOUGHT I WAS THE STRONGEST, MOST TOGETHER PERSON, 196 00:09:55,628 --> 00:09:57,663 YOU KNOW, I THOUGHT I HAD ALL THE TOOLS. 197 00:09:57,730 --> 00:10:00,866 BUT WHEN YOU TALK ABOUT PHYSICAL HEALTH, TALK ABOUT YOUR MENTAL 198 00:10:00,933 --> 00:10:02,401 HEALTH AS WELL. 199 00:10:02,468 --> 00:10:05,571 YOUR MENTAL HEALTH AND WELLNESS IS JUST AS IMPORTANT AS YOUR 200 00:10:05,638 --> 00:10:07,573 PHYSICAL. 201 00:10:07,640 --> 00:10:10,242 NATALIE: WITH YOU, AMANDA, I THINK WE SAID IT'S LIKE GOING TO 202 00:10:10,309 --> 00:10:10,776 THE DENTIST. 203 00:10:10,843 --> 00:10:13,012 I THINK YOU SAID THAT. 204 00:10:13,079 --> 00:10:16,248 YOU HAVE TO GET YOUR MENTAL HEALTH CHECKED THE SAME WAY YOU 205 00:10:16,315 --> 00:10:19,285 GO TO YOUR DOCTOR AND YOU GET A PHYSICAL. 206 00:10:19,352 --> 00:10:21,187 ALL OF THAT IS SO KEY. 207 00:10:21,253 --> 00:10:24,824 AND CLEARLY IF YOU'RE SUFFERING WITH THIS, YOU NEED PROFESSIONAL 208 00:10:24,890 --> 00:10:25,958 HELP, AS YOU SAID. 209 00:10:26,025 --> 00:10:28,894 AND SHERYL, WE'LL HAVE MUCH MORE CONVERSATIONS ABOUT THIS 210 00:10:28,961 --> 00:10:32,598 HOPEFULLY IN A DEEPER CONVERSATION TO GET SOME TIPS. 211 00:10:32,665 --> 00:10:33,933 SHERYL: DON'T BE ASHAMED. 212 00:10:34,000 --> 00:10:35,935 DON'T BE ASHAMED. 213 00:10:36,002 --> 00:10:38,137 NATALIE: THAT'S SO KEY. 214 00:10:38,204 --> 00:10:41,040 AMANDA: ALSO, NATALIE, YOU MADE A GREAT POINT ABOUT NOT EVERYONE 215 00:10:41,107 --> 00:10:43,309 CAN AFFORD PROFESSIONAL HELP. 216 00:10:43,376 --> 00:10:47,947 AND LIKE I DID WHEN I WAS GOING THROUGH MY FIRST PANIC ATTACK, I 217 00:10:48,014 --> 00:10:48,848 CALLED A FRIEND. 218 00:10:48,914 --> 00:10:51,951 SO DON'T FEEL LIKE OH, I DON'T HAVE NOBODY. 219 00:10:52,018 --> 00:10:55,154 FIND A FRIEND CAN YOU CALL BECAUSE I THANK GOD I HAD HER 220 00:10:55,221 --> 00:10:56,155 THAT DAY. 221 00:10:56,222 --> 00:10:58,090 I DIDN'T HAVE A THERAPIST AT THAT MOMENT IN TIME. 222 00:10:58,157 --> 00:11:00,426 I DIDN'T HAVE SOMEBODY PROFESSIONAL I COULD CALL. 223 00:11:00,493 --> 00:11:03,562 I CALLED A FRIEND AND THAT WAS FREE AND SHE SAVED ME THAT 224 00:11:03,629 --> 00:11:05,231 NIGHT. 225 00:11:05,297 --> 00:11:06,665 SHERYL: CALL YOUR PASTOR. 226 00:11:06,732 --> 00:11:10,603 PRAYER WORKS. 227 00:11:10,669 --> 00:11:13,205 TWO OR THREE ARE GATHERED. 228 00:11:13,272 --> 00:11:16,609 NATALIE: SO MANY STRUGGLE ALONE BUT THE MORE WE TALK ABOUT IT, 229 00:11:16,675 --> 00:11:20,880 THE MORE WE PUT IT OUT THERE AND THE MORE PEOPLE ARE AWARE OF 230 00:11:20,946 --> 00:11:22,581 WHAT IT IS, AND IT'S OK. 231 00:11:22,648 --> 00:11:23,616 SHERYL: ABSOLUTELY. 232 00:11:23,682 --> 00:11:24,950 NO SHAME. 233 00:11:25,017 --> 00:11:26,752 NATALIE: WE'LL TALK ABOUT THIS MUCH MORE. 234 00:11:26,819 --> 00:11:31,857 LET'S TALK NOW, ANOTHER INTERESTING CONVERSATION, BILLY 235 00:11:31,924 --> 00:11:37,463 EICHNER WHOSE NEW ROM-COM "BROS" HITS THEATERS NEXT FRIDAY AND 236 00:11:37,530 --> 00:11:41,400 STOPPED BY THE LATE SHOW WITH STEPHEN COLBERT AND MASCULINITY. 237 00:11:41,467 --> 00:11:44,770 >> HE NEVER WAS THE JOCK OR THE BRO AND IS FALLING FOR A GUY WHO 238 00:11:44,837 --> 00:11:51,877 IS INFATUATED WITH THAT BRO-Y BEHAVIOR AND IT'S NOT EXCLUSIVE 239 00:11:51,944 --> 00:11:56,982 TO DAY MEN BUT YOU PUT THIS TRADITIONAL MASCULINEITY ON A 240 00:11:57,049 --> 00:11:58,918 PEDESTAL. 241 00:11:58,984 --> 00:12:03,289 STEPHEN: THAT HAPPEN TO YOU? 242 00:12:03,355 --> 00:12:07,626 BILLY: YOUNGER, I WANTED TO BE A MAN AND VERY MASCULINE AND WE 243 00:12:07,693 --> 00:12:09,862 WERE DRAWN TO THAT IMAGE. 244 00:12:09,929 --> 00:12:15,201 STEPHEN: WHAT WAS THE ICON OF THAT? 245 00:12:15,267 --> 00:12:20,239 BILLY: I GREW UP WITH MARKIE MARK AND BE AER KLEIN ADS OR 246 00:12:20,306 --> 00:12:24,844 ABERCROMBIE AND FITCH AND YOU'D GO AND A MAN WITH A SIX-PACK WAS 247 00:12:24,910 --> 00:12:25,878 GREETING YOU AT THE DOOR. 248 00:12:25,945 --> 00:12:34,053 I'M JUST HERE TO BUY HUSKY JEANS, I DON'T KNOW. 249 00:12:34,120 --> 00:12:36,522 SHERYL: I'LL I UNDERSTAND WHAT HE'S SAYING, YOU ARE A MAN AND 250 00:12:36,589 --> 00:12:40,993 YOU ALWAYS WERE A MAN AND YOU'RE A GOOD MAN. 251 00:12:41,060 --> 00:12:42,194 AND MEN HAVE LEVELS. 252 00:12:42,261 --> 00:12:47,032 I LIKE A STRONG MAN BUT I'M ALSO A VERY STRONG, VERY STRIDENT 253 00:12:47,099 --> 00:12:50,636 WOMAN AND I HAVE A TENDER SIDE THAT I WANT A MAN TO UNDERSTAND 254 00:12:50,703 --> 00:12:56,709 THAT THAT'S PART OF ME AND THE TYPE OF MAN HE IS, HE HAS A 255 00:12:56,775 --> 00:12:59,979 MASCULINITY SIDE AND GENTLE SIDE BECAUSE IF I'M AT LUNCH WITH 256 00:13:00,045 --> 00:13:04,884 YOU, BILLY, AND SOME STUFF JUMP OFF, WE BOTH FIGHTING 257 00:13:04,950 --> 00:13:06,785 BACK-TO-BACK, YOU KNOW WHAT I'M SAYING? 258 00:13:06,852 --> 00:13:08,954 HE'S THAT GUY. 259 00:13:09,021 --> 00:13:14,026 AKBAR: I THINK WHAT HE'S SAYING IS OPENING UP THAT DESCRIPTION 260 00:13:14,093 --> 00:13:16,262 OF MASCULINITY. 261 00:13:16,328 --> 00:13:19,665 ME PERSONALLY, THERE'S AN IDEA IN A RELATIONSHIP, I THINK OF MY 262 00:13:19,732 --> 00:13:22,868 WIFE AND I WHEN WE WERE LEARNING AND GROWING TOGETHER, I'M VERY 263 00:13:22,935 --> 00:13:25,771 EXPRESSIVE AND LIKE TO SAY WHAT'S ON MY MIND AND HOW I FEEL 264 00:13:25,838 --> 00:13:27,039 ABOUT THINGS. 265 00:13:27,106 --> 00:13:30,109 BUT EVERYBODY KNOWS HERE, WE HAD THAT CONVERSATION LAST YEAR WITH 266 00:13:30,176 --> 00:13:31,710 STEVE HARVEY, WHICH IS KEEP YOUR MOUTH SHUT. 267 00:13:31,777 --> 00:13:37,082 THAT'S BEEN AN IDENTITY FOR A LOT OF MEN TO KEEP THEIR MOUTH 268 00:13:37,149 --> 00:13:40,352 SHUT IN A RELATIONSHIP AND HAVE SO MUCH TO SAY BUT CAN'T 269 00:13:40,419 --> 00:13:43,989 CONTRIBUTE BECAUSE THEY'RE BEING TOLD KEEP YOUR MOUTH SHUT. 270 00:13:44,056 --> 00:13:48,160 EXPANDING MASCULINITY THAT MEN HAVE FEELINGS AND MEN CAN 271 00:13:48,227 --> 00:13:49,261 EXPRESS THEMSELVES. 272 00:13:49,328 --> 00:13:54,033 I THINK WE'RE WIDENING THE DEFINITION AND WIDENING THE 273 00:13:54,099 --> 00:13:55,167 DESCRIPTION OF MASCULINITY. 274 00:13:55,234 --> 00:13:57,870 NATALIE: THIS GENERATION OF YOUTH, THEY'RE MORE INTUNE. 275 00:13:57,937 --> 00:13:59,605 THE GENDER NORMS ARE FLUID NOW. 276 00:13:59,672 --> 00:14:02,241 NOBODY IS SAYING YOU HAVE TO BE MACHO. 277 00:14:02,308 --> 00:14:06,912 WHEREAS I GREW UP WITH A LATIN FATHER AND IT WAS -- EVERYTHING 278 00:14:06,979 --> 00:14:08,180 WAS KNEWY MACHO. 279 00:14:08,247 --> 00:14:11,884 SO FOR ME IT WAS SEEING THE MAN HAS A CERTAIN ROLE AND WOMAN HAS 280 00:14:11,951 --> 00:14:15,354 A CERTAIN ROLE AND THANK GOODNESS WE'RE SO BEYOND AND FAR 281 00:14:15,421 --> 00:14:19,091 BEYOND THAT NOW AND PEOPLE HAVE OPENED UP DEFINITIONS. 282 00:14:19,158 --> 00:14:23,195 AND THANKFULLY ALL OF THAT IS CHANGING WITH PEOPLE LIKE BILLY 283 00:14:23,262 --> 00:14:25,998 EICHNER SPEAKING ABOUT IT. 284 00:14:26,065 --> 00:14:27,233 WE'RE JUST GETTING STARTED. 285 00:14:27,299 --> 00:14:31,804 YOU WON'T BELIEVE WHAT ONE ROOMMATE DID TO TEACH THE OTHER 286 00:14:31,870 --> 00:14:32,838 ABOUT LOCKING THEIR FRONT DOOR. 287 00:14:46,018 --> 00:14:47,086 NATALIE: WELCOME BACK TO "THE TALK." 288 00:14:47,152 --> 00:14:49,788 THERE'S A DEBATE THAT'S OVERTAKEN THE INTERNET AND HAS A 289 00:14:49,855 --> 00:14:52,091 LOT OF PEOPLE TALKING. 290 00:14:52,157 --> 00:14:57,529 A 20-YEAR-OLD WOMAN POSTED ON REDDIT HOW SHE RARELY LOCKS HOME 291 00:14:57,596 --> 00:15:01,500 RUN DOORS BECAUSE SHE LIVES IN A SAFE CITY AND APPARENTLY SHE 292 00:15:01,567 --> 00:15:04,436 LIVE WITH SOMEBODY AND LIVE WITH A 19-YEAR-OLD ROOMMATE WHO IS 293 00:15:04,503 --> 00:15:05,871 MUCH MORE CAUTIOUS. 294 00:15:05,938 --> 00:15:09,441 TWO WEEKS AGO THE 20-YEAR-OLDS GOT HOME AND THOUGHT THEY HAD 295 00:15:09,508 --> 00:15:10,576 BEEN ROBBED. 296 00:15:10,643 --> 00:15:14,013 THE HOUSE WAS A WRECK AND POSTERS WERE RIPPED AND TV AND 297 00:15:14,079 --> 00:15:16,749 FRIDGE WERE GONE, LIKE IT HAD BEEN RANSACKED. 298 00:15:16,815 --> 00:15:20,619 IT TURNS OUT HER ROOMMATE STAGED THE WHOLE THING, A FAKE ROBBERY 299 00:15:20,686 --> 00:15:26,859 TO TRY TO TEACH HER A LESSON ABOUT LOCKING THE DOORS. 300 00:15:26,925 --> 00:15:30,863 LESSON LEARNED THOUGH SOME PEOPLE CALL THIS AN INNOCENT 301 00:15:30,929 --> 00:15:34,099 PRANK, OTHERS, HOWEVER, FELT THAT ONE ROOMMATE CROSSED THE 302 00:15:34,166 --> 00:15:35,034 LINE. 303 00:15:35,100 --> 00:15:39,371 DO YOU THINK THE ROOMMATE CROSSED THE LINE? 304 00:15:39,438 --> 00:15:40,572 JERRY: LET ME SAY SOMETHING. 305 00:15:40,639 --> 00:15:47,579 I'M A CHILD OF THE 1970'S, OK. 306 00:15:47,646 --> 00:15:49,214 , YOU LOCK YOUR DOORS. 307 00:15:49,281 --> 00:15:49,982 YOU LOCK YOUR DOORS. 308 00:15:54,153 --> 00:15:57,956 I DON'T CARE HOW SAFE YOUR CITY IS OR HOW MANY LISTS IT'S ON AS 309 00:15:58,023 --> 00:16:01,694 THE SAFEST, NICEST CITY, YOU LOCK YOUR DOORS. 310 00:16:01,760 --> 00:16:03,128 AND THESE KIDS TODAY DON'T KNOW. 311 00:16:03,195 --> 00:16:04,630 MY KIDS HAVE PHONES. 312 00:16:04,697 --> 00:16:05,097 YEAH. 313 00:16:05,164 --> 00:16:11,070 I GOT THEM PHONES. 314 00:16:11,136 --> 00:16:20,512 I DIDN'T WANT TO DEAL WITH THEM. 315 00:16:20,579 --> 00:16:24,183 AND THE KIDS ARE LIKE I WANT TO GET SOME CATCH-UP AND LEAVE 316 00:16:24,249 --> 00:16:26,185 THEIR PHONES ON THE TABLE. 317 00:16:26,251 --> 00:16:27,353 THEY LEAVE. 318 00:16:27,419 --> 00:16:29,755 AND I PUT THEIR PHONE IN MY POCKET AND FIVE MINUTES LATER 319 00:16:29,822 --> 00:16:33,192 WE'LL BE WALKING THROUGH THE MALL AND MY DAUGHTER WILL BE 320 00:16:33,258 --> 00:16:34,927 GOSH, MY PHONE? 321 00:16:34,993 --> 00:16:35,928 SOMEONE STOLE MY PHONE. 322 00:16:35,994 --> 00:16:40,399 I PULL IT OUT AND SAY, YOU LEFT IT ON THE TABLE. 323 00:16:40,466 --> 00:16:41,367 PEOPLE STEAL THINGS. 324 00:16:41,433 --> 00:16:45,637 EVERYONE STEALS THINGS. 325 00:16:45,704 --> 00:16:49,508 NATALIE: YOU'RE IN FAVOR OF THE ROOMMATE? 326 00:16:49,575 --> 00:16:53,779 JERRY: I'M ALL FOR IT, HIDE YOUR PHONE, LOCK YOUR DOORS, ALL OF 327 00:16:53,846 --> 00:16:54,980 IT. 328 00:16:55,047 --> 00:16:57,516 SHERYL: WHAT ARE YOU LIKE, BEING DONE THAT WAY, THAT TYPE OF 329 00:16:57,583 --> 00:16:59,985 EXAMPLE? 330 00:17:00,052 --> 00:17:06,191 AMANDA: HOW ELSE WILL YOU TEACH THE GIRL SHE NEEDS TO LOCK HER 331 00:17:06,258 --> 00:17:06,859 HOUSE. 332 00:17:06,925 --> 00:17:08,794 NATALIE: RIPPING HER POSTERS? 333 00:17:08,861 --> 00:17:10,062 SHERYL: I THOUGHT THAT WENT A LITTLE TOO FAR. 334 00:17:10,129 --> 00:17:13,132 WHAT DO YOU THINK? 335 00:17:13,198 --> 00:17:15,601 AKBAR: AN ANNOYANCE THAT TURNED INTO DEVIANCE. 336 00:17:15,667 --> 00:17:16,702 YES, YOU HAVE TO. 337 00:17:16,769 --> 00:17:20,706 I THOUGHT ABOUT DOING IT TO MY KIDS AND DIDN'T WANT TO 338 00:17:20,773 --> 00:17:21,306 TRAUMATIZE THEM. 339 00:17:21,373 --> 00:17:22,474 BUT I THOUGHT ABOUT THIS. 340 00:17:22,541 --> 00:17:25,444 I GREW UP VERY DIFFERENTLY THAN MY KID DID. 341 00:17:25,511 --> 00:17:28,580 AND THEY THINK JUST COMING INTO THE HOUSE AND RUNNING IN TO GET 342 00:17:28,647 --> 00:17:32,618 FOOD AND DROP THEIR BACKPACKS AND NOT LOCK THE DOOR, IT 343 00:17:32,684 --> 00:17:33,819 IRRITATES ME. 344 00:17:33,886 --> 00:17:39,458 BUT I DO OTHER THINGS, I LEAVE, PUTTING MY ROOMMATE J.R. ON 345 00:17:39,525 --> 00:17:42,394 BLAST, MY ROOMMATE IN COLLEGE, I WOULD LEAVE A PIECE OF PAPER, I 346 00:17:42,461 --> 00:17:46,899 WAS CLEAN AND HE WAS DIRTY AND TOLD HIM YOU GOT TO CLEAN UP. 347 00:17:46,965 --> 00:17:48,434 I DO THAT TO MY KIDS. 348 00:17:48,500 --> 00:17:52,905 I PUT FULL ON CEREAL BOXES ON THE FLOOR AND THEY WALK RIGHT BY 349 00:17:52,971 --> 00:17:53,372 THEM. 350 00:17:53,439 --> 00:17:55,207 YOU GUYS HAVE L.A. 351 00:17:55,274 --> 00:17:58,076 SHERYL: WHAT'S THAT? 352 00:17:58,143 --> 00:18:02,281 AKBAR: NOT LOS ANGELES BUT LOW AWARENESS. 353 00:18:02,347 --> 00:18:07,653 SHERYL: I THOUGHT L.A. MEANT LAZY ASS. 354 00:18:07,719 --> 00:18:12,925 I THOUGHT IT MEANT LAZY ASS. 355 00:18:12,991 --> 00:18:16,895 NATALIE: THAT'S WHAT MY KIDS HAVE. 356 00:18:16,962 --> 00:18:23,135 THAT'S MY KIDS. 357 00:18:23,202 --> 00:18:24,803 IT'S THE SAME THING, ISN'T IT? 358 00:18:24,870 --> 00:18:27,506 COMING UP NEXT, THE DEBATE PARENTS CAN RELATE TO. 359 00:18:27,573 --> 00:18:31,243 ARE YOU COMFORTABLE LEAVING YOUR KIDS WITH YOUR GRANDPARENTS EVEN 360 00:18:31,310 --> 00:18:34,012 IF THEY DON'T ENFORCE THE RULES AND MAYBE GIVE THEM A LOT OF 361 00:18:34,079 --> 00:18:35,447 SUGAR WHEN THEY'RE GONE? 362 00:18:35,514 --> 00:18:38,517 THAT AND MORE WHEN WE COME RIGHT BACK. 363 00:18:46,725 --> 00:18:48,393 NATALIE: WELCOME BACK TO "THE TALK." 364 00:18:48,460 --> 00:18:49,928 THERE'S ANOTHER DEBATE DIVIDING THE INTERNET. 365 00:18:49,995 --> 00:18:54,533 A MOTHER OF THREE RECENTLY WROTE TO "THE WASHINGTON POST" ADVICE 366 00:18:54,600 --> 00:18:56,835 COLUMNIST WONDERING IF SHE SHOULD ALLOW HER 5-YEAR-OLD SON 367 00:18:56,902 --> 00:19:00,105 TO TAKE A WEEK LONG VACATION WITH HIS GRANDPARENTS. 368 00:19:00,172 --> 00:19:02,774 THE PROBLEM IS THEY SAY THE GRANDPARENTS DON'T ENFORCE THE 369 00:19:02,841 --> 00:19:03,909 RULES. 370 00:19:03,976 --> 00:19:07,913 THEY LET HIM EAT WHATEVER HE WANTS, STAY UP AS LATE AS HE 371 00:19:07,980 --> 00:19:11,750 WANTS, HAVE UNLIMITED FREE TIME, BUT HERE'S WHAT THE COLUMNIST 372 00:19:11,817 --> 00:19:12,584 SAID. 373 00:19:12,651 --> 00:19:13,952 AND I AGREE WITH THE COLUMNIST. 374 00:19:14,019 --> 00:19:18,490 AS LONG AS SHE'S CONFIDENT HER SON IS GOING TO BE SAFE, SHE 375 00:19:18,557 --> 00:19:19,291 SHOULD LET HIM GO. 376 00:19:19,358 --> 00:19:20,692 WHAT DO YOU THINK? 377 00:19:20,759 --> 00:19:24,830 I MEAN, AMANDA, YOUR PARENTS ARE HERE AND HELPING ALL THE TIME. 378 00:19:24,897 --> 00:19:25,464 AMANDA: YES. 379 00:19:25,531 --> 00:19:26,031 LISTEN. 380 00:19:26,098 --> 00:19:27,232 I HAVE A 3-YEAR-OLD SON. 381 00:19:27,299 --> 00:19:30,502 I'M A SINGLE MOTHER. 382 00:19:30,569 --> 00:19:38,377 ANYONE WHO IS COMING OVER AND OFFERING YOU HELP WITH YOUR 383 00:19:38,443 --> 00:19:48,253 CHILD SO THAT YOU CAN GO WORK OR VACATION OR JUST EVEN GO ON A 384 00:19:48,320 --> 00:19:52,190 WALK, YOU LET THOSE PEOPLE DO WHATEVER THEY WANT WITH YOUR 385 00:19:52,257 --> 00:19:54,726 CHILDREN. 386 00:19:54,793 --> 00:19:58,297 SHERYL: STAYCATION. 387 00:19:58,363 --> 00:20:02,134 AMANDA: I WAS RECENTLY IN CANADA FILMING A MOVIE FOR CBS, IT WILL 388 00:20:02,200 --> 00:20:03,302 BE OUT THIS CHRISTMAS. 389 00:20:03,368 --> 00:20:06,838 AND MY MOM AND DAD WERE SO GRACIOUS TO COME AND BE WITH 390 00:20:06,905 --> 00:20:11,209 ELVIS FOR THREE WEEKS TO TAKE MY SON AND BE WITH HIM FOR THREE 391 00:20:11,276 --> 00:20:11,910 WEEKS. 392 00:20:11,977 --> 00:20:13,278 MY PARENTS ARE IN THEIR 7 0'S. 393 00:20:13,345 --> 00:20:15,247 HE'S 3. 394 00:20:15,314 --> 00:20:20,619 AND THERE WAS A NIGHT I CALLED AND THEY WERE AT THE GRIFFITH 395 00:20:20,686 --> 00:20:25,223 OBSERVATORY AT 10:00 P.M. AND ELVIS WAS STILL OUT AND ABOUT. 396 00:20:25,290 --> 00:20:30,128 AND AFTER THAT THEY WENT AND GOT ICE CREAM. 397 00:20:30,195 --> 00:20:33,765 AS LONG AS THEY KEEP HIM SAFE, PARTY ON. 398 00:20:33,832 --> 00:20:36,635 PARTY ON. 399 00:20:36,702 --> 00:20:40,973 SHERYL: BUT TO YOUR POINT, AMANDA, DON'T JUST TAKE ONE. 400 00:20:41,039 --> 00:20:42,941 I THINK THIS LADY HAS THREE KIDS. 401 00:20:43,008 --> 00:20:43,909 TAKE ALL OF THEM. 402 00:20:43,976 --> 00:20:45,110 TAKE THEM ALL. 403 00:20:45,177 --> 00:20:46,311 TAKE ALL THEIR STUFF. 404 00:20:46,378 --> 00:20:50,248 TAKE THEM ALL SO I CAN HAVE A STAYCATION, YOU KNOW WHAT I'M 405 00:20:50,315 --> 00:20:51,350 SAYING? 406 00:20:51,416 --> 00:20:55,520 NATALIE: BY THE WAY, YOUR PARENTS RAISED YOU AND YOUR 407 00:20:55,587 --> 00:20:57,155 CHILDREN VERY WELL. 408 00:20:57,222 --> 00:21:00,892 SO WHAT IF THEY COME BACK HOPPED UP ON SUGAR? 409 00:21:00,959 --> 00:21:03,862 BACK IN A MOMENT WITH THE MOST ADORABLE DOGS. 410 00:21:03,929 --> 00:21:06,932 FIND OUT HOW YOU CAN HELP ONE OF THEM GET A SPECIAL HONOR. 411 00:21:22,547 --> 00:21:25,117 NATALIE: WELCOME BACK IN JUNE WE TOLD YOU 412 00:21:25,183 --> 00:21:31,123 ABOUT PEOPLE'S FIFTH ANNUAL WORLD'S CUTEST RESCUE DOG CONTEST. 413 00:21:31,189 --> 00:21:32,624 WE GOT SUCH A TREMENDOUS RESPONSE. 414 00:21:32,691 --> 00:21:35,627 THE CONTEST IS NEARING THE END, THOUGH, AND THANKS TO THE PUBLIC 415 00:21:35,694 --> 00:21:40,866 VOTING THERE ARE 10 RESCUE DOGS VYING FOR A SPOT IN THE TOP 416 00:21:40,932 --> 00:21:42,100 THREE. 417 00:21:42,167 --> 00:21:44,469 ONCE THE THREE FINALISTS HAVE BEEN DETERMINED, THEN IT'S UP TO 418 00:21:44,536 --> 00:21:45,637 SOME OF US. 419 00:21:45,704 --> 00:21:49,207 AKBAR, JERRY AND I WERE ALL RESCUE DOG OWNERS AND LOVE OUR 420 00:21:49,274 --> 00:21:54,946 RESCUE PUPS AND WE'LL BE PART OF THE PANEL OF JUDGES TO SELECT A 421 00:21:55,013 --> 00:21:55,881 GRAND PRIZEWINNER. 422 00:21:55,947 --> 00:21:58,283 THIS IS TOUGH BECAUSE THEY'RE ALL ADORABLE. 423 00:21:58,350 --> 00:21:59,418 AKBAR: YES, THEY ARE. 424 00:21:59,484 --> 00:22:02,120 AND NOW WE'RE ABOUT TO SHOW YOU THE TOP 10 RESCUE DOGS. 425 00:22:02,187 --> 00:22:05,190 TAKE A GOOD LOOK AT THEM AND PICK YOUR FAVORITE AND THEN GO 426 00:22:05,257 --> 00:22:07,926 TO THETALK.COM TO VOTE. 427 00:22:07,993 --> 00:22:13,198 LET'S GET STARTED BECAUSE THESE ARE THE TOP 10 WORLD'S CUTEST 428 00:22:13,265 --> 00:22:14,733 RESCUE DOG FINALISTS. 429 00:22:14,800 --> 00:22:19,438 SO THE FIRST ONE WE'VE GOT ABBEY, SHE'S 5. 430 00:22:19,504 --> 00:22:20,305 5 YEARS OLD. 431 00:22:20,372 --> 00:22:23,275 LOOK AT ABBEY. 432 00:22:23,341 --> 00:22:23,909 NATALIE: SHE'S A THERAPY DOG. 433 00:22:23,975 --> 00:22:25,410 I LOVE HER. 434 00:22:25,477 --> 00:22:32,150 GEORGE: THEN WE HAVE GIZMO. 435 00:22:32,217 --> 00:22:33,785 1-YEAR-OLD. 436 00:22:33,852 --> 00:22:37,522 DON'T FEED GIZMO AFTER MIDNIGHT. 437 00:22:37,589 --> 00:22:40,425 GORDON IS 11 YEARS OLD, AN OLDER DOG. 438 00:22:40,492 --> 00:22:42,427 BUT GORDON CAN GO. 439 00:22:42,494 --> 00:22:51,169 THEN WE HAVE KODA, CODE -- KODA IS 9 YEARS OLD. 440 00:22:51,236 --> 00:23:00,278 THEN WE HAVE MERLE, THE GREAT 8. 441 00:23:00,345 --> 00:23:02,914 SHERYL: SO CUTE. 442 00:23:02,981 --> 00:23:05,884 AKBAR: BUT MINKUS IS 2 YEARS OLD. 443 00:23:05,951 --> 00:23:12,023 LOOKS LIKE MINKUS SHOULD BE NAMED DISMO. 444 00:23:12,090 --> 00:23:13,358 MUGGSY IS 5 YEARS OLD. 445 00:23:13,425 --> 00:23:14,960 THAT'S THE RIGHT NAME. 446 00:23:15,026 --> 00:23:21,299 HOW ABOUT PANDA, PANDA IS 5 YEARS OLD. 447 00:23:21,366 --> 00:23:24,603 JERRY: SOMEBODY GOT OUT OF THE GROOMER. 448 00:23:24,669 --> 00:23:30,942 AKBAR: TINY TIM, THE OLDER ONE, THE VET, 14 YEARS OLD, AND 449 00:23:31,009 --> 00:23:34,246 FINALLY WE HAVE WINNIE, 5 YEARS OLD. 450 00:23:34,312 --> 00:23:36,581 LOOK AT THAT. 451 00:23:36,648 --> 00:23:38,650 AMANDA: I'M STICKING WITH KODA. 452 00:23:38,717 --> 00:23:43,121 JERRY: TO SEE THEIR BACK STORY AND TO VOTE FOR THE WORLD'S 453 00:23:43,188 --> 00:23:47,359 CUTEST RESCUE DOG GO TO THETALK.COM AND WE'LL ANNOUNCE 454 00:23:47,425 --> 00:23:52,731 THE DOGS FOR THE FIFTH ANNUAL CUTEST RESCUE DOG CONTEST ON 455 00:23:52,798 --> 00:23:56,067 "THE TALK" THIS THURSDAY. 456 00:23:56,134 --> 00:23:57,602 NATALIE: IT'S GOING TO BE HARD. 457 00:23:57,669 --> 00:24:01,006 CAN'T WAIT TO TALK TO KYLE MACLACHLAN STARRING IN THE NEW 458 00:24:01,072 --> 00:24:03,708 COMEDY "CONFESS, NEVER." 459 00:24:14,686 --> 00:24:17,322 JERRY: OUR FIRST GUEST HAS MADE A CAREER OUT OF GETTING US TO 460 00:24:17,389 --> 00:24:21,993 INVEST IN QUIRKY CHARACTERS IN EVERYTHING FROM "TUNE" TO "BLUE 461 00:24:22,060 --> 00:24:24,062 VELVET" TO ""SEX AND THE CITY"." 462 00:24:24,129 --> 00:24:26,364 NOW HE'S BRINGING "CONFESS, FLETCH." 463 00:24:26,431 --> 00:24:30,335 >> I WAS ROBBED A FEW YEARS AGO AND DON'T KEEP ANYTHING OF 464 00:24:30,402 --> 00:24:31,369 VALUE. 465 00:24:31,436 --> 00:24:32,838 >> ARE THOSE REPRODUCTIONS? 466 00:24:32,904 --> 00:24:34,906 >> THAT'S HOW I INTRODUCED MY CHILDREN. 467 00:24:34,973 --> 00:24:36,074 >> DO YOU SAIL? 468 00:24:36,141 --> 00:24:40,145 >> I HAVE AN AVERSION TO BOAT SHOES, IS IT A SLIPPER OR A 469 00:24:40,212 --> 00:24:41,847 SHOE, COME ON, PICK A LANE. 470 00:24:41,913 --> 00:24:43,415 >> IT'S A SMALL BOAT. 471 00:24:43,481 --> 00:24:46,051 >> YES, I'M EMBARRASSED TO ADMIT THAT IS. 472 00:24:46,117 --> 00:24:47,085 >> WELL, SHE'S BEAUTIFUL. 473 00:24:47,152 --> 00:24:48,186 >> THANK YOU. 474 00:24:48,253 --> 00:24:49,354 >> HOPE TO SEE YOU SOON. 475 00:24:49,421 --> 00:25:00,665 >> INDEED. 476 00:25:00,732 --> 00:25:03,802 >> ALWAYS FONDLING MY BOAT. 477 00:25:03,869 --> 00:25:14,246 >> PLEASE WELCOME KYLE MACLACHLAN. 478 00:25:14,312 --> 00:25:27,659 SHERYL: YEAH! 479 00:25:34,165 --> 00:25:34,866 JERRY: I WANT ONE. 480 00:25:34,933 --> 00:25:39,337 I WANT ONE. 481 00:25:39,404 --> 00:25:41,706 SHERYL: NOW YOU'VE GOT TO WAND US ALL DOWN. 482 00:25:41,773 --> 00:25:43,441 WELCOME. 483 00:25:43,508 --> 00:25:50,081 AMANDA: WELCOME. 484 00:25:50,148 --> 00:25:51,716 KYLE: WHAT A PLEASURE. 485 00:25:51,783 --> 00:25:54,586 AMANDA: YOU HAD AN INCREDIBLE CAREER SO FAR THAT STARTED WITH 486 00:25:54,653 --> 00:25:58,089 "TUNE." 487 00:25:58,156 --> 00:25:59,257 DIRECTED BY DAVID LYNCH. 488 00:25:59,324 --> 00:26:01,593 YOU SAID IT BEFORE IN LOTS OF INTERVIEWS, YOU CONSIDER HIM 489 00:26:01,660 --> 00:26:03,728 YOUR MENTOR, THAT HE SHAPED YOUR CAREER. 490 00:26:03,795 --> 00:26:07,632 TELL US HOW SO. 491 00:26:07,699 --> 00:26:11,736 KYLE: "DUNE" WAS MY FIRST FILM AND DAVID LYNCH WAS MY FIRST 492 00:26:11,803 --> 00:26:15,273 FILM DIRECTOR AND I'VE BEEN SPOILED EVER SINCE. 493 00:26:15,340 --> 00:26:17,909 WE HAD A GREAT FRIENDSHIP. 494 00:26:17,976 --> 00:26:20,378 HE'S CAST ME IN MAJOR THINGS, FILM AND TELEVISION. 495 00:26:20,445 --> 00:26:24,149 HE'S ALWAYS BEEN THERE FOR ME. 496 00:26:24,215 --> 00:26:28,687 WE HAVE A GREAT RAPPORT, GREAT FRIENDSHIP, AND I LOVE HIM 497 00:26:28,753 --> 00:26:31,022 DEARLY. 498 00:26:31,089 --> 00:26:34,693 AMANDA: I ALSO HEARD YOU DO A GOOD IMPRESSION OF HIM. 499 00:26:34,759 --> 00:26:36,628 KYLE: I DO A PRETTY GOOD IMPRESSION. 500 00:26:36,695 --> 00:26:40,765 THE STORY IS I WAS WORKING ON SOMETHING IN PRAGUE, MIDDLE OF 501 00:26:40,832 --> 00:26:45,136 NOWHERE IN A COLD STONE CHURCH, MIDNIGHT, WORKING WITH ANTHONY 502 00:26:45,203 --> 00:26:47,539 HOPKINS. 503 00:26:47,605 --> 00:26:49,841 AND SO ANTHONY HOPKINS -- THERE HE IS. 504 00:26:49,908 --> 00:26:54,579 ANTHONY WORKED WITH DAVID, YOU MIGHT REMEMBER ON "THE ELEPHANT 505 00:26:54,646 --> 00:26:55,747 MAN." 506 00:26:55,814 --> 00:26:58,249 I AND OF COURSE I WORKED WITH DAVID A NUMBER OF DIFFERENT 507 00:26:58,316 --> 00:26:59,451 THINGS. 508 00:26:59,517 --> 00:27:03,088 AND TO PAST THE TIME, LITERALLY, TWO US IN A DARK, STONE COLD 509 00:27:03,154 --> 00:27:05,523 CHURCH FILMING SCENES, WE WOULD DO IMPRESSIONS. 510 00:27:05,590 --> 00:27:07,892 WHAT DID WE HAVE IN COMMON? 511 00:27:07,959 --> 00:27:10,295 WE HAD DAVID LYNCH IN COMMON. 512 00:27:10,362 --> 00:27:14,265 I WOULD HAVE SAY, HIS IMPRESSION IS VERY GOOD THOUGH I THINK MY 513 00:27:14,332 --> 00:27:20,605 CARRY GRANT MIGHT BE A LITTLE BIT BETTER THAN HE. 514 00:27:20,672 --> 00:27:26,745 THE THINGS YOU DO WHEN YOU'RE IN THE MIDDLE OF NOWHERE. 515 00:27:26,811 --> 00:27:31,983 JERRY: YOU RECENTLY JOINED THE TEENAGE DIRT-BAG TIKTOK TREND. 516 00:27:32,050 --> 00:27:35,653 EXPLAIN WHAT THIS IS AND LET'S LOOK AT YOU AS A TEENAGE 517 00:27:35,720 --> 00:27:39,457 DIRT-BAG. 518 00:27:39,524 --> 00:27:48,466 >> ♪ TEENAGE DIRT-BAG ♪ ♪ BABY ♪ 519 00:27:48,533 --> 00:27:51,136 SHERYL: OK. 520 00:27:51,202 --> 00:27:54,672 KYLE: THERE WAS A TIME, YOU MENTIONED THE 1970'S EARLIER, IT 521 00:27:54,739 --> 00:27:56,174 WAS THE 1970'S. 522 00:27:56,241 --> 00:27:58,710 I THOUGHT I WAS PRETTY COOL BUT OBVIOUSLY I WAS NOT. 523 00:27:58,777 --> 00:28:01,579 JERRY: YOU WERE. 524 00:28:01,646 --> 00:28:03,181 AKBAR: THERE WAS A SNAKE IN THAT PHOTO, TOO. 525 00:28:03,248 --> 00:28:05,850 KYLE: I DON'T KNOW HOW THAT SNUCK IN THERE. 526 00:28:05,917 --> 00:28:11,022 YOU'RE YOUNG AND SOMEONE SAYS YOU CAN DO A PHOTO SHOOT. 527 00:28:11,089 --> 00:28:13,024 AMANDA: THERE'S AN EARRING? 528 00:28:13,091 --> 00:28:16,361 KYLE: NEXT SLIDE. 529 00:28:16,428 --> 00:28:21,232 JERRY: I WANTED TO JUMP ON THE TIKTOK BANDWAGON AND BROUGHT A 530 00:28:21,299 --> 00:28:22,500 TEENAGE DIRT-BAG PHOTO OF MYSELF. 531 00:28:22,567 --> 00:28:24,436 LET'S SEE WHAT WE HAVE HERE. 532 00:28:24,502 --> 00:28:30,108 KYLE: THAT'S ABOUT AS -- SHERYL: THAT'S A GOOD SHOT. 533 00:28:30,175 --> 00:28:34,379 JERRY: THAT WAS AN ACCIDENT WITH SUN-IN ONE SUMMER. 534 00:28:34,446 --> 00:28:39,017 MY HIGHLIGHTS ARE PRETTY OUT OF CONTROL. 535 00:28:39,084 --> 00:28:41,953 SHERYL: YOU LOOK GOOD. 536 00:28:42,020 --> 00:28:46,024 YOU LEFT THE TEENAGE SON IS ON THE SITCOM. 537 00:28:46,091 --> 00:28:47,258 LET'S TALK ABOUT "CONFESS, FLETCH." 538 00:28:47,325 --> 00:28:51,463 THE MOVIE IS BASED ON A NOVEL OF THE SAME NAMES SO HOW CLOSE IS 539 00:28:51,529 --> 00:28:54,666 IT TO THE BOOK? 540 00:28:54,732 --> 00:28:59,771 KYLE: SO GREG MCDONALD, THE AUTHOR, WROTE BETWEEN 11 AND 13, 541 00:28:59,838 --> 00:29:03,074 I NEVER REMEMBER HOW MANY "FLETCH" BOOKS AND THEY'RE 542 00:29:03,141 --> 00:29:06,611 WONDERFUL AND HAVE NOTHING AT ALL TO DO WITH THE CHEVY CHASE 543 00:29:06,678 --> 00:29:08,580 VERSION BUT IS SOMETHING COMPLETELY DIFFERENT AND MORE 544 00:29:08,646 --> 00:29:12,050 TUNED IN TO WHAT THE BOOK IS. 545 00:29:12,117 --> 00:29:16,788 JON HAMM PLAYS FLETCH AND DOES AN AMAZING JOB AND SURROUNDED BY 546 00:29:16,855 --> 00:29:19,457 A CAST OF CRAZY CHARACTERS, WHICH ONE IS ME. 547 00:29:19,524 --> 00:29:20,959 AND IT'S JUST A LOT OF FUN. 548 00:29:21,025 --> 00:29:26,030 THE MOVIE IS SORT OF A THROWBACK COMEDY AND HE IS VERY DRY AND 549 00:29:26,097 --> 00:29:30,435 DOES THE GREAT JON HAMM AND DOES A BEAUTIFUL JOB OF IT. 550 00:29:30,502 --> 00:29:34,772 SHERYL: YOU LOOK KIND OF ECCENTRIC. 551 00:29:34,839 --> 00:29:36,141 YOU LOOK ECCENTRIC. 552 00:29:36,207 --> 00:29:37,842 KYLE: IN A GOOD WAY? 553 00:29:37,909 --> 00:29:39,310 SHERYL: IN A LAUGH OUT LOUD. 554 00:29:39,377 --> 00:29:41,346 DON'T SEE WHERE IT'S COMING. 555 00:29:41,412 --> 00:29:42,914 KYLE: THE CHAACTER WAS INTERESTING BECAUSE HE LOOKS 556 00:29:42,981 --> 00:29:48,153 LIKE THAT IN THE BEGINNING BUT HE HAS TO HAVE A LITTLE GRAVITAS 557 00:29:48,219 --> 00:29:52,991 TOWARDS THE END AND I GOT WHO WORK WITH GREG MATOLA WHO IS A 558 00:29:53,057 --> 00:29:56,127 GREAT FRIEND. 559 00:29:56,194 --> 00:30:02,267 AKBAR: AS A DAD I LOVE THE RELATIONSHIP YOU HAVE WITH YOUR 560 00:30:02,333 --> 00:30:04,502 14-YEAR-OLD SON CALLUM. 561 00:30:04,569 --> 00:30:06,204 KYLE: THANK YOU. 562 00:30:06,271 --> 00:30:11,209 AKBAR: YOU HAVE VACATION GOALS THAT ARE A LITTLE BIT TO ENVY. 563 00:30:11,276 --> 00:30:12,343 KYLE: THAT'S MY WIFE. 564 00:30:12,410 --> 00:30:15,580 WE'RE A NATIONAL PARKS FAMILY SO WE VISITED 17 OUT OF 63. 565 00:30:15,647 --> 00:30:20,251 THERE ARE 63 NATIONAL PARKS, WHICH IS FANTASTIC. 566 00:30:20,318 --> 00:30:23,922 SO WE'RE CHIPPING AWAY AND THIS IS A FAMILY TRIP THAT WE DO. 567 00:30:23,988 --> 00:30:27,859 WE LOOK AT THE MAP AND SAY WHERE CAN WE GO, WHAT WORKS? 568 00:30:27,926 --> 00:30:31,596 AND THEN WE MAKE ARRANGEMENTS, MY WIFE IN PARTICULAR, AND OFF 569 00:30:31,663 --> 00:30:32,830 WE GO. 570 00:30:32,897 --> 00:30:39,003 HERE WE ARE AT SEQUOIA, WHICH IS IN CALIFORNIA, YOU KNOW. 571 00:30:39,070 --> 00:30:40,905 AMANDA: WHAT'S YOUR FAVORITE ONE SO FAR? 572 00:30:40,972 --> 00:30:43,641 NATALIE: DO YOU CAMP OR NOT CAMP? 573 00:30:43,708 --> 00:30:44,842 KYLE: NO. 574 00:30:44,909 --> 00:30:46,077 WE GLAMP. 575 00:30:46,144 --> 00:30:47,345 WE'RE VERY GOOD. 576 00:30:47,412 --> 00:30:47,845 YES. 577 00:30:47,912 --> 00:30:50,381 WE TAKE A DAY TRIP. 578 00:30:50,448 --> 00:30:52,350 WE STAYED NEARBY OVERNIGHT AND WENT INTO THE PARK. 579 00:30:52,417 --> 00:30:56,087 THE SEQUOIAS ARE EXTRAORDINARY TREES. 580 00:30:56,154 --> 00:30:59,490 THEY'RE NOT FROM THIS PLANET, I SWEAR TO GOD. 581 00:30:59,557 --> 00:31:02,427 YOU FEEL LIKE THEY'RE LORD OF THE RINGS OR SOME KIND OF ENERGY 582 00:31:02,493 --> 00:31:03,194 GOING ON THERE. 583 00:31:03,261 --> 00:31:05,296 THEY'VE ALL BEEN WONDERFUL TRIPS. 584 00:31:05,363 --> 00:31:07,899 NATALIE: THAT'S A GREAT IDEA. 585 00:31:07,966 --> 00:31:11,869 AND OUR NATIONAL PARKS NEED THE HELP AND THE RESOURCES. 586 00:31:11,936 --> 00:31:13,037 KYLE: YES, THEY DO. 587 00:31:13,104 --> 00:31:16,307 THEY HAVE A FANTASTIC INSTAGRAM, THE NATIONAL PARKS SYSTEM. 588 00:31:16,374 --> 00:31:17,542 IT'S VERY FUNNY. 589 00:31:17,609 --> 00:31:21,145 CHECK IT OUT. 590 00:31:21,212 --> 00:31:23,081 NATALIE: KYLE, WE LOVE YOU. 591 00:31:23,147 --> 00:31:27,485 "CONFESS, FLETCH" IS ON DIGITAL AND ON DEMAND. 592 00:31:27,552 --> 00:31:30,588 WE'LL BE RIGHT BACK. 593 00:31:31,289 --> 00:31:34,592 NATALIE: WHEN WE COME RIGHT BACK, IT'S OUR NATIONAL HISPANIC 594 00:31:34,659 --> 00:31:38,329 HERITAGE MONTH SEGMENT WITH A WOMAN MAKING AN IMPACT IN 595 00:31:38,396 --> 00:31:40,398 HOLLYWOOD, ALLANA PENA. 596 00:31:56,347 --> 00:31:58,950 NATALIE: THAT'S A BIT OF MY RHYTHM. 597 00:31:59,017 --> 00:32:03,187 THE NATIONAL SPANISH HERITAGE MONTH IS UNDERWAY AND WE'RE 598 00:32:03,254 --> 00:32:05,890 HIGHLIGHTING THESE AMERICANS BY MEETING SOME OF THE MOST 599 00:32:05,957 --> 00:32:11,429 INSPIRING INNOVATOR AND TODAY WE'RE JOINED BY THE YOUNG 600 00:32:11,496 --> 00:32:15,700 HOLLYWOOD CREATIVE BEHIND THE BELOVED SERIES "DIARY OF THE 601 00:32:15,767 --> 00:32:21,306 FUTURE PRESIDENT. 602 00:32:21,372 --> 00:32:25,510 WELCOME THE WONDERFUL ILANA PENA. 603 00:32:25,576 --> 00:32:29,213 AMANDA: YOU HAVE A LOT GOING ON INCLUDING A REBOOT OF "WORKING 604 00:32:29,280 --> 00:32:31,215 GIRL" WITH SELENA GOMEZ. 605 00:32:31,282 --> 00:32:32,650 THIS IS SO EXCITING. 606 00:32:32,717 --> 00:32:37,155 NOW, WAS STORY TELLING ALWAYS PART OF WHO YOU ARE, IS IT IN 607 00:32:37,221 --> 00:32:41,092 YOUR D.N.A.? 608 00:32:41,159 --> 00:32:42,627 ILANA: I THINK SO. 609 00:32:42,694 --> 00:32:46,798 MY SIBLINGS AND I USED TO MAKE MOVIES BUT IT WAS BEFORE -- WE 610 00:32:46,864 --> 00:32:50,301 DIDN'T HAVE EDITING SOFTWARE SO WE'D TAKE THE HOME VIDEO AND IF 611 00:32:50,368 --> 00:32:53,571 YOU MESSED UP, YOU'D HAVE TO REWIND AND DO IT AGAIN AND SHOOT 612 00:32:53,638 --> 00:32:55,273 ALL THE SCENES IN ORDER. 613 00:32:55,340 --> 00:32:59,744 AND WE WOULD JUST MAKE MOVIES AFTER MOVIE AFTER MOVIE AND IN 614 00:32:59,811 --> 00:33:04,816 RETROSPECT I WAS LIKE -- BECAUSE I'M VERY BOSSY, I'M DIRECTING 615 00:33:04,882 --> 00:33:07,552 THIS AND ACTING IN IT AND RATING IT AND BASICALLY TELLING MY 616 00:33:07,618 --> 00:33:10,755 BROTHER AND SISTER, YOU GO THERE, YOU GO THERE, YOU GO 617 00:33:10,822 --> 00:33:11,923 THERE. 618 00:33:11,989 --> 00:33:14,892 BUT WE MADE SOME REALLY LOVELY THINGS AND THEN I WAS A HUGE 619 00:33:14,959 --> 00:33:15,793 THEATER KID. 620 00:33:15,860 --> 00:33:18,763 I'M SURE YOU'RE FAMILIAR. 621 00:33:18,830 --> 00:33:23,601 I WAS A THEATER MAJOR AND IT WAS MY LOVE AND LED ME HERE. 622 00:33:23,668 --> 00:33:26,904 AKBAR: THAT'S BEAUTIFUL. 623 00:33:26,971 --> 00:33:30,575 AKBAR: WITH THAT GROWING UP, I KNOW YOUR FATHER WAS A CUBAN 624 00:33:30,641 --> 00:33:33,277 IMMIGRANT AND PASSED AWAY WHEN YOU WERE REALLY YOUNG BUT HAD 625 00:33:33,344 --> 00:33:36,180 SUCH A BIG IMPACT IN YOUR CAREER, DIDN'T HE? 626 00:33:36,247 --> 00:33:37,415 ILANA: HE DID. 627 00:33:37,482 --> 00:33:42,687 MY DAD PASSED AWAY WHEN I WAS 5 YEARS OLD BUT FEEL HE'S BEEN 628 00:33:42,754 --> 00:33:44,355 INFLUENCING MY CAREER, MY WHOLE LIFE. 629 00:33:44,422 --> 00:33:50,661 HE CAME OVER FROM CUBA IN THE 1960'S. 630 00:33:50,728 --> 00:33:55,299 AND HE FLED A COUNTRY TO HAVE BETTER OPPORTUNITIES FOR HIM AND 631 00:33:55,366 --> 00:33:58,035 HIS EVENTUAL CHILDREN AND ALL HE EVER WANTED WAS FOR US TO DO 632 00:33:58,102 --> 00:34:03,207 WHATEVER WE WANTED TO DO AND TO REALLY THRIVE AND DO WHATEVER WE 633 00:34:03,274 --> 00:34:04,409 SET OUR MIND TO. 634 00:34:04,475 --> 00:34:10,348 AND HE WAS ACTUALLY A LAWYER BUT HE WAS A WRITER AT HEART AND 635 00:34:10,415 --> 00:34:15,153 WOULD SUBMIT SHORT STORIES TO LITERARY MAGAZINES AND IMBUED 636 00:34:15,219 --> 00:34:16,387 THAT SPARK IN ME. 637 00:34:16,454 --> 00:34:18,890 EVEN THOUGH HE HASN'T BEEN WITH ME FOR YEARS, I FEEL LIKE HE'S 638 00:34:18,956 --> 00:34:24,162 ALWAYS BEEN KIND OF -- SHERYL: STILL WITH YOU. 639 00:34:24,228 --> 00:34:27,265 AND THAT SPARK IGNITED YOU AND YOU BECAME ONE OF HOLLYWOOD'S 640 00:34:27,331 --> 00:34:33,704 YOUNGEST SHOW RUNNERS WHEN YOU CREATED THE SERIES "DIARY OF A 641 00:34:33,771 --> 00:34:34,972 FUTURE PRESIDENT." 642 00:34:35,039 --> 00:34:38,109 HERE'S MY QUESTION, THEY SAY WRITE WHAT YOU KNOW, SO WHERE 643 00:34:38,176 --> 00:34:41,345 DID THE IDEA COME FROM? 644 00:34:41,412 --> 00:34:43,181 ILANA: THE IDEA CAME FROM EVERYTHING I KNOW. 645 00:34:43,247 --> 00:34:47,452 IT ACTUALLY STEMMED FROM MY SIXTH GRADE DIARY, WHICH I HAVE 646 00:34:47,518 --> 00:34:48,653 IT STILL. 647 00:34:48,719 --> 00:34:53,491 AND I FEEL LIKE, I DON'T KNOW IF YOU GUYS KEPT DIARIES OR 648 00:34:53,558 --> 00:34:57,094 JOURNALS, YOU WRITE LIKE YOU'RE WRITING FOR THIS INVISIBLE 649 00:34:57,161 --> 00:34:58,296 AUDIENCE. 650 00:34:58,362 --> 00:35:00,998 I HAD "KEEP OUT" IN PRIVATE BUT THEN WRITING AS IF I HAD THE 651 00:35:01,065 --> 00:35:02,633 MOST INTERESTING LIFE IN THE WORLD. 652 00:35:02,700 --> 00:35:12,410 I WENT TO OLD NAVY TODAY AND GOT OVERALLS AND HERE'S THE RECEIPT. 653 00:35:12,477 --> 00:35:16,147 AND LITERALLY TAPED IT IN. 654 00:35:16,214 --> 00:35:17,315 "ON SALE." 655 00:35:17,381 --> 00:35:20,284 THAT'S SUCH A GREAT PERSON TO GUIDE US THROUGH THIS WORLD. 656 00:35:20,351 --> 00:35:25,122 AND I REALLY WANTED TO TELL SORT OF MY WONDER YEARS. 657 00:35:25,189 --> 00:35:30,261 I FEEL LIKE WE'VE SEEN A LOT OF ORIGIN STORIES ABOUT BOYHOOD AND 658 00:35:30,328 --> 00:35:36,467 I LOVED THEM BUT THE ONES FOR GIRLHOOD WERE FOR KIDS NETWORK 659 00:35:36,534 --> 00:35:39,871 AND NOT FOR KOIVUING BUT FAMILY. 660 00:35:39,937 --> 00:35:44,242 AND I WANTED TO DO THE LATINA WONDER YEARS AND A LOT OF THEM 661 00:35:44,308 --> 00:35:48,012 WERE ORIGIN STORIES AND BEING A TV WRITER IS A WONDERFUL, 662 00:35:48,079 --> 00:35:51,849 EXCITING LIFE BUT NOT OH, GOSH. 663 00:35:51,916 --> 00:35:55,253 SHERYL: IT IS. 664 00:35:55,319 --> 00:35:58,589 ILANA: I WAS LIKE LET'S DREAM BIGGER AND MADE THE CHARACTER 665 00:35:58,656 --> 00:36:03,227 EVENTUALLY BECOME THE PRESIDENT OF THE UNITED STATES. 666 00:36:03,294 --> 00:36:04,462 SHERYL: THAT'S RIGHT. 667 00:36:04,529 --> 00:36:08,366 NATALIE: I LOVE IT'S THE IMAGE OF AN EMPOWERED YOUNG WOMAN WHO 668 00:36:08,432 --> 00:36:11,569 KNOWS WHO SHE IS AND CONFIDENT IN HERSELF AT AN EARLY AGE AND 669 00:36:11,636 --> 00:36:22,380 THE SHOW HAS GOTTEN 100% PERFECT SCORE AND YOU LANDED ON FORBES 670 00:36:22,446 --> 00:36:23,748 UNDER 30 LIST. 671 00:36:23,814 --> 00:36:27,952 GIVEN YOUR SUCCESS, WHAT ADVICE DO YOU GIVE TO YOUNG ASPIRING 672 00:36:28,019 --> 00:36:31,188 WOMEN WHO LOOK UP TO YOU SAND SAY ONE DAY -- 673 00:36:31,255 --> 00:36:34,358 SHERYL: WE WERE JUST TALKING ABOUT IT, I ASKED WILL YOU BE MY 674 00:36:34,425 --> 00:36:36,794 MENTOR AND YOU'RE LIKE YEAH. 675 00:36:36,861 --> 00:36:39,931 ILANA: I THINK WHEN I CAME OUT HERE AND STARTED TO BE IN THE 676 00:36:39,997 --> 00:36:41,999 INDUSTRY, I THOUGHT THERE WAS SOMETHING HOLLYWOOD WANTED ME TO 677 00:36:42,066 --> 00:36:45,202 BE AND I WAS LIKE OH, THESE ARE THE STORIES HOLLYWOOD WANTS ME 678 00:36:45,269 --> 00:36:49,540 TO TELL OR THIS IS THE KIND OF PERSON HOLLYWOOD WANTS ME TO BE 679 00:36:49,607 --> 00:36:52,243 AND IT SOUNDS CORNY BUT THROUGH DOING IT THROUGH TELLING MY OWN 680 00:36:52,310 --> 00:36:56,447 STORY, I REALIZED THE THING HOLLYWOOD WANTS ME TO BE -- THE 681 00:36:56,514 --> 00:36:59,116 ONLY THING HOLLYWOOD WANTS YOU TO BE IS YOURSELF. 682 00:36:59,183 --> 00:36:59,917 SHERYL: THAT'S RIGHT. 683 00:36:59,984 --> 00:37:04,188 YEAH. 684 00:37:04,255 --> 00:37:07,325 ILANA: WHEN I STARTED TELLING THOSE AUTHENTIC STORIES AND NOT 685 00:37:07,391 --> 00:37:11,128 TRYING TO FIT INTO A BOX OR FIT INTO A LANE, THAT'S WHEN I FOUND 686 00:37:11,195 --> 00:37:11,629 SUCCESS. 687 00:37:11,696 --> 00:37:14,398 SO THAT'S MY ADVICE. 688 00:37:14,465 --> 00:37:15,600 SHERYL: AMEN. 689 00:37:15,666 --> 00:37:16,867 NATALIE: BE YOURSELF. 690 00:37:16,934 --> 00:37:17,868 ILANA, WE LOVE YOU. 691 00:37:17,935 --> 00:37:20,404 YOU HAVE A LONG AND EXCITING CAREER AHEAD OF YOU. 692 00:37:20,471 --> 00:37:23,140 CAN'T WAIT TO SEE WHAT ELSE COMES. 693 00:37:23,207 --> 00:37:28,546 "DIARY OF A FUTURE PRESIDENT" ARE BOTH OUT ON DISNEY +. 694 00:37:28,613 --> 00:37:29,113 WE'LL BE RIGHT BACK. 695 00:37:33,784 --> 00:37:37,021 NATALIE: BEFORE WE SAY GOODBYE, WE WANT TO CONGRATULATE THE TWO 696 00:37:37,088 --> 00:37:40,224 PEOPLE WHO SHARED THE WINNING TICKET THEY BOUGHT IN ILLINOIS 697 00:37:40,291 --> 00:37:46,564 IN JULY'S $1.3 BILLION LOTTERY JACKPOT AND DON'T KNOW WHO THEY 698 00:37:46,631 --> 00:37:51,769 ARE BECAUSE THEY'VE CHOSEN TO REMAIN ANONYMOUS BUT HAVE CHOSEN 699 00:37:51,836 --> 00:37:56,107 THE JUMP SUM OF $780 MILLION. 700 00:37:56,173 --> 00:37:57,274 SPEND IT WISELY. 701 00:37:57,341 --> 00:37:59,143 JOIN US TOMORROW TO SEE WHAT WE'RE TALKING ABOUT RIGHT HERE 702 00:37:59,210 --> 00:37:59,543 ON "THE TALK."