1 00:00:02,340 --> 00:00:06,044 NATALIE: IT'S FRIDAY, SEPTEMBER 23 AND IT'S TIME FOR "THE TALK." 2 00:00:06,111 --> 00:00:08,446 DO YOU AND YOUR PARTNER FIGHT BY TEXT? 3 00:00:08,513 --> 00:00:11,249 WE'LL TELL YOU WHAT RELATIONSHIP EXPERTS SAY ABOUT THE PROS AND 4 00:00:11,316 --> 00:00:16,287 CONS OF FEXTING. JON HAMM TELLS HOWARD STERN HE'S 5 00:00:16,354 --> 00:00:20,592 VERY MUCH IN LOVE AND READY TO DO THE WORK TO BE EMOTIONALLY 6 00:00:20,658 --> 00:00:23,461 AVAILABLE. AND THEN FROM HIT FILMS LIKE 7 00:00:23,528 --> 00:00:27,532 "BARBERSHOP" AND "THINK LIKE A MAN" MICHAEL EALY TELLS US ABOUT 8 00:00:27,599 --> 00:00:32,537 HIS COMPELLING AND STEAMY LEGAL DRAMA ON "REASONABLE DOUBT." 9 00:00:32,604 --> 00:00:37,675 AND SEAN KANAN GIVES THE SCOOP ON THE REFORMED BAD BOY DEACON 10 00:00:37,742 --> 00:00:41,112 FROM "THE BOLD ANDTHE BEAUTIFUL" AND HIS CROSSOVER WITH "THE 11 00:00:41,179 --> 00:00:44,482 YOUNG AND THE RESTLESS." SO LET'S TALK. 12 00:00:44,883 --> 00:00:46,251 [CAPTIONING FUNDED BY CBS TELEVISION STUDIOS AND CBS 13 00:00:46,317 --> 00:00:46,718 BROADCASTING INC.] 14 00:00:47,719 --> 00:00:50,321 [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, 15 00:00:50,388 --> 00:00:51,456 WHICH IS RESPONSIBLE FOR ITS CAPTION CONTENT AND ACCURACY 16 00:00:51,523 --> 00:00:51,890 VISIT NCICAP.ORG] 17 00:00:52,457 --> 00:00:53,324 >> ♪ YOU AND ME ♪ ♪ YOU KNOW ♪ 18 00:00:53,391 --> 00:00:54,292 ♪ WE MAKE SOME ♪ REAL GOOD COMPANY ♪ 19 00:00:54,359 --> 00:00:56,060 ♪ ALL RIGHT ♪ ALL RIGHT ♪ 20 00:00:56,127 --> 00:00:58,596 ♪ ALL RIGHT ♪ ♪ SAID YOU AND ME ♪ 21 00:00:58,663 --> 00:00:59,531 ♪ YOU KNOW ♪ ♪ WE MAKE SOME 22 00:00:59,597 --> 00:01:00,832 ♪ REAL GOOD COMPANY ♪ ♪ HOP IN ♪ 23 00:01:00,899 --> 00:01:02,567 ♪ WE POPPIN ♪ ♪ ALL THE MAGIC WE MAKIN ♪ 24 00:01:02,634 --> 00:01:04,102 ♪ LORD KNOWS ♪ ♪ I LOVE ♪ 25 00:01:04,169 --> 00:01:05,570 ♪ CONVERSATING WITH YOU ♪ ♪ WE COME TOGETHER ♪ 26 00:01:05,637 --> 00:01:06,604 ♪ GET THE FIREWORKS STARTED ♪ ♪ YEAH ♪ 27 00:01:06,671 --> 00:01:09,207 ♪ WE THE LIFE ♪ ♪ OF THE PARTY ♪ 28 00:01:09,274 --> 00:01:10,408 ♪ IT'S TRUE ♪ ♪ LIKE LOOK AT THAT ♪ 29 00:01:10,475 --> 00:01:12,210 ♪ LOOK AT THAT ♪ ♪ LOOK AT THAT VIBE ♪ 30 00:01:12,277 --> 00:01:13,711 ♪ EVERYBODY GATHER ROUND ♪ ♪ LOOK AT THAT ♪ 31 00:01:13,778 --> 00:01:15,180 ♪ LOOK AT THAT ♪ ♪ LOOK AT THAT SHINE ♪ 32 00:01:15,246 --> 00:01:16,948 ♪ LIVE IT UP ♪ ♪ TILL THE LIGHTS GO DOWN ♪ 33 00:01:17,015 --> 00:01:18,216 ♪ LOOK AT THAT ♪ ♪ LOOK AT THAT ♪ 34 00:01:18,283 --> 00:01:19,918 ♪ LOOK AT THAT SMILE ♪ ♪ EVERY TIME YOU COME AROUND ♪ 35 00:01:19,984 --> 00:01:23,321 ♪ I FEEL LIKE ♪ ♪ I'M BRAND-NEW ♪ 36 00:01:23,388 --> 00:01:26,558 ♪ YOU AND ME ♪ ♪ YOU KNOW WE MAKE ♪ 37 00:01:26,624 --> 00:01:32,897 ♪ SOME REAL GOOD COMPANY ♪ ♪ ALL RIGHT ♪ 38 00:01:32,964 --> 00:01:40,071 NATALIE: FRIDAY DANCE PARTY. YOU KNOW I LIKE IT. 39 00:01:40,138 --> 00:01:44,042 ALL RIGHT, ALL RIGHT. IT'S FRIDAY NIGHT. 40 00:01:44,108 --> 00:01:48,146 YOU GUYS ARE READY TO GO CLUBBING OVER THERE. 41 00:01:48,213 --> 00:01:56,888 AKBAR: AFTER THE SHOW, WE'RE GOING TO THE CLUB. 42 00:01:56,955 --> 00:01:58,857 NATALIE: WELCOME TO "THE TALK," OUR CLUB. 43 00:01:58,923 --> 00:02:02,827 GUYS, WE'LL START WITH TWO TRENDS MAKING HEADLINES AND SEE 44 00:02:02,894 --> 00:02:04,662 IF YOU WEIGH IN IF YOU'VE DONE THIS. 45 00:02:04,729 --> 00:02:07,265 YOU MIGHT HAVE. THE FIRST IS CALLED FEXTING WITH 46 00:02:07,332 --> 00:02:10,268 AN F. NOW YOU PROBABLY HAVE DONE IT 47 00:02:10,335 --> 00:02:14,105 AND MAY NOT KNOW YOU HAVE. IT'S A NEW BUZZWORD WHEN YOU'RE 48 00:02:14,172 --> 00:02:17,275 FIGHTING WITH YOUR PARTNER OVER TEXT AND MORE AND MORE COUPLES 49 00:02:17,342 --> 00:02:23,414 ARE DOING IT. AND A MARRIAGE COUNSELOR TOLD 50 00:02:23,481 --> 00:02:26,251 "HUFFPOST" THAT FEXTING IS A GOOD THING BECAUSE IT GIVES YOU 51 00:02:26,317 --> 00:02:28,119 SPACE AND ALLOWS YOU NOT TO BE PRESSURED IN RESOLVING YOUR 52 00:02:28,186 --> 00:02:31,956 CONFLICT ON THE SPOT. WHAT DO YOU THINK, ARE YOU 53 00:02:32,023 --> 00:02:40,698 FEXTING, AKBAR, FEXTING OR NOT? AKBAR: I'M AN EXTROVERT AND I'M 54 00:02:40,765 --> 00:02:43,568 AN AUDIBLE PROCESSOR, I HAVE TO SPEAK IT OUT. 55 00:02:43,635 --> 00:02:49,741 I HAVE TO HEAR IT MYSELF. MY WIFE IS AN INTERNAL PROCESSOR 56 00:02:49,807 --> 00:02:53,745 AND SHE'S AN INTROVERT. IT'S SO DIFFICULT. 57 00:02:53,811 --> 00:02:57,148 BECAUSE I WANT TO TAKE IT HEAD ON AND TALK BUT MY WIFE'S 58 00:02:57,215 --> 00:03:01,419 PREFERRED WAY OF FIGHTING IS THROUGH TEXT AND I'M A THREE, 59 00:03:01,486 --> 00:03:06,057 FOUR, AND HELP I'M DONE, WE HAVE TO TALK ABOUT THIS. 60 00:03:06,124 --> 00:03:08,626 I DON'T LIKE FEXTING BECAUSE YOU CAN CHANGE YOUR ATTENTION. 61 00:03:08,693 --> 00:03:13,464 MY WIFE CAN CUT ME, OH, NO, BABY, THAT'S NOT WHAT I MEANT. 62 00:03:13,531 --> 00:03:17,435 COME ON. IT SAYS -- NO, YOU TOOK IT THAT 63 00:03:17,502 --> 00:03:22,473 WAY. YOU CAN ALWAYS HIDE BEHIND 64 00:03:22,540 --> 00:03:26,544 FEXTING BUT YOU CAN READ BODY LANGUAGE WHEN YOU'RE TALKING AND 65 00:03:26,611 --> 00:03:29,781 HEAR THE TONE. I DON'T LIKE IT BUT I DO ENGAGE 66 00:03:29,847 --> 00:03:33,851 ABOUT THREE METS INCHES -- MESSAGES IN AND THEN AFTER THAT 67 00:03:33,918 --> 00:03:35,520 I'M DONE. AMANDA: YOU'RE RIGHT. 68 00:03:35,587 --> 00:03:40,525 IT'S DANGEROUS BECAUSE OF THE INFLECTION OR THE TONE IN WHICH 69 00:03:40,592 --> 00:03:44,395 SOMEBODY IS SENDING A MESSAGE AND HOW YOU'RE RECEIVING IT AND 70 00:03:44,462 --> 00:03:47,031 HOW BASED ON YOUR MOOD OR WHAT THE TOPIC IS. 71 00:03:47,098 --> 00:03:52,971 SHERYL: I DON'T LIKE IT BECAUSE I DON'T LIKE AUTO CORRECT. 72 00:03:53,037 --> 00:03:59,777 I PUT IN ONE WORD AND FUNDAMENTAL WAS NOT THE -- AND 73 00:03:59,844 --> 00:04:06,985 FUDGE WAS NOT THE WORD I PUT IN. NATALIE: JERRY, DO YOU FEXT? 74 00:04:07,051 --> 00:04:11,489 JERRY: I DON'T LIKE IT BECAUSE IF WE'RE HAVING A VERBAL 75 00:04:11,556 --> 00:04:14,559 ARGUMENT AND TIME PASSES, I CAN BE LIKE -- MY WIFE CAN BE LIKE, 76 00:04:14,626 --> 00:04:18,830 I CAN'T BELIEVE YOU SAID THAT. AND I'LL BE LIKE, I NEVER SAID 77 00:04:18,896 --> 00:04:22,433 THAT. YOU BUT IF YOU FEXT, I'LL SAY I 78 00:04:22,500 --> 00:04:27,038 NEVER SAID THAT AND MY WIFE IS LIKE OH, YES, YOU DID. 79 00:04:27,105 --> 00:04:29,574 AKBAR: I GUESS IT GOES BOTH WAYS. 80 00:04:29,641 --> 00:04:32,043 JERRY: IT'S MORE OFFENSIVE TO FEXT. 81 00:04:32,110 --> 00:04:37,348 IF YOU'RE IN AN ARGUMENT, YOU CAN BLAME IT -- I'M SO SORRY, 82 00:04:37,415 --> 00:04:41,886 THE EMOTIONS GOT ME. BUT IF YOU FEXT YOU HAD TIME TO 83 00:04:41,953 --> 00:04:45,757 THINK ABOUT IT AND HIT SEND. AKBAR: THAT'S A REALLY GOOD 84 00:04:45,823 --> 00:04:48,926 POINT. JERRY: IT'S MORE OFFENSIVE. 85 00:04:48,993 --> 00:04:52,363 NATALIE: IF IT'S A HEATED ARGUMENT BUT SOMETIMES TAKING A 86 00:04:52,430 --> 00:04:55,833 BREAK AND THEN MAKING SURE YOU REALLY FEEL YOUR WORDS AND WHAT 87 00:04:55,900 --> 00:05:00,104 YOU'RE THINKING BEFORE YOU PUT IT DOWN, RIGHT? 88 00:05:00,171 --> 00:05:02,473 AKBAR: HERE'S THE THING THAT'S FRUSTRATING. 89 00:05:02,540 --> 00:05:07,445 HEY, YOU'RE UPSTAIRS, CAN YOU COME DOWNSTAIRS. 90 00:05:07,512 --> 00:05:10,915 NATALIE: RIGHT ON. AMANDA: MAYBE SHE'S SO MAD SHE 91 00:05:10,982 --> 00:05:14,619 DOESN'T WANT TO SEE YOUR FACE. AKBAR: SOMETIMES SHE'S RIGHT 92 00:05:14,686 --> 00:05:17,588 ACROSS ON THE OTHER SIDE. AND I'M RIGHT THERE. 93 00:05:17,655 --> 00:05:21,959 YOU WANT ME TO PICK UP MY PHONE AND READ IT HERE WHEN YOU'RE 94 00:05:22,026 --> 00:05:24,495 OVER THERE? NATALIE: THIS IS FRIDAY NIGHT AT 95 00:05:24,562 --> 00:05:26,497 AKBAR'S HOUSE. THAT'S YOUR WIFE ON THE COUCH 96 00:05:26,564 --> 00:05:32,136 AND THIS IS AKBAR. AND THEY'RE BOTH LIKE RESPOND. 97 00:05:32,203 --> 00:05:36,407 AKBAR: WE'VE DONE THAT BEFORE. DID YOU READ YOUR TEXT? 98 00:05:36,474 --> 00:05:39,143 GO AHEAD AND READ THE TEXT. READ IT. 99 00:05:39,210 --> 00:05:42,980 WE'VE DONE THAT BEFORE. JERRY: I'LL TELL YOU WHO I DON'T 100 00:05:43,047 --> 00:05:45,883 WANT TO FEXT WITH. I DON'T WANT TO FEXT WITH MY 101 00:05:45,950 --> 00:05:51,823 CHILDREN BECAUSE THEY ONLY SPEAK EMOJI. 102 00:05:51,889 --> 00:05:54,258 NATALIE: TALKING ABOUT OFFICE DRESS CODES, "THE NEW YORK POST" 103 00:05:54,325 --> 00:06:01,399 REPORTS THAT GEN-ZERS AND MILLENIALS ARE WEARING SHORT 104 00:06:01,466 --> 00:06:03,668 SKIRTS AND SHEER TOPS TO THE OFFICE AND DRESSING FOR THE CLUB 105 00:06:03,735 --> 00:06:07,538 THAN THE CUBIC AL. CUBICLE. 106 00:06:07,605 --> 00:06:11,309 MANY PEOPLE IN THEIR AGE GROUP CONSIDER DRESS CODES 107 00:06:11,375 --> 00:06:14,479 OLD-FASHIONED AND ONE WOMAN TOLD "THE POST" IT SHOULDN'T MATTER 108 00:06:14,545 --> 00:06:19,117 WHAT SHE WEARS AS LONG AS SHE'S GETTING HER WORK DONE. 109 00:06:19,183 --> 00:06:26,424 ARE OFFICE DRESS CODES OUTDATED. WE NEED A GEN-ZER UP HERE. 110 00:06:26,491 --> 00:06:31,429 AKBAR: I'M KIND OF A GEN-ZER. SHERYL: IT DEPENDS ON YOUR 111 00:06:31,496 --> 00:06:34,732 CAREER FIELD. I DON'T WANT TO SEE MY SURGEON 112 00:06:34,799 --> 00:06:38,436 WALK IN LIKE SOME HO FROM LAST NIGHT OR SOMETHING, I'M NOT 113 00:06:38,503 --> 00:06:40,738 TAKING YOU SERIOUS. I NEED TO YOU COME IN LOOKING 114 00:06:40,805 --> 00:06:44,876 LIKE YOU READY TO DO THE JOB THAT YOU'RE SUPPOSED TO DO. 115 00:06:44,942 --> 00:06:48,880 AMANDA: YOU KNOW WHAT'S SO FUNNY, YOU GUYS, MY DAD STILL 116 00:06:48,946 --> 00:06:52,717 TELLS STORIES OF MY MOM USED TO BE A SECRETARY AT MY DAD'S 117 00:06:52,784 --> 00:06:55,419 INSURANCE COMPANY. THAT'S HOW THEY MET. 118 00:06:55,486 --> 00:06:59,957 AND APPARENTLY MY MOM WAS ALWAYS WEARING SUPERSHORT MINI SKIRTS 119 00:07:00,024 --> 00:07:01,826 AND JUST WALKING AROUND THE OFFICE. 120 00:07:01,893 --> 00:07:07,265 SO I DON'T KNOW IF THIS IS GEN-ZERS BECAUSE I THINK IT'S 121 00:07:07,331 --> 00:07:10,268 BEEN GOING ON FOR YEARS. SHERYL: AT THE TIME, WASN'T THAT 122 00:07:10,334 --> 00:07:13,771 THE STYLE, TOO? THAT WAS THE STYLE. 123 00:07:13,838 --> 00:07:20,912 AMANDA: RIGHT. BUT GEN-ZERS SAY THE STYLE IS 124 00:07:20,978 --> 00:07:22,280 APPROPRIATE. BUT WHAT'S APPROPRIATE IS THE 125 00:07:22,346 --> 00:07:28,853 DRESS CODE. SHERYL: THEY'RE SAYING SHEER 126 00:07:28,920 --> 00:07:32,890 CLOTHES. AMANDA: THAT'S THE STYLE, CROP 127 00:07:32,957 --> 00:07:35,526 TOPS. SHERYL: IF YOU'RE IN AN OFFICE 128 00:07:35,593 --> 00:07:38,596 DRESSED LIKE THAT, I DON'T KNOW IF I WANT TO DO BUSINESS WITH 129 00:07:38,663 --> 00:07:42,366 YOU. IF YOU'RE OUT HAVING LUNCH -- 130 00:07:42,433 --> 00:07:45,136 AMANDA: WOULD YOU WANT TO DO BUSINESS WITH MY MOM AND HER 131 00:07:45,203 --> 00:07:48,639 MINI SKIRT. NATALIE: YOUR DAD WANTED TO DO 132 00:07:48,706 --> 00:07:51,776 BUSINESS WITH HER. SHERYL: I DIDN'T WANT TO PUT IT 133 00:07:51,843 --> 00:07:54,512 ON YOUR MAMA AND DADDY LIKE THAT. 134 00:07:54,579 --> 00:07:57,849 SHE WAS LOOKING FLY. YOUR MOM'S GOT THE FLY BODY AND 135 00:07:57,915 --> 00:08:00,518 THE DRESS AND EVERYTHING. I CAN SEE THEM BOOTS MADE FOR 136 00:08:00,585 --> 00:08:06,490 WALKING. THAT'S RIGHT. 137 00:08:06,557 --> 00:08:09,093 NATALIE: MY ADVICE IN LIFE AND WHAT I'VE HEARD IS DRESS FOR THE 138 00:08:09,160 --> 00:08:11,729 JOB YOU WANT, NOT NECESSARILY THE JOB YOU HAVE. 139 00:08:11,796 --> 00:08:14,932 SHERYL: THERE IT IS. NATALIE: TO ME, IF I WANT TO BE 140 00:08:14,999 --> 00:08:17,568 THAT CAREER PROFESSIONAL AND IF I'M CHASING THAT JOB, I'M GOING 141 00:08:17,635 --> 00:08:21,472 TO GET THAT LOOK AND MAKE SURE I DRESS FOR THAT PART. 142 00:08:21,539 --> 00:08:23,541 ALL RIGHT. WE'RE JUST GETTING STARTED. 143 00:08:23,608 --> 00:08:25,209 WE'LL BE RIGHT BACK. DON'T GO AWAY. 144 00:08:34,085 --> 00:08:35,219 NATALIE: WELCOME BACK TO "THE TALK." 145 00:08:35,286 --> 00:08:37,655 IT'S BEEN QUITE A YEAR FOR JON HAMM, HE STARS IN THE 146 00:08:37,722 --> 00:08:45,296 BLOCKBUSTER "TOP GUN: MAVERICK" AND HIS NEW MOVIE "CONFESS, 147 00:08:45,363 --> 00:08:48,232 FLETCH." AND HE IS IN LOVE WITH US 148 00:08:48,299 --> 00:08:53,070 GIRLFRIEND ANNA OSCEOLA. HE TELLS HOWARD STERN. 149 00:08:53,137 --> 00:08:56,474 JON: I'M IN A RELATIONSHIP NOW. AND IT'S COMFORTABLE AND IT'S A 150 00:08:56,540 --> 00:08:59,076 FEELING OF TAKING CARE OF SOMEONE ELSE AND BEING TAKEN 151 00:08:59,143 --> 00:09:00,945 CARE OF. IT'S A PROCESS OF WORKING ON 152 00:09:01,012 --> 00:09:04,448 MYSELF AND MENTAL HEALTH AND ALL THIS STUFF WITH MY THERAPIST AND 153 00:09:04,515 --> 00:09:09,453 UNPACKING ALL THE TRAUMA AND REALIZING WHEN YOU LOSE SOMEBODY 154 00:09:09,520 --> 00:09:14,926 THAT'S SO IMPORTANT TO YOU LIKE A MOTHER SO EARLY THAT THAT 155 00:09:14,992 --> 00:09:17,828 CREATES A WOUND. HOWARD. 156 00:09:17,895 --> 00:09:21,532 ABSOLUTELY. JON: THAT BLOCKS A LOT OF THE 157 00:09:21,599 --> 00:09:23,868 EMOTIONAL ACCESSIBILITY AND BLOCKS A LOT OF THAT 158 00:09:23,935 --> 00:09:30,007 AVAILABILITY AND VULNERABILITY. NATALIE: I LIKE THIS 159 00:09:30,074 --> 00:09:31,776 CONVERSATION. EMOTIONAL AVAILABILITY. 160 00:09:31,842 --> 00:09:36,314 I KNOW IT'S SOMETHING IN MY MARRIAGE -- JOE IS A SPREADSHEET 161 00:09:36,380 --> 00:09:40,117 GUY, A DOER, HE LAYS EVERYTHING OUT AND IS VERY METHODICAL. 162 00:09:40,184 --> 00:09:43,454 THAT'S GREAT FOR HIM BECAUSE HE'S CALM AND SOMETIMES IN 163 00:09:43,521 --> 00:09:47,024 HEATED MOMENTS, HE'S MR. SPREADSHEET GUY AND THEN 164 00:09:47,091 --> 00:09:54,332 THERE'S ME ON THE OTHER SIDE -- AND HE'S ALWAYS LIKE OH, MY 165 00:09:54,398 --> 00:09:57,868 GOSH, HERE WE GO AGAIN. BUT IT IS THAT WHOLE, YOU HAVE 166 00:09:57,935 --> 00:10:01,839 TO WORK OUT WHAT THE BALANCE IS ON THAT, RIGHT? 167 00:10:01,906 --> 00:10:05,242 UNLIKE JON HAMM, FORTUNATELY BOTH MY PARENTS ARE AROUND AND I 168 00:10:05,309 --> 00:10:07,745 HAVE THAT SUPPORT. BUT WHEN YOU HAVE TWO PEOPLE WHO 169 00:10:07,812 --> 00:10:11,882 ARE SORT OF ON OPPOSITE ENDS OF HOW THEY COME TOGETHER AND HOW 170 00:10:11,949 --> 00:10:16,387 DO THEY, YOU KNOW, TALK ABOUT THINGS, IT CAN SOMETIMES -- 171 00:10:16,454 --> 00:10:20,358 THERE'S A SCENE IN THE MOVIE "FARGO" AND STEVE IS AT ONE 172 00:10:20,424 --> 00:10:23,094 POINT YOU'RE JUST A BLANK OF CONVERSATION. 173 00:10:23,160 --> 00:10:25,496 THAT'S A CONSTANT CONVERSATION IN MY HOUSE. 174 00:10:25,563 --> 00:10:30,301 GIVE ME MORE, JOE. I NEED MORE CONVERSATION. 175 00:10:30,368 --> 00:10:32,603 AKBAR: IT REALLY DOES GO BACK TO THAT TRAUMA. 176 00:10:32,670 --> 00:10:34,572 HE WAS TALKING ABOUT LOSING HIS MOM. 177 00:10:34,638 --> 00:10:38,676 I LOST MY MOM WHEN I WAS 19, 20 YEARS OLD AND I THINK, YOU KNOW, 178 00:10:38,743 --> 00:10:42,380 IT WASN'T UNTIL YEARS LATER THAT YOU REALIZE WHEN YOU DON'T DEAL 179 00:10:42,446 --> 00:10:48,619 WITH THE EMOTIONAL TRAUMAS, YOU LOCK IT AWAY AND THEY CAN BECOME 180 00:10:48,686 --> 00:10:51,689 UNACCESSIBLE AND THEY ARE LOCKED AWAY AND IT STARTS TO MOVE YOU 181 00:10:51,756 --> 00:10:54,759 SUBCONSCIOUSLY AND YOU DON'T KNOW WHY YOU'RE DOING THE THINGS 182 00:10:54,825 --> 00:10:56,861 YOU'RE DOING. I THINK PART OF IT IS YOU DON'T 183 00:10:56,927 --> 00:11:01,265 WANT TO GET THAT CHO TO SOMEONE EVER AGAIN KNOWING YOU CAN LOSE 184 00:11:01,332 --> 00:11:02,800 THEM. IT'S TRAUMATIC WHEN YOU LOSE 185 00:11:02,867 --> 00:11:06,537 SOMEBODY AT SUCH A YOUNG AGE. IT'S ALMOST LIKE A 186 00:11:06,604 --> 00:11:09,473 SELF-PRESERVATION TYPE OF THING THAT HAPPENED AND NOT UNTIL YOU 187 00:11:09,540 --> 00:11:13,210 GET HELP TO UNLOCK THAT THAT YOU WILL MOVE FORWARD. 188 00:11:13,277 --> 00:11:15,579 AMANDA: I REALLY LIKED HIS CONVERSATION AND THOUGHT IT WAS 189 00:11:15,646 --> 00:11:19,950 VERY BRAVE OF HIM TO SAY THAT, YOU KNOW, THAT HE WAS OPENING UP 190 00:11:20,017 --> 00:11:22,720 FROM LEARNING FROM LOSING HIS MOTHER. 191 00:11:22,787 --> 00:11:25,456 IT'S REALLY AN INTERESTING TOPIC. 192 00:11:25,523 --> 00:11:29,193 AKBAR: TO BE CLOSED OFF AND THEN SAY I'M WILLING TO OPEN IT UP. 193 00:11:29,260 --> 00:11:31,462 SOME PEOPLE NEVER GET TO THAT POINT AND DON'T HAVE THE ABILITY 194 00:11:31,529 --> 00:11:34,799 TO FIND IT. AKBAR: ACKNOWLEDGING THAT. 195 00:11:34,865 --> 00:11:37,868 SHERYL: HE IS IN LOVE AND GONE THROUGH THINGS AND NOW HE'S MORE 196 00:11:37,935 --> 00:11:41,405 OPEN TO IT AND THANK HIM FOR BEING A MAN AND SAYING IT. 197 00:11:41,472 --> 00:11:44,442 NATALIE: ALL RIGHT. COMING UP NEXT, IT'S OUR "QUICK 198 00:11:44,508 --> 00:11:47,445 TALK" SEGMENT AND WE'LL GO THROUGH JUICY TOPICS IN RAPID 199 00:11:47,511 --> 00:11:48,279 FIRE SPEED. 200 00:11:54,118 --> 00:11:56,554 NATALIE: WANT TO. JERRY: THE PARTY? 201 00:11:58,456 --> 00:12:02,626 >> WANT TO JOIN THE PARTY AND EXPERIENCE "THE TALK" LIVE? 202 00:12:02,693 --> 00:12:06,697 ENJOY GREAT GUESTS AND RECEIVE GIVEAWAYS. 203 00:12:06,764 --> 00:12:09,133 SHERYL: EVERYONE IS RECEIVING A GIFT CERTIFICATE. 204 00:12:09,200 --> 00:12:11,802 >> TONS OF FUN ON THE SET. AMAZING CONVERSATIONS. 205 00:12:11,869 --> 00:12:14,171 >> I WANT TO DO BETTER AND DO GOOD. 206 00:12:14,238 --> 00:12:18,175 >> AND YOUR FAVORITE FIVE HOSTS. TO BE A MEMBER OF OUR AUDIENCE, 207 00:12:18,242 --> 00:12:20,077 GO TO THETALKTICKETS.COM. 208 00:12:26,183 --> 00:12:29,186 >> ♪ YOU KNOW WE MAKE SOME REAL GOOD COMPANY ♪ 209 00:12:29,887 --> 00:12:31,088 NATALIE: WELCOME BACK TO "THE TALK." 210 00:12:31,155 --> 00:12:34,458 IT'S TIME FOR OUR SPEED ROUND WHERE WE WEIGH IN ON A VARIETY 211 00:12:34,525 --> 00:12:37,928 OF TOPICS PEOPLE ARE TALKING ABOUT IN A SEGMENT WE CALL 212 00:12:37,995 --> 00:12:41,332 "QUICK TALK." ALL RIGHT. 213 00:12:41,398 --> 00:12:44,335 WE'VE GOT A LIST OF THINGS TO COVER HERE, GUYS, BUT WE DON'T 214 00:12:44,401 --> 00:12:46,237 KNOW. YOU HAVEN'T SEEN WHAT THEY ARE. 215 00:12:46,303 --> 00:12:48,072 WE HAVE 45 SECONDS TO REACT TO EACH ONE. 216 00:12:48,139 --> 00:12:51,008 THERE WILL BE A COUNTDOWN CLOCK WITH A DING TO TELL US WHEN TO 217 00:12:51,075 --> 00:12:55,146 MOVE ON. FIRST TOPIC, THERE'S A NEW 218 00:12:55,212 --> 00:12:59,683 FASHION TREND, PEOPLE ARE WEARING UNBUTTONED JEANS WITH 219 00:12:59,750 --> 00:13:04,989 THEIR ZIPPERS DOWN ON PURPOSE. THEY SAY IT IS SEXY AND COOL BUT 220 00:13:05,055 --> 00:13:07,658 WHAT DO YOU THINK, WOULD YOU DO IT? 221 00:13:07,725 --> 00:13:09,226 LET'S PUT 45 SECONDS ON THE CLOCK. 222 00:13:09,293 --> 00:13:13,164 THE TIMER STARTS NOW. SHERYL: MY UNCLE JUNIOR BEEN 223 00:13:13,230 --> 00:13:18,435 DOING THIS. IT AIN'T NEW. 224 00:13:18,502 --> 00:13:19,937 AMANDA: I HAVE SEEN PEOPLE DO THIS. 225 00:13:20,004 --> 00:13:25,776 I'M SORRY, I'M STILL ON THE HIGH WASTED PANTS AND ZIPPED UP ALL 226 00:13:25,843 --> 00:13:28,312 THE WAY. NATALIE: WOULD YOU CARE TO MODEL 227 00:13:28,379 --> 00:13:32,716 THE TREND? JERRY: AM I ALLOWED TO MODEL THE 228 00:13:32,783 --> 00:13:37,621 TREND? AKBAR: NO, NO, NO. 229 00:13:37,688 --> 00:13:41,725 JERRY: OUR BOSSES SAY NO. SHERYL: WASN'T THERE A THING 230 00:13:41,792 --> 00:13:46,897 WHERE THEY CUT OFF THE TOP OF THE THING OF THE JEANS WITH 231 00:13:46,964 --> 00:13:50,701 MARIAH CAREY? AKBAR: IN THE 1990'S. 232 00:13:50,768 --> 00:13:54,538 JERRY: YOU WOULD GET BUTTON FLY JEANS AND CUT OUT THE KNEW SO 233 00:13:54,605 --> 00:13:57,975 YOU COULD SEE THE BUTTONS. AM I THE ONLY ONE THAT REMEMBERS 234 00:13:58,042 --> 00:14:00,644 THAT. [. 235 00:14:00,711 --> 00:14:05,816 [BUZZER] JERRY: SORRY, EVERYBODY. 236 00:14:05,883 --> 00:14:10,988 AKBAR: YOU GOT BUZZED OFF. JERRY: SEE EVERYBODY MONDAY, 237 00:14:11,055 --> 00:14:14,592 BYE. SHERYL: LIKE WHAT? 238 00:14:14,658 --> 00:14:18,329 JERRY: WE NEED YOU BACK HERE. "THE NEW YORK TIMES" WONDERS IF 239 00:14:18,395 --> 00:14:23,334 ANYONE DRINKS HOT COFFEE ANYMORE, COLD DRINKS COUNT FOR 240 00:14:23,400 --> 00:14:27,004 60% OF STARBUCKS BEVERAGE SALES EVEN IN THE WINTER. 241 00:14:27,071 --> 00:14:30,374 ARE YOU TEAM HOT COFFEE OR COLD COFFEE. 242 00:14:30,441 --> 00:14:32,610 AKBAR, GO. AKBAR: IT'S HOT COFFEE OR IF I 243 00:14:32,676 --> 00:14:38,515 WANT TO GO WITH THE COOLER TEMPERATURE, I ALWAYS GO GIVE ME 244 00:14:38,582 --> 00:14:42,253 KIDS TIP. IT MEANS WARM. 245 00:14:42,319 --> 00:14:46,190 KIDS TEMP. AMANDA: WHAT DO YOU MEAN? 246 00:14:46,257 --> 00:14:47,057 AKBAR: KIDS TEMP. JERRY: GET IT HOT AND LET IT 247 00:14:47,124 --> 00:14:50,427 COOL DOWN. SHERYL: ICED COFFEE IS VERY, 248 00:14:50,494 --> 00:14:55,466 VERY GOOD ESPECIALLY AT BRUNCH. I LIKE ICED COFFEE. 249 00:14:55,532 --> 00:14:58,002 AMANDA: I'M CAUGHT UP ON KIDS TEMP. 250 00:14:58,068 --> 00:15:01,972 YOU ORDER COFFEE KIDS TEMP? AKBAR: I DO. 251 00:15:02,039 --> 00:15:03,941 WHERE IS JACK? WHERE IS CLAYTON? 252 00:15:04,008 --> 00:15:09,980 I SAY CAN I GET A KIDS TEMP? AMANDA: YOU GO IN A COFFEE SHOP 253 00:15:10,047 --> 00:15:17,588 AND SAY I WANT A VENTE MOCHACINO. 254 00:15:17,655 --> 00:15:22,626 JERRY: WHEN YOU ORDER IT, DO YOU DO IT IN A KIDS VOICE, CAN I 255 00:15:22,693 --> 00:15:25,629 HAVE KIDS TEMP? AKBAR: THEY LOOK AT ME UP AND 256 00:15:25,696 --> 00:15:30,534 DOWN, YOU WANT KIDS TEMP? YES, I WANT KIDS TEMP. 257 00:15:30,601 --> 00:15:36,106 JERRY: NOT TOO HOT, NOT TOO COLD, JUST RIGHT. 258 00:15:36,173 --> 00:15:41,478 NATALIE: THE TIKTOK TOPIC, A WOMAN'S DAD MADE A GREETING 259 00:15:41,545 --> 00:15:44,748 TEMPLATE. HE CIRCLES THE OCCASION AND THE 260 00:15:44,815 --> 00:15:46,016 PERSON'S NAME AND CALL ITS A DAY. 261 00:15:46,083 --> 00:15:49,019 IS THIS OK? THE TIMER STARTS NOW. 262 00:15:49,086 --> 00:15:52,423 I SAY BRILLIANT, THANK YOU, THAT'S IT. 263 00:15:52,489 --> 00:15:56,760 GREETING CARDS ARE EXPENSIVE. AMANDA: HILARIOUS. 264 00:15:56,827 --> 00:16:01,565 GREETING CARDS ARE EXPENSIVE. AN AVERAGE GREETING CARD IS 265 00:16:01,632 --> 00:16:04,301 $5.95. AKBAR: I'VE SEEN $8. 266 00:16:04,368 --> 00:16:07,805 AMANDA: THIS IS A GENIUS IDEA. MAKES YOU FEEL LIKE YOU'RE A 267 00:16:07,871 --> 00:16:10,507 THIRD GRADER. NATALIE: THEY DON'T LIKE IT. 268 00:16:10,574 --> 00:16:12,810 SHERYL: NO. I WANT TO YOU SPEND MONEY ON THE 269 00:16:12,876 --> 00:16:16,180 CARD AND THEN PUT SOME MONEY IN THE CARD. 270 00:16:16,246 --> 00:16:21,719 COME ON NOW. JERRY: I ONLY -- 271 00:16:21,785 --> 00:16:24,421 AKBAR: I ONLY LIKE CARDS WITH SOMETHING FUN ON THE INSIDE, 272 00:16:24,488 --> 00:16:29,026 WHETHER IT'S MUSIC OR SOMETHING. THOSE MAKE ME FEEL SPECIAL. 273 00:16:29,093 --> 00:16:31,462 NATALIE: WE LIKE THEM PERSONALIZED AND KIDS MAKE A 274 00:16:31,528 --> 00:16:33,897 CARD AND PICTURES AND A CARD AND THAT'S MORE PERSONAL TO ME. 275 00:16:33,964 --> 00:16:37,601 [BUZZER] JERRY: THAT'S IT! 276 00:16:37,668 --> 00:16:42,206 NATALIE: WE'VE ALL HEARD OF CHARCUTERIE BOARDS BUT THE 277 00:16:42,272 --> 00:16:44,475 CULINARY TREND IS A BUTTER BOARD. 278 00:16:44,541 --> 00:16:51,648 IT FEATURES SOFTENED BUTTER WITH LEMON ZEST AND HERBS AND HONEY, 279 00:16:51,715 --> 00:16:55,386 PERFECT FOR DIPPING. IT SOUNDS VERY HIGH CALORIE AND 280 00:16:55,452 --> 00:16:58,989 HIGH FAT BUT SOUNDS DELICIOUS. LET'S GIVE IT A TRY. 281 00:16:59,056 --> 00:17:03,127 THERE THEY ARE. JERRY: SO THEY SHMEAR BUTTER ON 282 00:17:03,193 --> 00:17:08,599 HERE. NATALIE: FIG, MINT, HONEY AND 283 00:17:08,665 --> 00:17:10,167 CINNAMON. JERRY: AND IT'S BUTTER. 284 00:17:10,234 --> 00:17:12,770 NATALIE: YOU DOING THAT MUCH BUTTER? 285 00:17:12,836 --> 00:17:17,608 JERRY: YEAH, I'M DOING IT. AKBAR: WHAT ABOUT MY ARTERIES? 286 00:17:17,674 --> 00:17:25,048 JERRY: I LOVE BUTTER. NATALIE: THIS IS A GREAT IDEA. 287 00:17:25,115 --> 00:17:29,586 IT TAKES OLIVE OIL TO THE NEXT LEVEL. 288 00:17:29,653 --> 00:17:33,290 SHERYL: DON'T DOUBLE DIP. NATALIE: JERRY JUST DID IT. 289 00:17:33,357 --> 00:17:36,760 SHERYL: THAT'S NASTY NOW. THIS IS MY LITTLE AREA. 290 00:17:36,827 --> 00:17:39,930 NATALIE: WHAT IS THIS ONE? AKBAR: I'M NOT A DOCTOR BUT I 291 00:17:39,997 --> 00:17:42,733 THINK THIS IS GOOD FOR YOUR ARTERIES. 292 00:17:42,800 --> 00:17:46,870 THIS TASTES REALLY GOOD. AMANDA: THIS IS DELICIOUS. 293 00:17:46,937 --> 00:17:55,779 NATALIE: WHAT DOES THAT SAY? SHERYL: CILANTRO CHILE OIL. 294 00:17:55,846 --> 00:18:00,117 BUT YOU CAN'T TAKE THAT BREAD AND DIP IT. 295 00:18:00,184 --> 00:18:02,085 AMANDA: WHEN THEY BRING YOU BREAD AND BUTTER. 296 00:18:02,152 --> 00:18:05,522 THIS IS A COOL THING. [BUZZER] 297 00:18:05,589 --> 00:18:09,259 JERRY: YOU DO HAVE TO TELL THEM IT'S BUTTER BECAUSE I THOUGHT 298 00:18:09,326 --> 00:18:11,662 THAT WAS HUMMUS. AKBAR: NOTHING WORSE THAN GOING 299 00:18:11,728 --> 00:18:14,431 TO A RESTAURANT AND HAVING BUTTER AND BREAD AND THE BUTTER 300 00:18:14,498 --> 00:18:17,668 IS HARD AND YOU CAN'T DO ANYTHING WITH IT. 301 00:18:17,734 --> 00:18:21,505 JERRY: AKBAR'S BUTTER HAS TO BE KIDS TEMP. 302 00:18:21,572 --> 00:18:32,916 I LIKE KIDS TEMP. NATALIE: COMING UP NEXT, THE 303 00:18:32,983 --> 00:18:35,986 CHARMING MICHAEL EALY IS HERE AND TELL US WHY "REASONABLE 304 00:18:36,053 --> 00:18:37,955 DOUBT" IS A CRIME DRAMA THAT YOU DON'T WANT TO MISS. 305 00:18:52,202 --> 00:18:54,438 AKBAR: ALL RIGHT. OUR FIRST GUEST IS A VERSATILE 306 00:18:54,505 --> 00:18:59,109 AND TALENTED ACTOR WHO STARRED IN ICONIC FILMS LIKE 307 00:18:59,176 --> 00:19:01,712 "BARBERSHOP" AND "THINK LIKE A MAN." 308 00:19:01,778 --> 00:19:04,948 NOW HE'S PLAYING A FORMER INMATE WHO RECONNECTS WITH AN ATTORNEY 309 00:19:05,015 --> 00:19:08,952 FROM HIS PAST IN THE RIVETTING NEW DRAMA SERIES "REASONABLE 310 00:19:09,019 --> 00:19:15,125 DOUBT." PLEASE WELCOME MICHAEL EALY! 311 00:19:18,996 --> 00:19:33,877 ♪ 312 00:19:33,944 --> 00:19:36,480 ♪ 313 00:19:39,383 --> 00:19:44,121 SHERYL: WELCOME. WELCOME. 314 00:19:44,187 --> 00:19:54,865 WELCOME. 315 00:19:55,198 --> 00:20:02,306 [CHEERS AND APPLAUSE] 316 00:20:02,506 --> 00:20:04,708 NATALIE: WOW. SHERYL: ALL RIGHT, LADIES. 317 00:20:04,775 --> 00:20:11,915 AND I KNOW. [CHEERS AND APPLAUSE] 318 00:20:11,982 --> 00:20:16,353 SHERYL: YOU KNOW HOW MUCH WE LOVE YOU. 319 00:20:16,420 --> 00:20:19,289 >> YEAH! SHERYL: REMEMBER I MET YOU AND I 320 00:20:19,356 --> 00:20:22,659 JUST HUGGED YOUR WIFE AND SAID, THANK YOU, GIRL. 321 00:20:22,726 --> 00:20:25,562 AMANDA: HE'S MARRIED, LADIES. CALM DOWN. 322 00:20:25,629 --> 00:20:28,865 SHERYL: WE'RE SO PROUD OF YOU. AND IT'S HARD TO BELIEVE THIS 323 00:20:28,932 --> 00:20:34,404 MONTH MARKS THE 20TH ANNIVERSARY OF "BARBERSHOP?" 324 00:20:34,471 --> 00:20:36,673 MICHAEL: YES. SHERYL: WHERE IS THE LAST TIME 325 00:20:36,740 --> 00:20:41,445 YOU CAUGHT UP WITH ANYBODY ON THE CREW? 326 00:20:41,511 --> 00:20:45,382 MICHAEL: SHAWN IS IN THE SHOW, "REASONABLE DOUBT," BUT I SAW 327 00:20:45,449 --> 00:20:48,585 ICE CUBE AT A NASCAR RACE EARLIER THIS YEAR AND I WAS 328 00:20:48,652 --> 00:20:52,089 LIKE, DUDE, MAN, YOU KNOW, IT'S BEEN 20 YEARS, IT'S GOING TO BE 329 00:20:52,155 --> 00:21:00,063 20 YEARS THIS SEPTEMBER, MAN. AND HE'S LIKE, OH, REALLY? 330 00:21:00,130 --> 00:21:05,335 WE NEED TO MAKE ANOTHER ONE THEN. 331 00:21:05,402 --> 00:21:08,605 AND I WAS LIKE, I REMEMBER FEELING THAT'S THE 332 00:21:08,672 --> 00:21:13,110 ENTREPRENEURIAL SPIRIT CUBE IMBUES EVERYWHERE. 333 00:21:13,176 --> 00:21:16,713 LET'S GO MAKE MORE MONEY AND GET ANOTHER ONE. 334 00:21:16,780 --> 00:21:21,618 SHERYL: I HEAR YOU LIKE NASCAR. MICHAEL: MY FIRST TIME GOING TO 335 00:21:21,685 --> 00:21:23,487 NASCAR AND IT WAS PRETTY AMAZING. 336 00:21:23,553 --> 00:21:26,890 I TOOK MY SON AND HE GOT TO GO DOWN WITH THE PIT CREW AND 337 00:21:26,957 --> 00:21:30,394 EVERYTHING. HE WAS LIKE -- AHH. 338 00:21:30,460 --> 00:21:32,896 AMAZING. NATALIE: YOU'RE ALSO CELEBRATING 339 00:21:32,963 --> 00:21:36,967 A BIG MILESTONE, AN ANNIVERSARY. YES, LADY, HE'S 10 YEARS 340 00:21:37,034 --> 00:21:39,670 MARRIED. NEXT MONTH. 341 00:21:39,736 --> 00:21:44,708 WHAT IS ONE OF YOUR CORE PILLARS OF YOUR RELATIONSHIP? 342 00:21:44,775 --> 00:21:48,311 MICHAEL: SO WITH MY WIFE WHEN WE WERE DATING, I TOLD HER, I SAID 343 00:21:48,378 --> 00:21:52,482 LOOK, I'M NOT GOING TO BE THE MOST ROMANTIC GUY IN THE WORLD 344 00:21:52,549 --> 00:21:55,652 BECAUSE RIGHT NOW WHAT MATTERS, I'VE DONE THAT AND IT HASN'T 345 00:21:55,719 --> 00:21:59,056 WORKED OUT, I THINK WHAT I WANT TO BRING TO THIS RELATIONSHIP IF 346 00:21:59,122 --> 00:22:02,526 THIS IS GOING TO GROW IS A CORE FRIENDSHIP. 347 00:22:02,592 --> 00:22:09,599 I FELT LIKE THAT WAS THE MOST IMPORTANT THING THAT I COULD -- 348 00:22:09,666 --> 00:22:12,169 THANK YOU. IT WAS THE MOST IMPORTANT THING 349 00:22:12,235 --> 00:22:19,409 I FELT LIKE I COULD ACTUALLY BRING BECAUSE I THINK TOO MANY 350 00:22:19,476 --> 00:22:23,046 PEOPLE GET CAUGHT UP IN ALL OF THE PROCEED MAN PARTICULAR 351 00:22:23,113 --> 00:22:27,918 STUFF, AND I'M NOT SAYING YOU SHOULDN'T DO IT, DO NOT QUOTE ME 352 00:22:27,984 --> 00:22:31,621 AS SAYING YOU SHOULD NOT DO IT. AKBAR: IT'S NOT A BAD QUOTE, 353 00:22:31,688 --> 00:22:33,623 THOUGH. MICHAEL: IT'S ONE OF THOSE 354 00:22:33,690 --> 00:22:37,260 THINGS, THE TRUST, THE LOYALTY, BEING ABLE TO DEPEND ON THAT 355 00:22:37,327 --> 00:22:40,530 PERSON LIKE YOU WOULD A BEST, BEST FRIEND. 356 00:22:40,597 --> 00:22:44,668 SHERYL: THAT'S RIGHT. MICHAEL: THAT TO ME WAS KEY. 357 00:22:44,735 --> 00:22:47,304 NATALIE: THAT'S LASTING. THAT'S GOING TO LAST. 358 00:22:47,370 --> 00:22:50,474 MICHAEL: I DIDN'T KNOW IT AT THE TIME BUT IT HAS SERVED US. 359 00:22:50,540 --> 00:22:52,843 BEING MARRIED 10 YEARS IS AN ACCOMPLISHMENT. 360 00:22:52,909 --> 00:22:58,081 NATALIE: IT IS. MICHAEL: THERE'S A LOT OF 361 00:22:58,148 --> 00:23:00,951 NONROMANTIC MOMENTS WHEN YOU HAVE TWO KIDS AND YOU'RE 362 00:23:01,017 --> 00:23:02,819 MARRIED. THERE'S A LOT OF NONROMANTIC 363 00:23:02,886 --> 00:23:07,724 MOMENTS. AND IF YOU DON'T HAVE THAT CORE 364 00:23:07,791 --> 00:23:09,326 FRIENDSHIP -- AMANDA: YOU WERE JUST TRYING TO 365 00:23:09,392 --> 00:23:12,763 GET OUT OF CELEBRATING VALENTINE'S DAY. 366 00:23:12,829 --> 00:23:16,466 MICHAEL: PARTIALLY. AKBAR: WE WERE TALKING ABOUT IT 367 00:23:16,533 --> 00:23:20,003 EARLIER, DO YOU FEXT, FIGHT AND TEXT? 368 00:23:20,070 --> 00:23:23,273 MICHAEL: NO, NOT REALLY. BECAUSE WE HAVE LEARNED THAT 369 00:23:23,340 --> 00:23:31,114 THAT'S NOT HELPFUL. NATALIE: COMING UP NEXT, MICHAEL 370 00:23:31,181 --> 00:23:34,217 WILL TAKE US INSIDE HIS NEW DRAMA SERIES "REASONABLE DOUBT" 371 00:23:34,284 --> 00:23:35,252 SO DON'T GO AWAY. 372 00:23:41,758 --> 00:23:46,663 >> I'M BEING GIVEN A CHANCE FOR PAROLE FOR THE FIRST TIME. 373 00:23:46,730 --> 00:23:53,436 I CAN'T BLOW THAT. LOOK, I ALREADY LOST MY 30'S. 374 00:23:53,503 --> 00:23:58,041 MY LITTLE NIECE'S HIGH SCHOOL GRADUATION, VOTING FOR THE FIRST 375 00:23:58,108 --> 00:24:02,913 BLACK PRESIDENT. I HAVE TO DO THIS. 376 00:24:02,979 --> 00:24:06,316 >> IF YOU DO THIS, YOU WILL BE SAYING THAT YOU MURDERED THAT 377 00:24:06,383 --> 00:24:08,018 MAN. YOU'LL BE SAYING THAT YOU'RE A 378 00:24:08,084 --> 00:24:13,356 CRIMINAL. >> I THOUGHT YOU LIKED 379 00:24:13,423 --> 00:24:19,362 CRIMINALS. 380 00:24:19,930 --> 00:24:23,767 AMANDA: THAT WAS A CLIP OF THE HULU SERIES "REASONABLE DOUBT" 381 00:24:23,834 --> 00:24:29,372 AND WE'RE BACK WITH ONE OF THE STARS, MICHAEL EALY! 382 00:24:29,439 --> 00:24:34,077 SO YOU SAID THE SHOW IS ALL ABOUT THE CHOICES THAT WE MAKE 383 00:24:34,144 --> 00:24:38,915 AND THE WHAT IFS IN LIFE. SO TELL US HOW SO THEN. 384 00:24:38,982 --> 00:24:41,351 MICHAEL: THIS SHOW IS A LOT OF DIFFERENT THINGS TO A LOT OF 385 00:24:41,418 --> 00:24:44,321 DIFFERENT PEOPLE. I THINK AT THE FOREFRONT, IT IS 386 00:24:44,387 --> 00:24:48,992 AN EXAMPLE OF HOW WOMEN CAN DO IT ALL. 387 00:24:49,059 --> 00:24:53,263 I JUST WANT TO MAKE THAT ABUNDANTLY CLEAR. 388 00:24:53,330 --> 00:24:57,734 OH, MY GOSH. LIKE WHAT EMAYATZY CORINEALDI IS 389 00:24:57,801 --> 00:25:03,406 PULLING OFF IN THIS ROLE IS NOTHING SHORT OF MONUMENTAL AND 390 00:25:03,473 --> 00:25:05,108 COVERING EVERYTHING AND NAILING IT. 391 00:25:05,175 --> 00:25:10,213 IT'S BEAUTIFUL TO SEE. THERE'S ANOTHER THEME OF THE 392 00:25:10,280 --> 00:25:12,382 CARDS WE'RE DEALT AND HOW WE DON'T DEAL WITH CERTAIN THINGS 393 00:25:12,449 --> 00:25:15,352 THAT HAPPEN TO US IN OUR CHILDHOOD AND HOW THAT CAN 394 00:25:15,418 --> 00:25:20,323 AFFECT US LATER ON IN LIFE AND THEN LASTLY I'D SAY IS 395 00:25:20,390 --> 00:25:27,230 ESPECIALLY THE DYNAMIC BETWEEN HER AND I IS WHAT IF I HAD GONE 396 00:25:27,297 --> 00:25:31,301 LEFT INSTEAD OF RIGHT? AND I THINK THAT'S SOMETHING 397 00:25:31,368 --> 00:25:34,170 THAT, YOU KNOW, PEOPLE THINK ABOUT, PEOPLE QUESTION. 398 00:25:34,237 --> 00:25:37,874 I THINK PEOPLE, WHETHER THEY'RE IN RELATIONSHIPS LONG TERM OR 399 00:25:37,941 --> 00:25:42,312 NOT, IF YOU HAVE AN OUNCE OF HUMANITY IN YOU, YOU PROBABLY 400 00:25:42,379 --> 00:25:49,486 THOUGHT WHAT IF I WAS WITH VIRGIL OVER THERE OR, YOU KNOW, 401 00:25:49,552 --> 00:25:54,424 I THINK CHRIS ROCK SAID IT BEST WHEN HE SAID, YOU EVER CATCH 402 00:25:54,491 --> 00:25:57,727 YOUR WIFE LOOKING AT YOU ACROSS THE ROOM AND YOU WONDER WHAT 403 00:25:57,794 --> 00:26:02,966 SHE'S THINKING ABOUT AND YOU REALIZE SHE'S THINKING, I COULD 404 00:26:03,033 --> 00:26:08,405 HAVE DONE BETTER. SHERYL: THAT'S RIGHT. 405 00:26:08,471 --> 00:26:13,777 YOU KNOW WHAT, IN LOOKING AT THE CLIP, AND I'M NOT SAYING THIS TO 406 00:26:13,843 --> 00:26:16,613 OBJECTIFY YOU, I'M SAYING IT TO KEEP IT REAL. 407 00:26:16,680 --> 00:26:23,219 YOU ARE VERY DASHINGLY HANDSOME BUT YOU PLAY BAD AND EVIL REALLY 408 00:26:23,286 --> 00:26:25,922 VERY WELL. I'M TALKING TO YOU AS AN ACTOR 409 00:26:25,989 --> 00:26:28,792 AND A PERSON WATCHING IT NOW. I WATCHED YOU PIVOT AROUND. 410 00:26:28,858 --> 00:26:32,629 FIRST YOU STARTED VULNERABILITY AND THEN SHE WAS LIKE WELL, IF 411 00:26:32,696 --> 00:26:37,000 YOU DO THIS, ARE YOU KIDDING ME, AND YOU LEANED IN, I THOUGHT YOU 412 00:26:37,067 --> 00:26:40,737 LIKED CRIMINALS. I WAS LIKE DAMN! 413 00:26:40,804 --> 00:26:44,574 HE PLAYING A HUSTLE MIND GAME BECAUSE DID YOU DO IT OR DID YOU 414 00:26:44,641 --> 00:26:48,011 NOT DO IT OR IS THAT WHERE THE REASONABLE DOUBT COMES IN 415 00:26:48,078 --> 00:26:51,781 BECAUSE YOU'RE TRYING TO GET OUT, RIGHT? 416 00:26:51,848 --> 00:26:54,217 MICHAEL: IN THIS PARTICULAR CLIP I'M TRYING TO GET OUT AND I HAVE 417 00:26:54,284 --> 00:26:58,521 AN OPPORTUNITY TO GET OUT. AND IF I JUST ADMIT TO A CRIME I 418 00:26:58,588 --> 00:27:03,293 ALLEGEDLY DID NOT COMMIT, RIGHT, SO I HAVE TO -- BY DOING THAT, 419 00:27:03,360 --> 00:27:08,431 I'M ADMITTING TO SOMETHING THAT PERHAPS I DID NOT DO, AND SO, 420 00:27:08,498 --> 00:27:13,036 YOU KNOW, BUT AS YOU -- AS THE SHOW PROGRESSES, YOU REALIZE 421 00:27:13,103 --> 00:27:18,608 THERE'S NOTHING HE WON'T DO FOR HER. 422 00:27:18,675 --> 00:27:23,747 SHERYL: YEP, THAT RIGHT THERE. JERRY: MERE EALY, YOU'VE DONE A 423 00:27:23,813 --> 00:27:27,584 LOT IN YOUR LONG, ILLUSTRIOUS CAREER AND MAY BE THE FIRST TIME 424 00:27:27,650 --> 00:27:30,253 YOU'VE DONE A SEXY SCENE OVER THE PHONE. 425 00:27:30,320 --> 00:27:37,027 WHAT IS GOING ON? MICHAEL: AT ITS CORE, IT'S PHONE 426 00:27:37,093 --> 00:27:41,631 NEXT. IT'S PHONE NEXT. 427 00:27:41,698 --> 00:27:44,467 IT'S PHONE SEX. AND MOST PEOPLE HAVE EITHER 428 00:27:44,534 --> 00:27:48,171 TRIED IT AND FAILED OR TRIED IT AND SUCCEEDED. 429 00:27:48,238 --> 00:27:52,876 IT'S UP TO YOU. I GUESS IT JUST DEPENDS ON WHAT 430 00:27:52,942 --> 00:27:56,646 KIND OF GAME YOU HAVE. BUT THERE IS A SCENE IN THE 431 00:27:56,713 --> 00:28:00,116 SHOW, THERE'S AN EPISODE THAT'S ALL ABOUT THE ORIGIN STORY OF 432 00:28:00,183 --> 00:28:04,821 THESE TWO CHARACTERS AND YOU UNDERSTAND THAT, YOU KNOW, THIS 433 00:28:04,888 --> 00:28:09,526 WAS A REAL CONNECTION BETWEEN THESE TWO AND IT SUPERSEDED A 434 00:28:09,592 --> 00:28:13,463 LOT OF KIND OF MISCELLANEOUS B.S. 435 00:28:13,530 --> 00:28:19,469 SO THEY JUST HAD TO KIND OF -- THEY JUST PUSHED EACH OTHER'S 436 00:28:19,536 --> 00:28:22,872 BUTTONS IN ALL THE RIGHT WAYS. NATALIE: ALL RIGHT. 437 00:28:22,939 --> 00:28:26,476 SO MICHAEL, WE'VE SEEN YOU PLAY BAD AND YOU PLAY BAD REALLY 438 00:28:26,543 --> 00:28:28,011 GOOD. YOU'VE PLAYED ALL KINDS OF 439 00:28:28,078 --> 00:28:32,816 CHARACTERS, IS THERE A CHARACTER THAT YOU WOULD LOVE TO PLAY, 440 00:28:32,882 --> 00:28:35,385 MAYBE A JAMES BOND CHARACTER OR SOMETHING? 441 00:28:35,452 --> 00:28:40,523 AM I THINKING RIGHT? MICHAEL: YEAH. 442 00:28:40,590 --> 00:28:48,264 IT WOULD BE AMAZING TO PLAY A SECRET AGENT THAT NEVER DIES. 443 00:28:48,331 --> 00:28:53,403 AND CAN TRAVEL THE WORLD AND SPEAK VARIOUS LANGUAGES AND IN 444 00:28:53,470 --> 00:28:57,540 ALL HONESTY, I'VE SAID THIS AND I WILL CLAIM IT, I'M GOING TO 445 00:28:57,607 --> 00:29:02,579 CLAIM IT NOW AND SAY I'M LOOKING TO GET INTO THE DAD SPACE. 446 00:29:02,645 --> 00:29:07,417 NATALIE: I LIKE THAT. MICHAEL: I REALLY LOVE 447 00:29:07,484 --> 00:29:09,752 FATHERHOOD. IT HAS CHANGED ME IN SO MANY 448 00:29:09,819 --> 00:29:12,422 WAYS. AND YOU KNOW, LIKE YESTERDAY WAS 449 00:29:12,489 --> 00:29:18,561 MY DAUGHTER'S BIRTHDAY AND IT WAS, LIKE, I COULDN'T BE THERE 450 00:29:18,628 --> 00:29:23,032 FOR HER SCHOOL PARTY AND IT JUST BROKE MY HEART. 451 00:29:23,099 --> 00:29:26,436 I'VE GIVEN MYSELF GRACE, I'M OK. I'M GIVING MYSELF GRACE AND SHE 452 00:29:26,503 --> 00:29:29,939 KNOWS I LOVE HER AND WE SNUGGLED AND READ AND EVERYTHING LAST 453 00:29:30,006 --> 00:29:32,108 NIGHT. BUT IT'S CHANGED ME IN SUCH A 454 00:29:32,175 --> 00:29:36,279 WAY I'D LIKE TO BE ABLE TO USE WHAT I KNOW AND BRING THAT TO 455 00:29:36,346 --> 00:29:39,716 WHATEVER CHARACTER I PLAY. NEXT. 456 00:29:39,782 --> 00:29:41,518 NATALIE: I THINK IT WOULD BE GREAT. 457 00:29:41,584 --> 00:29:43,520 WE'D LOVE TO SEE YOU LIKE THAT. YEAH. 458 00:29:43,586 --> 00:29:46,389 ALL RIGHT. MICHAEL: IT WOULD BE FUN. 459 00:29:46,456 --> 00:29:47,991 NATALIE: MICHAEL EALY, YOU'RE AWESOME. 460 00:29:48,057 --> 00:29:51,060 THANKS FOR COMING BY. "REASONABLE DOUBT" PREMIERES 461 00:29:51,127 --> 00:29:53,396 TUESDAY, SEPTEMBER 27 ON HULU. WE'LL BE RIGHT BACK. 462 00:29:56,799 --> 00:29:59,736 NATALIE: UP NEXT FROM "THE BOLD ANDTHE BEAUTIFUL," SEAN KANAN. 463 00:30:12,782 --> 00:30:16,719 SHERYL: OUR NEXT GUEST PLAYS ONE OF DAY TIME'S MOST NOTORIOUS BAD 464 00:30:16,786 --> 00:30:19,322 BOYS. BUT NOW DEACON SHARPE IS 465 00:30:19,389 --> 00:30:22,926 ATTEMPTING TO WALK THE STRAIGHT AND NARROW, AND IT APPEARS HE'S 466 00:30:22,992 --> 00:30:25,995 EVEN WILLING TO HELP HIS EX WHILE SHE'S VISITING LOS ANGELES 467 00:30:26,062 --> 00:30:28,531 FROM GENOA CITY. TAKE A LOOK. 468 00:30:28,598 --> 00:30:31,301 >> I HOPE THIS DOES THE TRICK. >> ME, TOO. 469 00:30:31,367 --> 00:30:34,804 THANKS. >> NIKKI, IF THERE'S ANYTHING 470 00:30:34,871 --> 00:30:38,875 ELSE I CAN DO, LET ME KNOW. I WANT YOU TO KNOW THAT YOU'RE A 471 00:30:38,942 --> 00:30:41,077 CLASS ACT. YOU ALWAYS HAVE BEEN, YOU ALWAYS 472 00:30:41,144 --> 00:30:45,481 WILL BE. SHERYL: FROM THE MOST WATCHED 473 00:30:45,548 --> 00:30:52,222 U.S. PRODUCED DAY TIME DRAMA IN THE WORLD, "THE BOLD AND THE 474 00:30:52,288 --> 00:30:56,125 BEAUTIFUL," PLEASE WELCOME SEAN KANAN. 475 00:30:56,593 --> 00:31:11,474 ♪ 476 00:31:11,541 --> 00:31:23,686 ♪ 477 00:31:27,557 --> 00:31:28,958 SHERYL: DEACON SHARPE, YOU'RE LOOKING SHARP. 478 00:31:29,025 --> 00:31:35,098 LET'S GET INTO A LITTLE "BOLD AND THE BEAUTIFUL DISCUSSION." 479 00:31:35,164 --> 00:31:38,434 DEACON IS WORKING HARD TO CHANGE HIS WAYS BECAUSE OF HIS DAUGHTER 480 00:31:38,501 --> 00:31:40,837 HOPE. BUT I GUESS WE ALL WANT TO KNOW, 481 00:31:40,903 --> 00:31:43,806 IS IT GOING TO STICK? ARE YOU REALLY REFORMED OR WHAT 482 00:31:43,873 --> 00:31:47,677 IS HAPPENING? ARE YOU ABOUT TO BACKSLIDE? 483 00:31:47,744 --> 00:31:49,545 SEAN: I THINK THE GUY IS TRYING TO DO THE RIGHT THING. 484 00:31:49,612 --> 00:31:53,016 I THINK HE'S BURNED SO MANY BRIDGES, HE'S LEFT WITH THE 485 00:31:53,082 --> 00:31:57,754 OPPORTUNITIES TO KIND OF GO THROUGH THE BACKDOOR TO GET DONE 486 00:31:57,820 --> 00:32:02,492 WHAT HE WANTS TO GET DONE. I DON'T KNOW. 487 00:32:02,558 --> 00:32:07,330 I DON'T KNOW THAT MUCH MORE THAN MAYBE LIKE A WEEK AND A HALF, 488 00:32:07,397 --> 00:32:08,731 TWO WEAKNESS ADVANCE WHEN I GET THE SCRIPT SO I'M INTERESTED TO 489 00:32:08,798 --> 00:32:11,467 SEE WHAT HAPPENS. AS LONG AS THEY STAY OUT OF THE 490 00:32:11,534 --> 00:32:16,272 BROOM CLOSET. SHERYL: YOU'RE TRYING TO REFORM 491 00:32:16,339 --> 00:32:22,078 BUT ARE YOU DOING BAD THINGS FOR GOOD REASONS? 492 00:32:22,145 --> 00:32:28,651 SEAN: YEAH, LET'S GO WITH THAT. LOOK, DEACON HAS SHEILA LIVING 493 00:32:28,718 --> 00:32:34,123 AT HIS PLACE. THAT'S A LITTLE BIT INSANITY 494 00:32:34,190 --> 00:32:36,092 RIGHT THERE. HE'S TRYING TO DO THE RIGHT 495 00:32:36,159 --> 00:32:39,262 THING AND TRYING TO BE A GOOD FATHER TO HOPE, BUT THEN THERE'S 496 00:32:39,329 --> 00:32:46,736 THE SHEILA DEVIL. JERRY: SEAN, WE REALLY 497 00:32:46,803 --> 00:32:50,640 APPRECIATE YOU COMING, WE LOVE IT WHEN EVERYONE ON YOUR SHOW 498 00:32:50,707 --> 00:32:53,976 COMES ON OUR SHOW. WE REALLY MEAN THAT. 499 00:32:54,043 --> 00:32:56,813 BUT DEACON AND SHEILA ARE CURRENTLY IN A LIVING SITUATION 500 00:32:56,879 --> 00:33:00,083 IN AN APARTMENT SMALLER THAN AMANDA'S FIRST APARTMENT IN NEW 501 00:33:00,149 --> 00:33:02,652 YORK CITY. WHAT IS GOING ON. 502 00:33:02,719 --> 00:33:05,988 SEAN: HERE'S THE FUNNY THING. YOU CAN ONLY LIVE WITH SOMEBODY 503 00:33:06,055 --> 00:33:10,993 IN A SHOE BOX FOR SO LONG BEFORE YOU EITHER KILL EACH OTHER OR 504 00:33:11,060 --> 00:33:14,897 YOU WIND UP, YOU KNOW, IN THE SACK TOGETHER. 505 00:33:14,964 --> 00:33:19,369 JERRY: OH, WHOA, WHOA. SHERYL: THAT'S HOW IT HAPPENS. 506 00:33:19,435 --> 00:33:22,372 AMANDA: LET'S TALK ABOUT HOW DEACON NOW HAS BEEN STIRRING 507 00:33:22,438 --> 00:33:25,641 THINGS UP ON "THE YOUNG AND THE RESTLESS." 508 00:33:25,708 --> 00:33:30,346 AND IT'S BEEN 10 YEARS SINCE HE'S BEEN ON THAT SHOW. 509 00:33:30,413 --> 00:33:33,716 SEAN: I CAN'T BELIEVE THAT. IT'S BEEN 10 YEARS SINCE DEACON 510 00:33:33,783 --> 00:33:37,954 MADE HIS WAY TO GENOA CITY. A LOT OF PEOPLE DON'T KNOW THIS 511 00:33:38,020 --> 00:33:41,224 BUT THERE'S A WORM HOLE THAT EXISTS BETWEEN LOS ANGELES AND 512 00:33:41,290 --> 00:33:45,294 GENOA CITY, WHICH IS WISCONSIN. ALL YOU HAVE TO DO TO GET FROM 513 00:33:45,361 --> 00:33:49,732 LOS ANGELES TO GENOA CITY IS WALK FROM OUR STAGE RIGHT ACROSS 514 00:33:49,799 --> 00:33:57,173 THE HALLWAY AND THEN YOU'RE THERE. 515 00:33:57,240 --> 00:34:02,845 IT WAS SO MUCH FUN. MELODY'S HUSBAND, ED, IS OUR 516 00:34:02,912 --> 00:34:05,415 SUPERVISING PROFESSOR AND I GET TO WORK WITH ED ALL THE TIME AND 517 00:34:05,481 --> 00:34:09,752 IT WAS FUN TO RECONNECT WITH MELODY AFTER ALL THESE YEARS. 518 00:34:09,819 --> 00:34:12,488 SHE'S A TERRIFIC ACTRESS AND A TON OF FUN AND WE PICKED UP 519 00:34:12,555 --> 00:34:18,194 WHERE WE LEFT OFF. NATALIE: WE LOVE NIKKI NEWMAN. 520 00:34:18,261 --> 00:34:20,496 IN ADDITION TO "THE BOLD AND THE BEAUTIFUL," YOU HAVE YOUR SECOND 521 00:34:20,563 --> 00:34:24,000 BOOK IN THE WAY OF THE COBRA SERIES AND YOU'RE STARRING IN 522 00:34:24,066 --> 00:34:30,206 YOUR EMMY WINNING SERIES "STUDIO CITY" AS WELL AND OF COURSE 523 00:34:30,273 --> 00:34:33,843 YOU'RE BACK WITH NETFLIX'S NUMBER ONE SHOW, COBRA KEY." 524 00:34:33,910 --> 00:34:37,180 TAKE A LOOK. >> BY THE TIME I'M FINISHED 525 00:34:37,246 --> 00:34:39,515 THEY'LL BE UNRECOGNIZABLE AND I THINK I KNOW EXACTLY HOW TO DO 526 00:34:39,582 --> 00:34:45,087 IT. I THINK I'M GOING TO START BY 527 00:34:45,154 --> 00:34:48,691 CUTTING OFF THEIR LEGS. YOU KNOW WHAT, ENOUGH CHITCHAT, 528 00:34:48,758 --> 00:34:54,664 LET'S GET DOWN TO BRASS TAX. FOR MY TO DO MY VERY BEST I NEED 529 00:34:54,730 --> 00:34:56,499 50%. YOU OWE ME THAT MUCH AFTER WHAT 530 00:34:56,566 --> 00:34:58,935 HAPPENED LAST TIME. YEAH, IT'S GOING TO BE FUN. 531 00:34:59,001 --> 00:35:02,104 THOSE KIDS ARE IN FOR A BIG SURPRISE. 532 00:35:02,171 --> 00:35:08,845 >> NO! NATALIE: WHAT'S IT LIKE BEING IN 533 00:35:08,911 --> 00:35:11,848 THAT FRANCHISE AFTER MORE THAN 30 YEARS AS MIKE BARNES? 534 00:35:11,914 --> 00:35:18,321 SEAN: THIS WAS A ROLE I DID 34 YEARS AGO AND NEVER IN A MILLION 535 00:35:18,387 --> 00:35:25,194 YEARS DID I FIGURE I'D REPRIDES THIS UNTIL OBSERVE A KAI" CAME 536 00:35:25,261 --> 00:35:28,698 OUT AND I SAID THEY'LL HAVE TO PUT ME IN IT SOONER OR LATER AND 537 00:35:28,764 --> 00:35:34,303 WAS FANTASTIC, RECONNECTING WITH RALPH MACHIO AND BILLY AFTER 538 00:35:34,370 --> 00:35:38,908 DECADE AND DECADES. NATALIE: YOU STILL HAVE THE 539 00:35:38,975 --> 00:35:39,842 COBRA MOVES? SEAN: OH, YEAH. 540 00:35:39,909 --> 00:35:44,580 JUST WATCH. AMANDA: ALL THIS SEASON "THE 541 00:35:44,647 --> 00:35:48,451 TALK" WILL SHARE EXCLUSIVE CLIPS OF OUR FAVORITE DAY TIME DRAMAS, 542 00:35:48,518 --> 00:35:52,922 SO IT'S TIME FOR ANOTHER SNEAK PEEK OF THE WEEK. 543 00:35:52,989 --> 00:35:59,562 ♪ AMANDA: SEAN, YOU'VE BEEN KIND 544 00:35:59,629 --> 00:36:03,900 ENOUGH TO BRING US MONDAY'S EPISODE OF "THE BOLD AND THE 545 00:36:03,966 --> 00:36:09,372 BEAUTIFUL" WHICH FEATURES ONE OF GENOA'S FAVORITE RESIDENTS 546 00:36:09,438 --> 00:36:12,074 VISITING FORRESTER CREATIONS. TAKE A LOOK. 547 00:36:12,141 --> 00:36:15,411 >> ERIC, WITH YOU'RE A TRUE ARTIST, IT'S GORGEOUS. 548 00:36:15,478 --> 00:36:17,680 SUMMER WILL BE A KNOCKOUT. THE CUT AND NECKLINE IS 549 00:36:17,747 --> 00:36:20,816 STUNNING. >> WELL, THOSE ARE RIDGE'S IDEAS 550 00:36:20,883 --> 00:36:23,586 BUT I DID THE LENGTH AND THE STITCHING. 551 00:36:23,653 --> 00:36:25,121 >> OH, I LOVE THE STITCHING, TOO. 552 00:36:25,187 --> 00:36:26,989 IT'S VERY INSPIRED. >> THANK YOU. 553 00:36:27,056 --> 00:36:29,125 >> THANK YOU. THANK YOU, EVERYBODY. 554 00:36:29,191 --> 00:36:33,296 I KNOW YOU'LL BE HEARING THE SAME THING FROM SUMMER AS WELL. 555 00:36:33,362 --> 00:36:35,932 >> OH, IT'S GREAT. SO ARE YOU STAYING IN L.A. A FEW 556 00:36:35,998 --> 00:36:40,536 DAYS OR WILL YOU HEAD BACK TO GENOA CITY RIGHT AWAY? 557 00:36:40,603 --> 00:36:42,939 >> NO, I'M HEADING BACK. I HAVE ONE STOP I NEED TO MAKE 558 00:36:43,005 --> 00:36:49,145 FIRST. NATALIE: UH-HO. 559 00:36:49,211 --> 00:36:52,515 WHERE IS SHE GOING? SEAN: YOU NEVER KNOW WHERE IT 560 00:36:52,582 --> 00:36:56,552 MIGHT LEAD, RIGHT? NATALIE: THANK YOU SO MUCH FOR 561 00:36:56,619 --> 00:36:59,388 STOPPING BY. "THE BOLD AND THE BEAUTIFUL" IS 562 00:36:59,455 --> 00:37:01,691 ON PARAMOUNT PLUS. SEAN KANAN, EVERYONE. 563 00:37:11,467 --> 00:37:13,202 NATALIE: WHAT A WEEK WE HAD HERE AT "THE TALK." 564 00:37:13,269 --> 00:37:15,605 SUCH A GREAT TIME. WE CANNOT WAIT TO WELCOME NEXT 565 00:37:15,671 --> 00:37:19,809 WEEK'S GUESTS INCLUDING THE ALWAYS FUNNY BILLY GARDELL FROM 566 00:37:19,875 --> 00:37:26,015 "BOB HEARTS ABISHOLA." WE HAVE HEARING HELGENBERGER 567 00:37:26,082 --> 00:37:34,223 REPRIZING HER ROLE AS KATHERINE WILLOWS IN "CSI:VEGAS" AND 568 00:37:34,290 --> 00:37:36,859 SANAA LATHAN FROM "ON THE COME UP." 569 00:37:36,926 --> 00:37:40,730 YOU HAVE FANTASY FOOTBALL, WHO ARE YOU ROOTING FOR? 570 00:37:40,796 --> 00:37:43,232 THE GOAT? UNDERWOOD UNITED? 571 00:37:43,299 --> 00:37:46,168 OR VIVA? TUNE IN TO SEE WHAT WE'RE 572 00:37:46,235 --> 00:37:49,438 TALKING ABOUT RIGHT HERE ON "THE TALK." 573 00:37:49,505 --> 00:37:51,440 BYE, EVERYBODY. HAD A GREAT WEEKEND.