[jazz music]
♪ ♪
- The Penn & Teller theater at the Rio Hotel in Las Vegas,
Here's our our host, Brooke Burke!
[cheering]
♪ ♪
- Welcome to "Fool Us."
Whether it's slick sleight of hand or enchanting illusions,
we showcase all kinds of magic because we never know
what will fool the stars of our show.
But one thing we do know is that it won't be easy.
Now let the games begin as we bring out
two of the greatest minds in magic, Penn and Teller.
[applause]
[cheering]
If Penn and Teller can't figure out a trick,
they declare that magician to be a fooler
and give them the prestigious and shiny "Fool Us" trophy.
Our first winner might be this magician right here.
- I'm Ben Jackson and I'm from Houston, Texas.
I majored in biomedical sciences
with a chemistry minor and a business minor.
So when I graduated, I naturally became a magician.
I traded medical school for magic.
I've made a specialty of using magic
to reach people in unexpected ways.
When the Houston Museum of Natural Science
asked me to be their spokesperson,
I created some magical content to boost attendance.
I turned ancient papyrus into $100 bills,
produced a dinosaur bone from nowhere,
and made priceless diamonds magically appear.
Oh, missed one.
Penn, Teller, I've created this one just for you.
- Joined by a random member of our studio audience,
Texas magician, Ben Jackson.
[applause]
- Come on Brooke, good to see you.
- Thank you, hi. - Nice to meet you.
- Good to see you, team.
- I'm happy to help if I can.
- Oh, you're going to knock it out of the park.
Team, before we get started, I want you to know
that in high school, I was president of Latin Club.
Which means I was also voted
most likely to become a magician.
Right, Teller? Uh-huh. Yeah, Carpe Diem, brother.
Right there. Pound it. Tempest Fugit, girlfriend.
And you see Teller taught high school Latin
and Greek for six years.
Which means he's familiar with the story
of Theseus from Greek mythology.
A man who entered into a labyrinth to slay the Minotaur.
In order to navigate the twists and turns of the maze,
he used one of these.
A clew.
C-L-E-W.
An antiquated term for a ball of yarn.
Ingeniously, he tied one end to the entrance.
He unraveled it as he strolled through,
and then he simply followed the yarn back to the beginning
to make sure he never got lost.
And that's the origin story of the word clue,
C-L-U-E, as we know it today.
Because a clue is a guide to help solve a mystery.
Classic story deserves a classic piece of magic.
So we'll use a length of yarn,
a knitting needle, and that borrowed ring.
Sir, now's that time.
Very good.
Here's the beauty in this.
There's no big boxes, no laser lights, no flashy props.
Just a ring, a yarn, and some help.
Brooke, please hold on to the ends, please.
Very good.
The only way that the ring gets off the yarn
is through the ends.
Unless you find the sweet spot,
which is right here...
once, twice, off.
[audience gasping]
Please calm down, all of you. Calm down. Very good.
I know. It's a lot to take in.
Now, Brooke, did you let go of the ends?
- I did not. - That makes that impossible.
So we're going to do it again as fairly as I can.
As you can definitely see, it's on there.
I'm sensing some trust issues from this man.
Okay, no, it really is on there. It really is.
Okay.
Brooke, you're going to watch the ends.
- Okay.
- You're going to watch the ring.
I'm going to do it until you enjoy it. Okay, sir?
Here we go. - No, that was good.
- Here's the deal. Look at this.
Take a mental snapshot.
Really burn that image in your mind.
And realize that ring really is on that yarn.
A little insider baseball. Here's what I'm not doing.
I don't come over like this and pull.
I massage. The metal heats up.
Pops off. That's the easy part.
Hard parts come back like this and go right back on.
That's the hard part.
- [applause] - Oh, yeah.
Oh, now he's good. Oh, now he's good.
Very good.
- That's amazing.
One last time, clearly going through.
We're going to isolate the ring.
Multi-task right here. Can you guys multi-task?
- I can. - We're going to find out.
You can do it, Brooke. That's right.
Hold on to the end there for me, sir.
Thank you.
Actually, with your other hand, please.
And would you hold the other end, Brooke?
- Yes. - Very good.
- See the cap right there? - Yes.
- Hold on to the cap, please. - Okay.
- Sir, lean in. Hold on to that point.
Very good. Now, I can't go this way.
I can't go this way.
I can only go forward once, twice.
Don't move.
[cheering, applause]
- Wow. - Yes.
I'm telling you right now. Look at that.
Solid has passed through solid.
I get chills being around me. I really do.
One last time, I'll do it as fairly and as slowly as I can.
- Ready? - Yes.
- Sir, say go.
- Go.
- Gone.
Gone.
Not on the ring.
Not on the hands.
Not on me. It's back at the beginning.
- No way.
- I didn't say it on your finger.
I just said back at the beginning.
I'm just saying.
You're going to freak me out, man.
Way out right there. That'd be crazy.
But at the beginning of what?
At the beginning of what?
I'll give you a clue.
See?
This is what the show is all about.
Penn and Teller search for clues.
Magicians come on this stage and they weave
their tangled web of deception.
And it's up to Penn and Teller to watch intently
and to decipher in real time as to what they're looking at
if it's a genuine clue or if it's just misdirection.
Those aren't the clues I'm looking for.
It's neither those. Toss them, team. Toss them.
Yeah, go crazy. We're having a party.
Not that one or this one or this one or that one.
Oh my goodness.
Right down there at the very bottom.
E Pluribus unum, out of many... One.
- Brooke? - Yes.
- Take that whole thing out. - Okay.
Hold it right there.
This is the clue we've been looking for.
This is the clue in question.
Because we've been using the end the entire time.
And like Theseus, we have to get back to the beginning.
- Okay.
- Brooke, take out your right hand, palm up, please.
Hold tightly. - Okay.
- Very good.
Sir, hold on to the end.
Both magic and mythology produce a powerful effect,
even though it's just pretend,
because we can't help but knit ourselves into the narrative.
We envision slaying the monsters of our own lives,
navigating through impossible conditions,
and wielding the elements at our fingertips.
We all want to know how the story ends,
especially this man.
Can you cup your hands, sir?
Empty the contents into his hand, please.
- Oh my gosh.
This is so cool.
- I'll take the jar. - Okay.
- Sir, would you be so kind to untie the ribbon?
And then hand me the ribbon.
Friends, the beauty of magic does not lie in the deception.
It lies in the moments of connection.
And brother, this moment...
is just for you.
Slowly open that box.
Whose ring is that?
Mine.
Give him a round of applause. Fantastic, yes!
Brother, you're the man. Thank you, sir.
Appreciate your help.
- Wow, the amazing Ben Jackson, everyone.
That was mind-blowing.
- Oh, good.
- Can you recall a particular life lesson?
Did magic teach you something significant in your life?
- I think magic has taught me to be so thankful.
My mom has been cleaning teeth for 30 years.
And I remember one day I called my mom on the phone and said,
"Mom, I'm getting ready for a gig.
"I'm not feeling really great about it.
I didn't really want to go."
I was kind of down in the dumps.
She said, "Oh, you want to go to your magic show?
"Your magic show where people clap and they just applaud.
"And they go, ooh, and ah, over your magic tricks.
"And you're not feeling great about that?
Well, boo-hoo, right?"
And so, you know, she said, "Ben, you know how people clap
"and applaud for me after I clean their teeth?
"None. Nobody. No one does this.
"So be thankful.
Be thankful that you get to bring joy to people."
- That's sweet. - Yeah.
- Okay, Ben, everybody ready?
Let's see if Penn and Teller
have a clue as to how you worked your magic.
- Fair enough.
- Boys?
- Hey, Ben, that was really nice.
You put together really, really different stuff.
I mean, the ring in the ball of wool is a Victorian trick.
- Yes. - It's in all the magic books.
We were all ready for that from the moment
you came out with the ball of yarn.
We said, oh, well, that's where the needle is going.
But we didn't anticipate was the jar being in there.
And that was a really, really nice idea.
And all that string stuff does not go back to Victorian times.
There's a lot of new stuff you invented there.
So by giving a history of it,
I'm trying not to take away from you.
You set the whole thing up with Teller being a Latin teacher.
And I was needling Teller
to try to give the explanation in Latin.
And unfortunately, some of the words
we want to use were not around then.
But Teller did write one thing in Latin
that I think might give you a hint.
You want to show him that?
These are two Latin scholars conversing.
- It's been a while.
- I think what it means is that you didn't fool us.
- Oh... - Does that make sense?
- You know what?
They're the smartest guys in the room for a reason.
So I've got to hand it to them.
I guess they got me.
- Aw...
- Thank you so much, Ben. Thank you.
- Ben Johnson, everyone. - Thank you, everybody.
- You were fantastic, Ben.
Wow.
The boys are tough tonight.
Stick around, "Fool Us" will be right back.
[applause]
♪ ♪
- Welcome back, everyone.
I am here with Ben Jackson,
who just did some amazing magic with yarn and a ring.
I was up close and personal. It was amazing.
He didn't fool Penn and Teller,
but the boys have asked us to bring him back
to have a quick word with him.
Penn, Teller?
- Ben, everything we said positive about you
is absolutely true.
But as you know very well,
and they don't know, we talked to you backstage
during the commercial,
and you told us in detail how you did the trick,
and we thought we had it, and we didn't.
Ben, you fooled us.
- Wait, what? - We were wrong.
- We never do this.
- [cheering] - Ben!
- Oh my gosh. - Oh, man!
- Wow. - What?
Wonderfully done, Ben. Wonderfully done.
Thanks for laying all that out for us.
- Wow. - You deserve this.
- Wow. - You know what?
You guys are so cool.
It turns out Ben Jackson just fooled Penn and Teller,
and we've got another potential fooler
for these guys right here.
[applause]
- Here comes a man with magic Spanish hands,
Juan Luis Rubiales.
[applause]
- Hello, hello, hello, everybody.
My name is Rubiales. I come from Spain.
Please don't worry if you don't understand well my English.
I come from the south of Spain
and the rest of the Spaniards
don't understand well my Spanish.
All of you are in the same conditions.
I'm going to do a card trick, okay?
For that, I have here a deck of cards,
and I'm going to deal cards all over the table.
And whenever you want, just tell me stop, and I will stop.
Whenever you want, just tell me stop.
- Stop.
- Sure? - Yeah.
- This will be your card, okay? - Okay.
- You are not going to see it.
- Okay.
But in a while.
Now is your turn.
I'm going to put cards all over the table and when you want,
tell me stop.
There.
Okay.
I forgot you cannot talk.
I'm going to deal the rest of the card right here.
These are your cards.
Can you see this picture?
- Mm-hmm. - Yeah?
I'm going to try to do the same here.
But I'm not going to take another deck of cards.
I'm going to try to make my own deck of cards.
How? With magic?
The first one, the first thing you need is this.
Another close up mat.
And this ball, if I bounce the ball
without an intention, nothing happens.
But if I bounce with an intention,
cards start appearing each time that I bounce the ball.
[applause]
I know what you are thinking.
You are thinking, okay, but it's going
to take so long to make a whole deck and this is a TV.
We have no time.
Don't worry about that.
I made it appear at my room. Okay?
Then, for example, can you help me, please?
I'm going to put a card like that and you are going
to wash the card here on the table.
Can you wash the card there?
Can you help him to wash the card?
Yeah, shuffle these two.
Okay. And now I have here another ball.
This is a red one.
This one is to print the backs of the cards.
Then select any back, any card.
That one, okay?
This is going to be yours.
One for you?
- This one right here. - That one?
- Yep. - Okay.
This one and this one. I have to print the back.
Watch.
[applause]
And you need to know which are each one of the cards.
Your card is the four of clubs and a queen of heart.
Four of clubs and queen of heart.
This is the queen and this is the four.
[applause]
And now we have exactly the same image.
No, no, no. Oh, no, no, wait.
Hold your horses because it's not
exactly the same image.
If I want to have here exactly the same image,
all these card must be blank.
You are not going to believe me
because these cards are
all blank, blank, blank, blank, blank, and blank.
[applause]
- Juan Luis Rubiales, everyone.
[speaking Spanish]
- That was amazing. - Oh, thank you.
- What is the life of a magician like?
- Awesome. Awesome. Yeah.
My family was not rich.
I never imagined that I could be traveling from Spain to Tokyo,
France, England, Las Vegas.
I cannot pay in any way all that the magic is giving to me.
- And how important are your emotions in your performance?
- The emotion in magic is everything.
The trick doesn't matter at all
because the magic doesn't happen in your hand,
happen in your heart.
It's about touching this part of your soul
and making you happy just for a few minutes.
Okay, Juan, it's time to talk to Penn and Teller.
Now, I know you touched their hearts,
but let's see if you fooled their minds.
Boys.
- Juan... [speaks Spanish] - Gracias.
- Just wonderful. Mind-blowing.
So ingenious.
You know, boy, the Spaniards and their card tricks.
Wow.
All of yous. All of yous are just fabulous.
But I got to tell you, with card tricks,
it's usually personality and intellectual.
What you rarely get with card tricks
is a real visual, visceral illusion.
You don't usually get pure illusions in card tricks.
And you really brought that in just a gorgeous way.
It's just one of the most beautiful mind-blowing acts.
And the fact that it's cards doesn't even matter.
It's a beautiful visual thing that we just see there.
And just a whole different way to see card tricks.
And so ingenious.
I mean, completely creative.
And I don't want to force myself to give code words and so on.
- You can go on.
[laughing]
- He'll give them to us.
- I just keep saying great, great, great.
And we happen to know how you did it.
And that actually makes it much more ingenious.
It's a brilliant use of everything you use.
And we loved it.
You blew our minds, but you didn't fool us.
[applause]
- You brought us so much joy, so much joy in the audience.
Thank you so much.
Thank you and I'll be back.
- Yes, you will. Come back and play with us.
Juan Luis Rubalies, everyone.
Don't disappear.
We still have more magic to show you when "Fool Us" returns.
♪ ♪
- Welcome back, everyone.
We've got another awesome act for you.
Take a look, everyone.
- This is the greatest act I've ever seen.
- From the moment I walked off the stage,
I knew I want to come back.
I love creating new magic.
I think up original tricks and unusual methods
by filling my mind with an enormous amount of data.
The history of mankind.
The plays of Shakespeare.
I learned a few digits of Pi here.
Not too many. A few thousands, maybe.
And from all of this comes the inspiration
for the new and unusual magic.
That's where tonight's trick came from.
Penn, Teller,
you've never seen a combination like this
because it's brand new.
And that's how I might fool you.
[applause]
- See if you can wrap your head around
the magic of Harry Keaton.
[applause]
- Have you ever... have you ever tried
to remember someone's name?
Remember, and it won't come out?
It is buried somewhere in your cranium.
You have it at the tip of your tongue,
but you just can't retrieve it?
I've invented a magical solution for this kind of mental block.
I'll demonstrate with a few names I found on the internet.
These are the most famous people known by one name.
You know, like Aristotle, Adele, or Banksy,
Beethoven, Picasso, Elvis, Teller.
And Brooke can choose her favorite.
Brooke, please tick any box you like.
It's up to you.
Don't let anybody see it, especially not me.
And memorize the name.
- Okay. - Okay.
Okay. Put it over here all the way back, please.
- Okay.
- Face down, if you will, and join me again.
- Here? - No, just stand here.
Now you're holding a name in your mind that only you know.
- I am. - Okay, great.
Let's pretend it is stuck there.
How can we retrieve it?
I've got some mental blocks for your mental block.
Please choose any cube you like.
It's up to you.
Any cube.
Which one would you like to have?
- I would like this one. - It's up to you.
- That one? - Yes.
- That's the one? - Yes.
- You want to change?
- Okay, I'll take this one. - You can.
- You want to change again? - No.
No? Okay.
Please come over here and have a seat.
- Have a seat. - All right. Okay.
- Excellent.
Now one side should be black.
Is that true? Yes.
And the key to this working is
to keep a positive mental attitude.
Which you have, I know.
So please draw a smiley on the black side.
See the black side. Okay?
Hello, Penn.
Hello, Teller.
You may have your eyes on me.
But I have my eyes on you, too.
Throw the chalk in the net, please.
The chalk goes in the net. That's it.
Have a look. Is that tube really empty?
- Yes.
- 100%. Is this tube empty too?
- Yes.
- You bet.
Now please take the block in your left hand.
Your left hand. That's it.
And hold the right hand flat.
Yes, that's it.
And grab it from underneath. You got it?
Because I would love to demonstrate.
Can I have it? - Yes.
- I would love to demonstrate something. See?
Something will happen.
And you tell me if you feel it, okay?
- Did you feel it? - Yes.
- Lift the tube.
See? It just falls through.
Now what is going to happen,
this block travels into the tube, through the tube,
through the ear, into the head
and hopefully out of the head again.
And thanks to you, your smiley, this block is unique.
Now, let's put this away.
And I don't want to touch this anymore.
Because...
Because I don't want to touch it anymore.
I don't want to contaminate it before your surgery.
- My surgery? - Your surgery.
- My surgery? - Let me have this.
Please look straight ahead.
But don't worry.
It's only a minor operation.
[laughing]
Can we fix it? Yes, we can.
You will feel a slight pressure at your ear.
Don't worry. Don't worry. Don't worry.
Close your eyes.
Relax. Relax.
Maybe it works.
Good, good, good.
Okay. Are you all good? Are you all done?
- I'm good. - Excellent.
- Are you done?
[laughing, applause]
Now, we have direct access to your brain.
Please take the tube at the handle and hold it at your ear.
That's it. Great.
And take this tube and hold it at your ear.
Perfect. - Oh, boy.
- That's it.
Can you hear me?
- I can hear you. - Okay.
Don't think. Don't move.
Otherwise, the block might get stuck in your head.
- Okay.
- At a count three, two, one.
This block, with Brooke's smiley,
will cure her mental block. Okay?
And you tilt your body to the left when I say so.
- Okay.
- Are you ready? - Ready.
- Okay.
Three.
Two.
And one.
Bend, bend, bend, bend, bend, bend, bend, bend.
Whoa. You can let go.
- [applause] - You can let go here.
And you can let go here. You can let go here.
Would you please have a look?
Is that really your block?
Is it your block?
- My block. - Of course it is her block.
Brooke, please stand up.
Now, remember, we had all different kind of blocks,
different shapes, different colors.
You could have taken a blue one, a brown one,
a red one, a yellow one, and you changed.
You wanted a green one.
Now, this block has a very special core.
The core consists of a highly sensitive paper.
This paper retrieves thoughts.
And at the beginning, you had one name in mind.
Yeah, one name into your mind.
What was the name you were thinking of?
- Shakespeare. - Shakespeare?
[Brooke squeals]
Shakespeare!
Congratulations. Your mental block is cured.
Thank you very much, Brooke. Thanks a lot.
- Thank you. Give it up, everyone, for Harry Keaton.
Oh, my goodness.
- It worked. - Woo!
- It worked. How do you feel?
- Well, that was bizarre and strange...
- Yes, that's what we magicians are.
- And crazy and mind-blowing. - I hope it was, yes.
- Amazing.
What's your favorite thing about magic?
- Well, I think it's about the complexity.
The complexity, I think, is such fascinating to you,
to work with the audience, to have that communication thing,
and at the same time, I'm hiding something.
So it's almost like schizophrenic,
but, of course, you want to reach your audience
on an emotional level.
You know, it should be fun as well.
You know, when I'm working a drill on your head,
so that's not too intellectual.
- All right, Harry, let's see if Penn and Teller know
how you pulled that name right out of my head.
- Yes. - Are we ready?
- Yes, we are ready. - Boys?
- Hey, Harry. Boy, we love you.
That last thing you did just absolutely fried us.
We love the way you think.
Your magic doesn't look like anything else,
and a lot of times in magic,
you're trying to get things that are justified and make sense,
and you do stuff that is not justified and doesn't make sense
and makes it surreal and wonderful.
And although it wasn't supposed to be the fooler in this trick,
the drill into the head with the sawdust
or the, I guess, brain matter blowing through
was just so funny and so terrific.
It just looked great all the way through.
And we also love the way you put stuff together.
You just lay your stuff.
You just go through an advanced magic book,
go through the index, and you'd find, you know,
there's mentalism, there's prop magic,
there's prediction, there's the block and tube trick.
It's all stuff we're familiar with, all stuff we see there,
but put together beautifully.
And last time, you fooled us,
and this time, we don't think you did,
but boy, we loved it,
and boy, we loved you drilling through Brooke's head,
even though we love Brooke.
- Thank you. Congratulations.
- Just great.
- So, Harry, did they figure out your trick?
- I think they did.
Congratulations. Well done, bye-bye.
- Thanks for drilling through my head, Harry.
Harry Keaton, everyone.
Okay, so let's recap.
A, that was amazing.
B, we'll be right back.
"C" you in a minute.
♪ ♪
"Fool Us" is back, and Penn & Teller
are ready to take on their next potential fooler.
Let's meet them right now.
- My theater is in Hawaii,
because it's a Pacific island close to Japan,
the way of life feels familiar to me.
I came from a humble background.
When I was young, I taught myself sleight of hand,
using stones for practice, because I couldn't afford coins.
Magic was my safe space then,
it's still is.
In fact, it has to be.
I want my show to be a place that connects
people to joy and peace.
My first time on "Fool Us" was very emotional.
- Teller came back to his seat with tears in his eyes.
- And Penn gave me a beautiful compliment.
- The best sleight of hand of anybody in the world right now.
- But Penn and Teller also said they knew my methods,
so I didn't fool them.
I've spent the past two years working up new methods
Penn and Teller have never seen.
I came back to surprise them,
and if I don't, that will truly surprise me.
- Last time he was here, he made Teller cry.
Who knows what he'll make Teller do this time?
Give it up for the amazing Shoot Ogawa.
[applause]
- I want to show what I can do tonight.
Hopefully we enjoy together.
Okay?
♪ ♪
[audience gasps]
[applause]
[audience gasps]
[applause]
[audience gasps]
[applause]
[audience gasps]
[applause]
[audience gasps]
[applause]
[audience gasps]
[applause]
[audience gasps]
[applause]
[audience gasps]
[applause]
[applause, cheering]
- Another hand for Shoot Ogawa.
[cheering]
- That was amazing! - Thank you.
- What has changed for you since your last time on "Fool Us?"
- Um... I got more jobs.
[laughing]
- Is there anything else in magic
that you're looking forward to doing?
- I don't know, but I want to be a person
who just changes the mood for everyone
and makes people a little bit happier.
But you feel like something nicer.
- I think you did that for us tonight, yes?
[applause]
- I think magic makes people happy.
- Thank you. I hope so.
Okay, Shoot, let's see if the boys have
figured out your magic methods.
- Okay. - Are we ready?
- Hey, Shoot, you're a friend of ours and we love you.
And I got to tell you that when I picture a magician,
I picture you.
It's just like you have this way of carrying yourself
and this way of moving and this way of using objects
that really seems what magic is in this day and age.
It's just beautiful.
And the idea of using a prop that nobody thinks is magical
and turning it into something magical
using every element of the spoon
because the spoon has these shapes and these gleams
and this look that is so magical
and you're the first one to have discovered that.
And because we're friends,
there's also this cat and mouse game going
where you know what we know and we know that you know
that you know this and we know this.
- And we know none of it.
- Also you come to see our show, come backstage,
then you show us stuff and talk to us about stuff
which does not help you.
It helps you in the friendship.
It does not help you in the game.
I'm not going to go into details,
but I'll just say that you're one of our favorite magicians.
You are becoming the icon for a magician,
but we don't think you fooled us.
- [applause] - Is that right, Shoot?
- Did they know the way? - I think they know.
- Well, we really enjoyed that. Thank you so much.
Let's give him another round of applause, everyone.
Shoot Ogawa.
Don't bail on us.
Stay on board for more awesome magic when "Fool Us" returns.
♪ ♪
- Welcome back, here's a little inside "Fool Us" fun fact.
Penn and Teller get really hungry
while we're doing the show,
and by the end of the night, they are starving,
and we always have food ready for them.
Well, tonight, the food came a little bit early,
and we don't want it to get cold.
So here, along with their dinner, are Penn and Teller.
- [applause] - Thank you, Brooke.
We're going to do a bunch of card manipulations.
There'll be some sleight of hand, some cardistry.
My hands are a little greasy, so I'll dry them off
and just open the deck, take them out, Brooke.
- Okay. All right.
- Now, I'm going to take the card.
I'll take the cards, and I'm going to fan them out.
- Don't talk with your mouth full.
- Have you pick one.
But my hands are a little... greasy cards are awful.
- I'll do it for ya.
- Just pull a card out of the middle,
anywhere you want out of the middle,
and just show it to the camera.
Don't let us see it.
And then put it back on top, and cut it into the middle.
Beautiful. Now the card's lost on the deck.
- How's the food, guys?
- Really good. - I didn't get any food.
- Now find the card, and I'm about to finish this chip.
Give another cut, would you?
- Okay, sure.
- Complete the cut now. - Yeah, just complete the cut.
Okay. Put it in the middle.
- Now, Teller...
Oh, that looks really good.
Teller will take the whole deck.
Well, Teller, your hands are...
- You're going to wipe your hands.
Do you guys need a napkin?
- Give it another cut. - All right.
- Now, the card's lost in the deck, right?
Now we've got to find it in an interesting way.
You cut them again.
I want to have another bite of this patty melt.
It's a vegan patty milk. It's pretty good.
- It's pretty good. Vegan.
Let's turn them... Turn them face up.
Just turn them all over the whole deck all over.
And then give him a cut.
- Another cut?
- Yeah, and then complete the cut.
- Complete the cut. Okay. - Then cut them again.
- Cut them again.
I'm going to get them back in the middle.
And then turn them back face up there. Yeah, beautiful.
And now I'm going to take the cards that I'm going to,
and I'm going to...
We're going to magically make it.
Oh, damn.
We'll make it rise.
Where is it now, Teller?
Card is 20 down on the deck. No, don't count yet.
20 down on the deck.
But raise it up. Think, raise up, raise up.
I got it on my shirt here.
We're thinking.
Raise up. Now where is it, Teller?
- Nine. - Nine.
- Okay. - Yeah, we can do better.
I'll take it from. No, I don't want...
I just... What a good patty melt.
- I didn't get any food.
Did anybody notice I didn't get it any dinner?
- Want some?
- Shall I have a bite of it? No, I'm good, I'm good.
I don't talk with my mouth full.
- You know where I've been.
I want to make it all the way, okay?
All the way.
Do you remember what your card was, Brooke?
- Two of hearts.
- Two of hearts? - Two of hearts.
- Sure, so you reach in the middle.
- You pull out one card. - Yes.
Show the audience, mix them up.
Turn it over...
And then imagine we made the card go to the top.
What was the name of the card?
- Two of hearts. - Show the audience.
- From the top? - Yeah.
It's where it is.
[applause]
- Really good.
- And just like that, our show is cut and completed.
But you can be sure that we'll have a fresh batch of new tricks
for you next time on "Fool Us."
Maybe some dinner for me.
Until then, good night, everyone.
- What? - Good patty melt.
[applause]