1 00:00:14,200 --> 00:00:17,433 - YEAH, THIS PLACE IS HAPPENING TONIGHT. 2 00:00:17,467 --> 00:00:18,933 I'M GONNA GO CHECK OUT THE LADY AT THE BAR 3 00:00:18,967 --> 00:00:20,233 WITH THE LONG, SILKY HAIR. 4 00:00:20,267 --> 00:00:24,233 - BEEN THERE, DONE THAT. 5 00:00:24,267 --> 00:00:25,300 - YOU HAVE? 6 00:00:25,333 --> 00:00:29,033 - NO, YOU HAVE. - OH, OH, OH. 7 00:00:29,067 --> 00:00:30,467 - THAT'S GINA. GREAT SEX. 8 00:00:30,500 --> 00:00:31,800 SAID YOU'D CALL. NEVER DID. 9 00:00:31,833 --> 00:00:33,500 - OH. 10 00:00:33,533 --> 00:00:36,767 HASKELL, HASKELL, WALL ME. 11 00:00:36,800 --> 00:00:40,400 - HI, HELLO. HOW ARE YOU? 12 00:00:40,433 --> 00:00:42,400 - HEY! PHIL! 13 00:00:42,433 --> 00:00:45,133 - HEY! 14 00:00:45,167 --> 00:00:48,433 - KAREN. - KAREN! 15 00:00:48,467 --> 00:00:49,567 HOW YOU BEEN, GIRL? 16 00:00:49,600 --> 00:00:51,067 - I'VE BEEN ALL RIGHT. 17 00:00:51,100 --> 00:00:53,767 I HAD A GREAT TIME ON OUR DATE. 18 00:00:53,800 --> 00:00:57,267 - PRINCE CONCERT. MADISON SQUARE GARDEN. 19 00:00:57,300 --> 00:01:00,467 - WAS THE LITTLE PURPLE MAN ON FIRE OR WHAT? 20 00:01:00,500 --> 00:01:03,700 - SO, PHIL... 21 00:01:03,733 --> 00:01:05,067 WHY DIDN'T YOU EVER CALL? 22 00:01:05,100 --> 00:01:06,933 - KAREN, THIS IS GONNA SOUND LIKE A LINE. 23 00:01:06,967 --> 00:01:10,433 THAT'S WHY I'M HESITANT TO SAY IT, ALL RIGHT? 24 00:01:10,467 --> 00:01:13,400 I LOST YOUR NUMBER. 25 00:01:13,433 --> 00:01:16,133 - THEN LET ME GIVE IT TO YOU. - OKAY. 26 00:01:18,667 --> 00:01:20,867 - WATCH THIS. SAVING IT. 27 00:01:22,700 --> 00:01:25,833 I'LL CALL YOU, BABY. 28 00:01:25,867 --> 00:01:27,700 - AT IT AGAIN, HUH, PHIL? 29 00:01:27,733 --> 00:01:31,800 - HOLLY. LAWYER. LANDLADY. 30 00:01:31,833 --> 00:01:33,467 - I MEAN, WHY DO YOU PLAY GAMES WITH THESE WOMEN? 31 00:01:33,500 --> 00:01:35,200 IF YOU'RE NOT GONNA CALL, WHY EVEN LEAD THEM ON? 32 00:01:35,233 --> 00:01:40,067 - STUART. ROOMMATE. GIRLY-MAN. 33 00:01:40,100 --> 00:01:41,967 - LISTEN, I'M JUST TRYING TO BE SENSITIVE. 34 00:01:42,067 --> 00:01:43,533 WHAT DO YOU THINK A WOMAN WOULD RATHER HEAR? 35 00:01:43,567 --> 00:01:44,933 "I'LL CALL YOU BABY," 36 00:01:44,967 --> 00:01:48,700 OR, "RIDE'S OVER, DON'T FORGET YOUR VALUABLES"? 37 00:01:48,733 --> 00:01:50,900 - THAT IS JUST-- THAT'S BEAUTIFUL. 38 00:01:50,933 --> 00:01:54,633 YOU'RE LIKE THE PATRON SAINT OF THE HUMP AND DUMP. 39 00:01:54,667 --> 00:01:57,200 - UH-OH. NICOLE. 40 00:01:57,233 --> 00:01:58,900 PRESCHOOL TEACHER. WEEKEND IN VEGAS. 41 00:01:58,933 --> 00:02:03,333 - WALL ME, HASKELL. 42 00:02:03,367 --> 00:02:05,467 - HI, THERE. 43 00:02:09,633 --> 00:02:12,533 - EDEN. - HI, HI. 44 00:02:12,567 --> 00:02:16,100 - GLAD TO SEE SURROGACY HASN'T SLOWED DOWN YOUR SOCIAL LIFE. 45 00:02:16,133 --> 00:02:17,300 - ARE YOU KIDDING? 46 00:02:17,333 --> 00:02:18,767 THERE'S A TON OF PREGGO FREAKS OUT THERE. 47 00:02:18,800 --> 00:02:22,567 THIS ONE WANTS TO PUT ME IN A ONESIE. 48 00:02:22,600 --> 00:02:23,767 - WELL, YOU DO LOOK BEAUTIFUL. 49 00:02:23,800 --> 00:02:24,867 YOU'VE GOT THAT GLOW. 50 00:02:24,900 --> 00:02:29,167 - AW. TAKE A NUMBER. 51 00:02:29,200 --> 00:02:32,433 - IS THAT STUART GARDNER, D.D.S.? 52 00:02:32,467 --> 00:02:34,833 - JERRY. both: HEY. 53 00:02:34,867 --> 00:02:36,733 - HOLLY, THIS IS MY OLD NEIGHBOR JERRY KUNKLE. 54 00:02:36,767 --> 00:02:37,833 - HELLO. 55 00:02:37,867 --> 00:02:40,267 - LOOK AT YOU, SCALING MOUNT SEXY. 56 00:02:40,300 --> 00:02:43,167 - NO, NO. HOLLY'S JUST A FRIEND. 57 00:02:43,200 --> 00:02:44,667 ALTHOUGH I'VE CLIMBED PLENTY OF MOUNTAINS 58 00:02:44,700 --> 00:02:45,833 SINCE THE DIVORCE. YEAH. 59 00:02:45,867 --> 00:02:47,300 YOU KNOW, I'VE-- I'VE SCALED-- 60 00:02:47,333 --> 00:02:49,633 - HE'S TRYING TO SAY HE'S HAD SEX. 61 00:02:49,667 --> 00:02:51,267 - AWESOME. 62 00:02:51,300 --> 00:02:54,067 I'M GLAD TO SEE THOSE "POOR STUART" RUMORS AREN'T TRUE. 63 00:02:54,067 --> 00:02:56,067 - WHAT RUMORS? - YOU KNOW. 64 00:02:56,100 --> 00:02:58,533 BROKEN MAN, WALLOWING IN SELF-PITY, 65 00:02:58,567 --> 00:02:59,800 A SHELL OF YOUR FORMER SELF. 66 00:02:59,833 --> 00:03:01,067 - WAIT, WAIT, WAIT, WAIT. WHO'S SAYING THAT? 67 00:03:01,067 --> 00:03:02,067 - OH, YOU KNOW. 68 00:03:02,067 --> 00:03:04,667 EVERYBODY. 69 00:03:04,700 --> 00:03:05,800 ANYHOO, WE'RE GONNA MISS YOU 70 00:03:05,833 --> 00:03:08,100 AT THE CLUB'S ANNUAL BALLROOM DANCE. 71 00:03:08,133 --> 00:03:11,467 IT IS GOING TO BE OFF THE HIZZY. 72 00:03:11,500 --> 00:03:12,867 - WELL, THIS YEAR, 73 00:03:12,900 --> 00:03:14,667 I THOUGHT IT WOULD BE A LITTLE AWKWARD TO COME. 74 00:03:14,700 --> 00:03:15,800 - OH, THAT'S TOO BAD. 75 00:03:15,833 --> 00:03:17,767 YOU AND LORNA WERE ALWAYS THE BIG STARS. 76 00:03:17,800 --> 00:03:20,533 NOW IT'LL JUST BE LORNA. 77 00:03:20,567 --> 00:03:21,700 - LORNA'S GOING? 78 00:03:21,733 --> 00:03:23,567 - YEAH, WITH A DATE. 79 00:03:23,600 --> 00:03:26,067 OH, GOSH, DID I LET THE CAT OUT OF THE BAG? 80 00:03:26,067 --> 00:03:27,067 - NO, NO, NO. IT'S OKAY. 81 00:03:27,100 --> 00:03:29,167 NO, NO, GOOD FOR HER. YEAH. 82 00:03:29,200 --> 00:03:31,233 - ANYHOO. - YEAH. 83 00:03:31,267 --> 00:03:36,067 - JER-BEAR'S GOT TO BOUNCE. LATERS. 84 00:03:36,067 --> 00:03:38,067 - STUART, ARE YOU OKAY? - WELL, NO. 85 00:03:38,100 --> 00:03:41,067 NOT ACCORDING TO MY OLD NEIGHBORS, I'M NOT. 86 00:03:41,100 --> 00:03:42,133 I JUST-- 87 00:03:42,167 --> 00:03:43,900 I WISH I COULD GO TO THIS DANCE 88 00:03:43,933 --> 00:03:45,433 AND SHOW LORNA AND EVERYBODY ELSE 89 00:03:45,467 --> 00:03:47,100 THAT I'M DOING GREAT. 90 00:03:47,133 --> 00:03:49,833 - WHAT IF YOU DID GO? 91 00:03:49,867 --> 00:03:51,900 WHAT IF YOU HAD A PARTNER? 92 00:03:51,933 --> 00:03:53,500 A FABULOUS PARTNER? 93 00:03:53,533 --> 00:03:56,800 A PARTNER WHOSE MOTHER RAN A DANCE STUDIO? 94 00:03:56,833 --> 00:04:02,267 A PARTNER WHO HAS TAKEN BALLET SINCE SHE WAS FIVE? 95 00:04:02,300 --> 00:04:03,367 - REALLY? 96 00:04:03,400 --> 00:04:05,167 - DAMN RIGHT, REALLY. 97 00:04:05,200 --> 00:04:08,700 COME ON! MOUNT SEXY WANTS TO SHAKE HER GROOVE THING. 98 00:04:08,733 --> 00:04:10,900 WHAT DO YOU SAY? - WHAT DO I SAY? 99 00:04:10,933 --> 00:04:12,800 PINE GLEN ANNUAL BALLROOM DANCE GALA 100 00:04:12,833 --> 00:04:14,067 AND RESTLESS LEG SYNDROME FUNDRAISER, 101 00:04:14,100 --> 00:04:15,200 HERE WE COME! 102 00:04:43,900 --> 00:04:45,367 - OH, HEY, HASKELL, LISTEN. 103 00:04:45,400 --> 00:04:46,467 YOU'RE GONNA HAVE TO FEND FOR YOURSELF 104 00:04:46,500 --> 00:04:47,567 FOR DINNER TONIGHT. 105 00:04:47,600 --> 00:04:49,700 I HAVE MY FIRST DANCE PRACTICE WITH HOLLY. 106 00:04:49,733 --> 00:04:51,333 - YOU'RE NOT THE ONLY ONE IN THIS APARTMENT 107 00:04:51,367 --> 00:04:53,600 WHO KNOWS HOW TO DANCE. 108 00:04:53,633 --> 00:04:55,367 MOTHER TAUGHT ME. 109 00:04:55,400 --> 00:04:57,900 EVERY DAY AFTER SCHOOL, SHE'D SAY, 110 00:04:57,933 --> 00:04:59,467 "FORGET THE BOY SCOUTS. 111 00:04:59,500 --> 00:05:03,633 POUR YOURSELF A SCOTCH, AND LET'S CHA-CHA." 112 00:05:05,700 --> 00:05:07,867 - WOW. THE ONLY THING MISSING FROM THAT STORY 113 00:05:07,900 --> 00:05:10,733 IS THE BATES MOTEL. 114 00:05:10,767 --> 00:05:12,600 - KENDRA, THAT WAS FUN. 115 00:05:12,633 --> 00:05:14,467 - SURE WAS. 116 00:05:14,500 --> 00:05:16,233 WHAT A LOVELY APARTMENT. 117 00:05:16,267 --> 00:05:17,367 - TAKE IT IN, 118 00:05:17,400 --> 00:05:19,933 AND THEN BEST TO LET IT GO. 119 00:05:19,967 --> 00:05:21,467 - MMM. 120 00:05:21,500 --> 00:05:23,500 - I'LL SEE YOU AROUND, BABY. 121 00:05:23,533 --> 00:05:25,567 - OH, I LEFT MY PURSE IN THE BEDROOM. 122 00:05:25,600 --> 00:05:28,400 BE RIGHT BACK. 123 00:05:28,433 --> 00:05:31,833 - SO WHERE'D YOU MEET THIS LOVELY LADY 124 00:05:31,867 --> 00:05:34,767 WHO WE'LL NEVER SEE AGAIN? 125 00:05:34,800 --> 00:05:37,233 - AT THIS GREAT NEW BAR THAT'S CHOCK-FULL OF BABES 126 00:05:37,267 --> 00:05:38,567 THAT DON'T KNOW ME, 127 00:05:38,600 --> 00:05:40,067 SO THERE ARE NO CHANCES OF THE AWKWARD BUMP-INS. 128 00:05:40,067 --> 00:05:41,300 - SO THAT'S IT? 129 00:05:41,333 --> 00:05:43,333 YOU'RE JUST GONNA HAVE SEX WITH ONE BEAUTIFUL WOMAN 130 00:05:43,367 --> 00:05:45,133 AFTER ANOTHER? 131 00:05:45,167 --> 00:05:48,900 WAIT, WHEN I SAID THAT IN MY HEAD, IT SOUNDED BAD. 132 00:05:49,967 --> 00:05:51,400 - FOUND IT. 133 00:05:51,433 --> 00:05:53,067 - GREAT. LET ME CALL YOU A CAB. 134 00:05:53,067 --> 00:05:54,067 - YOU DON'T HAVE TO DO THAT. 135 00:05:54,067 --> 00:05:55,667 - KENDRA, I INSIST. 136 00:05:55,700 --> 00:05:57,067 - NO, YOU REALLY DON'T HAVE TO DO THAT. 137 00:05:57,067 --> 00:05:58,400 I LIVE IN THE BUILDING. 138 00:06:05,867 --> 00:06:07,700 - WHAT? 139 00:06:07,733 --> 00:06:10,267 - YEAH, ONE FLIGHT UP. I JUST MOVED IN LAST WEEK. 140 00:06:10,300 --> 00:06:11,633 WHAT ARE THE CHANCES, HUH? 141 00:06:13,400 --> 00:06:16,067 - I'LL SEE YOU AROUND, BABY. 142 00:06:21,667 --> 00:06:24,800 - PHIL. ROOMMATE. SCREWED. 143 00:06:31,867 --> 00:06:34,500 - ENTREE. 144 00:06:34,533 --> 00:06:36,800 - WOW. LOOK AT YOU. 145 00:06:36,833 --> 00:06:40,400 - YEAH, I DUSTED OFF MY OLD OUTFIT FROM SIXTH GRADE. 146 00:06:40,433 --> 00:06:43,067 - HOLLY, WHEN I RSVP'D FOR THE GALA, 147 00:06:43,100 --> 00:06:44,900 THE CLUB'S FACEBOOK PAGE WENT CRAZY. 148 00:06:44,933 --> 00:06:47,600 THEY'RE CALLING IT "RETURN OF THE KING." 149 00:06:47,633 --> 00:06:50,433 WAIT TILL LORNA SEES US OUT THERE ON THE DANCE FLOOR. 150 00:06:50,467 --> 00:06:51,700 - MM. WELL, LET'S DO IT. 151 00:06:51,733 --> 00:06:54,300 THIS BODY'S CRAVING LA DANSE. 152 00:06:54,333 --> 00:06:56,900 - NOW ALL WE NEED IS THE RIGHT ROUTINE. 153 00:06:56,933 --> 00:06:58,600 - MM. - I'VE GOT IT, I'VE GOT IT. 154 00:06:58,633 --> 00:07:02,400 HOW ABOUT THE PASO DOBLE. 155 00:07:02,433 --> 00:07:04,267 - LET'S DOBLE. 156 00:07:05,967 --> 00:07:07,300 - SUR PLACE! 157 00:07:07,333 --> 00:07:10,333 - SUR PLACE! 158 00:07:17,933 --> 00:07:21,400 OKAY, THAT WASN'T VERY GOOD. 159 00:07:21,433 --> 00:07:23,267 - NO, IT REALLY WASN'T. 160 00:07:23,300 --> 00:07:25,167 - STUART, DO YOU MIND 161 00:07:25,200 --> 00:07:28,467 IF I GIVE YOU SOME CONSTRUCTIVE CRITICISM? 162 00:07:28,500 --> 00:07:31,067 - ME? - YEAH. 163 00:07:31,067 --> 00:07:33,433 YOU NEED TO FEEL THE MUSIC. 164 00:07:33,467 --> 00:07:35,633 YOU GOT TO LOOSEN UP, YOU KNOW? 165 00:07:35,667 --> 00:07:38,600 YOU CAN'T LET THIS GET IN THE WAY OF THAT. 166 00:07:38,633 --> 00:07:39,600 WATCH. 167 00:07:54,833 --> 00:07:58,333 ANY QUESTIONS? 168 00:07:58,367 --> 00:08:00,333 - NOPE. I'M SPEECHLESS. 169 00:08:06,433 --> 00:08:08,833 - HOLD THE ELEVATOR! HOLD IT! HOLD IT! HOLD IT! 170 00:08:08,867 --> 00:08:11,600 OH! HEY, PHIL! - HEY. 171 00:08:11,633 --> 00:08:12,933 - HOW YOU DOING, NEIGHBOR? 172 00:08:12,967 --> 00:08:15,567 - GOOD, GOOD, GOOD. SUPER BUSY. 173 00:08:15,600 --> 00:08:17,133 SUPER. 174 00:08:17,167 --> 00:08:18,967 I WAS GONNA CALL YOU. 175 00:08:19,067 --> 00:08:20,733 THEN I GOT SUPER BUSY. 176 00:08:20,767 --> 00:08:22,467 SUPER. 177 00:08:22,500 --> 00:08:23,800 - NO WORRIES, IT'S COOL. 178 00:08:23,833 --> 00:08:24,900 I HAD A PACKED DAY MYSELF. 179 00:08:24,933 --> 00:08:25,967 WALL-TO-WALL MEETINGS. 180 00:08:26,067 --> 00:08:27,167 - SO WE'RE COOL? 181 00:08:27,200 --> 00:08:29,167 - OF COURSE. WHY WOULDN'T I BE? 182 00:08:29,200 --> 00:08:32,067 - I JUST FIGURED YOU'D BE UPSET 183 00:08:32,067 --> 00:08:33,633 'CAUSE I SAID I'D CALL YOU, AND THEN I DIDN'T. 184 00:08:33,667 --> 00:08:34,900 - OH, PHIL. 185 00:08:34,933 --> 00:08:36,233 I DON'T HAVE TIME FOR GAMES LIKE THAT. 186 00:08:36,267 --> 00:08:38,200 I MEAN, WE HAD A GOOD TIME. NO COMMITMENTS. 187 00:08:38,233 --> 00:08:40,367 YOU DON'T OWE ME ANYTHING. 188 00:08:40,400 --> 00:08:43,067 - I DON'T? 189 00:08:43,067 --> 00:08:46,400 - THAT'S BEAUTIFUL. 190 00:08:46,433 --> 00:08:47,833 AND SO ARE YOU. 191 00:08:51,167 --> 00:08:52,967 SO WHAT ARE YOU THINKING ABOUT RIGHT NOW? 192 00:08:53,067 --> 00:08:55,200 - I'M THINKING THIS IS YOUR FLOOR. 193 00:08:55,233 --> 00:08:58,067 - OH, RIGHT, YEAH. THIS IS MY FLOOR. 194 00:08:58,100 --> 00:08:59,233 THIS IS-- THIS IS WHERE I LIVE. 195 00:09:00,800 --> 00:09:03,100 SO, UH, ANYWAY, KENDRA, 196 00:09:03,133 --> 00:09:04,767 WE SHOULD GET TOGETHER AGAIN. 197 00:09:04,800 --> 00:09:10,267 - SURE. I'LL CALL YOU, BABY. 198 00:09:12,267 --> 00:09:15,533 GUESS WHO I JUST RAN INTO IN THE ELEVATOR? 199 00:09:15,567 --> 00:09:16,767 KENDRA. 200 00:09:16,800 --> 00:09:20,933 - SO THE STALKING BEGINS. 201 00:09:20,967 --> 00:09:23,067 - NO, NO. IT'S NOTHING LIKE THAT. 202 00:09:23,067 --> 00:09:24,300 SHE WAS COOL, MAN. 203 00:09:24,333 --> 00:09:25,533 AS A MATTER OF FACT, WE'RE GOING OUT AGAIN. 204 00:09:25,567 --> 00:09:26,700 - WHEN? - SOON. 205 00:09:26,733 --> 00:09:31,767 SHE SAID, "I'LL CALL YOU, BABY." 206 00:09:31,800 --> 00:09:34,067 - ISN'T THAT WHAT YOU SAY WHEN YOU WANT TO BLOW SOMEBODY OFF? 207 00:09:34,100 --> 00:09:35,267 - OH, NO, NO, NO, NO. 208 00:09:35,300 --> 00:09:37,600 I SAY, "I'LL CALL YOU, BABY." 209 00:09:37,633 --> 00:09:42,067 SHE SAID, "I'LL CALL YOU, BABY." 210 00:09:42,067 --> 00:09:43,367 HEAR THE DIFFERENCE? 211 00:09:43,400 --> 00:09:44,900 - NOT IN THE LEAST. 212 00:09:44,933 --> 00:09:47,433 - THAT'S 'CAUSE YOU DON'T HAVE THE EAR. 213 00:09:47,467 --> 00:09:52,067 YOU'RE NOT ATTUNED TO THE MUSIC OF THE MATING DANCE. 214 00:09:52,067 --> 00:09:55,767 - I CAN HEAR WHEN A GUY'S LYING TO HIMSELF. 215 00:09:55,800 --> 00:10:01,200 SO, STU, HOW'D THE PRACTICE GO WITH HOLLY? 216 00:10:01,233 --> 00:10:04,100 - IT WAS HORRIBLE. 217 00:10:04,133 --> 00:10:06,633 IT WAS THE MOST FRIGHTENING HOUR OF MY LIFE. 218 00:10:06,667 --> 00:10:08,967 IT WAS LIKE BEING CHASED BY A MOTHER OSTRICH 219 00:10:09,000 --> 00:10:11,400 WHO WAS PROTECTING HER YOUNG. 220 00:10:11,433 --> 00:10:13,300 - SO WHAT ARE YOU SMILING ABOUT? 221 00:10:13,333 --> 00:10:16,633 - THIS? NO, THIS IS JUST A THIN WALL BETWEEN ME 222 00:10:16,667 --> 00:10:18,633 AND A TOTAL BREAKDOWN. 223 00:10:18,667 --> 00:10:20,100 - YOU'RE SCARING ME. 224 00:10:20,133 --> 00:10:23,467 YOU LOOK LIKE MOTHER WHEN SHE WENT THROUGH THE CHANGE. 225 00:10:23,500 --> 00:10:25,267 - LORNA WAS TERRIBLE AT FIRST, 226 00:10:25,300 --> 00:10:27,433 BUT I TURNED HER INTO A GREAT DANCER, 227 00:10:27,467 --> 00:10:32,400 AND I'M GONNA DO THE SAME THING WITH HOLLY. 228 00:10:32,433 --> 00:10:35,967 - YOU DO REALIZE YOU'RE BLEEDING THROUGH YOUR SOCK. 229 00:10:36,000 --> 00:10:39,867 - YES. YES, I DO. 230 00:10:39,900 --> 00:10:42,933 THE PAIN IS UNBEARABLE. 231 00:10:42,967 --> 00:10:45,467 AHH. - WOW. 232 00:10:45,500 --> 00:10:48,500 YOU'VE EVEN GOT MOTHER'S LIMP. 233 00:10:55,500 --> 00:10:57,967 - GUESS WHO'S COMING OVER FOR DINNER TONIGHT. 234 00:10:58,000 --> 00:11:00,367 THAT'S RIGHT. KENDRA. 235 00:11:00,400 --> 00:11:03,233 SO SHE FINALLY CALLED, HUH? 236 00:11:03,267 --> 00:11:05,067 - UH, NO, ACTUALLY, I CALLED HER, 237 00:11:05,100 --> 00:11:06,133 AND IT'S A GOOD THING I DID. 238 00:11:06,167 --> 00:11:10,833 TURNS OUT SHE LOST MY NUMBER. 239 00:11:10,867 --> 00:11:13,800 - ISN'T THAT WHAT YOU SAY WHEN YOU'RE GONNA BLOW SOMEBODY OFF? 240 00:11:13,833 --> 00:11:16,233 - NO. I SAY, "I LOST YOUR NUMBER." 241 00:11:16,267 --> 00:11:17,567 SHE SAID, "I LOST YOUR N--" 242 00:11:17,600 --> 00:11:19,533 - I'M THROUGH WITH THIS GAME! 243 00:11:19,567 --> 00:11:21,400 - OKAY. 244 00:11:23,433 --> 00:11:25,900 - I'M IN TROUBLE, HASKELL. 245 00:11:25,933 --> 00:11:28,300 HOLLY'S DANCING HAS ACTUALLY GOTTEN WORSE. 246 00:11:28,333 --> 00:11:30,500 AT SOME POINT, IT WAS NO LONGER DANCING, 247 00:11:30,533 --> 00:11:34,133 I WAS JUST GETTING MY ASS KICKED. 248 00:11:34,167 --> 00:11:35,300 YOU KNOW WHAT? 249 00:11:35,333 --> 00:11:36,467 I GOT TO BACK OUT OF THIS THING NOW. 250 00:11:36,500 --> 00:11:38,067 I MEAN, YOU KNOW, BETTER NOT TO SHOW UP AT ALL 251 00:11:38,100 --> 00:11:39,300 THAN TO BE HUMILIATED. 252 00:11:39,333 --> 00:11:43,067 - YOU'VE JUST DESCRIBED 253 00:11:43,067 --> 00:11:48,067 IF IT'S WORTH DOING, IT'S WORTH BACKING OUT OF. 254 00:11:48,100 --> 00:11:49,400 - OH, HEY, STUART. 255 00:11:49,433 --> 00:11:50,867 - OH, HEY, HOLLY. LISTEN. 256 00:11:50,900 --> 00:11:52,333 I'M GLAD YOU CAME BY. 257 00:11:52,367 --> 00:11:53,533 - I FORGOT TO TELL YOU 258 00:11:53,567 --> 00:11:55,500 HOW MUCH THE LAST FEW DAYS HAVE MEANT TO ME. 259 00:11:55,533 --> 00:11:58,800 - WELL, THEY'VE HAD A BIG IMPACT ON ME TOO. 260 00:11:58,833 --> 00:12:00,100 LISTEN, I APPRECIATE THE SOLID EFFORT-- 261 00:12:00,133 --> 00:12:01,633 - YOU KNOW, I'VE NEVER TOLD ANYBODY THIS, 262 00:12:01,667 --> 00:12:05,133 BUT MY MOTHER ACTUALLY THOUGHT MY DANCING STUNK. 263 00:12:05,167 --> 00:12:07,233 - REALLY? - YEAH. 264 00:12:07,267 --> 00:12:10,600 - AND HOW EXACTLY DID SHE BREAK THAT TO YOU? 265 00:12:10,633 --> 00:12:13,100 - IT WAS THE NIGHT OF THE SPRING DANCE RECITAL, 266 00:12:13,133 --> 00:12:14,367 AND I WAS ABOUT TO GO ON. 267 00:12:14,400 --> 00:12:16,767 SHE REPLACED ME WITH MY YOUNGER SISTER JILL. 268 00:12:16,800 --> 00:12:19,400 I HAD TO STAND IN THE WINGS AND WATCH, DEVASTATED. 269 00:12:19,433 --> 00:12:20,767 - WOW. 270 00:12:20,800 --> 00:12:24,067 SO SHE JUST SORT OF RIPPED IT OFF LIKE A BAND-AID, HUH? 271 00:12:24,100 --> 00:12:27,800 - I JUST WANT TO SAY THAT... 272 00:12:27,833 --> 00:12:30,067 DANCING WITH YOU HAS GIVEN ME THE OPPORTUNITY 273 00:12:30,067 --> 00:12:34,433 TO GET OVER A REALLY PAINFUL PART OF MY CHILDHOOD. 274 00:12:34,467 --> 00:12:38,233 SO THANK YOU. 275 00:12:38,267 --> 00:12:42,967 - YOU'RE WELCOME. 276 00:12:43,067 --> 00:12:44,467 IT'S GONNA BE GREAT. 277 00:12:44,500 --> 00:12:45,633 - OH. 278 00:12:45,667 --> 00:12:49,100 IT'S GONNA BE MAGICAL. OW! 279 00:13:01,900 --> 00:13:05,300 - SO KENDRA NEVER SHOWED UP, HUH? 280 00:13:05,333 --> 00:13:09,600 - I DON'T WANT TO TALK ABOUT IT. 281 00:13:09,633 --> 00:13:12,867 WHO ACCEPTS A DATE WITH SOMEONE AND THEN DOESN'T SHOW? 282 00:13:12,900 --> 00:13:16,667 - IF SHE DOESN'T REALIZE HOW GREAT YOU ARE, 283 00:13:16,700 --> 00:13:21,467 THEN SHE DOESN'T DESERVE YOU. 284 00:13:21,500 --> 00:13:23,433 - OH, NO. YOU'RE PITYING ME. 285 00:13:23,467 --> 00:13:25,533 I LIKED IT BETTER WHEN YOU WERE MOCKING ME. 286 00:13:25,567 --> 00:13:28,067 - ME TOO. YOU'RE A MORON. 287 00:13:28,067 --> 00:13:29,900 SHE'S NEVER GONNA SHOW. 288 00:13:29,933 --> 00:13:32,100 - I TELL YOU ONE THING. 289 00:13:32,133 --> 00:13:33,433 I'M THROUGH WITH THIS GIRL. 290 00:13:33,467 --> 00:13:35,367 I MEAN, I CAN'T BELIEVE I LET HER PLAY ME. 291 00:13:35,400 --> 00:13:36,833 NOBODY PLAYS PHIL CHASE! 292 00:13:46,167 --> 00:13:47,767 WELL, WELL, WELL. 293 00:13:47,800 --> 00:13:49,267 LOOK WHO'S HERE. 294 00:13:49,300 --> 00:13:50,500 - HEY, HONEY. 295 00:13:50,533 --> 00:13:51,500 - NO, NO, NO. 296 00:13:51,533 --> 00:13:52,967 WE'RE WAY PAST "HONEY." 297 00:13:53,067 --> 00:13:54,733 - I'M SORRY, BABY. 298 00:13:54,767 --> 00:13:56,367 I HAD A MEETING THAT RAN LATE. 299 00:13:56,400 --> 00:13:58,267 - SO WHAT? YOU COULDN'T CALL? 300 00:13:58,300 --> 00:13:59,600 YOU COULDN'T TEXT? 301 00:13:59,633 --> 00:14:02,933 DO YOU KNOW HOW HARD I WORKED ORDERING THAT FOOD? 302 00:14:02,967 --> 00:14:07,067 - I HATE SEEING A FROWN ON THAT ADORABLE FACE. 303 00:14:07,067 --> 00:14:09,400 both: MMM. 304 00:14:09,433 --> 00:14:12,067 - NO, NO, NO. THAT'S NOT GONNA WORK. 305 00:14:12,067 --> 00:14:16,900 I'M SO MAD AT YOU. 306 00:14:16,933 --> 00:14:20,533 - I KNOW. STILL MAD? 307 00:14:20,567 --> 00:14:22,700 - MAYBE A LITTLE LESS MAD. - MMM. 308 00:14:22,733 --> 00:14:26,733 HOW ABOUT NOW? 309 00:14:26,767 --> 00:14:28,933 - I DON'T EVEN REMEMBER WHAT WE WERE TALKING ABOUT. 310 00:14:37,600 --> 00:14:38,933 - HEY. 311 00:14:38,967 --> 00:14:42,367 HEY, WHERE ARE YOU GOING? 312 00:14:42,400 --> 00:14:44,100 - I HAVE A REALLY EARLY DAY, 313 00:14:44,133 --> 00:14:47,367 AND YOU LOOK SO CUTE THERE, I DIDN'T WANT TO WAKE YOU UP. 314 00:14:47,400 --> 00:14:50,700 - OH, WELL, MAYBE WE COULD DO SOMETHING TONIGHT. 315 00:14:50,733 --> 00:14:52,700 - THAT WOULD BE AMAZING, 316 00:14:52,733 --> 00:14:54,733 EXCEPT I HAVE TO LEAVE TOWN FOR A FEW DAYS. 317 00:14:54,767 --> 00:14:56,900 MWAH! 318 00:14:56,933 --> 00:15:00,067 - CALL ME. 319 00:15:13,067 --> 00:15:15,233 - GOD, LOOK AT LORNA AND HER DATE DANCE. 320 00:15:21,767 --> 00:15:24,400 - THEY MAKE A MAGNIFICENT COUPLE. 321 00:15:28,067 --> 00:15:29,067 - OKAY, THEY'RE NOT BAD. 322 00:15:29,067 --> 00:15:31,600 BUT WHEN WE'RE DONE, JAWS WILL DROP. 323 00:15:31,633 --> 00:15:34,767 - THAT THEY WILL. 324 00:15:38,500 --> 00:15:41,500 - BRAVA! 325 00:15:48,600 --> 00:15:52,067 - WELL, I GUESS I SHOULD DO THE GRACIOUS THING 326 00:15:52,067 --> 00:15:54,300 AND GO SAY HI TO LORNA. 327 00:15:54,333 --> 00:15:55,300 - HEY, DON'T LET HER GET IN HER HEAD. 328 00:15:55,333 --> 00:15:58,967 - REMEMBER, YOU GOT THIS. 329 00:15:59,067 --> 00:16:02,633 - RIGHT. 330 00:16:02,667 --> 00:16:04,667 HELLO, LORNA. 331 00:16:04,700 --> 00:16:08,333 - HI, STUART. 332 00:16:08,367 --> 00:16:09,600 - WELL, I HATE TO ADMIT IT, 333 00:16:09,633 --> 00:16:11,067 BUT YOU AND YOUR DATE LOOKED PRETTY GREAT OUT THERE, 334 00:16:11,067 --> 00:16:14,200 ALTHOUGH I THINK I DID RECOGNIZE SOME OF MY OLD MOVES. 335 00:16:14,233 --> 00:16:17,200 - JUST A FEW. ONLY KICKED UP A NOTCH. 336 00:16:17,233 --> 00:16:19,067 BUT I GUESS THAT'S WHAT LIFE'S ABOUT. 337 00:16:19,100 --> 00:16:21,567 MOVING ON. IMPROVING. 338 00:16:21,600 --> 00:16:22,867 - YEAH, YOU SAID IT. 339 00:16:22,900 --> 00:16:25,800 CONTRARY TO RUMORS, MY LIFE HAS NEVER BEEN BETTER. 340 00:16:25,833 --> 00:16:27,900 - GOOD FOR YOU. 341 00:16:27,933 --> 00:16:31,633 - SO YOU AND THIS GUY BEEN SEEING EACH OTHER LONG? 342 00:16:31,667 --> 00:16:35,367 - LET'S JUST SAY DON AND I ENJOY EACH OTHER'S COMPANY. 343 00:16:35,400 --> 00:16:37,467 OH. - GREAT JOB, LORNA. 344 00:16:37,500 --> 00:16:39,400 ALTHOUGH THAT LIFT WAS A LITTLE STIFF. 345 00:16:39,433 --> 00:16:40,667 - THANKS, DON. 346 00:16:40,700 --> 00:16:42,633 - BUT WE CAN WORK ON IT IN MY STUDIO MONDAY MORNING. 347 00:16:42,667 --> 00:16:43,800 - THANKS, DON. 348 00:16:43,833 --> 00:16:47,567 - JUST CALL MY OFFICE AND-- - THANKS, DON. 349 00:16:47,600 --> 00:16:49,867 - YOU HIRED A PROFESSIONAL DANCER? 350 00:16:49,900 --> 00:16:51,667 - SO WHAT? 351 00:16:51,700 --> 00:16:53,767 - YOU CAN'T DO THAT. THAT'S AGAINST THE RULES. 352 00:16:53,800 --> 00:16:55,200 - THERE ARE NO RULES ABOUT THAT. 353 00:16:55,233 --> 00:16:58,367 - WELL, THERE WOULD BE IF I WAS STILL ON THE RULES COMMITTEE. 354 00:16:58,400 --> 00:17:00,200 - THAT IS CLASSIC STUART. 355 00:17:00,233 --> 00:17:02,967 ALWAYS SO RIGID. NEVER SPONTANEOUS. 356 00:17:03,067 --> 00:17:04,367 NEVER TAKING CHANCES. 357 00:17:04,400 --> 00:17:05,567 - NO, NO. THAT'S NOT TRUE, LORNA. 358 00:17:05,600 --> 00:17:07,267 I'M NOT THE SAME GUY I WAS A YEAR AGO. 359 00:17:07,300 --> 00:17:08,567 - STUART, WHY CAN'T YOU JUST BE HONEST 360 00:17:08,600 --> 00:17:10,133 ABOUT WHAT'S REALLY BOTHERING YOU? 361 00:17:10,167 --> 00:17:14,767 YOU CAN'T HANDLE THAT I DON'T NEED YOU AS A DANCE PARTNER. 362 00:17:14,800 --> 00:17:16,567 - WELL, YOU KNOW WHAT? I DON'T NEED YOU EITHER. 363 00:17:16,600 --> 00:17:18,300 YOU'RE NOT THE ONLY ONE WITH A NEW PARTNER. 364 00:17:18,333 --> 00:17:20,200 - OH, GREAT. - GREAT. 365 00:17:20,233 --> 00:17:21,967 - LET'S SEE THIS NEW STUART. 366 00:17:22,067 --> 00:17:23,600 - OH, YOU'RE GONNA SEE HIM. - LET'S SEE WHAT YOU GOT. 367 00:17:23,633 --> 00:17:24,900 - YEAH, YOU'RE GONNA SEE IT. - GOOD. 368 00:17:24,933 --> 00:17:26,400 - OKAY. - OKAY. 369 00:17:26,433 --> 00:17:29,400 - OH, MY GOD. SHE'S GONNA SEE IT. 370 00:17:29,433 --> 00:17:31,600 - READY, HASKELL? - GO. 371 00:17:31,633 --> 00:17:32,867 - HI, MOM. GUESS WHAT. 372 00:17:32,900 --> 00:17:34,400 I'VE ENTERED A DANCE CONTEST. 373 00:17:34,433 --> 00:17:36,900 AND YOU ONCE SAID THAT I COULDN'T WALK AND TALK 374 00:17:36,933 --> 00:17:38,067 AT THE SAME TIME. 375 00:17:38,100 --> 00:17:39,300 WELL, LOOK AT ME. 376 00:17:39,333 --> 00:17:43,867 I'M WALKING AND I'M TALK-- 377 00:17:43,900 --> 00:17:47,067 - AND SEND. 378 00:17:47,067 --> 00:17:49,733 - OH, MY GOD, HOLLY. ARE YOU OKAY? 379 00:17:49,767 --> 00:17:53,067 - NO, I THINK I BRUISED MY COCCYX, 380 00:17:53,100 --> 00:17:54,367 BUT I THINK I CAN STILL DANCE. 381 00:17:54,400 --> 00:17:55,533 - NO, NO, YOU CAN'T. STAY DOWN. 382 00:17:55,567 --> 00:17:58,733 - I DON'T WANT TO DISAPPOINT YOU. 383 00:17:58,767 --> 00:18:01,433 - NO, YOU WON'T, TRUST ME. STAY DOWN. 384 00:18:01,467 --> 00:18:03,133 I MEAN, YOU KNOW, 385 00:18:03,167 --> 00:18:05,367 WE CAN'T TAKE A CHANCE OF YOU HURTING YOURSELF MORE. 386 00:18:05,400 --> 00:18:07,400 - YEAH. - OW! 387 00:18:12,233 --> 00:18:13,900 - AND NOW, COMING UP, 388 00:18:13,933 --> 00:18:16,133 THE MOMENT WE'VE ALL BEEN WAITING FOR, 389 00:18:16,167 --> 00:18:20,067 THE RETURN OF THE KING-- DR. STUART GARDNER AND PARTNER. 390 00:18:20,067 --> 00:18:21,867 - WELL, I BETTER GO TELL HIM WHAT HAPPENED. 391 00:18:21,900 --> 00:18:23,100 WITH HOLLY INJURED, 392 00:18:23,133 --> 00:18:24,933 AT LEAST NOW I CAN BOW OUT OF THIS GRACEFULLY. 393 00:18:24,967 --> 00:18:27,533 - OR...YOU COULD GO FOR IT. 394 00:18:27,567 --> 00:18:29,067 - WHAT ARE YOU TALKING ABOUT? 395 00:18:29,067 --> 00:18:30,367 - LOOK INTO MY EYES. 396 00:18:30,400 --> 00:18:31,767 FOLLOW MY LEAD. 397 00:18:31,800 --> 00:18:34,967 AND IF I CALL YOU MOTHER, IGNORE IT. 398 00:19:22,567 --> 00:19:24,733 all: HEY. 399 00:19:24,767 --> 00:19:26,400 - OH! - LOOK WHAT WE'VE GOT. 400 00:19:26,433 --> 00:19:28,833 - CONGRATULATIONS. YOU GUYS WON. 401 00:19:28,867 --> 00:19:31,433 - NO, WE GUYS WON. 402 00:19:31,467 --> 00:19:34,733 - OKAY, I DEFINITELY MISSED SOMETHING HERE. 403 00:19:34,767 --> 00:19:35,833 - YES, YOU DID. 404 00:19:35,867 --> 00:19:37,400 YOU MISSED ME PROVING TO LORNA 405 00:19:37,433 --> 00:19:38,900 THAT I'M NOT AFRAID TO TAKE CHANCES. 406 00:19:38,933 --> 00:19:43,867 WHO KNEW I WOULD FIND REDEMPTION IN THIS MAN'S ARMS? 407 00:19:43,900 --> 00:19:45,500 - I'M REALLY HAPPY FOR YOU, STUART. 408 00:19:45,533 --> 00:19:47,467 I JUST WISH I HADN'T FALLEN ON MY ASS, 409 00:19:47,500 --> 00:19:48,767 SO I COULD HAVE HELPED YOU MORE. 410 00:19:48,800 --> 00:19:50,067 - HEY, YOU HELPED PLENTY. 411 00:19:50,067 --> 00:19:51,467 WITHOUT YOU, HOLLY, I NEVER WOULD HAVE HAD THE GUTS 412 00:19:51,500 --> 00:19:52,933 TO GO TO THE DANCE IN THE FIRST PLACE. 413 00:19:52,967 --> 00:19:55,100 IN FACT... 414 00:19:55,133 --> 00:19:57,233 HERE, YOU EARNED THIS. - AWW. 415 00:19:57,267 --> 00:20:01,600 - NO, SHE DIDN'T! 416 00:20:01,633 --> 00:20:03,000 YOU KNOW WHAT EARNING IT IS? 417 00:20:03,033 --> 00:20:06,600 14 YEARS SLOW DANCING ON THE PORCH WITH MOTHER. 418 00:20:10,533 --> 00:20:11,933 - KENDRA. 419 00:20:11,967 --> 00:20:13,533 - HEY, BABY. 420 00:20:13,567 --> 00:20:15,000 WHAT A SURPRISE. 421 00:20:15,033 --> 00:20:17,767 - YEAH, THIS IS WHAT YOU CALL GOING OUT OF TOWN? 422 00:20:17,800 --> 00:20:20,100 - MY TRIP GOT CANCELLED. I WAS GONNA CALL YOU. 423 00:20:20,133 --> 00:20:21,300 - SAVE IT. 424 00:20:21,333 --> 00:20:24,033 LOOK, JUST BE HONEST WITH ME. I CAN TAKE IT. 425 00:20:24,067 --> 00:20:25,867 IF YOU'RE NOT INTO ME, JUST SAY IT. 426 00:20:25,900 --> 00:20:29,233 - I'M NOT INTO YOU. 427 00:20:29,267 --> 00:20:30,267 - WHY? 428 00:20:30,300 --> 00:20:33,700 I MEAN, I-I CAN CHANGE. 429 00:20:33,733 --> 00:20:35,367 WHAT DID I DO WRONG? JUST TELL ME. 430 00:20:35,400 --> 00:20:38,100 - UH, I THINK WE BETTER GO. - NO, LOOK-- 431 00:20:38,133 --> 00:20:42,100 YOU JUST LOST THE BEST THING YOU EVER HAD, WOMAN! 432 00:20:42,133 --> 00:20:45,133 BEST THING YOU EVER HAD. 433 00:20:48,500 --> 00:20:49,900 LET'S AGREE THIS NEVER HAPPENED. 434 00:20:49,933 --> 00:20:51,300 - YEAH. - NEVER HAPPENED. 435 00:20:51,333 --> 00:20:54,333 - I ALREADY TWEETED IT. 436 00:21:19,433 --> 00:21:21,400 - YEAH.