- THAT SMELLS GREAT.
WHAT YOU COOKING, NANA?
- PAWS OFF.
IT'S FOR HASKELL.
SINCE HE REFUSES TO COME OUT OF HIS ROOM,
I'M GOING TO LURE HIM OUT WITH THE DELICATE AROMA
OF HIS MORNING FAVORITE, JOWL BACON.
- YOU TRYING TO LURE HIM OUT OR KILL HIM?
I CAN'T BELIEVE HE'S IN LOVE WITH NICKI.
- I KNOW.
SO WHAT HAPPENED AFTER HE BLURTED IT OUT?
- OH, SHE SAID, "WHAT?"
AND THEN HE RAN.
THEN I SAID, "WHAT?"
THEN I RAN.
- WHY DID YOU RUN? - INSTINCT.
I HEAR THE WORDS "I LOVE YOU," I'M GONE.
- WELL, HE CAN'T STAY LOCKED IN HIS ROOM FOREVER.
- STUART, IT'S NOT HAPPENING.
- OH, IT WILL.
BACON IS A PRIMAL SMELL THAT NO MAN CAN RESIST.
- DO I SMELL BACON?
- YEAH.
WE'RE USING IT TO LURE HASKELL OUT OF HIS ROOM.
- I CAN'T BELIEVE YOU TWO KNEW HOW HE FELT,
AND YOU DIDN'T SAY ANYTHING.
- OH, WELL, HE ASKED US NOT TO, AND WE MADE A PACT.
- THAT'S RIGHT, SISTERS BEFORE MISTERS.
- UP HIGH. - HEY.
- HEY, THERE HE IS.
- WHERE YOU GOING, BUDDY?
- TO A LAND FAR, FAR AWAY.
- HASKELL, WE KNOW YOU'RE EMBARRASSED,
BUT YOU CAN'T JUST RUN AWAY.
- YES, I CAN.
WHEN HUMILIATED, THE LUTZES FLEE.
THE REASON WE EMIGRATED FROM ROMANIA WAS DUE TO
AN UNFORTUNATE INCIDENT AT THE PRINCE'S DINNER PARTY
INVOLVING AN UNMUFFLED FART.
- SWEETIE, MAY I SAY SOMETHING? - NO.
- NOW THAT THE CAT'S OUT OF THE BAG,
DON'T YOU THINK YOU AT LEAST OWE IT TO YOURSELF
TO FIND OUT HOW NICKI FEELS?
- ARE YOU CRAZY?
I CAN NEVER FACE THAT WOMAN AGAIN.
- HI, HASKELL.
- OH, HI.
- GUYS, WOULD YOU MIND?
I'D LIKE TO SPEAK TO HASKELL IN PRIVATE.
- OF COURSE.
YOU GUYS HEARD THE LADY. SCRAM.
OH, ME TOO?
OH, I'M SORRY.
- WHAT THE HELL IS WRONG WITH YOU?
- OW.
- WHAT KIND OF PERSON SAYS THEY'RE IN LOVE
WITH SOMEONE THEY BARELY KNOW?
- I'M SORRY. IT JUST SLIPPED OUT.
- LOOK, I JUST GOT OUT OF A MARRIAGE.
THE WORD "LOVE" IS CONFUSING TO ME RIGHT NOW.
IT'S SCARY, TERRIFYING.
- IT'S A HORRIBLE, HORRIBLE WORD.
I'LL NEVER USE IT AGAIN.
- LOOK, HASKELL, YOU'RE A GREAT GUY.
- NICKI, WAIT.
MAY I SAY SOMETHING?
- NO.
- LET'S SAY HASKELL HAD NEVER SAID THE L WORD.
IS HE SOMEONE YOU'D AT LEAST CONSIDER GOING OUT WITH?
- YEAH, I GUESS SO. - OH.
- AND, HASKELL, WOULD YOU--
- OH, GOD, YES.
I MEAN, WHATEVER.
- WELL, THEN WHY DON'T YOU GUYS GO OUT TO DINNER
AND GET TO KNOW EACH OTHER BETTER?
- WHAT, YOU MEAN LIKE ON A DATE?
- I WOULDN'T PUT ANY LABELS ON IT.
- SO WOULD WE BE--
- I SAID NO LABELS.
- WELL, PERHAPS IN THE FUTURE, IF OUR SCHEDULES
SHOULD HAPPEN TO LINE UP, MAYBE WE COULD GET A QUICK BITE?
- HOW ABOUT DINNER TONIGHT?
- I'D LOVE TO.
I MEAN, LIKE IT.
I'D LIKE IT. I'D LIKE IT.
HOW ABOUT WE GO FOR CHINESE?
- I'D LOVE THAT.
HEY, IT'S FOOD.
I CAN SAY IT.
- * DEE, DOO, DEE, DOO
* DOO, DOO, DOO, DOO, DOO
- WELL, THAT WAS AN ADVENTURE.
I HAVEN'T WALKED THROUGH TIMES SQUARE IN YEARS.
- YEAH, I STILL FEEL BAD ABOUT WHAT I DID
TO THAT CHARLIE CHAPLIN STATUE, BUT WHEN IT CAME TO LIFE,
IT SCARED THE HELL OUT OF ME.
WELL, HERE WE ARE.
- YES, HERE WE ARE.
LOOK, AS DELIGHTFUL AS IT WAS, MY LADY,
I THINK IT'S BEST IF THE EVENING ENDS HERE.
- WELL, AREN'T YOU JUST THE GENTLEMAN?
I REALLY APPRECIATE YOU TAKING THINGS SLOW, HASKELL.
- BABY STEPS. - BABY STEPS.
- ALL RIGHT, WELL, NIGHT-NIGHT.
- NIGHT-NIGHT.
DOO-BA, DOO-BA, DOO-BA, DOO-BA, DOO-BA.
SO MUCH FOR NIGHT-NIGHT.
WHAT'S UP, HASKELL?
- OH, I'M NOT HASKELL. I'M STEVE, REMEMBER?
YOU SUBLET MY APARTMENT WHEN I MOVED TO L.A.
- COURSE I REMEMBER. COME ON IN.
HOW'S THE ACTING GOING? - GREAT.
I JUST BOOKED A COMMERCIAL
THAT STARTS SHOOTING IN TOWN TOMORROW.
- WELL, LOOK AT YOU, BIG, SUCCESSFUL ACTOR.
WELL, WHAT BRINGS YOU HERE?
- I'M BROKE, AND I HAVE NO PLACE TO STAY,
SO I WAS WONDERING IF I COULD STAY HERE.
- YOU WANT-- YOU WANT TO STAY HERE?
- YEAH, IT WOULD JUST BE FOR A FEW DAYS.
YOU WOULDN'T EVEN KNOW I'M AROUND.
- WHERE WOULD YOU SLEEP? - ON THE COUCH.
I'VE DONE IT MILLIONS OF TIMES WHEN FRIENDS USED TO CRASH HERE.
- YOU FIT ON THE PULL-OUT COUCH?
- IT PULLS OUT?
HUH.
- I DON'T KNOW, STEVE. I DON'T KNOW ABOUT THIS.
- OH, OH, PLEASE, NICKI, I HAVE NOWHERE ELSE TO STAY,
AND THIS JOB IS REALLY IMPORTANT TO ME,
NOT ONLY FINANCIALLY BUT ECONOMICALLY.
- OKAY. OKAY, YOU CAN STAY.
- THANK YOU. THANK YOU, NICKI.
OH, MAN, I AM REALLY NERVOUS ABOUT TOMORROW.
HEY, WOULD YOU MIND RUNNING LINES WITH ME?
- ME? I DON'T KNOW HOW TO ACT.
- OH, DON'T WORRY, ALL YOU HAVE TO DO IS SAY THE WORDS.
- OH, WELL, I CAN DO THAT.
BEEN SAYING WORDS MY WHOLE LIFE.
THERE, I JUST SAID THOSE AND THOSE.
HA! I'M A NATURAL.
- GREAT. I'LL BE RIGHT OUT.
I JUST HAVE TO GET INTO WARDROBE.
- WARDROBE?
- IT HELPS ME GET INTO CHARACTER.
- OH, GETTING INTO CHARACTER.
SUDDENLY I FEEL VERY INSIDE HOLLYWOOD.
- WHAT'S THE COMMERCIAL FOR, TIRES?
- NO, UNDERWEAR.
- WELL, I'D BUY THEM.
- ALL RIGHT, SO I AM READING THE ROLE
OF ATHLETE IN UNDERWEAR,
AND YOU READ THE ROLE OF COACH.
- YES.
OKAY.
GREAT GAME, KID.
YOU WERE A STAR OUT THERE.
- THANKS, COACH, BUT I WASN'T THE STAR.
MY UNDERWEAR WAS.
NOTICE THE SNUG FIT, COMFORT WAISTBAND,
AND CHECK OUT THE EASY ACCESS FLY.
- IF YOU INSIST.
- WHOA!
THAT'S NOT IN THE SCRIPT.
- YEAH, IT'S CALLED IMPROV.
GO WITH IT, STEVE.
- HELLO, GENTS.
BEAUTIFUL DAY, ISN'T IT?
THE KIND OF DAY THAT FOLLOWS A BEAUTIFUL EVENING.
- OH, YEAH, THAT'S RIGHT. SOMEONE HAD A DATE.
- MM-HMM.
I NEVER THOUGHT I'D SAY THESE WORDS,
BUT HOW WAS MY SISTER LAST NIGHT?
- FRET NOT. IT WAS A PERFECT EVENING.
I BID HER ADIEU AT THE DOOR, BUT I THINK IT'S SAFE TO SAY
THAT SOMEBODY ROCKED HER WORLD.
- YOU KNOW, I GOT TO TELL YOU, I ADMIRE HASKELL.
HE SAW A WOMAN WHO SEEMED OUT OF HIS REACH,
AND YET, HE WENT FOR IT.
- I'M SENSING THERE'S SOMETHING YOU'D LIKE TO SHARE?
- YOU'RE SENSING WRONG.
- OKAY. - IT WAS BACK IN HIGH SCHOOL.
THERE WAS THIS GIRL I WORSHIPED, ALESSANDRA RIVAS.
MM.
I JUST NEVER HAD THE GUTS TO TALK TO HER.
WHAT, YOU, PHIL CHASE?
HOW IS THAT POSSIBLE?
- WELL, PHIL CHASE HADN'T BECOME PHIL CHASE YET.
SEE, BACK IN HIGH SCHOOL, I WAS CLUELESS.
THEN ONE DAY IN THE CAFETERIA, I LOOKED ACROSS THE ROOM,
AND SITTING THERE, LOOKING FINER THAN FINE,
WAS ALESSANDRA.
I THOUGHT TO MYSELF, "I GOT IT GOING ON TODAY..."
SO I TOOK A DEEP BREATH AND STARTED TO APPROACH.
SUDDENLY, ONE OF THE JOCKS STUCK OUT HIS FOOT TO TRIP ME,
BUT I SIDESTEPPED IT.
THEN ANOTHER ONE TRIED, BUT I SPUN AROUND.
NOTHING COULD STOP ME, EXCEPT A DAMN TATER TOT.
'SUP?
AND THAT WAS THE FIRST AND LAST TIME
I TRIED TO TALK TO HER.
- HASKELL, I'M DYING TO KNOW.
HOW'D IT GO LAST NIGHT?
- HOW ELSE COULD IT GO WHEN ONE HAS A DATE
WITH AN ANGEL?
- AH.
I'M WAITING.
- FOR WHAT?
- FOR MY "THANK YOU, HOLLY.
"BECAUSE OF YOU, I NOW HAVE A CHANCE WITH NICKI.
BECAUSE OF YOU, I NOW HAVE HOPE."
- THANK YOU, HOLLY.
- DON'T BE SILLY.
CAN I GET A BEER?
- HEY, WHERE IS NICKI?
HER SHIFT WAS SUPPOSED TO START 15 MINUTES AGO.
EXCUSE ME, DO YOU KNOW WHERE NICKI IS?
- YEAH, NICKI'S NOT COMING IN TODAY.
SHE CALLED IN SICK. - HUH.
WELL, SHE WAS FINE LAST NIGHT.
I WONDER WHAT PUT HER ON HER BACK.
I SHOULD MAKE SOME SOUP AND NURSE HER BACK TO HEALTH.
- NO, HASKELL, YOU SCARED HER OFF ONCE.
YOU CAN'T JUST RUN OVER THERE LIKE SOME OVERBEARING LUNATIC.
- YOU'RE RIGHT.
- I'LL DO IT.
- OH, STEVE, I'M READY TO RUN SOME MORE LINES.
JUST GOT MY SECOND WIND.
- OKEYDOKEY.
- WHO IS IT?
- OH, IT'S ME, HOLLY.
- UH, HOLLY, NOW IS REALLY NOT A GOOD TIME.
I'M NOT FEELING WELL, AND THE LAST THING
I WANT TO DO IS GET YOU SICK.
- I UNDERSTAND, SWEETIE.
IT'S JUST THAT I BROUGHT THIS SOUP
THAT I PICKED UP FOR YOU AT MY FAVORITE PLACE.
- YEAH, I REALLY DON'T THINK SO.
- IT COST ME 30 BUCKS.
- OKAY, OKAY, I'LL CRACK THE DOOR A LITTLE.
YOU JUST PASS IT TO ME, OKAY?
- OKAY. - ALL RIGHT.
- ALL RIGHT, WELL, A LITTLE WIDER.
A LITTLE WIDER, LITTLE WIDE--
OOPS, TOO WIDE.
- HOLLY, I-I'M REALLY SICK.
YOU SHOULD GO.
- YOU DO LOOK PRETTY WORN OUT.
WHATEVER YOU GOT MUST HAVE HIT YOU HARD.
- YEAH, IT DID.
THANKS FOR THE SOUP.
- WAIT, SO I HEAR THINGS WENT WELL WITH HASKELL.
- YEAH, WELL, WELL. VERY WELL. - OH, I'M SO HAPPY.
AND DON'T WORRY, HASKELL CAN TAKE IT SLOW.
- YEAH, SLOW, SLOW. ALL RIGHTY.
WELL, THANKS SO MUCH. BYE-BYE. - OH, ALL RIGHT.
- OKAY, COACH, READY TO GO AGAIN.
- HOLLY, LOOK WHO'S IN TOWN.
STEVE, THE OLD BARTENDER.
WE WERE JUST RUNNING LINES.
- AND WE HAD SEX.
- THANK YOU, STEVE.
COULD YOU GIVE US A SECOND?
- OKAY, I'LL JUST GO DO SOME MORE CHARACTER WORK.
- ALL RIGHT, LET ME EXPLAIN.
- HOW COULD YOU DO THIS TO HASKELL?
- I DIDN'T PLAN IT.
HE NEEDED A PLACE TO STAY.
THEN HE CAME OUT LOOKING LIKE THAT,
AND I HAVEN'T BEEN WITH A MAN IN A LONG TIME.
THINGS WERE STARTING TO CLOSE UP.
COME ON, YOU SAW HIM.
WHAT WOULD YOU HAVE DONE?
- BEHAVED LIKE A GROWN WOMAN,
BECAUSE I'M RULED BY MY MIND, NOT MY HOO-HA.
- HEY, STUART, WHAT'S UP?
- YOU KNOW, I WAS THINKING ABOUT YOUR--
YOUR HIGH SCHOOL CRUSH, ALESSANDRA.
- AH.
- YOU EVER WONDER WHAT HAPPENED TO HER?
- YEAH, BUT I HAVE NO IDEA.
- WELL, I DO. I FOUND HER ONLINE.
YEAH, SHE LIVES IN NEW YORK, AND SHE'S SINGLE.
- YOU'RE KIDDING. WHAT DOES SHE LOOK LIKE?
SHOW ME.
NO, YOU KNOW WHAT, DON'T SHOW ME.
OKAY, SHOW ME. SHOW ME. SHOW ME.
- OKAY, BUT IT AIN'T PRETTY.
- DAMN.
DAMN!
- HUH? HUH?
- SHE IS JUST AS FINE AS SHE WAS IN HIGH SCHOOL.
- MM-HMM. WHY DON'T YOU MESSAGE HER?
- NO, NO, NO, NO.
- HI, ALESSANDRA, REMEMBER ME?
IT'S PHIL CHASE FROM HIGH SCHOOL.
- I CAN'T BELIEVE YOU JUST DID THAT.
WHAT'D SHE SAY?
- SHE SAID,
"NO."
- THANK YOU, STUART. IT'S HIGH SCHOOL ALL OVER AGAIN.
- WAIT, WAIT, WAIT, SHE'S WRITING MORE.
"I DEFINITELY WOULD'VE REMEMBERED A GUY THIS HOT."
- YEAH, SHE THINKS I'M HOT.
ALESSANDRA THINKS I'M HOT.
- HOW ABOUT WE GRAB A DRINK SOMETIME?
- WHAT'D SHE SAY?
- SHE SAID, "HOW ABOUT TONIGHT?"
- "I'M THERE, BABY."
MM. CONGRATULATIONS, PHIL.
YOU NOW HAVE A DATE WITH ALESSANDRA RIVAS.
- YOU DAMN STRAIGHT!
AND THAT'S HOW I DO IT, SON.
- SO HOW'S NICKI?
IS SHE BACK ON HER FEET?
- FOR THE TIME BEING.
LISTEN, HASKELL-- - NO, LOOK, HOLLY.
YOU KNOW, YOU WERE RIGHT.
I HAVEN'T THANKED YOU ENOUGH
FOR PUTTING ME AND NICKI TOGETHER.
- YOU KNOW I'M NOT BIG ON THANK-YOUS.
ESPECIALLY WHEN WHAT I DID WAS SO NEGLIGIBLE.
- NEGLIGIBLE?
I WAS READY TO GIVE UP ON NICKI,
BUT YOU BLEW ON THOSE DYING EMBERS.
YOU BROUGHT THEM BACK TO LIFE.
YOU GAVE ME HOPE, AND I THANK YOU.
- STOP THANKING ME.
LOOK, I MEAN, WHEN YOU THINK ABOUT IT,
WHAT'S SO GREAT ABOUT NICKI, HUH?
I MEAN, LOOK...
I'M FROM STATEN ISLAND.
I DON'T TAKE NOTHING FROM NOBODY.
EH.
I MEAN, COME ON.
HOW OLD IS THAT GONNA GET?
YOU COULD DO A LOT BETTER.
- HA. NOT IN THIS LIFETIME.
HEY, LOOK WHO'S BACK IN TOWN.
BEN "CAN'T ACT-FLECK."
HI.
- STEVE, WHAT ARE YOU DOING HERE?
- OH, NICKI KICKED ME OUT.
SHE SAID SOMETHING ABOUT FEELING GUILTY.
- AS WELL SHE SHOULD.
I MEAN, YOU DON'T JUST SLEEP WITH EVERY GORGEOUS GUY
WHO SHOWS UP KNOCKING ON YOUR DOOR
ASKING FOR A PLACE TO STAY.
- I GUESS SO.
ALL I KNOW IS, I NEED A PLACE TO STAY.
- GREAT GAME, KID.
YOU WERE A STAR OUT THERE.
- THANKS, COACH, BUT I WASN'T THE STAR.
MY UNDERWEAR WAS.
NOTICE THE SNUG FIT, COMFORT WAISTBAND,
AND CHECK OUT THE EASY ACCESS FLY.
- OH, I'M CHECKING. - OOH.
- GO AWAY.
- IT'S NICKI.
- NICKI, NO. I'M NOT FEELING WELL.
IT'S NOT A GOOD TIME.
- OH, WHAT HAVE YOU GOT, COACH?
- OH, SHUT UP.
- HOLLY, OPEN UP. I NEED TO TALK TO YOU.
- ALL RIGHT, JUST A SECOND.
OKAY, WOULD YOU MIND WAITING IN THE OTHER ROOM, STEVE?
- OKAY.
- HEY. HI, NICKI.
I JUST-- IT'S A BAD TIME.
- OKAY, LISTEN, I JUST WANT TO TELL YOU
THAT I TOLD STEVE TO LEAVE.
- WELL, GOOD FOR YOU. BYE-BYE.
- NO, NO, NO. YOU WERE RIGHT.
I SHOULD HAVE NEVER BEEN SO EASILY TEMPTED.
YOU ARE A BETTER WOMAN THAN ME.
- WELL, YOU'LL GET THERE.
NOW, SEE YOU.
- HEY, NICKI, GUESS WHAT?
I FOUND A PLACE TO STAY.
- HUH.
LADY, YOU ARE ONE BIG HYPOCRITE.
- I RESENT THAT.
I WAS SIMPLY HELPING A YOUNG STRUGGLING ACTOR
WITH HIS CRAFT, AND FROM WHAT I CAN SEE,
HE'S EXTREMELY GIFTED.
- OH, FACE IT, YOU ARE NO DIFFERENT THAN ME.
YOU COULDN'T KEEP YOUR HANDS OFF HIM EITHER.
- YEAH, BUT I'M NOT THE ONE DATING HASKELL.
OH.
- HASKELL.
- SO YOU'RE SURE IT'S OKAY THAT I STAY AT YOUR PLACE?
- WELL, MY APARTMENT IS KIND OF SMALL,
BUT I'LL FIND A PLACE TO PUT YOU.
I MEAN, I'M SURE I CAN SQUEEZE YOU IN SOMEWHERE.
- OKEYDOKE. - ALL RIGHT.
- WHOA, LOOKING GOOD, PHIL.
ARE YOU READY FOR YOUR DATE WITH ALESSANDRA?
- YEAH, BUT I'M A LITTLE NERVOUS.
I MEAN, I'VE DREAMT ABOUT THIS GIRL FOR, LIKE, 20 YEARS.
- YEAH, WELL, I GOT TO TELL YOU, BROTHER,
THAT GIRL IS FINE.
- ALL RIGHT, THERE SHE IS.
I'M GOING IN.
WISH ME LUCK. - GOOD LUCK.
- HEY.
ALESSANDRA? PHIL CHASE.
- NICE TO SEE YOU, PHIL.
- YEAH, IT'S GOOD TO SEE YOU TOO.
HAVE A SEAT. - THANK YOU.
- MM-HMM.
- SO WHAT MADE YOU LOOK ME UP AFTER ALL THESE YEARS?
NOT THAT I'M COMPLAINING.
- TO TELL YOU THE TRUTH,
I HAD A MAJOR CRUSH ON YOU IN HIGH SCHOOL.
- THAT IS SO SWEET.
NOW I FEEL EVEN WORSE I DON'T REMEMBER YOU.
- IT'S ALL GOOD.
I MEAN, IN HIGH SCHOOL, I HAD PIMPLES AND BRACES.
I WAS AN OLYMPIC DORK,
AND YOU WERE WAY OUT OF MY LEAGUE.
- PHIL, THAT WAS A LONG TIME AGO.
AS FAR AS I'M CONCERNED, OUR HISTORY BEGINS RIGHT NOW.
- YEAH.
- I'M SORRY. I GOT TO TAKE THIS.
HI, SWEETIE.
MOMMY WILL BE HOME SOON.
WHAT?
WHO HIT WHO FIRST?
HOW THE HELL DID HE GET A BAT?
PUT THE TWINS ON THE PHONE.
I SAID PUT 'EM ON!
NOW LISTEN TO ME.
YOU TWO BETTER CUT THE CRAP,
OR WHEN I GOT HOME, THERE'S GONNA BE TROUBLE.
WHY IS THE BABY CRYING?
THEN WAKE GRANDMA UP.
I'M ON A DATE!
NOW, WHERE WERE WE?
- YOU GOT KIDS, HUH?
- YEAH, SOMETIMES IT GETS A LITTLE CRAZY,
BUT THEY'RE REALLY SWEET.
- OH.
- EXCUSE ME.
- YEAH, YEAH.
- WHAT NOW?
WHAT IS YOUR FATHER DOING THERE?
PUT HIM ON THE PHONE.
I SAID PUT HIM ON.
NOW, LISTEN TO ME, YOU LOW-LIFE BASTARD,
YOUR ALIMONY'S LATE AGAIN.
YOU WANT TO GO BACK TO PRISON?
DON'T YOU THREATEN ME.
OH, YEAH?
WELL, YOU WOULDN'T BE SO TOUGH
IF YOU SAW THE GUY I WAS WITH.
TELL HIM YOU'LL KICK HIS ASS, PHIL.
- WHOA, I--
- I SAID TELL HIM.
- YOU KNOW WHAT, IT WAS GREAT SEEING YOU,
ALESSANDRA.
YOU LOOK FANTASTIC.
GREEN'S YOUR COLOR.
MAYBE I'LL SEE YOU AT THE REUNION, OKAY?
- SO...
- RUN, AND I'LL TELL YOU ON THE WAY.
- LOOK, HASKELL.
BEFORE YOU SAY ANYTHING, JUST HEAR ME OUT.
I AM SORRY THAT I HURT YOU.
THIS THING WITH STEVE, IT JUST FELL IN MY LAP.
OKAY, BAD CHOICE OF WORDS.
BUT HE MEANS NOTHING TO ME.
YOU HAVE TO BELIEVE ME.
- I DO.
- GOOD, BECAUSE I REALLY DO LOVE SPENDING TIME TOGETHER.
SO WHAT DO YOU SAY, CAN WE MOVE PAST THIS, PLEASE?
- NO.
- NO?
- LOOK, I THOUGHT I COULD GO SLOW,
BUT I'M NOT A GO-SLOW KIND OF GUY.
WHEN I CARE FOR A WOMAN,
I CAN'T HAND OUT MY HEART ONE PIECE AT A TIME.
SHE GETS THE FULL LUTZ.
- AND YOU DESERVE A WOMAN WHO'S READY FOR THAT.
I WISH I WAS.
I'M JUST NOT.
- I WISH YOU WERE TOO.
- ALL RIGHT, WELL, I BETTER GO.
I'LL SEE YOU AROUND THE BAR?
- YEAH, I'LL SEE YOU AROUND.
- OKAY.
WHOA.
- LIKE I SAID, THE FULL LUTZ, BABY.
- * DEE, DOO, DEE, DOO
- * DOO, DOO, DOO, DOO, DOO, DOO *
* DOO, DOO, DOO
- * DEE, DOO, DEE, DOO
- * DOO, DOO, DOO, DOO
- YEAH.
- ACME!