1 00:00:04,796 --> 00:00:06,881 [ Cheers and applause ] 2 00:00:06,923 --> 00:00:09,467 [ Scatting ] 3 00:00:09,509 --> 00:00:11,177 Whoo! 4 00:00:12,554 --> 00:00:14,347 * He fills me up * Yeah! 5 00:00:14,389 --> 00:00:16,016 * He fills me up * 6 00:00:16,057 --> 00:00:18,018 Daly: That is the sound of a steal! 7 00:00:18,059 --> 00:00:20,687 Blake: The knockouts this year are just next-level. 8 00:00:20,729 --> 00:00:23,189 ** 9 00:00:23,231 --> 00:00:25,108 These are the last knockouts 10 00:00:25,150 --> 00:00:27,027 that I'll ever get a chance to coach, 11 00:00:27,068 --> 00:00:29,154 and I am absolutely blown away 12 00:00:29,195 --> 00:00:31,031 because our Mega Mentor this season 13 00:00:31,072 --> 00:00:33,908 is one of the greatest country artists of all time. 14 00:00:33,950 --> 00:00:35,160 Oh, my God. 15 00:00:35,201 --> 00:00:36,369 She's a legend in the industry. 16 00:00:36,411 --> 00:00:37,787 No. [ Chuckles ] 17 00:00:37,829 --> 00:00:39,205 She has had her own TV show. 18 00:00:39,247 --> 00:00:40,415 Oh, my God! 19 00:00:40,457 --> 00:00:42,000 So the Mega Mentor this season 20 00:00:42,042 --> 00:00:43,752 is [rolls tongue] 21 00:00:43,793 --> 00:00:45,754 Reba McEntire! 22 00:00:45,795 --> 00:00:49,215 * Here's your one chance, Fancy, don't let me down * 23 00:00:49,257 --> 00:00:52,052 I see Reba McEntire, and I faint. 24 00:00:52,093 --> 00:00:53,511 Oh, my gosh. 25 00:00:53,553 --> 00:00:56,014 She's been in film and television and music. 26 00:00:56,056 --> 00:00:58,725 You really touched my heart. Thank you so much. 27 00:00:58,767 --> 00:01:00,643 Niall: She is the queen of country. 28 00:01:00,685 --> 00:01:02,437 Blake: She performed on Broadway. 29 00:01:02,479 --> 00:01:04,898 Kelly: She's won every award you could possibly win. 30 00:01:04,939 --> 00:01:06,691 She's such a pioneer for women in music, 31 00:01:06,733 --> 00:01:08,360 and I'm excited for these performers 32 00:01:08,401 --> 00:01:09,652 to get to grow a little bit more with her. 33 00:01:09,694 --> 00:01:12,405 * Ain't living lo-o-o-ng like this * 34 00:01:12,447 --> 00:01:13,907 [ Laughs ] That was pretty slick. 35 00:01:13,948 --> 00:01:16,284 Whatever the story is, I see it in my mind. 36 00:01:16,326 --> 00:01:17,911 You just got, like, advice from, like, 37 00:01:17,952 --> 00:01:19,621 one of the greatest artists in the whole world. I know. 38 00:01:19,662 --> 00:01:21,915 She's the ultimate storyteller, hands down. 39 00:01:21,956 --> 00:01:25,669 You need to almost be that brink of, "God, help me." 40 00:01:25,710 --> 00:01:27,712 If you do it that way, we'll feel it. 41 00:01:27,754 --> 00:01:29,631 I'm getting goosebumps even talking about it now. 42 00:01:29,673 --> 00:01:31,508 It's amazing to be in her presence. 43 00:01:31,549 --> 00:01:33,426 I'm pretending that I don't have to pee my pants right now, so... 44 00:01:33,468 --> 00:01:36,888 * Here's your one chance, Fancy, don't let me down * [ Laughter ] 45 00:01:36,930 --> 00:01:38,473 ** 46 00:01:38,515 --> 00:01:40,975 Well, this is a full-circle moment for me 47 00:01:41,017 --> 00:01:44,437 'cause you were my adviser Season 1. Uh-huh. 48 00:01:44,479 --> 00:01:46,606 Now it's my last season 49 00:01:46,648 --> 00:01:48,441 and you're mentoring me one more time. 50 00:01:48,483 --> 00:01:50,985 What does that say about our relationship? 51 00:01:51,027 --> 00:01:54,030 You brought me into this, and now you're taking me out. 52 00:01:54,072 --> 00:01:55,907 [ Laughs ] That's what it means. 53 00:01:55,949 --> 00:01:58,576 Oh, it's so much fun to be back on "The Voice" again. 54 00:01:58,618 --> 00:02:01,788 It's always a lot of fun to give advice 55 00:02:01,830 --> 00:02:04,958 because I study people when they perform, 56 00:02:05,000 --> 00:02:08,962 and I want to be touched when they're singing to me. 57 00:02:09,004 --> 00:02:10,338 Come on in to my office here. 58 00:02:10,380 --> 00:02:12,882 I let Kelly use this office of mine, too. 59 00:02:12,924 --> 00:02:16,678 Well, that was very nice of you to let Kelly be a part. 60 00:02:16,720 --> 00:02:21,975 This world exposure for these kids -- phenomenal. 61 00:02:22,017 --> 00:02:23,768 What an education. 62 00:02:23,810 --> 00:02:26,021 I mean, they get to work with the greatest coaches. 63 00:02:26,062 --> 00:02:29,482 It's just an opportunity and a chance of a lifetime. 64 00:02:29,524 --> 00:02:32,861 I'm -- I'm excited to see who our Mega Mentor is, too. 65 00:02:32,902 --> 00:02:34,487 Who this person is... 66 00:02:34,529 --> 00:02:37,741 So, this is one of my steals, a guy named NOIVAS. 67 00:02:37,782 --> 00:02:40,660 He's a Texas guy. He's kind of a soul guy. 68 00:02:40,702 --> 00:02:44,122 And then I have Tasha, who is also very soulful. 69 00:02:44,164 --> 00:02:48,376 And she can cover a lot of different ground artistically. Uh-huh. 70 00:02:48,418 --> 00:02:51,504 In the knockouts, artists are picking their own songs 71 00:02:51,546 --> 00:02:54,466 and this is their chance to show what lane they want to be in. 72 00:02:54,507 --> 00:02:56,801 Let's bring 'em out here and see what happens. Okay. Yeah, let's see. 73 00:02:56,843 --> 00:02:59,012 I hope these artists realize how lucky they are. 74 00:02:59,054 --> 00:03:02,557 There's really nothing that Reba hasn't done 75 00:03:02,599 --> 00:03:04,517 andhasn't done well. 76 00:03:04,559 --> 00:03:07,145 Oh, he's got the cowboy hat on. What? 77 00:03:07,187 --> 00:03:09,356 Get on out here. [ Laughs ] 78 00:03:09,397 --> 00:03:11,483 Oh, my God. 79 00:03:11,524 --> 00:03:15,153 Reba McEntire -- the queen of country. 80 00:03:15,195 --> 00:03:17,113 I used to watch her show back home. 81 00:03:17,155 --> 00:03:20,784 * A single mom who works two jobs * Reba: Hi. How you doing? 82 00:03:20,825 --> 00:03:23,453 * Who loves her kids and never stops * Hello, hello. How are you? 83 00:03:23,495 --> 00:03:25,205 Oh, my God! Reba! So nice to meet you. 84 00:03:25,246 --> 00:03:26,873 Nice to meet you, too. 85 00:03:26,915 --> 00:03:27,874 I froze. 86 00:03:27,916 --> 00:03:30,043 I didn't believe that she was real, 87 00:03:30,085 --> 00:03:31,378 and I started, like, crying. 88 00:03:31,419 --> 00:03:34,422 I had tears in my eyes. She's a legend. 89 00:03:34,464 --> 00:03:36,383 I mean, it's Reba. Oh, my God. I know. 90 00:03:36,424 --> 00:03:38,385 Like, oh, okay. 91 00:03:38,426 --> 00:03:39,594 [ Laughs ] 92 00:03:39,636 --> 00:03:41,262 So who's going first? 93 00:03:41,304 --> 00:03:42,639 I'm going first. Alright. Okay. 94 00:03:42,681 --> 00:03:45,475 So, Reba, Chance actually blocked Blake. 95 00:03:45,517 --> 00:03:47,519 [ Cheers and applause ] 96 00:03:47,560 --> 00:03:50,313 And so, during my battles, he stole me. Perfect. 97 00:03:50,355 --> 00:03:53,650 So I'm ready to do this. He looks like me up there. He's got his cowboy boots on. 98 00:03:53,692 --> 00:03:55,485 He's got his hat, his mullet. Look at that. 99 00:03:55,527 --> 00:03:57,570 For me to get one of the last steals 100 00:03:57,612 --> 00:03:59,739 that Blake will ever give on this show... 101 00:03:59,781 --> 00:04:02,534 I'm gonna take him. ...it's an absolute honor. 102 00:04:02,575 --> 00:04:04,411 I'm singing "I Put a Spell on You" 103 00:04:04,452 --> 00:04:05,954 by Screamin' Jay Hawkins. 104 00:04:05,995 --> 00:04:09,416 But I am doing both Nina Simone's version 105 00:04:09,457 --> 00:04:12,168 and Annie Lennox. Love her version. 106 00:04:12,210 --> 00:04:15,130 I'm also a girl dad, so I love the feminine energy. 107 00:04:15,171 --> 00:04:17,757 Good deal. So, I want to bring that into this. 108 00:04:17,799 --> 00:04:18,591 Okay. 109 00:04:18,633 --> 00:04:25,473 * I put a spell on you * 110 00:04:25,515 --> 00:04:28,560 I am doing one of the most iconic songs of all time. 111 00:04:28,601 --> 00:04:32,981 * I ain't lyin' * 112 00:04:33,023 --> 00:04:35,942 * You know I can't stand it * 113 00:04:35,984 --> 00:04:37,402 * You've been runnin' around * 114 00:04:37,444 --> 00:04:39,195 I grew up listening to Nina Simone. 115 00:04:39,237 --> 00:04:41,698 I started to really study her. 116 00:04:41,740 --> 00:04:44,117 She immersed herself into the music, 117 00:04:44,159 --> 00:04:47,495 and that was the challenge that I wanted to try. 118 00:04:47,537 --> 00:04:50,790 Can I be that vessel in this song 119 00:04:50,832 --> 00:04:53,001 and be able to touch everyone? 120 00:04:53,043 --> 00:04:56,254 I think it could move me to the playoff rounds. 121 00:04:56,296 --> 00:04:59,799 [ Scatting ] 122 00:04:59,841 --> 00:05:00,800 Holy crap. 123 00:05:00,842 --> 00:05:02,218 * Miiiiiine * 124 00:05:02,260 --> 00:05:06,014 NOIVAS -- I had no idea a guy would have the range, 125 00:05:06,056 --> 00:05:07,474 which is powerful. 126 00:05:07,515 --> 00:05:08,850 Man, I didn't expect that from you. 127 00:05:08,892 --> 00:05:10,477 That's -- That's incredible. Incredible. 128 00:05:10,518 --> 00:05:11,811 And you looked right at me. 129 00:05:11,853 --> 00:05:14,564 You're not afraid of eye contact. Loved it. 130 00:05:14,606 --> 00:05:16,649 NOIVAS kinda has it all. I'm figuring that out. 131 00:05:16,691 --> 00:05:17,984 He's got stage presence. 132 00:05:18,026 --> 00:05:19,944 He's not afraid to mean what he's singing, 133 00:05:19,986 --> 00:05:21,112 and that goes a long way. 134 00:05:21,154 --> 00:05:24,324 So you end with the big head-voice thing, 135 00:05:24,366 --> 00:05:26,826 and then you went back into chest voice, 136 00:05:26,868 --> 00:05:29,829 and the transition between the two goes off the rails. 137 00:05:29,871 --> 00:05:32,999 Got you. I can guarantee you she's gonna come up here 138 00:05:33,041 --> 00:05:34,751 and everything's gonna be put together. 139 00:05:34,793 --> 00:05:36,211 This is the best of the best now. 140 00:05:36,252 --> 00:05:37,587 And -- And you're one of them. 141 00:05:37,629 --> 00:05:39,589 I just don't want you to leave any stone unturned. 142 00:05:39,631 --> 00:05:41,800 Yes, sir. Blake: Each coach only has one steal. 143 00:05:41,841 --> 00:05:44,010 That puts extra pressure on these artists 144 00:05:44,052 --> 00:05:46,012 to bring their A-game because we're going 145 00:05:46,054 --> 00:05:48,848 to the playoffs from here, and that's a big step. 146 00:05:48,890 --> 00:05:50,517 Do you think it would be more powerful 147 00:05:50,558 --> 00:05:52,769 to leave out the last adlib singing? 148 00:05:52,811 --> 00:05:54,688 Oh, the * Ohhhh * 149 00:05:54,729 --> 00:05:56,523 Like, the outro? End there and take the adoration 150 00:05:56,564 --> 00:05:57,899 that everybody's gonna be giving you. 151 00:05:57,941 --> 00:05:59,359 This is an amazing opportunity 152 00:05:59,401 --> 00:06:01,653 from, like, the queen of country. 153 00:06:01,695 --> 00:06:02,821 Thank you. Thanks. You know? 154 00:06:02,862 --> 00:06:05,115 What is some of the best advice 155 00:06:05,156 --> 00:06:06,282 that you've received? 156 00:06:06,324 --> 00:06:08,660 A woman named Mae Boren Axton 157 00:06:08,702 --> 00:06:12,038 always told me, "Show up on time. Be prepared. 158 00:06:12,080 --> 00:06:14,582 Don't waste anybody else's time." Awesome. 159 00:06:14,624 --> 00:06:17,544 Two of country's biggest stars 160 00:06:17,585 --> 00:06:19,671 gave me some really great advice. 161 00:06:19,713 --> 00:06:21,756 I'm definitely gonna take advantage 162 00:06:21,798 --> 00:06:24,134 and knock out my knockout song. 163 00:06:24,175 --> 00:06:26,177 Good job. That was amazing. Thank you. Thank you. 164 00:06:26,219 --> 00:06:27,554 Tasha: I'm really nervous. 165 00:06:27,595 --> 00:06:30,015 NOIVAS' magic, but I just want to show Blake 166 00:06:30,056 --> 00:06:31,641 that I am a storyteller. 167 00:06:31,683 --> 00:06:34,310 And I hope I get to continue on his team. 168 00:06:34,352 --> 00:06:36,730 It would be incredible if I made it to the playoffs. 169 00:06:36,771 --> 00:06:39,190 Maybe I should leave it right here. [ Laughs ] 170 00:06:39,232 --> 00:06:42,318 I'm singing "Take Me to Church" by Hozier. 171 00:06:42,360 --> 00:06:43,319 I'm really excited. 172 00:06:43,361 --> 00:06:44,612 Hozier is so good 173 00:06:44,654 --> 00:06:45,905 with his songwriting and his storytelling, 174 00:06:45,947 --> 00:06:47,574 and I just want to be able to do that. 175 00:06:47,615 --> 00:06:49,075 It kind of reminds me of my husband 176 00:06:49,117 --> 00:06:50,618 and singing it to him. 177 00:06:50,660 --> 00:06:53,038 * My lover's got humor * 178 00:06:53,079 --> 00:06:55,707 Moving from Pakistan to the United States, 179 00:06:55,749 --> 00:06:57,250 it's a huge culture shock. 180 00:06:57,292 --> 00:07:00,003 * Amen * 181 00:07:00,045 --> 00:07:02,630 Western music is not a big thing in Pakistan, 182 00:07:02,672 --> 00:07:05,300 and so I slowly just started getting into more 183 00:07:05,342 --> 00:07:06,926 soul and gospel music. 184 00:07:06,968 --> 00:07:08,511 * Take me to church * 185 00:07:08,553 --> 00:07:12,015 * I'll worship like a dog at the shrine of your lies * 186 00:07:12,057 --> 00:07:14,267 Having lived so many things in my life, 187 00:07:14,309 --> 00:07:17,437 I'm able to just emote the story of a song. 188 00:07:17,479 --> 00:07:20,732 And if everybody's feeling what I'm feeling during that song, 189 00:07:20,774 --> 00:07:23,693 I'm gonna win this knockout, hopefully. 190 00:07:23,735 --> 00:07:27,364 [ Vocalizing ] 191 00:07:27,405 --> 00:07:29,407 Whoo! Whoo! 192 00:07:29,449 --> 00:07:31,117 Thank you! Yes. 193 00:07:31,159 --> 00:07:32,786 How did that big voice come out 194 00:07:32,827 --> 00:07:35,372 of a little old bitty gal like you? [ Laughs ] 195 00:07:35,413 --> 00:07:36,915 Tasha is so cute. 196 00:07:36,956 --> 00:07:40,001 I thought she'll be a little timid, but huge voice. 197 00:07:40,043 --> 00:07:42,962 Great range. Just amazingly talented. 198 00:07:43,004 --> 00:07:45,382 My only concern is the key. 199 00:07:45,423 --> 00:07:46,675 You're having to get down there, 200 00:07:46,716 --> 00:07:48,802 and it just felt like losing you a little bit. 201 00:07:48,843 --> 00:07:52,222 But the key you're in takes you way up there, too, you know? 202 00:07:52,263 --> 00:07:53,556 Stratosphere. 203 00:07:53,598 --> 00:07:55,642 So it might just be breathing. Yeah. 204 00:07:55,684 --> 00:07:57,644 'Cause I've heard you hit the low stuff before. 205 00:07:57,686 --> 00:07:59,229 This is a tough song. 206 00:07:59,270 --> 00:08:01,147 It's got the lowest of lows and -- and highest of highs. 207 00:08:01,189 --> 00:08:03,733 But I do think this is a good choice for Tasha 208 00:08:03,775 --> 00:08:05,694 to show what she's capable of. 209 00:08:05,735 --> 00:08:07,195 How do you connect with the audience 210 00:08:07,237 --> 00:08:09,114 and make them feel what you are feeling? 211 00:08:09,155 --> 00:08:12,325 Reba: I've got a video running in my mind of this song, 212 00:08:12,367 --> 00:08:14,994 so I'm telling the audience the story as I see it. 213 00:08:15,036 --> 00:08:18,331 Got it. Bring 'em on stage with that eye contact 214 00:08:18,373 --> 00:08:21,668 so they think you're there especially for them. 215 00:08:21,710 --> 00:08:23,837 Mm. Garth stole that from Reba. 216 00:08:23,878 --> 00:08:27,841 [ Laughs ] Copied you in every way. 217 00:08:27,882 --> 00:08:29,384 Well, this is an honor. Well, come on up here. 218 00:08:29,426 --> 00:08:30,593 Oh, thank you. 219 00:08:30,635 --> 00:08:32,220 I can't hit a fourth of the notes 220 00:08:32,262 --> 00:08:33,471 you guys have, 221 00:08:33,513 --> 00:08:36,016 so I was always giving more 222 00:08:36,057 --> 00:08:37,851 just to be friends with the audience. 223 00:08:37,892 --> 00:08:39,227 Doing television helped me with that 224 00:08:39,269 --> 00:08:41,980 'cause when you see somebody on a sitcom, 225 00:08:42,022 --> 00:08:43,189 you think they're your best friend 226 00:08:43,231 --> 00:08:45,025 because they were in your living room. 227 00:08:45,066 --> 00:08:48,111 Doesn't matter if you're playing for 12 people or 70,000. 228 00:08:48,153 --> 00:08:51,114 Make 'em feel like you're so glad they're here. 229 00:08:51,156 --> 00:08:52,157 Great advice. 230 00:08:52,198 --> 00:08:53,575 They've got great ranges. 231 00:08:53,616 --> 00:08:56,494 I think what will help Blake is how the audience react 232 00:08:56,536 --> 00:08:58,038 to each of them. 233 00:08:58,079 --> 00:09:00,665 I'm not gonna lie, Reba. I follow you on TikTok. 234 00:09:00,707 --> 00:09:02,042 So... Oh, no kidding? 235 00:09:02,083 --> 00:09:03,626 Blake: Tasha has been one of my favorites 236 00:09:03,668 --> 00:09:05,128 from the beginning, and then NOIVAS 237 00:09:05,170 --> 00:09:07,172 coming out of nowhere with this massive talent -- 238 00:09:07,213 --> 00:09:10,050 this may be the hardest decision I have this season. 239 00:09:10,091 --> 00:09:11,718 I don't know what I'm gonna do. 240 00:09:11,760 --> 00:09:14,220 He's incredible. Oh, my gosh. 241 00:09:14,262 --> 00:09:15,305 He's on the radar now. 242 00:09:15,347 --> 00:09:16,598 He looked me in the eye. 243 00:09:16,639 --> 00:09:18,224 I can't even do it with you right now. 244 00:09:18,266 --> 00:09:20,560 I'm trying to -- I'm looking away. [ Laughs ] 245 00:09:20,602 --> 00:09:22,312 [ Laughs ] 246 00:09:22,354 --> 00:09:23,605 [ Cheers and applause ] 247 00:09:23,646 --> 00:09:24,856 Daly: How about a quick hello to our four 248 00:09:24,898 --> 00:09:26,608 Playoff Pass artists right up here? 249 00:09:26,649 --> 00:09:30,153 D.Smooth, Ryley, Manasseh, and Mary Kate. 250 00:09:30,195 --> 00:09:32,155 Alright, alright, D.Smooth! 251 00:09:32,197 --> 00:09:33,615 Kelly! They get to sit out this week 252 00:09:33,656 --> 00:09:34,949 because they were sent directly 253 00:09:34,991 --> 00:09:36,284 to the playoffs by their coaches. 254 00:09:36,326 --> 00:09:37,952 They're gonna be here all night long. 255 00:09:37,994 --> 00:09:41,122 Let's kick it off. The knockouts begin right now. 256 00:09:41,164 --> 00:09:42,332 Yeah! 257 00:09:42,374 --> 00:09:44,876 [ Cheers and applause ] 258 00:09:44,918 --> 00:09:48,797 Singing "I Put a Spell on You", here's NOIVAS. 259 00:09:48,838 --> 00:09:51,049 I love this song. 260 00:09:53,468 --> 00:09:56,513 ** 261 00:09:56,554 --> 00:10:03,561 * I put a spell on you * 262 00:10:03,603 --> 00:10:09,651 * Because you're mine * 263 00:10:11,277 --> 00:10:16,282 * You better stop the things you do * 264 00:10:18,618 --> 00:10:23,039 * I tell you, I ain't lyin' * 265 00:10:23,081 --> 00:10:25,250 Come on, lyin'. Come on, lyin'. Come on. 266 00:10:25,291 --> 00:10:28,670 * I ain't lyin' * 267 00:10:28,712 --> 00:10:31,631 * You know I can't stand it * 268 00:10:31,673 --> 00:10:33,091 * You've been runnin' around * 269 00:10:33,133 --> 00:10:36,094 * You know better, baby * 270 00:10:36,136 --> 00:10:38,930 * I can't stand it, 'cause you're putting me down * 271 00:10:38,972 --> 00:10:40,056 Hey! 272 00:10:40,098 --> 00:10:46,563 * Oh, I put a spell on you * 273 00:10:46,604 --> 00:10:48,648 ** 274 00:10:48,690 --> 00:10:53,611 * Because you're mine * 275 00:10:53,653 --> 00:10:57,282 * Oh-oh-oh-oh-oh, ohh-ohh-ohh * 276 00:10:57,323 --> 00:10:58,366 Yes! 277 00:10:59,200 --> 00:11:00,869 * You know I love you * 278 00:11:00,910 --> 00:11:03,830 * I love you, I love you * 279 00:11:03,872 --> 00:11:06,082 * I love you anyhow * 280 00:11:06,124 --> 00:11:10,211 * And I don't care if you don't want me * 281 00:11:10,253 --> 00:11:13,048 * 'Cause I'm yours forever now * 282 00:11:13,089 --> 00:11:16,009 Oh! * I put a spell on you * 283 00:11:16,051 --> 00:11:17,635 Ha-ha-ha-ha-ha-ha-ha. 284 00:11:17,677 --> 00:11:19,137 [ Laughs ] 285 00:11:19,179 --> 00:11:25,643 * Because you're miiiiiiine * 286 00:11:25,685 --> 00:11:28,021 [ Cheers and applause ] 287 00:11:28,063 --> 00:11:33,401 * Becaaaaaause * 288 00:11:33,443 --> 00:11:34,527 Whoo! 289 00:11:34,569 --> 00:11:37,530 [ Scatting ] 290 00:11:37,572 --> 00:11:38,656 Yeah! 291 00:11:38,698 --> 00:11:48,458 * You're miiiiiiiiiine * 292 00:11:48,500 --> 00:11:51,211 [ Cheers and applause ] 293 00:11:51,252 --> 00:11:52,295 You're mine. 294 00:11:52,337 --> 00:11:54,881 Yo, wait. 295 00:11:54,923 --> 00:11:57,634 Yo, he's still on his knees! 296 00:11:57,676 --> 00:12:00,512 That boy a actor! Geez! 297 00:12:00,553 --> 00:12:03,014 [ Cheers and applause ] 298 00:12:03,056 --> 00:12:04,891 Look at him, going all the way back! 299 00:12:04,933 --> 00:12:06,559 [ Laughs ] 300 00:12:06,601 --> 00:12:07,894 Good job, man. 301 00:12:07,936 --> 00:12:09,813 [ Cheers and applause ] 302 00:12:09,854 --> 00:12:11,022 [ Sighs ] 303 00:12:11,064 --> 00:12:12,649 And now with "Take Me to Church", 304 00:12:12,691 --> 00:12:14,818 here's Tasha Jessen. 305 00:12:14,859 --> 00:12:16,069 Mary Kate: Come on, Tash! 306 00:12:16,111 --> 00:12:18,738 Ryley: Come on, Tasha! 307 00:12:18,780 --> 00:12:22,867 ** 308 00:12:22,909 --> 00:12:25,578 * My lover's got humor * 309 00:12:25,620 --> 00:12:28,373 * She's the giggle at a funeral * 310 00:12:28,415 --> 00:12:31,292 * Knows everybody's disapproval * 311 00:12:31,334 --> 00:12:34,087 * Should have worshiped her sooner * 312 00:12:34,129 --> 00:12:37,007 * If the Heavens ever did speak * 313 00:12:37,048 --> 00:12:39,801 * She's the last true mouthpiece * 314 00:12:39,843 --> 00:12:42,804 * Every Sunday's getting more bleak * 315 00:12:42,846 --> 00:12:45,265 * Fresh poison each week * 316 00:12:45,306 --> 00:12:48,977 * I was born sick, but I love it * 317 00:12:49,019 --> 00:12:51,646 * Command me to be well * 318 00:12:51,688 --> 00:12:54,482 * A-A-A-A-A * 319 00:12:54,524 --> 00:12:57,360 * Amen * 320 00:12:57,402 --> 00:12:59,946 * Amen * 321 00:12:59,988 --> 00:13:03,616 * Amen * 322 00:13:03,658 --> 00:13:05,243 * Take me to church * 323 00:13:05,285 --> 00:13:08,705 * I'll worship like a dog at the shrine of your lies * 324 00:13:08,747 --> 00:13:12,459 * I'll tell you my sins so you can sharpen your knife * 325 00:13:12,500 --> 00:13:15,295 * Offer me that deathless death * 326 00:13:15,337 --> 00:13:18,715 * Good God, let me give you my life * 327 00:13:18,757 --> 00:13:26,806 * In the madness and soil of that sad earthly scene * 328 00:13:26,848 --> 00:13:30,643 * Only then I am human * Come on! 329 00:13:30,685 --> 00:13:34,064 * Only then I am clean * 330 00:13:34,105 --> 00:13:37,817 * And only then I am human * 331 00:13:37,859 --> 00:13:41,821 * And only then I am clean * 332 00:13:41,863 --> 00:13:43,156 Go, Tasha! 333 00:13:43,198 --> 00:13:44,783 * Take me to chuuuuuurch * 334 00:13:44,824 --> 00:13:47,911 * I'll worship like a dog at the shrine of your lies * 335 00:13:47,952 --> 00:13:52,040 * I'll tell you my sins so you can sharpen your knife * 336 00:13:52,082 --> 00:13:54,876 * Offer me that deathless death * 337 00:13:54,918 --> 00:13:57,921 * Good God, let me give you my life * 338 00:13:57,962 --> 00:13:59,506 * Take me to church * 339 00:13:59,547 --> 00:14:03,051 * I'll worship like a dog at the shrine of your lies * 340 00:14:03,093 --> 00:14:07,055 * I'll tell you my sins so you can sharpen your knife * 341 00:14:07,097 --> 00:14:09,641 * Offer me that deathless death * 342 00:14:09,683 --> 00:14:13,019 * And Good God, let me give you my life * 343 00:14:13,061 --> 00:14:19,943 * Take me to chuuuuuurch, ohh * 344 00:14:19,984 --> 00:14:21,861 [ Cheers and applause ] 345 00:14:21,903 --> 00:14:22,862 Damn! 346 00:14:22,904 --> 00:14:24,364 Great stuff. 347 00:14:27,659 --> 00:14:29,369 That was crazy. 348 00:14:29,411 --> 00:14:30,662 Both of you. 349 00:14:30,704 --> 00:14:33,665 [ Cheers and applause ] 350 00:14:34,457 --> 00:14:36,960 NOIVAS, you have got to pay for a floor cleaning bill. 351 00:14:37,002 --> 00:14:38,545 [ Laughter ] 352 00:14:38,586 --> 00:14:40,714 You've just scraped up that stage with that mic stand. 353 00:14:40,755 --> 00:14:43,341 That's beyond cleaning. It's damaged. Yeah. 354 00:14:43,383 --> 00:14:45,385 NOIVAS, every time, you just bring it. 355 00:14:45,427 --> 00:14:48,972 Dude, you're impressive. Wow. Appreciate it. 356 00:14:49,014 --> 00:14:52,684 Tasha, I remember turning and losing. 357 00:14:52,726 --> 00:14:54,894 [ Laughter ] I'm sorry. 358 00:14:54,936 --> 00:14:57,439 To take a huge song on like that, 359 00:14:57,480 --> 00:14:59,274 and to take it to another level, 360 00:14:59,315 --> 00:15:01,317 stuff that Hozier didn't even manage to get on the record, 361 00:15:01,359 --> 00:15:04,404 he'd be very proud of that rendition. Thank you so much. Thank you. 362 00:15:04,446 --> 00:15:06,239 Blakey boy, you've been doing this 363 00:15:06,281 --> 00:15:07,574 for a very long time. 364 00:15:07,615 --> 00:15:10,744 Too long, some would say. [ Laughter ] 365 00:15:10,785 --> 00:15:12,912 But, um, I'd lean towards Tasha. 366 00:15:12,954 --> 00:15:15,165 Okay. Thank you so much. 367 00:15:15,206 --> 00:15:17,500 Tasha, what I'm really impressed with is the control 368 00:15:17,542 --> 00:15:19,210 when you're in that lower register. 369 00:15:19,252 --> 00:15:21,212 Yeah. It was so fire to just see you, like, 370 00:15:21,254 --> 00:15:23,423 hold in that space. Thank you, Chance. 371 00:15:23,465 --> 00:15:25,592 NOIVAS, you were on my team. 372 00:15:25,633 --> 00:15:28,094 I blocked you from being on Blake's team, 373 00:15:28,136 --> 00:15:30,096 and you're like, "You may not have loved me, 374 00:15:30,138 --> 00:15:31,765 but now you're mine," and I felt the lyrics 375 00:15:31,806 --> 00:15:33,099 coming towards me. 376 00:15:33,141 --> 00:15:35,352 [ Laughter ] 377 00:15:35,393 --> 00:15:37,645 It was teetering in the diss record category, 378 00:15:37,687 --> 00:15:38,980 but I was like -- 379 00:15:39,022 --> 00:15:40,774 But I just wanted to let you know, like, 380 00:15:40,815 --> 00:15:42,359 I'm a fan. 381 00:15:42,400 --> 00:15:44,277 The icing on the cake is that you will do something, 382 00:15:44,319 --> 00:15:47,364 like, swing the mic stand around in the song, on your knees, 383 00:15:47,405 --> 00:15:48,948 which I thought was so fire. 384 00:15:48,990 --> 00:15:51,659 I would probably lean towards NOIVAS. 385 00:15:51,701 --> 00:15:53,787 Your height difference is just incredible. 386 00:15:53,828 --> 00:15:58,541 It's literally like if I'm standing next to Blake. 387 00:15:58,583 --> 00:16:00,335 NOIVAS, you, like, totally embodied 388 00:16:00,377 --> 00:16:01,711 what the message was about. 389 00:16:01,753 --> 00:16:03,296 We're all fans of you. 390 00:16:03,338 --> 00:16:04,839 Tasha, like, you shocked me. 391 00:16:04,881 --> 00:16:07,842 Like, a whole other Tasha came out in this performance. 392 00:16:07,884 --> 00:16:11,638 It sounded perfectly raw and beautiful. Thanks, Kelly. 393 00:16:11,680 --> 00:16:14,683 Blake, I think either one you'd do great with. 394 00:16:14,724 --> 00:16:17,102 Thank you, Coaches. 395 00:16:17,143 --> 00:16:19,104 Alright, cowboy, it comes down to you. 396 00:16:19,145 --> 00:16:20,355 Blake: Just flip a coin here. 397 00:16:20,397 --> 00:16:23,066 It was that impressive on both ends. 398 00:16:23,108 --> 00:16:24,776 NOIVAS, I thought there was a chance 399 00:16:24,818 --> 00:16:27,821 that you took the word knockouts literally. 400 00:16:27,862 --> 00:16:29,406 [ Laughter ] 401 00:16:29,447 --> 00:16:31,950 Got a little bit wild, and it scared me, 402 00:16:31,991 --> 00:16:33,201 and I liked that, yeah, yeah. 403 00:16:33,243 --> 00:16:34,494 [ Laughter ] 404 00:16:34,536 --> 00:16:37,330 Your talent is shocking, and it's fearless. 405 00:16:37,372 --> 00:16:38,665 [ Cheers and applause ] 406 00:16:38,707 --> 00:16:41,251 And then, Tasha, I'm never surprised by you 407 00:16:41,292 --> 00:16:42,627 because you got that out of the way 408 00:16:42,669 --> 00:16:44,838 when you chose me as your coach to begin with. 409 00:16:44,879 --> 00:16:49,134 Nobody was more surprised than I was that you picked me. I was. 410 00:16:49,175 --> 00:16:51,594 [ Laughter ] 411 00:16:51,636 --> 00:16:53,847 Sorry. And so it's great to have, you know, 412 00:16:53,888 --> 00:16:56,057 artists that come and audition for this show 413 00:16:56,099 --> 00:16:57,517 that you wonder how in the hell 414 00:16:57,559 --> 00:17:00,645 has this person not already made it? Yeah. 415 00:17:00,687 --> 00:17:02,188 Thank you, Blake. 416 00:17:02,230 --> 00:17:03,648 [ Applause ] 417 00:17:03,690 --> 00:17:05,567 Blake, who's the winner of this knockout? 418 00:17:05,608 --> 00:17:10,947 ** 419 00:17:10,989 --> 00:17:16,327 ** 420 00:17:16,369 --> 00:17:18,413 Winner of this knockout is NOIVAS. 421 00:17:18,455 --> 00:17:21,332 NOIVAS, congratulations! 422 00:17:21,374 --> 00:17:23,209 You are moving on to the playoffs! 423 00:17:23,251 --> 00:17:25,712 NOIVAS and Tasha has been the toughest decision 424 00:17:25,754 --> 00:17:28,423 that I've had to make so far this season. 425 00:17:28,465 --> 00:17:31,634 There was no way for me to not pick NOIVAS. Wow. 426 00:17:31,676 --> 00:17:34,471 The guy can sing circles around anybody. 427 00:17:34,512 --> 00:17:36,514 Thank you, Blake. Good job, brother. Come here. 428 00:17:36,556 --> 00:17:38,266 But now I'm realizing he can also 429 00:17:38,308 --> 00:17:39,809 outperform anybody on the show. 430 00:17:39,851 --> 00:17:41,436 I mean, I really think this guy has a shot 431 00:17:41,478 --> 00:17:42,645 at winning this thing. 432 00:17:42,687 --> 00:17:44,397 So impressive, dude. Thank you. 433 00:17:44,439 --> 00:17:46,858 See you next time. Hey, you caught that. 434 00:17:46,900 --> 00:17:48,026 [ Laughter ] 435 00:17:48,068 --> 00:17:49,986 I was one of Blake's last steals, 436 00:17:50,028 --> 00:17:52,530 and now I'm going to the playoffs. 437 00:17:52,572 --> 00:17:53,990 I'm so grateful. 438 00:17:54,032 --> 00:17:56,618 Coach, let me remind you that Tasha is available to steal. 439 00:17:56,659 --> 00:17:58,703 Tasha, anything you want to say to your coach? 440 00:17:58,745 --> 00:18:01,289 Steal! Tasha: Blake, I've had so much fun. 441 00:18:01,331 --> 00:18:03,583 You call me your little buddy, and I'm just so glad 442 00:18:03,625 --> 00:18:05,543 I got to have this experience on your last season. 443 00:18:05,585 --> 00:18:07,712 Like, what an honor. I'm just so grateful. Love her. 444 00:18:07,754 --> 00:18:11,132 Give it up for Tasha Jessen, ladies and gentlemen. 445 00:18:11,174 --> 00:18:12,467 Come on up, Tasha! 446 00:18:12,509 --> 00:18:14,803 There it is! We got a steal! 447 00:18:14,844 --> 00:18:15,929 [ Cheers and applause ] 448 00:18:15,970 --> 00:18:18,640 Yes! Yes, yes, yes! 449 00:18:18,682 --> 00:18:21,101 Niall: I was gonna get you at some point. 450 00:18:21,142 --> 00:18:23,520 Tasha, the one that nearly got away. 451 00:18:23,561 --> 00:18:24,479 Group hug. 452 00:18:24,521 --> 00:18:26,398 [ Cheers and applause ] 453 00:18:26,439 --> 00:18:27,774 Both my little buddies. 454 00:18:27,816 --> 00:18:30,568 After NOIVAS' incredible performance, 455 00:18:30,610 --> 00:18:32,862 most people, including this guy, 456 00:18:32,904 --> 00:18:34,489 would have absolutely pooped their pants. 457 00:18:34,531 --> 00:18:37,158 Yeah, Tashy! I love you, baby! 458 00:18:37,200 --> 00:18:38,451 But she smashed it. 459 00:18:38,493 --> 00:18:40,328 I was looking for a big female voice, 460 00:18:40,370 --> 00:18:41,329 and I got one. 461 00:18:41,371 --> 00:18:43,039 NOIVAS is so fun. 462 00:18:43,081 --> 00:18:45,125 Chance: Yeah, yeah. Niall: That was intense. 463 00:18:45,166 --> 00:18:46,459 When he was just walking out, though, 464 00:18:46,501 --> 00:18:47,877 he was like, "I'm glad you caught that." 465 00:18:47,919 --> 00:18:49,671 Like, he was -- he was sending shots at me. 466 00:18:49,713 --> 00:18:51,006 He was like Conor McGregor. Oh, he was? 467 00:18:51,047 --> 00:18:52,716 Through his -- Through his song. 468 00:18:59,014 --> 00:19:00,348 * This is "The Voice" * 469 00:19:00,390 --> 00:19:02,892 Daly: Welcome back to the knockouts premiere. 470 00:19:02,934 --> 00:19:06,354 Are you ready for knockouts? I'm knocking myself out. 471 00:19:06,396 --> 00:19:08,064 No. The show. Yes. 472 00:19:08,106 --> 00:19:10,316 So far, so good, Chance. Doing pretty well. 473 00:19:10,358 --> 00:19:11,985 Not bad for the new guys. I know. 474 00:19:12,027 --> 00:19:13,611 I think we've got two of the better teams. 475 00:19:13,653 --> 00:19:15,530 I feel like these guys are probably in here right now, 476 00:19:15,572 --> 00:19:16,740 like, trying to get a game plan together. 477 00:19:16,781 --> 00:19:18,908 I feel like between the two of us... 478 00:19:18,950 --> 00:19:20,535 Look at 'em. [ Laughs ] 479 00:19:20,577 --> 00:19:22,203 Kelly: What's up, y'all? Hey. We love y'all. 480 00:19:22,245 --> 00:19:23,371 What's up? Oh. How's it going? 481 00:19:23,413 --> 00:19:24,748 How are you doing? You alright? 482 00:19:24,789 --> 00:19:26,291 Yeah, no. Just hanging out. 483 00:19:26,332 --> 00:19:28,543 We were just saying that we're gonna win. 484 00:19:28,585 --> 00:19:30,712 It looks like the piranhas won. [ Laughs ] 485 00:19:30,754 --> 00:19:33,214 That's funny. Well, you didn't let her in anything, obviously. 486 00:19:33,256 --> 00:19:34,883 [ Laughter ] 487 00:19:34,924 --> 00:19:37,302 You were good at nothing in high school. [ Laughs ] 488 00:19:37,344 --> 00:19:39,679 Do you feel confident, though, in your team for knockouts? Chance: I'm pretty excited. 489 00:19:39,721 --> 00:19:41,222 Yeah, I think it's good that they got 490 00:19:41,264 --> 00:19:42,849 to pick their own songs, you know? 491 00:19:42,891 --> 00:19:44,559 How do you feel about this personally, Blake? 492 00:19:44,601 --> 00:19:46,561 Mm, I'm just ready for the knockouts. 493 00:19:46,603 --> 00:19:47,854 You guys ready? Last knockout. 494 00:19:47,896 --> 00:19:49,564 You ready, America? 495 00:19:49,606 --> 00:19:51,941 Let's go knock it out! Great segue. Come on. 496 00:19:51,983 --> 00:19:53,568 ** 497 00:19:53,610 --> 00:19:55,070 Kelly: You're gonna have fun. Niall's really fun. 498 00:19:55,111 --> 00:19:56,654 Reba: Oh, my gosh. I've been -- Chance is hilarious. 499 00:19:56,696 --> 00:19:58,031 I've been sitting by him this season. 500 00:19:58,073 --> 00:19:59,574 He's maybe my favorite person to sit next to. 501 00:19:59,616 --> 00:20:01,242 He's funny. Oh, great. Can't wait. 502 00:20:01,284 --> 00:20:02,577 Kelly: I've known Reba, actually, 503 00:20:02,619 --> 00:20:03,953 since the beginning of my career. 504 00:20:03,995 --> 00:20:05,622 I got to sing with her in Vegas 20 years ago. 505 00:20:05,663 --> 00:20:07,874 I'm really happy for Blake being his last season. 506 00:20:07,916 --> 00:20:09,501 It's just been a really good vibe. 507 00:20:09,542 --> 00:20:10,919 Oh, that's nice. Yeah. 508 00:20:10,960 --> 00:20:12,629 And also, I've been able to work with her 509 00:20:12,671 --> 00:20:14,839 and tour with her and learn from her. 510 00:20:14,881 --> 00:20:17,467 She can offer these artists a wealth of knowledge -- 511 00:20:17,509 --> 00:20:19,636 singing, writing, being on stage. 512 00:20:19,678 --> 00:20:21,304 And I love that all these artists are gonna get 513 00:20:21,346 --> 00:20:22,972 that same kind of experience today. 514 00:20:23,014 --> 00:20:26,768 What's up? Reba McEntire! Oh, my goodness. 515 00:20:26,810 --> 00:20:28,770 Wow. 516 00:20:28,812 --> 00:20:30,939 Everyone in Texas loves Reba. 517 00:20:30,980 --> 00:20:32,941 My hometown is going to freak out. 518 00:20:32,982 --> 00:20:35,610 This is the raddest Mega Mentor we've ever had. 519 00:20:35,652 --> 00:20:37,779 Aww, now. Amazing. 520 00:20:37,821 --> 00:20:39,781 I paired Ali and Marcos together 521 00:20:39,823 --> 00:20:42,033 because I find them both to be incredibly soulful. 522 00:20:42,075 --> 00:20:45,120 So I'll be singing "Best Part" by Daniel Caesar and H.E.R. 523 00:20:45,161 --> 00:20:47,789 Yeah. And my favorite love story to sing about is my parents. 524 00:20:47,831 --> 00:20:51,376 * It's the sweetest thing, ohh * 525 00:20:51,418 --> 00:20:52,752 Ow! 526 00:20:52,794 --> 00:20:55,380 * And it don't change * 527 00:20:55,422 --> 00:20:57,465 My dad was a drummer. My mom was a singer. 528 00:20:57,507 --> 00:21:00,427 And from there, they just fell in love. [ Laughs ] 529 00:21:00,468 --> 00:21:02,512 * Won't you give yourself to me * 530 00:21:02,554 --> 00:21:04,931 * Give it all * 531 00:21:04,973 --> 00:21:06,474 I would not be here without my parents. 532 00:21:06,516 --> 00:21:09,102 They believed in me, even at my lowest points. 533 00:21:09,144 --> 00:21:10,520 I do hope that one day 534 00:21:10,562 --> 00:21:12,063 I-I do fall in love the way that they did. 535 00:21:12,105 --> 00:21:13,314 * If you love me, won't you... * 536 00:21:13,356 --> 00:21:14,816 It's always been a dream of mine 537 00:21:14,858 --> 00:21:17,819 to be at least one person's inspiration. 538 00:21:17,861 --> 00:21:20,864 Being deaf has always been a challenge, 539 00:21:20,905 --> 00:21:24,576 so it would be an honor to be able to be that person 540 00:21:24,617 --> 00:21:26,327 for those that are like me. 541 00:21:26,369 --> 00:21:32,667 * Won't you loooooooove * 542 00:21:32,709 --> 00:21:34,711 It's incredible. Wow. 543 00:21:34,753 --> 00:21:36,504 [ Chuckles ] Thank you. But just try something different. 544 00:21:36,546 --> 00:21:38,173 Just in this -- this repetitive spot. 545 00:21:38,214 --> 00:21:40,300 Yeah. * If you love me, won't you say something? * 546 00:21:40,342 --> 00:21:41,593 You -- You say it over and over. 547 00:21:41,634 --> 00:21:42,844 Just 'cause it's a competition, 548 00:21:42,886 --> 00:21:44,429 do something just a little different 549 00:21:44,471 --> 00:21:46,056 than the vibe that's already there. Okay. 550 00:21:46,097 --> 00:21:48,641 When you're singing the lyrics, live 'em. 551 00:21:48,683 --> 00:21:51,061 If you love me, say something. Got it. 552 00:21:51,102 --> 00:21:53,605 Yeah. Dab blame it, do it now. 553 00:21:53,646 --> 00:21:55,023 'Cause you deserve it. Suggest heavily. 554 00:21:55,065 --> 00:21:57,108 Suggest heavily. [ Laughs ] Suggest heavily. 555 00:21:57,150 --> 00:21:58,526 Got it. 556 00:21:58,568 --> 00:22:00,862 Kelly: Cool thing about Ali is, as an artist, 557 00:22:00,904 --> 00:22:02,781 it's like she hears and feels the music 558 00:22:02,822 --> 00:22:04,991 differently than all of us. 559 00:22:05,033 --> 00:22:06,076 She just stands out. 560 00:22:06,117 --> 00:22:08,036 So I'm singing "Jesus, Take the Wheel", 561 00:22:08,078 --> 00:22:08,995 by Carrie Underwood. 562 00:22:09,037 --> 00:22:10,497 I have always had a very strong 563 00:22:10,538 --> 00:22:12,165 relationship with God... Love. 564 00:22:12,207 --> 00:22:13,708 ...and despite being told 565 00:22:13,750 --> 00:22:16,044 that I wasn't worthy of that relationship, 566 00:22:16,086 --> 00:22:17,712 I still have always had one anyway. 567 00:22:17,754 --> 00:22:19,464 Great. Love that. Oh, my gosh. I love that. 568 00:22:19,506 --> 00:22:20,882 That's a great testimony. 569 00:22:20,924 --> 00:22:23,093 * Going home to see her mama and her daddy * 570 00:22:23,134 --> 00:22:25,804 * With the baby in the backseat * 571 00:22:25,845 --> 00:22:28,890 Marcos: I'm Texas born and raised, so country is in me. 572 00:22:28,932 --> 00:22:30,934 "Jesus, Take the Wheel" is about 573 00:22:30,975 --> 00:22:33,978 giving the steering wheel over to God. 574 00:22:34,020 --> 00:22:35,939 Music was my dream my whole life. 575 00:22:35,980 --> 00:22:40,402 And when I came out, I lost the support of my family, 576 00:22:40,443 --> 00:22:42,195 and I left music. 577 00:22:42,237 --> 00:22:43,863 I felt like it was a part of an old life 578 00:22:43,905 --> 00:22:45,532 that I wasn't allowed to live anymore. 579 00:22:45,573 --> 00:22:48,159 * She was so scared * 580 00:22:48,201 --> 00:22:51,329 Kelly has definitely given me the confidence 581 00:22:51,371 --> 00:22:53,915 to reboot this whole dream. 582 00:22:53,957 --> 00:22:57,168 * Oh, Jesus, take the wheel * 583 00:22:57,210 --> 00:23:00,338 Ali: Marcos has that fire in him whenever he's singing. 584 00:23:00,380 --> 00:23:03,049 And he definitely brought his A-game. And I'm like, "Alright." 585 00:23:03,091 --> 00:23:05,719 To make it to the playoffs, I gotta bring mine, too. 586 00:23:05,760 --> 00:23:08,388 * ...on * 587 00:23:08,430 --> 00:23:11,016 * Jesus, take the wheel * 588 00:23:11,057 --> 00:23:13,476 You can even pause longer. Just take a breath. 589 00:23:13,518 --> 00:23:17,647 * Jesus, take...the wheel * 590 00:23:17,689 --> 00:23:19,274 Everything is wonderful. 591 00:23:19,315 --> 00:23:22,152 But I didn't feel it because you weren't letting me. 592 00:23:22,193 --> 00:23:25,363 You're in a really desperate time in your life, 593 00:23:25,405 --> 00:23:29,617 and you need to almost to be to that brink of "God, help me." 594 00:23:29,659 --> 00:23:31,953 If you do it that way, we'll feel it. 595 00:23:31,995 --> 00:23:35,248 Having Reba connect with me on a deeper level, 596 00:23:35,290 --> 00:23:38,168 it made me emotional, but I was fighting back the tears. 597 00:23:38,209 --> 00:23:39,336 [ Laughs ] 598 00:23:39,377 --> 00:23:41,338 Make it more of, like, a storyteller 599 00:23:41,379 --> 00:23:42,922 and like you're broken 600 00:23:42,964 --> 00:23:44,883 'cause you're asking Jesus to take the wheel 601 00:23:44,924 --> 00:23:46,676 'cause the load is too much. 602 00:23:46,718 --> 00:23:49,220 Reba, she's the ultimate storyteller, hands down, 603 00:23:49,262 --> 00:23:52,640 and she knows how to really break those walls down. 604 00:23:52,682 --> 00:23:54,768 That's why she's so powerful as a Mega Mentor, 605 00:23:54,809 --> 00:23:56,061 and I knew she'd be really good at this. 606 00:23:56,102 --> 00:23:58,104 Really lean into the storyteller in you. 607 00:23:58,146 --> 00:23:59,147 That is who I am. 608 00:23:59,189 --> 00:24:00,273 It's just gonna come down 609 00:24:00,315 --> 00:24:02,525 to whoever is comfortable in the moment 610 00:24:02,567 --> 00:24:04,361 and just be the vessel for the message. 611 00:24:04,402 --> 00:24:05,653 That's what always wins with me. 612 00:24:05,695 --> 00:24:07,113 You just got, like, advice from, like, 613 00:24:07,155 --> 00:24:08,448 one of the greatest artists in the whole world, so... 614 00:24:08,490 --> 00:24:09,824 I know. So epic. 615 00:24:09,866 --> 00:24:11,534 I've totally enjoyed this. Y'all are great. 616 00:24:11,576 --> 00:24:12,744 Good luck to both of you. 617 00:24:12,786 --> 00:24:13,995 Thank you so much. Yeah. 618 00:24:14,037 --> 00:24:15,372 [ Cheers and applause ] You got this. 619 00:24:15,413 --> 00:24:17,290 I love you. I love you. I love you. I love you. 620 00:24:17,332 --> 00:24:19,292 I can't wait for this. Me, too. 621 00:24:19,334 --> 00:24:21,711 With "Best Part", here's Ali. 622 00:24:23,463 --> 00:24:27,217 ** 623 00:24:27,258 --> 00:24:30,762 [ Vocalizing ] 624 00:24:30,804 --> 00:24:32,931 * You don't know, babe * 625 00:24:34,057 --> 00:24:38,812 * When you hold me and kiss me slowly * 626 00:24:38,853 --> 00:24:43,650 * It's the sweetest thing, ohhhhh * 627 00:24:43,692 --> 00:24:45,568 * And it don't change * 628 00:24:45,610 --> 00:24:46,695 Yeah! 629 00:24:46,736 --> 00:24:50,031 * If I had it my way, yeah * 630 00:24:50,073 --> 00:24:55,453 * You would know that you are, no * 631 00:24:55,495 --> 00:24:58,540 * You're the coffee that I need in the morning * 632 00:24:58,581 --> 00:25:01,751 * You're my sunshine in the rain when it's pouring * 633 00:25:01,793 --> 00:25:04,212 * Won't you give yourself to me? * 634 00:25:04,254 --> 00:25:06,840 * Give it all * 635 00:25:06,881 --> 00:25:08,842 * I just want to see * 636 00:25:08,883 --> 00:25:15,056 * I just want to see how beautiful you are * 637 00:25:15,098 --> 00:25:18,476 * You know that I see it * 638 00:25:18,518 --> 00:25:21,604 * I know you're a star * 639 00:25:21,646 --> 00:25:28,111 * Where you go, I'll follow, no matter how far * 640 00:25:28,153 --> 00:25:34,909 * If life is a movie, oh, you're the best part * 641 00:25:34,951 --> 00:25:37,996 * Oh-oh-oh-oh-oh * 642 00:25:38,038 --> 00:25:41,041 * You're the best part * 643 00:25:41,082 --> 00:25:45,337 * Oh-oh-oh-oh, yeah * 644 00:25:45,378 --> 00:25:46,755 Whoa! 645 00:25:46,796 --> 00:25:49,591 * If you love me, won't you say something? * 646 00:25:49,632 --> 00:25:51,551 * If you love me, won't you? * 647 00:25:51,593 --> 00:25:56,431 * Ooh, if you love me, won't you say something? * 648 00:25:56,473 --> 00:25:58,016 * If you love me, won't you? * 649 00:25:58,058 --> 00:26:04,272 * Lo-o-o-o-ve, ooh, oh * 650 00:26:04,314 --> 00:26:06,274 * Lo-o-o-o-o-o-ve * 651 00:26:06,316 --> 00:26:07,650 Dang! 652 00:26:07,692 --> 00:26:17,160 * Oh, if you love me, won't you lo-o-o-o-o-o-ve * 653 00:26:17,202 --> 00:26:18,953 [ Cheers and applause ] Yeah! 654 00:26:18,995 --> 00:26:20,663 Whoo! 655 00:26:22,165 --> 00:26:25,085 Whoo! 656 00:26:25,126 --> 00:26:26,127 You got this. 657 00:26:26,169 --> 00:26:27,671 You got this. You did so good. 658 00:26:27,712 --> 00:26:29,756 Come on, Marcos! Yeah! 659 00:26:29,798 --> 00:26:31,883 [ Cheers and applause ] 660 00:26:38,515 --> 00:26:39,683 * This is "The Voice" * 661 00:26:39,724 --> 00:26:41,935 Daly: Welcome back to the knockouts. 662 00:26:41,976 --> 00:26:43,144 [ Cheers and applause ] 663 00:26:43,186 --> 00:26:45,188 Go, Marcos! Go, Marcos! 664 00:26:45,230 --> 00:26:46,690 Yeah, Marcos! 665 00:26:46,731 --> 00:26:48,525 Now with "Jesus, Take the Wheel", 666 00:26:48,566 --> 00:26:50,360 here's Marcos Covos. 667 00:26:50,402 --> 00:26:52,362 Come on, Marcos! 668 00:26:55,740 --> 00:27:01,121 ** 669 00:27:01,162 --> 00:27:04,290 * She was driving last Friday on her way to Cincinnati * 670 00:27:04,332 --> 00:27:08,294 * On a snow-white Christmas Eve * 671 00:27:08,336 --> 00:27:10,922 * Going home to see her mama and her daddy * 672 00:27:10,964 --> 00:27:14,009 * With the baby in the back seat * 673 00:27:14,050 --> 00:27:17,512 * 50 miles to go, and she was running low * 674 00:27:17,554 --> 00:27:20,015 * On faith and gasoline * 675 00:27:20,056 --> 00:27:23,226 * It'd been a long, hard year * 676 00:27:23,268 --> 00:27:26,771 * She had a lot on her mind, and she didn't pay attention * 677 00:27:26,813 --> 00:27:29,315 * She was going way too fast * 678 00:27:30,483 --> 00:27:32,944 * Before she knew it, she was spinning * 679 00:27:32,986 --> 00:27:35,572 * On a thin black sheet of glass * 680 00:27:35,613 --> 00:27:39,826 * She saw both their lives flash before her eyes * 681 00:27:39,868 --> 00:27:42,454 * She didn't even have time to cry * 682 00:27:42,495 --> 00:27:45,331 * She was so scared * 683 00:27:45,373 --> 00:27:50,545 * She threw her hands up in the air * 684 00:27:50,587 --> 00:27:53,840 * Jesus, take the wheel * 685 00:27:53,882 --> 00:27:56,926 * Take it from my hands * 686 00:27:56,968 --> 00:28:01,931 * I can't do this on my own * 687 00:28:01,973 --> 00:28:04,768 * I'm letting go * 688 00:28:04,809 --> 00:28:07,604 * Give me one more chance * 689 00:28:07,645 --> 00:28:19,199 * Save me from this road I'm o-o-o-o-o-o-o-on * 690 00:28:19,240 --> 00:28:21,117 [ Cheers and applause ] 691 00:28:21,159 --> 00:28:25,372 * Jesus, take...the wheel * 692 00:28:26,915 --> 00:28:29,668 * Mmm * 693 00:28:29,709 --> 00:28:31,002 [ Cheers and applause ] 694 00:28:31,044 --> 00:28:32,545 [ Speaks indistinctly ] 695 00:28:35,465 --> 00:28:36,925 You did so amazing. 696 00:28:36,966 --> 00:28:38,635 You did, too. 697 00:28:38,677 --> 00:28:39,886 Blake: I'll start with Ali. 698 00:28:39,928 --> 00:28:41,179 Am I saying the name right? 699 00:28:41,221 --> 00:28:42,764 Is it Ali? Yeah. Okay. Ali. Mm-hmm. 700 00:28:42,806 --> 00:28:44,641 You looked at me like, "Don't say the name like that." 701 00:28:44,683 --> 00:28:46,476 I just don't like when you talk. Okay. 702 00:28:46,518 --> 00:28:48,436 [ Laughter ] 703 00:28:48,478 --> 00:28:51,648 You're so special in the way that you deliver a song. 704 00:28:51,690 --> 00:28:54,859 You really nail your intention every time. 705 00:28:54,901 --> 00:28:56,528 Great job. My gosh. Yeah. Thank you. 706 00:28:56,569 --> 00:28:58,029 [ Cheers and applause ] 707 00:28:58,071 --> 00:29:00,281 Marcos, there might have been a little too much 708 00:29:00,323 --> 00:29:02,367 in runs and stuff, just for my taste. 709 00:29:02,409 --> 00:29:05,370 For that reason, I'd be going with Ali. 710 00:29:05,412 --> 00:29:06,955 Okay. 711 00:29:06,996 --> 00:29:08,498 Niall: Marcos, you're always in control. 712 00:29:08,540 --> 00:29:10,166 The low register and the high stuff, 713 00:29:10,208 --> 00:29:12,877 you always seem to find a way to make a song work. 714 00:29:12,919 --> 00:29:15,171 And, Ali, every time you turn up here, 715 00:29:15,213 --> 00:29:17,132 they never feel like anyone else's songs. 716 00:29:17,173 --> 00:29:18,508 They always just feel like yours. 717 00:29:18,550 --> 00:29:20,093 We know exactly who you are as an artist 718 00:29:20,135 --> 00:29:21,845 and the style that you bring to the stage. 719 00:29:21,886 --> 00:29:23,388 Thank you. Thank you. 720 00:29:23,430 --> 00:29:26,683 Ali, you're an amazing, amazing vocalist. 721 00:29:26,725 --> 00:29:28,977 It shines through every time you get on stage. 722 00:29:29,019 --> 00:29:31,438 It just feels like somebody that's in control 723 00:29:31,479 --> 00:29:34,858 and has a grasp of what they're trying to convey. 724 00:29:34,899 --> 00:29:37,444 I think, Marcos, the same thing could be said about you. 725 00:29:37,485 --> 00:29:40,530 I think the beginning of the song was a little bit shaky, 726 00:29:40,572 --> 00:29:43,158 but towards the end of it, you were very much in control. 727 00:29:43,199 --> 00:29:44,951 And I just love moments like that. 728 00:29:44,993 --> 00:29:46,411 Both of you guys 729 00:29:46,453 --> 00:29:49,873 gave very memorable performances in "Voice" history. 730 00:29:49,914 --> 00:29:51,041 Thank you. Daly: Thank you, Coaches. 731 00:29:51,082 --> 00:29:52,667 [ Cheers and applause ] 732 00:29:52,709 --> 00:29:55,211 Alright, Kel, this is not gonna be an easy one for you. 733 00:29:55,253 --> 00:29:56,254 Kelly: First of all, Marcos, 734 00:29:56,296 --> 00:29:57,422 you did have some pitchy moments, 735 00:29:57,464 --> 00:29:59,007 but you sang the hell out of it, man. 736 00:29:59,049 --> 00:30:01,301 Your voice is just crazy, and I'm in love with it. 737 00:30:01,343 --> 00:30:03,345 So I'm so proud that you're Team Kelly. 738 00:30:03,386 --> 00:30:06,264 Ali, you move us, like, so deeply. 739 00:30:06,306 --> 00:30:08,808 Even at the end of the song, you were like, "Yeah!" 740 00:30:08,850 --> 00:30:10,643 [ Laughs ] It was so good. 741 00:30:10,685 --> 00:30:14,689 I love both of you for completely different reasons. 742 00:30:14,731 --> 00:30:15,815 Kelly, the time has come. 743 00:30:15,857 --> 00:30:17,400 Who is the winner of this knockout? 744 00:30:17,442 --> 00:30:19,944 ** 745 00:30:19,986 --> 00:30:21,863 Such a bummer. Um... 746 00:30:21,905 --> 00:30:25,241 ** 747 00:30:25,283 --> 00:30:27,285 The winner of this knockout is Ali. 748 00:30:27,327 --> 00:30:28,870 Ali, congratulations! 749 00:30:28,912 --> 00:30:32,082 You're moving on to the playoffs! 750 00:30:33,041 --> 00:30:34,834 I won't. Thank you. 751 00:30:34,876 --> 00:30:38,588 I love Marcos, but I had to pick Ali just because every time, 752 00:30:38,630 --> 00:30:40,882 she delivers, even in a subtle way. 753 00:30:40,924 --> 00:30:43,093 She has no choice but to sing, 754 00:30:43,134 --> 00:30:45,970 and that's such a beautiful gift. 755 00:30:46,012 --> 00:30:47,097 Kelly: Oh, my God! 756 00:30:47,138 --> 00:30:48,556 Thank you. You did so great. 757 00:30:48,598 --> 00:30:49,516 Thank you so much. 758 00:30:49,557 --> 00:30:51,601 I'm so grateful and so blessed 759 00:30:51,643 --> 00:30:53,436 to be able to have this kind of opportunity 760 00:30:53,478 --> 00:30:56,606 and just do what I love to do and show the entire world. 761 00:30:56,648 --> 00:31:00,610 Daly: Give it up one more time for Marcos Covos! 762 00:31:00,652 --> 00:31:02,112 Great job, Marcos. 763 00:31:02,153 --> 00:31:03,113 Chance: This is the knockouts. 764 00:31:03,154 --> 00:31:04,489 The talent level is so high, 765 00:31:04,531 --> 00:31:06,282 everybody's, like, coming with their A-game. 766 00:31:06,324 --> 00:31:07,409 You only get one steal. 767 00:31:07,450 --> 00:31:08,660 And I'm just looking to see 768 00:31:08,702 --> 00:31:11,204 who's gonna show up and show out. 769 00:31:11,246 --> 00:31:12,706 Daly: Still to come... 770 00:31:12,747 --> 00:31:14,874 If I really get into it, they're gonna get into it. 771 00:31:14,916 --> 00:31:17,502 Tell us what you're thinking in this with your face. 772 00:31:17,544 --> 00:31:19,587 Daly: ...Reba continues to share her wisdom... 773 00:31:19,629 --> 00:31:21,923 I'm having a hard time understanding your words. 774 00:31:21,965 --> 00:31:23,425 [ Gasps ] Yeah. Niall: Keep those words separate. 775 00:31:23,466 --> 00:31:26,011 * When we were together * 776 00:31:26,052 --> 00:31:27,637 Oh, I like that. 777 00:31:27,679 --> 00:31:30,932 Daly: ...bringing the artists' performances to new heights. 778 00:31:30,974 --> 00:31:33,768 * Anymo-o-o-o-o-re * 779 00:31:33,810 --> 00:31:34,811 What?! 780 00:31:34,853 --> 00:31:36,396 It's my coaching. 781 00:31:42,861 --> 00:31:43,862 * This is "The Voice" * 782 00:31:43,903 --> 00:31:45,864 Daly: Welcome back. 783 00:31:45,905 --> 00:31:47,115 Niall: Ryley Tate Wilson. 784 00:31:47,157 --> 00:31:48,950 Hey, what's up, Niall? What's up, bud? 785 00:31:48,992 --> 00:31:50,577 How you doing? Good to see you. 786 00:31:50,618 --> 00:31:52,328 You guys up there are really annoying today. [ Laughs ] 787 00:31:52,370 --> 00:31:54,456 You're being like -- They're just so smug. 788 00:31:54,497 --> 00:31:55,874 I'm just -- Just sat there, just like, 789 00:31:55,915 --> 00:31:57,250 "Yeah, we're not knocking out. 790 00:31:57,292 --> 00:31:58,418 We're going straight to the playoffs." 791 00:31:58,460 --> 00:32:00,170 I'm just trying to be relaxed. 792 00:32:00,211 --> 00:32:01,671 I'm not trying -- not trying to be mean. No, you deserve it. 793 00:32:01,713 --> 00:32:03,173 That's why you got the Playoff Pass. 794 00:32:03,214 --> 00:32:04,632 They invented it for people like you. 795 00:32:04,674 --> 00:32:06,551 Got it. This guy -- Ryley Tate Wilson. 796 00:32:06,593 --> 00:32:08,386 Remember the name, people. 797 00:32:08,428 --> 00:32:09,804 Someone told me you play golf. 798 00:32:09,846 --> 00:32:11,139 Reba: I play really good after one beer. 799 00:32:11,181 --> 00:32:12,557 [ Laughs ] Really? 800 00:32:12,599 --> 00:32:14,517 I'm Tiger Woods-level at two beers. Really? 801 00:32:14,559 --> 00:32:15,810 Yeah. What happens at three? 802 00:32:15,852 --> 00:32:16,978 I better quit. 803 00:32:17,020 --> 00:32:18,438 [ Laughter ] 804 00:32:18,480 --> 00:32:20,273 Niall: To work with Reba McEntire, 805 00:32:20,315 --> 00:32:21,733 the queen of country music -- 806 00:32:21,775 --> 00:32:23,234 I'm getting goosebumps even talking about it now. 807 00:32:23,276 --> 00:32:24,611 It's amazing to be in her presence. 808 00:32:24,652 --> 00:32:26,321 Well, the next time I'm down in Nashville -- 809 00:32:26,363 --> 00:32:27,697 Let's go play. 100%. 810 00:32:27,739 --> 00:32:29,532 She's an absolute legend, 811 00:32:29,574 --> 00:32:34,412 and she could pass on her wisdom not only to my team, but to me. 812 00:32:34,454 --> 00:32:36,498 And you don't get to do that every day. 813 00:32:36,539 --> 00:32:39,668 Alright, Reba. Gina, she's really shy. 814 00:32:39,709 --> 00:32:41,378 Aww. You're going to have to tell her to... 815 00:32:41,419 --> 00:32:43,171 Speak up? Speak up? [ Laughs ] Yeah. 816 00:32:43,213 --> 00:32:44,464 And then she sings, 817 00:32:44,506 --> 00:32:46,049 and it's like a different person comes out. 818 00:32:46,091 --> 00:32:47,258 Oh. It's really cool. 819 00:32:47,300 --> 00:32:48,551 And then Kate's kinda got, like, 820 00:32:48,593 --> 00:32:51,304 that jazzy kind of Amy Winehouse-y vibe. 821 00:32:51,346 --> 00:32:52,597 Let's see what they've got. 822 00:32:52,639 --> 00:32:53,640 Okay. 823 00:32:54,641 --> 00:32:55,392 Here they are. 824 00:32:55,433 --> 00:32:56,851 I paired Gina and Kate 825 00:32:56,893 --> 00:32:59,771 because they're my two female character singers. 826 00:32:59,813 --> 00:33:00,772 Hello. Hi, ladies. 827 00:33:00,814 --> 00:33:02,774 Hi! Look who I've got. 828 00:33:02,816 --> 00:33:03,817 Oh, my God. 829 00:33:03,858 --> 00:33:05,777 I saw the red hair, and I said -- 830 00:33:05,819 --> 00:33:07,612 Please, please. It's Reba. 831 00:33:07,654 --> 00:33:08,655 How are you? 832 00:33:08,697 --> 00:33:10,407 Gina: I did not expect Reba 833 00:33:10,448 --> 00:33:12,826 to be in the room with Niall. 834 00:33:12,867 --> 00:33:14,619 I was very starstruck. 835 00:33:14,661 --> 00:33:16,913 I'm gonna sing "Somebody That I Used to Know." 836 00:33:16,955 --> 00:33:18,123 I'm really close with my dad. 837 00:33:18,164 --> 00:33:19,666 Love my dad. Oh, that's nice. 838 00:33:19,708 --> 00:33:21,960 And he was a deejay, and it was, like, 839 00:33:22,002 --> 00:33:23,294 a song that we always loved. 840 00:33:23,336 --> 00:33:24,462 Wonderful. 841 00:33:24,504 --> 00:33:26,047 Gina: My dad was a single dad, 842 00:33:26,089 --> 00:33:31,428 and I feel like it's hard sometimes to be able to tell him 843 00:33:31,469 --> 00:33:33,805 how much I appreciate and love him. 844 00:33:33,847 --> 00:33:36,725 So, music is one of the ways that I can do that. 845 00:33:36,766 --> 00:33:38,351 You always make me proud, 846 00:33:38,393 --> 00:33:40,270 and I think it's gonna go fantastic. 847 00:33:40,311 --> 00:33:42,522 Thanks, Dad. You're pretty awesome. 848 00:33:42,564 --> 00:33:44,733 Well, you're right. She's very soft-spoken. Yeah. 849 00:33:44,774 --> 00:33:47,610 Niall told me about Gina being very soft-spoken. 850 00:33:47,652 --> 00:33:48,987 And then he said, "Wait till she sings." 851 00:33:49,029 --> 00:33:55,368 * Somebody that you used to kno-o-o-o-o-o-w * 852 00:33:55,410 --> 00:33:57,579 And he was right -- a powerhouse. 853 00:33:57,620 --> 00:34:00,957 * ...that we were nothin', and I don't even need... * 854 00:34:00,999 --> 00:34:04,419 She was very in her little world when she was singing. 855 00:34:04,461 --> 00:34:05,503 And then she'd do this... 856 00:34:05,545 --> 00:34:07,047 * ...change your number * 857 00:34:07,088 --> 00:34:08,465 "Oh, yeah, she's into it." 858 00:34:08,506 --> 00:34:10,508 It was just cute as a button. 859 00:34:10,550 --> 00:34:11,384 Whoo! 860 00:34:11,426 --> 00:34:12,677 Very good. Kate: Whoo-hoo! 861 00:34:12,719 --> 00:34:14,471 And that sass that you've got this week. 862 00:34:14,512 --> 00:34:15,847 Really? I wasn't expecting that. 863 00:34:15,889 --> 00:34:17,349 Excellent. Thank you. 864 00:34:17,390 --> 00:34:19,309 I'm having a hard time understanding your words. 865 00:34:19,351 --> 00:34:22,479 [ Gasps ] Yeah? If you put -- right between your two teeth, like that, 866 00:34:22,520 --> 00:34:24,022 and you say, "A-E-I-O-U," 867 00:34:24,064 --> 00:34:26,441 for some reason, it brings it all out to the front. 868 00:34:26,483 --> 00:34:27,525 Okay. And you can understand. 869 00:34:27,567 --> 00:34:29,027 And keep those words separate. 870 00:34:29,069 --> 00:34:31,237 It's very easy to go * Now and then, I think about * 871 00:34:31,279 --> 00:34:32,489 Mm-hmm. Yeah. You know what I mean? 872 00:34:32,530 --> 00:34:34,157 So, give yourself a bit of space. 873 00:34:34,199 --> 00:34:35,617 Oh, I like that. I like that. 874 00:34:35,658 --> 00:34:39,037 * Now and then, I think of when we were together * 875 00:34:39,079 --> 00:34:40,538 Not staccato. Well done. 876 00:34:40,580 --> 00:34:42,624 From her first audition to right now, 877 00:34:42,665 --> 00:34:43,708 it's like a different human. [ Laughs ] 878 00:34:43,750 --> 00:34:45,543 Gina, she's completely grown. 879 00:34:45,585 --> 00:34:48,213 She just needs to take that confidence and go for it. 880 00:34:48,254 --> 00:34:50,340 Come on, Kate. Get up here. 881 00:34:50,382 --> 00:34:53,385 I wish you guys liked each other. [ Laughs ] 882 00:34:53,426 --> 00:34:54,469 Too much hatred going on here. 883 00:34:54,511 --> 00:34:56,304 I know. It's just awful. 884 00:34:56,346 --> 00:34:58,056 [ Laughs ] 885 00:34:58,098 --> 00:35:00,100 Oh, back to the guitar. 886 00:35:00,141 --> 00:35:01,101 It is my baby. 887 00:35:01,142 --> 00:35:02,352 What are you singing? 888 00:35:02,394 --> 00:35:03,812 I'm singing "Call Me" by Blondie. 889 00:35:03,853 --> 00:35:04,979 Let's hear it. 890 00:35:05,021 --> 00:35:08,733 * Color me your color, darling * 891 00:35:08,775 --> 00:35:12,028 Whoo! * I know who you are * 892 00:35:12,070 --> 00:35:17,075 As a kid, I played music video games all the time, 893 00:35:17,117 --> 00:35:19,411 and that was one of the songs where I was like, 894 00:35:19,452 --> 00:35:21,121 "Someday, it's gonna be me." 895 00:35:21,162 --> 00:35:23,581 * Call me on the line * 896 00:35:23,623 --> 00:35:25,083 I'm doing a jazzier take, 897 00:35:25,125 --> 00:35:27,752 which is something I try to embody in my artistry. 898 00:35:27,794 --> 00:35:29,587 * Call me on the line * 899 00:35:29,629 --> 00:35:30,797 Gina: Seeing Kate rehearse, 900 00:35:30,839 --> 00:35:34,050 she's just this amazing, big personality. 901 00:35:34,092 --> 00:35:36,970 So, hopefully I can also bring some stage presence. 902 00:35:37,012 --> 00:35:39,889 It's a really big goal to get to the playoffs. 903 00:35:39,931 --> 00:35:43,268 Kate's stage presence is really good. 904 00:35:43,309 --> 00:35:45,270 Gina is more timid. 905 00:35:45,311 --> 00:35:47,814 When she does get more experience on stage, 906 00:35:47,856 --> 00:35:49,482 Gina's gonna be a powerhouse. 907 00:35:49,524 --> 00:35:51,151 Right now, Kate's got it. 908 00:35:51,192 --> 00:35:53,486 * Call me * Mm. 909 00:35:53,528 --> 00:35:55,572 Very good. Thank you. 910 00:35:55,613 --> 00:35:57,323 My favorite parts are when it's chill. Yep. 911 00:35:57,365 --> 00:35:58,575 Don't stay with * Call me! * 912 00:35:58,616 --> 00:36:00,118 With the shouty. * La di da da * 913 00:36:00,160 --> 00:36:02,370 Yep. Towards the end, it gets a bit crashy for me. 914 00:36:02,412 --> 00:36:04,289 I wonder, is there a way of toning it back? 915 00:36:04,330 --> 00:36:06,374 Trade out the crashing for more, like, toms or something like that? 916 00:36:06,416 --> 00:36:08,460 Yeah, maybe. [ Imitates drums ] Yeah, yeah, yeah, yeah. 917 00:36:08,501 --> 00:36:11,046 That could be cool. So we can hear more of that jazziness. 918 00:36:11,087 --> 00:36:12,422 Want to come back up, Gina? 919 00:36:12,464 --> 00:36:14,132 Return to me. Are you happy? 920 00:36:14,174 --> 00:36:15,508 I'm thrilled to pieces. 921 00:36:15,550 --> 00:36:17,761 I asked a billionaire one time, 922 00:36:17,802 --> 00:36:21,139 I said, "What is the best piece of advice you can give me?" 923 00:36:21,181 --> 00:36:23,308 He said, "Have fun." Mm-hmm. 924 00:36:23,350 --> 00:36:25,810 So, I hope you're having fun and getting to meet people 925 00:36:25,852 --> 00:36:28,772 that you're gonna remain friends with forever. 926 00:36:28,813 --> 00:36:30,982 Oh, that makes my heart happy. 927 00:36:31,024 --> 00:36:32,108 You're the best, ladies. 928 00:36:32,150 --> 00:36:33,902 Playoffs are one step away, 929 00:36:33,943 --> 00:36:36,404 and I thought the battles were hard on decisions. 930 00:36:36,446 --> 00:36:38,365 This is even harder. 931 00:36:38,406 --> 00:36:40,241 [ Cheers and applause ] 932 00:36:40,283 --> 00:36:41,242 So cute. 933 00:36:41,284 --> 00:36:42,577 Come on, Gina! 934 00:36:43,536 --> 00:36:44,996 With "Somebody That I Used to Know", 935 00:36:45,038 --> 00:36:46,331 here is Gina Miles. 936 00:36:46,373 --> 00:36:47,832 Whoo-whoo-whoo! 937 00:36:50,251 --> 00:36:54,089 ** 938 00:36:54,130 --> 00:36:59,886 * Now and then, I think of when we were together * 939 00:37:01,262 --> 00:37:07,185 * Like when you said you felt so happy, you could die * 940 00:37:07,227 --> 00:37:09,020 * Mm * 941 00:37:09,062 --> 00:37:12,607 * Told myself that you were right for me * 942 00:37:12,649 --> 00:37:16,194 * But felt so lonely in your company * 943 00:37:16,236 --> 00:37:21,991 * That was love, and it's an ache I still remember * 944 00:37:24,035 --> 00:37:27,706 * But you didn't have to cut me off * 945 00:37:27,747 --> 00:37:29,541 * Make out like it never happened * 946 00:37:29,582 --> 00:37:31,710 * And that we were nothing * 947 00:37:31,751 --> 00:37:34,170 * And I don't even need your love * 948 00:37:34,212 --> 00:37:36,256 * But you treat me like a stranger * 949 00:37:36,297 --> 00:37:38,842 * And that feels so rough * 950 00:37:38,883 --> 00:37:42,095 * No, you didn't have to stoop so low * 951 00:37:42,137 --> 00:37:44,556 * Have your friends collect your records * 952 00:37:44,597 --> 00:37:46,349 * And then change your number * 953 00:37:46,391 --> 00:37:49,352 * I guess that I don't need that, though * 954 00:37:49,394 --> 00:37:53,690 * Now you're just somebody that I used to know * 955 00:37:53,732 --> 00:37:56,026 [ Cheers and applause ] 956 00:37:56,067 --> 00:37:59,195 * I don't want to live that way * 957 00:37:59,237 --> 00:38:03,158 * Reading into every word you say * 958 00:38:03,199 --> 00:38:05,577 * You said that you could let it go * 959 00:38:05,618 --> 00:38:07,245 * And I wouldn't catch you * 960 00:38:07,287 --> 00:38:14,085 * Hung up on somebody that you used to kno-o-o-o-o-w * 961 00:38:14,127 --> 00:38:16,004 * Make out like it never happened * 962 00:38:16,046 --> 00:38:18,131 * And that we were nothing * 963 00:38:18,173 --> 00:38:20,925 * And I don't even need your love * 964 00:38:20,967 --> 00:38:24,137 * You treat me like a stranger and that feels so rough * 965 00:38:25,305 --> 00:38:28,933 * No, you didn't have to stoop so low * 966 00:38:28,975 --> 00:38:31,019 * Have your friends collect your records * 967 00:38:31,061 --> 00:38:32,979 * And then change your number * 968 00:38:33,021 --> 00:38:36,024 * I guess that I don't need that, though * 969 00:38:36,066 --> 00:38:42,655 * Now you're just somebody that I used to kno-o-o-o-o-w * 970 00:38:42,697 --> 00:38:48,078 * Oh, now you're just somebody that I used to kno-o-o-w * 971 00:38:48,119 --> 00:38:51,414 [ Cheers and applause ] Yeah! Alright, Gina! 972 00:38:51,456 --> 00:38:52,957 Yes, Gina! 973 00:38:52,999 --> 00:38:54,542 That's my girl! 974 00:38:54,584 --> 00:38:55,919 I liked that. 975 00:38:57,170 --> 00:38:58,713 That was cool. 976 00:38:58,755 --> 00:39:01,174 [ Cheers and applause ] 977 00:39:11,351 --> 00:39:12,519 * This is "The Voice" * 978 00:39:12,560 --> 00:39:14,729 Daly: Welcome back to "The Voice." 979 00:39:14,771 --> 00:39:17,023 [ Cheers and applause ] 980 00:39:18,274 --> 00:39:22,946 Now singing "Call Me", here's Kate Cosentino. 981 00:39:24,197 --> 00:39:26,741 Come on, Katie! Alright, Kate! 982 00:39:28,118 --> 00:39:33,623 * Color me your color, baby * 983 00:39:33,665 --> 00:39:38,378 * Color me your car * 984 00:39:38,420 --> 00:39:43,883 * Color me your color, darling * 985 00:39:43,925 --> 00:39:48,388 * I know who you are * 986 00:39:48,430 --> 00:39:52,976 * Come up off your color chart * 987 00:39:53,018 --> 00:40:00,191 * I know where you're coming fr-o-o-o-om * 988 00:40:00,233 --> 00:40:02,652 ** 989 00:40:02,694 --> 00:40:05,572 * Call me on the line * 990 00:40:05,613 --> 00:40:09,451 * You can call me any, anytime * 991 00:40:09,492 --> 00:40:12,245 * Call me, I'll arrive * 992 00:40:12,287 --> 00:40:16,166 * You can call me any day or night * 993 00:40:16,207 --> 00:40:17,417 * Call me * 994 00:40:17,459 --> 00:40:23,423 ** 995 00:40:23,465 --> 00:40:25,258 * Ooh, ooh, ooh, ooh, ooh * 996 00:40:25,300 --> 00:40:30,013 * He speaks in languages of love * 997 00:40:30,055 --> 00:40:32,057 * Ooh, ooh, ooh, ooh, ooh * 998 00:40:32,098 --> 00:40:36,644 * Amore, chiamami, chiamami * 999 00:40:36,686 --> 00:40:38,855 * Ooh, ooh, ooh, ooh, ooh * 1000 00:40:38,897 --> 00:40:42,567 * Appelle-moi mon cheri, appelle-moi * 1001 00:40:42,609 --> 00:40:48,740 * Any time, any place, anywhere, any way * 1002 00:40:48,782 --> 00:40:55,455 * Any time, any place, anywhere, any da-a-a-a-a-a-y * 1003 00:40:55,497 --> 00:40:58,667 * Call me, my love * 1004 00:40:58,708 --> 00:41:02,629 * You can call me any, anytime * 1005 00:41:02,671 --> 00:41:05,423 * Call me, I'll arrive * 1006 00:41:05,465 --> 00:41:09,469 * You can call me for some overtime * 1007 00:41:09,511 --> 00:41:11,012 * Call me * 1008 00:41:11,054 --> 00:41:16,101 * Call me for your lover's lover's alibi * 1009 00:41:16,142 --> 00:41:22,857 * Call me-e-e-e-e-e-e * 1010 00:41:22,899 --> 00:41:24,192 * Call me * 1011 00:41:24,234 --> 00:41:26,861 ** 1012 00:41:26,903 --> 00:41:31,825 * Color me your color, baby * 1013 00:41:31,866 --> 00:41:37,539 * Color me your car * 1014 00:41:37,580 --> 00:41:39,332 That was cool. 1015 00:41:39,374 --> 00:41:42,419 [ Cheers and applause ] [ Laughs ] 1016 00:41:42,460 --> 00:41:45,255 That was crazy. Cool. 1017 00:41:46,548 --> 00:41:47,674 I don't know, man. 1018 00:41:47,716 --> 00:41:49,509 That was insane. 1019 00:41:49,551 --> 00:41:52,679 Whoa, Gina. That was so cool. 1020 00:41:52,721 --> 00:41:54,222 I love that song. 1021 00:41:54,264 --> 00:41:56,599 That song came out when I was in high school, and -- 1022 00:41:56,641 --> 00:41:57,767 Me, too. [ Laughs ] 1023 00:41:57,809 --> 00:41:58,977 [ Laughter ] 1024 00:41:59,019 --> 00:42:00,478 The way that you interpreted it, 1025 00:42:00,520 --> 00:42:03,606 like, kept your identity alive through the whole thing, 1026 00:42:03,648 --> 00:42:05,358 which I-I can always respect. 1027 00:42:05,400 --> 00:42:07,027 Kate, I know that song. 1028 00:42:07,068 --> 00:42:08,403 I've probably, like, heard that song, 1029 00:42:08,445 --> 00:42:10,113 on, like, a skateboard video game or something. 1030 00:42:10,155 --> 00:42:11,990 You weren't in high school when that one came out. 1031 00:42:12,032 --> 00:42:13,366 You weren't born. 1032 00:42:13,408 --> 00:42:14,576 Were you in high school when that song came out? 1033 00:42:14,617 --> 00:42:15,827 Probably. Yeah. 1034 00:42:15,869 --> 00:42:17,078 [ Laughter ] 1035 00:42:17,120 --> 00:42:19,289 I loved the incorporation of the guitar. 1036 00:42:19,330 --> 00:42:21,041 I felt like you were just controlling, 1037 00:42:21,082 --> 00:42:22,375 like, the whole room. 1038 00:42:22,417 --> 00:42:23,501 It felt intimate, 1039 00:42:23,543 --> 00:42:25,170 but it kept getting bigger and bigger. 1040 00:42:25,211 --> 00:42:26,880 And you really surprised me. 1041 00:42:26,921 --> 00:42:28,631 I thought that was, like, your best performance. 1042 00:42:28,673 --> 00:42:30,633 Thanks. [ Cheers and applause ] 1043 00:42:30,675 --> 00:42:32,218 Gina, I got, like, 1044 00:42:32,260 --> 00:42:34,512 Florence + the Machine vibes from you. Yep. 1045 00:42:34,554 --> 00:42:36,473 Thank you. What you did with it was so cool. 1046 00:42:36,514 --> 00:42:40,226 Your vocal breaks, like going all angelic but painful. 1047 00:42:40,268 --> 00:42:42,520 You could feel the ache in your voice. 1048 00:42:42,562 --> 00:42:43,897 I loved this performance. 1049 00:42:43,938 --> 00:42:46,858 Kate, this is, like, the lane for you. 1050 00:42:46,900 --> 00:42:48,902 What you did in the beginning and end 1051 00:42:48,943 --> 00:42:51,196 let me know who you were as an artist. 1052 00:42:51,237 --> 00:42:53,239 You're just very rock 'n' roll. 1053 00:42:53,281 --> 00:42:54,157 Thank you. 1054 00:42:54,199 --> 00:42:55,408 I mean, here's the thing. 1055 00:42:55,450 --> 00:42:58,370 If I were to base it on the whole time, 1056 00:42:58,411 --> 00:42:59,746 I would go with Gina. 1057 00:42:59,788 --> 00:43:00,914 [ Cheers and applause ] 1058 00:43:00,955 --> 00:43:02,290 Kate, I feel like this 1059 00:43:02,332 --> 00:43:05,585 is the first time I've ever actually seen you. 1060 00:43:05,627 --> 00:43:07,253 Like, that was incredible 1061 00:43:07,295 --> 00:43:09,881 because it was just so weird and out there, 1062 00:43:09,923 --> 00:43:11,716 and you just sounded so good. 1063 00:43:11,758 --> 00:43:13,927 Thank you. And, Gina, every time you come out here, it's great. 1064 00:43:13,968 --> 00:43:15,387 Tonight was great. 1065 00:43:15,428 --> 00:43:17,764 Kate just took it to the next level. 1066 00:43:17,806 --> 00:43:19,849 I'd be going with Kate if it was me. 1067 00:43:19,891 --> 00:43:21,434 Thank you, Coaches. 1068 00:43:21,476 --> 00:43:23,353 Alright, Niall, another tough decision here. 1069 00:43:23,395 --> 00:43:25,271 Kate, you were amazing today. 1070 00:43:25,313 --> 00:43:27,941 Like, when you sing in that jazzy tone and play the guitar, 1071 00:43:27,982 --> 00:43:29,943 it reminds me of your first audition. 1072 00:43:29,984 --> 00:43:31,194 You know, you're a quirky character, 1073 00:43:31,236 --> 00:43:32,987 and that's why everyone loves you. 1074 00:43:33,029 --> 00:43:36,032 Gina, belief has been your thing. 1075 00:43:36,074 --> 00:43:38,910 And I think the longer this competition has gone on, 1076 00:43:38,952 --> 00:43:40,328 the more confident you've got in yourself. 1077 00:43:40,370 --> 00:43:41,996 I wouldn't have picked that song for you, 1078 00:43:42,038 --> 00:43:45,291 but I think you absolutely nailed it. 1079 00:43:45,333 --> 00:43:47,293 And that's why these knockout pairings are horrible, 1080 00:43:47,335 --> 00:43:49,462 'cause I have to put two people I really love against each other 1081 00:43:49,504 --> 00:43:51,798 and then have to stand here and make a decision. 1082 00:43:51,840 --> 00:43:52,966 Niall, the time has come. 1083 00:43:53,008 --> 00:43:54,426 Who is the winner of this knockout? 1084 00:43:54,467 --> 00:43:58,805 ** 1085 00:43:58,847 --> 00:44:01,182 I just have this, like, gut feeling. 1086 00:44:03,393 --> 00:44:04,644 Ugh. 1087 00:44:04,686 --> 00:44:06,396 The winner of the knockout... 1088 00:44:13,695 --> 00:44:14,863 * This is "The Voice" * 1089 00:44:14,904 --> 00:44:17,323 Daly: Welcome back to the knockouts. 1090 00:44:17,365 --> 00:44:19,367 Niall, who is the winner of this knockout? 1091 00:44:19,409 --> 00:44:23,163 ** 1092 00:44:23,204 --> 00:44:24,748 The winner of the knockout is Gina. 1093 00:44:24,789 --> 00:44:27,334 Gina, congratulations! 1094 00:44:27,375 --> 00:44:30,337 Niall: Kate and Gina -- I really struggled with it. 1095 00:44:30,378 --> 00:44:31,838 Gina is just so consistent. 1096 00:44:31,880 --> 00:44:35,633 The playoffs is Gina's chance now to step forward 1097 00:44:35,675 --> 00:44:37,260 and just trust in her ability. 1098 00:44:37,302 --> 00:44:39,012 She's an unbelievable talent. 1099 00:44:39,054 --> 00:44:40,722 Niall's been here for me since day one 1100 00:44:40,764 --> 00:44:42,140 and always in my corner. 1101 00:44:42,182 --> 00:44:45,101 Yay, Team Niall! Ahh! 1102 00:44:45,143 --> 00:44:47,395 Kate, anything you want to say to your coach? 1103 00:44:47,437 --> 00:44:51,066 Thanks for letting me show the goofy person that I am 1104 00:44:51,107 --> 00:44:53,151 and giving me the chance to show it on stage. 1105 00:44:53,193 --> 00:44:54,444 Thank you. Give it up one more time 1106 00:44:54,486 --> 00:44:56,613 for Kate Cosentino, ladies and gentlemen. 1107 00:44:56,654 --> 00:44:58,239 [ Cheers and applause ] 1108 00:44:58,281 --> 00:45:01,368 The talent level at this stage is just off the scale. 1109 00:45:01,409 --> 00:45:05,580 It's so hard to see really, really gifted people leave. 1110 00:45:05,622 --> 00:45:07,207 Oh, that sucked. I'm sorry, Niall. 1111 00:45:07,248 --> 00:45:08,625 Oh, I hate this. I get it, though. 1112 00:45:08,667 --> 00:45:11,252 Like, consistently, I think Gina has been better. 1113 00:45:11,294 --> 00:45:13,129 She's still so good. 1114 00:45:13,963 --> 00:45:16,549 [ Knock on door ] 1115 00:45:16,591 --> 00:45:17,717 Hi! Reba! 1116 00:45:17,759 --> 00:45:18,927 [ Laughs ] Yo. 1117 00:45:18,968 --> 00:45:21,262 Reba, she's a legend in the industry, 1118 00:45:21,304 --> 00:45:22,931 Grammy Award-winning artist. 1119 00:45:22,972 --> 00:45:24,474 Kelly told me all about you. 1120 00:45:24,516 --> 00:45:26,017 Kelly told -- What did -- What did she say? 1121 00:45:26,059 --> 00:45:28,019 She said she loves you. Oh, I love Kelly. 1122 00:45:28,061 --> 00:45:30,605 Her being a top-tier artist for so long 1123 00:45:30,647 --> 00:45:34,442 and -- and having so many experiences 1124 00:45:34,484 --> 00:45:36,653 is something that we could all grow from. 1125 00:45:36,695 --> 00:45:38,279 We have Ray. 1126 00:45:38,321 --> 00:45:41,282 He's got, like, a new, contemporary R&B sound to him. 1127 00:45:41,324 --> 00:45:45,286 And then, Nariyella -- a very big voice, very charismatic. 1128 00:45:45,328 --> 00:45:48,081 I put Nariyella and Ray together 1129 00:45:48,123 --> 00:45:49,958 specifically so that I could see, 1130 00:45:50,000 --> 00:45:52,669 you know, who stands in their own identity the best. 1131 00:45:52,711 --> 00:45:55,505 Not Reba. She's an icon. I know. I'm shook. 1132 00:45:55,547 --> 00:45:57,632 Nariyella: Reba, she's won several Grammys. 1133 00:45:57,674 --> 00:46:00,010 She's been nominated for a Golden Globe. 1134 00:46:00,051 --> 00:46:01,761 I love your hair. Thank you. 1135 00:46:01,803 --> 00:46:03,430 Oh, my gosh. We're both rocking the red today. 1136 00:46:03,471 --> 00:46:04,305 Yes. 1137 00:46:04,347 --> 00:46:05,306 It was just an honor 1138 00:46:05,348 --> 00:46:06,641 to be in her presence. 1139 00:46:06,683 --> 00:46:07,767 So, I am singing 1140 00:46:07,809 --> 00:46:09,811 "Bust Your Windows" by Jazmine Sullivan. 1141 00:46:09,853 --> 00:46:11,187 Reba: Ooh, okay. 1142 00:46:11,229 --> 00:46:15,066 * I bust the windows out your car * 1143 00:46:15,108 --> 00:46:17,318 Nariyella: I just love Jazmine Sullivan. 1144 00:46:17,360 --> 00:46:18,903 I look up to her not only as a vocalist, 1145 00:46:18,945 --> 00:46:21,823 but as another Black woman out here, making it happen. 1146 00:46:21,865 --> 00:46:26,327 * I'm glad I did it 'cause you had to learn * 1147 00:46:26,369 --> 00:46:29,414 I can relate to being so heartbroken that I was like, 1148 00:46:29,456 --> 00:46:30,999 "Look, I'm ready to make you feel 1149 00:46:31,041 --> 00:46:32,375 the same hurt that I feel." 1150 00:46:32,417 --> 00:46:34,586 It's not gonna make me feel that much better, 1151 00:46:34,627 --> 00:46:37,464 but, shoot, it helped a little bit, you know? 1152 00:46:37,505 --> 00:46:40,091 * You don't know pain * 1153 00:46:40,133 --> 00:46:42,886 I'm more of a powerhouse vocalist, 1154 00:46:42,927 --> 00:46:45,847 so Jazmine Sullivan is definitely a go-to artist. 1155 00:46:45,889 --> 00:46:48,391 Your singing's incredible. Yeah. Thank you. 1156 00:46:48,433 --> 00:46:50,143 Would you feel good about doing the next one 1157 00:46:50,185 --> 00:46:52,979 with just the microphone without the stand? With no stand? Yeah. 1158 00:46:53,021 --> 00:46:54,189 Yeah. 1159 00:46:54,230 --> 00:46:56,483 That person that you're singing about, 1160 00:46:56,524 --> 00:46:57,859 you turn into that character. 1161 00:46:57,901 --> 00:47:00,362 You said it. Come in there looking sassy, 1162 00:47:00,403 --> 00:47:03,698 and you've done something to pay him back. Okay. 1163 00:47:03,740 --> 00:47:06,534 You have, like, the technical skill of a vocalist. 1164 00:47:06,576 --> 00:47:08,578 Whatever you can pull from the lyrics is gonna, 1165 00:47:08,620 --> 00:47:10,455 like, carry the song even further. 1166 00:47:10,497 --> 00:47:13,875 Nari absolutely knows who she is as an artist, 1167 00:47:13,917 --> 00:47:17,045 and she's going to work hard to get to that next level. 1168 00:47:17,087 --> 00:47:18,171 Alright, Ray. You ready? 1169 00:47:18,213 --> 00:47:20,215 Come on, Ray. Ray. Let's go. 1170 00:47:20,256 --> 00:47:22,384 Ray: Nariyella is a four-chair turn. 1171 00:47:22,425 --> 00:47:23,885 You know, it kind of makes me an underdog, 1172 00:47:23,927 --> 00:47:26,137 but I have a history of beating four-chair turns. 1173 00:47:26,179 --> 00:47:27,597 Ray is moving on. 1174 00:47:27,639 --> 00:47:29,307 Ray: I want to make it to the playoffs, 1175 00:47:29,349 --> 00:47:30,975 so I'm planning on winning this, too. [ Chuckles ] 1176 00:47:31,017 --> 00:47:32,644 So, what you singing for us? 1177 00:47:32,686 --> 00:47:34,729 I'm singing "Lately" by Stevie Wonder. 1178 00:47:34,771 --> 00:47:36,106 Why'd you pick that song? 1179 00:47:36,147 --> 00:47:38,566 The way he writes his songs is mind-blowing to me. 1180 00:47:38,608 --> 00:47:40,527 * Lately, I have had... * 1181 00:47:40,568 --> 00:47:41,820 Ray: When I found this song, 1182 00:47:41,861 --> 00:47:44,155 I had actually just went through a breakup, 1183 00:47:44,197 --> 00:47:45,365 and this song was just, like, 1184 00:47:45,407 --> 00:47:46,866 perfectly describing that for me. 1185 00:47:46,908 --> 00:47:49,077 My younger brother was, like, huge support for me. 1186 00:47:49,119 --> 00:47:52,038 He actually flew out to Arizona from Gary, Indiana, 1187 00:47:52,080 --> 00:47:53,164 to help me get through that. 1188 00:47:53,206 --> 00:47:54,416 I moved out on my own, 1189 00:47:54,457 --> 00:47:55,542 all the way across the country. 1190 00:47:55,583 --> 00:47:56,584 So, to have my brother there, 1191 00:47:56,626 --> 00:47:58,253 it felt like a piece of home. 1192 00:47:58,294 --> 00:47:59,713 * Yeah * 1193 00:47:59,754 --> 00:48:02,632 This song, it's not, like, super crazy vocally, 1194 00:48:02,674 --> 00:48:05,593 but I think the passion that's gonna be put into the song 1195 00:48:05,635 --> 00:48:07,262 is gonna make a lot of difference. 1196 00:48:07,303 --> 00:48:09,639 * Goodbye * 1197 00:48:09,681 --> 00:48:11,391 You got a smooth voice. 1198 00:48:11,433 --> 00:48:12,809 Great choice of song, man. 1199 00:48:12,851 --> 00:48:14,561 The thing that I was really wanting to work on 1200 00:48:14,602 --> 00:48:16,521 was being a communicator and a storyteller. 1201 00:48:16,563 --> 00:48:19,274 When I'm singing a song, if I really get into it, 1202 00:48:19,315 --> 00:48:20,984 they're gonna get into it. 1203 00:48:21,026 --> 00:48:23,111 And if I'm just phoning it in, 1204 00:48:23,153 --> 00:48:26,031 they're gonna be looking at me like, "Why do I care?" 1205 00:48:26,072 --> 00:48:29,367 So, tell us what you're thinking in this, with your face. 1206 00:48:29,409 --> 00:48:31,619 * Goodbye * 1207 00:48:31,661 --> 00:48:34,330 Ray is a singer/songwriter. 1208 00:48:34,372 --> 00:48:35,999 He pays attention to lyrics, 1209 00:48:36,041 --> 00:48:39,544 bring songs to life through understanding human experience. 1210 00:48:39,586 --> 00:48:42,797 And I hope he shows off his intentionality and control. 1211 00:48:42,839 --> 00:48:45,258 Even though some people have never heard that Stevie record, 1212 00:48:45,300 --> 00:48:47,427 they'll be like, "I felt it." 1213 00:48:47,469 --> 00:48:49,512 Same thing with the Jazmine record. Like, I felt it. 1214 00:48:49,554 --> 00:48:52,057 Y'all are just great communicators in that. 1215 00:48:52,098 --> 00:48:54,517 Nari, you want to come back on stage? Yes, please. 1216 00:48:54,559 --> 00:48:55,977 It's gonna be a tough decision. 1217 00:48:56,019 --> 00:48:57,312 They're both so different. 1218 00:48:57,354 --> 00:48:58,521 It's just gonna come down 1219 00:48:58,563 --> 00:49:01,649 to what Chance needs for his team. 1220 00:49:01,691 --> 00:49:03,902 * This is "The Voice" * 1221 00:49:03,943 --> 00:49:05,028 [ Cheers and applause ] 1222 00:49:05,070 --> 00:49:06,196 Here we go. 1223 00:49:06,237 --> 00:49:07,989 These are both great songs. Yeah. 1224 00:49:08,031 --> 00:49:11,159 With "Bust Your Windows", here is Nariyella. 1225 00:49:11,201 --> 00:49:14,245 [ Cheers and applause ] 1226 00:49:14,287 --> 00:49:18,750 ** 1227 00:49:18,792 --> 00:49:23,171 * I bust the windows out your car * 1228 00:49:23,213 --> 00:49:27,801 * And, no, it didn't mend my broken heart * 1229 00:49:27,842 --> 00:49:32,138 * I'll probably always have these ugly scars * 1230 00:49:32,180 --> 00:49:36,685 * But right now, I don't care about that part * 1231 00:49:36,726 --> 00:49:40,939 * I bust the windows out your car * 1232 00:49:40,980 --> 00:49:45,694 * After I saw you laying next to her * 1233 00:49:45,735 --> 00:49:49,864 * I didn't wanna, but I took my turn * 1234 00:49:49,906 --> 00:49:56,538 * I'm glad I did it 'cause you had to learn * 1235 00:49:56,579 --> 00:49:58,915 * Ooooh, ohhhhh * 1236 00:49:58,957 --> 00:50:03,169 * I must admit it helped a little bit * 1237 00:50:03,211 --> 00:50:07,716 * To think of how you'd feel when you saw it * 1238 00:50:07,757 --> 00:50:12,387 * I didn't know that I had that much strength * 1239 00:50:12,429 --> 00:50:16,808 * But I'm glad you'll see what happens when * 1240 00:50:16,850 --> 00:50:21,062 * You see, you can't just play with people's feelings * 1241 00:50:21,104 --> 00:50:25,525 * Tell them you love 'em and don't mean it * 1242 00:50:25,567 --> 00:50:29,821 * You'll probably say that it was juvenile * 1243 00:50:29,863 --> 00:50:33,700 * But I think that I deserve to smile * 1244 00:50:33,742 --> 00:50:36,619 * I bust the windows on out your car * 1245 00:50:36,661 --> 00:50:40,165 * But it don't compare to my broken heart * 1246 00:50:40,206 --> 00:50:42,250 Come on! 1247 00:50:42,292 --> 00:50:45,545 * After what you did to me * 1248 00:50:45,587 --> 00:50:48,798 * Best believe I ain't sorry * 1249 00:50:48,840 --> 00:50:53,428 * I bust the windows out your car * 1250 00:50:53,470 --> 00:50:56,306 [ Cheers and applause ] 1251 00:50:58,475 --> 00:51:00,477 [ Laughs ] 1252 00:51:01,770 --> 00:51:03,313 Come on, Ray! 1253 00:51:03,355 --> 00:51:06,691 Mary Kate: Come on, Ray! 1254 00:51:14,157 --> 00:51:15,492 * This is "The Voice" * 1255 00:51:15,533 --> 00:51:17,118 Daly: Welcome back to the knockouts 1256 00:51:17,160 --> 00:51:18,453 at Universal Studios Hollywood. 1257 00:51:18,495 --> 00:51:19,704 Come on, Ray! 1258 00:51:19,746 --> 00:51:22,791 Now singing "Lately", here's Ray Uriel. 1259 00:51:22,832 --> 00:51:25,126 [ Applause ] 1260 00:51:25,168 --> 00:51:26,461 ** 1261 00:51:26,503 --> 00:51:28,588 Oh, yes. I love this song. 1262 00:51:28,630 --> 00:51:33,843 * Oooooh, yeah * 1263 00:51:33,885 --> 00:51:40,517 * Lately, I have had the strangest feeling * 1264 00:51:40,558 --> 00:51:46,731 * With no vivid reason here to find * 1265 00:51:46,773 --> 00:51:52,195 * Yet the thought of losing you's been handing * 1266 00:51:52,237 --> 00:51:56,199 * 'Round my mind * 1267 00:51:56,241 --> 00:51:59,703 * My mind * 1268 00:51:59,744 --> 00:52:02,997 * Well, I'm a man of many wishes * 1269 00:52:03,039 --> 00:52:06,751 * Hope my premonition misses * 1270 00:52:06,793 --> 00:52:11,881 * But what I really feel my eyes won't let me hide * 1271 00:52:11,923 --> 00:52:21,808 * 'Cause they always start to cry * 1272 00:52:21,850 --> 00:52:24,811 [ Cheers and applause ] 1273 00:52:24,853 --> 00:52:34,320 * 'Cause this time could mean goodbye * 1274 00:52:34,362 --> 00:52:38,491 * Goodbye * 1275 00:52:38,533 --> 00:52:41,453 * Oh, I'm a man of many wishes * 1276 00:52:41,494 --> 00:52:42,704 Yeah! 1277 00:52:42,746 --> 00:52:45,749 * Hope my premonition misses * 1278 00:52:45,790 --> 00:52:50,837 * But what I really feel my eyes won't let me hide * 1279 00:52:50,879 --> 00:53:01,473 * 'Cause they always start to cry * 1280 00:53:01,514 --> 00:53:03,975 ** 1281 00:53:04,017 --> 00:53:16,821 * 'Cause this time could mean goodbye * 1282 00:53:17,614 --> 00:53:21,451 * Good * 1283 00:53:21,493 --> 00:53:24,037 * Goodbye * 1284 00:53:24,079 --> 00:53:26,122 Whoo! 1285 00:53:26,164 --> 00:53:28,291 [ Cheers and applause ] 1286 00:53:28,333 --> 00:53:30,293 Oh, my gosh. 1287 00:53:30,335 --> 00:53:33,922 ** 1288 00:53:33,963 --> 00:53:36,257 Yeah, man! Good job, Ray! Good job, Ray! 1289 00:53:36,299 --> 00:53:37,926 Oh, yeah. 1290 00:53:37,967 --> 00:53:40,178 Whoo. Kelly: Nariyella, I want to start with you. 1291 00:53:40,220 --> 00:53:42,847 I think that you're so gifted to get up there 1292 00:53:42,889 --> 00:53:44,683 and almost act it out as you're singing it. 1293 00:53:44,724 --> 00:53:46,976 It's so captivating. I love it. 1294 00:53:47,018 --> 00:53:47,894 Thank you. 1295 00:53:47,936 --> 00:53:50,480 Ray, that was so tasteful. 1296 00:53:50,522 --> 00:53:51,940 And the runs were beautiful. 1297 00:53:51,981 --> 00:53:53,316 And before y'all got out here, 1298 00:53:53,358 --> 00:53:55,068 I thought I was definitely gonna go with Nariyella, 1299 00:53:55,110 --> 00:53:58,363 but it's hard for anybody to beat that song, so I'd go Ray. 1300 00:53:58,405 --> 00:54:01,449 Thank you. I thought I was gonna go Nariyella, too. 1301 00:54:01,491 --> 00:54:03,243 And I do think that you had a good performance. 1302 00:54:03,284 --> 00:54:05,912 I feel like today there's something holding you back. 1303 00:54:05,954 --> 00:54:08,832 And in Ray, there's something so '90s about your performance. 1304 00:54:08,873 --> 00:54:11,626 Yeah. I'd be going with Ray, if it was me. 1305 00:54:11,668 --> 00:54:14,963 Ray, there's some huge male voices in this competition, 1306 00:54:15,005 --> 00:54:16,965 and I feel like you'd slide in under the radar 1307 00:54:17,007 --> 00:54:18,800 because of how slick everything is. 1308 00:54:18,842 --> 00:54:20,510 And, Nariyella, your voice is, you know, 1309 00:54:20,552 --> 00:54:22,178 arguably the best in this competition. 1310 00:54:22,220 --> 00:54:23,763 I think I'd just lean towards Nariyella. 1311 00:54:23,805 --> 00:54:25,974 Thanks, Niall. Daly: Thank you, Coaches. 1312 00:54:26,016 --> 00:54:27,809 Alright, buddy, give us some thoughts first 1313 00:54:27,851 --> 00:54:29,519 and then tell us who won the knockout. 1314 00:54:29,561 --> 00:54:31,938 Ray, you did go bigger in certain moments on this song. 1315 00:54:31,980 --> 00:54:33,857 And this song is, like, has a lot of movement, 1316 00:54:33,898 --> 00:54:35,150 so I know that's difficult. 1317 00:54:35,191 --> 00:54:36,985 You really smashed it. Thank you. 1318 00:54:37,027 --> 00:54:40,405 Nari, I think everybody knows you for the ability 1319 00:54:40,447 --> 00:54:41,823 to, like, go big on songs. 1320 00:54:41,865 --> 00:54:43,992 But I like that you focused a lot more 1321 00:54:44,034 --> 00:54:45,869 on the attitude of the record. 1322 00:54:45,910 --> 00:54:47,120 If I'm going straight off the voice 1323 00:54:47,162 --> 00:54:49,080 and what you guys have done previously, 1324 00:54:49,122 --> 00:54:50,874 Nari would be the right way to go. 1325 00:54:50,915 --> 00:54:54,044 But I think Ray had the most compelling performance. 1326 00:54:54,085 --> 00:54:55,712 It's tough for me to do this. 1327 00:54:55,754 --> 00:54:57,422 Chance, who is the winner of this knockout? 1328 00:54:57,464 --> 00:55:01,760 ** 1329 00:55:01,801 --> 00:55:02,927 This is very tough. 1330 00:55:02,969 --> 00:55:04,554 The winner of this knockout... 1331 00:55:04,596 --> 00:55:07,057 ** 1332 00:55:07,098 --> 00:55:08,224 ...is Ray. 1333 00:55:09,476 --> 00:55:11,770 Daly: Ray, congratulations. 1334 00:55:11,811 --> 00:55:13,313 Chance: It's the knockout round for a reason. 1335 00:55:13,355 --> 00:55:15,857 It's who can give a knockout performance in that moment. 1336 00:55:15,899 --> 00:55:17,108 And Ray really did that. 1337 00:55:17,150 --> 00:55:18,943 No, great stuff, man. Thank you, man. 1338 00:55:18,985 --> 00:55:20,904 He really showed us his ability to kind of shapeshift 1339 00:55:20,945 --> 00:55:22,572 and take on different songs. 1340 00:55:22,614 --> 00:55:25,867 And I look forward to seeing some of his takes on some more, 1341 00:55:25,909 --> 00:55:27,202 like, contemporary work. 1342 00:55:27,243 --> 00:55:28,870 You know, Chance was a one-chair turn for me. 1343 00:55:28,912 --> 00:55:30,580 He really believed in me, and I feel like, you know, 1344 00:55:30,622 --> 00:55:33,208 I've been coming out here week after week and just showing him 1345 00:55:33,249 --> 00:55:35,085 that, like, you know, he didn't make the wrong choice. 1346 00:55:35,126 --> 00:55:37,003 Daly: Nariyella, anything you want to say to Chance? 1347 00:55:37,045 --> 00:55:39,881 I'm just grateful to have been able to work with you. 1348 00:55:39,923 --> 00:55:41,424 This is just the beginning. 1349 00:55:41,466 --> 00:55:42,759 [ Cheers and applause ] 1350 00:55:42,801 --> 00:55:44,177 Niall: If I had a second steal, 1351 00:55:44,219 --> 00:55:46,179 I would have went Nariyella all day long. 1352 00:55:46,221 --> 00:55:48,181 Any song that she sings could be on her record. 1353 00:55:48,223 --> 00:55:50,433 And that's a sign of a true artist. 1354 00:55:50,475 --> 00:55:52,268 Ray was amazing. Right? 1355 00:55:52,310 --> 00:55:53,978 God. That's not easy. 1356 00:55:54,020 --> 00:55:57,148 Daly: Still to come... * By myself anymore * 1357 00:55:57,190 --> 00:55:58,566 Holy crap. 1358 00:55:58,608 --> 00:56:00,777 Daly: ...the artists blow Reba and our coaches away... 1359 00:56:00,819 --> 00:56:02,570 Did my toupee fly off just then? 1360 00:56:02,612 --> 00:56:03,988 Thank you. 1361 00:56:04,030 --> 00:56:07,283 Daly: ...leading to steal-worthy performances. 1362 00:56:07,325 --> 00:56:09,035 It's a double steal! 1363 00:56:09,077 --> 00:56:11,204 [ Cheers and applause ] 1364 00:56:17,502 --> 00:56:18,712 * This is "The Voice" * 1365 00:56:18,753 --> 00:56:20,547 Daly: Welcome back to the knockouts. 1366 00:56:20,588 --> 00:56:25,176 * 'Cause I got friends in low places * 1367 00:56:25,218 --> 00:56:30,348 * Where the whiskey drowns and the beer chases * 1368 00:56:30,390 --> 00:56:33,018 * My blues away * 1369 00:56:33,059 --> 00:56:35,186 Come on and sing, * And I'll be okay * 1370 00:56:35,228 --> 00:56:38,273 [ Laughter ] * I'll be okay * 1371 00:56:38,314 --> 00:56:39,816 [ Laughs ] 1372 00:56:39,858 --> 00:56:41,192 Niall: * O-ro, the rattlin' bog * 1373 00:56:41,234 --> 00:56:42,944 * The bog down in the valley-o * 1374 00:56:42,986 --> 00:56:44,738 * O-ro, the rattlin' bog * 1375 00:56:44,779 --> 00:56:46,239 * The bog down in the valley-o * 1376 00:56:46,281 --> 00:56:48,074 * And in that bog there was a hole * 1377 00:56:48,116 --> 00:56:50,118 * A rare hole, a rattlin' hole * 1378 00:56:50,160 --> 00:56:51,036 [ Laughs ] 1379 00:56:51,077 --> 00:56:52,746 I'm Irish. Do you want to be? 1380 00:56:52,787 --> 00:56:54,247 [ Laughter ] 1381 00:56:54,289 --> 00:56:56,541 Alright, so check this out. 1382 00:56:56,583 --> 00:56:58,043 This is Season 1. 1383 00:56:58,084 --> 00:57:00,253 Reba: Do you sing at home? I do. All the time. 1384 00:57:00,295 --> 00:57:01,755 In front of people? Oh, my God, it's Xenia. 1385 00:57:01,796 --> 00:57:03,214 Oh, I remember her. 1386 00:57:03,256 --> 00:57:05,258 Blake: Reba was the person that I looked to the most 1387 00:57:05,300 --> 00:57:08,303 as I was trying to make it in country music. 1388 00:57:08,345 --> 00:57:11,056 Look at us. We look like babies. [ Laughs ] 1389 00:57:11,097 --> 00:57:13,183 Oh, my God. [ Laughs ] Oh, my God. Who's that? 1390 00:57:13,224 --> 00:57:16,895 After all these years, it's just fun to have a buddy here. 1391 00:57:16,936 --> 00:57:18,772 Oh, my God. I can't. This is embarrassing. 1392 00:57:18,813 --> 00:57:20,148 No, it's cute. 1393 00:57:20,190 --> 00:57:21,900 It's embarrassing. Stop it. 1394 00:57:21,941 --> 00:57:23,902 [ Laughs ] 1395 00:57:23,943 --> 00:57:26,321 So this pairing is Kylee and Walker. 1396 00:57:26,363 --> 00:57:29,199 Because they have so much character in their voices. 1397 00:57:29,240 --> 00:57:30,742 Bring 'em on. 1398 00:57:30,784 --> 00:57:32,577 Oh. [ Giggles ] 1399 00:57:32,619 --> 00:57:33,828 Oh, my gosh. 1400 00:57:33,870 --> 00:57:35,121 Hi. Oh, my God. 1401 00:57:35,163 --> 00:57:36,414 I, like, can't even look. 1402 00:57:36,456 --> 00:57:38,166 Do you always get this kind of response 1403 00:57:38,208 --> 00:57:39,584 when they walk out to see you? 1404 00:57:39,626 --> 00:57:41,336 Not to see me. No. Hi. 1405 00:57:41,378 --> 00:57:44,923 Kylee: To, like, see Reba McEntire in real life... How are you? 1406 00:57:44,964 --> 00:57:47,092 ...the country legend, the queen of country, 1407 00:57:47,133 --> 00:57:48,343 the country everything, 1408 00:57:48,385 --> 00:57:50,011 it took the breath out of my lungs. 1409 00:57:50,053 --> 00:57:51,388 It's great to meet you. I'm Kylee. 1410 00:57:51,429 --> 00:57:52,722 Hi, Kylee, I'm Reba. Nice to meet you. 1411 00:57:52,764 --> 00:57:54,474 Girl, I know you are. [ Laughs ] 1412 00:57:54,516 --> 00:57:56,518 Never in my wildest dreams did I imagine 1413 00:57:56,559 --> 00:57:58,895 I would be face-to-face with Reba McEntire. 1414 00:57:58,937 --> 00:58:00,146 Hi, Walker. Nice to meet you. 1415 00:58:00,188 --> 00:58:01,940 And I was like, Reba, I love you. 1416 00:58:01,981 --> 00:58:04,150 [ Laughs ] I really do. 1417 00:58:04,192 --> 00:58:06,027 Kylee, what are you gonna be singing for us? 1418 00:58:06,069 --> 00:58:08,154 I'm singing "All By Myself" by Eric Carmen. 1419 00:58:08,196 --> 00:58:09,489 I'm doing Celine Dion's version. 1420 00:58:09,531 --> 00:58:10,782 Okay, great. 1421 00:58:10,824 --> 00:58:13,159 I've always felt kind of like the outcast. 1422 00:58:13,201 --> 00:58:15,286 Outcast? Everybody loves you. But I'm just excited. 1423 00:58:15,328 --> 00:58:17,205 You sound like my parents. Okay. 1424 00:58:17,247 --> 00:58:21,418 * All by myself * 1425 00:58:21,459 --> 00:58:24,462 Kylee: I never fit super cleanly into my groups of friends 1426 00:58:24,504 --> 00:58:26,381 in middle school and high school and even college. 1427 00:58:26,423 --> 00:58:28,258 * Sometimes I feel so insecure * 1428 00:58:28,299 --> 00:58:31,219 Feeling like you're lonely, it's hard to, like, speak that. 1429 00:58:31,261 --> 00:58:33,555 And singing a song like this is definitely healing. 1430 00:58:33,596 --> 00:58:35,098 * And obscure * 1431 00:58:35,140 --> 00:58:37,100 Coming on "The Voice", being around other musicians, 1432 00:58:37,142 --> 00:58:38,560 I feel included and loved, 1433 00:58:38,601 --> 00:58:41,771 and it's really stretching me as a person 1434 00:58:41,813 --> 00:58:42,981 and as a musician. 1435 00:58:43,023 --> 00:58:47,402 * All by myself * 1436 00:58:47,444 --> 00:58:51,197 When Kylee came on, she was real cute, real shy, 1437 00:58:51,239 --> 00:58:52,615 and I thought, "Well, 1438 00:58:52,657 --> 00:58:54,909 she's gonna have a little bitty voice probably." 1439 00:58:54,951 --> 00:58:55,910 Wrong. 1440 00:58:55,952 --> 00:58:59,956 * Anymore * 1441 00:58:59,998 --> 00:59:01,416 Holy crap. 1442 00:59:01,458 --> 00:59:03,460 Did my toupee fly off just now? 1443 00:59:03,501 --> 00:59:04,961 Thank you. 1444 00:59:05,003 --> 00:59:06,004 Oh, my God. 1445 00:59:06,046 --> 00:59:07,589 That was so good. 1446 00:59:07,630 --> 00:59:08,840 Thank you so much. 1447 00:59:08,882 --> 00:59:10,550 You really touched my heart. 1448 00:59:10,592 --> 00:59:12,135 That's the biggest thing... Thank you so much. 1449 00:59:12,177 --> 00:59:15,180 ...is to capture somebody in the audience 1450 00:59:15,221 --> 00:59:17,182 to where they're sobbing or laughing. 1451 00:59:17,223 --> 00:59:20,518 Get some emotion out of them, and you did it for me. 1452 00:59:20,560 --> 00:59:22,854 Kylee definitely has a connection to this song. 1453 00:59:22,896 --> 00:59:24,439 She made Reba cry. 1454 00:59:24,481 --> 00:59:28,026 So that tells you the effect that this song has on people 1455 00:59:28,068 --> 00:59:29,527 when they hear Kylee singing it. 1456 00:59:29,569 --> 00:59:31,946 Reba: The only thing I would play with on this song 1457 00:59:31,988 --> 00:59:34,532 is to be totally still. Okay. 1458 00:59:34,574 --> 00:59:36,326 When you watch an actor sometimes, 1459 00:59:36,368 --> 00:59:38,828 the better they perform is when they're still 1460 00:59:38,870 --> 00:59:40,372 and it all comes from here. Mm-hmm. 1461 00:59:40,413 --> 00:59:42,707 What you're doing vocally is... Mind blowing. 1462 00:59:42,749 --> 00:59:44,000 ...so I would play it simple 1463 00:59:44,042 --> 00:59:45,502 and then just blow their faces off. 1464 00:59:45,543 --> 00:59:48,713 Literally melt faces off. [ Laughs ] 1465 00:59:48,755 --> 00:59:50,548 She's bitten off a lot here. 1466 00:59:50,590 --> 00:59:52,133 Good job. Thanks. 1467 00:59:52,175 --> 00:59:55,679 It's important for Kylee to step out and get on people's radar. 1468 00:59:55,720 --> 00:59:58,348 Did you know that Walker in another lifetime 1469 00:59:58,390 --> 01:00:00,517 was a member of The Kentucky Headhunters? 1470 01:00:00,558 --> 01:00:02,394 [ Laughs ] Look at him. Come on. 1471 01:00:02,435 --> 01:00:04,229 Tell me he wouldn't fit in in that band. 1472 01:00:04,270 --> 01:00:06,272 He's a lot better-looking. [ Laughter ] 1473 01:00:06,314 --> 01:00:07,524 Are y'all both from Oklahoma? 1474 01:00:07,565 --> 01:00:08,566 Yeah. Same part. 1475 01:00:08,608 --> 01:00:10,318 Like, literally the next county over 1476 01:00:10,360 --> 01:00:11,736 is where she was born and raised. 1477 01:00:11,778 --> 01:00:15,240 And I know people who knew Reba before she was Reba. 1478 01:00:15,281 --> 01:00:18,493 And she made it, so it was like, this can really happen. 1479 01:00:18,535 --> 01:00:20,370 Well, what are you singing for us? 1480 01:00:20,412 --> 01:00:22,163 I'm singing "Ain't Living Long Like This" 1481 01:00:22,205 --> 01:00:23,748 originally by Waylon. 1482 01:00:23,790 --> 01:00:26,668 Love that song. I relate to it as just a wild kid. 1483 01:00:26,710 --> 01:00:28,128 Love it. 1484 01:00:28,169 --> 01:00:29,587 Walker: The opening line is... 1485 01:00:29,629 --> 01:00:32,507 * I look for trouble and I found it, son * 1486 01:00:32,549 --> 01:00:35,343 And that was pretty much us as kids. 1487 01:00:35,385 --> 01:00:38,221 I lived in a town, the city limits were a square mile. 1488 01:00:38,263 --> 01:00:39,597 There's not much to do. 1489 01:00:39,639 --> 01:00:41,099 Yeah, we got in trouble. 1490 01:00:41,141 --> 01:00:45,228 It was never bad, but it wasn't never good, either. 1491 01:00:45,270 --> 01:00:46,855 * Can I, baby? * 1492 01:00:46,896 --> 01:00:49,399 This song is honky-tonk history. 1493 01:00:49,441 --> 01:00:52,360 It's like, almost country, almost rock, almost blues, 1494 01:00:52,402 --> 01:00:54,571 somewhere in the middle, and that's where my voice is. 1495 01:00:54,612 --> 01:00:57,782 * I live with Angel, she's a roadhouse queen * 1496 01:00:57,824 --> 01:00:59,117 * Makes Texas Ruby... * 1497 01:00:59,159 --> 01:01:00,535 Reba: Walker had a little swagger to him, 1498 01:01:00,577 --> 01:01:02,996 and I loved the gravel in his voice. 1499 01:01:03,038 --> 01:01:05,165 It's really cool, really sexy. 1500 01:01:05,206 --> 01:01:07,292 * I'm at the bottom of the jailhouse... * 1501 01:01:07,334 --> 01:01:08,918 Watching Walker perform definitely puts a little 1502 01:01:08,960 --> 01:01:10,503 fire under my feet. 1503 01:01:10,545 --> 01:01:12,797 There it is. Reba: Very good. Thank y'all. 1504 01:01:12,839 --> 01:01:16,217 When you smile, it reminds me of Patrick Swayze. 1505 01:01:16,259 --> 01:01:18,011 [ Laughs ] Oh, my goodness. 1506 01:01:18,053 --> 01:01:20,430 The only thing that I would say is, 1507 01:01:20,472 --> 01:01:23,475 * Can't live at all * that note is the highest note 1508 01:01:23,516 --> 01:01:25,101 I think that you have in the song, 1509 01:01:25,143 --> 01:01:28,188 and you just keep going back to that same spot. Mm-hmm. 1510 01:01:28,229 --> 01:01:30,523 If there's one extra gear you can find -- 1511 01:01:30,565 --> 01:01:33,401 * Ain't living lo-o-o-ng like this * 1512 01:01:33,443 --> 01:01:34,903 I could probably do that. Waylon did that. 1513 01:01:34,944 --> 01:01:36,279 He did, didn't he? 1514 01:01:36,321 --> 01:01:37,947 That was pretty slick. Thanks. 1515 01:01:37,989 --> 01:01:41,701 And even though this is kind of a rocked-up version of the song, 1516 01:01:41,743 --> 01:01:44,662 Walker is showing that he does have a country side. 1517 01:01:44,704 --> 01:01:46,831 At this point in the competition, it's tough, 1518 01:01:46,873 --> 01:01:49,709 and he's gonna have to show us what he's capable of vocally. 1519 01:01:49,751 --> 01:01:51,461 Great job for both of you. 1520 01:01:51,503 --> 01:01:53,171 I'm just happy we got to meet you. Yeah. 1521 01:01:53,213 --> 01:01:55,298 I'm telling you. Aww, listen at you. 1522 01:01:55,340 --> 01:01:57,467 Reba: Kylee and Walker are in two different lanes, 1523 01:01:57,509 --> 01:01:59,094 maybe two different interstates. 1524 01:01:59,135 --> 01:02:00,345 They're just great. 1525 01:02:00,387 --> 01:02:02,180 I would not want to be in his position. 1526 01:02:02,222 --> 01:02:04,057 I'm wondering if the first time I ever met you 1527 01:02:04,099 --> 01:02:06,184 was when you guys did the grand opening 1528 01:02:06,226 --> 01:02:07,686 of the Starstruck building. 1529 01:02:07,727 --> 01:02:10,063 That was '96 is when we built it. 1530 01:02:10,105 --> 01:02:11,815 I may have shook your hand. 1531 01:02:11,856 --> 01:02:13,233 I remember it vividly. 1532 01:02:13,274 --> 01:02:15,985 [ Laughs ] 1533 01:02:16,027 --> 01:02:18,530 [ Cheers and applause ] 1534 01:02:18,571 --> 01:02:19,864 Go, Kylee! 1535 01:02:19,906 --> 01:02:24,077 With "All By Myself", here's Kylee Dayne. 1536 01:02:24,744 --> 01:02:26,663 Alright, Ky-Ky! 1537 01:02:26,705 --> 01:02:30,125 ** 1538 01:02:30,166 --> 01:02:33,128 * When I was young * 1539 01:02:33,169 --> 01:02:38,383 * I never needed anyone * 1540 01:02:38,425 --> 01:02:43,972 * And making love was just for fun * 1541 01:02:44,014 --> 01:02:46,891 * Those days are gone * 1542 01:02:46,933 --> 01:02:54,024 ** 1543 01:02:54,065 --> 01:02:59,696 * All by myself * 1544 01:02:59,738 --> 01:03:06,077 * Don't wanna be all by myself * 1545 01:03:06,119 --> 01:03:09,080 * Anymore * 1546 01:03:09,122 --> 01:03:11,750 * Hard to be sure * 1547 01:03:11,791 --> 01:03:16,087 Oh, my God! I didn't know she had that. * Sometimes I feel so insecure * 1548 01:03:16,129 --> 01:03:17,881 ** 1549 01:03:17,922 --> 01:03:22,510 * And love's so distant and obscure * 1550 01:03:22,552 --> 01:03:26,890 * Remains the cure * 1551 01:03:26,931 --> 01:03:29,684 * Ohhhh * 1552 01:03:29,726 --> 01:03:35,190 * All by myself * 1553 01:03:35,231 --> 01:03:41,404 * Don't wanna be all by myself * 1554 01:03:41,446 --> 01:03:44,741 * Anymore * 1555 01:03:44,783 --> 01:03:50,372 * All by myself * 1556 01:03:50,413 --> 01:03:57,128 * Don't wanna live all by myself * 1557 01:03:57,170 --> 01:04:04,803 * Anymo-o-o-o-o-o-o-re * 1558 01:04:04,844 --> 01:04:08,139 * Ohh-oh-ohh * 1559 01:04:08,181 --> 01:04:12,310 * By myself * 1560 01:04:12,352 --> 01:04:22,362 * I don't wanna be by myself, by myself anymo-o-o-o-o-o-re * 1561 01:04:23,822 --> 01:04:25,031 [ Niall laughs ] 1562 01:04:25,073 --> 01:04:27,325 [ Cheers and applause ] 1563 01:04:27,367 --> 01:04:29,452 What?! Pretty good. 1564 01:04:29,494 --> 01:04:31,162 Where did that come from? 1565 01:04:31,204 --> 01:04:32,330 That's my coaching. 1566 01:04:32,372 --> 01:04:33,998 Oh, you did that? Well done. 1567 01:04:34,040 --> 01:04:35,542 You're welcome. 1568 01:04:35,583 --> 01:04:37,669 Yes! 1569 01:04:37,711 --> 01:04:39,254 Come on, Walker! 1570 01:04:46,052 --> 01:04:47,470 * This is "The Voice" * 1571 01:04:47,512 --> 01:04:49,389 Daly: Welcome back to night one of the knockouts. 1572 01:04:49,431 --> 01:04:52,892 [ Cheers and applause ] 1573 01:04:52,934 --> 01:04:55,270 Daly: Now singing "I Ain't Living Long Like This", 1574 01:04:55,311 --> 01:04:57,772 here's Walker Wilson. 1575 01:05:00,275 --> 01:05:09,034 ** 1576 01:05:09,075 --> 01:05:12,579 * I look for trouble and I found it, son * 1577 01:05:12,620 --> 01:05:15,832 * Straight down the barrel of a law man's gun * 1578 01:05:15,874 --> 01:05:19,252 * I tried to run, but I don't think I can * 1579 01:05:19,294 --> 01:05:22,255 * You make one move and you're a dead man, friend * 1580 01:05:22,297 --> 01:05:25,842 * Ain't livin' long like this * 1581 01:05:25,884 --> 01:05:28,720 ** 1582 01:05:28,762 --> 01:05:34,392 * Can't live at all like this, can I, baby? * 1583 01:05:34,434 --> 01:05:36,770 ** 1584 01:05:36,811 --> 01:05:40,273 * He slipped the handcuffs on behind my back * 1585 01:05:40,315 --> 01:05:43,026 * Then left me reeling on a steel reel rack * 1586 01:05:43,068 --> 01:05:47,989 * They got 'em all in the jailhouse, baby, yeah * 1587 01:05:48,031 --> 01:05:49,741 ** 1588 01:05:49,783 --> 01:05:55,038 * Ain't livin' long like this, am I, baby? * 1589 01:05:55,080 --> 01:05:57,665 ** 1590 01:05:57,707 --> 01:06:01,002 * You know the story 'bout the jailhouse rock? * 1591 01:06:01,044 --> 01:06:03,838 * Don't want to do it, just don't get caught * 1592 01:06:03,880 --> 01:06:08,677 * They got 'em all in the jailhouse, baby, yeah * 1593 01:06:08,718 --> 01:06:10,637 ** 1594 01:06:10,679 --> 01:06:16,142 * Ain't livin' long like this, am I, baby? * 1595 01:06:17,352 --> 01:06:24,150 * Can't live at a-a-all like this, can I, baby? * 1596 01:06:24,192 --> 01:06:25,568 Yah! 1597 01:06:25,610 --> 01:06:30,156 [ Cheers and applause ] 1598 01:06:30,198 --> 01:06:31,741 Blake: Yeah! 1599 01:06:31,783 --> 01:06:34,035 ** 1600 01:06:34,077 --> 01:06:35,787 He did a "Yah!" 1601 01:06:35,829 --> 01:06:37,080 Yah! 1602 01:06:37,122 --> 01:06:38,498 ** 1603 01:06:38,540 --> 01:06:40,834 Come on, Kylee. Yeah, Walker! 1604 01:06:40,875 --> 01:06:43,503 My heart's pounding. Yeah. 1605 01:06:43,545 --> 01:06:44,838 That was impressive. 1606 01:06:44,879 --> 01:06:46,548 Um, two completely different ways 1607 01:06:46,589 --> 01:06:49,050 to rip the roof off the joint. 1608 01:06:49,092 --> 01:06:50,677 Walker, dude, I felt like that was 1609 01:06:50,719 --> 01:06:52,178 in your wheelhouse right there. 1610 01:06:52,220 --> 01:06:54,597 Every time you come out here, you're fully committed 1611 01:06:54,639 --> 01:06:56,516 to getting the -- a good vibe going in the room. 1612 01:06:56,558 --> 01:06:57,726 Kylee... Thank you, Niall. 1613 01:06:57,767 --> 01:06:59,644 ...I thought you absolutely nailed it. 1614 01:06:59,686 --> 01:07:02,272 You really got in there and you just kept going, 1615 01:07:02,313 --> 01:07:03,815 and it was incredible. 1616 01:07:03,857 --> 01:07:05,692 Walker, you're technically skilled 1617 01:07:05,734 --> 01:07:07,944 in a way where, like, your pitch is always perfect. 1618 01:07:07,986 --> 01:07:09,571 And, yeah, you just felt comfortable up there. 1619 01:07:09,612 --> 01:07:12,449 For Kylee, you completely blew me away. 1620 01:07:12,490 --> 01:07:15,160 That was so raw to me. Thank you so much. 1621 01:07:15,201 --> 01:07:17,162 There were moments where it got a little pitchy, 1622 01:07:17,203 --> 01:07:19,789 but, like, what I respect the most out of performers 1623 01:07:19,831 --> 01:07:22,959 is when they're so in tune with what they're doing 1624 01:07:23,001 --> 01:07:25,128 that they don't let those kinda things derail them. 1625 01:07:25,170 --> 01:07:26,629 Like, you kept going. 1626 01:07:26,671 --> 01:07:28,673 And then the last note that you hit was right on. 1627 01:07:28,715 --> 01:07:30,175 And if I had to lean one way or the other, 1628 01:07:30,216 --> 01:07:33,136 I would suggest Kylee as the winner of this. 1629 01:07:34,846 --> 01:07:36,890 Kelly: Walker, I love this sound for you. 1630 01:07:36,931 --> 01:07:39,851 This is, like, where you are on fire. 1631 01:07:39,893 --> 01:07:41,853 I love this lane for you. It was perfect. 1632 01:07:41,895 --> 01:07:44,022 Thank you, Kelly. Now we'll get to you, ma'am. 1633 01:07:44,064 --> 01:07:45,273 [ Laughter ] 1634 01:07:45,315 --> 01:07:47,734 You showed not only that you could, like, conquer 1635 01:07:47,776 --> 01:07:49,569 a Celine Dion song, 1636 01:07:49,611 --> 01:07:51,863 your little Mariah riffs in there, 1637 01:07:51,905 --> 01:07:53,782 like, you're 20 years old. 1638 01:07:53,823 --> 01:07:55,492 [ Cheers and applause ] 1639 01:07:55,533 --> 01:07:57,243 The fact that you're that kind of bold singer 1640 01:07:57,285 --> 01:07:59,079 shows that you want to win, one, 1641 01:07:59,120 --> 01:08:02,040 and, two, shows that you're capable of doing that. 1642 01:08:02,082 --> 01:08:05,585 Mm-hmm. Thank you so much. Oh, my God. 1643 01:08:05,627 --> 01:08:07,253 Daly: Thank you, Coaches. 1644 01:08:07,295 --> 01:08:08,963 Alright, Blake, it comes down to you, buddy. 1645 01:08:09,005 --> 01:08:10,757 I've been dreading this knockout 1646 01:08:10,799 --> 01:08:13,510 because you guys are so much alike. 1647 01:08:13,551 --> 01:08:15,428 Just kidding. [ Laughter ] 1648 01:08:15,470 --> 01:08:18,640 This is tough because it is two completely different lanes. 1649 01:08:18,682 --> 01:08:21,476 Walker, it's probably a little easier 1650 01:08:21,518 --> 01:08:24,104 to define what it is that you do. 1651 01:08:24,145 --> 01:08:27,065 And Kylee, she's a singer/songwriter artist. 1652 01:08:27,107 --> 01:08:29,275 That can kill a diva pop ballad. 1653 01:08:29,317 --> 01:08:32,404 Yeah, but that is like one small little part 1654 01:08:32,445 --> 01:08:33,780 of what you're capable of. 1655 01:08:33,822 --> 01:08:35,949 But because you guys are so different 1656 01:08:35,990 --> 01:08:37,701 and you're both just so good, 1657 01:08:37,742 --> 01:08:39,786 I just kinda got to base this off 1658 01:08:39,828 --> 01:08:41,454 what happens in the moment. 1659 01:08:41,496 --> 01:08:43,123 Blake, who's the winner of this knockout? 1660 01:08:43,164 --> 01:08:45,000 Um... 1661 01:08:45,041 --> 01:08:47,627 ** 1662 01:08:47,669 --> 01:08:49,295 Winner of this knockout is Kylee. 1663 01:08:49,337 --> 01:08:51,715 Kylee, congratulations! 1664 01:08:51,756 --> 01:08:53,550 Blake: I had to pick Kylee. 1665 01:08:53,591 --> 01:08:55,176 She sang the hell out of the song. 1666 01:08:55,218 --> 01:08:57,470 You want somebody who's willing to lay it all out there 1667 01:08:57,512 --> 01:08:58,888 and swing for the fence like that. 1668 01:08:58,930 --> 01:09:00,432 Yeah, Ky! 1669 01:09:00,473 --> 01:09:02,892 I'm so grateful for Blake to push me through to the playoffs. 1670 01:09:02,934 --> 01:09:04,686 I'm just excited to show him what else I can do. 1671 01:09:04,728 --> 01:09:06,229 Daly: Walker, anything you want to say to Blake? 1672 01:09:06,271 --> 01:09:08,565 Thank you, dude. I wouldn't be here without you. 1673 01:09:08,606 --> 01:09:10,066 And to be able to do what I love, 1674 01:09:10,108 --> 01:09:11,818 can't nobody take that away from me. 1675 01:09:11,860 --> 01:09:13,653 And that's -- that's how I'm going home. 1676 01:09:13,695 --> 01:09:16,740 Give it up for Walker Wilson, ladies and gentlemen. 1677 01:09:16,781 --> 01:09:17,824 Blake: It never gets easier, 1678 01:09:17,866 --> 01:09:19,409 watching talented people go home. 1679 01:09:19,451 --> 01:09:22,203 But we all want to take the best team we can to the playoffs. 1680 01:09:22,245 --> 01:09:24,622 Kelly: Kylee -- I didn't know that she had that. 1681 01:09:24,664 --> 01:09:27,208 She's great. Yeah, I know. 1682 01:09:27,250 --> 01:09:28,668 I didn't know, either, by the way. Why are you being weird? 1683 01:09:28,710 --> 01:09:29,961 No, no, because I was agreeing with you. 1684 01:09:30,003 --> 01:09:31,421 I didn't know, either, until she -- 1685 01:09:31,463 --> 01:09:33,256 You're not used to that feeling? [ Laughter ] 1686 01:09:33,298 --> 01:09:35,800 I told Chance that's one -- one coaching session with me. 1687 01:09:35,842 --> 01:09:37,344 Oh, my God. One. 1688 01:09:37,385 --> 01:09:39,846 She -- She -- He said she didn't even speak English 1689 01:09:39,888 --> 01:09:42,098 when they first met. [ Laughter ] 1690 01:09:48,396 --> 01:09:49,564 * This is "The Voice" * 1691 01:09:49,606 --> 01:09:51,399 Daly: Welcome back to "The Voice." 1692 01:09:51,441 --> 01:09:53,860 Reba: You've got a great team. Great team. Kelly: I love my team. 1693 01:09:53,902 --> 01:09:55,403 Well, speaking of team, we have Cait. Who we got? 1694 01:09:55,445 --> 01:09:58,073 She's got a really great voice. It's an incredible range. 1695 01:09:58,114 --> 01:10:00,742 And then, also, I've actually never worked with Kala before. 1696 01:10:01,368 --> 01:10:04,245 I turned for her in the blinds, but Niall blocked me. 1697 01:10:05,497 --> 01:10:06,831 That is a steal! 1698 01:10:06,873 --> 01:10:08,917 I stole her from Niall's team in the battles. 1699 01:10:08,958 --> 01:10:09,918 She's incredible. 1700 01:10:09,959 --> 01:10:11,252 Excellent. Yeah. 1701 01:10:11,294 --> 01:10:12,253 What's up, y'all? 1702 01:10:12,295 --> 01:10:14,047 Reba -- Look at them. [ Laughter ] 1703 01:10:14,089 --> 01:10:17,008 Reba McEntire! [ Mimics air horn ] 1704 01:10:17,050 --> 01:10:18,343 Oh, my gosh. 1705 01:10:18,385 --> 01:10:23,223 I see Reba McEntire standing there, and I faint. 1706 01:10:23,264 --> 01:10:24,933 Oh, my gosh. 1707 01:10:24,974 --> 01:10:27,268 She's been in film and television and music. 1708 01:10:27,310 --> 01:10:29,771 She has done everything that there is to do 1709 01:10:29,813 --> 01:10:31,564 in the entertainment industry 1710 01:10:31,606 --> 01:10:34,150 and is still so kind and so humble. 1711 01:10:34,192 --> 01:10:36,152 Well, I'm really excited to hear y'all sing. 1712 01:10:36,194 --> 01:10:37,987 Kelly: I paired Kala and Cait 1713 01:10:38,029 --> 01:10:40,532 because Cait is one of the strong front-runners on my team 1714 01:10:40,573 --> 01:10:41,991 and Carla is a steal. 1715 01:10:42,033 --> 01:10:43,284 So I'm like, I'm gonna put you against 1716 01:10:43,326 --> 01:10:45,161 one of the better people on my team 1717 01:10:45,203 --> 01:10:47,038 'cause I want to see if you're gonna rise to the occasion. 1718 01:10:47,080 --> 01:10:48,665 Whitney Houston. This is a great one. 1719 01:10:48,707 --> 01:10:49,749 Why this song? 1720 01:10:49,791 --> 01:10:51,543 A lot of my nuance in my tone 1721 01:10:51,584 --> 01:10:52,961 comes from studying Whitney. 1722 01:10:53,003 --> 01:10:54,963 I'm singing "All The Man That I Need." 1723 01:10:55,005 --> 01:10:58,383 Now that I've got a little bit of love under my wings... 1724 01:10:58,425 --> 01:11:00,218 Yeah. ...that really makes me be able to, 1725 01:11:00,260 --> 01:11:02,846 like, give my soul when I sing it. 1726 01:11:03,722 --> 01:11:07,809 * He fills me up * 1727 01:11:07,851 --> 01:11:09,644 * He gives me love * 1728 01:11:09,686 --> 01:11:11,813 I'm finally experiencing the love 1729 01:11:11,855 --> 01:11:14,024 that she's talking about in this song. 1730 01:11:14,065 --> 01:11:17,861 My boyfriend Cameron has been such a great support system. 1731 01:11:17,902 --> 01:11:20,155 I could not have a better partner 1732 01:11:20,196 --> 01:11:22,949 to be with me for this entire process. 1733 01:11:22,991 --> 01:11:25,452 Hi, my love. I'm doing this song for you. 1734 01:11:25,493 --> 01:11:28,329 Babe, you're gonna kill it out there. 1735 01:11:28,371 --> 01:11:29,664 I love you. 1736 01:11:29,706 --> 01:11:32,834 * I need * 1737 01:11:32,876 --> 01:11:35,170 Wow, wow, wow, wow, wow. 1738 01:11:35,211 --> 01:11:36,421 Oh, my God. 1739 01:11:36,463 --> 01:11:38,631 And I liked you taking the mic off the stand. 1740 01:11:38,673 --> 01:11:40,258 That was really cool. Thank you. 1741 01:11:40,300 --> 01:11:42,802 My only thing, it's a little sharp. 1742 01:11:42,844 --> 01:11:44,471 * He fills me up * 1743 01:11:44,512 --> 01:11:47,682 Either throw it or add a little bit of vibrato. 1744 01:11:47,724 --> 01:11:50,393 Or hold it. It gets so big with the band 1745 01:11:50,435 --> 01:11:53,188 that sometimes it's hard to find the center, right? Mm-hmm. Yeah. 1746 01:11:53,229 --> 01:11:55,482 For Cait to pick a Whitney Houston song, 1747 01:11:55,523 --> 01:11:57,233 I thought, she's brave. 1748 01:11:58,234 --> 01:12:01,696 I was blown away not only with her vocals, 1749 01:12:01,738 --> 01:12:02,906 but her stage presence. 1750 01:12:02,947 --> 01:12:05,533 I know she's going to blossom. 1751 01:12:05,575 --> 01:12:07,369 I love how sweet and intense you are. Lunch. Yeah. 1752 01:12:07,410 --> 01:12:10,288 Yeah, it was just -- Golly wow. 1753 01:12:10,330 --> 01:12:12,123 I love that she was like, "Well, let's go to lunch. 1754 01:12:12,165 --> 01:12:14,626 I don't have any notes." [ Laughter ] 1755 01:12:14,668 --> 01:12:16,461 I love Cait. 1756 01:12:16,503 --> 01:12:18,421 Gorgeous. Oh. Stop. 1757 01:12:18,463 --> 01:12:21,800 But I'm a little bit intimidated because I don't have 1758 01:12:21,841 --> 01:12:23,718 a lot of professional experience under my belt. 1759 01:12:23,760 --> 01:12:25,804 Alright, Kala, it's my first time to get to work with you. Hi! 1760 01:12:25,845 --> 01:12:27,722 I'm so excited. Why did you pick this song? 1761 01:12:27,764 --> 01:12:29,349 It's traditionally a relationship song, 1762 01:12:29,391 --> 01:12:32,018 but for me, it's more about my relationship with music, 1763 01:12:32,060 --> 01:12:33,728 wanting to give it everything that I have 1764 01:12:33,770 --> 01:12:35,146 and being here is really scary. 1765 01:12:35,188 --> 01:12:37,023 It shouldn't be. You belong here. 1766 01:12:37,065 --> 01:12:38,983 * And I'd give up forever... * 1767 01:12:39,025 --> 01:12:41,778 I am choosing to sing "Iris" by Goo Goo Dolls. 1768 01:12:41,820 --> 01:12:45,407 This song, at its core, is just about wanting something so much 1769 01:12:45,448 --> 01:12:47,784 that you're willing to give up anything 1770 01:12:47,826 --> 01:12:49,411 and everything to have it. 1771 01:12:49,452 --> 01:12:51,579 Yeah. * I'll ever be, and I don't want... * 1772 01:12:51,621 --> 01:12:53,790 I'm trying to convince Kelly 1773 01:12:53,832 --> 01:12:55,667 I should be there in the playoffs. 1774 01:12:55,709 --> 01:13:01,423 * Ohhh, and I don't want the world to see me * 1775 01:13:01,464 --> 01:13:02,841 Yeah! 1776 01:13:02,882 --> 01:13:05,093 I was working for a PR agency, 1777 01:13:05,135 --> 01:13:07,762 and if I want to make music my career, 1778 01:13:07,804 --> 01:13:10,974 I have to put aside my career in PR. 1779 01:13:11,016 --> 01:13:13,560 It's worth it to know that I'm having this 1780 01:13:13,601 --> 01:13:14,769 once-in-a-lifetime opportunity 1781 01:13:14,811 --> 01:13:16,146 to pursue what I've always wanted. 1782 01:13:16,187 --> 01:13:17,439 * When everything's made...* 1783 01:13:17,480 --> 01:13:18,982 Reba: When Kala first came on, I thought, 1784 01:13:19,024 --> 01:13:22,527 wow, the emotion that she showed, I got chills. 1785 01:13:22,569 --> 01:13:26,531 Kelly cried, and that's what you want from a performer. 1786 01:13:26,573 --> 01:13:28,158 Wow. Whew. 1787 01:13:28,199 --> 01:13:30,160 I felt your pain on that. That was so good. 1788 01:13:30,201 --> 01:13:32,787 I'm, like, crying. Oh, my God. 1789 01:13:32,829 --> 01:13:34,748 You tell a great story when you sing. 1790 01:13:34,789 --> 01:13:35,957 Oh, I appreciate that so much. 1791 01:13:35,999 --> 01:13:38,084 I love all your choices. 1792 01:13:38,126 --> 01:13:41,129 I'm gonna push you to make a couple more choices. 1793 01:13:41,171 --> 01:13:43,214 Any kind of just deviation 1794 01:13:43,256 --> 01:13:45,216 to where it's able to give that ache. 1795 01:13:45,258 --> 01:13:48,928 * And you can't fight the tears that ain't coming * 1796 01:13:48,970 --> 01:13:51,473 Like, just get a little bit hurt, you know, 1797 01:13:51,514 --> 01:13:54,017 with the intensity of your head voice. Yeah. 1798 01:13:54,059 --> 01:13:55,685 Kelly: Kala surprised me most. 1799 01:13:55,727 --> 01:13:59,481 She can make you cry, um, after the first three notes. 1800 01:13:59,522 --> 01:14:00,648 That's rare. 1801 01:14:00,690 --> 01:14:01,775 You guys, great job. 1802 01:14:01,816 --> 01:14:03,485 I'm probably gonna cry, like, 1803 01:14:03,526 --> 01:14:05,278 this is gonna be horrible to pick between you two. You should. 1804 01:14:05,320 --> 01:14:06,821 Yeah, you will. I know! 1805 01:14:06,863 --> 01:14:08,823 Kelly: Cait chose a song, you know, by Whitney Houston, 1806 01:14:08,865 --> 01:14:11,159 which is, like, one of the greatest vocalists in all the lands. 1807 01:14:11,201 --> 01:14:13,870 But I will say I have all the faith in her 1808 01:14:13,912 --> 01:14:15,872 because she has the range. 1809 01:14:15,914 --> 01:14:18,375 That's gonna be my hardest knockout on who to choose. 1810 01:14:18,416 --> 01:14:20,710 Reba: Those two, I still have chills. 1811 01:14:20,752 --> 01:14:22,504 I don't know about those two. 1812 01:14:22,545 --> 01:14:23,338 That's gonna be tough. 1813 01:14:23,380 --> 01:14:25,924 Thanks. Yeah. [ Laughs ] 1814 01:14:25,965 --> 01:14:29,219 [ Cheers and applause ] 1815 01:14:34,224 --> 01:14:35,809 Singing "All The Man That I Need", 1816 01:14:35,850 --> 01:14:38,103 here's Cait Martin. 1817 01:14:44,109 --> 01:14:49,322 [ Vocalizing ] 1818 01:14:49,364 --> 01:14:55,245 * I used to cry myself to sleep at night * 1819 01:14:55,286 --> 01:15:02,502 * But that was all before he came * 1820 01:15:02,544 --> 01:15:07,716 * I thought love had to hurt to turn out right * 1821 01:15:07,757 --> 01:15:14,347 * But now he's here, it's not the same * 1822 01:15:14,389 --> 01:15:20,145 * It's not the same * 1823 01:15:20,186 --> 01:15:23,356 * He fills me up * 1824 01:15:23,398 --> 01:15:26,526 * He gives me love * 1825 01:15:27,569 --> 01:15:32,365 * More love than I've ever seen * 1826 01:15:32,407 --> 01:15:36,036 * He's all I've got * 1827 01:15:36,077 --> 01:15:39,372 * He's all I've got in this world * 1828 01:15:39,414 --> 01:15:40,540 Ooh! 1829 01:15:40,582 --> 01:15:47,964 * But he's all the man that I need * 1830 01:15:48,006 --> 01:15:50,467 [ Cheers and applause ] 1831 01:15:50,508 --> 01:15:55,722 * And in the evening when the moon is high * 1832 01:15:55,764 --> 01:16:02,270 * He holds me close and won't let go * 1833 01:16:02,312 --> 01:16:07,275 * He won't let go * 1834 01:16:07,317 --> 01:16:09,778 * He fills me up * Yeah! 1835 01:16:09,819 --> 01:16:11,279 * He fills me up * 1836 01:16:11,321 --> 01:16:13,990 * He gives me love * 1837 01:16:14,032 --> 01:16:15,450 Whoo! 1838 01:16:15,492 --> 01:16:20,288 * More love than I've ever seen * 1839 01:16:20,330 --> 01:16:21,122 Yeah! 1840 01:16:21,164 --> 01:16:22,665 * He's all that I've got * 1841 01:16:22,707 --> 01:16:24,376 * He's all I've got * 1842 01:16:24,417 --> 01:16:27,796 * He's all I've got in this world * 1843 01:16:27,837 --> 01:16:30,465 * But he is all the man * 1844 01:16:30,507 --> 01:16:35,845 * All the ma-a-a-a-a-a-a-n * 1845 01:16:35,887 --> 01:16:37,639 Hey! 1846 01:16:38,306 --> 01:16:41,810 * That I, I need * 1847 01:16:41,851 --> 01:16:43,228 Oh! 1848 01:16:43,269 --> 01:16:45,647 You gotta sing! 1849 01:16:45,689 --> 01:16:48,149 [ Cheers and applause ] 1850 01:16:48,191 --> 01:16:49,859 Chance: Oh! Yeah. 1851 01:16:49,901 --> 01:16:51,486 That was crazy. I know. 1852 01:16:51,528 --> 01:16:53,488 She's got that Whitney tone. I know. 1853 01:16:53,530 --> 01:16:55,240 Oh, man. 1854 01:17:01,871 --> 01:17:03,039 * This is "The Voice" * 1855 01:17:03,081 --> 01:17:04,332 Daly: Welcome back. 1856 01:17:04,374 --> 01:17:07,877 [ Cheers and applause ] 1857 01:17:07,919 --> 01:17:09,045 Come on, Kala! 1858 01:17:09,087 --> 01:17:11,297 Come on, Kala! Come on, Kala! 1859 01:17:13,174 --> 01:17:16,052 Now with "Iris", here's Kala Banham. 1860 01:17:16,094 --> 01:17:19,472 [ Cheers and applause ] 1861 01:17:19,514 --> 01:17:24,769 ** 1862 01:17:24,811 --> 01:17:29,399 * And I'd give up forever to touch you * 1863 01:17:29,441 --> 01:17:33,945 * 'Cause I know that you feel me somehow * 1864 01:17:33,987 --> 01:17:38,408 * You're the closest to Heaven that I'll ever be * 1865 01:17:38,450 --> 01:17:43,371 * And I don't want to go home right now * 1866 01:17:43,413 --> 01:17:47,792 * And all I can taste is this moment * 1867 01:17:47,834 --> 01:17:52,422 * And all I can breathe is your life * 1868 01:17:52,464 --> 01:17:56,551 * 'Cause sooner or later, it's over * 1869 01:17:56,593 --> 01:18:00,430 * I just don't wanna miss you tonight * 1870 01:18:00,472 --> 01:18:01,681 Yeah! 1871 01:18:01,723 --> 01:18:05,602 * And I don't want the world to see me * 1872 01:18:05,643 --> 01:18:10,440 * 'Cause I don't think that they'd understand * 1873 01:18:10,482 --> 01:18:14,778 * When everything's made to be broken * 1874 01:18:14,819 --> 01:18:19,616 * I just want you to know who I am * 1875 01:18:19,657 --> 01:18:23,995 * And you can't fight the tears that ain't coming * 1876 01:18:24,037 --> 01:18:28,541 * Or a moment of truth in your lies * 1877 01:18:28,583 --> 01:18:32,837 * When everything feels like the movies * 1878 01:18:32,879 --> 01:18:39,844 * Yeah, you bleed just to know you're ali-i-i-i-i-ve * 1879 01:18:39,886 --> 01:18:44,391 * And I don't want the world to see me * 1880 01:18:44,432 --> 01:18:49,229 * 'Cause I don't think that they'd understand * 1881 01:18:49,270 --> 01:18:53,400 * When everything's made to be broken * 1882 01:18:53,441 --> 01:18:57,821 * I just want you to know who I am * 1883 01:18:57,862 --> 01:19:02,617 * I just want you to know who I am * 1884 01:19:02,659 --> 01:19:07,580 * I just want you to know who I am * 1885 01:19:07,622 --> 01:19:14,796 * I just want you to know who I am * 1886 01:19:14,838 --> 01:19:16,840 Damn, girl. 1887 01:19:16,881 --> 01:19:19,801 [ Cheers and applause ] 1888 01:19:19,843 --> 01:19:23,555 Come on, girl! Yes! Come on! There you go, Kala. 1889 01:19:25,140 --> 01:19:26,516 Oh, man. 1890 01:19:26,558 --> 01:19:28,810 Wow, look. Everybody's giddy over here. Look at this. 1891 01:19:28,852 --> 01:19:31,312 I'm so angry, you both did such a great job! 1892 01:19:31,354 --> 01:19:32,856 [ Laughter ] 1893 01:19:32,897 --> 01:19:34,774 Well, I'll throw in my two cents, 1894 01:19:34,816 --> 01:19:38,361 which is not going to matter to Kelly of all people. [ Laughter ] 1895 01:19:38,403 --> 01:19:39,696 I'll start with Cait. 1896 01:19:39,738 --> 01:19:41,614 There was a lot of sharp notes in that. 1897 01:19:41,656 --> 01:19:43,491 I don't know if that's just nerves, 1898 01:19:43,533 --> 01:19:46,411 but, Kala, that was a very passionate performance, 1899 01:19:46,453 --> 01:19:48,413 a lot of emotion in there, a lot of dynamics, 1900 01:19:48,455 --> 01:19:50,373 so I'd be going with -- with Kala. 1901 01:19:50,415 --> 01:19:51,875 Thank you. 1902 01:19:51,916 --> 01:19:53,418 Niall: Oh, my God. 1903 01:19:53,460 --> 01:19:55,295 Any person that takes on a Whitney song, 1904 01:19:55,337 --> 01:19:56,629 you're already scared, 1905 01:19:56,671 --> 01:19:58,173 but you absolutely smashed it, I thought. 1906 01:19:58,214 --> 01:20:01,634 Kala, your storytelling ability is just insane, 1907 01:20:01,676 --> 01:20:04,387 and that's what I lean towards, so Kala for me. 1908 01:20:04,429 --> 01:20:06,848 [ Cheers and applause ] Thank you. 1909 01:20:06,890 --> 01:20:09,392 Kala, I've been trying to get you on my team this whole show, 1910 01:20:09,434 --> 01:20:11,227 but I just want to emphasize the fact 1911 01:20:11,269 --> 01:20:12,979 that Cait just smashed that. 1912 01:20:13,021 --> 01:20:14,439 It was spot-on Whitney. 1913 01:20:14,481 --> 01:20:15,774 I'm trying so hard not to curse. 1914 01:20:15,815 --> 01:20:17,984 I'm just so, like, floored. [ Laughter ] 1915 01:20:18,026 --> 01:20:22,197 Who took that round by the throat is Cait all the way. 1916 01:20:22,238 --> 01:20:24,407 Thank you. Daly: Thank you, Coaches. 1917 01:20:24,449 --> 01:20:26,242 Oh, man! 1918 01:20:26,284 --> 01:20:27,744 Alright, Kel, it all comes down to you. 1919 01:20:27,786 --> 01:20:29,579 You're like two different ninjas. 1920 01:20:29,621 --> 01:20:31,664 One of you, just right in the face, just knocked 'em out, 1921 01:20:31,706 --> 01:20:34,417 and then one of you, just sneakily from afar, was like a sniper. 1922 01:20:34,459 --> 01:20:36,252 [ Laughter ] 1923 01:20:36,294 --> 01:20:38,797 Cait, I'm with Chance. I thought you killed it. 1924 01:20:38,838 --> 01:20:40,382 I thought it was incredible. 1925 01:20:40,423 --> 01:20:41,841 [ Cheers and applause ] 1926 01:20:41,883 --> 01:20:44,803 Like, not many people could have done what you just did. 1927 01:20:44,844 --> 01:20:48,348 And, Kala, you're, like, one of my favorite storytellers 1928 01:20:48,390 --> 01:20:49,933 I've ever worked with. Thank you so much. 1929 01:20:49,974 --> 01:20:53,478 You gave me goosebumps. You totally made me tear up. 1930 01:20:53,520 --> 01:20:55,563 You don't deserve to go home, either one of you. 1931 01:20:55,605 --> 01:20:57,107 Kelly, the time has come. 1932 01:20:57,148 --> 01:20:59,442 Who is the winner of this knockout? 1933 01:20:59,484 --> 01:21:03,363 ** 1934 01:21:03,405 --> 01:21:04,781 Oh, man. 1935 01:21:04,823 --> 01:21:06,032 You're both different singers, 1936 01:21:06,074 --> 01:21:08,827 but you both impress the hell out of me. 1937 01:21:08,868 --> 01:21:11,955 ** 1938 01:21:11,996 --> 01:21:13,456 The winner of the knockout is Cait. 1939 01:21:13,498 --> 01:21:15,750 Cait, congratulations! 1940 01:21:15,792 --> 01:21:17,085 You're moving on to the playoffs! 1941 01:21:17,127 --> 01:21:18,962 Kelly: Cait came out here, she killed it. 1942 01:21:19,004 --> 01:21:21,756 She loves big, huge songs, she loves the challenge of it, 1943 01:21:21,798 --> 01:21:23,466 and she loves tackling it in her own way, 1944 01:21:23,508 --> 01:21:25,468 and that is what this competition is about. 1945 01:21:25,510 --> 01:21:28,680 Oh, my God. You killed it. Killed it. 1946 01:21:28,722 --> 01:21:32,308 And she is not only one of the strongest singers on my team, 1947 01:21:32,350 --> 01:21:33,768 but in the competition. 1948 01:21:33,810 --> 01:21:35,937 Cait: Getting the chance to go to the playoffs 1949 01:21:35,979 --> 01:21:40,233 and keep representing my girl Kels is all I want to do. 1950 01:21:40,275 --> 01:21:41,735 I'm so happy. 1951 01:21:41,776 --> 01:21:43,528 Coaches, let me remind you that Kala is available to steal. 1952 01:21:43,570 --> 01:21:45,155 Kala, anything you want to say to Kelly? 1953 01:21:45,196 --> 01:21:47,657 You are such an inspiration to me not only as a singer, 1954 01:21:47,699 --> 01:21:49,784 but just as a person, so I can't thank you enough. 1955 01:21:49,826 --> 01:21:51,494 Kelly: Oh, you're so great! 1956 01:21:51,536 --> 01:21:52,746 I'm going in. Give it up one more time! 1957 01:21:52,787 --> 01:21:55,290 Yes! That is the sound of a steal! 1958 01:21:55,331 --> 01:21:57,459 From Blake Shelton! 1959 01:21:57,500 --> 01:21:58,668 [ Chuckles ] 1960 01:21:58,710 --> 01:22:02,380 That...is a double steal! 1961 01:22:02,422 --> 01:22:04,507 Chance the Rapper! 1962 01:22:04,549 --> 01:22:06,968 I'm hugging you! I'm hugging you! 1963 01:22:07,010 --> 01:22:08,511 Yes, my little Blakey. 1964 01:22:08,553 --> 01:22:11,848 One of us was very clear that you were the winner 1965 01:22:11,890 --> 01:22:15,101 and one of us was painfully clear that you weren't. 1966 01:22:15,143 --> 01:22:16,686 I would be proud -- 1967 01:22:16,728 --> 01:22:18,772 Wouldn't I be proud to have her on Team Blake? 1968 01:22:18,813 --> 01:22:20,982 Yeah, come on. Come on! Blake! I mean, come on. Don't you want her? 1969 01:22:21,024 --> 01:22:23,151 There you go. Hey, do it with me. Do it with me. Come on. 1970 01:22:23,193 --> 01:22:25,528 Here we go. Uh-huh. Yeah, yeah, let's go. Come on. 1971 01:22:25,570 --> 01:22:27,447 Or you can take a Chance. [ Laughter ] 1972 01:22:27,489 --> 01:22:29,491 [ Chuckling ] You know what I'm sayin'? I don't know, just -- 1973 01:22:29,532 --> 01:22:31,951 Do you remember when Blake turned around for you in the blinds? 1974 01:22:31,993 --> 01:22:33,661 No, I don't. I don't remember that. Oh, you don't remember that, 1975 01:22:33,703 --> 01:22:35,246 'cause it didn't happen. 'Cause he didn't do it! 1976 01:22:35,288 --> 01:22:36,956 It didn't happen. 1977 01:22:36,998 --> 01:22:39,000 I did turn around for you in the blinds 1978 01:22:39,042 --> 01:22:41,211 andI tried to steal you at battles, 1979 01:22:41,252 --> 01:22:44,339 so I was playing the long game. That's smart, okay. [ Laughs ] 1980 01:22:44,381 --> 01:22:47,050 We could win together. Or you could go with Blake. 1981 01:22:47,092 --> 01:22:48,385 [ Laughter ] 1982 01:22:48,426 --> 01:22:49,886 Daly: Kala, it's all up to you. 1983 01:22:49,928 --> 01:22:51,888 Who do you pick as your new coach? 1984 01:22:51,930 --> 01:22:54,766 I gotta say... [ Chuckles ] 1985 01:22:54,808 --> 01:22:58,645 Blake! Blake! Chance! Chance! 1986 01:22:58,687 --> 01:23:01,022 Kala: ...it's an honor either way, 1987 01:23:01,064 --> 01:23:03,900 but I'm the kind of person who appreciates the long game, 1988 01:23:03,942 --> 01:23:06,111 so I gotta go with Team Chance. 1989 01:23:06,152 --> 01:23:08,238 Ohhh! 1990 01:23:08,279 --> 01:23:09,614 Nice. Daly: Chance the Rapper! 1991 01:23:09,656 --> 01:23:11,032 I finally got Kala. 1992 01:23:11,074 --> 01:23:13,243 I've been working on that angle for a while. 1993 01:23:13,284 --> 01:23:14,869 Oh, my God! 1994 01:23:14,911 --> 01:23:17,580 I'm so glad you chose me. I'm so glad you're still here, man. 1995 01:23:17,622 --> 01:23:19,040 Congratulations. 1996 01:23:19,082 --> 01:23:22,043 She adds a different, smoother take to my team, 1997 01:23:22,085 --> 01:23:23,837 a lot of control, but a softer tone, 1998 01:23:23,878 --> 01:23:26,506 and now she's down with the winning team. 1999 01:23:26,548 --> 01:23:28,425 [ Laughs ] Kelly: Great job, Kala! 2000 01:23:28,466 --> 01:23:30,677 Kala: I loved working with Niall, I loved working with Kelly, 2001 01:23:30,719 --> 01:23:32,262 and I know that Chance is amazing. 2002 01:23:32,303 --> 01:23:33,930 I'm so excited to work with you, man. It's gonna be amazing. 2003 01:23:33,972 --> 01:23:35,807 I'm excited to have you. Yes, thank you. 2004 01:23:35,849 --> 01:23:37,684 I can't wait to see what we do together. Thank you, me too! 2005 01:23:37,726 --> 01:23:39,769 Alright, Kala. See you soon. See you later! 2006 01:23:41,146 --> 01:23:43,440 Way to go, Chance. Blake: That was nice. 2007 01:23:43,481 --> 01:23:45,483 Niall: Well done. That was well done. 2008 01:23:45,525 --> 01:23:47,027 [ Laughs ] 2009 01:23:47,068 --> 01:23:50,030 Blake: Chance ended up choosing Cait in the knockout 2010 01:23:50,071 --> 01:23:53,283 in order to get Kala on his team as a steal. 2011 01:23:53,324 --> 01:23:56,244 I had no idea. I did not see that coming at all. 2012 01:23:56,286 --> 01:23:58,997 Just when I thought nobody would play any dirtier than me, 2013 01:23:59,039 --> 01:24:00,290 here comes Chance. 2014 01:24:00,331 --> 01:24:02,292 I was using tactics, okay? 2015 01:24:02,334 --> 01:24:04,044 I was using strategy. 2016 01:24:04,085 --> 01:24:05,253 Man: Team Chance! 2017 01:24:05,295 --> 01:24:07,172 [ Cheering ] 2018 01:24:07,213 --> 01:24:17,140 ** 2019 01:24:17,182 --> 01:24:27,150 ** 2020 01:24:27,192 --> 01:24:37,202 **