1 00:00:32,866 --> 00:00:34,934 THE ONE AND ONLY JOHN LEGEND. 2 00:00:34,934 --> 00:00:40,040 [ CHEERS AND APPLAUSE ] OUR FAVORITE SHELTON, GWEN 3 00:00:40,040 --> 00:00:41,908 STEFANI. [ CHEERS AND APPLAUSE ] 4 00:00:41,908 --> 00:00:46,312 NIALL HORAN. [ CHEERS AND APPLAUSE ] 5 00:00:46,312 --> 00:00:50,650 AND THE QUEEN OF COUNTRY, REBA McENTIRE. 6 00:00:50,650 --> 00:01:03,530 [ CHEERS AND APPLAUSE ] WELCOME, EVERYBODY. 7 00:01:03,530 --> 00:01:04,531 IT'S GREAT TO HAVE YOU WATCHING NBC. 8 00:01:04,531 --> 00:01:05,865 I'M CARSON DALY, AND WE ARE LIVE FROM UNIVERSAL STUDIOS 9 00:01:05,865 --> 00:01:06,700 HOLLYWOOD. BIG SHOW AHEAD. 10 00:01:06,700 --> 00:01:07,701 THE TOP 12 WILL EACH TAKE THE STAGE. 11 00:01:07,701 --> 00:01:09,069 A LOT OF MUSIC TONIGHT. TOMORROW NIGHT, THREE ARTISTS 12 00:01:09,069 --> 00:01:10,136 WILL GO HOME NO MATTER WHAT TEAM THEY ARE ON. 13 00:01:10,136 --> 00:01:11,805 FOR THE FIRST TIME THIS SEASON, IT'S YOUR TURN TO VOTE! 14 00:01:11,805 --> 00:01:13,273 VOTING FOR ALL ARTISTS OPENS AT THE END OF THE SHOW TONIGHT, ON 15 00:01:13,273 --> 00:01:15,141 THE VOICE OFFICIAL APP AND NBC.COM. 16 00:01:15,141 --> 00:01:18,578 THAT'S ALSO WHERE YOU'LL FIND ANY VOTING INFORMATION YOU NEED. 17 00:01:18,578 --> 00:01:20,980 SOMETHING NEW. YOU'LL BE VOTING FOR ONLY ONE 18 00:01:20,980 --> 00:01:23,950 ARTIST, YOUR FAVORITE ARTIST OF THE NIGHT. 19 00:01:23,950 --> 00:01:28,455 AND WE KNOW THAT'S GOING TO BE A TOUGH DECISION. 20 00:01:28,455 --> 00:01:31,858 YOU CAN VOTE FOR YOUR FAVORITE. REBA, THIS IS YOUR FIRST TIME 21 00:01:31,858 --> 00:01:34,294 LIVE ON "THE VOICE." HOW ARE YOU FEELING ABOUT 22 00:01:34,294 --> 00:01:38,865 TONIGHT? >> I FEEL SO GOOD. 23 00:01:38,865 --> 00:01:42,102 I'VE GOT SO MANY KLEENEXS READY TO GO. 24 00:01:42,102 --> 00:01:45,338 IT'S BEEN SUCH AN EMOTIONAL TIME GETTING TO MEET ALL THESE 25 00:01:45,338 --> 00:01:49,609 CONTESTANTS. I'M IN LOVE WITH ALL OF THEM. 26 00:01:49,609 --> 00:01:52,712 I'M LIKE A PROUD MAMA. >> Carson: IT'S BEEN GREAT 27 00:01:52,712 --> 00:01:54,681 HAVING YOU, REBA. GOOD LUCK TO YOU TONIGHT. 28 00:01:54,681 --> 00:01:56,683 OKAY, LET'S GET TO THE MUSIC. THIS WEEK, OUR FRIEND, GLOBAL 29 00:01:56,683 --> 00:01:58,284 MUSIC SUPERSTAR, CHANCE THE RAPPER, WHO WILL BE 30 00:01:58,284 --> 00:01:59,853 RETURNING AS A COACH NEXT SEASON, HELPED PREPARE THE 31 00:01:59,853 --> 00:02:03,890 ARTISTS FOR THEIR VERY FIRST LIVE PERFORMANCES. 32 00:02:03,890 --> 00:02:08,661 WE'LL START TONIGHT WITH A MEMBER OF TEAM REBA, A COUNTRY 33 00:02:08,661 --> 00:02:12,065 ROCKER FROM OREGON WHO'S PUTTING HER STAMP ON A CURRENT HIT. 34 00:02:12,065 --> 00:02:16,536 SHE'LL TELL YOU MORE. HERE'S MORE FROM JACQUIE ROAR. 35 00:02:16,536 --> 00:02:19,372 >> THIS NEXT LADY IS JACQUIE ROAR. 36 00:02:19,372 --> 00:02:20,473 SHE'S A LITTLE BIT ROCK 'N ROLL COUNTRY. 37 00:02:20,473 --> 00:02:24,310 >> THAT'S FIRE. >> YOU READY TO MEET HER. 38 00:02:24,310 --> 00:02:26,546 >> I WANT TO SEE HER, JACQUIE ROAR. 39 00:02:26,546 --> 00:02:30,817 >> COME ON, JACQUIE. >> WHOA, CHANCE THE RAPPER. 40 00:02:30,817 --> 00:02:33,353 OH, NO. THEY'RE GOING TO HAVE TO FIX 41 00:02:33,353 --> 00:02:36,990 THAT. >> LET ME PLUG YOU BACK IN. 42 00:02:36,990 --> 00:02:38,224 DID YOU HAVE IT CLIPPED ON THE INSIDE? 43 00:02:38,224 --> 00:02:41,795 OKAY. >> THE MOST EXPENSIVE TECH IN 44 00:02:41,795 --> 00:02:46,833 THE HISTORY OF THE WORLD. >> I'LL SEND YOU MY BILL. 45 00:02:46,833 --> 00:02:50,770 >> THIS IS REBA'S NEW BOOK "NOT THAT FANCY." 46 00:02:50,770 --> 00:03:02,615 SHE SIGNED IT FOR ME. I'M SO EXCITED. 47 00:03:02,615 --> 00:03:04,050 IT SAYS, TO JACQUIE, LOVE REBA. >> I'M GLAD YOU'RE DOING 48 00:03:04,050 --> 00:03:05,051 LAINEY'S SONG. LAINEY WILSON IS HAVING A 49 00:03:05,051 --> 00:03:07,120 SPECTACULAR YEAR. THIS SONG IS FOR A STRONG WOMAN 50 00:03:07,120 --> 00:03:10,256 TO SEE. JACQUIE ROARS. 51 00:03:10,256 --> 00:03:14,094 SHE'S MY COUNTRY ROCK DIVA. THAT'S WHAT'S MISSING IN COUNTRY 52 00:03:14,094 --> 00:03:18,665 MUSIC TODAY. * FIVE GENERATIONS BLAZING A 53 00:03:18,665 --> 00:03:21,401 TRAIL * >> WHAT JACQUIE DOES IS SHE 54 00:03:21,401 --> 00:03:25,705 CONNECTS REALLY WELL. THE WAY SHE BROUGHT THE LYRICS 55 00:03:25,705 --> 00:03:28,274 TO LIFE, IT FELT SO PERSONALLY INVESTED IN WHAT THE MESSAGE 56 00:03:28,274 --> 00:03:30,610 WAS. I THINK ANYBODY THAT SEES THAT 57 00:03:30,610 --> 00:03:33,446 PERFORMANCE IS GOING TO WANT TO SEE HER CONTINUE. 58 00:03:33,446 --> 00:03:38,084 >> I WAS A LITTLE BIT NERVOUS TO CHANGE IT BECAUSE IT'S CLIMBING 59 00:03:38,084 --> 00:03:43,656 THE CHARTS. GOD BLESS LAINEY WILSON, BUT I 60 00:03:43,656 --> 00:03:48,695 GOT TO BE JACQUIE ROAR. >> I DIDN'T KNOW WHO EITHER OF 61 00:03:48,695 --> 00:03:51,164 THOSE PEOPLE WERE BEFORE I GOT HERE. 62 00:03:51,164 --> 00:03:54,100 YOU HAVE TO KNOW IT'S YOUR MOMENT. 63 00:03:54,100 --> 00:03:57,370 >> HOPEFULLY THEY LIKE THE HEFTINESS I PUT IN IT. 64 00:03:57,370 --> 00:04:01,941 >> I DO TOO. I COULDN'T UNDERSTAND THE WORDS 65 00:04:01,941 --> 00:04:06,346 IN THE BEGINNING. 'NEWS YAT SO WE UNDERSTAND THE 66 00:04:06,346 --> 00:04:09,949 STORY. >> THIS SONG REPRESENTS "THE 67 00:04:09,949 --> 00:04:14,154 VOICE" TO ME SO MUCH. I AM THAT DAISY PUSHING THROUGH. 68 00:04:14,154 --> 00:04:23,463 "THE VOICE" IS MY MOMENT. I'VE HAD SO MANY NOs. 69 00:04:23,463 --> 00:04:26,132 I DID NOT LISTEN TO THEM. >> ABSOLUTELY. 70 00:04:26,132 --> 00:04:29,602 >> YOU'RE LIKE A ROCK STAR. >> I LOVED ENDING BIG. 71 00:04:29,602 --> 00:04:32,605 THAT'S WHAT THEY'LL REMEMBER. THIS SONG SELECTION WAS SO 72 00:04:32,605 --> 00:04:34,974 IMPORTANT. AMERICA'S VOTING. 73 00:04:34,974 --> 00:04:37,844 IT'S OUT OF MY HANDS NOW. >> THEY'LL STILL LISTEN TO YOU, 74 00:04:37,844 --> 00:04:46,853 REBA. >> I HOPE SO. 75 00:04:46,853 --> 00:04:49,489 [ CHEERS AND APPLAUSE ] * IN THE MIDDLE OF THE NIGHT 76 00:04:49,489 --> 00:04:54,527 I HEAR A CORN FIELD COYOTE CRY * 77 00:04:54,527 --> 00:05:01,668 * UP AT THE MOON NO MATTER WHAT 78 00:05:01,668 --> 00:05:06,573 SKY I'M LAYING UNDER * * IN THE EYE OF A HURRICANE 79 00:05:06,573 --> 00:05:11,711 WHEN I GOT ONE FOOT IN THE GRAVE * 80 00:05:11,711 --> 00:05:18,551 * I'LL DIG MY BOOTS INTO THE DIRT 81 00:05:18,551 --> 00:05:24,357 FACE THE ROLLING THUNDER * * I'M FIVE GENERATIONS 82 00:05:24,357 --> 00:05:27,660 OF BLAZING A TRAIL THROUGH BARBED WIRE VALLEYS 83 00:05:27,660 --> 00:05:32,866 AND OVERGROWN DELLS * * I'M BAREFOOT AND BAREBACK 84 00:05:32,866 --> 00:05:37,070 AND BORN TOUGH AS NAILS WHOA-OOH-OH, OOH-OH * 85 00:05:37,070 --> 00:05:41,307 * I'M FOUR FIFTHS OF RECKLESS 86 00:05:41,307 --> 00:05:48,081 AND ONE FIFTH OF JACK * * I PUSH LIKE A DAISY 87 00:05:48,081 --> 00:05:52,152 THROUGH OLD SIDEWALK CRACKS * * YEAH, MY KINDA CRAZY'S 88 00:05:52,152 --> 00:05:57,290 STILL RUNNING ITS COURSES * * WITH WILDFLOWERS 89 00:05:57,290 --> 00:06:01,027 AND WILD HORSES * * IT'S IN THE WATER 90 00:06:01,027 --> 00:06:05,732 IN MY VEINS THAT BREAD OF HEAVEN 91 00:06:05,732 --> 00:06:07,867 FALLS LIKE RAIN * * SO I'M TAKEN CARE OF 92 00:06:07,867 --> 00:06:09,436 EITHER WAY MAKE SOMETHING OUT OF 93 00:06:09,436 --> 00:06:13,139 HOW I'M MADE UNTIL * * I HITCH A RIDE 94 00:06:13,139 --> 00:06:19,479 ON GLORY'S TRAIN * * I'M FIVE GENERATIONS 95 00:06:19,479 --> 00:06:22,649 OF BLAZING A TRAIL THROUGH BARBED WIRE VALLEYS 96 00:06:22,649 --> 00:06:25,318 AND OVERGROWN DELLS * * I'M BAREFOOT AND BAREBACK 97 00:06:25,318 --> 00:06:30,590 AND BORN TOUGH AS NAILS WHOA-OOH-OH, OOH-OH * 98 00:06:30,590 --> 00:06:34,294 * I'M FOUR FIFTHS OF RECKLESS 99 00:06:34,294 --> 00:06:44,771 AND ONE FIFTH OF JACK * * I PUSH LIKE A DAISY 100 00:06:44,771 --> 00:06:51,811 STLU THROUGH OLD SIDEWALK CRACKS * 101 00:06:51,811 --> 00:07:03,556 * YEAH, MY KIND DA KRASY'S STILL RUNNING ITS COURSES * 102 00:07:03,556 --> 00:07:04,657 * WITH WILDFLOWERS AND WILD HORSES * 103 00:07:04,657 --> 00:07:06,026 * YEAH, MY KINDA CRAZY'S STILL RUNNING ITS COURSES 104 00:07:06,026 --> 00:07:13,199 WITH WILDFLOWERS AND WILD HORSES * 105 00:07:13,199 --> 00:07:17,037 [ CHEERS AND APPLAUSE ] >> Carson: THAT IS HOW YOU START 106 00:07:17,037 --> 00:07:21,041 OUT WITH THE LIVE TOP 12. THAT'S JACQUIE ROAR, LADIES AND 107 00:07:21,041 --> 00:07:29,182 GENTLEMEN. TEAM REBA HOT OUT OF THE GATE. 108 00:07:29,182 --> 00:07:33,186 JACQUIE, THE POWER, MY GOODNESS. WHERE'S YOUR HAT? 109 00:07:33,186 --> 00:07:38,692 GO GRAB IT. PEOPLE ARE PUTTING MONEY IN 110 00:07:38,692 --> 00:07:41,561 THAT. YOU WOULD BE RICH LADY AFTER 111 00:07:41,561 --> 00:07:45,065 THAT PERFORMANCE. NIALL, WHAT DID YOU THINK? 112 00:07:45,065 --> 00:07:46,800 >> THAT'S WHAT COMFORTABLE LOOKS LIKE. 113 00:07:46,800 --> 00:07:51,638 IT'S THE MOST COMFORTABLE I'VE SEEN YOU ON STAGE. 114 00:07:51,638 --> 00:07:54,507 B 115 00:07:54,507 --> 00:07:57,844 WE'RE GETTING TO KNOW YOU MORE AND MORE. 116 00:07:57,844 --> 00:07:59,813 THAT WAS BY FAR AND AWAY THE BEST. 117 00:07:59,813 --> 00:08:02,716 >> Carson: JACQUIE, YOUR FORMER COACH GWEN. 118 00:08:02,716 --> 00:08:05,885 >> YOU KEEP SAYING FORMER COACH. IT FEELS SO WEIRD YOU'RE NOT ON 119 00:08:05,885 --> 00:08:10,023 MY TEAM. IT FREAKS ME OUT. 120 00:08:10,023 --> 00:08:14,194 SO JEALOUS. YOU ARE INCREDIBLE. 121 00:08:14,194 --> 00:08:18,365 YOU LOOK BEAUTIFUL TONIGHT. I LOVE THE WAY YOU ARE SO 122 00:08:18,365 --> 00:08:20,633 TASTEFUL. YOU CAN DO ANYTHING. 123 00:08:20,633 --> 00:08:24,337 YOU WERE SO COOL ABOUT IT. IT WAS BEAUTIFUL. 124 00:08:24,337 --> 00:08:26,740 >> Carson: REBA? >> OH, MY GOSH. 125 00:08:26,740 --> 00:08:29,042 I'M CRYING ALREADY. JACQUIE, WAY TO GO. 126 00:08:29,042 --> 00:08:31,711 I'M SO PROUD OF YOU. WE TALKED BEFORE. 127 00:08:31,711 --> 00:08:35,482 I WAS JUST ONLY WANTING YOU TO HAVE A GREAT EXPERIENCE AND YOU 128 00:08:35,482 --> 00:08:41,087 HAD FUN UP THERE. THANK YOU FOR DOING THAT FOR ME. 129 00:08:41,087 --> 00:08:42,288 >> THANK YOU FOR LETTING ME HAVE FUN UP HERE. 130 00:08:42,288 --> 00:08:43,723 >> Carson: IF YOU WANT JACQUIE IN THE TOP NINE, YOU CAN VOTE 131 00:08:43,723 --> 00:08:49,396 WHEN THE WINDOW OPENS ON NBC.COM AND THE VOICE OFFICIAL APP. 132 00:08:49,396 --> 00:08:51,197 WHAT A WAY TO START. TEAM REBA. 133 00:08:51,197 --> 00:09:00,807 GIVE IT UP FOR JACQUIE ROAR. WHEN WE COME BACK, NINI SINGS A 134 00:09:16,890 --> 00:09:18,058 [ CHEERS AND APPLAUSE ] >> Carson: WE'RE BACK. 135 00:09:18,058 --> 00:09:20,493 WE'RE LIVE WITH THE TOP 12. ONLY 9 MOVE ON TOMORROW. 136 00:09:20,493 --> 00:09:24,831 VOTING OPENS AT THE END OF THE SHOW TONIGHT. 137 00:09:24,831 --> 00:09:28,902 AND IF YOU'VE GOT SONG IDEAS FOR YOUR FAVORITE ARTISTS THIS 138 00:09:28,902 --> 00:09:32,439 SEASON, TELL US USING THE SUGGEST-A-SONG FEATURE IN "THE 139 00:09:32,439 --> 00:09:35,942 VOICE" OFFICIAL APP. WE'LL USE THAT AND NEXT WEEK 140 00:09:35,942 --> 00:09:40,613 WE'LL SEE IF SOME OF THE SONGS YOU SELECTED MAKE THE SHOW. 141 00:09:40,613 --> 00:09:42,949 WE'RE DOING OUR TOP NINE FAN WEEK SHOW WHICH IS ALWAYS A LOT 142 00:09:42,949 --> 00:09:44,351 OF FUN. NOW, LET'S CONTINUE OUR 143 00:09:44,351 --> 00:09:47,053 PERFORMANCES WITH TEAM NIALL'S NEW YORK POP ROCKER WHO'S 144 00:09:47,053 --> 00:09:49,289 PUTTING HER OWN SPIN ON A SONG SHE'S SENDING OUT TO THE ONES 145 00:09:49,289 --> 00:09:55,161 WHO HAVE STOOD BY HER SIDE. HERE'S MORE FROM NINI IRIS. 146 00:09:55,161 --> 00:10:02,168 >> LADIES AND GENTLEMEN, WE'RE IN TOP 12. 147 00:10:02,168 --> 00:10:03,203 LIFE HAS NEVER BEEN MORE WONDERFUL. 148 00:10:03,203 --> 00:10:05,372 >> HOW WAS YOUR BREAK? >> I GOT MY AMERICAN 149 00:10:05,372 --> 00:10:07,107 CITIZENSHIP. >> REALLY? 150 00:10:07,107 --> 00:10:10,710 >> I HAD TO TAKE THE TEST. I GOT ALL THE QUESTIONS RIGHT. 151 00:10:10,710 --> 00:10:15,148 THIS COUNTRY IS MY HOME NOW. I LOVE MY GEORGIA ALWAYS, BUT 152 00:10:15,148 --> 00:10:20,220 AMERICA HAS BECOME MY HOME. THE AMERICAN DREAM IS REAL. 153 00:10:20,220 --> 00:10:24,290 I'M LIVING IT RIGHT NOW. I'VE BEEN WORKING ON MY SONG. 154 00:10:24,290 --> 00:10:28,294 >> IT SEEMS LIKE ME AND YOU ARE ON THE SAME PAGE EVERY TIME. 155 00:10:28,294 --> 00:10:34,734 WHEN I THINK OF THE BAND, YOU'RE ALREADY THINKING OF IT. 156 00:10:34,734 --> 00:10:37,570 MOST PEOPLE WOULD THINK "LOVESONG" BY THE CURE AND NEVER 157 00:10:37,570 --> 00:10:41,441 PUT YOUR NAME ON IT. >> I CANNOT WAIT FOR THIS 158 00:10:41,441 --> 00:10:46,646 PERFORMANCE. * WHENEVER I'M ALONE WITH YOU * 159 00:10:46,646 --> 00:10:50,784 >> THIS SONG IS PERFECT FOR HER FIRST LIVE TV PERFORMANCE. 160 00:10:50,784 --> 00:10:54,721 WE HAVE NOT SEEN THIS SIDE OF NINI YESTET. 161 00:10:54,721 --> 00:10:58,958 NINI IS THE DARK POP POWER HOUSE. 162 00:10:58,958 --> 00:11:03,463 SHE'S ABOUT TO BLOW OUR MINDS. >> IT'S A LOVE SONG. 163 00:11:03,463 --> 00:11:06,800 I'M SERENADING MY FAMILY BACK HOME BECAUSE I REALLY LOVE THEM 164 00:11:06,800 --> 00:11:12,339 AND MISS THEM SO MUCH. DOESN'T MATTER HOW FAR I LIVE. 165 00:11:12,339 --> 00:11:14,674 DOESN'T MATTER HOW LONG I'M GONE. 166 00:11:14,674 --> 00:11:24,684 I'LL ALWAYS BE LIKE -- I'LL ALWAYS LOVE THEM AND -- YEAH. 167 00:11:24,684 --> 00:11:27,787 * I WILL ALWAYS LOVE YOU * >> OBVIOUSLY YOU'RE VERY, VERY 168 00:11:27,787 --> 00:11:31,191 GOOD AT SINGING. >> THANK YOU. 169 00:11:31,191 --> 00:11:35,261 >> YOU HAVE SUCH GREAT CONTROL OVER YOUR CHOICES AND THOSE RUNS 170 00:11:35,261 --> 00:11:46,806 ARE SO DOPE COMING INTO THE HOOK AND SECOND VERSE. 171 00:11:46,806 --> 00:11:48,008 I WOULD ALMOST PLAY THAT FIRST VERSE STRAIGHT. 172 00:11:48,008 --> 00:11:49,109 >> I AGREE. >> THINK ABOUT ALL THE PEOPLE 173 00:11:49,109 --> 00:11:50,543 THAT HAVE NEVER HEARD THE SONG BEFORE AND GIVING IT TO THEM 174 00:11:50,543 --> 00:11:51,911 STRAIGHT ENOUGH SO THEY CAN FEEL THE EMOTION OF THE SONG. 175 00:11:51,911 --> 00:11:53,380 >> PICK YOUR MOMENTS TO DO YOUR ACROBATIC STUFF. 176 00:11:53,380 --> 00:11:56,883 IT'S NICE TO HEAR THAT FIRST VERSE, JUST THE STORY BEING TOLD 177 00:11:56,883 --> 00:12:02,589 BEFORE YOU TAKE OFF. NOW I'M SO HAPPY THAT AMERICA'S 178 00:12:02,589 --> 00:12:04,057 TAKING OVER AND CHOOSING WHO GOES THROUGH BECAUSE I'M DONE 179 00:12:04,057 --> 00:12:06,426 WITH THAT. >> I'M SO SCARED. 180 00:12:06,426 --> 00:12:09,929 >> THEY'RE GOING TO LOVE YOU, MAN. 181 00:12:09,929 --> 00:12:12,665 >> AMERICA, PLEASE DON'T LET ME DOWN. 182 00:12:12,665 --> 00:12:16,169 YOU'VE NEVER LET ME DOWN. PLEASE VOTE FOR NINI. 183 00:12:16,169 --> 00:12:18,905 >> CAN'T WAIT TO SEE WHAT YOU DO IN THE LIVES. 184 00:12:18,905 --> 00:12:19,873 >> YOU'RE GOING TO ACTUALLY WATCH? 185 00:12:19,873 --> 00:12:34,621 >> OF COURSE. I GOT TO SEE MYSELF ON TV. 186 00:12:34,621 --> 00:12:43,096 * * WHENEVER I'M ALONE 187 00:12:43,096 --> 00:12:52,605 WITH YOU YOU MAKE ME FEEL 188 00:12:52,605 --> 00:13:02,615 LIKE I AM HOME AGAIN * * WHENEVER I'M ALONE 189 00:13:02,615 --> 00:13:08,955 WITH YOU YOU MAKE ME FEEL LIKE 190 00:13:08,955 --> 00:13:16,363 I AM FUN AGAIN * * HOWEVER FAR AWAY 191 00:13:16,363 --> 00:13:27,474 I WILL ALWAYS LOVE YOU HOWEVER LONG I STAY 192 00:13:27,474 --> 00:13:36,416 I WILL ALWAYS LOVE YOU * * WHATEVER WORDS I SAY 193 00:13:36,416 --> 00:13:50,130 I WILL ALWAYS LOVE YOU I WILL ALWAYS LOVE YOU * 194 00:13:50,130 --> 00:13:55,168 * HEY, WHENEVER I'M ALONE WITH YOU 195 00:13:55,168 --> 00:14:03,877 YOU MAKE ME FEEL LIKE I AM FREE AGAIN * 196 00:14:03,877 --> 00:14:12,352 * WHENEVER I'M ALONE WITH YOU 197 00:14:12,352 --> 00:14:21,828 YOU MAKE ME FEEL LIKE I AM CLEAN AGAIN * 198 00:14:21,828 --> 00:14:28,168 * HOWEVER FAR AWAY I WILL ALWAYS LOVE YOU 199 00:14:28,168 --> 00:14:36,609 HOWEVER LONG I STAY I WILL ALWAYS LOVE YOU * 200 00:14:36,609 --> 00:14:51,925 * WHATEVER WORDS I SAY I WILL ALWAYS LOVE YOU * 201 00:14:51,925 --> 00:15:00,400 * I WILL ALWAYS LOVE YOU * * I'LL ALWAYS 202 00:15:00,400 --> 00:15:04,437 LOVE YOU * [ CHEERS AND APPLAUSE ] 203 00:15:04,437 --> 00:15:08,041 >> Carson: TOP 12 ALREADY FLEXING THEIR MUSCLES TONIGHT 204 00:15:08,041 --> 00:15:10,443 AFTER TWO PERFORMANCES. THAT IS NINI IRIS, LADIES AND 205 00:15:10,443 --> 00:15:14,414 GENTLEMEN. THANK YOU FOR THE ACCOMPANIMENT. 206 00:15:14,414 --> 00:15:19,386 WE APPRECIATE IT. NINI MAKES HER WAY DOWN. 207 00:15:19,386 --> 00:15:20,620 DON'T LEAVE ANYBODY OUT, NINI. NICE JOB. 208 00:15:20,620 --> 00:15:24,324 >> THANK YOU. >> Carson: THAT WAS INCREDIBLE. 209 00:15:24,324 --> 00:15:26,493 JOHN, SOME THOUGHTS FROM YOU, SIR? 210 00:15:26,493 --> 00:15:30,497 >> NINI, YOU'VE BEEN ONE OF THE BEST TALENTS IN THIS COMPETITION 211 00:15:30,497 --> 00:15:33,667 THROUGHOUT. YOU NEVER DISAPPOINT. 212 00:15:33,667 --> 00:15:38,071 YOUR VOICE IS AMAZING. YOU'RE SO POWERFUL. 213 00:15:38,071 --> 00:15:44,844 YOU HAVE SO MUCH MAGNETISM ON STAGE AND YOU DID IT AGAIN. 214 00:15:44,844 --> 00:15:46,713 >> Carson: LET'S HEAR WHAT YOUR COACH THINKS. 215 00:15:46,713 --> 00:15:53,153 NIALL? >> AND THE GRAMMY GOES TO. 216 00:15:53,153 --> 00:16:04,531 NINI, THAT WAS ABSOLUTELY SPECTACULAR. 217 00:16:04,531 --> 00:16:06,032 YOUR ABILITY TO FLIP A SONG ON ITS HEAD AND TURN IT INTO YOUR 218 00:16:06,032 --> 00:16:07,033 OWN IS NOTHING LIKE ANYTHING I KNOW. 219 00:16:07,033 --> 00:16:08,435 THE WAY YOU KNOW WHO YOU ARE AS AN ARTIST IS SO IMPRESSIVE. 220 00:16:08,435 --> 00:16:09,269 SO PROUD OF YOU. WELL DONE. 221 00:16:09,269 --> 00:16:10,737 >> Carson: IF YOU WANT NINI IN THE TOP 9, YOU CAN VOTE WHEN THE 222 00:16:10,737 --> 00:16:13,306 WINDOW OPENS ON NBC.COM AND "THE VOICE" OFFICIAL APP. 223 00:16:13,306 --> 00:16:15,041 GIVE IT UP ONE MORE TIME FOR NINI IRIS. 224 00:16:15,041 --> 00:16:17,243 [ CHEERS AND APPLAUSE ] >> Carson: WHEN WE COME BACK, 225 00:16:17,243 --> 00:16:21,514 KARA TENAE SINGS ONE OF CHANCE'S FAVORITE SONGS. 226 00:16:21,514 --> 00:16:24,551 AND LATER, TANNER AND LILA FIGHT FOR A CHANCE TO MOVE ON NEXT 227 00:16:24,551 --> 00:16:37,530 WEEK. * 228 00:16:37,530 --> 00:16:39,966 [ CHEERS AND APPLAUSE ] >> Carson: WELCOME BACK TO OUR 229 00:16:39,966 --> 00:16:41,968 TOP 12 LIVE SHOW. REMEMBER, VOTING OPENS AT THE 230 00:16:41,968 --> 00:16:47,240 END OF THE SHOW TONIGHT. CONTINUING NOW WITH TEAM GWEN'S 231 00:16:47,240 --> 00:16:49,209 R&B SINGER FROM CALIFORNIA AND A SONG THAT HOLDS A SPECIAL 232 00:16:49,209 --> 00:16:54,280 MEANING FOR HER. HERE'S MORE FROM KARA TENAE. 233 00:16:54,280 --> 00:16:56,082 >> HI. >> WE'RE HERE. 234 00:16:56,082 --> 00:16:58,852 >> IT'S HAPPENING. >> WE'RE GOING TO THE LIVES NOW. 235 00:16:58,852 --> 00:17:02,322 >> I KNOW. IT'S GOING TO BE NUTS. 236 00:17:02,322 --> 00:17:05,325 HONESTLY THIS SEASON HAS SOME OF THE BEST SINGERS. 237 00:17:05,325 --> 00:17:08,161 >> BRING HER IN. >> OH, MY GOODNESS. 238 00:17:08,161 --> 00:17:12,499 OH, MY GOD, IT'S CHANCE. >> WHAT'S UP, MAN? 239 00:17:12,499 --> 00:17:20,774 >> I'M AN R&B SINGER, BUT I LOVE HIP-HOP AND HE'S A HIP-HOP ICON. 240 00:17:20,774 --> 00:17:23,877 HE'S WORKED WITH ARTISTS SO I WAS SUPER GEEKED. 241 00:17:23,877 --> 00:17:26,780 >> YOU'RE THE TYPE OF HONEST ONCE YOU GET ON STAGE, IT COMES 242 00:17:26,780 --> 00:17:31,484 TO LIFE. KARA LIVES IN THE R&B LANE. 243 00:17:31,484 --> 00:17:36,222 SHE LOVES IT. SHE'S MY AUTHENTIC R&B STORY 244 00:17:36,222 --> 00:17:40,460 TELLER. >> YOU PICKED MY FAVORITE SONG 245 00:17:40,460 --> 00:17:45,765 IN THE WORLD. >> KARA IS DOING "LOVE" BY 246 00:17:45,765 --> 00:17:49,369 KEISHA COLE. SHE COULD PUT THIS OUT TOMORROW 247 00:17:49,369 --> 00:17:51,705 AND EVERYBODY WOULD BELIEVE HER. IT'S A REALLY IMPORTANT THING 248 00:17:51,705 --> 00:17:55,208 WHEN YOU'RE AN ARTIST. IT'S LIKE, THIS IS WHO I AM. 249 00:17:55,208 --> 00:17:59,412 * I FOUND YOU * >> THE FIRST VERSES FELT 250 00:17:59,412 --> 00:18:13,293 CONVERSATIONAL AND I LIKED THAT. I LIKE THAT DYNAMICALLY ON THE 251 00:18:13,293 --> 00:18:14,627 SECOND ONE YOU WERE SOFTER. MAYBE SPLIT THE DIFFERENCE. 252 00:18:14,627 --> 00:18:16,029 >> MAYBE FROM ONE OF THE I FOUNDS TRY DOING IT LIKE A CLIMB 253 00:18:16,029 --> 00:18:18,298 OR SWINGING IT. I NEVER HEARD THAT DONE BEFORE. 254 00:18:18,298 --> 00:18:21,334 * I FELL * >> I LIKE WHEN SHE DOES IT LIKE 255 00:18:21,334 --> 00:18:24,671 THAT. IF THAT WAS THE PERFORMANCE, I 256 00:18:24,671 --> 00:18:27,640 WOULD HAVE VOTED FOR YOU. >> SO REAL. 257 00:18:27,640 --> 00:18:29,442 >> IT MAKES ME FEEL ABOUT MY PARENTS. 258 00:18:29,442 --> 00:18:32,512 I KNOW THAT THEY'RE THE TWO PEOPLE IN THIS WORLD THAT JUST 259 00:18:32,512 --> 00:18:36,349 LOVE ME MORE THAN ANYBODY. MY PARENTS ARE WATCHING EVERY 260 00:18:36,349 --> 00:18:39,819 PERFORMANCE AND THEY'RE SO PROUD OF ME. 261 00:18:39,819 --> 00:18:46,593 MY MOM, OH, MY GOSH, I HEAR ON THE PHONE LIKE, YEAH, GIRL, SHE 262 00:18:46,593 --> 00:18:50,330 GOT ANOTHER EPISODE. IT'S SO COOL. 263 00:18:50,330 --> 00:18:53,967 THIS IS AMAZING, NOT JUST FOR ME, BUT MY FAMILY. 264 00:18:53,967 --> 00:18:59,739 WHEN MY FATHER GOT DIAGNOSED WITH CANCER, I WAS 18 YEARS OLD. 265 00:18:59,739 --> 00:19:02,042 MY MOM GOT DIAGNOSED WHEN I WAS 21. 266 00:19:02,042 --> 00:19:05,145 TO SEE BOTH OF THEM SURVIVE IT TAUGHT ME WE HAVE TO MAKE THE 267 00:19:05,145 --> 00:19:08,081 MOST OUT OF EVERY MOMENT WITH OUR LOVED ONES BECAUSE TOMORROW 268 00:19:08,081 --> 00:19:10,483 ISN'T PROMISED. I'M SO GRATEFUL FOR THIS 269 00:19:10,483 --> 00:19:14,354 OPPORTUNITY. THIS IS A DREAM COME TRUE. 270 00:19:14,354 --> 00:19:19,159 >> THANK YOU FOR PERFORMING. YOU REMINDED ME HOW GREAT THIS 271 00:19:19,159 --> 00:19:23,430 JOB IS. YOU'RE A KIND-HEARTED PERSON. 272 00:19:23,430 --> 00:19:26,332 YOU DESERVE TO BE HERE. >> THANK YOU. 273 00:19:26,332 --> 00:19:31,471 [ CHEERS AND APPLAUSE ] * I USED TO THINK THAT 274 00:19:31,471 --> 00:19:35,375 I WASN'T FINE ENOUGH AND I USED TO THINK THAT 275 00:19:35,375 --> 00:19:41,047 I WASN'T WILD ENOUGH * * BUT I WON'T WASTE MY TIME 276 00:19:41,047 --> 00:19:44,117 TRYIN' TO FIGURE OUT WHY YOU PLAYING GAMES 277 00:19:44,117 --> 00:19:48,955 WHAT'S THIS ALL ABOUT * * AND I CAN'T BELIEVE 278 00:19:48,955 --> 00:19:52,525 YOU'RE HURTING ME * * I MET YOUR GIRL 279 00:19:52,525 --> 00:19:56,763 WHAT A DIFFERENCE * * WHAT YOU SEE IN HER 280 00:19:56,763 --> 00:20:13,146 YOU AIN'T SEEN IN ME BUT I GUESS IT WAS ALL 281 00:20:13,146 --> 00:20:14,147 JUST MAKE-BELIEVE * * WHOA LOVE 282 00:20:14,147 --> 00:20:15,115 NEVER KNEW WHAT I WAS MISSIN' * 283 00:20:15,115 --> 00:20:20,220 * BUT I KNEW ONCE WE START KISSIN' 284 00:20:20,220 --> 00:20:24,858 I FOUND LOVE * * NEVER KNEW WHAT I 285 00:20:24,858 --> 00:20:27,660 WAS MISSIN' * * BUT I KNEW ONCE 286 00:20:27,660 --> 00:20:40,907 WE START KISSIN' I FOUND * 287 00:20:40,907 --> 00:20:53,053 * I FOUND YOU * * I FOUND YOU * 288 00:20:53,053 --> 00:20:57,824 * NOW YOU'RE GONE WHAT AM I GONNA DO 289 00:20:57,824 --> 00:21:08,335 SO EMPTY, MY HEART AND MY SOUL CAN'T GO ON * 290 00:21:08,335 --> 00:21:12,172 * DON'T LEAVE ME, YEAH I NEED YOU * 291 00:21:12,172 --> 00:21:17,944 * NEVER KNEW WHAT I WAS MISSIN' * 292 00:21:17,944 --> 00:21:25,285 * BUT I KNEW ONCE WE START KISSIN' 293 00:21:25,285 --> 00:21:31,091 I FOUND LOVE * * NEVER KNEW WHAT I 294 00:21:31,091 --> 00:21:36,396 WAS MISSIN' BUT I KNEW ONCE 295 00:21:36,396 --> 00:21:41,101 WE START KISSIN' * * I FOUND 296 00:21:41,101 --> 00:21:49,409 I FOUND YOU * 297 00:21:49,409 --> 00:21:51,678 [ CHEERS AND APPLAUSE ] >> Carson: THAT KARA TENAE, 298 00:21:51,678 --> 00:21:56,583 LADIES AND GENTLEMEN. ALL FOUR COACHES, YET AGAIN, ON 299 00:21:56,583 --> 00:22:01,621 THEIR FEET FOR ANOTHER OVATION EARLY HERE AS THE TOP 12 ARE ALL 300 00:22:01,621 --> 00:22:04,157 GOING LIVE. KARA, GREAT JOB, MAN. 301 00:22:04,157 --> 00:22:08,528 WOW. THAT WAS LIKE OUR PROM IN THE 302 00:22:08,528 --> 00:22:14,834 '90s, JOHN. WHAT DID YOU THINK, BUDDY? 303 00:22:14,834 --> 00:22:17,904 >> IF YOU DON'T KNOW R&B, YOU MIGHT NOT KNOW THIS IS A TRUE 304 00:22:17,904 --> 00:22:20,974 R&B CLASSIC. THOSE RUNS ARE ICONIC. 305 00:22:20,974 --> 00:22:25,612 YOU HAVE TO NAIL IT AND YOU NAILED IT, KARA. 306 00:22:25,612 --> 00:22:29,182 YES. ABSOLUTELY. 307 00:22:29,182 --> 00:22:30,417 STAGE PRESENCE. VOICE. 308 00:22:30,417 --> 00:22:33,319 EXEC EXECUTION. 309 00:22:33,319 --> 00:22:37,157 IT WAS WONDERFUL. >> Carson: LET'S GO TO YOUR 310 00:22:37,157 --> 00:22:40,360 COACH. GWEN? 311 00:22:40,360 --> 00:22:44,664 >> HEARING JOHN SAY, IT BLOWS MY MIND. 312 00:22:44,664 --> 00:22:48,535 EVERY SINGLE TIME -- NOW LIVE TV AND YOU DO WHAT YOU DO. 313 00:22:48,535 --> 00:22:51,438 YOU'RE SO UNBELIEVABLE POISED AND SO CONFIDENT AND YOU. 314 00:22:51,438 --> 00:22:53,707 YOU'RE SO PURE. I'M SO PROUD OF YOU. 315 00:22:53,707 --> 00:22:58,578 YOU'RE BEAUTIFUL. >> Carson: IF YOU WANT KARA IN 316 00:22:58,578 --> 00:23:02,849 THE TOP 9, YOU CAN VOTE WHEN THE WINDOW OPENS ON NBC.COM AND "THE 317 00:23:02,849 --> 00:23:06,953 VOICE" OFFICIAL APP. GIVE IT UP AGAIN FOR KARA TENAE. 318 00:23:06,953 --> 00:23:10,957 STRAIGHT AHEAD, BACK-TO-BACK PERFORMANCES. 319 00:23:10,957 --> 00:23:12,225 DO NOT GO ANYWHERE. FIRST, THE ROCKER SIDE OF TANNER 320 00:23:12,225 --> 00:23:17,230 MASSEY YOU HAVEN'T SEEN BEFORE. THEN, A FRESH TAKE ON AN INDIGO 321 00:23:17,230 --> 00:23:18,798 GIRLS, A FAVORITE BY LILA. PLUS, RUBY DOES EVERYTHING SHE 322 00:23:18,798 --> 00:23:31,311 CAN TO SECURE A SPOT IN THE TOP * 323 00:23:31,311 --> 00:23:33,780 [ CHEERS AND APPLAUSE ] >>> Carson: WE'RE BACK LIVE WITH 324 00:23:33,780 --> 00:23:35,081 THE TOP 12. BACK-TO-BACK PERFORMANCES RIGHT 325 00:23:35,081 --> 00:23:37,984 NOW. LET'S START WITH TEAM GWEN'S 326 00:23:37,984 --> 00:23:40,920 OKLAHOMA POP SINGER WHO'S SHOWING THE KIND OF ARTIST HE 327 00:23:40,920 --> 00:23:46,126 WANTS TO BE WITH A MASSIVE ROCK SONG. 328 00:23:46,126 --> 00:23:51,231 HERE'S MORE FROM TANNER MASSEY. >> TEAM GWEN! 329 00:23:51,231 --> 00:23:53,433 >> ONE, TWO, THREE -- >> All: TEAM GWEN! 330 00:23:53,433 --> 00:23:57,137 >> LET'S GO. IT'S SO AMAZING TO BE TOP THREE 331 00:23:57,137 --> 00:23:59,272 ON TEAM GWEN. >> HELLO. 332 00:23:59,272 --> 00:24:02,776 >> HELLO. CHANCE! 333 00:24:02,776 --> 00:24:04,044 >> I WAS SO SURPRISED TO SEE CHANCE. 334 00:24:04,044 --> 00:24:09,683 HE'S SUPER INTELLIGENT WITH THE WAY HE STRUCTURES SONGS AND I'M 335 00:24:09,683 --> 00:24:12,952 SO EXCITING FOR FEEDBACK. I'M GOING TO BE PERFORMING 336 00:24:12,952 --> 00:24:37,777 "THANKS FOR THE MEMORIES." >> THIS IS A REALLY GOOD SONG 337 00:24:37,777 --> 00:24:39,546 FOR YOU. EDGIER SOUND. 338 00:24:39,546 --> 00:24:44,084 THIS SONG IS A COMBINATION OF EVERYTHING I AM AS AN ARTIST. 339 00:24:44,084 --> 00:24:48,355 >> TANNER HAS ALL THESE GIFTS. IT'S SO FUN HELPING HIM TRY TO 340 00:24:48,355 --> 00:24:52,492 HONE IN ON WHO HE IS AND WHAT LANE HE WANTS TO BE IN. 341 00:24:52,492 --> 00:24:57,097 I FEEL LIKE TANNER IS MY POP ROCK HEART BREAKER. 342 00:24:57,097 --> 00:25:03,336 >> WOW. >> YOU KNOW WHAT'S SO WEIRD? 343 00:25:03,336 --> 00:25:06,439 GROWING UP I WOULD NEVER HEAR AN ALTERNATIVE SONG AND SOMEBODY DO 344 00:25:06,439 --> 00:25:08,208 RUNS. YOU MADE IT REALLY WORK. 345 00:25:08,208 --> 00:25:11,678 I LIKED IT FOR YOU. >> OKAY. 346 00:25:11,678 --> 00:25:16,349 >> I WANT TO KNOW IF SOMEONE IS LIKE YOU'RE GOING TO MAKE YOUR 347 00:25:16,349 --> 00:25:19,419 RECORD -- I KNOW THE SHAUN MENDES THING. 348 00:25:19,419 --> 00:25:22,622 WHAT WOULD YOU SOUND BE LIKE? WHAT'S YOUR FAVORITE BAND? 349 00:25:22,622 --> 00:25:26,393 >> IT WOULD BE THAT. >> I THINK YOU'RE GETTING A 350 00:25:26,393 --> 00:25:29,496 LITTLE TOO TRICKY WITH SOME OF THE RUN. 351 00:25:29,496 --> 00:25:31,898 >> THAT REALLY COMES DOWN TO NAILING THE ORIGINAL 352 00:25:31,898 --> 00:25:34,367 COMPOSITION. THE PITCH IS THE MOST IMPORTANT 353 00:25:34,367 --> 00:25:37,070 PART. >> THAT IS GOOD ADVICE. 354 00:25:37,070 --> 00:25:41,274 LEARN THE ORIGINAL AND SLOWLY ADD IN YOUR STYLE. 355 00:25:41,274 --> 00:25:46,212 >> TANNER'S GOT A COOL DUALITY OF HIS VOICE. 356 00:25:46,212 --> 00:25:50,483 DOING A FALLOUT BOY SONG IS BOLD, BUT HE NAILED IT. 357 00:25:50,483 --> 00:25:54,888 THAT'S WHAT THE SHOW IS ABOUT, SHOWING ORIGINALITY. 358 00:25:54,888 --> 00:25:57,490 >> FOCUSING ON HITTING THOSE INTERVALS IS GOING TO MAKE 359 00:25:57,490 --> 00:26:04,164 EVERYBODY ROCK OUT. >> WHAT TANNER NEEDS TO DO TO 360 00:26:04,164 --> 00:26:07,367 MAKE THE SEMI-FINALS IS MAKE THE PURITY OF HIS VOICE COME THROUGH 361 00:26:07,367 --> 00:26:12,205 AND AMERICA'S GOING TO FALL IN LOVE WITH HIM. 362 00:26:12,205 --> 00:26:18,878 * * 363 00:26:18,878 --> 00:26:25,051 * I'M GOING TO MAKE IT BEND AND BREAK * 364 00:26:25,051 --> 00:26:31,124 * SAY A PRAYER BUT LET THE * 365 00:26:31,124 --> 00:26:34,060 * GOOD TIMES ROLL IN CASE GOD 366 00:26:34,060 --> 00:26:35,628 DOESN'T SHOW AND I WANT THESE WORDS * 367 00:26:35,628 --> 00:26:38,164 * TO MAKE THINGS RIGHT BUT IT'S THE WRONGS 368 00:26:38,164 --> 00:26:41,301 THAT MAKE THE WORDS COME TO LIFE * 369 00:26:41,301 --> 00:26:43,536 * BUT WHO DOES HE THINK HE IS 370 00:26:43,536 --> 00:26:48,875 IF THAT'S THE WORST YOU'VE GOT BETTER PUT * 371 00:26:48,875 --> 00:26:50,977 * YOUR FINGERS BACK TO THE KEYS * 372 00:26:50,977 --> 00:26:52,379 * ONE NIGHT AND ONE MORE TIME * 373 00:26:52,379 --> 00:26:55,081 * THANKS FOR THE MEMORIES 374 00:26:55,081 --> 00:27:01,221 EVEN THOUGH THEY WEREN'T SO GREAT * 375 00:27:01,221 --> 00:27:04,357 * HE TASTES LIKE YOU ONLY SWEETER * 376 00:27:04,357 --> 00:27:06,493 * ONE NIGHT, YEAH, AND ONE MORE TIME * 377 00:27:06,493 --> 00:27:09,629 * THANKS FOR THE MEMORIES THANKS FOR THE MEMORIES 378 00:27:09,629 --> 00:27:16,503 SEE, HE TASTES LIKE YOU ONLY SWEETER * 379 00:27:16,503 --> 00:27:20,206 * THEY SAY I ONLY THINK IN THE FORM OF 380 00:27:20,206 --> 00:27:27,280 CRUNCHING NUMBERS IN HOTEL ROOMS * 381 00:27:27,280 --> 00:27:30,717 * COLLECTING PAGE SIX LOVERS * 382 00:27:30,717 --> 00:27:33,053 * GET ME OUT OF MY MIND AND GET YOU OUT OF * 383 00:27:33,053 --> 00:27:36,723 * THOSE CLOTHES I'M A LINER AWAY 384 00:27:36,723 --> 00:27:44,230 FROM GETTING YOU INTO THE MOOD * 385 00:27:44,230 --> 00:27:45,832 * YEAH * * ONE NIGHT AND 386 00:27:45,832 --> 00:27:47,934 ONE MORE TIME THANKS FOR THE MEMORIES 387 00:27:47,934 --> 00:27:53,707 EVEN THOUGH THEY * * WEREN'T SO GREAT 388 00:27:53,707 --> 00:27:58,478 HE TASTES LIKE YOU ONLY SWEETER * 389 00:27:58,478 --> 00:28:00,080 * ONE NIGHT AND ONE MORE TIME * 390 00:28:00,080 --> 00:28:02,716 * THANKS FOR THE MEMORIES THANKS FOR THE MEMORIES 391 00:28:02,716 --> 00:28:10,056 SEE, HE TASTES LIKE YOU * 392 00:28:10,056 --> 00:28:13,126 * ONLY SWEETER * * ONE MORE NIGHT AND 393 00:28:13,126 --> 00:28:15,161 ONE NIGHT AND ONE MORE TIME 394 00:28:15,161 --> 00:28:24,704 THANKS FOR THE MEMORIES * * EVEN THOUGH THEY WEREN'T 395 00:28:24,704 --> 00:28:25,739 SO GREAT * * HE TASTES LIKE YOU 396 00:28:25,739 --> 00:28:26,673 ONLY SWEETER * * ONE NIGHT 397 00:28:26,673 --> 00:28:27,540 ONE NIGHT AND ONE MORE TIME 398 00:28:27,540 --> 00:28:30,043 YEAH * * THANKS FOR THE MEMORIES 399 00:28:30,043 --> 00:28:32,812 THANKS FOR THE MEMORIES * * SEE, HE TASTES LIKE YOU 400 00:28:32,812 --> 00:28:39,519 ONLY SWEETER * * OH 401 00:28:39,519 --> 00:28:43,890 YEAH * >> Carson: GETTING A LITTLE BIT 402 00:28:43,890 --> 00:28:47,694 OF EVERYTHING ALL NIGHT AS THE TOP 12 ARE GOING LIVE. 403 00:28:47,694 --> 00:28:52,465 THAT'S TANNER MASSEY WITH THE FIRST BIG ROCK SONG OF THE 404 00:28:52,465 --> 00:28:54,634 NIGHT. NICE WORK, TANNER. 405 00:28:54,634 --> 00:28:57,404 NICE JOB. REBA? 406 00:28:57,404 --> 00:29:01,508 >> TANNER, YOU KNOW I ALWAYS WANTED YOU ON MY TEAM. 407 00:29:01,508 --> 00:29:04,144 YOU HAVE IMPROVED BABY STEPS. YOU'VE GOTTEN SO GOOD. 408 00:29:04,144 --> 00:29:09,015 I'M PROUD OF YOU. YOU'RE CUTE AS A BUTTON. 409 00:29:09,015 --> 00:29:11,117 WAY TO GO. >> Carson: COACH GWEN, WHAT DID 410 00:29:11,117 --> 00:29:13,253 YOU THINK? >> I WAS LIKE THIS FOR YOU 411 00:29:13,253 --> 00:29:16,690 TONIGHT. YOU DID SO GOOD. 412 00:29:16,690 --> 00:29:19,192 I'M SO PROUD OF YOU. YOU CAN SEE I HAVE TEARS IN MY 413 00:29:19,192 --> 00:29:21,695 EYES. I SAID TO JOHN -- I'M ROOTING 414 00:29:21,695 --> 00:29:24,164 FOR YOU TONIGHT. I THINK IT WAS HARD TO FIND A 415 00:29:24,164 --> 00:29:29,536 SONG. IT'S YOUR FAVORITE BAND. 416 00:29:29,536 --> 00:29:31,104 YOU DID SUCH A GOOD JOB. I'M SO PROUD OF YOU. 417 00:29:31,104 --> 00:29:32,706 >> Carson: IF YOU WANT TANNER IN THE TOP 9, YOU CAN VOTE WHEN THE 418 00:29:32,706 --> 00:29:40,046 WINDOW OPENS ON NBC.COM AND "THE VOICE" OFFICIAL APP. 419 00:29:40,046 --> 00:29:43,350 GIVE IT UP AGAIN FOR TANNER MASSEY. 420 00:29:43,350 --> 00:29:47,053 [ CHEERS AND APPLAUSE ] >> Carson: LET'S CONTINUE RIGHT 421 00:29:47,053 --> 00:29:48,922 AWAY WITH TEAM LEGEND'S SINGER-SONGWRITER WHO PUTS HER 422 00:29:48,922 --> 00:29:53,960 EMOTIONAL TWIST ON EVERY SONG SHE TACKLES. 423 00:29:53,960 --> 00:29:57,530 HERE'S MORE FROM LILA FORDE. >> THIS YOUNG LADY, THERE'S NO 424 00:29:57,530 --> 00:29:59,799 ONE ELSE LIKE HER IN THE COMPETITION. 425 00:29:59,799 --> 00:30:01,801 SHE ALWAYS SURPRISES ME WITH SOMETHING. 426 00:30:01,801 --> 00:30:06,373 >> OH, MY GOD. HERE I GO. 427 00:30:06,373 --> 00:30:09,776 >> LILA IS A CLASSIC SINGER-SONG WRITER. 428 00:30:09,776 --> 00:30:13,113 SHE SINGS THESE CLASSIC SONGS, BUT ALWAYS DOES SOMETHING FRESH 429 00:30:13,113 --> 00:30:15,148 TO MAKE IT COOL AND MAKE IT HER OWN. 430 00:30:15,148 --> 00:30:21,388 THIS SONG, HOW YOU FEEL ABOUT IT? 431 00:30:21,388 --> 00:30:22,622 >> I'M EXCITED ABOUT IT. I'LL BE PLAYING THE PIANO. 432 00:30:22,622 --> 00:30:25,492 HAVEN'T PLAYED SINCE THE BLINDS. IT'S TIME FOR ME TO PLAY BECAUSE 433 00:30:25,492 --> 00:30:31,331 IT'S SUCH A HUGE PART OF WHO I AM AS A MUSICIAN. 434 00:30:31,331 --> 00:30:35,902 * AND I WENT TO THE DOCTOR * * I WENT TO THE MOUNTAINS * 435 00:30:35,902 --> 00:30:41,508 >> I HAVE CLOCKED SO MANY HOURS FROM WAKING UP AT THE CRACK OF 436 00:30:41,508 --> 00:30:45,645 DAWN IN SEATTLE IN THE COLD MORNINGS PRACTICING PIANO FOR AN 437 00:30:45,645 --> 00:30:49,482 HOUR LIKE MY MOM MADE ME. IT'S BROUGHT ME TO THIS MOMENT 438 00:30:49,482 --> 00:30:53,653 IN THE LIVE SHOWS. >> THE KEY WITH YOU BECAUSE YOU 439 00:30:53,653 --> 00:30:57,924 SOUND SO DIFFERENT IS YOU CAN'T TRY TO OUT BELT EVERYONE. 440 00:30:57,924 --> 00:31:00,160 YOU HAVE TO BE THE BEST YOU CAN BE IN YOUR OWN LANE. 441 00:31:00,160 --> 00:31:02,262 >> KEEP IT COOL. BE MYSELF. 442 00:31:02,262 --> 00:31:10,136 >> YES. THAT'S WHAT GOT YOU HERE. 443 00:31:10,136 --> 00:31:11,538 >> IF YOU COULD MAKE ME FEEL THE LYRICS, SEEING YOU LOVE THE 444 00:31:11,538 --> 00:31:17,077 LY LYRICS, THAT WILL MAKE YOU -- 445 00:31:17,077 --> 00:31:19,245 >> LET ME ASK YOU, JOHN, AND MR. RAPPER -- 446 00:31:19,245 --> 00:31:22,482 >> THAT'S WHAT I PREFER. >> I WAS THINKING ABOUT PLAYING 447 00:31:22,482 --> 00:31:24,884 IN THE BEGINNING AND THEN STANDING UP AND NOT PLAYING. 448 00:31:24,884 --> 00:31:28,788 >> I'M OPEN TO THAT. >> MAKE SURE THE WIRES ARE ALL 449 00:31:28,788 --> 00:31:30,990 SET FOR YOU TO STAND. >> I LOVE HAVING JOHN AS A 450 00:31:30,990 --> 00:31:34,194 COACH. I FEEL LIKE HE SEES ME. 451 00:31:34,194 --> 00:31:37,597 THAT'S WHY HE'S TAKEN ME THIS FAR. 452 00:31:37,597 --> 00:31:40,800 * I STOP BY THE BAR AT 3:00 A.M. * 453 00:31:40,800 --> 00:31:43,236 >> TALK ABOUT IT. >> THAT'S SLICK. 454 00:31:43,236 --> 00:31:48,475 >> IT'S CRAZY. >> LILA PICKS THESE LINES THAT 455 00:31:48,475 --> 00:31:51,578 TAKE TWISTS AND TURNS AND COME TO THE MOST BEAUTIFUL PLACES. 456 00:31:51,578 --> 00:31:54,347 THAT'S WHAT I LOVE TO HEAR. >> THAT WAS SO GOOD. 457 00:31:54,347 --> 00:31:57,584 >> IT'S INSANE. YOU'RE DELIVERING THESE LINES 458 00:31:57,584 --> 00:32:02,655 LIKE IT HAPPENED TO YOU. ALL THESE CRAZY RUNS -- 459 00:32:02,655 --> 00:32:07,193 >> IT'S LIKE AH! >> EACH ONE IS LIKE GOOSE BUMPS. 460 00:32:07,193 --> 00:32:10,230 >> ALL THE COACHES LOVE HER. I LOVE LILA. 461 00:32:10,230 --> 00:32:27,080 NOW IT'S UP TO THE AMERICAN PEOPLE, AND I THINK SHE'S GOING 462 00:32:27,080 --> 00:32:28,148 TO DO GREAT. * I'M TRYING TO TELL YOU 463 00:32:28,148 --> 00:32:29,449 SOMETHING ABOUT MY LIFE * * MAYBE GIVE ME INSIGHT 464 00:32:29,449 --> 00:32:33,787 BETWEEN BLACK AND WHITE * * BUT THE BEST THING YOU'VE 465 00:32:33,787 --> 00:32:38,658 EVER DONE FOR ME IS TO HELP ME TAKE MY LIFE 466 00:32:38,658 --> 00:32:45,865 LESS SERIOUSLY * * CAUSE IT'S ONLY LIFE AFTER * 467 00:32:45,865 --> 00:32:52,739 * WELL DARKNESS HAS A HUNGER THAT'S INSATIABLE 468 00:32:52,739 --> 00:32:55,942 AND LIGHTNESS HAS A CALL * * THAT'S HARD TO HEAR 469 00:32:55,942 --> 00:32:59,612 I WRAP MY FEAR AROUND ME LIKE A BLANKET * 470 00:32:59,612 --> 00:33:04,484 * I'M CRAWLING ON YOUR SHORES * 471 00:33:04,484 --> 00:33:09,089 * I WENT TO THE DOCTOR * * AND I WENT TO THE MOUNTAIN * 472 00:33:09,089 --> 00:33:13,860 * I LOOKED TO THE CHILDREN * * AND I DRANK FROM 473 00:33:13,860 --> 00:33:15,462 THE FOUNTAINS * * THERE'S MORE THAN 474 00:33:15,462 --> 00:33:19,232 ONE ANSWER TO THESE QUESTIONS * 475 00:33:19,232 --> 00:33:28,742 * POINTING ME IN A CROOKED LINE * 476 00:33:28,742 --> 00:33:33,079 * THE LESS I SEEK MY SOURCE * * FOR SOME DEFINITIVE 477 00:33:33,079 --> 00:33:37,617 THE CLOSER I AM TO FINE * * THE CLOSER I AM TO FINE * 478 00:33:37,617 --> 00:33:43,923 * I STOPPED BY THE BAR AT 3:00 A.M. 479 00:33:43,923 --> 00:33:49,729 TO SEEK SOLACE IN A BOTTLE OR POSSIBLY A FRIEND * 480 00:33:49,729 --> 00:33:54,501 * I WOKE UP WITH A HEADACHE LIKE MY HEAD AGAINST A BOARD 481 00:33:54,501 --> 00:34:01,908 I WENT IN SEEKING CLARITY * * I WENT TO THE DOCTOR 482 00:34:01,908 --> 00:34:05,211 AND I WENT TO THE MOUNTAINS * * WE LOOK TO THE CHILDREN * 483 00:34:05,211 --> 00:34:08,148 * AND WE DRINK FROM THE FOUNTAIN * 484 00:34:08,148 --> 00:34:11,317 * YEAH WE GO TO THE BIBLE WE GO THROUGH THE WORKOUT 485 00:34:11,317 --> 00:34:15,522 WE READ UP ON REVIVAL * * AND WE STAND UP 486 00:34:15,522 --> 00:34:45,518 FOR THE LOOKOUT * * THERE'S MORE THAN TO FINE * 487 00:34:45,518 --> 00:34:52,759 [ CHEERS AND APPLAUSE ] >> Carson: LILA FORDE, LADIES 488 00:34:52,759 --> 00:34:55,261 AND GENTLEMEN, LIVE ON "THE VOICE." 489 00:34:55,261 --> 00:34:57,597 GREAT JOB, LILA. >> PERFECT. 490 00:34:57,597 --> 00:34:59,332 >> Carson: COACHES ON THEIR FEET AGAIN. 491 00:34:59,332 --> 00:35:03,803 LET'S CHAT WITH THEM. NIALL, LET'S START WITH YOU. 492 00:35:03,803 --> 00:35:08,274 >> LILA FORDE, OH, MY GOD I'M YOUR BIGGEST FAN. 493 00:35:08,274 --> 00:35:12,278 >> NO, I AM. >> CHANCE SAID YOU ALWAYS SING 494 00:35:12,278 --> 00:35:17,050 THE WORDS LIKE THEY'RE YOUR OWN. YOU HAVE THIS INSANE ABILITY. 495 00:35:17,050 --> 00:35:21,388 WHAT I'LL SAY IS IF THIS GIRL CAN WRITE A SONG AND HAS 496 00:35:21,388 --> 00:35:23,857 SOMETHING TO SAY, WATCH OUT. IT'S TELLING YOU SOMETHING. 497 00:35:23,857 --> 00:35:27,794 >> THANK YOU, NIALL. >> Carson: JOHN? 498 00:35:27,794 --> 00:35:31,064 >> EVERY PERFORMANCE BEFORE YOU WAS AMAZING, BUT I FEEL LIKE 499 00:35:31,064 --> 00:35:34,467 THIS WAS THE FIRST PERFORMANCE THE ARTIST BROUGHT US INTO THEIR 500 00:35:34,467 --> 00:35:37,070 WORLD. IT FELT LIKE WE WERE AT YOUR 501 00:35:37,070 --> 00:35:39,606 CONCERT. YOU ARE SO SPECIAL, LILA. 502 00:35:39,606 --> 00:35:43,209 I REALLY BELIEVE IN YOU. YOU'RE INCREDIBLE. 503 00:35:43,209 --> 00:35:47,080 SO BEAUTIFUL. >> MEANS THE WORLD TO ME. 504 00:35:47,080 --> 00:35:48,381 THANK YOU, JOHN LEGEND. >> Carson: IF YOU WANT LILA IN 505 00:35:48,381 --> 00:35:50,550 THE TOP 9, YOU CAN VOTE WHEN THE WINDOW OPENS ON NBC.COM AND "THE 506 00:35:50,550 --> 00:35:55,989 VOICE" OFFICIAL APP. GIVE IT UP AGAIN FOR LILA FORDE. 507 00:35:55,989 --> 00:35:57,323 [ CHEERS AND APPLAUSE ] >> Carson: COMING UP, RUBY SINGS 508 00:35:57,323 --> 00:36:08,668 REBA. THEN, HUNTLEY AND AZAN TAKE THE 509 00:36:08,668 --> 00:36:19,913 * TOP 12 LIVE SHOW. 510 00:36:19,913 --> 00:36:21,247 SO MUCH FUN TO BE LIVE FINALLY. THREE GO HOME TOMORROW. 511 00:36:21,247 --> 00:36:24,384 MAKE SURE YOUR FAVORITE ARTIST STAYS IN THIS COMPETITION. 512 00:36:24,384 --> 00:36:48,608 WE'RE GOING TO KEEP THE PERFORMANCES GOING WITH TEAM ME 513 00:36:48,608 --> 00:36:51,745 NOW YOU'RE THE MEGA MENTOR. >> PAYING YOU BACK. 514 00:36:51,745 --> 00:36:54,814 >> SUPER EXCITED TO BE BACK FOR THE TOP 12. 515 00:36:54,814 --> 00:36:59,085 IT'S FINALLY AMERICA'S VOTE. AFTER THE PLAYOFFS I WENT BACK 516 00:36:59,085 --> 00:37:02,355 HOME AND DID STUFF THE AVERAGE 16-YEAR-OLD DOES. 517 00:37:02,355 --> 00:37:06,359 I PLAY WITH MY CAT AND I LOVE TO DRESS HIM UP IN WEIRD OUTFITS. 518 00:37:06,359 --> 00:37:10,296 HE LIKES IT TOO. COMING FROM A SMALL TOWN I DON'T 519 00:37:10,296 --> 00:37:14,601 HAVE A LOT OF OPPORTUNITIES TO DO THIS. 520 00:37:14,601 --> 00:37:16,736 I'M SINGING "YOU LIE." YOU INTRODUCED ME TO REBA. 521 00:37:16,736 --> 00:37:19,406 >> I DID. >> I REMEMBER THE CASSETTE YOU 522 00:37:19,406 --> 00:37:22,308 PLAYED. I SAW THE CASSETTE AND THOUGHT 523 00:37:22,308 --> 00:37:29,716 IT WAS A DECK OF CARDS. I WAS LIKE, WHAT IS THIS? 524 00:37:29,716 --> 00:37:32,352 OH, IT SINGS. * YOU LIE * 525 00:37:32,352 --> 00:37:36,256 >> OH, THAT WAS PRETTY. THIS IS A RANGY SUCKER. 526 00:37:36,256 --> 00:37:41,061 RUBY IS ONE THAT CAN TAKE IT ON AND DO IT EFFORTLESSLY. 527 00:37:41,061 --> 00:37:42,729 RUBY IS MY CLASSIC COUNTRY SWEETHEART. 528 00:37:42,729 --> 00:37:45,398 SHE'S AN OLD SOUL. IT'S A VERY POWERFUL EMOTIONAL 529 00:37:45,398 --> 00:37:47,834 SONG. IT'S A PERFECT MARRIAGE FOR HER. 530 00:37:47,834 --> 00:37:50,870 >> YOU'RE 16 YEARS OLD? >> I'M THE BABY ON THE SHOW. 531 00:37:50,870 --> 00:37:55,809 >> HOW DOES IT FEEL? >> IT'S CRAZY. 532 00:37:55,809 --> 00:37:56,776 I'M SINGING A REBA SONG FOR REBA. 533 00:37:56,776 --> 00:37:59,312 >> THAT'S CRAZY. >> I'M GOING TO TRY NOT TO 534 00:37:59,312 --> 00:38:03,483 EMBARRASS MYSELF. >> THAT WILL NEVER HAPPEN. 535 00:38:03,483 --> 00:38:07,787 >> RUBY IS SO DOPE. SHE'S READY AND POISED. 536 00:38:07,787 --> 00:38:10,023 SHE SEEMS TO HAVE MASTERED THE CRAFT AT 16 YEARS OLD. 537 00:38:10,023 --> 00:38:14,027 >> VERY GOOD. >> I KNOW YOU'RE 16. 538 00:38:14,027 --> 00:38:16,629 IF YOU WERE 1,000 YEARS OLD, I WOULD BE LIKE THAT'S CRAZY. 539 00:38:16,629 --> 00:38:18,898 THERE WERE A COUPLE PARTS THAT YOU LOST THE PITCH IS LITTLE 540 00:38:18,898 --> 00:38:22,535 BIT. >> GOING UP IN THE FALSETTO. 541 00:38:22,535 --> 00:38:45,058 >> YEAH. >> TAKE A BREATH. 542 00:38:45,058 --> 00:38:48,728 REMEMBER, IT'S A VERY SAD SONG.D WHAT IF SHE DOES IT BETTER THAN 543 00:38:48,728 --> 00:38:53,066 ME? WHY DID I SAY YES? 544 00:38:53,066 --> 00:38:56,302 AFTER HEARING HER, YES, SHE DOES IT BETTER THAN ME. 545 00:38:56,302 --> 00:39:00,407 I'M SO PROUD OF HER. >> GET OUT OF HERE, REBA. 546 00:39:00,407 --> 00:39:03,076 >> SHE'S SO COOL. IT'S LIKE SHE'S DONE A STADIUM 547 00:39:03,076 --> 00:39:12,052 TOUR OR SOMETHING. >> YEAH. 548 00:39:12,052 --> 00:39:18,158 * WE LIE IN THE DARK I KNOW YOU'RE AWAKE * 549 00:39:18,158 --> 00:39:23,496 * THE ONLY SOUNDS ARE THE SOUNDS 550 00:39:23,496 --> 00:39:31,237 THIS OLD HOUSE MAKES * * OH HOW I LONG 551 00:39:31,237 --> 00:39:40,180 I LONG TO HEAR YOUR VOICE * * DESPERATE TO TALK 552 00:39:40,180 --> 00:39:50,790 YEARNING TO TOUCH * * BURNING INSIDE 553 00:39:50,790 --> 00:40:00,066 ‘CAUSE I WANT YOU SO MUCH * * SO I SAY I NEED YOU 554 00:40:00,066 --> 00:40:04,971 AND LEAVE YOU NO CHOICE * * YOU LIE 555 00:40:04,971 --> 00:40:11,678 YOU DON'T WANT TO HURT ME * * BUT YOU LIE 556 00:40:11,678 --> 00:40:17,183 BUY A LITTLE TIME * * AND I GO ALONG 557 00:40:17,183 --> 00:40:19,486 WHAT ELSE CAN I DO * * MAYBE IT'S WRONG 558 00:40:19,486 --> 00:40:38,705 BUT YOU KNOW HOW * * MUCH I LOVE YOU 559 00:40:38,705 --> 00:40:39,839 SO YOU LIE * * TILL YOU CAN FIND A WAY 560 00:40:39,839 --> 00:40:41,007 TO SAY GOOD-BYE * * OH BUT YOU DON'T KNOW 561 00:40:41,007 --> 00:40:50,583 YOU DON'T KNOW * * IF IT'S THE RIGHT 562 00:40:50,583 --> 00:40:53,319 THING TO DO * * SO YOU LIE 563 00:40:53,319 --> 00:40:59,125 YOU DON'T WANT TO HURT ME * 564 00:40:59,125 --> 00:41:04,698 * BUT YOU LIE BUY A LITTLE TIME * 565 00:41:04,698 --> 00:41:08,335 * AND I GO ALONG WHAT ELSE CAN I DO 566 00:41:08,335 --> 00:41:13,373 MAYBE IT'S WRONG * * BUT YOU KNOW 567 00:41:13,373 --> 00:41:29,122 HOW MUCH I LOVE YOU SO YOU LIE * 568 00:41:29,122 --> 00:41:37,630 * TILL YOU CAN FIND A WAY TO SAY GOOD-BYE * 569 00:41:37,630 --> 00:41:40,700 * OH, YOU LIE * [ CHEERS AND APPLAUSE ] 570 00:41:40,700 --> 00:41:43,670 >> Carson: WELL, YOU MAKE IT LOOK EASY. 571 00:41:43,670 --> 00:41:48,975 THAT IS RUBY LOOEG, LADIES AND GENTLEMEN, FROM TEAM REBA ON THE 572 00:41:48,975 --> 00:41:51,578 REBA TRACK. REBA, WE'LL GET TO YOU IN A 573 00:41:51,578 --> 00:41:54,014 SECOND. WHAT WAS THAT LIKE FOR YOU TO 574 00:41:54,014 --> 00:41:55,782 WATCH? LET ME START WITH NIALL. 575 00:41:55,782 --> 00:41:59,452 NIALL? >> THERE HASN'T BEEN A TIME THAT 576 00:41:59,452 --> 00:42:01,521 YOU PERFORMED WHERE I HAVEN'T GOT GOOSE BUMPS. 577 00:42:01,521 --> 00:42:05,825 THAT WAS SPECIAL. THE WAY YOU SOLD THAT STORY AND 578 00:42:05,825 --> 00:42:09,963 DID IT IN RUBY'S WAY. I LOVE THAT YOU'RE LOOKING OVER 579 00:42:09,963 --> 00:42:13,967 AT REBA FOR APPROVAL. IT WAS A CUTE MOMENT BETWEEN 580 00:42:13,967 --> 00:42:17,537 COACH AND SINGER. RUBY, YOU ARE INSANE. 581 00:42:17,537 --> 00:42:19,439 IT'S INSANE. >> THANK YOU. 582 00:42:19,439 --> 00:42:23,309 >> Carson: WELL, REBA, WHAT WAS THAT LIKE FOR YOU TO WATCH? 583 00:42:23,309 --> 00:42:46,099 >> OH, MY GOSH, YOU BLEW IT OUT OF THE WATER. 584 00:42:46,099 --> 00:42:47,100 IT WAS IT. >> THANK YOU SO MUCH. 585 00:42:47,100 --> 00:42:48,501 >> Carson: IF YOU WANT RUBY IN THE TOP NINE, YOU CAN VOTE WHEN 586 00:42:48,501 --> 00:42:54,708 THE WINDOW OPENS ON NBC.COM AND "THE VOICE" OFFICIAL APP. 587 00:42:54,708 --> 00:42:56,710 GIVE IT UP AGAIN FOR RUBY LEIGH. [ CHEERS AND APPLAUSE ] 588 00:42:56,710 --> 00:42:59,279 >> Carson: STRAIGHT AHEAD, HUNTLEY SINGS ONE OF THE BIGGEST 589 00:42:59,279 --> 00:43:11,725 SONGS OF ALL TIME. PLUS, IT'S AZÁN AND JORDAN'S 590 00:43:11,725 --> 00:43:14,694 >> Carson: WE'RE BACK. THE TOP 12 GOING LIVE TONIGHT 591 00:43:14,694 --> 00:43:17,697 FOR THE FIRST TIME. WE'RE ABOUT HALFWAY THROUGH AND 592 00:43:17,697 --> 00:43:19,232 THEY'VE BEEN INCREDIBLE. THREE ARTISTS GO HOME TOMORROW. 593 00:43:19,232 --> 00:43:21,167 LET'S CONTINUE WITH TEAM NIALL'S VIRGINIA BLUES ROCKER WHO'S 594 00:43:21,167 --> 00:43:25,772 SENDING OUT AN ICONIC SONG TO HIS BIGGEST FAN. 595 00:43:25,772 --> 00:43:33,246 HERE'S MORE FROM HUNTLEY. >> LET'S MAKE OUR COACH PROUD. 596 00:43:33,246 --> 00:43:36,116 >> TEAM NIALL! >> All: WHOO! 597 00:43:36,116 --> 00:43:37,384 >> I LOVE HUNTLEY. HERE HE IS. 598 00:43:37,384 --> 00:43:40,220 >> LET'S GO. NO WAY. 599 00:43:40,220 --> 00:43:42,722 >> HE'S SUCH A BIG FRIENDLY GIANT. 600 00:43:42,722 --> 00:43:47,227 >> I'VE BEEN LISTENING TO YOU SINCE "TEN DAY." 601 00:43:47,227 --> 00:43:50,463 >> HE BRINGS ENERGY TO THE ROOM. HUNTLEY IS MY CHARISMATIC 602 00:43:50,463 --> 00:43:52,465 POWERHOUSE. >> MY FIRST LIVE SHOW. 603 00:43:52,465 --> 00:43:57,604 LET'S GO. >> HOW'S IT BEEN? 604 00:43:57,604 --> 00:44:01,241 >> SUPER COOL, THE SUPPORT FROM MY COMMUNITY AND MY MOTHER. 605 00:44:01,241 --> 00:44:05,879 >> SHOUT OUT TO YOUR MOM. >> THAT'S RIGHT. 606 00:44:05,879 --> 00:44:08,048 IT'S WHY I'M SINGING THIS SONG. I WOULDN'T BE HERE IF IT WASN'T 607 00:44:08,048 --> 00:44:12,085 FOR HER. >> SHOUT OUT TO MAMA. 608 00:44:12,085 --> 00:44:17,791 >> ALL OUR MOMS. * WHAT WOULD YOU DO * 609 00:44:17,791 --> 00:44:21,094 >> TODAY IN REHEARSAL I FOUND A NOTE FROM MY MOM IN MY GUITAR 610 00:44:21,094 --> 00:44:24,197 CASE. BEING A KID, YOU WANT TO MAKE 611 00:44:24,197 --> 00:44:29,803 YOUR PARENTS PROUD. I ALWAYS FELT LIKE A MESS UP, SO 612 00:44:29,803 --> 00:44:34,074 IT'S REALLY COOL. * I GET BY * 613 00:44:34,074 --> 00:44:40,747 >> IT WAS ME AND MY MOM SINCE I WAS 8 YEARS OLD, AND SHE'S 614 00:44:40,747 --> 00:44:42,215 LITERALLY HAD MY BACK THROUGH THICK AND THIN. 615 00:44:42,215 --> 00:44:45,785 >> JUST WATCHING YOU AND HOW EVERYONE LOVES YOU MAKES MY 616 00:44:45,785 --> 00:44:47,520 HEART HAPPY. >> THANK YOU. 617 00:44:47,520 --> 00:44:56,663 I LOVE YOU. >> I LOVE YOU TOO, BUDDY. 618 00:44:56,663 --> 00:45:01,701 GO KNOCK 'EM DEAD ON THE LIVES. * WHOA * 619 00:45:01,701 --> 00:45:07,841 >> HUNTLEY JUST BLEW ME AWAY. HE HAS A GREAT CONTROL, BUT WHAT 620 00:45:07,841 --> 00:45:11,378 HUNTLEY HAS IN ADDITION, HE'S REALLY LIKABLE. 621 00:45:11,378 --> 00:45:16,216 MAN, YOUR TONE IS CRAZY. IT GIVES ME A LITTLE BIT OF 622 00:45:16,216 --> 00:45:18,485 BRANDY NEWMAN, BUT IT'S SO ORIGINAL. 623 00:45:18,485 --> 00:45:24,791 BECAUSE YOU ARE SO PASSIONATE, YOU'RE CLOSING YOUR EYES A LOT. 624 00:45:24,791 --> 00:45:27,360 WHEN YOUR AUDIENCE IS OUT THERE, THEY WANT TO CONNECT WITH YOU. 625 00:45:27,360 --> 00:45:31,164 >> IT'S A CONVERSATION. IF THE EYES ARE CLOSED -- TELL 626 00:45:31,164 --> 00:45:32,832 THAT STORY. >> DID YOU LIKE THE SCREAM? 627 00:45:32,832 --> 00:45:37,137 >> YES. >> HOW DO YOU KEEP DOING IT? 628 00:45:37,137 --> 00:45:40,707 >> MY MOM'S FROM JERSEY. SHE'S REAL LOUD. 629 00:45:40,707 --> 00:45:45,078 >> HUNTLEY WAS MADE FOR LIVE TV. HE'S BIG, BOLD. 630 00:45:45,078 --> 00:45:47,247 HE'S EMOTIONALLY ATTACHED TO THIS SONG. 631 00:45:47,247 --> 00:45:48,882 IT'S ONE OF THE BIGGEST SONGS OF ALL TIME. 632 00:45:48,882 --> 00:45:52,419 GET READY. * 633 00:45:52,419 --> 00:46:02,328 * * WHOA * 634 00:46:02,328 --> 00:46:08,068 * WHAT WOULD YOU DO IF I SANG OUT OF TUNE * 635 00:46:08,068 --> 00:46:12,672 * WOULD YOU STAND UP AND WALK OUT ON ME * 636 00:46:12,672 --> 00:46:20,847 * LEND ME YOUR EARS AND I'LL SING YOU A SONG * 637 00:46:20,847 --> 00:46:24,084 * I'LL TRY NOT TO SING OUT OF KEY * 638 00:46:24,084 --> 00:46:26,720 * I GET BY WITH A LITTLE HELP FROM MY FRIENDS * 639 00:46:26,720 --> 00:46:32,592 * I GET HIGH WITH A LITTLE HELP FROM MY FRIENDS * 640 00:46:32,592 --> 00:46:45,605 * OH I TRY WITH A LITTLE HELP FROM MY FRIENDS * 641 00:46:45,605 --> 00:46:46,906 * I GET BY WITH A LITTLE HELP FROM MY FRIENDS * 642 00:46:46,906 --> 00:46:51,544 * WHAT DO I DO WHEN MY LOVE IS AWAY 643 00:46:51,544 --> 00:46:57,517 OH NO * * HOW DO I FEEL 644 00:46:57,517 --> 00:47:01,488 AT THE END OF THE DAY * * ARE YOU SAD 'CAUSE YOU'RE ON 645 00:47:01,488 --> 00:47:10,797 YOUR OWN * * I DON'T FEEL SAD NO MORE * 646 00:47:10,797 --> 00:47:14,567 * I GET HIGH WITH A LITTLE HELP FROM MY FRIENDS * 647 00:47:14,567 --> 00:47:17,904 * OH, I TRY WITH A LITTLE HELP FROM MY FRIENDS * 648 00:47:17,904 --> 00:47:31,117 * I GET BY WITH A LITTLE HELP FROM MY FRIENDS * 649 00:47:31,117 --> 00:47:40,393 * DO YOU NEED ANYBODY * * I NEED SOMEONE TO LOVE * 650 00:47:40,393 --> 00:47:54,841 * DO YOU NEED ANYBODY * * WHOA, WHOA, WHOA * 651 00:47:54,841 --> 00:48:01,348 * GET BY WITH A LITTLE HELP FROM MY FRIENDS * 652 00:48:01,348 --> 00:48:06,686 * WON'T YOU HELP ME BABY * * FIND ME, FIND ME * 653 00:48:06,686 --> 00:48:20,266 * I GET BY WITH A LITTLE HELP FROM MY FRIENDS * 654 00:48:20,266 --> 00:48:26,473 [ CHEERS AND APPLAUSE ] >> Carson: THAT IS HUNTLEY FROM 655 00:48:26,473 --> 00:48:33,380 TEAM NIALL. GOT BY WITH SOME HELP FROM "THE 656 00:48:33,380 --> 00:48:35,482 VOICE" BAND. THANK YOU. 657 00:48:35,482 --> 00:48:39,052 CRUSHED THAT. THE BIG NOTE, THE BIG HEAVY 658 00:48:39,052 --> 00:48:42,622 METAL NOTE. >> LITTLE STEVEN TYLER IN THERE. 659 00:48:42,622 --> 00:48:46,459 >> Carson: JOHN, SOME THOUGHTS? >> WHENEVER I SEE YOU I FEEL 660 00:48:46,459 --> 00:48:51,064 LIKE YOU'RE ALREADY A PRO. YOU'RE ALREADY PLAYING ARENAS. 661 00:48:51,064 --> 00:48:54,701 IT FEELS LIKE YOU'RE JUST SO GREAT AT WHAT YOU DO. 662 00:48:54,701 --> 00:48:57,337 YOUR VOICE IS SO POWERFUL. EVERY TIME YOU COME OUT HERE AND 663 00:48:57,337 --> 00:49:03,009 YOU JUST NAIL IT. YOU'RE A PRO, MAN. 664 00:49:03,009 --> 00:49:07,747 >> Carson: BUDDY, I MEAN, THIS IS YOUR TEAM RIGHT HERE. 665 00:49:07,747 --> 00:49:12,185 YOU HAVE TO FEEL PRETTY GOOD. >> HUNTLEY, MY MAN, REHEARSAL 666 00:49:12,185 --> 00:49:18,458 WAS GOOD. THAT WAS DIFFERENT LEAGUE. 667 00:49:18,458 --> 00:49:20,694 JOE COCKER WAS KNOWN FOR HIS LIVE PERFORMANCES. 668 00:49:20,694 --> 00:49:24,330 HE WOULD HAVE BEEN PROUD OF THAT ONE. 669 00:49:24,330 --> 00:49:28,301 I'M SO PROUD OF YOU, DUDE. THIS GUY IS SO HAPPY TO BE HERE. 670 00:49:28,301 --> 00:49:29,469 HE DESERVES TO BE HERE RIGHT TO THE VERY END. 671 00:49:29,469 --> 00:49:31,738 >> Carson: IF YOU WANT HUNTLEY IN THE TOP 9, YOU CAN VOTE WHEN 672 00:49:31,738 --> 00:49:35,241 THE WINDOW OPENS ON NBC.COM AND "THE VOICE" OFFICIAL APP. 673 00:49:35,241 --> 00:49:39,212 GIVE IT UP AGAIN FOR HUNTLEY. [ CHEERS AND APPLAUSE ] 674 00:49:39,212 --> 00:49:45,552 YOU'RE A BEAST. >> THANK YOU. 675 00:49:45,552 --> 00:49:50,056 >> Carson: WHEN WE COME BACK AZÁN SINGS A LAURYN HILL SONG 676 00:49:50,056 --> 00:49:51,091 WE'VE NEVER DONE ON "THE VOICE" BEFORE. 677 00:49:51,091 --> 00:49:53,893 AND LATER, JORDAN AND MARA FIGHT FOR YOUR VOTES AND A CHANCE TO 678 00:49:53,893 --> 00:50:05,739 MAKE IT TO T * 679 00:50:05,739 --> 00:50:11,111 [ CHEERS AND APPLAUSE ] VOTING OPENS AT THE END OF THE 680 00:50:11,111 --> 00:50:13,580 SHOW TONIGHT. WE CONTINUE NOW WITH TEAM 681 00:50:13,580 --> 00:50:15,882 LEGEND'S SUPER SAVE ARTIST FROM DALLAS WHO'S SHOWING HER 682 00:50:15,882 --> 00:50:21,221 RESILIENT SPIRIT TONIGHT WITH AN R&B HIT. 683 00:50:21,221 --> 00:50:25,458 HERE'S MORE FROM AZÁN. >> SO, AZAN IS SPECIAL. 684 00:50:25,458 --> 00:50:30,463 NIALL STOLE HER. THEN, I WAS LIKE MISSING HER. 685 00:50:30,463 --> 00:50:32,265 I WAS LIKE HOW DID I LET HER GO HOME? 686 00:50:32,265 --> 00:50:36,069 SHE WAS ON HER WAY HOME. THEN WE HAD THE SUPER SAVE. 687 00:50:36,069 --> 00:50:38,138 >> YOU GOT HER BACK? >> YEAH. 688 00:50:38,138 --> 00:50:41,107 >> THAT'S CRAZY. >> SO HAPPY SHE'S BACK ON MY 689 00:50:41,107 --> 00:50:43,777 TIME. >> IT MEANS EVERYTHING HE 690 00:50:43,777 --> 00:50:51,484 BELIEVES IN ME. SO EXCITING TO BE HERE. 691 00:50:51,484 --> 00:50:55,355 >> AZAN, LET'S GET OUT HERE. >> HEY, AZAN. 692 00:50:55,355 --> 00:50:59,726 >> HI. >> I WALK IN AND MENTOR IS 693 00:50:59,726 --> 00:51:03,963 CHANCE THE RAPPER. >> MY DAD WAS VERY UPSET. 694 00:51:03,963 --> 00:51:07,634 HE WAS LIKE, HOW DID YOU LET AZAN GO HOME? 695 00:51:07,634 --> 00:51:12,405 HE'S LIKE, SHE CAN SING. SHE HAS STAGE PRESENCE. 696 00:51:12,405 --> 00:51:15,375 HE'S LIKE SHE HAS TO STAY ON THE SHOW. 697 00:51:15,375 --> 00:51:18,745 I'M LIKE DAD, STAY TUNED. THIS SONG IS SOMETHING BECAUSE 698 00:51:18,745 --> 00:51:23,516 IT HAS SOMETHING IN IT. AZAN HAS THE GOLDEN VOICE. 699 00:51:23,516 --> 00:51:30,557 THE SONG WE CHOSE IS SO GOOD. WE WERE ABLE TO GET MS. LAURYN 700 00:51:30,557 --> 00:51:33,226 HILL TO CLEAR "EX FACTOR." IT'S NEVER BEEN PERFORMED ON 701 00:51:33,226 --> 00:51:38,698 "THE VOICE." THE KEY TO THIS SONG IS GOING TO 702 00:51:38,698 --> 00:51:40,767 BE MAKING PEOPLE FEEL THE GUT-WRENCHING QUALITY OF THE 703 00:51:40,767 --> 00:51:43,336 LYRIC. >> YOU'RE AN AMAZING VOCALIST. 704 00:51:43,336 --> 00:51:47,507 I LOVE YOUR CHOICES. >> YOU SOUND SO GOOD. 705 00:51:47,507 --> 00:52:00,353 YOUR VOICE SOUNDS AMAZING. I WOULD LOVE A LITTLE MORE TEN 706 00:52:00,353 --> 00:52:01,621 DT TENDERNESS. 707 00:52:01,621 --> 00:52:06,860 WE NEED A REPRIEVE. >> IT FEELS TOO HIP-HOP TO ME. 708 00:52:06,860 --> 00:52:08,361 I FEEL LIKE IT SHOULD BE A BALLAD. 709 00:52:08,361 --> 00:52:12,599 MAYBE WITHOUT THE DRUMS. >> THAT'S SO ME. 710 00:52:12,599 --> 00:52:15,869 * I KEEP LETTING YOU BACK IN * >> BEAUTIFUL. 711 00:52:15,869 --> 00:52:18,638 >> AZAN WAS AWESOME. SHE'S GOT A LITTLE COFFEE HOUSE 712 00:52:18,638 --> 00:52:22,475 VIBE. I REALLY WANTED TO BRING OUT 713 00:52:22,475 --> 00:52:25,512 SOME OF THE BALLADY FEEL TO IT. ONCE WE TRIED THAT, SHE KNOCKED 714 00:52:25,512 --> 00:52:29,983 IT OUT OF THE PARK. >> THIS CLEARLY IS BETTER. 715 00:52:29,983 --> 00:52:36,723 GREAT NOTE BY CHANCE. THREE ARTISTS ARE GOING HOME. 716 00:52:36,723 --> 00:52:37,724 AZAN HAS SHOWN HOW RESILIENT SHE IS. 717 00:52:37,724 --> 00:52:41,861 >> SHE'S FIRE. >> SHE CAN BLOW, RIGHT? 718 00:52:41,861 --> 00:52:43,129 >> YEAH. >> YO, HEY, WE GOIN' DO IT LIKE 719 00:52:43,129 --> 00:53:06,386 THIS. LISTEN. 720 00:53:06,386 --> 00:53:07,954 MAKE IT HARD * * LOVING YOU IS 721 00:53:07,954 --> 00:53:13,760 LIKE A BATTLE * * AND WE BOTH END 722 00:53:13,760 --> 00:53:22,268 UP WITH SCARS * * TELL ME WHO 723 00:53:22,268 --> 00:53:24,371 I HAVE TO BE TO GAIN SOME RECIPROCITY * 724 00:53:24,371 --> 00:53:37,283 * SEE NO ONE LOVES YOU MORE THAN ME * 725 00:53:37,283 --> 00:53:46,659 * AND NO ONE EVER WILL * * I KEEP LETTING YOU BACK IN * 726 00:53:46,659 --> 00:53:53,533 * HOW CAN I EXPLAIN MYSELF * * AS PAINFUL AS THIS 727 00:53:53,533 --> 00:54:01,441 THING HAS BEEN * * I JUST CAN'T BE 728 00:54:01,441 --> 00:54:05,645 WITH NO ONE ELSE * * SEE I KNOW WHAT 729 00:54:05,645 --> 00:54:11,484 WE'VE GOT TO DO * * YOU LET GO 730 00:54:11,484 --> 00:54:20,427 AND I'LL LET GO TOO * * 'CAUSE NO ONE'S HURT 731 00:54:20,427 --> 00:54:22,062 ME MORE THAN YOU * * AND NO ONE EVER WILL 732 00:54:22,062 --> 00:54:23,596 NO MATTER HOW * * I THINK WE GROW 733 00:54:23,596 --> 00:54:29,402 YOU ALWAYS SEEM TO LET ME KNOW * 734 00:54:29,402 --> 00:54:35,175 * IT AIN'T WORKIN' NOW IT AIN'T WORKIN' * 735 00:54:35,175 --> 00:54:36,743 * AND WHEN I TRY TO WALK AWAY * 736 00:54:36,743 --> 00:54:39,946 * YOU'D HURT YOURSELF TO MAKE ME STAY * 737 00:54:39,946 --> 00:54:43,683 * THIS IS CRAZY NOW THIS IS CRAZY * 738 00:54:43,683 --> 00:54:45,752 * SING YA'LL CARE FOR ME 739 00:54:45,752 --> 00:54:48,421 CARE FOR ME * * I KNOW YOU CARE FOR ME 740 00:54:48,421 --> 00:54:49,989 THERE FOR ME THERE FOR ME * 741 00:54:49,989 --> 00:54:51,591 * SAID YOU'D BE THERE FOR ME CRY FOR ME 742 00:54:51,591 --> 00:54:53,860 CRY FOR ME * * I KNOW YOU'D DIE FOR ME 743 00:54:53,860 --> 00:54:55,295 GIVE TO ME GIVE TO ME * 744 00:54:55,295 --> 00:55:02,335 * WHY WON'T YOU LIVE FOR ME * 745 00:55:02,335 --> 00:55:15,482 * YOU SAY YOU LIVE FOR ME WHY WON'T YOU LIVE FOR ME 746 00:55:15,482 --> 00:55:17,250 GIVE * [ CHEERS AND APPLAUSE ] 747 00:55:17,250 --> 00:55:21,488 >> Carson: THAT IS AZAN WHO HAS OUR COACHES UP ON THEIR FEET 748 00:55:21,488 --> 00:55:25,058 AGAIN TONIGHT. THE TOP 12 FLEXING, SHOWING THEY 749 00:55:25,058 --> 00:55:28,228 WANT TO STICK AROUND TO MAKE IT TO THE TOP 9. 750 00:55:28,228 --> 00:55:32,132 AZAN, GREAT JOB. SO COOL WE COULD SING THAT SONG 751 00:55:32,132 --> 00:55:36,369 ON THE SHOW. NEVER DONE THAT LAURYN HILL 752 00:55:36,369 --> 00:55:39,072 SONG. >> NEVER. 753 00:55:39,072 --> 00:55:40,240 >> Carson: GWEN, GIVE US SOME THOUGHTS. 754 00:55:40,240 --> 00:55:45,712 >> I'M BLOWN AWAY. TO GIVE ME THAT SONG AND BE ABLE 755 00:55:45,712 --> 00:55:50,684 TO BLOW ME AWAY AND TAKE IT OUTSIDE OF THE HIP-HOP WORLD AND 756 00:55:50,684 --> 00:55:54,721 SING THE LYRIC AND MAKE IT FEEL LIKE YOUR SONG, IT'S A BIG DEAL. 757 00:55:54,721 --> 00:55:57,090 YOU SOUNDED SO GOOD. >> THANK YOU SO MUCH. 758 00:55:57,090 --> 00:56:03,363 >> Carson: COACH, PREACH. >> I FELT EVERYTHING. 759 00:56:03,363 --> 00:56:08,168 YOUR OUTFIT LOOKS AMAZING. YOUR PASSION, YOUR EMOTION, YOUR 760 00:56:08,168 --> 00:56:10,870 VOICE, LIKE I SAID, IS A GOLDEN VOICE. 761 00:56:10,870 --> 00:56:15,041 IT HAS SO MUCH NUANCE TO IT AND BEAUTY AND RADIANCE AND ALL OF 762 00:56:15,041 --> 00:56:16,076 THAT CAME THROUGH IN THIS PERFORMANCE. 763 00:56:16,076 --> 00:56:17,444 IT WAS GORGEOUS. >> THANK YOU SO MUCH, JOHN. 764 00:56:17,444 --> 00:56:19,045 >> Carson: IF YOU WANT AZÁN IN THE TOP NINE, YOU CAN VOTE WHEN 765 00:56:19,045 --> 00:56:23,950 THE WINDOW OPENS ON NBC.COM AND "THE VOICE" OFFICIAL APP. 766 00:56:23,950 --> 00:56:27,053 GIVE IT UP FOR AZAN. [ CHEERS AND APPLAUSE ] 767 00:56:27,053 --> 00:56:30,223 THAT WAS SO GOOD. COMING UP, A FEISTY 768 00:56:30,223 --> 00:56:44,137 RONNIE MILSAP CLASSIC SUNG BY JORDAN. 769 00:56:44,137 --> 00:56:47,874 * [ CHEERS AND APPLAUSE ] 770 00:56:47,874 --> 00:56:49,609 >> Carson: WELCOME BACK TO THE TOP 12. 771 00:56:49,609 --> 00:57:12,399 WE ARE LIVE FOR THE FIRST TIME THIS SEASON. 772 00:57:12,399 --> 00:57:16,202 CONTINUING NOW WITH TEAM REBA'S FROM A DIFFERENT GENRE. 773 00:57:16,202 --> 00:57:20,273 >> COME ON IN. YOU LOOK SPARKLY. 774 00:57:20,273 --> 00:57:22,909 >> I GOT THIS FROM A VAMPIRE WEBSITE. 775 00:57:22,909 --> 00:57:25,945 >> JORDAN IS MY FEISTY HOME DOWN GIRL. 776 00:57:25,945 --> 00:57:29,416 IF JORDAN'S SINGING, YOU KNOW IT'S JORDAN. 777 00:57:29,416 --> 00:57:32,352 SHE'S REPRESENTING OKLAHOMA VERY WELL. 778 00:57:32,352 --> 00:57:38,425 >> MISS REBA, I GOT ME A PUPPY DOG. 779 00:57:38,425 --> 00:57:42,062 I NAMED MY WEENIE DOG TATER. >> THAT'S HILARIOUS. 780 00:57:42,062 --> 00:57:45,699 >> LET'S HEAR THIS. * THERE'S A SILENCE HERE BETWEEN 781 00:57:45,699 --> 00:57:51,304 US * * I'VE NEVER HEARD BEFORE * 782 00:57:51,304 --> 00:57:55,475 >> JORDAN IS DOING A RONNIE MILLSAP SONG, ONE OF MY ALL-TIME 783 00:57:55,475 --> 00:58:00,513 FAVORITES. JORDAN IS A STYLIST. 784 00:58:00,513 --> 00:58:08,855 FOR HER TO SHINE, SHE NEEDED A TOUGH SONG TO SING THAT TELLS 785 00:58:08,855 --> 00:58:12,092 HEART BREAK LIKE SHE DID WITH "FANCY." 786 00:58:12,092 --> 00:58:15,628 >> THIS IS ABSOLUTELY A SONG I WISH I HAD WRITTEN. 787 00:58:15,628 --> 00:58:19,265 I WAS WRITING IN DIAPERS. IT'S BEEN A LONG ROAD. 788 00:58:19,265 --> 00:58:22,869 I'VE FLIPPED BURGERS, CLEANED TOILETS, WORKED CONSTRUCTION. 789 00:58:22,869 --> 00:58:24,571 IT WOULD BE THE ULTIMATE VALIDATION FOR AMERICA TO MOVE 790 00:58:24,571 --> 00:58:27,941 ME FORWARD. >> I LIKE YOU CAN PLAY BOAST 791 00:58:27,941 --> 00:58:30,043 INSTRUMENTS, BUT IT WAS DISTRACTING. 792 00:58:30,043 --> 00:58:32,045 I LIKE THE GUITAR BETTER THAN YOU SITTING AT THE PIANO. 793 00:58:32,045 --> 00:58:34,614 >> I AGREE. >> THIS IS AT A CRUCIAL SPOT IN 794 00:58:34,614 --> 00:58:39,219 THE SHOW. YOU WORKED WAY TOO HARD FOR 795 00:58:39,219 --> 00:58:41,588 ANYTHING TO TAKE THE ATTENTION AWAY FROM YOU. 796 00:58:41,588 --> 00:58:48,294 >> YES, MA'AM. >> I THINK ARRANGEMENT-WISE IF 797 00:58:48,294 --> 00:58:51,364 THERE WAS A MORE MELLOW PART I COULD HEAR YOUR VOCAL COME 798 00:58:51,364 --> 00:59:14,654 THROUGH. >> WE'RE GOING TO TAKE HER 799 00:59:14,654 --> 00:59:17,457 REALLY FAR. >> IT WAS ABSOLUTELY THE RIGHT 800 00:59:17,457 --> 00:59:19,559 CHOICE TO STAY ON THE GUITAR. I GOT CHILLS. 801 00:59:19,559 --> 00:59:28,301 IT WAS SO POWERFUL. >> HOPEFULLY AMERICA LOVES IT AS 802 00:59:28,301 --> 00:59:31,771 MUCH AS I DO. * 803 00:59:31,771 --> 00:59:37,877 * * THERE'S A SILENCE * 804 00:59:37,877 --> 00:59:43,783 * HERE BETWEEN US I'VE NEVER HEARD BEFORE * 805 00:59:43,783 --> 00:59:51,157 * AND I CAN'T FIND THE LOVE IN HIS EYES ANYMORE * 806 00:59:51,157 --> 00:59:54,861 * THERE'S SOME CHANGES GOING ON 807 00:59:54,861 --> 00:59:58,565 I'M BEGINNING TO UNDERSTAND * 808 00:59:58,565 --> 01:00:01,201 * WHEN I'M HOLDING HIM I SWEAR I FEEL 809 01:00:01,201 --> 01:00:09,676 THE PRESENCE OF ANOTHER HAND * 810 01:00:09,676 --> 01:00:15,348 * THERE'S A STRANGER IN MY HOUSE * 811 01:00:15,348 --> 01:00:20,553 * SOMEBODY HERE THAT I CAN'T SEE * 812 01:00:20,553 --> 01:00:26,860 * A STRANGER IN MY HOUSE * * SOMEBODY HERE TRYING TO TAKE 813 01:00:26,860 --> 01:00:33,233 HIM AWAY FROM ME * * HE SITS 814 01:00:33,233 --> 01:00:38,004 STARING OUT THE WINDOW A MILLION MILES AWAY * 815 01:00:38,004 --> 01:00:42,742 * AND WHEN I ASK IF HE'S ALL RIGHT 816 01:00:42,742 --> 01:00:45,912 HE NEVER HAS TOO MUCH TO SAY * 817 01:00:45,912 --> 01:00:57,590 * SUSPICIONS LEAD TO QUESTIONS 818 01:00:57,590 --> 01:00:58,958 AND QUESTIONS TO ALIBIS * * IS IT JUST MY IMAGINATION 819 01:00:58,958 --> 01:01:11,738 OR HAS HIS LOVE TURNED INTO LIES * 820 01:01:11,738 --> 01:01:19,679 * * 821 01:01:19,679 --> 01:01:26,152 * THERE'S A STRANGER IN MY HOUSE * 822 01:01:26,152 --> 01:01:30,357 * SOMEBODY HERE THAT I CAN'T SEE * 823 01:01:30,357 --> 01:01:38,932 * A STRANGER IN MY HOUSE SOMEBODY HERE TRYING TO 824 01:01:38,932 --> 01:01:43,236 TAKE HIM AWAY FROM ME OH * 825 01:01:43,236 --> 01:01:57,650 * TRYIN' TO TAKE HIM AWAY * 826 01:01:57,650 --> 01:02:02,389 * TAKE HIM AWAY FROM ME * [ CHEERS AND APPLAUSE ] 827 01:02:02,389 --> 01:02:05,058 >> Carson: ANOTHER STELLAR PERFORMANCE TONIGHT FROM OUR TOP 828 01:02:05,058 --> 01:02:13,233 12. THAT'S JORDAN RAINER, EVERYBODY. 829 01:02:13,233 --> 01:02:16,870 NICE WORK, JORDAN. >> THANK YOU SO MUCH. 830 01:02:16,870 --> 01:02:20,607 >> Carson: GLAD THOSE FLAMES DIDN'T GET YOU. 831 01:02:20,607 --> 01:02:22,509 >> THEY TOASTED MY BUNS A LITTLE BIT. 832 01:02:22,509 --> 01:02:25,679 >> Carson: THAT'S YOUR BUSINESS. ALL RIGHT. 833 01:02:25,679 --> 01:02:27,147 NIALL? >> ME? 834 01:02:27,147 --> 01:02:32,986 >> Carson: YES, SIR. >> APOLOGIES. 835 01:02:32,986 --> 01:02:35,822 JORDAN, YOU JUST HAVE THIS GRAVITATIONAL PULL AS A 836 01:02:35,822 --> 01:02:40,660 PERFORMER. IT WAS SO GOOD TO WATCH YOU RIP 837 01:02:40,660 --> 01:02:47,100 WITH ONE OF THE WORLD'S BEST GUITAR PLAYERS, JUSTIN. 838 01:02:47,100 --> 01:02:48,768 YET AGAIN ANOTHER FANTASTIC PERFORMANCE. 839 01:02:48,768 --> 01:03:22,869 >> Carson: COACH REBA? >> JORDAN, I'M SO PROUD OF YOU J 840 01:03:22,869 --> 01:03:26,072 [ CHEERS AND APPLAUSE ] >> Carson: EVERYBODY, LOOK WHO'S 841 01:03:26,072 --> 01:03:37,684 HERE. GIVE IT UP FOR NICKY GARCIA, THE 842 01:03:37,684 --> 01:03:42,255 HOST OF "BAR-MAGEDDON." I'M MAKING SOME EGG NOG. 843 01:03:42,255 --> 01:03:51,531 YOU KNOW, GETTING READY FOR THE 844 01:03:51,531 --> 01:03:54,167 HOLIDAY SPECIAL TONIGHT. >> Carson: I CAN'T WAIT FOR 845 01:03:54,167 --> 01:04:00,273 EVERYONE TO SEE IT. ICE T AND OUR BUDDY, 846 01:04:00,273 --> 01:04:04,344 BLAKE SHELTON, GO HEAD-TO-HEAD FOR SOME CRAZY GAMES. 847 01:04:04,344 --> 01:04:09,282 YOU WERE NICE ENOUGH TO BRING SOME -- IS THIS THE NETWORK 848 01:04:09,282 --> 01:04:13,586 VERSION OF THE EGG NOG? >> WE'LL LET THE COACHES FIND 849 01:04:13,586 --> 01:04:17,057 OUT. >> Carson: BLAKE IS TRYING TO 850 01:04:17,057 --> 01:04:20,794 FIT IN HIS SANTA SUIT. WHY DON'T YOU DELIVER THE 851 01:04:20,794 --> 01:04:25,265 DRINKS? LADIES AND GENTLEMEN, IF YOU 852 01:04:25,265 --> 01:04:30,537 WANT TO FEEL GOOD ABOUT THE HOLIDAYS, BARMAGEDDON TONIGHT. 853 01:04:30,537 --> 01:04:33,073 MORE PERFORMANCES AHEAD. BUT DURING THE COMMERCIAL BREAK, 854 01:04:33,073 --> 01:04:39,646 CHECK OUT THIS EXCLUSIVE LOOK AT THE BARMAGEDDON HOLIDAY SPECIAL 855 01:04:39,646 --> 01:04:56,663 TONIGHT AT 10:00 P.M. RIGHT NOW, LET'S CONTINUE WITH TEAM 856 01:04:56,663 --> 01:04:58,231 NIALL'S POP SINGER FROM NEW JERSEY WHO COMPLETELY 857 01:04:58,231 --> 01:05:05,305 SHOCKED CHANCE WITH HER VOICE THIS WEEK. 858 01:05:05,305 --> 01:05:11,945 HERE'S MORE FROM MARA JUSTINE. >> HELLO. 859 01:05:11,945 --> 01:05:13,279 WE GOT TO HAVE FUN NOW. YOU GUYS GET A GLIMPSE INTO ME 860 01:05:13,279 --> 01:05:22,722 HYPING MYSELF UP. >> MARA, MARA, I LOST OUT TO THE 861 01:05:22,722 --> 01:05:24,691 BLIND AUDITIONS TO JOHN. DO YOU KNOW HOW HE WON HER? 862 01:05:24,691 --> 01:05:27,327 >> I JUST SAW A FLY. IT LANDED RIGHT ON YOUR HEAD AND 863 01:05:27,327 --> 01:05:30,130 DIDN'T MOVE. I'M SORRY. 864 01:05:30,130 --> 01:05:33,700 >> ANYWAY, HE MESSED IT UP. I STOLE HER IN THE KNOCK-OUTS. 865 01:05:33,700 --> 01:05:36,670 >> NOW SHE'S HOME. >> MARA IS MY SOULFUL 866 01:05:36,670 --> 01:05:39,072 ENTERTAINER. SHE'S AMAZING. 867 01:05:39,072 --> 01:05:42,942 I DON'T THINK WE'VE EVEN SEEN THE BEST OF MARA YET. 868 01:05:42,942 --> 01:05:46,479 >> WELCOME TO THE TOP 12. >> I'M SO EXCITED. 869 01:05:46,479 --> 01:05:55,188 THIS IS NOT A DREAM. >> I'M SO EXCITED YOU CHOSE 870 01:05:55,188 --> 01:05:58,391 "LOSE CONTROL." * I LOSE CONTROL * 871 01:05:58,391 --> 01:06:02,595 >> MARA WAS INCREDIBLE. SHE HAS THIS, LIKE, VERY ANGELIC 872 01:06:02,595 --> 01:06:06,032 PRESENCE. WHEN SHE GOT INTO IT, IT WAS SO 873 01:06:06,032 --> 01:06:07,634 SOULFUL. GREAT BREATH CONTROL. 874 01:06:07,634 --> 01:06:11,204 I WAS BLOWN AWAY. >> THIS IS SONG IS VIRAL 875 01:06:11,204 --> 01:06:17,243 EVERYWHERE RIGHT NOW. I FEEL LIKE AMERICA'S REALLY 876 01:06:17,243 --> 01:06:20,046 GOING TO LIKE IT. * YEAH * 877 01:06:20,046 --> 01:06:24,184 >> THAT WAS JUST INSANE. YOU HAVE AN INCREDIBLE CONTROL 878 01:06:24,184 --> 01:06:26,319 OVER ALL YOUR RANGES. >> INSANE PLACEMENT. 879 01:06:26,319 --> 01:06:30,623 >> THANK YOU. >> THE SECOND VERSE, IF YOU JUST 880 01:06:30,623 --> 01:06:32,826 CHANGE A COUPLE PITCH THINGS, IT WILL MAKE SUCH A DIFFERENCE TO 881 01:06:32,826 --> 01:06:36,196 THE SWING OF THE SONG. IT WAS -- THAT WAS CRAZY. 882 01:06:36,196 --> 01:06:38,631 I CAN SEE THE CONFIDENCE THAT GETTING INTO THE TOP 12 GAVE 883 01:06:38,631 --> 01:06:41,234 YOU. >> I'M SO THANKFUL THAT NIALL 884 01:06:41,234 --> 01:06:44,738 BELIEVES IN ME. GROWING UP I WAS ALWAYS ON 885 01:06:44,738 --> 01:06:49,609 STAGE, ALWAYS TRYING MY BEST AND JUST, LIKE, KEEP GOING AND KEEP 886 01:06:49,609 --> 01:06:56,082 GOING. AND I'M JUST SO THANKFUL TO BE A 887 01:06:56,082 --> 01:06:59,252 PART OF THIS SHOW BECAUSE I'VE JUST GROWN SO MUCH. 888 01:06:59,252 --> 01:07:04,791 SO I'M PROUD OF ME. SORRY. 889 01:07:04,791 --> 01:07:07,794 IT'S HARD TO EXPRESS IN WORDS, BUT THANK YOU FOR CARING ABOUT 890 01:07:07,794 --> 01:07:10,697 US. >> YEAH. 891 01:07:10,697 --> 01:07:11,898 >> IT'S SO SPECIAL. NOT MANY PEOPLE HAVE THAT. 892 01:07:11,898 --> 01:07:15,502 >> FOR SURE. WHERE YOU ARE RIGHT NOW GIVES ME 893 01:07:15,502 --> 01:07:18,571 SO MUCH CONFIDENCE AS A COACH. >> YOU'RE SUPER DOPE. 894 01:07:18,571 --> 01:07:22,342 JUST LIKELY IN THAT. >> THANK YOU. 895 01:07:22,342 --> 01:07:28,048 I AM GOING TO USE ALL THOSE KIND WORDS AND FEEDBACK -- LET'S 896 01:07:28,048 --> 01:07:30,283 GO -- WHEN I GO UP THERE, THAT'S GOING TO BE THE LITTLE FIRE 897 01:07:30,283 --> 01:07:37,223 UNDER MY BUTT. THAT'S GOING TO BE IT. 898 01:07:37,223 --> 01:07:40,160 [ CHEERS AND APPLAUSE ] * 899 01:07:40,160 --> 01:07:47,067 * SOMETHING'S GOT A HOLD OF ME LATELY, NO * 900 01:07:47,067 --> 01:07:51,237 * I DON'T KNOW MYSELF ANYMORE * 901 01:07:51,237 --> 01:07:52,372 * FEELS LIKE THE WALLS ARE ALL CLOSING IN 902 01:07:52,372 --> 01:07:55,475 AND THE DEVIL'S KNOCKING AT MY DOOR * 903 01:07:55,475 --> 01:07:58,645 * OH OUTTA MY MIND 904 01:07:58,645 --> 01:08:07,887 HOW MANY TIMES DID I TELL YOU * 905 01:08:07,887 --> 01:08:15,528 * I'M NO GOOD AT BEING ALONE * * YEAH, IT'S TAKING A 906 01:08:15,528 --> 01:08:17,564 TOLL ON ME TRYING MY BEST TO KEEP 907 01:08:17,564 --> 01:08:20,734 FROM TEARING THE SKIN * * OFF MY BONES 908 01:08:20,734 --> 01:08:22,302 DON'T YOU KNOW * * WHEN YOU'RE NOT 909 01:08:22,302 --> 01:08:23,903 NEXT TO ME * * I'M FALLING APART 910 01:08:23,903 --> 01:08:25,038 RIGHT IN FRONT OF YOU CAN'T YOU SEE * 911 01:08:25,038 --> 01:08:28,141 * I LOSE CONTROL WHEN YOU'RE NOT NEXT TO ME 912 01:08:28,141 --> 01:08:35,281 MMM, MMM YEAH * 913 01:08:35,281 --> 01:08:39,652 * I'M FALLING APART RIGHT IN FRONT OF YOU * 914 01:08:39,652 --> 01:08:42,822 * I LOSE CONTROL WHEN YOU'RE NOT NEXT TO ME 915 01:08:42,822 --> 01:08:45,492 MMM, MMM YEAH * 916 01:08:45,492 --> 01:08:51,297 * YOU'RE BREAKING MY HEART BABY 917 01:08:51,297 --> 01:08:52,866 YOU MAKE A MESS OF ME PROBLEMATIC * 918 01:08:52,866 --> 01:08:56,069 * PROBLEM IS I WANT YOUR BODY * 919 01:08:56,069 --> 01:08:58,171 * LIKE A FIEND LIKE A BAD HABIT 920 01:08:58,171 --> 01:09:01,408 BAD HABIT'S HARD TO BREAK * * WHEN I'M WITH YOU 921 01:09:01,408 --> 01:09:04,511 YEAH I KNOW I COULD DO IT ON MY OWN * 922 01:09:04,511 --> 01:09:19,359 * BUT I WANT THAT REAL FULL MOON BLACK MAGIC 923 01:09:19,359 --> 01:09:20,393 AND IT TAKES TWO * * PROBLEMATIC 924 01:09:20,393 --> 01:09:21,461 I NEED SOME RELIEF MY SKIN IN YOUR TEETH 925 01:09:21,461 --> 01:09:22,662 CAN'T SEE THE FOREST * * THROUGH THE TREES 926 01:09:22,662 --> 01:09:28,802 GOT ME DOWN ON MY KNEES DARLING PLEASE, OH * 927 01:09:28,802 --> 01:09:36,676 * I LOSE CONTROL WHEN YOU'RE NOT HERE WITH ME 928 01:09:36,676 --> 01:09:40,880 I'M FALLING APART RIGHT IN FRONT OF YOU * 929 01:09:40,880 --> 01:09:48,755 * CAN'T YOU SEE I LOSE CONTROL 930 01:09:48,755 --> 01:09:53,493 WHEN YOU'RE NOT HERE WITH ME * 931 01:09:53,493 --> 01:09:56,696 * YEAH, YOU'RE BREAKING MY HEART, BABY 932 01:09:56,696 --> 01:10:05,739 YOU MAKE A MESS OF ME YEAH YEAH * 933 01:10:05,739 --> 01:10:09,409 [ CHEERS AND APPLAUSE ] >> Carson: SOMETHING GOING ON 934 01:10:09,409 --> 01:10:13,680 AROUND HERE TONIGHT, EVERYBODY. MARA JUSTINE, YET ANOTHER 935 01:10:13,680 --> 01:10:17,817 INCREDIBLE PERFORMANCE AS OUR TOP 12 ARE PUTTING ON QUITE A 936 01:10:17,817 --> 01:10:21,421 SHOW ON "THE VOICE." WHAT IS HAPPENING? 937 01:10:21,421 --> 01:10:23,990 >> COME ON. LET'S GO. 938 01:10:23,990 --> 01:10:29,629 >> Carson: HOW ARE THREE PEOPLE GOING TO GO HOME TOMORROW NIGHT? 939 01:10:29,629 --> 01:10:32,399 HOW IS THAT GOING TO HAPPEN? >> IMPOSSIBLE. 940 01:10:32,399 --> 01:10:34,668 >> Carson: IT'S IMPOSSIBLE, JOHN. 941 01:10:34,668 --> 01:10:37,537 MARA, THAT WAS INCREDIBLE. LET'S GET SOME THOUGHTS FROM 942 01:10:37,537 --> 01:10:41,908 NIALL. >> MARA, THAT WAS INSANE. 943 01:10:41,908 --> 01:10:45,078 BY FAR THE BEST YOU'VE DONE IT ALL WEEK WITHOUT A SHADOW OF A 944 01:10:45,078 --> 01:10:48,515 DOUBT. I'M SO PROUD OF THE GROWTH. 945 01:10:48,515 --> 01:10:51,451 THE CONFIDENCE YOU'VE GAINED BY GETTING TO THE LIVES IS 946 01:10:51,451 --> 01:10:54,454 UNBELIEVABLE. THAT WAS BY FAR YOUR BEST 947 01:10:54,454 --> 01:10:55,422 PERFORMANCE OF THE SEASON SO FAR. 948 01:10:55,422 --> 01:10:56,723 YOU DESERVE TO GO ON. >> Carson: IF YOU WANT MARA IN 949 01:10:56,723 --> 01:10:58,558 THE TOP 9, YOU CAN VOTE WHEN THE WINDOW OPENS ON NBC.COM AND "THE 950 01:10:58,558 --> 01:11:01,928 VOICE" OFFICIAL APP. GIVE IT UP FOR MARA JUSTINE. 951 01:11:01,928 --> 01:11:03,263 [ CHEERS AND APPLAUSE ] >> Carson: WHEN WE RETURN, MAC 952 01:11:03,263 --> 01:11:13,139 SINGS A PASSIONATE WORLD-WIDE HIT BY BONNIE RAITT. 953 01:11:13,139 --> 01:11:33,960 * UNBELIEVABLE NIGHT TONIGHT. 954 01:11:33,960 --> 01:11:36,096 THEY ARE THE BEST IN THE BUSINESS. 955 01:11:36,096 --> 01:11:38,732 WE'RE SO LUCKY TO HAVE THEM. NOW, LET'S CONTINUE WITH TEAM 956 01:11:38,732 --> 01:11:40,100 LEGEND'S SOUL SINGER FROM ARKANSAS WHO'S INSPIRED THIS 957 01:11:40,100 --> 01:11:41,368 WEEK BY SOMEONE WHO HAS SUPPORTED HIM THROUGHOUT HIS 958 01:11:41,368 --> 01:11:46,439 LIFE. HERE'S MORE FROM MAC ROYALS. 959 01:11:46,439 --> 01:11:48,875 >> YOU WERE PART OF THE SHOW LAST SEASON. 960 01:11:48,875 --> 01:11:53,480 I WAS NOT PART OF THE SHOW. WE WERE GOING TO BE WORKING 961 01:11:53,480 --> 01:11:56,850 TOGETHER NEXT SEASON, SEASON 25. THIS IS YOUR CHANCE TO SCOPE OUT 962 01:11:56,850 --> 01:11:59,953 THE COMPETITION. >> YOU TALKING ABOUT YOURSELF? 963 01:11:59,953 --> 01:12:04,057 >> YEAH, ME. >> I THOUGHT WE WERE FRIENDS. 964 01:12:04,057 --> 01:12:06,226 >> WE ARE FRIENDS, BUT I WANT TO DEFEAT YOU. 965 01:12:06,226 --> 01:12:08,795 >> DEFEAT ME? >> YES. 966 01:12:08,795 --> 01:12:11,431 IN THE MEANTIME I WANT TO FOCUS ON DOING THE BEST FOR TEAM 967 01:12:11,431 --> 01:12:14,434 LEGEND THIS SEASON. I'M EXCITING FOR YOU TO MEET 968 01:12:14,434 --> 01:12:17,837 HIM. MAC, LOOK WHO'S HERE. 969 01:12:17,837 --> 01:12:22,175 >> OH, CHANCE THE RAPPER IS ONE OF THE MOST TALENTED ARTISTS. 970 01:12:22,175 --> 01:12:25,612 NOW I GET TO WORK WITH HIM. THAT'S WILD. 971 01:12:25,612 --> 01:12:28,782 >> WEEK AFTER WEEK YOU'VE BEEN SHOWING US YOU'RE AN ELITE LEVEL 972 01:12:28,782 --> 01:12:31,351 ARTIST. I'M EXCITED FOR AMERICA TO VOTE 973 01:12:31,351 --> 01:12:35,755 FOR YOU. MAC IS MY R&B SUPERSTAR. 974 01:12:35,755 --> 01:12:38,825 I'M IN AWE OF HIS ABILITY. HE'S EVERYTHING YOU WANT IN AN 975 01:12:38,825 --> 01:12:44,964 R&B SINGER. MAC IS SINGER BONNIE RAITT'S 976 01:12:44,964 --> 01:12:48,234 CLASSIC "I CAN'T MAKE YOU LOVE ME." 977 01:12:48,234 --> 01:12:52,105 IT'S SUCH A GREAT SONG FOR MAC. I THINK SHOWING THIS EMOTIONAL 978 01:12:52,105 --> 01:12:55,675 SIDE WILL CONNECT WITH THE AUDIENCE AND MAKE THEM VOTE FOR 979 01:12:55,675 --> 01:13:00,080 MAC. >> TO BE IN THE TOP 12, I'M 980 01:13:00,080 --> 01:13:03,149 TAKING IT ALL IN. I GREW UP IN A TRAILER. 981 01:13:03,149 --> 01:13:05,585 MY MOTHER WORKED HER FINGERS TO THE BONE TO MAKE SURE I HAD 982 01:13:05,585 --> 01:13:08,521 EVERYTHING I NEEDED. THERE'S NO WAY I WOULD HAVE BEEN 983 01:13:08,521 --> 01:13:10,123 ABLE TO MAKE IT THIS FAR WITHOUT YOU HERE WITH ME. 984 01:13:10,123 --> 01:13:13,660 THAT'S IT. LOVE YOU TOO, MAMA. 985 01:13:13,660 --> 01:13:19,499 >> I ABSOLUTELY LOVE YOU. >> MAKING IT TO THE TOP 12, IT 986 01:13:19,499 --> 01:13:25,672 PUTS ME CLOSER TO A PLACE WHERE I CAN TELL MY MOM, IF YOU DON'T 987 01:13:25,672 --> 01:13:29,075 WANT TO GO BACK TO WORK TOMORROW, YOU DON'T HAVE TO. 988 01:13:29,075 --> 01:13:36,916 >> THERE'S A DIFFERENT MELODY BONNIE DOES ON THE ORIGINAL, I 989 01:13:36,916 --> 01:13:41,254 THINK IT WILL ADD VARIATION. >> THE WAY YOU SLIDE FROM YOUR 990 01:13:41,254 --> 01:13:45,158 FALSETTO IS SEAMLESS. I LIKE THAT A LOT. 991 01:13:45,158 --> 01:13:48,762 MY ONLY ISSUE IS TOWARDS THE END YOU'RE TRYING TO USE YOUR CHEST 992 01:13:48,762 --> 01:13:51,264 VOICE THE WHOLE TIME. I MISS SOME OF THE SOFT AND 993 01:13:51,264 --> 01:13:55,702 LIGHT. I WOULD WORK ON ADDING SOME MORE 994 01:13:55,702 --> 01:13:58,471 OF THE FALSETTO TO GIVE IT AN ELEMENT OF SURPRISE IN THERE. 995 01:13:58,471 --> 01:14:01,207 >> I'M HAPPY, MAN. YOU'RE GOING TO BE GREAT. 996 01:14:01,207 --> 01:14:05,178 >> APPRECIATE YOU ALL. >> MAC IS A TRUE SOUL SINGER. 997 01:14:05,178 --> 01:14:10,216 HE'S ALSO A PERFORM, THE WAY HE CONNECT TS TO THE LYRIC. 998 01:14:10,216 --> 01:14:19,325 I THINK MAC IS ONE OF THE ONES THAT COULD WIN THE WHOLE THING. 999 01:14:19,325 --> 01:14:28,068 * TURN DOWN THE LIGHTS * * TURN DOWN THE BED * 1000 01:14:28,068 --> 01:14:34,574 * TURN DOWN THESE VOICES INSIDE MY HEAD HEAD * 1001 01:14:34,574 --> 01:14:41,614 * LAY DOWN WITH ME * * TELL ME NO LIES * 1002 01:14:41,614 --> 01:14:54,794 * JUST HOLD ME CLOSE DON'T PATRONIZE 1003 01:14:54,794 --> 01:15:05,872 DON'T PATRONIZE * * 'CAUSE I CAN'T 1004 01:15:05,872 --> 01:15:19,085 MAKE YOU LOVE ME IF YOU DON'T * 1005 01:15:19,085 --> 01:15:30,797 * YOU CAN'T MAKE YOUR HEART FEEL 1006 01:15:30,797 --> 01:15:31,865 SOMETHING IT WON'T HERE IN THE DARK * 1007 01:15:31,865 --> 01:15:33,099 * IN THESE FINAL HOURS I WILL LAY DOWN MY HEART 1008 01:15:33,099 --> 01:15:39,239 AND FEEL THE POWER * * IF YOU DON'T 1009 01:15:39,239 --> 01:15:40,774 NO YOU WON'T * * 'CAUSE I CAN'T 1010 01:15:40,774 --> 01:15:43,376 MAKE YOU LOVE ME * * IF YOU DON'T 1011 01:15:43,376 --> 01:15:49,749 YOU CAN'T MAKE YOUR HEART FEEL 1012 01:15:49,749 --> 01:15:57,157 SOMETHING IT WON'T * * HERE IN THE DARK 1013 01:15:57,157 --> 01:16:02,929 IN THESE FINAL HOURS I WILL LAY DOWN MY HEART 1014 01:16:02,929 --> 01:16:09,769 AND FEEL THE POWER * * IF YOU WON'T 1015 01:16:09,769 --> 01:16:21,414 NO YOU WON'T * * 'CAUSE I CAN'T 1016 01:16:21,414 --> 01:16:26,553 MAKE YOU LOVE ME * * IF YOU DON'T 1017 01:16:26,553 --> 01:16:33,593 YOU AIN'T GOTTA LOVE YOU AIN'T GOTTA LOVE * 1018 01:16:33,593 --> 01:16:41,301 * I CAN'T MAKE YOU LOVE ME * * OH IF YOU DON'T * 1019 01:16:41,301 --> 01:16:45,939 [ CHEERS AND APPLAUSE ] >> Carson: THAT WAS MAC ROYALS 1020 01:16:45,939 --> 01:16:49,075 WHO JUST CONTINUES TONIGHT'S INCREDIBLE PERFORMANCES. 1021 01:16:49,075 --> 01:16:53,780 IT FELT LIKE THE FINALE. IT'S OUR TOP 12 LIVE SHOW ON 1022 01:16:53,780 --> 01:16:55,882 "THE VOICE." THAT WAS A MASTER CLASS. 1023 01:16:55,882 --> 01:16:59,452 JOHN, TALK TO US. >> I SAID IT. 1024 01:16:59,452 --> 01:17:03,023 HE'S ELITE, Y'ALL. HE'S ELITE TALENT. 1025 01:17:03,023 --> 01:17:06,659 YOU'RE WATCHING SOMEBODY WHO IS SO SPECIAL. 1026 01:17:06,659 --> 01:17:09,763 WE'VE SEEN YOU DOING THE SEXY R&B JAMS. 1027 01:17:09,763 --> 01:17:12,665 I THINK LETTING PEOPLE INTO YOU EMOTIONALLY AND CONNECTING ON 1028 01:17:12,665 --> 01:17:16,269 THIS SONG JUST SHOWS PEOPLE ANOTHER SIDE OF YOU. 1029 01:17:16,269 --> 01:17:18,638 THIS MAN NEEDS A RECORD DEAL. THIS MAN NEEDS TO WIN "THE 1030 01:17:18,638 --> 01:17:25,745 VOICE." HE NEEDS TO DO ALL THAT. 1031 01:17:25,745 --> 01:17:27,580 MAC, I BELIEVE IN YOU SO MUCH. IT WAS ANOTHER BEAUTIFUL 1032 01:17:27,580 --> 01:17:29,783 PERFORMANCE AND IT SHOWED ANOTHER SIDE OF YOU. 1033 01:17:29,783 --> 01:17:30,750 I'M SO PROUD OF YOU. >> THANK YOU. 1034 01:17:30,750 --> 01:17:33,520 >> Carson: IF YOU WANT MAC IN THE TOP NINE, YOU CAN VOTE WHEN 1035 01:17:33,520 --> 01:17:37,424 THE WINDOW OPENS ON NBC.COM AND "THE VOICE" OFFICIAL APP. 1036 01:17:37,424 --> 01:17:38,491 GIVE IT UP ONE MORE TIME FOR MAC ROYALS. 1037 01:17:38,491 --> 01:17:39,759 [ CHEERS AND APPLAUSE ] GET OUT OF HERE. 1038 01:17:39,759 --> 01:17:55,842 WHEN WE COME BACK, BIAS CLOSES * 1039 01:17:55,842 --> 01:17:58,678 [ CHEERS AND APPLAUSE ] >> Carson: TONIGHT HAS BEEN SO 1040 01:17:58,678 --> 01:18:00,347 AMAZING. ONE MORE PERFORMANCE TO GO. 1041 01:18:00,347 --> 01:18:03,516 WE'LL OPEN THE VOTING WINDOW. LET'S CLOSE OUT THE TOP 12 LIVE 1042 01:18:03,516 --> 01:18:05,819 SHOW WITH TEAM GWEN'S COUNTRY SOUL ARTIST WHO'S CONNECTING 1043 01:18:05,819 --> 01:18:12,892 WITH HIS SONG ON A SPIRITUAL LEVEL. 1044 01:18:12,892 --> 01:18:18,164 HERE'S MORE FROM BIAS. >> BEING A RED NECK CAN MEAN A 1045 01:18:18,164 --> 01:18:23,770 LOT OF THINGS. YOU COULD BE SKINNY DIPPING OR 1046 01:18:23,770 --> 01:18:27,374 SIPPING ON A MILKSHAKE OR SITTING ON THE BACK DECK GETTING 1047 01:18:27,374 --> 01:18:31,911 THAT ACTION. THERE WAS A WASP. 1048 01:18:31,911 --> 01:18:34,047 >> GOOD TO SEE YOU, BRO. Y'ALL, LET'S DO THIS. 1049 01:18:34,047 --> 01:18:37,851 >> OH, MY GOSH. >> YOU HAVE A VIBE TO YOU, MAN. 1050 01:18:37,851 --> 01:18:41,287 YOU HAVE THAT DAZED AND CONFUSED THING GOING ON. 1051 01:18:41,287 --> 01:18:43,289 >> I DON'T KNOW IF THAT'S A GOOD THING. 1052 01:18:43,289 --> 01:18:45,558 >> SAY ALL RIGHT ALL RIGHT. >> ALL RIGHT ALL RIGHT ALL 1053 01:18:45,558 --> 01:18:47,260 RIGHT. I'VE BEEN WATCHING CHANCE FOR A 1054 01:18:47,260 --> 01:18:50,764 LONG TIME. HE'S AN INDEPENDENT ARTIST AND 1055 01:18:50,764 --> 01:18:54,668 NEVER RELIED ON A LABEL. FOR ME HE'S A HUGE INSPIRATION. 1056 01:18:54,668 --> 01:18:58,638 >> I'M SO EXCITE FORD YOU. YOU ALWAYS PICK THE RIGHT SONGS. 1057 01:18:58,638 --> 01:19:03,343 >> WHAT'S CRAZY ABOUT THIS SONG, IT'S A JOHNNY CASH SONG. 1058 01:19:03,343 --> 01:19:05,912 JOHNNY CASH WAS BORN ABOUT 45 MINUTES FROM MY HOMETOWN IN 1059 01:19:05,912 --> 01:19:10,550 ARKANSAS. BEING ABLE TO DO THIS IS INSANE. 1060 01:19:10,550 --> 01:19:14,587 * YOU CAN RUN FOR A LONG TIME * * RUN FOR A LONG TIME * 1061 01:19:14,587 --> 01:19:18,024 >> WHEN I HEARD THIS SONG, IT JUST FELT SO CONSISTENT WITH WHO 1062 01:19:18,024 --> 01:19:23,530 HE'S BEEN. I THINK BIAS IS A COUNTRY SOUL 1063 01:19:23,530 --> 01:19:27,834 CREATURE. THE WAY YOU STARTED THE SONG, 1064 01:19:27,834 --> 01:19:31,438 YOU'RE SINGING IT SUPER QUIET, BUT YOU CAN BE VERY ANIMATED AND 1065 01:19:31,438 --> 01:19:34,841 STORY TELLING. YOU'RE TALKING TO YOURSELF, BUT 1066 01:19:34,841 --> 01:19:46,052 YOU'RE WARNING THEM THAT THIS IS GOING TO HAPPEN. 1067 01:19:46,052 --> 01:19:47,454 I WANT IT TO FEEL LIKE YOU'RE REALLY TELLING THE STORY WHEN 1068 01:19:47,454 --> 01:19:48,521 YOU'RE TALKING THROUGH THE FIRST VERSES. 1069 01:19:48,521 --> 01:19:49,723 >> THAT SECOND VERSE, LET ME TELL YOU THE NEWS. 1070 01:19:49,723 --> 01:19:50,824 THAT'S THE MOTIVATION OF THE WHOLE SONG. 1071 01:19:50,824 --> 01:19:55,228 YOU HAVE INFORMATION THAT EVERYBODY ELSE DOESN'T 1072 01:19:55,228 --> 01:19:58,331 NECESSARILY HAVE. YOU'RE LIKE MOSES. 1073 01:19:58,331 --> 01:20:03,236 * RUN ON FOR A LONG TIME * >> THE MORE COMFORTABLE HE GOT 1074 01:20:03,236 --> 01:20:06,206 WITH THE LYRICS AND THE MORE INTENTIONALITY HE PUT ON THE 1075 01:20:06,206 --> 01:20:09,376 LYRICS, JUST THE BETTER AND BETTER THE PERFORMANCE GOT. 1076 01:20:09,376 --> 01:20:13,046 I'M BECOME AGO BIAS FAN. I GOT A LITTLE BIAS BIAS. 1077 01:20:13,046 --> 01:20:17,450 >> IT'S GOING TO BE COOL AND DIFFERENT FROM EVERYBODY ELSE. 1078 01:20:17,450 --> 01:20:20,887 WE HAVE SO MANY COUNTRY PEOPLE ROOTING FOR YOU. 1079 01:20:20,887 --> 01:20:23,089 >> I'M THE LAST COUNTRY MALE STANDING. 1080 01:20:23,089 --> 01:20:27,660 >> EVERYBODY IS FIGHTING FOR A SPOT IN THE SEMI-FINALS. 1081 01:20:27,660 --> 01:20:29,629 I THINK AMERICA HAS FALLEN IN LOVE WITH BIAS. 1082 01:20:29,629 --> 01:20:31,698 THIS NEXT PERFORMANCE IS GOING TO SEAL THE DEAL. 1083 01:20:31,698 --> 01:20:40,106 WE'RE GOING TO WIN "THE VOICE." >> LET'S WIN "THE VOICE." 1084 01:20:40,106 --> 01:20:47,313 * YOU CAN RUN ON * * FOR A LONG TIME 1085 01:20:47,313 --> 01:20:53,219 RUN ON FOR A LONG TIME * 1086 01:20:53,219 --> 01:20:55,922 * RUN ON FOR A LONG LONG TIME * 1087 01:20:55,922 --> 01:21:12,305 * SOONER LATER GOD'LL CUT YOU DOWN * 1088 01:21:12,305 --> 01:21:21,614 * SOONER OR LATER GOD'LL CUT YOU DOWN * 1089 01:21:21,614 --> 01:21:27,253 NOT * GO AND TELL THAT 1090 01:21:27,253 --> 01:21:29,889 LONG-TONGUED LIAR * * GO AND TELL 1091 01:21:29,889 --> 01:21:30,957 THAT MIDNIGHT RIDER TELL THE RAMBLER 1092 01:21:30,957 --> 01:21:32,559 THE GAMBLER * * THE BACK-BITER 1093 01:21:32,559 --> 01:21:41,735 TELL 'EM THAT GOD'S GONNA CUT 'EM DOWN 1094 01:21:41,735 --> 01:21:47,474 TELL 'EM THAT * * GOD'S GONNA CUT 'EM DOWN * 1095 01:21:47,474 --> 01:21:48,608 * WELL, MY GOODNESS GRACIOUS LET ME TELL 1096 01:21:48,608 --> 01:21:50,176 YOU THE NEWS * * MY HEAD'S BEEN WET 1097 01:21:50,176 --> 01:21:51,678 WITH THE MIDNIGHT DEW I'VE BEEN DOWN 1098 01:21:51,678 --> 01:21:53,813 ON BENDED KNEE * * TALKIN' TO THE MAN 1099 01:21:53,813 --> 01:21:54,848 FROM GALILEE HE SPOKE TO ME 1100 01:21:54,848 --> 01:21:56,950 IN A VOICE SO SWEET * * THOUGHT I HEARD 1101 01:21:56,950 --> 01:21:58,551 THE SHUFFLE OF ANGEL'S FEET * 1102 01:21:58,551 --> 01:21:59,719 * HE CALLED MY NAME AND MY HEART STOOD STILL 1103 01:21:59,719 --> 01:22:00,720 HE SAID JOHN GO DO MY WILL * 1104 01:22:00,720 --> 01:22:01,955 * RUN ON FOR A LONG TIME RUN ON FOR A LONG TIME 1105 01:22:01,955 --> 01:22:03,156 RUN ON FOR A LONG TIME * * SOONER OR LATER 1106 01:22:03,156 --> 01:22:14,267 GOD'LL CUT YOU DOWN SOONER OR LATER 1107 01:22:14,267 --> 01:22:19,239 GOD'LL CUT YOU DOWN * * YEAH * 1108 01:22:19,239 --> 01:22:20,807 * YEAH YEAH YEAH * * WELL YOU MAY 1109 01:22:20,807 --> 01:22:25,445 THROW YOUR ROCK AND HIDE YOUR HAND * 1110 01:22:25,445 --> 01:22:31,084 * WORKIN' IN THE DARK AGAINST YOUR FELLOW MAN * 1111 01:22:31,084 --> 01:22:32,285 * BUT AS SURE AS GOD MADE BLACK AND WHITE * 1112 01:22:32,285 --> 01:22:35,288 * WHAT'S DONE IN THE DARK WILL BE 1113 01:22:35,288 --> 01:22:37,424 BROUGHT TO THE LIGHT * * SO RUN ON 1114 01:22:37,424 --> 01:22:38,992 FOR A LONG TIME RUN ON FOR A LONG TIME 1115 01:22:38,992 --> 01:22:42,162 RUN ON FOR A LONG TIME * * SOONER OR LATER 1116 01:22:42,162 --> 01:22:45,331 GOD'LL CUT YOU DOWN SOONER OR LATER 1117 01:22:45,331 --> 01:22:47,967 GOD'LL CUT YOU DOWN * * TELL THAT 1118 01:22:47,967 --> 01:22:50,103 LONG-TONGUED LIAR GO AND TELL THAT 1119 01:22:50,103 --> 01:22:52,739 MIDNIGHT RIDER * * TELL THE RAMBLER 1120 01:22:52,739 --> 01:23:01,047 THE GAMBLER THE BACK-BITER 1121 01:23:01,047 --> 01:23:05,885 TELL 'EM THAT * * GOD'S GONNA CUT 'EM DOWN * 1122 01:23:05,885 --> 01:23:13,093 * SOONER OR LATER GOD'LL CUT YOU DOWN 1123 01:23:13,093 --> 01:23:15,528 SOONER OR LATER * [ CHEERS AND APPLAUSE ] 1124 01:23:15,528 --> 01:23:20,467 >> Carson: THAT WILL DO IT. THERE'S BIAS, TEAM GWEN CLOSING 1125 01:23:20,467 --> 01:23:25,338 OUT THE NIGHT OF OUR TOP 12. WHAT A NIGHT OF LIVE MUSIC AS 1126 01:23:25,338 --> 01:23:29,876 "THE VOICE" RETURNS LIVE ON NBC. BIAS, GREAT JOB, MAN. 1127 01:23:29,876 --> 01:23:34,214 THAT WAS SO FUN. >> YOU LOOK GOOD, CARSON. 1128 01:23:34,214 --> 01:23:35,248 >> Carson: APPRECIATE THE COMPLIMENTS. 1129 01:23:35,248 --> 01:23:56,970 REBA? >> BIAS, THAT'S THE 1130 01:23:56,970 --> 01:24:00,707 BIAS? >> IT'S LIKE A DREAM YOU'RE ON 1131 01:24:00,707 --> 01:24:02,842 MY TEAM AND WE HAVE THIS CONNECTION IN THE SENSE THAT 1132 01:24:02,842 --> 01:24:09,749 LIKE -- >> REBA IS OVER THERE HATING. 1133 01:24:09,749 --> 01:24:13,086 >> I'M SO EXCITING RIGHT NOW. LISTEN TO ME -- 1134 01:24:13,086 --> 01:24:17,724 >> GOT TO LET IT GO. >> YOU JUST KEEP BEING YOU. 1135 01:24:17,724 --> 01:24:19,225 YOU ARE THE PUREST PERSON I'VE EVER MET. 1136 01:24:19,225 --> 01:24:20,427 JUST KEEP GOING. >> Carson: IF YOU WANT BIAS IN 1137 01:24:20,427 --> 01:24:24,297 THE TOP NINE, YOU CAN VOTE WHEN THE WINDOW OPENS ON NBC.COM AND 1138 01:24:24,297 --> 01:24:27,634 "THE VOICE" OFFICIAL APP. GIVE IT UP AGAIN FOR BIAS, 1139 01:24:27,634 --> 01:24:28,802 LADIES AND GENTLEMEN. [ CHEERS AND APPLAUSE ] 1140 01:24:28,802 --> 01:24:30,537 THERE YOU HAVE IT. WHAT A NIGHT OF MUSIC. 1141 01:24:30,537 --> 01:24:33,173 VOTING IS OFFICIALLY OPEN FOR ALL ARTISTS. 1142 01:24:33,173 --> 01:24:38,078 TOMORROW NIGHT AT 9:00/8:00 CENTRAL, YOUR RESULTS.